WEBVTT - Episode 5: Starting Over

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<v Speaker 1>A quick warning. This story contains adult themes and strong language.

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<v Speaker 1>Summer nineteen ninety seven. Somewhere in the Alps. It's a

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<v Speaker 1>beautiful day and a young man is sitting in a

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<v Speaker 1>white van. He's expecting a call any second from his boss.

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<v Speaker 1>Once he gets the call, the operation is on, but

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<v Speaker 1>timing is everything. Until he gets the call, he has

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<v Speaker 1>to sit tight. He looks out the window. The view

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<v Speaker 1>is stunning. Majestic peaks rise up on either side of

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<v Speaker 1>a vast glacial lake. Beyond that the border, but he's

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<v Speaker 1>not here for the view. He checks his map yet again.

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<v Speaker 1>It'll take around twenty minutes to drive to the border crossing.

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<v Speaker 1>He turns to check the back of the van. The

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<v Speaker 1>bags are there, bags big enough to carry a lot of.

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<v Speaker 2>Cash, millions for hundreds of thousands of certain currencies.

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<v Speaker 1>And the man in the van, Yes, it's Lars, Lilah

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<v Speaker 1>and Evelyn's trusty butler. And it's the first time he's

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<v Speaker 1>told this story on the record.

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<v Speaker 2>I remember distinctly finding out the specific weight and volume

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<v Speaker 2>of dollars uros pounds.

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<v Speaker 1>Lars lets out a long breath and glances at his phone. Nothing.

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<v Speaker 1>Everything is going to be okay, he tells himself. It's simple.

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<v Speaker 1>All he has to do is drive over the border,

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<v Speaker 1>pick up the cash, and sneak back. You were being

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<v Speaker 1>asked to smuggle. Yes, the most important thing is this.

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<v Speaker 1>He can only make the crossing at a very specific time.

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<v Speaker 2>When a customs official who had been bribed and prepared

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<v Speaker 2>would let us through both ways without checking the vehicle.

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<v Speaker 1>Lars waits and waits. There's a problem, something has gone wrong.

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<v Speaker 1>The mission is aborted. Lars has to get out of

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<v Speaker 1>there fast, but Lilah and Evelyn's butler is rather enjoying

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<v Speaker 1>the thrill of it all. In fact, this is exactly

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<v Speaker 1>the sort of adventure he's always dreamed of. Did you

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<v Speaker 1>realize what you were doing?

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<v Speaker 3>Yes?

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<v Speaker 2>I did it with my eyes open, knowing that this

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<v Speaker 2>is not good.

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<v Speaker 1>It was illegal.

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<v Speaker 2>Yes.

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<v Speaker 1>Now we haven't found anyone who can corroborate all this,

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<v Speaker 1>but if it's true, it makes me wonder. Was there

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<v Speaker 1>far more to Evelyn's swindling operation than meets the eye?

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<v Speaker 1>Was it far larger than anyone new from usg Audio

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<v Speaker 1>Blanchard House and exactly right, media, this is royal swindle.

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<v Speaker 1>I'm Becky Milligan. Episode five, starting over six months later

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<v Speaker 1>spring nineteen ninety eight, the Hague Holland Evelyn, Lilah, and

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<v Speaker 1>their loyal butler Lars, are on the run. They know

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<v Speaker 1>that back in the UK, Detective Jim Frost is well

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<v Speaker 1>and truly onto them. The the trio are having breakfast

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<v Speaker 1>in a rather modest hotel. It's not smart or exclusive,

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<v Speaker 1>and the service is far from impeccable. In fact, it's

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<v Speaker 1>rather run down. This is not what Lilah has become

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<v Speaker 1>accustomed to, and it's not the life Evelyn has always promised.

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<v Speaker 3>Her miserable little hotel.

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<v Speaker 1>Was, But the couple don't have much choice because their

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<v Speaker 1>pot of cash has almost run dry.

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<v Speaker 3>Horrible place.

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<v Speaker 1>Just a few more days, Evelyn reassures Lilah. Normally, of

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<v Speaker 1>course they'd be staying in a five star hotel and

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<v Speaker 1>just not paying the bill. But after Sopwell House, Evelyn

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<v Speaker 1>isn't taking the risk anyway. She's expecting funds to be

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<v Speaker 1>wired from America any day now, a windfall.

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<v Speaker 3>There was a huge amount of money coming in, and

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<v Speaker 3>Evelyn said, we are going to be fine, don't worry.

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<v Speaker 3>Organized more money and we will be all to survive

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<v Speaker 3>for a long time.

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<v Speaker 1>And it really is a huge amount. Now, it's not

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<v Speaker 1>entirely clear where this cash is coming from. But on

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<v Speaker 1>that cassette which Evelyn recorded for her never published memoir,

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<v Speaker 1>she says an American associate owed her fifty million US dollars.

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<v Speaker 1>If she's about to call in that debt, it will

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<v Speaker 1>set the couple up for life, a life of real luxury.

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<v Speaker 1>Lila will want for nothing. Evelyn will deliver on her

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<v Speaker 1>wedding day promise. So despite the horrid hotel and Lilah sulking,

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<v Speaker 1>everything is looking pretty peachy. Except a whole week goes

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<v Speaker 1>by and there's no sign of any money in Evelyn's account.

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<v Speaker 1>Probably wise not to stay in one place for too long,

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<v Speaker 1>Evelyn thinks. So it's back in the car lars at

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<v Speaker 1>the wheel.

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<v Speaker 2>We continued from there to Amsterdam, stayed for one week

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<v Speaker 2>at the Tulip Hotel.

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<v Speaker 1>Another city, another cheap hotel. Evelyn keeps reassuring Lilah. But

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<v Speaker 1>another week goes by, still no sign of the money.

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<v Speaker 1>Evelyn is chasing her American contact, Come on, where's the cash.

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<v Speaker 1>Then at last the money lands in Evelyn's account. But

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<v Speaker 1>there's a problem the money. It's not millions, far from it. Actually,

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<v Speaker 1>it's little more than a few grand that's it. Evelyn

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<v Speaker 1>has no idea what has gone wrong, but she doesn't

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<v Speaker 1>have to to find out. The longer they stay put,

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<v Speaker 1>the greater the risk of being tracked down by Jim

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<v Speaker 1>Frost in the UK. They have to get going. But

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<v Speaker 1>where they need a place which is far away, a

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<v Speaker 1>safe haven where no one will know who they are.

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<v Speaker 1>Evelyn and Lilah discuss where on earth that could be?

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<v Speaker 3>Where do you want to go? As I don't know, Jen,

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<v Speaker 3>and we haven't been near to Auckland, why don't we

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<v Speaker 3>try there? That might be really nice?

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<v Speaker 1>And I suppose it was a place where you the

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<v Speaker 1>police went after you yet.

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<v Speaker 3>Well, au Gusto.

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<v Speaker 1>So that's decided New Zealand it is.

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<v Speaker 3>We paid our hotel bill. What's far as I knowing you?

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<v Speaker 3>M you ever thought about that?

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<v Speaker 1>Very funny, Lilah. Lilah and Evelyn are packing up, ready

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<v Speaker 1>to leave, but there is one thing they have to do.

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<v Speaker 1>It's Lars, with his sweet smile and blonde hair. He's

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<v Speaker 1>not going with them. It's time to bid farewell to

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<v Speaker 1>their loyal butler, their confidante. Lars holds his arms up

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<v Speaker 1>to the two women.

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<v Speaker 3>I gave him a hag, sort of a hag. Well,

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<v Speaker 3>I don't quite know what Lar's called tugs, but sideways hag,

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<v Speaker 3>you know, the sort of thing I said. You know,

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<v Speaker 3>this brings to an endo lovely relationship.

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<v Speaker 1>Lars has been with them for over a year. The

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<v Speaker 1>bonds are deep.

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<v Speaker 3>It was horrible, was absolutely horrible. It was like saying

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<v Speaker 3>goodbye to a really really, really really really best friend person,

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<v Speaker 3>not a battle. He was too sweet, just too lovely,

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<v Speaker 3>and we didn't want to see the last of him.

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<v Speaker 1>So not just a butler and also not just a friend.

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<v Speaker 1>Lars has become an accomplice. Don't forget this guy was

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<v Speaker 1>willing to smuggle money across borders for our duo. The

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<v Speaker 1>two women tell him to return to Sweden and lie

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<v Speaker 1>low for Lars. It's the end of the adventure.

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<v Speaker 2>Time to ride into the sunset and disappear.

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<v Speaker 1>So as Lars boards his playing to Sweden, Evelyn and

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<v Speaker 1>Lilah are boarding their plane to New Zealand, a brand

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<v Speaker 1>new place and a fresh start. It's just what they

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<v Speaker 1>do over and over again. They want to get as

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<v Speaker 1>far away from Detective Jim Frost as possible.

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<v Speaker 3>Goodbye crowl Goodbye England, Goodbye what is that?

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<v Speaker 1>And Hello New Zealand. Lilah is impressed. She loves their

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<v Speaker 1>new home.

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<v Speaker 3>Look at this place. They messed sweep all the roads

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<v Speaker 3>every day. It was gorgeous.

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<v Speaker 1>And so their new life begins. But it's not so easy. Remember,

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<v Speaker 1>they've hardly got any cash. Their money just about stretches

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<v Speaker 1>to a small motel. Lilah has to wash their clothes

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<v Speaker 1>in a communal laundry, and there's certainly no room service.

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<v Speaker 1>This is not a suite at the Berkley. They've really

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<v Speaker 1>come down in the world, and it's tough for the couple,

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<v Speaker 1>not only because they're running out of money, but also

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<v Speaker 1>because Evelyn, the confident, funny chatterbox. Evelyn, well, she's not

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<v Speaker 1>quite herself.

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<v Speaker 3>Everyone wants to get some things sorted out in her head.

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<v Speaker 3>She said, I haven't got anyone here. I need to

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<v Speaker 3>talk to someone about what's going on in my life.

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<v Speaker 1>But that someone isn't Lilah.

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<v Speaker 3>I'll tell you all right yet, I'm fine, you sure

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<v Speaker 3>talk to me. I don't need to talk to you.

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<v Speaker 3>I'll talk to someone else.

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<v Speaker 1>Lilah's hurt. Those intimate chats they used to have in

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<v Speaker 1>bed late at night, those haven't happened for a while.

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<v Speaker 1>They've been together for years and it's never been like

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<v Speaker 1>this before. They've always been so in love, Evelyn's always

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<v Speaker 1>been so doting. Now it feels like they're drifting further

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<v Speaker 1>and further apart. Then Lilah has an idea, an idea

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<v Speaker 1>which will get Evelyn out of the house, meet people,

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<v Speaker 1>take her out of herself. They could join a local

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<v Speaker 1>lesbian so social.

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<v Speaker 3>Group, and I said, we really should. In that way,

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<v Speaker 3>we'll get fringed, we'll be able to talk our own language.

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<v Speaker 3>It should be quite fun. Would you like to do it? Yes?

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<v Speaker 1>Yes, yes, So that's what they do, and it is fun.

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<v Speaker 1>But then something happens, something unexpected. Evelyn meets someone, a

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<v Speaker 1>woman from the lesbian group. They start spending time together,

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<v Speaker 1>and at first it's fine, they're just friends. Lila doesn't mind.

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<v Speaker 3>But then I said, I've got to go out with

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<v Speaker 3>them more often, and I thought, Hello, something's going on here.

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<v Speaker 3>And I think that they've been sleeping together. Whatever they

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<v Speaker 3>were doing.

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<v Speaker 1>Now, we have no idea whether that's true or not,

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<v Speaker 1>but in any case, Lila doesn't feel good about it.

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<v Speaker 3>Oh well, I think I felt jealous. I would have

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<v Speaker 3>felt jealous because it wasn't nice.

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<v Speaker 1>Lilah realizes something.

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<v Speaker 3>I said to him, I'm unneasing you anti dalling.

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<v Speaker 1>But on the other hand, now Evelyn is feeling a

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<v Speaker 1>bit better. Magically, their cash flow improves as well. And

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<v Speaker 1>if the money's coming in, that always makes Lila feel

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<v Speaker 1>a bit better too. Do you start going shopping again

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<v Speaker 1>and having a bit of cash? Of course, of course

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<v Speaker 1>on clothes, furniture, fancy food and all the lovely things

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<v Speaker 1>that Lilah loves. Not only that, they move to a

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<v Speaker 1>new part of town, one of the most desirable suburbs

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<v Speaker 1>in New Zealand, with friendly neighbors and most importantly, very

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<v Speaker 1>rich friendly neighbors. There's just one thing, a question which

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<v Speaker 1>it seems Lila never stops to ask, where is all

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<v Speaker 1>the money coming from? Meanwhile, back in England, Detective Constable

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<v Speaker 1>Jim Frost has no idea that Evelyn and Lilah have

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<v Speaker 1>fled to New Zealand. He's still busy gathering evidence about

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<v Speaker 1>their antics with the Horsey set, and he's made another breakthrough.

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<v Speaker 1>He's obtained Evelyn's bank statements and their dynamite.

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<v Speaker 4>We can see money is coming in from investors, and

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<v Speaker 4>we can see Evelyn and Lilah having a whale of

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<v Speaker 4>a time on this one particular shopping spry eight thousand

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<v Speaker 4>pounds in a day at John Lewis.

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<v Speaker 1>John Lewis is like the British version of Macy's.

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<v Speaker 4>Buying curtains and bits and bobs and furniture. God knows

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<v Speaker 4>what they were doing it they didn't have a house.

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<v Speaker 1>This is real evidence, in black and white, in print,

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<v Speaker 1>there for everyone to see. Jim can categorically show that.

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<v Speaker 4>None of the money was invested, not one dime, not

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<v Speaker 4>one penny he was invested. No, No, they just spent

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<v Speaker 4>it on having a good time.

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<v Speaker 1>And in a court case before a judge and jury,

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<v Speaker 1>he calculates.

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<v Speaker 4>That's cast iron evidence, which is so compelling. You know

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<v Speaker 4>you're you're onto a winner.

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<v Speaker 1>Really, he thinks he's got everything he needs to put

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<v Speaker 1>our duo behind bars. But of course, when he goes

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<v Speaker 1>back to Evelyn and Lilah's last known address.

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<v Speaker 4>We found out that they disappeared, vanished.

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<v Speaker 1>Jim kicks himself. He realizes that decision to call Evelyn

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<v Speaker 1>in question her, well, it's backfired big time, and now

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<v Speaker 1>he knows it.

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<v Speaker 4>I was pissed off. We were all pissed off.

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<v Speaker 1>And that's putting it mildly. He's been working on this

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<v Speaker 1>case for months.

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<v Speaker 4>I know that I've got the evidence to convict them,

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<v Speaker 4>and I don't want to lose that.

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<v Speaker 1>But Jim's dogged. Remember he's a thief taker. He isn't

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<v Speaker 1>about to throw in the towel. Far from it.

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<v Speaker 4>That was just not gonna happen because I wasn't gonna

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<v Speaker 4>let them go.

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<v Speaker 1>But for now, Detective Jim Frost has no idea whatsoever

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<v Speaker 1>where his thieves are hiding away, no clues, in fact,

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<v Speaker 1>no leads at all. Auckland, New Zealand.

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<v Speaker 4>Marine Prague was a very old and established street in

0:17:57.560 --> 0:17:59.560
<v Speaker 4>a very old established suburb in.

0:17:59.560 --> 0:18:04.679
<v Speaker 1>Bay Lilah and Evelyn's new neighborhood, A perfect place to

0:18:04.800 --> 0:18:08.879
<v Speaker 1>hide a bungalow in the back of beyond deep in

0:18:09.119 --> 0:18:15.000
<v Speaker 1>suburbia where nothing ever happens. Meet the couple's new neighbors,

0:18:15.680 --> 0:18:17.600
<v Speaker 1>Katherine and Greg Buckley.

0:18:18.520 --> 0:18:21.360
<v Speaker 5>We were number forty and ours was a little nineteen

0:18:21.440 --> 0:18:25.680
<v Speaker 5>sixties brick and tile place, quite low to the ground.

0:18:25.840 --> 0:18:29.120
<v Speaker 5>They were number forty two, so slightly uphill of us.

0:18:29.359 --> 0:18:31.720
<v Speaker 5>There was a big hedge between us and these was

0:18:31.760 --> 0:18:34.400
<v Speaker 5>one of the slightly grander bungalows.

0:18:36.320 --> 0:18:40.400
<v Speaker 1>A few days after Evelyn and Lila move in, Katherine

0:18:40.440 --> 0:18:42.400
<v Speaker 1>and Greg pop round to welcome them.

0:18:43.760 --> 0:18:46.800
<v Speaker 5>We're not muffin bakers, Greg and I. But if you

0:18:46.800 --> 0:18:48.399
<v Speaker 5>were a muff and baker, you would have arrived with

0:18:48.400 --> 0:18:49.320
<v Speaker 5>your box of muffins.

0:18:49.320 --> 0:18:49.800
<v Speaker 1>But we didn't.

0:18:49.840 --> 0:18:51.080
<v Speaker 5>We just arrived and said hi.

0:18:51.880 --> 0:18:53.320
<v Speaker 1>They meet Lila first.

0:18:53.800 --> 0:18:56.600
<v Speaker 5>Well, she's just this beamy, smiley little woman.

0:18:57.160 --> 0:19:00.600
<v Speaker 1>Little does she know who she's really dealing with, though

0:19:00.640 --> 0:19:04.040
<v Speaker 1>she does sense Lila's concealing something.

0:19:04.560 --> 0:19:06.880
<v Speaker 5>I'm a natural red head, and I think I can

0:19:06.920 --> 0:19:09.200
<v Speaker 5>spotted not natural red head.

0:19:12.000 --> 0:19:17.119
<v Speaker 1>But of course Lilah's concealing much more than that. Lilah

0:19:17.160 --> 0:19:21.400
<v Speaker 1>tells them that Evelyn is a financial advisor. Right, okay,

0:19:21.800 --> 0:19:25.440
<v Speaker 1>pretty well to do, thanks Catherine. But then she notices

0:19:25.520 --> 0:19:29.280
<v Speaker 1>the decor inside the house. Now she doesn't want to

0:19:29.280 --> 0:19:32.000
<v Speaker 1>come across as a snob, but when she pokes her

0:19:32.040 --> 0:19:34.240
<v Speaker 1>head in the door, she thinks.

0:19:34.119 --> 0:19:37.680
<v Speaker 5>You know that weird, like not stylish, not classy at all.

0:19:38.359 --> 0:19:40.560
<v Speaker 5>And the most outstanding thing for me was that there

0:19:40.560 --> 0:19:43.480
<v Speaker 5>were just like little China ornaments everywhere.

0:19:43.920 --> 0:19:48.119
<v Speaker 1>It was quite old Lady Nana style. Now Lilah would

0:19:48.200 --> 0:19:52.480
<v Speaker 1>certainly take issue with that description. She loves her new

0:19:52.560 --> 0:19:55.720
<v Speaker 1>house and she's got it just how she wants it.

0:19:56.200 --> 0:19:59.440
<v Speaker 3>Gorgeous, a gay guar's house, what can I say?

0:20:00.240 --> 0:20:03.480
<v Speaker 1>Of course, Greg and Catherine don't let on. They find

0:20:03.520 --> 0:20:10.840
<v Speaker 1>it all rather chintzy. And more importantly, their kids love

0:20:11.080 --> 0:20:12.680
<v Speaker 1>Evelyn and Lila's dogs.

0:20:13.320 --> 0:20:18.600
<v Speaker 5>They had the fattest little pug one or two two two.

0:20:19.400 --> 0:20:21.639
<v Speaker 1>They could barely move they were.

0:20:21.520 --> 0:20:26.119
<v Speaker 5>So fed, probably overfeed clearly, you know, the apples of

0:20:26.160 --> 0:20:26.719
<v Speaker 5>their eye.

0:20:27.359 --> 0:20:29.960
<v Speaker 1>But the kids don't care how fat the pugs are.

0:20:30.280 --> 0:20:33.240
<v Speaker 1>They just love playing with them and taking them for walks.

0:20:33.480 --> 0:20:35.760
<v Speaker 5>But you couldn't walk them very fat because to drag

0:20:35.800 --> 0:20:37.840
<v Speaker 5>them the poor little things hit you know, leagues about

0:20:37.880 --> 0:20:38.800
<v Speaker 5>three inches long.

0:20:39.080 --> 0:20:41.520
<v Speaker 4>They just love the dogs and this quaint old lady

0:20:41.560 --> 0:20:42.320
<v Speaker 4>in the house.

0:20:42.560 --> 0:20:52.719
<v Speaker 1>Quaint old lady. That's Lilah they're talking about. But Lila

0:20:53.040 --> 0:20:57.000
<v Speaker 1>is happy. She's loving life in the suburbs. Cash is

0:20:57.040 --> 0:21:00.520
<v Speaker 1>abundant and they're a long long way from the clutches

0:21:00.560 --> 0:21:04.359
<v Speaker 1>of Detective Jim Frost in England. All that business with

0:21:04.440 --> 0:21:08.480
<v Speaker 1>the Horsey set feels like another lifetime, all in the past.

0:21:09.359 --> 0:21:13.240
<v Speaker 1>Their new neighborhood in Marine Parade is the perfect place

0:21:13.280 --> 0:21:16.960
<v Speaker 1>to keep their heads down and their mouths shut. And

0:21:17.040 --> 0:21:19.840
<v Speaker 1>as far as all their neighbors are concerned, Evelyn and

0:21:19.880 --> 0:21:23.000
<v Speaker 1>Lilah are just a couple of sweet old ladies from

0:21:23.080 --> 0:21:30.560
<v Speaker 1>Australia with a pair of pugs. Until it's a regular

0:21:30.640 --> 0:21:34.679
<v Speaker 1>day in marine parade in Auckland. Katherine is out front

0:21:34.920 --> 0:21:38.800
<v Speaker 1>when she bumps into Evelyn and Lilah's landlord, Kevin, who

0:21:38.880 --> 0:21:40.080
<v Speaker 1>she knows well.

0:21:40.720 --> 0:21:42.800
<v Speaker 5>And he said, oh, I've just got something to let

0:21:42.840 --> 0:21:45.240
<v Speaker 5>you know. And he came either and he didn't stand

0:21:45.280 --> 0:21:46.280
<v Speaker 5>on the street and chat.

0:21:47.000 --> 0:21:52.439
<v Speaker 1>He insists they go inside, which is very unusual. He says,

0:21:52.920 --> 0:21:54.639
<v Speaker 1>it's about your new neighbors.

0:21:55.280 --> 0:21:58.000
<v Speaker 5>How much of you had to do with Evelyn and Layla.

0:21:58.560 --> 0:22:01.560
<v Speaker 1>Catherine looks at him perplexed.

0:22:01.359 --> 0:22:03.320
<v Speaker 5>And I said, oh, you know, not match the dogs

0:22:03.320 --> 0:22:05.280
<v Speaker 5>and waving over the fence and what have you.

0:22:05.359 --> 0:22:10.560
<v Speaker 1>And he said, well, don't now she's listening like coul

0:22:11.200 --> 0:22:17.560
<v Speaker 1>carry on, fill me in, don't what. As Kevin speaks,

0:22:18.080 --> 0:22:24.760
<v Speaker 1>Catherine's eyes widen. She can't believe it. Evelyn and Lilah,

0:22:24.920 --> 0:22:31.320
<v Speaker 1>he says, are known fraudsters. Kevin warns her.

0:22:31.680 --> 0:22:34.639
<v Speaker 5>Do not let them talk you into doing anything with money.

0:22:35.040 --> 0:22:38.560
<v Speaker 5>Don't let them borrow money from you, don't suggest that

0:22:38.720 --> 0:22:41.240
<v Speaker 5>you know you can invest with them, just have nothing

0:22:41.240 --> 0:22:41.880
<v Speaker 5>to do with them.

0:22:42.480 --> 0:22:46.920
<v Speaker 1>Then Kevin says, one last thing. They have to keep

0:22:46.960 --> 0:22:53.359
<v Speaker 1>this information to themselves. They cannot they must not talk

0:22:53.440 --> 0:22:54.000
<v Speaker 1>about it.

0:22:54.480 --> 0:22:56.880
<v Speaker 5>We weren't supposed to go Blair Blair Blair because Auckland's

0:22:56.880 --> 0:22:58.200
<v Speaker 5>a small town.

0:22:58.160 --> 0:23:01.480
<v Speaker 1>And that's it. Kevin says goodbye and shuts the front

0:23:01.520 --> 0:23:07.239
<v Speaker 1>door behind him. Catherine stunned, she replays the conversation in

0:23:07.320 --> 0:23:18.160
<v Speaker 1>her head. Known fraudsters, the question is known by whom

0:23:18.200 --> 0:23:22.159
<v Speaker 1>who knows where they are? Well, I can tell you

0:23:22.200 --> 0:23:25.640
<v Speaker 1>one thing. It's not Detective Jim Frost in the UK.

0:23:26.480 --> 0:23:32.960
<v Speaker 1>He still has no idea where they're hiding out. For

0:23:33.080 --> 0:23:37.240
<v Speaker 1>Evelyn and Lilah, life carries on as normal. There's no

0:23:37.440 --> 0:23:42.520
<v Speaker 1>sign at all that trouble might be brewing. Catherine and

0:23:42.560 --> 0:23:47.639
<v Speaker 1>Gregg prove to be rather good at keeping secrets. No

0:23:48.160 --> 0:23:52.720
<v Speaker 1>in Marine Parade, everything's as it always has been. Evelyn

0:23:52.760 --> 0:23:56.560
<v Speaker 1>and Lilah have plenty of money coming in, so Evelyn

0:23:56.760 --> 0:24:04.360
<v Speaker 1>decides to treat herself. One morning, she turns to Lilah.

0:24:03.440 --> 0:24:06.240
<v Speaker 3>She said, look, I want a flet tummy. I think

0:24:06.280 --> 0:24:08.000
<v Speaker 3>I need to go and have a flet tummy.

0:24:09.000 --> 0:24:13.439
<v Speaker 1>Evelyn has always been generous with her money, well not

0:24:13.760 --> 0:24:18.560
<v Speaker 1>her money exactly, but for once she actually wants to

0:24:18.560 --> 0:24:26.120
<v Speaker 1>do something for herself. Evelyn decides to have liposuction. It's

0:24:26.160 --> 0:24:31.240
<v Speaker 1>a cosmetic procedure, kind of like vacuuming fat from her

0:24:31.280 --> 0:24:35.719
<v Speaker 1>belly and then followed up with a tummy tuck. She

0:24:35.800 --> 0:24:42.040
<v Speaker 1>books herself into a private hospital. On the day of

0:24:42.080 --> 0:24:45.879
<v Speaker 1>the procedure, all seems to be going well. The doctor

0:24:45.880 --> 0:24:48.399
<v Speaker 1>says they'll be in touch once Evelyn is out of

0:24:48.440 --> 0:24:52.280
<v Speaker 1>the operating room, so Lila goes home and takes a nap.

0:24:56.400 --> 0:24:59.600
<v Speaker 1>Lila wakes up. She expects the voice on the other

0:24:59.680 --> 0:25:02.159
<v Speaker 1>end of the call to be the doctor at Evelyn's

0:25:02.160 --> 0:25:07.879
<v Speaker 1>private hospital, but it isn't. It's from a public hospital

0:25:08.520 --> 0:25:09.960
<v Speaker 1>and it's an emergency.

0:25:10.680 --> 0:25:14.439
<v Speaker 3>We've got evil unburdening here. Do you know who? And

0:25:14.480 --> 0:25:17.600
<v Speaker 3>I said, yes, I do. Why Oh, They've just brought

0:25:17.600 --> 0:25:18.840
<v Speaker 3>her in in an ambulance.

0:25:19.359 --> 0:25:23.600
<v Speaker 1>Lilah rushes to the public hospital. She finds Evelyn in

0:25:23.640 --> 0:25:28.199
<v Speaker 1>her room in terrible pain. Something has gone wrong with

0:25:28.280 --> 0:25:30.520
<v Speaker 1>the operation, very wrong.

0:25:31.440 --> 0:25:35.639
<v Speaker 3>She was looking really bad and she was just everything

0:25:35.680 --> 0:25:37.439
<v Speaker 3>about it was just awful.

0:25:38.160 --> 0:25:40.720
<v Speaker 1>Evelyn is not okay.

0:25:41.000 --> 0:25:44.560
<v Speaker 3>Larly, I feel terrible. I feel terrible. I'm dying. I'm dying.

0:25:44.560 --> 0:25:45.879
<v Speaker 3>I'm dying. I know I'm dying.

0:25:46.240 --> 0:25:47.040
<v Speaker 1>Were you scared?

0:25:47.480 --> 0:25:50.200
<v Speaker 3>Oh? Yes, because she was dying.

0:25:50.640 --> 0:25:55.119
<v Speaker 1>I swear the wound from the stomach procedure has opened

0:25:55.560 --> 0:26:01.400
<v Speaker 1>and become very seriously infected. And then even worse, they

0:26:01.440 --> 0:26:09.280
<v Speaker 1>discover Evelyn's had a stroke in her apartment. Lila shows

0:26:09.280 --> 0:26:12.159
<v Speaker 1>me a photo of the wound taken at the time.

0:26:13.000 --> 0:26:18.240
<v Speaker 1>It's really shocking to see a huge wound gaping open,

0:26:19.040 --> 0:26:24.080
<v Speaker 1>red and raw and weeping. The way Lilah tells it,

0:26:24.400 --> 0:26:27.840
<v Speaker 1>Evelyn was discharged in a pretty dire state.

0:26:28.880 --> 0:26:32.639
<v Speaker 3>So that was the wound, right, That is shocking. I

0:26:34.040 --> 0:26:36.240
<v Speaker 3>actually dicked that up for her.

0:26:36.440 --> 0:26:38.320
<v Speaker 1>I don't know how you did that, because that looks right.

0:26:38.560 --> 0:26:41.399
<v Speaker 3>Look, I don't know. I just do things. You just

0:26:41.440 --> 0:26:44.080
<v Speaker 3>do it anyway. I was able to put two fists

0:26:44.119 --> 0:26:45.440
<v Speaker 3>in who bury.

0:26:45.640 --> 0:26:54.320
<v Speaker 1>Into the wound in Oh. Evelyn eventually comes home, but

0:26:54.760 --> 0:26:57.200
<v Speaker 1>she's a shell of the woman she used to be.

0:26:58.119 --> 0:27:01.959
<v Speaker 1>She needs a lot of care and tension, and Lilah

0:27:02.040 --> 0:27:04.480
<v Speaker 1>spends all her time looking after her.

0:27:05.240 --> 0:27:09.160
<v Speaker 3>I would wait night and day looking after her, feeding her,

0:27:09.280 --> 0:27:12.040
<v Speaker 3>cleaning her up, doing her wounds.

0:27:12.880 --> 0:27:17.919
<v Speaker 1>Slowly, very slowly. Evelyn begins to improve, but there's no

0:27:18.040 --> 0:27:23.679
<v Speaker 1>money coming in. They're falling on hard times. Unless Lila

0:27:23.800 --> 0:27:28.240
<v Speaker 1>can earn they'll be thrown out of the bungalow. So

0:27:28.400 --> 0:27:31.360
<v Speaker 1>Lilah does what she knows best.

0:27:33.400 --> 0:27:38.280
<v Speaker 3>I opened another little B and D place within the

0:27:38.359 --> 0:27:39.399
<v Speaker 3>house that when we're living.

0:27:40.200 --> 0:27:47.000
<v Speaker 1>Of course, yes, Lilah brings bondage and discipline to Marine Parade.

0:27:47.640 --> 0:27:48.800
<v Speaker 1>Did you get some customers?

0:27:49.240 --> 0:27:49.440
<v Speaker 3>Oh?

0:27:49.520 --> 0:27:52.560
<v Speaker 1>Yes, right, and what was your name there?

0:27:53.640 --> 0:27:54.480
<v Speaker 3>Madame's Via.

0:27:55.440 --> 0:27:59.920
<v Speaker 1>So you return to the old job, hehew, Madame zav

0:28:00.080 --> 0:28:02.280
<v Speaker 1>The era is back in business.

0:28:03.000 --> 0:28:05.200
<v Speaker 3>And I was doing maybe an hour, hour and a

0:28:05.240 --> 0:28:09.000
<v Speaker 3>half a work a day, and that was bringing in

0:28:09.040 --> 0:28:14.480
<v Speaker 3>maybe three hundred dollars a day from one client. And

0:28:14.880 --> 0:28:18.000
<v Speaker 3>our great clients, they really were, they were excellent.

0:28:18.880 --> 0:28:22.040
<v Speaker 1>Now, Catherine and Greg might know that they're living next

0:28:22.040 --> 0:28:25.800
<v Speaker 1>door to known fraudsters, and of course Evelyn and Lilah

0:28:25.880 --> 0:28:30.160
<v Speaker 1>have no idea. Katherine and Greg know that, but Catherine

0:28:30.200 --> 0:28:34.159
<v Speaker 1>and Greg have absolutely no idea. Lila is running a

0:28:34.200 --> 0:28:39.960
<v Speaker 1>B and D business right next door to them. So

0:28:40.120 --> 0:28:44.600
<v Speaker 1>things are starting to get very interesting in Marine Parade.

0:28:45.160 --> 0:28:48.960
<v Speaker 1>More interesting than they've been in a very, very long time,

0:28:51.200 --> 0:28:56.200
<v Speaker 1>and things are about to get even more interesting. So

0:28:56.480 --> 0:29:01.400
<v Speaker 1>Evelyn's recovering and Lilah's working because the cash run dry,

0:29:01.480 --> 0:29:04.480
<v Speaker 1>and Lilah hopes that as soon as Evelyn is back

0:29:04.480 --> 0:29:07.800
<v Speaker 1>on her feet, things will all go back to normal.

0:29:09.240 --> 0:29:13.680
<v Speaker 1>But they never will. Their world in their leafy suburb

0:29:13.760 --> 0:29:19.920
<v Speaker 1>in Marine Parade is about to implode. Nothing will ever

0:29:20.080 --> 0:29:26.040
<v Speaker 1>be the same again, because where did all that cash

0:29:26.080 --> 0:29:30.720
<v Speaker 1>come from? Well? Remember that woman who Lilah was jealous of,

0:29:31.720 --> 0:29:36.160
<v Speaker 1>the one Evelyn had been spending all that time with. Well,

0:29:37.240 --> 0:29:43.640
<v Speaker 1>she's Evelyn's latest victim, who Evelyn swindled tens of thousands

0:29:43.640 --> 0:29:49.040
<v Speaker 1>of dollars out of. It's the usual m O. Evelyn

0:29:49.080 --> 0:29:55.240
<v Speaker 1>promises miracle returns on a modest upfront investment, an upfront

0:29:55.280 --> 0:30:01.960
<v Speaker 1>investment that goes straight into Evelyn's pocket, and as usual,

0:30:02.720 --> 0:30:04.480
<v Speaker 1>Lilah pleads ignorance.

0:30:05.880 --> 0:30:07.320
<v Speaker 3>I don't know, so.

0:30:07.320 --> 0:30:08.400
<v Speaker 1>You didn't know anything about it.

0:30:08.400 --> 0:30:11.600
<v Speaker 3>I don't know about the transaction at all.

0:30:13.240 --> 0:30:16.160
<v Speaker 1>So yes, they rent on their lovely new home in

0:30:16.280 --> 0:30:22.960
<v Speaker 1>Marine Parade, all the Chinsea China ornaments, the two overweight pugs,

0:30:23.520 --> 0:30:28.920
<v Speaker 1>even the botched tummy tuck It's all paid for unknowingly

0:30:29.640 --> 0:30:39.160
<v Speaker 1>by Evelyn's friend. But guess what that friend She's just

0:30:40.000 --> 0:30:50.800
<v Speaker 1>called the cops. You've been listening to Royal Swindle at

0:30:50.800 --> 0:30:55.720
<v Speaker 1>Blanchard House, production for USG Audio in partnership with Exactly

0:30:55.800 --> 0:30:59.760
<v Speaker 1>Right Media, hosted by me Becky Milligan. It's written in

0:31:00.120 --> 0:31:04.480
<v Speaker 1>used by me Becky Milligan and Sarah Jones. Original music

0:31:04.600 --> 0:31:08.640
<v Speaker 1>is by Daniel Lloyd Evans, Louis Langmannell and Toby Mattimon.

0:31:09.400 --> 0:31:13.320
<v Speaker 1>Sound design and mixed engineering is by Vulcan Kisseltok, Toby

0:31:13.360 --> 0:31:18.360
<v Speaker 1>Mattimoon and Daniel Lloyd Evans. Story development by Duncan Barber.

0:31:19.360 --> 0:31:24.440
<v Speaker 1>The managing producer is Amka Schortino Nolan. Production support from

0:31:24.520 --> 0:31:28.680
<v Speaker 1>Josh la Longi at USG Audio. The creative director at

0:31:28.720 --> 0:31:33.080
<v Speaker 1>Blanchard House is Rosy Pye. The executive producer and head

0:31:33.120 --> 0:31:38.320
<v Speaker 1>of Content at Blanchard House is Lawrence Grisell. Our executive

0:31:38.320 --> 0:31:41.480
<v Speaker 1>producer from USG Audio is Josh Block