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Speaker 1: All right, man, Bootleg cap Podcast Special guests in here

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Speaker 1: hip hop legend. This guy has been a staple in

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Speaker 1: the underground for years and years and years. Minneapolis is

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Speaker 1: in the building, Big Minnesota's in the building. He's somehow

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Speaker 1: redefined how old you got to be to have peak

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Speaker 1: hip hop career levels. Prof is in here. First of all,

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Speaker 1: I want to congratulate you because I've been following you

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Speaker 1: for some years. You are obviously a darling of what

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Speaker 1: we'd like to call the underground kind of boombap subject

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Speaker 1: culture of you know, certain aspects of hip hop.

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Speaker 2: Dy.

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Speaker 1: You have been a touring artist forever, and you have

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Speaker 1: figured it out a way too.

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Speaker 3: You have.

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Speaker 1: Decoded how you can be an artist from your era

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Speaker 1: and your I guess background of hip hop.

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Speaker 2: How old are you?

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Speaker 1: Thirty nine?

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Speaker 2: Okay?

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Speaker 1: So, like you know, I grew up listening to fucking

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Speaker 1: Brother Ali and Rhyme Sayers and all this shit. But

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Speaker 1: but I feel like those guys, there's a lot of

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Speaker 1: guys in that world that haven't figured out how to

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Speaker 1: connect with the current landscape of consumption, and I feel

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Speaker 1: like you have mastered all of this hit.

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Speaker 2: We're getting it wrapped up, starting the old engine, Yeah,

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Speaker 2: riving it up.

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Speaker 1: And you're bigger than ever. Man, congrats? Has it feel

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Speaker 1: like obviously you know it's been a you've you've I

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Speaker 1: mean you just did I saw you did Red Rocks

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Speaker 1: last year?

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Speaker 2: Like, where's that?

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Speaker 1: This year?

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Speaker 2: That was last year? Was it this year? Damn? Last April? Yeah?

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Speaker 1: Yeah, like shit's going well? Man, how you feel?

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Speaker 2: It's wild? Man? On the way over here, I was

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Speaker 2: talking to Mike over there, and I'm like, we're trying

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Speaker 2: to figure out someone who's had a slower come up

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Speaker 2: than me, like to get from zero to the peak, right,

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Speaker 2: I would say this is the peak of my career

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Speaker 2: so far. Yeah, and it's man, it's been a long time.

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Speaker 2: I'd say, like, you know, I've been wrapping since I

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Speaker 2: was like sixteen, you know, so that's a long fucking time.

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Speaker 2: And yeah, a lot of time. Like I only really

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Speaker 2: became like a professional rapper and lived off this shit,

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Speaker 2: you know, six or seven years ago? Really yeah, probably,

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Speaker 2: I mean there was some slim years. There was about

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Speaker 2: ten years in a row, or maybe seven to ten

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Speaker 2: years while I was making twenty K, twenty five K,

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Speaker 2: thirty K, twenty k, fifteen k, whatever. You know, it

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Speaker 2: was just supplementing with like drug income.

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Speaker 1: And I was so like when you were like like

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Speaker 1: the King Gambo era you Gombo, Yeah, you were just

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Speaker 1: kind of getting getting by.

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Speaker 2: Oh yeah, no doubt.

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Speaker 1: Like yeah, I mean look at I mean, I feel

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Speaker 1: like the independent rap game is like it's like if

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Speaker 1: you're if you you have your cycle, and when the

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Speaker 1: cycle's up, it's like, Okay, the bills don't stop.

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Speaker 2: Right.

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Speaker 1: When do you feel like you kind of hit your

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Speaker 1: stride in like the new media space and like you've

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Speaker 1: noticed the momentum start to swing in a new way

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Speaker 1: for you.

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Speaker 2: I mean I was they probably twenty twenty felt good,

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Speaker 2: took a leap, and then I would say maybe twenty

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Speaker 2: twenty to twenty three, well with my last record, Horse,

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Speaker 2: Yeah that that felt good. That charted on the Billboard

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Speaker 2: charts and we started touring selling out like bigger venues

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Speaker 2: and theaters and stuff, and that felt that felt good.

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Speaker 2: So you know a couple of different leaps in the

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Speaker 2: last Yeah, Powderhorn, Sweets and Horse, both of those were

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Speaker 2: like a level up.

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Speaker 1: Yeah, and then you were like dang, like they're like

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Speaker 1: like I'm getting all these new fans.

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Speaker 2: Yeah that was that was That's weird. It's happening really

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Speaker 2: fast right now on Instagram.

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Speaker 1: Yeah, dude, dr TikTok fire. Yeah, you figured out like

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Speaker 1: these short term reels that are like.

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Speaker 2: Yeah, it's stupid, though, I really don't.

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Speaker 1: You title them like washed up, oh fire teacher freestyle

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Speaker 1: like because.

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Speaker 2: I started not giving a fuck because I so it's

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Speaker 2: funny because I'm like, man, fuck this shit, it's all clickbait.

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Speaker 2: So I started saying like just lying like look at this, uh,

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Speaker 2: and I would just call myself. I'd be like hate

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Speaker 2: on myself, like look on this ugly you know what

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Speaker 2: I'm saying, so and so, and just make a lie

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Speaker 2: put it up there and then wrap my ass off

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Speaker 2: and then you know, you hold someone for three seconds

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Speaker 2: and they're going all right with it. I'm like, so

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Speaker 2: that was hilarious because I was about to quit that shit.

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Speaker 2: So then I started saying dumb shit and I think

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Speaker 2: people understand that, yeah, and it's funny.

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Speaker 1: It's like it's like and then if you grab somebody

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Speaker 1: and they're like wait what and then you perform like

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Speaker 1: you the shit's dope. I never wanted to say.

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Speaker 2: I never wanted to do the clickbait shit. So when

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Speaker 2: for so those titles and stuff that I'm doing now

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Speaker 2: is kind of like making fun of.

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Speaker 1: The clickbait shit. Yeah, like it's so obviously clickbait.

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Speaker 2: Obviously fake. You know, can't yeah, I don't. I can't

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Speaker 2: come up with any examples, but it's definitely stupid.

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Speaker 1: But people people probably are like, yo, man, did you

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Speaker 1: really do this?

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Speaker 2: Yeah? Some people are stupid as hell. Man, the Internet's crazy.

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Speaker 1: What is the craziest? Like a new fan, you feel

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Speaker 1: like you've met somebody who like, You're like, oh shit,

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Speaker 1: you fuck would be like maybe an old lady, maybe

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Speaker 1: like a fuck I don't know, like, oh, just.

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Speaker 2: Jelly roll too. I walked in the room and he's

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Speaker 2: like oh, and I'm like, I'm hello, my name is Prophet.

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Speaker 2: He's like, no, you're a later I'm like, just that

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Speaker 2: the whole comedy community, like when we were at you know,

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Speaker 2: the Netflix is a joke. This all weekend. I'm looking

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Speaker 2: at Wanka over and over again, like what the fuck

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Speaker 2: is going on? Everyone was like, well, I was in

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Speaker 2: the back of the comedy store, like I felt like

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Speaker 2: the pretty girl at prom or like the new girl,

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Speaker 2: and that everyone was like everyone knewho I was in

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Speaker 2: a comedy space.

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Speaker 1: All the comedians, which is it.

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Speaker 2: Yeah. They were like and I'm like, I've just been

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Speaker 2: you know, putting out music and doing dumb reels and

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Speaker 2: they think it's you know they I mean obviously you know,

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Speaker 2: do music, so that might have been something else, but yeah,

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Speaker 2: it's weird. Man.

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Speaker 1: You and Jelly Row synonymously kind of had the same

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Speaker 1: come up in the underground, but in different corners of

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Speaker 1: the underground.

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Speaker 2: I'm less familiar with his ship. It was I think

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Speaker 2: it wasn't he signed it like a strange no, no.

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Speaker 1: Well he did a distro deal, but like back in

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Speaker 1: the day he was like Roland like like he was

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Speaker 1: in the Yellow Wolf Ritz, I know, yellow corner of

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Speaker 1: the of the White Trash underground rap.

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Speaker 2: Yeah you know what I'm saying. Yeah, this ship was

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Speaker 2: like I would say, like if yeah rapper me and

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Speaker 2: Yellow Wolf, I feel like we're kind of similar, but

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Speaker 2: I was like more along. I never really liked like

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Speaker 2: he was like rap rock. I was like rap blues

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Speaker 2: or like, uh, you know, jazz or something.

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Speaker 1: It's like the Minnesota Alabama difference, you know, right, yeah, yeah,

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Speaker 1: what was there a comedian that like like knew who

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Speaker 1: you were? Where you were like, I'm a fan, Like

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Speaker 1: that's kind of crazy. I fuck with you too. Sure

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Speaker 1: there's more than one ship.

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Speaker 2: I don't know who. That's a long list. I mean

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Speaker 2: Tony Hnscliff is like super rooting for me, which is

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Speaker 2: crazy to be like, you know, come to come to

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Speaker 2: my show and kill Tony Man. Yeah, he was like,

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Speaker 2: get on stage, come on, you'll go. I'll put you

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Speaker 2: on after jelly Roll or between a yeah Teddy Swims

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Speaker 2: or whatever. And I'm like I was just like, I'm

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Speaker 2: just gonna soak this in, like, you know, because it

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Speaker 2: was all unfamiliar.

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Speaker 1: You got to just go to Austin and be a

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Speaker 1: guess judge.

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Speaker 2: Yeah. I told him i'd do that. Afterwards, I was like,

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Speaker 2: I fuck with that shit.

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Speaker 1: That's dope man. For people who don't know you are

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Speaker 1: from Minnesota. Minneapolis, Minneapolis, Yeah, Minneapolis has this scene that

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Speaker 1: is like super underrated in the hip hop community. A

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Speaker 1: lot of people don't know like Lizzo's roots in Minneapolis.

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Speaker 1: With her career, I don't think she's from Minneapolis.

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Speaker 2: Originally, she spent time there with everybody. Yeah, Minneapolis was

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Speaker 2: really crazy until about twenty twenty when they canceled everybody. Yeah,

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Speaker 2: in the city. But from like twenty ten to twenty twenty,

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Speaker 2: it was one of the best hip hop rap cities,

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Speaker 2: I would say in the entire world as far as

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Speaker 2: like people getting paychecks off of shit.

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Speaker 1: Dude, such a dope live concert city.

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Speaker 2: There must have been like thirty to forty rappers that

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Speaker 2: were doing it professionally out of that in the city

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Speaker 2: in that one city. Yeah, Like and I'm like, man,

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Speaker 2: like you could you have that in Atlanta? You know,

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Speaker 2: but they're all blown up in worlds, you know, famous

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Speaker 2: and shit. But that was like Minneapolis. People were paying

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Speaker 2: like their light bills and shit. You know. Now it's

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Speaker 2: not like that. It's like dead compared to that.

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Speaker 1: What was your like correlation with like the whole rhyme Sayers?

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Speaker 1: Was that stuff that like inspired you watching like atmosphere

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Speaker 1: and like idea inabilities and all those guys kind of.

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Speaker 2: The idea was crazy? You know. I was battling, you know,

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Speaker 2: I was on the street corners, like getting drunk and

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Speaker 2: doing that whole thing, because that was like Minneapolis. Shit,

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Speaker 2: if you're on the South Side, like we were doing

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Speaker 2: that before eight Mile came out, you know what I mean.

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Speaker 2: So we were really out there battling and shit, and

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Speaker 2: then Idea went crazy and won that that big ass

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Speaker 2: world famous battle and everything, and so yeah, I was

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Speaker 2: doing that a bunch, and yeah, I was just on

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Speaker 2: the street. I was on the streets making a name

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Speaker 2: for myself doing that kind of shit. But I was,

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Speaker 2: I was. I was on my own ship. Like I

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Speaker 2: was never really backpack rap, you know, never. I never

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Speaker 2: felt like I fit in with that because I was

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Speaker 2: listening to fucking Outcast, you know what I mean, and

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Speaker 2: Goodie Mob and shit, and I was, I was. I was.

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Speaker 2: I had ties with Atlanta through like a group called

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Speaker 2: the beat Chefs who was making beats for me, but

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Speaker 2: like you know, killing Mike and all that shit, and

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Speaker 2: you know, I just felt I didn't really like that

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Speaker 2: like hip hop backpack shit because it a lot of

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Speaker 2: times it was like pretentious, you know, and I didn't.

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Speaker 2: I don't, I don't know.

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Speaker 1: Yeah, there was an aspect of that ship that was

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Speaker 1: very pretentious, especially like I kind of feel like, especially

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Speaker 1: out of Minneapolis a little especially.

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Speaker 2: Sure, and you know, I have moments you know, you

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Speaker 2: don't know hip hop, you ain't shit, like some white

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Speaker 2: kid with telling me that I don't know hip hop

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Speaker 2: and shit, I'm like, man, whatever, man, I'm just so

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Speaker 2: I was doing my own ship, being like more goofy

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Speaker 2: and getting drunk and more like violent weird, you know,

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Speaker 2: like more like mainstream. You know, I like I was

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Speaker 2: fucking with Ludacris and shit, like I love that shit,

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Speaker 2: and I wasn't into like I.

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Speaker 1: Mean you had like walk a Floka on one of

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Speaker 1: your albums. Yeah right, yeah that was that was the ship,

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Speaker 1: which like if in twenty eleven or twelve, like a

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Speaker 1: hip hop head would.

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Speaker 2: Be like, yo, fan, hell no what yeah, hell no,

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Speaker 2: that's that's what that was. Kind of like my shit, Like, man,

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Speaker 2: you know I'm over here doing that instead.

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Speaker 2: Like?

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Speaker 1: Would you say growing up? Was there like an album

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Speaker 1: or two or three that like kind of like just

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Speaker 1: made you fall in love?

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Speaker 2: Goodie Mobs, Soul Food. Oh he was like that was

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Speaker 2: the number one. Shit, that's the first rap album that

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Speaker 2: I would like memorized everything too, and like I think

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Speaker 2: a common like Water for Chocolate.

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Speaker 1: I think or like Water for Chocolate is the one

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Speaker 1: that had the light on it, and.

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Speaker 2: Uh, what's what's that? What's the one after that?

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Speaker 1: The one after that would have been the one.

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Speaker 2: No, there's are you.

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Speaker 1: Talking about resurrection B there's the one that had the

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Speaker 1: Lauren hillsong where he's rapping about fucking.

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Speaker 2: The This is crazy because I could recite every word

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Speaker 2: to this fucking album and I can't. I can't come

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Speaker 2: up with the title right now. But that was good

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Speaker 2: goodie mob. Soul Food was crazy. You know, that's a

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Speaker 2: type that that's the type of ship that was. Like

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Speaker 2: se Low was you know, melodic too, and I was

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Speaker 2: kind of you know, I was in this some you know,

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Speaker 2: singing to at some time, so like that was that

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Speaker 2: was my.

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Speaker 1: Ship shot to see Low stealing and she had a great,

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Speaker 1: great hook on the Kanye album. I didn't expect to hear.

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Speaker 1: I was like, yo, he came out at so far

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Speaker 1: with Kanye and I was standing like where I happened

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Speaker 1: to be at. I was just like children and I

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Speaker 1: was just looking around and all I'm like, yo, you

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Speaker 1: know who that is? You know who that is? And

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Speaker 1: was like, Yo, I think that's I'm like, it's Selo,

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Speaker 1: you little mother fucker. Yeah, dust steal a little ship.

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Speaker 2: And he just came out with a new Narls Barkley too.

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Speaker 1: He did. Yeah, she has the Selo green Man. That's dope.

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Speaker 1: So for you, man, like you got a new record

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Speaker 1: with T Pain that's been dope. The video is incredible.

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Speaker 2: That was fun.

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Speaker 1: Are you because you have this like amazing for visuals

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Speaker 1: and like just aesthetics in general, and I feel like

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Speaker 1: you've always had that. Are you very much like hands

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Speaker 1: on with all of the creative stuff completely?

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Speaker 2: Man, every single point of the way. It gets kind

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Speaker 2: of like tedious and shit. But if something comes out

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Speaker 2: in an other way and it's we presented and it's

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Speaker 2: just a miss and I do you know, which happens

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Speaker 2: all the time even with my shit, I'm like, that

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Speaker 2: didn't work out the way I wanted it too, But

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Speaker 2: like you know, when people are like, no, I got

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Speaker 2: an idea and then it I just can't have it

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Speaker 2: so that way. So I just I got to have

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Speaker 2: my hands and everything.

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Speaker 1: Yeah, yeah, it is there ever an idea that it's

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Speaker 1: so outlandish that you have to pull it back a

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Speaker 1: little or be like, Okay, maybe I'm.

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Speaker 2: Doing that more and more and more. No, because you know,

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Speaker 2: I just feel like I'm old now, and everybody just,

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Speaker 2: you know, they're like they, Okay, we're gonna film a

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Speaker 2: music video again. Okay, like go fucking crazy, do a

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Speaker 2: backflip off this tree and fucking you know, they eat

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Speaker 2: this pussy out from behind. And I'm just like, you know, nah,

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Speaker 2: I'm like evolving a little bit.

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Speaker 1: You know, I feel like too, there's like this narrative

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Speaker 1: that I've seen smart talk about that like music videos,

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Speaker 1: ROI isn't worth it anymore, It's not I do. Yeah,

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Speaker 1: and you'd be better off spending Let's say you were

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Speaker 1: gonna spend five grand on a music video. Spending five

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Speaker 1: grand and like doing thirty reels.

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Speaker 2: Or something, Yeah, that would much rather like if if

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Speaker 2: if I had advice for some people coming up, I'd

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Speaker 2: be like, well, first, don't spend shit, just just think

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Speaker 2: of anything creative and just film it with your phone.

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Speaker 2: Really yeah, but yeah, music video budgets. I think I

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Speaker 2: filmed one of my last music videos and I'm gonna

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Speaker 2: do it a very long time. But that for a

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Speaker 2: Good Time Boy. That is a single out right now

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Speaker 2: and it's the title track for my record, so it

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Speaker 2: just ties everything up and that the concept on it

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Speaker 2: was just too important for the whole record and the

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Speaker 2: ending of it. You know, I don't really want to

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Speaker 2: give it away, but it meant too much for me. So,

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Speaker 2: you know, we just and you know, Mike is, He'll

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Speaker 2: let me do my thing. He's like, we ain't gonna

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Speaker 2: make any money off of this, but let's do it

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Speaker 2: because it's gonna be important. It's important to the art

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Speaker 2: and the whole album, you know. So yeah, we just did.

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Speaker 2: We did earlier this week.

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Speaker 1: So it was a Good Time Boy. A concept album, no,

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Speaker 1: not really, but it is.

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Speaker 2: It's it's a little bit more of like you know,

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Speaker 2: social commentary on like what's going It's it's close to

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Speaker 2: a concept album. It's kind of like, you know, being

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Speaker 2: a trying to remain an optimist in the face of

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Speaker 2: fucking global annihilation and.

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Speaker 1: Dis yeah, in the face of the world metal, what's

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Speaker 1: going on right now, totalerism and fucking evil shit.

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Speaker 2: Yeah, So then that's what it's about, and that the

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Speaker 2: single it's about that. So yeah, I would say, I

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Speaker 2: don't know, what would you say. I wouldn't say it's

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Speaker 2: a concept album. Really, I feel like, yeah, it's just

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Speaker 2: a scynct world. It's a succinct world. Well.

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Speaker 1: I feel like when you approach an album, if you're

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Speaker 1: fucking at least if you like give a fuck, every

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Speaker 1: album should have its own world and vibe.

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Speaker 2: You know, yeah, take a life of its own.

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Speaker 1: Yeah, like did the ship you wear, the way the

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Speaker 1: colors are, you know, all that shit?

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Speaker 2: You know.

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Speaker 1: It also kind of what do you feel like, because

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Speaker 1: like we're talking about what was going on in the

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Speaker 1: world right now, and it feels like, no matter what happens,

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Speaker 1: Minneapolis becomes kind of the center point of social commentary.

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Speaker 1: And you know, Ice really really fucking I really want

367
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Speaker 1: to say fuck you to Nick Shirley because that little

368
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Speaker 1: fucking autistic fucks video really resulted in this Ice presence.

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Speaker 1: I feel like it was kind of a director result

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Speaker 1: at least.

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Speaker 2: Yeah, and they I don't think Trump fucks with our

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Speaker 2: governor the walls bruh. Yeah, yeah, so and it's just

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Speaker 2: I don't know, Minneapolis doesn't. We don't have a tolerance

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Speaker 2: for that shit ever. Since twenty twenty George Floyd. It's

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Speaker 2: like hairpin trigger shit, And that was just as bad

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Speaker 2: as twenty twenty. I mean that the city didn't burn

377
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Speaker 2: like it did, but man, like it was a whole

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Speaker 2: new nightmare. It was really an occupation. Like I live

379
00:16:52,400 --> 00:16:55,200
Speaker 2: on the South Side still and you still heard these

380
00:16:55,240 --> 00:16:57,880
Speaker 2: whistles and like all these new ways that the neighbors

381
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Speaker 2: will get together and fight these people. It was bananas.

382
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Speaker 1: Terrorizing and like invading just neighborhoods, oh high schools to

383
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Speaker 1: fighting children and shit like that.

384
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Speaker 2: So like no matter, let's say in Minneapolis, eventually no

385
00:17:12,200 --> 00:17:14,160
Speaker 2: one was fucking with ice. Like it might have started

386
00:17:14,200 --> 00:17:16,280
Speaker 2: where people are like, yeah, I would like some good

387
00:17:16,320 --> 00:17:20,280
Speaker 2: reform immigration or whatever. But like but then you got them,

388
00:17:20,440 --> 00:17:22,480
Speaker 2: you know someone it says, maybe like keep the borders closed.

389
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Speaker 2: You got someone sitting on a bus stop with someone

390
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Speaker 2: that they've taken a bus with for the past five years,

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Speaker 2: and then they see them just fucking get violently just disappeared. Yeah,

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Speaker 2: right in front of them. They go, whoa, whoa, don't

393
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Speaker 2: do that. And it changed, like no one in Minneapolis

394
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Speaker 2: was fucking with that shit, and there was people, you know,

395
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Speaker 2: we were hiding little. So there's a what we like

396
00:17:41,040 --> 00:17:43,520
Speaker 2: to do a lot in Minneapolis is really popular is

397
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Speaker 2: immersive Spanish immersion daycares and preschools and shit, So I

398
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Speaker 2: mean super popular. I would say there's more Spanish immersion

399
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Speaker 2: daycares than normal daycares. So there's like little abuelitas like

400
00:17:57,359 --> 00:17:59,840
Speaker 2: that people care about and that they cared for people's

401
00:18:00,800 --> 00:18:05,639
Speaker 2: our sons and daughters and literally people like many people

402
00:18:05,720 --> 00:18:08,680
Speaker 2: I know sneaking I will eat usk in fucking little

403
00:18:08,720 --> 00:18:11,960
Speaker 2: hatchbacks and trunks and have them like sit down on

404
00:18:12,040 --> 00:18:13,560
Speaker 2: the back seat and lay down and shit. Like we

405
00:18:13,640 --> 00:18:15,920
Speaker 2: were doing shit like that that felt like, I'm not

406
00:18:16,000 --> 00:18:18,040
Speaker 2: gonna say it felt like fucking Nazi Germany or whatever.

407
00:18:18,119 --> 00:18:19,640
Speaker 2: But we were like, what the fuck is going.

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Speaker 1: Where in America in twenty twenty six. The fact that

409
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Speaker 1: that's even like a reality for any part of the

410
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Speaker 1: country is fucking wild.

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Speaker 2: Yeah. And they shot Renee good, shot fucking Alex pretty yeah.

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Speaker 1: I mean, both of those being on video, I mean obviously.

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Speaker 2: And then for them to be like, yeah they were,

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Speaker 2: you know, But that's the thing is like just just.

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Speaker 1: Like obviously them losing their life is heartbreaking, but at

416
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Speaker 1: least it was filmed. Man, at least there were people

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Speaker 1: there to get it on camera, because I really feel

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Speaker 1: like it really kind of forced. Like even I was

419
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Speaker 1: watching one of the Senate hearings with their interview and

420
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Speaker 1: the Christy Nome bitch and like the Reportublican people were like,

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00:19:01,920 --> 00:19:05,040
Speaker 1: it's obvious, what's the old dude that sounds like uh

422
00:19:06,040 --> 00:19:08,080
Speaker 1: he sounds like the dude from fucking uh he sounds

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00:19:08,080 --> 00:19:11,040
Speaker 1: like fog fog fog Horn Leghorn Kennedy. Senator Kennedy was

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00:19:11,080 --> 00:19:15,000
Speaker 1: asking Christy Doom about about He was like, is this

425
00:19:15,240 --> 00:19:17,119
Speaker 1: you said that these were domestic terrorists?

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Speaker 2: Is? Yeah?

427
00:19:18,040 --> 00:19:18,159
Speaker 1: Right?

428
00:19:18,440 --> 00:19:21,239
Speaker 2: And she her final words were, that's all good man.

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00:19:21,280 --> 00:19:22,720
Speaker 2: I'm not mad at you. You know what I'm saying.

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Speaker 1: Bro, Bro, it's just crazy man. I just you know,

431
00:19:27,040 --> 00:19:29,520
Speaker 1: Minneapolis has that energy, man, and like obviously the George

432
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Speaker 1: Floyd shit is is a whole other thing. Would he

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Speaker 1: like like as somebody from Minneapolis. I wonder you met

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Speaker 1: Tony Hinchcliffe. Did you see his joke at the roast?

435
00:19:36,960 --> 00:19:41,719
Speaker 2: Yeah? And I'm I'm trying to navigate my relationship with them,

436
00:19:41,920 --> 00:19:44,000
Speaker 2: you know what I mean? Because I like to say

437
00:19:44,080 --> 00:19:46,840
Speaker 2: crazy shit. You know, I was a battle rapper. I

438
00:19:46,920 --> 00:19:49,680
Speaker 2: came up like that was real shit battle rapping as well.

439
00:19:50,400 --> 00:19:52,760
Speaker 2: Like but he says that, and I'm really not offended

440
00:19:52,800 --> 00:19:55,600
Speaker 2: by a lot, But like I understand, like I wouldn't

441
00:19:55,640 --> 00:19:57,399
Speaker 2: be saying that ship that he's saying, you know what

442
00:19:57,400 --> 00:19:59,119
Speaker 2: I'm saying that Like I was out and this I

443
00:19:59,160 --> 00:20:01,200
Speaker 2: mean I was out in the street marching for George Floyd,

444
00:20:01,520 --> 00:20:05,879
Speaker 2: you know what I'm saying. So I don't know.

445
00:20:06,280 --> 00:20:07,879
Speaker 1: I think there's like two sides of the coin, and

446
00:20:07,920 --> 00:20:11,480
Speaker 1: I kind of understand both perspectives. I think like roast

447
00:20:11,600 --> 00:20:15,439
Speaker 1: comedy has always been the most like drilled out.

448
00:20:15,440 --> 00:20:17,960
Speaker 2: Oh for sure, that's what your goal there for to go,

449
00:20:18,119 --> 00:20:18,919
Speaker 2: oh hell no.

450
00:20:19,240 --> 00:20:22,960
Speaker 1: And like Tony Hinchcliff's brand of comedy is literally like

451
00:20:23,080 --> 00:20:29,040
Speaker 1: it's just that, like just psychopath like no one's safe, right,

452
00:20:29,359 --> 00:20:31,320
Speaker 1: So it's like, but I also get it where you're

453
00:20:31,400 --> 00:20:33,920
Speaker 1: like it's like, yeah, that's a certain point in time,

454
00:20:33,960 --> 00:20:36,520
Speaker 1: where's the where's the line? You know what I mean?

455
00:20:36,680 --> 00:20:39,760
Speaker 2: Like, yeah, I'm not going down that line, no for sure.

456
00:20:41,320 --> 00:20:44,200
Speaker 1: But I think, like I think, I think it seemed

457
00:20:44,240 --> 00:20:46,359
Speaker 1: like everyone on stage at least took it kind of

458
00:20:46,440 --> 00:20:48,600
Speaker 1: except for him. Chelsea Hammler had a little thing.

459
00:20:48,720 --> 00:20:50,280
Speaker 2: It was I kind of liked it. It was I

460
00:20:50,359 --> 00:20:52,200
Speaker 2: didn't watch the whole thing, man, I was tired of hell.

461
00:20:52,280 --> 00:20:53,800
Speaker 1: But it was cool. Man.

462
00:20:54,480 --> 00:20:56,119
Speaker 2: But yeah, if you don't like it, like there's always

463
00:20:56,240 --> 00:20:57,360
Speaker 2: like don't watch it type shit.

464
00:20:58,359 --> 00:21:01,639
Speaker 1: So you have this touring Canada, supposed to be with

465
00:21:01,640 --> 00:21:04,600
Speaker 1: the Yell Little for Mexican O t h. It ends

466
00:21:04,680 --> 00:21:08,640
Speaker 1: up being prof. Prof and prof and Wonkah were there.

467
00:21:08,880 --> 00:21:11,040
Speaker 2: That's my ace, man, he helped me out. Like crazy.

468
00:21:12,800 --> 00:21:14,800
Speaker 1: I would love to see that tour in the United States,

469
00:21:14,800 --> 00:21:16,320
Speaker 1: I like to point out because I think it would

470
00:21:16,320 --> 00:21:19,919
Speaker 1: go crazy. Yeah, at least two out of three all

471
00:21:20,000 --> 00:21:21,520
Speaker 1: on the road together, it would go crazy. I don't know.

472
00:21:22,200 --> 00:21:23,680
Speaker 2: But what what was it like?

473
00:21:23,760 --> 00:21:25,800
Speaker 1: Because you know, you got all these fans that show

474
00:21:25,880 --> 00:21:28,359
Speaker 1: up in Canada, and now I think Canadian fans probably

475
00:21:28,440 --> 00:21:30,320
Speaker 1: moved a little bit more grace because they do understand

476
00:21:30,320 --> 00:21:33,240
Speaker 1: how ridiculous their border is. Yeah, right, And I feel

477
00:21:33,280 --> 00:21:35,439
Speaker 1: like it happens a lot where like artists get blocked and.

478
00:21:35,440 --> 00:21:39,720
Speaker 2: They're just nice like, oh it's okay, Like they all stayed. Yeah,

479
00:21:39,880 --> 00:21:40,840
Speaker 2: so oh great show.

480
00:21:41,000 --> 00:21:42,880
Speaker 1: But that has to be like for you, it's kind

481
00:21:42,880 --> 00:21:46,000
Speaker 1: of like you're like, you know, like Jimmy Butler.

482
00:21:45,840 --> 00:21:48,640
Speaker 2: On the Heat. Yeah, yeah, I'm saying yeah that one,

483
00:21:48,720 --> 00:21:51,000
Speaker 2: that one show in Toronto. I was like, damn, we

484
00:21:51,119 --> 00:21:53,840
Speaker 2: got like five six hours just the two of us.

485
00:21:53,920 --> 00:21:55,280
Speaker 2: I was like, you know, are we gonna get paid?

486
00:21:55,320 --> 00:21:57,840
Speaker 2: I was like, are you gonna pay us? I mean

487
00:21:57,840 --> 00:22:01,240
Speaker 2: I probably performed for probably than two hours, but he

488
00:22:01,400 --> 00:22:06,119
Speaker 2: had an hour djaying hour and a half, so total probably.

489
00:22:06,440 --> 00:22:08,840
Speaker 2: I mean we turned that bitch out, dude, that was

490
00:22:08,920 --> 00:22:09,440
Speaker 2: one of the best.

491
00:22:09,840 --> 00:22:12,359
Speaker 1: Oh yeah, VIP for another hour, so I mean showed up.

492
00:22:12,520 --> 00:22:13,880
Speaker 2: We were going. I mean we were going for five

493
00:22:13,880 --> 00:22:16,200
Speaker 2: to six hours straight and by the end of that

494
00:22:16,720 --> 00:22:19,920
Speaker 2: everyone was just like that. Man that when we walked

495
00:22:19,960 --> 00:22:24,159
Speaker 2: off stage, man, like, the titties were out, bras were everywhere. Motherfuckers.

496
00:22:24,160 --> 00:22:26,200
Speaker 2: We had people crying, like it was like it was

497
00:22:26,280 --> 00:22:27,240
Speaker 2: a super memorable.

498
00:22:27,760 --> 00:22:29,960
Speaker 1: On thousands of shows, I do miss I feel like

499
00:22:30,000 --> 00:22:32,040
Speaker 1: we we don't see as many titties anymore concerts.

500
00:22:32,200 --> 00:22:34,280
Speaker 2: Yeah, and they're always a good sign. It's like, you know,

501
00:22:34,320 --> 00:22:37,000
Speaker 2: a canary and a coal mine, like so, so when

502
00:22:37,040 --> 00:22:39,560
Speaker 2: the titt's are out, it's good. There's like because there's

503
00:22:39,600 --> 00:22:42,399
Speaker 2: been fights and ship there's you know, when titties are out,

504
00:22:42,440 --> 00:22:44,960
Speaker 2: there's no fights. No, for sure, everyone's cool, Like people

505
00:22:45,000 --> 00:22:47,440
Speaker 2: are comfy. It's always a good sign of a good show.

506
00:22:47,560 --> 00:22:53,560
Speaker 1: Tech nine does the But then, but then sometimes I

507
00:22:53,640 --> 00:22:56,280
Speaker 1: think we've gotten to the point where even like fifteen

508
00:22:56,320 --> 00:22:57,800
Speaker 1: years ago to tech show, I'm not sure there's the

509
00:22:57,840 --> 00:23:01,000
Speaker 1: tit's you want to see. But even more so, like

510
00:23:01,119 --> 00:23:04,359
Speaker 1: twenty twenty six had a text show, it's.

511
00:23:04,240 --> 00:23:07,200
Speaker 2: Like maybe he's probably got the daughters of the Like,

512
00:23:07,520 --> 00:23:10,720
Speaker 2: I bet he's got the mother now the daughters, alas

513
00:23:11,040 --> 00:23:13,040
Speaker 2: the moms are still coming. I would be worried to

514
00:23:13,200 --> 00:23:15,879
Speaker 2: like request that and say everybody take out titties. It's like,

515
00:23:16,320 --> 00:23:18,440
Speaker 2: I'm like, I'm not worried about the all ages shit.

516
00:23:18,560 --> 00:23:20,440
Speaker 2: Like I'm like, yeah, I don't want to be you know,

517
00:23:21,280 --> 00:23:21,960
Speaker 2: it's get weird.

518
00:23:22,080 --> 00:23:22,199
Speaker 3: Man.

519
00:23:22,440 --> 00:23:24,639
Speaker 1: Why the name good Time Boy for the new album?

520
00:23:25,520 --> 00:23:28,359
Speaker 2: Oh that's just that's just it just Uh. There was

521
00:23:28,440 --> 00:23:31,119
Speaker 2: a song called bad Time Boy that I released. I

522
00:23:31,200 --> 00:23:32,320
Speaker 2: was about to put it on the album, but it

523
00:23:32,400 --> 00:23:35,520
Speaker 2: got time passed too much. But like there was gonna

524
00:23:35,520 --> 00:23:37,440
Speaker 2: be this good Time Boy bad Time Boy shit. But

525
00:23:37,560 --> 00:23:39,800
Speaker 2: you know, good Time Boy is just being like I said,

526
00:23:39,880 --> 00:23:42,720
Speaker 2: like trying to remain an optimist and like you see

527
00:23:42,720 --> 00:23:45,040
Speaker 2: the news like it's okay to shut that ship off

528
00:23:45,119 --> 00:23:47,800
Speaker 2: and fucking kick it with the homies or you know,

529
00:23:47,960 --> 00:23:49,760
Speaker 2: like I wish we should have give you a link

530
00:23:49,800 --> 00:23:52,040
Speaker 2: to that record. Like the way the way the record

531
00:23:52,160 --> 00:23:57,959
Speaker 2: ends is uh. It's called Garden of Eden and it's

532
00:23:58,000 --> 00:24:00,520
Speaker 2: a song I've been working on for like six years.

533
00:24:01,280 --> 00:24:01,520
Speaker 1: Wow.

534
00:24:01,680 --> 00:24:04,560
Speaker 2: And I made many beats for it and they just

535
00:24:04,680 --> 00:24:08,399
Speaker 2: weren't They just weren't it, you know, that that idea

536
00:24:08,440 --> 00:24:10,200
Speaker 2: of being in heaven on earth right now it's like

537
00:24:10,240 --> 00:24:11,640
Speaker 2: what I've been trying to, like We're in the Garden

538
00:24:11,680 --> 00:24:16,520
Speaker 2: of Eden. And it took a long time. Yeah, and

539
00:24:16,560 --> 00:24:21,200
Speaker 2: I got it. Worked with a heavy composer, yeah, Adam Conrad.

540
00:24:21,359 --> 00:24:23,320
Speaker 2: We had strings, we had a choir in there, and

541
00:24:23,440 --> 00:24:25,119
Speaker 2: it was so good that I'm like, Okay, now I

542
00:24:25,200 --> 00:24:27,560
Speaker 2: can really make it powerful and put all these things

543
00:24:27,560 --> 00:24:30,280
Speaker 2: in there. And the way it ends, you know, and

544
00:24:30,359 --> 00:24:34,640
Speaker 2: there's themes of like shame and guilt and then also

545
00:24:34,720 --> 00:24:38,159
Speaker 2: I'm talking about you know, cancel ate, canceling people, and

546
00:24:38,200 --> 00:24:40,680
Speaker 2: then like how are we gonna heal? And you know,

547
00:24:41,320 --> 00:24:43,639
Speaker 2: it's hard to describe right now, but I couldn't be

548
00:24:43,680 --> 00:24:47,640
Speaker 2: more proud of that record a because there's fucking bangers

549
00:24:47,680 --> 00:24:51,119
Speaker 2: on that ship and it's super height in sections. But

550
00:24:51,200 --> 00:24:54,680
Speaker 2: then be the way I say what I've been wanting

551
00:24:54,720 --> 00:24:57,719
Speaker 2: to say, you know, for a long time now.

552
00:24:58,040 --> 00:25:02,000
Speaker 1: So so for you is your process? I'm sure each

553
00:25:02,040 --> 00:25:05,200
Speaker 1: song different, but like, if you have that idea, do

554
00:25:05,240 --> 00:25:07,280
Speaker 1: you already start writing it before you have the music

555
00:25:07,320 --> 00:25:08,240
Speaker 1: all the way figured out?

556
00:25:08,600 --> 00:25:10,840
Speaker 2: Yeah, there's ideas and themes that I've figured out, Like

557
00:25:11,000 --> 00:25:12,560
Speaker 2: if I go through my phone right now, like I

558
00:25:12,680 --> 00:25:17,080
Speaker 2: have I write things down before I'm in the studio,

559
00:25:17,200 --> 00:25:18,760
Speaker 2: Like rarely am I like you could be. I mean

560
00:25:18,920 --> 00:25:20,760
Speaker 2: this one, this one's called mostly swaggy, So these are

561
00:25:20,840 --> 00:25:22,960
Speaker 2: lines that are just mostly swaggy, and I have like

562
00:25:23,080 --> 00:25:25,560
Speaker 2: ten twelve thirty forty pages, and I have one that

563
00:25:26,000 --> 00:25:29,840
Speaker 2: mostly intellect you know, mostly serious. And then that's that's

564
00:25:29,920 --> 00:25:30,560
Speaker 2: even You get in.

565
00:25:30,560 --> 00:25:33,760
Speaker 1: The studio and you at least you have your inspiration

566
00:25:33,880 --> 00:25:35,800
Speaker 1: to pull from, and it makes I'm sure for a

567
00:25:35,840 --> 00:25:37,439
Speaker 1: lot more efficient studio sessions.

568
00:25:37,760 --> 00:25:39,480
Speaker 2: Yeah, and I'm not in I'm not in the studio,

569
00:25:39,720 --> 00:25:41,960
Speaker 2: I'm in my recording yourself. I'm at the crib, I'm

570
00:25:41,960 --> 00:25:44,440
Speaker 2: engineering myself. So there's no there's no I'm only in

571
00:25:44,480 --> 00:25:45,680
Speaker 2: there when I'm feeling good. You know.

572
00:25:46,200 --> 00:25:47,440
Speaker 1: Do you ever just be like, you know what, I

573
00:25:47,480 --> 00:25:50,920
Speaker 1: think I want to book a studio? No, no, nope, no,

574
00:25:52,600 --> 00:25:54,400
Speaker 1: I just I've done that a lot.

575
00:25:54,920 --> 00:25:57,200
Speaker 2: I've done that, and you get to get with the boys,

576
00:25:57,359 --> 00:25:59,919
Speaker 2: you get fucked up, and then I'm all smoking men

577
00:26:00,080 --> 00:26:02,080
Speaker 2: dolls and just kicking it. And then they're like, come

578
00:26:02,119 --> 00:26:03,600
Speaker 2: back in the studio. I'm like, I don't want to

579
00:26:03,640 --> 00:26:05,080
Speaker 2: go back in there, like and then no one gives

580
00:26:05,080 --> 00:26:07,399
Speaker 2: a fuck. Everyone's talking and shit and you party, and

581
00:26:07,600 --> 00:26:09,040
Speaker 2: you know, it's like, oh yeah, we gotta get it.

582
00:26:09,200 --> 00:26:11,159
Speaker 1: Like, well, we could have just went to Applebee's and

583
00:26:11,240 --> 00:26:12,000
Speaker 1: did the same ship.

584
00:26:12,160 --> 00:26:14,919
Speaker 2: Just could have gotten arcandat Applebee's instead of the studio.

585
00:26:14,960 --> 00:26:17,240
Speaker 1: You know what I'm saying, Yeah, shot us in Narcans,

586
00:26:17,280 --> 00:26:21,439
Speaker 1: saving lives in downtown La daily is the homeless thing

587
00:26:21,520 --> 00:26:24,240
Speaker 1: crazy in Minneapolis. Y'all gotta figured out. No, we do

588
00:26:24,440 --> 00:26:25,199
Speaker 1: not have it figured out.

589
00:26:25,320 --> 00:26:27,720
Speaker 2: You haven't figured out. I was actually I I asked,

590
00:26:28,359 --> 00:26:30,960
Speaker 2: read over here, I go, give me three steps out

591
00:26:31,000 --> 00:26:33,880
Speaker 2: of nowhere to like solve what are the first three

592
00:26:33,960 --> 00:26:36,520
Speaker 2: things you'd do to solve homelessness? And I think he said,

593
00:26:36,560 --> 00:26:40,439
Speaker 2: get everybody together, what was what was it? Get them all,

594
00:26:41,160 --> 00:26:43,680
Speaker 2: offer them something and bring him to my house, and

595
00:26:43,800 --> 00:26:45,560
Speaker 2: then we did. He didn't figure it out after that.

596
00:26:46,119 --> 00:26:50,720
Speaker 1: Yeah, it's I think it's a lot easier to figure

597
00:26:50,760 --> 00:26:53,239
Speaker 1: that because like Austin figured it out a little bit

598
00:26:53,440 --> 00:26:56,040
Speaker 1: better than most places. Because I went to Austin. I

599
00:26:56,119 --> 00:26:57,920
Speaker 1: went with Freddie Gibbs to Joe Rogan and like we

600
00:26:58,000 --> 00:27:00,119
Speaker 1: were walking to be out six and bro I was like,

601
00:27:00,160 --> 00:27:01,960
Speaker 1: I hadn't been Austin like five or six years, and

602
00:27:02,000 --> 00:27:04,680
Speaker 1: I was like, what the fuck that whole bridge you've done?

603
00:27:04,720 --> 00:27:07,600
Speaker 1: South by Southwest there's that bridge that separates like east

604
00:27:07,680 --> 00:27:10,040
Speaker 1: and west six and it was like a city under

605
00:27:10,080 --> 00:27:12,280
Speaker 1: the bridge, right, Yeah, it's not like that, nor And

606
00:27:12,320 --> 00:27:14,720
Speaker 1: then I went back like nine months later, and I guess,

607
00:27:14,800 --> 00:27:16,160
Speaker 1: like a new mayor had gotten elected.

608
00:27:16,320 --> 00:27:18,400
Speaker 2: They probably shipped everybody to New York or something.

609
00:27:20,480 --> 00:27:22,280
Speaker 1: Honestly, that wasn't that what the dude was doing?

610
00:27:22,480 --> 00:27:24,760
Speaker 2: Yeah? Yeah, I mean I don't know.

611
00:27:25,040 --> 00:27:26,399
Speaker 1: I think I think you got to figure out a

612
00:27:26,400 --> 00:27:28,520
Speaker 1: way to understand that there's a lot of people who

613
00:27:29,280 --> 00:27:30,160
Speaker 1: want to be homeless.

614
00:27:30,960 --> 00:27:32,480
Speaker 2: Yeah, it's so complex.

615
00:27:32,960 --> 00:27:35,080
Speaker 1: It is a very complex issue. And once it gets

616
00:27:35,119 --> 00:27:38,480
Speaker 1: past a certain threshold of the amount of people, it

617
00:27:38,800 --> 00:27:41,120
Speaker 1: feels like a fad, like I don't.

618
00:27:40,920 --> 00:27:42,879
Speaker 2: Know, Yeah, I don't I'd like to think that we

619
00:27:43,000 --> 00:27:45,840
Speaker 2: definitely have money for these things because we got money

620
00:27:45,920 --> 00:27:47,639
Speaker 2: for crazy wars for no reason.

621
00:27:47,440 --> 00:27:49,600
Speaker 1: And shit, we have enough money to blow up children

622
00:27:49,640 --> 00:27:50,080
Speaker 1: and Iran.

623
00:27:50,240 --> 00:27:55,520
Speaker 2: Yeah, people stop caring because maybe it's useless. I don't know,

624
00:27:55,600 --> 00:27:57,800
Speaker 2: you know, I just think for me, what I would

625
00:27:57,840 --> 00:28:01,320
Speaker 2: try to do is start before that shit and provide

626
00:28:02,359 --> 00:28:05,159
Speaker 2: a decent way to live for people. You know what

627
00:28:05,200 --> 00:28:05,560
Speaker 2: I'm saying.

628
00:28:06,040 --> 00:28:09,800
Speaker 1: Yeah, I think uh. I think Zorn Mandani's doing such

629
00:28:09,800 --> 00:28:12,680
Speaker 1: a great job in New York. I hope these motherfuckers

630
00:28:12,720 --> 00:28:14,800
Speaker 1: are paying attention this full balance balance.

631
00:28:14,960 --> 00:28:19,080
Speaker 2: I saw that he's a balance A budget was thirteen billion.

632
00:28:19,400 --> 00:28:21,080
Speaker 1: Then he just did and then he did. He did

633
00:28:21,119 --> 00:28:23,440
Speaker 1: a whole fucking Instagram just saying this is how we

634
00:28:23,560 --> 00:28:25,399
Speaker 1: did it, exactly how he did it.

635
00:28:25,840 --> 00:28:28,080
Speaker 2: I know. I was like, I've never seen anything like

636
00:28:28,119 --> 00:28:28,760
Speaker 2: that in my life.

637
00:28:29,160 --> 00:28:31,240
Speaker 1: I'm like, how why did this guy have to be

638
00:28:31,320 --> 00:28:34,800
Speaker 1: born in Uganda? He can't be the president he's from Uganda.

639
00:28:34,920 --> 00:28:37,520
Speaker 2: This is he's from Uganda.

640
00:28:37,600 --> 00:28:38,640
Speaker 1: He was born in Uganda.

641
00:28:38,840 --> 00:28:41,200
Speaker 2: Damn what what's ethnicity is he?

642
00:28:41,800 --> 00:28:43,680
Speaker 1: I think he's Indian, but I know he being born

643
00:28:43,720 --> 00:28:47,240
Speaker 1: in Uganda. Yeah, yeah, brus getting he's got it together.

644
00:28:47,680 --> 00:28:49,560
Speaker 2: Wow. Yeah, I haven't been paying much attention, but then

645
00:28:49,720 --> 00:28:52,280
Speaker 2: I just saw that Instagram when I was blown away.

646
00:28:52,840 --> 00:28:56,800
Speaker 1: Do you feel as a white rapper? Because I feel

647
00:28:56,840 --> 00:28:58,880
Speaker 1: like the last five or six years things have been

648
00:28:58,920 --> 00:29:02,160
Speaker 1: a little weird because I feel like Joe Biden was

649
00:29:02,160 --> 00:29:05,600
Speaker 1: such a horrible president that like it kind of a

650
00:29:05,680 --> 00:29:07,560
Speaker 1: lot of people kind of politically just kind of felt

651
00:29:07,640 --> 00:29:10,640
Speaker 1: like we're in no man's land because we watched the left,

652
00:29:10,880 --> 00:29:13,600
Speaker 1: you know, fund and allow Baby Niello to go crazy

653
00:29:13,640 --> 00:29:17,080
Speaker 1: and is in Gaza, and then there was this election

654
00:29:17,320 --> 00:29:21,680
Speaker 1: and the podcast Bruhs was kind of normalizing Trump and

655
00:29:22,040 --> 00:29:24,720
Speaker 1: yeah yeah, So like being a white rapper, I feel like,

656
00:29:24,840 --> 00:29:27,720
Speaker 1: you know, do you and you're also from Minneapolis, so

657
00:29:27,800 --> 00:29:30,080
Speaker 1: like and you're politically charged, dude, So for you, like,

658
00:29:30,680 --> 00:29:33,000
Speaker 1: do you feel like it's more like this is just

659
00:29:33,040 --> 00:29:35,200
Speaker 1: who you are? Like you want to make sure you are,

660
00:29:35,520 --> 00:29:38,280
Speaker 1: you know, speaking out against shit or and if so,

661
00:29:38,560 --> 00:29:41,040
Speaker 1: is there like a pocket of your fan base that

662
00:29:41,240 --> 00:29:43,600
Speaker 1: you noticed that maybe just discovered you.

663
00:29:44,320 --> 00:29:45,720
Speaker 2: That doesn't know I'm like, what the fuck do you

664
00:29:45,760 --> 00:29:46,760
Speaker 2: think that might think.

665
00:29:46,760 --> 00:29:49,280
Speaker 1: Like, ah, fuck, I thought this was Tom McDonald.

666
00:29:49,520 --> 00:29:55,480
Speaker 2: Yeah, yeah, No, you know, I don't. I don't know, man,

667
00:29:55,800 --> 00:29:58,040
Speaker 2: It's so it's so confusing. Bro. I'm at the age

668
00:29:58,080 --> 00:30:00,680
Speaker 2: right now where I'm like, damn fguring out. I don't

669
00:30:00,720 --> 00:30:05,080
Speaker 2: know shit, you know, I'm just trying to I used to,

670
00:30:05,480 --> 00:30:07,720
Speaker 2: like ten years ago, I was online going back and

671
00:30:07,800 --> 00:30:09,640
Speaker 2: forth with the motherfucker. Oh man, me too, Bro, I

672
00:30:09,720 --> 00:30:13,240
Speaker 2: can't you know, I don't know. Honestly, I'm just trying

673
00:30:13,280 --> 00:30:15,520
Speaker 2: to fucking get money so I can protect the people

674
00:30:15,680 --> 00:30:16,959
Speaker 2: closest to me right now.

675
00:30:17,200 --> 00:30:17,640
Speaker 1: I love that.

676
00:30:17,840 --> 00:30:19,640
Speaker 2: Yeah, I mean, like, I don't know what else to do.

677
00:30:19,760 --> 00:30:21,920
Speaker 2: I'm not I'm not gonna grab a fucking AK forty

678
00:30:21,960 --> 00:30:24,440
Speaker 2: seven and charge the White House or something like. So,

679
00:30:24,520 --> 00:30:27,800
Speaker 2: I don't know. It's confusing. I'm just kind of putting

680
00:30:27,920 --> 00:30:29,760
Speaker 2: seeing which way the wind is blowing, and just trying

681
00:30:29,760 --> 00:30:32,440
Speaker 2: to like take care of my own really.

682
00:30:32,640 --> 00:30:34,480
Speaker 1: Yeah, I feel like the white Rapper thing at least

683
00:30:34,600 --> 00:30:36,400
Speaker 1: is kind of like a like I feel like ten

684
00:30:36,480 --> 00:30:38,480
Speaker 1: years ago it was like one guy at a time

685
00:30:38,560 --> 00:30:39,040
Speaker 1: could be hot.

686
00:30:39,280 --> 00:30:41,520
Speaker 2: Yeah yeah, yeah, yeah, yeah, I remember.

687
00:30:41,280 --> 00:30:43,520
Speaker 1: Like it was like all right, Macklamore tagging g easy,

688
00:30:43,600 --> 00:30:44,680
Speaker 1: all right, tagging.

689
00:30:44,440 --> 00:30:46,200
Speaker 2: Jack Harlowe only one at a time.

690
00:30:47,040 --> 00:30:49,800
Speaker 1: I'm yellow If tagging MGK bro. I'm so old.

691
00:30:49,840 --> 00:30:51,880
Speaker 2: I thought I was gonna be like the second white rapper.

692
00:30:51,920 --> 00:30:54,040
Speaker 2: I'm like, it's Eminem, then it's me. Then I saw

693
00:30:54,160 --> 00:30:56,880
Speaker 2: like Yellowolf, like fuck this guy man, and then like yeah,

694
00:30:57,240 --> 00:30:59,840
Speaker 2: one at a time or whatever. But now I don't know,

695
00:31:01,320 --> 00:31:05,280
Speaker 2: And now there's like this like weird just it's anything.

696
00:31:05,400 --> 00:31:08,400
Speaker 2: There's so much weird shit going on, like wrap anything

697
00:31:08,440 --> 00:31:10,560
Speaker 2: that goes kind of viral. Now they're on rolling loud,

698
00:31:10,600 --> 00:31:12,800
Speaker 2: white kid like fifteen year old white kids jumping around.

699
00:31:12,840 --> 00:31:13,800
Speaker 2: I'm like, I don't know what the fuck?

700
00:31:13,920 --> 00:31:17,000
Speaker 1: Yeah, I uh, I went down the net spend rabbit

701
00:31:17,040 --> 00:31:19,719
Speaker 1: hole recently. There's a guy named net spend who's very popular.

702
00:31:19,800 --> 00:31:22,000
Speaker 1: He's had one of the biggest sets of rolling out.

703
00:31:22,040 --> 00:31:23,880
Speaker 1: He's a little white dude. He looks like a he

704
00:31:23,920 --> 00:31:26,360
Speaker 1: looks like a like Christina Aguilar's daughter or something.

705
00:31:27,440 --> 00:31:28,480
Speaker 2: He looks like her daughter.

706
00:31:28,680 --> 00:31:28,880
Speaker 1: Yeah.

707
00:31:29,440 --> 00:31:31,560
Speaker 2: I was like no, So I was like, all right, well,

708
00:31:31,600 --> 00:31:31,760
Speaker 2: like I.

709
00:31:31,800 --> 00:31:33,240
Speaker 1: Saw, like, you know, a lot of the blocks saying

710
00:31:33,280 --> 00:31:35,160
Speaker 1: net spend had the best set of the day or whatever.

711
00:31:35,200 --> 00:31:36,440
Speaker 1: And I was like, all right, I was driving the

712
00:31:36,480 --> 00:31:37,840
Speaker 1: other day and I threw his shit on and I

713
00:31:37,960 --> 00:31:42,720
Speaker 1: was just like fuck man like, and.

714
00:31:42,800 --> 00:31:44,720
Speaker 2: I don't want to. I'm old. I don't want to.

715
00:31:45,040 --> 00:31:47,240
Speaker 2: I don't want to be the old head Haydn like

716
00:31:47,520 --> 00:31:49,320
Speaker 2: because that happened to me. And I was like, man,

717
00:31:49,400 --> 00:31:51,080
Speaker 2: fuck them, you know that's why I'm not But I'm like,

718
00:31:51,160 --> 00:31:55,760
Speaker 2: it's horrible. But I'm also saying I'm old. I don't

719
00:31:55,760 --> 00:31:57,880
Speaker 2: know what's going on anymore, but I'm looking for them

720
00:31:57,920 --> 00:32:01,040
Speaker 2: to uh perform or hit a no or do some

721
00:32:01,280 --> 00:32:04,760
Speaker 2: some something skilled or something that requires talent or maybe yeh,

722
00:32:04,800 --> 00:32:07,120
Speaker 2: show me a lot of emotion and then show me

723
00:32:07,200 --> 00:32:07,880
Speaker 2: some dynamics.

724
00:32:07,920 --> 00:32:10,000
Speaker 1: Like I thought Sex was like a perfect guy who

725
00:32:10,080 --> 00:32:12,040
Speaker 1: was yeah, yeah, he showed emotion.

726
00:32:13,000 --> 00:32:15,760
Speaker 2: I thought he was talented. Yes, yeah, yeah, this new

727
00:32:15,800 --> 00:32:16,560
Speaker 2: shit good example.

728
00:32:16,680 --> 00:32:17,320
Speaker 1: Have you heard it too?

729
00:32:17,360 --> 00:32:22,040
Speaker 2: Slimy? It sounds familiar, dude, But I think what they're

730
00:32:22,040 --> 00:32:24,280
Speaker 2: doing is just seeing anybody goes viral and then there

731
00:32:24,680 --> 00:32:26,080
Speaker 2: the labels are stepping in and just.

732
00:32:26,240 --> 00:32:28,880
Speaker 1: It's kind of finding him and then just it's reminding

733
00:32:28,960 --> 00:32:31,760
Speaker 1: me of like twenty sixteen seventeen all over again, where

734
00:32:31,800 --> 00:32:33,920
Speaker 1: like anybody who like was going viral. Was kind of

735
00:32:34,000 --> 00:32:37,040
Speaker 1: like getting signed, even if you were like, I don't

736
00:32:37,080 --> 00:32:39,440
Speaker 1: know what's happening now, man, dude, I, by the way,

737
00:32:39,680 --> 00:32:41,360
Speaker 1: no shots are too slimey. I'd love to have you

738
00:32:41,440 --> 00:32:43,720
Speaker 1: on the podcast because you look like a villain from

739
00:32:43,760 --> 00:32:47,719
Speaker 1: the Incrediblest movie. But I just found this dude recently.

740
00:32:50,320 --> 00:32:50,960
Speaker 1: His music.

741
00:32:51,960 --> 00:33:04,400
Speaker 3: Oh, I don't know what's you gotta hear the vocals.

742
00:33:11,080 --> 00:33:12,320
Speaker 1: This doesn't sound like music.

743
00:33:13,960 --> 00:33:16,760
Speaker 2: You know what that could be? Could that be like

744
00:33:17,120 --> 00:33:20,280
Speaker 2: scream death metal? Just like it sounds like my kids

745
00:33:20,280 --> 00:33:20,960
Speaker 2: want to go crazy.

746
00:33:21,040 --> 00:33:23,920
Speaker 1: It sounds like too solid state, hard drives malfunctioning. Will fuck?

747
00:33:24,000 --> 00:33:26,080
Speaker 2: That sounded like too bad. That sounds like the radios

748
00:33:26,120 --> 00:33:29,200
Speaker 2: were going two separate songs. I don't know what's going on.

749
00:33:29,760 --> 00:33:32,400
Speaker 1: I don't know what's going on. I just feel like,

750
00:33:32,480 --> 00:33:35,120
Speaker 1: you know what, I've gotten to the point where I

751
00:33:35,240 --> 00:33:38,560
Speaker 1: have to acknowledge that I am old, and I like

752
00:33:38,640 --> 00:33:41,800
Speaker 1: my hip hop to sound like music, and my music

753
00:33:41,840 --> 00:33:42,640
Speaker 1: to sound like there was a.

754
00:33:42,600 --> 00:33:43,880
Speaker 2: Lot of energy in there though, and.

755
00:33:46,800 --> 00:33:50,000
Speaker 1: There wasn't a lot of energy. And he looks he's

756
00:33:50,040 --> 00:33:51,960
Speaker 1: a cool looking kid. I'm sure he's a fun hang.

757
00:33:52,680 --> 00:33:55,480
Speaker 1: You know, he's got a he he's probably a fun hang.

758
00:33:55,800 --> 00:33:58,080
Speaker 1: I'd love to have him on the podcast. I just

759
00:33:58,120 --> 00:34:00,400
Speaker 1: want to know what his his engineer's vocal. It looks

760
00:34:00,480 --> 00:34:03,520
Speaker 1: like I want to know what what do we got

761
00:34:03,560 --> 00:34:05,680
Speaker 1: turned on on the on the pro tools on that boot.

762
00:34:07,880 --> 00:34:08,680
Speaker 2: I don't know what that was.

763
00:34:08,719 --> 00:34:11,520
Speaker 1: I don't know what is your at home setup for

764
00:34:11,600 --> 00:34:13,239
Speaker 1: when you record? What is your mic set up?

765
00:34:13,360 --> 00:34:16,320
Speaker 2: Norman eighty seven? Okay, And there's some mother shit that

766
00:34:16,440 --> 00:34:19,160
Speaker 2: some other people like help me out with. I like,

767
00:34:19,239 --> 00:34:21,680
Speaker 2: I got a compressor, Yeah, I got compressors.

768
00:34:21,719 --> 00:34:24,840
Speaker 1: I got to talk. You get the Bluetooth tip probably

769
00:34:25,280 --> 00:34:26,799
Speaker 1: yeah it's a giant blue but you know.

770
00:34:26,800 --> 00:34:29,440
Speaker 2: I'll just you know, Mahmie Dylan and then like uh

771
00:34:29,880 --> 00:34:33,600
Speaker 2: stop house affiliate. And then like Greeves is a kind

772
00:34:33,600 --> 00:34:36,120
Speaker 2: of a nerd who helped me once I they tell

773
00:34:36,200 --> 00:34:39,319
Speaker 2: me like what to put in there, I'm like, make

774
00:34:39,400 --> 00:34:41,520
Speaker 2: the setting exactly what I want, and like I don't

775
00:34:41,520 --> 00:34:42,759
Speaker 2: want to have to touch this shit again because I

776
00:34:42,800 --> 00:34:43,960
Speaker 2: don't like to nerd out on that ship. I do

777
00:34:44,080 --> 00:34:46,040
Speaker 2: not like to learn things or nothing, like I know

778
00:34:46,160 --> 00:34:47,879
Speaker 2: the least of them all possible to make the sound,

779
00:34:47,960 --> 00:34:50,840
Speaker 2: to get the sounds I want record things? How I

780
00:34:50,960 --> 00:34:52,960
Speaker 2: want it. Yeah, you know, and I don't want to

781
00:34:53,120 --> 00:34:54,000
Speaker 2: know anything else.

782
00:34:54,280 --> 00:34:57,360
Speaker 1: A man, Raffi Law Group, new at sponsor the Bootle podcast.

783
00:34:57,440 --> 00:34:58,719
Speaker 1: Want to give some love to that man. I just

784
00:34:58,840 --> 00:35:01,160
Speaker 1: was in Arizona, just did a photo shoot. Show some

785
00:35:01,200 --> 00:35:04,440
Speaker 1: of those photos. While I'm talking, man, you already know

786
00:35:05,600 --> 00:35:09,720
Speaker 1: I'm not only an endorser of Raffi. I'm also a client.

787
00:35:10,000 --> 00:35:11,920
Speaker 1: That's right. My wife got into a fender bender and

788
00:35:12,040 --> 00:35:15,160
Speaker 1: Raffi took care of her exponentially. It was so easy.

789
00:35:15,640 --> 00:35:17,560
Speaker 1: And when I tell you, man, if you get into

790
00:35:17,560 --> 00:35:20,560
Speaker 1: an accident, maybe a little injury situation, there's only one

791
00:35:20,680 --> 00:35:24,400
Speaker 1: guy I trust, one law group I trust. It's Raffi

792
00:35:24,520 --> 00:35:27,600
Speaker 1: Law Group called six two three, three, eight eight forty

793
00:35:27,640 --> 00:35:30,640
Speaker 1: three thirty three. Whether it's a car accident, a personal

794
00:35:30,719 --> 00:35:34,200
Speaker 1: injury situation, whatever the case is, they alleviate all of

795
00:35:34,280 --> 00:35:37,200
Speaker 1: the stress. They've helped over seventy thousand people in AZ.

796
00:35:37,960 --> 00:35:38,120
Speaker 2: Now.

797
00:35:38,280 --> 00:35:40,800
Speaker 1: Look, I know you're driving around. You see the billboards everywhere.

798
00:35:40,840 --> 00:35:42,359
Speaker 1: You're like, Ah, is this guy just like another one

799
00:35:42,360 --> 00:35:45,279
Speaker 1: of these billboard lawyers. No, the amount of care, the

800
00:35:45,400 --> 00:35:48,360
Speaker 1: amount of attention to detail that they do everything with,

801
00:35:48,880 --> 00:35:51,000
Speaker 1: it's the best. One more time if you need help,

802
00:35:51,040 --> 00:35:53,640
Speaker 1: you gotta call Raffi, just like I did when my

803
00:35:53,719 --> 00:35:57,239
Speaker 1: wife got into an accident. Asy, you gotta trust Raffi man,

804
00:35:57,280 --> 00:35:59,840
Speaker 1: all right, they're the best Raffi Law Group. The new

805
00:36:00,040 --> 00:36:03,319
Speaker 1: sponsor of the Bootleg Cap podcast one more time, don't

806
00:36:03,320 --> 00:36:06,520
Speaker 1: forget to save the number. Call Rafie if you get

807
00:36:06,600 --> 00:36:09,960
Speaker 1: into an accident six two, three, three eight eight forty

808
00:36:10,000 --> 00:36:12,680
Speaker 1: three thirty three. Let's get back to the podcast. Did

809
00:36:12,840 --> 00:36:15,000
Speaker 1: like Rhyme saiers ever try to sign you or anything?

810
00:36:15,440 --> 00:36:16,000
Speaker 2: I was signed?

811
00:36:16,040 --> 00:36:18,000
Speaker 1: You were signed? A rhyme says, Okay, I feel like

812
00:36:18,040 --> 00:36:20,360
Speaker 1: anybody at a Minnesota has had a stint at Rhyme savers.

813
00:36:20,480 --> 00:36:24,200
Speaker 2: Yeah, I was. I sold any Moss. Yeah yeah, I

814
00:36:24,320 --> 00:36:27,320
Speaker 2: sold out a big outdoor venue at like four thousand

815
00:36:27,840 --> 00:36:29,680
Speaker 2: CAP a long time ago. And then that's when they

816
00:36:29,719 --> 00:36:31,759
Speaker 2: called me. They were like, hey, yeah, can't get some

817
00:36:31,840 --> 00:36:34,040
Speaker 2: of that money you want to share?

818
00:36:34,480 --> 00:36:37,080
Speaker 1: I mean, I had a conversation with ev Evidence Uh

819
00:36:37,280 --> 00:36:39,520
Speaker 1: just released his last album, Rhyme Sais, and he was like, look, man,

820
00:36:39,640 --> 00:36:41,879
Speaker 1: like the independence is cool, but he's like, Rhyme Sais

821
00:36:41,920 --> 00:36:44,279
Speaker 1: they got like they got they got it figured out,

822
00:36:44,560 --> 00:36:46,880
Speaker 1: Like yeah, you know, He's like I'm not saying they

823
00:36:46,960 --> 00:36:49,640
Speaker 1: got their formula. They got their formula and they're like, uh,

824
00:36:49,640 --> 00:36:51,040
Speaker 1: you know, independent powerhouses.

825
00:36:51,120 --> 00:36:51,279
Speaker 2: You know.

826
00:36:51,719 --> 00:36:53,560
Speaker 1: I wish they never got rid of that festival because

827
00:36:53,600 --> 00:36:56,520
Speaker 1: that festival was kind of like the last because Rock

828
00:36:56,600 --> 00:36:58,160
Speaker 1: the Bells and pay Dues went away.

829
00:36:58,719 --> 00:37:00,960
Speaker 2: They I think they lost their ass and then they.

830
00:37:01,040 --> 00:37:02,440
Speaker 1: Yeah, well because I think they had Jacob.

831
00:37:02,800 --> 00:37:05,840
Speaker 2: They can't they can't compete with like the fucking pockets

832
00:37:05,880 --> 00:37:07,000
Speaker 2: of you know, Coachella.

833
00:37:07,480 --> 00:37:10,440
Speaker 1: Well, it's also like a weird part of the country

834
00:37:10,520 --> 00:37:11,920
Speaker 1: to ask everyone to come to.

835
00:37:12,480 --> 00:37:15,120
Speaker 2: Well, it's a short flight. I don't know, it's in

836
00:37:15,160 --> 00:37:16,319
Speaker 2: the middle of it. A lot of things.

837
00:37:16,920 --> 00:37:19,160
Speaker 1: How do you feel about your Timberwolves? Man, are you

838
00:37:19,239 --> 00:37:21,080
Speaker 1: guys gonna get over there?

839
00:37:21,200 --> 00:37:21,799
Speaker 2: And it's hurt bro?

840
00:37:21,960 --> 00:37:23,239
Speaker 1: Like he is, he's playing like he's hurt.

841
00:37:23,280 --> 00:37:28,160
Speaker 2: Yeah, he hasn't made ones fast twitch move since he

842
00:37:28,239 --> 00:37:29,799
Speaker 2: hurt his knee. Like he's not the same.

843
00:37:30,040 --> 00:37:31,319
Speaker 1: It's hard to get over Wenby too.

844
00:37:31,400 --> 00:37:31,520
Speaker 2: Man.

845
00:37:31,600 --> 00:37:33,560
Speaker 1: The Wemby dude is a fucking problem dog.

846
00:37:33,960 --> 00:37:39,400
Speaker 2: Unfortunately, I don't I don't know the fucking We've had

847
00:37:39,440 --> 00:37:41,280
Speaker 2: a time of like let's go, let's go Western Coffs

848
00:37:41,320 --> 00:37:44,719
Speaker 2: finals back to back years like let's do this, and

849
00:37:44,840 --> 00:37:47,399
Speaker 2: then no one's fucking with the Thunder all their draft

850
00:37:47,480 --> 00:37:49,640
Speaker 2: picks I hate. Then the Spurs, I'm like, God damn,

851
00:37:49,640 --> 00:37:50,319
Speaker 2: it'sbout to be them.

852
00:37:50,360 --> 00:37:53,320
Speaker 1: I'm a Sun's fan, and I'm like, everything's just pointless

853
00:37:53,400 --> 00:37:55,440
Speaker 1: for the next like seven years, Like I don't even

854
00:37:55,440 --> 00:37:57,879
Speaker 1: know what to do. Like the Thunder, they're never gonna

855
00:37:57,880 --> 00:37:59,879
Speaker 1: have to worry about the second Apron because every time

856
00:38:00,000 --> 00:38:01,920
Speaker 1: their players get it, they're just gonna trade them and

857
00:38:01,960 --> 00:38:04,799
Speaker 1: they're just gonna keep They drafted a J. Mitchell, Who

858
00:38:04,840 --> 00:38:05,680
Speaker 1: the fuck is a J.

859
00:38:05,920 --> 00:38:06,320
Speaker 2: Mitchell?

860
00:38:06,680 --> 00:38:10,040
Speaker 1: Then this fucking douchebag and Philly trades them McCain for

861
00:38:10,239 --> 00:38:15,719
Speaker 1: fucking peanuts. Bro, he's just gonna trade lout Dort. They're like, oh, yeah,

862
00:38:15,760 --> 00:38:16,200
Speaker 1: we can't.

863
00:38:16,000 --> 00:38:18,120
Speaker 2: Pay you forever.

864
00:38:19,000 --> 00:38:22,320
Speaker 1: And then the fucking the Spurs. Dylan Harper looks.

865
00:38:22,200 --> 00:38:26,279
Speaker 2: Like, oh man, sh yeah, he's so good. Yeah.

866
00:38:26,440 --> 00:38:30,320
Speaker 1: I think you guys just gotta figure out, like eventually,

867
00:38:30,400 --> 00:38:32,120
Speaker 1: you just gotta like get off of like Rudy go

868
00:38:32,239 --> 00:38:34,680
Speaker 1: Bear's contract. I love Rudy, by the way.

869
00:38:35,160 --> 00:38:39,200
Speaker 2: His plus minus is still crazy during the regular During

870
00:38:39,239 --> 00:38:42,000
Speaker 2: the regular season, Rudy's worth a lot of wins, you know,

871
00:38:42,040 --> 00:38:44,800
Speaker 2: what I'm saying. But but he's been getting cooked. We

872
00:38:44,840 --> 00:38:49,279
Speaker 2: have this, uh Joanne. He he looks like he could

873
00:38:50,040 --> 00:38:54,759
Speaker 2: like and as long as if is super healthy in

874
00:38:54,800 --> 00:38:56,520
Speaker 2: the in the postseason, he can go off.

875
00:38:56,680 --> 00:39:00,080
Speaker 1: It's just it's just not hav I think Julius I

876
00:39:00,120 --> 00:39:00,880
Speaker 1: was a little inconsistent.

877
00:39:01,400 --> 00:39:03,160
Speaker 2: He's a great player, and I like him on our team,

878
00:39:03,200 --> 00:39:04,640
Speaker 2: but I don't think he's a number two. I don't

879
00:39:04,640 --> 00:39:06,440
Speaker 2: think he'd be a number two option on like a

880
00:39:06,719 --> 00:39:08,960
Speaker 2: championship caliber team. He could be if he was our

881
00:39:09,000 --> 00:39:10,359
Speaker 2: third best player, fourth best player.

882
00:39:11,320 --> 00:39:12,880
Speaker 1: Problem is you trade a cat for him, who's your

883
00:39:12,880 --> 00:39:13,560
Speaker 1: second best player?

884
00:39:13,680 --> 00:39:16,400
Speaker 2: Cat had to go anyways because of the money. Yeah, So,

885
00:39:16,640 --> 00:39:18,120
Speaker 2: I mean I think we got a really good haul

886
00:39:18,200 --> 00:39:21,000
Speaker 2: for Kat. It was him. Who else? We get Dante?

887
00:39:21,719 --> 00:39:24,839
Speaker 2: And yeah, yeah, I think there was a pick too.

888
00:39:25,080 --> 00:39:27,719
Speaker 1: So I mean I didn't like the trade, but like

889
00:39:27,840 --> 00:39:30,400
Speaker 1: after a while, you're like, are you optimistic? I'm rooting

890
00:39:30,440 --> 00:39:32,800
Speaker 1: for the Vikings this year, and because listen, I'm a

891
00:39:32,840 --> 00:39:35,719
Speaker 1: Cardinals fan. So you guys got you guys got my

892
00:39:35,760 --> 00:39:36,520
Speaker 1: little lf over there.

893
00:39:36,600 --> 00:39:36,719
Speaker 2: Now.

894
00:39:36,800 --> 00:39:40,239
Speaker 1: Yeah, I saw he threw three picks in practice the

895
00:39:40,320 --> 00:39:40,600
Speaker 1: other day.

896
00:39:40,880 --> 00:39:43,560
Speaker 2: Yeah, I'm not I'm not optimistic, not optimistic.

897
00:39:44,640 --> 00:39:48,560
Speaker 1: Anything's better than fucking J. J. McCarthy.

898
00:39:49,680 --> 00:39:51,680
Speaker 2: We'll see he was he was injured two. I don't

899
00:39:51,680 --> 00:39:53,239
Speaker 2: think he you know, we'll see. I'll give I'll give

900
00:39:53,320 --> 00:39:56,360
Speaker 2: JJ another year. It's a true it's a competition. What

901
00:39:56,440 --> 00:39:57,480
Speaker 2: if he wins out over your guy?

902
00:39:58,200 --> 00:39:59,839
Speaker 1: He won't. Kyler's a beast.

903
00:40:01,239 --> 00:40:02,360
Speaker 2: Kyler beast.

904
00:40:02,640 --> 00:40:04,480
Speaker 1: He's a beast beast. And I think you guys got

905
00:40:04,560 --> 00:40:06,040
Speaker 1: to I think you guys have my you guys have

906
00:40:06,120 --> 00:40:09,480
Speaker 1: my favorite coach. Once I watched that Quarterbacks on Netflix

907
00:40:09,520 --> 00:40:11,000
Speaker 1: and I saw the way him and Kirk Cousins were

908
00:40:11,000 --> 00:40:12,640
Speaker 1: working together, I was like, I fuck with this guy.

909
00:40:12,960 --> 00:40:14,359
Speaker 2: Yeah, yeah, we like him.

910
00:40:14,440 --> 00:40:18,560
Speaker 1: Yeah he's solid. Talk to me man, like, uh, you

911
00:40:18,840 --> 00:40:22,279
Speaker 1: work with Tea Pain on this this record? Yeah, you

912
00:40:22,400 --> 00:40:23,439
Speaker 1: pitch the idea to Pain.

913
00:40:24,080 --> 00:40:27,160
Speaker 2: H huh he's in hum Oh yeah, no doubt. He

914
00:40:27,200 --> 00:40:29,600
Speaker 2: didn't have no yeah, yeah, we needed something to do

915
00:40:30,160 --> 00:40:32,520
Speaker 2: my My original idea for the music video was just

916
00:40:32,760 --> 00:40:35,680
Speaker 2: way too expensive and extravagant. I wanted to like, have

917
00:40:35,840 --> 00:40:38,600
Speaker 2: it just come. Oh, let me pray for him now

918
00:40:38,800 --> 00:40:42,120
Speaker 2: over a ice stout lake with a whole cut in

919
00:40:42,200 --> 00:40:43,640
Speaker 2: and I kicked some dude into the.

920
00:40:43,680 --> 00:40:44,840
Speaker 1: Whole very Minnesota.

921
00:40:44,920 --> 00:40:47,520
Speaker 2: It was just you know, it was a lot. It

922
00:40:47,600 --> 00:40:49,520
Speaker 2: was way too expensive. So my idea is, like, what

923
00:40:49,880 --> 00:40:52,760
Speaker 2: would be interesting can we do just on one fucking

924
00:40:52,800 --> 00:40:53,319
Speaker 2: white psych?

925
00:40:54,000 --> 00:40:54,200
Speaker 1: Yeah?

926
00:40:55,120 --> 00:40:56,919
Speaker 2: Or well I think it was on green screen. Yeah,

927
00:40:56,960 --> 00:40:59,160
Speaker 2: it's like damn all right, So I think that was

928
00:40:59,239 --> 00:41:01,920
Speaker 2: the most we could do. I don't really like, you know,

929
00:41:02,320 --> 00:41:04,480
Speaker 2: uh music video shot on green screens and ship, But

930
00:41:05,200 --> 00:41:07,200
Speaker 2: for that concept, I think it was the best concept

931
00:41:07,239 --> 00:41:08,600
Speaker 2: we could do that to have him in and out,

932
00:41:08,680 --> 00:41:10,480
Speaker 2: have me in and out and just had some fun.

933
00:41:10,600 --> 00:41:13,319
Speaker 1: Yeah you get whoever did that video, kudos to them.

934
00:41:13,400 --> 00:41:17,160
Speaker 2: Yeah, it's me and uh and Thomas Axment. We just

935
00:41:17,640 --> 00:41:20,600
Speaker 2: we bet we've had twenty five videos straight in a row.

936
00:41:20,840 --> 00:41:22,879
Speaker 2: Are you having edit or are.

937
00:41:22,800 --> 00:41:24,680
Speaker 1: You just giving him the ideas? Like no, no change

938
00:41:24,760 --> 00:41:26,799
Speaker 1: his changes? Like are you capable of like using final

939
00:41:26,840 --> 00:41:27,799
Speaker 1: cutting ship if I've.

940
00:41:27,800 --> 00:41:31,640
Speaker 2: Edited a last video? I mean, I'm familiar with that ship,

941
00:41:31,760 --> 00:41:33,279
Speaker 2: but he had he did, he does his.

942
00:41:33,360 --> 00:41:35,439
Speaker 1: Cap cut ship is changed in the game dog, Yeah,

943
00:41:35,600 --> 00:41:37,839
Speaker 1: fucking cook a whole goddamn joint up on your phone?

944
00:41:38,040 --> 00:41:39,520
Speaker 2: You shoot music video right now?

945
00:41:39,760 --> 00:41:42,520
Speaker 1: Yeah, it's kind of crazy. Who are your goats?

946
00:41:42,600 --> 00:41:42,640
Speaker 2: Like?

947
00:41:42,719 --> 00:41:44,839
Speaker 1: What is your like you know, top four or five

948
00:41:45,000 --> 00:41:47,000
Speaker 1: mcs that you I mean, And I'm not talking about.

949
00:41:46,760 --> 00:41:49,000
Speaker 2: Who you think ever publicly said your favorite?

950
00:41:49,120 --> 00:41:51,359
Speaker 1: How about your your favorites. I don't want to say

951
00:41:51,360 --> 00:41:53,120
Speaker 1: who you think is because I think Jay Z now

952
00:41:53,239 --> 00:41:58,000
Speaker 1: damn man, like your personal favorites like I got Pusher

953
00:41:58,040 --> 00:42:00,479
Speaker 1: Tea in Freddy Gabs extremely high on my list.

954
00:42:00,800 --> 00:42:03,600
Speaker 2: Yeah, I think Young Thug is up there for me.

955
00:42:04,440 --> 00:42:06,200
Speaker 2: You know, I think as far as like goats like

956
00:42:06,480 --> 00:42:10,480
Speaker 2: jay Z, Eminem, I mean, Eminem changed my ship when

957
00:42:10,480 --> 00:42:12,520
Speaker 2: he came out with those No one was talking like that.

958
00:42:12,680 --> 00:42:16,520
Speaker 2: He just lit up my mind all the these these syllables,

959
00:42:16,640 --> 00:42:22,880
Speaker 2: these drastic you know, yeah subject matter. So yeah, I

960
00:42:22,920 --> 00:42:25,600
Speaker 2: don't know, it's I don't really have like a lot

961
00:42:25,640 --> 00:42:27,640
Speaker 2: of new cats coming up. I like Anderson Park Like,

962
00:42:27,680 --> 00:42:30,880
Speaker 2: I like I like that he's super musicality like that

963
00:42:31,040 --> 00:42:32,680
Speaker 2: and so like I like to put that into my work.

964
00:42:34,640 --> 00:42:37,000
Speaker 1: Yeah, what are you listening to? Like outside of hip hop?

965
00:42:37,080 --> 00:42:37,239
Speaker 1: Is there?

966
00:42:37,360 --> 00:42:37,400
Speaker 2: Like?

967
00:42:37,680 --> 00:42:38,239
Speaker 1: What's your go to?

968
00:42:38,480 --> 00:42:40,360
Speaker 2: Like almost to all types of shit? I got. I

969
00:42:40,400 --> 00:42:43,040
Speaker 2: got back into Queens of the Stone Age. I'm working

970
00:42:43,040 --> 00:42:46,200
Speaker 2: out to them right now. So I but other than that,

971
00:42:46,280 --> 00:42:48,719
Speaker 2: I really don't fuck with like rock too much like

972
00:42:48,800 --> 00:42:51,239
Speaker 2: contemporary rock. I'm listening to a lot of jazz, a

973
00:42:51,280 --> 00:42:56,200
Speaker 2: lot of old jazz like Coltrane, you know, Miles Davis

974
00:42:56,280 --> 00:42:58,600
Speaker 2: and shit like that. Like I listen to all types

975
00:42:58,600 --> 00:42:58,879
Speaker 2: of shit.

976
00:42:59,120 --> 00:43:01,640
Speaker 1: I just been on like seventies rock lately. I know

977
00:43:01,719 --> 00:43:03,560
Speaker 1: what it is like lately because I've been smoking a

978
00:43:03,560 --> 00:43:06,920
Speaker 1: lot of Fiah, a lot of shrooms, Vibe seventy Rooms

979
00:43:07,600 --> 00:43:10,279
Speaker 1: and Floyd one of these nights. You know what I'm saying,

980
00:43:10,400 --> 00:43:11,680
Speaker 1: Like Eagles, You know what I mean?

981
00:43:11,920 --> 00:43:14,880
Speaker 2: Yeah? Is that what you listen to? Mostly? Like you

982
00:43:14,960 --> 00:43:17,120
Speaker 2: listening to like these young rappers? Would you go to

983
00:43:17,239 --> 00:43:19,640
Speaker 2: his Spotify and then like give it a play.

984
00:43:19,800 --> 00:43:21,640
Speaker 1: I'll show you what I'm listening to. What was I

985
00:43:21,719 --> 00:43:24,600
Speaker 1: listening to yesterday? J Cole's album I'm Still Bump right now?

986
00:43:24,680 --> 00:43:26,440
Speaker 1: The last song I was listening to his DMX looked

987
00:43:26,440 --> 00:43:29,480
Speaker 1: through My Eyes. One of my favorite DMX songs ever, Coyote.

988
00:43:29,760 --> 00:43:31,200
Speaker 1: I don't know if you heard of Coyote. They got

989
00:43:31,239 --> 00:43:33,560
Speaker 1: a new album, Statics Selected. They're from La two Brothers.

990
00:43:33,600 --> 00:43:36,359
Speaker 1: They're incredible. Samar Sin is dope. Have you heard her?

991
00:43:36,480 --> 00:43:36,920
Speaker 2: Hmmm?

992
00:43:37,280 --> 00:43:41,480
Speaker 1: Samaras Sinuh, Kanye's Bully and I like the new Isaiah

993
00:43:41,600 --> 00:43:42,120
Speaker 1: Shot album.

994
00:43:42,680 --> 00:43:43,480
Speaker 2: Oh I haven't heard that.

995
00:43:43,760 --> 00:43:47,200
Speaker 1: I got to listen to his ship really good. Uh yeah,

996
00:43:47,239 --> 00:43:50,319
Speaker 1: see yeah, yeah. I mean I'm still listening to mostly rap.

997
00:43:50,360 --> 00:43:52,759
Speaker 1: But if I'm like just cruising, you know who?

998
00:43:52,800 --> 00:43:56,360
Speaker 2: I like sung little? Have you heard? He's uh? I

999
00:43:56,400 --> 00:44:01,080
Speaker 2: would consider like rock or like blues jazz, whatever. I

1000
00:44:01,080 --> 00:44:04,360
Speaker 2: don't know, I like some little Yeah. Do you.

1001
00:44:06,160 --> 00:44:08,960
Speaker 1: Like growing up in Minneapolis in the music scene. Do

1002
00:44:09,040 --> 00:44:11,040
Speaker 1: you ever have any sort of run ins with Prince

1003
00:44:11,120 --> 00:44:11,359
Speaker 1: at all?

1004
00:44:12,200 --> 00:44:14,160
Speaker 2: No, you don't run in. You don't run into Prince.

1005
00:44:14,400 --> 00:44:17,640
Speaker 2: Like there's stories where like if he makes a decision,

1006
00:44:17,760 --> 00:44:21,480
Speaker 2: he'll he'll pull up and he'll like he kind of

1007
00:44:21,520 --> 00:44:23,920
Speaker 2: hit his assistance would go and be like, hey, you

1008
00:44:24,120 --> 00:44:26,600
Speaker 2: three need to the dorm and you need to lay

1009
00:44:26,640 --> 00:44:29,200
Speaker 2: down on your stomachs and and Prince will walk out.

1010
00:44:29,280 --> 00:44:31,319
Speaker 2: You needed to hold an umbrella over and he will

1011
00:44:31,360 --> 00:44:32,120
Speaker 2: walk on top of you.

1012
00:44:34,040 --> 00:44:35,560
Speaker 1: Were you ever at one of these events where he

1013
00:44:35,920 --> 00:44:39,399
Speaker 1: decided to bestow his presence, No, no, no, I felt

1014
00:44:39,400 --> 00:44:40,960
Speaker 1: like he was kind of doing like the Chappelle thing

1015
00:44:41,040 --> 00:44:42,839
Speaker 1: there for a little out there where you'd be like, yo, Prince,

1016
00:44:43,000 --> 00:44:46,279
Speaker 1: he did like some random show.

1017
00:44:46,600 --> 00:44:49,160
Speaker 2: Yeah, you would hear, yeah, murmurings of that kind of ship.

1018
00:44:49,680 --> 00:44:53,360
Speaker 1: But then do you do you like just have to

1019
00:44:53,560 --> 00:44:55,640
Speaker 1: be a Prince fan growing up in Minneapolis? Like are

1020
00:44:55,680 --> 00:44:56,960
Speaker 1: you just like yo man princes?

1021
00:44:57,360 --> 00:45:01,080
Speaker 2: No, no, no, I don't think I mean publicly, you

1022
00:45:01,160 --> 00:45:03,000
Speaker 2: can't really like diss him and shit like that. But

1023
00:45:03,160 --> 00:45:05,920
Speaker 2: like no one's going, hey, no one's force feeding you Prince.

1024
00:45:05,920 --> 00:45:08,640
Speaker 1: Love Prince, but you were a prince Michael Jackson guy

1025
00:45:08,840 --> 00:45:12,640
Speaker 1: both both. Did you see Michael the movie?

1026
00:45:13,080 --> 00:45:16,239
Speaker 2: Uh uh, I don't think Michael or Prince was very

1027
00:45:16,680 --> 00:45:19,040
Speaker 2: well rounded, thoughtful, nice people.

1028
00:45:19,680 --> 00:45:22,439
Speaker 1: Well I tend to believe that Michael Jackson fuck kids,

1029
00:45:25,080 --> 00:45:28,520
Speaker 1: So I'm like absolutely, Hey, at the very least, he

1030
00:45:28,880 --> 00:45:33,040
Speaker 1: spent the night with unaccompanied children in his bedroom.

1031
00:45:33,719 --> 00:45:37,799
Speaker 2: So that's a wrap, that's all we need.

1032
00:45:38,880 --> 00:45:42,360
Speaker 1: And he built a theme park in his backyard and.

1033
00:45:42,480 --> 00:45:45,080
Speaker 2: They found a grip of child porn when they raided

1034
00:45:45,120 --> 00:45:45,719
Speaker 2: his house.

1035
00:45:45,640 --> 00:45:49,080
Speaker 1: And I he was tongue punching little dudes.

1036
00:45:49,200 --> 00:45:52,040
Speaker 2: Buttholes, oh yeah, they all had the same thing about like,

1037
00:45:52,320 --> 00:45:54,480
Speaker 2: yeah we saw that documentary. We don't really know.

1038
00:45:54,600 --> 00:45:58,000
Speaker 1: So they filmed the uh this little this empty building

1039
00:45:58,160 --> 00:46:01,160
Speaker 1: directly next door, same tenant or same or they turned

1040
00:46:01,200 --> 00:46:03,480
Speaker 1: they painted this whole building next door yellow and turned

1041
00:46:03,480 --> 00:46:06,400
Speaker 1: it into like a nineteen seventies or eighties Tower Records

1042
00:46:06,440 --> 00:46:08,680
Speaker 1: for like three days, so we couldn't like, for.

1043
00:46:08,760 --> 00:46:10,719
Speaker 2: The movie it was shot right there next door.

1044
00:46:10,880 --> 00:46:13,799
Speaker 1: Oh shit, Tower Records is just this empty autopart store

1045
00:46:13,880 --> 00:46:16,680
Speaker 1: next door. Oh damn, remember they like shut they shut

1046
00:46:16,719 --> 00:46:18,400
Speaker 1: down the front of the fucking studio. We couldn't like

1047
00:46:18,400 --> 00:46:19,399
Speaker 1: have anybody come in and out.

1048
00:46:19,440 --> 00:46:21,160
Speaker 2: It was like, damn, that's cool. Do you see that?

1049
00:46:21,440 --> 00:46:22,040
Speaker 2: You see the movie?

1050
00:46:22,400 --> 00:46:22,440
Speaker 3: No?

1051
00:46:22,640 --> 00:46:25,719
Speaker 1: No, I honestly I'm I'm like, my wife hates the

1052
00:46:25,760 --> 00:46:28,160
Speaker 1: fact that I am. She went and saw it with

1053
00:46:28,280 --> 00:46:32,880
Speaker 1: my son, and my son's like, oh uh dad uh,

1054
00:46:32,920 --> 00:46:35,560
Speaker 1: I want to get this Michael Jackson shirt. And my

1055
00:46:35,719 --> 00:46:37,960
Speaker 1: wife is so mad at me because I was like,

1056
00:46:38,400 --> 00:46:42,680
Speaker 1: Michael Jackson would have loved you, son, No, because my

1057
00:46:42,760 --> 00:46:44,319
Speaker 1: son's twelve, And I was like, you know, he fucked

1058
00:46:44,320 --> 00:46:46,800
Speaker 1: the kids, and my son he's on TikTok, you know.

1059
00:46:46,920 --> 00:46:49,160
Speaker 1: So I my wife was like, why would you ruin

1060
00:46:49,280 --> 00:46:52,200
Speaker 1: that for him? I'm like, well he was at he

1061
00:46:52,360 --> 00:46:56,360
Speaker 1: was a fucking creep. Yeah, and were whitewashing Joe Jackson

1062
00:46:56,640 --> 00:46:59,440
Speaker 1: like he wasn't a fucking abusive dad who beat his

1063
00:46:59,600 --> 00:47:01,480
Speaker 1: kid in the being a child molester man.

1064
00:47:01,840 --> 00:47:05,800
Speaker 2: Everyone had everyone had stories like that, like everyone was

1065
00:47:05,880 --> 00:47:06,319
Speaker 2: fucked up.

1066
00:47:06,480 --> 00:47:07,400
Speaker 3: It was crazy.

1067
00:47:07,719 --> 00:47:08,880
Speaker 2: Only now are people trying to.

1068
00:47:09,480 --> 00:47:16,120
Speaker 1: Jackson is currently walking around with the head Man.

1069
00:47:17,080 --> 00:47:18,799
Speaker 2: I've seen some good memes on him lately.

1070
00:47:19,880 --> 00:47:21,719
Speaker 1: What are we doing all right? Who else is on

1071
00:47:21,800 --> 00:47:22,160
Speaker 1: the album?

1072
00:47:22,760 --> 00:47:27,920
Speaker 2: Well Ship forty? Uh? That Mexican t two Chains the.

1073
00:47:27,920 --> 00:47:31,520
Speaker 1: Big Dog Records on the album with You and two

1074
00:47:31,600 --> 00:47:32,280
Speaker 1: Chains in ot.

1075
00:47:32,560 --> 00:47:35,520
Speaker 2: Ot Pete and Bos them old folks from Wow, the

1076
00:47:35,640 --> 00:47:37,359
Speaker 2: dudes from Ireland England? Yeah?

1077
00:47:37,800 --> 00:47:38,520
Speaker 3: Are they from England?

1078
00:47:38,560 --> 00:47:39,560
Speaker 1: The two like old Bruhs?

1079
00:47:39,600 --> 00:47:39,759
Speaker 2: Who?

1080
00:47:40,200 --> 00:47:41,399
Speaker 1: Yeah? How do you get them?

1081
00:47:42,280 --> 00:47:46,520
Speaker 2: I don't know? Management? Maybe mutual connection.

1082
00:47:46,640 --> 00:47:48,680
Speaker 1: Wow, they're fucking awesome.

1083
00:47:48,800 --> 00:47:51,080
Speaker 2: Yeah. They fucking killed that ship too, dude.

1084
00:47:52,080 --> 00:47:53,359
Speaker 1: Do you think people write for them?

1085
00:47:53,719 --> 00:47:55,120
Speaker 2: I can't. I don't know. I don't want to. I

1086
00:47:55,160 --> 00:47:57,040
Speaker 2: don't want to. I don't know, I don't I don't wanna.

1087
00:47:57,520 --> 00:48:00,760
Speaker 2: I'm just gonna assume. I like to obviously.

1088
00:48:02,040 --> 00:48:03,120
Speaker 1: I just like their whole thing.

1089
00:48:03,320 --> 00:48:04,359
Speaker 2: Just assume that they're writing.

1090
00:48:04,400 --> 00:48:08,920
Speaker 1: It's just so good And I'm like, Yo, who was there?

1091
00:48:08,960 --> 00:48:10,800
Speaker 1: I want to meet the bru behind the Bruhs.

1092
00:48:11,040 --> 00:48:15,200
Speaker 2: Don't nobody that age know those slang.

1093
00:48:15,280 --> 00:48:17,440
Speaker 1: Dude, I'm like, I just want to shake the guy's

1094
00:48:17,560 --> 00:48:20,520
Speaker 1: hand who's behind the guys and be like yo, I

1095
00:48:20,520 --> 00:48:22,640
Speaker 1: don't know if those guys were like best friends already

1096
00:48:22,760 --> 00:48:24,359
Speaker 1: and they're like, look, I got an idea, Like where

1097
00:48:24,360 --> 00:48:25,799
Speaker 1: about that? I'm let me show you how to get

1098
00:48:26,160 --> 00:48:28,759
Speaker 1: you guys want some fucking pussy. I know you guys

1099
00:48:28,760 --> 00:48:30,759
Speaker 1: are eighty We got viagroin now let me. I'm gonna

1100
00:48:30,760 --> 00:48:32,839
Speaker 1: get y'all lit. And the guy probably owns like all

1101
00:48:32,920 --> 00:48:34,879
Speaker 1: of it, Like whoever is the guy behind? The guy

1102
00:48:35,239 --> 00:48:36,520
Speaker 1: is running it out even if.

1103
00:48:36,480 --> 00:48:38,719
Speaker 2: They don't, even if they don't bro like, they are

1104
00:48:38,840 --> 00:48:41,520
Speaker 2: on pace, they got the they're hitting trips.

1105
00:48:42,760 --> 00:48:44,000
Speaker 1: It sounds so good.

1106
00:48:44,280 --> 00:48:46,760
Speaker 2: Yeah, they sound like they've been doing it for eighty years.

1107
00:48:48,080 --> 00:48:48,719
Speaker 1: Have you met him?

1108
00:48:49,320 --> 00:48:51,879
Speaker 2: No, but they are open to a music video.

1109
00:48:52,760 --> 00:48:54,239
Speaker 1: That's what you gotta get on. You gotta get on

1110
00:48:54,320 --> 00:48:56,200
Speaker 1: the plane for that's that's where you have to do

1111
00:48:56,280 --> 00:48:56,600
Speaker 1: the video.

1112
00:48:56,640 --> 00:48:58,239
Speaker 2: I know. But if I'm over there, I got a

1113
00:48:58,280 --> 00:49:00,799
Speaker 2: tour because this dude's been in my Instagram every single

1114
00:49:00,880 --> 00:49:03,960
Speaker 2: day for the almost nine hundred days, every single post,

1115
00:49:05,000 --> 00:49:07,480
Speaker 2: posting every day till you come to the UK day

1116
00:49:07,640 --> 00:49:10,480
Speaker 2: eight hundred and seventy eight right now and he and

1117
00:49:10,600 --> 00:49:12,200
Speaker 2: he is every day.

1118
00:49:12,200 --> 00:49:14,640
Speaker 1: He's said in a comment, m h all right, you

1119
00:49:14,680 --> 00:49:17,480
Speaker 1: got the old Bruhs on there, forty.

1120
00:49:18,520 --> 00:49:24,960
Speaker 2: Chain ot ot oh yeah, John Ray, Local Cat just

1121
00:49:25,040 --> 00:49:29,600
Speaker 2: a real quick appearance. T Pain. Yeah. Man, we got

1122
00:49:29,640 --> 00:49:33,839
Speaker 2: some great features on it. What a great album, Yes, yeah, yeah,

1123
00:49:33,920 --> 00:49:37,120
Speaker 2: it's it's a really good album. That's the best album

1124
00:49:37,120 --> 00:49:38,439
Speaker 2: I've ever made. I think it's one of the best.

1125
00:49:38,920 --> 00:49:40,240
Speaker 2: I think it would be one of the best records

1126
00:49:40,239 --> 00:49:42,560
Speaker 2: of the year. Comes out June twenty sixth, and if

1127
00:49:42,600 --> 00:49:45,040
Speaker 2: you buy a CD the lowest point of entry, I

1128
00:49:45,040 --> 00:49:47,560
Speaker 2: will sign it and you can get a piece of history. Bro.

1129
00:49:48,600 --> 00:49:50,359
Speaker 2: We have a chance to have the number one rap

1130
00:49:50,440 --> 00:49:55,560
Speaker 2: record in the entire world. It's selling like that. Wow, yeah,

1131
00:49:55,719 --> 00:49:56,400
Speaker 2: that's awesome.

1132
00:49:57,040 --> 00:49:59,799
Speaker 1: And like basically you know what I love. I love

1133
00:50:00,120 --> 00:50:03,400
Speaker 1: like you know when I when you see the homies

1134
00:50:04,080 --> 00:50:06,759
Speaker 1: drop and like you'll I'm I like any anytime any

1135
00:50:06,760 --> 00:50:08,440
Speaker 1: of my friends drop, I was like, like, all right,

1136
00:50:08,680 --> 00:50:10,560
Speaker 1: where they end up on SoundScan, you know, but I

1137
00:50:10,680 --> 00:50:16,520
Speaker 1: just love to see the units actually sold, be like crazy. Yeah,

1138
00:50:16,600 --> 00:50:20,759
Speaker 1: jelly Roll was number two the week he dropped, or

1139
00:50:20,800 --> 00:50:23,080
Speaker 1: you know, he beat Rod Wave, but he was battling

1140
00:50:23,120 --> 00:50:26,760
Speaker 1: with rod Wave because rod Wave streams like fucking crazy.

1141
00:50:26,800 --> 00:50:29,040
Speaker 1: But Jelly Row's sow like one hundred and five thousand

1142
00:50:29,160 --> 00:50:30,040
Speaker 1: physical units.

1143
00:50:30,080 --> 00:50:31,000
Speaker 2: Oh that shit don't happen.

1144
00:50:31,120 --> 00:50:34,800
Speaker 1: I'm not doing that, and I'm like, yo, like that's crazy,

1145
00:50:35,080 --> 00:50:37,120
Speaker 1: Like you know, like I.

1146
00:50:37,120 --> 00:50:38,719
Speaker 2: Think the only reason I'm doing so many units is

1147
00:50:38,800 --> 00:50:40,439
Speaker 2: they can have a free signature of like a moment

1148
00:50:40,480 --> 00:50:42,480
Speaker 2: in time that history, so all my fans will get

1149
00:50:42,520 --> 00:50:42,799
Speaker 2: that shit.

1150
00:50:42,880 --> 00:50:45,200
Speaker 1: So how long have you been like like has the

1151
00:50:45,239 --> 00:50:47,000
Speaker 1: pre orders been available? Because that's the other thing, like

1152
00:50:47,040 --> 00:50:48,680
Speaker 1: you're giving yourself like a runway to like.

1153
00:50:48,719 --> 00:50:51,400
Speaker 2: Hey, yeah, order the album. I still want discovery. I

1154
00:50:51,520 --> 00:50:53,319
Speaker 2: still want people to discover me and shit, so I'm

1155
00:50:53,360 --> 00:50:54,920
Speaker 2: not like so big I can just drop out of

1156
00:50:54,960 --> 00:50:56,759
Speaker 2: nowhere and have that, like do work for me.

1157
00:50:56,880 --> 00:50:59,000
Speaker 1: Are the vinyls already done? No?

1158
00:50:59,360 --> 00:50:59,959
Speaker 2: But they're close.

1159
00:51:01,200 --> 00:51:04,240
Speaker 1: That's another thing. People fuck up. They'll be like Yo, vinyls,

1160
00:51:04,280 --> 00:51:07,359
Speaker 1: don't worry, guys, Vinyls will be out six months because

1161
00:51:07,400 --> 00:51:09,760
Speaker 1: we're a last minute with all these Yeah.

1162
00:51:11,000 --> 00:51:13,000
Speaker 2: Sometimes I wish he would do that. I'm like, man,

1163
00:51:13,040 --> 00:51:15,239
Speaker 2: let's just go now, Like this record is taking so long.

1164
00:51:15,560 --> 00:51:18,000
Speaker 2: There's old songs on this record. But it's like me

1165
00:51:18,080 --> 00:51:20,080
Speaker 2: and him working on everything and he wants to do

1166
00:51:20,120 --> 00:51:22,400
Speaker 2: it the right way business wise, and I want to

1167
00:51:22,440 --> 00:51:24,520
Speaker 2: do it the right way artistically. That you know, it

1168
00:51:24,680 --> 00:51:25,919
Speaker 2: just takes a while.

1169
00:51:26,320 --> 00:51:28,840
Speaker 1: How do you end up doing a song with Kevin Gates?

1170
00:51:28,960 --> 00:51:30,120
Speaker 1: Another very random?

1171
00:51:30,320 --> 00:51:32,640
Speaker 2: Oh Jet, that's dude. You know Adam Straul, I know

1172
00:51:32,760 --> 00:51:34,520
Speaker 2: the name, I don't know. He was with us? And

1173
00:51:35,160 --> 00:51:36,880
Speaker 2: where do we last see each other? On stage?

1174
00:51:36,960 --> 00:51:39,640
Speaker 1: Dilated People's in Phoenix at a reggae festival.

1175
00:51:39,719 --> 00:51:45,680
Speaker 2: Boom, Holy shit, your fucking rain man over here? There

1176
00:51:45,800 --> 00:51:47,960
Speaker 2: was forty seven people on stage backstage for.

1177
00:51:48,920 --> 00:51:50,839
Speaker 1: Was that weird reggae festival? I think was last year

1178
00:51:50,880 --> 00:51:52,040
Speaker 1: with Dilated?

1179
00:51:52,080 --> 00:51:54,120
Speaker 2: Oh yeah, we were watching with kleiefand yeah yeah, yeah,

1180
00:51:54,160 --> 00:51:57,040
Speaker 2: yah uh. He was there with us, so I think

1181
00:51:57,120 --> 00:51:59,799
Speaker 2: he's yeah, it was just it was just some business shit.

1182
00:52:00,480 --> 00:52:01,800
Speaker 1: But is it?

1183
00:52:01,960 --> 00:52:02,160
Speaker 3: Is it?

1184
00:52:02,280 --> 00:52:04,320
Speaker 1: Are you still like super down to like pay for

1185
00:52:04,400 --> 00:52:05,960
Speaker 1: a feature at this point or is most of the

1186
00:52:06,000 --> 00:52:08,720
Speaker 1: stuff you're doing like yo, I like, well.

1187
00:52:08,560 --> 00:52:14,160
Speaker 2: It depends. I like I love to pay someone, to

1188
00:52:14,400 --> 00:52:16,920
Speaker 2: be able to pay someone too, like to show them

1189
00:52:16,960 --> 00:52:22,319
Speaker 2: my appreciation. So yeah, I don't know. I mean, if

1190
00:52:22,320 --> 00:52:24,440
Speaker 2: it's a homie. We're gonna make like an album together,

1191
00:52:24,640 --> 00:52:26,440
Speaker 2: like a three song EP for a song EP. Well

1192
00:52:26,480 --> 00:52:27,959
Speaker 2: just all right, let's go half and half or whatever.

1193
00:52:28,640 --> 00:52:30,640
Speaker 2: But you know, like I'm I'll take I'll take bride

1194
00:52:30,640 --> 00:52:32,080
Speaker 2: and being able to be like what would you like?

1195
00:52:32,200 --> 00:52:32,320
Speaker 2: You know?

1196
00:52:32,400 --> 00:52:35,120
Speaker 1: And then you know, also I feel like to like

1197
00:52:35,840 --> 00:52:37,239
Speaker 1: it's a good look to have you on a song.

1198
00:52:37,880 --> 00:52:39,280
Speaker 1: It's like, yo, come into this world.

1199
00:52:39,719 --> 00:52:41,800
Speaker 2: Yeah it'll be it'll be good for you. Yeah, O

1200
00:52:41,960 --> 00:52:44,040
Speaker 2: t keep on being like damn, man, I didn't know

1201
00:52:44,200 --> 00:52:46,719
Speaker 2: like what I was stepping into. And he's very uh

1202
00:52:47,120 --> 00:52:48,960
Speaker 2: appreciative of being on a big dog too.

1203
00:52:49,080 --> 00:52:52,000
Speaker 1: So do you have anybody who you would want to

1204
00:52:52,840 --> 00:52:54,759
Speaker 1: do like a little banger of an EP with at

1205
00:52:54,800 --> 00:52:56,399
Speaker 1: this point that you haven't worked with yet? Oh?

1206
00:52:56,520 --> 00:52:59,759
Speaker 2: Yeah, tons, I don't know. A little bang that's it.

1207
00:52:59,760 --> 00:53:01,400
Speaker 1: That's within like really you know, like I don't know.

1208
00:53:02,080 --> 00:53:03,840
Speaker 1: I feel like you and yellowf would be a funny

1209
00:53:03,880 --> 00:53:06,040
Speaker 1: p mmmm.

1210
00:53:07,800 --> 00:53:08,960
Speaker 2: Yeah I funk with that.

1211
00:53:09,120 --> 00:53:11,920
Speaker 1: We I mean, we just spent a month together, a

1212
00:53:11,960 --> 00:53:13,040
Speaker 1: couple of whites rapping.

1213
00:53:13,320 --> 00:53:16,040
Speaker 2: Yeah, it might get too powerful, man, I don't know,

1214
00:53:16,120 --> 00:53:16,920
Speaker 2: remind me too much.

1215
00:53:17,280 --> 00:53:18,960
Speaker 1: You got to bring the South and the North together.

1216
00:53:22,480 --> 00:53:25,799
Speaker 2: Yeah, that's there.

1217
00:53:27,120 --> 00:53:30,440
Speaker 1: Just there's two pockets of rap fans just coming together.

1218
00:53:31,280 --> 00:53:35,120
Speaker 2: Here forming like Vultron, the ultimate white rap record.

1219
00:53:37,120 --> 00:53:37,920
Speaker 1: That'd be dope, though.

1220
00:53:38,600 --> 00:53:41,560
Speaker 2: Yeah, I'm I'm with them. I've already made a couple

1221
00:53:41,560 --> 00:53:43,160
Speaker 2: of songs with them. We could throw that on there already.

1222
00:53:43,239 --> 00:53:45,560
Speaker 2: We made some old joints. Have you ever heard anything

1223
00:53:45,960 --> 00:53:48,560
Speaker 2: song me and him? We got a couple from way

1224
00:53:48,640 --> 00:53:49,120
Speaker 2: back in the day.

1225
00:53:49,280 --> 00:53:51,880
Speaker 1: Yeah, so you guys, you guys already have that relationship?

1226
00:53:52,840 --> 00:53:55,560
Speaker 1: Was a do you feel like when it comes to

1227
00:53:55,680 --> 00:53:59,560
Speaker 1: hip hop? Is would you consider like slug like the

1228
00:53:59,640 --> 00:54:02,080
Speaker 1: goat of Minneapolis when it comes to the rap?

1229
00:54:02,160 --> 00:54:02,920
Speaker 2: Shit? Nah?

1230
00:54:03,400 --> 00:54:04,120
Speaker 1: Who is the goat?

1231
00:54:04,640 --> 00:54:04,680
Speaker 3: Me?

1232
00:54:05,280 --> 00:54:05,960
Speaker 2: You? Yeah?

1233
00:54:06,480 --> 00:54:11,120
Speaker 1: Okay, fair enough? I respect it. Yeah? What about like,

1234
00:54:11,960 --> 00:54:14,800
Speaker 1: because there's so many other underappreciated guys, I feel like

1235
00:54:14,920 --> 00:54:17,319
Speaker 1: Adam Minneapolis. Who do you feel like the doesn't get

1236
00:54:17,400 --> 00:54:19,280
Speaker 1: enough flowers? Like nationally?

1237
00:54:20,360 --> 00:54:22,920
Speaker 2: Well? Shit, probably the north Side right now. There's so

1238
00:54:23,000 --> 00:54:24,920
Speaker 2: many out of the north Side right now, black rappers

1239
00:54:25,000 --> 00:54:28,000
Speaker 2: out the north side of Minneapolis. Yeah, killing it. I

1240
00:54:28,120 --> 00:54:31,080
Speaker 2: just wish there was more, Like I don't know, I

1241
00:54:31,120 --> 00:54:33,759
Speaker 2: don't know how to get it done anymore. But there's

1242
00:54:34,120 --> 00:54:38,320
Speaker 2: fucking John Ray's going crazy, Prince Riley's dope. Man, I

1243
00:54:38,360 --> 00:54:40,200
Speaker 2: don't want to miss anybody now. Now I'm just gonna

1244
00:54:40,200 --> 00:54:41,680
Speaker 2: go off the slope and everyone's gonna be like, you

1245
00:54:41,719 --> 00:54:45,960
Speaker 2: didn't say me, Pete will yet. Man, there's so many,

1246
00:54:46,120 --> 00:54:49,120
Speaker 2: but there's a lot of underappreciated rappers out of the

1247
00:54:49,120 --> 00:54:50,239
Speaker 2: North side of Minneapolis right now.

1248
00:54:50,360 --> 00:54:53,080
Speaker 1: Is the vibe between Saint Paul and Minneapolis like super different?

1249
00:54:53,520 --> 00:54:55,160
Speaker 2: Oh yeah, yeah, because.

1250
00:54:54,880 --> 00:54:57,239
Speaker 1: I lived in Tampa and they have Saint Petersburg and

1251
00:54:57,320 --> 00:55:00,319
Speaker 1: Tampa and it's very different. It's like there's like each

1252
00:55:00,400 --> 00:55:02,239
Speaker 1: each side has got its own thing going, you know

1253
00:55:02,280 --> 00:55:02,719
Speaker 1: what I'm saying.

1254
00:55:03,040 --> 00:55:06,279
Speaker 2: Yeah, people, Twins cities for real, there ain't ship to

1255
00:55:06,400 --> 00:55:11,680
Speaker 2: do like life and Saint Paul's like sleepier got their

1256
00:55:11,719 --> 00:55:14,279
Speaker 2: ship together a little bit more like I don't know,

1257
00:55:14,440 --> 00:55:17,160
Speaker 2: like Minneapolis is like the rock star number one and

1258
00:55:17,320 --> 00:55:18,040
Speaker 2: Saint Paul.

1259
00:55:17,960 --> 00:55:20,960
Speaker 1: Is like I spent a weekend there. I only went once.

1260
00:55:21,160 --> 00:55:23,839
Speaker 1: I almost started working at GO ninety five to three.

1261
00:55:24,120 --> 00:55:28,160
Speaker 1: Oh yeah, yeahs was on there. It was when Peter

1262
00:55:28,239 --> 00:55:32,279
Speaker 1: Parker first launched the station. Oh yeah, and uh they

1263
00:55:32,320 --> 00:55:34,320
Speaker 1: had a cool thing going, and I think like the

1264
00:55:34,400 --> 00:55:37,279
Speaker 1: brothers who owned the Twins owned the stations. So like

1265
00:55:37,640 --> 00:55:39,120
Speaker 1: we got them doing the interview and they're like, hey,

1266
00:55:39,160 --> 00:55:40,960
Speaker 1: you want to walk across the street to the Twins game?

1267
00:55:41,520 --> 00:55:44,200
Speaker 1: And I was like, I mean they're like no that

1268
00:55:44,200 --> 00:55:45,839
Speaker 1: I don't think to understand. Like we're like we we're

1269
00:55:45,880 --> 00:55:48,600
Speaker 1: like technically employees of the Twins. Like over here, like

1270
00:55:48,680 --> 00:55:49,719
Speaker 1: buzzing into the That was a.

1271
00:55:49,760 --> 00:55:52,200
Speaker 2: Cool gig bro like that was a great place. They

1272
00:55:52,239 --> 00:55:53,600
Speaker 2: spent a lot of money on that. That was a

1273
00:55:53,640 --> 00:55:55,120
Speaker 2: pole lad whoever owns the Twins.

1274
00:55:54,920 --> 00:55:57,279
Speaker 1: And pole Ax, Yeah, such a great station too. They

1275
00:55:57,280 --> 00:55:58,759
Speaker 1: were playing something, they were doing it.

1276
00:55:58,800 --> 00:56:03,759
Speaker 2: And they gave uh pete like power to play a

1277
00:56:03,800 --> 00:56:05,640
Speaker 2: lot of things. Are doing it the right way? Yeah,

1278
00:56:05,640 --> 00:56:08,799
Speaker 2: and then but it was just like radio which was dying.

1279
00:56:09,239 --> 00:56:12,319
Speaker 2: Yeah anyways, so even their deep pocketed asses couldn't do nothing.

1280
00:56:12,320 --> 00:56:13,719
Speaker 1: That's how I got put on the Lizzo. I was

1281
00:56:13,760 --> 00:56:18,240
Speaker 1: in town and like, what's her DJ's name, Sophia Sophia

1282
00:56:18,320 --> 00:56:21,120
Speaker 1: Harris was telling me like, yeah, she was like a

1283
00:56:21,200 --> 00:56:22,600
Speaker 1: DJ for a Lizzo And I was like, I don't

1284
00:56:22,600 --> 00:56:25,560
Speaker 1: know who that is. And I was like, oh, she's lit.

1285
00:56:25,640 --> 00:56:29,120
Speaker 1: But this was like twenty fuck twenty.

1286
00:56:29,200 --> 00:56:31,719
Speaker 2: Sixteen, fifteen sixteen, seventeen something like that, something like that.

1287
00:56:32,239 --> 00:56:33,680
Speaker 1: What a time an All right, So the new album's

1288
00:56:33,719 --> 00:56:37,680
Speaker 1: coming out in June. Yeah, June twenty sixth, and uh yeah,

1289
00:56:38,360 --> 00:56:40,480
Speaker 1: got a lot of videos in the can. They're all

1290
00:56:40,560 --> 00:56:43,040
Speaker 1: done now, man, we have I'm sitting on fucking content.

1291
00:56:43,880 --> 00:56:47,200
Speaker 1: I could fucking I'm gonna go move to Vietnam and

1292
00:56:47,239 --> 00:56:48,879
Speaker 1: you're still gonna be seeing me. I have a buddy

1293
00:56:48,920 --> 00:56:50,560
Speaker 1: named Eric le Rock currently in Vietnam.

1294
00:56:50,800 --> 00:56:53,360
Speaker 2: I fuck with Vietnam heavy. I spent eighteen days in Vietnam.

1295
00:56:53,560 --> 00:56:55,120
Speaker 1: Did you I heard it's very cheap.

1296
00:56:55,640 --> 00:56:56,320
Speaker 2: It's amazing.

1297
00:56:56,680 --> 00:56:59,600
Speaker 1: I love the food, really good food. Day eighteen days.

1298
00:56:59,600 --> 00:57:01,239
Speaker 1: What were you up to where it? Just like I

1299
00:57:01,360 --> 00:57:03,040
Speaker 1: just want to get it like because people will like

1300
00:57:03,120 --> 00:57:04,959
Speaker 1: literally go there and just unplug from the world.

1301
00:57:05,120 --> 00:57:07,759
Speaker 2: Yes, that's the place I will when I travel. I

1302
00:57:07,800 --> 00:57:09,600
Speaker 2: don't want to go back to no place because the

1303
00:57:09,640 --> 00:57:11,520
Speaker 2: earth is too big. Of course, I go back to Vietnam.

1304
00:57:12,280 --> 00:57:14,560
Speaker 1: Was it what's the name of that beach town? I

1305
00:57:14,600 --> 00:57:16,720
Speaker 1: heard the Psycho vibe. There's like a beach city there

1306
00:57:16,800 --> 00:57:19,000
Speaker 1: that's popular. I forget what it's called, but it's it's

1307
00:57:19,120 --> 00:57:21,800
Speaker 1: it's it's sexy, bro like And I heard.

1308
00:57:21,680 --> 00:57:24,960
Speaker 2: You get like Hanoi Saigon they like to all the

1309
00:57:25,000 --> 00:57:26,760
Speaker 2: locals still called Saigon and what it's hoped you in.

1310
00:57:27,000 --> 00:57:28,360
Speaker 1: What's your favorite country you've been to.

1311
00:57:29,920 --> 00:57:30,560
Speaker 2: America?

1312
00:57:31,200 --> 00:57:32,600
Speaker 1: Yeah, I mean you were born here.

1313
00:57:32,680 --> 00:57:34,760
Speaker 2: I mean I'm not really that well traveled.

1314
00:57:35,040 --> 00:57:36,440
Speaker 1: Oh you know, never did Thailand.

1315
00:57:37,200 --> 00:57:40,280
Speaker 2: No, I just it was just Vietnam. I would do

1316
00:57:40,360 --> 00:57:43,439
Speaker 2: a little Cambodia Thailand type of loop.

1317
00:57:43,680 --> 00:57:48,680
Speaker 1: Thailand is the most coolest dynamic country I've ever been to.

1318
00:57:48,920 --> 00:57:51,880
Speaker 2: I think Vietnam is like people compare a lot, but

1319
00:57:52,080 --> 00:57:54,120
Speaker 2: I think Vietnam doesn't have like the traffic yet.

1320
00:57:54,240 --> 00:57:56,320
Speaker 1: Yeah, because you could go to Bangkok and it's like

1321
00:57:56,520 --> 00:57:58,960
Speaker 1: being in New York City. But then if you go

1322
00:57:59,000 --> 00:58:03,400
Speaker 1: to Puquet, it's like Vegas fucked Hawaii. Yeah, it's wild

1323
00:58:03,480 --> 00:58:06,560
Speaker 1: out there, but what there's like elephants and ship.

1324
00:58:06,480 --> 00:58:09,520
Speaker 2: Yeah Vegas fucked Hawaii with elephants, say.

1325
00:58:10,400 --> 00:58:13,440
Speaker 1: It's fucking crazy. Well, listen, the new album is coming, man,

1326
00:58:13,480 --> 00:58:15,240
Speaker 1: I appreciate you pulling up. Glad. We finally got to

1327
00:58:15,280 --> 00:58:15,760
Speaker 1: make it happen.

1328
00:58:17,360 --> 00:58:21,240
Speaker 2: Tour Coming, Tour coming, Yeah, we announced it a little

1329
00:58:21,320 --> 00:58:24,160
Speaker 2: lead up tour to a big show, a grand finale

1330
00:58:24,280 --> 00:58:27,640
Speaker 2: in Minneapolis. It'll be this year's Red Rocks ten thousand

1331
00:58:27,720 --> 00:58:31,200
Speaker 2: cap venue in Minneapolis. Yea, dude, that's fucking awesome at

1332
00:58:31,200 --> 00:58:34,400
Speaker 2: the Armory November seventh. You might have to move it

1333
00:58:34,440 --> 00:58:35,760
Speaker 2: to the Target Center if you sell out.

1334
00:58:37,280 --> 00:58:42,240
Speaker 1: Well, we'll see you guys Links fans over there.

1335
00:58:42,520 --> 00:58:44,760
Speaker 2: Yeah, hell yeah, w NBA and hell yeah, that's just

1336
00:58:44,880 --> 00:58:47,360
Speaker 2: like that's our only team, that's our only good team.

1337
00:58:47,840 --> 00:58:51,560
Speaker 1: Yeah, you guys got rings there. Yeah, I love you guys,

1338
00:58:51,600 --> 00:58:59,640
Speaker 1: as I'm gonna be there for SummerSlam. I'm coming to Minnesota. Aw,

1339
00:59:00,560 --> 00:59:05,840
Speaker 1: it's so good, it's so good. Yeah, SummerSlam, we're gonna

1340
00:59:05,840 --> 00:59:10,440
Speaker 1: be out in your city. Washington Wrestling Jelly Roll will

1341
00:59:10,440 --> 00:59:12,240
Speaker 1: be there. Well, we have a good time. Yeah, yeah,

1342
00:59:12,240 --> 00:59:15,120
Speaker 1: it's uh when what day? I think it's in August,

1343
00:59:15,200 --> 00:59:18,400
Speaker 1: early August, August first first weekend of August. We'll be

1344
00:59:18,440 --> 00:59:21,240
Speaker 1: out there when it's actually nice, because it's really it

1345
00:59:21,320 --> 00:59:23,120
Speaker 1: can get nice out there, and it can get too hot,

1346
00:59:23,600 --> 00:59:26,360
Speaker 1: and it can also August can be Yeah. Yeah, all right,

1347
00:59:26,400 --> 00:59:30,440
Speaker 1: I appreciate your brother, my dog, prof Man appreciate you. Hey,

1348
00:59:30,520 --> 00:59:32,880
Speaker 1: want to shout out to our new sponsor over at

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Speaker 1: Shout out to Ease