1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:07,880 Speaker 1: Weekly Zitgeist. Uh These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,040 --> 00:00:22,440 Speaker 1: last stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:26,599 Speaker 1: the Weekly Zeitgeist. Really, Cody, how are you doing? Man? 6 00:00:26,640 --> 00:00:30,319 Speaker 1: How is uh? How is you know? I gotta say, 7 00:00:30,360 --> 00:00:34,519 Speaker 1: like I doing bizarrely well, Like I stopped counting the 8 00:00:34,560 --> 00:00:37,120 Speaker 1: days one day, like sixty hit, but for like the 9 00:00:37,159 --> 00:00:40,920 Speaker 1: first forty days, like my existence wasn't too much different 10 00:00:40,920 --> 00:00:42,560 Speaker 1: than it normally is as far as like just staying 11 00:00:42,560 --> 00:00:45,120 Speaker 1: in my apartment and not going anywhere. Uh so, like 12 00:00:45,280 --> 00:00:47,400 Speaker 1: that's been pretty normal. The only thing that I'm missing 13 00:00:48,000 --> 00:00:51,760 Speaker 1: is guys. I um, like I missed just grabbing like 14 00:00:51,880 --> 00:00:55,080 Speaker 1: expensive lunches with friends, Like that's the one thing, Like 15 00:00:55,160 --> 00:00:58,840 Speaker 1: just getting getting some sushi, getting some like pozsa like 16 00:00:58,920 --> 00:01:00,920 Speaker 1: all That's the only thing that I've really been missing. 17 00:01:01,680 --> 00:01:03,960 Speaker 1: Like I I've gotten this thing lately where I've just 18 00:01:04,000 --> 00:01:06,440 Speaker 1: been taking drives like once a week, like I'll go 19 00:01:06,520 --> 00:01:08,840 Speaker 1: like the like I'll drive to like long Beach out 20 00:01:08,880 --> 00:01:11,360 Speaker 1: of the pH like drive deep into the valley and 21 00:01:11,400 --> 00:01:13,520 Speaker 1: come back. Like that's been like the thing that's been 22 00:01:13,600 --> 00:01:17,400 Speaker 1: keeping me mentally the most cleared and anchored over the past, 23 00:01:17,480 --> 00:01:19,800 Speaker 1: Like I guess three months at this point that doing 24 00:01:19,880 --> 00:01:23,240 Speaker 1: happ monts. Yeah, that ushould be a thing that people did. 25 00:01:23,319 --> 00:01:26,479 Speaker 1: I think in like at least based on my deep 26 00:01:26,600 --> 00:01:30,880 Speaker 1: historical knowledge from Madmen. Uh and like one other movie, 27 00:01:31,680 --> 00:01:34,600 Speaker 1: I think people used to like go on the Sunday 28 00:01:34,720 --> 00:01:38,840 Speaker 1: drive together where driving was the destination, Like people would 29 00:01:38,880 --> 00:01:42,560 Speaker 1: you drive for pleasure? Uh? And I find myself like 30 00:01:42,760 --> 00:01:45,319 Speaker 1: coming up with an excuse to just like go for 31 00:01:45,400 --> 00:01:48,120 Speaker 1: a spin around the neighborhood. That used to be like 32 00:01:48,160 --> 00:01:50,920 Speaker 1: the whole thing when like in high school, like when 33 00:01:50,920 --> 00:01:53,040 Speaker 1: we were driving a ship, albums would come out on 34 00:01:53,080 --> 00:01:56,160 Speaker 1: Tuesdays and you pick up a new CD and then 35 00:01:56,200 --> 00:02:00,560 Speaker 1: you'd go fucking mob around in Johnny Jnald's infinity, you 36 00:02:00,600 --> 00:02:02,080 Speaker 1: know what I mean, shout out to that path of 37 00:02:02,240 --> 00:02:04,559 Speaker 1: that q X four with on twenties and those guys 38 00:02:04,560 --> 00:02:07,080 Speaker 1: tried to rob us at one time, but that was 39 00:02:07,600 --> 00:02:11,679 Speaker 1: like the activity was merely just like music and driving. Yeah, 40 00:02:11,720 --> 00:02:13,919 Speaker 1: I'm realizing I'm doing that again a little bit too, 41 00:02:13,919 --> 00:02:16,280 Speaker 1: where like like you're saying, Cody, I'll take the I'll 42 00:02:16,280 --> 00:02:20,400 Speaker 1: take the longest way to go get something that they've 43 00:02:20,520 --> 00:02:23,880 Speaker 1: dropped the Chronic on Spotify like two or three weeks ago, 44 00:02:23,919 --> 00:02:25,400 Speaker 1: and I put that on and drove the Long Beach 45 00:02:25,440 --> 00:02:28,040 Speaker 1: and man, let me tell you, it was a mood. 46 00:02:28,200 --> 00:02:31,880 Speaker 1: It was a good mood voice. The nice thing for 47 00:02:31,919 --> 00:02:34,080 Speaker 1: me it has been that I have never had a 48 00:02:34,160 --> 00:02:43,040 Speaker 1: driver's license, so there's nothing, there's nothing to miss really design. Yeah, 49 00:02:43,120 --> 00:02:45,960 Speaker 1: I walk, I only go as far as the Walgreens 50 00:02:46,000 --> 00:02:49,240 Speaker 1: and then there's an invisible force field because you're stuck 51 00:02:49,280 --> 00:02:52,760 Speaker 1: in your own little video TV over here. Cody, you've 52 00:02:52,800 --> 00:02:57,680 Speaker 1: also been blessing the world and super producer Daniel who's 53 00:02:57,720 --> 00:03:01,639 Speaker 1: not here today but big Oh Boys fan, and he 54 00:03:01,720 --> 00:03:08,040 Speaker 1: came letting us know about the Baja Blast homage. Yeah. 55 00:03:08,520 --> 00:03:11,760 Speaker 1: So first of all, like so like, uh, I want 56 00:03:11,760 --> 00:03:13,840 Speaker 1: to I want to set the record strate I gave 57 00:03:13,919 --> 00:03:17,680 Speaker 1: the wrong mix level and the dough Boys, I said 58 00:03:17,680 --> 00:03:24,400 Speaker 1: one to one it should be Mountain Dew Blue Power Raid, 59 00:03:24,480 --> 00:03:28,160 Speaker 1: Blue Power Raid, not Gatorade Blue Power LL. Keep it 60 00:03:28,160 --> 00:03:30,360 Speaker 1: in the Pepsi family. Yeah, Pepsi family. I want about 61 00:03:30,360 --> 00:03:31,840 Speaker 1: that branding. What Kim on a shout out kings we 62 00:03:31,919 --> 00:03:37,480 Speaker 1: stand um. I will say that even with that ratio. 63 00:03:37,920 --> 00:03:41,800 Speaker 1: It is there is so much high fruit toast corn 64 00:03:41,800 --> 00:03:44,560 Speaker 1: suit that you're putting into your body that like you 65 00:03:44,680 --> 00:03:47,880 Speaker 1: instantly get sleepy and shut down. So like, I gotta say, 66 00:03:48,360 --> 00:03:50,280 Speaker 1: don't do it when you have things to do during 67 00:03:50,320 --> 00:03:52,880 Speaker 1: the day. If you're like, you know, maybe you're like 68 00:03:52,920 --> 00:03:54,920 Speaker 1: you're like actually care about the things that you put 69 00:03:54,920 --> 00:03:56,680 Speaker 1: in your body and not like me, you just ingest 70 00:03:57,000 --> 00:04:00,840 Speaker 1: all types of organ meats and poison. I will say 71 00:04:01,200 --> 00:04:03,560 Speaker 1: I would not recommend doing it more than once a day, 72 00:04:03,640 --> 00:04:05,200 Speaker 1: or maybe even more than once a week. It's a 73 00:04:05,240 --> 00:04:07,000 Speaker 1: lot of It's like it's a lot of glue coast 74 00:04:07,000 --> 00:04:09,480 Speaker 1: you're putting into your body. But if you're looking for 75 00:04:09,480 --> 00:04:11,839 Speaker 1: a hack and you're like you're not near o taco bell, 76 00:04:12,640 --> 00:04:16,000 Speaker 1: get that going in and'll set your life straight. All right? 77 00:04:16,839 --> 00:04:20,720 Speaker 1: Have you tried the Baha blasts mountain dew zero that 78 00:04:20,760 --> 00:04:23,360 Speaker 1: they've been singing cans that I didn't even know that 79 00:04:23,360 --> 00:04:26,279 Speaker 1: that is breaking news? Wait what is this? Hit the 80 00:04:26,320 --> 00:04:32,760 Speaker 1: shell yourself? So listen, I've got some breaking news of 81 00:04:32,800 --> 00:04:35,680 Speaker 1: my own. Is I got a bad batch. I got 82 00:04:35,760 --> 00:04:40,200 Speaker 1: a bunch of flat mountain dew a zero Baha blasts, 83 00:04:40,760 --> 00:04:43,280 Speaker 1: which is very unhappy bat Wait, what do you got 84 00:04:43,320 --> 00:04:47,920 Speaker 1: a bad batch? Like? What was? Properly? It flash flat? 85 00:04:48,880 --> 00:04:52,200 Speaker 1: You should go back to the grocery store now more 86 00:04:52,240 --> 00:04:54,440 Speaker 1: than ever, you should know more than get them a 87 00:04:54,480 --> 00:04:57,560 Speaker 1: piece of my mind and let me let me fill 88 00:04:57,680 --> 00:05:01,440 Speaker 1: you going off and you open each can go You 89 00:05:01,440 --> 00:05:12,200 Speaker 1: hear that nothing. You hear that nothing. You hear that nothing. Unfortunately, 90 00:05:12,320 --> 00:05:16,120 Speaker 1: I have more than enough of good batches because I 91 00:05:16,440 --> 00:05:20,760 Speaker 1: bought out the whole shelf, so flex you seem to 92 00:05:20,800 --> 00:05:22,719 Speaker 1: be the only person with that problem. Everyone else been 93 00:05:22,720 --> 00:05:25,360 Speaker 1: happy and like Cody said, I came here for carbonation 94 00:05:25,839 --> 00:05:34,679 Speaker 1: obsca can guys, what is a myth? What's something people 95 00:05:34,720 --> 00:05:38,400 Speaker 1: think is true you know to be false or vice versa. 96 00:05:38,880 --> 00:05:40,920 Speaker 1: So we talked about this. I mean, this is an 97 00:05:40,920 --> 00:05:45,360 Speaker 1: old this is again another very old reference. But there 98 00:05:45,480 --> 00:05:47,680 Speaker 1: was a think there was a myth going around in 99 00:05:47,680 --> 00:05:52,960 Speaker 1: the ninet eighties about Phil Collins, lead singer of Genesis. 100 00:05:53,560 --> 00:05:56,520 Speaker 1: Phil Collins sang a song in the air tonight, and 101 00:05:56,560 --> 00:06:00,320 Speaker 1: the myth about the song was that he had watched 102 00:06:00,760 --> 00:06:06,000 Speaker 1: someone else watch someone drowned, which we're like, doesn't that 103 00:06:06,040 --> 00:06:09,560 Speaker 1: mean you watched them drowned watched him? I was just 104 00:06:09,680 --> 00:06:21,479 Speaker 1: focused on the bystanders watch I had so so. So 105 00:06:21,600 --> 00:06:24,320 Speaker 1: then apparently he wrote in the inter night where the 106 00:06:24,400 --> 00:06:26,800 Speaker 1: lyrics in the song where and I was there and 107 00:06:26,839 --> 00:06:29,159 Speaker 1: I saw what you did, saw it with my own 108 00:06:29,200 --> 00:06:31,839 Speaker 1: two eyes, which is somewhat of a bit misnomer because 109 00:06:31,880 --> 00:06:33,599 Speaker 1: he didn't do anything. He just sat there and watched 110 00:06:33,600 --> 00:06:35,600 Speaker 1: the guy drowned, So you saw what he didn't do. 111 00:06:35,880 --> 00:06:37,720 Speaker 1: But so you you were there, you saw what he did. 112 00:06:37,720 --> 00:06:40,640 Speaker 1: So here. So then the myth was that he invited 113 00:06:40,760 --> 00:06:45,159 Speaker 1: that guy to a concert and then saying that song 114 00:06:45,360 --> 00:06:48,479 Speaker 1: to him to let him know that he saw him 115 00:06:48,640 --> 00:06:52,040 Speaker 1: watch another person drop, which to us was like sounds 116 00:06:52,080 --> 00:06:57,039 Speaker 1: like a logistical nightmare, because what if you send the 117 00:06:57,080 --> 00:06:59,640 Speaker 1: guy tickets and he gotta like be like did he 118 00:06:59,680 --> 00:07:03,960 Speaker 1: get here? Now the whole band is in on it too. 119 00:07:04,080 --> 00:07:06,320 Speaker 1: They're like, guys, Phil Collins is like saying to like 120 00:07:06,360 --> 00:07:09,360 Speaker 1: Mike Rutherford, the other guys in Genesis that was in Genesis, 121 00:07:09,440 --> 00:07:13,000 Speaker 1: is Phil Collins by himself that he's saying to the band, Hey, guys, listen, 122 00:07:13,200 --> 00:07:15,160 Speaker 1: we gotta have a real loose set list tonight. It's 123 00:07:15,200 --> 00:07:17,160 Speaker 1: got to bounce around, because what if he's like ready 124 00:07:17,200 --> 00:07:19,000 Speaker 1: to sing the song and the guy's out taking a leak, 125 00:07:19,320 --> 00:07:22,480 Speaker 1: you know what I mean. Dogs. So now it's like, 126 00:07:22,520 --> 00:07:24,240 Speaker 1: maybe did they start the song and then notice he 127 00:07:24,320 --> 00:07:25,960 Speaker 1: was gone and go to another song, and then it 128 00:07:26,000 --> 00:07:29,360 Speaker 1: makes him look very It's it's a plan with a 129 00:07:29,440 --> 00:07:32,520 Speaker 1: lot of holes. That feels like a huge mistake. So 130 00:07:32,560 --> 00:07:34,880 Speaker 1: that feels like a myth that you know, we all 131 00:07:34,920 --> 00:07:39,880 Speaker 1: accept is true. But it didn't happen. He really did 132 00:07:39,880 --> 00:07:43,080 Speaker 1: see someone drowned. Orde A lot of people still believe 133 00:07:43,120 --> 00:07:44,880 Speaker 1: that though, like that he and then he's just trying 134 00:07:44,920 --> 00:07:48,040 Speaker 1: to create some kind of layer of like liability insurance. 135 00:07:48,480 --> 00:07:57,080 Speaker 1: I watch having marital trouble witness somebody drowned, and that's 136 00:07:57,120 --> 00:08:00,080 Speaker 1: why I wrote this. There's a lot of people in 137 00:08:00,160 --> 00:08:05,040 Speaker 1: Phil Collins life who are saying, are you your friend? Yeah? Exactly. 138 00:08:05,320 --> 00:08:08,640 Speaker 1: I think people believe that he saw something because how 139 00:08:08,680 --> 00:08:11,240 Speaker 1: would you write that song. I mean unless he just 140 00:08:11,400 --> 00:08:14,440 Speaker 1: is like it's a metaphor for you know whatever. But 141 00:08:14,480 --> 00:08:17,280 Speaker 1: maybe two hearts beating it. Just one time was him 142 00:08:17,320 --> 00:08:20,520 Speaker 1: saying those two people are actually one. It's all me 143 00:08:21,840 --> 00:08:26,360 Speaker 1: his confession song. There you go. Yeah, I have to 144 00:08:26,440 --> 00:08:29,720 Speaker 1: think that's true. I think we've solved it. We solved it. 145 00:08:29,800 --> 00:08:32,679 Speaker 1: We busted that myth? What was your other myth? Friend? 146 00:08:33,200 --> 00:08:35,920 Speaker 1: I think New Genics is like a crazy myth that 147 00:08:36,000 --> 00:08:38,280 Speaker 1: it helps you because you know, you see all those 148 00:08:38,280 --> 00:08:41,200 Speaker 1: ads for like Frank Thomas, you know, the former White 149 00:08:41,200 --> 00:08:46,000 Speaker 1: Side Hurts. The woman the woman, the woman at the 150 00:08:46,000 --> 00:08:48,160 Speaker 1: restaurant is like, no, no, they're at the bar. She's like, hey, 151 00:08:48,200 --> 00:08:50,880 Speaker 1: that's Frank Thomas, the big hurt. It's like, you don't 152 00:08:50,920 --> 00:08:53,400 Speaker 1: know that that's the big hurt, right, you don't. I 153 00:08:53,520 --> 00:08:56,080 Speaker 1: know that as a child of the nineties, like who 154 00:08:56,120 --> 00:08:59,240 Speaker 1: loved baseball? But like every time I see that. The 155 00:08:59,240 --> 00:09:01,520 Speaker 1: first time, I said, like ver so jarring because I 156 00:09:01,559 --> 00:09:04,280 Speaker 1: was like, what I mean A Frank Thomas looks great? 157 00:09:04,400 --> 00:09:07,520 Speaker 1: No shade to him, bo, who who could he possibly 158 00:09:07,559 --> 00:09:10,560 Speaker 1: be selling something? I mean, I mean, I don't want 159 00:09:10,559 --> 00:09:13,440 Speaker 1: to throw shade him. He looks fine, all right. He 160 00:09:13,640 --> 00:09:16,960 Speaker 1: doesn't look like unbelievable. It's not like you look at 161 00:09:17,000 --> 00:09:18,880 Speaker 1: Frank times and you're like, oh, I watched like Mike 162 00:09:18,920 --> 00:09:21,480 Speaker 1: Tyson throw some punches in like a little like video 163 00:09:21,559 --> 00:09:23,960 Speaker 1: just playing. I'm like that dude is in his fifties 164 00:09:24,040 --> 00:09:27,360 Speaker 1: and like he's jacked and he's like Frank Thomas doesn't 165 00:09:27,360 --> 00:09:31,000 Speaker 1: look like that fright. Thomas looks like smooth and Thomas 166 00:09:31,040 --> 00:09:33,040 Speaker 1: looks like it looks like he wasn't like abusing his 167 00:09:33,160 --> 00:09:37,520 Speaker 1: body after the sports more, Frank Thomas looks like he 168 00:09:37,600 --> 00:09:42,520 Speaker 1: works out three days a week and only his upper body. Okay, Frank, 169 00:09:43,440 --> 00:09:46,040 Speaker 1: he certainly doesn't look like he's been cut out of 170 00:09:46,120 --> 00:09:50,880 Speaker 1: grantic by nugenics. Frank Thomas looks like someone who like, 171 00:09:51,080 --> 00:09:54,160 Speaker 1: at meals with his wife is like, she's like, you've 172 00:09:54,160 --> 00:09:56,680 Speaker 1: had don't have another piece of bread because the meal 173 00:09:56,760 --> 00:10:03,160 Speaker 1: is coming. He's like, I can back up eugenics. Eugenic 174 00:10:03,240 --> 00:10:05,240 Speaker 1: says that, and these people are freaking out, and then 175 00:10:05,280 --> 00:10:07,480 Speaker 1: the guy and then he says to the guy, and 176 00:10:07,559 --> 00:10:10,160 Speaker 1: she'll enjoy it too. And my son watched that, and 177 00:10:10,200 --> 00:10:12,360 Speaker 1: my son was like, he's eleven. He's like why, And 178 00:10:12,400 --> 00:10:14,480 Speaker 1: I'm like, I don't know. I don't know why. You 179 00:10:14,520 --> 00:10:16,760 Speaker 1: don't know why. She'll enjoy it. I really don't wat 180 00:10:17,160 --> 00:10:21,640 Speaker 1: enjoy it. It tastes good, It tastes like I was 181 00:10:21,720 --> 00:10:24,760 Speaker 1: just reading up Phil collins On. Fallon said that the 182 00:10:24,840 --> 00:10:28,120 Speaker 1: meaning was he was going through a divorce. Oh that's 183 00:10:28,200 --> 00:10:32,280 Speaker 1: that's what he said. So he saw someone else watch 184 00:10:32,400 --> 00:10:37,080 Speaker 1: someone drowndrowning and you could not lend a hand. Yeah right, Okay, 185 00:10:37,120 --> 00:10:39,120 Speaker 1: I mean, look, it's all metaphors, you know, Like I 186 00:10:39,120 --> 00:10:41,680 Speaker 1: guess in that stage you can use that to explain. Okay, 187 00:10:42,080 --> 00:10:46,920 Speaker 1: should really break it down. Yes, how how is him 188 00:10:46,960 --> 00:10:50,559 Speaker 1: going through a divorce? How is that watching and watching 189 00:10:50,600 --> 00:10:54,160 Speaker 1: another man watch someone else drown? Like, if he's the 190 00:10:54,160 --> 00:10:57,480 Speaker 1: guy going through it, who's he watching drown who's he 191 00:10:57,520 --> 00:11:01,679 Speaker 1: watching watch another person drown heself? Yeah? Like? Or it's 192 00:11:01,679 --> 00:11:04,280 Speaker 1: like really passive aggressive, like he's taking shots at his 193 00:11:04,320 --> 00:11:07,040 Speaker 1: ex wife. It's like you saw me just drowning there, 194 00:11:07,080 --> 00:11:10,080 Speaker 1: you didn't fucking help me. That's right, I was the 195 00:11:10,120 --> 00:11:15,520 Speaker 1: one drowning, just calling his ex wife a really bad friend, 196 00:11:16,000 --> 00:11:18,600 Speaker 1: being like, man, you really could have helped your friend 197 00:11:18,600 --> 00:11:23,720 Speaker 1: out there, she was going through something, just because very petty. 198 00:11:23,800 --> 00:11:26,200 Speaker 1: It's like it's the metaphor I am the friend, I 199 00:11:26,200 --> 00:11:32,000 Speaker 1: am also drowning. I'm also drowning, right exactly. I wonder Okay, now, 200 00:11:32,480 --> 00:11:36,480 Speaker 1: was it that he caught them cheating? Maybe because if 201 00:11:36,520 --> 00:11:38,400 Speaker 1: you said, well, if you told me you were drowning, 202 00:11:38,440 --> 00:11:40,959 Speaker 1: I would not lend a hand. I've seen your face before, 203 00:11:41,040 --> 00:11:42,800 Speaker 1: my friend, but I don't know if you know who 204 00:11:42,840 --> 00:11:45,000 Speaker 1: I am. Well, I was there and I saw what 205 00:11:45,080 --> 00:11:46,800 Speaker 1: you did. I saw with my own two eyes, So 206 00:11:46,880 --> 00:11:57,360 Speaker 1: you can wipe it off that grin, I know. Yeah, 207 00:11:57,920 --> 00:12:00,000 Speaker 1: those are my favorite lyrics of the song. By the way, 208 00:12:00,080 --> 00:12:04,440 Speaker 1: Uh yeah, well it comes later on it's it's no 209 00:12:04,559 --> 00:12:07,680 Speaker 1: stranger to you. Well you know what Miles it was. 210 00:12:08,120 --> 00:12:11,480 Speaker 1: It was people are gonna let us go to Hey. 211 00:12:11,480 --> 00:12:15,680 Speaker 1: You gotta respect that Phil. Yeah, yeah, feel that drum 212 00:12:15,720 --> 00:12:22,079 Speaker 1: fill and Phil, double Phil, double Phil. We are thrilled 213 00:12:22,160 --> 00:12:26,800 Speaker 1: to have with us coming from Minneapolis. The rapper former 214 00:12:27,520 --> 00:12:32,240 Speaker 1: Daily Zeitgeist guest at our Minneapolis live show, uh and 215 00:12:32,480 --> 00:12:37,640 Speaker 1: at our Minneapolis hotel room record pos. What's going on? Man, guy? 216 00:12:37,840 --> 00:12:40,480 Speaker 1: It is really good to see you zoom with you. 217 00:12:40,960 --> 00:12:45,320 Speaker 1: Um yeah, man, it's great to see you. Obviously been 218 00:12:45,400 --> 00:12:49,000 Speaker 1: thinking about you a lot in the past couple of days, uh, 219 00:12:49,040 --> 00:12:51,400 Speaker 1: and just wanted to kind of have you on and here, 220 00:12:52,400 --> 00:12:55,800 Speaker 1: you know, well what things look like from your perspective 221 00:12:55,880 --> 00:12:58,959 Speaker 1: right now in Minneapolis. Well, I'll say like this, it's 222 00:12:59,040 --> 00:13:02,880 Speaker 1: super sad and it's I mean, it's crazy. It is 223 00:13:02,920 --> 00:13:09,199 Speaker 1: a pandemic and people are writing and it's I am 224 00:13:09,240 --> 00:13:13,760 Speaker 1: I mean, I am too afraid to die, to jump 225 00:13:13,800 --> 00:13:16,560 Speaker 1: into a pandemic and get close with people. For the 226 00:13:16,600 --> 00:13:19,360 Speaker 1: most part. Anyway, I had a kidney transplant a few 227 00:13:19,400 --> 00:13:23,079 Speaker 1: years back, so I'm not I'm you know, I'm I'm suppressed. 228 00:13:23,080 --> 00:13:25,839 Speaker 1: I can't. I can't, but I would. I would. I 229 00:13:25,840 --> 00:13:28,040 Speaker 1: would be out there right now, even in a pandemic 230 00:13:28,120 --> 00:13:31,000 Speaker 1: if it wasn't like that. It's scary, and it said, 231 00:13:31,640 --> 00:13:34,920 Speaker 1: I woke up and saw the video before I even 232 00:13:34,960 --> 00:13:41,840 Speaker 1: had the crust out of my eyes, and yeah, it's 233 00:13:40,280 --> 00:13:44,480 Speaker 1: been emotional for days. I didn't even I didn't realize 234 00:13:44,480 --> 00:13:47,000 Speaker 1: what I was seeing until it was like halfway over, 235 00:13:47,040 --> 00:13:48,839 Speaker 1: and then I like sat up in bed and just 236 00:13:49,559 --> 00:13:52,840 Speaker 1: you know, cried all day. Man, this is this is 237 00:13:52,880 --> 00:13:56,360 Speaker 1: not even a big city, like yeah, I could ride 238 00:13:56,360 --> 00:13:58,360 Speaker 1: a bike to where it happened in a half hour. 239 00:13:58,559 --> 00:14:02,520 Speaker 1: You know, I've there in five minutes, like you can. 240 00:14:02,679 --> 00:14:08,480 Speaker 1: I mean all that every city is experiencing the same 241 00:14:08,480 --> 00:14:11,600 Speaker 1: thing to a certain extent, because whether it's l a uh, 242 00:14:11,640 --> 00:14:14,240 Speaker 1: there are people demonstrating shutting the one on one down 243 00:14:14,480 --> 00:14:17,720 Speaker 1: in New Orleans ever just everywhere there people just because 244 00:14:18,840 --> 00:14:24,440 Speaker 1: it's yeah, and every you know, with every George Zimmerman 245 00:14:24,520 --> 00:14:28,000 Speaker 1: that gets off and you know Eric Garner type death. 246 00:14:28,520 --> 00:14:32,000 Speaker 1: Another sort of pebble is put on the scales of 247 00:14:32,000 --> 00:14:35,320 Speaker 1: our backs in terms of the emotional trauma we deal 248 00:14:35,400 --> 00:14:39,600 Speaker 1: with is as black Americans, uh, and have to continually 249 00:14:39,640 --> 00:14:43,040 Speaker 1: witness the cycle of here's the pattern, we get killed. 250 00:14:43,200 --> 00:14:46,440 Speaker 1: There are no consequences, that signals to others we are 251 00:14:46,480 --> 00:14:50,640 Speaker 1: it's open season. And the frustrations you are seeing spill 252 00:14:50,640 --> 00:14:53,040 Speaker 1: out into the streets is what you know. That's that's 253 00:14:53,080 --> 00:14:55,480 Speaker 1: that's what real, That's what pain looks like. That's what 254 00:14:55,640 --> 00:14:58,840 Speaker 1: feeling powerless looks like. It may look like they're look 255 00:14:58,840 --> 00:15:01,160 Speaker 1: how powerful they're setting things down. No, no no, no, that 256 00:15:01,240 --> 00:15:04,240 Speaker 1: is a product of feeling powerless. And that is the 257 00:15:04,320 --> 00:15:07,360 Speaker 1: only recourse you have to feel heard because the words 258 00:15:07,360 --> 00:15:12,240 Speaker 1: don't work anymore. It's powerlessness, it's hurt, and it's rage. Man, 259 00:15:12,720 --> 00:15:17,640 Speaker 1: it's rare, you know, it's rage. And nothing changes nothing. 260 00:15:18,680 --> 00:15:20,720 Speaker 1: I don't know. Every time something like this happens, which 261 00:15:20,800 --> 00:15:26,400 Speaker 1: is all the time, people fight and people want to 262 00:15:26,440 --> 00:15:30,000 Speaker 1: get something done, to change something or to make like 263 00:15:30,080 --> 00:15:33,680 Speaker 1: actual structural changes. But it seems like every city just 264 00:15:33,720 --> 00:15:37,720 Speaker 1: doubles down. In Minneapolis, they are proposing, not proposing, but 265 00:15:37,760 --> 00:15:40,280 Speaker 1: they are going for an eight million dollar budget increase 266 00:15:40,320 --> 00:15:45,000 Speaker 1: for the Minneapolis Police Department. Similar thing in l A. Yeah, 267 00:15:45,040 --> 00:15:49,000 Speaker 1: there's what did you say was three billion dollars being 268 00:15:49,000 --> 00:15:52,440 Speaker 1: sunk into And if it feels like the expectation is 269 00:15:52,480 --> 00:15:54,720 Speaker 1: because there's a pandemic going on that these sort of 270 00:15:54,760 --> 00:15:57,680 Speaker 1: things can be passed through without anybody really noticing it. 271 00:15:57,840 --> 00:16:00,760 Speaker 1: But yeah, rather than like the thing that matter, which 272 00:16:00,760 --> 00:16:05,400 Speaker 1: are you know, like subsidized housing, affordable housing, helping the unhoused, 273 00:16:05,640 --> 00:16:08,520 Speaker 1: that's really the problem in this city because it's not 274 00:16:08,560 --> 00:16:12,760 Speaker 1: just hiring more people to reinforce the status quo, it's 275 00:16:12,800 --> 00:16:16,120 Speaker 1: just yeah, yeah, and that's it feels like on top 276 00:16:16,160 --> 00:16:19,680 Speaker 1: of all of that, Uh, with Trump, it's so easy 277 00:16:19,720 --> 00:16:23,080 Speaker 1: to blame everything on Trump, But in real life, like 278 00:16:23,120 --> 00:16:27,280 Speaker 1: all these people who have had these bullshit agendas for 279 00:16:27,400 --> 00:16:29,360 Speaker 1: years and years and years, all of a sudden, not 280 00:16:29,400 --> 00:16:31,400 Speaker 1: only do they have like an open door with nobody 281 00:16:31,520 --> 00:16:34,400 Speaker 1: paying attention, but they have somebody kind of on top 282 00:16:34,480 --> 00:16:38,200 Speaker 1: of every system from the state level up, who is 283 00:16:38,240 --> 00:16:40,720 Speaker 1: there like yeah, yeah, it's floodgates time. Man. Do you 284 00:16:40,840 --> 00:16:44,800 Speaker 1: think do you think waiving all the nonsense through it 285 00:16:44,920 --> 00:16:49,280 Speaker 1: is really hard and it is really frustrating. And yeah, 286 00:16:49,400 --> 00:16:51,640 Speaker 1: like I said, I would be out there too. What's 287 00:16:51,680 --> 00:16:53,560 Speaker 1: it like? You know, because you have you have a 288 00:16:53,840 --> 00:16:57,600 Speaker 1: like a son who's twenty uh and and he was 289 00:16:57,640 --> 00:17:00,320 Speaker 1: out there in a mask? Is he out there night? 290 00:17:00,400 --> 00:17:03,160 Speaker 1: He's he's my kid. So he's been to protests when 291 00:17:03,200 --> 00:17:06,480 Speaker 1: he was on my shoulders, you know. Now he's out 292 00:17:06,520 --> 00:17:09,040 Speaker 1: there on his own, knowing how to do it and 293 00:17:09,080 --> 00:17:12,919 Speaker 1: knowing where to be. And I'm scared, man, I'm scared. 294 00:17:12,960 --> 00:17:16,199 Speaker 1: It's it's a pandemic. You can't be like, hey, I 295 00:17:16,280 --> 00:17:20,200 Speaker 1: know you're already keep that distance too, but yeah, there's 296 00:17:20,200 --> 00:17:22,560 Speaker 1: no what what other choice do we have? You know, 297 00:17:23,119 --> 00:17:28,280 Speaker 1: like we haven't Like death is on the doorstep either way. Man. 298 00:17:28,400 --> 00:17:31,120 Speaker 1: And they're not just they're they're there prot protesting at 299 00:17:31,160 --> 00:17:36,880 Speaker 1: the precinct and they're protesting at the officer's house. Yeah, 300 00:17:36,920 --> 00:17:40,879 Speaker 1: the murderer's house, the murderer's house that that they wouldn't 301 00:17:40,880 --> 00:17:44,960 Speaker 1: deliver food to him last night, and they're just yeah, 302 00:17:45,000 --> 00:17:50,320 Speaker 1: they're chanting, they're chanting. What's his name, George like outside 303 00:17:50,440 --> 00:17:53,399 Speaker 1: the Chauvin or whatever his name is. And there's a 304 00:17:54,200 --> 00:17:57,919 Speaker 1: he he's been involved with four shootings or deaths already. 305 00:17:58,520 --> 00:18:00,399 Speaker 1: I have no idea how he's still a cop, right. 306 00:18:00,680 --> 00:18:03,359 Speaker 1: The thing that that struck me the most in that 307 00:18:03,480 --> 00:18:07,439 Speaker 1: video is him leaning on this man's neck with his 308 00:18:07,600 --> 00:18:10,160 Speaker 1: fucking hands in his pocket and the most casual look 309 00:18:10,160 --> 00:18:16,919 Speaker 1: on his face. Yeah. Yeah, unbelievable. Yeah. And most of 310 00:18:16,920 --> 00:18:20,040 Speaker 1: the other CODs just standing there too, just like casually 311 00:18:20,040 --> 00:18:22,840 Speaker 1: observing it. It's just yeah, yeah, I I read that 312 00:18:22,880 --> 00:18:26,840 Speaker 1: he had eighteen prior complaints against him before this. Yeah, 313 00:18:27,359 --> 00:18:33,680 Speaker 1: and no one did anything, nobody on the rist. Yeah. Sorry, 314 00:18:33,920 --> 00:18:36,800 Speaker 1: it's hard to not just yell and get emotional, and 315 00:18:36,840 --> 00:18:38,680 Speaker 1: I think and the thing that we have to also 316 00:18:38,760 --> 00:18:42,800 Speaker 1: keep our eye on is that these these systems are 317 00:18:42,800 --> 00:18:45,960 Speaker 1: preserved by our legislators, and that's why it's so important 318 00:18:45,960 --> 00:18:48,520 Speaker 1: that we elect people that aren't going to keepe for 319 00:18:48,600 --> 00:18:55,120 Speaker 1: these people. Amy Klobisher declined to ever prosecute even this officer, 320 00:18:55,720 --> 00:18:59,640 Speaker 1: this exact officer who killed him, who killed George Floyd. 321 00:19:00,080 --> 00:19:03,600 Speaker 1: She had the opportunity to prosecute him and multiple police 322 00:19:03,600 --> 00:19:07,000 Speaker 1: officers for excessive force and did not. And this is 323 00:19:07,240 --> 00:19:09,520 Speaker 1: because we have this system in place that we have 324 00:19:09,640 --> 00:19:12,159 Speaker 1: to you know, the police are able to support to 325 00:19:12,560 --> 00:19:17,680 Speaker 1: reinforce our predatory white supremacist capitalist system, and that's what 326 00:19:17,760 --> 00:19:20,960 Speaker 1: they are there for. That's who they're there to protect, 327 00:19:21,119 --> 00:19:26,920 Speaker 1: is fucking target. Yeah, stops some target. They've got great 328 00:19:26,960 --> 00:19:30,640 Speaker 1: stuff whatever, But like, man, I don't care. I don't care. 329 00:19:31,640 --> 00:19:33,600 Speaker 1: I don't care. You're hard to go up like that. 330 00:19:33,800 --> 00:19:37,760 Speaker 1: It's it's more important at this point. Nobody expects reforms, 331 00:19:38,080 --> 00:19:40,359 Speaker 1: nobody believes anybody when they say they're gonna change it. 332 00:19:40,400 --> 00:19:44,400 Speaker 1: Everybody just wants the whole thing abolished, strike the whole 333 00:19:44,400 --> 00:19:48,960 Speaker 1: thing down, start over, you know. Yeah, And of course 334 00:19:49,000 --> 00:19:52,320 Speaker 1: we don't get there until this happens on the biggest 335 00:19:52,320 --> 00:19:54,960 Speaker 1: scale forever. I don't know, man, Yeah, no, I hear. 336 00:19:55,040 --> 00:19:59,080 Speaker 1: It's it's hard to articulate anything right now, because articulate anything. Yeah, man, 337 00:19:59,119 --> 00:20:03,120 Speaker 1: it's hard to feel anything past just rage and hopeless. 338 00:20:03,680 --> 00:20:06,360 Speaker 1: You know, this is down the street, there's drone shots 339 00:20:06,400 --> 00:20:10,560 Speaker 1: that look like a fucking war zone. Dude. Yeah, are 340 00:20:10,600 --> 00:20:14,520 Speaker 1: you pretty much staying home as of right now just 341 00:20:14,560 --> 00:20:18,840 Speaker 1: because of the quarantining and everything. Yeah, I have been 342 00:20:19,200 --> 00:20:22,520 Speaker 1: just in my spot, I think, I mean, because because 343 00:20:22,560 --> 00:20:27,080 Speaker 1: of being sick and you know, having a compromised immune 344 00:20:27,080 --> 00:20:31,520 Speaker 1: system and not necessarily knowing what to trust. I started 345 00:20:31,600 --> 00:20:36,480 Speaker 1: quarantining maybe a week and a half before they I 346 00:20:36,520 --> 00:20:42,640 Speaker 1: don't really plan until September. At least there's real treatment 347 00:20:42,680 --> 00:20:45,800 Speaker 1: for it. Was not only real treatment, but like real peopable, 348 00:20:46,520 --> 00:20:49,720 Speaker 1: factual evidence that people know what the funk is going 349 00:20:49,760 --> 00:20:56,440 Speaker 1: on the life. They stopped forcing people to stay inside 350 00:20:57,200 --> 00:21:00,400 Speaker 1: right as we got the worst of it. For us, 351 00:21:00,440 --> 00:21:03,200 Speaker 1: we are, we're we're seeing our peaks right now, right 352 00:21:03,320 --> 00:21:07,879 Speaker 1: every going outside for summer and protesting. So like, nothing 353 00:21:07,920 --> 00:21:10,760 Speaker 1: that anybody says about this being safe for things are 354 00:21:10,760 --> 00:21:16,240 Speaker 1: open means anything to me, because I'll die like people are. 355 00:21:17,280 --> 00:21:20,280 Speaker 1: I'm not. I'm not guaranteeing i'll die, guess, but I'm 356 00:21:20,280 --> 00:21:24,160 Speaker 1: saying like so many people in our general age group 357 00:21:24,760 --> 00:21:27,320 Speaker 1: aren't as worried as they should be because it came 358 00:21:27,359 --> 00:21:30,920 Speaker 1: out as like a thing old people. Yeah, but that's 359 00:21:30,920 --> 00:21:34,240 Speaker 1: not the case. It's not the case, man, It's yeah, 360 00:21:34,760 --> 00:21:37,240 Speaker 1: there's not enough known, man. So yeah, I'm camped out, 361 00:21:37,359 --> 00:21:42,000 Speaker 1: And I understand why people want to go protest, and 362 00:21:42,160 --> 00:21:44,199 Speaker 1: I really probably would be doing the same thing, but 363 00:21:44,280 --> 00:21:47,919 Speaker 1: I feel like at this point there's got to be 364 00:21:50,160 --> 00:21:55,000 Speaker 1: I don't know, man, where's the old anonymous at Yeah? Yeah, 365 00:21:55,560 --> 00:21:58,639 Speaker 1: what's the next step here. Yeah, I mean, yeah, stuff, 366 00:21:58,720 --> 00:22:01,399 Speaker 1: so much love to you and this city of Minneapolis. 367 00:22:01,880 --> 00:22:06,120 Speaker 1: Un it's it's we're all we're all feeling it, man, 368 00:22:06,480 --> 00:22:09,720 Speaker 1: and yeah, I appreciate it. We all appreciate it here 369 00:22:10,040 --> 00:22:14,520 Speaker 1: speaking for the city. But it's America, man, it's everywhere. 370 00:22:15,000 --> 00:22:17,280 Speaker 1: You know. It won't be two weeks before this happens 371 00:22:17,320 --> 00:22:21,840 Speaker 1: somewhere else. Yeah, exactly, And it's there's not much to 372 00:22:21,880 --> 00:22:24,200 Speaker 1: say about it. I don't know. I appreciate you guys, 373 00:22:24,240 --> 00:22:27,119 Speaker 1: you guys checking in, and I appreciate you guys for 374 00:22:27,200 --> 00:22:29,640 Speaker 1: having a funny as show that also manages to cover 375 00:22:29,720 --> 00:22:34,159 Speaker 1: all the ship that is. Thank you for taking a second. 376 00:22:34,640 --> 00:22:38,440 Speaker 1: Thank you people like you. Man, stay safe. Alright, guys, 377 00:22:38,480 --> 00:22:40,040 Speaker 1: let's take a quick break and we'll come back and 378 00:22:40,040 --> 00:22:51,920 Speaker 1: talk to you about a myth. And we're back, Scott. 379 00:22:52,000 --> 00:22:54,840 Speaker 1: What is a myth? What's something people think is true 380 00:22:54,920 --> 00:22:59,120 Speaker 1: you know to be false? Uh. This is a music thing, 381 00:23:00,080 --> 00:23:04,560 Speaker 1: a kind of a studio thing for me. But um, 382 00:23:04,800 --> 00:23:09,120 Speaker 1: the myth that most rock people are familiar with is 383 00:23:09,359 --> 00:23:14,720 Speaker 1: that Dylan Bob Dylan played at the Newport Folk Festival 384 00:23:14,720 --> 00:23:19,760 Speaker 1: in famously plugging in and playing electric kind of a 385 00:23:20,359 --> 00:23:25,960 Speaker 1: pivot point in popular music. The myth is that the 386 00:23:26,080 --> 00:23:32,360 Speaker 1: crowd was beside themselves upset about this folky that they 387 00:23:32,400 --> 00:23:40,119 Speaker 1: loved going electric and booed him and we're outraged, And famously, 388 00:23:40,560 --> 00:23:45,200 Speaker 1: uh folky Pete Seeger was backstage trying to cut the 389 00:23:45,800 --> 00:23:52,240 Speaker 1: microphone cables with an axe. None of that is little cartoon, 390 00:23:53,080 --> 00:23:56,840 Speaker 1: ye specialist. Now that there are parts of that that 391 00:23:57,160 --> 00:23:59,400 Speaker 1: there's different versions of that that have gone around. Most 392 00:23:59,400 --> 00:24:01,600 Speaker 1: people don't never don't believe that. But but people do 393 00:24:01,680 --> 00:24:06,080 Speaker 1: believe that the audience went crazy about it and not 394 00:24:06,080 --> 00:24:10,800 Speaker 1: not the case. Um, I haven't. I was reading Al 395 00:24:10,920 --> 00:24:17,119 Speaker 1: Cooper's uh memoir. It's called Backstage Passes and Backstabbing Bastards. 396 00:24:17,200 --> 00:24:20,919 Speaker 1: Al Cooper is famously the guy who played Oregon on 397 00:24:21,000 --> 00:24:23,160 Speaker 1: like a Rolling Stone, kind of talked his way into 398 00:24:23,200 --> 00:24:25,240 Speaker 1: it and then you know, he had this incredible career 399 00:24:25,240 --> 00:24:28,159 Speaker 1: where he produced Skinners and Blood, Sweat and Tears and 400 00:24:28,200 --> 00:24:32,560 Speaker 1: all these bands through the seventies and into the eighties. Um, 401 00:24:32,680 --> 00:24:36,040 Speaker 1: he was there, he was playing in Dylan's band, and 402 00:24:36,080 --> 00:24:39,080 Speaker 1: he's like, no, that's not the case. People had been 403 00:24:39,119 --> 00:24:41,679 Speaker 1: seeing Dylan play electric. It wasn't the first time he 404 00:24:41,720 --> 00:24:44,600 Speaker 1: picked up an electric guitar. Everybody knew he was doing 405 00:24:44,640 --> 00:24:47,440 Speaker 1: this and they were very polite and everything was fine 406 00:24:47,960 --> 00:24:50,679 Speaker 1: and was not trying to cut the mic cables. So 407 00:24:50,800 --> 00:24:54,280 Speaker 1: that is a big math among the music community. Now, 408 00:24:54,320 --> 00:24:57,680 Speaker 1: what about the what about the Royal Albert Hall performance? 409 00:24:57,840 --> 00:25:02,240 Speaker 1: Because so that's one that I had on I'm big 410 00:25:02,320 --> 00:25:05,560 Speaker 1: dealth and I have on good authority. No, I have 411 00:25:05,640 --> 00:25:09,720 Speaker 1: the bootleg of it, and people are people are booing 412 00:25:10,440 --> 00:25:14,000 Speaker 1: kind of and like somebody's like Judas, Yeah, but it's 413 00:25:14,040 --> 00:25:17,280 Speaker 1: like not clear. I don't know it could it could 414 00:25:17,320 --> 00:25:20,000 Speaker 1: just be Bob Dylan being very dramatic and picking out 415 00:25:20,000 --> 00:25:24,439 Speaker 1: the one person being the Michael Jordan of rock music, 416 00:25:24,560 --> 00:25:29,000 Speaker 1: just being like and that was all I needed. Wait, 417 00:25:29,040 --> 00:25:32,200 Speaker 1: so wait though, was the Royal Albert after the Newport show? 418 00:25:32,880 --> 00:25:43,840 Speaker 1: I think it was like it was weird. I like, uh, 419 00:25:44,359 --> 00:25:47,840 Speaker 1: I don't know reading about that whole like division. Also 420 00:25:47,920 --> 00:25:52,120 Speaker 1: just like watching documentaries about Dylan where like the only 421 00:25:52,160 --> 00:25:56,399 Speaker 1: thing he says people are like, ah, he's so funny 422 00:25:56,440 --> 00:26:01,600 Speaker 1: and sharper like out really like puts play like NPR 423 00:26:01,760 --> 00:26:06,600 Speaker 1: New York intellectual society into perspective for me, Like now 424 00:26:07,560 --> 00:26:11,399 Speaker 1: I just feel like it like puts all that whole 425 00:26:11,600 --> 00:26:17,439 Speaker 1: kind of scene into into perspective. Yeah, and again you know, 426 00:26:17,480 --> 00:26:20,199 Speaker 1: it's it's like you say, they he does half the 427 00:26:20,200 --> 00:26:26,320 Speaker 1: concert acoustic roum, and they're they're perfectly happy again, knowing 428 00:26:26,400 --> 00:26:29,679 Speaker 1: full well that he's going to play. They're not like, 429 00:26:29,720 --> 00:26:33,720 Speaker 1: what is going on? There's a band here, these songs, 430 00:26:33,920 --> 00:26:36,520 Speaker 1: these songs were released like a rolling Stone was out, 431 00:26:36,640 --> 00:26:39,640 Speaker 1: you know, and wait at these performances, they perform other 432 00:26:39,800 --> 00:26:44,560 Speaker 1: songs they've also written as well. Yeah, So the second set, 433 00:26:44,640 --> 00:26:46,960 Speaker 1: the band comes out and they play, and he's and 434 00:26:47,040 --> 00:26:50,520 Speaker 1: he's definitely antagonizing them a bit because they're they're kind 435 00:26:50,600 --> 00:26:52,840 Speaker 1: they're kind of paying lip service to the idea that 436 00:26:52,920 --> 00:26:57,160 Speaker 1: they should be upset and they're having fun. They're like oh, 437 00:26:57,200 --> 00:26:59,080 Speaker 1: and they start clapping to kind of drown them out 438 00:26:59,080 --> 00:27:02,720 Speaker 1: for a minute, and that guy does shout Judas and 439 00:27:02,720 --> 00:27:05,600 Speaker 1: and it's it's so fantastic, the energy and it is 440 00:27:05,640 --> 00:27:09,159 Speaker 1: so good. The band is on fire. I mean everyone 441 00:27:09,200 --> 00:27:11,920 Speaker 1: should know fans don't turn on the artists. They love 442 00:27:12,560 --> 00:27:15,240 Speaker 1: this because they plugged a guitar into an ant you 443 00:27:15,280 --> 00:27:17,199 Speaker 1: know what I mean. Like Kanye West is out here 444 00:27:17,320 --> 00:27:19,880 Speaker 1: is like white supremacists and people are like, I love 445 00:27:20,040 --> 00:27:28,760 Speaker 1: everything you have. You heard early registration, yeah, exactly, late registration, yeah, 446 00:27:28,760 --> 00:27:31,439 Speaker 1: I mean, and it took me a while too, Like 447 00:27:31,680 --> 00:27:34,399 Speaker 1: even when he had that one like a moment on 448 00:27:34,480 --> 00:27:37,000 Speaker 1: the Yesis tour, the Pablo tour, he was like talking 449 00:27:37,000 --> 00:27:39,640 Speaker 1: about Trump. People are like what people were booing him 450 00:27:39,680 --> 00:27:41,920 Speaker 1: that time because you were like this man out of here. 451 00:27:42,200 --> 00:27:43,679 Speaker 1: But even then it took me a second be like, 452 00:27:43,920 --> 00:27:48,160 Speaker 1: huh is that all right? It takes it. You don't. 453 00:27:48,160 --> 00:27:51,199 Speaker 1: You don't immediately arrived up booing immediately unless they are 454 00:27:51,240 --> 00:27:53,639 Speaker 1: saying something like you know, have some trash, you know, 455 00:27:53,800 --> 00:27:56,680 Speaker 1: political take. But it still takes a while. It does. 456 00:27:57,840 --> 00:28:01,320 Speaker 1: People are willing to forgive a lot from their favorite absolutely, 457 00:28:01,400 --> 00:28:03,320 Speaker 1: especially like when you go to a show to like 458 00:28:03,359 --> 00:28:05,880 Speaker 1: when you know that they have a new album out 459 00:28:05,920 --> 00:28:08,320 Speaker 1: that you don't like and you're just praying, you're like, 460 00:28:08,400 --> 00:28:11,640 Speaker 1: please prioritize like the good earlier stuff like I don't 461 00:28:11,680 --> 00:28:14,119 Speaker 1: like this new experimental ship you're doing, and then it 462 00:28:14,160 --> 00:28:16,960 Speaker 1: comes out and you're still like, well, I love them 463 00:28:17,000 --> 00:28:19,520 Speaker 1: either way, it's not my favorite and maybe it's plea 464 00:28:19,680 --> 00:28:22,160 Speaker 1: about me and it's about them expressing themselves and that's 465 00:28:22,160 --> 00:28:28,199 Speaker 1: what I'm picking. And you know, something to that you 466 00:28:28,240 --> 00:28:32,199 Speaker 1: give them the benefit of the doubt to a point. Yeah, right, exactly, 467 00:28:32,200 --> 00:28:33,640 Speaker 1: and then at the end of the day, you know, 468 00:28:33,440 --> 00:28:35,440 Speaker 1: you march with your dollars, you know, if you don't 469 00:28:35,440 --> 00:28:37,359 Speaker 1: want to go to the next show the exactly right. 470 00:28:38,960 --> 00:28:42,280 Speaker 1: I wanted to talk about the George Floyd video, another 471 00:28:43,640 --> 00:28:48,760 Speaker 1: murder that would have gone completely unpunished, unremarked upon, probably 472 00:28:49,360 --> 00:28:52,920 Speaker 1: if the people who were watching it didn't have cameras on, 473 00:28:53,560 --> 00:28:58,960 Speaker 1: and if the police didn't feel like just so invincible 474 00:28:59,320 --> 00:29:04,400 Speaker 1: that they could just slowly, just unaccountable, just strangle someone 475 00:29:04,440 --> 00:29:09,200 Speaker 1: to death, like over the course of eight minutes, like 476 00:29:09,360 --> 00:29:14,040 Speaker 1: on the street with people watching, and they were fired, 477 00:29:14,320 --> 00:29:17,720 Speaker 1: and that like they need to be in jail, like 478 00:29:18,160 --> 00:29:20,800 Speaker 1: yesterday they need to be in jail. Two days ago 479 00:29:20,840 --> 00:29:23,200 Speaker 1: they need to be in jail. It seems like a 480 00:29:23,240 --> 00:29:26,680 Speaker 1: new level, but I I don't know that it is. 481 00:29:26,760 --> 00:29:28,720 Speaker 1: I think it might just be more of the same 482 00:29:29,120 --> 00:29:33,479 Speaker 1: ship that we've we just keep seeing um and I 483 00:29:33,520 --> 00:29:38,800 Speaker 1: can't I can't imagine what the feelings are of of 484 00:29:38,880 --> 00:29:43,240 Speaker 1: people who know him, people you know, African American people 485 00:29:43,280 --> 00:29:48,120 Speaker 1: in this country, like people who have you know, children 486 00:29:48,280 --> 00:29:51,360 Speaker 1: out there who you know when they see this there, 487 00:29:51,400 --> 00:29:56,080 Speaker 1: this person like this is something that everybody is in 488 00:29:56,080 --> 00:29:59,440 Speaker 1: in danger of happening to them. If you live in America, 489 00:29:59,800 --> 00:30:01,920 Speaker 1: the the matter, It can happen in the middle of 490 00:30:01,920 --> 00:30:06,840 Speaker 1: the street in broad daylight while people look on. Yeah, 491 00:30:06,920 --> 00:30:09,320 Speaker 1: I'm I'm kind of I'm just at a point where 492 00:30:09,320 --> 00:30:12,840 Speaker 1: I'm tired of like begging white people to stop killing 493 00:30:12,960 --> 00:30:15,680 Speaker 1: us or thinking we are dangerous. I've had to do 494 00:30:15,920 --> 00:30:19,320 Speaker 1: versions of this every time on our black people are killed, 495 00:30:19,800 --> 00:30:23,600 Speaker 1: where I try and advocate for evolving your point of 496 00:30:23,640 --> 00:30:26,840 Speaker 1: view or perspective on what a black person is or 497 00:30:27,200 --> 00:30:30,480 Speaker 1: how they behave, how we look at the world, what 498 00:30:30,720 --> 00:30:35,000 Speaker 1: are intents are outside of just honestly living like anybody else. 499 00:30:35,040 --> 00:30:38,240 Speaker 1: There's no secret to it. We're not Our houses are 500 00:30:38,240 --> 00:30:42,120 Speaker 1: not different, our parents are not different, our upbringings are 501 00:30:42,160 --> 00:30:46,160 Speaker 1: not different. We still there's we are human beings. And 502 00:30:47,600 --> 00:30:51,200 Speaker 1: you know, when black people call out racism, Unfortunately in 503 00:30:51,200 --> 00:30:53,920 Speaker 1: this country, white people have a habit of immediately turning 504 00:30:53,920 --> 00:30:57,400 Speaker 1: off because it's a thing that we're used to seeing 505 00:30:57,440 --> 00:31:00,720 Speaker 1: in America. Yeah, I know I get it, every things racist, 506 00:31:01,200 --> 00:31:05,000 Speaker 1: but you know, and I know that most people completely 507 00:31:05,000 --> 00:31:08,280 Speaker 1: turn off because I look around me and all of 508 00:31:08,320 --> 00:31:13,000 Speaker 1: the evidence remains of systemic racism and white supremacy in 509 00:31:13,040 --> 00:31:16,680 Speaker 1: this country and the point of view that black bodies 510 00:31:16,760 --> 00:31:20,840 Speaker 1: are a threat and are disposable. And you know when 511 00:31:20,840 --> 00:31:23,800 Speaker 1: we we can only advocate for our own communities and 512 00:31:24,120 --> 00:31:27,360 Speaker 1: to a certain point until it plateaus. And the reason 513 00:31:27,400 --> 00:31:29,800 Speaker 1: we advocated because we're trying to send a message to 514 00:31:29,840 --> 00:31:33,480 Speaker 1: the dominant cultures, the dominant forces in our society, the 515 00:31:33,520 --> 00:31:37,720 Speaker 1: hegemonic classes in our society, to be allies, to understand, 516 00:31:37,800 --> 00:31:40,840 Speaker 1: to see our humanity and say hello, the own We 517 00:31:40,920 --> 00:31:44,920 Speaker 1: can only say, please stop killing us so much until 518 00:31:45,080 --> 00:31:47,280 Speaker 1: you have to begin to look at your own, your 519 00:31:47,320 --> 00:31:49,719 Speaker 1: own world and say, well, I have to also do 520 00:31:49,800 --> 00:31:53,120 Speaker 1: some cleaning up around here too, because it's on one level. 521 00:31:54,160 --> 00:31:56,040 Speaker 1: It's not just and I don't mean this just for 522 00:31:56,120 --> 00:31:58,360 Speaker 1: black people. I mean this for any group. There are 523 00:31:58,400 --> 00:32:00,520 Speaker 1: plenty of groups in this country where we need the 524 00:32:00,560 --> 00:32:03,680 Speaker 1: help of everybody to make sure we are not killed 525 00:32:04,000 --> 00:32:08,560 Speaker 1: or mistreated or have our our our autonomy and sense 526 00:32:08,560 --> 00:32:13,040 Speaker 1: of agency completely disregarded. I know that people. It's hard 527 00:32:13,080 --> 00:32:16,120 Speaker 1: to hold people accountable, especially loved ones, friends or family, 528 00:32:16,120 --> 00:32:18,840 Speaker 1: because you can alienate yourself by being like by calling 529 00:32:19,080 --> 00:32:22,280 Speaker 1: racism out but there's really no other way. You have 530 00:32:22,360 --> 00:32:26,120 Speaker 1: to begin signaling to your fellow people, no matter what 531 00:32:26,200 --> 00:32:29,080 Speaker 1: community or in, whether that's me talking to my to 532 00:32:29,240 --> 00:32:31,200 Speaker 1: Asian people, I know, black people, I know who might 533 00:32:31,240 --> 00:32:34,080 Speaker 1: say some weird shit about another people like killed that ship. 534 00:32:34,120 --> 00:32:36,560 Speaker 1: That's racist, knock that ship off. It's you don't have 535 00:32:36,600 --> 00:32:39,200 Speaker 1: to flip tables, but you need you need to at 536 00:32:39,280 --> 00:32:42,880 Speaker 1: least be there to say up, sorry, alert that's fucking 537 00:32:42,880 --> 00:32:45,680 Speaker 1: not right. And I'm telling you, I know that's not right, 538 00:32:45,800 --> 00:32:47,560 Speaker 1: and I don't like that you said that. I'm not 539 00:32:47,600 --> 00:32:49,719 Speaker 1: gonna fight you about it, but that's what it is. 540 00:32:49,960 --> 00:32:53,240 Speaker 1: Because we are sticking up for ourselves as best as 541 00:32:53,240 --> 00:32:56,160 Speaker 1: we can, and we are still dying. So now we 542 00:32:56,240 --> 00:32:59,120 Speaker 1: need you to actually help, you know, stick up for 543 00:32:59,200 --> 00:33:03,200 Speaker 1: our lives and stop listening to our music, stop taking 544 00:33:03,200 --> 00:33:05,480 Speaker 1: our culture if you aren't going to stand and be 545 00:33:05,600 --> 00:33:08,760 Speaker 1: counted when our lives are at stake. I don't know 546 00:33:08,840 --> 00:33:10,960 Speaker 1: how else to say this. It's so I don't I 547 00:33:10,960 --> 00:33:13,880 Speaker 1: don't want to see people smoking blunts and white girls 548 00:33:13,960 --> 00:33:16,040 Speaker 1: or they're listening to fucking little Oozy Vert in their 549 00:33:16,080 --> 00:33:20,120 Speaker 1: Instagram stories and the next thing, you know, the best 550 00:33:20,160 --> 00:33:22,400 Speaker 1: they can muster up as a response to this racism 551 00:33:22,440 --> 00:33:24,680 Speaker 1: stuff is like, oh, well that lady lost her job 552 00:33:25,040 --> 00:33:27,080 Speaker 1: from the Central Park thing, can you believe it? That's 553 00:33:27,080 --> 00:33:29,680 Speaker 1: not I'm not. That doesn't That doesn't heal our wounds. 554 00:33:30,120 --> 00:33:32,720 Speaker 1: I'd rather see a video of you coming for your 555 00:33:32,760 --> 00:33:35,960 Speaker 1: friend who's calling some ship ghetto or saying, oh, look 556 00:33:35,960 --> 00:33:39,040 Speaker 1: at those thugs over call that ship out that that 557 00:33:39,080 --> 00:33:41,840 Speaker 1: makes me feel like you are actually trying to to 558 00:33:42,000 --> 00:33:46,280 Speaker 1: do something and actually advocate. And I uh again, I 559 00:33:46,320 --> 00:33:50,400 Speaker 1: know it's uncomfortable, but by doing nothing, we will continue 560 00:33:50,440 --> 00:33:54,080 Speaker 1: to bear the brunt of unfettered white supremacy. Um, so 561 00:33:54,160 --> 00:33:57,720 Speaker 1: you can continue to be comfortable around your racist peers. 562 00:33:57,760 --> 00:34:01,920 Speaker 1: And I just want to say, please, ease, please. Everybody 563 00:34:02,000 --> 00:34:07,040 Speaker 1: out here is a human being, Black, White, Latino, Asian, Arab. 564 00:34:07,240 --> 00:34:10,160 Speaker 1: It's all. We're all just trying to fucking live man 565 00:34:10,200 --> 00:34:16,000 Speaker 1: and the die. The whole deck is already stacked against us, everybody, everybody, 566 00:34:16,040 --> 00:34:18,759 Speaker 1: So what why are we wasting our energy looking at 567 00:34:18,800 --> 00:34:20,759 Speaker 1: each other like we don't give a funk about each other. 568 00:34:20,840 --> 00:34:23,160 Speaker 1: It's gonna eat you up inside. You need to open 569 00:34:23,400 --> 00:34:25,759 Speaker 1: we all need to just open ourselves up to really 570 00:34:25,960 --> 00:34:28,640 Speaker 1: sticking up for our fellow human being, no matter what 571 00:34:28,840 --> 00:34:31,120 Speaker 1: whether that if you're a black person and you hear 572 00:34:31,160 --> 00:34:34,000 Speaker 1: somebody making some stupid comment about an Asian person and 573 00:34:34,120 --> 00:34:37,759 Speaker 1: fucking coronavirus, shut that ship down. If you want to 574 00:34:37,800 --> 00:34:42,040 Speaker 1: fucking say something about a Hispanic person going to their job, 575 00:34:42,120 --> 00:34:44,040 Speaker 1: whatever you want to say, some dumps. You hear somebody 576 00:34:44,080 --> 00:34:46,359 Speaker 1: say something, or you even have a thought and you think, oh, 577 00:34:46,680 --> 00:34:50,320 Speaker 1: I'm made a joke in my head. Please bring awareness 578 00:34:50,360 --> 00:34:53,040 Speaker 1: to that, because that's the only way we're gonna move forward. 579 00:34:53,080 --> 00:34:55,959 Speaker 1: We can't continue to do the cycle of oh my god, 580 00:34:56,000 --> 00:34:58,520 Speaker 1: you're right, that's bad and then just let the flame 581 00:34:58,560 --> 00:35:02,640 Speaker 1: die out because having to walk around and think, fuck man, 582 00:35:02,880 --> 00:35:06,520 Speaker 1: it could could somebody just think is it okay? Like 583 00:35:07,080 --> 00:35:08,600 Speaker 1: this crosses my mind at the time I have to 584 00:35:08,600 --> 00:35:10,880 Speaker 1: throw my I pick up my dog shit, and I 585 00:35:10,960 --> 00:35:13,120 Speaker 1: might be something near someone's driveway and I want to 586 00:35:13,120 --> 00:35:15,880 Speaker 1: throw the dogs shit away and their their garbage can. 587 00:35:16,239 --> 00:35:19,040 Speaker 1: That's kind of up the driveway, not even that far. 588 00:35:19,480 --> 00:35:21,640 Speaker 1: But I have to think is it safe for me 589 00:35:21,680 --> 00:35:24,239 Speaker 1: to approach to throw dogsh it away? Because I don't 590 00:35:24,239 --> 00:35:25,960 Speaker 1: know this neighbor. I don't if someone's looking out their 591 00:35:25,960 --> 00:35:28,279 Speaker 1: window and it's just ready to who looks at me 592 00:35:28,320 --> 00:35:32,919 Speaker 1: at some certain way. It's tiring. We can only I think, 593 00:35:32,960 --> 00:35:37,480 Speaker 1: just as an entire race of human beings, everybody, we can. 594 00:35:37,640 --> 00:35:40,480 Speaker 1: We have to look at each other and just shut 595 00:35:40,520 --> 00:35:44,440 Speaker 1: all this bullshit down, man, because the look at look 596 00:35:44,440 --> 00:35:46,839 Speaker 1: at where it goes. Fucking it's gonna it's and it's 597 00:35:46,880 --> 00:35:49,479 Speaker 1: only gonna be five days. So I'm saying the same 598 00:35:49,560 --> 00:35:53,440 Speaker 1: thing again, and I'll say it, but fuck all right, 599 00:35:53,520 --> 00:35:56,279 Speaker 1: let's take a quick break and we'll be right back. 600 00:36:04,680 --> 00:36:08,720 Speaker 1: And we're back. Well, we are thrilled to be joined 601 00:36:08,840 --> 00:36:15,400 Speaker 1: in our fourth seat by the hilarious, the talented super 602 00:36:15,520 --> 00:36:20,279 Speaker 1: producer on a hosni Okay, I'm gonna trying a k 603 00:36:20,520 --> 00:36:25,120 Speaker 1: for the first time. UM at the table when my 604 00:36:25,200 --> 00:36:29,080 Speaker 1: family is missing. The rest don't matter, and that's all 605 00:36:29,120 --> 00:36:36,000 Speaker 1: I have. But it's because I've been listening to Marion 606 00:36:36,160 --> 00:36:39,920 Speaker 1: Morris is the Bones and uh naturally, Um, you guys 607 00:36:39,960 --> 00:36:42,359 Speaker 1: have spent time in an office setting with me, and 608 00:36:42,680 --> 00:36:45,360 Speaker 1: maybe I don't have the most appropriate behavior at any point, 609 00:36:45,680 --> 00:36:49,520 Speaker 1: but um, I do. When songs get stuck in my head, 610 00:36:50,320 --> 00:36:54,080 Speaker 1: it I have to change the lyrics, and the lyrics always, 611 00:36:54,200 --> 00:37:00,000 Speaker 1: Um are your parents if someone's missing, always find them. 612 00:37:00,000 --> 00:37:02,960 Speaker 1: Sells back to a person in either my entire family 613 00:37:03,000 --> 00:37:05,520 Speaker 1: being missing or a person in my family being missing 614 00:37:05,600 --> 00:37:10,000 Speaker 1: and me being truly just but they've always been missing 615 00:37:10,040 --> 00:37:13,960 Speaker 1: for like a long time. Yeah, that's the problems for years, 616 00:37:14,320 --> 00:37:19,360 Speaker 1: and it's always it's always weird when you start to 617 00:37:19,440 --> 00:37:21,200 Speaker 1: do or I know you're about to do that bit 618 00:37:21,360 --> 00:37:24,160 Speaker 1: and there's like guests or other people who aren't in 619 00:37:24,239 --> 00:37:27,160 Speaker 1: the fam in the office and you're like, but here's 620 00:37:27,200 --> 00:37:28,719 Speaker 1: the thing, Miles, I don't know if you know this 621 00:37:28,760 --> 00:37:30,520 Speaker 1: about my family. Go what that they've been missing for 622 00:37:30,560 --> 00:37:34,239 Speaker 1: fifteen years and you're like yes, and then you got 623 00:37:34,320 --> 00:37:37,319 Speaker 1: it's gotten me once or twice, and then she does 624 00:37:37,320 --> 00:37:41,480 Speaker 1: her and then she'll be like just missing and I'm like, 625 00:37:41,760 --> 00:37:44,440 Speaker 1: I'm sorry, person, we're trying to make some kind of 626 00:37:44,440 --> 00:37:48,279 Speaker 1: development deal with podcasts like this is a bit you'd 627 00:37:48,280 --> 00:37:50,680 Speaker 1: be like, sorry, there's actually a dateline episode about it 628 00:37:50,719 --> 00:37:53,480 Speaker 1: if you want to get caught up on what happened. Yeah, 629 00:37:53,680 --> 00:37:59,120 Speaker 1: so anyway, up our fallon development deal. He went straight 630 00:37:59,120 --> 00:38:03,480 Speaker 1: to Elmo a Ben. Unfortunately, my family has been missing 631 00:38:03,520 --> 00:38:06,000 Speaker 1: for years and I don't know where they are, and 632 00:38:07,440 --> 00:38:09,239 Speaker 1: that's kind of that I don't know why, but that's 633 00:38:09,320 --> 00:38:11,720 Speaker 1: kind of the gist of where my mind always goes 634 00:38:15,239 --> 00:38:19,560 Speaker 1: hi On. An addition to being a super producer, you're 635 00:38:19,600 --> 00:38:23,240 Speaker 1: also one of my favorite podcast hosts in the world. 636 00:38:23,800 --> 00:38:28,480 Speaker 1: You host Ethnically Ambiguous, which we've talked about before on 637 00:38:28,520 --> 00:38:33,160 Speaker 1: this show. You also host a recap show called Deckheads Kids. 638 00:38:33,560 --> 00:38:39,160 Speaker 1: It's about the below Deck TV series, notoriously hated and 639 00:38:39,440 --> 00:38:42,080 Speaker 1: loved by the fans. They cannot decide if they like 640 00:38:42,239 --> 00:38:44,720 Speaker 1: me and Nick Turner's critiques on it, but there's something 641 00:38:44,760 --> 00:38:49,239 Speaker 1: funny about the reactions we get. I have not watched Deckheads, 642 00:38:49,280 --> 00:38:52,719 Speaker 1: and I still love Below Deck. Sorry, I have not 643 00:38:52,840 --> 00:38:56,399 Speaker 1: watched below Deck, but I still love Deckheads. Yeah. I mean, 644 00:38:56,680 --> 00:38:58,840 Speaker 1: we get a lot of people who are like, oh 645 00:38:58,880 --> 00:39:01,200 Speaker 1: my god, thank you for me taking this show watchable, 646 00:39:01,239 --> 00:39:02,880 Speaker 1: and then other people being like, I just quit the 647 00:39:02,880 --> 00:39:04,600 Speaker 1: show and I'm just listening to you guys, and then 648 00:39:04,600 --> 00:39:07,960 Speaker 1: other people being like, I have some bones to pick 649 00:39:08,040 --> 00:39:12,080 Speaker 1: with your your opinions on these characters. But they're always like, uh, 650 00:39:12,120 --> 00:39:14,239 Speaker 1: it's it's just a fun ride because you don't know 651 00:39:14,280 --> 00:39:18,400 Speaker 1: what you're gonna get, and people really love these like 652 00:39:18,440 --> 00:39:20,239 Speaker 1: to a point where you're like talking about pair of 653 00:39:20,320 --> 00:39:23,640 Speaker 1: social relationships. Yeah, I was like, why you know that 654 00:39:23,680 --> 00:39:26,040 Speaker 1: guy is not a great guy. But I guess if 655 00:39:26,080 --> 00:39:28,000 Speaker 1: you had to see him on a TV show over 656 00:39:28,040 --> 00:39:30,720 Speaker 1: and over and over again, I mean you'd be slowly 657 00:39:30,719 --> 00:39:33,600 Speaker 1: worn down. Yeah. Like there's a character that I started 658 00:39:33,600 --> 00:39:36,600 Speaker 1: out being like I don't think so you are not 659 00:39:36,680 --> 00:39:40,600 Speaker 1: a good person, And now I'm like, leave him alone. 660 00:39:41,400 --> 00:39:45,560 Speaker 1: So I guess I understand what their Captain Lee. I 661 00:39:45,600 --> 00:39:48,279 Speaker 1: struggled with Captain Lee for a long time. I don't 662 00:39:48,360 --> 00:39:50,680 Speaker 1: really Yeah, did you see him in that tell all 663 00:39:50,719 --> 00:39:52,359 Speaker 1: from the last season, the way he was being real 664 00:39:52,440 --> 00:39:55,360 Speaker 1: dismissive when the one black crew member was like, I 665 00:39:55,400 --> 00:39:57,560 Speaker 1: don't I didn't feel comfortable the way things were being 666 00:39:57,600 --> 00:40:00,480 Speaker 1: handled like on this ship, and that is that is problem. 667 00:40:00,640 --> 00:40:05,160 Speaker 1: Every episode they're like, do you feel like you're chiefs? 668 00:40:05,160 --> 00:40:08,720 Speaker 1: Do handled that sexual harassment situation good? And he's like, honestly, 669 00:40:09,000 --> 00:40:11,759 Speaker 1: I don't know. I think she did. If it had 670 00:40:11,880 --> 00:40:13,400 Speaker 1: escalated further, she would to let me know. And I 671 00:40:13,440 --> 00:40:15,799 Speaker 1: want to turn your boat around, and you're like, look, 672 00:40:16,880 --> 00:40:18,600 Speaker 1: you tell me my body. I used to be a 673 00:40:18,600 --> 00:40:22,399 Speaker 1: weightlifter in my twenties. There's just a lot of there's 674 00:40:22,400 --> 00:40:25,359 Speaker 1: a lot of it's funny because it's like a lot 675 00:40:25,400 --> 00:40:28,160 Speaker 1: of people know Below Deck, but they don't talk about 676 00:40:28,200 --> 00:40:31,600 Speaker 1: Below Deck, like it's something you've come across, and maybe 677 00:40:31,640 --> 00:40:34,160 Speaker 1: people don't. I don't talk about Below Deck, but I've 678 00:40:34,160 --> 00:40:38,080 Speaker 1: seen damn near every episode. Uh So, I think for 679 00:40:38,120 --> 00:40:42,279 Speaker 1: anybody who's seen the Bravo Buffet of Trash, you've you've 680 00:40:42,320 --> 00:40:45,880 Speaker 1: sampled the deck, got your finger on these. It's a 681 00:40:45,920 --> 00:40:48,200 Speaker 1: fun show though, I like, I really like boats, and 682 00:40:48,239 --> 00:40:50,239 Speaker 1: I really like sailing and all that, and I just 683 00:40:50,280 --> 00:40:53,400 Speaker 1: love like water sports. So it's fun to just watch people. 684 00:40:53,480 --> 00:40:55,799 Speaker 1: And I feel like I've also really learned a lot 685 00:40:56,000 --> 00:40:59,319 Speaker 1: about like being like a deckhand. Like I'm always like, oh, yeah, 686 00:40:59,360 --> 00:41:01,160 Speaker 1: you're gonna tell you have to give some slack on 687 00:41:01,160 --> 00:41:06,760 Speaker 1: that line. Are you gonna hit the do So anyway, 688 00:41:06,880 --> 00:41:09,080 Speaker 1: I gotta do an overrated now over you gotta do 689 00:41:09,160 --> 00:41:12,000 Speaker 1: an overrated Jason, all right. So part of me wants 690 00:41:12,040 --> 00:41:14,480 Speaker 1: to say Peloton, but I don't have it, so I 691 00:41:14,480 --> 00:41:17,799 Speaker 1: can keep really from experience. But it does feel like 692 00:41:17,840 --> 00:41:20,239 Speaker 1: a cult, and it does feel like it's overrated, and 693 00:41:20,280 --> 00:41:21,799 Speaker 1: the fact you have to pay all the time for 694 00:41:21,800 --> 00:41:24,040 Speaker 1: the thing though, that I why it's the type of 695 00:41:24,080 --> 00:41:26,040 Speaker 1: thing you can give your wife, who's already in good 696 00:41:26,040 --> 00:41:29,480 Speaker 1: shape a complex and say here, get right, yeah you 697 00:41:29,560 --> 00:41:31,720 Speaker 1: it will be the first thing that she's ever tried 698 00:41:31,800 --> 00:41:35,280 Speaker 1: on her own. It'll make her grow as a human. 699 00:41:35,680 --> 00:41:37,359 Speaker 1: It's the best thing you ever tried on your own 700 00:41:37,400 --> 00:41:41,200 Speaker 1: that I bought for you. I can't believe I'm really 701 00:41:41,239 --> 00:41:45,920 Speaker 1: doing it, you guys. Maybe that is it. Maybe I 702 00:41:45,960 --> 00:41:48,759 Speaker 1: was gonna say her first picture, when you're when you're 703 00:41:48,800 --> 00:41:56,000 Speaker 1: before picture looks like an after picture, peloteloton. Yeah. Gee, 704 00:41:56,840 --> 00:41:59,480 Speaker 1: so my other one was going to be like and 705 00:41:59,560 --> 00:42:04,240 Speaker 1: maybe the showing my age. But I have always thought 706 00:42:04,360 --> 00:42:06,359 Speaker 1: and I tried to get into his music a little bit, 707 00:42:06,400 --> 00:42:10,480 Speaker 1: but scrillics, DJ scrillics, I'm gonna fuck you call him, 708 00:42:10,760 --> 00:42:13,919 Speaker 1: but dubstep and scrillics and that stuff. And maybe that's 709 00:42:13,960 --> 00:42:16,799 Speaker 1: me being I thought for a long time, I'm like, hey, 710 00:42:16,840 --> 00:42:18,319 Speaker 1: I'm just an old guy. I don't get it. I'm 711 00:42:18,360 --> 00:42:20,680 Speaker 1: not into it. But then I was like, you know 712 00:42:20,760 --> 00:42:24,840 Speaker 1: what it's like, honestly, Like, I love so many different 713 00:42:24,920 --> 00:42:27,200 Speaker 1: kinds of music. I love so many different kinds of 714 00:42:27,239 --> 00:42:30,240 Speaker 1: new music that's out there. I love all kinds of music. 715 00:42:30,560 --> 00:42:33,239 Speaker 1: This music, I think is super overrated, and I think 716 00:42:33,320 --> 00:42:37,040 Speaker 1: it falls into the category of we are calling this 717 00:42:37,080 --> 00:42:39,920 Speaker 1: person a genius just because I think we're supposed to 718 00:42:39,920 --> 00:42:43,040 Speaker 1: call this person a genius. He's not a genius. He's 719 00:42:43,040 --> 00:42:47,120 Speaker 1: not doing something. He's doing something, but like it's doing 720 00:42:46,840 --> 00:42:54,200 Speaker 1: something he's doing he's pushing buttons dubstep. I think it's 721 00:42:54,239 --> 00:42:57,120 Speaker 1: really interesting. I ay, I love that this is a 722 00:42:57,200 --> 00:42:59,520 Speaker 1: take from two thousand and eleven that we haven't just 723 00:42:59,600 --> 00:43:04,520 Speaker 1: got can we now? Do we have enough distance that 724 00:43:04,600 --> 00:43:08,760 Speaker 1: we can look at it like we were? And also 725 00:43:08,840 --> 00:43:11,239 Speaker 1: he looks like Corey Felt with an interesting haircut. Let's 726 00:43:11,239 --> 00:43:14,000 Speaker 1: be real. But I think, you know, with a dub 727 00:43:14,040 --> 00:43:17,640 Speaker 1: step like me. I'm also a musician. I love making music, 728 00:43:17,680 --> 00:43:20,799 Speaker 1: playing music, And when I first heard dub step and 729 00:43:20,800 --> 00:43:22,960 Speaker 1: tried to make it, that was when I had respect 730 00:43:22,960 --> 00:43:25,080 Speaker 1: for them. Because when you actually look at like a 731 00:43:25,960 --> 00:43:28,640 Speaker 1: like any kind of synthesizer software or whatever, and to 732 00:43:28,760 --> 00:43:31,680 Speaker 1: do all those it's a lot of work. But yeah, 733 00:43:31,680 --> 00:43:34,239 Speaker 1: to it. So he doesn't understand it. But yeah, but 734 00:43:34,280 --> 00:43:36,879 Speaker 1: also to a certain point though, I feel like, yeah, 735 00:43:36,960 --> 00:43:38,319 Speaker 1: I mean, I don't know, and I'm trying to think 736 00:43:38,360 --> 00:43:40,040 Speaker 1: of like, well, maybe there is some dub step we 737 00:43:40,080 --> 00:43:42,319 Speaker 1: could get you into. Maybe scrill X was the wrong 738 00:43:42,480 --> 00:43:45,600 Speaker 1: venture in there, maybe like a Rusco remix of a song. 739 00:43:45,719 --> 00:43:49,319 Speaker 1: You know, there we go. So that's it. I mean, 740 00:43:49,320 --> 00:43:51,600 Speaker 1: I'll say one more thing that that I think is overrated, 741 00:43:51,640 --> 00:43:53,799 Speaker 1: just because I want to have my own thing, is 742 00:43:53,840 --> 00:43:56,840 Speaker 1: that when we were in Madison, Wisconsin in the winter 743 00:43:57,080 --> 00:43:59,600 Speaker 1: doing shows, they're at a great club, the Comedy Club. 744 00:43:59,600 --> 00:44:03,239 Speaker 1: On stage. Uh, everybody was like, you gotta go to 745 00:44:03,280 --> 00:44:06,000 Speaker 1: the indoor farmers market. They're like, you got it, there's 746 00:44:06,040 --> 00:44:08,200 Speaker 1: this indoor farmers one. You gotta go to the indoor 747 00:44:08,239 --> 00:44:09,840 Speaker 1: from Have you been to everybody? Have you been to 748 00:44:09,880 --> 00:44:13,120 Speaker 1: the indoor farmers It's like nothing You've ever never seen 749 00:44:13,160 --> 00:44:16,800 Speaker 1: anything like indoor farmers market. It's in a convention center 750 00:44:16,800 --> 00:44:22,880 Speaker 1: where like an indoor farmers market, so basically a supermarket. 751 00:44:23,239 --> 00:44:26,439 Speaker 1: They get their stuff from farms, bull foods like every 752 00:44:26,480 --> 00:44:28,840 Speaker 1: whole foods we've ever been in our lives. So that's 753 00:44:28,880 --> 00:44:31,759 Speaker 1: the thing we've never seen before. All Right, That's that 754 00:44:31,800 --> 00:44:34,080 Speaker 1: was definitely over read. That was definitely over read. But yeah, 755 00:44:34,080 --> 00:44:36,160 Speaker 1: I think but I will say, I don't think you're 756 00:44:36,160 --> 00:44:39,000 Speaker 1: missing anything by putting this scrill X albums to bed. 757 00:44:39,239 --> 00:44:41,640 Speaker 1: You know, thank you. I mean, yeah, and by the way, 758 00:44:41,680 --> 00:44:45,520 Speaker 1: that wasn't that wasn't a knock on all of dub steps. True, true, 759 00:44:46,160 --> 00:44:53,799 Speaker 1: but somewhat but people who I don't care, people I 760 00:44:53,840 --> 00:44:57,279 Speaker 1: had to get up. Shaquille O'Neil is a huge dubstep fan. 761 00:44:57,360 --> 00:44:59,799 Speaker 1: If you see him now, he's like he loves going 762 00:44:59,840 --> 00:45:03,520 Speaker 1: to these dub step shows and even DJ's now it's 763 00:45:03,560 --> 00:45:07,120 Speaker 1: so funny. The hippus person we know, yeah, of course, 764 00:45:07,880 --> 00:45:11,280 Speaker 1: and he's like his whole thing. Yeah, the idea of 765 00:45:11,280 --> 00:45:14,880 Speaker 1: of Jay is gonna now take on Who's gonna take on? 766 00:45:14,920 --> 00:45:17,800 Speaker 1: At this point, he's like the Tommy Gotchi egg people 767 00:45:18,120 --> 00:45:22,120 Speaker 1: going down bitches, You're going down band, I know, but 768 00:45:22,200 --> 00:45:25,360 Speaker 1: I I kind of agree that, like, you know, disco 769 00:45:25,520 --> 00:45:30,160 Speaker 1: had such a profound backlash like after it was popular, 770 00:45:30,560 --> 00:45:34,120 Speaker 1: but I feel like maybe a dub step didn't fully 771 00:45:34,160 --> 00:45:36,319 Speaker 1: have that moment. It just we just sort of like 772 00:45:36,680 --> 00:45:39,040 Speaker 1: moved away from it more like, well that was that 773 00:45:39,160 --> 00:45:43,520 Speaker 1: was weird. But yeah, it is don like that disco. Yeah, 774 00:45:43,520 --> 00:45:46,239 Speaker 1: I mean until they're like at baseball games they're smashing 775 00:45:46,320 --> 00:45:49,239 Speaker 1: up Scrillix records in front of people, and you know, 776 00:45:49,560 --> 00:45:51,359 Speaker 1: by the way, we met the guy who did that. 777 00:45:51,480 --> 00:45:53,960 Speaker 1: We met the guy who did that. Yeah, that promotion. 778 00:45:54,800 --> 00:45:56,480 Speaker 1: By the way, that was one of the only times 779 00:45:56,480 --> 00:45:59,879 Speaker 1: so it happened to Chicago, right, happened in between It's 780 00:46:00,280 --> 00:46:03,200 Speaker 1: Doll Dave Doll was his name. Steve Doll was the 781 00:46:03,200 --> 00:46:06,280 Speaker 1: guy's names and he it was between a double header. 782 00:46:06,640 --> 00:46:09,360 Speaker 1: It was one of the only times that they canceled 783 00:46:09,400 --> 00:46:12,040 Speaker 1: the second game that wasn't due to weather and it 784 00:46:12,080 --> 00:46:15,000 Speaker 1: wasn't anything else was that And the other time they 785 00:46:15,040 --> 00:46:17,319 Speaker 1: canceled it was like in the sixties. I think they 786 00:46:17,320 --> 00:46:20,040 Speaker 1: had like five cent beer night in Cleveland, and like 787 00:46:20,160 --> 00:46:22,360 Speaker 1: everyone got so crazy that like we got to cancel 788 00:46:22,440 --> 00:46:26,240 Speaker 1: this right right, right right, Yeah, there's a group ritual 789 00:46:26,400 --> 00:46:29,920 Speaker 1: smashing of disco records because of like everyone's like, this 790 00:46:30,000 --> 00:46:33,640 Speaker 1: is not we can't let rock go for this disco 791 00:46:35,120 --> 00:46:38,239 Speaker 1: right it was. It was like Comiskey, the old Comiskey Park. 792 00:46:38,400 --> 00:46:46,480 Speaker 1: That's my next take, disco overrated. He just dropped the mic. Folks, 793 00:46:47,800 --> 00:46:52,400 Speaker 1: All right, that's gonna do it for this week's weekly zeite. Guys, 794 00:46:52,560 --> 00:46:56,400 Speaker 1: please like and review the show. If you like the show, 795 00:46:56,960 --> 00:47:01,360 Speaker 1: uh means the world two miles. He needs your validation, folks. 796 00:47:01,960 --> 00:47:05,040 Speaker 1: I hope you're having a great weekend and I will 797 00:47:05,080 --> 00:47:51,200 Speaker 1: talk to you Monday. By