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Speaker 1: So we were all just in Raleigh, North Carolina for

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Speaker 1: a convention, and I had one of the most embarrassing

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Speaker 1: moments slash run ins of my entire life.

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Speaker 2: Was it with a celebrity in the green room or with.

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Speaker 3: A celebrity in the green room?

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Speaker 2: Oh? Great? Okay, ready, yes, so excited? Get my popcorn?

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Speaker 2: What happened? Let's let's say guess this was it with

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Speaker 2: It wasn't with a wrestler, because I know you have

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Speaker 2: good rapport with wrestlers.

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Speaker 3: I have a great rapport with wrestlers.

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Speaker 4: No. Was it a boy bander?

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Speaker 2: Nope?

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Speaker 3: Not a boy bander?

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Speaker 5: God?

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Speaker 2: So it had you been an actor? It wasn't somebody

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Speaker 2: you didn't know who they were?

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Speaker 1: No?

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Speaker 3: No, I did know who they were.

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Speaker 2: God.

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Speaker 4: Had you dated this person?

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Speaker 2: No?

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Speaker 3: Definitely not?

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Speaker 2: Okay, Okay? Did I date this person?

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Speaker 3: Definitely?

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Speaker 4: Not?

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Speaker 2: Okay? Okay, Now I'm confused. You're eliminated.

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Speaker 1: Richard Dreyfus, Oh okay, what happens.

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Speaker 4: It's Richard Dreyfus, Richard Danielle and I dated for several weeks.

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Speaker 2: What happened?

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Speaker 3: Okay?

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Speaker 2: So beautiful, beautiful cold Hi reference mister Hollands opus his

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Speaker 2: son and he's singing beautiful. Okay, okay, okay.

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Speaker 1: So I'm sitting at a table we're about to leave.

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Speaker 1: I'm waiting on a notification that our van that takes

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Speaker 1: us all to the airport is ready to leave. And

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Speaker 1: a man comes up to me with a hat on

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Speaker 1: and he squats down next to me and he goes, Hi,

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Speaker 1: my name is So and SO, don't remember his name.

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Speaker 1: I am Richard Dreyfus's agent.

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Speaker 2: Oh, I was there for this. I saw you talking

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Speaker 2: to him. Yeah, you were there for this. I was busy.

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Speaker 1: Yeah, you were here for this whole moment, and you

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Speaker 1: didn't know what happened. But when you hear me tell it,

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Speaker 1: you're going to absolutely die so excited. So he comes

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Speaker 1: up to me and he says, my daughter came to

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Speaker 1: your table on Friday and said hi to you, and

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Speaker 1: you were so nice and I just wanted to thank

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Speaker 1: you because you really made her day. And I said,

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Speaker 1: that's so sweet, thank you so much for even telling

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Speaker 1: that to me. And obviously, anytime she if we're ever

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Speaker 1: in another one of these together, just you know, have

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Speaker 1: her come up to me and hang out with me

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Speaker 1: in the green room and let's talk and whatever. And

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Speaker 1: sure enough, he points that she's out in the green.

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Speaker 1: She comes over, she starts talking to me again. We're

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Speaker 1: having this great conversation and then she walks away, and

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Speaker 1: I'm still talking to him. We're talking about different conventions

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Speaker 1: and different events and just work stuff. And all of

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Speaker 1: a sudden, Richard Dreyfus and I believe his wife or

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Speaker 1: another an older woman is standing in front of me,

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Speaker 1: and there's a younger person with them, a woman, and

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Speaker 1: she's holding a camera and she has her arm out

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Speaker 1: to Richard Dreyfus's agent and me, and we have just

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Speaker 1: been at a convention where all we're doing so.

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Speaker 2: You post for a photo that nobody wanted.

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Speaker 1: Yeah, she's holding her arm out and I think she's

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Speaker 1: asking me to go into this picture with her and

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Speaker 1: Richard Dreyfus. So I stop my conversation with the agent.

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Speaker 1: I jump up and go to stand next to her,

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Speaker 1: the young woman who I thought was asking me for

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Speaker 1: a picture. But she then gets out of it and

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Speaker 1: I am now just standing next to Richard Dreyfus and

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Speaker 1: his wife, and the woman then holds up the camera

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Speaker 1: and she takes a picture of it. And right before

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Speaker 1: she takes the picture, I feel Richard Dreyfus go huh,

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Speaker 1: and the woman who I'm facing also goes mmmmm, And

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Speaker 1: I realize, what am I doing right now? Nobody wants

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Speaker 1: the picture her. And what I realized after the fact

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Speaker 1: is that she was trying to get the agent to

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Speaker 1: stop talking to me so that he could take a

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Speaker 1: picture of her with Richard Dreyfus.

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Speaker 3: And then when I jumped up, she.

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Speaker 1: Was like, I don't I guess you're taking a picture

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Speaker 1: with Richard dreyve it.

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Speaker 2: It was.

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Speaker 1: It was one of those moments where then by the way,

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Speaker 1: it all happened so fast, like thankfully I didn't have

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Speaker 1: to live in the awkwardness of any of it, because

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Speaker 1: I didn't even realize what happened until after I had

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Speaker 1: already walked away. But I have now thought of it

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Speaker 1: multiple times since it happened and audibly.

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Speaker 2: Gone, oh my god, Oh my god, oh my god,

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Speaker 2: like I just of your life the rest of my life.

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Speaker 1: This woman has a picture of me and probably Richard

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Speaker 1: Dreyfus and Richard Dreyford.

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Speaker 3: It is probably going what.

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Speaker 2: On her camera, so it was never on your camera,

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Speaker 2: So she's got a picture. By the way, I'm legendary.

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Speaker 2: If you are out there, Please post this picture. Send

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Speaker 2: it to pods World.

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Speaker 3: Show is so confused and I kne keep me up.

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Speaker 3: It will keep me up at night.

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Speaker 2: So you can, Okay, the way the way you think

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Speaker 2: about it really intensely three times and let it go.

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Speaker 2: That's that's because anything more than three times when you're obsessing,

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Speaker 2: So you think about allow yourself to like really think

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Speaker 2: about it and count how many I'm thinking about it,

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Speaker 2: and like go through the whole process. This maybe counts

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Speaker 2: as one. This is an account you think about something

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Speaker 2: three times and then you let it go, and you

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Speaker 2: never think about it.

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Speaker 5: Obsess about it forever, think about what you could have done,

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Speaker 5: and don't ever see I.

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Speaker 2: Think it's hysterical, but yeah, I mean it's so funny

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Speaker 2: how the rules of like conventions and fan recognition and

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Speaker 2: generally like you get into this pattern of like armout

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Speaker 2: camera and becomes like it's over here, right and and

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Speaker 2: and people you have to as the person you know

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Speaker 2: behind the table or the celebrity that's being asked, you

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Speaker 2: have to sort of just take control of the situation

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Speaker 2: because it is awkward and fans don't always know they're

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Speaker 2: like come up to our table and they're like, I'm

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Speaker 2: here to meet you, and I guess I have to

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Speaker 2: pay for a photo or it's always you know. And

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Speaker 2: then there's other times they know exactly what they want

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Speaker 2: and what they're there for and what to sign, and

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Speaker 2: they want you to you know, and so you if there,

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Speaker 2: if there's any awkwardness, you're supposed to kind of jump

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Speaker 2: in and be the one who knows what's going on.

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Speaker 1: I don't like anybody to feel uncomfortable. I don't want

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Speaker 1: anyone to ever feel like they have to worry about

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Speaker 1: asking me. So if I sense that somebody is even

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Speaker 1: kind of wanting a photo, I'll be the one to

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Speaker 1: suggest it. Did you want to take a photo? Get

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Speaker 1: your phone out? Do you want to take a photo?

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Speaker 1: Like I do? I? I?

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Speaker 2: Yeah.

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Speaker 1: So anyway, Richard Dreyfus hates me and thinks I'm a psychopath. Anyway,

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Speaker 1: if you have a photo of me and Richard Dreyfus

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Speaker 1: and another woman where Richard Dreyfus looks like, what the

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Speaker 1: f is this woman doing? Please send it to Pod

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Speaker 1: Meets World Show at gmail dot com. I am number

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Speaker 1: one Richard Dreyfus fan. Daniel Fishel. Welcome to Pod Meets World.

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Speaker 2: I'm right or Strong, and I'm will Fordll.

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Speaker 1: This Sunday, we will be in Orlando, Florida as tod

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Speaker 1: Meats World comes to hard Rock Live, and we're bringing

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Speaker 1: along Tony Quinn.

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Speaker 4: That's right. Join us at nineties Con in Tampa all weekend,

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Speaker 4: then drive up to Orlando.

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Speaker 2: It's about two hours away.

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Speaker 3: We know this because I've googled it about twenty five times.

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Speaker 2: And say hello. There are genuinely only a few tickets left,

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Speaker 2: so don't miss your chance to join in on the festivities.

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Speaker 5: And we have so many live shows now, including Philadelphia

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Speaker 5: on September thirtieth at the met where we will be

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Speaker 5: joined by Trina McGee, Tony Quinn, and Philly's own Matthew Lawrence.

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Speaker 2: This is going to be an incredible night of fun

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Speaker 2: and tickets are still available.

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Speaker 1: And Texas, you have been very adamant that you needed

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Speaker 1: to see us live, so we just announced we will

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Speaker 1: be in Dallas and Austin to kick off twenty twenty

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Speaker 1: four and those tickets are available now.

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Speaker 4: Go see all the cities we'll be visiting at podmeetsworldshow

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Speaker 4: dot com and see us in your town.

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Speaker 1: Or a town nearby because remember Orlando is only two

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Speaker 1: hours away. So today we are going to recap Season three,

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Speaker 1: episode ten, Train of Fools. It originally aired December fifteenth,

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Speaker 1: nineteen ninety five. The synopsis is, with no mode of

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Speaker 1: transportation to get to a New Year's Eve party, the

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Speaker 1: teens and Eric's supermodel date have no choice but to

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Speaker 1: spend the holiday in an abandoned subway car. It was

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Speaker 1: directed by Jeff McCracken. It was written by Susan Myers

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Speaker 1: and Judy Tole, and it guest stars Angela Visser as

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Speaker 1: supermodel Rebecca Alexa.

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Speaker 2: Like me.

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Speaker 1: She started her career on Harry and the Hendersons. She

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Speaker 1: also appeared on a ton of shows including nine oh two,

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Speaker 1: one oh Blossom, Baywatch, and Friends. She also appeared in

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Speaker 1: a movie called Killer Tomatoes Eat France, which has a

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Speaker 1: real Munchie strikes back possibility. If you ask me, then

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Speaker 1: we have Wendy Pitts as Janine Brooke Feast as Valerie.

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Speaker 1: She was Debbie and Nightmare on Elm Street four and

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Speaker 1: Wendy la Plub on forty episodes of Just the Ten

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Speaker 1: of Us. Wesley Jonathan is TJ and as shouted out

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Speaker 1: by our Friends, Bruh Meat's World, known as a lead

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Speaker 1: on What I Like About You with Amanda Bynes. He

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Speaker 1: also played Sweetness in Roll Bounce and we will be

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Speaker 1: having him on soon once the strike clears and members

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Speaker 1: of SAG can come on and hang out with us,

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Speaker 1: so you guys can look forward to that.

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Speaker 2: And I did a short film together. We played partners

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Speaker 2: and as cops. It was fun.

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Speaker 3: How old were you, guys as cops?

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Speaker 2: Twenty seven? Twenty?

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Speaker 1: Okay?

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Speaker 2: Yeah I was older?

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Speaker 3: Yeah, yeah, some reason I pictured you at like seventeen

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Speaker 3: and I was.

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Speaker 5: Like Field cops, like Cops twenty one Jump Street, but

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Speaker 5: even younger, like twenty in middle school.

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Speaker 4: Yeah.

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Speaker 2: I think it might be the only time I've ever

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Speaker 2: played a cop. It was a short film. It was

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Speaker 2: a long short film, was like thirty minute. John Quertas

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Speaker 2: isn't a good friend of mine directed. I had been

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Speaker 2: on Castle and he was one of the actors on Castle,

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Speaker 2: and he went and made his own short film and

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Speaker 2: he brought me on as a cop. It was so fun.

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Speaker 1: Nice Well also guest starring Don Maxie as Lid and

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Speaker 1: Charisma Carpenter as caterer. She is well known for her

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Speaker 1: time on Buffy the vampire Slayer and Angel with a

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Speaker 1: small but memorable part here in this episode of Boy

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Speaker 1: Meets World.

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Speaker 2: Oh so memorable, so memorable. So a plus episode, right, guys,

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Speaker 2: maybe maybe best of best of hate. Oh I think

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Speaker 2: this is hands down the worst episode of Boy. Sorry

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Speaker 2: to anybody who loved it. Oh my god, hands down

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Speaker 2: the worst episode of Boy. I don't know that it's

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Speaker 2: hands down the house, but I have so many positive

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Speaker 2: like I have positive memories. I think people have positive

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Speaker 2: memories about this episode because there are so many bits

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Speaker 2: in it, like there are so many weird little things.

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Speaker 2: But oh my god, no, I can't. I can't believe

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Speaker 2: you guys are even giving it. I mean it's I

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Speaker 2: didn't we have. There are episodes that I don't like

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Speaker 2: for you know, I disagree with the way the characters

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Speaker 2: are behaving or like problem, but this is just like

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Speaker 2: I just think this is kind of a bad episode,

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Speaker 2: like performance wise, story wise, Uh, it even kind of

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Speaker 2: looks weird to me, Like there's no no, like nothing

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Speaker 2: about this episode worked for me. I'm sorry, Like this

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Speaker 2: is you know, I would say, like up before this,

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Speaker 2: I was the one that we did where the where

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Speaker 2: you didn't get your your driver's license. Like that Crazy

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Speaker 2: Night episode. I put this in the same category. It's

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Speaker 2: like sort of a farce episode that doesn't connect to

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Speaker 2: the rest of the show at all. And are you

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Speaker 2: kidding me with the Turner storyline? Like what is that?

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Speaker 3: The Turner storyline is guests.

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Speaker 2: Non Like what is happening?

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Speaker 4: It is super bizarre. It is out of nowhere, and

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Speaker 4: they are.

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Speaker 5: Clearly trying to a use Alex somehow and be do

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Speaker 5: an adult like storyline friends. You know exactly this is.

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Speaker 5: This is the quintessential trying to make it more like Friends.

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Speaker 5: Thing was this episode?

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Speaker 4: But I didn't I'm sorry.

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Speaker 2: I didn't hate it. I didn't.

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Speaker 5: I just I didn't hate it. It wasn't my favorite episode.

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Speaker 5: That's certainly true, but I'm and I could seriously be

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Speaker 5: conflating how much fun we had.

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Speaker 1: Filming it, because I also have very positive memories of

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Speaker 1: filming it.

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Speaker 5: And this was so much fun filming it that that

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Speaker 5: to me bled into watching the show because I couldn't

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Speaker 5: completely dissect myself from how much fun I had this

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Speaker 5: week and how much I remember this week and all

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Speaker 5: the fun I had with all the actors that were

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Speaker 5: on the show and all the fun we had pretending

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Speaker 5: to stop the train and them shaking the train and

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Speaker 5: all that kind of stuff. I mean, I think that

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Speaker 5: probably bled into my rewatch because I just had so

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Speaker 5: much fun filming it that it was.

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Speaker 4: And it was a brutal week too.

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Speaker 5: I mean I remember at one point looking at at

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Speaker 5: Jeff's shot list and it was like people were making

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Speaker 5: fun of him, including himself.

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Speaker 2: Where it was like there was like fIF shots on

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Speaker 2: one day, shot in front of an audience.

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Speaker 5: No, I don't think so either, which definitely changes the

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Speaker 5: dynamic of the show.

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Speaker 2: But yeah, I didn't hate it as much as you did.

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Speaker 1: I didn't hate it as much as Writer didn't as

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Speaker 1: much as Writer hated it. But I also don't like

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Speaker 1: it as much as Will likes it. I am unwhere

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Speaker 1: in between the two of them love it, but I

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Speaker 1: need it strongly, don't like it fair enough. Let's jump

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Speaker 1: into our recap. We start in the Matthew's kitchen, Sean

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Speaker 1: in the leather jacket.

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Speaker 2: Leather jacket, hold on to the nuts, like, I think

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Speaker 2: this is where it's It's got to be mine from

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Speaker 2: now on, right, I'm entering because it was yours like

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Speaker 2: last week in Ravaughn yeah, right, but I feel like

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Speaker 2: starting the episode wearing it. It's so big on me.

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Speaker 2: It just looks better on you, which is a sad truth, but.

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Speaker 5: No, it looks better. It looks best on Danny. Yeah,

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Speaker 5: I mean it's it fits Danny perfectly. So yeah, that's

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Speaker 5: it's like it's a man.

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Speaker 2: I feel like now it's Sean's like this running into

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Speaker 2: the kitchen, and it just felt like, okay, okay, maybe

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Speaker 2: maybe now it's gonna stay with me.

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Speaker 3: So well, let's see, we'll see. He runs into the

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Speaker 3: Matthew's kitchen to tell Corey he got them a limousine

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Speaker 3: for New Year's Corey is surprised to hear it. Limousine,

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Speaker 3: he asks. Sean says, yeah, it's short for limo. His

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Speaker 3: uncle Laslow has a stretch limo and isn't busy that night,

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Speaker 3: so he's going to be their chauffeur. I love that

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Speaker 3: he is a limo and is a chauffeur and isn't

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Speaker 3: busy on New Year's Eve.

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Speaker 4: Of course, well don't know, but he has a hers, right,

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Speaker 4: and that's the whole point.

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Speaker 1: That is the whole point. No one dies on New

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Speaker 1: Year's Eve, Corey says. Topanga is going to love the

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Speaker 1: limo and they can go to any party anytime.

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Speaker 2: Mister, Remember how exciting limos were, like the idea of

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Speaker 2: a limit. Yeah, and that's not the thing anymore, Like

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Speaker 2: you don't people don't drive limos anymore. They do still

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Speaker 2: for dances some yeah, I feel like.

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Speaker 1: If they do, they do like SUVs that are yeah

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Speaker 1: yeah with the jacuzzie in the back.

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Speaker 4: Is that no? Really, yeah, there are those, but yikes.

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Speaker 2: Or I just remember when in like the eighties, Like

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Speaker 2: I mean we're talking like you know, nineteen eighty five

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Speaker 2: through ninety five, if you had a limousine.

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Speaker 1: Oh yeah, like it was just well think about it.

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Speaker 1: When we went to the Aerosmith concert. We rented a limo?

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Speaker 2: Did we?

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Speaker 5: Oh?

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Speaker 2: I don't remember that at all.

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Speaker 3: I went in a limo. I think, yeah, yeah, we

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Speaker 3: rented a limo.

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Speaker 2: Was cool.

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Speaker 3: It was so cool.

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Speaker 2: Indy doesn't almost been sitting there forever. Andy has no

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Speaker 2: idea what a limo is and doesn't care. Like I

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Speaker 2: had to explain to him what a limousine was once

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Speaker 2: and he was like, why would you want that? Because

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Speaker 2: you don't see them, Like it's not as much of

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Speaker 2: a thing.

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Speaker 1: Doesn't have you ever wanted twelve of your best friends

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Speaker 1: to go in one car?

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Speaker 2: Yeah? Yeah, sleep on the seat. They have party buses

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Speaker 2: like that's with like a stripper pole in the middle, Like, yeah,

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Speaker 2: you'd get right.

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Speaker 3: Who doesn't want to see their friends strip?

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Speaker 2: So Corey.

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Speaker 1: Mister Feene runs in, sporting a cool looking norm Core jacket,

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Speaker 1: asking where Amy and Alan are? His cab for the

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Speaker 1: airport is leaving and all he has or travelers checks?

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Speaker 1: Remember travelers, of course they're I can't believe that was

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Speaker 1: also a thing.

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Speaker 2: Yeah, you could like him running in and talking about

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Speaker 2: co D. He's like all the like he's running in.

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Speaker 2: It's the nineties running, He's just running going. It's the nineties.

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Speaker 2: My watch is broken. We have figured out exactly figured

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Speaker 2: out how money could just be transferred easily.

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Speaker 4: Cab man, Oh my gosh.

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Speaker 1: So mister Feoene runs in, he's his cab for the

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Speaker 1: airport is leaving and all he has their travelers checks.

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Speaker 1: Sean loves the idea that Phoene is asking them for money.

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Speaker 1: Phoene admits he's hit bottom and Sean says welcome. The

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Speaker 1: cab is honking outside, and Phoene is worried about kissing

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Speaker 1: his week in the Bahamas.

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Speaker 3: Goodbye.

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Speaker 1: Corey says Phoenie is in luck, and he starts to

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Speaker 1: take out some money, but then Sean steps in and

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Speaker 1: saying I got this, and he says.

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Speaker 3: What twenty bucks get him to the airport.

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Speaker 1: When Phoene says yes, Sean turns and asks Cory to

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Speaker 1: so great, this is great.

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Speaker 2: He did this so much because I'm so bad. Okay,

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00:16:37,120 --> 00:16:39,040
Speaker 2: look no, I think I think like me turning insaid,

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Speaker 2: like me being excited, like the setup is perfect, yeahs

364
00:16:43,720 --> 00:16:47,120
Speaker 2: over and I've got this. Yeah, but like I don't know,

365
00:16:47,200 --> 00:16:49,960
Speaker 2: like nothing happens. Like then I just sort of fly

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Speaker 2: onto twenty dollars bill and he grabs it and runs away.

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Speaker 2: I was like, well, where's the Like what does Sean want?

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Speaker 2: Like this is a chance for Sean to really get

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Speaker 2: something out of Phoenie, but he does just he does.

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Speaker 4: I mean, I think with the whole you know, if

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Speaker 4: you thought ahead right.

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Speaker 2: If I had performed that better, or if I had been,

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Speaker 2: like I don't know, done a Feenie impression, like said

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00:17:10,320 --> 00:17:12,760
Speaker 2: something a little bit more Phoenie instead of it just

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00:17:12,760 --> 00:17:15,160
Speaker 2: felt like a missed opportunity. It felt like a nudge

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Speaker 2: in the right direction. I was so excited for I

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00:17:17,119 --> 00:17:18,879
Speaker 2: was like, Oh, this is a great bit. And then

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00:17:18,920 --> 00:17:23,720
Speaker 2: I just realized, has there really been any good Sean

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00:17:24,040 --> 00:17:29,840
Speaker 2: Feenie combinations like ever? Yeah? Like, has Sean ever had

380
00:17:29,880 --> 00:17:35,440
Speaker 2: a good scene with Phoenie? Oh wow, to have been there?

381
00:17:35,480 --> 00:17:37,920
Speaker 2: Really isn't There's no dynamic here. And that's why this

382
00:17:38,240 --> 00:17:40,320
Speaker 2: moment felt so weird to me, is that I was like, Oh,

383
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Speaker 2: this feels like it should be a good moment, like

384
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Speaker 2: Sean should have a relationship with Feenie. And then I

385
00:17:45,240 --> 00:17:48,080
Speaker 2: realized he we have never had a scene. We never

386
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Speaker 2: had a scene with just the two of us. It's

387
00:17:50,080 --> 00:17:53,239
Speaker 2: always filtered by Corey and I'm always just the sort of,

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00:17:53,280 --> 00:17:56,760
Speaker 2: oh wait, wait when we when when Feenie and me

389
00:17:56,920 --> 00:18:02,679
Speaker 2: played cards, when meat feeding, Yeah, that was he was

390
00:18:02,720 --> 00:18:05,680
Speaker 2: like on my level and like being like a student.

391
00:18:06,080 --> 00:18:08,040
Speaker 2: That was a fun dynamic. But other than that, I

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Speaker 2: can it's on.

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Speaker 5: It's like something for the Underboat Andy. It's like moments

394
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Speaker 5: you have those, you have those stolen moments.

395
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Speaker 2: But so this just felt weird to It felt like

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Speaker 2: I don't know, I just I wanted to go go

397
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Speaker 2: back and redo the performance badly. Because I like, I

398
00:18:21,440 --> 00:18:23,400
Speaker 2: don't know what's going on. I just seem like low

399
00:18:23,520 --> 00:18:25,560
Speaker 2: energy or like my voice is too low.

400
00:18:25,400 --> 00:18:27,919
Speaker 1: Or somebody you did a little like no, sell you

401
00:18:28,000 --> 00:18:29,919
Speaker 1: were you because you could have been if you had

402
00:18:29,960 --> 00:18:32,200
Speaker 1: been a little bigger about whoa, whoa whoa Corey.

403
00:18:32,000 --> 00:18:34,880
Speaker 2: Exactly really the moment like this, Yeah I got this

404
00:18:35,119 --> 00:18:38,080
Speaker 2: and then and then and been really insecure about it.

405
00:18:39,080 --> 00:18:41,879
Speaker 2: Exactly there, I just barrel. I just was not happy

406
00:18:41,920 --> 00:18:43,800
Speaker 2: playing this moment. I was big enough for all of

407
00:18:43,880 --> 00:18:45,480
Speaker 2: us in this. Sure, I thought you were.

408
00:18:45,680 --> 00:18:47,280
Speaker 1: I thought you were pretty good will, but you had

409
00:18:47,280 --> 00:18:50,639
Speaker 1: to be I mean truthfully again wait fun it was big,

410
00:18:50,680 --> 00:18:53,159
Speaker 1: but also you only had one thing you Again, it

411
00:18:53,280 --> 00:18:57,000
Speaker 1: was like for you, the stakes for you were.

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Speaker 3: Just Rebecca alex as a supermodel.

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00:18:59,680 --> 00:19:00,040
Speaker 2: That's it.

414
00:19:00,080 --> 00:19:03,760
Speaker 5: And that at least Eric redeems himself bisexually assaulting someone

415
00:19:03,760 --> 00:19:04,199
Speaker 5: at the end.

416
00:19:04,400 --> 00:19:08,359
Speaker 2: You're right, that's true. He learned his lessons.

417
00:19:08,119 --> 00:19:11,320
Speaker 3: She throws, She throws the thing.

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00:19:12,080 --> 00:19:15,240
Speaker 1: Okay, I'm kiss him so Phoiney begrudgingly takes the twenty

419
00:19:15,280 --> 00:19:17,960
Speaker 1: dollars and runs out to his cab. Sean yells after him,

420
00:19:18,080 --> 00:19:20,280
Speaker 1: penne Ara Biata, I don't.

421
00:19:20,280 --> 00:19:21,360
Speaker 2: Get this joke at all.

422
00:19:21,440 --> 00:19:23,480
Speaker 4: This came out of nowhere, Like I.

423
00:19:23,160 --> 00:19:26,200
Speaker 2: Remember this joke because I think I said it for years,

424
00:19:26,200 --> 00:19:30,840
Speaker 2: Like is the like, but he's not going to Italy's.

425
00:19:31,520 --> 00:19:33,399
Speaker 4: Is that what he thinks it is? Though he thinks

426
00:19:33,400 --> 00:19:34,160
Speaker 4: he's going.

427
00:19:33,960 --> 00:19:37,479
Speaker 1: To know he thinks he said something in Spanish? Really

428
00:19:37,680 --> 00:19:38,720
Speaker 1: is what it is?

429
00:19:39,640 --> 00:19:41,840
Speaker 2: Yeah? I thought, okay, yeah, I have no idea what

430
00:19:41,920 --> 00:19:44,080
Speaker 2: the joke. I thought it was that I'm saying Italian

431
00:19:44,119 --> 00:19:46,199
Speaker 2: because I'm like being like a mob boss or a

432
00:19:46,240 --> 00:19:48,480
Speaker 2: mafia guy or I don't. I was like, I have

433
00:19:48,520 --> 00:19:49,960
Speaker 2: no idea that makes sense.

434
00:19:50,000 --> 00:19:52,840
Speaker 5: So Danielle, if he thinks he said something in Spanish

435
00:19:52,840 --> 00:19:53,720
Speaker 5: because he's going to.

436
00:19:53,680 --> 00:19:56,280
Speaker 1: The Bahamas, I know that doesn't really make any sense either.

437
00:19:56,320 --> 00:19:57,760
Speaker 1: But I do think he thought it was a little

438
00:19:57,760 --> 00:19:59,840
Speaker 1: bit of like a bon voyage, like he was saying

439
00:20:00,400 --> 00:20:02,119
Speaker 1: a bomb voyage.

440
00:20:02,480 --> 00:20:03,080
Speaker 3: But it was.

441
00:20:03,600 --> 00:20:05,679
Speaker 2: But it should have been something related to the Bahamas, right,

442
00:20:05,720 --> 00:20:07,520
Speaker 2: because they don't speak Spanish in the Bahamas.

443
00:20:07,640 --> 00:20:11,280
Speaker 4: They do not know or bond or something with bon voyage.

444
00:20:10,760 --> 00:20:10,960
Speaker 2: You know.

445
00:20:11,080 --> 00:20:14,320
Speaker 3: But I do think it was right, So I don't know, you.

446
00:20:14,240 --> 00:20:17,600
Speaker 2: Know, something like something like that makes more sense. I

447
00:20:17,680 --> 00:20:19,520
Speaker 2: just didn't get it. That joke It also just doesn't

448
00:20:19,520 --> 00:20:21,479
Speaker 2: make any sense because, as we learn in later episodes,

449
00:20:21,520 --> 00:20:24,520
Speaker 2: Sean speaks multiple languages. Well, we've already established I speak French,

450
00:20:24,800 --> 00:20:27,600
Speaker 2: and then I think I speak Italian in the Mob

451
00:20:27,600 --> 00:20:28,240
Speaker 2: Boss episode.

452
00:20:28,280 --> 00:20:30,520
Speaker 4: Yeah you're an idiots and Dutch later too.

453
00:20:30,720 --> 00:20:34,120
Speaker 1: You didn't think the continuity was going to follow through

454
00:20:34,240 --> 00:20:35,359
Speaker 1: our episodes did.

455
00:20:35,600 --> 00:20:37,560
Speaker 2: But at least the joke should be set up and

456
00:20:37,840 --> 00:20:41,440
Speaker 2: makes some sense. It makes no sense. Okay, you're right anyway.

457
00:20:41,880 --> 00:20:42,879
Speaker 3: So for retel Sean.

458
00:20:43,000 --> 00:20:45,960
Speaker 1: He just wished Phoene a spicy pasta, and Sean lies

459
00:20:46,000 --> 00:20:48,159
Speaker 1: and says he knows, and from the other room we

460
00:20:48,240 --> 00:20:51,560
Speaker 1: hear yelling and they run into the Matthews living room.

461
00:20:51,640 --> 00:20:54,679
Speaker 3: Eric is yeng, I've come.

462
00:20:54,560 --> 00:20:57,800
Speaker 4: To realize just a phone that we had just shuts off.

463
00:20:57,840 --> 00:21:00,200
Speaker 2: When you close the thing, that's what you make. That's

464
00:21:00,240 --> 00:21:06,520
Speaker 2: for sure that we have. Tennis did not do that.

465
00:21:06,920 --> 00:21:08,840
Speaker 2: I afraid did not. It's bad. I even wrote in

466
00:21:08,880 --> 00:21:10,359
Speaker 2: giant letter bad phone.

467
00:21:10,080 --> 00:21:13,480
Speaker 5: Acting like don't turn it off again. Bad facting everywhere

468
00:21:13,480 --> 00:21:14,240
Speaker 5: in this episode.

469
00:21:14,400 --> 00:21:16,360
Speaker 1: So Eric is yelling, oh my god, and no, no,

470
00:21:16,359 --> 00:21:19,000
Speaker 1: no way on the phone. He hangs up, throws Corey

471
00:21:19,080 --> 00:21:23,399
Speaker 1: the phone and says that cha job god. Aby and

472
00:21:23,440 --> 00:21:25,720
Speaker 1: Alan run in wondering if something is wrong, and Eric

473
00:21:25,720 --> 00:21:27,360
Speaker 1: thanks his parents for giving birth to him.

474
00:21:27,560 --> 00:21:28,560
Speaker 3: Also, the living room.

475
00:21:28,480 --> 00:21:31,600
Speaker 2: Is decked out in Christmas stuff.

476
00:21:34,000 --> 00:21:37,560
Speaker 4: Wow, it's the Christmas there, Christmas.

477
00:21:37,080 --> 00:21:39,719
Speaker 1: There hitting Christmas hard. This must be the Christmas episode.

478
00:21:39,880 --> 00:21:42,159
Speaker 1: Eric tells everyone he has a dream date on New

479
00:21:42,200 --> 00:21:45,600
Speaker 1: Year's Eve with supermodel Rebecca. Alexa, Corey and Sean can't

480
00:21:45,640 --> 00:21:48,640
Speaker 1: believe it. The Jeans girl with the and the Eric

481
00:21:48,680 --> 00:21:51,360
Speaker 1: says yes, and he is loving life and.

482
00:21:51,320 --> 00:21:57,080
Speaker 2: Then mentioned Jason, mention Jason. Don't see jo but mention Jason.

483
00:21:57,400 --> 00:22:00,080
Speaker 3: What is it Jason's second cousin or Ja Jason.

484
00:22:00,359 --> 00:22:02,480
Speaker 4: Jason's cousins, Jason's second cousins?

485
00:22:02,480 --> 00:22:04,320
Speaker 2: Like, oh, they mentioned we mentioned Jason.

486
00:22:04,040 --> 00:22:06,800
Speaker 4: Who apparently we're not hanging out on New Year's together.

487
00:22:07,000 --> 00:22:08,000
Speaker 3: No, definitely not.

488
00:22:08,760 --> 00:22:09,640
Speaker 2: But I'm going to be.

489
00:22:09,600 --> 00:22:13,119
Speaker 4: Going out with a supermodel because they often come to

490
00:22:13,320 --> 00:22:16,760
Speaker 4: date high school boys. I don't know if you're aware

491
00:22:16,760 --> 00:22:18,320
Speaker 4: of that, but a lot of supermodels are.

492
00:22:18,359 --> 00:22:26,280
Speaker 2: No, it's a train high school Philada. Yes, supermodels, that's

493
00:22:26,320 --> 00:22:30,480
Speaker 2: a big thing taken on dates, but not consider trophies. No, don't,

494
00:22:30,760 --> 00:22:32,040
Speaker 2: don't for one second.

495
00:22:32,160 --> 00:22:34,720
Speaker 3: No, she wants to know that this could really lead.

496
00:22:34,920 --> 00:22:36,359
Speaker 2: Really lead to something real.

497
00:22:36,800 --> 00:22:40,520
Speaker 5: She knows that seventeen year old boy could lead to

498
00:22:40,600 --> 00:22:41,480
Speaker 5: some real thing.

499
00:22:42,080 --> 00:22:44,280
Speaker 2: Yes, she's hoping for That's why she's so offended.

500
00:22:44,359 --> 00:22:45,400
Speaker 3: That's why she's offended.

501
00:22:45,520 --> 00:22:46,600
Speaker 4: It's an odd story.

502
00:22:46,920 --> 00:22:51,920
Speaker 2: Come on, this is the central plot of this story.

503
00:22:52,640 --> 00:22:55,879
Speaker 2: I don't know, because otherwise there's no conflict for the

504
00:22:55,920 --> 00:22:58,040
Speaker 2: next ten minutes. By the way, we're going to sit

505
00:22:58,119 --> 00:23:00,159
Speaker 2: in this living room and watch people talk of out

506
00:23:00,200 --> 00:23:02,639
Speaker 2: their clothing for ten more minutes. But that's what's going

507
00:23:02,720 --> 00:23:05,239
Speaker 2: to happen, and they just can't get rid. And then

508
00:23:05,240 --> 00:23:07,919
Speaker 2: everybody's gonna talk about what they're doing that night and

509
00:23:07,960 --> 00:23:09,800
Speaker 2: how they look, and then what they think about how

510
00:23:09,880 --> 00:23:12,440
Speaker 2: the other person is looking at It's the weirdest episode.

511
00:23:12,440 --> 00:23:15,639
Speaker 2: There's no there's no story. It is nothing happening.

512
00:23:15,920 --> 00:23:18,400
Speaker 5: But I get to pratt fall twice, which I'd never

513
00:23:18,440 --> 00:23:21,520
Speaker 5: done before on the show. So this is the start

514
00:23:21,560 --> 00:23:23,400
Speaker 5: of Eric period that folly was.

515
00:23:24,200 --> 00:23:27,080
Speaker 1: So Corey asks Eric how he scammed this, and Eric

516
00:23:27,119 --> 00:23:29,960
Speaker 1: says she's Jason's second cousin and in from out of town.

517
00:23:30,359 --> 00:23:33,360
Speaker 1: Eric explains that when the clock strikes midnight, he will

518
00:23:33,359 --> 00:23:38,080
Speaker 1: be kissing those famous blonde lips of supermodel Rebecca Alexa

519
00:23:38,240 --> 00:23:41,320
Speaker 1: in front of all of Philly. In happiness. He asks

520
00:23:41,359 --> 00:23:42,960
Speaker 1: his parents to catch him in a bit of a

521
00:23:43,000 --> 00:23:45,359
Speaker 1: trust fall and they let him fall on his face.

522
00:23:45,680 --> 00:23:47,680
Speaker 4: It was fine, So that was We're having fun doing

523
00:23:47,680 --> 00:23:50,639
Speaker 4: stuff like that. Okay, yeah, made it all worthwhile.

524
00:23:51,640 --> 00:23:54,480
Speaker 1: Yes, so, by the way, Jason Marsden, so it's his

525
00:23:54,520 --> 00:23:56,200
Speaker 1: second she is his second cousin.

526
00:23:56,200 --> 00:24:00,760
Speaker 5: Not even again, This is all logical if you just

527
00:24:00,840 --> 00:24:01,600
Speaker 5: think about it.

528
00:24:01,800 --> 00:24:03,960
Speaker 3: And then we're back in the Matthews living room. It's continuing.

529
00:24:04,000 --> 00:24:06,800
Speaker 1: Alan is rushing Amy downstairs to leave for New Year's

530
00:24:06,840 --> 00:24:09,240
Speaker 1: so they can get it over with. Amy says she's

531
00:24:09,280 --> 00:24:12,240
Speaker 1: still shaving, and Alan tells her to finish in the car.

532
00:24:12,720 --> 00:24:12,880
Speaker 3: Eric.

533
00:24:13,640 --> 00:24:17,480
Speaker 5: Sorry, first of all, it's so adult that you know

534
00:24:17,520 --> 00:24:19,320
Speaker 5: the idea of going out for New Year's. It's like,

535
00:24:19,359 --> 00:24:22,199
Speaker 5: let's just get it over with. We wait, I'm not

536
00:24:22,240 --> 00:24:24,639
Speaker 5: even a parent and just being married. It's like, all right,

537
00:24:24,720 --> 00:24:26,800
Speaker 5: let's go, come on, let's go get let's.

538
00:24:28,080 --> 00:24:29,879
Speaker 3: We're going to pretend that this is something we like

539
00:24:29,920 --> 00:24:31,200
Speaker 3: to do. Get it over.

540
00:24:31,280 --> 00:24:33,040
Speaker 2: New Year's just sucks. Can we all just say that

541
00:24:33,800 --> 00:24:36,760
Speaker 2: it's the worst and you are, but I just remember

542
00:24:36,760 --> 00:24:39,560
Speaker 2: as a kid feeling exactly what Corey and Eric talking

543
00:24:39,560 --> 00:24:41,880
Speaker 2: about in this episode is like all this pressure over

544
00:24:42,240 --> 00:24:44,840
Speaker 2: one night and like you always And the worst part

545
00:24:44,840 --> 00:24:47,040
Speaker 2: about is like when I finally got old enough to

546
00:24:47,119 --> 00:24:49,800
Speaker 2: just start making my own plans for New Year's. People

547
00:24:49,800 --> 00:24:52,040
Speaker 2: will commit to plans on New Year's with you. Have

548
00:24:52,080 --> 00:24:54,080
Speaker 2: you ever noticed it? Because they're all waiting for something

549
00:24:54,119 --> 00:24:56,679
Speaker 2: better to come along or so it's the worst night

550
00:24:56,720 --> 00:24:57,120
Speaker 2: of the year.

551
00:24:57,280 --> 00:25:01,520
Speaker 5: It's just staying with your friends to travel on New Year's. So, like,

552
00:25:01,560 --> 00:25:03,840
Speaker 5: we'd like to celebrate New Year somewhere else, which.

553
00:25:03,680 --> 00:25:06,640
Speaker 1: Is like that Jensen and I celebrated once in Thailand.

554
00:25:06,680 --> 00:25:08,800
Speaker 1: It was really we enjoyed it. We're still asleep by nine.

555
00:25:08,840 --> 00:25:10,080
Speaker 3: It was great. We just don't do it.

556
00:25:10,160 --> 00:25:12,840
Speaker 4: Yeah, we did twenty twenty Amsterdam. We're doing one this year.

557
00:25:12,960 --> 00:25:15,920
Speaker 2: Like it's it's fun, Like that's that's fun. Yeah.

558
00:25:16,000 --> 00:25:18,520
Speaker 1: So Eric comes downstairs wearing all black like a mime

559
00:25:18,600 --> 00:25:21,399
Speaker 1: who shopped its structure, and he asks Alan if he

560
00:25:21,440 --> 00:25:24,159
Speaker 1: looks fat. Alan tells him it's just a date with

561
00:25:24,200 --> 00:25:26,480
Speaker 1: a girl who happens to be a model, and Eric

562
00:25:26,520 --> 00:25:29,640
Speaker 1: says fatty fat fat and walks off again.

563
00:25:29,920 --> 00:25:32,040
Speaker 4: Weird thing it is. I didn't understand that either.

564
00:25:32,440 --> 00:25:35,200
Speaker 2: First would Eric about it? Yes, why would he ever

565
00:25:35,280 --> 00:25:37,800
Speaker 2: think that he's fat? You're like the skinniest person in

566
00:25:37,800 --> 00:25:38,160
Speaker 2: the world.

567
00:25:38,280 --> 00:25:40,240
Speaker 5: You know what's funny is I've put it was like

568
00:25:40,320 --> 00:25:43,520
Speaker 5: I'd put on some weight by this point to compare no, no, no,

569
00:25:43,640 --> 00:25:46,200
Speaker 5: compared to how creepy was in season two.

570
00:25:46,960 --> 00:25:49,040
Speaker 4: And I wonder if somebody saw that and they're, like,

571
00:25:49,080 --> 00:25:49,640
Speaker 4: he should.

572
00:25:49,440 --> 00:25:52,000
Speaker 2: Start questioning whether he's putting on weight. Where it's likely

573
00:25:52,040 --> 00:25:54,080
Speaker 2: Michael had a thing with you and your weight because he.

574
00:25:54,080 --> 00:25:56,919
Speaker 4: Get he does in season one and then does it

575
00:25:57,000 --> 00:25:58,360
Speaker 4: later in the in the thing too.

576
00:25:58,440 --> 00:26:01,919
Speaker 2: Yeah, it was in the fair strange, so weird. It

577
00:26:01,960 --> 00:26:05,520
Speaker 2: was a weird things that you would never do nowadays, Like, no,

578
00:26:05,640 --> 00:26:08,440
Speaker 2: you would never want to present somebody like Eric being

579
00:26:08,600 --> 00:26:11,040
Speaker 2: insecure about it. Wait, like that was very strange.

580
00:26:11,080 --> 00:26:13,800
Speaker 4: I also don't understand how ain't for going just again

581
00:26:13,960 --> 00:26:14,680
Speaker 4: Lodge Amy.

582
00:26:14,560 --> 00:26:16,480
Speaker 3: Has starny hoes on, and she was shaving her legs.

583
00:26:16,600 --> 00:26:20,600
Speaker 5: She went from shaving her legs to being dressed in

584
00:26:20,640 --> 00:26:22,680
Speaker 5: a gown in like thirty seconds.

585
00:26:22,840 --> 00:26:23,360
Speaker 3: That's what I mean.

586
00:26:23,480 --> 00:26:29,280
Speaker 1: No, she says, shaving her legs she does, so she's

587
00:26:29,320 --> 00:26:31,560
Speaker 1: not Yeah, she says, I'm still shaving my legs.

588
00:26:31,680 --> 00:26:33,360
Speaker 2: Yeah, she said, I'm still shaving.

589
00:26:33,600 --> 00:26:36,440
Speaker 1: But let me tell you something. There was a I

590
00:26:36,760 --> 00:26:38,480
Speaker 1: remember it back in the day because I remember thinking,

591
00:26:38,480 --> 00:26:42,679
Speaker 1: why would anyone do that? There was a like trope,

592
00:26:42,800 --> 00:26:45,920
Speaker 1: I guess or women did this really where you didn't

593
00:26:45,960 --> 00:26:47,879
Speaker 1: shave your legs in the bath or the shower.

594
00:26:48,160 --> 00:26:51,479
Speaker 3: So will she did? She had like an electric razor.

595
00:26:51,920 --> 00:26:54,480
Speaker 1: She already had her dress on and she was going

596
00:26:54,520 --> 00:26:56,920
Speaker 1: over her legs with the electric razor. But my point

597
00:26:56,960 --> 00:26:59,919
Speaker 1: is she comes down within five seconds with panty hose on.

598
00:27:00,440 --> 00:27:02,399
Speaker 1: So because I thought if she's going to have bare legs,

599
00:27:02,880 --> 00:27:05,119
Speaker 1: I buy it. She she's fully dressed. She grabs the

600
00:27:05,160 --> 00:27:07,359
Speaker 1: electric razer and shaves her legs real quick. With the

601
00:27:07,400 --> 00:27:08,119
Speaker 1: electric razer.

602
00:27:08,280 --> 00:27:10,800
Speaker 2: You're supposed to shave in the shower, right, you can.

603
00:27:10,680 --> 00:27:12,280
Speaker 1: But if you have an electric razor, you can do

604
00:27:12,320 --> 00:27:14,760
Speaker 1: it on dry skin out of it. There's a bunch

605
00:27:14,760 --> 00:27:17,240
Speaker 1: of different ways to do it. But I did think

606
00:27:17,240 --> 00:27:20,159
Speaker 1: the same thing. But we're you know, we're not trying

607
00:27:20,760 --> 00:27:24,160
Speaker 1: really wrong with this episode.

608
00:27:25,200 --> 00:27:29,320
Speaker 2: Supermodel dating Eric. That's totally normal for me.

609
00:27:29,840 --> 00:27:31,520
Speaker 5: When I was a junior high school, no friends, but

610
00:27:31,560 --> 00:27:32,880
Speaker 5: I was dating a super model you were dating.

611
00:27:33,520 --> 00:27:34,760
Speaker 2: I believe that absolutely so.

612
00:27:34,800 --> 00:27:37,640
Speaker 1: Amy comes down in a long black dress, really cute,

613
00:27:37,720 --> 00:27:40,600
Speaker 1: looks like a little tucks, like a sexy tux. Alan

614
00:27:40,680 --> 00:27:43,399
Speaker 1: is impressed, and Amy thinks Eric looks handsome too. He asks,

615
00:27:43,560 --> 00:27:47,000
Speaker 1: too handsome. Corey also makes his way downstairs to wait

616
00:27:47,040 --> 00:27:49,800
Speaker 1: outside for Sean. Amy catches him and reminisces about when

617
00:27:49,800 --> 00:27:51,680
Speaker 1: they were younger and they would stay home to watch

618
00:27:51,720 --> 00:27:54,320
Speaker 1: the ball drop. Corey asks his dad, she's not going

619
00:27:54,359 --> 00:27:56,600
Speaker 1: to cry now, is she? I think he looks amish

620
00:27:57,680 --> 00:27:58,280
Speaker 1: and what he did.

621
00:27:58,600 --> 00:28:02,480
Speaker 4: He looks a little an interesting dreams. Yeah, kind of

622
00:28:02,720 --> 00:28:04,200
Speaker 4: set up. Yeah, yeah, I don't.

623
00:28:04,280 --> 00:28:07,000
Speaker 1: I don't really love Corey's outfit, if I'm being honest.

624
00:28:07,560 --> 00:28:09,680
Speaker 1: Eric says those old New Years weren't fun. He was

625
00:28:09,720 --> 00:28:11,639
Speaker 1: just stuck at home trying to pull raised nuts out

626
00:28:11,680 --> 00:28:14,120
Speaker 1: of Corey's nose while Alan and Amy were out partying,

627
00:28:14,320 --> 00:28:16,679
Speaker 1: and Corey reminds him that without those shrimp forks, they

628
00:28:16,760 --> 00:28:18,440
Speaker 1: might still be up there, all right.

629
00:28:18,480 --> 00:28:21,639
Speaker 2: No conflict, No conflict, Yes, that's happened in this entire.

630
00:28:22,320 --> 00:28:24,840
Speaker 3: Nothing other than Amy run making them run a little late.

631
00:28:25,640 --> 00:28:29,280
Speaker 2: We're all just sitting around talking about past things and ye,

632
00:28:29,680 --> 00:28:33,240
Speaker 2: what is happening? This is the weirdest episode. Look this

633
00:28:33,400 --> 00:28:37,520
Speaker 2: whole I was like, what so besides Feene needing twenty dollars,

634
00:28:37,560 --> 00:28:38,960
Speaker 2: there's literally been no confliction.

635
00:28:39,080 --> 00:28:41,440
Speaker 1: By the way, it was also not a conflict because

636
00:28:41,480 --> 00:28:44,320
Speaker 1: you had twenty dollars, yep, so you just gave it

637
00:28:44,360 --> 00:28:45,160
Speaker 1: to her and.

638
00:28:45,080 --> 00:28:48,280
Speaker 2: Sean lined up a limo, like until we lose the limo,

639
00:28:48,560 --> 00:28:51,400
Speaker 2: nothing bad has happened to any of our characters. It's

640
00:28:51,400 --> 00:28:53,000
Speaker 2: like a full they're setting.

641
00:28:52,760 --> 00:28:55,320
Speaker 5: Up the farce that's gonna that is to come, you know,

642
00:28:55,360 --> 00:28:57,200
Speaker 5: and that's the door opening and closing, and they're in

643
00:28:57,240 --> 00:28:58,240
Speaker 5: the living room and it's like.

644
00:28:58,240 --> 00:29:00,320
Speaker 2: Except it's just be so stuck in say you be

645
00:29:00,360 --> 00:29:01,400
Speaker 2: so stupid? How can you?

646
00:29:01,440 --> 00:29:03,400
Speaker 5: And then it's like why you got to take the subway?

647
00:29:03,400 --> 00:29:04,840
Speaker 5: And then the heart comes to the subway?

648
00:29:04,960 --> 00:29:08,440
Speaker 2: Don't tell me those many the amount of like it

649
00:29:08,480 --> 00:29:11,880
Speaker 2: couldn't possibly be this thing, and then that thing happens

650
00:29:11,960 --> 00:29:14,320
Speaker 2: is literally the next line. There's three of them. It's

651
00:29:14,360 --> 00:29:18,200
Speaker 2: so bad. Opt lazy, lazy, lazy.

652
00:29:18,920 --> 00:29:21,680
Speaker 1: Amy warns the kids to be careful because New Year's

653
00:29:21,720 --> 00:29:23,880
Speaker 1: Eve brings out all the crazies, and right on the

654
00:29:23,920 --> 00:29:27,840
Speaker 1: first one, Sean runs in saying, come on, everybody, let's

655
00:29:27,840 --> 00:29:29,240
Speaker 1: see let's get crazy.

656
00:29:29,320 --> 00:29:31,120
Speaker 2: I mean, just have me come in and be crazy.

657
00:29:31,160 --> 00:29:35,320
Speaker 2: But no, you I actually say, that's funny.

658
00:29:35,360 --> 00:29:38,080
Speaker 5: It's like it's so blatantly ridiculously obviously it brings out

659
00:29:38,080 --> 00:29:38,560
Speaker 5: the crazies.

660
00:29:38,720 --> 00:29:39,680
Speaker 4: Let's get crazy.

661
00:29:39,720 --> 00:29:42,000
Speaker 2: I mean it's like, come on. I mean, look, man,

662
00:29:42,080 --> 00:29:44,040
Speaker 2: if I played it better, I maybe could have sold it.

663
00:29:44,080 --> 00:29:45,760
Speaker 2: But I am horrible in this episode.

664
00:29:45,800 --> 00:29:48,080
Speaker 5: And none of us are going to be winning an

665
00:29:48,080 --> 00:29:50,160
Speaker 5: Emmy for this episode if we're honest. I mean, none

666
00:29:50,160 --> 00:29:52,400
Speaker 5: of us were nailing it. But it was you know,

667
00:29:52,480 --> 00:29:54,320
Speaker 5: it was just a farcet romp craziness.

668
00:29:55,040 --> 00:29:58,040
Speaker 1: Everyone looks outside at the limo, which is actually a hearse,

669
00:29:58,120 --> 00:30:00,480
Speaker 1: and the horn lets out a whimsic old.

670
00:30:00,320 --> 00:30:05,240
Speaker 2: Death March tune. It looks Cory's that did make me

671
00:30:05,320 --> 00:30:05,720
Speaker 2: laugh too.

672
00:30:05,760 --> 00:30:08,720
Speaker 1: The death horn march is pretty funny, or the death

673
00:30:08,720 --> 00:30:11,320
Speaker 1: March horn is pretty funny. So Corey says it looks cool,

674
00:30:11,360 --> 00:30:13,480
Speaker 1: and Sean tells him to wait until he sees what's

675
00:30:13,520 --> 00:30:15,480
Speaker 1: in the back seat, which.

676
00:30:18,360 --> 00:30:22,480
Speaker 2: We hear about weird shots to be on the outside

677
00:30:22,480 --> 00:30:28,120
Speaker 2: of the kind of stacked y did we actually shoot it?

678
00:30:28,480 --> 00:30:31,080
Speaker 2: We must have actually been shooting it where on the

679
00:30:31,120 --> 00:30:33,160
Speaker 2: side of the set, right, like from the direction of

680
00:30:33,200 --> 00:30:33,520
Speaker 2: the Yeah.

681
00:30:33,800 --> 00:30:35,520
Speaker 5: Well, because we had no audience, we had time to

682
00:30:35,520 --> 00:30:36,880
Speaker 5: set up all these shots where it was just like

683
00:30:36,880 --> 00:30:38,000
Speaker 5: all right, let's bring the camera around.

684
00:30:38,000 --> 00:30:41,200
Speaker 2: We'll do this one can't. I just can't imagine. I

685
00:30:41,200 --> 00:30:43,000
Speaker 2: mean it makes you just don't have the budget. But

686
00:30:43,040 --> 00:30:45,200
Speaker 2: like this is the second time, well not the second,

687
00:30:45,240 --> 00:30:46,880
Speaker 2: I'm sure we've done more, but like the other time

688
00:30:46,920 --> 00:30:49,360
Speaker 2: was when Amy got her mini van, Like to not

689
00:30:49,560 --> 00:30:52,160
Speaker 2: show the reverse shot of the thing that you're talking about,

690
00:30:52,320 --> 00:30:58,800
Speaker 2: I know, like, oh my god, it's ridiculous. It's we

691
00:30:58,800 --> 00:31:01,600
Speaker 2: were all talking about looking this thing. We're hearing this thing.

692
00:31:02,080 --> 00:31:04,720
Speaker 2: Show us the thing. Oh it's ounny. It doesn't bother

693
00:31:04,840 --> 00:31:05,240
Speaker 2: me at all.

694
00:31:05,360 --> 00:31:06,680
Speaker 4: No, it's such a sick thing.

695
00:31:06,800 --> 00:31:09,360
Speaker 2: It's like, hey, what's over there? It's crazy. No, it's

696
00:31:09,440 --> 00:31:11,880
Speaker 2: just like I guess if if we were watching a play,

697
00:31:12,000 --> 00:31:13,400
Speaker 2: it would be the same thing, right, they'd be talking

698
00:31:13,440 --> 00:31:15,760
Speaker 2: about the giant thing and it's never.

699
00:31:15,720 --> 00:31:18,000
Speaker 1: Gonna be as funny to see it as it is

700
00:31:18,040 --> 00:31:20,640
Speaker 1: to hear your characters talking about it. And now you

701
00:31:20,720 --> 00:31:23,240
Speaker 1: and your imagination the same way when you read a book,

702
00:31:23,520 --> 00:31:25,280
Speaker 1: get to imagine what it must be.

703
00:31:25,360 --> 00:31:28,360
Speaker 2: I it doesn't. I like to think about us, the

704
00:31:28,360 --> 00:31:31,040
Speaker 2: limitation of the forum, like that's all I'm sitting there thinking.

705
00:31:31,120 --> 00:31:33,440
Speaker 2: I'm like, whoa, we just don't have the time, the money,

706
00:31:33,520 --> 00:31:35,120
Speaker 2: or the inclination to make this good.

707
00:31:35,520 --> 00:31:37,320
Speaker 4: I think it's great.

708
00:31:37,440 --> 00:31:38,880
Speaker 3: I think it's great too. It doesn't bother me.

709
00:31:39,160 --> 00:31:39,240
Speaker 4: No.

710
00:31:40,280 --> 00:31:42,560
Speaker 1: Alan tells Eric to move his rusty car out of

711
00:31:42,560 --> 00:31:45,120
Speaker 1: the driveway, and Eric says, Lucille might not be the

712
00:31:45,160 --> 00:31:47,200
Speaker 1: most reliable car, but it gets him where he needs

713
00:31:47,200 --> 00:31:49,040
Speaker 1: to go and there's nothing they could do to pull

714
00:31:49,120 --> 00:31:49,880
Speaker 1: him away from her.

715
00:31:50,200 --> 00:31:53,520
Speaker 5: I'm sorry to do this, and I'm honestly asking because

716
00:31:53,560 --> 00:31:56,400
Speaker 5: I don't I know it's been explained now and I'm

717
00:31:56,440 --> 00:31:59,280
Speaker 5: trying to figure out the layout of the house. Yeah,

718
00:31:59,560 --> 00:32:02,120
Speaker 5: so we're looking out the front door of the Matthews

719
00:32:02,120 --> 00:32:05,880
Speaker 5: is at the Curse and my.

720
00:32:06,320 --> 00:32:08,680
Speaker 2: Stream and driveway.

721
00:32:09,000 --> 00:32:12,960
Speaker 1: No, they say, get the rusty car out of our driveway, but.

722
00:32:13,080 --> 00:32:17,720
Speaker 5: Feoene exits towards the other way to the cab right.

723
00:32:17,760 --> 00:32:19,240
Speaker 3: For his for his cab.

724
00:32:19,360 --> 00:32:27,560
Speaker 4: Yeah, Okay, it's just endlessly shifting because it does stage left.

725
00:32:27,320 --> 00:32:30,640
Speaker 2: And stage right, camera left and camera ray. It's just

726
00:32:30,640 --> 00:32:35,320
Speaker 2: what's off stage is whatever we need that moment Matthew's

727
00:32:35,360 --> 00:32:40,200
Speaker 2: house is that there's different levels of street.

728
00:32:40,280 --> 00:32:45,240
Speaker 4: And it's just street move it is silo awesome.

729
00:32:45,360 --> 00:32:46,080
Speaker 2: Okay, it does.

730
00:32:46,160 --> 00:32:48,720
Speaker 1: It is true that this being the driveway being out

731
00:32:48,720 --> 00:32:52,800
Speaker 1: front does lend for it being a backyard, because the

732
00:32:52,840 --> 00:32:57,440
Speaker 1: front of your house it is wait, yeah, just being difficult.

733
00:32:57,640 --> 00:33:00,160
Speaker 4: No again, then what's the yeah.

734
00:33:00,320 --> 00:33:02,040
Speaker 3: I know, I know, and then what I know? I'm

735
00:33:02,080 --> 00:33:02,360
Speaker 3: not sure.

736
00:33:02,440 --> 00:33:04,360
Speaker 2: It's okay, it is what it needs to be.

737
00:33:04,720 --> 00:33:07,880
Speaker 1: Offers to let Eric drive their car, and he quickly

738
00:33:07,960 --> 00:33:11,320
Speaker 1: just lucile. Eric takes the keys and hands Amy the

739
00:33:11,360 --> 00:33:13,640
Speaker 1: players that they're going to need to start his car.

740
00:33:13,720 --> 00:33:18,520
Speaker 2: Good gag, like just handing overs.

741
00:33:19,280 --> 00:33:22,000
Speaker 1: Why did we there has been no conflict, as we've

742
00:33:22,000 --> 00:33:24,680
Speaker 1: discussed up until this point, Well why did we need

743
00:33:24,720 --> 00:33:29,840
Speaker 1: to circumvent already no conflict? Why not just let Eric

744
00:33:29,960 --> 00:33:33,320
Speaker 1: take his car? And then that's why it breaks down?

745
00:33:33,600 --> 00:33:35,280
Speaker 2: That's what I mean. This is a nothing seene. This

746
00:33:35,400 --> 00:33:39,200
Speaker 2: is like is the weirdest episode for like until the

747
00:33:39,280 --> 00:33:42,480
Speaker 2: subway breaks down, Like the whole thing is just get

748
00:33:42,520 --> 00:33:44,400
Speaker 2: to them to the subway and have it. But you

749
00:33:44,600 --> 00:33:46,640
Speaker 2: why not make that an interesting journey?

750
00:33:47,000 --> 00:33:52,280
Speaker 4: I think that's the irony is that he's saying, I'm

751
00:33:52,320 --> 00:33:55,080
Speaker 4: giving you the good car, and it's the good car

752
00:33:55,160 --> 00:33:55,920
Speaker 4: that breaks down.

753
00:33:56,360 --> 00:33:56,479
Speaker 2: Right.

754
00:33:56,560 --> 00:33:58,520
Speaker 5: I think that's the point of the whole thing is

755
00:33:58,560 --> 00:34:01,560
Speaker 5: it's like, had I just driven the car.

756
00:34:01,480 --> 00:34:02,200
Speaker 3: It would have been fine.

757
00:34:02,240 --> 00:34:04,480
Speaker 5: It would have been fine. But no, she wants him safe.

758
00:34:04,480 --> 00:34:07,560
Speaker 5: She wants to make sure he's gone, So you're gonna do.

759
00:34:09,200 --> 00:34:11,920
Speaker 2: It's all these there's all these weird that's just to

760
00:34:12,000 --> 00:34:16,080
Speaker 2: make Corey culpable for you to be angry. It's weird.

761
00:34:16,080 --> 00:34:18,160
Speaker 2: But wait, why did we Why couldn't Corey like just

762
00:34:18,320 --> 00:34:21,320
Speaker 2: come up with another series of conflicts that are actually

763
00:34:21,360 --> 00:34:24,560
Speaker 2: more engaging that makes sense based on character to get

764
00:34:24,600 --> 00:34:26,319
Speaker 2: us to the situation we're stuck in a subway car,

765
00:34:26,360 --> 00:34:28,600
Speaker 2: which is obviously what they wanted. This feels like this

766
00:34:28,760 --> 00:34:32,360
Speaker 2: was written in like twenty minutes. It was like, but

767
00:34:32,640 --> 00:34:35,160
Speaker 2: just we have this. If I have this, beaten the

768
00:34:35,200 --> 00:34:37,400
Speaker 2: pizza guys in the delivery baby, and they'll be twins,

769
00:34:37,480 --> 00:34:39,560
Speaker 2: and it's like, joke on, joke on, jo get it

770
00:34:39,560 --> 00:34:39,839
Speaker 2: in there.

771
00:34:39,840 --> 00:34:41,640
Speaker 1: And if you guys remember that we interviewed him the

772
00:34:41,640 --> 00:34:42,359
Speaker 1: pizza that we did.

773
00:34:42,520 --> 00:34:44,080
Speaker 4: Yes, he was on our he.

774
00:34:44,080 --> 00:34:45,280
Speaker 3: Was part of our background episode.

775
00:34:45,320 --> 00:34:47,400
Speaker 4: Yeah, I think it is. It's just it's a series

776
00:34:47,440 --> 00:34:49,520
Speaker 4: of ridiculous events that get us to this thing.

777
00:34:49,880 --> 00:34:50,120
Speaker 3: Yeah.

778
00:34:50,120 --> 00:34:53,480
Speaker 1: I wish those were ridiculous series of events had been funnier.

779
00:34:53,640 --> 00:34:55,360
Speaker 4: Yeah, I don't disagree some of it.

780
00:34:56,520 --> 00:34:58,799
Speaker 1: Just have us take the subway to wherever we're going

781
00:34:59,560 --> 00:35:01,640
Speaker 1: and get us the subway, Like all right, guys, we're

782
00:35:01,640 --> 00:35:03,920
Speaker 1: taking the subway to this party, and then the subway

783
00:35:03,960 --> 00:35:06,279
Speaker 1: breaks down, and now you've got all your characters and

784
00:35:06,440 --> 00:35:07,040
Speaker 1: where you need him.

785
00:35:07,200 --> 00:35:09,759
Speaker 4: I have a very stupid question which I don't know

786
00:35:09,800 --> 00:35:11,799
Speaker 4: the answer to, and maybe you guys don't either.

787
00:35:12,520 --> 00:35:15,160
Speaker 2: Is there a subway in Philadelphia? I had to look

788
00:35:15,200 --> 00:35:21,759
Speaker 2: it up. Honestly. I was in Philadelphia last week, yeah,

789
00:35:21,800 --> 00:35:23,600
Speaker 2: and my wife was like, well, can we just take

790
00:35:23,640 --> 00:35:26,040
Speaker 2: the subway to wherever we were going? And I was like,

791
00:35:26,480 --> 00:35:28,160
Speaker 2: is there a subway? That was like, we did an

792
00:35:28,200 --> 00:35:31,680
Speaker 2: episode of Boys that plays a subway. There must be

793
00:35:31,719 --> 00:35:34,279
Speaker 2: a subway. But then when I was watching the episode

794
00:35:34,480 --> 00:35:36,319
Speaker 2: last night, I was like, actually.

795
00:35:36,040 --> 00:35:36,319
Speaker 1: Is there?

796
00:35:36,360 --> 00:35:38,400
Speaker 2: And I looked it up and there is somewhat of

797
00:35:38,400 --> 00:35:40,240
Speaker 2: a subway, but it's only like three lines.

798
00:35:40,280 --> 00:35:42,960
Speaker 3: It's like, okay, limited stops.

799
00:35:43,239 --> 00:35:46,400
Speaker 2: They clearly are trying to make it new York. This

800
00:35:46,520 --> 00:35:48,480
Speaker 2: feels like the New York Subway. Obviously.

801
00:35:49,080 --> 00:35:49,279
Speaker 4: Yes.

802
00:35:49,400 --> 00:35:49,840
Speaker 2: Interesting.

803
00:36:01,000 --> 00:36:02,280
Speaker 3: So then we're in Turner's apartment.

804
00:36:02,320 --> 00:36:04,800
Speaker 1: Mister Turner and mister Williams are both excited to stay

805
00:36:04,800 --> 00:36:07,120
Speaker 1: home for New Year's Eve. No suits, no ties, no

806
00:36:07,160 --> 00:36:09,400
Speaker 1: spending two hundred dollars on a woman you hardly know.

807
00:36:09,840 --> 00:36:12,120
Speaker 1: Jonathan says he was real close to ringing in the

808
00:36:12,160 --> 00:36:15,040
Speaker 1: New Year with Janine the Clinger, and this is where

809
00:36:15,080 --> 00:36:18,640
Speaker 1: it starts to have some real friends vibes. Yes, it's

810
00:36:18,680 --> 00:36:20,959
Speaker 1: like the shift to twenty thirty somethings feels the most

811
00:36:20,960 --> 00:36:23,719
Speaker 1: developed that it's ever been in this scene.

812
00:36:23,480 --> 00:36:27,640
Speaker 2: Absolutely, and you're saying this passes as development. Ah, No,

813
00:36:27,719 --> 00:36:28,720
Speaker 2: it's just what they're trying.

814
00:36:29,160 --> 00:36:31,319
Speaker 3: Yeah, they're trying to throw us into.

815
00:36:31,440 --> 00:36:34,719
Speaker 1: Like you know, these two the thirty somethings who who

816
00:36:34,800 --> 00:36:38,719
Speaker 1: feel young and viby, and you're like, wait what, But yeah,

817
00:36:38,719 --> 00:36:39,160
Speaker 1: I mean it.

818
00:36:39,400 --> 00:36:42,040
Speaker 2: I have no conflict between the two of them, Like if.

819
00:36:41,960 --> 00:36:43,360
Speaker 3: They know they're excited, right, they're not.

820
00:36:44,280 --> 00:36:46,880
Speaker 2: But it makes no sense because then the conflict is women,

821
00:36:47,560 --> 00:36:51,600
Speaker 2: and it's like, okay, annoying women keep showing up and

822
00:36:52,040 --> 00:36:55,840
Speaker 2: then like later on, Eli betrays everything he says in

823
00:36:55,880 --> 00:36:58,520
Speaker 2: this scene. Yeah, so like if this scene had been

824
00:36:59,520 --> 00:37:03,919
Speaker 2: Eli bad pitch, Eli just got dumped and we really

825
00:37:03,960 --> 00:37:07,120
Speaker 2: wishes he had women around right now, and Jonathan Turner

826
00:37:07,200 --> 00:37:10,440
Speaker 2: is cheering him up saying, no, we don't need girls,

827
00:37:10,719 --> 00:37:11,960
Speaker 2: right or vices.

828
00:37:12,200 --> 00:37:14,040
Speaker 4: To make it even more, Alex say that at the end,

829
00:37:14,040 --> 00:37:15,759
Speaker 4: Eli says that at the end where he says he

830
00:37:15,880 --> 00:37:19,000
Speaker 4: likes me, you had no, he goes, I lied, of

831
00:37:19,040 --> 00:37:20,640
Speaker 4: course I want to be around women, right.

832
00:37:20,960 --> 00:37:22,759
Speaker 5: I mean he does say that where it's like, you know,

833
00:37:22,800 --> 00:37:24,640
Speaker 5: it's like the guy going no, it doesn't hurt at

834
00:37:24,680 --> 00:37:25,480
Speaker 5: all that she broke.

835
00:37:25,320 --> 00:37:26,920
Speaker 2: Up with me. It's like, I lied. I'm dead inside.

836
00:37:26,960 --> 00:37:28,480
Speaker 5: I mean, that's what I think he's saying, is that

837
00:37:28,520 --> 00:37:29,719
Speaker 5: he's like, no, I lied, of course I want to

838
00:37:29,719 --> 00:37:30,239
Speaker 5: be around women.

839
00:37:30,560 --> 00:37:32,640
Speaker 1: So I think it is interesting to not set anything

840
00:37:32,680 --> 00:37:36,040
Speaker 1: up with any conflict and then create conflict backwards by

841
00:37:36,040 --> 00:37:37,040
Speaker 1: then saying, well, I was lying.

842
00:37:38,120 --> 00:37:40,000
Speaker 2: That's what I mean. This whole it's it's a very

843
00:37:40,040 --> 00:37:40,920
Speaker 2: bizarrely written.

844
00:37:41,120 --> 00:37:44,160
Speaker 4: It is seriously and it's it's a shame because I

845
00:37:44,239 --> 00:37:47,400
Speaker 4: love watching Alex and Tony together too.

846
00:37:48,000 --> 00:37:51,200
Speaker 5: I think they're great together, and it's just the storyline

847
00:37:51,360 --> 00:37:53,319
Speaker 5: made no sense and was weird, but the two of

848
00:37:53,360 --> 00:37:56,439
Speaker 5: them together on some other type of adult show.

849
00:37:56,560 --> 00:37:59,040
Speaker 4: I would watch that all day. Yeah, so it was,

850
00:37:59,120 --> 00:37:59,440
Speaker 4: it was.

851
00:37:59,560 --> 00:38:02,680
Speaker 2: It was a strange kind of yeah weird.

852
00:38:03,080 --> 00:38:05,439
Speaker 1: Eli says Jonathan should have stuck with Valerie, but two

853
00:38:05,440 --> 00:38:07,600
Speaker 1: weeks with her was enough. She had too much baggage.

854
00:38:07,640 --> 00:38:10,200
Speaker 1: On their first date, she had to bring a skycaby.

855
00:38:11,120 --> 00:38:16,759
Speaker 1: Jonathan mentions running into Eli's x Rochelle, writer's sister, Rochelle.

856
00:38:16,960 --> 00:38:23,440
Speaker 2: Maybe I will consult with Rochelle.

857
00:38:23,600 --> 00:38:26,920
Speaker 3: Yes if the death chair death.

858
00:38:26,800 --> 00:38:30,319
Speaker 1: Chair Rochelle uh And says she didn't look so good,

859
00:38:30,320 --> 00:38:32,879
Speaker 1: but he instantly admits he's lying to make Eli feel better.

860
00:38:32,960 --> 00:38:34,160
Speaker 3: Eli says he knew.

861
00:38:33,920 --> 00:38:36,279
Speaker 1: That the guys are getting ready to sit down with

862
00:38:36,320 --> 00:38:38,760
Speaker 1: their beers for a night off. When the doorbell rings,

863
00:38:38,840 --> 00:38:42,520
Speaker 1: they think it's the pizza, but it's new character alert,

864
00:38:42,680 --> 00:38:47,000
Speaker 1: the aforementioned clinger, Janine. She says she's not staying, but

865
00:38:47,080 --> 00:38:48,960
Speaker 1: she saw his light on and wanted to check in

866
00:38:49,000 --> 00:38:49,960
Speaker 1: on him.

867
00:38:50,520 --> 00:38:51,319
Speaker 2: So I was light on.

868
00:38:51,920 --> 00:38:56,560
Speaker 3: Where from the window downstairs? On New Year's Eve?

869
00:38:56,760 --> 00:38:57,920
Speaker 2: Okay, just dressed up.

870
00:38:58,000 --> 00:39:00,399
Speaker 4: I think it's an excuse to go see Jonathan, right,

871
00:39:00,640 --> 00:39:01,320
Speaker 4: do you think?

872
00:39:01,760 --> 00:39:05,279
Speaker 1: Janine tells Jonathan he looks thin, then offers to make

873
00:39:05,360 --> 00:39:07,640
Speaker 1: him a lasagna. Jonathan wants to stop her, but he

874
00:39:07,719 --> 00:39:12,479
Speaker 1: like says, whoa, whoa, whoa, It'sanna. Jonathan says, that's nice

875
00:39:12,480 --> 00:39:16,360
Speaker 1: of Jennie. But they have pizza coming what And the

876
00:39:16,480 --> 00:39:21,000
Speaker 1: doorbell rings again. He opens the door and it's new

877
00:39:21,239 --> 00:39:25,000
Speaker 1: character alert again. Valerie standing at the door with pizza.

878
00:39:25,520 --> 00:39:27,920
Speaker 1: This is the too much baggage girl. She rushes in

879
00:39:27,960 --> 00:39:31,120
Speaker 1: to celebrate, despite Turner not liking any of this. Then

880
00:39:31,280 --> 00:39:34,320
Speaker 1: Valerie and Janine notice each other and squeal with excitement.

881
00:39:34,560 --> 00:39:36,160
Speaker 1: They're apparently old pals.

882
00:39:36,880 --> 00:39:38,880
Speaker 4: This building also has horrible security.

883
00:39:40,160 --> 00:39:41,360
Speaker 2: Have just no security.

884
00:39:41,440 --> 00:39:43,319
Speaker 5: If everybody can just come to the door, you know,

885
00:39:43,400 --> 00:39:44,719
Speaker 5: it's like you don't even have to buzz you up

886
00:39:44,760 --> 00:39:45,520
Speaker 5: from downstairs.

887
00:39:45,520 --> 00:39:46,759
Speaker 2: You just have the door just there.

888
00:39:46,760 --> 00:39:48,600
Speaker 3: You go, get in the elevator, come right up.

889
00:39:49,239 --> 00:39:52,120
Speaker 5: Also, does Sean still, as far as we know, Sean

890
00:39:52,280 --> 00:39:54,120
Speaker 5: still lives with mister Turner?

891
00:39:54,160 --> 00:39:56,359
Speaker 2: Correct, right, yeah.

892
00:39:56,320 --> 00:39:59,319
Speaker 3: Yeah, okay, Sean has but Sean has plans so.

893
00:39:59,600 --> 00:40:03,600
Speaker 4: Right, But he's still comes home in the world there, right,

894
00:40:03,719 --> 00:40:05,719
Speaker 4: He's still that's that's still where he lives.

895
00:40:05,880 --> 00:40:07,759
Speaker 2: That's a good point. I never even thought about that.

896
00:40:07,960 --> 00:40:09,240
Speaker 4: Yeah, that's still your house.

897
00:40:09,520 --> 00:40:11,160
Speaker 3: That's right, But so what's your point he shouldn't have

898
00:40:11,200 --> 00:40:12,120
Speaker 3: people over for New Years?

899
00:40:12,160 --> 00:40:14,800
Speaker 4: No, no, no, no, it's I'm just for my own edification.

900
00:40:15,280 --> 00:40:18,920
Speaker 2: It doesn't feel it doesn't feel like there's no.

901
00:40:20,400 --> 00:40:22,520
Speaker 4: Yes, Seawan's out, we can God, we get to be

902
00:40:22,560 --> 00:40:23,120
Speaker 4: together again.

903
00:40:23,320 --> 00:40:24,960
Speaker 2: There was no kind of That's all I meant.

904
00:40:25,040 --> 00:40:30,759
Speaker 1: Is it just it would have been a little yeah.

905
00:40:30,840 --> 00:40:31,040
Speaker 2: Yeah.

906
00:40:31,080 --> 00:40:33,080
Speaker 5: You also could have put Sewan in with just the

907
00:40:33,120 --> 00:40:36,680
Speaker 5: two of them and had had a storyline with the

908
00:40:37,239 --> 00:40:40,399
Speaker 5: two older guys and you because you didn't have a date,

909
00:40:40,880 --> 00:40:43,200
Speaker 5: and that would have made a much more interesting b

910
00:40:43,400 --> 00:40:46,680
Speaker 5: story of kind of the three guys together and then

911
00:40:46,719 --> 00:40:48,880
Speaker 5: the rest of us on the subway, as opposed to

912
00:40:48,920 --> 00:40:50,680
Speaker 5: you just running around on the subway.

913
00:40:50,400 --> 00:40:52,839
Speaker 1: Right, couples, couples on. Yeah, I don't want to Yeah,

914
00:40:53,000 --> 00:40:53,680
Speaker 1: that could have worked.

915
00:40:53,719 --> 00:40:53,839
Speaker 4: Well.

916
00:40:53,840 --> 00:40:55,080
Speaker 3: Then we're in the Matthews living room.

917
00:40:55,120 --> 00:40:57,600
Speaker 1: Corey and Sean storm back into the house, not sure

918
00:40:57,600 --> 00:40:59,080
Speaker 1: how they're going to make it to the party now

919
00:40:59,120 --> 00:41:02,640
Speaker 1: without Uncle Law's hears, Sean says, it's not his fault.

920
00:41:02,640 --> 00:41:04,440
Speaker 1: When you see a corpse is breathing, you have to

921
00:41:04,480 --> 00:41:06,520
Speaker 1: take it back. It's the right thing to do. Man,

922
00:41:07,080 --> 00:41:11,880
Speaker 1: that's funny. Funny joke, that's funny. And then Topega comes

923
00:41:11,880 --> 00:41:16,399
Speaker 1: in and tells the boys, Gee, guys, it's New Year's Eve.

924
00:41:17,840 --> 00:41:19,600
Speaker 2: You are so annoying in this episode.

925
00:41:20,120 --> 00:41:23,839
Speaker 1: I remember when you did this episode, going, but why

926
00:41:23,920 --> 00:41:28,120
Speaker 1: is Topanga this person right now? Why Topanga's never been

927
00:41:28,760 --> 00:41:32,799
Speaker 1: the eternal I will always be optimist. I have a

928
00:41:32,840 --> 00:41:37,400
Speaker 1: bunch of water. Gee, guys, buck up, buckers.

929
00:41:37,800 --> 00:41:39,880
Speaker 2: And then you have your like breakdown where you say,

930
00:41:39,960 --> 00:41:42,640
Speaker 2: like you there's always and it's like, is she always

931
00:41:42,640 --> 00:41:42,879
Speaker 2: the way?

932
00:41:43,000 --> 00:41:43,040
Speaker 5: No?

933
00:41:43,360 --> 00:41:46,279
Speaker 2: I feel like she's more like it foretold this one night, yes,

934
00:41:46,600 --> 00:41:48,880
Speaker 2: because the reality is Topeka is the person who always

935
00:41:48,920 --> 00:41:52,840
Speaker 2: stands up for what she believes in, doesn't doesn't sugarcoat stuff.

936
00:41:52,840 --> 00:41:55,799
Speaker 2: She's brave and like smart and you know what I mean. Like,

937
00:41:55,960 --> 00:41:59,320
Speaker 2: so for her to be like this, like let's stay positive, Corey,

938
00:41:59,480 --> 00:42:01,360
Speaker 2: Like no, that's by the way.

939
00:42:01,800 --> 00:42:04,040
Speaker 1: It easily could have been and it would have been

940
00:42:04,600 --> 00:42:07,600
Speaker 1: one line to add into it that because of all

941
00:42:07,640 --> 00:42:10,680
Speaker 1: the pressure of New Year's Eve, she hasn't liked this

942
00:42:10,719 --> 00:42:11,720
Speaker 1: plan from the beginning.

943
00:42:11,840 --> 00:42:12,360
Speaker 3: She doesn't.

944
00:42:12,520 --> 00:42:14,319
Speaker 1: She didn't want to go into hers and she didn't

945
00:42:14,320 --> 00:42:16,040
Speaker 1: want to go on this big party and she didn't

946
00:42:16,040 --> 00:42:17,719
Speaker 1: want to do any of this, but you know, I

947
00:42:17,760 --> 00:42:19,800
Speaker 1: wanted to go with the flow, and I wanted to

948
00:42:19,840 --> 00:42:20,359
Speaker 1: save this.

949
00:42:20,320 --> 00:42:22,440
Speaker 3: Night because all the pressure. But there's none of that.

950
00:42:22,480 --> 00:42:26,040
Speaker 1: It's just like they just wrote a whole episode that

951
00:42:26,080 --> 00:42:29,759
Speaker 1: Tapega is a character we never see her, we've never

952
00:42:29,800 --> 00:42:32,040
Speaker 1: seen her like before, and we see it again.

953
00:42:32,160 --> 00:42:35,240
Speaker 4: Yeah, you know's weird how I remembered more than anything

954
00:42:35,239 --> 00:42:35,880
Speaker 4: in this episode.

955
00:42:35,880 --> 00:42:38,880
Speaker 2: And I don't know why. What you're wearing.

956
00:42:39,120 --> 00:42:41,760
Speaker 3: Oh, I do too. This was a very important outfit.

957
00:42:41,880 --> 00:42:45,319
Speaker 2: Yeah, I remember that Asian kind of outfit that you're

958
00:42:45,360 --> 00:42:48,000
Speaker 2: wearing orange Asian And.

959
00:42:47,920 --> 00:42:50,880
Speaker 1: That's the one that when we talked to Sarah Markowitz,

960
00:42:51,800 --> 00:42:56,040
Speaker 1: she that's like a personal thing, like from her personal collection,

961
00:42:56,480 --> 00:42:58,879
Speaker 1: and she has brought it onto other shows. She used

962
00:42:58,880 --> 00:43:03,879
Speaker 1: it on swim Peaks. That's okay because I remember it too.

963
00:43:03,960 --> 00:43:04,879
Speaker 1: I remember it so well.

964
00:43:04,880 --> 00:43:05,640
Speaker 2: Why do I remember what?

965
00:43:05,760 --> 00:43:05,960
Speaker 1: It was?

966
00:43:06,080 --> 00:43:07,000
Speaker 3: Very comfortable.

967
00:43:07,280 --> 00:43:09,919
Speaker 2: I have a weird thought. Do you guys think this

968
00:43:10,080 --> 00:43:15,719
Speaker 2: feels like this feels like a pilot or like a

969
00:43:15,760 --> 00:43:19,359
Speaker 2: play or something that has nothing to do with any

970
00:43:19,360 --> 00:43:21,640
Speaker 2: of our established characters. Yeah, you're right, but there is

971
00:43:21,760 --> 00:43:26,120
Speaker 2: literally this whole situation and all of the little bits.

972
00:43:26,160 --> 00:43:29,320
Speaker 2: Almost none of them have anything to do with established

973
00:43:29,360 --> 00:43:32,960
Speaker 2: characters or established relationships, Like there's the Cory Eric dynamic, but.

974
00:43:32,920 --> 00:43:35,480
Speaker 4: It feels kind of works though not works, but that's

975
00:43:35,600 --> 00:43:36,240
Speaker 4: that's normal.

976
00:43:36,360 --> 00:43:39,719
Speaker 5: Eric's about girls, Corey's, you know, about going out and

977
00:43:39,719 --> 00:43:42,040
Speaker 5: being with Tapanga like that at least was kind.

978
00:43:41,800 --> 00:43:45,480
Speaker 2: Of in the zone of what but it doesn't.

979
00:43:45,320 --> 00:43:48,000
Speaker 5: Sean running around and kind of being the wacky character

980
00:43:48,160 --> 00:43:52,680
Speaker 5: kind of in the zone to Panga completely out of character, Eli,

981
00:43:52,760 --> 00:43:55,640
Speaker 5: we don't know his character, Tony completely out of character,

982
00:43:56,080 --> 00:43:58,280
Speaker 5: Feene kind of completely out of character.

983
00:43:59,520 --> 00:44:01,200
Speaker 4: Yeah, there there was some weirdness.

984
00:44:01,440 --> 00:44:04,000
Speaker 2: It's a complete one off, you know. I think it's yeah, yeah,

985
00:44:04,000 --> 00:44:06,319
Speaker 2: I feel like it was almost its own script or

986
00:44:06,320 --> 00:44:08,239
Speaker 2: its own story. And then they were like, how can

987
00:44:08,280 --> 00:44:10,919
Speaker 2: we like work this into a boy meets World? Like yeah,

988
00:44:11,000 --> 00:44:13,720
Speaker 2: imagine you're being like somebody had written like a script

989
00:44:13,719 --> 00:44:16,000
Speaker 2: that was about being stuck on a New Year's on

990
00:44:16,040 --> 00:44:17,880
Speaker 2: a subway and all the crazy things that could happen

991
00:44:17,960 --> 00:44:20,200
Speaker 2: like that as a pitch sounds kind of cool, like

992
00:44:20,239 --> 00:44:23,240
Speaker 2: this this is a you wish yeah yeah or something,

993
00:44:23,320 --> 00:44:26,280
Speaker 2: and there was making a Boy World episode.

994
00:44:26,800 --> 00:44:27,960
Speaker 3: Yeah, no, you're right.

995
00:44:28,600 --> 00:44:30,560
Speaker 1: So Corey says they're going to make it the best

996
00:44:30,640 --> 00:44:33,000
Speaker 1: New Year's Eve ever, and then turns to Sean and says,

997
00:44:33,080 --> 00:44:35,319
Speaker 1: if we were dead, because then we'd have a ride.

998
00:44:35,800 --> 00:44:39,160
Speaker 1: Then Eric walks into the house with supermodel Rebecca Alexa

999
00:44:39,320 --> 00:44:41,680
Speaker 1: and he's apologizing to her for the car breaking down.

1000
00:44:42,600 --> 00:44:43,359
Speaker 2: She was really nice.

1001
00:44:43,680 --> 00:44:46,240
Speaker 5: All I remember about her is that she was really

1002
00:44:46,640 --> 00:44:49,080
Speaker 5: really nice and very fun to work with, very easy

1003
00:44:49,120 --> 00:44:49,440
Speaker 5: to work with.

1004
00:44:49,680 --> 00:44:52,719
Speaker 1: I remember her almost as much as I remember the

1005
00:44:52,760 --> 00:44:56,960
Speaker 1: outfit I wore, Like I just remember her like her

1006
00:44:57,080 --> 00:44:59,400
Speaker 1: and she was so sweet and so nice, and then

1007
00:44:59,440 --> 00:45:02,040
Speaker 1: I remember my dress that's basic, and that this week

1008
00:45:02,200 --> 00:45:02,719
Speaker 1: was very fun.

1009
00:45:02,800 --> 00:45:07,280
Speaker 5: I don't you know, bouncing and there were like poles

1010
00:45:07,320 --> 00:45:09,279
Speaker 5: in the in the set and they were like shake

1011
00:45:09,360 --> 00:45:10,080
Speaker 5: the poles in the set.

1012
00:45:10,160 --> 00:45:12,520
Speaker 2: So it was like I remember the being on the

1013
00:45:12,560 --> 00:45:15,040
Speaker 2: subway set, but I don't remembering anything about the actual

1014
00:45:15,080 --> 00:45:17,000
Speaker 2: filmmat or like being I don't remember.

1015
00:45:17,440 --> 00:45:20,319
Speaker 3: No, do you guys remember me cutting my leg open

1016
00:45:20,440 --> 00:45:20,880
Speaker 3: during the run?

1017
00:45:20,960 --> 00:45:22,840
Speaker 5: No? You told this is where you told us about this,

1018
00:45:22,920 --> 00:45:24,600
Speaker 5: but I don't remember it, and you like were like

1019
00:45:25,000 --> 00:45:26,000
Speaker 5: legit bleeding hair.

1020
00:45:26,200 --> 00:45:26,759
Speaker 3: Yeah, I have a scar.

1021
00:45:26,920 --> 00:45:28,320
Speaker 1: I have a scar on my leg from it, and

1022
00:45:28,560 --> 00:45:30,840
Speaker 1: I have just like blood down my shin and I

1023
00:45:31,000 --> 00:45:32,440
Speaker 1: didn't realize you know, I was trying.

1024
00:45:33,640 --> 00:45:36,120
Speaker 2: Yeah, you put your blood, sweat and tears into this episode.

1025
00:45:36,200 --> 00:45:38,560
Speaker 2: This episode bucker exactly.

1026
00:45:40,239 --> 00:45:43,600
Speaker 1: Rebecca Alexa says things happen, It's okay, and Eric is

1027
00:45:43,640 --> 00:45:47,160
Speaker 1: shocked she's not mad, calling her a super duper model.

1028
00:45:48,080 --> 00:45:48,279
Speaker 2: Yeah.

1029
00:45:48,760 --> 00:45:51,560
Speaker 1: Corey and Shawn are starstruck by Rebecca Alexa. They both

1030
00:45:51,600 --> 00:45:54,120
Speaker 1: say hi, and Corey at first introduces to Panga as

1031
00:45:54,239 --> 00:45:57,200
Speaker 1: a girl from school, and then after Tapega nudges him,

1032
00:45:57,320 --> 00:45:59,640
Speaker 1: she says she. He says, she's my girlfriend and I

1033
00:45:59,680 --> 00:46:02,800
Speaker 1: love her very much, so don't get any ideas. Sean

1034
00:46:02,880 --> 00:46:05,560
Speaker 1: asks if supermodels have powers and if she can read

1035
00:46:05,600 --> 00:46:10,240
Speaker 1: what he's thinking, and she admits yes, and then Sean says, sorry, that's.

1036
00:46:10,120 --> 00:46:12,759
Speaker 4: A great bit. That's a great bit. No, it is,

1037
00:46:12,920 --> 00:46:14,200
Speaker 4: it's you read mind.

1038
00:46:14,480 --> 00:46:16,919
Speaker 2: Yes, Oh sorry, that's cute.

1039
00:46:17,520 --> 00:46:19,600
Speaker 1: And then Eric comes over celebrating that he got the

1040
00:46:19,719 --> 00:46:21,920
Speaker 1: last cab in Philly. Corey wants to share the cab,

1041
00:46:21,960 --> 00:46:26,279
Speaker 1: but Eric says he's seeing a big Harry No. Corey

1042
00:46:26,360 --> 00:46:28,600
Speaker 1: then complains he's stranded for the first New Year's he

1043
00:46:28,680 --> 00:46:31,360
Speaker 1: can leave the house for Rebecca Alexa tells Corey she

1044
00:46:31,480 --> 00:46:33,879
Speaker 1: knows how he feels because her older sister never took

1045
00:46:33,920 --> 00:46:37,320
Speaker 1: her anywhere and she never forgave her, and then somewhat

1046
00:46:37,400 --> 00:46:40,560
Speaker 1: insource old Eric lets Corey share the cab with them.

1047
00:46:41,440 --> 00:46:43,560
Speaker 1: Eric tells Corey he better not say anything to him

1048
00:46:43,680 --> 00:46:46,120
Speaker 1: or his date, and Corey says he won't do anything stupid.

1049
00:46:47,120 --> 00:46:52,040
Speaker 1: A golf lip the Matthews living room continued. Eric rushes

1050
00:46:52,160 --> 00:46:54,360
Speaker 1: back in the house, asking Corey how we could do.

1051
00:46:54,600 --> 00:47:00,799
Speaker 5: Something They don't crazy. They didn't it made sense why

1052
00:47:00,920 --> 00:47:03,160
Speaker 5: he sends. They tried to explain why he sends the

1053
00:47:03,200 --> 00:47:05,319
Speaker 5: cab away, but it doesn't make any sense at all.

1054
00:47:05,600 --> 00:47:08,120
Speaker 1: Eric reveals that Corey sent away the last cab in Philly,

1055
00:47:08,200 --> 00:47:10,279
Speaker 1: and Corey said there was just something wrong with the driver.

1056
00:47:10,480 --> 00:47:12,800
Speaker 3: His license on the windshield wasn't even his picture.

1057
00:47:13,480 --> 00:47:15,920
Speaker 1: Eric says, if stupidity was in the Olympics, you'd win

1058
00:47:15,960 --> 00:47:16,880
Speaker 1: a Nobel Prize.

1059
00:47:16,960 --> 00:47:19,160
Speaker 5: I remember that line, that's the one that Yeah, that's

1060
00:47:19,239 --> 00:47:21,240
Speaker 5: that's one that people say to me sometimes, Yeah.

1061
00:47:21,160 --> 00:47:21,640
Speaker 3: That's funny.

1062
00:47:21,800 --> 00:47:22,000
Speaker 2: Yeah.

1063
00:47:22,200 --> 00:47:24,200
Speaker 3: And then Corey thinks the driver was an imposter and

1064
00:47:24,320 --> 00:47:26,600
Speaker 3: going to take them somewhere and cut out their livers,

1065
00:47:26,880 --> 00:47:30,160
Speaker 3: which Sean says, no, biggie, I've already had mine now.

1066
00:47:31,640 --> 00:47:33,920
Speaker 2: And I'm losing it. You can tell them, Yeah, the

1067
00:47:33,960 --> 00:47:35,920
Speaker 2: camera has to cut away from me. You guys are

1068
00:47:36,000 --> 00:47:37,320
Speaker 2: looking at me because I am laughing.

1069
00:47:37,440 --> 00:47:37,600
Speaker 5: Yep.

1070
00:47:39,680 --> 00:47:43,800
Speaker 2: I you know, I really wish this thing about Corey

1071
00:47:43,960 --> 00:47:47,400
Speaker 2: being this like neurotic mess, yeah, who keeps ruining every

1072
00:47:47,520 --> 00:47:49,640
Speaker 2: like I wish that was more of the thing. But

1073
00:47:49,840 --> 00:47:52,320
Speaker 2: like this is this is such an extreme example, like

1074
00:47:52,360 --> 00:47:54,960
Speaker 2: you literally sent away a cab because you didn't you

1075
00:47:55,040 --> 00:47:57,400
Speaker 2: were scared of the cab driver. It kind of it

1076
00:47:57,520 --> 00:47:59,440
Speaker 2: comes out of nowhere. But and I wish it had

1077
00:47:59,440 --> 00:48:02,759
Speaker 2: been establish more throughout this episode. But also I like

1078
00:48:02,920 --> 00:48:05,759
Speaker 2: Corey being you know you will you become much more

1079
00:48:05,800 --> 00:48:06,279
Speaker 2: of that guy.

1080
00:48:06,480 --> 00:48:08,680
Speaker 1: It also would have been a funny way of talking

1081
00:48:08,719 --> 00:48:11,040
Speaker 1: about the previous New Year's Eve when they had been

1082
00:48:11,080 --> 00:48:14,080
Speaker 1: stuck home, if every time they tried to do something fun,

1083
00:48:14,160 --> 00:48:18,760
Speaker 1: even staying home, Corey had ruined it because he got yes, awesome.

1084
00:48:18,960 --> 00:48:22,560
Speaker 4: Yeah, Well, nobody's driving any of this. There's no one

1085
00:48:22,719 --> 00:48:25,360
Speaker 4: character that's driving. Everything that's happening is the problem. And

1086
00:48:25,400 --> 00:48:28,640
Speaker 4: if he was more neurotic, you right, it's supposed to be,

1087
00:48:28,760 --> 00:48:30,960
Speaker 4: but it's not really. I mean that's the problem is

1088
00:48:31,040 --> 00:48:34,759
Speaker 4: it's like, so it's sometimes it's Corey, sometimes it's Eric,

1089
00:48:35,000 --> 00:48:37,440
Speaker 4: sometimes it's you know, it's yeah, it's very odd.

1090
00:48:37,719 --> 00:48:38,839
Speaker 2: That's the problem. Yeah.

1091
00:48:38,920 --> 00:48:41,960
Speaker 1: Also all these things just keep happening to them instead

1092
00:48:42,000 --> 00:48:45,040
Speaker 1: of like them being active participants in it for yeah.

1093
00:48:45,160 --> 00:48:46,759
Speaker 2: Point yeah, right, And that's the thing. Like, and I

1094
00:48:46,920 --> 00:48:49,239
Speaker 2: understand like a farce is a series of crazy things,

1095
00:48:49,280 --> 00:48:51,880
Speaker 2: but yeah, it always has to be character based. It

1096
00:48:52,000 --> 00:48:54,040
Speaker 2: has to come from you know. And this is the

1097
00:48:54,160 --> 00:48:59,719
Speaker 2: first character based conflict, which is Corey, you know, and

1098
00:48:59,800 --> 00:49:00,880
Speaker 2: it's you know, we're.

1099
00:49:00,960 --> 00:49:02,680
Speaker 3: Just falls a little flat. Yeah, and it falls a

1100
00:49:02,680 --> 00:49:03,200
Speaker 3: little flat.

1101
00:49:03,080 --> 00:49:04,839
Speaker 2: Because it's not really it doesn't make a lot of sense.

1102
00:49:05,480 --> 00:49:08,600
Speaker 1: Eric apologizes to Rebecca Alexa for the stupidity in this family,

1103
00:49:08,680 --> 00:49:11,680
Speaker 1: and he says he's just a carrier, which I also

1104
00:49:11,719 --> 00:49:12,759
Speaker 1: thought was funny me too.

1105
00:49:13,120 --> 00:49:19,359
Speaker 3: Topenga, who was there, says, hey, light bulb. She has

1106
00:49:19,400 --> 00:49:20,160
Speaker 3: an idea to.

1107
00:49:20,239 --> 00:49:23,120
Speaker 2: Have their own party at the house, but.

1108
00:49:23,360 --> 00:49:25,600
Speaker 3: Eric cuts her off and tells Corey to make it stop.

1109
00:49:26,080 --> 00:49:28,759
Speaker 1: Eric tells Rebecca Alexa one way or another, we're going

1110
00:49:28,800 --> 00:49:30,000
Speaker 1: to be seen at that party.

1111
00:49:30,400 --> 00:49:32,040
Speaker 3: She asks, how what are we going to do?

1112
00:49:32,360 --> 00:49:36,840
Speaker 2: Take the subway at this point. She doesn't notice at

1113
00:49:36,880 --> 00:49:39,640
Speaker 2: this point that he wants to be seen. I mean

1114
00:49:39,680 --> 00:49:42,520
Speaker 2: he's literally said like in the next scene, she gets

1115
00:49:42,520 --> 00:49:45,800
Speaker 2: all upset because he's clearly just wants to be kissing

1116
00:49:45,840 --> 00:49:47,799
Speaker 2: her in front of people. But he says it there,

1117
00:49:48,200 --> 00:49:49,880
Speaker 2: I know, he says, how we're going to do it.

1118
00:49:50,120 --> 00:49:52,600
Speaker 3: We're seen in that party, well, optical flip.

1119
00:49:52,800 --> 00:49:53,680
Speaker 2: We're on the subway.

1120
00:49:55,440 --> 00:49:58,400
Speaker 1: Eric, Corey, Sean Tapega, and Rebecca Alexa are all on

1121
00:49:58,520 --> 00:50:01,720
Speaker 1: the subway. Rebecca alexis she wasn't serious about the subway,

1122
00:50:01,760 --> 00:50:02,640
Speaker 1: but Eric says.

1123
00:50:02,600 --> 00:50:04,120
Speaker 3: It's fun and says, I think I can.

1124
00:50:04,280 --> 00:50:04,920
Speaker 2: I think I can.

1125
00:50:05,080 --> 00:50:05,759
Speaker 3: I think I can.

1126
00:50:06,640 --> 00:50:08,640
Speaker 1: Corey says it's nice to see Eric in a better mood,

1127
00:50:08,680 --> 00:50:11,759
Speaker 1: and Eric says through his teeth, just die, which I

1128
00:50:11,800 --> 00:50:15,000
Speaker 1: also thought was funny too. Tapeka says there is something

1129
00:50:15,120 --> 00:50:17,520
Speaker 1: so exciting about doing things by the seat of your pants,

1130
00:50:17,760 --> 00:50:19,520
Speaker 1: and then Eric points to a guy on the train

1131
00:50:19,560 --> 00:50:22,239
Speaker 1: and says, yeah, like that guy, and then everyone grimaces.

1132
00:50:22,520 --> 00:50:24,360
Speaker 1: This is a moment writer where I agree with you,

1133
00:50:24,800 --> 00:50:26,560
Speaker 1: I would have liked to see what that guy wants.

1134
00:50:28,480 --> 00:50:30,360
Speaker 1: That's a moment where I was like, what what is

1135
00:50:30,440 --> 00:50:32,279
Speaker 1: that guy doing by the seat of his pants. I

1136
00:50:32,480 --> 00:50:34,800
Speaker 1: couldn't really quite picture it, so I wanted to see it.

1137
00:50:35,480 --> 00:50:37,680
Speaker 1: Sehn tells Corey he feels like he's being watched, and

1138
00:50:37,760 --> 00:50:40,840
Speaker 1: Corey agrees, and then they turn around to see a

1139
00:50:40,960 --> 00:50:43,760
Speaker 1: PSA poster on the subway and it's.

1140
00:50:43,640 --> 00:50:46,239
Speaker 3: A mister Phoenie that says, I want you to stay

1141
00:50:46,280 --> 00:50:46,920
Speaker 3: in school.

1142
00:50:47,080 --> 00:50:50,440
Speaker 2: What is happening now, ster Phoenie is subway famous and

1143
00:50:50,840 --> 00:50:52,800
Speaker 2: isn't this a thing in girls world? This is the

1144
00:50:53,440 --> 00:50:56,759
Speaker 2: Girlmy's world had feene as a poster, right, and then

1145
00:50:56,840 --> 00:50:59,400
Speaker 2: he winks at Corey at the end of the episode.

1146
00:50:59,200 --> 00:51:03,640
Speaker 3: And everyone thought he did, which because it's so weird.

1147
00:51:03,480 --> 00:51:07,480
Speaker 2: Like why is Phoenie on posters in multiple cities?

1148
00:51:10,560 --> 00:51:12,880
Speaker 1: I know, I don't know, but yeah, when we did

1149
00:51:12,920 --> 00:51:15,480
Speaker 1: the Girl Meets World pilot, mister Feenie is on a

1150
00:51:15,560 --> 00:51:18,560
Speaker 1: poster in the New York Subway, a big one, and

1151
00:51:18,760 --> 00:51:21,520
Speaker 1: Corey turns and looks at him, and Feenie like comes

1152
00:51:21,600 --> 00:51:24,680
Speaker 1: to life in the posters, and I think even says

1153
00:51:24,760 --> 00:51:28,240
Speaker 1: something to him, like proud of you, Pheenie, and Corey's,

1154
00:51:28,360 --> 00:51:30,240
Speaker 1: you know, like I'm proud of you, Corey, and Corey's

1155
00:51:30,320 --> 00:51:32,960
Speaker 1: like says something back to Feenie or winks back to him,

1156
00:51:33,200 --> 00:51:36,000
Speaker 1: and everyone then thought, oh my god, are they saying

1157
00:51:36,160 --> 00:51:38,920
Speaker 1: Phoenie is dead? Because it must have been a figment

1158
00:51:39,040 --> 00:51:44,600
Speaker 1: of his imagination, because in the universe are we? And

1159
00:51:44,719 --> 00:51:48,960
Speaker 1: why is Phoenie really on a poster? So here's the

1160
00:51:49,120 --> 00:51:51,760
Speaker 1: first hint of that that Phoene is on star.

1161
00:51:53,880 --> 00:51:59,360
Speaker 2: He's many crazy.

1162
00:52:00,160 --> 00:52:02,120
Speaker 1: So the subway comes to a stop and Sean is

1163
00:52:02,200 --> 00:52:04,160
Speaker 1: rushing to get people off to get to the parties

1164
00:52:04,200 --> 00:52:06,280
Speaker 1: to Penga says they have plenty of time before midnight,

1165
00:52:06,360 --> 00:52:08,840
Speaker 1: and Corey says Eric will be kissing Rebecca Alexa in

1166
00:52:08,920 --> 00:52:12,279
Speaker 1: front of all of Philly, just like he wanted. Eric

1167
00:52:12,360 --> 00:52:14,880
Speaker 1: pretends he has no idea what Corey is talking about,

1168
00:52:15,239 --> 00:52:18,080
Speaker 1: and it offended. Rebecca Alexa asks if Eric thinks of

1169
00:52:18,160 --> 00:52:21,000
Speaker 1: her as just a trophy. Corey tries to hide the truth.

1170
00:52:21,120 --> 00:52:23,640
Speaker 2: But she was on the path to a real relationship

1171
00:52:23,719 --> 00:52:24,719
Speaker 2: with this Eric guy.

1172
00:52:25,440 --> 00:52:29,560
Speaker 4: She thought when she got this high school kid, she's

1173
00:52:29,600 --> 00:52:34,280
Speaker 4: a supermodel. He's in high school. It works, It totally works.

1174
00:52:34,520 --> 00:52:37,200
Speaker 2: It is so easily fixed if she had been not

1175
00:52:37,320 --> 00:52:38,040
Speaker 2: a supermodel.

1176
00:52:38,080 --> 00:52:38,480
Speaker 1: But just like.

1177
00:52:40,280 --> 00:52:42,520
Speaker 2: Or like no like, you can make her something that

1178
00:52:42,640 --> 00:52:46,000
Speaker 2: she is, she is well known for something else, but

1179
00:52:46,120 --> 00:52:49,120
Speaker 2: she just also happens to be beautiful. And then the

1180
00:52:49,239 --> 00:52:52,960
Speaker 2: fact that he's treating her like she's a supermodel and

1181
00:52:53,080 --> 00:52:56,839
Speaker 2: superficially attracted to her is an insult. But instead she's

1182
00:52:56,840 --> 00:53:00,160
Speaker 2: set up as a supermodel. Why would she ever be

1183
00:53:00,239 --> 00:53:02,279
Speaker 2: insulted that a guy is interested in her because of

1184
00:53:02,320 --> 00:53:11,440
Speaker 2: her looks and her popularity. Like it's so guys, I know,

1185
00:53:11,719 --> 00:53:13,120
Speaker 2: I agree with this story, Like.

1186
00:53:18,120 --> 00:53:18,440
Speaker 1: This one.

1187
00:53:18,520 --> 00:53:20,719
Speaker 2: It's so fun, you know because like we I know,

1188
00:53:20,880 --> 00:53:23,239
Speaker 2: I'm always this guy, right and I know, but like

1189
00:53:23,320 --> 00:53:26,640
Speaker 2: when we do, like like the wrestling episode in the school,

1190
00:53:27,160 --> 00:53:29,920
Speaker 2: I know that I'm like it's ridiculous, but it's character

1191
00:53:30,000 --> 00:53:33,320
Speaker 2: based ridiculousness. It's like it's even though it's Robert Goulay

1192
00:53:33,360 --> 00:53:36,920
Speaker 2: and all this, it is still based in real Corey issues,

1193
00:53:37,360 --> 00:53:39,520
Speaker 2: Joey the rat, like they're all people that we but

1194
00:53:39,640 --> 00:53:42,160
Speaker 2: this episode makes no It's like all this extra stuff

1195
00:53:42,200 --> 00:53:44,719
Speaker 2: brought in to then just be extra stuff and it's

1196
00:53:44,760 --> 00:53:45,560
Speaker 2: like it doesn't.

1197
00:53:46,880 --> 00:53:49,120
Speaker 1: Yeah, well, I also will get to it, but I

1198
00:53:49,200 --> 00:53:52,680
Speaker 1: also love that it doesn't just end. Also, when she

1199
00:53:52,800 --> 00:53:55,680
Speaker 1: gets off the subway, it's like we still have to

1200
00:53:55,760 --> 00:54:00,439
Speaker 1: believe that that's the absolute motivating factor for Eric. Where

1201
00:54:00,520 --> 00:54:02,759
Speaker 1: is he gonna find her? How does he even think

1202
00:54:02,840 --> 00:54:06,279
Speaker 1: there's any chance he's gonna hop off the subway? And

1203
00:54:06,400 --> 00:54:08,759
Speaker 1: now twelve minutes later, nowhere she went.

1204
00:54:09,239 --> 00:54:11,560
Speaker 4: It. I like he tries to send a little kid

1205
00:54:11,680 --> 00:54:12,880
Speaker 4: after Yes.

1206
00:54:12,960 --> 00:54:15,839
Speaker 3: Exactly, like a little pigeon was pretty fun.

1207
00:54:15,920 --> 00:54:16,560
Speaker 2: That is pretty.

1208
00:54:17,920 --> 00:54:21,000
Speaker 1: Eric pretends like he has Eric pretends like he has

1209
00:54:21,040 --> 00:54:23,520
Speaker 1: no idea what Corey is talking about, and an offended Rebecca.

1210
00:54:23,280 --> 00:54:26,560
Speaker 2: Alexa, Yeah, I already said that part. So offended. Yes,

1211
00:54:27,080 --> 00:54:27,520
Speaker 2: I'm mad.

1212
00:54:27,640 --> 00:54:30,320
Speaker 1: Rebecca Alexa says she just remembered she has to go

1213
00:54:30,480 --> 00:54:33,160
Speaker 1: home and runs off before the train. Just before it

1214
00:54:33,200 --> 00:54:36,160
Speaker 1: starts moving again, Eric is yelling for the now moving

1215
00:54:36,239 --> 00:54:38,560
Speaker 1: train to stop. Corey tries to talk him down, saying

1216
00:54:38,640 --> 00:54:40,840
Speaker 1: he can catch up with her and everything will be dandy.

1217
00:54:41,280 --> 00:54:43,520
Speaker 1: But then the lights turn off and people are screaming.

1218
00:54:43,760 --> 00:54:46,319
Speaker 1: The subway has come to a screeching halt. The train

1219
00:54:46,400 --> 00:54:48,480
Speaker 1: conductor tries to explain what is happening, but there's too

1220
00:54:48,560 --> 00:54:50,879
Speaker 1: much static over the PA Topeka asks what he said,

1221
00:54:50,920 --> 00:54:53,920
Speaker 1: and Eric says, Corey broke the train and there is

1222
00:54:54,000 --> 00:54:57,759
Speaker 1: a very committed subway like homeless guy sitting next to

1223
00:54:57,840 --> 00:55:00,440
Speaker 1: Rid her here doing some really good work. We do

1224
00:55:00,560 --> 00:55:05,239
Speaker 1: some yeah yeah, yeah, really good background, and then we're

1225
00:55:05,280 --> 00:55:06,320
Speaker 1: on the subway continuing.

1226
00:55:06,520 --> 00:55:08,280
Speaker 3: Eric is pacing the subway saying we're trapped.

1227
00:55:08,360 --> 00:55:09,480
Speaker 2: This is a nice and that was the end of

1228
00:55:09,520 --> 00:55:13,080
Speaker 2: the seat right there. Yeah, Corey broke there, right, So

1229
00:55:13,160 --> 00:55:14,359
Speaker 2: we tried to connect.

1230
00:55:14,080 --> 00:55:15,920
Speaker 3: It to a character. Yeah, we tried to make it.

1231
00:55:16,000 --> 00:55:17,959
Speaker 2: Quese absolutely nothing to do with Corey.

1232
00:55:18,239 --> 00:55:21,360
Speaker 1: No, so no, and the hers also had nothing to

1233
00:55:21,400 --> 00:55:23,040
Speaker 1: do with Corey. So it's not even like all of

1234
00:55:23,120 --> 00:55:25,440
Speaker 1: the things that led to the only wanted to.

1235
00:55:25,520 --> 00:55:28,280
Speaker 2: Send away the cab, right, But then he had blabbed,

1236
00:55:28,440 --> 00:55:31,279
Speaker 2: so that's why she And then he said something Eric

1237
00:55:31,480 --> 00:55:33,120
Speaker 2: said in front of her in the scene before.

1238
00:55:33,760 --> 00:55:35,680
Speaker 3: So those are two things, right, Oh my god.

1239
00:55:35,800 --> 00:55:37,840
Speaker 1: So, and we finally see this is where we finally

1240
00:55:37,880 --> 00:55:40,080
Speaker 1: see one of our favorite background actors just in our

1241
00:55:40,120 --> 00:55:43,240
Speaker 1: mao in the pizza hat and the pizza delivery uniform.

1242
00:55:43,680 --> 00:55:45,839
Speaker 1: Corey tells Tapanga that no one is going to bother

1243
00:55:45,960 --> 00:55:48,200
Speaker 1: them if they just act tough. He says out loud, boy,

1244
00:55:48,360 --> 00:55:50,520
Speaker 1: I love New Year's Eve. I'd sure hate to have

1245
00:55:50,640 --> 00:55:53,640
Speaker 1: to kill somebody though, which I do also think is

1246
00:55:53,680 --> 00:55:54,000
Speaker 1: a funny.

1247
00:55:54,160 --> 00:55:54,640
Speaker 2: It was great.

1248
00:55:54,880 --> 00:55:57,640
Speaker 3: I think that's a funny thing for a character like

1249
00:55:57,719 --> 00:55:59,920
Speaker 3: a Corey to have to say out loud, Yeah, I

1250
00:56:00,120 --> 00:56:00,320
Speaker 3: love that.

1251
00:56:01,040 --> 00:56:02,600
Speaker 1: The guy next to Corey gives him a dirty look,

1252
00:56:02,640 --> 00:56:05,560
Speaker 1: and Corey says, with my flu virus, that's a totally

1253
00:56:05,560 --> 00:56:06,080
Speaker 1: different joke.

1254
00:56:06,080 --> 00:56:08,920
Speaker 3: In twenty twenty three than nineteen ninety three, no.

1255
00:56:09,040 --> 00:56:11,680
Speaker 1: Kidding, Eric is trying to pull open the subway doors

1256
00:56:11,719 --> 00:56:13,719
Speaker 1: but gets his finger stuck. The conductor comes back on

1257
00:56:13,760 --> 00:56:16,000
Speaker 1: the PA but it still is in functioning. Somewhere in

1258
00:56:16,040 --> 00:56:18,759
Speaker 1: the static he says something about resulting in death or dismemberment.

1259
00:56:19,080 --> 00:56:21,200
Speaker 1: Corey asks Eric what he said, and Eric explains he

1260
00:56:21,239 --> 00:56:23,600
Speaker 1: said for Corey to go out and lick the third rail.

1261
00:56:24,280 --> 00:56:27,360
Speaker 2: Tapanga tells the guys to buck up buckers.

1262
00:56:28,080 --> 00:56:30,320
Speaker 3: What is going on with this?

1263
00:56:31,760 --> 00:56:34,040
Speaker 2: Just made me? It was like, what does she just swear?

1264
00:56:34,280 --> 00:56:36,760
Speaker 2: Like it's such a weird like you don't say buckers,

1265
00:56:36,840 --> 00:56:41,880
Speaker 2: you say buckeroos, right, No one says, isn't a thing, No, buckers,

1266
00:56:41,920 --> 00:56:44,320
Speaker 2: isn't a thing. That isn't a thing. You buck up buckeroo.

1267
00:56:44,760 --> 00:56:47,040
Speaker 1: I don't know, I don't know, I don't I don't

1268
00:56:47,040 --> 00:56:50,000
Speaker 1: I've never heard anybody say any of it. She says,

1269
00:56:50,040 --> 00:56:52,279
Speaker 1: it's probably just an electrical problem and look on the

1270
00:56:52,320 --> 00:56:55,680
Speaker 1: bright side, the city is saving on electricity. Corey asks

1271
00:56:55,719 --> 00:56:59,439
Speaker 1: what's wrong with Tapanga tonight? And if she swallowed Sandy Duncan.

1272
00:57:00,400 --> 00:57:03,960
Speaker 2: Which okay made me laugh so absurd. I was like,

1273
00:57:04,160 --> 00:57:07,920
Speaker 2: what is Sandy Duncan like the eternal? Why is Sandy Duncan?

1274
00:57:07,960 --> 00:57:10,080
Speaker 5: Because Sandy Duncan is always like this, She's like the

1275
00:57:10,160 --> 00:57:12,880
Speaker 5: mom on Hogan's was it Hogan's friend of Hogan's family

1276
00:57:13,040 --> 00:57:13,960
Speaker 5: and all that kind of stuff.

1277
00:57:13,960 --> 00:57:15,719
Speaker 4: So she was always like Sandy Duncan was always like

1278
00:57:15,760 --> 00:57:16,400
Speaker 4: the happy.

1279
00:57:16,760 --> 00:57:20,080
Speaker 1: Okay, so she was she was like an internal optimist, yes, okay, okay,

1280
00:57:20,200 --> 00:57:23,880
Speaker 1: all right, so Topanga weird reference though. Yeah.

1281
00:57:24,080 --> 00:57:25,320
Speaker 3: Topega stands up to Corey and.

1282
00:57:25,320 --> 00:57:27,880
Speaker 1: Says she's sick of being the positive raw Wa girl

1283
00:57:28,000 --> 00:57:30,320
Speaker 1: all the time and using words like buckers.

1284
00:57:30,880 --> 00:57:34,400
Speaker 3: Then says, I have demons to Panga. I know what

1285
00:57:34,600 --> 00:57:35,000
Speaker 3: a rush?

1286
00:57:35,200 --> 00:57:38,640
Speaker 2: Topega? Sit down? What are you doing? No one asked

1287
00:57:38,680 --> 00:57:42,919
Speaker 2: you to No one likes you. In fact, every step

1288
00:57:42,960 --> 00:57:47,160
Speaker 2: of the way we've asked you not to be before,

1289
00:57:47,440 --> 00:57:47,840
Speaker 2: so it does.

1290
00:57:48,320 --> 00:57:51,000
Speaker 1: No one We are asked actually saying can you please

1291
00:57:51,080 --> 00:57:52,880
Speaker 1: be your normal self, what are you doing?

1292
00:57:52,920 --> 00:57:54,800
Speaker 2: You weird to take this situation for what it really

1293
00:57:54,920 --> 00:57:58,760
Speaker 2: is as opposed to weirdo what don't get it? And

1294
00:57:58,840 --> 00:57:59,600
Speaker 2: then TJ.

1295
00:58:00,160 --> 00:58:02,800
Speaker 1: Wesley Johnson walks up to Eric and Corey and guesses

1296
00:58:02,880 --> 00:58:05,640
Speaker 1: they don't spend much time on the subway. Corey responds

1297
00:58:05,720 --> 00:58:08,560
Speaker 1: with not on subways, that's nice. Corey asks him what

1298
00:58:08,640 --> 00:58:10,320
Speaker 1: he thinks the problem is, and he says, a loose

1299
00:58:10,360 --> 00:58:13,000
Speaker 1: wire and air blower in the Ciniston and this.

1300
00:58:13,160 --> 00:58:16,680
Speaker 4: Is what he says, I remember that line specifically.

1301
00:58:16,560 --> 00:58:18,360
Speaker 3: But he doesn't know how long it'll take to get

1302
00:58:18,400 --> 00:58:18,720
Speaker 3: it fixed.

1303
00:58:18,760 --> 00:58:21,280
Speaker 1: On a holiday, Sean walks back in after checking out

1304
00:58:21,280 --> 00:58:24,840
Speaker 1: all the subways cars. He's got scoop car, five parochial

1305
00:58:24,920 --> 00:58:28,640
Speaker 1: girls who ditched their non car two missus Janelli just

1306
00:58:28,760 --> 00:58:31,600
Speaker 1: went into labor. Cory asks Sean what he's eating and

1307
00:58:31,680 --> 00:58:33,800
Speaker 1: he says it's a crab cake. There caterers stuck in

1308
00:58:33,840 --> 00:58:36,440
Speaker 1: the next car. Eric smacks the crab cake out of

1309
00:58:36,480 --> 00:58:38,000
Speaker 1: Sean's hand and asks him if they can get the

1310
00:58:38,000 --> 00:58:40,240
Speaker 1: subway fixed soon. Sean says, why would he ask when

1311
00:58:40,280 --> 00:58:42,959
Speaker 1: they've got food, babes and birth. The cycle of life

1312
00:58:43,080 --> 00:58:43,760
Speaker 1: is complete?

1313
00:58:44,600 --> 00:58:44,920
Speaker 2: Love it?

1314
00:58:46,440 --> 00:58:46,880
Speaker 4: I do you think.

1315
00:58:47,000 --> 00:58:49,280
Speaker 2: I do think that's cute. But there is one character

1316
00:58:49,320 --> 00:58:51,440
Speaker 2: who's like, guys speak the best of it.

1317
00:58:51,880 --> 00:58:53,280
Speaker 3: This is our it's also great, we.

1318
00:58:53,320 --> 00:58:56,120
Speaker 2: Have everything, but also this is what Tapanga was doing.

1319
00:58:56,600 --> 00:58:59,520
Speaker 2: So what immediately, what would happen is that Tapango would

1320
00:58:59,520 --> 00:59:00,720
Speaker 2: be like cool, Sean, let's go.

1321
00:59:01,280 --> 00:59:03,880
Speaker 1: Yeah. Sean didn't say buck up Buckers, so if she

1322
00:59:04,040 --> 00:59:06,120
Speaker 1: wasn't happy, you need to say buck up Buckers.

1323
00:59:06,640 --> 00:59:10,160
Speaker 4: Danielle does some dancing in this episode to get to that.

1324
00:59:10,520 --> 00:59:14,560
Speaker 1: Oh yeah, with no sound. I remember there being no

1325
00:59:14,960 --> 00:59:19,040
Speaker 1: music playing and you just have to dance all the

1326
00:59:19,080 --> 00:59:21,360
Speaker 1: way across the subway. That's how I get from one

1327
00:59:21,440 --> 00:59:22,160
Speaker 1: place to another.

1328
00:59:22,400 --> 00:59:22,480
Speaker 2: Ye.

1329
00:59:25,160 --> 00:59:27,800
Speaker 1: Eric says, not without his supermodel and he goes to

1330
00:59:27,920 --> 00:59:30,080
Speaker 1: the emergency box, but the captain tells him it's for

1331
00:59:30,160 --> 00:59:33,000
Speaker 1: emergencies only. Eric says it is an emergency because he's

1332
00:59:33,040 --> 00:59:35,960
Speaker 1: missing his date with Rebecca Alexa, and the captain says

1333
00:59:36,080 --> 00:59:39,040
Speaker 1: the jeans girl. When Eric says yes, the captain says,

1334
00:59:39,440 --> 00:59:43,320
Speaker 1: life's tough. I thought he was going to say helmet

1335
00:59:44,080 --> 00:59:46,360
Speaker 1: which they should have, which they should, but he doesn't,

1336
00:59:46,800 --> 00:59:49,480
Speaker 1: and then he asks his co captain Ernie about a

1337
00:59:49,560 --> 01:00:03,960
Speaker 1: crab cake and then back in Turner's apartment, which you

1338
01:00:04,240 --> 01:00:05,680
Speaker 1: definitely did not forget about.

1339
01:00:07,640 --> 01:00:09,240
Speaker 2: We needed to know what's gonna happen with.

1340
01:00:10,960 --> 01:00:14,240
Speaker 5: Get back to those now said their name three times

1341
01:00:14,280 --> 01:00:15,600
Speaker 5: that I still don't remember.

1342
01:00:15,360 --> 01:00:15,680
Speaker 4: What it is.

1343
01:00:16,960 --> 01:00:21,919
Speaker 2: One's the Clinger, right and the other one is gottage Bag.

1344
01:00:23,760 --> 01:00:26,439
Speaker 1: So they are both on the couch drinking champagne while

1345
01:00:26,480 --> 01:00:28,400
Speaker 1: talking about how they both went out with Jonathan and

1346
01:00:28,440 --> 01:00:31,760
Speaker 1: the date was the exact same. Jonathan, commiserating with Eli nearby,

1347
01:00:31,880 --> 01:00:33,880
Speaker 1: asks if he's so horrible, why are they both in

1348
01:00:33,960 --> 01:00:34,520
Speaker 1: his apartment?

1349
01:00:34,760 --> 01:00:38,320
Speaker 2: But Eli, what like when they talk about what happened

1350
01:00:38,320 --> 01:00:41,040
Speaker 2: when they're dates with Jonathan, they're so generic, Like this

1351
01:00:41,120 --> 01:00:44,440
Speaker 2: is an opportunity to say, like, here's something specific that

1352
01:00:44,600 --> 01:00:47,880
Speaker 2: Jonathan says or does that is so unique, that is

1353
01:00:47,960 --> 01:00:51,160
Speaker 2: such a like dude thing to say to try.

1354
01:00:51,480 --> 01:00:54,960
Speaker 1: But instead it's like the most because they want Jonathan

1355
01:00:55,000 --> 01:00:58,440
Speaker 1: to be likable again, you have to keep all your

1356
01:00:58,560 --> 01:01:02,560
Speaker 1: characters likable. All they're saying about him is that he

1357
01:01:02,920 --> 01:01:10,280
Speaker 1: goes out on dates with women too, and then eventually

1358
01:01:10,600 --> 01:01:17,480
Speaker 1: tells you he's not wantship that guy. It's like, okay, yeah,

1359
01:01:18,040 --> 01:01:19,880
Speaker 1: but by the way, it does answer the question that

1360
01:01:19,960 --> 01:01:21,520
Speaker 1: he asks if I'm so bad, why.

1361
01:01:21,400 --> 01:01:24,400
Speaker 3: Are you here? Because honestly, you're not that bad. They

1362
01:01:24,600 --> 01:01:26,720
Speaker 3: just trying to get you to want to be in

1363
01:01:26,760 --> 01:01:28,560
Speaker 3: a commitment. They want to change you.

1364
01:01:28,880 --> 01:01:30,760
Speaker 1: They want to change that part about you they really

1365
01:01:30,880 --> 01:01:33,920
Speaker 1: like you actually, But Eli says, please.

1366
01:01:34,000 --> 01:01:37,240
Speaker 2: It's just it's so cheap to to make him likable.

1367
01:01:38,000 --> 01:01:40,120
Speaker 2: They have to make every girl that walks into the

1368
01:01:40,840 --> 01:01:42,720
Speaker 2: apartment incredibly unlikable.

1369
01:01:42,880 --> 01:01:43,200
Speaker 4: Crazy.

1370
01:01:43,360 --> 01:01:45,960
Speaker 2: Yeah, there's something wrong with them. It has to be

1371
01:01:46,080 --> 01:01:49,880
Speaker 2: like a trio of crazy, which one's crazier than the next.

1372
01:01:50,160 --> 01:01:50,360
Speaker 5: Show.

1373
01:01:51,840 --> 01:01:53,840
Speaker 2: It makes sense that he wanted to be alone with

1374
01:01:53,960 --> 01:01:56,080
Speaker 2: his dude on the last.

1375
01:01:56,000 --> 01:01:59,560
Speaker 1: The last woman showing up crying and they only went

1376
01:01:59,600 --> 01:02:03,160
Speaker 1: out one. She definitely seems crazy. But are they trying

1377
01:02:03,200 --> 01:02:05,160
Speaker 1: to paint these two as crazy or yes?

1378
01:02:05,280 --> 01:02:08,360
Speaker 2: They Janine shows up and she's like, I'm gonna make

1379
01:02:08,440 --> 01:02:09,600
Speaker 2: you lasagna.

1380
01:02:09,600 --> 01:02:11,560
Speaker 3: Life, I'm inviting myself in and.

1381
01:02:12,480 --> 01:02:15,439
Speaker 2: Shows up she's got bottles of alcohol, and yeah, it's

1382
01:02:15,440 --> 01:02:18,280
Speaker 2: a little much clear that they are. I mean, okay, yeah,

1383
01:02:18,760 --> 01:02:19,360
Speaker 2: all right. Well.

1384
01:02:19,440 --> 01:02:21,400
Speaker 1: Jonathan asks Eli if he wants to help him with

1385
01:02:21,440 --> 01:02:23,760
Speaker 1: the plates, but Eli uses his own line back at him,

1386
01:02:23,800 --> 01:02:25,480
Speaker 1: saying he's not sure if he's ready for such a

1387
01:02:25,520 --> 01:02:28,160
Speaker 1: big commitment. Jonathan is trying to get rid of the girls,

1388
01:02:28,160 --> 01:02:30,120
Speaker 1: but Eli says they're not going anywhere, so they might

1389
01:02:30,120 --> 01:02:31,360
Speaker 1: as well sit back and enjoy it.

1390
01:02:31,720 --> 01:02:33,520
Speaker 3: Eli says there's something so nice.

1391
01:02:33,280 --> 01:02:35,760
Speaker 1: About being around women, but Jonathan says the reason why

1392
01:02:35,800 --> 01:02:37,440
Speaker 1: they planned this night is so they didn't have to

1393
01:02:37,480 --> 01:02:41,040
Speaker 1: be around women. Eli says, I lied, So there we

1394
01:02:41,080 --> 01:02:43,280
Speaker 1: got our conflict there. He wants to be around women,

1395
01:02:43,400 --> 01:02:46,240
Speaker 1: he does not. And then we're back on the subway.

1396
01:02:46,440 --> 01:02:48,560
Speaker 1: Eric is talking to a little boy named Timmy. He

1397
01:02:48,680 --> 01:02:50,440
Speaker 1: tells the kid he will lower him down on the

1398
01:02:50,520 --> 01:02:52,439
Speaker 1: tracks and then he's going to run like the wind

1399
01:02:52,600 --> 01:02:54,800
Speaker 1: to go find Rebecca Alexa and give her a note.

1400
01:02:55,280 --> 01:02:58,720
Speaker 1: Timmy's mom walks over, disgusted and grabs her son. Sean

1401
01:02:58,840 --> 01:03:00,720
Speaker 1: runs in to say missus j Ellie is about to

1402
01:03:00,760 --> 01:03:04,080
Speaker 1: give birth and asks if anyone knows about deliveries. Sean

1403
01:03:04,160 --> 01:03:06,320
Speaker 1: sees the pizza hat delivery guy and recruits him to

1404
01:03:06,360 --> 01:03:06,760
Speaker 1: come help.

1405
01:03:07,080 --> 01:03:09,360
Speaker 2: Oh, I'm just going back. I do love the Timmy.

1406
01:03:10,720 --> 01:03:13,080
Speaker 2: It's the problem with the moment is that the kid

1407
01:03:13,200 --> 01:03:16,120
Speaker 2: doesn't have a line. It's not such a clear moment

1408
01:03:16,160 --> 01:03:19,080
Speaker 2: when you just you pay the extra money to give

1409
01:03:19,120 --> 01:03:22,920
Speaker 2: that kid the funniest line ever. In response to Eric, like,

1410
01:03:23,520 --> 01:03:25,680
Speaker 2: you know, I don't know what. Give me a good line, will, like,

1411
01:03:25,880 --> 01:03:27,960
Speaker 2: you know, get away from a strange man, or you

1412
01:03:28,000 --> 01:03:31,919
Speaker 2: know something the jeans girl, she's way out of your league. Yes,

1413
01:03:33,720 --> 01:03:36,800
Speaker 2: something like that. Yeah that's great. Yeah, yeah, you just

1414
01:03:36,920 --> 01:03:39,200
Speaker 2: need because you can tell the kid is told not

1415
01:03:39,320 --> 01:03:42,120
Speaker 2: to say anything, right, and it's just a bummer. You're like, oh,

1416
01:03:42,280 --> 01:03:43,520
Speaker 2: come on, give the kid a line.

1417
01:03:43,680 --> 01:03:46,360
Speaker 4: Yeah, yeah, Jacob Michael, Jacob's kid.

1418
01:03:46,480 --> 01:03:48,160
Speaker 2: Right. I couldn't tell that wasn't that wasn't it.

1419
01:03:48,280 --> 01:03:49,000
Speaker 3: I couldn't tell either.

1420
01:03:49,040 --> 01:03:50,200
Speaker 2: I don't think I don't think it was.

1421
01:03:50,280 --> 01:03:52,840
Speaker 1: Okay, Tabanga tells Corey he should talk to Eric, who

1422
01:03:52,880 --> 01:03:55,560
Speaker 1: looks really upset. Corey approaches, but Eric quickly cuts him

1423
01:03:55,560 --> 01:03:57,280
Speaker 1: off to say, Corey is the reason for all of

1424
01:03:57,360 --> 01:04:01,280
Speaker 1: this is he tells about all of his goofs and

1425
01:04:01,360 --> 01:04:05,840
Speaker 1: then says, that's foiling my divine plan. And guys, I say,

1426
01:04:06,520 --> 01:04:10,080
Speaker 1: you foiled my divine plan all the time, and I've

1427
01:04:10,280 --> 01:04:10,960
Speaker 1: never known.

1428
01:04:10,840 --> 01:04:11,480
Speaker 3: Where I got it.

1429
01:04:11,920 --> 01:04:15,840
Speaker 1: Really say that, I say it all the time, and

1430
01:04:16,080 --> 01:04:17,920
Speaker 1: somewhere in the back of my mind I knew it

1431
01:04:18,080 --> 01:04:22,360
Speaker 1: was from some something, some TV movie thing that I

1432
01:04:22,440 --> 01:04:27,440
Speaker 1: had heard before. But I have said innumerable times, oh,

1433
01:04:27,680 --> 01:04:30,480
Speaker 1: you foiled my divine plan, like I have, I have

1434
01:04:30,640 --> 01:04:30,960
Speaker 1: said that.

1435
01:04:31,280 --> 01:04:34,840
Speaker 2: So many answer funny. I always say the phrase respite

1436
01:04:34,960 --> 01:04:37,880
Speaker 2: from the fray, which is something Poene said I think

1437
01:04:37,920 --> 01:04:40,919
Speaker 2: in first season. I'm not sure where, but like, yeah,

1438
01:04:40,960 --> 01:04:42,360
Speaker 2: it's in my head. It's so funny.

1439
01:04:42,800 --> 01:04:46,880
Speaker 4: I say buck up buckers all the time, like constantly.

1440
01:04:47,040 --> 01:04:50,080
Speaker 4: My wife's like when you stop that, I'm like, it's.

1441
01:04:50,040 --> 01:04:53,760
Speaker 1: The best line for Boy Meets World ever. God, that's

1442
01:04:53,840 --> 01:04:56,720
Speaker 1: so funny. So yeah, foiling my divine plan. Eric says

1443
01:04:56,800 --> 01:04:58,480
Speaker 1: all he wanted was a big party with a lot

1444
01:04:58,520 --> 01:05:01,320
Speaker 1: of people having a good time. Corey asks Eric if

1445
01:05:01,320 --> 01:05:03,200
Speaker 1: he thinks this is how he wanted to spend his night,

1446
01:05:03,240 --> 01:05:05,160
Speaker 1: adding only idiots would have a good time on a

1447
01:05:05,200 --> 01:05:07,000
Speaker 1: subway and ride on cube.

1448
01:05:07,080 --> 01:05:08,880
Speaker 2: Oh hey, that's number three.

1449
01:05:10,480 --> 01:05:12,520
Speaker 3: Sean walks back into the common.

1450
01:05:14,200 --> 01:05:14,880
Speaker 2: New Year's.

1451
01:05:17,640 --> 01:05:19,840
Speaker 1: He says he's having a great time and the pizza

1452
01:05:19,880 --> 01:05:22,640
Speaker 1: delivery guy will have the baby delivered in thirty minutes.

1453
01:05:23,080 --> 01:05:25,480
Speaker 1: This gives him enough time to check on the parochial girls.

1454
01:05:25,640 --> 01:05:28,040
Speaker 1: He told them his uncle was the pope, and like that.

1455
01:05:28,240 --> 01:05:31,960
Speaker 1: He leaves the subway car again, Rider and John. They

1456
01:05:32,000 --> 01:05:33,680
Speaker 1: actually look you guys look like you're having a good time.

1457
01:05:34,320 --> 01:05:38,120
Speaker 1: You're not obviously miserable, But I like that one of

1458
01:05:38,200 --> 01:05:40,920
Speaker 1: the characters is actually thoroughly enjoyed, making the.

1459
01:05:40,960 --> 01:05:43,120
Speaker 4: Best of it and just gonna throw a party. There's

1460
01:05:43,120 --> 01:05:45,320
Speaker 4: a I can throw it. That's like everyone has a

1461
01:05:45,360 --> 01:05:47,720
Speaker 4: friend like that that can just throw a party wherever

1462
01:05:47,800 --> 01:05:48,080
Speaker 4: you are.

1463
01:05:48,320 --> 01:05:51,200
Speaker 3: Yep, yeah, absolutely, Yeah that's me. That's what everyone says

1464
01:05:51,240 --> 01:05:51,560
Speaker 3: about me.

1465
01:05:51,680 --> 01:05:52,960
Speaker 2: Yeah, I've noticed that too. You are.

1466
01:05:53,600 --> 01:05:56,000
Speaker 3: I am a party. Just take me.

1467
01:05:56,120 --> 01:05:59,480
Speaker 2: Anywhere and I can turn it into a lively bar.

1468
01:06:00,320 --> 01:06:02,320
Speaker 4: Yeah. Being in an airport with you is like being

1469
01:06:02,400 --> 01:06:03,120
Speaker 4: a rio.

1470
01:06:03,760 --> 01:06:08,600
Speaker 1: Amazing exactly, It's unbelievable. Who de fish fun de fishy

1471
01:06:08,680 --> 01:06:13,520
Speaker 1: fun is what everybody calls me? Okay, Corey says he's

1472
01:06:13,560 --> 01:06:15,000
Speaker 1: going to make the best of the night, and Eric

1473
01:06:15,080 --> 01:06:17,240
Speaker 1: can sulk and feel sorry for himself if he wants.

1474
01:06:17,560 --> 01:06:19,680
Speaker 1: Eric says he will use all his brain power to

1475
01:06:19,760 --> 01:06:22,200
Speaker 1: will this train to move. When it doesn't work, he says,

1476
01:06:22,240 --> 01:06:25,120
Speaker 1: ah fooie, I need a bigger brain, and then he

1477
01:06:25,240 --> 01:06:27,919
Speaker 1: walks off to find Timmy the Wicked.

1478
01:06:28,120 --> 01:06:33,720
Speaker 2: Your little like martial arts man. So funny, So will

1479
01:06:33,840 --> 01:06:37,000
Speaker 2: because you know that's none of the script now the

1480
01:06:37,160 --> 01:06:40,720
Speaker 2: strains when they were probably imagining like this or something

1481
01:06:40,800 --> 01:06:41,440
Speaker 2: more predictable.

1482
01:06:41,480 --> 01:06:46,240
Speaker 3: But you do this like so good, very funny. And

1483
01:06:46,320 --> 01:06:47,600
Speaker 3: then we're back in Turner's apartment.

1484
01:06:47,640 --> 01:06:49,840
Speaker 1: Eli is on the couch with his arms around Jeanine

1485
01:06:49,840 --> 01:06:52,800
Speaker 1: and Valerie, agreeing with them that he loves theellman. Louise

1486
01:06:53,120 --> 01:06:58,280
Speaker 1: the ladies think ELI is perfect movie for women, right, get.

1487
01:06:58,160 --> 01:07:04,320
Speaker 2: It, that's the joke. There are women in it. Stars. Yeah.

1488
01:07:05,280 --> 01:07:05,320
Speaker 4: Like.

1489
01:07:08,640 --> 01:07:10,920
Speaker 1: Jonathan starts to walk out, and he says he's heading

1490
01:07:10,960 --> 01:07:13,760
Speaker 1: to the roof. Eli tells him remember Tuck and Roll.

1491
01:07:14,960 --> 01:07:17,280
Speaker 1: Jonathan tells Eli he made a New Year's resolution. I

1492
01:07:17,400 --> 01:07:20,040
Speaker 1: hate your guts. He opens the door to walk out,

1493
01:07:20,080 --> 01:07:23,120
Speaker 1: and he sees Lynn, another ex you should remember from

1494
01:07:23,160 --> 01:07:26,200
Speaker 1: the opening, now standing behind his door crying. She says

1495
01:07:26,240 --> 01:07:29,600
Speaker 1: she needs closure with their relationship. Jonathan is confused about

1496
01:07:29,640 --> 01:07:32,160
Speaker 1: their relationship because they only went out once, and she

1497
01:07:32,280 --> 01:07:37,680
Speaker 1: responds with how are you being so hostile? Women are insane.

1498
01:07:38,520 --> 01:07:42,880
Speaker 2: Nuts, Just let's put on them, Louise, ladies.

1499
01:07:43,800 --> 01:07:46,080
Speaker 1: Lynn says she just needs to be with someone who

1500
01:07:46,080 --> 01:07:48,200
Speaker 1: will listen to her. Then Jonathan pushes her in the

1501
01:07:48,240 --> 01:07:50,240
Speaker 1: house to be with Eli and the other girls, and he.

1502
01:07:50,600 --> 01:07:53,120
Speaker 5: Takes off another another script, by the way, I think

1503
01:07:53,160 --> 01:07:55,680
Speaker 5: we talked about this before, written by women. I know

1504
01:07:55,960 --> 01:07:58,760
Speaker 5: women seem crazy in the scripts that are written by women,

1505
01:07:58,960 --> 01:07:59,960
Speaker 5: which seem nice, strange.

1506
01:08:00,640 --> 01:08:03,000
Speaker 1: On the subway, Corey Topanga and all the people on

1507
01:08:03,080 --> 01:08:05,560
Speaker 1: the subway are dancing and having a pretty cool party.

1508
01:08:05,880 --> 01:08:10,920
Speaker 2: Corey dancing. I just want it like I didn't do it.

1509
01:08:11,080 --> 01:08:13,720
Speaker 2: I didn't do it, but I do think we should.

1510
01:08:13,880 --> 01:08:15,920
Speaker 2: We could have done a deep dive like to Pega's

1511
01:08:15,920 --> 01:08:18,280
Speaker 2: bedroom with every one of the extras in this oh

1512
01:08:18,400 --> 01:08:24,280
Speaker 2: yeah dance sequence. There are there is a very old woman, yes, yes,

1513
01:08:24,520 --> 01:08:28,000
Speaker 2: and I kept waiting for her to be a character

1514
01:08:28,120 --> 01:08:30,280
Speaker 2: that gets a reference from it. But this is I mean,

1515
01:08:30,439 --> 01:08:34,840
Speaker 2: this is a small, very frail, elderly woman who yes,

1516
01:08:35,479 --> 01:08:37,800
Speaker 2: I was you saw her, right, Well, of course there is,

1517
01:08:38,200 --> 01:08:40,160
Speaker 2: there's there are and then of course I was like,

1518
01:08:40,280 --> 01:08:42,080
Speaker 2: why is there a woman in a French made outfit?

1519
01:08:42,200 --> 01:08:47,439
Speaker 2: Turns out so ult later, right, so there's two and

1520
01:08:47,560 --> 01:08:50,400
Speaker 2: then there there was just there's so much going on,

1521
01:08:50,600 --> 01:08:54,320
Speaker 2: it's like a costume party. New Year's suddenly is like

1522
01:08:54,400 --> 01:08:59,560
Speaker 2: Halloween or a twenties year anniversary in the future of

1523
01:08:59,680 --> 01:09:01,120
Speaker 2: what the kids are going to be.

1524
01:09:01,840 --> 01:09:05,200
Speaker 4: That right, maybe this whole thing never happened and it's

1525
01:09:05,240 --> 01:09:05,719
Speaker 4: a dream.

1526
01:09:06,160 --> 01:09:09,639
Speaker 2: Oh yeah, no, it happened.

1527
01:09:10,000 --> 01:09:12,400
Speaker 1: Cory says, if people want a quiet place to chat,

1528
01:09:12,479 --> 01:09:14,760
Speaker 1: there's plenty of room by the sad guy, and Corey

1529
01:09:14,880 --> 01:09:15,559
Speaker 1: points to Eric.

1530
01:09:16,000 --> 01:09:18,120
Speaker 3: We are all dancing to music.

1531
01:09:17,920 --> 01:09:21,160
Speaker 1: That we could not hear in the filming of it

1532
01:09:21,360 --> 01:09:25,680
Speaker 1: only very light the yes, because they obviously want to

1533
01:09:25,720 --> 01:09:28,519
Speaker 1: hear everybody talking, so there's slow music playing.

1534
01:09:28,560 --> 01:09:31,040
Speaker 2: But when we think we're getting music from is there

1535
01:09:31,120 --> 01:09:32,320
Speaker 2: a boombox to be found?

1536
01:09:32,720 --> 01:09:35,720
Speaker 1: Yes, the old lady has the speakers that the guy

1537
01:09:35,880 --> 01:09:41,000
Speaker 1: was talking over. They're playing music now, I guess. TJJ yeah.

1538
01:09:41,120 --> 01:09:44,560
Speaker 1: TJ praises Corey for putting together the Underground Party, and

1539
01:09:44,640 --> 01:09:46,800
Speaker 1: there's a joke weird word.

1540
01:09:48,080 --> 01:09:51,840
Speaker 2: You ever know what part is? It's been around since

1541
01:09:51,960 --> 01:09:53,320
Speaker 2: like the seventies, hasn't it.

1542
01:09:53,720 --> 01:09:57,439
Speaker 1: Yeah, it makes no sense. Also, it's a joke used

1543
01:09:57,800 --> 01:10:01,320
Speaker 1: twice back to beat hit it harder. I mean, they

1544
01:10:01,560 --> 01:10:03,280
Speaker 1: probably could have cut that and left that on the

1545
01:10:03,320 --> 01:10:07,599
Speaker 1: cutting room floor. But Topanga kisses Cory before midnight because

1546
01:10:07,640 --> 01:10:10,200
Speaker 1: they're passing out garlic balls and she wants to get

1547
01:10:10,240 --> 01:10:13,400
Speaker 1: a fresh kiss in Eric comes over town.

1548
01:10:13,240 --> 01:10:16,160
Speaker 2: That she's made references to, like in that last episode,

1549
01:10:16,280 --> 01:10:18,160
Speaker 2: she's like, I'm all, Jeremy, I don't want to and

1550
01:10:18,200 --> 01:10:20,559
Speaker 2: then like, you know, I don't want to think about

1551
01:10:20,800 --> 01:10:23,840
Speaker 2: garlic breath and germs before watching you guys kiss.

1552
01:10:24,200 --> 01:10:24,240
Speaker 4: No.

1553
01:10:24,520 --> 01:10:28,559
Speaker 1: Also, I you're in a relationship with somebody you are

1554
01:10:28,600 --> 01:10:30,920
Speaker 1: in love with, do you really like, well, once you

1555
01:10:31,000 --> 01:10:33,840
Speaker 1: eat that garlic ball, we're just kissings over, kissings over

1556
01:10:33,920 --> 01:10:34,320
Speaker 1: for the night.

1557
01:10:34,439 --> 01:10:39,120
Speaker 4: So garlic obviously, I know you know what's the problem,

1558
01:10:39,400 --> 01:10:40,920
Speaker 4: an you just deal with it.

1559
01:10:40,960 --> 01:10:41,360
Speaker 2: You guys.

1560
01:10:41,760 --> 01:10:43,400
Speaker 1: So one of the things that I remember that I

1561
01:10:43,479 --> 01:10:45,439
Speaker 1: took with me that are like just burned into my

1562
01:10:45,520 --> 01:10:47,880
Speaker 1: head that Michael Jacobs had a thing about was when

1563
01:10:47,920 --> 01:10:50,640
Speaker 1: we all moved into the college dorms. There would be

1564
01:10:50,720 --> 01:10:52,800
Speaker 1: times where it was like Topanga was supposed to come

1565
01:10:52,880 --> 01:10:55,280
Speaker 1: out from her room or the bathroom and it'd be

1566
01:10:55,360 --> 01:10:57,400
Speaker 1: early in the morning, and there'd be conversation about like,

1567
01:10:57,439 --> 01:10:58,479
Speaker 1: what are you doing up so early?

1568
01:10:58,800 --> 01:11:00,560
Speaker 3: And I walked out once and you and he was like,

1569
01:11:00,640 --> 01:11:02,599
Speaker 3: now stop, do not yawn.

1570
01:11:02,920 --> 01:11:05,000
Speaker 1: We all assume you haven't brushed your teeth yet, And

1571
01:11:05,040 --> 01:11:08,759
Speaker 1: it just makes everybody think of bad morning breath really,

1572
01:11:09,280 --> 01:11:13,400
Speaker 1: and he was like, never yawn on camera. It just

1573
01:11:13,560 --> 01:11:15,320
Speaker 1: makes people think of bad bread.

1574
01:11:15,400 --> 01:11:18,200
Speaker 4: God, he had some weird ones.

1575
01:11:18,240 --> 01:11:20,080
Speaker 3: What so it stuck with me.

1576
01:11:20,320 --> 01:11:23,599
Speaker 2: I've never yon.

1577
01:11:26,439 --> 01:11:27,320
Speaker 4: I assume you were going.

1578
01:11:27,280 --> 01:11:28,720
Speaker 5: To say something, but it was like, as you were

1579
01:11:28,720 --> 01:11:30,080
Speaker 5: coming out of the bathroom in the morning, it was

1580
01:11:30,160 --> 01:11:31,519
Speaker 5: like you were taking your morning deuce.

1581
01:11:32,360 --> 01:11:34,439
Speaker 4: I assume that's what he was going to be talking about.

1582
01:11:34,920 --> 01:11:37,360
Speaker 3: No, it was like, don't yawn on camera. It makes

1583
01:11:37,400 --> 01:11:38,559
Speaker 3: everyone think of bad breath.

1584
01:11:38,680 --> 01:11:42,839
Speaker 1: So Michael must have also had a thing about kissing

1585
01:11:43,000 --> 01:11:44,200
Speaker 1: and breath and garlic.

1586
01:11:44,520 --> 01:11:44,960
Speaker 3: I don't know.

1587
01:11:45,160 --> 01:11:58,400
Speaker 1: So anyway, very strange. Eric comes over to ask for

1588
01:11:58,479 --> 01:12:00,439
Speaker 1: a garlic ball, knowing it will ruin his breath. He

1589
01:12:00,479 --> 01:12:03,519
Speaker 1: says he's over Rebecca Alexa because he dumped her. He

1590
01:12:03,600 --> 01:12:05,400
Speaker 1: says he can do better than her, and then he

1591
01:12:05,479 --> 01:12:08,759
Speaker 1: admits he doesn't even believe himself. Corey tells Eric everyone

1592
01:12:08,800 --> 01:12:10,560
Speaker 1: always makes a big deal out of New Year's but

1593
01:12:10,600 --> 01:12:12,960
Speaker 1: it never turns out the way you plan. They reminisce

1594
01:12:13,040 --> 01:12:15,360
Speaker 1: on New Year's past where they had fun as little kids.

1595
01:12:15,640 --> 01:12:17,800
Speaker 1: The year they popped popcorn and the radiator and let

1596
01:12:17,840 --> 01:12:20,200
Speaker 1: the babysitter curl his hair and then there's a very

1597
01:12:20,240 --> 01:12:22,720
Speaker 1: cute line read from Ben where he earnestly says, when is.

1598
01:12:22,720 --> 01:12:23,400
Speaker 2: That going away?

1599
01:12:24,000 --> 01:12:25,080
Speaker 3: I thought was very cute little.

1600
01:12:25,240 --> 01:12:27,760
Speaker 5: I liked the brother stuff. I always liked the little

1601
01:12:27,840 --> 01:12:29,920
Speaker 5: soft scenes between Ben and I. It didn't happen often,

1602
01:12:30,120 --> 01:12:31,040
Speaker 5: but I liked him when they did.

1603
01:12:31,160 --> 01:12:32,760
Speaker 1: Yeah, I know, I liked it, And I think they

1604
01:12:32,800 --> 01:12:34,840
Speaker 1: also had an opportunity where there could have been, like

1605
01:12:34,920 --> 01:12:36,479
Speaker 1: I said when they mentioned it at the beginning, it

1606
01:12:36,520 --> 01:12:39,400
Speaker 1: could have been well Corey was always ruining those, you know, especially,

1607
01:12:40,000 --> 01:12:40,800
Speaker 1: it would have been great.

1608
01:12:41,120 --> 01:12:43,080
Speaker 2: It would have been great. I mean, actually something that

1609
01:12:43,479 --> 01:12:45,200
Speaker 2: hasn't happened in a while. It is like Eric trying

1610
01:12:45,240 --> 01:12:47,560
Speaker 2: to get away from Corey for New Year's Right. But

1611
01:12:47,800 --> 01:12:49,920
Speaker 2: if the situation had been that Eric had to take

1612
01:12:50,040 --> 01:12:52,960
Speaker 2: Corey by New Year's with him and he didn't want to,

1613
01:12:53,120 --> 01:12:55,760
Speaker 2: it's like one story. Yeah, it would have been at

1614
01:12:55,840 --> 01:12:59,320
Speaker 2: least character based conflict. So that has everything unhappened, it

1615
01:12:59,360 --> 01:13:02,200
Speaker 2: would be like, oh, this is yet again a situation

1616
01:13:02,280 --> 01:13:04,960
Speaker 2: where Corey's ruining in my New Year's Right. Instead it's

1617
01:13:05,040 --> 01:13:07,240
Speaker 2: just you just you're just angry with him.

1618
01:13:07,280 --> 01:13:09,280
Speaker 1: And I don't know how cute it would have been

1619
01:13:09,439 --> 01:13:12,200
Speaker 1: for them to still have even after he's now ruined

1620
01:13:12,320 --> 01:13:14,720
Speaker 1: this adult, his first adult New Year's with you to

1621
01:13:14,800 --> 01:13:15,759
Speaker 1: still reminisce about.

1622
01:13:15,800 --> 01:13:17,880
Speaker 3: It wasn't all bad. Here are some of the fun things.

1623
01:13:17,920 --> 01:13:18,640
Speaker 2: You know, it could have been.

1624
01:13:18,920 --> 01:13:20,680
Speaker 3: It could have been a little bit more meaningful, but

1625
01:13:20,760 --> 01:13:21,120
Speaker 3: it was it.

1626
01:13:22,080 --> 01:13:24,439
Speaker 2: Morgan a little bit too, Like there's just no reference

1627
01:13:24,520 --> 01:13:28,160
Speaker 2: to Yeah, right, here's she who's watching Morgan tonight. Yah,

1628
01:13:28,560 --> 01:13:30,920
Speaker 2: let's do a let's do a retroactive episode of what

1629
01:13:31,000 --> 01:13:36,360
Speaker 2: happens to Morgan. Her parents are out gone. What is

1630
01:13:36,400 --> 01:13:39,599
Speaker 2: Morgan doing? She's at a friend's house. Maybe that's what? Sure? Yeah,

1631
01:13:40,320 --> 01:13:42,040
Speaker 2: Erk didn't have one throwaway line.

1632
01:13:42,439 --> 01:13:43,000
Speaker 3: I know nothing.

1633
01:13:43,400 --> 01:13:45,519
Speaker 1: Eric says, all the lousy New Years were actually all

1634
01:13:45,560 --> 01:13:47,280
Speaker 1: pretty good, just like tonight, he thinks.

1635
01:13:47,360 --> 01:13:50,160
Speaker 3: Cory TJ counts down to the New year five.

1636
01:13:50,120 --> 01:13:53,479
Speaker 1: Four three two one, and right after it strikes midnight,

1637
01:13:53,520 --> 01:13:57,639
Speaker 1: Sean walks in saying good news everyone twins. To Pega

1638
01:13:57,720 --> 01:14:00,400
Speaker 1: asks if missus Janelli had twins, and Shawn's says no,

1639
01:14:01,080 --> 01:14:05,840
Speaker 1: but I do, and then he introduces Linda and her sister.

1640
01:14:06,760 --> 01:14:12,559
Speaker 5: More. That's a great line. I remember that line from

1641
01:14:12,680 --> 01:14:15,040
Speaker 5: the show itself, like I remember filming that line and

1642
01:14:15,080 --> 01:14:15,840
Speaker 5: I'm just laughing at that.

1643
01:14:18,320 --> 01:14:18,920
Speaker 2: I think it's.

1644
01:14:20,680 --> 01:14:21,639
Speaker 4: I think it's great.

1645
01:14:24,760 --> 01:14:27,400
Speaker 1: Eric wishes Corey a happy New Year. Then Corey goes

1646
01:14:27,439 --> 01:14:30,120
Speaker 1: over to kiss the panga again. A caterer played by

1647
01:14:30,200 --> 01:14:33,439
Speaker 1: Charisma Carpenter then comes up to Eric and asks keish

1648
01:14:33,880 --> 01:14:36,719
Speaker 1: and he says, don't mind if I do and kisses

1649
01:14:36,760 --> 01:14:37,680
Speaker 1: her because.

1650
01:14:38,960 --> 01:14:44,479
Speaker 2: Kiss guys. That's then I'll admit that. Okay.

1651
01:14:44,560 --> 01:14:46,960
Speaker 4: So as actors, we obviously talked about it and planned

1652
01:14:47,000 --> 01:14:48,439
Speaker 4: out how we're going to kiss and do all that stuff.

1653
01:14:48,439 --> 01:14:50,679
Speaker 2: But don't grab and kiss people. That's very bad.

1654
01:14:51,280 --> 01:14:54,640
Speaker 3: Yeah, but he does offer. You do you think she

1655
01:14:54,920 --> 01:14:57,479
Speaker 3: thought that she wanted to kiss him?

1656
01:14:57,840 --> 01:14:58,000
Speaker 2: Right?

1657
01:14:58,600 --> 01:14:59,479
Speaker 4: I don't think he did.

1658
01:15:00,320 --> 01:15:03,360
Speaker 2: No, he just took advantage of the joke. He makes

1659
01:15:03,439 --> 01:15:07,519
Speaker 2: a joke. Yeah. I don't think he thinks she said kiss.

1660
01:15:08,439 --> 01:15:10,000
Speaker 2: I think he just she's into it.

1661
01:15:10,479 --> 01:15:13,040
Speaker 3: She throws the thing and she she ends up.

1662
01:15:13,040 --> 01:15:15,040
Speaker 2: Well that's true.

1663
01:15:15,120 --> 01:15:19,000
Speaker 3: Obviously she can't consent. She's in sorceal.

1664
01:15:19,240 --> 01:15:22,960
Speaker 2: Yeah, so let's not do that. People don't harp on it,

1665
01:15:23,160 --> 01:15:23,680
Speaker 2: just don't do it.

1666
01:15:24,000 --> 01:15:24,479
Speaker 3: Don't do it.

1667
01:15:25,000 --> 01:15:27,599
Speaker 1: And then we're in the Matthews living room, a very

1668
01:15:27,960 --> 01:15:30,559
Speaker 1: tan Feeney who is also dressed like the man who

1669
01:15:30,640 --> 01:15:31,719
Speaker 1: built Jurassic Park.

1670
01:15:31,880 --> 01:15:33,240
Speaker 2: Isn't that from the.

1671
01:15:34,560 --> 01:15:36,560
Speaker 4: It doesn't look like he should also be covered in

1672
01:15:36,840 --> 01:15:40,480
Speaker 4: the delus spit exactly.

1673
01:15:42,800 --> 01:15:46,760
Speaker 2: Yeah, he runs into the house. Is that character's name

1674
01:15:47,640 --> 01:15:50,759
Speaker 2: John Hammond played by the Great Richard Attenborough?

1675
01:15:51,240 --> 01:15:53,679
Speaker 1: Yes, he runs into the Matthew's house again and asks

1676
01:15:53,720 --> 01:15:55,640
Speaker 1: Alan and Amy for money for his cab. All he

1677
01:15:55,800 --> 01:15:58,720
Speaker 1: has is Bahamian cash and airline Pino.

1678
01:16:00,720 --> 01:16:01,640
Speaker 2: Pani I know.

1679
01:16:02,240 --> 01:16:04,320
Speaker 1: Alan says he only has a dollar and Phoene tells

1680
01:16:04,400 --> 01:16:07,400
Speaker 1: him to dig deeper man. Alan asks why he doesn't

1681
01:16:07,400 --> 01:16:09,240
Speaker 1: have the driver take him to a bank machine, and

1682
01:16:09,280 --> 01:16:11,360
Speaker 1: Phoene says he doesn't want to spend another minute with

1683
01:16:11,400 --> 01:16:14,200
Speaker 1: the driver because he looks nothing like his picture. So

1684
01:16:14,320 --> 01:16:17,120
Speaker 1: we get a call back to Corey bad joke, Corey

1685
01:16:17,200 --> 01:16:17,719
Speaker 1: call back.

1686
01:16:17,600 --> 01:16:19,400
Speaker 2: To a bad joke. It's called me to a bad joke.

1687
01:16:19,439 --> 01:16:22,240
Speaker 2: But this thing took me back in my mind to

1688
01:16:22,479 --> 01:16:24,320
Speaker 2: the Danger Boy episode where there's a little bit of

1689
01:16:24,439 --> 01:16:30,439
Speaker 2: like Corey Feene similarity like this. It's like old anxious

1690
01:16:30,600 --> 01:16:33,720
Speaker 2: man energy. Yeah, and I like that. I think that

1691
01:16:33,880 --> 01:16:37,000
Speaker 2: that's so cute and I wish that they answer recognized,

1692
01:16:37,040 --> 01:16:39,479
Speaker 2: like if Corey had said that's what I said in

1693
01:16:39,560 --> 01:16:41,640
Speaker 2: this scene, exactly if there was a sense of like,

1694
01:16:41,760 --> 01:16:44,080
Speaker 2: mister Feenie gets me and like that that was a

1695
01:16:44,200 --> 01:16:46,560
Speaker 2: payoff of some sort of correct, you know, thing that

1696
01:16:46,680 --> 01:16:48,960
Speaker 2: had been established. But instead it's just yeah.

1697
01:16:49,240 --> 01:16:51,960
Speaker 1: It's like the characters don't notice it, just that it's

1698
01:16:52,000 --> 01:16:54,599
Speaker 1: there for the audience. But it's funnier if the characters

1699
01:16:54,720 --> 01:16:55,120
Speaker 1: noticed it.

1700
01:16:55,280 --> 01:16:57,880
Speaker 2: I think it's so cute when Corey and Feoene because

1701
01:16:57,880 --> 01:16:59,479
Speaker 2: they don't want to be like each other, but it's

1702
01:16:59,920 --> 01:17:02,280
Speaker 2: like each other exactly. I know, I love it.

1703
01:17:02,479 --> 01:17:03,200
Speaker 3: I love that too.

1704
01:17:03,760 --> 01:17:06,600
Speaker 1: So then the cab driver honks outside, and Feenie, you know,

1705
01:17:06,760 --> 01:17:09,360
Speaker 1: the Foenie from the subway, adds. He yells, I'll be

1706
01:17:09,560 --> 01:17:13,160
Speaker 1: right there. Vaj Nich, Corey and Sean come downstairs and

1707
01:17:13,200 --> 01:17:16,320
Speaker 1: ask Feenie how his trip was. Then Amy suggests maybe

1708
01:17:16,360 --> 01:17:18,600
Speaker 1: they can help him with some money a devil, as

1709
01:17:18,640 --> 01:17:22,760
Speaker 1: Sean says, oh, a little short again, George Phoene says

1710
01:17:22,800 --> 01:17:25,720
Speaker 1: he would rather risk his liver and he walks back

1711
01:17:25,760 --> 01:17:26,639
Speaker 1: out the door.

1712
01:17:30,360 --> 01:17:34,800
Speaker 2: Silence. There was a fun episode. Shoot, it was.

1713
01:17:34,960 --> 01:17:36,519
Speaker 4: It was a really really fun episode.

1714
01:17:36,520 --> 01:17:38,559
Speaker 2: Shoot. I think it's a very you know, I think

1715
01:17:38,720 --> 01:17:42,559
Speaker 2: like like a lot of television, but especially a lot

1716
01:17:42,600 --> 01:17:47,360
Speaker 2: of Boy Meets World. It's people remember the strange ones,

1717
01:17:47,600 --> 01:17:49,600
Speaker 2: do you know what I mean? And then there's so

1718
01:17:49,760 --> 01:17:52,560
Speaker 2: many one off jokes in this episode that people have

1719
01:17:52,840 --> 01:17:55,920
Speaker 2: very fond memories of this episode, I imagine because they're like, well,

1720
01:17:55,960 --> 01:17:57,680
Speaker 2: that was the one with the twins or the one

1721
01:17:57,720 --> 01:17:59,800
Speaker 2: with the thing or you know, there's like a there's

1722
01:17:59,880 --> 01:18:03,639
Speaker 2: like a million little side bits crammed into one. Yes,

1723
01:18:03,880 --> 01:18:07,760
Speaker 2: but for me, like as a story.

1724
01:18:07,960 --> 01:18:12,200
Speaker 3: Yes, no, like and I like stuff. All that is

1725
01:18:12,320 --> 01:18:14,360
Speaker 3: all they care about for exactly.

1726
01:18:14,720 --> 01:18:18,040
Speaker 2: Because you're stuck watching television. You're it's like right, you know,

1727
01:18:18,120 --> 01:18:20,679
Speaker 2: and you already like Boy Meets World, so you're willing

1728
01:18:20,720 --> 01:18:23,680
Speaker 2: to so either you're binge watching a show and your

1729
01:18:23,800 --> 01:18:25,800
Speaker 2: this is just one that's flying by. You don't take

1730
01:18:25,840 --> 01:18:28,799
Speaker 2: it seriously and you just love it so totally but totally.

1731
01:18:29,040 --> 01:18:30,920
Speaker 2: It's like it throws a lot of character out there.

1732
01:18:30,920 --> 01:18:31,880
Speaker 2: But I didn't hate it either.

1733
01:18:32,000 --> 01:18:33,760
Speaker 5: I thought it was just I thought it was a fun,

1734
01:18:33,880 --> 01:18:36,320
Speaker 5: ridiculous And again it's also just wrapped up in because

1735
01:18:36,320 --> 01:18:38,000
Speaker 5: we had so much fun filming it, and I remember

1736
01:18:38,360 --> 01:18:40,120
Speaker 5: bouncing with you guy, like we would joke around.

1737
01:18:40,200 --> 01:18:40,800
Speaker 2: Is it even big?

1738
01:18:40,920 --> 01:18:43,040
Speaker 5: Yell cut, we'd still be doing this and we'd pretend

1739
01:18:43,080 --> 01:18:45,280
Speaker 5: to go like opposite directions when the train stopped.

1740
01:18:45,320 --> 01:18:47,000
Speaker 2: I mean it was like, just maybe we should explain

1741
01:18:47,080 --> 01:18:49,120
Speaker 2: that for a little bit. Because I had a direct

1742
01:18:49,280 --> 01:18:51,200
Speaker 2: I had to direct the episodes on Girl Meets Ward.

1743
01:18:51,280 --> 01:18:52,960
Speaker 2: The final episode of Girl Met Toward that all took

1744
01:18:52,960 --> 01:18:56,160
Speaker 2: place on a subway, and it was really difficult because

1745
01:18:56,200 --> 01:18:58,880
Speaker 2: you have to, Yeah, they do what's called a poor

1746
01:18:58,960 --> 01:19:01,880
Speaker 2: man's process, which is where they have to shake. It's

1747
01:19:01,920 --> 01:19:04,080
Speaker 2: whenever you're shooting a car or a vehicle, you have

1748
01:19:04,160 --> 01:19:05,040
Speaker 2: to pretend that it's moving.

1749
01:19:05,120 --> 01:19:08,479
Speaker 1: It's like resting on very heavy sticks, and then there

1750
01:19:08,520 --> 01:19:12,000
Speaker 1: are men grabbing each of those sticks to make the

1751
01:19:12,160 --> 01:19:13,320
Speaker 1: subway look like it's moving.

1752
01:19:13,439 --> 01:19:13,639
Speaker 5: Yeah.

1753
01:19:13,840 --> 01:19:15,840
Speaker 2: Right, And then you also have to create a light

1754
01:19:15,920 --> 01:19:18,160
Speaker 2: effect to create this sense of motion, So you have

1755
01:19:18,240 --> 01:19:22,519
Speaker 2: to have people walking lights behind the windows to make them,

1756
01:19:22,640 --> 01:19:24,840
Speaker 2: you know, they make the look like things are passing.

1757
01:19:25,640 --> 01:19:28,240
Speaker 2: It's very time intensive and it has to be like

1758
01:19:28,720 --> 01:19:31,479
Speaker 2: planned out with like doors opening and platforms, and it's

1759
01:19:31,640 --> 01:19:34,519
Speaker 2: like a whole nightmare of shooting. And I remember it

1760
01:19:34,600 --> 01:19:35,400
Speaker 2: being very difficult.

1761
01:19:35,640 --> 01:19:36,160
Speaker 4: Oh, I was said.

1762
01:19:36,200 --> 01:19:37,920
Speaker 5: This was one of the episodes where Jeff McCracken. I

1763
01:19:37,920 --> 01:19:40,960
Speaker 5: think was getting a little, you know, a little snippy

1764
01:19:41,040 --> 01:19:41,920
Speaker 5: with us because we.

1765
01:19:42,040 --> 01:19:43,559
Speaker 4: Were screwing around.

1766
01:19:43,680 --> 01:19:45,400
Speaker 5: And it's like, it's one thing to screw around when

1767
01:19:45,400 --> 01:19:46,880
Speaker 5: you're sitting in the classroom scene or you're in the

1768
01:19:46,880 --> 01:19:49,240
Speaker 5: hallway scene. It's another when you're on this giant set

1769
01:19:49,280 --> 01:19:53,360
Speaker 5: that they just built. Yep, that's tons of extras. Yeah,

1770
01:19:53,680 --> 01:19:55,720
Speaker 5: was this This took for It took a long time

1771
01:19:55,760 --> 01:19:57,280
Speaker 5: to shoot. But that's why I remember it so much,

1772
01:19:57,360 --> 01:19:58,599
Speaker 5: just because it is fun.

1773
01:19:58,840 --> 01:20:00,920
Speaker 3: Yeah, yeah, yeah, and it it is fun in my memory.

1774
01:20:00,920 --> 01:20:02,560
Speaker 1: I mean, I was actually surprised when I watched it

1775
01:20:02,600 --> 01:20:04,720
Speaker 1: that I was like, huh, I'm surprised. I feel so

1776
01:20:04,880 --> 01:20:09,400
Speaker 1: fondly about this episode internally that now watching it, I'm like, hmmm,

1777
01:20:10,200 --> 01:20:12,800
Speaker 1: wasn't It wasn't a great output, but I had so

1778
01:20:13,000 --> 01:20:13,720
Speaker 1: much fun doing it.

1779
01:20:14,680 --> 01:20:17,800
Speaker 3: But yeah, I don't think I don't think it was Yeah,

1780
01:20:17,880 --> 01:20:18,759
Speaker 3: I agree, I agree.

1781
01:20:18,840 --> 01:20:21,320
Speaker 1: I'm feeling a little more like Will and hearing writer

1782
01:20:21,439 --> 01:20:23,200
Speaker 1: talk about it, how that is the way people who

1783
01:20:23,240 --> 01:20:25,679
Speaker 1: watch the show feel about it. They remember the one liners,

1784
01:20:25,720 --> 01:20:29,599
Speaker 1: they remember the the overall feeling Boy Meets World gives them,

1785
01:20:30,120 --> 01:20:32,160
Speaker 1: and that this episode has a lot of the fun

1786
01:20:32,840 --> 01:20:34,800
Speaker 1: maybe some of their favorite lines in it, so they go,

1787
01:20:34,920 --> 01:20:39,719
Speaker 1: I love that episode. But then they watch the episode

1788
01:20:39,720 --> 01:20:40,880
Speaker 1: and kind of break it down, and then they just

1789
01:20:40,920 --> 01:20:42,559
Speaker 1: want to go, well's shut up.

1790
01:20:42,600 --> 01:20:44,800
Speaker 2: I like it anyway. Don't take it so seriously. Don't

1791
01:20:44,800 --> 01:20:45,639
Speaker 2: take it so seriously.

1792
01:20:45,960 --> 01:20:47,000
Speaker 3: I want to enjoy it anyway.

1793
01:20:47,000 --> 01:20:50,120
Speaker 2: And you know what you should do. Shit, go ahead,

1794
01:20:50,120 --> 01:20:50,760
Speaker 2: don't listen to me.

1795
01:20:51,120 --> 01:20:51,639
Speaker 3: Don't listen.

1796
01:20:51,800 --> 01:20:55,800
Speaker 1: Don't let us and our logical story brains ruin it

1797
01:20:55,880 --> 01:20:56,080
Speaker 1: for you.

1798
01:20:56,160 --> 01:20:57,519
Speaker 3: If you love it, love it, I.

1799
01:20:57,640 --> 01:21:00,360
Speaker 2: Love it probably then I mean, that's how much of

1800
01:21:00,400 --> 01:21:04,000
Speaker 2: a Debbie Downer I am? True, miss is kind of dumb.

1801
01:21:04,120 --> 01:21:05,880
Speaker 3: That's true. Writer was probably missing I.

1802
01:21:05,880 --> 01:21:09,639
Speaker 2: Was always I was really missing my my white rose

1803
01:21:09,680 --> 01:21:10,879
Speaker 2: girlfriend exactly.

1804
01:21:11,240 --> 01:21:14,639
Speaker 4: Really hard subway scene was going to take that back

1805
01:21:14,720 --> 01:21:16,080
Speaker 4: from the pain for field.

1806
01:21:16,160 --> 01:21:17,960
Speaker 3: You were missing your Rebecca, Alexa.

1807
01:21:18,240 --> 01:21:21,439
Speaker 1: Yeah, yeah, Thank you all for joining us for this

1808
01:21:21,520 --> 01:21:24,320
Speaker 1: episode of Pod Meets World. Our next episode recap will

1809
01:21:24,360 --> 01:21:28,720
Speaker 1: be season three, episode eleven, City Slackers, originally air January fifth,

1810
01:21:28,880 --> 01:21:31,280
Speaker 1: nineteen ninety six. I can't believe we're already into the

1811
01:21:31,400 --> 01:21:35,679
Speaker 1: ninety sixes of recaps. Guys, isn't that crazy?

1812
01:21:36,040 --> 01:21:36,240
Speaker 2: Yep?

1813
01:21:36,760 --> 01:21:39,080
Speaker 1: As always, you can follow us on Instagram pod Meets

1814
01:21:39,120 --> 01:21:41,639
Speaker 1: World Show. You can send us your emails podmeets World

1815
01:21:41,680 --> 01:21:42,840
Speaker 1: Show at gmail dot.

1816
01:21:42,760 --> 01:21:46,760
Speaker 2: Com and we have merch buck Up merchers.

1817
01:21:47,920 --> 01:21:50,880
Speaker 3: Podmeets Worldshow dot com rider send us out.

1818
01:21:51,320 --> 01:21:55,640
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1819
01:21:55,640 --> 01:21:58,880
Speaker 2: an iHeart podcast produced and hosted by Danielle Fischel, Wilfernell

1820
01:21:58,960 --> 01:22:02,559
Speaker 2: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman

1821
01:22:02,680 --> 01:22:06,240
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

1822
01:22:06,360 --> 01:22:10,360
Speaker 2: Tara Sudbox producer, Jackie Rodriguez, engineer and Boy Meets World

1823
01:22:10,439 --> 01:22:13,679
Speaker 2: superfan Easton Allen. Our theme song is by Kyle Morton

1824
01:22:13,720 --> 01:22:16,559
Speaker 2: of Typhoon. You can follow us on Instagram at podmets

1825
01:22:16,600 --> 01:22:19,519
Speaker 2: World Show or send us an email at Podmeats World

1826
01:22:19,600 --> 01:22:21,160
Speaker 2: Show at gmail dot com.