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Speaker 1: Hey, guys, I'm Kaylie Shure and this is too much

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Speaker 1: to say A question it out you. Okay, So the

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Speaker 1: number one subject you guys asked me to do podcasts

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Speaker 1: about is songwriting. Like, no matter what, whenever I asked

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Speaker 1: for new episode ideas, it's always like about my songwriting process.

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Speaker 1: So I thought I'd just dedicated another episode to it. Um,

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Speaker 1: I want to talk about, you know, the basics of it.

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Speaker 1: Like basically, let's start with when I started, but I

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Speaker 1: want to get into how I get inspired, where a

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Speaker 1: song starts being written, um, the rules I have for songwriting,

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Speaker 1: and um, what the process looks like when you write

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Speaker 1: a song that you love and I want to get

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Speaker 1: it into the world. So I wrote my first song

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Speaker 1: when I was six years old. I remember it so clearly,

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Speaker 1: and it's kind of crazy to me because I was

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Speaker 1: really young. Um, but I just remember, like knowing that

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Speaker 1: I was supposed to remember that moment. And I was

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Speaker 1: in class. I was homeschool, but I did like a

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Speaker 1: once a week art class and history class like had

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Speaker 1: a co op. It was very greanela, very crunchy. Um,

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Speaker 1: but um, I did a class there and I remember

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Speaker 1: the teacher coming over and being like what are you doing?

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Speaker 1: And I was like nothing, and it was very obvious

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Speaker 1: that I've been writing a song and it was about

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Speaker 1: having a sleepover, which I had not yet had because

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Speaker 1: I was, you know, six years old. I feel like

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Speaker 1: that's more of like an eight or nine thing. And

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Speaker 1: this song was like about like stealing soda from the

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Speaker 1: refrigerator when your parents aren't looking so you can like

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Speaker 1: get crunk with the girls. And it's hilarious because like

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Speaker 1: if you just said about alcohol, like that's like as

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Speaker 1: a country song. Um, but I was. I was a

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Speaker 1: little rebel even then, and I don't honestly don't even

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Speaker 1: think i'd really had soda because my parents were like

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Speaker 1: very like organic and all into that stuff. And you know,

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Speaker 1: I still am, but I never really had soda. So

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Speaker 1: that was like me writing about the edgiest topic I

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Speaker 1: could think of it six years old. So I kept

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Speaker 1: doing it. And I remember always like trying to like

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Speaker 1: set a tune to things, and I would like make

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Speaker 1: up songs in my head to remember stuff, whether it

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Speaker 1: was like multiplication tables or the capitals of you know,

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Speaker 1: the United States and whatnot. But as I got older,

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Speaker 1: I started to take it more seriously. And I think

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Speaker 1: it was probably probably fifth grade, fifth grade that I

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Speaker 1: really started to right every day and I became obsessed

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Speaker 1: with it and I still have it. It's just like

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Speaker 1: dark purple leather notebook. It's all solid, it's one color,

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Speaker 1: and I would write songs in that all the time.

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Speaker 1: And the craziest part is, like I didn't have an iPhone,

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Speaker 1: you know, this was it's like two thousand six or

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Speaker 1: something like that. I didn't have an iPhone to record

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Speaker 1: the melody, so I just have to sing it over

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Speaker 1: and over until I remembered. And now I can't forget

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Speaker 1: any of these melodies, so I could still sing you

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Speaker 1: all of these ridiculous as songs and like remember them.

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Speaker 1: And it's so cool to have a paper trail of this,

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Speaker 1: like of this journey towards me, you know, falling in

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Speaker 1: love a songwriting, which is ultimately what my job is now.

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Speaker 1: So it's it's good to hang onto things sometimes, like

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Speaker 1: I love a good closet purge and getting rid of stuff.

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Speaker 1: But I will never get rid of a songwriting notebook.

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Speaker 1: Remember one of the most melo dramatic songs I had

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Speaker 1: was called Mother at fourteen, Um, I wasn't even fourteen

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Speaker 1: yet when I wrote it, I really I think I

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Speaker 1: was literally like nine years old, and it was a

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Speaker 1: very it's a very ridiculous song about a woman, a

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Speaker 1: child really becoming a mother at fourteen, and her family

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Speaker 1: abandoning her and her have to run away, like having

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Speaker 1: to run away on a gray Hound bus because the

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Speaker 1: father didn't want to support the baby. And it was

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Speaker 1: like this whole thing and like I can I can

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Speaker 1: sing it to you right now. I don't even have

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Speaker 1: the notebook in front of me, but this how goes.

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Speaker 1: She sits down on the cove in front of the

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Speaker 1: bus stop. This is a ticket to fred Um. Nobody

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Speaker 1: loves her, nobody cares. She's a ghost to the world.

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Speaker 1: And then I was like in my head there was

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Speaker 1: a drumfield and it was like giant to support the

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Speaker 1: baby and herself, her family sean her. It's it's ridiculous.

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Speaker 1: I will like I shoul supposed to TikTok of this um,

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Speaker 1: but yeah, so that's what I was reading, and like

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Speaker 1: that's my favorite one to go back and look at

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Speaker 1: because it's like the song is like people being so

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Speaker 1: mean to her just because she accidentally got pregnant at fourteen,

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Speaker 1: and it's like it just sure that happens. But it

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Speaker 1: was just like more melodramatic than a lifetime movie, which

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Speaker 1: is honestly probably what inspired it. I probably was like

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Speaker 1: watching a movie I wasn't supposed to be watching, like

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Speaker 1: some after school special or something. And then um, the

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Speaker 1: next song that I like really remember standing out was

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Speaker 1: called s O S. And it was the first song

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Speaker 1: I read on guitar, and it was like two chords

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Speaker 1: probably ripped off about a girl by Nirvana, just an

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Speaker 1: e minor to g back and forth, but it was

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Speaker 1: like s so as please someone get us out of here,

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Speaker 1: as so as, hey living in fe I want you

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Speaker 1: to home, man years so we can say the souls

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Speaker 1: And it was like really rock heavy. Um, and that

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Speaker 1: was at about nine years old as well. Also, I hope,

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Speaker 1: I hope I never have to go back and listen

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Speaker 1: to this podcast and hear myself to acapella versions of

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Speaker 1: songs I wrote when I was nine years old. I

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Speaker 1: just don't want to know, but I wanted to share

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Speaker 1: it with you guys because I think it's probably amazing.

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Speaker 1: So from then on, I was just like absolutely obsessed

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Speaker 1: and as soon as I started writing songs and guitar,

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Speaker 1: I was like, oh my god, I fucking love playing guitar.

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Speaker 1: And I actually I have a lot of people ask me,

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Speaker 1: like in meet and Great Lines or fans or whatever,

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Speaker 1: being like, how do I get my kid to like

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Speaker 1: focus on music and want to practice and stuff? And

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Speaker 1: I'm like, dude, I don't know, because I would get

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Speaker 1: in trouble for playing guitar because I'd be doing that

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Speaker 1: instead of my homework. And so I never associated it

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Speaker 1: with like working or practicing or some sort of chore.

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Speaker 1: It was always like the thing I got to do

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Speaker 1: when the chores were out of the way. So it

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Speaker 1: wasn't like this. I just loved it so much and

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Speaker 1: I would literally play it on my fingers. But and

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Speaker 1: I started, one of the first guitars I played was

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Speaker 1: a twelve string, and if you play guitar, you know

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Speaker 1: that that's like insane. It's just basically all the strings

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Speaker 1: are doubled, so you get this really big, beautiful sound.

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Speaker 1: But it's so hard to press down. Even now after

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Speaker 1: playing guitar for like fifteen fifteen years. Holy shit, I've

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Speaker 1: been playing guitar for over fifteen years, um, and so

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Speaker 1: little fingers. Doing that is kind of mind blowing, but

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Speaker 1: I just loved it and I just didn't I didn't care.

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Speaker 1: It was all I wanted to do. And then I

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Speaker 1: was just always writing songs and um started posting them

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Speaker 1: on my Space and YouTube and stuff like that, and

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Speaker 1: just people had, you know, been like, wow, these are

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Speaker 1: really good for like your age and stuff, and that

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Speaker 1: was all I needed to keep going. People never really

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Speaker 1: commented on my voice, and I didn't really care because

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Speaker 1: I just wanted to write songs, like I didn't care if,

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Speaker 1: like you know, I could sing better than anybody else,

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Speaker 1: and I always auditioned for solos and stuff, but I

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Speaker 1: never got them, which is okay. But I remember like

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Speaker 1: the first time somebody told me that they liked my voice,

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Speaker 1: and I was probably like a teenager, and I was like, wait, really,

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Speaker 1: like that's so cool because I was like I used

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Speaker 1: to getting compliments on my songs and stuff. But it

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Speaker 1: did kind of lead to me being insecure about my

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Speaker 1: voice until very recently because songwriting always came first, and

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Speaker 1: I just felt like I didn't have a big, massive,

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Speaker 1: like Mariah Carey vocal, but truthfully, a voice that tells

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Speaker 1: a story and it's different, and that's so much more

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Speaker 1: interesting than just being able to scream at people. And like,

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Speaker 1: big voices are amazing, but like I'm I've become very

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Speaker 1: happy with my voice as I've gotten older. So that's

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Speaker 1: sort of My background was songwriting. Um, then this is

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Speaker 1: you know, sort of how I go about it now, um,

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Speaker 1: and like how the inspiration starts and whatnot. So I

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Speaker 1: get inspired all the time at very inconvenient moments. I

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Speaker 1: find that a lot of the time I get inspired

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Speaker 1: when I'm on stage and can't just pull out my

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Speaker 1: phone and start typing an idea. Um, so I just

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Speaker 1: have to like try really hard to remember it. And

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Speaker 1: those are always really crazy manic moments because I'm like

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Speaker 1: trying to hum the idea in my head so I

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Speaker 1: don't forget it while I sang the lyrics to another

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Speaker 1: song in front of like four people. It's just bat shit.

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Speaker 1: But some really great song ideas have come from that.

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Speaker 1: And song ideas are they're just so fleeting and like

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Speaker 1: you never know like when you're going to have one

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Speaker 1: or how good one is, and like I don't know,

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Speaker 1: they're just they feel like precious and gems. And when

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Speaker 1: you accidentally drop a diamond. You're very sad about it,

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Speaker 1: and maybe it could have been cubec arconia. But do

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Speaker 1: you like my metaphor? It's almost like I'm a songwriter. Yeah,

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Speaker 1: I try to not speak in metaphors too much. It

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Speaker 1: gets very confusing. I try to keep that in the songwriting.

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Speaker 1: But so that's where I'll get ideas. I'll get ideas

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Speaker 1: from dreams. I got ideas from conversations. I mean I've

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Speaker 1: literally gone back through old text messages with people and

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Speaker 1: to kind of put myself back where I was when

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Speaker 1: you know, I was having whatever issue with them or

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Speaker 1: non issue or like you know, whatever I want to

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Speaker 1: write the song about. And seeing text messages and there's

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Speaker 1: a lot of times that like I've used those for

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Speaker 1: the song ideas or just as a lyric, and the

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Speaker 1: ideas are everywhere. Um. For example, my song Alibi that's

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Speaker 1: coming out, me and my boyfriend Sam were walking down

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Speaker 1: the street and I was talking about one of my

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Speaker 1: really good friends, Kavanaugh, and I was like, she's one

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Speaker 1: of those friends. Were like, I don't have to see

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Speaker 1: her all the time to like be close with her,

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Speaker 1: Like I haven't seen her in a couple of weeks,

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Speaker 1: and like we don't text every day, but if the

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Speaker 1: police called me, I'd be her alibi and I'd just

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Speaker 1: be like she was with me, she didn't do it.

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Speaker 1: And he was looked at me and I looked at

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Speaker 1: him and we were like, that's a song idea, and

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Speaker 1: then we were like, okay, we'll write it together. And

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Speaker 1: that's how we have tips on it. UM And that

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Speaker 1: happens a lot, and I love being able to write

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Speaker 1: with my boyfriend and my best friends. It's it just

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Speaker 1: makes it's really fun. So it's really cool when you

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Speaker 1: stumble on an idea together, like I love I love that.

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Speaker 1: I love the collaboration aspect of it. So I'll write

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Speaker 1: that down in my notes app on my phone. UM,

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Speaker 1: I have so many different ones, like and it's really

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Speaker 1: funny because I can go back from to one from

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Speaker 1: like the summer, and you can clearly see the um

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Speaker 1: like the chronological order of what was happening in my

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Speaker 1: life at the moment. So it'll be like like love song,

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Speaker 1: love song, love song, confusion song, rejection song, breakup song,

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Speaker 1: angry breakup song, I drunk texted you song, and like

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Speaker 1: it's just like that over and over and over again.

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Speaker 1: So when it comes to writing different types of songs,

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Speaker 1: I have some you know, particular things that are unique

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Speaker 1: to each type of songs. So I'm going to talk

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Speaker 1: about like sad songs, happy songs, and angry songs. And

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Speaker 1: with sad songs, a lot of times those start with

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Speaker 1: me sitting on my bed with my guitar, crying, processing

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Speaker 1: something and starting the song by myself. Um, it's always

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Speaker 1: something I do to like get it out. And I

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Speaker 1: wrote this song called un Kiss, which I really hope

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Speaker 1: comes out at some point, but I wrote it right

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Speaker 1: after my ex boyfriend had cheated on me, and it

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Speaker 1: was like me processing the breakup in real time writing

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Speaker 1: about it, and I wrote it by myself and it's

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Speaker 1: just very much so like an exact snapshot of how

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Speaker 1: I felt on that one day. And then actually crazy

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Speaker 1: example of that as a song called the One, which

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Speaker 1: I've talked about on my podcast before but it's on

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Speaker 1: my album Open Book, And I wrote that the day

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Speaker 1: after we broke up, like the day after, and I

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Speaker 1: had it scheduled with my producer Skip Black and um

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Speaker 1: Savannah Kais, and I was like, all I want to

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Speaker 1: do is write a song right now, and I'm going

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Speaker 1: to do it by myself anyway, so I might as

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Speaker 1: well go with hang out with these people that I

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Speaker 1: trust and love very much. And so that was one

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Speaker 1: of the first times that I've started the song like

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Speaker 1: instead of crying on my bed by myself, like I

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Speaker 1: was crying on a couch with other people. But, um,

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Speaker 1: a sad song always starts like usually in real time

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Speaker 1: for me, and like where the world keeps spinning. That's

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Speaker 1: a song I wrote about my sister passing away. Like

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Speaker 1: that was the first time I sat down at the

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Speaker 1: piano after she passed, because I just kind of stopped

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Speaker 1: doing literally anything after that happened, which I think is fair. Um,

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Speaker 1: but the first time I sat down at the piano,

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Speaker 1: I just started singing that and just had this thought

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Speaker 1: where I was like just really fucked up that everybody

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Speaker 1: else is just going about their day and like they

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Speaker 1: have no idea like what's going on in my life.

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Speaker 1: And then that was a huge lesson for me to

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Speaker 1: be more empathetic to people, because like someone cuts you

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Speaker 1: off in traffic, you have no idea like where they're

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Speaker 1: going or what they're going through. So that was like

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Speaker 1: a big lesson. So I wrote that song and then

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Speaker 1: finished it out Um with Skip and Robin Collins. Happy

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Speaker 1: songs are difficult because I feel like I can go

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Speaker 1: back and and pull like an idea from like a

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Speaker 1: sad time in my life for an angry time in

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Speaker 1: my life, but inventing a happy song is just it

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Speaker 1: comes off really inauthentic. I think I think you can

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Speaker 1: tell when they were like, let's write like a summer

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Speaker 1: radio smash, and you're's a song and you're like, do

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Speaker 1: you believe any of that? Did you actually feel that? Like?

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Speaker 1: I think that some of the best happy songs have

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Speaker 1: a little bit of an to see to them. I

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Speaker 1: think a great example of that is The Bones by

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Speaker 1: Marion Morris because it is a love song, but it's

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Speaker 1: a love song talking about how real love is difficult

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Speaker 1: and you're gonna fight and you're gonna have to go

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Speaker 1: through these hard times together. But if you build your

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Speaker 1: relationship right and the bones are good, the rest don't matter.

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Speaker 1: And I love that song and I think that that's

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Speaker 1: like my favorite kind of happy song. And there's a

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Speaker 1: song on my EP called I Hate the Way This Feels,

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Speaker 1: and it was one of the first songs I wrote

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Speaker 1: about my boyfriend Sam and it's like literally the hook

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Speaker 1: is like I hate the way that I love the

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Speaker 1: way this feels, and that's it's by definition a happy song.

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Speaker 1: But it was also me being like, oh my god,

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Speaker 1: are you not gonna hurt me? I don't know what

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Speaker 1: to do with that. This is a first I'm freaking out.

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Speaker 1: I think I like you, Oh my god, are you

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Speaker 1: gonna be my boyfriend? Like it was just like me

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Speaker 1: internally freaking out. And it's so funny because I wrote

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Speaker 1: it with these two like grown men, Jason Lending and Skip,

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Speaker 1: and they were just listening to me just go on

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Speaker 1: and on about like how I had a crush on

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Speaker 1: this boy and they were so patient and now and

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Speaker 1: ch is back, They're like, okay, cool, like you really

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Speaker 1: really were in love with him. But it would have

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Speaker 1: been kind of embarrassing if if I hadn't been so

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Speaker 1: happy songs. I try to always have them come from

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Speaker 1: like a really real place and somewhere that's just honest

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Speaker 1: and tells the whole story and doesn't just like skim

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Speaker 1: the happy off the top. It dives a little bit deeper.

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Speaker 1: So that's something I try to always do in my

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Speaker 1: happy songs. I think Alibi is like that too, because

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Speaker 1: it talks about you know how this friendship and like

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Speaker 1: this beautiful like level of loyalty you have for each other.

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Speaker 1: But there's also a line that's like I'll go burn

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Speaker 1: down your excess house for you, and that's very honest

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Speaker 1: because I think, UM, happy friendships usually involved like getting

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Speaker 1: angry on your friends, behalf when something sucked up happens.

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Speaker 1: So just my thoughts on friendship. And then these are

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Speaker 1: the spicy roles. But angry songs are obviously um part

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Speaker 1: of my catalog and usually the ones that do very well,

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Speaker 1: um Few Forever and Amy being two very big examples

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Speaker 1: of that. I needed to write those songs to process

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Speaker 1: like what had happened, and the truth is like they

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Speaker 1: were really sad situations, and expressing it is anger almost

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Speaker 1: feels a little bit more simple to me. It might

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Speaker 1: be because I'm an angiogrammate, but the songs are very

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Speaker 1: like a matter of fact. They're not so I feel

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Speaker 1: this way about what you did. It's just like saying

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Speaker 1: exactly what happened, and that's always good for me to

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Speaker 1: kind of be able to see like how the story

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Speaker 1: played out on paper, being honest and being able to

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Speaker 1: read it and be like, Okay, that's fucked up. You're

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Speaker 1: not crazy and being upset about this, so I'm like

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Speaker 1: validating my experience by writing about it. I don't know

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Speaker 1: if that makes any sense, but that's what it is

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Speaker 1: and why I write songs like that. But the rules.

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Speaker 1: I have four songs like that that are clearly about

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Speaker 1: somebody and are just like, you know, an aimless, angry

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Speaker 1: song about being mad at the world, which I several

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Speaker 1: of those. But when you're writing a story, that's like

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Speaker 1: kind of putting somebody on blast, and I mean, by

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00:17:07,320 --> 00:17:10,959
Speaker 1: definition Amy and f you forever distracts, like, let's be honest,

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Speaker 1: and I knew writing those that I had to be

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Speaker 1: completely honest. And there were some things I left out

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Speaker 1: of Amy because I A didn't want to identify her

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Speaker 1: and be um because there's like a couple of things

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Speaker 1: that I was only assuming had happened, and I was like,

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Speaker 1: if I don't know beyond a shadow of a fucking

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Speaker 1: doubt that this went down, I'm not going to do that.

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Speaker 1: And then there's also like another really embarrassing part of

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Speaker 1: that story for her that I left out of the

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Speaker 1: song because there's spilling tea and telling your story and

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Speaker 1: then there's like being a crazy bitch and like trying

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Speaker 1: to ruin someone's life, and that's not what I'm trying

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Speaker 1: to do. I'm trying to heal myself and work on

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Speaker 1: my own life. And unfortunately, if your story intersects with mine,

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Speaker 1: it becomes part of my story. So I can tell it,

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Speaker 1: but I have to tell itsent truthfully. And Fie Forever

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Speaker 1: was a really important song for me getting over that breakup,

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Speaker 1: because it's really important to me to be able to

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Speaker 1: be able to laugh at things that hurt me at

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Speaker 1: some point, like being able to not like laugh it

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Speaker 1: off and be like I'm over at all, but being

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Speaker 1: able to make jokes about traumatic things like that's definitely

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Speaker 1: a way that I cope. And um, Fie Forever is

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Speaker 1: a an example of that. And I can't I can't

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Speaker 1: express to you how there is no better feeling than um.

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Speaker 1: Something that happened on the opening night of the Too

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Speaker 1: Much to Say tour, and it was I was singing

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Speaker 1: Fie Forever and then during the bridge when I say, um,

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Speaker 1: you're just I'm just a mirror reflecting and you're just

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Speaker 1: an asshole projecting the whole crowd, like fucking screamed it

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Speaker 1: with me at the top of their lungs, and then

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Speaker 1: everybody's saying that like I'm so glad I don't have

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Speaker 1: to fuck you forever line as well, and I was

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Speaker 1: just like, oh my god, Nature's healing. And I was

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Speaker 1: on stage with my friend Annie Wilgion, who I wrote

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Speaker 1: f You Forever with, and it was just amazing because

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Speaker 1: she was like I had written that with her shitty

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Speaker 1: ex boyfriend in mind as well, and so we're like

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Speaker 1: hearing this rum full of people like who have just

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Speaker 1: like validating our emotions, and we looked over to each

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Speaker 1: other like this is so cool. Funk those guys. So

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Speaker 1: when I write a song that I really like, there's

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Speaker 1: many steps that have to be taken before it's released.

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Speaker 1: Alibi on the EP I wrote really close to when

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Speaker 1: I was cutting for the album. I think I wrote

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Speaker 1: it like a couple of weeks before or the EP

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Speaker 1: I wrote it a couple of weeks before I went

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Speaker 1: in the studio. But HERD You Got a Girl was

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Speaker 1: written like a year and a half ago to two

379
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Speaker 1: years ago, maybe almost two years ago, and it took

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Speaker 1: a while for that song to come out. And um,

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Speaker 1: there were also songs that got passed up full or

382
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Speaker 1: open book on a bridge because they didn't fit in,

383
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Speaker 1: but they wound up on UM. I got here by accident,

384
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Speaker 1: my e P. And so sometimes you have to just

385
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Speaker 1: be really patient with a song and just wait for

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Speaker 1: its time to shine. And I think there's plenty of

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Speaker 1: songs in my back catalog that will get their time

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Speaker 1: to shine. And it's I really care about making a

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Speaker 1: cohesive project that tells a story and isn't just all

390
00:20:24,760 --> 00:20:27,439
Speaker 1: over the place. UM. I think it's nice to challenge

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00:20:27,480 --> 00:20:30,560
Speaker 1: myself to not always fucking be like that. So when

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Speaker 1: I liked the song, UM, one of the first steps

393
00:20:33,119 --> 00:20:35,879
Speaker 1: is to get a demo of it. And sometimes when

394
00:20:35,920 --> 00:20:38,240
Speaker 1: I'm writing a song with the producer will be in

395
00:20:38,240 --> 00:20:42,080
Speaker 1: the studio and they'll be writing or playing the instruments

396
00:20:42,080 --> 00:20:44,840
Speaker 1: and laying them down as we go, which is crazy

397
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Speaker 1: that they can do that at the same time as

398
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Speaker 1: like them writing a song. It's just nuts, but you'll

399
00:20:50,880 --> 00:20:53,119
Speaker 1: get You'll walk away with like a rough demo that

400
00:20:53,200 --> 00:20:54,919
Speaker 1: day and need do a vocal the same day you

401
00:20:54,920 --> 00:20:59,600
Speaker 1: write the song. UM. But that's not always how it works,

402
00:20:59,760 --> 00:21:02,280
Speaker 1: So sometimes you have to go out and like actually

403
00:21:02,720 --> 00:21:05,439
Speaker 1: do a demo with somebody else and like, revisit this

404
00:21:05,480 --> 00:21:07,400
Speaker 1: song and figure out how to make it sound, and

405
00:21:07,640 --> 00:21:10,280
Speaker 1: sometimes like it does knock come out the way that

406
00:21:10,320 --> 00:21:12,800
Speaker 1: you wanted it to, and you have to be like

407
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Speaker 1: an asshole, Like I had to do that last week

408
00:21:14,440 --> 00:21:18,400
Speaker 1: and be like, hey, um, this song, this is just wrong,

409
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Speaker 1: and I know you spent a lot of time on this,

410
00:21:20,440 --> 00:21:25,040
Speaker 1: but I'm also like, it's just it's just not right,

411
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Speaker 1: and you have to you know, sometimes you have to

412
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Speaker 1: completely start over. There's been songs of mine that have

413
00:21:31,520 --> 00:21:36,080
Speaker 1: gotten cut by other artists that I wrote originally for myself.

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Speaker 1: There's a song called um Everywhere by um Shontell Davidson,

415
00:21:41,600 --> 00:21:45,119
Speaker 1: and that song was written for Open Book and I

416
00:21:45,200 --> 00:21:49,320
Speaker 1: really really love it. It's a super important part of

417
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Speaker 1: that era for me. It was all about this like

418
00:21:52,119 --> 00:21:56,639
Speaker 1: one guy who out of it's about and it was

419
00:21:56,680 --> 00:21:59,080
Speaker 1: just like a really you know, I wrote that song

420
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Speaker 1: and it made me feel better, and so I wasn't

421
00:22:02,600 --> 00:22:04,240
Speaker 1: able to release it. It didn't make sense in the

422
00:22:04,240 --> 00:22:06,600
Speaker 1: context of any of my projects, and honestly, like didn't

423
00:22:06,600 --> 00:22:09,280
Speaker 1: sonically fit in. But she wanted to cut the song,

424
00:22:09,320 --> 00:22:11,119
Speaker 1: and I was so happy that that song got to

425
00:22:11,200 --> 00:22:13,440
Speaker 1: be out in the world. UM. I also have a

426
00:22:13,480 --> 00:22:15,560
Speaker 1: song called two Hands that was on my EP Awake

427
00:22:15,640 --> 00:22:18,080
Speaker 1: and it was played on the Highway. UM, and that

428
00:22:18,200 --> 00:22:20,800
Speaker 1: just got cut by an artist named Cali Twistleman, so

429
00:22:20,880 --> 00:22:23,000
Speaker 1: that song is getting a whole second life as well.

430
00:22:23,520 --> 00:22:25,600
Speaker 1: I have a song out right now, UM that I

431
00:22:25,640 --> 00:22:28,200
Speaker 1: got to be a part of called people I Don't

432
00:22:28,200 --> 00:22:30,480
Speaker 1: Like by this artist name up song. It's amazing, it's

433
00:22:30,520 --> 00:22:32,960
Speaker 1: such a great she's such a great artist and I'm

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00:22:33,000 --> 00:22:36,000
Speaker 1: just like obsessed with her vibe. But it just hit

435
00:22:36,040 --> 00:22:39,640
Speaker 1: thirty million streams, which is super super exciting, and UM,

436
00:22:39,680 --> 00:22:41,800
Speaker 1: getting to be part of a song like that that's

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00:22:41,840 --> 00:22:44,960
Speaker 1: so different than my sound, it's just really cool to

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00:22:45,000 --> 00:22:48,239
Speaker 1: get to explore all these different like sonic avenues and

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00:22:48,280 --> 00:22:50,400
Speaker 1: still be able to have my artist project and write

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00:22:50,400 --> 00:22:53,320
Speaker 1: for other people. And I have some songs I wrote

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00:22:53,320 --> 00:22:56,320
Speaker 1: with Candy that I hope come out and uh yeah,

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00:22:56,359 --> 00:23:00,440
Speaker 1: I just I love everything about songwriting and I love

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00:23:00,520 --> 00:23:04,480
Speaker 1: being an artist and performing. But if somebody told me

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00:23:04,560 --> 00:23:08,160
Speaker 1: that I could either I had to pick between never

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00:23:08,200 --> 00:23:10,720
Speaker 1: going on stage again or never writing my own songs again.

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00:23:10,920 --> 00:23:13,359
Speaker 1: It would be never going on stage again. And I

447
00:23:13,440 --> 00:23:15,760
Speaker 1: really don't think anybody's ever going to tell me that.

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00:23:16,160 --> 00:23:19,760
Speaker 1: But songwriting is like the number one thing for me,

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00:23:19,800 --> 00:23:22,399
Speaker 1: and I'm really thankful that people seem to give a

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00:23:22,440 --> 00:23:26,560
Speaker 1: ship and I've been able to make a living off

451
00:23:26,600 --> 00:23:29,720
Speaker 1: of doing this. Um, it's really it's just such a blessing.

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00:23:29,800 --> 00:23:32,400
Speaker 1: And thank you guys so much for all the support.

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00:23:32,400 --> 00:23:34,760
Speaker 1: I'm really excited. My EP comes out on August thirteen.

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00:23:35,040 --> 00:23:37,800
Speaker 1: It's called I Got Here by Accident. Um. Yes, that

455
00:23:37,920 --> 00:23:43,040
Speaker 1: is Friday, which isn't That's the second time I've released

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00:23:43,040 --> 00:23:45,320
Speaker 1: a single on Friday the thirteenth, so it seems we're

457
00:23:45,320 --> 00:23:47,760
Speaker 1: working out okay for me. But um, it comes out

458
00:23:47,800 --> 00:23:49,400
Speaker 1: and like you guys will get to hear these songs

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00:23:49,400 --> 00:23:51,680
Speaker 1: that I was talking about today, and I'm really really pumped.

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00:23:52,320 --> 00:23:54,320
Speaker 1: It's just one of my favorite things I've ever done,

461
00:23:54,359 --> 00:23:55,399
Speaker 1: and I came with for you guys to hear it.

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00:23:55,400 --> 00:23:57,760
Speaker 1: Thank you so much for listening. Um, you guys are

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00:23:57,760 --> 00:23:59,920
Speaker 1: the best. I'm Kaylie Shure And this is too much

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00:24:00,000 --> 00:24:06,720
Speaker 1: to say. Don't go asking questions you do answer soon.

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00:24:07,520 --> 00:24:11,560
Speaker 1: I've got to say, I'll turn it out of you.

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00:24:12,520 --> 00:24:13,000
Speaker 1: You