1 00:00:00,560 --> 00:00:01,920 Speaker 1: My mic sounds nice. 2 00:00:02,000 --> 00:00:03,600 Speaker 2: My mic sounds nice. 3 00:00:05,559 --> 00:00:10,719 Speaker 1: Let's let's include all the Hello the Internet, and welcome 4 00:00:10,760 --> 00:00:17,000 Speaker 1: to this week trend episodes, weekend trends, weekend trends, it, 5 00:00:17,400 --> 00:00:24,639 Speaker 1: weeknd trends on Like, guys, my mic sounds nice, my 6 00:00:24,800 --> 00:00:30,120 Speaker 1: mic sounds nice. My mic sounds nice. That super producer 7 00:00:30,560 --> 00:00:38,760 Speaker 1: Brian Jeffery louis but he was here, I'm here, We're 8 00:00:38,800 --> 00:00:42,720 Speaker 1: here together. It's gonna be the last weekend trending episode 9 00:00:42,880 --> 00:00:45,400 Speaker 1: of the year of twenty twenty two. 10 00:00:45,560 --> 00:00:47,920 Speaker 2: Damn, what year is it? 11 00:00:48,000 --> 00:00:54,120 Speaker 1: Jack, I've been looking through We're gonna do some best 12 00:00:54,160 --> 00:00:57,040 Speaker 1: of episodes over the break for people to listen to 13 00:00:57,520 --> 00:00:59,920 Speaker 1: in addition to our evergreen ones, and so I've been 14 00:01:00,840 --> 00:01:05,720 Speaker 1: looking back over the past couple years of episodes. I 15 00:01:05,760 --> 00:01:08,160 Speaker 1: don't know, that's not an excuse. I've been only looking 16 00:01:08,200 --> 00:01:10,840 Speaker 1: at twenty twenty three episodes, and for some reason that 17 00:01:10,880 --> 00:01:14,040 Speaker 1: made me say, twenty twenty two, I'm Jack. That is 18 00:01:14,120 --> 00:01:19,039 Speaker 1: super producer Brian Miles is a way on assignment, just 19 00:01:19,080 --> 00:01:23,240 Speaker 1: getting a little relaxatione that's his assignment, and that's going 20 00:01:23,319 --> 00:01:26,000 Speaker 1: to be all of our assignments in three short days. 21 00:01:26,040 --> 00:01:29,720 Speaker 1: But for now, we're still here. We are here to 22 00:01:29,880 --> 00:01:33,240 Speaker 1: tell you what is trending this weekend, but first we 23 00:01:33,400 --> 00:01:36,120 Speaker 1: like to tell you a little bit about ourselves and 24 00:01:36,360 --> 00:01:38,960 Speaker 1: what we think by telling you something we think is 25 00:01:39,040 --> 00:01:41,720 Speaker 1: underrated and overrated. So, Brian, do you want to kick 26 00:01:41,800 --> 00:01:43,480 Speaker 1: us off with something you think is underrated? 27 00:01:44,080 --> 00:01:47,440 Speaker 2: Underrated? I'm going to go very very literal. 28 00:01:49,040 --> 00:01:55,480 Speaker 3: That new Obama movie, Leave the World Behind, is getting 29 00:01:55,560 --> 00:01:57,160 Speaker 3: review bombed on Metacritic. 30 00:01:57,880 --> 00:02:02,880 Speaker 1: I love the Obama movie, calling it the Obama movie. 31 00:02:03,120 --> 00:02:06,080 Speaker 1: He's all up. I mean, you know, I'm not going 32 00:02:06,160 --> 00:02:09,280 Speaker 1: to call him an au tour, but his his fingerprints 33 00:02:09,280 --> 00:02:10,919 Speaker 1: are all over that some bitch man. 34 00:02:11,040 --> 00:02:14,000 Speaker 3: I keep calling it the Obama movie because I didn't 35 00:02:14,040 --> 00:02:16,680 Speaker 3: plan on watching this movie, right. I was just I 36 00:02:16,720 --> 00:02:19,000 Speaker 3: was just passing through the living room and my partner 37 00:02:19,080 --> 00:02:22,360 Speaker 3: was putting the movie on and she happened to She 38 00:02:22,520 --> 00:02:28,480 Speaker 3: was like, Obama, that's a lot Obama. And I was like, huh, 39 00:02:28,560 --> 00:02:32,080 Speaker 3: Obama made another movie. And I sat down and I 40 00:02:32,120 --> 00:02:36,200 Speaker 3: watched it. I knew nothing about it, and I found 41 00:02:36,240 --> 00:02:38,200 Speaker 3: it perfectly. 42 00:02:37,919 --> 00:02:42,480 Speaker 1: Enjoyable, perfectly diverting, and you. 43 00:02:42,440 --> 00:02:47,079 Speaker 3: Know, good performances, and uh, you know, it's very good performances. 44 00:02:47,240 --> 00:02:52,800 Speaker 3: Some familiar faces and Yeah, Yeah, I was unaware of 45 00:02:52,800 --> 00:02:56,280 Speaker 3: this movie's existence, and you know, it was like a pleasant, 46 00:02:56,360 --> 00:03:00,000 Speaker 3: little small surprise that it wasn't awful. 47 00:03:00,600 --> 00:03:02,200 Speaker 2: Yeah, and didn't waste my time. 48 00:03:02,680 --> 00:03:07,600 Speaker 1: The effects are really cool. It's like, it's definitely, I 49 00:03:07,600 --> 00:03:09,880 Speaker 1: don't know, it's kind of appropriate to me that it 50 00:03:09,960 --> 00:03:12,079 Speaker 1: is an Obama So so you're saying it's getting a 51 00:03:12,080 --> 00:03:13,399 Speaker 1: review bombed because. 52 00:03:13,120 --> 00:03:16,400 Speaker 2: It's because it's produced by. 53 00:03:16,400 --> 00:03:19,760 Speaker 1: Produced by the Obamas. It's just one of the movies 54 00:03:19,800 --> 00:03:21,880 Speaker 1: that they threw their weight behind as part of their 55 00:03:21,919 --> 00:03:25,760 Speaker 1: Netflix production deal. Basically, and I. 56 00:03:25,639 --> 00:03:28,760 Speaker 3: Have to assume it's based off of some book that 57 00:03:28,800 --> 00:03:29,760 Speaker 3: he likes or some ship. 58 00:03:29,840 --> 00:03:30,480 Speaker 2: I don't even know. 59 00:03:31,800 --> 00:03:37,200 Speaker 1: I think that's right from his reading list. Yeah, guy's 60 00:03:37,200 --> 00:03:42,840 Speaker 1: a fucking dork. It's uh. I think it's my favorite 61 00:03:42,920 --> 00:03:47,800 Speaker 1: trailer of the year. The trailer with the LCD sound system, 62 00:03:48,000 --> 00:03:53,160 Speaker 1: Oh Baby song over It is a blast. I then 63 00:03:53,800 --> 00:03:56,840 Speaker 1: was so overcome by the trailer that I went and 64 00:03:56,840 --> 00:03:59,040 Speaker 1: saw it in theaters and then I won't dig too 65 00:03:59,120 --> 00:04:02,600 Speaker 1: much into spoilers. Love the trailer doesn't love the film 66 00:04:03,160 --> 00:04:06,040 Speaker 1: quite as much, but I highly recommend checking out the 67 00:04:06,040 --> 00:04:08,280 Speaker 1: trailer if it speaks to you, check out the movie. 68 00:04:08,320 --> 00:04:11,480 Speaker 1: It is the number one trending movie on Netflix, and 69 00:04:12,200 --> 00:04:15,600 Speaker 1: that I think means it's probably been viewed more times 70 00:04:15,640 --> 00:04:17,800 Speaker 1: than most films that came out this year. 71 00:04:18,000 --> 00:04:18,680 Speaker 2: I remember what. 72 00:04:18,760 --> 00:04:21,359 Speaker 3: The other thing that caught my attention was that it 73 00:04:21,560 --> 00:04:25,880 Speaker 3: starts with like a banger song. I don't know who 74 00:04:25,880 --> 00:04:29,360 Speaker 3: does the song, but it starts with like hip hop music. 75 00:04:29,520 --> 00:04:33,000 Speaker 2: Yeah, just blaring, and I'm like, the fuck are you watching? 76 00:04:34,839 --> 00:04:38,919 Speaker 3: And then throughout the film number one, this score sounds 77 00:04:39,000 --> 00:04:39,880 Speaker 3: like us. 78 00:04:40,160 --> 00:04:42,440 Speaker 2: It sounds like some Colombo type shit. 79 00:04:42,480 --> 00:04:46,000 Speaker 3: There's these weird little piano chords that when somebody said 80 00:04:46,080 --> 00:04:50,080 Speaker 3: something and some spooky happens, it's like a like a 81 00:04:50,360 --> 00:04:54,600 Speaker 3: your piano chord, which was tickling me. And the music 82 00:04:54,800 --> 00:04:58,200 Speaker 3: was like they were playing that one song by next 83 00:04:58,320 --> 00:05:00,200 Speaker 3: about getting a boner while dancing. 84 00:05:00,600 --> 00:05:00,920 Speaker 1: Uh huh. 85 00:05:02,560 --> 00:05:05,960 Speaker 2: Yeah, I like the music. Yeah, there was a lot 86 00:05:06,000 --> 00:05:07,440 Speaker 2: to like, I'd say, yeah. 87 00:05:07,400 --> 00:05:11,400 Speaker 1: Lots of like the literal the very like intentional off 88 00:05:11,440 --> 00:05:15,120 Speaker 1: putting music cues seems to be a thing that's happening 89 00:05:15,160 --> 00:05:18,080 Speaker 1: like May, if you've seen May December, there's like some 90 00:05:18,360 --> 00:05:22,960 Speaker 1: piano music that is like really strange and draws attention 91 00:05:23,040 --> 00:05:24,720 Speaker 1: to itself, And yeah, I feel like there's a lot 92 00:05:24,800 --> 00:05:27,920 Speaker 1: of like little music cuesing this that draw attention themselves. 93 00:05:28,680 --> 00:05:34,080 Speaker 1: My underrated, Brian is the psychological complexity of the home 94 00:05:34,120 --> 00:05:38,440 Speaker 1: alone films. I watched the home alone films over the 95 00:05:38,440 --> 00:05:40,520 Speaker 1: weekend with my children. 96 00:05:41,120 --> 00:05:43,159 Speaker 2: Now, which ones did you watch? Did you watch the 97 00:05:43,200 --> 00:05:44,440 Speaker 2: only the. 98 00:05:44,520 --> 00:05:48,200 Speaker 1: Just the mac ones? Okay, yeah, just the ones from 99 00:05:48,440 --> 00:05:50,159 Speaker 1: that I had seen as a child and had not 100 00:05:51,680 --> 00:05:59,320 Speaker 1: looked at since and viewing it as a parent. This 101 00:05:59,400 --> 00:06:03,520 Speaker 1: seems to be a film about an attempted very late 102 00:06:03,600 --> 00:06:08,599 Speaker 1: stage abortion, Like is what I'm taking from it? Like, 103 00:06:09,680 --> 00:06:12,760 Speaker 1: so I have you know, I've talked before about like 104 00:06:13,480 --> 00:06:16,120 Speaker 1: my my theory, Like we have like different people, different 105 00:06:16,160 --> 00:06:19,360 Speaker 1: personalities inside of us, and like sometimes they're acting without 106 00:06:19,360 --> 00:06:22,760 Speaker 1: the conscious self being aware. So when someone is like, ah, 107 00:06:22,760 --> 00:06:27,240 Speaker 1: I keep sabotaging myself, I think that's literally what is 108 00:06:27,640 --> 00:06:31,320 Speaker 1: happening oftentimes, Like there's a part of you that doesn't 109 00:06:31,480 --> 00:06:36,080 Speaker 1: want the career that and it's like sabotaging that career, 110 00:06:36,279 --> 00:06:38,360 Speaker 1: or like there's a part of you that doesn't want 111 00:06:38,480 --> 00:06:42,560 Speaker 1: that relationship, and so that part of you is actually 112 00:06:42,920 --> 00:06:46,159 Speaker 1: like working outside of your conscious mind to you know, 113 00:06:46,200 --> 00:06:48,720 Speaker 1: get you out of that relationship. By sabotaging it. Anyways, 114 00:06:48,960 --> 00:06:51,279 Speaker 1: this is what I think is happening with Kevin's mom 115 00:06:51,640 --> 00:06:54,279 Speaker 1: in Home Alone and Home Alone too, And I don't 116 00:06:54,320 --> 00:06:58,400 Speaker 1: think I'm at like I think this is all kind 117 00:06:58,400 --> 00:07:01,200 Speaker 1: of what the filmmakers intend, Like I don't think they 118 00:07:01,200 --> 00:07:05,000 Speaker 1: would necessarily call it a movie about an attempted late stage, 119 00:07:05,160 --> 00:07:09,120 Speaker 1: very late stage abortion, But like there's so Catherine O'Hare 120 00:07:09,160 --> 00:07:11,800 Speaker 1: the mom, Like there's a conscious part of her that 121 00:07:11,960 --> 00:07:14,880 Speaker 1: knows she's supposed to be a loving mother and like 122 00:07:15,040 --> 00:07:18,960 Speaker 1: gestures towards that. But I think there's another part of 123 00:07:19,000 --> 00:07:23,120 Speaker 1: her deeper down where like language doesn't reach, that comes 124 00:07:23,160 --> 00:07:26,800 Speaker 1: through in her eyes when she looks at Kevin that 125 00:07:27,000 --> 00:07:29,280 Speaker 1: truly wishes he wasn't around. 126 00:07:29,440 --> 00:07:29,520 Speaker 2: Like. 127 00:07:31,960 --> 00:07:34,800 Speaker 1: You you see it when she sends him to bed 128 00:07:34,920 --> 00:07:39,240 Speaker 1: without dinner after he like he literally spills milk at 129 00:07:39,240 --> 00:07:41,320 Speaker 1: dinner in the first movie, in like the first ten 130 00:07:41,360 --> 00:07:44,119 Speaker 1: minutes of the first movie and is sent to bed 131 00:07:44,240 --> 00:07:48,560 Speaker 1: in the attic without dinner. And the first thing that 132 00:07:48,640 --> 00:07:52,200 Speaker 1: I noticed about the scene was that Katherine O'Hare is 133 00:07:52,280 --> 00:07:56,240 Speaker 1: like looking at him with the deadest eyes, And I'm like, 134 00:07:56,360 --> 00:08:01,320 Speaker 1: she's a good actor, that's like, why is she And 135 00:08:01,360 --> 00:08:06,960 Speaker 1: she's saying wild shit and while sending this kid to 136 00:08:07,080 --> 00:08:10,160 Speaker 1: bed without eating. The next part I notice is that 137 00:08:10,200 --> 00:08:14,000 Speaker 1: she doesn't realize he's not with them in the airport, 138 00:08:14,280 --> 00:08:19,600 Speaker 1: which they're carrying fuller, who's the other kid who's around 139 00:08:19,600 --> 00:08:21,960 Speaker 1: his age? Which is what you do when you're in 140 00:08:22,000 --> 00:08:25,000 Speaker 1: a hurry at the airport. You pick up anything under 141 00:08:25,040 --> 00:08:27,400 Speaker 1: the age of ten, and you are carrying that shit 142 00:08:28,160 --> 00:08:31,040 Speaker 1: because they are going to get lost otherwise. That's the 143 00:08:31,080 --> 00:08:33,880 Speaker 1: first thing you see as a parent, like traveling with 144 00:08:34,000 --> 00:08:38,640 Speaker 1: kids as hell for a reason they are not for 145 00:08:38,840 --> 00:08:41,040 Speaker 1: one second out of your thoughts. 146 00:08:41,080 --> 00:08:43,079 Speaker 2: You'd be tiny and distractable. 147 00:08:43,240 --> 00:08:46,440 Speaker 1: Yeah, like I carry my kid on my shoulder, like 148 00:08:46,480 --> 00:08:48,720 Speaker 1: when I'm running late, Like I just like throw them 149 00:08:48,800 --> 00:08:52,160 Speaker 1: over like he's a sack of potatoes. But the real 150 00:08:52,840 --> 00:08:56,600 Speaker 1: thing that I think everyone remembers that kind of proves 151 00:08:56,640 --> 00:09:01,560 Speaker 1: my point is the scene where she leaps forward and 152 00:09:01,559 --> 00:09:07,400 Speaker 1: goes come on, Because so there's part of her that 153 00:09:07,600 --> 00:09:10,200 Speaker 1: knows she left the kid. 154 00:09:10,320 --> 00:09:15,280 Speaker 2: Yeah, like that she she's fully the part of fully aware. 155 00:09:15,320 --> 00:09:17,720 Speaker 1: There's part of her that's fully aware that's trying to 156 00:09:17,760 --> 00:09:20,040 Speaker 1: get through to the conscious part of her mind, but 157 00:09:20,320 --> 00:09:23,520 Speaker 1: not until they're off the ground. It's not, it's not 158 00:09:23,800 --> 00:09:28,560 Speaker 1: getting through until they're off the ground. She doesn't have 159 00:09:28,640 --> 00:09:32,360 Speaker 1: to look in the back, Like she's not like, oh wait, no, 160 00:09:32,440 --> 00:09:34,480 Speaker 1: there's no way we left Kevin, like go back. 161 00:09:34,360 --> 00:09:35,280 Speaker 2: It's only her. 162 00:09:36,280 --> 00:09:40,920 Speaker 1: Yeah, she's the only one. Yeah, right, because well I 163 00:09:40,960 --> 00:09:44,360 Speaker 1: think that there there is like the dad is among 164 00:09:44,480 --> 00:09:48,160 Speaker 1: the dumbest dad characters we've ever seen outside of like 165 00:09:48,200 --> 00:09:52,440 Speaker 1: a fucking beer commercial or like a I guess not beer, 166 00:09:52,600 --> 00:09:55,560 Speaker 1: like a hardware commercial or something like that. Dads are dumb, 167 00:09:55,640 --> 00:09:59,680 Speaker 1: commercial commercial dumb. Yeah, he's very he's commercial dad dumb. Yeah, 168 00:09:59,760 --> 00:10:04,040 Speaker 1: and and uh she but so she she realizes it. 169 00:10:04,320 --> 00:10:07,600 Speaker 1: She's like, oh my god, we left him without checking 170 00:10:07,640 --> 00:10:09,959 Speaker 1: in the back because the kids are sitting in coach 171 00:10:10,040 --> 00:10:12,839 Speaker 1: and the parents are sitting in first class. Something that 172 00:10:12,920 --> 00:10:15,240 Speaker 1: she's like, oh my god, don't you feel like a 173 00:10:15,320 --> 00:10:17,560 Speaker 1: heel kind of that we're sitting in first class and 174 00:10:17,600 --> 00:10:22,240 Speaker 1: the kids are in coach. So they're just bad, bad people. 175 00:10:23,240 --> 00:10:26,760 Speaker 1: But once so, once the jig is up and her 176 00:10:26,760 --> 00:10:32,840 Speaker 1: conscious mind is now aware that she left Kevin, she 177 00:10:32,960 --> 00:10:37,080 Speaker 1: makes like one call to the cops. She like, she 178 00:10:37,200 --> 00:10:40,080 Speaker 1: makes a call to the cops. The cops like send 179 00:10:40,120 --> 00:10:44,760 Speaker 1: her to family Services appropriately they're like, well, there's clearly 180 00:10:44,760 --> 00:10:47,000 Speaker 1: something going on here. Then she's like sent back to 181 00:10:47,040 --> 00:10:50,480 Speaker 1: the cops. They they send one cop by to do 182 00:10:50,520 --> 00:10:54,319 Speaker 1: a wellness check on him and are like there's nobody here. 183 00:10:54,720 --> 00:10:57,720 Speaker 1: So my brain before was distracted by those are the 184 00:10:57,720 --> 00:11:00,640 Speaker 1: worst cops in the world. But she's just like okay 185 00:11:00,679 --> 00:11:05,120 Speaker 1: with that. She doesn't like keep harassing. She's not on 186 00:11:05,240 --> 00:11:09,440 Speaker 1: the phone continuously with the local police. I feel like 187 00:11:09,559 --> 00:11:13,520 Speaker 1: she's just checking off the boxes of what a loving 188 00:11:13,600 --> 00:11:17,480 Speaker 1: mother would do so that, like she has, she can 189 00:11:17,520 --> 00:11:21,480 Speaker 1: continue to tell herself she does not want this kid dead, 190 00:11:22,040 --> 00:11:26,560 Speaker 1: but that's I think ultimately what she wants until she 191 00:11:26,640 --> 00:11:29,240 Speaker 1: gets home and sees that he's kept the house neat, 192 00:11:29,840 --> 00:11:35,760 Speaker 1: at which point she's like, okay, you're acceptable, because like, yeah, 193 00:11:35,760 --> 00:11:39,400 Speaker 1: she clearly has big problems with like messiness, and when 194 00:11:39,440 --> 00:11:41,840 Speaker 1: he spilled that thing, she was like, no, fuck this. 195 00:11:42,120 --> 00:11:44,120 Speaker 1: And then the fact that it happens again in a 196 00:11:44,200 --> 00:11:46,679 Speaker 1: second movie at a certain point, you're trying to kill 197 00:11:46,679 --> 00:11:53,160 Speaker 1: this kid. But again when she realizes it, she just 198 00:11:53,520 --> 00:11:58,080 Speaker 1: faints straight away. Like there's the scene probably less iconic, 199 00:11:58,160 --> 00:12:01,839 Speaker 1: but where they're at the bag claim she's like, here, 200 00:12:01,920 --> 00:12:03,920 Speaker 1: give this back to Kevin. It goes down the thing 201 00:12:04,240 --> 00:12:06,600 Speaker 1: and then they're like, Kevin's not here. And the second 202 00:12:06,679 --> 00:12:09,679 Speaker 1: she hears the phrase Kevin's not here, she just screams 203 00:12:09,760 --> 00:12:14,280 Speaker 1: Kevin and then faints dead away. So again she knows 204 00:12:14,920 --> 00:12:20,080 Speaker 1: that they've left him or lost him. In the second one. 205 00:12:20,480 --> 00:12:23,080 Speaker 1: There is part of her that is consciously doing this. 206 00:12:23,559 --> 00:12:27,240 Speaker 1: It's not a coincidence that it happens twice. This is 207 00:12:27,720 --> 00:12:32,120 Speaker 1: a movie about a very conflicted mother who does not 208 00:12:32,520 --> 00:12:35,920 Speaker 1: like her son taking taking matters into her own hands, 209 00:12:36,400 --> 00:12:37,520 Speaker 1: is my theory. Interesting? 210 00:12:37,720 --> 00:12:39,960 Speaker 2: Interesting, I was not that long ago. 211 00:12:40,000 --> 00:12:40,280 Speaker 1: I was. 212 00:12:41,240 --> 00:12:44,200 Speaker 3: I was watching a group of movies because I was 213 00:12:44,200 --> 00:12:47,640 Speaker 3: trying to find the worst movie mother. Yeah, but I 214 00:12:47,679 --> 00:12:49,920 Speaker 3: totally forgot about Home Alone. 215 00:12:50,200 --> 00:12:55,080 Speaker 1: Really not great parenting. The other loose theory that I 216 00:12:55,120 --> 00:12:58,160 Speaker 1: think you could probably also make the case for is 217 00:12:58,280 --> 00:13:04,240 Speaker 1: that she does it all consciously and it is just 218 00:13:04,360 --> 00:13:08,000 Speaker 1: checking off the boxes, just trying to make it so 219 00:13:08,040 --> 00:13:13,160 Speaker 1: that it seems like, you know, she actually gives a shit, 220 00:13:13,320 --> 00:13:19,240 Speaker 1: but full sociopathic like Kevin's not here and we actually 221 00:13:19,240 --> 00:13:22,440 Speaker 1: don't need to. Granted, this is putting all the pressure 222 00:13:22,440 --> 00:13:24,559 Speaker 1: on her and not the dad, but as we mentioned, 223 00:13:24,600 --> 00:13:29,400 Speaker 1: the dad is commercial dumb so you can't. You just 224 00:13:29,480 --> 00:13:32,320 Speaker 1: have to assume she all the weight is on her shoulders, 225 00:13:32,320 --> 00:13:35,480 Speaker 1: which isn't fair and maybe a reason why she's trying 226 00:13:35,520 --> 00:13:38,920 Speaker 1: to off one of these little fuckers. So just just 227 00:13:39,040 --> 00:13:43,880 Speaker 1: my read on the Home Alone franchise. Also just an 228 00:13:43,920 --> 00:13:49,720 Speaker 1: incredible amount of hyper violence in both movies. The second 229 00:13:49,720 --> 00:13:53,320 Speaker 1: one in particular is like it's wild because in the 230 00:13:53,360 --> 00:13:59,160 Speaker 1: second one, he catches them at a like toy store. 231 00:13:59,160 --> 00:14:04,120 Speaker 1: They're robbing a toy store. Everything about like storytelling and 232 00:14:04,200 --> 00:14:09,000 Speaker 1: like who the target demographic is for this movie suggests, Oh, 233 00:14:09,040 --> 00:14:12,720 Speaker 1: he's going to use toys to trap them and like 234 00:14:12,800 --> 00:14:16,920 Speaker 1: torture them, and Nope, Instead he like lures them to 235 00:14:17,040 --> 00:14:21,960 Speaker 1: a kill house and repeatedly kills them, like repeatedly does 236 00:14:22,040 --> 00:14:27,840 Speaker 1: things that would murder any living organism, like a brick 237 00:14:28,400 --> 00:14:32,920 Speaker 1: from like four stories up thrown straight into the forehead. 238 00:14:33,320 --> 00:14:39,040 Speaker 3: All of these stunts individually would kill a man, yes, easily, And. 239 00:14:38,960 --> 00:14:43,920 Speaker 2: It just keeps it keeps going, Yeah, it's yeah, it's something. 240 00:14:44,280 --> 00:14:48,960 Speaker 1: It's wild. I'm really curious if anybody knows the backstory 241 00:14:49,000 --> 00:14:52,360 Speaker 1: to Home Alone two, if there was like a last 242 00:14:52,360 --> 00:14:55,560 Speaker 1: minute rewrite by the guy who would go on to 243 00:14:55,680 --> 00:15:00,400 Speaker 1: direct Saw or something, because everything is leaning up to 244 00:15:00,520 --> 00:15:03,280 Speaker 1: that moment, is like, yeah, he's just gonna like use 245 00:15:03,400 --> 00:15:06,840 Speaker 1: nerf guns to like trap and trick these guys, and. 246 00:15:06,920 --> 00:15:11,840 Speaker 3: Instead McAllister is actually the saw Man when he. 247 00:15:13,720 --> 00:15:18,360 Speaker 1: I think there is a theory online, a loose theory, 248 00:15:18,480 --> 00:15:24,840 Speaker 1: that he is like Jigsaw as a child. Yeah. Anyways, 249 00:15:25,440 --> 00:15:28,280 Speaker 1: uh yeah, I'm very curious how how that came about, 250 00:15:29,640 --> 00:15:35,000 Speaker 1: how the Home Alone to Kill House came about, Like 251 00:15:35,080 --> 00:15:37,760 Speaker 1: why they weren't just like, yeah, it would be funny 252 00:15:37,760 --> 00:15:40,240 Speaker 1: if he like used toys, because that was what he 253 00:15:40,280 --> 00:15:43,880 Speaker 1: did in the first one. He used toys like as 254 00:15:44,000 --> 00:15:48,000 Speaker 1: weapons against these guys, and they were like, we gotta 255 00:15:48,160 --> 00:15:50,760 Speaker 1: up it, man, we got to like take the violence 256 00:15:50,880 --> 00:15:55,560 Speaker 1: to like at least the level of the equalizer, you know, 257 00:15:55,800 --> 00:16:00,480 Speaker 1: Like it's like it is really like he just takes 258 00:16:00,480 --> 00:16:04,720 Speaker 1: them into an abandoned house like a murderer and then 259 00:16:04,920 --> 00:16:11,160 Speaker 1: uses just industrial strength weapons to murder them repeatedly. 260 00:16:11,320 --> 00:16:15,080 Speaker 3: I wonder if you could change the the entire tone 261 00:16:15,120 --> 00:16:18,080 Speaker 3: of the film by just changing the score to make 262 00:16:18,120 --> 00:16:20,160 Speaker 3: it feel more appropriate. 263 00:16:20,520 --> 00:16:24,360 Speaker 1: Yeah, and then just adding like some blood sprays here 264 00:16:24,400 --> 00:16:26,040 Speaker 1: and there with CDs. 265 00:16:25,760 --> 00:16:27,680 Speaker 2: Some spooky piano stingers. 266 00:16:28,160 --> 00:16:31,960 Speaker 1: Yeah, well that that actually leads into my overrated which 267 00:16:32,000 --> 00:16:36,360 Speaker 1: is the high pitched choral thing that I don't know, 268 00:16:36,400 --> 00:16:39,240 Speaker 1: I just noticed. It's the second verse of Nat King 269 00:16:39,320 --> 00:16:44,320 Speaker 1: Coles Silent Night, which is in heavy rotation around this 270 00:16:44,440 --> 00:16:47,360 Speaker 1: time of year. It goes from Nat King Cole singing 271 00:16:47,360 --> 00:16:51,600 Speaker 1: Silent Night, which you know, great one of the great voices, 272 00:16:52,960 --> 00:16:56,080 Speaker 1: you know, seems like it was built to sing Silent Night, 273 00:16:56,320 --> 00:16:58,680 Speaker 1: and then the second verse is like all of these 274 00:16:58,800 --> 00:17:06,800 Speaker 1: high pitched chral like like just overlapping. It's also in 275 00:17:07,240 --> 00:17:10,040 Speaker 1: a lot of early Disney movies, So I just think 276 00:17:10,160 --> 00:17:12,680 Speaker 1: I think it was a thing that people had seen 277 00:17:12,840 --> 00:17:16,720 Speaker 1: live before recorded music, and we're like this shit goes 278 00:17:16,840 --> 00:17:22,879 Speaker 1: like this is this is a transfixing, transformative experience, and 279 00:17:22,920 --> 00:17:25,600 Speaker 1: then they just tried to like put it everywhere. And 280 00:17:26,520 --> 00:17:31,320 Speaker 1: it's also I think it's the sound that you hear 281 00:17:31,720 --> 00:17:35,959 Speaker 1: when like in two thousand and one the Space Odyssey 282 00:17:36,000 --> 00:17:39,800 Speaker 1: where they see the big black obelesque or is that 283 00:17:39,840 --> 00:17:44,880 Speaker 1: what that thing's called the big black Domino monolith and 284 00:17:46,200 --> 00:17:49,560 Speaker 1: yeah it so it just has like creepy connotations now, 285 00:17:49,640 --> 00:17:52,840 Speaker 1: so I mean not there's I guess nobody's really using 286 00:17:52,880 --> 00:17:56,160 Speaker 1: it anymore for any reason other than to creep people out. 287 00:17:56,280 --> 00:17:59,520 Speaker 1: But it's just it's really a bad one. 288 00:18:00,119 --> 00:18:04,159 Speaker 3: Yeah, it's it's firmly in the realm of cliche. Yeah, 289 00:18:04,440 --> 00:18:07,080 Speaker 3: almost to the point where it's like it's reserved for 290 00:18:07,200 --> 00:18:08,320 Speaker 3: like comedy bits. 291 00:18:08,840 --> 00:18:10,200 Speaker 1: Yeah. I think though. 292 00:18:11,640 --> 00:18:15,680 Speaker 3: It's shorthand for spooky now. 293 00:18:16,280 --> 00:18:19,240 Speaker 1: Yeah, And it just feels like I think this is 294 00:18:19,280 --> 00:18:24,600 Speaker 1: the thing that happens still is people underestimate the difference 295 00:18:24,640 --> 00:18:27,760 Speaker 1: between like music that sounds good live and it's fun 296 00:18:27,800 --> 00:18:30,600 Speaker 1: to see and then like recorded music. We're still like 297 00:18:30,680 --> 00:18:36,920 Speaker 1: we're working with that gap, yeah somehow, And so I 298 00:18:36,960 --> 00:18:39,600 Speaker 1: don't know that this feels like the original sin of 299 00:18:39,640 --> 00:18:43,879 Speaker 1: that where they're like, we all love being in church 300 00:18:43,960 --> 00:18:46,920 Speaker 1: and hearing the like a really good chorus, just nail it. 301 00:18:48,119 --> 00:18:51,520 Speaker 1: So here's that experience and then it just sounds like shit, 302 00:18:51,840 --> 00:18:55,840 Speaker 1: just sounds creepy and screechy. What something you think is overrated? Brian? 303 00:18:56,480 --> 00:18:58,880 Speaker 2: All Right, I'm gonna stick with films. 304 00:18:59,359 --> 00:19:04,119 Speaker 3: Film and so I saw another movie this weekend and 305 00:19:04,160 --> 00:19:06,920 Speaker 3: this movie just pissed. 306 00:19:06,600 --> 00:19:10,119 Speaker 1: Me right the way off did cheesey off. 307 00:19:11,160 --> 00:19:14,400 Speaker 3: Okay, so this film is called Soft and Quiet, and 308 00:19:14,920 --> 00:19:19,080 Speaker 3: it is literally overrated. It's got an eighty seven on 309 00:19:19,200 --> 00:19:22,560 Speaker 3: run Tomatoes. It's got an eighty two out of one 310 00:19:22,640 --> 00:19:27,760 Speaker 3: hundred on Metacritic, indicating universal acclaim. And here here's a 311 00:19:27,800 --> 00:19:32,360 Speaker 3: little snippet of a review. A painfully timely, horror fueled thriller, 312 00:19:32,840 --> 00:19:35,879 Speaker 3: Soft and Quiet forces the viewer to confront the ugly 313 00:19:36,040 --> 00:19:42,399 Speaker 3: underbelly of modern American race relations. And to that, I say, no, 314 00:19:42,560 --> 00:19:46,320 Speaker 3: the fuck it doesn't. It really really doesn't. 315 00:19:46,000 --> 00:19:47,919 Speaker 2: It this movie. 316 00:19:49,520 --> 00:19:54,800 Speaker 3: I guess what's really overrated are films that nonsensical and silly, 317 00:19:54,920 --> 00:20:00,640 Speaker 3: that take themselves really really seriously. Because this movie was. 318 00:20:02,560 --> 00:20:04,639 Speaker 2: I'm just gonna say it was straight trash. 319 00:20:04,920 --> 00:20:05,119 Speaker 1: It was. 320 00:20:06,160 --> 00:20:06,880 Speaker 2: It was not good. 321 00:20:06,920 --> 00:20:09,359 Speaker 3: It was one of those movies where I saw the 322 00:20:09,440 --> 00:20:13,240 Speaker 3: reviews right, and I'm like, I don't watch trailers usually, 323 00:20:13,680 --> 00:20:17,040 Speaker 3: and I see horror thriller. I'm like, Okay, that's the 324 00:20:17,119 --> 00:20:20,200 Speaker 3: vibe I'm looking for horror thriller, and I knew race 325 00:20:20,359 --> 00:20:25,560 Speaker 3: was an element, And this movie ended up being are 326 00:20:25,560 --> 00:20:27,000 Speaker 3: you familiar with mumblecore? 327 00:20:27,320 --> 00:20:27,639 Speaker 2: Jack? 328 00:20:28,720 --> 00:20:28,960 Speaker 1: Yeah? 329 00:20:28,960 --> 00:20:32,639 Speaker 3: So it was ended up being Yeah, it ended up 330 00:20:32,640 --> 00:20:36,120 Speaker 3: being a mumblecore nightmare with everybody talking over each other 331 00:20:36,160 --> 00:20:40,640 Speaker 3: as they do in mumble core movies. And I won't 332 00:20:40,640 --> 00:20:45,840 Speaker 3: get into spoilers but it literally it goes from these 333 00:20:46,040 --> 00:20:51,879 Speaker 3: these Karens essentially meeting up for a racist get together 334 00:20:52,440 --> 00:20:57,760 Speaker 3: that is very blunt and unsubtle and like there's literally 335 00:20:57,800 --> 00:21:02,280 Speaker 3: a pie with a swastika on it. Wow, and it's 336 00:21:02,320 --> 00:21:05,639 Speaker 3: like you didn't need to that's a little too on 337 00:21:05,720 --> 00:21:06,040 Speaker 3: the nose. 338 00:21:07,160 --> 00:21:07,880 Speaker 2: And then it just. 339 00:21:07,880 --> 00:21:12,399 Speaker 3: Gets stupider from there, like and this is basically like 340 00:21:13,520 --> 00:21:17,080 Speaker 3: the Sound of Freedom, but for racism. 341 00:21:17,800 --> 00:21:21,200 Speaker 1: It's that bad right and gets racism wrong. 342 00:21:21,440 --> 00:21:24,840 Speaker 2: And yeah, it's it's it totally gets racist. 343 00:21:25,200 --> 00:21:27,960 Speaker 1: That Sound of Freedom gets human trafficking around. 344 00:21:28,040 --> 00:21:32,919 Speaker 3: Yeah, it's just there are simpler, less stupid and embarrassing 345 00:21:32,960 --> 00:21:38,560 Speaker 3: ways to depict uh racism in America than what they chose. 346 00:21:38,600 --> 00:21:39,520 Speaker 2: It's really baffling. 347 00:21:39,920 --> 00:21:44,399 Speaker 3: So yeah, a literally overrated film, soft and quiet piece 348 00:21:44,440 --> 00:21:44,720 Speaker 3: of shit. 349 00:21:45,160 --> 00:21:47,560 Speaker 1: There you go. All right, let's take a quick break, 350 00:21:47,640 --> 00:22:01,920 Speaker 1: we'll be right back. Talk about news, and we're back. 351 00:22:02,240 --> 00:22:05,040 Speaker 1: And there's a story coming out of Gaza that I 352 00:22:05,080 --> 00:22:09,879 Speaker 1: feel like could get lost in the avalanche of devastating news, 353 00:22:09,920 --> 00:22:13,720 Speaker 1: but I think it's worth stopping and just acknowledging. So 354 00:22:13,920 --> 00:22:19,800 Speaker 1: IDF snipers killed three innocent Israeli captives who had escaped 355 00:22:20,160 --> 00:22:23,560 Speaker 1: and were trying to get rescued, and they came out 356 00:22:23,600 --> 00:22:29,040 Speaker 1: with their arms raised Torsos Baird literally waving a white flag, 357 00:22:30,040 --> 00:22:34,159 Speaker 1: and were summarily executed by the IDF. Only later was 358 00:22:34,160 --> 00:22:38,280 Speaker 1: it revealed that they were innocent Israelis and not innocent Palestinians, 359 00:22:38,480 --> 00:22:42,920 Speaker 1: at which point it became news. But this is like acknowledge. 360 00:22:43,040 --> 00:22:46,560 Speaker 1: This is being reported on from like by the Sun, 361 00:22:46,960 --> 00:22:51,120 Speaker 1: like the UK newspaper The Sun. Not exactly a pro 362 00:22:51,320 --> 00:22:59,359 Speaker 1: Palestinian rag. No, it's just worth acknowledging that, like this 363 00:22:59,560 --> 00:23:03,240 Speaker 1: is what is going on. They seem to be out 364 00:23:03,280 --> 00:23:05,919 Speaker 1: of the bombing everything to rubble phase and Gaza and 365 00:23:05,960 --> 00:23:10,320 Speaker 1: have moved into the shooting everything that moves phase. And 366 00:23:10,920 --> 00:23:16,080 Speaker 1: if three Israeli hostages waving a literal white flag can't 367 00:23:16,880 --> 00:23:20,640 Speaker 1: like even be spoken to before they're killed, and Israeli 368 00:23:20,680 --> 00:23:26,040 Speaker 1: hostages are the reason they're there is supposedly it's probably 369 00:23:26,040 --> 00:23:29,320 Speaker 1: trying to ask what they're actually doing there and whether 370 00:23:30,040 --> 00:23:35,760 Speaker 1: they should be there, But it's yeah, it's horrifying, this 371 00:23:36,200 --> 00:23:41,120 Speaker 1: writer Moyn Rabani roach. The incident confirms yet again that 372 00:23:41,280 --> 00:23:45,240 Speaker 1: Israeli soldiers are authorized to shoot dead both surrendering combatants 373 00:23:45,280 --> 00:23:49,040 Speaker 1: and civilians waving flags of surrender under current conditions in 374 00:23:49,080 --> 00:23:52,120 Speaker 1: the Gaza Strip, and despite the Israeli military being fully 375 00:23:52,160 --> 00:23:56,560 Speaker 1: aware it may encounter live Israeli captives, ostensibly a key 376 00:23:56,600 --> 00:23:59,720 Speaker 1: reason for their presence there. May additionally be the case 377 00:23:59,800 --> 00:24:02,320 Speaker 1: that soldiers are being encouraged by their commanders to shoot 378 00:24:02,320 --> 00:24:06,920 Speaker 1: anything that moves. So, yeah, it's it's not great. It's 379 00:24:07,040 --> 00:24:11,280 Speaker 1: pretty pretty fucking horrifying, Like those are That's that's war crimes. 380 00:24:11,400 --> 00:24:13,920 Speaker 1: That's you can't you can't shoot people waving a white 381 00:24:13,960 --> 00:24:15,000 Speaker 1: flag of surrender. 382 00:24:15,960 --> 00:24:23,360 Speaker 4: Look, we're well past that, jack, Yeah, Like, yeah, how 383 00:24:23,400 --> 00:24:26,040 Speaker 4: bad of a war crime do you think someone would 384 00:24:26,080 --> 00:24:28,600 Speaker 4: have to commit for people to start giving a ship 385 00:24:28,640 --> 00:24:29,520 Speaker 4: about war crimes? 386 00:24:29,560 --> 00:24:32,439 Speaker 1: Again, they seem to be in search of an answer 387 00:24:32,480 --> 00:24:32,840 Speaker 1: to that. 388 00:24:33,160 --> 00:24:38,240 Speaker 3: You think white phosphorus or the nape home like, because 389 00:24:38,720 --> 00:24:41,680 Speaker 3: that that that goal post kid shifting. 390 00:24:41,359 --> 00:24:45,119 Speaker 1: Of like Biden saying Israel's we want you out of 391 00:24:45,160 --> 00:24:50,720 Speaker 1: there by Christmas, which doesn't seem likely at this point. 392 00:24:50,440 --> 00:24:52,000 Speaker 2: Also seems kind of arbitrary. 393 00:24:52,000 --> 00:24:58,000 Speaker 3: Why not now, yeah, right, Like, oh, so they can 394 00:24:58,000 --> 00:24:59,680 Speaker 3: play soccer like in World War two? 395 00:25:00,119 --> 00:25:05,159 Speaker 1: Yeah, I think On the other side, wanted to do 396 00:25:05,160 --> 00:25:09,520 Speaker 1: a quick check in with Donald Trump's rhetoric over the weekend. 397 00:25:09,560 --> 00:25:17,440 Speaker 1: He quoted Vladimir Putin and Victor orbon in speeches saying 398 00:25:17,440 --> 00:25:20,480 Speaker 1: that he's innocent of his crimes. He used the term 399 00:25:20,560 --> 00:25:25,320 Speaker 1: hostages to describe people charged with violent crimes on January sixth, 400 00:25:27,560 --> 00:25:31,840 Speaker 1: and like he's he just seems to be ramping up 401 00:25:31,840 --> 00:25:38,679 Speaker 1: his rhetoric. The week after. Everyone was like, man, this 402 00:25:38,720 --> 00:25:43,240 Speaker 1: guy might be an authoritarian. He's just gone full like 403 00:25:44,200 --> 00:25:49,119 Speaker 1: dictator and yeah, they were like, he's ramping up that 404 00:25:49,200 --> 00:25:52,359 Speaker 1: authoritarianism almost like he wants to be a dictator. And 405 00:25:52,400 --> 00:25:56,920 Speaker 1: he responded with the Jack Nicholson like nodding and smiling 406 00:25:57,000 --> 00:25:57,960 Speaker 1: crazily mean. 407 00:25:58,720 --> 00:26:04,520 Speaker 3: Yes, yeah, well, I mean this is a surprise to 408 00:26:04,640 --> 00:26:05,040 Speaker 3: no one. 409 00:26:06,119 --> 00:26:10,639 Speaker 2: Actually seems late, like he's been an authoritarian for a 410 00:26:10,640 --> 00:26:11,080 Speaker 2: long time. 411 00:26:11,200 --> 00:26:13,760 Speaker 1: Yeah, Like some of the stuff is like he's also 412 00:26:13,960 --> 00:26:19,720 Speaker 1: using blatantly like white supremacist eugenesis language around undocumented immigrants, 413 00:26:19,880 --> 00:26:22,960 Speaker 1: claiming they are quote poisoning the blood of our country. 414 00:26:24,520 --> 00:26:27,880 Speaker 1: But like in the past he had just made that 415 00:26:27,960 --> 00:26:34,200 Speaker 1: statement to hard right conservative outlets, but this time he's 416 00:26:34,240 --> 00:26:38,480 Speaker 1: like using it in his political speeches, and like the 417 00:26:38,560 --> 00:26:41,280 Speaker 1: thing that people are grasping at for hope is also 418 00:26:41,440 --> 00:26:44,760 Speaker 1: kind of depressing to me, Like there is people were 419 00:26:44,800 --> 00:26:48,200 Speaker 1: like Nikki Haley's gaining on Trump in New Hampshire, Hell, 420 00:26:49,119 --> 00:26:52,119 Speaker 1: that just means she's at twenty nine percent to his 421 00:26:52,280 --> 00:26:57,000 Speaker 1: forty four percent. In Iowa it's fifty eight to thirteen. 422 00:26:58,720 --> 00:27:01,360 Speaker 1: So I mean, I guess you got to start somewhere. 423 00:27:01,400 --> 00:27:05,679 Speaker 1: But I also feel like the two factors are not unrelated. 424 00:27:05,720 --> 00:27:08,320 Speaker 1: Like Trump is saying this wild shit and getting more 425 00:27:08,359 --> 00:27:13,800 Speaker 1: popular because you know, his base is you know, there 426 00:27:13,880 --> 00:27:19,119 Speaker 1: are enough people who are racist, and there is I 427 00:27:19,160 --> 00:27:24,879 Speaker 1: think a broad sense among people that there's just been 428 00:27:24,960 --> 00:27:28,080 Speaker 1: years of ineffectual leadership where like the president is clearly 429 00:27:29,800 --> 00:27:34,240 Speaker 1: not acting on behalf of people, but like instead on 430 00:27:34,359 --> 00:27:38,000 Speaker 1: behalf of corporations. And so you know, for a while now, 431 00:27:38,040 --> 00:27:42,680 Speaker 1: there's been this unstated in the mainstream media. I hope 432 00:27:42,760 --> 00:27:46,920 Speaker 1: that like someone's going to come through and step outside 433 00:27:46,960 --> 00:27:50,480 Speaker 1: of that system. And like, I don't know, I feel 434 00:27:50,520 --> 00:27:53,160 Speaker 1: like there are probably a lot of people who are like, yeah, 435 00:27:53,240 --> 00:27:55,000 Speaker 1: let's go with an authoritarian at least. 436 00:27:55,040 --> 00:27:58,480 Speaker 3: Well that's well, that's the interesting thing because Okay, so 437 00:27:58,600 --> 00:28:03,360 Speaker 3: with like your Joe Biden's they have shareholders essentially, like 438 00:28:03,440 --> 00:28:06,159 Speaker 3: there's a bunch of people in line ahead of the 439 00:28:06,200 --> 00:28:10,800 Speaker 3: constituency that he has to appease, right, Yeah, so with 440 00:28:11,280 --> 00:28:15,960 Speaker 3: an authoritarian he's free to just throw that out the 441 00:28:16,000 --> 00:28:19,520 Speaker 3: fucking window and do whatever he wants. Now that doesn't 442 00:28:19,920 --> 00:28:23,320 Speaker 3: that might not be good for a lot of the constituency. 443 00:28:23,440 --> 00:28:29,120 Speaker 3: But it's oddly closer, I want to say, because. 444 00:28:29,119 --> 00:28:31,760 Speaker 1: In theory seems like it could be close. 445 00:28:31,600 --> 00:28:32,159 Speaker 2: Because it's not. 446 00:28:32,280 --> 00:28:39,240 Speaker 3: He's not He's not necessarily going to appease the shareholders first. 447 00:28:39,320 --> 00:28:44,560 Speaker 3: He's going to appease his ego right much better, and 448 00:28:44,720 --> 00:28:47,320 Speaker 3: that there might be a little more crossover with the 449 00:28:47,360 --> 00:28:50,720 Speaker 3: people who are into what he's throwing down. You have to, 450 00:28:50,880 --> 00:28:54,600 Speaker 3: you know, get something out of it. I don't know 451 00:28:54,640 --> 00:28:57,640 Speaker 3: what that's something is, but they're getting something out of it. 452 00:28:58,760 --> 00:29:02,560 Speaker 3: They're and I think white supremacy. 453 00:29:02,840 --> 00:29:06,040 Speaker 1: Yeah, I think for white supremacists, this is you know, 454 00:29:06,360 --> 00:29:10,400 Speaker 1: the answer to a lot of like long held beliefs 455 00:29:10,720 --> 00:29:14,120 Speaker 1: where they're like, I feel like I'm taking crazy pills. 456 00:29:14,160 --> 00:29:22,480 Speaker 1: Everyone's acting like whites aren't supreme and the But I also, yeah, 457 00:29:22,520 --> 00:29:28,640 Speaker 1: I think there's something that's very real there with people 458 00:29:29,000 --> 00:29:33,160 Speaker 1: looking at you know, Joe Biden trying to forgive student 459 00:29:33,240 --> 00:29:35,840 Speaker 1: debt and like throwing his hands up and being like, 460 00:29:36,000 --> 00:29:37,920 Speaker 1: it's out of my hands. Guys are like trying to 461 00:29:37,960 --> 00:29:42,360 Speaker 1: pass like this progressive legislation that he promised, and you know, 462 00:29:42,880 --> 00:29:45,160 Speaker 1: just repeatedly saying it out of my hands. 463 00:29:45,240 --> 00:29:48,240 Speaker 3: And if anything good happens, it's like some weird little 464 00:29:48,280 --> 00:29:51,640 Speaker 3: rider on some other ship that's for us. 465 00:29:51,800 --> 00:29:54,560 Speaker 1: Yeah. Yeah, So I don't know. I just think the 466 00:29:55,840 --> 00:30:00,320 Speaker 1: it's being treated as like Trump is succeeding just despite 467 00:30:00,440 --> 00:30:03,600 Speaker 1: the authoritarian like him saying these authoritarian things. And I 468 00:30:03,720 --> 00:30:08,400 Speaker 1: think it's probably more accurate that he's succeeding at least 469 00:30:08,400 --> 00:30:11,280 Speaker 1: partially because of that, which is fucking scary, a scary 470 00:30:11,280 --> 00:30:18,760 Speaker 1: place for the country to be. So yeah, not great. Yeah, 471 00:30:18,800 --> 00:30:21,640 Speaker 1: all right, let's take a quick break and we'll be back. 472 00:30:31,640 --> 00:30:37,000 Speaker 1: And we're back, and Arlington National Cemetery will remove their 473 00:30:37,040 --> 00:30:43,560 Speaker 1: Confederate memorial this week, So there we go. Years. That's right. 474 00:30:44,200 --> 00:30:48,120 Speaker 1: It sits an Arlington National Cemetery and it is set 475 00:30:48,200 --> 00:30:52,239 Speaker 1: to be removed later this week out by the end 476 00:30:52,280 --> 00:30:56,120 Speaker 1: of the year, per a Department of Defense directive on 477 00:30:56,280 --> 00:31:00,560 Speaker 1: renaming and or removing Confederate monuments. Republicans, of course, not 478 00:31:00,680 --> 00:31:03,720 Speaker 1: happy about this, claiming the memorial should stay because, according 479 00:31:03,760 --> 00:31:06,560 Speaker 1: to a letter signed by more than forty House Republicans, 480 00:31:06,560 --> 00:31:11,320 Speaker 1: it does not honor nor commemorate the Confederacy, this Confederate monument, 481 00:31:11,600 --> 00:31:17,360 Speaker 1: but rather the memorial commemorates reconciliation and national unity. Uh huh? 482 00:31:17,400 --> 00:31:20,840 Speaker 2: And who what is the statue of it? 483 00:31:21,880 --> 00:31:27,440 Speaker 1: I believe there are slaves involved in it, and so 484 00:31:28,440 --> 00:31:32,440 Speaker 1: even the Arlington National Cemetery website admits the sculpture includes 485 00:31:32,480 --> 00:31:38,080 Speaker 1: a nostalgic, mythologized vision of the Confederacy with highly sanitized 486 00:31:38,120 --> 00:31:39,520 Speaker 1: depictions of slavery. 487 00:31:39,880 --> 00:31:40,120 Speaker 2: Hmm. 488 00:31:40,600 --> 00:31:44,600 Speaker 1: And among those calling for the statue's removal include the 489 00:31:44,640 --> 00:31:47,840 Speaker 1: family of the original artist, who said in a statement 490 00:31:47,880 --> 00:31:52,200 Speaker 1: that quote, this statue intended to rewrite history to justify 491 00:31:52,280 --> 00:31:56,280 Speaker 1: the Confederacy and the subsequent racist Jim Crow laws. It 492 00:31:56,320 --> 00:32:00,320 Speaker 1: glorifies the fight to own human beings, and in its 493 00:32:00,360 --> 00:32:04,760 Speaker 1: portrayal of African Americans, implies their collusion. So it seems 494 00:32:04,840 --> 00:32:08,800 Speaker 1: like not a great statue that you'd think they would 495 00:32:08,840 --> 00:32:12,960 Speaker 1: be removing by breaking it to pieces or like putting 496 00:32:13,000 --> 00:32:16,160 Speaker 1: it in a mysterious warehouse next to the Arc of 497 00:32:16,160 --> 00:32:20,080 Speaker 1: the Covenant. But actually it's just moving to a different park. 498 00:32:20,560 --> 00:32:24,440 Speaker 1: Virginia Governor Glenn Youngkin is going to move it to 499 00:32:24,840 --> 00:32:30,360 Speaker 1: a new Market Battlefield State Historical Park where video DA 500 00:32:30,360 --> 00:32:31,040 Speaker 1: has no power. 501 00:32:31,280 --> 00:32:36,240 Speaker 3: So one of my favorite battlefield parks, good one. 502 00:32:36,840 --> 00:32:40,400 Speaker 1: The water slides are sick there. Oh oh man. All right, 503 00:32:40,440 --> 00:32:45,320 Speaker 1: So there's this New York Posts article that they just 504 00:32:45,400 --> 00:32:51,200 Speaker 1: continue to try and sweatily dunk on young people to 505 00:32:51,400 --> 00:32:55,200 Speaker 1: just I think they're just like harvesting boomer rage clicks 506 00:32:55,240 --> 00:32:58,760 Speaker 1: by being like, look at it, look at these helpless youngs. 507 00:32:59,640 --> 00:33:01,040 Speaker 2: So let's see who wrote this. 508 00:33:01,680 --> 00:33:06,200 Speaker 1: Yeah, I mean, somebody who probably just knows what their 509 00:33:06,320 --> 00:33:10,200 Speaker 1: editors want. But one of their articles that made the 510 00:33:10,320 --> 00:33:16,760 Speaker 1: social media rounds this weekend blasted gen Z's menu anxiety problem. 511 00:33:17,200 --> 00:33:20,240 Speaker 1: Kids today are just quote too scared to order their 512 00:33:20,280 --> 00:33:24,560 Speaker 1: own meals. Gen Z suffers from menu anxiety when dining out, 513 00:33:24,880 --> 00:33:27,560 Speaker 1: with many too scared to order their own meals, is 514 00:33:27,560 --> 00:33:31,040 Speaker 1: the tweet from the New York Post. So the science 515 00:33:31,240 --> 00:33:34,080 Speaker 1: is there. I mean, this is based on a study 516 00:33:35,000 --> 00:33:38,440 Speaker 1: conducted by British pizza chain, which is where most of 517 00:33:38,560 --> 00:33:41,160 Speaker 1: our most of the science that we cite on this 518 00:33:41,240 --> 00:33:47,960 Speaker 1: show is studies from various pizza chains, not always British, 519 00:33:48,200 --> 00:33:54,480 Speaker 1: but because British pizza chains don't make pizza that anyone 520 00:33:54,520 --> 00:33:57,360 Speaker 1: wants to eat. They have one of time for research. 521 00:33:57,800 --> 00:33:59,720 Speaker 2: I was wondering. I was like, is that going to 522 00:33:59,800 --> 00:34:00,680 Speaker 2: be any good? 523 00:34:01,840 --> 00:34:05,640 Speaker 1: Best pizza I had in the like time that I 524 00:34:05,720 --> 00:34:10,400 Speaker 1: spent living in Ireland, which I know is not Britain, 525 00:34:10,680 --> 00:34:15,440 Speaker 1: but uh, it was pizza Hut up Pizza Hut personal 526 00:34:15,480 --> 00:34:20,320 Speaker 1: pan pizza. So ouch, that's maybe maybe it's changed. That 527 00:34:20,400 --> 00:34:23,320 Speaker 1: was a long time ago, but I hope so. And also, 528 00:34:23,960 --> 00:34:28,359 Speaker 1: like the menu, anxiety was reportedly triggered by, uh, the 529 00:34:28,480 --> 00:34:32,480 Speaker 1: increasingly exorbitant cost of a meal out. Like even the 530 00:34:32,520 --> 00:34:36,359 Speaker 1: study says that, so, like the headline makes it sound 531 00:34:36,400 --> 00:34:40,919 Speaker 1: like anyone under thirties just like irrationally afraid of an 532 00:34:40,960 --> 00:34:42,720 Speaker 1: inanimate object like the menu. 533 00:34:43,640 --> 00:34:46,439 Speaker 3: And yeah, I hate the framing of this, Like yeah, 534 00:34:46,480 --> 00:34:50,200 Speaker 3: it's you know, it's clearly that. I mean, you look 535 00:34:50,200 --> 00:34:54,160 Speaker 3: at the the author's page, and they clearly have some 536 00:34:54,200 --> 00:34:59,400 Speaker 3: sort of mandate to work gen Z into at least 537 00:35:00,000 --> 00:35:03,160 Speaker 3: at least thirty percent of their headlines. What else you 538 00:35:03,200 --> 00:35:06,040 Speaker 3: got on there, Well, there's one that says gen z 539 00:35:06,200 --> 00:35:08,839 Speaker 3: ers hate email, but so do the rest of us. 540 00:35:09,000 --> 00:35:10,000 Speaker 2: What do we do now? 541 00:35:10,239 --> 00:35:11,040 Speaker 1: And it's like, what. 542 00:35:10,920 --> 00:35:13,040 Speaker 2: The fuck does that have to do with anything? 543 00:35:13,680 --> 00:35:20,680 Speaker 1: But that's amazing. Yeah, but I mean that like, so, yeah, 544 00:35:20,719 --> 00:35:24,319 Speaker 1: it's just anxiety around how much it costs to eat out, 545 00:35:24,320 --> 00:35:29,759 Speaker 1: which is very understandable, understandable and common to everyone. Like 546 00:35:29,840 --> 00:35:34,719 Speaker 1: hatred of email, everybody can identify with that, and also 547 00:35:34,840 --> 00:35:38,319 Speaker 1: like anxiety around decision making has always been a thing, 548 00:35:38,440 --> 00:35:44,840 Speaker 1: like choice overload. Choice fatigue has been studied for decades. 549 00:35:45,160 --> 00:35:49,600 Speaker 3: I've had many, many people in my life who, yeah, 550 00:35:49,640 --> 00:35:52,440 Speaker 3: like eating out with like a group of people and 551 00:35:52,480 --> 00:35:56,480 Speaker 3: that that for some people, that's pressure, like having everybody's 552 00:35:56,719 --> 00:35:59,440 Speaker 3: ordering in a circle and you gotta be ready when 553 00:35:59,440 --> 00:36:01,880 Speaker 3: the person gets to you. And yeah, it's just that 554 00:36:02,000 --> 00:36:05,799 Speaker 3: some people out just eating out the side. So it's 555 00:36:05,840 --> 00:36:08,279 Speaker 3: like I can totally see. 556 00:36:08,040 --> 00:36:10,919 Speaker 2: How Yeah, yeah, let me see. 557 00:36:10,960 --> 00:36:13,000 Speaker 3: I mean I don't really go out to the new 558 00:36:13,000 --> 00:36:14,839 Speaker 3: places unless I check out the menu first. 559 00:36:14,880 --> 00:36:16,880 Speaker 2: It's just what you do. I don't know. 560 00:36:17,000 --> 00:36:20,880 Speaker 1: To me, I if yelp didn't exist, I wouldn't know 561 00:36:20,920 --> 00:36:25,719 Speaker 1: what to order. I yeah, ordering that is a thing, 562 00:36:26,000 --> 00:36:29,719 Speaker 1: Like ordering at a restaurant is a skill, and some 563 00:36:29,760 --> 00:36:32,839 Speaker 1: people have it, and some people use yelp to cheat 564 00:36:32,880 --> 00:36:37,080 Speaker 1: at it and I am in the latter category, but 565 00:36:37,239 --> 00:36:40,200 Speaker 1: like in the same way that you know they say that, 566 00:36:40,360 --> 00:36:44,480 Speaker 1: like Chuck Close, the great portrait artist, had face blindness, 567 00:36:44,760 --> 00:36:47,520 Speaker 1: but like in having face blindness, you like break the 568 00:36:47,600 --> 00:36:50,400 Speaker 1: face down into its component parts and like do an 569 00:36:50,400 --> 00:36:55,680 Speaker 1: amazing job of like painting a portrait. I because I 570 00:36:55,719 --> 00:36:58,080 Speaker 1: don't have the skill, like I look at a menu 571 00:36:58,239 --> 00:37:01,360 Speaker 1: and I don't see music. I see like a bunch 572 00:37:01,400 --> 00:37:04,480 Speaker 1: of choices of like things ways that this could go 573 00:37:04,640 --> 00:37:08,279 Speaker 1: horribly wrong, And so I recognize in other people like 574 00:37:08,320 --> 00:37:10,920 Speaker 1: this is a great skill that some people have, and 575 00:37:11,000 --> 00:37:14,120 Speaker 1: I will just cheat off of their order. I'll be like, 576 00:37:14,200 --> 00:37:16,520 Speaker 1: you order first, and then I'll be like, I'll have 577 00:37:16,800 --> 00:37:22,360 Speaker 1: what he's having, because they are better at it than that. 578 00:37:22,719 --> 00:37:26,360 Speaker 3: Like I work with like archetypes, Like I'm very habitual. 579 00:37:26,440 --> 00:37:30,080 Speaker 3: So it's like if I go to a certain genre 580 00:37:30,200 --> 00:37:33,720 Speaker 3: of restaurant, I already have an idea in my mind 581 00:37:34,000 --> 00:37:37,480 Speaker 3: of what sort of thing I'm gonna get, whether or 582 00:37:37,520 --> 00:37:38,839 Speaker 3: not whether or not I've been there before. 583 00:37:38,840 --> 00:37:41,560 Speaker 2: I'm like, I'm going to Italian. You know. 584 00:37:41,600 --> 00:37:45,960 Speaker 3: I like creamy sauces and like salty meats and stuff 585 00:37:46,000 --> 00:37:46,279 Speaker 3: like that. 586 00:37:46,440 --> 00:37:49,640 Speaker 1: Man, that's also what I like. But saying creamy sauces 587 00:37:49,680 --> 00:37:53,640 Speaker 1: and salty meats just grosses me up for some reason. 588 00:37:57,400 --> 00:38:00,440 Speaker 1: But yeah, what do you have? Do you ever do 589 00:38:00,480 --> 00:38:03,160 Speaker 1: you ever verbalize it that way? What do you have 590 00:38:04,200 --> 00:38:06,439 Speaker 1: that's creamy sauce and salty meat? 591 00:38:06,480 --> 00:38:08,640 Speaker 2: It only when I want to embarrass my partner. 592 00:38:09,080 --> 00:38:12,120 Speaker 1: Yeah, there you go. You having a salty meat? 593 00:38:12,600 --> 00:38:16,360 Speaker 2: Good sir, I'll have your finest salty meats please. 594 00:38:16,920 --> 00:38:21,560 Speaker 1: Well, I does not like salty things, and so it 595 00:38:21,640 --> 00:38:24,279 Speaker 1: has been called to my attention that I eat some 596 00:38:24,360 --> 00:38:27,320 Speaker 1: saltyes meats. I ate some salty s everything. 597 00:38:28,160 --> 00:38:29,640 Speaker 2: I love me some pan chetta, man. 598 00:38:29,880 --> 00:38:34,120 Speaker 1: Yeah, yeah, so good, get that chetta. By chetta, I 599 00:38:34,200 --> 00:38:40,120 Speaker 1: mean pan chetta. Finally, the Pope has okayed same sex 600 00:38:40,200 --> 00:38:46,239 Speaker 1: blessings with a massive asterisk, but the formally approved same 601 00:38:46,320 --> 00:38:49,160 Speaker 1: sex blessings in a new document that also stresses that 602 00:38:49,200 --> 00:38:53,600 Speaker 1: people shouldn't be subject to exhaustive moral analysis. 603 00:38:54,680 --> 00:38:56,960 Speaker 2: Which is weird coming from Catholicism. 604 00:38:57,160 --> 00:39:01,759 Speaker 1: But it seems to be like a eternal machine of 605 00:39:01,960 --> 00:39:04,760 Speaker 1: exhaustive moral analysis. 606 00:39:05,360 --> 00:39:08,640 Speaker 3: I can't think of a better definition for Catholicism than that. 607 00:39:09,680 --> 00:39:12,279 Speaker 1: But this is the cool Pope. This is the come 608 00:39:12,320 --> 00:39:17,160 Speaker 1: on man, just love one anothers dope, that's right, has it? 609 00:39:17,239 --> 00:39:19,840 Speaker 1: Do we know? Has this pope smoked weed? Has he 610 00:39:20,360 --> 00:39:22,600 Speaker 1: comment I'm come out soon enough. 611 00:39:24,000 --> 00:39:25,120 Speaker 2: Smoking a blunt. 612 00:39:27,239 --> 00:39:31,160 Speaker 1: Guy like that? Come on, No way, he's not getting high, 613 00:39:31,400 --> 00:39:37,840 Speaker 1: not token up. But yeah, so seemingly a far cry 614 00:39:37,880 --> 00:39:44,600 Speaker 1: from the Vatican's previous Congregation for the Doctrine of the Faith. Yeah, 615 00:39:44,640 --> 00:39:47,200 Speaker 1: of course that we all we remember when that bomb 616 00:39:47,360 --> 00:39:52,279 Speaker 1: dropped and we were all just eagerly reading. But that 617 00:39:52,360 --> 00:39:55,319 Speaker 1: one stated the Church can't bless the unions of two 618 00:39:55,400 --> 00:40:00,319 Speaker 1: men or two women because God cannot bless Sinkay, let's 619 00:40:00,360 --> 00:40:02,160 Speaker 1: just say they say the same shit about like any 620 00:40:02,160 --> 00:40:07,040 Speaker 1: couple that had premarital sex. You know. But the Church 621 00:40:07,120 --> 00:40:14,600 Speaker 1: is not the coolest hippist of institutions. But so the 622 00:40:14,680 --> 00:40:17,720 Speaker 1: new document follows up on a letter that Pope Francis 623 00:40:17,760 --> 00:40:20,720 Speaker 1: published in October which suggested that there could be ways. 624 00:40:21,400 --> 00:40:24,759 Speaker 1: There could be ways, and I've been talking to God, 625 00:40:24,800 --> 00:40:28,000 Speaker 1: there might be some ways to bless same sex unions, 626 00:40:28,120 --> 00:40:30,320 Speaker 1: like maybe if I do it with my eyes closed, 627 00:40:32,360 --> 00:40:37,920 Speaker 1: maybe I do it with my eyes up closed. Sorry 628 00:40:37,960 --> 00:40:40,040 Speaker 1: for South America or. 629 00:40:40,000 --> 00:40:42,480 Speaker 2: Whatever wherever he's from. I don't know where he's from. 630 00:40:42,920 --> 00:40:49,799 Speaker 1: The Brazilian Argentinian. He's from he was just Italian, just 631 00:40:49,840 --> 00:40:55,520 Speaker 1: a couple tiny massive caveats here. The document reaffirms the 632 00:40:55,640 --> 00:40:58,640 Speaker 1: church's position that marriage is only between a man and 633 00:40:58,680 --> 00:41:01,880 Speaker 1: a woman, and stress this is that any blessings conferred 634 00:41:01,960 --> 00:41:04,920 Speaker 1: upon a same sex couple can't be done at the 635 00:41:04,960 --> 00:41:08,680 Speaker 1: same time as a civil union, or using set rituals 636 00:41:09,080 --> 00:41:13,080 Speaker 1: from a civil union, or even with the clothing and 637 00:41:13,239 --> 00:41:16,919 Speaker 1: gestures that belong in a wedding. So the church can 638 00:41:16,960 --> 00:41:20,440 Speaker 1: now bless a gay couple, but they'd better not be 639 00:41:20,560 --> 00:41:24,520 Speaker 1: dressed in formal wear. Is essentially the rules here. 640 00:41:25,600 --> 00:41:28,520 Speaker 3: So it's the church's version of civil union. They just 641 00:41:28,920 --> 00:41:32,600 Speaker 3: they changed all the trappings. But you can still get it. Yeah, 642 00:41:32,600 --> 00:41:35,560 Speaker 3: but it's just we can't call it what it is. 643 00:41:36,080 --> 00:41:36,279 Speaker 1: Yeah. 644 00:41:36,920 --> 00:41:41,839 Speaker 2: Use God will get mad, Yeah, and he'll send locusts. 645 00:41:40,680 --> 00:41:46,080 Speaker 1: He will, he will send locusts and various boxes upon 646 00:41:46,600 --> 00:41:51,160 Speaker 1: your house. The document also underscores that any quote irregular 647 00:41:51,520 --> 00:41:54,280 Speaker 1: unions are in a state of sin, So these couples 648 00:41:54,360 --> 00:41:57,800 Speaker 1: can still receive a blessing, which is like a nice 649 00:41:57,880 --> 00:42:01,040 Speaker 1: wave from the pope on their way to hell, according 650 00:42:01,120 --> 00:42:04,880 Speaker 1: to the Catholic Church, Like all right, well that was nice. 651 00:42:05,320 --> 00:42:07,319 Speaker 2: He's like, all right, have a nice chipsy. 652 00:42:07,120 --> 00:42:15,919 Speaker 1: Next exactly anyways, So unclear where this all shakes out. 653 00:42:17,040 --> 00:42:21,200 Speaker 1: I would say we'll continue to pay attention and try 654 00:42:21,239 --> 00:42:24,080 Speaker 1: and like rank all the orders of importance of the 655 00:42:24,120 --> 00:42:29,040 Speaker 1: blessing versus the statement that it's still a thin But 656 00:42:29,160 --> 00:42:33,520 Speaker 1: I have been advised against exhaustive moral analysis, so I 657 00:42:33,520 --> 00:42:37,560 Speaker 1: think I'll just you know, ignore the ship and continue 658 00:42:37,600 --> 00:42:42,279 Speaker 1: to try and just be kind to people. Seems like 659 00:42:42,560 --> 00:42:43,359 Speaker 1: maybe a way to go. 660 00:42:43,640 --> 00:42:45,440 Speaker 2: Yeah, but what are you getting out of it though? 661 00:42:45,760 --> 00:42:50,360 Speaker 1: That's right? I don't know. Yeah, Now I'm going to 662 00:42:50,400 --> 00:42:52,319 Speaker 1: go back to the Catholic Church way, because that way 663 00:42:52,360 --> 00:42:54,640 Speaker 1: I can just like read up a lot on these 664 00:42:55,640 --> 00:42:58,600 Speaker 1: all these doctrines and then sound smart as hell and 665 00:42:59,560 --> 00:43:02,600 Speaker 1: maybe find a way to tie in Taylor Swift to 666 00:43:02,719 --> 00:43:07,640 Speaker 1: my condemnation of the modern world. All right, Ryan, that's 667 00:43:07,640 --> 00:43:11,600 Speaker 1: gonna do it for us. On this Monday, December eighteenth, 668 00:43:12,160 --> 00:43:14,360 Speaker 1: we are back tomorrow with a whole last episode of 669 00:43:14,400 --> 00:43:18,520 Speaker 1: the show. Where can people find You? Follow you any 670 00:43:18,560 --> 00:43:19,440 Speaker 1: of that good stuff? 671 00:43:20,239 --> 00:43:21,040 Speaker 2: You can't find me? 672 00:43:21,680 --> 00:43:24,560 Speaker 1: Can't find me? Yeah, leave them alone? How about that? 673 00:43:24,840 --> 00:43:26,320 Speaker 2: And you can't fool me again? 674 00:43:26,719 --> 00:43:33,600 Speaker 1: Can't fool me again? We want shame on you pool 675 00:43:33,680 --> 00:43:35,799 Speaker 1: me twice. You can't get fooled again. 676 00:43:35,920 --> 00:43:38,600 Speaker 2: Yeah yeah, all right back tomorrow. 677 00:43:39,080 --> 00:43:41,880 Speaker 1: Until then, be kind to each other, be kind to yourselves, 678 00:43:42,080 --> 00:43:45,480 Speaker 1: get the vaccine, don't do nothing about white supremacy, and 679 00:43:45,520 --> 00:43:46,760 Speaker 1: we will talk to you all tomorrow. 680 00:43:46,840 --> 00:43:52,560 Speaker 2: Bye bye