1 00:00:00,960 --> 00:00:05,920 Speaker 1: When I wrote, y'all all across the USC Compton Watts 2 00:00:06,519 --> 00:00:10,280 Speaker 1: Bay to l A from on the California out of 3 00:00:10,400 --> 00:00:13,880 Speaker 1: the Valley. We represent that kind of county. So if 4 00:00:13,920 --> 00:00:16,160 Speaker 1: you're keeping it reil on your side of your town, 5 00:00:16,560 --> 00:00:21,760 Speaker 1: you tune into Gangster Chronicles. Gangster Chronic Goals are gonna 6 00:00:21,800 --> 00:00:25,239 Speaker 1: tell you how we go. If I line my nose 7 00:00:25,280 --> 00:00:27,440 Speaker 1: all bro like Pinocchio, We're gonna tell you to choose 8 00:00:27,520 --> 00:00:30,920 Speaker 1: and nothing but the truth. Thanks to chronic goals, this 9 00:00:31,200 --> 00:00:34,879 Speaker 1: is not your average show. You're now tuned into the 10 00:00:35,000 --> 00:00:39,360 Speaker 1: Rail m C eight, Dick James and Big Spills from 11 00:00:39,479 --> 00:00:46,920 Speaker 1: the Streets. Hello, where are you at? This is o 12 00:00:47,120 --> 00:00:51,600 Speaker 1: G Gangster Granny and the Gangster Chronicles podcast is back 13 00:00:51,680 --> 00:00:54,880 Speaker 1: in effect. Get ready for some of that G ship. 14 00:00:55,200 --> 00:00:57,880 Speaker 1: Welcome to the Gangster Chronicles podcast, the production of our 15 00:00:57,960 --> 00:01:00,960 Speaker 1: Heart Radio and Black Effect podcast net work. Make sure 16 00:01:00,960 --> 00:01:03,320 Speaker 1: you download the I Heard Happen. Subscribe to the Gainster 17 00:01:03,400 --> 00:01:06,040 Speaker 1: Chronicles for my Apple users, hit the purple mica on 18 00:01:06,080 --> 00:01:08,520 Speaker 1: your front screen, subscribe against the Chronicles and leave a 19 00:01:08,560 --> 00:01:10,920 Speaker 1: five star rating and comment yeah you know what you do. 20 00:01:10,959 --> 00:01:13,000 Speaker 1: I want to welcome y'all to another episode of the 21 00:01:13,040 --> 00:01:15,800 Speaker 1: Gangster Chronicles and I'm with my old boys speak still 22 00:01:15,959 --> 00:01:18,440 Speaker 1: and Jake Man. Tonight, Man, we have one of my 23 00:01:18,560 --> 00:01:23,480 Speaker 1: favorite people, Man, Grammy nominated. Possibly possibly it could be 24 00:01:23,760 --> 00:01:25,040 Speaker 1: I don't know if it could be the bag that 25 00:01:25,160 --> 00:01:29,759 Speaker 1: possibly one of the biggest songs. And you'll definitely definitely wanted, 26 00:01:29,800 --> 00:01:32,560 Speaker 1: you know, you know the weed he had anthem the 27 00:01:32,600 --> 00:01:35,600 Speaker 1: mayor wanna anthem. Mr I got five on it, man, 28 00:01:35,800 --> 00:01:40,160 Speaker 1: just timeless classes at the classics. Man, he's still going strong. Man. 29 00:01:40,160 --> 00:01:41,720 Speaker 1: We got my boy yung Mo from the house and 30 00:01:41,880 --> 00:01:45,080 Speaker 1: welcome to up the mouth. What's driving from? What's with 31 00:01:45,120 --> 00:01:47,320 Speaker 1: the ogs? Man? Thank you for letting me be on 32 00:01:47,400 --> 00:01:51,600 Speaker 1: gainst the chronicle. My brother's name is Topping Man. It's 33 00:01:51,640 --> 00:01:54,600 Speaker 1: it's all our pleasure. Man. You know, I was talking 34 00:01:54,600 --> 00:01:56,240 Speaker 1: to James when we came up and I told him, 35 00:01:56,280 --> 00:01:58,040 Speaker 1: I said, we got your boy on the show to night. Yeah, 36 00:01:58,040 --> 00:02:00,880 Speaker 1: he said, yeah, we get up to Man, we're gonna 37 00:02:00,880 --> 00:02:05,280 Speaker 1: revisit we are going to revisit some of his um 38 00:02:05,480 --> 00:02:10,680 Speaker 1: infamous or I should say notorious moments. Okay, take a 39 00:02:10,720 --> 00:02:12,880 Speaker 1: trip back. Yeah, well, we gonna take a trip back 40 00:02:12,880 --> 00:02:15,919 Speaker 1: down the memory lane because, as we all know, a man, 41 00:02:17,080 --> 00:02:22,560 Speaker 1: you because the kids a positivity and you know, just 42 00:02:22,600 --> 00:02:25,200 Speaker 1: all around a good dude. But back the things, man, 43 00:02:25,200 --> 00:02:29,280 Speaker 1: you had a whole bunch of funk going on. Absolutely absolutely, 44 00:02:29,320 --> 00:02:31,600 Speaker 1: man um, it was all defense. I ain't. I ain't 45 00:02:31,600 --> 00:02:33,480 Speaker 1: a troublemaker, you know what I mean. I'm gonna leave 46 00:02:33,560 --> 00:02:35,839 Speaker 1: it so I'm the balance, you know what i mean. 47 00:02:35,880 --> 00:02:38,040 Speaker 1: So it was all defense. I ain't. Never had no 48 00:02:38,080 --> 00:02:40,320 Speaker 1: trouble with nobody. But I'm a man, you know what 49 00:02:40,360 --> 00:02:42,320 Speaker 1: I mean. And you know what I mean. You get 50 00:02:42,160 --> 00:02:45,320 Speaker 1: your bark up that shrink, you know what I mean. Hey, 51 00:02:45,800 --> 00:02:48,840 Speaker 1: you're a little man. Sometimes in situations around you know 52 00:02:48,880 --> 00:02:50,560 Speaker 1: what I'm saying, when you get into this game, not 53 00:02:50,720 --> 00:02:52,760 Speaker 1: even this game, Yeah, you know what I'm saying. But 54 00:02:53,080 --> 00:02:56,359 Speaker 1: you know that you know how that happens. Sometime people 55 00:02:56,520 --> 00:02:59,320 Speaker 1: use you to a certain extent to try to gain 56 00:02:59,400 --> 00:03:02,400 Speaker 1: a edge, you know what I'm saying, in the in 57 00:03:02,440 --> 00:03:05,440 Speaker 1: the game or the position or thinking, you know, it's 58 00:03:05,480 --> 00:03:08,639 Speaker 1: I gotta climb that ladder or something. So you're trying 59 00:03:08,680 --> 00:03:11,000 Speaker 1: to step over the next man. So you find yourself 60 00:03:11,040 --> 00:03:14,200 Speaker 1: getting into a lot of a lot of beefs or 61 00:03:14,320 --> 00:03:18,120 Speaker 1: or you know, negative negative comments from people you know 62 00:03:18,440 --> 00:03:21,680 Speaker 1: who don't necessarily like what you be spitting about or 63 00:03:21,760 --> 00:03:25,080 Speaker 1: you're just demeanor of what you're representing as far as 64 00:03:25,360 --> 00:03:30,120 Speaker 1: your mouth, and the Loonies was concerned, so you absolutely. 65 00:03:30,160 --> 00:03:33,520 Speaker 1: But but but on my my end, it wasn't really love, 66 00:03:33,720 --> 00:03:35,480 Speaker 1: you know what I mean. So it was more of 67 00:03:35,640 --> 00:03:39,440 Speaker 1: people stealing our music, you know, us me right for 68 00:03:39,480 --> 00:03:41,840 Speaker 1: the record label, beefs, you know what I mean, and 69 00:03:41,880 --> 00:03:44,560 Speaker 1: so on and soul on. It wasn't like really you know, 70 00:03:44,600 --> 00:03:46,520 Speaker 1: I had beef with anybody, you know what I mean, 71 00:03:46,560 --> 00:03:49,120 Speaker 1: Like that all my things came from righting from somebody 72 00:03:49,160 --> 00:03:50,920 Speaker 1: being loyal, you know what I mean. And that's what 73 00:03:51,720 --> 00:03:54,120 Speaker 1: Jay Prince was talking to you guys about loyalty. So 74 00:03:54,520 --> 00:03:56,600 Speaker 1: that's what I'm strong on, loyerty, you know what I mean. 75 00:03:56,720 --> 00:03:59,880 Speaker 1: So all my beasts came from people getting that me 76 00:04:00,240 --> 00:04:02,800 Speaker 1: or disloyalty, and I mean me standing for my people. 77 00:04:02,920 --> 00:04:05,360 Speaker 1: You know, you're just rolling out because I know that 78 00:04:05,520 --> 00:04:09,480 Speaker 1: the first really the first public beef that you guys have, 79 00:04:09,640 --> 00:04:11,520 Speaker 1: and I wouldn't really consider the beef, but I had 80 00:04:11,520 --> 00:04:13,360 Speaker 1: a little thing going on with Short at first. Right, 81 00:04:14,480 --> 00:04:17,000 Speaker 1: it wasn't no beef, but it was it was with 82 00:04:17,080 --> 00:04:20,280 Speaker 1: our execution, our executive you know, you guys had that 83 00:04:20,520 --> 00:04:24,320 Speaker 1: candidate with two short on gangster chronicles of what went down, 84 00:04:24,400 --> 00:04:26,599 Speaker 1: so we don't have to go back into that lane. 85 00:04:26,680 --> 00:04:29,400 Speaker 1: But you guys told, I mean to Short basically told 86 00:04:29,440 --> 00:04:31,320 Speaker 1: what went down on that situation. They had a problem 87 00:04:31,360 --> 00:04:34,160 Speaker 1: with our executive you know, really what us you know 88 00:04:34,200 --> 00:04:36,080 Speaker 1: what I mean, So loyalty and we go with the 89 00:04:36,120 --> 00:04:38,960 Speaker 1: lovesy thing, um this out for loyalty, you know what 90 00:04:38,960 --> 00:04:41,080 Speaker 1: I mean. We ride for our producer. And then also 91 00:04:41,160 --> 00:04:43,200 Speaker 1: we felt like Short could have did more for us 92 00:04:43,240 --> 00:04:44,919 Speaker 1: at the time, you know what I mean. And we 93 00:04:44,960 --> 00:04:46,919 Speaker 1: didn't know that at this time, Short is on the 94 00:04:46,960 --> 00:04:49,919 Speaker 1: way of believing dangerous music, so we wanted White pumping 95 00:04:50,000 --> 00:04:52,279 Speaker 1: his breaks. He's pumping his braces on everything because he's 96 00:04:52,360 --> 00:04:54,720 Speaker 1: making an exit. We didn't know, you know what I mean. 97 00:04:54,760 --> 00:04:57,039 Speaker 1: We don't know. The politics were young, you know what 98 00:04:57,040 --> 00:04:58,920 Speaker 1: I mean, hot heads, you know what I mean, Like, Yo, 99 00:04:59,000 --> 00:05:01,200 Speaker 1: we have my ain't you know what I mean, And 100 00:05:01,200 --> 00:05:03,400 Speaker 1: we ain't knowing that he's going through his own record 101 00:05:03,440 --> 00:05:06,120 Speaker 1: label TERMO or whatever I mean, turmoil or whatever it's 102 00:05:06,120 --> 00:05:08,520 Speaker 1: going down. So we didn't know. We're just thinking that, 103 00:05:08,600 --> 00:05:10,840 Speaker 1: you know, we hate them, so we rolled on shore. 104 00:05:11,000 --> 00:05:13,880 Speaker 1: You know what I mean periods, So between them having 105 00:05:13,960 --> 00:05:17,240 Speaker 1: fun with our executive and um, yeah, I'm not really 106 00:05:17,279 --> 00:05:19,320 Speaker 1: doing nothing for us. We thought he was hating, so 107 00:05:19,360 --> 00:05:22,320 Speaker 1: weep hard and they don't gotta do a lot of 108 00:05:22,320 --> 00:05:24,279 Speaker 1: that gotta do with just being a young dude, like 109 00:05:24,320 --> 00:05:27,080 Speaker 1: you said, YO were showing at the time. YO was kids. Yeah, 110 00:05:27,080 --> 00:05:29,279 Speaker 1: we was not. We didn't know the industry. We didn't 111 00:05:29,320 --> 00:05:32,440 Speaker 1: know the uh, the real business of the game, you 112 00:05:32,480 --> 00:05:34,200 Speaker 1: know what I mean. We don't know the politics, you 113 00:05:34,200 --> 00:05:36,520 Speaker 1: know what I mean. So we didn't know label beefs, 114 00:05:36,880 --> 00:05:39,040 Speaker 1: you know what I mean. We thought everything was okay, Dorry, 115 00:05:39,120 --> 00:05:40,600 Speaker 1: and it looked like that, you know what I mean, 116 00:05:40,640 --> 00:05:42,960 Speaker 1: on the outside of the inside it was really going 117 00:05:43,000 --> 00:05:45,880 Speaker 1: down and there was a separation happening right when we 118 00:05:45,920 --> 00:05:48,000 Speaker 1: got on board, and we didn't know that, and our 119 00:05:48,240 --> 00:05:51,000 Speaker 1: executive was on the other side and two Shot was 120 00:05:51,040 --> 00:05:53,360 Speaker 1: on the other side, so that you have, and that's 121 00:05:53,360 --> 00:05:54,880 Speaker 1: how that beef started, you know what I mean. And 122 00:05:54,960 --> 00:05:57,480 Speaker 1: you know, and for the record, man, I know he 123 00:05:57,520 --> 00:05:59,600 Speaker 1: lives you a great deal and you got made your 124 00:05:59,600 --> 00:06:01,440 Speaker 1: love for shorts, so there ain't no beef, you know 125 00:06:02,160 --> 00:06:09,680 Speaker 1: That's what everybody. Yeah, trying to people be naive to 126 00:06:09,720 --> 00:06:13,080 Speaker 1: the fact when you just discussed certain things that went 127 00:06:13,120 --> 00:06:15,920 Speaker 1: on during the course of your career or your life. 128 00:06:16,320 --> 00:06:20,039 Speaker 1: People are always trying to turn that around. All man, 129 00:06:20,120 --> 00:06:22,840 Speaker 1: did you hear what he said or not recognizing that 130 00:06:22,920 --> 00:06:26,359 Speaker 1: this is something that happened decades past and there is 131 00:06:26,400 --> 00:06:29,080 Speaker 1: no beefs or whatever. So we don't want to confuse 132 00:06:29,160 --> 00:06:31,960 Speaker 1: the public to think that it's something brand new or nothing. 133 00:06:32,320 --> 00:06:36,320 Speaker 1: You know, we're just talking about situations that transpired during 134 00:06:36,360 --> 00:06:38,600 Speaker 1: your come up. You know what I'm seeing, situations Like 135 00:06:38,640 --> 00:06:41,200 Speaker 1: you said, loyal to you is everything and when you young, 136 00:06:41,960 --> 00:06:44,640 Speaker 1: you're definitely you're gonna ride with who you ride with ship. 137 00:06:44,839 --> 00:06:48,279 Speaker 1: That's how we came up, you feel exactly exactly. And 138 00:06:48,320 --> 00:06:51,440 Speaker 1: at that time, Um, we did a song called Funking 139 00:06:51,520 --> 00:06:54,200 Speaker 1: Over Nothing on on a Lonely Second album or Luning 140 00:06:54,240 --> 00:06:57,200 Speaker 1: Tick Music and squash the beef on the song you 141 00:06:57,240 --> 00:07:00,120 Speaker 1: know what I mean and live on Candyl. So we 142 00:07:00,200 --> 00:07:02,400 Speaker 1: did a big with too Short, like we squashed it 143 00:07:02,480 --> 00:07:04,320 Speaker 1: big for the whole Bay area, like we did a 144 00:07:04,320 --> 00:07:07,480 Speaker 1: whole live thing what we called in and came Yale 145 00:07:07,480 --> 00:07:10,680 Speaker 1: and talked it over and everybody the whole Bay area 146 00:07:10,800 --> 00:07:12,840 Speaker 1: heard it. You know what I mean, we squashed it live, 147 00:07:13,040 --> 00:07:14,960 Speaker 1: you know what I mean, because the beef, you know, 148 00:07:15,040 --> 00:07:16,920 Speaker 1: at Summer Jam with it with the big thing that 149 00:07:16,920 --> 00:07:19,240 Speaker 1: happened at Summer Jam with them beating up our executive 150 00:07:19,240 --> 00:07:21,600 Speaker 1: producing that that was huge, you know what I mean. 151 00:07:21,640 --> 00:07:24,200 Speaker 1: I got Too Short Band from cam Mill. So just 152 00:07:24,320 --> 00:07:26,400 Speaker 1: to bring everything back, you know what I mean, because 153 00:07:26,400 --> 00:07:29,360 Speaker 1: it happened, and happened in front of thirty thousand people. 154 00:07:29,520 --> 00:07:32,239 Speaker 1: Nobody ever forgot that. So for the same thirty thousand, 155 00:07:32,360 --> 00:07:35,000 Speaker 1: forty thousand people that's listening, we had to put on 156 00:07:35,080 --> 00:07:38,440 Speaker 1: and make a public apology in the public. U squashed 157 00:07:38,440 --> 00:07:40,239 Speaker 1: the beef and after that we did a song called 158 00:07:40,720 --> 00:07:44,000 Speaker 1: Funking hoping nothing but to take music. So shout out 159 00:07:44,040 --> 00:07:48,520 Speaker 1: to the O G two shot the official man. You know, 160 00:07:49,200 --> 00:07:52,640 Speaker 1: and what year did you officially go over the repel? 161 00:07:57,280 --> 00:07:59,120 Speaker 1: So when you went down there, man, you're kind of 162 00:07:59,160 --> 00:08:01,920 Speaker 1: filling some stuff. They had some stuff going on at 163 00:08:01,920 --> 00:08:05,960 Speaker 1: the time, and that how you and game kind of 164 00:08:06,000 --> 00:08:09,640 Speaker 1: got your little thing cracky. Now you you fast forward 165 00:08:09,640 --> 00:08:11,720 Speaker 1: and man, we it's since we in the in the nineties, 166 00:08:11,720 --> 00:08:18,400 Speaker 1: still was keep keeping you so right when we're going 167 00:08:18,480 --> 00:08:21,400 Speaker 1: down with Too Short you know, we we we came up. 168 00:08:21,880 --> 00:08:23,800 Speaker 1: Our intro in the game was a song called ice 169 00:08:23,800 --> 00:08:26,520 Speaker 1: Cream Man. As you can see, and I mean shameless 170 00:08:26,520 --> 00:08:29,840 Speaker 1: plub you get that a smoke dot com. But um, yeah, 171 00:08:30,080 --> 00:08:32,839 Speaker 1: a song called ice Cream Man, and we dropped that. 172 00:08:32,920 --> 00:08:36,640 Speaker 1: At ninety three, master P drops his whole album called 173 00:08:36,640 --> 00:08:39,440 Speaker 1: ice Cream Man. And ninety six, three years later, you 174 00:08:39,480 --> 00:08:41,720 Speaker 1: know what I mean, after the success of the Looney's 175 00:08:41,760 --> 00:08:44,760 Speaker 1: going three times platinum, already nobody really knows how we look. 176 00:08:44,880 --> 00:08:47,760 Speaker 1: So I think, you know what I mean, Some but 177 00:08:47,880 --> 00:08:51,079 Speaker 1: not all, probably thought that was us or something I 178 00:08:51,200 --> 00:08:54,200 Speaker 1: have to do with us because of cover. Look like 179 00:08:54,240 --> 00:08:56,960 Speaker 1: our executive producer how he was dressing the ice Cream 180 00:08:56,960 --> 00:09:00,360 Speaker 1: Man video, but instead of the ice cream truck triple 181 00:09:00,440 --> 00:09:04,120 Speaker 1: goal days, master P had a Lexus white Lexus on 182 00:09:04,160 --> 00:09:06,040 Speaker 1: triple goal days. We had a white high school truck 183 00:09:06,080 --> 00:09:08,679 Speaker 1: on triple goal days, so you could easily get it considered, 184 00:09:08,840 --> 00:09:10,560 Speaker 1: you know what I mean. And he took it down south, 185 00:09:11,120 --> 00:09:14,360 Speaker 1: so um, we felt disrespected and it was a slap 186 00:09:14,360 --> 00:09:16,400 Speaker 1: in the face. So so we went hard at massive 187 00:09:16,440 --> 00:09:19,400 Speaker 1: peak period and it was so so crazy that he 188 00:09:19,440 --> 00:09:22,840 Speaker 1: had to lead a Bay Area straight up. Oh wow. 189 00:09:22,960 --> 00:09:25,040 Speaker 1: So so it got that big where he had the bouncing, 190 00:09:25,160 --> 00:09:28,640 Speaker 1: you know, shout off the P for all the success 191 00:09:28,640 --> 00:09:31,480 Speaker 1: that he is. But P has always been known kindada beat, 192 00:09:32,120 --> 00:09:34,640 Speaker 1: you know, um putting his him another people's cookie jar 193 00:09:34,720 --> 00:09:37,199 Speaker 1: here in there, you know what I mean. No, No, 194 00:09:37,280 --> 00:09:39,760 Speaker 1: he's a great businessman. Don't disrespect you know what I mean? 195 00:09:40,040 --> 00:09:43,640 Speaker 1: We felt disrespective with him being and let's say how 196 00:09:43,720 --> 00:09:47,199 Speaker 1: close Compton is to uh to Box, you know what 197 00:09:47,240 --> 00:09:49,760 Speaker 1: I mean, like ten minutes away from Oakland and you 198 00:09:49,840 --> 00:09:51,680 Speaker 1: acting like you didn't hear that song and that that 199 00:09:51,840 --> 00:09:54,840 Speaker 1: video was playing on on soulb, which is like the 200 00:09:55,000 --> 00:09:58,560 Speaker 1: version of whatever is the local just an l a 201 00:09:58,720 --> 00:10:01,559 Speaker 1: channel that plays a hot rap videos. So we had 202 00:10:01,600 --> 00:10:04,760 Speaker 1: one called Solby where we're Lannell the comedian, she used 203 00:10:04,760 --> 00:10:07,040 Speaker 1: to work there, so she was playing our videos on 204 00:10:07,200 --> 00:10:09,840 Speaker 1: sol By. Then we also have video jew Box where 205 00:10:09,840 --> 00:10:13,600 Speaker 1: you can order calling it over the video. So we're 206 00:10:13,600 --> 00:10:16,040 Speaker 1: on jew Box all day, were on so be it 207 00:10:16,080 --> 00:10:19,160 Speaker 1: all day. This is the Bay area. Richmond is right 208 00:10:19,200 --> 00:10:21,760 Speaker 1: next to Oh you're hearing this? You hey, you got 209 00:10:21,760 --> 00:10:25,199 Speaker 1: a record store at this time, master as a record store. 210 00:10:25,600 --> 00:10:27,800 Speaker 1: You know, they started with the record store, So you're 211 00:10:27,800 --> 00:10:31,600 Speaker 1: selling our music, so you know exactly what it do. 212 00:10:32,240 --> 00:10:34,240 Speaker 1: So that was just a smack and effect, you know 213 00:10:34,240 --> 00:10:36,120 Speaker 1: what I mean. He stole it, you know what I mean, 214 00:10:36,160 --> 00:10:39,920 Speaker 1: and we felt disrespected, so grown on the theoriod, you 215 00:10:39,920 --> 00:10:41,640 Speaker 1: know what I mean. It was it was a response, 216 00:10:41,760 --> 00:10:43,480 Speaker 1: you know what I mean, but like we just hain't 217 00:10:43,760 --> 00:10:46,599 Speaker 1: master peak, you know, like he's a legendary dude in 218 00:10:46,640 --> 00:10:48,280 Speaker 1: the Bay. He did a lot for the Bay before 219 00:10:48,280 --> 00:10:51,000 Speaker 1: he left. Less Goes bad Boys, you know, put on 220 00:10:51,040 --> 00:10:53,480 Speaker 1: a lot of dudes in the Bay are got people do? 221 00:10:53,679 --> 00:10:55,800 Speaker 1: I mean people deal as that priority record shout out 222 00:10:55,840 --> 00:10:57,839 Speaker 1: to JT. The biggest figure, you know what I mean, 223 00:10:57,880 --> 00:11:00,320 Speaker 1: But that came off from the West Coast Bad Boys 224 00:11:00,440 --> 00:11:03,160 Speaker 1: of Wade. So he put a lot of people on 225 00:11:03,440 --> 00:11:05,200 Speaker 1: you know what I mean periods. So it's a little 226 00:11:05,240 --> 00:11:07,280 Speaker 1: to him, but we felt disrespectful and know what I mean, 227 00:11:07,360 --> 00:11:14,120 Speaker 1: period physical finance and anybody ever Knickel up almost almost. 228 00:11:14,160 --> 00:11:16,800 Speaker 1: That's that's when he got about. It was a picnic, 229 00:11:17,000 --> 00:11:18,760 Speaker 1: you know what I mean, in a minute picnic. That's 230 00:11:18,760 --> 00:11:21,080 Speaker 1: the record label called in a Minute. Hey you remember 231 00:11:21,080 --> 00:11:24,280 Speaker 1: in a minute? Yea Independence. So they had all the 232 00:11:24,520 --> 00:11:26,840 Speaker 1: Bay area artists and they was the Independence, so they 233 00:11:26,880 --> 00:11:29,880 Speaker 1: had to pick We came through that thing thick. And 234 00:11:29,960 --> 00:11:32,400 Speaker 1: I think at this time Pete was signed or had 235 00:11:32,480 --> 00:11:34,600 Speaker 1: had something going down. In a minute, we showed up 236 00:11:34,600 --> 00:11:37,400 Speaker 1: and showed out. After that, we're hearing from pet So 237 00:11:38,679 --> 00:11:43,719 Speaker 1: we bumped, so got red about the bill. Um. He 238 00:11:44,000 --> 00:11:46,000 Speaker 1: didn't want to deal with it with the power. It 239 00:11:46,080 --> 00:11:48,800 Speaker 1: was too much, too much like open, I mean it, 240 00:11:48,800 --> 00:11:50,160 Speaker 1: it was too much, you know what I mean. You 241 00:11:50,280 --> 00:11:52,200 Speaker 1: got the whole East open. When you're dealing with the 242 00:11:52,240 --> 00:11:54,520 Speaker 1: home and you've got the bill, you got Seminary, you've 243 00:11:54,520 --> 00:11:57,120 Speaker 1: got the fifties, You've got to Brandon Park, you've got 244 00:11:57,200 --> 00:12:00,720 Speaker 1: Folk Field. You're the most like some some of the 245 00:12:00,760 --> 00:12:05,120 Speaker 1: most dangerous neighborhoods and period, let alone East. So so 246 00:12:05,960 --> 00:12:08,559 Speaker 1: them all roll up together. He got nineties and you 247 00:12:08,640 --> 00:12:10,480 Speaker 1: got oh man, it's just too much. Man, you got 248 00:12:10,679 --> 00:12:14,440 Speaker 1: ninety eight Planet plinty Flop, you got this, it's too 249 00:12:14,440 --> 00:12:16,520 Speaker 1: many neighborhoods. That was that was pulling up with it 250 00:12:16,559 --> 00:12:18,400 Speaker 1: is that that was too much power, you know what 251 00:12:18,480 --> 00:12:20,560 Speaker 1: I mean. It's like you're gonna funk with the whole 252 00:12:20,559 --> 00:12:25,120 Speaker 1: Oapen Nigga period. That's how And we had West Okla Nigga. So, yeah, 253 00:12:25,480 --> 00:12:29,320 Speaker 1: it was too much power. Athlete period. Yeah, what's your 254 00:12:29,360 --> 00:12:33,800 Speaker 1: favorite saying James Little another thing, that's what Pete shows 255 00:12:33,840 --> 00:12:35,559 Speaker 1: to do. Piece and I'm gonna lit the front. Another 256 00:12:35,640 --> 00:12:38,640 Speaker 1: thing just got on. So at the end of the 257 00:12:38,720 --> 00:12:40,920 Speaker 1: day he started popping in the South, like he was 258 00:12:40,920 --> 00:12:43,160 Speaker 1: popping in the South anyway. So he just he went 259 00:12:43,200 --> 00:12:45,040 Speaker 1: out there and to stay there, you know what I mean. 260 00:12:45,120 --> 00:12:49,200 Speaker 1: So I said, you know, yeah, because you know the 261 00:12:49,280 --> 00:12:51,400 Speaker 1: thing he was. Man p is a hell of a businessman, 262 00:12:51,520 --> 00:12:53,880 Speaker 1: but he do got a real selective memory when it 263 00:12:53,960 --> 00:12:56,040 Speaker 1: comes to stoops. When people asking about the ice cream 264 00:12:56,080 --> 00:12:58,000 Speaker 1: man something, he always say, well, I don't know who 265 00:12:58,000 --> 00:13:00,520 Speaker 1: that he is. You know, people always ateing. But you 266 00:13:00,600 --> 00:13:04,959 Speaker 1: know all this, all his underbosses and everybody that's that 267 00:13:05,160 --> 00:13:08,120 Speaker 1: was a part of No Limit did interviews and they say, 268 00:13:08,200 --> 00:13:11,480 Speaker 1: clearly mass be stoked. And you know he stole period, 269 00:13:12,120 --> 00:13:13,680 Speaker 1: you know what I mean. His thing was like on 270 00:13:13,720 --> 00:13:15,880 Speaker 1: some jay Z ship made the hot line, but I 271 00:13:15,920 --> 00:13:18,680 Speaker 1: made it hot song. Well you made a hot song. 272 00:13:19,040 --> 00:13:21,200 Speaker 1: I made it a hot album, you know what. I 273 00:13:21,200 --> 00:13:24,560 Speaker 1: made the same type of exact So that's how he 274 00:13:24,840 --> 00:13:26,920 Speaker 1: took it. When he took it, you know what I mean. 275 00:13:27,000 --> 00:13:28,840 Speaker 1: So it is what it is, and then when we 276 00:13:28,920 --> 00:13:31,800 Speaker 1: finally met, you know, face the faces quashed the beep. 277 00:13:31,840 --> 00:13:35,000 Speaker 1: He was like, basically like it was a salute, you 278 00:13:35,040 --> 00:13:37,160 Speaker 1: know what I mean. It's like everybody using the forty 279 00:13:37,200 --> 00:13:40,480 Speaker 1: word that sis the cheeves me and my neiz and 280 00:13:40,600 --> 00:13:46,160 Speaker 1: all that, right, so it's it's it's the word. It 281 00:13:46,200 --> 00:13:49,480 Speaker 1: becomes a slang. So what if he too short? I mean, 282 00:13:49,520 --> 00:13:52,360 Speaker 1: what if Snoop Dogg wanted to beat for everybody that said, 283 00:13:52,480 --> 00:13:55,040 Speaker 1: I mean for she, I mean he forty wanted to 284 00:13:55,080 --> 00:13:57,439 Speaker 1: beat for everybody that said for cheesy or with my 285 00:13:57,520 --> 00:13:59,440 Speaker 1: neis and with ship. It's like if it's a cool ship, 286 00:13:59,760 --> 00:14:02,200 Speaker 1: like gonna say it. So he basically was saying that. 287 00:14:02,240 --> 00:14:05,160 Speaker 1: He said, what I can't beef with a foxy Bram 288 00:14:05,240 --> 00:14:08,520 Speaker 1: because she said no, no, no, like she got now 289 00:14:08,600 --> 00:14:10,679 Speaker 1: I got no no, no, like what I'm gonna do 290 00:14:10,720 --> 00:14:14,240 Speaker 1: beef with? Right? No? Oh, it's just a salute to 291 00:14:14,280 --> 00:14:16,599 Speaker 1: the bird and the sling and that everybody used. And 292 00:14:17,240 --> 00:14:19,800 Speaker 1: I finally felt like an asshole, you know what I mean, Like, yeah, 293 00:14:20,560 --> 00:14:22,440 Speaker 1: you know what I mean, I get But when he 294 00:14:22,520 --> 00:14:25,800 Speaker 1: was out there probably could have been clarified. You know, 295 00:14:26,600 --> 00:14:30,800 Speaker 1: he didn't think that back then. It wasn't like niggas 296 00:14:30,840 --> 00:14:33,520 Speaker 1: was stepping to Nigga's like, hey man, I wanna know 297 00:14:35,240 --> 00:14:38,560 Speaker 1: so nah, So yeah, it was wasn't the shout out. 298 00:14:38,560 --> 00:14:41,160 Speaker 1: He never shot at that out, So I thought it 299 00:14:41,200 --> 00:14:44,360 Speaker 1: was like a punch of fake like, oh he really don't. 300 00:14:44,600 --> 00:14:47,280 Speaker 1: And then like like let's let's say some neighborhood drama 301 00:14:47,360 --> 00:14:50,920 Speaker 1: like Oakland and Richmond always had funk, you know what 302 00:14:50,960 --> 00:14:52,920 Speaker 1: I mean, Like that, that's like we were the worst 303 00:14:53,000 --> 00:14:55,200 Speaker 1: Hendey you know what I mean, period, that's like, uh, 304 00:14:55,360 --> 00:14:57,840 Speaker 1: who the six six Souls funk get the eighth Grace 305 00:14:58,640 --> 00:15:01,240 Speaker 1: or whoever they got here is funk with its like 306 00:15:01,360 --> 00:15:03,640 Speaker 1: us and Richard, you know what I mean. So he's 307 00:15:03,680 --> 00:15:06,240 Speaker 1: from Richmond, we from you know what I mean. It's 308 00:15:06,240 --> 00:15:08,680 Speaker 1: already funk right there, Perry, you know what I mean. 309 00:15:08,760 --> 00:15:11,720 Speaker 1: So it was some real hood politics ship with that, 310 00:15:11,880 --> 00:15:13,600 Speaker 1: you know what I mean? Period shot out Richmond and 311 00:15:13,640 --> 00:15:15,320 Speaker 1: ain't like that no more. But back in the day 312 00:15:15,360 --> 00:15:18,400 Speaker 1: it was real funky for Richmond and oak you know 313 00:15:18,400 --> 00:15:21,400 Speaker 1: what I mean. Yeah, it was terf politics on top 314 00:15:21,440 --> 00:15:26,320 Speaker 1: of that. That's crazy, man. So Yn't had this thing 315 00:15:26,440 --> 00:15:30,280 Speaker 1: going with Mr Pe going on with period this when 316 00:15:30,280 --> 00:15:33,480 Speaker 1: your first dropped the album right right, no, no, no no, 317 00:15:33,520 --> 00:15:37,400 Speaker 1: that's when we dropped our dropped Lunatic Music, right, I 318 00:15:37,400 --> 00:15:42,760 Speaker 1: mean Operates, Stackola and Lunatic Music the first two albums. 319 00:15:42,840 --> 00:15:45,520 Speaker 1: He dropped his when we dropped our second album and 320 00:15:45,600 --> 00:15:48,480 Speaker 1: ninety six. We dropped Tik Music and ninety six at 321 00:15:48,480 --> 00:15:51,680 Speaker 1: the same time, so he dropped the ice Cream Man 322 00:15:52,560 --> 00:15:54,640 Speaker 1: that time. So that's when we started getting on them 323 00:15:54,720 --> 00:15:59,040 Speaker 1: on Lunatic Music and so on. You do never been 324 00:15:59,080 --> 00:16:01,520 Speaker 1: one of them dudes to like your turn. And that's 325 00:16:01,560 --> 00:16:03,800 Speaker 1: one thing I've noticed about you before I even met you, 326 00:16:04,800 --> 00:16:08,760 Speaker 1: because who was your next victim at the master Pea 327 00:16:10,240 --> 00:16:12,360 Speaker 1: no Vector? You know what, man, it was just defending 328 00:16:12,400 --> 00:16:18,360 Speaker 1: myself again, but um Windom wasn't. Think that's in the 329 00:16:18,480 --> 00:16:21,040 Speaker 1: sense of its like you targeting and what not. What 330 00:16:21,080 --> 00:16:24,000 Speaker 1: I want to say is this about you. I always 331 00:16:24,080 --> 00:16:25,720 Speaker 1: tell him and I'm glad to have him as a 332 00:16:25,800 --> 00:16:28,840 Speaker 1: friend person the enemy, because you used to go really 333 00:16:28,880 --> 00:16:31,280 Speaker 1: in on these niggas. You're just like, that's the kid. 334 00:16:31,360 --> 00:16:33,760 Speaker 1: You're gonna go in on the motherfucker that comes for you, right, 335 00:16:33,920 --> 00:16:37,000 Speaker 1: So it's like you're like the motherfucker's for nigga threw 336 00:16:37,040 --> 00:16:39,240 Speaker 1: a penny at him. He was gonna throw a whole 337 00:16:39,400 --> 00:16:42,240 Speaker 1: armored truck if they asked a vater thing. That's what 338 00:16:42,240 --> 00:16:44,240 Speaker 1: I'm gonna do. I ain't gonna go small on the 339 00:16:44,320 --> 00:16:46,360 Speaker 1: nigga for nigga come at me. I'm gonna go be 340 00:16:46,880 --> 00:16:48,560 Speaker 1: what the funk I'm gonna do, Come at him with 341 00:16:48,640 --> 00:16:50,920 Speaker 1: Daddy Murphy twenty two. You know, I'm gonna come at 342 00:16:50,960 --> 00:16:54,320 Speaker 1: the motherfucker with what they are fati that the motherfucker 343 00:16:54,440 --> 00:16:56,800 Speaker 1: k I ain't gonna stand there with that little ship 344 00:16:57,000 --> 00:16:59,600 Speaker 1: like why you shoot that little ship? Motherfucker hit him 345 00:16:59,600 --> 00:17:02,440 Speaker 1: and really, really, you know, and you know what you 346 00:17:02,680 --> 00:17:04,280 Speaker 1: was out there because I can't think of a time 347 00:17:04,320 --> 00:17:06,400 Speaker 1: that you actually started some ship, you know what I mean. 348 00:17:06,880 --> 00:17:08,600 Speaker 1: I ain't never seen you just up and start some 349 00:17:08,640 --> 00:17:11,920 Speaker 1: ship with somebody. It's always been somebody kind of coming 350 00:17:11,960 --> 00:17:15,920 Speaker 1: at y'all some kind of week, right, So that's I 351 00:17:15,960 --> 00:17:17,720 Speaker 1: guess you had a little motherfucker's no more time with 352 00:17:17,840 --> 00:17:23,240 Speaker 1: you everybody, somebody at important time in life, and started 353 00:17:23,280 --> 00:17:31,200 Speaker 1: some ship. James said, I think you starting You can't 354 00:17:31,240 --> 00:17:37,160 Speaker 1: be innocent bings, you know this loan without being out 355 00:17:37,200 --> 00:17:39,880 Speaker 1: there like that. My saying is when when I when 356 00:17:39,880 --> 00:17:42,080 Speaker 1: I got shot. That's when I started some ship. When 357 00:17:42,080 --> 00:17:43,880 Speaker 1: I got disciplined, you know what I mean. I got 358 00:17:43,880 --> 00:17:46,199 Speaker 1: shot for being disciplined for doing some ship to an 359 00:17:46,200 --> 00:17:47,919 Speaker 1: o G that one's supposed to be done as a 360 00:17:47,960 --> 00:17:50,600 Speaker 1: young watching, you know what I mean. I got disciplined, 361 00:17:50,640 --> 00:17:52,920 Speaker 1: got shot, beat up, jumping all the ship. That's the 362 00:17:52,960 --> 00:17:56,040 Speaker 1: only time I ever fucked up and did something, you 363 00:17:56,040 --> 00:17:57,520 Speaker 1: know what I mean. But other than that, by G, 364 00:17:58,119 --> 00:18:00,960 Speaker 1: it's it's all defense because I know what what energy 365 00:18:01,000 --> 00:18:03,159 Speaker 1: I put out is what energy I'm gonna get, you 366 00:18:03,200 --> 00:18:05,240 Speaker 1: know what I mean. That's why I got shot. Now, 367 00:18:05,280 --> 00:18:07,520 Speaker 1: if you're doing that type of ship and doing your 368 00:18:07,520 --> 00:18:09,680 Speaker 1: thing in the street show one too, it's gonna come 369 00:18:09,680 --> 00:18:11,280 Speaker 1: back to you. When that ship came back to me 370 00:18:11,359 --> 00:18:13,800 Speaker 1: full throughout on, my life was right on right in 371 00:18:13,880 --> 00:18:17,040 Speaker 1: my face. Like your life, you're either gonna die or 372 00:18:17,080 --> 00:18:21,200 Speaker 1: you're gonna run and moving and do them up Diana standards. 373 00:18:21,359 --> 00:18:22,879 Speaker 1: You know what I mean to do all the motherfucker 374 00:18:23,000 --> 00:18:25,399 Speaker 1: Ronnie Lot, You know what I mean. Dodging bullet you 375 00:18:25,400 --> 00:18:27,600 Speaker 1: could do and you know what I mean, until you 376 00:18:27,640 --> 00:18:29,680 Speaker 1: get shot in a in a cool place where you 377 00:18:29,760 --> 00:18:32,040 Speaker 1: don't doubt I had to do that. You know what 378 00:18:32,040 --> 00:18:34,280 Speaker 1: I mean, like literally, so yeah, man, you could you 379 00:18:34,359 --> 00:18:36,399 Speaker 1: could do some ship you know, start some ship that 380 00:18:36,960 --> 00:18:39,439 Speaker 1: that um you know that that that you you know, 381 00:18:39,640 --> 00:18:41,840 Speaker 1: uh read the percussions from you know what I mean 382 00:18:41,880 --> 00:18:44,240 Speaker 1: period or throw that type of energy. So from there 383 00:18:44,240 --> 00:18:46,280 Speaker 1: I learned not to throw that type of energy out 384 00:18:46,000 --> 00:18:48,520 Speaker 1: of you know, negative energy because it always comes back. 385 00:18:48,920 --> 00:18:51,520 Speaker 1: So it was all defense. So the next one, yeah, 386 00:18:51,560 --> 00:18:53,880 Speaker 1: we go to was when I went to rap a Lot. Now, 387 00:18:53,960 --> 00:18:56,160 Speaker 1: this one broke my soul. This one broke my heart 388 00:18:56,200 --> 00:18:59,359 Speaker 1: because star Face that's like my I like literally like 389 00:19:00,840 --> 00:19:04,200 Speaker 1: scar Face. Scarface is my idol man like literally him, 390 00:19:04,920 --> 00:19:08,240 Speaker 1: ice cube like them, the itels like wrap items that 391 00:19:08,280 --> 00:19:12,120 Speaker 1: made me want to rap so um far storytelling and everything. 392 00:19:12,200 --> 00:19:14,800 Speaker 1: That's why my my rap style was a lot of storyteller. 393 00:19:15,240 --> 00:19:19,520 Speaker 1: So um same with you eight so um anyway, um 394 00:19:19,680 --> 00:19:21,920 Speaker 1: him me being on Rap a Lot, I guess it 395 00:19:22,080 --> 00:19:25,440 Speaker 1: got competitive. You know it's friendly competitive stuff or whatever. 396 00:19:26,119 --> 00:19:31,160 Speaker 1: Um too short got on a song called Longevity and 397 00:19:31,200 --> 00:19:33,720 Speaker 1: you know decide that you know, break down whatever happened 398 00:19:33,760 --> 00:19:35,679 Speaker 1: with all of us, I guess on the song or whatever. 399 00:19:35,800 --> 00:19:38,160 Speaker 1: Some other songs he broke down. And then he did 400 00:19:38,160 --> 00:19:42,639 Speaker 1: a song called longevity with with scar face and show. 401 00:19:42,800 --> 00:19:45,840 Speaker 1: You know, he's shooting his shots at me clearly and 402 00:19:45,880 --> 00:19:48,960 Speaker 1: then shooting the shots that the loon he's in me. 403 00:19:49,480 --> 00:19:52,040 Speaker 1: And then Face get on there and then he talked 404 00:19:52,080 --> 00:19:54,600 Speaker 1: He's shooting his subliminals at me. It's like, damn, I 405 00:19:54,600 --> 00:19:57,040 Speaker 1: thought we was gonna wrap a lot, bro like. So 406 00:19:57,800 --> 00:19:59,960 Speaker 1: after he did that, I had to go out after Face, 407 00:20:00,359 --> 00:20:02,560 Speaker 1: you know what I mean, period, and like this right one, 408 00:20:02,600 --> 00:20:04,440 Speaker 1: Face left the label, you know what I mean. He 409 00:20:04,480 --> 00:20:06,760 Speaker 1: couldn't do that on rap a lot. He left this 410 00:20:06,800 --> 00:20:09,080 Speaker 1: when he got to deal with death Jam, you know 411 00:20:09,119 --> 00:20:11,920 Speaker 1: what I mean. So yeah, so he did this when 412 00:20:11,920 --> 00:20:15,920 Speaker 1: he was on death Jam. So j J, Jay let 413 00:20:15,920 --> 00:20:18,120 Speaker 1: me go, period, you know what I mean, Jay let 414 00:20:18,160 --> 00:20:20,920 Speaker 1: me go because at that time him and Jay want 415 00:20:20,960 --> 00:20:22,919 Speaker 1: seeing out of eye, you know what I mean, So 416 00:20:23,280 --> 00:20:25,239 Speaker 1: Jay let me go. But it was under the same roof. 417 00:20:25,359 --> 00:20:28,600 Speaker 1: Jay wouldn't let me this scarf face never period. That 418 00:20:28,600 --> 00:20:31,680 Speaker 1: wouldn't never matter. So and then even when I did 419 00:20:31,720 --> 00:20:33,480 Speaker 1: this scarf face, it was like I had to blurt 420 00:20:33,560 --> 00:20:36,560 Speaker 1: out the names and everything. It was a real subliminal 421 00:20:36,680 --> 00:20:39,800 Speaker 1: this but people in the camp and people from his 422 00:20:39,920 --> 00:20:42,080 Speaker 1: camp knew world was gone. You know what I mean. 423 00:20:42,119 --> 00:20:45,000 Speaker 1: And then scarf Face hid you know, shot a couple 424 00:20:45,040 --> 00:20:47,800 Speaker 1: back after that or whatever. But yeah, man, out of 425 00:20:47,800 --> 00:20:50,440 Speaker 1: out of straight competition and him leave a rap a lot, 426 00:20:50,920 --> 00:20:52,440 Speaker 1: you know what I mean, and go on the death chat. 427 00:20:52,720 --> 00:20:56,040 Speaker 1: You know that that was the people that Yeah, man, 428 00:20:56,320 --> 00:20:58,639 Speaker 1: that would be hard, right because I think scarl Faces 429 00:20:58,720 --> 00:21:01,560 Speaker 1: pro yours every his favorite rever, you know what I mean. 430 00:21:02,080 --> 00:21:03,760 Speaker 1: So they had to be some for you to go 431 00:21:03,800 --> 00:21:06,000 Speaker 1: into that, you know, with with him, with all people, 432 00:21:06,200 --> 00:21:09,800 Speaker 1: did you get the resolved? Yeah, definitely, definitely. That's Uncle 433 00:21:09,840 --> 00:21:13,640 Speaker 1: Face man. That's my guy y prayers and face too. Man. 434 00:21:13,680 --> 00:21:17,360 Speaker 1: He definitely going through some ship man. So yeah, yeah, 435 00:21:17,359 --> 00:21:21,480 Speaker 1: that's Uncle Face man, you know, speaking of prayer, stay 436 00:21:21,520 --> 00:21:25,160 Speaker 1: safe out there. But anyway, though, you let's let's take 437 00:21:25,160 --> 00:21:28,000 Speaker 1: it to this man. Did J Prince ever talk to 438 00:21:28,040 --> 00:21:29,760 Speaker 1: you about that anything that he said? Did he give 439 00:21:29,760 --> 00:21:33,760 Speaker 1: you any guidelines and limitations? We never spoke on it, 440 00:21:33,880 --> 00:21:36,800 Speaker 1: you know what I mean. But but people like producers 441 00:21:36,840 --> 00:21:40,040 Speaker 1: and people on the camp knew how I felt about that, 442 00:21:40,040 --> 00:21:43,240 Speaker 1: that um scar Face song with two ship you know 443 00:21:43,240 --> 00:21:46,280 Speaker 1: what I mean. So I just went and then like 444 00:21:46,440 --> 00:21:49,240 Speaker 1: Jay just let me go on the studio and produced 445 00:21:49,359 --> 00:21:51,200 Speaker 1: like we had. He don't be all be a show. 446 00:21:51,280 --> 00:21:54,720 Speaker 1: That's saying which you can't. Like studios paid for what 447 00:21:54,840 --> 00:21:57,480 Speaker 1: producer you want to rock? What is paid for going 448 00:21:57,560 --> 00:22:00,679 Speaker 1: there and making magic. So you know one of my 449 00:22:00,720 --> 00:22:03,000 Speaker 1: studio sessions, I decided to go hard on you know, 450 00:22:03,080 --> 00:22:05,720 Speaker 1: scarf Face. Now he heard the aftermath and when they 451 00:22:05,720 --> 00:22:08,320 Speaker 1: heard it, they got to bleat the things out, but 452 00:22:08,400 --> 00:22:10,040 Speaker 1: they still put it out, you know what I mean. 453 00:22:10,119 --> 00:22:13,359 Speaker 1: So it was does a response you know what I mean, period, 454 00:22:13,359 --> 00:22:15,720 Speaker 1: because I was heartbroken, you know what I mean. Period, 455 00:22:15,760 --> 00:22:18,240 Speaker 1: Like they call him uncle face because of me. Like 456 00:22:18,320 --> 00:22:20,080 Speaker 1: when I first got to rap a lot, I didn't 457 00:22:20,080 --> 00:22:23,440 Speaker 1: call him scarf face like uncle face like Ludicris called 458 00:22:23,520 --> 00:22:26,360 Speaker 1: him uncle fax. Everybody uncle face. Uncle. That's a name 459 00:22:26,400 --> 00:22:28,439 Speaker 1: I gave him, you know what I mean, Like he 460 00:22:29,200 --> 00:22:31,640 Speaker 1: like that. That's I ain't gonna say our personal ship. 461 00:22:31,880 --> 00:22:34,720 Speaker 1: But it was some ship that that broke my heart, 462 00:22:34,880 --> 00:22:36,960 Speaker 1: you know what I mean. Period. We'll talking about this 463 00:22:37,000 --> 00:22:38,760 Speaker 1: type of ship off the camp, you know what I mean. 464 00:22:40,720 --> 00:22:42,639 Speaker 1: I'm not ana lection. I'm gonna lest you know how 465 00:22:42,680 --> 00:22:45,240 Speaker 1: much respect he had for me. We're gonna say this 466 00:22:45,320 --> 00:22:47,560 Speaker 1: off the camera, ain't gonna put it on public blast 467 00:22:47,680 --> 00:22:50,760 Speaker 1: like that. But he had the ultimate respect for my 468 00:22:50,760 --> 00:22:54,200 Speaker 1: my lyricism and my penmanship. That's all I said. Now, 469 00:22:55,240 --> 00:22:57,600 Speaker 1: so during this year, how long was you down there? Replo? 470 00:22:59,160 --> 00:23:03,160 Speaker 1: I was there for at it like from ninety seven 471 00:23:03,359 --> 00:23:08,240 Speaker 1: to two thousand and seven, ten years. I was never 472 00:23:08,359 --> 00:23:11,800 Speaker 1: teen here And what does how did you? How did 473 00:23:11,840 --> 00:23:16,840 Speaker 1: you go about transitioning from the Loonies to going to 474 00:23:16,920 --> 00:23:22,560 Speaker 1: wrap a lot as a solo artist? Um, it was easy, 475 00:23:23,040 --> 00:23:24,720 Speaker 1: you know what I mean. That's why I got the deal, 476 00:23:25,000 --> 00:23:26,679 Speaker 1: you know what I mean? Because Jay Prince seeing that 477 00:23:26,720 --> 00:23:30,280 Speaker 1: I was doing a lot of um being proactive, you 478 00:23:30,280 --> 00:23:31,919 Speaker 1: know what I mean. Like I was to dude at 479 00:23:31,960 --> 00:23:34,920 Speaker 1: the studio before anybody. I was the dude this laying 480 00:23:34,960 --> 00:23:37,000 Speaker 1: the hook and just leaving the birse for a nigger 481 00:23:37,240 --> 00:23:39,040 Speaker 1: when they had party and this ship, you know what 482 00:23:39,080 --> 00:23:42,880 Speaker 1: I mean. So he's seen this repetitiously in the studio. 483 00:23:43,359 --> 00:23:45,760 Speaker 1: Why why are we working on the Moonies out? You 484 00:23:45,800 --> 00:23:47,360 Speaker 1: know what I mean? And he said, like, y'all, you're 485 00:23:47,359 --> 00:23:49,840 Speaker 1: doing all this ship yourself, you might as well get 486 00:23:49,880 --> 00:23:52,080 Speaker 1: your own solo deal. So I never thought about even 487 00:23:52,119 --> 00:23:54,479 Speaker 1: going solo on the team play. You know, I come 488 00:23:54,520 --> 00:23:57,119 Speaker 1: from organized crime where we all got money together, so 489 00:23:57,160 --> 00:23:59,800 Speaker 1: I never thought of being solo. But once he bought 490 00:23:59,840 --> 00:24:01,959 Speaker 1: that to my attention, like them, I am doing all 491 00:24:01,960 --> 00:24:06,800 Speaker 1: the work, why not go solo? So he offered a 492 00:24:06,880 --> 00:24:10,800 Speaker 1: deal before my executive reduce off. So this is where 493 00:24:10,800 --> 00:24:12,480 Speaker 1: he gets tricky, you know what I mean. So my 494 00:24:12,520 --> 00:24:15,280 Speaker 1: executive producer he saw hey, you know what I mean, 495 00:24:15,320 --> 00:24:19,800 Speaker 1: because Jay beat him to the punch, and um, he 496 00:24:19,920 --> 00:24:22,399 Speaker 1: started up like like giving us the running around. He 497 00:24:22,440 --> 00:24:25,080 Speaker 1: has the running around for like two years. He even 498 00:24:25,160 --> 00:24:27,840 Speaker 1: signed that deal, you know what I mean. So that's 499 00:24:27,880 --> 00:24:31,400 Speaker 1: why the album became two albums. Like I was done 500 00:24:31,400 --> 00:24:33,840 Speaker 1: with the first album like the first year, and we 501 00:24:33,960 --> 00:24:36,720 Speaker 1: still waiting for dude to sign off. So I'm still recorded, 502 00:24:37,400 --> 00:24:41,359 Speaker 1: and that's why dug Out the Applation became a double album. 503 00:24:41,440 --> 00:24:44,040 Speaker 1: I went trying to copy Piggy. I won't trying to 504 00:24:44,080 --> 00:24:48,320 Speaker 1: copy pock. It became that through litigation, and you know 505 00:24:48,320 --> 00:24:50,440 Speaker 1: what I mean, wait for this dude to sign off. 506 00:24:50,640 --> 00:24:52,719 Speaker 1: We're just going at in the studio. We got so 507 00:24:52,800 --> 00:24:55,840 Speaker 1: much good classic work. Every yo, we're umping all this 508 00:24:55,880 --> 00:24:58,120 Speaker 1: ship out, you know what I mean. Pop dropped one. 509 00:24:58,400 --> 00:25:01,480 Speaker 1: I think little flipp this dropped on everybody dropped a 510 00:25:01,520 --> 00:25:04,520 Speaker 1: double albums sucking throw it out there. So we threw 511 00:25:04,560 --> 00:25:07,960 Speaker 1: the double album out there, and yeah it went, it 512 00:25:08,000 --> 00:25:10,400 Speaker 1: went platinum, you know what I mean. Period, not not 513 00:25:10,520 --> 00:25:12,199 Speaker 1: right then you know, over the time it would go 514 00:25:12,359 --> 00:25:16,240 Speaker 1: off the river. But um, yeah, we dropped that album 515 00:25:16,320 --> 00:25:19,359 Speaker 1: and from that we just kept going. Man the momentum, 516 00:25:19,520 --> 00:25:21,720 Speaker 1: you know what I mean. Period, and then, um, it 517 00:25:21,840 --> 00:25:26,440 Speaker 1: was just easier for me because being in the group, Um, 518 00:25:26,480 --> 00:25:30,080 Speaker 1: it's hard to tell your personal stories because that member 519 00:25:30,119 --> 00:25:32,520 Speaker 1: got to have the same personal stories. So me and 520 00:25:32,600 --> 00:25:36,760 Speaker 1: numbers from two total different backgrounds, so it's only so hard. 521 00:25:36,800 --> 00:25:39,439 Speaker 1: I could go on the Moonies. So that's why you 522 00:25:39,560 --> 00:25:43,320 Speaker 1: tell young mouth, you know what I mean. Albums and 523 00:25:44,119 --> 00:25:48,679 Speaker 1: content and subject matter was totally different from well detail, 524 00:25:49,200 --> 00:25:52,320 Speaker 1: you know what I mean, totally different from a Looney's album. Well, 525 00:25:52,320 --> 00:25:54,159 Speaker 1: we were just like the funny side of gainst the 526 00:25:54,280 --> 00:25:57,159 Speaker 1: hip hop. So um yeah, yuck. I was able to 527 00:25:57,200 --> 00:25:59,639 Speaker 1: thug it out. That's what I call down the appolation. 528 00:26:00,040 --> 00:26:01,520 Speaker 1: I mean, I was able to do me. I'm from 529 00:26:01,520 --> 00:26:04,160 Speaker 1: the Build, one of the most toyous projects from Open 530 00:26:04,680 --> 00:26:06,600 Speaker 1: So I was able to talk my ship, you know 531 00:26:06,600 --> 00:26:08,760 Speaker 1: what I mean about me and my niggas and how 532 00:26:08,800 --> 00:26:10,720 Speaker 1: I get down, How my niggas get down, How my 533 00:26:10,720 --> 00:26:13,920 Speaker 1: allegers get down? You know, um, rest in peace of 534 00:26:14,400 --> 00:26:17,359 Speaker 1: Phelix Mitchell. But you know, legendary dudes come from my 535 00:26:17,400 --> 00:26:20,280 Speaker 1: neighborhood period, you know, so, um, yeah, I have to 536 00:26:20,280 --> 00:26:22,320 Speaker 1: talk to my ship. And going to Rapper Out, I 537 00:26:22,320 --> 00:26:23,960 Speaker 1: was able to talk to my ship. Not only that 538 00:26:24,440 --> 00:26:27,280 Speaker 1: Rapperout was connected with my neighborhood, you know, That's why 539 00:26:27,280 --> 00:26:29,520 Speaker 1: I had to talk about my neighborhood. They already signed 540 00:26:29,520 --> 00:26:32,119 Speaker 1: a wrapper from my neighborhood called Siegel, you know what 541 00:26:32,119 --> 00:26:37,160 Speaker 1: I mean, recipe. So Sigham is from my neighborhood. He's 542 00:26:37,160 --> 00:26:41,000 Speaker 1: from sixty nine or from six five, the same neighborhood. 543 00:26:41,080 --> 00:26:44,560 Speaker 1: So j Prince had already had a steak in Oakland already, 544 00:26:44,840 --> 00:26:47,560 Speaker 1: and see them had just died, you know what I mean, 545 00:26:47,680 --> 00:26:50,919 Speaker 1: right when you know, Rapping Out approaching, and at this 546 00:26:51,000 --> 00:26:53,399 Speaker 1: time all my homies from the neighborhood is working at 547 00:26:53,480 --> 00:26:56,639 Speaker 1: rapper So it's deeper than rapp They get half my 548 00:26:56,680 --> 00:27:01,359 Speaker 1: neighborhood work for rapping the eggs in Houston, working with 549 00:27:01,520 --> 00:27:04,600 Speaker 1: Jake Prince still to this day. So yeah, it was 550 00:27:04,640 --> 00:27:07,439 Speaker 1: only right that I came from my neighborhood and went 551 00:27:07,480 --> 00:27:11,800 Speaker 1: to wrap flack because we already had uh a situation 552 00:27:11,920 --> 00:27:13,720 Speaker 1: going down. You know what I mean with Sea Broom 553 00:27:13,800 --> 00:27:16,160 Speaker 1: and everybody else. You know what I mean, from my neighborhood, 554 00:27:16,200 --> 00:27:20,160 Speaker 1: working at, working at everywhere, and ship from the Funny 555 00:27:20,280 --> 00:27:22,920 Speaker 1: Team all that ship, and I mean all from my 556 00:27:22,960 --> 00:27:25,080 Speaker 1: neighborhood and all from being linked with Rapper last. So 557 00:27:25,160 --> 00:27:27,560 Speaker 1: it was more of a family thing when I went there, 558 00:27:27,840 --> 00:27:29,399 Speaker 1: you know what I mean, It was only right, you know, 559 00:27:29,840 --> 00:27:31,840 Speaker 1: seeing died. You know what I mean to the next 560 00:27:32,160 --> 00:27:39,080 Speaker 1: chapter from the building rap. That's how that works. That's crazy. 561 00:27:39,119 --> 00:27:41,480 Speaker 1: Hold on, yeah, coming back here, moving around? Hold on, 562 00:27:41,800 --> 00:27:44,920 Speaker 1: is that coold? See you in there? Ec James. I'm good, 563 00:27:48,200 --> 00:27:49,879 Speaker 1: Sorry about that. You have to make sure that this 564 00:27:50,000 --> 00:27:51,640 Speaker 1: battery didn't go up. I thought I had the phone 565 00:27:51,760 --> 00:27:55,320 Speaker 1: charged up and I saw Mike's blinking and ship. But man, 566 00:27:55,800 --> 00:27:59,560 Speaker 1: you had a um a really like Wong Tinger down 567 00:27:59,640 --> 00:28:01,680 Speaker 1: the REP. I don't seem like you were signed down 568 00:28:01,720 --> 00:28:03,919 Speaker 1: there for that long. You spent the majority of your 569 00:28:03,960 --> 00:28:08,040 Speaker 1: career there. Yeah yeah, yeah, yeah, mom, damn their majority 570 00:28:08,080 --> 00:28:11,240 Speaker 1: of my solo career definitely, man, But you gotta understand, 571 00:28:11,480 --> 00:28:13,520 Speaker 1: I wasn't only just a solo artist. I had a 572 00:28:13,600 --> 00:28:16,640 Speaker 1: joint venture there, joint venture there too where I had 573 00:28:16,880 --> 00:28:20,200 Speaker 1: my labeled there, my label deal. So I had smoke 574 00:28:20,240 --> 00:28:22,920 Speaker 1: a lot records and I'm putting out United Gels of America, 575 00:28:23,080 --> 00:28:24,879 Speaker 1: which you know what I mean. Me and Mac Dre 576 00:28:25,400 --> 00:28:27,920 Speaker 1: turned up and showed up and showed out, you know 577 00:28:27,960 --> 00:28:30,119 Speaker 1: what I mean. It made the DVD game pop to 578 00:28:30,160 --> 00:28:32,879 Speaker 1: where he started dropping DVDs and you know what I mean. 579 00:28:33,119 --> 00:28:35,960 Speaker 1: It was let man, We made a lot of money 580 00:28:36,080 --> 00:28:38,840 Speaker 1: up them DVDs and soundtracks, and I bought the thugloaders 581 00:28:38,880 --> 00:28:42,400 Speaker 1: over there. I bought Outlaws over there. I bought Spice 582 00:28:42,440 --> 00:28:44,720 Speaker 1: one over there, and so on and so on. So 583 00:28:45,280 --> 00:28:47,880 Speaker 1: I was making a lot of Pope moves, so um, 584 00:28:48,760 --> 00:28:50,320 Speaker 1: and didn't wrap a lot of that shut down for 585 00:28:50,400 --> 00:28:52,840 Speaker 1: like two years. Y'all forgot about that. They had shut 586 00:28:52,920 --> 00:28:54,480 Speaker 1: down for like two years, so it was like a 587 00:28:54,520 --> 00:28:57,360 Speaker 1: two year break and then they got back on, you 588 00:28:57,440 --> 00:29:00,080 Speaker 1: know what I mean. So yeah, I was there for 589 00:29:00,120 --> 00:29:02,040 Speaker 1: the whole ride period, you know what I mean. To 590 00:29:02,320 --> 00:29:05,320 Speaker 1: to write right before the right before they got Drenke, 591 00:29:06,200 --> 00:29:12,640 Speaker 1: like I left right before they got drink. Yeah, And 592 00:29:12,760 --> 00:29:15,280 Speaker 1: I've never answered this as long as I've been with you. 593 00:29:16,240 --> 00:29:19,800 Speaker 1: What was going on with you and Game? Um, they 594 00:29:19,880 --> 00:29:22,080 Speaker 1: really want to that the game ship is just back 595 00:29:22,120 --> 00:29:24,959 Speaker 1: to Jay Prince loves you know what I mean. At 596 00:29:25,000 --> 00:29:27,360 Speaker 1: the time, you know, J Prince talked about this deal, 597 00:29:27,680 --> 00:29:31,320 Speaker 1: the deal going down, um death Row, you know what 598 00:29:31,360 --> 00:29:35,480 Speaker 1: I mean, rapidly, you know, murder. It was about coming 599 00:29:35,520 --> 00:29:38,920 Speaker 1: together and make the first black distribution, you know what 600 00:29:38,960 --> 00:29:42,440 Speaker 1: I mean, you know, to um to just go against 601 00:29:42,480 --> 00:29:43,880 Speaker 1: the just you know what I mean, just to be 602 00:29:44,200 --> 00:29:51,160 Speaker 1: black home. But yeah, just to be black owned, you 603 00:29:51,200 --> 00:29:52,880 Speaker 1: know what I mean, and really give you what you're 604 00:29:52,920 --> 00:29:55,000 Speaker 1: supposed to get, you know what I mean. So they're 605 00:29:55,000 --> 00:29:57,240 Speaker 1: trying to create that Howers that be didn't like that, 606 00:29:57,960 --> 00:30:05,000 Speaker 1: so m and conclusion with rhymes from fifty cents, you 607 00:30:05,080 --> 00:30:06,840 Speaker 1: know what I mean, And and other beef that was 608 00:30:06,920 --> 00:30:11,040 Speaker 1: going down with Jabru and the investigation went down with 609 00:30:11,240 --> 00:30:15,240 Speaker 1: rap a lot, um death Row and um fucking murder. 610 00:30:15,320 --> 00:30:17,880 Speaker 1: Ain't all these labels get hit at the same time. 611 00:30:17,960 --> 00:30:21,200 Speaker 1: I'm talking about the figs Now, I'm driving down Worship 612 00:30:21,240 --> 00:30:24,000 Speaker 1: Boulevard when that row was down there, and I'm watching 613 00:30:24,040 --> 00:30:26,000 Speaker 1: the whole ship get hit, like they went through the 614 00:30:26,080 --> 00:30:28,480 Speaker 1: windows and all that ship. So everybody got hit, rapper 615 00:30:28,520 --> 00:30:31,360 Speaker 1: lot got hit and everything, but Jake Princes Tapline done. 616 00:30:31,400 --> 00:30:34,400 Speaker 1: They couldn't come with him with the bullshit. But Irban 617 00:30:34,480 --> 00:30:36,760 Speaker 1: them was dealing with you know, the Queen's dudes. I 618 00:30:36,760 --> 00:30:38,600 Speaker 1: ain't gonna say no names back in the day. So 619 00:30:39,120 --> 00:30:41,320 Speaker 1: that's how they was able to really clean on earth 620 00:30:41,440 --> 00:30:44,640 Speaker 1: with the cases and ship. But other than that, everybody 621 00:30:44,800 --> 00:30:48,520 Speaker 1: was filling it. So you know, you're taking ship uh 622 00:30:49,360 --> 00:30:51,560 Speaker 1: full food off of my table, you know what I mean. 623 00:30:51,600 --> 00:30:53,560 Speaker 1: I'm feeling into a rapp a lot feeling that we 624 00:30:53,680 --> 00:30:56,000 Speaker 1: all feel, you know what I mean, in the pockets, 625 00:30:56,840 --> 00:30:59,960 Speaker 1: you know what I mean. So you're taking uh taking money, 626 00:31:00,040 --> 00:31:01,800 Speaker 1: y'aut our pocus and food out of our mouth, you 627 00:31:01,840 --> 00:31:04,760 Speaker 1: know what I mean. It was decided, you know what 628 00:31:04,760 --> 00:31:07,000 Speaker 1: I mean. It was a mommie and it was decided 629 00:31:07,080 --> 00:31:10,160 Speaker 1: that you know, wrapper out participate and help out John 630 00:31:10,240 --> 00:31:13,600 Speaker 1: Rude fifty cent me. So I was called, you know 631 00:31:13,600 --> 00:31:16,560 Speaker 1: what I mean, to do it now at this time, 632 00:31:16,640 --> 00:31:20,360 Speaker 1: fifty centers dropped. Get Richard trying. This is the hottest 633 00:31:20,400 --> 00:31:22,720 Speaker 1: ship in the streets. I'm banging at me and my home. 634 00:31:22,800 --> 00:31:25,200 Speaker 1: He's banging it. We're like Yo, he changed the game. 635 00:31:25,280 --> 00:31:29,840 Speaker 1: He bought it back. Gangster hip, gangster rapping back. We 636 00:31:30,040 --> 00:31:38,600 Speaker 1: turned up. Man, I get that phone called hey, who 637 00:31:38,640 --> 00:31:41,440 Speaker 1: it is? They called me Jack? That's I you know 638 00:31:41,520 --> 00:31:44,280 Speaker 1: what you called even but they called me Jack? Okay, man, 639 00:31:44,280 --> 00:31:46,800 Speaker 1: I know what time is. It's a three fold clock 640 00:31:46,840 --> 00:31:49,640 Speaker 1: of the morning call. You know that's Jay VANSI. So 641 00:31:49,760 --> 00:31:51,680 Speaker 1: he called me like at four in the morning, like, yo, 642 00:31:51,960 --> 00:31:53,400 Speaker 1: you know what I mean this we gotta go down, 643 00:31:54,120 --> 00:31:57,280 Speaker 1: and you know, no disrespect. I ain't gonna even say 644 00:31:57,320 --> 00:31:59,720 Speaker 1: the wrappers donna wrap a lot. We bow down, but 645 00:32:00,080 --> 00:32:02,239 Speaker 1: there's a few rappers don't wrap it out. Who tapped out? 646 00:32:02,280 --> 00:32:04,280 Speaker 1: Who didn't want to do it? You know what I mean? 647 00:32:04,360 --> 00:32:06,640 Speaker 1: And um it was me and Zero stepped up the 648 00:32:06,720 --> 00:32:09,120 Speaker 1: back like fuck it. You know what I mean? We 649 00:32:09,240 --> 00:32:12,080 Speaker 1: got lords. I mean some of the big artists ain'tle 650 00:32:12,120 --> 00:32:13,960 Speaker 1: to say their name because I got loved with these guys. 651 00:32:14,440 --> 00:32:16,680 Speaker 1: But the big artists tapped out, you know what I mean. 652 00:32:16,720 --> 00:32:19,440 Speaker 1: They was making phone calls and apologizing. This ship all 653 00:32:19,480 --> 00:32:22,120 Speaker 1: types of ship man. So you know that's on that. 654 00:32:22,720 --> 00:32:24,320 Speaker 1: You know what I mean? You ain't he supposed to 655 00:32:24,400 --> 00:32:26,640 Speaker 1: burn bridge? You know what I mean? I understand because 656 00:32:26,760 --> 00:32:29,360 Speaker 1: you know past for a time, you still gotta have 657 00:32:29,880 --> 00:32:33,960 Speaker 1: relationships with these. But me and zero we were high heads. 658 00:32:34,080 --> 00:32:36,920 Speaker 1: We refresh on the label. We're ready to go. So 659 00:32:37,680 --> 00:32:40,080 Speaker 1: I started my campaign and um, I linked up with 660 00:32:40,880 --> 00:32:42,880 Speaker 1: Fantom Smirk, you know what I mean, shout out the 661 00:32:42,920 --> 00:32:46,600 Speaker 1: thing with smirk. But he just now left gield it, 662 00:32:46,800 --> 00:32:48,360 Speaker 1: you know what I mean. Him and a fifty cent 663 00:32:48,400 --> 00:32:50,400 Speaker 1: has some problems. I guess he was supposed to own 664 00:32:50,440 --> 00:32:53,760 Speaker 1: half the label and uh got a big check and 665 00:32:53,840 --> 00:32:56,440 Speaker 1: fifty didn't want to pay them, so they split ways. 666 00:32:57,040 --> 00:32:59,000 Speaker 1: So he was still in some type of web about fifty. 667 00:32:59,040 --> 00:33:00,920 Speaker 1: You know me, when I is somebody, I'll go for 668 00:33:01,000 --> 00:33:04,320 Speaker 1: the each other. So um, a guy in contact with 669 00:33:04,400 --> 00:33:06,800 Speaker 1: Bang of Smurf Domination, you know what I mean, start 670 00:33:06,920 --> 00:33:09,880 Speaker 1: rocking rocket with the real Queen's nick from his neighborhood, 671 00:33:10,520 --> 00:33:11,880 Speaker 1: you know what I mean. The niggas that thought he 672 00:33:11,960 --> 00:33:13,800 Speaker 1: left the neighborhood, you know what I mean, and didn't 673 00:33:13,800 --> 00:33:16,440 Speaker 1: come back. There's something that niggas in the neighborhoods and 674 00:33:17,920 --> 00:33:20,040 Speaker 1: you know what I mean. So teamed up with them, 675 00:33:20,120 --> 00:33:21,960 Speaker 1: and then you know, me and Sebow working on the 676 00:33:22,040 --> 00:33:24,600 Speaker 1: douggle or project at the same time, so sea Boat 677 00:33:24,640 --> 00:33:28,320 Speaker 1: tapped in. We all involved, so we all snatched, period. 678 00:33:28,880 --> 00:33:32,479 Speaker 1: You feel me from Queens the Sack to Hope and um, 679 00:33:32,560 --> 00:33:34,600 Speaker 1: we're just going on fifty cents, you know what I mean. 680 00:33:34,640 --> 00:33:36,600 Speaker 1: We really didn't give a funk about the gun it. 681 00:33:36,640 --> 00:33:39,560 Speaker 1: We're just going hard on fifty cent. Now Bang Smurf 682 00:33:40,200 --> 00:33:43,040 Speaker 1: and domination. They're going hard on Bange and they're going 683 00:33:43,160 --> 00:33:46,320 Speaker 1: hard on Tony yayo because they know these niggas, they 684 00:33:46,400 --> 00:33:49,200 Speaker 1: from their neighborhoods. So they're saying ship like supposing the 685 00:33:49,280 --> 00:33:51,920 Speaker 1: motherfucker told me, yeah, yo, you was a bump, used 686 00:33:51,960 --> 00:33:55,040 Speaker 1: to take sleep on the couch. Like look that type 687 00:33:55,080 --> 00:33:56,480 Speaker 1: of ship, you know what I mean, little ship that 688 00:33:56,600 --> 00:33:58,920 Speaker 1: queen's niggas a no or your little sniny nose nigga, 689 00:33:59,400 --> 00:34:01,880 Speaker 1: and I mean like that. They said Lloyd Banks used 690 00:34:01,880 --> 00:34:03,600 Speaker 1: to be uh he wanted to hustler. He used to 691 00:34:03,680 --> 00:34:07,840 Speaker 1: work at with the ship called man Job Corp. Your 692 00:34:07,840 --> 00:34:10,359 Speaker 1: a job corps nigga. Well we'll walk. So they're saying 693 00:34:10,400 --> 00:34:12,879 Speaker 1: all this ship that niggas don't go like Lloyd Banks 694 00:34:12,920 --> 00:34:15,000 Speaker 1: went in the hood. He worked at job course. So 695 00:34:15,520 --> 00:34:18,200 Speaker 1: they're given an intel and I'm tapped in with these 696 00:34:18,280 --> 00:34:22,040 Speaker 1: niggas and we're gonna hard. So fast forward time. Um, 697 00:34:22,880 --> 00:34:26,600 Speaker 1: it's a fucking um in the Scope album released party 698 00:34:26,640 --> 00:34:29,239 Speaker 1: for Jada Kiss in Hollywood. I remember this ship like 699 00:34:29,320 --> 00:34:32,120 Speaker 1: it's yes. So I go on the party. We got 700 00:34:32,239 --> 00:34:34,720 Speaker 1: a table and it's right across from the game table. 701 00:34:35,280 --> 00:34:37,400 Speaker 1: So the game got a table right there, and then 702 00:34:37,440 --> 00:34:40,120 Speaker 1: we got a table right here, and like I know 703 00:34:40,320 --> 00:34:42,800 Speaker 1: the game from JT the Big Effect, you know what 704 00:34:42,880 --> 00:34:46,080 Speaker 1: I mean. So I know I'm from the base, So 705 00:34:46,160 --> 00:34:48,640 Speaker 1: I'm like, oh, ship, that's a nigga from that funk 706 00:34:48,680 --> 00:34:50,680 Speaker 1: with j T that signs after math. Let me go 707 00:34:50,760 --> 00:34:52,799 Speaker 1: how that this nigga. Congratulate them? You know what I mean. 708 00:34:53,000 --> 00:34:55,759 Speaker 1: I'm hyped up, So I go over there congratulate them. 709 00:34:55,800 --> 00:34:57,800 Speaker 1: We dap up and shipping up, like yo man, you know, 710 00:34:57,960 --> 00:34:59,560 Speaker 1: me and your homie going at it, you know what 711 00:34:59,600 --> 00:35:01,799 Speaker 1: I mean? You know, And he's like, yo, man, that's 712 00:35:01,960 --> 00:35:05,560 Speaker 1: twin y'all. Man, whatever cool Man put on for the West. 713 00:35:05,600 --> 00:35:08,480 Speaker 1: We gapped up Hug and we bounced, and I mean, 714 00:35:08,480 --> 00:35:11,080 Speaker 1: I'm thinking it's good like he he ain't participating in 715 00:35:11,160 --> 00:35:14,919 Speaker 1: his beat. So um, I say, less than a week later, 716 00:35:15,040 --> 00:35:17,920 Speaker 1: man out here, I got a meal on and Mr 717 00:35:18,120 --> 00:35:21,879 Speaker 1: Gang you know what I mean, And he's dissing, going 718 00:35:22,360 --> 00:35:24,600 Speaker 1: ham on me, and I'm like, y'all, this scene is 719 00:35:24,719 --> 00:35:27,000 Speaker 1: dude in the club that we're showing love. I damn 720 00:35:27,040 --> 00:35:30,600 Speaker 1: they're gonna showed at his table and drumped. Hey, bibbles. 721 00:35:30,680 --> 00:35:33,000 Speaker 1: It was that much love. Like literally it was cool. 722 00:35:33,760 --> 00:35:37,840 Speaker 1: And yeah, I think fifty cents sick them on, Like 723 00:35:38,200 --> 00:35:40,839 Speaker 1: I'm too big to talk about this, nigga. So you're 724 00:35:40,880 --> 00:35:43,359 Speaker 1: from the West, You're coming out, you know what I mean? 725 00:35:43,440 --> 00:35:45,880 Speaker 1: You hand on my lightweight. And I think it was like, 726 00:35:46,080 --> 00:35:48,680 Speaker 1: you know how I got called up on the loyalty ship. 727 00:35:48,960 --> 00:35:51,239 Speaker 1: I think he got called upon too. I think he 728 00:35:51,360 --> 00:35:54,600 Speaker 1: got got four o'clock in the morning phone call, hey 729 00:35:56,239 --> 00:35:58,640 Speaker 1: from his side, you know what I mean. And he 730 00:35:58,760 --> 00:36:01,359 Speaker 1: had to go win. So um he did this thing 731 00:36:01,520 --> 00:36:03,640 Speaker 1: and I heard the ship and I said, had to 732 00:36:03,680 --> 00:36:06,960 Speaker 1: be the quickest response in hip hop, you know what 733 00:36:07,000 --> 00:36:09,080 Speaker 1: I mean. Period. This was when all hip Hop dot 734 00:36:09,160 --> 00:36:13,480 Speaker 1: Com was lit. So um boom shooting straight to all 735 00:36:13,719 --> 00:36:16,920 Speaker 1: all hip hop dot Com forty five minutes right it 736 00:36:17,120 --> 00:36:20,840 Speaker 1: lad everything, This is a game over part one and 737 00:36:21,680 --> 00:36:25,280 Speaker 1: boom shoot it start the wave up. Everything going crazy, 738 00:36:25,680 --> 00:36:29,319 Speaker 1: so gang. I don't know what game I did an 739 00:36:29,360 --> 00:36:31,880 Speaker 1: interview or something. After that, he started doing interviews that 740 00:36:31,880 --> 00:36:33,840 Speaker 1: I think he did an interview for you the Beef. 741 00:36:34,440 --> 00:36:36,320 Speaker 1: I don't know he is. He started doing interviews and 742 00:36:36,360 --> 00:36:40,800 Speaker 1: ships started talking about me Anglom Smirf and domination so 743 00:36:41,120 --> 00:36:45,960 Speaker 1: me THANILM smirt me domination Conso we all in d C. 744 00:36:47,080 --> 00:36:50,000 Speaker 1: You know, we hear this news. We're on the radio station. 745 00:36:50,080 --> 00:36:52,200 Speaker 1: I think the radio station. Dude totals like yo. The 746 00:36:52,280 --> 00:36:54,560 Speaker 1: games did an interview and he pulled it up and 747 00:36:54,640 --> 00:36:57,200 Speaker 1: he was like yo, and he talking about me, saying 748 00:36:57,200 --> 00:36:59,640 Speaker 1: that I bowed down to him that I was you 749 00:36:59,680 --> 00:37:01,080 Speaker 1: know what I mean basically, you know what I mean, 750 00:37:01,160 --> 00:37:04,080 Speaker 1: saying a funk domination fu thing with smirked from buying 751 00:37:04,160 --> 00:37:06,759 Speaker 1: with the West, Like, oh, that was never said, you 752 00:37:06,840 --> 00:37:08,120 Speaker 1: know what I mean. But he's saying this ship on 753 00:37:08,200 --> 00:37:12,000 Speaker 1: the interview. So we're okay, now it's time to come 754 00:37:12,040 --> 00:37:15,080 Speaker 1: Aga part two. And that's when we did a game 755 00:37:15,160 --> 00:37:18,399 Speaker 1: over too, and then we did the song that night. 756 00:37:18,880 --> 00:37:21,319 Speaker 1: The next day we shot the video and video cost 757 00:37:21,360 --> 00:37:24,000 Speaker 1: a hundred dollars. That's when we did the video of 758 00:37:24,120 --> 00:37:26,759 Speaker 1: the game look Alike at the Pink Bandannas and ship 759 00:37:26,880 --> 00:37:29,520 Speaker 1: on the Pink g Unit. Ship on Pink g Unit, 760 00:37:30,200 --> 00:37:33,400 Speaker 1: shoes on the shipped through the Nigger in the Trump Kidnapping. 761 00:37:33,400 --> 00:37:35,200 Speaker 1: They get we found the ship in the in the 762 00:37:35,640 --> 00:37:39,080 Speaker 1: Dangerous Hood in d C. The projects, Me and Gonza, 763 00:37:39,560 --> 00:37:42,200 Speaker 1: you know what I mean. Dude named Mark Shots. He 764 00:37:42,280 --> 00:37:44,440 Speaker 1: sounded like fifty s and he did the hook. So 765 00:37:44,680 --> 00:37:47,400 Speaker 1: we put this video on YouTube. This is two thousand 766 00:37:47,480 --> 00:37:50,440 Speaker 1: and five, my nigga. This before Soldier Boy came with 767 00:37:50,480 --> 00:37:53,520 Speaker 1: his YouTube way. We went to the first rapping straight 768 00:37:53,560 --> 00:37:56,719 Speaker 1: to YouTube. Everybody trying to go on MTV and you 769 00:37:56,800 --> 00:37:58,799 Speaker 1: know what I mean, b E TV, Like this can't 770 00:37:58,800 --> 00:38:02,000 Speaker 1: go on MTV. We're putting this ship on YouTube. So 771 00:38:02,120 --> 00:38:04,680 Speaker 1: we put this ship on YouTube and made way, you 772 00:38:04,760 --> 00:38:07,160 Speaker 1: know what I mean, made super way. So Game, you 773 00:38:07,239 --> 00:38:08,920 Speaker 1: know what I mean, get at me and ship whatever, 774 00:38:09,440 --> 00:38:12,279 Speaker 1: and we're supposed to come with it. I squashed your 775 00:38:12,360 --> 00:38:14,960 Speaker 1: beef song, So shout out to the homely speedy you 776 00:38:15,000 --> 00:38:17,759 Speaker 1: know what I mean, from being so speedy, link it 777 00:38:17,880 --> 00:38:19,880 Speaker 1: up for me and Game and do a squash the 778 00:38:19,920 --> 00:38:22,720 Speaker 1: beef song. So we get on the same songe together. 779 00:38:22,880 --> 00:38:25,800 Speaker 1: I'm like, we're not even in the studio together. Speedy 780 00:38:25,840 --> 00:38:27,600 Speaker 1: show up to my career. You're like, yo, man, I 781 00:38:27,680 --> 00:38:29,239 Speaker 1: need to birth, you know what I mean, and can't 782 00:38:29,239 --> 00:38:31,400 Speaker 1: gonna leaves. But so I'm on my way to d 783 00:38:31,560 --> 00:38:34,160 Speaker 1: C that night. I'm not DC, but I think Detroit. 784 00:38:34,480 --> 00:38:35,920 Speaker 1: So I'm like, I'm gonna let my ship right now. 785 00:38:36,080 --> 00:38:37,640 Speaker 1: Just get out of the way. I don't I ain't 786 00:38:37,640 --> 00:38:39,239 Speaker 1: got time to be in the studio with the game. 787 00:38:39,800 --> 00:38:41,960 Speaker 1: Lad My verse gave it the speedy and our bounds. 788 00:38:43,480 --> 00:38:46,000 Speaker 1: I come back, man, this nigga game later this verse, 789 00:38:46,040 --> 00:38:49,560 Speaker 1: he's gonna hard on me. Guys, oh everybody, I'm like, whoa, 790 00:38:51,600 --> 00:38:54,560 Speaker 1: It's supposed to be a squash the beef track. Now, 791 00:38:54,640 --> 00:38:57,200 Speaker 1: at the time, game had a black s S s 792 00:38:57,360 --> 00:39:00,719 Speaker 1: L five hundred, had the Chrome the Great at Self 793 00:39:00,760 --> 00:39:03,439 Speaker 1: five hundred to drop something like we twin at Self 794 00:39:03,480 --> 00:39:06,640 Speaker 1: five hunters once coast, I'm bigger than snigg Up. And 795 00:39:06,719 --> 00:39:08,719 Speaker 1: you get on the second verse like yeah, pistol with 796 00:39:08,880 --> 00:39:12,839 Speaker 1: galso spit on you the chat. He's just going hard 797 00:39:12,920 --> 00:39:14,880 Speaker 1: on the motherfucker right, you know what I mean. This 798 00:39:14,960 --> 00:39:18,080 Speaker 1: is supposed to be a squash the beet track. You 799 00:39:18,200 --> 00:39:21,360 Speaker 1: feel so I got set up for the motherfucker Banana 800 00:39:21,400 --> 00:39:23,840 Speaker 1: in the tail pipe man shout the speedy you know 801 00:39:23,840 --> 00:39:25,160 Speaker 1: what I mean. He didn't know he was gonna do 802 00:39:25,280 --> 00:39:27,080 Speaker 1: that neither. He just dropped the track out to do 803 00:39:27,360 --> 00:39:29,000 Speaker 1: you know what I mean. So dude did this thing. 804 00:39:29,080 --> 00:39:30,959 Speaker 1: I guess he was spilling some way about the game 805 00:39:31,000 --> 00:39:33,640 Speaker 1: over video when we are supposed to squash the ship. 806 00:39:33,760 --> 00:39:37,600 Speaker 1: So fast forward time to Beef. Yeah, I mean, now 807 00:39:37,920 --> 00:39:41,360 Speaker 1: QT three got a motherfucking DVD called Beef. Remember the 808 00:39:41,440 --> 00:39:46,000 Speaker 1: Beat DVDs, right, it was Beef one, Beef two B three. 809 00:39:46,120 --> 00:39:48,919 Speaker 1: Now that that DVD is about rappers that have Beat. 810 00:39:49,040 --> 00:39:51,840 Speaker 1: For those who don't know, when the podcast land, rappers 811 00:39:51,880 --> 00:39:54,040 Speaker 1: that have Beef, they will have like QT three will 812 00:39:54,080 --> 00:39:57,080 Speaker 1: get the interviews from that dude and interview from that dude, 813 00:39:57,120 --> 00:39:59,000 Speaker 1: and you know what I mean, all types of whatnot. 814 00:39:59,280 --> 00:40:03,400 Speaker 1: So both Beef Cup, they interviewed me and they interview 815 00:40:03,480 --> 00:40:06,640 Speaker 1: the game, you know what I mean, and uh, I 816 00:40:06,760 --> 00:40:08,520 Speaker 1: get to tell my story, you know what I mean, 817 00:40:08,640 --> 00:40:14,000 Speaker 1: game tellers story whatnot. And um, shortly after that, you 818 00:40:14,080 --> 00:40:16,080 Speaker 1: know what I mean, I guess spot of little joints. 819 00:40:16,640 --> 00:40:20,840 Speaker 1: Gu you know what I mean. And from that Beef DVD, 820 00:40:21,480 --> 00:40:23,720 Speaker 1: you know what I mean? To me talking shit about 821 00:40:23,760 --> 00:40:27,680 Speaker 1: the holes. You not just fifty like I was started off. 822 00:40:27,880 --> 00:40:29,719 Speaker 1: You know what I mean, our game. Maybe want to 823 00:40:29,760 --> 00:40:34,840 Speaker 1: talk about Hey, fuck banks fuck uh nigger, uh Tony 824 00:40:34,920 --> 00:40:39,399 Speaker 1: yayo fuck uh you know buck fuck fifty, Fuck the game. 825 00:40:39,600 --> 00:40:43,719 Speaker 1: I'm shouting everything, got spot a lot coming saying, well 826 00:40:43,840 --> 00:40:49,200 Speaker 1: t type. I get lined up, all right, somebody I 827 00:40:49,280 --> 00:40:51,719 Speaker 1: knew when somebody he knew, I didn't know. I get 828 00:40:51,840 --> 00:40:53,640 Speaker 1: lined up and come to a party, and I'm told 829 00:40:53,719 --> 00:40:56,600 Speaker 1: that this celebrity party, don't come with no guns. Don't 830 00:40:56,600 --> 00:40:58,960 Speaker 1: come with no goons. You only could come by yourself. 831 00:41:00,000 --> 00:41:02,840 Speaker 1: It's a it's a type ship. It's a Beverly Hills who. 832 00:41:03,320 --> 00:41:05,680 Speaker 1: I'm like, okay, cool, I come through this boom my 833 00:41:05,800 --> 00:41:08,360 Speaker 1: puppetist there. You know what I mean. Everybody there, I'm okay, 834 00:41:08,400 --> 00:41:14,719 Speaker 1: boom smooth, I slide through by myself. Boom Spot of 835 00:41:14,760 --> 00:41:17,600 Speaker 1: lok in that thing right, Okay, that's Spot the local. 836 00:41:17,600 --> 00:41:19,040 Speaker 1: I know he just signed the G unit. I know 837 00:41:19,200 --> 00:41:21,080 Speaker 1: spoter Low. You know what I mean from you know, 838 00:41:21,239 --> 00:41:24,000 Speaker 1: just being in l a something. I ain't tripping on 839 00:41:24,040 --> 00:41:25,640 Speaker 1: that dude. It's like, you know what I mean, seeing 840 00:41:25,680 --> 00:41:27,879 Speaker 1: the game at the nightclub. You know what I mean? 841 00:41:28,400 --> 00:41:32,959 Speaker 1: He ain't trip so boom time passed on the club, 842 00:41:33,040 --> 00:41:35,759 Speaker 1: start at the NL you know what I mean? I 843 00:41:35,800 --> 00:41:38,279 Speaker 1: see spot of locally the club, I ain't tripping him 844 00:41:38,320 --> 00:41:42,480 Speaker 1: at the bar drinking and ship shug there, take pictures 845 00:41:42,480 --> 00:41:46,520 Speaker 1: with sugar ship without sugarly Spot Low come back in 846 00:41:46,680 --> 00:41:48,440 Speaker 1: with like four five niggues. You know what I mean? 847 00:41:49,400 --> 00:41:53,160 Speaker 1: They come straight to me. I'm at the park, man 848 00:41:53,440 --> 00:41:57,640 Speaker 1: said the man that's tween me and him. You know 849 00:41:57,680 --> 00:41:59,080 Speaker 1: what I mean, it's just low to you know what 850 00:41:59,160 --> 00:42:03,320 Speaker 1: I mean? Periods friends? You know, man, woo, you know what, 851 00:42:03,480 --> 00:42:06,600 Speaker 1: Let's go talk overhead now. Me being a drunk nigger, 852 00:42:08,640 --> 00:42:10,960 Speaker 1: never like you know, if the nigga trying to walk, 853 00:42:11,040 --> 00:42:14,680 Speaker 1: you walk, you know what's what's going down? Me? Me 854 00:42:15,160 --> 00:42:18,279 Speaker 1: being in Hollywood thinking it's a Hollywood ship. He wanted 855 00:42:18,280 --> 00:42:20,160 Speaker 1: to just go talk to me, Me and him go talk. 856 00:42:20,719 --> 00:42:22,120 Speaker 1: So we're like, yeah, man, let's let me and you 857 00:42:22,239 --> 00:42:24,520 Speaker 1: go talk. Is it got crowded? Anybody you know who's 858 00:42:24,680 --> 00:42:26,400 Speaker 1: yelling and ship out and they're like, yo, let's let 859 00:42:26,440 --> 00:42:28,680 Speaker 1: me and you go talk to thinking we're gonna go talk. 860 00:42:29,320 --> 00:42:32,640 Speaker 1: So I follow the nigger not knowing his niggas is 861 00:42:32,760 --> 00:42:37,439 Speaker 1: following me. Period so we're getting to the huddle and ship. 862 00:42:37,560 --> 00:42:39,680 Speaker 1: You know what I mean, I started talking, He started 863 00:42:39,719 --> 00:42:42,120 Speaker 1: talking in bloud from my back of meeting. They hit 864 00:42:42,160 --> 00:42:43,719 Speaker 1: me from the back of hit me from the front. 865 00:42:44,040 --> 00:42:46,680 Speaker 1: I get tackled. Jerry gets natural type of ship, right, 866 00:42:47,320 --> 00:42:51,480 Speaker 1: So I'm like, okay, yeah, they lined the nigga up. 867 00:42:52,400 --> 00:42:54,880 Speaker 1: They lined me up. Period. Now that's the first cagory 868 00:42:54,960 --> 00:42:57,959 Speaker 1: I had with the beef ship. But um, I didn't 869 00:42:58,000 --> 00:43:01,400 Speaker 1: know that. I knew. Um hiss O G. You know, 870 00:43:01,440 --> 00:43:03,400 Speaker 1: I mean O G from his neighborhood, which is my 871 00:43:03,480 --> 00:43:06,840 Speaker 1: homie t Y. So he found out about the situation 872 00:43:06,960 --> 00:43:09,480 Speaker 1: and caused by the local, got me in him in 873 00:43:09,560 --> 00:43:12,320 Speaker 1: the same room, and we actually squashed our beef and 874 00:43:12,360 --> 00:43:17,000 Speaker 1: I got some of the jury back, now some not all, 875 00:43:17,440 --> 00:43:20,759 Speaker 1: but anyway, um, after you know what I mean, the 876 00:43:20,840 --> 00:43:23,239 Speaker 1: phone call was made after the things, they hit the 877 00:43:23,360 --> 00:43:27,040 Speaker 1: jury store and did what they needed. Period. Some was recovered. 878 00:43:27,560 --> 00:43:30,239 Speaker 1: But after that we squashed the beef face to face, 879 00:43:30,320 --> 00:43:31,640 Speaker 1: and he was like, yeah, it was on some lot 880 00:43:31,840 --> 00:43:34,400 Speaker 1: T ship. I don't know, you don't know me, We 881 00:43:34,480 --> 00:43:38,040 Speaker 1: don't know the we squashed the ship, so me it's 882 00:43:38,120 --> 00:43:42,160 Speaker 1: by the local. Fast forward, I see the game like 883 00:43:42,400 --> 00:43:45,000 Speaker 1: years and years like years and years later see the game. 884 00:43:45,880 --> 00:43:49,560 Speaker 1: Now he fus with my homeboy, Um Chuck, and I 885 00:43:49,600 --> 00:43:52,560 Speaker 1: mean chucked that funk with Nick Cannon in there. You 886 00:43:52,600 --> 00:43:58,040 Speaker 1: know what I mean? Uh, what's Nick? Candid's your call? Incredible? 887 00:43:58,200 --> 00:44:00,719 Speaker 1: So he's he's like the present in it or vice 888 00:44:00,760 --> 00:44:03,880 Speaker 1: president and incredible. Now Chuck is from the Bay Area. 889 00:44:03,960 --> 00:44:06,160 Speaker 1: Now he fused with the game too, you know what 890 00:44:06,200 --> 00:44:07,840 Speaker 1: I mean? Like I said, game have a lot of 891 00:44:07,920 --> 00:44:11,560 Speaker 1: times in San Francisco. So Chuck is the Frisco guy 892 00:44:11,680 --> 00:44:13,640 Speaker 1: that was sucking with game when he first was sucking 893 00:44:13,680 --> 00:44:16,759 Speaker 1: with j T. And after that one game got Black 894 00:44:16,800 --> 00:44:19,319 Speaker 1: Wall Street whatnot. You know, he funked with a lot 895 00:44:19,360 --> 00:44:22,600 Speaker 1: of Frisco niggas. Shup. So Chuck is at a party. 896 00:44:22,640 --> 00:44:25,880 Speaker 1: I'm at a party, game at a party and Chuck like, man, 897 00:44:25,960 --> 00:44:27,799 Speaker 1: let me introduce you to this nigga. Man. So y'all 898 00:44:27,840 --> 00:44:31,880 Speaker 1: s watched the ship Wa War so again I'm like, yo, 899 00:44:32,920 --> 00:44:35,160 Speaker 1: I see you again and my nigga. And you know 900 00:44:35,800 --> 00:44:38,279 Speaker 1: it's years later, you ain't even on the g unit 901 00:44:38,760 --> 00:44:41,759 Speaker 1: nig and what we're talking about it? Man, nigga, I 902 00:44:41,800 --> 00:44:44,360 Speaker 1: I told you the first time you're one of the 903 00:44:44,440 --> 00:44:46,560 Speaker 1: dopest niggas on the West Coast. Think it's a little 904 00:44:47,120 --> 00:44:49,839 Speaker 1: what we dapped up hug and it was over man. 905 00:44:49,960 --> 00:44:53,160 Speaker 1: So yeah, man, that was an ugly one between Spot 906 00:44:53,239 --> 00:44:55,279 Speaker 1: of Loca and gag that she she got ugly. But 907 00:44:55,640 --> 00:44:58,080 Speaker 1: it came from the West Coast, you know what I mean. 908 00:44:58,200 --> 00:45:01,000 Speaker 1: He came from niggas. Niggas think you think a little bit, 909 00:45:01,400 --> 00:45:03,600 Speaker 1: you know to the death row ship. Um, the whole 910 00:45:03,680 --> 00:45:06,120 Speaker 1: thing that was going to that investigation of the time, 911 00:45:06,719 --> 00:45:09,920 Speaker 1: was you there at that time? Change? You were bumped? 912 00:45:10,000 --> 00:45:15,279 Speaker 1: Thank god? So I was there. I was for him. 913 00:45:16,640 --> 00:45:19,759 Speaker 1: I was I was with the bullshit that any where. 914 00:45:19,760 --> 00:45:23,239 Speaker 1: I laughed. I left on the dumb ship, he said, 915 00:45:23,280 --> 00:45:26,800 Speaker 1: not the bullshit, the dumb ship. Dumb ship. Yeah that 916 00:45:27,560 --> 00:45:29,840 Speaker 1: and you know the thing he was, Um, do you 917 00:45:29,960 --> 00:45:32,880 Speaker 1: ever look back to this is like the audience, this 918 00:45:32,960 --> 00:45:36,319 Speaker 1: we're talking stuff that happened decades ago. Oh yeah, that's 919 00:45:36,360 --> 00:45:42,320 Speaker 1: how this is stuff after decades ago. Man, Now you 920 00:45:42,400 --> 00:45:44,080 Speaker 1: know it's a grown man now just being on some 921 00:45:44,200 --> 00:45:45,880 Speaker 1: grown man ship. Did you ever look back at some 922 00:45:45,920 --> 00:45:47,799 Speaker 1: of that stuff? Like that was the silliest ship ever? 923 00:45:49,360 --> 00:45:51,439 Speaker 1: I told I told the game, I told the spot 924 00:45:51,520 --> 00:45:53,799 Speaker 1: a low at it. Yeah, it's on some Lodi ship 925 00:45:54,320 --> 00:45:56,840 Speaker 1: and you can't hold this for being loyal Like we 926 00:45:57,000 --> 00:45:59,040 Speaker 1: we have next fresh out of the neighborhood. We get 927 00:45:59,120 --> 00:46:03,000 Speaker 1: a chance. You know what you feel? You feel a 928 00:46:03,080 --> 00:46:06,960 Speaker 1: certain yeah, like you when you fresh out the neighborhood, 929 00:46:07,000 --> 00:46:10,120 Speaker 1: and you you that loyalty is everything, especially if a 930 00:46:10,239 --> 00:46:13,879 Speaker 1: motherfucker put money in your pocket and you're riding with them. 931 00:46:14,280 --> 00:46:17,000 Speaker 1: I mean that's the ship. That's the situation. Like now, 932 00:46:17,239 --> 00:46:21,040 Speaker 1: ship Like no motherfucker if I go out and nigga 933 00:46:21,120 --> 00:46:23,520 Speaker 1: get into it with the homie right here, ship, nigger, 934 00:46:23,600 --> 00:46:29,040 Speaker 1: we finished scrap, you know what you know? So loyalty 935 00:46:29,200 --> 00:46:31,800 Speaker 1: is everything, but at a certain cost, you know what 936 00:46:31,840 --> 00:46:34,759 Speaker 1: I'm saying, because sometimes you know what I'm saying. Not 937 00:46:34,960 --> 00:46:37,400 Speaker 1: to be saying that this ship is all funning games. 938 00:46:37,560 --> 00:46:42,280 Speaker 1: But our rap beasts stem from, you know, neighborhood ties 939 00:46:42,440 --> 00:46:45,400 Speaker 1: and being connected to the streets. So we still feel 940 00:46:45,480 --> 00:46:49,040 Speaker 1: that inside. So niggas be feeling like they got something 941 00:46:49,080 --> 00:46:52,200 Speaker 1: to prove, especially I'm going for a rap record or 942 00:46:52,320 --> 00:46:56,680 Speaker 1: this song or whatever, Nigga, it's gonna get physical if 943 00:46:56,760 --> 00:47:00,640 Speaker 1: it got you feel right with Ripple Love doing this 944 00:47:00,760 --> 00:47:02,919 Speaker 1: old ship. I just want to make sure, I'm clear 945 00:47:03,360 --> 00:47:06,120 Speaker 1: when the ship went down with Spider Lottle, you were 946 00:47:06,160 --> 00:47:10,920 Speaker 1: still saying right right, But I got called slipping by myself. 947 00:47:11,320 --> 00:47:14,399 Speaker 1: Everybody get caught. I was phynked up, and they get 948 00:47:14,400 --> 00:47:18,439 Speaker 1: invited me there and said don't come with nobody. Yeah, 949 00:47:18,840 --> 00:47:21,000 Speaker 1: but that's what I'm saying to the to the urn. 950 00:47:22,360 --> 00:47:24,920 Speaker 1: Yeah definitely, because niggas came in the club and we 951 00:47:24,960 --> 00:47:26,480 Speaker 1: don't know what they had, you know what I mean, 952 00:47:26,840 --> 00:47:30,040 Speaker 1: So yeah, it could have got crazy. I mean, and 953 00:47:30,120 --> 00:47:32,239 Speaker 1: that's what I don't think people realize. You know, when 954 00:47:32,239 --> 00:47:34,880 Speaker 1: you get to talking, you know, rigors is one thing 955 00:47:34,960 --> 00:47:36,759 Speaker 1: you get to going back and forth with records. You know, 956 00:47:36,800 --> 00:47:38,799 Speaker 1: when you run into a motherfucker, you ain't no telling 957 00:47:38,880 --> 00:47:41,719 Speaker 1: what can happen. But Spider Lope one involved with it. 958 00:47:41,880 --> 00:47:47,080 Speaker 1: I never dissed him. That was loyal to my It's 959 00:47:47,160 --> 00:47:50,480 Speaker 1: like it's like fifty said, he never dissed me. It 960 00:47:50,719 --> 00:47:53,799 Speaker 1: was loyalty, you get it. I'm longing to wrap all 961 00:47:53,800 --> 00:47:55,759 Speaker 1: out it and they I don't know nothing about yep mouth, 962 00:47:56,239 --> 00:47:58,160 Speaker 1: you feel me. I jumped right in their ship head 963 00:47:58,239 --> 00:48:01,200 Speaker 1: first because of loyalty, saying with spotting Low he jumped 964 00:48:01,239 --> 00:48:03,480 Speaker 1: half first because of laws that nigga don't know me, 965 00:48:03,520 --> 00:48:06,480 Speaker 1: I mean know me like that to wanna be for me. Now, 966 00:48:06,560 --> 00:48:08,719 Speaker 1: he didn't see me around l a niggas and you 967 00:48:08,800 --> 00:48:10,960 Speaker 1: know Fu with c Bow and you know what I mean. 968 00:48:11,040 --> 00:48:13,719 Speaker 1: That nigga's recorded songs and ship together in black hole 969 00:48:14,600 --> 00:48:18,799 Speaker 1: that special, especially to a especially to a motherfucker who 970 00:48:20,080 --> 00:48:22,480 Speaker 1: is trying to come up in the game. You're trying 971 00:48:22,520 --> 00:48:25,160 Speaker 1: to get recognized, You get me. I'm trying to get 972 00:48:25,200 --> 00:48:28,120 Speaker 1: recognized by the head nigga who's signing the checks and 973 00:48:28,160 --> 00:48:30,799 Speaker 1: who giving them rang. So if I go out there 974 00:48:31,200 --> 00:48:34,800 Speaker 1: and our motherfucking you know, if our motherfucking jump on 975 00:48:34,880 --> 00:48:37,880 Speaker 1: nigga or get into a scrap with a nigga, you 976 00:48:37,960 --> 00:48:40,879 Speaker 1: know what I'm saying on the premonition of it's gonna 977 00:48:40,960 --> 00:48:44,839 Speaker 1: get back to the motherfucker like, oh ship, motherfucker jumped 978 00:48:44,880 --> 00:48:49,560 Speaker 1: your mouth over dive on that. That's what he motherfucker's 979 00:48:49,600 --> 00:48:53,600 Speaker 1: feeling Like, that's gonna show your motherfucking loyal to your nigga. Man, 980 00:48:53,680 --> 00:48:57,080 Speaker 1: that record contract might come faster or or or that 981 00:48:57,239 --> 00:49:01,760 Speaker 1: motherfucking check or that motherfucking platinum change or something. Something's 982 00:49:01,760 --> 00:49:04,800 Speaker 1: gonna come from showing that loyalty. That's ow niggas fact. 983 00:49:06,480 --> 00:49:09,680 Speaker 1: He seems like I just got a question. You're a 984 00:49:09,760 --> 00:49:13,160 Speaker 1: real strategic dude, right with all this stuff that you're 985 00:49:13,200 --> 00:49:15,160 Speaker 1: hearing and like, and it ain't just just you know, 986 00:49:15,480 --> 00:49:17,960 Speaker 1: because these these young niggas that you're doing ship that 987 00:49:18,080 --> 00:49:23,520 Speaker 1: they're doing it. Can't you see some catastrophic situations? The 988 00:49:23,600 --> 00:49:27,600 Speaker 1: bullshit gonna begin it soon as they told you, Uh, 989 00:49:27,760 --> 00:49:30,480 Speaker 1: don't come with no people, don't come with no guns, 990 00:49:30,560 --> 00:49:33,879 Speaker 1: no nothing, red flag out to have my people there. 991 00:49:34,000 --> 00:49:38,920 Speaker 1: How two hours before I got there, I've been posted 992 00:49:39,080 --> 00:49:42,080 Speaker 1: up and we didn't done this before y'all do what 993 00:49:42,200 --> 00:49:44,800 Speaker 1: y'all doing. Niggas don't know. I got the aim, I 994 00:49:44,920 --> 00:49:47,600 Speaker 1: got the am. I'm sitting there watching it all up vote. 995 00:49:48,560 --> 00:49:51,560 Speaker 1: If a nigga gets popped or start pupping, they don't 996 00:49:51,560 --> 00:49:54,080 Speaker 1: even know where it's coming from. Yeah, you gotta you 997 00:49:54,200 --> 00:49:57,680 Speaker 1: gotta be ready for anything. If you're ready, ain't gotta 998 00:49:57,800 --> 00:50:00,360 Speaker 1: get ready. I'm gonna tell you, like us on my 999 00:50:00,480 --> 00:50:04,200 Speaker 1: defense man, niggas know on Hollywood man and some motherfucking 1000 00:50:04,239 --> 00:50:08,600 Speaker 1: elite geek squad, elite that don't funk with none of 1001 00:50:08,640 --> 00:50:10,920 Speaker 1: the bullshit, DA invite you to the mansions that no 1002 00:50:11,160 --> 00:50:12,880 Speaker 1: nigga nevenue, you know what I mean. You know we 1003 00:50:12,960 --> 00:50:15,520 Speaker 1: have for real matching tonight them type the niggas, you 1004 00:50:15,600 --> 00:50:17,200 Speaker 1: know what I mean? That brings you to the certain 1005 00:50:17,239 --> 00:50:19,759 Speaker 1: elite ship that nobody get invite too. So I get 1006 00:50:19,840 --> 00:50:21,840 Speaker 1: invited to by the elite nigga that know all this 1007 00:50:21,920 --> 00:50:24,239 Speaker 1: ship that they have me at the Playboy match and 1008 00:50:24,360 --> 00:50:26,799 Speaker 1: ship like that. You get it that you can't come 1009 00:50:26,840 --> 00:50:28,759 Speaker 1: with a thousand niggas. You gotta be on the guest 1010 00:50:28,840 --> 00:50:31,719 Speaker 1: list first name, last name, pull up that all of 1011 00:50:31,800 --> 00:50:34,840 Speaker 1: that type of ship. So when you get this league 1012 00:50:34,920 --> 00:50:37,080 Speaker 1: guest list nigga that that schools had a plug on 1013 00:50:37,120 --> 00:50:38,880 Speaker 1: all the ship, tell you not to show what you 1014 00:50:39,000 --> 00:50:40,919 Speaker 1: think all this one of the little Playboy man type 1015 00:50:40,920 --> 00:50:43,360 Speaker 1: of ship. It's just in Hollywood. You're feeling me or 1016 00:50:43,680 --> 00:50:45,360 Speaker 1: one of them elite type of ship to where you 1017 00:50:45,440 --> 00:50:47,440 Speaker 1: know what I mean? Like nowaday you would call it, uh, 1018 00:50:48,080 --> 00:50:51,399 Speaker 1: what's it called the rock Nation brunch? That type of ship. 1019 00:50:51,600 --> 00:50:53,800 Speaker 1: When you get invited to that, you can't come with 1020 00:50:53,880 --> 00:50:56,680 Speaker 1: the goones, ten niggas and and the guns. It's only 1021 00:50:56,760 --> 00:50:59,400 Speaker 1: you want the guest list and your girl folly, you 1022 00:50:59,480 --> 00:51:02,080 Speaker 1: know what I mean. So ship like that, and I 1023 00:51:02,200 --> 00:51:05,400 Speaker 1: thought I was being invited to like a rock Nation 1024 00:51:05,480 --> 00:51:09,040 Speaker 1: brunch type situation. So that's why I didn't come like that. 1025 00:51:10,040 --> 00:51:14,160 Speaker 1: It felt it was presented like that red carpet this 1026 00:51:14,280 --> 00:51:16,360 Speaker 1: that in the third it was. It was exactly what 1027 00:51:16,480 --> 00:51:20,680 Speaker 1: it was. But he got me to where I didn't 1028 00:51:20,680 --> 00:51:23,920 Speaker 1: have no motherfucker's for me, and he let other niggas 1029 00:51:24,000 --> 00:51:26,359 Speaker 1: come with their necks, period, and that's how I got 1030 00:51:26,440 --> 00:51:28,600 Speaker 1: lined up, you know. And then everybody in l A 1031 00:51:28,719 --> 00:51:31,160 Speaker 1: wanted to be G unit at that time. You had 1032 00:51:31,200 --> 00:51:34,160 Speaker 1: the blood blood G units and you had the crypt 1033 00:51:34,360 --> 00:51:36,560 Speaker 1: units for spot a Lottle. So yeah, it was all 1034 00:51:36,640 --> 00:51:38,880 Speaker 1: G unit, the whole l A. Even niggas that didn't 1035 00:51:38,880 --> 00:51:41,160 Speaker 1: have nothing to do with it, you know what I mean. Period, 1036 00:51:41,200 --> 00:51:43,360 Speaker 1: This niggas that dude parties and ship like dude, that 1037 00:51:43,440 --> 00:51:45,680 Speaker 1: set me up, you know what I mean. So yeah, 1038 00:51:45,760 --> 00:51:48,080 Speaker 1: everybody was on G unit Dick at that time. Game 1039 00:51:48,200 --> 00:51:50,600 Speaker 1: is bringing the West back at that time. He lit 1040 00:51:51,160 --> 00:51:53,239 Speaker 1: tan ship up. So yeah, it was a whole G 1041 00:51:53,440 --> 00:51:56,239 Speaker 1: unit motherfucker l A at that time period. So yeah, 1042 00:51:56,320 --> 00:52:00,400 Speaker 1: niggas lined me up straight up. Yeah that's that's easy, man, 1043 00:52:00,440 --> 00:52:05,000 Speaker 1: And um, that wasn't The last beef so to speak, 1044 00:52:05,200 --> 00:52:10,520 Speaker 1: was it um basically, you know what I mean? I 1045 00:52:10,760 --> 00:52:13,800 Speaker 1: had no no, no, no real beast and what happened 1046 00:52:13,840 --> 00:52:16,200 Speaker 1: to night was um because it's something that I've never 1047 00:52:16,320 --> 00:52:19,200 Speaker 1: really got clarity on. It was an incident one night 1048 00:52:19,280 --> 00:52:22,920 Speaker 1: that she happened to be with Shig, right, right, you 1049 00:52:23,040 --> 00:52:25,480 Speaker 1: have to be with Shig one night and um, I guess, um, 1050 00:52:26,200 --> 00:52:28,680 Speaker 1: what's the other cats name? When we don't ain't important? 1051 00:52:28,920 --> 00:52:31,080 Speaker 1: But she was with one night and some and some 1052 00:52:31,200 --> 00:52:34,120 Speaker 1: bullshit that went down, right, But I wasn't even know bee. 1053 00:52:34,360 --> 00:52:37,120 Speaker 1: That was me getting lined up from a jealous nigga, 1054 00:52:37,400 --> 00:52:38,880 Speaker 1: you know what I mean. Period, That was hanging with 1055 00:52:38,960 --> 00:52:41,399 Speaker 1: the nigga that was with my crew. Now you can 1056 00:52:41,840 --> 00:52:44,520 Speaker 1: have nigga's that's in your crew, that's official, But the 1057 00:52:44,600 --> 00:52:47,240 Speaker 1: nigga that side nigga, he want to be so official 1058 00:52:47,239 --> 00:52:49,600 Speaker 1: and you never make him official, you know what I mean. 1059 00:52:49,680 --> 00:52:52,040 Speaker 1: So he's jealous, he's this, that and the third you 1060 00:52:52,080 --> 00:52:54,120 Speaker 1: know what I mean. But I don't know this, but 1061 00:52:54,719 --> 00:52:57,080 Speaker 1: deep inside, you know what I mean. This dude is 1062 00:52:57,120 --> 00:53:00,880 Speaker 1: selling like this. So it was a video you I 1063 00:53:01,040 --> 00:53:05,240 Speaker 1: bite my dude and he invites this nigga that hates 1064 00:53:05,320 --> 00:53:09,480 Speaker 1: my guts, like, why would you I invite you by yourself? 1065 00:53:09,560 --> 00:53:11,160 Speaker 1: And you know all niggas be you don't do a 1066 00:53:11,320 --> 00:53:14,680 Speaker 1: video shooting hills and anson pitches and ship everything. They 1067 00:53:14,840 --> 00:53:17,160 Speaker 1: was gonna bite all these niggas like you're gonna funk 1068 00:53:17,239 --> 00:53:19,120 Speaker 1: all the model bits they there to work, my nigga. 1069 00:53:19,360 --> 00:53:23,440 Speaker 1: But anyway, invite this nigga and all these niggas and 1070 00:53:23,640 --> 00:53:26,000 Speaker 1: dude is on some ship from the river, not only 1071 00:53:26,080 --> 00:53:28,759 Speaker 1: with me, but the nigga you know what I mean 1072 00:53:28,880 --> 00:53:31,840 Speaker 1: that invited him. You know what I mean? So he 1073 00:53:32,000 --> 00:53:34,680 Speaker 1: basically lyed me and the nigga that invited him up 1074 00:53:35,400 --> 00:53:38,279 Speaker 1: the same at the same scenario. You know what I mean. 1075 00:53:38,760 --> 00:53:42,560 Speaker 1: Everybody leaves my video shoot. The grimy niggat I don't 1076 00:53:42,600 --> 00:53:44,759 Speaker 1: like me is the only niggative, you know what I mean. 1077 00:53:44,800 --> 00:53:46,839 Speaker 1: I gotta cash out for the mansion and ship. I'm 1078 00:53:46,880 --> 00:53:48,960 Speaker 1: the only one left there. Everybody going to the next 1079 00:53:49,040 --> 00:53:52,080 Speaker 1: month location, you know what I mean? That Brill of Miles, 1080 00:53:52,200 --> 00:53:54,680 Speaker 1: you know what I mean, the thick motel chick. Everybody there, 1081 00:53:54,719 --> 00:53:56,879 Speaker 1: it was lit. She was the main star on that one. 1082 00:53:57,200 --> 00:53:59,680 Speaker 1: So boom, we got Brill of Miles. Everybody going downtown 1083 00:53:59,760 --> 00:54:03,560 Speaker 1: we be ready for the rooftop scene and boom, I'll 1084 00:54:03,600 --> 00:54:08,080 Speaker 1: slide out. I see dude on the side and I'm like, 1085 00:54:08,160 --> 00:54:10,200 Speaker 1: why are you went going to the okation. He's like, 1086 00:54:10,239 --> 00:54:12,600 Speaker 1: oh man, wait for my big accountain, slide out and 1087 00:54:12,640 --> 00:54:17,400 Speaker 1: say I'm gone as soon as I at the corner. Boom, 1088 00:54:17,520 --> 00:54:20,439 Speaker 1: shure not it's at the point, So I'm not gonna 1089 00:54:20,520 --> 00:54:22,560 Speaker 1: pull over like ween the pounds and ship. So I'm like, 1090 00:54:22,680 --> 00:54:25,040 Speaker 1: let's go down the hills and boom follow them. So 1091 00:54:25,239 --> 00:54:27,960 Speaker 1: fill to the fucking routs park a lot right, not 1092 00:54:28,120 --> 00:54:31,720 Speaker 1: knowing that the nigga that the griming nigga called his niggas, 1093 00:54:32,160 --> 00:54:34,359 Speaker 1: telling them niggas, I got the jewel zone, the boy 1094 00:54:34,440 --> 00:54:36,560 Speaker 1: up there with the big boy McDowell and the pipe 1095 00:54:36,680 --> 00:54:38,719 Speaker 1: and the boy boy on you know what I mean, 1096 00:54:39,360 --> 00:54:43,120 Speaker 1: And they all followed me, you know what I mean 1097 00:54:43,200 --> 00:54:47,359 Speaker 1: to the motherfucking thing, period. So I followed shook. Then 1098 00:54:47,400 --> 00:54:50,000 Speaker 1: them niggas got behind Shug so me and should get 1099 00:54:50,000 --> 00:54:52,520 Speaker 1: out to talk, and them niggas pull out from behind 1100 00:54:52,600 --> 00:54:55,640 Speaker 1: my ship. They come up like on gold, come from 1101 00:54:55,719 --> 00:54:58,319 Speaker 1: behind like niggas up the shop. They look like crap, 1102 00:54:58,400 --> 00:55:00,719 Speaker 1: Look I'm talking to ship. Nigger next thing. You know, 1103 00:55:01,520 --> 00:55:03,360 Speaker 1: it's not me out, you know what I mean? I 1104 00:55:03,480 --> 00:55:06,680 Speaker 1: wake up making my jury going and ship, cars riding 1105 00:55:06,719 --> 00:55:10,360 Speaker 1: off the ship, all types of ship boom. I feeled 1106 00:55:10,400 --> 00:55:14,440 Speaker 1: some piece of my jury in my pocket, so I 1107 00:55:14,560 --> 00:55:17,120 Speaker 1: go um. Matter of fact, when I first jumped up, 1108 00:55:17,239 --> 00:55:20,280 Speaker 1: I was trying to chase cars off the river hopped 1109 00:55:20,400 --> 00:55:22,960 Speaker 1: my range were over chasing cars and ship niggas dipping 1110 00:55:22,960 --> 00:55:25,000 Speaker 1: down the street, high speed chases and ship niggas is 1111 00:55:25,120 --> 00:55:28,640 Speaker 1: lost it boom. So doing the high speed chase looking 1112 00:55:28,680 --> 00:55:31,160 Speaker 1: for cars and ship. I'm thinking my pocket, looking for 1113 00:55:31,280 --> 00:55:33,560 Speaker 1: my wallet and ship, and I feel my chain, my 1114 00:55:34,000 --> 00:55:37,240 Speaker 1: my fucking brightness, uh, the fucking bracelet up my brighten 1115 00:55:37,480 --> 00:55:40,040 Speaker 1: in my pocket, A little piece of it. So I'm okay, 1116 00:55:40,200 --> 00:55:42,440 Speaker 1: some jury might still be in the parking lot. So 1117 00:55:42,520 --> 00:55:45,080 Speaker 1: I turned around, go to the parking lot, and I 1118 00:55:45,200 --> 00:55:48,279 Speaker 1: go to the parking lot. Police is already there. They 1119 00:55:48,320 --> 00:55:51,040 Speaker 1: already there. Period pull up to the parking lot. They 1120 00:55:51,160 --> 00:55:55,000 Speaker 1: had their Starbucks. Somebody from the Starbucks called the police 1121 00:55:55,040 --> 00:55:57,440 Speaker 1: because they it's in the parking lot. It's round started 1122 00:55:57,560 --> 00:56:00,680 Speaker 1: helly ship right there. Somebody from the Starbucks called the police. 1123 00:56:00,760 --> 00:56:04,879 Speaker 1: They took my phone. I can't call nobody. I had 1124 00:56:04,920 --> 00:56:07,800 Speaker 1: to go to the mansion to call my wife. You 1125 00:56:07,840 --> 00:56:09,319 Speaker 1: know what I mean, period, I ain't had no phone, 1126 00:56:09,760 --> 00:56:12,319 Speaker 1: so they took my phone everything. I couldn't call nothing. 1127 00:56:12,400 --> 00:56:15,080 Speaker 1: So I pulled back to the parking lot. Police is 1128 00:56:15,080 --> 00:56:18,279 Speaker 1: already there. So my jury is gone. My jury is 1129 00:56:18,320 --> 00:56:20,600 Speaker 1: in short. So I got to do a police report 1130 00:56:20,920 --> 00:56:23,359 Speaker 1: for my jury. So I'm telling my need to file 1131 00:56:23,360 --> 00:56:25,120 Speaker 1: a police report. They say, what happened? I said, I 1132 00:56:25,200 --> 00:56:27,759 Speaker 1: got robbed right here? They said, the camera shows uh 1133 00:56:28,480 --> 00:56:31,360 Speaker 1: vehicle driving off. This registers to Marry and Knight. What 1134 00:56:31,560 --> 00:56:33,839 Speaker 1: is marrying Knight doing here? I said, me and him 1135 00:56:33,880 --> 00:56:36,479 Speaker 1: with just talking, chopping it up, and then some people 1136 00:56:36,560 --> 00:56:39,640 Speaker 1: came behind it, you know, they got on. I was like, okay, boom, 1137 00:56:40,120 --> 00:56:42,239 Speaker 1: what happened? I mean, how much jury cost us? That 1138 00:56:42,320 --> 00:56:45,919 Speaker 1: in the third sign your name? We got? So don't 1139 00:56:45,960 --> 00:56:48,880 Speaker 1: police report? No? I mean no, uh no, state this 1140 00:56:48,960 --> 00:56:51,320 Speaker 1: is police report about my jury, of the file for 1141 00:56:51,400 --> 00:56:57,160 Speaker 1: my insurance. Boom popping the reins Go back home. Wake 1142 00:56:57,280 --> 00:57:01,680 Speaker 1: up the next day, motherfucking detectives. It's calling my phone 1143 00:57:01,719 --> 00:57:07,360 Speaker 1: all day. Uh pick it up. Hey, you need to 1144 00:57:07,400 --> 00:57:09,200 Speaker 1: come down here and make a statement. I'm like, I 1145 00:57:09,440 --> 00:57:11,840 Speaker 1: had those states, I just made a police report. I 1146 00:57:11,880 --> 00:57:14,680 Speaker 1: don't have no statements. I got ribbed. That's it. Well, 1147 00:57:14,719 --> 00:57:16,520 Speaker 1: you need to come make a statement because Night was 1148 00:57:16,560 --> 00:57:18,800 Speaker 1: there and whoa, whoa, whoa whoa. I'm like, I shouldn't. 1149 00:57:18,800 --> 00:57:21,800 Speaker 1: I ain't got nothing to do with this period. I 1150 00:57:21,840 --> 00:57:25,960 Speaker 1: ain't making no statements. Click if you don't come down here. 1151 00:57:26,000 --> 00:57:28,600 Speaker 1: Who click? And I'm like, man, come on, I ain't 1152 00:57:28,600 --> 00:57:30,560 Speaker 1: make no stakes. And found my police reports so I 1153 00:57:30,600 --> 00:57:35,400 Speaker 1: can found my insurance. They said, you know that they're 1154 00:57:35,440 --> 00:57:41,000 Speaker 1: calling from seven in the mornings eleven o'clock here, tim 1155 00:57:41,120 --> 00:57:46,400 Speaker 1: z Robery gets robbed by should Night. I'm like, whoa, 1156 00:57:47,680 --> 00:57:52,120 Speaker 1: Me and my girl, everybody like, wow, these police niggas. 1157 00:57:52,160 --> 00:57:55,560 Speaker 1: It's made. So you know they got the the TMZ 1158 00:57:55,720 --> 00:57:59,320 Speaker 1: on speed down. Man. So they called TMZ and told 1159 00:57:59,360 --> 00:58:02,200 Speaker 1: them niggas and then I hit them like what the 1160 00:58:02,240 --> 00:58:04,440 Speaker 1: funk is up with the STMZ. Yeah, you better come 1161 00:58:04,480 --> 00:58:06,600 Speaker 1: down here and make a statement. YadA, YadA, YadA. I 1162 00:58:06,680 --> 00:58:09,000 Speaker 1: say you can't do that. I said that type of 1163 00:58:09,000 --> 00:58:11,640 Speaker 1: shouldn't get a nigga killed? Are you serious? I could 1164 00:58:11,640 --> 00:58:13,880 Speaker 1: sue you up. Now, you better come down make a 1165 00:58:13,920 --> 00:58:16,000 Speaker 1: statement or we're going to send a task for the 1166 00:58:16,040 --> 00:58:19,080 Speaker 1: Sugar not Grandma House coming right now. So they threatened 1167 00:58:19,080 --> 00:58:22,320 Speaker 1: to send a task force the Sugar not Grandma House 1168 00:58:22,600 --> 00:58:27,040 Speaker 1: before I said, okay, I finally make a stake. Never 1169 00:58:27,200 --> 00:58:29,560 Speaker 1: made a statement. The ship that they put up on 1170 00:58:30,440 --> 00:58:36,120 Speaker 1: tim Z, some ship that they rolled up Shug at 1171 00:58:36,200 --> 00:58:38,520 Speaker 1: the time, had somebody in Wooding Hills. I don't know 1172 00:58:38,520 --> 00:58:40,200 Speaker 1: if it was one of his baby mamas or something, 1173 00:58:40,200 --> 00:58:42,520 Speaker 1: but they was going through dramas. So they've been trying 1174 00:58:42,560 --> 00:58:45,800 Speaker 1: to get this nigga ship I didn't know, and then 1175 00:58:45,880 --> 00:58:47,760 Speaker 1: try to use me talking to this ni in the 1176 00:58:47,840 --> 00:58:51,640 Speaker 1: parking lot to get this name. Yeah, should set you up. 1177 00:58:51,680 --> 00:58:54,160 Speaker 1: We'll set me up for what rap a Lot and 1178 00:58:54,400 --> 00:58:57,400 Speaker 1: death Row had a label together. It was I ain't 1179 00:58:57,440 --> 00:58:59,440 Speaker 1: never had no problems with death Row. It ain't no 1180 00:58:59,520 --> 00:59:02,040 Speaker 1: beef for eat, so why would that happen with me 1181 00:59:02,160 --> 00:59:07,880 Speaker 1: and Sugar Night. So they tried to and oh, he 1182 00:59:08,120 --> 00:59:09,320 Speaker 1: just got in the crash, you know what I mean, 1183 00:59:09,360 --> 00:59:11,000 Speaker 1: He just got the crash. He was on crushes and 1184 00:59:11,040 --> 00:59:14,919 Speaker 1: ship mouth wide all type. She could barely talk. So yeah, 1185 00:59:15,000 --> 00:59:18,800 Speaker 1: it wasn't nothing like he robbed me. I don't know 1186 00:59:18,920 --> 00:59:21,160 Speaker 1: how he got away and I got knocked out and 1187 00:59:21,200 --> 00:59:23,320 Speaker 1: woke up and he was driving off. Ay by driving 1188 00:59:23,360 --> 00:59:25,240 Speaker 1: off So I don't know how you gotta way without 1189 00:59:25,320 --> 00:59:27,160 Speaker 1: them getting on him, you know what I mean, This 1190 00:59:27,200 --> 00:59:29,080 Speaker 1: isn't gonna crush you. But I had the big boy 1191 00:59:29,160 --> 00:59:32,800 Speaker 1: diamonds and I had the big boy, big boy brightening, 1192 00:59:32,840 --> 00:59:36,480 Speaker 1: the big boy chaining on everything, period. So yeah, I 1193 00:59:36,600 --> 00:59:40,400 Speaker 1: was I was the shop. I think it's got on period, 1194 00:59:40,520 --> 00:59:44,800 Speaker 1: and it is what it is, you know. Okay, at 1195 00:59:44,800 --> 00:59:47,520 Speaker 1: the end of the day, one more thing, Man, these 1196 00:59:47,600 --> 00:59:52,200 Speaker 1: police out here so fucking crooked, so fucking crooked man. 1197 00:59:52,240 --> 00:59:53,920 Speaker 1: I don't know what they got against that man, but 1198 00:59:54,000 --> 00:59:56,520 Speaker 1: they wanted that man, and they try to use me 1199 00:59:57,440 --> 00:59:59,600 Speaker 1: in my situation to get at that man. And they 1200 00:59:59,680 --> 01:00:02,120 Speaker 1: went as far as putting a ship on tim z 1201 01:00:02,320 --> 01:00:05,800 Speaker 1: make So that's how far these police in LA will go. 1202 01:00:06,720 --> 01:00:09,360 Speaker 1: But they ship and they we've just seen how far 1203 01:00:09,440 --> 01:00:12,080 Speaker 1: they go to cover up their ship. Man. So he's 1204 01:00:12,080 --> 01:00:17,960 Speaker 1: that like he's that like wow, like motherfucker's James. When 1205 01:00:17,960 --> 01:00:20,200 Speaker 1: the motherfucker won't you they want you, They're gonna get 1206 01:00:20,280 --> 01:00:23,480 Speaker 1: you exactly. Yeah, that's the thing. It sounds like they 1207 01:00:23,600 --> 01:00:26,320 Speaker 1: just want to do. And you was probably one of 1208 01:00:26,440 --> 01:00:28,600 Speaker 1: many people they were trying to use to build a 1209 01:00:28,720 --> 01:00:32,000 Speaker 1: case up on that dude. I mean absolutely, but then 1210 01:00:32,080 --> 01:00:34,080 Speaker 1: he said he's been in jail for how long? And 1211 01:00:34,160 --> 01:00:36,000 Speaker 1: they never got a young mouth case. If it was 1212 01:00:36,080 --> 01:00:38,600 Speaker 1: real that it would have been got charts for let's 1213 01:00:38,640 --> 01:00:44,720 Speaker 1: be serious. You know during that time man, that was 1214 01:00:44,760 --> 01:00:47,760 Speaker 1: when they first came up with them. Who's that ship? 1215 01:00:47,840 --> 01:00:49,840 Speaker 1: That was big back then to stop snitch and stop 1216 01:00:49,880 --> 01:00:54,000 Speaker 1: telling ship that the game of them and ship ship 1217 01:00:54,160 --> 01:00:57,560 Speaker 1: like that? Man? You know, um and even enough to 1218 01:00:57,640 --> 01:01:02,360 Speaker 1: recent what's the co me? Is this my thing? Is 1219 01:01:02,400 --> 01:01:06,880 Speaker 1: this snitching is when see they use that word too 1220 01:01:07,000 --> 01:01:10,439 Speaker 1: loosely right now, it's called the council coaches. Now they'd 1221 01:01:10,480 --> 01:01:14,960 Speaker 1: say you you're a snitch if uh, I don't know, 1222 01:01:15,320 --> 01:01:20,520 Speaker 1: stupid ship. And I mean because if somebody broken my 1223 01:01:20,600 --> 01:01:23,640 Speaker 1: house tonight, snacks through all the TVs off the wall, 1224 01:01:23,720 --> 01:01:26,960 Speaker 1: took the fixed rator out, I gotta file a police 1225 01:01:26,960 --> 01:01:29,760 Speaker 1: report if I want to get my ship back, right, 1226 01:01:30,080 --> 01:01:36,120 Speaker 1: So bom, these niggas have beef with certain niggas and 1227 01:01:36,160 --> 01:01:38,840 Speaker 1: niggas who they don't like, so you can't pull nothing 1228 01:01:38,880 --> 01:01:41,440 Speaker 1: out else out But oh he got ribbed. Oh he 1229 01:01:41,520 --> 01:01:43,960 Speaker 1: did this, so he got jumped and then you're gonna say, 1230 01:01:44,000 --> 01:01:48,760 Speaker 1: he snitched my nigga, where's the police motherfucking testimony. Where's 1231 01:01:48,800 --> 01:01:52,320 Speaker 1: the motherfucking testimony? And try where's the where's the line up? 1232 01:01:52,360 --> 01:01:54,960 Speaker 1: Point out? Where's all this ship that happens when the 1233 01:01:55,000 --> 01:01:57,480 Speaker 1: nigga really snitched my nigga? Where's this time? I was 1234 01:01:57,560 --> 01:02:00,400 Speaker 1: station and whatever to get off? Like, where's this? Where's 1235 01:02:00,400 --> 01:02:03,520 Speaker 1: the niggas that got convicted? Who went to jail? How 1236 01:02:03,600 --> 01:02:07,600 Speaker 1: can you snitch? And nobody went to jail? Money buddles me, 1237 01:02:07,760 --> 01:02:10,800 Speaker 1: my nigger. People use the word to freely man, and 1238 01:02:11,920 --> 01:02:15,400 Speaker 1: a lot of people don't know what means. Nobody went 1239 01:02:15,480 --> 01:02:18,480 Speaker 1: to jail on my ship, not no, sure, not the 1240 01:02:18,560 --> 01:02:21,400 Speaker 1: niggas who really did it. Nobody, not the nigga who 1241 01:02:21,440 --> 01:02:25,440 Speaker 1: setting me up. Nobody. I know this, niggut. If anybody 1242 01:02:27,240 --> 01:02:29,480 Speaker 1: I ain't never said, hey man, the guy set me up. 1243 01:02:29,520 --> 01:02:32,920 Speaker 1: This is his name, Gonna get him? No, man, we 1244 01:02:33,040 --> 01:02:39,280 Speaker 1: have different different but have different meanings of of of 1245 01:02:39,480 --> 01:02:43,720 Speaker 1: snitching from when it comes from. Even with this nview, 1246 01:02:43,800 --> 01:02:46,360 Speaker 1: I don't even say that nothing you came from, James, 1247 01:02:46,440 --> 01:02:48,600 Speaker 1: as far as what dudes do now and what they 1248 01:02:48,640 --> 01:02:52,160 Speaker 1: are today, as far as snitching is concerned. So you 1249 01:02:52,280 --> 01:02:55,360 Speaker 1: can't look at you. You can't look at that too loosely. 1250 01:02:55,520 --> 01:03:01,120 Speaker 1: Nowadays everything every this new generation snitching is at a 1251 01:03:01,160 --> 01:03:09,320 Speaker 1: whole different level. Are you gotta man, show some paperwork, 1252 01:03:09,440 --> 01:03:11,840 Speaker 1: show a testimony, show, a trial show and nigger I 1253 01:03:11,840 --> 01:03:14,360 Speaker 1: got arrested. Bro other than that. Stopped with the fake 1254 01:03:14,440 --> 01:03:18,040 Speaker 1: ship period, stopped with the fake ads assumption. Now everything 1255 01:03:18,320 --> 01:03:20,480 Speaker 1: ends on a great note. When you fuss with me, 1256 01:03:20,640 --> 01:03:23,240 Speaker 1: you know, me and Shugar Knight squashed it. We bought 1257 01:03:23,280 --> 01:03:25,840 Speaker 1: in the following New Year's z together, you know what 1258 01:03:25,880 --> 01:03:28,200 Speaker 1: I mean, Me him and rass Cats popping bottles and 1259 01:03:28,240 --> 01:03:31,120 Speaker 1: ship with a Nemo, you know one Nemo, my nigga 1260 01:03:31,360 --> 01:03:33,160 Speaker 1: l a nigger, you know what I mean. So we 1261 01:03:33,280 --> 01:03:34,960 Speaker 1: pop a bottles and ship. I think he had a 1262 01:03:35,000 --> 01:03:38,240 Speaker 1: problem with grass Cast at the time, so Nemo had 1263 01:03:38,440 --> 01:03:40,280 Speaker 1: linked it up for him and rass Casts and talked 1264 01:03:40,320 --> 01:03:43,240 Speaker 1: they ship out and ship. We we've seen each other 1265 01:03:43,280 --> 01:03:46,000 Speaker 1: because all great period. And we talked about the ship 1266 01:03:46,040 --> 01:03:49,080 Speaker 1: and I'm like, the whole thing is that when they 1267 01:03:49,160 --> 01:03:51,959 Speaker 1: said they was going to UH to send a task 1268 01:03:52,040 --> 01:03:55,720 Speaker 1: force the Sugar Knight's Grandma house or Mama house. I 1269 01:03:55,880 --> 01:03:58,440 Speaker 1: talked to Shop and told him that. So we was 1270 01:03:58,520 --> 01:04:01,120 Speaker 1: all raced on the phone and like what you want 1271 01:04:01,160 --> 01:04:03,120 Speaker 1: me to do? I would say, fuck it? Or you 1272 01:04:03,200 --> 01:04:04,880 Speaker 1: want me to go make a stay? And he said, man, 1273 01:04:04,960 --> 01:04:06,720 Speaker 1: gonna make a stay so they don't hint. My bird 1274 01:04:06,920 --> 01:04:09,120 Speaker 1: hit my mama house and my grandma house. So we 1275 01:04:09,320 --> 01:04:11,640 Speaker 1: talked about the ship. Wow, this ship is going on. 1276 01:04:12,480 --> 01:04:14,919 Speaker 1: So after I see this and they got the club 1277 01:04:15,000 --> 01:04:16,720 Speaker 1: on New Year's Eve and we talked. I was in 1278 01:04:16,840 --> 01:04:20,160 Speaker 1: laugh about this ship period because he knew exactly what 1279 01:04:20,320 --> 01:04:22,640 Speaker 1: went that, you know what I mean? So, yeah, I 1280 01:04:22,640 --> 01:04:25,760 Speaker 1: mean it should, but I ain't never heard him talking 1281 01:04:26,120 --> 01:04:31,080 Speaker 1: about me for what. Yeah, I mean, you know what 1282 01:04:31,160 --> 01:04:36,400 Speaker 1: I said. Man, we grow and and get older, and 1283 01:04:36,520 --> 01:04:38,320 Speaker 1: I still see you every once in a while. I 1284 01:04:38,400 --> 01:04:41,800 Speaker 1: have your little words, but then it's more friendly, like 1285 01:04:42,040 --> 01:04:44,240 Speaker 1: just kind of like just back and forth benching, you 1286 01:04:44,280 --> 01:04:46,840 Speaker 1: know what I mean. I hope cares about that bullshit 1287 01:04:47,040 --> 01:04:49,280 Speaker 1: and you know what I'm saying. I'm not I'm gonna 1288 01:04:49,280 --> 01:04:52,640 Speaker 1: bring that back up. But just looking back on everything, 1289 01:04:53,200 --> 01:04:56,040 Speaker 1: do you have any because you were defending yourself, right, 1290 01:04:57,360 --> 01:04:59,720 Speaker 1: I don't never expect nobody to feel bad for defending 1291 01:04:59,760 --> 01:05:01,320 Speaker 1: the up. But do you ever look back on some 1292 01:05:01,440 --> 01:05:03,440 Speaker 1: of this stuff. Do you do you have any regrets 1293 01:05:03,560 --> 01:05:07,200 Speaker 1: or any of these incidents, all of them, all of 1294 01:05:07,320 --> 01:05:10,280 Speaker 1: them because scar Face, like I said, that was a 1295 01:05:10,680 --> 01:05:13,919 Speaker 1: o g idol of mine, too short idol of mine. 1296 01:05:14,480 --> 01:05:17,520 Speaker 1: Master P, entrepreneur from the Bay, you know what I mean, 1297 01:05:17,640 --> 01:05:21,080 Speaker 1: g unit and the gun it but fifty cent him 1298 01:05:21,360 --> 01:05:26,720 Speaker 1: they get it's amazing when he first came gang amazing 1299 01:05:27,080 --> 01:05:29,520 Speaker 1: still you know what I mean. So I'm families, do 1300 01:05:29,800 --> 01:05:31,560 Speaker 1: you know what I mean? So the goal against them 1301 01:05:31,600 --> 01:05:34,439 Speaker 1: that it was hard. It definitely was hard. Especially scar 1302 01:05:34,560 --> 01:05:37,360 Speaker 1: Face is too short. That was the hardest nigger. I 1303 01:05:37,440 --> 01:05:39,200 Speaker 1: love them, do you know what I mean? Them dudes 1304 01:05:39,280 --> 01:05:41,800 Speaker 1: is the reason why I ran now, Master P, I 1305 01:05:41,880 --> 01:05:43,720 Speaker 1: felt I ain't never you know what I mean, far 1306 01:05:43,760 --> 01:05:45,960 Speaker 1: as his music never was on it like that, but 1307 01:05:46,120 --> 01:05:48,439 Speaker 1: too short and scar Face that heard the nigga hard, 1308 01:05:48,960 --> 01:05:50,800 Speaker 1: you know what I mean? Period fifty cent just like 1309 01:05:50,920 --> 01:05:53,360 Speaker 1: it was it we could go. But other than that, 1310 01:05:53,480 --> 01:05:56,280 Speaker 1: my nigga, scar facing too short year that that was heartbreak. 1311 01:05:56,480 --> 01:05:58,760 Speaker 1: But I had to defend myself in a period. You know, 1312 01:06:00,200 --> 01:06:03,040 Speaker 1: its real, man, Sometimes you just gotta go down like that. Man. 1313 01:06:03,200 --> 01:06:07,200 Speaker 1: Sometimes it's just like sometimes the bullshit is just inevitable. 1314 01:06:08,440 --> 01:06:11,400 Speaker 1: I think it's a it's a hip hop man, hip hop. 1315 01:06:11,480 --> 01:06:14,200 Speaker 1: This competition, man, this is like blood sport, my nigger. 1316 01:06:14,520 --> 01:06:16,600 Speaker 1: They keep on forgetting to tell you this as a 1317 01:06:16,640 --> 01:06:19,400 Speaker 1: competitive sport. It's like nigga's tying up and lace ing 1318 01:06:19,480 --> 01:06:22,400 Speaker 1: up and go hit poop it up. Niggas motherfucker going 1319 01:06:22,480 --> 01:06:25,040 Speaker 1: to put their shoulder pass up and going playing football. 1320 01:06:25,440 --> 01:06:28,080 Speaker 1: This is a sport, my nigga, period. And everybody want 1321 01:06:28,120 --> 01:06:30,200 Speaker 1: to be the best, you know what I mean. Period. 1322 01:06:30,360 --> 01:06:32,880 Speaker 1: And when you're on the same label, you compete. When 1323 01:06:32,920 --> 01:06:35,160 Speaker 1: nigga's on your label, when you're from the same city, 1324 01:06:35,400 --> 01:06:37,520 Speaker 1: you compete niggas from your city, And when you're from 1325 01:06:37,560 --> 01:06:40,120 Speaker 1: the same coast, you compete from the same niggas from 1326 01:06:40,160 --> 01:06:43,080 Speaker 1: your coast. Man. So it's all competition at the end 1327 01:06:43,120 --> 01:06:45,200 Speaker 1: of the day. It's competitive who was the best, who's 1328 01:06:45,200 --> 01:06:49,880 Speaker 1: the dope nigked? Period? Right? Hey exactly. Yeah, it's always 1329 01:06:49,920 --> 01:06:52,560 Speaker 1: some ship man. But but you know the thing you today, man, 1330 01:06:53,560 --> 01:06:55,680 Speaker 1: about the you know, the youth for the day. Man. 1331 01:06:55,840 --> 01:06:58,560 Speaker 1: You know, we all kind of come from that hip 1332 01:06:58,600 --> 01:07:01,080 Speaker 1: pump area. You see what I mean to wear records 1333 01:07:01,080 --> 01:07:05,240 Speaker 1: as records and you wrapped up doing whatever. But I 1334 01:07:05,440 --> 01:07:07,800 Speaker 1: just think it's a line that should never be cross man, 1335 01:07:07,960 --> 01:07:12,120 Speaker 1: because people could really get sucked up. Man, People can 1336 01:07:12,160 --> 01:07:14,920 Speaker 1: really get from I got sucked up, you know what 1337 01:07:14,960 --> 01:07:16,800 Speaker 1: I mean. I got sucked up. You know what I mean. 1338 01:07:17,480 --> 01:07:19,800 Speaker 1: I'm not gonna be on here talking about what I 1339 01:07:19,920 --> 01:07:22,600 Speaker 1: did to respond to none of that. What happens in 1340 01:07:22,640 --> 01:07:25,280 Speaker 1: the street stage in the streets, period. But just know 1341 01:07:25,440 --> 01:07:28,080 Speaker 1: that that that ship got answered, you know what I mean, period, 1342 01:07:28,120 --> 01:07:31,040 Speaker 1: And me it's about a local yeah. So and and 1343 01:07:31,280 --> 01:07:33,600 Speaker 1: that's the biggest thing to take over all of this. Man, 1344 01:07:34,920 --> 01:07:38,000 Speaker 1: You actual issues with people you're cool with. Day Ain't 1345 01:07:38,040 --> 01:07:40,120 Speaker 1: nobody had to die and nobody get killed, you know 1346 01:07:40,120 --> 01:07:42,560 Speaker 1: what I'm saying. So it's all good. And so it's 1347 01:07:42,560 --> 01:07:44,760 Speaker 1: all good at the end of the day. Man, So 1348 01:07:44,960 --> 01:07:47,680 Speaker 1: you know, forget all the negative ship man. What you 1349 01:07:47,760 --> 01:07:50,920 Speaker 1: got going on this holiday's season? Bro, A lot of kids, 1350 01:07:50,960 --> 01:07:54,280 Speaker 1: A lot of gifts, Perry, a lot of kids, a 1351 01:07:54,280 --> 01:07:56,280 Speaker 1: lot of gifts. Something. I'm in the studio right now 1352 01:07:57,520 --> 01:08:01,520 Speaker 1: extending the legend of y'all Mama comic book the soundtrack 1353 01:08:01,640 --> 01:08:05,880 Speaker 1: eight I d join this soundtrack. The soundtrack was only 1354 01:08:05,920 --> 01:08:08,040 Speaker 1: folk songs. We're sending it the ten songs. So I 1355 01:08:08,160 --> 01:08:09,720 Speaker 1: just want to get some features on there, some of 1356 01:08:09,760 --> 01:08:11,680 Speaker 1: my big homies, you know what I mean, there's some 1357 01:08:11,680 --> 01:08:13,560 Speaker 1: of my dudes. I know this as dope as fun, 1358 01:08:13,680 --> 01:08:15,000 Speaker 1: you know what I mean, Just to make a dope 1359 01:08:15,040 --> 01:08:16,760 Speaker 1: and then just give it to everybody, because like you, 1360 01:08:17,240 --> 01:08:21,960 Speaker 1: like you've got the comic book, uh still, you have 1361 01:08:22,120 --> 01:08:25,160 Speaker 1: to get the deluxe Collective Edition to get the fucking music. 1362 01:08:25,240 --> 01:08:27,240 Speaker 1: So now we're just gonna put it on iTunes as 1363 01:08:27,280 --> 01:08:30,200 Speaker 1: a fucking soundtrack and everybody to hear in the stream, 1364 01:08:30,360 --> 01:08:32,800 Speaker 1: you know what I mean. So we dropping. I gotta 1365 01:08:32,960 --> 01:08:34,880 Speaker 1: I gotta go get you know, I never took mine 1366 01:08:34,920 --> 01:08:39,639 Speaker 1: off the Rep Broom. I'm just doing one day. I'm 1367 01:08:39,640 --> 01:08:41,200 Speaker 1: gonna look up in this ship gonna be worth like 1368 01:08:41,520 --> 01:08:46,599 Speaker 1: a hundred million dollars or some ship like that. Yeah, 1369 01:08:46,640 --> 01:08:49,679 Speaker 1: we're working on part two right now, man, So you know, yeah, 1370 01:08:49,760 --> 01:08:52,840 Speaker 1: we're definitely doing that. I got um, I got uh 1371 01:08:54,080 --> 01:08:56,760 Speaker 1: me and Cbo working, me and Pete Rock working. We 1372 01:08:56,880 --> 01:09:01,680 Speaker 1: got the crack Rock album, um ship man. Everything. That's 1373 01:09:01,680 --> 01:09:04,559 Speaker 1: a lot of things going on, especially with our digital soapbox. 1374 01:09:04,600 --> 01:09:06,920 Speaker 1: We got Smoke Out Radio, you know what I mean. 1375 01:09:07,040 --> 01:09:10,679 Speaker 1: You definitely got smoke punts going for podcast ship. So yeah, 1376 01:09:10,720 --> 01:09:13,680 Speaker 1: we're wiggling. Bro. I got this like a motherfucker man. 1377 01:09:14,320 --> 01:09:16,880 Speaker 1: I got this, boy, Can we take a break? Row? 1378 01:09:17,439 --> 01:09:21,200 Speaker 1: Oh no, I'm gonna now. Yeah, okay, cool looks So 1379 01:09:21,240 --> 01:09:23,080 Speaker 1: we're gonna close it off right now. I was just 1380 01:09:23,160 --> 01:09:25,960 Speaker 1: gonna tell you, man, you've got some incredible ship in 1381 01:09:25,960 --> 01:09:30,479 Speaker 1: the works man, and you've got a real el lass live. Man, 1382 01:09:30,560 --> 01:09:32,640 Speaker 1: your live game was crazy because you know, I'm one 1383 01:09:32,680 --> 01:09:34,840 Speaker 1: of the people explore long and check you in. You're 1384 01:09:34,840 --> 01:09:37,880 Speaker 1: talking a bunch of you talk cash ships. You know 1385 01:09:37,880 --> 01:09:40,240 Speaker 1: what I'm saying. You talk cash ship. Don't working the 1386 01:09:40,280 --> 01:09:43,080 Speaker 1: people bott in fund you at, don't hey, man, check 1387 01:09:43,120 --> 01:09:45,880 Speaker 1: out your my TV on YouTube for them lives. Man, 1388 01:09:45,960 --> 01:09:48,519 Speaker 1: they can be going crazy. Man. Subscribe to your motherfucking 1389 01:09:48,640 --> 01:09:51,799 Speaker 1: god man. Yeah, man, niggas be lit and it definitely 1390 01:09:51,800 --> 01:09:53,960 Speaker 1: go to digital soapbox. Man, you don't catch my ship 1391 01:09:54,040 --> 01:10:01,760 Speaker 1: on thisital soapbox and yep TV man suscribe. Happy Christmas, Man, 1392 01:10:02,040 --> 01:10:04,760 Speaker 1: I'm gonna talk to you other time since then. MS, 1393 01:10:05,040 --> 01:10:08,640 Speaker 1: Merry Christmas, Merry Christmas, Merry Christmas, and I have a 1394 01:10:08,720 --> 01:10:10,920 Speaker 1: happy New Year. Bro. You know what ain't mening but 1395 01:10:11,000 --> 01:10:14,160 Speaker 1: love over here. Man, your family, so this ain't number 1396 01:10:14,160 --> 01:10:17,080 Speaker 1: of conversation. Appreciate. I'll let you in a minute. Family 1397 01:10:17,160 --> 01:10:19,759 Speaker 1: all gonna get you this cool lot of my nigger 1398 01:10:22,360 --> 01:10:28,680 Speaker 1: in the second. All right, Michelle, thanks you all, appreciate one. 1399 01:10:28,760 --> 01:10:32,080 Speaker 1: Love Well. That concludes another episode of Against the Chronicles podcast. 1400 01:10:32,200 --> 01:10:34,400 Speaker 1: Be sure to download the I Heart app and subscribe 1401 01:10:34,439 --> 01:10:37,479 Speaker 1: to The Gainster Chronicles podcast for Apple users, find a 1402 01:10:37,520 --> 01:10:39,479 Speaker 1: purple mic on the front of your screen, subscribe to 1403 01:10:39,560 --> 01:10:42,360 Speaker 1: the show, leave a comment and rating. Executive producers for 1404 01:10:42,400 --> 01:10:45,400 Speaker 1: the Gainst the Chronicles podcast and Norman Steve, James Mcdownald 1405 01:10:45,520 --> 01:10:48,360 Speaker 1: aar and m c A. Tyler, our visual media directors 1406 01:10:48,400 --> 01:10:51,360 Speaker 1: Brian White, and our audio editors Taylor Hayes. The Gainster 1407 01:10:51,479 --> 01:10:53,960 Speaker 1: Chronicles is a production of Our Heart Media networking the 1408 01:10:54,000 --> 01:10:57,639 Speaker 1: Black Effect podcast Network. For more podcast from my Heart Radio, 1409 01:10:57,760 --> 01:11:00,519 Speaker 1: visited our Heart Radio app Apple podcast as wherever you 1410 01:11:00,600 --> 01:11:01,600 Speaker 1: listen to your podcasts