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Speaker 1: I am all in that. I am all in with

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Speaker 1: Scott Patterson and I heart radio podcast. How's everybody doing?

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Speaker 1: So we're ready to Are we ready to go? Because

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Speaker 1: I like this episode. You know what, guys, I liked

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Speaker 1: it too, and I liked it a lot, and I

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Speaker 1: think John Stevens wrote one heck of a script and

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Speaker 1: NeiMa directed the hell out of it, and it was

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Speaker 1: just I want to see it again. Wait, was this

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Speaker 1: Adam Nimoy back again? No, Nonnima Barnett directed this, and

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Speaker 1: I just thought it was as good as it gets

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Speaker 1: for this show. Yeah, I felt very Gilmoury to me.

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Speaker 1: It was just firing on all cylinders that Joe. Everything worked,

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Speaker 1: it was great. Everything was great. And I will say

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Speaker 1: Lauren Graham looked fantastic in this episode. No, no, you

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Speaker 1: talk about the fashion, but I kept noticing the fashion

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Speaker 1: and I'm like, oh my god. I mean the dress

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Speaker 1: and the leather jacket were a knockout. But yeah, what

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Speaker 1: do you call that? What do you call argyle? That argyle?

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Speaker 1: Sweater sleeves, like the like the sweater vest. I'm literally

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Speaker 1: so happy you're mentioning this. But she looked fantastic. I

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Speaker 1: thought the wardrobe and not that she never she always does. Right,

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Speaker 1: you are a thousand percent correct. I was fully taken

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Speaker 1: up a notch even I noticed this Tracy Lords, which

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Speaker 1: will get to her turquoise necklace amazing, and then Suki

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Speaker 1: had these turquoise earrings. So I don't know what was

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Speaker 1: going on with the wardrobe. Looralized fashion was so epic

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Speaker 1: that write. The dress was amazing, her hair was amazing,

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Speaker 1: her face was amazing. The gold necklace with the little

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Speaker 1: circle that I love back again. I mean I'm into

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Speaker 1: Rory's hair, the whole thing. Yeah, I mean everything everything

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Speaker 1: about it worked anyway, So let's um, I think I'm

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Speaker 1: hearing a big sigh of relief. Well, yeah, I think

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Speaker 1: the people will be happy. I was really needing a

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Speaker 1: great episode. I really wanted a great episode. It's it's

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Speaker 1: traumatizing not to like an episode. It's it is it's

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Speaker 1: I don't like not liking it, you know, I want

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Speaker 1: to love it because I love the show. I really

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Speaker 1: do overall. Um, I mean, my just on on that.

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Speaker 1: It's like even when you when you don't like it,

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Speaker 1: it's still better than most episodes of television. Oh, no question,

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Speaker 1: no questions, Like even the worst ones are better than

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Speaker 1: like half the other shows we watched three quarters all right,

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Speaker 1: So who's gonna synopsize? I think Danielle is on the road, right,

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Speaker 1: she's traveling on the East coast. Yes. Oh, speaking of

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Speaker 1: being on the road, I will be appearing at the

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Speaker 1: Rhode Island Comic Con okay uh November four through six

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Speaker 1: in Providence at the Rhode Island Convention Center. And I

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Speaker 1: think they're called the Duncan Donuts. The biggest little state

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Speaker 1: in the Union, the biggest, the biggest, the biggest event

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Speaker 1: in the smallest state. Uh. And so that's Rhode and

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Speaker 1: Comic Con. Come on by. I'll be there all weekend

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Speaker 1: November four or six. Can't wait. It's my only appearance

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Speaker 1: in the United States in the fall winter season at

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Speaker 1: one of these conventions. I don't think you better. One

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Speaker 1: of our one of our podcast hosts from The Bachelor,

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Speaker 1: Ashley I Connetti Um, owns a coffee shop in Rhode Island.

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Speaker 1: It's called Audrey's. You should stop by get out of town.

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Speaker 1: How long does it take to get from the end

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Speaker 1: of Rhode Island to another Like it couldn't be more

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Speaker 1: than an hour? Right? Well, if she's improvid. She in Providence.

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Speaker 1: I don't know, Tara, what town is it in? I

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Speaker 1: don't know, We don't know. But it's the smallest it's

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Speaker 1: it's literally the smallest state. How how far could anything be? Sure?

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Speaker 1: Should I road trip it to her? If I can

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Speaker 1: do it, I'll do it. I'll do it. Yeah, Yeah,

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Speaker 1: we'll find out by the end of the show. We'll

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Speaker 1: find out. All right, cool anyway, Tara synopsize away? Please

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Speaker 1: all right? This is season four, episode five, The Fundamental

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Speaker 1: Things Apply. This aired on October two thousand three. Rory

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Speaker 1: goes on a date but realizes she doesn't know how

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Speaker 1: to date. Luke is annoyed at Laura la because she's

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Speaker 1: doing all her work at the diner and is upset

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Speaker 1: about baseball tickets, so Loria I invites him over for

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Speaker 1: movie night. Meanwhile, she has a dilemma with an interior

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Speaker 1: designer they've hired for the Dragonfly in God it's so good.

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Speaker 1: So it starts out with a bearing with the bulbs

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Speaker 1: right bad, gives laurea lay some ball albs and gets

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Speaker 1: her into gardening as a way to fulfill her empty

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Speaker 1: nest syndrome. And it was really hysterical. Rory comes back

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Speaker 1: and they squeal and they scream because the bulb got

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Speaker 1: on her and made her. And we also immediately know

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Speaker 1: it's Halloween because the town is looking good, which is

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Speaker 1: like perfect timing because Halloween is here. Unbelievable. I was like,

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Speaker 1: this felt really like great timing. We're right on track.

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Speaker 1: How did we do claimed it? So it was a

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Speaker 1: really cute opening scene. Yeah, this opening scene was for

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Speaker 1: me what I love compared to the yelling of the alarm.

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Speaker 1: But we won't mention the episode that I'll take the

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Speaker 1: bulbs over the alarm any day as well. But it

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Speaker 1: was a really cute scene. It was nice to see

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Speaker 1: them together and it was laughing and squealing and acting

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Speaker 1: like kids and being grossed out by things. And the

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Speaker 1: bat was epically Sally's draw. There's sighting, uh, and she

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Speaker 1: always delivers the best of the best comedy. Uh, coming

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Speaker 1: out of your yingang. I love that. I know I'm

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Speaker 1: getting ahead of the best lines. But she says color

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Speaker 1: coming out of your yinging? And did you hear Rory

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Speaker 1: saying maybe you'll get a man right right? I think

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Speaker 1: I missed that. Oh my god, it was so good.

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Speaker 1: But that's good because that that's the theme of you know,

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Speaker 1: it's kind of the theme of the episode. Right, it's

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Speaker 1: like trying to get a dude. Um. And when I

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Speaker 1: wasn't I wasn't mad when we went back to Yale, No, no, no,

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Speaker 1: I thought Yale was wonderful stuff because they established uh

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Speaker 1: Janet's character, they established ton a little more. We go

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Speaker 1: into the dining hall and there's other people, characters, and

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Speaker 1: it's it's you know, she meets all the other you know,

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Speaker 1: what's his face, what's his name? The naked with Marty, Marty,

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Speaker 1: Marty's friend is in the whole thing, and yeah, it's

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Speaker 1: like I felt like I was at a real place

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Speaker 1: and here we get to see the inside and it

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Speaker 1: was it was just alway. I actually wrote a note,

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Speaker 1: I'm happy to be back at school, right, yeah, right,

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Speaker 1: noticed this is the second time Marty's mentioned his brother.

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Speaker 1: Oh yeah, yeah, I just I was like, why are

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Speaker 1: we talking about his brother? Because maybe I forgot do

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Speaker 1: we know who his brother is? Yeah? She Marty mentioned

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Speaker 1: his older brother. Um, the piece of chicken that he

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Speaker 1: he would get the bigger pieces of chicken, right, so

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Speaker 1: he would actually never get he would never get the

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Speaker 1: good pieces right, and he mentioned the brother when he

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Speaker 1: was naked, like this is more embarrassing than anything my

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Speaker 1: brother has ever done, or something like yeah. So in

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Speaker 1: that moment, I was like, do we ever see Marty's

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Speaker 1: brother because it was just twice in a row. Do

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Speaker 1: we know that the brother goes to Yale or no?

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Speaker 1: I don't know. I don't know. It's forty minutes from Providence.

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Speaker 1: It's the coffee up is forty minutes from Providence. That's

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Speaker 1: like nothing. We're on a tight schedule. We're we're in

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Speaker 1: a really tight schedule. It's super tight. All Right, you

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Speaker 1: can go next time you're in Rhoda. All right, thanks,

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Speaker 1: appreciate that. Um so what did you think of going

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Speaker 1: to the cafeteria? First of all, I love that she's like,

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Speaker 1: breakfast ends in five minutes. Well, I like, you know,

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Speaker 1: Paris enters the scene screaming and it's it's jarring and

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Speaker 1: it should be because Rory's supposed to be asleep. And

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Speaker 1: then she comes in screaming and wakes her up and

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Speaker 1: you didn't wake me up, and she missed the waffle

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Speaker 1: waffle bar day and the whole thing, and you know,

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Speaker 1: it's full bar day and nothing I mean, she's just

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Speaker 1: like that was happy that it wasn't like you dropped

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Speaker 1: my alarm I'm late for class, because that would have

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Speaker 1: been like the fact. Once I realized, oh, she doesn't

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Speaker 1: want to miss the end of breakfast, it became much

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Speaker 1: more enjoyable and funny to me. Food is so important

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Speaker 1: to the Gilmore family. So right, uh so now we're

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Speaker 1: so now we're in the commissary and we do she

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Speaker 1: meets the breakfast crew, which I don't know why she

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Speaker 1: didn't just sit down with them. I was a little bombed.

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Speaker 1: I'm like, those dudes are fun and cute. She was embarrassed.

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Speaker 1: I guess, well, I also don't think i'd want to

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Speaker 1: sit down in my robe and pajamas with a group

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Speaker 1: of guys right with their bunny slippers. I'd rather I'd

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Speaker 1: rather just like crawling in a hole and no one

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Speaker 1: noticed me, like if I was, and she was just

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Speaker 1: gonna jump in, and Marty was being sort of nice.

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Speaker 1: I don't know, I wonted her to like join in

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Speaker 1: a bit more. Yeah, but like her and Marty are

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Speaker 1: in a different level like that, you know, like she's

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Speaker 1: seen him naked already. I think Marty sees it as

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Speaker 1: maybe a potential dating situation, and she doesn't. Right, do

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Speaker 1: you think maybe that's a dynamic there? Maybe that's what

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Speaker 1: I yeah, I mean, or or I don't know, or

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Speaker 1: something sort of like off with them still, But I

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Speaker 1: was like, the breakfast crew looks cute, and first of all,

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Speaker 1: they all seemed kind of recognizable to me. I'm like,

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Speaker 1: are all these dudes famous? And then uh, it seems

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Speaker 1: fun eat their eggs or whatever. Yeah, but you eat

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Speaker 1: their eggs. She looks kind of crappy in college. You

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Speaker 1: don't want to sit down with a bunch of dudes,

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Speaker 1: I mean casual breakfast. Yeah, but that's Rory. She's you know,

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Speaker 1: she's naturally shown kind of set up like the whole

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Speaker 1: episode too, like, you know, get yourself out there. Definitely

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Speaker 1: m hm m h m. All right, and then where

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Speaker 1: do we go next to the diner? So now we

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Speaker 1: see Lorelai who's turned the diner into her office. Janes

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Speaker 1: there's cook Janes kind of busting at the scenes and

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Speaker 1: we don't know why. Um so she's on her cell phone.

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Speaker 1: He runs her out of there, and the funny part

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Speaker 1: of it is she does the entire phone call on

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Speaker 1: the way out never gets out the door. The phone

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Speaker 1: call ends at the door, she comes back in. Did

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Speaker 1: you please tell me you guys noticed that the background

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Speaker 1: actor with the burger though, no, you got okay, anybody

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Speaker 1: listening to me a favor, go right back to this

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Speaker 1: scene and we will do it for you too. On Instagram.

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Speaker 1: You gotta zoom in on the dude with the burger.

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Speaker 1: I mean, he was almost like heat because of the

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Speaker 1: way the camera was. It was more him than you guys,

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Speaker 1: and burger just gigantic. And then he you can tell

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Speaker 1: he doesn't want to take a bike because it'll wreck

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Speaker 1: the like continuity, so he's sort of tapping it. You guys,

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Speaker 1: somebody's got to pull up the scene. You must put

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Speaker 1: it on Instagram because I know they're trying to get

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Speaker 1: the scene. I'm gonna I'm gonna watch this episode later.

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Speaker 1: Anyhow could anyone miss it? I don't know. I did.

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Speaker 1: I didn't. I didn't see it because we're not supposed

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Speaker 1: to notice it. So you must have been like in

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Speaker 1: the action with luc Lorelei and I just was like,

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Speaker 1: what's going on with that dude? Well, I couldn't take

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Speaker 1: my eyes off of her. You know, he taps it

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Speaker 1: almost and then he's trying to talk fake talk to

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Speaker 1: the person acrossroom him. You guys, it was an epic

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Speaker 1: background actress actor moment. Oh, oh it's happening. Here we go,

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Speaker 1: it's right there. Did you see that the burger? Watch

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Speaker 1: watch the burger in the back hold on, so look

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Speaker 1: at his burger comes up, whole burger. But he knows

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Speaker 1: I can't take a bite of this. How to do

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Speaker 1: something on the see is it? Is it a fake burger? No? No,

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Speaker 1: those are real burgers. He tapped it. What's who doesn't

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Speaker 1: do a burger tap? That's like everybody listening. When he

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Speaker 1: was holding the burger and he took a drink of

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Speaker 1: his soda, never said never, he didn't take the burger.

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Speaker 1: He but he took it. He was holding the burg

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Speaker 1: with both and now and now he's like flailing it

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Speaker 1: around in the background for the rest of the scene,

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Speaker 1: like he's talking with the burger. I'm eating a burger

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Speaker 1: and wait for it. Now it's going to come up again. Yeah,

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Speaker 1: he's never taking a bite that. That's the same dude. Yeah,

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Speaker 1: he's he's a burger waiver. It's a pretty big it's

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Speaker 1: a pretty big burger. Burger waver. He's not a burger eater. Look,

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Speaker 1: then the girl left him. She went to get the mustard.

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Speaker 1: There's so much action, and now he doesn't have the burger.

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Speaker 1: I think it's down, and he's wife rubbing his hands

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Speaker 1: a lot of mustard. Oh my god, now he's putting O. Wait,

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Speaker 1: now the girl's gone, is she? There is so much

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Speaker 1: action happening with that couple. I can't get enough. Oh, Bravo, bravo.

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Speaker 1: Background nice All right? Well, uh, anyway, who knew there

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Speaker 1: was far more interesting stuff happening behind It's Michelle's cheap

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Speaker 1: days and uh, funny moment to take him somewhere else,

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Speaker 1: get him out of here. He wanted he wanted to

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Speaker 1: know the ingredients of the chocolate, the chocolate. But I

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Speaker 1: also loved this. You're right, Scott. This episode had such

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Speaker 1: good writing because I love when he goes oh, I

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Speaker 1: love doing research for the sake of doing research, because

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Speaker 1: he's done all his work for her, and she's like, oh,

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Speaker 1: I found somebody. I was even like, yeah, important question

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Speaker 1: for you, Scott. Are you feeling better about phone calls?

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Speaker 1: Because in this episode there were two, at least two

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Speaker 1: amazingly perfect phone calls one right here where Emily calls,

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Speaker 1: and then later on during the date, I mean, come

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Speaker 1: on that phone call. They they work, They work beautifully.

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Speaker 1: The phone calls work beautiful because there's so much going

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Speaker 1: on in person that the phone calls provide a kind

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Speaker 1: of a welcome sad drama. But then you're like, oh,

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Speaker 1: are they going to get back to the scene after

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Speaker 1: the phone call and continue that banter? So yes, it

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Speaker 1: all worked. It was the perfect use of phone calls, Yes,

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Speaker 1: because it kind of gave you like almost a breather

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Speaker 1: and everything that's happening that you're like, okay, yeah, I

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Speaker 1: actually wish some of these scenes were longer. There were

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Speaker 1: scenes in this episode where I'm like, oh, wait, what

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Speaker 1: we're moving on already at more? Yeah, exactly as I

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Speaker 1: felt the same way. It was really fast paced, really great.

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Speaker 1: They just packed so much stuff into every scene. All

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Speaker 1: the great line that Lorelai should be rs V ping

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Speaker 1: for Friday night dinner. I do, yeah, I mean, I

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Speaker 1: mean I don't know. My My take on it was

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Speaker 1: like really just needs to like let it go, you

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Speaker 1: know what I mean, Like, like it is what it is,

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Speaker 1: it's Frida night dinner, it's you it's your parents house.

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Speaker 1: It's not like you know, if you can't make it,

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Speaker 1: that's fine, just call her. I mean she already didn't.

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Speaker 1: I could throw on a couple of extra lamb shops.

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Speaker 1: Come on, they have plenty of food at that house. Yeah,

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Speaker 1: I mean they're not making it there, sure right? What

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Speaker 1: did you guys think Emily with the ponytail? I like it? Yeah,

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Speaker 1: I liked everything about it. Really, boy, Emily, what an

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Speaker 1: episode for her? Yeah? Boy, she really took it in

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Speaker 1: the shorts, didn't. We will get to it. But the

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Speaker 1: other thing that I thought was so relatable, especially today,

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Speaker 1: this was almost like a premonition, you know, when you're

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Speaker 1: on the phone with someone and they're reading something, because

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Speaker 1: she's like, are you reading while talking? And I was

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Speaker 1: literally like most relatable thing ever. These days, everyone's trying

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Speaker 1: to talk on the phone and text at the same

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Speaker 1: time and they're not responding to you, and you know,

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Speaker 1: there's like a there's like a huh, you know what

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Speaker 1: I mean? What did you wait? What did you say?

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Speaker 1: What you say? Say it again. I've definitely done that.

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Speaker 1: I might have been caught doing that by Scott um

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Speaker 1: last pop culture, you do it a lot. I forgive

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Speaker 1: me though, because I know you've got you know, you're

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Speaker 1: so busy, you know you've got a million balls in here,

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Speaker 1: So I don't don't, I don't bust your chops about it.

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Speaker 1: Uh So, now we go back to Yale, which I

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Speaker 1: was again happy about, and that guy was a cutie

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Speaker 1: that tried to ask her out, do you eat the Trevor?

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Speaker 1: The Trevor? Yeah, he was very awkward, but I guess

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Speaker 1: I guess he was an appealing young man, wasn't he? Yes,

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Speaker 1: I wrote Rory W t F Like she was so

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Speaker 1: not picking up what he was putting down. Well, why,

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Speaker 1: I don't know. Maybe, I mean, look at who she's dated,

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Speaker 1: Dean and then Jess. I mean, now she's it's a

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Speaker 1: whole different breed of cat over there, which in in

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Speaker 1: the next scene, lore I does say you didn't date them,

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Speaker 1: you were in a relationship with them. Yeah, right, I

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Speaker 1: don't know that she's ever actually been like asked on

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Speaker 1: a date, but she dated them in the beginning. I mean,

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Speaker 1: it wasn't a full blow really well, not Jess, Well,

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Speaker 1: she dated Dean, it was. It wasn't a full blown

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Speaker 1: relationship right away, wasn't. No, that's right, it was sort

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Speaker 1: of remember that he was over for the move blurty. Yeah,

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Speaker 1: I mean what a date with LORELEI? Right, yeah, I

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Speaker 1: would say my only criticism, buckle up, everybody, was it

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Speaker 1: was a little too fast and frenetic for me with Lane.

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Speaker 1: Oh thanks for the pizza actually, but that okay. But

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Speaker 1: that actually worked because she, you know, she had to

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Speaker 1: do her little version of a speed date friendship date

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Speaker 1: with Rory and get the heck back because you know,

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Speaker 1: the ochra was drying out or something. And I did

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Speaker 1: think it was a funny reference that Mrs Kim has

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Speaker 1: been doing a lot of internet ordering. Respect Mrs Kim.

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Speaker 1: I'm all about the Internet myself, right, So yeah, I

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Speaker 1: just could have used a little bit more late. I

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Speaker 1: liked what we got. I liked what we got. She

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Speaker 1: was she was, She was just perfect pitch. I thought,

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Speaker 1: you know, I had a couple of bites since she

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Speaker 1: was out of there, bye, you know, how do you

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Speaker 1: feel about the war that is brewing between Janet and

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Speaker 1: paris Us. I thought that was great and I thought

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Speaker 1: that Janet really uh stood up for herself and held

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Speaker 1: her own and I was like, oh, yeah, that's our girl. Man.

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Speaker 1: We just interviewed her. She's she's gonna like put a

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Speaker 1: thumping on old Paris, like she better watch out. You know.

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Speaker 1: She just said, you know, I I am, after all,

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Speaker 1: on partial scholarship. You know, don't embellish with all the

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Speaker 1: balls I have. There's one ball, you know, right right

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Speaker 1: right right? Um? So yeah, I like that dynamic. I

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Speaker 1: want to see more of that because that's good conflict

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Speaker 1: between those and all right, I enjoy everything with Tana too. Okay,

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Speaker 1: So I jumped a tin of it ahead. So this

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Speaker 1: is where lore La addresses to Rory, like you saw

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Speaker 1: Marty and she says he's sweet, and she's like, does

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Speaker 1: he have a bad but like any guys on the horizon, notpe.

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Speaker 1: So they're sort of having this conversation about boys and

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Speaker 1: he's preppy. And remember she judges him for carrying the

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Speaker 1: bottle of water. Not Marty, but the other guy she

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Speaker 1: carrying a bottle of water. She says he carries She says, um,

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Speaker 1: he's decent to look at, but he carries a bottle

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Speaker 1: of water around. It's weird. Now everyone cares. Now Rory

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Speaker 1: says that right, sah, no, you can't do that hydration? Yeah, bad, right,

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Speaker 1: She says that about Trevor right, because she tells her mom,

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Speaker 1: Now it's like such a thing with like the Stanley,

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Speaker 1: the Stanley cups and like the hydro flask. Oh my god.

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Speaker 1: I saw this TikTok where this woman is talking about

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Speaker 1: growing up in the eighties and she's like, we never

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Speaker 1: had water, like never, and we didn't die, Like we

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Speaker 1: totally live by the way. I literally have a I

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Speaker 1: have one next to meet. But now that we know

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Speaker 1: how important being hydrated is, you know, it's like we've

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Speaker 1: adapted as a species to but especially in colleges now,

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Speaker 1: like I feel like everyone does carry around like a

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Speaker 1: hydroflask totally. Yeah, as maybe the water supply in each

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Speaker 1: city and town, like no one really has plastic bottles. Now,

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Speaker 1: we'd have a weird tangent. When you were on Gilmour Girls,

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Speaker 1: was there something that like you loved to have in

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Speaker 1: your dressing room? Like that was your what's your number

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Speaker 1: one thing that you like? You know how most celebrities

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Speaker 1: have like a fruit platter and peria or whatever, Like

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Speaker 1: what's what was your thing? I mean they would stock

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Speaker 1: their refrigerator with with water, and uh, I liked orange

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Speaker 1: juice and apple juice and cranberry juice, juices. You're a

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Speaker 1: juice man. A lot of a lot of sugar in

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Speaker 1: that their carrot juice. Oh no, that's good for you.

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Speaker 1: That's good. Did you ever take I guess character could

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Speaker 1: take a sip of something pretty easily in the diner,

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Speaker 1: drink a little drink or that's not I never, I

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Speaker 1: don't remember drinking anything in the dinner. Let's do busy working. Yes,

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Speaker 1: it was in between takes. You take your little steps. Um,

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Speaker 1: all right, let's see here. But I love the fact

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Speaker 1: that they introduced uh and I we're going back to Trevor.

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Speaker 1: But I love the fact that they're discussing Hemingway and

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Speaker 1: they're they're discussing uh. I guess that's for whom the

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Speaker 1: bell tolls. That all went over my head. There was

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Speaker 1: a few things in this so went over my head,

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Speaker 1: even that, Um yeah, in that class, that professor's talking

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Speaker 1: and it was like to me, I was like, I

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Speaker 1: don't know that, did you. I didn't know what that

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Speaker 1: guy was talking about. The teacher, the professor. It was.

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Speaker 1: It was a good discussion of the novel, the basic

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Speaker 1: themes of the novel. Um. Anyway, So wait, sidebar really quick.

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Speaker 1: Is one of the Breakfast Crew named Sugarman. When you

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Speaker 1: texted that last night, I was like, I no idea

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00:24:00,520 --> 00:24:03,040
Speaker 1: what that? Okay, So there's an actor in this episode

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Speaker 1: named Adam Shapiro, and obviously I already hit him up.

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Speaker 1: He's coming on with us. His character is named Sugarman.

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Speaker 1: And for anyone, I'm not making it about me, save

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Speaker 1: your letters, but my last name Sugarman. So we got

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Speaker 1: to talk to that dude. But I can't figure out

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Speaker 1: who he is. He must have been in the Breakfast crew.

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Speaker 1: M hmm, we'll find out. You think Amy Palladino is

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Speaker 1: giving a nod to you in the future. I was,

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Speaker 1: first of all, wait, another funny line though there's like

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Speaker 1: a thousand there's thousands of because she says, you're you know,

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Speaker 1: something about like I'm not the world's best dater, but

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Speaker 1: I do it, and then like Rory storms off and

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Speaker 1: she's all, did I win? Everything is so good? Yeah,

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Speaker 1: it's it's really good. So Scott, do you remember? So

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Speaker 1: now we meet Natalie Zimmer in her beautiful, perfect turquoise

401
00:25:02,000 --> 00:25:07,520
Speaker 1: necklace is lovely. Immediately I was like, she's lovely and beautiful.

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Speaker 1: I know her who is that? Well, you know, that's

403
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Speaker 1: Tracy Lords. I did my I was on the verge

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Speaker 1: of going back to New York my first trip out

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Speaker 1: here to l A, because I was broke and I

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Speaker 1: had worn out my welcome on several people's couches. Right,

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Speaker 1: So I was going to head back to New York

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Speaker 1: because things weren't working out for me here. And I

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Speaker 1: got a film, uh, playing Tracy Lord's husband. Yes, called

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Speaker 1: Intend to Kill like a PM entertainment straight later work.

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Speaker 1: Not her early work, no, right, right, right, right now.

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Speaker 1: It was legit acting work. It had nothing to do

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Speaker 1: with you know, her former career, right, no judgments, but

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Speaker 1: for people listening, Tracy Lords became very famous for her

415
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Speaker 1: work in the adult film film industry, right and and

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Speaker 1: then she ended up working with John waters On on

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Speaker 1: some of his films. And turns out she's a really

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Speaker 1: strong actress, you know, and really by yeah and cry

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00:26:13,760 --> 00:26:17,240
Speaker 1: Baby and the whole thing and so um so. Anyway,

420
00:26:17,320 --> 00:26:20,840
Speaker 1: so she was I think producing that film and sort

421
00:26:20,840 --> 00:26:23,040
Speaker 1: of had the decision and she hired me to play

422
00:26:23,080 --> 00:26:26,360
Speaker 1: her husband. When so were you happy to see her?

423
00:26:26,359 --> 00:26:28,480
Speaker 1: Did you guys get to see each other? Oh? I

424
00:26:28,480 --> 00:26:30,480
Speaker 1: I had no idea. She was cast and when I

425
00:26:30,480 --> 00:26:32,520
Speaker 1: saw I was like, oh my god, how you doing? It?

426
00:26:32,840 --> 00:26:34,480
Speaker 1: Had been it had been a minute, you know, it's

427
00:26:34,520 --> 00:26:37,919
Speaker 1: been ten years at least. You actresses who worked in

428
00:26:37,960 --> 00:26:40,879
Speaker 1: adult films, who really was able to cross over and

429
00:26:40,920 --> 00:26:44,000
Speaker 1: do like mainstream acting. And she's excellent in this episode

430
00:26:44,119 --> 00:26:48,360
Speaker 1: and lovely. She took control of her life. She took

431
00:26:48,359 --> 00:26:51,840
Speaker 1: her control back and she you know, executed her game

432
00:26:51,880 --> 00:26:57,080
Speaker 1: plan and she's doing very very well. So good for her. Yeah.

433
00:26:57,080 --> 00:26:59,960
Speaker 1: So I thought she was perfectly cast as Natalie Zimmer

434
00:27:00,040 --> 00:27:02,119
Speaker 1: and I thought she was adorable. And that's where we

435
00:27:02,200 --> 00:27:05,040
Speaker 1: get Now we get the argyle sweater and the black

436
00:27:05,080 --> 00:27:09,040
Speaker 1: skirt and the leather jacket. Did we get it that soon? Oh?

437
00:27:09,119 --> 00:27:11,159
Speaker 1: Yes we do. Yeah, yeah she doesn't. We don't get

438
00:27:11,160 --> 00:27:13,200
Speaker 1: the leather jacket quite yet, but we get the argyle

439
00:27:13,240 --> 00:27:15,760
Speaker 1: sweater and the black skirt because she then walks through

440
00:27:15,800 --> 00:27:23,480
Speaker 1: town and we see Suki pregnant, really pregnant, right right right? Right? Um, yeah,

441
00:27:23,520 --> 00:27:28,960
Speaker 1: that's scene about the Jackson Jackson naming the baby Colgate.

442
00:27:31,440 --> 00:27:36,119
Speaker 1: I actually needed to rewind this. I was so confused.

443
00:27:36,240 --> 00:27:38,720
Speaker 1: Did she not say the baby's name is Davy? Davy?

444
00:27:38,800 --> 00:27:43,320
Speaker 1: It was Davy. Yes, but because but Jackson doesn't know.

445
00:27:43,600 --> 00:27:47,840
Speaker 1: He doesn't want to know, so she's just naming the baby. Well,

446
00:27:48,119 --> 00:27:51,320
Speaker 1: they agreed if it's a boy, and she wasn't letting

447
00:27:51,320 --> 00:27:54,240
Speaker 1: on that she that she knew, right, I mean she,

448
00:27:54,440 --> 00:27:57,520
Speaker 1: I mean, he knows that she knows, so, but she

449
00:27:57,560 --> 00:28:02,720
Speaker 1: didn't want to him herself into just a boy name

450
00:28:02,720 --> 00:28:04,720
Speaker 1: because then that would give away that she knew what

451
00:28:04,760 --> 00:28:06,840
Speaker 1: the sex of the baby was, because it weren't they

452
00:28:06,880 --> 00:28:10,320
Speaker 1: in this together, like they like, I don't want to know,

453
00:28:10,600 --> 00:28:13,080
Speaker 1: and she doesn't know. She's paying like she doesn't know too.

454
00:28:13,119 --> 00:28:15,440
Speaker 1: Write The part that I just was missing, and I

455
00:28:15,480 --> 00:28:17,679
Speaker 1: was like, do I need to rewind? This? Was that

456
00:28:19,000 --> 00:28:21,879
Speaker 1: she named the baby Davy. But wouldn't you wait? Okay?

457
00:28:21,920 --> 00:28:23,600
Speaker 1: So my head was like, wait, why are they just

458
00:28:23,640 --> 00:28:29,480
Speaker 1: not waiting? She she told that to Laurel. She didn't

459
00:28:29,520 --> 00:28:33,200
Speaker 1: tell that to Jackson. Now I get it. I'm so dumb.

460
00:28:33,280 --> 00:28:36,080
Speaker 1: And she said, no, no, it's not it's it was yeah,

461
00:28:36,480 --> 00:28:38,560
Speaker 1: but she said, if it's a girl, we're naming her

462
00:28:38,640 --> 00:28:42,320
Speaker 1: cold Gate. If it's a boy, let's do Davy, you know,

463
00:28:42,920 --> 00:28:44,720
Speaker 1: And she knows it's a boy. So she told Laura,

464
00:28:44,920 --> 00:28:46,800
Speaker 1: we're going to name it. It's Davy because he agreed

465
00:28:46,840 --> 00:28:49,600
Speaker 1: to that. I just realized I'm a complete idiot that

466
00:28:49,760 --> 00:28:53,120
Speaker 1: I didn't get that. They said, if it's a boy, this,

467
00:28:53,400 --> 00:28:57,560
Speaker 1: If it's a girl, so she knows, right, Oh my god,

468
00:28:58,000 --> 00:28:59,920
Speaker 1: Cold Gate, what kind of a name is your girl?

469
00:29:00,440 --> 00:29:02,960
Speaker 1: I was today years old when I realized, do you

470
00:29:03,040 --> 00:29:05,840
Speaker 1: worry much? I mean, you only work like eighteen hours

471
00:29:05,840 --> 00:29:11,000
Speaker 1: a day, right, is that it? Of course, if it's

472
00:29:11,000 --> 00:29:13,040
Speaker 1: a boy, this, if it's a girl this, and she

473
00:29:13,160 --> 00:29:18,640
Speaker 1: knows it's a boy. Oh my god, Hello, meet meet

474
00:29:18,840 --> 00:29:23,960
Speaker 1: Colgate Douglas. Colgate, Colgate Douglas would be her name. It

475
00:29:24,040 --> 00:29:27,600
Speaker 1: was a girl, because it's Jackson Douglas or Colgate St. James,

476
00:29:28,240 --> 00:29:32,720
Speaker 1: Colgate St. James Douglas. I like Davy. What her name?

477
00:29:32,840 --> 00:29:42,760
Speaker 1: Davy Douglas, Davy St. James. It works, It all works, Cyber.

478
00:29:42,880 --> 00:29:45,680
Speaker 1: The town looks amazing the way they do that. It's

479
00:29:45,760 --> 00:29:49,479
Speaker 1: just yeah, I actually noticed that too. It's really pretty.

480
00:29:50,720 --> 00:29:52,680
Speaker 1: It was. It was a nice place to work, and

481
00:29:52,760 --> 00:29:56,760
Speaker 1: we would often sit in the gazebo and relax and

482
00:29:56,760 --> 00:30:00,120
Speaker 1: on on cooler days. Right, that's so nice. Yeah, And

483
00:30:00,120 --> 00:30:02,680
Speaker 1: then we we we got good use out of that

484
00:30:02,720 --> 00:30:08,200
Speaker 1: gazebo just for saying Suki's hair looked amazing. Relies hair

485
00:30:08,240 --> 00:30:14,200
Speaker 1: looked amazing. Everybody looked so good in this episode. Just

486
00:30:14,240 --> 00:30:16,400
Speaker 1: a quick note on hair. Um. I don't know if

487
00:30:16,400 --> 00:30:20,360
Speaker 1: this is actually true. Someone someone said that in the

488
00:30:20,440 --> 00:30:22,920
Speaker 1: last episode when Rory cut her hair, she might have

489
00:30:22,920 --> 00:30:27,160
Speaker 1: been filming sister heard of the traveling pants. I saw that,

490
00:30:27,640 --> 00:30:29,480
Speaker 1: but I thought she looked good in this episode. I

491
00:30:29,520 --> 00:30:32,560
Speaker 1: really liked that she looked totally down with the short

492
00:30:32,560 --> 00:30:35,600
Speaker 1: hair because it makes her more collegiate. Like I feel like, Okay,

493
00:30:35,640 --> 00:30:39,480
Speaker 1: that was the high school Rory and now we've got college. Yeah. Yeah,

494
00:30:39,520 --> 00:30:41,160
Speaker 1: I feel like by the way, I feel like a

495
00:30:41,200 --> 00:30:43,720
Speaker 1: lot of girls do that, like they want something fresh,

496
00:30:43,720 --> 00:30:45,720
Speaker 1: they just chop it all off. So it made sense.

497
00:30:46,160 --> 00:30:48,000
Speaker 1: We saw lor I put the glasses on again in

498
00:30:48,040 --> 00:30:52,440
Speaker 1: this episode, so cute. It really went with the sweater

499
00:30:52,560 --> 00:30:58,240
Speaker 1: vest totally like I don't want to get kind of

500
00:30:58,280 --> 00:31:00,760
Speaker 1: weird Britney spears in this, but like the fact that

501
00:31:00,800 --> 00:31:03,280
Speaker 1: she had like the glasses and the argyle, but then

502
00:31:03,320 --> 00:31:06,480
Speaker 1: the short skirt. I was like, oh, this is so cute.

503
00:31:07,040 --> 00:31:10,640
Speaker 1: Maybe one more time, So okay, so we know now

504
00:31:10,760 --> 00:31:13,400
Speaker 1: I think I can't exactly remember exactly where, But we

505
00:31:13,440 --> 00:31:15,960
Speaker 1: also know that Rory has that scene with Trevor where

506
00:31:16,000 --> 00:31:20,400
Speaker 1: she you know, oh I could be hungry, you know,

507
00:31:20,520 --> 00:31:22,880
Speaker 1: gets him to ask her out like, oh you know

508
00:31:22,880 --> 00:31:27,080
Speaker 1: what I do I eat? Like m h very funny,

509
00:31:27,560 --> 00:31:29,800
Speaker 1: and then and then when he comes around, her last

510
00:31:29,840 --> 00:31:40,880
Speaker 1: line is, um, you're so persistent. Was very clever. Then

511
00:31:40,920 --> 00:31:44,440
Speaker 1: we realized that lor los everybody four thousand dollars and

512
00:31:44,480 --> 00:31:48,080
Speaker 1: that Luke has taken her messages, which was totally amusing

513
00:31:48,240 --> 00:31:51,400
Speaker 1: from yeah, yeah, he was a bit edgy, wasn't He

514
00:31:52,400 --> 00:31:54,680
Speaker 1: hadn't he yelled at poor head? And then we find

515
00:31:54,680 --> 00:32:00,760
Speaker 1: out why snapping at everybody snapping coming here again? Yeah, man,

516
00:32:02,040 --> 00:32:06,920
Speaker 1: just kind of it was kind of fun. Oh that's

517
00:32:06,920 --> 00:32:11,320
Speaker 1: not gonna you know. You know what I appreciate about it, though,

518
00:32:11,360 --> 00:32:14,920
Speaker 1: even though you kind of grading mcgrast, is that we're

519
00:32:14,960 --> 00:32:21,480
Speaker 1: not just pretending like the Nicole thing was Nicole, right, Yeah,

520
00:32:21,680 --> 00:32:24,320
Speaker 1: it was a cool We're not just pretending that that damaged.

521
00:32:24,600 --> 00:32:26,400
Speaker 1: Like the thing I like about Gilmore is that they're

522
00:32:26,440 --> 00:32:30,640
Speaker 1: actually saying, Okay, they're acknowledging it, you're bummed about it. Still,

523
00:32:30,720 --> 00:32:33,480
Speaker 1: we didn't just make it disappear, right, This is how

524
00:32:33,560 --> 00:32:37,960
Speaker 1: human beings feel, right, even though they're in the setting.

525
00:32:38,640 --> 00:32:41,240
Speaker 1: You know, there's got to be like an ouch factor here.

526
00:32:41,280 --> 00:32:43,520
Speaker 1: He's and he's only he's a little he's going through

527
00:32:43,520 --> 00:32:46,800
Speaker 1: those stages, right, So he's in one of his he's

528
00:32:46,800 --> 00:32:49,960
Speaker 1: in the angry stage. And nothing's more luke like than

529
00:32:50,040 --> 00:32:53,920
Speaker 1: not wanting to plan. And I that tracks, you know,

530
00:32:54,520 --> 00:32:57,760
Speaker 1: and we get it like it hurts you planned and

531
00:32:57,800 --> 00:33:05,400
Speaker 1: it burned you and your feelings are hurt right right? Um? Yeah,

532
00:33:05,840 --> 00:33:11,360
Speaker 1: I really want to resist commenting on the character so much.

533
00:33:11,400 --> 00:33:14,120
Speaker 1: You guys, comment on the character what you're We want

534
00:33:14,120 --> 00:33:17,880
Speaker 1: to know you are him. We want to hear what

535
00:33:17,960 --> 00:33:24,160
Speaker 1: you have to say. You can take some mean bleep

536
00:33:24,200 --> 00:33:28,920
Speaker 1: on Instagram. You know. At first, no, no, no, it's

537
00:33:28,960 --> 00:33:32,680
Speaker 1: not that, it's it's you know, at first, I thought,

538
00:33:32,720 --> 00:33:35,640
Speaker 1: oh god, you know, he's it's a little too snappy.

539
00:33:35,920 --> 00:33:38,800
Speaker 1: It's a little too it's like too much anger at her.

540
00:33:39,160 --> 00:33:41,200
Speaker 1: And it's not like that's not funny. But why did

541
00:33:41,240 --> 00:33:43,280
Speaker 1: I laugh that? You know, I thought it was funny.

542
00:33:44,680 --> 00:33:46,600
Speaker 1: I thought it was just it was in character for

543
00:33:46,760 --> 00:33:49,880
Speaker 1: little I thought, so, okay, I agree, I agree because

544
00:33:49,880 --> 00:33:52,640
Speaker 1: because I got judge with myself and I go, oh, jeez,

545
00:33:52,720 --> 00:33:55,440
Speaker 1: you now you're going after Laurelai the way you came

546
00:33:55,520 --> 00:33:58,360
Speaker 1: but known as a grump. So it wasn't like, you know,

547
00:33:58,760 --> 00:34:00,640
Speaker 1: she keeps up with you could show and then she

548
00:34:00,680 --> 00:34:03,640
Speaker 1: says Benji and she says lastie. And then the thing

549
00:34:03,720 --> 00:34:07,280
Speaker 1: I like is you tell her what's really going on. Yeah,

550
00:34:08,400 --> 00:34:12,760
Speaker 1: that's a relationship like you're allowed to be like because

551
00:34:12,800 --> 00:34:15,000
Speaker 1: then you say, here's what's going on and then she says,

552
00:34:15,000 --> 00:34:17,680
Speaker 1: you know what, come over for a movie. They are

553
00:34:17,920 --> 00:34:20,880
Speaker 1: really good friends. Yeah, it was nice. It was a

554
00:34:20,960 --> 00:34:23,040
Speaker 1: nice scene. It was really nice when it got to

555
00:34:23,120 --> 00:34:26,200
Speaker 1: that point. Did anyone else think that Luke totally thought

556
00:34:26,239 --> 00:34:27,520
Speaker 1: it was a date in lore Lae, I was just

557
00:34:27,560 --> 00:34:29,759
Speaker 1: inviting him over. No. I think they both were totally

558
00:34:29,800 --> 00:34:31,600
Speaker 1: on the same page on what it was. Well, what

559
00:34:31,640 --> 00:34:32,759
Speaker 1: do you think it was? What do you think it

560
00:34:32,840 --> 00:34:40,000
Speaker 1: was a friend date? Like each other that aren't ready

561
00:34:40,000 --> 00:34:43,239
Speaker 1: to tell each other. No, I not right, But I

562
00:34:43,280 --> 00:34:46,920
Speaker 1: think they both were aware that here's an opportunity to

563
00:34:47,000 --> 00:34:49,600
Speaker 1: go on a date without having to admit that's what

564
00:34:49,640 --> 00:34:52,640
Speaker 1: I'm exactly right. And I think they were both happy,

565
00:34:52,680 --> 00:34:55,280
Speaker 1: really happy about it because it wasn't awkward or weird

566
00:34:55,400 --> 00:35:01,279
Speaker 1: or exactly just organically came up and it was like, yes, yeah,

567
00:35:01,400 --> 00:35:03,560
Speaker 1: I just think that Luke thought of it a little

568
00:35:03,560 --> 00:35:06,880
Speaker 1: bit more than Laura I did. But that was, you

569
00:35:06,920 --> 00:35:12,120
Speaker 1: know why rewind it to the scene where she looks

570
00:35:12,160 --> 00:35:14,879
Speaker 1: at him. There's a couple of looks and she looks

571
00:35:14,920 --> 00:35:19,520
Speaker 1: at him in the perfect way like at the house, yep,

572
00:35:19,800 --> 00:35:21,960
Speaker 1: and she looks especially I think when he's asleep, but

573
00:35:22,000 --> 00:35:24,040
Speaker 1: there might have been one other and she looks at

574
00:35:24,080 --> 00:35:28,239
Speaker 1: him like you but I mean, I mean at the

575
00:35:28,280 --> 00:35:33,920
Speaker 1: diner when she invited. I think right off the bat,

576
00:35:34,160 --> 00:35:37,880
Speaker 1: Luke thought of it more than Laura I did. Okay,

577
00:35:38,239 --> 00:35:41,000
Speaker 1: you could be right, because I also respected that he

578
00:35:41,040 --> 00:35:45,759
Speaker 1: said okay. I just think he's not because he could

579
00:35:45,760 --> 00:35:48,000
Speaker 1: have said like, oh no, you don't have to have

580
00:35:48,080 --> 00:35:50,640
Speaker 1: me over, but he just immediately says, okay, yeah, let's

581
00:35:50,640 --> 00:35:53,000
Speaker 1: do that. I don't know, I think maybe you're right,

582
00:35:53,320 --> 00:35:56,080
Speaker 1: but it's close. I was just I mean, I was

583
00:35:56,080 --> 00:35:57,480
Speaker 1: just thinking about I don't think he was going to

584
00:35:57,560 --> 00:36:01,880
Speaker 1: allow himself to go there mentally that this was a date,

585
00:36:01,960 --> 00:36:04,320
Speaker 1: but it was an opportunity to get inside the house.

586
00:36:04,360 --> 00:36:07,600
Speaker 1: Since spent some time with somebody obviously is very fine,

587
00:36:07,719 --> 00:36:09,960
Speaker 1: and they haven't had one on one time and like

588
00:36:10,960 --> 00:36:15,160
Speaker 1: a long time, so he's definitely not dreading it. We

589
00:36:15,200 --> 00:36:20,080
Speaker 1: know that that's true, and she's not courtesy inviting him

590
00:36:20,160 --> 00:36:23,319
Speaker 1: or pity inviting him annuinely is like I want you

591
00:36:23,360 --> 00:36:27,200
Speaker 1: to come over. They're both excited. They're like, oh, that's cool, perfect.

592
00:36:27,480 --> 00:36:30,160
Speaker 1: So what so what give me a percentage of like

593
00:36:30,800 --> 00:36:33,799
Speaker 1: for Laurel eye she being a buddy a pal or

594
00:36:33,960 --> 00:36:38,080
Speaker 1: she being like, hey, maybe this will turn into something.

595
00:36:38,120 --> 00:36:43,919
Speaker 1: What percentage buddy? What percentage? I think it's like for me,

596
00:36:44,120 --> 00:36:50,000
Speaker 1: I think it's like sixty potential buddy. But the thing

597
00:36:50,040 --> 00:36:54,080
Speaker 1: that yeah, but because the reason is is that she

598
00:36:54,280 --> 00:36:56,320
Speaker 1: was like, well, Rory and I usually do moving that,

599
00:36:56,480 --> 00:36:57,879
Speaker 1: but she's not here, So do you want to come?

600
00:36:57,920 --> 00:37:01,960
Speaker 1: So it felt a little like, well, you know, I'm

601
00:37:02,000 --> 00:37:03,680
Speaker 1: missing out on someone else? Do you want to fill

602
00:37:03,719 --> 00:37:08,680
Speaker 1: their spot? That's why I thought it like two friends

603
00:37:10,719 --> 00:37:19,120
Speaker 1: who somewhere somewhere they have crushes. Yeah, and so it's like, Okay,

604
00:37:19,280 --> 00:37:21,239
Speaker 1: would you rather watch a movie with a friend that

605
00:37:21,280 --> 00:37:23,360
Speaker 1: you sort of have a crush on or a friend

606
00:37:23,400 --> 00:37:26,239
Speaker 1: that's you don't have a crush on friend you have

607
00:37:26,280 --> 00:37:29,319
Speaker 1: the crush on. So I feel like they're both like, well,

608
00:37:29,360 --> 00:37:32,160
Speaker 1: this is yeah, Loral, I just I'm not gonna lie

609
00:37:32,200 --> 00:37:34,239
Speaker 1: to you. Loral sometimes just bugs me in the sense

610
00:37:34,239 --> 00:37:36,360
Speaker 1: of like she never gets to the point, like she

611
00:37:36,400 --> 00:37:38,839
Speaker 1: always like the beats around the bush. So I'm like,

612
00:37:39,400 --> 00:37:42,800
Speaker 1: but I think that's why I always think like she's

613
00:37:42,880 --> 00:37:45,640
Speaker 1: taking like a step back when she takes a step forward.

614
00:37:46,120 --> 00:37:48,840
Speaker 1: M I felt like, that's just that's just me. I

615
00:37:48,880 --> 00:37:50,920
Speaker 1: felt like this was like pretty cool, like it was.

616
00:37:51,000 --> 00:37:54,120
Speaker 1: She's like, hey, she knew he was bummed because he's

617
00:37:54,120 --> 00:37:56,880
Speaker 1: bummed about this Yankees tickets thing with Nicole. So she's like, hey,

618
00:37:56,960 --> 00:37:58,840
Speaker 1: why don't you come over, which is super nice, And

619
00:37:58,880 --> 00:38:01,920
Speaker 1: I love that he said okay, and they didn't irritate

620
00:38:02,000 --> 00:38:04,480
Speaker 1: me with it. She said it, he said yes, they

621
00:38:04,480 --> 00:38:06,719
Speaker 1: have the funny banter about the movie, and off we go.

622
00:38:07,040 --> 00:38:09,839
Speaker 1: And then I also, well, I'm jumping ahead. I'm sorry.

623
00:38:10,080 --> 00:38:13,480
Speaker 1: I mean, I think we're past the diner scene now, okay,

624
00:38:13,560 --> 00:38:16,680
Speaker 1: So we'll go in order rather than jump right to

625
00:38:16,719 --> 00:38:19,719
Speaker 1: the date. Now we've got And I do want to

626
00:38:19,719 --> 00:38:22,680
Speaker 1: comment on the writing from the beginning of the show.

627
00:38:22,880 --> 00:38:27,399
Speaker 1: I think the most interesting and best device that they

628
00:38:27,400 --> 00:38:29,799
Speaker 1: ever came up with for that character, for that Luke

629
00:38:29,880 --> 00:38:32,400
Speaker 1: character is to be annoyed by her all the time.

630
00:38:32,719 --> 00:38:36,880
Speaker 1: It's so, that's true. That's true, And it just says

631
00:38:37,080 --> 00:38:40,960
Speaker 1: that he's resisting her so much in a way just

632
00:38:41,360 --> 00:38:44,440
Speaker 1: on the surface, when you know underneath he's dying inside.

633
00:38:44,520 --> 00:38:47,439
Speaker 1: So I I think that's very powerful. I think you're right.

634
00:38:47,520 --> 00:38:50,040
Speaker 1: And I say, the reason I love it is because

635
00:38:50,080 --> 00:38:55,200
Speaker 1: they're both authentically themselves with each other. And okay, so

636
00:38:55,239 --> 00:38:57,200
Speaker 1: we will skip to the date. So even when they're

637
00:38:57,200 --> 00:39:00,680
Speaker 1: on the couch, he's not kissing her asked or like,

638
00:39:01,960 --> 00:39:05,360
Speaker 1: he's like like basically rolling his eyes and her rules

639
00:39:05,760 --> 00:39:09,399
Speaker 1: and he's not even following them. And he I mean,

640
00:39:10,160 --> 00:39:17,839
Speaker 1: let's talk about him answering the phone her. Yeah, you

641
00:39:18,160 --> 00:39:20,440
Speaker 1: answer the I mean, first of all, God, there's so

642
00:39:20,480 --> 00:39:22,839
Speaker 1: many the date. It's just like we could do an

643
00:39:22,840 --> 00:39:26,440
Speaker 1: hour on the date. It was amazing. They're so comfortable,

644
00:39:26,520 --> 00:39:30,800
Speaker 1: they're so hilarious shifting and he's like basically like I'll shift,

645
00:39:32,120 --> 00:39:35,719
Speaker 1: you know. Then Rory calls, and of course I love

646
00:39:35,760 --> 00:39:38,920
Speaker 1: that Luke is totally in it. He gives the advice

647
00:39:38,960 --> 00:39:44,440
Speaker 1: and they take it. Yeah, it's so genius. Then you answer,

648
00:39:44,760 --> 00:39:48,080
Speaker 1: and it's Mrs Gilmore and like, hey, Mrs Gilmore, it's Luke.

649
00:39:48,200 --> 00:39:52,880
Speaker 1: Like I was just like, oh right, the plot thickens.

650
00:39:53,320 --> 00:39:56,239
Speaker 1: That was the best scene in the whole episode. That

651
00:39:56,320 --> 00:40:01,600
Speaker 1: was the best scene because it so includes in that

652
00:40:01,719 --> 00:40:06,440
Speaker 1: I include Rory's awkward date and Emily calling. The whole

653
00:40:06,480 --> 00:40:09,880
Speaker 1: thing is really one scene and out of ten m

654
00:40:10,560 --> 00:40:14,000
Speaker 1: that was great. Yeah. They're they're really good together, aren't they.

655
00:40:14,040 --> 00:40:17,400
Speaker 1: Those two characters, they just really are fun to watch,

656
00:40:18,280 --> 00:40:22,680
Speaker 1: you know, really fun to watch. Um. Yeah, there's something

657
00:40:22,719 --> 00:40:29,799
Speaker 1: about them that you you really get a crush on

658
00:40:29,840 --> 00:40:33,719
Speaker 1: both of them, Like, I really like these people. But

659
00:40:33,760 --> 00:40:35,719
Speaker 1: there was a point there in that scene where they're

660
00:40:35,719 --> 00:40:38,680
Speaker 1: looking at each other and I thought they were about

661
00:40:38,719 --> 00:40:42,640
Speaker 1: to kiss. I didn't get a kiss moment. I just

662
00:40:43,000 --> 00:40:45,080
Speaker 1: I know, I thought they were. I thought that there

663
00:40:45,120 --> 00:40:47,200
Speaker 1: was a post there was a moment there where they

664
00:40:47,239 --> 00:40:50,040
Speaker 1: just I don't know, it just felt right like if

665
00:40:50,040 --> 00:40:52,240
Speaker 1: he had just made a move and kissed her or something,

666
00:40:52,320 --> 00:40:54,880
Speaker 1: or if she made a sudden moved to kiss him,

667
00:40:54,920 --> 00:40:57,960
Speaker 1: it wouldn't have been crazy. No, not at all. But

668
00:40:58,000 --> 00:41:01,000
Speaker 1: it's so cute how they are. They're like an old

669
00:41:01,080 --> 00:41:06,880
Speaker 1: married cup They really are. It's really And then and

670
00:41:06,920 --> 00:41:10,719
Speaker 1: then the fact that, like she tucks him in and

671
00:41:10,880 --> 00:41:13,440
Speaker 1: he falls. First of all, he's comfortable enough to fall

672
00:41:13,480 --> 00:41:17,920
Speaker 1: asleep there. That doesn't happen when you're not comfortable. And

673
00:41:18,040 --> 00:41:21,520
Speaker 1: she's comfortable to have him sleep there, and Rory is

674
00:41:22,320 --> 00:41:25,120
Speaker 1: she's not thinking anything. Do you know what I'm saying.

675
00:41:25,920 --> 00:41:30,239
Speaker 1: It's like it's all just so normal. And what do

676
00:41:30,239 --> 00:41:34,040
Speaker 1: you think the significance of watching Casablanca was a good question.

677
00:41:34,080 --> 00:41:36,480
Speaker 1: I don't know, but you don't you know what I mean.

678
00:41:36,760 --> 00:41:38,839
Speaker 1: I mean, let's let's think about it. What was that about?

679
00:41:38,920 --> 00:41:41,960
Speaker 1: It was about? You know, I've never seen it, so,

680
00:41:42,719 --> 00:41:46,640
Speaker 1: but are those two ingrid Bergman and what's the guest name?

681
00:41:49,440 --> 00:41:52,880
Speaker 1: Are they like unrequited love? And then they finally get

682
00:41:52,920 --> 00:41:56,880
Speaker 1: together kind of that and then they break apart again.

683
00:41:56,920 --> 00:42:00,400
Speaker 1: I think, oh no, what do they end together? What

684
00:42:00,440 --> 00:42:04,160
Speaker 1: happens in the end? I mean they I think everybody

685
00:42:04,160 --> 00:42:05,799
Speaker 1: has to escape and get out of there because the

686
00:42:05,880 --> 00:42:09,960
Speaker 1: Nazis are coming in. They flooded into Casa Blanket. They

687
00:42:09,960 --> 00:42:12,439
Speaker 1: have to get the heck out of there. Here's looking

688
00:42:12,480 --> 00:42:17,319
Speaker 1: at you, kid. Uh Now, It's like, I think, one

689
00:42:17,360 --> 00:42:20,160
Speaker 1: day we're going to be really good friends. This is

690
00:42:20,160 --> 00:42:23,200
Speaker 1: the beginning of a really beautiful friendship with the with

691
00:42:23,280 --> 00:42:25,840
Speaker 1: the guy. Yeah yeah, yeah, yeah, that's the one with

692
00:42:25,880 --> 00:42:28,000
Speaker 1: the chief, not the chief of police, but the general,

693
00:42:28,080 --> 00:42:31,920
Speaker 1: the French generals. Yeah yeah, So I think I think

694
00:42:32,200 --> 00:42:34,680
Speaker 1: there's there's a relations since we know that Casa Blanca

695
00:42:34,800 --> 00:42:39,000
Speaker 1: so well. I mean, of course we're trying it in beautifully.

696
00:42:38,800 --> 00:42:44,840
Speaker 1: I think there's something there, you know, this unrequited part. Yeah, absolutely, yeah,

697
00:42:45,200 --> 00:42:47,400
Speaker 1: we'll take more into this. But let's reverse to Friday

698
00:42:47,480 --> 00:42:49,920
Speaker 1: night dinner when Laura La gets there early, and that

699
00:42:50,040 --> 00:42:53,480
Speaker 1: was like a lot of interaction Laura La and the

700
00:42:53,480 --> 00:42:55,360
Speaker 1: maid and then Laura La goes back out of the car.

701
00:42:56,120 --> 00:42:58,680
Speaker 1: By the way, I really felt that, like he you know,

702
00:42:58,680 --> 00:43:01,000
Speaker 1: when you're like going with someone and you're like, I'm

703
00:43:01,000 --> 00:43:02,920
Speaker 1: just gonna wait in my car and totally show up

704
00:43:02,920 --> 00:43:04,520
Speaker 1: to walk it like I've totally been there. I mean

705
00:43:04,520 --> 00:43:06,319
Speaker 1: it's different, like she should have gone. It was her mom,

706
00:43:06,719 --> 00:43:10,200
Speaker 1: her parents house, But say, sometimes I want to hide

707
00:43:10,239 --> 00:43:12,880
Speaker 1: in my car for days. Let me tell you my

708
00:43:13,040 --> 00:43:16,719
Speaker 1: favorite thing about that whole scene. But that was a

709
00:43:16,719 --> 00:43:21,040
Speaker 1: funny scene shadow dancing. Oh, I mean I got a

710
00:43:21,080 --> 00:43:26,960
Speaker 1: great scene and the entrance was great. See this shows

711
00:43:27,040 --> 00:43:30,360
Speaker 1: how great a comedic actress Lauren is right with the

712
00:43:31,000 --> 00:43:33,959
Speaker 1: cup here tucked in her neck and then dropping down

713
00:43:34,000 --> 00:43:37,319
Speaker 1: and then holding onto the the purse handle thing. Oh,

714
00:43:37,520 --> 00:43:40,600
Speaker 1: she's the Roy's not here. Well maybe I'll just oh.

715
00:43:40,640 --> 00:43:44,600
Speaker 1: And that's when she's wearing the dress, which which dress?

716
00:43:44,719 --> 00:43:48,920
Speaker 1: That purplely pattern dress. She still she still has the

717
00:43:48,960 --> 00:43:51,799
Speaker 1: leather jacket on right, Yes, she's wearing the leather jacket again.

718
00:43:52,239 --> 00:44:00,000
Speaker 1: She's literally Tara shadow dancing by Andy Gett is jest fantastic.

719
00:44:00,560 --> 00:44:03,520
Speaker 1: My love for Andy Gibb goes on to this very day.

720
00:44:03,960 --> 00:44:06,320
Speaker 1: It was there. It was a perfect piece of me.

721
00:44:06,480 --> 00:44:10,000
Speaker 1: And they cleared that song right, so I had to

722
00:44:10,080 --> 00:44:11,759
Speaker 1: feel like it was like a moment that we're going

723
00:44:11,800 --> 00:44:13,920
Speaker 1: to talk about. I don't know the song, but like

724
00:44:14,000 --> 00:44:16,480
Speaker 1: you have to have clearance for that was a huge

725
00:44:16,560 --> 00:44:20,480
Speaker 1: hit song, huge hit song. It was okay, so Andy

726
00:44:20,520 --> 00:44:23,719
Speaker 1: GiB Tara do you know the Yeah? Okay, So the

727
00:44:23,719 --> 00:44:27,160
Speaker 1: Bejs had a baby brother and that was Andy Gibb

728
00:44:27,280 --> 00:44:30,600
Speaker 1: and he like blew up And this is probably like

729
00:44:30,680 --> 00:44:34,480
Speaker 1: late seventies, early eighties, super good looking kid. He was

730
00:44:34,560 --> 00:44:37,080
Speaker 1: dating all the holly he was he was in a

731
00:44:37,120 --> 00:44:41,040
Speaker 1: relationship was one Yes, give me a second Victoria principle.

732
00:44:41,480 --> 00:44:44,799
Speaker 1: All right, I was so jealous of that. Everybody had

733
00:44:44,800 --> 00:44:47,239
Speaker 1: a crush on Victoria principles. This dude was and it

734
00:44:47,360 --> 00:44:51,120
Speaker 1: was like, what this guy, come on, he was so

735
00:44:51,200 --> 00:44:54,200
Speaker 1: seventies hot, Like that's the only way I can describe

736
00:44:54,280 --> 00:44:56,000
Speaker 1: him with the like let me, I'll pull up a

737
00:44:56,000 --> 00:44:57,439
Speaker 1: picture for you. I mean, I'm sure we'll talk about

738
00:44:57,480 --> 00:45:01,279
Speaker 1: him again in pop culture. But do you ever get married? No?

739
00:45:01,440 --> 00:45:04,239
Speaker 1: And then he died. It was so sad. He died

740
00:45:04,480 --> 00:45:08,200
Speaker 1: really young, like like really young. I think maybe in

741
00:45:08,239 --> 00:45:12,160
Speaker 1: his thirties. Oh my god, Tara, I do not know

742
00:45:12,160 --> 00:45:18,959
Speaker 1: if this is what your first. Of all, it's so

743
00:45:19,120 --> 00:45:25,920
Speaker 1: he's so seventies. But literally, that guy he never buttoned

744
00:45:25,960 --> 00:45:27,919
Speaker 1: his shirt up all the way, like that guy's never

745
00:45:27,960 --> 00:45:30,960
Speaker 1: seen it. At the hair, he's never even seen the

746
00:45:31,160 --> 00:45:34,759
Speaker 1: third button be buttoned, like look at this, look at this.

747
00:45:36,160 --> 00:45:38,319
Speaker 1: But yeah, I don't know, I don't know. I don't

748
00:45:38,320 --> 00:45:40,319
Speaker 1: want to speak for everybody, so I hope people will

749
00:45:41,239 --> 00:45:44,040
Speaker 1: let us know. But for my age, that was like

750
00:45:44,080 --> 00:45:49,480
Speaker 1: the first crush where you're like, I think I love him.

751
00:45:49,520 --> 00:45:54,279
Speaker 1: I can see it though. That hair he's never worn. Yeah,

752
00:45:54,360 --> 00:46:02,560
Speaker 1: it's like very like like Beaver Harry styles, like, I guess, yes,

753
00:46:02,640 --> 00:46:05,880
Speaker 1: that's exact. He is Harry Style. So anyway, he had

754
00:46:05,920 --> 00:46:11,480
Speaker 1: like five big hits. Oh yeah, that sad tale of

755
00:46:12,040 --> 00:46:15,840
Speaker 1: But anyway, how funny was it when she unzipped her window.

756
00:46:19,200 --> 00:46:22,400
Speaker 1: First of all, she's scared the Jesus out of her

757
00:46:22,400 --> 00:46:25,880
Speaker 1: when Emily shows up, and then she unzips her window.

758
00:46:26,239 --> 00:46:30,480
Speaker 1: I mean, just fantastic. What a great contrast sitting there

759
00:46:30,520 --> 00:46:35,520
Speaker 1: bopping in her jeep wrangler right listening to the BGS

760
00:46:35,680 --> 00:46:38,719
Speaker 1: or Andy Gibb and then has to unzip to the

761
00:46:38,719 --> 00:46:41,680
Speaker 1: window to talk to her mother in front of her castle.

762
00:46:42,000 --> 00:46:44,719
Speaker 1: It was just funny. And then when they find then

763
00:46:44,760 --> 00:46:47,719
Speaker 1: they have their banter. I literally wrote, this banter is

764
00:46:47,760 --> 00:46:52,959
Speaker 1: so good because she's talking about Suki's pregnant Las don't

765
00:46:53,000 --> 00:46:54,440
Speaker 1: look at me. I had nothing to do with it.

766
00:46:55,239 --> 00:46:57,560
Speaker 1: That was a great line. Oh, that was a great line.

767
00:46:58,640 --> 00:47:01,960
Speaker 1: Like a man I know went to her wedding suited

768
00:47:02,080 --> 00:47:07,520
Speaker 1: Kirk like you know. But that was the part where

769
00:47:07,520 --> 00:47:09,520
Speaker 1: I was like, I guess, you know, Lore, I really

770
00:47:09,640 --> 00:47:13,360
Speaker 1: didn't have to tell her that Suki was pregnant like she,

771
00:47:13,400 --> 00:47:15,240
Speaker 1: I guess you didn't have to. But also like god,

772
00:47:15,520 --> 00:47:17,279
Speaker 1: why are they going back and forth? But just be like,

773
00:47:18,239 --> 00:47:20,360
Speaker 1: but she did, But she did make a good point,

774
00:47:20,400 --> 00:47:23,160
Speaker 1: Emily did. I went to her wedding. I sent her

775
00:47:23,200 --> 00:47:26,279
Speaker 1: a wedding gift. Yeah, but wasn't she invited if I

776
00:47:26,280 --> 00:47:31,200
Speaker 1: remember the night before. Yeah. But still Emily, she's just

777
00:47:31,239 --> 00:47:32,640
Speaker 1: trying to be a part of it and she just

778
00:47:32,840 --> 00:47:36,640
Speaker 1: keeps getting rejected. Yeah, she's trying. She's right, Scott. She

779
00:47:37,000 --> 00:47:39,600
Speaker 1: is kind of butt her because she's always left out.

780
00:47:39,960 --> 00:47:42,200
Speaker 1: But Laura is thinking, I'm trying to build an inn.

781
00:47:42,239 --> 00:47:44,080
Speaker 1: I got a kid going to college. I literally just

782
00:47:44,160 --> 00:47:47,839
Speaker 1: forgot to tell you. Yeah. Yeah, but Mike, I was

783
00:47:48,200 --> 00:47:51,720
Speaker 1: forgetting to tell your own mother. I mean, she barely

784
00:47:51,719 --> 00:47:54,680
Speaker 1: wants to go inside the house without her. It hurts

785
00:47:54,680 --> 00:47:57,879
Speaker 1: Emily to know that she's just not important enough to Yeah,

786
00:47:58,200 --> 00:48:01,320
Speaker 1: in the inner in the inner circle, right, tell me though,

787
00:48:01,360 --> 00:48:07,359
Speaker 1: the circle of trust, Greg, tell me though. Then then

788
00:48:07,719 --> 00:48:10,440
Speaker 1: we find out that Rory's going on the date, and

789
00:48:10,520 --> 00:48:15,319
Speaker 1: Emily's like a gas that, like, did Rory possibly ask him?

790
00:48:15,560 --> 00:48:18,799
Speaker 1: And then lord license, it was very proper. She had

791
00:48:18,840 --> 00:48:25,640
Speaker 1: a Tiffany Lamb shade over the red line. I was,

792
00:48:26,880 --> 00:48:32,200
Speaker 1: It's God, he's a freaking genius. Then she says the

793
00:48:32,239 --> 00:48:34,640
Speaker 1: sex in the City ensemble, which I was immediately like,

794
00:48:34,719 --> 00:48:38,360
Speaker 1: oh my god, she knows sex in the city. You know,

795
00:48:38,440 --> 00:48:41,560
Speaker 1: sex in the city. Like, am I in this in

796
00:48:41,600 --> 00:48:46,520
Speaker 1: this thing? You know what I'm wondering, Scott is okay?

797
00:48:47,400 --> 00:48:50,719
Speaker 1: For all? What the storyline is is so important? Right?

798
00:48:52,600 --> 00:48:55,359
Speaker 1: Is it? The script? Because I think the reason we're

799
00:48:55,440 --> 00:48:59,760
Speaker 1: loving this episode is like, we literally have twenty favorite lines.

800
00:49:02,640 --> 00:49:05,719
Speaker 1: So even if the story is great, you gotta have

801
00:49:05,840 --> 00:49:10,040
Speaker 1: these lines. But okay, you right, but those lines come

802
00:49:10,320 --> 00:49:15,239
Speaker 1: organically when and I don't want to get too wonky here,

803
00:49:15,400 --> 00:49:21,040
Speaker 1: but uh, when when every scene hangs off of the spine.

804
00:49:21,560 --> 00:49:25,680
Speaker 1: So the spine of the of this episode was all

805
00:49:25,719 --> 00:49:29,440
Speaker 1: about dating and this kind of a thing, right and

806
00:49:29,360 --> 00:49:35,600
Speaker 1: and and it but John mixed in and so every

807
00:49:35,680 --> 00:49:39,879
Speaker 1: scene is related to that, right. So and the way

808
00:49:39,920 --> 00:49:43,800
Speaker 1: he just uh mixed in everything and brought everything together,

809
00:49:44,680 --> 00:49:49,880
Speaker 1: uh and uh and it's just it was absolutely brilliant.

810
00:49:49,960 --> 00:49:52,799
Speaker 1: It was absolutely brilliant because he stayed disciplined and he

811
00:49:52,840 --> 00:49:56,759
Speaker 1: didn't go off on any kind of tangents at all,

812
00:49:57,760 --> 00:50:01,400
Speaker 1: and he stayed with that theme. It felt like the

813
00:50:01,440 --> 00:50:06,120
Speaker 1: episode was so fast. Yeah, yeah, it was. It was

814
00:50:06,480 --> 00:50:10,160
Speaker 1: because he's because every scene because we were in it,

815
00:50:10,239 --> 00:50:12,200
Speaker 1: and we were with it, and we were a little

816
00:50:12,239 --> 00:50:15,160
Speaker 1: bit behind it, right, we didn't get ahead of it.

817
00:50:15,239 --> 00:50:18,040
Speaker 1: We didn't get bored, we didn't get like we don't

818
00:50:18,080 --> 00:50:21,000
Speaker 1: because look, if there's a scene that doesn't hang off

819
00:50:21,040 --> 00:50:24,000
Speaker 1: the spine properly, you get jarred out of the narrative.

820
00:50:24,040 --> 00:50:27,279
Speaker 1: You're like, what's going on if there's any confusion in

821
00:50:27,320 --> 00:50:30,440
Speaker 1: the audience, Right, But if it stays on that spine,

822
00:50:30,480 --> 00:50:34,000
Speaker 1: if these scenes all hang perfectly off that spine, you're

823
00:50:34,000 --> 00:50:36,080
Speaker 1: gonna be in it. It's like being on a roller

824
00:50:36,080 --> 00:50:39,480
Speaker 1: coaster and it's like yeah, and you're just like whoa, whoa,

825
00:50:39,520 --> 00:50:42,320
Speaker 1: You're always anticipating. You're anticipating, you're anticipating. It's like it

826
00:50:42,360 --> 00:50:44,439
Speaker 1: goes high, it goes low, it goes around, it goes slow,

827
00:50:44,480 --> 00:50:48,920
Speaker 1: it goes fast. Yeah. So um, and he did that beautifully.

828
00:50:48,920 --> 00:50:51,880
Speaker 1: I mean, it was perfect, episode perfect. And also I

829
00:50:51,920 --> 00:50:54,480
Speaker 1: messed up. At the Friday night dinner, Lorelei was still

830
00:50:54,520 --> 00:50:56,600
Speaker 1: wearing the argyle sweater with the black skirt with the

831
00:50:56,680 --> 00:51:00,200
Speaker 1: leather jacket. Now as we go to Mrs Kim's, she's

832
00:51:00,239 --> 00:51:04,200
Speaker 1: wearing the dress with the purple e patterned tight dress

833
00:51:04,200 --> 00:51:06,600
Speaker 1: with the leather jacket. So I apologize that I lured

834
00:51:06,640 --> 00:51:11,640
Speaker 1: the outcomes with the hair and the eyes. There was

835
00:51:11,680 --> 00:51:20,080
Speaker 1: a devastating look. It seems that there's only one furniture

836
00:51:20,080 --> 00:51:25,080
Speaker 1: store anywhere, because I'm like, are they Mrs Kenny? They

837
00:51:25,120 --> 00:51:30,200
Speaker 1: have to be right right? Dollar item? That was good

838
00:51:30,239 --> 00:51:34,239
Speaker 1: and you know your mother would would hate this. Take it.

839
00:51:34,400 --> 00:51:37,200
Speaker 1: I'll take it. What was I called? It was called

840
00:51:37,200 --> 00:51:42,279
Speaker 1: a lawn jockey? Um yeah, so yeah, So we sort

841
00:51:42,280 --> 00:51:47,440
Speaker 1: of have that that interaction between Zimmerman, Natalie Zimmerman and

842
00:51:48,239 --> 00:51:50,279
Speaker 1: lor Lie, which I do have a question when we

843
00:51:50,320 --> 00:51:52,240
Speaker 1: get to it later, because I do think that Natalie

844
00:51:52,280 --> 00:51:54,560
Speaker 1: sort of screwed lor Lie, which we can. I think

845
00:51:54,600 --> 00:51:59,120
Speaker 1: she did too. That was so too and I don't think,

846
00:51:59,280 --> 00:52:01,040
Speaker 1: yeah that was not. But it's like, how do you

847
00:52:01,080 --> 00:52:06,279
Speaker 1: resist Emily. You imagine it's like she's tough, She's going

848
00:52:06,320 --> 00:52:09,319
Speaker 1: to get you. Say, oh, I bogged down with ten

849
00:52:09,360 --> 00:52:11,000
Speaker 1: clients right now. I would love to help you, but

850
00:52:11,040 --> 00:52:13,200
Speaker 1: I've got ten clients. Let me let me get you

851
00:52:15,320 --> 00:52:18,200
Speaker 1: family gilmore. And you know she said that she goes listen,

852
00:52:18,239 --> 00:52:20,160
Speaker 1: I will make sure I will see to it that

853
00:52:20,200 --> 00:52:25,239
Speaker 1: you will never worry in this town again, young lady, right,

854
00:52:25,880 --> 00:52:28,359
Speaker 1: so she had to she had to bow down and

855
00:52:28,400 --> 00:52:33,200
Speaker 1: cough up the info with Yeah. I mean, god, I

856
00:52:33,200 --> 00:52:35,040
Speaker 1: can't believe how much of there is in this episode

857
00:52:35,040 --> 00:52:39,800
Speaker 1: because we're not even like doing the date. YEA favorite

858
00:52:39,880 --> 00:52:43,399
Speaker 1: scene of the whole episode of the date the date

859
00:52:44,040 --> 00:52:49,560
Speaker 1: she is just so awkward. And my favorite line was

860
00:52:49,640 --> 00:52:55,279
Speaker 1: the year and mints, like it actually made me think

861
00:52:55,320 --> 00:52:57,319
Speaker 1: about it, like, oh my god, you're right, those are

862
00:52:57,400 --> 00:52:59,759
Speaker 1: probably like every restaurant's YearIn miss Have we never talked

863
00:52:59,760 --> 00:53:07,480
Speaker 1: about poop peanuts on this show? Peanuts bar bar peanuts, Yeah,

864
00:53:07,600 --> 00:53:09,680
Speaker 1: or you might want to call them poop peanuts, which

865
00:53:09,920 --> 00:53:14,319
Speaker 1: Tara did talk about, but you weren't on the show yet.

866
00:53:15,080 --> 00:53:19,879
Speaker 1: Go back, do you guys remember the episode where they

867
00:53:19,920 --> 00:53:22,719
Speaker 1: go to the spa, Lorelai and Emily go to the

868
00:53:22,760 --> 00:53:24,839
Speaker 1: spa and then they go to the night out at

869
00:53:25,160 --> 00:53:29,400
Speaker 1: the restaurant bar and how Lindon's there and Emily dances

870
00:53:29,400 --> 00:53:34,960
Speaker 1: with him and they're eating the poop peanuts. You guys,

871
00:53:35,560 --> 00:53:38,840
Speaker 1: have we seen this episode already? Yes, but you remember

872
00:53:40,120 --> 00:53:42,839
Speaker 1: back back back then? But I will see now they

873
00:53:42,840 --> 00:53:45,359
Speaker 1: don't have like I'm thinking about going to a bar

874
00:53:45,520 --> 00:53:47,720
Speaker 1: don't they give you like your personal bowl of peanuts.

875
00:53:47,840 --> 00:53:52,239
Speaker 1: First of all, after COVID, no one's getting you're in

876
00:53:52,360 --> 00:53:56,520
Speaker 1: men's or poop peanuts. But the thing about the yurine

877
00:53:56,520 --> 00:54:02,400
Speaker 1: min's were like they usually at the restaurants. The mints

878
00:54:02,440 --> 00:54:06,400
Speaker 1: aren't like unwrapped, they're usually like do you know what

879
00:54:06,480 --> 00:54:09,000
Speaker 1: I mean? First of all, it was it was a

880
00:54:09,080 --> 00:54:13,560
Speaker 1: very Seinfeld moment because you remember, remember the George Castandra

881
00:54:14,080 --> 00:54:16,279
Speaker 1: the girl really liked him, and then he was got

882
00:54:16,320 --> 00:54:19,640
Speaker 1: all cocky and theoretical about he goes. You know, if

883
00:54:19,680 --> 00:54:22,880
Speaker 1: you think about it, you know, manure what a weird word.

884
00:54:23,080 --> 00:54:26,840
Speaker 1: You got the ma and the newer manure weird. And

885
00:54:26,840 --> 00:54:28,319
Speaker 1: then all of a sudden she doesn't want to see

886
00:54:28,360 --> 00:54:31,760
Speaker 1: him anymore. I mean, let me tell you. And then

887
00:54:31,800 --> 00:54:33,840
Speaker 1: I have to ask because I was like, I have

888
00:54:33,880 --> 00:54:37,160
Speaker 1: to ask you, guys, are you a same side sitter

889
00:54:37,440 --> 00:54:41,640
Speaker 1: or opposite? First of all, you can't sit on the

890
00:54:41,680 --> 00:54:44,879
Speaker 1: same side. You can not. Your neck will hurt. It's

891
00:54:44,960 --> 00:54:48,160
Speaker 1: not even done with talking about the urine mins. Sorry, sorry,

892
00:54:48,200 --> 00:54:50,920
Speaker 1: let's go back to the urine There's more unpack on

893
00:54:51,000 --> 00:54:54,640
Speaker 1: the twenty minutes to talk about the same side sitting. Yeah,

894
00:54:54,640 --> 00:54:59,120
Speaker 1: you got you got it? Urine mints, okay, is a

895
00:54:59,200 --> 00:55:01,120
Speaker 1: real thing. And all I have to say is if

896
00:55:01,160 --> 00:55:03,399
Speaker 1: I was on a date and the person I'm with

897
00:55:03,800 --> 00:55:07,480
Speaker 1: mentioned urine mins, I'm in forever with them because it

898
00:55:07,600 --> 00:55:11,279
Speaker 1: was it was so awkwardly amazing, Like I would have

899
00:55:11,320 --> 00:55:16,640
Speaker 1: been like, I honestly poop peanuts and urine mint, Like

900
00:55:16,719 --> 00:55:19,239
Speaker 1: if somebody reaches for the that, I would be like, no,

901
00:55:20,719 --> 00:55:23,000
Speaker 1: I mean, in this conversation we're having now, it's like

902
00:55:23,040 --> 00:55:27,200
Speaker 1: the conversation starter, right, Trevor is wrapped a little too tight,

903
00:55:27,239 --> 00:55:30,680
Speaker 1: didn't he Okay, you can't blame Trevor. Trevor is like

904
00:55:30,800 --> 00:55:33,320
Speaker 1: having a good time and he's chatting and she is weird.

905
00:55:33,400 --> 00:55:35,560
Speaker 1: But but the urine means would have won me over.

906
00:55:35,880 --> 00:55:37,799
Speaker 1: But why can't why can't you find it funny? Right?

907
00:55:37,880 --> 00:55:40,560
Speaker 1: I mean it's kind of funny. It was the best

908
00:55:40,600 --> 00:55:47,640
Speaker 1: line in the whole thing. And he's just like and

909
00:55:47,760 --> 00:56:03,120
Speaker 1: she explains the urine mince to Lorala, so good. Lauren

910
00:56:03,160 --> 00:56:08,240
Speaker 1: Graham is the best acting because like she's a daughter

911
00:56:08,400 --> 00:56:12,759
Speaker 1: tells and she's like trying so hard to be like like,

912
00:56:12,880 --> 00:56:14,400
Speaker 1: you know, she doesn't want to tell Rory, like you

913
00:56:14,440 --> 00:56:16,760
Speaker 1: probably shouldn't have said that, so she's like going along

914
00:56:16,800 --> 00:56:20,799
Speaker 1: with it, you know, she hangs a poor thing. And

915
00:56:20,840 --> 00:56:23,720
Speaker 1: then it leads us to this amazing conversation about dating

916
00:56:24,840 --> 00:56:29,160
Speaker 1: from Luke and Lore like, okay, I digress, Tara, all

917
00:56:29,239 --> 00:56:33,360
Speaker 1: you about the same side sitting. I mean, I personally

918
00:56:33,400 --> 00:56:35,120
Speaker 1: don't like it, but if someone does it, I'm not

919
00:56:35,120 --> 00:56:40,120
Speaker 1: really with judging them. It's up to them. I think

920
00:56:40,160 --> 00:56:42,400
Speaker 1: you've got to be at a point in your relationship

921
00:56:42,440 --> 00:56:45,359
Speaker 1: with somebody where you're so comfortable with them and you're

922
00:56:45,400 --> 00:56:48,080
Speaker 1: so attracted to them that you want to be next

923
00:56:48,080 --> 00:56:50,799
Speaker 1: to each other so you can touch each other. But

924
00:56:50,880 --> 00:56:54,200
Speaker 1: like the first the first date, but you don't know

925
00:56:54,560 --> 00:56:56,319
Speaker 1: what I'm saying. No, no, but I'm saying the first date,

926
00:56:56,360 --> 00:56:57,600
Speaker 1: don't you want to sit across with them and have

927
00:56:57,640 --> 00:57:00,920
Speaker 1: a conversation, like, you know, right about the neck? That

928
00:57:00,960 --> 00:57:04,960
Speaker 1: would really that's weird on the first date to that's

929
00:57:05,040 --> 00:57:07,319
Speaker 1: that's very strange. I thought it was so funny when

930
00:57:07,600 --> 00:57:09,960
Speaker 1: Laurel I suggested, like, say there's a draft and I

931
00:57:09,960 --> 00:57:13,400
Speaker 1: have to move and then it Luke out of it.

932
00:57:13,440 --> 00:57:16,439
Speaker 1: That's right. Luke thought of it. But then Trevor also

933
00:57:16,560 --> 00:57:19,280
Speaker 1: was like, oh, there's a there's a draft, so he

934
00:57:20,040 --> 00:57:24,480
Speaker 1: got the power of suggestion. It was a great it

935
00:57:24,600 --> 00:57:30,120
Speaker 1: was a great dat scene. It was it was for

936
00:57:30,200 --> 00:57:34,160
Speaker 1: some reason I have I know this line happened vain

937
00:57:34,320 --> 00:57:39,160
Speaker 1: party table of one. Why who said that? Didn't? Didn't

938
00:57:39,200 --> 00:57:45,800
Speaker 1: Laurel say that? Yes? But why Luke? Yes? What was

939
00:57:46,120 --> 00:57:50,080
Speaker 1: what was he being vain about? It was hilarious though?

940
00:57:50,080 --> 00:57:53,560
Speaker 1: Why did he say that? But she did say it

941
00:57:53,600 --> 00:58:00,400
Speaker 1: to Luke vain? Shoot, huh, well maybe somebody will. I'm

942
00:58:00,440 --> 00:58:02,120
Speaker 1: going to watch it a second to see. This is

943
00:58:02,160 --> 00:58:04,240
Speaker 1: why people watch to show so many times. There's so

944
00:58:04,320 --> 00:58:08,160
Speaker 1: much to cover and there's no way we can cover

945
00:58:08,200 --> 00:58:12,000
Speaker 1: all of it. So the machine goes off and mom,

946
00:58:12,160 --> 00:58:17,520
Speaker 1: are you there? And immediately it's like, oh no, at

947
00:58:17,600 --> 00:58:19,600
Speaker 1: the say datings are the worst, and I think Luke

948
00:58:19,680 --> 00:58:29,800
Speaker 1: says it's a horror oh and then god this episode.

949
00:58:30,120 --> 00:58:33,440
Speaker 1: Luke says, I know within seconds, if I'm comfortable with somebody,

950
00:58:33,600 --> 00:58:39,240
Speaker 1: and I say correct, correct, you feel it, you feeling

951
00:58:39,320 --> 00:58:42,360
Speaker 1: the gut right away. If you relax and you're comfortable,

952
00:58:42,880 --> 00:58:48,960
Speaker 1: then you answer the phone and it's Mrs gil The

953
00:58:48,960 --> 00:58:52,760
Speaker 1: only scene we skipped, so we skipped the scene where

954
00:58:52,800 --> 00:58:57,280
Speaker 1: the roommates have the meeting, the roommate meeting. Yeah, we

955
00:58:57,360 --> 00:58:59,520
Speaker 1: talked about that, but that was funny. Yeah, and Janet

956
00:58:59,520 --> 00:59:04,520
Speaker 1: goes at it. Pears and Donna this is thrilling. M hm. See,

957
00:59:04,560 --> 00:59:11,520
Speaker 1: this is what happened. And she's doing math on her hand,

958
00:59:11,960 --> 00:59:15,000
Speaker 1: on her good sheets with her marker, and Rory is

959
00:59:15,000 --> 00:59:17,120
Speaker 1: trying to model the outfits for Tonna and Tona is

960
00:59:17,160 --> 00:59:19,840
Speaker 1: like not even getting it, and May's like, this is

961
00:59:19,840 --> 00:59:22,960
Speaker 1: a bonding thing. Talks about pheromones. If you jump up

962
00:59:22,960 --> 00:59:25,680
Speaker 1: and down and got to swim, get pheromones and be

963
00:59:25,680 --> 00:59:31,000
Speaker 1: more attractive. But I mean, you know, now, Paris is

964
00:59:31,200 --> 00:59:35,360
Speaker 1: in a place where she's going to have other people

965
00:59:35,800 --> 00:59:38,080
Speaker 1: who will stand up to her. They're not going to

966
00:59:38,160 --> 00:59:43,280
Speaker 1: be bullied by her. And she's found in Janet's character

967
00:59:43,400 --> 00:59:48,240
Speaker 1: that very person who's just not having it though she

968
00:59:48,320 --> 00:59:50,880
Speaker 1: likes she likes it because that's how Rory was with her.

969
00:59:51,520 --> 00:59:53,520
Speaker 1: I think she likes it well. And all these people

970
00:59:53,560 --> 00:59:56,200
Speaker 1: are at the top of their game, meaning Janet is

971
00:59:56,600 --> 01:00:01,200
Speaker 1: a college athlete who also goes to Yale and probably

972
01:00:01,280 --> 01:00:06,480
Speaker 1: is super bright, so she's like, uh yeah, speaking of

973
01:00:06,600 --> 01:00:10,280
Speaker 1: speaking of the finger, did you guys notice when Luke

974
01:00:10,360 --> 01:00:12,320
Speaker 1: and Lorel are watching the movie and they're going over

975
01:00:12,360 --> 01:00:15,000
Speaker 1: the rules and Luke doesn't know what the FBI warning is,

976
01:00:15,120 --> 01:00:17,640
Speaker 1: and then I think he either talks or ships and

977
01:00:17,800 --> 01:00:22,160
Speaker 1: Lorela just goes does like finger acting. I'm like, oh

978
01:00:22,160 --> 01:00:26,680
Speaker 1: my god, oh man leant me to tell you, guys.

979
01:00:27,160 --> 01:00:30,880
Speaker 1: The number one reason I love gilmur Girl is in

980
01:00:30,920 --> 01:00:35,120
Speaker 1: this episode. What is that? What is it? I don't

981
01:00:35,160 --> 01:00:42,520
Speaker 1: get like a drum roll? Okay, okay, yeah, the laundry

982
01:00:42,560 --> 01:00:47,360
Speaker 1: scene where there's the cutie they're doing. He took her

983
01:00:47,440 --> 01:00:51,640
Speaker 1: laundry out, he folded it. He they're having this cute

984
01:00:51,640 --> 01:00:57,240
Speaker 1: mantern and he said. She gets the the guts to say,

985
01:00:57,400 --> 01:01:00,360
Speaker 1: do you want to have coffee? And he says no, no,

986
01:01:02,280 --> 01:01:06,479
Speaker 1: because only only on Gilmore Girls are you getting a

987
01:01:06,520 --> 01:01:14,280
Speaker 1: total unexpected just right. I think this was such an

988
01:01:14,880 --> 01:01:19,760
Speaker 1: important episode for character development for Rory because like she's

989
01:01:19,800 --> 01:01:22,200
Speaker 1: now on her own. She has to learn how to

990
01:01:22,240 --> 01:01:25,840
Speaker 1: like be an adult, and like it's like loyalizes like oh,

991
01:01:25,920 --> 01:01:27,600
Speaker 1: ask someone out on a date, like you know, like

992
01:01:27,680 --> 01:01:29,640
Speaker 1: go do it yourself, and I feel like we saw

993
01:01:29,680 --> 01:01:31,480
Speaker 1: that and then she gets rejected at the end, which

994
01:01:31,480 --> 01:01:33,240
Speaker 1: is like a part of life. And I feel like

995
01:01:33,320 --> 01:01:36,040
Speaker 1: Rory is not used to rejection, so it's just good

996
01:01:36,040 --> 01:01:40,760
Speaker 1: fades out. Yeah, and we're just left hanging going at

997
01:01:40,800 --> 01:01:43,120
Speaker 1: a little cutie he was and like, I guess, why

998
01:01:43,120 --> 01:01:44,800
Speaker 1: does he have to get a copy with her? Doesn't

999
01:01:44,800 --> 01:01:47,880
Speaker 1: want to? Yeah, John Stevens showed me the way into

1000
01:01:47,920 --> 01:01:51,960
Speaker 1: this new dynamic between mother and daughter not being together,

1001
01:01:52,480 --> 01:01:55,200
Speaker 1: and it's really exciting. It's gonna be I'm really looking

1002
01:01:55,240 --> 01:01:59,320
Speaker 1: forward to watching this. You know. I thought, oh, you know,

1003
01:01:59,440 --> 01:02:02,160
Speaker 1: take it out as ours hollow, we got problems, but no, no, no, no,

1004
01:02:02,280 --> 01:02:05,000
Speaker 1: this is this is actually even better in a lot

1005
01:02:05,040 --> 01:02:07,560
Speaker 1: of senses because we get stars Hall and we get Yale.

1006
01:02:07,640 --> 01:02:09,720
Speaker 1: And that's how I felt. I felt like I was

1007
01:02:09,800 --> 01:02:12,320
Speaker 1: really excited every time we went back to you. Yeah,

1008
01:02:12,360 --> 01:02:16,040
Speaker 1: I was so wait some one of our producers put

1009
01:02:16,080 --> 01:02:18,080
Speaker 1: it up there and I missed it. Of why she

1010
01:02:18,160 --> 01:02:20,880
Speaker 1: said party of one, your vain, vain party one looking

1011
01:02:20,920 --> 01:02:23,280
Speaker 1: at him because she was staring at him during It's

1012
01:02:23,360 --> 01:02:25,720
Speaker 1: it's like that annoying person that looks at looking at

1013
01:02:25,760 --> 01:02:30,400
Speaker 1: him during the like like watch this part, like hey,

1014
01:02:30,440 --> 01:02:32,240
Speaker 1: this is the good part. Are you watching him? She

1015
01:02:32,320 --> 01:02:36,600
Speaker 1: was watching him, watching right right right? So okay, guys,

1016
01:02:36,880 --> 01:02:41,120
Speaker 1: how many bowls of urine mins. Do you give this episode? Oh?

1017
01:02:41,200 --> 01:02:43,680
Speaker 1: This is on a scale of ten, I'm giving it.

1018
01:02:45,880 --> 01:02:47,920
Speaker 1: I love this episode. This is one of my favorite,

1019
01:02:48,040 --> 01:02:51,959
Speaker 1: top three, top three. I'm watch nine and a half

1020
01:02:51,960 --> 01:02:57,640
Speaker 1: bowls of urine mins a bowl for half a bowl

1021
01:02:58,240 --> 01:03:00,960
Speaker 1: to give ten's out for any Yeah, I wouldn't say

1022
01:03:01,000 --> 01:03:05,400
Speaker 1: this out for me, really really really yeah, you're gonna

1023
01:03:05,440 --> 01:03:09,800
Speaker 1: give tents out that easily, right, You don't just give

1024
01:03:09,800 --> 01:03:12,480
Speaker 1: out urine men's like they're nothing. I don't know. I

1025
01:03:12,920 --> 01:03:16,840
Speaker 1: think this was This was two or three great episodes

1026
01:03:16,920 --> 01:03:19,800
Speaker 1: packed into one, and I don't know how he did

1027
01:03:19,840 --> 01:03:22,600
Speaker 1: it or how they did it, but it was fantastic.

1028
01:03:23,080 --> 01:03:28,880
Speaker 1: Every single sentence moved this story forward. Everything was funny.

1029
01:03:28,920 --> 01:03:32,880
Speaker 1: There were more funny lines, more funny situations than any

1030
01:03:32,920 --> 01:03:35,640
Speaker 1: any episode I've seen or can remember. I just was

1031
01:03:36,280 --> 01:03:39,000
Speaker 1: just so tickled by this entire thing. And I'm going,

1032
01:03:39,600 --> 01:03:42,080
Speaker 1: when we're done here, when we're done recording, I'm going

1033
01:03:42,120 --> 01:03:44,680
Speaker 1: to watch the thing again. Watch that dude, patt is

1034
01:03:44,760 --> 01:03:49,280
Speaker 1: burger for sure. Well that's why I thought it was

1035
01:03:49,320 --> 01:03:51,720
Speaker 1: a fake burger, because I was like, he's just patting it,

1036
01:03:51,840 --> 01:03:55,440
Speaker 1: patting it. And also everybody, if anybody can tell me,

1037
01:03:55,520 --> 01:04:01,720
Speaker 1: where to get Natalie Zimmerman's turquoise necklace. Sorry, one more

1038
01:04:01,720 --> 01:04:04,960
Speaker 1: fashion moment which I actually almost tried to google last night.

1039
01:04:05,160 --> 01:04:08,520
Speaker 1: The black sweater with the heart on the sleeves. These

1040
01:04:08,560 --> 01:04:12,040
Speaker 1: were popular then and I can't remember it, like the

1041
01:04:12,080 --> 01:04:14,120
Speaker 1: black Kashmir sweater hearts on the sea and then the

1042
01:04:14,200 --> 01:04:16,680
Speaker 1: design on the back. And if anybody knows who made

1043
01:04:16,720 --> 01:04:20,760
Speaker 1: that sweater, put it right here next to my Hello

1044
01:04:20,840 --> 01:04:23,800
Speaker 1: Kiddy alarm clock. And then I think the perfect uh

1045
01:04:24,840 --> 01:04:27,920
Speaker 1: exclamation point to put on this episode is to have

1046
01:04:28,040 --> 01:04:31,800
Speaker 1: that Smith song playing. Oh I didn't notice that because

1047
01:04:31,800 --> 01:04:34,520
Speaker 1: I was way too It was just okay, now we're

1048
01:04:34,560 --> 01:04:37,160
Speaker 1: in college and things are cool. Yeah, and this kid's

1049
01:04:37,200 --> 01:04:41,600
Speaker 1: listening to this and he's right right, yeah, Meat is

1050
01:04:41,720 --> 01:04:44,080
Speaker 1: Murder is like a great song. Yeah, it's just the

1051
01:04:44,160 --> 01:04:47,240
Speaker 1: line itself, and it was was like, fantastic way to

1052
01:04:47,360 --> 01:04:50,640
Speaker 1: end it. Um. I Also, I'll save this for popular culture,

1053
01:04:51,040 --> 01:04:58,320
Speaker 1: popular culture. Popular I don't know culture, but when we

1054
01:04:58,360 --> 01:05:01,160
Speaker 1: do pop culture. This week, I got a special treat

1055
01:05:01,200 --> 01:05:04,840
Speaker 1: for any Andy Gibb fans out there. Oh yeah, you

1056
01:05:04,960 --> 01:05:07,920
Speaker 1: just wait a couple of days. You're getting that people,

1057
01:05:08,560 --> 01:05:14,800
Speaker 1: All right, Look, I think universally we we love this episode. Um,

1058
01:05:14,880 --> 01:05:17,600
Speaker 1: I'm gonna watch it again just because it was so

1059
01:05:17,680 --> 01:05:22,880
Speaker 1: funny and so much fun. And I've I've found my

1060
01:05:22,880 --> 01:05:26,000
Speaker 1: my adoration and love for this show once again after

1061
01:05:26,040 --> 01:05:28,720
Speaker 1: a couple of rough episodes and and I'm I'm so happy,

1062
01:05:29,000 --> 01:05:34,160
Speaker 1: you know. So Anyway, all right, Um, we missed in Yelle.

1063
01:05:34,240 --> 01:05:39,680
Speaker 1: She's uh next, She'll be back next week, Tara, great job.

1064
01:05:39,760 --> 01:05:43,800
Speaker 1: Good seeing you guys. Amy, lovely seeing you, and I'll

1065
01:05:43,840 --> 01:05:51,880
Speaker 1: see you on popular culture as you call it. Look,

1066
01:05:52,160 --> 01:05:55,080
Speaker 1: thank you so much for your for your messages, uh

1067
01:05:55,480 --> 01:05:58,240
Speaker 1: proer con. We appreciate it. It It shapes the show. You're

1068
01:05:58,280 --> 01:06:02,080
Speaker 1: the best fans on the planet. Love this episode. We

1069
01:06:02,120 --> 01:06:33,520
Speaker 1: will see you next time. Stay safe, everybody dot ja

1070
01:06:34,080 --> 01:06:37,120
Speaker 1: Hey everybody, and don't forget follow us on Instagram at

1071
01:06:37,440 --> 01:06:41,960
Speaker 1: I Am all In podcast and Emailie at Gilmore at

1072
01:06:41,960 --> 01:06:45,440
Speaker 1: I Heart radio dot com. Oh you Gilmore fans. If

1073
01:06:45,440 --> 01:06:47,400
Speaker 1: you're looking for the best cup of coffee in the world,

1074
01:06:47,440 --> 01:06:51,400
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1075
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1076
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