WEBVTT - Mini Crush #64

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<v Speaker 1>Welcome to movie Crush, a production of I Heart Radio.

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<v Speaker 1>It's beginning to look a lot like many Crush. Is

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<v Speaker 1>this like a holiday special? Chuck? Everywhere we goes out

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<v Speaker 1>of season, there's Chucky. He's on the right and No

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<v Speaker 1>Brown is on the left seat from where I'm sitting

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<v Speaker 1>here on the left. Why do you have to ruin everything? Well,

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<v Speaker 1>it's just that it's it's a little warm for Christmas.

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<v Speaker 1>But I like you. I like the Christmas spirit that's

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<v Speaker 1>clearly in your heart. Chuck. Is this is this going

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<v Speaker 1>to be completely holiday themed? I'm not prepared for the No,

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<v Speaker 1>I'm just cooping. And you don't ruin everything, you know,

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<v Speaker 1>you make everything better? Chuck. Thanks man, you lifted me up.

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<v Speaker 1>That's a song you lift me up. By the way, dude,

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<v Speaker 1>you got some serious props for crap little Sister. The

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<v Speaker 1>best part was the other one that you hit then

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<v Speaker 1>from that song, but I can't even remember the line.

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<v Speaker 1>It's like blacks don't little sister, the creepy children's choir voices.

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<v Speaker 1>That's a classic, Dude for a lot of people that

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<v Speaker 1>are like, dude, hey, you killed it and be I

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<v Speaker 1>love that song. It's it's the it's a weird song.

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<v Speaker 1>I had that soundtrack on cassette when I was younger,

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<v Speaker 1>and I think I've probably said it on the show before.

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<v Speaker 1>That was the first place I ever heard Echo and

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<v Speaker 1>the Bunny Man, who I'm a huge, huge fan of,

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<v Speaker 1>because they do that weird cover of Strange Days by

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<v Speaker 1>Doors that opens the movie. But Cry a Little Sister,

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<v Speaker 1>It's like the tortured love theme of the Lost Boys.

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<v Speaker 1>That's what that is. You know, it's right, it's really good.

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<v Speaker 1>Did they remake that now? Well? I actually I heard

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<v Speaker 1>there's going to be a television series. They did some

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<v Speaker 1>weird directed video sequels, like there was at least two

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<v Speaker 1>with the Struggling Uh was there anyone from the Ridge?

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<v Speaker 1>That's what I'm saying. In the first one, there was

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<v Speaker 1>the Corries. Both Corries were in it. I think it

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<v Speaker 1>was right before Corey Ham passed away, so that he

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<v Speaker 1>was in the sequel, both of the brothers. Yeah, he

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<v Speaker 1>and Feldman were in the sequel at least one of

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<v Speaker 1>the sequels. It's called like the Tribe or something like that. That.

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<v Speaker 1>Corey Feldman is a interesting cat. Yeah, yeah, he's he's

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<v Speaker 1>kind of been laying low lately because for a while

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<v Speaker 1>he was like he was on one of the morning

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<v Speaker 1>shows and he you know, he's got this music or whatever,

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<v Speaker 1>and it's it's just not this music or what. It's

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<v Speaker 1>just not music or whatever. It's just not good. But

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<v Speaker 1>he's so into it and so passionate about it that

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<v Speaker 1>you can't help. But like it's almost like Tommy why

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<v Speaker 1>so with the room, you know, where he believes and

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<v Speaker 1>how good it is. It doesn't see that it's actually

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<v Speaker 1>not good. I think people go to see his concerts

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<v Speaker 1>to laugh at and that's really sad. Well, I wouldn't

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<v Speaker 1>go to I don't know, man, Irony is an interesting

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<v Speaker 1>beast because sometimes you like, you know, when we watch

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<v Speaker 1>bad movies, do we watch them because we hate them

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<v Speaker 1>or because we love them? I think it's because we

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<v Speaker 1>actually love them. Yeah, Like I'm not into the concept

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<v Speaker 1>of the hate watcher hate listen. I think it's different.

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<v Speaker 1>I think, like, you know, even like Mystery Science or whatever,

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<v Speaker 1>the spirit behind that is one of the joy and

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<v Speaker 1>it's one of like, you know, it's fun. It's not

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<v Speaker 1>angry or mean spirited or nasty. I don't think I agree. No, goodness,

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<v Speaker 1>what else did I see? I saw something in the

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<v Speaker 1>theater Oh I saw Shazam. Dude, I'm going to see

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<v Speaker 1>that today. It is awesome. I'm no, I'm going to

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<v Speaker 1>see that. No. Two zero hype. But there was a

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<v Speaker 1>point in the movie when I saw it where the

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<v Speaker 1>entire audience burst into a round of applause. Inside the movie,

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<v Speaker 1>I've heard nothing but great things. I'm so glad that

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<v Speaker 1>d C is finding its way. Oh, they finally got

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<v Speaker 1>the ship together Wonder Woman and Joker trailer looks it

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<v Speaker 1>looks great. Uh. Aquaman was okay, it's Aquaman, dude. It

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<v Speaker 1>wasn't terrible by any means. It was. It was passable.

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<v Speaker 1>I didn't leave angry like I did the Justice League

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<v Speaker 1>movies and or I think it was just one Justice

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<v Speaker 1>League movie, right, But that's because Superman, Batman. We're all

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<v Speaker 1>just so self important and dark and fun yeah, and

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<v Speaker 1>gray and sludgy, but not even in a cool, gritty way,

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<v Speaker 1>just in't like a plastic Zack snydery way. Let's take

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<v Speaker 1>everything we love about comic books and not do Let's

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<v Speaker 1>just suck the joy out of this whole affair. I

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<v Speaker 1>let's do that. No, They're figured next, because Shazam is

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<v Speaker 1>pure joy. I can't wait you're gonna love it. Let's

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<v Speaker 1>let's talk about it next time. It's uh sure, alright, No,

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<v Speaker 1>we are going to get going here. I was gonna do.

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<v Speaker 1>I promised to do corrections corner at the top of

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<v Speaker 1>every show, but I don't think Actually, let me check

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<v Speaker 1>real quick. I don't think we have anything new since

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<v Speaker 1>we recorded, uh eight minutes ago, but I'm checking in

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<v Speaker 1>real time. Everyone. We call this part Chuck types all right,

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<v Speaker 1>I think there are a couple of more corrections st all,

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<v Speaker 1>So let's just go over these. Jim Bosa, your pronunciation

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<v Speaker 1>of the word important. It's important, you say it in

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<v Speaker 1>almost every podcast. Well, Jim, that's not a correction, my friend.

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<v Speaker 1>That is called a regional affectation. People in different parts

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<v Speaker 1>of the country and world speak differently people in other

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<v Speaker 1>parts of the country and world. There are many localisms

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<v Speaker 1>and many regional accents that flavor words like softening, tease

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<v Speaker 1>to d s. Not a correction, Jim. One might even

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<v Speaker 1>call that pedantic. Here in the South, we saw on

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<v Speaker 1>our tees. No one says Atlanta Atlanta. You say Atlanta Atlanta. Yeah,

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<v Speaker 1>you know. John Hodgman had a people say Atlanta. It

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<v Speaker 1>just depends not people from Atlanta. Well, Ben Bolan says Atlanta,

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<v Speaker 1>he's born. Good Lord, can you really hold Ben up

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<v Speaker 1>as an example of anything? What does that mean? I

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<v Speaker 1>just wanted to back on him because he's not here.

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<v Speaker 1>That's fair. Now Ben is maybe someone will tell him

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<v Speaker 1>about this and don't get a sideways look. No, Ben

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<v Speaker 1>is Ben is my Ben is my my guy, he's

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<v Speaker 1>my work wife. But no, it's I think it's also

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<v Speaker 1>some people are just have shed any semblance of regionalism,

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<v Speaker 1>like whether on purpose or just like it just doesn't

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<v Speaker 1>because I don't know. I don't think I have any

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<v Speaker 1>affectations that are specifically associated with the South, except saying

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<v Speaker 1>things like y'all occasionally or does like certain word choices. Yeah,

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<v Speaker 1>I don't have the heavy accent, but I there's that

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<v Speaker 1>Southern thing where we saw in our tease generally, like

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<v Speaker 1>John Hodgeman tried out for a he auditioned for a

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<v Speaker 1>role one time that was someone from the South, and

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<v Speaker 1>he asked for my help and which meant a lot

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<v Speaker 1>to me. And he sent me the pages and um,

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<v Speaker 1>I rewrote them phonetically how someone from the South might

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<v Speaker 1>really because he want to do it realistically and not

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<v Speaker 1>some put on some phony accent. I was like, it's

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<v Speaker 1>really subtle, man, it's like you soft and tease you.

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<v Speaker 1>It's more stuff like that than like these big outrageous

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<v Speaker 1>accents that people put on. Listen to my outregous accent?

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<v Speaker 1>Like that from is that from Monty Python? That's gotta Yeah,

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<v Speaker 1>that's from Holy Grail. I am French. You can tell

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<v Speaker 1>by that's great. Alex Buck says, you once to mentioned

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<v Speaker 1>on the show Frasier, did Fraser and Roz where they

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<v Speaker 1>married or engaged at one point? Um, that is not true.

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<v Speaker 1>He says. A romantic relationship was teased and maybe two

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<v Speaker 1>or three episodes throughout eleven seasons, culminating in a one

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<v Speaker 1>night stand late into season nine. We have a Frasier

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<v Speaker 1>list here, uh, and it was it was regretted immediately

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<v Speaker 1>by both characters afterwards. Fair enough, it's probably the way

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<v Speaker 1>to play that. Yeah, they're just like you know, their

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<v Speaker 1>their pals. Yeah, they work better as pals exactly. It's

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<v Speaker 1>like you and mean, we don't have to get married.

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<v Speaker 1>We don't have to get married, we don't even have

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<v Speaker 1>to have a weird one night stand. Yeah, I'm open

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<v Speaker 1>for let's wait for the fan fiction. You know what

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<v Speaker 1>they started writing it. Oh they did not. Yeah, someone

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<v Speaker 1>started a thing on Facebook, like let's do that thing

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<v Speaker 1>where we each add a line. Oh that's great, which

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<v Speaker 1>is always fun. The only problem is with Facebook being

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<v Speaker 1>real time, it's hard to really get a coherent order

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<v Speaker 1>because like three or four people will respond to what

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<v Speaker 1>they think is the next line and they're doing it

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<v Speaker 1>just gets kind of unweelby, I think. But it kind

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<v Speaker 1>of becomes like the sort of Brian Eno as cut

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<v Speaker 1>up experiment at that point, though I appreciate that aspect

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<v Speaker 1>of it. Yeah, why not. If you're invoking Brian Eno,

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<v Speaker 1>then you're doing the right thing too. All right, No,

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<v Speaker 1>we're gonna go with a very special edition of Haiku Theater.

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<v Speaker 1>Was it a holiday edition? It is a Kevin Bacon edition? Okay?

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<v Speaker 1>How many degrees are we dealing with here? You can

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<v Speaker 1>do whatever you want, however many degrees we want. Okay,

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<v Speaker 1>I said, basically, um, movies, his roles, his life, personal life, whatever,

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<v Speaker 1>Just give me Kevin Bacon, hikus all day long. Here

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<v Speaker 1>we go. Kimberly McGuire, I'm still not over full frontal

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<v Speaker 1>Kevin Bacon. He is a wild thing. I forgot he

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<v Speaker 1>showed his dong, he hung on, he hung dong. I

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<v Speaker 1>don't know if all the sunny made that up or

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<v Speaker 1>if that that's they say, did he hang out? Did

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<v Speaker 1>he hang on? And it's so perfect. It's just it's

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<v Speaker 1>so perfect. The visual of it is just right. It's

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<v Speaker 1>a fun thing to say. It's got good like alliteration

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<v Speaker 1>at the MG sound. Yeah, I love it. I didn't

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<v Speaker 1>remember him doing that. I think I think he did

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<v Speaker 1>hang Okay, interesting Jack Colin Saran says Apollo, Oh yeah,

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<v Speaker 1>he was in that one. So was Bill Paxton. Alright,

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<v Speaker 1>nice work, our old pal. Vanessa Lopez. Bacon bacon, bay con, bacon, bacon, bacon, bacon, bacon,

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<v Speaker 1>keV Oh Lopez, you will, Burke says, Kevin is awesome.

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<v Speaker 1>Kevin is awesome. Okay, counting out my fingers. Can you

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<v Speaker 1>tell bacon is even better? Mix them together? Mix them together?

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<v Speaker 1>What do you get? Well you get a last line?

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<v Speaker 1>Oh no, that's right, five some five? My bad? Sorry, Well,

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<v Speaker 1>good job. Kevin is awesome, Bacon is even better. Mix

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<v Speaker 1>them together. It even rhymed. I see now you get

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<v Speaker 1>Kevin bacon. It was good. It's very good, very creative.

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<v Speaker 1>Desiree held says is Kevin Bacon a hero like star

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<v Speaker 1>Lord says, Spidy says no, Spidy says, no, it's only

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<v Speaker 1>four syllables. I'm gonna have to give it. And that

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<v Speaker 1>was a very good Clackson sound you just made with

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<v Speaker 1>your throat. Chuck, that was a colaxon. That's one of

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<v Speaker 1>my favorite words. Skylar Ward says, this always creeped me out.

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<v Speaker 1>It was that River movie, Leave Merrill Alone. Yeah, that

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<v Speaker 1>was a good movie. River Wild quite enjoyed that. I

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<v Speaker 1>think I've seen that one. That was good. Arld pal

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<v Speaker 1>Kount's gin. I'm sorry, Jack Wren, Jack Swiggert, Captain Jack Ross,

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<v Speaker 1>Tom Noakes, Valentine McKee counts. It sounds like you're sending

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<v Speaker 1>like some secret coded message to us. I'm gonna have

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<v Speaker 1>to figure that one out. Steve Kradolfo says, Boston Murder Case,

0:12:09.880 --> 0:12:15.319
<v Speaker 1>your dialect was suspect. At least maybe try Man getting

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<v Speaker 1>on him for that Boston accent and mtic River River. Okay, Yeah,

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<v Speaker 1>that's oh, that's right. Yeah, I haven't seen that one

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<v Speaker 1>in years. I barely remember what it's about. I know

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<v Speaker 1>there's like child sex trafficking or something involved, right or

0:12:27.600 --> 0:12:29.920
<v Speaker 1>kidnapping or something murder. It was. It was one of

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<v Speaker 1>those stars. It wasn't a fun movie. I think it's

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<v Speaker 1>a novel. Sean Penn in that one, I think so okay, Yeah, no,

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<v Speaker 1>I think you're right. I think it might have like

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<v Speaker 1>Catholic priest thing, or maybe I'm thinking something else. Sam

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<v Speaker 1>was also Sleepers. It reminded me of Sleepers kind of.

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<v Speaker 1>There was a connection there anyway, this was Sleepers. Sleepers

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<v Speaker 1>was about the other one. There was another one. I mean,

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<v Speaker 1>you could just keep cranking those movies out. Sadly. Sam

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<v Speaker 1>Streeter says this a tasty sandwich. No, not that Bacon. Kevin,

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<v Speaker 1>he of the Loose Feet, that's good. Oh that's a

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<v Speaker 1>good title. He of the Loose Feet like that too. Uh.

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<v Speaker 1>Our old friend Melinda Baccalleo says this in a few

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<v Speaker 1>Good Men. Kevin gives Tom a warning careful with code reds.

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<v Speaker 1>That's good. I like it, Dylan Thomas, boy, this better

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<v Speaker 1>be good with a name like that. Oh, Kevin Bacon,

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<v Speaker 1>who can dance gloriously. Also he fights well does he?

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<v Speaker 1>He's a bit of a fisticuffs kind of guy, right

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<v Speaker 1>because he get into fist fights in movies. He's never

0:13:38.400 --> 0:13:40.760
<v Speaker 1>really been a fantasy guy, you know what I mean,

0:13:40.800 --> 0:13:42.280
<v Speaker 1>Like you never really think of him as being some

0:13:42.360 --> 0:13:46.840
<v Speaker 1>sort of like Conan esque character or like playing a big, burly,

0:13:47.880 --> 0:13:51.120
<v Speaker 1>you know, warrior type. He's never I think you've ever

0:13:51.160 --> 0:13:54.439
<v Speaker 1>been in like a period like sword and sorcery type. Now,

0:13:54.480 --> 0:13:55.800
<v Speaker 1>I don't know if I've ever seen him in a

0:13:55.840 --> 0:13:59.600
<v Speaker 1>period piece anything, anything interesting, because he's Kevin Baker's Kevin

0:13:59.600 --> 0:14:03.720
<v Speaker 1>Bakery two grounded in reality, agreed too many connections to him.

0:14:03.760 --> 0:14:06.960
<v Speaker 1>He's the Bakes, Patrick Gorman, Harld Palace. Is this wed

0:14:07.080 --> 0:14:13.480
<v Speaker 1>Chira Sedgwick back in Kevin Bacon fact? I like that.

0:14:14.760 --> 0:14:18.400
<v Speaker 1>Did they split up? I think that's good. Yeah, they're

0:14:18.400 --> 0:14:20.320
<v Speaker 1>one of the great couples. He's on an episode of

0:14:20.360 --> 0:14:23.680
<v Speaker 1>the TV show version of Comedy Bang Bang where he

0:14:23.760 --> 0:14:28.680
<v Speaker 1>talks about he references the six Degrees of Kevin Bacon

0:14:28.720 --> 0:14:31.440
<v Speaker 1>game and plays it with he finds like somebody that

0:14:31.640 --> 0:14:33.280
<v Speaker 1>has has no connection with him, and he like walks

0:14:33.320 --> 0:14:35.240
<v Speaker 1>through all of them and he's down, ends up being

0:14:36.120 --> 0:14:37.600
<v Speaker 1>and the guy totally does have a connection to h

0:14:37.600 --> 0:14:39.400
<v Speaker 1>because he forgot he was in like I think it

0:14:39.440 --> 0:14:42.600
<v Speaker 1>was actually Brad Pitt and Sleepers wait a minute. Was

0:14:42.640 --> 0:14:46.160
<v Speaker 1>Kevin Bacon also in Sleepers. I don't know shit, I'm

0:14:46.200 --> 0:14:51.120
<v Speaker 1>looking it up right now and live corrections corner Sleepers

0:14:51.160 --> 0:14:57.480
<v Speaker 1>the movie we got Jason Patrick, we have Robert de Niro,

0:14:57.600 --> 0:15:02.200
<v Speaker 1>Brad Pitt, Kevin Bacon, Yes, Dustin Hoffman, That's what I said.

0:15:02.280 --> 0:15:06.320
<v Speaker 1>The other one, Brad Renfrow, Billy crudup, Ron elderd Man.

0:15:06.480 --> 0:15:10.200
<v Speaker 1>What a great cast, Jeffrey Donovan. It was a good movie.

0:15:10.280 --> 0:15:12.920
<v Speaker 1>Terry Keny. I'm just gonna keep reading names. Bruno, Kirby

0:15:13.480 --> 0:15:17.040
<v Speaker 1>dash Me Hawk, dash Me Hawk, John Slattery, I know

0:15:17.120 --> 0:15:21.880
<v Speaker 1>John Slattery, John Slattery's and stuff, Wendell Pierce. We're gonna

0:15:21.880 --> 0:15:24.560
<v Speaker 1>have a IMDb off now. I eat a t Turo.

0:15:25.800 --> 0:15:27.640
<v Speaker 1>Oh no, it just goes on and on. Is that

0:15:27.760 --> 0:15:30.120
<v Speaker 1>the best world cast movie ever made? You don't know

0:15:30.240 --> 0:15:33.040
<v Speaker 1>any of these people? Are Chuck? I know all of them? Really,

0:15:33.640 --> 0:15:38.680
<v Speaker 1>I Eaturo. That's John Taturos sister. John Slattery is Madman

0:15:38.800 --> 0:15:40.640
<v Speaker 1>from Madman. Do you think I'm just working around here?

0:15:40.680 --> 0:15:42.440
<v Speaker 1>I really did think you were. They were a lot

0:15:42.480 --> 0:15:44.720
<v Speaker 1>of those names. I didn't recognize. You think I was

0:15:44.720 --> 0:15:47.080
<v Speaker 1>just making things up? No, I knew you were reading

0:15:47.080 --> 0:15:50.800
<v Speaker 1>them off a page. Justin McFarland. Now I do know him,

0:15:50.920 --> 0:15:53.640
<v Speaker 1>isn't he? Now that just made that up? See how

0:15:53.680 --> 0:15:55.400
<v Speaker 1>am They're just names at the end of the day

0:15:55.440 --> 0:16:01.480
<v Speaker 1>unless signed meaning cousin Bobby Bryant says this, we can't

0:16:01.520 --> 0:16:07.280
<v Speaker 1>hold still long. They're under the goddamn ground. That's how

0:16:07.320 --> 0:16:13.040
<v Speaker 1>they get you. Classic such a good movie. That one's

0:16:13.080 --> 0:16:16.960
<v Speaker 1>always a good rewatch. Let me see here, all right, sleepers,

0:16:17.080 --> 0:16:19.480
<v Speaker 1>here you go. No from j j Urbino, our old

0:16:19.480 --> 0:16:25.040
<v Speaker 1>pal dude, this was not a good look for you.

0:16:25.920 --> 0:16:30.880
<v Speaker 1>But no that someone had to play yeah, because Kevin

0:16:30.880 --> 0:16:34.800
<v Speaker 1>Bacon played the creep. If I'm not mistaken, I do

0:16:34.920 --> 0:16:37.400
<v Speaker 1>believe you're right. Like a prison was he a prison guarder?

0:16:37.600 --> 0:16:39.920
<v Speaker 1>He was a guard I believe kick the ship out

0:16:39.920 --> 0:16:43.320
<v Speaker 1>of people misremembering that. The thing about Kevin Bacon is

0:16:43.320 --> 0:16:46.080
<v Speaker 1>he can go both ways. He's got this look that

0:16:46.280 --> 0:16:48.800
<v Speaker 1>that can either be like played as like sinister and

0:16:48.880 --> 0:16:51.520
<v Speaker 1>like you know, bullish and psychotic, or he can also

0:16:51.560 --> 0:16:54.920
<v Speaker 1>be this kind of scrappy, you know, upstart, kind of

0:16:54.920 --> 0:16:57.080
<v Speaker 1>cog in the machine, sticking to the man, you know

0:16:57.120 --> 0:17:02.040
<v Speaker 1>what I mean, totally agree or all. Buddy Stellin Carlson says,

0:17:02.600 --> 0:17:06.679
<v Speaker 1>talk about Kevin, U, do we really need to ha ha,

0:17:06.880 --> 0:17:11.680
<v Speaker 1>just kidding, let's do it. Stellin, that's silly. I like it.

0:17:12.280 --> 0:17:17.520
<v Speaker 1>Kiara Hawkins. Christopher Walkin seemed to really hate Footloose. Oh

0:17:17.600 --> 0:17:21.520
<v Speaker 1>farts chuck got me well, shout out to the April fools.

0:17:22.280 --> 0:17:25.920
<v Speaker 1>Adam Pellettier, our old pal, says, this a stir of echoes.

0:17:26.359 --> 0:17:32.639
<v Speaker 1>Spoiler alert, guys and gals, body in the wall. I

0:17:32.760 --> 0:17:36.840
<v Speaker 1>remember that movie, but I don't remember that spoiler. It

0:17:36.920 --> 0:17:39.440
<v Speaker 1>was okay, did you ever see that Stir of Echoes?

0:17:40.680 --> 0:17:43.159
<v Speaker 1>It was sort of a medium thriller, medium thriller, and

0:17:43.440 --> 0:17:45.400
<v Speaker 1>I maybe didd I don't. I don't remember anything about

0:17:45.400 --> 0:17:49.960
<v Speaker 1>the story. The medium good thriller. Rob Kriegel says, I

0:17:50.040 --> 0:17:56.639
<v Speaker 1>am chip Diller, Delta's versus Omega's Niedermeyer's pal from the

0:17:56.680 --> 0:18:04.360
<v Speaker 1>great great film Animal House. Oh, this one's hidden interesting

0:18:05.160 --> 0:18:07.600
<v Speaker 1>because it had a bad word in it. Sometimes Facebook

0:18:07.600 --> 0:18:09.639
<v Speaker 1>will do that, folks, if you put like an F

0:18:09.760 --> 0:18:12.960
<v Speaker 1>word in your post, it'll it won't show up because

0:18:13.000 --> 0:18:14.320
<v Speaker 1>we have a I don't know why, but we have

0:18:14.400 --> 0:18:17.159
<v Speaker 1>a profanity filter on our page. I should get rid

0:18:17.160 --> 0:18:20.000
<v Speaker 1>of that. John B. McCarty, our old friends says this

0:18:20.119 --> 0:18:24.159
<v Speaker 1>in the Hollow Man, Kevin Bacon's a see through and

0:18:24.440 --> 0:18:30.160
<v Speaker 1>stalker ish jerk. All right, let's do two more. Christa

0:18:30.240 --> 0:18:35.119
<v Speaker 1>Scott says, asshole hiking guide Sean didn't want to gut

0:18:35.200 --> 0:18:39.639
<v Speaker 1>fish stay in Central Park and she says it's a

0:18:39.720 --> 0:18:42.480
<v Speaker 1>whitewater summer. But Krista, I think you mean the river wild.

0:18:44.600 --> 0:18:49.000
<v Speaker 1>And then finally, uh, we're gonna go with Tracy Driver

0:18:49.240 --> 0:18:55.040
<v Speaker 1>McCarthy with this footloose, fancy free. How many degrees are

0:18:55.119 --> 0:19:01.399
<v Speaker 1>you from? Old Kevin b how about that? No, Kevin

0:19:01.400 --> 0:19:03.760
<v Speaker 1>Bacon hikus. I think that's a there should be a

0:19:03.840 --> 0:19:07.320
<v Speaker 1>name for it, some sort of portmanteau between Kevin Bacon

0:19:07.359 --> 0:19:10.920
<v Speaker 1>and Haiku. I tried to think of that last night.

0:19:11.080 --> 0:19:22.360
<v Speaker 1>Kevin Bayiku, I how you call this is Some things

0:19:22.359 --> 0:19:25.080
<v Speaker 1>are not meant to be portmanteau. If something's not meant

0:19:25.080 --> 0:19:28.200
<v Speaker 1>to be, oh man, that's that's a shame. But yeah,

0:19:28.200 --> 0:19:29.879
<v Speaker 1>those are great. And I think about Kevin Bacon two's

0:19:29.880 --> 0:19:34.399
<v Speaker 1>like he's so beloved. People just like like him because

0:19:34.400 --> 0:19:36.480
<v Speaker 1>he messes if he was like had no sense of

0:19:36.560 --> 0:19:39.439
<v Speaker 1>humor about the six degrees saying and like, but he

0:19:39.480 --> 0:19:41.240
<v Speaker 1>plays around with that stuff. And he's a good sport

0:19:41.800 --> 0:19:44.880
<v Speaker 1>and um, why not? You know that's so you should

0:19:44.880 --> 0:19:54.239
<v Speaker 1>live life, everybody, Kevin Bacon style. All right. Now, we're

0:19:54.240 --> 0:19:57.120
<v Speaker 1>gonna finish up with a couple of segments, one more

0:19:57.440 --> 0:20:01.600
<v Speaker 1>so social studies. We're digging up from the past, up

0:20:01.600 --> 0:20:12.960
<v Speaker 1>with fuck uh. This is of course everyone, when we

0:20:13.040 --> 0:20:16.080
<v Speaker 1>hear your all time favorite f bomb in a film.

0:20:16.840 --> 0:20:22.440
<v Speaker 1>Austin Handler says, this what the fund is? A fresh

0:20:22.760 --> 0:20:29.159
<v Speaker 1>from Revenge of the Nerds, slightly slightly racist? Now, I

0:20:29.200 --> 0:20:32.919
<v Speaker 1>guess is it? Yeah? I don't know. I don't understand

0:20:32.920 --> 0:20:36.520
<v Speaker 1>the context. He's making fun of the Asian guy playing poker.

0:20:36.560 --> 0:20:39.760
<v Speaker 1>He says he has a freshe. Oh yeah, that is problematic.

0:20:40.680 --> 0:20:42.560
<v Speaker 1>But this was the eighties. It was the eighties. There

0:20:42.560 --> 0:20:44.840
<v Speaker 1>were jokes like that all over movies and TV. It's

0:20:44.920 --> 0:20:47.320
<v Speaker 1>very true. And it's like, come along with do we

0:20:47.359 --> 0:20:50.280
<v Speaker 1>cancel those movies now? Like do we just strike them

0:20:50.280 --> 0:20:53.000
<v Speaker 1>from the record? You know? No. Evidently you read the

0:20:53.000 --> 0:20:55.840
<v Speaker 1>Facebook comment and say, by the way, that's probably catching

0:20:55.840 --> 0:20:58.600
<v Speaker 1>a little bit. And I think so too. Uh, David Gooch,

0:20:58.600 --> 0:21:01.399
<v Speaker 1>your old buddy, The Gooch says this, I might have

0:21:01.440 --> 0:21:03.679
<v Speaker 1>missed it in the thread. But Jay and Jalen Silent

0:21:03.880 --> 0:21:07.400
<v Speaker 1>Jay and Silent Bob's right back. Fuck fuck mother mother

0:21:07.440 --> 0:21:14.840
<v Speaker 1>fuck fuckninch ninch neich neuch neich neich. Yeah that's uh,

0:21:14.920 --> 0:21:18.040
<v Speaker 1>you know what's his face? Jay? Oh? Yes, yes, yes,

0:21:18.200 --> 0:21:20.520
<v Speaker 1>this is the whole thing. Snoozed to the boots. Yeah,

0:21:20.600 --> 0:21:25.960
<v Speaker 1>I gotta say I um, I really loved Clerks when

0:21:25.960 --> 0:21:28.119
<v Speaker 1>it first came out way back in the day. I

0:21:28.160 --> 0:21:31.560
<v Speaker 1>saw that in the theaters through the beginnings of like

0:21:31.640 --> 0:21:36.040
<v Speaker 1>great nineties Indy cinema, and Clerks was a revolution, a

0:21:36.119 --> 0:21:38.960
<v Speaker 1>revelation to me, absolutely, and I kind of fell out,

0:21:39.200 --> 0:21:41.480
<v Speaker 1>you know after that, well he got a little too

0:21:41.720 --> 0:21:43.640
<v Speaker 1>I don't know what, is it stylized or a little

0:21:43.680 --> 0:21:45.800
<v Speaker 1>too light. But the time, Clerks was like a very

0:21:46.160 --> 0:21:49.240
<v Speaker 1>big deal to be able to make that movie and

0:21:49.280 --> 0:21:51.120
<v Speaker 1>release it, for sure, and it also but it wasn't

0:21:51.200 --> 0:21:53.600
<v Speaker 1>like I feel like some of Kevin Smith's movie. I

0:21:53.640 --> 0:21:55.560
<v Speaker 1>keep wanted to say Kevin Bacon, sure, because we were

0:21:55.560 --> 0:21:58.240
<v Speaker 1>just talking about Kevin Baker nausea for a while. The

0:21:58.280 --> 0:22:02.000
<v Speaker 1>Bacon is sizzling in my brain. But Kevin Smith, he

0:22:02.080 --> 0:22:04.159
<v Speaker 1>sort of leaned on this sort of like this is

0:22:04.160 --> 0:22:06.960
<v Speaker 1>like Kevin Smith movie pastiche or like kind of thing,

0:22:07.119 --> 0:22:11.800
<v Speaker 1>you know, where like Clerks was Clerks, obviously it was

0:22:11.840 --> 0:22:13.640
<v Speaker 1>a Kevin Smith movie, but I feel like he leaned

0:22:13.680 --> 0:22:16.680
<v Speaker 1>a little too heavily into the goofy, gross out aspects

0:22:16.680 --> 0:22:18.399
<v Speaker 1>of what it means to be a Kevin Smith movie,

0:22:18.680 --> 0:22:21.159
<v Speaker 1>whereas Clerks was actually a cool story and like a

0:22:21.160 --> 0:22:24.200
<v Speaker 1>good movie, and hey, listen, man, there are all sorts

0:22:24.200 --> 0:22:27.640
<v Speaker 1>of ways to be a director. But I don't love

0:22:27.680 --> 0:22:31.880
<v Speaker 1>it when the director really inserts themselves and not even

0:22:31.920 --> 0:22:34.280
<v Speaker 1>necessarily playing a part in the movie, which he certainly does,

0:22:34.560 --> 0:22:36.840
<v Speaker 1>which is fine, And Silent Bob they're doing another one.

0:22:36.840 --> 0:22:39.440
<v Speaker 1>They're working on one now, yeah, another j and Silent

0:22:39.440 --> 0:22:43.520
<v Speaker 1>Bob not surprised, but really just inserting yourself as like,

0:22:44.680 --> 0:22:46.240
<v Speaker 1>I don't know, I feel like the best director sort

0:22:46.280 --> 0:22:50.119
<v Speaker 1>of disappear and let the work be the work. So

0:22:50.240 --> 0:22:54.480
<v Speaker 1>you're not a fan of the shimelan uh cameos? No no no, no,

0:22:54.600 --> 0:22:57.160
<v Speaker 1>I don't even mean cameos. I just mean being so like,

0:22:58.520 --> 0:23:02.679
<v Speaker 1>no exactly self referential kind of you know. I mean, yeah,

0:23:02.720 --> 0:23:05.000
<v Speaker 1>there's something about it that bugs me. I totally agree,

0:23:05.119 --> 0:23:07.080
<v Speaker 1>and it works when it works, like I think, I

0:23:07.119 --> 0:23:08.920
<v Speaker 1>don't know, I've never walked out of a Tarantino movie,

0:23:08.960 --> 0:23:12.320
<v Speaker 1>being like that was too Tarantino, that was too much,

0:23:12.920 --> 0:23:15.800
<v Speaker 1>because for whatever reason, he can move the goalpost just

0:23:15.960 --> 0:23:17.520
<v Speaker 1>enough every time he makes something where there's something a

0:23:17.560 --> 0:23:20.280
<v Speaker 1>little new. I guess people have their signature stuff, but

0:23:20.320 --> 0:23:21.720
<v Speaker 1>that's I think what you're saying. That is, when it's

0:23:21.720 --> 0:23:24.720
<v Speaker 1>a little too gimmicky or on the nose, then it's

0:23:24.720 --> 0:23:27.440
<v Speaker 1>a little easier to kind of lock into and be like, oh, yeah,

0:23:27.480 --> 0:23:30.919
<v Speaker 1>that thing. I'm having a hard time saying exactly what

0:23:30.960 --> 0:23:32.560
<v Speaker 1>it is. A bugs I think I feel you, Chuck,

0:23:32.640 --> 0:23:34.679
<v Speaker 1>I think I feel you. But with the point is,

0:23:34.680 --> 0:23:37.520
<v Speaker 1>though it's different between different directors, like some can do

0:23:37.600 --> 0:23:39.680
<v Speaker 1>it and you never notice, it doesn't bother you. Like

0:23:39.720 --> 0:23:41.480
<v Speaker 1>Spike Lee, you could argue kind of has a thing

0:23:41.520 --> 0:23:44.200
<v Speaker 1>that he does, but that's sort of hard to pinpoint two.

0:23:44.920 --> 0:23:48.280
<v Speaker 1>He definitely does have a certain feel two movies in

0:23:48.400 --> 0:23:52.000
<v Speaker 1>Jordan Peele clearly has a distinct kind of Jordan peel ness,

0:23:52.480 --> 0:23:56.120
<v Speaker 1>but its not but no, but it doesn't like draw

0:23:56.119 --> 0:23:59.240
<v Speaker 1>attention to itself. Whereas I feel like Kevin Smith started

0:23:59.320 --> 0:24:01.000
<v Speaker 1>with a little bit of like okays, it got a

0:24:01.080 --> 0:24:03.840
<v Speaker 1>unique voice, and then as his career has progressed. He's

0:24:03.880 --> 0:24:06.760
<v Speaker 1>kind of leaned more into the aspects of his thing

0:24:06.880 --> 0:24:08.639
<v Speaker 1>that I don't even really like as much, like the

0:24:08.880 --> 0:24:11.719
<v Speaker 1>gross out stuff and the kind of stoner goofball kind

0:24:11.760 --> 0:24:14.600
<v Speaker 1>of you know, pratt Fall comedy. Yeah, because he started

0:24:14.600 --> 0:24:18.119
<v Speaker 1>smoking pot late in life. That's probably true. That's very true.

0:24:19.040 --> 0:24:25.480
<v Speaker 1>Karen Schuler Garon Schueler, excuse me, favorite F bomb from Anchorman,

0:24:26.600 --> 0:24:31.640
<v Speaker 1>go fund yourself, san Diego with our coworker Ron Burgundy.

0:24:32.160 --> 0:24:37.160
<v Speaker 1>That's right, our old pal Banessa cashman says this, Uh, Anita,

0:24:37.720 --> 0:24:40.760
<v Speaker 1>fuck you. This is a house of lies. Mom, your

0:24:40.800 --> 0:24:43.800
<v Speaker 1>sister used the F word, William. I think she said

0:24:43.840 --> 0:24:49.040
<v Speaker 1>fac Mom. What's the difference, William? The letter you that

0:24:49.119 --> 0:24:52.800
<v Speaker 1>is from almost famous noll Oh, I think I said

0:24:52.840 --> 0:24:54.960
<v Speaker 1>fack fact. I was for some reason, I was thinking

0:24:55.000 --> 0:24:57.000
<v Speaker 1>it was from Slums of Beverly Hills. I don't know.

0:24:57.160 --> 0:25:00.520
<v Speaker 1>I love that movie. That's a good one, so good. Uh.

0:25:00.800 --> 0:25:05.080
<v Speaker 1>Julio Cassada says this super bad prepared to be fucked

0:25:05.080 --> 0:25:09.000
<v Speaker 1>by the long dick of the law. That must have

0:25:09.000 --> 0:25:14.320
<v Speaker 1>been either Uh it was Hater and Seth Rogan right. Yeah,

0:25:14.440 --> 0:25:16.600
<v Speaker 1>I forgot Hater was even in that. You know it

0:25:16.600 --> 0:25:21.360
<v Speaker 1>looks good ish, sort of the female super Bad that's

0:25:21.400 --> 0:25:24.200
<v Speaker 1>coming out soon. What was it called? Like, Oh, it's

0:25:24.240 --> 0:25:27.400
<v Speaker 1>it's there, book smart, book Smart. Yeah, I saw the trailer.

0:25:27.440 --> 0:25:29.320
<v Speaker 1>Looks so good it does. That's so funny. I didn't

0:25:29.320 --> 0:25:32.200
<v Speaker 1>even really put that together, but it very much is. Yeah,

0:25:32.400 --> 0:25:35.639
<v Speaker 1>a female super Bad. I think so um and uh.

0:25:35.680 --> 0:25:40.000
<v Speaker 1>Olivia Wilde directed that as her first directorial debut. She

0:25:40.400 --> 0:25:44.879
<v Speaker 1>snl person, No, she's um. She's either married to her

0:25:44.920 --> 0:25:48.200
<v Speaker 1>dates Jason Sadakis, and has been in a bunch of movies.

0:25:48.240 --> 0:25:50.439
<v Speaker 1>She was, I mean sort of known as sort of

0:25:50.480 --> 0:25:55.359
<v Speaker 1>like a you know, a model, uh, a model actor,

0:25:55.480 --> 0:25:59.240
<v Speaker 1>like beautiful, beautiful woman who did modeling like she was

0:25:59.240 --> 0:26:03.159
<v Speaker 1>in the O c Um. I mean, she's been in

0:26:03.200 --> 0:26:04.840
<v Speaker 1>a ton of stuff. But I didn't know that she

0:26:05.880 --> 0:26:08.040
<v Speaker 1>was the director and wanted to direct. And this movie

0:26:08.080 --> 0:26:11.400
<v Speaker 1>looks terrific if you ask me, I think so too.

0:26:12.000 --> 0:26:15.680
<v Speaker 1>I'm all for it, and I think uh, I think

0:26:15.680 --> 0:26:17.640
<v Speaker 1>her dude Sadeka says a little part in it, even

0:26:17.680 --> 0:26:20.800
<v Speaker 1>he was in the in the trailer, was like a

0:26:20.880 --> 0:26:23.000
<v Speaker 1>he's like a guidance counselor or something. I want to say.

0:26:23.560 --> 0:26:26.520
<v Speaker 1>He's funny. I don't get enough at him. He had

0:26:26.560 --> 0:26:28.560
<v Speaker 1>a small part in that movie about the small people,

0:26:30.000 --> 0:26:36.800
<v Speaker 1>the shrinking people downsizing, which was just which is your guy, Alexander? Yeah,

0:26:36.840 --> 0:26:39.199
<v Speaker 1>it seems like such a weird choice for him. Did

0:26:39.280 --> 0:26:41.800
<v Speaker 1>you see it? I did a couple of time. I

0:26:41.840 --> 0:26:45.240
<v Speaker 1>really liked it. He got some bad reviews. Uh, I

0:26:45.320 --> 0:26:47.119
<v Speaker 1>loved it. I thought it was good. It was It

0:26:47.200 --> 0:26:51.400
<v Speaker 1>was a weird, weird movie. I totally support weird movies. Nol.

0:26:51.840 --> 0:26:53.479
<v Speaker 1>All right, let's finish up with a few more of

0:26:53.480 --> 0:26:57.680
<v Speaker 1>these f bombs Anthony nor our old friends, says Kevin Bacon,

0:26:57.720 --> 0:27:02.960
<v Speaker 1>actually to the dead, grab Void and trimmers. Oh yeah,

0:27:03.000 --> 0:27:12.240
<v Speaker 1>of course this classic line. Fuck you m classic. And

0:27:14.080 --> 0:27:17.840
<v Speaker 1>Joshua Fish says the practice session in the King's speech,

0:27:19.920 --> 0:27:22.639
<v Speaker 1>the movie was pretty good. I don't know that I

0:27:22.680 --> 0:27:25.560
<v Speaker 1>saw that one. That was a big oscar buzz movie. Yeah, yeah,

0:27:25.800 --> 0:27:29.080
<v Speaker 1>it was good. All right, we'll finish up with Scott

0:27:29.080 --> 0:27:31.680
<v Speaker 1>feel here. Old pal says this when Clark Griswold loses

0:27:31.720 --> 0:27:35.560
<v Speaker 1>his ship at Wally World. Yeah, we're all gonna be

0:27:35.560 --> 0:27:38.760
<v Speaker 1>whistling zippy Dooda out of our assholes. I believe was

0:27:38.800 --> 0:27:40.520
<v Speaker 1>one of the lines. And I'm sure he has an

0:27:40.520 --> 0:27:43.159
<v Speaker 1>f bomb in there somewhere too. All right, Now we're

0:27:43.200 --> 0:27:46.960
<v Speaker 1>gonna finish up with a little quick stream this. I

0:27:47.000 --> 0:27:49.240
<v Speaker 1>saw a movie the other night at home, and it

0:27:49.320 --> 0:27:52.880
<v Speaker 1>was called thunder Road. Have you seen this film? Now?

0:27:52.880 --> 0:27:55.760
<v Speaker 1>It's not a Springsteen song. It is a Springsteen song,

0:27:56.040 --> 0:27:59.800
<v Speaker 1>one of the great Springsteen songs, and it figures in

0:27:59.840 --> 0:28:03.560
<v Speaker 1>the movie, like the movie is referencing the song thunder Road,

0:28:04.520 --> 0:28:07.040
<v Speaker 1>Uh in the film. That's why it's called that. And

0:28:07.160 --> 0:28:11.320
<v Speaker 1>it is written and directed and edited, I believe, and

0:28:11.840 --> 0:28:16.040
<v Speaker 1>I think scored and starring a dude named Jim Cummings

0:28:16.520 --> 0:28:19.120
<v Speaker 1>who I've never heard of, and he The story here

0:28:19.160 --> 0:28:22.159
<v Speaker 1>is that Jim Cummings made a short film, which is

0:28:22.320 --> 0:28:24.719
<v Speaker 1>the way this movie opens. It's like a ten minute

0:28:24.880 --> 0:28:30.480
<v Speaker 1>single shot of this character at a funeral, uh, having

0:28:30.480 --> 0:28:33.119
<v Speaker 1>sort of a breakdown, and it's all one long take.

0:28:33.560 --> 0:28:36.080
<v Speaker 1>And that was the short film that he made and

0:28:36.119 --> 0:28:38.960
<v Speaker 1>got a lot of attention for and festival awards. So

0:28:39.040 --> 0:28:42.280
<v Speaker 1>then he kick started this film and got money to

0:28:42.320 --> 0:28:44.960
<v Speaker 1>make this into a feature film, which is the story

0:28:44.960 --> 0:28:49.520
<v Speaker 1>of this cop that is sort of just coming apart

0:28:49.520 --> 0:28:51.680
<v Speaker 1>at the seams because of a lot of family stuff.

0:28:52.360 --> 0:28:54.760
<v Speaker 1>Really really really good film. What what platform. Did you

0:28:54.800 --> 0:28:59.360
<v Speaker 1>watch it on? I watched it on Amazon. I believe

0:28:59.560 --> 0:29:03.920
<v Speaker 1>Amazon Prime. Um, it's just really great, man, it's um.

0:29:03.960 --> 0:29:06.560
<v Speaker 1>I think it's only about ninety minutes long, and it's

0:29:06.680 --> 0:29:09.800
<v Speaker 1>just a very efficient film. Lots of really really long takes,

0:29:10.480 --> 0:29:13.120
<v Speaker 1>great acting. And I don't know if it was the

0:29:13.200 --> 0:29:15.680
<v Speaker 1>mood I was in or the place I'm in in life.

0:29:15.680 --> 0:29:17.440
<v Speaker 1>But at the end of the film, the end of

0:29:17.480 --> 0:29:19.640
<v Speaker 1>the film is a has a sort of a pretty

0:29:19.640 --> 0:29:25.160
<v Speaker 1>sad last scene, but I fucking lost it. Emily had

0:29:25.200 --> 0:29:27.760
<v Speaker 1>gone to sleep just because she was super tired and

0:29:27.760 --> 0:29:31.280
<v Speaker 1>couldn't quite make it through. And I cried for seven

0:29:31.320 --> 0:29:35.200
<v Speaker 1>minutes after that movie died. Jeez, I couldn't get it together,

0:29:35.360 --> 0:29:37.480
<v Speaker 1>like just like I would stop and I would start crying,

0:29:37.600 --> 0:29:40.200
<v Speaker 1>solo crying, solo crying in the middle of the night.

0:29:40.240 --> 0:29:42.560
<v Speaker 1>At the end of this film, it just destroyed me.

0:29:42.800 --> 0:29:46.000
<v Speaker 1>I cry it shes am really yeah. I even cried

0:29:46.040 --> 0:29:51.080
<v Speaker 1>a little bit during Bumblebee. There's nothing that wrong with that. No, No,

0:29:51.160 --> 0:29:53.600
<v Speaker 1>I think it's great. I'm a big soft Yeah, I

0:29:53.640 --> 0:29:57.360
<v Speaker 1>feels so good. But thunder road Man, check it out.

0:29:57.440 --> 0:30:02.320
<v Speaker 1>It is a very auspiciou this debut film for a

0:30:02.440 --> 0:30:06.640
<v Speaker 1>very very talented dude, very good stuff. And tell me

0:30:07.240 --> 0:30:10.000
<v Speaker 1>your emotional reaction at the end, will is it? It's

0:30:10.000 --> 0:30:13.440
<v Speaker 1>not like you're crushed? Is a good cry? No, it's

0:30:13.440 --> 0:30:16.040
<v Speaker 1>not like you know, oh my god, he's watching his

0:30:16.120 --> 0:30:19.520
<v Speaker 1>daughter Diana's arms type of thing. Um, they can't handle that.

0:30:19.720 --> 0:30:22.720
<v Speaker 1>It's a it's a one of those sort of bitter

0:30:22.760 --> 0:30:27.400
<v Speaker 1>sweet endings that just wrecked me. You know, I do, Chuck,

0:30:27.640 --> 0:30:29.680
<v Speaker 1>I do. I will check it out for sure. All right,

0:30:30.040 --> 0:30:35.760
<v Speaker 1>that said it for this week. Everyone. Uh, I'm Chuck. Wait,

0:30:35.880 --> 0:30:37.400
<v Speaker 1>you did a thing last time. Do you remember what

0:30:37.400 --> 0:30:39.800
<v Speaker 1>it was? I said for Noel Brown, I'm Chuck Bryan,

0:30:39.800 --> 0:30:41.840
<v Speaker 1>and then I said for Chuck Bryant, I'm Noel Brown. Yeah.

0:30:41.840 --> 0:30:43.320
<v Speaker 1>But we can't do that everyway. Is there? Is that

0:30:43.360 --> 0:30:45.560
<v Speaker 1>a reference to something? Is that like something Walter Cronki?

0:30:45.640 --> 0:30:47.719
<v Speaker 1>Is that like a field reporter kind of? It is

0:30:47.760 --> 0:30:50.000
<v Speaker 1>a sign, a typical sign off for a certain kind

0:30:50.000 --> 0:30:53.720
<v Speaker 1>of show. You say for something something news, I'm I've

0:30:53.720 --> 0:30:55.960
<v Speaker 1>been old Brown. Yeah, but they do that on the

0:30:56.000 --> 0:30:59.920
<v Speaker 1>Friendly Fire podcast. Are old pals over there at Max Fun.

0:31:00.160 --> 0:31:03.440
<v Speaker 1>Ben Harrison goes for John Roderick and Adam Pranica. I've

0:31:03.480 --> 0:31:06.760
<v Speaker 1>been Ben Harrison and this was friendly fire, got it? Okay?

0:31:06.920 --> 0:31:08.400
<v Speaker 1>I haven't heard that. Check it out. I was probably

0:31:08.440 --> 0:31:11.680
<v Speaker 1>ripping them off. That's okay, all right, Nol, good night,

0:31:11.840 --> 0:31:28.320
<v Speaker 1>good night, and good luck. For more podcasts. For my

0:31:28.360 --> 0:31:31.280
<v Speaker 1>heart Radio, visit the I heart Radio app, Apple Podcasts,

0:31:31.360 --> 0:31:33.200
<v Speaker 1>or wherever you listen to your favorite shows