1 00:00:00,720 --> 00:00:04,760 Speaker 1: This is your week up Hallome Breakfast Club to show 2 00:00:04,800 --> 00:00:07,120 Speaker 1: you love to hate from the East to the West, 3 00:00:07,120 --> 00:00:10,960 Speaker 1: Coat d J D Angela Ye, Cholomagne, the ruler show 4 00:00:11,039 --> 00:00:12,960 Speaker 1: on the planet. This is why I respect this show 5 00:00:13,000 --> 00:00:15,840 Speaker 1: because this is a voice of society. James in the game. 6 00:00:15,960 --> 00:00:19,320 Speaker 1: Guys are the coveted morning show. But y'all earned it, 7 00:00:19,520 --> 00:00:21,759 Speaker 1: exacting the coach. Sure wake up in the morning and 8 00:00:21,840 --> 00:00:24,680 Speaker 1: as day want to hear that breakfast the world's most 9 00:00:24,720 --> 00:00:34,479 Speaker 1: dangerous morning show. Good morning Usa yo yo yo yo 10 00:00:34,520 --> 00:00:36,080 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:36,159 --> 00:00:37,879 Speaker 1: yo yo yo yo yo yo yo yo yo yo 12 00:00:37,960 --> 00:00:41,880 Speaker 1: yo yo yo yo. Good morning, Angela Ye, good money. 13 00:00:42,120 --> 00:00:48,000 Speaker 1: Damn Cholomagne, the guy Peace of the Plane. It is Tuesday, Yes, 14 00:00:48,080 --> 00:00:51,080 Speaker 1: it's Tuesday. Election Day in New York City. Good morning. 15 00:00:51,080 --> 00:00:54,560 Speaker 1: That's right, I gotta vote today. World is an election day. 16 00:00:54,640 --> 00:00:56,960 Speaker 1: Election day can't just be in New York, right, I 17 00:00:57,000 --> 00:00:59,720 Speaker 1: don't know. I don't know, but it definitely is in 18 00:01:00,000 --> 00:01:02,480 Speaker 1: in New York City. Have you guys had to get 19 00:01:02,480 --> 00:01:05,360 Speaker 1: a passport recently? During the pandemic? Money chance, I told you, 20 00:01:05,480 --> 00:01:08,760 Speaker 1: I told you mine expire and yes I have to 21 00:01:08,760 --> 00:01:10,560 Speaker 1: get a passport. I have to get it from my 22 00:01:11,360 --> 00:01:15,120 Speaker 1: too youngest I believe there are about to expire. Yeah, 23 00:01:15,160 --> 00:01:17,160 Speaker 1: it's a process. I was there all day for about 24 00:01:17,200 --> 00:01:20,600 Speaker 1: six seven hours get a new passport. Um, it is 25 00:01:20,680 --> 00:01:24,240 Speaker 1: a long ass process. If you know that your passport 26 00:01:24,319 --> 00:01:26,319 Speaker 1: is about to expire or you just had a baby, 27 00:01:27,160 --> 00:01:30,960 Speaker 1: do it through the post office. It takes to how 28 00:01:30,959 --> 00:01:34,560 Speaker 1: long does it take, Um, it's gonna if you expedite it, 29 00:01:34,560 --> 00:01:37,240 Speaker 1: it could probably take about four weeks. But if you 30 00:01:37,319 --> 00:01:39,920 Speaker 1: do it regular take, it'll take like six to eight weeks. 31 00:01:39,920 --> 00:01:41,959 Speaker 1: But I did mine through the post office and it's 32 00:01:42,040 --> 00:01:45,199 Speaker 1: very simple. Yeah. I don't know the process with having 33 00:01:45,319 --> 00:01:47,680 Speaker 1: kids because with the UH I actually had to go 34 00:01:47,760 --> 00:01:49,640 Speaker 1: Me and my wife had to go to the passport 35 00:01:49,760 --> 00:01:52,800 Speaker 1: office yesterday. There's a long ass line out there. They're 36 00:01:52,840 --> 00:01:56,360 Speaker 1: only taking appointments. People are just online praying that they 37 00:01:56,400 --> 00:01:57,800 Speaker 1: will be seen. There's a lot of people that have 38 00:01:57,880 --> 00:02:00,200 Speaker 1: family members that passed away overseas and they want to 39 00:02:00,280 --> 00:02:04,040 Speaker 1: go bury their family members. And it is a process. 40 00:02:04,120 --> 00:02:07,840 Speaker 1: I was there yesterday one to six six thirty yesterday 41 00:02:08,080 --> 00:02:11,079 Speaker 1: getting there's a death in the family, they do expediting, Yeah, 42 00:02:11,200 --> 00:02:13,320 Speaker 1: the death in the family. But if you're like going 43 00:02:13,320 --> 00:02:16,560 Speaker 1: on vacation. You have to have some type of paperwork 44 00:02:16,600 --> 00:02:18,760 Speaker 1: to show that you have my coming up. Ye. Yeah, 45 00:02:18,800 --> 00:02:21,440 Speaker 1: and itinerary which is easy to get, you know. But 46 00:02:21,960 --> 00:02:25,359 Speaker 1: when are you at the bathroom? Me? No, I'm in 47 00:02:25,400 --> 00:02:29,080 Speaker 1: my home to show very echo wish this morning. I 48 00:02:29,080 --> 00:02:31,920 Speaker 1: don't know why, but yeah, I just want to tell 49 00:02:31,919 --> 00:02:33,320 Speaker 1: you guys, if you gotta, if you have to get 50 00:02:33,360 --> 00:02:36,360 Speaker 1: a passport, go early, because it's six hours and yesterday 51 00:02:36,480 --> 00:02:38,920 Speaker 1: was hot. It was it was nasty, but we finally 52 00:02:38,960 --> 00:02:41,320 Speaker 1: got the passport for my my son, my youngest son. 53 00:02:41,919 --> 00:02:44,000 Speaker 1: I don't know why they all expire at different times 54 00:02:44,040 --> 00:02:46,079 Speaker 1: because I got them pretty much all at the same time, 55 00:02:46,120 --> 00:02:49,239 Speaker 1: but they do so maybe it's age limit. But yeah, 56 00:02:49,240 --> 00:02:50,919 Speaker 1: it's a process, so definitely do that if you can 57 00:02:51,000 --> 00:02:53,040 Speaker 1: give yourself a little extra time. Don't don't wait last 58 00:02:53,080 --> 00:02:55,880 Speaker 1: minute like my dumbass did. Yeah, it's ten years when 59 00:02:55,880 --> 00:02:58,520 Speaker 1: you get it. It It is when it expires for adults, 60 00:02:58,560 --> 00:03:00,919 Speaker 1: not for kids, because my son is Oh kids are different. 61 00:03:01,560 --> 00:03:04,200 Speaker 1: It expired all right, right. Well, I just want to 62 00:03:04,280 --> 00:03:06,880 Speaker 1: encourage people too. If it's not like an expedited rush 63 00:03:07,000 --> 00:03:09,000 Speaker 1: that you need to get it, just mail away for it. 64 00:03:09,000 --> 00:03:11,600 Speaker 1: It was a very simple process. Right, what else we 65 00:03:11,639 --> 00:03:13,840 Speaker 1: got playing this morning? What else you got this morning? 66 00:03:13,880 --> 00:03:16,960 Speaker 1: We have Spice and Shaggy joined us this morning. Yes, 67 00:03:17,000 --> 00:03:20,240 Speaker 1: it's Caribbean heritage a month everybody, Spice and Shaggy. They 68 00:03:20,280 --> 00:03:23,480 Speaker 1: have this song go down there and it's her with 69 00:03:23,639 --> 00:03:27,200 Speaker 1: Shaggy and Shampaul on a song together. That's iconica. Guan 70 00:03:27,320 --> 00:03:31,160 Speaker 1: Bredren all our Caribbean moss about there stop, good mornin. 71 00:03:31,240 --> 00:03:32,799 Speaker 1: They don't like when you do that. They don't like 72 00:03:32,919 --> 00:03:34,840 Speaker 1: when we do that. They don't care when Safari does it. 73 00:03:34,920 --> 00:03:37,360 Speaker 1: The Drake, so why can't I Well, so far as 74 00:03:37,360 --> 00:03:43,000 Speaker 1: you're making that's true, Drake is Prince patois Champagne, patois, Hey, 75 00:03:43,040 --> 00:03:45,360 Speaker 1: when you do that, man, Champagne patois, let's get the 76 00:03:45,360 --> 00:03:48,600 Speaker 1: show cracking front. Pagne's what we're talking about. Yes, and 77 00:03:48,720 --> 00:03:51,960 Speaker 1: let's talk about your guy. Ronnie O'Neill's he found guilty, 78 00:03:52,160 --> 00:03:59,480 Speaker 1: all right, Guan he gone, Hegan Bredren, goodness gracious, alright, 79 00:03:59,520 --> 00:04:01,119 Speaker 1: we'll get to it. Is the Breakfast Club, Go morning, 80 00:04:02,640 --> 00:04:06,920 Speaker 1: Hey morning, everybody is DJ Envy Angela Ye, Charlomagne the guy. 81 00:04:06,960 --> 00:04:09,280 Speaker 1: We are the Breakfast Club. Good morning, good morning, what's happening? 82 00:04:09,360 --> 00:04:13,640 Speaker 1: Happy Tuesday, let's get in some front page news. Now playoffs. 83 00:04:13,680 --> 00:04:15,760 Speaker 1: There was no game last night, but tonight the Clippers 84 00:04:15,800 --> 00:04:18,440 Speaker 1: take on the Suns at nine pm. Now his sons 85 00:04:18,520 --> 00:04:21,160 Speaker 1: lead the series one. Oh yeah, I was confused last 86 00:04:21,200 --> 00:04:24,200 Speaker 1: night because I turned the tt NBA playoff but it 87 00:04:24,240 --> 00:04:26,760 Speaker 1: was a final. But it was a cartoon on last night. 88 00:04:27,320 --> 00:04:29,760 Speaker 1: She'sam Sheasam was on. I turned. Yeah, it was a cartoon. 89 00:04:30,160 --> 00:04:34,560 Speaker 1: I thought so too. Now also, yeah, you're back, damn it. Man. 90 00:04:34,600 --> 00:04:38,119 Speaker 1: All right, let's do the front page without us. So um. 91 00:04:38,400 --> 00:04:41,359 Speaker 1: Ronnie O'Neill. Now, if you don't remember Ronnie O'Neill, he 92 00:04:41,480 --> 00:04:44,240 Speaker 1: was charged of killing his girlfriend daughter and trying to 93 00:04:44,320 --> 00:04:48,679 Speaker 1: kill his son. He was his own attorney. He's definitely 94 00:04:48,720 --> 00:04:52,000 Speaker 1: a character from The Bone. Doctor Aaron McGruder created this character. 95 00:04:52,040 --> 00:04:54,040 Speaker 1: I don't care what nobody says. Yes, and he had 96 00:04:54,080 --> 00:04:56,880 Speaker 1: to actually, uh cross examined his son. We have audio 97 00:04:56,960 --> 00:04:59,200 Speaker 1: some of the stuff that he was saying on him 98 00:04:59,200 --> 00:05:02,080 Speaker 1: cross examining. How are you doing? Run? That's what I say. 99 00:05:02,960 --> 00:05:07,320 Speaker 1: It's good to see you, man. Did you see me 100 00:05:07,400 --> 00:05:12,880 Speaker 1: shoot your mom? Did I hurt you that night of 101 00:05:13,120 --> 00:05:18,480 Speaker 1: this incident? Yes? I did? And how did I hurt you. 102 00:05:20,880 --> 00:05:23,240 Speaker 1: Damn it, I really hit the traumatizing that little boy. 103 00:05:23,360 --> 00:05:25,240 Speaker 1: I mean, number one, he got to relive the experience 104 00:05:25,279 --> 00:05:26,760 Speaker 1: of that night, but number two, he got to sit 105 00:05:26,800 --> 00:05:29,920 Speaker 1: there and talk to his dumbass daddy and caught about 106 00:05:29,920 --> 00:05:34,600 Speaker 1: the experience. Well, after all that, he confessed, they committed 107 00:05:34,800 --> 00:05:38,880 Speaker 1: criminal act against me with the nine one one call 108 00:05:39,279 --> 00:05:42,080 Speaker 1: and that problem of video that it just showed y'all 109 00:05:42,480 --> 00:05:46,240 Speaker 1: you heard Kalil Brown, He said that he was actually 110 00:05:46,680 --> 00:05:51,840 Speaker 1: sure that I only hit y'all baron three times. They 111 00:05:51,839 --> 00:05:55,720 Speaker 1: didn't call Kalil Brown to tell you that I did. 112 00:05:56,040 --> 00:05:59,040 Speaker 1: You have to ask yourself why that is, because I 113 00:05:59,080 --> 00:06:07,920 Speaker 1: want you to know that. But I want you to 114 00:06:05,680 --> 00:06:10,800 Speaker 1: tell I really want to know what Ronnie O'Neill was 115 00:06:10,800 --> 00:06:13,400 Speaker 1: trying to accomplish, Like why did he waste everybody's time 116 00:06:13,480 --> 00:06:16,400 Speaker 1: playing like he literally went up there playing knowing damn well, 117 00:06:16,440 --> 00:06:18,880 Speaker 1: he committed the murders and didn't even give a compelling 118 00:06:18,960 --> 00:06:22,480 Speaker 1: case as to why he's not guilty. Yeah, he basically said, 119 00:06:22,520 --> 00:06:24,640 Speaker 1: I did it, but I didn't do it like that. Yeah, 120 00:06:24,800 --> 00:06:26,520 Speaker 1: But why I put your son through that? If you're 121 00:06:26,520 --> 00:06:29,240 Speaker 1: gonna confess it sounds like a sociopath like, no, No, 122 00:06:29,279 --> 00:06:32,520 Speaker 1: it's more than a sociopath. That's a great cycle, my goodness. 123 00:06:32,680 --> 00:06:37,040 Speaker 1: All right, and lastly, I'll call Nassa. He becomes the 124 00:06:37,080 --> 00:06:39,280 Speaker 1: first NFL player to come out as gay to be 125 00:06:39,360 --> 00:06:42,280 Speaker 1: actively playing. Do we have audio? What's all people, I'm 126 00:06:42,320 --> 00:06:44,960 Speaker 1: Carl Nassa. I'm at my house here in Westchester, Pennsylvania. 127 00:06:45,040 --> 00:06:46,520 Speaker 1: I just want to take a quick moment to say 128 00:06:46,520 --> 00:06:48,400 Speaker 1: that I'm gay. I've been meaning to do this for 129 00:06:48,440 --> 00:06:50,800 Speaker 1: a while now, but I finally feel comfortable enough to 130 00:06:50,839 --> 00:06:52,880 Speaker 1: get it off my chest. I really have the best life. 131 00:06:52,960 --> 00:06:55,719 Speaker 1: I got the best family, friends and job a guy 132 00:06:55,720 --> 00:06:59,039 Speaker 1: could ask for. I'm a pretty private person, so I 133 00:06:59,080 --> 00:07:00,680 Speaker 1: hope you guys know that I'm really not doing this 134 00:07:00,720 --> 00:07:04,440 Speaker 1: for attention. I just think that representation and visibility are 135 00:07:04,520 --> 00:07:07,479 Speaker 1: so important. And drop on a clues BOMs from my 136 00:07:07,560 --> 00:07:11,960 Speaker 1: guy call man. Call is a good human man. Call 137 00:07:12,120 --> 00:07:15,440 Speaker 1: is a great friend of someone I consider family. Man, 138 00:07:16,440 --> 00:07:18,040 Speaker 1: kick through it, call a couple of times, calls a 139 00:07:18,080 --> 00:07:20,760 Speaker 1: good brother man. All right, Well, that is your front 140 00:07:20,800 --> 00:07:23,920 Speaker 1: page news. Now get it off your chest. Eight hundred 141 00:07:24,040 --> 00:07:26,080 Speaker 1: five eight five one oh five one. If you need 142 00:07:26,120 --> 00:07:28,080 Speaker 1: to vent, hit us up right now. Maybe at a 143 00:07:28,120 --> 00:07:30,520 Speaker 1: bad night bad morning. Maybe you want to spread some positivity. 144 00:07:30,560 --> 00:07:33,240 Speaker 1: Whatever it is full line to wide open. Eight hundred 145 00:07:33,280 --> 00:07:35,200 Speaker 1: five eight five one oh five one is the breakfast 146 00:07:35,240 --> 00:07:41,480 Speaker 1: Club on the morning, the breakfast Club. Wake up, wake up, 147 00:07:41,560 --> 00:07:46,440 Speaker 1: wake y'all your time to get it off your chest 148 00:07:46,880 --> 00:07:48,640 Speaker 1: with your man of black. We want to hear from 149 00:07:48,640 --> 00:07:52,760 Speaker 1: you on a breakfast club. Hello. Who's this hey, breakfast club? 150 00:07:52,800 --> 00:07:55,480 Speaker 1: It is Chris out of Toledo. Chris, Chris. What's happening king? 151 00:07:55,600 --> 00:07:58,000 Speaker 1: Get it off your chest, bro, breakfast Club. I called 152 00:07:58,040 --> 00:08:00,760 Speaker 1: y'all about two weeks ago telling y'all about a house 153 00:08:00,800 --> 00:08:04,720 Speaker 1: that I bought with a new program for no money 154 00:08:04,720 --> 00:08:07,800 Speaker 1: down on the house. Look, when I called y'all, I 155 00:08:07,880 --> 00:08:10,000 Speaker 1: did not shout out my baby mama. So I want 156 00:08:10,000 --> 00:08:12,920 Speaker 1: to take some time and shout her out. Her name 157 00:08:13,000 --> 00:08:16,800 Speaker 1: is Jamie's fantastic mother and her Father's Day. She got 158 00:08:16,800 --> 00:08:19,400 Speaker 1: me tickets to go to an NFL game. It was beautiful. 159 00:08:19,560 --> 00:08:21,680 Speaker 1: That's dope. Clearly she don't have you on child's sport 160 00:08:21,720 --> 00:08:23,680 Speaker 1: does Ain't nobody calling a bit shot now? They baby Mama? 161 00:08:23,720 --> 00:08:26,960 Speaker 1: I got him on child's board. Oh we lived together, man, She's, 162 00:08:27,160 --> 00:08:30,560 Speaker 1: like I said, great mother. Everything else. I love about 163 00:08:30,560 --> 00:08:33,520 Speaker 1: her congratulation. Want to give her donkey of the day. 164 00:08:33,800 --> 00:08:37,959 Speaker 1: Oh both, okay? Go? Why yo? Sorry? Baby? I love you. 165 00:08:38,400 --> 00:08:41,240 Speaker 1: But she got upset because I didn't shout her out 166 00:08:41,720 --> 00:08:44,800 Speaker 1: and she has problems with trusting me. I've given her 167 00:08:44,840 --> 00:08:47,679 Speaker 1: literally no reason not to trust me. You're a liar, 168 00:08:47,720 --> 00:08:50,840 Speaker 1: goes through my phone. I swear to God, no reason 169 00:08:50,920 --> 00:08:54,840 Speaker 1: that something. No, I didn't do a damn thing. That's 170 00:08:54,880 --> 00:08:57,120 Speaker 1: why I'm confused. That's why I'm giving her donkey of 171 00:08:57,160 --> 00:08:59,959 Speaker 1: the day. Okay, don't trust me, she don't believe me. 172 00:09:00,520 --> 00:09:02,319 Speaker 1: Love it now. I love you, baby. We don't get 173 00:09:02,320 --> 00:09:04,040 Speaker 1: married one day. Let me tell you something. I hate 174 00:09:04,040 --> 00:09:05,560 Speaker 1: to be the guy to say this to you, but 175 00:09:06,360 --> 00:09:08,839 Speaker 1: if she's having trusted you, she might be cheating on you, bro, 176 00:09:09,000 --> 00:09:11,120 Speaker 1: and that guilt might be her up. I'm just saying 177 00:09:11,600 --> 00:09:13,720 Speaker 1: that guilt might be eating her up. Bro. Have you 178 00:09:14,040 --> 00:09:17,679 Speaker 1: thought about that already? Yeah? You know? All right? We 179 00:09:17,800 --> 00:09:22,280 Speaker 1: got conversation to have. Thanks peace King. Hello, who's this? Hey? 180 00:09:22,320 --> 00:09:25,959 Speaker 1: What's up? Real? Hey? Dal what's up? Brother? Get it 181 00:09:26,000 --> 00:09:28,480 Speaker 1: off your chest? Hey man, I gotta I got two 182 00:09:28,559 --> 00:09:30,880 Speaker 1: parts to get it off much go. My one part 183 00:09:30,960 --> 00:09:33,640 Speaker 1: is I have a daughter who found exactly like you. 184 00:09:34,320 --> 00:09:37,080 Speaker 1: And guess what her next is? Mine? Angela? Her government 185 00:09:37,200 --> 00:09:46,520 Speaker 1: name am I slash eight light? What do that mean? Nothing? Okay, right, 186 00:09:47,200 --> 00:09:51,520 Speaker 1: all right, what's the other thing? Heyby turn your creddy guy. 187 00:09:51,600 --> 00:09:53,640 Speaker 1: I have a I have a couple of things on 188 00:09:53,679 --> 00:09:55,320 Speaker 1: my plate. I paid it off four or five years 189 00:09:55,360 --> 00:09:58,000 Speaker 1: or so, and it doesn't have about three years three 190 00:09:58,040 --> 00:10:00,640 Speaker 1: four years ago. We're still there, right. My credit for 191 00:10:00,840 --> 00:10:03,560 Speaker 1: was like seven forty seven. Fix. It's not hurting my credit, 192 00:10:03,920 --> 00:10:06,120 Speaker 1: but it hurts you big business. Still, I'm trying to 193 00:10:06,280 --> 00:10:07,840 Speaker 1: I'm trying to do it. The banks they always come 194 00:10:07,840 --> 00:10:12,120 Speaker 1: back and say, yeah, well you know exactly things, and uh, 195 00:10:12,440 --> 00:10:14,199 Speaker 1: I can't get him off. I tried everything to get 196 00:10:14,240 --> 00:10:16,960 Speaker 1: him off. Okay, well you hit him up? Is is 197 00:10:17,040 --> 00:10:20,520 Speaker 1: Instagram is at the credit dude. He does an amazing job. 198 00:10:21,080 --> 00:10:22,559 Speaker 1: The reason I like him, and I tell everybody the 199 00:10:22,559 --> 00:10:24,400 Speaker 1: reason I like him is he charges for what he 200 00:10:24,440 --> 00:10:26,720 Speaker 1: takes off your credit. So if you can't get nothing 201 00:10:26,720 --> 00:10:28,680 Speaker 1: off your credit and he worked five years on your credit, 202 00:10:28,720 --> 00:10:31,080 Speaker 1: he charges you nothing. That's why I like him. But yeah, 203 00:10:31,120 --> 00:10:33,199 Speaker 1: definitely check him out. He's helped my credit. I think 204 00:10:33,240 --> 00:10:34,880 Speaker 1: drop him here. He did your credit to no, he 205 00:10:34,920 --> 00:10:36,680 Speaker 1: needn to do your credit. But yeah, he helped helped 206 00:10:36,679 --> 00:10:38,120 Speaker 1: a lot of people with their credit make sure that 207 00:10:38,120 --> 00:10:40,199 Speaker 1: their credit shoots up. So definitely hit him up. Is 208 00:10:40,200 --> 00:10:44,319 Speaker 1: at the credit due? All right? The last thing, hey, Envy, 209 00:10:44,400 --> 00:10:45,920 Speaker 1: so check out my want to come. I want you 210 00:10:45,960 --> 00:10:47,679 Speaker 1: to come down with St. Louis. I got a construction 211 00:10:47,720 --> 00:10:50,240 Speaker 1: company down here, man, Go on my Facebook. Is they 212 00:10:50,280 --> 00:10:53,000 Speaker 1: all beat on our l Willie and come down the 213 00:10:53,640 --> 00:10:55,800 Speaker 1: let some property down here. You bor on my Facebook 214 00:10:55,800 --> 00:10:57,840 Speaker 1: and see what I do. All right, some deals out there? 215 00:10:57,840 --> 00:10:59,640 Speaker 1: All right? Hit me on the um dam and send 216 00:10:59,640 --> 00:11:01,120 Speaker 1: me some. But if we can link up, if youve 217 00:11:01,120 --> 00:11:03,720 Speaker 1: got a construction company that that that's good. Yeah we 218 00:11:03,720 --> 00:11:07,080 Speaker 1: could talk. I would love to. Brother, look on my Facebook, 219 00:11:07,280 --> 00:11:08,880 Speaker 1: and I've been trying to hit you up here. You 220 00:11:09,240 --> 00:11:12,000 Speaker 1: got your time to get ahold of man. I'm working, man, 221 00:11:12,000 --> 00:11:13,719 Speaker 1: I'm trying to stay bus They've got five kids and 222 00:11:13,960 --> 00:11:15,560 Speaker 1: one on the way. Brother, I'm just trying to stay. 223 00:11:15,559 --> 00:11:17,480 Speaker 1: I'm trying to create legacy for my kids. Man. That's 224 00:11:17,480 --> 00:11:19,520 Speaker 1: why when you catch them you gotta kiss them. Stop 225 00:11:19,559 --> 00:11:21,880 Speaker 1: it man, Why no, no, goodbye? Man? No, I don't 226 00:11:21,920 --> 00:11:25,280 Speaker 1: even know. Why does it always kiss him huh. Why 227 00:11:25,280 --> 00:11:28,560 Speaker 1: can't you say? Why can't brother show love? Why can't 228 00:11:28,559 --> 00:11:30,760 Speaker 1: brothers show love? Did you kiss me this morning? No? 229 00:11:30,840 --> 00:11:32,320 Speaker 1: But I catch you every morning. I don't need to 230 00:11:32,360 --> 00:11:35,680 Speaker 1: kiss you. Get it off your chest? Five ain't five 231 00:11:35,720 --> 00:11:37,240 Speaker 1: one on five one. If you need to vent, hit 232 00:11:37,280 --> 00:11:39,320 Speaker 1: us up now. It's the breakfast Club. Good morning. The 233 00:11:39,520 --> 00:11:46,920 Speaker 1: Breakfast Club is your time to get it off your chests, 234 00:11:46,920 --> 00:11:49,160 Speaker 1: whether you're man or blast, so you better have the 235 00:11:49,200 --> 00:11:51,000 Speaker 1: same and we want to hear from you on the 236 00:11:51,000 --> 00:11:56,360 Speaker 1: breakfast Club. Hello. Who's this? Yeah? Hello? Hello? Yes, guys, 237 00:11:56,400 --> 00:12:01,120 Speaker 1: what's going on? Man the short Stone? What's up? Brother? Hey, 238 00:12:01,160 --> 00:12:04,360 Speaker 1: I'm blessing man. Man, I already trying to start jam. Mind. 239 00:12:04,360 --> 00:12:06,480 Speaker 1: You need that liquor, you need that lical health. Man, 240 00:12:06,600 --> 00:12:09,360 Speaker 1: I need a local help. I need a local help 241 00:12:09,400 --> 00:12:13,079 Speaker 1: while you starting liquor, liquor letot lecal health and just 242 00:12:13,240 --> 00:12:15,200 Speaker 1: and I just big of shocking, you know what I mean? 243 00:12:15,320 --> 00:12:19,920 Speaker 1: Shot and spice. You don't know. Maybe on later, brad Rain, 244 00:12:20,679 --> 00:12:24,400 Speaker 1: what are you listening? Maybe a later Bradwin. Oh, they're 245 00:12:24,440 --> 00:12:29,840 Speaker 1: beyond later. Yeah, she'd be back in a local while 246 00:12:32,440 --> 00:12:36,760 Speaker 1: our broadcast. Bradren, Oh, listen, listen. I just want to 247 00:12:36,760 --> 00:12:38,400 Speaker 1: shout out one of my co workers, because I just 248 00:12:38,520 --> 00:12:40,880 Speaker 1: twitched my job to Waste Management, and I want to 249 00:12:40,920 --> 00:12:43,040 Speaker 1: shout out cliff you know what I mean for helping 250 00:12:43,080 --> 00:12:45,520 Speaker 1: me out on my route. Man, You're a good dude. Yeah, 251 00:12:45,559 --> 00:12:47,160 Speaker 1: Cliffords are good to him. Man. He listened to The 252 00:12:47,160 --> 00:12:49,160 Speaker 1: Breakfast Club all the time. Man, he was shot that 253 00:12:49,200 --> 00:12:51,640 Speaker 1: I was working at Waste Management. He was like, Yo, 254 00:12:51,720 --> 00:12:53,679 Speaker 1: you show starting that called the Breakfast Club. You know 255 00:12:53,760 --> 00:12:56,000 Speaker 1: you're famous, right, I'm like, no, I'm not a brother, 256 00:12:56,440 --> 00:12:59,880 Speaker 1: I'm just a regular dude. Lute the cliff Man. Yeah, 257 00:13:00,600 --> 00:13:04,920 Speaker 1: one more thing, just Jayard. Jayard in Atlanta says that 258 00:13:05,040 --> 00:13:08,720 Speaker 1: he wanted to challenge Nicky from Michigan to a rap battle. 259 00:13:08,880 --> 00:13:10,720 Speaker 1: But let we need to make that happen. They can 260 00:13:10,760 --> 00:13:12,599 Speaker 1: do that. Good luck to that man, let us know 261 00:13:12,679 --> 00:13:17,600 Speaker 1: who wins. Ever, going, Hello, who's this Chris? What's your name? Chris? Chris? 262 00:13:17,679 --> 00:13:19,679 Speaker 1: All right, Chris, get it off at chess broy and 263 00:13:20,040 --> 00:13:22,079 Speaker 1: I got a bone to pick with you, man. The 264 00:13:22,200 --> 00:13:27,319 Speaker 1: other day, wrong and fashion and Airbnb saying that hotels 265 00:13:27,360 --> 00:13:31,360 Speaker 1: are safely but that's really not true. You were saying 266 00:13:31,440 --> 00:13:34,880 Speaker 1: that airbnbs use a lot of hard keys, and you 267 00:13:35,000 --> 00:13:38,600 Speaker 1: know people can make copies. Well, we actually use digital 268 00:13:38,760 --> 00:13:41,439 Speaker 1: locks and we changed the cold every time a new 269 00:13:41,520 --> 00:13:46,160 Speaker 1: guests would come. As I was he was reporting the story. 270 00:13:46,679 --> 00:13:49,280 Speaker 1: He was reporting the story about a couple who I 271 00:13:49,360 --> 00:13:51,400 Speaker 1: believe we got a lady that got raped in the 272 00:13:51,480 --> 00:13:53,439 Speaker 1: city that they were using hard keys. I said, I 273 00:13:53,480 --> 00:13:56,559 Speaker 1: don't use airbnbs for myself because I like different forms 274 00:13:56,559 --> 00:13:58,560 Speaker 1: of protection. The first form of protection is the lobby, 275 00:13:58,800 --> 00:14:00,800 Speaker 1: second form of protection is the elevated key to get 276 00:14:00,880 --> 00:14:02,719 Speaker 1: un elevated, and the third one is my dough. That's 277 00:14:02,720 --> 00:14:04,720 Speaker 1: just me personally. I don't do Airbnb's. There's a lot 278 00:14:04,760 --> 00:14:06,880 Speaker 1: of people that do that's cool. I just don't do it. Yeah, 279 00:14:07,080 --> 00:14:09,200 Speaker 1: but every hotel doesn't have that. I mean I could 280 00:14:09,200 --> 00:14:11,439 Speaker 1: walk into a hotel right now, get on the elevator 281 00:14:11,440 --> 00:14:13,199 Speaker 1: and walk up to a rum and knocks on the door. 282 00:14:13,559 --> 00:14:16,480 Speaker 1: Every right, every hotel, but the hotels that I stay at, 283 00:14:16,640 --> 00:14:19,360 Speaker 1: I make sure that there is a guy the lot 284 00:14:19,400 --> 00:14:21,000 Speaker 1: of you got to use the key to getting elevated 285 00:14:21,040 --> 00:14:22,360 Speaker 1: in the key. That's that's the one that I said. 286 00:14:22,400 --> 00:14:24,480 Speaker 1: But that's for my safety. Though I try, I got you, 287 00:14:24,640 --> 00:14:26,800 Speaker 1: but you was fashion. I was saying, you know that 288 00:14:26,960 --> 00:14:29,200 Speaker 1: we wasn't safe and all that, But I just want 289 00:14:29,240 --> 00:14:33,680 Speaker 1: people to know that airbnbds are safe. It's no hard keys, 290 00:14:33,880 --> 00:14:35,760 Speaker 1: you know, because you was pushing that kind of hall. 291 00:14:36,360 --> 00:14:39,240 Speaker 1: But they're all hard keys at some airbnbs. Absolutely, they 292 00:14:39,240 --> 00:14:41,560 Speaker 1: are are smart keys, not ones and not the laws 293 00:14:41,600 --> 00:14:44,200 Speaker 1: that I don't know. I've never came across the airbnb 294 00:14:44,360 --> 00:14:46,640 Speaker 1: were hard keys at all. And I'm a toop for holes. Man, 295 00:14:46,680 --> 00:14:48,760 Speaker 1: I've been doing this for four years now. There's some 296 00:14:48,880 --> 00:14:50,440 Speaker 1: hard keys around. I know a lot of people like that. 297 00:14:50,560 --> 00:14:52,440 Speaker 1: They got to get the actual key to get in. 298 00:14:52,560 --> 00:14:55,640 Speaker 1: But that's just me. I don't stand them. It might change, 299 00:14:55,680 --> 00:14:58,120 Speaker 1: but for me right now, I just I'm all with protection. 300 00:14:58,160 --> 00:15:00,560 Speaker 1: But I got five kids and I'm the same man. 301 00:15:00,640 --> 00:15:02,640 Speaker 1: I mean, the same thing happened at a hotel I 302 00:15:02,760 --> 00:15:05,680 Speaker 1: worked in. Man, what are y'all arguing about? Man? Anybody 303 00:15:06,080 --> 00:15:08,800 Speaker 1: anybody can get got anywhere. The only thing you should 304 00:15:08,800 --> 00:15:10,880 Speaker 1: be able to do is, uh, you know, create the 305 00:15:10,920 --> 00:15:13,760 Speaker 1: proper precautious for yourself. Charlotte. Man, I'm just waking to 306 00:15:13,800 --> 00:15:17,080 Speaker 1: show that he don't mess up AIRBNC business, especially mine, 307 00:15:17,200 --> 00:15:19,640 Speaker 1: you know, true, true, We'll say that, say that, bro. 308 00:15:21,680 --> 00:15:24,160 Speaker 1: There you go. Well, let's I understand that. Just say 309 00:15:24,240 --> 00:15:26,560 Speaker 1: one more thing, too, one more thing. Tell us the 310 00:15:26,800 --> 00:15:31,480 Speaker 1: terrified of Airbnb, they terrified, crop they are they should 311 00:15:31,520 --> 00:15:34,160 Speaker 1: be have a good day, King, say see your thing. 312 00:15:34,480 --> 00:15:36,560 Speaker 1: Just call Don't let your wounds talk, bro, don't let 313 00:15:36,600 --> 00:15:38,440 Speaker 1: your paint talk. Just call a pan Say what you 314 00:15:38,560 --> 00:15:42,320 Speaker 1: really upset about? Get it off your chest? Ain't undred 315 00:15:42,400 --> 00:15:44,880 Speaker 1: five a five one on five one got ye's back. 316 00:15:44,920 --> 00:15:47,000 Speaker 1: We got rumors on the way. Yes, he painted talking 317 00:15:47,000 --> 00:15:49,280 Speaker 1: about a jog period in his life. Find out why 318 00:15:49,360 --> 00:15:52,120 Speaker 1: he suffered from depression and who was the person that 319 00:15:52,200 --> 00:15:55,160 Speaker 1: actually kickstarted that depression. All right, we'll get into that next. 320 00:15:55,160 --> 00:16:01,040 Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Listen, 321 00:16:03,040 --> 00:16:14,160 Speaker 1: Oh gosh, it's club. Well. T Payne was talking on 322 00:16:14,200 --> 00:16:16,800 Speaker 1: the Netflix series This Is Popping. He talked about falling 323 00:16:16,840 --> 00:16:20,520 Speaker 1: into a deep depression after being told that his album 324 00:16:20,680 --> 00:16:23,720 Speaker 1: messed up music forever. Here's what t Payne had to say. 325 00:16:24,360 --> 00:16:25,760 Speaker 1: He was like, man, I want to say something. Man, 326 00:16:25,920 --> 00:16:28,520 Speaker 1: he's not real concerned. He was like, man, you kind 327 00:16:28,560 --> 00:16:33,640 Speaker 1: of kind of up music. I didn't understand. Usher was 328 00:16:33,720 --> 00:16:36,920 Speaker 1: my friend. It was like, Noah, man, you really like 329 00:16:37,120 --> 00:16:40,160 Speaker 1: you really up music for real? Singers. Literally at that point, 330 00:16:40,560 --> 00:16:46,480 Speaker 1: I couldn't listen is he right? Music? And I don't 331 00:16:46,480 --> 00:16:48,920 Speaker 1: even think I realized this for a long time. That's 332 00:16:48,960 --> 00:16:52,440 Speaker 1: the very moment that started like a four year depression 333 00:16:52,480 --> 00:16:55,600 Speaker 1: for me. This is a great topic of conversation because 334 00:16:56,120 --> 00:16:58,480 Speaker 1: I will always respect honesty, but I think we have 335 00:16:58,600 --> 00:17:02,920 Speaker 1: to remember that honesty without compassion is cruelty. You know, 336 00:17:03,040 --> 00:17:06,080 Speaker 1: honesty without empathy is brutality. And that's a harsh lesson 337 00:17:06,160 --> 00:17:07,400 Speaker 1: that you know, I've had to learn in my life 338 00:17:07,400 --> 00:17:08,960 Speaker 1: because you say things and in your mind you just 339 00:17:09,040 --> 00:17:10,639 Speaker 1: being honest with them. Later on you find out you 340 00:17:10,720 --> 00:17:12,960 Speaker 1: have traumatized an individual. And I know that wasn't us 341 00:17:13,000 --> 00:17:15,359 Speaker 1: she's intention, but I would just encourage everyone that when 342 00:17:15,359 --> 00:17:20,040 Speaker 1: you're being honest, have compassion, When you're being honest, have empathy. Yeah. 343 00:17:20,119 --> 00:17:21,920 Speaker 1: That's tough man for him to even be able to 344 00:17:22,000 --> 00:17:24,680 Speaker 1: admit that, and he didn't even realize it his damn self, Like, 345 00:17:24,840 --> 00:17:27,480 Speaker 1: am I depressed right now? And I guess looking back, 346 00:17:27,920 --> 00:17:30,160 Speaker 1: he's like, you know what I really was? And also 347 00:17:30,240 --> 00:17:32,840 Speaker 1: that's just Usher's perspective, which I would like to hear 348 00:17:32,920 --> 00:17:35,760 Speaker 1: more of because I don't know how you know, auto 349 00:17:35,800 --> 00:17:38,480 Speaker 1: tune would mess the game of the real singers, because 350 00:17:38,520 --> 00:17:41,280 Speaker 1: to me, it's about the song. You got real singers 351 00:17:41,320 --> 00:17:43,440 Speaker 1: who make trash songs, you got folks with auto tune 352 00:17:43,440 --> 00:17:45,359 Speaker 1: who make dope songs. You got real singers who make 353 00:17:45,600 --> 00:17:47,960 Speaker 1: dope songs, people with autotune who make trash songs. Saying 354 00:17:48,040 --> 00:17:50,000 Speaker 1: te paying ft up music for real singers. I'd like 355 00:17:50,080 --> 00:17:52,520 Speaker 1: to know how Remember during that time, auto tune was everything, 356 00:17:52,600 --> 00:17:55,119 Speaker 1: and people that couldn't sing were making smashes and couldn't 357 00:17:55,160 --> 00:17:56,920 Speaker 1: sing with using autotune to fix their voice. So you 358 00:17:56,960 --> 00:17:59,880 Speaker 1: didn't have to sing to be a singer at that time. Yeah, 359 00:18:00,000 --> 00:18:02,040 Speaker 1: but how did that stop real singers? If you're doping, 360 00:18:02,040 --> 00:18:03,600 Speaker 1: you got a dope songs and reals. I'm sure that 361 00:18:03,640 --> 00:18:05,600 Speaker 1: if we go back to that era, there was plenty 362 00:18:05,600 --> 00:18:07,800 Speaker 1: of real singers who had songs all on the top 363 00:18:07,840 --> 00:18:11,119 Speaker 1: of the charts, and there's people that couldn't Right after that. 364 00:18:11,480 --> 00:18:13,680 Speaker 1: Right after that, jay Z went in also with the 365 00:18:13,760 --> 00:18:15,400 Speaker 1: death of auto tune and all of that, so I'm 366 00:18:15,440 --> 00:18:17,960 Speaker 1: sure everybody was piling on at once too. You didn't 367 00:18:17,960 --> 00:18:19,240 Speaker 1: have to be able to sing at that time to 368 00:18:19,320 --> 00:18:21,200 Speaker 1: make a hit. It was just you could just But 369 00:18:21,880 --> 00:18:23,639 Speaker 1: I agree, but how does that mess the game up 370 00:18:23,680 --> 00:18:26,520 Speaker 1: for real singers? If a real singer still has a 371 00:18:26,640 --> 00:18:28,640 Speaker 1: dope song, he would still he or she would still 372 00:18:28,680 --> 00:18:30,520 Speaker 1: cut through, Because if you're a real singing you feel 373 00:18:30,560 --> 00:18:32,480 Speaker 1: like that's their way of cheating to get to where 374 00:18:32,520 --> 00:18:35,600 Speaker 1: you at. What people? Can you care? What everybody else doing? 375 00:18:35,800 --> 00:18:37,680 Speaker 1: The talent a voice, they've been training their voice for 376 00:18:37,800 --> 00:18:40,320 Speaker 1: years and then all of a sudden that shouldn't stop 377 00:18:40,400 --> 00:18:44,800 Speaker 1: you stop cares. I bet you, I bet you. If 378 00:18:44,840 --> 00:18:46,840 Speaker 1: y'all go back and looked at that time, there was 379 00:18:46,960 --> 00:18:48,920 Speaker 1: real singers at the top of the charts. Okay, yeah, 380 00:18:48,920 --> 00:18:50,239 Speaker 1: but there was a lot of people that couldn't sing. 381 00:18:51,440 --> 00:18:52,919 Speaker 1: My point is, if you're a real singer, what does 382 00:18:52,920 --> 00:18:54,680 Speaker 1: it matter with everybody? If you're a real singer, you 383 00:18:54,760 --> 00:18:56,959 Speaker 1: can't because you really can't sing, and you're doing exactly 384 00:18:57,000 --> 00:18:58,520 Speaker 1: what I am by you're getting help. I don't see 385 00:18:58,520 --> 00:19:00,760 Speaker 1: how that would kill any real singers. Even real singers 386 00:19:00,800 --> 00:19:03,159 Speaker 1: started using autotune. That was like Chris Brown started using 387 00:19:03,200 --> 00:19:05,000 Speaker 1: autotune and things like that, and Chris Brown is sings 388 00:19:05,040 --> 00:19:08,720 Speaker 1: as That's what he's saying is that that became like 389 00:19:08,800 --> 00:19:11,440 Speaker 1: the popular sound of the moment, So everybody started trying 390 00:19:11,440 --> 00:19:13,639 Speaker 1: to hop on it. Even those who can see that 391 00:19:14,359 --> 00:19:17,719 Speaker 1: makes sense. All right. Now, let's talk about Pastor Carl 392 00:19:17,920 --> 00:19:22,080 Speaker 1: Lanzon Hillsong Churts. It was reported yesterday that Discovery Plus 393 00:19:22,200 --> 00:19:24,920 Speaker 1: is moving forward with the three episode docuseries focusing on 394 00:19:25,160 --> 00:19:28,240 Speaker 1: the mega church and Pastor Carl Lentz, the former pastor 395 00:19:28,359 --> 00:19:30,959 Speaker 1: Carl Lentz. It's called Breaking Hillsong. It's going to take 396 00:19:31,000 --> 00:19:33,560 Speaker 1: a closer look at the controversy surrounding that church that's 397 00:19:33,640 --> 00:19:37,480 Speaker 1: known for its celebrity attendees. Should be interesting to watch. 398 00:19:38,160 --> 00:19:40,679 Speaker 1: I would think Hillsong Churts, Pastor Carl Lentz and all 399 00:19:40,720 --> 00:19:45,360 Speaker 1: the drama that happened with that, all right, And congratulations 400 00:19:45,440 --> 00:19:48,159 Speaker 1: to Naturi not and she got her own day in 401 00:19:48,400 --> 00:19:51,200 Speaker 1: New York. She posted on Instagram that she is still 402 00:19:51,320 --> 00:19:54,840 Speaker 1: in awe to be recognized by Mayor Bill de Blasio 403 00:19:54,920 --> 00:19:57,520 Speaker 1: and First Lady Charlene McCrae with this proclamation. Here's what 404 00:19:57,600 --> 00:20:00,480 Speaker 1: you had to say. And I think about my vow, 405 00:20:01,000 --> 00:20:04,159 Speaker 1: my vowe as an actress, as an entertainer, I am 406 00:20:04,240 --> 00:20:07,680 Speaker 1: more than that. I am a living example of my 407 00:20:07,960 --> 00:20:14,680 Speaker 1: ancestors wildest dreams. I am the example of hope, endurance, inspiration, 408 00:20:15,240 --> 00:20:18,400 Speaker 1: a girl who rarely takes no foreign answer, and those 409 00:20:18,400 --> 00:20:24,200 Speaker 1: who know me, I know how I get there. Engagelations 410 00:20:24,440 --> 00:20:28,000 Speaker 1: June eighteenth is officially Nitary not in day Dope great 411 00:20:29,400 --> 00:20:31,600 Speaker 1: All right now, Ben Diesel has confirmed that Cardi B 412 00:20:31,800 --> 00:20:35,080 Speaker 1: will be back for Fast and Fury is ten. Here's 413 00:20:35,119 --> 00:20:37,840 Speaker 1: what he tells Entertainment tonight. Please tell me that we're 414 00:20:37,880 --> 00:20:40,280 Speaker 1: going to get to continue a little bit of her storyline. 415 00:20:40,520 --> 00:20:44,119 Speaker 1: We are. We are very much excited to evolve her 416 00:20:44,240 --> 00:20:47,200 Speaker 1: character and to expand it to the finale. She made 417 00:20:47,240 --> 00:20:49,840 Speaker 1: it just in time. Yeah, Justin said, she's been there 418 00:20:49,840 --> 00:20:51,600 Speaker 1: the whole time. This is just the first time we're 419 00:20:51,640 --> 00:20:54,920 Speaker 1: seeing her. She's been around. That's very, very true. I 420 00:20:55,040 --> 00:20:56,840 Speaker 1: love that. Man sounds to me like somebody about to 421 00:20:56,840 --> 00:20:59,840 Speaker 1: get their own spinoff movie. They developing the character like 422 00:21:00,520 --> 00:21:02,320 Speaker 1: dope boy. If body get a spin off movie from 423 00:21:02,320 --> 00:21:06,040 Speaker 1: Fast and Furious before Tyrese Tyres gonna have a fit. Listen, 424 00:21:06,119 --> 00:21:07,679 Speaker 1: it only makes sense. I would love to see her 425 00:21:07,720 --> 00:21:12,159 Speaker 1: get her own spinoff. Absolutely, she working on her own movie. Now, 426 00:21:12,240 --> 00:21:14,240 Speaker 1: I forgot what what was that movie she was doing 427 00:21:14,280 --> 00:21:17,119 Speaker 1: with Paramount? I forgot what it is? Well, that is 428 00:21:17,240 --> 00:21:19,760 Speaker 1: your rumor reports? Are they gonna cap fast and furious? 429 00:21:19,800 --> 00:21:21,920 Speaker 1: Are they just gonna keep going with it? The last 430 00:21:21,960 --> 00:21:25,719 Speaker 1: one I thought there was two more. Finally this one, 431 00:21:25,720 --> 00:21:27,720 Speaker 1: I think it's nine and then ten. Right, I can't 432 00:21:27,760 --> 00:21:30,000 Speaker 1: see them stopping it though, Like you said, spinoffs, but 433 00:21:30,640 --> 00:21:33,440 Speaker 1: it's bringing in too much damn money. All right, Well, 434 00:21:33,480 --> 00:21:36,280 Speaker 1: we got front pages was next? What we're talking about? Yes? 435 00:21:36,359 --> 00:21:39,200 Speaker 1: And how is everybody getting COVID nowhere? They've done some 436 00:21:39,359 --> 00:21:43,280 Speaker 1: studies to see how these spikes and cases are happening. 437 00:21:43,359 --> 00:21:45,800 Speaker 1: Who are these spreaders? Right now? All right, we'll get 438 00:21:45,840 --> 00:21:51,880 Speaker 1: into that. Next. It's the Breakfast Club. Good morning, Breakfast 439 00:21:51,960 --> 00:21:57,480 Speaker 1: Club Angela yet here? And did you know that the 440 00:21:57,600 --> 00:22:01,280 Speaker 1: General Insurance has been saving people money for nearly sixty years. 441 00:22:01,480 --> 00:22:03,639 Speaker 1: That's a long time. So if you want the quality 442 00:22:03,720 --> 00:22:06,600 Speaker 1: coverage you deserve at prices you can afford, check out 443 00:22:06,680 --> 00:22:09,720 Speaker 1: the General eight hundred General or visit the General dot com. 444 00:22:09,880 --> 00:22:14,960 Speaker 1: Some restrictions apply. Morning. Everybody is DJ Envy Angela yee, 445 00:22:15,080 --> 00:22:17,320 Speaker 1: Charlomagne the guy we are to Breakfast Club. Good morning. 446 00:22:17,400 --> 00:22:21,520 Speaker 1: Let's get in some front page news. Start with NBA 447 00:22:21,680 --> 00:22:23,840 Speaker 1: with no games last night and no TNT did say 448 00:22:23,880 --> 00:22:25,359 Speaker 1: that was Kames last night because I went to check 449 00:22:25,400 --> 00:22:27,399 Speaker 1: on my new playing cham was on now for me 450 00:22:27,480 --> 00:22:31,119 Speaker 1: it was some type a minion cartoon. But tonight the 451 00:22:31,160 --> 00:22:33,320 Speaker 1: club was Take on the Suns nine pm. The Suns 452 00:22:33,400 --> 00:22:37,119 Speaker 1: lead that series. I'm not sure. I still might be 453 00:22:37,200 --> 00:22:39,440 Speaker 1: cold protocol. I'm not sure yet. All right, what else 454 00:22:39,440 --> 00:22:42,400 Speaker 1: we got you? All right? Well, they're saying that kid's 455 00:22:42,520 --> 00:22:46,640 Speaker 1: birthday parties may be partly to blame for increased coronavirus transmissions, 456 00:22:46,640 --> 00:22:49,920 Speaker 1: according to a new study. They gathered private health insurance 457 00:22:50,000 --> 00:22:52,879 Speaker 1: data from two point nine million US households and in 458 00:22:53,000 --> 00:22:55,640 Speaker 1: counties with high rates of transmissions, they said that most 459 00:22:55,680 --> 00:22:58,320 Speaker 1: households were thirty one percent more likely to test positive 460 00:22:58,359 --> 00:23:01,560 Speaker 1: for the virus within two weeks after someone had a birthday. 461 00:23:01,920 --> 00:23:03,879 Speaker 1: So if it was a child's birthday, there were fifteen 462 00:23:03,920 --> 00:23:06,960 Speaker 1: point eight more positive coronavirus tests per ten thousand people 463 00:23:07,320 --> 00:23:12,520 Speaker 1: than in households that didn't. Chris Paul is out by 464 00:23:12,520 --> 00:23:15,400 Speaker 1: the way, But all right. They're also saying there maybe 465 00:23:15,440 --> 00:23:18,399 Speaker 1: trouble ahead. There's a dangerous COVID nineteen variant that it 466 00:23:18,520 --> 00:23:21,760 Speaker 1: is causing hospitalization spikes in a Missouri city. So health 467 00:23:21,800 --> 00:23:25,160 Speaker 1: officials are trying to convince people who are still hesitant 468 00:23:25,520 --> 00:23:28,080 Speaker 1: to get vaccinated. But they're saying it's been really tough 469 00:23:28,920 --> 00:23:30,800 Speaker 1: for people to go and get vaccinated. Now, they said 470 00:23:30,800 --> 00:23:33,240 Speaker 1: the country is close to that seventy percent, where at 471 00:23:33,280 --> 00:23:35,680 Speaker 1: sixty five point four of adults having received at least 472 00:23:35,720 --> 00:23:39,119 Speaker 1: one dose, but demands and vaccination rates have declined, so 473 00:23:39,240 --> 00:23:41,159 Speaker 1: experts are worried if enough of the population will be 474 00:23:41,280 --> 00:23:44,639 Speaker 1: vaccinated in time to curb fall and winter surges. So 475 00:23:44,760 --> 00:23:51,159 Speaker 1: does the vaccination fight against the variant? Yes, okay, yes, 476 00:23:51,240 --> 00:23:53,840 Speaker 1: it does, all right. Now, Facebook has a new clubhouse 477 00:23:53,920 --> 00:23:56,320 Speaker 1: competitor that is starting to roll out in the US, 478 00:23:56,400 --> 00:24:00,439 Speaker 1: and that's available now. It's live audio rooms, and they 479 00:24:00,480 --> 00:24:02,959 Speaker 1: did announce here'll be some US based public figures as 480 00:24:02,960 --> 00:24:05,200 Speaker 1: well as certain groups who can start hosting rooms through this. 481 00:24:05,320 --> 00:24:08,000 Speaker 1: Anybody can be invited up as a speaker, with up 482 00:24:08,040 --> 00:24:10,720 Speaker 1: to fifty people able to speak at once. There is 483 00:24:10,800 --> 00:24:13,359 Speaker 1: no calf on the number of listeners allowed in which 484 00:24:13,760 --> 00:24:15,600 Speaker 1: you know there is a cap at clubhouse. They do 485 00:24:15,720 --> 00:24:19,280 Speaker 1: impost room sized limitations. They also have notifications when your 486 00:24:19,320 --> 00:24:21,680 Speaker 1: friends are followers join the room. They have live captions. 487 00:24:21,680 --> 00:24:23,280 Speaker 1: They'll be a raise a hand button if you want 488 00:24:23,320 --> 00:24:26,520 Speaker 1: to join the conversation and reactions will be available to 489 00:24:26,640 --> 00:24:29,879 Speaker 1: interact throughout the chat. Imagine your old last family members 490 00:24:29,960 --> 00:24:33,280 Speaker 1: on Facebook arguing like they do on Clubhouse. Imagine your 491 00:24:33,359 --> 00:24:35,840 Speaker 1: daddy and your uncles and your aunts and your Grandma's 492 00:24:35,880 --> 00:24:40,119 Speaker 1: on Facebook just going at it on Facebook. It seemed 493 00:24:40,160 --> 00:24:43,400 Speaker 1: like it started a big, huge sparking and I don't 494 00:24:43,400 --> 00:24:45,320 Speaker 1: hear nobody really talking about I have no idea. I've 495 00:24:45,359 --> 00:24:49,240 Speaker 1: never been on Treehouse ever in my life. All Right, well, 496 00:24:49,280 --> 00:24:51,120 Speaker 1: I will say there's a lot of people on Facebook. 497 00:24:51,200 --> 00:24:52,760 Speaker 1: Let's be clear, there's a lot of shows that are 498 00:24:52,840 --> 00:24:56,480 Speaker 1: thriving on Facebook. So Facebook is also making podcasts available 499 00:24:56,520 --> 00:24:59,080 Speaker 1: on the platform, and people will be able to listen 500 00:24:59,119 --> 00:25:01,360 Speaker 1: to podcasts through either a mini player or a full 501 00:25:01,400 --> 00:25:04,720 Speaker 1: screen player with various playback controls and the ability to 502 00:25:04,800 --> 00:25:06,840 Speaker 1: listen while the screen is off. You'll also be able 503 00:25:06,880 --> 00:25:09,680 Speaker 1: to find shows on specific podcast creators pages as well 504 00:25:09,720 --> 00:25:12,080 Speaker 1: as in the news feed, and you can react, comment, bookmark, 505 00:25:12,320 --> 00:25:14,920 Speaker 1: and share your favorites as well. So they probably feel 506 00:25:14,920 --> 00:25:17,080 Speaker 1: like there's so many people on Facebook. Why not? It 507 00:25:17,160 --> 00:25:18,800 Speaker 1: makes perfect sense. I mean, we live in an era 508 00:25:18,880 --> 00:25:21,680 Speaker 1: where you have to go where the people are you 509 00:25:21,840 --> 00:25:26,080 Speaker 1: just do. Yeah. So I'll be hosting some live audio 510 00:25:26,160 --> 00:25:28,080 Speaker 1: rooms as well, so make sure you'll stay tuned for that. 511 00:25:29,040 --> 00:25:31,600 Speaker 1: All right, and that is your front page news. All right, 512 00:25:31,720 --> 00:25:34,840 Speaker 1: thank you, Miss Wagwan bredren All, Mike cal Ribbian math. 513 00:25:35,119 --> 00:25:41,200 Speaker 1: What's the mouth? Ye? It is Caribbean heritage, Caribbean heritage. Goodness. Okay, 514 00:25:41,280 --> 00:25:44,080 Speaker 1: who we got? Who we got coming up? Spice, we'll 515 00:25:44,119 --> 00:25:49,119 Speaker 1: be joining us. We got my girl Spice coming up. 516 00:25:49,160 --> 00:25:52,280 Speaker 1: We got Shaggy coming up, you know, Saggie. It's executive 517 00:25:52,320 --> 00:25:55,480 Speaker 1: producing Spice's album. I'm really excited for I can't believe 518 00:25:55,920 --> 00:25:59,359 Speaker 1: that this is Spice's first album. She's living around for 519 00:25:59,440 --> 00:26:03,439 Speaker 1: so long. She's been around for a little minute, ten years, 520 00:26:03,600 --> 00:26:06,240 Speaker 1: she's been around, so it's exciting to me and she 521 00:26:06,440 --> 00:26:09,200 Speaker 1: deserves it. Super talented. She's also on Love and hip Hop, 522 00:26:09,440 --> 00:26:11,560 Speaker 1: but I like how she represents herself on that show, 523 00:26:11,600 --> 00:26:15,560 Speaker 1: and I'm really excited for her album. Both my wife, 524 00:26:15,640 --> 00:26:18,399 Speaker 1: who's you're making have part jamaking it, and my manager, 525 00:26:18,440 --> 00:26:21,440 Speaker 1: who's full jaremaking, says, why does that yankee still do 526 00:26:21,560 --> 00:26:25,000 Speaker 1: that all the time? That yankee your yankee yankee him 527 00:26:25,040 --> 00:26:29,840 Speaker 1: call me Champagne patois that's my knee. Taken that from 528 00:26:29,920 --> 00:26:33,240 Speaker 1: Drake Champagne. Patois my good. Spice and Shaggy when we 529 00:26:33,359 --> 00:26:35,280 Speaker 1: come back, don't move. It's the Breakfast Club. Good morning, 530 00:26:35,680 --> 00:26:42,640 Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee, 531 00:26:42,800 --> 00:26:44,960 Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got 532 00:26:45,040 --> 00:26:47,480 Speaker 1: a special guest in the buildings, a special guests. Yes, 533 00:26:47,680 --> 00:26:54,680 Speaker 1: we have Spice and Shaggy right morning, Spice be on Instagram, 534 00:26:54,840 --> 00:27:02,800 Speaker 1: wilding on Wilding, making limb burn bed. I'll be one 535 00:27:02,880 --> 00:27:05,520 Speaker 1: of them, that one guy that'd be. You got like 536 00:27:05,800 --> 00:27:08,520 Speaker 1: a stable of dudes. You just be whiling off. No, 537 00:27:08,760 --> 00:27:10,600 Speaker 1: I just specked them from the audience when I performed 538 00:27:10,680 --> 00:27:12,720 Speaker 1: Oh got You, got You in the audience for the 539 00:27:12,760 --> 00:27:21,400 Speaker 1: weakest link identify, I can identify them. Okay, okay, why 540 00:27:21,440 --> 00:27:24,880 Speaker 1: do you identify a weak man? Because up on the stage, 541 00:27:24,880 --> 00:27:26,280 Speaker 1: I want to be I like to be in charge. 542 00:27:26,400 --> 00:27:28,560 Speaker 1: Got you, got you? Got you? Like if I was 543 00:27:29,160 --> 00:27:31,000 Speaker 1: and I saw you in the audience, I don't speak you. 544 00:27:31,359 --> 00:27:44,280 Speaker 1: Oh lord, spit my boom, go on, huh told you 545 00:27:45,359 --> 00:27:49,440 Speaker 1: that's not true. That's not true. It is man, So 546 00:27:49,520 --> 00:27:52,040 Speaker 1: I really want getting this. Why you don't like It's 547 00:27:52,080 --> 00:27:54,280 Speaker 1: not true. I don't dislike it. It's just that like 548 00:27:54,440 --> 00:27:56,240 Speaker 1: growing up, I used to hear reggae and I just 549 00:27:56,560 --> 00:27:58,680 Speaker 1: I didn't get it. It's certain things I would understand, 550 00:27:58,720 --> 00:28:00,960 Speaker 1: like Bob Marley. I love Molly music, but there's just 551 00:28:01,000 --> 00:28:03,080 Speaker 1: certain records I would hear and be like, because people 552 00:28:03,320 --> 00:28:06,560 Speaker 1: love dance hall, like go crazy, and I just was like, 553 00:28:06,640 --> 00:28:09,280 Speaker 1: I don't. I don't get why. It's really my favorite 554 00:28:09,359 --> 00:28:12,160 Speaker 1: jamera of music to listen to. So be up myself, Angel, 555 00:28:12,160 --> 00:28:14,800 Speaker 1: I'm gonna say yea have since we spoke about get 556 00:28:14,840 --> 00:28:17,800 Speaker 1: them in at the Nittegrity, I'm gonna understand. What do 557 00:28:17,840 --> 00:28:19,480 Speaker 1: you mean? You don't understand it because at the end 558 00:28:19,520 --> 00:28:21,000 Speaker 1: of the day, I've been to Europe they don't even 559 00:28:21,000 --> 00:28:24,119 Speaker 1: speak English nothing, and you're singing the song's word. No 560 00:28:24,240 --> 00:28:25,639 Speaker 1: people love it, I mean, but you know what, I 561 00:28:25,760 --> 00:28:27,359 Speaker 1: love it when it's a vibe like when I see 562 00:28:27,720 --> 00:28:30,240 Speaker 1: you know, certain movies or you go to certain Jamaican parties, 563 00:28:30,280 --> 00:28:32,280 Speaker 1: you get it. Then you know what I mean. But 564 00:28:32,440 --> 00:28:34,280 Speaker 1: just with you and a club and it's a crunk set, 565 00:28:34,320 --> 00:28:38,200 Speaker 1: the don't understand the lingua too much. Like that you 566 00:28:38,200 --> 00:28:41,760 Speaker 1: don't understand because it's not. I don't even get the word. 567 00:28:41,960 --> 00:28:43,880 Speaker 1: It's just that like when you growing up down South, 568 00:28:43,920 --> 00:28:45,920 Speaker 1: when you hear a crunk set, then somebody do a 569 00:28:46,000 --> 00:28:48,880 Speaker 1: reggae set, and you know, everybody go crazy over the reggae. 570 00:28:48,960 --> 00:28:51,000 Speaker 1: You like, man, put the crunk back on. Maybe it's 571 00:28:51,000 --> 00:28:54,400 Speaker 1: just like the rhythms. No, I love the rhythms. It's 572 00:28:54,440 --> 00:28:57,440 Speaker 1: dope ass rhythms. Man, like here comes the boom, Come on, 573 00:29:08,160 --> 00:29:14,840 Speaker 1: that's not dance all. Yeah. I don't know South Carolina, 574 00:29:14,920 --> 00:29:16,800 Speaker 1: so I don't think reggae was a big like being 575 00:29:16,960 --> 00:29:18,960 Speaker 1: in New York. You have my dude, Ricky Lee. Ricky 576 00:29:19,080 --> 00:29:20,840 Speaker 1: Lee used to bring shaggy down there all the time. 577 00:29:20,840 --> 00:29:24,000 Speaker 1: I remember Ricky leg But I used to and I 578 00:29:24,080 --> 00:29:26,920 Speaker 1: used to be stationed in North Carolina too. Oh yeah Carolina, 579 00:29:26,960 --> 00:29:28,960 Speaker 1: but used at Campbella June, So I used to go 580 00:29:29,040 --> 00:29:32,280 Speaker 1: to South Carolina. Yeah, so yeah, No, definitely, definitely reggae 581 00:29:32,320 --> 00:29:34,000 Speaker 1: was big in Soaklina had the music farm done in 582 00:29:34,080 --> 00:29:36,640 Speaker 1: music Farm used to have like a reggae night. You 583 00:29:36,720 --> 00:29:38,840 Speaker 1: love hip hop, don't love hip hop? But hip hop 584 00:29:39,000 --> 00:29:44,480 Speaker 1: came from dansall. You know that right, No, that's not 585 00:29:44,840 --> 00:29:49,000 Speaker 1: about I'm going with whatever fight says man, right now, 586 00:29:49,120 --> 00:29:51,440 Speaker 1: every right now, when you watch, when you watch Versus, 587 00:29:51,560 --> 00:29:54,360 Speaker 1: that is all coming from Sansa. Now that was great. 588 00:29:55,600 --> 00:29:57,960 Speaker 1: You know she means the battles came from dance, not 589 00:29:58,360 --> 00:30:03,000 Speaker 1: oh yeah, yeah. The whole Versus thing is. And he 590 00:30:03,080 --> 00:30:05,640 Speaker 1: who started hip hop was a Jamaican who came to 591 00:30:05,760 --> 00:30:10,480 Speaker 1: New York and that's how hip hop started. So you know, 592 00:30:11,000 --> 00:30:13,360 Speaker 1: work for respect and pay respect to the real drama. 593 00:30:13,520 --> 00:30:15,960 Speaker 1: I definitely respect it, but I want you to like it. 594 00:30:16,040 --> 00:30:18,440 Speaker 1: I want you to listen more, dancel and get a 595 00:30:18,480 --> 00:30:20,360 Speaker 1: feel of it. That's promise you, That's what it is. 596 00:30:20,440 --> 00:30:21,680 Speaker 1: I need to listen to me. You know what my 597 00:30:21,760 --> 00:30:25,400 Speaker 1: song called saw Me Like It, Saw Me Like It. 598 00:30:25,640 --> 00:30:27,960 Speaker 1: I want you to listen to it when you you know, 599 00:30:28,080 --> 00:30:39,520 Speaker 1: we're gonna play it this morning. We got when we 600 00:30:39,680 --> 00:30:41,880 Speaker 1: when we first started on the Breakfast Cloud, the song 601 00:30:42,040 --> 00:30:45,200 Speaker 1: Rappid Shop, I think was in the heaviest rotation. I know, 602 00:30:46,040 --> 00:30:48,000 Speaker 1: I'm t know our time it is. We have to 603 00:30:48,080 --> 00:30:50,480 Speaker 1: get the guy. We have forget him up to part 604 00:30:51,240 --> 00:30:54,760 Speaker 1: remember the streets, make him to the gal, climb the 605 00:30:54,840 --> 00:31:00,520 Speaker 1: tree and not do the things them you know they're looking. 606 00:31:02,560 --> 00:31:05,800 Speaker 1: We're gonna climb the tree, Spike, I'm gonna climb the tree, Spike. 607 00:31:05,880 --> 00:31:11,320 Speaker 1: I'm with you. I'm gonna climb the tree. Your song, 608 00:31:11,560 --> 00:31:13,440 Speaker 1: your song that you have right now, go down there 609 00:31:13,480 --> 00:31:17,200 Speaker 1: with Shaggy. It's my favorite song right now. It's so dope. 610 00:31:17,240 --> 00:31:19,040 Speaker 1: I love that the three of y'all came together. It 611 00:31:19,240 --> 00:31:21,760 Speaker 1: is really like Leary and it's a true dancehall song, 612 00:31:22,160 --> 00:31:24,320 Speaker 1: so I love to hear it was real hardcore. I thought, 613 00:31:24,320 --> 00:31:26,840 Speaker 1: you're making me no eat poom poom. Now that's not 614 00:31:26,880 --> 00:31:34,640 Speaker 1: gonna go down there is no it's done nasty. I 615 00:31:34,720 --> 00:31:43,720 Speaker 1: didn't know. I thought that, Oh my gosh, she's basically 616 00:31:43,760 --> 00:31:45,440 Speaker 1: telling the girls the wine go down low to the 617 00:31:45,760 --> 00:31:48,480 Speaker 1: Oh got you got? I know you smarty and you 618 00:31:48,600 --> 00:31:53,960 Speaker 1: go down there. That's not what we mean. Next, we 619 00:31:54,080 --> 00:31:56,720 Speaker 1: had some PLA the other day. Yeah, and he was said, 620 00:31:56,800 --> 00:31:58,240 Speaker 1: you was scared to battle him in the verse of 621 00:31:58,280 --> 00:32:01,560 Speaker 1: Shaggy whoa that was I was scared. No, it's not. 622 00:32:05,760 --> 00:32:07,400 Speaker 1: But we talked about verses and he said at first 623 00:32:07,440 --> 00:32:08,800 Speaker 1: he didn't get it, but he said, you know now 624 00:32:08,880 --> 00:32:11,120 Speaker 1: that he understands it's not a battle per se, because 625 00:32:11,120 --> 00:32:12,920 Speaker 1: he can't battle his friends. He said, it's a celebration. 626 00:32:13,200 --> 00:32:14,680 Speaker 1: He said he might think about it, would you do 627 00:32:14,720 --> 00:32:17,240 Speaker 1: it with him? Um, you know, a celebration not a 628 00:32:17,280 --> 00:32:19,640 Speaker 1: bad funny enough for the first verses that happened, big 629 00:32:19,680 --> 00:32:22,440 Speaker 1: up to Sharon Burke, who actually Sharon Burke kind of 630 00:32:22,640 --> 00:32:24,680 Speaker 1: kind of made the whole thing happen between Being and 631 00:32:24,760 --> 00:32:28,040 Speaker 1: Bound boun Tequila. She had approached me about it first, 632 00:32:28,080 --> 00:32:31,040 Speaker 1: and I spoken to Sean about it, and we had 633 00:32:31,080 --> 00:32:33,200 Speaker 1: actually had was thinking about how we would do it 634 00:32:33,240 --> 00:32:35,880 Speaker 1: and incorporate spice at the time because we we already 635 00:32:35,920 --> 00:32:39,280 Speaker 1: had this record that was lined up. Um, but it 636 00:32:39,400 --> 00:32:41,720 Speaker 1: was heavy COVID at the time, and you know, you 637 00:32:41,800 --> 00:32:44,560 Speaker 1: know Sean, Sean also has like, you know, he's asthmatic 638 00:32:44,600 --> 00:32:46,800 Speaker 1: and stuff like that, you know, so you know, he 639 00:32:46,920 --> 00:32:49,400 Speaker 1: was a little you know, on defense about the whole thing, 640 00:32:49,880 --> 00:32:52,160 Speaker 1: you know, and uh so that that would happen. Then 641 00:32:52,160 --> 00:32:54,440 Speaker 1: of course Sharon went with Boundequila and Being a Man, 642 00:32:54,480 --> 00:32:56,200 Speaker 1: which was one of the biggest verses ever and they 643 00:32:56,320 --> 00:32:59,600 Speaker 1: represented the culture. And so when I looked at that one, 644 00:32:59,680 --> 00:33:02,000 Speaker 1: I was like, yo, and just how they did it, 645 00:33:02,400 --> 00:33:04,720 Speaker 1: and yeah, being in Bounty, how they did it, I 646 00:33:04,880 --> 00:33:07,280 Speaker 1: was just like, yo, it's done. So for me, the 647 00:33:07,400 --> 00:33:10,840 Speaker 1: interest to do it, uh after that is just to me, 648 00:33:10,960 --> 00:33:15,680 Speaker 1: I can't follow that what I'm saying, Bounty and being too. 649 00:33:15,800 --> 00:33:17,560 Speaker 1: How they did that was just it was just the 650 00:33:18,720 --> 00:33:21,120 Speaker 1: that that just kind of when you saw the type 651 00:33:21,120 --> 00:33:23,040 Speaker 1: of people that locked on that night, you know what 652 00:33:23,040 --> 00:33:25,400 Speaker 1: I mean, how the whole vibe was. I don't think 653 00:33:25,560 --> 00:33:27,560 Speaker 1: me and Sean could talk about how that is. I 654 00:33:27,640 --> 00:33:30,760 Speaker 1: mean we we got yeah, but you know, just just 655 00:33:30,880 --> 00:33:33,400 Speaker 1: they represented really really people would love to see you 656 00:33:33,480 --> 00:33:35,720 Speaker 1: and Sean. I'm sure they would, but just for me, 657 00:33:35,960 --> 00:33:40,520 Speaker 1: just for me, many legendary hip hop artists, legendary R 658 00:33:40,560 --> 00:33:44,800 Speaker 1: and B artists need more I think legend artists to 659 00:33:44,960 --> 00:33:47,960 Speaker 1: do that as well. Definitely shout out to Swiss and 660 00:33:48,080 --> 00:33:51,400 Speaker 1: and and and Tim also because I love the whole 661 00:33:51,480 --> 00:33:53,680 Speaker 1: vibe of it and what it was doing on you 662 00:33:53,720 --> 00:33:56,080 Speaker 1: know what I mean. It does come from clash business 663 00:33:56,120 --> 00:33:58,120 Speaker 1: in Jamaica, so Sean was right on that that it 664 00:33:58,240 --> 00:34:00,960 Speaker 1: comes from that, but how they're doing it is really 665 00:34:01,040 --> 00:34:04,320 Speaker 1: on a friendship and a harmony base, and you know, 666 00:34:04,360 --> 00:34:06,520 Speaker 1: there's no beef and all that. It's just really entertainment 667 00:34:06,560 --> 00:34:08,480 Speaker 1: for everybody else. So you know what I mean, I'm 668 00:34:08,480 --> 00:34:11,480 Speaker 1: sure Sean would consider if he feels, you know, like 669 00:34:11,600 --> 00:34:14,759 Speaker 1: he's open to it or whatnot. But UM, just me 670 00:34:14,880 --> 00:34:17,160 Speaker 1: on the person I'm telling from me, what they did 671 00:34:17,320 --> 00:34:19,719 Speaker 1: was just so amazing. I would watch I would what 672 00:34:19,840 --> 00:34:24,040 Speaker 1: they should is rerun that. That was my favorite one. 673 00:34:24,160 --> 00:34:27,800 Speaker 1: I think that it was a lot of people favorite 674 00:34:27,880 --> 00:34:29,920 Speaker 1: most minds as well. All Right, we got more with 675 00:34:30,000 --> 00:34:32,279 Speaker 1: Spice and Shaggy when we come back, don't move. It's 676 00:34:32,280 --> 00:34:35,600 Speaker 1: to Breakfast Club. Good morning morning. Everybody is DJ Envy, 677 00:34:35,760 --> 00:34:38,560 Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club. 678 00:34:38,600 --> 00:34:42,080 Speaker 1: We're still kicking it with Shaggy and Spice with Spice 679 00:34:42,080 --> 00:34:44,240 Speaker 1: because I mean, you are on a bunch of stuff 680 00:34:44,239 --> 00:34:46,839 Speaker 1: with Spice and you've really been receptive to a lot 681 00:34:46,880 --> 00:34:48,359 Speaker 1: of the younger artists. So how did you and Spice 682 00:34:48,400 --> 00:34:51,760 Speaker 1: get together? I never done a record with Spice. Spice. Actually, 683 00:34:58,360 --> 00:34:59,800 Speaker 1: it was just like, listen, you know, I need to 684 00:34:59,840 --> 00:35:02,000 Speaker 1: do song with Shaggy, so I sent him my DM. 685 00:35:02,120 --> 00:35:04,920 Speaker 1: I never had this nor by the time you check this, 686 00:35:05,040 --> 00:35:08,040 Speaker 1: because I wanted you. I wanted to do a song 687 00:35:08,120 --> 00:35:10,919 Speaker 1: with you, so um that's where it started from. Yeah, 688 00:35:11,000 --> 00:35:14,080 Speaker 1: and um, funny enough, even though he was instagram summing 689 00:35:14,120 --> 00:35:16,120 Speaker 1: in the om SIMI DM. I don't know how he 690 00:35:16,200 --> 00:35:19,239 Speaker 1: saw that M because hYP I don't answer a lot 691 00:35:19,280 --> 00:35:21,520 Speaker 1: of it. But I'll go through stuff because there's promotional 692 00:35:21,640 --> 00:35:25,680 Speaker 1: stuff that we still do, right yeah, yeah yeah. And 693 00:35:25,800 --> 00:35:28,960 Speaker 1: then so I saw it, and then I hit her up, 694 00:35:29,440 --> 00:35:32,000 Speaker 1: and um I started. I said, yeah, I'll do a 695 00:35:32,040 --> 00:35:34,000 Speaker 1: record with you. But then I started to research what 696 00:35:34,120 --> 00:35:35,719 Speaker 1: type of record I would do for her, how I 697 00:35:35,920 --> 00:35:38,360 Speaker 1: write it or whatnot. And then I realized that she 698 00:35:38,400 --> 00:35:40,759 Speaker 1: didn't have a body of work. Never done an album. 699 00:35:40,800 --> 00:35:42,440 Speaker 1: It's never done an album. So I called her. I 700 00:35:42,560 --> 00:35:44,440 Speaker 1: was like, have you ever done an album? Because you 701 00:35:44,560 --> 00:35:47,040 Speaker 1: got a great fan base, you're the queen of this thing. 702 00:35:47,120 --> 00:35:49,560 Speaker 1: I don't understand. And she's like, yeah, she's been having 703 00:35:49,640 --> 00:35:57,080 Speaker 1: problems with the record. Problem here it is exactly what 704 00:35:57,200 --> 00:35:59,080 Speaker 1: she's saying. She said she took all her problems and 705 00:35:59,080 --> 00:36:08,800 Speaker 1: put him on Shaggy yea yeah. So so at that 706 00:36:08,920 --> 00:36:11,239 Speaker 1: point I just got in touch with UH with the 707 00:36:11,320 --> 00:36:12,719 Speaker 1: record I said, you know, I could have help. So 708 00:36:12,800 --> 00:36:14,960 Speaker 1: I went ahead and got in touch with the record 709 00:36:15,000 --> 00:36:17,399 Speaker 1: company and talked to Randy and and UH and Chris 710 00:36:17,520 --> 00:36:19,520 Speaker 1: and just say, hey, let's get to the table and 711 00:36:19,600 --> 00:36:21,439 Speaker 1: see how we could sort of deal out because she's 712 00:36:21,480 --> 00:36:23,279 Speaker 1: been there for like ten years and it was really 713 00:36:23,920 --> 00:36:25,800 Speaker 1: ain't toxic between both of them. And the name of 714 00:36:25,840 --> 00:36:27,960 Speaker 1: my album is ten because of that ten years and 715 00:36:28,080 --> 00:36:31,120 Speaker 1: it drops on July thirtieth. That's the name of the album. Yeah, 716 00:36:31,160 --> 00:36:33,080 Speaker 1: So I just I just try to sort it out 717 00:36:33,120 --> 00:36:34,880 Speaker 1: and just say how we could create a win win 718 00:36:34,960 --> 00:36:37,320 Speaker 1: situation for everybody. And they were receptive to it, and 719 00:36:37,920 --> 00:36:39,560 Speaker 1: you know, we got everything. And you know, I said, 720 00:36:39,560 --> 00:36:43,920 Speaker 1: I would you know, executive produce the album and produce yes, well, spice, spice. 721 00:36:43,960 --> 00:36:46,040 Speaker 1: What was the problems with the label? Then let's flash 722 00:36:46,080 --> 00:36:48,160 Speaker 1: back to that for a second, because I know at 723 00:36:48,200 --> 00:36:50,640 Speaker 1: one point were you trying to sue and as hard 724 00:36:50,680 --> 00:36:53,279 Speaker 1: as you do work, what were the issues? Um, let 725 00:36:53,320 --> 00:36:56,359 Speaker 1: me take a drink, I'll go after the same thing. 726 00:36:56,480 --> 00:36:59,279 Speaker 1: Ten years is a long time. What did the label 727 00:36:59,320 --> 00:37:09,080 Speaker 1: even tell you right now? The water? You know, I 728 00:37:09,160 --> 00:37:13,200 Speaker 1: think the issue that we were having, I don't even 729 00:37:13,239 --> 00:37:14,880 Speaker 1: know how to explain it. I think we need to 730 00:37:14,960 --> 00:37:18,319 Speaker 1: have someone from where's Neil Diamond to someone from VP 731 00:37:18,480 --> 00:37:22,000 Speaker 1: to explain it because the problem was I couldn't even 732 00:37:22,120 --> 00:37:24,200 Speaker 1: understand it. So when they explained to me that, oh 733 00:37:24,400 --> 00:37:26,200 Speaker 1: we did a body of work and we need to 734 00:37:26,280 --> 00:37:29,480 Speaker 1: get clearance and certain paperwork is difficult, and Dad, I 735 00:37:29,520 --> 00:37:32,279 Speaker 1: don't want to hear. I just went blank. I can't 736 00:37:32,400 --> 00:37:35,040 Speaker 1: understand why it's taking so long. Ten years is a 737 00:37:35,080 --> 00:37:36,719 Speaker 1: long time. As I said, that's a decade. So it's like, 738 00:37:37,239 --> 00:37:40,600 Speaker 1: as an emotional woman, I just stopped corresponding. I'm like, 739 00:37:40,719 --> 00:37:43,760 Speaker 1: all right, and I just started putting out my own projects. 740 00:37:43,760 --> 00:37:46,680 Speaker 1: I started becoming my own producer, start doing everything by myself. 741 00:37:46,719 --> 00:37:48,759 Speaker 1: I just shot down because I'm just at a point 742 00:37:48,800 --> 00:37:51,920 Speaker 1: where I'm like, I don't understand even when they explain it. 743 00:37:52,400 --> 00:37:55,279 Speaker 1: Ten years is long. So we just never saw eye 744 00:37:55,320 --> 00:37:57,799 Speaker 1: to eye. And I just started doing my own productions, 745 00:37:57,880 --> 00:38:02,040 Speaker 1: putting out my own music, promoting myself on Instagram, and um, 746 00:38:02,800 --> 00:38:05,000 Speaker 1: I think the relationship just well, I think it's her. 747 00:38:05,120 --> 00:38:07,560 Speaker 1: I think it's a communication problem that was going and 748 00:38:07,719 --> 00:38:12,279 Speaker 1: she was representing herself and it's hard. Then I got 749 00:38:12,480 --> 00:38:22,120 Speaker 1: some attorneys, but I guess in her initial initial in 750 00:38:22,200 --> 00:38:25,640 Speaker 1: the initial in the initial stage of her deal, all right, 751 00:38:25,800 --> 00:38:28,719 Speaker 1: I don't think she had proper representation. Yeah. I first 752 00:38:28,800 --> 00:38:31,680 Speaker 1: let me say she was young when I signed a deal, 753 00:38:32,239 --> 00:38:35,520 Speaker 1: so it was it wasn't a very good deal. And 754 00:38:35,880 --> 00:38:38,440 Speaker 1: and so we went in there and just kind of restructed. 755 00:38:38,560 --> 00:38:41,080 Speaker 1: But in fairness the VP, they were willing to come 756 00:38:41,080 --> 00:38:43,600 Speaker 1: to the table because they realized her value at the 757 00:38:43,640 --> 00:38:46,600 Speaker 1: same time. And what happened with all the records that 758 00:38:46,719 --> 00:38:48,319 Speaker 1: she was doing, she was just she just took her 759 00:38:48,360 --> 00:38:50,200 Speaker 1: own career in her hand, so corudus to her to 760 00:38:50,239 --> 00:38:53,839 Speaker 1: get herself to this level. She did that on her own, 761 00:38:54,120 --> 00:38:57,120 Speaker 1: with no manager, no nothing, just did everything. But all 762 00:38:57,160 --> 00:39:00,439 Speaker 1: those records under the contract, you know, they had rights 763 00:39:00,440 --> 00:39:03,320 Speaker 1: to because she was under that contract. So you know, 764 00:39:03,600 --> 00:39:05,239 Speaker 1: in speaking to them, it was like, Okay, you guys 765 00:39:05,280 --> 00:39:07,600 Speaker 1: already have these body of work, you know, why don't 766 00:39:07,640 --> 00:39:10,880 Speaker 1: you come in and do a record with her and 767 00:39:11,400 --> 00:39:14,120 Speaker 1: get the best out of her and just restructure the deal, 768 00:39:14,280 --> 00:39:15,560 Speaker 1: you know, I mean, make it right. And they were 769 00:39:15,600 --> 00:39:17,759 Speaker 1: willing to come in and do all that, and we 770 00:39:17,920 --> 00:39:19,600 Speaker 1: just went in and just you know, work the deal 771 00:39:19,680 --> 00:39:21,120 Speaker 1: points out and get it and put her in a 772 00:39:21,200 --> 00:39:23,239 Speaker 1: better position right now. And the truth is, I think 773 00:39:23,280 --> 00:39:26,040 Speaker 1: Shaggy has a secret of what he told them, because 774 00:39:26,040 --> 00:39:28,560 Speaker 1: I don't know what difference in that way, I haven't 775 00:39:28,560 --> 00:39:32,640 Speaker 1: said for ten years, Shaggy, Yeah, you know what I mean, 776 00:39:34,600 --> 00:39:37,120 Speaker 1: it means, it means a lot coming from from Shaggy. Yeah, 777 00:39:37,600 --> 00:39:41,040 Speaker 1: you know what it is. We explained there's there's an 778 00:39:41,080 --> 00:39:42,480 Speaker 1: old saying if it's not a win win is a 779 00:39:42,520 --> 00:39:44,680 Speaker 1: bad idea. So you really have to come up with 780 00:39:44,760 --> 00:39:47,839 Speaker 1: a win win situation that everybody, every all parties are 781 00:39:47,880 --> 00:39:50,680 Speaker 1: okay with. And she had a win win situation in it. 782 00:39:50,960 --> 00:39:53,200 Speaker 1: They had a win situation in it and all of 783 00:39:53,280 --> 00:39:55,800 Speaker 1: us could actually go out and I was happy to 784 00:39:55,840 --> 00:39:58,200 Speaker 1: be involved in it that I could make it move forward. 785 00:39:58,560 --> 00:40:00,480 Speaker 1: And they were open to the whole thing since religious 786 00:40:00,480 --> 00:40:03,120 Speaker 1: communication and sitting down there and having these deals, you know, 787 00:40:03,280 --> 00:40:07,120 Speaker 1: these conversations, So beak up to Christian the initial deal 788 00:40:07,640 --> 00:40:13,239 Speaker 1: Randy and Neil Diamond Richard who was in the in 789 00:40:13,520 --> 00:40:16,959 Speaker 1: the initial meeting with us to get everything to question, 790 00:40:17,480 --> 00:40:20,440 Speaker 1: is VP the end all be all for dancehall artists? 791 00:40:20,480 --> 00:40:24,560 Speaker 1: Is there nowhere else? Dance the biggest um record company 792 00:40:24,640 --> 00:40:27,440 Speaker 1: for dancehall. I think they're important and this this is 793 00:40:27,480 --> 00:40:29,759 Speaker 1: why this project is so important, and this is why 794 00:40:29,840 --> 00:40:32,200 Speaker 1: we had to do it like that. It is you 795 00:40:32,320 --> 00:40:35,640 Speaker 1: look at you look at God there For instance, if 796 00:40:35,719 --> 00:40:38,600 Speaker 1: we had done say, for instance, the song with bojo 797 00:40:38,719 --> 00:40:40,880 Speaker 1: and Kalid and everybody that that is out. If that 798 00:40:41,000 --> 00:40:43,799 Speaker 1: record had happened and become a massive, massive number one hit, 799 00:40:43,840 --> 00:40:46,680 Speaker 1: you hear or it's the Kalid factor. If the Skilly 800 00:40:46,719 --> 00:40:48,799 Speaker 1: Band record had blown up, you'd hear it's a Nikki factor. 801 00:40:49,160 --> 00:40:51,120 Speaker 1: You know what I'm saying. And this has been going 802 00:40:51,200 --> 00:40:53,520 Speaker 1: on over and over and over again. For Dancehall, we 803 00:40:53,719 --> 00:40:57,920 Speaker 1: needed a record that the factor was dance. So yeah, 804 00:40:58,000 --> 00:41:03,000 Speaker 1: Shaggy Sean Spice, three Jamaican three Dance All artists. The 805 00:41:03,160 --> 00:41:05,360 Speaker 1: video director of the video is doing incredibly well is 806 00:41:05,440 --> 00:41:08,400 Speaker 1: Jay Will, a Jamaican VideA director. And the record company 807 00:41:08,800 --> 00:41:12,920 Speaker 1: is a Jamaican record company. For us to have, you know, 808 00:41:13,040 --> 00:41:14,759 Speaker 1: a better part of the market share and have some 809 00:41:14,880 --> 00:41:17,080 Speaker 1: cloud in this game, we had to do this on 810 00:41:17,160 --> 00:41:19,840 Speaker 1: our own. So this was important for us to do 811 00:41:20,000 --> 00:41:22,440 Speaker 1: our own. That's why we're going for everywhere. That's why 812 00:41:22,480 --> 00:41:25,000 Speaker 1: we're on the Breakfast Club. We're written all the top 813 00:41:25,080 --> 00:41:27,560 Speaker 1: platform because we have to send a message because there's 814 00:41:27,600 --> 00:41:29,680 Speaker 1: so many things that take from this genre. You're looking 815 00:41:29,719 --> 00:41:33,120 Speaker 1: at hip hop, you're looking at um reggaeton, you're looking 816 00:41:33,120 --> 00:41:35,319 Speaker 1: at afrobeat that all comes from this, but yet still 817 00:41:35,400 --> 00:41:37,680 Speaker 1: dance all is six percent of the market share. And 818 00:41:37,719 --> 00:41:39,759 Speaker 1: know what I'm saying, So we're to me, I look 819 00:41:39,800 --> 00:41:43,320 Speaker 1: at this as a crisis that we literally have to come. Culturally, 820 00:41:43,600 --> 00:41:46,319 Speaker 1: We're strong. Everybody comes from everything that you see Katie 821 00:41:46,360 --> 00:41:50,719 Speaker 1: Perry is doing and Lady Gaga or or Doja Cat 822 00:41:50,920 --> 00:41:54,520 Speaker 1: that comes from Grace Jones, right, and it's and is 823 00:41:54,600 --> 00:41:57,759 Speaker 1: magnified through dance. Right. Look at this. This is this 824 00:41:57,920 --> 00:42:00,920 Speaker 1: has been going on, and it's offended. When I come 825 00:42:00,960 --> 00:42:03,000 Speaker 1: to America and people used to say, oh, I'm following, 826 00:42:03,520 --> 00:42:07,279 Speaker 1: like you know the girls here that does hip hop. 827 00:42:07,320 --> 00:42:09,000 Speaker 1: I didn't want to call no name, but I'm like, no, 828 00:42:09,400 --> 00:42:12,239 Speaker 1: this is my culture, follow the wigs and all of that. 829 00:42:12,360 --> 00:42:15,680 Speaker 1: This is danceall. I'm dancall. But when I started doing 830 00:42:15,719 --> 00:42:17,319 Speaker 1: love and hip hop and I have my blue here, 831 00:42:17,360 --> 00:42:20,040 Speaker 1: they're like, oh, she's trying to be you know, and 832 00:42:20,160 --> 00:42:23,200 Speaker 1: they call names and I'm like, no, when a school 833 00:42:23,320 --> 00:42:26,240 Speaker 1: or no, this is danceall. And I think the younger 834 00:42:26,320 --> 00:42:31,160 Speaker 1: generation especially don't really understand danceall and Jamaican and the 835 00:42:31,239 --> 00:42:34,560 Speaker 1: culture and where music on a whole is coming from, 836 00:42:34,640 --> 00:42:36,200 Speaker 1: where it's birth it. Yeah, but a lot of the 837 00:42:36,239 --> 00:42:39,839 Speaker 1: people that you said have Caribbean roots, whether it's uh yes, 838 00:42:40,200 --> 00:42:45,480 Speaker 1: oh definitely, Nicki Minaj, Oh definitely Rihanna. All of them 839 00:42:45,640 --> 00:42:49,520 Speaker 1: have Caribbean roots. So that's true. But the thing with 840 00:42:49,680 --> 00:42:52,040 Speaker 1: me now as a dance all Jamaican artist, when I 841 00:42:52,120 --> 00:42:55,160 Speaker 1: come out like example, on the forefront in America, because 842 00:42:55,320 --> 00:42:58,040 Speaker 1: most people may not know me like Arianna or a 843 00:42:58,160 --> 00:43:01,839 Speaker 1: Nicki Minaj, then they say I'm following when I am 844 00:43:02,000 --> 00:43:05,520 Speaker 1: really from the original, from the from the room. Yes, 845 00:43:05,760 --> 00:43:07,360 Speaker 1: so we have we have to get those numbers up, 846 00:43:07,440 --> 00:43:09,160 Speaker 1: you know what I mean. And to me, the best 847 00:43:09,239 --> 00:43:12,520 Speaker 1: person to actually lead this Spice, I haven't move. We 848 00:43:12,600 --> 00:43:14,400 Speaker 1: got more with Shaggy and Spice. When we come back, 849 00:43:14,440 --> 00:43:17,960 Speaker 1: it's the breakfast Club. Good morning. Everybody is stej Envy, 850 00:43:18,160 --> 00:43:20,920 Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast Club. 851 00:43:20,960 --> 00:43:23,960 Speaker 1: We're still kicking it with Shaggy and Spice. Now, Shaggy, 852 00:43:24,040 --> 00:43:27,759 Speaker 1: it wasn't me. That song doesn't go away, huh, just 853 00:43:28,120 --> 00:43:32,000 Speaker 1: just a ballpark. I mean, I'm just curious because every 854 00:43:32,120 --> 00:43:34,399 Speaker 1: year I'm like, Okay, I've seen a commercial. It wasn't me. Cool. 855 00:43:34,560 --> 00:43:38,800 Speaker 1: Then it's another commercial. Yeah, it's another commercial. What you 856 00:43:38,840 --> 00:43:49,160 Speaker 1: gonna ask, how much is worse yet easy, easy, few millions. 857 00:43:49,360 --> 00:43:51,960 Speaker 1: You know what. Um people go to a whole career 858 00:43:52,000 --> 00:43:54,239 Speaker 1: and not even have one of those bro correct Yea. 859 00:43:54,400 --> 00:43:58,240 Speaker 1: You know, I've been lucky to have um a record 860 00:43:58,320 --> 00:44:02,600 Speaker 1: that is that massive, but I but I've also had 861 00:44:02,640 --> 00:44:06,000 Speaker 1: a couple more that were really really really really massive also, 862 00:44:06,200 --> 00:44:08,960 Speaker 1: you know what I mean, Um, it's just one of 863 00:44:09,000 --> 00:44:12,600 Speaker 1: those songs that's just it's funny that when when hot 864 00:44:12,680 --> 00:44:15,840 Speaker 1: Shot was out, the biggest record for me was Angel. 865 00:44:16,560 --> 00:44:20,320 Speaker 1: Angel was the biggest selling record, the biggest played record. 866 00:44:20,880 --> 00:44:22,520 Speaker 1: At one point it was in the Guinness Book of 867 00:44:23,160 --> 00:44:25,920 Speaker 1: World Record for the most pop played record, you know, 868 00:44:26,360 --> 00:44:32,040 Speaker 1: but over time, and that's before streaming, So we were 869 00:44:32,080 --> 00:44:33,879 Speaker 1: selling I mean the thing, you know, we were moving 870 00:44:33,960 --> 00:44:36,560 Speaker 1: numbers like in Sync and Britney Spears and all of 871 00:44:36,640 --> 00:44:39,960 Speaker 1: these numbers when we was dance all. So you have 872 00:44:40,040 --> 00:44:43,640 Speaker 1: to me, we broke we broke that barrier because there's 873 00:44:43,680 --> 00:44:45,759 Speaker 1: no there's no record company that I was gonna sit 874 00:44:45,840 --> 00:44:48,680 Speaker 1: down at the table on Tuesday and be like, Okay, 875 00:44:48,920 --> 00:44:50,480 Speaker 1: what are we going to spend on the dance all? Guy? 876 00:44:50,680 --> 00:44:52,759 Speaker 1: I mean, there's the numbers weren't there to match it. 877 00:44:53,280 --> 00:44:56,520 Speaker 1: But with that record and that album, it became that, 878 00:44:56,800 --> 00:44:59,719 Speaker 1: so it wasn't me. It's one of those records I 879 00:45:00,080 --> 00:45:02,480 Speaker 1: think because it's so relatable. That's why I said, when 880 00:45:02,480 --> 00:45:04,480 Speaker 1: we were writing records, you got to write songs that 881 00:45:04,560 --> 00:45:07,080 Speaker 1: are that is very relatable, you know, and then people 882 00:45:07,120 --> 00:45:09,839 Speaker 1: it's it's people think that's the cheating song. It's really 883 00:45:09,880 --> 00:45:15,080 Speaker 1: an anti cheating song. Angela. It really wasn't him. It 884 00:45:15,160 --> 00:45:16,560 Speaker 1: really was right, and at the end it stands that 885 00:45:16,600 --> 00:45:18,800 Speaker 1: I'm going to tell her. But the problem is the 886 00:45:18,920 --> 00:45:20,880 Speaker 1: things that I've caused. You might think that you're a player, 887 00:45:20,920 --> 00:45:26,200 Speaker 1: but you're completely lost. So it's not really condoning cheating really, 888 00:45:26,360 --> 00:45:28,040 Speaker 1: but everybody looked at me. It's like, oh sh he's 889 00:45:28,040 --> 00:45:34,600 Speaker 1: the old them cheater. Oh my god. I mean because 890 00:45:34,719 --> 00:45:39,440 Speaker 1: guys do that, right, Because as let's talk about absolutely 891 00:45:39,680 --> 00:45:52,320 Speaker 1: it wasn't me, it wasn't I feel still that's my 892 00:45:52,440 --> 00:45:55,680 Speaker 1: story and I'm sticking to it. How do y'all feel 893 00:45:55,680 --> 00:46:00,960 Speaker 1: about the evolution to dance song? Okay? Um? I think 894 00:46:01,040 --> 00:46:04,320 Speaker 1: that we're dance all the beat the beat of it, 895 00:46:04,400 --> 00:46:07,000 Speaker 1: and you're a DJ the beat of dance all. There's 896 00:46:07,000 --> 00:46:08,759 Speaker 1: certain things that because I live it every day and 897 00:46:08,800 --> 00:46:13,040 Speaker 1: I'm if you ask the average DJ that's on a 898 00:46:13,120 --> 00:46:16,840 Speaker 1: global scale, what kind of dance all will move a party. 899 00:46:17,360 --> 00:46:21,080 Speaker 1: They're going to tell you it's nineties dance all day. Okay. So, 900 00:46:21,840 --> 00:46:25,600 Speaker 1: and the difference between current danceall and nineties dance all 901 00:46:25,920 --> 00:46:30,440 Speaker 1: is the beat. So we've actually tried to fix something 902 00:46:30,520 --> 00:46:33,840 Speaker 1: that wasn't broken. Do you get what I'm saying. So 903 00:46:34,200 --> 00:46:37,920 Speaker 1: reggaeton which comes from dance. So if you listen to reggaeton, 904 00:46:37,960 --> 00:46:41,680 Speaker 1: which is a billion dollar industry, all right, our genre, 905 00:46:41,719 --> 00:46:44,600 Speaker 1: I should say, they're still on that dance all beat 906 00:46:44,800 --> 00:46:48,520 Speaker 1: right right. The beat itself, the reggaeton beat is called 907 00:46:48,800 --> 00:46:54,080 Speaker 1: dembo that comes from Chabaran's den boo. You know what 908 00:46:54,080 --> 00:46:56,600 Speaker 1: I'm saying. And they're still on that and it's a 909 00:46:56,800 --> 00:47:02,280 Speaker 1: billion dollars. Afro beat is kind of a spinoff in Africa. 910 00:47:02,600 --> 00:47:05,000 Speaker 1: I used to go to African play the stadiums every year. 911 00:47:05,160 --> 00:47:08,879 Speaker 1: It was just like a clockwork, you know, Uganda, Kenya, Tanzania, 912 00:47:09,440 --> 00:47:13,239 Speaker 1: you know the Congos stadiums out the backs most of 913 00:47:13,920 --> 00:47:17,600 Speaker 1: African what was played in Africa at the time as 914 00:47:17,680 --> 00:47:21,480 Speaker 1: their main music was dance all. So Afri beat is 915 00:47:21,560 --> 00:47:24,840 Speaker 1: kind of from dance all absolutely and inspired by it, 916 00:47:25,239 --> 00:47:29,080 Speaker 1: hip hop, whatever it is, the beat itself. They've taken 917 00:47:29,160 --> 00:47:31,320 Speaker 1: the dance out of dance all. If you listen to 918 00:47:31,400 --> 00:47:33,839 Speaker 1: the new dance all, now you know what I'm saying. 919 00:47:33,920 --> 00:47:36,200 Speaker 1: And I think the dance of dance all is what 920 00:47:36,480 --> 00:47:39,400 Speaker 1: was really appealing to people. And if you look at 921 00:47:39,440 --> 00:47:42,200 Speaker 1: the streaming numbers, the nineties dance all is still streaming 922 00:47:42,239 --> 00:47:44,839 Speaker 1: better than the current dance all. So it's not mean 923 00:47:44,960 --> 00:47:48,920 Speaker 1: knocking the new generation of it because I collaborate with 924 00:47:48,960 --> 00:47:50,920 Speaker 1: a lot of these new guys and I like a 925 00:47:51,000 --> 00:47:52,960 Speaker 1: lot of them, and I think what they're doing, they are, 926 00:47:53,080 --> 00:47:55,600 Speaker 1: they are the future. But I need to let them 927 00:47:55,719 --> 00:47:58,200 Speaker 1: understand what the marketplace is. You know what I wanted 928 00:47:58,200 --> 00:48:00,319 Speaker 1: to ask you guys about the music though, because one 929 00:48:00,360 --> 00:48:02,719 Speaker 1: thing I do love about dancer is that it is 930 00:48:02,800 --> 00:48:05,040 Speaker 1: real nasty, Like some of the songs could be real 931 00:48:05,200 --> 00:48:07,479 Speaker 1: nasty and gritty. You know. I have a podcast lift service, 932 00:48:07,560 --> 00:48:10,800 Speaker 1: so it's fun for me. But with this whole climate today, 933 00:48:11,200 --> 00:48:13,200 Speaker 1: do you feel like the lyrics can't be the same 934 00:48:13,239 --> 00:48:14,920 Speaker 1: as they used to be where it was just like 935 00:48:15,080 --> 00:48:16,600 Speaker 1: you're singing it and then you're like, wait a minute, 936 00:48:16,640 --> 00:48:18,399 Speaker 1: what are we talking about here? Or do you think 937 00:48:18,440 --> 00:48:21,840 Speaker 1: that we still could do that in dancall that's your question. 938 00:48:23,360 --> 00:48:26,160 Speaker 1: I feel like we still can do it in dancehall 939 00:48:26,400 --> 00:48:29,239 Speaker 1: with or without lude lyrics. I mean, I personally used 940 00:48:29,280 --> 00:48:30,960 Speaker 1: to do a lot of lude lyrics because that's what 941 00:48:31,120 --> 00:48:34,200 Speaker 1: worked for me, and I used to just stick with 942 00:48:34,280 --> 00:48:37,400 Speaker 1: what's working for me. But I think I got open 943 00:48:37,480 --> 00:48:39,560 Speaker 1: to like when even I did Friends and how it 944 00:48:39,760 --> 00:48:43,759 Speaker 1: was well received. So for me, I feel like, whether 945 00:48:43,800 --> 00:48:46,319 Speaker 1: you do lude lyrics or not, it still has a place, 946 00:48:46,520 --> 00:48:50,200 Speaker 1: and I think the diversity have shown us that. So 947 00:48:50,360 --> 00:48:52,880 Speaker 1: you can step outside at the box sometimes because Jamaican 948 00:48:52,960 --> 00:48:56,440 Speaker 1: feel like we have to do oddcore aggressive music sometimes 949 00:48:56,520 --> 00:48:58,880 Speaker 1: for it to be a banger, but that's not it. 950 00:48:59,239 --> 00:49:02,520 Speaker 1: It's a double stacked And I've encountered this since deal 951 00:49:02,640 --> 00:49:06,840 Speaker 1: with Spice. Okay, Spice, people will judge her because she 952 00:49:07,040 --> 00:49:10,800 Speaker 1: might do these raw lyrics and I'll have corporate entities 953 00:49:11,320 --> 00:49:14,160 Speaker 1: even in Jamaica who don't want to touch her. Wow. 954 00:49:14,320 --> 00:49:17,600 Speaker 1: So she went ahead and did like a sponsorship with 955 00:49:17,719 --> 00:49:20,799 Speaker 1: Magnum because they're about that kind of life, right right. 956 00:49:21,400 --> 00:49:23,160 Speaker 1: But it was not even with I says, you know, 957 00:49:23,800 --> 00:49:26,280 Speaker 1: because it wasn't the greatest of deal. But you know whatever, 958 00:49:26,360 --> 00:49:29,200 Speaker 1: but she is like she at that time, you know, 959 00:49:29,480 --> 00:49:32,439 Speaker 1: but she she is like, Okay, I did this because 960 00:49:32,440 --> 00:49:35,160 Speaker 1: I wanted to show corporate and since she went with them, 961 00:49:35,440 --> 00:49:40,799 Speaker 1: their numbers were tripled. Magnum, right, yes, mam, all these 962 00:49:42,239 --> 00:49:45,200 Speaker 1: Magnums out there. Yeah, so she and right now we 963 00:49:45,320 --> 00:49:50,360 Speaker 1: have a Magnum going the challenge and everybody's just winding 964 00:49:50,960 --> 00:49:52,719 Speaker 1: the thing. Yeah. But the point I was trying to 965 00:49:52,800 --> 00:49:55,239 Speaker 1: make with this is that based on her doing that, 966 00:49:55,440 --> 00:49:59,480 Speaker 1: she showed the corporate entity and especially in Jamaica, that 967 00:49:59,719 --> 00:50:02,840 Speaker 1: she was bankable, that she could that she could move that. 968 00:50:03,120 --> 00:50:05,840 Speaker 1: Let's get into this record. We wait, one more question, 969 00:50:05,920 --> 00:50:08,920 Speaker 1: one more questions. That's one more question. Is Vibes Cartel 970 00:50:09,000 --> 00:50:15,560 Speaker 1: on the album a little bit? A little bit? I no, No, 971 00:50:16,239 --> 00:50:19,400 Speaker 1: he's not on the He's not on the album because 972 00:50:19,520 --> 00:50:23,720 Speaker 1: I mean, if you if I should let the bigger 973 00:50:23,880 --> 00:50:38,920 Speaker 1: because what let me add, but let me let me 974 00:50:38,960 --> 00:50:41,160 Speaker 1: add it's not It's not because we didn't want to 975 00:50:41,239 --> 00:50:43,680 Speaker 1: wear anything. It's just that the vibe that we were going, 976 00:50:43,760 --> 00:50:45,759 Speaker 1: Like we said we had thirty songs, and we just 977 00:50:46,320 --> 00:50:48,680 Speaker 1: made thirty songs, you know, and then we put this 978 00:50:48,719 --> 00:50:50,480 Speaker 1: record out. We knew we had a really strong single 979 00:50:50,520 --> 00:50:52,320 Speaker 1: and this, but I wanted him on the album. But 980 00:50:52,440 --> 00:50:56,120 Speaker 1: she did think I was open incarcerated as well, so 981 00:50:56,280 --> 00:50:58,480 Speaker 1: you know, it kind of makes it difficult. So you 982 00:50:58,560 --> 00:51:01,399 Speaker 1: know how my guys are shan. Yeah, so let's jump 983 00:51:01,440 --> 00:51:03,319 Speaker 1: into the rec Let's go now. I'm coming out July 984 00:51:03,920 --> 00:51:07,839 Speaker 1: THIRTI okay, you gotta come back before then. Definitely, thank 985 00:51:07,880 --> 00:51:12,040 Speaker 1: you so much. She had an invitation. That's an invitation. 986 00:51:12,960 --> 00:51:16,800 Speaker 1: You just invited to dance, So artist, big thank you. 987 00:51:16,960 --> 00:51:25,960 Speaker 1: Let a fan baby going to come back. You'll tell me, Spice, 988 00:51:26,360 --> 00:51:29,759 Speaker 1: I listen to your album. Stop saying everybody that walks 989 00:51:29,760 --> 00:51:39,759 Speaker 1: in away I didn't know. Let's go let do so, 990 00:51:40,320 --> 00:51:43,359 Speaker 1: all right, go down there the big top record number 991 00:51:43,400 --> 00:51:45,680 Speaker 1: one reggae dancer song right now of course from me 992 00:51:45,760 --> 00:51:48,000 Speaker 1: your girl Spice, the Queen of dancall I with the 993 00:51:48,040 --> 00:51:51,560 Speaker 1: two legends Shaggy and Sean Paul. Ladies, get your knee 994 00:51:51,640 --> 00:51:54,680 Speaker 1: ready for wine and good down there, all right, yes, 995 00:51:54,760 --> 00:51:59,880 Speaker 1: so she said, ladies, get your knees ready the wine 996 00:52:00,040 --> 00:52:07,000 Speaker 1: on now place Shaggy is the breakfast club. Good morning, 997 00:52:08,760 --> 00:52:12,640 Speaker 1: Hey morning, everybody is tej Endry Angela Yee Charlomagne the 998 00:52:12,640 --> 00:52:14,680 Speaker 1: guy we are the Breakfast Club. That was Spice, Shaggy 999 00:52:14,719 --> 00:52:21,319 Speaker 1: and Shana Paul Abby and I hope that's right. That's right, 1000 00:52:21,360 --> 00:52:27,040 Speaker 1: that's what you got. That's down there. All right, let's 1001 00:52:27,040 --> 00:52:28,839 Speaker 1: get to the rules. Let's talk to Nick the Mouth. 1002 00:52:30,200 --> 00:52:40,600 Speaker 1: This is the rumor report with Angela yet who. Well, 1003 00:52:40,680 --> 00:52:43,200 Speaker 1: there was a conversation that Trick Daddy was having on 1004 00:52:43,280 --> 00:52:45,320 Speaker 1: a panel and one of the things that he was 1005 00:52:45,360 --> 00:52:49,480 Speaker 1: talking about was Beyonce and jay Z. Now, for some reason, 1006 00:52:49,840 --> 00:52:53,480 Speaker 1: Trick Daddy feels like Beyonce can't really sing and jay 1007 00:52:53,600 --> 00:52:55,600 Speaker 1: Z is not as great as people say he is. 1008 00:52:56,640 --> 00:53:00,560 Speaker 1: Here is Rick Daddy talking about Beyonce. We are because 1009 00:53:00,600 --> 00:53:03,279 Speaker 1: she seen money. Beyonce ain't trying to give back the music, 1010 00:53:03,360 --> 00:53:05,920 Speaker 1: and none that Beyonce don't write music. And Betty could 1011 00:53:05,920 --> 00:53:10,520 Speaker 1: say her mother Beyonce. Same. Beyonce is to R and 1012 00:53:10,640 --> 00:53:14,400 Speaker 1: B what jay Z is to New York. That's why 1013 00:53:14,440 --> 00:53:20,319 Speaker 1: they together. Huh, Oh, you cannot tell me Beyonce can't sing. 1014 00:53:20,520 --> 00:53:23,440 Speaker 1: Beyonce take it sick. Yeah, Beyonce can sing and she 1015 00:53:23,600 --> 00:53:27,000 Speaker 1: does right, and I mean and she collaborates with other 1016 00:53:27,040 --> 00:53:30,399 Speaker 1: writers and other people write songs for her. From Super Hard, 1017 00:53:30,440 --> 00:53:31,960 Speaker 1: I think we've seen a lot of stuff behind the 1018 00:53:32,000 --> 00:53:34,160 Speaker 1: scenes of Beyonce at this point to see how much 1019 00:53:34,480 --> 00:53:37,640 Speaker 1: she goes through to be a perfectionist. Now Here is 1020 00:53:37,920 --> 00:53:40,440 Speaker 1: what else Daddy had to say about jay Z. Jay 1021 00:53:40,520 --> 00:53:44,239 Speaker 1: Z ain't never one the greatest rapper live. New York 1022 00:53:44,320 --> 00:53:46,360 Speaker 1: laws bigger. They needed a hero. They wanted to be 1023 00:53:46,440 --> 00:53:49,600 Speaker 1: the Mega of hippop and they just handed it over 1024 00:53:49,719 --> 00:53:53,720 Speaker 1: to jay Z. Remember changed his name three full times. 1025 00:53:54,000 --> 00:53:55,799 Speaker 1: First time y'all ever heard of jay Z He got 1026 00:53:55,840 --> 00:53:58,200 Speaker 1: on the record with some from down song called Big Pip. 1027 00:53:58,520 --> 00:54:00,560 Speaker 1: You'll go Google and he will say, yeah, jay Z so, 1028 00:54:00,960 --> 00:54:03,120 Speaker 1: but they ain't gonna call you. Jay Z bought the 1029 00:54:03,200 --> 00:54:06,560 Speaker 1: mother so after the business got big and at that 1030 00:54:06,719 --> 00:54:09,719 Speaker 1: time what east Kot came, but got enough for the 1031 00:54:09,800 --> 00:54:13,440 Speaker 1: South to do a wrecord with him. Man, I love tricks. 1032 00:54:13,480 --> 00:54:15,439 Speaker 1: Not the first time we heard of jay Z. Yeah, 1033 00:54:15,440 --> 00:54:19,320 Speaker 1: I love trick. But he's absolutely positively jay Z is 1034 00:54:19,920 --> 00:54:23,360 Speaker 1: objectively the best rapper alive. You know, my favorite rapper 1035 00:54:23,680 --> 00:54:25,800 Speaker 1: of all time is ghost Face. Jay Z would be 1036 00:54:25,920 --> 00:54:28,200 Speaker 1: number two, but objectively, yeah, you gotta put him at 1037 00:54:28,280 --> 00:54:30,480 Speaker 1: number one. And who hasn't put him at number one? 1038 00:54:31,160 --> 00:54:34,360 Speaker 1: He's number one on so many people's list forever and 1039 00:54:34,800 --> 00:54:36,640 Speaker 1: the only name I know of jay Z is jay Z. 1040 00:54:36,800 --> 00:54:39,279 Speaker 1: I didn't know he didn't change his name, did y'all 1041 00:54:39,320 --> 00:54:41,080 Speaker 1: know him? I think he means like the alias is 1042 00:54:41,120 --> 00:54:47,239 Speaker 1: like jiggahle um. He never changed his name changes. He 1043 00:54:47,360 --> 00:54:49,440 Speaker 1: was always jay Z. I mean, everybody didn't tied it 1044 00:54:49,480 --> 00:54:52,080 Speaker 1: to their opinion. But yeah, Trick in my opinion is 1045 00:54:52,080 --> 00:54:55,279 Speaker 1: absolutely wrong on that one. Yeah, your opinion on his 1046 00:54:55,320 --> 00:54:58,359 Speaker 1: opinion is that his opinion is wrong. Yes, all right. 1047 00:54:58,400 --> 00:55:01,280 Speaker 1: And Chloe Kardashian interest in time to have broken up again, 1048 00:55:01,520 --> 00:55:03,880 Speaker 1: According to friends of the former couple. They told Page 1049 00:55:03,920 --> 00:55:07,000 Speaker 1: six they're getting along. There's no drama, everything is amicable, 1050 00:55:07,040 --> 00:55:10,360 Speaker 1: and they are on the same page with co parenting now. Allegedly, 1051 00:55:10,480 --> 00:55:12,880 Speaker 1: he was spotted entering a room with three women at 1052 00:55:12,920 --> 00:55:15,279 Speaker 1: a bell Air birthday party on Friday. He emerged thirty 1053 00:55:15,320 --> 00:55:18,279 Speaker 1: minutes later looking disheveled, just one day after dining with 1054 00:55:19,520 --> 00:55:22,400 Speaker 1: Chloe and True, his daughter. So they said, he went 1055 00:55:22,440 --> 00:55:24,360 Speaker 1: into one of the party rooms where everybody goes to 1056 00:55:24,480 --> 00:55:28,040 Speaker 1: hook up, and he was with three women and another guy. 1057 00:55:28,120 --> 00:55:30,320 Speaker 1: One of the girls he was with his irregular PARTI er, 1058 00:55:30,400 --> 00:55:33,440 Speaker 1: she's always out and about at parties. According to a source, 1059 00:55:33,480 --> 00:55:35,319 Speaker 1: they said, the other girls have just started going out 1060 00:55:35,360 --> 00:55:36,800 Speaker 1: with this group. He did this in front of about 1061 00:55:36,840 --> 00:55:39,160 Speaker 1: thirty people, so you could hear people talking. They said 1062 00:55:39,160 --> 00:55:40,400 Speaker 1: he was in the room with the door closed for 1063 00:55:40,400 --> 00:55:42,839 Speaker 1: at least thirty minutes before he re emerged. That's when 1064 00:55:42,880 --> 00:55:45,040 Speaker 1: his shirt looked oppressed, and when he went in and 1065 00:55:45,120 --> 00:55:47,239 Speaker 1: his shirt was a mess and disheveled when he came out. 1066 00:55:51,160 --> 00:55:53,879 Speaker 1: Everybody quiet. Now, all right, Well, the black men don't cheat. 1067 00:55:53,920 --> 00:55:56,040 Speaker 1: And I don't understand why there just throwing this lie 1068 00:55:56,080 --> 00:55:59,959 Speaker 1: out there. Well, he's from Canada, so his dad's doing anything. 1069 00:56:00,120 --> 00:56:02,120 Speaker 1: I don't know, but you know, if they are, if 1070 00:56:02,160 --> 00:56:04,160 Speaker 1: they are broken up, it is what it is, right 1071 00:56:04,239 --> 00:56:11,640 Speaker 1: if and it's just a rumor report, that's what that was. Rumor. 1072 00:56:12,400 --> 00:56:15,279 Speaker 1: And he did respond. He put on Twitter, he put 1073 00:56:15,360 --> 00:56:21,799 Speaker 1: all caps. I believe I believe him to Okay, would 1074 00:56:21,800 --> 00:56:26,200 Speaker 1: you put your life hold it for no? All right? 1075 00:56:26,320 --> 00:56:28,920 Speaker 1: Thank you for that rumor pull you give. Speaking of niggas, 1076 00:56:28,960 --> 00:56:30,800 Speaker 1: we can't believe. We need Ronnie O'Neil to come to 1077 00:56:30,880 --> 00:56:32,600 Speaker 1: the front of the congregation. We would like to have 1078 00:56:32,719 --> 00:56:36,400 Speaker 1: a word with him. Okay, goodness gracious, all right, we'll 1079 00:56:36,440 --> 00:56:38,160 Speaker 1: get into that next. It's the Breakfast Club. Good morning, 1080 00:56:38,560 --> 00:56:43,200 Speaker 1: So Breakfast Club, your morning's will never be the same. Hey, 1081 00:56:43,320 --> 00:56:46,200 Speaker 1: it's Angela yee. Don't let weak care hold you back. 1082 00:56:46,400 --> 00:56:49,480 Speaker 1: Carol's Daughter's got his strength collection supports here as it 1083 00:56:49,520 --> 00:56:53,359 Speaker 1: gets longer. For here that's fifteen times stronger after one use. 1084 00:56:53,600 --> 00:56:56,440 Speaker 1: Available at Carol's Daughter dot com. And you're a local retailer, 1085 00:56:57,600 --> 00:56:59,160 Speaker 1: make sure you're telling them to watch out for Florida 1086 00:56:59,200 --> 00:57:03,839 Speaker 1: nor the Lord. The craziest people in America come from 1087 00:57:03,840 --> 00:57:08,480 Speaker 1: the Bronx and all of Florida. Yes, you are a donkey. 1088 00:57:09,040 --> 00:57:11,520 Speaker 1: The Florida man a tap and at n for a 1089 00:57:11,640 --> 00:57:14,400 Speaker 1: very strange reason. It gave him too much money. Florida 1090 00:57:14,440 --> 00:57:16,400 Speaker 1: man is arrested if to definitely say he's rigged the 1091 00:57:16,480 --> 00:57:18,400 Speaker 1: door to his home and an attempt to electricate his 1092 00:57:18,440 --> 00:57:21,520 Speaker 1: pregnant life. Police arrested in Orlando man for talking of 1093 00:57:21,560 --> 00:57:24,680 Speaker 1: Flaminia to Breakfast Club. Bitchy Donkey of the Day with 1094 00:57:24,880 --> 00:57:26,680 Speaker 1: shallam haining the guard I don't know why y'all keep 1095 00:57:26,720 --> 00:57:30,400 Speaker 1: it here, Get y'all elect Wow, Oh donkey Today for Tuesday, 1096 00:57:30,480 --> 00:57:33,240 Speaker 1: June twenty second goes to Ronnie O'Neil, and honestly just 1097 00:57:33,400 --> 00:57:36,080 Speaker 1: dawned on me this morning that Ronnie O'Neil is from Florida. 1098 00:57:36,160 --> 00:57:38,920 Speaker 1: I should have known. I should have known. I should 1099 00:57:38,960 --> 00:57:41,120 Speaker 1: have known. What did your uncle Shalla always say about 1100 00:57:41,120 --> 00:57:44,200 Speaker 1: the great state of Florida? The craziest people in America 1101 00:57:44,280 --> 00:57:46,960 Speaker 1: come from the Bronx and all the Florida, but Florida. 1102 00:57:47,920 --> 00:57:49,840 Speaker 1: I can't blame this one on, y'all. This is a 1103 00:57:50,000 --> 00:57:52,920 Speaker 1: lot deeper than being from Florida. Okay, to be honest 1104 00:57:52,960 --> 00:57:55,360 Speaker 1: with you, I really believe Ronnie O'Neil is a villain 1105 00:57:55,600 --> 00:57:58,080 Speaker 1: in the New Bondocks cartoon. Okay, Aaron McGrew that had 1106 00:57:58,120 --> 00:57:59,760 Speaker 1: to write this, like if there was a multi verse 1107 00:57:59,800 --> 00:58:02,240 Speaker 1: for the Boone Doots, Ronnie O'Neil might be an evil 1108 00:58:02,760 --> 00:58:06,040 Speaker 1: variant version of Riley Freeman. Wait a minute, uncle, so 1109 00:58:06,080 --> 00:58:07,840 Speaker 1: I'll know who the hell is Ronnie O'Neil. Okay, you're right. 1110 00:58:07,920 --> 00:58:10,280 Speaker 1: Let me not assume everyone knows Ronnie O'Neill is the 1111 00:58:10,400 --> 00:58:13,720 Speaker 1: human who acted as his own attorney and his double 1112 00:58:13,800 --> 00:58:15,960 Speaker 1: murder trial. He was accused of killing his thirty three 1113 00:58:16,040 --> 00:58:19,000 Speaker 1: year old girlfriend ken YadA Baron and their disabled nine 1114 00:58:19,080 --> 00:58:22,840 Speaker 1: year old daughter, ron Navilla O'Neill r. I p to 1115 00:58:23,000 --> 00:58:25,680 Speaker 1: both for them, and I'm sending condolences and healing energy 1116 00:58:25,720 --> 00:58:28,600 Speaker 1: to their families. If you need a refresher on this situation, 1117 00:58:28,720 --> 00:58:31,280 Speaker 1: let's go to WTSP ten Tampa Bay for the report. 1118 00:58:31,320 --> 00:58:34,240 Speaker 1: Police opening statements are underway in the murder case against 1119 00:58:34,360 --> 00:58:36,960 Speaker 1: Ronnie O'Neil the third. He's the Reverview man accused of 1120 00:58:37,040 --> 00:58:39,120 Speaker 1: killing his girlfriend and their nine year old daughter three 1121 00:58:39,200 --> 00:58:42,400 Speaker 1: years ago. O'Neil is taking an unusual stance of representing 1122 00:58:42,520 --> 00:58:44,720 Speaker 1: himself in courts whom. Here's some of what he had 1123 00:58:44,720 --> 00:58:50,520 Speaker 1: to say to the jury. I'm please give a prema murder. 1124 00:58:51,800 --> 00:58:55,760 Speaker 1: You know the truth. We're gonna see who the liars 1125 00:58:55,840 --> 00:59:01,160 Speaker 1: all before it's all said. There is a public defender 1126 00:59:01,280 --> 00:59:03,800 Speaker 1: understand by. If he does change his mind, he faces 1127 00:59:03,840 --> 00:59:08,840 Speaker 1: the death penalty. If convicted, he's gonna die. Ronnie O'Neill 1128 00:59:08,920 --> 00:59:15,000 Speaker 1: was accusing prosecutors of fabricating evidence. Fabricating evidence. Ronnie O'Neill 1129 00:59:15,040 --> 00:59:18,000 Speaker 1: was charged with two counts of first degree murder, account 1130 00:59:18,040 --> 00:59:21,040 Speaker 1: of attempted first degree murder, two counts of aggravated child abuse, 1131 00:59:21,080 --> 00:59:24,120 Speaker 1: an account of resisting a law enforcement officer. Without violence. Now, 1132 00:59:24,160 --> 00:59:28,400 Speaker 1: if someone kills two people and stabs another because Ronnie 1133 00:59:28,400 --> 00:59:30,680 Speaker 1: also stabbed his h old son, who think god survived? 1134 00:59:30,720 --> 00:59:34,640 Speaker 1: If police come over and see all his chaos, how 1135 00:59:34,680 --> 00:59:38,080 Speaker 1: could they possibly fabricate evidence? Now? I know Ronnie O'Neil 1136 00:59:38,160 --> 00:59:40,480 Speaker 1: is claiming his girlfriend killed his daughter and tried to 1137 00:59:40,560 --> 00:59:42,040 Speaker 1: kill his son. That's why he killed her. But we 1138 00:59:42,120 --> 00:59:44,439 Speaker 1: always have to remember in life, a lie ain't nothing 1139 00:59:44,480 --> 00:59:46,400 Speaker 1: to tell. If a bull faced lie was a person, 1140 00:59:46,720 --> 00:59:48,520 Speaker 1: it would be Ronnie O'Neil the third. And see, the 1141 00:59:48,600 --> 00:59:50,600 Speaker 1: thing about a lie is when you tell one lie, 1142 00:59:50,600 --> 00:59:52,920 Speaker 1: it leads to another. So you tell two lies to 1143 00:59:52,960 --> 00:59:55,200 Speaker 1: cover each other. Then you tell three lies. An old brother, 1144 00:59:55,320 --> 00:59:57,880 Speaker 1: first lie he told was that his girlfriend killed his 1145 00:59:58,000 --> 01:00:01,280 Speaker 1: daughter and stabbed his son. Well, his son took the 1146 01:00:01,360 --> 01:00:04,760 Speaker 1: stand and had to relive that trauma. Listen, how are 1147 01:00:04,800 --> 01:00:10,600 Speaker 1: you doing good? It's good to see you. Mail. Did 1148 01:00:10,680 --> 01:00:15,320 Speaker 1: you see me shoot your mom? Ye? Did I hurt 1149 01:00:15,360 --> 01:00:20,480 Speaker 1: you that night? I love this incident? Yes I did? 1150 01:00:21,280 --> 01:00:26,000 Speaker 1: And how did I hurt you? Lord? Damn it man? 1151 01:00:26,360 --> 01:00:28,240 Speaker 1: So you tell four lies to try to protect you. 1152 01:00:28,320 --> 01:00:30,360 Speaker 1: Then you tell five lives so folks won't suspect you. 1153 01:00:30,440 --> 01:00:32,640 Speaker 1: Then you tell six lives, and you'll collect a life 1154 01:00:32,680 --> 01:00:35,040 Speaker 1: filled with worries and fears because you can't remember how 1155 01:00:35,080 --> 01:00:37,240 Speaker 1: many lives you've told, and half the things you say 1156 01:00:37,280 --> 01:00:39,960 Speaker 1: aren't true. And sometimes you'll slip up, you'll trip up, 1157 01:00:40,000 --> 01:00:42,880 Speaker 1: and then whatever will become of you, well, what will 1158 01:00:43,000 --> 01:00:45,840 Speaker 1: become of Ronnie O'Neill the third Let's go to w 1159 01:00:46,000 --> 01:00:48,440 Speaker 1: FLA NBC eight for the report police. It took just 1160 01:00:48,680 --> 01:00:51,680 Speaker 1: more than four hours for a Tampa jury to decide 1161 01:00:51,840 --> 01:00:54,840 Speaker 1: Ronnie O'Neill is guilty of killing his girlfriend and his 1162 01:00:54,960 --> 01:00:58,080 Speaker 1: own daughter, as well as stabbing and setting fire to 1163 01:00:58,240 --> 01:01:01,920 Speaker 1: his son. O'Neill represent it himself throughout the guilt phase 1164 01:01:02,040 --> 01:01:04,440 Speaker 1: of the trial, and may do so during the penalty 1165 01:01:04,520 --> 01:01:08,480 Speaker 1: phase as well his guilty the first free murder, murder 1166 01:01:08,520 --> 01:01:12,160 Speaker 1: and Philoni murder. During his closing argument, O'Neill admitted guilt 1167 01:01:12,440 --> 01:01:16,920 Speaker 1: in one of the killings. But I want you to 1168 01:01:17,240 --> 01:01:22,960 Speaker 1: tell O'Neill told jurors he did kill his girlfriend, but 1169 01:01:23,120 --> 01:01:26,320 Speaker 1: only because she murdered their daughter and tried to kill 1170 01:01:26,400 --> 01:01:34,640 Speaker 1: their son. What happened? I know what happened to my day. 1171 01:01:35,120 --> 01:01:38,880 Speaker 1: The judge complimented O'Neill on his performance, and I have 1172 01:01:39,040 --> 01:01:41,760 Speaker 1: to tell you. I think in another lifetime you would 1173 01:01:41,800 --> 01:01:45,280 Speaker 1: have been an excellent lawyer, for I was. It only 1174 01:01:45,320 --> 01:01:47,160 Speaker 1: took joys four hours. The only reason I think it 1175 01:01:47,240 --> 01:01:50,200 Speaker 1: took that long because they were in there discussing the audacity, 1176 01:01:50,600 --> 01:01:53,480 Speaker 1: the unmitigated gaw of Ronnie O'Neill to third to get 1177 01:01:53,560 --> 01:01:55,680 Speaker 1: up there and represent himself. So you lie and lie 1178 01:01:55,760 --> 01:01:58,360 Speaker 1: without even trying, and each lie you tell will keep 1179 01:01:58,440 --> 01:02:00,959 Speaker 1: multiplying to the whole wild world will know you're lying. 1180 01:02:01,120 --> 01:02:06,080 Speaker 1: Then you'll be suspected, detected, rejected, neglected, disliked, and you should. 1181 01:02:06,360 --> 01:02:11,760 Speaker 1: When you lie, you're closing the door on everything good. Ronnie, 1182 01:02:11,800 --> 01:02:13,200 Speaker 1: on the the third, what the hell were you doing? 1183 01:02:13,480 --> 01:02:15,439 Speaker 1: Why were you up there playing? What was the point? 1184 01:02:15,520 --> 01:02:17,880 Speaker 1: What was you trying to prove? There was absolutely no 1185 01:02:18,080 --> 01:02:20,360 Speaker 1: reason for you to be up there representing yourself other 1186 01:02:20,440 --> 01:02:24,960 Speaker 1: than for your own sick personal entertainment. I've been trying 1187 01:02:25,000 --> 01:02:27,480 Speaker 1: to make sense of this, and I keep stopping myself 1188 01:02:27,560 --> 01:02:31,440 Speaker 1: to remind myself stop attempting to make sense of this senseless. 1189 01:02:31,720 --> 01:02:34,960 Speaker 1: There is no logic in the illogical. I can't blame 1190 01:02:35,080 --> 01:02:37,439 Speaker 1: this on Florida. I keep trying to wrap my mind 1191 01:02:37,560 --> 01:02:40,200 Speaker 1: around what this is and all I hear in my 1192 01:02:40,400 --> 01:02:46,760 Speaker 1: head is my love Stephanie Mills saying, nigga, that's it, 1193 01:02:47,720 --> 01:02:50,440 Speaker 1: that's it. Please let me Mark give Ronnie on you 1194 01:02:50,600 --> 01:02:53,160 Speaker 1: the third the biggest he ha he ha he ha, 1195 01:02:53,840 --> 01:02:57,320 Speaker 1: You stupid mother, are you dumb? His poor son, man, 1196 01:02:57,960 --> 01:03:01,240 Speaker 1: his poor son, His poor son is gonna need a lifetime, 1197 01:03:02,040 --> 01:03:06,480 Speaker 1: a lifetime of therapy. Okay, you how much work it's 1198 01:03:06,480 --> 01:03:07,880 Speaker 1: going to take to get the trauma out of that 1199 01:03:08,000 --> 01:03:11,680 Speaker 1: young man's body. Come on, man, he's going to give 1200 01:03:11,760 --> 01:03:13,880 Speaker 1: him a hug. I felt so bad having to listen 1201 01:03:13,920 --> 01:03:18,520 Speaker 1: to him, have to testify, answer questions because Ronio Nil 1202 01:03:18,560 --> 01:03:21,120 Speaker 1: want to play, Ronio Nil the Third want to play? 1203 01:03:21,480 --> 01:03:24,000 Speaker 1: All right, all right, well, thank you for that donkey 1204 01:03:24,120 --> 01:03:27,000 Speaker 1: other day. Now let's open up the phone. Lines eight 1205 01:03:27,080 --> 01:03:30,760 Speaker 1: on eight five one five one now. T Paine talks 1206 01:03:30,800 --> 01:03:33,680 Speaker 1: about a time when he got very sad because Ushia 1207 01:03:33,720 --> 01:03:35,600 Speaker 1: said this. He was like, man, I want to tell 1208 01:03:35,600 --> 01:03:38,280 Speaker 1: you something. Man, he's not real concerned. He was like, man, 1209 01:03:38,440 --> 01:03:43,720 Speaker 1: you kinda kind of up music. I didn't understand. Ushira 1210 01:03:43,880 --> 01:03:47,040 Speaker 1: was my friend. It was like, Noah, man, you really 1211 01:03:47,160 --> 01:03:50,000 Speaker 1: like you really up music for real singers. Literally at 1212 01:03:50,080 --> 01:03:56,080 Speaker 1: that point, I couldn't listen is he right? Music? And 1213 01:03:56,200 --> 01:03:58,960 Speaker 1: I don't even think I realized this for a long time. 1214 01:03:59,040 --> 01:04:02,200 Speaker 1: That's the very moment that started like a four year 1215 01:04:02,240 --> 01:04:04,480 Speaker 1: depression for me. You know, I said this earlier. I 1216 01:04:04,520 --> 01:04:06,560 Speaker 1: will always respect honesty, but I think we have to 1217 01:04:06,640 --> 01:04:10,680 Speaker 1: remember that honesty without compassion is cruelty. Honesty without empathy 1218 01:04:11,160 --> 01:04:13,400 Speaker 1: is brutality, and it's a harsh lesson that we've all 1219 01:04:13,480 --> 01:04:15,560 Speaker 1: had to learn in our life. So I know that 1220 01:04:15,640 --> 01:04:17,960 Speaker 1: there's a lot of people out there who, like myself, 1221 01:04:18,360 --> 01:04:21,800 Speaker 1: have you know, been being honest but didn't weren't honest 1222 01:04:21,880 --> 01:04:24,680 Speaker 1: with compassion. And we've called somebody that kind of trauma 1223 01:04:24,760 --> 01:04:26,800 Speaker 1: that Tea Pain went through. So what is the question? 1224 01:04:27,480 --> 01:04:31,360 Speaker 1: When have you been honest but you were honest without compassion? 1225 01:04:31,720 --> 01:04:33,520 Speaker 1: All right? Well, let's open up the phone lines. Let's 1226 01:04:33,520 --> 01:04:36,440 Speaker 1: talk about it. Eight hundred five eight five one oh 1227 01:04:36,560 --> 01:04:40,240 Speaker 1: five one. When have you been honest but honest without 1228 01:04:40,280 --> 01:04:43,680 Speaker 1: compassion and traumatize somebody like us? You did tea Pain? 1229 01:04:43,760 --> 01:04:45,720 Speaker 1: All right? Let's talk about it as a breakfast local morning, 1230 01:04:46,160 --> 01:04:58,120 Speaker 1: the breakfast club. It's topic time called eight hundred five 1231 01:04:58,160 --> 01:04:59,720 Speaker 1: eight five one oh five one to join it to 1232 01:04:59,880 --> 01:05:02,080 Speaker 1: the he got you with the Breakfast Club. Talk about 1233 01:05:02,120 --> 01:05:07,200 Speaker 1: it morning. Everybody is stech Envy, Angela Yee, Charlomagne the guy. 1234 01:05:07,280 --> 01:05:09,680 Speaker 1: We are the Breakfast Club now if you just joined us. 1235 01:05:09,720 --> 01:05:12,560 Speaker 1: We're talking about a conversation that Usher and t Pain 1236 01:05:12,760 --> 01:05:15,600 Speaker 1: had here the Goals. He was like, Man, I want 1237 01:05:15,640 --> 01:05:18,000 Speaker 1: to tell you something. Man, he's not real concerned. He 1238 01:05:18,120 --> 01:05:22,160 Speaker 1: was like, man, you kinda kind of stop music. I 1239 01:05:22,240 --> 01:05:26,920 Speaker 1: didn't understand. Usher was my friend. It was like, Noah, Man, 1240 01:05:26,960 --> 01:05:29,360 Speaker 1: you really like you really poked up music for real singers. 1241 01:05:29,760 --> 01:05:35,760 Speaker 1: Literally at that point, I couldn't listen is he right music? 1242 01:05:36,280 --> 01:05:38,680 Speaker 1: And I don't even think I realized this for a 1243 01:05:38,760 --> 01:05:41,800 Speaker 1: long time. That's the very moment that started like a 1244 01:05:41,960 --> 01:05:44,760 Speaker 1: four year depression for me. So we're asking eight hundred 1245 01:05:44,880 --> 01:05:47,320 Speaker 1: five a five one on five one. We're talking about 1246 01:05:47,880 --> 01:05:51,600 Speaker 1: being honest, we're being compassionate. M I'm pretty good at that. 1247 01:05:52,960 --> 01:05:55,440 Speaker 1: I'm not. I think with my friends. The one thing 1248 01:05:55,480 --> 01:05:57,360 Speaker 1: they like about coming to me when they asked me 1249 01:05:57,440 --> 01:05:59,680 Speaker 1: things is that I am going to be compassionate, but 1250 01:06:00,120 --> 01:06:01,600 Speaker 1: tell them how I really feel. But I'll say it 1251 01:06:01,680 --> 01:06:03,480 Speaker 1: in a way where I'm not judging them or making 1252 01:06:03,520 --> 01:06:07,880 Speaker 1: them feel terrible about themselves. Yeah, I have a small 1253 01:06:07,960 --> 01:06:10,440 Speaker 1: group of friends that I trust that when they come 1254 01:06:10,480 --> 01:06:13,120 Speaker 1: to me, they're not compassionate at all. They don't. It's 1255 01:06:13,160 --> 01:06:16,000 Speaker 1: pretty much f your feelings. But I appreciate that because 1256 01:06:16,040 --> 01:06:18,280 Speaker 1: I know that when they're coming to me, they're coming 1257 01:06:18,360 --> 01:06:21,160 Speaker 1: to me out of compassion. It's not gonna be the nicest. 1258 01:06:21,160 --> 01:06:23,680 Speaker 1: Theyin't gonna say it. Hey, no, no, They're gonna be real, 1259 01:06:23,800 --> 01:06:26,200 Speaker 1: and I respect that. I'd rather than be real with 1260 01:06:26,280 --> 01:06:28,360 Speaker 1: me because if not, this world is gonna be real 1261 01:06:28,440 --> 01:06:30,160 Speaker 1: with me. So I'd rather my friends do it and 1262 01:06:30,280 --> 01:06:32,560 Speaker 1: tell me beforehand if they see something, if I'm slipping, 1263 01:06:32,600 --> 01:06:34,600 Speaker 1: if I'm acting up, if I'm not doing something right, 1264 01:06:34,840 --> 01:06:37,120 Speaker 1: if I'm moving in the wrong direction. And the main 1265 01:06:37,240 --> 01:06:38,919 Speaker 1: part of that, the main personal that is my wife. 1266 01:06:39,040 --> 01:06:41,680 Speaker 1: My wife. You can't be real and compassionate at the 1267 01:06:41,680 --> 01:06:44,560 Speaker 1: same time. Sometimes you can't. But sometimes when you, sometimes 1268 01:06:44,720 --> 01:06:48,320 Speaker 1: even for myself, you need to be blatantly real for 1269 01:06:48,440 --> 01:06:50,720 Speaker 1: me to understand because sometimes when you too compassionate, I 1270 01:06:50,840 --> 01:06:52,800 Speaker 1: might not listen. But when you straight up and down 1271 01:06:53,520 --> 01:06:57,040 Speaker 1: nig I think I think this is this is Lenard 1272 01:06:57,120 --> 01:06:59,600 Speaker 1: McKelvie talking. I think I think you can be straight 1273 01:06:59,720 --> 01:07:01,880 Speaker 1: up in down, you know, with compassion, you know, because 1274 01:07:01,880 --> 01:07:05,200 Speaker 1: like I said earlier, honesty without compassion is cruelty. I mean, 1275 01:07:05,200 --> 01:07:07,520 Speaker 1: that's why they call it being brutally honest. It's exactly that. 1276 01:07:07,680 --> 01:07:11,040 Speaker 1: It's brutality. You know, when you're honest without compassion. You know, 1277 01:07:11,080 --> 01:07:13,880 Speaker 1: when you're honest without empathy, it is cruelty. It's brutality. 1278 01:07:14,040 --> 01:07:16,080 Speaker 1: And my whole life, my mother would tell me and 1279 01:07:16,240 --> 01:07:17,880 Speaker 1: my dad we didn't know how to talk to people. 1280 01:07:18,280 --> 01:07:21,800 Speaker 1: But I got that brutally honest stuff from my father. 1281 01:07:21,960 --> 01:07:25,320 Speaker 1: But over the years, I've had friends, like actual friends 1282 01:07:25,360 --> 01:07:28,439 Speaker 1: who I consider my family, my sisters, my brothers, who've 1283 01:07:28,480 --> 01:07:32,120 Speaker 1: told me I hurt their feelings with something I said, 1284 01:07:32,200 --> 01:07:35,040 Speaker 1: And in my mind, I was just being brutally honest. 1285 01:07:35,080 --> 01:07:38,040 Speaker 1: But the moment that really changed me was some years 1286 01:07:38,080 --> 01:07:40,880 Speaker 1: ago when my oldest daughter was at track practice and 1287 01:07:41,000 --> 01:07:43,120 Speaker 1: she was doing the long jump. She'd never done the 1288 01:07:43,200 --> 01:07:44,959 Speaker 1: long jump before, it was practice. It was her first 1289 01:07:44,960 --> 01:07:46,960 Speaker 1: time ever doing it, and she did it and I 1290 01:07:47,080 --> 01:07:50,960 Speaker 1: just blurted out, that was horrible, and she burst into tears, 1291 01:07:51,560 --> 01:07:54,760 Speaker 1: and that cut me so deep. Even just thinking about 1292 01:07:54,800 --> 01:07:56,440 Speaker 1: it now woul hurt. So that's when I realized, you 1293 01:07:56,560 --> 01:07:58,760 Speaker 1: have to. You know, you can be honest, but you 1294 01:07:58,840 --> 01:08:00,720 Speaker 1: have to be honest with ash him. So I think 1295 01:08:00,760 --> 01:08:03,040 Speaker 1: that life experience with my daughter, but also doing the 1296 01:08:03,080 --> 01:08:05,800 Speaker 1: work on myself, you know, going to therapy, you know, 1297 01:08:05,880 --> 01:08:07,800 Speaker 1: getting to my own place of healings. So where I 1298 01:08:07,840 --> 01:08:10,320 Speaker 1: don't speak with my wounds, I don't speak with my hurt, 1299 01:08:10,480 --> 01:08:12,440 Speaker 1: I don't speak with my pain, but I speak with 1300 01:08:12,560 --> 01:08:15,160 Speaker 1: real love. I think that's what, Uh, that's what got 1301 01:08:15,200 --> 01:08:16,840 Speaker 1: me to a better place. The fact that you did 1302 01:08:16,920 --> 01:08:21,240 Speaker 1: that to your daughter's crazy that you that was horrible. Goodness, 1303 01:08:21,520 --> 01:08:24,439 Speaker 1: you never talk to your kids like that. It was horrible. 1304 01:08:24,560 --> 01:08:25,920 Speaker 1: Me and my son got into it one time. He 1305 01:08:25,960 --> 01:08:28,400 Speaker 1: was upset with me because when he was playing football, 1306 01:08:28,720 --> 01:08:30,439 Speaker 1: I told him all the bad things that he did 1307 01:08:30,600 --> 01:08:32,759 Speaker 1: and not the good things. But I did that because 1308 01:08:32,800 --> 01:08:34,639 Speaker 1: I was saying, I want you to fix the bad 1309 01:08:34,680 --> 01:08:36,760 Speaker 1: things that you're doing. I didn't know that I needed 1310 01:08:36,800 --> 01:08:38,680 Speaker 1: to have compassion, be like, no, you're doing your thing, 1311 01:08:38,800 --> 01:08:41,040 Speaker 1: like you're doing this, but you need to cut this way. 1312 01:08:41,160 --> 01:08:43,120 Speaker 1: I don't think that's compassion though. I don't. I think 1313 01:08:43,120 --> 01:08:45,040 Speaker 1: what you're doing, I don't. I don't know what you 1314 01:08:45,120 --> 01:08:47,680 Speaker 1: call that. When you give somebody a compliment and then 1315 01:08:47,720 --> 01:08:49,439 Speaker 1: you tell them what they did. What they call it compliment. 1316 01:08:49,520 --> 01:08:51,240 Speaker 1: Sound Yeah, that's not what I'm talking about. I'm just 1317 01:08:51,280 --> 01:08:53,720 Speaker 1: talking about I can be honest with a person, but 1318 01:08:53,880 --> 01:08:55,600 Speaker 1: you just gotta have some compassion with it. Because if 1319 01:08:55,600 --> 01:08:57,559 Speaker 1: I just when I when I jump out, and I'd 1320 01:08:57,600 --> 01:09:00,480 Speaker 1: be like any you gotta hump back, right, that's just brewtality, 1321 01:09:00,680 --> 01:09:03,000 Speaker 1: you know what I'm saying. But if I say, if 1322 01:09:03,040 --> 01:09:05,280 Speaker 1: I say, if I say, envy, y know, I think 1323 01:09:05,280 --> 01:09:07,000 Speaker 1: you should fix your posture. Brother. You know what I'm saying, 1324 01:09:07,000 --> 01:09:08,200 Speaker 1: It looks like you have a hump back the way 1325 01:09:08,200 --> 01:09:11,920 Speaker 1: you sit. That's that's compassion and some and sometimes you're 1326 01:09:11,960 --> 01:09:14,600 Speaker 1: saying things and it's and you can say things that 1327 01:09:14,720 --> 01:09:18,400 Speaker 1: are true, but it's how you say it. And listen, 1328 01:09:18,439 --> 01:09:20,360 Speaker 1: I'm I know I've been the worst that that throughout 1329 01:09:20,439 --> 01:09:23,519 Speaker 1: my life, especially you know, on this goddamn radio. But 1330 01:09:23,680 --> 01:09:27,639 Speaker 1: that's just because you're I was being honest with no compassion. 1331 01:09:27,720 --> 01:09:30,920 Speaker 1: I was being honest with no empathy. So that is brutality. 1332 01:09:31,040 --> 01:09:33,200 Speaker 1: That is cruelty. I'm not I'm not brutal. You're brutal. 1333 01:09:33,439 --> 01:09:36,439 Speaker 1: I'm not brutal. That's not true. You just said two 1334 01:09:36,520 --> 01:09:41,400 Speaker 1: things you say you're is horrible jumping. Yeah, but Envy, Envy, 1335 01:09:41,520 --> 01:09:43,240 Speaker 1: I'm not gonna go back in time because I don't 1336 01:09:43,240 --> 01:09:44,880 Speaker 1: want any of us to be pulling up old stuff. 1337 01:09:45,200 --> 01:09:48,559 Speaker 1: But you brutal bro, you've got on this goddamn r Angela. 1338 01:09:48,600 --> 01:09:50,800 Speaker 1: You remember that one time there was a million times 1339 01:09:50,880 --> 01:09:53,600 Speaker 1: no no, But remember that one time with Au the 1340 01:09:53,680 --> 01:09:57,720 Speaker 1: woman got mad at Envy when you got her fire 1341 01:09:58,680 --> 01:10:00,280 Speaker 1: one that was calling him an f boy. And you 1342 01:10:00,280 --> 01:10:03,160 Speaker 1: remember what vycame on this radio and said, yeah, actually 1343 01:10:03,200 --> 01:10:06,040 Speaker 1: Eva gets very spicy when people kind of test him 1344 01:10:06,040 --> 01:10:10,759 Speaker 1: a little bit. Like but that what you had honesty 1345 01:10:11,320 --> 01:10:13,160 Speaker 1: with I mean with Gero. I mean when I say 1346 01:10:13,280 --> 01:10:16,519 Speaker 1: zero compassion, yeah, you had zero compassion. Whole thing. You 1347 01:10:16,600 --> 01:10:18,479 Speaker 1: can't you can't go at me. And then when I 1348 01:10:18,520 --> 01:10:20,240 Speaker 1: go at you, but like you went too far? Oh 1349 01:10:20,320 --> 01:10:23,639 Speaker 1: she said, well you didn't temple you rich bathted. Okay, 1350 01:10:24,479 --> 01:10:27,160 Speaker 1: that's exactly what it was. But my whole thing, Okay, 1351 01:10:27,240 --> 01:10:29,360 Speaker 1: let's like, let's like I'm the most compassionate one here. 1352 01:10:29,360 --> 01:10:31,760 Speaker 1: If you don't believe that either me, I'm att tack 1353 01:10:31,800 --> 01:10:33,720 Speaker 1: you back harder. That's so don't come at me with 1354 01:10:33,920 --> 01:10:35,160 Speaker 1: with with with a knife and then when I come 1355 01:10:35,200 --> 01:10:36,760 Speaker 1: with a gun, it's like, oh, you went too far. No, 1356 01:10:36,920 --> 01:10:39,679 Speaker 1: I didn't, you started, I was mon. All I'm saying 1357 01:10:39,840 --> 01:10:44,240 Speaker 1: is honesty without compassion is cruelty, Honesty without empathy and brutality. 1358 01:10:44,240 --> 01:10:46,840 Speaker 1: Because even in that situation with Tea Paine and lush Us, 1359 01:10:46,920 --> 01:10:52,599 Speaker 1: you didn't tell Tea Paine, why you just stop music? What? Hello? 1360 01:10:52,680 --> 01:10:57,759 Speaker 1: Who's this? Right? Yes, even though you're on the radio 1361 01:10:57,880 --> 01:10:59,479 Speaker 1: and nobody can see you, you can just tell us 1362 01:10:59,479 --> 01:11:01,400 Speaker 1: any name. You could have made up any name, but right, 1363 01:11:01,439 --> 01:11:07,160 Speaker 1: all right, my name Peter Peter. So I've always been 1364 01:11:07,240 --> 01:11:10,000 Speaker 1: told my whole life that it's not what I say, 1365 01:11:10,000 --> 01:11:13,439 Speaker 1: it's the way I say it. So my mom, she 1366 01:11:13,680 --> 01:11:16,800 Speaker 1: actually has she's been very sick. She has cancer and 1367 01:11:16,880 --> 01:11:19,160 Speaker 1: everything like that. So she's been shying to make herself, 1368 01:11:19,640 --> 01:11:23,080 Speaker 1: you know, look pretty. She had gotten a wig, you know, 1369 01:11:23,320 --> 01:11:27,200 Speaker 1: some contact lenses, some great contact lenses, you know, left 1370 01:11:27,240 --> 01:11:30,320 Speaker 1: a sperit. I'm the kind of guy that likes women 1371 01:11:30,800 --> 01:11:36,320 Speaker 1: like all natural. I like natural beauty. Has cancer, I know, 1372 01:11:36,680 --> 01:11:40,000 Speaker 1: I know. And um I sat here and I told her, 1373 01:11:40,520 --> 01:11:43,120 Speaker 1: I said, I'm sorry to tell you my eyes. I 1374 01:11:43,280 --> 01:11:55,200 Speaker 1: think that looks stupid. Bro, Bro, bro, come home manner. 1375 01:11:55,800 --> 01:12:01,120 Speaker 1: You're naturally beautiful. You don't need those things. But I understand. 1376 01:12:02,760 --> 01:12:05,040 Speaker 1: Do you really think she cared about her looks at 1377 01:12:05,080 --> 01:12:07,720 Speaker 1: a time like that, Sir, No, not at all, So 1378 01:12:07,800 --> 01:12:10,920 Speaker 1: why would you even bring that up? Exactly, I'm gonna 1379 01:12:10,920 --> 01:12:13,280 Speaker 1: be brutley. I'm gonna be brutley mean to you. Honesty 1380 01:12:13,400 --> 01:12:18,439 Speaker 1: without compassion is brutality, goodness gracious eight hundred five eight 1381 01:12:18,560 --> 01:12:20,280 Speaker 1: five one on five one. Let's talk about it as 1382 01:12:20,280 --> 01:12:31,400 Speaker 1: the breakfast cloak of morning. Call me and your opinions 1383 01:12:31,400 --> 01:12:35,360 Speaker 1: to the breakfast club topic. I'll get five five one 1384 01:12:35,560 --> 01:12:40,839 Speaker 1: five one morning. Everybody is DJ Envy, Angela Yee, Charlomagne, 1385 01:12:40,880 --> 01:12:42,600 Speaker 1: the guy. We are the breakfast club. Now if you 1386 01:12:42,680 --> 01:12:44,880 Speaker 1: just joined us, We're talking about a conversation with Usher 1387 01:12:45,000 --> 01:12:47,639 Speaker 1: and t Pain. This is what Usha said to t Pain. 1388 01:12:48,160 --> 01:12:49,559 Speaker 1: It was like, man, I want to tell you something. Man, 1389 01:12:49,720 --> 01:12:52,400 Speaker 1: he's not real concerned. He was like, man, you kinda 1390 01:12:53,400 --> 01:12:57,960 Speaker 1: kind of stop music. I didn't understand Usher was my friend. 1391 01:12:59,040 --> 01:13:01,200 Speaker 1: It was like, I mean you really like you really 1392 01:13:01,520 --> 01:13:04,360 Speaker 1: up music for real singers. Literally at that point I 1393 01:13:04,479 --> 01:13:10,439 Speaker 1: couldn't listen is he right music? And I don't even 1394 01:13:10,520 --> 01:13:12,800 Speaker 1: think I realized this for a long time. That's the 1395 01:13:12,960 --> 01:13:16,439 Speaker 1: very moment that started like a four year depression for me. 1396 01:13:17,160 --> 01:13:19,519 Speaker 1: So we're asking eight hundred five eighty five one oh 1397 01:13:19,600 --> 01:13:23,479 Speaker 1: five one, are you honest without compassion? Or do you 1398 01:13:23,560 --> 01:13:27,360 Speaker 1: have compassion when you're being honest? Also shout out to Nantina. 1399 01:13:27,479 --> 01:13:30,120 Speaker 1: Nantina is somebody we talk about. She works for Deaf jam. 1400 01:13:30,200 --> 01:13:32,840 Speaker 1: She didn't check. She's a friend of mine. We speak 1401 01:13:32,840 --> 01:13:35,120 Speaker 1: about her a lot on the program. She's brutally honest 1402 01:13:35,160 --> 01:13:37,080 Speaker 1: when it comes to me. She will tell me stuff 1403 01:13:37,120 --> 01:13:38,840 Speaker 1: that I'd be like, God, damn, Nantina, do you ether 1404 01:13:38,880 --> 01:13:40,960 Speaker 1: told me like that? But Nantinas somebody who I've heard 1405 01:13:41,000 --> 01:13:45,000 Speaker 1: her feelings? Have you yes? By accident? What did you say? 1406 01:13:45,200 --> 01:13:51,400 Speaker 1: What did you say? Let's not let's not take this 1407 01:13:51,479 --> 01:13:56,800 Speaker 1: trip down memory. But I wasn't being brutal, but it 1408 01:13:56,920 --> 01:14:07,599 Speaker 1: was brutal. No, it was honesty without compassion. My name's 1409 01:14:07,640 --> 01:14:13,679 Speaker 1: Brooklyn Fromagetown. All right, now, when you when you're honest 1410 01:14:13,680 --> 01:14:15,800 Speaker 1: with somebody, are you compassionate or no compassion at all? 1411 01:14:15,880 --> 01:14:18,040 Speaker 1: Let's talk about it, man, My name is Brooklyn. What 1412 01:14:18,160 --> 01:14:22,719 Speaker 1: you think? Oh lord? What not? What Brooklyn? Because gentrified 1413 01:14:22,760 --> 01:14:26,479 Speaker 1: Brooklyn is a little more compassionate Okay, I'm forty years old, 1414 01:14:26,600 --> 01:14:29,240 Speaker 1: so and that's just my name. I'm not from there, 1415 01:14:29,400 --> 01:14:33,720 Speaker 1: so it's maybe it's just I don't know, so tell 1416 01:14:33,800 --> 01:14:36,320 Speaker 1: us a story. Yeah, it's just kind of like with 1417 01:14:36,479 --> 01:14:39,599 Speaker 1: being my mom. She was in and out, incarcerated a lot, 1418 01:14:39,680 --> 01:14:41,560 Speaker 1: in and out of my life, so I have a 1419 01:14:41,600 --> 01:14:44,400 Speaker 1: lot of abandonment issues and trust issues, you know what 1420 01:14:44,479 --> 01:14:48,320 Speaker 1: I mean. And as I have gotten older, it's been 1421 01:14:48,479 --> 01:14:52,960 Speaker 1: harder for me to approach her in a compassionate way 1422 01:14:53,680 --> 01:14:58,240 Speaker 1: because I still inger inside. I feel that I feel 1423 01:14:58,280 --> 01:15:01,920 Speaker 1: that childhood's inside that I don't want to come out, 1424 01:15:02,080 --> 01:15:04,840 Speaker 1: but it seems like it does come out when I 1425 01:15:04,920 --> 01:15:09,000 Speaker 1: approach her on certain things, because you know, trauma is 1426 01:15:09,080 --> 01:15:12,920 Speaker 1: trauma and you can't can't change what has happened, you 1427 01:15:13,000 --> 01:15:15,720 Speaker 1: know what I mean? All Right, So I try. I 1428 01:15:15,880 --> 01:15:19,280 Speaker 1: try to be a very compassionate person on the way 1429 01:15:19,360 --> 01:15:24,040 Speaker 1: I approach things because I am very aggressive, and I can, 1430 01:15:24,360 --> 01:15:27,480 Speaker 1: you know, basically be rude. You know what I'm saying, absolutely, 1431 01:15:28,200 --> 01:15:30,000 Speaker 1: but the truth hurts, you know what I'm saying. The 1432 01:15:30,080 --> 01:15:33,719 Speaker 1: true definitely hurts, and I'm definitely the one to give 1433 01:15:33,800 --> 01:15:36,680 Speaker 1: out truth sometimes. So it's something that I have to 1434 01:15:36,800 --> 01:15:39,920 Speaker 1: work on. As I have gotten older and am getting older, 1435 01:15:40,320 --> 01:15:43,280 Speaker 1: and I have worked is in my own So it's 1436 01:15:43,360 --> 01:15:45,880 Speaker 1: just something that I work on with myself. And I 1437 01:15:46,040 --> 01:15:50,480 Speaker 1: appreciate y'all listening to y'all a lot, because y'all show compassion, 1438 01:15:50,680 --> 01:15:53,920 Speaker 1: y'all show realness, and y'all truth hurts. You know what 1439 01:15:53,960 --> 01:15:57,519 Speaker 1: I mean? Well, this is this is this is a 1440 01:15:57,640 --> 01:16:02,080 Speaker 1: new and improved breakfast club. Okay, you know me, No, 1441 01:16:02,479 --> 01:16:05,200 Speaker 1: I can only speak for me. With old age therapy 1442 01:16:05,320 --> 01:16:08,440 Speaker 1: and life experience, I have learned that honesty without compassion 1443 01:16:08,960 --> 01:16:12,280 Speaker 1: is cruelty. Honesty without empathy is brutality. Because you know, 1444 01:16:12,320 --> 01:16:15,439 Speaker 1: it's to her point. I didn't know I was being rude. 1445 01:16:15,720 --> 01:16:20,840 Speaker 1: She did. No, I didn't. I really didn't. Hello, who's 1446 01:16:20,880 --> 01:16:24,599 Speaker 1: this from Houston, Texas? What's up? Bro? We're talking about 1447 01:16:24,600 --> 01:16:27,400 Speaker 1: being honesty and not show a compassion? Brother? Yeah, I 1448 01:16:27,479 --> 01:16:30,280 Speaker 1: did it on an excident. Um. I accidentally assumed this 1449 01:16:30,439 --> 01:16:34,800 Speaker 1: lady was pregnant and I congratulated her. That's me, that's 1450 01:16:34,840 --> 01:16:37,080 Speaker 1: me all day I did. I definitely did that one 1451 01:16:37,120 --> 01:16:38,960 Speaker 1: time and learned my lesson to never do that again. 1452 01:16:40,320 --> 01:16:44,439 Speaker 1: No more this personality. I said, your congratulations, she said 1453 01:16:44,560 --> 01:16:47,200 Speaker 1: what I said to pregnancy. She's like, I ain't pregnant, man, 1454 01:16:47,680 --> 01:16:51,320 Speaker 1: and he did it before. Hey. Social media really too 1455 01:16:51,520 --> 01:16:54,479 Speaker 1: is the home of, like, you know, honesty without compassion, 1456 01:16:54,520 --> 01:16:56,719 Speaker 1: because you know, we'd be sitting around watching award shows 1457 01:16:56,760 --> 01:16:58,560 Speaker 1: and stuff and people will walk out and you'd be like, 1458 01:16:59,000 --> 01:17:01,880 Speaker 1: damn that person got bigger. Hell, damn that person need 1459 01:17:01,920 --> 01:17:03,800 Speaker 1: away train. This isn't that. And then you come to 1460 01:17:03,880 --> 01:17:06,639 Speaker 1: find out like number one, you don't hurt the person's feelings, 1461 01:17:06,680 --> 01:17:08,679 Speaker 1: but also like, yo, this person might have been through something, 1462 01:17:08,760 --> 01:17:10,519 Speaker 1: you know what I mean, like, and you're like, god, damn, 1463 01:17:10,560 --> 01:17:12,880 Speaker 1: I didn't mean that. Man. At the end of the day, 1464 01:17:12,880 --> 01:17:14,920 Speaker 1: it all comes to, you know, by caring for people 1465 01:17:14,960 --> 01:17:18,320 Speaker 1: of other people feelings, all right, yeah, and and tending 1466 01:17:18,360 --> 01:17:20,439 Speaker 1: to your own wounds. A lot of times when you 1467 01:17:20,479 --> 01:17:22,760 Speaker 1: start getting to a place of your own healing, you know, 1468 01:17:22,880 --> 01:17:24,760 Speaker 1: you don't speak through the lens of your pain. You 1469 01:17:24,800 --> 01:17:26,640 Speaker 1: don't speak through the lens of your wounds. A lot 1470 01:17:26,640 --> 01:17:29,120 Speaker 1: of times to be all wounds talking. Bro, All right, Well, 1471 01:17:29,160 --> 01:17:31,000 Speaker 1: what's the moral of the story? More than the stories? 1472 01:17:31,000 --> 01:17:33,320 Speaker 1: What I've been saying the whole all morning, Honesty without 1473 01:17:33,360 --> 01:17:36,960 Speaker 1: compassion is cruelty. Honesty without empathy is brutality, and that's 1474 01:17:37,000 --> 01:17:39,080 Speaker 1: just a horse lesson that I've had to learn in 1475 01:17:39,160 --> 01:17:42,479 Speaker 1: my life. What's the name is Stefaniemeils new song? Just 1476 01:17:42,600 --> 01:17:45,280 Speaker 1: do the right thing? There you go? All right? Well 1477 01:17:45,640 --> 01:17:47,680 Speaker 1: we got rooms all the way? All right? Well, yes, 1478 01:17:48,080 --> 01:17:50,400 Speaker 1: since since we're talking about being nice, Shaquille O'Neill had 1479 01:17:50,439 --> 01:17:53,080 Speaker 1: some things to say about Ben Simmons. Coodn't it's curcious. 1480 01:17:53,240 --> 01:17:54,840 Speaker 1: That was nothing nice, But we'll talk about it when 1481 01:17:54,840 --> 01:17:57,240 Speaker 1: we come back. It's the Breakfast Club. Good morning, the 1482 01:17:57,479 --> 01:18:08,000 Speaker 1: Breakfast Club. Hey morning, everybody's damage the guy. We all 1483 01:18:08,080 --> 01:18:10,439 Speaker 1: the Breakfast Club. Let's get to the room is Let's 1484 01:18:10,479 --> 01:18:18,439 Speaker 1: talk Soldier Boy and bow Wow. It's about this is 1485 01:18:18,479 --> 01:18:24,920 Speaker 1: the rumor report. Angela Yee on the Breakfast Club. Well, 1486 01:18:25,000 --> 01:18:27,320 Speaker 1: Soldier Boy and bow Wow have been having some back 1487 01:18:27,360 --> 01:18:30,920 Speaker 1: and forth now. Babo posted this video of Soldier Boy. 1488 01:18:31,600 --> 01:18:33,360 Speaker 1: I don't know what a verse is gonna be here. 1489 01:18:33,400 --> 01:18:36,000 Speaker 1: I don't know how many songs were doing. I ain't 1490 01:18:36,000 --> 01:18:38,519 Speaker 1: got no information that you're supposed to be and what 1491 01:18:38,760 --> 01:18:41,920 Speaker 1: six days? I think trying to cheat, y'all. I'm d y'all, 1492 01:18:42,000 --> 01:18:44,240 Speaker 1: no raining if I go to the verses and my 1493 01:18:44,439 --> 01:18:46,639 Speaker 1: it ain't on point. Just know Lo ba wou cheating 1494 01:18:47,439 --> 01:18:51,280 Speaker 1: it's six days posted that and captioned it Soldier Boy 1495 01:18:51,360 --> 01:18:53,800 Speaker 1: thinks I'm cheating, Bro. I'd never cheat you. Bro. We 1496 01:18:53,960 --> 01:18:55,760 Speaker 1: in this together, don't you trust me? You know it's 1497 01:18:55,800 --> 01:18:58,000 Speaker 1: twenty songs. Don't act like you don't watch the verses, 1498 01:18:58,680 --> 01:19:00,880 Speaker 1: and he said, you know it's gonna be happening this 1499 01:19:01,120 --> 01:19:04,240 Speaker 1: Saturday Live and they're saying, help Drake go out. Well, 1500 01:19:04,280 --> 01:19:05,640 Speaker 1: the two of them have been having a lot of 1501 01:19:05,680 --> 01:19:07,760 Speaker 1: back and forth on social media. This feels like something 1502 01:19:07,840 --> 01:19:10,439 Speaker 1: that they're saying it joking around, but hopefully this doesn't 1503 01:19:10,479 --> 01:19:14,080 Speaker 1: get too ugly. Soldier Boy did upload an old photo 1504 01:19:14,200 --> 01:19:16,599 Speaker 1: that shows bow Wow lying about writing on the private jet. 1505 01:19:16,680 --> 01:19:19,519 Speaker 1: Y'all remember when that happened bow Wow challenge, Yes, and 1506 01:19:19,560 --> 01:19:20,920 Speaker 1: then the two of them had a whole back and 1507 01:19:21,040 --> 01:19:23,120 Speaker 1: forth on social media. So I don't know if y'all 1508 01:19:23,120 --> 01:19:26,439 Speaker 1: were paying attention, but that did seem to set bow 1509 01:19:26,479 --> 01:19:28,960 Speaker 1: Wow off, and he said, Soldier just stop, like literally stop. 1510 01:19:29,080 --> 01:19:30,439 Speaker 1: The difference with me and you is you have to 1511 01:19:30,520 --> 01:19:32,760 Speaker 1: put out music. I don't. I'll be in the box 1512 01:19:32,840 --> 01:19:34,280 Speaker 1: office this weekend while you sit at home in your 1513 01:19:34,320 --> 01:19:37,920 Speaker 1: living room yelling on Live but no one, and then 1514 01:19:37,960 --> 01:19:39,800 Speaker 1: they had a lot more back and forth after that. 1515 01:19:40,920 --> 01:19:43,479 Speaker 1: Look on Twitter you can see that. But he basically 1516 01:19:43,600 --> 01:19:46,120 Speaker 1: said that he knows what Soldier Boy is getting paid 1517 01:19:46,200 --> 01:19:48,880 Speaker 1: on this millennium tour. He said that his assistants. His 1518 01:19:48,960 --> 01:19:52,320 Speaker 1: assistant gets paid more. Well, listen, can nobody sell a 1519 01:19:52,400 --> 01:19:54,840 Speaker 1: fight like bow Wow and Soldier Boy dropping a clue's 1520 01:19:54,880 --> 01:19:58,800 Speaker 1: boons for Shad Moss and Soldier Boy? Okay, that's gonna 1521 01:19:58,800 --> 01:20:02,120 Speaker 1: be a good boy said couldn't Babo, couldn't make a 1522 01:20:02,200 --> 01:20:04,240 Speaker 1: hit in twenty twenty one if his life depended on it. 1523 01:20:04,600 --> 01:20:06,160 Speaker 1: And then he said that bat Bao, I don't even 1524 01:20:06,200 --> 01:20:10,240 Speaker 1: own a bitcoin. Okay, I'm done and posted I'm number 1525 01:20:10,280 --> 01:20:13,000 Speaker 1: twenty seven at Urban Radio today. Babo, I don't see 1526 01:20:13,040 --> 01:20:16,040 Speaker 1: your name. I like that kind of flexing it. That's 1527 01:20:16,040 --> 01:20:20,400 Speaker 1: a nice little flex. You don't even know bitcoin, not 1528 01:20:21,120 --> 01:20:24,200 Speaker 1: even a bitcoin, not even a bitcoin, you don't own 1529 01:20:24,200 --> 01:20:28,120 Speaker 1: a point wants to put out this Drake joint album, 1530 01:20:28,280 --> 01:20:30,640 Speaker 1: but he's concerned about the timing. He was talking to 1531 01:20:30,720 --> 01:20:32,960 Speaker 1: Complex and here's what he's said. Are we gonna get 1532 01:20:32,960 --> 01:20:35,200 Speaker 1: a Drake Rick Ross album? What I'm gonna tell you 1533 01:20:35,360 --> 01:20:40,479 Speaker 1: was after our latest released his incredible project he released 1534 01:20:40,600 --> 01:20:44,439 Speaker 1: lit pepper Fish. We had that conversation and this most 1535 01:20:44,479 --> 01:20:50,160 Speaker 1: definitely on the serious desideration, real talk. Okay, I think 1536 01:20:50,200 --> 01:20:51,720 Speaker 1: that would be dope. You would like that, right, that'd 1537 01:20:51,720 --> 01:20:53,880 Speaker 1: been good. The two of them always have good songs together. 1538 01:20:54,880 --> 01:20:58,559 Speaker 1: All right. Now, let's flash back to Shaquille O'Neill talking 1539 01:20:58,600 --> 01:21:01,880 Speaker 1: about Ben Simmons. Now, Ben Simmons had said this after 1540 01:21:02,280 --> 01:21:04,760 Speaker 1: their loss against the Hawks, what is it in your 1541 01:21:04,840 --> 01:21:07,240 Speaker 1: game that you think you need to improve? First, I 1542 01:21:07,360 --> 01:21:09,040 Speaker 1: think all of it. You hit on all of them. 1543 01:21:09,520 --> 01:21:12,600 Speaker 1: I ain't shoot up from the line this series offensively. 1544 01:21:12,640 --> 01:21:14,839 Speaker 1: I wasn't there. I ain't doing enough for my teammates. 1545 01:21:15,040 --> 01:21:17,760 Speaker 1: There's a lot of things I need to work on them. Well, 1546 01:21:17,800 --> 01:21:20,800 Speaker 1: here's how Shack responded to what Ben Simmons had to say. 1547 01:21:20,840 --> 01:21:24,000 Speaker 1: And Ben Simmons, whole series. If I play game one 1548 01:21:24,040 --> 01:21:25,519 Speaker 1: and two and I know I'm not helping my team 1549 01:21:25,560 --> 01:21:26,960 Speaker 1: out what you think I'm gonna do in game three, 1550 01:21:27,240 --> 01:21:29,160 Speaker 1: don't take your seven games to realize that. I don't 1551 01:21:29,160 --> 01:21:30,960 Speaker 1: want to hear that. Man. I like what you said, 1552 01:21:31,000 --> 01:21:33,320 Speaker 1: but don't take seven games for you to know you're 1553 01:21:33,360 --> 01:21:36,160 Speaker 1: not playing right. Get right, You're not getting double team, 1554 01:21:36,240 --> 01:21:38,839 Speaker 1: get right, be aggressive. That's all I want. Just be aggressive. 1555 01:21:38,960 --> 01:21:41,360 Speaker 1: I don't want to hear all that stop that the 1556 01:21:41,439 --> 01:21:44,040 Speaker 1: Atlanta Hawks knocking off the Philadelphia seventy six ers one 1557 01:21:44,479 --> 01:21:52,000 Speaker 1: lock around and knocked his as yeahn honest, honesty, compassion 1558 01:21:52,160 --> 01:21:54,439 Speaker 1: is brutality. But I think that's the point Shack was 1559 01:21:54,479 --> 01:21:56,800 Speaker 1: trying to make. He wanted to be brutal. But you 1560 01:21:56,800 --> 01:21:59,200 Speaker 1: don't see basketball players like this anymore, right where where 1561 01:21:59,320 --> 01:22:01,760 Speaker 1: if there was a problem, you take it to their 1562 01:22:01,800 --> 01:22:03,800 Speaker 1: face and you pushing courage him to do better. You 1563 01:22:04,160 --> 01:22:06,040 Speaker 1: you hear that conversation with Michael Jordan. You hear that 1564 01:22:06,120 --> 01:22:08,400 Speaker 1: conversation with Kobe Bryant. Do you hear that now? Yeah? 1565 01:22:08,400 --> 01:22:10,479 Speaker 1: But I think Shack needs understand that Ben Simmons is 1566 01:22:10,520 --> 01:22:12,320 Speaker 1: not from that era. He's not cut from that cloth. 1567 01:22:12,400 --> 01:22:15,080 Speaker 1: So him punching Ben Simmons and knocking Ben Simmons out 1568 01:22:15,200 --> 01:22:16,720 Speaker 1: was not going to improve Ben simmons game. It was 1569 01:22:16,760 --> 01:22:19,479 Speaker 1: not gonna make Ben Simmons be better. It would actually 1570 01:22:19,479 --> 01:22:23,320 Speaker 1: probably took all Ben Simmons motivation away even more. All right, now, 1571 01:22:23,360 --> 01:22:25,800 Speaker 1: Will Smith has announced as a new memoir coming out 1572 01:22:25,920 --> 01:22:31,160 Speaker 1: November ninth. It's called Will This it's my book. It's 1573 01:22:31,200 --> 01:22:33,760 Speaker 1: been a labor of love. I've been working on it 1574 01:22:34,240 --> 01:22:38,679 Speaker 1: for the past two years and it is finally ready. Okay, 1575 01:22:38,880 --> 01:22:41,000 Speaker 1: I'm here for this. Can't wait to read that. It's 1576 01:22:41,040 --> 01:22:45,200 Speaker 1: already Amazon's number one bestseller. So once he put it out, 1577 01:22:45,320 --> 01:22:47,760 Speaker 1: you know, the pre orders were pouring in, so you 1578 01:22:47,800 --> 01:22:50,040 Speaker 1: can imagine how that book is gonna do all right. 1579 01:22:50,040 --> 01:22:52,720 Speaker 1: And Christy Teagan is allegedly and talked with Oprah to 1580 01:22:52,800 --> 01:22:55,120 Speaker 1: do a Megan Marco type of sit down because of 1581 01:22:55,200 --> 01:22:59,120 Speaker 1: all this cyber bullying controversy that she has been going through. 1582 01:22:59,439 --> 01:23:02,160 Speaker 1: And Courton Start and the woman that she also bullied 1583 01:23:02,360 --> 01:23:04,760 Speaker 1: that was kind of the first person to talk about 1584 01:23:04,800 --> 01:23:08,280 Speaker 1: it on social media also wants to participate. That could 1585 01:23:08,320 --> 01:23:13,160 Speaker 1: be interesting to hear both sides of the story. Christ 1586 01:23:13,280 --> 01:23:15,560 Speaker 1: doing the cyber bullying and Courtney started talking about that 1587 01:23:15,640 --> 01:23:18,439 Speaker 1: time period when she was only sixteen years old and 1588 01:23:18,920 --> 01:23:24,360 Speaker 1: Chrissy Tiguin told her to go kill yourself. I mean, 1589 01:23:24,400 --> 01:23:26,880 Speaker 1: it has to be some type of redemption culture, right, like, 1590 01:23:26,960 --> 01:23:29,519 Speaker 1: you know, you have to you hold somebody accountable. You know, 1591 01:23:29,640 --> 01:23:31,719 Speaker 1: they have to sit down and have a conversation about 1592 01:23:31,720 --> 01:23:33,240 Speaker 1: it so other people can learn from it. It's not 1593 01:23:33,360 --> 01:23:36,040 Speaker 1: it's not right. But during that time, there were so 1594 01:23:36,200 --> 01:23:37,960 Speaker 1: many people I was like almost like the phrase go 1595 01:23:38,120 --> 01:23:39,840 Speaker 1: kill yourself, go kill you. That was the phrase that 1596 01:23:39,840 --> 01:23:41,800 Speaker 1: a lot of people use back there wasn't right, but 1597 01:23:41,920 --> 01:23:45,000 Speaker 1: that was if you're not compassionate. I want to shout out. 1598 01:23:45,680 --> 01:23:49,600 Speaker 1: I mean, yeah, honesty without compassion is brutality. And I 1599 01:23:49,640 --> 01:23:51,400 Speaker 1: want to shout out to the Jordan brand. They did 1600 01:23:51,439 --> 01:23:55,559 Speaker 1: announce yesterday a partnership with eleven emerging w NBA players. 1601 01:23:55,640 --> 01:23:59,040 Speaker 1: It's the largest group of Jumpman endorsees in the women's game. 1602 01:23:59,240 --> 01:24:01,880 Speaker 1: I think that's a huge U representation matters so much. 1603 01:24:02,560 --> 01:24:06,280 Speaker 1: And you know, eleven black women part of the Jordan brand. 1604 01:24:06,600 --> 01:24:11,320 Speaker 1: That is dope. Jordan brand, y'all do a lot of 1605 01:24:11,400 --> 01:24:18,559 Speaker 1: great things. My boy Adrian what he's been working at 1606 01:24:18,640 --> 01:24:22,439 Speaker 1: Jordan he's talking about. That's where you get used to 1607 01:24:22,479 --> 01:24:23,880 Speaker 1: get all your Jordans from who used to do all 1608 01:24:23,920 --> 01:24:26,639 Speaker 1: these events for Jordan because Adrian I thought it was nice. 1609 01:24:26,640 --> 01:24:29,080 Speaker 1: I thought it was just nice. That's so crazy of you. 1610 01:24:30,040 --> 01:24:38,320 Speaker 1: Gosh up, I did right. Why do you have a 1611 01:24:38,360 --> 01:24:42,360 Speaker 1: baby Jordan in front of you? Shout out to Marcus 1612 01:24:42,479 --> 01:24:45,760 Speaker 1: Jordan toil you know, up Marcus Not. What they do 1613 01:24:45,920 --> 01:24:47,960 Speaker 1: is they put USBs inside of it so you can 1614 01:24:48,080 --> 01:24:50,000 Speaker 1: charge your phone. And it's something cool. Somebody gave it 1615 01:24:50,040 --> 01:24:53,040 Speaker 1: to me when it's pretty dope. It's a baby Jordan. 1616 01:24:53,160 --> 01:24:54,680 Speaker 1: But they put a charge of inside so you can 1617 01:24:54,760 --> 01:24:58,240 Speaker 1: charge your phone. Looks dope. All right, Well I'm Angela 1618 01:24:58,320 --> 01:25:00,320 Speaker 1: Ye and that's your Rember points. All right, thank you, 1619 01:25:00,360 --> 01:25:02,840 Speaker 1: miss Ye up next to People's Choice Mixed Revote, We'll 1620 01:25:02,840 --> 01:25:13,559 Speaker 1: see tomorrows to Breakfast Club. Good morning. Hey, it's Angela Yee. 1621 01:25:13,840 --> 01:25:17,080 Speaker 1: By using brands like Dove and Helmets, you're supporting Unilever 1622 01:25:17,200 --> 01:25:20,080 Speaker 1: and the everyday good they do, like donating more than 1623 01:25:20,200 --> 01:25:23,520 Speaker 1: twenty five million dollars worth of everyday products and services 1624 01:25:23,600 --> 01:25:26,880 Speaker 1: to groups like Feeding America this year. Visit Unilever does 1625 01:25:26,960 --> 01:25:29,959 Speaker 1: Good dot com to support communities impacted by the pandemic. 1626 01:25:31,560 --> 01:25:35,720 Speaker 1: Morning everybody you cj Envy, Angela Yee, Charlomagne the guy 1627 01:25:35,800 --> 01:25:37,920 Speaker 1: we are the Breakfast Club. I was gonna let you 1628 01:25:37,960 --> 01:25:40,360 Speaker 1: guys do this. Ten days left to my car show 1629 01:25:40,439 --> 01:25:43,320 Speaker 1: in Atlanta. I'm super duper excited. We got a bunch 1630 01:25:43,360 --> 01:25:45,840 Speaker 1: of celebrities that call this said they want to put 1631 01:25:45,880 --> 01:25:48,320 Speaker 1: their cars in it. It's just gonna be a crazy day. 1632 01:25:48,360 --> 01:25:50,080 Speaker 1: So if you haven't got your tickets, get your tickets. 1633 01:25:50,120 --> 01:25:55,320 Speaker 1: You lot th Atlanta Carchella, celebrity cars, exotic cars, just 1634 01:25:55,479 --> 01:25:58,240 Speaker 1: dope cars, amusement rides and all that, So get your 1635 01:25:58,280 --> 01:26:00,639 Speaker 1: tickets if you haven't got it already. In more days 1636 01:26:00,680 --> 01:26:04,160 Speaker 1: into the car show, and today's election day here in 1637 01:26:04,320 --> 01:26:05,800 Speaker 1: New York City, so you know I'm about to go 1638 01:26:05,920 --> 01:26:08,920 Speaker 1: vote as soon as I leave, y'all absolutely all right, 1639 01:26:09,000 --> 01:26:10,840 Speaker 1: And when we come back, positive notice to Breakfast Club 1640 01:26:10,880 --> 01:26:15,639 Speaker 1: go more wanting everybody in DJ Envy, Angela Yee, Charlo Mignea. God, 1641 01:26:15,680 --> 01:26:18,280 Speaker 1: we are the Breakfast Club Now. Shout to Spice and 1642 01:26:18,360 --> 01:26:21,120 Speaker 1: Shaggy for joining us, Waguan Bredrens for pulling up on 1643 01:26:21,280 --> 01:26:26,240 Speaker 1: Breakfast Club, Todd pull out y'all, Oh my god, ears, 1644 01:26:27,080 --> 01:26:28,960 Speaker 1: but I do want to shout them out, man. I 1645 01:26:29,080 --> 01:26:31,920 Speaker 1: do really think Spice is an amazing artist and human beings. 1646 01:26:31,960 --> 01:26:34,720 Speaker 1: So I'm happy to see her flourishing and putting out 1647 01:26:34,760 --> 01:26:37,280 Speaker 1: her first album finally after a lot of drama with 1648 01:26:37,360 --> 01:26:39,439 Speaker 1: the label. And I love to see that Shaggy connected 1649 01:26:39,479 --> 01:26:42,360 Speaker 1: with her and is executive producing. So I'm excited to 1650 01:26:42,439 --> 01:26:45,000 Speaker 1: hear the finished product. Yes, all prisons do to jah 1651 01:26:46,800 --> 01:26:56,560 Speaker 1: Jah Ryan jahs and see, Oh my goodness, that's what 1652 01:26:56,720 --> 01:27:00,320 Speaker 1: we say. I hate you. Listen all I want to 1653 01:27:00,360 --> 01:27:02,360 Speaker 1: tell people too, Man, make sure you go grab state 1654 01:27:02,360 --> 01:27:04,679 Speaker 1: of Emergency, how to win in the country we built. 1655 01:27:04,800 --> 01:27:08,080 Speaker 1: That's Tamika Mallory's first book that's available now. Also, salute 1656 01:27:08,080 --> 01:27:10,240 Speaker 1: the Audible. I got an audio book called We've Got 1657 01:27:10,280 --> 01:27:12,760 Speaker 1: Answers on Audible right now. You can go check that 1658 01:27:12,880 --> 01:27:16,160 Speaker 1: out too, Okay, okay. And the positive note is simply this. 1659 01:27:17,840 --> 01:27:20,400 Speaker 1: This is from Paul called Elo and I'm not trying 1660 01:27:20,439 --> 01:27:22,680 Speaker 1: to do Jamaican Patswis. I just can't pronounce his last name. 1661 01:27:22,920 --> 01:27:26,479 Speaker 1: But Paul is a great author and I posted this 1662 01:27:26,560 --> 01:27:31,040 Speaker 1: this morning. Don't allow your wounds to transform you into 1663 01:27:31,160 --> 01:27:34,639 Speaker 1: someone you are not Breakfast clubites, y'all finish for y'all 1664 01:27:34,720 --> 01:27:34,920 Speaker 1: dumb