WEBVTT - Dance Mashup: featuring Kaycee Rice, Sean Lew, Jade Chenowyth, and Jojo Gomez 

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<v Speaker 1>Welcome to Behind the Influence, a production of I Heart

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<v Speaker 1>Radio and TDC Media. Pro dancer choreographer, A few stops

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<v Speaker 1>for you guys. She has one point for a million

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<v Speaker 1>followers on Instagram one point three million subs on YouTube.

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<v Speaker 1>Not a small number there, Jojo Jojo Gomez is in

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<v Speaker 1>the house, Casey Rights is Shanlu pro dancers in real

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<v Speaker 1>life bfs are in the house. But we're here with

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<v Speaker 1>Jade chinaf actress, dancer extraordinaire. We are so happy to

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<v Speaker 1>have you here today. Thank you for stopping him. But yeah,

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<v Speaker 1>so the show is all about influence, and you are

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<v Speaker 1>definitely somebody who has influenced in the dance space. Not

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<v Speaker 1>only are you doing choreography for some of the biggest artists,

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<v Speaker 1>which is blatantly influencing what we see, you're also teaching people,

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<v Speaker 1>like this generation of dancers is coming up learning some

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<v Speaker 1>of the things that you made up. And you have

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<v Speaker 1>a platform of millions of followers who are also seeing

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<v Speaker 1>that who can't necessarily take your classes or see you

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<v Speaker 1>on tour. So the influence is real. Yeah, but it

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<v Speaker 1>didn't always start out that way, did it. You were

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<v Speaker 1>a young little Joe Joe not at all. Did not

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<v Speaker 1>start off that way. I'm actually from the East Coast.

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<v Speaker 1>I'm from Massachusetts, and there wasn't much dance out there.

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<v Speaker 1>I mean I trained at a small studio in western Massachusetts.

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<v Speaker 1>But I was super inspired by Los Angeles and I

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<v Speaker 1>knew that it was something that I wanted to do.

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<v Speaker 1>I really wanted to pursue my career being a professional dancer,

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<v Speaker 1>and so right after high school, I booked the first

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<v Speaker 1>plane ticket and it's been an amazing journey ever since.

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<v Speaker 1>You make it sound so easy. Oh yeah, yeah, what

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<v Speaker 1>trust me. I have lots of questions for you, But

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<v Speaker 1>I will say, every time you see somebody like you

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<v Speaker 1>have this amazing come up, you think it's so easy,

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<v Speaker 1>but there was a lot of hard work that went

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<v Speaker 1>into it, countless hours for you in the studio dancing,

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<v Speaker 1>taking that big leap to after high school, out on

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<v Speaker 1>a plane and go to a place where did you

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<v Speaker 1>know many people in l A? I did not know

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<v Speaker 1>many people in l A. When I made my move.

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<v Speaker 1>I left a lot of friends behind in my family

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<v Speaker 1>because I'm originally from Massachusetts, so it's like all the

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<v Speaker 1>way across the country. And I will say that I

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<v Speaker 1>was really, really hungry, and I had a lot of drive.

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<v Speaker 1>When I moved to l A. I was the type

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<v Speaker 1>of person where even though I was the underdog, I

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<v Speaker 1>wasn't always like as dope as I am today. I

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<v Speaker 1>didn't think I would make it because I was that

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<v Speaker 1>girl that had to work extra hard. Dancing didn't come

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<v Speaker 1>naturally to me. I wasn't the most flexible. I didn't

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<v Speaker 1>have the most technique, but I had a lot of

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<v Speaker 1>passion and heart for it, and so I had to

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<v Speaker 1>work harder than everybody else. Basically I took like seven

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<v Speaker 1>classes a day. When I moved out to l A.

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<v Speaker 1>I went to so many auditions and I got cut

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<v Speaker 1>from the majority of them, which is like the whole

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<v Speaker 1>part of the process. But again, I had to take

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<v Speaker 1>so many classes. I had to go to the gym

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<v Speaker 1>every single day. I had to watch what I was eating,

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<v Speaker 1>and as a Latin girl, as a Latino that that

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<v Speaker 1>was really difficult because food is like my whole life.

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<v Speaker 1>And when I moved out to l A, I was like, oh, ship,

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<v Speaker 1>I need to go on a diet. I need to

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<v Speaker 1>like have a six pack in order for myself to

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<v Speaker 1>book this job or this tour, dance with this artist.

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<v Speaker 1>So it was like a smack of reality. When I

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<v Speaker 1>moved to l A. I had a let go of

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<v Speaker 1>the bagels and the McDonald's. This is like some music

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<v Speaker 1>video commercial ship. I need to be on top of

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<v Speaker 1>my body. And yeah, I also struggled with body image

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<v Speaker 1>as well. When I moved to l A. Again, I

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<v Speaker 1>wasn't always like stick thin. I had to Why why

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<v Speaker 1>did you feel that you had to be stick thin?

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<v Speaker 1>I mean, you're you're great dancer. Some of my favorite dancers,

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<v Speaker 1>like j Lo to me as iconic. She wasn't stick thin.

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<v Speaker 1>Where did you get this idea from? Well, when I

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<v Speaker 1>moved out to l A. It is very shallow in

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<v Speaker 1>our industry because every single audition that I went to,

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<v Speaker 1>it was basically not about how good of a dancer

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<v Speaker 1>you were. It was about if you had a six

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<v Speaker 1>pack or if you could dance in a bikini. It

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<v Speaker 1>was more about what you look like and who you knew.

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<v Speaker 1>And that was always really hard for me because I

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<v Speaker 1>signed up for all these amazing dance conventions growing up.

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<v Speaker 1>My mom spent so much money on my training, and

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<v Speaker 1>when I moved out to l A and I realized,

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<v Speaker 1>oh my god, it's it's more about what I look

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<v Speaker 1>like and list about my talent. It really really like

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<v Speaker 1>painted me a little bit. We have a lot to cover, obviously,

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<v Speaker 1>there's a lot to cover in the world of acting.

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<v Speaker 1>Dancing is a huge part of your life, and it

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<v Speaker 1>actually they go together at the moment. Who knows if

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<v Speaker 1>that will always be the case. I mean, you're probably

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<v Speaker 1>gonna start in movies that don't have you dancing or

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<v Speaker 1>shows that don't have you dancing, But it's kind of

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<v Speaker 1>cool that you get to do two things that you love.

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<v Speaker 1>We were actually just before we got started, we were

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<v Speaker 1>talking about the Step Up series and helps us. Literally

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<v Speaker 1>everyone in here is with the step How could you not?

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<v Speaker 1>How could you not? I mean it combines dancing, some

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<v Speaker 1>good looking people, some good looking people. You you included,

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<v Speaker 1>by the way, in the new iteration of the Step

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<v Speaker 1>Up franchise. They've had a lot of movies too, haven't

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<v Speaker 1>they Six movies out? Oh my gosh, that's that's incredible.

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<v Speaker 1>So going back to the very first step of what

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<v Speaker 1>were you like to when that came? Yeah, somewhere around there.

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<v Speaker 1>But I still had who didn't have a crush on Channon?

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<v Speaker 1>I know the world? Yeah, So we'll we'll take it

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<v Speaker 1>back because I think that's really interesting. You're not from

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<v Speaker 1>l A, but you've definitely made your mark on the

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<v Speaker 1>dance scene in l A and obviously all the things

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<v Speaker 1>we talked about at the beginning of this interview. You're

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<v Speaker 1>on a really successful franchise series. Everyone knows the Step

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<v Speaker 1>Up series you. You're followed by millions of people who

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<v Speaker 1>watch you dance on your many platforms, from YouTube to

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<v Speaker 1>Instagram to Twitter. Let's take it back to before all

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<v Speaker 1>this stuff happened. You're not from l A. Where are

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<v Speaker 1>you from and how did you get involved in dance.

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<v Speaker 1>I'm originally from Park City, Utah, and my family actually

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<v Speaker 1>all still lives there, so that's kind of nice and

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<v Speaker 1>makes visiting easy. I started dancing when I was about

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<v Speaker 1>to My aunt had a studio. It's called Martie's Rainbow Danswers.

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<v Speaker 1>I definitely graduated from that, but my mom had me

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<v Speaker 1>going there because she was teaching at the time. They

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<v Speaker 1>are and I just kind of gotten to dance at

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<v Speaker 1>a young age. And my family we were definitely middle class,

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<v Speaker 1>but it was one of those things if we were

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<v Speaker 1>going to invest in something, we had to put our

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<v Speaker 1>full heart and our full energy and passion into it.

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<v Speaker 1>So I was training and dance just for fun up

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<v Speaker 1>until I was about ten eleven twelve. My brothers were

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<v Speaker 1>doing football, so I had my thing, they had their thing.

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<v Speaker 1>My dad was with them, my mom was with me,

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<v Speaker 1>and I started competing and as I was dancing, it

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<v Speaker 1>went from like just running around in two twos to

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<v Speaker 1>kind of really loving and understanding dance and for what

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<v Speaker 1>it is, like a lot of people think it's just movement,

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<v Speaker 1>it's just having fun, but there's really something so liberating

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<v Speaker 1>about being able to express yourself through movement without actually

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<v Speaker 1>having to say anything. You can really leave all your

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<v Speaker 1>emotions out on the dance floor, cheessily putting it, but

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<v Speaker 1>it is. I kind of just fell in love and

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<v Speaker 1>I kind of had a realization that I could make

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<v Speaker 1>something more of it when I was around ten eleven,

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<v Speaker 1>because I started going to conventions that were out of

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<v Speaker 1>state every weekend to kind of train myself and see

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<v Speaker 1>what else I could do with dancing, because I think

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<v Speaker 1>l A is one of those places that every person

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<v Speaker 1>that thinks they're the best from their state comes, So

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<v Speaker 1>it's definitely a route awakening. You think you're doing really

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<v Speaker 1>good when you're in Utah, and I trained my butt

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<v Speaker 1>off and I was always at every convention and I

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<v Speaker 1>would go straight from school to dance until ten pm.

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<v Speaker 1>Then I do have to do homework, so it's always

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<v Speaker 1>been a grind, and my mom had to work at

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<v Speaker 1>the studio to pay for my dance classes, so it's

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<v Speaker 1>never been easy, and I don't think the best things

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<v Speaker 1>are easy, So that's why I think it drove my

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<v Speaker 1>passion for even more because it wasn't something that I

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<v Speaker 1>just got handed to me. It was something I had

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<v Speaker 1>to work for and that that excited me. I've always

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<v Speaker 1>been really competitive with myself too, so I wanted to

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<v Speaker 1>be the best that it could be. And I've always

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<v Speaker 1>been super dramatic. I always is like playing pretend when

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<v Speaker 1>I was younger, so being able to tell stories as

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<v Speaker 1>I was dancing too was perfect for me. And from

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<v Speaker 1>there I kind of got recognized by some choreographers at

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<v Speaker 1>a specific convention. It was called the Pulse On Tour

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<v Speaker 1>and it had many choreographers that were working in the industry,

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<v Speaker 1>like Brian Friedman who choreographs for Britney Spears, and many

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<v Speaker 1>other people. Dave Scott, who's done most of the step

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<v Speaker 1>up franchises and Chris Judd, Lorianne gibbson me and Michael's

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<v Speaker 1>all these people that you see featured on so you

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<v Speaker 1>think you can dance or maybe if you see films,

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<v Speaker 1>they're the choreographers of those or tours or anything like that.

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<v Speaker 1>And I got the scholarship where I was able to

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<v Speaker 1>assist them every weekend for a year, so I was

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<v Speaker 1>up on stage with them, helping and teaching the rest

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<v Speaker 1>of the students. So that how old were you at

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<v Speaker 1>this point? I was twelve and at the time I

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<v Speaker 1>was actually the youngest one that what were you doing

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<v Speaker 1>at twelve? Right, let's take it back to where it

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<v Speaker 1>all began. For people who don't know the backstory of

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<v Speaker 1>Kasey and Sean. Who wants to take this tale or

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<v Speaker 1>one of you can start at the other convenish it.

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<v Speaker 1>You're so in sanc I feel like it could work.

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<v Speaker 1>I can started. So we started competing like seven to

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<v Speaker 1>eight years ago. I had a separate studio and she

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<v Speaker 1>had a separate studio, and we kind of competed with

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<v Speaker 1>each other. But then it was always like just like hey, hey,

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<v Speaker 1>you're good, you too, And then and then after that

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<v Speaker 1>we started when I started moving into the classes in

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<v Speaker 1>l A and everything like that. I also saw her

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<v Speaker 1>in classes there too, and so we always kept bumping

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<v Speaker 1>into each other. But like when we first met each other,

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<v Speaker 1>it was far from like being like even friends at all.

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<v Speaker 1>We were always just like, like I admired her, admired

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<v Speaker 1>her as a dancer when I first saw her on

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<v Speaker 1>stage and everything like that. But I was never like

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<v Speaker 1>I want to grab some munch. I was just gonna say,

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<v Speaker 1>for people who are not aware of how young both

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<v Speaker 1>of you are sixteen and seventeen when you met, you

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<v Speaker 1>had to have been at the ripe age of eight

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<v Speaker 1>and nine. It was more like our parents were doing

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<v Speaker 1>the talking, right, so you're not really necessarily being like

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<v Speaker 1>want to go to soho how talking to each other

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<v Speaker 1>and then just hear your parents like, Hi, this is

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<v Speaker 1>my son, this is my daughter. Yeah. I mean, but

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<v Speaker 1>all in all, it was really just like we kept

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<v Speaker 1>seeing each other a lot in like competitions and then

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<v Speaker 1>in classes and all that stuff. So it was really

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<v Speaker 1>just kind of this like sign where I was like,

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<v Speaker 1>maybe we should just be friends. See where that goes.

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<v Speaker 1>Had you seen the video of Casey when she did

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<v Speaker 1>is it work that Katie didn't carry Katie Perry tweet that.

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<v Speaker 1>Okay when I saw that video today because I was

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<v Speaker 1>watching it this morning and just to you know, go

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<v Speaker 1>through all the research. Yeah, well that's what I do

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<v Speaker 1>every morning. I was like that, I had my coffee

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<v Speaker 1>that I do. You but oh my goodness, so talented.

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<v Speaker 1>How old are you in that video? I was ten

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<v Speaker 1>years old? Yeah, I mean like when she does those

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<v Speaker 1>like hit thrust, like, oh my god, those are like powerful,

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<v Speaker 1>they were power power, and then Katie Perry sees it.

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<v Speaker 1>How was it as a ten year old? Honestly, I

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<v Speaker 1>didn't really quite know what was going on at the

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<v Speaker 1>time because I was so young. I just remember like

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<v Speaker 1>one of my fans like commented on one of my

0:11:11.480 --> 0:11:14.559
<v Speaker 1>random like selfies on Instagram. I was like, hey, Katy

0:11:14.640 --> 0:11:17.560
<v Speaker 1>Perry just retweeted as your solo and I was like what,

0:11:18.040 --> 0:11:20.880
<v Speaker 1>And we all thought it was like something like it

0:11:20.920 --> 0:11:24.560
<v Speaker 1>was a fake account. So we went and did like

0:11:24.640 --> 0:11:26.480
<v Speaker 1>the research and we're like, oh, no, it's like the

0:11:26.520 --> 0:11:29.760
<v Speaker 1>actual Katy Perry. But at the time I was just

0:11:29.840 --> 0:11:32.000
<v Speaker 1>kind of like cool, I don't I don't know what

0:11:32.040 --> 0:11:35.520
<v Speaker 1>this means, Like I don't even know what this Yeah, exactly,

0:11:35.679 --> 0:11:38.240
<v Speaker 1>and my parents were like, oh my gosh, like this

0:11:38.320 --> 0:11:40.840
<v Speaker 1>is for real, and it just blew up and it

0:11:40.920 --> 0:11:44.520
<v Speaker 1>was one of like the very first dance videos to

0:11:44.600 --> 0:11:48.440
<v Speaker 1>actually sort of go viral. So that was like really

0:11:48.480 --> 0:11:52.320
<v Speaker 1>really cool, and I got so many opportunities after that.

0:11:52.320 --> 0:11:57.440
<v Speaker 1>That's just been insane and it's just crazy being a dancer.

0:11:57.720 --> 0:12:00.959
<v Speaker 1>Are our bodies are temples And it's the first thing

0:12:00.960 --> 0:12:03.440
<v Speaker 1>that people look at, especially back then in music videos,

0:12:03.480 --> 0:12:05.839
<v Speaker 1>like without social media, how are people going to know

0:12:05.920 --> 0:12:08.439
<v Speaker 1>who you are? Like for the most part, dancers were

0:12:08.480 --> 0:12:11.920
<v Speaker 1>only validated through the artists that they danced behind and

0:12:12.320 --> 0:12:14.840
<v Speaker 1>how big their resume was, and in order to have that,

0:12:14.920 --> 0:12:16.760
<v Speaker 1>you needed to look a certain way. It was very

0:12:16.960 --> 0:12:20.000
<v Speaker 1>very shallow back then. But now with social media, which

0:12:20.000 --> 0:12:22.079
<v Speaker 1>we're going to get into, I feel like that has

0:12:22.080 --> 0:12:25.280
<v Speaker 1>really changed my life because I can be well known

0:12:25.400 --> 0:12:27.480
<v Speaker 1>for who I am and not who I've danced behind,

0:12:27.520 --> 0:12:29.679
<v Speaker 1>and I can embrace my body. I can embrace my

0:12:30.000 --> 0:12:33.240
<v Speaker 1>Latino curves, and I don't have to like starve myself

0:12:33.240 --> 0:12:36.960
<v Speaker 1>from my favorite foods. I can right now. I used

0:12:36.960 --> 0:12:39.400
<v Speaker 1>to have a really unhealthy relationship with myself when I

0:12:39.440 --> 0:12:41.839
<v Speaker 1>was just a dancer, and I was going to auditions

0:12:41.840 --> 0:12:44.880
<v Speaker 1>and fighting for these people's validation of myself. So I

0:12:44.880 --> 0:12:46.640
<v Speaker 1>was fighting for a door to open. And then as

0:12:46.640 --> 0:12:48.560
<v Speaker 1>soon as I decided to open my own doors and

0:12:48.600 --> 0:12:51.880
<v Speaker 1>just not seek validation from anybody else anymore, it changed

0:12:51.920 --> 0:12:55.320
<v Speaker 1>my life completely. I I've always owe everything to my family,

0:12:55.400 --> 0:12:58.360
<v Speaker 1>but every every time I come out here too, you

0:12:58.720 --> 0:13:01.959
<v Speaker 1>it's it's different. L A is different. People are different,

0:13:02.040 --> 0:13:06.520
<v Speaker 1>and it's very competitive as well. So there's that little

0:13:06.520 --> 0:13:10.079
<v Speaker 1>bit of you know, competitive air between everybody even when

0:13:10.120 --> 0:13:11.760
<v Speaker 1>you step in a class. And I was. I wasn't

0:13:11.840 --> 0:13:13.280
<v Speaker 1>used to it. I was like, oh, we don't all

0:13:13.320 --> 0:13:15.480
<v Speaker 1>love each other, Like what is this? Oh you don't

0:13:15.480 --> 0:13:17.480
<v Speaker 1>like me because I'm good? Like what does that mean? Like?

0:13:17.559 --> 0:13:19.920
<v Speaker 1>I like you because you're good. But it's just this

0:13:20.000 --> 0:13:22.959
<v Speaker 1>big competitive thing, and you know, eventually those couple of

0:13:23.040 --> 0:13:25.520
<v Speaker 1>days turned two weeks turned two months, and then I

0:13:25.559 --> 0:13:27.720
<v Speaker 1>started being in l A more than I was in Utah,

0:13:27.800 --> 0:13:30.760
<v Speaker 1>and I think around sixteen, I don't even have an

0:13:30.800 --> 0:13:34.720
<v Speaker 1>official move date to California, but I think around sixteen

0:13:34.840 --> 0:13:36.880
<v Speaker 1>was when I was here more than I was Utah.

0:13:37.400 --> 0:13:41.199
<v Speaker 1>And um I roomed with three other people. My mom

0:13:41.240 --> 0:13:43.840
<v Speaker 1>and I shared a room a smaller room, you know

0:13:43.840 --> 0:13:45.560
<v Speaker 1>how like when you get in an apartment, there's the

0:13:45.559 --> 0:13:48.120
<v Speaker 1>bigger room in the small room. We shared the smaller

0:13:48.200 --> 0:13:51.040
<v Speaker 1>room with another mom and daughter and where they also

0:13:51.080 --> 0:13:53.320
<v Speaker 1>in the dance world. They were yes, and I had

0:13:53.320 --> 0:13:55.920
<v Speaker 1>met them through convention and she ended up being one

0:13:55.960 --> 0:13:58.080
<v Speaker 1>of my best friends and we were roommates for seven years.

0:13:58.559 --> 0:14:02.480
<v Speaker 1>So I just actually recently got my own apartment by myself.

0:14:02.559 --> 0:14:05.280
<v Speaker 1>So like I saw that, I saw your little tour

0:14:06.559 --> 0:14:12.840
<v Speaker 1>and I'm very cute designed congratulations, thank you so much,

0:14:13.440 --> 0:14:16.160
<v Speaker 1>But yeah, it was, it was. It's been a journey

0:14:16.200 --> 0:14:19.120
<v Speaker 1>for sure, and it's been a long time. I've had

0:14:19.120 --> 0:14:21.680
<v Speaker 1>a long time to really get into the industry and

0:14:21.840 --> 0:14:24.600
<v Speaker 1>figure out what I like and other dancers and what

0:14:24.680 --> 0:14:26.560
<v Speaker 1>I don't like and kind of take all of those

0:14:26.600 --> 0:14:29.080
<v Speaker 1>things that I think that I could do really well

0:14:29.120 --> 0:14:32.480
<v Speaker 1>and mash them up into the one well rounded dancer.

0:14:32.560 --> 0:14:34.400
<v Speaker 1>And I always say that I have so much to

0:14:34.400 --> 0:14:37.200
<v Speaker 1>work on still, like I will never stop growing. And

0:14:37.240 --> 0:14:43.440
<v Speaker 1>I think that's what people commonly have misconceptions about is

0:14:43.440 --> 0:14:46.440
<v Speaker 1>people are like, oh, Jade, like give me the secrets,

0:14:46.480 --> 0:14:48.440
<v Speaker 1>Like how do I get into the industry, Like I

0:14:48.680 --> 0:14:50.240
<v Speaker 1>want to book a tour like da da da da,

0:14:50.280 --> 0:14:53.720
<v Speaker 1>And I'm like, well, you know, there are really no secrets,

0:14:53.760 --> 0:14:55.960
<v Speaker 1>Like you have to do it from the ground up.

0:14:56.000 --> 0:14:57.960
<v Speaker 1>You have to take classes. If you want to be

0:14:58.040 --> 0:14:59.600
<v Speaker 1>booked by somebody, you have to get in front of

0:14:59.600 --> 0:15:02.520
<v Speaker 1>their face, take their class regularly. You have to study

0:15:02.560 --> 0:15:04.960
<v Speaker 1>what they what they like and what they book and

0:15:04.960 --> 0:15:07.080
<v Speaker 1>you kind of have to. Dancing is one of those

0:15:07.120 --> 0:15:09.360
<v Speaker 1>hard things that you have to be a full package.

0:15:09.720 --> 0:15:11.680
<v Speaker 1>So you have to you know, you have to keep

0:15:11.680 --> 0:15:13.920
<v Speaker 1>working out, you have to you have to look. You

0:15:13.920 --> 0:15:16.400
<v Speaker 1>have to keep yourself together. Your like body is your

0:15:16.400 --> 0:15:18.560
<v Speaker 1>image and it's your it's your selling point, which is

0:15:19.080 --> 0:15:23.000
<v Speaker 1>it causes a lot of hardships for I think everybody

0:15:23.040 --> 0:15:27.040
<v Speaker 1>in the industry, females and males included. You are constantly

0:15:27.120 --> 0:15:32.120
<v Speaker 1>being like judged and torn apart because there they want

0:15:32.160 --> 0:15:34.600
<v Speaker 1>the full look. And I think that comes with this

0:15:34.920 --> 0:15:39.520
<v Speaker 1>entertainment industry in general. You have to always be on basically,

0:15:39.720 --> 0:15:43.320
<v Speaker 1>and it's been it's you know, it's been hard because

0:15:43.320 --> 0:15:46.800
<v Speaker 1>it makes people competitive, it makes people a little salty

0:15:46.880 --> 0:15:50.080
<v Speaker 1>towards each other, and and you just have to really

0:15:50.120 --> 0:15:52.160
<v Speaker 1>like seek out the people that are gonna want to

0:15:52.200 --> 0:15:54.720
<v Speaker 1>grow with you. Rather than I want you to say

0:15:54.760 --> 0:15:57.280
<v Speaker 1>where they're at, because it is. It does get hard,

0:15:57.320 --> 0:16:00.560
<v Speaker 1>and I think l A is like this big filter system.

0:16:00.720 --> 0:16:02.720
<v Speaker 1>I always use it as like one of those those

0:16:02.760 --> 0:16:06.120
<v Speaker 1>noodle drainers. You know. Everybody comes in and they think

0:16:06.120 --> 0:16:08.080
<v Speaker 1>they can do it, and they really hope they can.

0:16:08.200 --> 0:16:10.720
<v Speaker 1>But l A is so cut throat and it's it's

0:16:10.760 --> 0:16:14.160
<v Speaker 1>so brutal and honest, and really only the people that

0:16:14.280 --> 0:16:17.760
<v Speaker 1>are gonna really be willing to take those nose and

0:16:17.880 --> 0:16:20.680
<v Speaker 1>keep going and hopefully turn them into yeses are the

0:16:20.680 --> 0:16:23.160
<v Speaker 1>ones that end up here. Was there a moment for you,

0:16:23.280 --> 0:16:26.200
<v Speaker 1>like a a video got a lot of attention, or

0:16:26.240 --> 0:16:28.720
<v Speaker 1>somebody asked you to choreograph something where you were like,

0:16:29.000 --> 0:16:31.200
<v Speaker 1>they're taking me seriously, this is something I could really

0:16:31.200 --> 0:16:33.720
<v Speaker 1>do well. Actually, when I think when I was ten,

0:16:34.040 --> 0:16:36.160
<v Speaker 1>it was doing like a competition and I was like

0:16:36.520 --> 0:16:38.640
<v Speaker 1>I asked my studio owner. I was like, hey, can

0:16:38.680 --> 0:16:41.400
<v Speaker 1>I just choreograph my own solo and like try it

0:16:41.800 --> 0:16:45.560
<v Speaker 1>in the studio And it was like no, don't do that,

0:16:45.640 --> 0:16:48.440
<v Speaker 1>and like there's no point and I was like no,

0:16:48.520 --> 0:16:50.800
<v Speaker 1>I really want to try, and she was very doubtful

0:16:50.840 --> 0:16:52.560
<v Speaker 1>about it, and I was like, okay, if I really

0:16:52.560 --> 0:16:54.880
<v Speaker 1>prepare and if I go into the next one by myself,

0:16:55.200 --> 0:16:57.360
<v Speaker 1>will you let me? And I was like, I'll even

0:16:57.560 --> 0:17:00.720
<v Speaker 1>like i'll even compete away from your studio. I'll independently,

0:17:01.200 --> 0:17:03.480
<v Speaker 1>and she was like okay, fine. So then you know,

0:17:03.520 --> 0:17:05.760
<v Speaker 1>I spent a lot of time, you know, choreographing like

0:17:05.800 --> 0:17:08.719
<v Speaker 1>my own solo, and do you remember what song it

0:17:08.760 --> 0:17:12.879
<v Speaker 1>was to um? It was so long ago. It was

0:17:12.960 --> 0:17:15.080
<v Speaker 1>so long ago, and it was so brief. It was

0:17:15.119 --> 0:17:17.200
<v Speaker 1>just like like it was just a moment for me

0:17:17.640 --> 0:17:19.800
<v Speaker 1>that kind of like stuff like this light where I

0:17:19.840 --> 0:17:22.960
<v Speaker 1>was like I realized that, you know, as I was cooing,

0:17:23.080 --> 0:17:25.520
<v Speaker 1>I was like, oh, no, one knows me more than myself.

0:17:25.640 --> 0:17:27.960
<v Speaker 1>So so I really tried to push it out there.

0:17:28.000 --> 0:17:29.720
<v Speaker 1>And then at that point, I beat all my other

0:17:29.760 --> 0:17:31.960
<v Speaker 1>solos and I beat all like my other like routines

0:17:31.960 --> 0:17:34.439
<v Speaker 1>that I did in the competition with that solo, and

0:17:34.480 --> 0:17:37.280
<v Speaker 1>I was like, oh my god, this is like something

0:17:37.320 --> 0:17:38.679
<v Speaker 1>I want to do and this is something that I

0:17:38.680 --> 0:17:41.400
<v Speaker 1>want to share. And so then I started like teaching

0:17:41.440 --> 0:17:44.280
<v Speaker 1>in any possible way I could, either in charities or

0:17:44.320 --> 0:17:47.440
<v Speaker 1>in fundraisers or in just my sister's high school. And

0:17:47.520 --> 0:17:49.280
<v Speaker 1>from that point on, It was kind of just like,

0:17:49.680 --> 0:17:52.399
<v Speaker 1>I want to keep doing this forever. So how did you,

0:17:53.240 --> 0:17:56.040
<v Speaker 1>I guess, just break believe it or not. It wasn't

0:17:56.040 --> 0:17:58.240
<v Speaker 1>when I moved to l A. It was in New

0:17:58.320 --> 0:18:00.320
<v Speaker 1>York when I realized what I wanted to do. My

0:18:00.320 --> 0:18:02.440
<v Speaker 1>first job that I ever booked in my life was Beyonce.

0:18:03.840 --> 0:18:06.400
<v Speaker 1>Still right, I was still in thee the Queen Bee.

0:18:06.440 --> 0:18:09.240
<v Speaker 1>It was honestly, I was still in high school and

0:18:09.320 --> 0:18:11.600
<v Speaker 1>I was still in training mode. I had this great

0:18:11.640 --> 0:18:14.879
<v Speaker 1>connection with this choreographer, her name is Luam and I

0:18:14.920 --> 0:18:17.320
<v Speaker 1>was religiously taking her class and she came up to

0:18:17.400 --> 0:18:19.720
<v Speaker 1>me one day after her class and she's like, hey,

0:18:19.960 --> 0:18:22.919
<v Speaker 1>are you available in the next two days for a

0:18:23.000 --> 0:18:25.240
<v Speaker 1>job for an artist? And I was like absolutely. I

0:18:25.240 --> 0:18:27.359
<v Speaker 1>mean I've never danced for an artist before, so this

0:18:27.400 --> 0:18:28.720
<v Speaker 1>is going to be great for me. She did not

0:18:28.800 --> 0:18:30.879
<v Speaker 1>tell me it was Beyonce. So when I showed up

0:18:30.880 --> 0:18:32.480
<v Speaker 1>and I saw Beyonce in the rehearsal, I was like,

0:18:33.640 --> 0:18:35.639
<v Speaker 1>is this for real? Is this for real? Like I'm

0:18:35.680 --> 0:18:38.680
<v Speaker 1>still in high school. I would be like, where is

0:18:38.760 --> 0:18:43.600
<v Speaker 1>Ashton Kutcher. I'm getting punked right now? Yeah, And so, honestly,

0:18:44.119 --> 0:18:47.679
<v Speaker 1>her kindness and how like her work ethic in the rehearsal,

0:18:47.800 --> 0:18:50.239
<v Speaker 1>and then the dancers that I was surrounded by. I

0:18:50.280 --> 0:18:52.800
<v Speaker 1>just knew in that moment that I could do this,

0:18:52.920 --> 0:18:56.879
<v Speaker 1>like little me Jojo from Massachusetts could make it in

0:18:56.960 --> 0:18:59.359
<v Speaker 1>Los Angeles or New York or just like in the

0:18:59.440 --> 0:19:02.480
<v Speaker 1>entertainment Sustrey in general. Like the passion and the joy

0:19:02.560 --> 0:19:05.320
<v Speaker 1>and the adrenaline rush that I experienced while dancing for

0:19:05.400 --> 0:19:07.760
<v Speaker 1>her was just unbelievable. It was for the Get Me

0:19:07.840 --> 0:19:11.800
<v Speaker 1>Bodied campaign that she collaborated with Michelle Obama. I don't

0:19:11.800 --> 0:19:13.679
<v Speaker 1>know if you saw it, Yeah, it was. It was

0:19:13.720 --> 0:19:15.840
<v Speaker 1>so fun. You wouldn't recognize me at all. I look

0:19:15.880 --> 0:19:19.639
<v Speaker 1>completely different. I had this like mouseie short brunette bob

0:19:19.800 --> 0:19:21.560
<v Speaker 1>and it was just a mess. I didn't have my

0:19:21.600 --> 0:19:23.840
<v Speaker 1>look together. I didn't know the first thing about what

0:19:23.920 --> 0:19:28.000
<v Speaker 1>it took to be like a professional dancer. I know,

0:19:28.200 --> 0:19:30.719
<v Speaker 1>and it was solely based off of like my my,

0:19:31.320 --> 0:19:33.960
<v Speaker 1>like what that choreographer saw in me. I worked really,

0:19:33.960 --> 0:19:36.480
<v Speaker 1>really hard, and so she gave me a chance, and

0:19:36.600 --> 0:19:41.320
<v Speaker 1>just that experience alone dancing behind Beyonce was something that

0:19:41.800 --> 0:19:43.359
<v Speaker 1>made me realize that I want to do this for

0:19:43.400 --> 0:19:45.160
<v Speaker 1>the rest of my life. And then when I moved

0:19:45.160 --> 0:19:46.919
<v Speaker 1>out to l A. The second job that I booked

0:19:46.960 --> 0:19:48.720
<v Speaker 1>was Britney Spears and the vm AS. It was a

0:19:48.720 --> 0:19:53.639
<v Speaker 1>Britney Spears tribute and that was How was the Michael

0:19:53.680 --> 0:19:58.000
<v Speaker 1>Jackson Van Daughter it was? And then we were introduced

0:19:58.040 --> 0:20:01.880
<v Speaker 1>to the stage by Lady Gaga. Okay, I'm sorry, Joe, Joe, right,

0:20:01.920 --> 0:20:05.000
<v Speaker 1>how did you? I mean, yes, you're talented, but this

0:20:05.080 --> 0:20:08.240
<v Speaker 1>is just three wins back to back here, I mean

0:20:08.680 --> 0:20:13.040
<v Speaker 1>Lady Gaga, right, it was unreal. And again, I was

0:20:13.080 --> 0:20:17.440
<v Speaker 1>still seventeen when I booked that job, So what were

0:20:17.480 --> 0:20:19.720
<v Speaker 1>you What was everyone else out there doing at seventeen?

0:20:19.760 --> 0:20:23.080
<v Speaker 1>I wasn't being introduced by Lady Gaga, right, that's so

0:20:23.080 --> 0:20:26.280
<v Speaker 1>so casual. And then so this is on your resume now,

0:20:26.359 --> 0:20:29.000
<v Speaker 1>so you have, at this point, at the age of seventeen,

0:20:29.480 --> 0:20:33.919
<v Speaker 1>you have danced with Beyonce maybe arguably one of the

0:20:33.920 --> 0:20:36.560
<v Speaker 1>biggest stars in the world, maybe at that time was

0:20:36.640 --> 0:20:39.520
<v Speaker 1>the biggest star in the world. And then you're dancing

0:20:39.560 --> 0:20:43.680
<v Speaker 1>behind pop icon Britney Spears. Where do you go from there?

0:20:43.760 --> 0:20:47.520
<v Speaker 1>I mean, these are iconic names. So I'm assuming after

0:20:47.560 --> 0:20:49.720
<v Speaker 1>you add these names to your resume, is that did

0:20:49.760 --> 0:20:53.280
<v Speaker 1>every door open or did you find some challenges still? Oh,

0:20:53.320 --> 0:20:55.760
<v Speaker 1>my gosh, so many challenges still. Like I I did

0:20:55.800 --> 0:20:58.280
<v Speaker 1>have some great connections with choreographers who would direct book

0:20:58.320 --> 0:21:00.600
<v Speaker 1>me on these great jobs. But the most part, I

0:21:00.680 --> 0:21:02.479
<v Speaker 1>went to a lot more auditions where I heard now

0:21:02.960 --> 0:21:05.760
<v Speaker 1>and again going back to my body image, I was

0:21:06.000 --> 0:21:08.560
<v Speaker 1>I heard no just because of what my body looked like,

0:21:08.760 --> 0:21:11.399
<v Speaker 1>and so did people. They would always tell me. They

0:21:11.400 --> 0:21:12.760
<v Speaker 1>would be like hey, Like they would pull me up

0:21:12.760 --> 0:21:14.640
<v Speaker 1>to the desk and they'd be like, hey, you're great,

0:21:14.640 --> 0:21:16.080
<v Speaker 1>but you just need to lose some weight, you need

0:21:16.119 --> 0:21:17.560
<v Speaker 1>to tighten up, you need to hit the gym more.

0:21:17.600 --> 0:21:19.520
<v Speaker 1>But we would have hired you. And so that really

0:21:19.560 --> 0:21:22.879
<v Speaker 1>really it like motivated me. But it also created a

0:21:22.880 --> 0:21:26.200
<v Speaker 1>really unhealthy relationship with myself and I would starve myself.

0:21:26.320 --> 0:21:28.800
<v Speaker 1>I I would weigh myself like five times a day

0:21:28.800 --> 0:21:30.919
<v Speaker 1>to see if there was like a slight difference. It

0:21:30.960 --> 0:21:33.199
<v Speaker 1>was just really really unhealthy. But a lot of dancers

0:21:33.240 --> 0:21:35.280
<v Speaker 1>go through this as well. Um. I did have a

0:21:35.359 --> 0:21:37.960
<v Speaker 1>lot of great experiences with the jobs. Like right after that,

0:21:38.000 --> 0:21:41.280
<v Speaker 1>I dance with Justin Bieber and that was just like

0:21:41.600 --> 0:21:43.400
<v Speaker 1>so cool because he was like the biggest pop star

0:21:43.800 --> 0:21:46.959
<v Speaker 1>at the time. But then right after that job, literally

0:21:47.000 --> 0:21:49.040
<v Speaker 1>the next day, what's my next job that I'm doing.

0:21:49.160 --> 0:21:50.960
<v Speaker 1>I have to go to this audition in this audition.

0:21:51.000 --> 0:21:53.080
<v Speaker 1>Sometimes I would go to three auditions in one day

0:21:53.320 --> 0:21:55.280
<v Speaker 1>and I would get cut in the first round. Then

0:21:55.280 --> 0:21:56.800
<v Speaker 1>the next audition I would go to that day. I

0:21:56.800 --> 0:21:58.320
<v Speaker 1>would make it all the way to the end, and

0:21:58.320 --> 0:21:59.959
<v Speaker 1>then I would have to wait a few days to hear.

0:22:00.440 --> 0:22:02.960
<v Speaker 1>I auditioned for Rihanna, and I made it all the

0:22:03.000 --> 0:22:05.280
<v Speaker 1>way till the end, and then they said that I

0:22:05.320 --> 0:22:07.720
<v Speaker 1>looked too pretty. And I looked at them and I said,

0:22:07.800 --> 0:22:12.240
<v Speaker 1>I'll shave my head, I'll do whatever, because yeah, that

0:22:12.280 --> 0:22:15.359
<v Speaker 1>bothers me. That kind of bothers me. They were looking

0:22:15.400 --> 0:22:17.320
<v Speaker 1>for more of an edgy look. They're like, oh, I

0:22:17.359 --> 0:22:19.399
<v Speaker 1>think you're just like a little bit too pretty. You

0:22:19.480 --> 0:22:22.240
<v Speaker 1>have a little bit too much of a girl next

0:22:22.280 --> 0:22:24.680
<v Speaker 1>door vibe, and we're looking for an edgy or vibe.

0:22:24.880 --> 0:22:27.199
<v Speaker 1>And so I was very desperate. I was like, I

0:22:27.240 --> 0:22:29.200
<v Speaker 1>know I can do this, Like I'll shave my head,

0:22:29.560 --> 0:22:32.200
<v Speaker 1>I'll color my hair, I'll make it purple. What they

0:22:32.240 --> 0:22:35.240
<v Speaker 1>say they didn't. I didn't get picked. It was okay.

0:22:35.320 --> 0:22:37.760
<v Speaker 1>I was still young, and it was a learning experience.

0:22:37.800 --> 0:22:40.280
<v Speaker 1>But but at the same time, I mean to have

0:22:40.359 --> 0:22:42.840
<v Speaker 1>all these people validating you. Clearly you knew that you

0:22:42.920 --> 0:22:45.040
<v Speaker 1>had talent and that that you could take it somewhere.

0:22:45.040 --> 0:22:47.680
<v Speaker 1>So even the nose, in a sense, if I heard

0:22:47.720 --> 0:22:51.240
<v Speaker 1>those kinds of nose, it wouldn't per se discourage me

0:22:51.320 --> 0:22:54.159
<v Speaker 1>totally because you know that it's not something I can change.

0:22:54.359 --> 0:22:57.000
<v Speaker 1>You can't change, like if you don't look edgy to them,

0:22:57.040 --> 0:22:58.480
<v Speaker 1>you don't look edgy to them. But I have nothing

0:22:58.520 --> 0:23:00.960
<v Speaker 1>to do with your dancing, So I would imagine that

0:23:01.000 --> 0:23:05.679
<v Speaker 1>didn't discourage you from continuing. I mean, it sucks. It sucks.

0:23:05.720 --> 0:23:07.919
<v Speaker 1>It was something that bothered me because I can't do

0:23:08.000 --> 0:23:10.720
<v Speaker 1>anything about this, and I wish I could have so,

0:23:11.240 --> 0:23:13.240
<v Speaker 1>but you know, it's part of the process, and it

0:23:13.320 --> 0:23:17.120
<v Speaker 1>created a gave me a thicker skin. And honestly, when

0:23:17.119 --> 0:23:19.440
<v Speaker 1>I got those experiences, when they came to me, because

0:23:19.440 --> 0:23:21.480
<v Speaker 1>I heard so many knows, the yes is meant so

0:23:21.640 --> 0:23:27.120
<v Speaker 1>much more. There's also these like two sides in the industry,

0:23:27.160 --> 0:23:30.680
<v Speaker 1>of in the dance industry specifically, of people who love

0:23:30.760 --> 0:23:34.040
<v Speaker 1>social media and people who hate it. And it's usually

0:23:34.080 --> 0:23:37.160
<v Speaker 1>the older generation that doesn't really love it, but for me.

0:23:37.240 --> 0:23:41.320
<v Speaker 1>In my eyes, I've always seen social media as a

0:23:41.400 --> 0:23:44.760
<v Speaker 1>business tool, as a way to express myself and connect

0:23:44.800 --> 0:23:48.640
<v Speaker 1>to people that I would never be able to without it.

0:23:49.080 --> 0:23:52.800
<v Speaker 1>And I you know, obviously it gets hard because sometimes

0:23:52.840 --> 0:23:54.320
<v Speaker 1>I'm in class and I'm like, oh, I really don't

0:23:54.320 --> 0:23:56.120
<v Speaker 1>think I did good, but I'm still getting called out

0:23:56.160 --> 0:23:58.160
<v Speaker 1>because they want me to be in this video, Like

0:23:59.160 --> 0:24:01.200
<v Speaker 1>I don't know, I other not go because I don't

0:24:01.200 --> 0:24:02.840
<v Speaker 1>want to be on tape today. I just want to train.

0:24:02.920 --> 0:24:05.560
<v Speaker 1>I want to feel always wondered about that. So I'm

0:24:05.560 --> 0:24:08.280
<v Speaker 1>gonna cut, I'm gonna rudely interrupt you. So I always

0:24:08.359 --> 0:24:11.840
<v Speaker 1>see these videos of like the playground is a playground

0:24:12.200 --> 0:24:15.800
<v Speaker 1>or wherever, and and there's one person dancing in the

0:24:15.880 --> 0:24:17.800
<v Speaker 1>front and then there's two in the back. Like this

0:24:17.880 --> 0:24:21.040
<v Speaker 1>is a really uneducated question. I'm not in this world.

0:24:21.480 --> 0:24:24.080
<v Speaker 1>Are you going to class that day not knowing that

0:24:24.080 --> 0:24:25.560
<v Speaker 1>they're going to put you on tape? And then they

0:24:25.640 --> 0:24:28.240
<v Speaker 1>put you on tape? How does that work? So basically,

0:24:28.280 --> 0:24:30.840
<v Speaker 1>you go to class and you have about an hour

0:24:31.200 --> 0:24:33.440
<v Speaker 1>or forty five minutes to an hour to learn the combo,

0:24:33.960 --> 0:24:35.520
<v Speaker 1>and then you kind of do it in groups and

0:24:35.560 --> 0:24:37.880
<v Speaker 1>focus on that and then they'll end up calling people out,

0:24:38.520 --> 0:24:39.880
<v Speaker 1>So you have no idea if you're going to get

0:24:39.920 --> 0:24:41.960
<v Speaker 1>called out, But is your goal to get called out

0:24:42.040 --> 0:24:43.840
<v Speaker 1>when you go to class. When I was younger, it

0:24:43.920 --> 0:24:47.720
<v Speaker 1>definitely was because at the time, it wasn't really about videos.

0:24:47.760 --> 0:24:49.959
<v Speaker 1>It was about like getting seen by people. And well,

0:24:50.000 --> 0:24:52.280
<v Speaker 1>I guess back in the day there was no social media,

0:24:52.320 --> 0:24:54.360
<v Speaker 1>it wasn't there wasn't a pressure to be like, I'm

0:24:54.359 --> 0:24:57.080
<v Speaker 1>gonna go to class today. It was just purely class.

0:24:57.160 --> 0:24:59.159
<v Speaker 1>Whereas now you go to class and you're like, my

0:24:59.200 --> 0:25:02.120
<v Speaker 1>outfit needs to be point, my makeup needs to be done,

0:25:02.119 --> 0:25:04.000
<v Speaker 1>because if they call me out, there's gonna be now

0:25:04.040 --> 0:25:06.600
<v Speaker 1>a video floating around exactly. And I think that's what

0:25:06.960 --> 0:25:09.840
<v Speaker 1>it's really hard with social media is some people don't

0:25:09.880 --> 0:25:12.000
<v Speaker 1>like that pressure. Some people don't want the camera and them.

0:25:12.000 --> 0:25:13.720
<v Speaker 1>They just want to train, They just want to be

0:25:13.760 --> 0:25:15.320
<v Speaker 1>there to learn. They want to be able to mess

0:25:15.400 --> 0:25:16.959
<v Speaker 1>up and not feel bad about it. They don't want

0:25:16.960 --> 0:25:19.840
<v Speaker 1>to put on this show, which I completely understand. And

0:25:19.880 --> 0:25:23.119
<v Speaker 1>I think there's definitely a balance and a lot of

0:25:23.160 --> 0:25:25.080
<v Speaker 1>people are like, oh, Jade only goes to the classes

0:25:25.119 --> 0:25:27.120
<v Speaker 1>that get filmed, But I'm like, now, if you think

0:25:27.160 --> 0:25:29.320
<v Speaker 1>about it. You don't know the classes that I go

0:25:29.440 --> 0:25:31.920
<v Speaker 1>to that aren't filmed because they're not filmed. How are

0:25:31.920 --> 0:25:36.280
<v Speaker 1>you balancing practicing and taking dance seriously and maybe going

0:25:36.400 --> 0:25:40.360
<v Speaker 1>pro and also taking school seriously as well. Well. At

0:25:40.400 --> 0:25:45.960
<v Speaker 1>the moment, we're both graduated from school. But at the

0:25:46.040 --> 0:25:50.760
<v Speaker 1>time it was tough, like separating dance and school and

0:25:51.119 --> 0:25:56.160
<v Speaker 1>also yeah, finding that balance, but we always like managed

0:25:56.240 --> 0:26:00.080
<v Speaker 1>to do it. And obviously school does come first, but

0:26:00.200 --> 0:26:02.800
<v Speaker 1>dances also our passion and our love. So it was

0:26:02.840 --> 0:26:06.800
<v Speaker 1>just really finding that balance between studying but then also

0:26:06.840 --> 0:26:08.560
<v Speaker 1>doing what we loved. And it's also just kind of

0:26:08.600 --> 0:26:12.040
<v Speaker 1>the idea of knowing that, like school is a priority,

0:26:12.400 --> 0:26:15.879
<v Speaker 1>so because dance is our passion, we kind of have

0:26:15.960 --> 0:26:18.480
<v Speaker 1>to make sure that we get the school thing done first,

0:26:18.720 --> 0:26:21.120
<v Speaker 1>and then you go into like moving with dancing, because

0:26:21.119 --> 0:26:24.399
<v Speaker 1>I feel like every time you decide to push school

0:26:24.440 --> 0:26:27.159
<v Speaker 1>away when you have to do it and you start

0:26:27.240 --> 0:26:30.960
<v Speaker 1>to kind of go into, you know, your passion, you're

0:26:30.960 --> 0:26:33.840
<v Speaker 1>always distracted by knowing that you still have to do school,

0:26:34.040 --> 0:26:36.320
<v Speaker 1>and like at a certain point, you know, so it

0:26:36.400 --> 0:26:39.720
<v Speaker 1>pulls away from that, you know, you giving that whenever

0:26:39.760 --> 0:26:42.320
<v Speaker 1>you are dancing. So for us, either for us when

0:26:42.320 --> 0:26:45.119
<v Speaker 1>we were on set or when we were rehearsing, or this, this,

0:26:45.240 --> 0:26:48.440
<v Speaker 1>and that. It was always just making sure that we

0:26:48.960 --> 0:26:52.080
<v Speaker 1>at least finished school. We at least had to finish

0:26:52.160 --> 0:26:54.080
<v Speaker 1>what we had to finish for school, and then we

0:26:54.119 --> 0:26:56.520
<v Speaker 1>can move on to you know, and in your mind

0:26:56.680 --> 0:26:59.480
<v Speaker 1>was what you had to finish, was high school for

0:26:59.640 --> 0:27:03.560
<v Speaker 1>you taking school less seriously just because you had this

0:27:04.000 --> 0:27:05.919
<v Speaker 1>career that you felt you could fall back on, or

0:27:06.000 --> 0:27:08.040
<v Speaker 1>was it the other way around where school was taken

0:27:08.080 --> 0:27:11.280
<v Speaker 1>really seriously because you never knew where dance would take you. Oh,

0:27:11.320 --> 0:27:12.919
<v Speaker 1>I felt like I knew where dance would take me.

0:27:13.000 --> 0:27:14.679
<v Speaker 1>I feel like I feel like in our case, I

0:27:14.720 --> 0:27:18.040
<v Speaker 1>feel like we we kind of looked at dancing as

0:27:18.119 --> 0:27:21.520
<v Speaker 1>like our guiding hand kind of thing, because I mean,

0:27:21.560 --> 0:27:24.560
<v Speaker 1>obviously we took school very seriously and at least for

0:27:24.640 --> 0:27:27.159
<v Speaker 1>me and my parents are very strict about making sure that, like,

0:27:27.600 --> 0:27:29.560
<v Speaker 1>you know, you had to finish this year firms that

0:27:29.560 --> 0:27:31.400
<v Speaker 1>otherwise you don't get to do this and that kind

0:27:31.440 --> 0:27:32.879
<v Speaker 1>of thing. So it was kind of like school was

0:27:32.920 --> 0:27:36.000
<v Speaker 1>my motivation. Would dance get taken away from you? You

0:27:36.040 --> 0:27:39.280
<v Speaker 1>think if you started slipping in school for sure? For sure,

0:27:39.400 --> 0:27:43.320
<v Speaker 1>for sure, I think for dancing, I just knew I

0:27:43.400 --> 0:27:46.760
<v Speaker 1>love to do it. So since we kind of already

0:27:47.119 --> 0:27:50.320
<v Speaker 1>dove our feet into like the real life world in

0:27:50.359 --> 0:27:53.680
<v Speaker 1>the industry and everything, I think that's just where our

0:27:53.760 --> 0:27:57.520
<v Speaker 1>paths are taking us. And at the moment, I don't

0:27:57.560 --> 0:28:00.639
<v Speaker 1>think like we want to study dance like at school,

0:28:00.720 --> 0:28:05.159
<v Speaker 1>because dance is more than just studying it. It's also

0:28:05.400 --> 0:28:08.680
<v Speaker 1>a feeling and it's something that makes you feel good,

0:28:08.680 --> 0:28:10.639
<v Speaker 1>it makes you who you are. Yeah, a lot of

0:28:10.640 --> 0:28:15.040
<v Speaker 1>people say that your real life experience always trump's right,

0:28:15.080 --> 0:28:17.720
<v Speaker 1>And I'm sure you guys are learning so much more

0:28:18.160 --> 0:28:21.520
<v Speaker 1>actually doing the routines and trying things out versus getting

0:28:21.520 --> 0:28:24.280
<v Speaker 1>it from a textbook or Yeah, I just feel like

0:28:24.440 --> 0:28:27.880
<v Speaker 1>the way that we approach dance isn't necessarily I guess

0:28:27.920 --> 0:28:30.920
<v Speaker 1>you could say, supported from like she said, textbooks and

0:28:31.000 --> 0:28:33.840
<v Speaker 1>from you know, certain limitations. I feel like for us,

0:28:33.920 --> 0:28:36.399
<v Speaker 1>we kind of look at it in a way where

0:28:36.640 --> 0:28:39.600
<v Speaker 1>we're driven from like she said, of feeling, rather than

0:28:39.640 --> 0:28:43.800
<v Speaker 1>it being a certain technique or a certain you know,

0:28:44.240 --> 0:28:46.800
<v Speaker 1>rule that you get from school. So you may not

0:28:46.840 --> 0:28:51.120
<v Speaker 1>necessarily have a specific brand, but you are absolutely authentic. Yeah,

0:28:51.200 --> 0:28:55.200
<v Speaker 1>I would say authentic unpredictable, unique, So does that work

0:28:55.440 --> 0:28:58.760
<v Speaker 1>against you do not have a specific brand, do you

0:28:58.800 --> 0:29:01.760
<v Speaker 1>think when it comes to booking where people I don't know.

0:29:02.000 --> 0:29:04.480
<v Speaker 1>I think it used to when I was just a dancer,

0:29:04.840 --> 0:29:07.880
<v Speaker 1>but I guess I just don't really give a shit anymore,

0:29:07.920 --> 0:29:11.360
<v Speaker 1>and I just do whatever I feel. And whenever I create,

0:29:11.400 --> 0:29:14.040
<v Speaker 1>it's not to fit a box or to fit or

0:29:14.080 --> 0:29:16.600
<v Speaker 1>to conform to the norm, or to seek validation or

0:29:16.600 --> 0:29:20.880
<v Speaker 1>an opportunity. I just kind of create to create, and honestly,

0:29:21.160 --> 0:29:23.520
<v Speaker 1>when it comes out of me organically like that, then

0:29:23.960 --> 0:29:28.360
<v Speaker 1>the opportunities and the blessings come. Because whenever I create

0:29:28.400 --> 0:29:31.160
<v Speaker 1>from a genuine place that comes to me like the

0:29:32.200 --> 0:29:34.120
<v Speaker 1>I don't know how to explain it, like whatever you

0:29:34.160 --> 0:29:36.720
<v Speaker 1>put out into the universe comes back full circle. I

0:29:36.720 --> 0:29:38.680
<v Speaker 1>don't know thing that I've realized if I'm putting something

0:29:38.680 --> 0:29:40.800
<v Speaker 1>out there that's not genuine and I have a plan,

0:29:40.920 --> 0:29:43.480
<v Speaker 1>like okay, I'm gonna this isn't me. But let's just

0:29:43.520 --> 0:29:45.600
<v Speaker 1>say I was like, Okay, this song is popular and

0:29:45.680 --> 0:29:47.600
<v Speaker 1>I want to choreograph for this artist, which is a

0:29:47.640 --> 0:29:50.160
<v Speaker 1>strategic plan. But I feel like if I went out

0:29:50.200 --> 0:29:52.600
<v Speaker 1>there with that intention, it wouldn't come back to me.

0:29:53.040 --> 0:29:56.640
<v Speaker 1>So I have to be inspired genuinely by whatever I'm doing.

0:29:56.680 --> 0:29:58.080
<v Speaker 1>It has to make sense to me, It has to

0:29:58.360 --> 0:30:00.320
<v Speaker 1>come from a place in my heart, whether it's it

0:30:00.360 --> 0:30:03.600
<v Speaker 1>makes me feel sexy or it gives me courage to

0:30:04.080 --> 0:30:07.080
<v Speaker 1>release that part of me. Then I feel like I

0:30:07.200 --> 0:30:09.440
<v Speaker 1>gain more out of it, and people in my audience

0:30:09.480 --> 0:30:12.520
<v Speaker 1>will believe it more. I am so grateful and there's never,

0:30:12.640 --> 0:30:15.760
<v Speaker 1>like any any situation that I'm not grateful for. And

0:30:16.240 --> 0:30:18.960
<v Speaker 1>but it's also important for me to showcase that it

0:30:19.080 --> 0:30:21.880
<v Speaker 1>isn't always easy, because a lot of people think that

0:30:21.920 --> 0:30:24.600
<v Speaker 1>these people have these lives that are so grand and like,

0:30:24.880 --> 0:30:26.840
<v Speaker 1>once you have this, once you achieve this, you're going

0:30:26.880 --> 0:30:29.520
<v Speaker 1>to be happy. But then once you have it, you're

0:30:29.600 --> 0:30:32.840
<v Speaker 1>not happy, and it's because you haven't really experienced the

0:30:32.880 --> 0:30:35.600
<v Speaker 1>whole journey of it. And there's always ups and downs.

0:30:35.600 --> 0:30:38.960
<v Speaker 1>This industry is really hard. It's not like a steady income.

0:30:38.960 --> 0:30:41.080
<v Speaker 1>It's always job to job to job. You never know

0:30:41.120 --> 0:30:43.880
<v Speaker 1>when you're going to book it, so it's it's very

0:30:43.960 --> 0:30:47.920
<v Speaker 1>high stress. And obviously I'm so thankful that I'm not.

0:30:48.040 --> 0:30:50.560
<v Speaker 1>I'm not working a job that I I don't love,

0:30:50.840 --> 0:30:53.400
<v Speaker 1>I don't love to do I'm fortunate that what I

0:30:53.520 --> 0:30:55.640
<v Speaker 1>do and what I make money from is something that

0:30:55.720 --> 0:30:58.760
<v Speaker 1>I do love. But it definitely is really hard and

0:30:58.800 --> 0:31:03.040
<v Speaker 1>it it's built are certain personalities that can can withstand it,

0:31:03.080 --> 0:31:06.320
<v Speaker 1>because it's as much as there's it's a small world

0:31:06.320 --> 0:31:09.480
<v Speaker 1>in a small industry. It's a very lonely industry. If

0:31:09.520 --> 0:31:12.360
<v Speaker 1>you come out here, especially from out of state, there's

0:31:12.520 --> 0:31:15.520
<v Speaker 1>you people come and go in your life because things

0:31:15.520 --> 0:31:18.600
<v Speaker 1>are always changing and people are always trying to be

0:31:18.680 --> 0:31:23.320
<v Speaker 1>something else or interests contrast or conflict with them. And

0:31:23.640 --> 0:31:25.320
<v Speaker 1>I've had so many people come in and out of

0:31:25.320 --> 0:31:29.160
<v Speaker 1>my life because not that I think I'm so successful,

0:31:29.200 --> 0:31:32.600
<v Speaker 1>but I think my my confidence in the fact that

0:31:32.680 --> 0:31:35.640
<v Speaker 1>I believe that whatever efforts I put in, I can

0:31:35.680 --> 0:31:38.280
<v Speaker 1>always make any outcome that I want. And I know

0:31:38.400 --> 0:31:40.240
<v Speaker 1>that one day I'm going to make it in how

0:31:40.280 --> 0:31:42.480
<v Speaker 1>I want to make it, and it's always up to me.

0:31:42.640 --> 0:31:45.040
<v Speaker 1>It has nothing to do with anybody else. And it's

0:31:45.080 --> 0:31:48.480
<v Speaker 1>it's very intimidating to see somebody who's confident in their

0:31:48.560 --> 0:31:51.760
<v Speaker 1>journey and confident in them and trying to love themselves.

0:31:51.840 --> 0:31:54.720
<v Speaker 1>Because if you don't feel that way, you you you

0:31:54.800 --> 0:31:56.880
<v Speaker 1>feel a little insecure about it. And it's hard to

0:31:56.880 --> 0:32:00.600
<v Speaker 1>watch your friends get your dream job. I get totally,

0:32:00.680 --> 0:32:03.520
<v Speaker 1>but it's always been something that I've had to really

0:32:03.520 --> 0:32:05.680
<v Speaker 1>seek out those people that are really going to support

0:32:05.680 --> 0:32:09.000
<v Speaker 1>me and love me in every circumstance. And it's been

0:32:09.040 --> 0:32:10.560
<v Speaker 1>hard because that sometimes I'm like, I don't want to

0:32:10.560 --> 0:32:12.560
<v Speaker 1>tell anybody that I got this because I don't. I

0:32:12.560 --> 0:32:15.120
<v Speaker 1>don't want them to feel bad, like even though this

0:32:15.200 --> 0:32:17.280
<v Speaker 1>is something I did work for, so it should be

0:32:17.320 --> 0:32:20.080
<v Speaker 1>something that I should celebrate and people should also celebrate

0:32:20.080 --> 0:32:23.040
<v Speaker 1>and instead of turn away from being inspired by And

0:32:23.360 --> 0:32:26.800
<v Speaker 1>I find myself constantly inspired by my friends and all

0:32:27.200 --> 0:32:30.040
<v Speaker 1>wakes of life, whether it be like my friends on

0:32:30.080 --> 0:32:32.840
<v Speaker 1>tour with jave Alvin right now, and she's traveling the world,

0:32:33.160 --> 0:32:35.400
<v Speaker 1>getting paid to travel the world and perform and do

0:32:35.440 --> 0:32:38.440
<v Speaker 1>what she loves and and to me, that's that's amazing.

0:32:38.520 --> 0:32:42.000
<v Speaker 1>That's living the life. That's one stepping stone closer to

0:32:42.040 --> 0:32:44.880
<v Speaker 1>what she wants to do. And it's just I want

0:32:44.920 --> 0:32:47.280
<v Speaker 1>everyone to really like feel the love in the support

0:32:47.280 --> 0:32:50.480
<v Speaker 1>in the community, because if we create a community, people

0:32:50.520 --> 0:32:53.480
<v Speaker 1>can grow so much easier. And there's not just one

0:32:53.480 --> 0:32:55.680
<v Speaker 1>spot at the top, there's room for everybody. And I

0:32:55.720 --> 0:32:59.520
<v Speaker 1>think that's something that people might think otherwise on but

0:32:59.720 --> 0:33:02.040
<v Speaker 1>I've seen so many people succeed and I see so

0:33:02.040 --> 0:33:05.040
<v Speaker 1>many people that put the work in. Might not come

0:33:05.080 --> 0:33:07.680
<v Speaker 1>when you want it to, but it always does come

0:33:07.720 --> 0:33:11.560
<v Speaker 1>in some shape or form that satisfaction, the success that

0:33:11.600 --> 0:33:14.200
<v Speaker 1>you always want. Where do you see that the careers

0:33:14.240 --> 0:33:16.040
<v Speaker 1>going And maybe you have the same vision, maybe you

0:33:16.040 --> 0:33:19.480
<v Speaker 1>have completely separate visions. Throughout the past things that we've

0:33:19.520 --> 0:33:22.680
<v Speaker 1>done together, we kind of realized that it was far

0:33:22.720 --> 0:33:26.720
<v Speaker 1>beyond dancing obviously, like we explained, and in order to

0:33:26.760 --> 0:33:29.600
<v Speaker 1>achieve that, it requires a lot of like acting, and

0:33:29.640 --> 0:33:31.800
<v Speaker 1>it requires a lot of like soul and requires a

0:33:31.840 --> 0:33:35.560
<v Speaker 1>lot of like heart into it. And so I definitely

0:33:35.960 --> 0:33:38.160
<v Speaker 1>hope for the next couple of years to kind of

0:33:38.240 --> 0:33:43.240
<v Speaker 1>just seek into creating certain projects, in certain films that

0:33:43.560 --> 0:33:46.959
<v Speaker 1>will have a wider reach of an audience the world

0:33:46.960 --> 0:33:50.400
<v Speaker 1>that that's much more than just dance, that that actually

0:33:50.440 --> 0:33:54.320
<v Speaker 1>may involve dialogue, that may involve lines that you will

0:33:54.360 --> 0:33:57.640
<v Speaker 1>need to say, and hopefully it happens in theaters and

0:33:57.840 --> 0:34:01.960
<v Speaker 1>that kind of idea. Obviously, dance requires a certain level

0:34:02.200 --> 0:34:04.840
<v Speaker 1>of acting, and I think that's where I kind of

0:34:05.200 --> 0:34:09.200
<v Speaker 1>grew the love of acting. From and to me, it's

0:34:09.280 --> 0:34:12.920
<v Speaker 1>not so much acting because I feel like it just

0:34:13.360 --> 0:34:17.640
<v Speaker 1>truly comes from a raw place. And I never like

0:34:17.719 --> 0:34:20.080
<v Speaker 1>when I dance or when I portray messages. I never

0:34:20.120 --> 0:34:23.799
<v Speaker 1>wanted to be portrayed as I'm portraying someone else. I

0:34:23.800 --> 0:34:28.360
<v Speaker 1>wanted to be that I'm portraying myself or someone else

0:34:28.520 --> 0:34:31.120
<v Speaker 1>through who I am as well, so it comes out

0:34:31.160 --> 0:34:35.680
<v Speaker 1>as real as possible. But when I do get older, obviously,

0:34:35.719 --> 0:34:38.240
<v Speaker 1>like I want to get more into the acting world,

0:34:38.239 --> 0:34:40.160
<v Speaker 1>and I think it's just really cool how you could

0:34:40.480 --> 0:34:45.799
<v Speaker 1>dive into different characters and really create something out of

0:34:45.800 --> 0:34:49.400
<v Speaker 1>the ordinary that you can't really do in reality. For me,

0:34:49.480 --> 0:34:52.840
<v Speaker 1>my goal is to be happy, but obviously there's career

0:34:52.840 --> 0:34:56.399
<v Speaker 1>goals that I would like to accomplish as well, And yeah,

0:34:56.440 --> 0:34:58.640
<v Speaker 1>I think it always changes. I think, what's your current

0:34:58.680 --> 0:35:03.760
<v Speaker 1>career goal? To be a lead in a movie, theater, movie,

0:35:04.160 --> 0:35:06.839
<v Speaker 1>so in a cinema that I mean, I think if

0:35:06.840 --> 0:35:09.520
<v Speaker 1>we were to look at the trajectory, it seems like

0:35:09.600 --> 0:35:12.840
<v Speaker 1>you're on that path. You really trying acting as a

0:35:12.840 --> 0:35:16.080
<v Speaker 1>whole another monster, Well, obviously you know what you're doing.

0:35:16.160 --> 0:35:18.759
<v Speaker 1>You wouldn't be booking series regulars. You would just be

0:35:19.000 --> 0:35:21.360
<v Speaker 1>you know, dancing is incredible, but you would just be

0:35:21.400 --> 0:35:23.719
<v Speaker 1>in that one lane. But you've kind of crossed over

0:35:23.840 --> 0:35:28.719
<v Speaker 1>into bringing two talents together, which and it's working for you, right.

0:35:28.760 --> 0:35:31.000
<v Speaker 1>And I think something that I've learned from being in

0:35:31.040 --> 0:35:34.120
<v Speaker 1>this industry and and because I started so young, I

0:35:34.160 --> 0:35:37.720
<v Speaker 1>think I'm starting other things young as well. I've really

0:35:37.760 --> 0:35:40.040
<v Speaker 1>seen that I can't just be a one trick pony.

0:35:40.080 --> 0:35:42.319
<v Speaker 1>I need to be an entrepreneur. I need to have

0:35:43.000 --> 0:35:44.799
<v Speaker 1>all of I want to be a business. I want

0:35:44.800 --> 0:35:46.879
<v Speaker 1>to I want to do all of these things before

0:35:46.920 --> 0:35:48.680
<v Speaker 1>everyone else thinks to do them. And I think that's

0:35:48.760 --> 0:35:50.200
<v Speaker 1>kind of what I've always tried to do, is to

0:35:50.800 --> 0:35:53.359
<v Speaker 1>step outside what the norm is and to do things

0:35:53.360 --> 0:35:56.200
<v Speaker 1>before other people do it too, maybe inspire people to

0:35:56.239 --> 0:35:59.560
<v Speaker 1>do the same thing. And for me, I am trying

0:35:59.560 --> 0:36:04.799
<v Speaker 1>to use my social media to actually promote positivity and

0:36:04.960 --> 0:36:08.440
<v Speaker 1>maybe address certain things that people my age might be

0:36:08.480 --> 0:36:11.400
<v Speaker 1>going through where people need to hear, or just little

0:36:11.400 --> 0:36:13.880
<v Speaker 1>tips and things that I've learned from my life. And

0:36:13.880 --> 0:36:16.520
<v Speaker 1>and when I do these selfless sundays, I don't actually

0:36:16.520 --> 0:36:18.520
<v Speaker 1>think I know everything, and it doesn't mean I'm always

0:36:18.520 --> 0:36:20.960
<v Speaker 1>great at the things I'm talking about, but I always

0:36:21.000 --> 0:36:22.880
<v Speaker 1>try to relate it to what's going on in my

0:36:22.920 --> 0:36:25.439
<v Speaker 1>life currently, just to make it something that other people

0:36:25.480 --> 0:36:29.080
<v Speaker 1>can relate to. So I want to start using my

0:36:29.200 --> 0:36:33.600
<v Speaker 1>success per se for inspiring other people. But then I'm

0:36:33.640 --> 0:36:37.680
<v Speaker 1>also working on being a choreographing my own things and

0:36:37.760 --> 0:36:40.160
<v Speaker 1>being a dancer in training, and then I also want

0:36:40.200 --> 0:36:41.719
<v Speaker 1>to be an actress and I want to do that.

0:36:41.840 --> 0:36:45.439
<v Speaker 1>And then I'm also integrating the fitness into me into

0:36:45.480 --> 0:36:48.480
<v Speaker 1>my lifestyle, and I have a fitness program that I've

0:36:48.520 --> 0:36:51.680
<v Speaker 1>been selling to people and helping transformations with that and

0:36:51.719 --> 0:36:54.960
<v Speaker 1>really learning about health. And I'm trying to manage my

0:36:55.040 --> 0:36:58.279
<v Speaker 1>money properly before you know, you never know what's going

0:36:58.320 --> 0:37:00.400
<v Speaker 1>to happen. And so that's why I really want to

0:37:00.520 --> 0:37:03.759
<v Speaker 1>utilize all the time that I have and and utilize

0:37:03.800 --> 0:37:07.480
<v Speaker 1>the materials that I have right now, because we we

0:37:07.520 --> 0:37:09.640
<v Speaker 1>don't know. Social media could die out, it could be

0:37:10.239 --> 0:37:12.680
<v Speaker 1>a MySpace thing and now it's not a big thing anymore.

0:37:12.760 --> 0:37:17.240
<v Speaker 1>And it's you're so evolved and already grasp that concept

0:37:17.239 --> 0:37:20.440
<v Speaker 1>because I think so many people and I hate saying influencer,

0:37:20.520 --> 0:37:22.680
<v Speaker 1>but if you're an influencer and you are one, you

0:37:22.719 --> 0:37:26.080
<v Speaker 1>have influence. It's just a fact. They think this is

0:37:26.160 --> 0:37:30.279
<v Speaker 1>forever and and they'll be and there's nothing's forever. So

0:37:30.360 --> 0:37:33.719
<v Speaker 1>you always have to think five steps ahead, and it

0:37:33.719 --> 0:37:36.240
<v Speaker 1>seems like you're doing that. I'm really lucky too, because

0:37:36.320 --> 0:37:38.719
<v Speaker 1>my family works with me on my business side. So

0:37:38.840 --> 0:37:41.880
<v Speaker 1>my older brother he kind of is like my personal manager,

0:37:42.040 --> 0:37:45.359
<v Speaker 1>and he's he's always been so intelligent and he's really

0:37:45.360 --> 0:37:47.560
<v Speaker 1>into business and marketing and stuff. So he's been really

0:37:47.600 --> 0:37:49.640
<v Speaker 1>guiding me and helping me with all these things. And

0:37:49.680 --> 0:37:52.719
<v Speaker 1>he always tells me that Jade, like, you can't just

0:37:52.800 --> 0:37:55.880
<v Speaker 1>be on on Instagram. You have to really project yourself

0:37:55.880 --> 0:37:58.399
<v Speaker 1>all over because once something's gone, like what's left? Will

0:37:58.440 --> 0:38:03.320
<v Speaker 1>you still be remembered without at So at this point,

0:38:03.360 --> 0:38:06.799
<v Speaker 1>you're what seventeen eighteen, You're dancing for other people, You're

0:38:06.880 --> 0:38:11.040
<v Speaker 1>loving life, you're getting some really great opportunities. When do

0:38:11.280 --> 0:38:14.560
<v Speaker 1>you switch hats and become a choreographer? At what point

0:38:14.640 --> 0:38:18.200
<v Speaker 1>did you decide that's the lane you were gonna drive

0:38:18.200 --> 0:38:20.359
<v Speaker 1>in for a while? I love this question. So I

0:38:20.440 --> 0:38:23.440
<v Speaker 1>was at a point I think I was nineteen, and

0:38:23.600 --> 0:38:25.799
<v Speaker 1>I took I think I was on my way back

0:38:25.800 --> 0:38:30.800
<v Speaker 1>from an audition. It was a Nicki Minaj audition, and

0:38:31.000 --> 0:38:33.480
<v Speaker 1>I remember we didn't even dance. I just had to

0:38:33.520 --> 0:38:36.000
<v Speaker 1>stand there in a thong and they had to just

0:38:36.040 --> 0:38:38.240
<v Speaker 1>look at my butt to see if it was stopped.

0:38:38.280 --> 0:38:39.840
<v Speaker 1>Like they made all of us turn around and they

0:38:39.880 --> 0:38:41.319
<v Speaker 1>all just stared at our butts. I think it was

0:38:41.360 --> 0:38:44.880
<v Speaker 1>like the Anacondom music I was I swear Baby Jesus.

0:38:44.880 --> 0:38:46.640
<v Speaker 1>I was about to say, don't tell me it was Antacon.

0:38:47.239 --> 0:38:49.439
<v Speaker 1>That's the only song I can imagine that they would

0:38:49.480 --> 0:38:52.839
<v Speaker 1>actually give a shit about your ass, not saying it's okay, right.

0:38:53.080 --> 0:38:55.920
<v Speaker 1>But I remember I was like thinking, when the hell

0:38:55.960 --> 0:38:57.200
<v Speaker 1>am I going to dance? When the hell are they

0:38:57.200 --> 0:38:59.000
<v Speaker 1>could ask me to answer, just like freestyle, when are

0:38:59.040 --> 0:39:02.439
<v Speaker 1>we learning choreography? And we didn't. We just stood there

0:39:02.480 --> 0:39:04.520
<v Speaker 1>and they just looked at our asses for the longest time.

0:39:04.840 --> 0:39:06.879
<v Speaker 1>And then I got cut. And I remember driving home

0:39:06.920 --> 0:39:09.920
<v Speaker 1>that they like, did they seriously just need me to

0:39:10.160 --> 0:39:12.279
<v Speaker 1>wear a thong and not dance? Like I literally just

0:39:12.280 --> 0:39:14.080
<v Speaker 1>went to an audition when I didn't show my talent

0:39:14.320 --> 0:39:16.319
<v Speaker 1>and it was only about how big my ass was

0:39:16.360 --> 0:39:18.839
<v Speaker 1>and how firm it looked. And I got cut, and

0:39:18.880 --> 0:39:22.600
<v Speaker 1>so I just got really discouraged. And not only was

0:39:22.640 --> 0:39:24.960
<v Speaker 1>I discouraged. I also, it lit a fire under my

0:39:25.000 --> 0:39:27.160
<v Speaker 1>ass and I was like, you know what, I've got

0:39:27.239 --> 0:39:29.799
<v Speaker 1>to create my own opportunities. I've worked too hard. I

0:39:29.840 --> 0:39:34.640
<v Speaker 1>know so many amazing dancers who are so talented and

0:39:34.880 --> 0:39:37.080
<v Speaker 1>can create their own opportunities, So why can't I do

0:39:37.120 --> 0:39:39.680
<v Speaker 1>that for myself? And so the day that I decided

0:39:39.719 --> 0:39:42.560
<v Speaker 1>to open up my own doors and create my own lane,

0:39:42.760 --> 0:39:45.200
<v Speaker 1>that was when my whole life changed. I took advantage

0:39:45.200 --> 0:39:49.040
<v Speaker 1>of my social media, took advantage of my my potential,

0:39:49.520 --> 0:39:52.719
<v Speaker 1>and I just completely started from the bottom and I

0:39:52.800 --> 0:39:55.279
<v Speaker 1>worked my way up. I started teaching little kids, I

0:39:55.320 --> 0:39:58.680
<v Speaker 1>started sharing my experience in the industry with them, and

0:39:58.719 --> 0:40:01.680
<v Speaker 1>I realized that I have a passion for people and

0:40:01.719 --> 0:40:05.520
<v Speaker 1>helping others throughout my passion of dance. So I started

0:40:05.520 --> 0:40:08.880
<v Speaker 1>teaching and choreographing more, realizing that I had this burning

0:40:08.920 --> 0:40:11.360
<v Speaker 1>desire to create because I always was an assistant. I

0:40:11.440 --> 0:40:13.480
<v Speaker 1>was a dancer that learned choreography. I was always like

0:40:13.480 --> 0:40:16.719
<v Speaker 1>this robot that learned choreo. I paid my dues, earned

0:40:16.719 --> 0:40:20.480
<v Speaker 1>my stripes of being a professional dancer. And then I realized, wow,

0:40:20.920 --> 0:40:25.239
<v Speaker 1>I want to create. I can make up choreography, I

0:40:25.280 --> 0:40:28.400
<v Speaker 1>can do concept videos. I believe that one day I

0:40:28.440 --> 0:40:32.759
<v Speaker 1>could choreograph for artists, and then I just decided to

0:40:32.800 --> 0:40:34.560
<v Speaker 1>go for it, and I made a lot of people

0:40:34.640 --> 0:40:36.960
<v Speaker 1>upset by doing that. I remember there were some mentors

0:40:37.000 --> 0:40:39.719
<v Speaker 1>of mine that were like, why are you what? Why

0:40:39.760 --> 0:40:43.000
<v Speaker 1>are you transitioning into choreography when you should still be auditioning,

0:40:43.000 --> 0:40:46.560
<v Speaker 1>you should still be assisting. And I remember thinking, why

0:40:46.600 --> 0:40:49.920
<v Speaker 1>would my mentors not want me to spread my wings

0:40:49.920 --> 0:40:53.239
<v Speaker 1>and fly? There's definitely power in social media. I'm sure

0:40:53.280 --> 0:40:56.240
<v Speaker 1>you guys both know that already. I'm sure you can

0:40:56.440 --> 0:40:58.800
<v Speaker 1>book jobs over other people because of the millions of

0:40:58.840 --> 0:41:01.839
<v Speaker 1>followers you both have between than yourselves. I think the

0:41:01.840 --> 0:41:05.520
<v Speaker 1>biggest like thing about social media, and I usually say this,

0:41:05.640 --> 0:41:09.760
<v Speaker 1>is that it's like, it's obviously one of the greatest

0:41:09.800 --> 0:41:11.640
<v Speaker 1>things ever, but it's also one of the most dangerous

0:41:11.640 --> 0:41:14.239
<v Speaker 1>things ever, you know, because what you put out is

0:41:14.880 --> 0:41:18.239
<v Speaker 1>how Yeah, what you put out is forever, and it's

0:41:18.400 --> 0:41:22.120
<v Speaker 1>what people hold against you and what people use for

0:41:22.560 --> 0:41:25.800
<v Speaker 1>certain gigs and everything like that. But I think the

0:41:26.280 --> 0:41:30.200
<v Speaker 1>biggest thing is when you do get a certain job

0:41:30.239 --> 0:41:33.120
<v Speaker 1>based off of who you are on social media, is

0:41:33.160 --> 0:41:35.719
<v Speaker 1>that you almost have to prove to your like at least,

0:41:36.280 --> 0:41:39.200
<v Speaker 1>you almost have to prove to yourself that when you're

0:41:39.239 --> 0:41:42.200
<v Speaker 1>doing a certain gig, it's not coming from it's not

0:41:42.320 --> 0:41:44.759
<v Speaker 1>only coming from who you are on social media, but

0:41:44.760 --> 0:41:48.120
<v Speaker 1>it's coming from what you're actually capable of. Yeah, I

0:41:48.160 --> 0:41:51.960
<v Speaker 1>feel like social media has definitely impacted our career so

0:41:52.080 --> 0:41:56.160
<v Speaker 1>much because, honestly, without it, I don't think anyone would

0:41:56.160 --> 0:42:00.319
<v Speaker 1>really truly understand the dance industry like all at all,

0:42:00.400 --> 0:42:05.160
<v Speaker 1>because most of our resumes are on YouTube or on Instagram.

0:42:05.239 --> 0:42:07.760
<v Speaker 1>And I think that's one of like the more positive

0:42:07.800 --> 0:42:10.400
<v Speaker 1>sides of it, is that we get to share with

0:42:10.760 --> 0:42:14.080
<v Speaker 1>so many people what we love to do, and if

0:42:14.120 --> 0:42:17.120
<v Speaker 1>they love it as well, that's like a bigger plus.

0:42:17.160 --> 0:42:20.560
<v Speaker 1>But for us, whenever we post something, it's because we

0:42:20.640 --> 0:42:23.680
<v Speaker 1>truly love it and we truly think it represents who

0:42:23.719 --> 0:42:27.160
<v Speaker 1>we are, and that's why we use social media the

0:42:27.160 --> 0:42:29.719
<v Speaker 1>way that we do. Um, we don't use it to

0:42:30.360 --> 0:42:35.759
<v Speaker 1>get clout, as as people say, I hate that if

0:42:35.800 --> 0:42:40.600
<v Speaker 1>I could never hear get clout ever, but like we

0:42:40.719 --> 0:42:45.240
<v Speaker 1>use it to just show who we are, and social

0:42:45.280 --> 0:42:49.440
<v Speaker 1>media has grown so much and I feel like so

0:42:49.520 --> 0:42:53.600
<v Speaker 1>many people are more aware of dance now than they

0:42:53.600 --> 0:42:57.040
<v Speaker 1>were years ago. And that's one of the coolest parts

0:42:57.040 --> 0:43:01.319
<v Speaker 1>because dance has become incredibly huge around the world, and

0:43:01.400 --> 0:43:05.480
<v Speaker 1>it's a form of communication in a way, people communicate

0:43:05.560 --> 0:43:09.520
<v Speaker 1>through dance through their bodies, and that's really really cool.

0:43:09.640 --> 0:43:13.399
<v Speaker 1>Brings people closer from all over the world. One thing

0:43:13.440 --> 0:43:17.320
<v Speaker 1>that I've always believed was that I have the power

0:43:17.440 --> 0:43:21.680
<v Speaker 1>to create or manifest any opportunity or any job or

0:43:21.719 --> 0:43:24.879
<v Speaker 1>any goal in my life. And I've always really tried

0:43:24.920 --> 0:43:28.040
<v Speaker 1>to hold onto that most importantly, I didn't want to

0:43:28.120 --> 0:43:31.840
<v Speaker 1>change who I was, and I think I was raised

0:43:31.960 --> 0:43:34.319
<v Speaker 1>an amazing way. And shout out to my family because

0:43:34.360 --> 0:43:37.160
<v Speaker 1>they always taught me that it doesn't matter how much

0:43:37.200 --> 0:43:39.600
<v Speaker 1>you have or where you're at in life, like down

0:43:39.680 --> 0:43:41.880
<v Speaker 1>to the tea, like it matters if you're a good person.

0:43:42.400 --> 0:43:44.800
<v Speaker 1>And I think when you have good karma, good karma

0:43:44.840 --> 0:43:46.759
<v Speaker 1>comes out into the world and you get you get

0:43:46.800 --> 0:43:49.440
<v Speaker 1>gifts and and success is back because what you put

0:43:49.440 --> 0:43:51.400
<v Speaker 1>out is what you always get back. And yeah, you

0:43:51.400 --> 0:43:53.279
<v Speaker 1>always see those people you're like, they don't deserve that,

0:43:53.280 --> 0:43:54.840
<v Speaker 1>Like they didn't even work hard, they're not even a

0:43:54.840 --> 0:43:58.440
<v Speaker 1>good person. But ultimately, it doesn't really matter what everybody

0:43:58.440 --> 0:44:00.600
<v Speaker 1>else is doing. And That's something that I definitely had

0:44:00.640 --> 0:44:03.239
<v Speaker 1>to learn, and I think that's helped me gain the

0:44:03.280 --> 0:44:05.719
<v Speaker 1>success that I have is to not be too involved

0:44:05.760 --> 0:44:10.479
<v Speaker 1>in everyone else's successes or opinions. So what advice would

0:44:10.520 --> 0:44:14.000
<v Speaker 1>you give someone who wants to be the next Jade?

0:44:14.680 --> 0:44:17.879
<v Speaker 1>For me, I think what has actually really like set

0:44:17.920 --> 0:44:22.399
<v Speaker 1>me apart is I really embrace the story of it.

0:44:22.480 --> 0:44:24.880
<v Speaker 1>Because people don't want to just watch for entertainment. They

0:44:24.920 --> 0:44:27.640
<v Speaker 1>want to feel something. That's ultimately what we do. We

0:44:27.680 --> 0:44:31.200
<v Speaker 1>do everything to feel something, We eat to feel full,

0:44:31.320 --> 0:44:34.479
<v Speaker 1>we watch certain things to get a certain emotion out.

0:44:34.960 --> 0:44:37.560
<v Speaker 1>And for me, I really embraced the storyline of it.

0:44:37.680 --> 0:44:40.919
<v Speaker 1>And I think what has set me apart from maybe

0:44:40.960 --> 0:44:43.200
<v Speaker 1>other dances. And I can't really speak for everybody else

0:44:43.239 --> 0:44:45.200
<v Speaker 1>because I don't know what they're thinking when they're dancing,

0:44:45.239 --> 0:44:49.360
<v Speaker 1>but I'm really trying to be like honest when I'm dancing,

0:44:49.760 --> 0:44:52.160
<v Speaker 1>and whether that's like a fun dance, I'm trying to

0:44:52.320 --> 0:44:55.160
<v Speaker 1>tap into that a great memory or something like that.

0:44:55.280 --> 0:44:58.120
<v Speaker 1>And for me, I never just put out content because

0:44:58.120 --> 0:45:00.319
<v Speaker 1>I need it. I really want it to be because

0:45:00.360 --> 0:45:02.239
<v Speaker 1>I'm inspired by it or I feel like it could

0:45:02.239 --> 0:45:05.200
<v Speaker 1>help somebody, and I don't just take classes that are

0:45:05.719 --> 0:45:08.080
<v Speaker 1>because they're filmed. Like I'll take certain classes that I

0:45:08.120 --> 0:45:10.439
<v Speaker 1>really enjoy and I connect with and I can learn

0:45:10.520 --> 0:45:15.400
<v Speaker 1>something from. So I think that the difference between I

0:45:15.400 --> 0:45:18.480
<v Speaker 1>don't know, it's hard because there's so many amazing dancers

0:45:18.520 --> 0:45:21.840
<v Speaker 1>that deserve all the light and but you're definitely different.

0:45:22.040 --> 0:45:26.160
<v Speaker 1>You're definitely I mean, there's a difference between you and

0:45:26.200 --> 0:45:28.279
<v Speaker 1>a lot of the dancers. There's a reason why you're

0:45:28.320 --> 0:45:30.880
<v Speaker 1>getting booked on things that others aren't. And I'm not

0:45:31.120 --> 0:45:35.640
<v Speaker 1>knocking anyone, but there's something. I honestly think it's that

0:45:35.760 --> 0:45:39.239
<v Speaker 1>I'm not trying to be anybody else. Yeah, you're super authentic.

0:45:39.360 --> 0:45:41.880
<v Speaker 1>I mean it it comes across in all of your content.

0:45:41.920 --> 0:45:44.200
<v Speaker 1>You're never trying to be the cool girl, which I

0:45:44.320 --> 0:45:47.279
<v Speaker 1>really know what you are, but you are. I think

0:45:47.320 --> 0:45:50.800
<v Speaker 1>that's what's so cool about you. I saw so cool Amelia,

0:45:51.160 --> 0:45:53.880
<v Speaker 1>Like no, but like seriously, I think that's what people

0:45:54.000 --> 0:45:57.279
<v Speaker 1>really love, authenticity and you can't fake that. And I

0:45:57.320 --> 0:46:01.640
<v Speaker 1>think with social media there's like a certain stigma that

0:46:01.920 --> 0:46:03.839
<v Speaker 1>you have to be something, you have to be a

0:46:03.880 --> 0:46:08.520
<v Speaker 1>certain person to be a social media influencer or what

0:46:08.560 --> 0:46:10.480
<v Speaker 1>do you think that person is that people think they

0:46:10.480 --> 0:46:12.919
<v Speaker 1>have to think you have to be perfect. They don't

0:46:12.960 --> 0:46:14.879
<v Speaker 1>want to see that you're silly. They want to see

0:46:14.920 --> 0:46:17.320
<v Speaker 1>that you have you're pretty, and you're always put together

0:46:17.480 --> 0:46:20.400
<v Speaker 1>and you you only do this. And there's certain lanes

0:46:20.440 --> 0:46:22.680
<v Speaker 1>like I'm the funny person or I'm that pretty person,

0:46:22.800 --> 0:46:25.360
<v Speaker 1>or I'm this person, or I'm the you know, like

0:46:25.360 --> 0:46:27.680
<v Speaker 1>there's so many different categories. But like I think I'm

0:46:27.719 --> 0:46:29.839
<v Speaker 1>all of those things combined, and I can be all

0:46:29.880 --> 0:46:33.120
<v Speaker 1>of those things combined. And and I did realize for

0:46:33.160 --> 0:46:35.719
<v Speaker 1>a while that after my videos were posted, like I

0:46:35.760 --> 0:46:38.080
<v Speaker 1>have this alter ego when I dance. I call her

0:46:38.160 --> 0:46:41.600
<v Speaker 1>j A. It's not actually Jade because I get really

0:46:41.600 --> 0:46:44.320
<v Speaker 1>serious when the music comes on because I'm so inspired

0:46:44.360 --> 0:46:46.480
<v Speaker 1>by music. I love music, and that's why I think

0:46:46.560 --> 0:46:49.000
<v Speaker 1>I love dancing so much, is because I love the

0:46:49.040 --> 0:46:50.759
<v Speaker 1>feeling that I get when listening to it, and I

0:46:50.800 --> 0:46:54.480
<v Speaker 1>want to portray that with movement. You've done choreography for

0:46:55.480 --> 0:46:59.040
<v Speaker 1>so many people. Do you have a favorite. It's hard

0:46:59.080 --> 0:47:04.400
<v Speaker 1>to say. Wow, I really really love to Nash. I

0:47:04.480 --> 0:47:08.120
<v Speaker 1>love to Nash. She inspires me so much and she's

0:47:08.719 --> 0:47:11.360
<v Speaker 1>a dancer. To Nash was a very first artist that

0:47:11.400 --> 0:47:14.600
<v Speaker 1>ever gave me a chance as a choreographer. She found

0:47:14.640 --> 0:47:17.239
<v Speaker 1>me on Instagram, which is so funny because she never

0:47:17.280 --> 0:47:19.080
<v Speaker 1>would have found me if I didn't create my own

0:47:19.160 --> 0:47:22.200
<v Speaker 1>social media and utilize my platform. You know, my my

0:47:22.400 --> 0:47:25.160
<v Speaker 1>classes were my home, and it was what I love

0:47:25.239 --> 0:47:27.400
<v Speaker 1>to do. I love to choreograph film. I put it

0:47:27.440 --> 0:47:31.319
<v Speaker 1>on YouTube inspire people, and then organically to Nase saw

0:47:31.360 --> 0:47:33.840
<v Speaker 1>my work and she hit me up one day, She's like, Hey,

0:47:33.960 --> 0:47:35.920
<v Speaker 1>Jojo Gomez, do you want to chorey off my next

0:47:36.000 --> 0:47:37.800
<v Speaker 1>music video. I thought it was a joke. I couldn't

0:47:37.800 --> 0:47:41.240
<v Speaker 1>believe it. I will say I didn't realize how big

0:47:41.320 --> 0:47:43.880
<v Speaker 1>the world of dance was on Instagram until we started

0:47:43.920 --> 0:47:46.279
<v Speaker 1>booking people for this show. I'm like, oh my god.

0:47:46.320 --> 0:47:49.480
<v Speaker 1>There are so many dancers on Instagram who have millions

0:47:49.520 --> 0:47:54.319
<v Speaker 1>and millions of followers, and every day or every other day,

0:47:54.320 --> 0:47:57.320
<v Speaker 1>it seems like they're putting out top, very top quality

0:47:57.440 --> 0:48:00.960
<v Speaker 1>dance videos on their Instagram or on their YouTube. Not

0:48:01.000 --> 0:48:03.000
<v Speaker 1>all of them have as many followers as you, but

0:48:03.400 --> 0:48:06.440
<v Speaker 1>people are taking it really seriously and they have a

0:48:06.480 --> 0:48:08.920
<v Speaker 1>ton of followers. So how did she find you in

0:48:08.920 --> 0:48:14.480
<v Speaker 1>this sea of dancers and choreographers? Honestly, I was very

0:48:14.520 --> 0:48:18.640
<v Speaker 1>consistent with my content on my social media because I

0:48:18.680 --> 0:48:21.920
<v Speaker 1>feel like dance has become so universal now because of

0:48:21.960 --> 0:48:25.680
<v Speaker 1>social media, and now dancers are treating their instagrams as

0:48:25.680 --> 0:48:29.399
<v Speaker 1>their resumes and almost like an opportunity for potential work.

0:48:29.520 --> 0:48:32.239
<v Speaker 1>So the more that you post and the more consistent

0:48:32.320 --> 0:48:36.680
<v Speaker 1>that you are with it, the more that these you know, executives, directors,

0:48:36.680 --> 0:48:39.399
<v Speaker 1>these artists will be able to find you and see

0:48:39.400 --> 0:48:42.439
<v Speaker 1>your work. Because back then it was more about word

0:48:42.480 --> 0:48:45.719
<v Speaker 1>of mouth to get hired or to go to auditions

0:48:45.760 --> 0:48:48.880
<v Speaker 1>and then get validated. But now you can have control

0:48:48.920 --> 0:48:52.920
<v Speaker 1>of your own platform, in your own artistry and talents,

0:48:53.120 --> 0:48:55.239
<v Speaker 1>and you can get recognized just based off of that,

0:48:55.320 --> 0:48:57.080
<v Speaker 1>And I think that's so fly, and that's what I

0:48:57.120 --> 0:48:59.919
<v Speaker 1>was doing. I was just having fun with my social media,

0:49:00.040 --> 0:49:02.440
<v Speaker 1>being very consistent, believing in my art and putting it

0:49:02.440 --> 0:49:04.560
<v Speaker 1>out there in an authentic way. And then that was

0:49:04.640 --> 0:49:07.719
<v Speaker 1>read by to Nash. I was just uploading a whole

0:49:07.760 --> 0:49:11.359
<v Speaker 1>bunch of videos to her songs, and she saw it

0:49:11.760 --> 0:49:13.520
<v Speaker 1>and she thought my work was really dope, and she

0:49:13.640 --> 0:49:16.200
<v Speaker 1>hit me up asking me to choreograph her next music video.

0:49:16.560 --> 0:49:19.000
<v Speaker 1>And honestly, if I sat around and just prayed for it,

0:49:19.040 --> 0:49:21.040
<v Speaker 1>and I just went about it the cookie cutter route,

0:49:21.760 --> 0:49:23.839
<v Speaker 1>waiting for it and waiting for my mentor to tell

0:49:23.840 --> 0:49:25.640
<v Speaker 1>me when it was the right time, or your manager

0:49:25.680 --> 0:49:28.520
<v Speaker 1>to book the job, or your agent to find the opportunity. Yeah.

0:49:28.600 --> 0:49:30.520
<v Speaker 1>If I, if I wasn't my own boss, and if

0:49:30.560 --> 0:49:33.040
<v Speaker 1>I wasn't my own entity to Nash, I wouldn't have

0:49:33.040 --> 0:49:35.960
<v Speaker 1>reached out to me. What advice would you, guys give

0:49:36.280 --> 0:49:39.280
<v Speaker 1>someone who wants to follow in your footsteps a young dancer.

0:49:39.560 --> 0:49:42.120
<v Speaker 1>Maybe a lesson you learned along the way that you

0:49:42.160 --> 0:49:44.200
<v Speaker 1>wish you had known, or something that you just have

0:49:44.440 --> 0:49:47.919
<v Speaker 1>done the whole way through. Yeah, honestly, the main thing.

0:49:48.040 --> 0:49:52.120
<v Speaker 1>I know everyone says it, but it's just too continue

0:49:52.800 --> 0:49:56.680
<v Speaker 1>to stay true to who you are, because the moment

0:49:56.719 --> 0:49:59.799
<v Speaker 1>you try to be someone else, no one's gonna want

0:49:59.800 --> 0:50:03.319
<v Speaker 1>to listen to what you have to say. Everyone is

0:50:03.320 --> 0:50:05.799
<v Speaker 1>put on this earth for a reason, and everyone has

0:50:05.840 --> 0:50:08.799
<v Speaker 1>their different reason and different paths, And I think it's

0:50:08.800 --> 0:50:12.279
<v Speaker 1>really important too, Uh, just be who you are and

0:50:12.280 --> 0:50:18.239
<v Speaker 1>not care what anybody else thinks, because as long as

0:50:18.239 --> 0:50:20.600
<v Speaker 1>you're happy and you're doing what you love to do,

0:50:20.680 --> 0:50:26.719
<v Speaker 1>that's that's all that really, truly matters whatever you're doing anything,

0:50:27.080 --> 0:50:29.880
<v Speaker 1>either if it is sports, if it's dancing, if it's singing,

0:50:29.880 --> 0:50:34.120
<v Speaker 1>if it's acting, if you don't truly love it, then

0:50:34.800 --> 0:50:37.160
<v Speaker 1>it's never gonna last. I feel like I feel like

0:50:37.200 --> 0:50:40.799
<v Speaker 1>you have to continue with a certain passion in a

0:50:40.840 --> 0:50:44.640
<v Speaker 1>certain love that comes from yourself. You can't expect it

0:50:44.680 --> 0:50:47.360
<v Speaker 1>from anyone else. So you have to truly love something

0:50:47.360 --> 0:50:49.799
<v Speaker 1>in order to continue it and pursue it. Because I

0:50:49.840 --> 0:50:52.680
<v Speaker 1>feel like I live by this. Where you know, where

0:50:52.680 --> 0:50:55.760
<v Speaker 1>there is love, there is life. So I just feel

0:50:55.800 --> 0:51:00.879
<v Speaker 1>like thinking about that when it comes to dancing, when

0:51:00.880 --> 0:51:04.560
<v Speaker 1>it comes to just being with people, that's where you

0:51:04.600 --> 0:51:07.680
<v Speaker 1>truly discover success. That was really good advice from both

0:51:07.719 --> 0:51:10.680
<v Speaker 1>of you. Thank you for sharing those nuggets of wisdom,

0:51:10.719 --> 0:51:12.719
<v Speaker 1>and obviously you guys are living it. You're not just

0:51:13.280 --> 0:51:16.520
<v Speaker 1>saying it because it's quote worthy. I feel like throughout

0:51:16.560 --> 0:51:20.440
<v Speaker 1>this entire interview, the common thread has been authenticity, and

0:51:20.480 --> 0:51:23.120
<v Speaker 1>both of you have done that. It's worked in your favor,

0:51:23.560 --> 0:51:26.200
<v Speaker 1>It's going to continue to work in your favorite Big

0:51:26.239 --> 0:51:29.560
<v Speaker 1>big things are happening. Call me when you go to

0:51:29.640 --> 0:51:34.200
<v Speaker 1>the oscars, you actually get the little people come here

0:51:34.200 --> 0:51:36.960
<v Speaker 1>so I can just look at the statue, but we

0:51:37.000 --> 0:51:40.920
<v Speaker 1>really appreciated having you guys here. You make sure you

0:51:41.000 --> 0:51:43.759
<v Speaker 1>definitely stop by. I guess I have a feeling this

0:51:43.880 --> 0:51:47.360
<v Speaker 1>is not the last we're going to be here. Yeah,

0:51:47.440 --> 0:51:48.759
<v Speaker 1>all right, We'll have a good rest of the day.

0:51:48.760 --> 0:51:51.360
<v Speaker 1>We hope you guys enjoyed this interview. Make sure to

0:51:51.440 --> 0:51:55.480
<v Speaker 1>check out Casey and Shawn's YouTube channel. Okay together. I'm

0:51:55.560 --> 0:51:58.960
<v Speaker 1>sure they'll be on fifty other music videos, shows and

0:51:59.120 --> 0:52:02.120
<v Speaker 1>films at your local theater, so just you know, anywhere

0:52:02.120 --> 0:52:04.959
<v Speaker 1>you want to look, they'll be there, all right, by guys.

0:52:06.760 --> 0:52:09.239
<v Speaker 1>I'm scared for our future, but you give me a

0:52:09.280 --> 0:52:12.960
<v Speaker 1>little bit of hope. Thank you. I'm trying, but yeah,

0:52:13.120 --> 0:52:15.319
<v Speaker 1>so congrats on everything you have going on. Make sure

0:52:15.360 --> 0:52:16.840
<v Speaker 1>you come back in a year when you've booked that

0:52:16.960 --> 0:52:19.239
<v Speaker 1>like next Avengers when they decide to redo it even

0:52:19.239 --> 0:52:21.160
<v Speaker 1>though they said they wouldn't, and they will, and you'll

0:52:21.160 --> 0:52:24.719
<v Speaker 1>be the leader, I hope. So but yeah, thank you

0:52:24.760 --> 0:52:26.799
<v Speaker 1>so much for stopping by. And I mean, I feel

0:52:26.800 --> 0:52:29.480
<v Speaker 1>like we're just so much. Yea, I talked a lot,

0:52:29.680 --> 0:52:33.080
<v Speaker 1>but it was good, like a different no, No, it

0:52:33.200 --> 0:52:35.520
<v Speaker 1>was a gift from God, like so many good nuggets,

0:52:35.680 --> 0:52:39.600
<v Speaker 1>lots of good content. We hope you guys enjoyed. Jade

0:52:39.680 --> 0:52:42.600
<v Speaker 1>say your last name for us? One more? Did you

0:52:42.680 --> 0:52:45.880
<v Speaker 1>get that? Guys? It's chinof don't mess it up on

0:52:45.920 --> 0:52:48.839
<v Speaker 1>my watch? All right. We'll see you guys next time

0:52:48.960 --> 0:52:51.440
<v Speaker 1>or listener here. I don't even know. I'm so not

0:52:51.520 --> 0:52:53.239
<v Speaker 1>used to not being on camera. I'm like, I'll see you,

0:52:53.360 --> 0:52:57.920
<v Speaker 1>but but I won't see you anyway. Bye. Be you

0:52:58.560 --> 0:53:00.960
<v Speaker 1>love the ups and the downs, and just keep your

0:53:00.960 --> 0:53:04.399
<v Speaker 1>head up high and just go forwa. I love that

0:53:04.480 --> 0:53:06.680
<v Speaker 1>you have so many big things going on in your life.

0:53:06.840 --> 0:53:09.680
<v Speaker 1>Please come back when you do that. Billie Eilish collab.

0:53:10.800 --> 0:53:13.279
<v Speaker 1>So I'm just gonna put it out there. You're both

0:53:13.280 --> 0:53:15.600
<v Speaker 1>going to sit across because I selfishly would love to

0:53:15.640 --> 0:53:17.440
<v Speaker 1>interview her too. So if we're going to do a

0:53:17.480 --> 0:53:20.480
<v Speaker 1>fun interview all three of us next time, I think

0:53:20.520 --> 0:53:23.520
<v Speaker 1>it's gonna happen. Hey, we're putting it out there right

0:53:24.239 --> 0:53:26.440
<v Speaker 1>all right, guys, So next time JoJo's here shall be

0:53:26.480 --> 0:53:30.600
<v Speaker 1>with Billie Eilish. Thank you so much for stopping by.

0:53:30.640 --> 0:53:33.160
<v Speaker 1>I'm really excited to continue to follow your journey. I

0:53:33.719 --> 0:53:36.040
<v Speaker 1>know big, big things or whatever you decide to do

0:53:36.120 --> 0:53:38.279
<v Speaker 1>is around the corner. So thank you so much. Yeah,

0:53:38.640 --> 0:53:42.279
<v Speaker 1>we'll see you guys next time. Jojo go, Thank you bye.

0:53:45.000 --> 0:53:47.360
<v Speaker 1>Behind the Influence as a production of I Heart Radio

0:53:47.480 --> 0:53:48.560
<v Speaker 1>and t DC Media