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Speaker 1: Good transmitting America. Yes, Lisca, Welcome to Friday show.

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Speaker 2: More in studio Marni Keith urban In later easy Trivia

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Speaker 2: coming up, the dance party. We love Friday's very thankful

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Speaker 2: you're here because you could be anywhere in the whole world,

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Speaker 2: but you're here with us. We appreciate that.

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Speaker 1: All right, it is Friday. Let's go around your favorite

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Speaker 1: news story for the.

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Speaker 3: Day, Amy, Well, this one goes out to lunchbox.

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Speaker 4: Scientists from University of Queensland and Australia have discovered a

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Speaker 4: new species of snake. It's twenty six feet long and

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Speaker 4: it has a human sized head.

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Speaker 1: Wow, did you see a picture like my head?

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Speaker 4: The snake was discovered in the Amazon Rainforest and Ecuador,

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Speaker 4: Sweet dreams.

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Speaker 1: Have you seen a picture of it?

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Speaker 3: Let me pull it up for lunchbox because it's the

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Speaker 3: day if.

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Speaker 2: It has a hit, because usually the snakehead is with

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Speaker 2: the body like the snake continues, that cylinder type thing

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Speaker 2: in the head just kind of gets smaller with the

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Speaker 2: mouth and the downward ramp.

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Speaker 1: It's if it's bigger? How oh are yeah? Of course?

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Speaker 3: Yeah, it's big shoes called a giant anaconda.

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Speaker 2: Oh why a nickname of college. Whoa dude, that's crazy.

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Speaker 2: How do they find a new species out of nowhere?

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Speaker 2: I think you probably go, you assume it's this one

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Speaker 2: species because they're in the water, this Dutch scientist in

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Speaker 2: the water looking for it. And it looks like a snake,

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Speaker 2: but it's so big and the head does go up

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Speaker 2: just a bit. And the reason that its head is

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Speaker 2: human sizes because the snake is so big too. So

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Speaker 2: the snake is bigger like if you were to take

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Speaker 2: your arms and do let's say you were trying to

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Speaker 2: hug some hug an imaginary person in front of you

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Speaker 2: by connecting your hands.

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Speaker 1: That snake is that big. Wow, that's a big snake.

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Speaker 2: And the head looks kind of to scale but a

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Speaker 2: little bigger than to scale, so it's massive.

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Speaker 3: When its mouth is open, it looks like a hippo.

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Speaker 2: But the head, oh, it does look at hippo. But

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Speaker 2: the head doesn't look like a human head. Anything doesn't

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Speaker 2: need it would be weird, man, but it is.

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Speaker 1: It is huge.

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Speaker 2: And they what happens is they found this is they

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Speaker 2: were down just exploring and looking for similar and they're like, well,

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Speaker 2: this doesn't look like the others let's test it.

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Speaker 1: So that's crazy.

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Speaker 2: Oh, here's mine. Couples get married, and this is almost

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Speaker 2: a What's wrong with people?

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Speaker 1: Which old people? What was wrong with people?

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Speaker 2: But it was such a new story. A bride and

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Speaker 2: groom's wedding plans were disrupted. This is from the New

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Speaker 2: York Post when the groom's mom hired men paid them

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Speaker 2: to throw red paint all over the bride in her

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Speaker 2: dress before she walked down the aisle.

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Speaker 1: She knows something about her.

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Speaker 2: The incident happened in the groom who decided to marry

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Speaker 2: a woman who didn't come from a family the mom

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Speaker 2: thought would be good for the woman to come from,

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Speaker 2: so he was The mom was like, do not marry her,

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Speaker 2: do not marry her. The pictures of her, they mostly

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Speaker 2: threw it on her back, but it's red. It looks

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Speaker 2: like she's been bleeding all down her back. It's not blood.

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Speaker 2: It is paint. But they didn't ever since those old

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Speaker 2: things like the eighties and nineties, we're gonna throw paint

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Speaker 2: on like furs on.

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Speaker 1: TV, like you have a fur?

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Speaker 2: No never, no, okay, you have right, yes, so, but

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Speaker 2: it's kind of like that, but instead of a hit,

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Speaker 2: a hit in that she hired painting. Oh, no one

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Speaker 2: was arrested. They got married. But how do you ever

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Speaker 2: if you're her ever? Ever you have a relationship with

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Speaker 2: that mom?

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Speaker 1: Never? You don't? What a terrible petty.

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Speaker 3: I mean there could be a repair.

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Speaker 1: I mean that's okay, that's the world.

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Speaker 2: Really, you hire somebody, kill that mom there, fix that

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Speaker 2: problem or just get her just get her paint back

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Speaker 2: at her most vulnerable. But she just run a very

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Speaker 2: very special day. Yeah, very how petty?

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Speaker 1: That stinks?

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Speaker 2: All right, Lunchbox, Okay, this wouldn't Eddi last because his

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Speaker 2: story suck and I slowly suck.

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Speaker 1: You're in this segment, so he always goes last week.

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Speaker 2: Let me tell you if mine has nothing new with

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Speaker 2: space or I'm just letting everybody know there's a reason why.

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Speaker 2: Because Eddie's story has been really lacking. Lunchboxes is usually

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Speaker 2: really good, so I'm putting that between you.

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Speaker 1: There might be some science in mind.

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Speaker 5: Go ahead, This one is both incredible and sad. Well, listen,

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Speaker 5: we all like a good old sword fight, right, what

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Speaker 5: sword fight?

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Speaker 4: Like?

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Speaker 1: What do you mean? Oh?

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Speaker 2: I don't like bathroom I don't like any version with

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Speaker 2: like our dudes being let's swordfight or like a real

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Speaker 2: sword fight.

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Speaker 5: There's a New Mexico high school teacher that is being

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Speaker 5: sued because she used to have duels in her classroom.

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Speaker 5: She would put the deaths in a circle and students

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Speaker 5: would call each other out. She'd give them what they

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Speaker 5: thought were for ten swords, and they would sword fight

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Speaker 5: for a few minutes.

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Speaker 1: But if they're real, it's making it hurt. Yeah, but

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Speaker 1: they thought they were just like playing sword fight.

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Speaker 5: Okay, well they were having a sword fight and one

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Speaker 5: guy slashed down slice someone's wrist, severe permanent damage attendons

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Speaker 5: and ligaments in the wrist.

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Speaker 1: So okay, here's my question. She immediately said, oh no,

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Speaker 1: I'm in trouble the teacher.

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Speaker 2: First of all, you shouldn't be having people dose sword

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Speaker 2: fights or slat fights or whatever.

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Speaker 1: But also, let's say you're a kid. How old were

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Speaker 1: the kids sixteen or like sixteen, they could like ninja swords.

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Speaker 2: You can hold a sword and you know it's going

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Speaker 2: to cut the person if you hit up with it. Yeah,

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Speaker 2: so that's kind of on YouTube because you're the one

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Speaker 2: having a sword fight. Yeah, but you know you're six. Basically,

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Speaker 2: some sixteen year old go to adult jail. Right, I'm

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Speaker 2: just saying that teachers should be fired. You shouldn't be

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Speaker 2: doing sword fights. But also if you're sixteen and you're

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Speaker 2: holding a piece of metal and you're swinging at somebody else,

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Speaker 2: you know what's gonna happen if you hit them?

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Speaker 1: Right, Yeah it's not you're five, but.

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Speaker 5: They slice down on the wrist, blood everywhere. And then

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Speaker 5: she told all the students please delete the videos.

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Speaker 1: Delete the videos.

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Speaker 2: I'm gonna get in trouble all that thing that TikTok

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Speaker 2: faster than she had told me to do it, All right, Eddie,

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Speaker 2: go ahead. Look, if you fly like twice a year

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Speaker 2: and you don't have TSA pre check, you're crazy. Like

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Speaker 2: TSA pre check is awesome. You get and get to

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Speaker 2: the airport, what thirty minutes for your flight? Get right

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Speaker 2: through it. They're making it even faster now now you

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Speaker 2: won't need an ID or you won't need a boarding pass.

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Speaker 1: You just show your face. Go ahead, you're good. Go

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Speaker 1: That is awesome.

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Speaker 2: Depending on how you feel about Big Brother, Oh, surveillance

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Speaker 2: were already surveilled. My point is always this. I understand

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Speaker 2: peoples concerns with it, like, oh, I don't want to

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Speaker 2: be tracked. I don't want to face you lie there.

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Speaker 2: They're already doing it at a level we don't know

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Speaker 2: and understand, so we might as well get some good

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Speaker 2: out of it. But I think you have to voluntarily

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Speaker 2: agree as well to be part of that program scanned whatever.

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Speaker 2: They're doing it anyway for their own reasons. But even

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Speaker 2: your phone, like my phone's crazy. It can sort out

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Speaker 2: all my pictures on my phone depending on whose face

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Speaker 2: I want so, and it's already programmed.

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Speaker 1: That is my point.

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Speaker 2: We don't know sometimes we don't want to know because

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Speaker 2: it's scary. It's like extraterrestrials, people from different dimensions.

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Speaker 1: That's not real though a lot of use. That's why

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Speaker 1: you don't do GPS in your car.

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Speaker 2: See people are but they if they wanted you, they

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Speaker 2: would have you. They checked your credit card, they have

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Speaker 2: your iPhone, They everything watch a video. Your every corner

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Speaker 2: has a camera. So I get why people will be

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Speaker 2: concerned because as it grows, it gets scarier and scarier

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Speaker 2: that overall they're doing this. But for me, I'm like,

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Speaker 2: you already got me, so let me get through the airplane.

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Speaker 1: This is fast.

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Speaker 2: Yeah, yeah, dude, I would have missed probably ten flights

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Speaker 2: and one for tsa pre check you know what the

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Speaker 2: Oh yeah you would have back in the day.

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Speaker 1: You're good now.

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Speaker 2: But the greatest is when you go to the airport

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Speaker 2: and some of these cities have like a store you

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Speaker 2: go into and you just walk in and grab it

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Speaker 2: and walk out.

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Speaker 1: Oh yeah, you have to pay, You have to you

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Speaker 1: do you have to?

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Speaker 2: Well, it charges, but you don't have to take credit credit?

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Speaker 3: Where is it charged?

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Speaker 2: A couple of things like Amazon ones and all you

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Speaker 2: do is just just beat your phone and it knows

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Speaker 2: what you have when you walk out, and you know

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Speaker 2: who you are. And then some of the other ones

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Speaker 2: are like you walk through swiper credit card and then

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Speaker 2: when you walk out, it knows what you have and

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Speaker 2: it just charged you.

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Speaker 1: Just walk right out.

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Speaker 2: Well, we went to a store in Florida state blown away.

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Speaker 2: Can't stop thinking my actually, you stop talking about I

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Speaker 2: wanted to go back after we finished shooting.

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Speaker 3: What happened?

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Speaker 2: You took all your stuff in the gases and you

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Speaker 2: put on the counter and it just read it and

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Speaker 2: went six dollars?

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Speaker 3: Would they do that at the airport?

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Speaker 1: Know? This one? This one was different. It's a gas.

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Speaker 3: What I told them the gas station store is like

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Speaker 3: a convenience store.

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Speaker 2: No, no, but it feels different because you're not in

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Speaker 2: the airport. It's just a gas station on the side

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Speaker 2: of the road. I never had that happen at a

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Speaker 2: gas station. I went to go on somewhere like a

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Speaker 2: ball game and.

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Speaker 1: Having a great hot dog.

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Speaker 2: You can get a hot dog everywhere, but if it's

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Speaker 2: a ball game, it's different the experience.

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Speaker 3: Okay, okay, go.

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Speaker 1: Aheaddie, I'm sorry. No, I went to a basketball game.

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Speaker 1: Same deal.

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Speaker 2: Like I went in, You get grabbed all the beers

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Speaker 2: and you just walk right out.

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Speaker 1: It charged. I don't know how he charged my credit card,

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Speaker 1: but it did.

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Speaker 3: You don't know how.

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Speaker 1: When I walked in there.

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Speaker 2: Crazy, there's all these cameras looking at you, and then

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Speaker 2: like six beers.

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Speaker 1: Oh like that he's buying six. Let's open up the

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Speaker 1: mail bag, you.

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Speaker 6: Friend the game mail and we read it all the

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Speaker 6: air pick something we call Bobby's mail bag.

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Speaker 2: Year Bobby Bones. I recently found out I'm gonna be

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Speaker 2: a dad. I haven't spoken to my biological father in

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Speaker 2: over two years. We had a fallout, never really had

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Speaker 2: a good relationship anyway. When my wife posted our news

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Speaker 2: to Facebook, I received a congratulations message from him.

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Speaker 1: I thought that'd be the end of it.

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Speaker 2: The next day I get a message demanding I pick

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Speaker 2: up the phone when he calls because he wants me

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Speaker 2: to tell him he's going to be a granddad. Am

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Speaker 2: I a jerk for not telling him and not picking

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Speaker 2: up the phone when he tried to call? Do I

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Speaker 2: give him a chance to have a relationship with his grandchild?

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Speaker 2: Sign to be dad without a dad? The thing is,

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Speaker 2: you don't have to make all these decisions right now.

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Speaker 2: Some of these you do, but you don't have to

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Speaker 2: make all of them right this second, because they all

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Speaker 2: don't demand a decision be made. If you don't have

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Speaker 2: a close relationship, then that's on you that you get

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Speaker 2: to decide that. You get to decide who you call

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Speaker 2: and tell. And if you guys ain't good and you

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Speaker 2: don't call them, it's your kid, it's your news. You

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Speaker 2: get to decide to deliver that news. As far as

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Speaker 2: the do I give him a chance to have a

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Speaker 2: relationship with his grandchild? I hope, But you don't have

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Speaker 2: to make that decision right now. And if for some

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Speaker 2: reason you feel like he's too toxic for that relationship,

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Speaker 2: then you don't, but your kid, so you know, don't

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Speaker 2: beat yourself up over something that you don't need to

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Speaker 2: have a fight about right now. But you're not a jerk.

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Speaker 2: There's a reason you didn't. Now you get to make

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Speaker 2: the choice. Do you continue the relationship now or do

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Speaker 2: you not? But that's you that gets to make it.

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Speaker 2: I think you be happier if you did give it

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Speaker 2: another shot. That way, if it goes sour again, at

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Speaker 2: least you know you tried. But I do think you

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Speaker 2: will want to give.

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Speaker 1: It a shot. But if you're not ready right now

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Speaker 1: because I don't know what happened personally, then that's that's you.

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Speaker 1: What do you think?

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Speaker 4: Yeah, I feel like there's a lot of details about it.

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Speaker 4: We don't know, so it's hard to say. But I

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Speaker 4: would give it a try. I would try to repair

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Speaker 4: my relationship and then obviously if that, you know, goes well,

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Speaker 4: then yeah, of course your child will have a relationship

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Speaker 4: with their grandpa.

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Speaker 1: The dad came bay too aggressive though for just like

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Speaker 1: men back.

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Speaker 3: It's already not red flag.

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Speaker 2: Pepall know your role. If you just would have called

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Speaker 2: him and like, hey, I saw the news. I know

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Speaker 2: we haven't talked, but is there that's on him too

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Speaker 2: for you feeling again defensive and back on your heels.

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Speaker 1: So you do you it's your kid, it's your life.

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Speaker 2: I have a feeling you're gonna want to have that

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Speaker 2: relationship if it's possible to have. But if you do

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Speaker 2: give it a shot and it doesn't work out again,

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Speaker 2: then it's all you, baby.

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Speaker 1: You get to you get to decide. Eddie. Yeah, your kid,

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Speaker 1: your rules.

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Speaker 2: But man, that makes me sad that they don't really

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Speaker 2: have a relationship because when what I've heard from my

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Speaker 2: parents that the best thing in the world is grandchildren,

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Speaker 2: like because they just kind of get to spoil this

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Speaker 2: kid and really enjoy what they've done, what they've created

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Speaker 2: kind of you know, like the next generation of of

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Speaker 2: their creation, which is really really cool. And just sad

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Speaker 2: that he doesn't have that with his dad and the

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Speaker 2: grandpa can't have that. So hopefully they can figure this out.

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Speaker 2: Hopefully they can you know, kind of talk and rekindle

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Speaker 2: that relationship.

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Speaker 1: But it's your kid, man, your rules. You do what

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Speaker 1: you want. You go attatoo that kid, You go ahead,

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Speaker 1: go ahead, whatever you want. You we got your game.

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Speaker 4: And laid on you.

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Speaker 7: Now let's find the clothes.

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Speaker 1: Bobby failed back.

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Speaker 2: Yeah, it's time for fun fact Friday.

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Speaker 1: The song girls just want to have fun? Yeah good.

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Speaker 2: It was written by a dude whoa girls, it's creepy

296
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Speaker 2: when writes, he's like, I don't Yeah. A guy named

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Speaker 2: Robert Hazard wrote it and recorded it in nineteen seventy nine,

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Speaker 2: but it didn't become a hit until Cindy Lapper covered

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Speaker 2: it four years later. Goos, it's weirder that way. Fun

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Speaker 2: fact Friday, Amy, go ahead.

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Speaker 4: Yawning is contagious. We know that for humans, but even

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Speaker 4: for dogs. Research shows that the sound of a human

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Speaker 4: yawn can trigger one from their dog.

304
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Speaker 3: And it's four times.

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Speaker 1: I'm not cured.

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Speaker 4: Yeah, four times is likely to happen when it's the

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Speaker 4: yawn of a person that the dog knows.

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Speaker 2: Yeah, I yawned, not even seeing a yawn, just her

309
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Speaker 2: talking about it. When up dog yawns too, they go hard.

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Speaker 2: They go like I feel like sometimes and I shut

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Speaker 2: their eyes onto the big lunchbox.

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Speaker 5: The American Pilgrims made a type of soap called chamber Lie,

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Speaker 5: and that is they would like urine sit in.

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Speaker 1: A barrel or two years in a week, you know,

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Speaker 1: r two weeks in a row. Yeah, and they would

316
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Speaker 1: mix it with ashes, and that's how they would make soap.

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Speaker 2: I think people just thought urine was a cure. All

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Speaker 2: urine was robotuesten for the pill for the pilgrims. And

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Speaker 2: and whoever spread that rumor was, like you learned.

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Speaker 4: Last week, the myth of it being steril it's it's

321
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Speaker 4: a myth.

322
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Speaker 2: But even robotutting is good for a couple of things,

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Speaker 2: not for everything. Like we used to have it done,

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Speaker 2: was like just take robotesting. Yeah, okay, well you you

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Speaker 2: feel better.

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Speaker 1: No, no, that's not what it's for. And yeah, Eddie

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Speaker 1: watch you got Yeah, so twinkies, you know how they

328
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Speaker 1: have cream in the middle. I have bad news. It's

329
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Speaker 1: not cream.

330
00:13:32,640 --> 00:13:36,720
Speaker 2: It's actually some sins, like some fake vegetables, shortening sugar.

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Speaker 1: But it is cream.

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Speaker 2: Yeah, no, it's it's it's different. It's not like cream

333
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Speaker 2: that you would make like put in collet there, chemical

334
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Speaker 2: me all up.

335
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Speaker 1: It's fake cream. No, it's cream, but it is still cream.

336
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Speaker 1: It's just not the Yeah, it's cream. It's yeah, Okay,

337
00:13:50,640 --> 00:13:52,560
Speaker 1: I'm not having fun. I have having fun anymore, Morgan.

338
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Speaker 8: The US government has an official plan for zombie apocalypse

339
00:13:57,120 --> 00:14:00,440
Speaker 8: so it's a thirty one page counter zombie dominant plan

340
00:14:00,800 --> 00:14:04,280
Speaker 8: and it's complained eight eight eight dash eleven, designed in

341
00:14:04,320 --> 00:14:07,000
Speaker 8: twenty eleven, and it wasn't designed as a joke, so

342
00:14:07,040 --> 00:14:07,480
Speaker 8: they put it.

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Speaker 3: Out when Walking Dead came, no.

344
00:14:08,679 --> 00:14:11,040
Speaker 1: My tax, bigger dollars were wasted. I came over to

345
00:14:11,240 --> 00:14:13,679
Speaker 1: always wasted until it actually happened. We can get rid

346
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Speaker 1: of all that famous last word.

347
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Speaker 3: I don't know.

348
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Speaker 2: I got a couple of good ones here. Only about

349
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Speaker 2: fifteen percent of buildings in the US with more than

350
00:14:21,360 --> 00:14:25,280
Speaker 2: thirteen stories, only fifteen percent, so you know, fifteen one hundred,

351
00:14:25,360 --> 00:14:26,920
Speaker 2: little more than one out of ten actually have a

352
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Speaker 2: thirteenth floor.

353
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Speaker 1: It's the superstition.

354
00:14:30,520 --> 00:14:32,920
Speaker 2: So it's a real thing, Like only fifteen percent of

355
00:14:32,920 --> 00:14:34,760
Speaker 2: buildings have a thirteenth floor. If it's bigger than that,

356
00:14:34,920 --> 00:14:37,680
Speaker 2: but see, like it's still till the thirteen. I think

357
00:14:37,680 --> 00:14:40,640
Speaker 2: it's just the number itself. I just didn't know people

358
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Speaker 2: building buildings would actually let a superstition affect it. Oh man,

359
00:14:44,520 --> 00:14:46,160
Speaker 2: I go a lot of elevators are go into and

360
00:14:46,200 --> 00:14:48,640
Speaker 2: like make sure oh no thirteen okay, good, like no

361
00:14:48,760 --> 00:14:51,280
Speaker 2: you don't, Yes, the thirteens are never an elevator. Okay,

362
00:14:51,280 --> 00:14:52,760
Speaker 2: good now I'm going to stay here. Well, no, I don't.

363
00:14:52,760 --> 00:14:54,680
Speaker 2: I just make sure they do it. There's a video

364
00:14:54,720 --> 00:14:56,920
Speaker 2: game based on the TV show Home Improvement. Super Nintendo

365
00:14:56,960 --> 00:14:58,880
Speaker 2: made it in nineteen ninety four, and it did not

366
00:14:58,920 --> 00:15:00,600
Speaker 2: come with any instructions out of play it. It just said

367
00:15:00,640 --> 00:15:05,720
Speaker 2: quote real man, don't need instructions. Wow that Legit never

368
00:15:05,720 --> 00:15:06,280
Speaker 2: played that one.

369
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Speaker 1: That's funny. I couldn't figure it out. Not a real

370
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Speaker 1: It's time for the good news.

371
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Speaker 2: Brent and Brady Ginther. They're from Kansas, their father and son.

372
00:15:23,160 --> 00:15:25,880
Speaker 2: They're driving down the interstate and they see this semi

373
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Speaker 2: truck slowing down and it's kind of like veering off

374
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Speaker 2: the lane going to the side of the road, and.

375
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Speaker 1: It's going straight into an overpass.

376
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Speaker 2: It's probably got about two hundred yards left before it

377
00:15:35,840 --> 00:15:38,160
Speaker 2: slowly rolls into that overpass and hits it.

378
00:15:38,360 --> 00:15:40,600
Speaker 1: So what do they do? Pull the truck next to it.

379
00:15:40,680 --> 00:15:42,440
Speaker 1: Pull the truck next to it, they go.

380
00:15:42,680 --> 00:15:46,480
Speaker 2: The dad jumps out of the truck. He jumps on

381
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Speaker 2: the passenger side, tries to open the door. Turns out

382
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Speaker 2: that the drive truck driver had passed out. He blacked

383
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Speaker 2: out in the truck. So it's going it's going to

384
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Speaker 2: hit that.

385
00:15:53,640 --> 00:15:56,240
Speaker 1: Over believe that. So he's it's locked. It's locked. So

386
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Speaker 1: he tells a son, Hey, throw me a hammer, throw

387
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Speaker 1: me a hammer. He gets to the toolbox.

388
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Speaker 2: Dad, here's the hammer, breaks the window, jumps in, hits

389
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Speaker 2: the brakes in time for the semi to not hit anything.

390
00:16:06,360 --> 00:16:09,920
Speaker 2: That feels fake. It's so that's so amazing. It feels fake. Yeah,

391
00:16:09,960 --> 00:16:11,720
Speaker 2: and the fact that they even thought about doing that,

392
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Speaker 2: I would just.

393
00:16:12,120 --> 00:16:13,480
Speaker 1: Be like, well, drunk driver.

394
00:16:13,640 --> 00:16:17,000
Speaker 2: That also had to be semi instinctual, because there's not

395
00:16:18,040 --> 00:16:20,840
Speaker 2: five minutes for all that to happen, right, you see it,

396
00:16:21,280 --> 00:16:22,000
Speaker 2: drive up to it.

397
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Speaker 1: I'm going tell me the hammer. Gotta have a good

398
00:16:24,280 --> 00:16:25,920
Speaker 1: throw for the hammer. You gotta have a hammer, dude,

399
00:16:26,000 --> 00:16:28,720
Speaker 1: gotta have a hammer. They had a hammer, which is crazy.

400
00:16:29,440 --> 00:16:31,800
Speaker 2: The Kansas Highway Patrol they kill people that weren't even

401
00:16:31,800 --> 00:16:34,440
Speaker 2: a part of that too, totally. The cans they give

402
00:16:34,480 --> 00:16:37,520
Speaker 2: my prizes of the Kansas Highway Patrol made them honorary

403
00:16:37,600 --> 00:16:39,800
Speaker 2: patrol men. That means they get to shoot one person.

404
00:16:40,160 --> 00:16:42,400
Speaker 2: I don't think that's what that means. Oh, I mean, okay,

405
00:16:42,440 --> 00:16:44,320
Speaker 2: what if that was it? You get to here's your

406
00:16:44,320 --> 00:16:47,920
Speaker 2: gun you only get one shot, or or just arrest someone.

407
00:16:47,960 --> 00:16:50,080
Speaker 1: That'd be cool. That's cool that I would arrest.

408
00:16:51,840 --> 00:16:53,440
Speaker 2: I would just go to your house and got you

409
00:16:53,560 --> 00:16:55,160
Speaker 2: coming in and how much time would you have to serve?

410
00:16:55,240 --> 00:16:56,880
Speaker 2: You get to also do the city. I love it

411
00:16:56,960 --> 00:16:59,400
Speaker 2: five years. Oh oh, so I don't know for what

412
00:16:59,520 --> 00:16:59,920
Speaker 2: I know if I.

413
00:17:01,560 --> 00:17:03,600
Speaker 5: Alright, go ahead, I was gonna say, I mean, be

414
00:17:03,640 --> 00:17:06,359
Speaker 5: an honorary deputy. Fine, but they should name that stretch

415
00:17:06,359 --> 00:17:07,360
Speaker 5: a highway after them.

416
00:17:07,680 --> 00:17:08,760
Speaker 1: Then you got to clean it up.

417
00:17:10,720 --> 00:17:13,760
Speaker 5: Like this highway is named after the people who save lies. Boom,

418
00:17:13,760 --> 00:17:14,760
Speaker 5: and you have a sign.

419
00:17:14,600 --> 00:17:17,399
Speaker 2: Already named by about like a military guy or another

420
00:17:17,880 --> 00:17:20,040
Speaker 2: I mean maybe spin a will and whatever happens, you

421
00:17:20,080 --> 00:17:20,560
Speaker 2: have you get.

422
00:17:21,080 --> 00:17:24,679
Speaker 5: I mean so, I mean because honorary deputy, not a trooper.

423
00:17:24,720 --> 00:17:27,520
Speaker 1: Man a police car.

424
00:17:27,680 --> 00:17:29,520
Speaker 2: Now you don't really have to be a trooper, but

425
00:17:29,560 --> 00:17:30,879
Speaker 2: you just need to drive around a police car for

426
00:17:30,880 --> 00:17:33,920
Speaker 2: the rest of your life. Yeah, because everybody would slow

427
00:17:33,920 --> 00:17:37,000
Speaker 2: down around forever. You're allowed to use the good story.

428
00:17:37,160 --> 00:17:38,200
Speaker 2: That is what it's all about.

429
00:17:38,960 --> 00:17:43,040
Speaker 1: That was telling me something good. It's a new season

430
00:17:43,040 --> 00:17:45,600
Speaker 1: of trivia. It's the easiest trivia game in the whole

431
00:17:45,640 --> 00:17:53,680
Speaker 1: wide world. Our champion. Aren't new champion is Amy.

432
00:17:50,760 --> 00:17:54,159
Speaker 2: Miami has the new champion. We're gonna play in like

433
00:17:54,280 --> 00:17:56,800
Speaker 2: less than one minute. You get to ban yea this.

434
00:17:57,680 --> 00:18:03,200
Speaker 2: I know you can either ban Lunchbox. Eddie the lunchboxes

435
00:18:03,200 --> 00:18:05,720
Speaker 2: has got two championships to his belt to his name,

436
00:18:06,000 --> 00:18:09,000
Speaker 2: Eddie's got six, six championship.

437
00:18:08,560 --> 00:18:10,800
Speaker 1: Tom Brady man or Morgan who has none.

438
00:18:11,440 --> 00:18:13,439
Speaker 3: I'm just your championships do I have?

439
00:18:13,640 --> 00:18:14,200
Speaker 1: You have three?

440
00:18:14,720 --> 00:18:15,520
Speaker 3: Eddie has six.

441
00:18:16,320 --> 00:18:23,640
Speaker 1: Eddie, you're scared, You're scared of everybody. That's fine, that's fine.

442
00:18:23,640 --> 00:18:24,600
Speaker 1: I'm just gonna say this to you.

443
00:18:24,600 --> 00:18:26,080
Speaker 2: You don't look as real of a champion if you

444
00:18:26,119 --> 00:18:28,520
Speaker 2: can't beat the champion, correct, Like that's kind of to

445
00:18:28,560 --> 00:18:29,840
Speaker 2: be the man. You gotta kind of beat the man.

446
00:18:30,080 --> 00:18:32,840
Speaker 2: And I'm gonna he's letting me in the gamekeep me out.

447
00:18:33,560 --> 00:18:35,200
Speaker 5: But Tom Brady didn't make the super Bowl every year,

448
00:18:35,200 --> 00:18:37,080
Speaker 5: and guess what, whoever won it was still a champion.

449
00:18:37,359 --> 00:18:39,280
Speaker 2: If that's fine, you want to kick kicking out what I'm saying.

450
00:18:39,280 --> 00:18:40,679
Speaker 2: It makes you look less credible.

451
00:18:40,400 --> 00:18:40,959
Speaker 1: Of a champion.

452
00:18:41,040 --> 00:18:42,800
Speaker 4: Okay, it's all good.

453
00:18:43,840 --> 00:18:44,159
Speaker 1: Amy.

454
00:18:44,200 --> 00:18:47,520
Speaker 2: I no longer admire you, so there, Yeah, lost admiration, Eddie.

455
00:18:47,800 --> 00:18:50,160
Speaker 2: You are now out all right man, Abby is now

456
00:18:50,160 --> 00:18:57,720
Speaker 2: in Hello. Amy just made her life so much easier,

457
00:18:57,760 --> 00:18:59,960
Speaker 2: like she she just killed off the good competition.

458
00:19:00,560 --> 00:19:01,640
Speaker 3: No, Lunchbox is.

459
00:19:01,600 --> 00:19:04,560
Speaker 4: Really good, and Morgan has up her game a lot.

460
00:19:03,920 --> 00:19:08,680
Speaker 2: And Morgan's won championship like total championships when everybody.

461
00:19:08,359 --> 00:19:10,359
Speaker 1: Combined is less than you have. H Okay, here we go.

462
00:19:10,680 --> 00:19:10,960
Speaker 1: Let's go.

463
00:19:11,040 --> 00:19:15,840
Speaker 2: Question number one. Champion Amy the categories music. Who is

464
00:19:15,880 --> 00:19:16,720
Speaker 2: known as the king of pop?

465
00:19:17,200 --> 00:19:17,919
Speaker 3: Michael Jackson?

466
00:19:18,000 --> 00:19:19,760
Speaker 1: Correct Lunchbox?

467
00:19:19,760 --> 00:19:22,320
Speaker 2: Which rock band released the album Sergeant Pepper's Lonely Hearts

468
00:19:22,359 --> 00:19:22,880
Speaker 2: Club band?

469
00:19:23,760 --> 00:19:25,200
Speaker 1: Yeah, that's the Beatle.

470
00:19:25,280 --> 00:19:31,159
Speaker 2: Correct Morgan, which rapper released the Marshall Mathers lp eminem Correct.

471
00:19:32,480 --> 00:19:32,800
Speaker 1: Abby?

472
00:19:32,880 --> 00:19:35,200
Speaker 2: What singer is known for? Like a prayer and material

473
00:19:35,240 --> 00:19:36,280
Speaker 2: girl Madonna?

474
00:19:36,400 --> 00:19:39,960
Speaker 1: Correct? If you miss it, you'll hear this sound you've

475
00:19:40,000 --> 00:19:42,679
Speaker 1: been don't miss it.

476
00:19:42,720 --> 00:19:46,000
Speaker 2: Here we go, Amy, you're up first. Superhero alter egos.

477
00:19:46,640 --> 00:19:49,360
Speaker 2: Clark Kent is the alter ego alter ego? What superhero

478
00:19:50,520 --> 00:19:51,359
Speaker 2: Clark Kent.

479
00:19:52,640 --> 00:19:54,159
Speaker 3: I'm taking sure that I'm right on this.

480
00:19:55,000 --> 00:19:55,400
Speaker 1: Lark Kin.

481
00:19:56,880 --> 00:19:57,360
Speaker 3: Superman.

482
00:19:57,480 --> 00:20:01,520
Speaker 2: Correct Lunchbox Bruce Wayne is the alter ego of.

483
00:20:03,680 --> 00:20:09,080
Speaker 1: Batman. Correct? Yes, Morgan Peter Parker is the alter ego

484
00:20:09,160 --> 00:20:10,879
Speaker 1: of what superhero? Spider Man? Correct?

485
00:20:11,400 --> 00:20:14,840
Speaker 2: Abby, Tony Stark alter egot what superhero?

486
00:20:17,240 --> 00:20:21,760
Speaker 1: I know this? No, I know this Tony Stark.

487
00:20:31,600 --> 00:20:32,120
Speaker 6: A man.

488
00:20:32,160 --> 00:20:35,480
Speaker 1: Welcome back, Abby. Thank you you didn't talk to your head.

489
00:20:35,320 --> 00:20:37,320
Speaker 3: Abby, Thank you so much. I tried not to do that.

490
00:20:37,359 --> 00:20:41,239
Speaker 1: This week the category is famous companies. Only three remain. Well,

491
00:20:41,320 --> 00:20:46,120
Speaker 1: Amy set this thing up. That's perfect. Famous companies? Bill

492
00:20:46,160 --> 00:20:48,280
Speaker 1: Gates co founded? What famous tech company? Amy?

493
00:20:48,560 --> 00:20:54,439
Speaker 3: Bill Gates is? Bill Gates is Microsoft?

494
00:20:54,520 --> 00:20:54,879
Speaker 1: Correct?

495
00:20:56,280 --> 00:20:59,680
Speaker 2: Lunchbox YouTube was bought by what company? From one point

496
00:20:59,680 --> 00:21:01,880
Speaker 2: six I have a billion dollars in two thousand and six?

497
00:21:03,640 --> 00:21:07,840
Speaker 2: What YouTube was bought by what company? For one point

498
00:21:07,840 --> 00:21:11,679
Speaker 2: six billion dollars in two thousand and six? Mm?

499
00:21:11,760 --> 00:21:17,880
Speaker 5: Hm, YouTube is bought by a company?

500
00:21:18,920 --> 00:21:19,320
Speaker 2: Uh?

501
00:21:19,440 --> 00:21:22,000
Speaker 1: Facebook? You vision YouTube?

502
00:21:23,000 --> 00:21:23,119
Speaker 4: No?

503
00:21:23,840 --> 00:21:27,440
Speaker 1: Never have YouTube acount? I don't know it's Google. You

504
00:21:27,480 --> 00:21:28,959
Speaker 1: got a log in every time with your Gmail?

505
00:21:29,160 --> 00:21:29,360
Speaker 6: Yeah?

506
00:21:29,600 --> 00:21:35,119
Speaker 1: Yeah, lunchbox is out? You have, Amy Morgan? What company

507
00:21:35,119 --> 00:21:36,960
Speaker 1: produces the PlayStation gaming console?

508
00:21:37,880 --> 00:21:39,960
Speaker 8: The PlayStation gaming console?

509
00:21:40,720 --> 00:21:45,320
Speaker 2: Okay, famous companies? What company produces the PlayStation gaming console?

510
00:21:46,119 --> 00:21:46,520
Speaker 7: Shoot?

511
00:21:46,880 --> 00:21:55,640
Speaker 2: I mean, oh my gosh, Amy, you want like I'm serious? Amy?

512
00:21:55,680 --> 00:21:57,639
Speaker 1: You did you set it up? You set it up?

513
00:21:58,920 --> 00:22:00,600
Speaker 1: Yang is you're the Antony Chiefs.

514
00:22:00,600 --> 00:22:02,680
Speaker 2: You picked some high schools to play against you, the

515
00:22:02,680 --> 00:22:04,119
Speaker 2: AFC East or a FC.

516
00:22:06,080 --> 00:22:07,480
Speaker 1: Go ahead West?

517
00:22:07,520 --> 00:22:10,880
Speaker 3: Wait, were just getting lots of time here, go ahead? Yeah,

518
00:22:10,920 --> 00:22:12,440
Speaker 3: I'm over here thinking the PlayStation.

519
00:22:12,800 --> 00:22:14,399
Speaker 1: Yeah, I know the PlayStation.

520
00:22:14,640 --> 00:22:16,280
Speaker 8: I can see it, and I know a lot of

521
00:22:16,320 --> 00:22:19,360
Speaker 8: them Nintendo incorrect. I don't know.

522
00:22:21,200 --> 00:22:21,600
Speaker 9: So many.

523
00:22:24,600 --> 00:22:26,560
Speaker 1: That was so quick. We should just do another round?

524
00:22:26,840 --> 00:22:27,000
Speaker 6: What?

525
00:22:27,520 --> 00:22:29,359
Speaker 1: Yeah? Can we just do the five right now and

526
00:22:29,400 --> 00:22:31,159
Speaker 1: then get it over with Amy One's five and then

527
00:22:31,160 --> 00:22:36,400
Speaker 1: we go to that season? Yeah, I mean might as well.

528
00:22:38,640 --> 00:22:41,240
Speaker 1: Ray just say, since I would you say, right, six

529
00:22:41,280 --> 00:22:42,520
Speaker 1: minutes to do what the whole.

530
00:22:42,400 --> 00:22:44,240
Speaker 2: Game and go to break? You want to do another round.

531
00:22:44,960 --> 00:22:46,359
Speaker 1: So go to break and come back. I think we

532
00:22:46,400 --> 00:22:48,000
Speaker 1: could do that in six minutes. Hey, trust me, we

533
00:22:48,040 --> 00:22:51,520
Speaker 1: did that the rules. That was a tough cle right.

534
00:22:51,560 --> 00:22:52,520
Speaker 2: Let me know when I got a wrap and if

535
00:22:52,520 --> 00:22:55,680
Speaker 2: we need to come back and finish it, we will, Okay, Yeah.

536
00:22:56,800 --> 00:22:58,000
Speaker 1: I don't think we should do too. I think we

537
00:22:58,119 --> 00:22:58,639
Speaker 1: take a break.

538
00:22:59,840 --> 00:23:04,639
Speaker 2: I mean nineties TV Amy Ready what was the name

539
00:23:04,640 --> 00:23:06,560
Speaker 2: of the popular TV show featuring a group of teenagers

540
00:23:06,600 --> 00:23:09,040
Speaker 2: living in the fictional town of Sunnydale, California. And they

541
00:23:09,040 --> 00:23:11,080
Speaker 2: battle blood sucking supernatural forces.

542
00:23:11,240 --> 00:23:13,920
Speaker 3: What is this the first round on?

543
00:23:15,480 --> 00:23:15,640
Speaker 2: Uh?

544
00:23:15,840 --> 00:23:19,680
Speaker 1: Yeah, no, let's just take a break and won't come back.

545
00:23:19,720 --> 00:23:23,000
Speaker 2: Okay, Buffy the Vampire Slayer would have been that answer.

546
00:23:23,320 --> 00:23:27,240
Speaker 2: We will take a break, we will come back. We'll

547
00:23:27,240 --> 00:23:32,160
Speaker 2: just wait till next week's Yeah, got real hard. There's

548
00:23:32,160 --> 00:23:32,760
Speaker 2: a voicemail.

549
00:23:33,720 --> 00:23:36,879
Speaker 6: I was just wondering if there was any update on

550
00:23:37,080 --> 00:23:40,159
Speaker 6: when Amy is gonna have her dull collection of praise.

551
00:23:40,280 --> 00:23:43,240
Speaker 6: I think it would be hilarious if it came back

552
00:23:43,280 --> 00:23:45,280
Speaker 6: and praise it a big number. I think that there

553
00:23:45,280 --> 00:23:47,399
Speaker 6: are some members of the show I'm not.

554
00:23:47,400 --> 00:23:49,960
Speaker 1: Gonna name dames would probably lose their mind.

555
00:23:50,080 --> 00:23:51,920
Speaker 6: I think it'd be a great bit. I've been waiting

556
00:23:51,920 --> 00:23:53,560
Speaker 6: for it since you talked about it, and I would

557
00:23:53,560 --> 00:23:54,760
Speaker 6: love to see it happen on the show.

558
00:23:54,920 --> 00:23:55,240
Speaker 1: Thank You.

559
00:23:55,320 --> 00:23:57,160
Speaker 2: And by the way, it will not be a bit

560
00:23:57,240 --> 00:23:59,720
Speaker 2: bit where once I had her live about Oh man,

561
00:24:00,119 --> 00:24:01,720
Speaker 2: you'll never do that again, because I know for her

562
00:24:01,800 --> 00:24:02,840
Speaker 2: it's a little unomfortable too.

563
00:24:02,840 --> 00:24:04,080
Speaker 1: But I was like, just trust me on this, thank You.

564
00:24:04,200 --> 00:24:06,320
Speaker 1: That's hilarious. No, No, it wasn't.

565
00:24:06,480 --> 00:24:08,480
Speaker 5: No, it wasn't because I was like, how do you

566
00:24:08,520 --> 00:24:09,359
Speaker 5: have all the luck.

567
00:24:09,240 --> 00:24:11,960
Speaker 1: In the world, and I was, we are doing this,

568
00:24:12,000 --> 00:24:13,560
Speaker 1: We've already lined it up. I don't know. She hasn't

569
00:24:13,560 --> 00:24:15,639
Speaker 1: done the appraisal yet, has she? No, not at all.

570
00:24:15,960 --> 00:24:18,240
Speaker 1: But what do we think it'll be on? Probably late

571
00:24:18,320 --> 00:24:18,800
Speaker 1: next week?

572
00:24:18,920 --> 00:24:21,040
Speaker 3: Wow, this took months and months and months.

573
00:24:21,040 --> 00:24:25,680
Speaker 1: It didn't We just forgot some other stuff happened. Yeah.

574
00:24:25,200 --> 00:24:27,879
Speaker 4: I just thought, oh well, I guess we're gonna do it,

575
00:24:27,920 --> 00:24:28,920
Speaker 4: so I put my dolls away.

576
00:24:29,040 --> 00:24:31,560
Speaker 2: It was on a list and it kept getting bumped down.

577
00:24:31,600 --> 00:24:34,840
Speaker 2: But he's right enough listeners that demanded we do it.

578
00:24:35,000 --> 00:24:37,520
Speaker 4: Question, Yes, do you think if some of them are

579
00:24:37,640 --> 00:24:41,320
Speaker 4: missing their arms, they could potentially be worth more if.

580
00:24:41,200 --> 00:24:42,880
Speaker 2: You bought them that way? And they were basically error

581
00:24:42,920 --> 00:24:46,800
Speaker 2: cards if you broke them. Oh no, let's play Boston

582
00:24:46,880 --> 00:24:47,600
Speaker 2: Mike number three.

583
00:24:47,920 --> 00:24:49,560
Speaker 10: Hey, Bobby Bones, what's up?

584
00:24:49,560 --> 00:24:50,440
Speaker 1: Problet's say?

585
00:24:50,560 --> 00:24:51,600
Speaker 7: Checking in with you, guys.

586
00:24:51,800 --> 00:24:54,639
Speaker 6: I stumbled across your radio station a couple.

587
00:24:54,359 --> 00:24:54,960
Speaker 7: Of weeks ago.

588
00:24:55,160 --> 00:24:56,800
Speaker 2: I'm an addict.

589
00:24:57,040 --> 00:24:57,520
Speaker 6: Don't stop.

590
00:24:58,000 --> 00:25:00,920
Speaker 10: Don't stop your show man, just keep doing your things.

591
00:25:01,520 --> 00:25:03,119
Speaker 2: I love you. I appreciate that. I was about to

592
00:25:03,560 --> 00:25:05,359
Speaker 2: quit today with my final day until I got this. No,

593
00:25:05,440 --> 00:25:07,840
Speaker 2: but you're a chicken and I'm here I'm here. Hey,

594
00:25:07,840 --> 00:25:10,480
Speaker 2: appreciate that you guys can leave some VOICEMAILT anytime. Eight

595
00:25:10,560 --> 00:25:15,360
Speaker 2: seven seven seventy seven. Bobby questions comments. We love them,

596
00:25:15,400 --> 00:25:21,160
Speaker 2: we need them, we share them, pile of stories.

597
00:25:21,240 --> 00:25:22,920
Speaker 3: Would you like to be known as a baby girl?

598
00:25:23,240 --> 00:25:25,080
Speaker 1: Yeah? Please? What do you know?

599
00:25:25,520 --> 00:25:25,720
Speaker 2: Yeah?

600
00:25:25,720 --> 00:25:27,480
Speaker 1: I love it. I'd love to be a baby girl. Yeah,

601
00:25:27,560 --> 00:25:30,240
Speaker 1: treated like a queen. This is a new thing, Bobe,

602
00:25:30,800 --> 00:25:32,000
Speaker 1: just have all my needs.

603
00:25:32,040 --> 00:25:35,520
Speaker 4: Man, it's a new swoon worthy term given to guys

604
00:25:35,560 --> 00:25:37,240
Speaker 4: with a sexy feminine quality.

605
00:25:37,359 --> 00:25:39,199
Speaker 2: Let's go, I'll be your baby girl homeine. I mean,

606
00:25:39,240 --> 00:25:40,920
Speaker 2: if I was in jail, I for sure baby girl.

607
00:25:40,920 --> 00:25:42,760
Speaker 2: But I'd like to be out now.

608
00:25:42,760 --> 00:25:45,399
Speaker 4: I'd like to be a man that is a baby

609
00:25:45,400 --> 00:25:49,959
Speaker 4: girl is dreamy, charming, coy, in touch with his feminine side.

610
00:25:50,200 --> 00:25:51,600
Speaker 1: Oh that part I got the other ones I'm not,

611
00:25:51,640 --> 00:25:52,760
Speaker 1: but I still like to be a baby girl.

612
00:25:53,680 --> 00:25:56,880
Speaker 4: Yeah, he's the He's the exact opposite of the toxic

613
00:25:57,040 --> 00:25:59,120
Speaker 4: masculine aby situation, and.

614
00:25:59,040 --> 00:26:01,439
Speaker 2: That would be called it going on. Old man like

615
00:26:01,480 --> 00:26:03,119
Speaker 2: baby a girl. Old man so much works an old man.

616
00:26:03,119 --> 00:26:06,800
Speaker 1: I'm a baby girl. Yeah, he'd probably rather be an

617
00:26:06,800 --> 00:26:08,560
Speaker 1: old man, though I'd rather be an old man. No,

618
00:26:08,800 --> 00:26:09,359
Speaker 1: baby girl.

619
00:26:09,440 --> 00:26:13,760
Speaker 4: Women are attracted to baby girl. We want a masculine man.

620
00:26:13,920 --> 00:26:15,840
Speaker 4: We also want you to be in touch with your emotion.

621
00:26:16,119 --> 00:26:17,520
Speaker 2: Today wasn't I was going to share this, but I'm

622
00:26:17,520 --> 00:26:21,359
Speaker 2: wearing panty, Oh, baby girl.

623
00:26:22,920 --> 00:26:26,679
Speaker 4: I Hop and Leys have teamed up for a new creation.

624
00:26:27,520 --> 00:26:30,600
Speaker 4: Rudy tooty Fresh and Fruity Potato ship.

625
00:26:31,680 --> 00:26:33,080
Speaker 1: Okay, I thought you're gonna say pancakes.

626
00:26:33,080 --> 00:26:36,639
Speaker 2: Okay to so pancakes potato chips, not potato chip pancakes.

627
00:26:36,640 --> 00:26:38,119
Speaker 3: Oh gotcha. That'd be good though, you.

628
00:26:38,240 --> 00:26:40,400
Speaker 1: Both, so let's do it again.

629
00:26:40,440 --> 00:26:42,119
Speaker 2: It's so it's in a bag, not being sold to

630
00:26:42,200 --> 00:26:43,920
Speaker 2: I hop, it's being sold where the potato chips are.

631
00:26:43,840 --> 00:26:45,360
Speaker 3: Sold exclusively a Walmart.

632
00:26:45,359 --> 00:26:46,520
Speaker 1: Go ahead, What are they again.

633
00:26:46,520 --> 00:26:48,120
Speaker 3: Rudy tooty fresh and fruity potato chips.

634
00:26:48,119 --> 00:26:48,919
Speaker 1: So they have to be sweet?

635
00:26:49,320 --> 00:26:52,320
Speaker 2: Yeah yeah, because that red, ruddy, tooty, fresh and fruity

636
00:26:52,400 --> 00:26:52,960
Speaker 2: is the pancakes.

637
00:26:53,520 --> 00:26:55,200
Speaker 1: Yeah yeah, those are good, So they're not going to

638
00:26:55,280 --> 00:26:55,800
Speaker 1: be well.

639
00:26:56,359 --> 00:26:59,000
Speaker 4: I'll give you the flavor profile because it's when you

640
00:26:59,000 --> 00:27:00,760
Speaker 4: give me a follow up and I'm ahead.

641
00:27:00,800 --> 00:27:01,280
Speaker 3: No, you're right.

642
00:27:01,320 --> 00:27:04,560
Speaker 4: There are sweet notes of strawberries and Mabel syrup, A

643
00:27:04,600 --> 00:27:05,920
Speaker 4: subtle touch of bacon.

644
00:27:07,240 --> 00:27:09,840
Speaker 1: I can't have potato. I like it all that right now.

645
00:27:09,880 --> 00:27:12,680
Speaker 4: It is a potato chip, so that it comes from

646
00:27:12,680 --> 00:27:13,840
Speaker 4: a potato I know.

647
00:27:13,880 --> 00:27:16,399
Speaker 1: But potatoes and strawberries don't mix.

648
00:27:16,840 --> 00:27:18,760
Speaker 3: Yeah, they do. Sweet.

649
00:27:20,200 --> 00:27:22,480
Speaker 1: I would try them, but I'm gonna expect a sweet chip.

650
00:27:22,640 --> 00:27:24,000
Speaker 3: It's a light and airy chip.

651
00:27:24,080 --> 00:27:26,280
Speaker 1: Okay, you're just reading words in the Patriot.

652
00:27:27,480 --> 00:27:30,200
Speaker 4: So Cody Johnson said that a couple of weeks ago,

653
00:27:30,240 --> 00:27:33,920
Speaker 4: he was told that his song Dear Rodeo was quote

654
00:27:34,320 --> 00:27:35,760
Speaker 4: to Rodeo for radio.

655
00:27:36,680 --> 00:27:38,959
Speaker 2: That's hard to say, but I think, first of all,

656
00:27:39,000 --> 00:27:41,199
Speaker 2: I don't think that's true, just my own opinion of

657
00:27:41,240 --> 00:27:45,159
Speaker 2: this song. And I think people do this with the

658
00:27:45,280 --> 00:27:48,320
Speaker 2: news stories as well, where they're like, this person hates

659
00:27:48,359 --> 00:27:50,960
Speaker 2: Taylor Swift and says she's toxic and terrible, and it's

660
00:27:50,960 --> 00:27:53,560
Speaker 2: the headline they put out. But it's one comment out

661
00:27:53,600 --> 00:27:55,560
Speaker 2: of one million comments and nine hundred and niney nine

662
00:27:55,560 --> 00:27:56,320
Speaker 2: thousand are positive.

663
00:27:56,359 --> 00:27:58,560
Speaker 1: We love Taylor. But they know that'll click bade up

664
00:27:58,640 --> 00:27:59,520
Speaker 1: to get people to click.

665
00:27:59,800 --> 00:28:02,840
Speaker 2: Think think somebody probably said that to Cody, and Cody

666
00:28:02,880 --> 00:28:04,920
Speaker 2: probably said, yeah, this guy said, and then it becomes

667
00:28:04,960 --> 00:28:08,000
Speaker 2: a story because it's something interesting to argue about. I

668
00:28:08,000 --> 00:28:10,439
Speaker 2: don't think the general consensus is that who told him that?

669
00:28:10,520 --> 00:28:12,120
Speaker 1: Some one dumb radio guy.

670
00:28:12,200 --> 00:28:12,520
Speaker 3: I don't know.

671
00:28:12,560 --> 00:28:17,119
Speaker 4: Apparently the rodeo reminds people of cruelty to animals for

672
00:28:17,119 --> 00:28:17,560
Speaker 4: Peter Great.

673
00:28:17,640 --> 00:28:19,399
Speaker 2: Yeah, I'm telling you that's not the person that we

674
00:28:19,440 --> 00:28:22,760
Speaker 2: want talking for Cody Johnson or for country music. We

675
00:28:22,760 --> 00:28:24,840
Speaker 2: don't want p Dea talking for them for him, I

676
00:28:24,880 --> 00:28:27,200
Speaker 2: don't think that that's a thing. I don't think most

677
00:28:27,200 --> 00:28:30,240
Speaker 2: people feel that's true. I think Cody Johnson has his

678
00:28:30,320 --> 00:28:32,880
Speaker 2: own style. We already if it was too rodeo for radio,

679
00:28:32,880 --> 00:28:34,040
Speaker 2: his other stuff would have been on the radio.

680
00:28:34,119 --> 00:28:34,359
Speaker 1: Yeah.

681
00:28:34,400 --> 00:28:36,040
Speaker 2: And I just heard Rodeo by Garth Brooks the other

682
00:28:36,080 --> 00:28:38,680
Speaker 2: day on the radio. No, it'll never make it. That's

683
00:28:38,920 --> 00:28:41,920
Speaker 2: rodeo on radio. Easy to get a headline if you

684
00:28:42,000 --> 00:28:45,120
Speaker 2: say someone said this one crazy thing not most people

685
00:28:45,160 --> 00:28:47,680
Speaker 2: feel a certain way, but also not true and also

686
00:28:47,800 --> 00:28:49,640
Speaker 2: that not your fault.

687
00:28:49,760 --> 00:28:51,200
Speaker 3: No, I'm a plato terifying.

688
00:28:51,520 --> 00:28:54,560
Speaker 4: The headline was, is Cody Johnson to rodeo for radio?

689
00:28:54,640 --> 00:28:55,720
Speaker 1: Animal question?

690
00:28:55,920 --> 00:28:59,560
Speaker 2: I'll kick animal right now, just to prove a point

691
00:28:59,560 --> 00:29:01,520
Speaker 2: matter bring they ran in as long as it's not

692
00:29:01,560 --> 00:29:03,480
Speaker 2: my dog. I'm just kidding olone, All right, what else

693
00:29:03,520 --> 00:29:03,640
Speaker 2: is that?

694
00:29:03,720 --> 00:29:07,760
Speaker 3: It was Amy's pile of stories.

695
00:29:08,320 --> 00:29:13,040
Speaker 5: It's time for the good news.

696
00:29:14,960 --> 00:29:17,200
Speaker 1: Sarah and Brandon are a couple from Missouri.

697
00:29:17,320 --> 00:29:20,600
Speaker 5: They're dating. They decide, hey, we should get married. Well

698
00:29:20,600 --> 00:29:22,920
Speaker 5: along the way, I guess they were doing something that

699
00:29:22,920 --> 00:29:25,200
Speaker 5: they weren't supposed to do before they got married, and

700
00:29:25,240 --> 00:29:26,080
Speaker 5: she was pregnant.

701
00:29:26,160 --> 00:29:27,360
Speaker 1: What okay?

702
00:29:28,560 --> 00:29:31,200
Speaker 2: What Biblically? Okay, go ahead, I got you, I hear.

703
00:29:34,280 --> 00:29:35,920
Speaker 2: And so mister moral's over there.

704
00:29:35,960 --> 00:29:36,440
Speaker 1: Yeah, go ahead.

705
00:29:36,880 --> 00:29:39,760
Speaker 5: They're planning their wedding and oh, my goodness, gonna be

706
00:29:39,840 --> 00:29:43,120
Speaker 5: dream wedding. She's thirty five weeks pregnant and the wedding's

707
00:29:43,160 --> 00:29:46,200
Speaker 5: coming up, and all of a sudden, oh, I think

708
00:29:46,240 --> 00:29:49,040
Speaker 5: my water broke and she has to go to the hospital.

709
00:29:49,120 --> 00:29:52,520
Speaker 5: They're gonna miss the wedding because she's having a baby.

710
00:29:52,280 --> 00:29:54,840
Speaker 1: Day and how close to how many hours?

711
00:29:56,520 --> 00:29:58,760
Speaker 2: Sometimes they bring the whole wedding into the delivery room,

712
00:29:59,120 --> 00:30:01,360
Speaker 2: but even if it's super super close, you can't.

713
00:30:01,960 --> 00:30:04,320
Speaker 5: He just says they learned they were gonna miss the

714
00:30:04,400 --> 00:30:06,680
Speaker 5: wedding because she's in the hospital with a baby.

715
00:30:06,760 --> 00:30:09,720
Speaker 1: Okay, So the hospital staff rows it together.

716
00:30:10,120 --> 00:30:14,200
Speaker 5: They decorate boom boom, and they have a wedding before

717
00:30:14,240 --> 00:30:15,360
Speaker 5: the baby arrives.

718
00:30:15,840 --> 00:30:18,680
Speaker 2: I wonder if that was important to them, well, like

719
00:30:18,720 --> 00:30:21,960
Speaker 2: before the baby's born. Like we've moles, Is there a

720
00:30:22,000 --> 00:30:23,880
Speaker 2: difference if you're married before the baby's born rafter?

721
00:30:24,920 --> 00:30:28,200
Speaker 5: I mean, I don't think so, but I mean it

722
00:30:28,240 --> 00:30:30,320
Speaker 5: must have been important to them because now they're Sarah

723
00:30:30,400 --> 00:30:34,000
Speaker 5: and Brandon Perry and the baby has the last name Perry.

724
00:30:35,280 --> 00:30:36,320
Speaker 1: I guess it's important.

725
00:30:36,360 --> 00:30:39,440
Speaker 2: I don't know, but I like it that the hospital

726
00:30:39,440 --> 00:30:41,280
Speaker 2: did that for them because that's super cool because there's

727
00:30:41,280 --> 00:30:42,880
Speaker 2: a lot stuf happened at the hospital because she didn't

728
00:30:42,920 --> 00:30:44,920
Speaker 2: know a lot of stuff, baby being born, people dying,

729
00:30:45,000 --> 00:30:48,240
Speaker 2: all kind of injuries, all that surgeries, yep, all of that. Yeah,

730
00:30:48,480 --> 00:30:50,440
Speaker 2: and it stinks had to miss their wedding. But also

731
00:30:50,440 --> 00:30:52,920
Speaker 2: they weren't really cutting the close there if they knew, right,

732
00:30:53,440 --> 00:30:55,840
Speaker 2: it's risky, man, maybe you punt it, you move it

733
00:30:55,920 --> 00:30:57,160
Speaker 2: up or back a little bit, right.

734
00:30:57,040 --> 00:30:59,280
Speaker 5: Wait till the baby's born, and then have the wedding later.

735
00:30:59,360 --> 00:31:02,280
Speaker 5: That's what I mean. I have multiple friends that did that.

736
00:31:02,360 --> 00:31:07,080
Speaker 1: But does mister moral does he done or condemn that?

737
00:31:07,400 --> 00:31:07,600
Speaker 2: No?

738
00:31:07,680 --> 00:31:08,440
Speaker 1: I condone it.

739
00:31:08,960 --> 00:31:10,600
Speaker 5: I don't mind it at all, Like I got no

740
00:31:10,640 --> 00:31:13,360
Speaker 5: problem with you know what they were doing before marriage?

741
00:31:13,400 --> 00:31:15,160
Speaker 1: Yeah, some people do. Some people do.

742
00:31:15,240 --> 00:31:17,360
Speaker 5: I was just saying, so don't be surprised like they

743
00:31:17,400 --> 00:31:19,320
Speaker 5: were probably like, what how are they praying them before

744
00:31:19,320 --> 00:31:19,800
Speaker 5: they got married?

745
00:31:19,800 --> 00:31:21,560
Speaker 1: Didn't make any sense, didn't make any sense. I wanted

746
00:31:21,560 --> 00:31:23,440
Speaker 1: to explain that you for doing that.

747
00:31:23,480 --> 00:31:25,240
Speaker 2: Wow, that's a great story. Shout out to the hospital.

748
00:31:25,560 --> 00:31:28,080
Speaker 2: Congratulations on the baby. That's what it's all about. That

749
00:31:28,440 --> 00:31:29,480
Speaker 2: was telling me something good.

750
00:31:30,960 --> 00:31:32,520
Speaker 1: Here's a voicemail we got last night.

751
00:31:32,720 --> 00:31:36,239
Speaker 7: Hey, I have a question and anybody on the on

752
00:31:36,280 --> 00:31:39,280
Speaker 7: the show can answer this, and people in the classroom,

753
00:31:39,520 --> 00:31:44,400
Speaker 7: has anyone ever been afraid of Bobby? Meaning like you

754
00:31:44,480 --> 00:31:48,080
Speaker 7: did something wrong and you either got chewed out or

755
00:31:48,120 --> 00:31:52,080
Speaker 7: you're waiting to be chewed out. Just wondering because Bobby

756
00:31:52,080 --> 00:31:53,400
Speaker 7: seems like a pretty chill boss.

757
00:31:53,440 --> 00:31:55,480
Speaker 1: But let me know, great question.

758
00:31:55,480 --> 00:31:58,000
Speaker 2: I'm not going to lead anyone in an answer here, Amy,

759
00:31:58,000 --> 00:31:58,760
Speaker 2: what are your thoughts to that.

760
00:31:58,880 --> 00:32:00,440
Speaker 4: I don't know that I would use the word afraid,

761
00:32:01,880 --> 00:32:06,640
Speaker 4: But Bobby also doesn't chew anybody out. That's not his dial.

762
00:32:06,800 --> 00:32:09,640
Speaker 4: I don't know that you've ever raised your voice in

763
00:32:09,680 --> 00:32:10,000
Speaker 4: any way.

764
00:32:10,000 --> 00:32:11,320
Speaker 1: Shit, only when I went a game and I'm like,

765
00:32:11,360 --> 00:32:12,600
Speaker 1: you all suck the greatest thing.

766
00:32:12,640 --> 00:32:15,600
Speaker 4: It's more so I think I if we've.

767
00:32:15,400 --> 00:32:19,800
Speaker 3: Ever had like which we have g twenty years.

768
00:32:19,520 --> 00:32:22,880
Speaker 4: We have, I think I'm more scared of the silence

769
00:32:24,400 --> 00:32:27,240
Speaker 4: than the than any chewing out. Like to me, that's

770
00:32:27,360 --> 00:32:30,200
Speaker 4: where I'd be like, okay, because I think that in

771
00:32:30,280 --> 00:32:33,400
Speaker 4: its like disappointment in a way.

772
00:32:33,640 --> 00:32:35,680
Speaker 2: I don't feel like I'm ature, You're not. I feel

773
00:32:35,680 --> 00:32:38,360
Speaker 2: like i'd be terrible at chewing you guys be like,

774
00:32:38,400 --> 00:32:38,680
Speaker 2: what are.

775
00:32:38,640 --> 00:32:39,560
Speaker 1: You going to be chewing up?

776
00:32:39,680 --> 00:32:39,920
Speaker 2: Yeah?

777
00:32:40,720 --> 00:32:43,600
Speaker 4: Yeah, I really think there's a there's a silence involves

778
00:32:44,200 --> 00:32:47,040
Speaker 4: that would be our equivalent to chewing.

779
00:32:46,720 --> 00:32:47,400
Speaker 3: Out if we had to.

780
00:32:47,560 --> 00:32:48,600
Speaker 1: Both are equally as toxic.

781
00:32:48,600 --> 00:32:51,320
Speaker 2: And sometimes my wife like, well you just have If

782
00:32:51,320 --> 00:32:54,400
Speaker 2: we're not agreeing on something or having a little fight,

783
00:32:54,760 --> 00:32:57,160
Speaker 2: she'd be like, why can you just yell or something?

784
00:32:57,560 --> 00:33:00,080
Speaker 2: I have some emotion because all you do is a

785
00:33:00,240 --> 00:33:02,200
Speaker 2: super calm or shut down, and that is what I do.

786
00:33:02,240 --> 00:33:05,760
Speaker 2: I don't know, but I don't shut down an instance

787
00:33:05,800 --> 00:33:07,280
Speaker 2: as professionally if something's up.

788
00:33:07,360 --> 00:33:09,760
Speaker 4: No, I don't think I experienced you shutting down. There's

789
00:33:09,800 --> 00:33:12,000
Speaker 4: no rage, a silence and like a stare.

790
00:33:13,640 --> 00:33:15,680
Speaker 2: I think the only time I was ever afraid, and

791
00:33:15,720 --> 00:33:17,840
Speaker 2: it wasn't of you. It's just more afraid of getting fired.

792
00:33:17,920 --> 00:33:19,600
Speaker 2: Was when I was late, Like, we almost left you

793
00:33:19,600 --> 00:33:21,880
Speaker 2: a couple of times you did know? Did you ever

794
00:33:21,960 --> 00:33:22,200
Speaker 2: leave me?

795
00:33:22,240 --> 00:33:23,000
Speaker 1: No, we tried New Orleans.

796
00:33:23,160 --> 00:33:24,640
Speaker 2: We drove off without you, and you were right, You're like,

797
00:33:24,680 --> 00:33:26,600
Speaker 2: rerun on what's happening at the end, we're chasing the car.

798
00:33:27,200 --> 00:33:30,000
Speaker 2: The worst one, though, was we were gonna drive somewhere

799
00:33:30,040 --> 00:33:32,160
Speaker 2: and we were all meeting at the station and I

800
00:33:32,200 --> 00:33:34,640
Speaker 2: had laid down with the baby and I fell asleep

801
00:33:34,840 --> 00:33:36,160
Speaker 2: and we were supposed to meet at ten and I

802
00:33:36,160 --> 00:33:37,840
Speaker 2: woke up. We're leaving on the tour bus to get

803
00:33:37,880 --> 00:33:40,080
Speaker 2: to another city. I woke up at ten thirty and I'm.

804
00:33:39,960 --> 00:33:40,600
Speaker 1: Like, oh my god.

805
00:33:40,720 --> 00:33:43,680
Speaker 2: So I just just drove over here quick. And when

806
00:33:43,680 --> 00:33:45,480
Speaker 2: I got here, bones didn't say a word to me

807
00:33:45,520 --> 00:33:46,360
Speaker 2: the entire ride.

808
00:33:46,440 --> 00:33:48,720
Speaker 3: Yeah, I see silence the entire ride.

809
00:33:48,720 --> 00:33:49,880
Speaker 1: I'm like, oh, this is not good.

810
00:33:50,000 --> 00:33:52,600
Speaker 4: Yeah, I just don't want to You're better, though, You've

811
00:33:52,640 --> 00:33:54,480
Speaker 4: gotten better at that at.

812
00:33:54,320 --> 00:33:56,080
Speaker 1: That so I said, chew more.

813
00:33:56,320 --> 00:33:59,920
Speaker 3: No, No, you're good man, You're good, don't I'm acknowledging growth.

814
00:34:00,400 --> 00:34:03,400
Speaker 1: Oh yeah, I definitely feel a bit of growth too, lunchbox.

815
00:34:03,880 --> 00:34:06,440
Speaker 5: Oh man, I don't have any specific instances, but the

816
00:34:06,480 --> 00:34:10,000
Speaker 5: silent treatment is the U that's the one. There is

817
00:34:10,040 --> 00:34:13,280
Speaker 5: no chewing out, but it is a When he is silent,

818
00:34:13,560 --> 00:34:15,359
Speaker 5: You're like, hang it, when does I screwed up?

819
00:34:18,520 --> 00:34:19,400
Speaker 3: How do you feel about that?

820
00:34:19,480 --> 00:34:21,719
Speaker 1: I feel when you I.

821
00:34:21,719 --> 00:34:23,840
Speaker 2: I think a lot of my leadership style, if you

822
00:34:23,880 --> 00:34:28,439
Speaker 2: have one, is by example, and hopefully everybody sees how

823
00:34:28,520 --> 00:34:31,520
Speaker 2: much I care and work and depend and rely on

824
00:34:31,560 --> 00:34:33,239
Speaker 2: you to make me better. And when it doesn't, I'm

825
00:34:33,280 --> 00:34:34,400
Speaker 2: just like, I can't rely on you right now, so

826
00:34:34,400 --> 00:34:37,160
Speaker 2: I need to put energy somewhere else. It's not even

827
00:34:37,200 --> 00:34:38,640
Speaker 2: so much like I'll show you because I'm not that

828
00:34:38,680 --> 00:34:40,520
Speaker 2: fun to talk to you, but it's like I can't

829
00:34:40,560 --> 00:34:43,120
Speaker 2: spend any energy on you. Write a second, because for

830
00:34:43,200 --> 00:34:45,359
Speaker 2: the moment, I can't trust that you're gonna help us

831
00:34:45,400 --> 00:34:47,839
Speaker 2: do what we're trying to do and we'll come back later.

832
00:34:47,920 --> 00:34:49,520
Speaker 2: That's not the healthiest way, but that's how. That's what

833
00:34:49,719 --> 00:34:51,680
Speaker 2: happens in my head. When you say that, I feelt that.

834
00:34:51,840 --> 00:34:54,399
Speaker 2: But I never hate you because I hate it. I fied, Yeah,

835
00:34:54,440 --> 00:34:57,600
Speaker 2: thank you many, You're welcome, buddy. All right, let's go

836
00:34:57,640 --> 00:35:00,480
Speaker 2: over and do the Morning Corny.

837
00:35:02,200 --> 00:35:05,239
Speaker 4: The Morning Corny, what kind of bird works on a

838
00:35:05,280 --> 00:35:06,160
Speaker 4: construction site?

839
00:35:06,960 --> 00:35:08,960
Speaker 3: Crane?

840
00:35:12,520 --> 00:35:15,920
Speaker 1: That was the Morning Corny? All right? I like that

841
00:35:15,960 --> 00:35:22,160
Speaker 1: one's all right? The Friday Morning conversation with you.

842
00:35:22,280 --> 00:35:24,959
Speaker 2: I have all these notes that I have for every guest,

843
00:35:25,040 --> 00:35:27,080
Speaker 2: but I feel like we know each other and a lot.

844
00:35:27,160 --> 00:35:29,560
Speaker 2: Have you ever seen the information that your people send

845
00:35:29,600 --> 00:35:31,840
Speaker 2: about you? Because it's a mixture, right, It's a mixture

846
00:35:31,840 --> 00:35:34,560
Speaker 2: of things that I want to talk about, but it's

847
00:35:34,560 --> 00:35:38,640
Speaker 2: also information like your your PR people or whomever advances.

848
00:35:39,120 --> 00:35:40,840
Speaker 1: Do you want to see some of it? Maybe not?

849
00:35:42,120 --> 00:35:46,040
Speaker 2: Well, it's stuff like, Okay, for example, you were inducted

850
00:35:46,040 --> 00:35:48,759
Speaker 2: into the Nashville Songwriters Hall of Fame. And I don't

851
00:35:48,800 --> 00:35:51,279
Speaker 2: know unless I just know this, and if it were

852
00:35:51,320 --> 00:35:52,960
Speaker 2: to come up, I'd be like, oh, and by the way,

853
00:35:53,239 --> 00:35:56,360
Speaker 2: Nashville Songwriters Hall of Fame. Right, it's so got it?

854
00:35:56,600 --> 00:35:59,040
Speaker 2: So it's that has to be cool for you. It's

855
00:35:59,080 --> 00:36:02,680
Speaker 2: different than a performance. It's like a thinking award to

856
00:36:02,760 --> 00:36:05,200
Speaker 2: be in the songwriter Hall of Fame. What is that ceremony?

857
00:36:05,360 --> 00:36:08,239
Speaker 1: Like? Surreal? For me?

858
00:36:08,360 --> 00:36:10,160
Speaker 10: I mean, it's just you know, it's a songwriting town.

859
00:36:10,920 --> 00:36:14,520
Speaker 9: Uh, and man, that was an amazing not I mean,

860
00:36:14,520 --> 00:36:16,560
Speaker 9: that's a that's a that's a cool club to be in.

861
00:36:16,800 --> 00:36:18,839
Speaker 2: I would think it would feel like an elevated like

862
00:36:18,880 --> 00:36:21,359
Speaker 2: a really special place to be because not everybody gets

863
00:36:21,360 --> 00:36:23,719
Speaker 2: to see the work that goes into songwriting. Yeah, and

864
00:36:23,760 --> 00:36:26,640
Speaker 2: the people that are in the crowd actually understand the

865
00:36:26,800 --> 00:36:30,000
Speaker 2: undertaking of it yea. So it's a very relatable award

866
00:36:30,080 --> 00:36:30,960
Speaker 2: with everybody in the room.

867
00:36:31,560 --> 00:36:31,840
Speaker 1: It is.

868
00:36:31,880 --> 00:36:34,279
Speaker 9: And there's a like a reminder I've written a lot

869
00:36:34,280 --> 00:36:37,120
Speaker 9: of songs. Yeah, I forget how many songs I've written.

870
00:36:37,120 --> 00:36:39,719
Speaker 9: And then and then they start playing them and you're like,

871
00:36:39,800 --> 00:36:41,880
Speaker 9: oh my gosh, that's really a thing where tons of

872
00:36:41,920 --> 00:36:46,440
Speaker 9: songs where Joan Rivers used to keep every joke in

873
00:36:46,520 --> 00:36:48,000
Speaker 9: a file cabinet that she's ever written.

874
00:36:48,239 --> 00:36:51,520
Speaker 1: Is that true? Yes? Like why why did she do that?

875
00:36:51,840 --> 00:36:54,520
Speaker 2: She just wanted to have an organization and a collection

876
00:36:54,560 --> 00:36:55,560
Speaker 2: of all of her jokes, and you know, and she

877
00:36:55,840 --> 00:36:57,839
Speaker 2: ended up dying and she was older when she died,

878
00:36:57,880 --> 00:37:01,880
Speaker 2: like maybe almost ninety. Is there a database of everything

879
00:37:01,880 --> 00:37:03,680
Speaker 2: you've ever written that you have that you could get

880
00:37:03,719 --> 00:37:05,319
Speaker 2: into or would you have to go and scurry around

881
00:37:05,360 --> 00:37:06,480
Speaker 2: and find it from different places?

882
00:37:06,600 --> 00:37:10,240
Speaker 9: Probably that yeah, Yeah, I think it's kind of scattered everywhere.

883
00:37:11,000 --> 00:37:11,600
Speaker 1: Cassettes.

884
00:37:12,600 --> 00:37:15,359
Speaker 9: I'm still like cassettes. I've got stuff on cassette I opened. Yeah,

885
00:37:15,440 --> 00:37:17,239
Speaker 9: I found this little box of the night up in

886
00:37:17,239 --> 00:37:18,919
Speaker 9: the attic and I opened it up and it's full

887
00:37:18,960 --> 00:37:19,600
Speaker 9: of cassettes.

888
00:37:20,280 --> 00:37:22,520
Speaker 1: Days go by being written, really stuff like that.

889
00:37:22,600 --> 00:37:25,440
Speaker 2: Yeah, you always record the room when you're writing, or

890
00:37:25,520 --> 00:37:27,319
Speaker 2: do you just record like a work tape when you're done?

891
00:37:27,840 --> 00:37:29,319
Speaker 1: I I like to.

892
00:37:29,440 --> 00:37:31,120
Speaker 9: So. I have my own record company, which I've had

893
00:37:31,120 --> 00:37:32,920
Speaker 9: for a long time, and it's called hit Red. The

894
00:37:32,960 --> 00:37:34,960
Speaker 9: reason it's cool that is because I always think a

895
00:37:35,000 --> 00:37:40,480
Speaker 9: great engineer hits record the second anybody walks in the studio.

896
00:37:40,520 --> 00:37:42,080
Speaker 9: Don't worry for us to sit down and start playing.

897
00:37:42,120 --> 00:37:44,719
Speaker 9: Just hit Red right away, because you walk in, you

898
00:37:44,719 --> 00:37:47,359
Speaker 9: start whistling something, humming something, you peek a guitar out,

899
00:37:47,400 --> 00:37:49,120
Speaker 9: you tune it up, your play a riff, and you're like, oh,

900
00:37:49,200 --> 00:37:52,759
Speaker 9: did anybody get that? Because I'll forget it. So yeah,

901
00:37:52,760 --> 00:37:55,320
Speaker 9: I think record all the time. Did you watch the

902
00:37:55,440 --> 00:37:57,120
Speaker 9: Greatest Night and Pop that we are the world?

903
00:37:57,239 --> 00:37:57,399
Speaker 7: Did?

904
00:37:57,760 --> 00:38:02,160
Speaker 1: Yeah? Whenever. Lionel Richie, who I've been fortunate enough to know.

905
00:38:02,480 --> 00:38:04,920
Speaker 2: For a while, he's awesome, like in every way on

906
00:38:04,960 --> 00:38:06,920
Speaker 2: that show, he's like that in person, he's the greatest dude.

907
00:38:07,080 --> 00:38:08,840
Speaker 2: But when he's talking about working on Michael Jackson and

908
00:38:08,880 --> 00:38:10,799
Speaker 2: that Michael Jackson didn't play an instrument, so he laid

909
00:38:10,800 --> 00:38:14,000
Speaker 2: down layers and layers of then he would come on

910
00:38:14,000 --> 00:38:17,759
Speaker 2: top of a table and go, So have you worked

911
00:38:17,800 --> 00:38:21,600
Speaker 2: with anyone who didn't have the traditional music skills? But

912
00:38:21,640 --> 00:38:25,560
Speaker 2: we're so good at something like that where just going

913
00:38:25,600 --> 00:38:28,400
Speaker 2: in and humming a line. But being a great artist

914
00:38:28,440 --> 00:38:30,799
Speaker 2: that mostly if you're great artists because you learn.

915
00:38:30,680 --> 00:38:31,279
Speaker 1: How to do music.

916
00:38:32,800 --> 00:38:36,360
Speaker 9: I've had to do it myself with string arrangements on

917
00:38:36,440 --> 00:38:38,440
Speaker 9: records that I've done because I can't. For you, I

918
00:38:38,480 --> 00:38:41,439
Speaker 9: can't write music. I can't read music. I can't write

919
00:38:41,480 --> 00:38:44,600
Speaker 9: it or read it. But I can hum it to

920
00:38:44,680 --> 00:38:47,759
Speaker 9: the to the conductor or the arranger and go so

921
00:38:47,840 --> 00:38:49,279
Speaker 9: the I think the violins might do.

922
00:38:49,280 --> 00:38:52,840
Speaker 1: This line, you know, oh with strings, not guitar, Yes.

923
00:38:52,960 --> 00:38:55,640
Speaker 10: Like violin when you got a big string section.

924
00:38:55,920 --> 00:38:59,320
Speaker 2: I saw Justin Bieber doing with an orchestra in a

925
00:38:59,360 --> 00:39:01,640
Speaker 2: recording studio and he did the same like he didn't

926
00:39:01,640 --> 00:39:04,160
Speaker 2: know how to play, but he would go La la

927
00:39:04,239 --> 00:39:06,239
Speaker 2: Lu Lulu, give them the melody, yeah, and then he

928
00:39:06,280 --> 00:39:10,680
Speaker 2: would go strings and eventually they created this really cool sound.

929
00:39:10,920 --> 00:39:13,000
Speaker 2: And I guess I didn't put those two together kind

930
00:39:13,000 --> 00:39:15,840
Speaker 2: of what Michael was doing. Yeah, and what justin Bieber

931
00:39:15,880 --> 00:39:18,200
Speaker 2: and what you're talking about there, because again you don't

932
00:39:18,200 --> 00:39:19,560
Speaker 2: play I mean, do you play the fiddle at all?

933
00:39:20,000 --> 00:39:20,840
Speaker 1: No?

934
00:39:20,840 --> 00:39:23,239
Speaker 2: No, but to be able to tell hey, I need this,

935
00:39:23,520 --> 00:39:25,480
Speaker 2: you would just hum a melody.

936
00:39:25,520 --> 00:39:28,080
Speaker 9: The other coolest thing that's happened is like that you

937
00:39:28,120 --> 00:39:30,600
Speaker 9: sing a melody in the studio. Sometimes I sing it

938
00:39:30,600 --> 00:39:32,799
Speaker 9: as a placeholder, like when I want to keep a

939
00:39:32,800 --> 00:39:36,080
Speaker 9: player to come in and do m kind of thing,

940
00:39:36,280 --> 00:39:38,239
Speaker 9: and then maybe and then the harmony would be done

941
00:39:38,520 --> 00:39:41,239
Speaker 9: and you do the hominy. Sometimes we've just left that

942
00:39:41,320 --> 00:39:45,319
Speaker 9: in the actual Yeah, the vocal homey of the vocal

943
00:39:45,560 --> 00:39:48,719
Speaker 9: attempt at trying to sound like something ends up being

944
00:39:48,760 --> 00:39:51,480
Speaker 9: textually so much more interesting and cooler than the actual thing.

945
00:39:51,680 --> 00:39:53,759
Speaker 2: You ever have part of a chorus or even a

946
00:39:53,760 --> 00:39:55,759
Speaker 2: bridge that you acted in the leave end that ends

947
00:39:55,800 --> 00:39:57,480
Speaker 2: up becoming like what the song is most known for,

948
00:39:57,680 --> 00:40:00,959
Speaker 2: like an accidental discovery or like a uh An ad

949
00:40:01,000 --> 00:40:02,759
Speaker 2: lib that you're like, you know what, why don't we

950
00:40:02,840 --> 00:40:05,680
Speaker 2: just put that in or a guitar lick, for example,

951
00:40:06,000 --> 00:40:07,400
Speaker 2: a vamp. Why you think about it, because it's a

952
00:40:07,400 --> 00:40:11,879
Speaker 2: hard question. Uh, Radiohead and within Creep, Oh yeah, that

953
00:40:12,040 --> 00:40:14,920
Speaker 2: really wasn't what it was supposed to be, but now

954
00:40:15,040 --> 00:40:17,960
Speaker 2: it's you know, and they were like, yeah, really in

955
00:40:18,000 --> 00:40:20,239
Speaker 2: the recording of it, that guitar part wasn't supposed to

956
00:40:20,239 --> 00:40:20,640
Speaker 2: be like that.

957
00:40:20,680 --> 00:40:22,120
Speaker 1: It was kind of an accident and they left it.

958
00:40:22,520 --> 00:40:25,000
Speaker 1: Anything like that strike you when I tell that story.

959
00:40:24,840 --> 00:40:27,480
Speaker 10: No, I it probably is. I can't think of anything

960
00:40:27,480 --> 00:40:28,080
Speaker 10: off the top of my head.

961
00:40:28,080 --> 00:40:31,120
Speaker 9: But I was thinking about that beautiful as James what's

962
00:40:31,120 --> 00:40:34,319
Speaker 9: his name, No James, and he started too early, I

963
00:40:34,400 --> 00:40:39,200
Speaker 9: love yeah, brilliant ye, and then he came in too early,

964
00:40:39,239 --> 00:40:40,120
Speaker 9: and then they left it in.

965
00:40:40,200 --> 00:40:42,080
Speaker 10: It's one of my favorite moments in that song.

966
00:40:41,960 --> 00:40:45,080
Speaker 2: Which is what that song was known for till it

967
00:40:45,080 --> 00:40:46,680
Speaker 2: became a massive hit, the song where he sings it

968
00:40:46,680 --> 00:40:50,879
Speaker 2: twice at the beginning, or even like we come in.

969
00:40:51,960 --> 00:40:53,480
Speaker 1: We all know that.

970
00:40:54,080 --> 00:40:57,240
Speaker 2: And you wonder if that even really because she probably

971
00:40:57,280 --> 00:40:58,080
Speaker 2: wasn't saying that.

972
00:40:58,160 --> 00:41:00,600
Speaker 1: She was probably talking to the sound engineer. Yeah, will

973
00:41:00,600 --> 00:41:02,120
Speaker 1: you count me in? Turn it up?

974
00:41:02,400 --> 00:41:04,520
Speaker 2: And we still remember that, I said Colby Cala and

975
00:41:04,560 --> 00:41:06,000
Speaker 2: Keith the night at the same time went will you

976
00:41:06,040 --> 00:41:06,560
Speaker 2: Count Me in?

977
00:41:07,360 --> 00:41:09,520
Speaker 1: Isn't that crazy? Guys? Yeah, it's so hooky.

978
00:41:09,640 --> 00:41:11,759
Speaker 2: You have a new song that we've been playing all morning.

979
00:41:11,800 --> 00:41:14,680
Speaker 2: It's called Messed Up as Me? What about this song?

980
00:41:14,719 --> 00:41:15,879
Speaker 1: Did you love? And why do you think you need

981
00:41:15,880 --> 00:41:18,680
Speaker 1: to record it? It's a super relatable song for me.

982
00:41:18,920 --> 00:41:22,160
Speaker 9: I mean, this is about a relationship that has one

983
00:41:22,239 --> 00:41:26,839
Speaker 9: good thing going. All the rest is dysfunctional, toxic, makes

984
00:41:26,880 --> 00:41:31,360
Speaker 9: no sense. But one part of this relationship is phenomenal.

985
00:41:31,800 --> 00:41:32,560
Speaker 1: Us me and you.

986
00:41:32,640 --> 00:41:35,719
Speaker 10: Yeah, that's why we're sitting so close.

987
00:41:36,000 --> 00:41:39,560
Speaker 1: Thank you, Thank you. The Friday morning conversation.

988
00:41:39,280 --> 00:41:43,160
Speaker 2: With so, I'm sitting right next to Keith because we're

989
00:41:43,239 --> 00:41:45,239
Speaker 2: very close and he's actually seeing my notes. I never

990
00:41:45,320 --> 00:41:47,680
Speaker 2: let anyone see my notes. Well, and I felt bad.

991
00:41:47,760 --> 00:41:49,600
Speaker 2: I felt bad for you and jealous of you. This

992
00:41:49,640 --> 00:41:52,600
Speaker 2: picture of the paparazzi took of you, Oh god, you

993
00:41:52,680 --> 00:41:53,200
Speaker 2: look great?

994
00:41:53,239 --> 00:41:56,680
Speaker 1: Are you kidding you? Are you well?

995
00:41:56,680 --> 00:41:56,759
Speaker 11: Then?

996
00:41:56,760 --> 00:41:58,719
Speaker 2: Why do you feel bad for him because paparazzi taking

997
00:41:58,719 --> 00:41:59,200
Speaker 2: pictures of him?

998
00:41:59,239 --> 00:42:01,600
Speaker 1: Oh yeah, yeah, yeah, like the guy can't live. That's

999
00:42:01,600 --> 00:42:05,200
Speaker 1: a good question. It was confusing there for a sec Well,

1000
00:42:05,200 --> 00:42:05,960
Speaker 1: I was gonna get there.

1001
00:42:06,719 --> 00:42:11,000
Speaker 2: But if I you look awesome, and I know who cares, right,

1002
00:42:11,040 --> 00:42:13,360
Speaker 2: it's body with all. But it's like I was irritated

1003
00:42:13,360 --> 00:42:15,319
Speaker 2: that the paparazzi was not letting you live your life,

1004
00:42:15,320 --> 00:42:17,080
Speaker 2: but then I was irritated at you for being in

1005
00:42:17,080 --> 00:42:20,400
Speaker 2: great shape. You can talk, yeah, but I have to.

1006
00:42:20,560 --> 00:42:24,560
Speaker 2: I struggle. I struggle with why. I don't know, you

1007
00:42:24,640 --> 00:42:25,160
Speaker 2: smell good?

1008
00:42:25,200 --> 00:42:27,279
Speaker 1: You look good? Please? How often do you have to?

1009
00:42:27,719 --> 00:42:30,680
Speaker 2: Is it worse for you out of America with paparazzi

1010
00:42:30,719 --> 00:42:31,520
Speaker 2: than it is in America.

1011
00:42:32,080 --> 00:42:34,960
Speaker 1: It's more so when I'm with Nick. Yeah, yeah, never

1012
00:42:35,000 --> 00:42:35,919
Speaker 1: by yourself.

1013
00:42:36,160 --> 00:42:39,359
Speaker 10: Uh yeah, obviously, but yeah, occasionally.

1014
00:42:39,000 --> 00:42:40,719
Speaker 2: Do you worry because I would say, you're even one

1015
00:42:40,760 --> 00:42:43,000
Speaker 2: of the more fashion forward dudes in music, not even

1016
00:42:43,040 --> 00:42:44,960
Speaker 2: just country music, Like for a long time, I mean

1017
00:42:44,960 --> 00:42:46,799
Speaker 2: you were wearing off White before like off White was

1018
00:42:46,840 --> 00:42:49,120
Speaker 2: like yeah, me too, but it was like I would

1019
00:42:49,120 --> 00:42:51,000
Speaker 2: notice that you were wearing off White like way way

1020
00:42:51,080 --> 00:42:53,520
Speaker 2: early before it kind of became a bigger cultural I.

1021
00:42:53,480 --> 00:42:56,520
Speaker 9: Rode skateboards and road BMX bikes when I was a kid,

1022
00:42:56,560 --> 00:42:58,319
Speaker 9: and I think that whole street thing is just part

1023
00:42:58,360 --> 00:42:58,879
Speaker 9: of what I love.

1024
00:42:58,960 --> 00:43:00,799
Speaker 1: That makes a lot of sense. Did you ever injure

1025
00:43:00,800 --> 00:43:02,919
Speaker 1: yourself real bad doing that? Oh? Yeah, yeah.

1026
00:43:02,920 --> 00:43:06,759
Speaker 9: I was in a BMX race and first jump went

1027
00:43:06,760 --> 00:43:09,120
Speaker 9: over and landed on the front, flipped the bike over,

1028
00:43:10,400 --> 00:43:14,120
Speaker 9: broke this left arm, and I remember a guy, you know,

1029
00:43:14,160 --> 00:43:17,360
Speaker 9: one of the you know, people in charge of officials,

1030
00:43:17,400 --> 00:43:18,719
Speaker 9: running out and going you.

1031
00:43:18,680 --> 00:43:20,239
Speaker 1: Got to keep going, you got to keep going.

1032
00:43:20,239 --> 00:43:22,520
Speaker 10: I'm like thirteen, I'm like what I'm hanging out?

1033
00:43:22,560 --> 00:43:23,439
Speaker 1: My arms are like here.

1034
00:43:23,680 --> 00:43:26,279
Speaker 10: I picked up my bike which was just trashed, and

1035
00:43:26,360 --> 00:43:29,240
Speaker 10: carried it around the track to finish, to finish the race.

1036
00:43:29,360 --> 00:43:32,160
Speaker 2: Yeah, did you continue racing after that?

1037
00:43:33,600 --> 00:43:35,879
Speaker 9: I did for a long time, and then my mom

1038
00:43:35,960 --> 00:43:38,680
Speaker 9: was like she wouldn't have with those doing it.

1039
00:43:38,920 --> 00:43:41,799
Speaker 2: Have you ever in the last five years, again, you're

1040
00:43:41,960 --> 00:43:45,359
Speaker 2: such a great guitar player, Have you discovered anything new

1041
00:43:45,480 --> 00:43:47,840
Speaker 2: about the guitar? And I talked to coaches at a

1042
00:43:47,880 --> 00:43:50,440
Speaker 2: high levels, like have you have you figured anything out

1043
00:43:50,440 --> 00:43:52,279
Speaker 2: about an offense or a defense? Even though you've been

1044
00:43:52,320 --> 00:43:53,640
Speaker 2: doing it for thirty years. I'd be like, you know,

1045
00:43:53,719 --> 00:43:55,640
Speaker 2: I did. Have have you done that with a guitar

1046
00:43:55,680 --> 00:43:57,799
Speaker 2: at all? Where you're like, you know what? I found

1047
00:43:57,800 --> 00:43:59,120
Speaker 2: that I can go from here to hear or do

1048
00:43:59,200 --> 00:44:01,080
Speaker 2: something new that you had never discovered.

1049
00:44:01,680 --> 00:44:04,440
Speaker 9: I think I'm working on not playing so much so

1050
00:44:04,520 --> 00:44:07,000
Speaker 9: the opposite. Yeah, it's like you have ara. It's like

1051
00:44:07,239 --> 00:44:09,360
Speaker 9: it's like saying a sentence. I'm going to say this

1052
00:44:09,440 --> 00:44:12,799
Speaker 9: whole thing, but learning to stop halfway through and leave

1053
00:44:12,840 --> 00:44:15,560
Speaker 9: it there. That's kind of the version of playing a

1054
00:44:15,640 --> 00:44:17,680
Speaker 9: lick on the guitar. Is that hard for you to do? Yes,

1055
00:44:17,719 --> 00:44:20,720
Speaker 9: because I want to complete the thought. But the newest

1056
00:44:20,719 --> 00:44:22,520
Speaker 9: thing is to not complete the thought and end it

1057
00:44:22,560 --> 00:44:23,840
Speaker 9: in the middle and see what happened.

1058
00:44:23,840 --> 00:44:27,240
Speaker 2: To leave the space, let art happen then a different

1059
00:44:27,320 --> 00:44:29,959
Speaker 2: kind of art. Or you're just like I'm tired.

1060
00:44:30,560 --> 00:44:35,480
Speaker 9: Just to stop getting into the predictability place like muscle memory.

1061
00:44:35,480 --> 00:44:38,840
Speaker 2: Almost, it's exactly what it is with like brain muscle memory,

1062
00:44:38,880 --> 00:44:41,239
Speaker 2: because your brain is going to a place playing what

1063
00:44:41,280 --> 00:44:44,080
Speaker 2: you feel is not to us, but where you feel

1064
00:44:44,080 --> 00:44:44,840
Speaker 2: like it's predictable.

1065
00:44:44,880 --> 00:44:47,480
Speaker 1: Obviously, I'm on this scale. I do this right Wow.

1066
00:44:47,640 --> 00:44:51,000
Speaker 9: Yeah, So making myself stop because then whenever I start

1067
00:44:51,040 --> 00:44:54,719
Speaker 9: the next phrase, that'll be probably different because of being

1068
00:44:54,760 --> 00:44:56,640
Speaker 9: so aware of what's going on.

1069
00:44:56,680 --> 00:44:59,919
Speaker 1: Why did this awareness happen? No, I just hear things back.

1070
00:45:00,080 --> 00:45:03,560
Speaker 1: I'm like, stop you have stuff back and.

1071
00:45:04,640 --> 00:45:06,840
Speaker 9: Yeah, yeah, of course, yeah, I hear stuff back, and

1072
00:45:06,880 --> 00:45:09,160
Speaker 9: I'm like, dude, just you had it in the middle.

1073
00:45:09,200 --> 00:45:11,120
Speaker 10: Stop there, shush.

1074
00:45:11,560 --> 00:45:14,200
Speaker 2: That gives everybody else hope. That's not amazing. It's something

1075
00:45:14,239 --> 00:45:15,399
Speaker 2: if he can hear stuff back.

1076
00:45:15,719 --> 00:45:18,560
Speaker 3: I know, I'm very curious. How long do you pause

1077
00:45:18,719 --> 00:45:19,080
Speaker 3: or wait?

1078
00:45:19,400 --> 00:45:20,360
Speaker 1: Like an hour? It'd be awesome.

1079
00:45:20,520 --> 00:45:22,360
Speaker 2: He does like an Andy Kaufman and just stops and

1080
00:45:22,360 --> 00:45:25,239
Speaker 2: watches the crowd. Yeah so yeah, so Michael. I think

1081
00:45:25,320 --> 00:45:26,440
Speaker 2: of him so often.

1082
00:45:26,800 --> 00:45:29,080
Speaker 1: It's my He's my favorite performer of all time. We

1083
00:45:29,480 --> 00:45:32,000
Speaker 1: would be like playing a lick like didn't Do, Didn't Do?

1084
00:45:32,400 --> 00:45:33,680
Speaker 9: And I said to guys, how long do you think

1085
00:45:33,680 --> 00:45:36,360
Speaker 9: we could play that lick for until the audience started

1086
00:45:36,400 --> 00:45:40,200
Speaker 9: to it's him reading the book and then but I'd.

1087
00:45:39,960 --> 00:45:42,480
Speaker 1: Like to know what happens? Who leaves, who stays? How

1088
00:45:42,520 --> 00:45:43,520
Speaker 1: did they leave? To people?

1089
00:45:43,560 --> 00:45:43,799
Speaker 2: Boo?

1090
00:45:43,840 --> 00:45:46,040
Speaker 1: Do they quietly leave? What happens?

1091
00:45:46,360 --> 00:45:48,640
Speaker 2: There are things like that too that I like, I

1092
00:45:48,760 --> 00:45:51,680
Speaker 2: wanted to be a part of. Let's say, let's say

1093
00:45:51,880 --> 00:45:55,120
Speaker 2: be your band, like but you gave me like a saxophone,

1094
00:45:55,719 --> 00:45:58,759
Speaker 2: and it's like, okay, let's go to the solo. I

1095
00:45:58,760 --> 00:46:00,959
Speaker 2: don't want to play saxophone, and I go out front

1096
00:46:01,000 --> 00:46:02,440
Speaker 2: and I'm just trying as hard as I can, but

1097
00:46:02,480 --> 00:46:05,000
Speaker 2: I'm terrible. Yeah, and you just and everybody kind of

1098
00:46:05,080 --> 00:46:07,520
Speaker 2: walks off stage and lets me play. Like you know,

1099
00:46:07,560 --> 00:46:09,279
Speaker 2: Motley Crue, they would do the whole solo they hook

1100
00:46:09,280 --> 00:46:10,600
Speaker 2: a couple of girls, but instead you guys were just

1101
00:46:10,640 --> 00:46:12,279
Speaker 2: letting me play to see how long til people booed?

1102
00:46:12,480 --> 00:46:15,320
Speaker 2: Like when will they bood the random saxophone player that sucks?

1103
00:46:15,600 --> 00:46:17,240
Speaker 2: Wouldn't that be a hilarious.

1104
00:46:16,920 --> 00:46:18,719
Speaker 1: When you're doing it dead serious? You know, I never

1105
00:46:18,719 --> 00:46:19,120
Speaker 1: break down.

1106
00:46:19,360 --> 00:46:22,160
Speaker 10: You look dead serious, yes, really meaning, And then I.

1107
00:46:22,080 --> 00:46:23,399
Speaker 1: Get real sad when they boom me off.

1108
00:46:23,520 --> 00:46:27,279
Speaker 2: Yeah you ever been You ever been booed bad?

1109
00:46:27,520 --> 00:46:31,040
Speaker 1: It affected your confidence? Yeah? I had.

1110
00:46:31,080 --> 00:46:33,759
Speaker 9: Well, I had a guy walk up and and and

1111
00:46:33,800 --> 00:46:36,440
Speaker 9: put his fingers in his ears, like stand right in

1112
00:46:36,440 --> 00:46:38,200
Speaker 9: front of me, in front of everybody when I was

1113
00:46:38,239 --> 00:46:40,319
Speaker 9: playing at a club and I was sort of on

1114
00:46:40,400 --> 00:46:41,200
Speaker 9: ground level.

1115
00:46:41,400 --> 00:46:42,839
Speaker 1: Do you think that was a you thing or him thing?

1116
00:46:43,880 --> 00:46:48,280
Speaker 9: A bit of both, probably, But yeah, I got fired

1117
00:46:48,440 --> 00:46:52,400
Speaker 9: from that gig because of that specifically.

1118
00:46:51,840 --> 00:46:54,239
Speaker 10: Or because I was trying to be nice to this guy.

1119
00:46:54,320 --> 00:46:56,440
Speaker 9: And your long story short, he came up at the

1120
00:46:56,520 --> 00:46:58,600
Speaker 9: end of the night, I'm packing up my gear. I

1121
00:46:58,600 --> 00:47:00,200
Speaker 9: was filling in for a guy who was just all

1122
00:47:00,200 --> 00:47:03,400
Speaker 9: I act there Friday night at this club, playing solo,

1123
00:47:03,560 --> 00:47:06,120
Speaker 9: backing tracks live guitar, and I finished with Devil and

1124
00:47:06,120 --> 00:47:08,480
Speaker 9: Anda Georgia did a little and on the guitar. It's

1125
00:47:08,480 --> 00:47:10,960
Speaker 9: my big moment, you know, And I'm shredding away and

1126
00:47:10,960 --> 00:47:13,600
Speaker 9: this guy walks up in front of me and I'm

1127
00:47:13,600 --> 00:47:15,399
Speaker 9: on the floor with you know, he's all the crowd

1128
00:47:15,400 --> 00:47:16,719
Speaker 9: and every and he's like.

1129
00:47:17,120 --> 00:47:19,360
Speaker 1: No, this is terrible.

1130
00:47:19,719 --> 00:47:20,920
Speaker 10: You sound terrrib.

1131
00:47:21,000 --> 00:47:23,840
Speaker 1: He's hammered. He is terrible. You sound terrible.

1132
00:47:24,280 --> 00:47:26,319
Speaker 9: And I'm trying to get rid of him while I'm

1133
00:47:26,320 --> 00:47:28,600
Speaker 9: playing and not make a scene in front of everybody.

1134
00:47:28,640 --> 00:47:34,520
Speaker 10: And anyway, I finished, like thank you, good night, and.

1135
00:47:34,560 --> 00:47:37,799
Speaker 9: I'm furious, and I'm packing up my gear and this

1136
00:47:37,840 --> 00:47:40,560
Speaker 9: guy comes over and I'm like, I just don't say anything.

1137
00:47:40,560 --> 00:47:42,799
Speaker 9: He don't say anything, this guy, You're almost out of here.

1138
00:47:43,280 --> 00:47:43,680
Speaker 1: Anyway.

1139
00:47:43,800 --> 00:47:50,600
Speaker 9: I called him some incredibly offensive things, like horrendously offensive things.

1140
00:47:51,280 --> 00:47:55,200
Speaker 1: Uh yeah, and then he.

1141
00:47:55,320 --> 00:47:59,120
Speaker 11: Just he goes, ah, you're you're a young guy, but

1142
00:47:59,239 --> 00:48:02,000
Speaker 11: with an attitude like that, your career is over before

1143
00:48:02,040 --> 00:48:06,000
Speaker 11: it's begun, and then he just waddled off into the distance,

1144
00:48:06,040 --> 00:48:08,080
Speaker 11: and then he comes back with the manager of the hotel.

1145
00:48:08,719 --> 00:48:13,200
Speaker 1: Here we go, and he goes he karened him. He

1146
00:48:13,280 --> 00:48:15,279
Speaker 1: hit him with the Karen before the Karen was a thing,

1147
00:48:15,880 --> 00:48:17,680
Speaker 1: because I got fired for filling in for a guy.

1148
00:48:18,040 --> 00:48:19,960
Speaker 2: We played the new song earlier. We've been playing it

1149
00:48:19,960 --> 00:48:22,359
Speaker 2: all morning long. So when you put out a new song,

1150
00:48:22,440 --> 00:48:24,920
Speaker 2: it's kind of with you. You're a bit unpredictable in

1151
00:48:24,960 --> 00:48:27,400
Speaker 2: that sometimes you'll put out like eight singles before you

1152
00:48:27,400 --> 00:48:28,960
Speaker 2: put out a record, and sometimes you put out a

1153
00:48:28,960 --> 00:48:30,200
Speaker 2: bit like what's happening now with you?

1154
00:48:30,320 --> 00:48:33,520
Speaker 9: Musically, we put out straight Line, which is technically the

1155
00:48:33,520 --> 00:48:36,359
Speaker 9: first single off the new album and the first song

1156
00:48:36,400 --> 00:48:39,000
Speaker 9: on the album, and then Messed Up as Me is

1157
00:48:39,080 --> 00:48:41,760
Speaker 9: the first radio single and second single off the record.

1158
00:48:42,600 --> 00:48:45,560
Speaker 9: Hopefully another song in the next few months and then

1159
00:48:46,000 --> 00:48:47,879
Speaker 9: album coming. I've got a jewet on the record which

1160
00:48:47,920 --> 00:48:50,120
Speaker 9: I recorded last summer.

1161
00:48:50,200 --> 00:48:50,960
Speaker 1: Have you said with who?

1162
00:48:51,400 --> 00:48:53,480
Speaker 9: No? I haven't, and I've been sitting on it since

1163
00:48:53,560 --> 00:48:54,799
Speaker 9: last summer and it's killing me.

1164
00:48:54,880 --> 00:48:56,600
Speaker 1: So I can't wait to get that. Don't say it.

1165
00:48:56,760 --> 00:48:57,880
Speaker 2: I'm not even ask you to say it now, But

1166
00:48:57,920 --> 00:48:59,000
Speaker 2: what if you whispered it in my ear and I

1167
00:48:59,000 --> 00:49:00,120
Speaker 2: don't tell anybody.

1168
00:49:00,840 --> 00:49:03,200
Speaker 1: Oh, I think he would tell trustworthy. I think he

1169
00:49:03,239 --> 00:49:04,439
Speaker 1: would tell I know where he lives.

1170
00:49:04,440 --> 00:49:07,600
Speaker 2: I think he would tell me you do you do?

1171
00:49:07,920 --> 00:49:11,759
Speaker 2: Let me do a live reaction, and I'm never gonna

1172
00:49:11,800 --> 00:49:12,759
Speaker 2: tell you trust me?

1173
00:49:12,840 --> 00:49:13,040
Speaker 1: Really?

1174
00:49:13,120 --> 00:49:26,080
Speaker 2: Yeah, okay, Ray, play a little hold music, thank you. Yeah,

1175
00:49:26,080 --> 00:49:29,200
Speaker 2: It's it's gonna be big, guys. It's gonna be big,

1176
00:49:29,760 --> 00:49:32,040
Speaker 2: and I'm trying to hold back. It's gonna be big.

1177
00:49:32,960 --> 00:49:35,080
Speaker 2: And that's all I'm gonna say because this face here

1178
00:49:35,120 --> 00:49:37,359
Speaker 2: is that of a trustworthy person. But it is going

1179
00:49:37,400 --> 00:49:40,399
Speaker 2: to be big for multiple people. Some people are calling

1180
00:49:40,440 --> 00:49:43,960
Speaker 2: the new we are of the world oh my, But me,

1181
00:49:44,200 --> 00:49:45,920
Speaker 2: I'm that person who calls it like great.

1182
00:49:46,000 --> 00:49:48,440
Speaker 9: Is that moment with Ray Charles singing his solo moment

1183
00:49:48,560 --> 00:49:50,040
Speaker 9: in that Way of the World things.

1184
00:49:50,440 --> 00:49:52,920
Speaker 2: There were so many great moments to me, even seeing

1185
00:49:52,960 --> 00:49:59,480
Speaker 2: the humanity in Bob Dylan, where yeah, Bob Dylan struggling.

1186
00:49:59,520 --> 00:50:01,279
Speaker 2: He doesn't know it because he's not a he's not

1187
00:50:01,320 --> 00:50:05,600
Speaker 2: a single traditional vocalist. And then when Stevie Wonder goes

1188
00:50:05,600 --> 00:50:07,640
Speaker 2: hey come to the piano, makes everybody leave the room.

1189
00:50:07,640 --> 00:50:10,040
Speaker 2: Bob Dylan one of the greatest of all time, like

1190
00:50:10,120 --> 00:50:13,799
Speaker 2: songwriters like and he's mimicking Bob Dylan, So Bob Dylan

1191
00:50:13,840 --> 00:50:15,680
Speaker 2: can here, how's supposed to sing it? Yeah, we are

1192
00:50:15,840 --> 00:50:20,000
Speaker 2: the world making.

1193
00:50:21,840 --> 00:50:25,240
Speaker 9: Less and you can tell Bob's like that was terrible

1194
00:50:25,239 --> 00:50:26,560
Speaker 9: and their leg was amazing.

1195
00:50:27,160 --> 00:50:27,719
Speaker 1: Yeah.

1196
00:50:27,840 --> 00:50:29,960
Speaker 2: The humanity in that show of people that we don't

1197
00:50:30,000 --> 00:50:32,680
Speaker 2: feel are human because they're so famous was super cool.

1198
00:50:33,040 --> 00:50:36,880
Speaker 1: I felt bad for Sheila. I don't remember Prince.

1199
00:50:37,120 --> 00:50:39,200
Speaker 2: They just gave her a verse because they wanted Prince

1200
00:50:39,200 --> 00:50:41,680
Speaker 2: to car I didn't know that, and then he didn't

1201
00:50:41,680 --> 00:50:43,279
Speaker 2: show up, and so she was just like, I'm out.

1202
00:50:44,320 --> 00:50:44,440
Speaker 9: Oh.

1203
00:50:44,880 --> 00:50:47,719
Speaker 3: Sometimes do you multitask when you watch shows? Because I do.

1204
00:50:48,920 --> 00:50:51,560
Speaker 3: I do, and I miss things like here and there. Yeah,

1205
00:50:51,640 --> 00:50:53,279
Speaker 3: but it's actually is a quick part, you know what

1206
00:50:53,320 --> 00:50:53,600
Speaker 3: it is.

1207
00:50:53,680 --> 00:50:57,279
Speaker 9: I didn't see that there's another, uh one that's like

1208
00:50:57,480 --> 00:51:00,600
Speaker 9: three hours long. On the making of that song, they

1209
00:51:00,760 --> 00:51:03,680
Speaker 9: use all the same footage, but then additional footage.

1210
00:51:03,680 --> 00:51:05,919
Speaker 1: It goes for three hours. This thing, Well that sounds better.

1211
00:51:05,960 --> 00:51:09,040
Speaker 9: I downloaded that. You know, had those multiple cameras in

1212
00:51:09,040 --> 00:51:12,240
Speaker 9: the studio. Sometimes it's just the other cameras point of view,

1213
00:51:12,520 --> 00:51:13,520
Speaker 9: Like it's kind of crazy.

1214
00:51:13,520 --> 00:51:15,000
Speaker 2: Do you ever watch like the eight hour Tom Petty

1215
00:51:15,040 --> 00:51:17,760
Speaker 2: documentary Run is it Running Down and Draw?

1216
00:51:18,400 --> 00:51:20,839
Speaker 1: That's it? Yeah, and it's so long, but it's so good.

1217
00:51:20,840 --> 00:51:22,600
Speaker 1: It's so yeah, it's so good. Yeah.

1218
00:51:22,680 --> 00:51:25,720
Speaker 2: That and the Eagles whenever they have their documentary that's

1219
00:51:25,760 --> 00:51:27,839
Speaker 2: like hours and hours. Ever watched that one where they

1220
00:51:27,840 --> 00:51:29,040
Speaker 2: announced their health freeze is over?

1221
00:51:29,160 --> 00:51:29,239
Speaker 9: Like?

1222
00:51:29,640 --> 00:51:33,520
Speaker 1: Yes, that one's really cool too. Yes, documentaries. Is the

1223
00:51:33,560 --> 00:51:35,759
Speaker 1: Keith Urban documentary? I'm working on it? Are you really? Yeah?

1224
00:51:35,800 --> 00:51:37,880
Speaker 1: That's awesome? How far back does it go?

1225
00:51:38,360 --> 00:51:38,520
Speaker 6: Oh?

1226
00:51:38,640 --> 00:51:41,719
Speaker 1: I don't know yet, which literally just preliminary. Do you

1227
00:51:41,800 --> 00:51:43,840
Speaker 1: have a lot of footage of you as a child playing?

1228
00:51:43,880 --> 00:51:46,560
Speaker 9: Not as much as I wish I did. Yeah, it's Obama.

1229
00:51:46,719 --> 00:51:47,399
Speaker 9: That's really cool.

1230
00:51:47,520 --> 00:51:50,719
Speaker 2: Well, I'm not gonna mention anything about it about his

1231
00:51:51,320 --> 00:51:54,560
Speaker 2: duet and I'm not mentioning anything.

1232
00:51:54,680 --> 00:51:57,799
Speaker 1: There we go. That's its gonna be awesome. Have you

1233
00:51:57,800 --> 00:51:58,320
Speaker 1: ever asked.

1234
00:51:58,239 --> 00:52:01,760
Speaker 10: Keith about the kangaroo that seems like beating a kangaroo?

1235
00:52:01,800 --> 00:52:04,600
Speaker 1: There you go, Okay, here's the question. I wouldn't recommend it.

1236
00:52:04,880 --> 00:52:08,000
Speaker 2: If the if they just picked a generic kangaroo from

1237
00:52:08,000 --> 00:52:09,600
Speaker 2: any any kangaroo in the wild, It could be a

1238
00:52:09,600 --> 00:52:12,640
Speaker 2: baby or an old or small generic kangaroo. I think

1239
00:52:12,680 --> 00:52:14,880
Speaker 2: if you put me up against a generic kangaroo, I

1240
00:52:14,880 --> 00:52:17,840
Speaker 2: could whoop. I could whoop its button a fight, not

1241
00:52:17,960 --> 00:52:19,799
Speaker 2: the big muscle ones they put on the It could,

1242
00:52:20,440 --> 00:52:22,400
Speaker 2: but it also could be one that's had been in

1243
00:52:22,400 --> 00:52:23,000
Speaker 2: an accident.

1244
00:52:23,719 --> 00:52:27,600
Speaker 1: So I think a generic kangaroo, one on one kangaroo.

1245
00:52:26,760 --> 00:52:30,359
Speaker 2: I would beat it up. You want film muscle though

1246
00:52:30,640 --> 00:52:34,759
Speaker 2: it doesn't. We dang dude, Now tell me again.

1247
00:52:34,800 --> 00:52:36,000
Speaker 10: You've been hanging out with caratop.

1248
00:52:36,560 --> 00:52:40,399
Speaker 1: Oh he's massive, insane, he's massive. Okay, he could kick

1249
00:52:40,440 --> 00:52:42,880
Speaker 1: a kangaroo as no, no, no, I could see. I

1250
00:52:42,960 --> 00:52:45,520
Speaker 1: knew he'd make it a joke. He doesn't respect my art.

1251
00:52:46,360 --> 00:52:49,239
Speaker 1: It's more respecting the kangaroo's art. Okay.

1252
00:52:49,280 --> 00:52:51,439
Speaker 2: Anyway, they're pretty bad as His name's Keith Thurman. He's

1253
00:52:51,520 --> 00:52:53,719
Speaker 2: got some fine his hey, hey, his duet coming out.

1254
00:52:53,760 --> 00:52:54,120
Speaker 1: It's fine.

1255
00:52:55,920 --> 00:52:57,840
Speaker 10: Wait a minute, Oh you're super buff.

1256
00:52:58,239 --> 00:53:01,120
Speaker 1: You would kick that can. You would kick it's a guys, guys,

1257
00:53:01,120 --> 00:53:03,239
Speaker 1: just do it going. It's already won a Grammy. It's

1258
00:53:03,280 --> 00:53:03,879
Speaker 1: even how it works.

1259
00:53:04,200 --> 00:53:06,640
Speaker 10: It hot works now all right, Yeah, keep its slowly,

1260
00:53:06,719 --> 00:53:07,239
Speaker 10: a bit slow.

1261
00:53:07,280 --> 00:53:09,040
Speaker 1: You're my friend, Thank you, love you all right.

1262
00:53:08,920 --> 00:53:12,960
Speaker 2: Bye bye MS and just did a big survey all

1263
00:53:12,960 --> 00:53:15,279
Speaker 2: through America on tipping habits of Americans.

1264
00:53:15,719 --> 00:53:17,719
Speaker 1: The first one's a very broad question. I need to

1265
00:53:17,760 --> 00:53:18,239
Speaker 1: just trust you.

1266
00:53:18,239 --> 00:53:20,719
Speaker 2: You're gonna answer honestly, Yes, even if you're gonna get

1267
00:53:20,719 --> 00:53:25,400
Speaker 2: made fun of. Amy, answer honestly. I will also answer honestly,

1268
00:53:25,440 --> 00:53:27,560
Speaker 2: even though I know I'll be made fun of. Okay, okay, okay.

1269
00:53:28,239 --> 00:53:30,000
Speaker 2: How much do you usually tip at restaurants when it

1270
00:53:30,040 --> 00:53:32,600
Speaker 2: comes to a percentage lunchbox?

1271
00:53:33,360 --> 00:53:37,439
Speaker 1: I mean twenty percent? Look at you, but that's where

1272
00:53:37,440 --> 00:53:40,799
Speaker 1: I start. I mean, for yeah, why why? What I mean?

1273
00:53:40,840 --> 00:53:44,000
Speaker 1: In there? I usually they don't screw it up, but

1274
00:53:44,040 --> 00:53:47,680
Speaker 1: if they screw it up, it's less. And if they

1275
00:53:47,719 --> 00:53:49,719
Speaker 1: screw up a couple of times, oh it's way less.

1276
00:53:49,800 --> 00:53:52,399
Speaker 2: Got it, Eddie, I do twenty percent, but I can't

1277
00:53:52,440 --> 00:53:53,160
Speaker 2: figure that outside.

1278
00:53:53,200 --> 00:53:54,200
Speaker 1: Just give it to my wife to do it.

1279
00:53:54,239 --> 00:53:58,640
Speaker 2: Okay, Amy, twenty percent? Great, Bobby, here's the problem. You

1280
00:53:58,640 --> 00:53:59,960
Speaker 2: guys are gonna make fun of me and be like, oh,

1281
00:54:00,040 --> 00:54:03,080
Speaker 2: I used to work in a restaurant. I do tip

1282
00:54:03,280 --> 00:54:06,040
Speaker 2: usually fifty to one hundred percent, but that's a different situation.

1283
00:54:06,280 --> 00:54:10,719
Speaker 2: Good just because I waited tables and bus tables and

1284
00:54:10,719 --> 00:54:13,280
Speaker 2: then I got fortunate to be super to be super successful.

1285
00:54:14,000 --> 00:54:16,520
Speaker 2: But yes, I so is the fifty percent bad service

1286
00:54:16,520 --> 00:54:18,440
Speaker 2: to the one hundred service if it's a really that's

1287
00:54:18,480 --> 00:54:20,080
Speaker 2: what I'm saying. No, No, if it's a really high if

1288
00:54:20,080 --> 00:54:22,680
Speaker 2: I'm paying for like the whole table and it's expensive,

1289
00:54:22,680 --> 00:54:23,080
Speaker 2: I'm not gonna.

1290
00:54:23,239 --> 00:54:23,719
Speaker 1: I just can't.

1291
00:54:23,760 --> 00:54:23,960
Speaker 2: I'm not.

1292
00:54:24,160 --> 00:54:29,160
Speaker 1: Yeah, you know, but yes, okaybody good? Yeah? Do you tip?

1293
00:54:30,040 --> 00:54:32,120
Speaker 2: By the way, seven percent of people less fifteen less

1294
00:54:32,120 --> 00:54:36,040
Speaker 2: than fifty percent, about a fifth, fifteen percent, over half

1295
00:54:36,080 --> 00:54:38,880
Speaker 2: tip twenty percent, fourteen percent say more than twenty percent.

1296
00:54:38,920 --> 00:54:40,920
Speaker 1: Okay? Do you tip for a takeout?

1297
00:54:41,640 --> 00:54:42,000
Speaker 3: Yes?

1298
00:54:42,520 --> 00:54:47,080
Speaker 1: No, no chance? Wow, no need to know and no

1299
00:54:47,200 --> 00:54:49,520
Speaker 1: chance yep, yep. You don't tip of the drive through.

1300
00:54:49,520 --> 00:54:50,680
Speaker 1: I ain't tipping take to go.

1301
00:54:50,960 --> 00:54:55,320
Speaker 2: The biggest is sometimes at forty percent, never is it

1302
00:54:55,400 --> 00:54:56,200
Speaker 2: twenty three percent?

1303
00:54:56,360 --> 00:54:56,759
Speaker 1: There you go?

1304
00:54:57,000 --> 00:54:59,480
Speaker 2: Well, uh, yeah I do, even if it's just a

1305
00:54:59,520 --> 00:55:02,960
Speaker 2: couple of few bucks. I don't think you always have to.

1306
00:55:03,000 --> 00:55:05,680
Speaker 2: I think it depends on situation. But yes, how much

1307
00:55:05,719 --> 00:55:08,120
Speaker 2: do you tip? Maurice do is in a coffee shop?

1308
00:55:09,640 --> 00:55:11,760
Speaker 1: Zero zero?

1309
00:55:12,640 --> 00:55:15,320
Speaker 2: And that one's kind of like probably a couple of

1310
00:55:15,360 --> 00:55:19,040
Speaker 2: bucks two dollars two dollars for a couple of coffee.

1311
00:55:20,480 --> 00:55:21,880
Speaker 3: Oh yeah, I mean I think it varies.

1312
00:55:21,920 --> 00:55:24,239
Speaker 4: I mean sometimes if there's like a yeah, you can

1313
00:55:24,320 --> 00:55:25,359
Speaker 4: add a dollar or two.

1314
00:55:25,400 --> 00:55:26,480
Speaker 3: But then sometimes on the.

1315
00:55:26,440 --> 00:55:28,880
Speaker 4: Little credit card machine, it'll just automatically give you an

1316
00:55:28,920 --> 00:55:31,719
Speaker 4: option like twenty percent and then you just click that.

1317
00:55:31,880 --> 00:55:32,880
Speaker 1: I like it when they do that.

1318
00:55:33,040 --> 00:55:35,799
Speaker 2: Yeah, it's something like that makes it easy instead of

1319
00:55:36,000 --> 00:55:37,280
Speaker 2: one of the percentage gives you problems.

1320
00:55:37,360 --> 00:55:37,960
Speaker 1: That's hard, dude.

1321
00:55:38,160 --> 00:55:40,200
Speaker 2: By the way, next week our dyslexic ladies coming in.

1322
00:55:40,280 --> 00:55:42,399
Speaker 2: She's not dyslexic, but she tests not disle likes yet

1323
00:55:42,640 --> 00:55:45,960
Speaker 2: right right that. I like it's and if I have

1324
00:55:46,080 --> 00:55:47,920
Speaker 2: cash and there's a little box to remind me, it's

1325
00:55:47,920 --> 00:55:52,120
Speaker 2: all about if I remember or it's easy because I'm

1326
00:55:52,120 --> 00:55:53,880
Speaker 2: not going to go, hey, I need to buy something

1327
00:55:53,880 --> 00:55:54,359
Speaker 2: and then tip.

1328
00:55:55,600 --> 00:55:57,279
Speaker 1: And if there's not a line, but it's probably a.

1329
00:55:57,200 --> 00:56:00,680
Speaker 2: Couple of bucks on a coffee, why not especially if

1330
00:56:00,680 --> 00:56:03,600
Speaker 2: it's EA, it makes no sense that they're making the coffee.

1331
00:56:03,640 --> 00:56:05,319
Speaker 1: Well they made your food when you got to go,

1332
00:56:05,360 --> 00:56:07,560
Speaker 1: and you don't tip them. But you a coffee person.

1333
00:56:07,520 --> 00:56:10,919
Speaker 2: I do, I mean, but also you're seeing the person. Yeah,

1334
00:56:10,960 --> 00:56:12,719
Speaker 2: you're a barista. The person that made your foods in

1335
00:56:12,719 --> 00:56:14,080
Speaker 2: a kitchen. You don't even have a relationship with them.

1336
00:56:14,080 --> 00:56:14,680
Speaker 2: You're right right.

1337
00:56:14,960 --> 00:56:16,960
Speaker 4: It was somebody in the staff out front, like bagged

1338
00:56:17,000 --> 00:56:19,640
Speaker 4: it and put in you know, like there's I'm.

1339
00:56:19,520 --> 00:56:21,160
Speaker 1: Going at McDonald's. They put in the bag. You don't

1340
00:56:21,160 --> 00:56:23,400
Speaker 1: tip them, that's true. We don't do that. I probably could.

1341
00:56:23,760 --> 00:56:25,439
Speaker 1: How much do you tip for drinks in a bar?

1342
00:56:26,440 --> 00:56:30,320
Speaker 2: Just your answer is Eddie, a dollar a drink, okay, lunchbox,

1343
00:56:30,440 --> 00:56:32,680
Speaker 2: a dollar, a round, Amy.

1344
00:56:32,719 --> 00:56:34,640
Speaker 3: Twenty percent whatever?

1345
00:56:34,640 --> 00:56:36,560
Speaker 1: The total is no way you figure that out at

1346
00:56:36,600 --> 00:56:36,839
Speaker 1: the bar.

1347
00:56:39,480 --> 00:56:42,280
Speaker 2: You really easy. So if it's if it's seventeen dollars,

1348
00:56:43,239 --> 00:56:44,360
Speaker 2: dollars seventy, oh.

1349
00:56:44,440 --> 00:56:45,799
Speaker 1: Yeah, I would have known that. I want to give

1350
00:56:45,840 --> 00:56:47,600
Speaker 1: them to do seven bucks and then you just double

1351
00:56:47,640 --> 00:56:48,800
Speaker 1: dollar seventy three.

1352
00:56:48,640 --> 00:56:50,040
Speaker 3: Forty, but then you round up to four.

1353
00:56:50,440 --> 00:56:53,960
Speaker 5: Hold on, hold on, Amy, you can't twenty percent for

1354
00:56:54,080 --> 00:56:54,680
Speaker 5: one drink.

1355
00:56:55,160 --> 00:56:57,120
Speaker 1: That is one drink on me, I don't know how

1356
00:56:57,160 --> 00:56:58,040
Speaker 1: much four dollars.

1357
00:56:58,040 --> 00:57:00,799
Speaker 5: So they're if you get a fancy cocktail like a

1358
00:57:00,840 --> 00:57:02,640
Speaker 5: glass of wine or something, it could be six seven

1359
00:57:02,680 --> 00:57:03,560
Speaker 5: bucks and you're tipping.

1360
00:57:03,600 --> 00:57:06,120
Speaker 1: But even it is pouring it in a cup. That's

1361
00:57:06,120 --> 00:57:07,440
Speaker 1: what I'm saying too, if it's a.

1362
00:57:07,400 --> 00:57:09,239
Speaker 3: Dollar, you're getting a fancy drink, or.

1363
00:57:09,160 --> 00:57:10,640
Speaker 1: Not even a dollar. You're saying.

1364
00:57:10,640 --> 00:57:12,879
Speaker 2: He didn't say, like Eddie, you're crazy for a dollar drink,

1365
00:57:12,960 --> 00:57:14,640
Speaker 2: but he said, if you're getting six or seven dollars,

1366
00:57:14,960 --> 00:57:21,200
Speaker 2: and so ten percent of seven dollars would be seventy cents.

1367
00:57:21,600 --> 00:57:23,360
Speaker 1: I don't know. That's why I just give him a dollar. Dude,

1368
00:57:23,400 --> 00:57:26,520
Speaker 1: I can't figure that out. I said dollar around.

1369
00:57:27,000 --> 00:57:28,840
Speaker 2: So Amy's saying that, so if she gets a four

1370
00:57:28,840 --> 00:57:33,080
Speaker 2: dollars drink, she tips eighty cents already a dollar talked.

1371
00:57:32,920 --> 00:57:33,920
Speaker 3: Round up a dollar.

1372
00:57:34,120 --> 00:57:35,760
Speaker 4: I'm just saying, when I see the total and then

1373
00:57:35,760 --> 00:57:38,480
Speaker 4: there's a tip line, I just go twenty percent.

1374
00:57:38,520 --> 00:57:39,000
Speaker 1: But I doesn't say.

1375
00:57:39,000 --> 00:57:40,919
Speaker 5: You're in Vegas and you buy like a round of drinks,

1376
00:57:40,960 --> 00:57:42,920
Speaker 5: it could be one hundred fifty dollars. You're tipping twenty

1377
00:57:42,920 --> 00:57:43,400
Speaker 5: percent of that?

1378
00:57:43,520 --> 00:57:46,040
Speaker 1: Okay, you're yes, tip thirty bucks, Yes.

1379
00:57:46,320 --> 00:57:48,960
Speaker 4: Twenty dollars on that right, that's not I haven't done

1380
00:57:49,000 --> 00:57:49,560
Speaker 4: that in Vegas.

1381
00:57:49,840 --> 00:57:51,480
Speaker 1: Get me either. All the drink stuff to me.

1382
00:57:52,080 --> 00:57:53,480
Speaker 2: If you're flying to the moon with the wings out

1383
00:57:53,480 --> 00:57:55,080
Speaker 2: of your butt, well I haven't had that happen either.

1384
00:57:55,640 --> 00:57:58,720
Speaker 1: Sot would you like to see restaurants get rid of tipping?

1385
00:57:58,920 --> 00:58:03,600
Speaker 2: Yes, yes, yes, but I would like the servers to

1386
00:58:03,640 --> 00:58:04,560
Speaker 2: get paid a lot more to.

1387
00:58:04,640 --> 00:58:06,000
Speaker 3: That's what it require.

1388
00:58:06,120 --> 00:58:09,880
Speaker 2: And well no, yes, yes we want we were serving and

1389
00:58:09,960 --> 00:58:11,560
Speaker 2: leave that because when I was a server, I only

1390
00:58:11,600 --> 00:58:14,000
Speaker 2: got two fifty an hour and that's not right.

1391
00:58:14,400 --> 00:58:18,280
Speaker 1: No, no, I know, okay, I yes, I would like

1392
00:58:18,320 --> 00:58:19,760
Speaker 1: for them to do because then you go to where

1393
00:58:19,760 --> 00:58:22,240
Speaker 1: did you go where they don't do tipping Australia.

1394
00:58:22,680 --> 00:58:25,240
Speaker 2: Australia really bad and not. I mean they're they're so

1395
00:58:25,280 --> 00:58:27,919
Speaker 2: different about tipping. It's weird when you do tip. And

1396
00:58:28,000 --> 00:58:30,320
Speaker 2: when I was in Europe a little bit, but the

1397
00:58:30,400 --> 00:58:32,200
Speaker 2: culture is not the same thing. That's what I'm talking about.

1398
00:58:32,360 --> 00:58:34,280
Speaker 2: Like we take a cab or whatever, and I give

1399
00:58:34,280 --> 00:58:35,760
Speaker 2: the guy whatever. I don't even have to color the money.

1400
00:58:35,840 --> 00:58:39,240
Speaker 2: I'd be like, here's this color, here's blue, and he'd

1401
00:58:39,280 --> 00:58:41,680
Speaker 2: be like, oh wow, like they were really surprised by it.

1402
00:58:43,480 --> 00:58:44,040
Speaker 1: Yeah, I do.

1403
00:58:44,280 --> 00:58:46,120
Speaker 2: What I would really like for restaurants get rid of, though,

1404
00:58:46,560 --> 00:58:49,240
Speaker 2: is paying when they take your credit card to the

1405
00:58:49,280 --> 00:58:50,040
Speaker 2: back room.

1406
00:58:50,320 --> 00:58:51,680
Speaker 1: You wanted to bring out that thing in front of it.

1407
00:58:51,720 --> 00:58:53,400
Speaker 1: I want it in front of me harder still, my

1408
00:58:53,440 --> 00:58:54,320
Speaker 1: identity if I'm watching.

1409
00:58:55,120 --> 00:58:58,560
Speaker 2: Yeah, because that is a really old school way. Here's

1410
00:58:58,640 --> 00:59:02,600
Speaker 2: my precious account with card and information. Take it back

1411
00:59:02,600 --> 00:59:03,240
Speaker 2: to a room where I.

1412
00:59:03,200 --> 00:59:04,800
Speaker 3: Can't see you, and it is kind of crazy. We

1413
00:59:04,840 --> 00:59:05,040
Speaker 3: do that.

1414
00:59:05,120 --> 00:59:07,560
Speaker 1: Do whatever you like to take my kid too, you

1415
00:59:07,560 --> 00:59:09,920
Speaker 1: know that's what it would. It's like, it's weird.

1416
00:59:10,760 --> 00:59:12,680
Speaker 2: And then finally, have you ever had a job where

1417
00:59:12,720 --> 00:59:16,080
Speaker 2: you relied where the job relied on tips or it

1418
00:59:16,080 --> 00:59:18,120
Speaker 2: wasn't the extra part of it, but relied on tips

1419
00:59:18,240 --> 00:59:19,680
Speaker 2: eddie never lunchbox?

1420
00:59:20,800 --> 00:59:21,040
Speaker 7: Uh?

1421
00:59:21,120 --> 00:59:23,680
Speaker 1: Yeah, delivery driver? But did you get paid at least

1422
00:59:23,680 --> 00:59:26,040
Speaker 1: a minimum wage? Yeah? Okay, so I wouldn't say that relied.

1423
00:59:26,040 --> 00:59:27,439
Speaker 1: You were getting an hourly rate.

1424
00:59:27,520 --> 00:59:31,040
Speaker 5: It was, yeah, But and I worked at Ryan's Steakhouse,

1425
00:59:31,080 --> 00:59:33,160
Speaker 5: which was two twenty an hour or whatever.

1426
00:59:33,280 --> 00:59:33,840
Speaker 1: I've never heard of.

1427
00:59:33,920 --> 00:59:35,480
Speaker 2: You never have said the story when I were for

1428
00:59:35,520 --> 00:59:39,080
Speaker 2: two weeks and what were you because I was having.

1429
00:59:38,880 --> 00:59:42,440
Speaker 1: Car problems at that time. What was your job? You

1430
00:59:42,480 --> 00:59:43,840
Speaker 1: were a server, but but.

1431
00:59:44,520 --> 00:59:46,560
Speaker 5: It was a buffet, so you just brought you refilled

1432
00:59:46,640 --> 00:59:48,280
Speaker 5: drinks and you took away their dirty plates.

1433
00:59:48,840 --> 00:59:50,400
Speaker 1: And I was only there two weeks and they didn't

1434
00:59:50,400 --> 00:59:52,440
Speaker 1: give you pay you more than two twenty at a buffet.

1435
00:59:52,600 --> 00:59:56,680
Speaker 5: No, that's weird. And I did it for two weeks.

1436
00:59:56,720 --> 00:59:58,200
Speaker 5: I was having car problems and they were like, oh,

1437
00:59:58,240 --> 00:59:59,560
Speaker 5: you're not reliable, and I was like, yeah, as I

1438
00:59:59,640 --> 01:00:02,560
Speaker 5: am working because I can't get here, and so I

1439
01:00:02,640 --> 01:00:04,360
Speaker 5: ended up not being there many days.

1440
01:00:04,360 --> 01:00:06,840
Speaker 2: Did you actually go into work though over two weeks

1441
01:00:06,440 --> 01:00:09,880
Speaker 2: or okay? And how much did you make any tips

1442
01:00:09,920 --> 01:00:12,320
Speaker 2: at all? Yeah, that's bizarre because you're not really doing

1443
01:00:12,320 --> 01:00:15,760
Speaker 2: this Sundays when it was a buffet day at the

1444
01:00:15,840 --> 01:00:18,360
Speaker 2: Disoil club where I worked, because when people would have

1445
01:00:18,400 --> 01:00:21,600
Speaker 2: the like the buffet, they just don't tip as much

1446
01:00:21,600 --> 01:00:22,240
Speaker 2: because they're going.

1447
01:00:22,160 --> 01:00:22,640
Speaker 1: To get food.

1448
01:00:22,720 --> 01:00:25,760
Speaker 5: They usually theyve me about a dollar on the table, yes,

1449
01:00:25,880 --> 01:00:27,400
Speaker 5: or they leave a dollar on the table.

1450
01:00:27,480 --> 01:00:29,840
Speaker 1: Wrong with your car, bud ultimate same one. No, it

1451
01:00:29,880 --> 01:00:33,160
Speaker 1: was eighty five R seven. And did it work or

1452
01:00:33,160 --> 01:00:33,920
Speaker 1: did you just not want to go?

1453
01:00:34,000 --> 01:00:34,080
Speaker 9: No?

1454
01:00:34,120 --> 01:00:36,360
Speaker 1: I didn't work. I ended up getting I had to

1455
01:00:36,360 --> 01:00:38,840
Speaker 1: get an eighty eight knees on. Are you mumbling and bumbling? Yeah?

1456
01:00:38,880 --> 01:00:40,680
Speaker 1: Because you using no mumble and bumbling now because it

1457
01:00:41,160 --> 01:00:43,000
Speaker 1: died man Amy tips.

1458
01:00:43,320 --> 01:00:45,920
Speaker 4: No, my hostess was as far as I got in

1459
01:00:45,960 --> 01:00:46,880
Speaker 4: the restaurant business.

1460
01:00:47,160 --> 01:00:50,520
Speaker 1: Yeah, Yes, I loved it. I was good. I was

1461
01:00:50,520 --> 01:00:53,120
Speaker 1: good with the old ladies. You flirt with them. Oh man,

1462
01:00:53,120 --> 01:00:54,960
Speaker 1: they want to pitch my butt, I'd let them.

1463
01:00:55,160 --> 01:00:57,040
Speaker 3: Hmm, that happened a what probably the.

1464
01:00:57,080 --> 01:00:58,760
Speaker 1: Old ladies, Yeah, because they didn't care.

1465
01:00:58,960 --> 01:01:02,600
Speaker 2: They weren't prejudiced if the nineteen year old was cute,

1466
01:01:02,600 --> 01:01:04,600
Speaker 2: there's just a nineteen year old butt and they.

1467
01:01:04,480 --> 01:01:04,919
Speaker 1: Were like eighty.

1468
01:01:05,000 --> 01:01:08,520
Speaker 2: But wow, dirty old ladies, because they usually say dirty

1469
01:01:08,520 --> 01:01:08,959
Speaker 2: old man.

1470
01:01:09,840 --> 01:01:11,520
Speaker 1: Interesting, I's just said did something old ladies I'm not

1471
01:01:11,560 --> 01:01:16,360
Speaker 1: proud of. But you got good tips. I got good tips.

1472
01:01:16,440 --> 01:01:19,160
Speaker 2: Ray Mundo, our producer does all the audio, wants to

1473
01:01:19,200 --> 01:01:21,880
Speaker 2: go to Sam Hunt tonight. Sam hunts to Town. I

1474
01:01:21,880 --> 01:01:23,560
Speaker 2: assumed you already had tickets because like, I just want

1475
01:01:23,600 --> 01:01:25,439
Speaker 2: to go on stage. Well, you can't get on stage

1476
01:01:25,440 --> 01:01:27,120
Speaker 2: if you're not in the building. Then it turns out he

1477
01:01:27,160 --> 01:01:29,080
Speaker 2: didn't even have tickets. So I had to reach out

1478
01:01:29,120 --> 01:01:31,840
Speaker 2: to somebody be like, can Ray get tickets to the

1479
01:01:31,880 --> 01:01:34,720
Speaker 2: show tonight? And he really wants to go do shots

1480
01:01:34,760 --> 01:01:37,600
Speaker 2: with Sam Hunt, which is a weird ask because Ray's

1481
01:01:37,680 --> 01:01:39,240
Speaker 2: in love with Sam.

1482
01:01:39,560 --> 01:01:41,520
Speaker 1: And so I'm here. You want to hear the messages

1483
01:01:41,560 --> 01:01:44,200
Speaker 1: got I don't know what said yet here we go.

1484
01:01:44,960 --> 01:01:51,600
Speaker 12: Hey, Bobby heard the request from Ray, and man, I

1485
01:01:51,640 --> 01:01:54,640
Speaker 12: think there needs to be restrained in order against to him.

1486
01:01:54,720 --> 01:01:57,560
Speaker 12: But with all of that said, in the spirit of

1487
01:01:57,600 --> 01:02:01,760
Speaker 12: trying to support Ray and Sam, I've reached out to

1488
01:02:01,840 --> 01:02:03,720
Speaker 12: their camps to see if there's anything we can do

1489
01:02:04,720 --> 01:02:08,720
Speaker 12: could be fun. It's not something I can necessarily make

1490
01:02:08,720 --> 01:02:11,560
Speaker 12: the decision on, so I'm just connecting with them and

1491
01:02:11,600 --> 01:02:12,960
Speaker 12: I'll come back to you as soon as I have

1492
01:02:12,960 --> 01:02:15,880
Speaker 12: any kind of answer. Hopefully we can make race dreams

1493
01:02:15,920 --> 01:02:18,120
Speaker 12: comes true, because that's what I live for, is to

1494
01:02:18,120 --> 01:02:19,240
Speaker 12: make his dreams come true.

1495
01:02:19,440 --> 01:02:21,240
Speaker 1: So he's joking a little, but yeah, he's gonna try. Ye.

1496
01:02:22,560 --> 01:02:25,920
Speaker 1: He didn't even saynything about tickets. That's Stray's dream. But

1497
01:02:25,960 --> 01:02:28,080
Speaker 1: I said tickets. I'm sure they I don't know. It

1498
01:02:28,120 --> 01:02:30,280
Speaker 1: doesn't sound good, but see I didn't even sound like tickets.

1499
01:02:30,280 --> 01:02:34,439
Speaker 2: Man. I think we're more positive now than we were

1500
01:02:34,480 --> 01:02:36,720
Speaker 2: back then. I think I was like twenty percent. Chances happened.

1501
01:02:36,720 --> 01:02:38,880
Speaker 2: I'd say fifty to fifty. I would say, I think

1502
01:02:38,920 --> 01:02:41,960
Speaker 2: you'll get tickets really hard.

1503
01:02:42,040 --> 01:02:43,440
Speaker 3: I felt a ticket vibe.

1504
01:02:43,520 --> 01:02:45,480
Speaker 2: But and maybe you can do something where you go

1505
01:02:45,680 --> 01:02:48,480
Speaker 2: say hi, well, yeah, I can always do an Instagram

1506
01:02:48,520 --> 01:02:50,920
Speaker 2: post for what I don't.

1507
01:02:50,760 --> 01:02:55,720
Speaker 1: Know how to sore hashtag Sam. I've said, Sam.

1508
01:02:57,080 --> 01:02:59,080
Speaker 2: Man, I know that he's joking a little bit about

1509
01:02:59,080 --> 01:03:01,240
Speaker 2: the calling the police in order, but like Ray needs

1510
01:03:01,280 --> 01:03:02,040
Speaker 2: to chill on that.

1511
01:03:02,240 --> 01:03:04,160
Speaker 1: Well, he posts on every Sam Hunt Instagram.

1512
01:03:03,960 --> 01:03:06,920
Speaker 2: It's funny though, but in real life though, it goes

1513
01:03:06,960 --> 01:03:08,880
Speaker 2: in seasons right, like it's really funny, but then he

1514
01:03:08,920 --> 01:03:10,440
Speaker 2: does it a little too much where it's like then

1515
01:03:10,480 --> 01:03:12,200
Speaker 2: it gets creepy, but then he's so creepy it kind

1516
01:03:12,200 --> 01:03:14,600
Speaker 2: of gets funny again, so it's it just kind of

1517
01:03:14,600 --> 01:03:15,480
Speaker 2: bounces back and forth.

1518
01:03:15,560 --> 01:03:15,720
Speaker 9: Yeah.

1519
01:03:15,760 --> 01:03:18,800
Speaker 2: And also my last post for on Sam's Instagram haven't

1520
01:03:18,840 --> 01:03:20,960
Speaker 2: got many likes, so it is actually crossing the line.

1521
01:03:21,000 --> 01:03:22,320
Speaker 1: I imagine what you say.

1522
01:03:22,960 --> 01:03:24,840
Speaker 2: Uh, well, the last one I only got one, Like

1523
01:03:24,920 --> 01:03:27,560
Speaker 2: he just posted Grand Rapids Louisville, Chicago and kind of

1524
01:03:27,560 --> 01:03:31,160
Speaker 2: promote his tour, and I said, missing that carousel in Nashville.

1525
01:03:31,160 --> 01:03:34,040
Speaker 1: But soon, my bro Friday am ditching all plans.

1526
01:03:34,080 --> 01:03:37,040
Speaker 2: I'm finna get house drunk at Fifth and b grease

1527
01:03:37,080 --> 01:03:40,439
Speaker 2: a worker with five bucks for top shelf. Downtown's dead

1528
01:03:40,480 --> 01:03:42,960
Speaker 2: gonna hit different once you played that one, since Downtown

1529
01:03:43,080 --> 01:03:44,680
Speaker 2: died when you and me moved to the country.

1530
01:03:46,200 --> 01:03:50,120
Speaker 1: Yeah, only one Like that's a long long finish it.

1531
01:03:51,760 --> 01:03:52,680
Speaker 1: He wrote an essay.

1532
01:03:54,400 --> 01:03:58,440
Speaker 4: Wow, hold on, I yes, Sam Hunt moved to the

1533
01:03:58,440 --> 01:03:59,480
Speaker 4: country and Ray moves.

1534
01:03:59,800 --> 01:04:01,960
Speaker 3: Is this why right over the country? Which direction?

1535
01:04:04,800 --> 01:04:06,320
Speaker 1: I'm sure? Let me ask you an honest question. Do

1536
01:04:06,320 --> 01:04:07,160
Speaker 1: you know where Sam lives?

1537
01:04:07,480 --> 01:04:07,600
Speaker 8: No?

1538
01:04:07,760 --> 01:04:11,800
Speaker 2: But I mean I imagine it's offensive land. But do

1539
01:04:11,800 --> 01:04:13,120
Speaker 2: you know what I'm not going to say, but do

1540
01:04:13,120 --> 01:04:14,560
Speaker 2: you know where? Could you drive to his house? But

1541
01:04:14,560 --> 01:04:16,680
Speaker 2: I said, hey, Ray, one hundred bucks drive Sam's house

1542
01:04:16,760 --> 01:04:18,480
Speaker 2: right now, I wouldn't be able to find it. But

1543
01:04:18,480 --> 01:04:20,120
Speaker 2: I know where the expensive land is and I know

1544
01:04:20,160 --> 01:04:23,280
Speaker 2: that's where all the country artists live. No, that's okay,

1545
01:04:24,320 --> 01:04:25,800
Speaker 2: expensive have fun.

1546
01:04:26,680 --> 01:04:28,040
Speaker 1: I'm sure I can get you tickets.

1547
01:04:29,360 --> 01:04:31,680
Speaker 2: I don't know what that's going to be as far

1548
01:04:31,720 --> 01:04:33,640
Speaker 2: as like what you can do with Sam. But it

1549
01:04:33,760 --> 01:04:37,040
Speaker 2: just is a bit aggressive. Yeah, even that man guys

1550
01:04:37,120 --> 01:04:41,720
Speaker 2: on this Instagram post. It's eight lines long going down.

1551
01:04:41,880 --> 01:04:42,680
Speaker 1: Yeah too much.

1552
01:04:42,840 --> 01:04:44,840
Speaker 2: It's more than what he wrote in the body of

1553
01:04:44,880 --> 01:04:46,200
Speaker 2: the message under the picture.

1554
01:04:46,440 --> 01:04:47,200
Speaker 1: It made me laugh.

1555
01:04:47,240 --> 01:04:48,520
Speaker 2: I mean, I guess he didn't think it was funny

1556
01:04:48,640 --> 01:04:52,400
Speaker 2: or any of his favor Yeah, Mikey's you the one

1557
01:04:52,440 --> 01:04:58,560
Speaker 2: like it or it's somebody named Sarah Kay Ryan thirteen

1558
01:04:58,760 --> 01:05:04,320
Speaker 2: w true fan har account's private true fan of comments. Okay,

1559
01:05:04,320 --> 01:05:05,440
Speaker 2: we'll find out. I hope you get to go to

1560
01:05:05,480 --> 01:05:07,040
Speaker 2: Sam tonight. That'll be fun. Yeah, thank you.

1561
01:05:07,160 --> 01:05:08,880
Speaker 1: Top three favorite Sam songs.

1562
01:05:08,840 --> 01:05:14,240
Speaker 2: Downtown's Dead, number one house party to Ecstasy, Wow, Ecstasy, Ecstasy,

1563
01:05:14,480 --> 01:05:21,120
Speaker 2: Rascal you Wow. By the way, Sam's playing the Million

1564
01:05:21,160 --> 01:05:23,400
Speaker 2: Dollar Show, which is Eddie and I show at the Ryman.

1565
01:05:24,520 --> 01:05:27,160
Speaker 1: Ray will not go to April the third. Yeah, he's

1566
01:05:27,160 --> 01:05:27,800
Speaker 1: playing with us.

1567
01:05:27,840 --> 01:05:29,480
Speaker 2: He can do some songs and Ray will not be

1568
01:05:29,480 --> 01:05:31,400
Speaker 2: in the building, So get it out of your system.

1569
01:05:31,400 --> 01:05:31,760
Speaker 1: Buddy.

1570
01:05:32,040 --> 01:05:33,320
Speaker 3: What is ecstasy about?

1571
01:05:33,480 --> 01:05:35,080
Speaker 2: It's an old one. It's on the well Bray you

1572
01:05:35,120 --> 01:05:37,280
Speaker 2: taught you tell us, it's an album cut. It's a

1573
01:05:37,280 --> 01:05:39,760
Speaker 2: play on words. Ecstasy is one thing. It also is

1574
01:05:40,080 --> 01:05:43,720
Speaker 2: X like ex girlfriend see like on the mixtape, was

1575
01:05:43,720 --> 01:05:46,600
Speaker 2: on the like the early No way he's playing that one.

1576
01:05:46,600 --> 01:05:48,080
Speaker 2: But yeah, Ray, you liked that Love in the back

1577
01:05:48,080 --> 01:05:50,520
Speaker 2: of the trail of the t Speakers. I mean that's

1578
01:05:50,560 --> 01:05:53,120
Speaker 2: the first song where somebody talked in a song. Yeah,

1579
01:05:53,520 --> 01:05:56,479
Speaker 2: started the whole trend. No, it's not, but he brought

1580
01:05:56,480 --> 01:05:58,680
Speaker 2: it back around but Johnny Cash talked in songs.

1581
01:05:58,920 --> 01:06:03,680
Speaker 1: M hm. He just gave him my answer.

1582
01:06:05,520 --> 01:06:07,440
Speaker 2: Good luck, Ray, Yeah, I hope tonight it's awesome. Ye,

1583
01:06:07,880 --> 01:06:09,600
Speaker 2: And I'll let you know if I get an update

1584
01:06:09,600 --> 01:06:13,040
Speaker 2: on tickets or being able to go to Sam's no,

1585
01:06:13,200 --> 01:06:15,480
Speaker 2: being able to be around Sam at some point time. Okay, cool,

1586
01:06:16,040 --> 01:06:18,920
Speaker 2: Bobby bone show Sorry up today.

1587
01:06:19,560 --> 01:06:23,480
Speaker 5: This story comes us from Louisville, Kentucky. A twenty one

1588
01:06:23,560 --> 01:06:25,600
Speaker 5: year old man walked into a Porsche dealership.

1589
01:06:25,600 --> 01:06:28,040
Speaker 1: He was like, I'm here to buy a Porsche. I go,

1590
01:06:28,160 --> 01:06:28,960
Speaker 1: which one would you like?

1591
01:06:29,000 --> 01:06:31,280
Speaker 5: Sur He picks it out and they said, okay, how

1592
01:06:31,280 --> 01:06:33,560
Speaker 5: would you like to pay? He hands him a check

1593
01:06:33,920 --> 01:06:36,200
Speaker 5: that says it's for seventy eight million dollars.

1594
01:06:36,640 --> 01:06:40,360
Speaker 1: So he cool, is that the negotiata price NOLP?

1595
01:06:40,440 --> 01:06:42,760
Speaker 5: But he had a check it was worth seventy eight million,

1596
01:06:42,800 --> 01:06:44,040
Speaker 5: and he's like, I change.

1597
01:06:44,080 --> 01:06:47,120
Speaker 1: He give me the change back, so we can't take that.

1598
01:06:47,200 --> 01:06:48,960
Speaker 5: He's like, no, no, I'm here to buy a Porsche

1599
01:06:49,080 --> 01:06:52,040
Speaker 5: and he refused to leave. It's all the Porsches probably

1600
01:06:52,160 --> 01:06:54,400
Speaker 5: It's like, called police and it was a forged check.

1601
01:06:54,920 --> 01:06:57,720
Speaker 1: Man. I'm lunchbox. That's your Bonehead story of the day.

1602
01:06:59,040 --> 01:07:00,680
Speaker 1: I hope you guys have a great week. I didn't

1603
01:07:00,680 --> 01:07:01,440
Speaker 1: want to end on this.

1604
01:07:01,760 --> 01:07:03,560
Speaker 2: Morgan thinks that Lunchbox is going to be mad, not

1605
01:07:03,600 --> 01:07:06,440
Speaker 2: maybe at her, maybe because it's not Morgan's fault, but

1606
01:07:06,560 --> 01:07:07,880
Speaker 2: just be mad in general at this.

1607
01:07:08,080 --> 01:07:09,640
Speaker 1: So Morgan, what happened with you this time?

1608
01:07:09,960 --> 01:07:10,120
Speaker 5: Well?

1609
01:07:10,160 --> 01:07:14,040
Speaker 8: I got asked to be interviewed by like a Nashville website.

1610
01:07:14,240 --> 01:07:17,320
Speaker 1: Magazine situation, like a profile piece.

1611
01:07:17,520 --> 01:07:19,920
Speaker 8: Yeah, it's like all about my career and my life

1612
01:07:20,000 --> 01:07:22,960
Speaker 8: and like it's the inspiring stories journey.

1613
01:07:23,120 --> 01:07:27,800
Speaker 1: So I'm what is inspiring about your story? A lot? Really?

1614
01:07:27,840 --> 01:07:29,959
Speaker 1: What has she done? A lot of things?

1615
01:07:29,960 --> 01:07:31,680
Speaker 8: I also was like one of the first ones to

1616
01:07:31,680 --> 01:07:34,160
Speaker 8: be in digital Like that was not a job before

1617
01:07:34,320 --> 01:07:38,560
Speaker 8: I started back at iHeartRadio, like social media.

1618
01:07:38,640 --> 01:07:41,480
Speaker 1: Al Gore said, there's internet.

1619
01:07:41,760 --> 01:07:43,400
Speaker 3: She's not saying on this job, she's no.

1620
01:07:43,520 --> 01:07:46,480
Speaker 8: Yeah, Like when I first started at iHeart, like social

1621
01:07:46,520 --> 01:07:49,280
Speaker 8: media was just becoming a thing, like that is a

1622
01:07:49,360 --> 01:07:51,840
Speaker 8: huge part of my career, is the digital media side.

1623
01:07:51,880 --> 01:07:54,400
Speaker 1: Right, But you didn't create social media. I did, but

1624
01:07:54,440 --> 01:07:56,200
Speaker 1: I was MySpace bro.

1625
01:07:56,280 --> 01:07:57,760
Speaker 2: She's saying she was one of the first people to

1626
01:07:57,800 --> 01:07:59,600
Speaker 2: actually have a full time position doing it for a

1627
01:07:59,600 --> 01:08:02,240
Speaker 2: major company. Because it was so new and there still

1628
01:08:02,560 --> 01:08:05,240
Speaker 2: wasn't a lot of investment in that, and they invested

1629
01:08:05,280 --> 01:08:07,560
Speaker 2: in Morgan to do that.

1630
01:08:07,560 --> 01:08:10,640
Speaker 1: That's pretty inspirational, right, I mean I was kind of

1631
01:08:10,640 --> 01:08:16,040
Speaker 1: the video guy in a radio industry. You know, I'm

1632
01:08:16,040 --> 01:08:18,760
Speaker 1: just saying he brought me in. He didn't. First of all,

1633
01:08:18,800 --> 01:08:21,280
Speaker 1: a lot of radio shows do. I mean, I was

1634
01:08:21,320 --> 01:08:24,719
Speaker 1: kind of one of the first. Eddie was my TV producer.

1635
01:08:24,760 --> 01:08:26,280
Speaker 2: I said you should come do this for the show,

1636
01:08:26,760 --> 01:08:29,040
Speaker 2: and I did say, you do inspire me.

1637
01:08:29,840 --> 01:08:33,200
Speaker 1: Yeah, we had that conversation. Man, I didn't mean to

1638
01:08:33,200 --> 01:08:33,760
Speaker 1: turn this into it.

1639
01:08:34,920 --> 01:08:38,800
Speaker 8: Okay, Like it's also funny because somebody like recommended me

1640
01:08:38,880 --> 01:08:41,280
Speaker 8: to do this like I wasn't. I didn't put myself

1641
01:08:41,320 --> 01:08:43,479
Speaker 8: in this position. Somebody else saw my story and was like,

1642
01:08:43,479 --> 01:08:44,840
Speaker 8: I really think I saw your story?

1643
01:08:44,880 --> 01:08:47,240
Speaker 1: What is your story? You didn't like, we didn't find

1644
01:08:47,240 --> 01:08:49,400
Speaker 1: you in a dumpster like you that would.

1645
01:08:49,200 --> 01:08:49,960
Speaker 4: Be a story.

1646
01:08:50,880 --> 01:08:52,160
Speaker 1: Was kind of working for a couple of stations that

1647
01:08:52,160 --> 01:08:52,840
Speaker 1: were kind of a dumpter.

1648
01:08:53,720 --> 01:09:00,080
Speaker 2: That's okay, fair enough, you know what recod I saw.

1649
01:09:00,120 --> 01:09:03,280
Speaker 8: My story like another interview I had done with somebody,

1650
01:09:03,320 --> 01:09:06,040
Speaker 8: like a long hey interview.

1651
01:09:06,240 --> 01:09:09,360
Speaker 1: Two stories. It's so ridiculous. Would you like a profile

1652
01:09:09,400 --> 01:09:09,960
Speaker 1: piece on you?

1653
01:09:10,400 --> 01:09:10,679
Speaker 9: Sure?

1654
01:09:11,439 --> 01:09:12,479
Speaker 1: But about what though?

1655
01:09:12,520 --> 01:09:16,600
Speaker 5: Specifically, I mean prom king and maintaining my status and

1656
01:09:16,640 --> 01:09:19,280
Speaker 5: being a celebrity and being on the biggest radio show

1657
01:09:19,280 --> 01:09:22,440
Speaker 5: for the last twenty years. I mean that's pretty inspirational.

1658
01:09:22,520 --> 01:09:27,200
Speaker 1: Oh so inspirational. I'm so inspired. You led by prom king. Yeah,

1659
01:09:27,360 --> 01:09:29,720
Speaker 1: because most people think, oh, when you you're prom king,

1660
01:09:29,840 --> 01:09:31,439
Speaker 1: that's where you peak, that's where you peak. But it

1661
01:09:31,479 --> 01:09:32,840
Speaker 1: wasn't yourself, that's where you peak.

1662
01:09:32,960 --> 01:09:36,479
Speaker 5: I mean that was still a pretty good highlight. But

1663
01:09:36,560 --> 01:09:39,840
Speaker 5: I mean what I'm saying is I do more than

1664
01:09:39,960 --> 01:09:43,160
Speaker 5: Morgan does. Like she posts things on Twitter and.

1665
01:09:43,240 --> 01:09:43,720
Speaker 3: You do more.

1666
01:09:43,800 --> 01:09:47,120
Speaker 8: You're sitting there on Facebook right now, you Morgan.

1667
01:09:47,200 --> 01:09:50,519
Speaker 1: Guess what though our show more wanting to slam her

1668
01:09:50,520 --> 01:09:52,360
Speaker 1: for this. I didn't want to turn this into a

1669
01:09:52,360 --> 01:09:53,080
Speaker 1: bash Morgan.

1670
01:09:53,280 --> 01:09:54,960
Speaker 3: Yeah, but you knew it would go there.

1671
01:09:55,280 --> 01:09:57,600
Speaker 1: Yeah, kind of. But still, and Morgan can take care

1672
01:09:57,600 --> 01:10:00,439
Speaker 1: of herself. I'm not bashing Morgan, but more you are

1673
01:10:00,439 --> 01:10:02,800
Speaker 1: because you're telling her how irrelevant or job is. I'm

1674
01:10:02,840 --> 01:10:03,680
Speaker 1: not saying irrelevant.

1675
01:10:03,720 --> 01:10:05,280
Speaker 8: Hey, you know what, next time you ask for help,

1676
01:10:05,320 --> 01:10:06,559
Speaker 8: I'm not helping you on your own.

1677
01:10:06,640 --> 01:10:09,120
Speaker 1: No, checking your emails. That's over taking your emails? Is

1678
01:10:09,160 --> 01:10:10,200
Speaker 1: there anything on the computer?

1679
01:10:10,439 --> 01:10:14,280
Speaker 5: You're saying is level of importance with this job. My

1680
01:10:14,439 --> 01:10:16,320
Speaker 5: job is more important than Morgan's period.

1681
01:10:16,439 --> 01:10:20,559
Speaker 2: But that doesn't mean your job is your story. And

1682
01:10:20,560 --> 01:10:21,960
Speaker 2: by the way, it's not a race to whose story

1683
01:10:22,040 --> 01:10:22,799
Speaker 2: is the most inspiring.

1684
01:10:24,400 --> 01:10:26,160
Speaker 1: But it doesn't mean that her story is not a

1685
01:10:26,200 --> 01:10:28,600
Speaker 1: good story. Everything's not a comparison.

1686
01:10:29,240 --> 01:10:33,679
Speaker 2: But if we found it cool or like the baby

1687
01:10:34,080 --> 01:10:36,880
Speaker 2: fire station, I feel like the chef found out the

1688
01:10:36,920 --> 01:10:38,920
Speaker 2: media fire station and I was like, you come.

1689
01:10:38,840 --> 01:10:39,280
Speaker 1: On in here.

1690
01:10:39,560 --> 01:10:41,600
Speaker 8: I talk about the first time that you called me

1691
01:10:41,640 --> 01:10:43,160
Speaker 8: and I was like, holy crap, I don't think this

1692
01:10:43,200 --> 01:10:43,559
Speaker 8: is Bobby.

1693
01:10:43,560 --> 01:10:45,439
Speaker 1: I feel like I'm getting scammed, and it was.

1694
01:10:45,439 --> 01:10:48,400
Speaker 2: It was a Nigerian France. The second time it was me,

1695
01:10:48,680 --> 01:10:50,040
Speaker 2: Oh that's cool. But where's where do we read it?

1696
01:10:50,040 --> 01:10:51,519
Speaker 2: Can you put it up on our Facebook or something?

1697
01:10:51,560 --> 01:10:53,639
Speaker 8: Yeah, when it gets posted, I'll I'll put it up there.

1698
01:10:53,720 --> 01:10:56,800
Speaker 1: What's the website to give it to you?

1699
01:10:57,040 --> 01:10:58,960
Speaker 2: Box like, I just like to get posted out and

1700
01:10:59,000 --> 01:11:00,960
Speaker 2: you can read it on the air next week. He's

1701
01:11:01,000 --> 01:11:03,559
Speaker 2: going to read it the whole thing, unless that's like super.

1702
01:11:03,320 --> 01:11:04,960
Speaker 3: Super wel it has to be verbatim.

1703
01:11:05,120 --> 01:11:08,840
Speaker 2: Yes, you can't add I wouldn't add anything, No, you would.

1704
01:11:09,040 --> 01:11:10,880
Speaker 1: But you can do tone, but you can't add work.

1705
01:11:10,920 --> 01:11:14,360
Speaker 8: Okay, it's through Nashville Voyager.

1706
01:11:15,040 --> 01:11:16,080
Speaker 1: Have you read the story yet?

1707
01:11:16,240 --> 01:11:18,200
Speaker 8: No, So I sent in the interview like you do

1708
01:11:18,200 --> 01:11:19,800
Speaker 8: a whole thing and then they do a follow up piece.

1709
01:11:19,840 --> 01:11:21,919
Speaker 1: So you sent in an interview.

1710
01:11:22,080 --> 01:11:25,839
Speaker 2: Yeah, yeah, I get those all the time, they questions

1711
01:11:25,840 --> 01:11:27,840
Speaker 2: and you write them right answer.

1712
01:11:27,840 --> 01:11:31,120
Speaker 1: You've never done that. I mean usually I have people

1713
01:11:31,160 --> 01:11:32,760
Speaker 1: talk to me. But what interviews have you done? Though?

1714
01:11:32,960 --> 01:11:36,200
Speaker 1: You say usually? I don't remember. Yeah, when do you

1715
01:11:36,200 --> 01:11:37,360
Speaker 1: think it goes up? You have any idea?

1716
01:11:37,680 --> 01:11:38,639
Speaker 10: Probably in the next few weeks.

1717
01:11:39,120 --> 01:11:41,599
Speaker 1: Let us know and lunchbox can read it.

1718
01:11:41,760 --> 01:11:44,840
Speaker 4: Oh well, Nashville's most inspiring stories. The heart of our

1719
01:11:44,880 --> 01:11:47,479
Speaker 4: mission is to find the amazing souls that breathe life

1720
01:11:47,520 --> 01:11:48,600
Speaker 4: into our communities.

1721
01:11:48,880 --> 01:11:53,840
Speaker 1: Let's go basically give it the community CPR life. Let

1722
01:11:53,880 --> 01:11:55,240
Speaker 1: me check out these other people that have.

1723
01:11:55,680 --> 01:11:57,960
Speaker 2: Created We got to go, but we can check in another day.

1724
01:11:57,960 --> 01:12:00,880
Speaker 2: We got to go, Morgan, thank you. We will hopefully

1725
01:12:00,880 --> 01:12:01,439
Speaker 2: have a great weekend.

1726
01:12:01,479 --> 01:12:03,720
Speaker 1: Everybody good. Yeah, have a good weekend. We'll see you

1727
01:12:03,720 --> 01:12:06,120
Speaker 1: guys on Monday. Have a great day buy Everybody

1728
01:12:08,960 --> 01:12:09,240
Speaker 4: Show