WEBVTT - Get off that Phone (S4 E5 "The Fundamental Things Apply”)

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<v Speaker 1>I am all in that. I am all in with

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<v Speaker 1>Scott Patterson and I heart radio podcast. How's everybody doing?

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<v Speaker 1>So we're ready to Are we ready to go? Because

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<v Speaker 1>I like this episode. You know what, guys, I liked

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<v Speaker 1>it too, and I liked it a lot, and I

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<v Speaker 1>think John Stevens wrote one heck of a script and

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<v Speaker 1>NeiMa directed the hell out of it, and it was

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<v Speaker 1>just I want to see it again. Wait, was this

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<v Speaker 1>Adam Nimoy back again? No, Nonnima Barnett directed this, and

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<v Speaker 1>I just thought it was as good as it gets

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<v Speaker 1>for this show. Yeah, I felt very Gilmoury to me.

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<v Speaker 1>It was just firing on all cylinders that Joe. Everything worked,

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<v Speaker 1>it was great. Everything was great. And I will say

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<v Speaker 1>Lauren Graham looked fantastic in this episode. No, no, you

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<v Speaker 1>talk about the fashion, but I kept noticing the fashion

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<v Speaker 1>and I'm like, oh my god. I mean the dress

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<v Speaker 1>and the leather jacket were a knockout. But yeah, what

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<v Speaker 1>do you call that? What do you call argyle? That argyle?

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<v Speaker 1>Sweater sleeves, like the like the sweater vest. I'm literally

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<v Speaker 1>so happy you're mentioning this. But she looked fantastic. I

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<v Speaker 1>thought the wardrobe and not that she never she always does. Right,

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<v Speaker 1>you are a thousand percent correct. I was fully taken

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<v Speaker 1>up a notch even I noticed this Tracy Lords, which

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<v Speaker 1>will get to her turquoise necklace amazing, and then Suki

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<v Speaker 1>had these turquoise earrings. So I don't know what was

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<v Speaker 1>going on with the wardrobe. Looralized fashion was so epic

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<v Speaker 1>that write. The dress was amazing, her hair was amazing,

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<v Speaker 1>her face was amazing. The gold necklace with the little

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<v Speaker 1>circle that I love back again. I mean I'm into

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<v Speaker 1>Rory's hair, the whole thing. Yeah, I mean everything everything

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<v Speaker 1>about it worked anyway, So let's um, I think I'm

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<v Speaker 1>hearing a big sigh of relief. Well, yeah, I think

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<v Speaker 1>the people will be happy. I was really needing a

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<v Speaker 1>great episode. I really wanted a great episode. It's it's

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<v Speaker 1>traumatizing not to like an episode. It's it is it's

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<v Speaker 1>I don't like not liking it, you know, I want

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<v Speaker 1>to love it because I love the show. I really

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<v Speaker 1>do overall. Um, I mean, my just on on that.

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<v Speaker 1>It's like even when you when you don't like it,

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<v Speaker 1>it's still better than most episodes of television. Oh, no question,

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<v Speaker 1>no questions, Like even the worst ones are better than

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<v Speaker 1>like half the other shows we watched three quarters all right,

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<v Speaker 1>So who's gonna synopsize? I think Danielle is on the road, right,

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<v Speaker 1>she's traveling on the East coast. Yes. Oh, speaking of

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<v Speaker 1>being on the road, I will be appearing at the

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<v Speaker 1>Rhode Island Comic Con okay uh November four through six

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<v Speaker 1>in Providence at the Rhode Island Convention Center. And I

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<v Speaker 1>think they're called the Duncan Donuts. The biggest little state

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<v Speaker 1>in the Union, the biggest, the biggest, the biggest event

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<v Speaker 1>in the smallest state. Uh. And so that's Rhode and

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<v Speaker 1>Comic Con. Come on by. I'll be there all weekend

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<v Speaker 1>November four or six. Can't wait. It's my only appearance

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<v Speaker 1>in the United States in the fall winter season at

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<v Speaker 1>one of these conventions. I don't think you better. One

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<v Speaker 1>of our one of our podcast hosts from The Bachelor,

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<v Speaker 1>Ashley I Connetti Um, owns a coffee shop in Rhode Island.

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<v Speaker 1>It's called Audrey's. You should stop by get out of town.

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<v Speaker 1>How long does it take to get from the end

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<v Speaker 1>of Rhode Island to another Like it couldn't be more

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<v Speaker 1>than an hour? Right? Well, if she's improvid. She in Providence.

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<v Speaker 1>I don't know, Tara, what town is it in? I

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<v Speaker 1>don't know, We don't know. But it's the smallest it's

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<v Speaker 1>it's literally the smallest state. How how far could anything be? Sure?

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<v Speaker 1>Should I road trip it to her? If I can

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<v Speaker 1>do it, I'll do it. I'll do it. Yeah, Yeah,

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<v Speaker 1>we'll find out by the end of the show. We'll

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<v Speaker 1>find out. All right, cool anyway, Tara synopsize away? Please

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<v Speaker 1>all right? This is season four, episode five, The Fundamental

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<v Speaker 1>Things Apply. This aired on October two thousand three. Rory

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<v Speaker 1>goes on a date but realizes she doesn't know how

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<v Speaker 1>to date. Luke is annoyed at Laura la because she's

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<v Speaker 1>doing all her work at the diner and is upset

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<v Speaker 1>about baseball tickets, so Loria I invites him over for

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<v Speaker 1>movie night. Meanwhile, she has a dilemma with an interior

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<v Speaker 1>designer they've hired for the Dragonfly in God it's so good.

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<v Speaker 1>So it starts out with a bearing with the bulbs

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<v Speaker 1>right bad, gives laurea lay some ball albs and gets

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<v Speaker 1>her into gardening as a way to fulfill her empty

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<v Speaker 1>nest syndrome. And it was really hysterical. Rory comes back

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<v Speaker 1>and they squeal and they scream because the bulb got

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<v Speaker 1>on her and made her. And we also immediately know

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<v Speaker 1>it's Halloween because the town is looking good, which is

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<v Speaker 1>like perfect timing because Halloween is here. Unbelievable. I was like,

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<v Speaker 1>this felt really like great timing. We're right on track.

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<v Speaker 1>How did we do claimed it? So it was a

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<v Speaker 1>really cute opening scene. Yeah, this opening scene was for

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<v Speaker 1>me what I love compared to the yelling of the alarm.

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<v Speaker 1>But we won't mention the episode that I'll take the

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<v Speaker 1>bulbs over the alarm any day as well. But it

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<v Speaker 1>was a really cute scene. It was nice to see

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<v Speaker 1>them together and it was laughing and squealing and acting

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<v Speaker 1>like kids and being grossed out by things. And the

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<v Speaker 1>bat was epically Sally's draw. There's sighting, uh, and she

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<v Speaker 1>always delivers the best of the best comedy. Uh, coming

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<v Speaker 1>out of your yingang. I love that. I know I'm

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<v Speaker 1>getting ahead of the best lines. But she says color

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<v Speaker 1>coming out of your yinging? And did you hear Rory

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<v Speaker 1>saying maybe you'll get a man right right? I think

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<v Speaker 1>I missed that. Oh my god, it was so good.

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<v Speaker 1>But that's good because that that's the theme of you know,

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<v Speaker 1>it's kind of the theme of the episode. Right, it's

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<v Speaker 1>like trying to get a dude. Um. And when I

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<v Speaker 1>wasn't I wasn't mad when we went back to Yale, No, no, no,

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<v Speaker 1>I thought Yale was wonderful stuff because they established uh

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<v Speaker 1>Janet's character, they established ton a little more. We go

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<v Speaker 1>into the dining hall and there's other people, characters, and

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<v Speaker 1>it's it's you know, she meets all the other you know,

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<v Speaker 1>what's his face, what's his name? The naked with Marty, Marty,

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<v Speaker 1>Marty's friend is in the whole thing, and yeah, it's

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<v Speaker 1>like I felt like I was at a real place

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<v Speaker 1>and here we get to see the inside and it

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<v Speaker 1>was it was just alway. I actually wrote a note,

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<v Speaker 1>I'm happy to be back at school, right, yeah, right,

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<v Speaker 1>noticed this is the second time Marty's mentioned his brother.

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<v Speaker 1>Oh yeah, yeah, I just I was like, why are

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<v Speaker 1>we talking about his brother? Because maybe I forgot do

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<v Speaker 1>we know who his brother is? Yeah? She Marty mentioned

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<v Speaker 1>his older brother. Um, the piece of chicken that he

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<v Speaker 1>he would get the bigger pieces of chicken, right, so

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<v Speaker 1>he would actually never get he would never get the

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<v Speaker 1>good pieces right, and he mentioned the brother when he

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<v Speaker 1>was naked, like this is more embarrassing than anything my

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<v Speaker 1>brother has ever done, or something like yeah. So in

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<v Speaker 1>that moment, I was like, do we ever see Marty's

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<v Speaker 1>brother because it was just twice in a row. Do

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<v Speaker 1>we know that the brother goes to Yale or no?

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<v Speaker 1>I don't know. I don't know. It's forty minutes from Providence.

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<v Speaker 1>It's the coffee up is forty minutes from Providence. That's

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<v Speaker 1>like nothing. We're on a tight schedule. We're we're in

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<v Speaker 1>a really tight schedule. It's super tight. All Right, you

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<v Speaker 1>can go next time you're in Rhoda. All right, thanks,

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<v Speaker 1>appreciate that. Um so what did you think of going

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<v Speaker 1>to the cafeteria? First of all, I love that she's like,

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<v Speaker 1>breakfast ends in five minutes. Well, I like, you know,

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<v Speaker 1>Paris enters the scene screaming and it's it's jarring and

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<v Speaker 1>it should be because Rory's supposed to be asleep. And

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<v Speaker 1>then she comes in screaming and wakes her up and

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<v Speaker 1>you didn't wake me up, and she missed the waffle

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<v Speaker 1>waffle bar day and the whole thing, and you know,

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<v Speaker 1>it's full bar day and nothing I mean, she's just

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<v Speaker 1>like that was happy that it wasn't like you dropped

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<v Speaker 1>my alarm I'm late for class, because that would have

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<v Speaker 1>been like the fact. Once I realized, oh, she doesn't

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<v Speaker 1>want to miss the end of breakfast, it became much

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<v Speaker 1>more enjoyable and funny to me. Food is so important

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<v Speaker 1>to the Gilmore family. So right, uh so now we're

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<v Speaker 1>so now we're in the commissary and we do she

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<v Speaker 1>meets the breakfast crew, which I don't know why she

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<v Speaker 1>didn't just sit down with them. I was a little bombed.

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<v Speaker 1>I'm like, those dudes are fun and cute. She was embarrassed.

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<v Speaker 1>I guess, well, I also don't think i'd want to

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<v Speaker 1>sit down in my robe and pajamas with a group

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<v Speaker 1>of guys right with their bunny slippers. I'd rather I'd

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<v Speaker 1>rather just like crawling in a hole and no one

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<v Speaker 1>noticed me, like if I was, and she was just

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<v Speaker 1>gonna jump in, and Marty was being sort of nice.

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<v Speaker 1>I don't know, I wonted her to like join in

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<v Speaker 1>a bit more. Yeah, but like her and Marty are

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<v Speaker 1>in a different level like that, you know, like she's

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<v Speaker 1>seen him naked already. I think Marty sees it as

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<v Speaker 1>maybe a potential dating situation, and she doesn't. Right, do

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<v Speaker 1>you think maybe that's a dynamic there? Maybe that's what

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<v Speaker 1>I yeah, I mean, or or I don't know, or

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<v Speaker 1>something sort of like off with them still, But I

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<v Speaker 1>was like, the breakfast crew looks cute, and first of all,

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<v Speaker 1>they all seemed kind of recognizable to me. I'm like,

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<v Speaker 1>are all these dudes famous? And then uh, it seems

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<v Speaker 1>fun eat their eggs or whatever. Yeah, but you eat

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<v Speaker 1>their eggs. She looks kind of crappy in college. You

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<v Speaker 1>don't want to sit down with a bunch of dudes,

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<v Speaker 1>I mean casual breakfast. Yeah, but that's Rory. She's you know,

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<v Speaker 1>she's naturally shown kind of set up like the whole

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<v Speaker 1>episode too, like, you know, get yourself out there. Definitely

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<v Speaker 1>m hm m h m. All right, and then where

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<v Speaker 1>do we go next to the diner? So now we

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<v Speaker 1>see Lorelai who's turned the diner into her office. Janes

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<v Speaker 1>there's cook Janes kind of busting at the scenes and

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<v Speaker 1>we don't know why. Um so she's on her cell phone.

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<v Speaker 1>He runs her out of there, and the funny part

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<v Speaker 1>of it is she does the entire phone call on

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<v Speaker 1>the way out never gets out the door. The phone

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<v Speaker 1>call ends at the door, she comes back in. Did

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<v Speaker 1>you please tell me you guys noticed that the background

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<v Speaker 1>actor with the burger though, no, you got okay, anybody

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<v Speaker 1>listening to me a favor, go right back to this

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<v Speaker 1>scene and we will do it for you too. On Instagram.

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<v Speaker 1>You gotta zoom in on the dude with the burger.

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<v Speaker 1>I mean, he was almost like heat because of the

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<v Speaker 1>way the camera was. It was more him than you guys,

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<v Speaker 1>and burger just gigantic. And then he you can tell

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<v Speaker 1>he doesn't want to take a bike because it'll wreck

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<v Speaker 1>the like continuity, so he's sort of tapping it. You guys,

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<v Speaker 1>somebody's got to pull up the scene. You must put

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<v Speaker 1>it on Instagram because I know they're trying to get

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<v Speaker 1>the scene. I'm gonna I'm gonna watch this episode later.

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<v Speaker 1>Anyhow could anyone miss it? I don't know. I did.

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<v Speaker 1>I didn't. I didn't see it because we're not supposed

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<v Speaker 1>to notice it. So you must have been like in

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<v Speaker 1>the action with luc Lorelei and I just was like,

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<v Speaker 1>what's going on with that dude? Well, I couldn't take

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<v Speaker 1>my eyes off of her. You know, he taps it

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<v Speaker 1>almost and then he's trying to talk fake talk to

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<v Speaker 1>the person acrossroom him. You guys, it was an epic

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<v Speaker 1>background actress actor moment. Oh, oh it's happening. Here we go,

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<v Speaker 1>it's right there. Did you see that the burger? Watch

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<v Speaker 1>watch the burger in the back hold on, so look

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<v Speaker 1>at his burger comes up, whole burger. But he knows

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<v Speaker 1>I can't take a bite of this. How to do

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<v Speaker 1>something on the see is it? Is it a fake burger? No? No,

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<v Speaker 1>those are real burgers. He tapped it. What's who doesn't

0:13:09.200 --> 0:13:14.280
<v Speaker 1>do a burger tap? That's like everybody listening. When he

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<v Speaker 1>was holding the burger and he took a drink of

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<v Speaker 1>his soda, never said never, he didn't take the burger.

0:13:19.360 --> 0:13:20.880
<v Speaker 1>He but he took it. He was holding the burg

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<v Speaker 1>with both and now and now he's like flailing it

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<v Speaker 1>around in the background for the rest of the scene,

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<v Speaker 1>like he's talking with the burger. I'm eating a burger

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<v Speaker 1>and wait for it. Now it's going to come up again. Yeah,

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<v Speaker 1>he's never taking a bite that. That's the same dude. Yeah,

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<v Speaker 1>he's he's a burger waiver. It's a pretty big it's

0:13:42.640 --> 0:13:46.640
<v Speaker 1>a pretty big burger. Burger waver. He's not a burger eater. Look,

0:13:46.800 --> 0:13:49.600
<v Speaker 1>then the girl left him. She went to get the mustard.

0:13:50.520 --> 0:13:53.520
<v Speaker 1>There's so much action, and now he doesn't have the burger.

0:13:54.080 --> 0:13:57.000
<v Speaker 1>I think it's down, and he's wife rubbing his hands

0:13:57.280 --> 0:14:02.400
<v Speaker 1>a lot of mustard. Oh my god, now he's putting O. Wait,

0:14:02.440 --> 0:14:06.719
<v Speaker 1>now the girl's gone, is she? There is so much

0:14:06.760 --> 0:14:13.920
<v Speaker 1>action happening with that couple. I can't get enough. Oh, Bravo, bravo.

0:14:14.080 --> 0:14:20.200
<v Speaker 1>Background nice All right? Well, uh, anyway, who knew there

0:14:20.240 --> 0:14:25.480
<v Speaker 1>was far more interesting stuff happening behind It's Michelle's cheap

0:14:25.560 --> 0:14:32.720
<v Speaker 1>days and uh, funny moment to take him somewhere else,

0:14:32.920 --> 0:14:35.160
<v Speaker 1>get him out of here. He wanted he wanted to

0:14:35.160 --> 0:14:39.760
<v Speaker 1>know the ingredients of the chocolate, the chocolate. But I

0:14:39.840 --> 0:14:43.400
<v Speaker 1>also loved this. You're right, Scott. This episode had such

0:14:43.480 --> 0:14:45.440
<v Speaker 1>good writing because I love when he goes oh, I

0:14:45.480 --> 0:14:47.920
<v Speaker 1>love doing research for the sake of doing research, because

0:14:47.920 --> 0:14:49.440
<v Speaker 1>he's done all his work for her, and she's like, oh,

0:14:49.480 --> 0:14:56.720
<v Speaker 1>I found somebody. I was even like, yeah, important question

0:14:56.760 --> 0:15:01.800
<v Speaker 1>for you, Scott. Are you feeling better about phone calls?

0:15:01.960 --> 0:15:05.960
<v Speaker 1>Because in this episode there were two, at least two

0:15:06.080 --> 0:15:10.560
<v Speaker 1>amazingly perfect phone calls one right here where Emily calls,

0:15:11.560 --> 0:15:14.120
<v Speaker 1>and then later on during the date, I mean, come

0:15:14.160 --> 0:15:17.080
<v Speaker 1>on that phone call. They they work, They work beautifully.

0:15:17.080 --> 0:15:19.400
<v Speaker 1>The phone calls work beautiful because there's so much going

0:15:19.480 --> 0:15:24.320
<v Speaker 1>on in person that the phone calls provide a kind

0:15:24.320 --> 0:15:28.720
<v Speaker 1>of a welcome sad drama. But then you're like, oh,

0:15:28.760 --> 0:15:30.360
<v Speaker 1>are they going to get back to the scene after

0:15:30.400 --> 0:15:33.560
<v Speaker 1>the phone call and continue that banter? So yes, it

0:15:33.600 --> 0:15:36.960
<v Speaker 1>all worked. It was the perfect use of phone calls, Yes,

0:15:37.040 --> 0:15:39.240
<v Speaker 1>because it kind of gave you like almost a breather

0:15:39.440 --> 0:15:43.600
<v Speaker 1>and everything that's happening that you're like, okay, yeah, I

0:15:43.680 --> 0:15:46.360
<v Speaker 1>actually wish some of these scenes were longer. There were

0:15:46.360 --> 0:15:48.680
<v Speaker 1>scenes in this episode where I'm like, oh, wait, what

0:15:48.840 --> 0:15:52.000
<v Speaker 1>we're moving on already at more? Yeah, exactly as I

0:15:52.040 --> 0:15:55.720
<v Speaker 1>felt the same way. It was really fast paced, really great.

0:15:56.440 --> 0:16:00.320
<v Speaker 1>They just packed so much stuff into every scene. All

0:16:00.360 --> 0:16:04.800
<v Speaker 1>the great line that Lorelai should be rs V ping

0:16:04.840 --> 0:16:14.760
<v Speaker 1>for Friday night dinner. I do, yeah, I mean, I

0:16:14.800 --> 0:16:16.960
<v Speaker 1>mean I don't know. My My take on it was

0:16:17.040 --> 0:16:21.560
<v Speaker 1>like really just needs to like let it go, you

0:16:21.560 --> 0:16:24.120
<v Speaker 1>know what I mean, Like, like it is what it is,

0:16:24.320 --> 0:16:26.680
<v Speaker 1>it's Frida night dinner, it's you it's your parents house.

0:16:26.760 --> 0:16:29.240
<v Speaker 1>It's not like you know, if you can't make it,

0:16:29.320 --> 0:16:31.240
<v Speaker 1>that's fine, just call her. I mean she already didn't.

0:16:31.960 --> 0:16:34.160
<v Speaker 1>I could throw on a couple of extra lamb shops.

0:16:35.400 --> 0:16:38.040
<v Speaker 1>Come on, they have plenty of food at that house. Yeah,

0:16:38.080 --> 0:16:41.800
<v Speaker 1>I mean they're not making it there, sure right? What

0:16:41.840 --> 0:16:44.440
<v Speaker 1>did you guys think Emily with the ponytail? I like it? Yeah,

0:16:44.480 --> 0:16:49.640
<v Speaker 1>I liked everything about it. Really, boy, Emily, what an

0:16:49.640 --> 0:16:52.840
<v Speaker 1>episode for her? Yeah? Boy, she really took it in

0:16:52.880 --> 0:17:00.320
<v Speaker 1>the shorts, didn't. We will get to it. But the

0:17:00.320 --> 0:17:04.400
<v Speaker 1>other thing that I thought was so relatable, especially today,

0:17:04.760 --> 0:17:08.000
<v Speaker 1>this was almost like a premonition, you know, when you're

0:17:08.040 --> 0:17:11.400
<v Speaker 1>on the phone with someone and they're reading something, because

0:17:11.840 --> 0:17:13.800
<v Speaker 1>she's like, are you reading while talking? And I was

0:17:13.840 --> 0:17:18.160
<v Speaker 1>literally like most relatable thing ever. These days, everyone's trying

0:17:18.200 --> 0:17:20.000
<v Speaker 1>to talk on the phone and text at the same

0:17:20.040 --> 0:17:22.199
<v Speaker 1>time and they're not responding to you, and you know,

0:17:22.240 --> 0:17:25.320
<v Speaker 1>there's like a there's like a huh, you know what

0:17:25.359 --> 0:17:27.720
<v Speaker 1>I mean? What did you wait? What did you say?

0:17:27.840 --> 0:17:33.080
<v Speaker 1>What you say? Say it again. I've definitely done that.

0:17:35.520 --> 0:17:38.200
<v Speaker 1>I might have been caught doing that by Scott um

0:17:38.800 --> 0:17:44.119
<v Speaker 1>last pop culture, you do it a lot. I forgive

0:17:44.119 --> 0:17:46.000
<v Speaker 1>me though, because I know you've got you know, you're

0:17:46.320 --> 0:17:48.720
<v Speaker 1>so busy, you know you've got a million balls in here,

0:17:48.760 --> 0:17:51.080
<v Speaker 1>So I don't don't, I don't bust your chops about it.

0:17:51.800 --> 0:17:53.560
<v Speaker 1>Uh So, now we go back to Yale, which I

0:17:53.640 --> 0:17:56.840
<v Speaker 1>was again happy about, and that guy was a cutie

0:17:57.080 --> 0:18:00.000
<v Speaker 1>that tried to ask her out, do you eat the Trevor?

0:18:00.359 --> 0:18:07.880
<v Speaker 1>The Trevor? Yeah, he was very awkward, but I guess

0:18:08.040 --> 0:18:11.359
<v Speaker 1>I guess he was an appealing young man, wasn't he? Yes,

0:18:11.480 --> 0:18:15.800
<v Speaker 1>I wrote Rory W t F Like she was so

0:18:15.920 --> 0:18:22.040
<v Speaker 1>not picking up what he was putting down. Well, why,

0:18:24.160 --> 0:18:27.600
<v Speaker 1>I don't know. Maybe, I mean, look at who she's dated,

0:18:27.960 --> 0:18:32.760
<v Speaker 1>Dean and then Jess. I mean, now she's it's a

0:18:32.800 --> 0:18:36.359
<v Speaker 1>whole different breed of cat over there, which in in

0:18:36.440 --> 0:18:39.639
<v Speaker 1>the next scene, lore I does say you didn't date them,

0:18:39.680 --> 0:18:43.000
<v Speaker 1>you were in a relationship with them. Yeah, right, I

0:18:43.000 --> 0:18:45.080
<v Speaker 1>don't know that she's ever actually been like asked on

0:18:45.119 --> 0:18:48.760
<v Speaker 1>a date, but she dated them in the beginning. I mean,

0:18:48.800 --> 0:18:52.560
<v Speaker 1>it wasn't a full blow really well, not Jess, Well,

0:18:52.640 --> 0:18:55.000
<v Speaker 1>she dated Dean, it was. It wasn't a full blown

0:18:55.040 --> 0:18:58.480
<v Speaker 1>relationship right away, wasn't. No, that's right, it was sort

0:18:58.520 --> 0:19:01.680
<v Speaker 1>of remember that he was over for the move blurty. Yeah,

0:19:01.680 --> 0:19:06.399
<v Speaker 1>I mean what a date with LORELEI? Right, yeah, I

0:19:06.400 --> 0:19:11.959
<v Speaker 1>would say my only criticism, buckle up, everybody, was it

0:19:12.000 --> 0:19:15.119
<v Speaker 1>was a little too fast and frenetic for me with Lane.

0:19:15.640 --> 0:19:19.080
<v Speaker 1>Oh thanks for the pizza actually, but that okay. But

0:19:19.160 --> 0:19:21.720
<v Speaker 1>that actually worked because she, you know, she had to

0:19:21.720 --> 0:19:24.880
<v Speaker 1>do her little version of a speed date friendship date

0:19:24.880 --> 0:19:27.159
<v Speaker 1>with Rory and get the heck back because you know,

0:19:27.240 --> 0:19:31.680
<v Speaker 1>the ochra was drying out or something. And I did

0:19:31.720 --> 0:19:33.879
<v Speaker 1>think it was a funny reference that Mrs Kim has

0:19:33.880 --> 0:19:36.880
<v Speaker 1>been doing a lot of internet ordering. Respect Mrs Kim.

0:19:36.920 --> 0:19:41.680
<v Speaker 1>I'm all about the Internet myself, right, So yeah, I

0:19:41.880 --> 0:19:45.119
<v Speaker 1>just could have used a little bit more late. I

0:19:45.240 --> 0:19:47.359
<v Speaker 1>liked what we got. I liked what we got. She

0:19:47.440 --> 0:19:51.280
<v Speaker 1>was she was, She was just perfect pitch. I thought,

0:19:51.520 --> 0:19:53.240
<v Speaker 1>you know, I had a couple of bites since she

0:19:53.320 --> 0:19:57.359
<v Speaker 1>was out of there, bye, you know, how do you

0:19:57.400 --> 0:19:59.720
<v Speaker 1>feel about the war that is brewing between Janet and

0:19:59.760 --> 0:20:03.960
<v Speaker 1>paris Us. I thought that was great and I thought

0:20:04.000 --> 0:20:07.160
<v Speaker 1>that Janet really uh stood up for herself and held

0:20:07.200 --> 0:20:09.920
<v Speaker 1>her own and I was like, oh, yeah, that's our girl. Man.

0:20:09.960 --> 0:20:13.080
<v Speaker 1>We just interviewed her. She's she's gonna like put a

0:20:13.160 --> 0:20:15.919
<v Speaker 1>thumping on old Paris, like she better watch out. You know.

0:20:16.400 --> 0:20:18.800
<v Speaker 1>She just said, you know, I I am, after all,

0:20:18.920 --> 0:20:22.159
<v Speaker 1>on partial scholarship. You know, don't embellish with all the

0:20:22.160 --> 0:20:24.880
<v Speaker 1>balls I have. There's one ball, you know, right right

0:20:25.000 --> 0:20:30.439
<v Speaker 1>right right? Um? So yeah, I like that dynamic. I

0:20:30.440 --> 0:20:33.200
<v Speaker 1>want to see more of that because that's good conflict

0:20:33.240 --> 0:20:36.119
<v Speaker 1>between those and all right, I enjoy everything with Tana too. Okay,

0:20:36.160 --> 0:20:39.400
<v Speaker 1>So I jumped a tin of it ahead. So this

0:20:39.520 --> 0:20:44.720
<v Speaker 1>is where lore La addresses to Rory, like you saw

0:20:44.760 --> 0:20:46.879
<v Speaker 1>Marty and she says he's sweet, and she's like, does

0:20:46.920 --> 0:20:50.240
<v Speaker 1>he have a bad but like any guys on the horizon, notpe.

0:20:50.480 --> 0:20:55.320
<v Speaker 1>So they're sort of having this conversation about boys and

0:20:55.400 --> 0:20:58.680
<v Speaker 1>he's preppy. And remember she judges him for carrying the

0:20:58.680 --> 0:21:02.080
<v Speaker 1>bottle of water. Not Marty, but the other guy she

0:21:02.680 --> 0:21:08.000
<v Speaker 1>carrying a bottle of water. She says he carries She says, um,

0:21:08.040 --> 0:21:10.359
<v Speaker 1>he's decent to look at, but he carries a bottle

0:21:10.400 --> 0:21:17.200
<v Speaker 1>of water around. It's weird. Now everyone cares. Now Rory

0:21:17.280 --> 0:21:22.680
<v Speaker 1>says that right, sah, no, you can't do that hydration? Yeah, bad, right,

0:21:22.760 --> 0:21:25.320
<v Speaker 1>She says that about Trevor right, because she tells her mom,

0:21:27.400 --> 0:21:29.960
<v Speaker 1>Now it's like such a thing with like the Stanley,

0:21:30.119 --> 0:21:33.240
<v Speaker 1>the Stanley cups and like the hydro flask. Oh my god.

0:21:33.280 --> 0:21:36.480
<v Speaker 1>I saw this TikTok where this woman is talking about

0:21:36.480 --> 0:21:38.040
<v Speaker 1>growing up in the eighties and she's like, we never

0:21:38.080 --> 0:21:41.159
<v Speaker 1>had water, like never, and we didn't die, Like we

0:21:41.240 --> 0:21:47.159
<v Speaker 1>totally live by the way. I literally have a I

0:21:47.240 --> 0:21:49.159
<v Speaker 1>have one next to meet. But now that we know

0:21:49.240 --> 0:21:52.600
<v Speaker 1>how important being hydrated is, you know, it's like we've

0:21:52.640 --> 0:21:56.920
<v Speaker 1>adapted as a species to but especially in colleges now,

0:21:57.040 --> 0:21:59.040
<v Speaker 1>like I feel like everyone does carry around like a

0:21:59.080 --> 0:22:03.400
<v Speaker 1>hydroflask totally. Yeah, as maybe the water supply in each

0:22:03.720 --> 0:22:08.680
<v Speaker 1>city and town, like no one really has plastic bottles. Now,

0:22:09.640 --> 0:22:12.119
<v Speaker 1>we'd have a weird tangent. When you were on Gilmour Girls,

0:22:12.480 --> 0:22:15.399
<v Speaker 1>was there something that like you loved to have in

0:22:15.440 --> 0:22:19.040
<v Speaker 1>your dressing room? Like that was your what's your number

0:22:19.080 --> 0:22:21.600
<v Speaker 1>one thing that you like? You know how most celebrities

0:22:21.600 --> 0:22:25.199
<v Speaker 1>have like a fruit platter and peria or whatever, Like

0:22:25.240 --> 0:22:28.200
<v Speaker 1>what's what was your thing? I mean they would stock

0:22:28.280 --> 0:22:32.359
<v Speaker 1>their refrigerator with with water, and uh, I liked orange

0:22:32.440 --> 0:22:36.520
<v Speaker 1>juice and apple juice and cranberry juice, juices. You're a

0:22:36.640 --> 0:22:39.679
<v Speaker 1>juice man. A lot of a lot of sugar in

0:22:39.720 --> 0:22:43.800
<v Speaker 1>that their carrot juice. Oh no, that's good for you.

0:22:43.880 --> 0:22:48.800
<v Speaker 1>That's good. Did you ever take I guess character could

0:22:48.800 --> 0:22:51.879
<v Speaker 1>take a sip of something pretty easily in the diner,

0:22:52.880 --> 0:22:57.359
<v Speaker 1>drink a little drink or that's not I never, I

0:22:57.400 --> 0:23:01.720
<v Speaker 1>don't remember drinking anything in the dinner. Let's do busy working. Yes,

0:23:03.119 --> 0:23:08.159
<v Speaker 1>it was in between takes. You take your little steps. Um,

0:23:08.200 --> 0:23:12.600
<v Speaker 1>all right, let's see here. But I love the fact

0:23:12.640 --> 0:23:16.280
<v Speaker 1>that they introduced uh and I we're going back to Trevor.

0:23:16.320 --> 0:23:18.879
<v Speaker 1>But I love the fact that they're discussing Hemingway and

0:23:18.880 --> 0:23:22.480
<v Speaker 1>they're they're discussing uh. I guess that's for whom the

0:23:22.520 --> 0:23:26.200
<v Speaker 1>bell tolls. That all went over my head. There was

0:23:26.240 --> 0:23:29.000
<v Speaker 1>a few things in this so went over my head,

0:23:29.040 --> 0:23:31.879
<v Speaker 1>even that, Um yeah, in that class, that professor's talking

0:23:31.880 --> 0:23:35.600
<v Speaker 1>and it was like to me, I was like, I

0:23:35.640 --> 0:23:38.639
<v Speaker 1>don't know that, did you. I didn't know what that

0:23:38.640 --> 0:23:42.639
<v Speaker 1>guy was talking about. The teacher, the professor. It was.

0:23:43.240 --> 0:23:46.439
<v Speaker 1>It was a good discussion of the novel, the basic

0:23:46.520 --> 0:23:51.640
<v Speaker 1>themes of the novel. Um. Anyway, So wait, sidebar really quick.

0:23:53.280 --> 0:23:57.720
<v Speaker 1>Is one of the Breakfast Crew named Sugarman. When you

0:23:57.800 --> 0:24:00.480
<v Speaker 1>texted that last night, I was like, I no idea

0:24:00.520 --> 0:24:03.040
<v Speaker 1>what that? Okay, So there's an actor in this episode

0:24:03.119 --> 0:24:05.600
<v Speaker 1>named Adam Shapiro, and obviously I already hit him up.

0:24:05.640 --> 0:24:08.720
<v Speaker 1>He's coming on with us. His character is named Sugarman.

0:24:08.920 --> 0:24:11.240
<v Speaker 1>And for anyone, I'm not making it about me, save

0:24:11.280 --> 0:24:15.560
<v Speaker 1>your letters, but my last name Sugarman. So we got

0:24:15.560 --> 0:24:17.840
<v Speaker 1>to talk to that dude. But I can't figure out

0:24:17.840 --> 0:24:19.800
<v Speaker 1>who he is. He must have been in the Breakfast crew.

0:24:20.560 --> 0:24:27.800
<v Speaker 1>M hmm, we'll find out. You think Amy Palladino is

0:24:28.520 --> 0:24:33.440
<v Speaker 1>giving a nod to you in the future. I was,

0:24:34.320 --> 0:24:37.399
<v Speaker 1>first of all, wait, another funny line though there's like

0:24:37.440 --> 0:24:40.800
<v Speaker 1>a thousand there's thousands of because she says, you're you know,

0:24:40.920 --> 0:24:43.439
<v Speaker 1>something about like I'm not the world's best dater, but

0:24:43.520 --> 0:24:45.840
<v Speaker 1>I do it, and then like Rory storms off and

0:24:45.880 --> 0:24:52.480
<v Speaker 1>she's all, did I win? Everything is so good? Yeah,

0:24:52.520 --> 0:24:57.680
<v Speaker 1>it's it's really good. So Scott, do you remember? So

0:24:58.640 --> 0:25:01.920
<v Speaker 1>now we meet Natalie Zimmer in her beautiful, perfect turquoise

0:25:02.000 --> 0:25:07.520
<v Speaker 1>necklace is lovely. Immediately I was like, she's lovely and beautiful.

0:25:07.840 --> 0:25:11.560
<v Speaker 1>I know her who is that? Well, you know, that's

0:25:11.600 --> 0:25:16.479
<v Speaker 1>Tracy Lords. I did my I was on the verge

0:25:16.840 --> 0:25:21.920
<v Speaker 1>of going back to New York my first trip out

0:25:21.920 --> 0:25:25.800
<v Speaker 1>here to l A, because I was broke and I

0:25:25.880 --> 0:25:29.640
<v Speaker 1>had worn out my welcome on several people's couches. Right,

0:25:30.280 --> 0:25:31.520
<v Speaker 1>So I was going to head back to New York

0:25:31.560 --> 0:25:33.399
<v Speaker 1>because things weren't working out for me here. And I

0:25:33.480 --> 0:25:40.280
<v Speaker 1>got a film, uh, playing Tracy Lord's husband. Yes, called

0:25:40.359 --> 0:25:44.840
<v Speaker 1>Intend to Kill like a PM entertainment straight later work.

0:25:45.560 --> 0:25:49.000
<v Speaker 1>Not her early work, no, right, right, right, right now.

0:25:49.000 --> 0:25:51.680
<v Speaker 1>It was legit acting work. It had nothing to do

0:25:51.800 --> 0:25:54.720
<v Speaker 1>with you know, her former career, right, no judgments, but

0:25:54.760 --> 0:26:00.479
<v Speaker 1>for people listening, Tracy Lords became very famous for her

0:26:00.520 --> 0:26:03.520
<v Speaker 1>work in the adult film film industry, right and and

0:26:03.560 --> 0:26:06.080
<v Speaker 1>then she ended up working with John waters On on

0:26:06.160 --> 0:26:09.480
<v Speaker 1>some of his films. And turns out she's a really

0:26:09.520 --> 0:26:13.720
<v Speaker 1>strong actress, you know, and really by yeah and cry

0:26:13.760 --> 0:26:17.240
<v Speaker 1>Baby and the whole thing and so um so. Anyway,

0:26:17.320 --> 0:26:20.840
<v Speaker 1>so she was I think producing that film and sort

0:26:20.840 --> 0:26:23.040
<v Speaker 1>of had the decision and she hired me to play

0:26:23.080 --> 0:26:26.360
<v Speaker 1>her husband. When so were you happy to see her?

0:26:26.359 --> 0:26:28.480
<v Speaker 1>Did you guys get to see each other? Oh? I

0:26:28.480 --> 0:26:30.480
<v Speaker 1>I had no idea. She was cast and when I

0:26:30.480 --> 0:26:32.520
<v Speaker 1>saw I was like, oh my god, how you doing? It?

0:26:32.840 --> 0:26:34.480
<v Speaker 1>Had been it had been a minute, you know, it's

0:26:34.520 --> 0:26:37.919
<v Speaker 1>been ten years at least. You actresses who worked in

0:26:37.960 --> 0:26:40.879
<v Speaker 1>adult films, who really was able to cross over and

0:26:40.920 --> 0:26:44.000
<v Speaker 1>do like mainstream acting. And she's excellent in this episode

0:26:44.119 --> 0:26:48.360
<v Speaker 1>and lovely. She took control of her life. She took

0:26:48.359 --> 0:26:51.840
<v Speaker 1>her control back and she you know, executed her game

0:26:51.880 --> 0:26:57.080
<v Speaker 1>plan and she's doing very very well. So good for her. Yeah.

0:26:57.080 --> 0:26:59.960
<v Speaker 1>So I thought she was perfectly cast as Natalie Zimmer

0:27:00.040 --> 0:27:02.119
<v Speaker 1>and I thought she was adorable. And that's where we

0:27:02.200 --> 0:27:05.040
<v Speaker 1>get Now we get the argyle sweater and the black

0:27:05.080 --> 0:27:09.040
<v Speaker 1>skirt and the leather jacket. Did we get it that soon? Oh?

0:27:09.119 --> 0:27:11.159
<v Speaker 1>Yes we do. Yeah, yeah she doesn't. We don't get

0:27:11.160 --> 0:27:13.200
<v Speaker 1>the leather jacket quite yet, but we get the argyle

0:27:13.240 --> 0:27:15.760
<v Speaker 1>sweater and the black skirt because she then walks through

0:27:15.800 --> 0:27:23.480
<v Speaker 1>town and we see Suki pregnant, really pregnant, right right right? Right? Um, yeah,

0:27:23.520 --> 0:27:28.960
<v Speaker 1>that's scene about the Jackson Jackson naming the baby Colgate.

0:27:31.440 --> 0:27:36.119
<v Speaker 1>I actually needed to rewind this. I was so confused.

0:27:36.240 --> 0:27:38.720
<v Speaker 1>Did she not say the baby's name is Davy? Davy?

0:27:38.800 --> 0:27:43.320
<v Speaker 1>It was Davy. Yes, but because but Jackson doesn't know.

0:27:43.600 --> 0:27:47.840
<v Speaker 1>He doesn't want to know, so she's just naming the baby. Well,

0:27:48.119 --> 0:27:51.320
<v Speaker 1>they agreed if it's a boy, and she wasn't letting

0:27:51.320 --> 0:27:54.240
<v Speaker 1>on that she that she knew, right, I mean she,

0:27:54.440 --> 0:27:57.520
<v Speaker 1>I mean, he knows that she knows, so, but she

0:27:57.560 --> 0:28:02.720
<v Speaker 1>didn't want to him herself into just a boy name

0:28:02.720 --> 0:28:04.720
<v Speaker 1>because then that would give away that she knew what

0:28:04.760 --> 0:28:06.840
<v Speaker 1>the sex of the baby was, because it weren't they

0:28:06.880 --> 0:28:10.320
<v Speaker 1>in this together, like they like, I don't want to know,

0:28:10.600 --> 0:28:13.080
<v Speaker 1>and she doesn't know. She's paying like she doesn't know too.

0:28:13.119 --> 0:28:15.440
<v Speaker 1>Write The part that I just was missing, and I

0:28:15.480 --> 0:28:17.679
<v Speaker 1>was like, do I need to rewind? This? Was that

0:28:19.000 --> 0:28:21.879
<v Speaker 1>she named the baby Davy. But wouldn't you wait? Okay?

0:28:21.920 --> 0:28:23.600
<v Speaker 1>So my head was like, wait, why are they just

0:28:23.640 --> 0:28:29.480
<v Speaker 1>not waiting? She she told that to Laurel. She didn't

0:28:29.520 --> 0:28:33.200
<v Speaker 1>tell that to Jackson. Now I get it. I'm so dumb.

0:28:33.280 --> 0:28:36.080
<v Speaker 1>And she said, no, no, it's not it's it was yeah,

0:28:36.480 --> 0:28:38.560
<v Speaker 1>but she said, if it's a girl, we're naming her

0:28:38.640 --> 0:28:42.320
<v Speaker 1>cold Gate. If it's a boy, let's do Davy, you know,

0:28:42.920 --> 0:28:44.720
<v Speaker 1>And she knows it's a boy. So she told Laura,

0:28:44.920 --> 0:28:46.800
<v Speaker 1>we're going to name it. It's Davy because he agreed

0:28:46.840 --> 0:28:49.600
<v Speaker 1>to that. I just realized I'm a complete idiot that

0:28:49.760 --> 0:28:53.120
<v Speaker 1>I didn't get that. They said, if it's a boy, this,

0:28:53.400 --> 0:28:57.560
<v Speaker 1>If it's a girl, so she knows, right, Oh my god,

0:28:58.000 --> 0:28:59.920
<v Speaker 1>Cold Gate, what kind of a name is your girl?

0:29:00.440 --> 0:29:02.960
<v Speaker 1>I was today years old when I realized, do you

0:29:03.040 --> 0:29:05.840
<v Speaker 1>worry much? I mean, you only work like eighteen hours

0:29:05.840 --> 0:29:11.000
<v Speaker 1>a day, right, is that it? Of course, if it's

0:29:11.000 --> 0:29:13.040
<v Speaker 1>a boy, this, if it's a girl this, and she

0:29:13.160 --> 0:29:18.640
<v Speaker 1>knows it's a boy. Oh my god, Hello, meet meet

0:29:18.840 --> 0:29:23.960
<v Speaker 1>Colgate Douglas. Colgate, Colgate Douglas would be her name. It

0:29:24.040 --> 0:29:27.600
<v Speaker 1>was a girl, because it's Jackson Douglas or Colgate St. James,

0:29:28.240 --> 0:29:32.720
<v Speaker 1>Colgate St. James Douglas. I like Davy. What her name?

0:29:32.840 --> 0:29:42.760
<v Speaker 1>Davy Douglas, Davy St. James. It works, It all works, Cyber.

0:29:42.880 --> 0:29:45.680
<v Speaker 1>The town looks amazing the way they do that. It's

0:29:45.760 --> 0:29:49.479
<v Speaker 1>just yeah, I actually noticed that too. It's really pretty.

0:29:50.720 --> 0:29:52.680
<v Speaker 1>It was. It was a nice place to work, and

0:29:52.760 --> 0:29:56.760
<v Speaker 1>we would often sit in the gazebo and relax and

0:29:56.760 --> 0:30:00.120
<v Speaker 1>on on cooler days. Right, that's so nice. Yeah, And

0:30:00.120 --> 0:30:02.680
<v Speaker 1>then we we we got good use out of that

0:30:02.720 --> 0:30:08.200
<v Speaker 1>gazebo just for saying Suki's hair looked amazing. Relies hair

0:30:08.240 --> 0:30:14.200
<v Speaker 1>looked amazing. Everybody looked so good in this episode. Just

0:30:14.240 --> 0:30:16.400
<v Speaker 1>a quick note on hair. Um. I don't know if

0:30:16.400 --> 0:30:20.360
<v Speaker 1>this is actually true. Someone someone said that in the

0:30:20.440 --> 0:30:22.920
<v Speaker 1>last episode when Rory cut her hair, she might have

0:30:22.920 --> 0:30:27.160
<v Speaker 1>been filming sister heard of the traveling pants. I saw that,

0:30:27.640 --> 0:30:29.480
<v Speaker 1>but I thought she looked good in this episode. I

0:30:29.520 --> 0:30:32.560
<v Speaker 1>really liked that she looked totally down with the short

0:30:32.560 --> 0:30:35.600
<v Speaker 1>hair because it makes her more collegiate. Like I feel like, Okay,

0:30:35.640 --> 0:30:39.480
<v Speaker 1>that was the high school Rory and now we've got college. Yeah. Yeah,

0:30:39.520 --> 0:30:41.160
<v Speaker 1>I feel like by the way, I feel like a

0:30:41.200 --> 0:30:43.720
<v Speaker 1>lot of girls do that, like they want something fresh,

0:30:43.720 --> 0:30:45.720
<v Speaker 1>they just chop it all off. So it made sense.

0:30:46.160 --> 0:30:48.000
<v Speaker 1>We saw lor I put the glasses on again in

0:30:48.040 --> 0:30:52.440
<v Speaker 1>this episode, so cute. It really went with the sweater

0:30:52.560 --> 0:30:58.240
<v Speaker 1>vest totally like I don't want to get kind of

0:30:58.280 --> 0:31:00.760
<v Speaker 1>weird Britney spears in this, but like the fact that

0:31:00.800 --> 0:31:03.280
<v Speaker 1>she had like the glasses and the argyle, but then

0:31:03.320 --> 0:31:06.480
<v Speaker 1>the short skirt. I was like, oh, this is so cute.

0:31:07.040 --> 0:31:10.640
<v Speaker 1>Maybe one more time, So okay, so we know now

0:31:10.760 --> 0:31:13.400
<v Speaker 1>I think I can't exactly remember exactly where, But we

0:31:13.440 --> 0:31:15.960
<v Speaker 1>also know that Rory has that scene with Trevor where

0:31:16.000 --> 0:31:20.400
<v Speaker 1>she you know, oh I could be hungry, you know,

0:31:20.520 --> 0:31:22.880
<v Speaker 1>gets him to ask her out like, oh you know

0:31:22.880 --> 0:31:27.080
<v Speaker 1>what I do I eat? Like m h very funny,

0:31:27.560 --> 0:31:29.800
<v Speaker 1>and then and then when he comes around, her last

0:31:29.840 --> 0:31:40.880
<v Speaker 1>line is, um, you're so persistent. Was very clever. Then

0:31:40.920 --> 0:31:44.440
<v Speaker 1>we realized that lor los everybody four thousand dollars and

0:31:44.480 --> 0:31:48.080
<v Speaker 1>that Luke has taken her messages, which was totally amusing

0:31:48.240 --> 0:31:51.400
<v Speaker 1>from yeah, yeah, he was a bit edgy, wasn't He

0:31:52.400 --> 0:31:54.680
<v Speaker 1>hadn't he yelled at poor head? And then we find

0:31:54.680 --> 0:32:00.760
<v Speaker 1>out why snapping at everybody snapping coming here again? Yeah, man,

0:32:02.040 --> 0:32:06.920
<v Speaker 1>just kind of it was kind of fun. Oh that's

0:32:06.920 --> 0:32:11.320
<v Speaker 1>not gonna you know. You know what I appreciate about it, though,

0:32:11.360 --> 0:32:14.920
<v Speaker 1>even though you kind of grading mcgrast, is that we're

0:32:14.960 --> 0:32:21.480
<v Speaker 1>not just pretending like the Nicole thing was Nicole, right, Yeah,

0:32:21.680 --> 0:32:24.320
<v Speaker 1>it was a cool We're not just pretending that that damaged.

0:32:24.600 --> 0:32:26.400
<v Speaker 1>Like the thing I like about Gilmore is that they're

0:32:26.440 --> 0:32:30.640
<v Speaker 1>actually saying, Okay, they're acknowledging it, you're bummed about it. Still,

0:32:30.720 --> 0:32:33.480
<v Speaker 1>we didn't just make it disappear, right, This is how

0:32:33.560 --> 0:32:37.960
<v Speaker 1>human beings feel, right, even though they're in the setting.

0:32:38.640 --> 0:32:41.240
<v Speaker 1>You know, there's got to be like an ouch factor here.

0:32:41.280 --> 0:32:43.520
<v Speaker 1>He's and he's only he's a little he's going through

0:32:43.520 --> 0:32:46.800
<v Speaker 1>those stages, right, So he's in one of his he's

0:32:46.800 --> 0:32:49.960
<v Speaker 1>in the angry stage. And nothing's more luke like than

0:32:50.040 --> 0:32:53.920
<v Speaker 1>not wanting to plan. And I that tracks, you know,

0:32:54.520 --> 0:32:57.760
<v Speaker 1>and we get it like it hurts you planned and

0:32:57.800 --> 0:33:05.400
<v Speaker 1>it burned you and your feelings are hurt right right? Um? Yeah,

0:33:05.840 --> 0:33:11.360
<v Speaker 1>I really want to resist commenting on the character so much.

0:33:11.400 --> 0:33:14.120
<v Speaker 1>You guys, comment on the character what you're We want

0:33:14.120 --> 0:33:17.880
<v Speaker 1>to know you are him. We want to hear what

0:33:17.960 --> 0:33:24.160
<v Speaker 1>you have to say. You can take some mean bleep

0:33:24.200 --> 0:33:28.920
<v Speaker 1>on Instagram. You know. At first, no, no, no, it's

0:33:28.960 --> 0:33:32.680
<v Speaker 1>not that, it's it's you know, at first, I thought,

0:33:32.720 --> 0:33:35.640
<v Speaker 1>oh god, you know, he's it's a little too snappy.

0:33:35.920 --> 0:33:38.800
<v Speaker 1>It's a little too it's like too much anger at her.

0:33:39.160 --> 0:33:41.200
<v Speaker 1>And it's not like that's not funny. But why did

0:33:41.240 --> 0:33:43.280
<v Speaker 1>I laugh that? You know, I thought it was funny.

0:33:44.680 --> 0:33:46.600
<v Speaker 1>I thought it was just it was in character for

0:33:46.760 --> 0:33:49.880
<v Speaker 1>little I thought, so, okay, I agree, I agree because

0:33:49.880 --> 0:33:52.640
<v Speaker 1>because I got judge with myself and I go, oh, jeez,

0:33:52.720 --> 0:33:55.440
<v Speaker 1>you now you're going after Laurelai the way you came

0:33:55.520 --> 0:33:58.360
<v Speaker 1>but known as a grump. So it wasn't like, you know,

0:33:58.760 --> 0:34:00.640
<v Speaker 1>she keeps up with you could show and then she

0:34:00.680 --> 0:34:03.640
<v Speaker 1>says Benji and she says lastie. And then the thing

0:34:03.720 --> 0:34:07.280
<v Speaker 1>I like is you tell her what's really going on. Yeah,

0:34:08.400 --> 0:34:12.760
<v Speaker 1>that's a relationship like you're allowed to be like because

0:34:12.800 --> 0:34:15.000
<v Speaker 1>then you say, here's what's going on and then she says,

0:34:15.000 --> 0:34:17.680
<v Speaker 1>you know what, come over for a movie. They are

0:34:17.920 --> 0:34:20.880
<v Speaker 1>really good friends. Yeah, it was nice. It was a

0:34:20.960 --> 0:34:23.040
<v Speaker 1>nice scene. It was really nice when it got to

0:34:23.120 --> 0:34:26.200
<v Speaker 1>that point. Did anyone else think that Luke totally thought

0:34:26.239 --> 0:34:27.520
<v Speaker 1>it was a date in lore Lae, I was just

0:34:27.560 --> 0:34:29.759
<v Speaker 1>inviting him over. No. I think they both were totally

0:34:29.800 --> 0:34:31.600
<v Speaker 1>on the same page on what it was. Well, what

0:34:31.640 --> 0:34:32.759
<v Speaker 1>do you think it was? What do you think it

0:34:32.840 --> 0:34:40.000
<v Speaker 1>was a friend date? Like each other that aren't ready

0:34:40.000 --> 0:34:43.239
<v Speaker 1>to tell each other. No, I not right, But I

0:34:43.280 --> 0:34:46.920
<v Speaker 1>think they both were aware that here's an opportunity to

0:34:47.000 --> 0:34:49.600
<v Speaker 1>go on a date without having to admit that's what

0:34:49.640 --> 0:34:52.640
<v Speaker 1>I'm exactly right. And I think they were both happy,

0:34:52.680 --> 0:34:55.280
<v Speaker 1>really happy about it because it wasn't awkward or weird

0:34:55.400 --> 0:35:01.279
<v Speaker 1>or exactly just organically came up and it was like, yes, yeah,

0:35:01.400 --> 0:35:03.560
<v Speaker 1>I just think that Luke thought of it a little

0:35:03.560 --> 0:35:06.880
<v Speaker 1>bit more than Laura I did. But that was, you

0:35:06.920 --> 0:35:12.120
<v Speaker 1>know why rewind it to the scene where she looks

0:35:12.160 --> 0:35:14.879
<v Speaker 1>at him. There's a couple of looks and she looks

0:35:14.920 --> 0:35:19.520
<v Speaker 1>at him in the perfect way like at the house, yep,

0:35:19.800 --> 0:35:21.960
<v Speaker 1>and she looks especially I think when he's asleep, but

0:35:22.000 --> 0:35:24.040
<v Speaker 1>there might have been one other and she looks at

0:35:24.080 --> 0:35:28.239
<v Speaker 1>him like you but I mean, I mean at the

0:35:28.280 --> 0:35:33.920
<v Speaker 1>diner when she invited. I think right off the bat,

0:35:34.160 --> 0:35:37.880
<v Speaker 1>Luke thought of it more than Laura I did. Okay,

0:35:38.239 --> 0:35:41.000
<v Speaker 1>you could be right, because I also respected that he

0:35:41.040 --> 0:35:45.759
<v Speaker 1>said okay. I just think he's not because he could

0:35:45.760 --> 0:35:48.000
<v Speaker 1>have said like, oh no, you don't have to have

0:35:48.080 --> 0:35:50.640
<v Speaker 1>me over, but he just immediately says, okay, yeah, let's

0:35:50.640 --> 0:35:53.000
<v Speaker 1>do that. I don't know, I think maybe you're right,

0:35:53.320 --> 0:35:56.080
<v Speaker 1>but it's close. I was just I mean, I was

0:35:56.080 --> 0:35:57.480
<v Speaker 1>just thinking about I don't think he was going to

0:35:57.560 --> 0:36:01.880
<v Speaker 1>allow himself to go there mentally that this was a date,

0:36:01.960 --> 0:36:04.320
<v Speaker 1>but it was an opportunity to get inside the house.

0:36:04.360 --> 0:36:07.600
<v Speaker 1>Since spent some time with somebody obviously is very fine,

0:36:07.719 --> 0:36:09.960
<v Speaker 1>and they haven't had one on one time and like

0:36:10.960 --> 0:36:15.160
<v Speaker 1>a long time, so he's definitely not dreading it. We

0:36:15.200 --> 0:36:20.080
<v Speaker 1>know that that's true, and she's not courtesy inviting him

0:36:20.160 --> 0:36:23.319
<v Speaker 1>or pity inviting him annuinely is like I want you

0:36:23.360 --> 0:36:27.200
<v Speaker 1>to come over. They're both excited. They're like, oh, that's cool, perfect.

0:36:27.480 --> 0:36:30.160
<v Speaker 1>So what so what give me a percentage of like

0:36:30.800 --> 0:36:33.799
<v Speaker 1>for Laurel eye she being a buddy a pal or

0:36:33.960 --> 0:36:38.080
<v Speaker 1>she being like, hey, maybe this will turn into something.

0:36:38.120 --> 0:36:43.919
<v Speaker 1>What percentage buddy? What percentage? I think it's like for me,

0:36:44.120 --> 0:36:50.000
<v Speaker 1>I think it's like sixty potential buddy. But the thing

0:36:50.040 --> 0:36:54.080
<v Speaker 1>that yeah, but because the reason is is that she

0:36:54.280 --> 0:36:56.320
<v Speaker 1>was like, well, Rory and I usually do moving that,

0:36:56.480 --> 0:36:57.879
<v Speaker 1>but she's not here, So do you want to come?

0:36:57.920 --> 0:37:01.960
<v Speaker 1>So it felt a little like, well, you know, I'm

0:37:02.000 --> 0:37:03.680
<v Speaker 1>missing out on someone else? Do you want to fill

0:37:03.719 --> 0:37:08.680
<v Speaker 1>their spot? That's why I thought it like two friends

0:37:10.719 --> 0:37:19.120
<v Speaker 1>who somewhere somewhere they have crushes. Yeah, and so it's like, Okay,

0:37:19.280 --> 0:37:21.239
<v Speaker 1>would you rather watch a movie with a friend that

0:37:21.280 --> 0:37:23.360
<v Speaker 1>you sort of have a crush on or a friend

0:37:23.400 --> 0:37:26.239
<v Speaker 1>that's you don't have a crush on friend you have

0:37:26.280 --> 0:37:29.319
<v Speaker 1>the crush on. So I feel like they're both like, well,

0:37:29.360 --> 0:37:32.160
<v Speaker 1>this is yeah, Loral, I just I'm not gonna lie

0:37:32.200 --> 0:37:34.239
<v Speaker 1>to you. Loral sometimes just bugs me in the sense

0:37:34.239 --> 0:37:36.360
<v Speaker 1>of like she never gets to the point, like she

0:37:36.400 --> 0:37:38.839
<v Speaker 1>always like the beats around the bush. So I'm like,

0:37:39.400 --> 0:37:42.800
<v Speaker 1>but I think that's why I always think like she's

0:37:42.880 --> 0:37:45.640
<v Speaker 1>taking like a step back when she takes a step forward.

0:37:46.120 --> 0:37:48.840
<v Speaker 1>M I felt like, that's just that's just me. I

0:37:48.880 --> 0:37:50.920
<v Speaker 1>felt like this was like pretty cool, like it was.

0:37:51.000 --> 0:37:54.120
<v Speaker 1>She's like, hey, she knew he was bummed because he's

0:37:54.120 --> 0:37:56.880
<v Speaker 1>bummed about this Yankees tickets thing with Nicole. So she's like, hey,

0:37:56.960 --> 0:37:58.840
<v Speaker 1>why don't you come over, which is super nice, And

0:37:58.880 --> 0:38:01.920
<v Speaker 1>I love that he said okay, and they didn't irritate

0:38:02.000 --> 0:38:04.480
<v Speaker 1>me with it. She said it, he said yes, they

0:38:04.480 --> 0:38:06.719
<v Speaker 1>have the funny banter about the movie, and off we go.

0:38:07.040 --> 0:38:09.839
<v Speaker 1>And then I also, well, I'm jumping ahead. I'm sorry.

0:38:10.080 --> 0:38:13.480
<v Speaker 1>I mean, I think we're past the diner scene now, okay,

0:38:13.560 --> 0:38:16.680
<v Speaker 1>So we'll go in order rather than jump right to

0:38:16.719 --> 0:38:19.719
<v Speaker 1>the date. Now we've got And I do want to

0:38:19.719 --> 0:38:22.680
<v Speaker 1>comment on the writing from the beginning of the show.

0:38:22.880 --> 0:38:27.399
<v Speaker 1>I think the most interesting and best device that they

0:38:27.400 --> 0:38:29.799
<v Speaker 1>ever came up with for that character, for that Luke

0:38:29.880 --> 0:38:32.400
<v Speaker 1>character is to be annoyed by her all the time.

0:38:32.719 --> 0:38:36.880
<v Speaker 1>It's so, that's true. That's true, And it just says

0:38:37.080 --> 0:38:40.960
<v Speaker 1>that he's resisting her so much in a way just

0:38:41.360 --> 0:38:44.440
<v Speaker 1>on the surface, when you know underneath he's dying inside.

0:38:44.520 --> 0:38:47.439
<v Speaker 1>So I I think that's very powerful. I think you're right.

0:38:47.520 --> 0:38:50.040
<v Speaker 1>And I say, the reason I love it is because

0:38:50.080 --> 0:38:55.200
<v Speaker 1>they're both authentically themselves with each other. And okay, so

0:38:55.239 --> 0:38:57.200
<v Speaker 1>we will skip to the date. So even when they're

0:38:57.200 --> 0:39:00.680
<v Speaker 1>on the couch, he's not kissing her asked or like,

0:39:01.960 --> 0:39:05.360
<v Speaker 1>he's like like basically rolling his eyes and her rules

0:39:05.760 --> 0:39:09.399
<v Speaker 1>and he's not even following them. And he I mean,

0:39:10.160 --> 0:39:17.839
<v Speaker 1>let's talk about him answering the phone her. Yeah, you

0:39:18.160 --> 0:39:20.440
<v Speaker 1>answer the I mean, first of all, God, there's so

0:39:20.480 --> 0:39:22.839
<v Speaker 1>many the date. It's just like we could do an

0:39:22.840 --> 0:39:26.440
<v Speaker 1>hour on the date. It was amazing. They're so comfortable,

0:39:26.520 --> 0:39:30.800
<v Speaker 1>they're so hilarious shifting and he's like basically like I'll shift,

0:39:32.120 --> 0:39:35.719
<v Speaker 1>you know. Then Rory calls, and of course I love

0:39:35.760 --> 0:39:38.920
<v Speaker 1>that Luke is totally in it. He gives the advice

0:39:38.960 --> 0:39:44.440
<v Speaker 1>and they take it. Yeah, it's so genius. Then you answer,

0:39:44.760 --> 0:39:48.080
<v Speaker 1>and it's Mrs Gilmore and like, hey, Mrs Gilmore, it's Luke.

0:39:48.200 --> 0:39:52.880
<v Speaker 1>Like I was just like, oh right, the plot thickens.

0:39:53.320 --> 0:39:56.239
<v Speaker 1>That was the best scene in the whole episode. That

0:39:56.320 --> 0:40:01.600
<v Speaker 1>was the best scene because it so includes in that

0:40:01.719 --> 0:40:06.440
<v Speaker 1>I include Rory's awkward date and Emily calling. The whole

0:40:06.480 --> 0:40:09.880
<v Speaker 1>thing is really one scene and out of ten m

0:40:10.560 --> 0:40:14.000
<v Speaker 1>that was great. Yeah. They're they're really good together, aren't they.

0:40:14.040 --> 0:40:17.400
<v Speaker 1>Those two characters, they just really are fun to watch,

0:40:18.280 --> 0:40:22.680
<v Speaker 1>you know, really fun to watch. Um. Yeah, there's something

0:40:22.719 --> 0:40:29.799
<v Speaker 1>about them that you you really get a crush on

0:40:29.840 --> 0:40:33.719
<v Speaker 1>both of them, Like, I really like these people. But

0:40:33.760 --> 0:40:35.719
<v Speaker 1>there was a point there in that scene where they're

0:40:35.719 --> 0:40:38.680
<v Speaker 1>looking at each other and I thought they were about

0:40:38.719 --> 0:40:42.640
<v Speaker 1>to kiss. I didn't get a kiss moment. I just

0:40:43.000 --> 0:40:45.080
<v Speaker 1>I know, I thought they were. I thought that there

0:40:45.120 --> 0:40:47.200
<v Speaker 1>was a post there was a moment there where they

0:40:47.239 --> 0:40:50.040
<v Speaker 1>just I don't know, it just felt right like if

0:40:50.040 --> 0:40:52.240
<v Speaker 1>he had just made a move and kissed her or something,

0:40:52.320 --> 0:40:54.880
<v Speaker 1>or if she made a sudden moved to kiss him,

0:40:54.920 --> 0:40:57.960
<v Speaker 1>it wouldn't have been crazy. No, not at all. But

0:40:58.000 --> 0:41:01.000
<v Speaker 1>it's so cute how they are. They're like an old

0:41:01.080 --> 0:41:06.880
<v Speaker 1>married cup They really are. It's really And then and

0:41:06.920 --> 0:41:10.719
<v Speaker 1>then the fact that, like she tucks him in and

0:41:10.880 --> 0:41:13.440
<v Speaker 1>he falls. First of all, he's comfortable enough to fall

0:41:13.480 --> 0:41:17.920
<v Speaker 1>asleep there. That doesn't happen when you're not comfortable. And

0:41:18.040 --> 0:41:21.520
<v Speaker 1>she's comfortable to have him sleep there, and Rory is

0:41:22.320 --> 0:41:25.120
<v Speaker 1>she's not thinking anything. Do you know what I'm saying.

0:41:25.920 --> 0:41:30.239
<v Speaker 1>It's like it's all just so normal. And what do

0:41:30.239 --> 0:41:34.040
<v Speaker 1>you think the significance of watching Casablanca was a good question.

0:41:34.080 --> 0:41:36.480
<v Speaker 1>I don't know, but you don't you know what I mean.

0:41:36.760 --> 0:41:38.839
<v Speaker 1>I mean, let's let's think about it. What was that about?

0:41:38.920 --> 0:41:41.960
<v Speaker 1>It was about? You know, I've never seen it, so,

0:41:42.719 --> 0:41:46.640
<v Speaker 1>but are those two ingrid Bergman and what's the guest name?

0:41:49.440 --> 0:41:52.880
<v Speaker 1>Are they like unrequited love? And then they finally get

0:41:52.920 --> 0:41:56.880
<v Speaker 1>together kind of that and then they break apart again.

0:41:56.920 --> 0:42:00.400
<v Speaker 1>I think, oh no, what do they end together? What

0:42:00.440 --> 0:42:04.160
<v Speaker 1>happens in the end? I mean they I think everybody

0:42:04.160 --> 0:42:05.799
<v Speaker 1>has to escape and get out of there because the

0:42:05.880 --> 0:42:09.960
<v Speaker 1>Nazis are coming in. They flooded into Casa Blanket. They

0:42:09.960 --> 0:42:12.439
<v Speaker 1>have to get the heck out of there. Here's looking

0:42:12.480 --> 0:42:17.319
<v Speaker 1>at you, kid. Uh Now, It's like, I think, one

0:42:17.360 --> 0:42:20.160
<v Speaker 1>day we're going to be really good friends. This is

0:42:20.160 --> 0:42:23.200
<v Speaker 1>the beginning of a really beautiful friendship with the with

0:42:23.280 --> 0:42:25.840
<v Speaker 1>the guy. Yeah yeah, yeah, yeah, that's the one with

0:42:25.880 --> 0:42:28.000
<v Speaker 1>the chief, not the chief of police, but the general,

0:42:28.080 --> 0:42:31.920
<v Speaker 1>the French generals. Yeah yeah, So I think I think

0:42:32.200 --> 0:42:34.680
<v Speaker 1>there's there's a relations since we know that Casa Blanca

0:42:34.800 --> 0:42:39.000
<v Speaker 1>so well. I mean, of course we're trying it in beautifully.

0:42:38.800 --> 0:42:44.840
<v Speaker 1>I think there's something there, you know, this unrequited part. Yeah, absolutely, yeah,

0:42:45.200 --> 0:42:47.400
<v Speaker 1>we'll take more into this. But let's reverse to Friday

0:42:47.480 --> 0:42:49.920
<v Speaker 1>night dinner when Laura La gets there early, and that

0:42:50.040 --> 0:42:53.480
<v Speaker 1>was like a lot of interaction Laura La and the

0:42:53.480 --> 0:42:55.360
<v Speaker 1>maid and then Laura La goes back out of the car.

0:42:56.120 --> 0:42:58.680
<v Speaker 1>By the way, I really felt that, like he you know,

0:42:58.680 --> 0:43:01.000
<v Speaker 1>when you're like going with someone and you're like, I'm

0:43:01.000 --> 0:43:02.920
<v Speaker 1>just gonna wait in my car and totally show up

0:43:02.920 --> 0:43:04.520
<v Speaker 1>to walk it like I've totally been there. I mean

0:43:04.520 --> 0:43:06.319
<v Speaker 1>it's different, like she should have gone. It was her mom,

0:43:06.719 --> 0:43:10.200
<v Speaker 1>her parents house, But say, sometimes I want to hide

0:43:10.239 --> 0:43:12.880
<v Speaker 1>in my car for days. Let me tell you my

0:43:13.040 --> 0:43:16.719
<v Speaker 1>favorite thing about that whole scene. But that was a

0:43:16.719 --> 0:43:21.040
<v Speaker 1>funny scene shadow dancing. Oh, I mean I got a

0:43:21.080 --> 0:43:26.960
<v Speaker 1>great scene and the entrance was great. See this shows

0:43:27.040 --> 0:43:30.360
<v Speaker 1>how great a comedic actress Lauren is right with the

0:43:31.000 --> 0:43:33.959
<v Speaker 1>cup here tucked in her neck and then dropping down

0:43:34.000 --> 0:43:37.319
<v Speaker 1>and then holding onto the the purse handle thing. Oh,

0:43:37.520 --> 0:43:40.600
<v Speaker 1>she's the Roy's not here. Well maybe I'll just oh.

0:43:40.640 --> 0:43:44.600
<v Speaker 1>And that's when she's wearing the dress, which which dress?

0:43:44.719 --> 0:43:48.920
<v Speaker 1>That purplely pattern dress. She still she still has the

0:43:48.960 --> 0:43:51.799
<v Speaker 1>leather jacket on right, Yes, she's wearing the leather jacket again.

0:43:52.239 --> 0:44:00.000
<v Speaker 1>She's literally Tara shadow dancing by Andy Gett is jest fantastic.

0:44:00.560 --> 0:44:03.520
<v Speaker 1>My love for Andy Gibb goes on to this very day.

0:44:03.960 --> 0:44:06.320
<v Speaker 1>It was there. It was a perfect piece of me.

0:44:06.480 --> 0:44:10.000
<v Speaker 1>And they cleared that song right, so I had to

0:44:10.080 --> 0:44:11.759
<v Speaker 1>feel like it was like a moment that we're going

0:44:11.800 --> 0:44:13.920
<v Speaker 1>to talk about. I don't know the song, but like

0:44:14.000 --> 0:44:16.480
<v Speaker 1>you have to have clearance for that was a huge

0:44:16.560 --> 0:44:20.480
<v Speaker 1>hit song, huge hit song. It was okay, so Andy

0:44:20.520 --> 0:44:23.719
<v Speaker 1>GiB Tara do you know the Yeah? Okay, So the

0:44:23.719 --> 0:44:27.160
<v Speaker 1>Bejs had a baby brother and that was Andy Gibb

0:44:27.280 --> 0:44:30.600
<v Speaker 1>and he like blew up And this is probably like

0:44:30.680 --> 0:44:34.480
<v Speaker 1>late seventies, early eighties, super good looking kid. He was

0:44:34.560 --> 0:44:37.080
<v Speaker 1>dating all the holly he was he was in a

0:44:37.120 --> 0:44:41.040
<v Speaker 1>relationship was one Yes, give me a second Victoria principle.

0:44:41.480 --> 0:44:44.799
<v Speaker 1>All right, I was so jealous of that. Everybody had

0:44:44.800 --> 0:44:47.239
<v Speaker 1>a crush on Victoria principles. This dude was and it

0:44:47.360 --> 0:44:51.120
<v Speaker 1>was like, what this guy, come on, he was so

0:44:51.200 --> 0:44:54.200
<v Speaker 1>seventies hot, Like that's the only way I can describe

0:44:54.280 --> 0:44:56.000
<v Speaker 1>him with the like let me, I'll pull up a

0:44:56.000 --> 0:44:57.439
<v Speaker 1>picture for you. I mean, I'm sure we'll talk about

0:44:57.480 --> 0:45:01.279
<v Speaker 1>him again in pop culture. But do you ever get married? No?

0:45:01.440 --> 0:45:04.239
<v Speaker 1>And then he died. It was so sad. He died

0:45:04.480 --> 0:45:08.200
<v Speaker 1>really young, like like really young. I think maybe in

0:45:08.239 --> 0:45:12.160
<v Speaker 1>his thirties. Oh my god, Tara, I do not know

0:45:12.160 --> 0:45:18.959
<v Speaker 1>if this is what your first. Of all, it's so

0:45:19.120 --> 0:45:25.920
<v Speaker 1>he's so seventies. But literally, that guy he never buttoned

0:45:25.960 --> 0:45:27.919
<v Speaker 1>his shirt up all the way, like that guy's never

0:45:27.960 --> 0:45:30.960
<v Speaker 1>seen it. At the hair, he's never even seen the

0:45:31.160 --> 0:45:34.759
<v Speaker 1>third button be buttoned, like look at this, look at this.

0:45:36.160 --> 0:45:38.319
<v Speaker 1>But yeah, I don't know, I don't know. I don't

0:45:38.320 --> 0:45:40.319
<v Speaker 1>want to speak for everybody, so I hope people will

0:45:41.239 --> 0:45:44.040
<v Speaker 1>let us know. But for my age, that was like

0:45:44.080 --> 0:45:49.480
<v Speaker 1>the first crush where you're like, I think I love him.

0:45:49.520 --> 0:45:54.279
<v Speaker 1>I can see it though. That hair he's never worn. Yeah,

0:45:54.360 --> 0:46:02.560
<v Speaker 1>it's like very like like Beaver Harry styles, like, I guess, yes,

0:46:02.640 --> 0:46:05.880
<v Speaker 1>that's exact. He is Harry Style. So anyway, he had

0:46:05.920 --> 0:46:11.480
<v Speaker 1>like five big hits. Oh yeah, that sad tale of

0:46:12.040 --> 0:46:15.840
<v Speaker 1>But anyway, how funny was it when she unzipped her window.

0:46:19.200 --> 0:46:22.400
<v Speaker 1>First of all, she's scared the Jesus out of her

0:46:22.400 --> 0:46:25.880
<v Speaker 1>when Emily shows up, and then she unzips her window.

0:46:26.239 --> 0:46:30.480
<v Speaker 1>I mean, just fantastic. What a great contrast sitting there

0:46:30.520 --> 0:46:35.520
<v Speaker 1>bopping in her jeep wrangler right listening to the BGS

0:46:35.680 --> 0:46:38.719
<v Speaker 1>or Andy Gibb and then has to unzip to the

0:46:38.719 --> 0:46:41.680
<v Speaker 1>window to talk to her mother in front of her castle.

0:46:42.000 --> 0:46:44.719
<v Speaker 1>It was just funny. And then when they find then

0:46:44.760 --> 0:46:47.719
<v Speaker 1>they have their banter. I literally wrote, this banter is

0:46:47.760 --> 0:46:52.959
<v Speaker 1>so good because she's talking about Suki's pregnant Las don't

0:46:53.000 --> 0:46:54.440
<v Speaker 1>look at me. I had nothing to do with it.

0:46:55.239 --> 0:46:57.560
<v Speaker 1>That was a great line. Oh, that was a great line.

0:46:58.640 --> 0:47:01.960
<v Speaker 1>Like a man I know went to her wedding suited

0:47:02.080 --> 0:47:07.520
<v Speaker 1>Kirk like you know. But that was the part where

0:47:07.520 --> 0:47:09.520
<v Speaker 1>I was like, I guess, you know, Lore, I really

0:47:09.640 --> 0:47:13.360
<v Speaker 1>didn't have to tell her that Suki was pregnant like she,

0:47:13.400 --> 0:47:15.240
<v Speaker 1>I guess you didn't have to. But also like god,

0:47:15.520 --> 0:47:17.279
<v Speaker 1>why are they going back and forth? But just be like,

0:47:18.239 --> 0:47:20.360
<v Speaker 1>but she did, But she did make a good point,

0:47:20.400 --> 0:47:23.160
<v Speaker 1>Emily did. I went to her wedding. I sent her

0:47:23.200 --> 0:47:26.279
<v Speaker 1>a wedding gift. Yeah, but wasn't she invited if I

0:47:26.280 --> 0:47:31.200
<v Speaker 1>remember the night before. Yeah. But still Emily, she's just

0:47:31.239 --> 0:47:32.640
<v Speaker 1>trying to be a part of it and she just

0:47:32.840 --> 0:47:36.640
<v Speaker 1>keeps getting rejected. Yeah, she's trying. She's right, Scott. She

0:47:37.000 --> 0:47:39.600
<v Speaker 1>is kind of butt her because she's always left out.

0:47:39.960 --> 0:47:42.200
<v Speaker 1>But Laura is thinking, I'm trying to build an inn.

0:47:42.239 --> 0:47:44.080
<v Speaker 1>I got a kid going to college. I literally just

0:47:44.160 --> 0:47:47.839
<v Speaker 1>forgot to tell you. Yeah. Yeah, but Mike, I was

0:47:48.200 --> 0:47:51.720
<v Speaker 1>forgetting to tell your own mother. I mean, she barely

0:47:51.719 --> 0:47:54.680
<v Speaker 1>wants to go inside the house without her. It hurts

0:47:54.680 --> 0:47:57.879
<v Speaker 1>Emily to know that she's just not important enough to Yeah,

0:47:58.200 --> 0:48:01.320
<v Speaker 1>in the inner in the inner circle, right, tell me though,

0:48:01.360 --> 0:48:07.359
<v Speaker 1>the circle of trust, Greg, tell me though. Then then

0:48:07.719 --> 0:48:10.440
<v Speaker 1>we find out that Rory's going on the date, and

0:48:10.520 --> 0:48:15.319
<v Speaker 1>Emily's like a gas that, like, did Rory possibly ask him?

0:48:15.560 --> 0:48:18.799
<v Speaker 1>And then lord license, it was very proper. She had

0:48:18.840 --> 0:48:25.640
<v Speaker 1>a Tiffany Lamb shade over the red line. I was,

0:48:26.880 --> 0:48:32.200
<v Speaker 1>It's God, he's a freaking genius. Then she says the

0:48:32.239 --> 0:48:34.640
<v Speaker 1>sex in the City ensemble, which I was immediately like,

0:48:34.719 --> 0:48:38.360
<v Speaker 1>oh my god, she knows sex in the city. You know,

0:48:38.440 --> 0:48:41.560
<v Speaker 1>sex in the city. Like, am I in this in

0:48:41.600 --> 0:48:46.520
<v Speaker 1>this thing? You know what I'm wondering, Scott is okay?

0:48:47.400 --> 0:48:50.719
<v Speaker 1>For all? What the storyline is is so important? Right?

0:48:52.600 --> 0:48:55.359
<v Speaker 1>Is it? The script? Because I think the reason we're

0:48:55.440 --> 0:48:59.760
<v Speaker 1>loving this episode is like, we literally have twenty favorite lines.

0:49:02.640 --> 0:49:05.719
<v Speaker 1>So even if the story is great, you gotta have

0:49:05.840 --> 0:49:10.040
<v Speaker 1>these lines. But okay, you right, but those lines come

0:49:10.320 --> 0:49:15.239
<v Speaker 1>organically when and I don't want to get too wonky here,

0:49:15.400 --> 0:49:21.040
<v Speaker 1>but uh, when when every scene hangs off of the spine.

0:49:21.560 --> 0:49:25.680
<v Speaker 1>So the spine of the of this episode was all

0:49:25.719 --> 0:49:29.440
<v Speaker 1>about dating and this kind of a thing, right and

0:49:29.360 --> 0:49:35.600
<v Speaker 1>and and it but John mixed in and so every

0:49:35.680 --> 0:49:39.879
<v Speaker 1>scene is related to that, right. So and the way

0:49:39.920 --> 0:49:43.800
<v Speaker 1>he just uh mixed in everything and brought everything together,

0:49:44.680 --> 0:49:49.880
<v Speaker 1>uh and uh and it's just it was absolutely brilliant.

0:49:49.960 --> 0:49:52.799
<v Speaker 1>It was absolutely brilliant because he stayed disciplined and he

0:49:52.840 --> 0:49:56.759
<v Speaker 1>didn't go off on any kind of tangents at all,

0:49:57.760 --> 0:50:01.400
<v Speaker 1>and he stayed with that theme. It felt like the

0:50:01.440 --> 0:50:06.120
<v Speaker 1>episode was so fast. Yeah, yeah, it was. It was

0:50:06.480 --> 0:50:10.160
<v Speaker 1>because he's because every scene because we were in it,

0:50:10.239 --> 0:50:12.200
<v Speaker 1>and we were with it, and we were a little

0:50:12.239 --> 0:50:15.160
<v Speaker 1>bit behind it, right, we didn't get ahead of it.

0:50:15.239 --> 0:50:18.040
<v Speaker 1>We didn't get bored, we didn't get like we don't

0:50:18.080 --> 0:50:21.000
<v Speaker 1>because look, if there's a scene that doesn't hang off

0:50:21.040 --> 0:50:24.000
<v Speaker 1>the spine properly, you get jarred out of the narrative.

0:50:24.040 --> 0:50:27.279
<v Speaker 1>You're like, what's going on if there's any confusion in

0:50:27.320 --> 0:50:30.440
<v Speaker 1>the audience, Right, But if it stays on that spine,

0:50:30.480 --> 0:50:34.000
<v Speaker 1>if these scenes all hang perfectly off that spine, you're

0:50:34.000 --> 0:50:36.080
<v Speaker 1>gonna be in it. It's like being on a roller

0:50:36.080 --> 0:50:39.480
<v Speaker 1>coaster and it's like yeah, and you're just like whoa, whoa,

0:50:39.520 --> 0:50:42.320
<v Speaker 1>You're always anticipating. You're anticipating, you're anticipating. It's like it

0:50:42.360 --> 0:50:44.439
<v Speaker 1>goes high, it goes low, it goes around, it goes slow,

0:50:44.480 --> 0:50:48.920
<v Speaker 1>it goes fast. Yeah. So um, and he did that beautifully.

0:50:48.920 --> 0:50:51.880
<v Speaker 1>I mean, it was perfect, episode perfect. And also I

0:50:51.920 --> 0:50:54.480
<v Speaker 1>messed up. At the Friday night dinner, Lorelei was still

0:50:54.520 --> 0:50:56.600
<v Speaker 1>wearing the argyle sweater with the black skirt with the

0:50:56.680 --> 0:51:00.200
<v Speaker 1>leather jacket. Now as we go to Mrs Kim's, she's

0:51:00.239 --> 0:51:04.200
<v Speaker 1>wearing the dress with the purple e patterned tight dress

0:51:04.200 --> 0:51:06.600
<v Speaker 1>with the leather jacket. So I apologize that I lured

0:51:06.640 --> 0:51:11.640
<v Speaker 1>the outcomes with the hair and the eyes. There was

0:51:11.680 --> 0:51:20.080
<v Speaker 1>a devastating look. It seems that there's only one furniture

0:51:20.080 --> 0:51:25.080
<v Speaker 1>store anywhere, because I'm like, are they Mrs Kenny? They

0:51:25.120 --> 0:51:30.200
<v Speaker 1>have to be right right? Dollar item? That was good

0:51:30.239 --> 0:51:34.239
<v Speaker 1>and you know your mother would would hate this. Take it.

0:51:34.400 --> 0:51:37.200
<v Speaker 1>I'll take it. What was I called? It was called

0:51:37.200 --> 0:51:42.279
<v Speaker 1>a lawn jockey? Um yeah, so yeah, So we sort

0:51:42.280 --> 0:51:47.440
<v Speaker 1>of have that that interaction between Zimmerman, Natalie Zimmerman and

0:51:48.239 --> 0:51:50.279
<v Speaker 1>lor Lie, which I do have a question when we

0:51:50.320 --> 0:51:52.240
<v Speaker 1>get to it later, because I do think that Natalie

0:51:52.280 --> 0:51:54.560
<v Speaker 1>sort of screwed lor Lie, which we can. I think

0:51:54.600 --> 0:51:59.120
<v Speaker 1>she did too. That was so too and I don't think,

0:51:59.280 --> 0:52:01.040
<v Speaker 1>yeah that was not. But it's like, how do you

0:52:01.080 --> 0:52:06.279
<v Speaker 1>resist Emily. You imagine it's like she's tough, She's going

0:52:06.320 --> 0:52:09.319
<v Speaker 1>to get you. Say, oh, I bogged down with ten

0:52:09.360 --> 0:52:11.000
<v Speaker 1>clients right now. I would love to help you, but

0:52:11.040 --> 0:52:13.200
<v Speaker 1>I've got ten clients. Let me let me get you

0:52:15.320 --> 0:52:18.200
<v Speaker 1>family gilmore. And you know she said that she goes listen,

0:52:18.239 --> 0:52:20.160
<v Speaker 1>I will make sure I will see to it that

0:52:20.200 --> 0:52:25.239
<v Speaker 1>you will never worry in this town again, young lady, right,

0:52:25.880 --> 0:52:28.359
<v Speaker 1>so she had to she had to bow down and

0:52:28.400 --> 0:52:33.200
<v Speaker 1>cough up the info with Yeah. I mean, god, I

0:52:33.200 --> 0:52:35.040
<v Speaker 1>can't believe how much of there is in this episode

0:52:35.040 --> 0:52:39.800
<v Speaker 1>because we're not even like doing the date. YEA favorite

0:52:39.880 --> 0:52:43.399
<v Speaker 1>scene of the whole episode of the date the date

0:52:44.040 --> 0:52:49.560
<v Speaker 1>she is just so awkward. And my favorite line was

0:52:49.640 --> 0:52:55.279
<v Speaker 1>the year and mints, like it actually made me think

0:52:55.320 --> 0:52:57.319
<v Speaker 1>about it, like, oh my god, you're right, those are

0:52:57.400 --> 0:52:59.759
<v Speaker 1>probably like every restaurant's YearIn miss Have we never talked

0:52:59.760 --> 0:53:07.480
<v Speaker 1>about poop peanuts on this show? Peanuts bar bar peanuts, Yeah,

0:53:07.600 --> 0:53:09.680
<v Speaker 1>or you might want to call them poop peanuts, which

0:53:09.920 --> 0:53:14.319
<v Speaker 1>Tara did talk about, but you weren't on the show yet.

0:53:15.080 --> 0:53:19.879
<v Speaker 1>Go back, do you guys remember the episode where they

0:53:19.920 --> 0:53:22.719
<v Speaker 1>go to the spa, Lorelai and Emily go to the

0:53:22.760 --> 0:53:24.839
<v Speaker 1>spa and then they go to the night out at

0:53:25.160 --> 0:53:29.400
<v Speaker 1>the restaurant bar and how Lindon's there and Emily dances

0:53:29.400 --> 0:53:34.960
<v Speaker 1>with him and they're eating the poop peanuts. You guys,

0:53:35.560 --> 0:53:38.840
<v Speaker 1>have we seen this episode already? Yes, but you remember

0:53:40.120 --> 0:53:42.839
<v Speaker 1>back back back then? But I will see now they

0:53:42.840 --> 0:53:45.359
<v Speaker 1>don't have like I'm thinking about going to a bar

0:53:45.520 --> 0:53:47.720
<v Speaker 1>don't they give you like your personal bowl of peanuts.

0:53:47.840 --> 0:53:52.239
<v Speaker 1>First of all, after COVID, no one's getting you're in

0:53:52.360 --> 0:53:56.520
<v Speaker 1>men's or poop peanuts. But the thing about the yurine

0:53:56.520 --> 0:54:02.400
<v Speaker 1>min's were like they usually at the restaurants. The mints

0:54:02.440 --> 0:54:06.400
<v Speaker 1>aren't like unwrapped, they're usually like do you know what

0:54:06.480 --> 0:54:09.000
<v Speaker 1>I mean? First of all, it was it was a

0:54:09.080 --> 0:54:13.560
<v Speaker 1>very Seinfeld moment because you remember, remember the George Castandra

0:54:14.080 --> 0:54:16.279
<v Speaker 1>the girl really liked him, and then he was got

0:54:16.320 --> 0:54:19.640
<v Speaker 1>all cocky and theoretical about he goes. You know, if

0:54:19.680 --> 0:54:22.880
<v Speaker 1>you think about it, you know, manure what a weird word.

0:54:23.080 --> 0:54:26.840
<v Speaker 1>You got the ma and the newer manure weird. And

0:54:26.840 --> 0:54:28.319
<v Speaker 1>then all of a sudden she doesn't want to see

0:54:28.360 --> 0:54:31.760
<v Speaker 1>him anymore. I mean, let me tell you. And then

0:54:31.800 --> 0:54:33.840
<v Speaker 1>I have to ask because I was like, I have

0:54:33.880 --> 0:54:37.160
<v Speaker 1>to ask you, guys, are you a same side sitter

0:54:37.440 --> 0:54:41.640
<v Speaker 1>or opposite? First of all, you can't sit on the

0:54:41.680 --> 0:54:44.879
<v Speaker 1>same side. You can not. Your neck will hurt. It's

0:54:44.960 --> 0:54:48.160
<v Speaker 1>not even done with talking about the urine mins. Sorry, sorry,

0:54:48.200 --> 0:54:50.920
<v Speaker 1>let's go back to the urine There's more unpack on

0:54:51.000 --> 0:54:54.640
<v Speaker 1>the twenty minutes to talk about the same side sitting. Yeah,

0:54:54.640 --> 0:54:59.120
<v Speaker 1>you got you got it? Urine mints, okay, is a

0:54:59.200 --> 0:55:01.120
<v Speaker 1>real thing. And all I have to say is if

0:55:01.160 --> 0:55:03.399
<v Speaker 1>I was on a date and the person I'm with

0:55:03.800 --> 0:55:07.480
<v Speaker 1>mentioned urine mins, I'm in forever with them because it

0:55:07.600 --> 0:55:11.279
<v Speaker 1>was it was so awkwardly amazing, Like I would have

0:55:11.320 --> 0:55:16.640
<v Speaker 1>been like, I honestly poop peanuts and urine mint, Like

0:55:16.719 --> 0:55:19.239
<v Speaker 1>if somebody reaches for the that, I would be like, no,

0:55:20.719 --> 0:55:23.000
<v Speaker 1>I mean, in this conversation we're having now, it's like

0:55:23.040 --> 0:55:27.200
<v Speaker 1>the conversation starter, right, Trevor is wrapped a little too tight,

0:55:27.239 --> 0:55:30.680
<v Speaker 1>didn't he Okay, you can't blame Trevor. Trevor is like

0:55:30.800 --> 0:55:33.320
<v Speaker 1>having a good time and he's chatting and she is weird.

0:55:33.400 --> 0:55:35.560
<v Speaker 1>But but the urine means would have won me over.

0:55:35.880 --> 0:55:37.799
<v Speaker 1>But why can't why can't you find it funny? Right?

0:55:37.880 --> 0:55:40.560
<v Speaker 1>I mean it's kind of funny. It was the best

0:55:40.600 --> 0:55:47.640
<v Speaker 1>line in the whole thing. And he's just like and

0:55:47.760 --> 0:56:03.120
<v Speaker 1>she explains the urine mince to Lorala, so good. Lauren

0:56:03.160 --> 0:56:08.240
<v Speaker 1>Graham is the best acting because like she's a daughter

0:56:08.400 --> 0:56:12.759
<v Speaker 1>tells and she's like trying so hard to be like like,

0:56:12.880 --> 0:56:14.400
<v Speaker 1>you know, she doesn't want to tell Rory, like you

0:56:14.440 --> 0:56:16.760
<v Speaker 1>probably shouldn't have said that, so she's like going along

0:56:16.800 --> 0:56:20.799
<v Speaker 1>with it, you know, she hangs a poor thing. And

0:56:20.840 --> 0:56:23.720
<v Speaker 1>then it leads us to this amazing conversation about dating

0:56:24.840 --> 0:56:29.160
<v Speaker 1>from Luke and Lore like, okay, I digress, Tara, all

0:56:29.239 --> 0:56:33.360
<v Speaker 1>you about the same side sitting. I mean, I personally

0:56:33.400 --> 0:56:35.120
<v Speaker 1>don't like it, but if someone does it, I'm not

0:56:35.120 --> 0:56:40.120
<v Speaker 1>really with judging them. It's up to them. I think

0:56:40.160 --> 0:56:42.400
<v Speaker 1>you've got to be at a point in your relationship

0:56:42.440 --> 0:56:45.359
<v Speaker 1>with somebody where you're so comfortable with them and you're

0:56:45.400 --> 0:56:48.080
<v Speaker 1>so attracted to them that you want to be next

0:56:48.080 --> 0:56:50.799
<v Speaker 1>to each other so you can touch each other. But

0:56:50.880 --> 0:56:54.200
<v Speaker 1>like the first the first date, but you don't know

0:56:54.560 --> 0:56:56.319
<v Speaker 1>what I'm saying. No, no, but I'm saying the first date,

0:56:56.360 --> 0:56:57.600
<v Speaker 1>don't you want to sit across with them and have

0:56:57.640 --> 0:57:00.920
<v Speaker 1>a conversation, like, you know, right about the neck? That

0:57:00.960 --> 0:57:04.960
<v Speaker 1>would really that's weird on the first date to that's

0:57:05.040 --> 0:57:07.319
<v Speaker 1>that's very strange. I thought it was so funny when

0:57:07.600 --> 0:57:09.960
<v Speaker 1>Laurel I suggested, like, say there's a draft and I

0:57:09.960 --> 0:57:13.400
<v Speaker 1>have to move and then it Luke out of it.

0:57:13.440 --> 0:57:16.439
<v Speaker 1>That's right. Luke thought of it. But then Trevor also

0:57:16.560 --> 0:57:19.280
<v Speaker 1>was like, oh, there's a there's a draft, so he

0:57:20.040 --> 0:57:24.480
<v Speaker 1>got the power of suggestion. It was a great it

0:57:24.600 --> 0:57:30.120
<v Speaker 1>was a great dat scene. It was it was for

0:57:30.200 --> 0:57:34.160
<v Speaker 1>some reason I have I know this line happened vain

0:57:34.320 --> 0:57:39.160
<v Speaker 1>party table of one. Why who said that? Didn't? Didn't

0:57:39.200 --> 0:57:45.800
<v Speaker 1>Laurel say that? Yes? But why Luke? Yes? What was

0:57:46.120 --> 0:57:50.080
<v Speaker 1>what was he being vain about? It was hilarious though?

0:57:50.080 --> 0:57:53.560
<v Speaker 1>Why did he say that? But she did say it

0:57:53.600 --> 0:58:00.400
<v Speaker 1>to Luke vain? Shoot, huh, well maybe somebody will. I'm

0:58:00.440 --> 0:58:02.120
<v Speaker 1>going to watch it a second to see. This is

0:58:02.160 --> 0:58:04.240
<v Speaker 1>why people watch to show so many times. There's so

0:58:04.320 --> 0:58:08.160
<v Speaker 1>much to cover and there's no way we can cover

0:58:08.200 --> 0:58:12.000
<v Speaker 1>all of it. So the machine goes off and mom,

0:58:12.160 --> 0:58:17.520
<v Speaker 1>are you there? And immediately it's like, oh no, at

0:58:17.600 --> 0:58:19.600
<v Speaker 1>the say datings are the worst, and I think Luke

0:58:19.680 --> 0:58:29.800
<v Speaker 1>says it's a horror oh and then god this episode.

0:58:30.120 --> 0:58:33.440
<v Speaker 1>Luke says, I know within seconds, if I'm comfortable with somebody,

0:58:33.600 --> 0:58:39.240
<v Speaker 1>and I say correct, correct, you feel it, you feeling

0:58:39.320 --> 0:58:42.360
<v Speaker 1>the gut right away. If you relax and you're comfortable,

0:58:42.880 --> 0:58:48.960
<v Speaker 1>then you answer the phone and it's Mrs gil The

0:58:48.960 --> 0:58:52.760
<v Speaker 1>only scene we skipped, so we skipped the scene where

0:58:52.800 --> 0:58:57.280
<v Speaker 1>the roommates have the meeting, the roommate meeting. Yeah, we

0:58:57.360 --> 0:58:59.520
<v Speaker 1>talked about that, but that was funny. Yeah, and Janet

0:58:59.520 --> 0:59:04.520
<v Speaker 1>goes at it. Pears and Donna this is thrilling. M hm. See,

0:59:04.560 --> 0:59:11.520
<v Speaker 1>this is what happened. And she's doing math on her hand,

0:59:11.960 --> 0:59:15.000
<v Speaker 1>on her good sheets with her marker, and Rory is

0:59:15.000 --> 0:59:17.120
<v Speaker 1>trying to model the outfits for Tonna and Tona is

0:59:17.160 --> 0:59:19.840
<v Speaker 1>like not even getting it, and May's like, this is

0:59:19.840 --> 0:59:22.960
<v Speaker 1>a bonding thing. Talks about pheromones. If you jump up

0:59:22.960 --> 0:59:25.680
<v Speaker 1>and down and got to swim, get pheromones and be

0:59:25.680 --> 0:59:31.000
<v Speaker 1>more attractive. But I mean, you know, now, Paris is

0:59:31.200 --> 0:59:35.360
<v Speaker 1>in a place where she's going to have other people

0:59:35.800 --> 0:59:38.080
<v Speaker 1>who will stand up to her. They're not going to

0:59:38.160 --> 0:59:43.280
<v Speaker 1>be bullied by her. And she's found in Janet's character

0:59:43.400 --> 0:59:48.240
<v Speaker 1>that very person who's just not having it though she

0:59:48.320 --> 0:59:50.880
<v Speaker 1>likes she likes it because that's how Rory was with her.

0:59:51.520 --> 0:59:53.520
<v Speaker 1>I think she likes it well. And all these people

0:59:53.560 --> 0:59:56.200
<v Speaker 1>are at the top of their game, meaning Janet is

0:59:56.600 --> 1:00:01.200
<v Speaker 1>a college athlete who also goes to Yale and probably

1:00:01.280 --> 1:00:06.480
<v Speaker 1>is super bright, so she's like, uh yeah, speaking of

1:00:06.600 --> 1:00:10.280
<v Speaker 1>speaking of the finger, did you guys notice when Luke

1:00:10.360 --> 1:00:12.320
<v Speaker 1>and Lorel are watching the movie and they're going over

1:00:12.360 --> 1:00:15.000
<v Speaker 1>the rules and Luke doesn't know what the FBI warning is,

1:00:15.120 --> 1:00:17.640
<v Speaker 1>and then I think he either talks or ships and

1:00:17.800 --> 1:00:22.160
<v Speaker 1>Lorela just goes does like finger acting. I'm like, oh

1:00:22.160 --> 1:00:26.680
<v Speaker 1>my god, oh man leant me to tell you, guys.

1:00:27.160 --> 1:00:30.880
<v Speaker 1>The number one reason I love gilmur Girl is in

1:00:30.920 --> 1:00:35.120
<v Speaker 1>this episode. What is that? What is it? I don't

1:00:35.160 --> 1:00:42.520
<v Speaker 1>get like a drum roll? Okay, okay, yeah, the laundry

1:00:42.560 --> 1:00:47.360
<v Speaker 1>scene where there's the cutie they're doing. He took her

1:00:47.440 --> 1:00:51.640
<v Speaker 1>laundry out, he folded it. He they're having this cute

1:00:51.640 --> 1:00:57.240
<v Speaker 1>mantern and he said. She gets the the guts to say,

1:00:57.400 --> 1:01:00.360
<v Speaker 1>do you want to have coffee? And he says no, no,

1:01:02.280 --> 1:01:06.479
<v Speaker 1>because only only on Gilmore Girls are you getting a

1:01:06.520 --> 1:01:14.280
<v Speaker 1>total unexpected just right. I think this was such an

1:01:14.880 --> 1:01:19.760
<v Speaker 1>important episode for character development for Rory because like she's

1:01:19.800 --> 1:01:22.200
<v Speaker 1>now on her own. She has to learn how to

1:01:22.240 --> 1:01:25.840
<v Speaker 1>like be an adult, and like it's like loyalizes like oh,

1:01:25.920 --> 1:01:27.600
<v Speaker 1>ask someone out on a date, like you know, like

1:01:27.680 --> 1:01:29.640
<v Speaker 1>go do it yourself, and I feel like we saw

1:01:29.680 --> 1:01:31.480
<v Speaker 1>that and then she gets rejected at the end, which

1:01:31.480 --> 1:01:33.240
<v Speaker 1>is like a part of life. And I feel like

1:01:33.320 --> 1:01:36.040
<v Speaker 1>Rory is not used to rejection, so it's just good

1:01:36.040 --> 1:01:40.760
<v Speaker 1>fades out. Yeah, and we're just left hanging going at

1:01:40.800 --> 1:01:43.120
<v Speaker 1>a little cutie he was and like, I guess, why

1:01:43.120 --> 1:01:44.800
<v Speaker 1>does he have to get a copy with her? Doesn't

1:01:44.800 --> 1:01:47.880
<v Speaker 1>want to? Yeah, John Stevens showed me the way into

1:01:47.920 --> 1:01:51.960
<v Speaker 1>this new dynamic between mother and daughter not being together,

1:01:52.480 --> 1:01:55.200
<v Speaker 1>and it's really exciting. It's gonna be I'm really looking

1:01:55.240 --> 1:01:59.320
<v Speaker 1>forward to watching this. You know. I thought, oh, you know,

1:01:59.440 --> 1:02:02.160
<v Speaker 1>take it out as ours hollow, we got problems, but no, no, no, no,

1:02:02.280 --> 1:02:05.000
<v Speaker 1>this is this is actually even better in a lot

1:02:05.040 --> 1:02:07.560
<v Speaker 1>of senses because we get stars Hall and we get Yale.

1:02:07.640 --> 1:02:09.720
<v Speaker 1>And that's how I felt. I felt like I was

1:02:09.800 --> 1:02:12.320
<v Speaker 1>really excited every time we went back to you. Yeah,

1:02:12.360 --> 1:02:16.040
<v Speaker 1>I was so wait some one of our producers put

1:02:16.080 --> 1:02:18.080
<v Speaker 1>it up there and I missed it. Of why she

1:02:18.160 --> 1:02:20.880
<v Speaker 1>said party of one, your vain, vain party one looking

1:02:20.920 --> 1:02:23.280
<v Speaker 1>at him because she was staring at him during It's

1:02:23.360 --> 1:02:25.720
<v Speaker 1>it's like that annoying person that looks at looking at

1:02:25.760 --> 1:02:30.400
<v Speaker 1>him during the like like watch this part, like hey,

1:02:30.440 --> 1:02:32.240
<v Speaker 1>this is the good part. Are you watching him? She

1:02:32.320 --> 1:02:36.600
<v Speaker 1>was watching him, watching right right right? So okay, guys,

1:02:36.880 --> 1:02:41.120
<v Speaker 1>how many bowls of urine mins. Do you give this episode? Oh?

1:02:41.200 --> 1:02:43.680
<v Speaker 1>This is on a scale of ten, I'm giving it.

1:02:45.880 --> 1:02:47.920
<v Speaker 1>I love this episode. This is one of my favorite,

1:02:48.040 --> 1:02:51.959
<v Speaker 1>top three, top three. I'm watch nine and a half

1:02:51.960 --> 1:02:57.640
<v Speaker 1>bowls of urine mins a bowl for half a bowl

1:02:58.240 --> 1:03:00.960
<v Speaker 1>to give ten's out for any Yeah, I wouldn't say

1:03:01.000 --> 1:03:05.400
<v Speaker 1>this out for me, really really really yeah, you're gonna

1:03:05.440 --> 1:03:09.800
<v Speaker 1>give tents out that easily, right, You don't just give

1:03:09.800 --> 1:03:12.480
<v Speaker 1>out urine men's like they're nothing. I don't know. I

1:03:12.920 --> 1:03:16.840
<v Speaker 1>think this was This was two or three great episodes

1:03:16.920 --> 1:03:19.800
<v Speaker 1>packed into one, and I don't know how he did

1:03:19.840 --> 1:03:22.600
<v Speaker 1>it or how they did it, but it was fantastic.

1:03:23.080 --> 1:03:28.880
<v Speaker 1>Every single sentence moved this story forward. Everything was funny.

1:03:28.920 --> 1:03:32.880
<v Speaker 1>There were more funny lines, more funny situations than any

1:03:32.920 --> 1:03:35.640
<v Speaker 1>any episode I've seen or can remember. I just was

1:03:36.280 --> 1:03:39.000
<v Speaker 1>just so tickled by this entire thing. And I'm going,

1:03:39.600 --> 1:03:42.080
<v Speaker 1>when we're done here, when we're done recording, I'm going

1:03:42.120 --> 1:03:44.680
<v Speaker 1>to watch the thing again. Watch that dude, patt is

1:03:44.760 --> 1:03:49.280
<v Speaker 1>burger for sure. Well that's why I thought it was

1:03:49.320 --> 1:03:51.720
<v Speaker 1>a fake burger, because I was like, he's just patting it,

1:03:51.840 --> 1:03:55.440
<v Speaker 1>patting it. And also everybody, if anybody can tell me,

1:03:55.520 --> 1:04:01.720
<v Speaker 1>where to get Natalie Zimmerman's turquoise necklace. Sorry, one more

1:04:01.720 --> 1:04:04.960
<v Speaker 1>fashion moment which I actually almost tried to google last night.

1:04:05.160 --> 1:04:08.520
<v Speaker 1>The black sweater with the heart on the sleeves. These

1:04:08.560 --> 1:04:12.040
<v Speaker 1>were popular then and I can't remember it, like the

1:04:12.080 --> 1:04:14.120
<v Speaker 1>black Kashmir sweater hearts on the sea and then the

1:04:14.200 --> 1:04:16.680
<v Speaker 1>design on the back. And if anybody knows who made

1:04:16.720 --> 1:04:20.760
<v Speaker 1>that sweater, put it right here next to my Hello

1:04:20.840 --> 1:04:23.800
<v Speaker 1>Kiddy alarm clock. And then I think the perfect uh

1:04:24.840 --> 1:04:27.920
<v Speaker 1>exclamation point to put on this episode is to have

1:04:28.040 --> 1:04:31.800
<v Speaker 1>that Smith song playing. Oh I didn't notice that because

1:04:31.800 --> 1:04:34.520
<v Speaker 1>I was way too It was just okay, now we're

1:04:34.560 --> 1:04:37.160
<v Speaker 1>in college and things are cool. Yeah, and this kid's

1:04:37.200 --> 1:04:41.600
<v Speaker 1>listening to this and he's right right, yeah, Meat is

1:04:41.720 --> 1:04:44.080
<v Speaker 1>Murder is like a great song. Yeah, it's just the

1:04:44.160 --> 1:04:47.240
<v Speaker 1>line itself, and it was was like, fantastic way to

1:04:47.360 --> 1:04:50.640
<v Speaker 1>end it. Um. I Also, I'll save this for popular culture,

1:04:51.040 --> 1:04:58.320
<v Speaker 1>popular culture. Popular I don't know culture, but when we

1:04:58.360 --> 1:05:01.160
<v Speaker 1>do pop culture. This week, I got a special treat

1:05:01.200 --> 1:05:04.840
<v Speaker 1>for any Andy Gibb fans out there. Oh yeah, you

1:05:04.960 --> 1:05:07.920
<v Speaker 1>just wait a couple of days. You're getting that people,

1:05:08.560 --> 1:05:14.800
<v Speaker 1>All right, Look, I think universally we we love this episode. Um,

1:05:14.880 --> 1:05:17.600
<v Speaker 1>I'm gonna watch it again just because it was so

1:05:17.680 --> 1:05:22.880
<v Speaker 1>funny and so much fun. And I've I've found my

1:05:22.880 --> 1:05:26.000
<v Speaker 1>my adoration and love for this show once again after

1:05:26.040 --> 1:05:28.720
<v Speaker 1>a couple of rough episodes and and I'm I'm so happy,

1:05:29.000 --> 1:05:34.160
<v Speaker 1>you know. So Anyway, all right, Um, we missed in Yelle.

1:05:34.240 --> 1:05:39.680
<v Speaker 1>She's uh next, She'll be back next week, Tara, great job.

1:05:39.760 --> 1:05:43.800
<v Speaker 1>Good seeing you guys. Amy, lovely seeing you, and I'll

1:05:43.840 --> 1:05:51.880
<v Speaker 1>see you on popular culture as you call it. Look,

1:05:52.160 --> 1:05:55.080
<v Speaker 1>thank you so much for your for your messages, uh

1:05:55.480 --> 1:05:58.240
<v Speaker 1>proer con. We appreciate it. It It shapes the show. You're

1:05:58.280 --> 1:06:02.080
<v Speaker 1>the best fans on the planet. Love this episode. We

1:06:02.120 --> 1:06:33.520
<v Speaker 1>will see you next time. Stay safe, everybody dot ja

1:06:34.080 --> 1:06:37.120
<v Speaker 1>Hey everybody, and don't forget follow us on Instagram at

1:06:37.440 --> 1:06:41.960
<v Speaker 1>I Am all In podcast and Emailie at Gilmore at

1:06:41.960 --> 1:06:45.440
<v Speaker 1>I Heart radio dot com. Oh you Gilmore fans. If

1:06:45.440 --> 1:06:47.400
<v Speaker 1>you're looking for the best cup of coffee in the world,

1:06:47.440 --> 1:06:51.400
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1:06:51.520 --> 1:06:53.880
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1:06:54.040 --> 1:07:04.480
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