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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and it's drink That's motherfucking podcast. Mason,

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Speaker 1: he's a legendary queen's rapper. He's like it's your boy

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Speaker 1: in r He's a Miami hippop pioneer. Up is d

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Speaker 1: j e f N. Together they drink it up with

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Speaker 1: some of the biggest players in the most professional unprofessional podcast.

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Speaker 1: And your number one sorts for drunk drink is New year' z.

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Speaker 1: Just time for Drink Champs. Drink Up, Mother, would it

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Speaker 1: could be? Hopeully would have shot me to see point?

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Speaker 1: And what up is dj e FN and his drink? Now?

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Speaker 1: This is one of the episodes I love. This is

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Speaker 1: one of the moments I love because not only is

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Speaker 1: this man a legend, we recently had discrepantencies or misunderstanding.

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Speaker 1: And when you do something that's wrong, or if you

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Speaker 1: do something that you thought, um, you didn't mean to,

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Speaker 1: but you gotta write your wrongs. And that's what real

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Speaker 1: men do. Real men don't base their feelings of a

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Speaker 1: boyish behavior. Real men act like real men. And besides that,

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Speaker 1: we had the invitation to him, we we we got

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Speaker 1: respectful him He's a legend, one of the first child stars,

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Speaker 1: not only just a child star, but a child star

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Speaker 1: that was like gangster. He's in mad movies, got movies

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Speaker 1: with l L, got records with Big Ol, part of

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Speaker 1: the motherfucking legendary Well tell you motherfucking clan. But I

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Speaker 1: kind of feel like he started his career on his own.

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Speaker 1: We don't get to the bottom of that. We're gonna

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Speaker 1: talk about the Movie's gonna talk about this new show.

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Speaker 1: We're gonna talk about everything. In case you don't know

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Speaker 1: who the funk we talk about Shah, the rugged man,

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Speaker 1: page page page. You can't you can't. You can't want

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Speaker 1: to be the rugged child no more right, you know what,

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Speaker 1: It's one of them things. I don't think I'll ever

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Speaker 1: be able to shake it, like Luduwayne can never not

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Speaker 1: be accepted. Yee, I don't got a choice. It's like

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Speaker 1: I tell people in my age and they still think

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Speaker 1: I'm fifteen, Like they don't un to stand the growth.

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Speaker 1: Let's talk about that. Let's talk about the beginning, because

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Speaker 1: how did you exactly get on? Because I believe we

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Speaker 1: heard of you prior to us here and about whoo who,

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Speaker 1: Well it will come out of ninety two? What what

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Speaker 1: what year was it? Well, my process into the music,

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Speaker 1: um Uchang was always the thing of Ruchang for me.

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Speaker 1: You know, Um, I'm from Stevens and Projects. You know,

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Speaker 1: Um Home and Gholdt Face producer, R and S, Rocky

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Speaker 1: and m Yeah like that flow so like and um

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Speaker 1: and Knife Prince, you see me, Knife Prince. We met

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Speaker 1: in second grade and we were just friends. And Rock

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Speaker 1: he was his big brother. They had DJ equipment, you

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Speaker 1: know what I mean. I was coming from the Projects.

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Speaker 1: I really didn't have that, but I was able to

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Speaker 1: go around and see real speakers. Besides, back then we

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Speaker 1: used to have part parties, like yeah, DJ dr Rock

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Speaker 1: was from Staton Allen and he was that's the Foursome

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Speaker 1: seas back and then back in the A so they

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Speaker 1: would throw Paul jams. And that's what got me into it,

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Speaker 1: you know what I mean. Um, seeing that and then

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Speaker 1: dealing with real life like when my mom's drug addiction.

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Speaker 1: It was like when I was sitting in a wrap,

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Speaker 1: it was loved. So that kind of gave me the confidence.

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Speaker 1: And that's why my rom's always was about out that

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Speaker 1: about the struggle, because it was therapy for me. To

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Speaker 1: get it out because I didn't really have many people

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Speaker 1: to talk to. What age was you when you first

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Speaker 1: came out? When I came out, We'll see. This is

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Speaker 1: the thing I was kind of. I was outside for

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Speaker 1: a long time before I actually got on Mercury from

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Speaker 1: the legendary R and B group to force him ds

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Speaker 1: there from stat Mallen and Mirk would throw parties and

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Speaker 1: he would bring artists to stat Allen and he would

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Speaker 1: let me open up to perform. So that's how it was,

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Speaker 1: meeting like shoot out Green Daddy, are you naughty? All

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Speaker 1: before you know what I'm saying. I got my opportunity

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Speaker 1: once I started to do those shows rock Ym and

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Speaker 1: R and S who produced the un c S at

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Speaker 1: the time. He they started just like, oh, come up

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Speaker 1: to the studio and started to let me come around,

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Speaker 1: and then I started to. But the thing was, I

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Speaker 1: had to get my own tapes, you know what I'm saying.

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Speaker 1: Back then you had to go get the Maxwell teams

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Speaker 1: and not saying store. That's what I had to do,

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Speaker 1: you know what I'm so, I would do all types

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Speaker 1: of things and no, no, no, thirteenes. Once I had

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Speaker 1: to deal we're talking, I'm probably nine. I'm probably like,

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Speaker 1: I can't even imagine that everything he's saying that him,

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Speaker 1: I never had a curve, you I mean, you know,

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Speaker 1: my mom's in the street, so it allowed me to

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Speaker 1: be outside. So my hustle was go to the store.

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Speaker 1: So that's how we'll get my little dollars. Taking bottles

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Speaker 1: to the store. That's who I was. That's who the

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Speaker 1: Rugged show was. I took bottles to the store. I

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Speaker 1: packed back. Yeah, yeah, yeah, excuse me, miss, Can I

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Speaker 1: help you see your bag with your car? The supermarket?

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Speaker 1: That was me drug dealers. Yeah, I'll go to store,

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Speaker 1: keep the change. And that's how I fed myself some

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Speaker 1: most nice you know. And I brought my tapes and

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Speaker 1: started to go up there and create demos. So I

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Speaker 1: had finally got a demo. It's called the Bad Little Basket,

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Speaker 1: and r and nests and big wigs and God rout

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Speaker 1: taking them and he was shopping gp Will at the time,

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Speaker 1: and my song was on the tape and they're at

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Speaker 1: a meeting, and you know, back then, they would play

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Speaker 1: the tape and taper in and go to the other side.

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Speaker 1: So I had to meet in the tape go. So

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Speaker 1: in all that, I'm a bad little basstid, who do

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Speaker 1: you And they're like, who's this little girl girl? Because

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Speaker 1: you're so young. Everybody thought I was a girl. Even

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Speaker 1: Big Daddy King said, I thought he was a girl

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Speaker 1: when I've seen him because my head was white. I

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Speaker 1: don't know, but my voice was real, like EMC lightish right,

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Speaker 1: And they're like, NA, that's that's my little man for

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Speaker 1: my project. They're like, yo, you got a picture of them,

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Speaker 1: and it was like yeah, and they gave him a picture.

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Speaker 1: It was like yo, we want to sign them. And

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Speaker 1: it was just like word and then it was then

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Speaker 1: it was just like this little kid from Stevenson Projects

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Speaker 1: now got three hundred and fifty hollars because what was

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Speaker 1: the first labor side Virgin Records, Virgin Records. That was

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Speaker 1: what Janet Jackson was Jackson. Girls gotta smell Janet Jackson. No,

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Speaker 1: I actually didn't get jack but I met Michael Jackson

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Speaker 1: was calm down nine a kid. Now I see shot that.

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Speaker 1: I was. I know what I'm just saying, because that

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Speaker 1: sound what I'm saying, y'all went somewhere. I mean, it

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Speaker 1: is what it is. I was young because it's easy

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Speaker 1: shoot like that. I was happy that man, Mike, when

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Speaker 1: I was a little older, when you know you're not drinking,

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Speaker 1: but I'm gonna drink from Champaine. But I'm on the

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Speaker 1: What you want me to pop? You want to pop?

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Speaker 1: The Big Boy, the little Home. Honestly, all of it

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Speaker 1: looked big boys to me because I like, I heard

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Speaker 1: of the Ace of Spade when I was away in

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Speaker 1: the magazine. That's like, yeah, that's like big, big, big ship.

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Speaker 1: So yeah, you gotta go big big. Don't leave this

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Speaker 1: Michael Jackson story. No, no, no no, We're gonna right into it. Okay,

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Speaker 1: So what was you No? No, only reason, I said, Mike,

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Speaker 1: because you brought up Janet right I was. I was

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Speaker 1: at Sony Studio recording street seven Street. So it's the

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Speaker 1: old build, you know, it's a new building. Okay. So

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Speaker 1: I'm near the exit smoking, or of a sudden, the

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Speaker 1: back door just pool. I see a mask. Yeah they've

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Speaker 1: been on the match. Yeah they've been, they've been. They've

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Speaker 1: Oh ship, I said Mike Old. I'm like, you know

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Speaker 1: right away. Oh, He's like, oh I love you guys,

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Speaker 1: I love your music. I was so hyped. I ran

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Speaker 1: back and told everybody, and then we all rushed thistly.

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Speaker 1: Everybody want to take this is the little cameras like

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Speaker 1: we was happy we didn't last five minutes after that

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Speaker 1: next thing, the phone ain't brute. Yeah, you guys is

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Speaker 1: gonna be moved over to the other buildings security ology.

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Speaker 1: I was hyped. You got a picture with Mike's awareness

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Speaker 1: this world. It is somewhere in this world, but I

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Speaker 1: don't have it. But yeah, I don't have anything. You

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Speaker 1: know how this when you get locked up, it seems

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Speaker 1: like nothing. You don't have nothing no more. How is

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Speaker 1: that right? Because I see a lot of people don't know. Um,

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Speaker 1: I went through poems big with him, right, I didn't know.

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Speaker 1: I did actually go to jail with him. But I'm

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Speaker 1: affected just as much as that we met in jail.

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Speaker 1: But this bid, the second bit had to be different

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Speaker 1: for people knew who he was when he walked through people.

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Speaker 1: How was that being someone famous? I didn't happen to

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Speaker 1: go back to that life because everyone's on the same level.

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Speaker 1: Everyone's the same here, Juliani's everyone's the same amount of commissary,

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Speaker 1: So how was that going from where you came from

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Speaker 1: to that? For me, I always remained the same. So

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Speaker 1: in any situation, I'm always the same You're gonna see

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Speaker 1: me the same head. I'm the same way in prison,

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Speaker 1: I'm the same way. Celebrating with my family, I'm I'm

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Speaker 1: one way. I don't even know this way to be

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Speaker 1: and to be myself. So I always took me wherever

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Speaker 1: I went, and I gave respect and I demanded respect.

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Speaker 1: And that's stat I didn't play games. I didn't play cards,

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Speaker 1: I didn't play basketball, I didn't wrap. I used the

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Speaker 1: penitentiary as a university. I studied, I wrote, I woke,

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Speaker 1: wroked out, and and and I got to see the

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Speaker 1: the world evolved without me and keep going without me.

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Speaker 1: And that was that was That was hard. That was

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Speaker 1: hard when I had to finally, when I made the

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Speaker 1: decision to stop reaching out, stop falling, and stop writing,

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Speaker 1: stop doing that with your five years, I did six

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Speaker 1: six ship. They chipped me out of it. Yeah, I

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Speaker 1: don't know why. They kept saying five years. Yeah that

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Speaker 1: all that BECA kept saying I was born in the

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Speaker 1: seventies six, and I'm like, no, I'm seventy seven, bro

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Speaker 1: give me another year, but continued, Yeah, so you know,

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Speaker 1: so that's how I carried myself. And unfortunately you know

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Speaker 1: there was there was a lot of brothers in there

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Speaker 1: that related to me in some way and felt like

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Speaker 1: I was their little brother. And and these guys never

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Speaker 1: got another opportunity at life, and they knew what I

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Speaker 1: was facing. I had. I had a terrible bit. I

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Speaker 1: had a seven or fourteen bid. So for those that

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Speaker 1: don't know what means, you could have do do anywhere from

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Speaker 1: seven years. Yeah, and with that, you gotta walk on

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Speaker 1: eight shells. And it was a thing of you know,

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Speaker 1: it's all type of things to get into and there

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Speaker 1: you know, the drugs is there, the even the women

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Speaker 1: because you know, it's even with the CEO, and they

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Speaker 1: get the CEO. You get him some drama because he

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Speaker 1: liked her and in his mind, that's his girl, and

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Speaker 1: they just make up relationships and you're fighting, and yeah,

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Speaker 1: you're fighting. They go over something that ain't even yours

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Speaker 1: because she told you to start sweeping the steps. They're

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Speaker 1: mad that you're sweeping the steps. Now you gotta fighting

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Speaker 1: the over sweeping the steps because he feels like you're

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Speaker 1: taking his broth. And it's like, bro, we're mates, Like

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Speaker 1: this is not you know. So I stayed away from that,

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Speaker 1: and it was like a decision. You can stand outside

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Speaker 1: of the yard every day and reminisce about all the

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Speaker 1: dudes that had it and what you used to do

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Speaker 1: in the town, or you can focus on getting in

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Speaker 1: these programs and making them working better than yourself. And

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Speaker 1: I chose that. Do you do you bumping to anybody

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Speaker 1: else that was famous or anybody else that's right? Yeah, yeah,

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Speaker 1: I've seen me and True Life in Clinton. I've seen

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Speaker 1: True Life one day, but he was in a program

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Speaker 1: called APPU. I was in our general population, so I

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Speaker 1: had luckily, I was coming from the package room and

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Speaker 1: I had got through the gate, so I ain't even

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Speaker 1: supposed to be in whole. And when you went through

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Speaker 1: with them, when they walked, that's like having the man.

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Speaker 1: Everything's short of a shot on walk with them, you

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Speaker 1: know what I mean. So I was like, oh, ship,

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Speaker 1: you know, it was so boy like. It was up yeah,

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Speaker 1: oh yeah, you know what I'm saying. I am, you know,

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Speaker 1: shooting back back back to my thing. But I was

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Speaker 1: more excited to meet like the legends, like the Jails,

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Speaker 1: like like the Wems and like like like like legends

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Speaker 1: from the street, like you know what I mean. I was.

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Speaker 1: I was excited to meet those guys and just to

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Speaker 1: see where they went wrong at and you know, and

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Speaker 1: so I said, you know what, I got another chance.

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Speaker 1: I can't blow it. So so so how does that happen?

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Speaker 1: Now you come home, the woo embraces you. Does what

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Speaker 1: happens like the first bit of the second bit, I'm

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Speaker 1: talking about the second Yeah, this is the second bit,

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Speaker 1: this second bit, Um, it was great. It was great

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Speaker 1: because I was a man now dealing on man level.

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Speaker 1: Before I was you know, I was a kid, you

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Speaker 1: know what I mean. So to finally be recognized and

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Speaker 1: dealt with as a man and respected as a man,

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Speaker 1: it's a long time coming, you know. Um, for a

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Speaker 1: lot of time in my life, I um, I expected things,

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Speaker 1: you know, and then when I expected things, I got

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Speaker 1: let down. So everything is a plus for me today.

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Speaker 1: I lived my life for today and like I just

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Speaker 1: embraced everything for today. It's a good one today. I

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Speaker 1: don't know about tomorrow, but I'm gonna enjoy this one

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Speaker 1: right now. I'm enjoyed being on drink chance because like

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Speaker 1: this is a miracle. This is a miracle for me

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Speaker 1: in my life. And and like I promised God when

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Speaker 1: when I was in that cell, and I broke down.

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Speaker 1: I praised with Law and I asked him to fix

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Speaker 1: me and fix my life and take everything that's not

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Speaker 1: good for me away and put right people in my path.

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Speaker 1: And and he did that for me. And I'm sitting

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Speaker 1: here today, so I want to let you know that. Yeah.

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Speaker 1: One of um Uh joints I was listening to today,

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Speaker 1: you get my notes. Um he said everyone's a huddler

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Speaker 1: until they get locked up and turned blood or musclum. Yeah, well,

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Speaker 1: big banks take little band and in New York pnitentiary,

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Speaker 1: the two biggest monsters is the homies and the Muslim community.

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Speaker 1: And that's just what it is. You see dudes that

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Speaker 1: was everything in the world, and you know, and not

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Speaker 1: saying that they might not find God and want to

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Speaker 1: change their life, and those potent because if we do.

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Speaker 1: But sometimes when they's false, you see them when they're home,

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Speaker 1: they're not on the d n still they throw they

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Speaker 1: crowned soon as they get off the bus. There's mad

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Speaker 1: Bibles and Korans and and crowns and koufies in the bucket.

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Speaker 1: You know what I'm saying. And that's that's when they're

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Speaker 1: repeated because you're not serious with your with your your growth.

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Speaker 1: You ever thought New York City would be like that,

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Speaker 1: Like you know, um, you're being so young in the game,

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Speaker 1: and I'm sure you had to travel to California and

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Speaker 1: see the differences. Like we had to guard abouties. We had, Um,

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Speaker 1: we had poss Yeah, we had posts, we had the spades,

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Speaker 1: and we had all of this, but it wasn't really

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Speaker 1: per se gangs like even Zulu Nation. Like Zulu Nation

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Speaker 1: was actually looked at as something that was positive. And

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Speaker 1: then it gets to the West Coast and the Bloods

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Speaker 1: and the crypt thing, and I remember us actually laughing,

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Speaker 1: not not laughing, but like, look, look like what are

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Speaker 1: they doing? They got Jerry Curls and and like why

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Speaker 1: are they doing this? And then now New York is

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Speaker 1: doing that? Well, um, I'm real about it. I think

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Speaker 1: it's just the state of the monitor people. Because some

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Speaker 1: people are followers and some people are leaders. It's a

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Speaker 1: bunch of followers that follow the trend, you know what

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Speaker 1: I mean. And they don't know no better, they don't know.

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Speaker 1: They're just going off what they appeared, what they see,

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Speaker 1: what they where they see to be real, and sometimes

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Speaker 1: it takes some people their life and then sometimes take

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Speaker 1: people in prison forever, and then some people get it

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Speaker 1: in between and changes the life around. I think New

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Speaker 1: York is following on a whole lot of levels on

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Speaker 1: music when everything I think with us, what we did

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Speaker 1: was because it was everything we set the trends all

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Speaker 1: the time, and what we stopped doing with sticking together.

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Speaker 1: It was the time I remember as a kid. As

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Speaker 1: a kid, the whole industry was mines. Everybody was my

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Speaker 1: big brother Chuck, They big daddy. Can these dudes when

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Speaker 1: they've seen you, they grabbed you, they hugged you, they

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Speaker 1: told you, and they now you see a dude, it's

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Speaker 1: a standoff. You didn't see who's the fly. It's like

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Speaker 1: I can't say that the shine he got really all

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Speaker 1: I like to say software. I don't want to say

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Speaker 1: it was always like that, but it was a great

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Speaker 1: time where everyone embraced everyone like when you had it,

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Speaker 1: Like when I had an album release party, everyone would

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Speaker 1: be there like I couldn't even I didn't even have

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Speaker 1: to call people. I do remember that time you ever

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Speaker 1: throw a hip hop will be a little level like

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Speaker 1: as big as it is, like the verses and all

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Speaker 1: this ship is. I mean, I'm happy, you know what

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Speaker 1: I mean, I'm happy to be a part of it,

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Speaker 1: you know what I mean. They see the evolutionary growth.

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Speaker 1: Of course it has to change. These kids want to

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Speaker 1: do what they want to do, and there's nothing wrong

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Speaker 1: with that. Um yeah, but it's growth. Is it's a

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Speaker 1: lot to be done because it's all the other things

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Speaker 1: that can come from hip hop that we're able to do.

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Speaker 1: Use our popularity, use our voices to clean up the community,

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Speaker 1: to start businesses, and use our voices just tell people

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Speaker 1: how to go about it. Because one thing we lack

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Speaker 1: in our community is the information. If I would have

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Speaker 1: knew half the things that I've learned along our journey,

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Speaker 1: I wouldn't have, you know, stumbled as much. And not

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Speaker 1: to say I went and made no mistakes, I wouldn't

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Speaker 1: stubbled as much. And that's what the other people do

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Speaker 1: in their communities. They give them the information when they're

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Speaker 1: in high school, they're preparing for their giving them the Jews.

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Speaker 1: They're giving them that and they're helping them walk through it.

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Speaker 1: I think every in our community, everybody just goes to

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Speaker 1: self when they make it. I think that's what for

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Speaker 1: Ell said on our he said when he said the

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Speaker 1: information we can't hide the information. We have to share

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00:18:04,400 --> 00:18:08,520
Speaker 1: share the information. And I think, uh, that's something that

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00:18:08,760 --> 00:18:10,560
Speaker 1: we've been trying to do on Drink Champs. Just the

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00:18:10,600 --> 00:18:12,879
Speaker 1: crabs in the bucket mentality, Yeah, the crabs in the

340
00:18:12,880 --> 00:18:15,200
Speaker 1: bucket me you got you got those? Ready? Rise? You

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Speaker 1: know what I'm saying. So this is what we do

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Speaker 1: for our legends. You know what I'm saying. We want

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Speaker 1: you to know you were way invited, way before this

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00:18:21,640 --> 00:18:24,000
Speaker 1: dumb sit and you're always gonna be invited. So we

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Speaker 1: wanted to make sure you got your flowers. You know

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Speaker 1: what I'm saying to your motherfucking face. You know what

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00:18:28,400 --> 00:18:30,119
Speaker 1: I'm saying. You know what I mean. You know what

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00:18:30,160 --> 00:18:34,000
Speaker 1: I mean. Come on, come on, you know what I'm saying. Yeah,

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Speaker 1: your motherfucker what I'm saying, Nah, that's this is just

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Speaker 1: for the crib. You know what I'm saying. Roses, Yeah,

351
00:18:46,480 --> 00:18:50,399
Speaker 1: and they lasted a couple of years because that's what

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00:18:50,520 --> 00:18:53,959
Speaker 1: our show is about. What show was about giving flowers. Um,

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00:18:54,320 --> 00:18:56,960
Speaker 1: it's always been about giving flowers. Are we gonna make

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Speaker 1: some mistakes along the way, of course we will. Are

355
00:18:59,480 --> 00:19:01,399
Speaker 1: we gonna make get some mistakes after? Of course we

356
00:19:01,480 --> 00:19:03,840
Speaker 1: will with our hearts and our goal is in the

357
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Speaker 1: right mind and the right frame. It's the great intentions

358
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Speaker 1: and we wanted you to know that face to face.

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Speaker 1: Man and man, I my nigga, thank you know what

360
00:19:10,400 --> 00:19:16,000
Speaker 1: I'm saying. So now I need you to go just

361
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Speaker 1: go on and on. But I just counted as twelve

362
00:19:19,880 --> 00:19:22,800
Speaker 1: is right, one plus Stewie Street. That's understands. Understand he

363
00:19:22,920 --> 00:19:33,639
Speaker 1: had to go. So you gotta take me to this

364
00:19:33,880 --> 00:19:39,520
Speaker 1: goes on and on? Shot you made that record? How

365
00:19:39,600 --> 00:19:42,199
Speaker 1: does how do where? What's going on? You were eleven?

366
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Speaker 1: You know it was it was the No. I was

367
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Speaker 1: like thirteen and it was No. Actually fourteen and it

368
00:19:47,280 --> 00:19:50,159
Speaker 1: was a fourteen fourteen fifteen somewhere around and you know,

369
00:19:50,200 --> 00:19:53,560
Speaker 1: I just started get old years with up. But um

370
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Speaker 1: it was the last song for the album. H and

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Speaker 1: my manager Wigs He Wiggs was always the uh instill

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Speaker 1: in like black history for me, Like different from with

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Speaker 1: when I was with the Guards, you know what I'm saying.

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Speaker 1: He was like uh Martin Luther King. He was more peaceful,

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Speaker 1: you know what I'm saying. When I was with the Guards,

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00:20:13,680 --> 00:20:16,960
Speaker 1: it was more revolutionary. So but he will always he

377
00:20:17,080 --> 00:20:22,040
Speaker 1: had Yeah, I felt but this is what I'm saying.

378
00:20:22,119 --> 00:20:24,439
Speaker 1: So it was just the Jews, and he was like, Yo,

379
00:20:24,800 --> 00:20:26,720
Speaker 1: you have to be the reporter. That's who you are.

380
00:20:26,800 --> 00:20:28,760
Speaker 1: You have to show through your eyes, you know what

381
00:20:28,800 --> 00:20:31,399
Speaker 1: I'm saying. So I said, all right, well I'm right

382
00:20:31,520 --> 00:20:34,800
Speaker 1: through my eyes. And that's what came out of it.

383
00:20:35,119 --> 00:20:39,120
Speaker 1: And because in the line where I said, oh, man

384
00:20:39,200 --> 00:20:40,960
Speaker 1: got shot in the parking lot in front of my building,

385
00:20:40,960 --> 00:20:43,960
Speaker 1: I hain't with his grandchildren. It wasn't actually an old

386
00:20:44,000 --> 00:20:46,320
Speaker 1: man and his grand child. It was actually a dude

387
00:20:46,359 --> 00:20:49,040
Speaker 1: by the name of Tom Reagan that I looked up

388
00:20:49,080 --> 00:20:51,879
Speaker 1: to my neighborhood. He was fly and it's like a

389
00:20:52,000 --> 00:20:54,040
Speaker 1: dude just shot him under the building. It's just like

390
00:20:54,880 --> 00:20:56,520
Speaker 1: I killed him. That was one of my early depths.

391
00:20:56,520 --> 00:20:58,280
Speaker 1: You're not when you're young. You have to see and

392
00:20:58,359 --> 00:21:00,240
Speaker 1: it always affects me because he was one of the

393
00:21:00,320 --> 00:21:02,000
Speaker 1: dudes that had one of those smiles, you know what.

394
00:21:02,040 --> 00:21:04,720
Speaker 1: It seemed like everybody that goes has that smile. And

395
00:21:04,840 --> 00:21:06,520
Speaker 1: then it's like he had that smile, and it was

396
00:21:06,560 --> 00:21:08,840
Speaker 1: just like I never forgot him. And when I was

397
00:21:08,920 --> 00:21:11,200
Speaker 1: writing that and I said, ah, this is what happens

398
00:21:11,200 --> 00:21:15,600
Speaker 1: in my neighborhood. So was was like because I you know, Um,

399
00:21:16,520 --> 00:21:18,680
Speaker 1: we interviewed Germaine Duprix, right, and it's something that I

400
00:21:18,760 --> 00:21:20,760
Speaker 1: asked him, like, you know him working with child Stars,

401
00:21:20,880 --> 00:21:24,359
Speaker 1: is he could always get this money from Nickelodeon or Disney?

402
00:21:24,680 --> 00:21:27,680
Speaker 1: Was that ever like people who ever say, calm it

403
00:21:27,760 --> 00:21:30,840
Speaker 1: down was thirteen. By the time you're eighteen, you might

404
00:21:30,880 --> 00:21:33,240
Speaker 1: could be in a fucking Walt Disney. Oh man, it

405
00:21:33,400 --> 00:21:36,560
Speaker 1: was many. It was many relaxed on the god just

406
00:21:36,680 --> 00:21:40,760
Speaker 1: to telling me that to change my narrative to to

407
00:21:41,280 --> 00:21:44,359
Speaker 1: you know, be a little more clean, you know what

408
00:21:44,400 --> 00:21:47,159
Speaker 1: I'm saying. Um to join him Mature because I did

409
00:21:47,200 --> 00:21:50,320
Speaker 1: a record with Immature. UM called to Love his group

410
00:21:50,880 --> 00:21:53,440
Speaker 1: and they wanted me to join the group. And I

411
00:21:53,520 --> 00:21:57,159
Speaker 1: was wanted he had like to be the rap like

412
00:21:59,119 --> 00:22:03,960
Speaker 1: like the rapper because we did the song and I

413
00:22:04,000 --> 00:22:07,480
Speaker 1: couldn't I doing it and it was a lot of money.

414
00:22:07,960 --> 00:22:09,680
Speaker 1: But you know, coming from the projects, this is what

415
00:22:09,840 --> 00:22:12,320
Speaker 1: I love about coming from where I come from. It

416
00:22:12,440 --> 00:22:15,720
Speaker 1: gives you this thing called fuck it and it's like, yo,

417
00:22:15,840 --> 00:22:18,800
Speaker 1: for my principles and my pride, funk it. It's like,

418
00:22:18,920 --> 00:22:22,000
Speaker 1: this is who I am. I turned down movies because uh,

419
00:22:22,359 --> 00:22:24,720
Speaker 1: I wasn't gonna kick over a garbage kid, because I

420
00:22:24,840 --> 00:22:26,640
Speaker 1: know if I came back to the project, they're gonna

421
00:22:26,800 --> 00:22:29,760
Speaker 1: kill me. Was kicking over the garbage cans in the project,

422
00:22:29,960 --> 00:22:31,399
Speaker 1: I couldn't have lived, you know what I'm saying. So

423
00:22:31,600 --> 00:22:34,560
Speaker 1: I based everything off of what I thought that the

424
00:22:34,680 --> 00:22:38,480
Speaker 1: people from my neighborhood would think of me. That it's

425
00:22:38,520 --> 00:22:41,480
Speaker 1: a boat, it's a mindus true, because that's not real life.

426
00:22:41,520 --> 00:22:44,040
Speaker 1: You shouldn't. You should live your real life what people think.

427
00:22:44,080 --> 00:22:46,760
Speaker 1: But as a kid, you're only influenced about what you

428
00:22:46,880 --> 00:22:49,200
Speaker 1: see in your world. So in my book back for

429
00:22:49,240 --> 00:22:52,000
Speaker 1: a long time, I carried everybody else and Ship everybody

430
00:22:52,040 --> 00:22:55,879
Speaker 1: else's thoughts, everybody that I accumulated, and and then it

431
00:22:56,040 --> 00:22:57,800
Speaker 1: was soon when it when it burst and it was

432
00:22:57,880 --> 00:23:00,800
Speaker 1: over and everybody went to their real obs. I was

433
00:23:00,840 --> 00:23:02,879
Speaker 1: still stuck in amazed, like, oh Ship, it ain't no

434
00:23:02,960 --> 00:23:05,440
Speaker 1: real industry, it ain't these things. Really don't love me,

435
00:23:05,960 --> 00:23:09,080
Speaker 1: o ship? This was business? Oh yeah, sorry, kid, this

436
00:23:09,160 --> 00:23:10,960
Speaker 1: is this is business. I'm not like, really your lawyer,

437
00:23:11,000 --> 00:23:12,800
Speaker 1: I ain't come in to court to help you with

438
00:23:12,960 --> 00:23:15,240
Speaker 1: with this is I'm not gonna help you kids. You

439
00:23:15,280 --> 00:23:18,639
Speaker 1: got the budget cold, somebody they're not what and didnt

440
00:23:18,640 --> 00:23:21,320
Speaker 1: reality hits you like, oh ship, that's eighteen you're saying

441
00:23:22,080 --> 00:23:26,360
Speaker 1: started hitting you with that. No, no, but let's song

442
00:23:26,400 --> 00:23:28,320
Speaker 1: shot because this is like your first hit rep year, right.

443
00:23:28,440 --> 00:23:32,119
Speaker 1: How many people finger popped at that time? I was

444
00:23:34,960 --> 00:23:40,440
Speaker 1: at least I don't know why I was clevering. But no, no, not.

445
00:23:40,760 --> 00:23:42,480
Speaker 1: But here's the thing. A lot of the women probably

446
00:23:42,520 --> 00:23:44,480
Speaker 1: be in jail right now because I wasn't dealing with

447
00:23:44,560 --> 00:23:46,880
Speaker 1: thirteen years when she was the opposite off. Yeah, yeah,

448
00:23:48,119 --> 00:23:55,720
Speaker 1: I was getting what I'm telling you. I remember how

449
00:23:55,760 --> 00:23:57,200
Speaker 1: I got my bed. I'll tell you how I got it.

450
00:23:57,280 --> 00:23:59,800
Speaker 1: He was when I was young. The older guys would

451
00:23:59,800 --> 00:24:01,720
Speaker 1: tell you want them, you gotta get the bed. You

452
00:24:01,760 --> 00:24:03,920
Speaker 1: ain't doing that right because I'll be talking to a

453
00:24:04,040 --> 00:24:06,520
Speaker 1: girl I come through the process Puerto Rican? Here, what's

454
00:24:06,520 --> 00:24:08,919
Speaker 1: the guy who told you that? To Puerto Rican? I'ma

455
00:24:08,920 --> 00:24:14,840
Speaker 1: have Cuban, so I don't I don't speak nothing. Yeah,

456
00:24:15,920 --> 00:24:18,399
Speaker 1: supposed to be eating pussy early. So it was the

457
00:24:18,520 --> 00:24:21,400
Speaker 1: thing like you know, you know, you got a little

458
00:24:21,400 --> 00:24:23,080
Speaker 1: girlfriend and you couldn't come through the bout of the

459
00:24:23,119 --> 00:24:26,200
Speaker 1: building on the bench. Everybody out there hustling, so like, yeah,

460
00:24:26,760 --> 00:24:28,160
Speaker 1: you don't know what to do with that. You ain't

461
00:24:28,200 --> 00:24:29,880
Speaker 1: doing the right then, and I'm like, just I am chilling.

462
00:24:29,920 --> 00:24:32,320
Speaker 1: You don't say you mean eating. I'm like that's nasty.

463
00:24:32,840 --> 00:24:34,720
Speaker 1: And he's like, here, you gotta put your whole face

464
00:24:34,960 --> 00:24:38,439
Speaker 1: everything the chin aside. And my superdass was like, yeah, right,

465
00:24:38,440 --> 00:24:40,720
Speaker 1: if you did all this ship that, I can't even

466
00:24:40,760 --> 00:24:42,520
Speaker 1: cut it. I cut it today. It's like two, mom,

467
00:24:42,600 --> 00:24:45,080
Speaker 1: it's crazy. That's how you get it. That's how you

468
00:24:45,160 --> 00:24:48,200
Speaker 1: get this band. I thought that was just Puerto Rican ship.

469
00:24:48,240 --> 00:24:51,760
Speaker 1: It's like, I didn't even know Cuban Cubans you know cute.

470
00:24:53,440 --> 00:24:56,600
Speaker 1: I did not that they came. You'm okay have black

471
00:24:56,640 --> 00:25:01,200
Speaker 1: to Jamaican's. Don't want that, baby, Yeah, I know a

472
00:25:01,280 --> 00:25:04,920
Speaker 1: few of that, dude though. Yeah, they'd be low riding,

473
00:25:05,520 --> 00:25:11,080
Speaker 1: yeah we call it. Yeah, but a lot of them,

474
00:25:11,080 --> 00:25:12,920
Speaker 1: you know. But you got a thing at the time,

475
00:25:13,920 --> 00:25:16,520
Speaker 1: besides the rap celebrity girls. I was around my age

476
00:25:16,560 --> 00:25:18,520
Speaker 1: and I used to think I would have a relationship with,

477
00:25:18,680 --> 00:25:21,520
Speaker 1: you know, a girl, right, It's okay, let's just strow

478
00:25:21,520 --> 00:25:24,200
Speaker 1: it out. Dude, you're knock. I mean see, there's a

479
00:25:24,280 --> 00:25:26,520
Speaker 1: problem with that, right, because I don't want to seem

480
00:25:26,600 --> 00:25:29,200
Speaker 1: like I wanted them dudes that like talk about some

481
00:25:29,280 --> 00:25:31,840
Speaker 1: old ship. It was twenty years ago. Just be clear.

482
00:25:31,920 --> 00:25:34,159
Speaker 1: We had Nick Cannon sitting in the same table. Oh

483
00:25:34,240 --> 00:25:37,040
Speaker 1: he's a and he said, he said that Kim Kardashian

484
00:25:37,200 --> 00:25:39,520
Speaker 1: hurt his feelings and we had to say we had

485
00:25:39,560 --> 00:25:41,680
Speaker 1: to be with him. So you ain't got nothing to

486
00:25:41,680 --> 00:25:45,800
Speaker 1: worry about her. Yeah, he said, he said, listen, he damn,

487
00:25:45,800 --> 00:25:47,520
Speaker 1: I blowing up to the episode. But the episodes out right,

488
00:25:48,960 --> 00:25:50,359
Speaker 1: he said, he ket he kept it real. We had

489
00:25:50,400 --> 00:25:53,680
Speaker 1: to take a couple of shots to start smoking smoke.

490
00:25:53,840 --> 00:25:55,760
Speaker 1: He just smoke me, and he said, he said he

491
00:25:55,840 --> 00:25:57,720
Speaker 1: kept it real. He said he would have stuck by

492
00:25:57,800 --> 00:26:00,359
Speaker 1: her if she would have said that the rage tape

493
00:26:00,400 --> 00:26:04,720
Speaker 1: was real. But he said that she said jal, So

494
00:26:05,320 --> 00:26:06,760
Speaker 1: he was like hi, And then when he came out,

495
00:26:06,840 --> 00:26:09,160
Speaker 1: he was hurt. He said, could he could? He said,

496
00:26:09,160 --> 00:26:12,080
Speaker 1: but he was? He did? Oh s I don't know.

497
00:26:12,200 --> 00:26:15,960
Speaker 1: I mean, it depends why that's his own motor d

498
00:26:16,119 --> 00:26:20,840
Speaker 1: you know, yeah, but I didn't know. You gotta put

499
00:26:20,840 --> 00:26:24,280
Speaker 1: it like knockdown. Who did everybody? Damn? I think it

500
00:26:24,400 --> 00:26:27,600
Speaker 1: was Monica one. No Monica was that I met Monica

501
00:26:27,680 --> 00:26:31,640
Speaker 1: Monica is a cool person, very like Churchy. That wasn't

502
00:26:31,680 --> 00:26:33,320
Speaker 1: really like not to say she was my style, but

503
00:26:33,359 --> 00:26:37,399
Speaker 1: I was into the Bite street girls. But I like

504
00:26:37,600 --> 00:26:41,200
Speaker 1: girls like the girls that I liked. I like like

505
00:26:41,320 --> 00:26:44,920
Speaker 1: Foxy Brown, like like Feed. I'm like like Queen Pin.

506
00:26:45,000 --> 00:26:48,200
Speaker 1: I like girls like that. Okay, okay, I followed. I

507
00:26:48,280 --> 00:26:51,399
Speaker 1: like I like old girls. I like girls like that

508
00:26:51,560 --> 00:26:53,560
Speaker 1: that was in the industry doing this thing on the

509
00:26:53,640 --> 00:26:56,639
Speaker 1: high level, very hat swag they was doing. You know

510
00:26:56,680 --> 00:27:01,680
Speaker 1: what I mean. I followed all the way through standing

511
00:27:01,720 --> 00:27:08,520
Speaker 1: over respectfully. Actually she's very good person. So I never like,

512
00:27:08,760 --> 00:27:14,320
Speaker 1: never talked to help in that manner. So, um, move

513
00:27:14,400 --> 00:27:17,680
Speaker 1: it on. How did you start acting? What was what

514
00:27:17,840 --> 00:27:22,520
Speaker 1: was the actor who told you it was the first

515
00:27:22,680 --> 00:27:25,080
Speaker 1: The first off I got was to be in the

516
00:27:25,200 --> 00:27:28,280
Speaker 1: Friday Movie to Being Fridays as the little kid Chris

517
00:27:28,400 --> 00:27:30,600
Speaker 1: kicking over the garbage kids. And I was like, I

518
00:27:30,640 --> 00:27:34,800
Speaker 1: ain't doing that. You're going to So when you said

519
00:27:34,880 --> 00:27:38,480
Speaker 1: kicking over the garbage kid, what are you talking about?

520
00:27:38,560 --> 00:27:40,600
Speaker 1: They told you not to do it. I didn't want

521
00:27:40,600 --> 00:27:43,000
Speaker 1: to do because think about it, right during that time,

522
00:27:43,119 --> 00:27:48,240
Speaker 1: right we're talking the early nineties, you just kind of

523
00:27:48,320 --> 00:27:50,280
Speaker 1: sell out like at that time, it was like, yo,

524
00:27:50,320 --> 00:27:51,919
Speaker 1: you got a movie. It was to sell out, right.

525
00:27:53,840 --> 00:27:57,200
Speaker 1: I remember. There's no disrespect to anybody, but I remember

526
00:27:57,280 --> 00:27:59,119
Speaker 1: it was a time, right because I hung with Cane

527
00:27:59,720 --> 00:28:02,160
Speaker 1: and came, man, that's like, that's like that's all that's

528
00:28:02,200 --> 00:28:04,080
Speaker 1: my heart, right. And he will always give me these

529
00:28:04,160 --> 00:28:07,080
Speaker 1: jews like never sell your publishing this, and he said,

530
00:28:07,119 --> 00:28:08,640
Speaker 1: you know, you need to take your career to two

531
00:28:08,720 --> 00:28:11,840
Speaker 1: movies and things like that. And I would come back

532
00:28:11,880 --> 00:28:15,480
Speaker 1: home around the trying to make you a sell out

533
00:28:16,920 --> 00:28:19,280
Speaker 1: and I'm like yo, and then so I'm like nah.

534
00:28:19,440 --> 00:28:20,960
Speaker 1: My mind was like I don't want to be a

535
00:28:21,000 --> 00:28:22,440
Speaker 1: sell out. You know what I'm saying, Like, na, I'm

536
00:28:22,480 --> 00:28:29,119
Speaker 1: hip hop. All that was done radio. You ain't bar

537
00:28:29,240 --> 00:28:31,080
Speaker 1: me throwing stretch you made to the red. This thing

538
00:28:31,200 --> 00:28:33,120
Speaker 1: is dumb. You're being a party. And they're like nah,

539
00:28:33,200 --> 00:28:35,520
Speaker 1: he he you don't wrap us no more. It wasn't

540
00:28:35,560 --> 00:28:37,920
Speaker 1: some commercials and things of money like that. And he

541
00:28:37,920 --> 00:28:40,280
Speaker 1: would said, forget all this against sticking true to the culture.

542
00:28:40,440 --> 00:28:42,240
Speaker 1: I'm going to get the bag. And if I got

543
00:28:42,360 --> 00:28:44,200
Speaker 1: to do a flip in the strike commercial, that's what

544
00:28:44,280 --> 00:28:47,959
Speaker 1: they did and it made it sells everybody out at

545
00:28:48,000 --> 00:28:49,720
Speaker 1: the end of the day. But wait, was the frind

546
00:28:49,760 --> 00:28:52,120
Speaker 1: of thing before the til Yeah? Yeah, it was before

547
00:28:52,160 --> 00:28:54,760
Speaker 1: because it's the same director. So when that ain't happened

548
00:28:54,800 --> 00:28:57,000
Speaker 1: for that, he called me back. He said, all right,

549
00:28:57,640 --> 00:29:01,120
Speaker 1: it's not acting, it's just eat in the video. And

550
00:29:01,280 --> 00:29:04,080
Speaker 1: or you're doing this being yourself, he said. I said,

551
00:29:04,160 --> 00:29:06,480
Speaker 1: what is it for? He said, TLC. I was saying,

552
00:29:06,480 --> 00:29:09,120
Speaker 1: oh yeah, I'm on that, and and it was just

553
00:29:09,240 --> 00:29:10,640
Speaker 1: to be in a video. I didn't think of it.

554
00:29:11,680 --> 00:29:13,280
Speaker 1: I didn't think of it as acting. I just thought

555
00:29:13,320 --> 00:29:15,400
Speaker 1: that it's being in the video. But but Friday, did

556
00:29:15,440 --> 00:29:17,800
Speaker 1: you know what Ice Cub was attached to that? I didn't.

557
00:29:17,840 --> 00:29:19,760
Speaker 1: I didn't really care, you know what I mean. I

558
00:29:19,840 --> 00:29:22,280
Speaker 1: didn't care because for me, with me and the world

559
00:29:22,480 --> 00:29:25,720
Speaker 1: was coming to a party and rock him giving you

560
00:29:25,800 --> 00:29:29,440
Speaker 1: a DAP or Chuck Deed telling me that I'm the bridge,

561
00:29:29,880 --> 00:29:33,720
Speaker 1: and it's like, no, I'm not doing this. I want

562
00:29:33,720 --> 00:29:36,360
Speaker 1: to be accepted, you know what I'm saying on the block.

563
00:29:36,440 --> 00:29:38,760
Speaker 1: I don't really care about that, you know what I mean.

564
00:29:38,880 --> 00:29:41,320
Speaker 1: So that's why. But then when he said the video,

565
00:29:41,360 --> 00:29:43,200
Speaker 1: I said, all right, I'm not acting. I'm not really

566
00:29:43,240 --> 00:29:45,440
Speaker 1: So I did that and then the next call I

567
00:29:45,520 --> 00:29:49,000
Speaker 1: got was by Fred Williamson for Original Gangster's Original Games.

568
00:29:49,240 --> 00:29:51,320
Speaker 1: And this is one of the things when I can

569
00:29:51,400 --> 00:29:55,600
Speaker 1: say this, if people weren't you, they're gonna find you.

570
00:29:55,720 --> 00:29:57,680
Speaker 1: I don't care if you under the rock and nothing's

571
00:29:57,680 --> 00:29:59,600
Speaker 1: all that you need to be politics and have this

572
00:29:59,720 --> 00:30:03,040
Speaker 1: one that's bullshit. When you if you got interests and

573
00:30:03,080 --> 00:30:06,040
Speaker 1: people see value in you, they're gonna find So that's

574
00:30:06,080 --> 00:30:08,480
Speaker 1: what happened. My phone rang one day. It's an old

575
00:30:08,560 --> 00:30:11,840
Speaker 1: man by the name of Fred Williamson the Hammer. Now

576
00:30:12,400 --> 00:30:15,480
Speaker 1: people who know who the hammer is, they know me.

577
00:30:15,600 --> 00:30:18,520
Speaker 1: I didn't know, so I'm like, who it's the Hammer?

578
00:30:18,760 --> 00:30:21,320
Speaker 1: So I'm like, I can't touch this. He like na,

579
00:30:22,120 --> 00:30:25,800
Speaker 1: He's like, no, this is Fred Williamson, he said. I said, okay,

580
00:30:25,920 --> 00:30:27,920
Speaker 1: well what's up. He's like, I want you in the movie.

581
00:30:28,880 --> 00:30:33,040
Speaker 1: I'm like, Oh, ask your mama, who who who the Fred?

582
00:30:33,200 --> 00:30:37,080
Speaker 1: Him Williams said, I'm like, yo, you know some dude

583
00:30:38,160 --> 00:30:42,560
Speaker 1: about him Jim browning them? Everybody? Man, they didn't jumped

584
00:30:42,640 --> 00:30:45,760
Speaker 1: up my uncle. You're doing that. You're doing that. I

585
00:30:45,800 --> 00:30:48,600
Speaker 1: don't care about all that ship you're doing. You know

586
00:30:48,720 --> 00:30:51,080
Speaker 1: what they did for black people and movie and films

587
00:30:51,120 --> 00:30:55,000
Speaker 1: and everything you're gonna go and being this film where

588
00:30:55,120 --> 00:30:56,920
Speaker 1: I got a ouncle God bless your soul named she

589
00:30:57,000 --> 00:31:00,000
Speaker 1: Go my uncle Charlie. And he was like when he said,

590
00:31:00,000 --> 00:31:01,840
Speaker 1: and you're gonna do it, You're gonna do it. You're

591
00:31:01,840 --> 00:31:04,400
Speaker 1: going you do it. And that's how I got there

592
00:31:04,480 --> 00:31:10,680
Speaker 1: makes no noise. Un hold on, I got so much notice,

593
00:31:10,760 --> 00:31:13,840
Speaker 1: but hold on, hold on, Oh ship dam and who

594
00:31:13,920 --> 00:31:16,440
Speaker 1: real quick time with Slim today. Uh, these guys you

595
00:31:16,480 --> 00:31:19,760
Speaker 1: don't see the argument the bens they're gonna be Yeah,

596
00:31:19,840 --> 00:31:22,000
Speaker 1: there's mad loud on the side. Bro, you ain't see

597
00:31:22,000 --> 00:31:25,280
Speaker 1: that ship were you said? We're you sending that ship?

598
00:31:25,800 --> 00:31:28,840
Speaker 1: You personally on the group chat I'm talking about earlier

599
00:31:28,960 --> 00:31:32,800
Speaker 1: the um that was a group chat. Okay, cool, all right, cool,

600
00:31:32,800 --> 00:31:37,040
Speaker 1: I got it. Yeah, this is good organic food can

601
00:31:38,560 --> 00:31:41,520
Speaker 1: to Jack Teller. Voso was a part of Jack Teller

602
00:31:41,600 --> 00:31:44,120
Speaker 1: Jack Diller. You know I said, I said, oh eat

603
00:31:44,160 --> 00:31:48,440
Speaker 1: a new ferrycon Jack. He called me. He called me like,

604
00:31:48,520 --> 00:31:54,320
Speaker 1: what's what's got to do with it? Either love or

605
00:31:54,400 --> 00:31:57,440
Speaker 1: hate him? Like they either love him or they hate him.

606
00:31:57,680 --> 00:32:00,560
Speaker 1: He's good. We love him over if we love we

607
00:32:00,600 --> 00:32:02,120
Speaker 1: love him? But our fast day day up in the

608
00:32:02,160 --> 00:32:12,720
Speaker 1: air with him. So all right, cool, So I'm gonna

609
00:32:12,800 --> 00:32:14,920
Speaker 1: run through a couple of these, and I want you

610
00:32:14,960 --> 00:32:16,520
Speaker 1: to tell me what what what it means to you

611
00:32:16,520 --> 00:32:22,440
Speaker 1: when I said to a kid of rugged child at

612
00:32:23,240 --> 00:32:31,520
Speaker 1: four a K eight to rugged child in four, damn

613
00:32:31,600 --> 00:32:35,720
Speaker 1: that that little nigga man um because he literally is

614
00:32:35,720 --> 00:32:41,040
Speaker 1: a different person. He wanted to save the world. He

615
00:32:41,160 --> 00:32:44,520
Speaker 1: wanted to bring everybody from his projects with him. If

616
00:32:44,560 --> 00:32:46,840
Speaker 1: I could have, I would have a thirteen. I would

617
00:32:46,840 --> 00:32:51,360
Speaker 1: have had everybody, everybody. I would like to believe through

618
00:32:51,440 --> 00:32:53,480
Speaker 1: my actions and and and maybe you know, the people

619
00:32:53,520 --> 00:32:55,840
Speaker 1: from our neighborhood maybe could tell you better than I

620
00:32:55,920 --> 00:32:58,120
Speaker 1: could probably tell you. But I would like to believe

621
00:32:58,160 --> 00:33:02,160
Speaker 1: that I shared. I shared my my, my money, my fame,

622
00:33:02,760 --> 00:33:06,640
Speaker 1: my life with them. You know, I gave his music

623
00:33:06,760 --> 00:33:10,400
Speaker 1: business more than half my whole existence in the planet,

624
00:33:11,080 --> 00:33:15,280
Speaker 1: you know. And you know I'm hip hop. I dedicate

625
00:33:15,360 --> 00:33:21,400
Speaker 1: my life to this ship. Okay, the Lord's generation. Oh

626
00:33:21,520 --> 00:33:25,000
Speaker 1: he was arrogant, he had some money. Yeah, it's the

627
00:33:25,080 --> 00:33:28,920
Speaker 1: same little little year. But he's yeah, he control now

628
00:33:29,040 --> 00:33:33,800
Speaker 1: he you know, Yeah he's getting some virgin yeah, yeah, yeah,

629
00:33:34,160 --> 00:33:37,040
Speaker 1: he's virgin new trial because they had created a rap department.

630
00:33:37,120 --> 00:33:39,560
Speaker 1: Now you know what I'm saying, it's me, the Loonies

631
00:33:39,680 --> 00:33:42,480
Speaker 1: and scar Faced, a couple of rap. A lot dudes

632
00:33:42,600 --> 00:33:45,400
Speaker 1: was over there. Um yeah, so it transition, but it

633
00:33:45,480 --> 00:33:48,440
Speaker 1: was still under version. Um yeah, I was, I was.

634
00:33:48,520 --> 00:33:53,320
Speaker 1: I was having sex. You know what I'm saying. I was.

635
00:33:54,400 --> 00:33:56,960
Speaker 1: You you're scoring now? Yeah. I used to collect phone

636
00:33:57,040 --> 00:34:02,520
Speaker 1: numbers everything, so you know, Uh so I was, I was,

637
00:34:02,600 --> 00:34:05,360
Speaker 1: I was. I was. Yeah, I was a little horn

638
00:34:05,400 --> 00:34:07,560
Speaker 1: though I'm a scorpio two. So I when I was, yeah,

639
00:34:07,560 --> 00:34:09,400
Speaker 1: I was hard. I was busting him down. But that

640
00:34:09,480 --> 00:34:15,359
Speaker 1: was the last generation O man child. That's when ship

641
00:34:15,480 --> 00:34:19,080
Speaker 1: got real. That's got that ship got real. That's when

642
00:34:19,160 --> 00:34:27,080
Speaker 1: it changed from with with you. So now you got

643
00:34:27,160 --> 00:34:31,799
Speaker 1: the honey you're saying the audience to people, Well, I don't,

644
00:34:31,800 --> 00:34:34,399
Speaker 1: I don't know. I don't know about music. I can't

645
00:34:34,440 --> 00:34:36,480
Speaker 1: I don't know what fans was things. I don't really

646
00:34:36,560 --> 00:34:40,040
Speaker 1: base my life on what that force is. It's just

647
00:34:40,120 --> 00:34:42,400
Speaker 1: like in my personal life and in my community, in

648
00:34:42,480 --> 00:34:46,080
Speaker 1: my neighborhood, it started to change. People that was rooting

649
00:34:46,160 --> 00:34:47,960
Speaker 1: for me was for me, but then it was like

650
00:34:48,520 --> 00:34:51,920
Speaker 1: it started to change into jealousy. It started to change

651
00:34:51,960 --> 00:34:55,800
Speaker 1: into because you're next to me. Now you feel you

652
00:34:55,840 --> 00:34:59,000
Speaker 1: should have what I have and you feel that I'm

653
00:34:59,120 --> 00:35:01,879
Speaker 1: stopping you from getting it. And it's not me, it's

654
00:35:02,200 --> 00:35:04,920
Speaker 1: God's blessing me. How are you mad at me for

655
00:35:05,080 --> 00:35:09,319
Speaker 1: him blessing me? Pray and he'll brush you. But that's

656
00:35:09,360 --> 00:35:11,960
Speaker 1: what happened. So it started to turn the Hey, I

657
00:35:12,000 --> 00:35:18,160
Speaker 1: started to get caught fighting, getting caught with guns because

658
00:35:18,160 --> 00:35:20,120
Speaker 1: I ain't know no better, and all I knew what

659
00:35:20,200 --> 00:35:22,480
Speaker 1: to do was yo and get a gun. Was I

660
00:35:22,560 --> 00:35:24,880
Speaker 1: ready to shoot somebody? Absolutely not. I couldn't tell you.

661
00:35:24,920 --> 00:35:26,880
Speaker 1: I remember fronting in the mirror like I'm on, oh

662
00:35:26,960 --> 00:35:29,920
Speaker 1: my god, one walking with it. I wasn't prepared for that,

663
00:35:30,040 --> 00:35:31,560
Speaker 1: you know what I'm saying. And that's what happens with

664
00:35:31,640 --> 00:35:35,160
Speaker 1: a lot of kids and teenagers. We get thrown into

665
00:35:35,320 --> 00:35:40,840
Speaker 1: a a gang, get thrown into business, whether it's hustling

666
00:35:40,960 --> 00:35:43,279
Speaker 1: and being out there, and don't know what to do

667
00:35:43,520 --> 00:35:47,000
Speaker 1: when the real ship happens. So you make these mistakes

668
00:35:47,040 --> 00:35:48,960
Speaker 1: and the only thing that's gonna teach you at that

669
00:35:49,120 --> 00:35:52,120
Speaker 1: point is growth and moaning. When they say you're enough

670
00:35:52,320 --> 00:35:56,640
Speaker 1: enough for this ship, well I took it, Okay, the

671
00:35:56,760 --> 00:36:03,400
Speaker 1: greatest story never told. H I felt that way. I

672
00:36:03,560 --> 00:36:08,440
Speaker 1: felt that way I felt to come into this come

673
00:36:08,560 --> 00:36:10,840
Speaker 1: coming from my struggles. I was born with bron kite.

674
00:36:10,840 --> 00:36:12,440
Speaker 1: I wasn't even supposed to live. I was born at

675
00:36:12,480 --> 00:36:17,239
Speaker 1: six months to having a mother that had me at sixteen.

676
00:36:18,840 --> 00:36:21,160
Speaker 1: Then I was raised by my grandmother, so she died.

677
00:36:22,320 --> 00:36:24,759
Speaker 1: Then I was just outside. My mother was getting high.

678
00:36:25,440 --> 00:36:27,839
Speaker 1: Then I it came a wrapper and got money. Then

679
00:36:28,120 --> 00:36:30,960
Speaker 1: everybody was just around me and flooded my hear and

680
00:36:31,040 --> 00:36:32,640
Speaker 1: telling me it was good for me, it was best

681
00:36:32,680 --> 00:36:35,000
Speaker 1: for me. And I was just a follower. And I

682
00:36:35,080 --> 00:36:37,080
Speaker 1: went down a long road that I didn't have to

683
00:36:37,120 --> 00:36:39,680
Speaker 1: go to trying to be something that I'm not. And

684
00:36:39,760 --> 00:36:43,040
Speaker 1: when I was in prison this last song, I realized,

685
00:36:43,120 --> 00:36:45,640
Speaker 1: I'm not like that. As much as I would like

686
00:36:45,760 --> 00:36:47,680
Speaker 1: to believe, I'll go all the way to funk out.

687
00:36:48,280 --> 00:36:50,480
Speaker 1: I don't. I want a better life. I want to

688
00:36:50,560 --> 00:36:52,839
Speaker 1: live good, I want to be happy. I don't want

689
00:36:52,880 --> 00:36:54,799
Speaker 1: to live every day I have to go to night.

690
00:36:58,680 --> 00:37:01,160
Speaker 1: So that's that's what it did. It it opened, It

691
00:37:01,239 --> 00:37:04,800
Speaker 1: opened the geese. Damn, that was a great ship. Hold on.

692
00:37:05,080 --> 00:37:07,520
Speaker 1: I still got more notes. I got a lot of notes,

693
00:37:08,800 --> 00:37:11,080
Speaker 1: I went in there. Yeah, but did you know this this?

694
00:37:12,080 --> 00:37:21,600
Speaker 1: What more did we gonna disrespectfully speaking? M hmm, good one,

695
00:37:21,920 --> 00:37:28,160
Speaker 1: great one. Actually, I would say this is the time

696
00:37:28,160 --> 00:37:31,080
Speaker 1: you wan ray Kun is not saying yeah, yeah, it's

697
00:37:31,239 --> 00:37:39,200
Speaker 1: um um. I expected. I had a big expectitious right,

698
00:37:40,000 --> 00:37:45,560
Speaker 1: and in my mind I thought that ray Kawan and

699
00:37:45,680 --> 00:37:50,160
Speaker 1: Wos saying should be doing more for me. Right, That's

700
00:37:50,200 --> 00:37:55,560
Speaker 1: where I was at that and I felt that I

701
00:37:55,800 --> 00:37:59,560
Speaker 1: wasn't one that was like again because I had my

702
00:37:59,640 --> 00:38:02,520
Speaker 1: different start, you know what I mean. So I wasn't

703
00:38:02,560 --> 00:38:05,279
Speaker 1: looking for a handout. I was just saying, yo, look

704
00:38:05,360 --> 00:38:07,319
Speaker 1: look what I do. I'm talented, I wrapped, I act.

705
00:38:07,400 --> 00:38:10,120
Speaker 1: Why you not? What's up? Throld me? I'm under the rim.

706
00:38:10,719 --> 00:38:12,440
Speaker 1: So if you're standing in the rim for so long,

707
00:38:12,560 --> 00:38:14,960
Speaker 1: throw with fucking throw it. It's like, yo, what I'm

708
00:38:14,960 --> 00:38:16,759
Speaker 1: gonna do. I'm gonna take the fucking ball and I'm

709
00:38:16,760 --> 00:38:19,279
Speaker 1: gonna throw that ship because I'm wide open all the time.

710
00:38:19,760 --> 00:38:23,360
Speaker 1: So but it was I was still immature, you know

711
00:38:23,400 --> 00:38:25,960
Speaker 1: what I'm saying, And I didn't realize where he was

712
00:38:26,080 --> 00:38:29,080
Speaker 1: at in his life as a man. Because now I'm

713
00:38:29,160 --> 00:38:31,440
Speaker 1: at that place as a man and I see it

714
00:38:31,560 --> 00:38:34,160
Speaker 1: through those eyes. You don't know how to express it.

715
00:38:35,320 --> 00:38:38,399
Speaker 1: I expressed it well on my level because I don't

716
00:38:38,480 --> 00:38:40,160
Speaker 1: say that I didn't feel that way because I felt

717
00:38:40,160 --> 00:38:42,120
Speaker 1: how I felt. I don't know. I'm not taking back

718
00:38:42,400 --> 00:38:47,120
Speaker 1: how I felt at all, but how I handled it

719
00:38:47,960 --> 00:38:51,440
Speaker 1: it was immature and very kitty of me, you know

720
00:38:51,480 --> 00:38:54,279
Speaker 1: what I'm saying. But and after I thought about it,

721
00:38:54,560 --> 00:38:56,320
Speaker 1: when you got that time, when you think about it,

722
00:38:56,400 --> 00:38:58,360
Speaker 1: all the good memories, I'm like, sho, I love this

723
00:38:58,520 --> 00:39:01,520
Speaker 1: nigga like I have great times too. And then it's like,

724
00:39:01,640 --> 00:39:05,200
Speaker 1: once I started to come into my own understanding, I

725
00:39:05,280 --> 00:39:08,040
Speaker 1: owed him an apology and I gave him a sincere

726
00:39:08,080 --> 00:39:11,960
Speaker 1: apology because I understand where it was that because it's

727
00:39:11,960 --> 00:39:14,600
Speaker 1: like your what value was I bringing to him? It's

728
00:39:14,640 --> 00:39:16,600
Speaker 1: like this, I can say, yo, norm I got your number.

729
00:39:16,640 --> 00:39:18,759
Speaker 1: You don't call me right and you can say where

730
00:39:18,760 --> 00:39:22,640
Speaker 1: you don't go me togther, So it's like yo, I'm like, yo,

731
00:39:22,800 --> 00:39:24,200
Speaker 1: you ain't throwing the ball to me. It's like, well,

732
00:39:24,239 --> 00:39:26,359
Speaker 1: what boy you through to me? And then then that's

733
00:39:26,400 --> 00:39:28,560
Speaker 1: real reality and it's like work, I ain't never throw

734
00:39:28,560 --> 00:39:32,239
Speaker 1: you stuff. If you remember this, please please remember. But

735
00:39:32,360 --> 00:39:34,960
Speaker 1: I swear to God. I had that same conversation, we'll

736
00:39:35,000 --> 00:39:37,040
Speaker 1: do for my hood. He hit me one day, he said,

737
00:39:37,040 --> 00:39:39,279
Speaker 1: you don't call me. You don't call me when you're

738
00:39:39,280 --> 00:39:41,040
Speaker 1: in the hood. And I said, but you don't call

739
00:39:41,120 --> 00:39:42,879
Speaker 1: me when you know I'm in the hood. So who

740
00:39:42,960 --> 00:39:46,240
Speaker 1: the fund is wrong here? Yeah? Yeah, the same conversations

741
00:39:47,600 --> 00:39:50,319
Speaker 1: in life. You have to take responsibility for what you did.

742
00:39:50,719 --> 00:39:53,760
Speaker 1: I'm not saying I wasn't hurt or offended by that action,

743
00:39:54,160 --> 00:39:56,799
Speaker 1: but I had to take responsibility for myself and through

744
00:39:56,880 --> 00:39:59,359
Speaker 1: my own personal growth, I was able to see where

745
00:39:59,400 --> 00:40:01,879
Speaker 1: he stood in his life because that's how I sent

746
00:40:01,920 --> 00:40:04,040
Speaker 1: in my life. Like, Yo, if we're together, then we

747
00:40:04,280 --> 00:40:07,320
Speaker 1: brabbling together. We're doing business. And not only we doing business, nigger.

748
00:40:07,560 --> 00:40:09,799
Speaker 1: When my kid has a birthday, you know you're there,

749
00:40:10,040 --> 00:40:12,680
Speaker 1: and you're not only just some party friend or some

750
00:40:12,840 --> 00:40:16,480
Speaker 1: music family, your family family. So it just puts things.

751
00:40:16,600 --> 00:40:19,239
Speaker 1: I was able to put things in its proper perspective.

752
00:40:19,560 --> 00:40:21,920
Speaker 1: Like even with with my finances, I had to learn

753
00:40:22,000 --> 00:40:23,680
Speaker 1: to do that. I make a dollar, I don't got

754
00:40:23,760 --> 00:40:26,520
Speaker 1: a dollar, a quarters for this, quarters to that, quarters

755
00:40:26,560 --> 00:40:28,560
Speaker 1: for this, quarters for that, and then I'm able to

756
00:40:28,640 --> 00:40:32,080
Speaker 1: have a little balance. The same thing with relationships. This

757
00:40:32,200 --> 00:40:36,600
Speaker 1: relationship may just be smoking blunts and getting drunk, or

758
00:40:36,960 --> 00:40:38,920
Speaker 1: she may just be the chick I hang out with

759
00:40:39,000 --> 00:40:40,680
Speaker 1: the go to parties. But she's not gonna come up

760
00:40:40,719 --> 00:40:43,080
Speaker 1: eight hours to the president. What was you stupid for

761
00:40:43,200 --> 00:40:45,840
Speaker 1: thinking she was coming. She's at the next party, idiot.

762
00:40:47,640 --> 00:40:51,040
Speaker 1: And that's reality for yours. When reality strikes and you're

763
00:40:51,080 --> 00:40:55,279
Speaker 1: sitting on that ball with them itchy blankets. God make

764
00:40:55,320 --> 00:40:59,840
Speaker 1: so much that this is a game we played with

765
00:41:00,040 --> 00:41:03,360
Speaker 1: all all of our guests. We know you're not drinking,

766
00:41:03,400 --> 00:41:05,080
Speaker 1: so we're gonna drink for you. Lets you want when

767
00:41:05,080 --> 00:41:07,719
Speaker 1: your homies sitting for you? You know what I mean?

768
00:41:08,080 --> 00:41:10,840
Speaker 1: I don't know. Wait with June June's out, can you

769
00:41:10,920 --> 00:41:13,160
Speaker 1: come on Papa there drinking. Let's see if you gonna

770
00:41:13,160 --> 00:41:16,120
Speaker 1: hold it down from New Jersey. Motherfucker's is playing dirty

771
00:41:16,160 --> 00:41:19,520
Speaker 1: from the beginning. He's like my people when they put it, yeah,

772
00:41:19,560 --> 00:41:21,359
Speaker 1: I like I like it. I like it. Come on here,

773
00:41:21,880 --> 00:41:24,040
Speaker 1: let's see. You got you gotta drink down to drink shins,

774
00:41:24,080 --> 00:41:28,920
Speaker 1: don't represent, don't represent, and get the table. Just get

775
00:41:29,000 --> 00:41:31,759
Speaker 1: on the shots because you got you got. There's a

776
00:41:31,800 --> 00:41:33,680
Speaker 1: second one right on right here. Look if you want

777
00:41:33,760 --> 00:41:35,840
Speaker 1: drink shins, don't get drunk under the table. Let's go.

778
00:41:36,360 --> 00:41:38,200
Speaker 1: You get some water if you want. Yeah, I definitely

779
00:41:39,040 --> 00:41:42,960
Speaker 1: all right. Cool. You gotta stand up because you know

780
00:41:43,280 --> 00:41:45,839
Speaker 1: whatever he's gonna drink. Yeah, what what you want to drink?

781
00:41:45,840 --> 00:41:48,640
Speaker 1: You want to drink? Do say you want to drink?

782
00:41:48,840 --> 00:41:52,200
Speaker 1: I'm drinking something. You can drink my majuana. You can

783
00:41:52,280 --> 00:41:56,120
Speaker 1: drink something Colombia water, watermelon. He don't start speaking Spanish?

784
00:41:56,200 --> 00:41:58,359
Speaker 1: Then you speak Spanish a lot of damn time. Now

785
00:41:58,440 --> 00:42:00,360
Speaker 1: you're talking about me. That means he told about me

786
00:42:00,400 --> 00:42:02,560
Speaker 1: because you don't know he speaks Spanish. You're gonna get

787
00:42:02,560 --> 00:42:09,359
Speaker 1: in with y'all. Stop speaking Spanish. Who speaks Spanish? Cool?

788
00:42:10,760 --> 00:42:12,920
Speaker 1: You can man? Wanna I respect that mama? Who I'm

789
00:42:12,920 --> 00:42:16,439
Speaker 1: not gonna follow you, but I'm gonna respect that mama.

790
00:42:16,520 --> 00:42:19,560
Speaker 1: Wanna all right? Cool? Quick time of slim. You answer

791
00:42:20,239 --> 00:42:22,759
Speaker 1: you can you can say one or the other. Well,

792
00:42:22,800 --> 00:42:24,840
Speaker 1: you could say both. You say both of your man drinks.

793
00:42:25,520 --> 00:42:28,400
Speaker 1: It's nothing you can say no answer your man drinks.

794
00:42:29,120 --> 00:42:33,480
Speaker 1: But we all drink no word, so we are using them. Yeah, okay,

795
00:42:34,880 --> 00:42:37,120
Speaker 1: I don't know which one? Yeah, yeah, yeah, no, no,

796
00:42:37,200 --> 00:42:40,000
Speaker 1: I just I don't know which one you're gonna pick

797
00:42:40,040 --> 00:42:44,759
Speaker 1: on this one. This is really some inside wootang ship

798
00:42:48,280 --> 00:42:52,319
Speaker 1: you have to pour up or expected debt as far

799
00:42:52,360 --> 00:42:57,960
Speaker 1: as what we don't know check it's whatever in your

800
00:42:58,000 --> 00:43:01,600
Speaker 1: mind and if you want us. I don't know if

801
00:43:01,600 --> 00:43:04,200
Speaker 1: you're saying this as if they're m C or who

802
00:43:04,560 --> 00:43:07,759
Speaker 1: I have would relationship with it if it if it

803
00:43:07,840 --> 00:43:09,840
Speaker 1: goes to the relationship, who I'm gonna call in my

804
00:43:09,960 --> 00:43:11,799
Speaker 1: phone first, I'm gonna calling spack and back the side

805
00:43:11,800 --> 00:43:17,640
Speaker 1: of okay if it goes to MCIN sounds like both

806
00:43:17,680 --> 00:43:29,359
Speaker 1: to me, sir with enjoy solo solo. This is good.

807
00:43:29,920 --> 00:43:31,560
Speaker 1: It is good for man. I want to I want

808
00:43:31,560 --> 00:43:33,200
Speaker 1: to say what it is, but I don't want my

809
00:43:33,680 --> 00:43:38,800
Speaker 1: man isn't only be like a freaky I'm but I

810
00:43:38,840 --> 00:43:40,720
Speaker 1: don't want to be like a stick and people thinking

811
00:43:40,719 --> 00:43:47,040
Speaker 1: to don't worry about the water all right, Um, I

812
00:43:47,080 --> 00:43:51,080
Speaker 1: don't know where you're going with this one. Neither marbdep

813
00:43:52,680 --> 00:44:03,719
Speaker 1: or m O p wow okay, yes, okay O d

814
00:44:03,960 --> 00:44:14,920
Speaker 1: B A big punt O g B or prospect that

815
00:44:17,360 --> 00:44:22,399
Speaker 1: this is where it's gonna get a little crassy puff

816
00:44:22,560 --> 00:44:28,640
Speaker 1: daddy or shug mm hmmm. Have you ever met Shug. Mhm,

817
00:44:28,760 --> 00:44:30,319
Speaker 1: I need to hit the story. But wait, wait, let

818
00:44:30,360 --> 00:44:40,279
Speaker 1: him ask you for answer first. Damn, neither, that's a shot.

819
00:44:40,920 --> 00:44:43,160
Speaker 1: That's a shot, So do the rules of the game.

820
00:44:44,400 --> 00:44:48,960
Speaker 1: I respect that. Let's hear the story before we know

821
00:44:49,160 --> 00:44:51,400
Speaker 1: the reason why. I say neither, right, because both of

822
00:44:51,440 --> 00:44:54,120
Speaker 1: them are real moguls, right, you gotta put daddy story too.

823
00:44:54,120 --> 00:44:57,080
Speaker 1: We'll take them both, right, they're both big moguls, right

824
00:44:57,360 --> 00:44:59,160
Speaker 1: at least when ship was out, he was a big mogul.

825
00:44:59,200 --> 00:45:01,040
Speaker 1: And for what I wanted do in the business, it's

826
00:45:01,080 --> 00:45:02,799
Speaker 1: no room for me to be under a big mogul

827
00:45:02,840 --> 00:45:04,640
Speaker 1: because I want to be a big more so. It's

828
00:45:04,719 --> 00:45:07,360
Speaker 1: nothing so either one of them brothers, But I just

829
00:45:07,520 --> 00:45:09,719
Speaker 1: want to be because you met but you, but you

830
00:45:09,800 --> 00:45:12,400
Speaker 1: met you done with. I didn't there. I met him,

831
00:45:12,440 --> 00:45:14,759
Speaker 1: I was, I was. I met him a crazy way,

832
00:45:14,800 --> 00:45:19,320
Speaker 1: but I met him crazy crazy. I was out in

833
00:45:19,440 --> 00:45:23,400
Speaker 1: California and you know, I'm running around the beach somehow

834
00:45:23,520 --> 00:45:29,080
Speaker 1: and that everything I can hollight career, we probably where

835
00:45:29,120 --> 00:45:32,960
Speaker 1: we are. Yeah, yeah, mallible, Okay, I used to hang

836
00:45:33,000 --> 00:45:34,560
Speaker 1: out like I was. I was when I was out there.

837
00:45:34,680 --> 00:45:36,920
Speaker 1: You know, I hung out in Hollywood. You know what

838
00:45:36,920 --> 00:45:38,920
Speaker 1: I mean. I really I went to the hood sometime,

839
00:45:38,960 --> 00:45:41,319
Speaker 1: but I was a Hollywood kid, you know me. Um,

840
00:45:43,440 --> 00:45:47,080
Speaker 1: so I meant this female and we start hanging out.

841
00:45:47,600 --> 00:45:50,200
Speaker 1: So I'm like, I gotta go by a studio, my

842
00:45:50,280 --> 00:45:52,440
Speaker 1: boy DJ Quick, you know I mean, So I go

843
00:45:52,560 --> 00:45:54,600
Speaker 1: by to check great new men the studio and you

844
00:45:54,680 --> 00:45:56,880
Speaker 1: knew Quick was already right yah yah, Yeah, I met

845
00:45:56,960 --> 00:45:58,920
Speaker 1: Quick is another story. Just it's just one of them

846
00:45:58,960 --> 00:46:00,839
Speaker 1: things that God puts me in your life when they're

847
00:46:00,840 --> 00:46:03,200
Speaker 1: supposed to be there. And I go to the studio

848
00:46:03,320 --> 00:46:04,480
Speaker 1: and I'm with her and they're like, you know, who

849
00:46:04,520 --> 00:46:08,120
Speaker 1: the funk that is? Your baby, mama one. But that

850
00:46:08,280 --> 00:46:09,520
Speaker 1: was over. After that, I said, you got to go.

851
00:46:11,120 --> 00:46:14,080
Speaker 1: We're gonna stopped talking to him, and I guess her

852
00:46:14,120 --> 00:46:16,279
Speaker 1: things always always messing up things for me, But it's

853
00:46:16,320 --> 00:46:18,040
Speaker 1: not like that. And then when I met him, he

854
00:46:18,120 --> 00:46:19,640
Speaker 1: was like, no, I would have been a little man,

855
00:46:19,960 --> 00:46:25,120
Speaker 1: And I was like, they wouldn't have been because you know,

856
00:46:25,160 --> 00:46:28,880
Speaker 1: I didn't really want those type of problems. Understand, I understand,

857
00:46:29,080 --> 00:46:34,000
Speaker 1: can be moving on. This was like two thousand. This

858
00:46:34,160 --> 00:46:36,279
Speaker 1: is like two thousand around. That's how he's doing one

859
00:46:36,280 --> 00:46:39,279
Speaker 1: of the roots and clan albums out there. One of

860
00:46:39,360 --> 00:46:42,960
Speaker 1: them they we wasn't. I was just with them while

861
00:46:43,000 --> 00:46:45,080
Speaker 1: they was recording. Okay, I know what you're gonna go

862
00:46:45,160 --> 00:46:52,080
Speaker 1: with this one. Dr dre Listen. I mean again, see

863
00:46:52,120 --> 00:46:54,440
Speaker 1: if I could have see again he got What is

864
00:46:54,520 --> 00:46:57,400
Speaker 1: it for? Because if it's him, I need both of you.

865
00:46:58,080 --> 00:47:00,720
Speaker 1: It's whatever criterias in your mind. I mean you couldn't.

866
00:47:02,120 --> 00:47:04,160
Speaker 1: That's that's the craziness. I'm trying to figure out what

867
00:47:04,239 --> 00:47:07,279
Speaker 1: you mean because it's like it's just so vast it's

868
00:47:07,320 --> 00:47:08,759
Speaker 1: meant for you to be drinking. If you would be

869
00:47:08,840 --> 00:47:11,880
Speaker 1: drinking this, this game gets better better because I just

870
00:47:12,000 --> 00:47:14,960
Speaker 1: need to know what I can say. As as as

871
00:47:15,120 --> 00:47:21,480
Speaker 1: artists both yea, because it's just it just helps categorized.

872
00:47:22,680 --> 00:47:25,800
Speaker 1: I don't want my words to be misconstued. It's just

873
00:47:26,000 --> 00:47:28,120
Speaker 1: you know, shoes doctor drain over the ris and it's

874
00:47:28,120 --> 00:47:29,799
Speaker 1: like we're just showing about the risk is my big brother.

875
00:47:30,360 --> 00:47:32,960
Speaker 1: I can never We're just gonna drink for you, but

876
00:47:33,120 --> 00:47:35,440
Speaker 1: we're gonna driw you just how you did both of them.

877
00:47:35,800 --> 00:47:37,239
Speaker 1: Have both of them produced for me? That would be

878
00:47:37,239 --> 00:47:39,520
Speaker 1: a would be crazy solent. We're taking a show. We're

879
00:47:39,520 --> 00:47:45,359
Speaker 1: doing both right, on that. Ye both, all right, what's

880
00:47:46,480 --> 00:47:49,680
Speaker 1: he getting? Normous? All right? This one again, the more

881
00:47:50,480 --> 00:47:52,200
Speaker 1: should change it a little bit, but you can make

882
00:47:52,280 --> 00:47:53,840
Speaker 1: him fall. I'm gonna leave it. I'm gonna leave it.

883
00:47:54,320 --> 00:47:57,040
Speaker 1: I'm gonna leave it. Method. But well would you like no, no, no, no,

884
00:47:57,280 --> 00:47:59,879
Speaker 1: I was gonna change because so method man or Jada

885
00:48:00,160 --> 00:48:06,440
Speaker 1: is okay this one, this one is a little tricky.

886
00:48:06,520 --> 00:48:08,120
Speaker 1: I like this one. I like the one before that.

887
00:48:09,320 --> 00:48:19,080
Speaker 1: Ray or Ghost Ghost okay, yeah, yeah, all right. I

888
00:48:19,160 --> 00:48:22,560
Speaker 1: think we should both all get our ship ready DMX

889
00:48:22,680 --> 00:48:30,839
Speaker 1: or tupap both. There's no way that's one. I keep

890
00:48:31,440 --> 00:48:34,600
Speaker 1: both of them. We got DMX. Oh that's beautiful. Both

891
00:48:34,640 --> 00:48:40,239
Speaker 1: of them were so like they definitely was yeah, yeah,

892
00:48:40,960 --> 00:48:48,880
Speaker 1: Hix never heard seven ship. Yeah, that's the first one.

893
00:48:49,960 --> 00:48:51,959
Speaker 1: But I thought it was gonna be something before. Okay,

894
00:48:51,960 --> 00:48:57,320
Speaker 1: where was that freestyle? That clear? Plaium was nothing? That was?

895
00:48:57,600 --> 00:49:13,480
Speaker 1: What was that? What was? Understand I'm just stand square

896
00:49:13,560 --> 00:49:22,480
Speaker 1: guarding New York super fess understand me. You know that

897
00:49:22,760 --> 00:49:24,680
Speaker 1: ms TO recorded that right, because I got the vital

898
00:49:24,719 --> 00:49:26,520
Speaker 1: it was mr Vil he put off. Yeah, you know

899
00:49:26,600 --> 00:49:29,360
Speaker 1: what's crazy. I was just going through argue. I actually

900
00:49:29,400 --> 00:49:32,160
Speaker 1: had an argument because they was talking about it, and

901
00:49:32,200 --> 00:49:33,560
Speaker 1: I was in the commerce. I was like, it's a

902
00:49:33,600 --> 00:49:36,000
Speaker 1: free style, and I'm arguing with people when they're like, no,

903
00:49:36,080 --> 00:49:38,360
Speaker 1: what's the record, I'm like, no, it was a freestyle.

904
00:49:38,800 --> 00:49:41,320
Speaker 1: And then he goes, oh, I made it a wreckie.

905
00:49:41,640 --> 00:49:44,319
Speaker 1: So now I go, okay, since it's a rekie, who

906
00:49:44,440 --> 00:49:50,240
Speaker 1: got my publishing? Now? Who took my If it's a record,

907
00:49:50,440 --> 00:49:53,080
Speaker 1: If that freestyle is now a record and it's now streaming,

908
00:49:53,080 --> 00:49:56,080
Speaker 1: it's now getting Royal's, somebody got some money. That's true.

909
00:49:57,000 --> 00:49:59,360
Speaker 1: Is it streaming? I know it's on vinyl. If it

910
00:49:59,520 --> 00:50:04,200
Speaker 1: was made into a record, it's a release. I always

911
00:50:04,320 --> 00:50:06,919
Speaker 1: was under the assumption that it was a freestyle because

912
00:50:06,960 --> 00:50:08,960
Speaker 1: I came up under the time when I was on

913
00:50:09,160 --> 00:50:13,799
Speaker 1: Doop subscribed to us what happened this night? Oh to night?

914
00:50:13,880 --> 00:50:15,799
Speaker 1: I was on Tool. I was young. I was on Tool.

915
00:50:15,880 --> 00:50:25,320
Speaker 1: Big Daddy came everything. So last spots get too Actually,

916
00:50:25,360 --> 00:50:27,279
Speaker 1: how I actually get in to the New Yorkshire We

917
00:50:27,360 --> 00:50:30,040
Speaker 1: I think me in Arizona and King had to literally

918
00:50:30,200 --> 00:50:33,200
Speaker 1: pick me up. It was It's the biggest arcade room

919
00:50:33,280 --> 00:50:35,560
Speaker 1: in the world. It seemed like it seemed like the

920
00:50:35,680 --> 00:50:38,040
Speaker 1: world was video game heaven, and I was in it,

921
00:50:38,719 --> 00:50:40,960
Speaker 1: but we had a plane to catch, and I was

922
00:50:41,040 --> 00:50:45,760
Speaker 1: a kid. I did not want to leave, literally kicking,

923
00:50:45,840 --> 00:50:48,000
Speaker 1: and I was like, I want to play games like

924
00:50:48,080 --> 00:50:49,799
Speaker 1: I was that kid because it got to a time

925
00:50:50,200 --> 00:50:52,239
Speaker 1: when I wanted just to be a kid. I didn't

926
00:50:52,239 --> 00:50:54,120
Speaker 1: want to do no interviews, I didn't want to wrap.

927
00:50:54,200 --> 00:50:56,640
Speaker 1: I just wanted to play basketball and do what I

928
00:50:56,719 --> 00:50:59,400
Speaker 1: ever did and didn't watch my friends. Yeah, but then

929
00:50:59,440 --> 00:51:02,720
Speaker 1: your friends growing up experiencing real life. They're going to proms.

930
00:51:02,760 --> 00:51:04,720
Speaker 1: You can't go because I'm not even in regular school

931
00:51:04,760 --> 00:51:09,279
Speaker 1: no more. Then they're getting married. I'm still in rapper life.

932
00:51:09,320 --> 00:51:11,200
Speaker 1: And then next thing you know, you with a whole

933
00:51:11,280 --> 00:51:13,880
Speaker 1: new crew that's not even your original crew because they

934
00:51:13,960 --> 00:51:15,759
Speaker 1: grew up and had to go down the road that

935
00:51:15,840 --> 00:51:17,600
Speaker 1: they had to go, and they kick your signs man,

936
00:51:17,840 --> 00:51:21,279
Speaker 1: kick her sons, so kick her sons. Yeah. So and

937
00:51:21,480 --> 00:51:24,000
Speaker 1: so that was. We ended up in New York and

938
00:51:25,160 --> 00:51:26,800
Speaker 1: we was doing I was always a part of the

939
00:51:26,880 --> 00:51:29,560
Speaker 1: tour coming out around it. But this show, since we

940
00:51:29,680 --> 00:51:33,000
Speaker 1: was in New York, he can bring out big Park.

941
00:51:33,960 --> 00:51:37,600
Speaker 1: So Park was Park was like considered East Coast guy.

942
00:51:37,760 --> 00:51:40,719
Speaker 1: This time, let's keep it real shot. He was he

943
00:51:40,840 --> 00:51:47,680
Speaker 1: was his story. I mean, he was like coast, he

944
00:51:47,840 --> 00:51:50,000
Speaker 1: was born out there. He just everybody knows that he

945
00:51:50,680 --> 00:51:54,879
Speaker 1: came out with he was you know, he at that time,

946
00:51:54,920 --> 00:51:59,439
Speaker 1: he even rep New York. He would wrap both um, Yeah,

947
00:51:59,520 --> 00:52:02,040
Speaker 1: that was I guess he was New York. But you

948
00:52:02,120 --> 00:52:05,440
Speaker 1: felt how did you feel about Yeah? You felt like

949
00:52:05,480 --> 00:52:07,040
Speaker 1: he was a New York dude because he had the thing.

950
00:52:07,480 --> 00:52:11,560
Speaker 1: I mean I didn't really, yeah, but I see my

951
00:52:11,680 --> 00:52:13,480
Speaker 1: thing is this, I'm funny when it comes to my

952
00:52:13,600 --> 00:52:16,319
Speaker 1: New York. Like I'm really funny with it. And even

953
00:52:16,360 --> 00:52:19,120
Speaker 1: I'm from stat down right, and we like as far

954
00:52:19,200 --> 00:52:21,560
Speaker 1: as the New York thing, it's like sometimes New York

955
00:52:21,600 --> 00:52:24,799
Speaker 1: and throw him on nowand and before it's like it's

956
00:52:24,840 --> 00:52:29,040
Speaker 1: like right, So it's like damn, you know what I mean.

957
00:52:29,239 --> 00:52:31,239
Speaker 1: It just made it more harder for us to wrap.

958
00:52:31,320 --> 00:52:33,400
Speaker 1: And we just wanted to be like me right, you

959
00:52:33,440 --> 00:52:36,239
Speaker 1: know what I mean. She's saying I didn't. I didn't

960
00:52:36,280 --> 00:52:38,680
Speaker 1: really didn't. It's not that I didn't claim him, but

961
00:52:38,719 --> 00:52:40,640
Speaker 1: it wasn't like y'all seeing it right when I when

962
00:52:40,640 --> 00:52:43,120
Speaker 1: I throw the y'all throw the queens identified with y'all's

963
00:52:43,200 --> 00:52:46,320
Speaker 1: queens appreciate that I didn't identify with nowhere else, you

964
00:52:46,360 --> 00:52:48,239
Speaker 1: know what I'm saying, But did junior head pop? This

965
00:52:48,400 --> 00:52:51,920
Speaker 1: is a nothing like the old school, Like no one

966
00:52:52,120 --> 00:52:55,800
Speaker 1: he broke down Skelly, he broke down Italian ices. No

967
00:52:56,000 --> 00:52:58,400
Speaker 1: one could break down the New York summer unless you

968
00:52:58,480 --> 00:53:00,840
Speaker 1: actually was in that New York sothing like York has

969
00:53:00,880 --> 00:53:02,640
Speaker 1: been in the New York summer. But it's a difference

970
00:53:02,680 --> 00:53:05,880
Speaker 1: from growing up in New York summers. Gonna listen to

971
00:53:05,920 --> 00:53:08,360
Speaker 1: the record, you can tell he grew up with it, Like,

972
00:53:08,719 --> 00:53:10,640
Speaker 1: but what age did he because I've read it. I've

973
00:53:10,640 --> 00:53:14,080
Speaker 1: read a lot of his biography. I because but that's

974
00:53:14,120 --> 00:53:16,640
Speaker 1: what happened because he was dealing with you know, you know,

975
00:53:16,880 --> 00:53:18,360
Speaker 1: the rest of the soul. He was dealing with a

976
00:53:18,440 --> 00:53:21,960
Speaker 1: mother that also was battling drug addiction. So he was

977
00:53:22,080 --> 00:53:23,960
Speaker 1: like an army kid. He'd be in New York, then

978
00:53:24,000 --> 00:53:25,800
Speaker 1: he'd be in Michigan, and he probably moved all the

979
00:53:25,840 --> 00:53:28,480
Speaker 1: way around, so he had pieces of everybody. And that's

980
00:53:28,520 --> 00:53:30,360
Speaker 1: what made him such a great artist, because he was

981
00:53:30,400 --> 00:53:32,880
Speaker 1: able to tap in to the South or to the

982
00:53:33,000 --> 00:53:35,480
Speaker 1: West coast and to that and being related to those

983
00:53:35,560 --> 00:53:37,799
Speaker 1: people and was this is your first time meeting Pop

984
00:53:39,560 --> 00:53:41,680
Speaker 1: was that, No, no, no, I met Park. The first

985
00:53:41,760 --> 00:53:44,200
Speaker 1: time I met Pop was strew a guy by the

986
00:53:44,320 --> 00:53:48,160
Speaker 1: name of Richie Rich from the four or five. Yeah,

987
00:53:48,200 --> 00:53:50,200
Speaker 1: that's the first person. That's the first person on the

988
00:53:50,239 --> 00:53:53,080
Speaker 1: West Coast follow He was trying to school me just now,

989
00:53:53,400 --> 00:53:56,080
Speaker 1: But that's the first I mean, I don't know, but

990
00:53:56,160 --> 00:54:01,840
Speaker 1: I'm just saying. I was she I was shot. I

991
00:54:01,960 --> 00:54:03,759
Speaker 1: was young when I met Richie was probably one of

992
00:54:03,800 --> 00:54:06,160
Speaker 1: the first robbers I ever met, going to West Coast

993
00:54:06,200 --> 00:54:08,800
Speaker 1: and everything. And right away he scooped me. I'm a

994
00:54:08,920 --> 00:54:11,759
Speaker 1: little bigg I'm riding around Oakland with Richie Rich like that.

995
00:54:12,120 --> 00:54:13,800
Speaker 1: He even gave me the full one. I got the

996
00:54:13,880 --> 00:54:17,880
Speaker 1: full one five original varsity jacket, the green train, he

997
00:54:18,000 --> 00:54:20,160
Speaker 1: gave that to me. I still slf got that. And

998
00:54:20,400 --> 00:54:23,160
Speaker 1: that's how I met Park And did you underground that way?

999
00:54:23,160 --> 00:54:27,040
Speaker 1: And then it was just like full circle again through Kane. Wow, wow,

1000
00:54:27,200 --> 00:54:29,360
Speaker 1: all right? And that Big you knew that was the

1001
00:54:29,400 --> 00:54:32,000
Speaker 1: first time meeting Big. Oh no, Big was Big was

1002
00:54:32,120 --> 00:54:33,680
Speaker 1: Big was different, you know what I mean? Big was

1003
00:54:33,719 --> 00:54:36,120
Speaker 1: from New York, so it was more people with people

1004
00:54:36,160 --> 00:54:41,120
Speaker 1: because like again I knew Clark Ken you always had smoother.

1005
00:54:41,239 --> 00:54:47,279
Speaker 1: Hustler triggered again with no, I wasn't even into um

1006
00:54:47,800 --> 00:54:50,040
Speaker 1: spoken ad like that like that. I was just I was.

1007
00:54:50,160 --> 00:54:51,560
Speaker 1: I was a new b at that time. You know,

1008
00:54:52,000 --> 00:54:56,640
Speaker 1: me smoke at the school like I see when when

1009
00:54:56,719 --> 00:54:58,640
Speaker 1: when bigg and them was a round, I was more

1010
00:54:58,800 --> 00:55:02,560
Speaker 1: like season them me season all of them was more

1011
00:55:02,760 --> 00:55:05,279
Speaker 1: cool and and talk and Big was the big bro.

1012
00:55:05,480 --> 00:55:07,680
Speaker 1: But let's keep it real. I wasn't going to the

1013
00:55:07,719 --> 00:55:10,400
Speaker 1: club with him, see what I'm saying. Okay, so we're

1014
00:55:10,440 --> 00:55:12,000
Speaker 1: gonna move on. You know we're not moving on. We

1015
00:55:12,080 --> 00:55:15,879
Speaker 1: haven't really discussed that whole scenario. You know, that whole

1016
00:55:15,960 --> 00:55:20,440
Speaker 1: show's legendary. That's a moment in hip. Yeah, yeah, okay,

1017
00:55:21,120 --> 00:55:23,319
Speaker 1: so you couldn't. So you were there, what happens? How

1018
00:55:23,360 --> 00:55:26,680
Speaker 1: does that whole during the show. Normally, because I was

1019
00:55:26,800 --> 00:55:29,520
Speaker 1: on the tour, we came. It's a segment where we

1020
00:55:29,560 --> 00:55:33,719
Speaker 1: would do the freestyle boom. But this particular show, he

1021
00:55:33,880 --> 00:55:36,920
Speaker 1: had extra guests to come on as well. So you

1022
00:55:37,040 --> 00:55:41,880
Speaker 1: know when he said, we're Bill Biggie smalls that to

1023
00:55:41,960 --> 00:55:44,840
Speaker 1: see the guarden go that you hear it from the audio.

1024
00:55:47,200 --> 00:55:49,520
Speaker 1: This is where this is where you are schooling me

1025
00:55:50,880 --> 00:55:53,520
Speaker 1: it's partying bullshit out around there. That's the only record,

1026
00:55:53,560 --> 00:55:56,600
Speaker 1: that's the only which is which is a hit from

1027
00:55:56,640 --> 00:56:00,799
Speaker 1: the soundtrack Who's the Man soundtrack? Yeah, I'm in jail.

1028
00:56:00,840 --> 00:56:04,040
Speaker 1: I think this is we're speaking about. I'm in jail,

1029
00:56:04,400 --> 00:56:08,040
Speaker 1: So I need you to describe for me because all

1030
00:56:08,120 --> 00:56:10,239
Speaker 1: I'm here is party and bullshit. But I'm hearing it

1031
00:56:10,320 --> 00:56:18,120
Speaker 1: through a Poughkeepsie radio radio station. How important was that

1032
00:56:18,200 --> 00:56:20,440
Speaker 1: record to New York City and the party and bullshita?

1033
00:56:20,480 --> 00:56:23,880
Speaker 1: Because it was it was He was a mixtape legend.

1034
00:56:23,880 --> 00:56:28,400
Speaker 1: I'm gonna say this, the only the only other person,

1035
00:56:29,080 --> 00:56:32,239
Speaker 1: and this is to me, in New York history to

1036
00:56:32,600 --> 00:56:35,800
Speaker 1: have pretty much a hit before it was out. And

1037
00:56:35,880 --> 00:56:37,960
Speaker 1: the first person that I ever looked at on that

1038
00:56:38,200 --> 00:56:41,839
Speaker 1: level was Nas. I had a Nas tape floating through

1039
00:56:41,920 --> 00:56:44,560
Speaker 1: my project before it came out, you know what I'm saying.

1040
00:56:44,600 --> 00:56:46,400
Speaker 1: It was sort of the same with Big. Back then

1041
00:56:46,440 --> 00:56:48,239
Speaker 1: you would get teams and it was like so I

1042
00:56:48,440 --> 00:56:51,040
Speaker 1: was already kind of like onto him, and he was

1043
00:56:51,120 --> 00:56:53,479
Speaker 1: already big, you know what I mean on that level,

1044
00:56:53,600 --> 00:56:56,800
Speaker 1: And then it was no brainer once Party in Bullshit

1045
00:56:56,960 --> 00:56:59,320
Speaker 1: came out because he was circulated. He has party and

1046
00:56:59,360 --> 00:57:03,520
Speaker 1: bullshit out there. Yeah, I think Dreams was out to Dreams. No, no, no,

1047
00:57:03,960 --> 00:57:10,279
Speaker 1: that was a mixtape that was circular, not playing well,

1048
00:57:10,360 --> 00:57:12,640
Speaker 1: that was a mixafe free style. But that's what I'm saying.

1049
00:57:12,640 --> 00:57:15,440
Speaker 1: It was always so heavy on the mixtapes. It wasn't records,

1050
00:57:15,480 --> 00:57:17,200
Speaker 1: it wasn't rough it like that was just he was

1051
00:57:17,360 --> 00:57:20,800
Speaker 1: already a legend in the street. Yeah, yeah, he was

1052
00:57:21,160 --> 00:57:23,520
Speaker 1: because because at that time, that's when puff Puff came

1053
00:57:23,560 --> 00:57:25,480
Speaker 1: with that market and Puffs marking and Jean's back then

1054
00:57:25,480 --> 00:57:30,760
Speaker 1: when he started promoting Craig Macking and he had Yeah. Yeah,

1055
00:57:30,840 --> 00:57:35,680
Speaker 1: but so big Daddy Kane says, I'm bringing out my homeboy. Well,

1056
00:57:35,760 --> 00:57:38,800
Speaker 1: he don't say anything because Kane is kneplain to nobody.

1057
00:57:39,040 --> 00:57:41,160
Speaker 1: What was just you there? And next thing I heard

1058
00:57:41,320 --> 00:57:43,080
Speaker 1: was I knew they was there, but I didn't know

1059
00:57:43,200 --> 00:57:45,600
Speaker 1: he was going to have them rock Scooper scrap there.

1060
00:57:45,800 --> 00:57:51,120
Speaker 1: School because School wrapped from the beginning, No, he wrapped, Yeah, School,

1061
00:57:51,280 --> 00:57:56,440
Speaker 1: check it, check it bang bag. Yeah, because School was

1062
00:57:56,520 --> 00:57:58,760
Speaker 1: on a on a tour with us as well. So

1063
00:57:59,160 --> 00:58:05,840
Speaker 1: you see tupop a big both from you. Not this

1064
00:58:06,000 --> 00:58:15,280
Speaker 1: moment is legendary. No, I would know even of course,

1065
00:58:15,680 --> 00:58:17,880
Speaker 1: how do you know that, you know, because I see

1066
00:58:18,000 --> 00:58:21,840
Speaker 1: souper together. You know I'm gonna be real with you.

1067
00:58:22,040 --> 00:58:24,320
Speaker 1: The superstar to me was Kane. I was just so

1068
00:58:24,480 --> 00:58:26,920
Speaker 1: excited that I wrote to the Limo with Kane. I'm

1069
00:58:27,000 --> 00:58:28,920
Speaker 1: chilling out with Kane. I get to go over Kane's

1070
00:58:29,000 --> 00:58:32,320
Speaker 1: house and after can fingerpop Mount Donna. Let's be clear,

1071
00:58:32,440 --> 00:58:35,360
Speaker 1: Man Donna, I wasn't Man Donna, bro I wasn't here.

1072
00:58:35,560 --> 00:58:37,160
Speaker 1: I don't I don't know. I don't know if he did.

1073
00:58:37,560 --> 00:58:40,080
Speaker 1: I always that because he'd be like, I ain't do

1074
00:58:40,200 --> 00:58:43,680
Speaker 1: nothing like finger pop. He said maybe, he said only

1075
00:58:43,680 --> 00:58:46,680
Speaker 1: the other week. He never said he smashed though he

1076
00:58:47,080 --> 00:58:49,760
Speaker 1: said that I was. I was just I was the

1077
00:58:49,840 --> 00:58:52,440
Speaker 1: limo with Cane. Let's be clear. The Limo was like

1078
00:58:52,520 --> 00:58:57,440
Speaker 1: a fandom back then. Yeah, like if you up out

1079
00:58:57,480 --> 00:59:01,560
Speaker 1: the limo, you we didn't even jump out the limit.

1080
00:59:01,640 --> 00:59:03,400
Speaker 1: Because this is the first time I ever went into

1081
00:59:03,440 --> 00:59:12,480
Speaker 1: a stadium like that. The ship lifted off. Yeah, I

1082
00:59:12,560 --> 00:59:14,600
Speaker 1: felt like I was playing basketball, like I was about

1083
00:59:14,640 --> 00:59:16,720
Speaker 1: to go out on the court. Like you had headphones

1084
00:59:16,720 --> 00:59:20,240
Speaker 1: when you walk into the game. Yeah, did you walk up?

1085
00:59:20,840 --> 00:59:24,160
Speaker 1: Did you walk up a ramp? You walk up? I'm

1086
00:59:24,240 --> 00:59:28,840
Speaker 1: starting and I was like look and to see thirty

1087
00:59:29,280 --> 00:59:35,800
Speaker 1: like that many people and at this time, and at

1088
00:59:35,880 --> 00:59:39,640
Speaker 1: this time, we didn't have social media, so you was

1089
00:59:39,720 --> 00:59:42,880
Speaker 1: lucky if somebody had a disposable camera or if a

1090
00:59:43,000 --> 00:59:45,720
Speaker 1: magazine happened to take a picture or other than that,

1091
00:59:45,840 --> 00:59:48,000
Speaker 1: you didn't know. But for me, there was people from

1092
00:59:48,040 --> 00:59:52,000
Speaker 1: my projects there. So the next morning and it was

1093
00:59:52,120 --> 00:59:54,360
Speaker 1: like he was at the guarding because nobody would have

1094
00:59:54,400 --> 00:59:56,360
Speaker 1: believed me if I told him I was in school

1095
00:59:56,400 --> 00:59:58,120
Speaker 1: before I had a reggae deal, Like I had a

1096
00:59:58,120 --> 01:00:00,560
Speaker 1: reggae deal, but I'm in school telling like yeah, working

1097
01:00:00,600 --> 01:00:03,960
Speaker 1: on the album. Yeah, we know, you know what I mean,

1098
01:00:04,000 --> 01:00:05,800
Speaker 1: Like I was a straight liar. It wasn't until my

1099
01:00:05,880 --> 01:00:07,680
Speaker 1: song came out. It was like it wasn't lying all

1100
01:00:07,720 --> 01:00:10,440
Speaker 1: this time because it was just so far fetched for

1101
01:00:10,520 --> 01:00:12,600
Speaker 1: someone to have a record deal. Then you had to

1102
01:00:12,680 --> 01:00:15,560
Speaker 1: know somebody, to know somebody, to know somebody, you know.

1103
01:00:15,600 --> 01:00:18,280
Speaker 1: I mean, that's how the game was so controlled, you

1104
01:00:18,320 --> 01:00:21,320
Speaker 1: know what I mean. That's why these these guys, these guys,

1105
01:00:21,400 --> 01:00:24,520
Speaker 1: these young guys, they they they're so fortunate that you know,

1106
01:00:24,640 --> 01:00:29,720
Speaker 1: they can really yeah, one action one night. It wasn't

1107
01:00:29,760 --> 01:00:32,760
Speaker 1: like that far us. You had the big dudes and

1108
01:00:33,720 --> 01:00:37,520
Speaker 1: hold on, I still got more. How did you mean Kane?

1109
01:00:37,600 --> 01:00:41,000
Speaker 1: How did that collection happen? I met Kane? I was

1110
01:00:42,080 --> 01:00:45,520
Speaker 1: I think it was the pladium. Um, I was running

1111
01:00:45,520 --> 01:00:48,200
Speaker 1: around with Woot Sang because Mare. They came out before

1112
01:00:48,240 --> 01:00:49,920
Speaker 1: me because I had to go through the court system

1113
01:00:50,240 --> 01:00:52,560
Speaker 1: with my record deal because you because I was a minor,

1114
01:00:52,920 --> 01:00:55,440
Speaker 1: so being that the things happened with Gary Coleman and

1115
01:00:55,520 --> 01:00:57,600
Speaker 1: all of them, you had to go to Supreme Court

1116
01:00:57,840 --> 01:00:59,960
Speaker 1: and stand in front of a judge when he gets

1117
01:01:00,000 --> 01:01:02,080
Speaker 1: as you commission and he signs you into these contracts

1118
01:01:02,520 --> 01:01:07,640
Speaker 1: and yeah, full circle. The judge sentence me on one

1119
01:01:07,680 --> 01:01:11,200
Speaker 1: of my criminal cases as well in the same Supreme Yeah.

1120
01:01:11,440 --> 01:01:13,920
Speaker 1: So can you imagine that conversation that he had with me?

1121
01:01:14,040 --> 01:01:16,840
Speaker 1: You know that that was that was touching. It makes

1122
01:01:16,880 --> 01:01:20,000
Speaker 1: you say to him, I'm really fucking this up right? Um?

1123
01:01:21,200 --> 01:01:26,480
Speaker 1: So yeah, and they and they had um yeah. Yeah.

1124
01:01:26,480 --> 01:01:29,280
Speaker 1: I'm on the stage with him and I'm just and

1125
01:01:29,440 --> 01:01:34,040
Speaker 1: he tells his manager, Yo, he wants to meet O. D.

1126
01:01:34,280 --> 01:01:38,160
Speaker 1: B and the girl on stage. That's what he tells

1127
01:01:38,240 --> 01:01:44,040
Speaker 1: his his his manager. His manager girl comes back and says, well, okay,

1128
01:01:44,240 --> 01:01:49,200
Speaker 1: the OLDB guys here, but that's not a chick, that's

1129
01:01:49,240 --> 01:01:52,880
Speaker 1: a dude. He's name is Shot and that was it.

1130
01:01:53,000 --> 01:01:56,000
Speaker 1: And at that point he was like, you'll give me

1131
01:01:56,080 --> 01:01:58,560
Speaker 1: your number, right, like like, yo, you're rapped, and I'm

1132
01:01:58,640 --> 01:02:00,640
Speaker 1: like yeah. He was like I'm saying if you did rap,

1133
01:02:00,720 --> 01:02:02,480
Speaker 1: like you should wrap right. I'm like, wholl He's like, yo,

1134
01:02:02,640 --> 01:02:04,280
Speaker 1: taking a number, and then you know, at that time,

1135
01:02:04,360 --> 01:02:08,400
Speaker 1: I was like the golden goose egg, We're through the business.

1136
01:02:08,480 --> 01:02:10,200
Speaker 1: You missed a lot of opportunities like that. You and

1137
01:02:10,360 --> 01:02:12,960
Speaker 1: jay z on. That's what you're saying. Well, I need

1138
01:02:13,000 --> 01:02:15,120
Speaker 1: to say he put anybody on. What I'm saying this

1139
01:02:15,160 --> 01:02:19,840
Speaker 1: is that when he um bring me to the you're

1140
01:02:19,880 --> 01:02:21,840
Speaker 1: good but good thing I ain't drunk. That would have

1141
01:02:21,880 --> 01:02:23,720
Speaker 1: worked if I wasn't drunk, because he didn't say that,

1142
01:02:23,840 --> 01:02:25,480
Speaker 1: And I don't know why. I'm thinking, did you say that?

1143
01:02:28,280 --> 01:02:38,400
Speaker 1: Say that this sounds real good? Keep drinking? Good about answered? Right?

1144
01:02:38,440 --> 01:02:42,800
Speaker 1: That's a guy, right, um damn the movies we at

1145
01:02:43,640 --> 01:02:47,240
Speaker 1: he brought brought stage. Okay, so no, he he asked

1146
01:02:47,280 --> 01:02:49,720
Speaker 1: for you and the dB. I'll go back whatever. I'll

1147
01:02:49,720 --> 01:02:52,200
Speaker 1: try to get the contact with him. You know, dudes,

1148
01:02:52,280 --> 01:02:54,560
Speaker 1: just the Elders Show we're handling it, we'll make the

1149
01:02:54,640 --> 01:02:57,680
Speaker 1: contact whatever. A lot of other opportunities like that. I

1150
01:02:57,800 --> 01:02:59,560
Speaker 1: read in jay z book he wanted me on the song.

1151
01:02:59,640 --> 01:03:02,280
Speaker 1: I never he never called me, but he said he did,

1152
01:03:02,680 --> 01:03:07,040
Speaker 1: but I don't know back to that. So then, um,

1153
01:03:07,800 --> 01:03:10,479
Speaker 1: one day I'm playing basketball my projects in the middle

1154
01:03:10,480 --> 01:03:12,120
Speaker 1: of my projects because I thought I was going to

1155
01:03:12,200 --> 01:03:14,880
Speaker 1: the NBA. That's what I thought I was. Now I'm

1156
01:03:14,920 --> 01:03:20,080
Speaker 1: trashed now yeah, yeah, I thought I was gonna be

1157
01:03:20,680 --> 01:03:24,080
Speaker 1: a basketball player. And they're telling me they're going Boom

1158
01:03:24,120 --> 01:03:26,880
Speaker 1: because that's my nickname, Boom, right, that's my My family

1159
01:03:26,960 --> 01:03:30,760
Speaker 1: calls me Boom. So like boom running through projects now magic,

1160
01:03:30,880 --> 01:03:34,440
Speaker 1: it's my projects is a long waterway to the basketball yo.

1161
01:03:35,040 --> 01:03:39,560
Speaker 1: And they're running Big Daddy caters on bullshe I'm like

1162
01:03:39,800 --> 01:03:43,680
Speaker 1: what Big Daddy And I'm like what, And now I'm

1163
01:03:43,760 --> 01:03:46,680
Speaker 1: running back. So I get to him. He like this out.

1164
01:03:46,760 --> 01:03:48,720
Speaker 1: I'm like, say, like what you're doing. I'm like none.

1165
01:03:48,960 --> 01:03:50,760
Speaker 1: He's like, yo, you want to roll with me. I'm

1166
01:03:50,800 --> 01:03:53,200
Speaker 1: like yeah. He's like, YO, tell your mother that you're

1167
01:03:53,200 --> 01:03:55,880
Speaker 1: gonna roll me. I run upstairs. I lived on the

1168
01:03:55,960 --> 01:03:59,360
Speaker 1: A four elevator broad because back then, your key is

1169
01:03:59,400 --> 01:04:04,600
Speaker 1: on your chain. Yeah, that's my kid, can clip my mama.

1170
01:04:04,800 --> 01:04:08,680
Speaker 1: Not home? Fuck it, I'm out, jumped in and called

1171
01:04:08,800 --> 01:04:12,280
Speaker 1: boom going. I was in Virginia somewhere. Anybody thought I

1172
01:04:12,400 --> 01:04:18,200
Speaker 1: was missing. But I'm chilling. I'm chilling grown women like

1173
01:04:18,560 --> 01:04:23,560
Speaker 1: Kane is the dude. Grown women is feeding me French fries.

1174
01:04:24,960 --> 01:04:27,680
Speaker 1: And he was always calling me your son, feed my son,

1175
01:04:27,800 --> 01:04:33,720
Speaker 1: no things like I was. Know what I'm saying, like, hey,

1176
01:04:34,360 --> 01:04:35,880
Speaker 1: it's cool, it was cool to be me. You know

1177
01:04:35,880 --> 01:04:39,800
Speaker 1: what I'm saying. What I'm saying. So did I come back? Right?

1178
01:04:39,880 --> 01:04:41,720
Speaker 1: I come back and he lets me out front of pods.

1179
01:04:41,720 --> 01:04:45,600
Speaker 1: I'm hyping. I got me getting money, brought me my

1180
01:04:45,720 --> 01:04:50,200
Speaker 1: first pier silk box. Oh this prince darkness I'm talking

1181
01:04:50,200 --> 01:04:53,280
Speaker 1: about right now, I'm hyped. What I do. I run

1182
01:04:53,360 --> 01:04:56,960
Speaker 1: the Rizard crib, run not with the silk boxes. Everything

1183
01:04:57,040 --> 01:05:03,600
Speaker 1: still im He's a kid, so he's gonna do. And

1184
01:05:03,680 --> 01:05:07,240
Speaker 1: they're looking at me like just trying to make you

1185
01:05:07,280 --> 01:05:11,720
Speaker 1: a sell out something to this this was he's trying

1186
01:05:11,720 --> 01:05:13,880
Speaker 1: to make you smooth and boxed up that she don't win.

1187
01:05:13,960 --> 01:05:16,240
Speaker 1: No smooth boxes and you can walk a shower. And

1188
01:05:16,320 --> 01:05:19,040
Speaker 1: now I'm confused, like I liked the boxes. I want

1189
01:05:19,080 --> 01:05:23,640
Speaker 1: to wear the boxes. They feel smooth. I'm wearing these ships,

1190
01:05:23,640 --> 01:05:28,760
Speaker 1: you know what I'm saying. Yeah, but I was height

1191
01:05:28,880 --> 01:05:31,560
Speaker 1: what you couldn't sell me. I might have worn for

1192
01:05:31,560 --> 01:05:34,280
Speaker 1: a few days because they were so smooth. It was

1193
01:05:34,320 --> 01:05:36,479
Speaker 1: different than the bbs. You can jump in the shower

1194
01:05:36,520 --> 01:05:38,760
Speaker 1: and take him out and just go and throw them more.

1195
01:05:38,880 --> 01:05:41,280
Speaker 1: He drive you have b I didn't have them, but

1196
01:05:41,320 --> 01:05:43,440
Speaker 1: I used to stealing for my cousins, so they used

1197
01:05:43,440 --> 01:05:45,040
Speaker 1: to have them, and I used to rock him. That's

1198
01:05:45,040 --> 01:05:47,000
Speaker 1: how I got the first time my cousin smacked me

1199
01:05:47,080 --> 01:05:49,520
Speaker 1: with a big fish. I wore was addas out his

1200
01:05:49,600 --> 01:05:51,880
Speaker 1: shell tools. I was probably a side four and his

1201
01:05:52,000 --> 01:05:54,040
Speaker 1: ships like a nine. And I'm in the project taking

1202
01:05:54,080 --> 01:05:59,880
Speaker 1: ships like this. Crazy. You can call my sneakers on.

1203
01:06:00,920 --> 01:06:04,360
Speaker 1: That was a death sentence in the eighties, random top.

1204
01:06:04,520 --> 01:06:06,080
Speaker 1: You know what, they thought? He was a girl. You

1205
01:06:06,160 --> 01:06:09,520
Speaker 1: know the kid in the Golden Child movie with a girl.

1206
01:06:09,640 --> 01:06:12,360
Speaker 1: It was a girl. I never knew it. All right,

1207
01:06:12,480 --> 01:06:15,120
Speaker 1: we're gonna move on with QuickTime. It's not so quick.

1208
01:06:15,280 --> 01:06:19,120
Speaker 1: It's not so quick, alright, b Street or crush grow

1209
01:06:21,600 --> 01:06:25,080
Speaker 1: Oh okay, you know why for me. It was just

1210
01:06:25,200 --> 01:06:29,000
Speaker 1: the whole thing of like run DMC and and and

1211
01:06:29,440 --> 01:06:35,400
Speaker 1: uh Curtis blow and Russell. It just showed that time

1212
01:06:35,560 --> 01:06:38,080
Speaker 1: and then grind I felt like, yeah, I could be

1213
01:06:38,400 --> 01:06:41,880
Speaker 1: I could be that too. One day, okay, the next

1214
01:06:41,920 --> 01:06:48,560
Speaker 1: of the next, next, well now, I mean I'm New York,

1215
01:06:48,680 --> 01:06:51,840
Speaker 1: next everything New York. But NIXT something even though sometimes

1216
01:06:51,920 --> 01:06:55,960
Speaker 1: it's hard to be a knicker vodka hard sometimes oh

1217
01:06:56,200 --> 01:06:59,120
Speaker 1: saw here the NIXT fan. But I did big up

1218
01:06:59,160 --> 01:07:01,160
Speaker 1: to my man. But hey, I'll tell you one thing.

1219
01:07:01,240 --> 01:07:03,280
Speaker 1: We got one of the best merchandise in the world.

1220
01:07:03,600 --> 01:07:07,920
Speaker 1: Yeah I should don't drop Okay, the box or video

1221
01:07:08,120 --> 01:07:13,680
Speaker 1: music box, video music box, hand down a shot out

1222
01:07:14,800 --> 01:07:16,800
Speaker 1: we got We got a big because the box was

1223
01:07:16,880 --> 01:07:19,200
Speaker 1: more like commercial. It's like kind of if you made

1224
01:07:19,240 --> 01:07:20,800
Speaker 1: it to the box, you kind of made it kind

1225
01:07:20,840 --> 01:07:25,200
Speaker 1: of because people were they were buying the slots in

1226
01:07:25,240 --> 01:07:30,360
Speaker 1: the box. You called it, Ralph, you had to I

1227
01:07:30,480 --> 01:07:32,480
Speaker 1: remember that time to like if you wasn't dope, he

1228
01:07:32,600 --> 01:07:34,640
Speaker 1: wasn't getting played. Now they're gonna play your ship because

1229
01:07:34,640 --> 01:07:41,400
Speaker 1: you might slipping onto the table. Biggie up, bigger, Mr

1230
01:07:41,440 --> 01:07:43,160
Speaker 1: Man right there, take a shot for you. Well, I'm

1231
01:07:43,160 --> 01:07:44,920
Speaker 1: gonna say you like this, I'll pick both of them.

1232
01:07:45,320 --> 01:07:47,280
Speaker 1: I picked both of them. Wanted you to pick both

1233
01:07:47,320 --> 01:07:53,560
Speaker 1: of them because both of them, you know, but we

1234
01:07:53,640 --> 01:07:56,560
Speaker 1: need but but I love No. Yeah, we're coming back

1235
01:07:56,560 --> 01:07:58,400
Speaker 1: because you got you gotta drive a big Yeah. I

1236
01:07:58,400 --> 01:08:01,720
Speaker 1: got tattooed big. That's one of my favorite rappers. Man. Okay,

1237
01:08:01,720 --> 01:08:03,400
Speaker 1: we're gonna get through a quick time and slim. Let's

1238
01:08:03,400 --> 01:08:05,800
Speaker 1: come back to big. Remember that, and then we go

1239
01:08:06,800 --> 01:08:14,640
Speaker 1: Scarface or ice Cube mm hmm. Both of them was instrumental.

1240
01:08:15,720 --> 01:08:22,280
Speaker 1: Damn it. Good ship myself. You can't pay for you can't.

1241
01:08:22,320 --> 01:08:25,559
Speaker 1: That's hard. That's my ma wanna cleansing myself right now.

1242
01:08:29,080 --> 01:08:31,719
Speaker 1: By the way, you got the ultimate lantine on bracelet

1243
01:08:31,840 --> 01:08:35,720
Speaker 1: right there. Every everybody uncle got that same bracelet, and

1244
01:08:35,840 --> 01:08:39,160
Speaker 1: every Spanish family they got that same bracelet. I'm telling

1245
01:08:39,200 --> 01:08:41,840
Speaker 1: you that's that's that's an ultimate real Latino ship. Okay,

1246
01:08:42,240 --> 01:08:44,640
Speaker 1: what did I say? All right, boom white man, Right,

1247
01:08:45,880 --> 01:08:47,600
Speaker 1: I gotta take this first, right now, you gotta take it.

1248
01:08:57,160 --> 01:09:00,479
Speaker 1: This is extra round of song. No, this is last

1249
01:09:00,680 --> 01:09:21,080
Speaker 1: call for rel Kanye. I agree, premar just Blaze dreama

1250
01:09:23,760 --> 01:09:31,360
Speaker 1: podcast or radio podcast. Just keep coming up the late

1251
01:09:31,439 --> 01:09:42,519
Speaker 1: this no more Jay Z who nahs on jay Z. Well,

1252
01:09:45,000 --> 01:09:47,840
Speaker 1: I'm gonna say this right, I'm gonna say I'm gonna

1253
01:09:47,840 --> 01:09:50,519
Speaker 1: say no, No, I'm gonna say this. It's yeah, you're

1254
01:09:50,520 --> 01:09:54,200
Speaker 1: gonna do that anyway. But I'm saying this how I'm

1255
01:09:54,200 --> 01:09:58,280
Speaker 1: gonna say it is both of them at different times. Yeah,

1256
01:09:58,360 --> 01:10:03,240
Speaker 1: that sounds like yeah, because I'm listening to a certain

1257
01:10:03,320 --> 01:10:06,479
Speaker 1: vibe like nas Nas educates me like he makes me smart,

1258
01:10:06,560 --> 01:10:09,040
Speaker 1: like he makes me look for books. I'm like, I

1259
01:10:09,080 --> 01:10:11,080
Speaker 1: don't know that. I don't know what that is, but

1260
01:10:11,160 --> 01:10:14,200
Speaker 1: that's sound fly. I need to do some history. J

1261
01:10:14,560 --> 01:10:16,840
Speaker 1: just wakes me feel like, you know, I can take

1262
01:10:16,920 --> 01:10:28,640
Speaker 1: over the industry. Okay, all right, this is clearly the

1263
01:10:28,760 --> 01:10:33,200
Speaker 1: Dominican and public in Colombia because boltang, it's a wool

1264
01:10:33,240 --> 01:10:41,080
Speaker 1: tang inside answer. Fourth disciple or true master m hmm,

1265
01:10:42,479 --> 01:10:49,080
Speaker 1: fourth disciple true Damn, that's crazy. I gotta see both

1266
01:10:49,120 --> 01:10:54,200
Speaker 1: of them. We came to play, baby the game. We

1267
01:10:54,479 --> 01:10:56,760
Speaker 1: came to please. I'm taking the babies. I don't give

1268
01:10:57,640 --> 01:11:00,439
Speaker 1: you gotta finish, gonna finish it, man, let's take to

1269
01:11:01,200 --> 01:11:12,080
Speaker 1: come on. Damn, I'm gonna stick. I'm not gonna how

1270
01:11:12,120 --> 01:11:14,280
Speaker 1: you get loose. No, I'm not gonna let my PEPs

1271
01:11:14,280 --> 01:11:17,000
Speaker 1: because he already get a peep. I'm gonna stick with it.

1272
01:11:17,080 --> 01:11:19,880
Speaker 1: I'm gonna stick with it. Okay, con Tho, No, I

1273
01:11:19,960 --> 01:11:22,040
Speaker 1: got it wrong. I'll tell you one thing. You ask

1274
01:11:22,120 --> 01:11:24,479
Speaker 1: some questions that I wasn't expecting. This whole little game

1275
01:11:24,560 --> 01:11:27,720
Speaker 1: that's this is fly Yeah yeah, come on bro, come

1276
01:11:27,760 --> 01:11:29,880
Speaker 1: on bro, we we were here with you, baby. Okay,

1277
01:11:30,960 --> 01:11:32,280
Speaker 1: this is one I don't know where you're gonna go with.

1278
01:11:32,760 --> 01:11:42,800
Speaker 1: And I'm very curious. Red Man or a Zy Damn bro,

1279
01:11:43,880 --> 01:12:07,200
Speaker 1: it's like easy, that was real, I don't know, or

1280
01:12:07,320 --> 01:12:12,720
Speaker 1: Minister Society. You gotta remember you from. So I made

1281
01:12:12,760 --> 01:12:15,000
Speaker 1: the Jews. I mean I like mentes, you know what

1282
01:12:15,000 --> 01:12:16,880
Speaker 1: I'm saying. But that wasn't really my culture. It was

1283
01:12:16,960 --> 01:12:19,599
Speaker 1: more of an educational thing for me, But for Jews.

1284
01:12:19,640 --> 01:12:21,400
Speaker 1: I felt like when I went to Bow Dagger and

1285
01:12:21,439 --> 01:12:24,519
Speaker 1: he pop Poppy, I felt like that could have been me. Yeah,

1286
01:12:25,680 --> 01:12:31,640
Speaker 1: I'm into that. Just make some monch with you to that,

1287
01:12:32,040 --> 01:12:44,799
Speaker 1: all right? Jersey Drive or Who's the Man? Jersey's Drive? Definitely,

1288
01:12:45,680 --> 01:12:48,160
Speaker 1: it wasn't who was the man? Wasn't that wasn't that like,

1289
01:12:48,920 --> 01:12:53,200
Speaker 1: wasn't Lover and Doctor wasn't it cops or something? They

1290
01:12:53,240 --> 01:12:55,439
Speaker 1: were like cool cops though they was trying to make cops.

1291
01:12:56,920 --> 01:13:00,559
Speaker 1: I mean it was funny. It was funny, all right, cool,

1292
01:13:00,680 --> 01:13:07,840
Speaker 1: all right, this I really need to notice one. Yeah,

1293
01:13:08,320 --> 01:13:10,640
Speaker 1: this is my Colombian and I don't know why I

1294
01:13:10,680 --> 01:13:14,160
Speaker 1: got Colombians Dominicans making this list. This is they can

1295
01:13:14,200 --> 01:13:18,920
Speaker 1: be born at any time. They can be born at

1296
01:13:18,960 --> 01:13:23,760
Speaker 1: any time any time they No, no, I'm just saying.

1297
01:13:23,760 --> 01:13:26,719
Speaker 1: I said that. I said Dominican and Columbia is making

1298
01:13:26,800 --> 01:13:29,519
Speaker 1: the quick time of slab. They could be born at

1299
01:13:29,520 --> 01:13:35,600
Speaker 1: any point. A pay them off. I really need an

1300
01:13:35,640 --> 01:13:40,360
Speaker 1: honist answer because we come from the truth school, but

1301
01:13:40,760 --> 01:13:44,000
Speaker 1: we liked it. One of them. We both come on

1302
01:13:44,120 --> 01:13:54,320
Speaker 1: and be hammer over their lives. Yeah, hammer first handed,

1303
01:13:54,360 --> 01:13:59,040
Speaker 1: ain't here humble for bumy ham hu Hamdle was first

1304
01:13:59,360 --> 01:14:12,680
Speaker 1: and hammers and people that he's everybody with him. I

1305
01:14:12,720 --> 01:14:17,240
Speaker 1: ain't doing it with other nig Yeah, definitely, I ain't

1306
01:14:17,240 --> 01:14:19,200
Speaker 1: gonna find I did it before you. You ain't never

1307
01:14:19,240 --> 01:14:22,479
Speaker 1: do it. Do it. Everybody did it. Can't touch all

1308
01:14:22,520 --> 01:14:27,640
Speaker 1: that you did that still do it? Let me right

1309
01:14:30,040 --> 01:14:32,599
Speaker 1: Hammer from Oatland too. Yeah, when I heard it matter

1310
01:14:32,680 --> 01:14:37,000
Speaker 1: if she searched. We need to get we need. I'm

1311
01:14:37,080 --> 01:14:40,120
Speaker 1: so sorry. Really be not conscious of everything that goes

1312
01:14:40,200 --> 01:14:50,679
Speaker 1: on here, but not really Okay. Loyalty or respect? Loyalty

1313
01:14:50,920 --> 01:14:57,920
Speaker 1: or respect mm hmm. Definitely respect because with respect you're

1314
01:14:57,960 --> 01:15:01,240
Speaker 1: getting loyalty Now it don't now it matters why they

1315
01:15:01,360 --> 01:15:04,040
Speaker 1: respect you, and it's a different thing. How will you respected?

1316
01:15:04,400 --> 01:15:09,360
Speaker 1: But loyalty I think changes with conditions, you know what

1317
01:15:09,360 --> 01:15:12,080
Speaker 1: I mean. Respect will always be somebody earning your respect.

1318
01:15:12,120 --> 01:15:15,480
Speaker 1: You can't really funk that up unless you do some disrespect.

1319
01:15:16,400 --> 01:15:19,920
Speaker 1: So I go with respect, Okay, like I go over

1320
01:15:20,040 --> 01:15:21,960
Speaker 1: fair too. I go for fear over love. I don't

1321
01:15:22,000 --> 01:15:25,960
Speaker 1: fear you go for fear over love, yea rather somebody? Yeah,

1322
01:15:25,960 --> 01:15:28,080
Speaker 1: because people you love, like you ever noticed, like your

1323
01:15:28,120 --> 01:15:30,120
Speaker 1: family right there, are steal from you because you love them.

1324
01:15:30,640 --> 01:15:32,559
Speaker 1: But you won't try that ship with somebody that don't

1325
01:15:32,600 --> 01:15:35,240
Speaker 1: love them. So don't use the love card on me.

1326
01:15:35,560 --> 01:15:39,040
Speaker 1: People more than love. I know, I don't fear anybody.

1327
01:15:39,080 --> 01:15:41,720
Speaker 1: What I'm saying is that if somebody fears me rather

1328
01:15:41,760 --> 01:15:43,880
Speaker 1: than love me, you cross somebody you love before you

1329
01:15:43,960 --> 01:15:46,439
Speaker 1: cross somebody you fear. No hear you. But I'm saying

1330
01:15:46,439 --> 01:15:48,920
Speaker 1: the person that fears you is unpredictable because they're scared.

1331
01:15:49,320 --> 01:15:53,040
Speaker 1: Both are unpredictable. Yeah, respect, you know what I mean.

1332
01:15:53,320 --> 01:15:55,280
Speaker 1: I've had the most people who did the hurt fool

1333
01:15:55,320 --> 01:15:57,040
Speaker 1: shipped to me was people I loved and loved me.

1334
01:15:57,520 --> 01:15:59,360
Speaker 1: Did you hear the baby just said? Baby said, you

1335
01:15:59,439 --> 01:16:03,519
Speaker 1: gotta watch envy when you watch hate, because envyous here yea,

1336
01:16:03,920 --> 01:16:11,400
Speaker 1: and hate what you meant? All that ship man that

1337
01:16:11,640 --> 01:16:17,920
Speaker 1: fear hey then away from here and maybe trying to

1338
01:16:17,960 --> 01:16:20,760
Speaker 1: get deep man, come on, got that ship. Let me

1339
01:16:20,840 --> 01:16:26,240
Speaker 1: take my shot. That guy we're taking He was like,

1340
01:16:26,439 --> 01:16:29,280
Speaker 1: you want to just take it? And giggles little get

1341
01:16:29,360 --> 01:16:38,559
Speaker 1: drunk so in too deep and you did original deep

1342
01:16:38,720 --> 01:16:41,160
Speaker 1: and too deep. What is this story they're telling you

1343
01:16:41,280 --> 01:16:44,519
Speaker 1: this story about? Because from Marvi's this story is actually

1344
01:16:44,560 --> 01:16:48,240
Speaker 1: about Queen's dudes who went out of time. That's why

1345
01:16:48,320 --> 01:16:52,160
Speaker 1: they kept using the god And that was like yeah,

1346
01:16:52,200 --> 01:16:53,640
Speaker 1: But then they said it was about some people in

1347
01:16:53,680 --> 01:16:56,840
Speaker 1: Ohio with Cincinnati and things like that. I don't know

1348
01:16:56,960 --> 01:16:58,960
Speaker 1: because I really wasn't you know at that time, I

1349
01:16:59,040 --> 01:17:01,800
Speaker 1: ain't here what it was about. It was like, what's

1350
01:17:01,880 --> 01:17:04,320
Speaker 1: these lines and the checks there? All right, let's go.

1351
01:17:04,560 --> 01:17:06,280
Speaker 1: But it was a fun set man, it was a

1352
01:17:06,360 --> 01:17:09,479
Speaker 1: fun set um. It was it was big because it

1353
01:17:09,600 --> 01:17:12,160
Speaker 1: was three people from our neighborhood. Actually, in that same movie,

1354
01:17:12,240 --> 01:17:16,840
Speaker 1: you had me Hassan who played we Bay. You had

1355
01:17:16,920 --> 01:17:19,320
Speaker 1: Candle Grills he was also he was all from the

1356
01:17:19,360 --> 01:17:21,479
Speaker 1: same neighborhood. So it was a big thing to have

1357
01:17:21,640 --> 01:17:23,759
Speaker 1: three of us from the same neighborhood in one movie,

1358
01:17:24,120 --> 01:17:27,839
Speaker 1: alongside L. L. Coo J and Omar Epps and Sticky

1359
01:17:27,920 --> 01:17:30,800
Speaker 1: Fingers Into being the trail is rapping with L. L.

1360
01:17:31,040 --> 01:17:34,519
Speaker 1: Sticky and Omar Epps because Olmar is nice too, and

1361
01:17:34,720 --> 01:17:37,960
Speaker 1: we was this is that's just times you can't people

1362
01:17:38,000 --> 01:17:39,920
Speaker 1: can't pay for that. So what was you mad when

1363
01:17:39,960 --> 01:17:43,080
Speaker 1: Cary said it was in too Deep like mccarth, No,

1364
01:17:43,320 --> 01:17:44,920
Speaker 1: I didn't. I said, what the hell is just talking about?

1365
01:17:44,920 --> 01:17:49,639
Speaker 1: That's not the movie. He wasn't even That's what I thought.

1366
01:17:49,720 --> 01:17:51,559
Speaker 1: But then I was saying, well, maybe he's in too

1367
01:17:51,680 --> 01:17:55,760
Speaker 1: deep in something else than I don't know, but I

1368
01:17:55,840 --> 01:17:58,360
Speaker 1: know it wasn't the movie. What he was in too

1369
01:17:58,439 --> 01:18:01,600
Speaker 1: d I don't know, wasn't the movie. I mean, you

1370
01:18:01,680 --> 01:18:06,200
Speaker 1: know what, that's what Kanye said that sober into. I'm

1371
01:18:06,200 --> 01:18:08,600
Speaker 1: trying to give him an out bro, I mean what

1372
01:18:08,800 --> 01:18:10,760
Speaker 1: we don't know what he was meaning? Into deep? He

1373
01:18:10,800 --> 01:18:15,080
Speaker 1: could have been into deep, too deep. You can't know

1374
01:18:15,160 --> 01:18:18,320
Speaker 1: what Just be clear. We all wrapped. Come on, come

1375
01:18:18,320 --> 01:18:21,360
Speaker 1: on we rappers and DJ's here when you say I'm

1376
01:18:21,439 --> 01:18:24,960
Speaker 1: in too deep like my co fife, he might have

1377
01:18:25,040 --> 01:18:27,000
Speaker 1: met something else though he like he said he might have.

1378
01:18:27,160 --> 01:18:29,200
Speaker 1: It wasn't the movie because you know that we can

1379
01:18:29,240 --> 01:18:32,080
Speaker 1: scratch the movie out because what was he? What was

1380
01:18:32,160 --> 01:18:34,880
Speaker 1: he deep? Unless he thought he wasn't unless he thought

1381
01:18:35,640 --> 01:18:41,200
Speaker 1: but mcaf but he thought, yeah, yeah, so that's why

1382
01:18:41,280 --> 01:18:44,479
Speaker 1: he used that's that's the happen to be that right ship? Right? No,

1383
01:18:44,760 --> 01:18:47,320
Speaker 1: what are you talking about? It might could be because

1384
01:18:47,400 --> 01:18:50,640
Speaker 1: if you don't know somebody else, somebody don't know I

1385
01:18:50,720 --> 01:18:53,160
Speaker 1: don't know if it's a writer or whoever it is,

1386
01:18:53,280 --> 01:18:55,960
Speaker 1: but whoever, if don't you know that line and you

1387
01:18:56,040 --> 01:18:58,320
Speaker 1: saw the movie, you didn't wait the movie, you didn't

1388
01:18:59,640 --> 01:19:01,519
Speaker 1: if you don has heard about it, wrote that line,

1389
01:19:01,520 --> 01:19:03,880
Speaker 1: you didn't want the movie. Yeah, he could have googled

1390
01:19:03,880 --> 01:19:06,480
Speaker 1: that because I ain't gonna When I heard, I was like, indeed,

1391
01:19:06,840 --> 01:19:08,120
Speaker 1: and I said it too, and I was like, who

1392
01:19:08,479 --> 01:19:10,160
Speaker 1: was he? Even? Or it might have been a spin.

1393
01:19:10,320 --> 01:19:12,240
Speaker 1: Maybe he's just that creative said, oh, I'm gonna say

1394
01:19:12,280 --> 01:19:14,960
Speaker 1: mcco fight for fuck him up to make him say,

1395
01:19:14,960 --> 01:19:17,320
Speaker 1: you say, wait a minute, he's not mccow fighter. Maybe

1396
01:19:17,400 --> 01:19:19,760
Speaker 1: he said, oh my drink chats. We'll talk about this

1397
01:19:19,800 --> 01:19:21,360
Speaker 1: and then I'm gonna do what I'm gonna do. I'm

1398
01:19:21,360 --> 01:19:23,680
Speaker 1: gonna take a shot. Shot. He tried to clean it up.

1399
01:19:24,040 --> 01:19:26,720
Speaker 1: He tried to clean it up. In the soundtrack for

1400
01:19:26,800 --> 01:19:31,000
Speaker 1: that movie. I was in the soundtrack with with the

1401
01:19:31,080 --> 01:19:35,599
Speaker 1: Locks with the Nuts Locks. You gotta come on, let's

1402
01:19:35,600 --> 01:19:39,200
Speaker 1: take some more. Mom wanna the juel you I'm sorry,

1403
01:19:39,240 --> 01:19:41,839
Speaker 1: I think he speaks. He speak a whole bunch of English.

1404
01:19:42,160 --> 01:19:44,120
Speaker 1: I said, June, when you get did just speak smash?

1405
01:19:44,960 --> 01:19:52,840
Speaker 1: He said, Nori speaks you guys, what are you trying

1406
01:19:52,840 --> 01:19:57,800
Speaker 1: to because he got freckles man, dispect that's got to

1407
01:19:57,800 --> 01:20:02,400
Speaker 1: discuss respectful. That's guys like him. Those are the brothers.

1408
01:20:02,439 --> 01:20:10,000
Speaker 1: You might be fucking family. You never know. So I look, shot,

1409
01:20:13,600 --> 01:20:18,680
Speaker 1: we've been through it all. What is the one thing

1410
01:20:19,479 --> 01:20:24,439
Speaker 1: that you regret in this in this life or what

1411
01:20:24,520 --> 01:20:27,720
Speaker 1: was the one thing you finished wish you finished either

1412
01:20:27,880 --> 01:20:30,920
Speaker 1: or you could um the one thing that I really

1413
01:20:31,000 --> 01:20:33,080
Speaker 1: wish I could have changed. Is that I wish I

1414
01:20:33,120 --> 01:20:37,000
Speaker 1: would have grew up in time to like get my

1415
01:20:37,120 --> 01:20:39,639
Speaker 1: mom the hell she needs, and I could have saved

1416
01:20:39,680 --> 01:20:43,240
Speaker 1: my mom's life. But I didn't know to just take

1417
01:20:43,280 --> 01:20:45,880
Speaker 1: a move away. I was just that just that I

1418
01:20:45,960 --> 01:20:48,559
Speaker 1: make sure I should have just forced in the woods

1419
01:20:48,640 --> 01:20:51,160
Speaker 1: and the force to get better. Like I was just

1420
01:20:51,320 --> 01:20:53,519
Speaker 1: thinking like, oh, she's gonna do it anyway, so the

1421
01:20:53,600 --> 01:20:55,880
Speaker 1: moms will stay home. That's why I never left, because

1422
01:20:55,880 --> 01:20:59,720
Speaker 1: I always feed like, damn I moved. We never left,

1423
01:20:59,760 --> 01:21:03,880
Speaker 1: you start, because I felt like if I took my mom,

1424
01:21:04,000 --> 01:21:06,599
Speaker 1: Let's say I moved to Queens, right, and I'm living

1425
01:21:06,640 --> 01:21:08,680
Speaker 1: out there now my mom's has an addiction, so now

1426
01:21:08,760 --> 01:21:11,320
Speaker 1: she's running around Queens, and now it becomes the talk

1427
01:21:11,520 --> 01:21:13,599
Speaker 1: Queens that my mother's like that at least at home.

1428
01:21:13,880 --> 01:21:16,519
Speaker 1: Heybody knew that ship before I was, even it's not

1429
01:21:16,680 --> 01:21:19,160
Speaker 1: a big deal. So I stayed where I was comfortable

1430
01:21:19,240 --> 01:21:21,840
Speaker 1: at for all those reasons. But that's the same thing

1431
01:21:21,920 --> 01:21:25,240
Speaker 1: that kept her and myself in that pit. So I

1432
01:21:25,320 --> 01:21:27,000
Speaker 1: was like, if I could change anything, I wish I

1433
01:21:27,120 --> 01:21:30,519
Speaker 1: was a little more mature in my decision making and

1434
01:21:30,600 --> 01:21:33,400
Speaker 1: my thinking because I would have just removed myself from

1435
01:21:33,439 --> 01:21:36,439
Speaker 1: the environment. See all along, I'm staying in the rat race.

1436
01:21:36,520 --> 01:21:39,200
Speaker 1: I'm get involved in this stupid shot and binging and

1437
01:21:39,240 --> 01:21:41,000
Speaker 1: shooting all this dumb ship when all I had to

1438
01:21:41,080 --> 01:21:42,680
Speaker 1: do the simple thing to do is you know what

1439
01:21:42,720 --> 01:21:45,040
Speaker 1: I'm just But you were a kid man, You were

1440
01:21:45,080 --> 01:21:47,400
Speaker 1: a kid, and you know what I'm saying, and came

1441
01:21:47,439 --> 01:21:49,639
Speaker 1: into the industry young. So it kind of stunts your broke.

1442
01:21:49,880 --> 01:21:52,439
Speaker 1: But but but it was the best thing that happened

1443
01:21:52,439 --> 01:21:54,240
Speaker 1: to me. I wouldn't trade it. I wouldn't trade it

1444
01:21:54,680 --> 01:21:57,519
Speaker 1: because I know so much. It was pain that came

1445
01:21:57,600 --> 01:22:00,479
Speaker 1: with it, but the things that I learned from this priceless.

1446
01:22:00,720 --> 01:22:05,240
Speaker 1: All Right, you gonna do another shot with you getting

1447
01:22:06,760 --> 01:22:10,320
Speaker 1: We're finishing this. Mama wanna bottle, and I'm finishing face

1448
01:22:10,320 --> 01:22:12,240
Speaker 1: because you know what shop You don't know if you

1449
01:22:12,360 --> 01:22:15,760
Speaker 1: know our show is about giving flowers. Yeah, I got

1450
01:22:15,840 --> 01:22:19,400
Speaker 1: twelve gold ones. Yeah you know what this might be?

1451
01:22:19,640 --> 01:22:21,479
Speaker 1: You know you heard it and this might be it. No,

1452
01:22:21,680 --> 01:22:23,400
Speaker 1: it's gonna be an n f T. We're gonna do sing.

1453
01:22:23,439 --> 01:22:25,760
Speaker 1: You can create that f T for yourself. We're gonna

1454
01:22:25,760 --> 01:22:27,599
Speaker 1: make n f T those too, well, can y'all sign

1455
01:22:27,640 --> 01:22:31,040
Speaker 1: it for me. It's already sign with the drink champs

1456
01:22:33,520 --> 01:22:36,040
Speaker 1: were short chasing you at all. You're one of them.

1457
01:22:36,120 --> 01:22:39,640
Speaker 1: We just started this, so you're I think he's you're

1458
01:22:39,680 --> 01:22:44,760
Speaker 1: the fourth person. Yea for the coach. That's that's a coach.

1459
01:22:44,880 --> 01:22:50,560
Speaker 1: That's for the coach. That's for So again, I just

1460
01:22:50,680 --> 01:22:54,880
Speaker 1: wanted to tell you to your face, man um, how

1461
01:22:54,960 --> 01:22:58,160
Speaker 1: much we appreciate your contribution to hip hop. That's what

1462
01:22:58,240 --> 01:23:00,160
Speaker 1: our show was about. Our show was about giving even

1463
01:23:00,240 --> 01:23:07,600
Speaker 1: flowers while they're alive. We could have interviewed anybody, but

1464
01:23:07,720 --> 01:23:10,400
Speaker 1: we want to interview all legends. We want to end

1465
01:23:10,400 --> 01:23:17,160
Speaker 1: a few people who have been seasoned like us that's

1466
01:23:17,200 --> 01:23:21,680
Speaker 1: been around. And when I did speak to you and

1467
01:23:21,760 --> 01:23:26,920
Speaker 1: I said, shot, my only problem is you're hitting me

1468
01:23:27,040 --> 01:23:30,280
Speaker 1: now that you thought that I said something wrong, But

1469
01:23:30,400 --> 01:23:32,840
Speaker 1: I said, I did three hundred shows when I said

1470
01:23:32,880 --> 01:23:35,240
Speaker 1: something beautiful about you, and you hit me and you

1471
01:23:35,320 --> 01:23:37,160
Speaker 1: school me real quickly said, but I was in jail.

1472
01:23:37,160 --> 01:23:39,680
Speaker 1: I didn't know. I've never seen this ship first. I

1473
01:23:39,760 --> 01:23:41,320
Speaker 1: just telling me, like, go on online, it's on the

1474
01:23:41,400 --> 01:23:45,960
Speaker 1: end of that us. So what I'm trying to tell

1475
01:23:46,000 --> 01:23:49,000
Speaker 1: you is that's what our show was about. Our show

1476
01:23:49,160 --> 01:23:55,240
Speaker 1: was has been, it will continue, and we'll always be

1477
01:23:55,400 --> 01:23:59,799
Speaker 1: about picking up our legends. There's plenty of radio stations

1478
01:23:59,840 --> 01:24:03,080
Speaker 1: that people can go to when they got something going

1479
01:24:03,160 --> 01:24:07,519
Speaker 1: over it, but we want to interview the people that's

1480
01:24:07,560 --> 01:24:11,560
Speaker 1: put in that work that got them ten years in

1481
01:24:12,080 --> 01:24:15,559
Speaker 1: four than ten years in. And I'm tired of people

1482
01:24:15,640 --> 01:24:19,720
Speaker 1: saying that washed up or they're over the hill. That's

1483
01:24:19,760 --> 01:24:23,720
Speaker 1: no fucking word like that in any other genre and

1484
01:24:23,840 --> 01:24:26,439
Speaker 1: any other music. So that's the reason why we started

1485
01:24:26,560 --> 01:24:29,639
Speaker 1: drink Chat. It was because we want to give people

1486
01:24:29,800 --> 01:24:33,160
Speaker 1: their belts back, you know how like Rick Flair run

1487
01:24:33,280 --> 01:24:38,040
Speaker 1: his belt then you know, Rick Flair might that belt

1488
01:24:38,160 --> 01:24:43,599
Speaker 1: is yours forever. Yeah, that's peace, that's peace. Um yeah, yeah,

1489
01:24:43,600 --> 01:24:49,920
Speaker 1: I appreciate that. G I appreciate it, but um yeah,

1490
01:24:50,040 --> 01:24:52,200
Speaker 1: like you know, and that's the same way I felt.

1491
01:24:52,400 --> 01:24:54,800
Speaker 1: I was like, you know, if you go back, it

1492
01:24:54,920 --> 01:24:56,800
Speaker 1: was funny too, right, just the way the world works.

1493
01:24:57,000 --> 01:24:59,840
Speaker 1: They was just asking me, what's what's like? What was

1494
01:25:00,000 --> 01:25:02,960
Speaker 1: on your top? I'm like the war report and didn't

1495
01:25:03,320 --> 01:25:05,320
Speaker 1: not as soon as this ship came out of my mother.

1496
01:25:06,400 --> 01:25:08,640
Speaker 1: But it's the truth. I can't like, you know what

1497
01:25:08,640 --> 01:25:12,439
Speaker 1: I mean under no, under no circumstances would what y'all

1498
01:25:12,520 --> 01:25:15,519
Speaker 1: did for my life. See it's a difference because I

1499
01:25:16,280 --> 01:25:18,760
Speaker 1: grew up in the era. But to be a kid

1500
01:25:18,840 --> 01:25:21,240
Speaker 1: a fan, See I was a kid a fan too

1501
01:25:21,400 --> 01:25:24,439
Speaker 1: at the same time being in this ship office in Champagne.

1502
01:25:24,479 --> 01:25:25,880
Speaker 1: But I feel like I just need to get you

1503
01:25:26,600 --> 01:25:32,960
Speaker 1: funked up alone. He's speaking. No, he's Spanish, he said

1504
01:25:33,040 --> 01:25:40,599
Speaker 1: nothing yet you guys like aisha local. No, no Spanish.

1505
01:25:41,000 --> 01:25:47,120
Speaker 1: We got to get what are you talking about? Want

1506
01:25:47,160 --> 01:25:49,439
Speaker 1: let's do it, June, you're working with you. I'm good

1507
01:25:49,479 --> 01:25:52,200
Speaker 1: to you. Yeah, ship, y'all don't know what just happened

1508
01:25:52,240 --> 01:25:56,120
Speaker 1: my mind just my computer just cool. Yeah, man, No,

1509
01:25:56,320 --> 01:25:59,040
Speaker 1: but it's it's peace. Man. I'm glad. We're glad we

1510
01:25:59,120 --> 01:26:01,760
Speaker 1: could we could see here as as grown ups and

1511
01:26:01,920 --> 01:26:03,960
Speaker 1: and and work through something, because that's a lot of

1512
01:26:04,000 --> 01:26:06,479
Speaker 1: the problems with people today. They don't just take the

1513
01:26:06,560 --> 01:26:08,200
Speaker 1: time to work it out and say, hey, yo, bro,

1514
01:26:08,560 --> 01:26:10,640
Speaker 1: just how this made me feel and just and and

1515
01:26:10,720 --> 01:26:12,080
Speaker 1: a lot of time it's like, yo, I didn't even

1516
01:26:12,120 --> 01:26:14,040
Speaker 1: make me to make you feel that way. And it's

1517
01:26:14,120 --> 01:26:15,920
Speaker 1: like okay, all right now speech and now we have

1518
01:26:15,960 --> 01:26:18,200
Speaker 1: an understanding. You know what I mean, but it can

1519
01:26:18,240 --> 01:26:20,599
Speaker 1: go another way too, that people don't take the time

1520
01:26:21,280 --> 01:26:24,040
Speaker 1: to do things the right way. And I commend y'all

1521
01:26:24,280 --> 01:26:27,280
Speaker 1: for doing things the right way and you know, correcting

1522
01:26:28,320 --> 01:26:32,040
Speaker 1: whatever mistake, whatever we want to call it, it's it's

1523
01:26:32,080 --> 01:26:33,920
Speaker 1: water under the bridge, you know what I'm saying. And

1524
01:26:34,040 --> 01:26:36,040
Speaker 1: that's why I thank y'all for getting on my podcast

1525
01:26:36,520 --> 01:26:39,559
Speaker 1: and just making it, making it smooth and making anything right.

1526
01:26:39,760 --> 01:26:45,840
Speaker 1: We fun before, We with you now, and we're gonna

1527
01:26:45,880 --> 01:26:50,040
Speaker 1: fuk with you after. And um, you know that's just

1528
01:26:50,200 --> 01:26:52,840
Speaker 1: what we are. Man. You know, come on, got that.

1529
01:26:53,040 --> 01:26:55,360
Speaker 1: I'm like, it's like, it's one more this is it?

1530
01:26:57,600 --> 01:27:01,519
Speaker 1: Because he wants you to do. I gotta do because yeah,

1531
01:27:01,600 --> 01:27:05,360
Speaker 1: we got got the rugged, the rugged road to recovery.

1532
01:27:05,400 --> 01:27:08,080
Speaker 1: That let's talk Let's let's talk about the podcast. Yea,

1533
01:27:08,160 --> 01:27:12,120
Speaker 1: let's at the podgrass is you know, dedicating the memory

1534
01:27:12,160 --> 01:27:15,400
Speaker 1: of my mother, Um, and I just wanted to create

1535
01:27:15,479 --> 01:27:21,639
Speaker 1: a platform. Oh my mother's name, Marilyn Franklin. You know, um, okay,

1536
01:27:21,720 --> 01:27:26,320
Speaker 1: think you sir, just because most of the sounds people

1537
01:27:26,400 --> 01:27:27,880
Speaker 1: just don't have no way to go to talk to

1538
01:27:27,960 --> 01:27:29,920
Speaker 1: when they in those breaking moments, or they just want

1539
01:27:30,000 --> 01:27:31,760
Speaker 1: people to listen to them. So it's like, yo, you

1540
01:27:31,800 --> 01:27:34,240
Speaker 1: know what would be dope. We the community hip hop,

1541
01:27:34,320 --> 01:27:37,000
Speaker 1: We got a bunch of things where rappers come up.

1542
01:27:37,080 --> 01:27:39,400
Speaker 1: You even got gang boundings. But a part of our

1543
01:27:39,439 --> 01:27:42,840
Speaker 1: community is the people that struggle with drug addiction and

1544
01:27:43,160 --> 01:27:46,479
Speaker 1: and hustling drugs and things like that that made terrible mistakes.

1545
01:27:46,720 --> 01:27:49,400
Speaker 1: That's trying to correct their errors, a place for them

1546
01:27:49,479 --> 01:27:52,519
Speaker 1: to come get their strength and event as well as

1547
01:27:52,600 --> 01:27:55,800
Speaker 1: celebrities that's in the same thing, dealing with the same

1548
01:27:55,920 --> 01:27:59,280
Speaker 1: issues and just just a just a smooth spot just

1549
01:27:59,520 --> 01:28:02,080
Speaker 1: to have comversation, you know what I mean, And you

1550
01:28:02,160 --> 01:28:04,880
Speaker 1: take what you take from it, leaving what else back

1551
01:28:05,000 --> 01:28:07,640
Speaker 1: on the table, you know what I mean. You got

1552
01:28:07,680 --> 01:28:11,280
Speaker 1: audio distribution yet, Um, I just did it through on

1553
01:28:11,360 --> 01:28:13,360
Speaker 1: the line. Like me, I just turned to a vigorous

1554
01:28:13,479 --> 01:28:15,720
Speaker 1: Internet and just Google everything. So I did it through.

1555
01:28:15,920 --> 01:28:18,760
Speaker 1: Um one of those asks. Some Spotify the same way.

1556
01:28:18,760 --> 01:28:21,880
Speaker 1: You pretty much do it through. Course. Yeah, something's one

1557
01:28:21,920 --> 01:28:24,400
Speaker 1: of those, like you know, gets at that level right now.

1558
01:28:24,479 --> 01:28:26,720
Speaker 1: But you know I'm listening, bro, I'm here. I want

1559
01:28:26,720 --> 01:28:30,400
Speaker 1: to work movies, music, podcast whatever. You know what I mean?

1560
01:28:31,439 --> 01:28:36,519
Speaker 1: You back out here. I'm so I'm gonna use the

1561
01:28:36,560 --> 01:28:40,680
Speaker 1: bathroom now. Yeah, hell yeah, yeah, I'll say I'll say

1562
01:28:40,760 --> 01:28:48,479
Speaker 1: drinks is distribution for what it record? Just wait, wait, wait?

1563
01:28:48,560 --> 01:28:50,880
Speaker 1: Can the car be in my name? You listen, you

1564
01:28:50,960 --> 01:28:58,840
Speaker 1: already signed that. I go to the bathroom looking fifteen

1565
01:28:58,920 --> 01:29:03,040
Speaker 1: times the wood. You know what happen if you would

1566
01:29:03,040 --> 01:29:04,840
Speaker 1: have been on that bus coming down from Clinton and

1567
01:29:06,600 --> 01:29:21,160
Speaker 1: you're gonna go down your leg exactly? All right? So

1568
01:29:21,240 --> 01:29:22,639
Speaker 1: I just want to take a shot with you again.

1569
01:29:23,160 --> 01:29:28,200
Speaker 1: Oh Jesus Christ, want to do something. Let's talk about

1570
01:29:28,240 --> 01:29:32,599
Speaker 1: double shot. Let's do something alright, alright, double shot? All right,

1571
01:29:32,640 --> 01:29:35,400
Speaker 1: So let me ask you, shot, what's what's your most

1572
01:29:35,439 --> 01:29:38,840
Speaker 1: favorite part of the game. Is it performing the record

1573
01:29:40,200 --> 01:29:47,960
Speaker 1: or making the record? Um? Oh yeah, well you can't

1574
01:29:48,000 --> 01:29:50,400
Speaker 1: perform the record until you mean right, So, I mean

1575
01:29:50,479 --> 01:29:56,400
Speaker 1: I love making it, but ain't nothing like that crowd man. Yeah,

1576
01:29:56,479 --> 01:29:59,240
Speaker 1: it's just just like like, yeah, you feel me in

1577
01:29:59,320 --> 01:30:04,479
Speaker 1: that screen. Man, that's just like it's like dope, uh solo. Yeah,

1578
01:30:04,920 --> 01:30:06,720
Speaker 1: So let me ask you now, we need the big

1579
01:30:06,800 --> 01:30:10,400
Speaker 1: ol stories. Okay, that's what I relaxed for a second.

1580
01:30:12,080 --> 01:30:15,160
Speaker 1: Coming at me like like I like it. I like it,

1581
01:30:15,439 --> 01:30:20,360
Speaker 1: like I would like so me me and big relationship.

1582
01:30:20,520 --> 01:30:24,120
Speaker 1: It started, um he was on Columbia and I was

1583
01:30:24,200 --> 01:30:27,040
Speaker 1: on Virsion and I used to go. When I was

1584
01:30:27,080 --> 01:30:28,720
Speaker 1: a kid, the thing that I used to do was

1585
01:30:28,800 --> 01:30:31,280
Speaker 1: go hang out a record labels and radio station. I'll

1586
01:30:31,320 --> 01:30:32,960
Speaker 1: just be the kids showing up and they'd be like,

1587
01:30:33,200 --> 01:30:35,080
Speaker 1: come sitt in my office, chill and my death shoining.

1588
01:30:35,439 --> 01:30:37,040
Speaker 1: Did what I wanted to do everywhere, you know what

1589
01:30:37,040 --> 01:30:38,960
Speaker 1: I mean. So I used to go up to Columbia

1590
01:30:39,200 --> 01:30:40,920
Speaker 1: and the used to be a female my name of

1591
01:30:41,000 --> 01:30:43,200
Speaker 1: Taish Harris. You used to be there, so she used

1592
01:30:43,240 --> 01:30:45,000
Speaker 1: to let me come show the office and get on

1593
01:30:45,080 --> 01:30:47,920
Speaker 1: the computer and just learn and listen and watch and

1594
01:30:48,320 --> 01:30:50,920
Speaker 1: how how the businesses ran. And L used to go

1595
01:30:51,080 --> 01:30:53,519
Speaker 1: up there too, and so we man we got cool.

1596
01:30:53,640 --> 01:30:55,960
Speaker 1: And then throughout the years he was he was just like,

1597
01:30:56,360 --> 01:30:58,360
Speaker 1: see back then you could have me meet a rapper

1598
01:30:58,560 --> 01:31:01,160
Speaker 1: and he give you your number, and I actually keeping such.

1599
01:31:01,760 --> 01:31:03,719
Speaker 1: See now it was the thing of we got exchange

1600
01:31:03,800 --> 01:31:06,439
Speaker 1: number twenty times before we actually called each other. But

1601
01:31:06,560 --> 01:31:08,360
Speaker 1: back then it was like a B B B BO,

1602
01:31:08,439 --> 01:31:10,080
Speaker 1: what's up? And then call you back on the pay phone,

1603
01:31:10,120 --> 01:31:12,240
Speaker 1: what's up. And then when I started to go to

1604
01:31:12,360 --> 01:31:15,760
Speaker 1: Hall arm more because of my drugging drugging choice, I

1605
01:31:15,880 --> 01:31:18,760
Speaker 1: started to be up there, and then I started to

1606
01:31:18,840 --> 01:31:21,719
Speaker 1: hang around three nine Lenings. You know, all that around

1607
01:31:21,800 --> 01:31:25,360
Speaker 1: that was sparked parts of towns and that was I

1608
01:31:25,600 --> 01:31:27,960
Speaker 1: know that. Yeah, I don't know about now, but back

1609
01:31:28,000 --> 01:31:30,040
Speaker 1: then it was. Back then it was. And you know,

1610
01:31:30,120 --> 01:31:31,320
Speaker 1: I used to go up there and get my ship

1611
01:31:31,360 --> 01:31:33,519
Speaker 1: and it was there cam out of liquor store right

1612
01:31:33,560 --> 01:31:35,559
Speaker 1: there too at the time. So I used to hang

1613
01:31:35,640 --> 01:31:38,160
Speaker 1: out over there, and you know, and then when I

1614
01:31:38,280 --> 01:31:40,960
Speaker 1: got my third deal through a woot Sang Records, and

1615
01:31:40,960 --> 01:31:43,719
Speaker 1: I was doing a man Shout album, I had full

1616
01:31:43,880 --> 01:31:46,519
Speaker 1: control over the budget. So then I was like, I

1617
01:31:46,640 --> 01:31:48,680
Speaker 1: want to work with who I want to work with.

1618
01:31:48,960 --> 01:31:50,760
Speaker 1: So I was like, oh, I need you on this ship.

1619
01:31:50,840 --> 01:31:53,640
Speaker 1: I got the budget. Here's Bread produced because he was

1620
01:31:53,720 --> 01:31:55,800
Speaker 1: making Beach produced a joint and get on the joint.

1621
01:31:56,160 --> 01:31:59,800
Speaker 1: And we was actually recording. We had did Furious Anger,

1622
01:32:00,200 --> 01:32:03,240
Speaker 1: and we was recording the second record, and I was

1623
01:32:03,320 --> 01:32:06,280
Speaker 1: in Quash Studios. I'm there and I'm like, l he

1624
01:32:06,439 --> 01:32:09,240
Speaker 1: wasn't the type of person to bullshit you, so he

1625
01:32:09,320 --> 01:32:11,599
Speaker 1: told me a shot, I'm near eight o'clock. He might

1626
01:32:11,680 --> 01:32:13,960
Speaker 1: have been a thirty, but he wasn't showing up ten.

1627
01:32:14,320 --> 01:32:16,080
Speaker 1: You know what I'm saying. He kept his words. So

1628
01:32:16,120 --> 01:32:18,320
Speaker 1: I'm sitting here at eleven o'clock. It's late now, you know,

1629
01:32:18,320 --> 01:32:21,120
Speaker 1: I don't remember the exact but so I'm like, yo,

1630
01:32:21,240 --> 01:32:23,639
Speaker 1: where the fun is? So I'm calling around, calling around.

1631
01:32:23,880 --> 01:32:26,000
Speaker 1: And then I said, okay, let me call somebody from

1632
01:32:26,320 --> 01:32:28,680
Speaker 1: like like Lord Finesse in one of them. And then

1633
01:32:28,760 --> 01:32:31,160
Speaker 1: he was like, yo, yo, school, he just got shot.

1634
01:32:31,240 --> 01:32:35,200
Speaker 1: He's he's I'm like what, just shut it up? And

1635
01:32:35,280 --> 01:32:37,840
Speaker 1: and and and and I lost my friend that day,

1636
01:32:38,160 --> 01:32:42,479
Speaker 1: you know what I'm saying. And so the day he

1637
01:32:42,520 --> 01:32:45,080
Speaker 1: got supposed to go to recording, yeah, he was working

1638
01:32:45,120 --> 01:32:47,760
Speaker 1: on music, and he was coming through the other song.

1639
01:32:48,880 --> 01:32:52,400
Speaker 1: And because but you have another I have a song

1640
01:32:52,479 --> 01:32:54,200
Speaker 1: with him, we could see what I would do was

1641
01:32:54,240 --> 01:32:56,320
Speaker 1: book the sessions out, so I knew I was working with.

1642
01:32:56,720 --> 01:32:58,240
Speaker 1: So we were booked a couple of days of the

1643
01:32:58,280 --> 01:33:00,920
Speaker 1: session to do the records. Withell, so we locked one

1644
01:33:00,960 --> 01:33:03,160
Speaker 1: in and we had the rest of the week to

1645
01:33:03,240 --> 01:33:06,400
Speaker 1: finish the other songs. So then the process of finishing

1646
01:33:06,479 --> 01:33:09,800
Speaker 1: other songs, this tragedy just happened during that time, you

1647
01:33:09,840 --> 01:33:11,200
Speaker 1: know what I mean. So when it happened, it's just

1648
01:33:11,280 --> 01:33:15,479
Speaker 1: like that ship sucked me up and you're waiting on him. Yeah,

1649
01:33:16,040 --> 01:33:17,920
Speaker 1: he knew something was wrong because you said because he

1650
01:33:18,000 --> 01:33:20,519
Speaker 1: was wrong late. I didn't know that happened, but I

1651
01:33:20,640 --> 01:33:22,479
Speaker 1: just knew like something because he wouldn't play me like

1652
01:33:22,520 --> 01:33:23,720
Speaker 1: you know what I'm saying. He wasn't one of them

1653
01:33:24,120 --> 01:33:26,120
Speaker 1: dudes to play me out like that's like to play me,

1654
01:33:26,360 --> 01:33:28,240
Speaker 1: I'm coming and you don't come them call no show.

1655
01:33:28,600 --> 01:33:31,519
Speaker 1: It's like no, he wasn't like that, So that she

1656
01:33:31,720 --> 01:33:34,000
Speaker 1: was hurtful, and that's why I got the tattoo. I said, no,

1657
01:33:34,040 --> 01:33:38,880
Speaker 1: no matter where I make it at yea, no, no, no,

1658
01:33:39,000 --> 01:33:41,439
Speaker 1: why would you think that? I mean, it looked more

1659
01:33:41,520 --> 01:33:44,800
Speaker 1: like a C than a B. I mean, but but

1660
01:33:44,920 --> 01:33:49,400
Speaker 1: it's a it's a calligrapiel. Yeah. But when I was

1661
01:33:49,479 --> 01:33:51,519
Speaker 1: in prison it started things too because this is said

1662
01:33:51,600 --> 01:33:53,960
Speaker 1: that I didn't know eight one sick crips, So they

1663
01:33:54,000 --> 01:33:55,920
Speaker 1: think I'm walking around with an eight one six and

1664
01:33:56,000 --> 01:33:58,600
Speaker 1: the sea. I'm like, whoa, so I'm coming on the

1665
01:33:58,640 --> 01:34:01,200
Speaker 1: mess online. He said, you about that? Like about what

1666
01:34:01,520 --> 01:34:04,080
Speaker 1: he said to tax said, you like it, but like bigger,

1667
01:34:04,400 --> 01:34:07,280
Speaker 1: he like six creep I'm like, I don't know what

1668
01:34:07,479 --> 01:34:12,439
Speaker 1: you're talking about, and that's not it's bigger, Jesus. But

1669
01:34:12,520 --> 01:34:14,320
Speaker 1: I see how it looked though it couldn't look like

1670
01:34:14,439 --> 01:34:17,160
Speaker 1: that condor look at yeah, it doesn't look a little bit.

1671
01:34:17,600 --> 01:34:20,040
Speaker 1: I did not think it us a seat. So it's

1672
01:34:20,080 --> 01:34:25,160
Speaker 1: not as you just said that Jesus, we focused on.

1673
01:34:26,400 --> 01:34:27,640
Speaker 1: That's why I got it, because I just said, you

1674
01:34:27,680 --> 01:34:29,400
Speaker 1: know what I want. I think it's one of the

1675
01:34:29,479 --> 01:34:34,000
Speaker 1: best ms ever, man, and there's not a lot of

1676
01:34:34,040 --> 01:34:37,000
Speaker 1: people that say they have a bigger health feature. And

1677
01:34:37,200 --> 01:34:41,439
Speaker 1: that ran with Tupac and big. I think that's the

1678
01:34:41,560 --> 01:34:48,519
Speaker 1: reason why some chimes your door gets shut? What door shut?

1679
01:34:49,120 --> 01:34:51,559
Speaker 1: I think the door this industry. You know, you noticed

1680
01:34:51,600 --> 01:34:54,320
Speaker 1: inus she pick who they want, pick who they can control,

1681
01:34:54,439 --> 01:34:56,439
Speaker 1: or or like, Okay, we can get away with it

1682
01:34:56,520 --> 01:34:58,160
Speaker 1: with this guy. This guy is a little bit now,

1683
01:34:58,280 --> 01:35:00,000
Speaker 1: we don't want to keep keep him over there, don't

1684
01:35:00,000 --> 01:35:01,960
Speaker 1: invite him to this, you know what I mean, because

1685
01:35:02,000 --> 01:35:04,040
Speaker 1: you stand on principles and morals, so it's like you

1686
01:35:04,160 --> 01:35:05,960
Speaker 1: have to give up all that to be that, and

1687
01:35:06,040 --> 01:35:08,200
Speaker 1: for me, it's just not worth it for me, you

1688
01:35:08,240 --> 01:35:09,800
Speaker 1: know what I mean. I'd rather stand short and they

1689
01:35:10,040 --> 01:35:12,200
Speaker 1: remember me for how it was than for me to

1690
01:35:12,280 --> 01:35:16,080
Speaker 1: be a sellout for a bag or or anything like that.

1691
01:35:17,000 --> 01:35:20,479
Speaker 1: Give this nigga, bis he's a part of the table. Man,

1692
01:35:20,640 --> 01:35:24,280
Speaker 1: he's really really sick taking the shot. No more shots,

1693
01:35:24,520 --> 01:35:27,120
Speaker 1: no more shots. It's done, it's done, it's done. You

1694
01:35:27,200 --> 01:35:29,720
Speaker 1: wanted to let shot? No, there's no more, Juanna, we're

1695
01:35:29,720 --> 01:35:32,599
Speaker 1: not mixing. Shut we got we got, we got something.

1696
01:35:32,880 --> 01:35:34,720
Speaker 1: Get up something brown because we don't need drinking that.

1697
01:35:34,840 --> 01:35:38,960
Speaker 1: We got game thrown up to now SA right you

1698
01:35:39,000 --> 01:35:43,160
Speaker 1: want to do, say yeah, do say but dj come on,

1699
01:35:43,479 --> 01:35:45,360
Speaker 1: let's get them drunk. We want them on the table.

1700
01:35:45,600 --> 01:35:47,800
Speaker 1: Come on, Joe, get some do put them on the

1701
01:35:47,880 --> 01:35:50,439
Speaker 1: table between boys. This is what I would do to them.

1702
01:35:50,479 --> 01:35:54,719
Speaker 1: But you know, don't let you go down by yourself.

1703
01:35:54,800 --> 01:36:00,640
Speaker 1: You go, mr Mr Lea, you please wrap it up.

1704
01:36:02,280 --> 01:36:12,200
Speaker 1: Come on, yeah we know that, Joe. Then how folks

1705
01:36:12,280 --> 01:36:15,839
Speaker 1: with you? Joe? Yeah? And you got you play handball

1706
01:36:15,920 --> 01:36:18,360
Speaker 1: for real? Just keep it. No, you gotta go off,

1707
01:36:18,439 --> 01:36:21,000
Speaker 1: you gotta have ye. But you gotta glove. I don't

1708
01:36:21,040 --> 01:36:22,320
Speaker 1: like the way you trying to make that a joke.

1709
01:36:22,360 --> 01:36:24,599
Speaker 1: Now I'm saying you gotta go out play with the gloves.

1710
01:36:27,040 --> 01:36:31,080
Speaker 1: You don't need no clove hen I'll play none of

1711
01:36:31,120 --> 01:36:34,759
Speaker 1: that ship. Do I come outside of my gloves? Profession

1712
01:36:35,240 --> 01:36:38,120
Speaker 1: he's a professionals now, I mean, are you? Are you

1713
01:36:38,280 --> 01:36:40,320
Speaker 1: good to when you go to the floor and almost

1714
01:36:40,320 --> 01:36:45,479
Speaker 1: straight the deel with I got not only I oh yeah,

1715
01:36:45,520 --> 01:36:51,160
Speaker 1: you professional? I'm not right. You know, I got a

1716
01:36:51,200 --> 01:36:54,360
Speaker 1: couple of things in my hand. Start burning, yo, shot.

1717
01:36:54,479 --> 01:36:59,000
Speaker 1: Let me just tell you something. We really appreciate you,

1718
01:36:59,360 --> 01:37:03,639
Speaker 1: not just and drink chance for the hip hop. Hold on, guys,

1719
01:37:03,680 --> 01:37:09,760
Speaker 1: hold on, guys. Let me just say I actually, when

1720
01:37:10,040 --> 01:37:14,439
Speaker 1: everything happened, I can't say I was disappointed. I guess

1721
01:37:14,479 --> 01:37:17,160
Speaker 1: just say I was like, damn, because for me and you,

1722
01:37:17,360 --> 01:37:19,880
Speaker 1: we've always been great. Yeah, that's what I was saying.

1723
01:37:19,920 --> 01:37:22,680
Speaker 1: I said, you've been the left frack before I said, Yo,

1724
01:37:22,800 --> 01:37:24,200
Speaker 1: that's what it was the same way with me. So

1725
01:37:24,280 --> 01:37:27,599
Speaker 1: I'm on the obviously side like your world. That's for yourself,

1726
01:37:28,400 --> 01:37:36,599
Speaker 1: but for future. Just you know, that's not what we're about.

1727
01:37:37,400 --> 01:37:40,040
Speaker 1: What we about is bigg en up our car. Yeah,

1728
01:37:40,080 --> 01:37:44,880
Speaker 1: that's that's big ship we were about. It's uplifting our culture.

1729
01:37:46,640 --> 01:37:50,240
Speaker 1: And whether you're gonna do a podcast, you're gonna open

1730
01:37:50,320 --> 01:37:55,320
Speaker 1: a fresh fried joint. I'm gonna stand behind it because

1731
01:37:55,360 --> 01:37:58,400
Speaker 1: you know why, that's what the funk we do over

1732
01:37:58,520 --> 01:38:05,599
Speaker 1: here and drink jams. We're here to support, helping hand

1733
01:38:05,720 --> 01:38:11,320
Speaker 1: to our legends space and I'm always stand for that space.

1734
01:38:12,240 --> 01:38:14,360
Speaker 1: So I want you to know that. And I forgave

1735
01:38:14,400 --> 01:38:17,559
Speaker 1: everybody who made the blogs and whatever. It's only one

1736
01:38:17,560 --> 01:38:21,000
Speaker 1: thing I don't forget. It was a comedian thing. He's funny,

1737
01:38:21,040 --> 01:38:23,040
Speaker 1: he said, I'm gonna get. I'm gonna get it's funny though,

1738
01:38:23,640 --> 01:38:33,439
Speaker 1: I feel like, I mean he did. He did, So

1739
01:38:34,640 --> 01:38:38,519
Speaker 1: I'm coming back to comedian Yo yo, comedian girl. He's

1740
01:38:38,560 --> 01:38:41,080
Speaker 1: coming for yo yo yo. Here coming for you, big

1741
01:38:43,400 --> 01:38:47,240
Speaker 1: looking man now. But not for nothing, No, honestly, man.

1742
01:38:47,800 --> 01:38:50,120
Speaker 1: I mean during the time, I ain't gonna lie. I

1743
01:38:50,240 --> 01:38:54,040
Speaker 1: had a fucking ball, had all because it was like

1744
01:38:54,160 --> 01:38:56,439
Speaker 1: it was a learning experience, right, So the whole thing

1745
01:38:56,600 --> 01:38:59,000
Speaker 1: where it was the light because the young boys. You

1746
01:38:59,080 --> 01:39:01,120
Speaker 1: gotta blame them, right because when they say, oh, g

1747
01:39:01,280 --> 01:39:04,320
Speaker 1: you gotta troll, I'm like, what's trolling? So they say

1748
01:39:04,360 --> 01:39:06,240
Speaker 1: you could take this and do this, and so I

1749
01:39:06,280 --> 01:39:16,240
Speaker 1: could do that, right. You were supposed to. You were

1750
01:39:16,280 --> 01:39:20,479
Speaker 1: supposed to, But it wasn't personal. I was. I was

1751
01:39:20,560 --> 01:39:23,160
Speaker 1: just I felt like I had to defend. I had

1752
01:39:23,200 --> 01:39:26,680
Speaker 1: to defend, right, because all right, since we're here right here,

1753
01:39:27,400 --> 01:39:29,800
Speaker 1: when when the statements was said or whatever, right, and

1754
01:39:29,880 --> 01:39:32,799
Speaker 1: it was said to groups, it was said to groups

1755
01:39:33,080 --> 01:39:35,560
Speaker 1: along with my name, but the difference between me and

1756
01:39:35,600 --> 01:39:39,640
Speaker 1: the other groups that was said, I'm by myself. So

1757
01:39:39,800 --> 01:39:42,320
Speaker 1: it put that name and that that that that that

1758
01:39:42,479 --> 01:39:45,760
Speaker 1: that world flunky and non existent with my face. And

1759
01:39:45,880 --> 01:39:50,160
Speaker 1: not only that, my daughters in college. This is number one, Bro,

1760
01:39:51,080 --> 01:39:53,160
Speaker 1: my kids gotta live with that ship. Oh that's your dad,

1761
01:39:53,320 --> 01:39:55,240
Speaker 1: that little you know what I'm saying. So I was like, no,

1762
01:39:55,400 --> 01:39:57,160
Speaker 1: I die before I do that ship. You know what

1763
01:39:57,200 --> 01:39:59,600
Speaker 1: I'm saying. That That's what I was defending. You know

1764
01:39:59,600 --> 01:40:02,080
Speaker 1: what I'm saying, because it wasn't the first time that

1765
01:40:02,280 --> 01:40:07,719
Speaker 1: someone said that. Um, when the clan was making a storm,

1766
01:40:08,080 --> 01:40:10,960
Speaker 1: there was groups that they didn't want. There, there was

1767
01:40:11,040 --> 01:40:13,400
Speaker 1: they didn't really want killer the other groups that was

1768
01:40:13,520 --> 01:40:15,960
Speaker 1: not you know, that was part of the Aphilias whatever

1769
01:40:16,000 --> 01:40:18,120
Speaker 1: you want to call us. They didn't want us. They

1770
01:40:18,200 --> 01:40:21,160
Speaker 1: just wanted to clan. And rightfully so, because it's your show,

1771
01:40:21,160 --> 01:40:23,120
Speaker 1: I don't hear a funk. You can't have whoever you want,

1772
01:40:23,960 --> 01:40:27,680
Speaker 1: but judge my music, judged my career, and I got

1773
01:40:27,760 --> 01:40:29,400
Speaker 1: nothing to say. You could say it's the whack of ship.

1774
01:40:29,400 --> 01:40:32,040
Speaker 1: You could say I'm terrible on screen. Hey do what

1775
01:40:32,160 --> 01:40:34,920
Speaker 1: you do, but a character flaw that is not me.

1776
01:40:35,720 --> 01:40:38,000
Speaker 1: I can't. I can't allow that. And when I walked

1777
01:40:38,040 --> 01:40:40,640
Speaker 1: the prison yard, dudes that got natural life took a

1778
01:40:40,680 --> 01:40:42,800
Speaker 1: pack of cigarettes for me pay me back on time,

1779
01:40:43,080 --> 01:40:44,600
Speaker 1: not because they were scared of me, but as a

1780
01:40:44,680 --> 01:40:46,920
Speaker 1: respect of how I carried myself. So that's what I

1781
01:40:47,040 --> 01:40:49,400
Speaker 1: was defending. And that's why I was so adamant and

1782
01:40:49,479 --> 01:40:53,880
Speaker 1: so and so disappointed. Not angry because I'm going to

1783
01:40:54,000 --> 01:40:56,599
Speaker 1: the penitentiary. I wasn't going to consentually, that was out

1784
01:40:56,640 --> 01:40:59,320
Speaker 1: of it because I know, but there was a time

1785
01:40:59,400 --> 01:41:01,880
Speaker 1: in my life where the result would have been the

1786
01:41:01,920 --> 01:41:04,800
Speaker 1: grave order penitentiary because I would have been smoking that

1787
01:41:05,000 --> 01:41:08,200
Speaker 1: dust and I would have been thinking, these days, a

1788
01:41:08,280 --> 01:41:11,479
Speaker 1: bigger plot. They're trying to kill me there, Loman. I

1789
01:41:11,479 --> 01:41:14,759
Speaker 1: would have been bugging the funk out and then cool.

1790
01:41:15,040 --> 01:41:17,960
Speaker 1: I mean, you wish, but you know what I'm saying,

1791
01:41:18,040 --> 01:41:21,120
Speaker 1: But that's what that was my mentality. What I'm saying.

1792
01:41:21,200 --> 01:41:23,840
Speaker 1: But I'm glad that everything worked out the way it

1793
01:41:23,960 --> 01:41:26,400
Speaker 1: worked out, because it definitely was a blessing. You know

1794
01:41:26,400 --> 01:41:28,200
Speaker 1: what I mean. I'm not gonna be an idiot like

1795
01:41:28,360 --> 01:41:31,280
Speaker 1: you know, you're like, y'all ain't fucking so we brow

1796
01:41:31,360 --> 01:41:36,120
Speaker 1: the motherfucking dirt off the back of this shining I am.

1797
01:41:36,760 --> 01:41:42,200
Speaker 1: I did that before this. I'm gonna tell you some shing. No,

1798
01:41:42,360 --> 01:41:43,840
Speaker 1: this is what I'm saying some ship. And that's why

1799
01:41:43,880 --> 01:41:45,360
Speaker 1: I was like, what the fund is this? Because I

1800
01:41:45,400 --> 01:41:47,360
Speaker 1: remember it was not too long ago. Right after I

1801
01:41:47,439 --> 01:41:49,280
Speaker 1: did Glad, I got a message from one of the

1802
01:41:49,360 --> 01:41:52,080
Speaker 1: pages like yo, pull up and I said, word, here's

1803
01:41:52,120 --> 01:41:54,559
Speaker 1: my math. And then it was months I didn't hear nothing.

1804
01:41:54,920 --> 01:41:58,439
Speaker 1: And then let no, I didn't. I didn't know why.

1805
01:41:58,479 --> 01:42:00,920
Speaker 1: I know, actually I thought you were saying on Joe buttons. OK,

1806
01:42:01,160 --> 01:42:03,800
Speaker 1: let's get to that with what I was when I

1807
01:42:03,920 --> 01:42:06,280
Speaker 1: was as well, yeah, you know what I'm talking about

1808
01:42:06,320 --> 01:42:08,760
Speaker 1: it come on, because but this is what I thought.

1809
01:42:08,880 --> 01:42:11,400
Speaker 1: So I don't know what. It wasn't facts, nothing was facts.

1810
01:42:11,439 --> 01:42:13,439
Speaker 1: It was just what I thought, right, So I'm like,

1811
01:42:13,600 --> 01:42:16,040
Speaker 1: damn it reached out and said come on the show.

1812
01:42:16,200 --> 01:42:18,360
Speaker 1: Then I don't hear nothing. After I give my number.

1813
01:42:18,600 --> 01:42:21,320
Speaker 1: Then months later it's like, I'm a flunking what the

1814
01:42:21,479 --> 01:42:24,640
Speaker 1: full ship? By the way, let's just be clear with you.

1815
01:42:25,160 --> 01:42:27,160
Speaker 1: You know, I know what happened. You said what you said,

1816
01:42:27,439 --> 01:42:29,120
Speaker 1: and you said what you said about sons of men.

1817
01:42:29,240 --> 01:42:32,439
Speaker 1: That's fine, but my whole life calling myself a retard,

1818
01:42:33,200 --> 01:42:36,080
Speaker 1: you know, yeah, but it's the problem you call another

1819
01:42:36,200 --> 01:42:41,120
Speaker 1: person problem. Even if both of y'all were toughting on

1820
01:42:41,200 --> 01:42:43,720
Speaker 1: the bus and you called me, how are you gonna

1821
01:42:43,760 --> 01:42:51,760
Speaker 1: call me? What the moment you call me? You know

1822
01:42:51,760 --> 01:42:53,280
Speaker 1: what I'm saying. You know what I'm saying. That's what

1823
01:42:53,360 --> 01:42:54,960
Speaker 1: I do. I deal with empathy. That's my main thing.

1824
01:42:55,000 --> 01:42:56,920
Speaker 1: I try to see things from not only my point

1825
01:42:56,960 --> 01:42:58,800
Speaker 1: of view, from other people's point in view, and I

1826
01:42:58,920 --> 01:43:01,400
Speaker 1: try to figure it out. And I figured out was Finn,

1827
01:43:01,439 --> 01:43:06,839
Speaker 1: don't listen to you, because it clearly heard you say resistance.

1828
01:43:06,880 --> 01:43:09,760
Speaker 1: He wouldn't have said. But if Finn was also on

1829
01:43:09,880 --> 01:43:13,479
Speaker 1: the back end story, he came in saying, killer army,

1830
01:43:13,760 --> 01:43:16,120
Speaker 1: We're gonna kill the bees. So he was just rambling

1831
01:43:16,200 --> 01:43:18,200
Speaker 1: that he killer be He thought he knew, but he

1832
01:43:18,280 --> 01:43:21,320
Speaker 1: didn't hear the words you said prior, and that was

1833
01:43:23,400 --> 01:43:26,280
Speaker 1: understanding understand how it happy. It happens all the time,

1834
01:43:26,720 --> 01:43:30,360
Speaker 1: but it happened. My thing was like the patsy, who's

1835
01:43:30,400 --> 01:43:35,559
Speaker 1: responsible for letting this ship get released? Right there? Because

1836
01:43:35,560 --> 01:43:38,639
Speaker 1: I normally had to watch this ship And somebody said,

1837
01:43:38,680 --> 01:43:44,479
Speaker 1: who I wrote yourself that is washing draws with cor

1838
01:43:44,560 --> 01:43:50,080
Speaker 1: Craft right now to take him another tendant. I'm gonna

1839
01:43:50,120 --> 01:43:53,160
Speaker 1: tell you. I'm gonna tell you I'm sorry because we

1840
01:43:53,360 --> 01:43:55,680
Speaker 1: were together and we did have a meet and this

1841
01:43:55,840 --> 01:44:00,080
Speaker 1: saying that should have never because it wasn't intense? Is

1842
01:44:00,479 --> 01:44:02,600
Speaker 1: that the way what we was trying to say was,

1843
01:44:03,160 --> 01:44:05,000
Speaker 1: and if you really look at the whole for this,

1844
01:44:05,240 --> 01:44:09,439
Speaker 1: there's no one could be bad. As we said, we

1845
01:44:09,640 --> 01:44:12,840
Speaker 1: have this this dude random rand up one of the

1846
01:44:13,520 --> 01:44:18,400
Speaker 1: apologize to the whole such a sense, That's what we

1847
01:44:18,479 --> 01:44:22,440
Speaker 1: was trying to say. Okay, right, so at that point everybody,

1848
01:44:22,479 --> 01:44:27,599
Speaker 1: and then where did it become? So we're separating Flunky

1849
01:44:28,520 --> 01:44:30,640
Speaker 1: and a non existence? Right? And that's fine. You can

1850
01:44:30,720 --> 01:44:34,080
Speaker 1: feel how you want to feel about about the Sons

1851
01:44:34,080 --> 01:44:35,840
Speaker 1: of Man when you mentioned them, right, because I can't

1852
01:44:35,880 --> 01:44:38,280
Speaker 1: defend no, I didn't mean that though. But what I'm

1853
01:44:38,280 --> 01:44:40,920
Speaker 1: saying is, let me just tell you this. I don't know.

1854
01:44:40,960 --> 01:44:44,000
Speaker 1: I don't know. I still don't. Actually I think flunky

1855
01:44:44,080 --> 01:44:46,800
Speaker 1: is a bad word. That's me. Yeah, but it's a

1856
01:44:46,840 --> 01:44:48,439
Speaker 1: bad word. You know why I killed me? Or when

1857
01:44:48,439 --> 01:44:50,360
Speaker 1: I was a little boy, this bad When I was

1858
01:44:50,439 --> 01:44:52,720
Speaker 1: a little kid, right, my grandmother used to tell me

1859
01:44:52,880 --> 01:44:55,160
Speaker 1: in this world stories, I don't want you to be.

1860
01:44:55,479 --> 01:44:57,960
Speaker 1: You don't be nobody's fucking flunky. You don't be a thief,

1861
01:44:58,120 --> 01:45:00,519
Speaker 1: and you don't be a fucking liar. And also you

1862
01:45:00,560 --> 01:45:02,760
Speaker 1: don't have not nobody a place to stay or something

1863
01:45:02,800 --> 01:45:04,680
Speaker 1: to eat. So those are the things that I look

1864
01:45:06,120 --> 01:45:09,160
Speaker 1: So when that was me, I'm like my grandmothers and

1865
01:45:09,240 --> 01:45:11,600
Speaker 1: her grave, Boy, you better go in the projects and

1866
01:45:11,720 --> 01:45:15,240
Speaker 1: fight and come back with a bus, grandma. My grandma

1867
01:45:15,400 --> 01:45:19,600
Speaker 1: did not say, do not be a retard? What are

1868
01:45:19,640 --> 01:45:22,080
Speaker 1: you talking about? I was in the Big Lift, the

1869
01:45:22,160 --> 01:45:32,320
Speaker 1: ball Chass, Little Everlasting Sheldon, and we all called ourselves

1870
01:45:34,479 --> 01:45:38,960
Speaker 1: the retards, and you know what ship was hanging out

1871
01:45:38,960 --> 01:45:43,200
Speaker 1: the junction boulevard and we all fought for the worm

1872
01:45:43,360 --> 01:45:50,479
Speaker 1: in the tekiller. Okay, okay, okay, So now so now

1873
01:45:50,960 --> 01:45:57,120
Speaker 1: now I know what I'm dealing with. You, I vent

1874
01:45:59,479 --> 01:46:03,360
Speaker 1: so words is semantic to me, Like I don't know.

1875
01:46:03,400 --> 01:46:06,880
Speaker 1: I don't digg into words. Now. It was five or

1876
01:46:06,920 --> 01:46:10,600
Speaker 1: sent words now identified with that. If I identified calling you,

1877
01:46:10,680 --> 01:46:14,840
Speaker 1: you're cool now I know I'm yeah. Um. If I'm

1878
01:46:15,600 --> 01:46:19,400
Speaker 1: calling you, it's like one of the words that we

1879
01:46:19,600 --> 01:46:21,559
Speaker 1: Sometimes we take words and we give it our own

1880
01:46:21,640 --> 01:46:24,240
Speaker 1: meaning to it, and sometimes it means something different than

1881
01:46:24,280 --> 01:46:26,680
Speaker 1: it could be construed. It happens, brother, it happens. You

1882
01:46:26,760 --> 01:46:30,240
Speaker 1: can say the whole hearted. When we had when we

1883
01:46:30,360 --> 01:46:34,200
Speaker 1: spoke immediately when everything started transpiring, he told me, He's like,

1884
01:46:34,520 --> 01:46:38,040
Speaker 1: I didn't say anything back. I didn't know. He didn't understand.

1885
01:46:38,600 --> 01:46:40,840
Speaker 1: I'm like, no, bro, that's that's He's like. He was

1886
01:46:40,880 --> 01:46:42,640
Speaker 1: saying that too, because I learned something. You know what

1887
01:46:42,760 --> 01:46:44,360
Speaker 1: it is. I'm gonna tell you what it is. You

1888
01:46:44,560 --> 01:46:46,000
Speaker 1: can't wait there for one. Let me just give this

1889
01:46:46,080 --> 01:46:50,519
Speaker 1: brother one. It was called Mega called me call Omega

1890
01:46:50,600 --> 01:46:56,679
Speaker 1: said we know you love him? Omega bro that I said,

1891
01:46:56,720 --> 01:46:58,760
Speaker 1: Omega what? Because I didn't I didn't know what he

1892
01:46:58,880 --> 01:47:02,479
Speaker 1: was talking about. That's the way I said that. He

1893
01:47:02,720 --> 01:47:04,360
Speaker 1: and he said the names. Let's say I just say

1894
01:47:04,400 --> 01:47:07,040
Speaker 1: that ship what he told them. It's the first time

1895
01:47:07,080 --> 01:47:10,680
Speaker 1: me and Comega raised our voice to each other he

1896
01:47:10,800 --> 01:47:15,200
Speaker 1: said something I like, I like what the mega said, Chill,

1897
01:47:15,360 --> 01:47:17,800
Speaker 1: I'm a senior to Clip and I didn't even know

1898
01:47:19,040 --> 01:47:22,000
Speaker 1: good team which brother said, Ship, Damn, you're good at

1899
01:47:22,000 --> 01:47:27,160
Speaker 1: what you do, right, Um. But uh we were talking

1900
01:47:27,760 --> 01:47:31,160
Speaker 1: yeah because oh because he with the words right, because

1901
01:47:31,200 --> 01:47:34,280
Speaker 1: I spent I spent a good decent time with June

1902
01:47:34,760 --> 01:47:37,679
Speaker 1: and he has that same problem. You know what I'm saying,

1903
01:47:38,080 --> 01:47:41,360
Speaker 1: And I'm like, what about But I didn't realize said

1904
01:47:41,400 --> 01:47:43,680
Speaker 1: after me and you spoke that time for the first time, right,

1905
01:47:43,720 --> 01:47:45,600
Speaker 1: and we was doing and I was explaining to you

1906
01:47:45,720 --> 01:47:48,200
Speaker 1: where I seen, what where the force was or whatever,

1907
01:47:48,439 --> 01:47:50,400
Speaker 1: and you was like, oh, Ship, I didn't see it

1908
01:47:50,520 --> 01:47:52,760
Speaker 1: that way. And then it was like okay. Then I

1909
01:47:53,080 --> 01:47:55,800
Speaker 1: wholehearted me like I told you once we had understanding

1910
01:47:55,880 --> 01:47:58,519
Speaker 1: and you've seen where I came from. That's all I needed,

1911
01:47:58,720 --> 01:48:01,200
Speaker 1: even like I told you for when we spoke off camera,

1912
01:48:01,240 --> 01:48:02,800
Speaker 1: I said, we don't even got to visit this ship

1913
01:48:02,960 --> 01:48:05,640
Speaker 1: on here because all I wanted as men to know

1914
01:48:05,960 --> 01:48:07,760
Speaker 1: where I stand as a man, and looking at your

1915
01:48:07,800 --> 01:48:10,400
Speaker 1: eyes of how I felt, that don't change how I

1916
01:48:10,520 --> 01:48:13,679
Speaker 1: felt and how we can move forward, don't change because

1917
01:48:13,720 --> 01:48:16,800
Speaker 1: now like I know y'all more now because we went

1918
01:48:16,880 --> 01:48:24,479
Speaker 1: through something you got earlier. I ain't gonna lie. Listen, listen,

1919
01:48:24,520 --> 01:48:27,680
Speaker 1: this is your this is this is your platform. Just

1920
01:48:27,760 --> 01:48:29,759
Speaker 1: in case you don't know it, let me say it again.

1921
01:48:30,200 --> 01:48:34,320
Speaker 1: Reiterated face the basement. You can promote and you got

1922
01:48:34,439 --> 01:48:37,559
Speaker 1: pink toneenails tomorrow, I got the Rugger Road to Recovery

1923
01:48:40,560 --> 01:48:43,120
Speaker 1: Concepts dot com. You can stream. You can stream my

1924
01:48:43,280 --> 01:48:46,479
Speaker 1: music because now they said Jack Villers said that, y'all.

1925
01:48:50,600 --> 01:48:53,479
Speaker 1: So that's the podcasts tell us, tell us about the

1926
01:48:53,520 --> 01:48:56,800
Speaker 1: bast Oh. The podcast is about about recovery, all types

1927
01:48:56,840 --> 01:48:59,680
Speaker 1: of recovery, substance abuse, recovery, career, because we are on

1928
01:48:59,800 --> 01:49:03,440
Speaker 1: the we're all just all all types of mental health recovery.

1929
01:49:03,680 --> 01:49:06,120
Speaker 1: Just just if you broke your leg and they're putting

1930
01:49:06,160 --> 01:49:09,200
Speaker 1: you on pills, and that's what happens. They take away

1931
01:49:09,240 --> 01:49:10,760
Speaker 1: the pills the next thing you know, you're looking for

1932
01:49:10,800 --> 01:49:13,560
Speaker 1: the fix and now your stone code dope head, you

1933
01:49:13,640 --> 01:49:16,679
Speaker 1: know what I mean. So it's just about just getting

1934
01:49:16,680 --> 01:49:19,519
Speaker 1: a community to share information and say hold on, you

1935
01:49:19,560 --> 01:49:21,200
Speaker 1: don't just what you can get a little help and

1936
01:49:21,520 --> 01:49:24,280
Speaker 1: maybe if you are going you you you at the

1937
01:49:24,320 --> 01:49:26,760
Speaker 1: point in overturn let's slow it down a little, one

1938
01:49:26,800 --> 01:49:29,800
Speaker 1: step at a time, just to a smooth level. And

1939
01:49:29,920 --> 01:49:31,760
Speaker 1: that's it. And as long as I do that, I

1940
01:49:31,880 --> 01:49:34,360
Speaker 1: feel like my job is done on that. As far

1941
01:49:34,439 --> 01:49:37,639
Speaker 1: as the music, UM, I got iso Mestrical Concepts where

1942
01:49:37,640 --> 01:49:43,160
Speaker 1: I streamed my music. UM yeah, yeah, yeah, yeah yeah,

1943
01:49:43,160 --> 01:49:44,519
Speaker 1: that's what I heard. You have to do, create your

1944
01:49:44,520 --> 01:49:46,920
Speaker 1: own website and tell me to come here and um

1945
01:49:47,280 --> 01:49:50,479
Speaker 1: stream your own music. So that's what I do, mestric Concepts,

1946
01:49:51,320 --> 01:49:53,280
Speaker 1: and um, I have a joint. I actually have a

1947
01:49:53,320 --> 01:49:57,240
Speaker 1: record out right now called Mercy Made Me. It's Rockness

1948
01:49:57,320 --> 01:49:59,920
Speaker 1: is on the hook and um I got about it

1949
01:50:00,000 --> 01:50:03,880
Speaker 1: all j Pain on it and I guess Mickey Facts

1950
01:50:04,000 --> 01:50:09,479
Speaker 1: is on it. Oh yeah, with Petty Cracking and Cracking Dutch.

1951
01:50:09,560 --> 01:50:12,200
Speaker 1: I got a drink with him, shout out to me

1952
01:50:12,280 --> 01:50:14,479
Speaker 1: and goals got a record coming out to yo. What's up?

1953
01:50:14,520 --> 01:50:16,120
Speaker 1: I would love for you to get on a joint cam.

1954
01:50:16,200 --> 01:50:19,160
Speaker 1: Can we get the Come on man, I'm saying we

1955
01:50:19,240 --> 01:50:21,640
Speaker 1: can call it just like a song. We're gonna make it.

1956
01:50:21,680 --> 01:50:24,479
Speaker 1: We're gonna let's check it out with the shows. Funky

1957
01:50:24,880 --> 01:50:29,799
Speaker 1: the song shot him and Norviega Flunky Color, the Funky

1958
01:50:31,120 --> 01:50:38,720
Speaker 1: that's do what's ye takes us send me some ship.

1959
01:50:38,920 --> 01:50:42,519
Speaker 1: Yesterday I was so mad because I was like, Damn,

1960
01:50:42,600 --> 01:50:46,000
Speaker 1: I don't want to write like I just gotta walk. No,

1961
01:50:46,280 --> 01:50:49,519
Speaker 1: I'm gonna write you could I get my ship back? Shot?

1962
01:50:49,760 --> 01:50:55,040
Speaker 1: You shut up? He was always take a shot with us. Alight, cool,

1963
01:50:56,160 --> 01:51:01,160
Speaker 1: chee the weeze, Papa Cheese. Who's going down? But it's mad.

1964
01:51:01,280 --> 01:51:03,000
Speaker 1: It's good, but it's steaks. So I don't want you

1965
01:51:03,040 --> 01:51:05,240
Speaker 1: don't want to smoke with nobody on versus let's keep

1966
01:51:05,240 --> 01:51:09,080
Speaker 1: it real versus. The only person I could do a

1967
01:51:09,200 --> 01:51:12,719
Speaker 1: versus with his myself A k to rougets show Lord's

1968
01:51:12,760 --> 01:51:18,400
Speaker 1: Generation versus man show and h he's regga this. Yeah,

1969
01:51:18,479 --> 01:51:20,040
Speaker 1: but you know what I meant, he would come out.

1970
01:51:20,080 --> 01:51:25,240
Speaker 1: He would together though. Yeah, that's that's local vicious, but

1971
01:51:25,360 --> 01:51:27,800
Speaker 1: that's not the same thing that's not here. I would,

1972
01:51:27,840 --> 01:51:33,040
Speaker 1: I mean, honestly, the only lot a really really I

1973
01:51:33,200 --> 01:51:37,519
Speaker 1: think would it be fun? Probably because he's probably been around.

1974
01:51:37,560 --> 01:51:41,639
Speaker 1: It has to be somebody have an extensive an extensive record,

1975
01:51:41,680 --> 01:51:43,439
Speaker 1: you know what I'm saying. I have albums I have featured,

1976
01:51:43,520 --> 01:51:45,120
Speaker 1: So it has to be somebody that has that type

1977
01:51:45,160 --> 01:51:49,360
Speaker 1: of body of work. Um, maybe somebody like Bleak. I mean,

1978
01:51:49,479 --> 01:51:53,200
Speaker 1: I could see that. I'm not calling out anybody I'm saying,

1979
01:51:53,240 --> 01:51:55,960
Speaker 1: you say, you know, because that would be that would

1980
01:51:56,000 --> 01:51:58,040
Speaker 1: be saying our old records. If I was calling him out,

1981
01:51:58,040 --> 01:52:00,200
Speaker 1: I'd say, spits some new ship and we go right down.

1982
01:52:00,920 --> 01:52:05,600
Speaker 1: So that's something different going right now. But anybody in

1983
01:52:05,720 --> 01:52:07,880
Speaker 1: my category, I ain't jumping out the window. I ain't

1984
01:52:07,880 --> 01:52:12,400
Speaker 1: saying I want to go out. You came, I said

1985
01:52:12,479 --> 01:52:14,599
Speaker 1: his name, I said, I feel like he's the only

1986
01:52:14,720 --> 01:52:19,280
Speaker 1: one that could probably get in the ring with me.

1987
01:52:21,200 --> 01:52:23,360
Speaker 1: You gotta think a k the rugged shall On and

1988
01:52:23,479 --> 01:52:30,000
Speaker 1: On ship is real Man shall Furious Single co Defendants,

1989
01:52:31,320 --> 01:52:35,559
Speaker 1: Uh Show, Improved jay Z, Big Daddy came, Little Vicious

1990
01:52:35,600 --> 01:52:37,680
Speaker 1: if you want to party, and sure, it's a lot

1991
01:52:37,720 --> 01:52:41,439
Speaker 1: of records I've done seven oh two that got forgotten about. Maybe,

1992
01:52:41,800 --> 01:52:45,560
Speaker 1: but when you hear him motherfucker's it's like it's and

1993
01:52:45,800 --> 01:52:50,320
Speaker 1: and and and and I don't think that anybody besides myself.

1994
01:52:51,240 --> 01:52:53,679
Speaker 1: I don't know if I could say he wanted to nine,

1995
01:52:53,800 --> 01:53:00,040
Speaker 1: I think he's I didn't. I didn't was that I

1996
01:53:00,120 --> 01:53:08,400
Speaker 1: was now you your manager right now? You know? But honestly,

1997
01:53:08,520 --> 01:53:10,720
Speaker 1: right other than him. Let's let's let's break it down right.

1998
01:53:11,000 --> 01:53:13,840
Speaker 1: If you go with Criss Cross, absolutely not. Are you

1999
01:53:13,960 --> 01:53:19,640
Speaker 1: going with actually Chris Cross the only thing? It's only one?

2000
01:53:21,520 --> 01:53:25,960
Speaker 1: How you're going too fast? He already, soldier boy, alright

2001
01:53:26,360 --> 01:53:32,120
Speaker 1: he did. Alright, hip hop hip hop will be talking

2002
01:53:32,640 --> 01:53:35,360
Speaker 1: say me against the hip hop er. Don't put me

2003
01:53:35,680 --> 01:53:39,920
Speaker 1: say Chris Cross because one thing Cris Cross one passed away.

2004
01:53:39,960 --> 01:53:41,840
Speaker 1: We can't. Yeah, you can't do it. You can't do it.

2005
01:53:42,840 --> 01:53:45,840
Speaker 1: I mean as the what you got, I went too

2006
01:53:45,880 --> 01:53:50,439
Speaker 1: far after that is what you're gonna do. Let's think

2007
01:53:50,439 --> 01:53:59,960
Speaker 1: about this. Can a little bit that's called sound class

2008
01:54:02,479 --> 01:54:05,320
Speaker 1: sound okay, so a sound class not a versus the

2009
01:54:05,439 --> 01:54:08,240
Speaker 1: other the other artists that could possibly I'm thinking from

2010
01:54:08,280 --> 01:54:10,560
Speaker 1: that time that that would have that a much that

2011
01:54:10,760 --> 01:54:13,200
Speaker 1: much credits do they need, you know? I mean, don't

2012
01:54:13,240 --> 01:54:15,200
Speaker 1: count the songs that if we wrote for people that

2013
01:54:15,640 --> 01:54:17,920
Speaker 1: if you can do those suits because you know my

2014
01:54:18,000 --> 01:54:20,640
Speaker 1: ghostwriting says, we didn't even talk about that, but you

2015
01:54:20,720 --> 01:54:23,439
Speaker 1: are ghostwriting stories and you ain't telling us I wrote

2016
01:54:23,479 --> 01:54:27,559
Speaker 1: Raven simone album. Come on man, we're going wrong here right?

2017
01:54:27,880 --> 01:54:31,680
Speaker 1: What read the credit? Ell Yeah, Mr Elliott and me

2018
01:54:31,960 --> 01:54:34,400
Speaker 1: was the writers for Raven Simone from the Cosby Show.

2019
01:54:34,880 --> 01:54:37,560
Speaker 1: We're about and you're not gonna talk about this. I mean,

2020
01:54:37,720 --> 01:54:39,480
Speaker 1: it is what it is, the first day of school,

2021
01:54:39,560 --> 01:54:43,600
Speaker 1: ravens the frame and check the credit. It would have

2022
01:54:43,720 --> 01:54:45,520
Speaker 1: to be somebody that's been around for a while, that

2023
01:54:45,640 --> 01:54:47,960
Speaker 1: has several albums. And the only reason I say somebody

2024
01:54:48,080 --> 01:54:50,520
Speaker 1: like to the caliber of Bleek is because he has

2025
01:54:50,560 --> 01:54:53,000
Speaker 1: big records with jay Z. But if he takes them

2026
01:54:53,040 --> 01:54:55,840
Speaker 1: records away and it's just me and his records, I

2027
01:54:55,920 --> 01:55:00,360
Speaker 1: don't think anybody could I like it. I mean, and

2028
01:55:00,440 --> 01:55:02,720
Speaker 1: it's not a shot because this is stuff that's done already,

2029
01:55:03,160 --> 01:55:05,800
Speaker 1: So I'm not saying if a DJ could do that

2030
01:55:06,040 --> 01:55:09,080
Speaker 1: and put them together and play it out. But it's

2031
01:55:09,120 --> 01:55:11,880
Speaker 1: also the type of m C. I'm a different type

2032
01:55:11,920 --> 01:55:13,920
Speaker 1: of MC than a lot of these dudes. They don't

2033
01:55:13,960 --> 01:55:16,400
Speaker 1: share the pain I share. They can't relate to what

2034
01:55:16,480 --> 01:55:18,400
Speaker 1: I'm talking about, Like they don't know, like they got

2035
01:55:18,520 --> 01:55:20,720
Speaker 1: to liver my balls and scraped my driding cough, Like

2036
01:55:20,840 --> 01:55:22,960
Speaker 1: you don't know what it's like to take a fucking

2037
01:55:23,000 --> 01:55:25,680
Speaker 1: piece of meat and bread and wrapping and plastic and

2038
01:55:25,720 --> 01:55:27,480
Speaker 1: put it on the stock and tied to the fucking

2039
01:55:27,520 --> 01:55:30,040
Speaker 1: heat of the eat. You can't funk with me. You're

2040
01:55:30,120 --> 01:55:33,800
Speaker 1: Nigga's living in fake land, not him particularly, but that's

2041
01:55:33,840 --> 01:55:35,600
Speaker 1: just how I failed as an artist, as an MC.

2042
01:55:36,000 --> 01:55:38,160
Speaker 1: But that's the old catalog versus Then you got this

2043
01:55:38,240 --> 01:55:40,760
Speaker 1: new world ball ship that Nigga just got smoked overnight.

2044
01:55:41,160 --> 01:55:43,800
Speaker 1: And if Nigger want to talk about wrap for today,

2045
01:55:43,840 --> 01:55:46,720
Speaker 1: I'll smoke him there too. So I mean, I ain't

2046
01:55:46,840 --> 01:55:48,800
Speaker 1: turned down no college. If Nigga wants to smoke, I'm

2047
01:55:48,800 --> 01:55:50,800
Speaker 1: gonna bring it. But just know what you're getting into.

2048
01:55:50,880 --> 01:55:53,760
Speaker 1: I've been around a long time and I was learned.

2049
01:55:53,880 --> 01:55:56,320
Speaker 1: I learned from the best. I learned from the best.

2050
01:55:57,720 --> 01:56:00,200
Speaker 1: Brother was the whole clan getting jews from them? Well,

2051
01:56:00,200 --> 01:56:02,200
Speaker 1: it was getting jews from Kane Well, it was getting

2052
01:56:02,240 --> 01:56:05,120
Speaker 1: jews from Fred Williamson's. Well was l L. It's like

2053
01:56:05,280 --> 01:56:07,560
Speaker 1: my arsenal are the people that I talked to and

2054
01:56:07,640 --> 01:56:09,560
Speaker 1: that gave me the tools and know and think who

2055
01:56:09,600 --> 01:56:12,640
Speaker 1: I am and move hard more. It ain't nobody that

2056
01:56:12,760 --> 01:56:17,400
Speaker 1: has that. If they do, like, bring them out, but

2057
01:56:17,560 --> 01:56:22,200
Speaker 1: you don't want it with a little vicious all right,

2058
01:56:22,360 --> 01:56:25,160
Speaker 1: we at, But then we only got one song together.

2059
01:56:27,760 --> 01:56:29,640
Speaker 1: But let me ask you this, what about a little.

2060
01:56:30,280 --> 01:56:32,480
Speaker 1: Is this straight hip hop? Was just legend because I've

2061
01:56:32,520 --> 01:56:36,760
Speaker 1: never seen a reggae reggae I gotta get my But

2062
01:56:37,400 --> 01:56:40,400
Speaker 1: you mean on dream chance? Is this straight hip hop? Want?

2063
01:56:40,680 --> 01:56:44,120
Speaker 1: I want to he might be some different ship right now? Yeah,

2064
01:56:44,120 --> 01:56:49,120
Speaker 1: it was sufficious. Here's my man. We talked about with

2065
01:56:49,200 --> 01:56:53,280
Speaker 1: Red Alert last week and we talked, Yeah, that's my boy.

2066
01:56:53,280 --> 01:56:55,640
Speaker 1: I'll get yeah, yeah, but I can't do it first.

2067
01:56:55,680 --> 01:56:57,240
Speaker 1: But even Visius, that's my boy. But you don't got

2068
01:56:57,360 --> 01:57:00,960
Speaker 1: enough albums with me. And that's reggae. You know what

2069
01:57:00,960 --> 01:57:04,640
Speaker 1: I mean? I got a k to Rugged show Lost

2070
01:57:04,680 --> 01:57:15,520
Speaker 1: Generation Lowe. Look, come on, man, I'm not bro bro.

2071
01:57:15,680 --> 01:57:17,960
Speaker 1: I'm just come on nor me. That's like coloring book

2072
01:57:18,040 --> 01:57:20,360
Speaker 1: raps like you want me to battle niggers, that's like

2073
01:57:20,440 --> 01:57:23,680
Speaker 1: coloring like I wanna let me do somebody that's been busy,

2074
01:57:23,960 --> 01:57:26,240
Speaker 1: Like I've brat with Big El, I brat with Big

2075
01:57:26,280 --> 01:57:28,720
Speaker 1: Al in hell mons. None of them niggers could do that.

2076
01:57:29,640 --> 01:57:32,240
Speaker 1: That's real, none of them not. And I don't want to.

2077
01:57:32,280 --> 01:57:33,800
Speaker 1: I'm not seeing I don't want to do like I'm

2078
01:57:33,840 --> 01:57:35,720
Speaker 1: taking shot. But I'm just saying we go with facts.

2079
01:57:35,880 --> 01:57:39,960
Speaker 1: It's not personal. Mury Over here somewhere. It's not enough.

2080
01:57:40,120 --> 01:57:43,760
Speaker 1: He can't compete with my catalog. Come my category could

2081
01:57:43,800 --> 01:57:49,680
Speaker 1: do it. Keith Murray just had it with Fresgro. Absolutely

2082
01:57:49,720 --> 01:57:54,879
Speaker 1: not that albums, but let's go. I got five albums

2083
01:57:54,920 --> 01:57:59,320
Speaker 1: plus mix tapes and Fijians. I got five all charted

2084
01:57:59,400 --> 01:58:02,120
Speaker 1: except for my independent. When I started my independent albums,

2085
01:58:02,200 --> 01:58:04,360
Speaker 1: that was the greatest story never told. When I started

2086
01:58:04,400 --> 01:58:06,920
Speaker 1: my own independent label in two thousand and three, I

2087
01:58:07,040 --> 01:58:09,440
Speaker 1: started this path. So I've been trying to get my

2088
01:58:09,560 --> 01:58:11,520
Speaker 1: websites and stuff. Some suit out and three. I had

2089
01:58:11,520 --> 01:58:14,360
Speaker 1: bottom up the movement. I had songs like the Dust Jews.

2090
01:58:14,720 --> 01:58:17,520
Speaker 1: I had Bonn and Mama Killed the Man. So that's

2091
01:58:17,520 --> 01:58:20,160
Speaker 1: a whole underground. That's that's just something that not even touched.

2092
01:58:20,640 --> 01:58:22,520
Speaker 1: It's like if we do it that way, because there's

2093
01:58:22,520 --> 01:58:24,440
Speaker 1: certain ways you do it. They say you picked twenty songs,

2094
01:58:24,520 --> 01:58:28,080
Speaker 1: You go for twenty songs. I got forty songs that

2095
01:58:28,200 --> 01:58:31,200
Speaker 1: I comported, so I can go twice. That's why I

2096
01:58:31,240 --> 01:58:33,080
Speaker 1: said the only person I would do versus with is

2097
01:58:33,160 --> 01:58:37,840
Speaker 1: myself Rugged show versus man Chaw. But I ain't got

2098
01:58:37,920 --> 01:58:39,960
Speaker 1: those types with numbers, like, let's be for real. You

2099
01:58:39,960 --> 01:58:41,640
Speaker 1: know what I'm saying for a business like them, they

2100
01:58:41,680 --> 01:58:45,280
Speaker 1: want so it's not about m C and it's about

2101
01:58:45,520 --> 01:58:47,400
Speaker 1: well it could be, it could be. It just has

2102
01:58:47,440 --> 01:58:50,880
Speaker 1: to be the right pair of Yeah. I mean because

2103
01:58:50,960 --> 01:58:55,440
Speaker 1: right now, look they got who Cane and Caress. That's amazing, amazing,

2104
01:58:56,680 --> 01:59:02,440
Speaker 1: and I'm like, I'm here. Yeah, let's wrap it up ready, Yoh,

2105
01:59:02,640 --> 01:59:06,080
Speaker 1: ain't your should before we go, We're gonna take another shop.

2106
01:59:06,600 --> 01:59:09,360
Speaker 1: Let's go dj June. You gotta take another shot, brother,

2107
01:59:11,440 --> 01:59:14,760
Speaker 1: because make man proud. Yeah, because he dj' red too.

2108
01:59:15,040 --> 01:59:20,800
Speaker 1: That's the Red Man was about flowers. You got gold

2109
01:59:21,000 --> 01:59:27,480
Speaker 1: fucking flowers. Oh this is so beautiful. Yeah, man, you please,

2110
01:59:27,600 --> 01:59:29,880
Speaker 1: it's like it's bad. I want to I ain't even

2111
01:59:29,920 --> 01:59:33,360
Speaker 1: giving it to nobody. It's not you know, you gott

2112
01:59:33,640 --> 01:59:36,920
Speaker 1: get it. We're just starting this. Yeah, but things like this,

2113
01:59:37,040 --> 01:59:39,200
Speaker 1: it's like the kids sticking up the top five of

2114
01:59:39,280 --> 01:59:43,560
Speaker 1: who we gave this fire real ship. I can't take

2115
01:59:43,600 --> 01:59:47,560
Speaker 1: a shot. I mean, yeah, it's dope. It's dope. That's big. Deservable,

2116
01:59:48,160 --> 01:59:50,600
Speaker 1: so matric this is very I so matting right there.

2117
01:59:50,720 --> 01:59:54,000
Speaker 1: The fucker that just said deservable, Yeah, I like that word.

2118
01:59:54,040 --> 01:59:59,720
Speaker 1: I'll take it. That word. You can make that with you, bro.

2119
02:00:00,120 --> 02:00:04,280
Speaker 1: That's a good never right now, first time drink Shamp's dictionary.

2120
02:00:04,440 --> 02:00:12,840
Speaker 1: You started for all the words you're making. We're all

2121
02:00:13,200 --> 02:00:15,560
Speaker 1: with all the with all these slangs and everything, and

2122
02:00:15,640 --> 02:00:18,520
Speaker 1: you give the meanings to the words. You guys mock

2123
02:00:21,240 --> 02:00:28,000
Speaker 1: up concept. Yeah, but see since this is a new

2124
02:00:28,120 --> 02:00:31,560
Speaker 1: minor day, uh music. But I gotta get some shoutouts

2125
02:00:32,960 --> 02:00:36,240
Speaker 1: first and foremost show follow me on Instagram shot underscore

2126
02:00:36,320 --> 02:00:42,000
Speaker 1: Rugged six. He got all, this is your platform, and

2127
02:00:42,120 --> 02:00:44,160
Speaker 1: I want you to know that I'm gonna keep looking

2128
02:00:44,160 --> 02:00:47,400
Speaker 1: at me in your eyes. And no, it was accepted

2129
02:00:48,200 --> 02:00:53,680
Speaker 1: prior to the yeah, that's that's not what we're doing.

2130
02:00:54,360 --> 02:00:58,640
Speaker 1: It was actually bigger up. It was like, now, not

2131
02:00:58,760 --> 02:01:00,480
Speaker 1: get it from that point, but some signs when you

2132
02:01:00,600 --> 02:01:02,440
Speaker 1: see things and it could be in one world that

2133
02:01:02,720 --> 02:01:06,200
Speaker 1: everything else disappears. So now it makes sense when you

2134
02:01:06,240 --> 02:01:08,400
Speaker 1: watch it. She's oh he was saying that, yo, it

2135
02:01:08,560 --> 02:01:11,760
Speaker 1: was actually actually added to them, Like damn. He hadn't

2136
02:01:11,760 --> 02:01:15,280
Speaker 1: even apologize, said the fucking the air. I get it,

2137
02:01:15,640 --> 02:01:19,160
Speaker 1: but I was just like, like, I didn't get apologized to,

2138
02:01:19,520 --> 02:01:21,360
Speaker 1: So I said, I didn't even get apology for none

2139
02:01:21,400 --> 02:01:24,120
Speaker 1: of this ship, don't I ain't it. But but you

2140
02:01:24,200 --> 02:01:27,880
Speaker 1: always thinking and the reason for is because your legends.

2141
02:01:28,600 --> 02:01:32,040
Speaker 1: And the thing about it is the platform is for legends.

2142
02:01:32,960 --> 02:01:35,800
Speaker 1: We are not for you know what I'm saying, God,

2143
02:01:35,880 --> 02:01:39,080
Speaker 1: the god bodies that come to most of them, Mecha

2144
02:01:39,200 --> 02:01:44,000
Speaker 1: number seven for the first two days we are like,

2145
02:01:44,160 --> 02:01:48,680
Speaker 1: that's the God too. Were for the people that's been

2146
02:01:48,720 --> 02:01:54,360
Speaker 1: here as cold ministers. That's what we're here for. You

2147
02:01:54,400 --> 02:01:56,880
Speaker 1: know what I'm saying, Like, I never say I'm not

2148
02:01:57,080 --> 02:02:03,040
Speaker 1: God body, not once I elevated the same way everyone elevated.

2149
02:02:03,120 --> 02:02:07,920
Speaker 1: That's why my first question to you was big turn hood.

2150
02:02:08,000 --> 02:02:11,600
Speaker 1: Look and when they go up state they turned blood

2151
02:02:11,720 --> 02:02:16,440
Speaker 1: or Muslim. It's because my knowledge of self has stayed

2152
02:02:16,480 --> 02:02:20,000
Speaker 1: the same. That's peace, and I will never change it.

2153
02:02:21,160 --> 02:02:32,720
Speaker 1: I'm sorry well right now because but no real talk shot.

2154
02:02:33,280 --> 02:02:35,960
Speaker 1: That's why I fell back. I stood back because I'm

2155
02:02:36,000 --> 02:02:39,480
Speaker 1: confident in who I am as a man like wise,

2156
02:02:41,520 --> 02:02:44,000
Speaker 1: and I want you to know that this is your platform.

2157
02:02:45,080 --> 02:02:49,120
Speaker 1: Any time you ever felt offended by this platform or

2158
02:02:49,280 --> 02:02:54,160
Speaker 1: whatever you call this platform, no no, no, we're here.

2159
02:02:54,520 --> 02:03:01,120
Speaker 1: Were you under the Muslim Master number seven right now? No, no, no, no, no, no,

2160
02:03:01,240 --> 02:03:07,120
Speaker 1: no Gods exactly right here and just for future reference,

2161
02:03:07,160 --> 02:03:11,800
Speaker 1: if you ever feel offended anything, I'm gonna call you. Now. Yeah,

2162
02:03:11,880 --> 02:03:14,480
Speaker 1: I'm gonna call you. It's different. It's different because we

2163
02:03:14,560 --> 02:03:16,640
Speaker 1: have an understanding now, so now if but we've been

2164
02:03:16,720 --> 02:03:20,640
Speaker 1: had an understanding because no, no, no, listen, God bless

2165
02:03:20,680 --> 02:03:23,200
Speaker 1: me for saying this. I could be mad. I could be.

2166
02:03:24,000 --> 02:03:26,840
Speaker 1: But you know me and you, we've been always this way.

2167
02:03:27,720 --> 02:03:31,280
Speaker 1: I've always seeing you when you said every time I'm

2168
02:03:31,320 --> 02:03:36,280
Speaker 1: seeing I was a part of that, seeing you and saying, yo,

2169
02:03:36,400 --> 02:03:40,080
Speaker 1: what's sick. Yeah, I wanted you to prosper. I wanted

2170
02:03:40,160 --> 02:03:44,280
Speaker 1: you and I would that would never change. So I

2171
02:03:44,360 --> 02:03:49,600
Speaker 1: just wanted you to know it. Accept that's real always,

2172
02:03:50,000 --> 02:03:51,280
Speaker 1: and that's how I stand. You know what I'm saying.

2173
02:03:51,320 --> 02:03:53,520
Speaker 1: We're not example, we moved to it. We gotta understand it.

2174
02:03:53,800 --> 02:03:56,520
Speaker 1: It's a beautiful relationship. Now. Look, we're happen a there's

2175
02:03:56,560 --> 02:03:58,440
Speaker 1: some some couple of words that got took in the

2176
02:03:58,560 --> 02:04:01,200
Speaker 1: wrong way. Now we heah, we're doing like man and

2177
02:04:01,280 --> 02:04:04,480
Speaker 1: it's it's it's infinite opportunities for everybody right here. I mean,

2178
02:04:04,520 --> 02:04:10,120
Speaker 1: I'm happy. Thank you hold off checking the picture, Let's go.

2179
02:04:14,600 --> 02:04:17,000
Speaker 1: Thanks for joining us for another episode of Drink Champs

2180
02:04:17,080 --> 02:04:19,480
Speaker 1: hosted by Yours Truly, d j e f N and

2181
02:04:19,640 --> 02:04:21,720
Speaker 1: n O r E. Please make sure to follow us

2182
02:04:21,760 --> 02:04:24,320
Speaker 1: on all our socials. Let's at Drink Champs across all

2183
02:04:24,400 --> 02:04:29,000
Speaker 1: platforms at the Real Noriegan, I g at Noriega on Twitter,

2184
02:04:29,440 --> 02:04:32,360
Speaker 1: mine is at Who's Crazy on I g at d

2185
02:04:32,520 --> 02:04:35,120
Speaker 1: J e f N on Twitter, and most importantly, stay

2186
02:04:35,200 --> 02:04:38,160
Speaker 1: up to date with the latest releases, news and merch

2187
02:04:38,360 --> 02:04:47,200
Speaker 1: by going to drink champs dot com. For more podcasts

2188
02:04:47,240 --> 02:04:51,480
Speaker 1: from my heart Radio, visit the iHeart Radio app, Apple Podcast,

2189
02:04:51,720 --> 02:04:53,600
Speaker 1: or wherever you listen to your favorite shows.