1 00:00:00,720 --> 00:00:04,160 Speaker 1: Tomorrow's Monsters as a production of My Heart Radio Flynn 2 00:00:04,160 --> 00:00:15,000 Speaker 1: Picture Company, Psyde Copia Pictures and Upper Room Productions, June PM. 3 00:00:15,040 --> 00:00:19,600 Speaker 1: This is Dr Cassandra Berkeley. This is case number one 4 00:00:19,760 --> 00:00:30,280 Speaker 1: zero two one test subject Max Fuller. Are you sure 5 00:00:30,320 --> 00:00:34,720 Speaker 1: you want to do this? Max? It seems a little risk, 6 00:00:34,760 --> 00:00:39,560 Speaker 1: He doesn't it. I get that, but you know, self 7 00:00:39,600 --> 00:00:45,560 Speaker 1: experimentation as along and well documented history Benjamin Franklin, Albert Hoffman, 8 00:00:45,680 --> 00:00:50,320 Speaker 1: Kevin Warwick, to name a few. Anyway, single subject researches 9 00:00:50,440 --> 00:00:56,240 Speaker 1: are only option now. Besides, I'm not alone. I have you, 10 00:01:00,120 --> 00:01:07,160 Speaker 1: but I'm the only lifeguard on duty. I trust you. Okay? 11 00:01:09,760 --> 00:01:15,160 Speaker 1: Sixty two point five PRF for five seconds, eyes forward, 12 00:01:20,440 --> 00:01:57,320 Speaker 1: deep breath. When I woke up on the floor of 13 00:01:57,360 --> 00:02:00,240 Speaker 1: my apartment, I felt like I'd been very Then with 14 00:02:00,400 --> 00:02:03,960 Speaker 1: sand I had to peel myself off the cement fluid. 15 00:02:08,600 --> 00:02:10,720 Speaker 1: Took me a few moments to regain focus and find 16 00:02:10,720 --> 00:02:14,519 Speaker 1: a clock. It was after one pm. Then I started 17 00:02:14,520 --> 00:02:19,680 Speaker 1: to catch up with my situation. I had been attacked. 18 00:02:22,520 --> 00:02:27,720 Speaker 1: I scared. My refliction no bruises christ except a nasty 19 00:02:27,760 --> 00:02:30,120 Speaker 1: confusion where my forehead must have collided with the ground. 20 00:02:30,120 --> 00:02:34,680 Speaker 1: When I felt she's I hear her keys to wake 21 00:02:34,760 --> 00:02:39,160 Speaker 1: up the computer and tied to my password. The screensaver 22 00:02:39,280 --> 00:02:44,520 Speaker 1: vanished and there it was at best box page still 23 00:02:44,560 --> 00:02:51,000 Speaker 1: opened on the desktop. Something was different. They were missing files, 24 00:02:51,040 --> 00:02:55,519 Speaker 1: like half of them were gone. No man, I tried 25 00:02:55,520 --> 00:02:57,160 Speaker 1: to play the same files team the night before from 26 00:02:57,160 --> 00:03:00,640 Speaker 1: one of the transitions with to March, but it wasn't 27 00:03:00,639 --> 00:03:05,040 Speaker 1: it was. I looked about my palmer for the signs 28 00:03:05,040 --> 00:03:21,679 Speaker 1: of intrusion, but it was one good morning, Cassandra. You 29 00:03:21,720 --> 00:03:23,600 Speaker 1: wanted to see me. What the hell happened to you? You 30 00:03:23,520 --> 00:03:25,079 Speaker 1: You get in a fight? You're able to tell a 31 00:03:25,160 --> 00:03:29,560 Speaker 1: rock stepping on the shower walk with me? That kind 32 00:03:29,560 --> 00:03:34,560 Speaker 1: of helped your headache definitely hasn't. Well, that's understandable considering 33 00:03:34,600 --> 00:03:38,800 Speaker 1: the pressure we're all under after your last conversation with Max. Okay, look, cast, 34 00:03:38,840 --> 00:03:46,360 Speaker 1: I'm not going to take responsibility. Thank you. By the way, sure, 35 00:03:46,920 --> 00:03:49,520 Speaker 1: what time is your pod leaving? Finn and I are 36 00:03:49,520 --> 00:03:51,160 Speaker 1: planning to meet up at the hotel. Allowed to go 37 00:03:51,200 --> 00:03:53,720 Speaker 1: over this speech one more time, have a couple of visits. 38 00:03:53,880 --> 00:03:57,120 Speaker 1: I think that'll be good for him. Here's something I 39 00:03:57,120 --> 00:04:01,840 Speaker 1: don't think you should go. I'm sorry, I don't think 40 00:04:01,880 --> 00:04:05,000 Speaker 1: you're up for this. M I don't like I said, 41 00:04:05,040 --> 00:04:07,880 Speaker 1: it's just a headache. I command to see. Yes, I'm 42 00:04:07,880 --> 00:04:10,200 Speaker 1: not talking about c E s. And what are you 43 00:04:10,240 --> 00:04:18,320 Speaker 1: talking about? Letting you go? Gotcha? Oh? You know Max 44 00:04:18,440 --> 00:04:21,400 Speaker 1: is the one who hired me. Max is gone and 45 00:04:21,440 --> 00:04:24,839 Speaker 1: he also sized my checks. Under current conditions, I have 46 00:04:24,880 --> 00:04:29,640 Speaker 1: full authority to terminate. All right? What what conditions of that? Well? 47 00:04:30,279 --> 00:04:34,080 Speaker 1: One condition is that Max is gone. Another condition is 48 00:04:34,120 --> 00:04:37,400 Speaker 1: that Max is gone in part because of you. And 49 00:04:37,400 --> 00:04:40,839 Speaker 1: I'm not buying your bullshit excuses anymore. Looked at yourself 50 00:04:40,839 --> 00:04:44,400 Speaker 1: in the mere lately, you're a mess. Jack. You're obviously 51 00:04:44,440 --> 00:04:49,919 Speaker 1: not up to this. Okay, all right, I'm not getting good. 52 00:04:51,360 --> 00:04:57,800 Speaker 1: You're blind? What did you say? Not only am I upitius, 53 00:04:59,360 --> 00:05:03,120 Speaker 1: I'm you're an hope. Fain will be completely lot about me. 54 00:05:03,760 --> 00:05:05,520 Speaker 1: He may seem like he's got this, but the truth 55 00:05:05,680 --> 00:05:08,279 Speaker 1: is he's got a chance of puking the mini steps 56 00:05:08,279 --> 00:05:11,400 Speaker 1: out on that stage. I need you to look around. 57 00:05:11,680 --> 00:05:15,120 Speaker 1: I'm the anchor here. He trusts me, and if I 58 00:05:15,120 --> 00:05:17,559 Speaker 1: don't show up a sea, yes, he's going to fold 59 00:05:17,640 --> 00:05:27,800 Speaker 1: like a fucking sock. And you know it. Okay, that's 60 00:05:27,839 --> 00:05:32,719 Speaker 1: more like it. You know, I learned a long time 61 00:05:32,760 --> 00:05:35,560 Speaker 1: ago that people are much more complex than most of us. 62 00:05:35,600 --> 00:05:40,600 Speaker 1: Assume we all have more than one version of ourselves. 63 00:05:40,640 --> 00:05:43,000 Speaker 1: Sometimes it just takes the right stimulation to bring out 64 00:05:43,000 --> 00:05:46,480 Speaker 1: the best one. I like this side of you, Jack, 65 00:05:47,360 --> 00:05:50,360 Speaker 1: but I'm still not convinced that you fully grasp just 66 00:05:50,440 --> 00:05:55,880 Speaker 1: how important this speeches. Of course I do, because if 67 00:05:55,880 --> 00:05:59,720 Speaker 1: Finn doesn't absolutely nail this, I mean fucking nail this 68 00:05:59,800 --> 00:06:03,800 Speaker 1: too the wall, there won't be a next corp to 69 00:06:03,839 --> 00:06:11,120 Speaker 1: come back to. What's that? You know what that is? 70 00:06:13,839 --> 00:06:20,200 Speaker 1: That's a shut I applica uh huh. Finn is a 71 00:06:20,240 --> 00:06:25,640 Speaker 1: brilliant man. His mind works in ways that I cannot fathom. 72 00:06:25,640 --> 00:06:30,400 Speaker 1: But Finn is not Max. I think you know that 73 00:06:32,040 --> 00:06:34,400 Speaker 1: if you want to keep your job, you will need 74 00:06:34,440 --> 00:06:36,560 Speaker 1: to step up. If you will need to be more 75 00:06:36,560 --> 00:06:39,159 Speaker 1: than a cheerleader. You will need to be Finn's right 76 00:06:39,200 --> 00:06:43,800 Speaker 1: hand to keep him relaxed and sharp and focused, which 77 00:06:43,800 --> 00:06:47,440 Speaker 1: means I will need you relaxed and sharp and focused. 78 00:06:48,760 --> 00:06:52,080 Speaker 1: I need you to be the best version of yourself. 79 00:06:53,839 --> 00:06:59,279 Speaker 1: This is buyinry, Jack. You are either with us or 80 00:06:59,360 --> 00:07:07,960 Speaker 1: you are fired it. I had underestimated my opponent, Cass 81 00:07:08,000 --> 00:07:11,520 Speaker 1: wasn't blind at all. She'd been watching me all along, 82 00:07:12,000 --> 00:07:14,800 Speaker 1: waiting her web black of spider. Now I was trapped. 83 00:07:15,400 --> 00:07:17,400 Speaker 1: She was five moves ahead of me, and she knew it. 84 00:07:18,240 --> 00:07:24,120 Speaker 1: Every outcome was the same check me, every outcome except one. 85 00:07:24,920 --> 00:07:28,880 Speaker 1: My worst possible option was suddenly my only option. O 86 00:07:29,040 --> 00:07:32,440 Speaker 1: Cass had me. Yet the only thing that mattered was 87 00:07:32,480 --> 00:07:40,800 Speaker 1: the end game and taken down next Corp, tell me 88 00:07:40,880 --> 00:07:45,880 Speaker 1: that you understand. How do I take it? It's easy, 89 00:07:46,920 --> 00:07:53,480 Speaker 1: Just hold this to your eye, okay, relax, I'm going 90 00:07:53,520 --> 00:08:11,920 Speaker 1: to count down, ready, yeah, three two to kill him 91 00:08:11,960 --> 00:08:35,240 Speaker 1: one star. Sometimes we have to become one ourselves. How 92 00:08:35,280 --> 00:08:40,120 Speaker 1: do I take it? It's easy, Just hold this to 93 00:08:40,200 --> 00:08:50,960 Speaker 1: your eye, okay, relax, I'm going to count down, ready, yeah, yeah, 94 00:08:52,160 --> 00:09:01,800 Speaker 1: three two one. It was a flash of bright light 95 00:09:01,920 --> 00:09:08,360 Speaker 1: and then warmth, gelatin, like the heat of anesthesia, slivering 96 00:09:08,360 --> 00:09:11,440 Speaker 1: through your veins before it takes you out. But it 97 00:09:11,480 --> 00:09:15,040 Speaker 1: doesn't take you out. It takes you in electricity that 98 00:09:15,080 --> 00:09:17,760 Speaker 1: seems to start at your extremities and then pulses upward 99 00:09:17,800 --> 00:09:22,040 Speaker 1: and inward, moving fast, until all the sensation collides no 100 00:09:22,200 --> 00:09:27,320 Speaker 1: unpleasantly in your scalp. And then this bath of white light. 101 00:09:27,520 --> 00:09:31,520 Speaker 1: This wash of pressure pulses back outward in a burst 102 00:09:31,559 --> 00:09:36,679 Speaker 1: of energy as a flash that seems to last an eternity. Bods, 103 00:09:37,600 --> 00:09:40,800 Speaker 1: It's over and blink of an eye and I'm back 104 00:09:40,800 --> 00:09:46,760 Speaker 1: there where I was back in the room looking at Casperkeley. 105 00:09:48,880 --> 00:09:54,720 Speaker 1: How do you feel? Jack? A hard reboot and my 106 00:09:54,760 --> 00:09:56,680 Speaker 1: mind had been upgraded with a new process of build 107 00:09:56,800 --> 00:10:22,600 Speaker 1: dream logic and a micraine. He's gone, hold on, okay, 108 00:10:23,520 --> 00:10:26,600 Speaker 1: I'm in a car behind but in a Dell Taco 109 00:10:27,280 --> 00:10:29,280 Speaker 1: on the way to the loop. I I had to 110 00:10:29,800 --> 00:10:36,679 Speaker 1: pause for a sick pull over a quiet moment. Can 111 00:10:37,320 --> 00:10:43,080 Speaker 1: can I help you? Jack lock H? He was asking, 112 00:10:44,240 --> 00:10:48,719 Speaker 1: I'm agent Batty h e A, well you want to 113 00:10:48,760 --> 00:10:52,240 Speaker 1: call look like you're talking to something now, man, just 114 00:10:52,280 --> 00:10:55,560 Speaker 1: connecting my thoughts self meditation and I just needed some man, 115 00:10:55,640 --> 00:10:57,439 Speaker 1: so I pulled over. I guess the air behind del 116 00:10:57,520 --> 00:11:00,720 Speaker 1: Taco can't be beat. Yeah, not to some mel Fiesta 117 00:11:00,760 --> 00:11:04,040 Speaker 1: bowls in the morning. Were you were you following me? 118 00:11:04,040 --> 00:11:08,839 Speaker 1: Of course I was following you. I'm sorry, mate. Am 119 00:11:08,840 --> 00:11:13,880 Speaker 1: I in trouble? I don't know? Oh yeah, how can 120 00:11:13,920 --> 00:11:16,880 Speaker 1: I help you? Agent Bating? Do you know what we 121 00:11:17,000 --> 00:11:21,559 Speaker 1: do with the human enhancement administration, You enforced laws surrounding humans. 122 00:11:21,600 --> 00:11:24,959 Speaker 1: Were nice here, but wait, are they any real laws 123 00:11:25,040 --> 00:11:26,959 Speaker 1: or just a few bills bown around in the chambers 124 00:11:27,000 --> 00:11:30,280 Speaker 1: of Congress. I just wanted to know your chosen field 125 00:11:30,280 --> 00:11:33,720 Speaker 1: has grown very quickly. Yeah, and you're correct. And actually 126 00:11:33,720 --> 00:11:35,400 Speaker 1: tried to go to the h A, and so they 127 00:11:35,400 --> 00:11:38,680 Speaker 1: said they help a week after Michael's death. But I 128 00:11:38,760 --> 00:11:42,800 Speaker 1: soon realized that I have to investigate the matter myself. Sure, 129 00:11:42,840 --> 00:11:44,520 Speaker 1: the h A has the power of a federal law 130 00:11:44,600 --> 00:11:48,800 Speaker 1: enforcement agency, but I soon realized that it was really 131 00:11:48,840 --> 00:11:53,600 Speaker 1: just a basement operation, newly formed, underfunded, and understaffed. But 132 00:11:53,640 --> 00:11:56,160 Speaker 1: then they showed up. So you're the ones who shut 133 00:11:56,200 --> 00:12:01,520 Speaker 1: down the shot I trials? Yeah? Yeah, yeah, people were 134 00:12:01,520 --> 00:12:03,319 Speaker 1: sent to the hospital. Oh so you he had to 135 00:12:03,360 --> 00:12:07,640 Speaker 1: protect people? Nice? What if Max Fuller told you about 136 00:12:07,679 --> 00:12:14,920 Speaker 1: your brother m I'm sorry, what has he told you 137 00:12:14,960 --> 00:12:21,559 Speaker 1: about your brother's involvement? And shut eye? All right, nothing. 138 00:12:22,679 --> 00:12:25,840 Speaker 1: We haven't talked about manything. He doesn't know you're related. 139 00:12:26,880 --> 00:12:30,320 Speaker 1: He doesn't know why not. Oh it hasn't come up. 140 00:12:31,400 --> 00:12:36,640 Speaker 1: It's curious, it's personal. Yeah, yeah, i'd say it is. 141 00:12:38,000 --> 00:12:42,319 Speaker 1: Come on, what exactly are you're doing it next? Corpse Jack, 142 00:12:43,040 --> 00:12:45,920 Speaker 1: I'm helping develop state of the art technologies that will 143 00:12:45,920 --> 00:12:52,640 Speaker 1: move mankind forward. Well, Jack, do me a favor. Let 144 00:12:52,640 --> 00:12:58,560 Speaker 1: me know how that goes. That's my card. Oh yeah, Look, 145 00:12:58,600 --> 00:13:01,800 Speaker 1: if you happen to talk to Dr Wolds again, would 146 00:13:01,840 --> 00:13:08,440 Speaker 1: you get out of return my call? Enjoy Ces. Maybe 147 00:13:08,480 --> 00:13:18,720 Speaker 1: we'll see you there. Fuck me, Jennalicole Abbey calling Dr 148 00:13:18,800 --> 00:13:22,800 Speaker 1: Abbe Reynolds. This is Dr Abbey Reynolds. If this is 149 00:13:22,840 --> 00:13:32,640 Speaker 1: a medical emergency, hang up in down. Otherwise, if I 150 00:13:32,679 --> 00:13:36,000 Speaker 1: said the next few hours were blood, well, I'd be 151 00:13:36,080 --> 00:13:45,839 Speaker 1: lying to you. I was moved fast for shure and shy. 152 00:13:46,520 --> 00:13:49,960 Speaker 1: I remembered every second with a strange clarity, each scuffle 153 00:13:50,120 --> 00:13:53,600 Speaker 1: of a shoe on the concrete platform fly cleansed overlooks, 154 00:13:54,080 --> 00:13:55,960 Speaker 1: the rasp in the voice of a gay agent who 155 00:13:55,960 --> 00:14:05,680 Speaker 1: had been working too many hours. Ye. All the while, 156 00:14:05,720 --> 00:14:09,920 Speaker 1: I'm just just to be to be awake, really awake, 157 00:14:09,960 --> 00:14:31,680 Speaker 1: sitting and again rocky in across the desert, Bloody Las Vegas. 158 00:14:32,720 --> 00:14:37,000 Speaker 1: My father loved Vegas. Suckers stacked in every direction, he said. 159 00:14:37,600 --> 00:14:40,840 Speaker 1: Centuries before neuroscience was even a thing, magicians had a 160 00:14:40,880 --> 00:14:43,520 Speaker 1: really cracked the code on the human brain. They learned 161 00:14:43,520 --> 00:14:45,520 Speaker 1: through trial and error that they could control what an 162 00:14:45,600 --> 00:14:49,840 Speaker 1: organ sees or does not see, what they believe or 163 00:14:49,840 --> 00:14:54,960 Speaker 1: do not believe. Max Foller was right. Humans are flawed, 164 00:14:55,800 --> 00:14:59,640 Speaker 1: and it's a conman's job to exploit these flaws. Inaccurate memory, 165 00:15:00,000 --> 00:15:03,200 Speaker 1: susceptibility to suggestion, they need to perceive cause and effect. 166 00:15:03,520 --> 00:15:06,680 Speaker 1: Even a small time hustler relies completely on these vulnerabilities 167 00:15:06,720 --> 00:15:12,640 Speaker 1: to make a living. As I moved through the Casino hotel, 168 00:15:12,640 --> 00:15:14,480 Speaker 1: it felt like I was stepping into a time warp. 169 00:15:16,400 --> 00:15:21,400 Speaker 1: Everyone was moving in slow motion except for me. Casinos 170 00:15:21,400 --> 00:15:23,720 Speaker 1: are designed to make you use track of time and space. 171 00:15:24,920 --> 00:15:29,000 Speaker 1: No clocks, no windows, so the suckers will know how 172 00:15:29,040 --> 00:15:32,120 Speaker 1: long they've been losing money. Amazed with no clear exit, 173 00:15:33,440 --> 00:15:37,880 Speaker 1: but I was hyper aware of every second and every 174 00:15:37,880 --> 00:15:41,400 Speaker 1: step I took deeper into this labyrinth. My mind was 175 00:15:41,440 --> 00:15:45,400 Speaker 1: involuntarily bapping my way. Okay, I just passed a man 176 00:15:45,600 --> 00:15:49,360 Speaker 1: and I looked nor More a little too normal. Shorts, sandals, sunglasses, 177 00:15:49,960 --> 00:15:55,240 Speaker 1: and now yeah, he's swallowing me. It was a little 178 00:15:55,280 --> 00:15:58,240 Speaker 1: cold out for shorts and sandals. But then Vegas is 179 00:15:58,280 --> 00:16:01,560 Speaker 1: like a giant pressurized space station with his own internal 180 00:16:01,600 --> 00:16:04,480 Speaker 1: atmosphere to keep the suckers slightly high. In the endless 181 00:16:04,520 --> 00:16:08,080 Speaker 1: lab ruth of slow machines and oxygen bars and poker 182 00:16:08,160 --> 00:16:11,520 Speaker 1: tables and pancake per face, you can go for days. 183 00:16:11,520 --> 00:16:16,480 Speaker 1: We'veout ever seen daylight in Vegas. But this guy, short sleeve, 184 00:16:16,600 --> 00:16:20,600 Speaker 1: buttoned down, still had creases in it, fresh out of 185 00:16:20,600 --> 00:16:25,000 Speaker 1: this package. And when I got to the elevator, the 186 00:16:25,000 --> 00:16:30,320 Speaker 1: guy passed by. Jack. You had six missed calls from 187 00:16:30,360 --> 00:16:34,680 Speaker 1: Finn connolly Blood. I rolled into my hotel about seven pm. 188 00:16:34,760 --> 00:16:37,280 Speaker 1: I'm still lee up from the afternoons does and probably 189 00:16:37,280 --> 00:16:38,680 Speaker 1: a head of a lot less worried than I should 190 00:16:38,680 --> 00:16:41,880 Speaker 1: have been about prepping Finn to speaking Max's absence. That 191 00:16:41,920 --> 00:16:47,000 Speaker 1: will change five minutes after I walked into my hotel room. 192 00:16:47,040 --> 00:16:51,720 Speaker 1: I'm going Jesus coming. Oh hey man, hey man, were 193 00:16:51,720 --> 00:16:53,240 Speaker 1: you gonna call me when you got in? Or what? 194 00:16:53,440 --> 00:16:57,240 Speaker 1: I don't not? Just how happened to your head? So important? Look, 195 00:16:57,240 --> 00:16:59,440 Speaker 1: I think we should rewrite the sort of aspirational section. 196 00:16:59,720 --> 00:17:03,320 Speaker 1: I don't really think I'm in less than probably Do 197 00:17:03,360 --> 00:17:06,439 Speaker 1: you have your laptop right now? You all right? Me? No, 198 00:17:07,440 --> 00:17:10,240 Speaker 1: I'm not all right. I'm getting ready to ship myself 199 00:17:10,280 --> 00:17:13,840 Speaker 1: here do you have your laptop or not? But Finn 200 00:17:13,880 --> 00:17:16,200 Speaker 1: was effectively having a panic attack that lost it from 201 00:17:16,200 --> 00:17:19,600 Speaker 1: the hotel, into the car and on into the convention center. 202 00:17:19,680 --> 00:17:23,960 Speaker 1: He was a mess. But we've reached a point in 203 00:17:24,000 --> 00:17:28,160 Speaker 1: our evolution where for the first time, we can choose 204 00:17:29,440 --> 00:17:34,640 Speaker 1: m we can choose we can we can choose hip jack. 205 00:17:35,000 --> 00:17:37,960 Speaker 1: I don't know, man not just still doesn't sing. It 206 00:17:38,040 --> 00:17:42,320 Speaker 1: sounds great. It sounds great. Seriously, it's effective, eloquent on message, 207 00:17:42,680 --> 00:17:44,239 Speaker 1: and we're really running low on time here. I think 208 00:17:44,240 --> 00:17:46,280 Speaker 1: you're ready, right, I just think I just think we 209 00:17:46,320 --> 00:17:48,359 Speaker 1: can still make a few little minor cuts in, just 210 00:17:48,400 --> 00:17:50,679 Speaker 1: like a just a few hey, hey, hey, excuse me, 211 00:17:50,800 --> 00:17:54,960 Speaker 1: you what are we looking at? Time wise? Three minutes 212 00:17:54,960 --> 00:17:58,040 Speaker 1: of ship? Okay, thank you, shift ship. I'm not ready 213 00:17:58,080 --> 00:18:04,400 Speaker 1: for it's right, it's time. Oh thank god, cass, how's 214 00:18:04,400 --> 00:18:08,520 Speaker 1: it looking? It's a ship show cast. He's ready. He's 215 00:18:08,560 --> 00:18:12,720 Speaker 1: just freaked out, right, I'm freaked out. This is absurdain. Hey, Finn, 216 00:18:13,520 --> 00:18:16,960 Speaker 1: what you know what's happening right now? Yeah? Yeah, I 217 00:18:16,960 --> 00:18:18,960 Speaker 1: know it's happening. My brain is releasing cortisol, which is 218 00:18:19,040 --> 00:18:22,960 Speaker 1: raising my heart right now, it's modulating he okay, I 219 00:18:23,000 --> 00:18:25,440 Speaker 1: need you to take the very deep breath right now, 220 00:18:25,520 --> 00:18:28,399 Speaker 1: Take a breath, Take a breath. I want you to 221 00:18:28,440 --> 00:18:32,720 Speaker 1: remember something, you what You don't need to impress anyone. 222 00:18:33,440 --> 00:18:35,919 Speaker 1: You can't be Max. They don't expect that our of you. 223 00:18:36,040 --> 00:18:40,080 Speaker 1: What do they expect an awkward keep that I can do. 224 00:18:40,520 --> 00:18:43,520 Speaker 1: It's true, Finn, we're pitching to the money people. And 225 00:18:43,560 --> 00:18:44,800 Speaker 1: do you know what the money people want to see? 226 00:18:44,920 --> 00:18:46,520 Speaker 1: The money people want to see. They want to see 227 00:18:46,520 --> 00:18:49,240 Speaker 1: the brains of the operation. They want to see the spine. 228 00:18:49,320 --> 00:18:51,479 Speaker 1: They want to know if there's someone real behind the curtain. 229 00:18:54,560 --> 00:18:56,640 Speaker 1: I can't do this, cast, I can't do this. I'm 230 00:18:56,680 --> 00:18:59,040 Speaker 1: not going to just give me a second. Hey, how 231 00:18:59,119 --> 00:19:02,600 Speaker 1: much time do we have? One minute? Ben? Look at me? 232 00:19:03,320 --> 00:19:08,080 Speaker 1: Look at me? What? What? What? Okay? Forget all this? 233 00:19:09,240 --> 00:19:11,400 Speaker 1: Once Max told me that the only reason next corp 234 00:19:11,640 --> 00:19:14,439 Speaker 1: or shot or any of this ever happened was all 235 00:19:14,480 --> 00:19:17,040 Speaker 1: because of you. Like a project that you were working on, 236 00:19:17,119 --> 00:19:20,920 Speaker 1: right that the reconnect, the reconnected reconnected mind Yeah right right? 237 00:19:21,000 --> 00:19:22,960 Speaker 1: That said He wasn't even sure if he wanted to 238 00:19:23,000 --> 00:19:26,440 Speaker 1: continue living anymore after his father had died. But for you, 239 00:19:27,640 --> 00:19:30,800 Speaker 1: but for me, yes, yes, he came to visit you, 240 00:19:31,040 --> 00:19:33,320 Speaker 1: and he saw something in you that changed him. He 241 00:19:33,400 --> 00:19:36,440 Speaker 1: sort of looking your eye, that wonder about the mechanics 242 00:19:36,480 --> 00:19:39,800 Speaker 1: of the universe and the human mind. That that's something 243 00:19:39,840 --> 00:19:42,920 Speaker 1: Max doesn't even have, but mate, you do because you 244 00:19:42,960 --> 00:19:49,480 Speaker 1: actually live for this ship. And that's the good stuff. Yeah, 245 00:19:49,960 --> 00:19:52,720 Speaker 1: the good stuff, the good stuff. That that is what matters. 246 00:19:52,800 --> 00:19:55,320 Speaker 1: That stuff is all that matters. This speech. You memorize 247 00:19:55,440 --> 00:19:57,639 Speaker 1: everything we wrote, you know what, just forget it. Just 248 00:19:57,640 --> 00:19:59,679 Speaker 1: throw it away. Man, it's stressing you. You don't need 249 00:19:59,720 --> 00:20:01,159 Speaker 1: to try to be the most charming pathon in the 250 00:20:01,240 --> 00:20:02,800 Speaker 1: room because you're really a lot of the most trauma 251 00:20:02,800 --> 00:20:05,119 Speaker 1: pushing in the room. Man. All you need to do 252 00:20:05,160 --> 00:20:08,440 Speaker 1: is share it. Just walk twenty over there and tell him, 253 00:20:09,040 --> 00:20:13,280 Speaker 1: tell him about it, about the good stuff, all right, 254 00:20:13,640 --> 00:20:18,400 Speaker 1: give him the good stuff, the good stuff. Yeah, Okay. 255 00:20:19,160 --> 00:20:23,080 Speaker 1: At this point, I was starting to come down from 256 00:20:23,080 --> 00:20:26,680 Speaker 1: the show. I guess that would be the phrase. Definitely 257 00:20:26,720 --> 00:20:29,359 Speaker 1: felt less bright, and there was a ghost of a 258 00:20:29,359 --> 00:20:32,159 Speaker 1: headache in the corners of my brain, just a whisp. 259 00:20:32,880 --> 00:20:34,640 Speaker 1: I would have been worried more if the next few 260 00:20:34,640 --> 00:20:38,080 Speaker 1: moments hasn't wrenched my attention away. Has dedicated his life 261 00:20:38,640 --> 00:20:43,200 Speaker 1: to this exact principle. It's my great pleasure to welcome 262 00:20:44,119 --> 00:20:54,679 Speaker 1: the lead engineer of Next Corp. Mr Finn Connolly. Thank you, 263 00:20:55,880 --> 00:21:03,040 Speaker 1: thank you. Uh. It's amazing to be in front of 264 00:21:03,040 --> 00:21:06,320 Speaker 1: you tonight. It's amazing that we live in a world 265 00:21:06,359 --> 00:21:09,479 Speaker 1: that allows us cs given the long and fraud history 266 00:21:09,480 --> 00:21:14,760 Speaker 1: of man and technology. Mm hmm. Ever since we first 267 00:21:14,800 --> 00:21:17,840 Speaker 1: stole fire from the gods, the same question is asked 268 00:21:17,840 --> 00:21:22,280 Speaker 1: of every technology, are they more helpful or more hurtful? 269 00:21:23,720 --> 00:21:27,520 Speaker 1: From language to the printing press to microchips, and the 270 00:21:27,600 --> 00:21:32,160 Speaker 1: naysayers always have the same argument. With every new technology 271 00:21:32,680 --> 00:21:35,639 Speaker 1: that we become dependent on for survival, we become weaker 272 00:21:35,640 --> 00:21:42,199 Speaker 1: as a species. But that is actually shortsighted. It's not 273 00:21:42,280 --> 00:21:45,960 Speaker 1: that we're dependent on our inventions. It's that we're dependent 274 00:21:46,080 --> 00:21:56,480 Speaker 1: on our ability to invent genetics, AI, nanotech, thought ware. 275 00:21:57,280 --> 00:22:02,560 Speaker 1: These are scary words because they unknown and they feel dangerous. 276 00:22:03,600 --> 00:22:09,480 Speaker 1: But this, this is human kind's next frontier. Right when 277 00:22:09,480 --> 00:22:15,359 Speaker 1: he had them, the craziest thing happened. Holy shit from 278 00:22:15,400 --> 00:22:17,479 Speaker 1: the shadows on the far end of the stage of figuring, 279 00:22:17,560 --> 00:22:19,840 Speaker 1: Luves dressed in a black suit, hair swept back and 280 00:22:20,000 --> 00:22:27,520 Speaker 1: eyes bunning. Wow, I'll be Damned Max Fuller every Day 281 00:22:32,040 --> 00:22:42,800 Speaker 1: m Tomorrow's Monsters, starring John Boyega as Jack Locke, Darren 282 00:22:42,880 --> 00:22:47,240 Speaker 1: Chris as Max Fuller, Marley Shelton as Cass Berkeley, Clark 283 00:22:47,400 --> 00:22:52,240 Speaker 1: Gregg as Walter Fuller, and Gauga as David Truesday, Nicholas 284 00:22:52,320 --> 00:22:56,600 Speaker 1: Takoski as Finn Connolly, Claire Bronson as dr Abby Reynolds, 285 00:22:57,040 --> 00:23:01,280 Speaker 1: David Chen as Michael Gordon, Sue, Hila Eltar as Jenna, 286 00:23:01,880 --> 00:23:06,880 Speaker 1: Victor Rivera as Eddie Bender, Robert Pralco as Agent Batty, 287 00:23:07,040 --> 00:23:11,399 Speaker 1: Steve Coulter as Senator Berkeley, wrote of Griffiths as Rainy Webb, 288 00:23:11,760 --> 00:23:16,040 Speaker 1: with additional performances by Helen Abel, Jason Williams, Michael Anthony, 289 00:23:16,359 --> 00:23:20,920 Speaker 1: Robin Bloodworth, and Teresa Davis. Our first assistant director is 290 00:23:20,960 --> 00:23:25,199 Speaker 1: Michael Monty. Our second assistant director is Sarah Klein. Sound 291 00:23:25,280 --> 00:23:29,040 Speaker 1: and music by Ben Lovett, Additional sound design and editing 292 00:23:29,280 --> 00:23:34,040 Speaker 1: by Benjamin Belcolm, Justin Roboski and Mike Reagan. Casting by 293 00:23:34,119 --> 00:23:38,359 Speaker 1: Jessica Fox think Been. Our executive producers are Scott Sheldon, 294 00:23:38,560 --> 00:23:43,200 Speaker 1: Shelby Thomas, Alexander Williams, and Matthew Frederick. Written by Dan 295 00:23:43,240 --> 00:23:48,000 Speaker 1: Bush and Nicolas Takowski created by Dan Bush and Conald Burne, 296 00:23:48,640 --> 00:23:52,840 Speaker 1: directed by Dan Bush, produced by both Flint dan Bush 297 00:23:52,960 --> 00:23:57,560 Speaker 1: and John Bleega Tomorrow's Monsters as a production of Higheart Radio, 298 00:23:57,840 --> 00:24:01,840 Speaker 1: Flynn Picture Company, Psychopia Picture and of The Room Productions. 299 00:24:02,600 --> 00:24:05,600 Speaker 1: For more podcasts from My Heart Radio, visit the I 300 00:24:05,720 --> 00:24:10,160 Speaker 1: heart Radio app, Apple Podcasts, or wherever you listen to podcasts. 301 00:24:24,720 --> 00:24:24,760 Speaker 1: M