1 00:00:00,320 --> 00:00:03,840 Speaker 1: Hey guys, So I've always wanted to do some sort 2 00:00:03,840 --> 00:00:09,240 Speaker 1: of like top Episodes of the Year rundown thingy. This year, 3 00:00:09,480 --> 00:00:11,560 Speaker 1: I had a little extra time before taking off for 4 00:00:11,600 --> 00:00:15,120 Speaker 1: the holiday, and so kind of threw something together just 5 00:00:15,160 --> 00:00:18,160 Speaker 1: based on what the episodes were that you listened to 6 00:00:18,200 --> 00:00:20,520 Speaker 1: the most. In future years, I'd like to open it 7 00:00:20,600 --> 00:00:23,959 Speaker 1: up for voting get your input. But for this year, 8 00:00:24,200 --> 00:00:26,759 Speaker 1: we're just gonna be rerunning each of the top five 9 00:00:26,800 --> 00:00:31,480 Speaker 1: episodes while we're on holiday break. And yeah, here is 10 00:00:31,640 --> 00:00:35,200 Speaker 1: the number four most listened to episode of the year. 11 00:00:35,280 --> 00:00:39,839 Speaker 1: It's one of our new format episodes where we started 12 00:00:39,880 --> 00:00:43,880 Speaker 1: interviewing expert guests and ask them about things we weren't 13 00:00:43,880 --> 00:00:45,360 Speaker 1: smart enough to speculate on. 14 00:00:46,240 --> 00:00:47,519 Speaker 2: So here it is. 15 00:00:47,600 --> 00:00:50,880 Speaker 1: Hope you enjoy Hello the Internet, and welcome to season 16 00:00:50,920 --> 00:00:54,200 Speaker 1: three oh one, episode one of Ally's I Guys Say 17 00:00:54,640 --> 00:00:57,480 Speaker 1: production of iHeartRadio. This is a podcast where we take 18 00:00:57,480 --> 00:01:01,040 Speaker 1: a deep dive into america shared consciousness. And it is Tuesday, 19 00:01:01,120 --> 00:01:05,080 Speaker 1: August twenty second, twenty twenty three. You've been waiting for 20 00:01:05,160 --> 00:01:06,880 Speaker 1: us to get to this day, so the week can 21 00:01:06,920 --> 00:01:09,120 Speaker 1: tell you that, it is, of course. 22 00:01:09,280 --> 00:01:11,039 Speaker 2: National pecan Tourt Day. 23 00:01:11,360 --> 00:01:14,319 Speaker 1: There's so many days for peacans Man. The con farmers 24 00:01:14,400 --> 00:01:16,760 Speaker 1: have gotten to the National Day industrial Complex. 25 00:01:16,880 --> 00:01:19,959 Speaker 2: We'll go alright while you're, you know, enjoying all those 26 00:01:19,959 --> 00:01:23,200 Speaker 2: sweet sweets. Don't forget It's also National Tooth Fairy Day. 27 00:01:23,240 --> 00:01:26,880 Speaker 2: Shout out the Tooth Fairy Union. National Surgical on College 28 00:01:26,920 --> 00:01:29,520 Speaker 2: this Day, Fuck cancer, shout out to the surgeons, though 29 00:01:29,560 --> 00:01:32,480 Speaker 2: that'd be trying to battle it. National Bow Day, International 30 00:01:32,560 --> 00:01:35,480 Speaker 2: Day of commemorating the victims of Acts of Boyah, my god, 31 00:01:35,520 --> 00:01:39,040 Speaker 2: it's so long acts of violence based off religion or beliefs. 32 00:01:39,240 --> 00:01:42,440 Speaker 2: That's a tall one. And what's one more, just to 33 00:01:42,520 --> 00:01:46,399 Speaker 2: make it super fun? The last one is National be 34 00:01:46,440 --> 00:01:48,160 Speaker 2: An Angel Day, just being a. 35 00:01:49,080 --> 00:01:51,600 Speaker 1: Yeah, hey, every days National be An Angel Day for 36 00:01:51,720 --> 00:01:53,360 Speaker 1: you sweethearts. 37 00:01:53,560 --> 00:01:54,320 Speaker 2: Thanks Hey. 38 00:01:54,880 --> 00:01:58,720 Speaker 1: My name is Jack O'Brien aka. Don't go chase sin 39 00:01:58,920 --> 00:02:03,080 Speaker 1: Zazz love Ball. Just stay on the picket line until 40 00:02:03,120 --> 00:02:06,840 Speaker 1: that asshole pay is you. I know that you're gunna 41 00:02:07,040 --> 00:02:10,880 Speaker 1: have to compete with AI yall, but I think that 42 00:02:11,080 --> 00:02:14,280 Speaker 1: strokes are so bad. That is courtesy a Fighter of 43 00:02:14,280 --> 00:02:19,360 Speaker 1: the nightman Underscore AAA on the discord, and I'm thrilled 44 00:02:19,400 --> 00:02:22,680 Speaker 1: to be joined as always by my co host mister Miles. 45 00:02:22,240 --> 00:02:28,040 Speaker 3: Gra miles bray Aka, and I've trible ten thousand miles 46 00:02:28,040 --> 00:02:33,720 Speaker 3: and I'll travel ten thousand more to be the world's. 47 00:02:33,320 --> 00:02:38,360 Speaker 2: Most renowned auctioneer. I will tribal ten thousand miles or more. 48 00:02:38,560 --> 00:02:40,640 Speaker 2: Shout out to no clue when I catch up on 49 00:02:40,680 --> 00:02:44,920 Speaker 2: the discord for combining. You know that Proclaimers track with 50 00:02:45,360 --> 00:02:49,160 Speaker 2: that State Center is Colton Moore, who basically wrote his 51 00:02:49,600 --> 00:02:51,840 Speaker 2: entire Wikipedia article and had to shout out the fact 52 00:02:51,880 --> 00:02:55,519 Speaker 2: that he's traveled seventy five thousand miles doing auction Oh yeah, 53 00:02:55,520 --> 00:02:58,520 Speaker 2: that's right. Yeah, while also trying to cover for Donald Trump. 54 00:02:58,560 --> 00:03:00,960 Speaker 1: It counts every mile that he travels. 55 00:03:01,000 --> 00:03:02,960 Speaker 2: I respect that. Actually that you. 56 00:03:02,919 --> 00:03:05,600 Speaker 1: Just never get over it, Like, look how far we're going. 57 00:03:06,040 --> 00:03:08,160 Speaker 2: I mean, if you really want to stunt, like you know, 58 00:03:08,200 --> 00:03:10,919 Speaker 2: we could we could pull the passports out, young man. 59 00:03:11,240 --> 00:03:14,359 Speaker 1: You know, businessmen do love to do that ship too. 60 00:03:15,280 --> 00:03:21,440 Speaker 2: Oh yeah. The status dude. The fucking airport any fucking 61 00:03:21,800 --> 00:03:25,079 Speaker 2: like airport bar, you'll see two dicks in suits being like, yeah, 62 00:03:25,200 --> 00:03:26,440 Speaker 2: like you know, I just got I just got my 63 00:03:26,480 --> 00:03:29,399 Speaker 2: million miler status, so you know I'm back status dude. Yeah, 64 00:03:29,520 --> 00:03:32,720 Speaker 2: taking my family down to Bali next week. So yeah, 65 00:03:33,160 --> 00:03:34,560 Speaker 2: gotta get the stripped miles. 66 00:03:34,880 --> 00:03:38,160 Speaker 1: You're thrilled to be joined in our third seat by 67 00:03:38,440 --> 00:03:42,400 Speaker 1: a brilliantly talented filmmaker writer. She was one of the 68 00:03:42,400 --> 00:03:45,200 Speaker 1: head writers for the Problem with John Stewart and wrote 69 00:03:45,200 --> 00:03:47,880 Speaker 1: on Girls five, Have a Blessed This Mess, The Opposition 70 00:03:47,960 --> 00:03:50,720 Speaker 1: with Jordan Klepper, among many others. She wrote, directed, and 71 00:03:50,760 --> 00:03:54,120 Speaker 1: starred in the acclaimed short film Basic Hosts the podcast 72 00:03:54,120 --> 00:03:56,560 Speaker 1: Celebrity book Club. It's Chelsea Davanta. 73 00:03:58,880 --> 00:04:03,040 Speaker 4: Oh hi, b intro like shouting my name into a cave, 74 00:04:03,520 --> 00:04:05,840 Speaker 4: you know, seeing what echoes. 75 00:04:05,520 --> 00:04:09,160 Speaker 1: Back to a cave full of the entire Internet. So 76 00:04:10,960 --> 00:04:14,640 Speaker 1: that's right, the whole damn Internet is here to welcome 77 00:04:14,680 --> 00:04:15,680 Speaker 1: you on. 78 00:04:15,600 --> 00:04:19,040 Speaker 4: The I'm feeling very blessed to be back here and 79 00:04:19,080 --> 00:04:20,880 Speaker 4: continue some very important discussions. 80 00:04:21,400 --> 00:04:25,520 Speaker 1: Yes always yeah, So this is this is our Tuesday 81 00:04:25,560 --> 00:04:29,280 Speaker 1: episode where we kind of take a look at one 82 00:04:29,839 --> 00:04:35,479 Speaker 1: specific topic that we think kind of undergirds the whole zeitgeist. 83 00:04:35,520 --> 00:04:37,400 Speaker 1: There's important to understanding the zeitgeist. 84 00:04:38,000 --> 00:04:41,640 Speaker 5: Y undergirds are what I use instead of spanks, so. 85 00:04:42,000 --> 00:04:46,920 Speaker 2: Very they were the yeah, free date spanks. That's right, 86 00:04:46,960 --> 00:04:49,599 Speaker 2: what's my undergirds? Yeah? 87 00:04:49,880 --> 00:04:52,080 Speaker 1: But yeah, I mean, so we wanted to have you on. 88 00:04:52,279 --> 00:04:54,719 Speaker 1: You had one of our favorite observations in the history 89 00:04:54,760 --> 00:04:59,360 Speaker 1: of the show when you you basically said that you 90 00:04:59,440 --> 00:05:03,200 Speaker 1: knew Trump was going to win the twenty sixteen election 91 00:05:03,440 --> 00:05:07,440 Speaker 1: based off of watching The Bachelor, and then you explained why, 92 00:05:07,520 --> 00:05:11,680 Speaker 1: and it made perfect sense and looking at pop culture 93 00:05:11,960 --> 00:05:15,560 Speaker 1: tea leaves and like reading what it acted, like what 94 00:05:16,000 --> 00:05:19,320 Speaker 1: is actually being said about what's happening to people on 95 00:05:19,360 --> 00:05:22,480 Speaker 1: the inside. What has gone on with our shared dreams 96 00:05:22,560 --> 00:05:25,360 Speaker 1: is one of my favorite subjects. You are really good 97 00:05:25,360 --> 00:05:27,800 Speaker 1: at it. We love to do it on the zeitgeist, 98 00:05:28,120 --> 00:05:30,720 Speaker 1: and so we wanted to have you on to do 99 00:05:30,960 --> 00:05:35,680 Speaker 1: just that, and we'll get into what specifically we're talking. 100 00:05:35,920 --> 00:05:38,520 Speaker 1: Actually we can do that now. I mean we throughout 101 00:05:38,560 --> 00:05:41,560 Speaker 1: stan culture being the new religion. We've talked about that before. 102 00:05:42,160 --> 00:05:46,839 Speaker 1: But this one subject keeps popping up on social media. 103 00:05:46,960 --> 00:05:50,479 Speaker 1: Popped up over the weekend after we had selected this subject, 104 00:05:50,960 --> 00:05:56,240 Speaker 1: and that is kind of like the desexualization of pop culture. 105 00:05:56,720 --> 00:06:00,880 Speaker 1: Movie movie sex scenes in particular see to be like 106 00:06:00,920 --> 00:06:05,320 Speaker 1: a particular thing that is that people are objecting to 107 00:06:05,440 --> 00:06:07,800 Speaker 1: lately and are like, why do these exist? When I 108 00:06:07,839 --> 00:06:12,760 Speaker 1: watch an eighties movie? Why does Dan Aykroyd get a 109 00:06:12,760 --> 00:06:17,640 Speaker 1: blood job from a ghost, for instance, And that one's 110 00:06:17,640 --> 00:06:20,640 Speaker 1: actually a really good question. But anyways, there's all sorts 111 00:06:20,680 --> 00:06:23,360 Speaker 1: of things we've talked about before. The idea that like 112 00:06:24,320 --> 00:06:30,359 Speaker 1: de sexualized beautiful bodies is like actually a feature of 113 00:06:30,520 --> 00:06:34,680 Speaker 1: fascist art, and so we've puzzled over whether that's what 114 00:06:34,720 --> 00:06:37,640 Speaker 1: we're seeing here. But there's lots of As this has 115 00:06:37,680 --> 00:06:39,800 Speaker 1: become more and more of a mainstream thing that we're 116 00:06:39,839 --> 00:06:44,240 Speaker 1: seeing on social media, there's lots of explanations, and we 117 00:06:44,360 --> 00:06:47,200 Speaker 1: thought you were the best person to have to have 118 00:06:47,279 --> 00:06:49,000 Speaker 1: on the show to talk about this. 119 00:06:49,680 --> 00:06:51,920 Speaker 4: I'm thrilled to be here to talk about like very 120 00:06:51,960 --> 00:06:56,800 Speaker 4: hot sexy bodies not having sex. No, but I was 121 00:06:56,800 --> 00:06:59,800 Speaker 4: so fascinated you guys chose this because it's also something 122 00:07:00,320 --> 00:07:03,000 Speaker 4: I've been thinking about a lot. Also just as like 123 00:07:03,040 --> 00:07:05,400 Speaker 4: a side topic and where I'm coming from. I was, 124 00:07:06,040 --> 00:07:07,560 Speaker 4: you know, the writers are on strike right now, but 125 00:07:07,560 --> 00:07:10,200 Speaker 4: before we were on strike, I was pitching a show 126 00:07:10,320 --> 00:07:12,400 Speaker 4: and one of the demographics it was going out to 127 00:07:12,640 --> 00:07:15,440 Speaker 4: it was gonna be like part for millennials, part for 128 00:07:15,560 --> 00:07:19,120 Speaker 4: gen Z sort of this basically like late twenties, early 129 00:07:19,160 --> 00:07:24,239 Speaker 4: thirties audience that people seem to think millennials and gen. 130 00:07:24,120 --> 00:07:26,360 Speaker 5: Z are just like so so so different. 131 00:07:26,400 --> 00:07:29,560 Speaker 4: So when you're pitching for like that late twenties early thirties, 132 00:07:29,760 --> 00:07:33,480 Speaker 4: executives start referencing studies like the ones we're going to 133 00:07:33,520 --> 00:07:36,320 Speaker 4: talk about, like gen Z actually isn't having in sex anymore, 134 00:07:36,400 --> 00:07:39,080 Speaker 4: so like like can one of these characters just like 135 00:07:39,200 --> 00:07:41,480 Speaker 4: not have a partner of any kind and they just 136 00:07:41,800 --> 00:07:42,920 Speaker 4: like live in a hole and they stare at a 137 00:07:42,960 --> 00:07:43,840 Speaker 4: wall because that's. 138 00:07:43,720 --> 00:07:46,440 Speaker 5: What we assume gen Z is doing. 139 00:07:47,040 --> 00:07:52,080 Speaker 4: And it was so frustrating because every time I looked around, 140 00:07:52,400 --> 00:07:55,960 Speaker 4: be it from people in my real life, the youth 141 00:07:56,040 --> 00:08:00,320 Speaker 4: of the real life, TikTok, social media, really anything, I 142 00:08:00,400 --> 00:08:01,400 Speaker 4: just kept feeling. 143 00:08:01,120 --> 00:08:03,320 Speaker 5: Like that is not true at all. 144 00:08:03,520 --> 00:08:07,120 Speaker 4: Even in gen Z reality shows, like they are getting engaged, 145 00:08:07,160 --> 00:08:09,640 Speaker 4: they are getting married, they're talking about dating kind of 146 00:08:09,640 --> 00:08:12,120 Speaker 4: like the same way. You've always had this feeling of like, 147 00:08:12,600 --> 00:08:14,160 Speaker 4: you know, I want to be having good sex, but 148 00:08:14,160 --> 00:08:14,440 Speaker 4: I'm not. 149 00:08:14,520 --> 00:08:16,720 Speaker 5: I don't know if that's something particular to me. 150 00:08:16,800 --> 00:08:19,200 Speaker 4: And my friends, but like I remember in my early twenties, 151 00:08:19,240 --> 00:08:22,200 Speaker 4: it was like, yeah, we would like to be having sex, 152 00:08:22,200 --> 00:08:23,760 Speaker 4: but no one's having sex, Like sex in the city 153 00:08:23,800 --> 00:08:27,120 Speaker 4: like that just feels like the twenties thing, unless, of course, 154 00:08:27,320 --> 00:08:30,000 Speaker 4: you know, I'm sure some people work. But anyways, all 155 00:08:30,080 --> 00:08:32,520 Speaker 4: to say that, like I really think about these studies 156 00:08:32,559 --> 00:08:34,320 Speaker 4: that are being referenced, like gen Z is like this, 157 00:08:34,440 --> 00:08:36,560 Speaker 4: and dah da da is like this, and all I 158 00:08:36,640 --> 00:08:40,360 Speaker 4: keep thinking about is like who's doing these studies? 159 00:08:40,400 --> 00:08:42,880 Speaker 5: And maybe gen Z is just not participating? 160 00:08:43,480 --> 00:08:45,960 Speaker 2: Yeah, right, don't you know what? 161 00:08:46,040 --> 00:08:48,000 Speaker 4: We're actually not going to answer the polls about like 162 00:08:48,480 --> 00:08:50,240 Speaker 4: what we've been fucking lately. 163 00:08:50,400 --> 00:08:53,080 Speaker 5: We're just not because I just don't think they're correct. 164 00:08:53,240 --> 00:08:54,920 Speaker 5: But I would love to hear what you guys think. 165 00:08:55,000 --> 00:08:58,120 Speaker 1: It's like the political polls that are like, man, these 166 00:08:58,160 --> 00:09:02,120 Speaker 1: elderly people certainly over in they seem like they're doing great, 167 00:09:02,440 --> 00:09:04,920 Speaker 1: and it's like, well, how did you conduct this? Calling 168 00:09:05,000 --> 00:09:07,400 Speaker 1: land lines exactly exactly? 169 00:09:07,400 --> 00:09:09,440 Speaker 4: It's like, oh, I guess we didn't predict the election 170 00:09:09,559 --> 00:09:12,440 Speaker 4: correctly off of the one hundred landlines. And then the 171 00:09:12,880 --> 00:09:14,480 Speaker 4: I mean, how weird do you have to be to 172 00:09:14,520 --> 00:09:17,360 Speaker 4: pick up the phone these days? Who is answering the phone? 173 00:09:17,600 --> 00:09:20,200 Speaker 4: We're trusting them with our polling data. The people who 174 00:09:20,240 --> 00:09:22,120 Speaker 4: answer an unknown number, I don't trust them. 175 00:09:22,480 --> 00:09:26,559 Speaker 1: We actually asked a bunch of gen Z people's grandparents 176 00:09:26,800 --> 00:09:29,599 Speaker 1: about their sexual behavior. And this is what they told me. 177 00:09:29,720 --> 00:09:32,520 Speaker 5: This is what they told us. Yeah, I just I 178 00:09:32,559 --> 00:09:33,960 Speaker 5: think so anyways, I do. 179 00:09:34,080 --> 00:09:36,559 Speaker 4: But what I do think is a really interesting discussion 180 00:09:36,600 --> 00:09:39,840 Speaker 4: with this fascism thing is. And the thing that I've 181 00:09:39,840 --> 00:09:43,640 Speaker 4: been feeling is is that I'll say, as a millennial 182 00:09:43,720 --> 00:09:50,679 Speaker 4: to the gen Z's is perhaps lacking nuance discourse nuance, 183 00:09:50,920 --> 00:09:53,560 Speaker 4: which I don't know how. I mean, how close do 184 00:09:53,640 --> 00:09:57,520 Speaker 4: you think lack of nuance and understanding nuance is to 185 00:09:57,640 --> 00:10:01,880 Speaker 4: turning fascist right, you know, on the nuanced to fascist spectrum. 186 00:10:01,880 --> 00:10:03,880 Speaker 4: I do think we're somewhat close, but I don't think 187 00:10:03,880 --> 00:10:05,400 Speaker 4: it's fascism. I think it's nuanced. 188 00:10:05,880 --> 00:10:09,200 Speaker 1: Yeah, yeah, I think that's probably true. And we we 189 00:10:09,320 --> 00:10:12,600 Speaker 1: have talked before speaking of David Zaslave that he's a 190 00:10:12,640 --> 00:10:15,679 Speaker 1: real gen Zer because when he saw flea Bag, he 191 00:10:15,760 --> 00:10:20,320 Speaker 1: paused it and told everyone that we're if we're either 192 00:10:20,360 --> 00:10:22,959 Speaker 1: going to turn this trash off for the sex scenes 193 00:10:23,400 --> 00:10:25,800 Speaker 1: or we're just gonna watch it and nobody's allowed to 194 00:10:25,840 --> 00:10:28,280 Speaker 1: look at me while we watch it. So he was 195 00:10:28,480 --> 00:10:29,679 Speaker 1: very scandalized by a second. 196 00:10:29,679 --> 00:10:30,040 Speaker 5: I'm sure he. 197 00:10:30,040 --> 00:10:32,320 Speaker 4: Didn't want people to look at him as he was 198 00:10:32,360 --> 00:10:35,000 Speaker 4: just coming egregiously back. 199 00:10:35,280 --> 00:10:38,520 Speaker 2: Eyes off. Yeah, hands free, watch hands free, hands up, 200 00:10:38,600 --> 00:10:43,480 Speaker 2: hands up? How well. 201 00:10:43,520 --> 00:10:45,440 Speaker 4: I think that's also another good point though, of like 202 00:10:45,520 --> 00:10:48,400 Speaker 4: people like Zaslov and them are at the top of 203 00:10:48,520 --> 00:10:52,680 Speaker 4: our TV pop culture right now is plugged in. 204 00:10:53,320 --> 00:10:54,560 Speaker 1: I can just finish your sentence. 205 00:10:54,640 --> 00:10:56,520 Speaker 2: Yes, Yes, that's exactly. 206 00:10:56,240 --> 00:10:59,320 Speaker 5: What I was gonna say. God, he wants to look 207 00:10:59,360 --> 00:11:00,000 Speaker 5: cool so bad. 208 00:11:00,120 --> 00:11:03,760 Speaker 4: I saw him wearing three popped collared shirts the other day. 209 00:11:03,760 --> 00:11:06,200 Speaker 4: Three So that's a jacket, that's a shirt, and then 210 00:11:06,240 --> 00:11:08,600 Speaker 4: there was another shirt underneath three, and all of them 211 00:11:08,640 --> 00:11:11,360 Speaker 4: popped collars, and then the little pockets on the jacket popped. 212 00:11:12,240 --> 00:11:13,400 Speaker 5: I said, come on, my dog. 213 00:11:13,559 --> 00:11:16,720 Speaker 4: But anyways, all to say that, like normally I think 214 00:11:16,800 --> 00:11:19,559 Speaker 4: we look at pop culture and it can really reflect 215 00:11:20,600 --> 00:11:23,600 Speaker 4: what you were saying, reflect back on to like culture culture. 216 00:11:23,679 --> 00:11:26,800 Speaker 4: But right now I'm feeling that actually only reality TV 217 00:11:27,360 --> 00:11:30,000 Speaker 4: and social media can accurately do that, because people like 218 00:11:30,080 --> 00:11:33,240 Speaker 4: Zaslov have been making television decisions for a good five 219 00:11:33,320 --> 00:11:37,000 Speaker 4: years and they're not accurately reflecting culture anymore. 220 00:11:37,440 --> 00:11:40,320 Speaker 1: Interesting, all right, well we are. That's what we're going 221 00:11:40,400 --> 00:11:43,120 Speaker 1: to be talking about in the second and third act. First, 222 00:11:43,160 --> 00:11:49,160 Speaker 1: we were there first. That's what's something from your We 223 00:11:49,200 --> 00:11:51,360 Speaker 1: need to get to know you better? Oh my god, 224 00:11:51,559 --> 00:11:52,240 Speaker 1: get to know you. 225 00:11:52,840 --> 00:11:53,600 Speaker 5: We we do like. 226 00:11:53,520 --> 00:11:55,520 Speaker 1: To ask our guess, what's something from your search history 227 00:11:55,920 --> 00:11:58,360 Speaker 1: that's revealing about who you are? Sir? 228 00:11:58,480 --> 00:12:00,439 Speaker 5: You know what? I'll do it live? Do you know 229 00:12:00,480 --> 00:12:00,920 Speaker 5: what I mean? 230 00:12:01,080 --> 00:12:02,880 Speaker 2: Yeah, I'll go in lie. 231 00:12:03,480 --> 00:12:08,120 Speaker 4: Oh well, we're gonna get to it. But Chloe Bailey, 232 00:12:08,720 --> 00:12:13,800 Speaker 4: patiently responding to swarm sex scene backlash, I was an 233 00:12:13,880 --> 00:12:17,040 Speaker 4: article I'd read a while ago, but cueued it up 234 00:12:17,040 --> 00:12:18,000 Speaker 4: for our conversation. 235 00:12:18,600 --> 00:12:19,679 Speaker 2: Got it, got it? Got it? 236 00:12:19,840 --> 00:12:21,640 Speaker 1: What is something you think is overrated? 237 00:12:21,960 --> 00:12:22,800 Speaker 5: Okay, here we go. 238 00:12:23,920 --> 00:12:24,720 Speaker 2: Stay with me on this. 239 00:12:25,679 --> 00:12:30,560 Speaker 5: So I was getting very nostalgic for magazines. 240 00:12:30,360 --> 00:12:34,040 Speaker 4: US Weeklies, people holding it in your hands, someone basically 241 00:12:34,120 --> 00:12:36,720 Speaker 4: curating your feed for you and telling you this is 242 00:12:36,720 --> 00:12:39,280 Speaker 4: what people are paying attention to. So my husband got 243 00:12:39,280 --> 00:12:41,880 Speaker 4: me a subscription to US Weekly, and I was like, yes, 244 00:12:42,000 --> 00:12:44,440 Speaker 4: back in the saddle, here we go. And I know 245 00:12:44,480 --> 00:12:46,920 Speaker 4: it's like, Okay, print media is dying, blah blah blah, 246 00:12:46,960 --> 00:12:52,000 Speaker 4: but wow, oh my god, has this magazine taken such 247 00:12:52,040 --> 00:12:54,880 Speaker 4: a turn to the point where even if we don't 248 00:12:55,000 --> 00:12:56,760 Speaker 4: rate us Weekly highly anymore. 249 00:12:56,840 --> 00:12:59,760 Speaker 5: Whatever it is is still too high. 250 00:13:00,120 --> 00:13:06,640 Speaker 4: Like in the magazine they are now printing celebrities own 251 00:13:06,679 --> 00:13:14,080 Speaker 4: Instagram photos. Wow, okay, so it Instagram, yes, paper Instagram, 252 00:13:14,080 --> 00:13:16,240 Speaker 4: but like sometimes like out of date. So it's like, 253 00:13:16,640 --> 00:13:20,040 Speaker 4: over the course of six months, Selena Gomez posted a 254 00:13:20,080 --> 00:13:21,960 Speaker 4: photo with a fish, and then someone else did, and 255 00:13:21,960 --> 00:13:24,559 Speaker 4: now there's just a page in US Weekly being like, look, 256 00:13:24,840 --> 00:13:28,640 Speaker 4: sometimes celebrities fish and it's like I already saw that 257 00:13:28,679 --> 00:13:32,240 Speaker 4: on Instagram and you just like put it through your printer, Like, 258 00:13:33,040 --> 00:13:33,720 Speaker 4: what's happening? 259 00:13:33,760 --> 00:13:35,719 Speaker 5: Do we not pay paparazzis anymore? Do they do not 260 00:13:35,840 --> 00:13:36,720 Speaker 5: have the money for that? 261 00:13:36,880 --> 00:13:40,600 Speaker 4: Like, are we not curating like thoughts throughout the fish photos? 262 00:13:40,600 --> 00:13:43,080 Speaker 5: It's just And then I started going through all of 263 00:13:43,080 --> 00:13:45,760 Speaker 5: it and like the just they're just like us, that's 264 00:13:45,840 --> 00:13:48,720 Speaker 5: it's just just printing Instagram. Still, I couldn't believe. 265 00:13:49,120 --> 00:13:51,000 Speaker 2: I remember it used to be like the paparazzi things 266 00:13:51,000 --> 00:13:53,200 Speaker 2: like you go to sprouts whatever. 267 00:13:53,559 --> 00:13:56,640 Speaker 4: Now they're like, oh, look, Chrissy Cheeking dances in her 268 00:13:56,679 --> 00:14:00,360 Speaker 4: living room. It's like yeah, because she's holding the camera herself, what. 269 00:14:00,240 --> 00:14:00,960 Speaker 1: Are you doing? 270 00:14:01,400 --> 00:14:01,840 Speaker 2: Oh wow? 271 00:14:02,080 --> 00:14:02,720 Speaker 5: As soon as I just. 272 00:14:02,720 --> 00:14:04,640 Speaker 4: Couldn't believe it was still a magazine, and then they're 273 00:14:04,679 --> 00:14:07,280 Speaker 4: like atoning for their crimes, Like do you guys remember 274 00:14:07,280 --> 00:14:09,559 Speaker 4: when two celebrities would be caught wearing the same dress 275 00:14:10,679 --> 00:14:12,600 Speaker 4: and they'd be like who wore it better? And they 276 00:14:12,960 --> 00:14:18,920 Speaker 4: it'd be like one percent for me and a suvari, like, you. 277 00:14:18,840 --> 00:14:22,240 Speaker 1: Know, everyone thinks you look like shit. 278 00:14:22,480 --> 00:14:24,120 Speaker 5: You look like shit in this dress. 279 00:14:24,400 --> 00:14:28,000 Speaker 4: And so now they're sort of like they've learned like, oh, 280 00:14:28,040 --> 00:14:30,160 Speaker 4: we're not you know, we're not supposed to like pen 281 00:14:30,240 --> 00:14:31,320 Speaker 4: women against each other. 282 00:14:31,600 --> 00:14:33,080 Speaker 5: And so now they just put a little thing that 283 00:14:33,120 --> 00:14:34,000 Speaker 5: says twining. 284 00:14:35,080 --> 00:14:36,680 Speaker 2: Oh but. 285 00:14:38,720 --> 00:14:42,280 Speaker 4: Boo boo, tell me a story, do something interesting, Like 286 00:14:42,440 --> 00:14:44,400 Speaker 4: I get that. I like, yeah, like, don't put them 287 00:14:44,400 --> 00:14:46,560 Speaker 4: against each other? But like that was it twiny? And 288 00:14:46,600 --> 00:14:48,560 Speaker 4: they just they just past photos of them in dresses 289 00:14:48,600 --> 00:14:51,320 Speaker 4: going twining, and then the silent part is who were 290 00:14:51,440 --> 00:14:51,880 Speaker 4: it better? 291 00:14:52,360 --> 00:14:55,040 Speaker 2: Yeah? Yeah, which twin do you prefer? 292 00:14:55,680 --> 00:14:57,960 Speaker 4: Yeah? And the comedians used to make fun of fashion 293 00:14:58,000 --> 00:15:00,960 Speaker 4: in the back, like the back page se sad pathetic 294 00:15:01,000 --> 00:15:05,360 Speaker 4: comedians like myself being like tent dress, I'd go camping 295 00:15:05,440 --> 00:15:08,280 Speaker 4: in that, you know, something like that. And now it's 296 00:15:08,320 --> 00:15:12,280 Speaker 4: people being like mules are very in pink is in color? 297 00:15:12,520 --> 00:15:13,960 Speaker 5: Is a color that's in this season? 298 00:15:14,360 --> 00:15:18,800 Speaker 2: Bright green? Are you missing out on the Yeah? 299 00:15:19,600 --> 00:15:23,040 Speaker 1: I wonder like, do we think this happened because budget 300 00:15:23,040 --> 00:15:27,520 Speaker 1: cuts at US Weekly or because there's only one magazine 301 00:15:27,840 --> 00:15:30,920 Speaker 1: now and so they like don't have to compete with anybody, 302 00:15:31,000 --> 00:15:34,320 Speaker 1: so they're just like, I don't fucking care. Let's pretend 303 00:15:34,480 --> 00:15:35,600 Speaker 1: green is a new thing. 304 00:15:36,320 --> 00:15:36,680 Speaker 5: Yeah. 305 00:15:36,800 --> 00:15:38,240 Speaker 4: I you know, I was thinking about it and I 306 00:15:38,280 --> 00:15:40,800 Speaker 4: was like, Okay, are they just sort of getting like 307 00:15:40,920 --> 00:15:43,480 Speaker 4: is this a thing where most of Americans aren't on 308 00:15:43,520 --> 00:15:44,080 Speaker 4: social media? 309 00:15:44,120 --> 00:15:46,360 Speaker 5: So this magazine is like still helping people, but like. 310 00:15:46,720 --> 00:15:50,280 Speaker 4: No, like six, six out of ten Americans are on Instagram, 311 00:15:50,560 --> 00:15:51,960 Speaker 4: you know what I mean? And I think the four 312 00:15:52,040 --> 00:15:54,760 Speaker 4: that aren't don't subscribe to US Weekly. 313 00:15:55,600 --> 00:15:57,720 Speaker 2: Yeah. Yeah, Like the people I know who aren't on 314 00:15:57,760 --> 00:16:00,320 Speaker 2: social media, they damn sure don't give a fun about 315 00:16:00,320 --> 00:16:02,920 Speaker 2: celebrity culture. Eve. Yeah, they're like on their own shit. 316 00:16:02,960 --> 00:16:06,160 Speaker 2: They're like, I know, I'm I operate on a completely 317 00:16:06,200 --> 00:16:08,760 Speaker 2: different system than other people exactly. 318 00:16:08,800 --> 00:16:10,640 Speaker 4: And this is where it's like, oh, print media is 319 00:16:10,680 --> 00:16:13,080 Speaker 4: going out of business. Well, it's like I think they've 320 00:16:13,120 --> 00:16:15,600 Speaker 4: been told time of death is in four years, and 321 00:16:15,640 --> 00:16:18,320 Speaker 4: they're just trying to like in their lives early, Like 322 00:16:18,360 --> 00:16:20,080 Speaker 4: I don't know, I Like, it's as if they're like, 323 00:16:20,640 --> 00:16:21,200 Speaker 4: no one's like. 324 00:16:21,200 --> 00:16:23,440 Speaker 2: That, right, They're like, I'm not gonna bust my ass 325 00:16:23,480 --> 00:16:26,080 Speaker 2: as the factory burns down. I'm gonna fucking just kick 326 00:16:26,120 --> 00:16:28,080 Speaker 2: it and just you know, just like it get singed 327 00:16:28,120 --> 00:16:30,800 Speaker 2: in the corner. Yeah, exactly. We used to every week. 328 00:16:30,840 --> 00:16:32,560 Speaker 2: I mean we used to buy all the tabloid shout 329 00:16:32,600 --> 00:16:35,920 Speaker 2: out boyd Watch where we would buy like every tabloid 330 00:16:35,960 --> 00:16:38,520 Speaker 2: like National Inquirer, Globe, all that shit, and then all 331 00:16:38,560 --> 00:16:41,760 Speaker 2: the gossip mags like people in Touch. And I'm curious 332 00:16:41,760 --> 00:16:43,760 Speaker 2: now to see, Like, I wonder how much the pandemic 333 00:16:43,840 --> 00:16:46,640 Speaker 2: has changed that coverage, because even then it was still 334 00:16:46,680 --> 00:16:49,920 Speaker 2: doing like who wore it better? Yeah, and other things 335 00:16:49,960 --> 00:16:51,720 Speaker 2: and just being like they're just like us. But it 336 00:16:51,920 --> 00:16:54,960 Speaker 2: was like the old you know, the paparazzi shots out 337 00:16:54,960 --> 00:16:58,080 Speaker 2: in Malibu where somebody wearing big glasses with the Starbucks 338 00:16:58,120 --> 00:16:59,320 Speaker 2: trained to cup or whatever. 339 00:16:59,600 --> 00:17:03,080 Speaker 5: Yeah, she kind of looks sad. I bet she's divorced. 340 00:17:03,200 --> 00:17:06,720 Speaker 1: Oh yeah, was like, oh dude, this child paradise. 341 00:17:07,040 --> 00:17:07,280 Speaker 6: Yeah. 342 00:17:07,359 --> 00:17:10,239 Speaker 2: It was a subtext of every photograph, wasn't there. One 343 00:17:10,359 --> 00:17:14,080 Speaker 2: was like Brad Pitt touched raped Jennifer Aniston's stomach. They're 344 00:17:14,160 --> 00:17:15,280 Speaker 2: fucking pregnant. 345 00:17:15,520 --> 00:17:20,439 Speaker 1: Yeah, exactly one miles. That was an entire that was 346 00:17:20,480 --> 00:17:23,200 Speaker 1: in every magazine for ten and a half years. 347 00:17:24,560 --> 00:17:26,920 Speaker 5: Every day she's pregnant, she's pregnant. 348 00:17:27,119 --> 00:17:29,119 Speaker 2: Why would you touch your stomach right after eating if 349 00:17:29,160 --> 00:17:29,440 Speaker 2: she wasn't. 350 00:17:29,520 --> 00:17:32,359 Speaker 1: They hadn't seen each other for fifteen years, and they're 351 00:17:32,400 --> 00:17:36,639 Speaker 1: like shocking new photos suggest that they're back together. 352 00:17:36,920 --> 00:17:40,399 Speaker 4: It's like Angelina Jolie says, he's pretty abusive on a plane. 353 00:17:40,440 --> 00:17:42,480 Speaker 5: Jennifer Aniston pregnant with twins. 354 00:17:42,600 --> 00:17:47,040 Speaker 2: Yeah, cut to Jennifer Aniston missed me with that gossip. 355 00:17:48,800 --> 00:17:54,240 Speaker 1: But US Weekly was purchased by American Media, Inc. Which 356 00:17:54,400 --> 00:17:58,480 Speaker 1: is the owner of Lake Choir, National Choir and all that. 357 00:17:58,920 --> 00:18:00,480 Speaker 1: Like the actual blows. 358 00:18:00,760 --> 00:18:02,840 Speaker 5: Yeah, I mean then it should get juicier. 359 00:18:03,400 --> 00:18:04,400 Speaker 1: I just don't. 360 00:18:04,520 --> 00:18:07,280 Speaker 4: I have to say, Like I listen, I subscribed to 361 00:18:07,320 --> 00:18:10,920 Speaker 4: some GUS newsletters and they're so funny. They're so fun 362 00:18:10,960 --> 00:18:14,000 Speaker 4: The ones include pictures fucking ty. If you printed that out, 363 00:18:14,040 --> 00:18:16,080 Speaker 4: I would buy it for three ninety nine. I just 364 00:18:16,119 --> 00:18:19,280 Speaker 4: like it's as if like they brought in they brought 365 00:18:19,280 --> 00:18:21,840 Speaker 4: in a bunch of granddads to run this weekly in there, 366 00:18:21,880 --> 00:18:25,720 Speaker 4: like I think my wife said there was uh recipes. 367 00:18:27,040 --> 00:18:30,400 Speaker 1: They almost definitely did, because like what that was One 368 00:18:30,400 --> 00:18:32,720 Speaker 1: thing that we noticed about National Inquiry and like the 369 00:18:32,800 --> 00:18:36,639 Speaker 1: actual supermarket tabloids was that they seemed to be made 370 00:18:36,760 --> 00:18:41,040 Speaker 1: by and for people who were in their eighties. Like truly, 371 00:18:41,280 --> 00:18:43,680 Speaker 1: it was just all about like this elderly celebrity might 372 00:18:43,720 --> 00:18:48,280 Speaker 1: be dying last days for Dolly like that that was 373 00:18:48,359 --> 00:18:51,440 Speaker 1: Every other issue was about how Dolly Parton was dying. 374 00:18:51,520 --> 00:18:54,520 Speaker 1: But for the most part it was just old old 375 00:18:54,520 --> 00:18:55,520 Speaker 1: people news. 376 00:18:55,760 --> 00:18:56,080 Speaker 2: Yeah. 377 00:18:56,280 --> 00:18:59,040 Speaker 5: Yeah, and I guess that's really just the demographic. It's 378 00:18:59,080 --> 00:18:59,840 Speaker 5: them and me with a. 379 00:19:00,000 --> 00:19:04,720 Speaker 1: Subscription, right, I'll read what is what's something you think 380 00:19:04,800 --> 00:19:05,520 Speaker 1: is underrated? 381 00:19:05,880 --> 00:19:09,480 Speaker 4: Okay, I'm doing a little like you know, my mine 382 00:19:09,520 --> 00:19:11,600 Speaker 4: go together like they match? 383 00:19:11,760 --> 00:19:12,280 Speaker 2: Wow. 384 00:19:13,720 --> 00:19:14,080 Speaker 5: Reddit. 385 00:19:14,560 --> 00:19:17,680 Speaker 4: Now again you'll be like, yes, Reddit's really popular. Schelse 386 00:19:17,760 --> 00:19:21,080 Speaker 4: like what are you talking about? But again, I feel 387 00:19:21,080 --> 00:19:24,240 Speaker 4: like a bunch of communitians myself included, have always used 388 00:19:24,280 --> 00:19:27,920 Speaker 4: Reddit as a punchline as like oh, the like the trolls, 389 00:19:28,640 --> 00:19:30,880 Speaker 4: the sub humans, you know what I mean, Like, who 390 00:19:30,960 --> 00:19:34,080 Speaker 4: cares what's like happening on Reddit? And I have some 391 00:19:34,119 --> 00:19:37,080 Speaker 4: Google search terms up for my podcast and I did 392 00:19:37,080 --> 00:19:42,080 Speaker 4: this Carolyn Callaway Natalie Beach episode and somehow, you know, 393 00:19:42,080 --> 00:19:44,760 Speaker 4: one of my Google alerts brought me to a Reddit thread. 394 00:19:45,480 --> 00:19:47,359 Speaker 4: Before clicking it, I thought like, you're not supposed to 395 00:19:47,359 --> 00:19:48,720 Speaker 4: do this, Chelsea, Like this is not. 396 00:19:49,480 --> 00:19:51,760 Speaker 5: Whatever happens from here is like not gonna go well. 397 00:19:52,280 --> 00:19:55,040 Speaker 4: And when I got there, I was like, holy shit, 398 00:19:55,960 --> 00:19:59,720 Speaker 4: this is some good discourse. This is some really smart, 399 00:19:59,800 --> 00:20:02,600 Speaker 4: high level discourse. And I think there's been a shift. 400 00:20:02,680 --> 00:20:05,280 Speaker 4: Granted I've not been real checked in to Reddit, but 401 00:20:05,359 --> 00:20:10,080 Speaker 4: like on TikTok comments and Instagram comments and Twitter, they 402 00:20:10,119 --> 00:20:12,480 Speaker 4: all kind of like derail the discourse and it always 403 00:20:12,560 --> 00:20:16,480 Speaker 4: goes into like your you're ugly that and should die, 404 00:20:16,520 --> 00:20:18,280 Speaker 4: Like somehow that always gets there, like within the first 405 00:20:18,280 --> 00:20:18,760 Speaker 4: three minutes. 406 00:20:19,040 --> 00:20:20,399 Speaker 5: Reddit is for the people who are. 407 00:20:20,280 --> 00:20:24,080 Speaker 4: Like we we we want seven hundred characters, we have 408 00:20:24,480 --> 00:20:28,239 Speaker 4: something to say, we need a real forum. And I 409 00:20:28,359 --> 00:20:30,919 Speaker 4: just I found some really elevated topics in there, and 410 00:20:30,960 --> 00:20:33,560 Speaker 4: I was like, I cannot believe I haven't been living 411 00:20:33,560 --> 00:20:34,359 Speaker 4: here the whole time. 412 00:20:34,760 --> 00:20:37,760 Speaker 2: It's yeah, it's definitely all about like what subreddits you 413 00:20:37,840 --> 00:20:40,840 Speaker 2: go on, Definitely what the energy is of people because yeah, 414 00:20:40,880 --> 00:20:44,480 Speaker 2: some places are just total toxic meltdowns constantly. Like it's 415 00:20:44,520 --> 00:20:47,960 Speaker 2: funny even how like sports teams will have different subreddits 416 00:20:47,960 --> 00:20:50,679 Speaker 2: where like some people are like, na, that other subreddit 417 00:20:50,720 --> 00:20:53,560 Speaker 2: is for like the fucking wishy washy daydreamers who don't 418 00:20:53,560 --> 00:20:57,199 Speaker 2: actually know ball we know shit on this subreddit, and 419 00:20:57,280 --> 00:20:59,399 Speaker 2: like you'll even see like people with the same interest 420 00:20:59,480 --> 00:21:02,879 Speaker 2: like no, you guys over there, serious shit over here, 421 00:21:02,960 --> 00:21:05,080 Speaker 2: or like if you want a ship post, do that there. 422 00:21:05,320 --> 00:21:06,400 Speaker 2: But yeah, there really is. 423 00:21:06,600 --> 00:21:08,800 Speaker 5: But that's so it's like they're. 424 00:21:08,480 --> 00:21:11,960 Speaker 4: Yeah, creating internal guidelines, they're kicking people out to the 425 00:21:12,000 --> 00:21:14,200 Speaker 4: other threads. I saw this thing where it's like, yeah, 426 00:21:14,240 --> 00:21:16,320 Speaker 4: we don't like I saw this battle of like, don't 427 00:21:16,359 --> 00:21:17,480 Speaker 4: call this girl pick me. 428 00:21:17,840 --> 00:21:19,800 Speaker 5: Don't use pick me energy. It's a sexist term. 429 00:21:19,800 --> 00:21:21,840 Speaker 4: But I was in a thread for people to shit 430 00:21:21,960 --> 00:21:25,640 Speaker 4: talk other probably women. I was in the thread where 431 00:21:25,640 --> 00:21:28,840 Speaker 4: you're like, isn't this woman so fucking stupid? And someone 432 00:21:28,960 --> 00:21:32,240 Speaker 4: was like, you are misusing pick me right right? That 433 00:21:32,359 --> 00:21:33,680 Speaker 4: is toxic, And I was like. 434 00:21:34,359 --> 00:21:37,159 Speaker 2: Where am I hello, professor? 435 00:21:39,760 --> 00:21:41,520 Speaker 5: Yeah, I just really yeah, I really liked it. 436 00:21:42,040 --> 00:21:43,479 Speaker 1: Yeah, I think that's a really good point. I think 437 00:21:43,520 --> 00:21:47,000 Speaker 1: that's a really good underrated because Reddit does like it 438 00:21:47,080 --> 00:21:50,479 Speaker 1: is still used as shorthand for like dumb Internet like 439 00:21:50,640 --> 00:21:54,480 Speaker 1: trolls and in cells, and like that's definitely not exclusively 440 00:21:54,520 --> 00:21:57,320 Speaker 1: the case or even like largely the case. I feel 441 00:21:57,359 --> 00:22:00,840 Speaker 1: like there's usually like if you want to find a 442 00:22:00,840 --> 00:22:04,040 Speaker 1: way to like use the Internet that doesn't make it 443 00:22:04,080 --> 00:22:07,359 Speaker 1: feel like it's completely broken and your every page that 444 00:22:07,400 --> 00:22:09,439 Speaker 1: you go to is taken over by ads. Just like 445 00:22:09,800 --> 00:22:12,240 Speaker 1: put a Reddit filter on all your searches. Just do 446 00:22:12,840 --> 00:22:16,600 Speaker 1: like whatever you're looking for and then Reddit, and you're 447 00:22:17,040 --> 00:22:19,200 Speaker 1: going to have a better time on the Internet. 448 00:22:19,600 --> 00:22:19,800 Speaker 6: Yeah. 449 00:22:19,920 --> 00:22:22,520 Speaker 2: See how like on Google when people have like questions 450 00:22:22,520 --> 00:22:25,320 Speaker 2: about like day to day things, the like when it 451 00:22:25,400 --> 00:22:27,680 Speaker 2: auto fills, Reddit will be like one of them. They're 452 00:22:27,720 --> 00:22:32,320 Speaker 2: like how to change car battery? Reddit? You know, then 453 00:22:32,359 --> 00:22:35,520 Speaker 2: like YouTube because like it's really interesting. I mean I'm 454 00:22:35,680 --> 00:22:38,600 Speaker 2: I'm on Reddit a lot. I you know, obviously, like 455 00:22:39,080 --> 00:22:41,639 Speaker 2: you go, like the shit I'm interested in, I go 456 00:22:41,680 --> 00:22:44,000 Speaker 2: I check those subreddits out and it's fantastic. There's other 457 00:22:44,000 --> 00:22:45,560 Speaker 2: ones I just like to watch, Like there's one about 458 00:22:45,600 --> 00:22:48,359 Speaker 2: economics where like a bunch of economists choke. It's like 459 00:22:48,720 --> 00:22:52,040 Speaker 2: you'll never get consensus with like with two economists in 460 00:22:52,080 --> 00:22:54,359 Speaker 2: the same room and then like they just like laugh, 461 00:22:54,520 --> 00:22:57,919 Speaker 2: like all high minded economy economic shit, and I'm like, 462 00:22:57,960 --> 00:22:59,600 Speaker 2: what the fuck. I'm like, this is kind of interesting, 463 00:22:59,640 --> 00:23:03,840 Speaker 2: But yeah, there's it's there's truly something for everybody there. 464 00:23:03,840 --> 00:23:05,600 Speaker 2: Like I was on a subreddit where people just be 465 00:23:05,680 --> 00:23:08,080 Speaker 2: like I just found this thing? What is this? And 466 00:23:08,119 --> 00:23:09,800 Speaker 2: then people come in They're like, oh, I've been a 467 00:23:09,840 --> 00:23:12,000 Speaker 2: plumber for thirty years. This tools actually used to like 468 00:23:12,040 --> 00:23:13,640 Speaker 2: stop a drain or blah blah blah blah blah. 469 00:23:13,680 --> 00:23:16,400 Speaker 1: People like whoa, Yes, it was a plunger. 470 00:23:17,119 --> 00:23:17,280 Speaker 4: Yah. 471 00:23:17,359 --> 00:23:20,840 Speaker 2: It's like like goes down a drain and like inflates. 472 00:23:20,880 --> 00:23:22,920 Speaker 2: It's like when there is and when there isn't a stopper. 473 00:23:22,960 --> 00:23:25,159 Speaker 2: It it's like some very specific plumbing tool. But it 474 00:23:25,240 --> 00:23:27,080 Speaker 2: just looks like a lightsaber. So people were like, I 475 00:23:27,119 --> 00:23:29,360 Speaker 2: don't know, I. 476 00:23:29,359 --> 00:23:31,840 Speaker 1: Just found this ship encrusted lightsaber. 477 00:23:34,880 --> 00:23:36,600 Speaker 5: But yeah, I totally agree. 478 00:23:36,600 --> 00:23:39,040 Speaker 4: I think the mob mentality of Reddit is very It 479 00:23:39,119 --> 00:23:43,520 Speaker 4: has a higher IQ and EQ than TikTok mob intelity. 480 00:23:43,560 --> 00:23:45,080 Speaker 4: I think if you went on TikTok you're like yo 481 00:23:45,160 --> 00:23:46,320 Speaker 4: with this plunger. 482 00:23:46,000 --> 00:23:49,560 Speaker 5: People like you idiot, you didn't know what this is. 483 00:23:49,640 --> 00:23:51,000 Speaker 5: And you'ld go on Reddit and they'd be like, we 484 00:23:51,000 --> 00:23:52,240 Speaker 5: don't talk like that in this one. 485 00:23:52,600 --> 00:23:55,720 Speaker 2: Yeah. Well yeah, there's there's like some people on subred 486 00:23:55,720 --> 00:23:58,639 Speaker 2: it's called like no dumb questions, like where people go 487 00:23:58,760 --> 00:24:01,199 Speaker 2: and there's not like people were like, I'm sorry, what 488 00:24:01,320 --> 00:24:05,000 Speaker 2: is Selena Gomez? And like a kidney thing I keep 489 00:24:05,040 --> 00:24:05,720 Speaker 2: reading about. 490 00:24:05,760 --> 00:24:08,120 Speaker 4: Please, Okay, this sounds like I should go there because 491 00:24:08,119 --> 00:24:09,320 Speaker 4: I've got answers for that one. 492 00:24:09,600 --> 00:24:11,560 Speaker 2: Oh yeah, there's another one. Yeah, out of the loop. 493 00:24:11,640 --> 00:24:13,960 Speaker 2: You'd probably like because that's another one where people come 494 00:24:13,960 --> 00:24:16,440 Speaker 2: in with like pop culture questions and they're like, I'm sorry, 495 00:24:16,560 --> 00:24:20,160 Speaker 2: who is D four four VB the artist? 496 00:24:20,920 --> 00:24:21,840 Speaker 5: I love this? 497 00:24:21,960 --> 00:24:22,160 Speaker 1: Yeah. 498 00:24:22,160 --> 00:24:26,240 Speaker 4: I feel sad for myself that I missed out on 499 00:24:26,280 --> 00:24:28,600 Speaker 4: Reddit for so many years because I just assumed it 500 00:24:28,680 --> 00:24:31,040 Speaker 4: was like you know what I mean, it's a lazy 501 00:24:31,040 --> 00:24:33,800 Speaker 4: punchline of like these losers. So it's like, hmmm, they're 502 00:24:33,800 --> 00:24:36,480 Speaker 4: pretty smart. They want to type out paragraphs like that takes. 503 00:24:36,760 --> 00:24:37,720 Speaker 1: Yeah, it's pretty smart. 504 00:24:37,960 --> 00:24:39,879 Speaker 2: Just don't venture anywhere where like you may be the 505 00:24:39,920 --> 00:24:42,800 Speaker 2: topic of conversation that's subreddit specific. 506 00:24:42,840 --> 00:24:46,040 Speaker 1: To Miles's point, not great place to find out about 507 00:24:46,080 --> 00:24:49,320 Speaker 1: Donald Trump. If you're just reading from a Donald Trump 508 00:24:49,359 --> 00:24:54,040 Speaker 1: reddit subreddit not a great place to see crime solved 509 00:24:54,040 --> 00:24:57,800 Speaker 1: in real time, but then in absolutely nowhere is good 510 00:24:57,800 --> 00:24:59,880 Speaker 1: at crowdsourcing crime solution. 511 00:25:01,240 --> 00:25:05,280 Speaker 4: Good point, but listen, specific genre of books, that's where 512 00:25:05,280 --> 00:25:10,000 Speaker 4: I'm at. Get to the book places, influencer snark threads, 513 00:25:10,080 --> 00:25:10,280 Speaker 4: you know. 514 00:25:10,359 --> 00:25:14,240 Speaker 2: There there there's like foam Wah, which is like a 515 00:25:14,320 --> 00:25:16,960 Speaker 2: Dumois kind of I don't know, have you seen foam wak? Yeah? 516 00:25:17,160 --> 00:25:20,160 Speaker 4: But you know what, I am so so out on 517 00:25:20,680 --> 00:25:23,800 Speaker 4: Dumois and foam wa because it's like they have made 518 00:25:23,880 --> 00:25:26,040 Speaker 4: every single person into a paparazzi. 519 00:25:26,480 --> 00:25:30,240 Speaker 5: And I don't trust half of these paparazzis, you know. 520 00:25:30,240 --> 00:25:31,960 Speaker 4: I mean like every time they're like, hey, guess what 521 00:25:32,440 --> 00:25:36,560 Speaker 4: you know Toby Maguire is suing his wife a non please, 522 00:25:36,600 --> 00:25:38,840 Speaker 4: It's like that could be that honestly, could. 523 00:25:38,640 --> 00:25:39,360 Speaker 5: Be my grandma. 524 00:25:39,800 --> 00:25:40,240 Speaker 2: Right? 525 00:25:40,320 --> 00:25:42,359 Speaker 5: Have you read Last Weekly ten years ago and it's like, 526 00:25:42,400 --> 00:25:43,200 Speaker 5: guess what I heard? 527 00:25:43,240 --> 00:25:45,840 Speaker 4: Like it's like, you know, we have to I want 528 00:25:45,920 --> 00:25:48,200 Speaker 4: to read the Juice and know it's real, and now 529 00:25:48,240 --> 00:25:50,240 Speaker 4: it's not because it's just some girl being like SoC 530 00:25:50,320 --> 00:25:52,640 Speaker 4: Crystalia without his mask in a coffee. 531 00:25:52,280 --> 00:25:56,040 Speaker 2: Shop, right, right, right, bo. Also, yeah, Victor in the 532 00:25:56,119 --> 00:25:57,880 Speaker 2: chap brings up going a shower or you know about 533 00:25:57,920 --> 00:26:01,680 Speaker 2: shower oranges. No, please, this where motherfuckers they go into 534 00:26:01,760 --> 00:26:05,560 Speaker 2: a hot shower and just just just cave man bite 535 00:26:05,600 --> 00:26:06,440 Speaker 2: into an orange. 536 00:26:07,320 --> 00:26:10,280 Speaker 1: Not necessarily, it's just they're just saying that you should 537 00:26:10,359 --> 00:26:12,919 Speaker 1: eat an orange and in a shower because of the 538 00:26:12,920 --> 00:26:15,920 Speaker 1: accommodation of hot shower and cold orange. 539 00:26:16,080 --> 00:26:17,960 Speaker 2: Like it was caping for shower oranges right now. 540 00:26:19,840 --> 00:26:23,560 Speaker 5: It was very sexy and was very like just. 541 00:26:25,000 --> 00:26:28,439 Speaker 2: Because the posts I read on shower oranges, I'm more in, like, 542 00:26:28,480 --> 00:26:30,879 Speaker 2: I'm more interested by the ones where people like, guys, 543 00:26:30,880 --> 00:26:32,840 Speaker 2: I did it. I just I just let my animal 544 00:26:32,880 --> 00:26:35,280 Speaker 2: instincts overcome me. I just bugged it out with this 545 00:26:35,400 --> 00:26:37,840 Speaker 2: orange and the shower and it was beautiful, and they 546 00:26:37,920 --> 00:26:39,919 Speaker 2: see people like, would tangerines work? 547 00:26:43,080 --> 00:26:44,359 Speaker 1: I mean, one of the things I like about the 548 00:26:44,359 --> 00:26:46,840 Speaker 1: concept of shower oranges that you can just peel it 549 00:26:46,920 --> 00:26:50,080 Speaker 1: and drop it wherever you want, because you know, shower 550 00:26:50,119 --> 00:26:52,040 Speaker 1: peels are pretty much waterproof, but. 551 00:26:52,119 --> 00:26:58,639 Speaker 4: Then you're leaving them there, okay, but then it was 552 00:26:58,680 --> 00:27:01,560 Speaker 4: just the joy of dropping it just great up later. 553 00:27:01,520 --> 00:27:03,439 Speaker 2: Yeah, yeah, I gotch I think, yeah, I think it 554 00:27:03,480 --> 00:27:06,240 Speaker 2: appeals to like really messy people because it seems like 555 00:27:06,280 --> 00:27:08,440 Speaker 2: the appeal is get all messy. 556 00:27:08,200 --> 00:27:08,479 Speaker 1: All right. 557 00:27:09,000 --> 00:27:11,280 Speaker 2: I mean, look, I'm not I'm not some you know, 558 00:27:11,880 --> 00:27:14,119 Speaker 2: very put together person like that, but I guess it 559 00:27:14,160 --> 00:27:16,000 Speaker 2: doesn't appeal to me, like, yeah, get all gross, but 560 00:27:16,040 --> 00:27:17,640 Speaker 2: the water just watches it away. You know the thing 561 00:27:17,680 --> 00:27:19,280 Speaker 2: you hate about the way you want to eat in 562 00:27:19,320 --> 00:27:21,240 Speaker 2: real life, which is let the food get all over. 563 00:27:21,080 --> 00:27:24,440 Speaker 7: You, like I don't know, maybe all right, so everybody 564 00:27:24,520 --> 00:27:28,080 Speaker 7: just wants to just bite into a watermelon from the 565 00:27:28,160 --> 00:27:31,000 Speaker 7: outside in, stick your head through it, and then just 566 00:27:31,040 --> 00:27:32,760 Speaker 7: like throw the rind everywhere. 567 00:27:32,800 --> 00:27:39,840 Speaker 1: Right, No, yeah, that's just all right, moving on pool watermelons. 568 00:27:39,840 --> 00:27:42,919 Speaker 1: I'm just saying, all right, let's take a quick break, 569 00:27:42,960 --> 00:27:45,440 Speaker 1: and when we come back, we will talk about the 570 00:27:45,520 --> 00:27:49,280 Speaker 1: de sexualization of pop culture. Is it a thing? What 571 00:27:49,320 --> 00:28:02,960 Speaker 1: does it mean? We'll be right back and we're back, 572 00:28:03,480 --> 00:28:06,959 Speaker 1: so just a couple things to kick us off. More 573 00:28:07,000 --> 00:28:09,840 Speaker 1: and more we're seeing like these reactions go viral. There 574 00:28:09,920 --> 00:28:15,399 Speaker 1: was one over the weekend where a woman describes the 575 00:28:15,480 --> 00:28:18,640 Speaker 1: movie Oppenheimer and like that her and her husband wanted 576 00:28:18,640 --> 00:28:20,480 Speaker 1: to see Oppenheimer, but they had heard there was a 577 00:28:20,520 --> 00:28:23,199 Speaker 1: sex scene you know. They she looks to be in 578 00:28:23,240 --> 00:28:29,400 Speaker 1: her i'd say like late twenties, early thirties, and it's it's. 579 00:28:29,320 --> 00:28:30,399 Speaker 2: Just a it's wild. 580 00:28:30,440 --> 00:28:32,159 Speaker 1: The way she's talking about the sex scene as if 581 00:28:32,200 --> 00:28:34,439 Speaker 1: it's like a thing we can all agree is like 582 00:28:35,800 --> 00:28:38,720 Speaker 1: traumatic and not something that like anybody wants to watch, 583 00:28:39,280 --> 00:28:42,480 Speaker 1: and like they talk about like how they got through it. 584 00:28:42,560 --> 00:28:46,360 Speaker 1: They did their research, they like looked when it was 585 00:28:46,400 --> 00:28:49,200 Speaker 1: going to happen, and then they like close their eyes 586 00:28:49,240 --> 00:28:54,320 Speaker 1: during it, and this comes. I don't know what her 587 00:28:54,400 --> 00:28:57,080 Speaker 1: deal is, what her husband's deal is, if like, you know, 588 00:28:57,160 --> 00:29:01,720 Speaker 1: this is part of a long running social media presence 589 00:29:01,760 --> 00:29:05,760 Speaker 1: where people know like that they have some past trauma 590 00:29:05,840 --> 00:29:07,680 Speaker 1: as a couple or something like that. So I don't 591 00:29:07,680 --> 00:29:09,840 Speaker 1: want to like dive too much in and be like, 592 00:29:10,040 --> 00:29:13,320 Speaker 1: what a weirdo. She also has like a Jesus fish 593 00:29:13,400 --> 00:29:16,560 Speaker 1: on her wrist, like tattooed on her wrist, so it 594 00:29:16,560 --> 00:29:20,040 Speaker 1: could just be like religious stuff, but like this does 595 00:29:20,080 --> 00:29:24,000 Speaker 1: seem to be. I think the reason it's getting so 596 00:29:24,040 --> 00:29:27,880 Speaker 1: much traction is people are seeing this as a take 597 00:29:28,000 --> 00:29:30,920 Speaker 1: more and more where people are like, finally someone says it, 598 00:29:31,000 --> 00:29:34,240 Speaker 1: like sex scenes are weird. They make me feel gross. 599 00:29:34,600 --> 00:29:38,360 Speaker 1: I don't want to see them, and it came out 600 00:29:38,360 --> 00:29:42,120 Speaker 1: a lot with Oppenheimer in particular. But Chelsea, I just 601 00:29:42,200 --> 00:29:44,920 Speaker 1: want to open the floor to you on this subject 602 00:29:45,120 --> 00:29:53,040 Speaker 1: of like a step back from horniness as media consumers. 603 00:29:53,640 --> 00:29:56,880 Speaker 4: Well, first I have to say I haven't been totally 604 00:29:57,000 --> 00:29:59,480 Speaker 4: drawn to see Oppenheimer, but after that video, now I 605 00:29:59,520 --> 00:30:01,240 Speaker 4: really want to go, Like I found myself being like 606 00:30:01,240 --> 00:30:03,040 Speaker 4: I have to know what this sex scene is, so 607 00:30:03,560 --> 00:30:04,960 Speaker 4: I don't, you know, I don't know where that puts 608 00:30:05,000 --> 00:30:08,200 Speaker 4: me perspective, But now I want to see the movie. 609 00:30:08,600 --> 00:30:10,720 Speaker 5: Have you guys seen it? Is it a graphic sex scene? 610 00:30:10,720 --> 00:30:12,200 Speaker 1: I'd have to know it's not graphic. 611 00:30:12,320 --> 00:30:20,000 Speaker 2: It's actually like really so if you only have missionary sex, yeah, 612 00:30:20,160 --> 00:30:24,360 Speaker 2: it's straight like the woman. Yeah, that was the most 613 00:30:24,440 --> 00:30:25,080 Speaker 2: risk thing. 614 00:30:25,520 --> 00:30:28,240 Speaker 5: And it's it's like nudity, yeah, there's. 615 00:30:28,080 --> 00:30:31,280 Speaker 1: Like yeah, there's there's some nudity. But I actually think, 616 00:30:31,320 --> 00:30:36,640 Speaker 1: like it feels very strange, Like Christopher Nolan has traditionally 617 00:30:36,760 --> 00:30:40,680 Speaker 1: been described as like being somewhat of a sexless filmmaker, 618 00:30:40,800 --> 00:30:43,760 Speaker 1: like he made a movie about people's like going inside 619 00:30:43,760 --> 00:30:46,640 Speaker 1: people's dreams, and no one, no one sucks at all, 620 00:30:46,760 --> 00:30:49,800 Speaker 1: Like nobody like sex doesn't even exist inside these people's dreams. 621 00:30:50,240 --> 00:30:54,400 Speaker 1: Sex doesn't really exist inside most of his movies, I 622 00:30:54,400 --> 00:30:59,080 Speaker 1: would say, other than like the Joker character is kind 623 00:30:59,080 --> 00:31:03,400 Speaker 1: of the most fuckingest character that like he has, and 624 00:31:03,560 --> 00:31:05,320 Speaker 1: like any of his movies in the sense that like 625 00:31:05,360 --> 00:31:08,360 Speaker 1: he is like this kind of creep but like, at 626 00:31:08,440 --> 00:31:12,760 Speaker 1: least there is a sexual energy with the Joker. But anyways, 627 00:31:13,040 --> 00:31:16,000 Speaker 1: this seemed like he was responding to that and being like, oh, yeah, 628 00:31:16,040 --> 00:31:18,400 Speaker 1: I can't do a sex scene, and it just feels 629 00:31:18,720 --> 00:31:23,280 Speaker 1: it is a weird sex scene. The first one is 630 00:31:23,320 --> 00:31:27,480 Speaker 1: really like it feels almost like self parody to me. 631 00:31:27,720 --> 00:31:30,080 Speaker 1: I don't know if I went in with a if 632 00:31:30,120 --> 00:31:32,720 Speaker 1: I went in being like, I'm going to hate this 633 00:31:32,840 --> 00:31:36,480 Speaker 1: Christopher Nolan sex scene. But I think he's trying to 634 00:31:36,520 --> 00:31:38,720 Speaker 1: fight against the idea that his movies are dead sexually 635 00:31:39,640 --> 00:31:40,240 Speaker 1: and he failed. 636 00:31:40,240 --> 00:31:41,040 Speaker 5: It sounds like he failed. 637 00:31:41,400 --> 00:31:42,480 Speaker 2: I think he did. 638 00:31:42,760 --> 00:31:46,680 Speaker 1: But I also I think he's popular, at least partially 639 00:31:46,720 --> 00:31:49,640 Speaker 1: because his movies take place in a sexless universe, and 640 00:31:49,680 --> 00:31:52,960 Speaker 1: I think people want that from their movies, like from 641 00:31:53,200 --> 00:31:54,240 Speaker 1: Blockbuster movies. 642 00:31:54,640 --> 00:31:58,120 Speaker 4: Well, it's yeah, there's so many one after that description, 643 00:31:58,360 --> 00:31:59,840 Speaker 4: no two after that description. 644 00:32:00,000 --> 00:32:01,040 Speaker 5: I want to see it even more. 645 00:32:01,120 --> 00:32:02,800 Speaker 4: I just have to know, I have to know it's 646 00:32:02,840 --> 00:32:04,479 Speaker 4: the only thing that has brought me to this movie. 647 00:32:04,640 --> 00:32:07,720 Speaker 4: But yeah, there's so many threads to connect on this, 648 00:32:07,920 --> 00:32:10,640 Speaker 4: but kind of the number one thought that comes to 649 00:32:10,640 --> 00:32:12,320 Speaker 4: my mind is something I talked about with my one 650 00:32:12,320 --> 00:32:14,360 Speaker 4: of my best friends, Ashley, who's also a television writer, 651 00:32:14,680 --> 00:32:18,760 Speaker 4: which is that prior to this moment in culture, sex 652 00:32:18,800 --> 00:32:23,680 Speaker 4: scenes have somewhat always They've always been bad story wise, 653 00:32:24,160 --> 00:32:29,160 Speaker 4: so there's never there's almost I'm gonna say Deadpool is 654 00:32:29,160 --> 00:32:33,160 Speaker 4: maybe the one exception where like a sex scene actually 655 00:32:33,240 --> 00:32:36,360 Speaker 4: had to be there to move the story forward. But 656 00:32:36,600 --> 00:32:40,160 Speaker 4: usually sex scenes are like a brief intermission where like, 657 00:32:40,840 --> 00:32:42,360 Speaker 4: you know what I mean, because the moment they've gotten 658 00:32:42,440 --> 00:32:45,280 Speaker 4: to like kissing, we know, okay, so we're there story wise, 659 00:32:45,400 --> 00:32:48,040 Speaker 4: So if you're gonna show the full sex like you 660 00:32:48,160 --> 00:32:50,360 Speaker 4: just kind of sit in it, and so then it 661 00:32:50,400 --> 00:32:53,760 Speaker 4: really is to be a very it's just exists to 662 00:32:53,800 --> 00:32:56,360 Speaker 4: be a sexy sex scene, which was way more needed 663 00:32:56,400 --> 00:32:58,640 Speaker 4: in previous generations where like that was the only time 664 00:32:58,680 --> 00:33:00,000 Speaker 4: you were going to see a sex scene. 665 00:33:00,040 --> 00:33:00,920 Speaker 5: Sexy sex scene. 666 00:33:01,320 --> 00:33:04,960 Speaker 2: Yeah, I was wearing like the trench coat and times square. Yeah, 667 00:33:06,040 --> 00:33:06,320 Speaker 2: I was. 668 00:33:06,240 --> 00:33:10,320 Speaker 1: Thinking that like some examples of sex scenes that needed 669 00:33:10,360 --> 00:33:13,440 Speaker 1: to exist and that I think should inspire people to 670 00:33:13,520 --> 00:33:16,520 Speaker 1: like think more creatively about sex scenes. Is like Parasite 671 00:33:16,520 --> 00:33:19,720 Speaker 1: has a really interesting sex scene. Not an American film, 672 00:33:20,040 --> 00:33:23,440 Speaker 1: but it like shows this like really wealthy couple like 673 00:33:23,560 --> 00:33:27,040 Speaker 1: kind of having this weird sexual encounter on the couch 674 00:33:27,120 --> 00:33:30,320 Speaker 1: where they're like fantasizing that they are like part of 675 00:33:30,360 --> 00:33:35,560 Speaker 1: this lower class that they looked down on and suppress. 676 00:33:35,760 --> 00:33:39,200 Speaker 1: And like I thought that was like a good that's 677 00:33:39,240 --> 00:33:39,520 Speaker 1: a good one. 678 00:33:39,560 --> 00:33:41,440 Speaker 5: Yeah, that's another going when we were like, oh, there's 679 00:33:41,520 --> 00:33:42,400 Speaker 5: like meaning and. 680 00:33:42,440 --> 00:33:45,800 Speaker 4: Purpose for yes, But I feel like, yeah, sort of 681 00:33:45,880 --> 00:33:50,280 Speaker 4: traditionally and for the most part, sex scenes exist simply 682 00:33:50,320 --> 00:33:52,720 Speaker 4: to be sexy and they don't move anything forward, and 683 00:33:53,960 --> 00:33:56,600 Speaker 4: almost all of them have been written and directed by 684 00:33:57,400 --> 00:34:01,040 Speaker 4: you know, white cis men for a hundred years and so, 685 00:34:01,960 --> 00:34:04,360 Speaker 4: which and which I'm bringing up to say, like, I 686 00:34:04,400 --> 00:34:07,840 Speaker 4: think if our previous cannon of sex scenes like had 687 00:34:08,080 --> 00:34:11,279 Speaker 4: had any sort of other like sexual lens on them, 688 00:34:11,320 --> 00:34:14,440 Speaker 4: that could turn a different portion of people on. I 689 00:34:14,480 --> 00:34:16,920 Speaker 4: wonder if we'd be having this conversation. But because of that, 690 00:34:17,280 --> 00:34:19,680 Speaker 4: people are sort of looking at this as like Oh, 691 00:34:19,960 --> 00:34:22,759 Speaker 4: like you can go back and look at what was 692 00:34:22,800 --> 00:34:25,440 Speaker 4: I just watching. It was a it was it was 693 00:34:25,480 --> 00:34:26,920 Speaker 4: a movie where you're like, oh, it has a lot 694 00:34:26,920 --> 00:34:28,879 Speaker 4: of sex scenes and you rewatch them and you're like, oh, 695 00:34:29,760 --> 00:34:34,160 Speaker 4: all of them rape scenes, like and you just don't 696 00:34:34,880 --> 00:34:36,319 Speaker 4: It was a it was a movie that had let 697 00:34:36,320 --> 00:34:39,480 Speaker 4: me look hold on it was Sharon Sharon Stone. 698 00:34:40,120 --> 00:34:40,359 Speaker 2: Basic. 699 00:34:41,400 --> 00:34:42,960 Speaker 5: I think it was basic instinct. 700 00:34:43,000 --> 00:34:45,239 Speaker 4: And I'm just like blinded by the most famous part 701 00:34:45,280 --> 00:34:47,279 Speaker 4: of that movie and too, but I think it is 702 00:34:47,320 --> 00:34:48,040 Speaker 4: basic instinct. 703 00:34:48,280 --> 00:34:50,760 Speaker 5: But there are other sex scenes in that movie and they're. 704 00:34:50,600 --> 00:34:54,080 Speaker 4: Just all rapes and and but they but they're films 705 00:34:54,200 --> 00:34:57,000 Speaker 4: like sex scenes, and so I think this sort of 706 00:34:57,040 --> 00:34:59,680 Speaker 4: like pushback to stuff like that is is built on 707 00:35:00,120 --> 00:35:04,560 Speaker 4: one hundred years of only one version of sex theme 708 00:35:04,680 --> 00:35:05,600 Speaker 4: shown on screen. 709 00:35:06,080 --> 00:35:09,640 Speaker 1: Yeah, I think like just the other thing. As we 710 00:35:09,640 --> 00:35:12,400 Speaker 1: were like thinking about the Nolan and like, is he 711 00:35:13,040 --> 00:35:16,720 Speaker 1: popular because he's like a particular like sex doesn't exist 712 00:35:16,760 --> 00:35:21,840 Speaker 1: in his cinematic universe, and like his sex scene in 713 00:35:21,960 --> 00:35:24,480 Speaker 1: Appenheimer seems like it was directed by somebody who's never 714 00:35:24,520 --> 00:35:27,479 Speaker 1: had sex. Like I was also thinking about Tom Cruise, who, 715 00:35:27,600 --> 00:35:31,640 Speaker 1: like the whole kind of argument against him has always been. 716 00:35:32,040 --> 00:35:35,759 Speaker 1: This guy has like no sexual charisma, like he just 717 00:35:35,800 --> 00:35:39,719 Speaker 1: like you can't really picture him having sex. Really, he's 718 00:35:39,760 --> 00:35:44,040 Speaker 1: like kind of this beautiful creature who doesn't have any 719 00:35:44,160 --> 00:35:47,080 Speaker 1: like you can't really picture him. And like the other 720 00:35:47,160 --> 00:35:50,080 Speaker 1: sex scene that made me identify other than the Appenheimer one, 721 00:35:50,080 --> 00:35:52,040 Speaker 1: the one that made me identify with all the people 722 00:35:52,040 --> 00:35:56,080 Speaker 1: who are like, please stop, was the fucking Top Gun 723 00:35:56,120 --> 00:35:59,839 Speaker 1: too sex scene where it's like, uhh yeah, it's just 724 00:36:00,160 --> 00:36:03,080 Speaker 1: so weird. Like all of a sudden, the movie starts 725 00:36:03,080 --> 00:36:05,399 Speaker 1: to feel like it's an ad for a retirement home. 726 00:36:05,520 --> 00:36:07,960 Speaker 1: Like not that they're like that old, but the vibe 727 00:36:08,000 --> 00:36:10,960 Speaker 1: of it is just like this, like it like feels 728 00:36:11,040 --> 00:36:13,399 Speaker 1: like a like Viagra commercial, like. 729 00:36:13,400 --> 00:36:15,560 Speaker 5: Totally because also it's just like dead. 730 00:36:15,320 --> 00:36:17,920 Speaker 1: And remote and like takes place in heaven or something. 731 00:36:18,000 --> 00:36:18,840 Speaker 2: It's really weird. 732 00:36:19,200 --> 00:36:21,560 Speaker 4: And the the you know, the first hop Gun, the 733 00:36:21,600 --> 00:36:24,160 Speaker 4: most sexual scene in that movie is a abs at 734 00:36:24,200 --> 00:36:26,160 Speaker 4: the beach playing volleyball and they crush it. 735 00:36:26,239 --> 00:36:27,239 Speaker 5: You know what I mean, you're was like. 736 00:36:27,600 --> 00:36:29,320 Speaker 4: And then in the second movie they did it again 737 00:36:29,520 --> 00:36:30,920 Speaker 4: and I don't know if you noticed, but they had 738 00:36:30,920 --> 00:36:34,000 Speaker 4: to shoot Tom Cruise like profile and silhouette shirtless like 739 00:36:34,040 --> 00:36:38,000 Speaker 4: it was a very like long lens technically shirtless on 740 00:36:38,040 --> 00:36:41,080 Speaker 4: the beach, but we're really going to focus on on miles, 741 00:36:41,400 --> 00:36:41,600 Speaker 4: you know. 742 00:36:41,560 --> 00:36:42,000 Speaker 2: What I mean. 743 00:36:42,400 --> 00:36:45,680 Speaker 1: Games they're super high for no reason. This is just 744 00:36:45,719 --> 00:36:49,680 Speaker 1: how people wear their jeans now yea yeah, But. 745 00:36:48,960 --> 00:36:51,120 Speaker 4: But they crushed it in that beach scene too, and 746 00:36:51,160 --> 00:36:53,640 Speaker 4: where it's like no one's no one is I don't 747 00:36:53,680 --> 00:36:55,480 Speaker 4: feel like, yeah, I feel like on the most part, 748 00:36:55,520 --> 00:36:57,320 Speaker 4: it's like we can take sexy abs at the beach, 749 00:36:57,400 --> 00:37:02,680 Speaker 4: but like actual sexual intercourse, like I don't even know, 750 00:37:02,920 --> 00:37:05,760 Speaker 4: like don't film it. It does feel like very uncomfortable, 751 00:37:06,120 --> 00:37:09,359 Speaker 4: which yeah, I have to say that when you brought 752 00:37:09,440 --> 00:37:13,040 Speaker 4: up this topic because personally, I feel like this is 753 00:37:13,280 --> 00:37:16,800 Speaker 4: when it goes into gen Z. I'm sort of out 754 00:37:16,840 --> 00:37:18,719 Speaker 4: on all the like gen Z is not having sex. 755 00:37:18,760 --> 00:37:21,560 Speaker 4: It's like they were in a pandemic during the years 756 00:37:21,600 --> 00:37:23,680 Speaker 4: when you learn how to put your mouth on someone 757 00:37:23,680 --> 00:37:25,640 Speaker 4: else's face, so you know what I mean, So like 758 00:37:25,680 --> 00:37:27,440 Speaker 4: you where there's gonna be a lag and like I 759 00:37:27,640 --> 00:37:30,520 Speaker 4: you know, I'm not believing all of these the so 760 00:37:30,600 --> 00:37:32,160 Speaker 4: called data of like they don't believe in sexy or 761 00:37:32,200 --> 00:37:34,200 Speaker 4: I don't think that's it. But what I do think 762 00:37:34,280 --> 00:37:37,040 Speaker 4: is true is that there's been a lot of sexual education, 763 00:37:37,800 --> 00:37:41,040 Speaker 4: but not that second step into the nuance of sexual education. 764 00:37:41,520 --> 00:37:44,560 Speaker 4: So like things feel very cut and dry, to the 765 00:37:44,640 --> 00:37:49,480 Speaker 4: point that in the television show Swarm, which Chloe Bailey 766 00:37:49,560 --> 00:37:50,799 Speaker 4: was in, I don't know if you guys saw that, 767 00:37:50,920 --> 00:37:53,920 Speaker 4: but it has a very very graphic sex scene in 768 00:37:54,080 --> 00:37:59,560 Speaker 4: the pilot, and a bunch of people online truly believed 769 00:37:59,600 --> 00:38:03,239 Speaker 4: they were having sex. So they wrote into the television 770 00:38:03,239 --> 00:38:06,279 Speaker 4: show accounts and on TikTok to be like, why did 771 00:38:06,280 --> 00:38:09,440 Speaker 4: they make Chloe Bailey have sex and seem to have 772 00:38:09,640 --> 00:38:12,560 Speaker 4: no understanding of. 773 00:38:12,400 --> 00:38:13,680 Speaker 1: The art of television. 774 00:38:13,880 --> 00:38:18,560 Speaker 4: Yeah, pantomime, Yes, like pantomime set you guys, they're not 775 00:38:18,719 --> 00:38:22,360 Speaker 4: it's not happening. There's like, you know, protect sheer protection 776 00:38:22,440 --> 00:38:25,359 Speaker 4: cups over their parts. But that's where I'm like, this 777 00:38:25,440 --> 00:38:30,719 Speaker 4: is a nuanced understanding, mental alacrity, how to live in 778 00:38:30,719 --> 00:38:33,600 Speaker 4: the real world issue and less of like what is 779 00:38:34,040 --> 00:38:36,560 Speaker 4: like we don't like sex anymore issue. 780 00:38:36,280 --> 00:38:38,880 Speaker 2: Because there's like a few ways to look because I 781 00:38:38,960 --> 00:38:42,359 Speaker 2: think of like erotic thrillers, right, And it was like 782 00:38:42,480 --> 00:38:46,920 Speaker 2: the eighties, we were you know, the conservatives. Conservatism of 783 00:38:46,960 --> 00:38:49,360 Speaker 2: the eighties sort of like helped build up the pressure 784 00:38:49,520 --> 00:38:51,640 Speaker 2: for like in the mid eighties for these films to 785 00:38:51,680 --> 00:38:54,480 Speaker 2: start propping up, like you know, coming up and people like, oh, 786 00:38:54,520 --> 00:38:57,280 Speaker 2: actually fuck with this. By the nineties were so horny 787 00:38:57,280 --> 00:39:01,480 Speaker 2: and dumb. Yeah, these are our greatest to movies. And 788 00:39:02,040 --> 00:39:04,680 Speaker 2: I think like there's an uptake for like a few 789 00:39:04,719 --> 00:39:06,799 Speaker 2: reasons after, Like it's just kind of as we were 790 00:39:06,840 --> 00:39:09,040 Speaker 2: talking about this and just like researching the topic and 791 00:39:09,080 --> 00:39:11,640 Speaker 2: everything is like one really interesting thing is you point 792 00:39:11,640 --> 00:39:13,719 Speaker 2: out is like a lot of those erotic thrillers have 793 00:39:13,800 --> 00:39:17,040 Speaker 2: like sex can be dangerous, but also these women are 794 00:39:17,120 --> 00:39:20,239 Speaker 2: crazy and will kill you. Yeah, And I think part 795 00:39:20,239 --> 00:39:23,120 Speaker 2: of that is like the AIDS epidemic was already making 796 00:39:23,200 --> 00:39:27,080 Speaker 2: people question the quote unquote dangers of sex or how 797 00:39:27,200 --> 00:39:30,880 Speaker 2: sex could lead to like your eventual death right. And 798 00:39:30,920 --> 00:39:34,360 Speaker 2: then there's also like this sort of evolution of sexual 799 00:39:34,360 --> 00:39:37,200 Speaker 2: agency where like, again to your point about these like 800 00:39:37,239 --> 00:39:40,439 Speaker 2: male writers and directors, like it almost feels like for them, 801 00:39:40,520 --> 00:39:44,279 Speaker 2: they're getting out their anxieties over like an evolving new 802 00:39:44,400 --> 00:39:46,560 Speaker 2: form of sexual politics coming out, and like what does 803 00:39:46,600 --> 00:39:48,960 Speaker 2: that mean for dudes? Like are they just gonna fucking 804 00:39:49,080 --> 00:39:49,720 Speaker 2: kill us? 805 00:39:50,360 --> 00:39:50,920 Speaker 3: Yeah? 806 00:39:51,000 --> 00:39:54,840 Speaker 4: Well, yeah, what what sexually turns them on, you know 807 00:39:54,840 --> 00:39:56,800 Speaker 4: what I mean. It's like it's like one dude's fantasy, 808 00:39:57,000 --> 00:39:59,680 Speaker 4: Like she says, no, what she means, yes, I said 809 00:39:59,680 --> 00:40:02,600 Speaker 4: one to I meant hundreds of millions stitutes, but who 810 00:40:02,640 --> 00:40:06,640 Speaker 4: made all the art? But it's like, had had there 811 00:40:06,719 --> 00:40:10,160 Speaker 4: been like to take this to the to the porn conversation, 812 00:40:10,360 --> 00:40:14,360 Speaker 4: like like it is so hard to find porn that 813 00:40:14,360 --> 00:40:17,760 Speaker 4: that that I personally like, I know this is TMI, 814 00:40:17,880 --> 00:40:20,239 Speaker 4: but it's more of like a female thing like and 815 00:40:20,280 --> 00:40:22,840 Speaker 4: I'm talking about like I don't like when the house 816 00:40:22,920 --> 00:40:23,400 Speaker 4: is dirty. 817 00:40:23,840 --> 00:40:25,800 Speaker 5: And I'm not talking about like I like it clean. 818 00:40:25,920 --> 00:40:28,680 Speaker 4: It's just like if there's like a super dirty mattress, 819 00:40:28,719 --> 00:40:32,000 Speaker 4: it's just so distracting it like or like put a sheet. 820 00:40:31,760 --> 00:40:33,200 Speaker 5: On it, you guys, like what is it? 821 00:40:33,200 --> 00:40:36,719 Speaker 4: And it's just like the actual ambiance and the actual atmosphere. 822 00:40:36,760 --> 00:40:40,000 Speaker 5: And it's like stuff like that isn't thought through. 823 00:40:40,120 --> 00:40:43,960 Speaker 4: And I feel like if our history of sex on 824 00:40:44,200 --> 00:40:47,759 Speaker 4: TV and film had included other people perspectives of point 825 00:40:47,760 --> 00:40:48,879 Speaker 4: of views of what turned them. 826 00:40:48,800 --> 00:40:51,760 Speaker 5: On, yeah, yeah, there wasn't such a backlash. 827 00:40:51,800 --> 00:40:52,360 Speaker 2: Right now, I. 828 00:40:52,320 --> 00:40:55,000 Speaker 1: Don't mind a backlash against sex scenes that aren't doing 829 00:40:55,040 --> 00:40:59,200 Speaker 1: anything interesting or like same, yeah, like like the Oppenheimer's 830 00:40:59,200 --> 00:41:02,640 Speaker 1: sex scene, like the or uh not mission, the Top 831 00:41:02,680 --> 00:41:06,040 Speaker 1: Gun two sex scene, Like I'm fine with people lashing 832 00:41:06,080 --> 00:41:09,880 Speaker 1: back against that because it's not doing anything. I just 833 00:41:09,920 --> 00:41:13,640 Speaker 1: don't want people to not feel like they can express 834 00:41:13,760 --> 00:41:18,360 Speaker 1: that part of the human experience because like there's something 835 00:41:18,440 --> 00:41:21,200 Speaker 1: bad about inherently bad about sex scenes as opposed to 836 00:41:21,280 --> 00:41:23,880 Speaker 1: like there being something that is inherently bad about how 837 00:41:23,960 --> 00:41:28,600 Speaker 1: sex scenes and sexual like energy was expressed in film 838 00:41:28,680 --> 00:41:29,600 Speaker 1: up to this point. 839 00:41:29,840 --> 00:41:30,759 Speaker 5: That's really well said. 840 00:41:30,960 --> 00:41:34,040 Speaker 2: Yeah there's I mean like there's other dimensions too, like 841 00:41:34,040 --> 00:41:36,560 Speaker 2: when you look at it, like I'm also like where 842 00:41:36,640 --> 00:41:40,399 Speaker 2: does capitalism factor into this too? Because you know, like 843 00:41:40,560 --> 00:41:42,960 Speaker 2: there was an analysis of like from just like around 844 00:41:42,960 --> 00:41:45,080 Speaker 2: two thousand, like post nine, like right after nine to 845 00:41:45,120 --> 00:41:46,960 Speaker 2: eleven to like two thousand and six, like all these 846 00:41:46,960 --> 00:41:50,000 Speaker 2: films and like seeing that sex or nudity like was 847 00:41:50,040 --> 00:41:53,640 Speaker 2: not like a like a revenue booster for films at all, 848 00:41:53,680 --> 00:41:55,760 Speaker 2: Like it really did nothing, like didn't move the needle 849 00:41:55,760 --> 00:41:58,920 Speaker 2: at all. And then you think about like you know, 850 00:41:59,040 --> 00:42:02,000 Speaker 2: I guess eyes, why shut It's just like our sort 851 00:42:02,000 --> 00:42:06,319 Speaker 2: of lasser prestige eerotic thriller. And that's two thousand and 852 00:42:06,320 --> 00:42:08,719 Speaker 2: there are a couple you know, trickling out after that, 853 00:42:09,120 --> 00:42:11,600 Speaker 2: but then you have like Lord of the Rings and 854 00:42:11,680 --> 00:42:13,920 Speaker 2: Harry Potter come out, and then the studios are saying like, 855 00:42:13,920 --> 00:42:16,640 Speaker 2: oh man, these like broad fucking movies, like we can 856 00:42:16,680 --> 00:42:19,359 Speaker 2: just start like these are just money printing things, and 857 00:42:19,440 --> 00:42:21,239 Speaker 2: like maybe we just need to go all in on 858 00:42:21,320 --> 00:42:23,680 Speaker 2: this shit too. So I know there's like a dimension 859 00:42:23,760 --> 00:42:26,040 Speaker 2: of that. But then I also think of like the 860 00:42:26,080 --> 00:42:28,720 Speaker 2: taboo element too, which is like to your point, even Chelsea, 861 00:42:28,800 --> 00:42:30,880 Speaker 2: of like you know, in the eighties and nineties, like 862 00:42:30,920 --> 00:42:32,839 Speaker 2: this was like a date night thing where like you go. 863 00:42:32,920 --> 00:42:34,960 Speaker 8: Like, I don't know, like there's some sexy shit going 864 00:42:35,000 --> 00:42:37,120 Speaker 8: on up there, and we don't have to feel bad, yeah, 865 00:42:37,239 --> 00:42:39,640 Speaker 8: because there's no online porn where we can just kind 866 00:42:39,640 --> 00:42:42,280 Speaker 8: of like blow the doors open on everything we desire, 867 00:42:42,360 --> 00:42:44,600 Speaker 8: So it fills that sort of need. 868 00:42:44,640 --> 00:42:46,880 Speaker 2: But then there's also like the taboo where, like I remember, 869 00:42:47,160 --> 00:42:50,359 Speaker 2: as like a ten year old middle schooler, you would 870 00:42:50,360 --> 00:42:53,200 Speaker 2: talk about these movies, not even because they were worked, 871 00:42:53,239 --> 00:42:55,200 Speaker 2: like it's like a good movie. You'd be like did 872 00:42:55,200 --> 00:42:56,640 Speaker 2: you see it? Did your parents let you? 873 00:42:56,880 --> 00:43:01,600 Speaker 5: Minute and thirty seconds in on the VHF exactly. 874 00:43:01,160 --> 00:43:04,319 Speaker 2: And become a man. Yeah, you will. You will know 875 00:43:04,360 --> 00:43:07,000 Speaker 2: what it looks like if you go to that scene, 876 00:43:07,160 --> 00:43:10,839 Speaker 2: like what. And so I feel like for my generation too, 877 00:43:10,920 --> 00:43:14,279 Speaker 2: like we were like somewhat educating ourselves in this really 878 00:43:14,280 --> 00:43:17,440 Speaker 2: bizarre way with these films. But then also I think we, 879 00:43:17,520 --> 00:43:20,040 Speaker 2: like the nineties were so hyper sexual, Like I feel 880 00:43:20,080 --> 00:43:22,280 Speaker 2: like it also burned us out to the point where 881 00:43:22,840 --> 00:43:25,520 Speaker 2: now you're looking for something a little more nuanced rather 882 00:43:25,560 --> 00:43:27,480 Speaker 2: than like, well, when's the part where they're going to 883 00:43:27,520 --> 00:43:29,120 Speaker 2: show a topless woman in the movie. 884 00:43:29,400 --> 00:43:31,960 Speaker 4: Totally And also I think it's sort of that thing 885 00:43:32,000 --> 00:43:33,840 Speaker 4: we're talking about, which is like it's just a call 886 00:43:33,920 --> 00:43:36,640 Speaker 4: for better art. And also I think there is a 887 00:43:36,680 --> 00:43:39,640 Speaker 4: call for better porn, like consensual porn, porn being but 888 00:43:39,800 --> 00:43:41,439 Speaker 4: like I think there's just a call for like being 889 00:43:41,480 --> 00:43:44,800 Speaker 4: better because we did get educated and now with the Internet, 890 00:43:44,800 --> 00:43:48,719 Speaker 4: this generation is like the most educated. I mean, I 891 00:43:48,840 --> 00:43:52,520 Speaker 4: was just thinking about how Harvey Weinstein, you know, maker 892 00:43:52,560 --> 00:43:56,000 Speaker 4: of many many Mirramax films made free to Callow, which 893 00:43:56,120 --> 00:43:59,560 Speaker 4: was this you know, supposed supposed to be prestige filmed 894 00:43:59,560 --> 00:44:02,040 Speaker 4: with Ama And there's this famous story where he's like, 895 00:44:02,719 --> 00:44:06,719 Speaker 4: you need to do a full frontal naked a lesbian 896 00:44:06,760 --> 00:44:11,520 Speaker 4: scene in the Free to Colo movie or I'm not 897 00:44:11,560 --> 00:44:14,040 Speaker 4: gonna make it, and Salma thinks to herself, like, I 898 00:44:14,120 --> 00:44:16,319 Speaker 4: really think the story about this woman is important, So 899 00:44:16,440 --> 00:44:19,839 Speaker 4: I guess I'm gonna do this sort of softcore porn 900 00:44:19,880 --> 00:44:22,640 Speaker 4: scene that makes absolutely no fucking sense again because people 901 00:44:22,680 --> 00:44:25,000 Speaker 4: like Harvey Weinstein were in charge, and I feel like 902 00:44:25,000 --> 00:44:27,839 Speaker 4: it's more of a pushback to that, or even going 903 00:44:27,880 --> 00:44:30,239 Speaker 4: to Swarm, where they think, like, you know, this sex 904 00:44:30,239 --> 00:44:32,719 Speaker 4: scene is kind of really glorifying the male character, and 905 00:44:32,840 --> 00:44:37,839 Speaker 4: Chloe Bailey's character isn't It's a very like male sex 906 00:44:37,840 --> 00:44:40,320 Speaker 4: scene again, and they're sort of like, what about her consent? 907 00:44:40,680 --> 00:44:42,279 Speaker 5: Why does she have to be used like this? 908 00:44:42,719 --> 00:44:45,880 Speaker 4: Granted I don't think they're understanding it's fake, but that 909 00:44:46,000 --> 00:44:48,799 Speaker 4: sort of nuance of like this. 910 00:44:48,719 --> 00:44:49,440 Speaker 5: Is so silly. 911 00:44:49,440 --> 00:44:52,040 Speaker 4: But it's like they've been taught about consent and me 912 00:44:52,120 --> 00:44:54,879 Speaker 4: too and assault and being better, but also not how 913 00:44:54,920 --> 00:44:58,000 Speaker 4: to still be sexy or how to still like go 914 00:44:58,120 --> 00:45:00,120 Speaker 4: forward with it, and so it probably does feel like 915 00:45:00,160 --> 00:45:03,000 Speaker 4: a very like just don't do that type of situation. 916 00:45:03,320 --> 00:45:05,279 Speaker 1: Or that it could be a statement. I actually haven't 917 00:45:05,320 --> 00:45:08,279 Speaker 1: seen Swarm, but like swarm, but like it could be 918 00:45:08,280 --> 00:45:12,279 Speaker 1: a statement about like, you know, every film character is 919 00:45:12,320 --> 00:45:15,920 Speaker 1: not meant to be a model of virtue, right, Like 920 00:45:16,000 --> 00:45:19,840 Speaker 1: sometimes you're showing bad people doing bad things or like 921 00:45:20,200 --> 00:45:23,719 Speaker 1: and the like that. I feel like that becomes a 922 00:45:23,760 --> 00:45:27,040 Speaker 1: problem when you're not allowed to do that without being 923 00:45:27,080 --> 00:45:30,640 Speaker 1: seen as like approving of the behavior that you're depicting 924 00:45:30,640 --> 00:45:31,360 Speaker 1: in the movie. 925 00:45:31,640 --> 00:45:32,239 Speaker 2: Right yeah. 926 00:45:32,280 --> 00:45:33,960 Speaker 4: And I feel like I've seen that a lot too, 927 00:45:34,040 --> 00:45:36,120 Speaker 4: which kind of goes again to like the nuance and 928 00:45:36,320 --> 00:45:39,799 Speaker 4: art and how like that has sort of that conversation 929 00:45:39,920 --> 00:45:43,400 Speaker 4: I feel like has gotten so stilted in places like TikTok, 930 00:45:43,680 --> 00:45:45,320 Speaker 4: whereas in other forums. 931 00:45:44,960 --> 00:45:46,400 Speaker 5: It's still alive. R. 932 00:45:46,480 --> 00:45:49,359 Speaker 1: Yeah, let's take a quick break, real quick, and we'll 933 00:45:49,360 --> 00:45:50,719 Speaker 1: come back and keep talking about this. 934 00:45:50,760 --> 00:45:51,399 Speaker 2: We'll be right back. 935 00:46:02,080 --> 00:46:04,759 Speaker 1: And we're back, and Miles, I think you're about to 936 00:46:04,760 --> 00:46:05,120 Speaker 1: ask school. 937 00:46:05,160 --> 00:46:07,480 Speaker 2: Oh just yeah. I mean, like, you know, the other 938 00:46:07,560 --> 00:46:09,560 Speaker 2: thing is like we just kind of the evolution. I 939 00:46:09,600 --> 00:46:12,120 Speaker 2: just think of like where I got my sexy imagery 940 00:46:12,200 --> 00:46:14,840 Speaker 2: as someone born in the eighties, like through you know, 941 00:46:15,040 --> 00:46:17,320 Speaker 2: like coming of age and then like late nineties ats 942 00:46:17,360 --> 00:46:19,799 Speaker 2: and things like that, and it feels like at a 943 00:46:19,840 --> 00:46:23,280 Speaker 2: certain point like it was like, oh, a Van Damn 944 00:46:23,280 --> 00:46:25,640 Speaker 2: movie is gonna have movies in it, Like that was 945 00:46:25,680 --> 00:46:27,840 Speaker 2: a shorthand in my mind, like you you were like 946 00:46:27,920 --> 00:46:31,719 Speaker 2: conditioned to know like certain directors, actors, whatever, like there 947 00:46:31,760 --> 00:46:34,960 Speaker 2: would be that sort of thing and then you But 948 00:46:34,960 --> 00:46:38,040 Speaker 2: but then like a lot of the sex or sexual 949 00:46:38,080 --> 00:46:41,480 Speaker 2: content just really kind of shifted to like our popular culture, 950 00:46:41,520 --> 00:46:43,239 Speaker 2: like it didn't have to live in these sort of 951 00:46:43,239 --> 00:46:46,400 Speaker 2: movies like basic what about basic instinct kind of thing. 952 00:46:46,400 --> 00:46:50,600 Speaker 2: It's like, it's in my music videos, it's in the advertisements, 953 00:46:50,719 --> 00:46:54,799 Speaker 2: it's on cable TV at night. So it's almost like 954 00:46:54,840 --> 00:46:56,560 Speaker 2: I don't know if it's like also, again, this sort 955 00:46:56,560 --> 00:46:59,840 Speaker 2: of diversification of where that sort of content lived to 956 00:46:59,880 --> 00:47:04,480 Speaker 2: the points at it totally omni sexual, like everywhere was sex. 957 00:47:04,960 --> 00:47:08,880 Speaker 2: So that also feels like another point where that I 958 00:47:08,920 --> 00:47:11,399 Speaker 2: guess the appeal of it only getting it directly from 959 00:47:11,560 --> 00:47:13,200 Speaker 2: film begins to wane a bit. 960 00:47:13,400 --> 00:47:16,200 Speaker 4: Yeah, And also like if you're like, Okay, check out 961 00:47:16,200 --> 00:47:19,239 Speaker 4: this Van dam sexy scene, or I can go to 962 00:47:19,320 --> 00:47:23,680 Speaker 4: my OnlyFans of a real person who is alive who's 963 00:47:23,719 --> 00:47:26,600 Speaker 4: doing my niche fetish and will look into the eyes 964 00:47:26,600 --> 00:47:29,640 Speaker 4: of the camera and say my name right, Yeah, what 965 00:47:30,480 --> 00:47:31,920 Speaker 4: you know what I mean, So when you go back 966 00:47:31,960 --> 00:47:33,080 Speaker 4: to a VANDAM movie, you're like. 967 00:47:33,000 --> 00:47:35,959 Speaker 5: Boring, sid move it along. 968 00:47:35,960 --> 00:47:38,600 Speaker 4: Like yeah, I was just thinking of remember when Seth 969 00:47:38,680 --> 00:47:43,440 Speaker 4: MacFarlane did that Oscar song called boobs and yeah the 970 00:47:43,480 --> 00:47:45,840 Speaker 4: movies you can see boobs in And that was twenty 971 00:47:45,920 --> 00:47:49,200 Speaker 4: thirteen and the response. 972 00:47:48,840 --> 00:47:53,000 Speaker 5: Was like yawn like on like yeah, that's. 973 00:47:52,800 --> 00:47:55,000 Speaker 4: All you're in it for, and it's like shitty to 974 00:47:55,040 --> 00:47:57,560 Speaker 4: treat women that way. And it's like I'm still I'm 975 00:47:57,600 --> 00:47:59,800 Speaker 4: still here for a song, Like I still need to 976 00:47:59,880 --> 00:48:01,759 Speaker 4: get to a place where like Seth McFarland can sing 977 00:48:01,800 --> 00:48:04,680 Speaker 4: a song about full frontal dick and he's got thirty 978 00:48:04,719 --> 00:48:09,320 Speaker 4: movies to reference, Like I think I've got one, you know, Yeah, we're. 979 00:48:09,200 --> 00:48:15,680 Speaker 1: There, Harvey Kaitel, Yeah, yeah, I mean so I do 980 00:48:15,840 --> 00:48:18,640 Speaker 1: still think it's interesting. So like the Weles you were 981 00:48:18,640 --> 00:48:21,120 Speaker 1: talking about, like they made it, did an analysis in 982 00:48:21,160 --> 00:48:24,759 Speaker 1: the early two thousands and found that, like nudity was 983 00:48:24,800 --> 00:48:28,439 Speaker 1: not something that drove money making, And I think rather 984 00:48:28,480 --> 00:48:32,719 Speaker 1: than just that being always true, I think that's probably 985 00:48:32,840 --> 00:48:37,520 Speaker 1: an indicator of like changing tastes in like filmgoers, and 986 00:48:37,600 --> 00:48:41,279 Speaker 1: like the whole thesis that I have about movies is like, yes, 987 00:48:41,320 --> 00:48:44,799 Speaker 1: they're like commercial ventures, but they people pay money to 988 00:48:44,880 --> 00:48:48,720 Speaker 1: go see them because they are getting to see something 989 00:48:48,920 --> 00:48:52,279 Speaker 1: that is happening that they can't really access inside them 990 00:48:52,480 --> 00:48:55,359 Speaker 1: up on the screen, right, And so like that's why 991 00:48:55,360 --> 00:48:58,279 Speaker 1: I think it's interesting that like early two thousands, like 992 00:48:58,360 --> 00:49:01,680 Speaker 1: as the country was becoming like explicitly fascist in the 993 00:49:01,800 --> 00:49:04,600 Speaker 1: like War on Terror, and you know that that was 994 00:49:04,600 --> 00:49:06,799 Speaker 1: a time when suddenly people were like, yeah, yeah, we don't, 995 00:49:06,840 --> 00:49:08,760 Speaker 1: we don't want to see this shit. And I agree, 996 00:49:08,800 --> 00:49:12,160 Speaker 1: like it definitely has to do with like that there 997 00:49:12,200 --> 00:49:16,560 Speaker 1: became there like suddenly there were better places to get that. 998 00:49:17,200 --> 00:49:21,000 Speaker 1: But I also I don't know, like there it does 999 00:49:21,080 --> 00:49:23,799 Speaker 1: feel like they're one of these articles from I think 1000 00:49:23,920 --> 00:49:28,239 Speaker 1: slash Film was saying that it it's there's been like 1001 00:49:28,320 --> 00:49:32,040 Speaker 1: sort of an internalization of the PG thirteen rating when 1002 00:49:32,040 --> 00:49:36,040 Speaker 1: it comes to like our movies, where that's just kind 1003 00:49:36,120 --> 00:49:42,960 Speaker 1: of what people expect from movies. And I do think 1004 00:49:42,960 --> 00:49:47,759 Speaker 1: that there's like I think that happened because corporations came 1005 00:49:47,840 --> 00:49:52,319 Speaker 1: through and like overtook everything, you know, like that the 1006 00:49:52,360 --> 00:49:55,120 Speaker 1: big example that this blood Knife article uses the bloo 1007 00:49:55,160 --> 00:49:57,080 Speaker 1: Knife article that we'll link off to on the footnotes 1008 00:49:57,200 --> 00:50:00,680 Speaker 1: is called Everyone's beautiful and Nobody's horny or something to 1009 00:50:00,760 --> 00:50:04,280 Speaker 1: that effect. And it's about like superhero movies where everybody 1010 00:50:04,880 --> 00:50:08,640 Speaker 1: you know is just trained within just like an inch 1011 00:50:08,840 --> 00:50:13,479 Speaker 1: of like perfection, just like and that does that goes 1012 00:50:13,520 --> 00:50:16,320 Speaker 1: forward the superhero. It also goes for like the FBI 1013 00:50:16,440 --> 00:50:20,160 Speaker 1: agent and the background character and you know, like that 1014 00:50:20,160 --> 00:50:25,040 Speaker 1: that's just how everybody is supposed to look perfect. But 1015 00:50:25,120 --> 00:50:30,080 Speaker 1: then our favorite filmmakers, this guy whose movies take place 1016 00:50:30,200 --> 00:50:32,879 Speaker 1: in a world where like dreams don't have sex in them. 1017 00:50:33,239 --> 00:50:37,760 Speaker 1: And I think that there is something to the idea 1018 00:50:38,320 --> 00:50:41,920 Speaker 1: that like so fascist art, like when you look at 1019 00:50:41,960 --> 00:50:45,280 Speaker 1: like what was popular in Nazi Germany, like the films 1020 00:50:45,280 --> 00:50:50,399 Speaker 1: of Lenny reechinstall with like these documentaries where they would 1021 00:50:50,480 --> 00:50:53,960 Speaker 1: like glorify the human body and particularly the male body 1022 00:50:54,440 --> 00:50:58,279 Speaker 1: and like its strength and muscles. But like completely it 1023 00:50:58,360 --> 00:51:02,320 Speaker 1: was all about power dynamics, right, it was nothing about sex, 1024 00:51:02,360 --> 00:51:05,440 Speaker 1: and in fact, like sex was like to be completely 1025 00:51:06,040 --> 00:51:11,279 Speaker 1: removed from the equation. And I feel like there is 1026 00:51:11,320 --> 00:51:14,840 Speaker 1: like we obviously those movies also had like Hitler and 1027 00:51:14,880 --> 00:51:17,520 Speaker 1: it was like and all of the sexual energy is 1028 00:51:17,560 --> 00:51:22,640 Speaker 1: to be like sublimated to your religious fealty to the 1029 00:51:22,719 --> 00:51:26,320 Speaker 1: furor and like that horny for Hitler only, horny for 1030 00:51:26,400 --> 00:51:30,240 Speaker 1: Hitler only. And now it feels like it is done 1031 00:51:30,400 --> 00:51:34,800 Speaker 1: to sublimate to like the broader just kind of ideals 1032 00:51:34,800 --> 00:51:37,480 Speaker 1: of capitalism, and like the the fact that there's like 1033 00:51:37,520 --> 00:51:41,240 Speaker 1: an internal understanding of like, yeah, why would they put 1034 00:51:41,719 --> 00:51:44,840 Speaker 1: like Iron Man fucking in this movie? Like it wouldn't 1035 00:51:44,840 --> 00:51:47,000 Speaker 1: make as much money. And I root for this movie 1036 00:51:47,040 --> 00:51:51,560 Speaker 1: because like that's that's my team is Marvel and so like, 1037 00:51:51,760 --> 00:51:55,640 Speaker 1: and Marvel is winning against DC, and so I don't know, 1038 00:51:55,719 --> 00:51:58,200 Speaker 1: I think it's interesting. I don't think it is like 1039 00:51:58,280 --> 00:52:02,319 Speaker 1: I don't think it's a telltale symptom that like America 1040 00:52:02,640 --> 00:52:07,279 Speaker 1: is headed towards some sort of fascism with like a 1041 00:52:07,560 --> 00:52:10,880 Speaker 1: central fascist leader. But I do think it says something 1042 00:52:10,920 --> 00:52:16,360 Speaker 1: interesting about our relationship to this all consuming like capitalistic 1043 00:52:17,200 --> 00:52:20,719 Speaker 1: ideal where it's like, yeah, no, we just take the 1044 00:52:20,719 --> 00:52:23,840 Speaker 1: sex out of everything, because like that is not actually 1045 00:52:23,840 --> 00:52:25,960 Speaker 1: making money for the thing that we want to see 1046 00:52:26,000 --> 00:52:28,520 Speaker 1: make money. And we're all on board with that, not 1047 00:52:28,600 --> 00:52:30,920 Speaker 1: just David Zaslov, like we're all on board with that, 1048 00:52:31,320 --> 00:52:34,880 Speaker 1: because it doesn't like you can just get my sexual 1049 00:52:34,920 --> 00:52:36,120 Speaker 1: content elsewhere. 1050 00:52:36,080 --> 00:52:37,839 Speaker 5: I'm gonna say, I'm gonna push back on it. 1051 00:52:38,239 --> 00:52:43,640 Speaker 4: Yeah, having written in late night comedy for I can't 1052 00:52:43,680 --> 00:52:45,000 Speaker 4: now I'm trying to do the math. I don't know, 1053 00:52:45,040 --> 00:52:48,520 Speaker 4: but I feel like the like, are we turning fascist 1054 00:52:48,840 --> 00:52:51,800 Speaker 4: think pieces like make the Rounds every three years? 1055 00:52:52,000 --> 00:52:52,600 Speaker 2: Do you know what I mean? 1056 00:52:52,640 --> 00:52:54,040 Speaker 5: And it's like are we are? 1057 00:52:54,040 --> 00:52:56,719 Speaker 4: We? Are we to the point where like it's not 1058 00:52:56,760 --> 00:52:59,960 Speaker 4: even gonna matter because the term fascist now I mean 1059 00:53:00,080 --> 00:53:02,759 Speaker 4: something different to everyone. It's lost all meaning like we're 1060 00:53:02,760 --> 00:53:05,160 Speaker 4: never gonna know you know what I mean, It's gonna 1061 00:53:05,160 --> 00:53:07,960 Speaker 4: be here and no one will have any understanding on it. 1062 00:53:08,120 --> 00:53:12,799 Speaker 4: But taking this back to where we started, the Bachelor, 1063 00:53:13,760 --> 00:53:18,400 Speaker 4: I will bring us into my main basis for this argument, 1064 00:53:18,520 --> 00:53:23,520 Speaker 4: which is that The Bachelor is dying a slow death. 1065 00:53:23,560 --> 00:53:25,919 Speaker 5: It's definitely slow, but it's just every season it's dying. 1066 00:53:25,960 --> 00:53:26,560 Speaker 5: It's dining simeon. 1067 00:53:26,600 --> 00:53:29,680 Speaker 4: And this last year we got reality shows about dating 1068 00:53:29,920 --> 00:53:33,799 Speaker 4: like Love is Blind, like The Ultimatum, Queer Love, which 1069 00:53:33,840 --> 00:53:37,360 Speaker 4: is Milf Manner one of the best shows I've ever watched, 1070 00:53:37,520 --> 00:53:37,840 Speaker 4: would you. 1071 00:53:37,800 --> 00:53:39,400 Speaker 2: Say, Miles, I said, Milf Manner. 1072 00:53:40,120 --> 00:53:43,120 Speaker 5: Milf Manner. I did watch every episode, Yes I did. 1073 00:53:43,600 --> 00:53:47,279 Speaker 4: And that's actually a great one to reference because in 1074 00:53:47,680 --> 00:53:52,200 Speaker 4: the ultimatum Queer Love, they've got cameras on and you, 1075 00:53:52,680 --> 00:53:55,560 Speaker 4: I mean, you're watching porn for a second, and you're 1076 00:53:55,600 --> 00:53:57,759 Speaker 4: watching porn if someone you've intimately gotten to know like 1077 00:53:57,800 --> 00:54:02,560 Speaker 4: all their relationship issues. And that show was wildly popular, 1078 00:54:02,760 --> 00:54:06,239 Speaker 4: and on TikTok the discourse about queer love stories and 1079 00:54:06,320 --> 00:54:09,640 Speaker 4: like there was an entire storyline of like, you fingered 1080 00:54:09,640 --> 00:54:12,759 Speaker 4: the woman I'm in love with and where's your fingers go? 1081 00:54:12,840 --> 00:54:14,600 Speaker 4: When did they start? And how did it happen? Is 1082 00:54:14,640 --> 00:54:17,480 Speaker 4: that considered sex? And then there's a conversation of like, everyone, 1083 00:54:17,960 --> 00:54:19,600 Speaker 4: you know what I mean? Is that penetrative sex or not? 1084 00:54:19,640 --> 00:54:21,280 Speaker 4: Do we count that as sex? What is the consent 1085 00:54:21,360 --> 00:54:24,000 Speaker 4: needed for finger sex versus other sex? And you're life 1086 00:54:24,040 --> 00:54:26,680 Speaker 4: and TikTok is like going nuts and loving this conversation. 1087 00:54:27,000 --> 00:54:29,359 Speaker 4: And everyone is loving that show. And I think it's 1088 00:54:29,360 --> 00:54:31,560 Speaker 4: because it was It was showing sex in the way 1089 00:54:31,600 --> 00:54:34,279 Speaker 4: that we understand and want to see it now, which 1090 00:54:34,320 --> 00:54:38,280 Speaker 4: is like real authentic. It's not through this like very 1091 00:54:38,320 --> 00:54:42,960 Speaker 4: singular patriarchal lens. Even on like Love Islands, they live 1092 00:54:43,000 --> 00:54:46,719 Speaker 4: in bikinis. They live in bikinis and they switch partners 1093 00:54:46,800 --> 00:54:50,120 Speaker 4: every other day for fifty episodes every season, and it's 1094 00:54:50,120 --> 00:54:52,600 Speaker 4: crushing it. Like love is blind, you know, they talk 1095 00:54:52,600 --> 00:54:53,480 Speaker 4: about are they having sex? 1096 00:54:53,520 --> 00:54:53,920 Speaker 5: Are they not? 1097 00:54:54,200 --> 00:54:56,480 Speaker 4: Meanwhile, the Bachelor, which is a very sterile show, which 1098 00:54:56,480 --> 00:54:58,680 Speaker 4: would fit this sort of like fascist thing where it's 1099 00:54:58,719 --> 00:55:01,520 Speaker 4: like overnight sweet, like the door closes and like who 1100 00:55:01,560 --> 00:55:04,920 Speaker 4: knows is dying a death. 1101 00:55:04,800 --> 00:55:07,080 Speaker 5: And popularity and so interesting. 1102 00:55:07,520 --> 00:55:10,520 Speaker 4: If we look to reality TV, I would say we 1103 00:55:10,560 --> 00:55:12,880 Speaker 4: are still very much here for sex, but we're no 1104 00:55:12,960 --> 00:55:16,400 Speaker 4: longer here for it in the ways that are harmful. 1105 00:55:17,040 --> 00:55:18,719 Speaker 5: Yeah, like it's it doesn't feel good. 1106 00:55:18,760 --> 00:55:20,080 Speaker 4: And then if sex scene is to like make you 1107 00:55:20,120 --> 00:55:22,279 Speaker 4: feel sexy, you don't want to feel bad while you're 1108 00:55:22,280 --> 00:55:22,719 Speaker 4: watching it. 1109 00:55:22,880 --> 00:55:23,240 Speaker 2: Yeaheah. 1110 00:55:23,560 --> 00:55:26,879 Speaker 1: So maybe my ultimate plea is like that movies do 1111 00:55:26,960 --> 00:55:30,600 Speaker 1: something interesting with their sex scenes because that's what people want. 1112 00:55:30,719 --> 00:55:34,920 Speaker 1: And it's not that people are necessarily fascist, yo, that 1113 00:55:35,480 --> 00:55:38,960 Speaker 1: they just want something interesting and not like the traditional 1114 00:55:39,320 --> 00:55:40,360 Speaker 1: eighties movie sexy. 1115 00:55:40,840 --> 00:55:44,680 Speaker 2: Yeah. To Chelsea's point, like again, I was raised on 1116 00:55:44,719 --> 00:55:47,319 Speaker 2: the Buck Wild movie sex scenes, you know what I mean. 1117 00:55:47,440 --> 00:55:50,000 Speaker 2: And then then you know, the Internet kind of was 1118 00:55:50,000 --> 00:55:51,279 Speaker 2: like I was like, Okay, I think I know what 1119 00:55:51,360 --> 00:55:54,839 Speaker 2: I like and to the point to Nuance Like, now 1120 00:55:54,880 --> 00:55:56,880 Speaker 2: I'm like, how come they not kissing in this porno? 1121 00:55:57,640 --> 00:55:59,880 Speaker 2: I'm like, nah, now I'm off this, Like y'all need 1122 00:55:59,920 --> 00:56:01,640 Speaker 2: to be making out as shit, like I need to, 1123 00:56:01,800 --> 00:56:04,120 Speaker 2: like I want to see y'all be passionate, right or 1124 00:56:04,200 --> 00:56:07,319 Speaker 2: y'all like in Bridgerton. I just started watching The Second Sea. 1125 00:56:07,360 --> 00:56:09,719 Speaker 2: There's like one moment where this one character she just 1126 00:56:09,719 --> 00:56:14,120 Speaker 2: says she said, mister Bridgerton, and they just have like 1127 00:56:14,160 --> 00:56:16,240 Speaker 2: a look at each other, and I was like, oh shit, 1128 00:56:16,840 --> 00:56:18,719 Speaker 2: like and then you say shit, except like there was 1129 00:56:18,760 --> 00:56:21,840 Speaker 2: just a very tense moment and the release was just 1130 00:56:21,920 --> 00:56:23,759 Speaker 2: saying it and they shared a look and I was 1131 00:56:23,800 --> 00:56:27,520 Speaker 2: even like, damn, that was all right, Like yeah. 1132 00:56:26,840 --> 00:56:29,480 Speaker 4: We're like you're just like doing it well, you know, 1133 00:56:29,880 --> 00:56:31,880 Speaker 4: like that was hot and I didn't need to just 1134 00:56:31,920 --> 00:56:35,759 Speaker 4: see you coldly simulate motions. 1135 00:56:35,600 --> 00:56:37,880 Speaker 2: Right right exactly like making the back of the beast 1136 00:56:37,880 --> 00:56:40,680 Speaker 2: with two backs as it were. And I think, yeah, 1137 00:56:40,719 --> 00:56:43,080 Speaker 2: we're I think because we've moved on from just being 1138 00:56:43,080 --> 00:56:44,320 Speaker 2: like will they show sex? 1139 00:56:44,680 --> 00:56:49,239 Speaker 6: They do yes, And then once everyone now this is 1140 00:56:49,280 --> 00:56:51,200 Speaker 6: I do want to say this is a direct attack 1141 00:56:51,239 --> 00:56:53,240 Speaker 6: on me, because that is a direct quote from something 1142 00:56:53,320 --> 00:56:55,200 Speaker 6: I said earlier before we started rowling. 1143 00:56:56,080 --> 00:56:58,000 Speaker 2: So I didn't do the fist pump though, like I 1144 00:56:58,000 --> 00:57:02,479 Speaker 2: didn't do the double fist pump, yes, but like yeah 1145 00:57:02,640 --> 00:57:05,160 Speaker 2: that now we're so like, you know, it's like when 1146 00:57:05,200 --> 00:57:07,280 Speaker 2: you like you're you get introduced to a new cuisine 1147 00:57:07,280 --> 00:57:09,080 Speaker 2: in the beginning, anything will do, and then as you 1148 00:57:09,120 --> 00:57:11,520 Speaker 2: formulate tastes, you're like, no, actually, I'm like, it's not 1149 00:57:11,600 --> 00:57:15,560 Speaker 2: just about having you know, steak or whatever or whatever. 1150 00:57:15,600 --> 00:57:18,800 Speaker 2: You know, you just you begin to actually understand what 1151 00:57:18,880 --> 00:57:21,360 Speaker 2: it is that is appealing to you. And I think, ye, yeah, 1152 00:57:21,360 --> 00:57:23,960 Speaker 2: I think it's like it's just sort of simultaneous cultural 1153 00:57:23,960 --> 00:57:27,080 Speaker 2: evolution along with the amount of things we've been exposed 1154 00:57:27,120 --> 00:57:29,000 Speaker 2: to that kind of puts us in this different place. 1155 00:57:29,280 --> 00:57:33,600 Speaker 4: And I think it's the problem with art meeting capitalism 1156 00:57:33,640 --> 00:57:35,640 Speaker 4: right now, especially like we're in the writer strike and 1157 00:57:35,680 --> 00:57:38,560 Speaker 4: the whole like you Go Woke, you Go Broke movement, 1158 00:57:38,760 --> 00:57:41,680 Speaker 4: which is that like people come in and try and 1159 00:57:41,760 --> 00:57:43,880 Speaker 4: quantify it and do the data and the statistics and 1160 00:57:43,880 --> 00:57:45,840 Speaker 4: what's selling when what's not selling and actually this is 1161 00:57:45,880 --> 00:57:47,040 Speaker 4: in and that is en blah bah blah. 1162 00:57:46,920 --> 00:57:49,400 Speaker 5: But like the thesis is good. 1163 00:57:50,160 --> 00:57:53,320 Speaker 4: We would love a good movie we would love a 1164 00:57:53,360 --> 00:57:55,840 Speaker 4: good movie, and the moment we get a good movie, 1165 00:57:55,840 --> 00:57:56,720 Speaker 4: they go, oh, do that again? 1166 00:57:56,760 --> 00:57:57,200 Speaker 1: Do that again? 1167 00:57:57,280 --> 00:57:59,600 Speaker 4: Or like, you know, network television was dead, then abbot 1168 00:57:59,680 --> 00:58:00,640 Speaker 4: element comes up? 1169 00:58:01,240 --> 00:58:01,600 Speaker 1: Right, it was? 1170 00:58:01,760 --> 00:58:04,240 Speaker 5: It was good, right, Everyone goes. 1171 00:58:04,400 --> 00:58:09,600 Speaker 4: Workplace comedies, right, workplace comedies, and you're like, oh, okay, 1172 00:58:09,640 --> 00:58:10,600 Speaker 4: so that's nuts. 1173 00:58:10,880 --> 00:58:12,880 Speaker 5: That was not the only thing that made that show good, 1174 00:58:13,000 --> 00:58:13,200 Speaker 5: you know. 1175 00:58:13,280 --> 00:58:15,640 Speaker 4: And I just feel like people want really great art 1176 00:58:15,640 --> 00:58:17,400 Speaker 4: and every time it shows up, they're gonna love it, 1177 00:58:17,440 --> 00:58:19,120 Speaker 4: and every time it's shitty, they're gonna hate it. 1178 00:58:19,160 --> 00:58:22,640 Speaker 5: And then people are gonna drain it down into headline. 1179 00:58:22,200 --> 00:58:24,320 Speaker 4: Pieces of what could sell more or less, and they're 1180 00:58:24,360 --> 00:58:27,040 Speaker 4: gonna miss the point, which is that if it's good, 1181 00:58:27,040 --> 00:58:28,440 Speaker 4: it sells, and if it's bad, it does not. 1182 00:58:29,360 --> 00:58:30,840 Speaker 2: Right, Yeah, that's right. 1183 00:58:31,280 --> 00:58:33,480 Speaker 1: Well, Chelsea, such a pleasure having you. 1184 00:58:34,000 --> 00:58:34,280 Speaker 5: Thank you. 1185 00:58:34,320 --> 00:58:36,040 Speaker 1: I knew I would learn a lot. I did learn 1186 00:58:36,080 --> 00:58:36,360 Speaker 1: a lot. 1187 00:58:36,520 --> 00:58:39,520 Speaker 4: Were you guys horny the whole episode? I just need 1188 00:58:39,600 --> 00:58:41,320 Speaker 4: to know, like, you know, was it a horny episode 1189 00:58:41,360 --> 00:58:41,920 Speaker 4: for you guys? 1190 00:58:42,760 --> 00:58:44,960 Speaker 1: I was quaking. I mean you could see that I 1191 00:58:45,000 --> 00:58:45,560 Speaker 1: was quaking. 1192 00:58:45,720 --> 00:58:47,640 Speaker 2: Yeah, yeah, I feel that for Justin, he's gonna have 1193 00:58:47,720 --> 00:58:48,480 Speaker 2: to cut out all that. 1194 00:58:48,600 --> 00:58:50,600 Speaker 5: Yeah, I was an edge lord the whole time, So. 1195 00:58:52,320 --> 00:58:55,080 Speaker 2: Shout out the goon everybody gooning out there. Yeah, it 1196 00:58:55,120 --> 00:58:58,240 Speaker 2: was all I was all sax music in the background, playing. 1197 00:59:00,880 --> 00:59:02,200 Speaker 1: Where can people find You? 1198 00:59:02,320 --> 00:59:02,800 Speaker 2: Follow you? 1199 00:59:02,840 --> 00:59:03,720 Speaker 1: All that good stuff. 1200 00:59:03,800 --> 00:59:05,800 Speaker 5: Oh my gosh. Please come listen to my podcast. 1201 00:59:05,840 --> 00:59:08,439 Speaker 4: It's called Celebrity Book Club with Chelsea Davantes, but it's 1202 00:59:08,440 --> 00:59:11,200 Speaker 4: so much more you guys. We discuss female celebrity memoirs. 1203 00:59:11,240 --> 00:59:13,560 Speaker 4: We also do some pop culture stuff. I inspired by 1204 00:59:13,560 --> 00:59:18,680 Speaker 4: you guys. I did an entire Bachelor episode talking about 1205 00:59:18,680 --> 00:59:21,400 Speaker 4: politics and where we're at now, and someone pointed out 1206 00:59:21,400 --> 00:59:23,160 Speaker 4: to me that in our Republican years is when we 1207 00:59:23,200 --> 00:59:24,600 Speaker 4: had our worst bachelors too. 1208 00:59:25,360 --> 00:59:29,360 Speaker 5: It's, you know, the method. Still I am. 1209 00:59:29,680 --> 00:59:32,960 Speaker 4: I am our data scientists on elections and so anyway, 1210 00:59:33,040 --> 00:59:36,520 Speaker 4: come listen there. And I'm on Instagram at Chelsea Devantes, 1211 00:59:36,640 --> 00:59:38,960 Speaker 4: and I do like I post things from books and 1212 00:59:38,960 --> 00:59:40,520 Speaker 4: stuff and have conversations over there. 1213 00:59:41,000 --> 00:59:44,040 Speaker 1: Yeah. Is it Wait, so that the thesis is that 1214 00:59:44,960 --> 00:59:47,640 Speaker 1: when the bachelor is bad, we elect Republicans. 1215 00:59:48,160 --> 00:59:52,720 Speaker 4: No, No, it's when we have Republicans in office. It's 1216 00:59:52,840 --> 00:59:57,280 Speaker 4: also cultural times where we are enjoying shittier bachelors who 1217 00:59:57,360 --> 01:00:00,800 Speaker 4: break the rules and are only out for themselves and ourselves. Okay, shit, 1218 01:00:00,880 --> 01:00:04,560 Speaker 4: but they're so entertaining. So like Pete's the pilots, you know, 1219 01:00:04,600 --> 01:00:06,480 Speaker 4: like if you just look at our Trump Bachelor's, they're 1220 01:00:06,520 --> 01:00:10,000 Speaker 4: the worst of all time and they're very selfish dudes. 1221 01:00:10,360 --> 01:00:14,920 Speaker 1: Oh interesting, So maybe that's due to casting on the 1222 01:00:14,960 --> 01:00:16,680 Speaker 1: part of the producers of The Bachelor. 1223 01:00:17,080 --> 01:00:19,960 Speaker 4: Well yeah, and I think thinking of like like where 1224 01:00:19,960 --> 01:00:22,480 Speaker 4: we're at, Like Ari, You guys remember Ari as a bachelor. 1225 01:00:22,520 --> 01:00:24,480 Speaker 4: They brought him back and he like does the old 1226 01:00:24,480 --> 01:00:26,240 Speaker 4: switcher roo at the end. You guys are nodding, but 1227 01:00:26,280 --> 01:00:27,600 Speaker 4: you have no idea what I'm talking about. 1228 01:00:27,400 --> 01:00:30,760 Speaker 2: Before I remember because Anna no, Anna would regularly play 1229 01:00:31,160 --> 01:00:34,240 Speaker 2: because what's Ari's last name? It's like Louis. It's like a, 1230 01:00:36,080 --> 01:00:37,320 Speaker 2: oh is that one. 1231 01:00:37,200 --> 01:00:39,280 Speaker 5: Ari gray hair? Race car drivers? 1232 01:00:39,320 --> 01:00:42,400 Speaker 2: Oh yeah yeah, the race car driver guy. Yeah yeah, yeah, yeah, yes, 1233 01:00:43,120 --> 01:00:44,560 Speaker 2: I'm savvy. I'm savvy. Yeah. 1234 01:00:44,600 --> 01:00:47,640 Speaker 4: Colton, who was like in the Closet, did an entire 1235 01:00:47,760 --> 01:00:50,920 Speaker 4: season as a fully gay man, choosing one woman. 1236 01:00:51,120 --> 01:00:52,000 Speaker 5: He then stalks her. 1237 01:00:52,080 --> 01:00:53,560 Speaker 4: She has to take out her string order on him, 1238 01:00:53,600 --> 01:00:55,360 Speaker 4: and then he's like I've been gay the whole time, 1239 01:00:55,960 --> 01:00:59,320 Speaker 4: Like wow, this is where we were at in the 1240 01:00:59,320 --> 01:00:59,960 Speaker 4: Trump years? 1241 01:01:00,480 --> 01:01:03,040 Speaker 2: Right, amazing, Hey do we get our first black bachelor 1242 01:01:03,040 --> 01:01:04,080 Speaker 2: and the Trump play heard it too? 1243 01:01:04,880 --> 01:01:06,200 Speaker 5: Right, Yes we did. 1244 01:01:06,280 --> 01:01:09,720 Speaker 4: And that's also when we got our racial Reckoning season 1245 01:01:10,560 --> 01:01:14,320 Speaker 4: where they brought in one black guy to host the 1246 01:01:14,400 --> 01:01:17,560 Speaker 4: reunion and then guess what he left never has never 1247 01:01:17,600 --> 01:01:19,160 Speaker 4: been heard from again. They brought him in for the 1248 01:01:19,280 --> 01:01:23,480 Speaker 4: Racial Reckoning then sent them away. Anyways, what was I saying? 1249 01:01:23,520 --> 01:01:27,240 Speaker 1: Follow me on Instagram actually get more takes like that? 1250 01:01:27,360 --> 01:01:29,040 Speaker 1: Is there a work of media you've been enjoying? 1251 01:01:29,880 --> 01:01:31,360 Speaker 5: Oh my gosh so much. 1252 01:01:31,560 --> 01:01:33,600 Speaker 4: You know what, let's just give a shout out to 1253 01:01:33,680 --> 01:01:35,880 Speaker 4: milf manor it is not what you think it is. 1254 01:01:37,080 --> 01:01:39,160 Speaker 4: What it is because it starts and they're like, you're 1255 01:01:39,160 --> 01:01:41,680 Speaker 4: gonna be dating young men, and they're like, that's tight. 1256 01:01:41,760 --> 01:01:45,040 Speaker 4: And then the gate opens and it's all of their sons. Yeah, okay, 1257 01:01:45,160 --> 01:01:47,680 Speaker 4: so it's all of their sons. And then they're like, 1258 01:01:47,720 --> 01:01:49,280 Speaker 4: and you're going to share a room with your son, 1259 01:01:49,320 --> 01:01:51,520 Speaker 4: but you're gonna date the other sons of these other 1260 01:01:51,640 --> 01:01:54,360 Speaker 4: ladies here, and you're like, this is maniacal. And by 1261 01:01:54,400 --> 01:01:57,600 Speaker 4: the end of the episode, they've all like they're all 1262 01:01:57,640 --> 01:02:00,600 Speaker 4: just kind of like teaching their sons about like how 1263 01:02:00,640 --> 01:02:01,960 Speaker 4: to put a condom on a banana. 1264 01:02:02,440 --> 01:02:06,520 Speaker 2: Oh wow. It's also one of the worst made reality 1265 01:02:06,520 --> 01:02:10,080 Speaker 2: shows I've ever seen, Like there's no host, Like it 1266 01:02:10,080 --> 01:02:13,520 Speaker 2: feels like Lord of the Flies with like weird incestuous 1267 01:02:13,560 --> 01:02:14,760 Speaker 2: prompts that they have to do. 1268 01:02:14,840 --> 01:02:17,600 Speaker 5: Yeah, they send them a text message like read this laud. 1269 01:02:17,600 --> 01:02:19,160 Speaker 4: They're like, all right, I guess we're gonna go to 1270 01:02:19,200 --> 01:02:21,520 Speaker 4: commercial break now and then we come back. We're gonna 1271 01:02:21,520 --> 01:02:23,800 Speaker 4: put on Blindfeld's. We're gonna feel up our sons. We're 1272 01:02:23,880 --> 01:02:25,439 Speaker 4: trying to choose which one is my son? 1273 01:02:25,840 --> 01:02:28,280 Speaker 2: Oh, this is definitely him. 1274 01:02:28,680 --> 01:02:31,320 Speaker 5: Oh this is my son. This is my boy. 1275 01:02:30,800 --> 01:02:35,920 Speaker 2: There's some moments where I'm like, they've destroyed my mind completely, 1276 01:02:36,000 --> 01:02:38,920 Speaker 2: like in ways that I did not I did not expect. 1277 01:02:38,960 --> 01:02:41,240 Speaker 2: And I think I'm know because the depravity or whoever 1278 01:02:41,360 --> 01:02:43,640 Speaker 2: was behind anyway, it's out there. 1279 01:02:44,040 --> 01:02:46,680 Speaker 1: This this episode has been the greatest add for trash 1280 01:02:46,680 --> 01:02:51,880 Speaker 1: reality television maybe ever goods I'm about. I guess we 1281 01:02:51,920 --> 01:02:56,160 Speaker 1: should ask the question like if Germany had access to 1282 01:02:56,200 --> 01:02:59,560 Speaker 1: trash television, like is the whole Third Reich avoided? 1283 01:03:00,080 --> 01:03:05,720 Speaker 2: Maybe, well, we'll trash television save us or bring us 1284 01:03:05,720 --> 01:03:06,560 Speaker 2: our next president. 1285 01:03:07,240 --> 01:03:10,440 Speaker 1: That's right, Miles, where can people find you as their 1286 01:03:10,480 --> 01:03:11,040 Speaker 1: working media? 1287 01:03:11,080 --> 01:03:13,160 Speaker 2: You've been enjoying at Miles of Gray, where they got 1288 01:03:13,240 --> 01:03:16,680 Speaker 2: at symbols. Find Jack and Iron a basketball podcast Miles 1289 01:03:16,680 --> 01:03:19,320 Speaker 2: and Jack got mad boosties. If you like trash realities, 1290 01:03:19,400 --> 01:03:22,919 Speaker 2: guess what. Check Sophia Alexander out on four to twenty 1291 01:03:23,000 --> 01:03:25,520 Speaker 2: Day Fiance where we talk about ninety day fiance, which 1292 01:03:25,560 --> 01:03:28,560 Speaker 2: is also pretty garbage. And then if you like some 1293 01:03:28,560 --> 01:03:30,439 Speaker 2: true crime, you can still catch me on The Good 1294 01:03:30,440 --> 01:03:33,560 Speaker 2: Thief talking about the Greek robin hood and all that. 1295 01:03:33,760 --> 01:03:37,560 Speaker 2: I don't have a piece of media, but I've been 1296 01:03:37,600 --> 01:03:40,240 Speaker 2: watching the newest season of how To with John Wilson, 1297 01:03:40,360 --> 01:03:43,160 Speaker 2: and there was a couple of moments where I've been 1298 01:03:43,200 --> 01:03:46,320 Speaker 2: like wow, wow, wow wow wow. Anyway, it's it's always 1299 01:03:46,320 --> 01:03:48,840 Speaker 2: an interesting show. So maybe check that out, all right. 1300 01:03:49,400 --> 01:03:54,080 Speaker 1: Tweet I've been enjoying is actually Ben Rosen at Ben Underscore. 1301 01:03:54,160 --> 01:03:58,280 Speaker 1: Roseen tweeted John Wilson narrating the Zapruder film. So you 1302 01:03:58,400 --> 01:04:03,440 Speaker 1: decide to go for a drive, but not everyone thinks 1303 01:04:03,600 --> 01:04:06,600 Speaker 1: that's a good idea. 1304 01:04:06,840 --> 01:04:09,320 Speaker 2: Wow, dude, the delivery. 1305 01:04:08,760 --> 01:04:13,400 Speaker 1: On that, and Pat Tobin retweeted an image so I 1306 01:04:13,440 --> 01:04:15,040 Speaker 1: don't know who made this, but I think about it 1307 01:04:15,040 --> 01:04:17,680 Speaker 1: a lot, and it's a side by side the sky 1308 01:04:17,760 --> 01:04:20,800 Speaker 1: and scenic locations. It's just a blue sky the sky 1309 01:04:20,840 --> 01:04:25,280 Speaker 1: at grocery stores and it's like this gorgeous, dramatic cloud 1310 01:04:25,440 --> 01:04:28,720 Speaker 1: sunset which just resident like totally rang true to me. 1311 01:04:28,800 --> 01:04:33,080 Speaker 1: I've seen some of the greatest skies of my life 1312 01:04:33,120 --> 01:04:36,360 Speaker 1: doing the most boring, like mundane shit in my life 1313 01:04:36,400 --> 01:04:39,240 Speaker 1: and then you like go on vacation to someplace and 1314 01:04:39,280 --> 01:04:42,600 Speaker 1: it's just blue skies. So anyway, fuck blue skys, is 1315 01:04:42,640 --> 01:04:46,120 Speaker 1: what I'm saying. Wow, the shout out to grocery stores. 1316 01:04:46,520 --> 01:04:49,720 Speaker 1: You can find me on Twitter at Jack Underscore Obrien. 1317 01:04:49,800 --> 01:04:52,080 Speaker 1: You can find us on Twitter at daily Zeitgeist, where 1318 01:04:52,080 --> 01:04:54,760 Speaker 1: at the Daily Zeitgeist on Instagram, we have a Facebook 1319 01:04:54,800 --> 01:04:57,280 Speaker 1: fan page and a website daily zekeeist dot com, where 1320 01:04:57,280 --> 01:05:00,800 Speaker 1: we post our episodes and our footnote we link off 1321 01:05:00,800 --> 01:05:03,040 Speaker 1: to the information that we talked about in today's episode, 1322 01:05:03,080 --> 01:05:05,480 Speaker 1: as well as a song that we think you might enjoy, 1323 01:05:06,200 --> 01:05:07,960 Speaker 1: Miles LIS's song do you think people might just. 1324 01:05:08,000 --> 01:05:10,600 Speaker 2: You know, something nice get us into the week. This 1325 01:05:10,760 --> 01:05:13,960 Speaker 2: is George ben j O R G E D E N. 1326 01:05:14,360 --> 01:05:18,400 Speaker 2: And this track is called Dominga's It's so dope. George 1327 01:05:18,440 --> 01:05:20,760 Speaker 2: Benn is one of my favorite Brazilian artists. I'll never 1328 01:05:21,280 --> 01:05:23,840 Speaker 2: I'll keep saying that every time someone asks me that, 1329 01:05:24,520 --> 01:05:27,280 Speaker 2: and his singing's fantastic, Like the beginning has like a 1330 01:05:27,360 --> 01:05:29,440 Speaker 2: really dope you know, like I feel like if I 1331 01:05:29,480 --> 01:05:32,720 Speaker 2: was sampling, i'd sample that first maybe twenty seconds. But anyway, 1332 01:05:32,840 --> 01:05:34,600 Speaker 2: Dominga's by George Benn. 1333 01:05:35,160 --> 01:05:37,200 Speaker 1: All right, we will look off to that in the footnotes. 1334 01:05:37,240 --> 01:05:39,160 Speaker 1: The Daily Guess is the production of by Heart Radio. 1335 01:05:39,200 --> 01:05:41,840 Speaker 1: For more podcasts from my Heart Radio, visit the iHeartRadio app, 1336 01:05:41,880 --> 01:05:44,320 Speaker 1: Apple podcast, or wherever you listen to your favorite shows. 1337 01:05:44,640 --> 01:05:46,440 Speaker 1: That's gonna do it for us this morning, back this 1338 01:05:46,480 --> 01:05:48,640 Speaker 1: afternoon to tell you what is trending, and we will 1339 01:05:48,680 --> 01:05:53,040 Speaker 1: talk to y'all that bite, say horny