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Speaker 1: And people are like, people start telling me about like

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Speaker 1: Diablo Cody and stuff like she's like an like a writer,

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Speaker 1: director or something.

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Speaker 2: I'm not our engineer coding, Like.

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Speaker 1: That's Diablo, Okay, he's like not the devil, and he's

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Speaker 1: like a Spanish guy. So if we say and then we

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Speaker 1: put his name on some scripts as a joke, frustrating,

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Speaker 1: what up? What Up? What Up? What Up? This Hollywood Handbook,

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Speaker 1: An Insider's guide to kicking button dropping names in the

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Speaker 1: red carpet lineback hallways of this industry we call showbiz.

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Speaker 1: I'm Hayes. I'm here with Sean. We live in Los

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Speaker 1: Angeles and we work there in the entertainment industry, and

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Speaker 1: we talk about how to achieve your own success in

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Speaker 1: that field on this on this podcast Best City in

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Speaker 1: the World.

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Speaker 3: Well, it's Oscar season and they're going to start handing

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Speaker 3: out those awards. Now, we do know some people who

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Speaker 3: are not invited to the ceremony. Hayes and I kind

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Speaker 3: of don't go sometimes because it's just so long.

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Speaker 1: It's gotten really long.

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Speaker 3: And I'm sick of giving speeches. I'm gonna go horse

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Speaker 3: and not be able to shout action on the set.

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Speaker 3: But some people like going to the ceremony and they've

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Speaker 3: asked us for tips on how to get in. And

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Speaker 3: I would say, if you're not invited because you made

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Speaker 3: a hit movie or ten hit movies.

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Speaker 1: Like Me and Hayes each at least minimum.

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Speaker 3: Then you probably are gonna want to be someone's Oscar date.

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Speaker 1: Yes, And what that is It's like someone takes you,

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Speaker 1: either as a friend or romantically to an engagement.

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Speaker 3: Oh. Yes, for people who live in the Midwest and

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Speaker 3: just married, the first person they see. People out here

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Speaker 3: will date sometimes before they get married and will take

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Speaker 3: that date to a function.

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Speaker 1: What when you would maybe go to a square dance

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Speaker 1: or something. We're going then to the the slop line.

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Speaker 1: It would be like the equivalent of asking your neighbor,

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Speaker 1: would you like to wait in the slop line with me?

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Speaker 2: Yeah?

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Speaker 3: If they want to sit with you at the slop

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Speaker 3: line and maybe share an Apple Core or something, that's

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Speaker 3: kind of what. We'll take them to a restaurant, movies, bistro,

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Speaker 3: something nice. Now, how do you get a date like that? Well,

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Speaker 3: a lot of very glamorous women are going to the

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Speaker 3: oscars and have to bring a date for fear of shame.

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Speaker 1: But also a lot of people are sometimes afraid to

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Speaker 1: ask them.

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Speaker 3: Yes, you might think, oh, I could never ask Angelina

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Speaker 3: Joe Lee, I could never ask Anna Faris to go

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Speaker 3: to this big event. She won't want to take me.

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Speaker 3: But you forget everyone's thinking that because everyone's so intimidated

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Speaker 3: by these beautiful, fantastic women that they're nervous and get

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Speaker 3: those butterflies in their bread box and they aren't able

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Speaker 3: to just get up the nerve and ask them. So

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Speaker 3: this segment we call just Oscar already.

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Speaker 1: It's OSK combination of Oscar from Oscars and OSK like

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Speaker 1: talking to someone like.

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Speaker 2: Yeah, yeah uh.

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Speaker 1: And it's a her because this is a show for

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Speaker 1: street men in lesbians. So how do you like, what's

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Speaker 1: the first step? How do you go about osking one

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Speaker 1: of these famous actresses to this big to the biggest

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Speaker 1: party of the year.

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Speaker 3: Sure easy for us to say everyone wants to go

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Speaker 3: with us, yes, But for some people they really got

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Speaker 3: to get up the nerve to Oscar. So I would say,

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Speaker 3: one thing you may want to do is find out

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Speaker 3: where Helen Miron lives, go sabotage her car so that

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Speaker 3: it swerves and smashes into some thing now you're following behind.

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Speaker 3: Maybe it smashes, catches fire. You're there with the extinguisher

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Speaker 3: and you let her out. Now you saved her, and

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Speaker 3: you go, hey, you going.

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Speaker 1: To the Oscars with anyone? Or could I ask you?

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Speaker 1: Right now? She's gonna be charmed. The least she can

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Speaker 1: do is to is to say yes to going with you.

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Speaker 1: And her husband died in the crash, and so that's

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Speaker 1: that's one date out of the way. I guess you

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Speaker 1: need a date. Suddenly she has an extra ticket.

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Speaker 3: And you might say, well, what if something really bad happens,

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Speaker 3: and you know she doesn't survive the crash.

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Speaker 1: Right if she well, if she doesn't survive the crash,

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Speaker 1: then now you're hell and Mirron.

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Speaker 3: So congratulations because you got a bunch of dough very respected,

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Speaker 3: get to be in some movies, and you're going to

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Speaker 3: the Oscars and now someone's gonna have to ask you.

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Speaker 1: Well, like, one obvious way to get a date to

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Speaker 1: the Oscars is marrying Amy Adams. Well, what's a way

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Speaker 1: to go about doing that? I'd say a good first

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Speaker 1: step would be to get in good with her mom.

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Speaker 1: She really trusts her mom a lot, and like her

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Speaker 1: mom might mention you in conversation at some point as

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Speaker 1: someone who would be a good fit for Amy Adams.

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Speaker 3: Women listen to their moms. The mother daughter relationship is sacred,

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Speaker 3: and so you might want to give her mom a

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Speaker 3: real good fox. And if you pound her out just right, man,

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Speaker 3: she ain't gonna be able to keep her mouth.

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Speaker 1: Shut up, busy, She's gonna owe you one big time.

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Speaker 3: Oh yeah, and she's gonna be running her mouth all

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Speaker 3: over town. And don't think that Amy's not gonna get

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Speaker 3: jealous and want a little taste of what that was like.

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Speaker 3: And then at that point when she comes up and

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Speaker 3: says like, can I get that you're gonna want to

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Speaker 3: Oscar to the oscars? First, just Oscar to marry you,

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Speaker 3: and then at the ceremony, you know, just sneak it

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Speaker 3: into your vows. So these are just some really good

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Speaker 3: tips that you can use.

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Speaker 1: And we must have some more or absolutely well.

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Speaker 3: Another cool thing that you might want to do is,

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Speaker 3: you know, you go down the list who gets the

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Speaker 3: most oscars?

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Speaker 1: Merlin Streep. Now you go down the list, and it

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Speaker 1: only really takes one for you to realize that Merlin

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Speaker 1: Streep gets all the oscars, all the time, and so

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Speaker 1: that's the best day to have because you end up

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Speaker 1: carrying the most stuff in your car.

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Speaker 3: So what you're gonna want to do? You know, she's

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Speaker 3: got a lot of oscars.

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Speaker 1: M But where'd all her polish go in her house?

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Speaker 1: M M exactly. Maybe somebody snuck in at night to

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Speaker 1: take her oscar polish away.

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Speaker 3: You're gonna want to get a ring with a very

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Speaker 3: sharp diamond on it, cut a small hole in one

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Speaker 3: of her windows on the ground floor. Then you get

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Speaker 3: a suction cup attached to the window.

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Speaker 1: Pull that circle out.

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Speaker 3: Reach in, unlock the window, lift it, sneak in tippy

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Speaker 3: toe into the polish.

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Speaker 1: Blow some dust into the Oh, of course, blow the

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Speaker 1: dust into the air, and that'll expose the lasers. Step

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Speaker 1: around the lasers.

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Speaker 3: Step around the lasers, go under, over and through any

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Speaker 3: which way you can, and.

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Speaker 1: Go to the polish closet. Combination is six nine. Open

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Speaker 1: it up and just take all the polish that you

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Speaker 1: can carry.

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Speaker 3: Yeah, And then once you get it out, then you

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Speaker 3: follow her to the general store where someone has bought

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Speaker 3: all the polish just recently. Maybe it's you, she says,

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Speaker 3: but I really need that polish today, And you go

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Speaker 3: excuse me, missa, I couldn't help it over here, and

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Speaker 3: you'll predictle meal and then you Oscar if she wants

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Speaker 3: any of your polish, and then you Oscar.

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Speaker 1: To repay you by making you her date two.

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Speaker 3: The Oscar, Thank you, the Oscars. We've got a really

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Speaker 3: great guest today. Yes, he's uh, multi talented man and

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Speaker 3: just a real comics comic.

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Speaker 2: M he likes comics.

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Speaker 3: Yes, most of his stuff is about Dan Klous Chris Ware.

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Speaker 3: His humor is about Chris Ware or Frank Miller.

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Speaker 1: I call him a real graphic novels comic.

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Speaker 3: Yes, he's a graphic novels comic. And he's and I'm

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Speaker 3: in this, you know, I'm a nerd. I'm in a

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Speaker 3: lot of that ship, Alan Moore, have you heard about him?

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Speaker 3: He's he changed Batman changed, Yes, and he and he

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Speaker 3: changed the way we think about cartoon comics and Watchmen

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Speaker 3: and Watchmen too. But oh h, Nick Fune is here

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Speaker 3: on Hollywood Handbook.

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Speaker 1: Hollywood Handbook. That's good. So I said the same thing

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Speaker 1: you've said. He I was like, you can lick me

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Speaker 1: all you want.

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Speaker 3: It doesn't mean I'm gonna actually be your senator for

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Speaker 3: right garbage fucking state. Right, you know, just a name

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Speaker 3: they like, so they write it in, they write it in.

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Speaker 1: They don't realize that. And just because you have paperwork

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Speaker 1: to do, just because you live in California doesn't mean

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Speaker 1: it's like you're you consider it your home.

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Speaker 2: Not at all.

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Speaker 1: Antigua. That's for me. Hey, what up? What up? Welcome

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Speaker 1: to Hollywood Handbook and Insider's Guide to kicking button dropping

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Speaker 1: names in the red carpet lineback hallways of this industry

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Speaker 1: we call showbiz. Really exciting guests today.

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Speaker 3: Man, we really have a guest for sure with you

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Speaker 3: for today.

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Speaker 1: And we're so fired up about having him and we're

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Speaker 1: gonna talk to him. And now he's on the show.

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Speaker 1: Nick Foone is here. He's a stand up comedian. Well,

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Speaker 1: what is it? What does this say? Read this? Cody, Cody,

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Speaker 1: get over here, Cody, look at what you did? Look

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Speaker 1: at this note card? What is that?

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Speaker 3: A guitar player and a stand up comedian? Which one

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Speaker 3: is it?

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Speaker 1: Okay? Nick, I'm so sorry about this.

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Speaker 3: Cody apparently thinks you could be both a guitar player

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Speaker 3: and a stand up We all know that people have

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Speaker 3: to specialize. It's that's like saying that you're frigging Bo Jackson.

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Speaker 2: Actually, that's funny. A lot of people do Hi.

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Speaker 1: By the way, Hi Nick, we say, well, say what up?

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Speaker 1: What up here?

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Speaker 2: And did the guess say that? Or is that just

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Speaker 2: what you get? No, just we're just telling you what

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Speaker 2: we say.

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Speaker 1: Don't be thrown and we don't say Hi.

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Speaker 2: Yeah, so it's funny you say bo Jackson. A lot

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Speaker 2: of people actually call me the bo Jackson a comedy.

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Speaker 1: Why speak on that?

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Speaker 2: I played baseball and I play football. Yeah, not professionally

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Speaker 2: on the side, but during comedy, I you know, because

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Speaker 2: he played baseball and football and I played guitar antel

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Speaker 2: jokes both professionally. Nick, look at you, Yeah, it's a

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Speaker 2: it's a you know, I didn't when it was happening.

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Speaker 2: I didn't even look at I never thought like, oh,

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Speaker 2: I'm like Bo Jackson, you know, because I'm a huge

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Speaker 2: fan of cartoon football, and when I was younger, you know,

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Speaker 2: I played a lot of Techmobile and I was a

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Speaker 2: huge fan of Bo Jackson and Techmobile And in fact,

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Speaker 2: I go on record saying probably one of the best

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Speaker 2: cartoon football players out there.

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Speaker 1: Cartoon football today has gotten so like you see these

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Speaker 1: kids playing in like best buying stuff and it almost

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Speaker 1: looks like real cartoons.

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Speaker 3: Yeah, yes, I yeah, I think that cartoon football has

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Speaker 3: gotten almost too realistic looking and too commercial sort of

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Speaker 3: for me. And I wish I could go back to

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Speaker 3: the old days of Bo Jackson cartoon football.

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Speaker 2: Yeah. Well, they don't make them like they made Bo,

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Speaker 2: you know that. And it's frustrating because when a guy

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Speaker 2: goes down in his prime like that, and you know,

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Speaker 2: Bo Jackson, d bo Jackson got injured, cartoon Bo Jackson,

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Speaker 2: he's still playing as great as he was when he started.

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Speaker 3: He's still as good. You got to blow into the back.

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Speaker 2: Of the cartridge, and you know, he won. I think

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Speaker 2: was it three years ago? It was? And this is

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Speaker 2: an actual record NFL Hall of Fame Best Cartoon Football Player. Yes,

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Speaker 2: I I think that was just it. It is was

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Speaker 2: best cartoon football player. And so that, you know, and.

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Speaker 3: For people good at it, for people who live in

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Speaker 3: sort of the middle of the country who maybe don't

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Speaker 3: know exactly what we mean. On the coast where we

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Speaker 3: have advanced technology, they have almost these virtual reality machines

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Speaker 3: where you can play cartoons falls on them, yes, almost close,

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Speaker 3: But no cigar cartoon game inventor. But yeah, we can

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Speaker 3: play cartoon sports on those football What else do they have?

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Speaker 2: I've seen I think almost every sport. I've a hacky

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Speaker 2: sack one where you can you hackey sack, you can surf.

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Speaker 3: And can you do a wicked jester when you're doing

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Speaker 3: that hockey sack? Oh?

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Speaker 2: Yeah, you can come out both sides. And here's what

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Speaker 2: I noticed about all these all these cartoon games. When

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Speaker 2: you start off you're not good, and then a day

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Speaker 2: or two when you get good, you know, and you

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Speaker 2: see the player kind of grow, and it's like a

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Speaker 2: rookie season, and and you know a lot I've never

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Speaker 2: had a rookie in any of the games that would

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Speaker 2: have won an award like Rated Rookie for Don Russ

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Speaker 2: or Rated Rookie or what was it an what's that

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Speaker 2: other award they give out the Upper deck or tops?

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Speaker 1: Yeah, like the tops player.

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Speaker 2: Yeah, I remember that. I've never had that first year player.

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Speaker 2: You know, for me, it's always second is second day

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Speaker 2: kind of where they really kind of come out and

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Speaker 2: they start learning the rules in which buttons to press,

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Speaker 2: and you know, I'm I'm a huge fan of cartoon football.

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Speaker 2: But then I also love like rod Tidwell. You know

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Speaker 2: rod Tidwell.

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Speaker 1: Ohay, he was in a different kind of.

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Speaker 2: A movie, movies football.

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Speaker 3: And let's talk a little bit about movies football and

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Speaker 3: even movies sports, because you were telling us that you

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Speaker 3: attended the ceremony where I guess mister Cuba Gooding received

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Speaker 3: an award for Best Movies Football man.

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Speaker 2: Yeah, he actually won the best And you know the

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Speaker 2: the catch he did with the one right before he

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Speaker 2: did the backflip. Oh yeah, he he caught that on

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Speaker 2: the sixth take.

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Speaker 1: So he's that good.

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Speaker 2: Yeah. And because you know movies football, it's different because

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Speaker 2: you know, they call it what they call training camp

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Speaker 2: and and and getting what do they call that in football?

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Speaker 2: Where you get bot what do they they elect you

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Speaker 2: to be?

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Speaker 1: Oh?

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Speaker 2: They throwing words out coaching?

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Speaker 3: No, no.

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Speaker 2: When you get drafted, you know, in movies football, the

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Speaker 2: auditions a lot, you know, they call drafting auditioning, and

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Speaker 2: you go out and you do your workouts and they

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Speaker 2: check out your height and your weight and your vertical

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Speaker 2: and and Cuba fought out a lot of other really

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Speaker 2: great wide receivers for that movie.

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Speaker 3: Now I'm sorry to interrupt, but isn't it more impressive

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Speaker 3: to do movies football because you actually were just trying

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Speaker 3: to probably do acting, and now you're being made play football. Well,

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Speaker 3: whereas in a in a football game, everyone has been

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Speaker 3: playing football.

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Speaker 2: Well, here's what happens. So Jerry Maguire came out Cuba

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Speaker 2: getting Junior spun everybody's heads around. They've never seen a

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Speaker 2: receiver work like that in a movie.

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Speaker 1: Yeah.

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Speaker 2: And so Oakland Raiders got on the phone and they said,

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Speaker 2: we want to audition Cuba to be an our team,

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Speaker 2: and they sent him the sides. He read the script

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Speaker 2: for the season. Yeah, And I forgot who wrote the

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Speaker 2: script that season. I think it was could have been Scorsazi,

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Speaker 2: could have It's hard to say who wrote the script

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Speaker 2: that season for the Oakland Raiders. They didn't make it

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Speaker 2: all the way to Super Bowl because the writer didn't

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Speaker 2: think that that was right for those players and for

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Speaker 2: what their motivations were. In the payoffs.

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Speaker 1: And the movies, you could get away with it didn't

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Speaker 1: always have to be happy. Iknew like it does that

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Speaker 1: where every team always wins. Yeah, and and they and

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Speaker 1: you read the script. He saw a first scene, first

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Speaker 1: page he has paralyzed in the first game. First page

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Speaker 1: of the script and he just didn't know. Maybe for

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Speaker 1: the rest of my life, I want to deal with

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Speaker 1: some you know, wheelchair paying people to help me out.

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Speaker 1: Scorsese wrote The Raiders.

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Speaker 3: Yeah, and people will team up and like this last

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Speaker 3: Alien and Sorkin are getting together and they're writing with Yeah,

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Speaker 3: well Quentin, and.

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Speaker 2: You know who wrote the Seahawks this year?

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Speaker 3: Oh, I can't wait for this, scoop.

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Speaker 1: Who was it?

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Speaker 2: It is a ghostwriter, o they said, they they said,

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Speaker 2: And this is one of those things where you hear

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Speaker 2: it and you just you don't believe it. They said,

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Speaker 2: Eddie Murphy wrote it. And you know, he's never really

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Speaker 2: written a movie. He comes in and gives notes and

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Speaker 2: they change a lot, you know, but he ghost writ it.

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Speaker 1: Really, I saw that. That makes so much Well, ghost

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Speaker 1: writing the players like that. That would explain why why

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Speaker 1: that was the case.

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Speaker 2: Well, that's why Cuban and Cuba are old buds. And

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Speaker 2: you know, have you heard the term ghostwriting the script

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Speaker 2: where you're writing a script and you get out of.

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Speaker 1: Script.

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Speaker 2: Yeah, and that's what you know. He just never got

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Speaker 2: back in and somebody else sat down and wrote all

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Speaker 2: of it. Then he finally came back and he sat

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Speaker 2: back down at the end and wrote the last period

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Speaker 2: and wrote the.

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Speaker 1: End bo Jackson. People call you bo Jackson.

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Speaker 2: The bo Jackson a common well I made. I made

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Speaker 2: this this documentary called Disarmed, and it really kind of

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Speaker 2: encapsulates this time in my life where I broke my

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Speaker 2: arm two places, elbow, wrist, I was carrying a pizza.

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00:18:16,520 --> 00:18:18,679
Speaker 2: I was walking across the cobblestone road. I tripped on

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Speaker 2: a trolley track. You've heard the story.

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00:18:20,960 --> 00:18:23,160
Speaker 1: Yeah, yeah, I can't. I can't. I can't.

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Speaker 2: You've heard it.

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Speaker 1: Can't.

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Speaker 2: And and the doctor, you know, because I played guitar

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Speaker 2: and I do tell jokes, and you know, I went

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Speaker 2: into the doctor and he said I was probably never

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Speaker 2: going to play guitar again for about six weeks, okay.

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Speaker 3: And so it's called this armed because you could only

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Speaker 3: use disarm during.

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Speaker 2: The disarmed urban flavor to this dissing armed robbers. Arm

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Speaker 2: just armed grocery stores.

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Speaker 1: Right and ultimately disarmed bad arm. It doesn't you've sort

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Speaker 1: of realized it didn't really matter.

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Speaker 3: What a strong lesson. Speaking of lessons, if you could

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Speaker 3: teach someone out there who's listening, who wants to do

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Speaker 3: stand up comedy, Uh, if you could give them sort

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Speaker 3: of a starter kit of tools, uh to take with

356
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Speaker 3: them on this long journey. What would you say would

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00:19:21,320 --> 00:19:23,880
Speaker 3: be the most important thing to to start with.

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Speaker 2: I'd say the first thing you gotta do is you

359
00:19:27,200 --> 00:19:29,440
Speaker 2: gotta get. You gotta pick up. You got to pick

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Speaker 2: one out. You know, you go out, you pick one out,

361
00:19:32,280 --> 00:19:35,439
Speaker 2: and you don't have to take lessons, but you do

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Speaker 2: have to learn how to read music.

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Speaker 1: What do you look for when you're choosing one for funniness?

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Speaker 2: I go with would that you know, I like would

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Speaker 2: I uh? I like there to be a strap on it?

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Speaker 1: Okay, all right, that's I think that's the best probably

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Speaker 1: going that.

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Speaker 2: But yeah, yeah, we don't need to go too deep

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Speaker 2: into it. But so and then it's really about how

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00:20:00,400 --> 00:20:03,720
Speaker 2: you progressed the progression, you know, And for me, it's

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00:20:03,800 --> 00:20:07,520
Speaker 2: like GCD or what you would call one four five,

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Speaker 2: which is just you're taking the element of the structure. Yeah,

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Speaker 2: you know, and you're really creating what the Beatles created,

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Speaker 2: and you're creating what Richard pryor you know, they call

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Speaker 2: the Beatles of Black comedy. What you're doing is you're

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Speaker 2: creating an ambiance and an environment for people to be

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Speaker 2: able to open up and be somebody that they aren't

378
00:20:33,560 --> 00:20:37,480
Speaker 2: and listen. And and it's hard to explain this to

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Speaker 2: you know, because it's something you feel. Well. For instance,

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Speaker 2: Bo Jackson when he was in eighth grade, he dunked

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Speaker 2: a stick. He picked up a stick and he dunked.

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Speaker 1: It because that's all they had. That's what they used for,

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Speaker 1: like pencils and paints.

384
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Speaker 2: Yeah, this was in the god the seventies, you know

385
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Speaker 2: what I mean, And that was.

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Speaker 3: Yeah, and he dunked it through another stick.

387
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Speaker 2: I mean, we're talking.

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Speaker 1: No they had to do back then.

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Speaker 2: No iPhones, no headphones.

390
00:21:04,880 --> 00:21:07,480
Speaker 3: They weren't playing cartoon football, and.

391
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Speaker 2: You know, no phones except really home phones if that.

392
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Speaker 2: So you look at bow and you see the dunking

393
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Speaker 2: the stick, and you hear that he killed a pig

394
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Speaker 2: with a rock, you know, when he was eight years old,

395
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Speaker 2: just by throwing it at it, you know, and.

396
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Speaker 1: He caught him sliding into home. Uh huh.

397
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Speaker 2: Well, you know back then, when if you wanted to

398
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Speaker 2: play a pick up baseball game and you you know,

399
00:21:29,280 --> 00:21:30,840
Speaker 2: you grab a few pigs, you throw him out there.

400
00:21:31,160 --> 00:21:33,200
Speaker 3: If you're a man short, you throw a pig out there,

401
00:21:33,240 --> 00:21:36,320
Speaker 3: you put him on home plate. You know, pigs or catcher.

402
00:21:36,720 --> 00:21:39,480
Speaker 2: Yeah, I mean I ideally you want him at third.

403
00:21:40,560 --> 00:21:44,800
Speaker 3: Oh well I was thinking of a really big pig. Yes,

404
00:21:44,880 --> 00:21:46,680
Speaker 3: if you've got to, if you've got a pig that's

405
00:21:46,720 --> 00:21:48,679
Speaker 3: in shape, that can move, yeah, you put him at

406
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Speaker 3: third base just because he's going to have better instincts

407
00:21:51,119 --> 00:21:51,880
Speaker 3: for that position.

408
00:21:52,320 --> 00:21:53,760
Speaker 2: Yeah.

409
00:21:53,800 --> 00:21:55,320
Speaker 1: We don't want to get too bogged down.

410
00:21:55,400 --> 00:21:58,960
Speaker 2: And I've seen some coaches put the guy at short

411
00:21:59,000 --> 00:22:00,600
Speaker 2: and it's just like I want to pull a sign

412
00:22:00,600 --> 00:22:02,480
Speaker 2: and say, hey, I know I'm not the coach. I know,

413
00:22:02,520 --> 00:22:04,560
Speaker 2: I don't know. You you got to put him at third.

414
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Speaker 2: It's a new a great shortstop. He's he's an all

415
00:22:08,960 --> 00:22:10,359
Speaker 2: pro third basement is what he is.

416
00:22:10,440 --> 00:22:12,440
Speaker 1: Are you like a Sabermetrics guy, It sounds like you are.

417
00:22:13,320 --> 00:22:17,400
Speaker 2: Yeah, I really love that Sabermetrics system.

418
00:22:17,480 --> 00:22:21,360
Speaker 1: It's all the money game stuff. Like just how sports

419
00:22:21,440 --> 00:22:26,320
Speaker 1: is new, Well, it's mek on that sports.

420
00:22:26,400 --> 00:22:29,520
Speaker 2: Okay, they're new, and you think that means they're fresh.

421
00:22:29,560 --> 00:22:32,080
Speaker 2: That means that they're clean, and that's not what new

422
00:22:32,119 --> 00:22:35,280
Speaker 2: means in this sense. No, new in this sense is dirty.

423
00:22:35,400 --> 00:22:38,520
Speaker 2: Like when my son was born, he was fucking filthy guys.

424
00:22:38,600 --> 00:22:41,119
Speaker 2: I mean, just the mouth on this kid, you know,

425
00:22:41,240 --> 00:22:47,439
Speaker 2: and he he was new though, he wasn't clean, you know.

426
00:22:47,880 --> 00:22:49,879
Speaker 2: And then you start taking care of the sport and

427
00:22:50,160 --> 00:22:51,720
Speaker 2: you clean it off yourself. Where you hire a couple

428
00:22:51,720 --> 00:22:52,720
Speaker 2: of guys to come in and do it on a

429
00:22:52,760 --> 00:22:55,760
Speaker 2: weekly basis, Tuesday mornings. Maybe they come around eleven, sometimes

430
00:22:55,800 --> 00:22:59,040
Speaker 2: eleven thirty, depending on they're coming from over Marina del Rey.

431
00:22:59,080 --> 00:23:04,040
Speaker 2: And you're you know, but and and that's baseball and

432
00:23:04,160 --> 00:23:05,480
Speaker 2: that's soccer.

433
00:23:05,280 --> 00:23:08,560
Speaker 3: Right, and you apply Yeah, so the saber, the saber metrics.

434
00:23:08,560 --> 00:23:10,680
Speaker 3: You're applying to your son, and he's kind.

435
00:23:10,480 --> 00:23:11,359
Speaker 1: Of baseball for you.

436
00:23:11,600 --> 00:23:14,720
Speaker 2: And yes, and then he pooped in the womb and

437
00:23:14,760 --> 00:23:15,320
Speaker 2: that's still on.

438
00:23:15,320 --> 00:23:18,720
Speaker 1: Him and that's still on. That stuff doesn't come off. No,

439
00:23:19,720 --> 00:23:24,119
Speaker 1: would you like to give us a quick rundown on

440
00:23:24,119 --> 00:23:25,760
Speaker 1: how we have a stand up comedy machine here?

441
00:23:25,800 --> 00:23:27,280
Speaker 2: If you want to do like a oh what do

442
00:23:27,280 --> 00:23:27,679
Speaker 2: you guys.

443
00:23:27,600 --> 00:23:29,399
Speaker 1: Have a quick tutorial and like how.

444
00:23:29,280 --> 00:23:30,960
Speaker 2: To what machine you guys have?

445
00:23:32,920 --> 00:23:37,840
Speaker 1: Just I got it at a premiere we're handing him out.

446
00:23:38,640 --> 00:23:42,280
Speaker 2: Yeah you know what? Uh okay that machine?

447
00:23:42,640 --> 00:23:45,879
Speaker 1: Yeah you know this one. It seems funny. I just

448
00:23:45,920 --> 00:23:46,920
Speaker 1: don't know, like like.

449
00:23:47,680 --> 00:23:51,760
Speaker 2: Yeah, see now I've never personally worked with this specific one.

450
00:23:54,400 --> 00:23:56,439
Speaker 2: Let me see if it I know on mine, if

451
00:23:56,480 --> 00:23:59,160
Speaker 2: I you know, and people say they're all the same,

452
00:23:59,160 --> 00:24:01,040
Speaker 2: but they're not. Yeah, you know, like I know, on mind,

453
00:24:01,080 --> 00:24:03,280
Speaker 2: this sounds like this is probably one of the coolest

454
00:24:03,320 --> 00:24:05,440
Speaker 2: things you could play. And on this one it doesn't

455
00:24:05,440 --> 00:24:14,480
Speaker 2: sound right. No, I gotta try a different yeah, you know.

456
00:24:14,560 --> 00:24:19,040
Speaker 2: And so like, let's talk about opening, right, do you

457
00:24:19,080 --> 00:24:21,159
Speaker 2: want to open strong? And so for me, what I

458
00:24:21,240 --> 00:24:22,639
Speaker 2: like to do, this is my This is one of

459
00:24:22,680 --> 00:24:23,479
Speaker 2: the opening ones I do.

460
00:24:26,520 --> 00:24:30,439
Speaker 3: Okay, you know, all right, I like this guy, you know,

461
00:24:30,520 --> 00:24:33,359
Speaker 3: I'm ready to laugh and I feel like he's my friend.

462
00:24:33,640 --> 00:24:37,680
Speaker 2: And here's the thing is, if that works, you don't

463
00:24:37,680 --> 00:24:38,720
Speaker 2: want to know what's coming next.

464
00:24:40,040 --> 00:24:42,400
Speaker 1: Okay? Relatable much yea.

465
00:24:42,520 --> 00:24:45,560
Speaker 2: And and that's when people are like, Okay, this is

466
00:24:45,560 --> 00:24:47,159
Speaker 2: something I can apply to my life.

467
00:24:47,280 --> 00:24:47,480
Speaker 1: You know.

468
00:24:47,560 --> 00:24:50,560
Speaker 2: This isn't just this guy talking about being rich and

469
00:24:50,560 --> 00:24:53,800
Speaker 2: and talking about you know, what it's like to have servants.

470
00:24:53,800 --> 00:24:56,000
Speaker 2: It's like this guy's actually talking about the blue collar guy.

471
00:24:56,160 --> 00:24:59,800
Speaker 3: Yes, and is it maybe questioning authority a little bit

472
00:25:00,320 --> 00:25:02,639
Speaker 3: in a way that feels a little dangerous.

473
00:25:02,240 --> 00:25:04,600
Speaker 1: But in a way that the authority wouldn't even recognize

474
00:25:04,600 --> 00:25:06,159
Speaker 1: that they were being questioned.

475
00:25:06,240 --> 00:25:07,680
Speaker 2: Yeah, and let me go back to the blue collar

476
00:25:07,720 --> 00:25:09,520
Speaker 2: guy for a second, because here's the thing is, if

477
00:25:09,560 --> 00:25:12,040
Speaker 2: you're wearing blue paint and then you put your shirt on,

478
00:25:12,080 --> 00:25:15,880
Speaker 2: your collar is going to get blue. And and that's

479
00:25:15,880 --> 00:25:18,440
Speaker 2: why I'm saying for the blue man group, clean off

480
00:25:18,520 --> 00:25:21,399
Speaker 2: before you put your collared shirts on. That's that's the

481
00:25:22,119 --> 00:25:25,920
Speaker 2: simplest way to put it. But I think that also

482
00:25:25,920 --> 00:25:27,720
Speaker 2: applies politically to what's going on right now in the

483
00:25:27,760 --> 00:25:32,119
Speaker 2: working class. And I don't mean to get political all

484
00:25:32,160 --> 00:25:33,520
Speaker 2: the time, you know.

485
00:25:33,560 --> 00:25:36,280
Speaker 1: Like it's not the place that it's not really normally.

486
00:25:36,400 --> 00:25:38,400
Speaker 1: I don't want to stop you. You're welcome to keep

487
00:25:38,480 --> 00:25:41,320
Speaker 1: the platform for you. We prefer to stay out of

488
00:25:41,440 --> 00:25:41,680
Speaker 1: you guys.

489
00:25:41,680 --> 00:25:43,280
Speaker 2: In mind, I liked it. This is a political joke

490
00:25:43,280 --> 00:25:45,720
Speaker 2: that has been crushing and when I say crushing, piece

491
00:25:46,440 --> 00:25:48,240
Speaker 2: getting laughs obviously a bit. At the same time, it's

492
00:25:48,280 --> 00:25:49,800
Speaker 2: people are getting their minds opened.

493
00:25:50,000 --> 00:25:58,119
Speaker 1: Oh he doesn't know. I'm kidding. I just want a

494
00:25:58,160 --> 00:25:58,879
Speaker 1: free tune.

495
00:25:59,359 --> 00:26:00,080
Speaker 2: See you're that.

496
00:26:01,600 --> 00:26:06,080
Speaker 1: So he's doing it for free. Idea, what my plan is?

497
00:26:06,640 --> 00:26:12,080
Speaker 2: That walking up? And that's the closer on that joke.

498
00:26:12,520 --> 00:26:14,199
Speaker 1: And it's not that you can't afford it.

499
00:26:14,320 --> 00:26:16,439
Speaker 3: I mean, you can afford it, but why pay the

500
00:26:16,480 --> 00:26:17,119
Speaker 3: money when.

501
00:26:17,000 --> 00:26:18,240
Speaker 1: There's a saff.

502
00:26:22,760 --> 00:26:28,800
Speaker 3: Oh yeah, okay, and that's kind of like my relationship.

503
00:26:28,720 --> 00:26:32,160
Speaker 2: And oh this guy everything has been handed to him

504
00:26:32,160 --> 00:26:36,480
Speaker 2: on a spoon. Yes, and oh there's a dark time.

505
00:26:36,600 --> 00:26:38,040
Speaker 2: But then at the same time, what.

506
00:26:40,560 --> 00:26:44,439
Speaker 1: Okay, there's a light at the end. Yeah, always a

507
00:26:44,480 --> 00:26:50,480
Speaker 1: silver lining, and you know.

508
00:26:50,520 --> 00:26:53,680
Speaker 2: I'll do I'll do those ones.

509
00:26:53,680 --> 00:26:56,520
Speaker 1: Sometimes just one liner is like that.

510
00:26:58,520 --> 00:27:00,399
Speaker 2: Oh and then you know, you know, like have you

511
00:27:00,400 --> 00:27:01,359
Speaker 2: heard of these kind of jokes.

512
00:27:05,920 --> 00:27:07,800
Speaker 1: Oh, that's that all in influence?

513
00:27:08,600 --> 00:27:11,280
Speaker 2: Yeah, and you know, sometimes you got to show in

514
00:27:11,320 --> 00:27:15,800
Speaker 2: the bottom so they know there's a top, because there

515
00:27:15,840 --> 00:27:20,320
Speaker 2: is no bottom, there is no topics. And that's a fear.

516
00:27:20,600 --> 00:27:22,680
Speaker 2: I think that a lot of audiences have. They don't

517
00:27:22,800 --> 00:27:26,160
Speaker 2: know is there a way out? Is there a way in? Now?

518
00:27:26,240 --> 00:27:26,760
Speaker 1: Bojacks?

519
00:27:26,880 --> 00:27:28,480
Speaker 2: I walk here or did they bring me here?

520
00:27:29,560 --> 00:27:30,199
Speaker 1: Bo Jackson.

521
00:27:30,320 --> 00:27:34,560
Speaker 3: We've often said on this show that comedy is only surprises.

522
00:27:35,720 --> 00:27:41,359
Speaker 2: Speak on that, Oh, comedy is only surprises. Have you

523
00:27:41,359 --> 00:27:43,600
Speaker 2: ever been to a surprise party? I?

524
00:27:44,440 --> 00:27:45,760
Speaker 1: Yeah, I haven't.

525
00:27:46,800 --> 00:27:47,240
Speaker 2: You haven't?

526
00:27:47,920 --> 00:27:49,040
Speaker 1: No? Yeah?

527
00:27:49,160 --> 00:27:52,679
Speaker 2: Yeah, well I liked it. For me. Comedy is more

528
00:27:52,880 --> 00:27:55,280
Speaker 2: like here's the essence of a surprise party. You guys

529
00:27:55,280 --> 00:27:57,320
Speaker 2: haven't been to one or even heard about them, which

530
00:27:57,320 --> 00:28:00,280
Speaker 2: it seems like is what you do is you find

531
00:28:00,320 --> 00:28:04,000
Speaker 2: somebody and it's it's not their birthday, uh huh okay, yeah,

532
00:28:04,280 --> 00:28:06,679
Speaker 2: and then you plan a whole event. You get a

533
00:28:06,680 --> 00:28:08,600
Speaker 2: bunch of people they don't know there. And then when

534
00:28:08,640 --> 00:28:11,960
Speaker 2: they come in thinking they're going to a doctor's appointment,

535
00:28:12,480 --> 00:28:16,159
Speaker 2: you maybe you know, messed with some paperworker and you're

536
00:28:16,160 --> 00:28:19,760
Speaker 2: a medical and you're a doctor medical paperwork, and they

537
00:28:19,800 --> 00:28:22,200
Speaker 2: maybe they think they have cancer and they think they've

538
00:28:22,200 --> 00:28:25,200
Speaker 2: got two weeks to live. And then when they come in, surprise,

539
00:28:25,720 --> 00:28:27,879
Speaker 2: these are all people that are also dealing with cancer.

540
00:28:27,920 --> 00:28:29,960
Speaker 2: You say that, you know, he doesn't know all these people,

541
00:28:29,960 --> 00:28:30,800
Speaker 2: none of them have cancer.

542
00:28:30,800 --> 00:28:32,320
Speaker 1: Okay, I think I have been to one of these.

543
00:28:32,920 --> 00:28:35,000
Speaker 2: And then they really kind of talk about how it's

544
00:28:35,040 --> 00:28:37,439
Speaker 2: hurt them and how there's no way out and and

545
00:28:37,480 --> 00:28:40,000
Speaker 2: it you know, and and then you really use. What

546
00:28:40,040 --> 00:28:42,640
Speaker 2: you do is then you start putting stuff in their shampoos,

547
00:28:42,640 --> 00:28:44,680
Speaker 2: stuff that the hair is going to start falling out,

548
00:28:44,720 --> 00:28:48,080
Speaker 2: and so you know, obviously this is what happens when

549
00:28:48,120 --> 00:28:50,640
Speaker 2: you have cancer. And and then you really started to

550
00:28:50,680 --> 00:28:51,960
Speaker 2: get any of their diet. And what you got to

551
00:28:51,960 --> 00:28:54,480
Speaker 2: do is do some these they call them poison pills,

552
00:28:54,520 --> 00:28:56,080
Speaker 2: but they're just these little pills you can buy, and

553
00:28:56,120 --> 00:28:58,560
Speaker 2: you start putting them in all their food, and then

554
00:28:58,560 --> 00:29:00,560
Speaker 2: it really starts to just affect their body in a

555
00:29:00,600 --> 00:29:03,480
Speaker 2: really negative way, in a way that cancer would. And

556
00:29:03,480 --> 00:29:06,040
Speaker 2: then right when they're about to die, you tell them

557
00:29:06,040 --> 00:29:08,680
Speaker 2: all the stuff and you say, so maybe back you

558
00:29:08,720 --> 00:29:12,200
Speaker 2: don't have cancer, surprise, And.

559
00:29:12,160 --> 00:29:14,040
Speaker 1: That seems like a great way to deal with your

560
00:29:14,040 --> 00:29:16,880
Speaker 1: own cancer. At the same time, to have someone else

561
00:29:17,360 --> 00:29:21,520
Speaker 1: who's going through some of the same stuff. It's scary alone.

562
00:29:21,240 --> 00:29:23,120
Speaker 3: Tend to deal with the pressure of being a doctor.

563
00:29:23,320 --> 00:29:25,520
Speaker 2: Yeah now yeah.

564
00:29:25,520 --> 00:29:30,720
Speaker 1: Giving yourself all those X rays can tickets toll. You said.

565
00:29:30,800 --> 00:29:35,920
Speaker 3: Now, now, how do you feel about this sort of

566
00:29:37,800 --> 00:29:40,400
Speaker 3: a cappella comedy movement that's been happening.

567
00:29:40,560 --> 00:29:42,800
Speaker 2: I love it, you know, I really A lot of

568
00:29:42,800 --> 00:29:45,360
Speaker 2: people are threatened by it, and they're worried.

569
00:29:45,960 --> 00:29:46,640
Speaker 1: I don't get it.

570
00:29:46,720 --> 00:29:50,680
Speaker 2: This is a new generation, you know, these guys that

571
00:29:50,720 --> 00:29:56,960
Speaker 2: are doing it without the guitar, you know, and they're untraditional,

572
00:29:57,360 --> 00:30:00,560
Speaker 2: you know, and the audiences are bored and and that's

573
00:30:00,600 --> 00:30:05,720
Speaker 2: the thing is you see the the Lewis c ks,

574
00:30:06,040 --> 00:30:07,640
Speaker 2: you know, the people out there that are kind of

575
00:30:07,760 --> 00:30:10,120
Speaker 2: the forefront of this acapella stand up.

576
00:30:10,320 --> 00:30:12,440
Speaker 3: He's one of the main ones that I don't really

577
00:30:12,600 --> 00:30:14,040
Speaker 3: get what he's doing.

578
00:30:14,480 --> 00:30:18,000
Speaker 1: It's hard to Yeah, I try to, Like when I

579
00:30:18,080 --> 00:30:19,880
Speaker 1: listen to his stand up, I try to kind of

580
00:30:19,920 --> 00:30:22,960
Speaker 1: sway and I don't know where to which way to

581
00:30:23,040 --> 00:30:23,720
Speaker 1: sway at what?

582
00:30:23,960 --> 00:30:25,880
Speaker 2: I can't tell what Tuney's doing.

583
00:30:25,960 --> 00:30:29,360
Speaker 1: What with the court and the clapping? Is my clapping

584
00:30:29,440 --> 00:30:32,280
Speaker 1: is all off the beat? Like, and how do we

585
00:30:32,360 --> 00:30:32,920
Speaker 1: money to me?

586
00:30:33,040 --> 00:30:34,840
Speaker 2: If we don't know what music is it's under it,

587
00:30:34,880 --> 00:30:36,720
Speaker 2: then how do we know that he's saying all that stuff?

588
00:30:36,720 --> 00:30:39,240
Speaker 2: And yes, you know, and he's saying the right melody

589
00:30:39,280 --> 00:30:41,000
Speaker 2: We don't even he's just making melodies up.

590
00:30:41,080 --> 00:30:44,720
Speaker 1: Seems like a cheat. But you like it, you said,

591
00:30:45,720 --> 00:30:47,920
Speaker 1: what a cappella comedy?

592
00:30:48,200 --> 00:30:50,479
Speaker 2: Oh, I do like it because it's actually people are

593
00:30:50,480 --> 00:30:52,560
Speaker 2: seeing how great I am because of it. Okay, that's

594
00:30:52,600 --> 00:30:54,680
Speaker 2: what you know, and people like a friend by it.

595
00:30:54,720 --> 00:30:56,080
Speaker 2: I think, oh, it's a new thing. But once people

596
00:30:56,080 --> 00:30:58,120
Speaker 2: watch the second Acapella Companion, they're like, we want to

597
00:30:58,120 --> 00:31:01,480
Speaker 2: get back to the real thing. Yeah, you know a

598
00:31:01,520 --> 00:31:04,480
Speaker 2: structure that we understand with progressions that makes sense to us.

599
00:31:06,360 --> 00:31:07,800
Speaker 1: You ever jam with weird Al?

600
00:31:09,320 --> 00:31:14,360
Speaker 2: You know, we've gotten together before. You know, I'm I'm

601
00:31:14,360 --> 00:31:18,160
Speaker 2: a Northwest guy and so for me, I've never actually

602
00:31:18,240 --> 00:31:20,720
Speaker 2: jammed before. I've never you know, And it's this whole

603
00:31:20,720 --> 00:31:23,680
Speaker 2: thing about getting fruits and then you crush them up

604
00:31:23,720 --> 00:31:27,640
Speaker 2: and you know, and you're doing it together and you're

605
00:31:27,680 --> 00:31:29,080
Speaker 2: just kind of doing it where it takes yet.

606
00:31:29,120 --> 00:31:32,280
Speaker 1: Oh, are you thinking about like making preserves?

607
00:31:32,440 --> 00:31:32,640
Speaker 2: No?

608
00:31:32,960 --> 00:31:35,560
Speaker 1: Oh, I'm talking about about dunking basketball? Oh?

609
00:31:35,720 --> 00:31:38,720
Speaker 2: Oh basketball? Yeah, we've never played basketball before.

610
00:31:38,800 --> 00:31:45,000
Speaker 3: Okay, never jammed with him. Then, when you're working on

611
00:31:46,320 --> 00:31:50,720
Speaker 3: like a parody song, are you only doing what's currently

612
00:31:50,760 --> 00:31:52,280
Speaker 3: on the radio, or would you ever.

613
00:31:53,080 --> 00:31:55,840
Speaker 1: Like the combination of current radio and current news or

614
00:31:55,880 --> 00:31:58,040
Speaker 1: do you take sometimes old things that are in the

615
00:31:58,080 --> 00:31:58,880
Speaker 1: news and.

616
00:31:58,880 --> 00:32:01,280
Speaker 3: Yeah, maybe like news Joey, but a f you go

617
00:32:01,480 --> 00:32:04,480
Speaker 3: thing on like the New Lord's song or would you

618
00:32:04,560 --> 00:32:08,080
Speaker 3: do you know I'm a thing we'd love to hear that.

619
00:32:08,640 --> 00:32:12,320
Speaker 2: Well, here's like I was doing this parody song today actually,

620
00:32:14,640 --> 00:32:17,480
Speaker 2: you know, just hanging on my son and and I'll

621
00:32:17,520 --> 00:32:22,480
Speaker 2: just go like, you know, who's a little baby sitting

622
00:32:22,640 --> 00:32:25,760
Speaker 2: over there. I gotta go to the bathroom. Can you

623
00:32:25,880 --> 00:32:28,000
Speaker 2: sit in here alone? Is that okay?

624
00:32:28,200 --> 00:32:28,360
Speaker 1: You know?

625
00:32:28,400 --> 00:32:30,440
Speaker 2: And I'll just kind of say what I'm really thinking

626
00:32:30,720 --> 00:32:32,600
Speaker 2: and say to him and then talk about, you know,

627
00:32:32,640 --> 00:32:35,840
Speaker 2: the burden of being a father and it's just like

628
00:32:35,880 --> 00:32:37,480
Speaker 2: no free time anymore, you know, and you kind of

629
00:32:37,520 --> 00:32:40,200
Speaker 2: go through all that stuff. And he loves it, he

630
00:32:40,280 --> 00:32:40,800
Speaker 2: really does.

631
00:32:40,960 --> 00:32:42,440
Speaker 1: You know, he's getting into it.

632
00:32:42,600 --> 00:32:45,760
Speaker 3: Yeah, And that was a parody of that old splish splash.

633
00:32:45,760 --> 00:32:48,760
Speaker 3: I was taking a bath song and I think we

634
00:32:48,840 --> 00:32:51,760
Speaker 3: all remember that one, and I remember thinking you couldn't

635
00:32:51,760 --> 00:32:53,600
Speaker 3: parody it because it's already kind of funny.

636
00:32:53,840 --> 00:32:54,160
Speaker 1: M hm.

637
00:32:54,680 --> 00:32:57,880
Speaker 2: Well, you're taking what people think they know about bats

638
00:32:59,080 --> 00:33:01,840
Speaker 2: and you know, usually you're trying to keep the water

639
00:33:01,880 --> 00:33:03,640
Speaker 2: in the top. You're not thinking about splitshing and splashing,

640
00:33:04,720 --> 00:33:07,200
Speaker 2: and usually not taking a bathroom a Saturday night.

641
00:33:07,440 --> 00:33:09,920
Speaker 1: Yeah, Usually you exit the bathroom and you're in the

642
00:33:09,960 --> 00:33:11,800
Speaker 1: privacy of your own home.

643
00:33:11,960 --> 00:33:14,160
Speaker 2: So they really took kind of the They took bathing

644
00:33:14,240 --> 00:33:18,400
Speaker 2: and flipped it is what they did. And then then

645
00:33:18,520 --> 00:33:20,520
Speaker 2: that's and then they started having bath houses after that

646
00:33:20,560 --> 00:33:22,840
Speaker 2: song came out. That was kind of the big push

647
00:33:22,880 --> 00:33:26,280
Speaker 2: for that. People want people would want to take baths

648
00:33:26,280 --> 00:33:26,720
Speaker 2: all the time.

649
00:33:27,800 --> 00:33:31,040
Speaker 1: That movement in music. Would you say that was a

650
00:33:31,080 --> 00:33:33,040
Speaker 1: big influence, like bath music.

651
00:33:33,040 --> 00:33:35,000
Speaker 2: A lot of people think that's what started the blues

652
00:33:37,120 --> 00:33:39,280
Speaker 2: when those bath songs came out, and specifically that one

653
00:33:39,280 --> 00:33:39,720
Speaker 2: bath song.

654
00:33:39,840 --> 00:33:41,880
Speaker 1: Is that what gave white people the idea for the blues?

655
00:33:42,720 --> 00:33:45,880
Speaker 2: Mm hmmm, Well, there's really no way to know where

656
00:33:45,920 --> 00:33:49,000
Speaker 2: white people get their ideas from. You just got to

657
00:33:49,040 --> 00:33:50,280
Speaker 2: know that they got them and then it came from

658
00:33:50,280 --> 00:33:50,960
Speaker 2: a place.

659
00:33:51,160 --> 00:33:53,400
Speaker 1: Will take care of Yeah, I just trust we'll take

660
00:33:53,440 --> 00:33:53,760
Speaker 1: care of it.

661
00:33:53,760 --> 00:33:56,960
Speaker 3: But I think it might be time to dive into

662
00:33:57,000 --> 00:33:57,959
Speaker 3: the popcorn gallery.

663
00:33:58,040 --> 00:33:59,560
Speaker 1: Is that? Yeah? I like to do that.

664
00:33:59,560 --> 00:34:01,360
Speaker 2: Do we want? Nick?

665
00:34:01,520 --> 00:34:03,280
Speaker 1: We've never really been able to figure out how to.

666
00:34:05,000 --> 00:34:09,280
Speaker 3: So the Popcorn Gallery is a segment on our show

667
00:34:09,880 --> 00:34:12,600
Speaker 3: where a lot of the people who listen to this,

668
00:34:12,680 --> 00:34:14,200
Speaker 3: I don't know how they get their hands on it,

669
00:34:14,239 --> 00:34:17,720
Speaker 3: but they don't have access to all of the funny,

670
00:34:17,719 --> 00:34:21,839
Speaker 3: famous friends that Heyes and I know, and so they'll

671
00:34:21,880 --> 00:34:24,080
Speaker 3: ask questions that they can't ask themselves.

672
00:34:24,920 --> 00:34:28,879
Speaker 1: Now let's get into the name of the segment, please. Traditionally,

673
00:34:28,960 --> 00:34:33,719
Speaker 1: when you talk about like a sort of silent majority

674
00:34:33,719 --> 00:34:36,439
Speaker 1: of a population, that's like still commenting. You might refer

675
00:34:36,440 --> 00:34:39,480
Speaker 1: to them as the Peanut Gallery. However, this is a

676
00:34:39,480 --> 00:34:44,880
Speaker 1: podcast about the entertainment industry, one subset of which is movies,

677
00:34:45,239 --> 00:34:49,200
Speaker 1: and at movies, one of the most popular they serve

678
00:34:49,800 --> 00:34:53,040
Speaker 1: in our experience is popcorn at the movies.

679
00:34:53,160 --> 00:34:57,680
Speaker 2: Yes, so doesn't get it. Well, no, I've I've heard

680
00:34:57,960 --> 00:34:59,960
Speaker 2: you know, I know that I've actually seen movies where

681
00:35:00,040 --> 00:35:02,040
Speaker 2: people are getting popcorn at a.

682
00:35:02,000 --> 00:35:06,520
Speaker 1: Movie, connecting to you that way. Yeah, okay, I've.

683
00:35:06,400 --> 00:35:07,919
Speaker 2: Seen a lot of movies that way where they get

684
00:35:08,520 --> 00:35:10,520
Speaker 2: they're going to see a movie. We're watching a movie,

685
00:35:10,600 --> 00:35:13,080
Speaker 2: and they're going to a movie in the movie and

686
00:35:13,160 --> 00:35:14,879
Speaker 2: they do the thing that everybody does in a movie

687
00:35:14,920 --> 00:35:17,799
Speaker 2: when they get popcorn is or in a movie when

688
00:35:17,840 --> 00:35:19,400
Speaker 2: they go to a movie as they get popcorn.

689
00:35:19,520 --> 00:35:23,960
Speaker 1: So there is still a popcorn movie connection to you through.

690
00:35:23,840 --> 00:35:27,920
Speaker 2: Scene popcorn popcorn the movies.

691
00:35:28,160 --> 00:35:30,759
Speaker 1: Yeah, it's reach of the bag and and and pull

692
00:35:30,760 --> 00:35:33,600
Speaker 1: out a question from the popcorn bag.

693
00:35:33,640 --> 00:35:36,000
Speaker 3: Crunch, crunch, crunch, crunch, crunch, crunch, crunch, crunch, crunch.

694
00:35:36,080 --> 00:35:37,560
Speaker 1: Yum yum, yum yum.

695
00:35:37,760 --> 00:35:39,960
Speaker 2: You know, I'm actually you guys. I hate to keep

696
00:35:40,000 --> 00:35:45,440
Speaker 2: doing this, but what is that uh, kettle corn is

697
00:35:45,440 --> 00:35:46,719
Speaker 2: can we do this with kettle corn?

698
00:35:47,120 --> 00:35:51,280
Speaker 1: Okay, okay, See, so there's a certain class of movie

699
00:35:51,360 --> 00:35:53,759
Speaker 1: theater that you tend to patronize.

700
00:35:55,640 --> 00:36:00,319
Speaker 2: Again, I've never tried kettle corny. I've seen it talked

701
00:36:00,320 --> 00:36:01,760
Speaker 2: about in movies. I've seen.

702
00:36:03,200 --> 00:36:07,080
Speaker 3: You want a fabrication experience in a safe way.

703
00:36:06,880 --> 00:36:09,000
Speaker 2: And I've never seen anybody in a movie get kettle

704
00:36:09,080 --> 00:36:11,040
Speaker 2: corn when they were going to a movie.

705
00:36:11,560 --> 00:36:13,840
Speaker 3: But you don't really like to play by the rules,

706
00:36:13,920 --> 00:36:14,520
Speaker 3: do you, Nick?

707
00:36:14,880 --> 00:36:17,200
Speaker 2: Now get the two rules I live by metallical rules

708
00:36:17,200 --> 00:36:18,160
Speaker 2: and jaw roles.

709
00:36:19,040 --> 00:36:24,520
Speaker 3: Hm, okay, kettle well, kettle corn, it is come at me,

710
00:36:24,880 --> 00:36:26,040
Speaker 3: Come here we come.

711
00:36:26,880 --> 00:36:30,960
Speaker 1: Hm. The question fell back into the back. Let me

712
00:36:31,000 --> 00:36:31,359
Speaker 1: get it.

713
00:36:32,760 --> 00:36:36,399
Speaker 3: Crunch, crunch, crunch, crunch, crunch, A little sweet.

714
00:36:36,360 --> 00:36:37,479
Speaker 2: A little salty too. Huh.

715
00:36:38,280 --> 00:36:40,560
Speaker 1: This is the question from Octor doctopus.

716
00:36:40,840 --> 00:36:41,040
Speaker 2: Nick.

717
00:36:41,160 --> 00:36:43,759
Speaker 1: Were you surprised when Comedy Central stole your idea for

718
00:36:43,840 --> 00:36:45,880
Speaker 1: Too Soon with Nick Foon and turned it into the

719
00:36:45,960 --> 00:36:49,600
Speaker 1: Jessel Nick Offensive? Or was that your plan all along?

720
00:36:52,680 --> 00:36:54,919
Speaker 2: And they those when you go in and you pitch

721
00:36:54,920 --> 00:36:56,680
Speaker 2: a show, you think no one's ever going to hear

722
00:36:56,680 --> 00:36:59,680
Speaker 2: about it, but obviously people have it.

723
00:37:00,040 --> 00:37:02,359
Speaker 1: They released the tape of that pitch. That mirror the

724
00:37:02,400 --> 00:37:02,920
Speaker 1: mirror is.

725
00:37:02,880 --> 00:37:06,759
Speaker 2: Not that's what I heard they're doing that. They're doing

726
00:37:06,840 --> 00:37:10,359
Speaker 2: just pitches. That's cool, you know. I wasn't bothered because

727
00:37:10,400 --> 00:37:12,480
Speaker 2: for me, you know, I love Anthony, I want them

728
00:37:12,480 --> 00:37:17,479
Speaker 2: to succeed, and you know, too soon. With Nick Suone,

729
00:37:17,480 --> 00:37:18,960
Speaker 2: that was an idea that for me, it was not

730
00:37:19,080 --> 00:37:20,640
Speaker 2: meant to be on TV. That was something that was

731
00:37:20,680 --> 00:37:23,759
Speaker 2: just meant to be pitched. So just getting in a

732
00:37:23,840 --> 00:37:24,960
Speaker 2: room and pitching it was this.

733
00:37:24,960 --> 00:37:29,640
Speaker 1: We all have those projects mm hmm, cannon fodder and

734
00:37:29,680 --> 00:37:31,799
Speaker 1: then let them shoot one down so you can do

735
00:37:31,840 --> 00:37:32,280
Speaker 1: the idea.

736
00:37:32,320 --> 00:37:36,040
Speaker 2: You really, hey, I just you know, don't hate you know,

737
00:37:36,160 --> 00:37:37,680
Speaker 2: don't hate the pitch, hate the show.

738
00:37:37,719 --> 00:37:39,799
Speaker 1: Hate the show. And then it seems like they're always like,

739
00:37:39,880 --> 00:37:43,000
Speaker 1: oh great, let's we'd love to do it on TV,

740
00:37:43,080 --> 00:37:45,239
Speaker 1: and you're like, oh my god, you actually this was

741
00:37:45,320 --> 00:37:45,920
Speaker 1: just a pitch.

742
00:37:46,080 --> 00:37:49,359
Speaker 2: Yeah, this is literally just oh, this is just an

743
00:37:49,400 --> 00:37:51,560
Speaker 2: idea that I like coming and telling people about. It's

744
00:37:51,560 --> 00:37:53,200
Speaker 2: not something I want to take to another level. It's

745
00:37:53,200 --> 00:37:53,839
Speaker 2: not something I want.

746
00:37:54,080 --> 00:37:56,560
Speaker 1: I can't because then if what imagine pitching a show

747
00:37:56,560 --> 00:37:58,080
Speaker 1: that was already on the air, you wouldn't get to

748
00:37:58,120 --> 00:37:58,840
Speaker 1: pitch it anymore.

749
00:37:59,040 --> 00:37:59,400
Speaker 4: Yeah.

750
00:37:59,520 --> 00:38:01,400
Speaker 3: I can't tell you how many pitches I have to

751
00:38:01,520 --> 00:38:05,080
Speaker 3: end with being like I was fucking joking, you idiot

752
00:38:05,520 --> 00:38:07,520
Speaker 3: when they try to make it into a TV show.

753
00:38:07,880 --> 00:38:11,520
Speaker 2: Yeah, yeah, I mean I think that's what's so wrong

754
00:38:11,560 --> 00:38:13,680
Speaker 2: with this business right now, is that everything's got to

755
00:38:13,760 --> 00:38:14,440
Speaker 2: be on TV.

756
00:38:14,520 --> 00:38:16,160
Speaker 3: I mean, what's a bunch of fucking yes men that

757
00:38:16,239 --> 00:38:18,840
Speaker 3: want to make every other fucking thing you say? Yeah,

758
00:38:18,920 --> 00:38:21,359
Speaker 3: and it's like some of them are just being said

759
00:38:21,440 --> 00:38:26,399
Speaker 3: to be said. Is there another question in that popcorn bag?

760
00:38:26,520 --> 00:38:26,880
Speaker 1: I don't know.

761
00:38:26,960 --> 00:38:27,640
Speaker 2: Let's check.

762
00:38:31,400 --> 00:38:34,799
Speaker 3: Hmm, salty and sweet and salty as well.

763
00:38:35,280 --> 00:38:37,400
Speaker 2: Yeah, it comes right into the end. This is a

764
00:38:37,480 --> 00:38:39,640
Speaker 2: question from Chanson. Nick.

765
00:38:40,000 --> 00:38:41,960
Speaker 1: You worked at the Boys and Girls Club at Emily

766
00:38:42,000 --> 00:38:47,160
Speaker 1: Dickinson Elementary School. I came there from Einstein Elementary almost

767
00:38:47,160 --> 00:38:51,560
Speaker 1: every day in sixth grade. I remember you, honestly. And

768
00:38:51,640 --> 00:38:54,640
Speaker 1: here he says something a little meaning, he's a little rude.

769
00:38:54,640 --> 00:38:56,920
Speaker 1: Sometimes we'll skip over that far. But I'm super excited

770
00:38:56,960 --> 00:38:58,840
Speaker 1: that you've done well in Hollywood. Do you stay in

771
00:38:58,880 --> 00:38:59,520
Speaker 1: touch with Pinky?

772
00:38:59,560 --> 00:39:01,799
Speaker 2: I want to hear the rude part. No, we don't

773
00:39:01,920 --> 00:39:03,319
Speaker 2: have to do fun.

774
00:39:03,320 --> 00:39:05,279
Speaker 1: We're just trying to do.

775
00:39:05,400 --> 00:39:09,440
Speaker 2: I still stay in touch with Pinky. You know, I

776
00:39:09,480 --> 00:39:14,359
Speaker 2: had he's he's referring to it. I collected ants and

777
00:39:14,719 --> 00:39:16,800
Speaker 2: I actually just have gotten out of the game totally,

778
00:39:17,040 --> 00:39:22,640
Speaker 2: you know, I don't and and thanks for asking chance,

779
00:39:22,680 --> 00:39:24,280
Speaker 2: and but yeah, you know, it's one of those things

780
00:39:24,280 --> 00:39:25,759
Speaker 2: like when your dog dies and you don't want to

781
00:39:25,760 --> 00:39:27,640
Speaker 2: talk about it anymore. And Pinky, I don't think died.

782
00:39:27,680 --> 00:39:29,400
Speaker 2: And I don't know how long ants live. I hear

783
00:39:29,400 --> 00:39:32,680
Speaker 2: a hundred years or so. But I'm just you know,

784
00:39:32,680 --> 00:39:33,560
Speaker 2: I got out of farming.

785
00:39:34,200 --> 00:39:36,400
Speaker 1: So you used to stay in touch with some of

786
00:39:36,440 --> 00:39:37,800
Speaker 1: these ants.

787
00:39:37,560 --> 00:39:40,080
Speaker 2: Yeah, and they were ants. You know, I didn't go

788
00:39:40,160 --> 00:39:42,160
Speaker 2: Spidy's ants at a store. Their ant said, I literally

789
00:39:42,239 --> 00:39:45,359
Speaker 2: just found outside, you know, And and it didn't seem

790
00:39:45,360 --> 00:39:46,000
Speaker 2: like they had a home.

791
00:39:46,880 --> 00:39:49,200
Speaker 3: Yeah, you're taking them in and ants can This is

792
00:39:49,600 --> 00:39:52,040
Speaker 3: kind of cool. But ants can live for I think

793
00:39:52,080 --> 00:39:53,399
Speaker 3: ten times their own body weight.

794
00:39:54,280 --> 00:39:54,719
Speaker 2: Mm hmm.

795
00:39:55,239 --> 00:39:59,920
Speaker 1: So he probably is still alive. I don't want to

796
00:40:00,120 --> 00:40:02,839
Speaker 1: if he was a big fat guy. I don't want

797
00:40:02,880 --> 00:40:05,919
Speaker 1: to like live with this this thing. Chanden said, I'm

798
00:40:05,920 --> 00:40:07,600
Speaker 1: just going to carry this around. Yeah, no, I know,

799
00:40:08,360 --> 00:40:09,880
Speaker 1: you have to say it's not fair to me.

800
00:40:10,160 --> 00:40:13,520
Speaker 2: He Here's another thing I'd realized about kids like Chansen

801
00:40:13,800 --> 00:40:16,959
Speaker 2: is they they don't know what's mean.

802
00:40:17,600 --> 00:40:18,680
Speaker 1: No, they don't.

803
00:40:18,880 --> 00:40:22,000
Speaker 2: They don't know what compliments are. They don't understand what

804
00:40:22,040 --> 00:40:24,319
Speaker 2: people consider when people say things, you know, and how

805
00:40:24,360 --> 00:40:26,000
Speaker 2: long it could last, and what the words mean.

806
00:40:26,680 --> 00:40:30,560
Speaker 1: Yeah mm hmm. He said he thought you had a

807
00:40:30,600 --> 00:40:31,239
Speaker 1: goofy face.

808
00:40:32,000 --> 00:40:32,520
Speaker 2: That's fine.

809
00:40:32,640 --> 00:40:34,680
Speaker 1: Uh what was your face? What was going on with

810
00:40:34,719 --> 00:40:35,359
Speaker 1: your face back then?

811
00:40:35,440 --> 00:40:35,600
Speaker 3: Yeah?

812
00:40:35,600 --> 00:40:37,440
Speaker 1: Back then? Because I'm looking at it, it looks nice.

813
00:40:37,560 --> 00:40:40,239
Speaker 2: Oh, thank you. You know a lot of kids used

814
00:40:40,239 --> 00:40:41,839
Speaker 2: to say stuff like you look like the hyena from

815
00:40:41,880 --> 00:40:48,360
Speaker 2: the Lion King, which one whoopee okay, And and that

816
00:40:48,560 --> 00:40:51,920
Speaker 2: sits with you, you know, And and Chanson is probably

817
00:40:51,920 --> 00:40:54,880
Speaker 2: one of those haters out there. And it's not for me.

818
00:40:54,920 --> 00:40:57,440
Speaker 2: It's not bad to look like a wildlife or you know,

819
00:40:57,560 --> 00:41:00,319
Speaker 2: even wildlife that's considered ugly and odd looking. It doesn't

820
00:41:00,360 --> 00:41:02,360
Speaker 2: bother me. And even if it's voiced by a character

821
00:41:02,440 --> 00:41:07,040
Speaker 2: who has predator hair, you know, it's it's hard to

822
00:41:09,320 --> 00:41:11,279
Speaker 2: you know, I don't want a pinpoint, but no, and

823
00:41:11,360 --> 00:41:12,759
Speaker 2: chance and thank you, I'm glad that you thought I

824
00:41:12,760 --> 00:41:13,400
Speaker 2: had a weird.

825
00:41:13,239 --> 00:41:15,400
Speaker 1: Face, goofy Goofy. Yeah.

826
00:41:15,680 --> 00:41:18,560
Speaker 2: Well, and growing up one of my favorite Disney characters, Goofy.

827
00:41:18,840 --> 00:41:23,359
Speaker 1: See see mm hmm. But he wasn't saying you look

828
00:41:23,400 --> 00:41:25,160
Speaker 1: like Goofy. I think he was saying, you have a goofy.

829
00:41:24,920 --> 00:41:27,399
Speaker 1: It's a lowercase. Gee, I should have said that. That's

830
00:41:27,440 --> 00:41:30,719
Speaker 1: my fault. It's a lowercase. He's talking about that like

831
00:41:30,719 --> 00:41:32,840
Speaker 1: like it looks unusual, and.

832
00:41:33,120 --> 00:41:35,120
Speaker 2: I thought he's, you know, playful and fun like Goofy.

833
00:41:36,800 --> 00:41:38,800
Speaker 1: Yeah, yeah, it's it. It's it.

834
00:41:38,880 --> 00:41:43,040
Speaker 3: The way he praises the question, too, is like, honestly,

835
00:41:43,239 --> 00:41:44,799
Speaker 3: I thought you had a goofy face. And then he goes,

836
00:41:44,920 --> 00:41:47,680
Speaker 3: but I'm glad you found success in the entertainment industry.

837
00:41:47,760 --> 00:41:50,920
Speaker 1: I don't think you would say honestly, I thought you

838
00:41:51,000 --> 00:41:56,920
Speaker 1: had a fun, playful face. But I mean, this is

839
00:41:56,920 --> 00:41:57,040
Speaker 1: is it?

840
00:41:57,120 --> 00:41:59,160
Speaker 2: Did he text you guys directly or is this a Twitter?

841
00:41:59,760 --> 00:42:02,080
Speaker 1: This was an on our forum?

842
00:42:02,320 --> 00:42:08,520
Speaker 2: Yeah? Well, so he's into hip things. Good for him. Yeah,

843
00:42:08,880 --> 00:42:10,360
Speaker 2: I'd like to take a look at his face.

844
00:42:11,120 --> 00:42:12,680
Speaker 1: Uh, it's out it's out there.

845
00:42:14,239 --> 00:42:15,239
Speaker 2: Let me take a look at it.

846
00:42:16,160 --> 00:42:18,920
Speaker 1: Sure, yeah, let's pull it up. Okay, I can get it. No,

847
00:42:19,040 --> 00:42:19,759
Speaker 1: I got it right here.

848
00:42:19,840 --> 00:42:25,239
Speaker 2: Okay, great, almost just drink this specially, please.

849
00:42:24,960 --> 00:42:28,399
Speaker 3: Don't drink your dip spit that you've been spitting into

850
00:42:28,400 --> 00:42:29,200
Speaker 3: a juice bottle.

851
00:42:30,200 --> 00:42:34,520
Speaker 1: Okay, I got it right here. Ready, I'm gonna give

852
00:42:34,520 --> 00:42:38,719
Speaker 1: you a really quick look Chance, and.

853
00:42:40,880 --> 00:42:41,680
Speaker 2: You break my heart.

854
00:42:43,160 --> 00:42:44,520
Speaker 1: What happened to that little kid?

855
00:42:44,640 --> 00:42:49,120
Speaker 2: Yeah? He uh, he grew up, That's what he did.

856
00:42:49,880 --> 00:42:51,560
Speaker 2: I'm proud of a Chance and you grew up, buddy,

857
00:42:53,480 --> 00:43:01,680
Speaker 2: And I'm proud that you found success in the podcast commentary.

858
00:43:01,719 --> 00:43:03,920
Speaker 2: That's good you made it onto a podcast. Man. I

859
00:43:03,960 --> 00:43:06,160
Speaker 2: want to know if Chance's ever thought of something as

860
00:43:06,200 --> 00:43:09,359
Speaker 2: groundbreaking as scented Wi Fi, which is something I thought

861
00:43:09,360 --> 00:43:10,759
Speaker 2: about that I'm working on.

862
00:43:10,920 --> 00:43:11,440
Speaker 1: Okay.

863
00:43:12,640 --> 00:43:15,560
Speaker 2: I want to know if Chansen, you know, does he

864
00:43:15,640 --> 00:43:19,200
Speaker 2: do director's commentary on his texts on when he does voicemails.

865
00:43:19,239 --> 00:43:21,440
Speaker 2: I mean, because you know, I when I buy a

866
00:43:21,480 --> 00:43:23,879
Speaker 2: DVD package, if there's no director's commentary and I don't

867
00:43:23,880 --> 00:43:25,160
Speaker 2: want it. If I get a text, I want to

868
00:43:25,160 --> 00:43:26,160
Speaker 2: hear what was behind the text.

869
00:43:26,200 --> 00:43:29,680
Speaker 1: I want to know, you know, Yeah, so you're not

870
00:43:29,719 --> 00:43:32,000
Speaker 1: you're saying you're not just a goofy face, and people

871
00:43:32,640 --> 00:43:37,120
Speaker 1: with the thing that you have actually have something to say.

872
00:43:37,840 --> 00:43:40,480
Speaker 2: And they need to be heard and which can be

873
00:43:40,520 --> 00:43:43,600
Speaker 2: frustrating if you're dealing with people that are hearing impaired.

874
00:43:44,400 --> 00:43:44,560
Speaker 1: Mm.

875
00:43:46,080 --> 00:43:49,040
Speaker 2: You just want to shake him sometimes, you know, just

876
00:43:49,080 --> 00:43:50,160
Speaker 2: the way you do your baby, just.

877
00:43:50,080 --> 00:43:52,200
Speaker 1: Making it worse. Yeah, that's how they got that way

878
00:43:52,200 --> 00:43:53,319
Speaker 1: in the first pom.

879
00:43:53,040 --> 00:43:53,719
Speaker 2: Right in the gut.

880
00:43:55,920 --> 00:43:56,839
Speaker 1: Let him know where you are.

881
00:43:57,640 --> 00:44:00,000
Speaker 3: Yeah, did we have another question?

882
00:44:00,080 --> 00:44:03,319
Speaker 1: G sure? Okay, not that good. It's not very good.

883
00:44:03,360 --> 00:44:04,240
Speaker 1: We can do it anyway.

884
00:44:04,400 --> 00:44:10,080
Speaker 3: Let's do it and then we'll cut it later. Getting

885
00:44:10,120 --> 00:44:13,400
Speaker 3: the notes of sweetness. This question is from Tholonious and

886
00:44:13,520 --> 00:44:17,880
Speaker 3: there's the salty nice. This question is from Tholonious junk.

887
00:44:19,280 --> 00:44:23,040
Speaker 1: It's like, is it jazz music? You forget it? Is

888
00:44:23,120 --> 00:44:25,920
Speaker 1: there a guitar you are partial to? When jokes laying?

889
00:44:28,760 --> 00:44:30,720
Speaker 2: Oh you never, No one ever asked that question.

890
00:44:32,040 --> 00:44:33,080
Speaker 1: Like I said, it's not very good.

891
00:44:33,840 --> 00:44:39,840
Speaker 2: It's it's is there a guitar that I prefer? I

892
00:44:40,040 --> 00:44:43,080
Speaker 2: for me, it's the opposite. Does a guitar want to

893
00:44:43,080 --> 00:44:43,520
Speaker 2: work with me?

894
00:44:45,440 --> 00:44:46,680
Speaker 1: Because is that the opposite?

895
00:44:46,800 --> 00:44:49,640
Speaker 2: That's a self centered thing to think. You know, I

896
00:44:49,640 --> 00:44:52,439
Speaker 2: can pick whatever a guitar. I walk into a store

897
00:44:52,480 --> 00:44:55,480
Speaker 2: and say, who thinks they can handle me? That's first

898
00:44:55,560 --> 00:44:57,479
Speaker 2: off and six of them are going to walk away

899
00:44:57,520 --> 00:44:59,200
Speaker 2: right there? Yeah, or you know, the employers are gonna

900
00:44:59,200 --> 00:45:02,160
Speaker 2: come over and move them out. But and then you

901
00:45:02,239 --> 00:45:04,480
Speaker 2: just kind of you walk around. You're around the guitars.

902
00:45:04,560 --> 00:45:07,200
Speaker 2: Who's looking at you? Are they interested? Are you flirting

903
00:45:07,200 --> 00:45:11,400
Speaker 2: at all? Is this somebody that you're attracted to? Guitar wives?

904
00:45:13,400 --> 00:45:15,760
Speaker 2: Have they been with a ton of other players? Have they?

905
00:45:17,840 --> 00:45:19,200
Speaker 2: Do they get your sense of humor?

906
00:45:19,280 --> 00:45:21,080
Speaker 3: And if they've been with a ton of other players,

907
00:45:21,080 --> 00:45:22,080
Speaker 3: that's damaged goods?

908
00:45:22,160 --> 00:45:22,319
Speaker 1: Right?

909
00:45:22,520 --> 00:45:26,600
Speaker 2: Yeah? Oh sometimes yeah. Also sometimes experience is important. Yeah,

910
00:45:26,600 --> 00:45:28,480
Speaker 2: experience can be a great thing. But sometimes you want

911
00:45:28,520 --> 00:45:32,000
Speaker 2: to get that freshy you know, something that feels great,

912
00:45:33,320 --> 00:45:34,080
Speaker 2: feels really good.

913
00:45:35,200 --> 00:45:36,920
Speaker 1: Guitars cherry wide open.

914
00:45:37,360 --> 00:45:39,640
Speaker 2: Well, and and but you also want to respect it.

915
00:45:40,040 --> 00:45:41,279
Speaker 1: Yes, you know that's what I'm saying.

916
00:45:41,360 --> 00:45:42,920
Speaker 2: Yeah mm hmm.

917
00:45:43,320 --> 00:45:45,840
Speaker 3: Yeah, respectfully bust the ship the cherry open.

918
00:45:46,120 --> 00:45:48,680
Speaker 1: Yeah, so you're saying the guitar your most partial too,

919
00:45:48,760 --> 00:45:49,239
Speaker 1: is your wife?

920
00:45:50,120 --> 00:45:51,359
Speaker 2: Yeah, m hm.

921
00:45:52,120 --> 00:45:56,200
Speaker 3: And I and I I want to double back quickly, Yes,

922
00:45:56,280 --> 00:45:57,280
Speaker 3: that is the opposite.

923
00:45:57,360 --> 00:45:58,799
Speaker 2: Well, you know a lot of people double back if

924
00:45:58,800 --> 00:45:59,960
Speaker 2: they're trying to throw the scent off.

925
00:46:00,800 --> 00:46:04,600
Speaker 3: Okay, well then I well I don't want to be

926
00:46:04,600 --> 00:46:05,319
Speaker 3: accused of that.

927
00:46:05,520 --> 00:46:08,719
Speaker 1: I'm kind of in a pickle here. I want to

928
00:46:09,680 --> 00:46:12,759
Speaker 1: double back a little more. When you said you were

929
00:46:12,800 --> 00:46:17,680
Speaker 1: a Northwest guy, what if he was talking about northwest

930
00:46:18,320 --> 00:46:23,280
Speaker 1: the baby the baby? No, that's oh wow that yeah.

931
00:46:23,600 --> 00:46:25,080
Speaker 2: I thought you're gonna say, what if he was talking

932
00:46:25,120 --> 00:46:29,040
Speaker 2: about like Washington and Oregon region, I was talking about

933
00:46:29,040 --> 00:46:29,960
Speaker 2: the baby Northwest?

934
00:46:30,440 --> 00:46:33,880
Speaker 1: Oh? Should we just do the whole thing again?

935
00:46:34,560 --> 00:46:36,520
Speaker 3: We might want to start from the top, so we're

936
00:46:36,520 --> 00:46:38,719
Speaker 3: gonna scrap this one. Cody put a note next to

937
00:46:38,760 --> 00:46:42,640
Speaker 3: the file and it's garbage. We'll do a quick sign

938
00:46:42,680 --> 00:46:43,759
Speaker 3: off just for fundzos.

939
00:46:44,960 --> 00:46:47,800
Speaker 1: Nick, do you have any any projects? Oh, yes, coming

940
00:46:47,880 --> 00:46:50,640
Speaker 1: up that you'd like to plug? What's up? Movies?

941
00:46:51,320 --> 00:46:53,759
Speaker 3: Should we even plug in at the top of this?

942
00:46:53,880 --> 00:46:55,600
Speaker 3: Maybe Nick plugging his new special?

943
00:46:55,640 --> 00:46:56,640
Speaker 1: Isn't that out right now?

944
00:46:56,719 --> 00:47:02,319
Speaker 2: Yeah? Special on Netflix? Nick fun that's me Full Hero

945
00:47:02,480 --> 00:47:07,240
Speaker 2: is the name of it. And that's just there at streaming.

946
00:47:07,280 --> 00:47:11,520
Speaker 2: It's there forever you can have it. You can show

947
00:47:11,520 --> 00:47:15,600
Speaker 2: it to someone very generous. Yeah, you know, for me,

948
00:47:15,760 --> 00:47:18,800
Speaker 2: it's it's not always about owning things. It's about giving

949
00:47:18,800 --> 00:47:21,480
Speaker 2: it up, giving it away, letting them have it. And

950
00:47:21,520 --> 00:47:22,759
Speaker 2: if you can make a shit, a little money and

951
00:47:22,760 --> 00:47:24,759
Speaker 2: be really successful and respected and why not.

952
00:47:24,960 --> 00:47:26,800
Speaker 1: You know what else do you recommend on Netflix?

953
00:47:28,440 --> 00:47:32,560
Speaker 2: Well I would. Somebody brought this up yesterday, this Lance

954
00:47:32,600 --> 00:47:35,000
Speaker 2: Bangs actually pitched this idea that the best way to

955
00:47:35,000 --> 00:47:38,759
Speaker 2: actually enjoy House of Cards is to watch five minutes

956
00:47:38,800 --> 00:47:41,040
Speaker 2: of an episode, watch a minute of my stand up,

957
00:47:41,160 --> 00:47:44,439
Speaker 2: go back, and then once you've seen the full thing,

958
00:47:44,920 --> 00:47:46,920
Speaker 2: just kind of have it playing while you're doing it.

959
00:47:46,960 --> 00:47:48,320
Speaker 2: And of course each time you got to click the

960
00:47:48,360 --> 00:47:52,440
Speaker 2: five star rating because that's how you can watch it again. Yeah,

961
00:47:52,480 --> 00:47:54,560
Speaker 2: and it also it takes you to a different level.

962
00:47:55,120 --> 00:47:56,680
Speaker 2: People don't know that that's a little.

963
00:47:57,520 --> 00:47:59,920
Speaker 1: Okay, So.

964
00:48:01,280 --> 00:48:04,440
Speaker 3: Because I watched Nick Thune Folk Hero, you'd recommend watching

965
00:48:04,520 --> 00:48:13,800
Speaker 3: one minute of House of Cards. Yeah, okay, that adds

966
00:48:13,920 --> 00:48:21,279
Speaker 3: up to me. Well, rate us on iTunes, like us

967
00:48:21,320 --> 00:48:25,120
Speaker 3: on Facebook, please uh comment on the forums and just

968
00:48:25,200 --> 00:48:25,919
Speaker 3: talk to us.

969
00:48:26,000 --> 00:48:29,719
Speaker 1: And if you know a celebrity from your childhood, maybe

970
00:48:29,760 --> 00:48:32,839
Speaker 1: you were like a poor child and some kind of

971
00:48:33,560 --> 00:48:36,280
Speaker 1: aid program where you just needed.

972
00:48:36,719 --> 00:48:38,879
Speaker 3: You want to take a pot shot at some guy

973
00:48:38,920 --> 00:48:40,680
Speaker 3: who's doing pretty well right.

974
00:48:40,600 --> 00:48:43,600
Speaker 1: Now was kind enough to talk to you when you.

975
00:48:43,680 --> 00:48:44,319
Speaker 2: Take care of you.

976
00:48:44,360 --> 00:48:47,160
Speaker 3: You want to fire off at him bring up a

977
00:48:47,160 --> 00:48:48,640
Speaker 3: painful memory of a pet.

978
00:48:48,440 --> 00:48:49,040
Speaker 1: That he lost.

979
00:48:49,120 --> 00:48:52,640
Speaker 3: Basically, go ahead, you know that's what we're here for.

980
00:48:54,719 --> 00:48:58,680
Speaker 1: By the pro version, what's the prime We must have

981
00:48:58,719 --> 00:49:00,719
Speaker 1: a prize in the in the forums.

982
00:49:01,000 --> 00:49:03,960
Speaker 3: Oh uh uh, Nick Thon is gonna play a tasty

983
00:49:04,080 --> 00:49:08,560
Speaker 3: riff for you if you bought this pro version and.

984
00:49:08,520 --> 00:49:09,359
Speaker 1: Who bought it last?

985
00:49:09,600 --> 00:49:14,200
Speaker 3: Tim bought it, Tim Trees go to Tim's blog, bought

986
00:49:14,200 --> 00:49:16,000
Speaker 3: the pro version, so he's gonna get just a real

987
00:49:16,080 --> 00:49:16,880
Speaker 3: tasty riff.

988
00:49:18,200 --> 00:49:19,160
Speaker 2: Said, I do that right now.

989
00:49:20,080 --> 00:49:24,000
Speaker 1: We can wait, you can do it another time.

990
00:49:23,840 --> 00:49:25,040
Speaker 2: You know, Yeah, that's fine.

991
00:49:26,280 --> 00:49:30,000
Speaker 1: Bye bye.

992
00:49:32,920 --> 00:49:35,879
Speaker 4: This has been an Earwolf Media production Executive producers Jeff

993
00:49:35,920 --> 00:49:48,319
Speaker 4: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

994
00:49:43,640 --> 00:49:54,400
Speaker 1: Ear Wolf Radio, Boom dot com, The worf Dead