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Speaker 1: We got a toast to seventy two hours. Everybody, this

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Speaker 1: is another one out of the park, seventy two hours,

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Speaker 1: A big toast seventy two hours.

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Speaker 2: July twenty fourth, another toast showing Jada the podcast doing

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Speaker 2: strong things. A biggert toast of the business that they're creating,

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Speaker 2: the partnerships that they're expanding on, and the world of

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Speaker 2: goddamn I understanding the relatability that comes with them. If

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Speaker 2: you're not fucking with him, you should. The show is

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Speaker 2: only getting bigger hits. Myself and other guests are coming

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Speaker 2: because we need to, because it's about a bracing the

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Speaker 2: coach and those are the brass correct One more toast for.

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Speaker 1: Fanatic Fast We did on job there you go look

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Speaker 1: at that.

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Speaker 3: How Yeah, Yeah, this is the Upliftment Squad. Joe cracked

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Speaker 3: the dawn in this bitchy know who it is, your boy, Jada.

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Speaker 3: This is the Joe and Jada Show.

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Speaker 1: Every show, legendary, every show, iconic, Fanatic Fest edition. In

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Speaker 1: today's guests, you can be here for so long. Think

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Speaker 1: of a hell of a businessman. Think of somebody okay

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Speaker 1: from Philadelphia, started from the bottom, built the empire. You

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Speaker 1: see him all over the place, working man, artist, working

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Speaker 1: man in show business and still.

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Speaker 4: Find son to have must hell of a father.

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Speaker 5: It's all of a workout register, hard thing, keV oh father,

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Speaker 5: hell of a workout regiment, hell of a barber, hell

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Speaker 5: of a stylist, hell of a watch collector.

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Speaker 4: Shall we go off wine connoisseur.

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Speaker 6: Yeah yeah yeah, little culture man, well culture culture ladies

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Speaker 6: and gentlemen makes some noise for Kevin as yes, yes, yes,

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Speaker 6: you know a lot of people aren't doing this, so

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Speaker 6: I want to take the time to do it because the.

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Speaker 2: Show deserves it. Uh flowers. Flowers should be given for

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Speaker 2: those that deserve them. I gotta give Joe and Jada

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Speaker 2: flowers right now. The podcast space is a better space

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Speaker 2: because of what you guys are doing.

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Speaker 4: Man.

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Speaker 2: You know, bring in humor, culture, honesty, ro is uplifting

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Speaker 2: ship shit that people just are possibly overlooking. I want

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Speaker 2: to say there is a significant value to your space

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Speaker 2: and your voice in the podcast space.

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Speaker 7: Man.

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Speaker 2: I love to see what you're doing. So I'm starting

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Speaker 2: off with just a major congrats to both of you.

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Speaker 2: It's an honor to come sit on the Joe and

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Speaker 2: Jada podcast. Man, Appreciate the fucking your crushing.

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Speaker 3: No you was one of the early ones. This is

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Speaker 3: only like five ten episodes in. I seen you at

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Speaker 3: a fight. Well, I tell you, and the man just

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Speaker 3: turned around this and say, I told you about that

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Speaker 3: true minute study. He turned back, he said, you're so funny.

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Speaker 3: Mother you you funny. Mother fuck I was very I

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Speaker 3: was early on that. I said, Joe, Crack, don't fuck

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Speaker 3: this up like crack.

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Speaker 8: You.

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Speaker 2: People don't know you're funny. People don't know, they don't

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Speaker 2: they don't know crack is funny. They don't know the storyteller,

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Speaker 2: they don't know. They don't know kids is funny, like

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Speaker 2: this has been funny. By the way, I had to

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Speaker 2: catch you.

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Speaker 4: It's not.

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Speaker 2: It's not like it's new. The niggas that no, no,

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Speaker 2: but they don't the audience don't know.

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Speaker 4: That's a fact. I said, don't fuck this up, y'all.

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Speaker 4: Niggas are different.

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Speaker 3: He'll tell you. I told him at the fight told me,

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Speaker 3: and I said different. Let me tell you something. You know,

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Speaker 3: when they say don't let that go over your head

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Speaker 3: or you get that on the way home, then motherfucker

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Speaker 3: killed me.

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Speaker 4: Every episode. When I watched an episode that, I said,

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Speaker 4: what the fuck they.

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Speaker 3: Guys shooting me from the sign on this motherfucker Yo,

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Speaker 3: I said this motherfucker I did.

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Speaker 4: I got a I caught on too. I was like,

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Speaker 4: what some of thees I mean.

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Speaker 2: Like, yeah, we're gonna be honest, rush some of the

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Speaker 2: stories got on them.

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Speaker 4: No, no, I know that real. I'm saying, crack some

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Speaker 4: of the stories like they they know. Some of them

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Speaker 4: are all hard.

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Speaker 2: Some of them take a hard right hard right cright,

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Speaker 2: like you'll have me crack, have you like?

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Speaker 4: That's what we We had to talk to them niggas.

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Speaker 4: We pulled up on them. But when we pulled up

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Speaker 4: on them, I had the flame thrower, whoa crack what

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Speaker 4: you have?

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Speaker 2: I had to flame throw out the trunk cause niggas didn't.

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Speaker 8: No.

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Speaker 2: Back then, back then I was pulling up on niggas.

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Speaker 2: I was setting niggas on fire. Back then, by the way,

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Speaker 2: asked Sammy, Sammy, Sammy here cracked a lout of name.

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Speaker 4: We name all right? Not just killed you? You know what?

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Speaker 4: Sammy was there.

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Speaker 9: Samy was the one with the fire stingers. So so

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Speaker 9: before I move on, because I'm saying a lot of

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Speaker 9: ship niggas might not believe me. Sammy had the full

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Speaker 9: the full fire ship on. He puts a dramatic balls

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Speaker 9: on you. He'll stop, he'll stop, so you register it.

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Speaker 3: He had it on around the time Steve stopped came

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Speaker 3: with a tennis racket.

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Speaker 10: He could right, don't listen, you cap, you.

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Speaker 3: Go right, don't care Now to my defense, how many

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Speaker 3: times have you heard from opposite people and confirmed.

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Speaker 4: Working on another show like that?

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Speaker 1: Because people call me always somebody that was dead like

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Speaker 1: your kids.

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Speaker 4: You know that story.

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Speaker 2: Cracks is in a tough spot. He's in a tough spot.

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Speaker 2: Here's why kids is in a tough spot. Kiss not

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Speaker 2: only is he working with you, but some shit is

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Speaker 2: hitting eyre. He's like, this is true, right, But Kiss

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Speaker 2: also sometimes been like whoa, he'll go who But he suck,

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Speaker 2: he bats you.

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Speaker 3: He does a good job of backing you. He keeps

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Speaker 3: getting confirmed. I told him, man, I'm from Philly, fifty

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Speaker 3: dollargaty Okay, the bad Land. That is the bad Lands,

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Speaker 3: that's the bad Lance confirmed. You know how every local

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Speaker 3: place have a blog on Instagram. Then motherfuckers put that up.

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Speaker 3: Every comment was like, he's from me. I've seen him

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Speaker 3: at the boat Taker, I've seen him at the Cowboy

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Speaker 3: I said, what.

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Speaker 4: Do you want me to do? You want me to lie? Yeah,

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Speaker 4: they fucked up.

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Speaker 3: Yeah, they're paying us to talk shit, and this is

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Speaker 3: what we do.

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Speaker 4: And it's true.

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Speaker 2: As a fan of brilliant storytellers, there's nothing better than

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Speaker 2: a good story with conform. Even if you get sixty

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Speaker 2: five percent of a confirmation, that's good.

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Speaker 4: That's strong, that's strong. Order.

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Speaker 2: Now, I'm not I'm not saying you. I'm not saying

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Speaker 2: that that's your number. Be five is a good number.

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Speaker 2: Fifty body is a good.

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Speaker 4: Number to me. Let me tell you something.

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Speaker 3: To me, if ten guys your security almost ain't let

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Speaker 3: me in your security almost ain't let me in my show.

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Speaker 4: Nigga hit me with the boom, right, he didn't know.

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Speaker 3: If ten guys that side walks in here right now,

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Speaker 3: it'll feel like fifty guys.

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Speaker 4: If they're all coming for you.

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Speaker 3: Yeah, up to three three against ten it was man

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Speaker 3: ten giant.

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Speaker 4: Guys, it'll feel like fifty guys.

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Speaker 11: So you put you making it fifty Yes, okay, that's

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Speaker 11: not okay, okay, okay, But.

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Speaker 2: What will you give up? Were you giving honest? That's

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Speaker 2: called honest? Exaggerating question?

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Speaker 4: Go ahead?

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Speaker 3: Is there not one hundred fucking baseball bats behind your

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Speaker 3: head right now.

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Speaker 2: No, no, I said, I think, I think. I think

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Speaker 2: I'm gonna solid twenty two crack. Yeah, it's more closer

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Speaker 2: twenty two. And I think I'm going twenty two bats.

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Speaker 2: But how my ad crack? I think I am.

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Speaker 4: I think. See that's the exercise on you going. That's

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Speaker 4: the now.

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Speaker 3: If niggas take all them backs, chase you with all

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Speaker 3: of them bats right there, hundred, it won't feel like

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Speaker 3: a hun you says, und all bats.

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Speaker 4: Bigam, understand it. I understand the way you. I get it.

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Speaker 4: Where you write the square, your origin is truthful.

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Speaker 3: I grew up in the project building with a thousand,

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Speaker 3: five hundred people, the whole project building, fourteen floors.

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Speaker 4: Everybody had nine kids.

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Speaker 2: And what we did no snumber the way he goes

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Speaker 2: out the names of Nola. I've been to a lot

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Speaker 2: of projects. I've been to a lot of projects. Right,

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Speaker 2: philadelph we have projects, like you know, there's a tons

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Speaker 2: of right, I mean tons projects are it's low income housing?

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Speaker 4: Right? We can agree, definitely.

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Speaker 2: I don't think they put one thousand, Oh yeah, I

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Speaker 2: don't think it's a thousand. I think only Chicago I

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Speaker 2: think it's only the old green.

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Speaker 4: Guys.

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Speaker 3: It's fourteen fours. Yeah, it's nine apart. Everybody got nine kids.

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Speaker 3: I counted it one day. I wonder who the built

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Speaker 3: it man pulled it out. I'm pulling out the calculator

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Speaker 3: right now.

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Speaker 4: I'm gonna go.

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Speaker 2: Hold on, I'm I'm gonna got fourteen times nine. That's

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Speaker 2: one hundred and twenty. We're still we're still nine hundred

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Speaker 2: and seventy four.

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Speaker 4: Oh no, no, my got it.

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Speaker 2: Wait wait you said nine nine kids, thousanda, I'm gonna go.

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Speaker 4: I'm gonna go.

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Speaker 2: Let me go nine times four. Team, I'm gonna give

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Speaker 2: you another one, he said. I know our departments at fourteenth.

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Speaker 2: That's how I got to the one twenty six, the

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Speaker 2: one one. Now you say nine kids the way, Now

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Speaker 2: I'm gonna do nine kids. Say five kids.

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Speaker 4: Okay, let's say fourteen floors. Understand how you come to

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Speaker 4: your numbers? Now perfectly understate you get it out. Okay.

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Speaker 2: I I want to say, you're far off, but they're

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Speaker 2: for storing purposes hundreds of people.

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Speaker 3: Yeah, that that's what I want to That's gonna tell

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Speaker 3: you that. But that's a matter as enticing to the story. Brother,

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Speaker 3: I always at a show. One time you talked about

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Speaker 3: raccoons with fucking mask on the the hoodies.

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Speaker 4: True story, what the fuck? True story?

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Speaker 3: But I understood what you were saying. I use actually

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Speaker 3: factual story. I used to get attacked by the raccoons

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Speaker 3: when I moved to Miami in the fucking suburbs. It

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Speaker 3: was fucking raccoons and I'm like banging on the one

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Speaker 3: no more. Fucking ain't scared enough?

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Speaker 4: Is it different? You have different types of raccoons. If

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Speaker 4: you get it. If you have an interdent with a

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Speaker 4: nigga coon, right, I call him nigga, a nigga cool.

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Speaker 2: Nigga coons, very finger. They acted with their hands. Nigga

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Speaker 2: coons point at you. They niggas coons direct.

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Speaker 4: The crew this way.

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Speaker 2: I saw raccoon out started my house do this to

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Speaker 2: his crew, yo, like come on like this way yo.

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Speaker 4: I'm not making that out. This raccoon is well seting

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Speaker 4: it too, yo. Clean. The niggas on this don't grow

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Speaker 4: every day. Yes, yes, yes, yes, holding open and tombs man.

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Speaker 4: The rat coons, nigga.

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Speaker 3: When you get around the rat coons, they come through

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Speaker 3: like they look like they got scullies on and ship.

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Speaker 4: They are not ship. I want to shoot him my bath.

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Speaker 4: I got the tony Martana. See what I'm saying. You

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Speaker 4: didn't have a tony? Did I did?

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Speaker 3: I did joke care I swear to you I did.

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Speaker 3: Living in the wilderness man Tas, Florida, guns illegal. I

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Speaker 3: had the big ship with bullets. I was trying to use.

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Speaker 4: This ship you had.

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Speaker 3: I had to sit to set in Trudeau alert true

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Speaker 3: saying I'd have got the shooting so fast.

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Speaker 4: But the rat cols they not scared as ship. Right.

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Speaker 2: The bullets that this big are the ones they use

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Speaker 2: Afghanistan and all that ship like that. That's where these are, right.

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Speaker 2: I don't think you had those. I'm not saying that

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Speaker 2: you didn't have a big I think I think the

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Speaker 2: gun you had was a legit. I think you had

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Speaker 2: a like a motherfucker hammer. I think you had a

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Speaker 2: fucking gun, right. But I just want you to understand.

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Speaker 2: These bullets they're coming after, they're coming after doing.

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Speaker 3: It's like do do do do to this day, to

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Speaker 3: this day, it's the flyest house I ever built, spent

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Speaker 3: the most money, and it's the fastest I ever moved out.

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Speaker 3: Mine one of the night I heard the animals niggas

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Speaker 3: was like fucking like horses. You ever heard animals screaming

242
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Speaker 3: like a back up?

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Speaker 4: That where is it? Gotta? Oh, you gotta just you

244
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Speaker 4: gotta back up.

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Speaker 2: You know what I'm saying. He's heard. And then that yeah, horse, no,

246
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Speaker 2: you make it. You turned the horses to the monkey man.

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Speaker 4: You gotta take it, take it. You fucked up. Because

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Speaker 4: let me tell you, I got the microphone.

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Speaker 3: I'm gonna analyze one of your movie yeah, on one

250
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Speaker 3: of your fucking things, and I'm gonna go back check

251
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Speaker 3: from story to story. I'll be like, oh no, this motherfucker.

252
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Speaker 3: You know that I haven't never bellis.

253
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Speaker 2: I've never embellished about the story that I've told in

254
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Speaker 2: my life. The only story when people thought I was

255
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Speaker 2: in bellishy that I had to go back and give

256
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Speaker 2: them the facts. It was a story by with my day.

257
00:14:00,080 --> 00:14:02,840
Speaker 2: Dad got jumped. My dad got jumped. This is one

258
00:14:02,880 --> 00:14:05,920
Speaker 2: of my most vivid memories as a kid. It's the

259
00:14:06,000 --> 00:14:10,319
Speaker 2: first time I actually in real time saw somebody like

260
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Speaker 2: really get they ask but it was there father, Yeah,

261
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Speaker 2: but it wasn't a jump.

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Speaker 4: It wasn't really a jump. It beat off my father

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Speaker 4: one charm in front of me. Oh lord, man, let

264
00:14:18,520 --> 00:14:21,840
Speaker 4: me hear this dad. My dad is the dude here

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00:14:21,840 --> 00:14:23,240
Speaker 4: getting into it. My dad is over.

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Speaker 2: It's over contracted. My dad fucked up the he's supposed

267
00:14:28,840 --> 00:14:31,080
Speaker 2: to lay the help up, laid out the car a

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00:14:31,200 --> 00:14:33,680
Speaker 2: third way. My dad did it his way. Got something

269
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Speaker 2: I paying. My dad wanted the money. Fuck that you're

270
00:14:36,320 --> 00:14:38,080
Speaker 2: not getting this money. My dad said, well that you're

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Speaker 2: gonna have to see me. The guy says, when I

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Speaker 2: guess that's what it is.

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Speaker 4: I'm there.

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Speaker 2: I'm a little kid. My dad said, cam get in

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Speaker 2: the van. I get in the van, got my dad,

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00:14:46,520 --> 00:14:48,920
Speaker 2: go outside, gotta put hands on my dad. Hit my

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00:14:49,080 --> 00:14:52,800
Speaker 2: dad four flush shots. I'm talking as soon as they hi,

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Speaker 2: let's go. I'm talking fourth from the shoulder. Turn.

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Speaker 4: Yeah, they got my dad, Dad, cav go they jumping me.

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Speaker 4: I certainly got it.

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Speaker 2: I said, it's just him Dad, it's shut him out there.

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Speaker 2: It's not nobody out.

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00:15:14,480 --> 00:15:19,120
Speaker 4: Ken take him in. He told me go get out,

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00:15:19,200 --> 00:15:24,720
Speaker 4: and I don't get help. Cool you out because they

285
00:15:24,960 --> 00:15:28,040
Speaker 4: jumping me. The guy's friend came out to my dad.

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00:15:28,560 --> 00:15:29,320
Speaker 4: He was fucked up.

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00:15:30,000 --> 00:15:32,200
Speaker 2: My dad wouldn't get off the property, so then the

288
00:15:32,280 --> 00:15:34,880
Speaker 2: guy and his friend just do my dad in the van,

289
00:15:34,920 --> 00:15:37,960
Speaker 2: and my dad was like, we're going back, can give

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00:15:38,040 --> 00:15:39,160
Speaker 2: me get me out of here.

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Speaker 4: I couldn't even drop. My dad was so this combobulated.

292
00:15:41,160 --> 00:15:42,240
Speaker 4: I'm a low kim twelve.

293
00:15:42,480 --> 00:15:44,800
Speaker 2: I can't even drive yet a win if my dad

294
00:15:44,960 --> 00:15:47,960
Speaker 2: was taking off, he drove later he wanted to go back,

295
00:15:48,000 --> 00:15:50,360
Speaker 2: and I was like, Dad, I'm just giving you my

296
00:15:50,480 --> 00:15:52,960
Speaker 2: best opinion. I don't think you should fuck with that guy.

297
00:15:53,080 --> 00:15:55,400
Speaker 2: No more right like he did what he was supposed

298
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Speaker 2: to do. I think the fight should be over, Dad.

299
00:15:57,600 --> 00:15:58,640
Speaker 2: It was nobody else.

300
00:15:59,200 --> 00:15:59,440
Speaker 8: Let it.

301
00:15:59,680 --> 00:16:00,160
Speaker 4: Let it go.

302
00:16:01,120 --> 00:16:03,400
Speaker 2: My dad took a loss, but it showed me the

303
00:16:03,520 --> 00:16:06,440
Speaker 2: lesson than that, you don't need to fight everybody.

304
00:16:07,000 --> 00:16:10,480
Speaker 4: Oh no, you gotta choose wisely.

305
00:16:10,760 --> 00:16:14,080
Speaker 2: Some people, I think from a visual from a visual perspective,

306
00:16:14,160 --> 00:16:16,920
Speaker 2: give you the answers and information you need. The guy's

307
00:16:16,960 --> 00:16:20,400
Speaker 2: shoulders rolled in. I've never seen the guy show. I

308
00:16:20,560 --> 00:16:25,960
Speaker 2: show you a flip side story. You never seen the nigga.

309
00:16:26,280 --> 00:16:33,880
Speaker 4: We showed him this winter like class yea, by God,

310
00:16:34,000 --> 00:16:35,160
Speaker 4: bens up about it. You don't.

311
00:16:35,240 --> 00:16:38,240
Speaker 2: I'm not fighting that nigga like this. No, No, you

312
00:16:38,320 --> 00:16:40,840
Speaker 2: got to think about that is not nothing thing about

313
00:16:41,120 --> 00:16:41,640
Speaker 2: you got it.

314
00:16:42,440 --> 00:16:43,520
Speaker 4: You know. My father was.

315
00:16:44,160 --> 00:16:48,360
Speaker 3: Small guy yo, had a big mouth at thirty, was

316
00:16:48,480 --> 00:16:51,320
Speaker 3: tough and they used to beat the ship out of

317
00:16:51,440 --> 00:16:54,680
Speaker 3: him when I was saying he had an eye jammy

318
00:16:54,920 --> 00:16:58,040
Speaker 3: Christmas two years, they would beat.

319
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Speaker 4: This ship out of it.

320
00:16:59,200 --> 00:17:07,920
Speaker 2: Holiday black eyes a Holidays. One day I could tell

321
00:17:07,920 --> 00:17:11,480
Speaker 2: you my father passed away last year. He kept it

322
00:17:11,680 --> 00:17:15,879
Speaker 2: real till the last Yo, my father kept it.

323
00:17:16,160 --> 00:17:18,920
Speaker 3: My father real nigg He kept it all the way

324
00:17:19,040 --> 00:17:21,359
Speaker 3: one hundred dying in the hostice.

325
00:17:22,040 --> 00:17:24,679
Speaker 4: He was the same Niggause you remind me of him

326
00:17:24,720 --> 00:17:28,480
Speaker 4: a lot. He was like, whatever he's saying, what does

327
00:17:28,520 --> 00:17:31,399
Speaker 4: that mean? What do you mean by that? He's a

328
00:17:31,480 --> 00:17:34,680
Speaker 4: stubborn motherfucker. Okay, father is the same way.

329
00:17:35,200 --> 00:17:38,160
Speaker 3: So my father would go if he thinks it's the truth,

330
00:17:38,560 --> 00:17:44,080
Speaker 3: he gonna say, okay, okay, my father, my father's sisters

331
00:17:45,080 --> 00:17:49,880
Speaker 3: okay would be throwing like sweet sixteens for my cousins.

332
00:17:50,440 --> 00:17:54,480
Speaker 3: They would come behind my father's back, his blood and

333
00:17:54,640 --> 00:17:58,320
Speaker 3: give my mother the invitation to be like, please don't

334
00:17:58,359 --> 00:18:02,159
Speaker 3: bring her nest stuff, don't bring my brother, no, what

335
00:18:02,440 --> 00:18:02,920
Speaker 3: the kids.

336
00:18:03,040 --> 00:18:05,000
Speaker 4: We don't want you, We don't want the family.

337
00:18:04,760 --> 00:18:09,560
Speaker 3: Behind the back, uninvite that nigga walks invites now, come

338
00:18:09,720 --> 00:18:12,800
Speaker 3: up in there with a sky blue chuck seato with

339
00:18:13,040 --> 00:18:18,840
Speaker 3: ruffles and ship. Nigga bomb his whole Your mother's there.

340
00:18:19,280 --> 00:18:23,480
Speaker 3: Oh no, she fucked everything. Okay, they was bounding this

341
00:18:23,720 --> 00:18:29,920
Speaker 3: nigga out. Okay, every sweet six Steve family. Yes, yes,

342
00:18:32,240 --> 00:18:37,000
Speaker 3: so the steps a nephews, brother in law's nigga was

343
00:18:37,080 --> 00:18:45,920
Speaker 3: coming in there. You're wrong and everybody knows it. O,

344
00:18:46,440 --> 00:18:51,879
Speaker 3: my old you don't understand the kid and keep it

345
00:18:52,000 --> 00:18:52,600
Speaker 3: too real.

346
00:18:53,359 --> 00:18:56,840
Speaker 7: He kept it like I swear to you, in this

347
00:18:57,119 --> 00:19:01,480
Speaker 7: last moment that he was dying, it's nowhere to go.

348
00:19:02,280 --> 00:19:05,040
Speaker 7: That nigga kept it all the way to the end,

349
00:19:05,720 --> 00:19:07,800
Speaker 7: popping the mass ship the niggas.

350
00:19:08,200 --> 00:19:10,040
Speaker 4: He didn't give it your fuck all like this.

351
00:19:10,200 --> 00:19:12,960
Speaker 3: I'm just looking at him dying, kissing him in his

352
00:19:13,160 --> 00:19:16,040
Speaker 3: boy head. He was still sending me the hell while

353
00:19:16,080 --> 00:19:20,640
Speaker 3: he was Fuck you, Joey, you brought me here, Dad?

354
00:19:20,800 --> 00:19:22,879
Speaker 3: You dying, my nigga, Fuck you.

355
00:19:23,160 --> 00:19:24,399
Speaker 4: You should have. It's a lot.

356
00:19:24,480 --> 00:19:26,280
Speaker 2: I think we gotta unpack a lot of this crack

357
00:19:26,320 --> 00:19:28,000
Speaker 2: because this is where a lot of the damage is

358
00:19:28,040 --> 00:19:31,920
Speaker 2: coming from. Man like a family, a family that's women

359
00:19:32,040 --> 00:19:34,119
Speaker 2: family has every holidays ship like that.

360
00:19:34,560 --> 00:19:38,280
Speaker 4: You're carrying that baggage cracked. We got a man, this man,

361
00:19:39,880 --> 00:19:42,719
Speaker 4: we don't talk about this enough. Killing me man, they

362
00:19:42,880 --> 00:19:45,359
Speaker 4: go to bed. We don't talk about the going a

363
00:19:45,440 --> 00:19:46,800
Speaker 4: man with legid derry.

364
00:19:50,800 --> 00:19:53,040
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393
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Speaker 4: Listen. He goes like this, I'll buy him in my

394
00:21:21,480 --> 00:21:23,320
Speaker 4: mother house in Miami.

395
00:21:24,600 --> 00:21:27,040
Speaker 3: They would not move out the projects. My mother and

396
00:21:27,160 --> 00:21:29,560
Speaker 3: father would not move out the projects. Fat Joe was

397
00:21:29,720 --> 00:21:33,840
Speaker 3: performing New Year's EA's MTV with j Lo and they

398
00:21:33,880 --> 00:21:37,600
Speaker 3: were in the projects and they refuse the fucking move.

399
00:21:37,720 --> 00:21:40,040
Speaker 4: They would not move out of five B my niggla.

400
00:21:40,440 --> 00:21:44,679
Speaker 3: So I Finally Steve Rifkin tells me, Yo, your parents

401
00:21:44,800 --> 00:21:47,240
Speaker 3: is in the to He said, Yo, MI'SI co find

402
00:21:47,280 --> 00:21:49,240
Speaker 3: my house to Florida and to make if I made

403
00:21:49,320 --> 00:21:51,399
Speaker 3: some shit up, they move. I told my mother they

404
00:21:51,480 --> 00:21:55,399
Speaker 3: want to kill me. You gotta come so she can't. No,

405
00:21:55,560 --> 00:21:57,399
Speaker 3: that's raal the only way to get him off. She

406
00:21:57,440 --> 00:22:02,400
Speaker 3: would move really crack. You gotta get out by They're

407
00:22:02,440 --> 00:22:05,399
Speaker 3: gonna kill me if I keep coming back here. They

408
00:22:05,440 --> 00:22:10,000
Speaker 3: have whatever they moved there. When they moved there, my

409
00:22:10,200 --> 00:22:13,960
Speaker 3: whole family. I'm half Cuban. This shit looked like a festival.

410
00:22:14,280 --> 00:22:16,879
Speaker 3: It's like a million people in the house the first day,

411
00:22:17,080 --> 00:22:21,120
Speaker 3: second day, all my cousins ain't sy. About a month later,

412
00:22:22,920 --> 00:22:26,080
Speaker 3: this ship was a cemetery. Nobody in there, no cousin,

413
00:22:26,200 --> 00:22:29,760
Speaker 3: no arts, no thiss So I'm like, Poppy, where's everybody else?

414
00:22:29,840 --> 00:22:30,240
Speaker 4: Anybody?

415
00:22:30,440 --> 00:22:34,080
Speaker 3: I told him his white sucks stick. I told him

416
00:22:34,119 --> 00:22:37,679
Speaker 3: his mother was a who this? And I'm like, yo, Poppy,

417
00:22:37,800 --> 00:22:43,040
Speaker 3: but why this is why the house was crowded, your calf?

418
00:22:43,600 --> 00:22:50,160
Speaker 10: The house was jam pat. I can't no, your calf.

419
00:22:50,680 --> 00:22:54,119
Speaker 10: The house was packed. But it goes dark so fast

420
00:22:54,400 --> 00:22:55,479
Speaker 10: and there's no warm up.

421
00:22:55,720 --> 00:22:55,800
Speaker 12: Yo.

422
00:22:55,920 --> 00:23:01,119
Speaker 4: This bobby wat mother suck stick? Who jet wait we

423
00:23:01,320 --> 00:23:04,040
Speaker 4: go shake? Come he come from back here?

424
00:23:04,280 --> 00:23:04,440
Speaker 2: Life?

425
00:23:04,480 --> 00:23:04,600
Speaker 12: Yo?

426
00:23:04,800 --> 00:23:08,959
Speaker 3: Everybody was so happy that deal moved to Miami. Niggas

427
00:23:09,040 --> 00:23:12,600
Speaker 3: never came again. Every Christmas and everything was me and

428
00:23:12,680 --> 00:23:16,280
Speaker 3: the Bodiachi. I would my father liked them. I would

429
00:23:16,359 --> 00:23:18,800
Speaker 3: wrink the Madi Yazi niggas say, come up here.

430
00:23:21,400 --> 00:23:27,960
Speaker 4: That shit I said. He got rid everybody. You know,

431
00:23:28,040 --> 00:23:28,479
Speaker 4: That's one thing.

432
00:23:28,600 --> 00:23:30,159
Speaker 2: That's one thing I never had to keep it in

433
00:23:30,240 --> 00:23:32,879
Speaker 2: real goes wrong. I don't do the house thing. I

434
00:23:32,960 --> 00:23:36,240
Speaker 2: never got to buy my mom the house or to

435
00:23:36,359 --> 00:23:38,280
Speaker 2: do any of that ship. That's the one thing I

436
00:23:38,359 --> 00:23:40,000
Speaker 2: wish that I would have got today. Let me tell

437
00:23:40,000 --> 00:23:43,600
Speaker 2: you I never had that. I went through tax problems

438
00:23:44,040 --> 00:23:47,440
Speaker 2: where they took all my money. Yeah, and the one

439
00:23:47,520 --> 00:23:53,119
Speaker 2: thing I told them is take it off. You're not

440
00:23:53,240 --> 00:23:54,400
Speaker 2: taking my mother's house.

441
00:23:54,520 --> 00:23:54,680
Speaker 1: Yeah.

442
00:23:55,080 --> 00:23:56,760
Speaker 4: Yeah. My mother's house was.

443
00:23:56,800 --> 00:24:00,800
Speaker 3: A regular house, half a million dollar house, and I

444
00:24:00,840 --> 00:24:03,160
Speaker 3: would pull up and feel like it was a palace

445
00:24:03,240 --> 00:24:03,880
Speaker 3: in Dubis.

446
00:24:04,359 --> 00:24:07,480
Speaker 4: I was so proud, sit absolutely, I mean looking like

447
00:24:09,440 --> 00:24:10,240
Speaker 4: on my own outs.

448
00:24:11,080 --> 00:24:15,800
Speaker 3: See what I'm saying. Father was a gold fighting citizen

449
00:24:16,160 --> 00:24:18,720
Speaker 3: and your mother was smart enough to get the fuck up.

450
00:24:18,640 --> 00:24:19,000
Speaker 2: Out of it.

451
00:24:19,400 --> 00:24:22,359
Speaker 3: These guys want to be in the number spot, the bullshit,

452
00:24:22,840 --> 00:24:28,000
Speaker 3: playing dominoes, pop this ship, starting fights, towards the Hey,

453
00:24:28,200 --> 00:24:31,520
Speaker 3: he got a pass, that's not Joe to different up there,

454
00:24:32,000 --> 00:24:34,760
Speaker 3: that's not Joe and money beer's box, don't beat them up.

455
00:24:35,119 --> 00:24:39,240
Speaker 4: Towards the last the last fifteen years, he was nigga

456
00:24:39,320 --> 00:24:41,600
Speaker 4: shoe runner than the being the up they're like.

457
00:24:41,840 --> 00:24:44,680
Speaker 3: But when I was young and I couldn't do nothing,

458
00:24:45,160 --> 00:24:48,120
Speaker 3: I watched some fun a lot.

459
00:24:49,000 --> 00:24:50,840
Speaker 4: I'm right there with you. I can share that.

460
00:24:51,119 --> 00:24:53,280
Speaker 2: Look, how about my dad out it's kind of weird

461
00:24:53,440 --> 00:24:56,240
Speaker 2: like my dad. My dad is the parent that didn't

462
00:24:56,240 --> 00:24:59,159
Speaker 2: really deserve ship like my dad was. My dad was

463
00:24:59,359 --> 00:25:03,920
Speaker 2: called by the d My dad didn't really deserve the

464
00:25:04,080 --> 00:25:07,680
Speaker 2: life that I gave him. Like the nigga, I let

465
00:25:07,720 --> 00:25:08,520
Speaker 2: my dad get law.

466
00:25:08,680 --> 00:25:12,960
Speaker 3: I never dad, howse got him trucks my dad monthly allowance.

467
00:25:13,600 --> 00:25:15,639
Speaker 4: And my dad is the parent that shouldn't have got it.

468
00:25:15,720 --> 00:25:18,760
Speaker 4: It shouldn't have got shit. I love she got that.

469
00:25:19,520 --> 00:25:22,600
Speaker 3: Let me let me tell you something. One day, I mean,

470
00:25:22,840 --> 00:25:27,840
Speaker 3: I'm in Puerto Rico, so called Melo Anthony. He builds

471
00:25:27,920 --> 00:25:32,920
Speaker 3: this courtas Yeah for Puerto Rico. I'm out there with

472
00:25:33,080 --> 00:25:37,760
Speaker 3: him and we in the club popping niggas, reggaeton. Whatever

473
00:25:38,280 --> 00:25:44,240
Speaker 3: he looks at he's fuck this nigg no reason, production,

474
00:25:45,880 --> 00:25:48,679
Speaker 3: for no reason, no reason, production, don't mellow, what's up?

475
00:25:48,800 --> 00:25:54,120
Speaker 3: I'm right next to fuck this motherfuck us. My dad,

476
00:25:55,680 --> 00:25:59,160
Speaker 3: my mom's was a decent woman. He looked like these

477
00:25:59,320 --> 00:26:00,640
Speaker 3: niggas with the long hit.

478
00:26:00,960 --> 00:26:01,120
Speaker 4: Noah.

479
00:26:01,960 --> 00:26:06,040
Speaker 3: He mad at his father for meet this lother. I said, bro,

480
00:26:06,280 --> 00:26:10,080
Speaker 3: you wouldn't be every nah smooth your nigga. I could

481
00:26:10,160 --> 00:26:13,080
Speaker 3: see it now. He got my warms with such a

482
00:26:13,359 --> 00:26:14,080
Speaker 3: nice lady.

483
00:26:14,720 --> 00:26:17,520
Speaker 4: He was, I all got. That was a liquor. That

484
00:26:17,640 --> 00:26:22,080
Speaker 4: was a liquor. The liquors mellow. I know exactly about you.

485
00:26:24,040 --> 00:26:29,200
Speaker 2: Rum, just as good stocked, half mellow, sautly mellow saw it.

486
00:26:29,280 --> 00:26:31,160
Speaker 2: He saw a doe with a good hair and started

487
00:26:31,359 --> 00:26:37,560
Speaker 2: the nigga. Yeah yeah, I said, I said, your mellow.

488
00:26:37,600 --> 00:26:40,399
Speaker 2: You wouldn't be if it wasn't for your fault. He

489
00:26:40,600 --> 00:26:44,440
Speaker 2: was like, yeah, crack, But you know my mom's decently.

490
00:26:45,040 --> 00:26:47,600
Speaker 2: I said, rum punch, you called it, just called it

491
00:26:47,840 --> 00:26:51,600
Speaker 2: the Puerto Rican rum. And you know the old movie.

492
00:26:52,280 --> 00:26:55,080
Speaker 4: Yes, sir, tell us about two hours, tell us about

493
00:26:55,119 --> 00:26:55,760
Speaker 4: it a little bit.

494
00:26:56,240 --> 00:26:59,960
Speaker 2: Seventy two hours. Uh, drop it on Netflix July twenty,

495
00:27:00,080 --> 00:27:04,520
Speaker 2: for no doubt. Great project, hard r hard rated ar comedy.

496
00:27:05,160 --> 00:27:07,320
Speaker 2: Wanted to do something a little different, one of the

497
00:27:07,400 --> 00:27:10,800
Speaker 2: go hard r The world needs it. It's good to

498
00:27:10,920 --> 00:27:14,320
Speaker 2: get comedy back to a place of uncomfortable so we

499
00:27:14,359 --> 00:27:15,240
Speaker 2: can get comfortable.

500
00:27:16,600 --> 00:27:18,480
Speaker 4: A lot of new cats that I wanted to put on.

501
00:27:18,800 --> 00:27:22,359
Speaker 2: What the movies about, Well, the movie's about an older

502
00:27:22,440 --> 00:27:24,840
Speaker 2: guy trying to connect with the younger generation to keep

503
00:27:24,920 --> 00:27:29,400
Speaker 2: his job. I'm an older guy losing my basic place

504
00:27:29,480 --> 00:27:32,760
Speaker 2: in advertising sales. They feel because I got to disconnect

505
00:27:32,800 --> 00:27:35,719
Speaker 2: with this generation. So to get a connection, I decide

506
00:27:35,760 --> 00:27:38,080
Speaker 2: to go on a bachelor party with these younger guys.

507
00:27:38,560 --> 00:27:42,119
Speaker 2: And a bachelor party ends up becoming a world of

508
00:27:42,160 --> 00:27:43,960
Speaker 2: shit that I had no idea that I would be in.

509
00:27:44,960 --> 00:27:49,240
Speaker 4: But it's very it's very grounded within how it happens.

510
00:27:49,280 --> 00:27:52,280
Speaker 2: Like you're not looking at a crazy concept, be like

511
00:27:52,359 --> 00:27:55,679
Speaker 2: how what like the labs keep coming, but it's very

512
00:27:55,840 --> 00:27:58,520
Speaker 2: believable and why. And I think as an older guy

513
00:27:58,600 --> 00:28:01,240
Speaker 2: today looking at how these younger kids are moving.

514
00:28:01,080 --> 00:28:02,520
Speaker 4: And all the shit that we don't understand.

515
00:28:03,040 --> 00:28:04,960
Speaker 2: You don't get what they're doing and how they're doing it,

516
00:28:05,920 --> 00:28:09,439
Speaker 2: losing connection with the way that they're the influencer influencers

517
00:28:09,480 --> 00:28:12,280
Speaker 2: and the social media and the words. It's a lot

518
00:28:12,359 --> 00:28:14,560
Speaker 2: going on right now. Trying to keep up with it

519
00:28:14,680 --> 00:28:17,080
Speaker 2: is a job within itself. I decided to bring into

520
00:28:17,119 --> 00:28:19,600
Speaker 2: life through a movie seventy two hours. A lot of

521
00:28:19,640 --> 00:28:23,400
Speaker 2: the newcatso Essen now. Shout out to Marcello, cam Patterson,

522
00:28:23,600 --> 00:28:28,560
Speaker 2: Ben Mason who's in it as well. New talent, old talent,

523
00:28:28,880 --> 00:28:32,160
Speaker 2: a lot of strong cameos. The movie delivers, by the way.

524
00:28:32,160 --> 00:28:34,360
Speaker 2: I don't miss, no doubt, I don't fucking miss. It's

525
00:28:34,359 --> 00:28:36,000
Speaker 2: a funny movie. I don't fucking miss.

526
00:28:36,080 --> 00:28:38,480
Speaker 4: I'm not gonna give you nothing that that isn't what

527
00:28:38,600 --> 00:28:42,240
Speaker 4: I said. We're saying that. I don't did you call

528
00:28:42,360 --> 00:28:45,640
Speaker 4: yourself to about deal lava? Somebody gave you the all.

529
00:28:48,280 --> 00:28:50,800
Speaker 11: Been around for a while. It's been in my family

530
00:28:50,880 --> 00:28:54,360
Speaker 11: for a minute. I said, you don't under said was understood.

531
00:28:54,400 --> 00:28:56,640
Speaker 11: Don't need to be said in my family because understood

532
00:28:56,680 --> 00:28:59,200
Speaker 11: doesn't need to be said. Oh my god, I'm a

533
00:28:59,280 --> 00:29:01,760
Speaker 11: strong belief. But oh, thank you.

534
00:29:02,840 --> 00:29:06,560
Speaker 4: I appreciate that. Thank you. Double toes. He got his

535
00:29:06,680 --> 00:29:10,160
Speaker 4: old tequila. Yeah, I got that. Used to me case

536
00:29:10,960 --> 00:29:12,800
Speaker 4: Why do you say used to did you ask for

537
00:29:12,880 --> 00:29:15,960
Speaker 4: case standing and sing to you? I really didn't understand

538
00:29:16,720 --> 00:29:18,440
Speaker 4: where we win wrong. I don't want to. I don't

539
00:29:18,480 --> 00:29:22,120
Speaker 4: want to fuck up your sponsors. That's cousin, cousin. He's

540
00:29:22,160 --> 00:29:25,600
Speaker 4: still around. Yeah, cousin, he's still take it away. I

541
00:29:25,640 --> 00:29:27,120
Speaker 4: didn't take him bout it. I did to think about

542
00:29:27,120 --> 00:29:28,000
Speaker 4: it because he's still around.

543
00:29:28,160 --> 00:29:29,600
Speaker 2: But I get it, and I see if you guys

544
00:29:29,640 --> 00:29:31,160
Speaker 2: have sponsors, so I'm not gonna let you fuck up

545
00:29:31,160 --> 00:29:34,840
Speaker 2: your sponsorship on a personal can't buck my gifts.

546
00:29:34,960 --> 00:29:37,200
Speaker 4: I'm instead a personal style. Yeah, you want to stay

547
00:29:37,240 --> 00:29:39,160
Speaker 4: used to stuff. See, the business is always gonna get

548
00:29:39,160 --> 00:29:41,920
Speaker 4: his best. I'm never gonna block the business here. I'm

549
00:29:41,960 --> 00:29:44,200
Speaker 4: never doing that. But as a prod I can send

550
00:29:44,200 --> 00:29:47,720
Speaker 4: you something from me to you. You're a fucking businessman. Businessman.

551
00:29:47,840 --> 00:29:50,280
Speaker 4: We got a toast to seventy two hours. He's everybody

552
00:29:50,560 --> 00:29:51,440
Speaker 4: is another one out of.

553
00:29:51,480 --> 00:29:55,280
Speaker 2: The park seventy two hours. A big toe seventy two hours.

554
00:29:55,480 --> 00:29:58,800
Speaker 2: July twenty fourth, another toes showing Jade in the podcast

555
00:29:59,200 --> 00:30:02,760
Speaker 2: George Strong a Biggert toast to the business they're creating,

556
00:30:03,080 --> 00:30:05,800
Speaker 2: the partnerships that they're expanding on and the world of

557
00:30:05,920 --> 00:30:08,640
Speaker 2: goddamn I understanding the relatability that comes with them.

558
00:30:09,200 --> 00:30:11,400
Speaker 4: If you're not fucking with them. You should. The show's

559
00:30:11,440 --> 00:30:12,840
Speaker 4: only getting bigger hits.

560
00:30:13,040 --> 00:30:15,720
Speaker 2: Myself and other guests are coming because we need to,

561
00:30:16,040 --> 00:30:18,120
Speaker 2: because it's about embracing the coachure, and those are the

562
00:30:18,160 --> 00:30:18,800
Speaker 2: brazing correctly.

563
00:30:18,960 --> 00:30:21,880
Speaker 4: One more toast for fanatics fast we did on job

564
00:30:21,960 --> 00:30:26,520
Speaker 4: there you go look at that? How yeah? You see?

565
00:30:26,600 --> 00:30:27,040
Speaker 3: Like whoa.

566
00:30:27,400 --> 00:30:30,080
Speaker 2: I don't know what they're drinking, but not assetain. The

567
00:30:30,160 --> 00:30:32,480
Speaker 2: good thing is like this shit like match. The good

568
00:30:32,520 --> 00:30:34,520
Speaker 2: thing about what I'm drinking is just I don't know.

569
00:30:34,600 --> 00:30:36,920
Speaker 2: And this isn't a commercial for me, but I just

570
00:30:37,040 --> 00:30:38,840
Speaker 2: like to I like to kill, to be smooth. I

571
00:30:38,960 --> 00:30:40,800
Speaker 2: like to feel like my tequila is different. I like

572
00:30:40,880 --> 00:30:43,280
Speaker 2: to feel like, you know, it's something that's soft on

573
00:30:43,360 --> 00:30:46,360
Speaker 2: your palett And I guess I've represents just doing amazing

574
00:30:46,440 --> 00:30:48,600
Speaker 2: things and people are responding, which is why we're up

575
00:30:48,640 --> 00:30:53,040
Speaker 2: sixty percent. H Grand Cormino, work talk slow for all

576
00:30:53,160 --> 00:30:56,040
Speaker 2: work tastes different guys. It's all about embracing yours. Let

577
00:30:56,080 --> 00:31:00,640
Speaker 2: me explain, celebrate your hardwork correctly. You walk in the

578
00:31:00,800 --> 00:31:06,120
Speaker 2: lady's saying all your guest is hit. I said, no ship,

579
00:31:06,200 --> 00:31:09,440
Speaker 2: I thought Obama walked in. You walk in with a

580
00:31:09,560 --> 00:31:13,479
Speaker 2: whole crew. I team, You got a fucking posta te man,

581
00:31:13,520 --> 00:31:15,640
Speaker 2: got a team, a lot of people around me. But

582
00:31:15,680 --> 00:31:18,080
Speaker 2: they all they all got shipped to do and they

583
00:31:18,120 --> 00:31:20,560
Speaker 2: get real, they get real, grammy and fanatic place.

584
00:31:20,600 --> 00:31:21,280
Speaker 4: You know, I'm small.

585
00:31:22,000 --> 00:31:24,440
Speaker 2: So the comedians people feel like they know the comics.

586
00:31:24,480 --> 00:31:27,600
Speaker 2: They well, how do you manage to have muscles? And

587
00:31:27,720 --> 00:31:30,200
Speaker 2: when you work so hard? Or you gotta you gotta

588
00:31:30,440 --> 00:31:31,280
Speaker 2: know that's hard.

589
00:31:31,440 --> 00:31:33,640
Speaker 4: Work out regimen is me. You gotta what are you

590
00:31:33,760 --> 00:31:39,160
Speaker 4: do every day? Every day? What every day? Turkey? Every day?

591
00:31:40,840 --> 00:31:45,400
Speaker 4: Every day? No days off? Day get busy, no days off,

592
00:31:45,480 --> 00:31:48,640
Speaker 4: it's busy. Shouts out to boss Buss has been you

593
00:31:48,720 --> 00:31:51,240
Speaker 4: know what you call like that because you're illusion of

594
00:31:51,880 --> 00:31:53,920
Speaker 4: even more high. No, that's not an illusion, that's what

595
00:31:53,960 --> 00:31:56,840
Speaker 4: it is. That's not an illusion. We're not we're not

596
00:31:56,960 --> 00:31:57,440
Speaker 4: in a space.

597
00:31:58,640 --> 00:32:02,520
Speaker 3: You got to ask me yesterday Nigga's check five seven

598
00:32:02,680 --> 00:32:04,640
Speaker 3: handling out, he said, wait a minute, wait a minute,

599
00:32:05,000 --> 00:32:08,480
Speaker 3: five eight, the Nigga barcellof myself right, yeah, man, he

600
00:32:08,600 --> 00:32:11,000
Speaker 3: brought it. He was funny as fuck.

601
00:32:11,120 --> 00:32:14,360
Speaker 2: It was fun Coastar hurt my co star starting in

602
00:32:14,520 --> 00:32:16,280
Speaker 2: seventy two hours of Men as well I was.

603
00:32:16,320 --> 00:32:18,120
Speaker 3: Shout out to myself, you can crush to ask me

604
00:32:18,320 --> 00:32:22,800
Speaker 3: just today. Crush to ask me just today, y'all minduker,

605
00:32:22,880 --> 00:32:26,200
Speaker 3: what's up? Gal said, you know that Philly sick?

606
00:32:26,360 --> 00:32:28,160
Speaker 4: You know that you know that's what it is.

607
00:32:28,240 --> 00:32:31,480
Speaker 14: I used to Joe and Jada show dot time we

608
00:32:31,640 --> 00:32:35,440
Speaker 14: got new merch fresh off the presents. Go get it

609
00:32:35,720 --> 00:32:40,880
Speaker 14: big out of Big Joe and Jaden's show dot time.

610
00:32:41,000 --> 00:32:43,880
Speaker 4: You can get the little cold for a T shirt

611
00:32:43,960 --> 00:32:45,760
Speaker 4: willow hoodie that it's my favorite.

612
00:32:45,840 --> 00:32:48,920
Speaker 2: Right there, I need an extra large showing jadenshow dot

613
00:32:49,000 --> 00:32:50,200
Speaker 2: com go there and get it.

614
00:32:55,560 --> 00:32:58,760
Speaker 4: Listen, let me tell you something. Is there any fear

615
00:32:59,560 --> 00:33:01,120
Speaker 4: have you hit the point of.

616
00:33:02,720 --> 00:33:07,920
Speaker 3: You're soul cakeed up that it's impossible for you that

617
00:33:08,880 --> 00:33:13,480
Speaker 3: ever go bro? Because the reason why I'm asking is

618
00:33:13,600 --> 00:33:15,880
Speaker 3: when I see a man worked as hard as you,

619
00:33:17,160 --> 00:33:22,120
Speaker 3: it gives me he wanted to secure, he want to

620
00:33:22,200 --> 00:33:25,440
Speaker 3: make sure the bag is beyond.

621
00:33:26,240 --> 00:33:28,720
Speaker 4: Why do they give you he dislikes work. I will

622
00:33:28,800 --> 00:33:29,000
Speaker 4: tell you.

623
00:33:29,400 --> 00:33:32,120
Speaker 2: I will tell you that the boat it's a two

624
00:33:32,280 --> 00:33:35,480
Speaker 2: It's a two prong answer. Hey, I am a workaholic,

625
00:33:36,080 --> 00:33:39,080
Speaker 2: but I enjoy being busy. I enjoy having something to

626
00:33:39,160 --> 00:33:41,680
Speaker 2: do and I think when you look at people on

627
00:33:41,760 --> 00:33:45,640
Speaker 2: the other side of life, people deteriorate when they have

628
00:33:45,880 --> 00:33:49,080
Speaker 2: nothing to energize them as due when you look at

629
00:33:49,160 --> 00:33:53,320
Speaker 2: people's bodies start to form, or you look at people

630
00:33:53,440 --> 00:33:54,120
Speaker 2: get slower.

631
00:33:54,600 --> 00:33:57,920
Speaker 4: You look at motherfucker's minds and they matter, shark, they

632
00:33:58,000 --> 00:33:59,440
Speaker 4: don't have shit to do.

633
00:34:00,200 --> 00:34:02,240
Speaker 2: So the more that you stop interacting, the more that

634
00:34:02,360 --> 00:34:05,680
Speaker 2: you stop engaging, the more that you stop fulfilling that

635
00:34:05,840 --> 00:34:09,840
Speaker 2: source of energy, well you will see it in some

636
00:34:10,120 --> 00:34:11,640
Speaker 2: level shape or form creation.

637
00:34:11,920 --> 00:34:16,120
Speaker 4: You will see it. It's it's impossible to avoid being active,

638
00:34:16,719 --> 00:34:19,400
Speaker 4: is just that. So I like building.

639
00:34:20,320 --> 00:34:22,239
Speaker 2: I like building in real time, and I like the

640
00:34:22,320 --> 00:34:25,600
Speaker 2: idea of building so much that when it's all setting

641
00:34:25,719 --> 00:34:28,640
Speaker 2: done and I'm not here, somebody at some point to go,

642
00:34:29,239 --> 00:34:32,920
Speaker 2: oh yeah, no, that's Kevin Hart's Oh that's the Heart family.

643
00:34:33,760 --> 00:34:35,960
Speaker 4: Oh no, the Heart foundation, the Heart.

644
00:34:36,239 --> 00:34:39,239
Speaker 2: I like the idea of the multiple points feel the

645
00:34:39,320 --> 00:34:41,839
Speaker 2: same way and ship that people can coincider.

646
00:34:42,480 --> 00:34:44,880
Speaker 4: Or I always say, they with me and got a

647
00:34:44,960 --> 00:34:45,800
Speaker 4: pain the fat.

648
00:34:45,719 --> 00:34:49,879
Speaker 3: Motherfucker on a picture, and then three four generations later

649
00:34:49,920 --> 00:34:54,040
Speaker 3: they'd be like, yeah, we eating this. I take the

650
00:34:54,239 --> 00:34:59,760
Speaker 3: fat Joseph the man set it off better. It's like nothing.

651
00:35:00,280 --> 00:35:04,120
Speaker 2: You know what's motivating. I'm gonna tell you what's motivated.

652
00:35:04,840 --> 00:35:09,120
Speaker 2: What do you think the DOVA stain about over Yankee stadiums.

653
00:35:09,160 --> 00:35:11,920
Speaker 2: What do you think the DOVA state. I'ma tell you

654
00:35:11,960 --> 00:35:14,520
Speaker 2: what niggas may not have even realized. You think just

655
00:35:14,640 --> 00:35:18,839
Speaker 2: him performing the show, being big so out. I'm gonna

656
00:35:18,880 --> 00:35:23,960
Speaker 2: tell you the biggest bump. Rock Nation flags were at

657
00:35:24,000 --> 00:35:29,440
Speaker 2: the top of Yankee stadiums, wrapped around the fucking stum.

658
00:35:30,520 --> 00:35:34,120
Speaker 2: I'm gonna stay this again to the audience, not just.

659
00:35:36,080 --> 00:35:41,920
Speaker 3: Rock Nation flags, well at the top of it when

660
00:35:42,160 --> 00:35:43,080
Speaker 3: they were trying to bummer.

661
00:35:43,200 --> 00:35:46,480
Speaker 4: She went out there with a fucking all revenue shocked

662
00:35:46,560 --> 00:35:47,080
Speaker 4: and this ship.

663
00:35:47,239 --> 00:35:51,200
Speaker 2: I don't blame her what you call like this, I

664
00:35:51,239 --> 00:35:54,720
Speaker 2: don't blame her, but I want people to understand Yankee

665
00:35:54,840 --> 00:36:00,239
Speaker 2: stadiums don't promote other brand. Yankee Stadium doesn't know how

666
00:36:00,960 --> 00:36:04,360
Speaker 2: the business of others to fucking have a bigger staple

667
00:36:04,960 --> 00:36:10,880
Speaker 2: on their brand than theirs. To get Yankee Stadium to

668
00:36:11,120 --> 00:36:15,200
Speaker 2: take down the Yankee flag from the top and put

669
00:36:15,440 --> 00:36:21,320
Speaker 2: Rock Nation flags, it will never happen again. No, you

670
00:36:21,440 --> 00:36:26,160
Speaker 2: will never see another artist perform a Yankee stadium that

671
00:36:26,320 --> 00:36:30,600
Speaker 2: has a brand that Yankee Stadium allows to be seen

672
00:36:30,840 --> 00:36:34,600
Speaker 2: from miles away, flying in the fucking head.

673
00:36:35,920 --> 00:36:38,280
Speaker 4: That to me is legacy.

674
00:36:39,080 --> 00:36:43,520
Speaker 2: Back to me is defining moments that separate you from

675
00:36:43,600 --> 00:36:46,840
Speaker 2: the rest. So when I'm thinking about business, when I'm thinking.

676
00:36:46,680 --> 00:36:49,680
Speaker 8: About other things to do, how do I put such

677
00:36:49,719 --> 00:36:55,040
Speaker 8: a fucking bit in the rooms between Kevin Hart did

678
00:36:55,800 --> 00:36:57,359
Speaker 8: and what others could or care.

679
00:36:58,360 --> 00:37:00,200
Speaker 2: You can only do that when you just keep your

680
00:37:00,200 --> 00:37:02,680
Speaker 2: foot on the gas. We got your foot on the

681
00:37:02,719 --> 00:37:07,239
Speaker 2: fucking gas. The shit that comes opportunities for years, I

682
00:37:07,360 --> 00:37:09,719
Speaker 2: feel like I'm busy. The fact that and I work

683
00:37:09,800 --> 00:37:12,439
Speaker 2: every day. Right after this, I got a concert. Yeah,

684
00:37:12,719 --> 00:37:16,239
Speaker 2: And I looked at you when you're the definition of busy. Yeah,

685
00:37:16,600 --> 00:37:19,040
Speaker 2: I just say, yo, this guy's working all the time.

686
00:37:19,840 --> 00:37:23,399
Speaker 3: The biggest, the biggest thing for me from the jay

687
00:37:23,560 --> 00:37:31,560
Speaker 3: Z Show was that the people, the fans, understood the assignment.

688
00:37:32,480 --> 00:37:33,360
Speaker 4: What happened is.

689
00:37:33,840 --> 00:37:37,320
Speaker 3: Imagine how crazy it would have been, like a Travis

690
00:37:37,400 --> 00:37:40,000
Speaker 3: Scott moment, that people would have riot while they were

691
00:37:40,080 --> 00:37:40,640
Speaker 3: waiting on this.

692
00:37:41,239 --> 00:37:45,799
Speaker 4: The people said, you got enough? Fuck, no, we're gonna wait.

693
00:37:45,920 --> 00:37:49,400
Speaker 4: We can't fuck this up, Look we can't. That was

694
00:37:49,520 --> 00:37:50,719
Speaker 4: the biggest ship for me.

695
00:37:51,440 --> 00:37:55,000
Speaker 11: Sixty thousand, eighty thousand people saying we're gonna stink, We're

696
00:37:55,040 --> 00:37:56,920
Speaker 11: gonna wait and fuck it.

697
00:37:57,840 --> 00:38:03,000
Speaker 2: I just want to highlight the business, the brand, but

698
00:38:03,640 --> 00:38:09,760
Speaker 2: also you Got you Got one rapper man Hol didn't

699
00:38:09,800 --> 00:38:13,960
Speaker 2: promote or market anybody else coming. It's not marketing as

700
00:38:14,000 --> 00:38:15,560
Speaker 2: you're going to see the best of the best coming

701
00:38:15,560 --> 00:38:17,640
Speaker 2: shit as great as the ball time Brother, you Got

702
00:38:17,760 --> 00:38:18,400
Speaker 2: you Got, You.

703
00:38:18,520 --> 00:38:23,200
Speaker 4: Had it marketed as Hope is doing Yankee Stadium. Whether

704
00:38:23,280 --> 00:38:25,560
Speaker 4: you are a fan or not, your personal business.

705
00:38:26,239 --> 00:38:32,640
Speaker 2: I'm speaking from the concept of one rapper going on

706
00:38:32,840 --> 00:38:37,799
Speaker 2: stage with one microphone, singing the album from thirty years

707
00:38:37,880 --> 00:38:42,520
Speaker 2: ago to eleven, fifteen to eight to current and doing

708
00:38:42,560 --> 00:38:45,200
Speaker 2: over the course of three nights, and over the course

709
00:38:45,280 --> 00:38:48,920
Speaker 2: of three nights, I'm surprising you. And then on last

710
00:38:49,160 --> 00:38:52,800
Speaker 2: on the last night, there's a delay. We get a delay,

711
00:38:53,520 --> 00:38:58,600
Speaker 2: there's a casualty. The casualties handled in over four hours.

712
00:38:59,560 --> 00:39:02,840
Speaker 2: Over four hours, people stood outside the stadium and waited

713
00:39:02,920 --> 00:39:04,760
Speaker 2: because nobody accepted.

714
00:39:04,440 --> 00:39:07,759
Speaker 4: Defeat and believing that the show is not gonna happen. Wow,

715
00:39:08,360 --> 00:39:09,920
Speaker 4: I understand that. For a second.

716
00:39:10,840 --> 00:39:15,440
Speaker 2: Van stood outside and said, no, impossible. You know what,

717
00:39:15,560 --> 00:39:16,440
Speaker 2: somebody's coming out.

718
00:39:16,560 --> 00:39:20,120
Speaker 3: You know what's Mike with the fame that night, sharif

719
00:39:20,320 --> 00:39:24,880
Speaker 3: you was that, I'm sitting in the rising Tyler Berry's

720
00:39:24,920 --> 00:39:26,080
Speaker 3: damn all the billionaires.

721
00:39:26,560 --> 00:39:28,759
Speaker 4: I'm the only guy with a seat in the rise.

722
00:39:29,520 --> 00:39:42,040
Speaker 4: Yeah oh oh yeah yeah, no row seat. I think

723
00:39:42,080 --> 00:39:44,719
Speaker 4: they have seat. Who was the only guy with the

724
00:39:44,840 --> 00:39:52,239
Speaker 4: seat in the riser? With Tyler Perry and there down?

725
00:39:52,719 --> 00:39:55,560
Speaker 3: Everybody want to sit down? You're standing for five hours,

726
00:39:55,600 --> 00:39:57,240
Speaker 3: so you're saying, could you answer?

727
00:39:57,560 --> 00:39:57,719
Speaker 4: Yes?

728
00:39:57,920 --> 00:40:01,960
Speaker 3: You want to tell me you had only Nigga would

729
00:40:02,000 --> 00:40:07,719
Speaker 3: have see and you let you let jil, let Jail

730
00:40:07,960 --> 00:40:11,640
Speaker 3: stand up. You let that Roes wife, Christy sit down.

731
00:40:11,800 --> 00:40:15,720
Speaker 3: You let Gail can't stand up? No, I let Christy

732
00:40:16,160 --> 00:40:16,640
Speaker 3: sit down?

733
00:40:16,719 --> 00:40:19,600
Speaker 2: Okay, all right, that's a bar and Callum's wife that's

734
00:40:19,600 --> 00:40:20,840
Speaker 2: about sit down on family.

735
00:40:20,920 --> 00:40:22,719
Speaker 4: I get it. That's a bar.

736
00:40:23,239 --> 00:40:25,560
Speaker 3: Said, well, let me tell you something, man, yo, keV

737
00:40:25,680 --> 00:40:29,600
Speaker 3: hart Man, I'm so proud of you, Maggie bro it's

738
00:40:29,719 --> 00:40:30,879
Speaker 3: too many accolades.

739
00:40:31,640 --> 00:40:32,920
Speaker 4: Work hard man, he's.

740
00:40:32,800 --> 00:40:36,040
Speaker 3: A big I thought the roaster was said, Larry is thinking, man,

741
00:40:36,840 --> 00:40:39,640
Speaker 3: But let me ask you a question, right, and if

742
00:40:39,640 --> 00:40:41,759
Speaker 3: you don't want me to put this race, you're good

743
00:40:42,520 --> 00:40:45,200
Speaker 3: when you book these I see Jeff Frost last year

744
00:40:45,440 --> 00:40:48,719
Speaker 3: that when you book these comedians, surely you know that

745
00:40:48,840 --> 00:40:52,200
Speaker 3: guy's a racist and he's gonna say racist jokes.

746
00:40:52,600 --> 00:40:56,160
Speaker 4: Right, You're just like freedom much here's the girl. Here's

747
00:40:56,200 --> 00:40:57,879
Speaker 4: the biggest misconception, man.

748
00:40:58,040 --> 00:41:04,040
Speaker 2: I know people have to understand, right, everybody can label

749
00:41:04,280 --> 00:41:06,600
Speaker 2: someone as whatever you deemed to label the man.

750
00:41:06,880 --> 00:41:07,000
Speaker 8: Right.

751
00:41:08,160 --> 00:41:12,279
Speaker 2: I'm telling you for a fact, who I know within

752
00:41:12,360 --> 00:41:15,080
Speaker 2: the Rose culture is who I want to be a

753
00:41:15,120 --> 00:41:17,759
Speaker 2: part of the Rose culture. It's a very small, knick

754
00:41:17,840 --> 00:41:20,520
Speaker 2: group of people that are willing to participate in roast.

755
00:41:21,239 --> 00:41:25,320
Speaker 2: All of those people that were comedians that participated in Rose.

756
00:41:25,880 --> 00:41:29,360
Speaker 4: Do that crack. There is not There is not a

757
00:41:30,480 --> 00:41:33,160
Speaker 4: knew what he was going to do. It's his humor.

758
00:41:33,280 --> 00:41:35,200
Speaker 4: It's what he does. I do what he was gonna

759
00:41:35,239 --> 00:41:39,880
Speaker 4: do before even or not, by the way, it's a choice,

760
00:41:39,960 --> 00:41:45,920
Speaker 4: and what's the you love it?

761
00:41:46,480 --> 00:41:51,200
Speaker 2: Within the dynamics of a rose everything is not for everyone.

762
00:41:51,480 --> 00:41:54,600
Speaker 4: Jokes are off putting, I get it, and not for you.

763
00:41:55,120 --> 00:41:56,239
Speaker 4: Some jokes not for me.

764
00:41:57,000 --> 00:41:58,920
Speaker 2: I took them all with a grain of salt. They

765
00:41:58,920 --> 00:42:01,839
Speaker 2: have no effect on me. My mother, my dad, dad,

766
00:42:02,000 --> 00:42:06,440
Speaker 2: my dad mom, family career. There was nobody it's it's

767
00:42:06,600 --> 00:42:09,640
Speaker 2: I'm coming at you with whatever I can. People felt

768
00:42:09,640 --> 00:42:11,600
Speaker 2: like some of the jokes were done in distaste. You

769
00:42:11,680 --> 00:42:13,440
Speaker 2: have every right to feel that way. I feel like

770
00:42:13,480 --> 00:42:16,000
Speaker 2: some of them too, But it doesn't change the concept

771
00:42:16,040 --> 00:42:18,400
Speaker 2: of a roast. A roast is going to fit the

772
00:42:18,480 --> 00:42:19,920
Speaker 2: dynamics of a roast.

773
00:42:20,320 --> 00:42:24,839
Speaker 4: That's it. I'm like they have police anybody. It ain't

774
00:42:24,880 --> 00:42:27,680
Speaker 4: a roast, it's something else. Rose me.

775
00:42:27,920 --> 00:42:32,480
Speaker 3: Look it happened to me today when Kevin Hart appeared

776
00:42:32,560 --> 00:42:38,120
Speaker 3: on our show and explained how I exaggerate everything and

777
00:42:38,280 --> 00:42:42,600
Speaker 3: there might be some I did it thirty five percent lives.

778
00:42:42,920 --> 00:42:44,960
Speaker 4: I did it for your AUNTI it took it on

779
00:42:45,120 --> 00:42:48,640
Speaker 4: the chin. It was a roast. But guess what this

780
00:42:48,800 --> 00:42:53,239
Speaker 4: ain't that? That ain't this? Oh thanks so going off?

781
00:42:53,320 --> 00:42:53,840
Speaker 7: You have it R.

782
00:42:53,960 --> 00:42:57,919
Speaker 4: We love you, Mary, love you, We love you. Kevin Hart.