WEBVTT - Ronny Chieng

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<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up Tour continues throughout

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<v Speaker 1>twenty twenty four. For a full list of dates and tickets,

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<v Speaker 1>go to the Craig Ferguson show dot com slash tour.

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<v Speaker 1>See you out there, the Greig Ferguson show dot com

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<v Speaker 1>slash Tour. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interest in people

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<v Speaker 1>about what brings them happiness. Today on the podcast, my

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<v Speaker 1>guest is Ronnie Cheng. He's a Chinese Malaysian American comedian who.

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<v Speaker 2>Is a huge He's huge. He's like blowing up all

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<v Speaker 2>over the place.

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<v Speaker 1>He's like the biggest deal on the Internet and TV.

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<v Speaker 1>He's very, very, very funny and very interesting.

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<v Speaker 2>Here he is. That's a bearing night watch. Thank you.

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<v Speaker 2>I kind of like I got it, Brightling, Brightling, the

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<v Speaker 2>watch of white guys people.

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<v Speaker 3>No, no, no, white guys, no whit guys. I don't

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<v Speaker 3>think white guys are anything brightly really yeah, yeah, I

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<v Speaker 3>think like people who I don't care about watches, but

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<v Speaker 3>in a cool way, not in an ignorant way, you know,

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<v Speaker 3>like I'll just war you know.

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<v Speaker 1>I want to see I have to watches. Yeah, there

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<v Speaker 1>you go, and they're both brightly. Yeah you don't care.

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<v Speaker 1>It's not that I don't care. Yeah, I don't care

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<v Speaker 1>about in the.

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<v Speaker 2>Cool way absolutely. All right, all right, let me.

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<v Speaker 1>I wanted to ask you something before we start, because

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<v Speaker 1>I mean I watched I've watched a law of your stuff. Oh,

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<v Speaker 1>thank you, and it's very funny. I want to talk

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<v Speaker 1>to you about Australia. Oh please, because you.

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<v Speaker 3>Went to you went to school in Australia, right, you

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<v Speaker 3>went to university and I only went to law school there.

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<v Speaker 3>But which I you know, it's undergraduate, right, I went

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<v Speaker 3>to undergrad law school there.

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<v Speaker 2>So are you are your lawyer? Then? Yeah? I passed

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<v Speaker 2>the buy in Australia.

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<v Speaker 1>Yeah, so but you can only do in Australia, which

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<v Speaker 1>is like sheep, yeah, it's all it's all criminals anyway.

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<v Speaker 2>So yeah yeah yeah.

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<v Speaker 1>But what happened in Australia I think is that if

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<v Speaker 1>you can trace yourself back to the original criminals, that's

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<v Speaker 1>actually cool now, right.

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<v Speaker 3>Or oh no, it's cool if you're them, right. They

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<v Speaker 3>may it sound cool, but it's not cool. I don't

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<v Speaker 3>think it's cool.

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<v Speaker 2>Well, they had they had a pretty bad. They get

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<v Speaker 2>a pretty bad record, I think so. Yeah, I'm not scared.

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<v Speaker 3>Yeah, I'm the only one who will say, you know,

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<v Speaker 3>everyone else's everyone else either it doesn't know about it

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<v Speaker 3>or bassing it.

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<v Speaker 2>I'm like, yeah, you guys, kind of it was pretty bad.

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<v Speaker 2>It was not a good time.

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<v Speaker 1>No, it was pretty I mean they just kind of

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<v Speaker 1>wiped out everybody who was there, wiped out.

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<v Speaker 3>Never never formed a symbiosis Indigenous, not that anyone really did,

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<v Speaker 3>but you know, at least at least uh the Maori's

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<v Speaker 3>I think they had a treaty. Yes, you know, and

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<v Speaker 3>you can when you go to New Zealand, Maori's on

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<v Speaker 3>the money. Yeah, you know Mari language, you come in

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<v Speaker 3>to greet you in MARII. You know, the the Mari

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<v Speaker 3>art is kind of embedded into society New Zealand.

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<v Speaker 2>You know.

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<v Speaker 3>Australia, they not so much. They didn't do a good

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<v Speaker 3>job of I wouldn't think.

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<v Speaker 1>I would when I was in Australian I've never been

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<v Speaker 1>in Australia sober so I haven't been there.

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<v Speaker 2>I've been in a long time.

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<v Speaker 1>But I worked with an Australian comedian called Ernie Dango.

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<v Speaker 2>Do you know Erny danger.

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<v Speaker 1>I heard of Erny Dingo. Yeah, Erny Dango is cool.

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<v Speaker 1>He's an Aboriginal comedian.

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<v Speaker 2>Please continue.

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<v Speaker 1>Well, I'm just saying I worked with him, but you

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<v Speaker 1>didn't know them. So no, I've heard of him, but

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<v Speaker 1>you're not. I'm not trying different generation. I'm not trying

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<v Speaker 1>to dick here. You've got a couple of generations on me.

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<v Speaker 1>I came on this podcast to talk to you, honestly

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<v Speaker 1>because I want to hear about these stories.

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<v Speaker 2>Well, when when were you? When did you hear anything time?

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<v Speaker 2>The kaiser was a massive his arms on the border.

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<v Speaker 1>When did you mean Ernie did Dingo circumstances we were?

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<v Speaker 1>I was at the Melbourne Comedy first, Yes, my home festival.

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<v Speaker 1>Really yes, And I don't think I want to talk

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<v Speaker 1>to you about right, Okay, So I was at Melbourne

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<v Speaker 1>Comedy Festival and an area called Fitzroy. Yes, what year

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<v Speaker 1>is this? Roughly got it would be about nineteen eighty seven,

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<v Speaker 1>eighty eight. It's freaking that's too crazy, right, it's too long.

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<v Speaker 1>I know, that's way too nuts. He worked with another

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<v Speaker 1>Australian Communian called Anthony Morgan.

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<v Speaker 2>You know Anthony.

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<v Speaker 3>I know him very well. You know I talked to

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<v Speaker 3>him all the time. I make his website. He's a

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<v Speaker 3>great he's a great comedian, great guy. He exited the

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<v Speaker 3>game a little bit. He moved to Tasmania. Lives kind

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<v Speaker 3>of off the grid, but he okay, she's kind of

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<v Speaker 3>an off the grid sort of a guy. Even in

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<v Speaker 3>the eighties he was that was but I know that

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<v Speaker 3>he was a legendary. He was probably the original modern

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<v Speaker 3>Australian folk hero.

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<v Speaker 1>Well, Anthony Morgan and I we used to play this

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<v Speaker 1>because we had we had this drinking game we used

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<v Speaker 1>to do and it was a place called the Last Laugh.

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<v Speaker 2>Yes, Roy's still there.

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<v Speaker 3>No, the Last Laugh moved to Collins Street, okay, at

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<v Speaker 3>the Athenaeum, right, you.

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<v Speaker 1>Know, and remember the Athnyum. Doug Anthony ol stars used

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<v Speaker 1>to play there. I know Doug was a right and

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<v Speaker 1>and and then unfortunate. So it was a comedy club

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<v Speaker 1>in Collins Street when I started, right and then unfortunately

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<v Speaker 1>closed down, But it had Australia at that time. I

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<v Speaker 1>had a certainly in the eighties, which is you were

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<v Speaker 1>probably being born.

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<v Speaker 2>Then I was born. I was just born. You born.

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<v Speaker 2>You were a tiny little beeB fucked up with yes, yeah,

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<v Speaker 2>well that's great. Please I don't interrupt you.

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<v Speaker 1>But no, no, please interrupt me because I can do

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<v Speaker 1>this podcast.

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<v Speaker 2>So I gotta do this one with you without you. No.

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<v Speaker 3>Because So I started doing comedy in Australia in two

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<v Speaker 3>thousand and nine, right, so I was too late.

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<v Speaker 2>It felt pretty late to me.

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<v Speaker 3>I started when I was twenty four, right, Yeah, I

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<v Speaker 3>stot twenty four.

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<v Speaker 2>I think I was a good age to start.

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<v Speaker 3>You know. I wasn't ahead of the curve, but I

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<v Speaker 3>wasn't behind it, I think. And I because I'm a

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<v Speaker 3>fan of comedy. I just love comedy history. And because

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<v Speaker 3>I started in Australia, I have a fondness for Australian

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<v Speaker 3>comedy history. That's why when you say these names, it's like,

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<v Speaker 3>I know, to use not even history to you, that's

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<v Speaker 3>just your cure.

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<v Speaker 2>But I am not a liv history.

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<v Speaker 1>I'm like Colonial Williams, but as a person. But the

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<v Speaker 1>thing is, Anthony Morgan and I used to have this

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<v Speaker 1>but there was upstairs at the Prince pat and we

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<v Speaker 1>had this deal. We had to drink and you weren't

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<v Speaker 1>allowed to have anything in your head when you go

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<v Speaker 1>to the microphone, and you.

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<v Speaker 2>Had to do it ten minutes. Yeah, you guys are

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<v Speaker 2>crazy that it was.

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<v Speaker 1>I don't know that it was good, but it was

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<v Speaker 1>well Morgan, Anthony Morgan comes from this very prolific type

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<v Speaker 1>of comic.

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<v Speaker 2>That category.

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<v Speaker 3>There's there's some geniuses in the world who are just

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<v Speaker 3>they just go on stage and you know, for me,

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<v Speaker 3>comedy takes so much work and it's scary and I

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<v Speaker 3>have to work at it for months and months and

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<v Speaker 3>months and hopefully I'll have five minutes that's good or decent.

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<v Speaker 3>But for some people it's just like they're so prolific

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<v Speaker 3>that it just comes and goes. And part of that tradition,

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<v Speaker 3>I think is like an Edinburgh thing. Yeah, that's you know,

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<v Speaker 3>because I've been to Edinburgh for festival.

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<v Speaker 1>I've done it a few times, right, and so you know,

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<v Speaker 1>and Anthony went there and that it is so because

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<v Speaker 1>I was touched with him after Australia. I don't know,

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<v Speaker 1>I like, because I'm still drinking then and I got

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<v Speaker 1>so I'm so glad. I can you give me a

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<v Speaker 1>reason to message him again? I'll just be like, he's maybe,

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<v Speaker 1>I would say, maybe the best stand up I've ever

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<v Speaker 1>seen see.

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<v Speaker 3>I hear legends of this, I hear legends of this,

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<v Speaker 3>and unfortunately it was a time before you know, writing

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<v Speaker 3>was invented, so there's no record of any of this.

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<v Speaker 1>There's some high hieroglyphics, there's some hieroglyphic, but there's no

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<v Speaker 1>record of this.

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<v Speaker 3>But this is all I hear because he was to

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<v Speaker 3>ground this in a bit of facts. He I think

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<v Speaker 3>the is fair to say the biggest comedy management company

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<v Speaker 3>in Australia is Token Token Management, and the guy who

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<v Speaker 3>founded is Kevin White. And Kevin White, so he imagined

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<v Speaker 3>this guy who founded the most successful comedy management company

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<v Speaker 3>in the country. He when he was eighteen, he managed

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<v Speaker 3>Anthony Morgan.

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<v Speaker 2>Wow.

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<v Speaker 3>So meaning this wasn't this is not just a case

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<v Speaker 3>of comic saying someone's good. This guy was commercially he

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<v Speaker 3>was considered the best. You know he was he was.

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<v Speaker 2>But he was he was.

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<v Speaker 1>I remember we had a couple of nights and and

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<v Speaker 1>you know he he was pretty pretty wild.

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<v Speaker 3>Oh he was when I met him. He was in

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<v Speaker 3>my sitcom. He was in my sitcom. Yeah, so I

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<v Speaker 3>knew of him before, but I wrote this sitcom about

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<v Speaker 3>being a student intersral student. Yeah, and I wrote him

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<v Speaker 3>a part. I mean it kind of came organically. Wasn't

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<v Speaker 3>like I was out looking to write him a part,

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<v Speaker 3>but of the kind of weary, bitter law lecturer and

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<v Speaker 3>my co writer Declan Faye, also Australian, he suggests Anthony

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<v Speaker 3>Morgan for this. I was like, yeah, that's that's great.

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<v Speaker 3>So we had him in and I was a bit

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<v Speaker 3>worried because I never met him before. I thought maybe

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<v Speaker 3>he'd be like, don't come at me with your stupid

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<v Speaker 3>you know, whatever your new ideas are.

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<v Speaker 2>I don't care about this. You know who I was

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<v Speaker 2>at all. He came very collaborative, he got it. He

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<v Speaker 2>was down.

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<v Speaker 3>He played with us, very very down to earth, you know.

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<v Speaker 2>But he but he in.

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<v Speaker 3>Essentially he lives off the green Tasmania. I'm pretty sure built. Yeah,

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<v Speaker 3>I'm not not pretty sure. I know for a fact

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<v Speaker 3>he built his own house with his own hands. And

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<v Speaker 3>then he'll go and do the local pub gig every

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<v Speaker 3>few months, and I'll kind of harass him to like

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<v Speaker 3>record it, or I'll harass him to digitalize cassette that

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<v Speaker 3>he's recorded from years.

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<v Speaker 1>A funny because he's kind of like, you know, like

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<v Speaker 1>in the movies where they have to go and get

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<v Speaker 1>the detective, you know, and he's retired, but he works

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<v Speaker 1>on his boat and they say, you're the only guy

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<v Speaker 1>that Morgan's kind of like that as a comedian is

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<v Speaker 1>like I didn't give up on comedy.

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<v Speaker 2>Comedy gave up on me. It's a bit of that.

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<v Speaker 3>Yeah, and he I think he tried to come to

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<v Speaker 3>America and he I think he toured a bit in America.

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<v Speaker 3>And I think there's a there's sun comics who know

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<v Speaker 3>him very well, you know, And so I'm so surprised

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<v Speaker 3>that you mentioned him.

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<v Speaker 1>Yeah, you know, like I say, I think he may

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<v Speaker 1>be the I mean, look in my memory, he's the

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<v Speaker 1>He's the best I've ever seen.

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<v Speaker 2>It's the fate of all legends to be forgot.

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<v Speaker 3>Yes, but he's Yeah, he's still in Australia and I'll

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<v Speaker 3>put you guys to touch it.

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<v Speaker 1>But how did you become a fan of comedy? Like

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<v Speaker 1>you grew up in Singapore?

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<v Speaker 2>Right, yes? So is there a big scene of comedy there?

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<v Speaker 2>Uh no, there was like a TV thing.

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<v Speaker 3>I grew up in Singapore, but they had they have

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<v Speaker 3>their own type of comedy, you know, where it's not

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<v Speaker 3>stand up, it's kind of TV sketch, a little slapsticky,

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<v Speaker 3>there was one stand up comic in Australia, but.

0:10:34.120 --> 0:10:36.160
<v Speaker 2>Uh, it wasn't. It's not a known thing.

0:10:36.240 --> 0:10:39.559
<v Speaker 3>Sou Comedy is not a known tradition in Singapore right

0:10:39.640 --> 0:10:42.040
<v Speaker 3>the way it is in the UK or Scotland, Australia.

0:10:42.080 --> 0:10:44.679
<v Speaker 3>You know, where it's very established. You know what you're

0:10:44.679 --> 0:10:46.200
<v Speaker 3>supposed to do. You go to the pub, you watch

0:10:46.240 --> 0:10:48.000
<v Speaker 3>a comic, right, you know how you're supposed to behave.

0:10:48.040 --> 0:10:48.560
<v Speaker 3>But we don't have that.

0:10:48.600 --> 0:10:50.679
<v Speaker 2>We don't have those norms. But when I started there,

0:10:50.760 --> 0:10:52.040
<v Speaker 2>there wasn't. There was Billy.

0:10:51.800 --> 0:10:54.520
<v Speaker 3>Conley and oh okay, well then maybe we're not so different. Yeah,

0:10:54.640 --> 0:10:55.439
<v Speaker 3>maybe not so different.

0:10:55.440 --> 0:10:58.440
<v Speaker 1>When I started in Scotland there was Billy Connley who

0:10:58.559 --> 0:11:03.040
<v Speaker 1>was huge, like Billy's twenty years old toy. Absolutely, and

0:11:03.080 --> 0:11:05.240
<v Speaker 1>then there was there were no comedy clubs. There was

0:11:05.280 --> 0:11:07.320
<v Speaker 1>no places to go, so you would go to like

0:11:07.360 --> 0:11:09.520
<v Speaker 1>a it would be like a music club or a

0:11:09.600 --> 0:11:11.760
<v Speaker 1>discord or something. For yo, is this that would be

0:11:11.920 --> 0:11:14.839
<v Speaker 1>like mid eighties mid eighties still okay?

0:11:14.920 --> 0:11:15.120
<v Speaker 2>Yeah.

0:11:15.120 --> 0:11:17.280
<v Speaker 1>In America they were the you know, they had the

0:11:17.840 --> 0:11:20.200
<v Speaker 1>all the comedity clubs, the guys with the piano key

0:11:20.240 --> 0:11:20.880
<v Speaker 1>ties and all that.

0:11:20.920 --> 0:11:22.800
<v Speaker 2>But we didn't have any of that, you know, you

0:11:22.800 --> 0:11:23.440
<v Speaker 2>know what's interesting.

0:11:23.440 --> 0:11:28.520
<v Speaker 3>I was, I'm very lucky to meet Jerry Seinfeld and

0:11:28.559 --> 0:11:30.760
<v Speaker 3>I got to ask him. I asked him about this,

0:11:30.840 --> 0:11:32.319
<v Speaker 3>and he said the same thing as you did. He

0:11:32.320 --> 0:11:34.440
<v Speaker 3>said when he started, there was nothing that's right. I

0:11:34.440 --> 0:11:37.160
<v Speaker 3>think he I think he's he said he said, and

0:11:37.200 --> 0:11:39.120
<v Speaker 3>he wasn't he you know, I don't think he was

0:11:39.120 --> 0:11:41.720
<v Speaker 3>saying he definitely wasn't saying this to just be arrogant.

0:11:41.760 --> 0:11:43.439
<v Speaker 3>He was just saying like we were the ones who

0:11:43.440 --> 0:11:46.600
<v Speaker 3>started it. He's not in the rooms. Him and Lano

0:11:46.720 --> 0:11:49.600
<v Speaker 3>at the time as well. I mean, these guys, Uh,

0:11:49.720 --> 0:11:50.559
<v Speaker 3>do you ever meet Lano?

0:11:50.720 --> 0:11:50.880
<v Speaker 2>No?

0:11:51.040 --> 0:11:54.440
<v Speaker 1>No, man, Lano's an interesting guy. Not many people know

0:11:54.480 --> 0:11:55.679
<v Speaker 1>how good a stand up.

0:11:55.920 --> 0:11:58.319
<v Speaker 2>Yes he is. I believe that. I believe he's a

0:11:58.320 --> 0:11:59.600
<v Speaker 2>great stand up. He really is.

0:12:00.120 --> 0:12:03.360
<v Speaker 3>Robinson at the Seller will always tell me how good.

0:12:03.040 --> 0:12:05.439
<v Speaker 2>I did some dates with Jay this summer. We did

0:12:05.480 --> 0:12:10.920
<v Speaker 2>this like old dudes of late night thing that's funny, funny.

0:12:10.960 --> 0:12:15.160
<v Speaker 1>It was great funny Me and Jay in our senior hall.

0:12:15.520 --> 0:12:19.480
<v Speaker 2>Jackie Mason was great. I met.

0:12:20.120 --> 0:12:23.800
<v Speaker 1>He's lovely, lovely and another great stand up. I mean,

0:12:23.840 --> 0:12:26.320
<v Speaker 1>it's like but it's not I think stand up is

0:12:26.360 --> 0:12:30.840
<v Speaker 1>a little bit like like playing electric guitar. There's a

0:12:30.840 --> 0:12:33.280
<v Speaker 1>lot of people who are good at it, but you've

0:12:33.280 --> 0:12:37.160
<v Speaker 1>got to have something that's maybe just a little different.

0:12:37.600 --> 0:12:40.400
<v Speaker 2>I mean, make you stand out. Yeah, that's all. That's

0:12:40.400 --> 0:12:41.079
<v Speaker 2>all I think.

0:12:41.080 --> 0:12:41.559
<v Speaker 1>I know what.

0:12:41.640 --> 0:12:44.040
<v Speaker 2>You're right, So what was it with you?

0:12:43.760 --> 0:12:47.560
<v Speaker 1>You think that they made you because you have to

0:12:47.600 --> 0:12:49.360
<v Speaker 1>do this thing. I think all stand ups have to

0:12:49.400 --> 0:12:51.480
<v Speaker 1>do this. You go on stage and you dine it

0:12:51.520 --> 0:12:55.960
<v Speaker 1>doesn't work. And that's the when you do that, like

0:12:56.000 --> 0:12:58.480
<v Speaker 1>a real stand up laughs when you say that, because

0:12:58.480 --> 0:13:01.160
<v Speaker 1>that's what Because I remember the first time that happened

0:13:01.160 --> 0:13:03.760
<v Speaker 1>to me, and when I was terrible, and when I

0:13:03.760 --> 0:13:05.840
<v Speaker 1>came over when people were going on, I'm sorry that happened,

0:13:05.880 --> 0:13:06.760
<v Speaker 1>I was like, oh.

0:13:06.640 --> 0:13:08.880
<v Speaker 2>No, I got to do that. I can't. I got

0:13:08.880 --> 0:13:09.520
<v Speaker 2>to do it again.

0:13:10.040 --> 0:13:13.679
<v Speaker 1>And I think there's something about stand up comedians that

0:13:14.240 --> 0:13:17.320
<v Speaker 1>male female doesn't matter. It's like you're drawn to that

0:13:17.440 --> 0:13:22.959
<v Speaker 1>weird kind of love of Yes, failure is a failure.

0:13:23.040 --> 0:13:26.559
<v Speaker 2>What is it? I don't know if that's ours. I

0:13:26.600 --> 0:13:28.000
<v Speaker 2>don't know if that's a level failure.

0:13:28.120 --> 0:13:31.800
<v Speaker 3>I do think that I do think if I'm looking

0:13:31.880 --> 0:13:36.080
<v Speaker 3>for a common thread there, I would say that it's

0:13:36.120 --> 0:13:40.080
<v Speaker 3>probably that all the great comics I know don't think

0:13:40.120 --> 0:13:43.199
<v Speaker 3>that they're good at comedy, right, and so you naturally

0:13:43.400 --> 0:13:45.560
<v Speaker 3>think that you're bad shit.

0:13:46.600 --> 0:13:46.840
<v Speaker 2>Yeah.

0:13:46.880 --> 0:13:49.679
<v Speaker 3>And so when you bomb, if you feel like, oh yeah,

0:13:49.679 --> 0:13:51.559
<v Speaker 3>I'm supposed to bomb, I'm not good at it, Yeah,

0:13:51.559 --> 0:13:54.280
<v Speaker 3>you validate right, right, And then that's kind of how

0:13:54.360 --> 0:13:55.920
<v Speaker 3>you quote unquote be a good comic.

0:13:56.000 --> 0:13:57.360
<v Speaker 2>That's a sign of being a good comic.

0:13:57.120 --> 0:13:59.280
<v Speaker 3>Because when you not that you enjoy bombing, but you're

0:13:59.320 --> 0:14:01.640
<v Speaker 3>able to process in a way where of like, oh, yeah,

0:14:01.640 --> 0:14:02.200
<v Speaker 3>I'm not good.

0:14:05.800 --> 0:14:09.400
<v Speaker 1>The Craig Ferguson Fancy Rascals Stand Up Tour continues throughout

0:14:09.400 --> 0:14:13.320
<v Speaker 1>the United States in twenty twenty four. For a full

0:14:13.400 --> 0:14:15.920
<v Speaker 1>list of dates and tickets, go to the Craig Ferguson

0:14:15.960 --> 0:14:24.120
<v Speaker 1>show dot com slash tour. So you are there, My

0:14:24.320 --> 0:14:28.160
<v Speaker 1>wife has this theory that all stand up comedians have

0:14:28.280 --> 0:14:33.280
<v Speaker 1>the same type of mother. Oh interesting, it's cold with

0:14:33.440 --> 0:14:35.160
<v Speaker 1>bad boundaries.

0:14:34.720 --> 0:14:39.360
<v Speaker 2>That's what she says, bad boundaries. That's pretty close. That's

0:14:39.360 --> 0:14:39.800
<v Speaker 2>pretty close.

0:14:39.880 --> 0:14:41.560
<v Speaker 1>Did it to Lewis Black and he was like, oh

0:14:41.600 --> 0:14:46.080
<v Speaker 1>my god, that's like that, that's great, that's funny. He

0:14:46.200 --> 0:14:49.320
<v Speaker 1>said that he only Lewis said that he he only

0:14:49.360 --> 0:14:51.600
<v Speaker 1>made eye contact with his mom on or deathbed, but

0:14:51.680 --> 0:14:52.680
<v Speaker 1>she was one hundred.

0:14:52.400 --> 0:14:53.320
<v Speaker 2>And four men.

0:14:53.600 --> 0:14:56.880
<v Speaker 1>Oh man, But do you know it's kind of it

0:14:57.160 --> 0:14:58.200
<v Speaker 1>resonates a little bit.

0:14:58.280 --> 0:15:00.560
<v Speaker 2>I mean, she met obviously my mom's past, but she

0:15:00.600 --> 0:15:02.040
<v Speaker 2>met my mom. She's like Jesus.

0:15:02.440 --> 0:15:08.520
<v Speaker 3>And for the record, my mom is very warm, but

0:15:08.560 --> 0:15:11.200
<v Speaker 3>there is some no boundaries in there and can be

0:15:11.280 --> 0:15:11.640
<v Speaker 3>very harsh.

0:15:11.720 --> 0:15:13.560
<v Speaker 1>My mom can be very harsh. So yeah, so you know,

0:15:13.600 --> 0:15:16.240
<v Speaker 1>a different world for cold. Yeah, but it's that kind

0:15:16.280 --> 0:15:18.920
<v Speaker 1>of thing. It's like whenever whenever I see a good

0:15:18.960 --> 0:15:19.600
<v Speaker 1>stand up.

0:15:21.720 --> 0:15:25.480
<v Speaker 2>Like their mom must be very tough. Yeah, very tough. Mom.

0:15:25.560 --> 0:15:26.840
<v Speaker 2>My mom is tough. That's fair.

0:15:27.320 --> 0:15:29.320
<v Speaker 1>Was she upset that you went in a stand up

0:15:29.320 --> 0:15:32.600
<v Speaker 1>because obviously, if you're going to law, that's one say

0:15:32.640 --> 0:15:33.680
<v Speaker 1>of expectations.

0:15:33.760 --> 0:15:35.200
<v Speaker 2>You just say not to practice.

0:15:35.240 --> 0:15:39.840
<v Speaker 3>Well, I had a few things to answer a question.

0:15:40.040 --> 0:15:42.120
<v Speaker 3>She was not as upset as I thought she'd be.

0:15:42.480 --> 0:15:46.520
<v Speaker 3>Wasn't It wasn't thrilled, but not upset. But one of

0:15:46.560 --> 0:15:49.320
<v Speaker 3>the few reasons for that was that we actually I

0:15:49.360 --> 0:15:52.120
<v Speaker 3>went to university in a different country, so she wasn't

0:15:52.120 --> 0:15:53.920
<v Speaker 3>even did.

0:15:54.880 --> 0:15:56.280
<v Speaker 2>Yeah, I didn't tell her. I didn't make a big

0:15:56.280 --> 0:15:56.920
<v Speaker 2>deal about it.

0:15:56.960 --> 0:15:59.000
<v Speaker 3>I just went to go do it because I kind

0:15:59.000 --> 0:16:01.600
<v Speaker 3>of instinctively knew like, hey, if this is going to

0:16:01.680 --> 0:16:03.520
<v Speaker 3>work for me, I kind of have to do it

0:16:03.560 --> 0:16:07.160
<v Speaker 3>on my own. I can't be you know, asking friends

0:16:07.160 --> 0:16:10.120
<v Speaker 3>to come. I can't be like, you know, making like.

0:16:10.680 --> 0:16:13.640
<v Speaker 1>You never have friends. It's hilarious now now even now,

0:16:13.680 --> 0:16:15.360
<v Speaker 1>I don't want friends now. I don't like, I don't

0:16:15.360 --> 0:16:17.440
<v Speaker 1>even like my wife coming to that. Yeah, it's like,

0:16:17.880 --> 0:16:21.800
<v Speaker 1>please don't because you know then for you, yeah, it'll

0:16:21.840 --> 0:16:23.360
<v Speaker 1>be in my hand. Yeah, yeah, it be in my

0:16:23.400 --> 0:16:24.520
<v Speaker 1>head that you're out there gone.

0:16:26.600 --> 0:16:29.760
<v Speaker 3>And also comedy is like it's different to music in

0:16:29.840 --> 0:16:32.000
<v Speaker 3>that you have to be you have to want to

0:16:32.040 --> 0:16:35.480
<v Speaker 3>be there. You can't just be background. So if you

0:16:35.480 --> 0:16:36.840
<v Speaker 3>don't want to be there, just don't you know what

0:16:36.840 --> 0:16:37.080
<v Speaker 3>I mean.

0:16:37.520 --> 0:16:41.640
<v Speaker 1>Have you done any corporate of course, yeah, because that's

0:16:41.680 --> 0:16:42.760
<v Speaker 1>when that's the taste.

0:16:42.880 --> 0:16:45.360
<v Speaker 2>They don't want They don't really want you, but they

0:16:45.400 --> 0:16:46.520
<v Speaker 2>have anyway.

0:16:46.200 --> 0:16:49.920
<v Speaker 3>Because it's corporates are so weird that they want you,

0:16:50.080 --> 0:16:53.400
<v Speaker 3>but they don't. They sought you to come and p

0:16:53.640 --> 0:16:55.760
<v Speaker 3>they will pay you and they'll pay you money, but

0:16:55.800 --> 0:16:57.560
<v Speaker 3>they don't want you to be there. I know, it's

0:16:57.600 --> 0:17:00.600
<v Speaker 3>the weirdest gig. It's horrible, nobody wants she'll be there.

0:17:00.600 --> 0:17:03.600
<v Speaker 3>I talked to a musician, very famous.

0:17:03.640 --> 0:17:06.760
<v Speaker 1>I'm going to tell you what that you know, Josh

0:17:06.800 --> 0:17:09.679
<v Speaker 1>Homie from Queensland Stone Age, Right, Okay, they don't corporate

0:17:09.720 --> 0:17:11.880
<v Speaker 1>gigs anymore. He said the last time he did it,

0:17:12.000 --> 0:17:14.159
<v Speaker 1>he was like playing down the front and there was

0:17:14.200 --> 0:17:19.639
<v Speaker 1>a natural cheese fountain and there was a woman taking

0:17:19.800 --> 0:17:22.040
<v Speaker 1>that and he was like, yeah, we can't do this. It's

0:17:22.040 --> 0:17:23.560
<v Speaker 1>not a rock and roll it's not it's.

0:17:23.400 --> 0:17:24.120
<v Speaker 2>Not rock and roll.

0:17:24.280 --> 0:17:27.320
<v Speaker 3>And you know, comedy and rock and roll are very

0:17:27.520 --> 0:17:30.600
<v Speaker 3>kind of countercultural. That's why it's it's at the Edinburgh

0:17:30.680 --> 0:17:34.840
<v Speaker 3>Fringe Festival. It's at the Fringe Festival, not the Edinburgh Festival.

0:17:34.880 --> 0:17:36.800
<v Speaker 3>It's a fringe thing. Where did you Where did you

0:17:36.800 --> 0:17:37.800
<v Speaker 3>play in Edinburgh?

0:17:37.840 --> 0:17:38.439
<v Speaker 2>Underbelly?

0:17:38.600 --> 0:17:41.800
<v Speaker 1>Unfortunately I don't know where that is. Oh that's I

0:17:41.840 --> 0:17:43.879
<v Speaker 1>don't even know where that is. The Caves, the Caves.

0:17:44.720 --> 0:17:46.960
<v Speaker 1>We started in Edinburgh in the eighty four, right, right,

0:17:47.000 --> 0:17:50.400
<v Speaker 1>and I did it for I guess until about early nineties.

0:17:50.440 --> 0:17:52.080
<v Speaker 2>I guess Edinburgh boy.

0:17:52.280 --> 0:17:56.560
<v Speaker 1>Yeah, but I'm from Glasgow, but I started stand doing

0:17:57.000 --> 0:17:58.840
<v Speaker 1>I had a show that started at two o'clock in

0:17:58.920 --> 0:18:02.560
<v Speaker 1>the morning above a bar called the Kaffee Royal in Edinburgh.

0:18:03.160 --> 0:18:05.080
<v Speaker 2>And it was and what was that?

0:18:05.080 --> 0:18:06.800
<v Speaker 3>That's not when you say you had the show, doesn't

0:18:06.800 --> 0:18:07.960
<v Speaker 3>mean that's a weekly show.

0:18:08.200 --> 0:18:10.439
<v Speaker 1>No, it was every night, every night you be two

0:18:10.480 --> 0:18:12.600
<v Speaker 1>am at this Yeah, every night two am at this

0:18:12.680 --> 0:18:13.480
<v Speaker 1>bar during the.

0:18:13.480 --> 0:18:17.920
<v Speaker 3>Endber Festival during the festival. Yeah yeah, no no, like yeah, yeah, yeah,

0:18:17.960 --> 0:18:18.320
<v Speaker 3>that's cool.

0:18:18.359 --> 0:18:20.080
<v Speaker 1>But I didn't have anywhere to left because I'm glad,

0:18:20.080 --> 0:18:22.040
<v Speaker 1>so I used to sleep in the photo booth at

0:18:22.040 --> 0:18:22.680
<v Speaker 1>Waverley Station.

0:18:22.920 --> 0:18:27.760
<v Speaker 2>Yeah. Yeah, that's fucking gnarly. And did you was it

0:18:27.800 --> 0:18:30.600
<v Speaker 2>one hour? Yeah, well I guess I know.

0:18:30.640 --> 0:18:32.239
<v Speaker 1>I would just do stand up for one hour at

0:18:32.240 --> 0:18:36.440
<v Speaker 1>two am, about half an hour, I don't know, it's

0:18:36.480 --> 0:18:37.840
<v Speaker 1>hard to say.

0:18:38.440 --> 0:18:41.320
<v Speaker 2>And was it like paid by donation? Yeah yeah, yeah,

0:18:41.040 --> 0:18:41.679
<v Speaker 2>yeah it was.

0:18:42.119 --> 0:18:44.720
<v Speaker 1>So who were the comedians that you were drawn to

0:18:44.840 --> 0:18:46.919
<v Speaker 1>when you when you were starting out, you thought I

0:18:47.040 --> 0:18:49.040
<v Speaker 1>want to be like there or that.

0:18:49.640 --> 0:18:51.840
<v Speaker 2>So the person makes me laugh. Yeah.

0:18:51.880 --> 0:18:55.280
<v Speaker 3>The truth is when when I was four and a

0:18:55.359 --> 0:18:59.080
<v Speaker 3>half years old, I was watching Seinfeld the TV show,

0:18:59.600 --> 0:19:03.000
<v Speaker 3>and he would do his stand up in the interstitials.

0:19:03.040 --> 0:19:06.160
<v Speaker 3>I remember, yeah, yeah, and then I told my mom like, hey,

0:19:06.160 --> 0:19:07.560
<v Speaker 3>I want to do that one day.

0:19:07.920 --> 0:19:08.760
<v Speaker 2>And she didn't.

0:19:08.800 --> 0:19:11.240
<v Speaker 3>She was like, okay, whatever, you know, And that was

0:19:11.240 --> 0:19:12.879
<v Speaker 3>the first time I saw someone doing that, Like, oh,

0:19:12.920 --> 0:19:14.760
<v Speaker 3>I didn't know that was a way to express yourself.

0:19:15.000 --> 0:19:16.920
<v Speaker 2>But I didn't do anything about that.

0:19:17.280 --> 0:19:20.720
<v Speaker 1>At four years older, you don't want to be doing clubs.

0:19:21.560 --> 0:19:23.720
<v Speaker 3>I was in New Hampshire at that time, Manchester, New Hampshire.

0:19:23.760 --> 0:19:25.879
<v Speaker 3>Oh really, yeah, yeah, I was, so my parents went

0:19:25.880 --> 0:19:28.520
<v Speaker 3>there for college and they went to college very late

0:19:28.600 --> 0:19:31.320
<v Speaker 3>after that, two kids. I was in Manchester, New Hampshire

0:19:31.320 --> 0:19:33.440
<v Speaker 3>for a bit and that's why I saw Seinfeld.

0:19:33.600 --> 0:19:37.440
<v Speaker 1>And my wife is from oh really, Oh yeah, yeah,

0:19:38.920 --> 0:19:42.960
<v Speaker 1>she's from Hanover, Hanover, Oka. But it's but there's a

0:19:43.000 --> 0:19:44.720
<v Speaker 1>place where they are cold.

0:19:47.119 --> 0:19:49.800
<v Speaker 3>My memories of it was always very I liked that,

0:19:49.960 --> 0:19:52.080
<v Speaker 3>but I was like four, you know, I go back

0:19:52.119 --> 0:19:53.840
<v Speaker 3>there now. I went back there after I moved back

0:19:53.880 --> 0:19:57.119
<v Speaker 3>to America after about twenty years. Twenty five years. Actually

0:19:57.160 --> 0:19:59.080
<v Speaker 3>took me twenty five years to move back to America,

0:19:59.480 --> 0:20:01.119
<v Speaker 3>and I went back there as an adult and I

0:20:01.160 --> 0:20:03.200
<v Speaker 3>was like, oh, I guess this is a very random

0:20:03.240 --> 0:20:03.919
<v Speaker 3>town to be in.

0:20:04.400 --> 0:20:07.840
<v Speaker 2>Now. Now you live in New York, I live in

0:20:07.840 --> 0:20:10.280
<v Speaker 2>New York. Yeah, do you do you socialize?

0:20:10.320 --> 0:20:12.880
<v Speaker 1>You part of the scene with with like you socialize

0:20:12.920 --> 0:20:13.480
<v Speaker 1>with E colonomics.

0:20:13.520 --> 0:20:17.119
<v Speaker 2>Do you go to the comedy club? I hit it hard.

0:20:16.840 --> 0:20:20.399
<v Speaker 3>I don't hang as much because I guess I'm older

0:20:20.480 --> 0:20:24.160
<v Speaker 3>or whatever. But like, dude, you're not even forty. I'm

0:20:24.400 --> 0:20:27.480
<v Speaker 3>I'm on in this scene. And but I do hit

0:20:27.520 --> 0:20:29.920
<v Speaker 3>the clubs hot in Manhattan, in Brooklyn.

0:20:30.000 --> 0:20:32.600
<v Speaker 1>Yeah, do you try try trying new stuff?

0:20:32.640 --> 0:20:33.480
<v Speaker 2>Yeah, trying new stuff.

0:20:33.480 --> 0:20:36.439
<v Speaker 3>I try to get a new line every time I

0:20:36.440 --> 0:20:37.919
<v Speaker 3>get on, at least one new line.

0:20:38.280 --> 0:20:40.080
<v Speaker 2>I mean, you know, old joke, even just get a

0:20:40.080 --> 0:20:41.359
<v Speaker 2>new line. Do you do you do that?

0:20:41.400 --> 0:20:43.600
<v Speaker 1>Like when you're putting together like an hour, which I'm

0:20:43.640 --> 0:20:46.080
<v Speaker 1>doing right now, right, do you do you learn it

0:20:46.200 --> 0:20:47.960
<v Speaker 1>or do you write it piece by piece? Are you

0:20:48.000 --> 0:20:49.000
<v Speaker 1>methodical about it?

0:20:49.960 --> 0:20:54.760
<v Speaker 3>My method has my mythology has changed over the years,

0:20:54.800 --> 0:20:58.320
<v Speaker 3>I think so right now. I come from Australia, so

0:20:58.359 --> 0:21:00.680
<v Speaker 3>we used we we're used to the Edinburgh.

0:21:00.520 --> 0:21:02.960
<v Speaker 2>Right, that vibe, that vibe. So you do like an hour?

0:21:03.400 --> 0:21:03.520
<v Speaker 3>Right?

0:21:03.600 --> 0:21:04.480
<v Speaker 2>Yeah, you do an hour?

0:21:04.800 --> 0:21:07.560
<v Speaker 3>Sometimes people do an hour before they even have fifteen minutes.

0:21:07.640 --> 0:21:10.040
<v Speaker 1>Yeah, as weird as that is, ye, Yeah, because they're

0:21:10.080 --> 0:21:11.439
<v Speaker 1>doing crwd work and they're doing.

0:21:11.880 --> 0:21:14.159
<v Speaker 3>Personal stories, and they're a bit more indulgent, and the

0:21:14.200 --> 0:21:16.479
<v Speaker 3>crowd gives them a bit more rope because it's so

0:21:17.040 --> 0:21:20.560
<v Speaker 3>I come from that school, but I think I was

0:21:20.600 --> 0:21:23.560
<v Speaker 3>always considered a more I don't want pay myself on

0:21:23.600 --> 0:21:26.000
<v Speaker 3>the back, but I think I was more of a

0:21:26.200 --> 0:21:28.960
<v Speaker 3>US style comic doing like an hour, So I'll never

0:21:29.040 --> 0:21:31.240
<v Speaker 3>have a great pathos. So then I never had a

0:21:31.240 --> 0:21:34.240
<v Speaker 3>grete One Men's show like some you know, someone died

0:21:34.359 --> 0:21:34.680
<v Speaker 3>or something.

0:21:34.680 --> 0:21:34.840
<v Speaker 2>You know.

0:21:34.920 --> 0:21:37.800
<v Speaker 3>My my shows were always like kind of fifteen minutes

0:21:37.800 --> 0:21:39.800
<v Speaker 3>of material, fifteen minutes of material, fifteen minutes maturre and then.

0:21:39.760 --> 0:21:43.800
<v Speaker 2>Some Do you think that'll change as you get older kids? Yeah?

0:21:43.880 --> 0:21:46.240
<v Speaker 3>No, enough kids, No, you know, I come from that,

0:21:46.400 --> 0:21:48.520
<v Speaker 3>so it's hard for me to differentiate that One Men

0:21:48.640 --> 0:21:51.560
<v Speaker 3>show and you know, quote unquote pure stand up, So

0:21:51.720 --> 0:21:52.280
<v Speaker 3>I you know.

0:21:52.280 --> 0:21:54.640
<v Speaker 2>What is pure stand up? Though I don't really understand.

0:21:54.760 --> 0:21:58.080
<v Speaker 2>I mean, yeah, good, I mean is it one liners? Yeah?

0:21:58.080 --> 0:22:00.520
<v Speaker 3>I mean maybe it's okay. So here's where I am

0:22:00.600 --> 0:22:03.440
<v Speaker 3>right now with this new hour I've been doing. I've

0:22:03.480 --> 0:22:06.200
<v Speaker 3>done two tours in America now this is my third tour,

0:22:06.640 --> 0:22:10.760
<v Speaker 3>and my goal was I wanted every fifteen minutes of

0:22:10.800 --> 0:22:12.840
<v Speaker 3>this next hour to be something I could just do

0:22:12.920 --> 0:22:15.480
<v Speaker 3>in a comedy club, right, So that was my goal,

0:22:16.560 --> 0:22:18.720
<v Speaker 3>And so that's kind of what I've been working towards,

0:22:18.720 --> 0:22:21.280
<v Speaker 3>meaning I'll work at fifteen minutes and then I'll work

0:22:21.320 --> 0:22:25.399
<v Speaker 3>the next fifteen versus you know, sometimes you just have

0:22:25.440 --> 0:22:28.680
<v Speaker 3>that club fifteen and then you have like forty minutes

0:22:28.760 --> 0:22:32.359
<v Speaker 3>of stuff that will work after you have convinced audience

0:22:32.400 --> 0:22:33.400
<v Speaker 3>that you're not terrible.

0:22:33.160 --> 0:22:35.560
<v Speaker 1>Right, Okay, yeah, you can butter them up and then

0:22:35.560 --> 0:22:37.040
<v Speaker 1>you can do it right, right, right.

0:22:37.080 --> 0:22:38.840
<v Speaker 3>So now that's kind of my goal was to do

0:22:38.880 --> 0:22:40.639
<v Speaker 3>that fifteen minutes. So in that sense, it's more of

0:22:40.680 --> 0:22:42.800
<v Speaker 3>a stadt quote unquote stand but I've always been kind

0:22:42.800 --> 0:22:44.760
<v Speaker 3>of a longer joke teller, you know. I think that

0:22:44.840 --> 0:22:47.200
<v Speaker 3>again that comes from coming from Australia.

0:22:46.760 --> 0:22:47.040
<v Speaker 2>I think.

0:22:47.040 --> 0:22:49.800
<v Speaker 1>So I think also to me that that feels more

0:22:49.880 --> 0:22:53.000
<v Speaker 1>like if you go to the real kind of storytelling

0:22:53.119 --> 0:22:55.760
<v Speaker 1>roots of what this thing is. Yeah, when I'm putting

0:22:55.800 --> 0:22:59.840
<v Speaker 1>together an hour, I put together like, maybe I don't know,

0:23:00.119 --> 0:23:02.119
<v Speaker 1>twenty minutes of stuff that I know I'm going to

0:23:02.200 --> 0:23:04.520
<v Speaker 1>say yes, But I know when I I always start

0:23:04.560 --> 0:23:07.960
<v Speaker 1>pretty much the same time place I will start in Denver.

0:23:08.240 --> 0:23:10.720
<v Speaker 2>The comedy works in Denver, all the best clubs in

0:23:10.760 --> 0:23:13.120
<v Speaker 2>the country for some reason. Yeah, it's crazy good.

0:23:13.240 --> 0:23:16.879
<v Speaker 1>So I go there with what I it's twenty minutes

0:23:16.920 --> 0:23:20.840
<v Speaker 1>in my head and invariably it's an hour by the

0:23:20.920 --> 0:23:22.560
<v Speaker 1>time I get it out in the club.

0:23:22.640 --> 0:23:24.760
<v Speaker 3>Or you come from that tradition, right, you come from that,

0:23:24.960 --> 0:23:26.800
<v Speaker 3>you know Connorley tradition.

0:23:26.880 --> 0:23:28.640
<v Speaker 2>You can come up twenty minutes of ideas and make

0:23:28.680 --> 0:23:31.080
<v Speaker 2>it come of an hour. Well, but I think you

0:23:31.320 --> 0:23:33.159
<v Speaker 2>it feels to me like you have that too. I

0:23:33.160 --> 0:23:35.560
<v Speaker 2>don't think. So. Do you think I'm that good at it?

0:23:35.640 --> 0:23:37.520
<v Speaker 1>Well, I don't know, because we like when I want

0:23:37.560 --> 0:23:39.280
<v Speaker 1>you to do stand up. It feels to me like

0:23:39.359 --> 0:23:42.360
<v Speaker 1>you're someone who like that. Maybe I'm wrong, Maybe you're

0:23:42.400 --> 0:23:45.199
<v Speaker 1>really good at when I would speak easy when you

0:23:45.200 --> 0:23:49.000
<v Speaker 1>were doing that thing about everybody, you know, say the

0:23:49.080 --> 0:23:52.919
<v Speaker 1>race that you but there was like the thing with

0:23:52.960 --> 0:23:56.160
<v Speaker 1>the glass and all that kind of looked really kind

0:23:56.160 --> 0:23:57.159
<v Speaker 1>of off the cuff to me?

0:23:57.320 --> 0:23:57.960
<v Speaker 2>Was that really?

0:23:58.760 --> 0:24:00.600
<v Speaker 3>I mean, I've been touring that for a while before

0:24:00.640 --> 0:24:04.560
<v Speaker 3>filming it, and so so builds Yeah, building over to

0:24:04.560 --> 0:24:08.040
<v Speaker 3>get it. But I definitely to go back to what

0:24:08.080 --> 0:24:11.480
<v Speaker 3>you're saying about turning twenty into an hour. If you

0:24:11.520 --> 0:24:14.359
<v Speaker 3>have twenty, I think you can get to forty five,

0:24:14.480 --> 0:24:17.840
<v Speaker 3>which is basically an hour, right, But if you have five,

0:24:19.160 --> 0:24:20.600
<v Speaker 3>I don't know if you can get to I don't

0:24:20.640 --> 0:24:21.240
<v Speaker 3>I can't get to it.

0:24:21.359 --> 0:24:24.240
<v Speaker 1>I forget every upstairs, and you just you're up on

0:24:24.320 --> 0:24:27.600
<v Speaker 1>stage and you just fucking forget everything. Yeah, yeah, you

0:24:27.680 --> 0:24:29.240
<v Speaker 1>know what Lano said. I said that to Lanta, was

0:24:29.240 --> 0:24:32.159
<v Speaker 1>talking to Lanto about it goes. Just keep talking, just

0:24:32.240 --> 0:24:34.879
<v Speaker 1>keep talking. They don't know this, right, just keep tucking.

0:24:34.920 --> 0:24:37.840
<v Speaker 3>But that's also a product of being able to play

0:24:37.880 --> 0:24:40.119
<v Speaker 3>to your own crowd in a very friendly environmentally, you

0:24:40.160 --> 0:24:42.560
<v Speaker 3>know what I mean. And I think sometimes you know,

0:24:42.680 --> 0:24:44.520
<v Speaker 3>New York comedy clubs can kick you in the ass

0:24:44.560 --> 0:24:46.639
<v Speaker 3>a little bit. So that's and that's why I moved

0:24:46.640 --> 0:24:49.639
<v Speaker 3>here because not like Australia, they probably give you some

0:24:49.720 --> 0:24:51.640
<v Speaker 3>rope you know, where you're like, oh, yeah, okay, you forgot.

0:24:51.720 --> 0:24:53.720
<v Speaker 3>You can mess around. You can be like, ah there's

0:24:53.760 --> 0:24:55.200
<v Speaker 3>nothing here, you know, like you go through your whole

0:24:55.200 --> 0:24:57.520
<v Speaker 3>setup and you're like, ah, this was funny in my head,

0:24:57.640 --> 0:24:59.920
<v Speaker 3>and then people are ahaha, they go along with it,

0:25:00.440 --> 0:25:02.640
<v Speaker 3>especially if you call your show, you know, testing material,

0:25:03.320 --> 0:25:04.600
<v Speaker 3>track focused on this testing material.

0:25:04.600 --> 0:25:07.399
<v Speaker 2>Whatever I do, I don't test here. You just go

0:25:07.480 --> 0:25:07.960
<v Speaker 2>for it again.

0:25:08.040 --> 0:25:10.760
<v Speaker 1>We come from well, I mean also the thing is

0:25:10.800 --> 0:25:13.399
<v Speaker 1>as well, is that if it doesn't work, that's also funny.

0:25:13.480 --> 0:25:14.760
<v Speaker 2>Yes, well that's my point.

0:25:14.880 --> 0:25:16.879
<v Speaker 3>Yeah, that you're, you know, friend of the environment where

0:25:17.119 --> 0:25:20.800
<v Speaker 3>if something doesn't work, it's also funny and you honestly

0:25:20.960 --> 0:25:22.840
<v Speaker 3>you have the chops to pull it off anyway.

0:25:22.880 --> 0:25:25.000
<v Speaker 1>All right, So I don't I don't have nothing. I

0:25:25.640 --> 0:25:28.199
<v Speaker 1>disagree with that, but I think what I think what

0:25:28.240 --> 0:25:33.359
<v Speaker 1>it is is that what happens when you get what

0:25:33.440 --> 0:25:36.080
<v Speaker 1>you want from stand up? What do you want from it?

0:25:36.400 --> 0:25:39.400
<v Speaker 1>Apart from the like you want to succeed every show. Yes,

0:25:39.680 --> 0:25:41.520
<v Speaker 1>but a lot of stand ups, I know, they want

0:25:41.560 --> 0:25:44.199
<v Speaker 1>to be actors, or they want to be writers, or

0:25:44.280 --> 0:25:46.840
<v Speaker 1>they want to be philosophers, or they want to be.

0:25:47.240 --> 0:25:52.120
<v Speaker 3>If I can do a gig where my old stuff killed,

0:25:52.920 --> 0:25:57.040
<v Speaker 3>I had a good crowd interaction and my new stuff killed, then.

0:25:56.880 --> 0:26:00.879
<v Speaker 2>That's when I'm fire the three things.

0:26:01.520 --> 0:26:03.320
<v Speaker 3>If one of those three things doesn't happen, I means

0:26:03.320 --> 0:26:04.000
<v Speaker 3>I'm just a fraud.

0:26:04.040 --> 0:26:07.280
<v Speaker 1>I'm like and the stand the stand up occupy all

0:26:07.320 --> 0:26:10.040
<v Speaker 1>of your frontal lobes or is it is like do

0:26:10.080 --> 0:26:12.400
<v Speaker 1>you want to like, do you play a musical instrument?

0:26:12.480 --> 0:26:14.960
<v Speaker 2>Do you have no do anything else?

0:26:15.200 --> 0:26:20.199
<v Speaker 3>I I enjoy acting, you know, acting like when you

0:26:20.240 --> 0:26:21.439
<v Speaker 3>were in Crazy Right Asians.

0:26:21.760 --> 0:26:24.760
<v Speaker 1>I think for for like Asian actors. That was like

0:26:25.080 --> 0:26:28.439
<v Speaker 1>Braveheart was for Scottish actors. Yeah, you know when I

0:26:28.520 --> 0:26:30.600
<v Speaker 1>wasn't and Brave Heart I always feel like such a.

0:26:32.600 --> 0:26:34.399
<v Speaker 2>That's so funn Did you audition?

0:26:34.640 --> 0:26:41.080
<v Speaker 1>Did you audition audition for the The Guy Who Kills Edition?

0:26:41.359 --> 0:26:42.920
<v Speaker 2>Do you remember the movie? A little bit?

0:26:43.440 --> 0:26:46.160
<v Speaker 1>Audition for the part that was played by an Irish guy,

0:26:46.640 --> 0:26:51.760
<v Speaker 1>And I like, but here's the thing as well. When

0:26:51.800 --> 0:26:54.000
<v Speaker 1>the movie came out, I was in Hollywood and after

0:26:54.160 --> 0:26:57.160
<v Speaker 1>and I was kind of, oh man, it was awful

0:26:57.680 --> 0:26:59.879
<v Speaker 1>and I didn't have any work, And I went to

0:27:00.000 --> 0:27:03.880
<v Speaker 1>audition for the part of reading the audiobook adaptation That's

0:27:03.920 --> 0:27:07.520
<v Speaker 1>funny of Braveheart. I didn't get it. The cast and

0:27:07.600 --> 0:27:10.800
<v Speaker 1>director said to me, we don't fail. Your accent is

0:27:10.840 --> 0:27:14.520
<v Speaker 1>a than Wow. I know that's so funny. Yeah, but

0:27:15.040 --> 0:27:18.560
<v Speaker 1>there was a time when you know everything Scottish fucking thing.

0:27:18.800 --> 0:27:22.000
<v Speaker 1>I was like, do you ever look at parts and think,

0:27:22.119 --> 0:27:23.880
<v Speaker 1>you know what, fuck you.

0:27:23.920 --> 0:27:26.600
<v Speaker 2>No, I'm not doing it just because I'm Asian or because.

0:27:26.359 --> 0:27:29.840
<v Speaker 3>I get that with Scottish, because I like, yeah, I

0:27:29.840 --> 0:27:33.560
<v Speaker 3>mean when when it was when it's kind of very

0:27:33.680 --> 0:27:36.359
<v Speaker 3>stereotypically written, then I want to do this. I'm gonna

0:27:37.119 --> 0:27:43.320
<v Speaker 3>I auditioned for everything on principle because I feel like I,

0:27:43.359 --> 0:27:46.040
<v Speaker 3>as someone who didn't go to acting school, I need

0:27:46.040 --> 0:27:49.159
<v Speaker 3>the reps. I need the repetitions soever comes in an

0:27:49.160 --> 0:27:51.800
<v Speaker 3>audition for it. But that stuff I'll tell my agents like, hey,

0:27:51.800 --> 0:27:53.320
<v Speaker 3>I'm sending you in an audition because i.

0:27:53.240 --> 0:27:55.960
<v Speaker 2>Need the practice. But I'm not gonna. I'm not gonna

0:27:55.960 --> 0:27:56.320
<v Speaker 2>do this one.

0:27:56.359 --> 0:27:59.879
<v Speaker 3>There was one unfortunate one that was so it was

0:28:00.040 --> 0:28:04.040
<v Speaker 3>Clifford The Big Red Dog, and I.

0:28:03.960 --> 0:28:05.480
<v Speaker 2>Was like, oh, this is cool. You were going to

0:28:05.480 --> 0:28:05.920
<v Speaker 2>be the dog.

0:28:06.160 --> 0:28:08.640
<v Speaker 3>No, no, no, I was like, this is a cool movie.

0:28:08.720 --> 0:28:11.040
<v Speaker 3>I know this prop is I g I'm like, oh, well,

0:28:11.080 --> 0:28:14.040
<v Speaker 3>you know, fun, sounds fun. And they had me play

0:28:14.080 --> 0:28:16.680
<v Speaker 3>the big the Big Bad Guy, which I'm like, yeah,

0:28:16.840 --> 0:28:17.440
<v Speaker 3>I'm down.

0:28:17.280 --> 0:28:18.120
<v Speaker 2>Love being bad guy.

0:28:18.560 --> 0:28:23.320
<v Speaker 3>And in the movie, unfortunately the Big Bad Guy he

0:28:23.680 --> 0:28:28.680
<v Speaker 3>is a genetic biologist, scientist and he's trying to end

0:28:28.920 --> 0:28:32.679
<v Speaker 3>world hunger, and he's trying to grow food bigger and bigger,

0:28:32.760 --> 0:28:35.479
<v Speaker 3>and everything he grows, all his his whole company keeps failing,

0:28:35.560 --> 0:28:38.760
<v Speaker 3>all his underlying scientists keeps failing at growing big foods.

0:28:39.040 --> 0:28:41.000
<v Speaker 3>And then he sees Clifford the Big Red Dog on

0:28:41.080 --> 0:28:45.040
<v Speaker 3>TV and he's like, get me the fucking dog, because

0:28:45.040 --> 0:28:46.000
<v Speaker 3>we need to figure out how this.

0:28:46.000 --> 0:28:50.440
<v Speaker 2>Thing I wasn't I'm totally absorbed a great story. But

0:28:50.480 --> 0:28:52.880
<v Speaker 2>then now it looks like fucking Asian people try eat dogs.

0:28:53.000 --> 0:28:56.600
<v Speaker 2>So I never even thought that.

0:28:56.920 --> 0:29:00.880
<v Speaker 3>I know, I know, I'm sure they didn't think about that. No,

0:29:00.920 --> 0:29:04.320
<v Speaker 3>one's because everyone's not a fucking idiot. So they want

0:29:04.400 --> 0:29:07.360
<v Speaker 3>racist bad so they want thinking that. But me, I'm like,

0:29:07.440 --> 0:29:09.160
<v Speaker 3>I told my agents, like, hey, even if I get this,

0:29:09.200 --> 0:29:09.760
<v Speaker 3>I can't do this.

0:29:10.560 --> 0:29:12.560
<v Speaker 2>It's not a good look. No, it's not a good look.

0:29:12.640 --> 0:29:13.120
<v Speaker 3>And so.

0:29:15.960 --> 0:29:17.920
<v Speaker 2>But have you ever done stuff? And you went, oh, no,

0:29:18.000 --> 0:29:19.440
<v Speaker 2>I shouldn't have done that.

0:29:19.600 --> 0:29:21.880
<v Speaker 3>Okay, yes, there's one, there's one. Okay, no, this is

0:29:21.880 --> 0:29:24.520
<v Speaker 3>still another audition. They all love this one. So this

0:29:24.720 --> 0:29:27.760
<v Speaker 3>was a bad Henchman. I get the audition in Henchmen

0:29:27.960 --> 0:29:31.880
<v Speaker 3>for I won't say which movie. Uh, and it's it's

0:29:31.920 --> 0:29:36.520
<v Speaker 3>called the Henchman's name is the Scotsman, and I'm like, okay,

0:29:37.560 --> 0:29:39.600
<v Speaker 3>maybe that's just his name. Maybe the joke is that

0:29:39.760 --> 0:29:42.280
<v Speaker 3>I have my accent, but my name is the Scotsman,

0:29:42.440 --> 0:29:45.120
<v Speaker 3>right and and but the very first direction is this

0:29:45.160 --> 0:29:48.160
<v Speaker 3>henchman has a very thick Scottish accent. Please try to

0:29:48.200 --> 0:29:50.440
<v Speaker 3>do your scars accent. The joke is that no one

0:29:50.440 --> 0:29:55.920
<v Speaker 3>can understand his stick scars accent. So somewhere on some

0:29:56.320 --> 0:30:01.560
<v Speaker 3>cloud somewhere exists an audition of me doing a Scottish accent,

0:30:02.320 --> 0:30:05.000
<v Speaker 3>and just just I.

0:30:04.880 --> 0:30:06.320
<v Speaker 2>Wish I could hear. I know, I wish.

0:30:06.400 --> 0:30:09.000
<v Speaker 3>I and my friend recorded it and he was reading

0:30:09.000 --> 0:30:10.800
<v Speaker 3>it with me, and we would and I had my

0:30:10.800 --> 0:30:12.480
<v Speaker 3>my friend actually had to do the Scottish accent, and

0:30:12.480 --> 0:30:15.760
<v Speaker 3>then I would like impersonate him and it's.

0:30:15.120 --> 0:30:18.479
<v Speaker 2>Your friend's got oh fuck man, come on. So no,

0:30:18.560 --> 0:30:20.920
<v Speaker 2>But the whole joke was that nobody could understand.

0:30:21.080 --> 0:30:23.160
<v Speaker 3>And then I'm like, well, do I want to be

0:30:23.240 --> 0:30:25.760
<v Speaker 3>the Asian who people can understand because of an accent,

0:30:25.800 --> 0:30:28.720
<v Speaker 3>even if it's Scottish.

0:30:27.640 --> 0:30:30.320
<v Speaker 2>It's very you know, it's a fucking minefield.

0:30:31.200 --> 0:30:33.640
<v Speaker 1>I auditioned one. I went for a edition. Once I

0:30:33.640 --> 0:30:36.280
<v Speaker 1>got this. I really needed a job in Hollywood, and

0:30:36.320 --> 0:30:39.320
<v Speaker 1>I got this. Addition to there was a sitcom called

0:30:39.360 --> 0:30:41.600
<v Speaker 1>Suddenly Susan with Brookshields, Right.

0:30:41.880 --> 0:30:44.080
<v Speaker 2>Yeah, remember that, Yeah, it was right.

0:30:44.160 --> 0:30:48.040
<v Speaker 1>In that show, there was a character a Hispanic photographer.

0:30:48.120 --> 0:30:50.280
<v Speaker 1>He was I think he was a photographer for Mexico

0:30:50.440 --> 0:30:53.200
<v Speaker 1>or something like that. And for some reason, I was

0:30:53.240 --> 0:30:57.760
<v Speaker 1>on the audition call in the thing and I was like,

0:30:57.880 --> 0:31:01.600
<v Speaker 1>oh oh, and it's written like.

0:31:01.760 --> 0:31:05.800
<v Speaker 3>Yeah, exactly, It's written for exactly, Oh my god, jezu exactly.

0:31:05.840 --> 0:31:07.640
<v Speaker 1>And this is the nineties, and I need a job.

0:31:07.680 --> 0:31:08.880
<v Speaker 1>So I go in and I go in and there's

0:31:08.880 --> 0:31:10.600
<v Speaker 1>a whole line of guys in the audition. They all

0:31:10.640 --> 0:31:13.200
<v Speaker 1>look like Antonio Banderis. Nobody looks like me at all.

0:31:13.240 --> 0:31:15.040
<v Speaker 1>And I go in and and I go in and

0:31:15.080 --> 0:31:17.200
<v Speaker 1>I do the audition. I do the accent in the

0:31:17.240 --> 0:31:21.040
<v Speaker 1>audition like Speedy Gonzalez or something that was bad.

0:31:21.200 --> 0:31:24.200
<v Speaker 3>It is so funny because all these auditions somewhere.

0:31:23.880 --> 0:31:27.560
<v Speaker 2>Will probably just, I mean it terrifying, but what but what? What?

0:31:27.640 --> 0:31:30.200
<v Speaker 1>Yo is that I'm would have been nineteen ninety five,

0:31:30.200 --> 0:31:32.440
<v Speaker 1>because I tell you what happened is when I got

0:31:32.520 --> 0:31:36.040
<v Speaker 1>done or ninety six, when I got done with the audition,

0:31:36.160 --> 0:31:39.800
<v Speaker 1>they said to me, that's the worst accent we've ever heard.

0:31:39.680 --> 0:31:40.280
<v Speaker 2>And went thanks.

0:31:40.320 --> 0:31:43.120
<v Speaker 1>He said, but we are doing a show where we're

0:31:43.120 --> 0:31:45.680
<v Speaker 1>looking for a guy to play the English boss on

0:31:45.760 --> 0:31:47.760
<v Speaker 1>the Drew Carey shows. Can you can you do an

0:31:47.760 --> 0:31:53.920
<v Speaker 1>English accent? And I said, see, Senor Jasey, And I

0:31:53.960 --> 0:31:56.280
<v Speaker 1>got the I got apart from it was the part

0:31:56.280 --> 0:31:58.360
<v Speaker 1>of audition for but because I think you should always

0:31:58.360 --> 0:31:59.960
<v Speaker 1>go if you're a young performer, I always go.

0:32:00.160 --> 0:32:00.560
<v Speaker 2>That's why I.

0:32:00.480 --> 0:32:04.600
<v Speaker 3>Always audition audition because because so there's been three projects

0:32:04.640 --> 0:32:06.600
<v Speaker 3>now where they've given me something else all right, or

0:32:06.640 --> 0:32:08.840
<v Speaker 3>they're still writing the script and they write characters out

0:32:09.400 --> 0:32:10.560
<v Speaker 3>the audition.

0:32:10.600 --> 0:32:12.520
<v Speaker 2>Like you, and they changed the part to make you

0:32:12.560 --> 0:32:16.920
<v Speaker 2>the y. I think that's right. You can't. But it's

0:32:16.920 --> 0:32:19.240
<v Speaker 2>it's so I don't know how I would be now

0:32:19.760 --> 0:32:20.160
<v Speaker 2>starting now.

0:32:20.200 --> 0:32:21.760
<v Speaker 1>Because you guys have a look, you've got to have

0:32:22.280 --> 0:32:24.040
<v Speaker 1>followers on your tickety talk.

0:32:25.040 --> 0:32:27.280
<v Speaker 3>I think yes and no, I think yes and no.

0:32:27.480 --> 0:32:31.960
<v Speaker 3>I think like I've met some people who was shoved

0:32:32.000 --> 0:32:35.640
<v Speaker 3>into a project that I was on because of their followers.

0:32:36.120 --> 0:32:38.920
<v Speaker 3>And I've also and I've met ones who come on

0:32:39.000 --> 0:32:41.480
<v Speaker 3>because of their followers but they're great anyway, right, right, sure,

0:32:42.360 --> 0:32:44.640
<v Speaker 3>And then I've met people who don't have any social

0:32:44.680 --> 0:32:46.360
<v Speaker 3>media and they go cast from now, do you.

0:32:46.160 --> 0:32:48.560
<v Speaker 2>You have a ton of social media? I don't have.

0:32:48.760 --> 0:32:51.080
<v Speaker 2>You don't. I don't have Instagram. That's about it.

0:32:51.200 --> 0:32:55.280
<v Speaker 3>Facebook, That's that's about it. I'm off Twitter now and it.

0:32:55.240 --> 0:32:58.960
<v Speaker 1>Doesn't really exist anymore, doesn't think so kind of falling apart. Yeah,

0:32:59.120 --> 0:33:01.880
<v Speaker 1>I mean it used to be like super powerful.

0:33:01.920 --> 0:33:07.000
<v Speaker 3>But I'm I guess I'm a little old school in

0:33:07.080 --> 0:33:09.600
<v Speaker 3>the sense that when I when I started in nine,

0:33:10.080 --> 0:33:14.240
<v Speaker 3>YouTube just was getting its legs and there was no

0:33:14.320 --> 0:33:16.200
<v Speaker 3>one had figured out how to do stand up on

0:33:16.280 --> 0:33:20.080
<v Speaker 3>YouTube yet. In fact, stand up clips on the internet

0:33:20.280 --> 0:33:23.880
<v Speaker 3>is a last five six years thing. Right before that,

0:33:23.960 --> 0:33:27.400
<v Speaker 3>it was YouTube comedy, right, it was YouTube style sketches.

0:33:27.480 --> 0:33:29.720
<v Speaker 2>Yeah, people would do them. Yes, Yes, they would do

0:33:29.760 --> 0:33:31.320
<v Speaker 2>their little things. Yeah, they do things.

0:33:31.320 --> 0:33:33.480
<v Speaker 3>And then the idea at that time was that if

0:33:33.520 --> 0:33:36.160
<v Speaker 3>you were a stand up or live performer, you would

0:33:36.160 --> 0:33:38.600
<v Speaker 3>do your YouTube comedy, cell tickets and people coming to

0:33:38.680 --> 0:33:41.080
<v Speaker 3>you life, and you do essentially a different show live, right,

0:33:41.120 --> 0:33:43.760
<v Speaker 3>because there are different skill sets. But in the last

0:33:43.760 --> 0:33:47.040
<v Speaker 3>six years people have figured out, you know, I got

0:33:47.040 --> 0:33:48.920
<v Speaker 3>to give credit that probably Andrew Schultz is the one

0:33:48.920 --> 0:33:52.360
<v Speaker 3>who figured out how to put stand up clips on

0:33:52.480 --> 0:33:56.480
<v Speaker 3>Instagram in short bursts for better or for worse, and

0:33:56.640 --> 0:34:02.400
<v Speaker 3>put subtitles and find a following, and also educate the

0:34:02.640 --> 0:34:06.520
<v Speaker 3>crowd in stand up comedy, because before that you will

0:34:06.600 --> 0:34:09.640
<v Speaker 3>watch YouTube style comedy which was very physical, it was

0:34:09.760 --> 0:34:13.439
<v Speaker 3>very exaggerated, a little slapsticky right right, and you could

0:34:13.440 --> 0:34:16.080
<v Speaker 3>digest that in like twenty seconds. If you saw a

0:34:16.160 --> 0:34:19.600
<v Speaker 3>stand up clip at that time, you wouldn't even give

0:34:19.600 --> 0:34:21.840
<v Speaker 3>it five seconds. You just what, I gotta listen to

0:34:21.840 --> 0:34:24.160
<v Speaker 3>a setup and then you just swipe. Whereas now I

0:34:24.160 --> 0:34:25.600
<v Speaker 3>think people have because.

0:34:25.320 --> 0:34:29.360
<v Speaker 2>The subtitles, the period subtitles and educating the crowd.

0:34:30.000 --> 0:34:32.319
<v Speaker 1>But I noticed that with my my own late night show,

0:34:32.360 --> 0:34:35.120
<v Speaker 1>it's all over that shit. Yes, I don't get any

0:34:35.160 --> 0:34:37.120
<v Speaker 1>of that. There's nothing to do with me. I don't

0:34:37.120 --> 0:34:38.840
<v Speaker 1>touch it, I don't edit it, I don't put the

0:34:38.920 --> 0:34:41.120
<v Speaker 1>words on it. And then people are clearly putting it

0:34:41.200 --> 0:34:45.520
<v Speaker 1>out Yeah, and they. I guess the hunger that the

0:34:45.560 --> 0:34:47.640
<v Speaker 1>Beast has is just for content. I mean, I mean

0:34:47.760 --> 0:34:51.200
<v Speaker 1>like two thousand hours or two and fifty hours of content.

0:34:51.280 --> 0:34:55.960
<v Speaker 2>Yeah, there's nostalgia. There's also Jesus Christ, I'm nostalgic.

0:34:56.000 --> 0:34:57.759
<v Speaker 3>I suppose I Yeah, I mean when you did the

0:34:57.760 --> 0:35:00.239
<v Speaker 3>Britney Spears thing, you know, and that stuff like that.

0:35:00.360 --> 0:35:04.759
<v Speaker 3>It's kind of socially relevant if I had to analyze it.

0:35:05.000 --> 0:35:06.080
<v Speaker 2>Yeah, it's a bit of that.

0:35:06.320 --> 0:35:10.359
<v Speaker 3>Also just good comedy, right, that's not well, Yeah, they

0:35:10.360 --> 0:35:12.920
<v Speaker 3>put it on a unfortunately for better for wordsn't a

0:35:13.000 --> 0:35:13.880
<v Speaker 3>more digestible.

0:35:13.960 --> 0:35:16.759
<v Speaker 1>Yeah, they cut everything up and splicely. Well, let me

0:35:16.760 --> 0:35:19.040
<v Speaker 1>ask you this. Have you ever have you ever fallen

0:35:19.239 --> 0:35:23.360
<v Speaker 1>foul of the of the pitfalls of our game? The

0:35:24.280 --> 0:35:27.800
<v Speaker 1>drugs and alcohol the just not a thing that.

0:35:28.040 --> 0:35:30.439
<v Speaker 2>I just it was not a thing because I grew

0:35:30.480 --> 0:35:33.600
<v Speaker 2>up in Singapore. It's just a very very strict in

0:35:33.600 --> 0:35:35.720
<v Speaker 2>my head, is very strict. It's super strict. You can't

0:35:35.760 --> 0:35:38.520
<v Speaker 2>have gum or something. No gum, no drugs, no, no

0:35:38.560 --> 0:35:40.279
<v Speaker 2>freaking yeah you no hats.

0:35:40.040 --> 0:35:43.600
<v Speaker 3>No, no, no, yeah, you can't.

0:35:44.280 --> 0:35:44.480
<v Speaker 2>Yeah.

0:35:44.600 --> 0:35:48.000
<v Speaker 3>So they're very they're very strict. So I just grew

0:35:48.040 --> 0:35:50.320
<v Speaker 3>up in an environment where it's like, oh, there's no drugs,

0:35:50.400 --> 0:35:53.200
<v Speaker 3>and I don't know. I just and I I'm physically

0:35:53.239 --> 0:35:57.200
<v Speaker 3>allergic to drinking, so I'll have like one drink and

0:35:57.239 --> 0:36:00.880
<v Speaker 3>then I can stop, which in Australia was like crazy.

0:36:01.120 --> 0:36:03.799
<v Speaker 3>All the comics were always like, oh, they're like, oh,

0:36:03.840 --> 0:36:05.600
<v Speaker 3>you don't drink, right. I was known as a guy

0:36:05.600 --> 0:36:08.200
<v Speaker 3>who doesn't drink, and I was like, I do drink,

0:36:08.239 --> 0:36:08.880
<v Speaker 3>I just don't.

0:36:08.960 --> 0:36:11.000
<v Speaker 2>I stopped at like one, I need to go. They

0:36:11.000 --> 0:36:12.000
<v Speaker 2>wouldn't understand that.

0:36:12.080 --> 0:36:14.319
<v Speaker 3>Yeah, it was always very I was kind of known

0:36:14.320 --> 0:36:18.719
<v Speaker 3>as the comic who doesn't drink, you know, like, Alronnie,

0:36:19.000 --> 0:36:19.680
<v Speaker 3>you don't drink.

0:36:19.520 --> 0:36:26.640
<v Speaker 2>Right, Ronie doesn't drink. You don't drink basically. But I

0:36:26.640 --> 0:36:28.120
<v Speaker 2>mean I also never felt the urge to.

0:36:28.280 --> 0:36:30.239
<v Speaker 1>So I just you know, I just you ever see

0:36:30.280 --> 0:36:33.040
<v Speaker 1>any of them fucking giant spiders they've got there in Australia.

0:36:33.160 --> 0:36:35.400
<v Speaker 3>No, the ones that's scary isn't the fucking giant ones.

0:36:35.440 --> 0:36:37.839
<v Speaker 3>It's the fuck red the red backs, red back Yeah,

0:36:38.280 --> 0:36:39.839
<v Speaker 3>the most vendomous I saw one of those ones.

0:36:40.080 --> 0:36:40.920
<v Speaker 2>Was it on the toilet?

0:36:41.080 --> 0:36:44.279
<v Speaker 3>No, it was it was in a shoe on the balcony,

0:36:44.320 --> 0:36:47.399
<v Speaker 3>and someone killed it immediately because they because that's that's

0:36:47.400 --> 0:36:49.000
<v Speaker 3>the thing that's a problem, to kill you that.

0:36:49.440 --> 0:36:49.640
<v Speaker 2>Well.

0:36:49.760 --> 0:36:52.160
<v Speaker 3>Yeah, but ten years in Australia, I've only seen one

0:36:52.160 --> 0:36:53.120
<v Speaker 3>of those, right.

0:36:53.000 --> 0:36:55.200
<v Speaker 1>But you know that's that's all you need. That's only

0:36:55.400 --> 0:36:57.520
<v Speaker 1>just one. See my wife, I'm like, we should go

0:36:57.560 --> 0:37:00.839
<v Speaker 1>to Australia. She's like, I'm not kind, Like it's these

0:37:00.840 --> 0:37:03.440
<v Speaker 1>fucking spiders. And I was talking to her today and

0:37:03.440 --> 0:37:04.960
<v Speaker 1>I said, I'm going to talk to Ronnie Chang and

0:37:05.000 --> 0:37:07.120
<v Speaker 1>he's like, spent a lot of time in Australia. And

0:37:07.160 --> 0:37:10.200
<v Speaker 1>she said, and ask him about those those birds that

0:37:10.280 --> 0:37:12.880
<v Speaker 1>can kill you with one kick. I'm like, you're making

0:37:12.920 --> 0:37:16.399
<v Speaker 1>that up, just mem no, no, no, I think it's

0:37:16.480 --> 0:37:19.759
<v Speaker 1>like it's called akasamori or something or yeah, I never

0:37:19.840 --> 0:37:21.840
<v Speaker 1>heard of it. And then she looked it up on

0:37:21.880 --> 0:37:24.719
<v Speaker 1>the internet and apparently she showed me a picture of

0:37:24.760 --> 0:37:26.479
<v Speaker 1>some giant chicken that will kick the ship.

0:37:26.719 --> 0:37:28.640
<v Speaker 2>What the hell? I never saw it in Australia. I

0:37:29.200 --> 0:37:30.359
<v Speaker 2>saw koala bears and ship.

0:37:30.440 --> 0:37:34.000
<v Speaker 3>But yeah, friendly, my my wife is Australian as well.

0:37:33.800 --> 0:37:36.279
<v Speaker 2>What will you ask her about the giant cake and bird? Yeah?

0:37:36.320 --> 0:37:36.839
<v Speaker 2>I was there.

0:37:37.120 --> 0:37:39.439
<v Speaker 3>I gotta find this giant kicking bird. But this isn't

0:37:39.440 --> 0:37:41.280
<v Speaker 3>my joke. This is the great Will Anderson.

0:37:41.600 --> 0:37:46.960
<v Speaker 1>Yeah, you know Will Anderson, I don't.

0:37:45.440 --> 0:37:47.200
<v Speaker 2>Very funny comed. He's also a legend.

0:37:47.320 --> 0:37:49.759
<v Speaker 3>And uh he's almost I would say almost like an

0:37:49.760 --> 0:37:52.600
<v Speaker 3>Australian Dave Chappelle in how prolific he is.

0:37:52.960 --> 0:37:55.120
<v Speaker 2>But this is his joke, not mine. I'm going to

0:37:55.200 --> 0:37:55.600
<v Speaker 2>butcher it.

0:37:55.640 --> 0:37:58.560
<v Speaker 3>But he was always like man, Americans always scared about

0:37:58.680 --> 0:37:59.880
<v Speaker 3>Australian animal.

0:38:00.440 --> 0:38:04.880
<v Speaker 2>You guys have guns, Yeah, that's true, like everyone.

0:38:04.719 --> 0:38:08.480
<v Speaker 3>Always spiders anything, like you guys have freaking machine guns.

0:38:08.480 --> 0:38:10.680
<v Speaker 1>Well you need a gun though, if you go spiders

0:38:10.719 --> 0:38:11.719
<v Speaker 1>and chickens, they can.

0:38:11.680 --> 0:38:12.240
<v Speaker 2>Kick the ship.

0:38:13.320 --> 0:38:15.600
<v Speaker 3>I've never I gotta find this bird that can kick

0:38:15.640 --> 0:38:20.000
<v Speaker 3>the beat. No, thangaroos can beat the ship off, fucking me. Yeah,

0:38:20.040 --> 0:38:23.960
<v Speaker 3>kangaroos can beat the ship off. The giant red kangaroos. Yeah,

0:38:24.000 --> 0:38:26.239
<v Speaker 3>they can jump like thirteen meters high. They got claws,

0:38:26.320 --> 0:38:28.680
<v Speaker 3>can rip your dick off. They rip your deck off,

0:38:28.760 --> 0:38:30.960
<v Speaker 3>Yeah they can because they.

0:38:30.560 --> 0:38:32.399
<v Speaker 1>And what they will do if you wrap your deck

0:38:32.440 --> 0:38:35.719
<v Speaker 1>off is they put your deck into their collected and

0:38:35.760 --> 0:38:40.800
<v Speaker 1>then they make a little necklace of them. That's right, necklace.

0:38:49.000 --> 0:38:50.920
<v Speaker 1>Did you ever play out in the like the boonies

0:38:51.000 --> 0:38:53.680
<v Speaker 1>in Australia? Do you ever got like yes, like you

0:38:53.680 --> 0:38:55.760
<v Speaker 1>know West of Adelaide and stuff like I went.

0:38:55.640 --> 0:38:58.480
<v Speaker 3>To Alice Springs, which is Darwin, you know, which is

0:38:58.880 --> 0:38:59.359
<v Speaker 3>our back.

0:38:59.560 --> 0:38:59.799
<v Speaker 2>Yeah.

0:38:59.880 --> 0:39:03.040
<v Speaker 3>I didn't get to like super outback, but I got

0:39:03.080 --> 0:39:04.360
<v Speaker 3>like moderate outback.

0:39:04.440 --> 0:39:08.800
<v Speaker 1>So you know, because for most Americans obviously have recently

0:39:08.880 --> 0:39:12.080
<v Speaker 1>priced family, but they have back.

0:39:12.120 --> 0:39:14.919
<v Speaker 2>In Australia, it's like people don't know, there's just nothing there.

0:39:14.960 --> 0:39:17.760
<v Speaker 3>Yeah, yeah, this is the whole desert, desert that miles

0:39:17.760 --> 0:39:20.120
<v Speaker 3>and miles of desert. The middle of Australia is all desert.

0:39:20.200 --> 0:39:22.240
<v Speaker 3>So people only live on the edge.

0:39:22.400 --> 0:39:25.040
<v Speaker 2>And there are the comedy clubs like in the middle

0:39:26.239 --> 0:39:30.080
<v Speaker 2>next everybody.

0:39:30.160 --> 0:39:34.439
<v Speaker 3>Yeah, Captain Bryant's Off the Hook comedy club. No, there

0:39:34.480 --> 0:39:38.600
<v Speaker 3>is comedy clubs in Okay. So Australia comes from that

0:39:38.920 --> 0:39:41.320
<v Speaker 3>Edinburgh comedy festival culture.

0:39:41.719 --> 0:39:42.920
<v Speaker 2>So we have clubs.

0:39:43.080 --> 0:39:46.480
<v Speaker 3>Every city has like maybe one club, but really the

0:39:46.520 --> 0:39:50.959
<v Speaker 3>way comedy is consumed there is comedy festivals. So every

0:39:51.320 --> 0:39:55.399
<v Speaker 3>city and state will have its own comedy festival kind

0:39:55.400 --> 0:39:58.279
<v Speaker 3>of thing. So it's like a Darwin festival and then

0:39:58.320 --> 0:39:59.680
<v Speaker 3>you'll go there and do comedy there.

0:39:59.840 --> 0:40:03.160
<v Speaker 2>So and with all the local comedians right oh no, no, no.

0:40:03.120 --> 0:40:05.200
<v Speaker 3>They'll fly people in so be the same people. You know,

0:40:05.239 --> 0:40:07.759
<v Speaker 3>you see the same people all the time, all the time. Yeah,

0:40:07.880 --> 0:40:10.360
<v Speaker 3>and then and then you go and you'll be performing

0:40:10.400 --> 0:40:13.920
<v Speaker 3>in like small theaters in the country. So one thing

0:40:13.960 --> 0:40:16.480
<v Speaker 3>Australia I didn't realize this is until I got here,

0:40:16.520 --> 0:40:19.439
<v Speaker 3>but Americans will consider Australia extremely socialists.

0:40:19.480 --> 0:40:21.800
<v Speaker 2>So they have a lot of arts funding. The government

0:40:21.880 --> 0:40:24.799
<v Speaker 2>funds a lot of arts for the country. Rural Australia

0:40:24.840 --> 0:40:26.400
<v Speaker 2>has a lot of arts. America has that too.

0:40:26.480 --> 0:40:30.600
<v Speaker 1>They have that these theaters out there and like where

0:40:30.640 --> 0:40:33.319
<v Speaker 1>you play an arts theater and it's like, how can

0:40:33.320 --> 0:40:35.160
<v Speaker 1>they afford to pay me this to be here? And

0:40:35.160 --> 0:40:38.200
<v Speaker 1>then you see who else is playing it and stuff.

0:40:38.200 --> 0:40:39.359
<v Speaker 1>All right, you're gonna make it, ok.

0:40:39.640 --> 0:40:41.400
<v Speaker 2>Yeah, but yeah, that's what they do.

0:40:41.520 --> 0:40:45.160
<v Speaker 3>So I've done the Melbourn Comy Festival road show twice

0:40:45.400 --> 0:40:47.439
<v Speaker 3>and that, you know, all around Australia. So I would

0:40:47.480 --> 0:40:50.440
<v Speaker 3>go to country Australian towns and just perform there. So

0:40:50.480 --> 0:40:53.360
<v Speaker 3>I've seen like country theaters. You know, do you consider

0:40:53.440 --> 0:40:54.600
<v Speaker 3>yourself an Australian.

0:40:54.840 --> 0:40:57.280
<v Speaker 2>No, No, a Malaysian. You're you're a Malaysian.

0:40:57.600 --> 0:41:01.760
<v Speaker 1>Talk to me about Malaysian Chinese because I know nothing

0:41:01.800 --> 0:41:03.560
<v Speaker 1>about it, because I know it's a little a little

0:41:03.640 --> 0:41:08.440
<v Speaker 1>tricky right politically, So can you explain for me, just

0:41:08.760 --> 0:41:12.160
<v Speaker 1>like imagine, I know nothing which is enough, is exactly

0:41:12.200 --> 0:41:15.960
<v Speaker 1>the truth, because there's some tension right between Malaysia and China.

0:41:16.440 --> 0:41:22.200
<v Speaker 3>Basically, I'm third generation Chinese Malaysian, so my grandparents came

0:41:23.200 --> 0:41:27.200
<v Speaker 3>from China and they settled in My grandparents' parents came

0:41:27.200 --> 0:41:30.160
<v Speaker 3>from China and they settled in Malaysia. So Malaysia has

0:41:30.200 --> 0:41:34.080
<v Speaker 3>a large Chinese diaspora, right, So yeah, I mean that's

0:41:34.120 --> 0:41:36.239
<v Speaker 3>the best way I can explain is that there's like

0:41:36.280 --> 0:41:40.560
<v Speaker 3>Chinese people in Malaysia. I think that's some The racial tension,

0:41:40.760 --> 0:41:42.440
<v Speaker 3>if there is any, is never on the ground.

0:41:42.560 --> 0:41:44.640
<v Speaker 2>Everyone in Malaysia is more friendly face to face.

0:41:45.000 --> 0:41:50.600
<v Speaker 3>It's always like the government is always trying to protect

0:41:50.760 --> 0:41:55.040
<v Speaker 3>its majority Malay population from like minority like China. So

0:41:56.320 --> 0:42:00.000
<v Speaker 3>we'll give certain tax breaks and this is official government policy,

0:42:00.160 --> 0:42:02.920
<v Speaker 3>give tax breaks to the majority of Malay, raise to

0:42:03.040 --> 0:42:07.080
<v Speaker 3>give school places to the majority of Malay race. And

0:42:07.080 --> 0:42:09.239
<v Speaker 3>they always play up those tensions, you know. So that's

0:42:09.280 --> 0:42:10.280
<v Speaker 3>that's the count problem.

0:42:10.520 --> 0:42:14.120
<v Speaker 1>So that the idea of people in the administration playing

0:42:14.200 --> 0:42:17.480
<v Speaker 1>up racial tension and whether their own agenda.

0:42:17.120 --> 0:42:22.640
<v Speaker 3>Is Exfortunately the United States unfortunately universal Yeah, and very

0:42:22.680 --> 0:42:25.399
<v Speaker 3>clear along racial lines, and yeah, so and it becomes

0:42:25.440 --> 0:42:26.280
<v Speaker 3>a whole you know language.

0:42:26.719 --> 0:42:32.720
<v Speaker 2>Do you speak Mandarin Chinese? Yeah? So Mandarin Chinese are Cantonese.

0:42:32.719 --> 0:42:37.440
<v Speaker 1>Gusepoth Wow, that's that's because my son speaks Mandarin. Wow,

0:42:37.560 --> 0:42:41.360
<v Speaker 1>my oldest son speaks Mandarin, which I'm that's it's amazing

0:42:41.360 --> 0:42:47.160
<v Speaker 1>because the language is so phonetically different, it's hard for

0:42:47.200 --> 0:42:49.840
<v Speaker 1>me to I'm usually I got pretty good ear for things,

0:42:49.840 --> 0:42:51.279
<v Speaker 1>but Chinese is hard for me.

0:42:51.680 --> 0:42:54.399
<v Speaker 2>Yeah, it should be. It's a completely different language. Family.

0:42:54.640 --> 0:42:58.319
<v Speaker 2>Do you make it hard for me and for you? Yeah?

0:42:58.320 --> 0:43:00.960
<v Speaker 3>We all make sure discars. People can't say yeah, but

0:43:01.400 --> 0:43:03.560
<v Speaker 3>I learned Chinese late.

0:43:03.640 --> 0:43:04.080
<v Speaker 2>I learned.

0:43:04.200 --> 0:43:06.560
<v Speaker 3>I learned Chinese from scratch when I was when I

0:43:06.600 --> 0:43:07.719
<v Speaker 3>was eight years old.

0:43:07.880 --> 0:43:10.320
<v Speaker 2>So I know what it's like to learn Chinese. Not

0:43:11.000 --> 0:43:13.160
<v Speaker 2>so I know how hard it is. Can you stand up?

0:43:13.680 --> 0:43:15.640
<v Speaker 3>I've done it before, but I'm not good at it.

0:43:15.680 --> 0:43:18.040
<v Speaker 3>I can do like five ten minutes in it, And said,

0:43:18.120 --> 0:43:21.200
<v Speaker 3>you know Des Bishop, Yeah, yeah, Des Bishop can't be Chinese.

0:43:21.880 --> 0:43:22.120
<v Speaker 2>Yeah.

0:43:22.520 --> 0:43:27.440
<v Speaker 3>Irish queensborn Irish comedian Des Bishop. So he went to

0:43:27.520 --> 0:43:31.279
<v Speaker 3>Ireland when he was a teenager and he started doing

0:43:31.320 --> 0:43:33.879
<v Speaker 3>stand up comedy in Ireland and one of the things

0:43:33.880 --> 0:43:37.320
<v Speaker 3>he did as an Edinburgh show was he learned Gaelic.

0:43:37.840 --> 0:43:41.000
<v Speaker 2>Is it Gaelic? Yeah, Irish nobody speaks Gaelic though, yeah.

0:43:41.280 --> 0:43:43.520
<v Speaker 3>He so he learned it from scratch and he did

0:43:43.520 --> 0:43:46.360
<v Speaker 3>comedy in it and so that was his show, right,

0:43:46.600 --> 0:43:50.759
<v Speaker 3>And then maybe five or eight years later he said,

0:43:50.760 --> 0:43:53.400
<v Speaker 3>you know, I'm going to learn Chinese from scratch and

0:43:53.440 --> 0:43:55.400
<v Speaker 3>do comedy in Chinese. So he moved to Baiting for

0:43:55.440 --> 0:43:57.240
<v Speaker 3>two years he learned Chinese from scratch.

0:43:57.239 --> 0:43:59.680
<v Speaker 2>The guy speaks. I speak to chine them all the time.

0:44:00.680 --> 0:44:03.040
<v Speaker 3>Yeah, against read and write, which is not easy because

0:44:03.160 --> 0:44:05.320
<v Speaker 3>reading and right there's no there's no phonetical.

0:44:05.040 --> 0:44:06.160
<v Speaker 2>Reaction, there's no connection.

0:44:06.320 --> 0:44:08.640
<v Speaker 3>Yeah, and he does comedy in Chinese. He has a

0:44:08.640 --> 0:44:11.320
<v Speaker 3>special on YouTube in Chinese. And I'm like, man, crazy,

0:44:11.400 --> 0:44:14.279
<v Speaker 3>it's crazy. I mean it's very impressive.

0:44:14.320 --> 0:44:16.360
<v Speaker 2>Yes, it is. He doesn't get enough credit for. Unfortunately,

0:44:16.400 --> 0:44:20.080
<v Speaker 2>that is a friend of mine, Eddie is. Yes, Eddie.

0:44:20.200 --> 0:44:23.560
<v Speaker 2>I was on his gala. Oh you were, that's how Yes,

0:44:23.600 --> 0:44:25.640
<v Speaker 2>this is certainly.

0:44:25.719 --> 0:44:31.080
<v Speaker 1>I've known Eddie for a very long time. She learned

0:44:31.760 --> 0:44:36.839
<v Speaker 1>her act in a language that she didn't speak. Yes,

0:44:37.480 --> 0:44:41.719
<v Speaker 1>And then when I did it without knowing really.

0:44:41.600 --> 0:44:44.360
<v Speaker 2>Not just that Eddie did it in like five languages.

0:44:44.480 --> 0:44:47.920
<v Speaker 3>Yeah, that's right, Spanish, Italian, French, Yep, German.

0:44:48.080 --> 0:44:51.200
<v Speaker 1>Yeah, yeah, it was It's a crazy thing that he did.

0:44:51.480 --> 0:44:53.440
<v Speaker 1>I mean, and then he read like marathons and then

0:44:53.440 --> 0:44:56.000
<v Speaker 1>he went twenty five marathons in three weeks and stuff.

0:44:56.080 --> 0:44:58.240
<v Speaker 1>Run a marathon, then do a comedy shot. Her language

0:44:58.280 --> 0:45:01.400
<v Speaker 1>was crazy, It was crazy. It was absolutely you know

0:45:01.480 --> 0:45:04.640
<v Speaker 1>what though, here's what I think his mother's probably.

0:45:06.480 --> 0:45:08.680
<v Speaker 2>You know, his mom died when he was three. Actually

0:45:08.800 --> 0:45:10.640
<v Speaker 2>I didn't know. Yeah, his mom died when he was

0:45:10.760 --> 0:45:13.520
<v Speaker 2>very young. And you know, all these guys from back

0:45:13.560 --> 0:45:15.799
<v Speaker 2>in the day, oh yeah, yeah, yeah, yeah, yeah yeah.

0:45:15.840 --> 0:45:20.520
<v Speaker 1>I mean everybody was Edinburgh, Yes, everybody was Edinburgh, Edinburgh, right,

0:45:20.600 --> 0:45:23.000
<v Speaker 1>but you were Edinburgh. I was already doing Late Night

0:45:23.040 --> 0:45:25.520
<v Speaker 1>by the time you were in Edinburgh. But but Edinburgh

0:45:25.560 --> 0:45:28.640
<v Speaker 1>in the eighties. It was an interesting thing because I

0:45:28.800 --> 0:45:32.279
<v Speaker 1>wonder it was such a backing alien. It was such

0:45:32.280 --> 0:45:37.399
<v Speaker 1>a it was such a heavy drinking, heavy lateness thing.

0:45:37.440 --> 0:45:40.680
<v Speaker 1>But it sounds like Australia when you were coming up

0:45:40.719 --> 0:45:41.719
<v Speaker 1>pretty much the same deal.

0:45:43.160 --> 0:45:44.240
<v Speaker 2>Edinburgh is different.

0:45:44.920 --> 0:45:51.160
<v Speaker 3>Australia was a steady drunk Edinburgh was intense for three weeks. Yeah,

0:45:51.200 --> 0:45:55.279
<v Speaker 3>atomic bomb drunk, which, like again I didn't drink, so

0:45:55.480 --> 0:45:58.520
<v Speaker 3>I was just observing it. But man, it was physically

0:45:58.560 --> 0:46:01.680
<v Speaker 3>a mentally, I don't know what it was like back

0:46:01.680 --> 0:46:02.080
<v Speaker 3>in the day.

0:46:02.080 --> 0:46:04.800
<v Speaker 2>But when I it was, I mean I ended rehappen.

0:46:05.680 --> 0:46:07.920
<v Speaker 2>So but what about how commercial it was?

0:46:07.960 --> 0:46:09.480
<v Speaker 3>That's this is what I really want to ask you about,

0:46:09.520 --> 0:46:11.319
<v Speaker 3>because when I went it was.

0:46:12.160 --> 0:46:14.040
<v Speaker 2>It's just so you have something to contrast with.

0:46:14.400 --> 0:46:19.120
<v Speaker 3>When I went was twenty twelve, twenty thirteen, twenty fourteen,

0:46:19.520 --> 0:46:23.600
<v Speaker 3>and at that time it was already Edinburgh Festival, Edinburgh Fringe.

0:46:23.840 --> 0:46:27.600
<v Speaker 3>And then in response to the commercial quote unquote commercialization

0:46:27.719 --> 0:46:29.799
<v Speaker 3>of the of the Edinboral Fringe, that had the Free

0:46:29.800 --> 0:46:32.280
<v Speaker 3>Fringe that was already going on. So there was essentially

0:46:32.320 --> 0:46:37.160
<v Speaker 3>three festivals happening in this one city, and so it

0:46:37.200 --> 0:46:41.480
<v Speaker 3>was all a competition to get into the big six

0:46:41.600 --> 0:46:42.600
<v Speaker 3>venues whatever that was.

0:46:42.960 --> 0:46:46.200
<v Speaker 2>So it was an assembly room, assembly on.

0:46:46.440 --> 0:46:50.560
<v Speaker 3>The belly, something else, something else. And and then in

0:46:50.640 --> 0:46:52.960
<v Speaker 3>response to that they started the Free Fringe to start

0:46:53.000 --> 0:46:53.520
<v Speaker 3>this idea.

0:46:53.719 --> 0:46:56.040
<v Speaker 1>So was it like that when you started? Yeah, it's similar.

0:46:56.120 --> 0:46:59.600
<v Speaker 1>I mean there were venues that were established the Gildiballin.

0:47:00.640 --> 0:47:03.560
<v Speaker 1>I don't think that was there when I started, but

0:47:03.680 --> 0:47:06.799
<v Speaker 1>the assembly rooms was the big one and everyone tried

0:47:06.800 --> 0:47:08.719
<v Speaker 1>to get in that, and there was there was this

0:47:08.840 --> 0:47:12.520
<v Speaker 1>idea I remember because I was Scottish and there was

0:47:12.600 --> 0:47:14.840
<v Speaker 1>all these English comedians used to come up, and I

0:47:14.960 --> 0:47:15.960
<v Speaker 1>fucking hated them.

0:47:16.280 --> 0:47:17.520
<v Speaker 2>Because they weren't really comedians.

0:47:17.520 --> 0:47:20.040
<v Speaker 1>They were like rich kids that went to Oxford and

0:47:20.080 --> 0:47:23.720
<v Speaker 1>Cambridge and they would come up. Some of them were talented,

0:47:23.760 --> 0:47:26.240
<v Speaker 1>but most of them were just fucking, you know, playing

0:47:26.280 --> 0:47:29.959
<v Speaker 1>at it. And they would come up and I would

0:47:30.000 --> 0:47:32.279
<v Speaker 1>get if I got a big audience to say yes,

0:47:32.320 --> 0:47:34.279
<v Speaker 1>but it's a local audience, isn't it.

0:47:34.440 --> 0:47:37.760
<v Speaker 2>I'm like, well, isn't every fucking audience a local audience.

0:47:37.840 --> 0:47:39.799
<v Speaker 3>That's so funny that even you had your gripes with

0:47:39.840 --> 0:47:42.120
<v Speaker 3>the festal Oh my god, as you should, because I

0:47:42.120 --> 0:47:43.680
<v Speaker 3>have my gripes. But I don't know whether I'm just

0:47:43.719 --> 0:47:45.200
<v Speaker 3>being a bitter you know, no.

0:47:45.000 --> 0:47:47.200
<v Speaker 2>No, no, you got to be better. You can't.

0:47:47.400 --> 0:47:49.640
<v Speaker 1>You have to have a certain amount of betterness. It's

0:47:49.680 --> 0:47:52.680
<v Speaker 1>an essential part of the rest. Michael Michael jordan'ship on

0:47:52.680 --> 0:47:54.600
<v Speaker 1>your should Yeah, I think you have to have a

0:47:54.680 --> 0:47:58.080
<v Speaker 1>little bit of it. It's it's part of the savory.

0:47:58.400 --> 0:48:00.520
<v Speaker 1>You know, you can't have all edge. Gives you a bit

0:48:00.560 --> 0:48:03.880
<v Speaker 1>of edge, yes, I think so, I agree, And what

0:48:04.000 --> 0:48:04.640
<v Speaker 1>makes you better?

0:48:04.680 --> 0:48:07.279
<v Speaker 2>Then? I don't know if it makes me better? I got,

0:48:07.320 --> 0:48:07.879
<v Speaker 2>I just got.

0:48:08.000 --> 0:48:10.680
<v Speaker 3>So. The joke is which I did in Speak Easy,

0:48:10.960 --> 0:48:14.319
<v Speaker 3>was that the joke for me, which is true, is

0:48:14.360 --> 0:48:18.080
<v Speaker 3>that I would go to Edinburgh and try to get

0:48:18.120 --> 0:48:19.719
<v Speaker 3>them to like me, and then they will always give

0:48:19.719 --> 0:48:22.080
<v Speaker 3>me shitty reviews and I always they would give you

0:48:22.080 --> 0:48:24.799
<v Speaker 3>the worst reviews. And I think part of it is,

0:48:25.320 --> 0:48:27.479
<v Speaker 3>you know, main reason is me I wasn't very good

0:48:27.560 --> 0:48:30.160
<v Speaker 3>and I was still getting better starting out in comedy.

0:48:30.200 --> 0:48:33.759
<v Speaker 3>And two I think there's something too in Edinburgh. You

0:48:33.800 --> 0:48:36.120
<v Speaker 3>know that in the UK there's not a lot of

0:48:36.120 --> 0:48:40.319
<v Speaker 3>context for what they would say East Asian storytelling. There's

0:48:40.360 --> 0:48:43.400
<v Speaker 3>a lot of context for Asian storytelling, for Indian subcontinents

0:48:43.480 --> 0:48:46.600
<v Speaker 3>like that kind of even I would say the British

0:48:46.800 --> 0:48:51.080
<v Speaker 3>Muslim experience contxt. I think the East Asian experience in

0:48:51.120 --> 0:48:53.640
<v Speaker 3>the UK is very it's still very unclear, you know.

0:48:53.719 --> 0:48:56.000
<v Speaker 2>Do you know what my theory is? But then refestival

0:48:56.000 --> 0:48:58.880
<v Speaker 2>of bad reviews, here's what it is. Because I've gone

0:48:58.880 --> 0:49:01.640
<v Speaker 2>through that and I feel exactly the saying. But here's

0:49:01.680 --> 0:49:05.080
<v Speaker 2>what happens. So Edinburgh is a small sleepy town.

0:49:05.239 --> 0:49:08.880
<v Speaker 1>It has one fucking local newspaper, right, one fucking newspaper,

0:49:09.120 --> 0:49:11.920
<v Speaker 1>and there's one guy on that newspaper that is even

0:49:11.920 --> 0:49:13.960
<v Speaker 1>interested in comedy, right, that's it.

0:49:14.640 --> 0:49:17.560
<v Speaker 2>But during the Edinburgh Festival there's like twenty.

0:49:17.280 --> 0:49:20.320
<v Speaker 1>Thousand fucking stand up stores, so they have to draft

0:49:20.360 --> 0:49:23.400
<v Speaker 1>in every fucking journalist. They have, anybody they know that

0:49:23.480 --> 0:49:25.239
<v Speaker 1>you can write, and they all go out and write

0:49:25.239 --> 0:49:28.080
<v Speaker 1>reviews of comedy. So if you get the guy who

0:49:28.120 --> 0:49:31.960
<v Speaker 1>normally writes about ousts, right and he's reviewing you, and

0:49:31.960 --> 0:49:35.120
<v Speaker 1>he goes Craig Ferguson's show was very disappointing. There were

0:49:35.160 --> 0:49:39.719
<v Speaker 1>no owl yes, and they bring their fucking agenda to

0:49:39.840 --> 0:49:44.040
<v Speaker 1>the review, just like people on the internet, you know.

0:49:44.080 --> 0:49:46.840
<v Speaker 1>And I and I think that that what was great

0:49:46.880 --> 0:49:49.960
<v Speaker 1>training for me for the Internet was how shitty the

0:49:50.040 --> 0:49:52.480
<v Speaker 1>reviews were in Edinburgh.

0:49:53.120 --> 0:49:53.440
<v Speaker 2>People.

0:49:53.960 --> 0:49:56.719
<v Speaker 1>I remember getting a bout reviewing and I've met the

0:49:56.800 --> 0:49:59.200
<v Speaker 1>journalist in the bar and I was like, the fuck would.

0:49:59.040 --> 0:50:00.400
<v Speaker 2>You ma with it?

0:50:00.440 --> 0:50:02.799
<v Speaker 4>Because he was like he was like I was like,

0:50:02.800 --> 0:50:04.480
<v Speaker 4>with the fucking review There was fucking terrible.

0:50:04.480 --> 0:50:06.319
<v Speaker 2>He was like he didn't like my hair. He died,

0:50:06.560 --> 0:50:08.160
<v Speaker 2>what the is my hair got to do with that?

0:50:08.200 --> 0:50:08.719
<v Speaker 2>And all that shit?

0:50:09.120 --> 0:50:12.080
<v Speaker 1>And and he said to me, I'll never forget this.

0:50:12.440 --> 0:50:16.560
<v Speaker 1>He said, if you put your head above the parapet,

0:50:16.719 --> 0:50:19.680
<v Speaker 1>you should be ready to get shot at.

0:50:19.800 --> 0:50:25.400
<v Speaker 4>I said, it's not fucking war. It's not a fucking parapet.

0:50:25.800 --> 0:50:29.439
<v Speaker 4>It's just a fucking guy telling joke, trying to trying

0:50:29.480 --> 0:50:32.839
<v Speaker 4>to like, why do you make everything conflict?

0:50:33.760 --> 0:50:36.560
<v Speaker 1>And I still think that about like the internet now,

0:50:36.800 --> 0:50:39.560
<v Speaker 1>Like whenever I like the Internet, I think it's just

0:50:39.600 --> 0:50:42.120
<v Speaker 1>like show business. It's only dangerous if you take it seriously.

0:50:42.400 --> 0:50:45.160
<v Speaker 2>But but if you do it seriously, you can kill you. Yes,

0:50:45.239 --> 0:50:47.759
<v Speaker 2>I agree, And so that's a great way to put it.

0:50:47.800 --> 0:50:51.880
<v Speaker 2>So what happens when what would happen to you?

0:50:51.920 --> 0:50:55.080
<v Speaker 1>Like, say it's twenty years from now, where do you

0:50:55.120 --> 0:50:57.400
<v Speaker 1>want to be? Do you have a I want to be?

0:50:57.480 --> 0:50:58.640
<v Speaker 1>Do you want to have kids? Do you want to

0:50:58.680 --> 0:51:00.560
<v Speaker 1>do you want to get out of time? Do you

0:51:00.600 --> 0:51:03.560
<v Speaker 1>want to have a farm with maybe kangaroos.

0:51:03.680 --> 0:51:06.400
<v Speaker 3>I'm kind of really living the dream right now. So

0:51:06.800 --> 0:51:10.040
<v Speaker 3>I sa so every day every night when I can

0:51:10.120 --> 0:51:12.839
<v Speaker 3>do stand up. I'm just like, Damn, I'm still I

0:51:12.840 --> 0:51:14.799
<v Speaker 3>feel like I'm living in a dream world, like when

0:51:14.800 --> 0:51:17.160
<v Speaker 3>I met the Seller, when I'm at Gothlam, when I'm

0:51:17.200 --> 0:51:20.600
<v Speaker 3>when I'm taking the subway to West Westside Comic clubs

0:51:20.600 --> 0:51:21.440
<v Speaker 3>now New York.

0:51:22.280 --> 0:51:25.000
<v Speaker 2>The real man you're you're living at That's right, that's right,

0:51:25.120 --> 0:51:27.359
<v Speaker 2>that's right. And I remember when I visited New York,

0:51:27.360 --> 0:51:27.600
<v Speaker 2>I was.

0:51:27.600 --> 0:51:29.320
<v Speaker 3>Like, damn, how great would be to be able to

0:51:29.360 --> 0:51:32.040
<v Speaker 3>take a subway and do multiple spots a night, you know,

0:51:32.120 --> 0:51:35.000
<v Speaker 3>and and let's have have stage time and all that.

0:51:35.080 --> 0:51:37.839
<v Speaker 3>And now, like you know, in a rare position where

0:51:37.880 --> 0:51:40.120
<v Speaker 3>you can get that, you know, it's it's actually not that.

0:51:40.160 --> 0:51:40.360
<v Speaker 3>You know.

0:51:40.760 --> 0:51:42.880
<v Speaker 1>Listen, there's already twenty eight year old kids that you

0:51:42.880 --> 0:51:44.759
<v Speaker 1>can win at the club and they're like, fuck that guy,

0:51:44.800 --> 0:51:45.640
<v Speaker 1>that was spot.

0:51:46.320 --> 0:51:49.960
<v Speaker 2>I'm fucking. I never know. I never bumped that.

0:51:50.200 --> 0:51:53.799
<v Speaker 3>I never buy you don't know, but the club, No, No,

0:51:53.840 --> 0:51:55.960
<v Speaker 3>I never bump. I always book in what you're doing,

0:51:56.239 --> 0:51:59.680
<v Speaker 3>book Yeah, I don't. I don't bump. I hate it

0:51:59.719 --> 0:52:01.680
<v Speaker 3>when you bump me, so I would never bump people.

0:52:01.800 --> 0:52:03.520
<v Speaker 2>Did you ever did you ever get bumped? Yeah?

0:52:03.560 --> 0:52:06.040
<v Speaker 3>One time at the Seller, I got bumped by and

0:52:06.120 --> 0:52:09.399
<v Speaker 3>this lineup was incredible. First of all, when I say

0:52:09.400 --> 0:52:12.360
<v Speaker 3>I hate getting bumped, I didn't mind, because whoever bumps me,

0:52:12.480 --> 0:52:13.840
<v Speaker 3>I'm a fan of this.

0:52:13.840 --> 0:52:14.719
<v Speaker 2>This one night, I.

0:52:14.680 --> 0:52:18.080
<v Speaker 3>Was a seller and man, first it was I'm gonna

0:52:18.080 --> 0:52:19.799
<v Speaker 3>get the order wrong, but I'll get all the names right.

0:52:20.000 --> 0:52:23.400
<v Speaker 3>It was a zizz came in and bumped and I

0:52:23.440 --> 0:52:25.600
<v Speaker 3>was on the lineup right, so they bumped, so, meaning okay,

0:52:25.800 --> 0:52:29.000
<v Speaker 3>everyone's go get later. And then John Stewart came in

0:52:29.080 --> 0:52:32.759
<v Speaker 3>and bumped, and and then Louis c. K came in,

0:52:33.280 --> 0:52:37.359
<v Speaker 3>and then Amy Schumer came in, Richard came back from

0:52:37.360 --> 0:52:38.560
<v Speaker 3>No No, and.

0:52:38.480 --> 0:52:41.759
<v Speaker 2>Then Madonna came in up Madonna came in.

0:52:41.840 --> 0:52:44.160
<v Speaker 3>Then they did a double at Madonna Amy Schumer and

0:52:44.600 --> 0:52:47.560
<v Speaker 3>the lineup made the news. It was like a multi

0:52:47.600 --> 0:52:49.680
<v Speaker 3>million dollar lineup, but you know, money whatever. But it

0:52:49.719 --> 0:52:54.160
<v Speaker 3>was just cool to see that the whole show, the

0:52:54.160 --> 0:52:56.759
<v Speaker 3>whole show crazy. I think Chris met Chris Rock may

0:52:56.800 --> 0:52:58.920
<v Speaker 3>have jumped in, but definitely those names I said, and

0:52:59.000 --> 0:53:01.160
<v Speaker 3>so and that was fun. That's part being New York.

0:53:01.200 --> 0:53:04.120
<v Speaker 3>You can't see that. You can't see anyone else. Literally,

0:53:04.120 --> 0:53:06.000
<v Speaker 3>the best commedy see in the world. You know, there's

0:53:06.000 --> 0:53:08.200
<v Speaker 3>so many there's so much stage time, so much energy,

0:53:08.520 --> 0:53:13.120
<v Speaker 3>there's a very ready audience that's usually very good and

0:53:13.160 --> 0:53:16.520
<v Speaker 3>they understand yeah, or at the very least that, you know,

0:53:16.600 --> 0:53:21.040
<v Speaker 3>the tourists who are here to experience what they think

0:53:21.120 --> 0:53:22.440
<v Speaker 3>is a New York cultural thing.

0:53:23.320 --> 0:53:25.600
<v Speaker 2>So you know, it's man, it's a it's a dream.

0:53:25.640 --> 0:53:26.120
<v Speaker 2>It's a dream.

0:53:26.239 --> 0:53:28.040
<v Speaker 3>But man, when you're going to that's what I really

0:53:28.080 --> 0:53:30.120
<v Speaker 3>love about your show. By the way, with Edinburgh was

0:53:30.160 --> 0:53:34.719
<v Speaker 3>when I watched your show, I remember thinking, this has

0:53:34.920 --> 0:53:36.160
<v Speaker 3>Edinburgh all over it.

0:53:36.400 --> 0:53:40.439
<v Speaker 1>I just stole everything from there, the horse, the robut

0:53:40.760 --> 0:53:42.040
<v Speaker 1>and you're going up close to the camera.

0:53:42.600 --> 0:53:46.200
<v Speaker 3>But to me Edinburgh fringe, which I didn't appreciate at

0:53:46.200 --> 0:53:49.200
<v Speaker 3>the time, but now I do more now. It's such

0:53:49.239 --> 0:53:54.120
<v Speaker 3>a response to whatever people think the mainstream should be,

0:53:54.640 --> 0:53:56.239
<v Speaker 3>you know what I mean, And so whatever mainstream is

0:53:56.280 --> 0:53:56.959
<v Speaker 3>just something different.

0:53:57.239 --> 0:54:00.200
<v Speaker 2>It was punk and that's what it was.

0:54:00.239 --> 0:54:02.640
<v Speaker 3>It was right, and that's I could see a sensibility

0:54:02.640 --> 0:54:04.600
<v Speaker 3>in the show, you know, and I think that's something

0:54:04.640 --> 0:54:07.160
<v Speaker 3>that like I think Americans didn't they understood they're watching

0:54:07.200 --> 0:54:09.359
<v Speaker 3>something a little alternative, but like I.

0:54:09.360 --> 0:54:10.160
<v Speaker 2>Knew the roots of this.

0:54:10.880 --> 0:54:13.080
<v Speaker 3>Yeah, it do all the time I need a talk

0:54:13.080 --> 0:54:15.240
<v Speaker 3>showing number where someone pierced the mouth with a needle

0:54:15.280 --> 0:54:17.719
<v Speaker 3>and made up with someone in the like you know,

0:54:17.960 --> 0:54:20.879
<v Speaker 3>and I don't come from that. So for me, it

0:54:20.960 --> 0:54:23.279
<v Speaker 3>was because Singapore is as straight laced as you can get.

0:54:23.640 --> 0:54:26.600
<v Speaker 2>Do you do you enjoy gum? Now? Do you do you?

0:54:26.640 --> 0:54:27.960
<v Speaker 2>Do you take a lot? Do you have a lot

0:54:28.000 --> 0:54:32.920
<v Speaker 2>of gum? Yeah? Every moment get itches. I wish you well.

0:54:32.920 --> 0:54:34.560
<v Speaker 2>I'm so glad you can talk to me. I am

0:54:34.600 --> 0:54:35.239
<v Speaker 2>a fan of yours.

0:54:35.239 --> 0:54:37.200
<v Speaker 1>I think you're a great stand up and you're just

0:54:37.200 --> 0:54:39.120
<v Speaker 1>going to get better and better and better by the

0:54:39.120 --> 0:54:41.080
<v Speaker 1>way you're saying. Although I'm just watching you, I'm like,

0:54:41.120 --> 0:54:42.640
<v Speaker 1>you look to me like someone at the peak of

0:54:42.640 --> 0:54:43.760
<v Speaker 1>the powers, and it's amazing.

0:54:43.760 --> 0:54:45.759
<v Speaker 2>Oh, thank you, thank you. Hopefully get better. I'm trying

0:54:45.760 --> 0:54:47.400
<v Speaker 2>to get better, to try and get.

0:54:47.280 --> 0:54:52.239
<v Speaker 1>Better, because really it's it's a little per no, it's

0:54:52.320 --> 0:54:56.120
<v Speaker 1>it's terrific. And I wish you well and speak.

0:54:55.920 --> 0:54:58.200
<v Speaker 2>To you so yeah, thanks so much, very nice to me.

0:55:01.920 --> 0:55:03.799
<v Speaker 3>Not not all before