1 00:00:04,000 --> 00:00:07,040 Speaker 1: Welcome to Stuff Mom Never Told You from House stuff 2 00:00:07,040 --> 00:00:14,080 Speaker 1: Works dot com. Hello, and welcome to the podcast. I'm 3 00:00:14,160 --> 00:00:17,320 Speaker 1: Kristen and I'm Caroline, and today we are talking about 4 00:00:17,400 --> 00:00:21,239 Speaker 1: the Bechdel Tests, which a number of listeners have written 5 00:00:21,280 --> 00:00:27,000 Speaker 1: in suggesting that we cover, and recently, the director of 6 00:00:27,080 --> 00:00:30,840 Speaker 1: Bridesmaids and also The Heat, which is the summer comedy 7 00:00:31,040 --> 00:00:35,800 Speaker 1: with Sandra Bullock and Lis McCarthy told British g Q 8 00:00:36,800 --> 00:00:39,000 Speaker 1: that he's trying to make all of his movies from 9 00:00:39,000 --> 00:00:41,879 Speaker 1: here on out pass the Bechdel test. Yeah, which is 10 00:00:41,880 --> 00:00:44,440 Speaker 1: pretty awesome. It's it's a great thing to strive for. 11 00:00:44,560 --> 00:00:47,199 Speaker 1: And for those of you who don't know what the 12 00:00:47,200 --> 00:00:49,839 Speaker 1: Bechdel test is and why it's such a cool thing 13 00:00:49,880 --> 00:00:53,760 Speaker 1: to strive for, let's let's define that, shall we. Sure 14 00:00:54,000 --> 00:00:57,680 Speaker 1: there's three steps. Okay, Number one, the movie has to 15 00:00:57,720 --> 00:01:01,120 Speaker 1: have at least two named in and in it too 16 00:01:01,520 --> 00:01:06,960 Speaker 1: who talked to each other three about something besides a man. 17 00:01:07,680 --> 00:01:11,840 Speaker 1: And that might seem like a pretty simple feat, but 18 00:01:12,600 --> 00:01:16,120 Speaker 1: you would be surprised how challenging it actually is to 19 00:01:16,200 --> 00:01:19,800 Speaker 1: find movies that pass the Bechdel test, right, I mean, 20 00:01:20,280 --> 00:01:22,800 Speaker 1: just to think about I mean this this rule, this 21 00:01:22,840 --> 00:01:25,840 Speaker 1: test is so great to even consider, because once you 22 00:01:25,880 --> 00:01:29,080 Speaker 1: start thinking about it, you realize, oh my god, it's 23 00:01:29,120 --> 00:01:33,680 Speaker 1: so few movies in in popular culture today, even even 24 00:01:33,959 --> 00:01:37,600 Speaker 1: sort of past this test. Yeah. BuzzFeed rounded up some 25 00:01:38,840 --> 00:01:42,760 Speaker 1: movies that have already failed the test, speaking of Melissa McCarthy. 26 00:01:42,920 --> 00:01:46,360 Speaker 1: For instance, Identity Thief, which he started with Jason Bateman 27 00:01:46,560 --> 00:01:53,320 Speaker 1: failed twenty one and over Oblivion, mud Jack the Giant Slayer. Yeah. 28 00:01:53,400 --> 00:01:57,640 Speaker 1: Then we've got movies like Hangover three, which who's surprised, 29 00:01:58,040 --> 00:02:02,560 Speaker 1: no one? Uh, now you see me after Earth, the Internship, 30 00:02:02,800 --> 00:02:06,280 Speaker 1: the Purge and this is the End and for this 31 00:02:06,320 --> 00:02:08,919 Speaker 1: is the end. I wasn't surprised when I saw that 32 00:02:09,000 --> 00:02:11,400 Speaker 1: on the list because I had seen the preview a 33 00:02:11,440 --> 00:02:15,320 Speaker 1: while ago, and it's this ensemble movie, but it's an 34 00:02:15,440 --> 00:02:18,920 Speaker 1: ensemble mostly of dudes. You have a girl cameos every 35 00:02:18,960 --> 00:02:21,800 Speaker 1: now and then, like Mindy Kaling pops in for a second. 36 00:02:22,480 --> 00:02:26,239 Speaker 1: But it's all narrowed down to a group of guys, 37 00:02:26,480 --> 00:02:28,960 Speaker 1: you know, And there's nothing wrong with a group of guys. No, 38 00:02:29,320 --> 00:02:31,440 Speaker 1: there's certainly not anything wrong with a group of guys. 39 00:02:31,480 --> 00:02:33,800 Speaker 1: I just think that, like a lot of people have 40 00:02:33,880 --> 00:02:36,919 Speaker 1: pointed out writing about this test, it does point out 41 00:02:36,960 --> 00:02:40,000 Speaker 1: the fact that, you know, we don't have a lot 42 00:02:40,040 --> 00:02:45,160 Speaker 1: of actual representation of ladies. Yeah, well, so what other 43 00:02:45,200 --> 00:02:48,120 Speaker 1: movies have not done so well on this test? Oh? 44 00:02:48,120 --> 00:02:50,200 Speaker 1: I don't know. How about a classic like Star Wars. 45 00:02:50,440 --> 00:02:53,000 Speaker 1: That's right, Star Wars fans, they do not pass the 46 00:02:53,040 --> 00:02:58,360 Speaker 1: Bechdel test. Yeah, we've also got the Social Network, Avatar 47 00:02:58,639 --> 00:03:02,359 Speaker 1: and Lord of the Rings. But it's not all bad news. 48 00:03:02,440 --> 00:03:06,000 Speaker 1: Of course, there are some classic except pass the Bechdel tests, 49 00:03:06,000 --> 00:03:12,600 Speaker 1: including When Harry Met Sally, Titanic, Clueless, Bridesmaids, Black Swan, Coralines. 50 00:03:12,639 --> 00:03:17,280 Speaker 1: JU know, there's actually a website devoted to Bechdel tests 51 00:03:17,400 --> 00:03:20,160 Speaker 1: itemizing what movies to do and don't I believe it 52 00:03:20,240 --> 00:03:23,240 Speaker 1: is Beckdal test dot com. Or you can just google 53 00:03:23,360 --> 00:03:28,160 Speaker 1: Bechdel Test and it'll come right up. But Caroline, where 54 00:03:28,320 --> 00:03:31,320 Speaker 1: did the Bechdel test come from? Who's what? What is 55 00:03:31,360 --> 00:03:37,320 Speaker 1: this beck deal? That reminds me of bechemeal Sauce Delicien delicious. 56 00:03:37,360 --> 00:03:42,080 Speaker 1: Alison Bechdel wrote about or or portrayed this rule a 57 00:03:42,080 --> 00:03:44,880 Speaker 1: conversation about this rule in her comic strip Dikes to 58 00:03:44,920 --> 00:03:49,080 Speaker 1: Watch out For. In the strip was called the rule, 59 00:03:49,640 --> 00:03:53,440 Speaker 1: and she does specify in her strip that she stole 60 00:03:53,520 --> 00:03:56,000 Speaker 1: this idea from her friend Liz Wallace, with whom she 61 00:03:56,040 --> 00:04:00,840 Speaker 1: was studying karate at the time. So Kristen what happened 62 00:04:00,840 --> 00:04:03,360 Speaker 1: in the in the strip. So basically, the strip is 63 00:04:03,360 --> 00:04:06,880 Speaker 1: a scene where two characters go to the movies, but 64 00:04:06,960 --> 00:04:10,760 Speaker 1: they don't actually end up seeing anything because none of 65 00:04:11,080 --> 00:04:15,240 Speaker 1: the offerings pass the rule as it's referred to, which 66 00:04:15,240 --> 00:04:17,599 Speaker 1: we now would call the Bechtel tests. One of the 67 00:04:17,680 --> 00:04:20,120 Speaker 1: character comments that the last movie she was able to 68 00:04:20,200 --> 00:04:22,040 Speaker 1: go see because of the rule, by the way, it 69 00:04:22,160 --> 00:04:26,760 Speaker 1: was Alien, So Alien passes the Bechtel test. Um. Yeah, 70 00:04:26,760 --> 00:04:30,719 Speaker 1: and and in this one comic in the rule she 71 00:04:30,800 --> 00:04:36,200 Speaker 1: itemizes those three criteria and because it will actually it's 72 00:04:36,240 --> 00:04:39,599 Speaker 1: a little erroneous. Sometimes it's known as the Mo movie 73 00:04:39,600 --> 00:04:43,000 Speaker 1: measure because some thought that it was the Dikes to 74 00:04:43,000 --> 00:04:46,000 Speaker 1: watch out for character Mo who brings up the rule, 75 00:04:46,080 --> 00:04:50,120 Speaker 1: but apparently it was a different character from a previous strip. 76 00:04:50,360 --> 00:04:54,279 Speaker 1: But this first came up in and it's it's kind 77 00:04:54,279 --> 00:04:57,800 Speaker 1: of cool that we're still talking about it today. Yeah, 78 00:04:57,839 --> 00:05:01,960 Speaker 1: it kind of cool, but also unfore, because the fact 79 00:05:01,960 --> 00:05:05,000 Speaker 1: that we're talking about it means that it's good that 80 00:05:05,040 --> 00:05:08,960 Speaker 1: we're thinking about it, but it's really unfortunate that we 81 00:05:09,040 --> 00:05:12,320 Speaker 1: don't have more movies and TV shows we we can 82 00:05:12,360 --> 00:05:16,600 Speaker 1: apply versions of this role to TV shows today. So 83 00:05:16,680 --> 00:05:21,080 Speaker 1: who is Alison Bechdale Because the Beckdale behind the Bechdel 84 00:05:21,320 --> 00:05:27,720 Speaker 1: test was also is also a pretty fantastical lady as well. Yeah. 85 00:05:27,760 --> 00:05:29,760 Speaker 1: So in addition to doing her comic strip, which he 86 00:05:29,800 --> 00:05:34,440 Speaker 1: did for twenty five years, she authored two thousand six 87 00:05:34,520 --> 00:05:37,760 Speaker 1: is fun Home and TeVeS Are You My Mother? Both 88 00:05:37,760 --> 00:05:41,000 Speaker 1: of those are graphic memoirs. Would you call him? Yeah, 89 00:05:41,120 --> 00:05:45,400 Speaker 1: kind of graphic graphic novel slash memoirs talking about her 90 00:05:45,880 --> 00:05:48,000 Speaker 1: relationship with her father and Fun Home and then her 91 00:05:48,040 --> 00:05:51,359 Speaker 1: relationship with obviously her mother and Are You My Mother? 92 00:05:51,920 --> 00:05:54,600 Speaker 1: And Bechdel not only has made a name for herself 93 00:05:54,680 --> 00:05:57,520 Speaker 1: since you know, Fun Home, for instance, was a best 94 00:05:57,600 --> 00:06:01,360 Speaker 1: seller and obviously if she kep Digs to watch out 95 00:06:01,400 --> 00:06:03,240 Speaker 1: for for twenty five years, I mean, that's such a 96 00:06:03,320 --> 00:06:06,600 Speaker 1: huge body of work. But she's also notable in the 97 00:06:06,720 --> 00:06:10,920 Speaker 1: LGBT community because that strip was one of the first 98 00:06:11,040 --> 00:06:16,360 Speaker 1: to portray lesbian relationships and actually in a larger to 99 00:06:16,480 --> 00:06:21,120 Speaker 1: a broader audience than say things you might find in zines. Well, 100 00:06:21,160 --> 00:06:25,200 Speaker 1: so we've explained the rule. Um, but it's really not 101 00:06:25,640 --> 00:06:31,120 Speaker 1: about finding movies that are really feminist in nature, or 102 00:06:31,160 --> 00:06:35,200 Speaker 1: about feminism, or even really pro women, or even portraying 103 00:06:35,240 --> 00:06:38,840 Speaker 1: women in a positive light necessarily. This rule is so 104 00:06:38,920 --> 00:06:44,400 Speaker 1: much more just about the representation of women on screen, discussing, 105 00:06:44,440 --> 00:06:47,640 Speaker 1: like we said, discussing something outside of men, whether that 106 00:06:47,760 --> 00:06:52,120 Speaker 1: is a boyfriend or husband or a son, brother, father. Yeah, 107 00:06:52,200 --> 00:06:54,640 Speaker 1: it's more of an evaluation of whether or not women 108 00:06:54,680 --> 00:07:00,680 Speaker 1: on screen are fully realized characters or just cliches. Um 109 00:07:00,800 --> 00:07:04,360 Speaker 1: and so. TV tropes dot Org has a really comprehensive 110 00:07:04,440 --> 00:07:08,600 Speaker 1: page on the Bechdel test um and points out how 111 00:07:08,960 --> 00:07:11,840 Speaker 1: it's entirely possible for a film to pass the Bechdel 112 00:07:11,880 --> 00:07:17,120 Speaker 1: test without having overt feminist messages, or it could even 113 00:07:17,160 --> 00:07:22,680 Speaker 1: be incredibly misogynistic and yet still past the Bechdel test. 114 00:07:23,040 --> 00:07:26,440 Speaker 1: So you know what's the issue, I mean, why why 115 00:07:26,440 --> 00:07:30,040 Speaker 1: should we pay attention to If it's not looking for, say, 116 00:07:30,320 --> 00:07:34,480 Speaker 1: messages about gender equity or feminism, et cetera, then why 117 00:07:34,520 --> 00:07:36,520 Speaker 1: should we be interested in just seeing whether or not 118 00:07:36,960 --> 00:07:40,800 Speaker 1: women with names can talk to each other, not about men. Well, 119 00:07:40,800 --> 00:07:44,600 Speaker 1: the issue comes up when this becomes a pattern because 120 00:07:44,640 --> 00:07:46,560 Speaker 1: of the fact that we even still have to talk 121 00:07:46,600 --> 00:07:49,920 Speaker 1: about the Bechdel test. It just goes to show that 122 00:07:50,000 --> 00:07:56,160 Speaker 1: there are so many female characters whose lives dialogues, um thoughts, 123 00:07:56,320 --> 00:07:59,680 Speaker 1: their whole characters that are constructed in these films revolve 124 00:07:59,720 --> 00:08:03,840 Speaker 1: around men, whereas there are so few male characters whose 125 00:08:04,320 --> 00:08:08,760 Speaker 1: characters whose storylines do the same in reverse. Yeah. I 126 00:08:08,800 --> 00:08:13,120 Speaker 1: was watching Glen Garry Glenn Ross old movie if anyone 127 00:08:13,120 --> 00:08:17,080 Speaker 1: out there who's seen it this weekend, and in the 128 00:08:17,120 --> 00:08:20,200 Speaker 1: middle of the movie, it struck me that there hadn't 129 00:08:20,680 --> 00:08:25,720 Speaker 1: been a single woman on camera, much less named. There 130 00:08:25,760 --> 00:08:30,760 Speaker 1: were some women on telephone calls, but maybe they were 131 00:08:30,800 --> 00:08:33,560 Speaker 1: talking to other women on the other end of the line. 132 00:08:33,640 --> 00:08:36,400 Speaker 1: It could have been, but I was like, wait, there's 133 00:08:36,440 --> 00:08:40,760 Speaker 1: something missing. Oh oh okay, this is Glen Gary glenderass 134 00:08:40,840 --> 00:08:43,600 Speaker 1: definitely does not pass the Bechdel test. I'll say that, 135 00:08:43,920 --> 00:08:47,160 Speaker 1: huh um. But what about okay, so you said, for instance, yeah, 136 00:08:47,200 --> 00:08:49,400 Speaker 1: like with that example of well, well, maybe these unnamed 137 00:08:49,440 --> 00:08:51,440 Speaker 1: women on the phone are talking to somebody else. Uh. 138 00:08:51,480 --> 00:08:55,160 Speaker 1: Anita Sarcasian from Feminist Frequency does raise the issue of 139 00:08:55,760 --> 00:09:01,000 Speaker 1: the quality and duration of the conversation that women have, 140 00:09:01,200 --> 00:09:05,320 Speaker 1: because maybe you have two women talking to each other 141 00:09:05,480 --> 00:09:09,320 Speaker 1: on screen, but for a just a few seconds. Does 142 00:09:09,360 --> 00:09:12,360 Speaker 1: that mean it should get the stamp of approval? Right? Right? Yeah, 143 00:09:12,400 --> 00:09:13,760 Speaker 1: she had a big list. I think it was from 144 00:09:13,800 --> 00:09:18,040 Speaker 1: the Oscars right that she was talking about, and some 145 00:09:18,120 --> 00:09:20,959 Speaker 1: of the movies she sided. Pretty much everything failed except 146 00:09:20,960 --> 00:09:24,640 Speaker 1: for two. But the conversations between women were so fleeting, 147 00:09:25,200 --> 00:09:29,079 Speaker 1: they were so almost inconsequential to the movie that she 148 00:09:29,280 --> 00:09:33,640 Speaker 1: actually proposes that they're sort of a to B rule, 149 00:09:34,160 --> 00:09:35,960 Speaker 1: So to A is that the women have to talk 150 00:09:35,960 --> 00:09:38,440 Speaker 1: to each other, you know, and then she proposes that 151 00:09:38,520 --> 00:09:41,960 Speaker 1: it should be longer than sixty seconds sixty seconds or 152 00:09:41,960 --> 00:09:45,400 Speaker 1: longer to actually have a significant conversation. And one of 153 00:09:45,440 --> 00:09:48,160 Speaker 1: the movies that she highlights in terms of looking at 154 00:09:48,200 --> 00:09:51,760 Speaker 1: the qualities of conversations that these women are having was 155 00:09:51,960 --> 00:09:54,800 Speaker 1: The Help, which obviously it passes the Bechdel test with 156 00:09:55,120 --> 00:10:01,520 Speaker 1: flying colors, um, but it brought up an other iteration 157 00:10:02,000 --> 00:10:05,960 Speaker 1: of the Bechdel tests that could also be very handy, 158 00:10:06,000 --> 00:10:10,200 Speaker 1: and that's a question of what about characters of color, 159 00:10:10,280 --> 00:10:14,080 Speaker 1: because there you could call it the race Bechdel tests, 160 00:10:14,360 --> 00:10:17,880 Speaker 1: which is looking at do characters of color both named 161 00:10:18,120 --> 00:10:22,839 Speaker 1: talk about to each other? Anything other than the white 162 00:10:22,960 --> 00:10:26,640 Speaker 1: leading characters, right, Are they there for another reason than 163 00:10:26,800 --> 00:10:30,440 Speaker 1: just to support the white leads. Yeah? And and there's 164 00:10:30,520 --> 00:10:33,920 Speaker 1: a blog post over at the Angry black Woman dot 165 00:10:33,920 --> 00:10:36,760 Speaker 1: com talking about this. This was from two thousand nine, 166 00:10:36,760 --> 00:10:39,360 Speaker 1: and she was saying how the hardest part is just 167 00:10:39,400 --> 00:10:42,760 Speaker 1: getting over the first hurdle of having more than one 168 00:10:42,800 --> 00:10:46,680 Speaker 1: person of color on screen to begin with, much less 169 00:10:47,200 --> 00:10:51,120 Speaker 1: than having them without any other people around, talking solely 170 00:10:51,160 --> 00:10:53,640 Speaker 1: to each other. Yeah, and again, this is the justice 171 00:10:53,679 --> 00:10:56,600 Speaker 1: with looking at the representation of women, looking at the 172 00:10:56,640 --> 00:11:00,679 Speaker 1: representation of women of color or even people of color 173 00:11:00,720 --> 00:11:04,360 Speaker 1: in general and movies. It's about quality, not just a 174 00:11:04,360 --> 00:11:07,720 Speaker 1: fleeting conversation, not just a background character or someone who's 175 00:11:07,760 --> 00:11:10,560 Speaker 1: there purely to support the white lead, but looking at 176 00:11:10,600 --> 00:11:16,960 Speaker 1: the quality and almost like the three dimensionalness of the characters. Yeah. 177 00:11:16,960 --> 00:11:19,440 Speaker 1: And a couple of examples that that she offered from 178 00:11:19,559 --> 00:11:23,000 Speaker 1: TV that would pass the race Beck del tests would 179 00:11:23,000 --> 00:11:27,360 Speaker 1: be Battlestar Galactica and True Blood. But True Blood was 180 00:11:27,440 --> 00:11:30,120 Speaker 1: kind of kind of squeaked by a little bit. It 181 00:11:30,200 --> 00:11:34,040 Speaker 1: still wasn't. You don't still don't see really high quality 182 00:11:34,120 --> 00:11:37,239 Speaker 1: relationships a lot of times on you know, in mainstream 183 00:11:37,280 --> 00:11:40,920 Speaker 1: film between characters of color. So in a way, I 184 00:11:40,960 --> 00:11:43,640 Speaker 1: think that the race beck Del test is almost something 185 00:11:43,679 --> 00:11:46,000 Speaker 1: to keep more of an eye out for even than 186 00:11:46,960 --> 00:11:50,839 Speaker 1: the one with its original intent of looking at women. Um, 187 00:11:50,880 --> 00:11:53,640 Speaker 1: but let's switch to the small screen. What about on 188 00:11:53,840 --> 00:11:58,640 Speaker 1: Yield TV Caroline. Indeed, there's much talk over at Bitch 189 00:11:58,679 --> 00:12:03,520 Speaker 1: magazine about how television shows can pass this test and 190 00:12:03,520 --> 00:12:06,760 Speaker 1: whether the test should stay the same because with a movie, 191 00:12:06,800 --> 00:12:08,280 Speaker 1: you're looking at what like an hour and a half 192 00:12:08,600 --> 00:12:11,880 Speaker 1: two hours, and a movie would pass the test with 193 00:12:12,000 --> 00:12:14,559 Speaker 1: just a single conversation, But what do you do when 194 00:12:14,559 --> 00:12:17,200 Speaker 1: you're looking at television shows which are stretched out over 195 00:12:17,200 --> 00:12:20,880 Speaker 1: an entire season. Well, they suggest that in order to 196 00:12:20,880 --> 00:12:25,200 Speaker 1: pass the Bechdel tests for TV, every single episode must 197 00:12:25,200 --> 00:12:30,040 Speaker 1: feature a conversation between two named female characters not about men, 198 00:12:30,600 --> 00:12:34,840 Speaker 1: which when I first read that that seemed like a 199 00:12:34,960 --> 00:12:38,360 Speaker 1: pretty high mark to meet, but they argue that it's 200 00:12:38,400 --> 00:12:42,280 Speaker 1: not actually unreasonable, and and maybe rather than thinking of 201 00:12:42,320 --> 00:12:44,920 Speaker 1: it as a pass failed test, that we could plot 202 00:12:44,960 --> 00:12:50,000 Speaker 1: TV shows out on more of a Bechdel spectrum, right, 203 00:12:50,040 --> 00:12:52,880 Speaker 1: And they used the examples of for TV shows that passed. 204 00:12:52,880 --> 00:12:55,320 Speaker 1: They used the L word and the United States of 205 00:12:55,320 --> 00:12:58,080 Speaker 1: Tara and like I was telling Kristen before we started recording, 206 00:12:58,160 --> 00:13:01,120 Speaker 1: if the L word didn't pass, there would probably be 207 00:13:01,160 --> 00:13:04,079 Speaker 1: issues that we would have to talk about. Yes, this 208 00:13:04,160 --> 00:13:06,840 Speaker 1: is true. Um. And some other shows that passed pretty 209 00:13:06,840 --> 00:13:11,920 Speaker 1: well for the TV Bechdel Spectrum included Girls, Gilmore Girls, 210 00:13:11,920 --> 00:13:14,200 Speaker 1: and Golden Girls. If it has girls in the name, 211 00:13:14,600 --> 00:13:17,319 Speaker 1: you might we might be good. Orange Is a New Black, 212 00:13:17,400 --> 00:13:22,840 Speaker 1: a new favorite of ours, Madman, Weeds and Parks and Recreation. Surprisingly, 213 00:13:22,880 --> 00:13:25,160 Speaker 1: though one was called that was called out for not 214 00:13:25,320 --> 00:13:29,560 Speaker 1: doing such a great job on the Bechdel Spectrum, Dirty Rock. Yeah. 215 00:13:29,559 --> 00:13:32,480 Speaker 1: I mean, Liz has conversations with Jenna quite a bit, 216 00:13:32,559 --> 00:13:34,160 Speaker 1: but I mean, if you think about it, her main 217 00:13:34,360 --> 00:13:37,679 Speaker 1: like counterpart is Jack. So she's always talking to Jack. 218 00:13:37,720 --> 00:13:40,840 Speaker 1: She's always dealing with Tracy, and always talking to Pete 219 00:13:40,880 --> 00:13:43,200 Speaker 1: as he's having some kind of nervous breakdown. Yeah, and 220 00:13:43,240 --> 00:13:45,560 Speaker 1: probably even when she is talking to Jenna, half the 221 00:13:45,600 --> 00:13:48,600 Speaker 1: time she's talking about one of those people, or Jenna's 222 00:13:48,640 --> 00:13:53,920 Speaker 1: talking about her amazing boyfriend on the show. Um. Another 223 00:13:54,080 --> 00:13:58,240 Speaker 1: show that does not do a great job with this either, 224 00:13:59,200 --> 00:14:01,600 Speaker 1: Sex in the City blows my mind. I know, I 225 00:14:01,600 --> 00:14:03,440 Speaker 1: had to really think about it and talking about this 226 00:14:03,480 --> 00:14:05,800 Speaker 1: test really makes you think about it. Well, because half 227 00:14:05,800 --> 00:14:08,080 Speaker 1: the time, you know, when when all of the girls 228 00:14:08,120 --> 00:14:11,120 Speaker 1: get together a brunch, what do they talk about? They 229 00:14:11,160 --> 00:14:14,880 Speaker 1: talk about their respective men um And there's even I 230 00:14:14,920 --> 00:14:17,360 Speaker 1: remember that I forget which episode this is in, but 231 00:14:17,400 --> 00:14:22,560 Speaker 1: I totally remember this bit where Cynthia Nixon, who plays Miranda, says, 232 00:14:22,600 --> 00:14:24,840 Speaker 1: and this is during a brunch scene. She says, how 233 00:14:24,840 --> 00:14:27,360 Speaker 1: does it happen that four such smart women have nothing 234 00:14:27,400 --> 00:14:30,560 Speaker 1: to talk about but boyfriends? It's like seventh grade with 235 00:14:30,640 --> 00:14:33,880 Speaker 1: bank accounts? What about us? I know, I love it. 236 00:14:33,920 --> 00:14:35,720 Speaker 1: I remember that episode two because they were all like 237 00:14:35,880 --> 00:14:38,480 Speaker 1: freaking out at the table over something and she was 238 00:14:38,520 --> 00:14:42,000 Speaker 1: just thick of it, Miranda, I know, I thought it 239 00:14:42,040 --> 00:14:45,320 Speaker 1: was great. Are we both Miranda's why? Yes? I'd like 240 00:14:45,360 --> 00:14:47,960 Speaker 1: to think we would smartly point things out like that, 241 00:14:47,960 --> 00:14:52,720 Speaker 1: that's true and be partners at law firms. Well. Another 242 00:14:52,800 --> 00:14:56,720 Speaker 1: show that sometimes passes sometimes does not do so hot 243 00:14:56,840 --> 00:14:59,480 Speaker 1: is Gray's Anatomy, which I will point out that I 244 00:14:59,560 --> 00:15:03,720 Speaker 1: quit several years ago. Gray's Anatomie was getting a wee 245 00:15:03,760 --> 00:15:07,280 Speaker 1: bit too ridiculous for me. Mainly I just really didn't 246 00:15:07,320 --> 00:15:10,240 Speaker 1: like the main character. But uh, Meredith, who is the 247 00:15:10,240 --> 00:15:13,760 Speaker 1: main character and McDreamy like, that's what the show revolves around. 248 00:15:13,760 --> 00:15:16,760 Speaker 1: So that's what even smart lady character Christina, who I 249 00:15:16,880 --> 00:15:19,840 Speaker 1: wish the show had been about, that's all she talks 250 00:15:19,840 --> 00:15:22,520 Speaker 1: about too. Yeah, So even when you have a lot 251 00:15:22,560 --> 00:15:29,520 Speaker 1: of times these smart, accomplished women leads, it tends to 252 00:15:29,560 --> 00:15:33,960 Speaker 1: circle back to those male relationships. And again, the point 253 00:15:34,080 --> 00:15:37,120 Speaker 1: of the test isn't to say we should strip out 254 00:15:37,120 --> 00:15:41,120 Speaker 1: all conversations with men, but you know, thinking about it 255 00:15:41,160 --> 00:15:42,800 Speaker 1: kind of in the same way that we were talking 256 00:15:42,840 --> 00:15:48,760 Speaker 1: about the Race Bechdel test, are these characters really ultimately 257 00:15:48,800 --> 00:15:53,240 Speaker 1: just serving the purpose of elevating the leads, who are 258 00:15:53,280 --> 00:15:57,680 Speaker 1: typically male, typically white, Right? And I mean keep in mind, 259 00:15:57,680 --> 00:16:01,160 Speaker 1: we are not arguing that today we should just stop 260 00:16:01,240 --> 00:16:04,960 Speaker 1: making movies about men at starring men, you know, with 261 00:16:05,000 --> 00:16:07,440 Speaker 1: women in supporting roles. I mean, we're not saying that. 262 00:16:07,600 --> 00:16:10,040 Speaker 1: What we're saying is, I think there are a lot 263 00:16:10,120 --> 00:16:14,480 Speaker 1: of good storylines out there featuring women, focusing on women, 264 00:16:14,520 --> 00:16:17,920 Speaker 1: focusing on women beyond just their romantic lives or their 265 00:16:17,960 --> 00:16:21,480 Speaker 1: lives that involve men. Those stories need to be told too. 266 00:16:21,920 --> 00:16:24,080 Speaker 1: But I think there is an issue of like, Okay, well, 267 00:16:24,160 --> 00:16:28,480 Speaker 1: what movies are we used to, well, I'm I'm a 268 00:16:28,520 --> 00:16:31,240 Speaker 1: guy who may not be interested in a movie about women. 269 00:16:31,280 --> 00:16:33,240 Speaker 1: It's the same kind of thing we talked about in 270 00:16:33,280 --> 00:16:37,040 Speaker 1: our Gendered Book Covers episode about like, oh, I'm a dude, 271 00:16:37,080 --> 00:16:39,360 Speaker 1: I don't want to read some lady book, you know, 272 00:16:39,400 --> 00:16:42,640 Speaker 1: And it's like, well, okay, let's let's think outside of 273 00:16:43,280 --> 00:16:46,280 Speaker 1: what we're normally exposed to. Yeah, and the beg Del 274 00:16:46,320 --> 00:16:49,760 Speaker 1: test is has been especially because it's come back into 275 00:16:49,840 --> 00:16:53,960 Speaker 1: these larger conversations in the late two thousands. Um, And 276 00:16:54,320 --> 00:16:56,440 Speaker 1: I think because we have a good way of talking 277 00:16:56,480 --> 00:16:59,960 Speaker 1: about it by using this test, that it is getting 278 00:17:00,760 --> 00:17:03,120 Speaker 1: better slowly but surely now that we have a way 279 00:17:03,120 --> 00:17:07,679 Speaker 1: to or have had away for to sort of evaluate 280 00:17:07,720 --> 00:17:10,720 Speaker 1: things pretty simply. It's a it's an easy criteria sort 281 00:17:10,760 --> 00:17:13,840 Speaker 1: of criteria to remember. Um that that maybe, in the 282 00:17:13,880 --> 00:17:17,240 Speaker 1: same way that those conversations about Gendered book covers get 283 00:17:17,280 --> 00:17:20,840 Speaker 1: people talking, get people thinking and paying attention to the 284 00:17:20,880 --> 00:17:23,600 Speaker 1: media that are around us, in the kinds of gender 285 00:17:23,640 --> 00:17:27,320 Speaker 1: representations that are out there. Yeah, this makes me actually 286 00:17:27,320 --> 00:17:29,960 Speaker 1: want to go back and watch Nine to five, which 287 00:17:30,040 --> 00:17:32,640 Speaker 1: is one of my all time favorite movies. And because 288 00:17:32,680 --> 00:17:34,959 Speaker 1: I'm like, oh, yeah, that would easily pass, and I'm like, well, 289 00:17:35,560 --> 00:17:37,240 Speaker 1: do they spend the whole movie just talking about the 290 00:17:37,240 --> 00:17:40,879 Speaker 1: evil boss? There could be surely they have a conversation 291 00:17:40,880 --> 00:17:43,919 Speaker 1: and there's somewhere about work or the typewriters or something. 292 00:17:44,040 --> 00:17:46,520 Speaker 1: But again, if that doesn't pass the back del test 293 00:17:46,560 --> 00:17:50,880 Speaker 1: a perfect example of how it's not meant to evaluate 294 00:17:51,320 --> 00:17:55,200 Speaker 1: feminism per se. It's more just looking solely at how 295 00:17:55,880 --> 00:18:00,960 Speaker 1: well developed the women on screen are. So something to 296 00:18:01,040 --> 00:18:03,040 Speaker 1: keep in mind. We thought, you know, since this is 297 00:18:03,080 --> 00:18:05,919 Speaker 1: coming out towards the end of the summer, there's always 298 00:18:06,000 --> 00:18:12,320 Speaker 1: lots of conversation about summer movies and blockbusters and such, so, uh, 299 00:18:12,520 --> 00:18:15,840 Speaker 1: I'll be curious to know from listeners. Um, I don't know, 300 00:18:15,880 --> 00:18:19,600 Speaker 1: have you seen summer movies that that pass or totally fail, 301 00:18:19,760 --> 00:18:24,399 Speaker 1: like Glen Garry, Glenn Ross did not a single woman? Yeah, 302 00:18:24,600 --> 00:18:27,960 Speaker 1: a lot of al Pacino yelling. Um yeah, let us 303 00:18:28,040 --> 00:18:30,439 Speaker 1: know what what your favorite movies are and whether or 304 00:18:30,440 --> 00:18:33,959 Speaker 1: not they would pass the test. Um. Oh, but before 305 00:18:34,000 --> 00:18:38,880 Speaker 1: we sign off, though, what about the reverse spectel test, Caroline? 306 00:18:38,960 --> 00:18:42,159 Speaker 1: You could easily have someone say, well, I mean, what 307 00:18:42,240 --> 00:18:45,000 Speaker 1: about well developed male characters, which are also important? So 308 00:18:45,240 --> 00:18:48,159 Speaker 1: why can't we have you know, a reverse test to 309 00:18:48,240 --> 00:18:50,240 Speaker 1: see if men are talking to each other about something 310 00:18:50,280 --> 00:18:58,360 Speaker 1: other than women, because that would just be called movies. Ah, well, 311 00:18:58,960 --> 00:19:03,760 Speaker 1: with that, send us your letters mom Stuff at Discovery 312 00:19:03,840 --> 00:19:05,879 Speaker 1: dot com. I hope for all the people who have 313 00:19:05,920 --> 00:19:10,359 Speaker 1: requested Bechdel tests that you enjoyed this episode and send 314 00:19:10,400 --> 00:19:14,520 Speaker 1: us your favorite movies TV shows that pass the Bechdel 315 00:19:14,600 --> 00:19:18,840 Speaker 1: test with flying colors um because it's interesting to see 316 00:19:19,440 --> 00:19:21,679 Speaker 1: how you know, it doesn't mean that they are they 317 00:19:21,680 --> 00:19:23,919 Speaker 1: all have to be chick flix. I mean, just listening 318 00:19:23,920 --> 00:19:26,840 Speaker 1: to the list we rattled off at the beginning of 319 00:19:26,880 --> 00:19:30,520 Speaker 1: the podcast, it's a wide range of films that the pass. 320 00:19:31,240 --> 00:19:33,880 Speaker 1: So send us your suggestions. Moms have a Discovery dot 321 00:19:33,880 --> 00:19:36,879 Speaker 1: com you can tweet them at mom Stuff podcast or 322 00:19:38,040 --> 00:19:40,520 Speaker 1: leave us a note over on Facebook. And now back 323 00:19:40,560 --> 00:19:43,359 Speaker 1: to our letters. So I've got a couple of letters 324 00:19:43,400 --> 00:19:47,280 Speaker 1: to your in response to our episode about the BRACO 325 00:19:47,400 --> 00:19:51,560 Speaker 1: one in two genes known usually as the breast cancer gene. 326 00:19:51,600 --> 00:19:56,000 Speaker 1: So this is from Sarah and she writes, I am 327 00:19:56,040 --> 00:19:59,680 Speaker 1: a physician, an ovarian cancer survivor, and I have experienced 328 00:19:59,800 --> 00:20:03,119 Speaker 1: the that BRAC I wanted to test debate firsthand. I 329 00:20:03,119 --> 00:20:05,359 Speaker 1: was diagnosed with ovarian cancer at thirty one, in the 330 00:20:05,400 --> 00:20:08,680 Speaker 1: middle of an infertility workup. Despite not having any symptoms 331 00:20:08,680 --> 00:20:11,680 Speaker 1: of ovarian cancer, I had multiple tumors and was given 332 00:20:11,720 --> 00:20:15,760 Speaker 1: at chance of surviving five years. Six years later, I'm 333 00:20:15,760 --> 00:20:19,399 Speaker 1: doing great and still cancer free. After my diagnosis, I 334 00:20:19,480 --> 00:20:22,679 Speaker 1: was tested for Brock one and Brock to mutations. As 335 00:20:22,720 --> 00:20:25,440 Speaker 1: a doctor, I actually didn't go to formal genetic counseling, 336 00:20:25,440 --> 00:20:27,680 Speaker 1: but instead watched the DVD that was provided by the 337 00:20:27,760 --> 00:20:30,800 Speaker 1: laboratory company. I knew I wanted testing even before seeing 338 00:20:30,800 --> 00:20:33,520 Speaker 1: the DVD or even discussing it with my doctor. I'm 339 00:20:33,520 --> 00:20:36,160 Speaker 1: a pediatrician, so genetics was part of my training as 340 00:20:36,280 --> 00:20:39,080 Speaker 1: a position for me to test or not to test. 341 00:20:39,320 --> 00:20:42,840 Speaker 1: Boiled down to two basic principles, One what would I 342 00:20:42,880 --> 00:20:45,000 Speaker 1: do with the information? And two did I want to know? 343 00:20:45,080 --> 00:20:49,080 Speaker 1: And my answers were absolutely yes to both. I already 344 00:20:49,080 --> 00:20:51,159 Speaker 1: had cancer, so it wasn't like things were going to 345 00:20:51,200 --> 00:20:54,000 Speaker 1: get any worse. My doctor said that brock up plus 346 00:20:54,000 --> 00:20:57,639 Speaker 1: ovarian cancer actually responds better to chemotherapy and would be 347 00:20:57,680 --> 00:21:00,560 Speaker 1: a positive thing in terms of my ovarian cancer treatment. 348 00:21:00,880 --> 00:21:03,240 Speaker 1: I knew from experiencing chemo, how I never wanted to 349 00:21:03,240 --> 00:21:05,560 Speaker 1: do that again. Ever, I had to make up my 350 00:21:05,600 --> 00:21:07,800 Speaker 1: mind prior to testing if I was positive. I wanted 351 00:21:07,800 --> 00:21:10,040 Speaker 1: to propolacticly stectony and was going to pick out some 352 00:21:10,160 --> 00:21:12,840 Speaker 1: nice breaths, just a few cups as is bigger. I 353 00:21:12,880 --> 00:21:15,919 Speaker 1: was actually disappointed and being negative both for the long 354 00:21:16,040 --> 00:21:18,920 Speaker 1: term survival issues and my new bust one. It was 355 00:21:19,000 --> 00:21:21,240 Speaker 1: good news for my sister and mother and cousins. Since 356 00:21:21,280 --> 00:21:24,160 Speaker 1: I was negative, my family didn't need to be tested. 357 00:21:24,440 --> 00:21:26,720 Speaker 1: I think ovarian cancer wouldn't be a great stuff. I've 358 00:21:26,720 --> 00:21:30,159 Speaker 1: never told you podcast subject. There's so many things you 359 00:21:30,200 --> 00:21:34,400 Speaker 1: could talk about, So thanks Sarah for sharing your experience 360 00:21:34,480 --> 00:21:38,960 Speaker 1: and best wishes for continued good health for you and 361 00:21:39,000 --> 00:21:43,439 Speaker 1: I have one here from Rachel. She says, Hi, wello Rachel. 362 00:21:44,240 --> 00:21:46,480 Speaker 1: I'm nineteen years old, and while I have not been 363 00:21:46,560 --> 00:21:49,760 Speaker 1: personally tested for the Broca mutations, both my parents have 364 00:21:50,520 --> 00:21:53,000 Speaker 1: both of them tested positive for Brocca one and two, 365 00:21:53,040 --> 00:21:55,680 Speaker 1: so it's safe to say I have both mutations as well. 366 00:21:56,080 --> 00:21:58,359 Speaker 1: I like to joke that all my blood relatives have 367 00:21:58,400 --> 00:22:01,040 Speaker 1: had cancer of some sort or another, including but not 368 00:22:01,160 --> 00:22:05,000 Speaker 1: limited to, my mother, both grandmothers, my maternal grandfather, and 369 00:22:05,040 --> 00:22:08,720 Speaker 1: several cousins. My mother died of breast cancer five years ago. 370 00:22:09,320 --> 00:22:12,879 Speaker 1: I've been seriously considering a preventive mistake me since that time. 371 00:22:13,359 --> 00:22:16,320 Speaker 1: My father and stepmother are fully supportive of this decision, 372 00:22:16,359 --> 00:22:18,600 Speaker 1: and I'm waiting until I'm in my mid thirties for 373 00:22:18,680 --> 00:22:21,639 Speaker 1: various reasons. Knowing I have such a high risk for 374 00:22:21,800 --> 00:22:23,960 Speaker 1: cancer at such a young age has really affected the 375 00:22:23,960 --> 00:22:27,159 Speaker 1: way I think about the future. Sadly, I view cancer 376 00:22:27,200 --> 00:22:30,639 Speaker 1: as an inevitability rather than a possibility. Thus, I am 377 00:22:30,640 --> 00:22:33,520 Speaker 1: willing to submit to a very invasive surgery if I 378 00:22:33,520 --> 00:22:36,159 Speaker 1: can keep that from happening. I thought you might like 379 00:22:36,240 --> 00:22:38,840 Speaker 1: some perspective from a younger listener with the Brock commutations, 380 00:22:38,880 --> 00:22:41,320 Speaker 1: because not many people my age know whether they have 381 00:22:41,440 --> 00:22:44,919 Speaker 1: this genetic mutation or not, as the test is very expensive. 382 00:22:45,680 --> 00:22:48,720 Speaker 1: So thank you for sharing that story, Rachel. We appreciate it, 383 00:22:49,119 --> 00:22:51,680 Speaker 1: and thanks to everybody who's written in. Mom Stuff at 384 00:22:51,680 --> 00:22:54,080 Speaker 1: Discovery dot com is where you can send your letter. 385 00:22:54,160 --> 00:22:56,040 Speaker 1: So you can follow us on Twitter at mom Stub 386 00:22:56,119 --> 00:22:59,280 Speaker 1: podcast and find us on Facebook as well, and follow 387 00:22:59,320 --> 00:23:01,879 Speaker 1: us on Tumbler stuff Mom Never Told You dot tumbler 388 00:23:02,040 --> 00:23:04,679 Speaker 1: dot com, and if you haven't checked out one of 389 00:23:04,680 --> 00:23:08,560 Speaker 1: our sixty plus videos on YouTube. I don't know what 390 00:23:08,600 --> 00:23:11,760 Speaker 1: you're doing, Head over to YouTube dot com, slush stuff 391 00:23:11,760 --> 00:23:17,320 Speaker 1: Mom never told you, and don't forget to subscribe or 392 00:23:17,400 --> 00:23:19,680 Speaker 1: more on this and thousands of other topics. Is it 393 00:23:19,760 --> 00:23:29,360 Speaker 1: how stuff Works dot com