WEBVTT - 6. To Kill A Monster

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<v Speaker 1>Tomorrow's Monsters as a production of My Heart Radio Flynn

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<v Speaker 1>Picture Company, Psyde Copia Pictures and Upper Room Productions, June PM.

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<v Speaker 1>This is Dr Cassandra Berkeley. This is case number one

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<v Speaker 1>zero two one test subject Max Fuller. Are you sure

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<v Speaker 1>you want to do this? Max? It seems a little risk,

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<v Speaker 1>He doesn't it. I get that, but you know, self

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<v Speaker 1>experimentation as along and well documented history Benjamin Franklin, Albert Hoffman,

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<v Speaker 1>Kevin Warwick, to name a few. Anyway, single subject researches

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<v Speaker 1>are only option now. Besides, I'm not alone. I have you,

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<v Speaker 1>but I'm the only lifeguard on duty. I trust you. Okay?

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<v Speaker 1>Sixty two point five PRF for five seconds, eyes forward,

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<v Speaker 1>deep breath. When I woke up on the floor of

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<v Speaker 1>my apartment, I felt like I'd been very Then with

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<v Speaker 1>sand I had to peel myself off the cement fluid.

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<v Speaker 1>Took me a few moments to regain focus and find

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<v Speaker 1>a clock. It was after one pm. Then I started

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<v Speaker 1>to catch up with my situation. I had been attacked.

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<v Speaker 1>I scared. My refliction no bruises christ except a nasty

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<v Speaker 1>confusion where my forehead must have collided with the ground.

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<v Speaker 1>When I felt she's I hear her keys to wake

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<v Speaker 1>up the computer and tied to my password. The screensaver

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<v Speaker 1>vanished and there it was at best box page still

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<v Speaker 1>opened on the desktop. Something was different. They were missing files,

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<v Speaker 1>like half of them were gone. No man, I tried

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<v Speaker 1>to play the same files team the night before from

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<v Speaker 1>one of the transitions with to March, but it wasn't

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<v Speaker 1>it was. I looked about my palmer for the signs

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<v Speaker 1>of intrusion, but it was one good morning, Cassandra. You

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<v Speaker 1>wanted to see me. What the hell happened to you? You

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<v Speaker 1>You get in a fight? You're able to tell a

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<v Speaker 1>rock stepping on the shower walk with me? That kind

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<v Speaker 1>of helped your headache definitely hasn't. Well, that's understandable considering

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<v Speaker 1>the pressure we're all under after your last conversation with Max. Okay, look, cast,

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<v Speaker 1>I'm not going to take responsibility. Thank you. By the way, sure,

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<v Speaker 1>what time is your pod leaving? Finn and I are

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<v Speaker 1>planning to meet up at the hotel. Allowed to go

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<v Speaker 1>over this speech one more time, have a couple of visits.

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<v Speaker 1>I think that'll be good for him. Here's something I

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<v Speaker 1>don't think you should go. I'm sorry, I don't think

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<v Speaker 1>you're up for this. M I don't like I said,

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<v Speaker 1>it's just a headache. I command to see. Yes, I'm

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<v Speaker 1>not talking about c E s. And what are you

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<v Speaker 1>talking about? Letting you go? Gotcha? Oh? You know Max

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<v Speaker 1>is the one who hired me. Max is gone and

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<v Speaker 1>he also sized my checks. Under current conditions, I have

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<v Speaker 1>full authority to terminate. All right? What what conditions of that? Well?

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<v Speaker 1>One condition is that Max is gone. Another condition is

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<v Speaker 1>that Max is gone in part because of you. And

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<v Speaker 1>I'm not buying your bullshit excuses anymore. Looked at yourself

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<v Speaker 1>in the mere lately, you're a mess. Jack. You're obviously

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<v Speaker 1>not up to this. Okay, all right, I'm not getting good.

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<v Speaker 1>You're blind? What did you say? Not only am I upitius,

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<v Speaker 1>I'm you're an hope. Fain will be completely lot about me.

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<v Speaker 1>He may seem like he's got this, but the truth

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<v Speaker 1>is he's got a chance of puking the mini steps

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<v Speaker 1>out on that stage. I need you to look around.

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<v Speaker 1>I'm the anchor here. He trusts me, and if I

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<v Speaker 1>don't show up a sea, yes, he's going to fold

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<v Speaker 1>like a fucking sock. And you know it. Okay, that's

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<v Speaker 1>more like it. You know, I learned a long time

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<v Speaker 1>ago that people are much more complex than most of us.

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<v Speaker 1>Assume we all have more than one version of ourselves.

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<v Speaker 1>Sometimes it just takes the right stimulation to bring out

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<v Speaker 1>the best one. I like this side of you, Jack,

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<v Speaker 1>but I'm still not convinced that you fully grasp just

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<v Speaker 1>how important this speeches. Of course I do, because if

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<v Speaker 1>Finn doesn't absolutely nail this, I mean fucking nail this

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<v Speaker 1>too the wall, there won't be a next corp to

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<v Speaker 1>come back to. What's that? You know what that is?

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<v Speaker 1>That's a shut I applica uh huh. Finn is a

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<v Speaker 1>brilliant man. His mind works in ways that I cannot fathom.

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<v Speaker 1>But Finn is not Max. I think you know that

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<v Speaker 1>if you want to keep your job, you will need

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<v Speaker 1>to step up. If you will need to be more

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<v Speaker 1>than a cheerleader. You will need to be Finn's right

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<v Speaker 1>hand to keep him relaxed and sharp and focused, which

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<v Speaker 1>means I will need you relaxed and sharp and focused.

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<v Speaker 1>I need you to be the best version of yourself.

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<v Speaker 1>This is buyinry, Jack. You are either with us or

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<v Speaker 1>you are fired it. I had underestimated my opponent, Cass

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<v Speaker 1>wasn't blind at all. She'd been watching me all along,

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<v Speaker 1>waiting her web black of spider. Now I was trapped.

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<v Speaker 1>She was five moves ahead of me, and she knew it.

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<v Speaker 1>Every outcome was the same check me, every outcome except one.

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<v Speaker 1>My worst possible option was suddenly my only option. O

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<v Speaker 1>Cass had me. Yet the only thing that mattered was

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<v Speaker 1>the end game and taken down next Corp, tell me

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<v Speaker 1>that you understand. How do I take it? It's easy,

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<v Speaker 1>Just hold this to your eye, okay, relax, I'm going

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<v Speaker 1>to count down, ready, yeah, three two to kill him

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<v Speaker 1>one star. Sometimes we have to become one ourselves. How

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<v Speaker 1>do I take it? It's easy, Just hold this to

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<v Speaker 1>your eye, okay, relax, I'm going to count down, ready, yeah, yeah,

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<v Speaker 1>three two one. It was a flash of bright light

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<v Speaker 1>and then warmth, gelatin, like the heat of anesthesia, slivering

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<v Speaker 1>through your veins before it takes you out. But it

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<v Speaker 1>doesn't take you out. It takes you in electricity that

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<v Speaker 1>seems to start at your extremities and then pulses upward

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<v Speaker 1>and inward, moving fast, until all the sensation collides no

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<v Speaker 1>unpleasantly in your scalp. And then this bath of white light.

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<v Speaker 1>This wash of pressure pulses back outward in a burst

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<v Speaker 1>of energy as a flash that seems to last an eternity. Bods,

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<v Speaker 1>It's over and blink of an eye and I'm back

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<v Speaker 1>there where I was back in the room looking at Casperkeley.

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<v Speaker 1>How do you feel? Jack? A hard reboot and my

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<v Speaker 1>mind had been upgraded with a new process of build

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<v Speaker 1>dream logic and a micraine. He's gone, hold on, okay,

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<v Speaker 1>I'm in a car behind but in a Dell Taco

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<v Speaker 1>on the way to the loop. I I had to

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<v Speaker 1>pause for a sick pull over a quiet moment. Can

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<v Speaker 1>can I help you? Jack lock H? He was asking,

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<v Speaker 1>I'm agent Batty h e A, well you want to

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<v Speaker 1>call look like you're talking to something now, man, just

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<v Speaker 1>connecting my thoughts self meditation and I just needed some man,

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<v Speaker 1>so I pulled over. I guess the air behind del

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<v Speaker 1>Taco can't be beat. Yeah, not to some mel Fiesta

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<v Speaker 1>bowls in the morning. Were you were you following me?

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<v Speaker 1>Of course I was following you. I'm sorry, mate. Am

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<v Speaker 1>I in trouble? I don't know? Oh yeah, how can

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<v Speaker 1>I help you? Agent Bating? Do you know what we

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<v Speaker 1>do with the human enhancement administration, You enforced laws surrounding humans.

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<v Speaker 1>Were nice here, but wait, are they any real laws

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<v Speaker 1>or just a few bills bown around in the chambers

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<v Speaker 1>of Congress. I just wanted to know your chosen field

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<v Speaker 1>has grown very quickly. Yeah, and you're correct. And actually

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<v Speaker 1>tried to go to the h A, and so they

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<v Speaker 1>said they help a week after Michael's death. But I

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<v Speaker 1>soon realized that I have to investigate the matter myself. Sure,

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<v Speaker 1>the h A has the power of a federal law

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<v Speaker 1>enforcement agency, but I soon realized that it was really

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<v Speaker 1>just a basement operation, newly formed, underfunded, and understaffed. But

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<v Speaker 1>then they showed up. So you're the ones who shut

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<v Speaker 1>down the shot I trials? Yeah? Yeah, yeah, people were

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<v Speaker 1>sent to the hospital. Oh so you he had to

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<v Speaker 1>protect people? Nice? What if Max Fuller told you about

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<v Speaker 1>your brother m I'm sorry, what has he told you

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<v Speaker 1>about your brother's involvement? And shut eye? All right, nothing.

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<v Speaker 1>We haven't talked about manything. He doesn't know you're related.

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<v Speaker 1>He doesn't know why not. Oh it hasn't come up.

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<v Speaker 1>It's curious, it's personal. Yeah, yeah, i'd say it is.

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<v Speaker 1>Come on, what exactly are you're doing it next? Corpse Jack,

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<v Speaker 1>I'm helping develop state of the art technologies that will

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<v Speaker 1>move mankind forward. Well, Jack, do me a favor. Let

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<v Speaker 1>me know how that goes. That's my card. Oh yeah, Look,

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<v Speaker 1>if you happen to talk to Dr Wolds again, would

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<v Speaker 1>you get out of return my call? Enjoy Ces. Maybe

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<v Speaker 1>we'll see you there. Fuck me, Jennalicole Abbey calling Dr

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<v Speaker 1>Abbe Reynolds. This is Dr Abbey Reynolds. If this is

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<v Speaker 1>a medical emergency, hang up in down. Otherwise, if I

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<v Speaker 1>said the next few hours were blood, well, I'd be

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<v Speaker 1>lying to you. I was moved fast for shure and shy.

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<v Speaker 1>I remembered every second with a strange clarity, each scuffle

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<v Speaker 1>of a shoe on the concrete platform fly cleansed overlooks,

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<v Speaker 1>the rasp in the voice of a gay agent who

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<v Speaker 1>had been working too many hours. Ye. All the while,

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<v Speaker 1>I'm just just to be to be awake, really awake,

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<v Speaker 1>sitting and again rocky in across the desert, Bloody Las Vegas.

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<v Speaker 1>My father loved Vegas. Suckers stacked in every direction, he said.

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<v Speaker 1>Centuries before neuroscience was even a thing, magicians had a

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<v Speaker 1>really cracked the code on the human brain. They learned

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<v Speaker 1>through trial and error that they could control what an

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<v Speaker 1>organ sees or does not see, what they believe or

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<v Speaker 1>do not believe. Max Foller was right. Humans are flawed,

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<v Speaker 1>and it's a conman's job to exploit these flaws. Inaccurate memory,

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<v Speaker 1>susceptibility to suggestion, they need to perceive cause and effect.

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<v Speaker 1>Even a small time hustler relies completely on these vulnerabilities

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<v Speaker 1>to make a living. As I moved through the Casino hotel,

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<v Speaker 1>it felt like I was stepping into a time warp.

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<v Speaker 1>Everyone was moving in slow motion except for me. Casinos

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<v Speaker 1>are designed to make you use track of time and space.

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<v Speaker 1>No clocks, no windows, so the suckers will know how

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<v Speaker 1>long they've been losing money. Amazed with no clear exit,

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<v Speaker 1>but I was hyper aware of every second and every

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<v Speaker 1>step I took deeper into this labyrinth. My mind was

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<v Speaker 1>involuntarily bapping my way. Okay, I just passed a man

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<v Speaker 1>and I looked nor More a little too normal. Shorts, sandals, sunglasses,

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<v Speaker 1>and now yeah, he's swallowing me. It was a little

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<v Speaker 1>cold out for shorts and sandals. But then Vegas is

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<v Speaker 1>like a giant pressurized space station with his own internal

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<v Speaker 1>atmosphere to keep the suckers slightly high. In the endless

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<v Speaker 1>lab ruth of slow machines and oxygen bars and poker

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<v Speaker 1>tables and pancake per face, you can go for days.

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<v Speaker 1>We'veout ever seen daylight in Vegas. But this guy, short sleeve,

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<v Speaker 1>buttoned down, still had creases in it, fresh out of

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<v Speaker 1>this package. And when I got to the elevator, the

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<v Speaker 1>guy passed by. Jack. You had six missed calls from

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<v Speaker 1>Finn connolly Blood. I rolled into my hotel about seven pm.

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<v Speaker 1>I'm still lee up from the afternoons does and probably

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<v Speaker 1>a head of a lot less worried than I should

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<v Speaker 1>have been about prepping Finn to speaking Max's absence. That

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<v Speaker 1>will change five minutes after I walked into my hotel room.

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<v Speaker 1>I'm going Jesus coming. Oh hey man, hey man, were

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<v Speaker 1>you gonna call me when you got in? Or what?

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<v Speaker 1>I don't not? Just how happened to your head? So important? Look,

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<v Speaker 1>I think we should rewrite the sort of aspirational section.

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<v Speaker 1>I don't really think I'm in less than probably Do

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<v Speaker 1>you have your laptop right now? You all right? Me? No,

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<v Speaker 1>I'm not all right. I'm getting ready to ship myself

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<v Speaker 1>here do you have your laptop or not? But Finn

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<v Speaker 1>was effectively having a panic attack that lost it from

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<v Speaker 1>the hotel, into the car and on into the convention center.

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<v Speaker 1>He was a mess. But we've reached a point in

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<v Speaker 1>our evolution where for the first time, we can choose

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<v Speaker 1>m we can choose we can we can choose hip jack.

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<v Speaker 1>I don't know, man not just still doesn't sing. It

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<v Speaker 1>sounds great. It sounds great. Seriously, it's effective, eloquent on message,

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<v Speaker 1>and we're really running low on time here. I think

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<v Speaker 1>you're ready, right, I just think I just think we

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<v Speaker 1>can still make a few little minor cuts in, just

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<v Speaker 1>like a just a few hey, hey, hey, excuse me,

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<v Speaker 1>you what are we looking at? Time wise? Three minutes

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<v Speaker 1>of ship? Okay, thank you, shift ship. I'm not ready

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<v Speaker 1>for it's right, it's time. Oh thank god, cass, how's

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<v Speaker 1>it looking? It's a ship show cast. He's ready. He's

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<v Speaker 1>just freaked out, right, I'm freaked out. This is absurdain. Hey, Finn,

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<v Speaker 1>what you know what's happening right now? Yeah? Yeah, I

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<v Speaker 1>know it's happening. My brain is releasing cortisol, which is

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<v Speaker 1>raising my heart right now, it's modulating he okay, I

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<v Speaker 1>need you to take the very deep breath right now,

0:18:25.520 --> 0:18:28.399
<v Speaker 1>Take a breath, Take a breath. I want you to

0:18:28.440 --> 0:18:32.720
<v Speaker 1>remember something, you what You don't need to impress anyone.

0:18:33.440 --> 0:18:35.919
<v Speaker 1>You can't be Max. They don't expect that our of you.

0:18:36.040 --> 0:18:40.080
<v Speaker 1>What do they expect an awkward keep that I can do.

0:18:40.520 --> 0:18:43.520
<v Speaker 1>It's true, Finn, we're pitching to the money people. And

0:18:43.560 --> 0:18:44.800
<v Speaker 1>do you know what the money people want to see?

0:18:44.920 --> 0:18:46.520
<v Speaker 1>The money people want to see. They want to see

0:18:46.520 --> 0:18:49.240
<v Speaker 1>the brains of the operation. They want to see the spine.

0:18:49.320 --> 0:18:51.479
<v Speaker 1>They want to know if there's someone real behind the curtain.

0:18:54.560 --> 0:18:56.640
<v Speaker 1>I can't do this, cast, I can't do this. I'm

0:18:56.680 --> 0:18:59.040
<v Speaker 1>not going to just give me a second. Hey, how

0:18:59.119 --> 0:19:02.600
<v Speaker 1>much time do we have? One minute? Ben? Look at me?

0:19:03.320 --> 0:19:08.080
<v Speaker 1>Look at me? What? What? What? Okay? Forget all this?

0:19:09.240 --> 0:19:11.400
<v Speaker 1>Once Max told me that the only reason next corp

0:19:11.640 --> 0:19:14.439
<v Speaker 1>or shot or any of this ever happened was all

0:19:14.480 --> 0:19:17.040
<v Speaker 1>because of you. Like a project that you were working on,

0:19:17.119 --> 0:19:20.920
<v Speaker 1>right that the reconnect, the reconnected reconnected mind Yeah right right?

0:19:21.000 --> 0:19:22.960
<v Speaker 1>That said He wasn't even sure if he wanted to

0:19:23.000 --> 0:19:26.440
<v Speaker 1>continue living anymore after his father had died. But for you,

0:19:27.640 --> 0:19:30.800
<v Speaker 1>but for me, yes, yes, he came to visit you,

0:19:31.040 --> 0:19:33.320
<v Speaker 1>and he saw something in you that changed him. He

0:19:33.400 --> 0:19:36.440
<v Speaker 1>sort of looking your eye, that wonder about the mechanics

0:19:36.480 --> 0:19:39.800
<v Speaker 1>of the universe and the human mind. That that's something

0:19:39.840 --> 0:19:42.920
<v Speaker 1>Max doesn't even have, but mate, you do because you

0:19:42.960 --> 0:19:49.480
<v Speaker 1>actually live for this ship. And that's the good stuff. Yeah,

0:19:49.960 --> 0:19:52.720
<v Speaker 1>the good stuff, the good stuff. That that is what matters.

0:19:52.800 --> 0:19:55.320
<v Speaker 1>That stuff is all that matters. This speech. You memorize

0:19:55.440 --> 0:19:57.639
<v Speaker 1>everything we wrote, you know what, just forget it. Just

0:19:57.640 --> 0:19:59.679
<v Speaker 1>throw it away. Man, it's stressing you. You don't need

0:19:59.720 --> 0:20:01.159
<v Speaker 1>to try to be the most charming pathon in the

0:20:01.240 --> 0:20:02.800
<v Speaker 1>room because you're really a lot of the most trauma

0:20:02.800 --> 0:20:05.119
<v Speaker 1>pushing in the room. Man. All you need to do

0:20:05.160 --> 0:20:08.440
<v Speaker 1>is share it. Just walk twenty over there and tell him,

0:20:09.040 --> 0:20:13.280
<v Speaker 1>tell him about it, about the good stuff, all right,

0:20:13.640 --> 0:20:18.400
<v Speaker 1>give him the good stuff, the good stuff. Yeah, Okay.

0:20:19.160 --> 0:20:23.080
<v Speaker 1>At this point, I was starting to come down from

0:20:23.080 --> 0:20:26.680
<v Speaker 1>the show. I guess that would be the phrase. Definitely

0:20:26.720 --> 0:20:29.359
<v Speaker 1>felt less bright, and there was a ghost of a

0:20:29.359 --> 0:20:32.159
<v Speaker 1>headache in the corners of my brain, just a whisp.

0:20:32.880 --> 0:20:34.640
<v Speaker 1>I would have been worried more if the next few

0:20:34.640 --> 0:20:38.080
<v Speaker 1>moments hasn't wrenched my attention away. Has dedicated his life

0:20:38.640 --> 0:20:43.200
<v Speaker 1>to this exact principle. It's my great pleasure to welcome

0:20:44.119 --> 0:20:54.679
<v Speaker 1>the lead engineer of Next Corp. Mr Finn Connolly. Thank you,

0:20:55.880 --> 0:21:03.040
<v Speaker 1>thank you. Uh. It's amazing to be in front of

0:21:03.040 --> 0:21:06.320
<v Speaker 1>you tonight. It's amazing that we live in a world

0:21:06.359 --> 0:21:09.479
<v Speaker 1>that allows us cs given the long and fraud history

0:21:09.480 --> 0:21:14.760
<v Speaker 1>of man and technology. Mm hmm. Ever since we first

0:21:14.800 --> 0:21:17.840
<v Speaker 1>stole fire from the gods, the same question is asked

0:21:17.840 --> 0:21:22.280
<v Speaker 1>of every technology, are they more helpful or more hurtful?

0:21:23.720 --> 0:21:27.520
<v Speaker 1>From language to the printing press to microchips, and the

0:21:27.600 --> 0:21:32.160
<v Speaker 1>naysayers always have the same argument. With every new technology

0:21:32.680 --> 0:21:35.639
<v Speaker 1>that we become dependent on for survival, we become weaker

0:21:35.640 --> 0:21:42.199
<v Speaker 1>as a species. But that is actually shortsighted. It's not

0:21:42.280 --> 0:21:45.960
<v Speaker 1>that we're dependent on our inventions. It's that we're dependent

0:21:46.080 --> 0:21:56.480
<v Speaker 1>on our ability to invent genetics, AI, nanotech, thought ware.

0:21:57.280 --> 0:22:02.560
<v Speaker 1>These are scary words because they unknown and they feel dangerous.

0:22:03.600 --> 0:22:09.480
<v Speaker 1>But this, this is human kind's next frontier. Right when

0:22:09.480 --> 0:22:15.359
<v Speaker 1>he had them, the craziest thing happened. Holy shit from

0:22:15.400 --> 0:22:17.479
<v Speaker 1>the shadows on the far end of the stage of figuring,

0:22:17.560 --> 0:22:19.840
<v Speaker 1>Luves dressed in a black suit, hair swept back and

0:22:20.000 --> 0:22:27.520
<v Speaker 1>eyes bunning. Wow, I'll be Damned Max Fuller every Day

0:22:32.040 --> 0:22:42.800
<v Speaker 1>m Tomorrow's Monsters, starring John Boyega as Jack Locke, Darren

0:22:42.880 --> 0:22:47.240
<v Speaker 1>Chris as Max Fuller, Marley Shelton as Cass Berkeley, Clark

0:22:47.400 --> 0:22:52.240
<v Speaker 1>Gregg as Walter Fuller, and Gauga as David Truesday, Nicholas

0:22:52.320 --> 0:22:56.600
<v Speaker 1>Takoski as Finn Connolly, Claire Bronson as dr Abby Reynolds,

0:22:57.040 --> 0:23:01.280
<v Speaker 1>David Chen as Michael Gordon, Sue, Hila Eltar as Jenna,

0:23:01.880 --> 0:23:06.880
<v Speaker 1>Victor Rivera as Eddie Bender, Robert Pralco as Agent Batty,

0:23:07.040 --> 0:23:11.399
<v Speaker 1>Steve Coulter as Senator Berkeley, wrote of Griffiths as Rainy Webb,

0:23:11.760 --> 0:23:16.040
<v Speaker 1>with additional performances by Helen Abel, Jason Williams, Michael Anthony,

0:23:16.359 --> 0:23:20.920
<v Speaker 1>Robin Bloodworth, and Teresa Davis. Our first assistant director is

0:23:20.960 --> 0:23:25.199
<v Speaker 1>Michael Monty. Our second assistant director is Sarah Klein. Sound

0:23:25.280 --> 0:23:29.040
<v Speaker 1>and music by Ben Lovett, Additional sound design and editing

0:23:29.280 --> 0:23:34.040
<v Speaker 1>by Benjamin Belcolm, Justin Roboski and Mike Reagan. Casting by

0:23:34.119 --> 0:23:38.359
<v Speaker 1>Jessica Fox think Been. Our executive producers are Scott Sheldon,

0:23:38.560 --> 0:23:43.200
<v Speaker 1>Shelby Thomas, Alexander Williams, and Matthew Frederick. Written by Dan

0:23:43.240 --> 0:23:48.000
<v Speaker 1>Bush and Nicolas Takowski created by Dan Bush and Conald Burne,

0:23:48.640 --> 0:23:52.840
<v Speaker 1>directed by Dan Bush, produced by both Flint dan Bush

0:23:52.960 --> 0:23:57.560
<v Speaker 1>and John Bleega Tomorrow's Monsters as a production of Higheart Radio,

0:23:57.840 --> 0:24:01.840
<v Speaker 1>Flynn Picture Company, Psychopia Picture and of The Room Productions.

0:24:02.600 --> 0:24:05.600
<v Speaker 1>For more podcasts from My Heart Radio, visit the I

0:24:05.720 --> 0:24:10.160
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to podcasts.

0:24:24.720 --> 0:24:24.760
<v Speaker 1>M