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Speaker 1: Forties are the new twenties. I think so too.

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Speaker 2: My forties are way better than my twenties.

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Speaker 1: Yeah, no, I remember way.

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Speaker 3: I remember being so excited to get out of my twenties,

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Speaker 3: like when I turned thirty, Like I was so and

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Speaker 3: I think my parents used to tell me that the

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Speaker 3: twenties are the best, your twenties are. And I remember

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Speaker 3: being in my twenties being so miserable the whole time,

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Speaker 3: like so much pressure and feeling incapable of doing the

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Speaker 3: things that I wanted to do. Like it was like

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Speaker 3: I wanted to be achieving all the things that I

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Speaker 3: felt like I should be.

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Speaker 1: Able to, but I wasn't, and so I was just miserable.

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Speaker 3: And everybody feels that way, right, Like I mean we

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Speaker 3: had an extreme example. I mean we were extreme because

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Speaker 3: we had, like, you know, a limp metal syndrome right

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Speaker 3: where we're like, as teens, we'd already won the Olympics

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Speaker 3: and now we're screwed.

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Speaker 1: But I think most people in your twenties are like,

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Speaker 1: why am I not doing all the things that I

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Speaker 1: was supposed to do in ice school.

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Speaker 4: I don't feel like the equivalent of what it is

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Speaker 4: to be a toddler where you're like, right, I have mobility.

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Speaker 4: I feel like I can't express myself, but I have

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Speaker 4: all these thoughts in my head. I don't know the.

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Speaker 3: Right look like a grown up. I sound like a

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Speaker 3: grown up. Everyone should be treating me like.

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Speaker 1: A grown up, but I don't.

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Speaker 4: Grown ups seem way more grown up, But like I

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Speaker 4: am a grown up? What is happening?

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Speaker 1: Right?

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Speaker 2: I was just in one long panic attack from twenty

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Speaker 2: four to thirty five. Was just anxiety for me. So

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Speaker 2: it was like I erased that part of my life.

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Speaker 3: Frankly, but I think that that makes sense, Like that's yeah,

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Speaker 3: because that's what I was, you know. I it wasn't

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Speaker 3: a panic attack for me, but I felt like I

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Speaker 3: was having this conversation with a friend, like a couple

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Speaker 3: months ago, they were talking about that period of my life.

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Speaker 1: Like, oh, I remember we used to go hang out

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Speaker 1: at your house and I was like, I was so miserable.

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Speaker 3: I was like really, like yeah, I think he's like

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Speaker 3: we were always hanging out and I was like yeah,

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Speaker 3: and I was miserable.

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Speaker 2: I think our parents generation though their twenties were our thirties,

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Speaker 2: so for them for their twenties, they were like you

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Speaker 2: know my dad was. My parents weren't. My mom had

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Speaker 2: a baby, she was married at twenty four. My parents

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Speaker 2: are both lawyers. They were, they were, like my dad

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Speaker 2: was twenty seven.

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Speaker 3: But so what advice would you give to like if

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Speaker 3: you had your own kids, Like, how would you tell

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Speaker 3: them to approach their twenties?

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Speaker 1: Because I don't know how to I don't know how

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Speaker 1: to avoid this, Like.

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Speaker 2: How do you approach your twenties?

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Speaker 3: Like what do I tell Indy, Like, here's what your

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Speaker 3: twenties are all about? Yeah, because I'd feel like I

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Speaker 3: was told your twenties are all about living your life

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Speaker 3: and having the best time, and I was, twenties are.

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Speaker 2: Really about five. I think you're finding about finding yourself

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Speaker 2: and finding out what you want to do with your life.

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Speaker 2: And totally that's okay. Where it's like you can be

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Speaker 2: twenty six and still have no idea what you're saying.

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Speaker 4: You should spend all ten years trying and failing until

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Speaker 4: you find something that you don't want to fail at

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Speaker 4: and that you're not going to fail at. Yes, but

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Speaker 4: because that's not what I mean. We've set it up

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Speaker 4: so that's what people feel like they have to do

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Speaker 4: in high school. Oh, you're supposed to figuring out what

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Speaker 4: you want to do. No, you are not right.

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Speaker 1: No, So really high school should go all the way

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Speaker 1: till twenty six.

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Speaker 4: Yeah, should go until twenty six. Like if high school

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Speaker 4: went to twenty two or twenty and then there was

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Speaker 4: a mandatory one or two year break and then it

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Speaker 4: was college to figure it all out.

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Speaker 2: Because yeah, also, no, certain certain things that last forever

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Speaker 2: you can maybe try to find in your twenties, but

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Speaker 2: stuff like the career you're supposed to be in for

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Speaker 2: the rest of your life, the relationship you're supposed to

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Speaker 2: be in for the rest of your life. No, don't

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Speaker 2: you don't commit to that until your he's thirty, right,

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Speaker 2: I mean exactly, It's okay.

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Speaker 3: Yeah, if I were King of America, I would say

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Speaker 3: I would say you finish high school at eighteen, right,

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Speaker 3: which is just like basically just high.

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Speaker 1: School doesn't need to be as hard as it is

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Speaker 1: right now, I feel like high school high schools so advanced. Yeah,

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Speaker 1: it's so hard and there's so much pressure.

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Speaker 3: So the idea should be like high school should just

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Speaker 3: be basic, like life skills like how do you balance

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Speaker 3: and checkbook?

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Speaker 2: We don't do that.

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Speaker 3: Your basic stuff and like not you know, theoretical physics

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Speaker 3: and all the stuff that it is. Right now, okay,

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Speaker 3: so high school should be more basic. You finish at

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Speaker 3: eighteen and then you have to go into service for

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Speaker 3: two years. You have to either go in the military

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Speaker 3: or just teach other kids. Teach children, so sort of.

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Speaker 4: Where it doesn't have to be about you know.

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Speaker 1: It's just and you have to travel.

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Speaker 3: You have to leave wherever you are and go somewhere

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Speaker 3: else for two years and dedicate your time.

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Speaker 1: And that's just giving back to America, to the country.

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Speaker 1: And then call.

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Speaker 3: It starts and like twenty if you want it, if

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Speaker 3: you want it, you.

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Speaker 4: Can want it while you can go to focus or

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Speaker 4: you want to start a business.

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Speaker 3: There's no pressure until twenty and then it's like okay,

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Speaker 3: now you can figure out what you want to if

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Speaker 3: you want to do something.

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Speaker 2: Yeah yet, oh.

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Speaker 4: All right, well glad we have a plan for our

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Speaker 4: children to figured it out.

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Speaker 2: That's good.

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Speaker 4: We've solved all of the world's problems and this is

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Speaker 4: what we do here.

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Speaker 1: We're only in pre show jazz.

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Speaker 4: Great, we've been talking for only a few minutes and we've.

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Speaker 2: Already the world's problems.

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Speaker 4: God, welcome to pond Meats World. I'm Daniel Fischl, I'm

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Speaker 4: Rider Strong, and I'm Wilfordell. So welcome to today's episode recap,

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Speaker 4: which is season six, episode fourteen, Getting Hitched. It originally

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Speaker 4: aired January twenty ninth, nineteen ninety nine. The synopsis Sean

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Speaker 4: and Jack go through CHETZ trailer and Tapega think she

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Speaker 4: and Corey should live together. It was directed by Jeff McCracken.

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Speaker 4: It was written by Jeff Manel and guest starring. We

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Speaker 4: only have one, so I'll say our guest star before

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Speaker 4: we jump into our overall thoughts. Jeremy seely as student.

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Speaker 4: Only two credits for Jeremy this one and as I

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Speaker 4: had a job as trombonist number one on Hang Time

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Speaker 4: Now is this?

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Speaker 2: Yeah? That was a good one. So trombonus number one.

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Speaker 2: I auditioned for that three times.

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Speaker 4: Really didn't get it. No, you know what, you couldn't

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Speaker 4: cry on Q That's what it was.

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Speaker 2: I just like, can you cry while play the trombone.

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Speaker 2: I'm like no, We'll just try to sell it.

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Speaker 4: Try to sell it. And you did it three times.

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Speaker 2: That was ambition as a trombone joke. By the way,

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Speaker 2: I even got a trombone joke in my repertoire.

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Speaker 4: People, I hope three of you enjoy that. Ex any

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Speaker 4: overall thoughts before we jump into our recap, I mean.

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Speaker 3: We're in a weird space, like I'm kind of now

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Speaker 3: I'm coming around on season six. You just kind of like,

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Speaker 3: you know, I kind of do like this is just

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Speaker 3: a soap opera. Like when when we hit the recap,

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Speaker 3: where we hit the recap and I was like, wow,

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Speaker 3: I'm like, oh, okay, you know what, the show has

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Speaker 3: just become something else and it's exactly things and I

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Speaker 3: kind of am like, do your thing, man, like you know,

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Speaker 3: like you turned me off for a little bit.

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Speaker 4: Boy meets World kind of kind of.

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Speaker 1: It's like it's earning. It's it's arguing its case now.

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Speaker 3: Like I'm like, you know what, Sean has been on

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Speaker 3: Whiny this entire season, but now I'm kind of like, yeah,

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Speaker 3: well it's coming around.

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Speaker 1: It's away right, Well, it's becoming the.

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Speaker 3: Thing, and I'm like, okay, I don't know, so I

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Speaker 3: don't know.

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Speaker 1: It's kind of winning it back in it's awful way.

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Speaker 2: I agree one hundred percent everything Rider just said. I

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Speaker 2: was sitting there going it's a completely different television program. Yeah,

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Speaker 2: now I'm now I'm liking this version of the television program.

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Speaker 2: Eric is a completely different person from from episode to episode.

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Speaker 2: Matt Lawrence is becoming the best I've ever seen in

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Speaker 2: my and.

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Speaker 3: Like his character is such depth, and like when they kissed,

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Speaker 3: I was like, what, like real kind of romance and.

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Speaker 2: Like, yep, had me you had to be a hello

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Speaker 2: boy mes world. Yeah, so I don't know what the

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Speaker 2: hell happened, but I agree with Ryder. I liked it,

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Speaker 2: and I don't know why.

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Speaker 4: That's my you you know what, I agree with you guys.

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Speaker 4: Here's what I'll say. My only real complaint is that

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Speaker 4: I guess it's just never going to be on the

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Speaker 4: table that Topega and Corey should just break up to

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Speaker 4: Pega is never ever going to see that Corey does

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Speaker 4: not care about her. He just wants to sleep with

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Speaker 4: her and is willing to marry her to do it.

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Speaker 4: That's it. The fact that they that they don't know

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Speaker 4: each other, that he does not know her at all,

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Speaker 4: and she goes, you know what this means, don't you

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Speaker 4: we gotta live together? I'm like, oh my gosh, but okay,

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Speaker 4: you know what you We've we've fully laid the foundation

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Speaker 4: that that's not possible.

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Speaker 2: If Topanga put out once, she'd never have to see

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Speaker 2: this man again. Correct, and that happens, she and she

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Speaker 2: could go.

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Speaker 1: Off and be with Lauren and everybody.

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Speaker 2: Take one for the team. I also love how live

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Speaker 2: together in this world means spend one night together in

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Speaker 2: separate beds, because that's literally what it is. Because they've

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Speaker 2: said at the beginning they're not allowed to live together

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Speaker 2: at the school unless they're married, so they can't live together.

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Speaker 2: So Sean, I didn't understand.

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Speaker 1: We're shot, Like they just pushed their beds together.

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Speaker 2: And then separated them again because Tapanga is like, why

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Speaker 2: are the beds together? We can't even sleep next to

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Speaker 2: each other until we're married to parents and so that

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Speaker 2: and then that's it.

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Speaker 1: Bubble.

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Speaker 2: But yeah, so again this as the Boy meets World

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Speaker 2: turns is becoming one of my new favorite shoes that

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Speaker 2: I've ever seen.

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Speaker 4: Yeah, general, boy meets.

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Speaker 2: Exactly.

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Speaker 4: Okay, So jumping into our recap, we get an another

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Speaker 4: previously on Boy meets World. Why are we Why do

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Speaker 4: you think we're doing these now?

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Speaker 3: Because we needed to serialize it, like it didn't make sense.

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Speaker 3: But that's the thing like our show was serializing at

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Speaker 3: a time when that wasn't a thing, and it's crazy,

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Speaker 3: like it's such a big swing.

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Speaker 1: It's such a big swing.

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Speaker 3: We killed my dad and like this is this is

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Speaker 3: the follow up episode to my dad dying like a comedic,

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Speaker 3: like basically a joke of a character is like, I mean,

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Speaker 3: it's it's so cool, like this is why, this is why,

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Speaker 3: this is why people still talk to us about it,

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Speaker 3: and it's like but at the time we were like, Okay,

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Speaker 3: this is what But in retrospect, that is crazy, yes, and.

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Speaker 1: We have to do a recap?

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Speaker 2: Do do soap opera start with recaps every week? Is

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Speaker 2: it like what you saw yesterday on Days of our Lives?

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Speaker 4: Is that a thing I don't remember, but I feel

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Speaker 4: like it has to And that's what I think the

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Speaker 4: vibe there you get two days of a soap opera.

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Speaker 1: Ghost We both went.

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Speaker 2: Yeah, exactly.

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Speaker 4: So in this recap, we see Chet re entering the

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Speaker 4: boy's life, Sean relaying realizing he's just like his dad,

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Speaker 4: and Corey relaying the news that Chet had a heart attack.

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Speaker 4: Then at the hospital, Sean and his dad have a

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Speaker 4: tearful heart to heart but soon after Chet has another

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Speaker 4: heart attack and passes away, and now we're caught up.

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Speaker 4: We're at the student union. The brew Lagoon mug has returned.

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Speaker 4: As Corey takes a sip of coffee to Panka sneaks

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Speaker 4: behind him and covers his eyes. Corey smirks, Oh, i'd

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Speaker 4: know those hands anywhere Sean to pek. A smile fades.

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Speaker 4: Corey realizes his mistake and tries to move on. How

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Speaker 4: you doing, honey, Sorry, I was just hoping it'd be Sean.

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Speaker 2: Now, I'm sorry. I thought we were opening with the joke. Yeah,

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Speaker 2: but then they played it to where he really thought

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Speaker 2: it was Sean's hands.

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Speaker 4: And he really wanted it to be Sean. I want

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Speaker 4: and it's like, I know it should have I know

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Speaker 4: it should have been.

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Speaker 2: Like that's the joke, like I don't know those hands

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Speaker 2: anywhere Sean, like of course, But I was like, wait,

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Speaker 2: they're playing it to where he really thought it was.

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Speaker 4: He really thought it was Sean, and Sean whose dad

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Speaker 4: just died, decided to play peekaboo with it.

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Speaker 2: With a very small, dainty girl's hands. That's the way.

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Speaker 3: That's the way you react when friends your dad, your

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Speaker 3: dad died, come here.

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Speaker 4: Let's play pekaboo.

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Speaker 2: Who'sat here? When I when I take my hands away?

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Speaker 2: Your dad?

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Speaker 3: Oh my god, he's still gone.

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Speaker 4: Wasn't a bad dream? Wasn't a nightmare? So Topanga understands

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Speaker 4: she knows Corey's worried about him. Corey admits, Yeah, it's

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Speaker 4: his dad's funeral and I can't reach him. I don't

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Speaker 4: know what to do. Topeka reveals I have something that

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Speaker 4: will cheer you up. Corey jumps up out of his seat.

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Speaker 4: Is it, Sean, it's not. Topanga pull out a box

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Speaker 4: the Fiance game and like, I really t Manga. Yeah, okay,

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Speaker 4: I have something that'll cheer you up.

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Speaker 2: Do you remember shooting this No? I remember. This is

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Speaker 2: the only part I remember was the four of us

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Speaker 2: shooting this game and then Bill coming in.

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Speaker 4: Oh really it's.

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Speaker 1: A lovely see. I mean it's actually very funny. It's

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Speaker 1: just funny. Yeah. How do you get into this right?

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Speaker 3: Like, how do you rationalize a Fiance game to establish

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Speaker 3: all the things that it needs. It's really poorly written

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Speaker 3: to get into it, like this opening it.

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Speaker 1: Yeah, and then the Phoenie turned Why does PHOENI agree

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Speaker 1: to do this?

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Speaker 4: I know?

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Speaker 3: Literally, no rationale is given. He just goes, Oh, the

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Speaker 3: Fiance game I'm in, but like, what play? There's there's

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Speaker 3: a million things about Fioenie that could entice him, like

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Speaker 3: I don't know, like Feenie loves to teach, and like

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Speaker 3: there's something about this game that is like, oh, the

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Speaker 3: person who narrates it or hosts it, I don't know,

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Speaker 3: But there's no reason.

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Speaker 1: Is just as like, oh, I'm not going to play.

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Speaker 1: I'm with you guys. Oh it's the Fiance game.

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Speaker 2: I'm in? What Yeah, and then gets angry at one

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Speaker 2: point just grabs Eric. I mean, it's it's kind of

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Speaker 2: out of character for Feenie a little bit.

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Speaker 4: But I do wish Feenie was the one who if

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Speaker 4: Feenie was the one very excited about it and it

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Speaker 4: was like we were kind of like, oh do you

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Speaker 4: do you want to moderate it? Then I guess like

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Speaker 4: then it then he could have just had a holidays

300
00:14:26,200 --> 00:14:27,840
Speaker 4: are over and one of my jobs was taking care

301
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Speaker 4: of the decorations. But now what do I do?

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Speaker 2: Right Exactly, he's teaching it. I'm teaching it for my

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Speaker 2: comparative literature class, like something random where it's.

304
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Speaker 4: No reason for him to be or or tie it

305
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Speaker 4: into his wife. Lillian and I knew each other like

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Speaker 4: the back of our hands. If you two are getting married,

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00:14:45,120 --> 00:14:46,960
Speaker 4: this is a great way to see how well you

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Speaker 4: know each other.

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Speaker 2: Yes, yes, something like that. He hands you a cup

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Speaker 2: of coffee and it's like where's the sugar, you take sugar,

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Speaker 2: and so something like that. Anything, yes, yep, but no

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Speaker 2: they don't do any of that.

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Speaker 4: Well, Corey is excited. He was going to get this

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Speaker 4: for her as a gift to Benga says it's supposed

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Speaker 4: to tell if you're ready to get married. Corey insists,

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Speaker 4: trust me, I'm ready. She says they could play right

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Speaker 4: now if they had another couple, and I'm cue Eric

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Speaker 4: and Rachel walk up.

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Speaker 2: Hey, totally different. Eric walks in, I love it. What

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Speaker 2: do you mean because at this point now I'm so

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Speaker 2: just every line is said with a weird little Every

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Speaker 2: line is a joke. It's now even pushed more than

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Speaker 2: it was. We were going this direction, but this episode

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Speaker 2: was like, oh okay, now we're officially at insanely crazy.

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Speaker 4: Eric like this, Oh yeah, this, you're very losey goosey.

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Speaker 2: Yes, very lucy goosey. The whole this whole way. But

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Speaker 2: you were having fun doing that, right, I mean the

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00:15:38,360 --> 00:15:40,080
Speaker 2: last it was great.

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Speaker 1: Oh, you just got to come in, make the make

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Speaker 1: the last, I mean, get the laughs. I mean you

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Speaker 1: were just you're having fun. Here's the thing.

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Speaker 2: I talked to you with some some fans at conventions,

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Speaker 2: and it's true people early Eric. Some people were like,

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Speaker 2: do you kind of wish later Eric was more like

335
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Speaker 2: early Eric? And I wish early Eric was more like

336
00:16:00,440 --> 00:16:03,560
Speaker 2: later Eric. If I could have played it differently, I

337
00:16:03,560 --> 00:16:07,400
Speaker 2: would have had Eric more like this essentially the entire series.

338
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Speaker 2: But it's such a change from where he was. I

339
00:16:11,560 --> 00:16:13,880
Speaker 2: mean even I was thinking about how cool I was

340
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Speaker 2: playing it with, like there's nothing better than naked ladies.

341
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Speaker 2: Like even that line I would have been done totally

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00:16:20,440 --> 00:16:24,040
Speaker 2: differently a season later as this Eric, where everything is

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Speaker 2: just wacky craziness. So but they do.

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Speaker 1: Give you like you're hurt by the fact that.

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Speaker 2: Oh, I think Tommy is going to be stuff. Sorry,

346
00:16:32,800 --> 00:16:36,080
Speaker 2: the Tommy stuff is going to be a completely like

347
00:16:36,320 --> 00:16:38,400
Speaker 2: a dramatic arc, and I had my god, alog, I mean,

348
00:16:38,400 --> 00:16:41,680
Speaker 2: there's stuff there. But Eric is definitely Lucy Goosey.

349
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Speaker 4: Now, what do you remember about shooting this scene?

350
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Speaker 2: The thing I remember most was that when we flip

351
00:16:47,880 --> 00:16:49,920
Speaker 2: over the sign, it said Penguin. For the first two

352
00:16:49,960 --> 00:16:53,320
Speaker 2: takes it was spelled correctly, and I went to Glazer

353
00:16:53,360 --> 00:16:55,760
Speaker 2: and I was like, why, it's got to be spelled wrong.

354
00:16:55,800 --> 00:16:57,320
Speaker 2: He goes, what And I grabbed the thing and I

355
00:16:57,360 --> 00:16:59,200
Speaker 2: go and I spelled it with the w's, like yeah,

356
00:16:59,200 --> 00:17:00,600
Speaker 2: you're right. And then we fipped it over, and I

357
00:17:00,680 --> 00:17:03,000
Speaker 2: think the writers even knew that it was spelled and

358
00:17:03,080 --> 00:17:04,879
Speaker 2: we had misspelled it on the on the card. So

359
00:17:04,880 --> 00:17:07,199
Speaker 2: I remember stuff like that. Uh, and then it was

360
00:17:07,240 --> 00:17:09,520
Speaker 2: just the four of us laughing because it was And

361
00:17:09,560 --> 00:17:12,760
Speaker 2: I think episodes like this the thing I remember the

362
00:17:12,760 --> 00:17:16,119
Speaker 2: most about the funny either b or a story, whichever

363
00:17:16,160 --> 00:17:19,520
Speaker 2: it was. When the other story was really dramatic, usually

364
00:17:20,359 --> 00:17:22,920
Speaker 2: the cast that was in the funny story was going

365
00:17:23,000 --> 00:17:27,320
Speaker 2: nuts that week. Yeah, making each other laugh, like yeah.

366
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Speaker 3: I miserable this week, Like I have a distinct memory

367
00:17:31,280 --> 00:17:34,080
Speaker 3: of breaking really, yes, I have a distinct memory of

368
00:17:34,080 --> 00:17:34,920
Speaker 3: breaking down this week.

369
00:17:36,320 --> 00:17:37,919
Speaker 2: We'll get into that, but yeah. No, that's just what

370
00:17:37,960 --> 00:17:40,040
Speaker 2: I remember is just us shooting it and having a

371
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Speaker 2: blast and flipping the card over, and the Phoene call

372
00:17:42,520 --> 00:17:46,280
Speaker 2: was changing every every take, and all that kind of stuff.

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Speaker 1: It was nice to have it back. Is this the

374
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Speaker 1: first Phoenie call we've had season six?

375
00:17:49,960 --> 00:17:51,639
Speaker 4: It's been a while, Yes, it's been a while. I

376
00:17:51,640 --> 00:17:53,600
Speaker 4: don't know that it's U season smitted. It has been

377
00:17:53,640 --> 00:17:56,160
Speaker 4: a while, and it's it's a callback to the one

378
00:17:56,240 --> 00:17:58,679
Speaker 4: we were like, okay, this is the one that everyone

379
00:17:58,720 --> 00:17:59,119
Speaker 4: thinks of.

380
00:17:59,359 --> 00:18:01,440
Speaker 2: Oh no, the one the classroom, the big the big

381
00:18:01,480 --> 00:18:02,640
Speaker 2: one was the season.

382
00:18:02,800 --> 00:18:05,960
Speaker 4: It was Yeah, it was that was Yeah, we can't

383
00:18:05,960 --> 00:18:06,560
Speaker 4: remember it.

384
00:18:06,560 --> 00:18:10,640
Speaker 2: It's pretty than seventy'll find out.

385
00:18:11,840 --> 00:18:13,639
Speaker 4: So Corey invites his brother to play a game and

386
00:18:13,760 --> 00:18:16,479
Speaker 4: Eric responds, what you got per quacky to Panga reveals

387
00:18:16,480 --> 00:18:19,439
Speaker 4: the box and Rachel's interest is piqued. You know, I

388
00:18:19,520 --> 00:18:22,639
Speaker 4: was almost engaged once we planned our whole future together.

389
00:18:23,080 --> 00:18:25,960
Speaker 4: I hope he dies. Eric asks, we don't have to

390
00:18:25,960 --> 00:18:27,960
Speaker 4: be engaged to play the game, do we, because that'd

391
00:18:28,000 --> 00:18:30,399
Speaker 4: be okay with me. But Rachel isn't done. Not just

392
00:18:30,480 --> 00:18:33,159
Speaker 4: dies burns. I want to step on his face with

393
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Speaker 4: a golf shoes given, I know, and.

394
00:18:37,040 --> 00:18:43,520
Speaker 2: Yes, I was like boyfriend coming through was like, ye,

395
00:18:43,800 --> 00:18:45,119
Speaker 2: this is funny, Yeah, yep.

396
00:18:45,600 --> 00:18:48,520
Speaker 4: Eric is unfazed. That's very hostile. Will you marry me.

397
00:18:48,920 --> 00:18:51,960
Speaker 4: Rachel shrugs, why not? We already lived together, right, Eric

398
00:18:52,000 --> 00:18:54,679
Speaker 4: agrees that's right, we've been living together ever since she

399
00:18:54,800 --> 00:18:58,000
Speaker 4: moved in. He goes on to tell the actual engaged

400
00:18:58,000 --> 00:19:01,160
Speaker 4: couple their toast to Peng reminds him she and Corey

401
00:19:01,200 --> 00:19:04,240
Speaker 4: have been together for seventeen years. So I guess we're

402
00:19:04,400 --> 00:19:09,080
Speaker 4: now nineteen years old, right? I mean, I know, so

403
00:19:09,359 --> 00:19:11,640
Speaker 4: we've been together since we were two, which we said

404
00:19:11,640 --> 00:19:14,160
Speaker 4: that in like the last episode, So I guess we're

405
00:19:14,240 --> 00:19:16,960
Speaker 4: sticking at least with that. So I guess now we're nineteen.

406
00:19:18,400 --> 00:19:20,960
Speaker 4: I don't know, but the game is set now. All

407
00:19:21,000 --> 00:19:23,040
Speaker 4: they need is someone to read the questions, and Eric

408
00:19:23,119 --> 00:19:25,720
Speaker 4: knows the perfect person. He spots Phoenie nearby, and we

409
00:19:25,760 --> 00:19:30,160
Speaker 4: get the most exaggerated Phoene call yet. Eric assures everyone

410
00:19:30,320 --> 00:19:33,320
Speaker 4: this is gonna be great. This dude can totally read.

411
00:19:33,960 --> 00:19:37,720
Speaker 4: Phoene aggressively grabs Eric's shirt. I've told you a thousand times,

412
00:19:37,880 --> 00:19:41,080
Speaker 4: leave me alone, I.

413
00:19:41,080 --> 00:19:44,760
Speaker 2: Know, out of what's yeah.

414
00:19:45,040 --> 00:19:48,160
Speaker 4: Eric simply giggles, and Phoenie smiles at everyone else. How

415
00:19:48,160 --> 00:19:50,600
Speaker 4: can I help? Tapeka explains they need him as the

416
00:19:50,600 --> 00:19:55,080
Speaker 4: game's moderator, and Phoenie's aghast, you interrupted my quiet cup

417
00:19:55,119 --> 00:19:58,200
Speaker 4: of coffee for Then he spots the box and gasps, ooh,

418
00:19:58,240 --> 00:20:01,520
Speaker 4: the fiance game. I'm brought in, telling the couples to

419
00:20:01,560 --> 00:20:04,080
Speaker 4: take their seats and t Penga and Corey are excited.

420
00:20:04,400 --> 00:20:07,840
Speaker 3: Idea, rewrite, guys, just this is such first draft stuff, like,

421
00:20:08,080 --> 00:20:08,800
Speaker 3: just rewrite this.

422
00:20:09,160 --> 00:20:13,440
Speaker 2: It's all turned the hot take. I am a hot take,

423
00:20:13,520 --> 00:20:16,960
Speaker 2: which is all of the conversations we've been having the

424
00:20:16,960 --> 00:20:19,119
Speaker 2: whole time about how Sean is such a different character,

425
00:20:19,160 --> 00:20:21,200
Speaker 2: how Eric is such a different character. I think the

426
00:20:21,320 --> 00:20:23,320
Speaker 2: character that maybe has changed the most over the last

427
00:20:23,359 --> 00:20:24,600
Speaker 2: two seasons is Phoenie.

428
00:20:25,240 --> 00:20:25,760
Speaker 4: Maybe.

429
00:20:26,080 --> 00:20:28,399
Speaker 2: I mean he's completely because they don't know how to

430
00:20:28,520 --> 00:20:32,280
Speaker 2: use him anymore. He's not in front of the classroom much. Yeah,

431
00:20:33,080 --> 00:20:36,960
Speaker 2: it seems like he's changed more than kind of anybody. Yeah,

432
00:20:37,080 --> 00:20:39,719
Speaker 2: and it's it's slid under the radar. He was supposed

433
00:20:39,760 --> 00:20:43,040
Speaker 2: to go off to Jackson Hole Jackson Hole, got dragged

434
00:20:43,080 --> 00:20:44,760
Speaker 2: back by Corey from Jackson How.

435
00:20:44,920 --> 00:20:48,520
Speaker 1: He's from Jackson Hole. So now he's stuck. He has

436
00:20:48,560 --> 00:20:50,840
Speaker 1: to teach college as opposed to fifth graders.

437
00:20:51,200 --> 00:20:53,800
Speaker 4: He had that new kind of bumbling idiot thing because

438
00:20:53,840 --> 00:20:55,960
Speaker 4: he was attracted to the Dean, which was really cute,

439
00:20:56,000 --> 00:20:59,040
Speaker 4: but like, we don't get Dean Bolander every week, so

440
00:20:59,160 --> 00:21:01,600
Speaker 4: I don't get to see him in that situation.

441
00:21:02,160 --> 00:21:04,320
Speaker 2: He's grabbing Eric by the shoulder of the collar a lot,

442
00:21:04,359 --> 00:21:06,119
Speaker 2: and like, this is why I can't sell my house.

443
00:21:06,160 --> 00:21:08,960
Speaker 2: He's getting angry at certain times, he's they're like throwing

444
00:21:09,040 --> 00:21:12,720
Speaker 2: him into things. It's he's changed, I think, almost more

445
00:21:12,720 --> 00:21:15,920
Speaker 2: than anybody else on the showy Weird.

446
00:21:16,200 --> 00:21:18,400
Speaker 4: Well, then we're inside Corey and Sean's dorm and Sean

447
00:21:18,480 --> 00:21:21,440
Speaker 4: is inside stacking cans of soda into a pyramid, as

448
00:21:21,480 --> 00:21:24,400
Speaker 4: grieving people do. And then there's a knock at the door.

449
00:21:24,880 --> 00:21:29,320
Speaker 4: It's Jack, who is concerned what people do.

450
00:21:29,560 --> 00:21:33,000
Speaker 2: Well, that was the original GPS. It's grieving pyramid stacking, so.

451
00:21:37,440 --> 00:21:40,440
Speaker 1: People. I mean, it is the implication that like Sean's drinking,

452
00:21:40,640 --> 00:21:41,520
Speaker 1: like I mean, it's.

453
00:21:41,480 --> 00:21:43,560
Speaker 3: Soda too much, all right, But it would make sense

454
00:21:43,560 --> 00:21:46,800
Speaker 3: if it was beers, right, Like it would actually be totally.

455
00:21:46,480 --> 00:21:49,480
Speaker 4: I did a guy with a beer can pyramid? Did

456
00:21:49,640 --> 00:21:52,359
Speaker 4: you really a big, big, big beer can?

457
00:21:52,960 --> 00:21:56,240
Speaker 2: Oh? Yeah, were you in like in your twenties, I

458
00:21:56,240 --> 00:21:57,080
Speaker 2: hope early twenties.

459
00:21:57,240 --> 00:21:59,359
Speaker 4: Yeah, I think I was in twenties or thirties, they

460
00:21:59,600 --> 00:22:05,040
Speaker 4: really ble together. I had a long twenties. No, it

461
00:22:05,080 --> 00:22:06,679
Speaker 4: was it actually was twenties. You're right, it was.

462
00:22:06,840 --> 00:22:09,480
Speaker 2: Okay, that's kind of okay.

463
00:22:10,400 --> 00:22:15,399
Speaker 3: He was from a while okay, and could have guessed that.

464
00:22:17,880 --> 00:22:20,200
Speaker 4: So Sean doesn't even turn around because I don't want to.

465
00:22:20,560 --> 00:22:22,480
Speaker 4: Jack says, they need to go down to their dad's

466
00:22:22,480 --> 00:22:25,119
Speaker 4: trailer to go through his staff sewn shrugs. You do it,

467
00:22:25,200 --> 00:22:27,800
Speaker 4: throw everything out. He grabs an empty soda can from

468
00:22:27,840 --> 00:22:30,600
Speaker 4: his brother's hand and sets it on this sad boy pyramid.

469
00:22:31,080 --> 00:22:33,760
Speaker 4: Jack asks, you grew up there, all right? You know

470
00:22:33,800 --> 00:22:36,639
Speaker 4: what everything means? I wish I did, but I don't.

471
00:22:37,040 --> 00:22:38,800
Speaker 4: Sean says he can tell him what everything means right

472
00:22:38,840 --> 00:22:41,040
Speaker 4: there in the dorm. I had a lousy relationship with

473
00:22:41,040 --> 00:22:43,360
Speaker 4: my father that I don't want to relive, so I

474
00:22:43,480 --> 00:22:47,280
Speaker 4: ain't going. He falls onto his bed. Ain't I know?

475
00:22:47,560 --> 00:22:48,880
Speaker 2: That's how we know Traylor.

476
00:22:48,680 --> 00:22:51,320
Speaker 4: Park, so we know all of a sudden.

477
00:22:51,600 --> 00:22:53,040
Speaker 2: Did you are? Is? Everybody?

478
00:22:53,040 --> 00:22:53,280
Speaker 1: Please?

479
00:22:53,359 --> 00:22:54,680
Speaker 2: And my I don't want to keep harping on this,

480
00:22:54,760 --> 00:22:58,719
Speaker 2: but are you now? Everyone's spotting the lobster everywhere? No, no, serious,

481
00:22:59,240 --> 00:23:02,399
Speaker 2: I'm not even noticed doesn't see you on the pyramid.

482
00:23:02,520 --> 00:23:04,359
Speaker 2: So the pyramid thing is here, it's right next to

483
00:23:04,400 --> 00:23:06,440
Speaker 2: you on the desk. Then it's hanging on the fridge

484
00:23:06,440 --> 00:23:09,640
Speaker 2: in the boys apartment. It's literally magnet on the thing.

485
00:23:12,840 --> 00:23:15,800
Speaker 2: Single scene they put the lobster in, and it's like,

486
00:23:15,840 --> 00:23:17,400
Speaker 2: as much as I thought it was like, Oh, it's

487
00:23:17,440 --> 00:23:20,400
Speaker 2: tucked away, hidden somewhere, it's not. It's just like lobster, lobster,

488
00:23:20,800 --> 00:23:22,240
Speaker 2: lobster everywhere.

489
00:23:22,359 --> 00:23:24,159
Speaker 4: I know when we first started talking about it, I

490
00:23:24,160 --> 00:23:26,199
Speaker 4: was like, ooohs eagle eyed. I wonder if you're going

491
00:23:26,240 --> 00:23:28,480
Speaker 4: to be able to spot it now will literally only

492
00:23:28,520 --> 00:23:32,720
Speaker 4: see the lobster bigger than Feenie. It's so funny. He

493
00:23:32,800 --> 00:23:34,760
Speaker 4: falls onto his bed, the one that has a framed

494
00:23:34,800 --> 00:23:38,560
Speaker 4: picture of a bus above it. Jack persists, we need

495
00:23:38,600 --> 00:23:41,600
Speaker 4: to go down. We owe it to Chet. Sean protests,

496
00:23:41,880 --> 00:23:46,119
Speaker 4: we don't need to do anything. So Jack's confused, so

497
00:23:46,160 --> 00:23:48,640
Speaker 4: Sewn elaborates it means that Chet was the only real

498
00:23:48,680 --> 00:23:52,640
Speaker 4: link between us, so now that he's gone, I don't

499
00:23:52,640 --> 00:23:56,480
Speaker 4: think you owe anybody anything. Jack breaks the tension. I'll

500
00:23:56,480 --> 00:23:58,560
Speaker 4: go do it myself. There's a knock at the door

501
00:23:58,600 --> 00:24:00,880
Speaker 4: and it's a student who is not Kenny from last week.

502
00:24:01,119 --> 00:24:03,720
Speaker 4: He tells Sean and his brother called a half hour ago.

503
00:24:03,920 --> 00:24:07,640
Speaker 4: Jack responds, yeah, he got the message and angrily.

504
00:24:07,280 --> 00:24:08,560
Speaker 2: Walks out good bee.

505
00:24:09,240 --> 00:24:17,000
Speaker 4: Yes, and I liked again how non reactionary Jack is

506
00:24:18,040 --> 00:24:19,359
Speaker 4: because they paid off.

507
00:24:19,400 --> 00:24:21,720
Speaker 2: They actually got off at the end, which is great.

508
00:24:21,960 --> 00:24:28,480
Speaker 4: I know he's so for two episodes now understanding upset,

509
00:24:28,680 --> 00:24:29,880
Speaker 4: but non reactionary.

510
00:24:30,000 --> 00:24:30,200
Speaker 2: Yep.

511
00:24:30,840 --> 00:24:32,800
Speaker 4: Then we're in the student union. Rachel and Eric are

512
00:24:32,880 --> 00:24:35,800
Speaker 4: hysterically laughing, while their opponents, to Panga and Corey, look

513
00:24:35,920 --> 00:24:39,080
Speaker 4: very concerned. Phoene reminds Corey they're waiting on his answer.

514
00:24:39,200 --> 00:24:43,120
Speaker 4: He shifts in his seat and guesses tuna fish. Tapanga

515
00:24:43,119 --> 00:24:46,919
Speaker 4: holds up her board and it says salmon, not tuna

516
00:24:46,960 --> 00:24:50,880
Speaker 4: fish salmon. Do you know you haven't got one question right?

517
00:24:51,200 --> 00:24:53,600
Speaker 4: Corey tries to laugh it off. It's just a game, honey,

518
00:24:53,760 --> 00:24:57,480
Speaker 4: but Tapeka insists it's not just a game, it's our future,

519
00:24:57,600 --> 00:25:00,360
Speaker 4: which I was like, No, the problem is it's all

520
00:25:00,520 --> 00:25:03,720
Speaker 4: the past, not about the future. It's about You've had

521
00:25:03,880 --> 00:25:07,320
Speaker 4: seventeen years to pay attention to any aspect of who

522
00:25:07,359 --> 00:25:08,640
Speaker 4: I am or what I like.

523
00:25:08,680 --> 00:25:11,160
Speaker 3: A perfect reflection of what we've seen on this show,

524
00:25:11,240 --> 00:25:16,440
Speaker 3: which is that Corey doesn't care.

525
00:25:14,880 --> 00:25:16,640
Speaker 4: Not taking in anything.

526
00:25:16,720 --> 00:25:19,080
Speaker 1: She is not a real person. She He just wishes

527
00:25:19,200 --> 00:25:19,720
Speaker 1: it was Sean.

528
00:25:20,200 --> 00:25:23,000
Speaker 2: Yes, and he can pay. Yeah, right, that's.

529
00:25:22,880 --> 00:25:26,840
Speaker 1: It, just with Sean. Sean should just take one for

530
00:25:26,880 --> 00:25:28,200
Speaker 1: the team, have sex with.

531
00:25:28,200 --> 00:25:33,480
Speaker 3: Corey and then he could and everybody's happy and could

532
00:25:33,640 --> 00:25:35,160
Speaker 3: actually respect his partner.

533
00:25:35,760 --> 00:25:36,960
Speaker 2: Pega would be in Paris with it.

534
00:25:36,960 --> 00:25:37,320
Speaker 1: Beret.

535
00:25:37,720 --> 00:25:41,760
Speaker 4: Yeah, absolutely, Corey scoffs, I hardly think this game is

536
00:25:41,800 --> 00:25:44,560
Speaker 4: an indicator of our future. To Pega reminds him, not

537
00:25:45,160 --> 00:25:49,280
Speaker 4: tuna fish. Corey understands now, yes, ma'am. Phoeney moves things

538
00:25:49,359 --> 00:25:52,480
Speaker 4: right along and asking Rachel what is Eric's favorite fish.

539
00:25:52,800 --> 00:25:57,119
Speaker 4: Rachel gasps she knows this one, penguin. Phoeney thinks she misunderstood,

540
00:25:57,160 --> 00:25:59,639
Speaker 4: but Eric quickly holds up his board. Bam, he also

541
00:25:59,680 --> 00:26:04,960
Speaker 4: wrote penguin. Rachel exclaims, I know, my man, and Eric grins.

542
00:26:05,000 --> 00:26:08,680
Speaker 4: It's like we have one brain. Feoene mumbles to himself, Yes,

543
00:26:08,880 --> 00:26:14,240
Speaker 4: well that's too easy, that's so good. T Vegas still

544
00:26:14,280 --> 00:26:17,320
Speaker 4: can't fathom that Corey hasn't gotten one question right. Corey

545
00:26:17,320 --> 00:26:20,240
Speaker 4: calls the questions ridiculous, but Tapeka reminds him, you didn't

546
00:26:20,280 --> 00:26:21,920
Speaker 4: know I was right handed.

547
00:26:25,400 --> 00:26:29,240
Speaker 1: I mean it's it's a good joke, but it's also tragic. Yeah,

548
00:26:29,560 --> 00:26:32,080
Speaker 1: tragic but accurate.

549
00:26:32,800 --> 00:26:37,960
Speaker 3: Yeah, exactly anything about that.

550
00:26:38,000 --> 00:26:39,840
Speaker 1: He's annoyed by her more than anything.

551
00:26:40,359 --> 00:26:42,919
Speaker 2: Yes, but this is his wife and has been his

552
00:26:42,920 --> 00:26:43,560
Speaker 2: whole life.

553
00:26:43,520 --> 00:26:47,000
Speaker 4: And there's no other way around it. Corey admits that

554
00:26:47,040 --> 00:26:48,880
Speaker 4: was bad, and to Panga size, we don't know each

555
00:26:48,880 --> 00:26:51,720
Speaker 4: other at all. Phoene notices the fighting couple and declares,

556
00:26:51,760 --> 00:26:53,960
Speaker 4: I think we have run out of time. Good night everyone,

557
00:26:54,040 --> 00:26:57,240
Speaker 4: and he leaves. Rachel exclaims we won, and Eric admits

558
00:26:57,400 --> 00:27:01,160
Speaker 4: you know each other pretty darn well, don't we. Rachel nods, yeah,

559
00:27:01,359 --> 00:27:04,040
Speaker 4: but how did you know when I shower? Eric cuts

560
00:27:04,080 --> 00:27:05,960
Speaker 4: her off and says, oh, that's not important.

561
00:27:06,000 --> 00:27:06,440
Speaker 2: We won.

562
00:27:07,880 --> 00:27:10,159
Speaker 4: In fact, they're so in sync it's scary, and this

563
00:27:10,280 --> 00:27:13,760
Speaker 4: game really revealed something about them. Rachel admits they're great together,

564
00:27:13,840 --> 00:27:16,440
Speaker 4: but frames it in a more just friend's way.

565
00:27:16,760 --> 00:27:18,960
Speaker 2: Yeah, I got that vibe too, bro NICs.

566
00:27:20,040 --> 00:27:22,000
Speaker 4: She tells Eric she'll see him at home, and Eric

567
00:27:22,040 --> 00:27:25,000
Speaker 4: watches her leave, longing a calling out to her honey.

568
00:27:25,320 --> 00:27:28,439
Speaker 4: He eventually exits, leaving Corey and Topanga alone Topega is

569
00:27:28,480 --> 00:27:30,840
Speaker 4: furious Eric and Rachel know more about each other than

570
00:27:30,840 --> 00:27:33,240
Speaker 4: we do. Corey writes it off, it's a stupid game.

571
00:27:33,480 --> 00:27:35,480
Speaker 4: Tapega explains, you know what this means we need to do,

572
00:27:35,480 --> 00:27:38,440
Speaker 4: don't you. Corey starts to panic it was a stupid, lousy,

573
00:27:38,560 --> 00:27:43,359
Speaker 4: rotten game. Topanga interrupts him live together. Corey's frown turns

574
00:27:43,440 --> 00:27:58,880
Speaker 4: upside down. He grabs her and shouts, this game's a genius.

575
00:28:00,600 --> 00:28:03,480
Speaker 4: We're in Chet's trailer. Jack walks around the cluttered living

576
00:28:03,560 --> 00:28:06,880
Speaker 4: room and wonders aloud, where do I begin? Just then

577
00:28:07,119 --> 00:28:09,720
Speaker 4: Sean walks in through the door. Jack asks if he's

578
00:28:09,800 --> 00:28:12,560
Speaker 4: changed his mind, and Sean explains, I didn't mean we're

579
00:28:12,600 --> 00:28:14,960
Speaker 4: not brothers. I just meant that with all the stuff

580
00:28:14,960 --> 00:28:17,359
Speaker 4: that's going on between me and Angela, Corey and Tapanga

581
00:28:17,480 --> 00:28:20,400
Speaker 4: together all the time, and now dad dying, I don't

582
00:28:20,400 --> 00:28:21,760
Speaker 4: really feel connected to anything.

583
00:28:22,240 --> 00:28:23,960
Speaker 2: I really like, I want to say, I really liked

584
00:28:24,040 --> 00:28:25,680
Speaker 2: this moment because it's the first time in a while

585
00:28:25,720 --> 00:28:29,359
Speaker 2: that Sean is taking some accountability for U his quote

586
00:28:29,400 --> 00:28:31,960
Speaker 2: unquote noess where he's realized what he said and he

587
00:28:32,000 --> 00:28:33,720
Speaker 2: walked in. He's like, all right, that's not what I

588
00:28:33,800 --> 00:28:36,399
Speaker 2: meant yeah, and I liked that it was it was

589
00:28:36,440 --> 00:28:39,520
Speaker 2: some kind of you know, at least some sort of

590
00:28:39,560 --> 00:28:40,640
Speaker 2: self Realiesty pulled.

591
00:28:40,480 --> 00:28:42,880
Speaker 4: Himself out of his self wallowing for long enough to

592
00:28:42,920 --> 00:28:45,000
Speaker 4: realize he owed his brother in apologies.

593
00:28:44,840 --> 00:28:49,320
Speaker 3: Another person's correct recognize Yes, yeah, and it's it's it's

594
00:28:49,320 --> 00:28:51,960
Speaker 3: cool too, because like what the episode is actually doing

595
00:28:52,160 --> 00:28:55,760
Speaker 3: is acknowledging Jack's experience correct same way that Sean needs

596
00:28:55,760 --> 00:28:59,160
Speaker 3: to acknowledge Jack. It's awesome, like it's because yeah, Matt,

597
00:28:59,320 --> 00:29:03,560
Speaker 3: Matt's character given nothing, you know, like real like and.

598
00:29:03,560 --> 00:29:04,200
Speaker 1: This is great.

599
00:29:04,560 --> 00:29:07,440
Speaker 2: This is a great way around about Jack episode. It's

600
00:29:07,560 --> 00:29:10,440
Speaker 2: totally a Jack episode is which is great. Which and

601
00:29:10,480 --> 00:29:11,800
Speaker 2: Matt does a great job.

602
00:29:11,840 --> 00:29:14,800
Speaker 3: He's so understated, he's so and it's it's it's actually

603
00:29:15,240 --> 00:29:18,960
Speaker 3: and it's also very accurate. I mean, now that I've

604
00:29:19,040 --> 00:29:21,480
Speaker 3: had so many friends lose their parents, like I feel

605
00:29:21,480 --> 00:29:25,000
Speaker 3: like among siblings, this is what happens. One person makes

606
00:29:25,000 --> 00:29:27,200
Speaker 3: it all about themselves and falls apart, and the other

607
00:29:27,240 --> 00:29:30,680
Speaker 3: person manages and like it cleans up the and takes

608
00:29:30,680 --> 00:29:33,200
Speaker 3: care of the house and the death warrant and all this,

609
00:29:33,360 --> 00:29:35,440
Speaker 3: you know, like all this stuff, and it's like and

610
00:29:35,440 --> 00:29:38,640
Speaker 3: and so it's a very accurate depiction. You know that

611
00:29:38,720 --> 00:29:40,800
Speaker 3: Jack would do this like that's where all his emotion

612
00:29:40,840 --> 00:29:42,560
Speaker 3: would go. It's like, well, I'm just gonna deal with it,

613
00:29:42,680 --> 00:29:45,160
Speaker 3: and Sean would just be like, you know, it's.

614
00:29:45,040 --> 00:29:48,920
Speaker 4: Great, it's absolutely Jack pulls him in for a hug

615
00:29:48,960 --> 00:29:51,400
Speaker 4: and says he's here for him. Sean thanks him, then

616
00:29:51,480 --> 00:29:53,520
Speaker 4: gets ready to work. He makes his way over to

617
00:29:53,520 --> 00:29:55,560
Speaker 4: the kitchen table and grabs a lighter. He flicks it

618
00:29:55,600 --> 00:29:59,240
Speaker 4: open and smiles before stuffing it in his pocket and writer.

619
00:29:59,480 --> 00:30:01,160
Speaker 1: What I remember the one?

620
00:30:01,520 --> 00:30:10,400
Speaker 4: You don't? Yes, you were all the time, all the time. Also,

621
00:30:10,440 --> 00:30:12,680
Speaker 4: the minute I watched you do it, I smelled.

622
00:30:12,240 --> 00:30:14,800
Speaker 2: It me do I just remember you doing the flip

623
00:30:14,800 --> 00:30:15,200
Speaker 2: and you.

624
00:30:17,280 --> 00:30:18,560
Speaker 4: Yes, you sure did.

625
00:30:18,920 --> 00:30:20,520
Speaker 1: I never smoked. What are you?

626
00:30:20,640 --> 00:30:22,600
Speaker 3: That's so nerd? I know I know how to do

627
00:30:22,680 --> 00:30:25,160
Speaker 3: a zippo, But did I carry a lighter?

628
00:30:25,360 --> 00:30:27,960
Speaker 2: Like? Will?

629
00:30:28,040 --> 00:30:28,760
Speaker 4: Did you have one?

630
00:30:28,840 --> 00:30:29,000
Speaker 2: Yeah?

631
00:30:29,080 --> 00:30:33,440
Speaker 4: Yes, he would, you would. We will exactly.

632
00:30:33,440 --> 00:30:35,840
Speaker 2: Do the first you do the pinch on the both

633
00:30:35,840 --> 00:30:37,200
Speaker 2: of it where it pops open, then you do the

634
00:30:37,200 --> 00:30:39,240
Speaker 2: clip to snap it over that all the time.

635
00:30:39,280 --> 00:30:42,239
Speaker 1: I have those tricks. But that's so funny. Yeah, I

636
00:30:42,320 --> 00:30:42,760
Speaker 1: just like that.

637
00:30:42,800 --> 00:30:45,760
Speaker 3: This was an unspoken sort of character beat where it's

638
00:30:45,760 --> 00:30:49,040
Speaker 3: like you see Chet, you know, like Sean's connection with

639
00:30:49,120 --> 00:30:52,400
Speaker 3: Chet without having to like verbalize it, which is always

640
00:30:52,880 --> 00:30:54,920
Speaker 3: the World characters do. Is like the thing about the

641
00:30:55,000 --> 00:30:57,480
Speaker 3: lighter and my dad is, you know, like it's just done.

642
00:30:57,520 --> 00:31:01,120
Speaker 3: It's just behavior and it tells the who speaks volumes.

643
00:31:01,360 --> 00:31:04,080
Speaker 4: Yeah. I wonder if that's something you and Jeff did

644
00:31:04,120 --> 00:31:04,560
Speaker 4: on your.

645
00:31:04,400 --> 00:31:06,680
Speaker 2: Own worked out. Maybe I bet.

646
00:31:06,520 --> 00:31:07,280
Speaker 4: I bet you and Jeff.

647
00:31:07,520 --> 00:31:10,000
Speaker 1: It seems very unlike. I mean, given the way Boy

648
00:31:10,000 --> 00:31:11,320
Speaker 1: Meets World has written, it.

649
00:31:11,240 --> 00:31:15,720
Speaker 4: Was not he does he finds moments that they'll go unspoken. No, yes,

650
00:31:16,120 --> 00:31:18,400
Speaker 4: that feels like something you and Jeff came.

651
00:31:18,280 --> 00:31:21,280
Speaker 2: Up with crazy zippo story very quickly to show you

652
00:31:21,400 --> 00:31:24,440
Speaker 2: why I had a zippo. I still had that zippo.

653
00:31:25,280 --> 00:31:28,800
Speaker 2: Eighth grade Christmas, my friend Pat Starr and I, for

654
00:31:28,960 --> 00:31:34,080
Speaker 2: all of our friends bought two cartons of Marlboro lights,

655
00:31:34,320 --> 00:31:37,480
Speaker 2: like ten or twelve big lighters, and then five zippos

656
00:31:37,520 --> 00:31:41,000
Speaker 2: for the closest friends. Eighth grade so we're twelve, So

657
00:31:41,040 --> 00:31:43,320
Speaker 2: everybody got a pack of smokes and a lighter, but

658
00:31:43,440 --> 00:31:45,760
Speaker 2: the five closest friends you all got zippos. And I

659
00:31:45,800 --> 00:31:48,000
Speaker 2: had it all through boy me throw that was my

660
00:31:48,120 --> 00:31:51,160
Speaker 2: twelve year old smoking lighter, got.

661
00:31:52,320 --> 00:31:52,880
Speaker 1: Tricks with you?

662
00:31:52,960 --> 00:31:55,840
Speaker 4: Hold on, question, did you and your eighth grade buddies

663
00:31:56,000 --> 00:31:58,480
Speaker 4: have to spend your own money on this? Your parents?

664
00:31:59,080 --> 00:31:59,480
Speaker 4: How did it?

665
00:32:00,280 --> 00:32:04,480
Speaker 1: Money? Right right to the Gurtons of Marlboroughs.

666
00:32:05,320 --> 00:32:09,840
Speaker 4: I'm like, I where did you get money to buy?

667
00:32:10,400 --> 00:32:11,840
Speaker 4: And where were you buying them?

668
00:32:12,680 --> 00:32:14,680
Speaker 2: Oh? No, there was no place that that carded us

669
00:32:14,720 --> 00:32:19,120
Speaker 2: in town, no place whatsoever ever crazed at twelve, Yeah,

670
00:32:19,120 --> 00:32:21,920
Speaker 2: we'd already been smoking for several years by that point,

671
00:32:23,040 --> 00:32:24,840
Speaker 2: for years. Yeah, so that was.

672
00:32:28,040 --> 00:32:30,520
Speaker 1: Our friends, my.

673
00:32:29,760 --> 00:32:34,320
Speaker 4: Gosh, Okay. Then he notices Chet's financial portfolio sitting on

674
00:32:34,360 --> 00:32:36,680
Speaker 4: top of the fridge. It's just a bunch of documents

675
00:32:36,720 --> 00:32:39,479
Speaker 4: stuffed into a coffee can. He pulls something out and laughs,

676
00:32:39,600 --> 00:32:42,360
Speaker 4: do you know what? This is? His unemployment stub number one.

677
00:32:42,560 --> 00:32:47,040
Speaker 4: Dad always considered this his first honest money. So funny.

678
00:32:47,240 --> 00:32:49,200
Speaker 4: He dumps out the rest of the contents and Jack

679
00:32:49,280 --> 00:32:52,520
Speaker 4: rifles through the papers past due, final notice, pay up,

680
00:32:52,560 --> 00:32:56,240
Speaker 4: We're not kidding this time. Jack wonders why he why

681
00:32:56,280 --> 00:32:59,560
Speaker 4: he'd save them, and Sean explains Dad was a sentimental guy.

682
00:33:00,160 --> 00:33:02,600
Speaker 4: Then Sean finds a paper and shows it to Jack.

683
00:33:02,960 --> 00:33:05,800
Speaker 4: It's a letter to Chet from your stepdad. Jack tells

684
00:33:05,840 --> 00:33:07,720
Speaker 4: him it's nothing and tries to take it before Sean

685
00:33:07,760 --> 00:33:10,880
Speaker 4: can read it, but is unsuccessful, so Sean reads it aloud,

686
00:33:11,320 --> 00:33:14,840
Speaker 4: don't worry about paying me back, Chet. Sean is Jack's brother,

687
00:33:14,920 --> 00:33:18,440
Speaker 4: so he's practically family. We're happy to help out. Jack

688
00:33:18,440 --> 00:33:20,320
Speaker 4: says once again that it's nothing, and he tries to

689
00:33:20,360 --> 00:33:22,760
Speaker 4: snatch it, but Sean doesn't believe him. Pay him back

690
00:33:22,760 --> 00:33:26,640
Speaker 4: for what Jack jokes for your shirt. Sean presses him again,

691
00:33:26,640 --> 00:33:29,479
Speaker 4: and after a big sigh, Jack comes clean. For your tuition,

692
00:33:29,960 --> 00:33:33,520
Speaker 4: Sean questions for college, and Jack admits Chet just couldn't

693
00:33:33,520 --> 00:33:36,640
Speaker 4: afford it, but Sean interrupts him. You and your stepdad

694
00:33:36,680 --> 00:33:38,680
Speaker 4: decided to make us the charity case of the year.

695
00:33:39,120 --> 00:33:41,080
Speaker 4: Jack tells him the truth. Your dad wanted you to

696
00:33:41,120 --> 00:33:42,840
Speaker 4: go to college so bad that he came to my

697
00:33:42,920 --> 00:33:45,600
Speaker 4: stepfather for help. Can you imagine how hard that was

698
00:33:45,640 --> 00:33:47,200
Speaker 4: for him. Sean can't believe this.

699
00:33:47,280 --> 00:33:51,280
Speaker 3: It is really intense, I know, Like yeah, I mean,

700
00:33:52,040 --> 00:33:54,280
Speaker 3: first of all, like the part that I have a

701
00:33:54,360 --> 00:33:56,920
Speaker 3: hard time with is Sean really believed Chet was helping.

702
00:33:57,840 --> 00:34:02,160
Speaker 3: So that's what Sean think, but he was hoping, I guess.

703
00:34:01,880 --> 00:34:04,680
Speaker 4: But here's what I'll say. The only thing that I

704
00:34:04,720 --> 00:34:07,680
Speaker 4: could then point back to is just last week when

705
00:34:07,720 --> 00:34:10,239
Speaker 4: he showed up at the school. He was hustling kids

706
00:34:10,280 --> 00:34:12,200
Speaker 4: out of money at pool, and he was doing such

707
00:34:12,200 --> 00:34:13,600
Speaker 4: a good job at it. He had a big water

708
00:34:13,719 --> 00:34:15,400
Speaker 4: cash and the only reason he had to give that

709
00:34:15,480 --> 00:34:17,960
Speaker 4: up is because Sean took it from him. So it's

710
00:34:18,000 --> 00:34:23,359
Speaker 4: possible that it's not actually that Sean's dad never has

711
00:34:23,440 --> 00:34:27,800
Speaker 4: any money. He does he can, it's just not honest,

712
00:34:27,920 --> 00:34:28,880
Speaker 4: it's not reliable.

713
00:34:29,480 --> 00:34:31,359
Speaker 2: And that's the thing. He's probably one of those guys

714
00:34:31,360 --> 00:34:34,680
Speaker 2: who either had a pocket full of cash thousands or not.

715
00:34:35,200 --> 00:34:36,040
Speaker 1: But I guess.

716
00:34:36,080 --> 00:34:39,719
Speaker 3: I guess for me, Shawn's emotional story is that his

717
00:34:39,800 --> 00:34:42,080
Speaker 3: dad is never there for him. If his dad was

718
00:34:42,160 --> 00:34:46,120
Speaker 3: actually paying for his college in Shawn's story, so I

719
00:34:46,160 --> 00:34:48,200
Speaker 3: believe that the denial is possible.

720
00:34:48,440 --> 00:34:50,839
Speaker 1: But that's actually like his dad was.

721
00:34:50,800 --> 00:34:53,560
Speaker 3: Taking care of him then in Shawn's mind, right, And

722
00:34:53,719 --> 00:34:57,080
Speaker 3: that seems like a bigger point, like that Sean did

723
00:34:57,120 --> 00:35:00,760
Speaker 3: think his dad was paying for college is huge deal,

724
00:35:00,920 --> 00:35:04,600
Speaker 3: like and and and that kind of just gets glossed

725
00:35:04,600 --> 00:35:06,680
Speaker 3: over into this like, oh, he wasn't actually paying, but

726
00:35:06,680 --> 00:35:09,280
Speaker 3: it's like, but actually, I don't know, that's more interesting

727
00:35:09,280 --> 00:35:11,600
Speaker 3: to me. And then of course, yeah, it is crazy

728
00:35:11,680 --> 00:35:13,800
Speaker 3: that a stepfather would pay for a kid.

729
00:35:13,640 --> 00:35:16,080
Speaker 2: Who's not Yeah yeah, well, I mean he set it

730
00:35:16,160 --> 00:35:16,680
Speaker 2: up with this guy.

731
00:35:16,760 --> 00:35:17,640
Speaker 1: He's just so rich.

732
00:35:17,800 --> 00:35:21,279
Speaker 2: Yeah, and I did it for his son, like Jack's like,

733
00:35:21,280 --> 00:35:23,719
Speaker 2: come on, Sean wants to you know, we were to

734
00:35:23,719 --> 00:35:26,279
Speaker 2: go to college together. I also liked the thing I

735
00:35:26,320 --> 00:35:29,520
Speaker 2: really loved about this episode though, and it's something that

736
00:35:29,600 --> 00:35:34,320
Speaker 2: I forgot this storyline entirely, is that even five or

737
00:35:34,360 --> 00:35:38,680
Speaker 2: six episodes ago, the second Sean found out that Jack's

738
00:35:38,719 --> 00:35:40,960
Speaker 2: parents were paying for the tuition, he would have bailed

739
00:35:40,960 --> 00:35:43,440
Speaker 2: from the trailer park, like he would have turned and

740
00:35:43,600 --> 00:35:46,200
Speaker 2: walked out. And the fact that they played the scene

741
00:35:46,280 --> 00:35:49,080
Speaker 2: out and and Sean didn't leave, and you stayed there

742
00:35:49,080 --> 00:35:51,000
Speaker 2: and had the conversation, I thought was just such a

743
00:35:51,040 --> 00:35:53,440
Speaker 2: better way to go about it than Sean just leaving. Again.

744
00:35:53,640 --> 00:35:55,960
Speaker 2: It was great, like, oh, yes, he was gonna leave.

745
00:35:56,080 --> 00:35:58,279
Speaker 3: Yeah, well I am going to leave, right, I mean,

746
00:35:58,280 --> 00:35:59,560
Speaker 3: that's what happens next.

747
00:36:00,120 --> 00:36:03,600
Speaker 2: Yeah, right, we're getting there, but we delay it.

748
00:36:04,680 --> 00:36:06,480
Speaker 3: So this is where I had my breakdown, Like I

749
00:36:06,520 --> 00:36:08,360
Speaker 3: just remember during rehearsal for this scene, because this is

750
00:36:08,360 --> 00:36:09,399
Speaker 3: where I take my shirt off, and.

751
00:36:09,400 --> 00:36:15,680
Speaker 1: Like, yeah, I was really I was really bored by

752
00:36:15,719 --> 00:36:18,640
Speaker 1: my character. I feel like, what's funny is like.

753
00:36:18,560 --> 00:36:23,600
Speaker 3: In retrospect, this is actually a well written episode for

754
00:36:23,640 --> 00:36:27,360
Speaker 3: Sean and this is actually a great He's finally expressing something.

755
00:36:27,680 --> 00:36:30,920
Speaker 3: But I remember just being like during rehearsal, like I

756
00:36:31,200 --> 00:36:33,640
Speaker 3: just lost it. I was like, I feel like I'm

757
00:36:33,640 --> 00:36:35,520
Speaker 3: saying the same thing every week.

758
00:36:35,800 --> 00:36:38,000
Speaker 1: I'm over and over again. I'm like, what is you know?

759
00:36:39,200 --> 00:36:41,239
Speaker 3: And it's interesting because now I look at it and

760
00:36:41,239 --> 00:36:44,720
Speaker 3: I'm like, actually, my character is finally expressing himself.

761
00:36:44,719 --> 00:36:47,040
Speaker 1: This is good. But for I don't know.

762
00:36:47,080 --> 00:36:48,640
Speaker 3: I guess maybe I was just tired of being on

763
00:36:48,680 --> 00:36:51,399
Speaker 3: the show and I was like, why are they keep

764
00:36:51,719 --> 00:36:54,799
Speaker 3: throwing drama at me? And now looking at it, right,

765
00:36:54,840 --> 00:36:57,160
Speaker 3: this is on the heels of an episode where they

766
00:36:57,320 --> 00:37:01,280
Speaker 3: killed my father and really put a lot of pressure

767
00:37:01,320 --> 00:37:04,080
Speaker 3: on us as actors, you know, pressure on Blake and

768
00:37:04,160 --> 00:37:06,239
Speaker 3: Matt and me. And so I think what I was

769
00:37:06,280 --> 00:37:09,279
Speaker 3: really reacting to was not like the given like a

770
00:37:09,360 --> 00:37:11,879
Speaker 3: problem with the way this scene was written or whatever,

771
00:37:11,960 --> 00:37:15,399
Speaker 3: but just feeling all this pressure to like suddenly have.

772
00:37:15,400 --> 00:37:19,920
Speaker 1: To do all this drama. Yeah, I think I was, like,

773
00:37:20,040 --> 00:37:22,719
Speaker 1: you know, wishing I could be like more in the

774
00:37:22,760 --> 00:37:24,000
Speaker 1: B Story where it was just fun.

775
00:37:24,280 --> 00:37:27,440
Speaker 2: I have about to say, this just shows how self

776
00:37:27,480 --> 00:37:30,600
Speaker 2: absorbed we kind of were as people and as actors,

777
00:37:30,640 --> 00:37:32,640
Speaker 2: because I would sit there and watch you and go like,

778
00:37:32,880 --> 00:37:34,439
Speaker 2: why don't they give me any of that? Why didn't

779
00:37:34,480 --> 00:37:35,680
Speaker 2: I ever get a chance to do any of that?

780
00:37:35,719 --> 00:37:37,719
Speaker 2: Where actually, when we're going back and watching the show,

781
00:37:38,040 --> 00:37:40,000
Speaker 2: they gave me a lot of that. Yeah, I had,

782
00:37:40,040 --> 00:37:41,920
Speaker 2: I had quite a bit of the dramatic stuff, but

783
00:37:42,160 --> 00:37:44,200
Speaker 2: in my head, oh, I'll just be in the goofball

784
00:37:44,239 --> 00:37:46,279
Speaker 2: again and they're gonna Rider's gonna go off and win

785
00:37:46,320 --> 00:37:48,640
Speaker 2: an Emmy, and hey, let's cut to Will as he dances.

786
00:37:49,440 --> 00:37:52,240
Speaker 2: Where there was actually a decent balance.

787
00:37:51,960 --> 00:37:55,200
Speaker 3: Absolutely man like, and I think that that's that speaks

788
00:37:55,200 --> 00:37:56,959
Speaker 3: to the bubble that we were in. Yeah, and also

789
00:37:57,000 --> 00:38:00,400
Speaker 3: the environment on set, like there was an understanding on

790
00:38:00,440 --> 00:38:03,880
Speaker 3: set right about like our talents and about our abilities,

791
00:38:03,920 --> 00:38:07,359
Speaker 3: and like we were kind of played against each other,

792
00:38:08,320 --> 00:38:09,480
Speaker 3: you know what I mean, Like, I mean, you and

793
00:38:09,520 --> 00:38:12,520
Speaker 3: I always had like a lot of mutual respect and

794
00:38:12,560 --> 00:38:15,120
Speaker 3: we were but but there was this sense of like

795
00:38:15,480 --> 00:38:17,400
Speaker 3: what are they getting over there? And like why you know,

796
00:38:17,480 --> 00:38:20,200
Speaker 3: like Will is the real comedy actor, and like I

797
00:38:20,239 --> 00:38:23,080
Speaker 3: felt like I wasn't allowed to have fun.

798
00:38:22,920 --> 00:38:24,680
Speaker 2: Like I was. I felt exactly. I was like, well,

799
00:38:24,719 --> 00:38:27,319
Speaker 2: Writerer's the actor, right, and I'm the guy. They're just

800
00:38:27,400 --> 00:38:29,600
Speaker 2: going to tap dance so they can laugh and then

801
00:38:29,719 --> 00:38:32,520
Speaker 2: let's cut to Rider being the actual actor on the show, right,

802
00:38:32,560 --> 00:38:33,840
Speaker 2: And didn't you feel.

803
00:38:33,640 --> 00:38:36,080
Speaker 3: Like Danielle was lucky to be there? Which is awful

804
00:38:36,080 --> 00:38:38,719
Speaker 3: but true, that was the feeling. I'm like, I look

805
00:38:38,719 --> 00:38:41,719
Speaker 3: at it now and I'm like, Danielle was amazing obviously, but.

806
00:38:41,800 --> 00:38:44,960
Speaker 1: Like and of course the actual but like, at.

807
00:38:44,920 --> 00:38:47,560
Speaker 3: In the environment of our set, wasn't it sort of

808
00:38:47,719 --> 00:38:50,080
Speaker 3: a given that, like Danielle is just kind of there

809
00:38:50,120 --> 00:38:52,480
Speaker 3: to be pretty and like not really and like that's

810
00:38:52,480 --> 00:38:54,879
Speaker 3: the way the character's written. It sucks man like.

811
00:38:55,320 --> 00:38:58,000
Speaker 2: That of the show. Yes, it was like he was

812
00:38:58,040 --> 00:39:00,960
Speaker 2: the one in charge, right, you were the dream I

813
00:39:01,160 --> 00:39:01,919
Speaker 2: was the funny guy.

814
00:39:02,400 --> 00:39:06,040
Speaker 4: Well, and we've learned how how the girls were positioned

815
00:39:06,040 --> 00:39:10,160
Speaker 4: against each other. Apparently Trina and Maitland were both led

816
00:39:10,160 --> 00:39:12,160
Speaker 4: to believe I was going to be very jealous of that.

817
00:39:13,080 --> 00:39:14,920
Speaker 2: Where you have told us that You're like you'd wake

818
00:39:15,000 --> 00:39:16,440
Speaker 2: up every morning going like, I wonder if this is

819
00:39:16,480 --> 00:39:18,680
Speaker 2: the week I'm going to get fired. I'm done on

820
00:39:18,719 --> 00:39:19,000
Speaker 2: the show.

821
00:39:19,040 --> 00:39:20,319
Speaker 4: And on top of that, by the time we get

822
00:39:20,320 --> 00:39:23,040
Speaker 4: to season six, when when Maitland's even arrived, I am

823
00:39:23,080 --> 00:39:26,080
Speaker 4: like so sick of feeling like I'm lucky to be there,

824
00:39:26,080 --> 00:39:28,600
Speaker 4: and I'm like, please get me the f out of here.

825
00:39:28,680 --> 00:39:29,640
Speaker 4: I'll go anywhere.

826
00:39:29,719 --> 00:39:30,239
Speaker 2: I'll go back to.

827
00:39:30,280 --> 00:39:32,760
Speaker 4: High school, which is like I'm obsessed with.

828
00:39:33,080 --> 00:39:34,800
Speaker 2: Yeah, was this done on purpose?

829
00:39:34,840 --> 00:39:38,240
Speaker 4: Do you think I think it's all I think powerplay stuff.

830
00:39:39,120 --> 00:39:41,680
Speaker 3: Yeah, I mean, yeah, you have to, Like, I mean,

831
00:39:42,480 --> 00:39:45,640
Speaker 3: we're we might get canceled at any moment, right, It's

832
00:39:45,640 --> 00:39:48,920
Speaker 3: an ongoing tightrope walk that our show was doing. So

833
00:39:49,120 --> 00:39:52,400
Speaker 3: but it just sucks in retrospect, like that I that

834
00:39:52,440 --> 00:39:53,799
Speaker 3: we couldn't just enjoy being there.

835
00:39:53,840 --> 00:39:55,080
Speaker 1: I mean, I think like, as a.

836
00:39:55,160 --> 00:39:57,719
Speaker 3: Grown up being on a sitcom, it would been it

837
00:39:57,760 --> 00:39:59,840
Speaker 3: would have been so nice to just like hang with

838
00:39:59,880 --> 00:40:02,400
Speaker 3: you guys and not have that sense. But like I

839
00:40:02,480 --> 00:40:04,520
Speaker 3: felt a lot of pressure and I felt a lot like,

840
00:40:04,560 --> 00:40:06,920
Speaker 3: I don't know, it's a weird Yeah it was.

841
00:40:07,000 --> 00:40:08,640
Speaker 2: It was a strange. Yet it was a very strange

842
00:40:08,719 --> 00:40:12,920
Speaker 2: dynamic all the way through, And it's strange to watch

843
00:40:12,960 --> 00:40:16,040
Speaker 2: it back now because what I see and what I

844
00:40:16,120 --> 00:40:18,160
Speaker 2: remember are two completely different things.

845
00:40:18,200 --> 00:40:19,480
Speaker 1: Exactly, yeah, exactly.

846
00:40:20,320 --> 00:40:21,840
Speaker 2: Yeah. That's the thing where it's like there was a

847
00:40:21,960 --> 00:40:24,880
Speaker 2: very good balance for Eric of Drop, but that's not

848
00:40:25,000 --> 00:40:27,120
Speaker 2: how I saw it in my head. I was on

849
00:40:27,160 --> 00:40:28,800
Speaker 2: a whole different show where I was just the wacky,

850
00:40:28,840 --> 00:40:32,040
Speaker 2: goofy guy and that was it. So yeah, man, it's

851
00:40:32,360 --> 00:40:33,320
Speaker 2: god so strange.

852
00:40:34,400 --> 00:40:37,120
Speaker 4: Well, Sean can't believe this. What else did you get me? Jack?

853
00:40:37,480 --> 00:40:39,319
Speaker 4: He assures him that was it, but Sean won't let

854
00:40:39,320 --> 00:40:42,160
Speaker 4: it go. Did you buy my books? Jack admits maybe

855
00:40:42,160 --> 00:40:45,600
Speaker 4: some books. Sean questions, my shirt? Really? Jack tries to

856
00:40:45,680 --> 00:40:48,000
Speaker 4: joke again, I would never pay for that shirt. Sean

857
00:40:48,040 --> 00:40:50,879
Speaker 4: doesn't even crack a smile. Jack tries to explain, I'm

858
00:40:50,920 --> 00:40:53,120
Speaker 4: just trying to help out. That's what families do. We

859
00:40:53,160 --> 00:40:55,680
Speaker 4: help each other out. Sean wonders, well, how have I

860
00:40:55,760 --> 00:40:57,760
Speaker 4: helped you out? Which I loved?

861
00:40:58,440 --> 00:40:58,600
Speaker 2: Right?

862
00:40:58,800 --> 00:41:02,400
Speaker 4: Like, you're right right? This is so well written for him.

863
00:41:02,360 --> 00:41:04,560
Speaker 1: It is no, this is like the best Sean and

864
00:41:04,640 --> 00:41:06,759
Speaker 1: jacksone ever. Yeah, it's so nice.

865
00:41:06,800 --> 00:41:10,480
Speaker 3: It's wonderfully played by Matt wonderfully written for both of

866
00:41:10,480 --> 00:41:14,200
Speaker 3: our characters. It's true, it feels honest. Nobody's like a

867
00:41:14,239 --> 00:41:17,440
Speaker 3: bad person. It's just the conflict feels totally real.

868
00:41:17,520 --> 00:41:19,000
Speaker 1: It's really good. It's really it's.

869
00:41:19,000 --> 00:41:23,040
Speaker 4: Really well done. Yeah, and he begins to unbutton his shirt.

870
00:41:23,120 --> 00:41:25,319
Speaker 4: We're family, right, tell me one thing I've done to

871
00:41:25,320 --> 00:41:27,719
Speaker 4: help you out. He shoves his flannel in Jack's chest

872
00:41:27,719 --> 00:41:29,880
Speaker 4: and forces him to take it. It doesn't belong to me,

873
00:41:30,280 --> 00:41:31,279
Speaker 4: nothing belongs to me.

874
00:41:31,920 --> 00:41:36,520
Speaker 1: I actually remembered being topless in this scene, so I

875
00:41:36,560 --> 00:41:37,440
Speaker 1: wonder if.

876
00:41:37,280 --> 00:41:39,520
Speaker 3: That was also part of why I freaked out, because

877
00:41:39,520 --> 00:41:41,920
Speaker 3: they were making me take my shirt off, and originally

878
00:41:42,000 --> 00:41:42,680
Speaker 3: I was supposed to.

879
00:41:42,680 --> 00:41:44,959
Speaker 1: Be topless and I was like, why am I?

880
00:41:45,040 --> 00:41:49,480
Speaker 3: And the reason I remember that is because Matt Lawrence

881
00:41:49,640 --> 00:41:53,400
Speaker 3: is just the nicest, the nicest guy. I remember him being.

882
00:41:53,239 --> 00:41:56,040
Speaker 1: Like, you look good, dude, you look No, you're like you.

883
00:41:56,000 --> 00:41:56,520
Speaker 2: Know I was.

884
00:41:56,800 --> 00:41:59,120
Speaker 3: I never worked out, like I was never cared about it,

885
00:41:59,200 --> 00:42:01,640
Speaker 3: but like I remember, he was totally like, no, you're

886
00:42:01,640 --> 00:42:04,080
Speaker 3: looking good man. He was supportive of the fact that

887
00:42:04,200 --> 00:42:06,839
Speaker 3: I remember him telling me that.

888
00:42:06,760 --> 00:42:08,480
Speaker 1: To just be like it's it's good man.

889
00:42:08,360 --> 00:42:10,399
Speaker 4: Like, yeah, I promise you're not gonna you're not gonna

890
00:42:10,400 --> 00:42:12,200
Speaker 4: watch this and be uncomfortable exactly.

891
00:42:12,280 --> 00:42:16,280
Speaker 1: He was such a just such a men like best Yeah, other.

892
00:42:16,160 --> 00:42:19,120
Speaker 2: Than one director, I don't remember him having a single

893
00:42:19,160 --> 00:42:23,040
Speaker 2: problem with anybody on the set ever. No, never, No,

894
00:42:23,400 --> 00:42:24,560
Speaker 2: he was just that guy.

895
00:42:25,400 --> 00:42:26,560
Speaker 4: Yeah, the nicest.

896
00:42:26,719 --> 00:42:27,480
Speaker 2: Yeah, he really was.

897
00:42:28,360 --> 00:42:32,120
Speaker 4: He's still the nicest. He's still you don't like him?

898
00:42:32,360 --> 00:42:36,040
Speaker 2: I hate that guy. No, yeah, he's the nicest person ever.

899
00:42:36,920 --> 00:42:39,760
Speaker 4: Eric knocks on Corey's door, first, checking the hallway payphone

900
00:42:39,760 --> 00:42:42,320
Speaker 4: for change. That's obviously just you, right.

901
00:42:42,200 --> 00:42:46,160
Speaker 2: It was you. He still did every day, I know,

902
00:42:47,120 --> 00:42:47,520
Speaker 2: just over.

903
00:42:47,880 --> 00:42:50,040
Speaker 4: It's like when the Minute Writer did that with the zippo.

904
00:42:50,160 --> 00:42:52,239
Speaker 4: I was like, oh my god, that's so teenage writer.

905
00:42:52,360 --> 00:42:53,520
Speaker 4: In the minute you did that, I was like, that's

906
00:42:53,520 --> 00:42:58,160
Speaker 4: so will walking basket Payphone's just so cute. Well, so

907
00:42:58,239 --> 00:43:00,960
Speaker 4: Corey tells him it's open. Eric jumps when he enters,

908
00:43:00,960 --> 00:43:03,560
Speaker 4: seeing Corey posing on his bed in red silk pajamas

909
00:43:03,560 --> 00:43:07,040
Speaker 4: on top of a matching silk blanket. You weren't expecting me,

910
00:43:07,239 --> 00:43:10,080
Speaker 4: were you? Half? Corey frantically jumps up, What is it to?

911
00:43:10,160 --> 00:43:12,359
Speaker 4: Pang is coming over? Eric takes a seat at his desk.

912
00:43:12,600 --> 00:43:14,520
Speaker 4: You saw how in sink Rachel and I were. It's

913
00:43:14,560 --> 00:43:16,520
Speaker 4: obvious to me that we were meant to be together.

914
00:43:16,680 --> 00:43:21,279
Speaker 4: By the way, Will talking about the balance, I love

915
00:43:21,960 --> 00:43:26,640
Speaker 4: how real you play, this real feeling you have for

916
00:43:26,760 --> 00:43:29,640
Speaker 4: Rachel instead of all the bs we saw in those

917
00:43:29,640 --> 00:43:30,799
Speaker 4: first couple of episodes of like.

918
00:43:30,840 --> 00:43:32,160
Speaker 2: Hey, I get away from Marc.

919
00:43:32,280 --> 00:43:36,319
Speaker 4: He's fine, Like right, that over the top exaggeratedness has

920
00:43:36,360 --> 00:43:42,040
Speaker 4: gone completely away, and now it's a real honest I

921
00:43:42,080 --> 00:43:46,040
Speaker 4: think there could be something here with this this girl. Yeah,

922
00:43:46,040 --> 00:43:49,359
Speaker 4: I think I actually like her, and it's so well done.

923
00:43:49,520 --> 00:43:51,839
Speaker 4: So you guys both excuse and they.

924
00:43:51,760 --> 00:43:54,800
Speaker 2: Still ever explain why all of a sudden you're allowed

925
00:43:54,960 --> 00:43:58,800
Speaker 2: to live together in the dorms when you originally weren't allowed.

926
00:43:58,840 --> 00:43:59,480
Speaker 2: That was the whole point.

927
00:43:59,640 --> 00:44:02,520
Speaker 4: By the way, we never got that official word. It

928
00:44:02,640 --> 00:44:05,240
Speaker 4: was the parents said they don't let you live together

929
00:44:05,280 --> 00:44:08,359
Speaker 4: unless you're married, right, Like wasn't it wasn't it amy and.

930
00:44:08,440 --> 00:44:11,480
Speaker 2: Allan official Okay?

931
00:44:11,600 --> 00:44:13,720
Speaker 4: I think it was just that you in college, can.

932
00:44:13,600 --> 00:44:15,959
Speaker 2: You can you live with a girlfriend in your dorm?

933
00:44:16,000 --> 00:44:17,640
Speaker 2: And yes, if you're a.

934
00:44:17,680 --> 00:44:20,480
Speaker 1: Free teen, who cares? I mean if it's a co ed.

935
00:44:20,719 --> 00:44:21,920
Speaker 2: I mean some.

936
00:44:21,800 --> 00:44:25,399
Speaker 3: Dorms are right, right, right, separated by gender. But if

937
00:44:25,400 --> 00:44:25,879
Speaker 3: it's not.

938
00:44:26,080 --> 00:44:26,440
Speaker 1: Why not?

939
00:44:27,000 --> 00:44:30,680
Speaker 4: Yeah, So, okay, you saw how in sank Rachel and

940
00:44:30,719 --> 00:44:32,399
Speaker 4: I were. It's obvious to me that we were meant

941
00:44:32,400 --> 00:44:35,680
Speaker 4: to be together. Corey simply responds, congratulations and get out,

942
00:44:35,920 --> 00:44:38,720
Speaker 4: but Eric doesn't budge that's not the problem. But Corey

943
00:44:38,719 --> 00:44:40,920
Speaker 4: tells him to get out again, but Eric elaborates the

944
00:44:40,960 --> 00:44:44,000
Speaker 4: problem is Jack. Ever since Rachel moved in, there's been

945
00:44:44,040 --> 00:44:52,320
Speaker 4: an unspoken competition between the two of them six episodes.

946
00:44:52,640 --> 00:44:59,720
Speaker 2: If it's done in pantomime, I do my my little

947
00:45:00,080 --> 00:45:03,880
Speaker 2: nod to Robin Williams in this scene too, if anybody else. So,

948
00:45:03,920 --> 00:45:05,680
Speaker 2: you notice how I sit on the chair like I

949
00:45:05,680 --> 00:45:08,000
Speaker 2: sit backwards on the chair. I put I sit my

950
00:45:08,040 --> 00:45:09,920
Speaker 2: butt on it, but then I put my legs over

951
00:45:10,000 --> 00:45:10,960
Speaker 2: the top of the chair.

952
00:45:11,400 --> 00:45:12,040
Speaker 4: Yeah.

953
00:45:12,120 --> 00:45:19,160
Speaker 2: So the the audition for uh, Mork and Mindy, they

954
00:45:19,400 --> 00:45:21,520
Speaker 2: he walked in. There's a famous sitcom story where he

955
00:45:21,560 --> 00:45:23,719
Speaker 2: walked in and I think it's Gary Marshall said to him,

956
00:45:23,719 --> 00:45:27,160
Speaker 2: so you're from another planet. Uh, how would you sit

957
00:45:27,239 --> 00:45:29,200
Speaker 2: in a chair? Just this is your audition, sit in

958
00:45:29,239 --> 00:45:31,120
Speaker 2: a chair like you're from another planet? And he walked

959
00:45:31,160 --> 00:45:32,759
Speaker 2: over and he sat. He put his head on the

960
00:45:32,840 --> 00:45:35,120
Speaker 2: chair and he sat upside down with this like did

961
00:45:35,200 --> 00:45:36,719
Speaker 2: like a headstand on the chair with his legs going.

962
00:45:36,840 --> 00:45:38,400
Speaker 2: So whenever I had a chance to like sit in

963
00:45:38,440 --> 00:45:41,200
Speaker 2: a chair completely different way than anybody else, I was like,

964
00:45:41,239 --> 00:45:42,560
Speaker 2: I got a morek and mindy it I got him

965
00:45:42,560 --> 00:45:43,160
Speaker 2: MOREK and mindiate.

966
00:45:43,480 --> 00:45:44,280
Speaker 4: That's so cute.

967
00:45:44,480 --> 00:45:47,160
Speaker 1: Your brand was working in so many ways.

968
00:45:47,200 --> 00:45:49,440
Speaker 2: Just sitcum. It's like all sitcum.

969
00:45:49,920 --> 00:45:53,080
Speaker 4: Then Eric gets dark and very dramatic. Eerie music plays

970
00:45:53,080 --> 00:45:56,520
Speaker 4: in the background sometimes at night. I imagine he gets killed,

971
00:45:57,120 --> 00:45:59,480
Speaker 4: but then he quickly snaps out of it. He says

972
00:45:59,520 --> 00:46:01,680
Speaker 4: that Jack is his best friend, so if this thing

973
00:46:01,719 --> 00:46:03,920
Speaker 4: works out with Rachel, he has to be okay with it.

974
00:46:04,239 --> 00:46:06,279
Speaker 4: Corey insists that if he and Rachel really care about

975
00:46:06,280 --> 00:46:09,400
Speaker 4: each other, Jack is bound to understand. Eric asks, you

976
00:46:09,440 --> 00:46:11,600
Speaker 4: really think so, and Corey admits I couldn't care less.

977
00:46:11,600 --> 00:46:14,239
Speaker 4: Now get out. On his way out, Eric tells him

978
00:46:14,280 --> 00:46:16,960
Speaker 4: he's a good brother. Justice to Panga arrives. Eric notices

979
00:46:16,960 --> 00:46:20,319
Speaker 4: her duffel bag. Would you bring toys, which I think

980
00:46:20,400 --> 00:46:22,400
Speaker 4: is supposed to be like a kid.

981
00:46:22,560 --> 00:46:25,560
Speaker 2: Kid to I don't think you don't have read toys?

982
00:46:25,560 --> 00:46:30,120
Speaker 4: It read a sex toys and yeah, because he's dressed

983
00:46:30,120 --> 00:46:32,000
Speaker 4: like Hugh Hefner and he's in the set, and and

984
00:46:32,000 --> 00:46:33,960
Speaker 4: then and you know we're spending the night together, and

985
00:46:34,000 --> 00:46:35,520
Speaker 4: so toys just I don't know.

986
00:46:35,520 --> 00:46:38,239
Speaker 3: Your whole sex toys even like a phrase back then, though,

987
00:46:38,239 --> 00:46:39,960
Speaker 3: I feel like that's a more contemporary thing.

988
00:46:40,040 --> 00:46:43,319
Speaker 2: Really you think them? Yeah, sex toys is a thing? Yeah,

989
00:46:43,360 --> 00:46:46,080
Speaker 2: come on, writer, Okay, the first vibrator is gas powered.

990
00:46:48,640 --> 00:46:51,239
Speaker 3: I understand that sex toys existed, But did you call

991
00:46:51,320 --> 00:46:52,280
Speaker 3: them sex toys?

992
00:46:52,400 --> 00:46:52,840
Speaker 2: I think so?

993
00:46:53,000 --> 00:46:55,000
Speaker 4: I think so? Yeah, what else would you have called them?

994
00:46:55,239 --> 00:46:56,880
Speaker 4: Love making tools?

995
00:46:56,920 --> 00:46:58,880
Speaker 2: Oh? I like that love making?

996
00:47:00,719 --> 00:47:03,080
Speaker 1: This is serious work, This has grown up stuff.

997
00:47:03,480 --> 00:47:06,000
Speaker 2: This her tools here in the party is we use

998
00:47:06,120 --> 00:47:09,680
Speaker 2: love making tools? Wow? Look at her excitement.

999
00:47:11,040 --> 00:47:12,960
Speaker 1: I'm genuinely curious about this.

1000
00:47:13,120 --> 00:47:18,319
Speaker 3: Like it feels more like an early ought teens thing.

1001
00:47:18,840 --> 00:47:22,640
Speaker 4: Yeah, yeah, yes, okay, please let us know what you call.

1002
00:47:25,560 --> 00:47:28,120
Speaker 4: She gives him a weird look before walking in. Corey

1003
00:47:28,160 --> 00:47:30,160
Speaker 4: asks her, what do you think of my silk pajamas?

1004
00:47:30,200 --> 00:47:34,720
Speaker 4: They cost me two thousand dollars to Panga admits they're nice,

1005
00:47:35,120 --> 00:47:37,919
Speaker 4: then wonders why are the beds pushed together? Corey sits

1006
00:47:37,920 --> 00:47:40,440
Speaker 4: on the now large bed. Well, we are going to

1007
00:47:40,440 --> 00:47:44,000
Speaker 4: be living together, so I just assumed that, Tapanga interrupts. Corey,

1008
00:47:44,160 --> 00:47:45,880
Speaker 4: you and I are living together to get closer as

1009
00:47:45,880 --> 00:47:48,239
Speaker 4: a couple. This needs to be an ordinary night where

1010
00:47:48,239 --> 00:47:51,360
Speaker 4: we behave just as ourselves, nothing special. Sex is the

1011
00:47:51,400 --> 00:47:54,560
Speaker 4: last thing we should be doing. Corey's disappointment is palpable.

1012
00:47:54,800 --> 00:47:57,520
Speaker 4: He sticks his finger into Panga's face. And you are wrong,

1013
00:47:57,880 --> 00:48:02,240
Speaker 4: You just are Oh god, oh no, what did.

1014
00:48:02,120 --> 00:48:04,319
Speaker 1: You If you google sex toys, it's a whole other thing.

1015
00:48:04,760 --> 00:48:07,400
Speaker 2: Did you know that sex toys date back over twenty

1016
00:48:07,440 --> 00:48:12,800
Speaker 2: eight thousand years ancient fallacies were made from stone, bronze.

1017
00:48:12,880 --> 00:48:19,440
Speaker 2: But that's hamshit, dung oh and bread. Yes you heard me, bread.

1018
00:48:21,360 --> 00:48:22,120
Speaker 4: Yes, you heard me.

1019
00:48:22,280 --> 00:48:26,800
Speaker 2: Bread. I know the camel. And then there's a picture

1020
00:48:26,880 --> 00:48:29,120
Speaker 2: of the world's oldest dildo.

1021
00:48:30,160 --> 00:48:31,520
Speaker 4: Wow, looks like bread.

1022
00:48:32,760 --> 00:48:35,680
Speaker 1: That's not the question you're asking. You're asking did sex

1023
00:48:35,719 --> 00:48:36,400
Speaker 1: toys exist?

1024
00:48:36,880 --> 00:48:39,120
Speaker 2: No? No, no, I just asked when did the term sex

1025
00:48:39,200 --> 00:48:43,440
Speaker 2: toys originate? And this is what came out of the

1026
00:48:43,480 --> 00:48:47,279
Speaker 2: bread of the bread se the the sex toys, And

1027
00:48:47,520 --> 00:48:53,200
Speaker 2: yeah it doesn't hmmm, marital aids is what they were?

1028
00:48:53,400 --> 00:48:54,839
Speaker 4: Really aids?

1029
00:48:55,160 --> 00:48:58,359
Speaker 2: Yeah. Alternative terms for sex toy included adult toy and

1030
00:48:58,400 --> 00:49:02,600
Speaker 2: the dated euphemism adult toys.

1031
00:49:02,880 --> 00:49:04,399
Speaker 4: Is is that what I said? Adult toy?

1032
00:49:04,440 --> 00:49:05,400
Speaker 2: Yeah, adult toy.

1033
00:49:05,520 --> 00:49:11,440
Speaker 4: Okay, okay, God, I guess adult toys makes sense.

1034
00:49:11,840 --> 00:49:15,799
Speaker 2: It does marital aid makes sense. I mean, there's I

1035
00:49:15,840 --> 00:49:19,480
Speaker 2: can't I can't believe we're having this conversation and that bone.

1036
00:49:19,600 --> 00:49:23,680
Speaker 2: Ivory Tall Oh jeez, yeah, there's a lot. Yeah. And

1037
00:49:23,719 --> 00:49:26,680
Speaker 2: the first vibrator was made in the eighteen eighties. Imagine

1038
00:49:26,680 --> 00:49:28,200
Speaker 2: trying that out for the first time.

1039
00:49:28,640 --> 00:49:32,000
Speaker 4: Wow. Okay, well, well to Penga ignores the dramatics. I'm

1040
00:49:32,040 --> 00:49:34,319
Speaker 4: looking very forward to spending all the next few days

1041
00:49:34,320 --> 00:49:36,760
Speaker 4: together getting to know you better than I ever have before.

1042
00:49:37,120 --> 00:49:39,399
Speaker 4: Cory Scoff's Well, if I would have known we were

1043
00:49:39,400 --> 00:49:40,799
Speaker 4: just going to do that, I would have bought the

1044
00:49:40,800 --> 00:49:43,759
Speaker 4: flannel pajamas with the feet. He angrily blows out a

1045
00:49:43,800 --> 00:49:46,520
Speaker 4: candle before continuing in his fit of rage instead of

1046
00:49:46,520 --> 00:49:49,320
Speaker 4: the silk pajamas and the silk blankets and these silk sheets.

1047
00:49:49,760 --> 00:49:53,399
Speaker 4: He jumps onto the bed quite forcefully and slides right off,

1048
00:49:53,520 --> 00:49:56,760
Speaker 4: sending him to the other end, knocking over Sean's sad

1049
00:49:56,920 --> 00:49:58,520
Speaker 4: tower of soda it's.

1050
00:49:58,480 --> 00:50:06,440
Speaker 2: Crazing cann Yeah, he slams into that wall. My question is,

1051
00:50:06,480 --> 00:50:10,000
Speaker 2: does does Corey at this point not know that they're

1052
00:50:10,080 --> 00:50:13,319
Speaker 2: not having sex until marriage? I mean, it's just not

1053
00:50:13,600 --> 00:50:14,400
Speaker 2: going to happen.

1054
00:50:14,520 --> 00:50:17,520
Speaker 1: I also, I mean, I think it's kind of funny.

1055
00:50:17,560 --> 00:50:19,520
Speaker 1: I think it's a good bit, Like it's just as

1056
00:50:19,600 --> 00:50:23,200
Speaker 1: much drying. I think it's funny, Like, I mean totally.

1057
00:50:23,880 --> 00:50:26,719
Speaker 3: The fact the bummer is that it reduces Topanga to

1058
00:50:26,760 --> 00:50:29,040
Speaker 3: a joke, right. The bummer is that it reduces to

1059
00:50:29,120 --> 00:50:31,200
Speaker 3: or makes to Panga as a character, just the like

1060
00:50:31,680 --> 00:50:36,319
Speaker 3: shrill you know withholding woman. That's a bummer. But take

1061
00:50:36,360 --> 00:50:38,839
Speaker 3: it as like a bit like the idea that like

1062
00:50:39,560 --> 00:50:42,360
Speaker 3: Corey is just trying is really funny. I think it

1063
00:50:42,400 --> 00:50:44,960
Speaker 3: begs for good frustration. It's like, can me think about

1064
00:50:45,000 --> 00:50:49,919
Speaker 3: the poem episode when he's like, that's funny, Like I

1065
00:50:50,120 --> 00:50:52,920
Speaker 3: like Corey being neurotic and crazy about the I don't know,

1066
00:50:53,360 --> 00:50:56,480
Speaker 3: it's it's yeah, it's just the other side is not good.

1067
00:50:56,600 --> 00:51:01,200
Speaker 4: Like yeah, both if we got both that very clearly

1068
00:51:01,440 --> 00:51:05,600
Speaker 4: loved and adored her and knew her and worshiped her.

1069
00:51:05,840 --> 00:51:07,960
Speaker 3: Or just imagine if we had an episode where Tapega

1070
00:51:08,239 --> 00:51:10,680
Speaker 3: wanted to also have sex, but you know, but had

1071
00:51:10,719 --> 00:51:13,000
Speaker 3: reasons like I don't know, I guess religious reasons to

1072
00:51:13,040 --> 00:51:15,680
Speaker 3: not lose her virginitator. Like it would be funny if

1073
00:51:15,760 --> 00:51:17,759
Speaker 3: she also had desires, right, Like, wouldn't.

1074
00:51:17,400 --> 00:51:20,880
Speaker 4: They She used to remember, we used to say she

1075
00:51:20,920 --> 00:51:22,759
Speaker 4: would when he would want to do when they'd plan

1076
00:51:23,000 --> 00:51:26,640
Speaker 4: their nights away, and she didn't. You it's my I

1077
00:51:27,080 --> 00:51:30,919
Speaker 4: don't trust myself. I also want to do this, yeah,

1078
00:51:31,000 --> 00:51:34,880
Speaker 4: and like, but yet it's important to me, for whatever reason,

1079
00:51:34,920 --> 00:51:38,560
Speaker 4: it's important to me that we wait, and and yet

1080
00:51:38,800 --> 00:51:42,680
Speaker 4: I want to. So it was played that way before

1081
00:51:43,080 --> 00:51:46,719
Speaker 4: and now it's played. And Topanga also somehow finds this

1082
00:51:47,200 --> 00:51:49,640
Speaker 4: cute because in the episode a couple of weeks ago,

1083
00:51:49,680 --> 00:51:52,680
Speaker 4: when she said to Angela, isn't my patient little Corey.

1084
00:51:52,480 --> 00:51:55,239
Speaker 2: C Yeah, it's really not.

1085
00:51:55,640 --> 00:51:58,239
Speaker 4: It's not cute. But that's the dynamic that they've set up,

1086
00:51:58,320 --> 00:52:02,520
Speaker 4: is that Topanga is with and and thinks it's cute

1087
00:52:02,520 --> 00:52:04,640
Speaker 4: that she's toying with him.

1088
00:52:04,640 --> 00:52:08,600
Speaker 2: The tiniest little switch for this episode, the tiniest little

1089
00:52:08,680 --> 00:52:11,520
Speaker 2: change that could have made the difference, is that Corey

1090
00:52:11,680 --> 00:52:14,719
Speaker 2: actually gets everything right in the game about Topanga, and

1091
00:52:14,719 --> 00:52:17,560
Speaker 2: it's Topanga that gets the things wrong about Corey so

1092
00:52:17,600 --> 00:52:19,680
Speaker 2: that she wants to mass so then she's like, we

1093
00:52:19,719 --> 00:52:21,400
Speaker 2: need to spend the night, we need to move in together,

1094
00:52:21,400 --> 00:52:23,040
Speaker 2: where he's like, no, of course, I know your left head.

1095
00:52:23,040 --> 00:52:27,200
Speaker 3: Like if everything about her, he keeps obsessed with her,

1096
00:52:27,440 --> 00:52:29,800
Speaker 3: and she's all these years.

1097
00:52:29,600 --> 00:52:31,359
Speaker 4: Well even if she didn't take it for granted, even

1098
00:52:31,400 --> 00:52:33,719
Speaker 4: if it's more she actually has, She's like, no, it

1099
00:52:33,800 --> 00:52:35,560
Speaker 4: is tune. No, remember that night we went to such

1100
00:52:35,560 --> 00:52:36,719
Speaker 4: and such and it was tune And he was like,

1101
00:52:36,719 --> 00:52:38,920
Speaker 4: that was just that place that one time, but overall

1102
00:52:38,960 --> 00:52:41,440
Speaker 4: my favorite fish of salmon. Like if she thought she

1103
00:52:41,600 --> 00:52:43,960
Speaker 4: really knew him and had reasons to think she was

1104
00:52:44,000 --> 00:52:46,399
Speaker 4: getting the answers right, only then to find out, oh

1105
00:52:46,440 --> 00:52:49,040
Speaker 4: my gosh, yeah I don't know you. I don't know

1106
00:52:49,080 --> 00:52:51,879
Speaker 4: you want like that well because that because you could

1107
00:52:51,880 --> 00:52:54,480
Speaker 4: save them both that way, he's completely obsessed with her.

1108
00:52:54,840 --> 00:52:57,200
Speaker 4: She thought she was right, had a great answer for it,

1109
00:52:57,280 --> 00:52:59,799
Speaker 4: but no, you didn't pay enough attention. You weren't looking

1110
00:52:59,840 --> 00:53:00,880
Speaker 4: looking close enough.

1111
00:53:01,000 --> 00:53:02,959
Speaker 2: If he was the one, it was like, you didn't

1112
00:53:02,960 --> 00:53:04,600
Speaker 2: even know I was right handed. She's like, yeah, that

1113
00:53:04,640 --> 00:53:07,480
Speaker 2: was bad, that was Yeah, it changed everything.

1114
00:53:08,360 --> 00:53:10,640
Speaker 4: Then we're in Chet's trailer. Sean has now taken his

1115
00:53:10,719 --> 00:53:13,440
Speaker 4: jeans off and thrown them in Jack's face. He points

1116
00:53:13,480 --> 00:53:15,479
Speaker 4: to his boxers and asks, are you sure you didn't

1117
00:53:15,480 --> 00:53:18,600
Speaker 4: buy these two? Jack begs him, don't take those off.

1118
00:53:19,040 --> 00:53:21,319
Speaker 4: Sean continues, I don't want to spend my life being

1119
00:53:21,320 --> 00:53:24,120
Speaker 4: a handout case. Jack tries to tell him he understands,

1120
00:53:24,120 --> 00:53:28,040
Speaker 4: but Sean shouts, no, you don't, you don't. Jack's Jack's

1121
00:53:28,040 --> 00:53:31,239
Speaker 4: eye and Sean quickly cools down. I don't expect you to.

1122
00:53:31,680 --> 00:53:34,319
Speaker 4: It's not your fault. I appreciate what you and your

1123
00:53:34,320 --> 00:53:37,959
Speaker 4: stepdad did for me. What a beautiful scene. You guys

1124
00:53:37,960 --> 00:53:42,200
Speaker 4: are having two multiple scenes. It's just so great. Jack wonders,

1125
00:53:42,239 --> 00:53:44,200
Speaker 4: then why can't you just accept it and move on?

1126
00:53:44,640 --> 00:53:47,920
Speaker 4: And Sean responds, move on from what? Nothing is? What

1127
00:53:47,960 --> 00:53:50,200
Speaker 4: I thought it was. I don't know what I am anymore.

1128
00:53:50,560 --> 00:53:54,920
Speaker 4: Jack assures him, you're my brother in his underwear, Sean

1129
00:53:54,960 --> 00:53:57,960
Speaker 4: cracks a smile. Jack begs him to please get dressed

1130
00:53:58,040 --> 00:54:00,920
Speaker 4: and throws his clothes back at him. Sean promises, I'm

1131
00:54:00,920 --> 00:54:03,200
Speaker 4: gonna pay you back for everything. Jack lets him know

1132
00:54:03,480 --> 00:54:05,759
Speaker 4: you want to pay me back. Let me know who

1133
00:54:05,800 --> 00:54:10,080
Speaker 4: my father was. Ah ah it's great, beautiful.

1134
00:54:10,400 --> 00:54:12,520
Speaker 2: Also, minus the father stuff, this would have been at

1135
00:54:12,560 --> 00:54:16,040
Speaker 2: Corey Shaan seen three seasons. Yes, yeah, right, so yeah,

1136
00:54:16,040 --> 00:54:16,920
Speaker 2: that's great.

1137
00:54:17,239 --> 00:54:20,200
Speaker 4: Sean doesn't understand, so Jack explains, why do you think

1138
00:54:20,280 --> 00:54:22,680
Speaker 4: I wanted to come down here so badly? I wanted

1139
00:54:22,680 --> 00:54:25,720
Speaker 4: to find out just a little something about him. Sean's

1140
00:54:25,760 --> 00:54:27,759
Speaker 4: convinced Jack knows more about him than he does, but

1141
00:54:27,880 --> 00:54:30,200
Speaker 4: Jack wants to know the important stuff. At least Sean

1142
00:54:30,239 --> 00:54:32,879
Speaker 4: has memories with him. Jack was gone before he could

1143
00:54:32,880 --> 00:54:35,200
Speaker 4: have any. Jack was gone, or Chet was gone. Chet

1144
00:54:35,920 --> 00:54:38,239
Speaker 4: Chet was gone before he could have any, and now

1145
00:54:38,280 --> 00:54:41,239
Speaker 4: that he's gone, he'll never have any. Sean thinks that

1146
00:54:41,320 --> 00:54:44,640
Speaker 4: might be a good thing, because Jack's okay, he's the

1147
00:54:44,719 --> 00:54:47,120
Speaker 4: lucky one. There's no need for him to go through

1148
00:54:47,120 --> 00:54:47,839
Speaker 4: this kind of pain.

1149
00:54:48,640 --> 00:54:51,600
Speaker 2: I'm sorry. That line right there is just it says

1150
00:54:51,640 --> 00:54:54,399
Speaker 2: everything for the episode. It's like, there's no you didn't

1151
00:54:54,400 --> 00:54:56,480
Speaker 2: know him, so you're not going through anything, and it's

1152
00:54:56,640 --> 00:54:58,799
Speaker 2: just it's there's no reason for you to go through

1153
00:54:58,800 --> 00:55:01,560
Speaker 2: what I'm going. I'm glad you're not feeling anything right now,

1154
00:55:01,600 --> 00:55:06,160
Speaker 2: you're feelings because you know that that Jack's going through

1155
00:55:06,200 --> 00:55:09,480
Speaker 2: stuff too, and his feelings are just being diminished just regard.

1156
00:55:10,120 --> 00:55:11,680
Speaker 2: Oh it's great, it's really good.

1157
00:55:11,840 --> 00:55:14,680
Speaker 3: Yeah, this is like like low key one of the

1158
00:55:14,719 --> 00:55:21,040
Speaker 3: most like erman like well plotted character arcs drama wise

1159
00:55:21,480 --> 00:55:24,640
Speaker 3: in an episode because we don't like it because because it's.

1160
00:55:24,480 --> 00:55:25,160
Speaker 1: A Jack episode.

1161
00:55:25,200 --> 00:55:27,160
Speaker 3: You're right, and it just takes it's a time bomb

1162
00:55:27,200 --> 00:55:29,279
Speaker 3: and it just takes its time to get there and

1163
00:55:29,640 --> 00:55:32,480
Speaker 3: it never is like spelled out in any Really it's

1164
00:55:32,480 --> 00:55:34,479
Speaker 3: it's really really well done.

1165
00:55:34,560 --> 00:55:37,839
Speaker 2: Yeah, very well done. It's very layered. So yeah, it's

1166
00:55:37,880 --> 00:55:39,680
Speaker 2: a sleeper hit. It is.

1167
00:55:52,280 --> 00:55:54,160
Speaker 4: Back in Cory and t Banga's dorm. To Penga is

1168
00:55:54,160 --> 00:55:56,080
Speaker 4: in a robe, laying on her bed, covering her face

1169
00:55:56,080 --> 00:55:57,960
Speaker 4: with the book she's reading. Corey walks in from the

1170
00:55:57,960 --> 00:56:00,680
Speaker 4: co ed bathroom, toothbrush in his mouth, around his neck,

1171
00:56:00,719 --> 00:56:03,759
Speaker 4: humming to himself. To Panga moves the book, revealing a

1172
00:56:03,800 --> 00:56:06,759
Speaker 4: bright green face mask. Corey screams in fear and to

1173
00:56:06,840 --> 00:56:09,520
Speaker 4: Panga gives him a sad look. He quickly corrects himself,

1174
00:56:09,520 --> 00:56:10,480
Speaker 4: I do remember.

1175
00:56:10,160 --> 00:56:12,440
Speaker 2: This mask too. I remember this whole scene with you,

1176
00:56:12,480 --> 00:56:13,680
Speaker 2: and it's onion dip.

1177
00:56:15,120 --> 00:56:19,520
Speaker 4: It was it's onions. Well yeah, well it's food coloring,

1178
00:56:19,560 --> 00:56:22,880
Speaker 4: so I think it's yogurt with an onion dip mix

1179
00:56:23,160 --> 00:56:29,839
Speaker 4: so that you get the onion like little chinks. Yeah uh,

1180
00:56:29,880 --> 00:56:34,000
Speaker 4: he quickly corrects himself. I mean you look nice. Topanga explains,

1181
00:56:34,040 --> 00:56:37,400
Speaker 4: it's face cream. It keeps keeps her skin soft. Corey pleads,

1182
00:56:37,480 --> 00:56:40,080
Speaker 4: take it off. It scares me. Corey sits on his

1183
00:56:40,080 --> 00:56:43,560
Speaker 4: bed and removes his slippers to begin a toenail clipping routine,

1184
00:56:43,920 --> 00:56:47,400
Speaker 4: so something he does every night or no, because.

1185
00:56:47,239 --> 00:56:48,640
Speaker 2: He said he hadn't cut it into year.

1186
00:56:49,239 --> 00:56:49,799
Speaker 1: Geez.

1187
00:56:50,280 --> 00:56:55,680
Speaker 4: While the nail flies directly onto Tapanga's face toenail clipping.

1188
00:56:56,840 --> 00:56:59,480
Speaker 1: God also have done something else. We could figure it

1189
00:56:59,480 --> 00:57:02,120
Speaker 1: out another so gross, let's just come up with another bit.

1190
00:57:02,880 --> 00:57:06,319
Speaker 4: I just like, I still don't understand why Corey had

1191
00:57:06,320 --> 00:57:09,920
Speaker 4: in his mind a big sexy night, even though now

1192
00:57:10,040 --> 00:57:11,279
Speaker 4: is he trying to punish her?

1193
00:57:11,440 --> 00:57:12,279
Speaker 2: Like? Is he? Is he?

1194
00:57:12,320 --> 00:57:14,719
Speaker 4: Because otherwise why I'll be like, I'm not going to

1195
00:57:14,760 --> 00:57:17,280
Speaker 4: cut my toenails tonight to PEG's here, like I don't

1196
00:57:17,280 --> 00:57:18,880
Speaker 4: want to turn her off. I don't know. It just

1197
00:57:18,880 --> 00:57:20,120
Speaker 4: feels like you also got.

1198
00:57:20,000 --> 00:57:24,400
Speaker 2: Your toenails before sex night. That's the whole point prepared

1199
00:57:24,480 --> 00:57:24,720
Speaker 2: for it.

1200
00:57:25,440 --> 00:57:26,640
Speaker 1: Yeah, I mean, come on.

1201
00:57:28,200 --> 00:57:30,120
Speaker 4: She yelps in pain. Get it off of me, Get

1202
00:57:30,160 --> 00:57:32,640
Speaker 4: it off of me. Corey calls her a baby because

1203
00:57:32,640 --> 00:57:36,400
Speaker 4: it's just a toenail. Tepegan winds which toe and Corey

1204
00:57:36,440 --> 00:57:38,240
Speaker 4: grin's the big Daddy.

1205
00:57:38,120 --> 00:57:39,760
Speaker 2: But it wasn't. Did you notice he cut one of

1206
00:57:39,800 --> 00:57:41,600
Speaker 2: the small little ones? Did he? But he said it

1207
00:57:41,640 --> 00:57:43,200
Speaker 2: was the big He said it was the big Daddy.

1208
00:57:43,840 --> 00:57:46,400
Speaker 4: Tapega asks when he last clipped it, and Corey guesses,

1209
00:57:46,480 --> 00:57:48,920
Speaker 4: I don't know a year ago. Tapanga demands him to

1210
00:57:48,960 --> 00:57:50,880
Speaker 4: get it off of her. It's stuck on her face somewhere.

1211
00:57:51,240 --> 00:57:54,640
Speaker 4: Corey groans, gosh, take it easy, you baby, it's just hygiene.

1212
00:57:54,920 --> 00:57:57,120
Speaker 4: He starts searching her face for the toenail, and that's

1213
00:57:57,120 --> 00:57:59,760
Speaker 4: when Eric barges in, you know something, I was so

1214
00:57:59,800 --> 00:58:01,640
Speaker 4: in my own thing. I forgot to give you a

1215
00:58:01,640 --> 00:58:05,480
Speaker 4: little brotherly advice on this whole living together situation. Then

1216
00:58:05,520 --> 00:58:07,920
Speaker 4: he sees to pang his green face. First thing you're

1217
00:58:07,960 --> 00:58:10,160
Speaker 4: gonna have to do is get rid of the alien,

1218
00:58:10,480 --> 00:58:14,920
Speaker 4: call Mulder and Scully. They don't know what to do. Yeah,

1219
00:58:14,920 --> 00:58:18,720
Speaker 4: I love it, my favorite show at the time, Tapeka

1220
00:58:18,720 --> 00:58:22,400
Speaker 4: tells Eric it's her. Eric lights up. Pangy dang girl,

1221
00:58:22,560 --> 00:58:29,200
Speaker 4: you look bad. He points out, Oh, you got a

1222
00:58:29,320 --> 00:58:32,920
Speaker 4: toenail right here. Look at that. He holds it in

1223
00:58:32,920 --> 00:58:36,560
Speaker 4: his finger and wonders ground rule. Double Corey nods, yeah,

1224
00:58:36,640 --> 00:58:40,120
Speaker 4: off the green monster. Eric grabs the clippers. He's up.

1225
00:58:40,200 --> 00:58:42,320
Speaker 4: He begins to take off his shoe, but Topanga isn't

1226
00:58:42,360 --> 00:58:45,400
Speaker 4: having it. Get out. That's fine with Eric. He has

1227
00:58:45,440 --> 00:58:48,919
Speaker 4: his little kum quat at home, but there is one

1228
00:58:48,960 --> 00:58:51,040
Speaker 4: thing he wants to do before he leaves. He grabs

1229
00:58:51,120 --> 00:58:54,560
Speaker 4: Topanga's face and starts squeezing it, leaving his fingers covered

1230
00:58:54,600 --> 00:58:57,760
Speaker 4: in green stuff. He eventually finishes, peace, I'm out of

1231
00:58:57,800 --> 00:58:58,680
Speaker 4: here as he.

1232
00:58:58,680 --> 00:59:00,040
Speaker 1: Leaves eats it.

1233
00:59:00,520 --> 00:59:03,880
Speaker 2: I remember that the third take of doing it too,

1234
00:59:03,920 --> 00:59:05,920
Speaker 2: because you can hear the audience go like, yes, I

1235
00:59:06,000 --> 00:59:10,439
Speaker 2: hadn't done it before. Yeah, this first time I licked

1236
00:59:10,480 --> 00:59:12,400
Speaker 2: my fingers. Yeah. I just remember I was just trying

1237
00:59:12,400 --> 00:59:14,800
Speaker 2: to make you laugh, because the whole time I was

1238
00:59:14,840 --> 00:59:17,640
Speaker 2: just like shaking your face I Will, like just trying

1239
00:59:17,640 --> 00:59:19,040
Speaker 2: to see if I could get you to break, and

1240
00:59:19,080 --> 00:59:19,480
Speaker 2: you didn't.

1241
00:59:20,480 --> 00:59:23,680
Speaker 3: This is a truly bizarre scene like one going on.

1242
00:59:23,920 --> 00:59:26,920
Speaker 1: It's just silliness. It's just like, let's get Will in

1243
00:59:26,920 --> 00:59:29,720
Speaker 1: there and do some silliness. It's yeah, yep.

1244
00:59:30,800 --> 00:59:32,880
Speaker 4: And then as he leaves, he sticks a finger of

1245
00:59:32,920 --> 00:59:35,640
Speaker 4: the green stuff into his mouth, and the inmates find

1246
00:59:35,680 --> 00:59:36,680
Speaker 4: this disgusting.

1247
00:59:36,920 --> 00:59:37,160
Speaker 2: Yep.

1248
00:59:37,440 --> 00:59:40,240
Speaker 4: Now alone again, to Pega looks at Corey with utter disappointment.

1249
00:59:40,760 --> 00:59:43,720
Speaker 4: Even that knows you better than I do. Corey tells

1250
00:59:43,720 --> 00:59:45,600
Speaker 4: her to relax. It's only because he and Eric have

1251
00:59:45,640 --> 00:59:48,640
Speaker 4: lived together. To Pega size, maybe this wasn't such a

1252
00:59:48,640 --> 00:59:51,760
Speaker 4: good idea, but Corey assures her it is. Anytime you

1253
00:59:51,800 --> 00:59:54,040
Speaker 4: and I are together, it is always a good idea.

1254
00:59:54,240 --> 00:59:56,480
Speaker 4: To Peka tells Corey she's going to wash up now

1255
00:59:56,520 --> 00:59:59,560
Speaker 4: with noticeably less green on her face than the prior shot,

1256
01:00:00,560 --> 01:00:03,440
Speaker 4: and then they can go to sleep. She leaves, and

1257
01:00:03,480 --> 01:00:05,920
Speaker 4: Corey straightens up his sheets and then shakes his pillow

1258
01:00:05,960 --> 01:00:08,680
Speaker 4: ten times. Topanga watches from the door in utter shock,

1259
01:00:08,760 --> 01:00:12,760
Speaker 4: and then decides to just leave. Corey continues his nighttime routine,

1260
01:00:12,760 --> 01:00:15,200
Speaker 4: which includes winding up his alarm clock, straightening the sheets

1261
01:00:15,240 --> 01:00:18,160
Speaker 4: on the other end, and saying a prayer aloud. As

1262
01:00:18,200 --> 01:00:20,560
Speaker 4: an acoustic guitar begins to play. He asks God to

1263
01:00:20,560 --> 01:00:22,680
Speaker 4: bless his mother and father and asks that the new

1264
01:00:22,720 --> 01:00:24,480
Speaker 4: baby be blessed and live a good life and be

1265
01:00:24,520 --> 01:00:27,320
Speaker 4: a good person. He asks that Eric, Morgan, Jack and

1266
01:00:27,320 --> 01:00:29,680
Speaker 4: Sean be blessed as well, and asks that they please

1267
01:00:29,760 --> 01:00:33,160
Speaker 4: get through this tough time. He also asks that Chet

1268
01:00:33,200 --> 01:00:36,240
Speaker 4: be taken care of and that Sean not go too crazy.

1269
01:00:36,680 --> 01:00:40,120
Speaker 4: Then Topanga walks in undetected. He asks that Angela be

1270
01:00:40,160 --> 01:00:43,760
Speaker 4: blessed and that she and Sean always be together. Not

1271
01:00:43,880 --> 01:00:45,720
Speaker 4: that he's pushing one way or another. He just wants

1272
01:00:45,720 --> 01:00:48,920
Speaker 4: everyone to be happy. And lastly, he asks that Topanga

1273
01:00:49,000 --> 01:00:51,920
Speaker 4: be blessed. She's now staring at him and smiling just

1274
01:00:52,200 --> 01:00:54,360
Speaker 4: five feet away. He has no idea she's there. No,

1275
01:00:54,880 --> 01:00:57,080
Speaker 4: he thanks God, she's not care big deal. Everyone has a.

1276
01:00:57,000 --> 01:00:59,160
Speaker 2: Catolog Yeah, and he's doing it right now.

1277
01:00:59,280 --> 01:01:02,000
Speaker 4: Yeah, he's doing his right now. He thanks God for

1278
01:01:02,040 --> 01:01:04,160
Speaker 4: bringing her to him and asks that they always be

1279
01:01:04,320 --> 01:01:08,360
Speaker 4: together no matter what happens, even if they're not completely compatible,

1280
01:01:08,760 --> 01:01:12,560
Speaker 4: let them learn to be completely compatible to Pega then

1281
01:01:12,560 --> 01:01:14,600
Speaker 4: takes a seat next to him and starts her own prayer.

1282
01:01:14,960 --> 01:01:17,480
Speaker 4: She asks that Corey be blessed. He's the greatest guy

1283
01:01:17,560 --> 01:01:19,919
Speaker 4: she's ever known and someone she can't wait to spend

1284
01:01:19,920 --> 01:01:21,920
Speaker 4: the rest of her life with. Then she turns to

1285
01:01:21,960 --> 01:01:24,760
Speaker 4: face Corey. You want to know why, because I want

1286
01:01:24,760 --> 01:01:28,880
Speaker 4: to change everything about you. The audience laughs as Corey

1287
01:01:29,000 --> 01:01:33,640
Speaker 4: lovingly takes her hand. The sweet ending so see, and

1288
01:01:33,680 --> 01:01:37,760
Speaker 4: a funny joke for Pegga. And then we're in the apartment.

1289
01:01:37,880 --> 01:01:41,000
Speaker 4: Jack's at the kitchen table looking through Chet's financial portfolio.

1290
01:01:41,040 --> 01:01:43,320
Speaker 4: When Rachel enters. She wants to know how it went

1291
01:01:43,320 --> 01:01:45,640
Speaker 4: at the trailer park, and Jack says Sean came down.

1292
01:01:46,000 --> 01:01:48,560
Speaker 4: She asks if he's doing okay, and Jack shrugs, I

1293
01:01:48,560 --> 01:01:52,280
Speaker 4: don't know, I hope. So Rachel inquires, well, how about you.

1294
01:01:52,680 --> 01:01:56,120
Speaker 4: Jack insists, oh, I'm fine, Yeah, I'm good. See I'm

1295
01:01:56,160 --> 01:01:57,760
Speaker 4: the lucky one because I don't have to go through

1296
01:01:57,800 --> 01:02:01,200
Speaker 4: any of that pain. Clearly sad, he takes a deep breath.

1297
01:02:01,880 --> 01:02:04,600
Speaker 4: I just didn't even know him. Rachel quickly comes to

1298
01:02:04,640 --> 01:02:07,200
Speaker 4: a side to comfort him. Jack's now on the verge

1299
01:02:07,200 --> 01:02:10,280
Speaker 4: of tears. It's just that I'm trying not to get

1300
01:02:10,280 --> 01:02:12,680
Speaker 4: in the way of his grief. But I'll just never

1301
01:02:12,760 --> 01:02:16,040
Speaker 4: get to know my real dad. Rachel explains, I know,

1302
01:02:16,360 --> 01:02:19,040
Speaker 4: but you can't keep this inside. You just can't. Jack

1303
01:02:19,080 --> 01:02:21,720
Speaker 4: insists that he can, and then he leans into Rachel

1304
01:02:21,760 --> 01:02:24,080
Speaker 4: for a hug. She holds him and strokes his hair,

1305
01:02:24,160 --> 01:02:26,520
Speaker 4: telling him it's going to be okay. He pulls away,

1306
01:02:26,520 --> 01:02:29,080
Speaker 4: but she continues to hold him. They stare into each

1307
01:02:29,080 --> 01:02:31,440
Speaker 4: other's eyes and then they kiss.

1308
01:02:31,800 --> 01:02:34,800
Speaker 3: Yeah, and Rachel is a great moment Like this the

1309
01:02:34,960 --> 01:02:38,440
Speaker 3: kiss felt real, it was like it was earned.

1310
01:02:38,520 --> 01:02:40,440
Speaker 1: Their performances were just great.

1311
01:02:40,520 --> 01:02:42,920
Speaker 3: I was like, this is one of the best kisses

1312
01:02:42,960 --> 01:02:45,760
Speaker 3: on Boy Meets World, Like you know what I mean.

1313
01:02:45,680 --> 01:02:47,959
Speaker 1: Like, because we have lots of kisses on the show

1314
01:02:48,000 --> 01:02:48,600
Speaker 1: that are just.

1315
01:02:48,520 --> 01:02:51,440
Speaker 3: Like like just a kiss, but this was like actually

1316
01:02:51,480 --> 01:02:52,240
Speaker 3: a character beat.

1317
01:02:52,320 --> 01:02:54,600
Speaker 1: Like you watch them change, It's like, this is a

1318
01:02:54,640 --> 01:02:56,800
Speaker 1: kiss you you you have on a show?

1319
01:02:57,280 --> 01:02:59,720
Speaker 2: Yeah? Really? And they kiss it all together. It looks good,

1320
01:02:59,800 --> 01:03:02,720
Speaker 2: Like like, I agree with you. It was intriguing, it

1321
01:03:02,760 --> 01:03:07,800
Speaker 2: was characters earned, it was passionate. It was great, a

1322
01:03:07,920 --> 01:03:08,800
Speaker 2: very good kiss.

1323
01:03:08,960 --> 01:03:12,120
Speaker 4: I also think they set it up perfectly where it

1324
01:03:12,240 --> 01:03:15,600
Speaker 4: really came out. You were not expecting that this episode

1325
01:03:15,760 --> 01:03:18,680
Speaker 4: was going with that. You just did not You did

1326
01:03:18,680 --> 01:03:21,120
Speaker 4: not see it coming. They start to fully make out

1327
01:03:21,160 --> 01:03:25,640
Speaker 4: and that's when onque Eric walks in. He hangs his

1328
01:03:25,720 --> 01:03:27,919
Speaker 4: head in sadness and walks.

1329
01:03:27,640 --> 01:03:30,600
Speaker 1: And they don't notice because.

1330
01:03:31,760 --> 01:03:33,600
Speaker 2: Nobody don't you tongue deep in each other?

1331
01:03:33,680 --> 01:03:36,040
Speaker 4: So at this point, yeah, they're about to bring out

1332
01:03:36,040 --> 01:03:40,160
Speaker 4: the marital aids. And then we're back in Jet's trailer.

1333
01:03:40,320 --> 01:03:42,880
Speaker 4: Sean's rifling through some more of his dad's things when

1334
01:03:42,920 --> 01:03:45,480
Speaker 4: Corey walks in. Sean's happy to see him, and Corey

1335
01:03:45,520 --> 01:03:47,200
Speaker 4: thanks his best friend for letting him have the room

1336
01:03:47,280 --> 01:03:50,840
Speaker 4: last night. Sean wonders how things went, and Corey tells him, so.

1337
01:03:50,960 --> 01:03:53,959
Speaker 1: Do you know they're moving in together by having one night?

1338
01:03:54,200 --> 01:03:57,520
Speaker 4: Yes, we were spending a couple of days together, which

1339
01:03:57,560 --> 01:04:01,160
Speaker 4: is what she said. Yeah, she said where we should

1340
01:04:01,160 --> 01:04:03,200
Speaker 4: live together. But living together is like when you move

1341
01:04:03,280 --> 01:04:04,720
Speaker 4: somewhere for a couple of weeks and you say I

1342
01:04:04,760 --> 01:04:07,200
Speaker 4: lived in Seattle once, and really you just meant you

1343
01:04:07,840 --> 01:04:08,760
Speaker 4: spent some time there.

1344
01:04:11,960 --> 01:04:12,520
Speaker 2: So true.

1345
01:04:14,200 --> 01:04:16,200
Speaker 4: Uh, you know what the best part about being a

1346
01:04:16,240 --> 01:04:19,840
Speaker 4: virgin is? Sean doesn't get it. What, but Corey clarifies, no,

1347
01:04:19,920 --> 01:04:20,400
Speaker 4: I'm asking.

1348
01:04:22,840 --> 01:04:23,680
Speaker 2: It's so funny.

1349
01:04:24,160 --> 01:04:28,120
Speaker 4: Corey changes the subject, asking Sean how he's doing. Sean admits,

1350
01:04:28,240 --> 01:04:30,760
Speaker 4: I've been so angry. I haven't been able to see straight.

1351
01:04:31,160 --> 01:04:33,000
Speaker 4: But now that Angela is not in my life anymore,

1352
01:04:33,040 --> 01:04:35,480
Speaker 4: and my dad's gone, I figure it's a good chance

1353
01:04:35,520 --> 01:04:37,919
Speaker 4: for me to get out of here. Corey agrees, yeah,

1354
01:04:37,960 --> 01:04:39,640
Speaker 4: you don't want to be hanging around in this trailer.

1355
01:04:39,960 --> 01:04:41,800
Speaker 4: He suggests Sean come back to the dorm so they

1356
01:04:41,800 --> 01:04:44,640
Speaker 4: can talk. Sean wonders, so you into Pank aren't living

1357
01:04:44,640 --> 01:04:47,040
Speaker 4: together anymore? Corey says, yeah, but only during the day.

1358
01:04:47,160 --> 01:04:49,640
Speaker 4: At night, she's scary, but I love her and we

1359
01:04:49,720 --> 01:04:51,880
Speaker 4: have our whole lives to live together and get to

1360
01:04:51,920 --> 01:04:55,040
Speaker 4: know each other. Sean earnestly is happy for him. Then

1361
01:04:55,200 --> 01:04:57,120
Speaker 4: he reveals he wants to break away for a while,

1362
01:04:57,280 --> 01:04:59,600
Speaker 4: clear his head and find out who he is. Corey

1363
01:04:59,640 --> 01:05:03,000
Speaker 4: reminds me him, you just lost your father. Sean points

1364
01:05:03,000 --> 01:05:06,080
Speaker 4: out he left me this trailer. It's all he had. Eventually,

1365
01:05:06,120 --> 01:05:07,520
Speaker 4: I'm going to have to sell it off and start

1366
01:05:07,520 --> 01:05:09,840
Speaker 4: paying back some debts. But in the meantime, I'm going

1367
01:05:09,880 --> 01:05:11,680
Speaker 4: to hitch it up and hit the open road. Thought

1368
01:05:11,680 --> 01:05:15,120
Speaker 4: maybe you'd come with me for the weekend. Cory's in.

1369
01:05:15,520 --> 01:05:18,520
Speaker 4: You know, we're young, we're wild. He asks Sean if

1370
01:05:18,560 --> 01:05:20,919
Speaker 4: he can drive, and Sean quickly says no. Corey calls

1371
01:05:20,920 --> 01:05:23,560
Speaker 4: shotgun instead and hops out of the trailer. Sean hangs

1372
01:05:23,600 --> 01:05:26,080
Speaker 4: back for a second, kisses his hand and touches the

1373
01:05:26,080 --> 01:05:28,960
Speaker 4: horseshoe above the door before heading out.

1374
01:05:29,160 --> 01:05:32,960
Speaker 3: What is the value system of Corey and to Pangan

1375
01:05:33,040 --> 01:05:36,440
Speaker 3: not just like wrapping my head around, like what is

1376
01:05:36,480 --> 01:05:39,240
Speaker 3: going on? Because the idea is like we love each other,

1377
01:05:39,400 --> 01:05:42,200
Speaker 3: We're meant to be together, so we matter what, no

1378
01:05:42,200 --> 01:05:46,320
Speaker 3: matter what. Okay, So they're not getting married because they

1379
01:05:46,360 --> 01:05:50,000
Speaker 3: want to have a good wedding ceremony with all their family.

1380
01:05:50,120 --> 01:05:52,160
Speaker 1: That was the decision based on the first two up.

1381
01:05:52,080 --> 01:05:53,800
Speaker 4: Right, So I'm assuming that means they feel the need

1382
01:05:53,840 --> 01:05:56,760
Speaker 4: to save up for it or to do something, but

1383
01:05:56,760 --> 01:05:59,280
Speaker 4: they definitely want to have a big wedding, big wedding.

1384
01:05:59,080 --> 01:06:01,439
Speaker 2: Right, And the secret they don't have to run away

1385
01:06:01,440 --> 01:06:02,080
Speaker 2: to do it like they're doing.

1386
01:06:02,200 --> 01:06:05,400
Speaker 3: They're not sleeping with each other or living with each

1387
01:06:05,400 --> 01:06:08,520
Speaker 3: other because of religion, right, I mean its.

1388
01:06:10,200 --> 01:06:13,640
Speaker 4: Never like Corey's mentioned God more than to Beanga has right.

1389
01:06:13,560 --> 01:06:17,400
Speaker 3: He's praying right, Yeah, Yeah, It's it's so interesting, Like

1390
01:06:17,600 --> 01:06:20,520
Speaker 3: it's like I feel like nowadays you would have to

1391
01:06:21,600 --> 01:06:24,680
Speaker 3: explain that a little bit more because it's like back then,

1392
01:06:24,840 --> 01:06:26,880
Speaker 3: it does feel like it was just kind of a given, like, oh,

1393
01:06:26,960 --> 01:06:29,720
Speaker 3: you're not married, you don't live together, you don't sleep together,

1394
01:06:29,920 --> 01:06:33,400
Speaker 3: and waiting till marriage to have sex is like understandable.

1395
01:06:33,520 --> 01:06:35,040
Speaker 1: But I feel like nowadays you'd.

1396
01:06:34,800 --> 01:06:36,200
Speaker 3: Be like, wait, if we're supposed to believe that these

1397
01:06:36,240 --> 01:06:38,600
Speaker 3: people have known each other forever, they're totally in love,

1398
01:06:38,640 --> 01:06:41,120
Speaker 3: they're committed to one another together.

1399
01:06:41,280 --> 01:06:44,600
Speaker 2: To Panga was raised by a very open hippie family

1400
01:06:44,720 --> 01:06:48,040
Speaker 2: and they're very much known to not have sex at all,

1401
01:06:48,200 --> 01:06:50,320
Speaker 2: and in organized.

1402
01:06:49,920 --> 01:06:52,800
Speaker 4: Religion, anybody Woodstock.

1403
01:06:55,360 --> 01:06:57,880
Speaker 2: Is all our organized religion and abstinence.

1404
01:06:58,040 --> 01:07:00,400
Speaker 3: It actually would have been a great because it it

1405
01:07:00,480 --> 01:07:02,560
Speaker 3: kind of does make sense because the truth is a

1406
01:07:02,640 --> 01:07:05,680
Speaker 3: lot of people that grow up in those situations the

1407
01:07:06,480 --> 01:07:08,760
Speaker 3: other way, right, So the idea that Tapango would be

1408
01:07:08,920 --> 01:07:13,840
Speaker 3: more conservative and like grieve structure and like rules makes

1409
01:07:13,880 --> 01:07:16,840
Speaker 3: perfect sense. And I wish we kind of explored that

1410
01:07:16,880 --> 01:07:18,680
Speaker 3: and like spelled that out a little bit because it

1411
01:07:18,680 --> 01:07:19,440
Speaker 3: would it would.

1412
01:07:19,320 --> 01:07:21,160
Speaker 4: Would have been a nice touch for that would have

1413
01:07:21,280 --> 01:07:24,040
Speaker 4: required episodes about to Panga.

1414
01:07:24,400 --> 01:07:25,720
Speaker 1: I think we do get there, because we do have

1415
01:07:25,800 --> 01:07:26,480
Speaker 1: your parents come back.

1416
01:07:26,520 --> 01:07:28,880
Speaker 4: They have and I think it comes. I think I

1417
01:07:28,880 --> 01:07:32,120
Speaker 4: think unfortunately what we have though is not good. I

1418
01:07:32,120 --> 01:07:34,800
Speaker 4: think it's very like, yeah, I don't think it's good,

1419
01:07:34,840 --> 01:07:39,440
Speaker 4: but I don't, it's probably probably or you know what,

1420
01:07:39,560 --> 01:07:41,920
Speaker 4: It's all about my father, It's about their marriage. It's

1421
01:07:41,920 --> 01:07:45,240
Speaker 4: not about me. It's about them and and and it's like,

1422
01:07:45,520 --> 01:07:47,040
Speaker 4: not about them, not about me.

1423
01:07:50,800 --> 01:07:54,680
Speaker 1: Or woman or sexy.

1424
01:07:55,720 --> 01:08:00,480
Speaker 4: The best women are men. And then we're in the

1425
01:08:00,480 --> 01:08:03,000
Speaker 4: tag when Corey and Shan's dorm in the hallway, Corey

1426
01:08:03,040 --> 01:08:06,200
Speaker 4: is following Sean, who looks very focused. Corey doesn't understand

1427
01:08:06,200 --> 01:08:08,640
Speaker 4: why it was so important they come here, and Sean explains,

1428
01:08:08,720 --> 01:08:11,080
Speaker 4: I want to say goodbye. It's Panga. Corey reminds him

1429
01:08:11,120 --> 01:08:13,360
Speaker 4: we're going away for the weekend. I'm not even saying

1430
01:08:13,360 --> 01:08:16,400
Speaker 4: goodbye tor. Sean points out they're already here, so why

1431
01:08:16,439 --> 01:08:19,200
Speaker 4: not now At the door, Corey suggests not to go in,

1432
01:08:19,240 --> 01:08:21,720
Speaker 4: but Sean says he's only going to say goodbye. He

1433
01:08:21,760 --> 01:08:24,320
Speaker 4: opens the door to see Tapanga and her pajamas back

1434
01:08:24,360 --> 01:08:26,920
Speaker 4: with the green face cream on, but this time she's

1435
01:08:26,960 --> 01:08:29,840
Speaker 4: clipping her toenails and broadcasting her own basketball game with

1436
01:08:29,920 --> 01:08:34,080
Speaker 4: Cheryl Swoops. Topega yells, she shoots, then she clips a toail,

1437
01:08:34,120 --> 01:08:39,120
Speaker 4: landing it directly onto Sean's face. She victoriously shouts scores Whoao.

1438
01:08:40,040 --> 01:08:42,320
Speaker 4: Sean grabs his eye in pain. What the heck was that?

1439
01:08:42,840 --> 01:08:45,600
Speaker 4: Corey pats him on the shoulder. She's beautiful, isn't she?

1440
01:08:46,240 --> 01:08:49,719
Speaker 4: Sean whispers, she looks like the swamp thing. Corey laughs,

1441
01:08:49,840 --> 01:08:52,599
Speaker 4: I know, let's go. Corey leaves without saying a word

1442
01:08:52,600 --> 01:08:54,760
Speaker 4: to her, but Sean again lingers by the door. He

1443
01:08:54,840 --> 01:08:58,360
Speaker 4: gives her a very serious goodbye, and Topanga waves without

1444
01:08:58,360 --> 01:09:02,960
Speaker 4: a second thought, going right back to her toenails. There

1445
01:09:03,000 --> 01:09:05,360
Speaker 4: we go, There we go episode.

1446
01:09:05,520 --> 01:09:08,000
Speaker 2: This could be one of those ones where we're we're

1447
01:09:08,040 --> 01:09:10,720
Speaker 2: trying to do the season six draft. This could be

1448
01:09:10,720 --> 01:09:13,000
Speaker 2: one that we're all trying to grab them. There one

1449
01:09:13,400 --> 01:09:17,200
Speaker 2: of the higher episodes. I may expected, unexpected.

1450
01:09:16,960 --> 01:09:19,599
Speaker 1: Really good. Yeah, yep. Probably the best kiss on Boy

1451
01:09:19,680 --> 01:09:20,120
Speaker 1: Meets World.

1452
01:09:20,520 --> 01:09:22,680
Speaker 4: I think. I think you're right. I think if we're

1453
01:09:22,680 --> 01:09:24,479
Speaker 4: giving out awards, it's the best.

1454
01:09:24,640 --> 01:09:27,759
Speaker 2: Think this best kiss, most important kiss is to Panga

1455
01:09:27,800 --> 01:09:34,040
Speaker 2: pushing that, but that's almost important, best kiss, most earned kissed,

1456
01:09:34,120 --> 01:09:34,880
Speaker 2: every this is.

1457
01:09:34,920 --> 01:09:35,880
Speaker 1: This has got to be up there.

1458
01:09:36,840 --> 01:09:38,000
Speaker 2: Yeah.

1459
01:09:38,080 --> 01:09:40,000
Speaker 4: Well, thank you all for joining us for this episode

1460
01:09:40,000 --> 01:09:42,040
Speaker 4: of Pod Meets World. As always, you can follow us

1461
01:09:42,080 --> 01:09:44,320
Speaker 4: on Instagram pod Meets World Show. You can send us

1462
01:09:44,320 --> 01:09:47,080
Speaker 4: your emails. Pod Meets World show at gmail dot com

1463
01:09:47,120 --> 01:09:48,679
Speaker 4: and We've got merch.

1464
01:09:49,800 --> 01:09:51,600
Speaker 2: The Greeks were also one of the first groups to

1465
01:09:51,680 --> 01:09:54,160
Speaker 2: use the term toy in reference to a merch.

1466
01:09:54,240 --> 01:10:00,679
Speaker 4: Thought Meansworldshow dot com. Join us for our next episode recap,

1467
01:10:00,680 --> 01:10:03,720
Speaker 4: which will be season six, episode fifteen, road Trip, which

1468
01:10:03,720 --> 01:10:07,000
Speaker 4: originally aired February fifth, nineteen ninety nine.

1469
01:10:07,080 --> 01:10:08,720
Speaker 2: I wonder if they're going to stumble onto an all

1470
01:10:08,800 --> 01:10:15,440
Speaker 2: girl band. Oh you want you like your weird?

1471
01:10:16,400 --> 01:10:17,320
Speaker 4: Well, send us out.

1472
01:10:18,120 --> 01:10:22,439
Speaker 2: We love you all, pod dismissed. Podmeats World is nheart

1473
01:10:22,439 --> 01:10:25,800
Speaker 2: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1474
01:10:25,880 --> 01:10:29,760
Speaker 2: Strong Executive producers Jensen Carp and Amy Sugarman, Executive in

1475
01:10:29,840 --> 01:10:34,519
Speaker 2: charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1476
01:10:34,600 --> 01:10:37,840
Speaker 2: Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1477
01:10:38,040 --> 01:10:40,240
Speaker 2: Our theme song is by Kyle Morton of Typhoon and

1478
01:10:40,280 --> 01:10:42,679
Speaker 2: you can follow us on Instagram at Podmeats World Show

1479
01:10:42,960 --> 01:10:47,480
Speaker 2: or email us at Podmeats World Show at gmail dot com.