WEBVTT - and Jessy Terrero

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<v Speaker 1>Hello, sexy people.

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<v Speaker 2>It is Lala Kent and Randall and this is to

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<v Speaker 2>give them Lala with Randall podcast.

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<v Speaker 1>How you doing Baby, I'm good, Hunt.

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<v Speaker 3>I mean, I can't complain.

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<v Speaker 4>We're out here in Puerto Rico liv in a pretty

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<v Speaker 4>good moment.

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<v Speaker 2>We're literally on a yacht right now in the bedroom

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<v Speaker 2>doing this podcast.

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<v Speaker 3>Yeah, it's pretty unique.

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<v Speaker 4>I gotta say, I didn't think I'd ever be on

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<v Speaker 4>a boat in the uh waters off of San Juan.

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<v Speaker 2>This is why I love Randal, because it's like, yeah,

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<v Speaker 2>it's pretty unique. I'm like, this is pretty fucking bad

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<v Speaker 2>at It's pretty unique.

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<v Speaker 3>Guys, it's pretty dope. I gotta say.

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<v Speaker 4>I I you know, I when I came up with

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<v Speaker 4>the idea because I knew we were like limited for time.

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<v Speaker 4>You're only out here visiting me for like this week.

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<v Speaker 4>And I was like, Okay, when can we fit this in.

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<v Speaker 4>I've got my kids here. Yeah, you I'm making a movie.

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<v Speaker 4>It's a little busy, and I was like, you know what,

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<v Speaker 4>let's just do it boat.

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<v Speaker 5>Well.

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<v Speaker 2>We had no other choice because Randall's here in Puerto

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<v Speaker 2>Rico making a movie until the end of March. I

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<v Speaker 2>am literally flying out tonight to Miami so that Randall's

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<v Speaker 2>mom can help me register for the wedding.

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<v Speaker 4>Then you go back and after that you have to

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<v Speaker 4>do your bridle shower, you have to do your fitting,

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<v Speaker 4>you have to do your bachelor party.

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<v Speaker 1>You got all the fitting of my wedding dress. Yep, yep,

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<v Speaker 1>you got to You got a full skill, you got

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<v Speaker 1>a full schedule, plus all.

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<v Speaker 4>Your other business that you run with your brands and stuff.

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<v Speaker 4>So I'm very impressed.

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<v Speaker 1>I'm overwhelmed, to say the very Let me ask you

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<v Speaker 1>a better.

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<v Speaker 4>Question, ask me, how are you really doing? I think

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<v Speaker 4>because I've seen you have a few meltdowns in the

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<v Speaker 4>last twenty four hours.

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<v Speaker 2>I'm feeling a lot of anxiety. I'm feeling like I'm

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<v Speaker 2>under a lot of pressure. There's just things that go

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<v Speaker 2>into a wedding and then maintaining your normal life like

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<v Speaker 2>business that you have to run.

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<v Speaker 1>It's a lot.

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<v Speaker 3>It's overwhelming.

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<v Speaker 4>I kind of have like gone down a path where

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<v Speaker 4>I've immersed myself into this movie. And then I get

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<v Speaker 4>about four hundred a day between you, my mother, your mother,

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<v Speaker 4>and the wedding pointer.

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<v Speaker 3>So you're on the firing line right now. So I

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<v Speaker 3>give you a lot.

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<v Speaker 2>Yeah, that's also stressful having my partner gone until literally

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<v Speaker 2>eighteen days before we walked down the aisle.

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<v Speaker 1>If that had to rips me the fuck out.

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<v Speaker 3>Would I would feel that way too, But I got

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<v Speaker 3>to pay the bills.

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<v Speaker 2>Can we talk about something mindless and fun like vander

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<v Speaker 2>Pump Rules for tonight?

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<v Speaker 4>I think I think that. I think Fander Will Tim.

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<v Speaker 4>Don't you think Fanner Pump Rules has some depth to it?

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<v Speaker 2>I do, absolutely yes, it has depth, you know what

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<v Speaker 2>I mean? Just something where it's like easy and if

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<v Speaker 2>we talk.

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<v Speaker 1>Shit and okay fun.

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<v Speaker 3>Why don't you tell Tim?

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<v Speaker 4>Tim has to seen a frigging episode, So why don't

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<v Speaker 4>you tell us about last Weekay? Well, let's talk about

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<v Speaker 4>last Weekcause Tim, you know what last week was, right?

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<v Speaker 4>It was a big Yeah.

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<v Speaker 6>It was your premiere on the.

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<v Speaker 4>Show, which which I thought after four years of never

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<v Speaker 4>ever thinking this is going to happen, Lalla manipulated me

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<v Speaker 4>at the highest level. And by the way, after seeing it,

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<v Speaker 4>I really do love fucking fried chicken sandwiches.

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<v Speaker 3>And anybody has a problem with that.

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<v Speaker 1>I don't think anyone had a problem with it.

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<v Speaker 3>I love fried chicken sandwich.

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<v Speaker 4>I'm glad they gave close ups I mean, if I

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<v Speaker 4>was making a movie, I wouldn't have focused on the

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<v Speaker 4>fried chicken.

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<v Speaker 3>But I guess that was exciting.

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<v Speaker 1>Yeah, random was like they did me so dirty? Why

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<v Speaker 1>would they?

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<v Speaker 2>They didn't show any of us ordering except Randall because

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<v Speaker 2>you got the stuff fried chicken.

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<v Speaker 6>I mean that's pretty fucked up.

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<v Speaker 3>I mean, Tim, there's a lot of other shit the

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<v Speaker 3>sea besides the fed. Nobody else ate, only you were

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<v Speaker 3>the only person that ate.

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<v Speaker 4>That's my point, babe. How come what did you guys

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<v Speaker 4>have a Well?

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<v Speaker 2>You know why they did that, right, because it stirs

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<v Speaker 2>up the controversy. At one point, James body shamed you,

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<v Speaker 2>so they zoned in on the fact that you ordered

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<v Speaker 2>double fried chicken.

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<v Speaker 1>It's fucked up.

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<v Speaker 3>But I'm gonna tell you something.

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<v Speaker 1>Welcome to it.

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<v Speaker 3>If I ever filmed this.

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<v Speaker 4>Show again, I'm gonna order six desserts because I'm just mad.

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<v Speaker 6>You should just not eat one of the desserts and

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<v Speaker 6>just give them to everybody else, right, see it, sit

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<v Speaker 6>in satisfaction while everybody else enjoys the totally.

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<v Speaker 1>I like that.

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<v Speaker 4>I think I got screwed. I mean there were close ups.

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<v Speaker 4>I mean they should have just gone to slow motion.

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<v Speaker 4>Why don't we just go to slow motion with the

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<v Speaker 4>chicken going in my mouth?

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<v Speaker 1>Right? Well, they couldn't do that because they had to

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<v Speaker 1>fit newbies in.

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<v Speaker 3>Oh here we go. Here, I was about to light

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<v Speaker 3>it up.

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<v Speaker 2>So many people have been dming me, like, how do

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<v Speaker 2>you feel about.

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<v Speaker 1>Sena bullying Dana because you were once in that spot.

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<v Speaker 1>I fucking wish it was Shina that was bullying me.

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<v Speaker 1>That's fucking child's play, Like row ro row your fucking belt.

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<v Speaker 3>Man, you know boy, Oh here we go.

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<v Speaker 2>I'm like you guys like, yes, not cool what Shina

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<v Speaker 2>does to Dana. But like I had pit bulls after me,

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<v Speaker 2>Katie and Stossey are no joke.

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<v Speaker 1>Like if they were coming for Dana then I'd be like,

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<v Speaker 1>this is not cool. But Sheina, Like.

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<v Speaker 3>Okay, I just want to say she and I do

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<v Speaker 3>like you. I'm just gonna put it out.

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<v Speaker 2>No, I'm just saying Gina's a nice person with a

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<v Speaker 2>kind heart. So when she tries to bully people, that's

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<v Speaker 2>all it is is she's trying to It doesn't really

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<v Speaker 2>work out that well.

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<v Speaker 3>Are we done with the Vanderpunt segment? You don't like

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<v Speaker 3>it too, But I just think.

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<v Speaker 1>Like I make you feel uncomfortable, yeah, very.

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<v Speaker 3>But can I say what thing though? Because because people

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<v Speaker 3>have asked.

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<v Speaker 4>Me a lot, and when I premiered that episode with you,

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<v Speaker 4>I just want to tell you something. I really was

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<v Speaker 4>so uncomfortable going into this to do this and to

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<v Speaker 4>show this part of our life. And I will tell

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<v Speaker 4>you that being with you, you're obviously very comfortable in

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<v Speaker 4>front of the camera, and you made me very comfortable.

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<v Speaker 3>And I think that.

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<v Speaker 4>It's nice that people do get to see us the

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<v Speaker 4>way we are, you know, a little slice, a small slice,

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<v Speaker 4>and I didn't mind it, and people were very kind

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<v Speaker 4>in the comments. I was shocked because I thought it

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<v Speaker 4>was just going to be a you know, a beheading.

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<v Speaker 2>No. But I also think that because the podcast happened

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<v Speaker 2>a little bit before the episode, people really got to

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<v Speaker 2>see what you were like as a person, you know,

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<v Speaker 2>because no one knew what you were like and how

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<v Speaker 2>we are together until we did the podcast, and then

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<v Speaker 2>it kind of broke people into it prepared them.

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<v Speaker 1>It prepared them.

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<v Speaker 4>Okay, I dig that, and actually that's nice and I

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<v Speaker 4>and I think it's nice. I think I want to

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<v Speaker 4>tell you something now that I'm looking out the.

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<v Speaker 3>Hatch of this bedroom at the ocean.

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<v Speaker 1>You're mad.

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<v Speaker 4>No, I just think it's pretty dope, like it is

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<v Speaker 4>pretty cool, Like it's I think if our you know

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<v Speaker 4>what we should do? What we should do a giveaway

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<v Speaker 4>where we invite like five or ten of your fans

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<v Speaker 4>to a trip to Miami on the yacht where we

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<v Speaker 4>podcast live.

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<v Speaker 1>Okay, well we need to pass a background check?

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<v Speaker 3>Why, Alex? Why?

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<v Speaker 7>Yeah, I just.

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<v Speaker 1>Invite five people that we don't know to Miami.

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<v Speaker 4>These are your favorite I think faith, I have faith.

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<v Speaker 4>I'm not afraid, Alex. Do you think, Alex, you will

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<v Speaker 4>need Okay, our producers are here on the boat with us.

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<v Speaker 3>Alex.

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<v Speaker 4>Do you think we would really need to pass a

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<v Speaker 4>background Honestly, I.

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<v Speaker 8>Think just for the sport of it all, we should

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<v Speaker 8>not do a background. That's saying do they giveaway on Instagram? General? All,

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<v Speaker 8>all people are welcome, no questions asked. Then you've got

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<v Speaker 8>a show and mind.

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<v Speaker 2>These boys, these producer Tim and producer Alex are about

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<v Speaker 2>seven to ten drinks deep.

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<v Speaker 3>That's not true. There twelve twelve and.

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<v Speaker 1>I encourage it. Let's talk about this.

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<v Speaker 2>So last week's episode, you know how we asked our

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<v Speaker 2>listeners to call and tell us we are taking up

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<v Speaker 2>the anchors, y'all.

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<v Speaker 3>Do you hear that the background?

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<v Speaker 1>The anchors are coming up.

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<v Speaker 3>It'll be up in a minute.

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<v Speaker 1>Okay.

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<v Speaker 2>So last week we asked our listeners to call in

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<v Speaker 2>because you and I were battling about one kid or two.

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<v Speaker 1>Well, the callers have voted.

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<v Speaker 3>Oh they have.

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<v Speaker 1>They say, were you present last week for the podcast?

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<v Speaker 3>I didn't think it was like you were going to

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<v Speaker 3>really take it to this level?

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<v Speaker 1>Of course I did.

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<v Speaker 3>There's some missions going on with this podcast.

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<v Speaker 2>So out of all of the voicemails we got, which

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<v Speaker 2>were a lot, you only got five people.

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<v Speaker 3>Yeah, it's bullshit, what I tell you. They're all your fans.

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<v Speaker 3>Of course I was gonna get it.

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<v Speaker 2>No, you did get Listen though, Listen to this voicemail

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<v Speaker 2>from one of the five, from one of the five

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<v Speaker 2>that had your back.

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<v Speaker 7>Hey, Lala and Randall, this is Emily Friend, Kingsport, Tennessee.

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<v Speaker 7>I love y'all podcast. It's so interesting to just tear

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<v Speaker 7>your dynamic and learn more about you. But I'm calling

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<v Speaker 7>to vote on how many kiss you.

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<v Speaker 9>Should have because you know it's completely my business.

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<v Speaker 7>But La La, I want you to know I was

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<v Speaker 7>the kid who had the two step siblings and on Christmas,

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<v Speaker 7>you know, so they would leave. We would have to

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<v Speaker 7>split every holiday. And it's probably the selfish bitch inside me,

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<v Speaker 7>but I loved it when my step siblings left and

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<v Speaker 7>then it was just me and my mom and dad.

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<v Speaker 7>And you know it sounds bad, but I was about

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<v Speaker 7>that last So sorry, I'm team Randall.

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<v Speaker 9>One kid. Bye, guys.

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<v Speaker 4>Okay, I need a response to that, right o, Emily,

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<v Speaker 4>I've never even heard of Kingsport, Tennessee. But I'm gonna

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<v Speaker 4>tell you something great great, great town, great town, good people. Emily.

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<v Speaker 4>You're with me for life. I'm your biggest fan Kingsport, Tennessee.

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<v Speaker 4>I'm coming hot. I'm gonna come check that place out, Laala.

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<v Speaker 4>Emily has spoken and she is She's the boss. How

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<v Speaker 4>do you want to respond to that, Lalla?

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<v Speaker 1>I'm gonna respond this way.

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<v Speaker 2>If I decide I want two kids, I will be

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<v Speaker 2>getting two kids. So yes, I will be getting two

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<v Speaker 2>kids if I want two kids, Lalla.

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<v Speaker 3>However many kids you want, you can have a I

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<v Speaker 3>love you very much.

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<v Speaker 1>That is a great answer. There we go.

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<v Speaker 4>Okay, So Emily from Kinnning Sport, I'm with you, but Lala,

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<v Speaker 4>at the end, of the day.

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<v Speaker 3>She's the boss.

0:10:11.480 --> 0:10:14.000
<v Speaker 2>Yeah, he doesn't want to come home to an unhappy Lalla.

0:10:14.160 --> 0:10:22.440
<v Speaker 2>I don't think anybody does, including myself. You have to

0:10:22.480 --> 0:10:25.480
<v Speaker 2>live with yourself, which is even more tortuous answer. You know,

0:10:26.440 --> 0:10:28.080
<v Speaker 2>we had an exciting guest today.

0:10:28.320 --> 0:10:28.760
<v Speaker 3>Yeah.

0:10:29.000 --> 0:10:33.400
<v Speaker 4>So what makes today amazing is that my friend of

0:10:33.440 --> 0:10:38.040
<v Speaker 4>like fifteen years, Jesse Terrero, who is an incredible filmmaker,

0:10:38.400 --> 0:10:40.920
<v Speaker 4>one of the biggest music video directors in the business,

0:10:41.280 --> 0:10:44.840
<v Speaker 4>directed a movie. And here's what's cool, Tim, producer. Tim

0:10:45.320 --> 0:10:50.480
<v Speaker 4>was producer's assistant on the movie that jessere Jesse directed.

0:10:50.200 --> 0:10:52.040
<v Speaker 6>The second one he directed, the second one he directed

0:10:52.080 --> 0:10:53.080
<v Speaker 6>ten years ago.

0:10:53.200 --> 0:10:56.440
<v Speaker 4>Tim was my assistant and now Tim's producer Tim both

0:10:56.440 --> 0:10:59.160
<v Speaker 4>on movies and on the podcast. So we are both

0:10:59.200 --> 0:11:01.920
<v Speaker 4>excited because it's like memory late. So, Jesse Guerrero, I.

0:11:01.880 --> 0:11:02.920
<v Speaker 6>Was fired on his movie.

0:11:03.000 --> 0:11:03.560
<v Speaker 3>I did fire.

0:11:04.240 --> 0:11:05.640
<v Speaker 6>I was fired on Jesse's Here.

0:11:05.559 --> 0:11:07.280
<v Speaker 1>We Go and then brought back because.

0:11:07.200 --> 0:11:10.200
<v Speaker 6>The next day I was rehired and promoted. But I

0:11:10.240 --> 0:11:11.560
<v Speaker 6>was I was fired for real.

0:11:11.679 --> 0:11:13.959
<v Speaker 4>No, I sent us home. I said, you're fired, it's

0:11:14.000 --> 0:11:15.640
<v Speaker 4>over because he was a horrible You were horrible.

0:11:15.640 --> 0:11:16.360
<v Speaker 3>Where was this?

0:11:16.480 --> 0:11:17.120
<v Speaker 1>Where was this?

0:11:17.360 --> 0:11:20.760
<v Speaker 3>We were well new Orleans, New Orleans. We were filming,

0:11:21.040 --> 0:11:23.400
<v Speaker 3>but in LA I sent him home. He goes back

0:11:23.400 --> 0:11:23.760
<v Speaker 3>to LA.

0:11:23.880 --> 0:11:25.800
<v Speaker 4>He's fired, and then I wake up and I'm like,

0:11:25.840 --> 0:11:27.800
<v Speaker 4>you know what, the guy is so good with script

0:11:28.000 --> 0:11:29.800
<v Speaker 4>and he's so good. It's like, you know, a really

0:11:29.840 --> 0:11:33.040
<v Speaker 4>good material driven guy. He's very good with writers. And

0:11:33.080 --> 0:11:34.480
<v Speaker 4>I was like, you know what, I'm gonna promote him.

0:11:34.520 --> 0:11:36.560
<v Speaker 4>I fired him so I could promote him. Can I

0:11:36.559 --> 0:11:38.119
<v Speaker 4>promoted him to develop executive?

0:11:38.520 --> 0:11:38.760
<v Speaker 3>Wow.

0:11:38.760 --> 0:11:40.680
<v Speaker 6>I mean it was bittersweet because when I was fired,

0:11:40.720 --> 0:11:45.760
<v Speaker 6>I was like, oh yeah, really, Oh, I was so relieved.

0:11:46.280 --> 0:11:49.240
<v Speaker 6>But then, you know, my ultimate goal obviously was to

0:11:49.240 --> 0:11:51.439
<v Speaker 6>grow in the industry, so you know, I didn't even

0:11:51.480 --> 0:11:53.320
<v Speaker 6>have to think about it, and I promoted.

0:11:53.320 --> 0:11:55.280
<v Speaker 4>I said, Tim, you know, I know your strengths are

0:11:55.360 --> 0:11:58.360
<v Speaker 4>with script and I really need somebody that knows script

0:11:58.400 --> 0:11:58.840
<v Speaker 4>in and out.

0:11:58.840 --> 0:11:59.840
<v Speaker 3>And I promoted him.

0:12:00.040 --> 0:12:02.920
<v Speaker 4>Twelve years later, now he's producing the movie I'm directing

0:12:02.960 --> 0:12:03.840
<v Speaker 4>out here in Puerto Rico.

0:12:03.920 --> 0:12:05.160
<v Speaker 3>Is that amazing? Which is an honor?

0:12:05.200 --> 0:12:08.760
<v Speaker 1>By the way, Yeah, that movie was it that Jesse

0:12:08.880 --> 0:12:09.319
<v Speaker 1>Treir was.

0:12:09.440 --> 0:12:14.600
<v Speaker 4>Jesse directed a very small budgeted film that we had starring.

0:12:14.840 --> 0:12:18.240
<v Speaker 6>Fifty Val Kilmer. Val Kilmer's the first one, yeah, right,

0:12:18.400 --> 0:12:21.720
<v Speaker 6>and then Freelancers, which was De Niro.

0:12:21.920 --> 0:12:24.000
<v Speaker 4>Yeah, we had Robert de Niro fifty cent it was

0:12:24.080 --> 0:12:27.800
<v Speaker 4>it was actually a great film and it was a

0:12:27.800 --> 0:12:28.400
<v Speaker 4>great experience.

0:12:28.440 --> 0:12:29.559
<v Speaker 3>And that was one of the first times we have

0:12:29.640 --> 0:12:31.960
<v Speaker 3>to work with ni Forest Whitaker and Forrest Whitaker.

0:12:32.040 --> 0:12:32.600
<v Speaker 1>Oh wow.

0:12:32.720 --> 0:12:35.360
<v Speaker 4>Yeah, so Justin directed two good movies for us. Jeff

0:12:35.360 --> 0:12:38.000
<v Speaker 4>and I'm gonna say something. Jesse has become, like you know,

0:12:38.080 --> 0:12:41.520
<v Speaker 4>he is incredibly influential in the music scene. He'll he'll

0:12:41.520 --> 0:12:43.440
<v Speaker 4>get into his resume with us and how he started.

0:12:43.559 --> 0:12:45.520
<v Speaker 4>But I just want people to know, like when on

0:12:45.600 --> 0:12:47.760
<v Speaker 4>this podcast, that we're also going to have people behind

0:12:47.760 --> 0:12:50.800
<v Speaker 4>the scenes like myself. I think it's really exciting and

0:12:50.840 --> 0:12:53.560
<v Speaker 4>interesting to hear. And Jesse's a big personality and a

0:12:53.559 --> 0:12:55.600
<v Speaker 4>great guy, so I think we should we should bring

0:12:55.679 --> 0:12:56.120
<v Speaker 4>him out here.

0:12:56.280 --> 0:12:57.160
<v Speaker 1>Let's bring him out.

0:12:57.240 --> 0:12:59.440
<v Speaker 3>We'll bring him down to the Let's bring him.

0:12:59.320 --> 0:13:18.599
<v Speaker 2>Down to this tiny ass yacht bedroom.

0:13:18.640 --> 0:13:21.640
<v Speaker 3>All right, we are back, law. Are you ready for Jesse?

0:13:22.480 --> 0:13:24.040
<v Speaker 1>I'm ready for Jesse.

0:13:24.400 --> 0:13:28.040
<v Speaker 4>All right, Let's welcome my buddy and an incredible filmmaker,

0:13:28.200 --> 0:13:29.240
<v Speaker 4>Jesse Crrero.

0:13:29.440 --> 0:13:30.080
<v Speaker 3>Welcome, buddy.

0:13:30.120 --> 0:13:34.319
<v Speaker 5>What's up? What's up? What's going on.

0:13:34.800 --> 0:13:37.160
<v Speaker 4>So here's the crazy thing, Jess, I invited you on

0:13:37.200 --> 0:13:41.480
<v Speaker 4>a yacht today to come chill with us, and I'm like, oh,

0:13:41.520 --> 0:13:42.800
<v Speaker 4>you also got to be on our podcast.

0:13:42.800 --> 0:13:44.360
<v Speaker 1>Oh yeah, we hustled out of here.

0:13:44.800 --> 0:13:47.920
<v Speaker 5>This is the best invitation to a podcast. Every think

0:13:48.240 --> 0:13:50.600
<v Speaker 5>anybody got the yacht invitation to record?

0:13:51.800 --> 0:13:54.720
<v Speaker 4>All right, So Jess, tell fans like they don't know, like,

0:13:54.760 --> 0:13:56.679
<v Speaker 4>you know, your history, how you started came up with

0:13:57.040 --> 0:13:59.360
<v Speaker 4>music videos and et cetera. Why don't you just tell them,

0:13:59.360 --> 0:14:01.800
<v Speaker 4>like you know, how you just start directing and kind

0:14:01.840 --> 0:14:02.880
<v Speaker 4>of you know, ledg.

0:14:02.679 --> 0:14:03.640
<v Speaker 3>You to where you are today.

0:14:04.000 --> 0:14:06.920
<v Speaker 5>Yeah, I mean for me, it sort of happened by accident,

0:14:06.960 --> 0:14:08.600
<v Speaker 5>because you know, I grew up in the neighborhood where

0:14:08.600 --> 0:14:12.120
<v Speaker 5>we didn't dream about being filmmakers. And my mother worked

0:14:12.120 --> 0:14:13.800
<v Speaker 5>that night, my father worked in the day, and there

0:14:13.840 --> 0:14:16.640
<v Speaker 5>was a gap of time where nobody was home. So

0:14:16.679 --> 0:14:19.400
<v Speaker 5>my mother bought a camera and she said, while she's

0:14:19.440 --> 0:14:21.680
<v Speaker 5>on her way from work and my father's on the

0:14:21.680 --> 0:14:24.040
<v Speaker 5>way to work, nobody could go into the streets. And

0:14:24.040 --> 0:14:28.720
<v Speaker 5>we were like thirteen twelve, eleven ten, and we started

0:14:28.720 --> 0:14:31.960
<v Speaker 5>making movies in those two hours. Wow, as my parents

0:14:32.000 --> 0:14:34.680
<v Speaker 5>are coming home, and my father actually worked in the

0:14:34.720 --> 0:14:38.680
<v Speaker 5>mainenance department in CBS, so you know, my father came

0:14:38.680 --> 0:14:41.520
<v Speaker 5>from the Dominican Republic. My mom as well, didn't speak

0:14:41.520 --> 0:14:43.400
<v Speaker 5>the language, and my father got a maintenance job, but

0:14:43.400 --> 0:14:45.560
<v Speaker 5>he would get things and he would bring home, like

0:14:45.640 --> 0:14:49.240
<v Speaker 5>soundtracks from like movies and TV shows, and we started

0:14:49.320 --> 0:14:52.640
<v Speaker 5>using that in these little urban movies we were doing.

0:14:52.720 --> 0:14:56.400
<v Speaker 5>And my brother Ulysses personality is much bigger than mine,

0:14:56.440 --> 0:14:58.600
<v Speaker 5>so he always wanted to start in the movies, so

0:14:58.800 --> 0:15:02.680
<v Speaker 5>it forced me to have to. So every movie had

0:15:02.720 --> 0:15:06.640
<v Speaker 5>like his title, like Julie on Elm Street Super and

0:15:06.680 --> 0:15:09.840
<v Speaker 5>then you know, somebody had to manage the camera. So

0:15:10.120 --> 0:15:11.560
<v Speaker 5>you know, I was always like the you know, the

0:15:11.560 --> 0:15:13.760
<v Speaker 5>guy that got killed quick. But I learned how to.

0:15:13.840 --> 0:15:17.479
<v Speaker 5>You know, we started making movies young, and.

0:15:16.680 --> 0:15:19.000
<v Speaker 3>That how you transition into the know.

0:15:19.080 --> 0:15:22.440
<v Speaker 5>We used to watch this video program called Video Music

0:15:22.520 --> 0:15:24.960
<v Speaker 5>Box and it was like the first channel that showed

0:15:25.000 --> 0:15:28.080
<v Speaker 5>music videos. And one day they made an announcement that

0:15:28.120 --> 0:15:30.520
<v Speaker 5>they were casting a film. Now, all we had was

0:15:30.560 --> 0:15:33.000
<v Speaker 5>our ghetto acting that we did at the house, so

0:15:33.040 --> 0:15:34.600
<v Speaker 5>we thought it was a good idea. Maybe there'll be

0:15:34.600 --> 0:15:36.280
<v Speaker 5>a lot of hot girls there. So we went to

0:15:36.320 --> 0:15:40.360
<v Speaker 5>the casting and a lot of Latin kids didn't show

0:15:40.400 --> 0:15:42.960
<v Speaker 5>up to the casting, so the casting director was like, look,

0:15:43.000 --> 0:15:45.840
<v Speaker 5>we're looking for kids your type. And the movie was

0:15:45.840 --> 0:15:50.720
<v Speaker 5>called Juice with Tupac Shakur, so we were part of

0:15:50.760 --> 0:15:53.360
<v Speaker 5>the Latin gang that had beef for Tupac in the movie.

0:15:53.680 --> 0:15:55.280
<v Speaker 5>And that was the first time I really stepped on

0:15:55.320 --> 0:15:55.960
<v Speaker 5>the movie set.

0:15:56.040 --> 0:15:56.680
<v Speaker 3>I didn't even know.

0:15:56.840 --> 0:15:59.480
<v Speaker 5>Yeah, it was me and my brother Vincent Aureska played

0:15:59.520 --> 0:15:59.960
<v Speaker 5>like the lead.

0:16:00.520 --> 0:16:03.280
<v Speaker 3>I loved Eddie because a place.

0:16:03.080 --> 0:16:05.600
<v Speaker 5>Poker and that I signed up any videws. I loved

0:16:05.640 --> 0:16:08.440
<v Speaker 5>it in together. And after that, I saw like a

0:16:08.480 --> 0:16:10.400
<v Speaker 5>bunch of people that you know, I thought were cool,

0:16:10.440 --> 0:16:13.480
<v Speaker 5>that looked like me working on film, and I was like, wow,

0:16:13.640 --> 0:16:16.040
<v Speaker 5>you know, some people can really do this. And when

0:16:16.040 --> 0:16:17.720
<v Speaker 5>I met Vinnie and those guys, they all went to

0:16:17.720 --> 0:16:20.360
<v Speaker 5>the school of Performing arts. Like in my neighborhood, I

0:16:20.400 --> 0:16:22.680
<v Speaker 5>grew up with Jamaica queens. Like people weren't going to

0:16:22.680 --> 0:16:25.960
<v Speaker 5>the performing arts school. So I was like, wow, this,

0:16:26.160 --> 0:16:28.680
<v Speaker 5>you know this, you know, I didn't know anybody like that.

0:16:28.760 --> 0:16:30.720
<v Speaker 5>And then I, you know, switched my major in college

0:16:30.760 --> 0:16:33.440
<v Speaker 5>and started studying theater and then you know, directing and

0:16:33.480 --> 0:16:35.800
<v Speaker 5>shot a short film my junior year in school, and

0:16:36.600 --> 0:16:38.560
<v Speaker 5>because the people I met on Juice, they offered me

0:16:38.600 --> 0:16:41.480
<v Speaker 5>an internship on the Columbia Pictures project. In the third

0:16:41.560 --> 0:16:43.280
<v Speaker 5>year in college, I dropped out to do that and

0:16:43.320 --> 0:16:44.400
<v Speaker 5>then I never stopped working.

0:16:44.520 --> 0:16:48.960
<v Speaker 4>Wow, okay, what was the first because was it music videos,

0:16:49.000 --> 0:16:50.000
<v Speaker 4>TV or features?

0:16:50.000 --> 0:16:50.840
<v Speaker 3>When you first started?

0:16:50.880 --> 0:16:53.040
<v Speaker 5>When I worked on features? So you know, so I

0:16:53.120 --> 0:16:56.360
<v Speaker 5>interned and I did everything. I ran around, getting people coffee,

0:16:56.400 --> 0:17:00.280
<v Speaker 5>picking up the direct everything that that I needed to

0:17:00.280 --> 0:17:02.520
<v Speaker 5>to sort of and be on set and soak up

0:17:02.560 --> 0:17:05.880
<v Speaker 5>a bunch of things. And then the music video thing

0:17:05.920 --> 0:17:09.440
<v Speaker 5>started to happen in New York, and because we interned

0:17:09.480 --> 0:17:12.320
<v Speaker 5>on the film, we would get jobs and opportunities. And

0:17:12.359 --> 0:17:14.560
<v Speaker 5>now look, Tupac, who was a good friend of minees

0:17:14.600 --> 0:17:15.400
<v Speaker 5>became a huge star.

0:17:15.520 --> 0:17:16.600
<v Speaker 3>Oh Tupac was your friend.

0:17:16.760 --> 0:17:19.000
<v Speaker 5>Yeah, so I still run around with Pac and you know,

0:17:19.160 --> 0:17:22.080
<v Speaker 5>and then Tretch from Naughty by Nature was one of

0:17:22.119 --> 0:17:24.080
<v Speaker 5>his best friends, and he's an extra and Juice too.

0:17:24.119 --> 0:17:26.120
<v Speaker 5>He was part of the gang with us. So all

0:17:26.119 --> 0:17:28.760
<v Speaker 5>of a sudden, by the time Juice is getting ready

0:17:28.840 --> 0:17:31.080
<v Speaker 5>to come out, you know, Pok didn't have no music out.

0:17:31.119 --> 0:17:33.520
<v Speaker 5>He had one little song when we did Juice, so

0:17:33.520 --> 0:17:35.200
<v Speaker 5>by the time the movie came out a year later,

0:17:35.240 --> 0:17:36.760
<v Speaker 5>all of a sudden, you know, this kid becomes the

0:17:36.760 --> 0:17:39.520
<v Speaker 5>biggest artist in the world. And then Tretch invites us

0:17:39.560 --> 0:17:42.080
<v Speaker 5>to a music video. Never heard the kid rap, and

0:17:42.440 --> 0:17:43.920
<v Speaker 5>we show up to his music video as a song

0:17:43.960 --> 0:17:49.800
<v Speaker 5>called opp Then and this kid becomes like gigantic, and

0:17:49.840 --> 0:17:52.040
<v Speaker 5>then you know, now I'm like seeing the music video

0:17:52.040 --> 0:17:54.040
<v Speaker 5>thing happen. I'm around it. It's like, you know, an

0:17:54.119 --> 0:17:57.400
<v Speaker 5>incredible experience, is surreal, you know, wow. And I met

0:17:57.440 --> 0:18:01.439
<v Speaker 5>some directors along the way, and we started getting working

0:18:01.440 --> 0:18:03.159
<v Speaker 5>behind the scenes on some music videos and.

0:18:03.520 --> 0:18:04.919
<v Speaker 3>Who gives you your first break.

0:18:05.040 --> 0:18:06.640
<v Speaker 5>What I didn't though, is I didn't know that some

0:18:06.680 --> 0:18:09.879
<v Speaker 5>directors didn't write their concepts. So I was around this

0:18:09.960 --> 0:18:12.680
<v Speaker 5>one director and I heard her complaining that Puffy didn't

0:18:12.760 --> 0:18:16.320
<v Speaker 5>like the concept from Hype Williams or this director, Dan

0:18:16.440 --> 0:18:19.159
<v Speaker 5>Marteau and a bunch of people, and I saw that

0:18:19.200 --> 0:18:21.760
<v Speaker 5>when I heard the conversation, I knew what Puffy probably meant.

0:18:21.840 --> 0:18:23.399
<v Speaker 5>So you know, I made a comment. I was like,

0:18:23.440 --> 0:18:25.199
<v Speaker 5>I think I know what he wants. And then she

0:18:25.280 --> 0:18:27.160
<v Speaker 5>was like, oh, you're so smart. When did you write

0:18:27.160 --> 0:18:30.320
<v Speaker 5>the concept? So I did and she got the job.

0:18:30.960 --> 0:18:32.720
<v Speaker 5>So then she was like, Okay, maybe he does know

0:18:32.760 --> 0:18:35.119
<v Speaker 5>what's going on. So for the next couple of years,

0:18:35.320 --> 0:18:37.520
<v Speaker 5>I was behind a lot of concepts and music videos,

0:18:37.560 --> 0:18:39.840
<v Speaker 5>so everybody knew me as a creative guy, and even

0:18:39.920 --> 0:18:42.080
<v Speaker 5>artists will send me their songs and I would write

0:18:42.119 --> 0:18:44.040
<v Speaker 5>the concept I just didn't get credit for doing it.

0:18:44.359 --> 0:18:47.080
<v Speaker 5>I would get five hundred bucks and the directors. These

0:18:47.080 --> 0:18:49.840
<v Speaker 5>were million dollar videos. So at some point I was like,

0:18:49.880 --> 0:18:53.439
<v Speaker 5>the math didn't that up. I was like, and the

0:18:53.480 --> 0:18:55.560
<v Speaker 5>one director I worked with it she told me, she goes, look, man,

0:18:55.600 --> 0:18:57.800
<v Speaker 5>you write great ideas, but you don't write them well,

0:18:58.280 --> 0:19:00.680
<v Speaker 5>like you need to learn how to write the treatments.

0:19:01.119 --> 0:19:03.200
<v Speaker 5>And then she showed me a bunch of better creatives

0:19:03.200 --> 0:19:05.600
<v Speaker 5>and I learned how to write the treatments better. And

0:19:05.640 --> 0:19:07.639
<v Speaker 5>then I sort of took off in that space. And

0:19:07.680 --> 0:19:10.680
<v Speaker 5>then there was a Chris Robinson who was a young

0:19:10.720 --> 0:19:13.480
<v Speaker 5>black director coming out as one of those bags. He

0:19:13.640 --> 0:19:15.600
<v Speaker 5>was coming up and his reps found out that I

0:19:15.640 --> 0:19:18.120
<v Speaker 5>was writing for Dan Martell, and they said, hey, why

0:19:18.160 --> 0:19:20.280
<v Speaker 5>don't you start being on Chris's team? And when I

0:19:20.280 --> 0:19:22.719
<v Speaker 5>met Chris, he was doing one hundred and fifty thousand videos,

0:19:23.160 --> 0:19:24.600
<v Speaker 5>and we used to sit in a room together and

0:19:24.680 --> 0:19:28.320
<v Speaker 5>just christ yeah yeah, and then we just his career

0:19:28.400 --> 0:19:31.040
<v Speaker 5>started taking off. I was part of that wave. Chris

0:19:31.080 --> 0:19:33.120
<v Speaker 5>showed me a lot. I was part of his creative team,

0:19:33.160 --> 0:19:34.640
<v Speaker 5>and then ultimately he signed me.

0:19:34.560 --> 0:19:36.879
<v Speaker 3>As a director, and that's how it happened. That's how it happened.

0:19:36.880 --> 0:19:37.920
<v Speaker 3>What's the first video you do?

0:19:38.840 --> 0:19:39.000
<v Speaker 2>Well?

0:19:39.040 --> 0:19:42.160
<v Speaker 5>I started doing some small videos in Canada. First, these

0:19:42.160 --> 0:19:45.080
<v Speaker 5>Canadian artists. Canada gives you like free money to make videos.

0:19:45.600 --> 0:19:46.440
<v Speaker 3>Budgets were good.

0:19:46.680 --> 0:19:48.600
<v Speaker 5>No, no, no, they weren't good. They were like ten grand.

0:19:48.640 --> 0:19:51.000
<v Speaker 5>But you know, they would get the money for free,

0:19:51.040 --> 0:19:53.199
<v Speaker 5>like they would get these grants from the government. So

0:19:53.280 --> 0:19:55.800
<v Speaker 5>these kids would make me write these treatments for them

0:19:55.840 --> 0:19:58.480
<v Speaker 5>because they knew I wrote treatments, But then nobody understood

0:19:58.480 --> 0:20:00.359
<v Speaker 5>them because they were like Wu tang idea is. But

0:20:00.400 --> 0:20:04.520
<v Speaker 5>Canada was not hard then, so they were like, whoa, no,

0:20:04.600 --> 0:20:08.640
<v Speaker 5>but it's more urban now. You know, I'm not knocking Canada.

0:20:08.760 --> 0:20:10.080
<v Speaker 1>You know that's pretty hard.

0:20:10.080 --> 0:20:12.080
<v Speaker 5>But you know, back then, the you know, I was

0:20:12.080 --> 0:20:14.439
<v Speaker 5>writing stuff that felt like Wu tangle mob deep and

0:20:14.480 --> 0:20:16.840
<v Speaker 5>some of the directors there didn't understand it at the time.

0:20:17.280 --> 0:20:19.159
<v Speaker 5>So the kids were like, hey, why don't you direct it?

0:20:19.160 --> 0:20:21.320
<v Speaker 5>And that sort of becan how it became. And then

0:20:21.359 --> 0:20:23.040
<v Speaker 5>you know, I did a ten thousand dollars video that

0:20:23.119 --> 0:20:25.080
<v Speaker 5>got nominated for Much Music Video of the Year.

0:20:25.160 --> 0:20:25.640
<v Speaker 3>Come on.

0:20:25.840 --> 0:20:28.919
<v Speaker 5>And then after that huge and after that, I was

0:20:28.960 --> 0:20:31.159
<v Speaker 5>because I'm king hot in Canada. But and I was

0:20:31.160 --> 0:20:32.520
<v Speaker 5>sent an assistant in the US.

0:20:32.720 --> 0:20:33.200
<v Speaker 3>Oh wow.

0:20:33.200 --> 0:20:35.280
<v Speaker 5>So I would drive nine hours by myself because you know,

0:20:35.320 --> 0:20:37.160
<v Speaker 5>most of my friends didn't believe in the directing thing.

0:20:37.240 --> 0:20:42.399
<v Speaker 5>Popping no, those pills, driving myself to Canada. You know, Fuck,

0:20:42.720 --> 0:20:44.560
<v Speaker 5>this is you know, hustling.

0:20:44.600 --> 0:20:46.720
<v Speaker 4>You know what was the first big video job you

0:20:46.800 --> 0:20:49.159
<v Speaker 4>got that really you knew when you showed up? Like

0:20:49.200 --> 0:20:51.280
<v Speaker 4>I remember my first movie I produced.

0:20:50.960 --> 0:20:53.119
<v Speaker 5>You know, the first when I signed with Chris Robinson.

0:20:53.440 --> 0:20:56.720
<v Speaker 5>He brought me an artist by the name of Jill Scott.

0:20:56.960 --> 0:21:00.080
<v Speaker 5>And Jill Scott at the time, you know, she she

0:21:00.080 --> 0:21:02.119
<v Speaker 5>she wrote a song with the that the roots in Erkabo.

0:21:02.200 --> 0:21:05.640
<v Speaker 5>Dude recorded that one and won a Grammy. They took

0:21:05.680 --> 0:21:08.480
<v Speaker 5>her off the song because she wasn't popular and the

0:21:08.760 --> 0:21:11.320
<v Speaker 5>record lay would put eric about Duke because they were like,

0:21:11.359 --> 0:21:13.440
<v Speaker 5>who is Joe Scott? Like, they took her right off

0:21:13.440 --> 0:21:15.720
<v Speaker 5>her record, you know, but she won the Grammy. When

0:21:15.720 --> 0:21:18.160
<v Speaker 5>I went to meet in Philadelphia, her album was titled

0:21:18.160 --> 0:21:20.080
<v Speaker 5>who Is Joe Scott? And she was like, Yo, this year,

0:21:20.440 --> 0:21:24.080
<v Speaker 5>I'm gonna crush it, and so she wanted to do

0:21:24.200 --> 0:21:26.959
<v Speaker 5>something different. I wrote two videos. We did them back

0:21:26.960 --> 0:21:29.520
<v Speaker 5>to back and got caught a nomination Ride Out the

0:21:29.520 --> 0:21:34.040
<v Speaker 5>Gay f M TV, and then I started yeah. And

0:21:34.040 --> 0:21:36.240
<v Speaker 5>then then then, you know, because Jill Scott was so

0:21:36.320 --> 0:21:39.720
<v Speaker 5>pro black and the female and my Jesse's written with

0:21:39.760 --> 0:21:41.919
<v Speaker 5>a y, I guess they thought I was a female.

0:21:42.280 --> 0:21:45.480
<v Speaker 5>And from that point I was Jill Scott, Kelly Price,

0:21:45.520 --> 0:21:48.119
<v Speaker 5>Angie Stone. I was doing all the girls, and I

0:21:48.160 --> 0:21:49.680
<v Speaker 5>was like, yo, I'm a hip hop guy, you know,

0:21:49.720 --> 0:21:51.880
<v Speaker 5>I want to get back to hip hop, and.

0:21:53.400 --> 0:21:53.960
<v Speaker 7>You know, and.

0:21:57.040 --> 0:22:00.080
<v Speaker 5>You'll said, they were like, okay, this is not what

0:22:00.160 --> 0:22:04.520
<v Speaker 5>we expected. So so now you run through that thing.

0:22:04.800 --> 0:22:08.720
<v Speaker 5>So when when I was, you know, writing treatments, it

0:22:08.840 --> 0:22:10.840
<v Speaker 5>was a pretty girl that moved in next door to

0:22:10.880 --> 0:22:13.200
<v Speaker 5>me and my and my little, you know, shitty apartment

0:22:13.240 --> 0:22:17.359
<v Speaker 5>in Hollywood, and uh she you know, she had this

0:22:17.400 --> 0:22:20.199
<v Speaker 5>boyfriend that was like a thug. So this was my

0:22:20.240 --> 0:22:23.320
<v Speaker 5>first introduction to gang bang life, right, so she would

0:22:23.359 --> 0:22:25.280
<v Speaker 5>go to work and then he would hang around the building.

0:22:25.359 --> 0:22:26.800
<v Speaker 5>So sometimes I would see him and he'll throw up

0:22:26.800 --> 0:22:28.840
<v Speaker 5>a side like what up, cuz, and I'm like, whoa,

0:22:29.160 --> 0:22:31.680
<v Speaker 5>you know, I don't really know what that was about.

0:22:31.840 --> 0:22:33.800
<v Speaker 5>And then he was and then his name was Little

0:22:33.840 --> 0:22:39.280
<v Speaker 5>Half Dead, right, so I'm like this guy, this guy

0:22:39.359 --> 0:22:44.080
<v Speaker 5>became my friend. Right, so now he's telling me, you know,

0:22:44.240 --> 0:22:47.480
<v Speaker 5>crib Long Beach. So so Little Half Dad becames my friends.

0:22:47.480 --> 0:22:48.920
<v Speaker 5>So he comes over every day because he does have

0:22:49.000 --> 0:22:51.520
<v Speaker 5>a job, comes over. He's like on tour, supposed he

0:22:51.600 --> 0:22:54.440
<v Speaker 5>was Snoop and Nate and all these guys. So we're

0:22:54.520 --> 0:22:56.880
<v Speaker 5>rocking with him. When my cruising down Melrose, some guys

0:22:56.960 --> 0:22:59.040
<v Speaker 5>look over. He's throwing crip signs. I'm like, yo, Dug,

0:22:59.119 --> 0:23:02.840
<v Speaker 5>I just moved to This is not how in New York.

0:23:02.960 --> 0:23:06.160
<v Speaker 5>Is not like this. But one day he brought he said, Yo,

0:23:06.200 --> 0:23:08.639
<v Speaker 5>I'm gonna bring some of my friends over. And he

0:23:08.720 --> 0:23:11.359
<v Speaker 5>brings Snoop Dogg and the dog to my crib. I

0:23:11.359 --> 0:23:14.359
<v Speaker 5>got my television on the milk crk and he brings

0:23:14.400 --> 0:23:17.160
<v Speaker 5>Snoop Dogg to my house and all Snoop Dogg walks

0:23:17.160 --> 0:23:20.600
<v Speaker 5>in talks mad Ship we played PlayStation, smokes a lot

0:23:20.600 --> 0:23:23.159
<v Speaker 5>of weed, beats me and fucking because he kills in

0:23:23.200 --> 0:23:27.240
<v Speaker 5>all those games, Snoop. And then my whole building's in my lobby,

0:23:27.320 --> 0:23:29.919
<v Speaker 5>I mean in the hallway. And then he leaves. This

0:23:30.000 --> 0:23:31.800
<v Speaker 5>is this is like right after the chronicle.

0:23:31.880 --> 0:23:35.200
<v Speaker 3>Oh my god, this is as big as it cats.

0:23:35.200 --> 0:23:35.560
<v Speaker 3>I mean.

0:23:37.760 --> 0:23:41.120
<v Speaker 5>Yeah. Then he leaves and I never see him again, Snoop.

0:23:41.800 --> 0:23:43.800
<v Speaker 5>And then Little Half dead ends up going to prison.

0:23:44.440 --> 0:23:44.640
<v Speaker 2>Right.

0:23:44.720 --> 0:23:47.280
<v Speaker 5>So I see Snoop at the MTV Awards when I

0:23:47.280 --> 0:23:50.720
<v Speaker 5>get the nomination, and he sees him, goes, yo, chess,

0:23:51.040 --> 0:23:54.360
<v Speaker 5>little Half that always ask about you, man, blah blah blah.

0:23:54.359 --> 0:23:56.320
<v Speaker 5>And I tell Snoop, I said, man, I need to

0:23:56.320 --> 0:23:58.320
<v Speaker 5>get on this urban thing again these videos. He goes,

0:23:58.359 --> 0:24:00.880
<v Speaker 5>call me tomorrow, I got a video for one hundred

0:24:00.920 --> 0:24:03.000
<v Speaker 5>and fifty grand. Let's go now, and he put me

0:24:03.080 --> 0:24:03.920
<v Speaker 5>right into that's it.

0:24:04.040 --> 0:24:04.200
<v Speaker 3>Yeah.

0:24:04.200 --> 0:24:05.439
<v Speaker 5>And then right after what song was that?

0:24:05.520 --> 0:24:06.240
<v Speaker 3>What song was that?

0:24:06.440 --> 0:24:08.840
<v Speaker 5>It was a song that MTV ended up like banning

0:24:08.880 --> 0:24:11.239
<v Speaker 5>the video that I did it because you know how

0:24:11.240 --> 0:24:13.600
<v Speaker 5>they put the black lines. I put like the crip

0:24:13.640 --> 0:24:14.040
<v Speaker 5>band Dan.

0:24:14.160 --> 0:24:14.880
<v Speaker 3>It's hardcore.

0:24:15.359 --> 0:24:21.120
<v Speaker 5>It was super against you know. It was my party shot.

0:24:21.119 --> 0:24:26.480
<v Speaker 5>I went super d Okay, show them you know, wait,

0:24:26.560 --> 0:24:27.040
<v Speaker 5>let me ask it.

0:24:27.119 --> 0:24:29.680
<v Speaker 4>So Jesse just cut cup fast forward. Give us some

0:24:29.800 --> 0:24:32.639
<v Speaker 4>of the artists, especially the fans. Tell us some of

0:24:32.680 --> 0:24:34.600
<v Speaker 4>the artists that you have done videos for it, because

0:24:34.640 --> 0:24:35.960
<v Speaker 4>I know you've worked with everybody.

0:24:36.160 --> 0:24:39.800
<v Speaker 5>Yeah, so you know I worked with you know, Cameron

0:24:40.000 --> 0:24:43.600
<v Speaker 5>or styles p or h. Fifty was my biggest client, right.

0:24:43.640 --> 0:24:46.200
<v Speaker 5>I did twenty five videos with fifty right from the beginning.

0:24:46.280 --> 0:24:49.280
<v Speaker 5>So he grew up in my neighbors so I always

0:24:49.359 --> 0:24:52.040
<v Speaker 5>heard his music. That's how that happened when so he

0:24:52.200 --> 0:24:53.920
<v Speaker 5>was always hot in the neighborhood. And then he got

0:24:53.960 --> 0:24:57.120
<v Speaker 5>shot and everybody kind of knew the stories. And then

0:24:57.400 --> 0:25:01.520
<v Speaker 5>when he signed to Interscope, I told Jimmy Ivan's nephew DJ,

0:25:01.640 --> 0:25:03.199
<v Speaker 5>I said, hey, I want to do fifty cent when

0:25:03.240 --> 0:25:05.439
<v Speaker 5>the project comes around, and he was like, yeah, it's

0:25:05.440 --> 0:25:07.560
<v Speaker 5>probably gonna come around in like a year, and I

0:25:07.640 --> 0:25:08.840
<v Speaker 5>was like, yeah, but I want to do it as

0:25:08.880 --> 0:25:10.760
<v Speaker 5>he's from my neighborhood. And then a year later he

0:25:10.840 --> 0:25:13.560
<v Speaker 5>kept his word, and during that time I was already

0:25:13.600 --> 0:25:15.639
<v Speaker 5>excelling now doing videos that were like four hundred and

0:25:15.640 --> 0:25:19.520
<v Speaker 5>five were so for me at that time, nobody the

0:25:19.560 --> 0:25:21.480
<v Speaker 5>big directors want to get to touch a video for

0:25:21.640 --> 0:25:23.440
<v Speaker 5>new artists like that, So it kind of gave me

0:25:23.520 --> 0:25:26.879
<v Speaker 5>a path into fifty. Wangster was already out for like

0:25:26.920 --> 0:25:27.600
<v Speaker 5>a year and a half.

0:25:27.680 --> 0:25:30.160
<v Speaker 1>It was already first ring tone on the first phone

0:25:30.160 --> 0:25:30.560
<v Speaker 1>I ever got.

0:25:30.640 --> 0:25:33.959
<v Speaker 5>So I did that video, and because of the violence

0:25:33.960 --> 0:25:36.040
<v Speaker 5>around fifty, we couldn't get permits to shoot in New

0:25:36.119 --> 0:25:39.080
<v Speaker 5>York City. So I wrote a concept and fifty was like,

0:25:39.119 --> 0:25:41.800
<v Speaker 5>whoever wrote this concept had to be from the neighborhood

0:25:41.800 --> 0:25:43.880
<v Speaker 5>because the way the intricacies.

0:25:43.440 --> 0:25:46.040
<v Speaker 3>The way he knew that you knew the same thing.

0:25:46.080 --> 0:25:48.320
<v Speaker 5>And then I was like, look, I can make LA,

0:25:48.480 --> 0:25:50.639
<v Speaker 5>because they were concerned to do his first video in LA,

0:25:50.720 --> 0:25:52.400
<v Speaker 5>and I said, I can make it look like New York.

0:25:52.480 --> 0:25:54.479
<v Speaker 5>Don't worry. I know this one block and as long

0:25:54.520 --> 0:25:56.159
<v Speaker 5>as I shoot the right angles, it's gonna feel like

0:25:56.160 --> 0:25:58.480
<v Speaker 5>we're in New York City. And we shot Wangster in LA.

0:26:00.080 --> 0:26:01.280
<v Speaker 1>Such a fucking bad ass.

0:26:01.359 --> 0:26:05.720
<v Speaker 4>Yeah, I think I want to be you, But I'll

0:26:05.720 --> 0:26:08.479
<v Speaker 4>tell you I made two movies with Jesse on very

0:26:08.600 --> 0:26:10.520
<v Speaker 4>limited budgets, and I will tell you Jesse is a

0:26:10.560 --> 0:26:13.440
<v Speaker 4>creative motherfucker. He made the ship work. He does a

0:26:13.520 --> 0:26:15.959
<v Speaker 4>complain he does a bitch. He just he's like, yo,

0:26:16.000 --> 0:26:17.720
<v Speaker 4>we'll find a path forward. And that's what makes you

0:26:17.760 --> 0:26:20.240
<v Speaker 4>a great director, is that you're one of those guys

0:26:20.280 --> 0:26:24.000
<v Speaker 4>that can, you know, overcome really tough circumstances on a budget.

0:26:24.280 --> 0:26:25.480
<v Speaker 3>So I'll give you a lot of props.

0:26:26.040 --> 0:26:28.640
<v Speaker 2>I want to hear more. Let's take a short break.

0:26:29.160 --> 0:26:31.000
<v Speaker 2>I just want to pick your brain all day, Jess.

0:26:36.359 --> 0:26:42.600
<v Speaker 2>All right, we are back with the epic Jesse Cuerrero's.

0:26:40.880 --> 0:26:41.320
<v Speaker 3>Let's keep it.

0:26:41.720 --> 0:26:42.359
<v Speaker 1>Mind is blown.

0:26:42.480 --> 0:26:44.320
<v Speaker 3>No, it's so funny because I made two movies with Jess.

0:26:44.359 --> 0:26:48.040
<v Speaker 3>I forget how how awesome you are because I'm your boy.

0:26:48.480 --> 0:26:50.000
<v Speaker 3>But then you know, I hear you talk, you know,

0:26:50.080 --> 0:26:52.240
<v Speaker 3>from this, I forget the history you have, you know,

0:26:52.600 --> 0:26:53.199
<v Speaker 3>in music.

0:26:53.440 --> 0:26:56.040
<v Speaker 4>So what I want to know, and I think Lon

0:26:56.119 --> 0:26:58.639
<v Speaker 4>are both a little oblivious to this, is that the

0:26:58.880 --> 0:27:03.200
<v Speaker 4>Latin culture right now, the Hispanic music scene is what

0:27:03.560 --> 0:27:07.080
<v Speaker 4>hip hop and pop music was over the last twenty years,

0:27:07.960 --> 0:27:08.920
<v Speaker 4>Latin music today.

0:27:08.960 --> 0:27:11.080
<v Speaker 3>These artists are the stars.

0:27:10.720 --> 0:27:14.520
<v Speaker 5>Of worldwide, gigantic gigant So how's that?

0:27:14.600 --> 0:27:15.800
<v Speaker 3>Because I know you know all of them. I know

0:27:15.880 --> 0:27:17.440
<v Speaker 3>you do videos, I know you produce them.

0:27:17.640 --> 0:27:20.840
<v Speaker 5>Yeah, you know for me, for me being Dominican, it

0:27:20.960 --> 0:27:22.800
<v Speaker 5>was always part of my culture, you know. And when

0:27:22.840 --> 0:27:25.439
<v Speaker 5>I started doing music videos, I used to complain all

0:27:25.480 --> 0:27:29.520
<v Speaker 5>the time because the Land videos, I felt were just

0:27:29.640 --> 0:27:31.960
<v Speaker 5>looked weak and they look cheap, you know, and it

0:27:32.080 --> 0:27:33.480
<v Speaker 5>used to bother me that they didn't look like the

0:27:33.560 --> 0:27:36.640
<v Speaker 5>general market videos. And then when MTV did me TRL,

0:27:37.359 --> 0:27:39.760
<v Speaker 5>which was their Spanish version, they started putting like en

0:27:39.800 --> 0:27:43.200
<v Speaker 5>sync videos next to like countdowns with Aventuda or the

0:27:43.320 --> 0:27:46.160
<v Speaker 5>Land groups. We see the indel against like a Destiny's child,

0:27:46.160 --> 0:27:48.159
<v Speaker 5>and then you're like, whoa. You can see sort of

0:27:48.240 --> 0:27:50.480
<v Speaker 5>the difference in the level of the videos. So I

0:27:50.600 --> 0:27:53.280
<v Speaker 5>was telling a friend of minees complaining, and he said,

0:27:53.320 --> 0:27:55.000
<v Speaker 5>you know what, you can continue to complain and you

0:27:55.040 --> 0:27:56.720
<v Speaker 5>could be part of the change, but you got to

0:27:56.760 --> 0:28:00.480
<v Speaker 5>make that decision. So I was like, man, I'm about

0:28:00.480 --> 0:28:10.560
<v Speaker 5>to take a Picatla my mother and Mercedes in a

0:28:10.600 --> 0:28:14.680
<v Speaker 5>bowl on it and I inside my rims with twenty six.

0:28:16.000 --> 0:28:18.240
<v Speaker 5>I was killing the gang. I was like, time to

0:28:18.280 --> 0:28:21.000
<v Speaker 5>bring the chains back. But I did. I. You know,

0:28:21.080 --> 0:28:22.680
<v Speaker 5>I took a step back and I said, you know what,

0:28:22.840 --> 0:28:26.560
<v Speaker 5>I felt that they weren't getting the respect and and

0:28:26.920 --> 0:28:28.520
<v Speaker 5>the sort of the at least the visuals that they

0:28:28.600 --> 0:28:31.119
<v Speaker 5>deserved because they were superstars in my eyes. So I

0:28:31.280 --> 0:28:33.680
<v Speaker 5>sort of ingratiated myself in the Latin culture. When Daddy

0:28:33.720 --> 0:28:35.880
<v Speaker 5>Yankee got signed to Interscope, he was the first artist

0:28:35.960 --> 0:28:39.760
<v Speaker 5>I have a general, a general market record deal. Someone

0:28:39.840 --> 0:28:43.400
<v Speaker 5>that Interscope said, hey, you know, Jesse's Dominican, and they

0:28:43.440 --> 0:28:45.120
<v Speaker 5>put me on the phone with Yankee, and then I

0:28:45.200 --> 0:28:47.560
<v Speaker 5>did two videos for him, a song called Gangsters on

0:28:47.640 --> 0:28:50.120
<v Speaker 5>with Snoop and then the song called Rompe, which was

0:28:50.440 --> 0:28:52.280
<v Speaker 5>one of his like big songs that broke into the

0:28:52.320 --> 0:28:55.240
<v Speaker 5>American market. And then from that on that moment, a

0:28:55.280 --> 0:28:57.640
<v Speaker 5>lot of the Latin artists started knowing that I was Dominicans,

0:28:57.640 --> 0:28:59.960
<v Speaker 5>so they were calling me like, hey, I'm Dominican too,

0:29:00.440 --> 0:29:02.280
<v Speaker 5>can you do me this solid and blah blah blah.

0:29:02.320 --> 0:29:04.080
<v Speaker 5>And then I started just you know what, I figured

0:29:04.080 --> 0:29:07.040
<v Speaker 5>out a way for a lesser budget to create a

0:29:07.120 --> 0:29:10.080
<v Speaker 5>bigger a big image, and then I just focused on

0:29:10.160 --> 0:29:12.320
<v Speaker 5>my energy and that and as I saw the decline

0:29:12.360 --> 0:29:15.120
<v Speaker 5>in music videos on the American side, I saw that

0:29:16.040 --> 0:29:18.120
<v Speaker 5>on the land side they were going up little by little,

0:29:19.440 --> 0:29:21.720
<v Speaker 5>and I was like, you know what, most these kids

0:29:21.920 --> 0:29:24.720
<v Speaker 5>live in countries where the record sales are not really

0:29:24.760 --> 0:29:28.080
<v Speaker 5>being counted or they're selling out arenas, like but you know,

0:29:28.160 --> 0:29:30.080
<v Speaker 5>it's like they live in poor countries where their bootlegging

0:29:30.120 --> 0:29:32.320
<v Speaker 5>your song, so nobody's going to the store and buying

0:29:32.400 --> 0:29:35.239
<v Speaker 5>your song. The tours, but the tours are gigantic, right,

0:29:35.280 --> 0:29:35.440
<v Speaker 5>you know.

0:29:35.600 --> 0:29:38.720
<v Speaker 3>Fifty thousand seas you told me the other day.

0:29:38.920 --> 0:29:41.560
<v Speaker 5>I did a movie on Ken named Maluma for YouTube,

0:29:42.080 --> 0:29:45.440
<v Speaker 5>and we shot the main concert of his tour in

0:29:45.640 --> 0:29:50.480
<v Speaker 5>Israel in Tel Aviv, thirty thousand people himself, not another acts.

0:29:50.520 --> 0:29:53.760
<v Speaker 5>It was no, like fifty guys hit by himself, thirty

0:29:53.800 --> 0:29:56.040
<v Speaker 5>thousand people in singing Spanish songs.

0:29:56.160 --> 0:29:57.400
<v Speaker 3>That's that's unbelievable.

0:29:57.880 --> 0:29:59.760
<v Speaker 1>It is a beautiful mind that and that's how it

0:29:59.880 --> 0:30:00.480
<v Speaker 1>is all over.

0:30:00.640 --> 0:30:03.040
<v Speaker 4>I mean, I mean these artists, I mean are opening

0:30:03.120 --> 0:30:05.840
<v Speaker 4>in the US too. I mean, I mean that crushed

0:30:05.840 --> 0:30:07.760
<v Speaker 4>the New Year's Eve. Lalla and I a year ago,

0:30:08.200 --> 0:30:11.880
<v Speaker 4>we're in Miami at at the Fountain, Blue Daga, Grutman, had.

0:30:12.560 --> 0:30:14.000
<v Speaker 3>Jave, Elvin, Jay Belden.

0:30:14.080 --> 0:30:17.280
<v Speaker 4>Right, I mean, it's it's a phenomenon, and I think

0:30:17.280 --> 0:30:19.280
<v Speaker 4>it's just amazing that you're on the forefront of them.

0:30:19.360 --> 0:30:21.760
<v Speaker 5>Yeah, it's interesting because I think what happened a streamers

0:30:21.800 --> 0:30:25.200
<v Speaker 5>have connected everyone is so because it's streaming and because

0:30:25.200 --> 0:30:28.120
<v Speaker 5>of YouTube and things like that, now everybody is able

0:30:28.200 --> 0:30:30.200
<v Speaker 5>to view the same thing. So the Spanish prob was

0:30:30.200 --> 0:30:32.720
<v Speaker 5>always there, except I was the guy going telling people like, yo,

0:30:32.800 --> 0:30:35.640
<v Speaker 5>these kids are big, or telling fifty yo, these kids

0:30:35.640 --> 0:30:36.960
<v Speaker 5>are big. You should do a song with them. They

0:30:37.000 --> 0:30:38.880
<v Speaker 5>sold that Madison Square Garden and he'd be like, didn't

0:30:38.880 --> 0:30:41.040
<v Speaker 5>sell out the garden. Then ten minutes later he'd like, Yo,

0:30:41.080 --> 0:30:43.560
<v Speaker 5>they sold that Man Guarden. I'm like, yes they did.

0:30:43.760 --> 0:30:46.840
<v Speaker 5>And four Knights at Staples and Miami Arena and they're

0:30:46.880 --> 0:30:49.400
<v Speaker 5>crushing it, Like I just went and did the Forum.

0:30:49.440 --> 0:30:51.880
<v Speaker 5>Four nights at the Forum. Nobody knows about it because

0:30:51.880 --> 0:30:54.200
<v Speaker 5>it's like their call audience is wait, who was it?

0:30:54.280 --> 0:30:54.760
<v Speaker 5>A group called?

0:30:55.600 --> 0:30:55.920
<v Speaker 7>You know how?

0:30:55.960 --> 0:30:58.480
<v Speaker 3>I know that because Frankie del got on my buddy.

0:30:58.720 --> 0:30:59.800
<v Speaker 5>Yes, yeah, I saw him.

0:31:00.400 --> 0:31:02.800
<v Speaker 3>And I'm like, if I miss a concert.

0:31:02.720 --> 0:31:04.640
<v Speaker 4>Like I love, I love to go and hang out

0:31:04.760 --> 0:31:07.520
<v Speaker 4>and learn, right, And you're a laws always like you

0:31:07.560 --> 0:31:08.920
<v Speaker 4>know knows what's up with music.

0:31:08.960 --> 0:31:10.280
<v Speaker 3>I'm a little older, so it takes.

0:31:10.120 --> 0:31:13.400
<v Speaker 5>Me a little longer. Male, who's my friend? Who's ahead

0:31:13.400 --> 0:31:15.600
<v Speaker 5>of that? Group. It's like he returned to go back

0:31:15.600 --> 0:31:17.640
<v Speaker 5>on tour with his group, but he did a solo show.

0:31:18.040 --> 0:31:19.760
<v Speaker 5>Like he's like the Justin bieber I mean, not the

0:31:19.920 --> 0:31:21.800
<v Speaker 5>Justin Timberlake of like the insane of that group.

0:31:21.840 --> 0:31:22.880
<v Speaker 3>Okay, right, so he just.

0:31:22.920 --> 0:31:25.400
<v Speaker 5>Did MetLife seventy thousand people.

0:31:25.520 --> 0:31:26.880
<v Speaker 1>That is insane to me.

0:31:27.120 --> 0:31:29.440
<v Speaker 3>Seventy thousand people, this is insane.

0:31:30.480 --> 0:31:32.600
<v Speaker 5>He did two nights at Yankee Stadium a couple of years.

0:31:32.640 --> 0:31:35.160
<v Speaker 5>I'm on by himself. So what I'm saying is that

0:31:35.600 --> 0:31:38.600
<v Speaker 5>the tour potential of the artist. So since I came

0:31:38.680 --> 0:31:40.320
<v Speaker 5>up in the world where Tupac and I saw those

0:31:40.360 --> 0:31:43.640
<v Speaker 5>guys become movie stars, and I saw the music matched

0:31:43.680 --> 0:31:46.520
<v Speaker 5>the content, I decided to focus on my energy because

0:31:46.520 --> 0:31:48.479
<v Speaker 5>I'm like, the music was getting so big. In the Landmark,

0:31:48.480 --> 0:31:51.560
<v Speaker 5>they have no content, No one movie, not one TV show,

0:31:51.680 --> 0:31:53.200
<v Speaker 5>nothing that goes against the level.

0:31:53.040 --> 0:31:55.120
<v Speaker 4>You were really there at the beginning. And that's why here,

0:31:55.120 --> 0:31:57.040
<v Speaker 4>because I see you all over the world. I see

0:31:57.080 --> 0:31:59.600
<v Speaker 4>you on jets Jesse, I see you falling out with

0:31:59.680 --> 0:32:00.480
<v Speaker 4>all the artists.

0:32:00.480 --> 0:32:05.120
<v Speaker 3>I see a backstage with thirty like what is going on?

0:32:05.800 --> 0:32:08.080
<v Speaker 4>So now that's interesting, I mean because I always see

0:32:08.120 --> 0:32:11.560
<v Speaker 4>you at the forefront of music and film and television.

0:32:11.600 --> 0:32:12.960
<v Speaker 3>I think it's really interesting.

0:32:12.760 --> 0:32:15.040
<v Speaker 2>Right now we have him today with his daughter and

0:32:15.080 --> 0:32:17.160
<v Speaker 2>he's playing dad and all that stuff kind of goes

0:32:17.200 --> 0:32:19.760
<v Speaker 2>out the window and you're just focused on taking care

0:32:19.800 --> 0:32:20.280
<v Speaker 2>of the baby.

0:32:20.440 --> 0:32:22.360
<v Speaker 5>Yes, that's the most important thing to me right now.

0:32:22.760 --> 0:32:24.520
<v Speaker 4>I give a lot of respect because being you know,

0:32:24.760 --> 0:32:27.200
<v Speaker 4>because you know you're you're you're a single dad, you know,

0:32:27.400 --> 0:32:29.480
<v Speaker 4>and we're girl dads, girl dads.

0:32:29.800 --> 0:32:31.120
<v Speaker 3>That's a Jesse and I girl dad.

0:32:31.240 --> 0:32:32.080
<v Speaker 5>Yeah, yeah, I love that.

0:32:32.480 --> 0:32:34.320
<v Speaker 3>Yeah, we're like, we're both we like we act like

0:32:34.480 --> 0:32:35.880
<v Speaker 3>we try to act like we're a little hard.

0:32:35.960 --> 0:32:38.280
<v Speaker 4>It's tough in our business. And then our girls come

0:32:38.360 --> 0:32:40.240
<v Speaker 4>around and it's like we we I see us.

0:32:40.280 --> 0:32:42.600
<v Speaker 3>We're both like butter. We melt like butter.

0:32:43.160 --> 0:32:45.479
<v Speaker 4>Yeah, we're woz is when it comes to our children.

0:32:46.320 --> 0:32:48.080
<v Speaker 4>So Tim's a girl dad too.

0:32:48.320 --> 0:32:50.920
<v Speaker 1>Tell us about your part on Soul Plane.

0:32:51.760 --> 0:32:55.200
<v Speaker 5>Yeah, so soul Playing. Soul Playing happened because I shot.

0:32:55.880 --> 0:32:57.960
<v Speaker 5>I got into this program my Fox Searchlight called a

0:32:58.000 --> 0:33:01.720
<v Speaker 5>search Lab, and they take twenty direct and everybody wrote

0:33:01.760 --> 0:33:04.680
<v Speaker 5>and directed a short film. Out of the twenty directors,

0:33:04.720 --> 0:33:06.640
<v Speaker 5>the three of us made Sundance and I made Sundance

0:33:06.720 --> 0:33:09.480
<v Speaker 5>and was like an urban Latin comedy that I shot

0:33:09.520 --> 0:33:12.720
<v Speaker 5>in my neighborhood about a young kid who like you know,

0:33:13.000 --> 0:33:15.200
<v Speaker 5>sleeps with a girl and then catches something and it's

0:33:15.200 --> 0:33:18.040
<v Speaker 5>like it's trip to the clinic. It was super crazy

0:33:18.120 --> 0:33:21.280
<v Speaker 5>and funny because they used to be this clinic in

0:33:21.320 --> 0:33:22.680
<v Speaker 5>my neighbor and we used to just make fun of

0:33:22.760 --> 0:33:26.480
<v Speaker 5>who came in and out of it. So so anyway, yeah,

0:33:26.600 --> 0:33:30.160
<v Speaker 5>so so basically when I did that, you know, they

0:33:30.760 --> 0:33:33.440
<v Speaker 5>my agents, Charles King and the people Willie Morris started

0:33:33.520 --> 0:33:36.880
<v Speaker 5>understanding that I was like good at comedy. I had

0:33:36.920 --> 0:33:39.560
<v Speaker 5>an idea that was about like an urban airline, and

0:33:39.680 --> 0:33:41.800
<v Speaker 5>then they told me, hey, there's a script at MGM

0:33:41.920 --> 0:33:43.720
<v Speaker 5>called soul Plane. You should probably go take a meeting

0:33:43.800 --> 0:33:46.960
<v Speaker 5>on it. I took a meeting on it. During that time,

0:33:47.360 --> 0:33:51.560
<v Speaker 5>I flew to Brazil with Snoop to do a video

0:33:51.640 --> 0:33:54.160
<v Speaker 5>called Beautiful that Chris Robinson director. So we all went

0:33:54.160 --> 0:33:57.200
<v Speaker 5>to Beauty onto Brazil together, Me, Snoop, Farrell, Chris Robinson

0:33:58.000 --> 0:34:01.600
<v Speaker 5>and when we were there and like you know, weed session,

0:34:01.680 --> 0:34:03.240
<v Speaker 5>Snoop said, he turned to me and goes, yo, I

0:34:03.280 --> 0:34:04.120
<v Speaker 5>want to fly the plane.

0:34:04.160 --> 0:34:04.920
<v Speaker 3>Man. Stop.

0:34:06.440 --> 0:34:08.399
<v Speaker 5>He was like I want to fly the plane that story.

0:34:08.440 --> 0:34:09.960
<v Speaker 5>I was like, Steve, you know you don't really fly

0:34:10.080 --> 0:34:12.000
<v Speaker 5>the plane though, but he was like, yo, man, I

0:34:12.000 --> 0:34:14.000
<v Speaker 5>want to fly the plane. And when I went back

0:34:14.040 --> 0:34:16.440
<v Speaker 5>to the studio was ready for older guy. They were like, oh,

0:34:16.520 --> 0:34:18.160
<v Speaker 5>we don't know if he can be funny. I'm like, yes,

0:34:18.239 --> 0:34:21.279
<v Speaker 5>Snoop is the fun that's Amazing'll show you picture from

0:34:21.320 --> 0:34:23.440
<v Speaker 5>him online when he looks like like super hard and

0:34:23.520 --> 0:34:25.760
<v Speaker 5>I'm like, yeah, Snooper is a thug, but he's also

0:34:26.160 --> 0:34:29.480
<v Speaker 5>funny onniest guy. So I brought the studio execus to

0:34:29.560 --> 0:34:32.719
<v Speaker 5>Snoop's house to meet him and then that was it

0:34:32.960 --> 0:34:34.480
<v Speaker 5>to the church now his house and his family. He

0:34:34.520 --> 0:34:36.480
<v Speaker 5>has another place to callse the church, so they got

0:34:36.560 --> 0:34:39.040
<v Speaker 5>there's like twenty crips in there. They searched him on

0:34:39.120 --> 0:34:40.799
<v Speaker 5>the way and they thought it was the coolest shit ever.

0:34:41.520 --> 0:34:45.040
<v Speaker 5>Gym was the coolest. Is amazing was Snoop? After that

0:34:45.080 --> 0:34:48.279
<v Speaker 5>they were like, he could be the pilot. Sorry, hold

0:34:48.360 --> 0:34:51.000
<v Speaker 5>on and soul Plane. You had a little actor in

0:34:51.080 --> 0:34:55.279
<v Speaker 5>that movie. It became somewhat of a superstar named Kevin Hart.

0:34:55.400 --> 0:34:57.919
<v Speaker 5>Kevin Hart, and you put Kevin Hart in this movie.

0:34:58.040 --> 0:34:59.080
<v Speaker 3>How Big is his role.

0:34:59.280 --> 0:35:01.120
<v Speaker 5>He was the star of the Oh, he was a star.

0:35:01.480 --> 0:35:04.680
<v Speaker 5>Kevin was the star of the movie. Yeah, it's his movie.

0:35:04.719 --> 0:35:06.319
<v Speaker 5>He's a star, he's the lead.

0:35:06.480 --> 0:35:08.280
<v Speaker 3>So Jesse, you were in there early.

0:35:08.480 --> 0:35:10.400
<v Speaker 5>Yeah, so faverite goddess.

0:35:10.480 --> 0:35:12.680
<v Speaker 3>First start, you had everybody.

0:35:12.800 --> 0:35:13.200
<v Speaker 1>I wrote it.

0:35:13.280 --> 0:35:15.160
<v Speaker 5>I wrote it. You know, I wrote a Spanish I

0:35:15.280 --> 0:35:17.080
<v Speaker 5>needed to write some Spanish characters because I felt there

0:35:17.120 --> 0:35:18.840
<v Speaker 5>were no lanin characters. So I wrote a couple of

0:35:18.920 --> 0:35:22.040
<v Speaker 5>characters in the studio only liked, of course, the Spanish

0:35:22.120 --> 0:35:26.080
<v Speaker 5>girl and she and she had one line and when

0:35:26.080 --> 0:35:28.040
<v Speaker 5>they were doing the casting, they said, what are you thinking?

0:35:28.120 --> 0:35:30.200
<v Speaker 5>And I knew her from Latin America, so I said,

0:35:30.200 --> 0:35:31.799
<v Speaker 5>you know, I want like a Sophia guy of type.

0:35:32.280 --> 0:35:34.400
<v Speaker 5>And then she walked in the room and I was like, Sophia,

0:35:34.560 --> 0:35:36.399
<v Speaker 5>it's one line. I said, you want to do this movie,

0:35:36.440 --> 0:35:37.759
<v Speaker 5>I'll write you in the whole thing. And I just

0:35:38.040 --> 0:35:40.840
<v Speaker 5>kept rewriting. Wow, became one of the stars.

0:35:41.560 --> 0:35:43.359
<v Speaker 3>All right, So hold on, I just want to say something.

0:35:43.719 --> 0:35:45.920
<v Speaker 4>First of all, not only have you discovered some of

0:35:45.960 --> 0:35:48.239
<v Speaker 4>the biggest artists, some of the biggest musicians, and then

0:35:48.520 --> 0:35:51.319
<v Speaker 4>you've made your movie with Kevin Hart and Sofia Vigaro, which,

0:35:51.560 --> 0:35:55.000
<v Speaker 4>by the way, what what a visionary for casting and

0:35:55.160 --> 0:35:57.600
<v Speaker 4>to be your friend and made movies with you.

0:35:57.760 --> 0:35:59.720
<v Speaker 3>I'm very honored to have had you on this podcast

0:36:00.520 --> 0:36:02.239
<v Speaker 3>and long it doesn't really know you now you do?

0:36:02.480 --> 0:36:07.200
<v Speaker 2>No now, my little starstruck I all that stuff before

0:36:07.280 --> 0:36:09.640
<v Speaker 2>you see this is you know, Timbo.

0:36:09.800 --> 0:36:11.960
<v Speaker 1>Good job on slacking with the bio.

0:36:13.360 --> 0:36:16.960
<v Speaker 3>Tim has become like a real producer backyard. I want

0:36:17.000 --> 0:36:18.480
<v Speaker 3>to say this is probably the first.

0:36:18.600 --> 0:36:20.600
<v Speaker 4>This is probably one of the first podcasts in the

0:36:20.719 --> 0:36:22.880
<v Speaker 4>history of podcast that's been done on a yacht, and

0:36:23.000 --> 0:36:23.640
<v Speaker 4>I think it's the.

0:36:23.680 --> 0:36:24.520
<v Speaker 3>Best one because.

0:36:25.960 --> 0:36:28.719
<v Speaker 2>Yeah, we're talking about like his days with Tupac and

0:36:28.880 --> 0:36:30.200
<v Speaker 2>like how you put Kevin Hart.

0:36:30.440 --> 0:36:32.440
<v Speaker 3>We could go on for like three hours so much.

0:36:32.719 --> 0:36:35.640
<v Speaker 5>I appreciate you guys having on the podcast and the yacht.

0:36:35.840 --> 0:36:38.160
<v Speaker 3>Yeah, thank you.

0:36:38.640 --> 0:36:47.040
<v Speaker 2>But hi there, Lala and Randall.

0:36:47.800 --> 0:36:53.279
<v Speaker 9>I wanted to say your podcast is a highlight of

0:36:53.560 --> 0:36:57.480
<v Speaker 9>the podcast that I listened to weekly, and I think

0:36:57.680 --> 0:37:01.640
<v Speaker 9>the dynamics between the two of you is extremely genuine

0:37:01.840 --> 0:37:02.719
<v Speaker 9>and endearing.

0:37:03.239 --> 0:37:04.480
<v Speaker 10>The best part.

0:37:05.239 --> 0:37:11.640
<v Speaker 9>About the podcast is giving us insight into what I.

0:37:11.719 --> 0:37:13.759
<v Speaker 10>Think is the best part of your relationship, and you

0:37:13.840 --> 0:37:17.560
<v Speaker 10>two seem to be genuine fans of each other. You

0:37:17.719 --> 0:37:20.720
<v Speaker 10>really are fans of each other, and you're really friends,

0:37:21.360 --> 0:37:25.359
<v Speaker 10>and being friends to root for each other who also

0:37:25.560 --> 0:37:29.080
<v Speaker 10>love one another is really the best way to go

0:37:29.560 --> 0:37:32.319
<v Speaker 10>in this world, I think, with your partners. So all

0:37:32.360 --> 0:37:35.680
<v Speaker 10>the very best, all love, thanks.

0:37:35.440 --> 0:37:38.400
<v Speaker 1>So much, thank you, my loves. To everyone who has

0:37:38.400 --> 0:37:41.040
<v Speaker 1>already left us epic messages.

0:37:40.840 --> 0:37:43.040
<v Speaker 3>And keep them coming because we love hearing from you.

0:37:43.160 --> 0:37:43.359
<v Speaker 4>Guys.

0:37:43.840 --> 0:37:46.600
<v Speaker 1>Call us anytime at eight sixty six La La pod.

0:37:46.800 --> 0:37:50.040
<v Speaker 1>That's eight sixty six La La pade yes, thank you

0:37:50.120 --> 0:37:50.640
<v Speaker 1>for listening.