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Speaker 1: Big B and DJ Scream bring you Big Facts hottest

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Speaker 1: podcast in the streets. Visit the new website today www

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Speaker 1: dot Big Facts pod dot com for first class sounds.

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Speaker 1: You know who it is. DJ Scream is said a

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Speaker 1: big bank, baby Jay shot every A lot of people

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Speaker 1: were here is Big Facts Friday. We had the sad

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Speaker 1: boys in this band. Sup this motherfucker? All right, what

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Speaker 1: we're talking about? What's on everybody brain? What's on everybody

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Speaker 1: heart today? Past the bank ain't on that? Come out

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Speaker 1: give it ten minutes, had the ten second second? Whatever? Um,

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Speaker 1: So look, this is what we're talking about. So um. Basically,

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Speaker 1: there's the same that in order to get out, in

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Speaker 1: order to be productive, you have to get out of

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Speaker 1: your feelings and you know, be able to do business

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Speaker 1: and conduct yourself with a clear head. But my thing

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Speaker 1: today is it's also important because people never really talk

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Speaker 1: about this, to get out of other people's feelings. And

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Speaker 1: when I say that, I go on to say that

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Speaker 1: to say you can't really involve yourself in other people's

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Speaker 1: situations because it's like, at the end of the day,

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Speaker 1: let's just say, okay, take for instance, like me and

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Speaker 1: black Okay, everybody knows that me and Black are like

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Speaker 1: this and we're super close. If Black doesn't like Scream

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Speaker 1: for whatever reason, then I can't necessarily unless it's like

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Speaker 1: one of the Seven Deadly Sins or if it's like

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Speaker 1: some super duper terrible ship, I can't put my feelings

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Speaker 1: on Scream because of the way that I feel about Black,

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Speaker 1: because at the end of the day, unless it was

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Speaker 1: something that you'll never be able to come back from.

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Speaker 1: Nine times I'll attend if y'all are in close quarter

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Speaker 1: of you, guys are gonna come back from that, and

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Speaker 1: I'm gonna be on the outside. And you know what

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Speaker 1: I'm saying, it's not gonna be fair to you because

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Speaker 1: at the end of the day, is like I'm basically

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Speaker 1: inserting myself in y'all's business with no real knowledge of

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Speaker 1: what is that it's actually going on with God because

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Speaker 1: y'all don't even really know what's going on with y'all

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Speaker 1: and that ship. It's how like a lot of beefs start,

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Speaker 1: how a lot of people get killed, how a lot

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Speaker 1: of ship goes wrong for no reason because other people

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Speaker 1: are taking on other people's feelings, and at the end

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Speaker 1: of the day is understandable because you know like when

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Speaker 1: you're loyal to a person or when you're loyal to

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Speaker 1: a situation, you're gonna feel a certain kind of way

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Speaker 1: based upon the person or the situation that you're loyal to.

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Speaker 1: But you kind of, like, for lack of a better

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Speaker 1: way to put it, have to do that in private

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Speaker 1: until like the ship gets figured out. You see what

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Speaker 1: I'm saying, like kind of sort of don't choose size

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Speaker 1: and a rap beef. That ship happened with rap beefs

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Speaker 1: a lot, right basically because you might be super cool

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Speaker 1: with one rapper, that might be beef another rapper, and

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Speaker 1: then you choose sides and end up being cool, which

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Speaker 1: I can't even talk about. No rap ship. This is

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Speaker 1: real life ship, real life too. But I'm saying the example. Yeah, yeah,

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Speaker 1: now it could be it could be got damn me

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Speaker 1: and me and my god them, me and my girl

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Speaker 1: and my mama. Fact fact, you can't make it trickyer

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Speaker 1: with family. We talked about that a couple of weeks ago.

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Speaker 1: But it'll get a little trick But do you get

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Speaker 1: that's the same loyalty, it's the same principle, but it's

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Speaker 1: ship different in in in the in the broader ship

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Speaker 1: then you get what I'm saying. I get it, like

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Speaker 1: you hear No, you just don't like that, y'all. Nick

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Speaker 1: could be shaking hands and having phone called behind closed

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Speaker 1: those I don't know, but I'm acting like I'm gonna

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Speaker 1: sun with you because you don't with him. Different. But

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Speaker 1: when people are close, that's different though. It's like the

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Speaker 1: end of the day. It's too He's like, I get

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Speaker 1: what you're saying. Yeah, yeah, you gotta stay out folk

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Speaker 1: being if if it's some ship that yeah, if it's

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Speaker 1: been said, or if it ain't. But what you're doing

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Speaker 1: they start acting funny, But you got some niggles like me,

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Speaker 1: what you do when they start acting funny? We need

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Speaker 1: to answer to that question being low to the to

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Speaker 1: this to this person acting funny with another person, right,

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Speaker 1: So what what if it's the other way around and

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Speaker 1: you say, I'm not I'm not gonna get involved with

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Speaker 1: that ship. I'm gonna funk with him anyway. What happens

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Speaker 1: when your close person start acting funny? Like me, I'm

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Speaker 1: that kind of like sound screen over telling them not

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Speaker 1: to stay. But we tell them, hey, I'm not telling

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Speaker 1: you ship, I'm telling you, yeah, I ain't nothing else bro.

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Speaker 1: I amazed that the back though, but what they do

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Speaker 1: if you know what they called him? They called them back.

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Speaker 1: What if you and the person it sounds like a

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Speaker 1: contradiction that the back at the end of the day.

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Speaker 1: But what I'm saying, if you depends on how deep

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Speaker 1: it is too, and that's something were disagreeing the ween

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Speaker 1: I'll just that ship that is great. We ain't telling

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Speaker 1: about that. I'm telling about like some some real ship

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Speaker 1: that's going on. You're trying to be neutral, neutril ass

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Speaker 1: home straight up because the neutral nigga you neutral, You

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Speaker 1: ain't finished say mother could be saying, God dam, I'm

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Speaker 1: in the parts in this nigga the night you neutral, right,

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Speaker 1: I don't need I don't neig to hear that and

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Speaker 1: be neutral. I need to hear that the comment, but

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Speaker 1: don't drink that the hand of the business on site.

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Speaker 1: Thet ain't gonna tell you that you get poison and

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Speaker 1: he ain't gonna tell the other nigga that you're gonna

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Speaker 1: kill him. The neutralick ain't gonna tell you that you're

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Speaker 1: getting poisoned. And the neutral ni is also not going

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Speaker 1: to tell this nigga you're tripping like you can't do

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Speaker 1: that type ship. Yeah, for real? Like what's neutral? They

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Speaker 1: can't tell me said trip. I'm just saying to me

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Speaker 1: a neutronig like, I ain't gonna tell screened it bank

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Speaker 1: poison drank and scream my boy, I ain't gonna tell

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Speaker 1: god nam Bank with screens say it is. That's the

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Speaker 1: newt nigga, not to poison the nigger. And you can

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Speaker 1: tell ain't gonna just say that. I don't want to

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Speaker 1: screen to not think. I don't want him to poison bank.

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Speaker 1: He's just trying to play both sides. That's what neutral. Really?

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Speaker 1: If you how are you gonna be really playing the fifty? Yeah?

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Speaker 1: If I if I got a problem with you, a

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Speaker 1: well known problem, open problem me and shot I got

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Speaker 1: an open problem. You're saying fuck me. I'm saying fuck

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Speaker 1: you to the fuck you, fuck you? So what if it?

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Speaker 1: What if? Okay, let's say, how the fund is you

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Speaker 1: over here with me? Then you over here with him?

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Speaker 1: You had some most ship, he's saying, besides fuck me,

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Speaker 1: and you had some more ship. And I'm saying beside him, Yeah,

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Speaker 1: I see that. Yeah, that makes you know what I'm saying,

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Speaker 1: So ship, What the funk? You're doing gone. So in

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Speaker 1: every situation, to be clear, gotta make a cho and

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Speaker 1: to that ship is when that ship patched back up

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Speaker 1: whatever that is. Then But let's see because I could

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Speaker 1: be wrong, but listen. Would you rather be wrong or

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Speaker 1: right in that situation? But listen the person and the

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Speaker 1: person in the middle. That's what I'm saying. I'm just

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Speaker 1: telling you should feel how I feel when it comes

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Speaker 1: down to that when they come back to it. Hey, bro,

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Speaker 1: I see what you was on. You're moving how you're

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Speaker 1: supposed to move. If I'm saying I'm cool with both nigga,

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Speaker 1: ain't you ain't got to choose yoursel I'm gonna choosing

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Speaker 1: for you, all right the funk I'm into play cool

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Speaker 1: with a nigga? Who cool with a nigga? Don't fut

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Speaker 1: with me period? But what happened? What the conversation about me? What?

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Speaker 1: What the person about? When you come over here, I

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Speaker 1: know your new trap be over that hire me and

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Speaker 1: you don't talk about your better hole? Stress? How did

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Speaker 1: she going? Soon? I see you, yo, hay time I

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Speaker 1: see you, I think about that and then your brother

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Speaker 1: whole and you're ill too, So you might have just

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Speaker 1: gone cause we're gonna adventure jet keep on to beat. Yeah,

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Speaker 1: So they don't make a choice because you're trying to huh,

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Speaker 1: you got to make it to me, I feel it.

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Speaker 1: It's just funked up because a lot of people make

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Speaker 1: that choice and they get xed out when that's what

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Speaker 1: they're saying, they get xed out. Depends on It does

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Speaker 1: depend on what I'm saying. Some little god damn, you

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Speaker 1: know what I'm saying. If it's just some little ship

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Speaker 1: that goddamn, I don't know how to say. But even

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Speaker 1: even to a nigga, this us or something that nigga's

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Speaker 1: fun with, I can't be mad at them because you

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Speaker 1: funk with this he's saying some sh out of his mouth.

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Speaker 1: I can't be mad at that. But if it's some

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Speaker 1: ship that, hey man, this ship is something, this could

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Speaker 1: be really be something, and you trying to be a

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Speaker 1: neutral nigga, that don't work. Now, we got disagreements, that's different.

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Speaker 1: Some people go that far though what I'm saying, to

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Speaker 1: get that far some disagreement. Cool be neutral when I

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Speaker 1: see this nigga or when he's saying when he see

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Speaker 1: me and all this type ship, how the fund is

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Speaker 1: still a new trip, right right, right, right right. I

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Speaker 1: ain't saying goddamn on some ship like we just both

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Speaker 1: on some lame ship. But now we're both saying fuck

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Speaker 1: you like all the way. Not No, I don't fum

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Speaker 1: nigga ship. Cool you fun with him? Nick, I don't

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Speaker 1: fun with him. It ain't that, it's it's some motion

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Speaker 1: it So this the different if you know a nigga,

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Speaker 1: if I know a nigga, certain people don't don't sunk

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Speaker 1: with Jade. I ain't gonna not for them because JA

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Speaker 1: don't sunk with any folks. But Jason got that took

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Speaker 1: something from me or the folks on violated me. Hey,

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Speaker 1: now I gotta reconsider the way I'll look at that period.

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Speaker 1: You get what I'm saying. I ain't if it's just

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Speaker 1: bro you just because I know you too. You be

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Speaker 1: on some bullshit too. I'm a fair person alway around board.

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Speaker 1: I'm gonna be my friend or not if I know

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Speaker 1: you'd be on some bullshit, or if I know day

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Speaker 1: but you really don't like that Nick about the whole day.

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Speaker 1: He'll be real, y'all. Don't even say being talked about

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Speaker 1: each other. You know, don't saying I'm gonna say that

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Speaker 1: to him, like, you haven't gonna make me. Got them

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Speaker 1: not funking the folks bro that ship, Like you get

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Speaker 1: what I'm saying. When you break it down, it makes

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Speaker 1: more sense. Yeah, I ain't gotten ah to do it

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Speaker 1: that list ship because yes, it ain't bought ship, but

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Speaker 1: it's people that take that petty ship to tend and

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Speaker 1: don't be about nothing. And I'm saying, and the person

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Speaker 1: in the middle get xed out. That's where do that though,

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Speaker 1: Sometimes before that this ship happened over soon female ship

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Speaker 1: or some petty ship, the person in the middle get

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Speaker 1: xed out. We've seen it time and time. Sorry, we

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Speaker 1: being honest. Yeah, okay, I'm guilty of that. I've done

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Speaker 1: that before, but it ain't never been over like no

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Speaker 1: female or you know what I'm saying, no super petty ship.

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Speaker 1: It was some ship that really meant something to me,

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Speaker 1: and I felt like it was a line that was

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Speaker 1: crossed that shouldn't been crossed. And when I feel like that,

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Speaker 1: then I take ship all the way. But now that

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Speaker 1: I've gotten better and I've gotten growner, you know what

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Speaker 1: I'm saying, I think a lot more before I just

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Speaker 1: fly off the handle. But like before, I used to

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Speaker 1: flip out, like when it was some ship that I

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Speaker 1: felt like a person did or didn't do that I

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Speaker 1: felt like they were supposed to do and was just standard.

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Speaker 1: More was in the middle and up you was in

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Speaker 1: the middle and got ed out. That's what you're saying,

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Speaker 1: or you're saying that you know I've done it now,

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Speaker 1: but I've been in the middle and gotten xed out

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Speaker 1: before too, like for no reason, you know what I'm saying,

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Speaker 1: but like I don't know. I guess I feel like

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Speaker 1: I'm the type of person if I say fucking gonna

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Speaker 1: I mean I ain't gonna you up again. So I'm

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Speaker 1: that type of the you ain't gotta never about me

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Speaker 1: going back your mother. I say that like he cool now, bro,

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Speaker 1: not fuck you. Then take a lot for me to

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Speaker 1: say funk nigga. No, that makes perfect, that makes sense. Yeah,

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Speaker 1: that makes sense. But there's different people. So when you

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Speaker 1: say fuck somebody, we know what you mean. I'm just

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Speaker 1: saying that there's other people maybe uh, and then you

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Speaker 1: see him together so you can feel it because I'm

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Speaker 1: just say we're talking about the real world. We're not

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Speaker 1: talking about how we are the real world somebody else

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Speaker 1: might say fun somebody and they feel passionate. That's what Instagram.

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Speaker 1: But it's a different you see them together. I guess

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Speaker 1: I ain't explaining what it's two different ways what I'm saying,

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Speaker 1: the bank way another way. Yeah, yeah, I get it.

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Speaker 1: I can't. I can't. I can't say for other people.

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Speaker 1: Once I say to the point of I got you

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Speaker 1: on my mind, I'm talking about you. If there's a

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Speaker 1: conversation about you to that point, now you can either

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Speaker 1: that you say, comes to shopping like but come on,

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Speaker 1: that don't mean fuck them that you mean, I ain't

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Speaker 1: really smelling them. But come on, I can do be it.

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Speaker 1: You know what I'm saying. It ain't that deep. It

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Speaker 1: ain't That's what I'm saying. Like people be taking certain

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Speaker 1: ship like it's dead deep when it ain't a deep

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Speaker 1: Certain people personalities don't mix. I don't know why people

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Speaker 1: don't understand that it's gonna people, that it's gonna be

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Speaker 1: people that you will never like and that will never

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Speaker 1: like you no matter what y'all try to do. That's okay, Yeah,

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Speaker 1: that's what we we like. You gotta knowledge that and

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Speaker 1: deal with that. Like I can see I click with

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Speaker 1: these people so I can fote with the people. Why

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Speaker 1: the fund am I keep on being around that? We're

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Speaker 1: gonna me and a nigga just been to begging by

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Speaker 1: the air ting bitch. We've been about the airthing. We

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Speaker 1: don't It don't mean I'm wrong or you're wrong, it's

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Speaker 1: you mean we don't agree. We gotta voe to people

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Speaker 1: who agree with with with our personality, agree to disagree.

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Speaker 1: That's what I agree to disagree, ship man, because you

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Speaker 1: got motherfucker bro. No matter what you doing, like bro,

255
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Speaker 1: it's always gonna be a nigger saying something else. You

256
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Speaker 1: can't be the best, you can't be the the world's greatest,

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Speaker 1: nothing but you. The records can be brother like that

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Speaker 1: Nigga scream the bank say you can't be the bed

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Speaker 1: like how they already one the Jerry game, the card game,

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Speaker 1: like you gonna come out like you flixing you. You

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Speaker 1: could just be the best you Dene did and Nigga's

262
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Speaker 1: done did this ship and doing it still and that

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Speaker 1: all that'll speak louder than anything. If you're thinking like that,

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Speaker 1: you're thinking like back in the day, Back in the day,

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Speaker 1: you can have that. Don't like you know what I'm saying, yeah,

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Speaker 1: but that ship ain't bout no. She ain't then what

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Speaker 1: you're doing now, because Nigga always gonna have something to say,

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Speaker 1: no matter number one, what number one, number one boxer

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Speaker 1: ever in life. I don't even whether nigga. You keep

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Speaker 1: trying to say niggas ain't but Nigga still got a

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Speaker 1: son to say. But if you that to my thoughts

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Speaker 1: what he did with his hand, I just beat some gem.

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Speaker 1: Some beatings at your folks said, Okay, Nigga's are double

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Speaker 1: back and be like it could be fought with Tom

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Speaker 1: and her guy. Damn God, damn fifty fights, will shout you,

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Speaker 1: fifty fights. He couldn't be Yeah, he wouldn't beat sugar.

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Speaker 1: I want to see a tyon I did that ship

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Speaker 1: with lebront Go. Always be that. It's always gonna be

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Speaker 1: a thing to say something. But you could be the goat.

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Speaker 1: Come to the goat, go go touching. Part of some

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Speaker 1: people is bothered by that. I didn't bring them down.

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Speaker 1: You gotta be unbothered by that ship. Like Floyd Mayler

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Speaker 1: Weather it is unbothered by it. He feel about he's

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Speaker 1: feel by feel about. Make it y'all think y'all hate me.

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Speaker 1: I need some mo on, right, But some people be

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Speaker 1: in the corner the press beat up because everybody don't

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Speaker 1: love them because not because they believe the ship that

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Speaker 1: they're saying about them. That what it is, whatever, the

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Speaker 1: only time make you feel some type of way if

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Speaker 1: you believe what you see. Yeah, that's just like for instance,

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Speaker 1: I know this might be kind of little off subject,

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Speaker 1: but that's just like witchcraft, like witchcraft and sorcery and

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Speaker 1: all that kind of shape. It can't affect you if

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Speaker 1: you don't believe in it. Who you know what I'm saying,

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Speaker 1: Like certain like that's all that, but yeah, like but

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Speaker 1: but to a certain extent, like you have to you

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Speaker 1: have to partially believe some of something in order for

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Speaker 1: it to completely into Not what you're saying is what

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Speaker 1: you're saying is your believe have to be stronger than

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Speaker 1: anything else. Yeah, basically that's trying to put be put

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Speaker 1: forth you. Now that's what I believe. Ye, I don't

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Speaker 1: give a funk what it is. Bro. I can do

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Speaker 1: that ship, bro if I if I come up with

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Speaker 1: it or one of them, Yeah, we can do that ship.

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Speaker 1: I ain't even be the nixt thing this ship ain't

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Speaker 1: gonna sooner. You're the third time you doubt it. Bro,

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00:16:58,360 --> 00:17:01,680
Speaker 1: it's open with ye in it doubts that ship over

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Speaker 1: with it's soon like something like nope, energy like you

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Speaker 1: see a bit of that you you got them tiptoeing,

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Speaker 1: They got them getting yourself against they're just pushing up.

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Speaker 1: Soon you walk hold out, soon you walk over that

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Speaker 1: that guy there, Hey got a man, got a man.

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Speaker 1: I'm telling you, Bro, I don't like confidence is what

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Speaker 1: it is. Man. You gotta tell these niggas, brother, they

315
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Speaker 1: say confidence. He ain't got no confidence in that ship.

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00:17:28,800 --> 00:17:31,399
Speaker 1: How the funking they gonna believe you? You walk on stage,

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Speaker 1: got down with your head down, wrapping down. Do you

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Speaker 1: need gonna understand that? Like the ship show, Bro, y'all

319
00:17:35,920 --> 00:17:38,040
Speaker 1: needn't understand y'all gotta come in that motherfucker do what

320
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Speaker 1: you do. You gotta let the folk know this it

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00:17:42,800 --> 00:17:44,159
Speaker 1: and you could be trying to do that, but it

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Speaker 1: she'd be looking like an act like, Bro, that ain't there.

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Speaker 1: I don't how much you bounce around like it's something

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Speaker 1: you ain't you something like it's that. It's that it's

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00:17:52,560 --> 00:17:56,440
Speaker 1: the out of tight. It's probably because they're not being

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00:17:56,480 --> 00:17:59,600
Speaker 1: these and they're trying to be somebody else. Yeah, you

327
00:17:59,680 --> 00:18:03,040
Speaker 1: gotta leave that ship, bron, But what a nigga doing?

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00:18:03,160 --> 00:18:05,879
Speaker 1: But Nick coming to motherfucker he believes we started believing

329
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Speaker 1: because he believe this too much. But me telling me

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Speaker 1: it's the ship. But I'll be like, damn, but how

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Speaker 1: are you telling this ship to me? True? That nigg

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00:18:25,280 --> 00:18:30,680
Speaker 1: but you see how they Yeah, but you got some

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00:18:30,760 --> 00:18:35,119
Speaker 1: nick who not all tell a lot like you got

334
00:18:36,080 --> 00:18:40,399
Speaker 1: cry thereything, but believe their own line. Scam Well, Jackson,

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00:18:47,520 --> 00:18:50,879
Speaker 1: believe yourself and so back to that, you have to

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Speaker 1: make a choice. Yes, everyone, it depends. I don't see

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00:18:55,119 --> 00:18:59,280
Speaker 1: you can't be che It depends what you're saying. Smoke.

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00:19:00,359 --> 00:19:02,160
Speaker 1: If it's smoked, you gotta make a charge. If it's

339
00:19:02,200 --> 00:19:04,600
Speaker 1: some a little bitchy ship. What did you but the

340
00:19:04,720 --> 00:19:07,840
Speaker 1: middle man, the middle man get the key to middle

341
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Speaker 1: man business man get exed out in both situations, that's

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Speaker 1: what we say. But what middle man trying to get

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00:19:13,280 --> 00:19:15,400
Speaker 1: from from either side? What do you want? The middle

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00:19:15,440 --> 00:19:17,280
Speaker 1: man just don't want to be bothering ship. I did

345
00:19:17,400 --> 00:19:20,080
Speaker 1: so I ain't exed out on that. Both of y'all know, bro,

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00:19:20,200 --> 00:19:21,800
Speaker 1: y'all need need to feed that. I'm gonna fall back

347
00:19:21,800 --> 00:19:26,000
Speaker 1: from both. You need to be around some or something.

348
00:19:26,320 --> 00:19:28,080
Speaker 1: Y'all need to tripping. But y'all need to fix that.

349
00:19:28,240 --> 00:19:30,760
Speaker 1: Y'alln't even really got this ship looking like I've been

350
00:19:30,800 --> 00:19:33,280
Speaker 1: stepped back from it. Yeah, OK, so don't make a

351
00:19:33,359 --> 00:19:39,159
Speaker 1: choice and tripping that stepping back the middleman is with

352
00:19:39,359 --> 00:19:41,119
Speaker 1: Because if you're a middle man, the middle man is

353
00:19:41,160 --> 00:19:42,800
Speaker 1: supposed to be trying to bring this ship back together.

354
00:19:43,440 --> 00:19:45,159
Speaker 1: So if you're a middleman and try don't know how

355
00:19:45,200 --> 00:19:47,359
Speaker 1: to make no charge you as at every time you

356
00:19:47,400 --> 00:19:49,240
Speaker 1: see this man, you're supposed to never talk to this

357
00:19:49,400 --> 00:19:51,000
Speaker 1: man about this man. He's supposed to be like man,

358
00:19:51,080 --> 00:19:54,119
Speaker 1: y'all need tripping down that pitted gonna fake time. But

359
00:19:54,240 --> 00:19:57,000
Speaker 1: y'all even need to talk, bro, if I'm the middle

360
00:19:57,040 --> 00:19:59,959
Speaker 1: man on the middleman trying to patch this ship up.

361
00:20:00,240 --> 00:20:02,760
Speaker 1: But what Scream is saying. You're saying like, if you're

362
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Speaker 1: the middleman and you're with person a, if you're the

363
00:20:05,680 --> 00:20:08,120
Speaker 1: middleman and you're with person A, then you're not the middleman.

364
00:20:08,200 --> 00:20:14,320
Speaker 1: You're with person a. What's being with the nigga nobody myself?

365
00:20:14,800 --> 00:20:17,400
Speaker 1: That's the big philosophy. You are right, but we're talking

366
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Speaker 1: about outside of this room the people. Let's take females,

367
00:20:21,240 --> 00:20:23,240
Speaker 1: because female is good at doing it too. Let's taking

368
00:20:23,280 --> 00:20:26,400
Speaker 1: the female. You got a female right there, and there's

369
00:20:26,440 --> 00:20:29,399
Speaker 1: two other females and they're going at it, and all

370
00:20:29,440 --> 00:20:32,880
Speaker 1: the caddy bullshit is going on. Right, did you decide

371
00:20:33,040 --> 00:20:37,000
Speaker 1: to be with female A B? Where? Why would I mean,

372
00:20:37,240 --> 00:20:41,240
Speaker 1: just be fringed with so more attention to funk with

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Speaker 1: and I'm sucking with her, I ain't sucking with you,

374
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Speaker 1: whatever the case is. And then ANC think I got it,

375
00:20:50,320 --> 00:20:53,399
Speaker 1: ANC get coolest and it crossed b out. So how

376
00:20:53,520 --> 00:20:56,480
Speaker 1: y'all get so cool? And we got smoked though? My friend?

377
00:20:56,920 --> 00:21:00,600
Speaker 1: How that happens sold me? Okay, me, I'm the person

378
00:21:00,680 --> 00:21:03,120
Speaker 1: in the middle. Ex use cash, jade and shot. Let's

379
00:21:03,160 --> 00:21:04,680
Speaker 1: just use that. And I'm in the middle. You're in

380
00:21:04,720 --> 00:21:08,920
Speaker 1: the middle, all right, boom, not on the way to smoke.

381
00:21:09,000 --> 00:21:11,560
Speaker 1: But they start riffing. It might get kind of nasty, ugly.

382
00:21:11,720 --> 00:21:15,159
Speaker 1: Right at this point we have said right, they might

383
00:21:15,240 --> 00:21:17,359
Speaker 1: even say I don't funk with you or whatever. They

384
00:21:17,440 --> 00:21:20,959
Speaker 1: might fight whatever the right right at this point, now

385
00:21:21,080 --> 00:21:23,000
Speaker 1: she has to make a choice. That's what we said.

386
00:21:23,280 --> 00:21:24,760
Speaker 1: That's what we just said. Why do I have to

387
00:21:24,800 --> 00:21:26,680
Speaker 1: make a choice because you're in the middle of it,

388
00:21:26,720 --> 00:21:29,000
Speaker 1: and she's not gonna in the middle. She's not gonna

389
00:21:29,040 --> 00:21:31,360
Speaker 1: sunk with you. She don't funk with me because I'm

390
00:21:31,359 --> 00:21:34,280
Speaker 1: working with her. They suck her. She don't funk with

391
00:21:34,359 --> 00:21:36,200
Speaker 1: me because I'm working with her. Funk both of them.

392
00:21:36,240 --> 00:21:38,639
Speaker 1: I don't give a fun your choice, it's still a choice.

393
00:21:38,760 --> 00:21:40,480
Speaker 1: But that's all say they said. They got nothing to

394
00:21:40,560 --> 00:21:43,160
Speaker 1: do with me. That's that's the middle. I'm at both

395
00:21:43,200 --> 00:21:47,159
Speaker 1: of these but made people at the same time like

396
00:21:47,920 --> 00:21:50,480
Speaker 1: I don't know what they have going on or whatever

397
00:21:50,560 --> 00:21:52,360
Speaker 1: it is, Like, I don't have nothing to tell them

398
00:21:52,440 --> 00:21:54,440
Speaker 1: to make. We're telling everybody to make a choice, and

399
00:21:54,480 --> 00:21:57,320
Speaker 1: we're also telling everybody, what did you just say? But

400
00:22:02,160 --> 00:22:04,879
Speaker 1: trying to get cool. Listen, you're saying that she should

401
00:22:04,880 --> 00:22:06,359
Speaker 1: be trying to get them to be cool. It's the middle.

402
00:22:06,440 --> 00:22:10,840
Speaker 1: She should try it, she should try it, Yeah, they saying, Then, okay,

403
00:22:10,920 --> 00:22:14,119
Speaker 1: so both of them choice. That's the third choice, A

404
00:22:14,400 --> 00:22:17,679
Speaker 1: B or C. I think what happens when, especially when

405
00:22:17,720 --> 00:22:21,040
Speaker 1: women get into it, the person which is ja Ja

406
00:22:21,440 --> 00:22:23,800
Speaker 1: tries to decide who was righting who was wrong, and

407
00:22:23,840 --> 00:22:28,200
Speaker 1: then they normally to side. Ye, form your opinion, and

408
00:22:28,920 --> 00:22:31,440
Speaker 1: that's exactly that's what it be. He can size. That's

409
00:22:31,480 --> 00:22:34,359
Speaker 1: what it be. It's not just that it it's normally like,

410
00:22:34,960 --> 00:22:37,000
Speaker 1: what's suck up? So she got a reason to be that.

411
00:22:38,400 --> 00:22:40,320
Speaker 1: What do you do? You just that's you just expressed

412
00:22:40,359 --> 00:22:42,280
Speaker 1: the truth like you were wrong. Yes, that's that's the

413
00:22:42,320 --> 00:22:44,280
Speaker 1: best choice to make. Yeah, that's the best choice. But

414
00:22:44,680 --> 00:22:46,320
Speaker 1: where the ship? I'm going to tell you where the

415
00:22:46,320 --> 00:22:49,240
Speaker 1: ships up because all y'all are right, and that is

416
00:22:49,320 --> 00:22:54,000
Speaker 1: how it goes. Definitely go I'm okay, I'm in the

417
00:22:54,080 --> 00:22:57,320
Speaker 1: middle Cash and Shot into it. Cash is wrong. I

418
00:22:57,400 --> 00:23:00,960
Speaker 1: feel like Shot is right. I'm telling Calt that. I

419
00:23:01,080 --> 00:23:03,400
Speaker 1: feel like she's dead ass wrong. I feel like Shot

420
00:23:03,520 --> 00:23:06,040
Speaker 1: is right. But instead of me pulling Cash to the

421
00:23:06,080 --> 00:23:09,119
Speaker 1: side and telling her that privately, I'm telling her that

422
00:23:09,240 --> 00:23:11,000
Speaker 1: either in front of people or in front of shy

423
00:23:11,400 --> 00:23:13,840
Speaker 1: and that turns it into a whole another big catastrophe.

424
00:23:15,920 --> 00:23:20,800
Speaker 1: That complicated yeah, because it's like, oh, like you with

425
00:23:20,960 --> 00:23:22,960
Speaker 1: this bitch and you're trying to go against me in

426
00:23:23,080 --> 00:23:25,720
Speaker 1: front of people whatever whatever. Then that turned it into

427
00:23:25,840 --> 00:23:28,199
Speaker 1: some all other ship. I mean Cash going to get

428
00:23:28,240 --> 00:23:32,720
Speaker 1: a fight in like because she feels like some street

429
00:23:33,040 --> 00:23:35,120
Speaker 1: or what is it. We gotta figure out what we're

430
00:23:35,119 --> 00:23:38,960
Speaker 1: talking about. Listen, that could be a better person in

431
00:23:39,080 --> 00:23:41,560
Speaker 1: all situation. It could be between friends, it could be

432
00:23:41,640 --> 00:23:43,800
Speaker 1: some street ship, it could be in business. It could

433
00:23:43,800 --> 00:23:47,000
Speaker 1: be in so many things. But in business it's like

434
00:23:47,080 --> 00:23:52,240
Speaker 1: you gotta break down every least every last there's yeah,

435
00:23:52,280 --> 00:23:54,719
Speaker 1: there's lord ty in business and something I don't say

436
00:23:55,000 --> 00:23:57,760
Speaker 1: we're doing and we're doing business too much money with

437
00:23:57,840 --> 00:23:59,560
Speaker 1: this person to go funk with this person because this

438
00:23:59,640 --> 00:24:02,320
Speaker 1: person on with that person. Understand that if that's what

439
00:24:02,480 --> 00:24:06,200
Speaker 1: it is. If if I'm making goddamn ten million with

440
00:24:06,359 --> 00:24:11,320
Speaker 1: scream and Hamma Mellion with day d a scream, you

441
00:24:11,440 --> 00:24:15,280
Speaker 1: need to come over here with us. I'm not thinking

442
00:24:15,320 --> 00:24:17,720
Speaker 1: about that. You're you're offending whatever you're doing. We're fend

443
00:24:17,800 --> 00:24:20,440
Speaker 1: get the money. They're getting money, right, And if I

444
00:24:20,520 --> 00:24:23,359
Speaker 1: got to choose whatever, I don't, Hey, you you should

445
00:24:23,480 --> 00:24:27,200
Speaker 1: know what my choice in business. That's different. So let's

446
00:24:27,200 --> 00:24:30,040
Speaker 1: go to another one. Childhood friends that you met in

447
00:24:30,119 --> 00:24:33,120
Speaker 1: the same classroom at the same time, you equally there

448
00:24:33,200 --> 00:24:37,440
Speaker 1: with them. If they have a light riff, then you

449
00:24:37,600 --> 00:24:40,280
Speaker 1: make the choice. Like you said, ABC or for both

450
00:24:40,320 --> 00:24:43,119
Speaker 1: of them for the time being, right, but childhood friends,

451
00:24:43,200 --> 00:24:46,560
Speaker 1: since that you met all together, it becomes some realer ship.

452
00:24:46,680 --> 00:24:52,040
Speaker 1: What do you do? Ship? What you mean I'm saying? Like, Okay,

453
00:24:52,080 --> 00:24:54,800
Speaker 1: So first off, two people can't be wrong in the

454
00:24:54,920 --> 00:24:57,920
Speaker 1: situation both Like you could be in the middle of

455
00:24:58,160 --> 00:25:01,080
Speaker 1: two wrong people, but they ain't gonna talk about the

456
00:25:01,119 --> 00:25:03,160
Speaker 1: fact that they're wrong. So they're just mad. So you're

457
00:25:03,160 --> 00:25:05,360
Speaker 1: in the middle of it now. But what you gotta do, ship,

458
00:25:05,440 --> 00:25:13,240
Speaker 1: You gotta put them niggers on the scale because they're

459
00:25:13,240 --> 00:25:16,080
Speaker 1: saying like they're saying. When they're saying, put them on

460
00:25:16,080 --> 00:25:19,879
Speaker 1: the scale, they're saying, you know both of their characters precisely.

461
00:25:20,119 --> 00:25:23,879
Speaker 1: You know what I'm saying, So you know what should be.

462
00:25:24,000 --> 00:25:26,639
Speaker 1: You know, it don't matter if both of these folks wrong, right,

463
00:25:26,720 --> 00:25:29,600
Speaker 1: both of these folks wrong, go with you tell both

464
00:25:29,640 --> 00:25:32,200
Speaker 1: of them they wrong, You tell both on the wrong.

465
00:25:32,240 --> 00:25:36,159
Speaker 1: But you know, even if home he is wrong, he

466
00:25:36,320 --> 00:25:38,520
Speaker 1: ain't really did ask to the right? Yeah, because he ain't.

467
00:25:38,560 --> 00:25:43,160
Speaker 1: They ain't what they're mad about. Yeah, if you know people,

468
00:25:43,280 --> 00:25:44,879
Speaker 1: you know what I'm saying, you know the backstory of

469
00:25:44,920 --> 00:25:48,520
Speaker 1: the whole ship, Like you've been photo stop with this nigga. Yeah,

470
00:25:49,640 --> 00:25:51,960
Speaker 1: you know what I'm saying. Yeah, so that's that's just

471
00:25:52,200 --> 00:25:54,479
Speaker 1: like when you know that part. And then even if

472
00:25:54,800 --> 00:25:58,080
Speaker 1: you like he stuck in the middle of fu yeah,

473
00:25:58,440 --> 00:26:01,920
Speaker 1: because it's nigga and really out warring. His welcome already

474
00:26:02,760 --> 00:26:05,840
Speaker 1: and this nigga, you know what, he's had his falls,

475
00:26:05,960 --> 00:26:07,879
Speaker 1: but he like, you know, you could have been the

476
00:26:08,000 --> 00:26:11,160
Speaker 1: nigga that was wrong the whole time. Well, now, well

477
00:26:11,240 --> 00:26:15,200
Speaker 1: you're welcome. You get what I'm saying. So nigga, say

478
00:26:15,359 --> 00:26:17,760
Speaker 1: what I'm saying that you could be a nigga that's

479
00:26:17,840 --> 00:26:28,879
Speaker 1: wrong all the time. But I'm wrong, But gone, let

480
00:26:30,320 --> 00:26:34,960
Speaker 1: let me wrong, go right a wrong the hug I've

481
00:26:34,960 --> 00:26:36,520
Speaker 1: been there, Go ahead and let me be wrong. I

482
00:26:36,560 --> 00:26:50,760
Speaker 1: know I'm wrong, y'all. I'm trying to like what you

483
00:26:51,119 --> 00:26:53,760
Speaker 1: Let me be wrong, like what we're doing I get.

484
00:26:53,840 --> 00:26:55,840
Speaker 1: I'll just say, you got some people that like that, though,

485
00:26:55,920 --> 00:26:58,480
Speaker 1: BROA a lot of people like that. But I do

486
00:26:58,720 --> 00:27:02,480
Speaker 1: feel for the genuine hearted good people in the middle

487
00:27:02,680 --> 00:27:07,920
Speaker 1: where there is where so why they into it? No

488
00:27:08,800 --> 00:27:10,640
Speaker 1: person in the middle of the person in the middle

489
00:27:10,720 --> 00:27:14,560
Speaker 1: k control on human beings? What the middle? In the middle?

490
00:27:14,640 --> 00:27:18,240
Speaker 1: What middle? What from the beginning from See, when I

491
00:27:18,320 --> 00:27:20,480
Speaker 1: go to thinking about a person that I'm gonna feel

492
00:27:20,480 --> 00:27:23,200
Speaker 1: a way about being in the middle. That means you

493
00:27:23,280 --> 00:27:26,440
Speaker 1: are dear to me, right, So I don't give an

494
00:27:27,560 --> 00:27:29,520
Speaker 1: about it being in the middle. Who I just see

495
00:27:29,680 --> 00:27:32,399
Speaker 1: sometimes No, listen, I'm gonna put you in the middle.

496
00:27:33,200 --> 00:27:36,119
Speaker 1: I'm gonna put you in the middle of day. I'm

497
00:27:36,160 --> 00:27:38,280
Speaker 1: gonna be like, man, what the funk y'all think y'all

498
00:27:38,320 --> 00:27:41,320
Speaker 1: got going on? Nothing else? We've been fit this or

499
00:27:41,680 --> 00:27:49,480
Speaker 1: let's see who wrong the stand? If you can't respect that,

500
00:27:49,560 --> 00:27:56,280
Speaker 1: we're all saying you wrong, right, That's what I'm saying.

501
00:27:56,280 --> 00:27:59,640
Speaker 1: If family, okay, I'm talking in my household, I put

502
00:27:59,720 --> 00:28:03,840
Speaker 1: the ass on that no matter what the situation calls

503
00:28:04,040 --> 00:28:06,879
Speaker 1: on group faith time, what the hell? What the what?

504
00:28:07,160 --> 00:28:09,639
Speaker 1: What the what? So we don't finished you even be

505
00:28:09,720 --> 00:28:11,800
Speaker 1: a line the folk faith even let's see what we

506
00:28:11,880 --> 00:28:16,919
Speaker 1: finished safe? So how the funk I'm up? How can

507
00:28:17,000 --> 00:28:19,000
Speaker 1: you get caught in the middle? We get to the

508
00:28:19,040 --> 00:28:22,439
Speaker 1: bottom of it in the case of emotions running crazy

509
00:28:22,720 --> 00:28:27,040
Speaker 1: and they can't think clear and their actions is middle.

510
00:28:29,280 --> 00:28:31,920
Speaker 1: But get what I'm gonna cool you off. I'm gonna

511
00:28:31,920 --> 00:28:33,840
Speaker 1: stay on your line all days, so you won't even

512
00:28:33,880 --> 00:28:36,760
Speaker 1: start creating the talking to the wrong people, creating the

513
00:28:36,760 --> 00:28:41,040
Speaker 1: ship in your mind trick line to yourself. So if

514
00:28:41,080 --> 00:28:44,040
Speaker 1: we this type us three, I'm gonna call you, be like, bro,

515
00:28:44,120 --> 00:28:46,000
Speaker 1: what's what the hell hell? And hear you all the

516
00:28:46,040 --> 00:28:49,880
Speaker 1: way out and be like and then we're gonna we're

517
00:28:49,920 --> 00:28:52,560
Speaker 1: gonna we're gonna chop through that. But you had jest

518
00:28:52,680 --> 00:28:56,760
Speaker 1: said this, let's break all this down. Now you didn't

519
00:28:56,760 --> 00:28:59,360
Speaker 1: tall me no anything because she just said this and

520
00:28:59,440 --> 00:29:02,800
Speaker 1: this did what you don't know. So really basically this

521
00:29:03,040 --> 00:29:07,360
Speaker 1: some suck this some bit ship. Yeah, both of y'all wrong. Bro,

522
00:29:07,520 --> 00:29:10,840
Speaker 1: he ain't ship whatever. Now if you're saying she don't

523
00:29:10,880 --> 00:29:13,920
Speaker 1: stole from you, that's different. Yeah, you know here go

524
00:29:14,000 --> 00:29:16,040
Speaker 1: to camera. They're just see him steal. Hey man, you

525
00:29:16,480 --> 00:29:19,480
Speaker 1: get your ass. You don't stole from me. I know

526
00:29:19,560 --> 00:29:25,520
Speaker 1: I'd be slipping. You know what I'm saying? That different,

527
00:29:25,960 --> 00:29:29,959
Speaker 1: totally different. Don't saying it ain't nobody talking that for nobody.

528
00:29:30,120 --> 00:29:33,320
Speaker 1: Nobody ain't did that. Nobody anybody back, No, nobody did not.

529
00:29:34,960 --> 00:29:36,719
Speaker 1: You can put it on scared that ship is feelings.

530
00:29:38,080 --> 00:29:40,440
Speaker 1: Let's see when they're feelings fun, what's right? Or wrong

531
00:29:40,480 --> 00:29:45,480
Speaker 1: about the situation, who been in their feelings back we

532
00:29:45,600 --> 00:29:47,960
Speaker 1: go to my childhood and all that ship. I'm saying like,

533
00:29:48,080 --> 00:29:51,360
Speaker 1: but on some regular declar ass ship, I don't give

534
00:29:51,400 --> 00:29:53,960
Speaker 1: a d It could be dising each other in public,

535
00:29:54,040 --> 00:29:55,840
Speaker 1: but dapping each other's hand when they see each other

536
00:29:56,280 --> 00:29:58,040
Speaker 1: but don't know, feeling away like I used to be

537
00:29:58,160 --> 00:30:01,320
Speaker 1: like that, like on FOS or New such shorted from sitting.

538
00:30:01,360 --> 00:30:04,760
Speaker 1: I'm gonna fu them nick like in my in not

539
00:30:04,880 --> 00:30:08,240
Speaker 1: a nigga feeler, but the nigga we're probably getting money.

540
00:30:08,240 --> 00:30:21,800
Speaker 1: I don't know, right, Brom tall Bro like nigga got it, Broll,

541
00:30:21,920 --> 00:30:26,120
Speaker 1: We learned the dumbiest ship ever, Bro coming up? Yes, Bro,

542
00:30:26,280 --> 00:30:28,320
Speaker 1: you the ship the way. That's why I don't get

543
00:30:28,360 --> 00:30:32,000
Speaker 1: mad at certain niggles. Bro, I did look at Bro.

544
00:30:32,120 --> 00:30:34,239
Speaker 1: You gotta be real with yourself. Bro, you can't even

545
00:30:34,280 --> 00:30:36,360
Speaker 1: get mad with everybody. And that's when you know a

546
00:30:36,440 --> 00:30:39,560
Speaker 1: nigga no better. You get what I'm saying, Like, if

547
00:30:39,600 --> 00:30:42,280
Speaker 1: I know you know better than you'd be disappointed. No,

548
00:30:42,560 --> 00:30:44,680
Speaker 1: I can be and you do some ship, you'd be

549
00:30:44,760 --> 00:30:47,000
Speaker 1: just I'll be disappointed. But if I see a nigga

550
00:30:47,040 --> 00:30:49,800
Speaker 1: that I know you're stuck in the same frame that

551
00:30:49,920 --> 00:30:53,640
Speaker 1: I was just in. I know you don't know the

552
00:30:53,680 --> 00:30:56,320
Speaker 1: ship that you're saying. You're really thinking this this this

553
00:30:56,520 --> 00:31:00,160
Speaker 1: means something. Yeah, yeah, you know what I'm saying. The

554
00:31:00,240 --> 00:31:02,280
Speaker 1: conversation that you're having. You really think that that ship

555
00:31:02,400 --> 00:31:03,960
Speaker 1: means something that you don't mean that to nobody but

556
00:31:04,080 --> 00:31:09,000
Speaker 1: you whoever you're talking to in real life. I'm saying,

557
00:31:09,040 --> 00:31:10,760
Speaker 1: we need to be sitting around bro, just talking to

558
00:31:10,840 --> 00:31:12,440
Speaker 1: you know how would just be talking just find the

559
00:31:12,520 --> 00:31:16,640
Speaker 1: reading hate on the bro being real? Bro, you know

560
00:31:16,760 --> 00:31:19,120
Speaker 1: what nigga do? Just sit back like just looking around like,

561
00:31:19,600 --> 00:31:24,920
Speaker 1: ain't really like that? Could we poe? We like that?

562
00:31:25,040 --> 00:31:28,880
Speaker 1: Could we pour hell? Like I'm tell you dig you

563
00:31:28,960 --> 00:31:32,280
Speaker 1: think that would make you real? Big Poe. First the

564
00:31:32,320 --> 00:31:35,080
Speaker 1: nigga come up, Now you fake or whatever? If you

565
00:31:35,200 --> 00:31:37,040
Speaker 1: come up. If soon as the nigga come up, bro

566
00:31:37,680 --> 00:31:40,800
Speaker 1: a nigga, Bro, you're gonna be faking. Fuck name who

567
00:31:40,840 --> 00:31:43,120
Speaker 1: gonna made the dodge that every time you could be

568
00:31:43,240 --> 00:31:46,240
Speaker 1: under everything in the world, brushed up on everything, Crawler,

569
00:31:47,520 --> 00:31:50,400
Speaker 1: it's still gonna be somebody to say somebody create a flaw,

570
00:31:50,600 --> 00:31:53,000
Speaker 1: you're a whole or something like. Bro, ain't nothing like

571
00:31:53,120 --> 00:31:58,640
Speaker 1: you ain't been badd up this ship, don't the first conversation.

572
00:31:59,160 --> 00:32:01,800
Speaker 1: Ain't somebody started on some real ship. You said that quote.

573
00:32:02,400 --> 00:32:05,480
Speaker 1: Niggas really gotta un learn everything that was taught. Facts

574
00:32:05,600 --> 00:32:09,560
Speaker 1: but no facts, no fact, nigga. For everything we learned

575
00:32:09,600 --> 00:32:14,960
Speaker 1: with backwards, this ship with backwards, bro, everything that means something,

576
00:32:15,000 --> 00:32:17,520
Speaker 1: don't mean ship for real, but this ship that it

577
00:32:17,640 --> 00:32:22,840
Speaker 1: really means something. It really means something, bro. Yeah, I'm

578
00:32:22,880 --> 00:32:25,360
Speaker 1: telling you, bro, like I I get it, though, I

579
00:32:25,480 --> 00:32:27,560
Speaker 1: get both sides of it, because sometimes you'd be in

580
00:32:27,560 --> 00:32:31,520
Speaker 1: a situation you feel like fuck learning. I know this, right,

581
00:32:32,360 --> 00:32:37,000
Speaker 1: I get that playing sometimes getting it. I don't know.

582
00:32:37,040 --> 00:32:40,000
Speaker 1: I ain't trying to encourage something to be comfortable with

583
00:32:40,120 --> 00:32:45,080
Speaker 1: that comble. It's comfortable. Yeah, I'm comfortable with it. I ain't.

584
00:32:45,440 --> 00:32:49,320
Speaker 1: I don't want when you don't have that ambitiution. I

585
00:32:49,360 --> 00:32:51,680
Speaker 1: don't want the attention on some niggas can't do that.

586
00:32:53,400 --> 00:32:56,600
Speaker 1: I can't do it. And you can't say what determines

587
00:32:56,640 --> 00:32:58,560
Speaker 1: the nigga happiness neither. You know what I'm saying, like

588
00:32:58,720 --> 00:33:01,160
Speaker 1: she he might be happy for happened to me. I

589
00:33:01,200 --> 00:33:04,400
Speaker 1: don't know what I'm saying is I just know the

590
00:33:04,480 --> 00:33:07,680
Speaker 1: way a nigger used to like the ship how your

591
00:33:07,760 --> 00:33:10,320
Speaker 1: mind be stuck? Like I had a ship on my

592
00:33:10,400 --> 00:33:12,920
Speaker 1: post on my page the other day. It was like,

593
00:33:13,320 --> 00:33:15,719
Speaker 1: the way you see ship is the way you are

594
00:33:15,880 --> 00:33:18,000
Speaker 1: some ship like that you are the way you see ship,

595
00:33:18,240 --> 00:33:19,600
Speaker 1: not the way you see ship is the way you

596
00:33:19,680 --> 00:33:24,160
Speaker 1: are right hard time that ship real because the way

597
00:33:24,240 --> 00:33:28,040
Speaker 1: you is is the way you see ship. Like if

598
00:33:28,080 --> 00:33:30,320
Speaker 1: I'm if I'm on that but not walking the mother,

599
00:33:30,520 --> 00:33:32,239
Speaker 1: I'm looking to see who own it? Who on? When

600
00:33:32,240 --> 00:33:40,600
Speaker 1: I'm out, somebody gonna be on somebody? Everybody right the

601
00:33:40,640 --> 00:33:44,360
Speaker 1: way the world, everybody on this ship right right. And

602
00:33:44,400 --> 00:33:46,200
Speaker 1: then they say that people judge you off the way

603
00:33:46,240 --> 00:33:48,560
Speaker 1: that they think. So if I'm if I'm a thief

604
00:33:48,600 --> 00:33:50,880
Speaker 1: and I think everybody a thief, you know, I'm gonna

605
00:33:50,920 --> 00:33:52,680
Speaker 1: walk in here thinking that you're probably gonna steal for me.

606
00:33:52,680 --> 00:33:56,800
Speaker 1: It's because I'm technically a thief, just like or instead

607
00:33:56,840 --> 00:33:59,200
Speaker 1: of you walking and thinking everybody is a thief, you're

608
00:33:59,240 --> 00:34:02,040
Speaker 1: gonna walk in feeling like everybody is looking at you

609
00:34:02,120 --> 00:34:04,480
Speaker 1: like you're trying to steal something. Yeah, either way, it

610
00:34:04,520 --> 00:34:07,080
Speaker 1: could go either way. You think that's what they know

611
00:34:07,200 --> 00:34:13,279
Speaker 1: you they but you the only one to know your thief.

612
00:34:13,360 --> 00:34:15,879
Speaker 1: So you you got your bad, You got your bad.

613
00:34:16,120 --> 00:34:22,319
Speaker 1: Ye not do if you get you exactly that ship

614
00:34:24,200 --> 00:34:26,680
Speaker 1: like a nigger. Like a nigger with a nigga who

615
00:34:26,760 --> 00:34:32,239
Speaker 1: do lock, he'll never get it called do lock? He leaving? Yeah,

616
00:34:32,800 --> 00:34:34,960
Speaker 1: he's not leaving and they can't even parking his car.

617
00:34:35,640 --> 00:34:38,000
Speaker 1: I'm just saying, like, you get what I'm saying. Certain

618
00:34:38,000 --> 00:34:42,239
Speaker 1: people that do search you you like. I'm glad though

619
00:34:42,640 --> 00:34:46,360
Speaker 1: about saying with the unlearned ships, it's crazy. It's a

620
00:34:46,440 --> 00:34:49,000
Speaker 1: blessing that we learned some of that ship, because some

621
00:34:49,160 --> 00:34:51,359
Speaker 1: people don't never learn. But you guys, you know how

622
00:34:51,400 --> 00:34:54,239
Speaker 1: to remix it brou the coldes and the morals and

623
00:34:54,320 --> 00:34:57,440
Speaker 1: ship that ship that's instilled in you. And that's that's

624
00:34:57,480 --> 00:34:59,800
Speaker 1: what you're supposed to take from this stand all that

625
00:35:00,040 --> 00:35:05,000
Speaker 1: the ship that mine fulk nigga don't need that. Niggas

626
00:35:05,040 --> 00:35:10,480
Speaker 1: is trapping now in getting getting that ship. Why you

627
00:35:10,480 --> 00:35:13,160
Speaker 1: know what I'm saying, niggas getting wires like trapped money.

628
00:35:13,239 --> 00:35:18,799
Speaker 1: Now that ship different real ship, just off ship conversation

629
00:35:18,960 --> 00:35:22,440
Speaker 1: whatever you that same ship. Nigga put that ship towards

630
00:35:22,480 --> 00:35:26,880
Speaker 1: something el that nothing. The hustle side of it. If

631
00:35:26,880 --> 00:35:28,400
Speaker 1: a nigga was a hustle, I'm just saying, like a

632
00:35:28,480 --> 00:35:32,719
Speaker 1: nigga just the hood nigga in the streets, typical hood

633
00:35:32,760 --> 00:35:36,960
Speaker 1: nig in the streets. You raised to feel like everything

634
00:35:37,120 --> 00:35:39,440
Speaker 1: that's good is bad and everything as bad as good.

635
00:35:40,680 --> 00:35:42,800
Speaker 1: If you don't, if you don't, if if somebody on

636
00:35:42,920 --> 00:35:45,319
Speaker 1: TV they sold up before they even watch the show

637
00:35:45,960 --> 00:35:50,360
Speaker 1: on TV sold out anything, I don't understand, Like what

638
00:35:50,520 --> 00:35:53,640
Speaker 1: that ship, What the nigga was thinking about, bro, I

639
00:35:53,719 --> 00:35:56,680
Speaker 1: need to sit around to find a reason. Like niggas

640
00:35:56,680 --> 00:36:01,879
Speaker 1: ain't like that that the main ships like what they say,

641
00:36:02,600 --> 00:36:05,680
Speaker 1: they don't like they're not wrapping what they live is

642
00:36:05,719 --> 00:36:07,920
Speaker 1: what they're trying to say. Bro. So I'm getting them.

643
00:36:08,080 --> 00:36:15,000
Speaker 1: So I'm got them again to occasion, be goddamn be

644
00:36:15,760 --> 00:36:19,640
Speaker 1: doing what standing by? Keep the real, Keep what's how?

645
00:36:19,760 --> 00:36:22,719
Speaker 1: What's talking to the bullshit? Keep what's gonna be real

646
00:36:22,719 --> 00:36:25,280
Speaker 1: about that? But that's real. He just made two hunted,

647
00:36:25,320 --> 00:36:29,200
Speaker 1: but he pulled up to the spot when you get robbed,

648
00:36:29,239 --> 00:36:32,120
Speaker 1: he still fucked up. That's your flog. You got wrong

649
00:36:32,239 --> 00:36:34,239
Speaker 1: with the hood. He was to be a good man.

650
00:36:34,360 --> 00:36:37,000
Speaker 1: Ni just gotta got niggas, just got it, man, you know,

651
00:36:37,080 --> 00:36:39,160
Speaker 1: niggas gonna always be linked to the hood. Man, don't

652
00:36:39,160 --> 00:36:41,160
Speaker 1: you funk who you if you're from here for sure?

653
00:36:41,200 --> 00:36:42,880
Speaker 1: But you gotta go on on on. And if the

654
00:36:42,960 --> 00:36:45,320
Speaker 1: nigga ain't with you, pushing you, making you going on on,

655
00:36:46,280 --> 00:36:49,160
Speaker 1: get them they got around you. If you want the one.

656
00:36:49,239 --> 00:36:51,319
Speaker 1: And Bro, I'm pretty sure bro, the niggas who won

657
00:36:51,400 --> 00:36:53,279
Speaker 1: the one, they got them niggas around the niggas know like,

658
00:36:53,680 --> 00:36:56,080
Speaker 1: but but put you in your back hardes fuck gone

659
00:36:57,080 --> 00:37:00,799
Speaker 1: going on on? Like, so we got to delete even

660
00:37:00,880 --> 00:37:02,520
Speaker 1: if we feel like that. We can't even tell you

661
00:37:02,600 --> 00:37:05,080
Speaker 1: certain ship. Okay, have a conversation with you about ship.

662
00:37:05,160 --> 00:37:07,200
Speaker 1: That's go on. What we're doing. You need to go

663
00:37:07,320 --> 00:37:10,480
Speaker 1: on on on, you know what I'm saying. That's how

664
00:37:10,520 --> 00:37:12,120
Speaker 1: I go So at the end of the day, the

665
00:37:12,200 --> 00:37:15,239
Speaker 1: nigga feeling any way about another nigga doing what he

666
00:37:15,360 --> 00:37:18,640
Speaker 1: needed to do to feed his family, what that makes you?

667
00:37:19,320 --> 00:37:36,160
Speaker 1: What's the word? What's the proper word? Day? Say throw

668
00:37:36,200 --> 00:37:37,600
Speaker 1: it out there one more time, because I'm telling you,

669
00:37:37,719 --> 00:37:40,560
Speaker 1: like that survirus remorse ship is really like you can't

670
00:37:40,719 --> 00:37:43,239
Speaker 1: bother by that ship. I'm telling these people bothered by it.

671
00:37:43,360 --> 00:37:45,320
Speaker 1: I'll see what you're saying like, sometimes some of that

672
00:37:45,320 --> 00:37:48,440
Speaker 1: ship might be true. Some people stures really touchy and emotional.

673
00:37:48,560 --> 00:37:50,759
Speaker 1: They read every comment and they look at everything, and

674
00:37:51,200 --> 00:37:54,040
Speaker 1: but that's an insecurity. It's an insecurity for sure. Do

675
00:37:54,120 --> 00:37:56,359
Speaker 1: you know what you did and what you do? Why

676
00:37:56,440 --> 00:37:58,440
Speaker 1: the fund is you? You? You might be faking for

677
00:37:58,640 --> 00:38:00,759
Speaker 1: if you were about that ship, you should not be

678
00:38:00,880 --> 00:38:04,439
Speaker 1: bothered by what the fun that ship? Ain't that ship

679
00:38:05,080 --> 00:38:08,080
Speaker 1: easier done than see it? Bro? Like I get a

680
00:38:08,200 --> 00:38:12,480
Speaker 1: joy blocking niggas and DM dm you first and say

681
00:38:12,520 --> 00:38:14,239
Speaker 1: what I want to say. Let you know, I see

682
00:38:16,880 --> 00:38:19,200
Speaker 1: real idem you like screens, try to put it outup,

683
00:38:19,360 --> 00:38:22,279
Speaker 1: but I got seeing fair like soon I sent soon,

684
00:38:22,520 --> 00:38:26,520
Speaker 1: I see it seeing, get you read, send it, take

685
00:38:26,560 --> 00:38:30,520
Speaker 1: it off your even keep reading it and streams. But

686
00:38:31,480 --> 00:38:34,959
Speaker 1: I just say some bullshit gonna say, I gonna ain't

687
00:38:38,120 --> 00:38:43,080
Speaker 1: my faith Your grandma was a prostitute. Nigga Dad gotta

688
00:38:43,120 --> 00:38:58,480
Speaker 1: pus ship laughing faces and ship fair and ship No,

689
00:38:58,840 --> 00:39:01,439
Speaker 1: but you got to pay that. You can't. You can't

690
00:39:01,480 --> 00:39:04,120
Speaker 1: let it affect you, bro. I'll be, I'll be, I really,

691
00:39:04,400 --> 00:39:06,000
Speaker 1: I'll be pinning the gonna coming when they take a

692
00:39:06,040 --> 00:39:09,440
Speaker 1: bulletshit penning and pin my resply my folks will get

693
00:39:09,480 --> 00:39:21,560
Speaker 1: up reply yeah, reply contact is the hell you feeling

694
00:39:21,640 --> 00:39:25,959
Speaker 1: it up? And then you know I got on about

695
00:39:26,000 --> 00:39:32,840
Speaker 1: my day quick. She goes on my day that you

696
00:39:32,960 --> 00:39:41,520
Speaker 1: think about. This ship was out scale. Be to yourself.

697
00:39:41,600 --> 00:39:43,000
Speaker 1: You know what I'm saying. That's what it cut it

698
00:39:43,040 --> 00:39:47,239
Speaker 1: on the scale. That a hard ship. Every situation, something man,

699
00:39:47,560 --> 00:39:52,759
Speaker 1: something that ain't waiting right them. They could be lighting

700
00:39:52,800 --> 00:40:00,960
Speaker 1: there a fever ship shriple w dot facts pot dot

701
00:40:01,040 --> 00:40:03,600
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702
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Speaker 1: Friday to DJ Scream YouTube and all that ship and

703
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704
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Speaker 1: Facts with Big Bank and DJ scream fell Big Facts

705
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706
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Speaker 1: DJ Scream bring you big fat Hey man, it's aldway

707
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708
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709
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