WEBVTT - Your Experiences With Aphantasia

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stop

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert lamp and I'm Joe mcformick. Before

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<v Speaker 1>we roll into this episode, just a few quick reminders.

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<v Speaker 1>First of all, Stuff to Blow your Mind dot com

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<v Speaker 1>what do we have today for the listening audience? Well,

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<v Speaker 1>today is going to be a follow up episode to

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<v Speaker 1>one we did pretty recently on the fascinating subject of

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<v Speaker 1>a fantasia, the blindness of the mind's Eye. So in

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<v Speaker 1>that last episode, if you haven't listened to it yet,

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<v Speaker 1>you should go back and check that one out first.

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<v Speaker 1>That's where we relay all the groundwork. We explained what

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<v Speaker 1>a fantasia is, how how it was discovered, and um

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<v Speaker 1>and what's the state of research today on this interesting condition.

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<v Speaker 1>But brief summary, Robert, what is a fantasia? Well, we're

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<v Speaker 1>essentially talking about blindness of the mind's I We're talking

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<v Speaker 1>about the inability to varying degrees to form mental imagery

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<v Speaker 1>in the mind. So this is affecting the way that

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<v Speaker 1>you remember things, the way that you daydream about the future,

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<v Speaker 1>the way you dream even Uh, it really plays into

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<v Speaker 1>your sensory experience of reality. Yeah. So in the last episode,

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<v Speaker 1>we tried to give you a visual picture to put

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<v Speaker 1>yourself in a scenario, tell a little story, and then

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<v Speaker 1>see how well can you picture all of the things

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<v Speaker 1>in this imaginary scenario. And it turns out that some

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<v Speaker 1>people can't picture these things at all. Because I think

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<v Speaker 1>we were rolling out something. You're standing on a beach,

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<v Speaker 1>pale deathly men and black coats and hats circuiting after you. No, wait,

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<v Speaker 1>that was a dark city. Uh that's a good one too,

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<v Speaker 1>but yeah, we would We laid out this whole mental

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<v Speaker 1>imagery experience just to sort of test everyone. Then we

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<v Speaker 1>talked about some other sort of questionnaires that have been

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<v Speaker 1>rolled out as well to sort of self evaluate your

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<v Speaker 1>own place on the spectrum here. Yeah, and that is

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<v Speaker 1>definitely one thing that came out in our discussion last time,

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<v Speaker 1>is that there really does seem to be a spectrum

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<v Speaker 1>of the vividness of mental imagery. Some people are what

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<v Speaker 1>we might call hyper fantasiacts or they have hyper fantasia.

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<v Speaker 1>They when they make a mental picture in their mind,

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<v Speaker 1>they don't just have a vague, kind of generic mental picture.

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<v Speaker 1>They have a very detailed, incredibly clear mental picture. So

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<v Speaker 1>if they picture a beach, they might not just see

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<v Speaker 1>sand and water in the sky and maybe some seagulls,

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<v Speaker 1>but they'll see, uh, seven umbrellas, and these are the

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<v Speaker 1>colors on the umbrellas, and there are fourteen people on

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<v Speaker 1>their beach. And then at the other end we have

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<v Speaker 1>the main subject of that episode that the people with

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<v Speaker 1>a fantasia, meaning they can't picture a beach at all,

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<v Speaker 1>there's no way for them to see it unless they're

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<v Speaker 1>looking at it. Uh. And then of course there's this

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<v Speaker 1>whole middle spectrum. More people might have varying degrees of

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<v Speaker 1>mental imagery, like you can sort of see a generic

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<v Speaker 1>beach but not a lot of detail, or you can

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<v Speaker 1>see a lot of detail up and down the scale. Robert,

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<v Speaker 1>I think we we both took the test and fell

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<v Speaker 1>somewhere in the middle and sort of typical levels of

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<v Speaker 1>mental imagery. Yeah, indeed, and and that's one of the

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<v Speaker 1>reasons that we're doing this episode. One of the reasons

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<v Speaker 1>we reached out to everybody because in talking about this, uh,

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<v Speaker 1>you know, we're coming from the standpoint of sort of

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<v Speaker 1>mid level mental visionaries, So we definitely wanted to get

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<v Speaker 1>the perspective from individuals that are, you know, on either

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<v Speaker 1>end of the spectrum. And it turns out lots of

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<v Speaker 1>you out there have really interesting experiences with a fantasia

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<v Speaker 1>or hyper fantasia, and lots of you got in touch

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<v Speaker 1>with us, So we thought we'd take this episode to

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<v Speaker 1>read some of the great responses that you sent back

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<v Speaker 1>on this subject. So, I mean, it makes sense to

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<v Speaker 1>write because what it was like two percent and we

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<v Speaker 1>don't do not have any firm numbers on this, but

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<v Speaker 1>the estimate is a little over two percent of the

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<v Speaker 1>population has h you know, notable degrees of a fantasia. Yeah,

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<v Speaker 1>this was that two thousand nine study we talked about

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<v Speaker 1>in the last episode. I believe it was by Fall.

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<v Speaker 1>The psychologist Bill Fall found that two points something per

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<v Speaker 1>cent of the people in this survey seemed to have

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<v Speaker 1>extremely low or no mental imagery. Alright, so we're gonna

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<v Speaker 1>just jump into it now. We're gonna set up. We're

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<v Speaker 1>gonna set a time or for ourselves and say an hour.

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<v Speaker 1>It's about it as long as we tend to like

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<v Speaker 1>to go with the with the podcast episodes, So we're

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<v Speaker 1>just gonna see how many of them we can get

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<v Speaker 1>out in an hour. If we don't get to yours,

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<v Speaker 1>I apologize, but I guarantee you we read all of

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<v Speaker 1>them and we greatly appreciate the feedback. Okay, This first

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<v Speaker 1>message is from our listener Koti so Kyoti says, Hey,

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<v Speaker 1>so I saw you guys on periscope last week. It

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<v Speaker 1>was my first time tuning in and what did you

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<v Speaker 1>guys happen to start discussing? But this condition I recently

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<v Speaker 1>learned about called a fantasia. Y'all were trying to ask

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<v Speaker 1>if people with a fantasia dreamed pictures. The answer is, well,

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<v Speaker 1>I don't know about others, but I certainly do. One

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<v Speaker 1>of the questions you asked in your podcast was about hallucinations.

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<v Speaker 1>That's where we ask, you know, is it possible to

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<v Speaker 1>hallucinate if you can't see things that aren't in front

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<v Speaker 1>of your eyes? And Koti says, I also suffer from

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<v Speaker 1>occasional hallucinations, which are very brief but very clear, maybe

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<v Speaker 1>like twice a month, not very often. I'm able to

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<v Speaker 1>easily tell the difference between them and reality because they

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<v Speaker 1>usually have nothing to do with what I'm trying to

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<v Speaker 1>do at the moment. I've been like this my whole life,

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<v Speaker 1>and I just thought I wasn't good at remembering things.

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<v Speaker 1>I couldn't visualize things, but I would just know the information.

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<v Speaker 1>I'm very good with remembering numbers, though, and very good

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<v Speaker 1>at recognizing patterns. I often wonder if it's because my

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<v Speaker 1>head isn't cluttered up with pictures all the time. I

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<v Speaker 1>wonder if there's anything, because, like when it comes to

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<v Speaker 1>getting around town, I'm I'm the opposite. Like I have

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<v Speaker 1>no idea what the name of that street that I

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<v Speaker 1>travel every day, but I have it in my head

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<v Speaker 1>and I didn't drive to it. No problem. You're picturing

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<v Speaker 1>the guy you saw who looked funny on the sidewalk

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<v Speaker 1>the last time yeah, I remember him the name of

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<v Speaker 1>the street, number of the street idea. Yeah, so, Kyote continues,

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<v Speaker 1>Which isn't to say I don't see pictures at all,

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<v Speaker 1>but they were ephemeral at best and very vague. So

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<v Speaker 1>it sounds like maybe if if Kyota isn't completely a

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<v Speaker 1>fantastic it might might be very low on the visualization

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<v Speaker 1>vividness spectrum. Uh so, Kyote continues. I've known that people

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<v Speaker 1>don't process information the way I do for a while,

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<v Speaker 1>but for the but the first time I really understood

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<v Speaker 1>was when my boyfriend was trying to teach me how

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<v Speaker 1>to meditate. I hadn't thought about meditation, and there's a

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<v Speaker 1>lot of mental imagery and meditation or their candy. Yeah yeah, continuing,

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<v Speaker 1>he asked me to visualize the color green and focus

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<v Speaker 1>on it, and I tried. I really did. I was

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<v Speaker 1>able to come up with a vague green in my head,

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<v Speaker 1>but it quickly slipped away. I had a lot more

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<v Speaker 1>luck with yoga because I was able to focus in

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<v Speaker 1>on the music or my instructors voice. I don't visualize

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<v Speaker 1>my body when I'm doing yoga, but I am aware

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<v Speaker 1>of where everything is when my eyes are closed. It's

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<v Speaker 1>not because This is a point that I specifically brought

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<v Speaker 1>up yoga. Yeah, continuing, it's not like a superpower or anything.

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<v Speaker 1>I just know. And there's actually a scientific word for this.

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<v Speaker 1>You might be aware of it. It's called appropriate reception. Yes,

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<v Speaker 1>we have. There's an older episode of stuff to bling

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<v Speaker 1>your mind about this. Yeah, so appropriate exception is the

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<v Speaker 1>reason why, Hey, to try a quick experiment, as long

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<v Speaker 1>as you're not driving a car or something, close your

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<v Speaker 1>eyes and then put your hands together. You can do

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<v Speaker 1>it even though you can't see where your hands are.

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<v Speaker 1>And this is because your sense of appropriate reception. It's

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<v Speaker 1>this natural sense to be able to know where your

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<v Speaker 1>different body parts are and their movement and relationship to

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<v Speaker 1>one another, even without looking at them, right, I mean,

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<v Speaker 1>it's it's how we move our bodies around in this world. Yeah,

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<v Speaker 1>you like, you don't always have to be looking at

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<v Speaker 1>your feet in order to step. Pretty useful. Yeah. Yeah,

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<v Speaker 1>But anyway, continuing with the mail, I'm also an artist

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<v Speaker 1>and a writer. This is interesting to me because some

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<v Speaker 1>of these people with a fantasy year reported that they

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<v Speaker 1>can't draw at all, not even close, or they had

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<v Speaker 1>difficulty trying to ride out imagine scenarios etcetera. Especially visual descriptions.

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<v Speaker 1>But continuing with the letter art is hard because I

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<v Speaker 1>don't ever have a clear picture of what I want

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<v Speaker 1>to draw. I just keep doodling until I've created something

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<v Speaker 1>I like. Writing is easier, the words just come to me.

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<v Speaker 1>I feel like I can tap more into how something

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<v Speaker 1>makes you feel, rather than worrying about how something looks.

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<v Speaker 1>The biggest downside is not being able to picture faces.

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<v Speaker 1>I can sometimes get an image or of a place

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<v Speaker 1>or a scene sometimes, but I've never been able to

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<v Speaker 1>picture faces. It makes me sad because I've just recently

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<v Speaker 1>married my boyfriend and people ask me about my husband,

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<v Speaker 1>I have to give them a general description or dig

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<v Speaker 1>out my pictures to show them. I mean, I know him,

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<v Speaker 1>he has a beard, dark skin, beautiful brown eyes, but

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<v Speaker 1>I can't see it in my head. I know my

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<v Speaker 1>family and friends, but I can't see them either. So

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<v Speaker 1>to end on a glum note, anyhow, thanks for doing

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<v Speaker 1>the podcast. It made me feel not so alone to

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<v Speaker 1>know there are other people like this. I think I'll

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<v Speaker 1>check out those forums you mentioned. We mentioned some a

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<v Speaker 1>Fantasia forums in the last episode. PS Okay, I do

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<v Speaker 1>have one bone to pick with you in both periscope

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<v Speaker 1>and the podcast. You are very careful to state that

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<v Speaker 1>these people quote claimed to have a fantasia. Almost any

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<v Speaker 1>time it was brought up and people about people having it,

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<v Speaker 1>the word claimed was also present. What gives is it?

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<v Speaker 1>Because there's no way to prove if someone has it,

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<v Speaker 1>or because of a lack of understanding? Am I looking

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<v Speaker 1>too far into this? Just wondering? I can't imagine anyone

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<v Speaker 1>pretending to have a fantasia? I mean, what's the point?

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<v Speaker 1>I hope you guys have a great day and thanks

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<v Speaker 1>for reading. Well, I can address the why we say claimed.

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<v Speaker 1>That's just talking about how you would deal with first

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<v Speaker 1>person experience in science, like there there's no way to

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<v Speaker 1>know what somebody else's first person experience really is, so

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<v Speaker 1>you just talk about what they claim to experience. That's

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<v Speaker 1>the only way you can deal that. It's not because

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<v Speaker 1>we're being skeptical and saying all these people are lying

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<v Speaker 1>about what they experience. It's just trying to reflect the

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<v Speaker 1>reality of the data we have to work with. We

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<v Speaker 1>can't be in their heads. We can only talk about

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<v Speaker 1>what they claim to experience. Yeah, exactly. Anyway, thanks for

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<v Speaker 1>that great email, Coach, that was really interesting to read.

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<v Speaker 1>So Robert, let's have another one. All right. This is

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<v Speaker 1>one from Facebook. This is a far shorter response, but

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<v Speaker 1>it has a nugget in here that I think it's

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<v Speaker 1>very tantalizing. Marine wrote in and said, I think I

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<v Speaker 1>have this. I can't visualize things either. Visualization is a

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<v Speaker 1>strategy that I am supposed to teach kids who have

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<v Speaker 1>trouble with comprehension, but I am not very good at this,

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<v Speaker 1>and now I think it is because I have a fantasia.

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<v Speaker 1>Mind blown this Uh, this really fascinated me because it

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<v Speaker 1>it underlines this idea that okay, we have all we're

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<v Speaker 1>only talking about you know, two percent of individuals probably

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<v Speaker 1>that have a fantasia. So the vast majority of individuals

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<v Speaker 1>that are contributing to curriculums, to teaching strategies, they are

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<v Speaker 1>individuals that have more or less than average mental visualization

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<v Speaker 1>uh system in place. Yeah, so then what's happening when

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<v Speaker 1>you know, when you have individuals that are being taught

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<v Speaker 1>or individuals that are teachers who are having to engage

0:11:15.360 --> 0:11:18.640
<v Speaker 1>with the same curriculum and use the thing curriculum to teach. Yeah,

0:11:18.679 --> 0:11:20.800
<v Speaker 1>this this makes me think about all kinds of different

0:11:20.840 --> 0:11:24.960
<v Speaker 1>things about the way our society is structured based on

0:11:25.040 --> 0:11:30.199
<v Speaker 1>the mistaken assumption that most people have roughly equivalent powers

0:11:30.240 --> 0:11:33.280
<v Speaker 1>of mental imagery. Like. Another way this comes across is

0:11:33.320 --> 0:11:36.560
<v Speaker 1>in the justice system and the use of like the

0:11:36.640 --> 0:11:39.640
<v Speaker 1>use of eyewitness testimony in the justice system. I feel like,

0:11:40.160 --> 0:11:43.640
<v Speaker 1>hopefully people know that there's a spectrum of vividness of

0:11:43.679 --> 0:11:46.720
<v Speaker 1>mental imagery and visual recall, but I bet there are

0:11:46.720 --> 0:11:49.920
<v Speaker 1>a lot of cases where there is There are serious

0:11:49.960 --> 0:11:52.240
<v Speaker 1>problems in the justice system and the use of eye

0:11:52.240 --> 0:11:56.400
<v Speaker 1>witness testimony because people are just assuming that everyone out

0:11:56.400 --> 0:11:59.640
<v Speaker 1>there has just as good visual recall and mental imagery

0:11:59.640 --> 0:12:02.240
<v Speaker 1>as they do, and that's not necessarily the case. Yeah.

0:12:02.320 --> 0:12:04.920
<v Speaker 1>This on top of of course all the inherent memory

0:12:05.000 --> 0:12:08.520
<v Speaker 1>problems with eyewitness testimony, as well as the ability to

0:12:08.760 --> 0:12:11.640
<v Speaker 1>manipulate those memories if you're the one asking the questions.

0:12:11.640 --> 0:12:14.920
<v Speaker 1>So yeah, we can add a plantation into that, into

0:12:14.960 --> 0:12:18.240
<v Speaker 1>that whole cauldron of problems as well. Man, I just

0:12:18.480 --> 0:12:22.120
<v Speaker 1>never read a single thing about eyewitness testimony that makes

0:12:22.120 --> 0:12:25.880
<v Speaker 1>me more trustworthy of Every single piece of science or

0:12:25.960 --> 0:12:29.160
<v Speaker 1>data I come across just undermines it more. Yeah, I mean,

0:12:29.160 --> 0:12:32.160
<v Speaker 1>it just seems like the label should be you know, used,

0:12:32.200 --> 0:12:34.560
<v Speaker 1>but used with caution and used with the understanding that

0:12:34.640 --> 0:12:38.080
<v Speaker 1>this is not this is not video camera HD footage.

0:12:38.200 --> 0:12:41.200
<v Speaker 1>This is this is a flawed memory that is susceptible

0:12:41.520 --> 0:12:45.880
<v Speaker 1>to manipulation, alteration, and uh, it might not be that

0:12:46.000 --> 0:12:48.800
<v Speaker 1>even reliable to begin with. Yeah, yet another case for

0:12:48.880 --> 0:12:51.600
<v Speaker 1>augmenting our bodies with video cameras where our eyes are,

0:12:51.679 --> 0:12:54.160
<v Speaker 1>so we can just press record on everything that's important.

0:12:54.559 --> 0:12:56.839
<v Speaker 1>That's that's all I'm arguing for. Joe. Do you want

0:12:56.840 --> 0:12:59.760
<v Speaker 1>to do another one, Robert, Yeah, let me grab one here,

0:13:00.360 --> 0:13:02.800
<v Speaker 1>all right. This one is from Emily. She says a

0:13:02.840 --> 0:13:06.160
<v Speaker 1>longtime listener, first time caller, Smiley face. I just listened

0:13:06.160 --> 0:13:08.679
<v Speaker 1>to your podcast on a fantasia. It caught my ear

0:13:08.720 --> 0:13:11.960
<v Speaker 1>because a friend had recently posted about this phenomenon of Facebook.

0:13:12.000 --> 0:13:14.640
<v Speaker 1>She doesn't see mental images and was doing a survey

0:13:14.679 --> 0:13:17.760
<v Speaker 1>of her friends. I don't see mental images either. Until

0:13:17.800 --> 0:13:20.040
<v Speaker 1>I listened to your podcast. I didn't realize people actually

0:13:20.080 --> 0:13:22.720
<v Speaker 1>see things. I thought when people talk about picturing things

0:13:22.720 --> 0:13:24.640
<v Speaker 1>in their mind, it was just a figure of speech.

0:13:25.000 --> 0:13:28.800
<v Speaker 1>I didn't realize there was actually a picture. Mind equals

0:13:28.800 --> 0:13:32.960
<v Speaker 1>blown Emily, this is uh, yeah, this is interest. The

0:13:33.080 --> 0:13:34.640
<v Speaker 1>the we I think we touched a little bit on

0:13:34.679 --> 0:13:37.040
<v Speaker 1>this in the original episode, like people hearing about this

0:13:37.080 --> 0:13:39.920
<v Speaker 1>and just not really understanding what what people were talking about. Yeah,

0:13:40.000 --> 0:13:42.240
<v Speaker 1>this is something we've heard, so we heard it in

0:13:42.400 --> 0:13:45.200
<v Speaker 1>the original episode when we were doing research. And like,

0:13:45.280 --> 0:13:48.320
<v Speaker 1>for example, that essay by Blake Ross about what it's

0:13:48.320 --> 0:13:51.000
<v Speaker 1>like to discover a fantasia where he reports that he

0:13:51.040 --> 0:13:54.600
<v Speaker 1>didn't realize other people could see mental images. Uh. And

0:13:54.679 --> 0:13:56.800
<v Speaker 1>we heard this from a bunch of listeners. A lot

0:13:56.840 --> 0:13:58.480
<v Speaker 1>of you who got in touch with us said you

0:13:58.480 --> 0:14:01.200
<v Speaker 1>had the exact same experience. You just had no idea

0:14:01.280 --> 0:14:03.760
<v Speaker 1>this was even a thing other people could do. But

0:14:03.800 --> 0:14:06.360
<v Speaker 1>another way this parallels the Blake Ross I say is

0:14:06.440 --> 0:14:08.440
<v Speaker 1>that he also did the same thing where when he

0:14:08.480 --> 0:14:11.079
<v Speaker 1>found out about it, he went online and started surveying

0:14:11.080 --> 0:14:12.800
<v Speaker 1>all his friends and you know, trying to get in

0:14:12.840 --> 0:14:15.400
<v Speaker 1>touch with them, saying, wait a minute, you see something

0:14:15.440 --> 0:14:18.840
<v Speaker 1>that's not there, like you can see it, uh, and

0:14:18.840 --> 0:14:21.520
<v Speaker 1>and quizzing all the people he knew. And it turns

0:14:21.520 --> 0:14:23.920
<v Speaker 1>out he got in touch with some people he knew

0:14:23.920 --> 0:14:27.960
<v Speaker 1>who were also experiencing a fantasia. And it looks like

0:14:28.000 --> 0:14:31.480
<v Speaker 1>Emily's friend did as well. In Emily um, I have

0:14:31.560 --> 0:14:35.200
<v Speaker 1>a friend whose coworker has this, and I found this interesting.

0:14:35.240 --> 0:14:39.400
<v Speaker 1>Apparently he describes his memory of people like when when

0:14:39.440 --> 0:14:42.200
<v Speaker 1>he thinks of someone, it's like pulling up a Wikipedia

0:14:42.240 --> 0:14:45.600
<v Speaker 1>page about that person, which is an interesting way to

0:14:45.640 --> 0:14:47.280
<v Speaker 1>describe it. There's a lot of That's one of the

0:14:47.280 --> 0:14:50.080
<v Speaker 1>things that's so tantalizing about this this topic is that

0:14:50.800 --> 0:14:55.240
<v Speaker 1>you you ultimately have the each side trying to relate

0:14:55.320 --> 0:14:59.720
<v Speaker 1>with their experience their memory experiences, like in each dealing

0:14:59.800 --> 0:15:02.880
<v Speaker 1>with a slightly different system. All right, now here's another one.

0:15:02.920 --> 0:15:06.640
<v Speaker 1>This coming comes to us from Olaf in Sweden. Says, Hi,

0:15:06.720 --> 0:15:08.360
<v Speaker 1>my name is Olaf and I'm a twenty nine year

0:15:08.360 --> 0:15:10.840
<v Speaker 1>old man from Sweden. When I was in my early twenties,

0:15:10.920 --> 0:15:13.240
<v Speaker 1>me and a friend played the would you rather game

0:15:13.440 --> 0:15:15.360
<v Speaker 1>and came to the question would you rather be blind

0:15:15.400 --> 0:15:18.120
<v Speaker 1>or deaf? I said blind in a second, and my

0:15:18.160 --> 0:15:20.640
<v Speaker 1>friend asked me why because he thought it was strange,

0:15:21.000 --> 0:15:23.920
<v Speaker 1>and I said, well, I store all of my information

0:15:24.040 --> 0:15:26.760
<v Speaker 1>vocally in my head, so my side is useless in

0:15:26.800 --> 0:15:29.920
<v Speaker 1>that way. Then I thought, if you're born deaf and

0:15:30.120 --> 0:15:32.480
<v Speaker 1>never heard a spoken word in your life in which

0:15:32.600 --> 0:15:36.280
<v Speaker 1>language do you think? My friend replied you don't you

0:15:36.360 --> 0:15:39.000
<v Speaker 1>picture it. That blew my mind because I had never

0:15:39.120 --> 0:15:42.200
<v Speaker 1>had pictures in my mind before. I had a constant

0:15:42.240 --> 0:15:46.040
<v Speaker 1>thought process in which I have an ongoing inner conversation

0:15:46.120 --> 0:15:49.920
<v Speaker 1>with myself where I sort out and store information. Like

0:15:49.960 --> 0:15:52.400
<v Speaker 1>if someone tells me, remember that time last summer when

0:15:52.400 --> 0:15:57.440
<v Speaker 1>we had watermelons for dinner, certainly remember that time, Robert.

0:15:58.840 --> 0:16:02.200
<v Speaker 1>I first think about watermelons, what they are a fruit,

0:16:02.440 --> 0:16:05.400
<v Speaker 1>then the color green and how they taste. And after

0:16:05.440 --> 0:16:08.840
<v Speaker 1>that I can remind myself of conversations I remember bound

0:16:08.840 --> 0:16:11.480
<v Speaker 1>to the taste of watermelons. Then based on the lingo

0:16:11.600 --> 0:16:14.760
<v Speaker 1>of the conversation I now repeat in my head, I

0:16:14.800 --> 0:16:17.040
<v Speaker 1>can determine who I was speaking with at the time.

0:16:17.200 --> 0:16:20.360
<v Speaker 1>Then I remember which time, uh they are talking about.

0:16:20.720 --> 0:16:23.520
<v Speaker 1>So if I have to recall something, I always ask

0:16:23.760 --> 0:16:27.760
<v Speaker 1>what were we talking about? Rather than was it sunny?

0:16:27.760 --> 0:16:29.840
<v Speaker 1>Thanks for the great podcast, and keep up the great work,

0:16:29.960 --> 0:16:33.560
<v Speaker 1>old Off, Thanks for that message. All Off that so

0:16:34.360 --> 0:16:37.400
<v Speaker 1>I don't recall ever having watermelons from for dinner, but

0:16:37.520 --> 0:16:41.200
<v Speaker 1>I can actually relate here because I sometimes do this.

0:16:41.880 --> 0:16:45.400
<v Speaker 1>I'm obviously I don't have a fantasia, but I often

0:16:45.480 --> 0:16:49.080
<v Speaker 1>try to place memories by trying to remember what we

0:16:49.080 --> 0:16:51.800
<v Speaker 1>were talking about at the time, and I'm sure that

0:16:51.800 --> 0:16:54.280
<v Speaker 1>comes off as rather weird to people who are more visual,

0:16:54.320 --> 0:16:57.360
<v Speaker 1>trying to remember what people were wearing or what, you know,

0:16:57.400 --> 0:16:59.440
<v Speaker 1>what the weather was like that day, that those aren't

0:16:59.440 --> 0:17:02.240
<v Speaker 1>typically things I store as much. So maybe I'm lower

0:17:02.280 --> 0:17:05.400
<v Speaker 1>on the on the mental vividness scale. And of course

0:17:05.440 --> 0:17:07.840
<v Speaker 1>this is gonna get even getting into again the whole

0:17:08.480 --> 0:17:11.919
<v Speaker 1>complex nature of memory, where sometimes we have these clear

0:17:11.960 --> 0:17:14.360
<v Speaker 1>memories of what we were wearing, what we were doing,

0:17:14.480 --> 0:17:17.520
<v Speaker 1>especially when really important things happened, and those memories are

0:17:17.560 --> 0:17:20.400
<v Speaker 1>not all that reliable either. Sometimes the brain just kind

0:17:20.440 --> 0:17:23.480
<v Speaker 1>of goes ahead and just colors that scenario and you

0:17:23.520 --> 0:17:25.440
<v Speaker 1>tuck that mental image away in your mind, and it

0:17:25.520 --> 0:17:27.639
<v Speaker 1>might not even be all that accurate. Yeah, what happened

0:17:27.640 --> 0:17:31.040
<v Speaker 1>that night, Well, we were eating watermelons for dinner. Uh No.

0:17:31.240 --> 0:17:34.240
<v Speaker 1>Another thing that Olaf says that's interesting is that he

0:17:34.720 --> 0:17:38.600
<v Speaker 1>talks about having this internal conversation with him with himself.

0:17:39.200 --> 0:17:42.000
<v Speaker 1>And this is another thing that we came across reading

0:17:42.080 --> 0:17:44.960
<v Speaker 1>for the previous episode, where if sometimes people report this

0:17:45.119 --> 0:17:48.560
<v Speaker 1>that instead of picturing the thing they're about to do,

0:17:48.680 --> 0:17:51.760
<v Speaker 1>they have a conversation mentally about what they're about to do.

0:17:52.160 --> 0:17:54.879
<v Speaker 1>So I don't picture walking to the kitchen going to

0:17:54.880 --> 0:17:56.520
<v Speaker 1>get a glass of water. I say, what am I

0:17:56.520 --> 0:17:58.119
<v Speaker 1>going to do? Now? I'm going to go to the

0:17:58.200 --> 0:17:59.960
<v Speaker 1>kitchen and when I'm there, I'm going to get a

0:18:00.000 --> 0:18:04.080
<v Speaker 1>glass of water. Okay, let's do it. Okay. This next

0:18:04.200 --> 0:18:08.760
<v Speaker 1>email is from our listener Luisa called another a fantasiac person.

0:18:09.520 --> 0:18:12.440
<v Speaker 1>Luisa says, hello, guys, I really love the podcast, and

0:18:12.480 --> 0:18:14.280
<v Speaker 1>when I saw the topic for this week's one, I

0:18:14.359 --> 0:18:17.240
<v Speaker 1>knew it would be weird and exciting. I found out

0:18:17.320 --> 0:18:21.440
<v Speaker 1>that I was a fantasiac. I prefer a fantastic. Actually

0:18:21.480 --> 0:18:23.960
<v Speaker 1>I don't. I'm not sure what the proper word is.

0:18:24.000 --> 0:18:26.720
<v Speaker 1>I would assume based on the way the word is structured,

0:18:26.800 --> 0:18:30.040
<v Speaker 1>if you have a fantasia, you're an a fantasiac. But

0:18:31.200 --> 0:18:33.000
<v Speaker 1>I hope that doesn't come off as sounding like you're

0:18:33.000 --> 0:18:36.119
<v Speaker 1>a maniac a fantasiac. It does kind of sound like

0:18:36.119 --> 0:18:39.240
<v Speaker 1>like disturb People who would attack can say, like a

0:18:39.240 --> 0:18:42.480
<v Speaker 1>Blue Sunshine type of exploitation film, Well, that is a

0:18:42.520 --> 0:18:45.199
<v Speaker 1>great film, but please don't take it that way. But

0:18:45.320 --> 0:18:47.360
<v Speaker 1>maybe we can go with a fantastic. That's a nice

0:18:47.359 --> 0:18:51.119
<v Speaker 1>one like it anyway, she continues. When the studies started

0:18:51.160 --> 0:18:53.479
<v Speaker 1>to be reported by the media and science blogs, I

0:18:53.560 --> 0:18:55.480
<v Speaker 1>was one of the people who were like, wait, you

0:18:55.520 --> 0:18:58.840
<v Speaker 1>guys mean you literally see things? So yet again this

0:18:58.920 --> 0:19:02.159
<v Speaker 1>experience as a child, I got bored when I was

0:19:02.160 --> 0:19:05.159
<v Speaker 1>supposed to imagine things like counting sheep, and I just

0:19:05.160 --> 0:19:07.639
<v Speaker 1>thought it was something that grown ups found entertaining, but

0:19:07.720 --> 0:19:11.359
<v Speaker 1>I had no interest in like instrumental music and newspapers.

0:19:12.760 --> 0:19:15.400
<v Speaker 1>Years passed, and I guess I just never thought much

0:19:15.440 --> 0:19:17.800
<v Speaker 1>about it. When I found out I was different, I

0:19:17.800 --> 0:19:21.040
<v Speaker 1>felt immensely sad. It seems to be a very exciting

0:19:21.119 --> 0:19:24.680
<v Speaker 1>thing to be missing out. My grandfather passed away last year,

0:19:24.720 --> 0:19:27.680
<v Speaker 1>and I need pictures to remember him by. Of course,

0:19:27.720 --> 0:19:29.800
<v Speaker 1>I know who he is and I can describe him

0:19:29.840 --> 0:19:31.840
<v Speaker 1>in detail, but I cannot, for the life of me,

0:19:32.000 --> 0:19:35.199
<v Speaker 1>picture him at all. It feels really unfair that I

0:19:35.240 --> 0:19:38.040
<v Speaker 1>cannot see him when people can do that easily, even

0:19:38.040 --> 0:19:40.119
<v Speaker 1>if they weren't as close to him as I was.

0:19:41.040 --> 0:19:43.399
<v Speaker 1>It's weird that you guys can't imagine what it's like

0:19:43.640 --> 0:19:46.160
<v Speaker 1>to not be able to picture things. It's a lot

0:19:46.200 --> 0:19:48.439
<v Speaker 1>harder for me to try to imagine what it is

0:19:48.560 --> 0:19:51.280
<v Speaker 1>like to picture things. I guess it's hard either way. Yeah,

0:19:51.359 --> 0:19:53.800
<v Speaker 1>that's I mean, that's the crazy thing. That's like, we're

0:19:53.800 --> 0:19:56.280
<v Speaker 1>each on a different side of this stream. I mean

0:19:56.280 --> 0:19:58.359
<v Speaker 1>some people are kind of standing straddling in a little bit.

0:19:58.359 --> 0:20:00.320
<v Speaker 1>But yeah, I'm just trying to relate what the views

0:20:00.359 --> 0:20:03.880
<v Speaker 1>like from our side. Well, one listener on Facebook pointed out, Hey,

0:20:04.000 --> 0:20:06.880
<v Speaker 1>you know it's it's difficult to imagine things. What about

0:20:06.880 --> 0:20:10.040
<v Speaker 1>trying to imagine being actually blind instead of blinding the

0:20:10.119 --> 0:20:13.040
<v Speaker 1>mind's eye? And I thought, well, obviously it's not what

0:20:13.119 --> 0:20:15.159
<v Speaker 1>we can't simulate, whether it's like to be blind your

0:20:15.200 --> 0:20:17.720
<v Speaker 1>whole life or to have that whole experience of blindness.

0:20:17.720 --> 0:20:20.639
<v Speaker 1>But you can sort of temporarily roughly simulated just by

0:20:20.640 --> 0:20:22.800
<v Speaker 1>closing your eyes. You know, you can know what it's

0:20:22.840 --> 0:20:25.760
<v Speaker 1>like to try to navigate surroundings without being able to

0:20:25.800 --> 0:20:29.480
<v Speaker 1>see anything. But you can't close your mind's eye, or

0:20:29.480 --> 0:20:33.040
<v Speaker 1>at least I can't. I find it literally impossible not

0:20:33.200 --> 0:20:36.720
<v Speaker 1>to picture mental images on command. Yeah, like even when

0:20:36.720 --> 0:20:41.040
<v Speaker 1>I shut if I'm able to shut down deliberate mental images,

0:20:41.200 --> 0:20:43.600
<v Speaker 1>you know, I'm still going to have sort of spontaneous

0:20:43.640 --> 0:20:47.840
<v Speaker 1>mental images. Yeah, it's something related to the default mode network. Uh,

0:20:47.880 --> 0:20:50.960
<v Speaker 1>you know, stuff in the past, thinking about the future

0:20:50.960 --> 0:20:52.720
<v Speaker 1>of even shut all that out, then I'm still gonna

0:20:52.760 --> 0:20:57.119
<v Speaker 1>get sort of like random like meditation shivasana imagery in

0:20:57.160 --> 0:20:59.560
<v Speaker 1>my head. Yeah. I find that if I try to

0:20:59.680 --> 0:21:03.399
<v Speaker 1>just say, okay, picture nothing, don't picture anything, just blackness, nothing,

0:21:04.400 --> 0:21:06.960
<v Speaker 1>my mind starts going to that scene in Ghostbusters where

0:21:07.240 --> 0:21:09.960
<v Speaker 1>and then I end up picturing the Ghostbusters and I

0:21:10.000 --> 0:21:13.000
<v Speaker 1>pictured dan Ackroid and I pictured the st stay Puff

0:21:13.040 --> 0:21:16.679
<v Speaker 1>marshmallow Man oh Man. So so basically, if all of

0:21:16.720 --> 0:21:21.359
<v Speaker 1>the Ghostbusters have been a fantasic and a fantasiact, ghoz

0:21:21.440 --> 0:21:23.080
<v Speaker 1>Or would not have had a leg to stand on.

0:21:23.200 --> 0:21:26.159
<v Speaker 1>That he could not have pictured something to for the

0:21:26.280 --> 0:21:29.199
<v Speaker 1>for the destroyer to to incarnate itself. He would have

0:21:29.240 --> 0:21:31.920
<v Speaker 1>been thwarted. That's why you should you should always hire

0:21:31.920 --> 0:21:35.600
<v Speaker 1>a fantasiac for your ghost fighting purposes. This is so good.

0:21:35.720 --> 0:21:37.639
<v Speaker 1>This is so good, I'm almost tempted to remove it

0:21:37.680 --> 0:21:40.440
<v Speaker 1>from the episodes that that we can exploit it. Uh,

0:21:40.800 --> 0:21:42.399
<v Speaker 1>maybe we can. May we canna write something up for

0:21:42.600 --> 0:21:46.159
<v Speaker 1>Houseloff Works now about this? Okay, that's a good idea. Anyway,

0:21:46.200 --> 0:21:49.439
<v Speaker 1>we should continue with Luisa's email, So she says. I

0:21:49.560 --> 0:21:53.000
<v Speaker 1>used to explain it as like having a smell bring

0:21:53.040 --> 0:21:56.520
<v Speaker 1>back memories. The information on the smell memory is there

0:21:56.600 --> 0:21:59.560
<v Speaker 1>and it's easily recognizable once you smell that again. But

0:21:59.600 --> 0:22:04.600
<v Speaker 1>it's in possible to conjecture a smell in your head. Actually, Luisa,

0:22:04.680 --> 0:22:06.960
<v Speaker 1>I don't know if I agree with that. I can

0:22:07.000 --> 0:22:11.400
<v Speaker 1>imagine what smells smell like, can can you, Robert? Can

0:22:11.440 --> 0:22:14.879
<v Speaker 1>you smell something that you're not currently smelling, like a

0:22:15.119 --> 0:22:18.280
<v Speaker 1>smell of onions sauteing in a pan? I can just

0:22:18.480 --> 0:22:22.000
<v Speaker 1>I can sort of mentally smell that right now a

0:22:22.080 --> 0:22:25.160
<v Speaker 1>little bit. I know. I have found that I can

0:22:25.200 --> 0:22:29.000
<v Speaker 1>do this better like I can there there have been

0:22:29.040 --> 0:22:33.800
<v Speaker 1>certain situations in places in the right um arrangement of

0:22:33.840 --> 0:22:39.040
<v Speaker 1>things to where I can imagine, taste and smell better

0:22:39.760 --> 0:22:43.399
<v Speaker 1>if that makes sense. Vague description of it, um, But

0:22:43.520 --> 0:22:44.840
<v Speaker 1>for the most part it's like I kind of have

0:22:44.920 --> 0:22:50.240
<v Speaker 1>to strain for it. Interesting. Yeah, well yeah, so clearly

0:22:50.280 --> 0:22:52.240
<v Speaker 1>here there. This is yet another thing where there is

0:22:52.400 --> 0:22:56.119
<v Speaker 1>variable experience on what you can create mentally, the mental

0:22:56.200 --> 0:23:00.840
<v Speaker 1>sensory experience. Luis is obviously having a different experience from

0:23:00.880 --> 0:23:04.359
<v Speaker 1>from me and from you. Yeah. Oh, actually, and she

0:23:04.440 --> 0:23:06.720
<v Speaker 1>anticipates me. I should have remembered this, she says. But

0:23:06.800 --> 0:23:09.400
<v Speaker 1>maybe people are able to do that also, And it's

0:23:09.440 --> 0:23:13.000
<v Speaker 1>another sense I can't bring by myself. Is it so

0:23:13.080 --> 0:23:16.480
<v Speaker 1>for me? Visual data is there. I can describe things

0:23:16.600 --> 0:23:18.880
<v Speaker 1>as you could with a smell, but I am not

0:23:19.160 --> 0:23:22.320
<v Speaker 1>visualizing the things I'm describing. I just know what the

0:23:22.400 --> 0:23:24.760
<v Speaker 1>description is. This is consistent with a lot of what

0:23:24.800 --> 0:23:28.960
<v Speaker 1>we read. I am a fantasiac with sounds as well.

0:23:29.200 --> 0:23:31.840
<v Speaker 1>If I try to imagine a dog bark, I can

0:23:32.000 --> 0:23:36.240
<v Speaker 1>hear my own voice barking, but never an actual dog.

0:23:36.280 --> 0:23:39.840
<v Speaker 1>That's fantastic. I love it. Earworms are me singing the

0:23:39.920 --> 0:23:43.040
<v Speaker 1>songs and all the noise. I can only imagine them

0:23:43.080 --> 0:23:46.359
<v Speaker 1>if I can make them. I'm the worst with impressions

0:23:46.359 --> 0:23:49.480
<v Speaker 1>and accents. Can't do anything. I wonder if I can't

0:23:49.480 --> 0:23:52.600
<v Speaker 1>do impressions because I can't imagine them, or I can't

0:23:52.640 --> 0:23:56.040
<v Speaker 1>imagine them because I can't do them. That, yeah, that's

0:23:56.080 --> 0:23:58.480
<v Speaker 1>interesting because there I feel like when I do if

0:23:58.480 --> 0:24:01.720
<v Speaker 1>I do an impersonation, goven. If I fail miserably to

0:24:01.720 --> 0:24:06.040
<v Speaker 1>do one, um like I'm still very much like Donald Trump,

0:24:06.040 --> 0:24:09.480
<v Speaker 1>for instance. I don't have a good Donald Donald Trump impersonation,

0:24:09.880 --> 0:24:13.359
<v Speaker 1>but one cannot help but want to do one, given

0:24:13.480 --> 0:24:15.320
<v Speaker 1>how much Trump were e supposed to in the media

0:24:15.400 --> 0:24:18.040
<v Speaker 1>right now. So even when I try, the mental image

0:24:18.040 --> 0:24:21.400
<v Speaker 1>of Trump enters my mind and and I essentially try

0:24:21.440 --> 0:24:24.960
<v Speaker 1>and blow that out into a full possession of my body.

0:24:25.040 --> 0:24:28.080
<v Speaker 1>But you can't do the voice. No, it's not not

0:24:28.560 --> 0:24:31.320
<v Speaker 1>you know, it just becomes a bad Australian accident or something,

0:24:31.320 --> 0:24:35.639
<v Speaker 1>and then I feel bad about myself and stuff. Anyway,

0:24:35.720 --> 0:24:39.320
<v Speaker 1>Luisa goes on, I do dream very vividly. We heard

0:24:39.320 --> 0:24:41.719
<v Speaker 1>a lot of different stuff about dreams with this question.

0:24:41.800 --> 0:24:45.080
<v Speaker 1>Some some dreams, some don't. She says, I was told

0:24:45.119 --> 0:24:47.840
<v Speaker 1>that seeing with your mind's eye is not like dreaming.

0:24:47.840 --> 0:24:50.639
<v Speaker 1>Though I don't know if I can hallucinate, as I

0:24:50.680 --> 0:24:53.000
<v Speaker 1>never did those kind of drugs. Though of course you

0:24:53.000 --> 0:24:55.199
<v Speaker 1>don't have to do drugs to hallucinate. That that that

0:24:55.359 --> 0:24:57.960
<v Speaker 1>is one way that a person without a natural tendency

0:24:58.000 --> 0:25:01.920
<v Speaker 1>to hallucinate can get there. Anyway, Luisa goes on to say,

0:25:01.960 --> 0:25:03.840
<v Speaker 1>thank you for an amazing podcast. I was able to

0:25:03.880 --> 0:25:06.480
<v Speaker 1>understand a little more about me, even if even if

0:25:06.520 --> 0:25:09.159
<v Speaker 1>it always makes me sad for the things I'm missing.

0:25:09.520 --> 0:25:11.520
<v Speaker 1>If you have any questions about it, feel free to ask.

0:25:11.560 --> 0:25:14.520
<v Speaker 1>I'll gladly explain that this is Luisa and Brazil. Well,

0:25:14.520 --> 0:25:17.320
<v Speaker 1>thank you for that awesome email, Louisa, Yeah, that was great.

0:25:17.760 --> 0:25:19.760
<v Speaker 1>All right, Robert, you got another one for us. Yeah,

0:25:19.800 --> 0:25:21.520
<v Speaker 1>this one kind of relates we were just talking about

0:25:21.520 --> 0:25:25.440
<v Speaker 1>because it gets into smell. Carolyn rode in and she says,

0:25:25.480 --> 0:25:27.120
<v Speaker 1>I never thought I would email a podcast, but your

0:25:27.119 --> 0:25:29.080
<v Speaker 1>recent show and a plantation inspired me to right in.

0:25:29.480 --> 0:25:31.240
<v Speaker 1>You asked what it would be like to imagine things

0:25:31.240 --> 0:25:33.280
<v Speaker 1>without the minds. I never thought it was possible to

0:25:33.280 --> 0:25:35.919
<v Speaker 1>see anything in my mind outside of a dream. For me,

0:25:36.160 --> 0:25:38.840
<v Speaker 1>it's like having that memory of seeing the picture when

0:25:38.880 --> 0:25:41.439
<v Speaker 1>you look at an object and then afterwards can remember

0:25:41.480 --> 0:25:44.359
<v Speaker 1>what it looked like. Also, perhaps to compensate for the

0:25:44.400 --> 0:25:47.680
<v Speaker 1>lack of images, I can, if I concentrate hard enough,

0:25:47.880 --> 0:25:52.240
<v Speaker 1>feel and hear and faintly smell something imagined. Of these three,

0:25:52.359 --> 0:25:55.400
<v Speaker 1>it is easiest for me to feel something imagined. For example,

0:25:55.640 --> 0:25:58.080
<v Speaker 1>I once imagined I was laying on a patch of

0:25:58.119 --> 0:26:00.760
<v Speaker 1>grass in the sun. I could feel the grass and

0:26:00.800 --> 0:26:03.520
<v Speaker 1>the ground underneath me, and the warmth of the sun,

0:26:03.880 --> 0:26:07.160
<v Speaker 1>and even the position I was laying. I also had

0:26:07.200 --> 0:26:09.560
<v Speaker 1>a sense of how I had gotten there and the

0:26:09.600 --> 0:26:13.479
<v Speaker 1>wider imaginary world I had created. It was like I

0:26:13.600 --> 0:26:16.320
<v Speaker 1>jumped into the scene just after I had laid down

0:26:16.359 --> 0:26:18.480
<v Speaker 1>and closed my eyes, but I could not open my

0:26:18.560 --> 0:26:21.439
<v Speaker 1>eyes to see if there were any clouds in the sky.

0:26:21.480 --> 0:26:25.040
<v Speaker 1>That's about as vivid as my imagined sense can get.

0:26:25.359 --> 0:26:28.479
<v Speaker 1>If I concentrate. I can even imagine a faint smell,

0:26:28.720 --> 0:26:31.399
<v Speaker 1>but have never tried to imagine a taste. Most of

0:26:31.400 --> 0:26:34.920
<v Speaker 1>the time, my imagination consists of words like I am

0:26:34.920 --> 0:26:38.359
<v Speaker 1>reading a book in real time as I write it. Also,

0:26:38.760 --> 0:26:41.800
<v Speaker 1>as I traveled through my imagined worlds, I do so

0:26:41.920 --> 0:26:45.040
<v Speaker 1>in first person, so I can imagine moving through the

0:26:45.040 --> 0:26:48.119
<v Speaker 1>world either as myself or as the main character, so

0:26:48.200 --> 0:26:52.040
<v Speaker 1>I can experience the other senses faintly, as if remembering

0:26:52.080 --> 0:26:55.320
<v Speaker 1>something experienced before. I always look forward to your next episode.

0:26:55.359 --> 0:26:58.280
<v Speaker 1>Thanks Caroline, Well yeah, well thanks for writing in. That's

0:26:58.440 --> 0:27:02.560
<v Speaker 1>again just another interesting person sspective on how how you

0:27:03.119 --> 0:27:07.600
<v Speaker 1>experience and remember the world and imagine the world really

0:27:07.920 --> 0:27:11.879
<v Speaker 1>with less of an emphasis on visual imagery. Now, Robert,

0:27:11.960 --> 0:27:14.880
<v Speaker 1>you were saying you had some difficulty trying to mentally

0:27:15.000 --> 0:27:17.800
<v Speaker 1>smell something like until you imagine the smell What about

0:27:17.800 --> 0:27:21.840
<v Speaker 1>what about feel and and and taste and well taste,

0:27:21.880 --> 0:27:24.679
<v Speaker 1>touch and hearing. Yeah, well, taste definitely goes into what

0:27:24.920 --> 0:27:27.920
<v Speaker 1>I know, the example that I mentioned earlier, like taste

0:27:27.920 --> 0:27:29.399
<v Speaker 1>and smell, I feel like they're the same as far

0:27:29.440 --> 0:27:36.160
<v Speaker 1>as field goes. Yeah, it feels difficult for me too. Yeah.

0:27:35.720 --> 0:27:38.200
<v Speaker 1>You so you can't imagine the feeling of, say, petting

0:27:38.200 --> 0:27:40.560
<v Speaker 1>a cat, like feeling it's for you? Can't? You can't

0:27:40.640 --> 0:27:43.600
<v Speaker 1>feel that in your mind. I can, but I'm more

0:27:43.680 --> 0:27:46.479
<v Speaker 1>likely to describe it in my mind, like I'm thinking

0:27:46.520 --> 0:27:49.520
<v Speaker 1>of like like I'm touching a cat or you know

0:27:49.680 --> 0:27:53.159
<v Speaker 1>or or you know, my my son's cheek or something like.

0:27:53.240 --> 0:27:55.600
<v Speaker 1>I can think, oh, that's soft and that's smooth, and

0:27:55.680 --> 0:27:58.879
<v Speaker 1>I can visualize myself doing it, But in terms of

0:27:58.920 --> 0:28:03.399
<v Speaker 1>like feeling it that like, I'm really struggling to to

0:28:03.560 --> 0:28:05.800
<v Speaker 1>have that kind of a memory. What about taking a

0:28:05.880 --> 0:28:08.479
<v Speaker 1>rotten piece of fruit, smashing it into your face and

0:28:08.560 --> 0:28:11.560
<v Speaker 1>smearing it all over your skin. Well, that's a fantastic

0:28:12.080 --> 0:28:15.359
<v Speaker 1>visual image you just created, and that you can't feel

0:28:15.400 --> 0:28:19.240
<v Speaker 1>the fruit? No, no, weird. I can feel that. I

0:28:19.280 --> 0:28:22.440
<v Speaker 1>can feel what that would feel like. Yeah, I hadn't

0:28:22.440 --> 0:28:26.240
<v Speaker 1>really thought about any of this before. But that example

0:28:26.280 --> 0:28:28.680
<v Speaker 1>comes up because we have a coworker who sits between

0:28:28.760 --> 0:28:30.639
<v Speaker 1>Robert and now who has had the same piece of

0:28:30.680 --> 0:28:33.880
<v Speaker 1>fruit rotting on their desk for months. Yes, it's it's

0:28:33.960 --> 0:28:36.040
<v Speaker 1>quite in a way. It's kind of beautiful and very

0:28:36.119 --> 0:28:39.120
<v Speaker 1>goth So it is like turned into a water balloon

0:28:39.280 --> 0:28:43.960
<v Speaker 1>of of fragrance and worms and ms of a lot

0:28:44.000 --> 0:28:46.920
<v Speaker 1>of balloon of worms. All right, what I should imagine

0:28:46.920 --> 0:28:48.840
<v Speaker 1>We should probably take a quick break here and we

0:28:48.920 --> 0:28:52.680
<v Speaker 1>come back. We will explore some more listener mail related

0:28:52.720 --> 0:29:00.440
<v Speaker 1>to a plantation. All right, we're a what do we

0:29:00.480 --> 0:29:03.040
<v Speaker 1>have next? Well, I'm going to read one from Nelson

0:29:03.240 --> 0:29:07.520
<v Speaker 1>called Gained a Fantasias story. So one of the reasons

0:29:07.560 --> 0:29:10.160
<v Speaker 1>that we that we know about a phantasia, now, one

0:29:10.200 --> 0:29:11.920
<v Speaker 1>of the reasons that's been written about in the media

0:29:12.000 --> 0:29:14.440
<v Speaker 1>lately is because of a story of acquired a fantasia.

0:29:14.440 --> 0:29:17.840
<v Speaker 1>A guy who was an older guy who got a

0:29:17.880 --> 0:29:22.800
<v Speaker 1>coronary angioplastic which is routine medical procedure to widen an artery,

0:29:22.920 --> 0:29:26.840
<v Speaker 1>and after this experience, he suddenly had lost his ability

0:29:26.920 --> 0:29:29.080
<v Speaker 1>to make mental pictures. It's almost kind of He's almost

0:29:29.080 --> 0:29:31.800
<v Speaker 1>called the Rosetta Stone of this, uh, this scenario, and

0:29:31.880 --> 0:29:35.400
<v Speaker 1>this this attempt to translate these experiences from one type

0:29:35.440 --> 0:29:37.400
<v Speaker 1>of person to the audit. Yeah, and so, of course

0:29:37.480 --> 0:29:40.000
<v Speaker 1>after this story, a lot of people started getting in

0:29:40.080 --> 0:29:43.520
<v Speaker 1>contact with with researchers in this area and saying, hey, look,

0:29:43.600 --> 0:29:46.720
<v Speaker 1>I've got a phantasia. I've headed my whole life. And

0:29:46.760 --> 0:29:49.400
<v Speaker 1>so we we have been mostly talking about people who

0:29:49.400 --> 0:29:52.040
<v Speaker 1>have always had a fantasia. But this is a note

0:29:52.120 --> 0:29:56.720
<v Speaker 1>from a listener who acquired it. So Nelson writes, Hey, guys,

0:29:56.800 --> 0:29:59.280
<v Speaker 1>longtime listener to the podcast. While I work, I've never

0:29:59.280 --> 0:30:01.240
<v Speaker 1>had a reason to right in until now with a

0:30:01.320 --> 0:30:04.200
<v Speaker 1>personal story about how I, for a lack of a

0:30:04.240 --> 0:30:08.640
<v Speaker 1>better word, gained a fantasia and what it's like. I

0:30:08.680 --> 0:30:11.560
<v Speaker 1>know that I've not always been unable to picture images

0:30:11.600 --> 0:30:14.280
<v Speaker 1>in my mind, because I remember waking up with night

0:30:14.400 --> 0:30:16.959
<v Speaker 1>terrors when I was young, particularly to a dream of

0:30:17.000 --> 0:30:20.800
<v Speaker 1>my backyard. A farmer who I didn't recognize would be

0:30:20.880 --> 0:30:23.960
<v Speaker 1>standing there with a straw hat and a pitchfork as

0:30:23.960 --> 0:30:26.920
<v Speaker 1>a volcano grew out of the ground and killed us all.

0:30:27.200 --> 0:30:29.920
<v Speaker 1>It always seemed incredibly vivid, and I would wake most

0:30:30.000 --> 0:30:33.160
<v Speaker 1>nights screaming from it. This lasted until I was about

0:30:33.200 --> 0:30:35.680
<v Speaker 1>six years old when I was in an accident. I

0:30:35.800 --> 0:30:37.960
<v Speaker 1>rolled out of bed one night over the top of it,

0:30:38.080 --> 0:30:41.680
<v Speaker 1>not the sides, and landed on a metal ac intake event,

0:30:41.840 --> 0:30:46.080
<v Speaker 1>causing a concussion and multiple lacerations, requiring over twenty stitches.

0:30:46.800 --> 0:30:49.600
<v Speaker 1>When they put me under anesthetic, I had a hallucination

0:30:49.680 --> 0:30:52.160
<v Speaker 1>that I still remember all of the details too. But

0:30:52.240 --> 0:30:55.200
<v Speaker 1>when I awoke, things in my head just seemed different.

0:30:55.440 --> 0:30:57.840
<v Speaker 1>I couldn't picture things like I once was able to.

0:30:58.240 --> 0:31:01.000
<v Speaker 1>I remember things just as well as everyone else, but

0:31:01.120 --> 0:31:03.920
<v Speaker 1>not in the same way. When I go to sleep,

0:31:04.000 --> 0:31:07.080
<v Speaker 1>I no longer dream in the way I remember dreaming either.

0:31:07.480 --> 0:31:09.560
<v Speaker 1>Now all of my dreams to this day are like

0:31:09.680 --> 0:31:12.800
<v Speaker 1>reading a book is to me. I know the events

0:31:12.880 --> 0:31:15.720
<v Speaker 1>that are happening and the general makeup of the setting,

0:31:16.000 --> 0:31:19.600
<v Speaker 1>but I see, smell and feel nothing. But I can

0:31:19.800 --> 0:31:23.480
<v Speaker 1>hear what's going on. Even so, it still feels completely real,

0:31:23.720 --> 0:31:26.320
<v Speaker 1>like it is happening to me. That's fascinating. So like

0:31:26.520 --> 0:31:30.120
<v Speaker 1>he he he gets lost in the dream, Like I

0:31:30.200 --> 0:31:32.400
<v Speaker 1>can't imagine what this is like either, being able to

0:31:32.440 --> 0:31:35.440
<v Speaker 1>get lost in an experience and feel like it's really happening,

0:31:35.480 --> 0:31:40.600
<v Speaker 1>but not picture anything anyway. Nelson continues, but to the

0:31:40.600 --> 0:31:42.520
<v Speaker 1>final point, I wanted to make both of you ask

0:31:42.640 --> 0:31:45.480
<v Speaker 1>questions about what really is going on in the mind

0:31:45.560 --> 0:31:47.520
<v Speaker 1>of someone with a fantasia And the best way I

0:31:47.560 --> 0:31:49.880
<v Speaker 1>found to relate it to someone who doesn't have it

0:31:49.920 --> 0:31:52.120
<v Speaker 1>is like if you were physically watching a D and

0:31:52.200 --> 0:31:56.240
<v Speaker 1>D board as the game is played Dungeons and Dragons reference.

0:31:56.280 --> 0:31:58.880
<v Speaker 1>Of course, Uh, there's a large area, and you know

0:31:58.920 --> 0:32:02.000
<v Speaker 1>where everything is is in relation to other objects, and

0:32:02.040 --> 0:32:05.480
<v Speaker 1>there's description playing in your head of exactly what is happening,

0:32:05.680 --> 0:32:08.680
<v Speaker 1>But you don't actually see the die cut token picking

0:32:08.760 --> 0:32:12.440
<v Speaker 1>up a potion. You just know it's happening. Oh my goodness.

0:32:12.440 --> 0:32:16.239
<v Speaker 1>This makes me want to now question all of my

0:32:16.520 --> 0:32:19.760
<v Speaker 1>the players in my Dungeons and Dragons campaign and find

0:32:19.800 --> 0:32:24.120
<v Speaker 1>out if they're a fantasics or not, because that that

0:32:24.320 --> 0:32:26.840
<v Speaker 1>because I have this idea, I just kind of assume, yes,

0:32:26.920 --> 0:32:31.080
<v Speaker 1>they having having the exact same visualization experience as I

0:32:31.160 --> 0:32:35.800
<v Speaker 1>am as we lay out this collective storytelling world. But

0:32:36.200 --> 0:32:38.040
<v Speaker 1>probably not. I mean, even if none of them are

0:32:38.120 --> 0:32:41.440
<v Speaker 1>are a fantasia acts, we're all going to be somewhere

0:32:41.520 --> 0:32:43.640
<v Speaker 1>slightly different on the spectrum. Yeah, well, it makes you

0:32:43.680 --> 0:32:46.160
<v Speaker 1>wonder if you could play if you could play D

0:32:46.240 --> 0:32:50.720
<v Speaker 1>and D with no visual aids whatsoever, like just all

0:32:50.920 --> 0:32:53.560
<v Speaker 1>sitting around, just people talking through a D and D

0:32:53.680 --> 0:32:57.160
<v Speaker 1>game with no with no writing materials, no maps. Well

0:32:57.160 --> 0:33:00.280
<v Speaker 1>that's interesting now because I've never been in of in

0:33:00.280 --> 0:33:04.880
<v Speaker 1>a game where there's absolutely nothing. But I feel like

0:33:04.960 --> 0:33:07.880
<v Speaker 1>the like some of the earlier games that I was involved,

0:33:08.120 --> 0:33:09.680
<v Speaker 1>we we didn't even we didn't really have much in

0:33:09.680 --> 0:33:13.080
<v Speaker 1>the way of maps drawn out. It was more of hey,

0:33:13.200 --> 0:33:15.360
<v Speaker 1>you are here, what are you doing? And maybe maybe

0:33:15.400 --> 0:33:18.600
<v Speaker 1>that they were also playing a little fast and loose

0:33:18.600 --> 0:33:23.120
<v Speaker 1>with the rules to facilitate that, but it Yeah, but

0:33:23.160 --> 0:33:25.400
<v Speaker 1>it could be that the d M, which was like

0:33:25.440 --> 0:33:28.080
<v Speaker 1>an older kid um as in my theres in Boy

0:33:28.120 --> 0:33:31.200
<v Speaker 1>Scouts with maybe he was just a you know, higher

0:33:31.240 --> 0:33:34.560
<v Speaker 1>level on the visualization into the spectrum and just assume

0:33:34.640 --> 0:33:36.960
<v Speaker 1>that we all were too. And then surely you don't

0:33:36.960 --> 0:33:40.480
<v Speaker 1>need figurines or maps because I'm explaining it to you

0:33:40.560 --> 0:33:42.480
<v Speaker 1>and your mind is there. Yeah, I might as well

0:33:42.560 --> 0:33:47.000
<v Speaker 1>play a video for you. Yeah, wow and interesting. Yeah, Well, anyway,

0:33:47.000 --> 0:33:49.920
<v Speaker 1>thank you very much for getting in touch. Nelson. All right,

0:33:49.960 --> 0:33:52.640
<v Speaker 1>this next one comes to us from Chris. Chris is

0:33:52.680 --> 0:33:54.240
<v Speaker 1>a long time listening to points out that he's been

0:33:54.280 --> 0:33:56.920
<v Speaker 1>listening since the stuff from the science Lab days. So

0:33:57.000 --> 0:34:00.600
<v Speaker 1>thanks for hanging in there all this time, Chris, He says,

0:34:00.760 --> 0:34:03.840
<v Speaker 1>your podcast wasn't awakening. I never knew that it was

0:34:03.880 --> 0:34:06.320
<v Speaker 1>a normal thing to be able to picture images in

0:34:06.320 --> 0:34:08.279
<v Speaker 1>your mind. The only thing I can picture in my

0:34:08.360 --> 0:34:12.560
<v Speaker 1>mind is the faint white outline of basic perfect geometric

0:34:12.640 --> 0:34:16.960
<v Speaker 1>pet shapes on the blackness that is my inner eyelift. Wow,

0:34:18.000 --> 0:34:21.000
<v Speaker 1>that's very specific. Yeah, I have to have my eyes

0:34:21.080 --> 0:34:24.759
<v Speaker 1>closed for that. I can dream, and my dreams have pictures,

0:34:24.800 --> 0:34:28.520
<v Speaker 1>but I cannot remember any detail about my dreams moments

0:34:28.560 --> 0:34:31.200
<v Speaker 1>after I wake up, so I cannot describe them more.

0:34:31.520 --> 0:34:35.600
<v Speaker 1>My memories of things and places are like facts, not videos.

0:34:35.640 --> 0:34:38.560
<v Speaker 1>I cannot replay a memory, but I can recount the

0:34:38.600 --> 0:34:42.160
<v Speaker 1>memory in bullet points. This happened, then, that happened, etcetera.

0:34:42.640 --> 0:34:45.239
<v Speaker 1>This may explain how it is so easy for me

0:34:45.360 --> 0:34:49.960
<v Speaker 1>to misplace things, as only important details are remembered. This

0:34:50.080 --> 0:34:53.160
<v Speaker 1>may not be related because even visual people lose things.

0:34:53.560 --> 0:34:55.799
<v Speaker 1>My thinking is not visual, and I don't have a

0:34:55.840 --> 0:34:58.600
<v Speaker 1>monologue running in my head. I can think in words,

0:34:58.640 --> 0:35:01.799
<v Speaker 1>but mainly my thoughts in ideas and these can be

0:35:01.840 --> 0:35:04.839
<v Speaker 1>translated into words. I can translate them into pictures as well,

0:35:04.880 --> 0:35:07.400
<v Speaker 1>but only if I am drawing or making something. What

0:35:07.560 --> 0:35:09.960
<v Speaker 1>is interesting about this is that I am a very

0:35:10.000 --> 0:35:13.560
<v Speaker 1>creative person visually and otherwise. I draw not as often

0:35:14.320 --> 0:35:16.800
<v Speaker 1>or as skillfully as I wish I could. I write,

0:35:16.840 --> 0:35:18.920
<v Speaker 1>and I cook. My writing is, as I've said before,

0:35:18.920 --> 0:35:21.400
<v Speaker 1>not directly out of my mind, but translated from ideas

0:35:21.440 --> 0:35:24.160
<v Speaker 1>into words. Sometimes the idea is slow and I don't

0:35:24.200 --> 0:35:26.520
<v Speaker 1>consciously have to come up with the words, but there

0:35:26.520 --> 0:35:29.520
<v Speaker 1>are definitely times where I need a gap to find

0:35:29.600 --> 0:35:32.920
<v Speaker 1>the right word. It's like translating from one language to another,

0:35:33.160 --> 0:35:35.920
<v Speaker 1>but one language is English and the other is conceptual.

0:35:36.120 --> 0:35:39.640
<v Speaker 1>Communication is definitely my weakness, and I have spent much

0:35:39.719 --> 0:35:42.680
<v Speaker 1>time working to improve my communication skills, and most of

0:35:42.719 --> 0:35:46.839
<v Speaker 1>that is the translation from ideas into words. And I cook,

0:35:47.000 --> 0:35:48.720
<v Speaker 1>and by that I mean I am going to school

0:35:48.760 --> 0:35:52.279
<v Speaker 1>for culinary arts and baking and pastry. In the culinary

0:35:52.320 --> 0:35:54.680
<v Speaker 1>and banking, you need to plate food to make it

0:35:54.719 --> 0:35:58.239
<v Speaker 1>look appetizing. Whenever I played up food, I know that

0:35:58.320 --> 0:36:00.360
<v Speaker 1>there is a certain way I wanted to look, but

0:36:00.440 --> 0:36:02.359
<v Speaker 1>I don't know what it is going to look like.

0:36:02.840 --> 0:36:05.640
<v Speaker 1>Whenever I take a photo of my food or something else,

0:36:05.840 --> 0:36:08.040
<v Speaker 1>I know what I want before I pick up my camera,

0:36:08.120 --> 0:36:10.440
<v Speaker 1>but I can't describe it. I could recognize it, but

0:36:10.520 --> 0:36:13.680
<v Speaker 1>I can't visualize it at all. This is this really

0:36:14.040 --> 0:36:17.160
<v Speaker 1>fascinated me especially. I mean, this is something that comes

0:36:17.239 --> 0:36:20.440
<v Speaker 1>up a lot for me just at work here, because

0:36:20.480 --> 0:36:24.279
<v Speaker 1>i'll well, we'll publish a podcast episode and uh and

0:36:24.360 --> 0:36:27.319
<v Speaker 1>generally I'm the one who ends up looking up some

0:36:27.400 --> 0:36:30.600
<v Speaker 1>artwork for it, and I really enjoyed doing that. Robert

0:36:30.640 --> 0:36:33.160
<v Speaker 1>is really good at this way. Well, thank you, But

0:36:33.239 --> 0:36:34.920
<v Speaker 1>I have but sometimes they get into trouble because I

0:36:34.920 --> 0:36:37.400
<v Speaker 1>have a it's not a very clear idea of the

0:36:37.440 --> 0:36:40.759
<v Speaker 1>image I want. I'll have a very definite idea for

0:36:40.840 --> 0:36:42.600
<v Speaker 1>what I want and it will be very hard to

0:36:42.640 --> 0:36:45.920
<v Speaker 1>shake that even if the options and say Getty images

0:36:46.200 --> 0:36:50.720
<v Speaker 1>are are less than forthcoming. And additionally, Joe, you, Christian

0:36:50.760 --> 0:36:55.160
<v Speaker 1>and myself have been engaged with Greg Um, another one

0:36:55.160 --> 0:36:58.520
<v Speaker 1>of our coworkers here in creating a new logo for

0:36:58.520 --> 0:37:00.680
<v Speaker 1>stuff Aloy your Mind. So now I can't out but

0:37:00.680 --> 0:37:04.680
<v Speaker 1>but think about that process in terms of of three

0:37:04.760 --> 0:37:09.879
<v Speaker 1>actually four individuals with different approaches to visual to mental visualization,

0:37:10.120 --> 0:37:14.000
<v Speaker 1>trying to come up with the same visual um summary

0:37:14.080 --> 0:37:17.839
<v Speaker 1>of the brand. Yeah. Absolutely. I again, this is one

0:37:17.920 --> 0:37:20.680
<v Speaker 1>area where sometimes I do wonder. I mean, obviously, I,

0:37:20.960 --> 0:37:23.880
<v Speaker 1>like I said, I'm in the typical range of the spectrum,

0:37:23.920 --> 0:37:25.520
<v Speaker 1>but I wonder if I'm kind of low on the

0:37:25.560 --> 0:37:29.600
<v Speaker 1>typical range because I I have a hard time picturing

0:37:29.719 --> 0:37:32.160
<v Speaker 1>what I want for for say, like a logo. I

0:37:32.200 --> 0:37:33.840
<v Speaker 1>feel like I'm better at that. This has got to

0:37:33.920 --> 0:37:37.479
<v Speaker 1>be so annoying to you graphic design folks out there.

0:37:37.800 --> 0:37:39.680
<v Speaker 1>But I'm the kind of person who I know what

0:37:39.840 --> 0:37:43.680
<v Speaker 1>I don't want once I see it. I'm sorry, I'm sorry,

0:37:43.719 --> 0:37:45.399
<v Speaker 1>I'm that guy. But I feel like that's as far

0:37:45.440 --> 0:37:47.920
<v Speaker 1>as I can go. That relates back to our P

0:37:48.280 --> 0:37:50.960
<v Speaker 1>equals MP episode two, right, oh yeah, yeah, yeah. This

0:37:51.040 --> 0:37:54.360
<v Speaker 1>is like the the the MP problem, the MP problem

0:37:54.440 --> 0:37:58.320
<v Speaker 1>of visualization. Like I can't I can't put it together

0:37:58.360 --> 0:38:00.640
<v Speaker 1>in my mind, but I can check the answer once

0:38:00.680 --> 0:38:02.319
<v Speaker 1>I see it and know if it's right or wrong.

0:38:03.239 --> 0:38:05.319
<v Speaker 1>One more question that came out of this based on

0:38:05.680 --> 0:38:08.520
<v Speaker 1>what Chris was having to say about how his memory works,

0:38:08.560 --> 0:38:11.279
<v Speaker 1>like the ability to replay a memory versus being able

0:38:11.320 --> 0:38:14.520
<v Speaker 1>to recount the memory and bullet points or facts I

0:38:14.520 --> 0:38:17.600
<v Speaker 1>would love to see a study on who has more

0:38:17.640 --> 0:38:22.920
<v Speaker 1>accurate factual recall of an event, somebody who has visual

0:38:23.000 --> 0:38:26.239
<v Speaker 1>recall of the event, or somebody who has a fantasia

0:38:26.560 --> 0:38:29.319
<v Speaker 1>and just remembers it as a series of facts. And

0:38:29.440 --> 0:38:32.560
<v Speaker 1>the obvious conclusion would be, well, somebody who has visual

0:38:32.600 --> 0:38:35.319
<v Speaker 1>recall has better recall. But I don't know if I

0:38:35.320 --> 0:38:38.760
<v Speaker 1>would go along with that assumption. I wonder if there's

0:38:38.920 --> 0:38:42.920
<v Speaker 1>more confabulation going on in memory when you're picturing what

0:38:42.960 --> 0:38:46.239
<v Speaker 1>you're remembering, because you're just throwing in visual details that

0:38:46.280 --> 0:38:48.520
<v Speaker 1>may or may not have been something you actually saw,

0:38:48.560 --> 0:38:51.880
<v Speaker 1>and that's cluttering up your perception of what the event was.

0:38:53.040 --> 0:38:56.480
<v Speaker 1>I think it's entirely possible that somebody with a fantasia

0:38:56.600 --> 0:39:01.480
<v Speaker 1>might better remember just factual details about something thing that happened. Yeah,

0:39:01.719 --> 0:39:03.319
<v Speaker 1>in a way, it's kind of like, you know, you

0:39:03.360 --> 0:39:06.279
<v Speaker 1>watch the TV show and there's there's one department that's

0:39:06.320 --> 0:39:09.040
<v Speaker 1>dealing with the set, another is dealing with props that

0:39:09.080 --> 0:39:11.120
<v Speaker 1>people touch, and then the horse. The actors are doing

0:39:11.160 --> 0:39:13.160
<v Speaker 1>their own thing and they're going off the writing, etcetera.

0:39:13.520 --> 0:39:16.600
<v Speaker 1>So in a way it's like we it's like having

0:39:16.640 --> 0:39:19.080
<v Speaker 1>a set designer who is a little out of step

0:39:19.120 --> 0:39:21.279
<v Speaker 1>with everything else, and it might just throw something in

0:39:21.320 --> 0:39:24.120
<v Speaker 1>that makes absolutely no sense and uh, and it has

0:39:24.160 --> 0:39:26.279
<v Speaker 1>nothing to do with what the prop person or the

0:39:26.280 --> 0:39:29.160
<v Speaker 1>actors of the writers are putting together. Like like that's

0:39:29.200 --> 0:39:32.080
<v Speaker 1>a little bit what it's like, Um, you know, to

0:39:32.080 --> 0:39:35.000
<v Speaker 1>to have to to work with a visual memory. You

0:39:35.080 --> 0:39:37.320
<v Speaker 1>have no you have no idea what weird visual clues

0:39:37.320 --> 0:39:40.800
<v Speaker 1>are gonna be thrown in into that very malleable memory

0:39:40.920 --> 0:39:44.160
<v Speaker 1>of what sort of happened. Yeah, And it's like you

0:39:44.160 --> 0:39:46.680
<v Speaker 1>feel like you should have a sense of what the

0:39:47.239 --> 0:39:50.000
<v Speaker 1>falsified elements are, but you don't. They feel as real

0:39:50.040 --> 0:39:52.000
<v Speaker 1>to you as the real elements. And they have been

0:39:52.000 --> 0:39:53.600
<v Speaker 1>studies to prove this out. And one of the more

0:39:54.360 --> 0:39:57.360
<v Speaker 1>interesting ones that had to do with the people's memories

0:39:57.480 --> 0:40:01.720
<v Speaker 1>of nine eleven, like where they were, what they were wearing. Um,

0:40:01.760 --> 0:40:04.279
<v Speaker 1>fascinating stuff, and they're wrong about most of it. Yeah,

0:40:04.280 --> 0:40:07.319
<v Speaker 1>because essentially, and and you know, I don't have all

0:40:07.360 --> 0:40:08.799
<v Speaker 1>the details in front of me, but like one of

0:40:08.800 --> 0:40:11.719
<v Speaker 1>the basic summary of what's happening is the brain is

0:40:11.719 --> 0:40:14.520
<v Speaker 1>focused on something really important, you know, you know, I know,

0:40:14.600 --> 0:40:18.960
<v Speaker 1>essentially getting down to some survival uh programming, and the

0:40:19.040 --> 0:40:22.120
<v Speaker 1>visualization is like, this isn't important. So trust me, you

0:40:22.160 --> 0:40:24.480
<v Speaker 1>were in a red shirt, you're eating a captain crunchy,

0:40:24.680 --> 0:40:27.160
<v Speaker 1>non essential details. It just lies to you. Yeah, I

0:40:27.280 --> 0:40:30.439
<v Speaker 1>fill you in because the precise visuals of of your

0:40:30.640 --> 0:40:33.880
<v Speaker 1>serial and your shirt do not matter in this scenario.

0:40:34.680 --> 0:40:37.359
<v Speaker 1>But you probably can remember what escape route you were

0:40:37.360 --> 0:40:39.440
<v Speaker 1>planning on thinking of from the building you were in

0:40:39.600 --> 0:40:42.200
<v Speaker 1>or something. Yea. Indeed, Hey, so it looks like we

0:40:42.239 --> 0:40:44.080
<v Speaker 1>need to take a quick break, but we will be

0:40:44.200 --> 0:40:53.440
<v Speaker 1>right back after hearing from the sponsor of this episode. Okay,

0:40:53.440 --> 0:40:56.840
<v Speaker 1>here's another email from our listener l J. L J says,

0:40:57.120 --> 0:40:59.480
<v Speaker 1>I've been reading a lot about a Fantasia ever since

0:40:59.520 --> 0:41:01.960
<v Speaker 1>the New York Times article on it earlier this year.

0:41:02.239 --> 0:41:04.960
<v Speaker 1>Count me as one of those people who never realize

0:41:05.000 --> 0:41:07.480
<v Speaker 1>that the mind's eye was anything more than a metaphor.

0:41:07.520 --> 0:41:11.000
<v Speaker 1>Yet again, we're hearing this. I've always known I wasn't

0:41:11.040 --> 0:41:14.160
<v Speaker 1>a visual learner. While I'm a strong reader. I learned

0:41:14.200 --> 0:41:17.680
<v Speaker 1>best by kinesthetically doing something, and then I can refer

0:41:17.719 --> 0:41:21.560
<v Speaker 1>back to written instructions and pictures to remind myself of

0:41:21.600 --> 0:41:26.160
<v Speaker 1>a specific detail. Learned something like tai chi from a video. Yeah,

0:41:26.320 --> 0:41:29.560
<v Speaker 1>not a chance that requires you to take in the

0:41:29.680 --> 0:41:32.960
<v Speaker 1>visual details and flip them in your mind and then

0:41:32.960 --> 0:41:37.120
<v Speaker 1>apply them to your own body too much translation. Same

0:41:37.160 --> 0:41:40.160
<v Speaker 1>thing with reading a map. I'm hopeless with directions and

0:41:40.200 --> 0:41:43.400
<v Speaker 1>am essentially dependent on my GPS even to find my

0:41:43.440 --> 0:41:47.400
<v Speaker 1>way to familiar places. I'm a physical therapist by training

0:41:47.400 --> 0:41:50.880
<v Speaker 1>and never had any problems in diagnosing or treating my patients,

0:41:51.000 --> 0:41:53.560
<v Speaker 1>especially when I could use my hands to do the work.

0:41:53.840 --> 0:41:57.480
<v Speaker 1>My biggest problem was trying to draw stick figure exercises

0:41:57.520 --> 0:42:02.080
<v Speaker 1>for them. That's great. Um. Now, I write fiction, and

0:42:02.120 --> 0:42:04.000
<v Speaker 1>when I was a new writer, I used to have

0:42:04.160 --> 0:42:08.160
<v Speaker 1>critique partners tell me I wrote floating heads in black boxes.

0:42:08.640 --> 0:42:11.640
<v Speaker 1>It never occurred to me to spend time on visual description.

0:42:12.160 --> 0:42:14.640
<v Speaker 1>Like the author you talk about, I skipped over long

0:42:14.760 --> 0:42:18.760
<v Speaker 1>rambling descriptions in books. They were meaningless to me. For example,

0:42:18.840 --> 0:42:23.600
<v Speaker 1>epic fantasy tends to spend pages and pages describing setting. Okay,

0:42:23.719 --> 0:42:26.520
<v Speaker 1>I get it, it's a tree. I have the concept

0:42:26.600 --> 0:42:28.759
<v Speaker 1>of tree no as firmly in my head. Can we

0:42:28.840 --> 0:42:33.000
<v Speaker 1>please move on? Yeah? I again, I can't really imagine

0:42:33.040 --> 0:42:35.480
<v Speaker 1>what it's like to read this way. Well, the one

0:42:35.480 --> 0:42:37.600
<v Speaker 1>thing that that the one thing that I can I

0:42:37.600 --> 0:42:39.759
<v Speaker 1>can say that relates to this. And I may have

0:42:39.800 --> 0:42:42.360
<v Speaker 1>mentioned this before, but ever ever reading a book and

0:42:42.400 --> 0:42:44.600
<v Speaker 1>you get a pretty firm idea of what that the

0:42:44.600 --> 0:42:48.080
<v Speaker 1>main character or secondary character looks like. Maybe you're you know,

0:42:48.280 --> 0:42:50.440
<v Speaker 1>they kind of form out of nothing. Maybe there you

0:42:50.520 --> 0:42:52.759
<v Speaker 1>end up throwing in an actor or someone you know,

0:42:53.160 --> 0:42:55.120
<v Speaker 1>you get a firm idea, and then you're like thirty

0:42:55.160 --> 0:42:57.600
<v Speaker 1>pages in the book and the author mentioned that they

0:42:57.640 --> 0:43:02.240
<v Speaker 1>have a mustache. Yeah, they start describe any like, no, stop, yeah,

0:43:02.320 --> 0:43:04.680
<v Speaker 1>the boat has sailed that he had. This character has

0:43:04.719 --> 0:43:07.480
<v Speaker 1>no mustache, they have no ponytail. He can't throw that

0:43:07.520 --> 0:43:10.080
<v Speaker 1>in thirty pages. This is a clean shaven Danny DeVito.

0:43:10.200 --> 0:43:11.920
<v Speaker 1>You can't do this to me. Yeah. So I can

0:43:11.960 --> 0:43:15.080
<v Speaker 1>imagine someone saying, all right, we get it, George, we

0:43:15.200 --> 0:43:18.520
<v Speaker 1>know what they're eating dinner. We got it. Just tell

0:43:18.560 --> 0:43:22.160
<v Speaker 1>me about the dynastic succession here. Okay, yeah, I can

0:43:22.160 --> 0:43:25.480
<v Speaker 1>get it alright, So LJ continues. I have no problem

0:43:25.520 --> 0:43:29.360
<v Speaker 1>being imaginative and capturing these stories and characters that I create,

0:43:29.719 --> 0:43:32.680
<v Speaker 1>and I've learned to layer in visual description because most

0:43:32.680 --> 0:43:35.200
<v Speaker 1>people are reliant on them. One of my strengths in

0:43:35.280 --> 0:43:39.759
<v Speaker 1>writing is dialogue and creating characterization through character interactions. I

0:43:39.800 --> 0:43:41.920
<v Speaker 1>think I'm one of those people who can get flickers

0:43:41.960 --> 0:43:45.520
<v Speaker 1>of occasional visual images, but not volition early. And the

0:43:45.600 --> 0:43:48.160
<v Speaker 1>harder I concentrate on a visual image, the more it

0:43:48.320 --> 0:43:50.919
<v Speaker 1>slips away. If you ask me to close my eyes

0:43:50.960 --> 0:43:54.120
<v Speaker 1>and describe my husband of twenty seven plus years, I

0:43:54.160 --> 0:43:56.880
<v Speaker 1>can tell you he has brown eyes and oval face,

0:43:57.000 --> 0:43:59.560
<v Speaker 1>brown hair, a beard, and a mustache. But I don't

0:43:59.719 --> 0:44:02.840
<v Speaker 1>see those things. They're just part of the package that

0:44:03.040 --> 0:44:06.200
<v Speaker 1>is him in my mind. My husband is a hyper

0:44:06.360 --> 0:44:09.759
<v Speaker 1>visual spatial person. Over the years, we have had situations

0:44:09.760 --> 0:44:12.920
<v Speaker 1>where he will remember something vividly describe it to me,

0:44:13.000 --> 0:44:15.160
<v Speaker 1>but I will have no memory of it until we're

0:44:15.200 --> 0:44:17.840
<v Speaker 1>back in the place it occurred or with the people

0:44:17.880 --> 0:44:21.520
<v Speaker 1>he's referencing. UH, and the memory can come flooding back.

0:44:21.800 --> 0:44:24.960
<v Speaker 1>It's as if I need a proximity trigger. I don't

0:44:25.000 --> 0:44:27.719
<v Speaker 1>feel as if I have any sort of disability. I'm

0:44:27.719 --> 0:44:30.359
<v Speaker 1>just glad to know that others have the same perceptual

0:44:30.480 --> 0:44:33.160
<v Speaker 1>style as I do, and knowing how my mind works

0:44:33.200 --> 0:44:37.200
<v Speaker 1>allows me to compensate in situations that require strong visual skills.

0:44:37.440 --> 0:44:40.799
<v Speaker 1>I enjoy your show very much, Best regards, LJ. Well,

0:44:40.840 --> 0:44:42.920
<v Speaker 1>thanks for that email, l J. And I like the

0:44:42.960 --> 0:44:45.400
<v Speaker 1>part you have about whether or not you consider it

0:44:45.400 --> 0:44:48.400
<v Speaker 1>a disability. Obviously you don't. And I think that's something

0:44:48.440 --> 0:44:50.359
<v Speaker 1>that we came across in in some of the other

0:44:51.120 --> 0:44:53.439
<v Speaker 1>reading that we did on this. Some people feel sort

0:44:53.480 --> 0:44:56.640
<v Speaker 1>of at a loss because of this condition and other

0:44:56.680 --> 0:45:00.239
<v Speaker 1>people don't. And I wonder what triggers that. Like, So,

0:45:00.280 --> 0:45:03.160
<v Speaker 1>if you can't create mental images, what's the difference between

0:45:03.239 --> 0:45:07.120
<v Speaker 1>feeling like you are suffering because of this condition versus

0:45:07.160 --> 0:45:09.520
<v Speaker 1>feeling like it's no big deal, this is just how

0:45:09.560 --> 0:45:12.920
<v Speaker 1>your mind works. Yeah, I mean I feel like that

0:45:12.960 --> 0:45:16.240
<v Speaker 1>the real takeomen is that that everyone has a slightly

0:45:16.360 --> 0:45:22.960
<v Speaker 1>different suite of sensory memories and sensory visual manifestations in

0:45:23.000 --> 0:45:26.279
<v Speaker 1>the mind, you know, um, And it's you know, it's

0:45:26.280 --> 0:45:28.160
<v Speaker 1>hard to say with if one is better than the other,

0:45:28.320 --> 0:45:30.960
<v Speaker 1>like like, for instance, I mean me, I might have

0:45:31.480 --> 0:45:34.080
<v Speaker 1>you know, slightly or a little better visual memory than

0:45:34.120 --> 0:45:36.799
<v Speaker 1>some people. But there might be people listening to this

0:45:36.840 --> 0:45:40.760
<v Speaker 1>that might think it's awful that I can't actually like

0:45:40.760 --> 0:45:43.200
<v Speaker 1>like that, my memory of saying, you know, rubbing my

0:45:43.280 --> 0:45:47.480
<v Speaker 1>son's head is more descriptive and visual. It's more linguistic

0:45:47.520 --> 0:45:51.040
<v Speaker 1>and visual. As opposed to anything approaching like actual just

0:45:51.360 --> 0:45:53.840
<v Speaker 1>sensory memory, like I have even troubled imagining what that

0:45:53.840 --> 0:45:56.719
<v Speaker 1>would be like. Yeah, you can't imagine the feeling of

0:45:56.760 --> 0:46:02.920
<v Speaker 1>plunging your face into a pie. Oh don't really know what? What?

0:46:02.920 --> 0:46:06.400
<v Speaker 1>What a sad day? Whoa? What's that? Why it's Carney?

0:46:06.560 --> 0:46:09.919
<v Speaker 1>Oh no, I see Carney's feeling left out because we've

0:46:09.920 --> 0:46:12.960
<v Speaker 1>been reading listener mail without you, Carney. Well, Carney, see

0:46:13.000 --> 0:46:15.360
<v Speaker 1>the issue is this is not a full blown listener

0:46:15.360 --> 0:46:18.640
<v Speaker 1>mail episode. This is very specifically in response to one

0:46:18.680 --> 0:46:20.560
<v Speaker 1>episode we did a couple of weeks ago. So we

0:46:20.560 --> 0:46:23.480
<v Speaker 1>weren't trying to hurt your feelings. Uh, we we just

0:46:23.840 --> 0:46:25.840
<v Speaker 1>we just had to get on with it. And frankly,

0:46:25.840 --> 0:46:27.920
<v Speaker 1>we couldn't find you this morning when we were looking

0:46:28.040 --> 0:46:31.719
<v Speaker 1>for you. But oh but you have one for it. Okay,

0:46:31.719 --> 0:46:34.359
<v Speaker 1>we covered in rotten fruit, so that makes me think

0:46:34.400 --> 0:46:37.719
<v Speaker 1>you may have been dumpster diving or something. All right,

0:46:37.760 --> 0:46:39.200
<v Speaker 1>well we'll read this one. We'll see what do you

0:46:39.200 --> 0:46:41.560
<v Speaker 1>have here for us, Carney. This is one for on

0:46:41.640 --> 0:46:43.719
<v Speaker 1>the website that was left on stuff to Blow your

0:46:43.719 --> 0:46:47.359
<v Speaker 1>Mind dot com. Uh. Steph rights then and says how

0:46:47.400 --> 0:46:52.240
<v Speaker 1>to experience a Fantasia. Having completed an eight week Evelyn

0:46:52.239 --> 0:46:55.239
<v Speaker 1>Wood course in speed reading in the late nineteen seventies,

0:46:55.400 --> 0:46:57.560
<v Speaker 1>my class was given a small book of fiction to

0:46:57.600 --> 0:47:01.440
<v Speaker 1>read called The Pearl. Unless twenty five minutes, the entire

0:47:01.520 --> 0:47:04.799
<v Speaker 1>volume was consumed cover to cover. When finished, everyone else

0:47:04.880 --> 0:47:08.799
<v Speaker 1>looked distressed. Not only had speed reading prevented them from

0:47:08.840 --> 0:47:13.320
<v Speaker 1>experiencing the book visually like watching a movie, they didn't

0:47:13.400 --> 0:47:16.600
<v Speaker 1>even seem to have much conscious memory at all of

0:47:16.640 --> 0:47:20.400
<v Speaker 1>the course of the story. They were astonished, however, to discover,

0:47:20.719 --> 0:47:23.759
<v Speaker 1>as the teacher began quizzing them, that they could still

0:47:23.880 --> 0:47:27.320
<v Speaker 1>answer questions about many of the book's specifics. One woman

0:47:27.360 --> 0:47:30.120
<v Speaker 1>asked whether she could go back to reading the old

0:47:30.160 --> 0:47:33.160
<v Speaker 1>way that she enjoyed more than a little frightened that

0:47:33.239 --> 0:47:36.480
<v Speaker 1>she had exchanged one form of reading permanently for another.

0:47:37.960 --> 0:47:40.439
<v Speaker 1>For my own part, there had been nothing to lose.

0:47:40.520 --> 0:47:44.680
<v Speaker 1>I had never experienced their word movies. I assumed, because

0:47:44.680 --> 0:47:48.000
<v Speaker 1>of dyslexia as well as blind sight in my right eye,

0:47:48.600 --> 0:47:51.720
<v Speaker 1>that I had learned somehow as a child to only

0:47:51.800 --> 0:47:56.000
<v Speaker 1>store my understanding audibly. Thus I could easily read aloud

0:47:56.200 --> 0:48:00.600
<v Speaker 1>very well, taking in whole paragraphs and using context correctly.

0:48:00.719 --> 0:48:04.680
<v Speaker 1>Guess the identities of garbled spellings and squished margins before

0:48:04.680 --> 0:48:08.960
<v Speaker 1>concentrating on knowing slash speaking each word allowed speed reading

0:48:09.040 --> 0:48:13.160
<v Speaker 1>only seemed to slightly improve my ability to skim nothing more,

0:48:13.520 --> 0:48:16.040
<v Speaker 1>you know. Actually, the most interesting part of this comment

0:48:16.120 --> 0:48:18.520
<v Speaker 1>to me isn't about the a fantasia, but about the

0:48:18.560 --> 0:48:22.760
<v Speaker 1>classmate who is afraid that she had permanently exchanged methods

0:48:22.760 --> 0:48:24.920
<v Speaker 1>of reading. I wonder if it's possible to do something

0:48:24.960 --> 0:48:27.520
<v Speaker 1>like that. I mean, I I've had this experience before

0:48:27.560 --> 0:48:33.440
<v Speaker 1>of uh, trying to read fiction to too quickly and

0:48:33.440 --> 0:48:35.719
<v Speaker 1>then feeling sad about it. I haven't really had this

0:48:35.840 --> 0:48:38.120
<v Speaker 1>much since since I was in school, And like I've

0:48:38.120 --> 0:48:40.600
<v Speaker 1>been assigned a novel to read or something, and I'm like,

0:48:40.800 --> 0:48:44.200
<v Speaker 1>I got it, was read by tomorrow, better finish it tonight. Uh,

0:48:44.239 --> 0:48:47.360
<v Speaker 1>And I just remember thinking, like, man, this is just

0:48:47.480 --> 0:48:50.400
<v Speaker 1>not a way to read a novel. Oh man. I

0:48:50.440 --> 0:48:52.640
<v Speaker 1>have not experienced this in a while, but I'm curious

0:48:52.680 --> 0:48:54.759
<v Speaker 1>if if you've ever experienced this, or any readers have.

0:48:55.160 --> 0:48:58.680
<v Speaker 1>But there have been times where I'm like, I'm heavily

0:48:58.680 --> 0:49:00.960
<v Speaker 1>into into reading a particular the book, and I have

0:49:01.040 --> 0:49:04.719
<v Speaker 1>a certain set visual feel for that book. Like the

0:49:04.880 --> 0:49:08.200
<v Speaker 1>visual universe of that book is is is pretty consistent. Uh,

0:49:08.400 --> 0:49:11.680
<v Speaker 1>But then I'll do something like watching Miyazaki film one

0:49:11.760 --> 0:49:14.799
<v Speaker 1>night or some other animated film, and then when I

0:49:14.840 --> 0:49:19.799
<v Speaker 1>go and try and read the book, suddenly everything is animated.

0:49:19.840 --> 0:49:23.799
<v Speaker 1>Everything is in an illustrative mode. Everything resembles the look

0:49:23.840 --> 0:49:26.520
<v Speaker 1>and feel of the animated picture I just saw and

0:49:26.600 --> 0:49:28.799
<v Speaker 1>I and I have at times like put down the

0:49:28.800 --> 0:49:31.520
<v Speaker 1>book and said, I'm just gonna wait till tomorrow because

0:49:31.520 --> 0:49:34.480
<v Speaker 1>I am not going to engage in this world with

0:49:34.560 --> 0:49:39.880
<v Speaker 1>a different visual motif that's entirely informed by the film

0:49:39.880 --> 0:49:42.239
<v Speaker 1>I just consume. It's almost like by watching the film,

0:49:42.280 --> 0:49:45.759
<v Speaker 1>you've taken a drug that alters your your imagery, your

0:49:45.840 --> 0:49:48.799
<v Speaker 1>alters your visual processing and puts you in a state

0:49:48.840 --> 0:49:51.200
<v Speaker 1>of mind where you're unable to experience the book as

0:49:51.239 --> 0:49:55.000
<v Speaker 1>you normally would. And maybe, I mean, I've never experienced

0:49:55.040 --> 0:49:58.600
<v Speaker 1>that with with with non animated films. Maybe it works

0:49:58.600 --> 0:50:01.920
<v Speaker 1>too to smaller degree. But you know, like maybe if

0:50:01.920 --> 0:50:05.120
<v Speaker 1>you watch a Kubert film and then read your book,

0:50:05.160 --> 0:50:08.320
<v Speaker 1>maybe the book is going to be more kubrick esque.

0:50:08.800 --> 0:50:11.520
<v Speaker 1>But but it maybe maybe it's just more pronounced with

0:50:11.640 --> 0:50:15.000
<v Speaker 1>something like Miyazaki. But I don't know. I wonder if

0:50:15.040 --> 0:50:18.240
<v Speaker 1>the same thing could happen with with like video games,

0:50:18.440 --> 0:50:20.960
<v Speaker 1>you ever, Like like you're reading a book and then

0:50:21.080 --> 0:50:23.720
<v Speaker 1>there's a video game you play that's a little too

0:50:23.800 --> 0:50:26.680
<v Speaker 1>close in subject matter to what's going on in the book,

0:50:26.920 --> 0:50:29.120
<v Speaker 1>or something like that, Like you end up you're reading Dracula,

0:50:29.160 --> 0:50:32.279
<v Speaker 1>but you you see all of it is Castlevania too exactly. Well,

0:50:32.400 --> 0:50:34.600
<v Speaker 1>the more recent example I'm thinking, I was like, well,

0:50:34.640 --> 0:50:37.040
<v Speaker 1>what if you're reading Coremick McCarthy's The Road and then

0:50:37.040 --> 0:50:40.200
<v Speaker 1>you start playing The Last of Us on PlayStation kind

0:50:40.200 --> 0:50:43.880
<v Speaker 1>of similar worlds and stories, and you start picturing, getting

0:50:43.920 --> 0:50:47.680
<v Speaker 1>the visual uh, the visual imagination all garbled up. Yeah.

0:50:47.719 --> 0:50:49.360
<v Speaker 1>I mean that comes back to something we discussed in

0:50:49.360 --> 0:50:54.520
<v Speaker 1>the first episode. So oftentimes, the the visual experience we

0:50:54.600 --> 0:50:57.759
<v Speaker 1>have reading a book is so strong that we we

0:50:57.800 --> 0:51:00.759
<v Speaker 1>don't even want to entertain the idea of a film adaptation. Yeah.

0:51:00.920 --> 0:51:02.640
<v Speaker 1>I don't want to look at it. Yeah, because that

0:51:02.760 --> 0:51:04.880
<v Speaker 1>is not it. That is not the thing that was

0:51:04.920 --> 0:51:08.200
<v Speaker 1>in my head. It's a it's a clean shaven Danny

0:51:08.239 --> 0:51:10.480
<v Speaker 1>de Vito, And if I have to see otherwise, I'm

0:51:10.480 --> 0:51:13.520
<v Speaker 1>going to kick somebody in the face. All right, Well,

0:51:13.560 --> 0:51:15.920
<v Speaker 1>looks like that's all that we have time for today.

0:51:16.080 --> 0:51:18.640
<v Speaker 1>But uh, and we unfortunately weren't able to get to

0:51:18.719 --> 0:51:22.359
<v Speaker 1>all of your excellent emails, but but thank you so

0:51:22.440 --> 0:51:24.359
<v Speaker 1>much for sending those in. We would, like I said,

0:51:24.360 --> 0:51:26.680
<v Speaker 1>we do read all of them, and and they were

0:51:26.680 --> 0:51:29.120
<v Speaker 1>fantastic and we really loved hearing back from you. It

0:51:29.160 --> 0:51:31.520
<v Speaker 1>was it was a treat. Yeah, and we just knew

0:51:31.560 --> 0:51:33.359
<v Speaker 1>that there was so much material here. We just wanted

0:51:33.400 --> 0:51:34.919
<v Speaker 1>to go ahead and get it out before we do

0:51:35.040 --> 0:51:39.280
<v Speaker 1>one of our more regularly schedule three host listener mail episodes,

0:51:39.320 --> 0:51:41.080
<v Speaker 1>because we didn't want to clog one of those up

0:51:41.280 --> 0:51:43.839
<v Speaker 1>entirely with a Fantasia and we wanted to get these

0:51:43.840 --> 0:51:47.439
<v Speaker 1>out closer to the original publication day. Yes, absolutely, but hey,

0:51:47.480 --> 0:51:49.360
<v Speaker 1>one more thing we're gonna do. We should put in

0:51:49.440 --> 0:51:52.040
<v Speaker 1>our landing page for this episode on the website the

0:51:52.080 --> 0:51:54.560
<v Speaker 1>contact information if you want to get in touch with

0:51:54.640 --> 0:51:57.520
<v Speaker 1>that researcher we talked out in the previous episode, Adam's Aman,

0:51:57.600 --> 0:52:01.440
<v Speaker 1>who has been collecting people who Orien say Fantasia for

0:52:01.480 --> 0:52:04.080
<v Speaker 1>his research. So so we'll help put you in touch

0:52:04.160 --> 0:52:07.760
<v Speaker 1>there if you are interested in being part of that. Indeed,

0:52:08.480 --> 0:52:10.080
<v Speaker 1>all right, so once again If you want to get

0:52:10.120 --> 0:52:11.840
<v Speaker 1>in touch with us, head on over to stuff to

0:52:11.840 --> 0:52:13.319
<v Speaker 1>blow your mind dot com. That's the mother shift. That's

0:52:13.320 --> 0:52:15.440
<v Speaker 1>where we'll find all of our content, including all of

0:52:15.480 --> 0:52:18.560
<v Speaker 1>the episode, with landing pages that include links to related

0:52:18.600 --> 0:52:22.439
<v Speaker 1>content and some outside resources as well. And of course,

0:52:22.480 --> 0:52:24.000
<v Speaker 1>if you want to get in touch with us about

0:52:24.040 --> 0:52:26.359
<v Speaker 1>this or any other episode we've done recently, you can

0:52:26.440 --> 0:52:28.800
<v Speaker 1>email us at blow the Mind at how stuff works

0:52:28.880 --> 0:52:41.160
<v Speaker 1>dot com for more on this and thousands of other topics.

0:52:41.440 --> 0:53:02.600
<v Speaker 1>Isn't how stuff works dot com has a time to

0:53:02.800 --> 0:53:03.080
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