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Speaker 1: No, Worrian No, I feel like I've been tricked. I've

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Speaker 1: never been in Malibu in my life. This is my

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Speaker 1: first time in Malibu ever.

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Speaker 2: Make yourself and home.

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Speaker 1: I wore a T shirt that was like orange and like,

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Speaker 1: I'm thinking I was gonna be at the beach. It's

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Speaker 1: fucking free.

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Speaker 2: You wanted to magic the sun said, I was trying

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Speaker 2: to get the background. You know, it's cold.

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Speaker 1: It's cold as ship. Why no one told me that

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Speaker 1: I needed to wear You have long sleeves on, you

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Speaker 1: have a whole fucking like this is like.

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Speaker 3: A very Asian ensemble. Though on your sho because.

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Speaker 1: We're at NOBU and I was trying to culturally appropriate

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Speaker 1: where we were going a lot.

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Speaker 2: It's actually do that a lot.

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Speaker 1: Him and I get accused all the time.

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Speaker 2: Yeah, absolutely, I.

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Speaker 3: Get accused by fuck boys who can't accept me.

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Speaker 2: Right, It's true.

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Speaker 1: I feel like you have the is it?

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Speaker 3: It really isn't. What were you gonna say? I'm sorry?

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Speaker 1: I feel like you have the fan base that knows,

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Speaker 1: like and researches your entire crew, like they know everyone

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Speaker 1: that works with you type ship and what is Justin's

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Speaker 1: exact it's Justin the manager what's his exact role?

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Speaker 3: Justin is king ju king ju Yo shout out these waves.

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Speaker 4: Yeah, that's a mother nature just you know, welcoming us

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Speaker 4: into her kingdom.

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Speaker 3: Why do we feel the need to pander to the

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Speaker 3: audience who's going to complain about waves and audio quality?

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Speaker 3: Why do we feel that need? What is it about

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Speaker 3: that when they're gonna do it anyway.

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Speaker 2: Because we've become stupid, programmed idiots.

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Speaker 3: That's a take on on art, Like, that's a take

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Speaker 3: on you as creators artists. Why do we feel the

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Speaker 3: need to go, hey, everyone, who's gonna shoot on this

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Speaker 3: for this reason? This is why we did it, and

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Speaker 3: then they do it anyway? This?

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Speaker 2: Yeah, all right, let me let me shoot some bail

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Speaker 2: for them.

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Speaker 1: They are the reason that we exist and can pay bills.

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Speaker 1: So yeah, you want, if you want to shoot on

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Speaker 1: me for the waves, I'll acknowledge it.

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Speaker 3: Yeah yeah, every every viewer, every listener definitely pays the bills.

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Speaker 1: I agree, even if they're not actually listening, they're adding

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Speaker 1: into the attention span that is talking about what would

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Speaker 1: lead someone to actually click it. Agreed, So so just

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Speaker 1: retirment shit, you're full of shit.

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Speaker 2: I wasn't at the time. You know, rappers can't retire.

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Speaker 3: Yeah, I agree with that.

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Speaker 2: The rappers we have to just be honest.

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Speaker 3: I can tell you from my heart of hearts it

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Speaker 3: was not a ployee Okay, it was I really was

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Speaker 3: like wow, And then in many ways I did retire

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Speaker 3: from the bullshit. I know, maybe that's not the answer.

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Speaker 2: You're looking for it.

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Speaker 3: No, no, but it's like I really was like, I'm stepping

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Speaker 3: away from this. And then I woke up one day

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Speaker 3: and realized I was running away.

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Speaker 1: I mean, what do you think made you focus on

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Speaker 1: that rather than the tens of thousands of people that

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Speaker 1: knew every fucking lyric to three albums in a row.

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Speaker 1: I focus on people.

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Speaker 3: I focused on those people in the arena, Okay, not

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Speaker 3: on online. So I decided to for for every tweet

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Speaker 3: you don't see from me now, for every post on Instagram,

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Speaker 3: you know, spewing my business into the app ethos, I

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Speaker 3: decided to put on a record to make those lyrics

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Speaker 3: on a song, rather than trying to stay relevant to

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Speaker 3: pander to some audience because of XYZ. The Internet is

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Speaker 3: not the same internet it was ten years ago, is

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Speaker 3: what it is. I have understood that I understand that.

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Speaker 3: I've understood it, I accept it. I've stepped out of

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Speaker 3: that place and I've gone I just don't want to

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Speaker 3: be around a bunch of negativity. So by no means

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Speaker 3: am I ignoring the fans that are there to love me.

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Speaker 3: I'm just saying I don't need to be here, like

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Speaker 3: seeing all these things all the time, I was over it.

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Speaker 1: What that has to be a weird catch twenty two

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Speaker 1: because you were in the era where I felt the

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Speaker 1: Internet made you.

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Speaker 3: Hell yeah, I set up the Internet.

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Speaker 1: So that's a weird relationship to have with something that

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Speaker 1: made you to also be the reason you no longer

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Speaker 1: want to do this because of the thing that made you.

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Speaker 3: You know why I got divorced.

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Speaker 2: No, but I hope you tell.

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Speaker 3: Us People change. I agree, people change. What happened between

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Speaker 3: me and my ex wife is between me and my

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Speaker 3: ex wife, Adelity. No bullshit, no cheating, no beating, no

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Speaker 3: running around, notice no that no x y Z. People change, man,

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Speaker 3: and some people change together and it works, and some

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Speaker 3: people don't. The Internet changed, you know what I mean,

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Speaker 3: Platforms change. There's a reason you guys aren't on the

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Speaker 3: last show. There's a reason he's not on the last

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Speaker 3: show before that. Things change and I've accepted that instead

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Speaker 3: of trying to live in the era of breakbeats and

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Speaker 3: this is in fuck the Radio and like, things change.

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Speaker 2: Man, So you're single now?

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Speaker 3: Hell no, I'm married. You got remarried, had a beautiful baby,

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Speaker 3: and I'm happy and me and my wife today changed together.

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Speaker 2: Got you Okay? Okay.

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Speaker 1: I always find that concept of very odd as someone

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Speaker 1: that's also publicly went through that that type of thing.

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Speaker 3: Yeah, it's really funny people.

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Speaker 2: Man.

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Speaker 1: I just feel like marriage, after I failed once, I

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Speaker 1: don't know if I do it again.

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Speaker 3: I'm glad I did it. Man. Pussy's good. Love is good.

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Speaker 2: I like that you led with the pussy though, as men,

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Speaker 2: because we just got to be honest.

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Speaker 3: As many her dad is watching.

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Speaker 1: Relationships and are complex and they're also not very complex.

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Speaker 2: You have to continue to want to fuck that person from.

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Speaker 4: The pussy has to be good logic. That's what I

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Speaker 4: came to Malleble to talk to you about pussy. All right,

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Speaker 4: I'm being completely honest with you.

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Speaker 2: Well, I only know one. I'm a I'm a very yeah,

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Speaker 2: but you you know what's out.

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Speaker 3: There though I don't need to know what's out there.

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Speaker 2: You know that there's women out here. This bitch is

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Speaker 2: one to fuck me right now? You think I give

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Speaker 2: a ship, I loan my wife, all right, course I

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Speaker 2: know what the between the marriages.

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Speaker 1: We can be honest, and I'm sure you your wife

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Speaker 1: understands with one woman, oh you're a fucking loser.

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Speaker 3: The way I say it is no. No, I mean

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Speaker 3: I had sex with one woman in between, That's what

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Speaker 3: I know. And it was cool. She was cool. She

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Speaker 3: was a cool chick, really nice. And then I was like, man,

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Speaker 3: I don't want to do this.

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Speaker 2: I'm thirty two saying what was that newly single fresh

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Speaker 2: out of a divorce feeling like?

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Speaker 3: But I was upset and distraught and did everything you

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Speaker 3: know I could to save my marriage.

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Speaker 1: And did you not want to self sulk in random pussy?

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Speaker 1: Of course not really.

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Speaker 3: I need a connection. I need a connection with a

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Speaker 3: human being, period.

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Speaker 1: I agree, And I was trying not to have connections

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Speaker 1: because but I'm saying, that's not wrong.

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Speaker 3: It's not wrong to want to jump out. Do your think, bro,

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Speaker 3: I just cannot use a woman for her body. It's

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Speaker 3: just not who I am.

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Speaker 1: Well, that's noble, and that's not what I was doing

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Speaker 1: per se. But the way the way you were that

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Speaker 1: that's very media trained. It ain't no worries like I

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Speaker 1: got some motherfuckers.

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Speaker 3: I'm looking at it right now. Know how to use

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Speaker 3: a good woman? No, but hey, what but they wanted

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Speaker 3: to motherfucker. You know what I'm saying. Look at you,

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Speaker 3: you model ass motherfucker. Come over here, look, come, come,

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Speaker 3: say what's up to the cameras? Look at this, motherfucker.

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Speaker 3: Come here. That's my boy, Cashrow. This is my artist.

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Speaker 3: It's my best friend since the basement. Look at you, you

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Speaker 3: sex and motherfucker.

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Speaker 2: Say what's up to the world. It's up to the world.

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Speaker 3: Anyway. Casher loves good women.

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Speaker 2: I said, you've known him forever.

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Speaker 3: Yeah, he was there day one.

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Speaker 1: What's uh, what's an extremely embarrassing childhood story about him.

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Speaker 2: That no one would know that only you would know

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Speaker 2: because you was around. I would say, when you broke

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Speaker 2: your uh your penis, you broke excuse me, you broke

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Speaker 2: your penis.

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Speaker 3: I was just coming blood.

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Speaker 4: Oh that's why you only had one piece of pussy

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Speaker 4: in between the marriage.

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Speaker 2: You didn't want to blood inside that ship.

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Speaker 3: I had like I was like having sex too hard

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Speaker 3: and this is what is the first time, because this

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Speaker 3: happened twice the first time.

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Speaker 2: Broke your dick twice. I broke my dick twice. How

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Speaker 2: you didn't learn the first time?

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Speaker 3: I know, you know, when you be snapping, you just

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Speaker 3: go off and then it kind of bends a little bit.

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Speaker 2: Oh, you'd be going crazy and crazy. Yeah, you gotta

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Speaker 2: slow down.

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Speaker 3: Logic. What can I say?

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Speaker 2: Bro you got his different gives? Yeah, but you got

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Speaker 2: a different.

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Speaker 3: Put me out there.

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Speaker 1: I didn't think i'd want to know about this, but

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Speaker 1: now I'm kind of curious. A right, So you broke

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Speaker 1: your dick.

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Speaker 3: You got it, broke my dick?

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Speaker 2: Next question?

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Speaker 1: And then come on, did you let it heal?

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Speaker 2: And then broke the next question?

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Speaker 3: What do you mean?

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Speaker 2: So where you are today as as logic with a

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Speaker 2: heel dick? You have a heel dick today, logic.

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Speaker 3: There's a jelly filled.

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Speaker 4: Life has taken you many places and now you're here

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Speaker 4: mentally physically.

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Speaker 2: First of all, I listened to the new album on

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Speaker 2: the way over here. You sound completely different.

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Speaker 3: Thank you. I feel different.

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Speaker 4: I know you sound completely honest. You sound completely different.

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Speaker 2: Thanks man and the joint with you and Rush that's

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Speaker 2: the one.

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Speaker 3: Yeah, that's some real shit. I appreciate it. I love

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Speaker 3: first and foremost that I can't explain it. Like even

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Speaker 3: this right here, right now talking to you guys about

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Speaker 3: Broke Dixon, Yeah, naturally and all x y Z, It's like,

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Speaker 3: it's this is what my whole career should have been.

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Speaker 3: I felt like every time I grabbed a microphone it

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Speaker 3: was like, this is who I am, and accept me

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Speaker 3: and blah blah blah. And now I'm just like I

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Speaker 3: could give a fuck, right, I'm just trying to have fun,

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Speaker 3: be honest, spread a positive message of peace, love and

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Speaker 3: positivity and do don't raps.

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Speaker 1: But if you didn't do that before, you probably wouldn't

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Speaker 1: be in this place. So if you would start that way,

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Speaker 1: it would have been fake.

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Speaker 3: Yeah, I agreed. I think. I think I am a

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Speaker 3: person who is you know, like what the rap pack

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Speaker 3: stands for real all the time. Shout out that wave

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Speaker 3: in the background right now, I am.

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Speaker 1: Since he brought the RUSS record up, the official title

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Speaker 1: is Therapy Therapy Music.

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Speaker 2: Love that record, Thank you love it.

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Speaker 1: I was kind of curious to see if he was

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Speaker 1: gonna get in more of your personal bag because in

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Speaker 1: your past music you've been very honest with your childhood

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Speaker 1: and things that have happened.

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Speaker 3: Yeah, for sure, I.

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Speaker 1: Thought on therapy, maybe you was gonna get in your

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Speaker 1: bag off some divorced stuff, off some having a kid,

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Speaker 1: having a new relationship, freeing yourself from the retirement stuff

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Speaker 1: and the media stuff. Are you avoiding some of the

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Speaker 1: personal shit that you used to rap about because of

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Speaker 1: what it brought you? Because when I saw therapy music

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Speaker 1: and knowing you, I thought you was gonna get your

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Speaker 1: bag a little bit more like some personal.

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Speaker 3: Might have thought. I got in my bag just fine.

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Speaker 3: Everyone has their own perception of what it would have been.

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Speaker 3: How the fuck you want to be in my business anyway?

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Speaker 3: You know what, you want to know the details of

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Speaker 3: my divorce if I don't want to disclose them, do

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Speaker 3: to what what might have happened between me and that

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Speaker 3: that woman. Why do you want to be so in

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Speaker 3: my fucking business? Because no, no, no, no no, And

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Speaker 3: I'm not coming at you. I ain't coming at you.

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Speaker 3: I'm saying I'm saying I'm.

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Speaker 2: Talking about like for that.

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Speaker 3: It's like, why do you want to be so in

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Speaker 3: my business about X y Z? Because I'm going to

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Speaker 3: give you what I'm prepared to give you when I'm

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Speaker 3: prepared to give it to you, when I want to

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Speaker 3: give it to you, when I want to give.

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Speaker 2: It to you.

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Speaker 3: And so if on this record, me and Russ just

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Speaker 3: so happened to really speak for the first time, have

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Speaker 3: an amazing conversation about therapy and what we've learned at

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Speaker 3: X y Z, and then talk about that conversation. That's

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Speaker 3: the concept of the song. The concept of the song

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Speaker 3: is a conversation me and Russ had on the phone

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Speaker 3: and then I was like, I'm gonna go write this,

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Speaker 3: you go right and then and then that's what it was.

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Speaker 3: So what I'm saying is, by no means coming.

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Speaker 2: At you, I didn't feel that.

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Speaker 3: Way great because you kind of sexy. So every everything

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Speaker 3: that I do again it's Pride Month. But everything that

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Speaker 3: I do it is Pride Month. Everything that I do

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Speaker 3: is intentional, uh huh. And and that's what I felt

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Speaker 3: like doing doing that day. There's a lot of people

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Speaker 3: who want a lot of things from me, and the

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Speaker 3: only people who want the most from me that I

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Speaker 3: will give what they want when they want it is my.

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Speaker 2: Family, understandable.

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Speaker 1: And I'll answer your question because I know you were saying,

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Speaker 1: in general, with fan base of what they want. I

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Speaker 1: think when you are that honest for so much of

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Speaker 1: your career and then life, shit happens, whether it's publicly

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Speaker 1: or not, your fan base, whether they're right or wrong,

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Speaker 1: does have an expectation.

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Speaker 2: You built that core fan base because they identify with you.

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Speaker 1: So yeah, they may want to know what the fuck

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Speaker 1: is going on when they see Therapy on the track list.

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Speaker 1: So to answer you question, yeah, it's expected when you've

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Speaker 1: been that artist for so long, but I think it's

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Speaker 1: not required. I can see your fans going, yo.

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Speaker 3: I talked to about something that was inside of me.

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Speaker 1: I definitely.

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Speaker 2: I have the record. It's actually my favorite.

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Speaker 3: I'm getting motherfucker. I ain't coming at you. I'm just

289
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Speaker 3: saying no, no, no, I know, I know, I know. I

290
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Speaker 3: just wanted to be very clear, like I'm not sweating it. Yeah,

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Speaker 3: I just what do you want from me?

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Speaker 1: I don't want anything. I'm saying your fan base may

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Speaker 1: have seen that with the past.

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Speaker 2: You don't like some of my music, Yeah, some of it.

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Speaker 1: I don't like some of it.

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Speaker 2: I like.

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Speaker 3: Oh I'm saying you don't like some of my music.

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Speaker 1: Yes, I don't like so what do you want from me?

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Speaker 2: This?

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Speaker 1: This shit is my type of mixtape two minute records. Yeah,

301
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Speaker 1: it's is more about the depth I'm not talking from.

302
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Speaker 1: I'm saying you have fan based that you have talked

303
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Speaker 1: about your childhood down to a fucking teeth of some

304
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Speaker 1: extremely personal things, and then when public shit happens once

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Speaker 1: you're famous, these people have been on a journey with

306
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Speaker 1: you forever, and that's why you have a core fan base,

307
00:12:50,640 --> 00:12:52,680
Speaker 1: because they identify with somebody that has been through some

308
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Speaker 1: shit that may be going through something.

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Speaker 2: Very similar, just not publicly.

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Speaker 1: Yeah, so they may feel like it's a bit of

311
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Speaker 1: a betrayal that you you're not putting that out to

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Speaker 1: the world, which I could also see you saying, suck

313
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Speaker 1: my dick, like I'm not gonna say now you.

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Speaker 3: Think it's a betrayal to tell half of a story

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Speaker 3: of why I got divorced, No with my ex wife

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Speaker 3: being able to explain herself or I don't fact that

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Speaker 3: we cordially ended the marriage and agreed that there was

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Speaker 3: no reason for us to dispel you know what, what

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Speaker 3: we went through to the world. I agree with somebody

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Speaker 3: can't accept that.

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Speaker 1: I just know what rat fan base is especially when

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Speaker 1: they're attached to somebody that talks about personal shit so much.

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Speaker 2: I'm liking this. They are going to feel a fucking way.

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Speaker 1: I'm just talking them.

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Speaker 2: Fuck them.

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Speaker 3: You know this guy?

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Speaker 1: He said, he said.

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Speaker 3: No, But there's also so much more to this story.

329
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Speaker 3: I'm thirty two. You know. Hip hop is a young

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Speaker 3: young man's game, and I'm the old guy now not

331
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Speaker 3: really I feel young. I mean, you say not really

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Speaker 3: because we're the same age. It's like, but you know,

333
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Speaker 3: you got the Jack Harlow's, you got these young up

334
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Speaker 3: and companies, Jack Carlow, I love Jack Harlow. That's another conversation.

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Speaker 3: Though you didn't get there. I need to get there.

336
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Speaker 3: I'm me too, and we can really talk about it.

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Speaker 1: But you guys missed a brand opportunity for being the

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Speaker 1: face of twenty three and me.

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Speaker 2: That's sick. That's hilarious. That's a good ass. That's a

340
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Speaker 2: good one. Got them.

341
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Speaker 1: Can I set up a hypothetical scenario for you? Yeah,

342
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Speaker 1: you are a business owner. You employ a lot of people.

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Speaker 1: I would imagine I'm not going to get in your

344
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Speaker 1: business that way, but I understatement, I assume, yes, you

345
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Speaker 1: have to have a full business.

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Speaker 2: That's the white side. That's the white side of it.

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Speaker 4: I'm my job here today is to point out all

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Speaker 4: the black side of you logic. I'm going to help

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Speaker 4: your fan base identify. All right, that's what I'm here for.

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Speaker 2: I go sorry, twenty three of them all, Yeah, this

351
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Speaker 2: is this is the white conversation though.

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Speaker 1: Okay, So you have a company with employees, you pay

353
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Speaker 1: a lot of people. Let's say one day one of

354
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Speaker 1: your employees or one of uh let's say contracted ten

355
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Speaker 1: ninety nine people said hey, I'm retired from doing this,

356
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Speaker 1: and then a year later they get on camera and

357
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Speaker 1: complain about the company after they said they were retired,

358
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Speaker 1: How would you feel, I'll be like.

359
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Speaker 3: Dope, that's right, that's what's up. Voice your frustrations.

360
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Speaker 1: I was under the impression, sir, you were retired from

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Speaker 1: this company.

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Speaker 3: Yeah, but I came back to get out of the

363
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Speaker 3: company and start my own I understand. So that's why

364
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Speaker 3: I literally I came back to get out of the

365
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Speaker 3: company because I was so unhappy there.

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Speaker 4: And did you see how full of shit I said

367
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Speaker 4: you were when you announced your retirement, Because I said

368
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Speaker 4: it retiring bro two years Rappers can't retire, but I

369
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Speaker 4: agree with you.

370
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Speaker 2: I just think I was retired from something different.

371
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Speaker 3: And I know that might sound weird or extra, but

372
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Speaker 3: it's like, bro, I like, through therapy realize that I

373
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Speaker 3: retired from the bullshit like I used to be scared

374
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Speaker 3: to sit down in interviews. I mean, it's quite apparent

375
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Speaker 3: through my body language and me getting fucking lit right

376
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Speaker 3: now that, like I there's nothing to high or not

377
00:16:00,920 --> 00:16:02,760
Speaker 3: even that I had anything to hide. I think it

378
00:16:02,840 --> 00:16:05,760
Speaker 3: was more so there's nothing to prove. It's like this

379
00:16:05,920 --> 00:16:09,000
Speaker 3: is me, Like I just really love music, I really

380
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Speaker 3: love my fans, I really love my family and like that.

381
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Speaker 3: I don't know, it's just like, how what the fuck

382
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Speaker 3: can you do to me? But before I felt so

383
00:16:19,000 --> 00:16:21,840
Speaker 3: like I needed the world to love me. And when

384
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Speaker 3: I say the world, I really mean hip hop. But

385
00:16:23,640 --> 00:16:25,480
Speaker 3: when I really say hip hop, I mean hip hop

386
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Speaker 3: media aka black culture on social media.

387
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Speaker 1: What's what's very interesting of you saying with the media

388
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Speaker 1: and the internet that we were talking about earlier, going

389
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Speaker 1: from retirement to the Twitch thing is a very interesting

390
00:16:39,840 --> 00:16:43,320
Speaker 1: pivot because that is so internet based and so much

391
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Speaker 1: of that chat is.

392
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Speaker 3: Well, they're also fans, but they also paid play great

393
00:16:47,840 --> 00:16:49,640
Speaker 3: No No, no, they pay to play. So it's like,

394
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Speaker 3: if you're gonna call me whatever you're gonna say to

395
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Speaker 3: me and then immediately get banned by multiple moderators, you

396
00:16:56,280 --> 00:17:00,240
Speaker 3: pay me like fifty dollars to come in my chat

397
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Speaker 3: and say some shit, then get banned, then create another

398
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Speaker 3: account for fifty dollars to say that, like.

399
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Speaker 1: Are you killing these on mexes in Dubai?

400
00:17:11,000 --> 00:17:11,600
Speaker 2: Just shit on me?

401
00:17:11,880 --> 00:17:14,360
Speaker 3: Get a bad ig bitch, I'll tell you that.

402
00:17:15,359 --> 00:17:17,000
Speaker 2: All right? So what so what was the exact?

403
00:17:17,359 --> 00:17:20,000
Speaker 1: Was there a moment or was it time that took

404
00:17:20,040 --> 00:17:23,000
Speaker 1: from because I know the Twitch thing ended up also pivoting.

405
00:17:23,040 --> 00:17:25,440
Speaker 3: I got the bag man, they gave me a million dollars.

406
00:17:25,560 --> 00:17:27,640
Speaker 3: I mean so I was like this, Yeah, let's get

407
00:17:27,640 --> 00:17:31,080
Speaker 3: this money, have fun, play video games, play chess.

408
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Speaker 1: What made you want to put music back out? What

409
00:17:35,520 --> 00:17:39,080
Speaker 1: therapy session took it? With conversation? Your wife took it?

410
00:17:39,520 --> 00:17:41,640
Speaker 1: Question like what what was it where it was like, Oh,

411
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Speaker 1: I get it. I should not give a fuck about

412
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Speaker 1: people that I already don't like.

413
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Speaker 3: Wow, you know, perception is a really crazy thing, a

414
00:17:48,880 --> 00:17:53,000
Speaker 3: terrible thing sometimes terrible things sometimes or the most and

415
00:17:53,080 --> 00:17:55,280
Speaker 3: perception this is the moment, this is the moment that

416
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Speaker 3: made me be like, fuck this shit. Joe Budden said,

417
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Speaker 3: Logic is the worst rapper to ever graced the microphone

418
00:18:01,920 --> 00:18:04,720
Speaker 3: in the history of hip hop. Those words came out

419
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Speaker 3: of his mouth.

420
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Speaker 2: We were sitting next to me.

421
00:18:05,960 --> 00:18:10,520
Speaker 3: I remember I read this and my heart rate explodes

422
00:18:10,840 --> 00:18:16,280
Speaker 3: and I'm like, oh my god. And I go out

423
00:18:16,320 --> 00:18:20,280
Speaker 3: and I'm at like the garden m h and everyone's

424
00:18:20,400 --> 00:18:23,800
Speaker 3: like rapping my lyrics and ship and whatever, and you

425
00:18:23,840 --> 00:18:25,720
Speaker 3: still felt and I'm like, I'm a failure.

426
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Speaker 2: That's fucking you got.

427
00:18:27,440 --> 00:18:28,080
Speaker 1: Crush on Joe.

428
00:18:28,359 --> 00:18:29,879
Speaker 3: I'm not good. No, I'm being honest with you.

429
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Speaker 1: I know. I appreciate that. I've never talked about.

430
00:18:32,000 --> 00:18:34,879
Speaker 3: Joe Budden publicly. You get that. And the reason that

431
00:18:34,960 --> 00:18:36,760
Speaker 3: you get that is because you were here and you

432
00:18:36,880 --> 00:18:39,560
Speaker 3: came from there. I am being a man who's honest

433
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Speaker 3: and open.

434
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Speaker 2: I appreciate it.

435
00:18:41,400 --> 00:18:43,920
Speaker 3: Joe Budden is a hurt person. I'm talking about Joe.

436
00:18:43,920 --> 00:18:46,159
Speaker 3: It's the first time in my career I have openly

437
00:18:46,200 --> 00:18:49,399
Speaker 3: talked about Joe. Would you prefer I don't know, get.

438
00:18:49,240 --> 00:18:52,040
Speaker 2: Your or whatever the fuck you want to bring it up.

439
00:18:52,400 --> 00:18:53,200
Speaker 2: I didn't bring it up.

440
00:18:53,320 --> 00:18:55,000
Speaker 3: You just said, do I have a crush on Joe

441
00:18:55,440 --> 00:18:59,639
Speaker 3: fucking with me. Yes, okay, you're fucking with me. So

442
00:18:59,680 --> 00:19:04,400
Speaker 3: when I'm saying is, what I'm saying is is At

443
00:19:04,400 --> 00:19:11,560
Speaker 3: that moment, it was the height of me caring about

444
00:19:11,600 --> 00:19:15,560
Speaker 3: what other people say. It was the height of people's

445
00:19:15,560 --> 00:19:20,320
Speaker 3: opinions on me bearing deep into my heart and affecting

446
00:19:20,359 --> 00:19:24,480
Speaker 3: my every day my everyday life. And after that, I

447
00:19:24,520 --> 00:19:26,760
Speaker 3: was like, I can't do this anymore. And then I

448
00:19:26,800 --> 00:19:29,720
Speaker 3: just started focusing on what makes me happy. So when

449
00:19:29,720 --> 00:19:32,320
Speaker 3: I stepped away, it was to be the best dad

450
00:19:32,320 --> 00:19:33,919
Speaker 3: that I could. When I stepped away, it was to

451
00:19:33,960 --> 00:19:39,080
Speaker 3: take the time to do the due diligence to be

452
00:19:39,200 --> 00:19:41,920
Speaker 3: a father and the best husband that I could be.

453
00:19:42,720 --> 00:19:44,439
Speaker 3: And then I was like, damn, I'm the ship as

454
00:19:44,480 --> 00:19:46,440
Speaker 3: a husband and a father. I need to start rapping again.

455
00:19:47,480 --> 00:19:49,320
Speaker 1: Uh yeah, I can see that bringing back your confidence.

456
00:19:49,520 --> 00:19:53,000
Speaker 1: It did and everything it did, And again, we can't

457
00:19:53,200 --> 00:19:55,080
Speaker 1: get off that Joe shit because that's not really what

458
00:19:55,080 --> 00:19:55,280
Speaker 1: it was.

459
00:19:55,320 --> 00:19:56,440
Speaker 2: But I agreed, no, but it was.

460
00:19:56,720 --> 00:19:58,080
Speaker 3: I was a valid part of my.

461
00:19:59,440 --> 00:20:04,560
Speaker 1: As someone that has been through years of therapy, sometimes

462
00:20:04,560 --> 00:20:08,080
Speaker 1: ship that does not matter at all becomes that last

463
00:20:08,119 --> 00:20:12,000
Speaker 1: fucking trigger that's been bothering you forever, I agree, Whereas

464
00:20:12,119 --> 00:20:15,200
Speaker 1: maybe that's a metaphor for how you felt forever, and it.

465
00:20:15,160 --> 00:20:16,800
Speaker 2: Was, and that was just the last one.

466
00:20:16,840 --> 00:20:17,760
Speaker 3: It could have been anybody.

467
00:20:17,840 --> 00:20:19,760
Speaker 2: Yeah, I was really just fucking with you.

468
00:20:19,800 --> 00:20:22,280
Speaker 3: But I understand, just come on, shooting ship.

469
00:20:22,400 --> 00:20:23,520
Speaker 2: I'm not Charlomagne.

470
00:20:23,560 --> 00:20:26,959
Speaker 3: It's yes, agreed.

471
00:20:27,200 --> 00:20:27,719
Speaker 2: I agree.

472
00:20:28,280 --> 00:20:30,320
Speaker 1: I'm talking like that last trigger that just gets you

473
00:20:30,400 --> 00:20:33,040
Speaker 1: to that point of all those feelings you've been this.

474
00:20:33,000 --> 00:20:37,679
Speaker 3: Word I say the word no, you said trigger pretty hard, though.

475
00:20:37,680 --> 00:20:40,400
Speaker 2: I should I use the A word.

476
00:20:41,440 --> 00:20:45,399
Speaker 3: I This is one of the best interviews I've ever done.

477
00:20:46,040 --> 00:20:51,040
Speaker 4: Really, Yeah, I'm just glad that you actually like allowed

478
00:20:51,040 --> 00:20:52,840
Speaker 4: it to happen, because when when we first brought it

479
00:20:52,920 --> 00:20:54,240
Speaker 4: up and we was talking about I was like, there's

480
00:20:54,240 --> 00:20:55,320
Speaker 4: no way this is happening.

481
00:20:56,160 --> 00:20:57,920
Speaker 3: I don't I don't stop.

482
00:20:58,000 --> 00:21:00,840
Speaker 4: I even stopped entertaining it after a while, and it's like, no,

483
00:21:00,880 --> 00:21:03,080
Speaker 4: like it's really happening. And not until we were like

484
00:21:03,119 --> 00:21:04,600
Speaker 4: on our way out here, I was like, oh, okay,

485
00:21:05,600 --> 00:21:07,760
Speaker 4: just because of you, I just know, I feel like

486
00:21:08,640 --> 00:21:12,200
Speaker 4: you're in this your own world zone and you very

487
00:21:12,280 --> 00:21:15,000
Speaker 4: rarely come out of that zone. And I didn't think

488
00:21:15,000 --> 00:21:16,439
Speaker 4: you were coming out of that zone to talk to

489
00:21:16,480 --> 00:21:18,879
Speaker 4: me in the Irish one here. No, I didn't think so.

490
00:21:19,359 --> 00:21:20,760
Speaker 4: I didn't think that was gonna happen. I didn't think

491
00:21:20,760 --> 00:21:21,480
Speaker 4: this would be it logic.

492
00:21:21,520 --> 00:21:23,520
Speaker 1: I'll be honest, Well, we haven't gotten my twenty three

493
00:21:23,560 --> 00:21:25,159
Speaker 1: and meter results back. If they don't give us a

494
00:21:25,160 --> 00:21:28,960
Speaker 1: fucking ad for this episode. Let me ask you a question,

495
00:21:29,560 --> 00:21:34,440
Speaker 1: outside of music and your family, what gives you fulfillment.

496
00:21:37,280 --> 00:21:39,840
Speaker 3: To make a joke or not? Uh?

497
00:21:39,920 --> 00:21:42,640
Speaker 2: Both? You broke your dick twice. I don't think there's

498
00:21:42,640 --> 00:21:43,920
Speaker 2: anything else you know, I did?

499
00:21:44,000 --> 00:21:49,320
Speaker 3: I did do that. Movies, film, video games.

500
00:21:50,440 --> 00:21:52,600
Speaker 2: Reading, what about them?

501
00:21:52,880 --> 00:21:57,560
Speaker 3: It is a healthy escape. Some of my most vivid

502
00:21:57,680 --> 00:22:02,639
Speaker 3: memories are in virtual space. It's like, really weird to

503
00:22:02,680 --> 00:22:05,440
Speaker 3: think about that, whether it's The Witcher, the Last of Us,

504
00:22:06,040 --> 00:22:09,840
Speaker 3: Call of Duty maps where I know everything, Like, some

505
00:22:09,880 --> 00:22:13,159
Speaker 3: of my most happy memories are in a virtual space.

506
00:22:13,560 --> 00:22:14,320
Speaker 1: Why do you think that is?

507
00:22:16,400 --> 00:22:17,520
Speaker 3: Because I got to be the hero?

508
00:22:18,520 --> 00:22:19,240
Speaker 1: Okay, you know?

509
00:22:20,440 --> 00:22:23,240
Speaker 3: And I think it taught me a lot. For every

510
00:22:23,280 --> 00:22:27,760
Speaker 3: time that my character was gutted down, he had the

511
00:22:27,800 --> 00:22:32,000
Speaker 3: opportunity to revive and try it again. And I think

512
00:22:32,040 --> 00:22:35,879
Speaker 3: that's it says a lot about my career. And my

513
00:22:35,920 --> 00:22:36,920
Speaker 3: life as a human being.

514
00:22:37,800 --> 00:22:42,000
Speaker 1: And do you think why you felt about critics is

515
00:22:42,040 --> 00:22:45,720
Speaker 1: connected to that because you couldn't control it feels like

516
00:22:45,720 --> 00:22:47,840
Speaker 1: you wanted to control everything and control.

517
00:22:48,119 --> 00:22:49,680
Speaker 2: No, I never wanted to control.

518
00:22:49,720 --> 00:22:51,760
Speaker 3: I just wanted to be loved. But I didn't realize

519
00:22:51,760 --> 00:22:53,600
Speaker 3: that I already was loved. And then the people that

520
00:22:53,640 --> 00:22:56,320
Speaker 3: I wanted to be loved by actually made no difference

521
00:22:56,320 --> 00:22:59,080
Speaker 3: whatsoever in the tickets I sold, the albums, I sold

522
00:22:59,240 --> 00:23:00,960
Speaker 3: the x y Z, but I thought that they did

523
00:23:01,000 --> 00:23:03,119
Speaker 3: so I wanted them to love me because when I started,

524
00:23:03,160 --> 00:23:05,879
Speaker 3: I was simply a fan. So when I'm watching these

525
00:23:05,920 --> 00:23:07,879
Speaker 3: shows and these radio shows and these this and these this,

526
00:23:07,960 --> 00:23:10,879
Speaker 3: and I'm in the fucking basement looking up to these people,

527
00:23:11,840 --> 00:23:13,280
Speaker 3: and then you get shipped on by those people and

528
00:23:13,280 --> 00:23:14,880
Speaker 3: then you're like, well, damn, I'm a failure.

529
00:23:15,080 --> 00:23:16,720
Speaker 2: Yeah, but that's not the case.

530
00:23:16,840 --> 00:23:19,240
Speaker 3: So so it's basically like, mind you, I ain't felt

531
00:23:19,240 --> 00:23:21,520
Speaker 3: this way in years, motherfuckers. Let's not act like I'm

532
00:23:21,560 --> 00:23:24,200
Speaker 3: out here checking my phone and I'm not. We're talking

533
00:23:24,200 --> 00:23:26,159
Speaker 3: about the past. I just want to make that very.

534
00:23:26,119 --> 00:23:29,439
Speaker 4: No, absolutely understand, you know, way way different energy and

535
00:23:29,440 --> 00:23:31,920
Speaker 4: frequency now. But so it's kind of like a dream

536
00:23:31,960 --> 00:23:33,959
Speaker 4: that you wanted as a kid. Once you attained it,

537
00:23:34,240 --> 00:23:35,760
Speaker 4: you realize it wasn't what you thought.

538
00:23:37,119 --> 00:23:38,720
Speaker 3: Is that is that kind of like yeah, but that's

539
00:23:38,720 --> 00:23:39,640
Speaker 3: the classic cliche.

540
00:23:39,840 --> 00:23:41,080
Speaker 2: No, but I mean it's it's real though.

541
00:23:41,320 --> 00:23:41,520
Speaker 3: Yeah.

542
00:23:41,560 --> 00:23:44,120
Speaker 4: It's like something that you think, like, damn, I want

543
00:23:44,119 --> 00:23:45,320
Speaker 4: that I want, and then you get it, You're like,

544
00:23:45,359 --> 00:23:45,760
Speaker 4: that's it.

545
00:23:47,280 --> 00:23:50,560
Speaker 3: Yeah, I mean yeah, it's like, that's it. But also

546
00:23:50,600 --> 00:23:52,280
Speaker 3: you paid as fucking like life is great.

547
00:23:52,359 --> 00:23:55,639
Speaker 2: No, absolutely, absolutely, but it's that fulfillment.

548
00:23:55,160 --> 00:24:01,639
Speaker 3: That Yeah, it's it's a it's I've I wholeheartedly believe

549
00:24:01,680 --> 00:24:04,199
Speaker 3: as an artist, I have attained everything an artist can

550
00:24:04,240 --> 00:24:08,639
Speaker 3: attain except winning a Grammy. I really believe that billions

551
00:24:08,680 --> 00:24:12,000
Speaker 3: of streams arenas sold out all around the world, hits

552
00:24:12,000 --> 00:24:16,000
Speaker 3: on the radio, money, fame, blah blah blah blah blah

553
00:24:16,000 --> 00:24:19,680
Speaker 3: blah blah blah blah. It's like awards like the last

554
00:24:19,720 --> 00:24:21,760
Speaker 3: thing in my repertoire, and I don't even fucking want

555
00:24:21,760 --> 00:24:22,159
Speaker 3: it anymore.

556
00:24:22,200 --> 00:24:24,280
Speaker 4: I was about to say, you don't even that validation

557
00:24:24,400 --> 00:24:26,440
Speaker 4: that you thought was something that you wanted.

558
00:24:26,480 --> 00:24:29,840
Speaker 3: It'd be nice to piss on Grammys like Kanye, but yeah,

559
00:24:30,119 --> 00:24:33,119
Speaker 3: piss on gram I wouldn't piss on my grammy. I

560
00:24:33,160 --> 00:24:35,080
Speaker 3: would drink out of my grammy. Though they gave Drake

561
00:24:35,080 --> 00:24:37,520
Speaker 3: shit about drinking out of his grammy why he.

562
00:24:37,440 --> 00:24:40,600
Speaker 1: Was not the first artist be a regular thing?

563
00:24:40,680 --> 00:24:43,000
Speaker 3: Yo, I want you to answer a real question. How

564
00:24:43,040 --> 00:24:44,040
Speaker 3: bad do you have to pee?

565
00:24:44,560 --> 00:24:46,719
Speaker 1: So bad? Can we talk about this on Mike yea

566
00:24:48,000 --> 00:24:49,080
Speaker 1: where we recording before?

567
00:24:49,600 --> 00:24:53,320
Speaker 2: This is the how we've connected as people.

568
00:24:53,880 --> 00:24:55,879
Speaker 1: I've been so self conscious that I have the bladder

569
00:24:55,880 --> 00:24:59,080
Speaker 1: of a pregnancy woman and I need to pee every

570
00:24:59,080 --> 00:24:59,679
Speaker 1: five seconds.

571
00:24:59,760 --> 00:25:00,920
Speaker 2: So the the fact that he also has to be

572
00:25:01,000 --> 00:25:01,760
Speaker 2: every five Yeah, so this.

573
00:25:01,760 --> 00:25:04,400
Speaker 4: Is a great place for Pete. Let's fucking peek okaypee.

574
00:25:04,640 --> 00:25:06,359
Speaker 4: The black guy will stay here and guard everything.

575
00:25:14,040 --> 00:25:17,600
Speaker 2: This is so cool. I'm enjoying myself. I've never like

576
00:25:17,680 --> 00:25:20,000
Speaker 2: eaten sushi in an interview. Fire.

577
00:25:21,400 --> 00:25:24,440
Speaker 3: Nobu is the bottom. Noble whiskey is my favorite whiskey.

578
00:25:25,200 --> 00:25:26,000
Speaker 2: That's what you're drinking?

579
00:25:26,280 --> 00:25:26,879
Speaker 3: Yeah?

580
00:25:27,000 --> 00:25:29,320
Speaker 2: Is that a double? That's a no, that's.

581
00:25:29,160 --> 00:25:31,400
Speaker 3: An ounce of quadruple because they only do this many

582
00:25:31,680 --> 00:25:34,520
Speaker 3: and it's like two hundred and fifty a shot, okay

583
00:25:34,760 --> 00:25:35,360
Speaker 3: or something like that.

584
00:25:35,840 --> 00:25:36,159
Speaker 2: Gotcha?

585
00:25:36,240 --> 00:25:39,960
Speaker 3: But the bottle, so nobody's ever the public have never

586
00:25:40,000 --> 00:25:41,560
Speaker 3: been able to buy the bottle.

587
00:25:41,760 --> 00:25:42,720
Speaker 2: You're gonna buy one right now.

588
00:25:42,720 --> 00:25:44,440
Speaker 3: They already let me do it. I bought two hundred

589
00:25:44,480 --> 00:25:48,520
Speaker 3: thousand worth last year. I bought thirty bottles. They're all

590
00:25:48,560 --> 00:25:52,600
Speaker 3: gone and it was a vibe and uh, he has

591
00:25:52,640 --> 00:25:54,199
Speaker 3: the best whiskey I ever had, and it made a

592
00:25:54,200 --> 00:25:54,879
Speaker 3: really good album.

593
00:25:55,160 --> 00:25:59,760
Speaker 2: How do you feel about gas prices? I'm rich. I

594
00:25:59,840 --> 00:26:01,239
Speaker 2: like that. I like that.

595
00:26:01,440 --> 00:26:03,080
Speaker 3: I'm not trying to disconnect from.

596
00:26:04,800 --> 00:26:05,000
Speaker 2: People.

597
00:26:05,080 --> 00:26:07,080
Speaker 3: Don't care to hustling. No, but it's like I don't

598
00:26:07,119 --> 00:26:10,679
Speaker 3: worry about I don't worry about that. I got a Tesla.

599
00:26:11,160 --> 00:26:16,480
Speaker 2: Which one the X? Is that a good one? Yeah? Ma,

600
00:26:16,480 --> 00:26:18,719
Speaker 2: maul knows expensive things. Yeah, I love the X. I'm

601
00:26:18,720 --> 00:26:22,600
Speaker 2: one of the poor whites. Yeah, he's one. He's one

602
00:26:22,600 --> 00:26:23,680
Speaker 2: of the I don't really know much.

603
00:26:23,800 --> 00:26:26,000
Speaker 3: You understand the culture. That's that's a lot to know.

604
00:26:27,000 --> 00:26:29,720
Speaker 2: So you robb with the doors up? No, I'm not

605
00:26:29,840 --> 00:26:34,600
Speaker 2: Jayden Smith. You didn't get that off jab in the video. No,

606
00:26:34,720 --> 00:26:39,440
Speaker 2: I'm just kidding. You put Lamborghini doors on the escalator.

607
00:26:41,040 --> 00:26:42,320
Speaker 2: The X comes with the Falcon doors.

608
00:26:42,400 --> 00:26:45,520
Speaker 3: Yeah, it like pops up, but honestly so annoying.

609
00:26:45,520 --> 00:26:47,240
Speaker 1: But he still couldn't really, he still can't be so.

610
00:26:47,160 --> 00:26:48,800
Speaker 3: Annoying, Like you'd be trying to pull up and look

611
00:26:48,840 --> 00:26:50,879
Speaker 3: all cool as ship and the door goes like this,

612
00:26:52,280 --> 00:26:55,680
Speaker 3: and it fucking stops. The sensors, the sensors, it ain't

613
00:26:55,680 --> 00:26:57,680
Speaker 3: shipped around, and it's still just be stopping.

614
00:26:57,960 --> 00:27:00,720
Speaker 1: Have you ever tweeted from inside your tesla and felt

615
00:27:00,760 --> 00:27:02,320
Speaker 1: weird about tweeting inside the tesla?

616
00:27:02,480 --> 00:27:02,880
Speaker 3: No?

617
00:27:03,000 --> 00:27:05,600
Speaker 1: Okay, why would I feel weird about tweeting because he

618
00:27:05,800 --> 00:27:06,480
Speaker 1: didn't by the company?

619
00:27:06,480 --> 00:27:08,719
Speaker 2: I don't know, Alon, send us ten teslas. We're going

620
00:27:08,800 --> 00:27:11,800
Speaker 2: to test drive these things, all right.

621
00:27:11,680 --> 00:27:14,000
Speaker 1: Man, I have to ask the annoying questions that we

622
00:27:14,040 --> 00:27:15,000
Speaker 1: get to the fun ship.

623
00:27:15,119 --> 00:27:17,440
Speaker 3: Okay, don't forget the Jack Harlow stuff.

624
00:27:17,440 --> 00:27:19,920
Speaker 2: Oh definitely, no, we didn't forget that. What okay, that's

625
00:27:19,920 --> 00:27:23,160
Speaker 2: part of the annoying part. What what def jam did you? Man?

626
00:27:23,800 --> 00:27:24,320
Speaker 3: Excuse me?

627
00:27:24,320 --> 00:27:28,240
Speaker 2: What did def jam do you? Oh? You did some

628
00:27:28,320 --> 00:27:32,040
Speaker 2: pretty Listen, you did some Benner was my publicist right now,

629
00:27:32,840 --> 00:27:35,119
Speaker 2: better being your publicist. He's an amazing manager.

630
00:27:35,200 --> 00:27:35,440
Speaker 3: Yeah.

631
00:27:35,560 --> 00:27:37,480
Speaker 2: You wouldn't hire him as a publicist.

632
00:27:37,160 --> 00:27:41,920
Speaker 3: Yeah, yeah, he would be like, Okay.

633
00:27:42,240 --> 00:27:44,119
Speaker 4: Listen, you did some iconic shit on one of the

634
00:27:44,440 --> 00:27:45,840
Speaker 4: most iconic labels.

635
00:27:46,240 --> 00:27:47,480
Speaker 2: You sold a lot of records.

636
00:27:48,240 --> 00:27:49,960
Speaker 4: You sold a lot of records, bro a lot of

637
00:27:50,160 --> 00:27:51,800
Speaker 4: a lot of artists can't say that they sold a

638
00:27:51,840 --> 00:27:53,760
Speaker 4: lot of records on Depth, sold a lot of records,

639
00:27:53,840 --> 00:27:55,280
Speaker 4: sold a lot of records on deaf Jam. You did

640
00:27:55,320 --> 00:27:57,720
Speaker 4: some iconic shit, and then you retired.

641
00:27:58,040 --> 00:28:01,600
Speaker 3: Yes, so quarter million in the first week and retired

642
00:28:01,640 --> 00:28:01,960
Speaker 3: on it.

643
00:28:02,040 --> 00:28:03,160
Speaker 2: That's crazy.

644
00:28:04,280 --> 00:28:12,359
Speaker 3: I major labels. There's a lot of problems with them,

645
00:28:12,400 --> 00:28:14,480
Speaker 3: Major labels. I could sit here and go dept Jam

646
00:28:14,520 --> 00:28:16,639
Speaker 3: dept Jam, dept Jam, dept Jam dept Jam, or I

647
00:28:16,680 --> 00:28:19,520
Speaker 3: could go labels, labels, labels like it ain't just me, Bro,

648
00:28:19,680 --> 00:28:21,600
Speaker 3: it ain't just them. Of course, let me just say this.

649
00:28:21,720 --> 00:28:26,119
Speaker 3: There are so many incredible, beautiful, amazing people in that building,

650
00:28:26,160 --> 00:28:28,880
Speaker 3: and I thank them on this album, and I say

651
00:28:28,960 --> 00:28:34,439
Speaker 3: thank you for everything that you've done my frustrations. Without

652
00:28:34,440 --> 00:28:38,400
Speaker 3: sitting here and yelling sorry, I'm fucking simpiness, Coca Cola,

653
00:28:39,240 --> 00:28:42,360
Speaker 3: without five hundred dollars Scotch, No, it's like a g

654
00:28:42,560 --> 00:28:44,720
Speaker 3: but anyway, without with the light.

655
00:28:44,680 --> 00:28:46,600
Speaker 2: Day, on the light day.

656
00:28:46,600 --> 00:28:50,120
Speaker 1: Without shout out to Cloudy Bay, thirty dollars a bottle.

657
00:28:49,920 --> 00:28:52,320
Speaker 3: Trying to sit there and shit all over these people

658
00:28:52,320 --> 00:28:56,400
Speaker 3: who have done nothing but work hard for me, while

659
00:28:56,560 --> 00:29:01,719
Speaker 3: some have have made mistakes that are unacceptable. Bro, I

660
00:29:01,760 --> 00:29:04,320
Speaker 3: am deaf Jam. Like I'm so lucky to be on

661
00:29:04,400 --> 00:29:07,160
Speaker 3: deaf Jam. I got signed to deaf Jam. I can't

662
00:29:07,160 --> 00:29:10,840
Speaker 3: believe it. Deaf Jam changed my life. There are a

663
00:29:10,880 --> 00:29:12,560
Speaker 3: lot of things that I don't like.

664
00:29:14,160 --> 00:29:14,240
Speaker 1: That.

665
00:29:14,400 --> 00:29:18,920
Speaker 3: I just it ain't gonna do nobody no good to discuss.

666
00:29:20,360 --> 00:29:23,440
Speaker 1: You're just not You're not asking for my opinion, but

667
00:29:23,480 --> 00:29:28,000
Speaker 1: I'm gonna give it, okay. I feel and again this

668
00:29:28,080 --> 00:29:30,280
Speaker 1: is coming from a very objective perspective.

669
00:29:30,440 --> 00:29:31,040
Speaker 3: Ready for it.

670
00:29:31,440 --> 00:29:33,360
Speaker 1: I feel you kept the lights on at death Jam

671
00:29:33,400 --> 00:29:37,000
Speaker 1: for a minute, not relaxed, relax, No, let's go.

672
00:29:38,440 --> 00:29:38,880
Speaker 2: Come down.

673
00:29:40,040 --> 00:29:43,160
Speaker 1: They got six employees, the lights they all work from home.

674
00:29:44,440 --> 00:29:47,840
Speaker 1: There's no lights that they work from home. They're on zoom.

675
00:29:48,280 --> 00:29:49,040
Speaker 1: You keep the zoom on.

676
00:29:49,160 --> 00:29:53,160
Speaker 2: Yeah, I do the WiFi careers. When you left, I

677
00:29:53,200 --> 00:29:55,640
Speaker 2: feel like so many people are not eating now because

678
00:29:55,640 --> 00:29:55,800
Speaker 2: of you.

679
00:29:55,880 --> 00:29:58,520
Speaker 4: Logic, how do you feel abo they're eating people not

680
00:29:58,560 --> 00:29:59,880
Speaker 4: being able to put food on their table.

681
00:30:00,000 --> 00:30:02,000
Speaker 3: They're good because you were. They're fine.

682
00:30:02,720 --> 00:30:05,240
Speaker 1: Everybody's fine from the outside looking in. And I will

683
00:30:05,280 --> 00:30:09,000
Speaker 1: say reiterate from the outside looking in. I do not

684
00:30:09,160 --> 00:30:11,120
Speaker 1: know what was going on, but how I viewed it,

685
00:30:12,480 --> 00:30:14,520
Speaker 1: And I think you're a very smart person. I think

686
00:30:14,520 --> 00:30:20,480
Speaker 1: you're very logical. I could wrap two. You knew they

687
00:30:20,600 --> 00:30:23,080
Speaker 1: was going through a regime change, and I think you

688
00:30:23,240 --> 00:30:25,760
Speaker 1: respect Tunji very well, and I think Tunji is one

689
00:30:25,800 --> 00:30:27,960
Speaker 1: of the greatest execs that we personally have right now.

690
00:30:28,440 --> 00:30:30,320
Speaker 2: To then go on that rant, was that a rollout?

691
00:30:31,160 --> 00:30:32,880
Speaker 3: Fucking know that was in a rollout.

692
00:30:32,600 --> 00:30:34,400
Speaker 1: Because you knew they was going through the switch.

693
00:30:34,480 --> 00:30:37,440
Speaker 3: It wasn't felt that way you want to just felt

694
00:30:37,440 --> 00:30:37,680
Speaker 3: that way.

695
00:30:37,800 --> 00:30:38,840
Speaker 2: Wait till the interview's over.

696
00:30:39,840 --> 00:30:40,320
Speaker 1: I don't know what.

697
00:30:40,360 --> 00:30:41,320
Speaker 2: I don't know what it means.

698
00:30:41,400 --> 00:30:44,440
Speaker 3: What mean you? I'm gonna tell you the truth because

699
00:30:46,800 --> 00:30:49,560
Speaker 3: I love this guy you're here. What I'm saying is

700
00:30:49,640 --> 00:30:53,720
Speaker 3: just wait, just wait. I will happily tell you everything.

701
00:30:53,800 --> 00:30:54,360
Speaker 2: It's an interview.

702
00:30:54,440 --> 00:30:56,160
Speaker 3: No, I get it, but it's just like you want

703
00:30:56,200 --> 00:30:57,800
Speaker 3: me to do, I'm not gonna do that. I can't.

704
00:30:57,880 --> 00:31:00,200
Speaker 3: It's and I know it's like I would, but what

705
00:31:00,280 --> 00:31:00,800
Speaker 3: is it gonna do?

706
00:31:01,080 --> 00:31:01,800
Speaker 2: But look at my.

707
00:31:01,720 --> 00:31:05,120
Speaker 1: Managers, they're like, just don't all right, But here's the thing,

708
00:31:05,600 --> 00:31:06,080
Speaker 1: the truth.

709
00:31:06,120 --> 00:31:09,640
Speaker 4: Can I love how nervous they look, now, do the worry, guys.

710
00:31:09,680 --> 00:31:10,720
Speaker 2: We're not gonna hate on deaf Jam.

711
00:31:10,720 --> 00:31:12,640
Speaker 3: It's okay, no, no, it's not even about that dog.

712
00:31:12,680 --> 00:31:15,080
Speaker 3: It's just like, just wait, I'll talk to you in

713
00:31:15,080 --> 00:31:16,440
Speaker 3: two hours while we're getting drunk.

714
00:31:16,440 --> 00:31:17,080
Speaker 2: Okay, cool.

715
00:31:17,520 --> 00:31:19,520
Speaker 1: But I'm just saying even if it's not the truth,

716
00:31:19,720 --> 00:31:21,280
Speaker 1: I'm not saying it's not the truth. I'm not saying

717
00:31:21,280 --> 00:31:23,320
Speaker 1: you use that as a rollout. It just felt like

718
00:31:23,680 --> 00:31:25,160
Speaker 1: after the retirement.

719
00:31:24,800 --> 00:31:27,400
Speaker 3: Question, Yeah, so do you think that def Jam purposefully

720
00:31:27,440 --> 00:31:31,120
Speaker 3: fucked up my first major release after retirement on a

721
00:31:31,200 --> 00:31:33,880
Speaker 3: label in two and a half years. You think they

722
00:31:33,920 --> 00:31:36,000
Speaker 3: did that on purpose? And then I was like, Okay,

723
00:31:36,000 --> 00:31:38,360
Speaker 3: we're gonna do this whole Who the fuck am I motherfucker?

724
00:31:38,400 --> 00:31:40,680
Speaker 3: I'm logic. I do shit from the heart. I do honestly.

725
00:31:40,720 --> 00:31:42,880
Speaker 2: You know you, but the world doesn't know you. I'm

726
00:31:42,920 --> 00:31:43,760
Speaker 2: talking about how it's.

727
00:31:43,920 --> 00:31:45,760
Speaker 3: Yes the world I'm talking about me and you do

728
00:31:45,960 --> 00:31:49,280
Speaker 3: you think that I would be in a fucking meeting

729
00:31:49,320 --> 00:31:51,280
Speaker 3: with a bunch of suits like we're gonna make it

730
00:31:51,320 --> 00:31:52,000
Speaker 3: seem like.

731
00:31:52,640 --> 00:31:54,840
Speaker 2: No, you missed my point. See I know what you're saying.

732
00:31:54,880 --> 00:31:57,000
Speaker 3: What you say me, you think I did that on purpose?

733
00:31:57,520 --> 00:31:59,680
Speaker 1: I think you should have, even if that is the truth,

734
00:32:00,080 --> 00:32:03,200
Speaker 1: knowing that Tunji was coming in that, I feel like

735
00:32:03,520 --> 00:32:06,240
Speaker 1: you know Tunji and who he is as an exec. Yeah,

736
00:32:07,280 --> 00:32:10,760
Speaker 1: would hold out on that because it's a regime change,

737
00:32:11,320 --> 00:32:13,360
Speaker 1: and they not gonna do that, and now you're dealing

738
00:32:13,400 --> 00:32:13,600
Speaker 1: with it.

739
00:32:13,600 --> 00:32:15,720
Speaker 3: It's a regime change. It's a regime change. Be on

740
00:32:15,760 --> 00:32:19,480
Speaker 3: your ship, respectfully, be on your ship. It's a regime change.

741
00:32:19,480 --> 00:32:20,240
Speaker 1: He just got there.

742
00:32:21,080 --> 00:32:23,200
Speaker 3: He just got there. He's been there for months. No,

743
00:32:23,280 --> 00:32:25,280
Speaker 3: he's been there for longer than that, and we have

744
00:32:25,400 --> 00:32:28,200
Speaker 3: all been planning and scheming and letting you something.

745
00:32:28,320 --> 00:32:29,880
Speaker 1: Job was with RCA for six months.

746
00:32:29,880 --> 00:32:32,200
Speaker 3: No, No, that's that's great. What I'm saying is is

747
00:32:32,360 --> 00:32:34,760
Speaker 3: my team and my squad and my people been there

748
00:32:35,040 --> 00:32:36,840
Speaker 3: and the people who have been there for me know me.

749
00:32:37,160 --> 00:32:39,640
Speaker 3: And then these new people come in who I love,

750
00:32:41,960 --> 00:32:43,840
Speaker 3: and my shit got fucked up. So what I'm gonna do.

751
00:32:44,080 --> 00:32:45,680
Speaker 3: I'm gonna step back and be like, Oh, it's okay,

752
00:32:45,760 --> 00:32:47,760
Speaker 3: next person. Oh wait, it ain't next time. This is

753
00:32:47,800 --> 00:32:50,040
Speaker 3: my last fucking album on depth cham This is all

754
00:32:50,080 --> 00:32:52,960
Speaker 3: I got. This is my my moment with y'all before

755
00:32:52,960 --> 00:32:53,760
Speaker 3: I go independent.

756
00:32:53,840 --> 00:32:56,440
Speaker 2: So for me, I hope you know.

757
00:32:56,400 --> 00:32:58,320
Speaker 3: That this heated energy is positive energy.

758
00:32:59,560 --> 00:33:01,560
Speaker 2: It's very logic.

759
00:33:01,640 --> 00:33:03,520
Speaker 1: I'm from Queen's Okay, I'm just excited.

760
00:33:03,840 --> 00:33:08,760
Speaker 3: Okay. Anyway, So you fucked up, yo, you go to,

761
00:33:08,840 --> 00:33:10,520
Speaker 3: you go to, you go, you go anywhere? You say, Yo,

762
00:33:10,640 --> 00:33:12,720
Speaker 3: let me get a stake. They bring you a lobster. Now,

763
00:33:12,720 --> 00:33:15,640
Speaker 3: you might not curse at them like I did, because

764
00:33:15,640 --> 00:33:18,080
Speaker 3: I wouldn't curse to somebody who's serving me. But what

765
00:33:18,080 --> 00:33:21,760
Speaker 3: I'm saying is is that in this situation, it's the

766
00:33:21,960 --> 00:33:27,040
Speaker 3: highlight moment of my career. It's my first. Ain't nobody

767
00:33:27,080 --> 00:33:31,680
Speaker 3: fuck up? Faded Black when he came back after some ship.

768
00:33:32,440 --> 00:33:35,160
Speaker 3: I don't know what was it. I forget. I'm drunk

769
00:33:35,240 --> 00:33:35,720
Speaker 3: on the beach.

770
00:33:36,000 --> 00:33:36,760
Speaker 2: Is this your kingdom?

771
00:33:36,800 --> 00:33:37,480
Speaker 1: Come there?

772
00:33:37,520 --> 00:33:41,400
Speaker 3: It is KINGO come Barn. I don't know if that's

773
00:33:41,440 --> 00:33:43,560
Speaker 3: the I don't know. I think that show me what

774
00:33:43,600 --> 00:33:43,880
Speaker 3: you Got?

775
00:33:43,880 --> 00:33:44,280
Speaker 1: I don't know.

776
00:33:44,280 --> 00:33:46,520
Speaker 3: It wasn't that show me what you got? Wasn't that

777
00:33:46,600 --> 00:33:47,160
Speaker 3: the album? Though?

778
00:33:47,320 --> 00:33:48,400
Speaker 1: Yeah?

779
00:33:48,600 --> 00:33:50,880
Speaker 3: I imagine if jay Z dropped you shit and it

780
00:33:50,920 --> 00:33:54,160
Speaker 3: was like Barn there and this ship was all offbeat

781
00:33:54,200 --> 00:33:55,400
Speaker 3: and off time, that's what happened to me.

782
00:33:55,440 --> 00:33:58,920
Speaker 1: Well, I just feel like just would have and would

783
00:33:58,920 --> 00:34:00,680
Speaker 1: have been fine anyway making that beat. I don't think

784
00:34:00,720 --> 00:34:01,560
Speaker 1: def Jam had to do it.

785
00:34:01,600 --> 00:34:03,160
Speaker 3: All I'm saying is what I already said in my

786
00:34:03,160 --> 00:34:04,720
Speaker 3: TikTok for.

787
00:34:05,000 --> 00:34:08,920
Speaker 1: Young artists now, Benefits of a major, benefits of independent,

788
00:34:08,920 --> 00:34:10,719
Speaker 1: because I know independent is the wave and I get it.

789
00:34:11,480 --> 00:34:14,640
Speaker 1: I do think some artists need majors. So as someone

790
00:34:14,680 --> 00:34:16,200
Speaker 1: that's been on one, let's not get on the ship

791
00:34:16,280 --> 00:34:16,800
Speaker 1: on the label.

792
00:34:16,800 --> 00:34:19,120
Speaker 2: Sit, let's labor seat.

793
00:34:19,120 --> 00:34:22,000
Speaker 1: I'm I know, I know. It's the point of interview.

794
00:34:22,800 --> 00:34:26,919
Speaker 1: You bring things up. If you do benefits of a major? Yeah,

795
00:34:27,960 --> 00:34:30,960
Speaker 1: what would you say? I would say, the benefits of

796
00:34:31,000 --> 00:34:34,520
Speaker 1: a major? Can you give this to my wife? Thank

797
00:34:34,560 --> 00:34:35,600
Speaker 1: you very much, I love you.

798
00:34:37,800 --> 00:34:40,839
Speaker 3: The benefits of a major is is money. It's a bank.

799
00:34:41,239 --> 00:34:43,760
Speaker 3: It's that simple. They give you money, and if you're smart,

800
00:34:43,760 --> 00:34:46,520
Speaker 3: you pay your taxes, you invest your money in yourself,

801
00:34:47,520 --> 00:34:49,200
Speaker 3: you bet on yourself every time, and you make that

802
00:34:49,239 --> 00:34:53,000
Speaker 3: money back. That's what I did. The benefits of being

803
00:34:53,000 --> 00:34:58,799
Speaker 3: independent are they are slim to none unless you've made

804
00:34:59,080 --> 00:35:02,279
Speaker 3: a name for yourself independently. So it's like if you

805
00:35:03,000 --> 00:35:04,840
Speaker 3: do a TikTok, that's a song and that blows up,

806
00:35:04,920 --> 00:35:08,520
Speaker 3: becomes a hit. Or this, that and the third, and

807
00:35:08,600 --> 00:35:10,880
Speaker 3: you can follow through and then continue to do it. Cool,

808
00:35:11,120 --> 00:35:15,560
Speaker 3: But I mean there's very few independent artists that have

809
00:35:15,640 --> 00:35:18,839
Speaker 3: billions of streams for a reason, you know. So I'm

810
00:35:18,880 --> 00:35:21,880
Speaker 3: only now independent because I'm blessed enough to be able

811
00:35:21,920 --> 00:35:26,880
Speaker 3: to do it. So I just see labels as a

812
00:35:26,920 --> 00:35:31,400
Speaker 3: bank and if you need money, get that. Hold your creativity.

813
00:35:31,880 --> 00:35:35,239
Speaker 3: I'm loving this interview, y'all. I'm loving this. Hold your

814
00:35:35,239 --> 00:35:38,560
Speaker 3: creativity and make sure that you have final say on

815
00:35:38,680 --> 00:35:42,759
Speaker 3: how your music is done, which in itself is a

816
00:35:42,800 --> 00:35:51,880
Speaker 3: fight and it's very hard. What's better doing exactly what

817
00:35:51,960 --> 00:35:55,839
Speaker 3: I do? Like being an independent artist, making a fan base,

818
00:35:55,960 --> 00:35:58,520
Speaker 3: making a bunch of noise, signing for a fucking insane

819
00:35:58,560 --> 00:36:01,360
Speaker 3: amount of money, putting out albums that all get paid

820
00:36:01,360 --> 00:36:03,160
Speaker 3: for you don't have to worry about it, And then

821
00:36:03,200 --> 00:36:05,200
Speaker 3: go independent. Now when I say all get paid for

822
00:36:05,239 --> 00:36:07,280
Speaker 3: you don't have to worry about it, there's a lot

823
00:36:07,400 --> 00:36:09,480
Speaker 3: that goes into that, a lot of no's, a lot

824
00:36:09,480 --> 00:36:11,000
Speaker 3: of doors being shut, a lot of the X y

825
00:36:11,120 --> 00:36:13,800
Speaker 3: Z right, But it's still better than being fucking independent

826
00:36:13,800 --> 00:36:17,080
Speaker 3: and having no money. You'd be able to really get

827
00:36:17,080 --> 00:36:18,720
Speaker 3: your vision out on that level.

828
00:36:19,760 --> 00:36:22,640
Speaker 1: Yeah, I just feel as much as I've been very

829
00:36:22,760 --> 00:36:26,359
Speaker 1: much pro independent, and I don't want to say anti

830
00:36:26,400 --> 00:36:28,399
Speaker 1: major because I don't think i've been an anti major person,

831
00:36:28,440 --> 00:36:30,320
Speaker 1: because I think there's plenty of artists that really fucking

832
00:36:30,440 --> 00:36:35,120
Speaker 1: need that. I just think now with how fads go,

833
00:36:35,280 --> 00:36:38,080
Speaker 1: it's been cool to just say be independent, and I

834
00:36:38,120 --> 00:36:40,319
Speaker 1: think there's so many fucking artists that you need to

835
00:36:40,320 --> 00:36:43,560
Speaker 1: sign to a major, bro Like, this's the only way

836
00:36:43,600 --> 00:36:45,040
Speaker 1: it's going to work for you is if you.

837
00:36:45,000 --> 00:36:46,320
Speaker 2: Go to an actual major label.

838
00:36:46,920 --> 00:36:49,680
Speaker 1: But the back end of that is I wouldn't say

839
00:36:49,680 --> 00:36:51,960
Speaker 1: a major is a bank per se, Like if I

840
00:36:52,000 --> 00:36:53,920
Speaker 1: take a loan out for a bank to buy my house,

841
00:36:54,640 --> 00:36:59,319
Speaker 1: you shouldn't own my house afterwards. But I think that's

842
00:36:59,320 --> 00:37:02,879
Speaker 1: where a stem comes him. But anyways, Jack Carlow ship

843
00:37:02,920 --> 00:37:04,640
Speaker 1: on the Whites, ship on.

844
00:37:04,680 --> 00:37:06,600
Speaker 4: The I was trying to see where Rory was going

845
00:37:06,600 --> 00:37:09,440
Speaker 4: with that and then only to end up where Oh,

846
00:37:09,800 --> 00:37:13,000
Speaker 4: like we said we will be So yeah.

847
00:37:13,040 --> 00:37:14,880
Speaker 3: It's just hey, let me ask you all, y'are enjoying

848
00:37:14,880 --> 00:37:15,400
Speaker 3: this interview?

849
00:37:15,960 --> 00:37:18,799
Speaker 2: Yes, bro, listen, I'm having a great time. I'm really joyed.

850
00:37:18,840 --> 00:37:20,680
Speaker 2: I still can't believe you agreed to do this ship.

851
00:37:20,880 --> 00:37:23,760
Speaker 2: Why not because you don't agree to do ship.

852
00:37:23,920 --> 00:37:27,480
Speaker 3: I don't, but y'all are dope. You guys are dope

853
00:37:27,480 --> 00:37:29,200
Speaker 3: as well. You know what I fucking love about both

854
00:37:29,200 --> 00:37:29,520
Speaker 3: of y'all.

855
00:37:30,120 --> 00:37:31,560
Speaker 2: You're honest. Come on, tell me.

856
00:37:31,520 --> 00:37:35,640
Speaker 3: You're honest like it's tight. Yeah, yeah, I agree, it's

857
00:37:36,280 --> 00:37:40,359
Speaker 3: it's it's like a respect thing always. You can be

858
00:37:40,400 --> 00:37:43,160
Speaker 3: honest and we cut jokes and make fun of always.

859
00:37:43,160 --> 00:37:44,840
Speaker 2: Respected has always.

860
00:37:45,440 --> 00:37:48,360
Speaker 1: It's not like some shock jock whatever that term is. No,

861
00:37:48,400 --> 00:37:49,799
Speaker 1: I'm not trying to say some dispectful ship.

862
00:37:49,880 --> 00:37:53,719
Speaker 2: Okay, the whites, the whites, Yes, I love white on white.

863
00:37:53,760 --> 00:37:55,120
Speaker 3: You don't like Jack Harlow?

864
00:37:55,400 --> 00:37:55,719
Speaker 1: I do?

865
00:37:55,920 --> 00:37:58,920
Speaker 2: Oh thank god? No, I do like Jack to be

866
00:37:58,960 --> 00:38:01,040
Speaker 2: defending my man. No, I'm not fuck with Jack Harlow.

867
00:38:01,120 --> 00:38:03,120
Speaker 3: Okay, I would take a bullet for Jack Harlow.

868
00:38:03,800 --> 00:38:06,600
Speaker 2: Wait, wait what, he's a good person. You would take

869
00:38:06,600 --> 00:38:07,440
Speaker 2: a bullet do you know?

870
00:38:07,760 --> 00:38:08,359
Speaker 3: How do I know?

871
00:38:08,440 --> 00:38:09,440
Speaker 2: I know Jack Harlow?

872
00:38:09,640 --> 00:38:11,799
Speaker 3: Yeah, you would take a bullet for a huge fan

873
00:38:11,840 --> 00:38:13,680
Speaker 3: of mine used to listen to my shit in high school.

874
00:38:13,719 --> 00:38:14,799
Speaker 3: I feel old now.

875
00:38:14,880 --> 00:38:16,000
Speaker 1: But why a bullet.

876
00:38:16,320 --> 00:38:18,799
Speaker 3: Because he's a human being and he's a good human being?

877
00:38:19,040 --> 00:38:20,040
Speaker 3: Or are you a piece of shit?

878
00:38:20,120 --> 00:38:22,840
Speaker 2: I wouldn't take a bullet for him. Okay, that's fair.

879
00:38:23,000 --> 00:38:25,640
Speaker 3: Who you talking about? If it's being another human being

880
00:38:26,120 --> 00:38:28,040
Speaker 3: who's a good fucking person who can go on to

881
00:38:28,080 --> 00:38:31,160
Speaker 3: do things, would you not sacrifice your own life at

882
00:38:31,160 --> 00:38:32,839
Speaker 3: the hopes that they could go out and fucking live

883
00:38:32,840 --> 00:38:33,120
Speaker 3: and do that.

884
00:38:33,239 --> 00:38:34,280
Speaker 2: No, Like I've seen Diehard.

885
00:38:34,320 --> 00:38:37,040
Speaker 1: But I'm just saying, like, I just I just don't.

886
00:38:38,480 --> 00:38:40,800
Speaker 1: I just don't know if Jack Harlow would be the one.

887
00:38:41,120 --> 00:38:42,879
Speaker 2: I don't know if I'm taking a bullet for see.

888
00:38:42,880 --> 00:38:45,520
Speaker 3: It's like logic would take a bullet for Jack. It's

889
00:38:45,560 --> 00:38:48,440
Speaker 3: a complex fuck boy magazine says.

890
00:38:49,800 --> 00:38:50,400
Speaker 1: That's funny.

891
00:38:50,560 --> 00:38:52,360
Speaker 3: No, they're not fuck boys. Just there are some of

892
00:38:52,360 --> 00:38:54,200
Speaker 3: their journalists who don't fact check some of them.

893
00:38:54,200 --> 00:38:54,480
Speaker 2: Are you?

894
00:38:54,480 --> 00:38:57,000
Speaker 3: You know? Somebody said my last single, the Vinyl Days

895
00:38:57,040 --> 00:39:00,560
Speaker 3: title track was produced by DJ Premier. When fIF five

896
00:39:00,680 --> 00:39:04,960
Speaker 3: twelve seconds into the intro, I go six on the beat, wow,

897
00:39:05,920 --> 00:39:08,400
Speaker 3: six on the beat, and then it goes this, h

898
00:39:08,600 --> 00:39:11,560
Speaker 3: what do they say? They were like this, what's the word?

899
00:39:11,600 --> 00:39:12,239
Speaker 3: Where something is?

900
00:39:12,280 --> 00:39:12,400
Speaker 1: Like?

901
00:39:12,480 --> 00:39:17,439
Speaker 3: So somebody this Basically they were like this totally DJ

902
00:39:17,600 --> 00:39:21,360
Speaker 3: Premier style produced, and I was like this anyway, It's okay,

903
00:39:21,360 --> 00:39:22,440
Speaker 3: complex I appreciate the.

904
00:39:22,480 --> 00:39:27,040
Speaker 1: So he young berged premiere. Is what you're saying, that's

905
00:39:27,040 --> 00:39:29,440
Speaker 1: my brother. I shut out the hit makers Jack.

906
00:39:29,320 --> 00:39:34,319
Speaker 3: Carlo, Jack Carlo is great. You like him, you like

907
00:39:34,360 --> 00:39:34,800
Speaker 3: his music.

908
00:39:35,600 --> 00:39:36,359
Speaker 2: I'm thirty two.

909
00:39:37,280 --> 00:39:40,200
Speaker 3: Agreed, you fuck with but you think with like River

910
00:39:40,320 --> 00:39:43,319
Speaker 3: Road and confetti and shit or no, yeah you fuck

911
00:39:43,360 --> 00:39:44,440
Speaker 3: with that. That's what I fuck with.

912
00:39:45,080 --> 00:39:46,280
Speaker 2: So you don't fuck with the new project.

913
00:39:46,360 --> 00:39:48,560
Speaker 3: No, I think it's dope. They're like the Dual Lipa.

914
00:39:48,600 --> 00:39:50,239
Speaker 3: I was like, yeah, if I'm Jack, I'm like du

915
00:39:50,280 --> 00:39:54,000
Speaker 3: A Liba. I met Dualiva dou Aliba. Fine, no, no, no,

916
00:39:54,000 --> 00:39:55,600
Speaker 3: I give you not do a song about Duley.

917
00:39:55,760 --> 00:39:56,160
Speaker 2: What you see?

918
00:39:56,200 --> 00:39:59,040
Speaker 1: You kept saying you had something to say about Jack me.

919
00:40:00,239 --> 00:40:02,919
Speaker 2: Yeah, No, I just said I love him. Oh maybe

920
00:40:02,960 --> 00:40:04,360
Speaker 2: he'd take a bullet form is what he wanted to do.

921
00:40:04,400 --> 00:40:04,919
Speaker 1: That's what he wanted.

922
00:40:06,120 --> 00:40:07,320
Speaker 2: He makes you wanted to make sure he got that

923
00:40:07,360 --> 00:40:07,680
Speaker 2: out there.

924
00:40:07,680 --> 00:40:08,799
Speaker 3: No, Jack's a good dude, man.

925
00:40:08,880 --> 00:40:10,640
Speaker 2: I seems like I like him. He's talented.

926
00:40:10,680 --> 00:40:15,919
Speaker 3: I met Jack a couple of years ago, and yeah,

927
00:40:15,920 --> 00:40:18,000
Speaker 3: he came to my studio in Calabasas. He played me

928
00:40:18,880 --> 00:40:22,560
Speaker 3: the day he filmed the video for What's popping. It

929
00:40:22,600 --> 00:40:24,120
Speaker 3: wasn't even out yet because he dropped it with the

930
00:40:24,200 --> 00:40:26,280
Speaker 3: video and I said, buckle up, kid, get ready.

931
00:40:26,360 --> 00:40:28,040
Speaker 2: He's like, what do you mean. I was like, trust me,

932
00:40:28,600 --> 00:40:28,879
Speaker 2: and I.

933
00:40:28,840 --> 00:40:30,319
Speaker 3: Told him, I said, just make sure you always have

934
00:40:30,320 --> 00:40:33,440
Speaker 3: those river roads because that's that's what people are going

935
00:40:33,480 --> 00:40:36,000
Speaker 3: to really be able to identify with. I'm not mad

936
00:40:36,040 --> 00:40:39,480
Speaker 3: at him. People I don't know. People talk. Man, who

937
00:40:39,480 --> 00:40:42,560
Speaker 3: gives a ship? Kids making dope, pop music, hip hop music, rapping,

938
00:40:42,600 --> 00:40:47,680
Speaker 3: having fun? Fuck it? Like yeah, yeah, but no, hip

939
00:40:47,680 --> 00:40:48,839
Speaker 3: hop is pop now, let's stop.

940
00:40:48,920 --> 00:40:50,480
Speaker 2: Let's stop all the bullshit we've talked.

941
00:40:50,520 --> 00:40:54,040
Speaker 3: Hipop is pop music. It is a pop Griselda is

942
00:40:54,080 --> 00:40:57,080
Speaker 3: not pop music. Griselda is fucking rap hip hop.

943
00:40:57,680 --> 00:41:00,360
Speaker 2: There's a it's you know what, I hate Benny Benio

944
00:41:00,440 --> 00:41:02,400
Speaker 2: Conway damn.

945
00:41:04,640 --> 00:41:06,160
Speaker 3: Oh this is gonna get me shot.

946
00:41:06,480 --> 00:41:10,080
Speaker 2: No, only only if Jack is in front of the gun.

947
00:41:11,120 --> 00:41:14,480
Speaker 3: I really love Benny. I love Benny, I really do,

948
00:41:14,560 --> 00:41:16,080
Speaker 3: and shout out because he's on death Jam.

949
00:41:16,200 --> 00:41:16,439
Speaker 2: Yeah.

950
00:41:16,520 --> 00:41:18,680
Speaker 3: I love Conway. Man, There's something about the way this

951
00:41:18,760 --> 00:41:23,000
Speaker 3: motherfucker raps. Yeah, it's special like I anyway, Yeah, back

952
00:41:23,040 --> 00:41:27,600
Speaker 3: to what's important. Jack Harlow, Yeah, uh no, Jack Harlow's dope. Man.

953
00:41:27,719 --> 00:41:29,879
Speaker 3: He's a good kid and he's having fun.

954
00:41:29,920 --> 00:41:31,520
Speaker 2: He's on talented, he's having fun.

955
00:41:31,560 --> 00:41:33,719
Speaker 3: I wishing the best, dude, Dude, I did it. I

956
00:41:33,760 --> 00:41:36,200
Speaker 3: did what Jack Harlo is doing right now with Bobby

957
00:41:36,200 --> 00:41:38,360
Speaker 3: Tarantino and all this ship. Now, I'm just out there, like,

958
00:41:38,600 --> 00:41:40,719
Speaker 3: just call me a son, call him, call him my.

959
00:41:40,719 --> 00:41:43,399
Speaker 2: Son, my son.

960
00:41:43,560 --> 00:41:47,360
Speaker 3: Yeah, that's for sure. He's not a quarter black. And

961
00:41:48,520 --> 00:41:49,120
Speaker 3: it's apparent.

962
00:41:50,200 --> 00:41:51,840
Speaker 2: He asked Curly Harry, he must be Jewish, so he

963
00:41:51,880 --> 00:41:52,520
Speaker 2: might be on your team.

964
00:41:52,600 --> 00:41:55,640
Speaker 3: I got Curly, all right, So love Jack.

965
00:41:55,719 --> 00:41:59,640
Speaker 1: Speaking of Jack DJ Drama. It's a weird segue. Why Flex?

966
00:42:00,680 --> 00:42:02,400
Speaker 3: I love Flex? You want to know why Flex?

967
00:42:03,040 --> 00:42:06,680
Speaker 1: Because I want to know why our favorite drunk uncle

968
00:42:06,920 --> 00:42:09,960
Speaker 1: that we that is a legend, that that we just disliked.

969
00:42:10,040 --> 00:42:10,800
Speaker 2: That was a surprise.

970
00:42:12,840 --> 00:42:14,120
Speaker 3: I don't know how drunk he is. He was in

971
00:42:14,160 --> 00:42:15,040
Speaker 3: a studio very so.

972
00:42:17,760 --> 00:42:20,480
Speaker 1: Okay, the legend that you grew up loving that you

973
00:42:20,560 --> 00:42:24,200
Speaker 1: now look at differently. Did you call him sexual chocolate?

974
00:42:24,400 --> 00:42:26,600
Speaker 2: It did not. Okay, ten years that's what he calls himself.

975
00:42:26,640 --> 00:42:29,480
Speaker 3: I probably would do that, but I did not do that.

976
00:42:30,040 --> 00:42:33,440
Speaker 2: Month I understand. Did you pay for his BBO.

977
00:42:35,160 --> 00:42:42,799
Speaker 3: Ten years ago, I was driving around Long Island with

978
00:42:42,880 --> 00:42:49,399
Speaker 3: my manager and we're shopping a deal to different labels.

979
00:42:49,480 --> 00:42:51,799
Speaker 3: You know, I saw Mike Karen at Atlantic. Do you

980
00:42:51,800 --> 00:42:52,320
Speaker 3: have a booger?

981
00:42:53,320 --> 00:42:54,040
Speaker 1: I don't see one.

982
00:42:54,280 --> 00:42:55,200
Speaker 2: You're good, Okay.

983
00:42:55,400 --> 00:42:59,520
Speaker 3: I was driving around, you know, we're shopping. We're shopping deals.

984
00:42:59,520 --> 00:43:01,640
Speaker 3: It's like ten a night or no, it's earlier than that.

985
00:43:01,680 --> 00:43:05,719
Speaker 3: And we're listening to ninety seven and Funk Flex is

986
00:43:05,760 --> 00:43:08,840
Speaker 3: on the radio, and this was like I'd known the

987
00:43:08,920 --> 00:43:11,400
Speaker 3: funk Flex, but this was my first time in person,

988
00:43:11,480 --> 00:43:15,080
Speaker 3: first time in New York, introduction to like New York radio,

989
00:43:15,840 --> 00:43:19,240
Speaker 3: and I'm listening to this awesome dudes screaming all over shit,

990
00:43:19,440 --> 00:43:26,600
Speaker 3: very extra and that's why we love him. And I

991
00:43:26,680 --> 00:43:29,680
Speaker 3: come back again that year and I listened to him again.

992
00:43:29,680 --> 00:43:32,120
Speaker 3: I come the next year, another mixtape. I come again,

993
00:43:32,800 --> 00:43:36,200
Speaker 3: I visit again. My album's out, visit and we go

994
00:43:36,280 --> 00:43:41,960
Speaker 3: one day, one day, Flex is gonna be spinning our shit.

995
00:43:43,120 --> 00:43:46,080
Speaker 3: And ten years later I made enough noise to reach

996
00:43:46,120 --> 00:43:47,759
Speaker 3: out to Flex and go, I want you on my

997
00:43:47,880 --> 00:43:52,759
Speaker 3: album because of what that means to me. And now

998
00:43:52,800 --> 00:43:55,640
Speaker 3: he's spinning every single from the fucking album every week.

999
00:43:55,440 --> 00:43:57,319
Speaker 2: And that's like I made it. That was definitely a

1000
00:43:57,360 --> 00:44:01,759
Speaker 2: pleasant surprise though, and listening to the project a lot

1001
00:44:01,800 --> 00:44:03,280
Speaker 2: of the skits.

1002
00:44:02,880 --> 00:44:07,640
Speaker 4: The phone calls Michael Rappaport, for sure, I thought that

1003
00:44:07,640 --> 00:44:09,880
Speaker 4: that was a very unique way of But you're a

1004
00:44:09,920 --> 00:44:11,359
Speaker 4: unique person, your unique artist.

1005
00:44:11,440 --> 00:44:13,840
Speaker 2: You do you do things your way. I try, you know,

1006
00:44:13,920 --> 00:44:14,439
Speaker 2: I mean you don't.

1007
00:44:14,480 --> 00:44:16,280
Speaker 4: You don't want to stay in this box that they've

1008
00:44:16,280 --> 00:44:18,040
Speaker 4: constructed for rappers and artists.

1009
00:44:18,719 --> 00:44:20,800
Speaker 2: You want to do create freely.

1010
00:44:20,880 --> 00:44:22,520
Speaker 3: Yeah, you can't stand out and fit in at the

1011
00:44:22,520 --> 00:44:22,920
Speaker 3: same time.

1012
00:44:23,120 --> 00:44:23,640
Speaker 2: I agree with you.

1013
00:44:23,680 --> 00:44:25,160
Speaker 3: I wanted to fit in for a long time, but

1014
00:44:25,200 --> 00:44:26,360
Speaker 3: I just realized.

1015
00:44:25,960 --> 00:44:27,959
Speaker 2: Like why though, why I was talk about.

1016
00:44:27,960 --> 00:44:32,920
Speaker 3: I wanted to fit in because I thought that if

1017
00:44:32,920 --> 00:44:36,560
Speaker 3: I was accepted by a certain group, then I would

1018
00:44:37,160 --> 00:44:41,400
Speaker 3: ultimately be accepted by the entire hip hop you know,

1019
00:44:41,719 --> 00:44:43,920
Speaker 3: like I said, I grew up watching the breakfast clubs.

1020
00:44:43,960 --> 00:44:47,400
Speaker 3: I watched the Fontanos of the world. I wanted everybody

1021
00:44:47,440 --> 00:44:49,000
Speaker 3: to give me a ten. I wanted her to love me,

1022
00:44:49,800 --> 00:44:52,880
Speaker 3: and uh. I wanted that for a long time in

1023
00:44:52,920 --> 00:44:54,520
Speaker 3: my career. And then a couple of years later, I

1024
00:44:54,560 --> 00:44:59,240
Speaker 3: was like, this doesn't matter. Yeah, you realize it's it's dope.

1025
00:44:59,480 --> 00:44:59,719
Speaker 2: Yeah.

1026
00:44:59,840 --> 00:45:02,200
Speaker 3: I had Charlemagne praise me before. I've had him said

1027
00:45:02,200 --> 00:45:04,759
Speaker 3: cool things whatever, and I'm like, oh, but then when

1028
00:45:04,760 --> 00:45:09,000
Speaker 3: it happens, You're like, oh, that's it all right. Thanks Angela.

1029
00:45:09,080 --> 00:45:15,160
Speaker 3: Yee Uh, gotta love Angela though she's very Angela, Angela

1030
00:45:15,400 --> 00:45:15,960
Speaker 3: love Angela.

1031
00:45:18,000 --> 00:45:23,600
Speaker 1: I'm interested with choosing flex. I totally understand it. Flex

1032
00:45:23,640 --> 00:45:25,880
Speaker 1: is a fucking legend. He's flex like I grew up

1033
00:45:25,880 --> 00:45:29,200
Speaker 1: on flex. Flexis flex. Our disagreements can be our disagreements.

1034
00:45:29,320 --> 00:45:30,240
Speaker 1: He's a fucking legend.

1035
00:45:30,440 --> 00:45:31,279
Speaker 3: He doesn't like you.

1036
00:45:31,800 --> 00:45:34,040
Speaker 1: I just found out he didn't like me. I've never.

1037
00:45:35,880 --> 00:45:38,279
Speaker 2: Nobody likes Rory Logic. You're the You and I are

1038
00:45:38,320 --> 00:45:40,359
Speaker 2: the only ones. I like him.

1039
00:45:40,840 --> 00:45:41,640
Speaker 1: I think we're getting along.

1040
00:45:41,680 --> 00:45:42,960
Speaker 3: He's a nice guy. We've had.

1041
00:45:43,560 --> 00:45:48,319
Speaker 2: Yeah, why not something from the Q in the d

1042
00:45:48,440 --> 00:45:50,319
Speaker 2: m V already.

1043
00:45:50,040 --> 00:45:52,719
Speaker 3: Did that and it's not out yet, so I'll see that. Yeah,

1044
00:45:52,760 --> 00:45:54,520
Speaker 3: fair enough. Have you.

1045
00:45:55,960 --> 00:45:59,759
Speaker 1: Felt like you needed to ever do more of like

1046
00:45:59,800 --> 00:46:04,680
Speaker 1: the Go Go Never County ship Like I know, I'm

1047
00:46:04,680 --> 00:46:05,080
Speaker 1: just asking.

1048
00:46:05,440 --> 00:46:08,160
Speaker 2: It's not one of those like I will ship on

1049
00:46:08,200 --> 00:46:09,680
Speaker 2: that project if you ever come out.

1050
00:46:10,320 --> 00:46:12,040
Speaker 3: You know who I think did that? Really great? Wile

1051
00:46:12,040 --> 00:46:14,960
Speaker 3: A personally he doesn't get enough.

1052
00:46:15,200 --> 00:46:17,839
Speaker 2: He doesn't get enough is the fucking coat. He doesn't

1053
00:46:17,840 --> 00:46:21,440
Speaker 2: get a credit wi A, I love he doesn't get

1054
00:46:21,480 --> 00:46:21,839
Speaker 2: enough credit.

1055
00:46:21,840 --> 00:46:25,400
Speaker 3: I wish I could grow dreads because okay, I was

1056
00:46:25,440 --> 00:46:26,839
Speaker 3: in that motherfucking what's the lead singer?

1057
00:46:26,920 --> 00:46:27,760
Speaker 2: Rage against the Machine?

1058
00:46:27,760 --> 00:46:28,239
Speaker 1: You could do it?

1059
00:46:28,680 --> 00:46:30,799
Speaker 3: Yeah, that's different. That's a different kind of dread. You're

1060
00:46:30,800 --> 00:46:31,480
Speaker 3: talking about a sound.

1061
00:46:31,480 --> 00:46:35,040
Speaker 2: I don't want that dread. I'm talking about John Oco.

1062
00:46:35,120 --> 00:46:37,040
Speaker 3: Go hey, yah, yady know what it is? Kind of

1063
00:46:37,120 --> 00:46:38,080
Speaker 3: dread right right?

1064
00:46:38,480 --> 00:46:39,320
Speaker 1: Just wear new balances.

1065
00:46:40,120 --> 00:46:42,440
Speaker 3: Let me just say this, especially when he was sucking

1066
00:46:42,480 --> 00:46:45,680
Speaker 3: with Ronson. That's that's when I discovered wile A and

1067
00:46:45,719 --> 00:46:49,640
Speaker 3: wial A fell out day. It's my guy, Yeah, fell out,

1068
00:46:50,120 --> 00:46:51,879
Speaker 3: that's my dude. Fuck.

1069
00:46:51,920 --> 00:46:53,640
Speaker 2: Why can't I think of his name? You know homie?

1070
00:46:54,760 --> 00:46:56,640
Speaker 3: You know homie? Fuck? What's his fat?

1071
00:46:56,719 --> 00:46:59,040
Speaker 1: Troali is the guy which I think?

1072
00:47:02,680 --> 00:47:05,440
Speaker 2: Yeah, he locked out. He locked up though he is

1073
00:47:05,480 --> 00:47:07,000
Speaker 2: about to get out, Yeah, very soon.

1074
00:47:07,600 --> 00:47:11,719
Speaker 3: No trail is Yeah, I gotta I gotta unreleased trail verse.

1075
00:47:12,160 --> 00:47:14,480
Speaker 1: What is your what is just for the d M

1076
00:47:14,560 --> 00:47:20,600
Speaker 1: v U TikTok world? What is your relationship with w I.

1077
00:47:20,520 --> 00:47:22,000
Speaker 3: Mean I just texted him every once in a while

1078
00:47:22,040 --> 00:47:23,520
Speaker 3: and be like, hey, man, I hope you're doing good.

1079
00:47:23,520 --> 00:47:26,439
Speaker 3: And he's like, thanks, bro, And that's about it. That's

1080
00:47:26,440 --> 00:47:30,480
Speaker 3: why he's a nice guy. I don't know what else

1081
00:47:30,480 --> 00:47:32,239
Speaker 3: I would say. I listen to his albums when they

1082
00:47:32,239 --> 00:47:34,839
Speaker 3: come out all the way through, and if I like him,

1083
00:47:34,840 --> 00:47:36,759
Speaker 3: I text him and go, this is dope. I was like,

1084
00:47:36,920 --> 00:47:39,880
Speaker 3: you know, like he's he's there. There is no logic

1085
00:47:39,920 --> 00:47:45,160
Speaker 3: without You can say that for a lot of people. Yeah,

1086
00:47:45,239 --> 00:47:48,560
Speaker 3: because for sure, I'm a chameleon. You know, my first

1087
00:47:48,560 --> 00:47:50,960
Speaker 3: album is good Kid under Pressure, like ship.

1088
00:47:53,560 --> 00:47:55,120
Speaker 2: What can I say?

1089
00:47:55,719 --> 00:47:58,239
Speaker 3: I was inspired, you know what I'm saying?

1090
00:47:58,239 --> 00:48:00,680
Speaker 2: What mother, if I'm gonna be honest, good under pressure?

1091
00:48:00,920 --> 00:48:03,279
Speaker 3: Under pressure? I heard I heard Kendrick Lamar tell his

1092
00:48:03,360 --> 00:48:06,719
Speaker 3: story of his adolescence. I was like, that's what I

1093
00:48:06,760 --> 00:48:09,239
Speaker 3: want to do. And I did it, and I told

1094
00:48:09,280 --> 00:48:11,680
Speaker 3: I didn't It wasn't Kendrick Bars with Kendrick Flows. I'm

1095
00:48:11,680 --> 00:48:13,520
Speaker 3: talking about I'm from Compton and e on the on

1096
00:48:13,520 --> 00:48:17,080
Speaker 3: the and I was just like, this is my story

1097
00:48:17,120 --> 00:48:17,799
Speaker 3: from where I'm from.

1098
00:48:18,160 --> 00:48:20,880
Speaker 2: I fully respect that you just said that.

1099
00:48:20,880 --> 00:48:23,879
Speaker 3: That's some I'm a twenty four year old kid listening

1100
00:48:23,880 --> 00:48:25,640
Speaker 3: to one of the biggest rappers in the world. I

1101
00:48:25,640 --> 00:48:27,480
Speaker 3: did it with Jay, I did it with Cole, I

1102
00:48:27,480 --> 00:48:29,440
Speaker 3: did it with Kanye, I did it with everybody. I

1103
00:48:29,440 --> 00:48:31,200
Speaker 3: did it my whole career till like four years ago,

1104
00:48:31,239 --> 00:48:33,279
Speaker 3: and now I'm just doing whatever the fuck I want

1105
00:48:33,320 --> 00:48:35,719
Speaker 3: to do. I learned how to do everybody ship so

1106
00:48:35,760 --> 00:48:38,439
Speaker 3: I could do me even better. And that's a real thing.

1107
00:48:38,560 --> 00:48:40,759
Speaker 3: Like and people clown me the whole time. But I

1108
00:48:40,800 --> 00:48:43,560
Speaker 3: made millions of fucking dollars and sold out arenas around

1109
00:48:43,600 --> 00:48:45,680
Speaker 3: the world, so I must have been doing it. And

1110
00:48:45,719 --> 00:48:47,520
Speaker 3: I'm saying, motherfuckers, was like, good job.

1111
00:48:48,360 --> 00:48:50,040
Speaker 2: So it's like I must have done something right.

1112
00:48:51,400 --> 00:48:54,880
Speaker 1: How did you pick the how'd you pick the features

1113
00:48:54,880 --> 00:48:55,080
Speaker 1: on that?

1114
00:48:55,120 --> 00:48:55,319
Speaker 2: With that?

1115
00:48:56,200 --> 00:49:00,000
Speaker 3: It's so fucking sexy. Man. I love you.

1116
00:49:00,160 --> 00:49:02,120
Speaker 1: I hate a faithful husband.

1117
00:49:01,840 --> 00:49:03,560
Speaker 2: Would is that what you do? What you married?

1118
00:49:03,600 --> 00:49:05,279
Speaker 4: You have to whisper? I love you from across the room.

1119
00:49:05,400 --> 00:49:06,480
Speaker 4: I'm trying to learn because.

1120
00:49:06,480 --> 00:49:07,080
Speaker 3: I love you.

1121
00:49:07,880 --> 00:49:09,279
Speaker 2: No, ye ain't got a whisper him. You get yell

1122
00:49:09,360 --> 00:49:10,920
Speaker 2: you yell it? Okay, cool yo.

1123
00:49:11,000 --> 00:49:14,239
Speaker 3: Benner, If you're my publicist, are you like fuck no?

1124
00:49:14,560 --> 00:49:16,720
Speaker 3: Are you like this kid's fucking up from cloudy?

1125
00:49:17,760 --> 00:49:20,040
Speaker 1: Because it's getting because it's getting cloudy. Oh, I definitely do.

1126
00:49:20,080 --> 00:49:20,920
Speaker 2: I'm just being funny.

1127
00:49:20,960 --> 00:49:21,120
Speaker 3: Better.

1128
00:49:21,239 --> 00:49:25,400
Speaker 2: I just like saying better, Mike, we're calling Benner the butcher.

1129
00:49:25,440 --> 00:49:28,880
Speaker 2: Now are you I'm fucking up? I just said it,

1130
00:49:28,960 --> 00:49:32,520
Speaker 2: my fucking up and you sugar Gate. No, he's high man, buddy.

1131
00:49:33,600 --> 00:49:35,440
Speaker 1: Oh can I tell you all right? I have stories

1132
00:49:35,440 --> 00:49:37,640
Speaker 1: about Justine it. Can I tell you a funny story

1133
00:49:37,640 --> 00:49:38,160
Speaker 1: about Benner?

1134
00:49:40,040 --> 00:49:40,480
Speaker 3: Please?

1135
00:49:40,600 --> 00:49:43,959
Speaker 2: So? Like five years ago maybe more?

1136
00:49:44,600 --> 00:49:47,560
Speaker 1: Uh, my little cousin who is now eighteen years old,

1137
00:49:47,600 --> 00:49:49,319
Speaker 1: Jesus Christ was a.

1138
00:49:49,239 --> 00:49:50,080
Speaker 2: Big fan of yours.

1139
00:49:50,600 --> 00:49:53,320
Speaker 1: And I asked Benner, I say, hey, her birthday is

1140
00:49:53,320 --> 00:49:53,759
Speaker 1: coming up.

1141
00:49:54,400 --> 00:49:58,279
Speaker 2: She's obsessed with logic. Do you mind asking? Oh, please

1142
00:49:58,280 --> 00:50:01,239
Speaker 2: tell me logic? Said no? Four four or five years

1143
00:50:01,239 --> 00:50:02,920
Speaker 2: of years? Did he say no? The logic? Say no?

1144
00:50:03,080 --> 00:50:05,440
Speaker 2: The height of my career und logic? Why didn't you

1145
00:50:05,480 --> 00:50:06,200
Speaker 2: say no? Logic?

1146
00:50:06,920 --> 00:50:07,040
Speaker 3: No?

1147
00:50:07,120 --> 00:50:09,479
Speaker 2: Listen? Did you call no? It gets?

1148
00:50:09,480 --> 00:50:09,719
Speaker 3: It gets?

1149
00:50:09,800 --> 00:50:10,600
Speaker 2: It gets way worse?

1150
00:50:10,680 --> 00:50:12,200
Speaker 3: So did I respond?

1151
00:50:12,480 --> 00:50:13,560
Speaker 2: Let me let me tell a story?

1152
00:50:13,719 --> 00:50:14,600
Speaker 3: Okay? I did not?

1153
00:50:15,960 --> 00:50:20,360
Speaker 1: So Bett, I asked Benner this, He's like, yeah, let

1154
00:50:20,400 --> 00:50:22,120
Speaker 1: me text him right months past.

1155
00:50:22,200 --> 00:50:24,320
Speaker 2: I'm telling you, damn near a year passes.

1156
00:50:24,360 --> 00:50:27,200
Speaker 1: Her next birthday might have happened, and he said, Yo,

1157
00:50:27,400 --> 00:50:32,680
Speaker 1: I was drunk that night. He sent the video right away.

1158
00:50:33,640 --> 00:50:35,920
Speaker 2: That's crazy, that's sick.

1159
00:50:36,040 --> 00:50:39,640
Speaker 3: Good guy, Bob, you replied right away with.

1160
00:50:39,600 --> 00:50:41,520
Speaker 4: The video on the job, Benner, you still have a

1161
00:50:41,560 --> 00:50:43,560
Speaker 4: job as a result of us, kid, I'm listening.

1162
00:50:43,920 --> 00:50:46,239
Speaker 2: Three months three months later, you checked the message.

1163
00:50:47,000 --> 00:50:48,960
Speaker 1: Benner really looked back and was like, oh no, he

1164
00:50:49,040 --> 00:50:51,440
Speaker 1: said to give a or she on the like you know,

1165
00:50:51,520 --> 00:50:53,160
Speaker 1: Oh no, she moved on to like one direction.

1166
00:50:53,440 --> 00:50:55,280
Speaker 3: Yeah.

1167
00:50:55,400 --> 00:50:57,040
Speaker 1: By the time I sent it to her, it wasn't

1168
00:50:57,080 --> 00:50:59,319
Speaker 1: her birthday and she had Yeah, she was.

1169
00:50:59,239 --> 00:51:00,000
Speaker 2: With Harry Styles.

1170
00:51:00,040 --> 00:51:04,560
Speaker 1: I'm sorry, So you replied right away on his behalf.

1171
00:51:04,640 --> 00:51:06,840
Speaker 2: Yeah, you lost a fan, because that's funny.

1172
00:51:07,880 --> 00:51:08,759
Speaker 3: Away I did.

1173
00:51:08,840 --> 00:51:10,799
Speaker 1: Matter of fact, I'm gonna use the video because I

1174
00:51:10,800 --> 00:51:13,080
Speaker 1: still have it. That might be like the trailer for

1175
00:51:13,120 --> 00:51:14,440
Speaker 1: this entire interview.

1176
00:51:14,600 --> 00:51:16,680
Speaker 3: All right, am I bald?

1177
00:51:16,800 --> 00:51:17,239
Speaker 1: Get your ship?

1178
00:51:17,640 --> 00:51:18,919
Speaker 3: Did I buzz my ship? What?

1179
00:51:19,960 --> 00:51:20,800
Speaker 2: I don't remember?

1180
00:51:20,800 --> 00:51:21,759
Speaker 3: He said, get my ship off?

1181
00:51:21,800 --> 00:51:22,799
Speaker 2: Yeah, Like, what do you want to say?

1182
00:51:23,440 --> 00:51:24,120
Speaker 3: Are we done?

1183
00:51:24,280 --> 00:51:27,240
Speaker 2: No? No way close? Yeah, I have to piss.

1184
00:51:27,560 --> 00:51:31,160
Speaker 3: You gotta piss me too, Get my ship off? What

1185
00:51:31,200 --> 00:51:36,040
Speaker 3: do I have to say? Drink green juices? I don't know,

1186
00:51:36,719 --> 00:51:38,359
Speaker 3: do your taxes.

1187
00:51:38,000 --> 00:51:39,400
Speaker 2: Rappers, Yes, do your taxes.

1188
00:51:41,000 --> 00:51:43,399
Speaker 3: Get a good business manager. Get my ship off. I'm

1189
00:51:43,440 --> 00:51:43,919
Speaker 3: thirty two.

1190
00:51:46,480 --> 00:51:49,720
Speaker 2: Uh yes, get your taxes off at thirty shower daily.

1191
00:51:50,640 --> 00:51:53,920
Speaker 4: Huh okay, So listen, you're half listen.

1192
00:51:53,960 --> 00:51:56,040
Speaker 2: So you're biracial. So you know that white boys don't

1193
00:51:56,120 --> 00:51:59,040
Speaker 2: wash their legs. We we've wow. Yeah, white boys don't

1194
00:51:59,120 --> 00:52:01,359
Speaker 2: wash their legs. Weird made they don't.

1195
00:52:01,360 --> 00:52:05,879
Speaker 3: But you, no, no, you the type of motherfucker gets

1196
00:52:05,920 --> 00:52:08,000
Speaker 3: and the shower and just lets the water sprinkle on

1197
00:52:08,080 --> 00:52:08,520
Speaker 3: his feet.

1198
00:52:08,600 --> 00:52:12,120
Speaker 2: Ship for me for sure. Look at that beard.

1199
00:52:12,200 --> 00:52:14,240
Speaker 3: You just be letting it sprinkles sometimes on the bottom.

1200
00:52:14,320 --> 00:52:15,359
Speaker 3: Or do you get in there?

1201
00:52:15,400 --> 00:52:18,080
Speaker 1: I with my loofah scrubbed the ship out of the

1202
00:52:18,080 --> 00:52:18,839
Speaker 1: bab You know.

1203
00:52:18,840 --> 00:52:19,720
Speaker 3: You be white?

1204
00:52:19,800 --> 00:52:22,320
Speaker 2: Yeah, the loofah happy you got the wash claw.

1205
00:52:22,760 --> 00:52:24,839
Speaker 3: You know, it's really weird. Some white you're rich, used

1206
00:52:24,840 --> 00:52:28,719
Speaker 3: to be like white people like white ship. They be

1207
00:52:28,760 --> 00:52:31,279
Speaker 3: like with the soap. It's funny because half the time

1208
00:52:31,360 --> 00:52:31,960
Speaker 3: that's what I do.

1209
00:52:32,000 --> 00:52:34,400
Speaker 2: So I know you just used the bar weight on

1210
00:52:34,440 --> 00:52:34,840
Speaker 2: the body.

1211
00:52:34,840 --> 00:52:36,640
Speaker 3: I'll just be well, not the bar because I got

1212
00:52:36,640 --> 00:52:37,440
Speaker 3: to I've.

1213
00:52:37,200 --> 00:52:38,680
Speaker 2: Up don't legs when you do that?

1214
00:52:39,160 --> 00:52:41,120
Speaker 3: Not the I've upgraded from the bar.

1215
00:52:44,200 --> 00:52:47,880
Speaker 2: I'm just kidding. I'm just joking. I wouldn't disrespect my man.

1216
00:52:47,920 --> 00:52:55,799
Speaker 5: I'm kidding, all right, so ragg or lufah, honestly, I'll

1217
00:52:55,840 --> 00:52:58,879
Speaker 5: just be I just put the soap all over my ship.

1218
00:52:59,040 --> 00:53:01,400
Speaker 2: See that's way wetter the me. That's rich. That's when

1219
00:53:01,440 --> 00:53:01,839
Speaker 2: you're rich.

1220
00:53:01,920 --> 00:53:02,319
Speaker 3: I don't know.

1221
00:53:02,520 --> 00:53:04,360
Speaker 4: You don't wear You don't wear underwear with your jeans.

1222
00:53:04,600 --> 00:53:06,279
Speaker 4: You know, when you reach a certain tax bracket, you.

1223
00:53:06,239 --> 00:53:06,880
Speaker 2: Don't wear underwear.

1224
00:53:06,920 --> 00:53:11,280
Speaker 3: Nowhere I cannot not wear underwear. Peede rips, motherfucker, what happens?

1225
00:53:11,280 --> 00:53:13,359
Speaker 4: We gotta you gotta you gotta attain a certain a

1226
00:53:13,360 --> 00:53:15,000
Speaker 4: certain tax your ped rip game.

1227
00:53:15,600 --> 00:53:17,840
Speaker 2: Oh no, I shake this ship until I have to

1228
00:53:17,840 --> 00:53:18,680
Speaker 2: be Yeah.

1229
00:53:18,680 --> 00:53:20,680
Speaker 3: But you ever do the joint where you like take

1230
00:53:20,719 --> 00:53:23,040
Speaker 3: a piss and you think you're good, yeah, and then

1231
00:53:23,080 --> 00:53:23,880
Speaker 3: you put it right.

1232
00:53:23,719 --> 00:53:25,760
Speaker 2: In and yeah. We have the same bladder.

1233
00:53:25,840 --> 00:53:27,560
Speaker 3: So I understand you fucking hate that ship.

1234
00:53:27,680 --> 00:53:30,920
Speaker 1: Yeah, give me give me your first, give me your

1235
00:53:30,960 --> 00:53:33,480
Speaker 1: first eight Hey, yo, check it.

1236
00:53:35,640 --> 00:53:39,120
Speaker 2: There it is yo. Do you think you? Uh? Do

1237
00:53:39,160 --> 00:53:40,120
Speaker 2: you think? Who you think?

1238
00:53:41,000 --> 00:53:42,479
Speaker 3: Man? I used to be such a little boy.

1239
00:53:42,480 --> 00:53:43,279
Speaker 2: I could give a fuck.

1240
00:53:43,600 --> 00:53:45,600
Speaker 3: I just I like wanted people to love me so much.

1241
00:53:45,719 --> 00:53:46,480
Speaker 2: I'm sorry, my brother.

1242
00:53:46,480 --> 00:53:49,000
Speaker 3: I know, no, no, no, I'm a little I'm having

1243
00:53:49,040 --> 00:53:49,440
Speaker 3: a good time.

1244
00:53:49,560 --> 00:53:50,319
Speaker 2: I love what I'm saying.

1245
00:53:50,360 --> 00:53:53,879
Speaker 3: But what I mean is, it's like, Bro, I don't know,

1246
00:53:54,560 --> 00:53:56,520
Speaker 3: I never said Joe Budden's name. It feels nice.

1247
00:53:56,560 --> 00:53:59,320
Speaker 2: Now just just say it. It's kind of like the

1248
00:53:59,400 --> 00:53:59,920
Speaker 2: N word.

1249
00:54:01,560 --> 00:54:03,520
Speaker 1: For whites exactly, mister word.

1250
00:54:03,560 --> 00:54:06,120
Speaker 3: Every black dude be going to there like down, asked

1251
00:54:06,120 --> 00:54:08,640
Speaker 3: white homie, Like yeah, just say it, bro, Yeah, just

1252
00:54:08,640 --> 00:54:10,000
Speaker 3: say it one time. Benner, You ever been in that

1253
00:54:10,000 --> 00:54:11,799
Speaker 3: position where you had a black homie as you say it?

1254
00:54:11,960 --> 00:54:15,040
Speaker 1: Do you know that Benner was a rapper? What better rapped?

1255
00:54:15,360 --> 00:54:19,080
Speaker 2: He opened for NAS? You didn't know that, did you?

1256
00:54:19,080 --> 00:54:20,440
Speaker 1: You don't know about your team, Benner?

1257
00:54:20,560 --> 00:54:23,879
Speaker 3: You opened for NAS? Dude, all right, come on, give

1258
00:54:23,920 --> 00:54:26,120
Speaker 3: me a bar.

1259
00:54:26,480 --> 00:54:30,719
Speaker 2: Here's you got. You have to ben Now you have

1260
00:54:30,760 --> 00:54:38,480
Speaker 2: to a bar. You guys have. Every time I bring

1261
00:54:38,520 --> 00:54:40,040
Speaker 2: that up, Better thinks like I'm clowning them.

1262
00:54:40,080 --> 00:54:42,320
Speaker 1: I'm not. I think it's dope. He opened up for NAS,

1263
00:54:42,360 --> 00:54:44,920
Speaker 1: and I know that's that's crazy, that's insane. And I

1264
00:54:44,960 --> 00:54:47,320
Speaker 1: don't doubt that Benner couldn't wrap logic.

1265
00:54:47,360 --> 00:54:49,120
Speaker 2: You have opened up for Nas. Paus pause.

1266
00:54:49,480 --> 00:54:52,880
Speaker 3: Uh nah, nas wanted to sign me.

1267
00:54:55,600 --> 00:55:03,760
Speaker 2: Say what piss is right there? I mean in vegan Sushi?

1268
00:55:03,800 --> 00:55:08,040
Speaker 2: Are we back? Are doing a noble album? It's coming?

1269
00:55:08,680 --> 00:55:11,240
Speaker 1: Haven't come during the Yeah?

1270
00:55:11,360 --> 00:55:14,239
Speaker 3: Oh I need something? Hey yo, can I get some?

1271
00:55:14,400 --> 00:55:16,240
Speaker 2: Can I get some Wagoo tacos?

1272
00:55:16,239 --> 00:55:16,799
Speaker 3: Please too?

1273
00:55:17,080 --> 00:55:20,200
Speaker 2: Hey? New recording? Fucking lit? This motherfucker slapping.

1274
00:55:20,719 --> 00:55:24,680
Speaker 3: I don't get litten interviews. You know no, I'm a professional.

1275
00:55:24,840 --> 00:55:25,680
Speaker 2: It's a safe space.

1276
00:55:26,000 --> 00:55:26,360
Speaker 3: Thank you.

1277
00:55:26,600 --> 00:55:27,600
Speaker 1: It's your wife's bass.

1278
00:55:28,120 --> 00:55:35,760
Speaker 2: Oh here, give her mind? All right, we're still here.

1279
00:55:37,040 --> 00:55:39,640
Speaker 2: We've lost the son, but the song is going the

1280
00:55:39,680 --> 00:55:43,160
Speaker 2: So I got time? How is Zaye Low?

1281
00:55:43,200 --> 00:55:43,279
Speaker 1: In?

1282
00:55:43,360 --> 00:55:44,560
Speaker 2: Like twelve hours?

1283
00:55:44,800 --> 00:55:47,799
Speaker 1: Zaye doesn't like me either, Everyone doesn't.

1284
00:55:47,840 --> 00:55:49,200
Speaker 3: Why does in Zane Low like you?

1285
00:55:49,280 --> 00:55:50,600
Speaker 1: I went on his face?

1286
00:55:51,680 --> 00:55:53,560
Speaker 2: They hate his face. I went on the.

1287
00:55:55,080 --> 00:55:58,640
Speaker 1: Remember when we went on the Apple campus to do that, Nikki.

1288
00:55:58,440 --> 00:56:00,239
Speaker 3: There's a campus? What the fuck are they each?

1289
00:56:00,640 --> 00:56:06,480
Speaker 1: Yeah, that's what streaming streaming. I went on the Apple

1290
00:56:06,520 --> 00:56:10,839
Speaker 1: campus and once I got out of the sprinter, I

1291
00:56:10,920 --> 00:56:15,920
Speaker 1: was told that Zaane knew I was on campus. I

1292
00:56:16,000 --> 00:56:16,719
Speaker 1: wasn't allowed here.

1293
00:56:17,239 --> 00:56:20,080
Speaker 2: Rory likes the fact that men don't like him.

1294
00:56:20,360 --> 00:56:23,520
Speaker 1: He likes that I don't all right, I'm confused by it.

1295
00:56:23,600 --> 00:56:26,040
Speaker 2: How are your roles amazing?

1296
00:56:26,080 --> 00:56:27,840
Speaker 3: Do you want to texting during an interview?

1297
00:56:28,480 --> 00:56:30,479
Speaker 4: I was gonna be I was gonna be like, really

1298
00:56:30,520 --> 00:56:32,720
Speaker 4: weird and just take a picture. I've never had vegan sushi.

1299
00:56:34,040 --> 00:56:35,040
Speaker 4: This is vegan sushi.

1300
00:56:35,640 --> 00:56:36,360
Speaker 3: Can I text?

1301
00:56:37,040 --> 00:56:40,080
Speaker 2: Absolutely? Who was texting? I'm just fucking busting your balls?

1302
00:56:40,480 --> 00:56:44,600
Speaker 2: Face time said, wife is right there, my phone is gone. Yeah,

1303
00:56:44,640 --> 00:56:45,200
Speaker 2: I don't even have.

1304
00:56:45,600 --> 00:56:47,359
Speaker 4: That's the kid, the happiness when wife he comes, get

1305
00:56:47,360 --> 00:56:48,440
Speaker 4: ready to the phone, give it to her.

1306
00:56:48,600 --> 00:56:52,960
Speaker 1: That's some real ship face time, Zane. No, let's do

1307
00:56:53,040 --> 00:56:54,440
Speaker 1: the interview overlapped with it.

1308
00:56:56,400 --> 00:56:59,520
Speaker 2: I want to Inzaane, like you, I don't know. I

1309
00:56:59,520 --> 00:57:01,399
Speaker 2: think there was one time. I always know why people

1310
00:57:01,440 --> 00:57:03,360
Speaker 2: don't like you. That's not that's a lot of logic.

1311
00:57:03,360 --> 00:57:04,760
Speaker 2: I feel like that's a lot feel like you always

1312
00:57:04,880 --> 00:57:06,640
Speaker 2: know why somebody might not like you.

1313
00:57:06,680 --> 00:57:08,400
Speaker 1: No, all right, there's a few times that I've not

1314
00:57:08,480 --> 00:57:10,600
Speaker 1: known why people like me, Zane. Would I think why

1315
00:57:10,600 --> 00:57:11,160
Speaker 1: he doesn't like me?

1316
00:57:11,320 --> 00:57:13,560
Speaker 2: Here we think the think is the why. No, but

1317
00:57:13,560 --> 00:57:15,000
Speaker 2: there's there's people that I really have no idea.

1318
00:57:15,120 --> 00:57:17,959
Speaker 3: That's true. I've known while of course you we all

1319
00:57:18,040 --> 00:57:22,040
Speaker 3: know me and they're Joinder Lucas, and I mean real,

1320
00:57:22,640 --> 00:57:24,120
Speaker 3: that's my homie, right right.

1321
00:57:24,160 --> 00:57:26,480
Speaker 2: I'm like, it's all stupid a conversation.

1322
00:57:28,000 --> 00:57:31,160
Speaker 1: There's been plenty of times that I thought, I seriously

1323
00:57:31,200 --> 00:57:32,640
Speaker 1: have no idea why this person liked me.

1324
00:57:32,720 --> 00:57:33,000
Speaker 2: Zaane.

1325
00:57:33,040 --> 00:57:39,000
Speaker 1: I think is because I said, I said, at one

1326
00:57:39,040 --> 00:57:41,520
Speaker 1: point five years ago, whate the fuck it was, he

1327
00:57:41,600 --> 00:57:43,800
Speaker 1: might as well have done that interview in the artist lap,

1328
00:57:44,280 --> 00:57:46,439
Speaker 1: and I think he's taking that very personal.

1329
00:57:46,200 --> 00:57:50,200
Speaker 2: Artist was it?

1330
00:57:49,440 --> 00:57:52,720
Speaker 1: It was either Kanye or Kendrick. Okay, it was one

1331
00:57:52,720 --> 00:57:54,360
Speaker 1: of the bigger ones. It was one of those where

1332
00:57:54,360 --> 00:57:56,600
Speaker 1: I felt like you wasted a time and you was

1333
00:57:56,640 --> 00:57:59,320
Speaker 1: just like, oh my god, you're the greatest fucking artist ever.

1334
00:57:59,440 --> 00:58:01,280
Speaker 2: And it's just like, all right, fan, But ask him

1335
00:58:01,280 --> 00:58:02,960
Speaker 2: a real question. But what if he feels like he

1336
00:58:03,000 --> 00:58:03,920
Speaker 2: is the greatest artist.

1337
00:58:03,720 --> 00:58:06,120
Speaker 1: That's fine, ask him a question. I think Logic is

1338
00:58:06,160 --> 00:58:08,040
Speaker 1: a very dope rapper. I asked him a bunch of questions.

1339
00:58:08,320 --> 00:58:12,000
Speaker 1: That's true, Like, you can respect somebody and still ask

1340
00:58:12,080 --> 00:58:14,360
Speaker 1: them an objective question that the fans want to hear.

1341
00:58:15,240 --> 00:58:17,240
Speaker 1: You don't have to suck somebody's dick in every interview,

1342
00:58:17,640 --> 00:58:19,480
Speaker 1: even if you think they're the greatest.

1343
00:58:19,240 --> 00:58:21,400
Speaker 2: Artist artist ever, Like, yeah, that's true.

1344
00:58:21,600 --> 00:58:24,200
Speaker 1: And I feel like Zay is the the fucking padded

1345
00:58:24,280 --> 00:58:25,720
Speaker 1: roll out for everything, and I have to put an

1346
00:58:25,680 --> 00:58:27,040
Speaker 1: album out and now I'm never going to get an

1347
00:58:27,040 --> 00:58:28,200
Speaker 1: Apple Music playlist ever.

1348
00:58:29,880 --> 00:58:32,200
Speaker 3: Thank you Zay and Apple Music for everything.

1349
00:58:32,240 --> 00:58:33,000
Speaker 1: You're sane for me.

1350
00:58:33,080 --> 00:58:34,919
Speaker 2: I think you're the greatest interviewer ever.

1351
00:58:35,320 --> 00:58:40,560
Speaker 1: Your it's I've never seen anyone interview anyone ever.

1352
00:58:40,680 --> 00:58:43,160
Speaker 2: You get canceled me. It's not prime month.

1353
00:58:43,840 --> 00:58:45,680
Speaker 3: You keep saying it after such jokes.

1354
00:58:45,760 --> 00:58:50,880
Speaker 2: Well molds a proud boy. See that's an inside joke.

1355
00:58:50,920 --> 00:58:53,240
Speaker 2: But I'm saying no, I'm just saying it's funny.

1356
00:58:53,480 --> 00:58:53,840
Speaker 3: Nineteen.

1357
00:58:53,920 --> 00:58:55,520
Speaker 1: He's about to go to jail. They just did the

1358
00:58:55,520 --> 00:58:58,680
Speaker 1: conviction ship. They coming after you, Like, wait, don't you

1359
00:58:58,680 --> 00:58:59,320
Speaker 1: gotta go to the foot.

1360
00:58:59,720 --> 00:59:00,280
Speaker 3: That's what it is.

1361
00:59:00,280 --> 00:59:01,720
Speaker 4: We had a great we were going into a great

1362
00:59:01,720 --> 00:59:05,960
Speaker 4: conversation about how stupid cancel culture is. Let's let's have

1363
00:59:06,040 --> 00:59:07,400
Speaker 4: that talk over my vegan sushi.

1364
00:59:07,480 --> 00:59:08,240
Speaker 3: Like, hey, here we go.

1365
00:59:08,320 --> 00:59:12,560
Speaker 2: I want to cancel vegans. Do you why what you eat?

1366
00:59:12,560 --> 00:59:16,280
Speaker 2: Don't make me ship? Do you ship when you eat this?

1367
00:59:17,400 --> 00:59:19,600
Speaker 2: I need to take a ship. Now let's talk.

1368
00:59:19,480 --> 00:59:23,080
Speaker 3: About cancel culture all right, I'm talking about how stupid

1369
00:59:23,200 --> 00:59:26,320
Speaker 3: dude having so much fucking fun. Thank you guys.

1370
00:59:26,320 --> 00:59:28,320
Speaker 2: It's probably the first how long has the ben You're

1371
00:59:28,320 --> 00:59:30,520
Speaker 2: going out party? Party?

1372
00:59:30,520 --> 00:59:32,000
Speaker 3: I don't party, know like this like this is a

1373
00:59:32,040 --> 00:59:34,040
Speaker 3: party now, this my homies. I do this all the time.

1374
00:59:34,080 --> 00:59:36,840
Speaker 3: But but like, what was I gonna say? So the

1375
00:59:36,880 --> 00:59:39,760
Speaker 3: first interview technically that I did in over two years

1376
00:59:40,040 --> 00:59:42,400
Speaker 3: was with my head of security, Big Pep, because he

1377
00:59:42,440 --> 00:59:43,280
Speaker 3: does a podcast.

1378
00:59:43,440 --> 00:59:45,920
Speaker 1: Nice guy, Yeah, nice guy, that's my gim.

1379
00:59:47,240 --> 00:59:50,440
Speaker 3: He does a podcast called Pep Talk. I mean, you know,

1380
00:59:50,440 --> 00:59:52,439
Speaker 3: we ain't trying to plug nobody, but we plugging my man.

1381
00:59:52,840 --> 00:59:54,680
Speaker 3: He's a good guy, he seems like and he's a

1382
00:59:54,720 --> 00:59:58,520
Speaker 3: good guy. And this is like the first, I guess

1383
00:59:58,560 --> 01:00:00,560
Speaker 3: you could say, in the space of him pop like

1384
01:00:00,720 --> 01:00:04,960
Speaker 3: interview that I've done in two plus years. And I'm

1385
01:00:05,000 --> 01:00:07,200
Speaker 3: really having a great time. And I feel, you know,

1386
01:00:07,360 --> 01:00:09,600
Speaker 3: just like you said, the music is different and I

1387
01:00:09,760 --> 01:00:13,400
Speaker 3: sound different, like the attitude and everything behind the music

1388
01:00:13,480 --> 01:00:15,760
Speaker 3: is different. That's how I feel about this interview. That's

1389
01:00:15,800 --> 01:00:18,800
Speaker 3: how I feel about myself. Like you know, I just

1390
01:00:18,840 --> 01:00:21,680
Speaker 3: want to thank you because not a lot of people

1391
01:00:21,720 --> 01:00:25,400
Speaker 3: have given me a space. I can't I don't know

1392
01:00:25,440 --> 01:00:27,680
Speaker 3: if I could say that. Maybe I wasn't mentally prepared,

1393
01:00:27,720 --> 01:00:30,040
Speaker 3: but I'm in a place now I just feel so welcome.

1394
01:00:30,320 --> 01:00:32,280
Speaker 3: I just want to say, you know, when it comes

1395
01:00:32,280 --> 01:00:35,200
Speaker 3: to objective questions, honest questions, questions, people might not want

1396
01:00:35,240 --> 01:00:37,160
Speaker 3: to be pasked or this or that. Just thank you

1397
01:00:37,200 --> 01:00:40,720
Speaker 3: for the respect because I am genuinely having a fucking blast,

1398
01:00:41,040 --> 01:00:42,320
Speaker 3: or else I wouldn't be getting.

1399
01:00:42,080 --> 01:00:42,920
Speaker 2: Lit with y'all logic.

1400
01:00:42,920 --> 01:00:44,960
Speaker 4: I'm trying to tell you, I still can't believe you

1401
01:00:45,000 --> 01:00:47,200
Speaker 4: actually have agreed to like do this shit and come

1402
01:00:47,200 --> 01:00:48,000
Speaker 4: out and kick it with us.

1403
01:00:48,000 --> 01:00:48,120
Speaker 3: Bro.

1404
01:00:48,440 --> 01:00:50,160
Speaker 2: This is why you keep saying that, because I really

1405
01:00:50,200 --> 01:00:52,200
Speaker 2: can't believe because you do this shit.

1406
01:00:52,080 --> 01:00:54,400
Speaker 3: Because there's not a fuck boy attached to you anymore.

1407
01:00:54,560 --> 01:00:55,360
Speaker 2: That's I mean.

1408
01:00:55,680 --> 01:00:56,480
Speaker 3: I like you guys.

1409
01:00:56,560 --> 01:00:59,439
Speaker 4: Listen, listen, you're right, We appreciate your time.

1410
01:00:59,480 --> 01:01:02,400
Speaker 2: Thank you. How now, how'd you bag your wife?

1411
01:01:03,000 --> 01:01:05,360
Speaker 3: Ooh, this is a story, Hey, Bagel, They asked me

1412
01:01:05,360 --> 01:01:06,080
Speaker 3: how I bagged you?

1413
01:01:07,320 --> 01:01:10,000
Speaker 2: Was he charming? I would like to hear this story.

1414
01:01:10,560 --> 01:01:12,280
Speaker 2: And by the way, he's very charmed.

1415
01:01:12,280 --> 01:01:15,560
Speaker 1: I understand his privacy. She okay to come because I

1416
01:01:15,560 --> 01:01:17,040
Speaker 1: would like to hear your perception.

1417
01:01:17,520 --> 01:01:18,280
Speaker 3: She goes sit over there.

1418
01:01:18,320 --> 01:01:20,240
Speaker 2: That's fine, that's fine, understand I respect Oh that's the man,

1419
01:01:20,280 --> 01:01:22,800
Speaker 2: that's the man. Charge. Yeah, she's not respecting. You got

1420
01:01:22,800 --> 01:01:23,680
Speaker 2: to keep you product.

1421
01:01:24,360 --> 01:01:28,600
Speaker 3: Cameras understand, just doesn't do it. Okay, let's tell the

1422
01:01:28,600 --> 01:01:37,840
Speaker 3: story my camera. I'm fucking lit, I'm drunk, shout out

1423
01:01:37,840 --> 01:01:38,320
Speaker 3: of hip hop.

1424
01:01:39,200 --> 01:01:40,240
Speaker 2: Definitely pass lit.

1425
01:01:40,400 --> 01:01:42,440
Speaker 3: I'm so excited for my fans to see all this.

1426
01:01:42,760 --> 01:01:43,640
Speaker 1: So who DM two?

1427
01:01:44,520 --> 01:01:46,600
Speaker 2: No, First of all, we in the real world. How

1428
01:01:46,600 --> 01:01:47,080
Speaker 2: did y'all meet?

1429
01:01:47,800 --> 01:01:51,160
Speaker 3: I walked into a sunlight organics had no idea why

1430
01:01:51,200 --> 01:01:53,280
Speaker 3: the funk I was there. This is pre Bobby biceps.

1431
01:01:53,320 --> 01:01:55,560
Speaker 3: I was very unhealthy. Should have been a Taco Bell.

1432
01:01:56,360 --> 01:01:58,680
Speaker 3: Sun Life is where they make like healthy smoothies.

1433
01:01:58,920 --> 01:01:59,160
Speaker 2: Damn.

1434
01:01:59,200 --> 01:02:00,560
Speaker 3: That's how you know I've been doing. I'm in an

1435
01:02:00,600 --> 01:02:03,160
Speaker 3: interview for a long time when my voice is rasby

1436
01:02:03,440 --> 01:02:07,520
Speaker 3: and I see this gorgeous woman, first white girl I've

1437
01:02:07,560 --> 01:02:10,520
Speaker 3: ever dated in my life. But I saw her. I

1438
01:02:10,560 --> 01:02:12,600
Speaker 3: was like, damn she fine. She got this fat ass,

1439
01:02:13,800 --> 01:02:17,600
Speaker 3: big titties. Damn it. Her dad is watching, and I

1440
01:02:18,240 --> 01:02:20,600
Speaker 3: was just like, man, this chick is fine as shit.

1441
01:02:20,720 --> 01:02:24,200
Speaker 3: She had this tattoo, and the tattoo said no, well,

1442
01:02:24,840 --> 01:02:27,080
Speaker 3: and I asked her about it and she said, that's

1443
01:02:27,120 --> 01:02:30,000
Speaker 3: my grandmother's middle name or yeah, and that's my middle name,

1444
01:02:30,800 --> 01:02:33,880
Speaker 3: and I was like, no way. Fast forward four years later,

1445
01:02:33,920 --> 01:02:38,280
Speaker 3: I actually have Grace in her grandmother's handwriting tattooed on

1446
01:02:38,320 --> 01:02:41,680
Speaker 3: my left arm because that's her mother or my grandson,

1447
01:02:42,040 --> 01:02:45,240
Speaker 3: my son's grandmother's middle name. So I got that to

1448
01:02:45,240 --> 01:02:48,000
Speaker 3: be a romantic and we talk and she's sweet, and

1449
01:02:48,080 --> 01:02:51,640
Speaker 3: I walk in this place and I see her, I

1450
01:02:51,920 --> 01:02:55,120
Speaker 3: get in order. I come back every day, day and

1451
01:02:55,280 --> 01:02:59,560
Speaker 3: night for two weeks and she's not there. And this

1452
01:02:59,720 --> 01:03:02,600
Speaker 3: is right after I had been separated. I was really depressed.

1453
01:03:02,600 --> 01:03:03,840
Speaker 3: I was going through a lot of shit, and I

1454
01:03:03,880 --> 01:03:06,560
Speaker 3: saw this shining light of a woman I thought might

1455
01:03:06,640 --> 01:03:10,080
Speaker 3: be my woman. And I go there every fucking day,

1456
01:03:10,160 --> 01:03:13,240
Speaker 3: day and night. And every day that I go there

1457
01:03:13,240 --> 01:03:15,280
Speaker 3: and she's not there, I write a new song on

1458
01:03:15,360 --> 01:03:17,680
Speaker 3: the acoustic guitar, and shit, because I like making songs

1459
01:03:17,680 --> 01:03:18,520
Speaker 3: outside of hip hop.

1460
01:03:18,560 --> 01:03:20,000
Speaker 2: It makes me happy.

1461
01:03:20,040 --> 01:03:22,040
Speaker 3: And I'm writing songs on the guitar and I'm singing.

1462
01:03:22,040 --> 01:03:24,160
Speaker 3: I do a whole album called Supermarket, and every single

1463
01:03:24,200 --> 01:03:26,600
Speaker 3: song is about me falling in love with the woman

1464
01:03:26,640 --> 01:03:29,520
Speaker 3: that would be my wife. And then on that last

1465
01:03:29,600 --> 01:03:31,560
Speaker 3: day of the two weeks, I walk in, She's there,

1466
01:03:31,760 --> 01:03:36,120
Speaker 3: We talk. Our first date is skydiving, jumping out of

1467
01:03:36,160 --> 01:03:38,400
Speaker 3: a plane together. And before I know it, d first

1468
01:03:38,480 --> 01:03:40,920
Speaker 3: date and before I know it, you know we're getting engaged.

1469
01:03:41,400 --> 01:03:44,360
Speaker 1: A metaphor, let's fucking do it?

1470
01:03:44,520 --> 01:03:47,320
Speaker 3: Yeah? No, but she's she's playing. She's a really great woman.

1471
01:03:47,400 --> 01:03:49,640
Speaker 3: And she keeps me. She listens to me, she hears me,

1472
01:03:50,360 --> 01:03:54,320
Speaker 3: she gives me the shits. She's blunt, she's honest, and

1473
01:03:54,360 --> 01:03:56,240
Speaker 3: I wouldn't be here without her. She was there for

1474
01:03:56,360 --> 01:03:59,640
Speaker 3: me for so much, so much shit. And I'm a

1475
01:03:59,720 --> 01:04:00,320
Speaker 3: lucky man.

1476
01:04:00,400 --> 01:04:02,480
Speaker 2: How is that's some romantic that's really romantic?

1477
01:04:02,880 --> 01:04:07,920
Speaker 4: Bomb too, pussy bombs comes back to the bomb pussy does.

1478
01:04:08,000 --> 01:04:08,920
Speaker 2: It always comes back.

1479
01:04:08,960 --> 01:04:10,080
Speaker 3: She's a sweet woman.

1480
01:04:10,280 --> 01:04:13,760
Speaker 2: How is being a father changed how you approach music?

1481
01:04:14,400 --> 01:04:20,680
Speaker 3: Wow? What a great question, man, It's it just makes

1482
01:04:20,680 --> 01:04:22,720
Speaker 3: you not give a fuck. Like the funny part is

1483
01:04:22,840 --> 01:04:26,040
Speaker 3: is like with uh Vinyl days, it's literally just me

1484
01:04:26,480 --> 01:04:27,480
Speaker 3: doing slum.

1485
01:04:27,280 --> 01:04:29,920
Speaker 2: Village, Uh yeah, village project.

1486
01:04:29,960 --> 01:04:33,360
Speaker 3: Yeah that. I'm listening to Dyla, I'm listening to James Yancey,

1487
01:04:33,400 --> 01:04:36,720
Speaker 3: I'm listening to you know, but coming with the stuff

1488
01:04:36,800 --> 01:04:40,760
Speaker 3: like changing his voices and l's I and T three

1489
01:04:40,800 --> 01:04:44,120
Speaker 3: and all these cats just just Detroit in general.

1490
01:04:45,480 --> 01:04:46,720
Speaker 1: Which we don't talk about enough.

1491
01:04:46,960 --> 01:04:49,920
Speaker 3: Yeah, we don't talk about how shoes. You know so

1492
01:04:50,000 --> 01:04:55,240
Speaker 3: many people, Yeah how shoes? Like oh no, well not

1493
01:04:55,360 --> 01:04:58,160
Speaker 3: oh no, ex she's me Illa J wrong brother. Oh no,

1494
01:04:58,240 --> 01:05:03,720
Speaker 3: that's that's mad Lier's brother. And it's just made me

1495
01:05:03,800 --> 01:05:05,320
Speaker 3: just go I don't even give a fuck even more,

1496
01:05:05,400 --> 01:05:07,680
Speaker 3: cause like I used to, like every line has to

1497
01:05:07,760 --> 01:05:10,640
Speaker 3: be and it's just like, no, it doesn't. It just doesn't.

1498
01:05:11,040 --> 01:05:13,520
Speaker 1: Well why would fatherhood change that. I'm curious.

1499
01:05:13,840 --> 01:05:15,040
Speaker 2: I think I understand what you're saying.

1500
01:05:15,080 --> 01:05:18,000
Speaker 3: Ah yeah, sorry, sorry, So you see you realize how

1501
01:05:18,360 --> 01:05:21,080
Speaker 3: unimportant to rest the shit is. So it's like, I

1502
01:05:21,120 --> 01:05:23,000
Speaker 3: have this child and the most important thing is to

1503
01:05:23,040 --> 01:05:25,800
Speaker 3: keep him happy, healthy, educate him properly, be there as

1504
01:05:25,800 --> 01:05:28,360
Speaker 3: a father, and then all this other shit is folly.

1505
01:05:28,440 --> 01:05:31,200
Speaker 3: So it's like, y'all got me on good Lit right now.

1506
01:05:31,760 --> 01:05:34,200
Speaker 3: All this other shit is folly. So it's like I'm

1507
01:05:34,200 --> 01:05:36,840
Speaker 3: gonna just wrap, you know, and I got these bars.

1508
01:05:36,840 --> 01:05:39,800
Speaker 3: Whether it's like when I did therapy music, that's the

1509
01:05:39,920 --> 01:05:42,480
Speaker 3: degree of therapy I wanted to go then maybe that's

1510
01:05:42,520 --> 01:05:46,360
Speaker 3: the first session. Maybe we have a conversation and it

1511
01:05:47,040 --> 01:05:49,800
Speaker 3: makes me think even deeper to talk about Maybe I

1512
01:05:49,840 --> 01:05:52,600
Speaker 3: call it session two. Shit, write that the fuck down,

1513
01:05:52,680 --> 01:05:58,320
Speaker 3: Write that down, Session two, Session three, and then it's

1514
01:05:58,360 --> 01:06:00,720
Speaker 3: just good kid under Pressure the Heart Part one, two three.

1515
01:06:00,800 --> 01:06:00,920
Speaker 2: Now.

1516
01:06:02,000 --> 01:06:05,280
Speaker 3: But what I'm saying is it's like these this is where,

1517
01:06:05,400 --> 01:06:07,640
Speaker 3: this is where it's changed me to understand that ship

1518
01:06:07,760 --> 01:06:11,040
Speaker 3: is not so it's not the end of the world.

1519
01:06:11,560 --> 01:06:13,040
Speaker 3: You know. I talked about this in the in the

1520
01:06:13,120 --> 01:06:15,040
Speaker 3: in the interview that I did with my boy Big Pep,

1521
01:06:15,680 --> 01:06:18,840
Speaker 3: we talked about how now, regardless of what you might think,

1522
01:06:18,880 --> 01:06:21,840
Speaker 3: I think it's crazy that Chance the rapper gave it

1523
01:06:21,840 --> 01:06:23,440
Speaker 3: to him, gave it to him, gave it to him,

1524
01:06:23,480 --> 01:06:24,840
Speaker 3: gave it to him, gave it to him, and then

1525
01:06:24,840 --> 01:06:28,400
Speaker 3: he did the fucking shower. What's the shower song called Chance? Yeah,

1526
01:06:28,480 --> 01:06:31,600
Speaker 3: shower to Hot Shower, Hot Shower. He did Hot Shower

1527
01:06:31,640 --> 01:06:35,000
Speaker 3: and people were saying it's hot ass, and it's like.

1528
01:06:35,440 --> 01:06:36,800
Speaker 2: That's funny, that's what they said.

1529
01:06:36,880 --> 01:06:39,000
Speaker 3: I say that, that's what they said, and I'm like,

1530
01:06:39,520 --> 01:06:41,960
Speaker 3: this sounds like a pop record to me, and it's

1531
01:06:41,960 --> 01:06:43,880
Speaker 3: not a This album was not bad and it's got

1532
01:06:44,000 --> 01:06:44,760
Speaker 3: it Twitter.

1533
01:06:45,280 --> 01:06:46,440
Speaker 2: It just became a Twitter joke.

1534
01:06:46,520 --> 01:06:48,280
Speaker 3: But that's what I mean. It became a Twitter joke.

1535
01:06:48,400 --> 01:06:50,840
Speaker 3: So so the Internet has evolved into a place where

1536
01:06:50,880 --> 01:06:53,880
Speaker 3: like a meme is like, yeah, it became fun, just

1537
01:06:53,920 --> 01:06:56,240
Speaker 3: like it's like logic's bi raciual, And you got white

1538
01:06:56,280 --> 01:06:59,080
Speaker 3: kids who have no concept or understanding of race making

1539
01:06:59,120 --> 01:07:02,000
Speaker 3: a joke that low key. They don't have any fucking

1540
01:07:02,080 --> 01:07:04,200
Speaker 3: right making, you know what I mean? But whatever, I

1541
01:07:04,240 --> 01:07:04,800
Speaker 3: don't give a shit.

1542
01:07:04,840 --> 01:07:05,439
Speaker 2: It's not that deep.

1543
01:07:05,680 --> 01:07:09,200
Speaker 3: But what I'm saying is is that people like overthink

1544
01:07:09,200 --> 01:07:11,560
Speaker 3: shit so much. It's like, bro Chance is dope, and

1545
01:07:11,680 --> 01:07:14,200
Speaker 3: just because people want to try to say after his

1546
01:07:14,280 --> 01:07:18,720
Speaker 3: bangers bet like projects consecutively releasing, he releases one that

1547
01:07:19,160 --> 01:07:23,680
Speaker 3: maybe people just weren't immediately obsessed or in level or whatever,

1548
01:07:23,720 --> 01:07:25,960
Speaker 3: and now he's he's fallen off. Get the fuck out

1549
01:07:25,960 --> 01:07:29,160
Speaker 3: of here. Chance is one of the greatest people in

1550
01:07:29,240 --> 01:07:33,760
Speaker 3: my class, period. He is a fucking icon. He's done

1551
01:07:33,800 --> 01:07:36,960
Speaker 3: things that nobody else has done, and he should be

1552
01:07:37,040 --> 01:07:40,800
Speaker 3: celebrated fucking period. But the Internet wants to go and

1553
01:07:40,840 --> 01:07:44,080
Speaker 3: say this isn't you know, make some funny shit to

1554
01:07:44,120 --> 01:07:46,240
Speaker 3: try to make a joke I love my wife. I mean,

1555
01:07:46,240 --> 01:07:49,320
Speaker 3: that's why on dad Bod, I'm like, you know, I

1556
01:07:49,400 --> 01:07:51,720
Speaker 3: love my wife like I am Chance. I bet you

1557
01:07:51,800 --> 01:07:53,520
Speaker 3: rap about the shit me and him rap about, but

1558
01:07:53,600 --> 01:07:55,960
Speaker 3: you ain't never made it out, so you ain't never

1559
01:07:56,000 --> 01:07:58,640
Speaker 3: had the chance. Like that's a real that's a real bar.

1560
01:07:58,720 --> 01:08:00,560
Speaker 3: So I say all this to say that when you

1561
01:08:00,600 --> 01:08:05,000
Speaker 3: have a child like Chance has or myself, it just

1562
01:08:05,080 --> 01:08:08,520
Speaker 3: makes you go, this ship doesn't matter. It's the reason

1563
01:08:08,560 --> 01:08:11,560
Speaker 3: I can get drunk at on the beach and just

1564
01:08:11,600 --> 01:08:13,640
Speaker 3: be like who I used to show up to interviews

1565
01:08:13,680 --> 01:08:17,439
Speaker 3: so like, okay, this is if they say that, and

1566
01:08:17,520 --> 01:08:19,360
Speaker 3: it's gonna be And now I'm just like, what's up, bro,

1567
01:08:20,200 --> 01:08:23,360
Speaker 3: let's talk. So it's changed that. It's changed my music

1568
01:08:23,400 --> 01:08:28,840
Speaker 3: in the sense of it like if I if I

1569
01:08:28,840 --> 01:08:32,200
Speaker 3: want to write quasi moto mad lib a love letter,

1570
01:08:32,240 --> 01:08:34,840
Speaker 3: I'm gonna do that. I used to not make music

1571
01:08:34,920 --> 01:08:37,439
Speaker 3: like that because I was pandering to an artist, excuse me,

1572
01:08:37,520 --> 01:08:40,679
Speaker 3: to a specific audience. And you know, my whole career,

1573
01:08:40,720 --> 01:08:43,720
Speaker 3: I wanted to hit every every album. I was in

1574
01:08:43,720 --> 01:08:46,519
Speaker 3: a studio trying to make a hit. On my first

1575
01:08:46,520 --> 01:08:48,720
Speaker 3: song is I got a song called Bounce.

1576
01:08:49,600 --> 01:08:53,400
Speaker 1: Bounce, Bounce is just the title of a single chasing record.

1577
01:08:54,320 --> 01:08:54,519
Speaker 3: Yeah.

1578
01:08:54,600 --> 01:09:01,960
Speaker 1: Agree, every time you say bounce bounce.

1579
01:08:59,680 --> 01:09:02,000
Speaker 3: I'm like, that was like, what the fuck? It could

1580
01:09:02,040 --> 01:09:04,559
Speaker 3: have been a better song, but I was trying to

1581
01:09:04,600 --> 01:09:06,760
Speaker 3: chase something because I really really wanted it. And then

1582
01:09:06,800 --> 01:09:09,920
Speaker 3: on my second second album, I'm trying to do another song.

1583
01:09:09,960 --> 01:09:12,960
Speaker 3: It sounds like somebody else and whatever. And so that's

1584
01:09:12,960 --> 01:09:16,040
Speaker 3: why with everybody, you think, I made everybody and was like, Yo,

1585
01:09:16,120 --> 01:09:20,120
Speaker 3: this song about suicide about to blow up, Like no,

1586
01:09:20,479 --> 01:09:22,439
Speaker 3: not at all. I made that from a place in

1587
01:09:22,479 --> 01:09:26,680
Speaker 3: my heart and it happened, and I followed through, and

1588
01:09:26,720 --> 01:09:30,120
Speaker 3: I came through with BT two and Records with Marshmallow,

1589
01:09:30,160 --> 01:09:33,360
Speaker 3: and I saw my opportunity, opportunity to do that. And

1590
01:09:33,400 --> 01:09:37,000
Speaker 3: what I did is is I was pandering to a

1591
01:09:39,600 --> 01:09:43,120
Speaker 3: certain crowd, and that was the pop crowd. I was pandering.

1592
01:09:43,240 --> 01:09:45,040
Speaker 3: And you know what pandering did. It made me thirty

1593
01:09:45,120 --> 01:09:48,040
Speaker 3: million dollars in a year. And I don't regret doing it.

1594
01:09:48,080 --> 01:09:50,080
Speaker 3: And I did it and I'm happy I did it,

1595
01:09:50,560 --> 01:09:53,240
Speaker 3: and I got songs like I'm ain'fee with fucking Gucci

1596
01:09:53,280 --> 01:09:56,800
Speaker 3: man because it was fun and I did it and

1597
01:09:56,840 --> 01:09:58,559
Speaker 3: I made a bunch of money. And now you hear

1598
01:09:58,560 --> 01:10:00,640
Speaker 3: where I'm at, like, I just want to rap. I

1599
01:10:00,680 --> 01:10:01,840
Speaker 3: made my money, I just want to rap.

1600
01:10:01,920 --> 01:10:04,200
Speaker 4: No, you definitely sound like you're in a This is

1601
01:10:04,240 --> 01:10:05,759
Speaker 4: a different logic, this this project.

1602
01:10:05,920 --> 01:10:08,000
Speaker 2: For sure like listening to it. That's the first thing

1603
01:10:08,000 --> 01:10:11,240
Speaker 2: I said. I said, logic sounds very different. We've never

1604
01:10:11,320 --> 01:10:12,240
Speaker 2: heard this logic.

1605
01:10:13,080 --> 01:10:15,840
Speaker 4: It was a different type of energy, a different type

1606
01:10:15,840 --> 01:10:19,280
Speaker 4: of freedness in your writing, especially the Therapy record with

1607
01:10:19,439 --> 01:10:21,920
Speaker 4: you and Russ going You know, when Russ went in,

1608
01:10:21,960 --> 01:10:23,200
Speaker 4: I was like, oh shit, I didn't I didn't know

1609
01:10:23,640 --> 01:10:24,280
Speaker 4: he killed it.

1610
01:10:24,360 --> 01:10:25,880
Speaker 2: No, he went crazy, he.

1611
01:10:25,880 --> 01:10:28,360
Speaker 3: Said, long hand, looking like I'm on Game of Thrones.

1612
01:10:28,640 --> 01:10:30,120
Speaker 4: You know, he killed that, he killed his verse. But

1613
01:10:30,160 --> 01:10:32,320
Speaker 4: then when the beat changes, though, and you go back in.

1614
01:10:33,479 --> 01:10:35,320
Speaker 1: I was halfway that was halfway through it, and was

1615
01:10:35,360 --> 01:10:37,400
Speaker 1: gonna text Russ and be like, yo, you smoke logic.

1616
01:10:37,479 --> 01:10:39,639
Speaker 2: And then the beat changed and I changed my once

1617
01:10:39,720 --> 01:10:40,920
Speaker 2: to beat. Did you all right?

1618
01:10:40,920 --> 01:10:44,080
Speaker 4: So let's let's be honest. Let's be honest. No, let's

1619
01:10:44,080 --> 01:10:46,479
Speaker 4: be honest. Did you hear Russ's verse and didn't go

1620
01:10:46,560 --> 01:10:46,880
Speaker 4: back in?

1621
01:10:47,840 --> 01:10:51,000
Speaker 3: No? No, no, I didn't have a verse. I said, that's

1622
01:10:51,120 --> 01:10:51,519
Speaker 3: the beat.

1623
01:10:52,160 --> 01:10:54,280
Speaker 2: And then you listen to his verse, I was like,

1624
01:10:54,320 --> 01:10:54,880
Speaker 2: this is dope.

1625
01:10:54,920 --> 01:10:57,200
Speaker 3: I didn't feel like the beat chumping at me. The

1626
01:10:57,240 --> 01:11:00,800
Speaker 3: beat changed because of the lyrics change I'm bringing to

1627
01:11:00,960 --> 01:11:03,240
Speaker 3: like the open mic after dark blah blah blah. So

1628
01:11:03,320 --> 01:11:05,400
Speaker 3: I changed how it sounds if you're going to listen

1629
01:11:05,439 --> 01:11:08,920
Speaker 3: to it sonically, it's kind of like some I didn't

1630
01:11:08,920 --> 01:11:11,280
Speaker 3: do this because of that, But like I Kendrick like

1631
01:11:11,320 --> 01:11:12,520
Speaker 3: the album.

1632
01:11:12,280 --> 01:11:13,960
Speaker 2: Version, it's like live yeah.

1633
01:11:14,040 --> 01:11:15,639
Speaker 3: And so as I'm listening to this and I write

1634
01:11:15,680 --> 01:11:18,639
Speaker 3: that verse, I was like, start talking about and I'm

1635
01:11:18,680 --> 01:11:20,559
Speaker 3: reminiscing on what it was like to be at this

1636
01:11:20,600 --> 01:11:23,160
Speaker 3: open mark mic with one hundred people there in x

1637
01:11:23,200 --> 01:11:25,400
Speaker 3: y Z and blah blah blah. And so I decided

1638
01:11:25,439 --> 01:11:29,680
Speaker 3: to change it. That's just what came of it. And

1639
01:11:29,720 --> 01:11:31,960
Speaker 3: I remember even talking to Russ. I was like, look, man,

1640
01:11:32,000 --> 01:11:34,479
Speaker 3: I ain't out here trying to compete. That's not what

1641
01:11:34,479 --> 01:11:36,759
Speaker 3: this should be. This should be our record. It shouldn't

1642
01:11:36,800 --> 01:11:38,640
Speaker 3: be one trying to little competitive.

1643
01:11:38,840 --> 01:11:39,839
Speaker 2: Hip hop is competitive.

1644
01:11:40,000 --> 01:11:41,040
Speaker 3: Hip hop is competitive.

1645
01:11:41,320 --> 01:11:44,240
Speaker 1: Competitive. It shows therapy as the way where it's not

1646
01:11:44,280 --> 01:11:45,080
Speaker 1: we're not competing.

1647
01:11:45,160 --> 01:11:47,000
Speaker 2: Yeah, it's like we're talking.

1648
01:11:46,760 --> 01:11:49,800
Speaker 3: About real shit, you know what I mean? It feels

1649
01:11:49,880 --> 01:11:52,519
Speaker 3: so solid to me. It really feels like a Logic

1650
01:11:52,680 --> 01:11:54,240
Speaker 3: and Russ song.

1651
01:11:54,479 --> 01:11:56,639
Speaker 4: The fact that y'all weren't in the studio together is surprise,

1652
01:11:56,680 --> 01:11:58,200
Speaker 4: and I thought y'all would now together when.

1653
01:11:58,400 --> 01:12:00,240
Speaker 3: Because I was in Oregon, I was in Org again

1654
01:12:00,280 --> 01:12:06,439
Speaker 3: and he was in La Organ because it's in the

1655
01:12:06,439 --> 01:12:08,679
Speaker 3: middle of it. Yeah, I understand, it's in the middle

1656
01:12:08,720 --> 01:12:11,360
Speaker 3: of nowhere. I still get recognized out there, but it's

1657
01:12:11,360 --> 01:12:13,559
Speaker 3: not like here. And when you go out here, the

1658
01:12:13,600 --> 01:12:17,120
Speaker 3: first thing is literally is can I have a picture?

1659
01:12:17,200 --> 01:12:20,479
Speaker 3: It's the first thing, right, or hello or no, not

1660
01:12:20,560 --> 01:12:21,400
Speaker 3: even that, It's.

1661
01:12:21,280 --> 01:12:24,920
Speaker 2: Like have a human interaction first, It's like hello, yeah, yeah, yeah,

1662
01:12:25,080 --> 01:12:25,720
Speaker 2: give me one of those.

1663
01:12:25,760 --> 01:12:28,559
Speaker 3: But whatever. Yeah, somebody's excited. I want to be mad

1664
01:12:28,600 --> 01:12:33,519
Speaker 3: at them. But yeah, this is such a great interview.

1665
01:12:34,360 --> 01:12:37,479
Speaker 1: What's the number one thing you want your child to

1666
01:12:37,520 --> 01:12:38,479
Speaker 1: know before twenty one?

1667
01:12:39,400 --> 01:12:45,280
Speaker 3: Number one thing I want him to know before twenty one. Yeah, well,

1668
01:12:45,280 --> 01:12:49,840
Speaker 3: I hope that he's beaten every uncharted game. It's a

1669
01:12:49,880 --> 01:12:56,800
Speaker 3: great series. To be a gentleman. The definition of a

1670
01:12:56,840 --> 01:12:59,360
Speaker 3: gentleman or a lady is to make sure that every

1671
01:12:59,360 --> 01:13:03,840
Speaker 3: single person and in the room feels comfortable. I want

1672
01:13:03,880 --> 01:13:06,800
Speaker 3: him to be a gentleman. I make it my job

1673
01:13:07,040 --> 01:13:09,679
Speaker 3: that when I walk in a room, regardless of notice

1674
01:13:09,720 --> 01:13:12,280
Speaker 3: that you said, centers of attention, it's very important that

1675
01:13:12,320 --> 01:13:14,479
Speaker 3: you go and make your way. If you guys were

1676
01:13:14,479 --> 01:13:16,000
Speaker 3: there at the first of the door, I would greet

1677
01:13:16,040 --> 01:13:18,639
Speaker 3: you first, but it's important to go all the way around.

1678
01:13:18,680 --> 01:13:20,360
Speaker 2: Thank you, Thank.

1679
01:13:20,160 --> 01:13:20,679
Speaker 3: You so much.

1680
01:13:20,760 --> 01:13:23,320
Speaker 4: Adam Sandler came in. He didn't say anything to Rory

1681
01:13:23,320 --> 01:13:26,400
Speaker 4: and myself. He did I'm fucking with you at say no,

1682
01:13:26,439 --> 01:13:27,360
Speaker 4: he's he.

1683
01:13:27,360 --> 01:13:28,000
Speaker 3: He was a gentleman.

1684
01:13:28,360 --> 01:13:28,800
Speaker 1: Hello to you.

1685
01:13:29,200 --> 01:13:31,719
Speaker 2: I love Adam, I yelled, Adam, do you want to pod?

1686
01:13:31,760 --> 01:13:33,840
Speaker 2: He didn't reply, Oh no, he's not gonna respond to that.

1687
01:13:34,040 --> 01:13:36,960
Speaker 2: I'm joking, but he had his basketball shorts on. I

1688
01:13:37,000 --> 01:13:37,479
Speaker 2: love Adam.

1689
01:13:37,520 --> 01:13:39,120
Speaker 4: He doesn't give a fuck. He's the epitome of I

1690
01:13:39,160 --> 01:13:39,880
Speaker 4: don't give a fuck.

1691
01:13:41,320 --> 01:13:42,240
Speaker 2: Hem.

1692
01:13:42,760 --> 01:13:45,040
Speaker 1: He has the career that I think I would want,

1693
01:13:45,080 --> 01:13:47,000
Speaker 1: Like he really just do whatever the fuck you want

1694
01:13:47,080 --> 01:13:50,400
Speaker 1: in a good way. It's all his friends that are

1695
01:13:50,400 --> 01:13:53,680
Speaker 1: in every single movie he makes, the movies he wants

1696
01:13:53,720 --> 01:13:55,400
Speaker 1: to make. Yeah, Adam kind of has the career that

1697
01:13:55,479 --> 01:13:56,719
Speaker 1: I think as far as aging.

1698
01:13:56,880 --> 01:14:01,559
Speaker 3: Adam says, I like that I'm surrounded by all my homies.

1699
01:14:01,840 --> 01:14:05,040
Speaker 3: M hm. I do what I love and I put

1700
01:14:05,080 --> 01:14:05,920
Speaker 3: my people on and.

1701
01:14:07,760 --> 01:14:08,439
Speaker 2: Life is great.

1702
01:14:08,840 --> 01:14:09,639
Speaker 3: I'm in no rush.

1703
01:14:09,680 --> 01:14:16,080
Speaker 2: By the way, hope, I'm black. I'm ordering again. Once

1704
01:14:16,120 --> 01:14:18,200
Speaker 2: you said it was on you. I'm trying to collegehip tonight.

1705
01:14:18,280 --> 01:14:27,799
Speaker 3: Me all right. Yeah, I'm a biracial cast.

1706
01:14:30,880 --> 01:14:33,000
Speaker 1: Yeah. I guess it all equals up.

1707
01:14:34,160 --> 01:14:34,840
Speaker 3: Oh it does.

1708
01:14:35,080 --> 01:14:39,200
Speaker 2: It's like it's like Maul and I birthed you. It's

1709
01:14:39,240 --> 01:14:43,000
Speaker 2: Pride month. I didn't say it, logic you did. I

1710
01:14:43,000 --> 01:14:44,800
Speaker 2: didn't say it you did.

1711
01:14:45,880 --> 01:14:47,760
Speaker 1: I want to go back before we wrap up?

1712
01:14:47,840 --> 01:14:49,640
Speaker 3: Are you sipping better? We wrapping up?

1713
01:14:49,760 --> 01:14:52,080
Speaker 2: No, I'm saying before you wrap up? Are you even

1714
01:14:52,120 --> 01:14:54,559
Speaker 2: saying that like it's happening? Is it bad that I

1715
01:14:54,560 --> 01:14:54,960
Speaker 2: want to.

1716
01:14:54,880 --> 01:14:55,720
Speaker 3: Be here all night?

1717
01:14:55,760 --> 01:14:57,280
Speaker 2: Listen? We can sit here as long as you want.

1718
01:14:57,400 --> 01:15:01,080
Speaker 3: No, No, I'm just kidding your credit cards, sir, Dave Chappelle,

1719
01:15:01,640 --> 01:15:03,760
Speaker 3: rap it, wrap it up, box.

1720
01:15:03,760 --> 01:15:04,840
Speaker 2: No, we're good.

1721
01:15:05,479 --> 01:15:06,960
Speaker 3: I am trying to fucking drink with y'all and have

1722
01:15:06,960 --> 01:15:07,360
Speaker 3: a good time.

1723
01:15:07,360 --> 01:15:09,400
Speaker 1: Oh no, that's that's why we have to get off.

1724
01:15:09,840 --> 01:15:10,920
Speaker 1: I can hear the real answer.

1725
01:15:10,920 --> 01:15:12,479
Speaker 3: I have to be up for Zane Low though.

1726
01:15:13,680 --> 01:15:15,800
Speaker 2: You have to be in bed at a decent hour.

1727
01:15:15,960 --> 01:15:18,759
Speaker 1: He has to tell you, oh my god, your album

1728
01:15:18,800 --> 01:15:19,920
Speaker 1: is the greatest shit I've ever heard.

1729
01:15:22,360 --> 01:15:26,320
Speaker 2: When does this come out? I'm Monday, like like in

1730
01:15:26,360 --> 01:15:26,880
Speaker 2: two days?

1731
01:15:27,000 --> 01:15:31,400
Speaker 3: Yeah, wait, tomorrow, Tuesday, Today's Oh I'm sorry.

1732
01:15:32,040 --> 01:15:35,479
Speaker 2: The video comes out Wednesday. Audio comes out Tuesday.

1733
01:15:36,240 --> 01:15:38,200
Speaker 3: Damn, motherfucker's really gonna sit around and listen to the

1734
01:15:38,200 --> 01:15:38,920
Speaker 3: ship for that long.

1735
01:15:38,960 --> 01:15:41,200
Speaker 2: It's a long ass one for sure. You don't you

1736
01:15:41,240 --> 01:15:41,800
Speaker 2: don't do this.

1737
01:15:42,280 --> 01:15:42,840
Speaker 3: I don't do this.

1738
01:15:43,760 --> 01:15:47,519
Speaker 1: We're exciting, so we're the we're the same age. So

1739
01:15:47,600 --> 01:15:49,240
Speaker 1: I keep asking you fucking fatherhood.

1740
01:15:49,439 --> 01:15:50,080
Speaker 3: You're thirty two.

1741
01:15:50,160 --> 01:15:52,200
Speaker 1: I'm thirty two. Just your birthday May fourth.

1742
01:15:52,680 --> 01:15:54,519
Speaker 3: Remind me to tell you about the ill a studio

1743
01:15:54,560 --> 01:15:56,640
Speaker 3: session I've ever had on the on your birthday this year?

1744
01:15:56,680 --> 01:16:02,719
Speaker 1: Yoda was there kind of yeah, yes, okay, at thirty

1745
01:16:02,760 --> 01:16:06,160
Speaker 1: two because I'm starting to probably have to cop out soon.

1746
01:16:06,479 --> 01:16:07,160
Speaker 3: Of what.

1747
01:16:08,479 --> 01:16:10,920
Speaker 2: I'm trying to trying to have some fucking kids, if

1748
01:16:10,960 --> 01:16:11,320
Speaker 2: you mean.

1749
01:16:11,280 --> 01:16:12,439
Speaker 3: Like get out of the game.

1750
01:16:13,280 --> 01:16:16,840
Speaker 2: Yesh. He wants to have kids and be married. Yes, better,

1751
01:16:16,960 --> 01:16:20,320
Speaker 2: got kids. He's still here. What are you talking about?

1752
01:16:20,640 --> 01:16:22,280
Speaker 2: So I'm asking, all right, well, what is this? Is

1753
01:16:22,320 --> 01:16:27,040
Speaker 2: this a vegan? Uh? Collie Flower. Yes, Collie Flowers vegan.

1754
01:16:27,120 --> 01:16:28,160
Speaker 3: Is he ain't copping out?

1755
01:16:30,760 --> 01:16:34,320
Speaker 2: He retired and just the same ship. Bullshit is fucking bullshit.

1756
01:16:34,840 --> 01:16:37,759
Speaker 1: Wait, but I want to know I know yeh.

1757
01:16:40,720 --> 01:16:42,679
Speaker 2: Ho No, no, I also think I'm full of shit.

1758
01:16:43,479 --> 01:16:44,400
Speaker 3: Okay, good cool.

1759
01:16:44,439 --> 01:16:45,240
Speaker 2: As long as you're met.

1760
01:16:45,320 --> 01:16:47,639
Speaker 3: The game needs you, man, you got a good void.

1761
01:16:47,720 --> 01:16:48,720
Speaker 2: He's bitches don't need me.

1762
01:16:49,920 --> 01:16:51,959
Speaker 3: Damn, you just called the game bitches.

1763
01:16:52,080 --> 01:16:53,840
Speaker 2: Why said I'm trying to get out of the women game.

1764
01:16:54,080 --> 01:16:55,920
Speaker 2: He's trying to be single, settled down, he's trying to

1765
01:16:55,960 --> 01:16:56,800
Speaker 2: I'm trying to have a kid.

1766
01:16:56,880 --> 01:16:58,400
Speaker 3: Oh that game, That's what I'm talking about.

1767
01:16:58,600 --> 01:17:02,400
Speaker 1: But that you meant like, no, no, I'll pod more

1768
01:17:02,400 --> 01:17:02,960
Speaker 1: once I have a game.

1769
01:17:03,040 --> 01:17:05,360
Speaker 2: Okay, I thought you met. Yeah, I thought you made

1770
01:17:05,400 --> 01:17:05,880
Speaker 2: your career.

1771
01:17:07,240 --> 01:17:10,200
Speaker 1: The number one thing, number one before you asked me this, No,

1772
01:17:10,360 --> 01:17:11,400
Speaker 1: I'll take it after pause.

1773
01:17:12,560 --> 01:17:14,120
Speaker 2: Number one thing you learned from your son.

1774
01:17:14,200 --> 01:17:22,679
Speaker 1: Number one thing you learned from your wife.

1775
01:17:23,240 --> 01:17:25,200
Speaker 2: What was the question, Rory? It sounded like a good one.

1776
01:17:25,400 --> 01:17:28,360
Speaker 1: Number one thing you learned from your son, number one

1777
01:17:28,360 --> 01:17:29,439
Speaker 1: thing you learned from your wife.

1778
01:17:29,720 --> 01:17:34,519
Speaker 3: Okay, the number one thing I learned from my son

1779
01:17:34,640 --> 01:17:43,080
Speaker 3: is how bad of parents my parents were. Because with

1780
01:17:43,200 --> 01:17:47,759
Speaker 3: all the drugs and guns and violence and domestic violence

1781
01:17:47,760 --> 01:17:52,599
Speaker 3: and abuse and theft and gang shit and everything that

1782
01:17:52,640 --> 01:17:58,120
Speaker 3: was in my household, I realized all you need to

1783
01:17:58,200 --> 01:18:02,439
Speaker 3: be a good parent, aside from not doing those things,

1784
01:18:03,200 --> 01:18:06,360
Speaker 3: is to just be there for the kid. And nobody

1785
01:18:06,439 --> 01:18:09,439
Speaker 3: was ever there for me. And whenever I feel like

1786
01:18:09,479 --> 01:18:13,120
Speaker 3: I'm not the best dad or this or that, I

1787
01:18:13,240 --> 01:18:15,599
Speaker 3: just remember that I give my son all of my time.

1788
01:18:16,800 --> 01:18:18,439
Speaker 3: And he taught me that.

1789
01:18:20,680 --> 01:18:22,360
Speaker 1: Sorry, no, get your shit off.

1790
01:18:22,439 --> 01:18:24,120
Speaker 2: No, it's no, seriously, get you off.

1791
01:18:24,320 --> 01:18:25,719
Speaker 1: Sorry. Cry.

1792
01:18:27,280 --> 01:18:30,800
Speaker 3: He taught me that I'm the parent that I never had.

1793
01:18:31,040 --> 01:18:33,720
Speaker 1: Sorry, that's fine, that's true, that's real.

1794
01:18:34,120 --> 01:18:34,320
Speaker 2: True.

1795
01:18:34,520 --> 01:18:40,120
Speaker 3: I never had someone there to fuck man, here comes

1796
01:18:40,160 --> 01:18:44,800
Speaker 3: the hip hop hate. I never had deflected. I never

1797
01:18:44,840 --> 01:18:48,720
Speaker 3: had a parent there to tell me good job or

1798
01:18:48,880 --> 01:18:51,439
Speaker 3: show me how to do better or be better. And

1799
01:18:51,520 --> 01:18:54,160
Speaker 3: I'm so happy that I could be that for my son.

1800
01:18:54,960 --> 01:18:58,440
Speaker 1: And I'm I'm very happy that you have not projected

1801
01:18:58,840 --> 01:19:02,559
Speaker 1: that into a kid, because I understand that. I appreciate

1802
01:19:03,680 --> 01:19:07,160
Speaker 1: that can easily be projected into the next generation. For sure,

1803
01:19:08,160 --> 01:19:10,600
Speaker 1: that you would do the exact same thing because you

1804
01:19:10,760 --> 01:19:11,839
Speaker 1: never had parents, I understand.

1805
01:19:12,120 --> 01:19:17,120
Speaker 3: And then as for my wife, she taught me all

1806
01:19:17,160 --> 01:19:19,080
Speaker 3: bitches really ain't crazy. No, I'm just kidding.

1807
01:19:21,600 --> 01:19:24,680
Speaker 1: I was so confused. There's some good ones out here.

1808
01:19:25,920 --> 01:19:35,200
Speaker 3: No, No, she really showed me a better me. You know,

1809
01:19:35,280 --> 01:19:38,680
Speaker 3: not to sound of whatever, but like she showed me

1810
01:19:38,840 --> 01:19:42,200
Speaker 3: a better me. She showed me a me who can

1811
01:19:42,240 --> 01:19:44,679
Speaker 3: be accepted for who he is and how to handle

1812
01:19:44,720 --> 01:19:47,800
Speaker 3: and process problems and talk things out and through and

1813
01:19:48,320 --> 01:19:52,200
Speaker 3: you know, uh communication and she was always there to

1814
01:19:52,200 --> 01:19:56,839
Speaker 3: communicate with me and be honest and it's really special.

1815
01:19:57,160 --> 01:19:59,600
Speaker 3: This is like one of the Illis interviews I've ever done.

1816
01:20:00,280 --> 01:20:03,040
Speaker 3: It's like, what's it been like three hours?

1817
01:20:03,080 --> 01:20:04,320
Speaker 2: Just getting surious about your life.

1818
01:20:04,680 --> 01:20:06,679
Speaker 3: We're just getting started. List Am I at a frame?

1819
01:20:06,720 --> 01:20:06,960
Speaker 3: Am I?

1820
01:20:07,000 --> 01:20:07,439
Speaker 2: Okay?

1821
01:20:07,800 --> 01:20:08,360
Speaker 3: All right? Great?

1822
01:20:08,400 --> 01:20:08,840
Speaker 2: No, you're good?

1823
01:20:08,880 --> 01:20:09,519
Speaker 3: Like leaning back?

1824
01:20:09,600 --> 01:20:10,120
Speaker 2: What were you saying?

1825
01:20:10,120 --> 01:20:10,679
Speaker 3: Sorry? Brother?

1826
01:20:12,360 --> 01:20:12,519
Speaker 1: Oh?

1827
01:20:12,520 --> 01:20:14,160
Speaker 4: I thought you saying home And I wasn't saying anything.

1828
01:20:14,200 --> 01:20:16,559
Speaker 4: I was looking at the beautiful ambiance that we have here.

1829
01:20:17,280 --> 01:20:22,599
Speaker 4: This is it's so beautiful, right, yeah, this is great logic.

1830
01:20:22,640 --> 01:20:25,160
Speaker 4: I still can't believe you're here. Man, I'm happy gonna

1831
01:20:25,240 --> 01:20:26,000
Speaker 4: keep saying.

1832
01:20:26,000 --> 01:20:28,880
Speaker 3: Can I interview y'all first? Absolutely? Okay, all right, here

1833
01:20:28,880 --> 01:20:29,160
Speaker 3: we go.

1834
01:20:29,200 --> 01:20:29,840
Speaker 2: I actually like that.

1835
01:20:30,120 --> 01:20:34,280
Speaker 3: Do you feel weird being white in a culture of

1836
01:20:35,200 --> 01:20:37,719
Speaker 3: color that knows you. Do you feel like you gotta

1837
01:20:37,760 --> 01:20:41,400
Speaker 3: be extra on your ship or study extra about the

1838
01:20:41,439 --> 01:20:45,479
Speaker 3: culture that you already love to prove that you deserve

1839
01:20:45,600 --> 01:20:50,160
Speaker 3: to be here or that your opinion matters at all. Honestly, honestly,

1840
01:20:51,640 --> 01:20:52,479
Speaker 3: that's a great question.

1841
01:20:52,479 --> 01:20:53,360
Speaker 1: That's a very good question.

1842
01:20:53,400 --> 01:20:56,200
Speaker 3: I know it. I've asked myself that question.

1843
01:20:56,800 --> 01:20:58,080
Speaker 2: I can tell I can tell.

1844
01:21:02,080 --> 01:21:07,439
Speaker 1: No, But I'm very aware that I am a guest,

1845
01:21:07,760 --> 01:21:09,560
Speaker 1: and I don't.

1846
01:21:09,640 --> 01:21:11,280
Speaker 3: Don't agree with that statement. Please continue.

1847
01:21:11,360 --> 01:21:14,280
Speaker 1: No, I don't. I don't view the word guest as

1848
01:21:14,280 --> 01:21:16,559
Speaker 1: like a negative thing. I'm aware that I am a

1849
01:21:16,600 --> 01:21:20,320
Speaker 1: guest in something. If you're a guest in someone's house,

1850
01:21:20,320 --> 01:21:22,599
Speaker 1: you're still in the house, like you still exist there.

1851
01:21:22,600 --> 01:21:22,960
Speaker 2: So I don't.

1852
01:21:23,040 --> 01:21:25,200
Speaker 1: I don't view guests as a negative.

1853
01:21:24,800 --> 01:21:26,840
Speaker 3: Eminem is a guest in rat I don't think he

1854
01:21:26,960 --> 01:21:29,919
Speaker 3: is by any means. He's fucking came up from Detroit

1855
01:21:29,960 --> 01:21:31,840
Speaker 3: listening to all the other world.

1856
01:21:31,960 --> 01:21:35,160
Speaker 1: Well, I mean, but now you're just putting a weird

1857
01:21:36,400 --> 01:21:39,680
Speaker 1: comnenation on on what rap culture is just because he

1858
01:21:39,720 --> 01:21:40,719
Speaker 1: grew up in Detroit.

1859
01:21:40,800 --> 01:21:42,040
Speaker 3: No, No, he's he's culture.

1860
01:21:42,120 --> 01:21:44,360
Speaker 2: I don't, No, don't poor as the culture.

1861
01:21:44,439 --> 01:21:47,280
Speaker 3: No, no, no, I put I put growing up on the block,

1862
01:21:47,439 --> 01:21:50,920
Speaker 3: understanding what the block means, yea, rather than rather than

1863
01:21:50,960 --> 01:21:53,720
Speaker 3: some white rapper from the suburbs who's amazing at what

1864
01:21:53,800 --> 01:21:57,320
Speaker 3: he does but has no true understanding of what that

1865
01:21:57,400 --> 01:21:59,599
Speaker 3: culture is and what it means to hustle and.

1866
01:21:59,479 --> 01:22:01,800
Speaker 1: Be on this can Can I not understand the house

1867
01:22:01,960 --> 01:22:05,600
Speaker 1: and not be a member? No, no, no, no, that's not

1868
01:22:05,640 --> 01:22:07,400
Speaker 1: what I'm saying. So I don't view guests as a

1869
01:22:07,400 --> 01:22:09,479
Speaker 1: bad thing. When people say guest, I'm fine with that ship.

1870
01:22:09,520 --> 01:22:10,080
Speaker 2: That ship is cool.

1871
01:22:10,160 --> 01:22:11,000
Speaker 3: I don't think you a guess.

1872
01:22:11,880 --> 01:22:14,800
Speaker 2: I ain't a guest really from Queens, You really from

1873
01:22:14,840 --> 01:22:17,640
Speaker 2: the streets? You really like you? Really from the city. Well,

1874
01:22:17,640 --> 01:22:18,439
Speaker 2: I'm a nice guy, I'm not.

1875
01:22:18,680 --> 01:22:20,280
Speaker 3: Yes, So what what does that mean?

1876
01:22:20,439 --> 01:22:20,679
Speaker 2: Street?

1877
01:22:20,720 --> 01:22:23,519
Speaker 3: Does that mean you gotta fucking sell drugs.

1878
01:22:23,000 --> 01:22:25,600
Speaker 2: And x y z just from the community, from the neighborhood.

1879
01:22:25,640 --> 01:22:28,679
Speaker 2: You understand you, but you're not a guest here, fool?

1880
01:22:28,760 --> 01:22:30,360
Speaker 3: Do you know your knowledge of music?

1881
01:22:30,400 --> 01:22:32,719
Speaker 1: I just think you guys view the word the term

1882
01:22:32,800 --> 01:22:35,639
Speaker 1: guests different than I do, because I think it's okay

1883
01:22:35,680 --> 01:22:36,559
Speaker 1: to say I'm.

1884
01:22:36,360 --> 01:22:38,519
Speaker 3: In your house night, I'm in your house tonight.

1885
01:22:38,640 --> 01:22:40,080
Speaker 2: I'm not a guest of New York City.

1886
01:22:40,160 --> 01:22:42,160
Speaker 4: I think what logic is saying is you're not a

1887
01:22:42,200 --> 01:22:45,120
Speaker 4: guest in the culture, though, because.

1888
01:22:45,080 --> 01:22:47,840
Speaker 3: You came up and the culture. Look at what you

1889
01:22:47,840 --> 01:22:50,240
Speaker 3: guys have done together and what you've created and what

1890
01:22:50,520 --> 01:22:52,720
Speaker 3: and the knowledge of what you have. Like, bro, you,

1891
01:22:52,960 --> 01:22:56,880
Speaker 3: but you guess you're not a guest. I'm in your house,

1892
01:22:57,000 --> 01:23:01,280
Speaker 3: my house, our house right now. You are a brother

1893
01:23:01,400 --> 01:23:03,400
Speaker 3: in arms, and I think you should know that.

1894
01:23:03,520 --> 01:23:05,519
Speaker 2: I just think it goes a little deeper than just.

1895
01:23:05,960 --> 01:23:07,839
Speaker 3: Then me, deeper than Melanin.

1896
01:23:07,920 --> 01:23:11,040
Speaker 1: Yet, yeah, I think it's it goes much deeper than

1897
01:23:11,080 --> 01:23:13,040
Speaker 1: Melanin when it comes to hip hop. That's how much

1898
01:23:13,160 --> 01:23:16,200
Speaker 1: I love hip hop that I know it's way deeper

1899
01:23:16,600 --> 01:23:22,200
Speaker 1: than me just knowing fucking Jay Dilla, like like like,

1900
01:23:22,280 --> 01:23:23,960
Speaker 1: just because I could study hip hop, don't make me

1901
01:23:24,000 --> 01:23:24,719
Speaker 1: part of hip hop.

1902
01:23:25,720 --> 01:23:29,120
Speaker 3: That kind of does. It just does if you do

1903
01:23:29,240 --> 01:23:31,759
Speaker 3: your due diligence to understand from a child.

1904
01:23:32,080 --> 01:23:35,639
Speaker 1: Well, I'll put it this way, as the more I've

1905
01:23:36,320 --> 01:23:40,040
Speaker 1: gotten older in this culture where I bounce it out

1906
01:23:40,120 --> 01:23:46,160
Speaker 1: is let me give as much as I take, because

1907
01:23:46,160 --> 01:23:51,960
Speaker 1: I certainly have profited and been involved with hip hop damn,

1908
01:23:52,760 --> 01:23:53,840
Speaker 1: I profited from hip hop.

1909
01:23:54,120 --> 01:23:55,479
Speaker 3: Yep, it didn't.

1910
01:23:55,479 --> 01:23:58,800
Speaker 1: It didn't come from a culture vulture space at all.

1911
01:23:59,439 --> 01:24:04,439
Speaker 1: But I have profited from hip hop, so I need

1912
01:24:04,479 --> 01:24:07,240
Speaker 1: to give as much as I take when it comes

1913
01:24:07,320 --> 01:24:09,400
Speaker 1: to that. That's where I leave that part at, and

1914
01:24:09,439 --> 01:24:11,599
Speaker 1: I feel like I continue to give as much as

1915
01:24:11,600 --> 01:24:11,920
Speaker 1: I can.

1916
01:24:12,040 --> 01:24:13,760
Speaker 3: I agree, I don't think you a guest.

1917
01:24:13,880 --> 01:24:17,400
Speaker 1: With putting new artists and the ship I do behind

1918
01:24:17,439 --> 01:24:21,599
Speaker 1: the scenes, i'll never talk about because you can do that.

1919
01:24:21,720 --> 01:24:22,120
Speaker 3: You are real.

1920
01:24:22,439 --> 01:24:25,639
Speaker 1: Said, but I give way more than I take from it.

1921
01:24:25,840 --> 01:24:28,000
Speaker 1: But I'm aware that I have taken from it. So

1922
01:24:28,760 --> 01:24:31,439
Speaker 1: with that said, I'm okay with the term guest. I'm

1923
01:24:31,439 --> 01:24:34,280
Speaker 1: not mad at the term guest, my guest, it's cool.

1924
01:24:34,320 --> 01:24:35,120
Speaker 3: You ain't a guest.

1925
01:24:35,400 --> 01:24:36,920
Speaker 2: Yeah, I don't think you're a guest. Bro, You're not

1926
01:24:36,960 --> 01:24:39,400
Speaker 2: a guest. I understand what you're saying. Though you liked

1927
01:24:39,439 --> 01:24:39,880
Speaker 2: the real.

1928
01:24:39,800 --> 01:24:43,200
Speaker 3: Cool white uncle that married like Keisha on t Keisha

1929
01:24:43,280 --> 01:24:44,040
Speaker 3: is not even cancel.

1930
01:24:45,520 --> 01:24:47,439
Speaker 2: No, it's true what you're talking about a lot of

1931
01:24:47,439 --> 01:24:51,280
Speaker 2: any only dates black women exactly. Are you a guest

1932
01:24:51,439 --> 01:24:54,080
Speaker 2: in the house of the Nubie and Queen in the

1933
01:24:54,080 --> 01:24:55,200
Speaker 2: house of the nubi and queen.

1934
01:24:56,640 --> 01:25:01,719
Speaker 3: Hell no, and then once you have that biration logic, baby, yeah,

1935
01:25:01,760 --> 01:25:03,960
Speaker 3: you're locked.

1936
01:25:03,240 --> 01:25:03,840
Speaker 2: You're locked in.

1937
01:25:03,920 --> 01:25:05,920
Speaker 1: We have the same baby pictures. What are you talking about?

1938
01:25:07,360 --> 01:25:09,360
Speaker 2: We let's say we do look the same.

1939
01:25:10,520 --> 01:25:12,720
Speaker 1: You are what's due from a Harry Potter that he

1940
01:25:12,760 --> 01:25:14,760
Speaker 1: called me Ronald? You Ronald two.

1941
01:25:15,400 --> 01:25:18,320
Speaker 3: I don't know. I ain't got the firecrotch fight weird that.

1942
01:25:18,439 --> 01:25:22,640
Speaker 2: You know about my pubic hair. I don't have the

1943
01:25:22,680 --> 01:25:23,760
Speaker 2: fire crotches. Sick.

1944
01:25:24,479 --> 01:25:27,639
Speaker 3: I'm just fucking around anyway. Look, let me tell you

1945
01:25:28,000 --> 01:25:33,120
Speaker 3: say how you feel. I think you are very well versed, educated,

1946
01:25:33,160 --> 01:25:37,320
Speaker 3: You take the time, you care. I don't. I don't,

1947
01:25:37,360 --> 01:25:40,000
Speaker 3: nor have I ever seen you as a guest by

1948
01:25:40,040 --> 01:25:43,439
Speaker 3: any means. I think you are a special man who

1949
01:25:43,439 --> 01:25:47,240
Speaker 3: wears his heart on his sleeve, takes the due diligence

1950
01:25:47,520 --> 01:25:51,800
Speaker 3: to appreciate the culture, and by doing so, I wholeheartedly

1951
01:25:51,800 --> 01:25:54,280
Speaker 3: believe you are a part of this culture, my culture,

1952
01:25:54,600 --> 01:25:58,479
Speaker 3: our culture. And you are not a guest in this house.

1953
01:25:59,080 --> 01:26:01,559
Speaker 3: You have a room in this house and a place

1954
01:26:01,600 --> 01:26:03,000
Speaker 3: to hang your coat. I don't know what the fuck

1955
01:26:03,040 --> 01:26:05,960
Speaker 3: you're talking about. I think you're great. Ronald Weasley, the King,

1956
01:26:06,320 --> 01:26:07,080
Speaker 3: the Goat.

1957
01:26:07,520 --> 01:26:09,320
Speaker 1: And we can close this. But when has a guest

1958
01:26:09,439 --> 01:26:11,800
Speaker 1: not had a spot to stay or a coat to hang?

1959
01:26:13,080 --> 01:26:14,840
Speaker 2: Guesses? I like, why we guess?

1960
01:26:14,920 --> 01:26:15,719
Speaker 3: Is not bash?

1961
01:26:16,040 --> 01:26:19,960
Speaker 2: I don't think you a guess anyway, Okay, agree to this.

1962
01:26:20,479 --> 01:26:24,040
Speaker 2: Next question said you're interviewing. Oh my interview. That was

1963
01:26:24,040 --> 01:26:27,120
Speaker 2: a great question though, thank you very much. Y'all asked

1964
01:26:27,160 --> 01:26:29,040
Speaker 2: like therapists, you can tell y'all both go to therapy.

1965
01:26:29,080 --> 01:26:31,240
Speaker 3: My man, Yes, Maul is about to go to therapy.

1966
01:26:31,479 --> 01:26:32,439
Speaker 2: I'm gonna make sure you goes.

1967
01:26:33,800 --> 01:26:34,479
Speaker 3: Is it true?

1968
01:26:35,840 --> 01:26:37,680
Speaker 2: No, I did not do that legally.

1969
01:26:38,600 --> 01:26:43,439
Speaker 3: Your first name is Darth Darth Darth Maul.

1970
01:26:44,520 --> 01:26:46,080
Speaker 1: No better.

1971
01:26:46,240 --> 01:26:48,200
Speaker 3: Okay, it ain't a logic interview if are you talking

1972
01:26:48,200 --> 01:26:59,960
Speaker 3: about Star Wars? Okay? Do you ever feel that any

1973
01:27:00,120 --> 01:27:06,160
Speaker 3: scrutiny or comments from the outside world, like do those

1974
01:27:06,160 --> 01:27:11,240
Speaker 3: things actually or have they ever held weight on how

1975
01:27:11,280 --> 01:27:12,240
Speaker 3: you do what you do?

1976
01:27:12,520 --> 01:27:13,000
Speaker 2: Honestly?

1977
01:27:13,200 --> 01:27:16,559
Speaker 3: Like, honestly, has it ever affected you in a way

1978
01:27:17,800 --> 01:27:21,120
Speaker 3: where you feel like maybe it wanted you to be

1979
01:27:21,240 --> 01:27:23,960
Speaker 3: more aggressive or less aggressive, or this or that, or

1980
01:27:24,400 --> 01:27:30,919
Speaker 3: or question your own personal takes or opinions. So essentially,

1981
01:27:30,960 --> 01:27:35,000
Speaker 3: has outside comments that we all have just gone through,

1982
01:27:35,479 --> 01:27:38,240
Speaker 3: has it affected you as a man and a creator

1983
01:27:38,400 --> 01:27:39,760
Speaker 3: and how you do your job great.

1984
01:27:40,080 --> 01:27:41,880
Speaker 2: Absolutely, just it's affected me.

1985
01:27:43,840 --> 01:27:47,840
Speaker 4: But you know, I always make sure that on my platform,

1986
01:27:47,880 --> 01:27:51,320
Speaker 4: I never sit down and intentionally try to spew like

1987
01:27:51,400 --> 01:27:55,639
Speaker 4: malice or hate or disrespect. So sometimes I say things

1988
01:27:55,680 --> 01:27:59,000
Speaker 4: and people receive it wrong or maybe I said the

1989
01:27:59,000 --> 01:28:00,360
Speaker 4: wrong thing, but I don't.

1990
01:28:01,360 --> 01:28:01,800
Speaker 2: I can't.

1991
01:28:02,920 --> 01:28:05,160
Speaker 4: I don't sit back and let it really affect me

1992
01:28:05,200 --> 01:28:07,599
Speaker 4: because I know my intent was never like a bad thing.

1993
01:28:08,080 --> 01:28:10,479
Speaker 4: I may have said something that offended somebody or people

1994
01:28:10,479 --> 01:28:12,360
Speaker 4: didn't agree with, which is fine, like we're not going

1995
01:28:12,400 --> 01:28:16,559
Speaker 4: to agree with everything that people say. But I know

1996
01:28:16,680 --> 01:28:20,120
Speaker 4: that I'm never trying to be disrespectful. I'm never trying

1997
01:28:20,120 --> 01:28:22,479
Speaker 4: to be like I'm never trying to use my words

1998
01:28:22,479 --> 01:28:24,400
Speaker 4: and what I say to hurt somebody or to like,

1999
01:28:24,880 --> 01:28:28,240
Speaker 4: you know, I mean, like affect somebody in a negative way.

2000
01:28:28,640 --> 01:28:30,640
Speaker 4: So I see things that people say, oh, you said this,

2001
01:28:30,800 --> 01:28:32,839
Speaker 4: you was wrong, you shouldn't said and maybe I shouldn't

2002
01:28:32,840 --> 01:28:35,360
Speaker 4: have said it, but it wasn't. I don't let it

2003
01:28:35,360 --> 01:28:37,240
Speaker 4: affect me to the point where it's like, oh, I

2004
01:28:37,280 --> 01:28:39,200
Speaker 4: can't say that, you know what I mean.

2005
01:28:39,240 --> 01:28:40,920
Speaker 2: I just make it very clear that my mind tent

2006
01:28:41,080 --> 01:28:42,120
Speaker 2: was never disrespect.

2007
01:28:42,200 --> 01:28:44,680
Speaker 3: Have you ever thought about the fact that your opinions

2008
01:28:45,960 --> 01:28:48,800
Speaker 3: can truly incept the minds of creators and make them

2009
01:28:48,880 --> 01:28:49,439
Speaker 3: second guess?

2010
01:28:49,760 --> 01:28:52,760
Speaker 2: Absolutely? Absolutely, So when you say that, do you.

2011
01:28:52,720 --> 01:28:56,280
Speaker 3: Think that that's an amazing position of power to be in?

2012
01:28:56,760 --> 01:28:57,479
Speaker 2: It's a privilege.

2013
01:28:57,520 --> 01:29:01,160
Speaker 3: Yeah, because you're like, I think this be better. Here's why.

2014
01:29:01,360 --> 01:29:05,479
Speaker 4: Yeah, it's a privilege. It's a privileged position. We understand

2015
01:29:05,520 --> 01:29:09,960
Speaker 4: that our voices and our perspective and our opinions mean

2016
01:29:10,080 --> 01:29:12,360
Speaker 4: something and they carry some weight in the culture, which

2017
01:29:12,400 --> 01:29:15,240
Speaker 4: is why I'm very mindful of what I say and

2018
01:29:15,280 --> 01:29:16,960
Speaker 4: how I put it out there, because I don't I

2019
01:29:17,040 --> 01:29:18,960
Speaker 4: understand that our words are powerful.

2020
01:29:19,200 --> 01:29:20,920
Speaker 3: Do you think you've ever taken it too far?

2021
01:29:21,160 --> 01:29:21,639
Speaker 2: Honestly?

2022
01:29:21,920 --> 01:29:22,960
Speaker 3: They even joking.

2023
01:29:23,120 --> 01:29:27,960
Speaker 2: Absolutely, you didn't really mean it. But that's human. We've

2024
01:29:28,000 --> 01:29:31,160
Speaker 2: all done it. We've all done it. We've all done it,

2025
01:29:31,640 --> 01:29:33,439
Speaker 2: all of us. Everybody on this planet has done that

2026
01:29:33,439 --> 01:29:34,280
Speaker 2: at some point in their life.

2027
01:29:34,360 --> 01:29:35,640
Speaker 3: Yeah, but on their platform?

2028
01:29:35,720 --> 01:29:39,519
Speaker 2: Is it different? But platform? Or because if your platform

2029
01:29:39,520 --> 01:29:41,160
Speaker 2: could be at your job at a nine to five

2030
01:29:41,200 --> 01:29:43,040
Speaker 2: and you hurt your coworkers feelings to the point.

2031
01:29:43,040 --> 01:29:45,799
Speaker 3: No, no, no, we're talking about this platform and in this platform,

2032
01:29:45,880 --> 01:29:48,080
Speaker 3: if y'all said some shit about me that really hurt

2033
01:29:48,120 --> 01:29:48,719
Speaker 3: my feelings.

2034
01:29:48,920 --> 01:29:50,160
Speaker 2: Huh, who the.

2035
01:29:50,120 --> 01:29:53,360
Speaker 3: Fuck would I be? Like, It's like I got it, like, okay, okay,

2036
01:29:53,680 --> 01:30:00,600
Speaker 3: what a great vibe. Okay, So y'all Fano Altemore, he

2037
01:30:00,640 --> 01:30:03,000
Speaker 3: who had not been named from the last show, Yes,

2038
01:30:03,800 --> 01:30:08,040
Speaker 3: because I have a crush, Yes, say some shit about

2039
01:30:08,040 --> 01:30:12,639
Speaker 3: me years ago. I'm up, I'm I can't. I'm losing

2040
01:30:12,640 --> 01:30:15,200
Speaker 3: sleep about it. Yeah, how they said this was the

2041
01:30:15,240 --> 01:30:18,800
Speaker 3: worst shit ever damn blah blah blah blah blah. But

2042
01:30:18,880 --> 01:30:20,360
Speaker 3: I was just in the studio having fun with me

2043
01:30:20,400 --> 01:30:22,000
Speaker 3: and my friends or blah blah blah. I'm using this

2044
01:30:24,600 --> 01:30:28,240
Speaker 3: and then and then the Anthony Fontana review comes out

2045
01:30:28,320 --> 01:30:31,000
Speaker 3: and it's not good out of ten andah blah blah

2046
01:30:31,040 --> 01:30:33,400
Speaker 3: blah blah blah. And I'm just like me, just like

2047
01:30:33,680 --> 01:30:36,080
Speaker 3: many other artists that I've spoken to who feel this way,

2048
01:30:36,280 --> 01:30:41,640
Speaker 3: are like, well, fuck, like, yo, we suck some you know,

2049
01:30:41,720 --> 01:30:44,200
Speaker 3: we can't. We losing sleep about it. We're like fucked

2050
01:30:44,240 --> 01:30:49,760
Speaker 3: up about it. Do you intend for it to go

2051
01:30:49,880 --> 01:30:51,080
Speaker 3: that far for the artists?

2052
01:30:52,360 --> 01:30:56,360
Speaker 2: No? Not me, No, no, to like.

2053
01:30:56,360 --> 01:31:01,559
Speaker 3: Be fucked up like damn. The question question themselves as artists.

2054
01:31:01,600 --> 01:31:03,840
Speaker 2: It's always for me, it's always literally just about the

2055
01:31:03,960 --> 01:31:07,400
Speaker 2: art that you put out. I'm not ever attacking the artist.

2056
01:31:07,840 --> 01:31:09,040
Speaker 3: Oh so it's the art.

2057
01:31:09,160 --> 01:31:09,680
Speaker 2: It's the art.

2058
01:31:09,680 --> 01:31:12,880
Speaker 3: See. But it's a little different respectfully when Voldemort goes at.

2059
01:31:12,800 --> 01:31:15,760
Speaker 1: Not the art and goes at yeah, all right, all right,

2060
01:31:15,760 --> 01:31:18,360
Speaker 1: your purse, you'll you'll do Harry Potter, I'll do Eric Abad.

2061
01:31:18,680 --> 01:31:19,280
Speaker 2: I'm an artist.

2062
01:31:19,400 --> 01:31:22,160
Speaker 1: I'm sensitive about my ship. I understand the same thing.

2063
01:31:24,560 --> 01:31:27,880
Speaker 1: Why are if we don't know you personally, why are

2064
01:31:27,880 --> 01:31:31,800
Speaker 1: you taking it personally? Because I'm judging your art, and

2065
01:31:31,920 --> 01:31:34,840
Speaker 1: the point of art is to be judged. Once you

2066
01:31:34,920 --> 01:31:38,400
Speaker 1: put it out there, good or bad, it's not yours anymore.

2067
01:31:38,400 --> 01:31:41,560
Speaker 1: You put it out, it's done, it's ours, it's not yours.

2068
01:31:41,600 --> 01:31:44,360
Speaker 3: Agreed, Like do you guys, I don't know. I don't

2069
01:31:44,400 --> 01:31:46,439
Speaker 3: talk shit about anybody. I'm not talking. I'm just saying,

2070
01:31:46,479 --> 01:31:49,000
Speaker 3: like when I see like a Takashi, like, I don't

2071
01:31:49,040 --> 01:31:50,519
Speaker 3: really think that's who that guy is.

2072
01:31:50,800 --> 01:31:52,400
Speaker 1: I think Takashi will say that it's not that who

2073
01:31:52,439 --> 01:31:52,800
Speaker 1: that guy is.

2074
01:31:52,920 --> 01:31:55,519
Speaker 3: Yeah, So it's like I'm not six night.

2075
01:31:55,560 --> 01:31:57,000
Speaker 2: I'm just saying, no, he said it on the stand.

2076
01:31:57,320 --> 01:31:59,360
Speaker 3: I don't I don't think I am not that guy.

2077
01:31:59,360 --> 01:32:00,519
Speaker 2: I am not a gang members.

2078
01:32:00,840 --> 01:32:02,720
Speaker 3: Just if you do refill that, let me just get

2079
01:32:04,160 --> 01:32:07,599
Speaker 3: my guy and can I get some water? Okay? Cool? Sorry, God, damn,

2080
01:32:07,640 --> 01:32:09,960
Speaker 3: we gotta keep all this. This is a vibe like

2081
01:32:10,080 --> 01:32:13,240
Speaker 3: BTS for everyone listening. I just ordered another six thousand

2082
01:32:13,240 --> 01:32:14,719
Speaker 3: dollars shot of No I'm just kidding.

2083
01:32:16,320 --> 01:32:18,040
Speaker 1: You said you was worth fifty million on the album

2084
01:32:18,520 --> 01:32:18,840
Speaker 1: I did.

2085
01:32:19,040 --> 01:32:19,320
Speaker 3: I am.

2086
01:32:19,479 --> 01:32:21,240
Speaker 2: I think I've made more way more than that, though.

2087
01:32:22,880 --> 01:32:25,880
Speaker 1: Yeah, can you validate my parking if.

2088
01:32:25,760 --> 01:32:28,080
Speaker 3: You really want? Yeah? What I fuck that?

2089
01:32:28,280 --> 01:32:28,920
Speaker 2: Don't ring?

2090
01:32:29,000 --> 01:32:29,840
Speaker 3: You took that ring off?

2091
01:32:30,640 --> 01:32:32,240
Speaker 1: Well, we didn't do it on camera, so I didn't

2092
01:32:32,439 --> 01:32:37,639
Speaker 1: for continuity continy, don't lose that fucking ring. I would

2093
01:32:38,560 --> 01:32:39,600
Speaker 1: respectfully would never do it.

2094
01:32:39,640 --> 01:32:41,280
Speaker 2: Okay, that's my favorite ring in the world.

2095
01:32:41,840 --> 01:32:42,519
Speaker 1: I have it right here.

2096
01:32:42,600 --> 01:32:44,920
Speaker 2: Okay, so logic, I would never do that. He made

2097
01:32:44,960 --> 01:32:47,839
Speaker 2: you a made man I did at Noble and now we're.

2098
01:32:47,640 --> 01:32:48,560
Speaker 3: Talking about it. Put it on.

2099
01:32:49,040 --> 01:32:49,600
Speaker 2: Yeah, put it on.

2100
01:32:50,400 --> 01:32:51,479
Speaker 3: You're not gonna put it on now.

2101
01:32:51,640 --> 01:32:52,400
Speaker 2: It's a great round.

2102
01:32:52,400 --> 01:32:54,080
Speaker 3: We talked about a continuity is dead.

2103
01:32:54,120 --> 01:32:54,920
Speaker 2: Yeah, I don't.

2104
01:32:54,960 --> 01:32:56,760
Speaker 3: We don't even need to talk about what happened. Just

2105
01:32:56,760 --> 01:32:59,439
Speaker 3: put it on. Put it on anyway. I think.

2106
01:33:01,960 --> 01:33:03,479
Speaker 2: You could both try to jump me in right in

2107
01:33:03,560 --> 01:33:05,800
Speaker 2: this corner, and you're not to fight both y'all want

2108
01:33:05,880 --> 01:33:07,400
Speaker 2: we don't want to jump Okay, So I.

2109
01:33:07,439 --> 01:33:12,400
Speaker 3: Do appreciate that respectfully, thank you, because for real, got

2110
01:33:12,400 --> 01:33:14,840
Speaker 3: to get into it. It just seem like a dude, dude,

2111
01:33:14,840 --> 01:33:16,320
Speaker 3: I asked you. If you like something, that's it. We

2112
01:33:16,360 --> 01:33:17,960
Speaker 3: don't got to talk about it. What I'm saying is

2113
01:33:20,040 --> 01:33:22,560
Speaker 3: is when Takashi nine does six ' nine, does what

2114
01:33:22,680 --> 01:33:25,040
Speaker 3: the fuck he does, and people are like, fuck this dude.

2115
01:33:25,479 --> 01:33:29,400
Speaker 3: I think in his heart he knows that. And once again,

2116
01:33:29,400 --> 01:33:31,120
Speaker 3: I ain't shipping on no mean, I'm saying that this

2117
01:33:31,320 --> 01:33:34,240
Speaker 3: is a bit of a persona, and I think a

2118
01:33:34,680 --> 01:33:38,400
Speaker 3: lot of these rappers out here are a.

2119
01:33:38,479 --> 01:33:40,880
Speaker 2: Persona absolutely so when someone.

2120
01:33:43,439 --> 01:33:50,080
Speaker 3: Absolutely so, when someone ships on them, they're like, who

2121
01:33:50,200 --> 01:33:53,040
Speaker 3: gives a fuck? I think the thing with artists like

2122
01:33:53,200 --> 01:33:56,200
Speaker 3: me or Russ or whoever, the cole whatever, like, who

2123
01:33:56,240 --> 01:33:58,920
Speaker 3: are really damn racial and white rappers?

2124
01:33:58,960 --> 01:34:00,920
Speaker 2: Is what you're saying, we got it?

2125
01:34:01,120 --> 01:34:03,559
Speaker 3: Well it's Russ. Oh, Russ is white. He's a time

2126
01:34:03,600 --> 01:34:04,519
Speaker 3: biracial and white.

2127
01:34:04,560 --> 01:34:06,479
Speaker 2: Yes, uh he is.

2128
01:34:08,720 --> 01:34:09,680
Speaker 1: I'm with you.

2129
01:34:10,400 --> 01:34:13,639
Speaker 3: I love it. I mean, it's hilarious, it's great. Five

2130
01:34:13,720 --> 01:34:19,160
Speaker 3: years later, I can't escape it, Thank you, sir. The

2131
01:34:19,320 --> 01:34:21,920
Speaker 3: fuck was I say? Oh yeah, yeah, yeah. When you

2132
01:34:22,080 --> 01:34:27,160
Speaker 3: go at artists like us who actually are bleeding us

2133
01:34:28,160 --> 01:34:32,640
Speaker 3: on the page and someone says Russ's whack logic is

2134
01:34:32,720 --> 01:34:35,800
Speaker 3: whack so and so it's not just the songs you're

2135
01:34:35,840 --> 01:34:39,840
Speaker 3: talking about because we put so much of ourselves in

2136
01:34:39,960 --> 01:34:42,000
Speaker 3: the shit. I'm not saying it can't be scrutinized. I'm

2137
01:34:42,040 --> 01:34:44,559
Speaker 3: not saying it shouldn't be scrutinized. I'm just simply saying

2138
01:34:44,960 --> 01:34:47,200
Speaker 3: that it isn't a facade. So when you have a

2139
01:34:47,240 --> 01:34:48,800
Speaker 3: bunch of people being like, I don't like this, I

2140
01:34:48,840 --> 01:34:50,519
Speaker 3: don't like what you're saying, is I don't like.

2141
01:34:50,600 --> 01:34:54,320
Speaker 2: You, okay, but like you don't even really know me,

2142
01:34:54,640 --> 01:34:55,680
Speaker 2: and a majority of the.

2143
01:34:55,680 --> 01:34:59,360
Speaker 3: People who choose to say, ah, fuck this shit haven't

2144
01:34:59,400 --> 01:35:01,840
Speaker 3: even really done the due diligence to actually listen to

2145
01:35:01,880 --> 01:35:03,960
Speaker 3: what's going on. Because I can't tell you how many

2146
01:35:04,320 --> 01:35:07,720
Speaker 3: when I was on the internet reviews I've seen where

2147
01:35:07,760 --> 01:35:10,000
Speaker 3: somebody's saying X y Z and none of it is

2148
01:35:10,080 --> 01:35:12,920
Speaker 3: actually true. Like somebody will be like man, when he

2149
01:35:12,960 --> 01:35:15,719
Speaker 3: said this, this and this that shit was whacked because

2150
01:35:15,800 --> 01:35:17,639
Speaker 3: but it's like wait, wait, no, no, no, I didn't

2151
01:35:17,680 --> 01:35:20,200
Speaker 3: mean that that and that, Yeah, you took it as

2152
01:35:20,240 --> 01:35:22,560
Speaker 3: this way, but what it actually was was this. And

2153
01:35:22,640 --> 01:35:24,320
Speaker 3: so what I think that comes down to, in an

2154
01:35:24,360 --> 01:35:28,000
Speaker 3: even more crazy complex place on where we are in

2155
01:35:28,080 --> 01:35:31,120
Speaker 3: social media, is that everyone feels the need to review.

2156
01:35:31,479 --> 01:35:33,719
Speaker 3: So whether you got a TikTok, a Twitter and Instagram,

2157
01:35:34,160 --> 01:35:36,679
Speaker 3: you know, people people took I don't have my shit,

2158
01:35:36,720 --> 01:35:38,760
Speaker 3: but if you were to look at your phone, they

2159
01:35:38,840 --> 01:35:41,639
Speaker 3: took the phone and they went from scrolling and looking

2160
01:35:41,720 --> 01:35:44,960
Speaker 3: at me and you guys and this to like, wait, oh,

2161
01:35:45,040 --> 01:35:48,360
Speaker 3: there's two sides to this. Oh shit, And then they

2162
01:35:48,400 --> 01:35:51,360
Speaker 3: started putting it on themselves. And by putting it on themselves,

2163
01:35:51,360 --> 01:35:55,120
Speaker 3: they're also doing reviews and they have no I fucking

2164
01:35:55,160 --> 01:35:56,920
Speaker 3: deal what they're talking about. So that's why when I

2165
01:35:56,960 --> 01:35:58,880
Speaker 3: feel like, at least when y'all are talking about shit,

2166
01:35:59,000 --> 01:36:01,000
Speaker 3: you've this is what you do for a lit You

2167
01:36:01,120 --> 01:36:03,920
Speaker 3: have earned this ship, right right, But then she will

2168
01:36:03,920 --> 01:36:06,840
Speaker 3: become a meme and kids and people who don't even

2169
01:36:06,920 --> 01:36:09,880
Speaker 3: understand the culture of what you're laughing at or about

2170
01:36:09,960 --> 01:36:13,080
Speaker 3: or why it's a joke are then joining that joke

2171
01:36:13,400 --> 01:36:14,720
Speaker 3: and it's I don't know, I don't know.

2172
01:36:15,080 --> 01:36:16,960
Speaker 1: And then it gets weird because you're giving a platform.

2173
01:36:17,000 --> 01:36:19,720
Speaker 1: Everyone has a platform of opinions. They wouldn't have to

2174
01:36:19,800 --> 01:36:21,880
Speaker 1: begin with, but they just want to have an opinion.

2175
01:36:22,600 --> 01:36:26,160
Speaker 1: And we have We have Russ on on our podcast

2176
01:36:26,800 --> 01:36:29,000
Speaker 1: and we actually had a really great conversation. Shouts of Rus,

2177
01:36:29,040 --> 01:36:31,880
Speaker 1: that's my guy, thank you, Yeah, shut man. I asked

2178
01:36:31,960 --> 01:36:37,040
Speaker 1: Russ a question that I'll ask you to all right,

2179
01:36:38,800 --> 01:36:40,840
Speaker 1: and it's gonna sound abrasive, and it's not. It's not

2180
01:36:41,000 --> 01:36:42,640
Speaker 1: like a fucking shock job.

2181
01:36:42,720 --> 01:36:44,080
Speaker 3: You're gonna hit that three hour mark.

2182
01:36:44,280 --> 01:36:46,960
Speaker 2: Yeah no, no, we'll wrap up. We're gonna give it

2183
01:36:47,240 --> 01:36:49,120
Speaker 2: and start to eat and and really talk ship.

2184
01:36:49,200 --> 01:36:49,760
Speaker 1: Oh yeah, yeah.

2185
01:36:50,720 --> 01:36:53,439
Speaker 2: Do you think people don't like you because of your face?

2186
01:36:53,600 --> 01:36:54,080
Speaker 3: And I mean.

2187
01:36:55,880 --> 01:36:58,920
Speaker 2: You really you really feel like asked Rus question with

2188
01:36:59,040 --> 01:37:00,760
Speaker 2: you know the depth on that question. I'm not saying

2189
01:37:00,800 --> 01:37:02,800
Speaker 2: that answer. I'm saying I know exactly what you're saying.

2190
01:37:02,840 --> 01:37:05,639
Speaker 3: And I think that it's been followed up by how

2191
01:37:05,680 --> 01:37:09,120
Speaker 3: I speak, how I talk, how I act, how I sit.

2192
01:37:09,680 --> 01:37:15,559
Speaker 3: I do think like this. It's called the Obama Okay,

2193
01:37:15,800 --> 01:37:19,000
Speaker 3: that's all biracial men like the Obama. Have you seen

2194
01:37:19,080 --> 01:37:20,320
Speaker 3: Obama sit girlfriend?

2195
01:37:20,560 --> 01:37:21,640
Speaker 2: Yeah, he's just like that.

2196
01:37:21,920 --> 01:37:24,519
Speaker 3: He's like, yo, bro, I got a street rep in

2197
01:37:24,600 --> 01:37:24,960
Speaker 3: New York.

2198
01:37:25,000 --> 01:37:26,679
Speaker 2: Don't call me girlfriend. I'm just kidding.

2199
01:37:26,960 --> 01:37:29,519
Speaker 1: So no, trust me. That's more not me.

2200
01:37:29,760 --> 01:37:31,439
Speaker 3: I'm so so fluid.

2201
01:37:32,080 --> 01:37:34,840
Speaker 1: You do understand that people look at your face no

2202
01:37:34,960 --> 01:37:37,240
Speaker 1: matter what you're saying, they're gonna feel it.

2203
01:37:38,040 --> 01:37:41,479
Speaker 2: I've accepted that. It is what it is. You can't

2204
01:37:41,520 --> 01:37:42,040
Speaker 2: change your face.

2205
01:37:42,960 --> 01:37:46,479
Speaker 3: Right, I'm gonna come out in black face that yo,

2206
01:37:46,720 --> 01:37:52,559
Speaker 3: check it. I'm in blackface hashtag old school Disney cartoon

2207
01:37:52,920 --> 01:37:55,880
Speaker 3: in the race. The dude like, what are you talking about?

2208
01:37:57,280 --> 01:38:01,479
Speaker 3: Put Am I a fucking moron? Yeah? People don't like me.

2209
01:38:02,080 --> 01:38:05,920
Speaker 3: Get over it. That was my there it is that,

2210
01:38:06,120 --> 01:38:09,519
Speaker 3: but that was my That was so my son was born.

2211
01:38:09,800 --> 01:38:13,320
Speaker 3: That was my issue until until I made No Pressure,

2212
01:38:13,400 --> 01:38:17,120
Speaker 3: the last album. That was it. You know, y'all want

2213
01:38:17,160 --> 01:38:19,360
Speaker 3: to know why I made fucking Bobby Tarantino three, a

2214
01:38:19,439 --> 01:38:21,960
Speaker 3: bunch of fun throwaways I did fucking four years ago

2215
01:38:22,120 --> 01:38:26,639
Speaker 3: to get out of my deal. I'm here, I'm rapping.

2216
01:38:27,040 --> 01:38:29,360
Speaker 3: That's what's going on. We're having fun and if I

2217
01:38:29,439 --> 01:38:31,400
Speaker 3: want to do a pop record with Marshmallow again. So

2218
01:38:31,520 --> 01:38:32,519
Speaker 3: what let me get my money?

2219
01:38:33,360 --> 01:38:34,760
Speaker 2: Well, when are we getting vinyl days?

2220
01:38:35,040 --> 01:38:36,880
Speaker 3: Because vinyl days, I don't know when the fuck this

2221
01:38:36,880 --> 01:38:40,000
Speaker 3: is air. You're getting it on the seventeenth. On the seventeen,

2222
01:38:40,080 --> 01:38:42,479
Speaker 3: I'm going on tour with Whiskalifa. My manager made sure

2223
01:38:42,520 --> 01:38:42,960
Speaker 3: I said that.

2224
01:38:44,960 --> 01:38:46,920
Speaker 1: Texted me that too. I didn't know how to add

2225
01:38:47,000 --> 01:38:49,000
Speaker 1: that I'm going on tour with Whiskey.

2226
01:38:49,160 --> 01:38:50,000
Speaker 2: He's an amazing person.

2227
01:38:50,040 --> 01:38:50,760
Speaker 1: I just want to make that clear.

2228
01:38:51,000 --> 01:38:53,080
Speaker 3: Justin's an amazing person. Should I put a hot take

2229
01:38:53,160 --> 01:38:55,960
Speaker 3: on this so people like listen to it, you guys

2230
01:38:56,000 --> 01:38:58,080
Speaker 3: will caption it like I should say a hot take

2231
01:38:58,120 --> 01:39:01,400
Speaker 3: and say, I'm going on tour. Hey, yo, deaf jam

2232
01:39:02,479 --> 01:39:05,719
Speaker 3: I love you guys. I'm going on tour with Wizzy.

2233
01:39:06,920 --> 01:39:09,200
Speaker 2: Wait who opens and who's the headliner?

2234
01:39:09,280 --> 01:39:11,400
Speaker 3: You know what I really love about this? His management

2235
01:39:11,479 --> 01:39:13,519
Speaker 3: contact at my management was like, because I wanted to

2236
01:39:13,600 --> 01:39:15,880
Speaker 3: go out by myself, but they were like, hey, Wiz

2237
01:39:16,000 --> 01:39:18,360
Speaker 3: wants to do like a fun co headlining tour together.

2238
01:39:18,479 --> 01:39:19,400
Speaker 3: Shout out these waves.

2239
01:39:19,560 --> 01:39:23,920
Speaker 2: Yeah yeah, specific and and I was like cool.

2240
01:39:23,760 --> 01:39:25,360
Speaker 3: And they were like, yeah, you guys, just swap every night,

2241
01:39:26,080 --> 01:39:29,439
Speaker 3: no ego. Everything's even that simple. Everybody's paid the same.

2242
01:39:29,960 --> 01:39:31,639
Speaker 2: I like that. Okay, it's a whole lot.

2243
01:39:32,160 --> 01:39:35,759
Speaker 1: I'll ask, are you guys going to perform the record

2244
01:39:35,800 --> 01:39:36,400
Speaker 1: from the album?

2245
01:39:36,960 --> 01:39:37,320
Speaker 3: Mmmm?

2246
01:39:38,880 --> 01:39:41,760
Speaker 1: Probably because I love I've really Probably not, probably not.

2247
01:39:42,080 --> 01:39:46,639
Speaker 2: I really love Whiz, and I love Whiz as much

2248
01:39:46,640 --> 01:39:47,519
Speaker 2: as a legend.

2249
01:39:47,560 --> 01:39:49,920
Speaker 1: Man, see this how much I'm objective, as much as

2250
01:39:49,960 --> 01:39:51,880
Speaker 1: I was saying Russ like, might have got you on

2251
01:39:51,960 --> 01:39:55,080
Speaker 1: that ship before you change the beat. You kind of

2252
01:39:55,080 --> 01:39:58,120
Speaker 1: smoke Whiz on that ship? Yeah, you know, I don't

2253
01:39:58,160 --> 01:39:58,960
Speaker 1: kind of not even close.

2254
01:39:59,080 --> 01:40:01,120
Speaker 3: I don't see he smoked with.

2255
01:40:03,280 --> 01:40:06,080
Speaker 2: What I think is more of the lyrical guy vibe.

2256
01:40:06,160 --> 01:40:08,880
Speaker 3: It's also called breath control, right, which, and if you

2257
01:40:09,000 --> 01:40:13,320
Speaker 3: really go down to it deeply and conceptually, Whiz is

2258
01:40:13,439 --> 01:40:18,600
Speaker 3: the low breaths. Yeah, and my ship is the anxiety.

2259
01:40:18,640 --> 01:40:20,080
Speaker 1: Okay, the craziness.

2260
01:40:20,600 --> 01:40:22,040
Speaker 2: I'm not that's an interesting way to put.

2261
01:40:22,160 --> 01:40:23,680
Speaker 3: I think he did Whiz and I love it.

2262
01:40:24,200 --> 01:40:28,679
Speaker 1: I no Whiz Whiz. What's dope on the album? I'm

2263
01:40:28,760 --> 01:40:30,720
Speaker 1: saying it not from the I don't. I'm not a

2264
01:40:30,800 --> 01:40:33,120
Speaker 1: rappidy rap motherfucker. I don't like that rappity ship.

2265
01:40:33,240 --> 01:40:33,760
Speaker 3: Can you rap?

2266
01:40:34,560 --> 01:40:34,920
Speaker 1: Of course?

2267
01:40:35,040 --> 01:40:35,240
Speaker 2: Come on?

2268
01:40:35,479 --> 01:40:36,080
Speaker 3: Can you rap?

2269
01:40:36,520 --> 01:40:36,720
Speaker 2: Yeah?

2270
01:40:37,680 --> 01:40:38,880
Speaker 3: Can you rap? Yes?

2271
01:40:39,080 --> 01:40:41,080
Speaker 2: I want to want to bat me a rap right now.

2272
01:40:41,240 --> 01:40:42,320
Speaker 1: No, he would beat me in a round.

2273
01:40:42,320 --> 01:40:44,640
Speaker 3: No, no, no, just give me a rap. No yo,

2274
01:40:44,840 --> 01:40:46,599
Speaker 3: check it. It's logic, the l O G. I see

2275
01:40:46,640 --> 01:40:49,280
Speaker 3: we I m Malibu with the one and only Rory.

2276
01:40:49,360 --> 01:40:52,040
Speaker 3: It's the incredible true story like my second album. These

2277
01:40:52,080 --> 01:40:54,519
Speaker 3: motherfuckers they know the outcome. I'm stuck in the middle

2278
01:40:54,560 --> 01:40:56,719
Speaker 3: like I was Malcolm behalf of that half of black.

2279
01:40:56,880 --> 01:40:59,439
Speaker 3: These motherfuckers they understand. They want half a sack on

2280
01:40:59,520 --> 01:41:01,840
Speaker 3: the green. Yeah, I'm a straight scene. I'm coming. Can

2281
01:41:01,920 --> 01:41:03,120
Speaker 3: you want to stand what I'm saying?

2282
01:41:03,320 --> 01:41:05,439
Speaker 2: Smoking it, man, go the smoky go.

2283
01:41:06,120 --> 01:41:06,760
Speaker 3: I'm just rap.

2284
01:41:08,360 --> 01:41:09,880
Speaker 2: What's the most unlogical thing about you?

2285
01:41:16,680 --> 01:41:17,040
Speaker 3: I don't know?

2286
01:41:17,240 --> 01:41:20,360
Speaker 2: Are we are we ending this? We're ending it like this.

2287
01:41:20,479 --> 01:41:22,960
Speaker 1: I love Wiz, but I'm saying, as dope as Wiz

2288
01:41:23,160 --> 01:41:25,040
Speaker 1: is on that ship, I think you actually did the

2289
01:41:25,080 --> 01:41:26,960
Speaker 1: Wiz ship on that. I forget it. That was the

2290
01:41:27,000 --> 01:41:27,760
Speaker 1: way we're going to end this ship.

2291
01:41:27,760 --> 01:41:29,639
Speaker 4: I love you, man, logic, We love you man, Thank

2292
01:41:29,680 --> 01:41:31,920
Speaker 4: you for I love you guys thanking it. But now

2293
01:41:31,960 --> 01:41:33,639
Speaker 4: we really want to party, man, Now we really want

2294
01:41:33,680 --> 01:41:34,040
Speaker 4: to vibe.

2295
01:41:34,120 --> 01:41:35,679
Speaker 3: We're gonna kick it. That was a little awkward.

2296
01:41:35,760 --> 01:41:37,400
Speaker 1: That's like the weird white guy. Yeah.

2297
01:41:37,479 --> 01:41:39,479
Speaker 4: Yeah, see, I told you you're gonna get it right.

2298
01:41:39,479 --> 01:41:40,800
Speaker 4: You're gonna get it right with me though, because this

2299
01:41:40,800 --> 01:41:42,800
Speaker 4: is this is the biracial Oh no.

2300
01:41:42,920 --> 01:41:43,479
Speaker 3: What are you doing?

2301
01:41:43,520 --> 01:41:45,639
Speaker 2: What is exactly? I told you New York?

2302
01:41:45,800 --> 01:41:48,720
Speaker 1: What was that New York? What's the New York one?

2303
01:41:49,240 --> 01:41:49,519
Speaker 2: Okay?

2304
01:41:49,640 --> 01:41:52,600
Speaker 3: All right, yeah, what do you mean? I'm coming arrest me?

2305
01:41:53,920 --> 01:41:54,800
Speaker 2: Logic. I was not trying to.

2306
01:41:54,760 --> 01:41:56,160
Speaker 3: Correct, trying to fuck my hand.

2307
01:41:56,240 --> 01:41:57,519
Speaker 2: I'm logic.

2308
01:42:00,000 --> 01:42:00,680
Speaker 3: Can I say something?

2309
01:42:00,800 --> 01:42:02,360
Speaker 2: You can say whatever you want to say. I want

2310
01:42:02,400 --> 01:42:02,920
Speaker 2: to say.

2311
01:42:06,040 --> 01:42:07,519
Speaker 3: The dopest thing. How old are you?

2312
01:42:08,040 --> 01:42:09,280
Speaker 2: I'm forty? What?

2313
01:42:10,080 --> 01:42:10,280
Speaker 3: Yeah?

2314
01:42:11,439 --> 01:42:13,679
Speaker 2: See I wish I had melon in like that. Yeah,

2315
01:42:13,680 --> 01:42:14,680
Speaker 2: I'm forty. Man, it's great.

2316
01:42:14,880 --> 01:42:17,759
Speaker 1: It's great skin care. Okay, it looks fucking amazing, really

2317
01:42:18,040 --> 01:42:20,080
Speaker 1: forty beautiful skin.

2318
01:42:21,760 --> 01:42:22,080
Speaker 3: Damn.

2319
01:42:22,400 --> 01:42:23,559
Speaker 1: Yeah no, he looks great.

2320
01:42:23,600 --> 01:42:24,160
Speaker 3: You look good.

2321
01:42:24,479 --> 01:42:30,679
Speaker 1: Okay, looks amazing anyway. And by the way, he wears

2322
01:42:30,760 --> 01:42:32,760
Speaker 1: a hat and has the best hairline on earth. Yeah fuck,

2323
01:42:32,920 --> 01:42:36,080
Speaker 1: it's annoying as fuck. I got some little I'm trying.

2324
01:42:35,880 --> 01:42:37,559
Speaker 2: To I embrace my ship.

2325
01:42:37,760 --> 01:42:40,960
Speaker 3: Anyway. He has the greatest hairlines, they say, and you

2326
01:42:41,120 --> 01:42:44,639
Speaker 3: really come into yourself in your twenties. Pause, you come

2327
01:42:44,680 --> 01:42:45,320
Speaker 3: into who you are?

2328
01:42:46,200 --> 01:42:47,160
Speaker 2: I came in mad bitches.

2329
01:42:47,320 --> 01:42:48,479
Speaker 3: Oh shit is it's.

2330
01:42:48,400 --> 01:42:48,760
Speaker 2: Look at that?

2331
01:42:48,920 --> 01:42:51,599
Speaker 3: Look at that? Look at that? You better grab a camera.

2332
01:42:53,479 --> 01:42:54,439
Speaker 1: You bet you're mentioning it.

2333
01:42:54,760 --> 01:42:56,800
Speaker 2: Camera man, fucking up. No, I'm kidding.

2334
01:42:56,800 --> 01:42:57,160
Speaker 3: You're great.

2335
01:42:59,400 --> 01:42:59,439
Speaker 1: You.

2336
01:42:59,800 --> 01:43:02,040
Speaker 3: They say, you really find yourself and who you are

2337
01:43:02,800 --> 01:43:05,439
Speaker 3: in your twenties, and you're comfortable in your thirties. And

2338
01:43:05,479 --> 01:43:09,000
Speaker 3: here I am, my second year into this new decade

2339
01:43:09,040 --> 01:43:11,720
Speaker 3: of my life, and I just want to say to

2340
01:43:11,800 --> 01:43:15,280
Speaker 3: everybody watching and to you gentlemen, like I went through

2341
01:43:15,320 --> 01:43:19,760
Speaker 3: a lot of struggles trying to figure out who I was,

2342
01:43:20,920 --> 01:43:24,559
Speaker 3: and I know that it's not over as a man

2343
01:43:24,880 --> 01:43:28,679
Speaker 3: and a father and a husband and a business whatever.

2344
01:43:29,240 --> 01:43:33,000
Speaker 3: But as a rapper, I just want to have fun.

2345
01:43:33,600 --> 01:43:35,320
Speaker 3: And if I want to strum the guitar and put

2346
01:43:35,320 --> 01:43:38,040
Speaker 3: out an indie rock album, I'm gonna do it. If

2347
01:43:38,080 --> 01:43:40,479
Speaker 3: I want to, you know, spit bars over primo, shit

2348
01:43:40,520 --> 01:43:43,360
Speaker 3: and Doda, I'm gonna do it right. And I understand

2349
01:43:43,439 --> 01:43:45,120
Speaker 3: that with that, I will be loved and I will

2350
01:43:45,160 --> 01:43:48,880
Speaker 3: be hated, and I welcome neither. I welcome the embrace

2351
01:43:48,960 --> 01:43:51,559
Speaker 3: of my child, I welcome the embrace of my wife.

2352
01:43:51,680 --> 01:43:56,360
Speaker 3: I welcome the embrace of a loving handshake amongst friends

2353
01:43:56,439 --> 01:43:59,519
Speaker 3: and colleagues. And that's all I care about today. And

2354
01:43:59,640 --> 01:44:02,160
Speaker 3: I hope at all my fans out there who come

2355
01:44:02,240 --> 01:44:06,640
Speaker 3: on tour with Whiskalifa this summer know that and and

2356
01:44:06,840 --> 01:44:08,559
Speaker 3: understand that. And I want you to know I am

2357
01:44:08,600 --> 01:44:13,040
Speaker 3: a student of the game. I am forever learning. I

2358
01:44:13,160 --> 01:44:16,160
Speaker 3: could not be happier to be here ten years later

2359
01:44:16,400 --> 01:44:18,680
Speaker 3: and y'all still want to do an interview with me.

2360
01:44:20,320 --> 01:44:23,640
Speaker 3: Thank you, Thank you for listening and watching. Thank you.

2361
01:44:23,680 --> 01:44:27,320
Speaker 2: I just wanted to say that, y'all, have you ever

2362
01:44:27,360 --> 01:44:28,400
Speaker 2: got crabs and Maryland?

2363
01:44:29,400 --> 01:44:30,519
Speaker 3: Yeah, but not on my dick.

2364
01:44:30,680 --> 01:44:30,960
Speaker 2: Peace.

2365
01:44:35,720 --> 01:44:35,760
Speaker 1: No.

2366
01:44:36,200 --> 01:44:37,160
Speaker 2: Willian Low