WEBVTT - QLS Classic: Bobby Brown

0:00:06.720 --> 0:00:10.880
<v Speaker 1>Quest Love Supreme is production of iHeartRadio. This classic episode

0:00:11.000 --> 0:00:15.720
<v Speaker 1>was produced by the team at Pandora.

0:00:14.720 --> 0:00:16.800
<v Speaker 2>Quest Love Supreme. Ma contained language that some of our

0:00:16.800 --> 0:00:20.040
<v Speaker 2>listeners may find offensive. Listener discretion is advised.

0:00:21.040 --> 0:00:24.040
<v Speaker 1>What's up, y'all, Welcome to QLs Classic. This is Questlove.

0:00:25.000 --> 0:00:28.280
<v Speaker 1>We did the Bobby Brown episode I believe in the

0:00:28.360 --> 0:00:32.920
<v Speaker 1>summer of twenty and eighteen. This is right before his

0:00:33.159 --> 0:00:36.919
<v Speaker 1>BET two Parts special came on, way after the new

0:00:37.040 --> 0:00:40.840
<v Speaker 1>edition BT Special came on, And of course his story

0:00:40.880 --> 0:00:47.080
<v Speaker 1>alone bananas, and that's putting it lightly, especially the parts

0:00:47.120 --> 0:00:48.960
<v Speaker 1>about Miss Jackson.

0:00:49.840 --> 0:00:51.879
<v Speaker 3>It was nasty anyway. For me.

0:00:52.159 --> 0:00:56.320
<v Speaker 1>I think it was also important not to just focus

0:00:56.400 --> 0:01:00.520
<v Speaker 1>on the salacious, controversial side to mister Brown, Like there's

0:01:01.240 --> 0:01:03.760
<v Speaker 1>other sides to him that people don't know about. So

0:01:04.160 --> 0:01:06.880
<v Speaker 1>for us, it's like a way to humanize him more

0:01:06.920 --> 0:01:10.880
<v Speaker 1>than he normally is in other interviews. And I think

0:01:10.959 --> 0:01:13.160
<v Speaker 1>we did a pretty good job at covering both of them.

0:01:13.680 --> 0:01:17.400
<v Speaker 1>Uh So, this is the Bobby Brown QLs Classic episode.

0:01:17.720 --> 0:01:18.600
<v Speaker 3>I hope you enjoy it.

0:01:22.520 --> 0:01:29.840
<v Speaker 4>Suprema Son Supremo. Roll call, Suprema So Supremo. Roll call

0:01:30.360 --> 0:01:37.520
<v Speaker 4>Suprema Son Son Supremo. Roll called Suprema Son Son Suprema.

0:01:37.720 --> 0:01:40.920
<v Speaker 3>My name is Questloud, that's what they call me.

0:01:41.280 --> 0:01:53.080
<v Speaker 5>Yeah, Supremo, Suprema roll Suprema s Suprema roll.

0:01:53.600 --> 0:01:57.360
<v Speaker 6>My name is Fante. Yeah, I'm getting my bread. Yeah,

0:01:57.440 --> 0:01:58.720
<v Speaker 6>because I made this money.

0:01:59.120 --> 0:02:06.680
<v Speaker 4>Yeah, you did right there, Son Supremo roll call subpremer

0:02:07.520 --> 0:02:09.440
<v Speaker 4>Son Subpremo roll call.

0:02:09.600 --> 0:02:13.360
<v Speaker 3>Her name is Sugar. Yeah, I'm gonna show you how. Yeah.

0:02:13.639 --> 0:02:16.639
<v Speaker 3>Just stay in this corner. Yeah and cool it now.

0:02:18.080 --> 0:02:25.400
<v Speaker 4>Supreme roll call Subprema Son Son Subpremo roll call.

0:02:25.720 --> 0:02:29.239
<v Speaker 7>Here's one thing. Yeah, lost Bill wants to know. Yeah,

0:02:29.440 --> 0:02:30.839
<v Speaker 7>did you ever get that proton pack?

0:02:31.080 --> 0:02:32.320
<v Speaker 3>Yeah? For your little bro.

0:02:34.000 --> 0:02:41.320
<v Speaker 4>Supprime up sucking Supreme roll Supreme suck something Supremo roll call.

0:02:42.880 --> 0:02:43.120
<v Speaker 5>Yeah.

0:02:43.320 --> 0:02:46.359
<v Speaker 8>And Bobby so nice. Yeah, I know I'm gonna love you.

0:02:47.000 --> 0:02:48.520
<v Speaker 8>Yeah for most of the Malays.

0:02:50.000 --> 0:02:57.320
<v Speaker 4>Supprima son Suck Supprimo roll Suprema So Supremo roll call.

0:02:57.480 --> 0:03:01.639
<v Speaker 3>Her name is Bobby. Yeah, he's just Jess. Yeah, here

0:03:02.240 --> 0:03:04.840
<v Speaker 3>chilling with my man, Quest.

0:03:05.680 --> 0:03:13.359
<v Speaker 4>Come on, Son Supremo, roll call, Suprema something Supremo roll call,

0:03:13.880 --> 0:03:20.400
<v Speaker 4>Suprema so so Supprima roll call Suprima Son Supremo.

0:03:27.280 --> 0:03:30.440
<v Speaker 1>I'm up I'm up, Ladies and gentlemen, welcome to another

0:03:30.520 --> 0:03:32.120
<v Speaker 1>episode of Course Love Supreme.

0:03:32.560 --> 0:03:34.800
<v Speaker 3>I am quest Love. What's up Team Supreme?

0:03:36.720 --> 0:03:41.040
<v Speaker 8>Some fucking awesome awesome Sorry this number.

0:03:40.800 --> 0:03:42.880
<v Speaker 6>One like this is this is why we started this

0:03:42.960 --> 0:03:46.920
<v Speaker 6>podcast exactly for moments like this, straight up, straight up,

0:03:47.040 --> 0:03:48.560
<v Speaker 6>ladies and gentlemen, Our guest.

0:03:48.360 --> 0:03:53.480
<v Speaker 3>Today is simply the Kang King. Hey, yeah, the King Inger.

0:03:53.480 --> 0:04:01.640
<v Speaker 9>Stage, King of Rocksbury, Weird Kango fried Chicken. Yes, oh yeah,

0:04:02.080 --> 0:04:04.320
<v Speaker 9>got that, King of Pregatives.

0:04:05.680 --> 0:04:07.880
<v Speaker 6>I want to thank Bobby Brown for introducing the word

0:04:07.960 --> 0:04:09.360
<v Speaker 6>prerogative to the community.

0:04:10.120 --> 0:04:12.280
<v Speaker 3>I did not know what that word was. That word

0:04:12.520 --> 0:04:15.360
<v Speaker 3>you have to really understand something. I didn't know what

0:04:15.440 --> 0:04:19.280
<v Speaker 3>the word was at first. I even spelled the word

0:04:19.440 --> 0:04:24.560
<v Speaker 3>wrong on the record, and the dictionary corrected it in

0:04:24.720 --> 0:04:29.520
<v Speaker 3>the dictionary. Wow, So they rewrote it like I said

0:04:29.520 --> 0:04:34.120
<v Speaker 3>it and like I spelled it, So it was just

0:04:34.279 --> 0:04:36.040
<v Speaker 3>like it was. It was weird for me. I was

0:04:36.160 --> 0:04:40.960
<v Speaker 3>because it's prerogative. It's not perrogative. It's prerogative. That's the

0:04:41.920 --> 0:04:44.560
<v Speaker 3>that's the proper way to say. But they changed it

0:04:44.680 --> 0:04:56.560
<v Speaker 3>in the dictionary to be King of Webster's Brown. Thank

0:04:56.600 --> 0:05:01.760
<v Speaker 3>you for having me, brother sister. Wait a minute, So

0:05:02.360 --> 0:05:05.080
<v Speaker 3>the way I've been spelling prerogative has been wrong, has

0:05:05.120 --> 0:05:05.520
<v Speaker 3>been wrong.

0:05:05.600 --> 0:05:07.800
<v Speaker 8>But the whole world, the whole world.

0:05:07.920 --> 0:05:10.480
<v Speaker 3>He introduced that word to the world. Who knew what

0:05:10.520 --> 0:05:14.080
<v Speaker 3>the proprocative was? What is that?

0:05:14.400 --> 0:05:15.760
<v Speaker 7>But you know what, it's sure as hell came in

0:05:16.120 --> 0:05:18.680
<v Speaker 7>handy when I was had to take the vocabulary test.

0:05:22.279 --> 0:05:24.240
<v Speaker 7>What's his eight year old boy know what a progative is?

0:05:25.200 --> 0:05:29.200
<v Speaker 3>Bobby Brown? Bobby Brown, So you do. I'm wonderful, man,

0:05:29.279 --> 0:05:32.920
<v Speaker 3>I'm I'm just I'm just happy today. Last night we

0:05:33.040 --> 0:05:37.240
<v Speaker 3>had the first viewing, the first premier of the Bobby

0:05:37.279 --> 0:05:41.040
<v Speaker 3>Brown Story, and it just went over really good. The

0:05:41.200 --> 0:05:45.680
<v Speaker 3>acceptance from the people that saw it was it was

0:05:45.800 --> 0:05:48.320
<v Speaker 3>out of here. I'm hearing good things about it. What

0:05:48.600 --> 0:05:53.720
<v Speaker 3>McLean is He's Bobby? Is you? Yeah? Yeah, I'm I'm

0:05:53.760 --> 0:05:55.839
<v Speaker 3>gonna sit down in a little while after this tour

0:05:56.480 --> 0:06:00.800
<v Speaker 3>and just let him be Bobby at home with my

0:06:00.960 --> 0:06:03.320
<v Speaker 3>kids and my wife and let him go out on

0:06:03.400 --> 0:06:07.400
<v Speaker 3>the tours. Yeah, send my check back. What's wrong with it?

0:06:07.880 --> 0:06:12.560
<v Speaker 1>What is the process of especially I mean this being

0:06:12.640 --> 0:06:16.960
<v Speaker 1>your second biopick, Like, is there a certain amount of

0:06:17.040 --> 0:06:20.039
<v Speaker 1>time that you have to spend with the person playing

0:06:20.080 --> 0:06:21.720
<v Speaker 1>you do you guys just talk on the phone a lot,

0:06:22.320 --> 0:06:22.480
<v Speaker 1>is it?

0:06:22.680 --> 0:06:24.560
<v Speaker 3>Like? How long did it take him to well? With

0:06:24.760 --> 0:06:27.680
<v Speaker 3>with with me and Woody? Me and Woody got to

0:06:27.760 --> 0:06:30.279
<v Speaker 3>know each other a lot. And when he was doing

0:06:30.440 --> 0:06:33.720
<v Speaker 3>the biopick for New Edition, and after that, you know,

0:06:33.880 --> 0:06:37.360
<v Speaker 3>we knew that we couldn't find somebody else that could

0:06:37.440 --> 0:06:43.279
<v Speaker 3>play that role that well, you know, for my movie.

0:06:43.520 --> 0:06:45.920
<v Speaker 3>And we called him up and me and him had

0:06:46.000 --> 0:06:50.200
<v Speaker 3>been hanging and you know, just going to lunch and talking,

0:06:50.320 --> 0:06:54.600
<v Speaker 3>and he developed all of my mannerisms. He hung out

0:06:54.600 --> 0:06:57.360
<v Speaker 3>with my kids, so he knew my kids and my

0:06:57.880 --> 0:07:01.880
<v Speaker 3>young one of my daughters, she's three years old, swears

0:07:01.960 --> 0:07:05.920
<v Speaker 3>that wood he's a boyfriend. So you know, I'm just,

0:07:06.200 --> 0:07:08.480
<v Speaker 3>I'm just, you know, I try to keep them far

0:07:08.520 --> 0:07:11.960
<v Speaker 3>away from each other. But no, wood he's just he's

0:07:12.040 --> 0:07:16.440
<v Speaker 3>just a great kid, and he's very extremely talented. And

0:07:16.560 --> 0:07:19.280
<v Speaker 3>I just thought that, you know what, let's get this

0:07:19.360 --> 0:07:22.240
<v Speaker 3>boy another shot at it and and watch him just

0:07:22.400 --> 0:07:24.800
<v Speaker 3>saw and he's about to he's about to saw.

0:07:25.200 --> 0:07:27.720
<v Speaker 2>Now, did you use the same younger guy from the

0:07:27.720 --> 0:07:30.080
<v Speaker 2>New Yeah?

0:07:30.120 --> 0:07:31.680
<v Speaker 3>I had to. I had to keep it. I had

0:07:31.760 --> 0:07:36.320
<v Speaker 3>to keep it real. And Gully you know, it was

0:07:36.480 --> 0:07:38.280
<v Speaker 3>just it was just meant to be. You know, the

0:07:38.360 --> 0:07:40.720
<v Speaker 3>way they play off of each other, you know, the

0:07:40.880 --> 0:07:43.640
<v Speaker 3>way they get together and they and they talk about,

0:07:43.880 --> 0:07:47.600
<v Speaker 3>you know, the role of being Bobby and and knowing

0:07:47.800 --> 0:07:52.040
<v Speaker 3>the the person knowing me and being able to be

0:07:52.120 --> 0:07:56.440
<v Speaker 3>around me and see how I am as a person.

0:07:57.000 --> 0:07:59.760
<v Speaker 3>You know, I think gave them a lot of confidence

0:07:59.840 --> 0:08:03.640
<v Speaker 3>and a lot of insight on who I am and

0:08:04.200 --> 0:08:10.040
<v Speaker 3>how do you play this strange character. And they pulled

0:08:10.080 --> 0:08:10.960
<v Speaker 3>it off because.

0:08:10.680 --> 0:08:12.760
<v Speaker 8>How does the younger how does the younger Bobby? Who

0:08:12.800 --> 0:08:13.360
<v Speaker 8>does he go to?

0:08:13.960 --> 0:08:17.520
<v Speaker 3>He goes to me, He goes to me and my

0:08:17.680 --> 0:08:22.080
<v Speaker 3>youngest son, not my youngest son, but but to little Bobby.

0:08:22.480 --> 0:08:28.680
<v Speaker 3>You know, isn't that my man from a Stranger things? Yes? Yeah, yeah, yeah, yeah, yeah. No.

0:08:28.800 --> 0:08:31.920
<v Speaker 3>He's good. Yeah, he's really good. He's really good and

0:08:32.120 --> 0:08:34.280
<v Speaker 3>such a cool little dude. I mean, you know, I

0:08:34.360 --> 0:08:37.080
<v Speaker 3>saw him last night and me and him and Woody

0:08:37.160 --> 0:08:41.120
<v Speaker 3>were just sitting there and I was just congratulating, excuse me,

0:08:41.480 --> 0:08:44.760
<v Speaker 3>on the great job that they had did, because you know,

0:08:45.160 --> 0:08:49.160
<v Speaker 3>they just brought the whole they brought the whole Bobby

0:08:49.840 --> 0:08:52.439
<v Speaker 3>across so well. I mean, and I was just I

0:08:52.559 --> 0:08:54.199
<v Speaker 3>was sitting there and I was just like, I was

0:08:54.240 --> 0:08:57.079
<v Speaker 3>almost in tears and sometimes but then I was like,

0:08:58.120 --> 0:09:00.880
<v Speaker 3>pull it back, pull it back, you know, don't don't

0:09:00.960 --> 0:09:04.040
<v Speaker 3>cry in front of all of these people. So what angle.

0:09:06.160 --> 0:09:08.800
<v Speaker 1>Or approach did you take to tell in your life

0:09:08.880 --> 0:09:12.880
<v Speaker 1>story that was different than the new edition biopicking because

0:09:12.880 --> 0:09:14.360
<v Speaker 1>I know when you first came it was like when

0:09:14.400 --> 0:09:17.160
<v Speaker 1>you first met Ralph or whatever like, So this deals

0:09:17.200 --> 0:09:19.760
<v Speaker 1>with your life and your household in Roxbury.

0:09:23.440 --> 0:09:29.000
<v Speaker 3>Yes, this deals with the first time I experienced tragedy,

0:09:29.960 --> 0:09:33.040
<v Speaker 3>the first time that I lost someone in my life.

0:09:34.760 --> 0:09:37.520
<v Speaker 3>When I was young. I was just a child and

0:09:37.679 --> 0:09:44.160
<v Speaker 3>I had lost my grandmother and right after my grandmother,

0:09:44.400 --> 0:09:47.559
<v Speaker 3>right after a funeral, you know, and me, you know,

0:09:47.800 --> 0:09:53.839
<v Speaker 3>not feeling, not feeling anybody. My best friend Jimmy was

0:09:53.880 --> 0:09:55.800
<v Speaker 3>able to, you know, pick me up and was like,

0:09:55.880 --> 0:09:58.360
<v Speaker 3>come on, let's go have some fun because I was

0:09:58.559 --> 0:10:01.559
<v Speaker 3>just I was done, I mean done. Because she was

0:10:01.600 --> 0:10:04.320
<v Speaker 3>the one that turned me onto music.

0:10:04.960 --> 0:10:05.160
<v Speaker 6>You know.

0:10:06.000 --> 0:10:11.079
<v Speaker 3>She had every record, every album of every artist in

0:10:11.200 --> 0:10:13.760
<v Speaker 3>her house and she would just let me play all

0:10:13.800 --> 0:10:15.679
<v Speaker 3>of the music that I wanted to and listen to

0:10:15.800 --> 0:10:17.880
<v Speaker 3>everything that I wanted to listen to, and she would

0:10:18.000 --> 0:10:20.559
<v Speaker 3>show me different things to listen to, and then she

0:10:20.679 --> 0:10:24.520
<v Speaker 3>taught me how to play piano. And when she passed,

0:10:25.080 --> 0:10:27.920
<v Speaker 3>it was just like, now where do I now, Where

0:10:27.960 --> 0:10:30.599
<v Speaker 3>do I get this this music from? Where do I

0:10:30.679 --> 0:10:35.839
<v Speaker 3>get this passion that I have in my heart? And

0:10:36.760 --> 0:10:41.800
<v Speaker 3>once I once I lost her and me and Jimmy, Uh,

0:10:43.320 --> 0:10:47.120
<v Speaker 3>it's the first scene. So me and Jimmy, we steal

0:10:47.240 --> 0:10:50.320
<v Speaker 3>some bikes, you know, we go riding on the bikes

0:10:50.360 --> 0:10:52.360
<v Speaker 3>and we pull up to a you know, a house

0:10:52.440 --> 0:10:56.439
<v Speaker 3>party and you know, somebody messes with the bikes that

0:10:56.559 --> 0:10:59.400
<v Speaker 3>we just stole, and he got into a fight with

0:10:59.559 --> 0:11:03.360
<v Speaker 3>this spare guy and the guy, you know, Jimmy was

0:11:03.800 --> 0:11:07.440
<v Speaker 3>whooping his you know, whopping his ass, and somebody threw

0:11:07.480 --> 0:11:11.079
<v Speaker 3>the guy and threw the guy a knife, and the guy,

0:11:12.000 --> 0:11:13.599
<v Speaker 3>one of my boys, kicked him in the back and

0:11:13.679 --> 0:11:18.800
<v Speaker 3>he lunged towards Jimmy and and killed him, stabbed him

0:11:18.800 --> 0:11:23.319
<v Speaker 3>in his heart. And that was the second, the second

0:11:23.520 --> 0:11:27.960
<v Speaker 3>you know, tragedy, and that was the that was the point.

0:11:28.200 --> 0:11:31.320
<v Speaker 3>That was the time when I got to the point

0:11:31.400 --> 0:11:35.079
<v Speaker 3>where it wasn't about mourning or anything like that. It

0:11:35.200 --> 0:11:38.679
<v Speaker 3>was about getting myself out of the situation. That I

0:11:38.840 --> 0:11:41.839
<v Speaker 3>was in getting my family out of the projects, getting

0:11:41.880 --> 0:11:46.280
<v Speaker 3>my family to better, better surroundings. And that's when I

0:11:46.360 --> 0:11:49.480
<v Speaker 3>created a new addition and from that point it was

0:11:50.360 --> 0:11:53.719
<v Speaker 3>all history. So you officially created Like, were you the

0:11:54.800 --> 0:11:57.880
<v Speaker 3>the epicenter and the one that gathered them? Yes? Yes.

0:11:58.160 --> 0:12:00.280
<v Speaker 3>I asked Michael Bivens that he wanted to in my

0:12:00.360 --> 0:12:03.040
<v Speaker 3>group because I had been doing talent shows by myself,

0:12:03.880 --> 0:12:06.760
<v Speaker 3>so I knew all of them. We all stayed on

0:12:06.840 --> 0:12:10.560
<v Speaker 3>different sides of the projects. So I talked to Michael,

0:12:11.000 --> 0:12:12.839
<v Speaker 3>you know, asked him did he want to be in

0:12:12.880 --> 0:12:15.199
<v Speaker 3>a group with me. He said, you know, yeah, you know,

0:12:15.280 --> 0:12:19.079
<v Speaker 3>as long as it don't interfere with my basketball. But

0:12:20.720 --> 0:12:24.319
<v Speaker 3>it did. And then we asked Ricky and Ricky was

0:12:24.440 --> 0:12:27.480
<v Speaker 3>like he was totally down. And Ricky said, you know,

0:12:27.720 --> 0:12:30.720
<v Speaker 3>I know this kid that could really sing, that could

0:12:30.800 --> 0:12:33.640
<v Speaker 3>really sing. And I was saying to him, you know,

0:12:33.760 --> 0:12:36.079
<v Speaker 3>I'm gonna be doing most of the vocals. I'm gonna be,

0:12:36.200 --> 0:12:39.000
<v Speaker 3>you know, the singer, the lead singer. And when I

0:12:39.120 --> 0:12:43.679
<v Speaker 3>heard Ralph singing, I just lost it. I was like, okay, okay, okay,

0:12:45.280 --> 0:12:48.120
<v Speaker 3>all right, that's cool. Can he could do the songs?

0:12:48.880 --> 0:12:54.480
<v Speaker 3>So I eventually put myself in the background a little bit.

0:12:55.080 --> 0:12:58.520
<v Speaker 3>You know, I was okay. I was okay with it

0:12:58.600 --> 0:13:01.040
<v Speaker 3>because he sounded too much like Michael Jackson, and it

0:13:01.200 --> 0:13:04.439
<v Speaker 3>was just like, you know, this is this, this is

0:13:04.520 --> 0:13:06.160
<v Speaker 3>how we're going to get out of here. We're going

0:13:06.240 --> 0:13:10.720
<v Speaker 3>to get out of here by not imitating but being

0:13:10.800 --> 0:13:16.880
<v Speaker 3>the second coming of uh of the finest boy band

0:13:16.960 --> 0:13:20.880
<v Speaker 3>ever in the history, which is the Jackson's, and us

0:13:20.960 --> 0:13:24.840
<v Speaker 3>coming behind them was just everything. Then we met Ronnie

0:13:25.640 --> 0:13:30.440
<v Speaker 3>from our choreographer, Brooke Payne. How did you How did

0:13:30.520 --> 0:13:36.280
<v Speaker 3>you who officially met Brooke Payne? Me, Michael and Ricky. Yeah, me,

0:13:36.400 --> 0:13:38.319
<v Speaker 3>Michael and Ricky went up to him and we was like,

0:13:38.520 --> 0:13:41.040
<v Speaker 3>you know, we was like, we want you, we want

0:13:41.080 --> 0:13:44.679
<v Speaker 3>you to well. Ralph was there also. We was like,

0:13:44.800 --> 0:13:46.439
<v Speaker 3>we want you to check us out. We want you

0:13:46.520 --> 0:13:49.040
<v Speaker 3>to manage us, because he was managing so many groups

0:13:49.120 --> 0:13:53.800
<v Speaker 3>and in our neighborhood. The Untouchables transitions, you know, when

0:13:53.840 --> 0:13:57.840
<v Speaker 3>these boys were shop, I mean were they all singing, Yeah,

0:13:57.880 --> 0:13:59.880
<v Speaker 3>they were singing and dancing and they were just they

0:14:00.120 --> 0:14:03.880
<v Speaker 3>was a lot older than we were, real quick the transitions.

0:14:04.040 --> 0:14:05.920
<v Speaker 7>I was reading your book and I noticed that and

0:14:06.480 --> 0:14:09.839
<v Speaker 7>I believe BIV was in that group, right, No, he

0:14:09.960 --> 0:14:13.480
<v Speaker 7>was involved with them another group called Transitions. Later on,

0:14:13.559 --> 0:14:14.920
<v Speaker 7>I was wondering if it was the same crew.

0:14:15.480 --> 0:14:15.520
<v Speaker 5>No.

0:14:16.040 --> 0:14:19.520
<v Speaker 3>No, me and me and BIV worked with a group.

0:14:19.680 --> 0:14:22.080
<v Speaker 3>I forget the name of him, but you know, me

0:14:22.160 --> 0:14:24.720
<v Speaker 3>and Mike danced with this group and.

0:14:26.440 --> 0:14:27.000
<v Speaker 2>We uh.

0:14:28.560 --> 0:14:30.560
<v Speaker 3>When we wanted to leave, they didn't. They wouldn't let

0:14:30.640 --> 0:14:32.440
<v Speaker 3>us leave. So we broke in the house and we

0:14:32.560 --> 0:14:37.320
<v Speaker 3>stole the truth. We broke in the house and stole

0:14:37.360 --> 0:14:39.880
<v Speaker 3>all the trophies that we had won because they wouldn't

0:14:39.920 --> 0:14:43.240
<v Speaker 3>let us take the trophy trophies home with us. So

0:14:43.600 --> 0:14:47.600
<v Speaker 3>we knew we were you know, the reason they want

0:14:47.680 --> 0:14:50.440
<v Speaker 3>those trophies. So they wouldn't let us get the trophies.

0:14:50.520 --> 0:14:54.160
<v Speaker 3>So we broke in the house and took the trophies

0:14:54.240 --> 0:14:57.280
<v Speaker 3>and Mike would let let me have it for a

0:14:57.320 --> 0:14:59.640
<v Speaker 3>week and give it to him and he'd keep it

0:14:59.680 --> 0:15:02.440
<v Speaker 3>at his house for a week. And one of them

0:15:02.480 --> 0:15:04.600
<v Speaker 3>came to you, like, someone talk about trophies. Do you

0:15:04.640 --> 0:15:07.320
<v Speaker 3>know who did it? Nope, Okay, now they didn't. They

0:15:07.400 --> 0:15:09.200
<v Speaker 3>didn't even think. They didn't even think about that.

0:15:09.280 --> 0:15:12.560
<v Speaker 1>I hear a lot about what life was like in Roxbury,

0:15:13.080 --> 0:15:16.280
<v Speaker 1>you know, but usually it's like yo, man, I'll mess

0:15:16.320 --> 0:15:16.920
<v Speaker 1>with Roxbury.

0:15:17.040 --> 0:15:20.640
<v Speaker 3>But what was Roxbury the toughest of the tough like?

0:15:20.840 --> 0:15:20.960
<v Speaker 3>Was that?

0:15:21.960 --> 0:15:24.520
<v Speaker 1>What was it like growing up in a city, especially

0:15:24.600 --> 0:15:28.360
<v Speaker 1>with racial tensions were so high between black and white

0:15:28.360 --> 0:15:30.640
<v Speaker 1>people up there and badly high.

0:15:30.960 --> 0:15:33.800
<v Speaker 3>You know, we couldn't go in their neighborhood at all.

0:15:33.880 --> 0:15:37.000
<v Speaker 3>We couldn't go in South Boston without being jumped or

0:15:37.320 --> 0:15:40.040
<v Speaker 3>bricked or you know, and we had to pass through

0:15:40.120 --> 0:15:43.760
<v Speaker 3>there to get to another project, which which was Columbia Point,

0:15:44.400 --> 0:15:48.280
<v Speaker 3>which most of our most of our people that lived

0:15:48.280 --> 0:15:51.680
<v Speaker 3>in Orchard Park had some family in Colombia Point. So

0:15:51.800 --> 0:15:56.080
<v Speaker 3>it was hard to get through get through South Boston

0:15:56.160 --> 0:15:59.440
<v Speaker 3>to get to Columbia Point. Columbia Point was like where

0:15:59.600 --> 0:16:03.360
<v Speaker 3>the beach was, and you know, all of that type

0:16:03.400 --> 0:16:05.800
<v Speaker 3>of stuff, the clam digging and fishing and all of that.

0:16:08.120 --> 0:16:10.080
<v Speaker 3>But yeah, it was, it was, it was. It was

0:16:10.200 --> 0:16:15.280
<v Speaker 3>just you know, it's just, I don't know, Boston is

0:16:15.360 --> 0:16:22.160
<v Speaker 3>so diverse, but it's it's still probably the most prejudiced city, yeah,

0:16:22.760 --> 0:16:27.520
<v Speaker 3>in this country still even still even still, but you know,

0:16:27.840 --> 0:16:32.000
<v Speaker 3>since since hip hop has come along, they basically tried

0:16:32.040 --> 0:16:34.480
<v Speaker 3>to be us. You know, and I think that's what

0:16:34.600 --> 0:16:36.600
<v Speaker 3>they was mad about before, because they wanted to be

0:16:36.800 --> 0:16:40.120
<v Speaker 3>us and just didn't have the color for you know,

0:16:40.280 --> 0:16:42.640
<v Speaker 3>the connection is Boston still home for you or you're

0:16:42.640 --> 0:16:46.000
<v Speaker 3>based out here now. I'm based in Los Angeles Woodland

0:16:46.080 --> 0:16:49.440
<v Speaker 3>Hills with my family, and I'm very happy I'm not

0:16:49.560 --> 0:16:53.240
<v Speaker 3>moving back to the East Coast. That cold does not

0:16:53.560 --> 0:16:56.840
<v Speaker 3>agree with me at all at all, not at all.

0:16:58.600 --> 0:17:01.880
<v Speaker 3>Speak on at least with Brooke Payning.

0:17:01.920 --> 0:17:05.639
<v Speaker 1>What I always loved about you guys was that, you know,

0:17:05.760 --> 0:17:10.200
<v Speaker 1>you guys were the fine line between what the Temptations represented,

0:17:10.680 --> 0:17:14.400
<v Speaker 1>but you were also very much what hip hop.

0:17:14.359 --> 0:17:15.760
<v Speaker 3>Was about to be.

0:17:16.040 --> 0:17:17.479
<v Speaker 1>So it was almost like you guys were a thin

0:17:17.560 --> 0:17:21.920
<v Speaker 1>line between Temptations and what Utfo was doing with Houdini

0:17:22.920 --> 0:17:27.919
<v Speaker 1>those early days. But how how many like painstaking hours

0:17:27.960 --> 0:17:29.920
<v Speaker 1>of practice did oh man.

0:17:30.040 --> 0:17:34.439
<v Speaker 3>That take? Oh my god, Let's see. We would get

0:17:34.480 --> 0:17:37.679
<v Speaker 3>out of school like three o'clock, have to be at

0:17:39.320 --> 0:17:42.760
<v Speaker 3>rehearsals by four. We had to go home, do our

0:17:42.840 --> 0:17:46.440
<v Speaker 3>homework and stuff and make it to rehearsals and don't

0:17:46.480 --> 0:17:49.639
<v Speaker 3>be late because you know you're doing push ups or

0:17:49.680 --> 0:17:52.639
<v Speaker 3>you're doing sit ups, or you're you know, you're running

0:17:52.680 --> 0:17:57.879
<v Speaker 3>around the building. You know, Yes, basically that's how it was.

0:17:58.000 --> 0:18:01.240
<v Speaker 3>But we would respected that. Yeah, I mean the group,

0:18:01.280 --> 0:18:03.399
<v Speaker 3>if you made me no, it was it was. It

0:18:03.520 --> 0:18:06.639
<v Speaker 3>was what we felt that he let us know what

0:18:06.880 --> 0:18:09.800
<v Speaker 3>was needed for us to you know, be one of

0:18:09.880 --> 0:18:14.399
<v Speaker 3>the top notch groups. Was you know, to perfect our craft.

0:18:14.560 --> 0:18:17.520
<v Speaker 3>If we perfected our craft, there's nobody that could stop us.

0:18:18.119 --> 0:18:20.480
<v Speaker 3>And that's how we looked at it. That you know,

0:18:21.040 --> 0:18:23.720
<v Speaker 3>all of the all of the you know, long nights

0:18:23.800 --> 0:18:28.320
<v Speaker 3>and and and long days of just dancing and dancing

0:18:28.480 --> 0:18:30.920
<v Speaker 3>and not singing. He wouldn't want you to sing yet,

0:18:31.400 --> 0:18:34.800
<v Speaker 3>but just dancing, like four hours of just straight dancing,

0:18:34.920 --> 0:18:38.720
<v Speaker 3>doing the steps within without the music, and then there'll

0:18:38.760 --> 0:18:42.520
<v Speaker 3>be two hours of us singing, you know, and we

0:18:42.560 --> 0:18:45.200
<v Speaker 3>would be singing, you know, just like regular R and

0:18:45.359 --> 0:18:47.840
<v Speaker 3>B songs. You know, we didn't have music, our own

0:18:47.920 --> 0:18:50.359
<v Speaker 3>music at this point, so we were singing, you know,

0:18:50.560 --> 0:18:57.560
<v Speaker 3>like holding on. Yeah, we got the INTERVIEWE. He was

0:18:57.600 --> 0:18:59.600
<v Speaker 3>so happy about that we were singing, that we were

0:18:59.600 --> 0:19:02.920
<v Speaker 3>singing Jackson songs. We were doing like the medley of

0:19:03.200 --> 0:19:06.720
<v Speaker 3>you know, the Jackson Medley. We would do that like

0:19:09.440 --> 0:19:12.080
<v Speaker 3>maybe four times in a row, just do that whole

0:19:12.160 --> 0:19:14.720
<v Speaker 3>thing four times in a row, and then we would

0:19:14.880 --> 0:19:18.960
<v Speaker 3>just you know, work on other songs, just any song

0:19:19.040 --> 0:19:22.320
<v Speaker 3>that was out there that was popular. We would make

0:19:22.359 --> 0:19:24.760
<v Speaker 3>a routine to it, you know, because we were still

0:19:24.800 --> 0:19:27.719
<v Speaker 3>doing talent shows. But we got we got kicked out

0:19:27.760 --> 0:19:30.600
<v Speaker 3>of doing talent shows because we kept winning. So we

0:19:30.760 --> 0:19:33.479
<v Speaker 3>had to stop being we had to stop being special

0:19:33.560 --> 0:19:39.200
<v Speaker 3>guests of the talent show, like it's a talent show

0:19:39.680 --> 0:19:43.480
<v Speaker 3>with special guests New Edition. Were there were there any

0:19:43.640 --> 0:19:45.040
<v Speaker 3>other notable.

0:19:46.200 --> 0:19:50.399
<v Speaker 1>Uh Boston acts that eventually made it that were in

0:19:51.600 --> 0:19:54.840
<v Speaker 1>no these talent shows, like nobody from liked the Planet

0:19:54.920 --> 0:19:56.480
<v Speaker 1>Patrol or any any of those.

0:19:56.359 --> 0:19:59.399
<v Speaker 3>Guys No Planet Patrol. They were older and all of that.

0:19:59.600 --> 0:20:05.399
<v Speaker 3>But that was Maurice's brothers. But when we when we

0:20:07.680 --> 0:20:12.080
<v Speaker 3>when we lost the competition, we lost the first the

0:20:12.200 --> 0:20:15.000
<v Speaker 3>first competition we ever lost was the Hollywood Talent Night.

0:20:15.480 --> 0:20:19.320
<v Speaker 3>And this was for a recording contract. We were going

0:20:19.400 --> 0:20:21.800
<v Speaker 3>to be able to go into the studio and record

0:20:21.840 --> 0:20:26.400
<v Speaker 3>a record with Marie Starr. And we lost. We lost

0:20:26.440 --> 0:20:37.000
<v Speaker 3>to these these two two goofy goofy rappers and their

0:20:37.080 --> 0:20:42.160
<v Speaker 3>name was New York Rappers. Now that that was their name.

0:20:42.400 --> 0:20:44.840
<v Speaker 3>There was the New York. There was the New York Rappers,

0:20:44.960 --> 0:20:48.920
<v Speaker 3>but they was from Mattapen in Boston. Neither one of

0:20:48.960 --> 0:20:51.639
<v Speaker 3>them had been out of Boston or ever been to

0:20:51.800 --> 0:20:54.679
<v Speaker 3>New York. But they just called themselves the New York Rappers.

0:20:55.080 --> 0:20:57.880
<v Speaker 3>But they beat us, and I haven't heard a peep

0:20:57.960 --> 0:21:01.200
<v Speaker 3>out of them yet. It was rigged. It was really

0:21:01.359 --> 0:21:07.680
<v Speaker 3>they they did it. They were good. No, that was

0:21:07.720 --> 0:21:10.760
<v Speaker 3>the whole thing. They wasn't even doing any and for

0:21:10.920 --> 0:21:13.000
<v Speaker 3>them to beat us, we were just like what. Like

0:21:13.480 --> 0:21:15.800
<v Speaker 3>Maurice came over to us and he was like, he

0:21:15.960 --> 0:21:19.280
<v Speaker 3>was like, I'm just this is just because I want

0:21:19.320 --> 0:21:22.320
<v Speaker 3>to sign y'all. I don't want this other label to

0:21:22.440 --> 0:21:27.520
<v Speaker 3>get y'all. He wanted to record and signed to his label.

0:21:27.640 --> 0:21:30.480
<v Speaker 3>So we were just like, okay, Maurice just put us

0:21:30.520 --> 0:21:33.119
<v Speaker 3>in the studio. Then that Marie's always dressed like that,

0:21:33.200 --> 0:21:37.879
<v Speaker 3>because I've only seen that. The Colonel Prince, how was

0:21:37.960 --> 0:21:39.720
<v Speaker 3>he he? That was him all the time, That was

0:21:39.800 --> 0:21:40.680
<v Speaker 3>him all the time.

0:21:40.960 --> 0:21:43.960
<v Speaker 2>Wow, was he doing old to somebody or he was

0:21:44.080 --> 0:21:47.120
<v Speaker 2>just was he doing old to somebody like his grandpapa

0:21:47.240 --> 0:21:48.359
<v Speaker 2>used to dress like that or not?

0:21:49.320 --> 0:21:52.200
<v Speaker 3>I don't know. He just was that was his foule.

0:21:52.680 --> 0:21:55.520
<v Speaker 3>You know that was just Maurice. What was what was

0:21:55.680 --> 0:22:01.320
<v Speaker 3>Michael Johnson's relation? What was this? Michael Johnson is Marie

0:22:01.359 --> 0:22:04.359
<v Speaker 3>Star's brother. Okay, so together they worked together.

0:22:05.119 --> 0:22:08.240
<v Speaker 1>Because I got admit, when y'all gave a shout out

0:22:08.480 --> 0:22:11.320
<v Speaker 1>on the Candy Girl twelve inch, I thought it was

0:22:11.359 --> 0:22:12.040
<v Speaker 1>Michael Jackson.

0:22:12.760 --> 0:22:16.560
<v Speaker 3>I knew it, knew Michael. I knew it.

0:22:17.040 --> 0:22:19.479
<v Speaker 1>Hey real quick, you said you said that at one

0:22:19.520 --> 0:22:22.439
<v Speaker 1>point James Brown had pulled you up on stage.

0:22:22.720 --> 0:22:24.840
<v Speaker 3>Yes, when I was, when I was younger, I was

0:22:25.000 --> 0:22:29.119
<v Speaker 3>I must have been like seven seven, yeah, about seven

0:22:29.440 --> 0:22:32.480
<v Speaker 3>six or seven. And my mom she knew I liked

0:22:32.600 --> 0:22:37.200
<v Speaker 3>James Brown, and she brought me to the place called

0:22:37.240 --> 0:22:39.800
<v Speaker 3>the Sugar Shack where he was he was performing. Of

0:22:39.880 --> 0:22:42.760
<v Speaker 3>course she snuck me was at your spot. Oh, I

0:22:42.880 --> 0:22:49.000
<v Speaker 3>founded that at the same time. She snuck me in there.

0:22:49.160 --> 0:22:52.400
<v Speaker 3>And James is on stage and he's doing his thing,

0:22:53.880 --> 0:22:56.000
<v Speaker 3>and my mother just put me on the stage and

0:22:56.080 --> 0:23:00.240
<v Speaker 3>I just started cancing. He stopped his band. He was like,

0:23:00.280 --> 0:23:03.480
<v Speaker 3>hold on, hold on, hold on, come out, let me

0:23:03.520 --> 0:23:05.760
<v Speaker 3>see you do that. And he did did his thing,

0:23:07.200 --> 0:23:09.760
<v Speaker 3>and I did the same thing. Right then he did

0:23:09.840 --> 0:23:12.440
<v Speaker 3>something else and I did that, and he was just

0:23:12.600 --> 0:23:15.320
<v Speaker 3>he was in all and I was just looking up

0:23:15.400 --> 0:23:18.359
<v Speaker 3>at this man like, man, I'm gonna be just like

0:23:18.480 --> 0:23:21.120
<v Speaker 3>you one day. One day I'm out. One day I'm

0:23:21.119 --> 0:23:24.000
<v Speaker 3>gonna be just like you did your pasitive across again.

0:23:24.080 --> 0:23:27.800
<v Speaker 3>After that, Yes, yes, a few times. We talked a

0:23:27.880 --> 0:23:30.560
<v Speaker 3>few times because we both were living in Georgia at

0:23:30.560 --> 0:23:33.720
<v Speaker 3>the time and we both did it. We did this

0:23:33.920 --> 0:23:38.240
<v Speaker 3>one concert at the at the Big Field. It's a

0:23:38.280 --> 0:23:40.600
<v Speaker 3>big field that I forget the name of it. It's

0:23:40.640 --> 0:23:44.600
<v Speaker 3>the baseball field where the Braves pay. So we did

0:23:44.640 --> 0:23:47.080
<v Speaker 3>a concert there. It was a big benefit concert and

0:23:48.320 --> 0:23:50.680
<v Speaker 3>I was able to, you know, sit down and talk

0:23:50.920 --> 0:23:53.920
<v Speaker 3>to talk to him at that time, and you know,

0:23:54.080 --> 0:23:55.879
<v Speaker 3>I was. He told me just go stand on the

0:23:55.960 --> 0:23:58.800
<v Speaker 3>side of stage and I was like, oh my god,

0:24:01.160 --> 0:24:03.000
<v Speaker 3>I'm standing on the side of the stage and I'm

0:24:03.119 --> 0:24:05.760
<v Speaker 3>just watching, just watching it. And I told him about

0:24:06.320 --> 0:24:09.160
<v Speaker 3>the time in Boston when I was younger, and I said,

0:24:09.200 --> 0:24:09.879
<v Speaker 3>do you remember me?

0:24:10.240 --> 0:24:12.919
<v Speaker 10>He was like, I had a lot of people come

0:24:12.960 --> 0:24:19.120
<v Speaker 10>on my stage, but you know, I don't know if

0:24:19.119 --> 0:24:22.000
<v Speaker 10>I remember you, but I remember this one kid, one

0:24:22.119 --> 0:24:24.480
<v Speaker 10>kid that could do all the dance steps.

0:24:24.240 --> 0:24:25.480
<v Speaker 3>That I was. I was like, that's me.

0:24:28.480 --> 0:24:30.520
<v Speaker 2>So did you always have this confidence? Like you said,

0:24:30.520 --> 0:24:32.040
<v Speaker 2>seven years old, your mother said go ahead, and you

0:24:32.160 --> 0:24:33.120
<v Speaker 2>was just, oh, yeah.

0:24:33.040 --> 0:24:36.760
<v Speaker 3>Yeah I was. I've never been shy about anything. I

0:24:36.960 --> 0:24:39.119
<v Speaker 3>just think, you know, why be shy when you can

0:24:39.280 --> 0:24:42.119
<v Speaker 3>just be yourself, you know, and just let it go.

0:24:42.400 --> 0:24:45.720
<v Speaker 3>You know, there's no reason to hold anything that God

0:24:45.760 --> 0:24:48.480
<v Speaker 3>has given you back. Yeah, we had we had a babyface.

0:24:48.600 --> 0:24:51.080
<v Speaker 3>He was on the show a while back and he

0:24:51.359 --> 0:24:53.760
<v Speaker 3>said about you specifically. He was like, man, I don't

0:24:54.000 --> 0:24:55.880
<v Speaker 3>seen a lot of acts and I'll produce on everybody,

0:24:56.200 --> 0:24:57.040
<v Speaker 3>and he compared you.

0:24:57.200 --> 0:24:59.160
<v Speaker 6>He was like, man, Bobby was like a prize fighter.

0:24:59.280 --> 0:25:01.840
<v Speaker 6>He was like, he said, Bob will come out. He

0:25:02.000 --> 0:25:05.000
<v Speaker 6>was like he was relentless on stage. That was I mean,

0:25:05.080 --> 0:25:07.600
<v Speaker 6>that was him talking about you, just your your work

0:25:07.640 --> 0:25:10.600
<v Speaker 6>ethicing on stage. He said, man, Bob took no prisoners.

0:25:11.040 --> 0:25:13.200
<v Speaker 6>I don't play I don't play with that. I do

0:25:13.400 --> 0:25:14.080
<v Speaker 6>not play with that.

0:25:14.240 --> 0:25:16.840
<v Speaker 3>When it comes to being our stage, a whole total

0:25:16.920 --> 0:25:17.600
<v Speaker 3>different person.

0:25:17.960 --> 0:25:20.640
<v Speaker 2>That's gonna ask, So your solo career, how did that translate?

0:25:20.720 --> 0:25:22.200
<v Speaker 2>Like all that rehearsals that you used to do when

0:25:22.200 --> 0:25:23.920
<v Speaker 2>you was a little boy and whatnot. What was the

0:25:23.960 --> 0:25:26.520
<v Speaker 2>difference in the rehearsals process for you now that you

0:25:26.640 --> 0:25:29.159
<v Speaker 2>had like your own dancers and whatnot, Like were you

0:25:29.520 --> 0:25:30.280
<v Speaker 2>I haven't had.

0:25:32.400 --> 0:25:36.160
<v Speaker 3>And your dances? What were their names? It was pop?

0:25:36.320 --> 0:25:39.880
<v Speaker 3>So what was what was always part and so and so, Yeah,

0:25:40.280 --> 0:25:42.080
<v Speaker 3>that's what was called. That was I was like, what

0:25:42.240 --> 0:25:49.720
<v Speaker 3>was the name? I didn't know? So I didn't Black

0:25:49.840 --> 0:25:58.399
<v Speaker 3>Mysteries unlocked right here Bobby's dance and so, okay, did you.

0:25:58.440 --> 0:25:59.800
<v Speaker 8>Turn into in that way?

0:26:00.520 --> 0:26:04.399
<v Speaker 3>Did you way with your yes and no at the

0:26:04.440 --> 0:26:08.800
<v Speaker 3>same time, because you know, I mean when we was

0:26:09.000 --> 0:26:12.639
<v Speaker 3>rehearsing with Brooke, I mean we had to rehearse in

0:26:12.720 --> 0:26:18.560
<v Speaker 3>a really hot, smoke filled room because Brooks chained smoked

0:26:18.680 --> 0:26:23.040
<v Speaker 3>Newports during our whole rehearsal. So it was just like

0:26:24.320 --> 0:26:26.840
<v Speaker 3>and it was like ninety degrees up in there, so

0:26:26.960 --> 0:26:30.000
<v Speaker 3>we were sweating and all we was doing was breathing

0:26:30.040 --> 0:26:35.560
<v Speaker 3>in Newports. And it's a shot that only me and

0:26:35.760 --> 0:26:40.440
<v Speaker 3>Ralph turned out to be smokers. Nobody else but me

0:26:40.520 --> 0:26:43.760
<v Speaker 3>and Ralph turned out, you know, to stop smoking after

0:26:44.040 --> 0:26:47.200
<v Speaker 3>you know, several years of just being in the room

0:26:47.320 --> 0:26:52.880
<v Speaker 3>like hand inhaling all of that. So you know, other

0:26:53.000 --> 0:26:56.520
<v Speaker 3>than that, you know, Brooke was always just He's a

0:26:56.640 --> 0:27:01.800
<v Speaker 3>stickler for you know, perfection. With my guys, I was

0:27:01.960 --> 0:27:05.560
<v Speaker 3>just I was the type to tell them to dance loose,

0:27:05.640 --> 0:27:10.359
<v Speaker 3>but dance but dance tight. You know, always be in

0:27:10.440 --> 0:27:15.679
<v Speaker 3>formation and follow me, you know, because I might do something.

0:27:16.480 --> 0:27:20.240
<v Speaker 3>I might do something slick and out of the step

0:27:20.320 --> 0:27:23.720
<v Speaker 3>of what the actual step is, and I need you

0:27:23.760 --> 0:27:26.800
<v Speaker 3>all to remember it so the next show they will

0:27:26.880 --> 0:27:32.200
<v Speaker 3>remember the slick, build on and build on and build on.

0:27:32.400 --> 0:27:35.119
<v Speaker 3>So it just got it just started growing, and we

0:27:35.240 --> 0:27:37.480
<v Speaker 3>got closer, and it was just we were able to

0:27:37.600 --> 0:27:40.280
<v Speaker 3>read each other when we were on stage, and that

0:27:40.440 --> 0:27:44.720
<v Speaker 3>was a good part. Then we got Mecca and the

0:27:44.920 --> 0:27:49.359
<v Speaker 3>La Connection dancers, which were you know, uh, four girls

0:27:49.400 --> 0:27:52.240
<v Speaker 3>from New York, four girls from l A and we

0:27:52.320 --> 0:27:54.160
<v Speaker 3>put them together. It was a lot of fights though,

0:27:55.960 --> 0:27:59.800
<v Speaker 3>it was like the Bloods and the Cribs. Yeah, Leslie

0:27:59.880 --> 0:28:06.679
<v Speaker 3>was the big less on Facebook occasion.

0:28:07.520 --> 0:28:09.399
<v Speaker 2>Can you just tell me this is always a mystery

0:28:09.440 --> 0:28:11.440
<v Speaker 2>to me. Who was the girl who was always in

0:28:11.480 --> 0:28:14.800
<v Speaker 2>the videos with the short cut, slender brown skin. But

0:28:14.880 --> 0:28:16.880
<v Speaker 2>she was in my prerogative and she had the short hair.

0:28:16.920 --> 0:28:17.520
<v Speaker 8>She was planked.

0:28:17.720 --> 0:28:20.199
<v Speaker 3>Oh that's Cloudsier, Okay, because you used to see her.

0:28:20.280 --> 0:28:22.600
<v Speaker 8>She had an error. I felt like, huh, I felt

0:28:22.640 --> 0:28:23.879
<v Speaker 8>like she had an era like she was she.

0:28:25.560 --> 0:28:26.280
<v Speaker 3>Videos after that.

0:28:26.520 --> 0:28:30.040
<v Speaker 8>Yeah, I'm sure she had an aura.

0:28:30.200 --> 0:28:34.200
<v Speaker 11>But I just I was about to, you know, but

0:28:34.480 --> 0:28:39.600
<v Speaker 11>I hold it back back, you know, but you know,

0:28:39.720 --> 0:28:41.400
<v Speaker 11>you did skip a decade.

0:28:41.120 --> 0:28:42.560
<v Speaker 8>So I'm sorry.

0:28:42.560 --> 0:28:42.800
<v Speaker 2>I was.

0:28:45.800 --> 0:28:50.480
<v Speaker 3>My mind fast forward. You know, it's good. It's all good.

0:28:54.800 --> 0:28:59.200
<v Speaker 1>So for me, even even though I know what what

0:28:59.400 --> 0:29:05.800
<v Speaker 1>the initial by a pic had depicted, but how well,

0:29:05.960 --> 0:29:08.320
<v Speaker 1>what I want to do is, first of all, what

0:29:08.480 --> 0:29:11.080
<v Speaker 1>was the what's the term he used with Randy? Oh,

0:29:11.200 --> 0:29:14.440
<v Speaker 1>the click? What was the what was as far as

0:29:14.560 --> 0:29:20.920
<v Speaker 1>like your your new addition situation? Who were the clicks?

0:29:20.960 --> 0:29:24.560
<v Speaker 1>Like who was who was your friend in the band

0:29:24.640 --> 0:29:25.320
<v Speaker 1>that you were close to?

0:29:25.760 --> 0:29:28.640
<v Speaker 3>We were all all clicks at certain times, you know,

0:29:28.960 --> 0:29:30.960
<v Speaker 3>at certain times of the day, I would be with

0:29:31.160 --> 0:29:34.120
<v Speaker 3>like Ronnie, you know, playing cards or something like that.

0:29:34.600 --> 0:29:36.800
<v Speaker 3>Then there was certain times that me and Ralph would

0:29:36.880 --> 0:29:39.400
<v Speaker 3>you know, be kicking it and just doing what we do,

0:29:39.880 --> 0:29:42.480
<v Speaker 3>you know, goofing off and stuff like that, going to

0:29:42.520 --> 0:29:46.040
<v Speaker 3>buy water guns and you know, spraying everybody on the tour.

0:29:47.400 --> 0:29:51.120
<v Speaker 3>Then it was me and Mike, who's the who's the thinker.

0:29:51.440 --> 0:29:53.680
<v Speaker 3>He's like a big think tank. So you know, I'd

0:29:53.880 --> 0:29:56.480
<v Speaker 3>like to pick his brain every now and then. You know,

0:29:56.800 --> 0:30:01.800
<v Speaker 3>and then Ricky, Ricky's just Ricky is just Ricky. You know,

0:30:02.160 --> 0:30:05.120
<v Speaker 3>you just get around Ricky and Ricky just he's quiet.

0:30:05.960 --> 0:30:09.680
<v Speaker 3>If you say something, he'll agree with you. And that's

0:30:09.840 --> 0:30:12.560
<v Speaker 3>just how Ricky is. Ricky agrees with, you know, most

0:30:12.600 --> 0:30:16.120
<v Speaker 3>of the things that everybody says. But he's super intelligent.

0:30:16.240 --> 0:30:20.160
<v Speaker 3>He knows what's right and what's wrong. And that's where

0:30:20.200 --> 0:30:23.920
<v Speaker 3>you that's who you go to to tell if there's

0:30:24.040 --> 0:30:27.480
<v Speaker 3>three against two and a vote, you go to Ricky,

0:30:28.120 --> 0:30:30.680
<v Speaker 3>and he's a swing vote. Yeah, he's a swing vote.

0:30:30.840 --> 0:30:35.520
<v Speaker 3>You know, you got to get to him. Ronnie always

0:30:35.520 --> 0:30:38.000
<v Speaker 3>seemed to just be so cool man. He's one of

0:30:38.080 --> 0:30:41.400
<v Speaker 3>the most laid back dudes in the world. I'm so

0:30:41.560 --> 0:30:46.800
<v Speaker 3>proud of him. He just had twins. Yeah, yeah, I mean,

0:30:46.960 --> 0:30:49.880
<v Speaker 3>you know, I'm just really proud of him. He knows,

0:30:50.320 --> 0:30:52.120
<v Speaker 3>he knows what he wants, and he knows how to

0:30:52.200 --> 0:30:56.000
<v Speaker 3>go get it. You know, he's he's bought so much

0:30:56.080 --> 0:30:59.120
<v Speaker 3>property in Detroit that is incredible.

0:30:59.400 --> 0:31:01.320
<v Speaker 8>I mean, then he's starting Atlanta and he moves he's

0:31:01.360 --> 0:31:02.320
<v Speaker 8>now moving to.

0:31:02.400 --> 0:31:09.240
<v Speaker 3>He started it, he started his his his business in Atlanta.

0:31:09.680 --> 0:31:13.440
<v Speaker 3>But he's yes buying, buying land in different places. And

0:31:14.480 --> 0:31:18.160
<v Speaker 3>I commend him because Detroit is about to get a

0:31:18.440 --> 0:31:24.280
<v Speaker 3>whole big facelift. You know, Japanese, Chinese or I don't know,

0:31:24.360 --> 0:31:27.480
<v Speaker 3>the Japanese are going into. Japanese put like ten billion

0:31:27.560 --> 0:31:32.800
<v Speaker 3>dollars into already Detroit already, and it's like build industries,

0:31:32.920 --> 0:31:36.200
<v Speaker 3>build industries, you know, the Forward Company, all of that,

0:31:36.800 --> 0:31:39.920
<v Speaker 3>all of that's being rebuilt up and there'll be more

0:31:40.040 --> 0:31:45.120
<v Speaker 3>jobs and the homes will shoot up. You know, it's

0:31:45.120 --> 0:31:47.120
<v Speaker 3>almost about to be. So I recommend that for most

0:31:47.160 --> 0:31:50.360
<v Speaker 3>people out there listening, go buy you some property. Go

0:31:50.520 --> 0:31:53.640
<v Speaker 3>buy you some property in Detroit and watch it and

0:31:53.880 --> 0:31:55.200
<v Speaker 3>just sit on it for a little while.

0:31:55.680 --> 0:31:58.000
<v Speaker 8>Out rent the community, you know. You know what I'm saying.

0:31:57.880 --> 0:32:03.800
<v Speaker 3>About gentrification, havitable, It is coming a little at what

0:32:03.880 --> 0:32:06.440
<v Speaker 3>they're selling them houses like five thousand dollars.

0:32:08.480 --> 0:32:09.040
<v Speaker 8>Flip those.

0:32:09.360 --> 0:32:13.400
<v Speaker 3>It's going to be. That's the name of it. Yeah,

0:32:13.640 --> 0:32:15.480
<v Speaker 3>that's business. Let's call it Ronnie right now.

0:32:20.040 --> 0:32:23.560
<v Speaker 1>So when when you guys first started touring and traveling, HM,

0:32:25.000 --> 0:32:27.840
<v Speaker 1>I first saw you guys at I think you're a

0:32:27.960 --> 0:32:30.600
<v Speaker 1>valid for it's music fair. Okay, you did a bunch

0:32:30.600 --> 0:32:35.800
<v Speaker 1>of like these small venues where uh, where the stage

0:32:35.880 --> 0:32:38.440
<v Speaker 1>is always in the center or whatever. I forget, Yeah,

0:32:38.920 --> 0:32:41.280
<v Speaker 1>what you're this was? I think there's like eighty three

0:32:41.400 --> 0:32:47.720
<v Speaker 1>eighty four. But how how did that affect you as

0:32:47.760 --> 0:32:49.960
<v Speaker 1>far as like finally making it out of out of

0:32:50.040 --> 0:32:52.840
<v Speaker 1>Boston and did you feel like, Okay, we finally made

0:32:52.880 --> 0:32:54.840
<v Speaker 1>it or yeah, probably so.

0:32:56.040 --> 0:32:59.400
<v Speaker 3>We used to before before Candy Girl became a number

0:32:59.440 --> 0:33:01.480
<v Speaker 3>one record, we would come to New York. We would

0:33:01.480 --> 0:33:04.400
<v Speaker 3>go to New York and we would perform like five

0:33:04.520 --> 0:33:07.480
<v Speaker 3>shows a night. We would play all five bottles, and

0:33:07.600 --> 0:33:10.520
<v Speaker 3>we would start at like eleven at night and we

0:33:10.600 --> 0:33:13.200
<v Speaker 3>would just go to each We used to go to

0:33:13.360 --> 0:33:17.040
<v Speaker 3>each club or each roller skating rin and just play

0:33:17.160 --> 0:33:20.760
<v Speaker 3>from from eleven o'clock all the way to six that morning.

0:33:20.840 --> 0:33:22.960
<v Speaker 3>We will get in We would finally get in bed

0:33:23.440 --> 0:33:27.440
<v Speaker 3>by six that morning and get some rest and do

0:33:27.560 --> 0:33:31.720
<v Speaker 3>it again on Saturday. And then Sunday we would get

0:33:31.840 --> 0:33:36.000
<v Speaker 3>all into this station wag excuse me, the station wagon

0:33:36.120 --> 0:33:38.440
<v Speaker 3>and we would drive back to Boston. How old are

0:33:38.480 --> 0:33:43.560
<v Speaker 3>you at this time? Like fourteen fifteen? Couldn't even drive

0:33:43.640 --> 0:33:50.960
<v Speaker 3>it fourteen damn your homework done in the car. So

0:33:51.080 --> 0:33:53.360
<v Speaker 3>it was required, like tutors and all that stuff. Tutors

0:33:53.440 --> 0:33:56.400
<v Speaker 3>were required. My mom wasn't letting me not, you know,

0:33:56.960 --> 0:33:58.959
<v Speaker 3>get my education. She didn't play that. Yo.

0:33:59.080 --> 0:34:01.960
<v Speaker 2>The way that they they played your moms out in

0:34:02.040 --> 0:34:04.080
<v Speaker 2>the movie amazing.

0:34:03.720 --> 0:34:08.480
<v Speaker 3>Was this where do you see this? The same? Just

0:34:08.520 --> 0:34:14.840
<v Speaker 3>the same. Yes, Sandy McCree was Sandy McCree. And we

0:34:15.000 --> 0:34:22.520
<v Speaker 3>have T. K. Carter playing my father whow where we

0:34:22.680 --> 0:34:27.120
<v Speaker 3>bound him? But he is playing the hell out of

0:34:27.200 --> 0:34:30.920
<v Speaker 3>my father and he knew my father, so you know,

0:34:32.280 --> 0:34:34.920
<v Speaker 3>it was just like it was just like so great

0:34:35.320 --> 0:34:38.960
<v Speaker 3>that he came to that that try out for the movie.

0:34:39.520 --> 0:34:42.160
<v Speaker 3>And when they told us it was T. K. Carter,

0:34:42.280 --> 0:34:45.320
<v Speaker 3>I was like, that's him because I was going I

0:34:45.440 --> 0:34:48.120
<v Speaker 3>was going for a John Witherspoon or somebody like that.

0:34:49.320 --> 0:34:52.279
<v Speaker 3>I was going for John Witherspoon because my father was hilarious.

0:34:52.640 --> 0:34:56.439
<v Speaker 3>I mean just just hilarious. He would do the whole

0:34:56.560 --> 0:35:00.400
<v Speaker 3>coordinate thing. He loved the dress. You know, he was

0:35:00.520 --> 0:35:02.759
<v Speaker 3>just that man. He was just that man that kept

0:35:02.920 --> 0:35:06.759
<v Speaker 3>everybody laughing in the house. Everybody that met my father

0:35:06.920 --> 0:35:11.080
<v Speaker 3>called them pops. Everybody everybody in the projects just called

0:35:11.120 --> 0:35:11.600
<v Speaker 3>them pops.

0:35:12.160 --> 0:35:15.200
<v Speaker 6>When you started working on your first album on King

0:35:15.280 --> 0:35:18.440
<v Speaker 6>of Stage, my man Lavel we were talking off Mike

0:35:18.520 --> 0:35:22.120
<v Speaker 6>Homie Lavell Molten, he's a basketball coach at my alma mater.

0:35:23.400 --> 0:35:25.319
<v Speaker 6>He was telling me that you used to pass out.

0:35:25.560 --> 0:35:28.080
<v Speaker 6>He was passing out tapes like back in the hood.

0:35:28.200 --> 0:35:31.600
<v Speaker 6>Like even though what was that like, man, it was

0:35:31.640 --> 0:35:38.760
<v Speaker 6>tapes in some other things. Anyway, it wasn't just tapes.

0:35:40.080 --> 0:35:44.960
<v Speaker 6>Probably tapes had packages in there.

0:35:46.200 --> 0:35:50.080
<v Speaker 3>But that that was the time when you know, I

0:35:50.280 --> 0:35:52.719
<v Speaker 3>was put out a new addition, and you know, I

0:35:52.880 --> 0:35:57.920
<v Speaker 3>had one chance to you know, do it again. I

0:35:58.000 --> 0:36:00.239
<v Speaker 3>never gave up on myself, but at the same time,

0:36:00.280 --> 0:36:03.080
<v Speaker 3>the only way for me to survive at that time

0:36:03.360 --> 0:36:05.640
<v Speaker 3>was to sell drugs and do what I had to

0:36:05.719 --> 0:36:09.560
<v Speaker 3>do to you know, keep my sanity, you know, from

0:36:10.719 --> 0:36:13.040
<v Speaker 3>not making the little bit of money that we was

0:36:13.120 --> 0:36:16.279
<v Speaker 3>making on the tours. I had to find a way

0:36:16.320 --> 0:36:18.480
<v Speaker 3>to make money to take care of my baby boy.

0:36:18.560 --> 0:36:21.120
<v Speaker 3>I had a baby boy, so I had to you know,

0:36:21.400 --> 0:36:27.240
<v Speaker 3>have some type of income. And yeah, but when Girlfriend

0:36:27.360 --> 0:36:30.440
<v Speaker 3>hit and it was a number one record and I

0:36:30.560 --> 0:36:33.320
<v Speaker 3>was able to tour and stuff, and that just opened

0:36:33.320 --> 0:36:35.399
<v Speaker 3>it opened the door up for me to be able

0:36:35.440 --> 0:36:41.560
<v Speaker 3>to do another record, and then Little Solace Junr introduced

0:36:41.600 --> 0:36:47.759
<v Speaker 3>me to Kenny Babyface Edmonds in La Reid and I

0:36:48.000 --> 0:36:51.240
<v Speaker 3>just was like what. And when you see the movie

0:36:51.680 --> 0:36:56.279
<v Speaker 3>you'll know why I said what, because they were they

0:36:56.400 --> 0:37:02.640
<v Speaker 3>was yeah, they was just totally dress wrong, you know,

0:37:03.000 --> 0:37:06.880
<v Speaker 3>and you know the thing all right hair, they thought makeup,

0:37:07.239 --> 0:37:09.600
<v Speaker 3>and it was just like I was like, dude, I

0:37:09.760 --> 0:37:12.560
<v Speaker 3>was like, come in, guys, right, come in, man, come in,

0:37:13.040 --> 0:37:16.080
<v Speaker 3>please please tell me I don't have to work with them.

0:37:17.920 --> 0:37:20.000
<v Speaker 1>With I know I know where you were trying to

0:37:20.040 --> 0:37:24.120
<v Speaker 1>go because when I purchased King of Stage, I knew

0:37:25.600 --> 0:37:27.560
<v Speaker 1>it's worried that even though I didn't know what a

0:37:27.640 --> 0:37:30.640
<v Speaker 1>new Jack swing was in nineteen eighty six, because technically

0:37:30.680 --> 0:37:33.320
<v Speaker 1>where they had been it yet, right, I kind of

0:37:33.400 --> 0:37:35.800
<v Speaker 1>knew what you were going for because you know, you

0:37:35.840 --> 0:37:37.440
<v Speaker 1>were like be boxing on some of the songs that

0:37:37.560 --> 0:37:41.840
<v Speaker 1>Larry Black, you know, but it was how hard I

0:37:41.920 --> 0:37:42.600
<v Speaker 1>can tell where you.

0:37:42.640 --> 0:37:43.640
<v Speaker 3>Were trying to go with it.

0:37:44.600 --> 0:37:48.120
<v Speaker 1>But either technology or maybe Teddy just had a better

0:37:48.239 --> 0:37:51.520
<v Speaker 1>vision on how to make that shit bund right. So,

0:37:52.160 --> 0:37:55.000
<v Speaker 1>especially like with the title cut, which I thought the

0:37:55.080 --> 0:37:58.160
<v Speaker 1>title cut was like, Okay, that's the closest thing to

0:37:58.280 --> 0:38:00.879
<v Speaker 1>a Houdini or a run DMC sound. Did it ever

0:38:00.960 --> 0:38:05.799
<v Speaker 1>occur to you to ask U who produced yeah, Larry Smith?

0:38:06.040 --> 0:38:07.960
<v Speaker 1>Did it ever occur to you to go to Larry Smith?

0:38:08.040 --> 0:38:10.160
<v Speaker 3>Who you know?

0:38:10.280 --> 0:38:12.239
<v Speaker 1>His work with Houdini and run DMC was like the

0:38:12.320 --> 0:38:15.399
<v Speaker 1>closest thing to an R and B hip hop mess

0:38:15.520 --> 0:38:17.640
<v Speaker 1>that there was Like, did you get a choice in

0:38:17.760 --> 0:38:19.520
<v Speaker 1>saying I want to work with them?

0:38:19.560 --> 0:38:21.640
<v Speaker 3>Them them? Or was Lou Silace just like Nope, you

0:38:21.680 --> 0:38:25.759
<v Speaker 3>can know Black Lou Silas was like this. He was.

0:38:26.840 --> 0:38:31.359
<v Speaker 3>He was basically, if you work with these people, then

0:38:32.200 --> 0:38:34.200
<v Speaker 3>you could work with whoever you wanted to work with.

0:38:35.080 --> 0:38:37.239
<v Speaker 3>And that's what he told me about working with La

0:38:37.320 --> 0:38:43.279
<v Speaker 3>and Face. Okay, so my first my first person, I said.

0:38:43.680 --> 0:38:45.640
<v Speaker 3>I told him, I said, well, I gotta go fly

0:38:45.800 --> 0:38:48.360
<v Speaker 3>to New York and I got to work with Teddy Riley.

0:38:48.800 --> 0:38:51.640
<v Speaker 3>How did you know about Teddy? Because Teddy meuse he

0:38:51.800 --> 0:38:55.239
<v Speaker 3>was he was in a boys group kids kids will

0:38:55.280 --> 0:38:57.919
<v Speaker 3>work and he used to just I used to see

0:38:57.960 --> 0:39:00.920
<v Speaker 3>him all the time walking with this cassio key and

0:39:01.080 --> 0:39:04.600
<v Speaker 3>he used to always I would stop him at Raise

0:39:04.680 --> 0:39:07.960
<v Speaker 3>Pizza right there fifty seven just stop him and just

0:39:08.080 --> 0:39:10.320
<v Speaker 3>be listening to some of the grooves he had, and

0:39:10.440 --> 0:39:13.040
<v Speaker 3>it was just like it was just meant to be,

0:39:13.880 --> 0:39:15.760
<v Speaker 3>you know. And he was telling me he was starting

0:39:15.840 --> 0:39:18.360
<v Speaker 3>up a new group called Guy and you know, he

0:39:18.480 --> 0:39:21.359
<v Speaker 3>had just finished working with this this guy called Keith

0:39:21.440 --> 0:39:24.240
<v Speaker 3>Sweat and he played me that and I was like, okay.

0:39:25.680 --> 0:39:27.480
<v Speaker 3>I was like, well, I got some tracks that I

0:39:27.600 --> 0:39:30.400
<v Speaker 3>want you to hear. And I had this one baseline

0:39:30.440 --> 0:39:33.880
<v Speaker 3>that I couldn't I couldn't, couldn't do anything with and

0:39:34.000 --> 0:39:37.960
<v Speaker 3>it was Prerogatives baseline. And Teddy came with this groove man,

0:39:38.040 --> 0:39:41.640
<v Speaker 3>that was just it just it just fits so perfectly.

0:39:42.440 --> 0:39:46.920
<v Speaker 3>And then I met Aaron and me and Aaron just

0:39:48.280 --> 0:39:52.960
<v Speaker 3>just click like this, Yeah, Aaron Hall, we just clicked.

0:39:53.640 --> 0:39:55.880
<v Speaker 3>I went on the subway for the first time in

0:39:55.960 --> 0:40:00.680
<v Speaker 3>New York City with him to Brooklyn and we basically

0:40:00.760 --> 0:40:07.640
<v Speaker 3>wrote the lyrics to Prerogative on that subway. Yes, yes,

0:40:08.000 --> 0:40:09.080
<v Speaker 3>I didn't know, though thought y'all did.

0:40:09.080 --> 0:40:10.279
<v Speaker 8>I don't want to seem stupid, But.

0:40:10.480 --> 0:40:15.080
<v Speaker 3>Jene Griffin came and messed that up right. Yeah, took

0:40:15.120 --> 0:40:18.759
<v Speaker 3>all of the credit on the record. Because Teddy was

0:40:18.800 --> 0:40:23.840
<v Speaker 3>in a litigation with I guess two people who whoever

0:40:23.960 --> 0:40:26.560
<v Speaker 3>he had signed He had signed a production deal with somebody,

0:40:27.200 --> 0:40:29.920
<v Speaker 3>and Jeene Griffin put it under his name so that

0:40:31.560 --> 0:40:36.000
<v Speaker 3>Teddy can receive something, you know, from prerogative. And then

0:40:36.120 --> 0:40:38.120
<v Speaker 3>Teddy got his you know, publishing and all of this

0:40:38.600 --> 0:40:41.759
<v Speaker 3>stuff back. So you know, Jean did a great thing

0:40:41.840 --> 0:40:43.799
<v Speaker 3>for him. You know, he held he held him down

0:40:44.280 --> 0:40:47.160
<v Speaker 3>and he helped him, you know, you know, be the

0:40:47.200 --> 0:40:49.520
<v Speaker 3>businessman that he is. Oh. I always thought it was

0:40:49.560 --> 0:40:52.160
<v Speaker 3>a thing where he just jack Yes, No, he didn't

0:40:52.200 --> 0:40:54.960
<v Speaker 3>jock him. He didn't jock him. He was He was

0:40:55.560 --> 0:40:58.120
<v Speaker 3>very much taken care of Teddy as well as he

0:40:58.239 --> 0:40:58.919
<v Speaker 3>possibly could.

0:40:59.080 --> 0:41:02.759
<v Speaker 1>I mean, knowing no one can planned for the phenomenon

0:41:03.360 --> 0:41:06.600
<v Speaker 1>that was, don't be cruel, like nobody saw it coming

0:41:06.760 --> 0:41:10.560
<v Speaker 1>thirty years ago. But did you did you really feel

0:41:10.640 --> 0:41:12.600
<v Speaker 1>as though because even in my mind, like I'm just

0:41:12.680 --> 0:41:16.640
<v Speaker 1>thinking like, okay, there's Michael, there's Prince, no one else,

0:41:16.800 --> 0:41:19.400
<v Speaker 1>and you know, I just thinking like everyone else is underly,

0:41:19.880 --> 0:41:22.680
<v Speaker 1>But it's suddenly like the people that you grow up

0:41:22.920 --> 0:41:28.839
<v Speaker 1>idolizing now you're pushing them to the side a little bit.

0:41:29.160 --> 0:41:31.920
<v Speaker 3>So what was that transition? Like, Like, have you ever

0:41:32.120 --> 0:41:35.960
<v Speaker 3>personally met Michael Jackson and had interaction. What was that like?

0:41:36.920 --> 0:41:37.160
<v Speaker 5>It was?

0:41:37.320 --> 0:41:39.040
<v Speaker 3>It was? It was great. I met him when I

0:41:39.160 --> 0:41:41.480
<v Speaker 3>was with the new audition. He invited a new addition

0:41:41.560 --> 0:41:44.279
<v Speaker 3>to his home and we hung out with him the

0:41:44.360 --> 0:41:47.280
<v Speaker 3>whole day. I mean, it was just it was just crazy.

0:41:48.880 --> 0:41:51.080
<v Speaker 3>All the book and animals. What can you tell the

0:41:51.120 --> 0:41:53.080
<v Speaker 3>story about from the book about him chasing LaToya and

0:41:53.160 --> 0:41:56.960
<v Speaker 3>jennit around? Yeah, wait, what happened? Well, we were all

0:41:57.080 --> 0:42:01.080
<v Speaker 3>running around and we were chasing We were just running

0:42:01.160 --> 0:42:05.920
<v Speaker 3>around and uh, LaToya was, you know, standing somewhere and

0:42:06.040 --> 0:42:08.680
<v Speaker 3>he smacked her on her ass and all of us

0:42:08.880 --> 0:42:15.279
<v Speaker 3>was like, all of us was like, oh, I want

0:42:15.320 --> 0:42:20.040
<v Speaker 3>to smack her, but we didn't. We didn't smack her

0:42:20.120 --> 0:42:23.520
<v Speaker 3>ass like he did. But it was just Oh my god,

0:42:24.280 --> 0:42:27.000
<v Speaker 3>just to be and and you know, I had always

0:42:27.040 --> 0:42:29.400
<v Speaker 3>had a crush on Janet, so it was just like

0:42:29.600 --> 0:42:31.080
<v Speaker 3>just to be in the same room with her at

0:42:31.120 --> 0:42:34.439
<v Speaker 3>that time was you know, it was, oh my god,

0:42:35.520 --> 0:42:38.759
<v Speaker 3>She's standing right next to me. She feel the same

0:42:38.800 --> 0:42:44.520
<v Speaker 3>way she spoke to me. Matter like last week almost

0:42:44.560 --> 0:42:48.279
<v Speaker 3>passed out man. Yeah, well you'll see some scenes in

0:42:48.400 --> 0:42:51.640
<v Speaker 3>my movie about Janet. So what was doing feel different?

0:42:51.640 --> 0:42:51.960
<v Speaker 3>About it.

0:42:53.040 --> 0:43:02.000
<v Speaker 6>Oh, no spoilers. What was you in relationship? Like in

0:43:02.080 --> 0:43:04.239
<v Speaker 6>the studio, man, Like, how did y'all vibe off each other?

0:43:04.640 --> 0:43:07.680
<v Speaker 3>We bobbed really well off each other. You know. It

0:43:07.840 --> 0:43:11.759
<v Speaker 3>wasn't no rush thing. We knew that when we had

0:43:11.840 --> 0:43:15.239
<v Speaker 3>something hot. We knew what we had and we would

0:43:15.280 --> 0:43:20.279
<v Speaker 3>take our time and take our time and get it,

0:43:20.480 --> 0:43:23.239
<v Speaker 3>get it down, get it down perfectly, and then we

0:43:23.440 --> 0:43:25.920
<v Speaker 3>go out, you know, we'll go eat or you know,

0:43:26.360 --> 0:43:31.400
<v Speaker 3>just go chill out, playpool, you know. And then but

0:43:31.640 --> 0:43:34.759
<v Speaker 3>the first time, the first time with Prerogative, he was

0:43:34.800 --> 0:43:38.040
<v Speaker 3>living in the projects. So we in Harlem in the

0:43:38.160 --> 0:43:43.120
<v Speaker 3>projects on the first floor, and you know, the booth

0:43:43.320 --> 0:43:46.360
<v Speaker 3>was a bathroom, you know. So we literally did it,

0:43:46.440 --> 0:43:49.960
<v Speaker 3>and we did and we did. Prerogative recorded it in

0:43:50.160 --> 0:43:54.000
<v Speaker 3>the bathroom in his apartment. That's where we did the vocals.

0:43:54.200 --> 0:43:56.440
<v Speaker 3>What all of them? What did y'all what we all

0:43:56.520 --> 0:44:00.000
<v Speaker 3>recording on like a four track or was six sixteen tracks?

0:44:01.000 --> 0:44:06.160
<v Speaker 3>M yeah, I know his set up was ate that thing. Yeah, yeah,

0:44:07.520 --> 0:44:09.680
<v Speaker 3>in the So the vocal we hear today was the

0:44:09.760 --> 0:44:12.960
<v Speaker 3>vocal that you cut. We cut in the in the bathroom.

0:44:13.560 --> 0:44:16.040
<v Speaker 1>So in your mind, whenever you hear those vocals from

0:44:16.080 --> 0:44:19.520
<v Speaker 1>that record you're just thinking of, like there's tooth brush, toothpaste.

0:44:21.280 --> 0:44:26.600
<v Speaker 3>Close up, close up. They don't make close up anymore.

0:44:27.000 --> 0:44:33.440
<v Speaker 3>I don't know that hot ass just hot mouth fans

0:44:33.560 --> 0:44:36.880
<v Speaker 3>close up Dollar General.

0:44:42.640 --> 0:44:42.759
<v Speaker 5>You know.

0:44:43.080 --> 0:44:46.000
<v Speaker 3>The one thing I remember, you know, about recording that

0:44:46.200 --> 0:44:51.040
<v Speaker 3>song was was just just you know, the kinship you know,

0:44:51.320 --> 0:44:56.360
<v Speaker 3>between me, Aaron him, Big Bub was even there, you know.

0:44:56.560 --> 0:44:58.960
<v Speaker 3>So it was a bunch of singers and you know,

0:44:59.520 --> 0:45:03.120
<v Speaker 3>a bunch of people that love music and love being

0:45:03.160 --> 0:45:06.120
<v Speaker 3>a part of you know, what music was going to become,

0:45:08.120 --> 0:45:11.800
<v Speaker 3>and it was just fun to just be around it,

0:45:12.040 --> 0:45:14.680
<v Speaker 3>you know, and all of us, all of us out

0:45:14.719 --> 0:45:18.080
<v Speaker 3>there giving one hundred and ten percent, you know, trying

0:45:18.160 --> 0:45:20.880
<v Speaker 3>to make it out. I knew that Aaron was a singer,

0:45:21.040 --> 0:45:24.080
<v Speaker 3>but I read somewhere was Aaron a keyboard player as well?

0:45:24.239 --> 0:45:27.759
<v Speaker 3>Eric Can played the piano like yeah, like what's his name?

0:45:27.960 --> 0:45:34.279
<v Speaker 3>With all the jewry wait Erican played the piano like Liberaci,

0:45:34.440 --> 0:45:38.719
<v Speaker 3>I mean, play the piano play You were tracked? You

0:45:38.960 --> 0:45:40.839
<v Speaker 3>did you track the majority of the album in New

0:45:40.920 --> 0:45:45.719
<v Speaker 3>York City? No, the majority of the album was done

0:45:45.800 --> 0:45:49.960
<v Speaker 3>here in silver Lake, Okay, with La and Face and

0:45:50.120 --> 0:45:53.239
<v Speaker 3>me and Teddy did our stuff over there in New York,

0:45:53.840 --> 0:45:58.600
<v Speaker 3>and then I I did some more stuff in the

0:45:58.680 --> 0:46:03.120
<v Speaker 3>Bay Area and then you know, just mostly la though.

0:46:03.480 --> 0:46:06.880
<v Speaker 7>You guys recorded forty songs for the album. Yeah, how

0:46:06.920 --> 0:46:09.840
<v Speaker 7>many of them? Like, did you ever revisit any of

0:46:09.880 --> 0:46:10.320
<v Speaker 7>them later on?

0:46:10.560 --> 0:46:14.640
<v Speaker 3>Or yeah? I still have them in my garage actually, yeah,

0:46:14.760 --> 0:46:22.120
<v Speaker 3>the masters in my garage. Yes, I don't know yet.

0:46:23.800 --> 0:46:25.880
<v Speaker 3>I don't know. I think, you know, I'm let my

0:46:26.040 --> 0:46:27.800
<v Speaker 3>son listen to a bunch of them and see what

0:46:27.920 --> 0:46:31.000
<v Speaker 3>he likes and see how you know, he feels about

0:46:31.080 --> 0:46:34.600
<v Speaker 3>him because he's recording his album right now. So so

0:46:34.920 --> 0:46:37.440
<v Speaker 3>I'm really looking forward to, you know, helping both of

0:46:37.880 --> 0:46:41.520
<v Speaker 3>my oldest son and my middle son are both you know,

0:46:41.680 --> 0:46:44.239
<v Speaker 3>recording out us. So you know, I'm just trying to

0:46:44.760 --> 0:46:47.360
<v Speaker 3>lay back and let them do what they do. And

0:46:47.480 --> 0:46:52.399
<v Speaker 3>then when I see him, you know, going straight pull

0:46:52.440 --> 0:46:53.440
<v Speaker 3>a coat and you know.

0:46:53.760 --> 0:47:00.960
<v Speaker 6>What's because I feel like most of us, like, what

0:47:01.200 --> 0:47:03.479
<v Speaker 6>was the what was the workflow, like you talk about

0:47:03.480 --> 0:47:06.160
<v Speaker 6>you and Teddy's vibe, what was the difference with Elien Face?

0:47:06.200 --> 0:47:08.280
<v Speaker 3>What were they like in the studio, like in y'all sessions.

0:47:10.440 --> 0:47:13.160
<v Speaker 3>Because of the person that I am they have to

0:47:13.200 --> 0:47:14.880
<v Speaker 3>go with the flow. They had to go with how

0:47:15.000 --> 0:47:21.520
<v Speaker 3>I was this is Bobby Brown session. Wow, you mean

0:47:21.719 --> 0:47:25.040
<v Speaker 3>like I'll be there, you know there there three means

0:47:25.080 --> 0:47:26.080
<v Speaker 3>that I'll be there.

0:47:30.120 --> 0:47:32.000
<v Speaker 8>Always, no matter who you was working with. They had

0:47:32.040 --> 0:47:32.480
<v Speaker 8>to adjust.

0:47:32.600 --> 0:47:37.120
<v Speaker 3>But yeah, basically because you know, it was just sometimes

0:47:37.200 --> 0:47:43.520
<v Speaker 3>I'm late. I mean sometimes you gottes. But but but

0:47:43.719 --> 0:47:47.439
<v Speaker 3>I've learned a new way of living and being late

0:47:47.600 --> 0:47:50.000
<v Speaker 3>is not cool. You know, you need to be on

0:47:50.160 --> 0:47:51.960
<v Speaker 3>time so that you can get your work done and

0:47:52.440 --> 0:47:56.080
<v Speaker 3>be able to do Stop looking at you, stop looking

0:47:56.120 --> 0:48:02.520
<v Speaker 3>at question, you're a little late, looking at it in

0:48:02.719 --> 0:48:03.800
<v Speaker 3>my direction? Whatever.

0:48:03.880 --> 0:48:08.520
<v Speaker 6>Steve once once Don't be Crewe became and the album

0:48:08.840 --> 0:48:12.240
<v Speaker 6>once it becomes that just this months everywhere?

0:48:13.560 --> 0:48:17.120
<v Speaker 3>What how did your life change? Then? What what happens?

0:48:19.600 --> 0:48:23.239
<v Speaker 3>Oh boy? I started touring a lot more. Of course,

0:48:23.280 --> 0:48:26.920
<v Speaker 3>I was torn with heart the Heartbreak tour. I was

0:48:27.000 --> 0:48:29.440
<v Speaker 3>touring with them. I was opening up for I'll Be

0:48:29.600 --> 0:48:34.120
<v Speaker 3>Sure and then Don't Be Crew hit and Prerogative hit

0:48:34.360 --> 0:48:40.960
<v Speaker 3>and we have to switch. And then you know, of course,

0:48:41.080 --> 0:48:44.080
<v Speaker 3>you know, stopped having problems because you know, New Edition

0:48:44.880 --> 0:48:47.719
<v Speaker 3>was you know, kind of hating on me because of

0:48:48.360 --> 0:48:50.960
<v Speaker 3>the success of don't be Crewe, and they didn't want

0:48:51.000 --> 0:48:54.200
<v Speaker 3>me to, you know, film the Roney video on that tour.

0:48:55.320 --> 0:48:58.600
<v Speaker 3>So I told him, Okay, well if they if they,

0:48:58.960 --> 0:49:02.799
<v Speaker 3>if they, if they can Roney, I'll have them film

0:49:02.920 --> 0:49:06.479
<v Speaker 3>y'all show. So I paid for the cameras to film

0:49:06.640 --> 0:49:12.160
<v Speaker 3>the show. And so then I was like I talked

0:49:12.160 --> 0:49:15.239
<v Speaker 3>to Al Hayman, who was the promoter, and I was like,

0:49:15.320 --> 0:49:19.359
<v Speaker 3>that keeps coming up. I was like, dude, I need

0:49:19.400 --> 0:49:20.719
<v Speaker 3>my own tour. I got to go out on my

0:49:20.800 --> 0:49:24.239
<v Speaker 3>own tour. And he said okay. So we went and

0:49:24.320 --> 0:49:28.480
<v Speaker 3>got Lavert and Karen White and we went out and

0:49:28.760 --> 0:49:31.839
<v Speaker 3>just and just smashed, and we toured for over three

0:49:31.960 --> 0:49:33.320
<v Speaker 3>years with that album.

0:49:33.600 --> 0:49:36.560
<v Speaker 7>My sister saw a heartbreak tour and Don't Be Cruel

0:49:36.560 --> 0:49:38.560
<v Speaker 7>tour without me, and I still hate them for it.

0:49:40.480 --> 0:49:47.120
<v Speaker 1>Having technically yet to see the biopic. And you address

0:49:47.200 --> 0:49:51.000
<v Speaker 1>it in the Rooney video. But what was the situation

0:49:52.160 --> 0:49:58.080
<v Speaker 1>with my memories, Foggy? What what arena had a problem with?

0:49:58.680 --> 0:49:59.320
<v Speaker 1>Are you dancing?

0:49:59.480 --> 0:50:03.880
<v Speaker 3>Or was Georgia Georgia. I guess they had heard about,

0:50:04.200 --> 0:50:06.719
<v Speaker 3>you know, my my stage show, but they still you know,

0:50:07.040 --> 0:50:10.439
<v Speaker 3>wanted me to come to Georgia. The police had told

0:50:10.480 --> 0:50:17.080
<v Speaker 3>me right before the concert, no sexual indoors, no getting

0:50:17.160 --> 0:50:20.760
<v Speaker 3>close to the girls. Can't bring girls up on your stage.

0:50:22.880 --> 0:50:25.360
<v Speaker 3>We don't want We don't want to see you pelvic

0:50:25.440 --> 0:50:30.839
<v Speaker 3>thrusting or anything. So they didn't want Bobby Brown. How

0:50:30.880 --> 0:50:33.040
<v Speaker 3>do they know it was coming? Because it's like you've yet.

0:50:33.080 --> 0:50:36.120
<v Speaker 3>They had heard the word had been spreading, you know,

0:50:36.239 --> 0:50:38.920
<v Speaker 3>throughout the country on how I performed. That's why they

0:50:39.000 --> 0:50:39.919
<v Speaker 3>called me bad boy.

0:50:40.840 --> 0:50:47.600
<v Speaker 8>Okay, pumped really hard. I remember you remember watching like I.

0:50:53.160 --> 0:50:53.239
<v Speaker 5>Did.

0:50:53.400 --> 0:51:00.760
<v Speaker 3>Used to get in trouble for you know, Brown, pilvoc

0:51:00.800 --> 0:51:03.680
<v Speaker 3>thrust for me, it got me in trouble. In fourth grade.

0:51:04.080 --> 0:51:06.239
<v Speaker 6>We were doing a talent show and I was gonna

0:51:06.320 --> 0:51:08.439
<v Speaker 6>dance and I opened up with four pervit threast.

0:51:10.000 --> 0:51:15.600
<v Speaker 3>It was over just like down over here. It was

0:51:16.239 --> 0:51:20.080
<v Speaker 3>well fourth grade. Yeah, it was about the same for

0:51:20.160 --> 0:51:23.279
<v Speaker 3>me too. So my little nine year old is pumping down.

0:51:27.000 --> 0:51:28.520
<v Speaker 3>Is it weird for you? Stop?

0:51:29.440 --> 0:51:32.200
<v Speaker 1>Is it weird for your kids to discover that you're

0:51:32.880 --> 0:51:37.400
<v Speaker 1>not dad? You're that guy I'm seeing on television. How

0:51:37.440 --> 0:51:38.080
<v Speaker 1>did they discover?

0:51:38.400 --> 0:51:41.440
<v Speaker 3>No, they basically know. I try to show them as

0:51:41.520 --> 0:51:45.960
<v Speaker 3>much as possible about me. Yeah, trying to show my son,

0:51:46.800 --> 0:51:51.040
<v Speaker 3>my nine year old Cassius. He's a he's a dancer himself.

0:51:51.120 --> 0:51:56.080
<v Speaker 3>He's a ballroom he does ballroom dancing. You know, he's running. Yes,

0:51:56.280 --> 0:51:59.200
<v Speaker 3>Oh my god. You should see his little hips doing

0:51:59.280 --> 0:52:02.200
<v Speaker 3>the tango and doing the chi and all of this.

0:52:02.560 --> 0:52:06.719
<v Speaker 3>I mean, and he's won six competitions by him and

0:52:06.840 --> 0:52:15.160
<v Speaker 3>his little dance partner. It's just a girl. Oh my god.

0:52:15.640 --> 0:52:21.080
<v Speaker 3>I mean he has to holds the head up and

0:52:21.440 --> 0:52:26.680
<v Speaker 3>shoulders and the hips I mean straight. So the last

0:52:26.719 --> 0:52:29.160
<v Speaker 3>one he just ended up jumped up in the inn,

0:52:29.280 --> 0:52:30.360
<v Speaker 3>came down to full split.

0:52:30.520 --> 0:52:35.200
<v Speaker 1>I was wow, please wait. This is the thing though,

0:52:36.120 --> 0:52:39.680
<v Speaker 1>What after you did what you did? Did they physically

0:52:39.719 --> 0:52:41.360
<v Speaker 1>come out and stop the show and the rescue.

0:52:42.040 --> 0:52:44.359
<v Speaker 3>No, they waited for me to come off stage. Oh

0:52:44.640 --> 0:52:46.400
<v Speaker 3>so they let the show go on and then they

0:52:46.520 --> 0:52:50.680
<v Speaker 3>had to It's not depicted like that in the movie

0:52:50.760 --> 0:52:53.799
<v Speaker 3>because we didn't have time to you know, technicality checkers. Yeah,

0:52:54.160 --> 0:52:58.280
<v Speaker 3>so this is what happened. When I got off stage.

0:53:00.080 --> 0:53:04.120
<v Speaker 3>I had my brother put on my robe and they

0:53:04.280 --> 0:53:08.920
<v Speaker 3>followed him out at first diversion diversion, and I was

0:53:09.000 --> 0:53:13.760
<v Speaker 3>in one of the anvil cases. Oh, they was pushing

0:53:13.800 --> 0:53:15.719
<v Speaker 3>the anvil case up the up the hill and they

0:53:16.080 --> 0:53:18.279
<v Speaker 3>took the thing off of Tommy and realized that it

0:53:18.440 --> 0:53:21.520
<v Speaker 3>wasn't me. So they followed the anvolcase and soon as

0:53:21.600 --> 0:53:23.920
<v Speaker 3>soon as they opened the amvlcase, they were cops. Was

0:53:24.000 --> 0:53:24.319
<v Speaker 3>right there.

0:53:24.760 --> 0:53:26.440
<v Speaker 8>Wow, the worst way to get caught.

0:53:27.640 --> 0:53:30.320
<v Speaker 3>Yes, trying to evade.

0:53:30.040 --> 0:53:31.880
<v Speaker 8>Police another charge.

0:53:32.000 --> 0:53:36.959
<v Speaker 1>Yeah, that's weird, because that's what that's what I remember

0:53:36.960 --> 0:53:39.279
<v Speaker 1>about the show that I saw. You guys used to

0:53:39.480 --> 0:53:43.280
<v Speaker 1>enter in this like this trojan horse sort of vehicle

0:53:43.640 --> 0:53:45.920
<v Speaker 1>where they had to push y'all to the stage inside

0:53:45.920 --> 0:53:49.279
<v Speaker 1>of this wooden device. So girls would attack y'all. So, yes,

0:53:49.640 --> 0:53:51.880
<v Speaker 1>y'all are like the original kings of Anvil case.

0:53:52.520 --> 0:53:54.360
<v Speaker 3>When we would do that, we would do that. That

0:53:54.560 --> 0:53:57.120
<v Speaker 3>was that was one of the tricks of brook Paye

0:53:57.920 --> 0:54:05.040
<v Speaker 3>and just of the trade. You know, we liked being attacked. Yeah,

0:54:05.080 --> 0:54:07.800
<v Speaker 3>we don't wrong. We were younger, but we were We

0:54:08.040 --> 0:54:11.160
<v Speaker 3>was you know, girl crazy, So we loved, you know,

0:54:11.680 --> 0:54:13.600
<v Speaker 3>being able to see all the all of the chicks,

0:54:13.680 --> 0:54:17.239
<v Speaker 3>all of all of the young little hobbies. You know, right,

0:54:17.440 --> 0:54:20.360
<v Speaker 3>we were cool with that. But you know now our

0:54:20.440 --> 0:54:23.120
<v Speaker 3>managers they was like, girls are only gonna get y'all

0:54:23.160 --> 0:54:25.080
<v Speaker 3>in trouble. We was like, well, that's some trouble. We

0:54:25.120 --> 0:54:28.840
<v Speaker 3>would like to give you that trouble man. Please answer

0:54:29.000 --> 0:54:33.920
<v Speaker 3>for us. Who was Jackie? Oh god, yes, who is that?

0:54:34.760 --> 0:54:34.880
<v Speaker 6>Was that?

0:54:35.040 --> 0:54:37.960
<v Speaker 3>Just? I love you Jackie? There was nobody. There was

0:54:38.000 --> 0:54:42.280
<v Speaker 3>no Jackie. We heard that Jackie? Or what did smooth

0:54:42.400 --> 0:54:44.719
<v Speaker 3>be of nicest move? Did he write that rhyme? Was

0:54:44.760 --> 0:54:48.399
<v Speaker 3>it him? Or did you write it? No, he didn't

0:54:48.400 --> 0:54:50.800
<v Speaker 3>write that. He didn't write that one. Okay, no he

0:54:50.880 --> 0:54:55.000
<v Speaker 3>didn't write there. He was wrong. Hey, listen, that's what

0:54:55.719 --> 0:55:06.840
<v Speaker 3>was just a rhyme scheme form I can see see. No,

0:55:06.920 --> 0:55:08.200
<v Speaker 3>I'm just gonna say we're not gonna do like we

0:55:08.280 --> 0:55:09.920
<v Speaker 3>did the baby Face where we just wrapped the whole thing.

0:55:10.040 --> 0:55:15.399
<v Speaker 1>No, please, don't speaker of Smoothie. I know that your

0:55:15.520 --> 0:55:18.399
<v Speaker 1>your peers are mostly wrapped, like who who was your click?

0:55:18.520 --> 0:55:22.560
<v Speaker 1>As far as like you're you're when you were hanging

0:55:22.680 --> 0:55:24.520
<v Speaker 1>and and it was it.

0:55:24.640 --> 0:55:28.200
<v Speaker 3>Was smooth Bie. It was you know, at times Cougie

0:55:28.320 --> 0:55:36.040
<v Speaker 3>rap at times all times, well whodini? Of course there

0:55:36.120 --> 0:55:38.399
<v Speaker 3>was a bunch. I mean I used to hang out

0:55:39.600 --> 0:55:43.360
<v Speaker 3>with with rappers a lot where in New York, In

0:55:43.440 --> 0:55:50.600
<v Speaker 3>New York, just any particular places quarters we got it.

0:56:02.239 --> 0:56:07.080
<v Speaker 1>I've been waiting, yes, nineteen weeks to finally get a

0:56:07.200 --> 0:56:08.320
<v Speaker 1>Latin quarter story.

0:56:09.040 --> 0:56:12.319
<v Speaker 3>Oh my god. You don't understand. It's like our first

0:56:12.480 --> 0:56:13.440
<v Speaker 3>twenty episodes.

0:56:14.080 --> 0:56:18.600
<v Speaker 1>Everybody in their mother they retired about Latin quarter story stops.

0:56:20.040 --> 0:56:23.879
<v Speaker 3>Finally I got a Latin quarter Tell me. I once

0:56:24.000 --> 0:56:31.600
<v Speaker 3>saw a very well known rapper, very well known, got hat.

0:56:31.880 --> 0:56:35.400
<v Speaker 3>He wears a hat all the time. Llll okay. I

0:56:35.520 --> 0:56:41.320
<v Speaker 3>saw him get his chain, snacks waters and it was

0:56:41.560 --> 0:56:44.960
<v Speaker 3>just it was, oh, it was bad. It was bad.

0:56:45.560 --> 0:56:47.680
<v Speaker 3>It was bad because you know, it was these Brooklyn

0:56:47.800 --> 0:56:50.600
<v Speaker 3>cats and it was just like, oh man, and they

0:56:50.719 --> 0:56:53.800
<v Speaker 3>was like they was for real about it. They was not,

0:56:54.120 --> 0:56:56.719
<v Speaker 3>you know, trying to give him his jewelry back at all.

0:56:57.400 --> 0:56:59.520
<v Speaker 3>And they just bounced with his chain and I was

0:56:59.680 --> 0:57:06.279
<v Speaker 3>like and L was like, you know, l, I didn't care,

0:57:07.120 --> 0:57:09.120
<v Speaker 3>and we'll have another one tomorrow. You know.

0:57:10.760 --> 0:57:13.719
<v Speaker 1>Why, What was the allure of that place? Because all

0:57:13.800 --> 0:57:17.680
<v Speaker 1>I know is that it was dangerous and you could

0:57:17.760 --> 0:57:21.360
<v Speaker 1>get snatched. You know, you can't sign too much.

0:57:21.480 --> 0:57:24.400
<v Speaker 3>The danger part of it was it was one way in,

0:57:25.800 --> 0:57:30.800
<v Speaker 3>one way out. There was no side doors, Latin corns

0:57:30.840 --> 0:57:34.520
<v Speaker 3>in the middle of the block, right It didn't have it, didn't.

0:57:34.640 --> 0:57:36.840
<v Speaker 12>I mean it was next to it was a store

0:57:37.160 --> 0:57:40.400
<v Speaker 12>or this, but Latin Corters was one way in and

0:57:40.480 --> 0:57:44.880
<v Speaker 12>one way out, so and it was hot and all

0:57:44.960 --> 0:57:47.920
<v Speaker 12>of the chicks went there and we were just you know,

0:57:48.360 --> 0:57:50.160
<v Speaker 12>so it's worth risky in life to hear all the

0:57:50.240 --> 0:57:52.640
<v Speaker 12>hip hop that yes, all the hip hop you can

0:57:52.720 --> 0:57:57.040
<v Speaker 12>hear girls and all the girls and bamboo.

0:57:56.680 --> 0:57:59.200
<v Speaker 3>Ear rings at least two pairs. He also wrote that

0:57:59.720 --> 0:58:02.280
<v Speaker 3>and that club because that's all you saw up in

0:58:02.360 --> 0:58:03.000
<v Speaker 3>that club.

0:58:07.400 --> 0:58:10.600
<v Speaker 6>From the time that it was four years I think

0:58:10.640 --> 0:58:12.120
<v Speaker 6>it was four years from the time of Don't Be

0:58:12.200 --> 0:58:13.080
<v Speaker 6>Crewe into Bobby.

0:58:13.720 --> 0:58:17.840
<v Speaker 3>What took so long for the follow up? Just wanting

0:58:17.920 --> 0:58:21.240
<v Speaker 3>to break because Don't Be Crewe tour was grueling, Like

0:58:21.360 --> 0:58:23.920
<v Speaker 3>I said, it was three years of touring you know,

0:58:24.120 --> 0:58:27.880
<v Speaker 3>the world, and when I decided to go back in,

0:58:28.360 --> 0:58:33.560
<v Speaker 3>I really wanted a lot more of Teddy's funkiness on

0:58:33.680 --> 0:58:37.400
<v Speaker 3>the album. You know, I was strained, strained further away

0:58:37.440 --> 0:58:42.880
<v Speaker 3>from the sounds of you know, La and Babyface, and

0:58:44.680 --> 0:58:46.880
<v Speaker 3>so I just took my time with this that one,

0:58:47.040 --> 0:58:50.160
<v Speaker 3>and you know, we came up with what we came

0:58:50.320 --> 0:58:51.960
<v Speaker 3>up with, and I think that's one of the most

0:58:52.000 --> 0:58:52.800
<v Speaker 3>funkiest albums.

0:58:52.840 --> 0:58:53.000
<v Speaker 2>I know.

0:58:53.360 --> 0:58:54.160
<v Speaker 3>It is my favorite.

0:58:55.440 --> 0:58:57.840
<v Speaker 6>That's my favorite Bobby album. I was One More Night

0:58:57.960 --> 0:59:01.760
<v Speaker 6>and that to play the Game. Yeah, that was just

0:59:01.880 --> 0:59:05.560
<v Speaker 6>jam after jam. Yeah, like what who decided the singles?

0:59:05.640 --> 0:59:07.800
<v Speaker 6>Picking the singles? Because like humping Around, I mean, it

0:59:07.880 --> 0:59:09.880
<v Speaker 6>was a big hit. But when I heard it, I

0:59:09.960 --> 0:59:12.320
<v Speaker 6>was just like, Okay, this is kind of like my prerogative.

0:59:12.560 --> 0:59:14.480
<v Speaker 6>But then when I bought the album, my uncle he

0:59:14.560 --> 0:59:15.600
<v Speaker 6>had it and I would listen to it on his

0:59:15.680 --> 0:59:19.280
<v Speaker 6>big speakers, and man, you had like some sweet fucking

0:59:19.360 --> 0:59:20.240
<v Speaker 6>songs on that album.

0:59:20.560 --> 0:59:21.480
<v Speaker 3>And I was like, man.

0:59:23.040 --> 0:59:24.960
<v Speaker 6>Like, I was like, yo, this is like this is

0:59:25.160 --> 0:59:27.360
<v Speaker 6>it sounded to me it sounded like the next progression.

0:59:27.400 --> 0:59:29.600
<v Speaker 6>It was like, okay, don't be cruel, was bad boy

0:59:29.680 --> 0:59:32.360
<v Speaker 6>Bobby or whatever? And then but Bobby was like it

0:59:32.520 --> 0:59:35.240
<v Speaker 6>sounded like growth and it was. I love that album.

0:59:35.400 --> 0:59:40.600
<v Speaker 3>It was. But you know, with La and Babyface becoming

0:59:40.800 --> 0:59:45.720
<v Speaker 3>such such a popular duo, with with all of the

0:59:45.840 --> 0:59:50.520
<v Speaker 3>music they was doing for everybody else, I think Little

0:59:50.560 --> 0:59:55.040
<v Speaker 3>Silas felt that it should be a Face La and

0:59:55.160 --> 0:59:59.800
<v Speaker 3>Face record that drops first, and I was moving towards

1:00:00.080 --> 1:00:03.840
<v Speaker 3>you know, get away or to complay that game was

1:00:07.160 --> 1:00:10.320
<v Speaker 3>like that's the one right there. I love that, right so,

1:00:10.640 --> 1:00:13.920
<v Speaker 3>you know, it's just creative differences, and you know, I

1:00:14.760 --> 1:00:17.720
<v Speaker 3>went with it, you know. But of course we still

1:00:17.800 --> 1:00:20.440
<v Speaker 3>sold three million copies of that, you know, and it

1:00:20.600 --> 1:00:24.680
<v Speaker 3>was like, I mean, after my first album almost going gold,

1:00:25.000 --> 1:00:28.440
<v Speaker 3>King of Stage and then for Don't Be Crude to

1:00:28.520 --> 1:00:35.400
<v Speaker 3>sell twelve million, I'm just in the States alone. I

1:00:35.480 --> 1:00:38.960
<v Speaker 3>felt that you know, Bobby album, you know, I thought

1:00:39.000 --> 1:00:40.960
<v Speaker 3>it was going to do more. But at the same time,

1:00:41.080 --> 1:00:44.680
<v Speaker 3>I appreciated who who bought it, you know, because it

1:00:44.800 --> 1:00:46.960
<v Speaker 3>was it was just it was just a project that

1:00:47.080 --> 1:00:49.960
<v Speaker 3>I was really passionate about, and I had a lot

1:00:50.040 --> 1:00:53.000
<v Speaker 3>of fun doing the tour. That tour was that tour

1:00:53.160 --> 1:00:56.560
<v Speaker 3>was mean for me. That tour was mean because I

1:00:56.680 --> 1:00:58.680
<v Speaker 3>got a chance to go back to all the different

1:00:58.760 --> 1:01:02.960
<v Speaker 3>countries and continents and all of the cities in America

1:01:03.240 --> 1:01:08.280
<v Speaker 3>and and just performed this this funky album, this funky

1:01:08.440 --> 1:01:11.960
<v Speaker 3>just funky music that that that made me feel good,

1:01:12.160 --> 1:01:16.040
<v Speaker 3>you know, and that made others feel good. And I

1:01:16.200 --> 1:01:18.360
<v Speaker 3>was just really proud of that album. No you should

1:01:18.400 --> 1:01:18.680
<v Speaker 3>be Man.

1:01:19.080 --> 1:01:21.760
<v Speaker 6>For the longest time in high school, well it was yeah,

1:01:21.920 --> 1:01:25.959
<v Speaker 6>middle school, going in high school, college girl remained a staple.

1:01:28.680 --> 1:01:30.200
<v Speaker 3>So thank you for that. I used to take that.

1:01:33.120 --> 1:01:35.400
<v Speaker 7>You mentioned like turning all over the world. In your book,

1:01:35.440 --> 1:01:38.400
<v Speaker 7>you mentioned the Bobbyos fan group in Japan. Oh yeah,

1:01:38.640 --> 1:01:40.160
<v Speaker 7>can you tell us about that, because that seems it

1:01:40.240 --> 1:01:41.360
<v Speaker 7>seems about Bobbyos.

1:01:41.480 --> 1:01:47.120
<v Speaker 3>The Bobbyos they would it was guys and girls. They

1:01:47.200 --> 1:01:53.919
<v Speaker 3>would tan their bodies to my complexion and they would

1:01:53.960 --> 1:01:59.640
<v Speaker 3>wear clothes like me and they would all have gumbies. Dog.

1:02:00.720 --> 1:02:04.440
<v Speaker 3>They found a way. There's no questions too.

1:02:04.560 --> 1:02:04.720
<v Speaker 12>Man.

1:02:06.840 --> 1:02:08.000
<v Speaker 3>That was weird to see, like.

1:02:10.080 --> 1:02:12.640
<v Speaker 1>For Orange with these Afros, like they wouldn't pur their

1:02:13.280 --> 1:02:15.720
<v Speaker 1>they were perning their hairs, but it would currently look

1:02:15.840 --> 1:02:16.760
<v Speaker 1>like African.

1:02:16.440 --> 1:02:21.120
<v Speaker 3>American and freaked the ship out. Yeah, man, built in Japan,

1:02:22.320 --> 1:02:25.160
<v Speaker 3>you never had loyal You never find more loyal fans

1:02:25.680 --> 1:02:28.480
<v Speaker 3>in the world. You have never find more loyal fans.

1:02:29.320 --> 1:02:32.000
<v Speaker 3>I mean they come and droves and they'll keep coming.

1:02:32.080 --> 1:02:34.880
<v Speaker 3>Every time you go back there they go again.

1:02:36.680 --> 1:02:38.720
<v Speaker 6>What were some of the other places we were able

1:02:38.760 --> 1:02:41.200
<v Speaker 6>to hit Africa while you were doing anywhere in Africa?

1:02:41.680 --> 1:02:44.760
<v Speaker 3>I played sun City at one time, and that was

1:02:44.920 --> 1:02:50.160
<v Speaker 3>you played sun City, Yes, and that was what wait,

1:02:50.560 --> 1:02:54.520
<v Speaker 3>what year? It was the year that you should have

1:02:54.560 --> 1:02:58.920
<v Speaker 3>played Some City. Yeah I should have. Yeah. Oh it

1:02:59.080 --> 1:03:02.880
<v Speaker 3>was passing the okay, okay, yeah yeah he was home. Yeah, okay.

1:03:02.960 --> 1:03:08.800
<v Speaker 1>So basically in in eighty five, Sylvia and Sopranos, Stephen

1:03:09.840 --> 1:03:15.959
<v Speaker 1>Little Stephen kind of organized uh, kind of a protest record,

1:03:16.160 --> 1:03:19.800
<v Speaker 1>We Are the World Asque protest record called Sun City,

1:03:19.840 --> 1:03:23.320
<v Speaker 1>in which basically he didn't want American artists going over

1:03:23.360 --> 1:03:25.880
<v Speaker 1>there to play, to play South Africa, Yeah, to play

1:03:25.920 --> 1:03:26.520
<v Speaker 1>South Africa.

1:03:26.760 --> 1:03:28.880
<v Speaker 3>The video was weird too. It's like that Miles Davis

1:03:28.920 --> 1:03:31.920
<v Speaker 3>walking Davis for Melli mel Yeah, yeah, it was. It

1:03:32.000 --> 1:03:35.680
<v Speaker 3>was great. I remember that song. It was like King yea.

1:03:36.400 --> 1:03:39.480
<v Speaker 1>And but the thing was is that some artists were

1:03:39.560 --> 1:03:42.120
<v Speaker 1>sort of crossing the protest line, like I know that

1:03:42.320 --> 1:03:46.200
<v Speaker 1>that's why Mylon Williams had left the Commodores ant Thomas McCleary,

1:03:46.240 --> 1:03:51.880
<v Speaker 1>because you know, South Africa will basically offer artists like

1:03:52.160 --> 1:03:55.160
<v Speaker 1>five times the dollars to go over there to play,

1:03:55.720 --> 1:03:59.400
<v Speaker 1>and you know it's either you show solidarity not play it,

1:03:59.600 --> 1:04:02.040
<v Speaker 1>or you sell your soul, and some artists wild cross

1:04:02.080 --> 1:04:07.680
<v Speaker 1>that line. So but yeah, my time ninety two ninety three,

1:04:07.760 --> 1:04:08.920
<v Speaker 1>then it was okay to.

1:04:08.920 --> 1:04:11.600
<v Speaker 3>Play some City. Oh man, we jumped a little bit.

1:04:12.280 --> 1:04:16.520
<v Speaker 6>Ghostbuster, Yeah, we gotta yeah, come on Ghostbusters man, like

1:04:17.080 --> 1:04:17.760
<v Speaker 6>talk about.

1:04:17.640 --> 1:04:21.360
<v Speaker 3>Doing the song and like being in the movie with Ghostbusters.

1:04:21.440 --> 1:04:25.960
<v Speaker 3>They approached me to write a song for the soundtrack

1:04:26.200 --> 1:04:29.919
<v Speaker 3>and I did, and I wrote a song called We're Back, Oh.

1:04:29.920 --> 1:04:30.600
<v Speaker 5>Yeah and.

1:04:32.320 --> 1:04:36.160
<v Speaker 3>Oh yeah, that's my Ship. I wrote that first, and

1:04:36.320 --> 1:04:38.320
<v Speaker 3>then I gave them that one and they was like,

1:04:38.400 --> 1:04:40.480
<v Speaker 3>we love it, we love it, We just need one more.

1:04:40.520 --> 1:04:42.240
<v Speaker 3>Can you give us one more? And I was like,

1:04:42.400 --> 1:04:48.200
<v Speaker 3>you know what, l and babyfacing right, I ain't got

1:04:48.320 --> 1:04:50.920
<v Speaker 3>no more words that I can say about ghosts, about

1:04:50.960 --> 1:04:54.400
<v Speaker 3>ghosts and evil and ship. I'm not I'm not in that.

1:04:54.560 --> 1:04:57.000
<v Speaker 3>I'm not in that frame of mind right now, you know.

1:04:58.400 --> 1:05:02.160
<v Speaker 3>But the thing was, if I wrote the song, I

1:05:02.240 --> 1:05:04.160
<v Speaker 3>told him I want to be in the movie also,

1:05:04.920 --> 1:05:06.800
<v Speaker 3>you know. So they put that in the contract and

1:05:06.880 --> 1:05:10.640
<v Speaker 3>I and then when I got on our own from

1:05:10.720 --> 1:05:14.240
<v Speaker 3>facing the House like okay, So we dropped it. When

1:05:14.240 --> 1:05:17.280
<v Speaker 3>we put the single out, we put on our Own

1:05:17.560 --> 1:05:21.680
<v Speaker 3>on the B side, and we're back on the on

1:05:21.800 --> 1:05:25.600
<v Speaker 3>the A side. But we did the video for on

1:05:25.800 --> 1:05:32.240
<v Speaker 3>our own, so as many as they sold, I still

1:05:32.360 --> 1:05:36.840
<v Speaker 3>get my publisher back because it's the A side. I

1:05:36.960 --> 1:05:39.240
<v Speaker 3>never knew that on our own was the B side. Yeah,

1:05:39.280 --> 1:05:41.840
<v Speaker 3>I know that. I always thought that was the main joining.

1:05:42.240 --> 1:05:43.920
<v Speaker 3>You also did a thin line between.

1:05:45.720 --> 1:05:48.439
<v Speaker 6>Yeah, yo, we gotta talk about that and like and panther.

1:05:48.640 --> 1:05:55.160
<v Speaker 6>But he had he had He had a dope as

1:05:55.280 --> 1:05:57.800
<v Speaker 6>song on the soundtrack to So Yeah.

1:05:58.560 --> 1:06:01.840
<v Speaker 3>I don't know. I I love acting. I love being

1:06:01.920 --> 1:06:03.680
<v Speaker 3>a part of you know, just to hurry up and

1:06:03.720 --> 1:06:09.320
<v Speaker 3>wait situation. Yeah, you're just waiting your trailing. You go

1:06:09.440 --> 1:06:11.680
<v Speaker 3>out there, you work for four minutes and go back

1:06:11.760 --> 1:06:13.600
<v Speaker 3>in your trailing. You're in there for three hours. And

1:06:14.560 --> 1:06:16.800
<v Speaker 3>I love that, you know, and you're getting the check too.

1:06:17.560 --> 1:06:21.880
<v Speaker 3>Oh yeah, just let me chill in my trailer. Man.

1:06:21.920 --> 1:06:26.560
<v Speaker 3>How was and Martin was really cool? We had so

1:06:26.680 --> 1:06:28.920
<v Speaker 3>much fun on that set. Man, It was just like

1:06:30.080 --> 1:06:32.040
<v Speaker 3>I don't know, it was it was. It was basically

1:06:32.120 --> 1:06:35.520
<v Speaker 3>a party because he was directing, you know, he did,

1:06:36.400 --> 1:06:37.880
<v Speaker 3>and it was just a lot of fun, you know,

1:06:38.080 --> 1:06:41.360
<v Speaker 3>the whole cast. You know, we just we just joked

1:06:41.400 --> 1:06:43.000
<v Speaker 3>around all the time.

1:06:43.520 --> 1:06:45.040
<v Speaker 8>That meant for you or was it?

1:06:45.160 --> 1:06:46.040
<v Speaker 3>Yeah, he wrote it for me.

1:06:46.280 --> 1:06:50.440
<v Speaker 6>Yeah, Lynn Whitfield because she played the hell out of

1:06:50.440 --> 1:06:52.760
<v Speaker 6>that role, and yeah, she scared me.

1:06:54.000 --> 1:06:55.760
<v Speaker 3>She scared the ship out of me because she stayed

1:06:55.800 --> 1:07:02.600
<v Speaker 3>in character. Offset Yeah, y'a making jokes. She wasn't she

1:07:02.800 --> 1:07:05.880
<v Speaker 3>wasn't kept she kept that face straight like this, and

1:07:06.000 --> 1:07:08.240
<v Speaker 3>she was just walking around looking at people all weird

1:07:08.320 --> 1:07:15.520
<v Speaker 3>and ship and I was like, wrong, it's crazy, man.

1:07:15.640 --> 1:07:18.520
<v Speaker 13>And then after we rapped, she was like, oh my god,

1:07:19.480 --> 1:07:27.600
<v Speaker 13>oh oh oh, I'm so glad I could come out

1:07:27.680 --> 1:07:27.840
<v Speaker 13>of that.

1:07:29.000 --> 1:07:34.680
<v Speaker 3>I was like, we are too stup out here. Well,

1:07:34.720 --> 1:07:37.680
<v Speaker 3>you did a panther with Mario van Peebles. How did

1:07:37.720 --> 1:07:41.280
<v Speaker 3>that come together? That came together? I went, I met

1:07:41.480 --> 1:07:44.920
<v Speaker 3>with uh Mario at his office and he was like,

1:07:45.600 --> 1:07:47.440
<v Speaker 3>he had this thing for me. He said, I got

1:07:47.480 --> 1:07:50.160
<v Speaker 3>something for you, man, I got something that I really

1:07:50.480 --> 1:07:53.880
<v Speaker 3>think you're gonna you know, you could really come across

1:07:54.120 --> 1:07:58.800
<v Speaker 3>and really good. I'm team you up with Chris Rock

1:07:59.480 --> 1:08:02.400
<v Speaker 3>and you him we're gonna And he explained the characters

1:08:02.880 --> 1:08:04.960
<v Speaker 3>and how we were supposed to be and I was

1:08:05.080 --> 1:08:08.080
<v Speaker 3>just like, I was like, oh ship, this is this

1:08:08.280 --> 1:08:14.720
<v Speaker 3>is gonna be some funny ship. I know you're gonna

1:08:14.760 --> 1:08:22.000
<v Speaker 3>kill me. Chris Rock, Yes, yeah, I remember, I'm sorry.

1:08:24.880 --> 1:08:27.400
<v Speaker 7>Hold on, So, since we're talking about acting and you

1:08:27.560 --> 1:08:29.240
<v Speaker 7>just played that I got to ask you about the

1:08:29.280 --> 1:08:33.080
<v Speaker 7>two two seven guest spot. Yes, after that, I was

1:08:33.360 --> 1:08:34.960
<v Speaker 7>sure that I'll be Good to you was gonna be

1:08:35.000 --> 1:08:36.920
<v Speaker 7>the next thing. I was waiting for that. Damn man,

1:08:38.800 --> 1:08:40.760
<v Speaker 7>I just didn't. I didn't at that point.

1:08:40.840 --> 1:08:42.479
<v Speaker 3>I didn't want to do any of the you know,

1:08:43.320 --> 1:08:47.559
<v Speaker 3>other songs that everybody normally hears from me. So I figured,

1:08:47.640 --> 1:08:51.439
<v Speaker 3>you know, on on to seven, I was just like, yeah,

1:08:51.479 --> 1:08:56.000
<v Speaker 3>let me I'll do I'll do this one. And unfortunately,

1:08:56.200 --> 1:09:00.360
<v Speaker 3>fortunately that it came out really, really good. I loved.

1:09:00.479 --> 1:09:05.160
<v Speaker 3>I loved being able to perform it like like I did,

1:09:05.280 --> 1:09:08.600
<v Speaker 3>into the in the classroom and Regina jumping in and

1:09:08.720 --> 1:09:11.000
<v Speaker 3>dancing with me. That was just a lot of fun

1:09:11.240 --> 1:09:14.400
<v Speaker 3>and being on that set. Molly Gibbs is, Oh my god,

1:09:15.200 --> 1:09:20.479
<v Speaker 3>what a gym she's. She's a beautiful, beautiful, one of

1:09:20.520 --> 1:09:22.559
<v Speaker 3>the most kindest women I've ever met in my life

1:09:22.960 --> 1:09:26.640
<v Speaker 3>other than my mom. She is really kind. And I

1:09:26.720 --> 1:09:31.000
<v Speaker 3>got a story about that. She was We were all

1:09:31.280 --> 1:09:34.600
<v Speaker 3>backstage and I'm thinking, you know, I got to go

1:09:34.640 --> 1:09:37.599
<v Speaker 3>to the bathroom and I walk into the wrong room

1:09:37.680 --> 1:09:47.400
<v Speaker 3>and Mala's trying to get was asking her she had

1:09:47.479 --> 1:09:49.600
<v Speaker 3>on she had a stock and she was trying to

1:09:49.640 --> 1:09:51.960
<v Speaker 3>pull address up. She was like, boy, close that door.

1:09:54.560 --> 1:10:01.200
<v Speaker 3>I'm sorry, that's dope.

1:10:02.520 --> 1:10:07.400
<v Speaker 6>When you did After, After Bobby and then Forever, it

1:10:07.520 --> 1:10:08.920
<v Speaker 6>was like five years.

1:10:08.760 --> 1:10:12.280
<v Speaker 3>In between scrapped the record in between there, didn't you.

1:10:13.800 --> 1:10:16.160
<v Speaker 3>I think it was the Forever album that I had scrapped.

1:10:17.680 --> 1:10:19.960
<v Speaker 3>I didn't want to put it out because the record

1:10:20.080 --> 1:10:23.880
<v Speaker 3>was done, so I did it so early, you know,

1:10:25.040 --> 1:10:28.400
<v Speaker 3>and I like to try to space the albums out,

1:10:29.280 --> 1:10:34.200
<v Speaker 3>you know, yeah, and it creates, you know, a mystique

1:10:34.280 --> 1:10:39.960
<v Speaker 3>to to the name Bobby Brown. But with Forever, I

1:10:40.160 --> 1:10:44.519
<v Speaker 3>was truly in love, you know, and I just wrote

1:10:44.560 --> 1:10:47.559
<v Speaker 3>songs that were about, you know, love.

1:10:47.720 --> 1:10:50.560
<v Speaker 6>And I loved feeling the side feeling that. Yeah, I

1:10:50.640 --> 1:10:52.720
<v Speaker 6>love that record, feeling inside.

1:10:52.920 --> 1:10:56.320
<v Speaker 3>You like that. I don't don't make me feel like

1:10:56.920 --> 1:10:59.400
<v Speaker 3>I said something wrong now, No, I just couldn't. I

1:10:59.560 --> 1:11:03.240
<v Speaker 3>just couldn't stand the record. I really felt like I like,

1:11:03.360 --> 1:11:07.000
<v Speaker 3>I don't know, I just don't know. I just too

1:11:07.040 --> 1:11:10.040
<v Speaker 3>close to it. I mean, I don't know. Jeff Wait

1:11:10.040 --> 1:11:14.000
<v Speaker 3>a minute, Jeff Red you know, yeah, yeah, yeah, he

1:11:14.640 --> 1:11:16.960
<v Speaker 3>did the record, and you know, at the time, he

1:11:17.200 --> 1:11:21.360
<v Speaker 3>was a and R up at mc A, and I

1:11:21.560 --> 1:11:24.559
<v Speaker 3>was like, dude, we're not We're not dropping that first.

1:11:24.600 --> 1:11:26.920
<v Speaker 3>I don't want to drop that first. And he was like,

1:11:27.800 --> 1:11:30.920
<v Speaker 3>but he had more pull over there, and he was like, yeah,

1:11:31.200 --> 1:11:32.920
<v Speaker 3>I think we should drop this one. I was like,

1:11:32.960 --> 1:11:34.479
<v Speaker 3>because you did, you did it right.

1:11:34.600 --> 1:11:36.360
<v Speaker 7>But I liked it because it was kind of a

1:11:36.400 --> 1:11:39.080
<v Speaker 7>different feel for you, Like yeah, and like the way

1:11:39.120 --> 1:11:41.360
<v Speaker 7>you're saying on that record, you hadn't really kind of

1:11:41.400 --> 1:11:42.400
<v Speaker 7>done things like that before.

1:11:42.760 --> 1:11:45.479
<v Speaker 3>So I was like, yeah, I'm with this, thank you,

1:11:45.680 --> 1:11:47.560
<v Speaker 3>thank you. I appreciate it because this is there's so

1:11:47.680 --> 1:11:51.200
<v Speaker 3>many songs that I've recorded that I didn't like, like

1:11:51.439 --> 1:11:54.160
<v Speaker 3>don't be cruel, I didn't like that, I didn't like

1:11:54.400 --> 1:12:01.240
<v Speaker 3>I didn't like every little stat blasphemous.

1:12:01.880 --> 1:12:07.559
<v Speaker 1>Yeah, why do I feel that even thirty years after

1:12:07.680 --> 1:12:11.320
<v Speaker 1>the fact, still you're still lukewarm on your working relationship

1:12:11.360 --> 1:12:14.599
<v Speaker 1>with La and Face, Like, no, no, we're good, We're good.

1:12:15.120 --> 1:12:17.200
<v Speaker 1>Me and Me and Face are really good. First of all,

1:12:17.240 --> 1:12:21.719
<v Speaker 1>can you settle this whole that was really Ralph singing

1:12:21.800 --> 1:12:26.040
<v Speaker 1>on every little stuff? Whatever started that rumor or.

1:12:26.200 --> 1:12:28.920
<v Speaker 3>I don't know who started that, but that is definitely

1:12:28.960 --> 1:12:31.720
<v Speaker 3>a lie. Okay, So what did you not like?

1:12:31.920 --> 1:12:32.800
<v Speaker 8>Please don't be cruel.

1:12:34.000 --> 1:12:38.760
<v Speaker 3>I just thought it was too slow. Oh man, I

1:12:38.840 --> 1:12:44.760
<v Speaker 3>thought it was too slow. It's like that's how dam

1:12:47.040 --> 1:12:51.040
<v Speaker 3>Then I started thinking, you know that it sounded like Casanova.

1:12:52.880 --> 1:12:55.040
<v Speaker 3>I can't see that, I can see, but you see

1:12:55.120 --> 1:12:57.519
<v Speaker 3>the jam people the damn too.

1:12:57.960 --> 1:13:00.880
<v Speaker 6>You got it because I was yeah, because that was like,

1:13:00.960 --> 1:13:02.519
<v Speaker 6>well that was eighty eight, so that was like I

1:13:02.640 --> 1:13:04.400
<v Speaker 6>was like third grade, so we would have our dance.

1:13:04.439 --> 1:13:04.560
<v Speaker 3>You know.

1:13:04.640 --> 1:13:06.840
<v Speaker 1>I was always a man of husk. So it's the

1:13:06.880 --> 1:13:09.519
<v Speaker 1>heavy d That was the Yo, the big man. What

1:13:12.600 --> 1:13:16.360
<v Speaker 1>was like eighty seven, that was the Calaway Brothers.

1:13:16.479 --> 1:13:17.840
<v Speaker 8>Yeah, that one you would have made that you on

1:13:17.880 --> 1:13:18.479
<v Speaker 8>a house record.

1:13:20.680 --> 1:13:22.960
<v Speaker 3>I put a little bit more funk on it. But

1:13:23.760 --> 1:13:26.320
<v Speaker 3>as I as it started to grow on me when

1:13:26.400 --> 1:13:29.000
<v Speaker 3>I was on tour, it was just it just grew

1:13:29.080 --> 1:13:32.880
<v Speaker 3>on me, you know, especially when we put the rap

1:13:32.960 --> 1:13:36.240
<v Speaker 3>in it, because first we dropped it, and we had

1:13:36.280 --> 1:13:38.600
<v Speaker 3>to drop it without the rap because radio would not

1:13:38.840 --> 1:13:43.280
<v Speaker 3>play rap at the time, really, no wrap, no version

1:13:43.360 --> 1:13:45.920
<v Speaker 3>without the rep. We put it out the first time

1:13:46.040 --> 1:13:50.479
<v Speaker 3>without the rap, and then the radio was playing it,

1:13:50.800 --> 1:13:53.240
<v Speaker 3>but it wasn't it wasn't really going nowhere. So we

1:13:53.880 --> 1:13:57.560
<v Speaker 3>took we stopped that. We brought that one back and

1:13:57.720 --> 1:14:02.840
<v Speaker 3>put out my prerogative, Like we pulled the pulled Domp

1:14:03.000 --> 1:14:06.320
<v Speaker 3>crew and put out my prerogative and boom, we hit him.

1:14:06.800 --> 1:14:09.320
<v Speaker 3>We got pop radio. We you know, we got started

1:14:09.360 --> 1:14:12.720
<v Speaker 3>getting all the ads and then we put the rap

1:14:12.800 --> 1:14:15.120
<v Speaker 3>on them Won't Be Crew and put it back out

1:14:15.240 --> 1:14:18.000
<v Speaker 3>right after prerogative. So it was like it was like

1:14:18.080 --> 1:14:19.519
<v Speaker 3>a switcher through And what.

1:14:19.680 --> 1:14:21.040
<v Speaker 8>Was the effects of that when you put the rap

1:14:21.080 --> 1:14:21.240
<v Speaker 8>back on?

1:14:21.320 --> 1:14:22.880
<v Speaker 3>What did you what did you say? Number one? That

1:14:22.960 --> 1:14:26.400
<v Speaker 3>was the Yeah, that's the part everyone. That's when they

1:14:26.479 --> 1:14:31.320
<v Speaker 3>started really really playing rap music on the pop radio stations,

1:14:32.160 --> 1:14:36.040
<v Speaker 3>because it was like they had to. I'm really shocked

1:14:36.120 --> 1:14:39.439
<v Speaker 3>that you're this would be cool man? If you didn't

1:14:39.520 --> 1:14:41.160
<v Speaker 3>like it? Did you? Were you hesitant to name the

1:14:41.200 --> 1:14:42.120
<v Speaker 3>title after the record?

1:14:42.360 --> 1:14:42.400
<v Speaker 5>No?

1:14:42.920 --> 1:14:46.400
<v Speaker 3>No, I thought I thought, I'm I'm a big Elvis

1:14:46.479 --> 1:14:51.120
<v Speaker 3>Presley fan. It was like that, I'm gonna take Yeah.

1:14:52.960 --> 1:14:55.080
<v Speaker 8>So then every little step, what is the problem?

1:14:55.800 --> 1:14:55.920
<v Speaker 6>Like that?

1:14:58.120 --> 1:15:00.760
<v Speaker 3>Was it the same verse, the same verse? Yeah, it

1:15:00.800 --> 1:15:05.000
<v Speaker 3>took parts of that, parts of that, and then I

1:15:05.479 --> 1:15:08.160
<v Speaker 3>just thought it was bubble gummish. Wait why was it

1:15:08.360 --> 1:15:13.160
<v Speaker 3>just why was it one verse sung twice the same? Now?

1:15:13.439 --> 1:15:15.920
<v Speaker 3>Now I'm doing. Wait, didn't Face already revealed that to us?

1:15:16.160 --> 1:15:19.040
<v Speaker 3>Or am I just discovering that right now? I can't remember?

1:15:19.120 --> 1:15:19.920
<v Speaker 3>So it was.

1:15:21.840 --> 1:15:23.560
<v Speaker 1>No, No, it was the same verse. It was the

1:15:23.600 --> 1:15:27.799
<v Speaker 1>same thing verse. It was just sung sung differently. On Saturday.

1:15:29.920 --> 1:15:33.040
<v Speaker 3>Lewis did the same thing Saturday Love. Yeah. Man, So

1:15:33.200 --> 1:15:35.639
<v Speaker 3>did you like Ronie because that's like I love okay

1:15:36.840 --> 1:15:42.000
<v Speaker 3>all the balance Here.

1:15:42.200 --> 1:15:44.519
<v Speaker 7>Here's a random ass question that probably I'm the only

1:15:44.560 --> 1:15:47.080
<v Speaker 7>one that's interested in. How involved were you with the

1:15:47.160 --> 1:15:48.320
<v Speaker 7>Dance You Note remix album?

1:15:48.439 --> 1:15:52.920
<v Speaker 3>Yes, A very yeah, because I felt, you know, if

1:15:52.960 --> 1:15:55.880
<v Speaker 3>I wasn't going to drop an album right right away,

1:15:56.320 --> 1:15:59.720
<v Speaker 3>that the best thing to do is remix and re

1:16:00.080 --> 1:16:03.800
<v Speaker 3>sell the same songs that we just sold. It was

1:16:04.080 --> 1:16:07.240
<v Speaker 3>it was that was the remixes in the Key of B.

1:16:07.560 --> 1:16:07.800
<v Speaker 3>Was it that?

1:16:08.040 --> 1:16:09.519
<v Speaker 6>No, There was Dance You Note for the Don't Be

1:16:09.560 --> 1:16:12.599
<v Speaker 6>Cruel out and remixes for the Bobby Yeah.

1:16:12.600 --> 1:16:15.840
<v Speaker 3>I had mixed drop it on more. Where is the

1:16:15.920 --> 1:16:22.640
<v Speaker 3>b Brown posse? Everywhere? Everywhere? We're starting to rebuild right now.

1:16:23.680 --> 1:16:25.920
<v Speaker 3>We are definitely starting to rebuild with my sons. And

1:16:27.080 --> 1:16:31.360
<v Speaker 3>I have this other artist. His name is Damn. Did

1:16:31.439 --> 1:16:35.520
<v Speaker 3>I just forget his name's an artist named Frank Stickham's

1:16:35.800 --> 1:16:41.160
<v Speaker 3>and got a guy named Tim Campbell and then we

1:16:41.240 --> 1:16:46.599
<v Speaker 3>still have Styles. Styles are still out there. Yeah, yeah,

1:16:48.240 --> 1:16:48.880
<v Speaker 3>I'll keep it going.

1:16:49.160 --> 1:16:50.920
<v Speaker 7>In your book, you were talking about, you know, you

1:16:51.000 --> 1:16:52.960
<v Speaker 7>guys recorded a lot of stuff for the for your

1:16:53.040 --> 1:16:55.519
<v Speaker 7>label that you had. Is any do you ever think

1:16:55.560 --> 1:16:56.760
<v Speaker 7>any of that stuff is going to come out?

1:16:58.840 --> 1:17:01.040
<v Speaker 3>Never know? You know, I just gotta go and and

1:17:01.360 --> 1:17:05.840
<v Speaker 3>I gotta I mean, my my garage is stacked, which

1:17:06.000 --> 1:17:10.080
<v Speaker 3>just just reels and reels and reels, and I just

1:17:10.160 --> 1:17:12.320
<v Speaker 3>gotta find time to you know, go through them. And

1:17:12.439 --> 1:17:14.720
<v Speaker 3>I mean, if you need somebody to help you, volunteer, Yeah,

1:17:16.400 --> 1:17:20.479
<v Speaker 3>I volunteers. Tribute. Yeah, I'd like to know what was the.

1:17:22.000 --> 1:17:25.680
<v Speaker 1>The process of reuniting the group back together for the

1:17:26.080 --> 1:17:29.360
<v Speaker 1>Home the Home Again album? Like, I know it's an

1:17:29.360 --> 1:17:35.000
<v Speaker 1>extension of the Get Back the Remix of Words, but

1:17:36.200 --> 1:17:37.120
<v Speaker 1>how how is that.

1:17:38.840 --> 1:17:42.160
<v Speaker 3>I organized? I just missed my I just missed my crew,

1:17:42.320 --> 1:17:44.280
<v Speaker 3>you know, I missed all the guys. I missed the

1:17:44.360 --> 1:17:48.519
<v Speaker 3>camaraderie that we have. I missed just my friends just

1:17:48.600 --> 1:17:54.120
<v Speaker 3>being out on the road with them. And I was like, man,

1:17:54.200 --> 1:17:56.160
<v Speaker 3>it's time. I think it's time, you know, we get

1:17:56.200 --> 1:17:58.920
<v Speaker 3>together and we do something. What went wrong with it?

1:18:00.280 --> 1:18:04.360
<v Speaker 3>We were all crazy. We were all crazy.

1:18:05.240 --> 1:18:07.720
<v Speaker 1>But did it last at least the full tour? That's

1:18:07.760 --> 1:18:10.160
<v Speaker 1>the only time I didn't get to see I didn't.

1:18:09.960 --> 1:18:11.479
<v Speaker 3>I didn't get to see him that year either. I

1:18:11.520 --> 1:18:13.040
<v Speaker 3>didn't get to see you guys, I still have. I

1:18:13.080 --> 1:18:16.160
<v Speaker 3>don't know if it lasted the whole tour. I don't know.

1:18:16.240 --> 1:18:18.960
<v Speaker 3>I don't even know that because I mean, at that time,

1:18:19.080 --> 1:18:21.080
<v Speaker 3>I was in a funk. I was in a real

1:18:21.240 --> 1:18:24.760
<v Speaker 3>bad way, you know, with using drugs and things like that,

1:18:24.960 --> 1:18:27.880
<v Speaker 3>and it was just it was just not a good

1:18:27.920 --> 1:18:31.559
<v Speaker 3>time for me in my life. And I was still rolling,

1:18:31.680 --> 1:18:35.160
<v Speaker 3>you know, I was still on the road and not

1:18:35.320 --> 1:18:37.720
<v Speaker 3>taking care of myself, and it was just it was

1:18:37.840 --> 1:18:40.439
<v Speaker 3>just a bad time, and you know, we ended up.

1:18:42.160 --> 1:18:45.200
<v Speaker 3>I ended up losing my damn mind and you'll see

1:18:45.240 --> 1:18:50.000
<v Speaker 3>it in my film. And I just I snapped, you know,

1:18:50.400 --> 1:18:54.200
<v Speaker 3>and just went crazy for a little while and had

1:18:54.200 --> 1:18:57.000
<v Speaker 3>to come up tour and you know, get some help.

1:18:57.080 --> 1:18:59.120
<v Speaker 3>And I'm grateful that I did.

1:19:00.080 --> 1:19:01.120
<v Speaker 8>Is it always all good?

1:19:01.240 --> 1:19:05.080
<v Speaker 2>With with the introduction of Johnny and I was like

1:19:05.160 --> 1:19:07.040
<v Speaker 2>that if it was, it was great, But I always

1:19:07.040 --> 1:19:07.360
<v Speaker 2>a the fan.

1:19:07.400 --> 1:19:10.240
<v Speaker 3>I was like, was that that easy? Well, me and

1:19:10.360 --> 1:19:13.559
<v Speaker 3>Johnny have never have had a problem since I since

1:19:13.600 --> 1:19:15.840
<v Speaker 3>I found out that he wasn't there to replace me,

1:19:16.920 --> 1:19:19.559
<v Speaker 3>you know, he was there to replace Ralph because Ralph

1:19:19.640 --> 1:19:24.000
<v Speaker 3>was going to go solo. So I was just like, oh, okay, well,

1:19:24.080 --> 1:19:26.360
<v Speaker 3>I mean you got no problems then, because you know

1:19:26.600 --> 1:19:29.360
<v Speaker 3>I was I was Eddie Kane Jr. At that time.

1:19:33.320 --> 1:19:35.120
<v Speaker 8>Well, how long did it take you to get that

1:19:35.160 --> 1:19:36.280
<v Speaker 8>information that looks this.

1:19:36.360 --> 1:19:38.840
<v Speaker 3>Is what it is? Actually? No, they told me Mike

1:19:38.920 --> 1:19:42.280
<v Speaker 3>and Mike, Ricky and Ronnie and and and then told me.

1:19:42.400 --> 1:19:44.679
<v Speaker 3>And then, you know, me being close to Ralph, Ralph

1:19:44.800 --> 1:19:48.160
<v Speaker 3>was telling he had been playing me his his album,

1:19:48.680 --> 1:19:49.880
<v Speaker 3>you know, because me and Ralph was.

1:19:49.960 --> 1:19:50.960
<v Speaker 5>Like this and.

1:19:52.640 --> 1:19:54.680
<v Speaker 3>He had been playing me his music and stuff. And

1:19:54.760 --> 1:20:03.280
<v Speaker 3>I was like, yeah, that's you about to blow more sensitivity. Yeah. Yeah,

1:20:03.360 --> 1:20:06.240
<v Speaker 3>he had a bomb album that he did with who

1:20:06.360 --> 1:20:08.600
<v Speaker 3>was he working with, you know, the producers just a

1:20:08.760 --> 1:20:12.840
<v Speaker 3>guy named Dwayne, Dwayne in Boston, I forget his name,

1:20:13.479 --> 1:20:16.240
<v Speaker 3>but yeah, they had some hot stuff, man. And I

1:20:16.360 --> 1:20:18.639
<v Speaker 3>was just like, yeah, that's that's what's gonna get. That's

1:20:18.680 --> 1:20:20.439
<v Speaker 3>it's gonna care. They hinted at that in the in

1:20:20.520 --> 1:20:23.479
<v Speaker 3>the New Addition movie. Were they actually using the music

1:20:23.520 --> 1:20:25.439
<v Speaker 3>that Roth had recorded for that record, because they were

1:20:25.479 --> 1:20:27.320
<v Speaker 3>playing some songs? I don't think so.

1:20:28.960 --> 1:20:31.439
<v Speaker 2>Did you treat the relations Did y'all treat the relationship

1:20:31.479 --> 1:20:35.200
<v Speaker 2>with new kids on the block the same way as Johnny?

1:20:35.760 --> 1:20:36.240
<v Speaker 3>In that way?

1:20:36.400 --> 1:20:38.640
<v Speaker 2>Like? Well, I guess I should say that it was

1:20:38.680 --> 1:20:41.080
<v Speaker 2>their hostility more toward Maurice in that way then?

1:20:41.840 --> 1:20:45.280
<v Speaker 3>No, no, we we we we really didn't care. We

1:20:45.479 --> 1:20:50.639
<v Speaker 3>was just we were mad that they they cornered the merchant.

1:20:54.120 --> 1:20:57.400
<v Speaker 3>They made more money with their merchandise than the records

1:20:57.400 --> 1:21:00.679
<v Speaker 3>than their records. It was couldn't go to class without

1:21:00.680 --> 1:21:03.320
<v Speaker 3>seeing like eighteen girls and new kids on the block.

1:21:03.640 --> 1:21:09.840
<v Speaker 6>Yeah, the sweat shirts, sweatshirt traffic keepers, traffic keepers, Yeah

1:21:10.080 --> 1:21:10.839
<v Speaker 6>yeah yeah.

1:21:11.840 --> 1:21:16.080
<v Speaker 3>Traficet pillows, all kinds of ship wait side questions.

1:21:16.360 --> 1:21:19.200
<v Speaker 1>I'm about to derel into a rabbit hole. But your dad,

1:21:19.800 --> 1:21:21.120
<v Speaker 1>it's almost back to school time.

1:21:21.240 --> 1:21:22.320
<v Speaker 3>Oh yeah, it's already bad.

1:21:22.400 --> 1:21:23.720
<v Speaker 1>I haven't already got all the school and I'm not

1:21:23.800 --> 1:21:27.840
<v Speaker 1>a dad, so I got to know the books anymore.

1:21:27.960 --> 1:21:30.720
<v Speaker 1>They don't use traffic keepers anyway, like the traffic keepers done.

1:21:30.800 --> 1:21:33.000
<v Speaker 1>They do have notebooks but what's fly now is that

1:21:33.080 --> 1:21:37.120
<v Speaker 1>they have companies now, uh that you can prepay for

1:21:37.640 --> 1:21:40.120
<v Speaker 1>your your back to school supplies.

1:21:40.280 --> 1:21:42.920
<v Speaker 3>Yeah and l and when your kids get the school,

1:21:43.040 --> 1:21:44.840
<v Speaker 3>the box to just be there, but they name on it.

1:21:45.240 --> 1:21:47.040
<v Speaker 3>So that's what I do. Like I bought, I buy

1:21:47.120 --> 1:21:49.200
<v Speaker 3>like Amazon, your son the school Man.

1:21:49.560 --> 1:21:53.479
<v Speaker 6>Amazon Prime that niggas apply. I'm not going to target

1:21:53.520 --> 1:21:55.800
<v Speaker 6>and spending all that time and there that's so fun.

1:21:59.080 --> 1:22:00.920
<v Speaker 6>I get them and you send him and he gets

1:22:00.960 --> 1:22:02.800
<v Speaker 6>to school the first day, his name is on the

1:22:02.880 --> 1:22:03.880
<v Speaker 6>box and he good.

1:22:03.760 --> 1:22:04.519
<v Speaker 3>To go, all right.

1:22:04.600 --> 1:22:06.679
<v Speaker 7>So I hate to keep referencing things in your book,

1:22:06.720 --> 1:22:08.240
<v Speaker 7>but your book is really good, and I hope people

1:22:08.280 --> 1:22:11.040
<v Speaker 7>can keep it. Like from me asking to tell these stories,

1:22:11.120 --> 1:22:13.920
<v Speaker 7>We'll go out and buy it. There's a story about

1:22:14.000 --> 1:22:15.000
<v Speaker 7>Mike Tyson in the book.

1:22:15.080 --> 1:22:17.160
<v Speaker 3>Is this in the movie? Do you know where I'm going?

1:22:19.560 --> 1:22:22.439
<v Speaker 3>Can you? Can you tell the story about the night

1:22:22.520 --> 1:22:25.800
<v Speaker 3>partying with Mike Tyson and what happened the day after? Well,

1:22:26.479 --> 1:22:30.800
<v Speaker 3>it was we was in Japan and we hooked up

1:22:30.840 --> 1:22:33.120
<v Speaker 3>in Japan. Is this when he lost to Buster Douglas? Yes,

1:22:33.760 --> 1:22:41.000
<v Speaker 3>spoiling the story for us, Well, but you didn't know

1:22:41.080 --> 1:22:44.320
<v Speaker 3>that's what where this was going, I'll take the editor out. Listen.

1:22:44.560 --> 1:22:50.000
<v Speaker 3>We basically stayed up all night partying okay, with like

1:22:50.520 --> 1:22:55.680
<v Speaker 3>maybe twelve Japanese girls and just me and Mike. And

1:22:57.320 --> 1:23:01.559
<v Speaker 3>it was just the funniest night ever. We had a ball,

1:23:01.720 --> 1:23:04.519
<v Speaker 3>but it was just the funniest night ever. I kept

1:23:04.600 --> 1:23:07.160
<v Speaker 3>telling them. I kept telling them, and I kept telling them.

1:23:07.200 --> 1:23:10.080
<v Speaker 3>I was like, Mike, you need to go get some sleep.

1:23:10.479 --> 1:23:19.040
<v Speaker 3>You gotta fight tomorrow. He's like, Bobby, listen, buster douggat is.

1:23:19.360 --> 1:23:22.560
<v Speaker 3>He's an amateur, he said, he said I could. I

1:23:22.640 --> 1:23:25.240
<v Speaker 3>could beat him if I didn't sleep for five weeks,

1:23:26.280 --> 1:23:29.880
<v Speaker 3>he said. He said, watch watch how quick this fight ends.

1:23:30.120 --> 1:23:32.800
<v Speaker 3>This is gonna be one of my quickest fights. And

1:23:33.120 --> 1:23:36.200
<v Speaker 3>I was like, Mike, all right. He was like, don't worry, man,

1:23:36.360 --> 1:23:40.320
<v Speaker 3>you worry so much. I was like, all right, Pride

1:23:40.360 --> 1:23:43.960
<v Speaker 3>Goes before the Fall and what on behold? I had

1:23:44.000 --> 1:23:46.559
<v Speaker 3>to go to Osaka and I couldn't go to the fight.

1:23:47.439 --> 1:23:50.360
<v Speaker 3>I had to go to Osaka and I'm sitting there

1:23:50.920 --> 1:23:55.560
<v Speaker 3>at this this Empress place and he has it on

1:23:55.680 --> 1:23:58.920
<v Speaker 3>this big screen and I'm like, we're watching it and

1:24:00.080 --> 1:24:03.160
<v Speaker 3>looking at Mike and I'm seeing the fatigue in him.

1:24:03.840 --> 1:24:07.879
<v Speaker 3>And I was just like, oh ship, and then them

1:24:07.960 --> 1:24:12.920
<v Speaker 3>punches came boom boom boom, boom boom, and I just

1:24:13.080 --> 1:24:18.120
<v Speaker 3>started crying, like yo, baby, listen cried so bad. You

1:24:18.200 --> 1:24:22.080
<v Speaker 3>don't understand. I was grade Man. Wasn't that She's like

1:24:22.160 --> 1:24:27.160
<v Speaker 3>watching Superman like that. It was hurt. Yeah, that hurt.

1:24:27.680 --> 1:24:29.439
<v Speaker 3>I mean, it hurt me to my core. I was

1:24:29.560 --> 1:24:32.519
<v Speaker 3>just like I couldn't. I couldn't breathe, and I had

1:24:32.600 --> 1:24:36.519
<v Speaker 3>to go on stage. So I was just like I

1:24:36.640 --> 1:24:39.840
<v Speaker 3>think that's when I started having panic attacks, you know,

1:24:40.200 --> 1:24:43.240
<v Speaker 3>and just like I was like, oh my god, he's

1:24:43.280 --> 1:24:46.240
<v Speaker 3>gonna kill me. He's gonna, he's gonna, he's just gonna

1:24:46.280 --> 1:24:49.600
<v Speaker 3>he's just gonna destroy me when he sees me. And

1:24:49.760 --> 1:24:52.360
<v Speaker 3>I was like, I was like yo. But then I

1:24:52.439 --> 1:24:57.760
<v Speaker 3>started thinking about it. I kept telling this, why would

1:24:57.800 --> 1:25:00.680
<v Speaker 3>he be mad at me? What? What was it like?

1:25:00.760 --> 1:25:04.080
<v Speaker 3>At the after after he after the fight, he called

1:25:04.120 --> 1:25:06.280
<v Speaker 3>me on the phone. He said, Bob, he was right.

1:25:09.560 --> 1:25:11.600
<v Speaker 3>He said, you was so like he said, I was

1:25:11.680 --> 1:25:14.680
<v Speaker 3>so sleepy in there, my legs, with my legs with

1:25:14.920 --> 1:25:18.160
<v Speaker 3>mushing there. He said, that's why, he said, that's why

1:25:18.280 --> 1:25:23.080
<v Speaker 3>coustry model told me don't have sex for a fight again,

1:25:23.240 --> 1:25:27.960
<v Speaker 3>you had a lot of sex. You had a lot

1:25:28.120 --> 1:25:30.880
<v Speaker 3>of it was it wasn't just one person. You have

1:25:31.080 --> 1:25:43.880
<v Speaker 3>a lot of oh god, drinking a dragging alkaline alkaline water. Yeah.

1:25:47.120 --> 1:25:49.479
<v Speaker 3>So like what's your life like now? Like on the

1:25:49.560 --> 1:25:51.360
<v Speaker 3>day to day, Like what you my life? What you do?

1:25:51.680 --> 1:25:55.439
<v Speaker 3>My life now was beautiful, I think. I mean, I'm

1:25:55.520 --> 1:26:06.680
<v Speaker 3>living my best days coming back for I love shoulders. No,

1:26:06.960 --> 1:26:11.360
<v Speaker 3>I'm I'm I'm so happy as y'all know. I'm I'm married.

1:26:11.400 --> 1:26:15.000
<v Speaker 3>I've been married to my wife, Alicia for for the

1:26:15.200 --> 1:26:19.720
<v Speaker 3>last six years. We've been together for about ten and

1:26:19.920 --> 1:26:23.880
<v Speaker 3>then we have three kids, a two year old, a

1:26:23.960 --> 1:26:27.400
<v Speaker 3>three year old, and a nine year old. And I

1:26:27.960 --> 1:26:35.120
<v Speaker 3>just love you just six six six six, all right.

1:26:35.640 --> 1:26:39.120
<v Speaker 1>I know I have it on good authority as a foodie. Uhh,

1:26:39.560 --> 1:26:44.720
<v Speaker 1>that you're fried chicken? Game is bart nine hands down.

1:26:45.960 --> 1:26:46.320
<v Speaker 3>Look at.

1:26:49.000 --> 1:26:51.240
<v Speaker 1>I saw someone another room like look like I told you,

1:26:53.520 --> 1:26:55.120
<v Speaker 1>And this is not the cocaine chicken.

1:26:55.840 --> 1:26:59.240
<v Speaker 3>This is not the cocaine. Is that really better to

1:26:59.280 --> 1:27:00.439
<v Speaker 3>make you addicted like coke?

1:27:02.840 --> 1:27:02.880
<v Speaker 6>No?

1:27:03.080 --> 1:27:05.280
<v Speaker 3>I have you know we have a food line, I know,

1:27:05.640 --> 1:27:11.080
<v Speaker 3>Bobby Brownfoods dot com and we make barbecue sauces, all natural,

1:27:11.479 --> 1:27:15.360
<v Speaker 3>gluten free kosha, you know, all all of the all

1:27:15.400 --> 1:27:19.440
<v Speaker 3>of the natural ingredients that we put in there afresh,

1:27:20.600 --> 1:27:24.840
<v Speaker 3>and we we basically make it and bottle it while

1:27:24.880 --> 1:27:28.240
<v Speaker 3>it's hot, so that you know it's it's the real

1:27:28.520 --> 1:27:31.720
<v Speaker 3>it's the real deal, you know. Then we have the

1:27:31.800 --> 1:27:36.360
<v Speaker 3>fried chicken mix which you can cook pork, chicken fish with.

1:27:36.520 --> 1:27:39.840
<v Speaker 3>The fried chicken mixes called brown bagging it we give you,

1:27:43.160 --> 1:27:45.760
<v Speaker 3>give you a bag. You get it comes in a

1:27:45.840 --> 1:27:47.680
<v Speaker 3>bag and you can use that bag to shake it,

1:27:48.479 --> 1:27:52.880
<v Speaker 3>shake your stuff up. The Boston band Boston Boston blenn

1:27:53.000 --> 1:27:55.400
<v Speaker 3>is like a rub or you know, just like an

1:27:55.439 --> 1:27:59.760
<v Speaker 3>everyday pepper, which is which is also all natural.

1:28:01.160 --> 1:28:01.760
<v Speaker 8>Recipes.

1:28:01.880 --> 1:28:06.400
<v Speaker 6>Yes, Bobby's barbecue salmon, yes, yes, vegetarians right.

1:28:07.080 --> 1:28:11.200
<v Speaker 3>Speaking of seafood in the everyday seasoning is also it's

1:28:11.360 --> 1:28:15.600
<v Speaker 3>like a it's like Lowry's, but it's a lot a

1:28:15.760 --> 1:28:19.960
<v Speaker 3>lot less salt, and it's it's it's also you know,

1:28:20.120 --> 1:28:22.280
<v Speaker 3>gluten free and all natural. We're gonna cops, I'm a

1:28:22.400 --> 1:28:24.600
<v Speaker 3>cop some of that. Speaking of seafood, I understand you

1:28:24.760 --> 1:28:27.479
<v Speaker 3>you're big into sushi, is that right? I am? I am?

1:28:28.840 --> 1:28:30.920
<v Speaker 3>Have you ever been to Gero's in Japan.

1:28:31.840 --> 1:28:35.080
<v Speaker 1>That you're right Gero's, Yes, I don't think so he's

1:28:35.120 --> 1:28:37.920
<v Speaker 1>the god of sushi. Oh yeah, since he he's like

1:28:38.120 --> 1:28:40.880
<v Speaker 1>eighty eighty nine years old.

1:28:40.920 --> 1:28:42.960
<v Speaker 3>But you have to check him out. You got to

1:28:42.960 --> 1:28:43.960
<v Speaker 3>see his on a Netflix.

1:28:44.000 --> 1:28:47.080
<v Speaker 1>You gotta see his documentary, Gerald Dreams of Sushi and

1:28:47.280 --> 1:28:50.400
<v Speaker 1>like it's it's a pilgrimage, Like his meals are like.

1:28:52.080 --> 1:28:53.640
<v Speaker 3>Six seven hundred dollars.

1:28:53.760 --> 1:28:57.400
<v Speaker 1>But it's people. People make pilgrimages over there. It's almost

1:28:57.400 --> 1:29:00.360
<v Speaker 1>like going to confessional just him. Yeah, like it's just

1:29:00.479 --> 1:29:02.800
<v Speaker 1>you and him alone in the room, and he feeds you,

1:29:03.280 --> 1:29:06.280
<v Speaker 1>you know, the best sushi you've ever had in your life.

1:29:06.680 --> 1:29:10.599
<v Speaker 3>Wow. I remember, I remember going when I first ate sushi.

1:29:10.680 --> 1:29:14.880
<v Speaker 3>I ate sushi in Japan at the Empress Palace. He

1:29:15.000 --> 1:29:19.280
<v Speaker 3>invited us over, Me and my whole crew. We had

1:29:19.400 --> 1:29:23.680
<v Speaker 3>just finished doing Tokyo dum for the seventh night and

1:29:25.120 --> 1:29:27.960
<v Speaker 3>he invited us over, and I mean the palace was

1:29:28.040 --> 1:29:32.640
<v Speaker 3>so beautiful and he just we were like skeptical of

1:29:32.800 --> 1:29:35.439
<v Speaker 3>trying sushi, but it was like this was so long ago,

1:29:35.600 --> 1:29:39.320
<v Speaker 3>this was before all of these sushi restaurants started popping

1:29:39.439 --> 1:29:44.200
<v Speaker 3>up here, and man I swear on my life this

1:29:44.720 --> 1:29:48.240
<v Speaker 3>this food was so good. It was oh my god.

1:29:48.360 --> 1:29:51.680
<v Speaker 3>And they had temporas and all of that. They had

1:29:51.720 --> 1:29:57.360
<v Speaker 3>these little white fish that the tempora and I mean, oh,

1:30:01.520 --> 1:30:04.679
<v Speaker 3>I can still taste it right now, that's how good

1:30:04.680 --> 1:30:06.599
<v Speaker 3>it was. And then I tried all of the other

1:30:06.840 --> 1:30:10.680
<v Speaker 3>you know, you know, raw fish and things like that,

1:30:10.920 --> 1:30:14.160
<v Speaker 3>and got my kids into it, you know, my older kids,

1:30:14.920 --> 1:30:17.800
<v Speaker 3>and then I started telling them that the you know,

1:30:17.960 --> 1:30:21.439
<v Speaker 3>the wasabi was dessert and that was the ice cream.

1:30:24.800 --> 1:30:29.880
<v Speaker 3>That's nice. I did it to my brother first, and

1:30:30.040 --> 1:30:32.080
<v Speaker 3>he took a scoop and put it all the way

1:30:32.080 --> 1:30:34.680
<v Speaker 3>in his love and he was and he doesn't like

1:30:34.840 --> 1:30:43.439
<v Speaker 3>anything hot, and his snow started running. I started tearing up.

1:30:43.720 --> 1:30:47.719
<v Speaker 6>I was like, before I forget talk to us about

1:30:47.800 --> 1:30:50.280
<v Speaker 6>how you had Bosstown in Atlanta and then how it

1:30:50.360 --> 1:30:54.719
<v Speaker 6>became thinkni you okay in outcast in that connection, I forgot.

1:30:55.400 --> 1:31:00.160
<v Speaker 3>Well. Bosstown was a place where we did all of

1:31:00.280 --> 1:31:04.320
<v Speaker 3>the recordings for you know, most of my stuff that

1:31:04.439 --> 1:31:08.720
<v Speaker 3>I did with b Brown Posse, and we would rent

1:31:08.760 --> 1:31:11.400
<v Speaker 3>it out, you know track. We would do lots of tracks.

1:31:11.520 --> 1:31:15.800
<v Speaker 3>We had three studios. But I just got I just

1:31:15.920 --> 1:31:19.559
<v Speaker 3>got tired of Atlanta. You know, when I was getting

1:31:19.560 --> 1:31:22.280
<v Speaker 3>ready to get married to Whitney, I was just tired

1:31:22.360 --> 1:31:25.920
<v Speaker 3>of Atlanta. I was tired of being there and tired

1:31:25.960 --> 1:31:29.320
<v Speaker 3>of the whole Atlanta scene. You know, because what years

1:31:29.360 --> 1:31:35.040
<v Speaker 3>were you there from? Ooh, I want to say eighty eight,

1:31:35.439 --> 1:31:36.360
<v Speaker 3>eighty seven.

1:31:36.240 --> 1:31:43.400
<v Speaker 6>To ninety eighty seven, ninety okay, eighty seven to ninety two.

1:31:44.280 --> 1:31:47.400
<v Speaker 6>So that was was Freaknick still run Nick was yeah.

1:31:47.600 --> 1:31:54.679
<v Speaker 6>They canceled Freak Nick back in ninety ninety, yeah, around

1:31:54.760 --> 1:31:55.680
<v Speaker 6>ninety because.

1:31:55.439 --> 1:31:58.720
<v Speaker 3>It was it was wild. It was wild. I have

1:31:58.840 --> 1:32:02.360
<v Speaker 3>never seen so many strip I was on in my life.

1:32:03.680 --> 1:32:07.760
<v Speaker 3>I mean, strip club on every corner, every corner. I

1:32:09.360 --> 1:32:13.360
<v Speaker 3>was like, isn't this the Bible Belt state? Apparently not.

1:32:13.520 --> 1:32:15.600
<v Speaker 6>Yeah, Atlanta is just I mean when you know, like

1:32:15.720 --> 1:32:18.400
<v Speaker 6>Atlanta is just like one spec of black people, but

1:32:18.600 --> 1:32:21.920
<v Speaker 6>Georgia like as a whole. Oh yeah, it's yeah, it's real.

1:32:22.000 --> 1:32:24.000
<v Speaker 6>I'm from I'm born and raised North Carolina. So like

1:32:24.360 --> 1:32:26.519
<v Speaker 6>my buddies, my homies were drive down to Freaknick, but

1:32:26.600 --> 1:32:27.400
<v Speaker 6>I never got a chance to go.

1:32:27.520 --> 1:32:30.120
<v Speaker 3>I was too young. But Freaknick was wow. So you

1:32:30.200 --> 1:32:33.040
<v Speaker 3>had the studio there, you had boss Town, I had Bosstown,

1:32:33.120 --> 1:32:37.320
<v Speaker 3>there and I guess you know, I was told to

1:32:37.520 --> 1:32:42.240
<v Speaker 3>La that I wanted to sell it, and he said, well,

1:32:42.280 --> 1:32:43.920
<v Speaker 3>I got some guys that might want to buy it

1:32:44.000 --> 1:32:47.320
<v Speaker 3>off you and go we hold it was outcasts, you know,

1:32:48.160 --> 1:32:52.280
<v Speaker 3>the Dungeon Crew, and I sold it to them and

1:32:52.760 --> 1:32:57.760
<v Speaker 3>moved on, you know, didn't look back. He well, you know,

1:32:57.920 --> 1:33:02.599
<v Speaker 3>brother Brown, We thank you. Thank you. Yell y'all, bro

1:33:02.880 --> 1:33:05.800
<v Speaker 3>like for real, like you are a surviving Yeah, thank you.

1:33:06.160 --> 1:33:07.559
<v Speaker 3>I appreciate straight up.

1:33:07.680 --> 1:33:09.400
<v Speaker 7>And I want to thank you for all the sacrifices

1:33:09.439 --> 1:33:11.479
<v Speaker 7>that you and the guys in New Addition made because

1:33:11.479 --> 1:33:13.760
<v Speaker 7>you guys basically gave up your childhood just to entertain us.

1:33:14.640 --> 1:33:16.439
<v Speaker 3>I want to thank you for that. Thank you. You

1:33:16.760 --> 1:33:19.360
<v Speaker 3>made a lot of people very happy. Thanks y'all made

1:33:19.439 --> 1:33:21.800
<v Speaker 3>us got be I mean, y'all didn't have to listen,

1:33:21.880 --> 1:33:27.040
<v Speaker 3>but you did listen. We have what else am I

1:33:27.080 --> 1:33:27.920
<v Speaker 3>going to put on my cake?

1:33:32.040 --> 1:33:32.200
<v Speaker 4>Oh?

1:33:32.280 --> 1:33:32.519
<v Speaker 6>God?

1:33:32.680 --> 1:33:36.800
<v Speaker 3>All right on? Behalf of team Supreme? Uh you fan

1:33:36.880 --> 1:33:39.080
<v Speaker 3>take a little and Sugar Steve you cool Yeah, I'm

1:33:39.080 --> 1:33:40.439
<v Speaker 3>cooling it now and then cool.

1:33:42.280 --> 1:33:45.360
<v Speaker 1>Boston on pay Bill quest love. Thank you Bobby once again,

1:33:45.479 --> 1:33:46.840
<v Speaker 1>Thank you, thank you so much.

1:33:46.880 --> 1:33:49.599
<v Speaker 3>You got it. This is quest Love Supreme only on Pandora.

1:33:49.720 --> 1:33:51.360
<v Speaker 3>We'll see you on the next go around, y'all.

1:34:04.040 --> 1:34:08.400
<v Speaker 1>Court Love Supremest production of iHeartRadio. This classic episode was

1:34:08.479 --> 1:34:14.280
<v Speaker 1>produced by the team at Pandora. For more podcasts from iHeartRadio,

1:34:14.439 --> 1:34:18.160
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:34:18.200 --> 1:34:19.120
<v Speaker 1>to your favorite shows.