WEBVTT - The Irregulars

0:00:02.279 --> 0:00:04.080
<v Speaker 1>When I mentioned the name Roll Dall, do you what

0:00:04.120 --> 0:00:04.640
<v Speaker 1>do you think of?

0:00:05.080 --> 0:00:08.840
<v Speaker 2>Definitely you need the BFG. That was a classic Charlie

0:00:08.840 --> 0:00:10.559
<v Speaker 2>and the Chocolate Factory. And I think there was a

0:00:10.600 --> 0:00:13.240
<v Speaker 2>series of the glass gray Glass elevator. Love those.

0:00:13.520 --> 0:00:15.960
<v Speaker 1>When you picture Doll in your mind, what does he

0:00:16.000 --> 0:00:16.400
<v Speaker 1>look like?

0:00:16.760 --> 0:00:21.440
<v Speaker 2>Well, he's definitely older, gentleman, I would say, seventy ish,

0:00:21.880 --> 0:00:24.239
<v Speaker 2>kind of big guy. Not fat, certainly not fat. He

0:00:24.280 --> 0:00:26.279
<v Speaker 2>doesn't like fat people. But like you know, a tall man,

0:00:26.520 --> 0:00:30.840
<v Speaker 2>bin cardigan sweater, a beard, sitting in a big kind

0:00:30.840 --> 0:00:33.600
<v Speaker 2>of comfy reading chair, kind of like masterpiece theater style.

0:00:35.400 --> 0:00:37.400
<v Speaker 1>When I mentioned the name Roll Dahl, what do you

0:00:37.440 --> 0:00:37.720
<v Speaker 1>think of?

0:00:38.360 --> 0:00:38.479
<v Speaker 3>So?

0:00:38.760 --> 0:00:44.360
<v Speaker 4>I think of Charlie and the Chocolate Factory, Matilda James

0:00:44.360 --> 0:00:48.519
<v Speaker 4>and the Giant Peach, and that he was I think

0:00:48.560 --> 0:00:49.880
<v Speaker 4>an anti Stlite.

0:00:51.200 --> 0:00:54.600
<v Speaker 1>Dad. What do you know about Roll Dahl? Almost nothing.

0:00:55.040 --> 0:00:57.640
<v Speaker 5>I think I Knowd's name, but if you ask me

0:00:57.720 --> 0:00:59.080
<v Speaker 5>what he did, I.

0:00:59.000 --> 0:01:02.319
<v Speaker 1>Don't think I could tell you anything about it. Did

0:01:02.360 --> 0:01:04.640
<v Speaker 1>you know the doll was a spy for British Intelligence?

0:01:05.200 --> 0:01:06.839
<v Speaker 2>No worry, I did not know that.

0:01:06.840 --> 0:01:08.440
<v Speaker 1>That's wild. He worked for my sex.

0:01:08.920 --> 0:01:10.960
<v Speaker 2>Very surprising. I'm very curious.

0:01:11.040 --> 0:01:13.320
<v Speaker 1>Was this before he wrote his stories. It must have

0:01:13.400 --> 0:01:17.000
<v Speaker 1>been during the war. Roll Doll was a spy for

0:01:17.080 --> 0:01:21.440
<v Speaker 1>British intelligence. What his job was literally to seduce the

0:01:21.480 --> 0:01:24.600
<v Speaker 1>wives of powerful Americans and he was really good at it.

0:01:25.240 --> 0:01:27.560
<v Speaker 4>Okay, I don't think that's true.

0:01:27.840 --> 0:01:32.560
<v Speaker 1>I'm telling you I was a spy. I talked to

0:01:32.600 --> 0:01:34.760
<v Speaker 1>a lot of people about rolldal and none of them

0:01:34.840 --> 0:01:37.360
<v Speaker 1>knew even a fraction of his full story. And the

0:01:37.400 --> 0:01:42.720
<v Speaker 1>full story is bananas. Forget the Roll Doll in your head,

0:01:42.880 --> 0:01:45.559
<v Speaker 1>the one who's the most successful children's author of all time.

0:01:46.319 --> 0:01:48.640
<v Speaker 1>Forget the image you have of him, which, if it's

0:01:48.680 --> 0:01:52.520
<v Speaker 1>like mine, is a disheveled BFG look like grandfather figure

0:01:52.640 --> 0:01:55.000
<v Speaker 1>and a worn out cardigan and shaped like a spoon.

0:01:55.800 --> 0:01:57.880
<v Speaker 1>Because the Roll Doll I'm about to introduce you to

0:01:58.280 --> 0:02:00.720
<v Speaker 1>operated in the shadows of World War II as a

0:02:00.800 --> 0:02:05.160
<v Speaker 1>dashing British spy. Honestly, we could do a whole ten

0:02:05.200 --> 0:02:08.080
<v Speaker 1>part series just about the spy unit Doll was recruited

0:02:08.080 --> 0:02:10.880
<v Speaker 1>into during the war, a group of secret British agents

0:02:10.880 --> 0:02:14.360
<v Speaker 1>in America that called themselves the Irregulars, a name they

0:02:14.400 --> 0:02:17.320
<v Speaker 1>took from the informal network of child spies and Sharlock Holmes,

0:02:18.320 --> 0:02:20.880
<v Speaker 1>which also tells you how they see themselves, young men

0:02:21.160 --> 0:02:25.080
<v Speaker 1>operating in the shadows where traditional agents can't go. So.

0:02:25.320 --> 0:02:28.400
<v Speaker 1>Picture a handsome, twenty five year old Doll, four thousand

0:02:28.400 --> 0:02:31.040
<v Speaker 1>miles from home, thrust into this world without a single

0:02:31.120 --> 0:02:36.880
<v Speaker 1>day of espionage training. Imagine how intimidated he feels walking

0:02:36.880 --> 0:02:40.239
<v Speaker 1>into a room with this collection of remarkably almost suspiciously

0:02:40.320 --> 0:02:43.840
<v Speaker 1>handsome and charming men who seemed born for this work. Doll,

0:02:43.919 --> 0:02:46.799
<v Speaker 1>on the other hand, feels like an imposter in way

0:02:46.840 --> 0:02:50.280
<v Speaker 1>over his head. Let's hear from the man himself, Roll Dall,

0:02:50.639 --> 0:02:53.000
<v Speaker 1>describing his unlikely employment goals.

0:02:53.520 --> 0:02:58.400
<v Speaker 5>My job was to try to help WinCE Churchill to

0:02:58.400 --> 0:03:04.640
<v Speaker 5>get on with FDR and hell Winston. What was in

0:03:04.720 --> 0:03:08.560
<v Speaker 5>the old boy's mind in America?

0:03:09.160 --> 0:03:11.600
<v Speaker 1>I mean, how cool is he playing it there as

0:03:11.600 --> 0:03:13.560
<v Speaker 1>if he's just setting a lunch with some old pals

0:03:13.760 --> 0:03:16.360
<v Speaker 1>and not orchestrating an alliance between the two most powerful

0:03:16.440 --> 0:03:19.520
<v Speaker 1>leaders in the free world. As you'll hear, Doll's whole

0:03:19.560 --> 0:03:23.520
<v Speaker 1>life is one surprise after another. It defies all expectations.

0:03:23.880 --> 0:03:26.399
<v Speaker 1>We would never expect a writer like say Stephen King

0:03:26.520 --> 0:03:29.920
<v Speaker 1>to secretly conduct espionage, or Jason Bourne to retire from

0:03:29.960 --> 0:03:32.400
<v Speaker 1>his spy work to pen forty nine beloved books that

0:03:32.480 --> 0:03:36.880
<v Speaker 1>change children's literature forever. The combination simply should not exist

0:03:36.960 --> 0:03:39.680
<v Speaker 1>in one human being. But then, how do you explain

0:03:39.760 --> 0:03:46.080
<v Speaker 1>Roll Dall impossibly implausibly real. Welcome to his deeply bizarre universe.

0:03:47.720 --> 0:03:55.040
<v Speaker 1>I promise it'll only get stranger from here. For my

0:03:55.120 --> 0:03:59.880
<v Speaker 1>hard podcasts, Imagine Entertainment and Parallax. This is the secret

0:04:00.040 --> 0:04:09.040
<v Speaker 1>world of Role Dall. I'm your host, Aaron Tracy. I

0:04:09.080 --> 0:04:11.640
<v Speaker 1>also teach in the English department at Yale, So books

0:04:11.640 --> 0:04:13.880
<v Speaker 1>have always been a huge part of my life, and

0:04:13.960 --> 0:04:17.080
<v Speaker 1>dolls were the foundation, the first ones I ever cracked

0:04:17.080 --> 0:04:19.880
<v Speaker 1>open and read on my own. Doll's stories are would

0:04:19.880 --> 0:04:21.840
<v Speaker 1>turn me onto reading. But that's only part of why

0:04:21.839 --> 0:04:24.760
<v Speaker 1>I've spent decades obsessed with Roll Doll. I'm even more

0:04:24.800 --> 0:04:27.800
<v Speaker 1>fascinated by what an enigma he is. He tries on

0:04:27.880 --> 0:04:30.719
<v Speaker 1>all these different masks, kind of like Bob Dylan. He's

0:04:30.720 --> 0:04:33.359
<v Speaker 1>impossible to nail down. The man is a total cipher,

0:04:33.480 --> 0:04:35.320
<v Speaker 1>which is maddening when you think about the fact that

0:04:35.320 --> 0:04:40.680
<v Speaker 1>we offer him up to our most impressionable population. I

0:04:40.720 --> 0:04:42.800
<v Speaker 1>have two young kids. They're going to grow up reading

0:04:42.880 --> 0:04:46.320
<v Speaker 1>Doll like millions of others. Now, when my wife and

0:04:46.320 --> 0:04:48.320
<v Speaker 1>I hire a babysitter, you better believe we do a

0:04:48.320 --> 0:04:50.760
<v Speaker 1>little digging into who she is first. But we just

0:04:50.839 --> 0:04:53.839
<v Speaker 1>happily bring Doll into our children's rooms, and not to

0:04:53.839 --> 0:04:56.600
<v Speaker 1>get too precious about it, but into their hearts and minds,

0:04:56.800 --> 0:04:59.640
<v Speaker 1>letting him worm directly into their ears night after night.

0:05:00.680 --> 0:05:04.680
<v Speaker 1>Shouldn't we have some idea of who this guy is? Well,

0:05:05.080 --> 0:05:10.239
<v Speaker 1>I promise you you don't, but you're about to. Another

0:05:10.279 --> 0:05:12.640
<v Speaker 1>reason I'm really obsessed with Doll is because he lives

0:05:12.640 --> 0:05:16.120
<v Speaker 1>the noisiest, craziest, most adventurous life you've ever heard. As

0:05:16.160 --> 0:05:19.440
<v Speaker 1>a writer, I'm a writer. Literally, no one would describe

0:05:19.480 --> 0:05:21.720
<v Speaker 1>me as adventurous. I write a ton of TV and

0:05:21.760 --> 0:05:24.000
<v Speaker 1>audio dramas. But at eleven am as I record this

0:05:24.279 --> 0:05:26.919
<v Speaker 1>and I'm still in my bathroom. The most adventurous I

0:05:26.920 --> 0:05:30.160
<v Speaker 1>ever am is changing up my smoothie recipe by adding peppermint.

0:05:31.120 --> 0:05:33.719
<v Speaker 1>That's what being a writer is. But no one told

0:05:33.800 --> 0:05:36.480
<v Speaker 1>Roald Dahl. You may only know Dahl for his books,

0:05:36.800 --> 0:05:39.039
<v Speaker 1>but when we're done with this series, you're gonna feel

0:05:39.080 --> 0:05:41.840
<v Speaker 1>like his writing is about the nineteenth most interesting thing

0:05:41.880 --> 0:05:45.120
<v Speaker 1>about him, which is especially bananas. When you'll get the numbers.

0:05:45.520 --> 0:05:48.279
<v Speaker 1>The man has sold over three hundred million books. He's

0:05:48.320 --> 0:05:51.320
<v Speaker 1>been translated into sixty three languages. And we put that

0:05:51.360 --> 0:05:55.480
<v Speaker 1>three hundred million copies sold into context. Herman Melville, Henry James,

0:05:55.560 --> 0:05:59.720
<v Speaker 1>Virginia Woolf, Tony Morrison, Philip Roth, fellow children's author Shel Silverstein.

0:06:00.120 --> 0:06:02.680
<v Speaker 1>Add up all of their sales of all of their books,

0:06:02.760 --> 0:06:05.440
<v Speaker 1>and it equals about twenty five percent of Dolls. That's

0:06:05.480 --> 0:06:09.279
<v Speaker 1>a nutting number. Here's another one. In twenty eighteen, the

0:06:09.320 --> 0:06:12.560
<v Speaker 1>Hollywood Reporter wrote that Netflix spent around one billion dollars

0:06:12.680 --> 0:06:16.400
<v Speaker 1>for the rights to Dolls works. But of course his

0:06:16.480 --> 0:06:19.320
<v Speaker 1>impact is so much bigger than the stats. The man

0:06:19.400 --> 0:06:22.800
<v Speaker 1>has permeated our collective consciousness. I have never in my

0:06:22.960 --> 0:06:25.719
<v Speaker 1>life unwrapped a candy bar without part of me wondering,

0:06:26.080 --> 0:06:28.120
<v Speaker 1>even for just a millisecond, if there might be a

0:06:28.160 --> 0:06:32.560
<v Speaker 1>golden ticket in there, Which is meant to say, I

0:06:32.560 --> 0:06:35.080
<v Speaker 1>don't have my issues with the man. He could be difficult,

0:06:35.360 --> 0:06:38.680
<v Speaker 1>sometimes incredibly nasty to those he's closest to, kind of

0:06:38.720 --> 0:06:41.040
<v Speaker 1>like some of his characters, it's easy to forget how

0:06:41.040 --> 0:06:43.520
<v Speaker 1>he actually treats the kids in his books, especially the

0:06:43.600 --> 0:06:44.679
<v Speaker 1>ones who aren't the heroes.

0:06:45.360 --> 0:06:47.880
<v Speaker 6>Take missus glup straight to the fudge room, but look sharp,

0:06:48.160 --> 0:06:49.760
<v Speaker 6>or her little boys are able to get poured into

0:06:49.800 --> 0:06:50.279
<v Speaker 6>the boiler.

0:06:50.520 --> 0:06:52.120
<v Speaker 3>You bot him up. I know it.

0:06:52.240 --> 0:06:55.680
<v Speaker 5>Goodbye Missus gloup adiu Alvider's Yep.

0:06:56.040 --> 0:06:58.159
<v Speaker 1>All those children on the chocolateur A get tortured in

0:06:58.160 --> 0:07:02.040
<v Speaker 1>gruesome ways. Same in the Witches, same in Matilda. There's

0:07:02.040 --> 0:07:05.520
<v Speaker 1>so much nastiness there, leaks off the page, staining your fingers.

0:07:08.000 --> 0:07:10.720
<v Speaker 1>When he died in nineteen ninety, the Washington Post, my

0:07:10.800 --> 0:07:14.800
<v Speaker 1>hometown newspaper, did not mince words. Quote. No children's author

0:07:14.840 --> 0:07:18.280
<v Speaker 1>of the past thirty years has regularly sparked more controversy

0:07:18.360 --> 0:07:21.600
<v Speaker 1>than Roald Dahl. On the one hand, kids consistently name

0:07:21.680 --> 0:07:24.600
<v Speaker 1>him their favorite writer. On the other, our best critics

0:07:24.640 --> 0:07:30.320
<v Speaker 1>maintained that his books are larded with gratuitous violence, bigotry, sexism, vulgarity, greed,

0:07:30.680 --> 0:07:33.400
<v Speaker 1>and all manner of foulness. And that's not some hit

0:07:33.440 --> 0:07:40.040
<v Speaker 1>piece or social media takedown, it's his obituary. Dahl's nastiness

0:07:40.040 --> 0:07:42.520
<v Speaker 1>and his controversies have sucked up a lot of oxygen

0:07:42.560 --> 0:07:44.560
<v Speaker 1>in the past few years. I now look at the

0:07:44.560 --> 0:07:47.040
<v Speaker 1>spines of his books on my shelf, not that differently

0:07:47.080 --> 0:07:49.480
<v Speaker 1>than I look at JK. Rowlings, which is to say,

0:07:49.920 --> 0:07:53.600
<v Speaker 1>kind of queasily. We'll definitely get into all that. It's fascinating,

0:07:53.760 --> 0:07:56.800
<v Speaker 1>sometimes ugly stuff from a guy who helped shape generations,

0:07:57.360 --> 0:07:59.600
<v Speaker 1>but for now, I'll just say it's a strange, super

0:07:59.600 --> 0:08:02.400
<v Speaker 1>complicated thing to admire so much about Doll with the

0:08:02.440 --> 0:08:05.200
<v Speaker 1>knowledge that he wouldn't have come to my Hanaka party.

0:08:07.840 --> 0:08:10.880
<v Speaker 1>My friend, the writer Ben Dolnik, captures the dilemma perfectly

0:08:10.960 --> 0:08:13.520
<v Speaker 1>in a short essay he wrote. He writes about watching

0:08:13.520 --> 0:08:19.000
<v Speaker 1>his daughter fall heglong quote into that extraordinary, silent, inexpensive schedule,

0:08:19.080 --> 0:08:22.600
<v Speaker 1>disrupting passion of reading. Ben wrestles with watching her cherish

0:08:22.640 --> 0:08:25.040
<v Speaker 1>books written by a man who may have been repelled

0:08:25.080 --> 0:08:28.960
<v Speaker 1>by her very existence. I wanted to start the show

0:08:28.960 --> 0:08:31.240
<v Speaker 1>off by talking to friends about their perceptions of Doll,

0:08:31.520 --> 0:08:34.319
<v Speaker 1>because the weirdness that people see in him is really telling.

0:08:35.080 --> 0:08:37.800
<v Speaker 1>Here's the opening of a BBC profile from nineteen eighty two.

0:08:38.360 --> 0:08:41.400
<v Speaker 1>This is how a venerable, respected network introduces one of

0:08:41.400 --> 0:08:44.600
<v Speaker 1>the world's most famous authors. The man who lives in

0:08:44.600 --> 0:08:49.400
<v Speaker 1>this house makes very good orange marmalade. He also reads orchids.

0:08:49.760 --> 0:08:51.760
<v Speaker 1>He has never eaten a dish of tripe in his life,

0:08:52.080 --> 0:08:54.319
<v Speaker 1>and he wishes that his dog could speak to him.

0:08:54.600 --> 0:08:57.760
<v Speaker 1>He's Roald dal who else in the world will be

0:08:57.840 --> 0:09:00.840
<v Speaker 1>introduced like that? He makes very good or marmalade and

0:09:00.920 --> 0:09:03.600
<v Speaker 1>has never eaten s tripe. But that's how people talk

0:09:03.600 --> 0:09:09.640
<v Speaker 1>about Doll. He's a curiosity, a character, not a man. Honestly,

0:09:09.679 --> 0:09:11.640
<v Speaker 1>I think it's at least partly due to his appearance

0:09:12.080 --> 0:09:15.080
<v Speaker 1>a real life giant at six foot six plus. He's

0:09:15.080 --> 0:09:18.080
<v Speaker 1>got that name that's so unusual for most people, and

0:09:18.160 --> 0:09:20.960
<v Speaker 1>his creativity is just so off the charts. So with

0:09:21.040 --> 0:09:23.320
<v Speaker 1>all that, he can't possibly be like you and me, right,

0:09:23.720 --> 0:09:26.560
<v Speaker 1>he must be some fantastical creature that just wandered into

0:09:26.600 --> 0:09:28.880
<v Speaker 1>our world. People are desperate for him to be a

0:09:28.920 --> 0:09:32.160
<v Speaker 1>real life BFG or a Mistrench bol or Willy Wonka,

0:09:32.480 --> 0:09:36.440
<v Speaker 1>which fine is not that unfair or unusual. We definitely

0:09:36.440 --> 0:09:39.480
<v Speaker 1>imagine Hemingway was as haunted as his characters. We'd feel

0:09:39.520 --> 0:09:42.480
<v Speaker 1>cheated if Phoebe waller Bridge wasn't as raw or hilarious

0:09:42.480 --> 0:09:45.800
<v Speaker 1>as hers. But here's the crucial difference. Those other writers'

0:09:45.840 --> 0:09:49.840
<v Speaker 1>characters operate within the boundaries of recognizable human behavior. Doll's

0:09:49.880 --> 0:09:52.920
<v Speaker 1>creations exist in a universe where children turn into blueberries

0:09:53.040 --> 0:09:57.240
<v Speaker 1>and giants roam the countryside collecting dreams. So was Doll

0:09:57.360 --> 0:10:00.600
<v Speaker 1>really is? Mischievous and outlandish? Whimsical and grow Tescus his

0:10:00.679 --> 0:10:05.520
<v Speaker 1>characters sort of? Now, I'm incredibly excited to tell you

0:10:05.520 --> 0:10:09.600
<v Speaker 1>about Doll's very strange life as a very real secret agent.

0:10:17.800 --> 0:10:20.760
<v Speaker 1>Picture Doll in his early twenties, that critical moment when

0:10:20.760 --> 0:10:23.199
<v Speaker 1>most of us are fumbling to find our path. Not

0:10:23.320 --> 0:10:25.480
<v Speaker 1>long before, he'd been soaring through the skies as a

0:10:25.520 --> 0:10:28.160
<v Speaker 1>fighter pilot for the Royal Air Force, but a series

0:10:28.200 --> 0:10:31.760
<v Speaker 1>of catastrophic crashes have left him broken, his flying career

0:10:31.960 --> 0:10:35.360
<v Speaker 1>abruptly terminated. So now he's at a crossroads. The war

0:10:35.440 --> 0:10:37.840
<v Speaker 1>continues to rage, but his part in it has been

0:10:37.880 --> 0:10:39.760
<v Speaker 1>stripped away, and he's looking for what to do with

0:10:39.800 --> 0:10:45.120
<v Speaker 1>his life. Doll finds himself at a cocktail party in

0:10:45.160 --> 0:10:49.800
<v Speaker 1>London that a date has tried him to. He towers

0:10:49.840 --> 0:10:53.560
<v Speaker 1>awkwardly above the crowd, nursing a drink, contemplating an early exit.

0:10:54.080 --> 0:10:56.199
<v Speaker 1>It's an elite crowd, but it's a lot of rehearsed

0:10:56.200 --> 0:11:00.400
<v Speaker 1>anecdotes and performative laughter. Then something catches his eye, a

0:11:00.440 --> 0:11:03.959
<v Speaker 1>solitary figure standing apart. Not a film star or socialite,

0:11:04.160 --> 0:11:07.160
<v Speaker 1>but someone far more intriguing to a political obsessive like

0:11:07.240 --> 0:11:11.440
<v Speaker 1>dahl Major Harold Balfour, a member of Churchill's war cabinet,

0:11:11.720 --> 0:11:14.000
<v Speaker 1>one of the men literally deciding the fate of Britain.

0:11:14.240 --> 0:11:17.720
<v Speaker 1>As German bombs fall in London. Dahl Sen says this

0:11:17.760 --> 0:11:20.720
<v Speaker 1>could be his chance. Impressing the Major might lead to something,

0:11:21.040 --> 0:11:23.520
<v Speaker 1>though he has no idea that this conversation will alter

0:11:23.600 --> 0:11:27.240
<v Speaker 1>the trajectory of his entire life. Let me pause here

0:11:27.280 --> 0:11:29.120
<v Speaker 1>for a quick sec to set the scene for what's

0:11:29.120 --> 0:11:31.320
<v Speaker 1>going on in the world, because it's crucial to what

0:11:31.400 --> 0:11:35.680
<v Speaker 1>Doll is about to become part of. The late nineteen

0:11:35.720 --> 0:11:38.280
<v Speaker 1>thirties and early forties are one of those rare times

0:11:38.320 --> 0:11:40.319
<v Speaker 1>that it's not an exaggeration to say the fate of

0:11:40.360 --> 0:11:43.560
<v Speaker 1>the world is at stake. Hitler isn't just winning battles.

0:11:43.640 --> 0:11:46.480
<v Speaker 1>He's winning the war, mostly because the US is sitting

0:11:46.520 --> 0:11:50.080
<v Speaker 1>on the sidelines. The British ambassador warns his government that

0:11:50.240 --> 0:11:52.880
<v Speaker 1>nine out of ten Americans are determined to stay out

0:11:52.880 --> 0:11:55.920
<v Speaker 1>of the war, in other words, to not help Britain.

0:11:56.480 --> 0:11:58.800
<v Speaker 1>The most famous of these is Charles Lenburg.

0:11:59.280 --> 0:12:06.160
<v Speaker 6>It is not that England is losing war, and I

0:12:06.280 --> 0:12:09.800
<v Speaker 6>have been forced to the conclusion that we cannot win

0:12:10.040 --> 0:12:13.400
<v Speaker 6>this war for England, regardless of how much assistance we sin.

0:12:14.840 --> 0:12:18.600
<v Speaker 6>That is why the America First Committee has been formed.

0:12:19.640 --> 0:12:22.480
<v Speaker 1>And this is while Germany is sweeping through Europe. The

0:12:22.559 --> 0:12:27.720
<v Speaker 1>Nazis take Austria, Czechoslovakia, Poland, Denmark, Norway, Belgium, the Netherlands,

0:12:27.840 --> 0:12:33.040
<v Speaker 1>Luxembourg and France, and America we're just watching an unfold Many,

0:12:33.120 --> 0:12:36.079
<v Speaker 1>if not most, Americans are still traumatized from the first

0:12:36.080 --> 0:12:38.559
<v Speaker 1>time we joined at a World War twenty years earlier.

0:12:39.400 --> 0:12:42.080
<v Speaker 1>The memory of American boys coming home in coffins We're

0:12:42.080 --> 0:12:44.959
<v Speaker 1>not coming home at all, remains raw. The thinking is

0:12:45.000 --> 0:12:48.560
<v Speaker 1>simply that Hitler is not our problem. The public isn't

0:12:48.600 --> 0:12:50.720
<v Speaker 1>yet aware of what's going on with the Jews of Europe.

0:12:50.880 --> 0:12:52.920
<v Speaker 1>The reports of them being rounded up and sent to

0:12:52.960 --> 0:12:57.200
<v Speaker 1>concentration camps is just too impossible to believe, so we

0:12:57.280 --> 0:13:00.720
<v Speaker 1>choose not to. Britain, of course, is on the brink.

0:13:01.280 --> 0:13:03.400
<v Speaker 1>You know this, You've seen the movies, read the books,

0:13:03.480 --> 0:13:07.080
<v Speaker 1>listen to the podcasts, Think Churchill Pacing War Rooms by Lamplight,

0:13:07.400 --> 0:13:11.319
<v Speaker 1>Britain's darkest hour. If FDR doesn't send help and fast,

0:13:11.679 --> 0:13:15.600
<v Speaker 1>England is done. So put yourself in Winston Churchill's position.

0:13:16.040 --> 0:13:18.720
<v Speaker 1>Your island nation stands as one of the last flickering

0:13:18.800 --> 0:13:21.840
<v Speaker 1>lights of democracy in Europe. Your cities are being bombed

0:13:21.880 --> 0:13:25.320
<v Speaker 1>into rubble. Your people are sleeping in subway tunnels, and

0:13:25.400 --> 0:13:30.160
<v Speaker 1>across the Atlantics, it's America, powerful, untouched and stubbornly unwilling

0:13:30.200 --> 0:13:32.760
<v Speaker 1>to join the fight. What wouldn't you do to change

0:13:32.760 --> 0:13:36.080
<v Speaker 1>their minds? At that point? Is anything off the table?

0:13:37.000 --> 0:13:40.040
<v Speaker 1>This is where espionage becomes not just an option but

0:13:40.120 --> 0:13:46.880
<v Speaker 1>a necessity. Okay, So back to our cocktail party. Dollspot's

0:13:46.920 --> 0:13:49.880
<v Speaker 1>Major Balfour, a man who's signature on documents can move

0:13:49.920 --> 0:13:53.920
<v Speaker 1>troops and redirect warplanes. Doll takes a deep breath, and,

0:13:54.000 --> 0:13:57.120
<v Speaker 1>with that peculiar confidence that will define him throughout his life,

0:13:57.200 --> 0:14:01.079
<v Speaker 1>he crosses the room, introduces himself in some begins to chat.

0:14:02.040 --> 0:14:06.720
<v Speaker 1>Doll gives great chat. His conversation has all the hallmarks

0:14:06.720 --> 0:14:10.800
<v Speaker 1>of his later fiction. Wickedly funny, wildly creative, a little dirty,

0:14:11.040 --> 0:14:14.080
<v Speaker 1>totally compelling, Doll is one of those people who just

0:14:14.120 --> 0:14:17.160
<v Speaker 1>instinctively knows how to captivate. I'm always so jealous of

0:14:17.200 --> 0:14:20.080
<v Speaker 1>those people, the ones who have small crowds gathered around

0:14:20.120 --> 0:14:22.880
<v Speaker 1>them at parties, funny and magnetic without being at all

0:14:22.960 --> 0:14:26.480
<v Speaker 1>self conscious. The Major, like everyone else who meets Dall

0:14:26.520 --> 0:14:30.480
<v Speaker 1>in this period, is taken with him. And then it happens.

0:14:30.800 --> 0:14:33.160
<v Speaker 1>The Major tells Doll that he's looking for smart, well

0:14:33.280 --> 0:14:35.480
<v Speaker 1>educated young men to go to America to join the

0:14:35.480 --> 0:14:39.720
<v Speaker 1>British embassy. This conversation has changed everything, but not how

0:14:39.800 --> 0:14:42.680
<v Speaker 1>Doll thinks it has. Doll thinks he's being recruited for

0:14:42.720 --> 0:14:46.240
<v Speaker 1>a diplomatic post. What the Major leaves out is what

0:14:46.320 --> 0:14:52.880
<v Speaker 1>he really has in mind for Doll. Military intelligence. The

0:14:52.920 --> 0:14:56.760
<v Speaker 1>head of the Irregulars has tasked the Major with finding brilliant, articulate, charming,

0:14:57.040 --> 0:15:01.040
<v Speaker 1>morally flexible young men with military backgrounds to join his outfit.

0:15:01.960 --> 0:15:04.640
<v Speaker 1>The Major seems to have found such a man. The

0:15:04.720 --> 0:15:12.600
<v Speaker 1>very next week, Dolls out a plane to Washington. When

0:15:12.640 --> 0:15:16.280
<v Speaker 1>Dohl first arrives in DC, he's entranced. It's this big

0:15:16.360 --> 0:15:19.760
<v Speaker 1>cauldron of power ego mixed with ambition, mixed with secks,

0:15:19.880 --> 0:15:22.560
<v Speaker 1>mixed again with power, Yet it all feels as intimate

0:15:22.600 --> 0:15:26.240
<v Speaker 1>as a college campus. Everybody knows everybody. I grew up

0:15:26.280 --> 0:15:28.600
<v Speaker 1>in DC and then the Northwest part of it. Walk

0:15:28.640 --> 0:15:31.760
<v Speaker 1>into any restaurant, linger in any bookstore, sit at any

0:15:31.800 --> 0:15:35.240
<v Speaker 1>coffee shop counter, and people are talking politics. It's in

0:15:35.240 --> 0:15:38.000
<v Speaker 1>the water supply, just like the entertainment industry in LA.

0:15:38.520 --> 0:15:43.040
<v Speaker 1>So every room Doll enters is an opportunity. Doll's trickiest

0:15:43.120 --> 0:15:46.080
<v Speaker 1>endeavor when he first arrives is finding decent housing in

0:15:46.120 --> 0:15:49.960
<v Speaker 1>the notoriously overcrowded city. He opens the newspaper and looks

0:15:49.960 --> 0:15:53.080
<v Speaker 1>through the classifieds. He finds a surprisingly nice place that

0:15:53.120 --> 0:15:56.320
<v Speaker 1>he can actually afford. The reason he can afford it

0:15:56.360 --> 0:15:58.440
<v Speaker 1>is because there was a bloody murder suicide in it

0:15:58.520 --> 0:16:03.440
<v Speaker 1>last week. Victim Rosemary Sigley, was a beautiful young researcher

0:16:03.480 --> 0:16:06.640
<v Speaker 1>for the agency that becomes the CIA. She was also

0:16:06.840 --> 0:16:10.280
<v Speaker 1>a wealthy heiress. Her murder was a giant scandal, and

0:16:10.320 --> 0:16:12.960
<v Speaker 1>two days after there was a line of people outside

0:16:13.000 --> 0:16:15.040
<v Speaker 1>waiting to see if the scene of the crime would

0:16:15.040 --> 0:16:17.800
<v Speaker 1>be rented at a discount. You gotta love the real

0:16:17.880 --> 0:16:24.000
<v Speaker 1>estate market. But what's important for us is that Doll

0:16:24.320 --> 0:16:26.560
<v Speaker 1>is the first man in that line, which tells you

0:16:26.600 --> 0:16:28.960
<v Speaker 1>so much about who he is. The future author of

0:16:29.000 --> 0:16:32.360
<v Speaker 1>tales filled with darkly comic violence, isn't remotely bothered by

0:16:32.400 --> 0:16:35.800
<v Speaker 1>the apartment's bloody history. If anything, there's a flicker of

0:16:35.840 --> 0:16:39.480
<v Speaker 1>fascination as he signs the lease. The apartment's gruesome backstory

0:16:39.520 --> 0:16:43.600
<v Speaker 1>isn't a deterrent, It's almost an attraction. The man loves gruesome.

0:16:44.040 --> 0:16:46.240
<v Speaker 1>Here's one of his most beloved books, with a little

0:16:46.240 --> 0:16:47.440
<v Speaker 1>girl torturing her.

0:16:47.280 --> 0:16:58.000
<v Speaker 7>Nemesis, when if you tried to poison me, Oh, Matilda.

0:16:58.080 --> 0:16:58.720
<v Speaker 2>I knew it.

0:17:00.120 --> 0:17:02.600
<v Speaker 1>So Much of Doll's fiction pulls the reader towards scenes

0:17:02.640 --> 0:17:05.240
<v Speaker 1>of fear and dread. There's a ton of children in

0:17:05.280 --> 0:17:09.320
<v Speaker 1>peril and adults with real bad intentions, danger lurking, and

0:17:09.359 --> 0:17:12.480
<v Speaker 1>what we thought were safe spaces. He's able to conjure

0:17:12.520 --> 0:17:15.000
<v Speaker 1>these scenes so well because they're part of his fabric.

0:17:15.520 --> 0:17:19.760
<v Speaker 1>Dahl SE's darkness everywhere, which means he barely notices it anymore.

0:17:20.520 --> 0:17:23.159
<v Speaker 1>When Dall moves into Rosemary's place, it takes him two

0:17:23.280 --> 0:17:25.800
<v Speaker 1>nights before he spots the rusty bloodstains still in the

0:17:25.800 --> 0:17:29.680
<v Speaker 1>carpet and the single bullet hole in the ceiling. Lots

0:17:29.680 --> 0:17:33.040
<v Speaker 1>of people me very much included, would immediately move out.

0:17:33.680 --> 0:17:36.440
<v Speaker 1>Doll simply makes a mental note of it, another detail

0:17:36.520 --> 0:17:39.199
<v Speaker 1>and the strange tapestry of his life, and goes to

0:17:39.280 --> 0:17:41.840
<v Speaker 1>sleep under the same roof where a bullet ended someone

0:17:41.840 --> 0:17:47.840
<v Speaker 1>else's now. Dall is ostensibly in DC to work for

0:17:47.840 --> 0:17:50.200
<v Speaker 1>the British Embassy, so that's what he does for a while.

0:17:50.600 --> 0:17:54.600
<v Speaker 1>He pushes diplomatic papers, attends formal functions, fills out reports,

0:17:54.960 --> 0:17:59.359
<v Speaker 1>and he's suffocating. Each morning he sits before stacks of documents,

0:17:59.520 --> 0:18:03.640
<v Speaker 1>watching the clock move with excruciating slowness. Dahl wants something

0:18:03.680 --> 0:18:06.280
<v Speaker 1>bigger for his life. He's searching for something with meaning.

0:18:07.240 --> 0:18:10.159
<v Speaker 1>But what Dall doesn't realize is that someone is watching

0:18:10.200 --> 0:18:17.240
<v Speaker 1>his every move. The big legendary figure you need to

0:18:17.280 --> 0:18:20.680
<v Speaker 1>know about right now is William Stephenson code name Intrepid.

0:18:21.080 --> 0:18:24.400
<v Speaker 1>Stevenson is Winston Churchill's head of espionage in America. He's

0:18:24.440 --> 0:18:26.760
<v Speaker 1>one of the key inspirations for James Bond, who was

0:18:26.800 --> 0:18:29.080
<v Speaker 1>created by one of his agents. This gives you a

0:18:29.119 --> 0:18:32.840
<v Speaker 1>sense of what Stephenson looks like, impeccably dressed, handsome features

0:18:33.000 --> 0:18:37.040
<v Speaker 1>and penetrating eyes that catalog everything. His clean cut compose

0:18:37.320 --> 0:18:39.320
<v Speaker 1>and emanates the confidence of a man who can have

0:18:39.320 --> 0:18:42.080
<v Speaker 1>you vanished with a single phone call. This is the

0:18:42.160 --> 0:18:47.840
<v Speaker 1>man whose attention now turns to Roll Dall to accomplish

0:18:47.840 --> 0:18:50.879
<v Speaker 1>Britain's mission during this really scary time. Stevenson is the

0:18:50.880 --> 0:18:54.960
<v Speaker 1>one who assembles that elite, spiring the Irregulars. Writer and

0:18:55.080 --> 0:18:58.560
<v Speaker 1>historian Jeanette Conan calls their operation one of the most

0:18:58.560 --> 0:19:01.919
<v Speaker 1>controversial and almost certainly one of the most successful covert

0:19:02.000 --> 0:19:07.359
<v Speaker 1>action campaigns in the Annals of Espionage. Stevenson's eye for

0:19:07.480 --> 0:19:11.040
<v Speaker 1>talent is wild. Just for starters. There's Rolldall, of course,

0:19:11.240 --> 0:19:14.880
<v Speaker 1>and Ian Fleming, who later creates James Bond, essentially immortalizing

0:19:14.880 --> 0:19:17.879
<v Speaker 1>his own experiences here, and David Ogilvy, who goes on

0:19:17.960 --> 0:19:22.280
<v Speaker 1>to invent modern advertising. Three world class creators of fantasy.

0:19:23.040 --> 0:19:26.280
<v Speaker 1>So picture Roll Doll, James Bond, and Don Draper all

0:19:26.320 --> 0:19:29.000
<v Speaker 1>hanging out, drinking and seducing their way through a foreign

0:19:29.040 --> 0:19:31.520
<v Speaker 1>capital during wartime, and you start to have a sense

0:19:31.560 --> 0:19:33.720
<v Speaker 1>of what it's like. The whole thing feels like the

0:19:33.720 --> 0:19:37.440
<v Speaker 1>premise of a prestige TV series. Beautiful Rakish young men

0:19:37.480 --> 0:19:40.600
<v Speaker 1>recruited into a shadow organization far from home because of

0:19:40.600 --> 0:19:44.680
<v Speaker 1>their smarts, persuasiveness, and talent for deception, tasked with doing

0:19:44.720 --> 0:19:48.440
<v Speaker 1>whatever they have to to save the free world from fascism.

0:19:50.040 --> 0:19:54.640
<v Speaker 1>The mission of the Irregulars is broad gathering intelligence, sabotaging enemies,

0:19:54.800 --> 0:19:58.840
<v Speaker 1>and creating propaganda that shifts public opinion. Their official history

0:19:59.080 --> 0:20:01.760
<v Speaker 1>describes them as howard with the vague task of doing

0:20:01.840 --> 0:20:04.000
<v Speaker 1>all that was not being done and could not be

0:20:04.040 --> 0:20:07.159
<v Speaker 1>done by other means, Which, come on is a license

0:20:07.200 --> 0:20:10.600
<v Speaker 1>to operate in the gray areas if I've ever heard one.

0:20:10.720 --> 0:20:13.679
<v Speaker 1>Doll can't believe he's been recruited into this group. A

0:20:13.720 --> 0:20:17.120
<v Speaker 1>month ago, he was languishing in the English countryside, desperate

0:20:17.160 --> 0:20:20.159
<v Speaker 1>to figure out his life, hungry for purpose. Now he's

0:20:20.160 --> 0:20:23.840
<v Speaker 1>found a role filled with subterfuge, deceit, storytelling, and role play.

0:20:24.240 --> 0:20:26.800
<v Speaker 1>In other words, all of his natural skills with the

0:20:26.880 --> 0:20:31.160
<v Speaker 1>highest stakes imaginable. The personal stakes for Doll are huge too.

0:20:31.560 --> 0:20:33.520
<v Speaker 1>He can't go home to Buckingham Sure after this and

0:20:33.600 --> 0:20:36.040
<v Speaker 1>tend to the sheep. This job is about to become

0:20:36.040 --> 0:20:39.359
<v Speaker 1>his whole identity. You can tell how formative it all

0:20:39.440 --> 0:20:41.360
<v Speaker 1>is for Doll by the fact that it echoes through

0:20:41.359 --> 0:20:44.800
<v Speaker 1>his later fiction like a recurring dream. Willy Wonka with

0:20:44.840 --> 0:20:48.119
<v Speaker 1>an air of mystery beneath a playful exterior, constantly testing

0:20:48.119 --> 0:20:51.159
<v Speaker 1>those who enter his orbit. He's definitely inspired by Stevenson

0:20:51.240 --> 0:20:53.680
<v Speaker 1>and others Doll works for in the Spy Game, also

0:20:53.760 --> 0:20:56.560
<v Speaker 1>the Secret Society and the Witches that performs covert missions.

0:20:56.960 --> 0:20:59.359
<v Speaker 1>All of these stories that are going to captivate millions

0:20:59.400 --> 0:21:03.840
<v Speaker 1>of children are born in the shadows of wartime espionage.

0:21:04.040 --> 0:21:06.680
<v Speaker 1>So far, though the Irregulars are failing at their task

0:21:06.720 --> 0:21:09.880
<v Speaker 1>of winning America to their side, they're forced to get creative.

0:21:10.400 --> 0:21:12.560
<v Speaker 1>One of my favorite tactics of theirs is when they

0:21:12.640 --> 0:21:16.560
<v Speaker 1>hire a Hungarian astrologer, Louis de Wall. The assignment they

0:21:16.600 --> 0:21:20.280
<v Speaker 1>give him to publicly predict Hitler's demise based on the

0:21:20.320 --> 0:21:23.080
<v Speaker 1>positions of the stars and therefore make Germany seem less

0:21:23.080 --> 0:21:26.520
<v Speaker 1>scary to Americans. It's like a pr smear campaign on

0:21:26.600 --> 0:21:30.120
<v Speaker 1>the fascist dictator. Can't you just picture these younger regulars

0:21:30.160 --> 0:21:33.159
<v Speaker 1>around a table at two am at some smoky Georgetown bar,

0:21:33.600 --> 0:21:37.159
<v Speaker 1>whiskey flowing. One says, what if we just told Americans

0:21:37.200 --> 0:21:39.480
<v Speaker 1>they have nothing to lose because the stars have already

0:21:39.480 --> 0:21:42.080
<v Speaker 1>decided the Third Reich is done for and instead of

0:21:42.119 --> 0:21:44.840
<v Speaker 1>laughing it off. There's a long silence. They look at

0:21:44.840 --> 0:21:49.159
<v Speaker 1>each other intensely and say that is brilliant. They're so

0:21:49.240 --> 0:21:52.200
<v Speaker 1>tickled with their idea they send Louis on a national tour.

0:21:55.760 --> 0:21:59.600
<v Speaker 1>Stevenson's main tactics, however, involved targeting the upper echelons of

0:21:59.600 --> 0:22:01.879
<v Speaker 1>the US government, and this is both to bring the

0:22:01.960 --> 0:22:05.040
<v Speaker 1>US into the war, and once that's accomplished, to make

0:22:05.080 --> 0:22:09.240
<v Speaker 1>sure London maintains significant influence. If Britain can get someone

0:22:09.280 --> 0:22:12.880
<v Speaker 1>close to the American president, that would be huge. Enter

0:22:13.080 --> 0:22:17.800
<v Speaker 1>young Roll Doll. It turns out one of Doll's skills

0:22:17.840 --> 0:22:21.360
<v Speaker 1>in particular makes him especially effective with the irregulars. It's

0:22:21.400 --> 0:22:24.800
<v Speaker 1>the same skill he'll later become legendary for his storytelling.

0:22:25.600 --> 0:22:28.560
<v Speaker 1>Doll has recently begun writing short stories. It's not yet

0:22:28.560 --> 0:22:31.840
<v Speaker 1>the all consuming passion it will become. Like many young writers,

0:22:31.960 --> 0:22:36.280
<v Speaker 1>Doll is trying to find his voice by writing mostly autobiographically. Specifically,

0:22:36.440 --> 0:22:39.760
<v Speaker 1>he's churning out brief fiction pieces inspired by his childhood

0:22:39.920 --> 0:22:43.439
<v Speaker 1>and his time in the Royal Air Force. The stories

0:22:43.440 --> 0:22:46.600
<v Speaker 1>are clever and dark, a little scary, and totally original.

0:22:48.080 --> 0:22:51.280
<v Speaker 1>One story in particular centers on these grotesque little creatures

0:22:51.280 --> 0:22:55.359
<v Speaker 1>he calls Gremlins whose sabotage aircraft a fun Gothic story,

0:22:55.520 --> 0:22:58.320
<v Speaker 1>which doubles is a fable for American and British cooperation.

0:22:59.359 --> 0:23:02.000
<v Speaker 1>One reason to Work continues to be read and seen

0:23:02.080 --> 0:23:04.639
<v Speaker 1>and performed over a century after his birth is that

0:23:04.720 --> 0:23:08.000
<v Speaker 1>Lake Greek myths, his narratives tapp directly into our primal

0:23:08.040 --> 0:23:11.760
<v Speaker 1>fears and desires. They speak to universal human concerns, wrapped

0:23:11.760 --> 0:23:15.359
<v Speaker 1>in the irresistible package of the bizarre and scary and funny.

0:23:16.080 --> 0:23:19.120
<v Speaker 1>The Gremlins has all of this. And in case you're wondering,

0:23:19.240 --> 0:23:22.000
<v Speaker 1>as I was, this Gremlins has nothing to do with

0:23:22.000 --> 0:23:26.400
<v Speaker 1>the Stephen Spielberg produced classic. Dall mails the story out

0:23:26.440 --> 0:23:30.919
<v Speaker 1>to every magazine accepting unsolicited submissions, and one bites the

0:23:30.960 --> 0:23:33.680
<v Speaker 1>Gremlins gets published in a local journal, and the story

0:23:33.720 --> 0:23:36.840
<v Speaker 1>connects with readers. Those who dig it pass it around

0:23:36.880 --> 0:23:39.400
<v Speaker 1>to their pals. Of course, in these days that means

0:23:39.440 --> 0:23:43.520
<v Speaker 1>literally handing your copy of the physical magazine to someone. Eventually,

0:23:43.760 --> 0:23:46.520
<v Speaker 1>because this is just how Doll's luck works, his story

0:23:46.520 --> 0:23:49.119
<v Speaker 1>gets passed to a certain very important person.

0:23:49.280 --> 0:23:53.360
<v Speaker 5>You may have heard of, Eleanor Roosevelt, ready to her grandchildren.

0:23:53.480 --> 0:23:54.760
<v Speaker 5>And I loved this book.

0:23:55.000 --> 0:23:57.639
<v Speaker 1>Here's Dahl years later on a chat show on BBC

0:23:57.760 --> 0:24:00.600
<v Speaker 1>one speaking to host Terry Wogan about his stroke of

0:24:00.600 --> 0:24:01.680
<v Speaker 1>incredible fortune.

0:24:02.000 --> 0:24:05.640
<v Speaker 5>And so I got invited to the White House and

0:24:06.680 --> 0:24:08.359
<v Speaker 5>we got to know each other a bit, you know,

0:24:08.480 --> 0:24:12.600
<v Speaker 5>and I would go for weekends. FDR had his country

0:24:12.600 --> 0:24:15.520
<v Speaker 5>place is called Hyde Park at Fast Place, and used

0:24:15.520 --> 0:24:20.120
<v Speaker 5>to go there to know him. I was only a

0:24:20.160 --> 0:24:24.399
<v Speaker 5>young chap of twenty six in an RAF uniform, and

0:24:24.440 --> 0:24:25.960
<v Speaker 5>I had no business around there.

0:24:26.000 --> 0:24:29.720
<v Speaker 1>Really, are you kidding me? First, by just befriending a

0:24:29.800 --> 0:24:34.560
<v Speaker 1>staffer or an intern in the Roosevelt administration would be giant. Doll,

0:24:34.880 --> 0:24:37.280
<v Speaker 1>in his mid twenties, becomes pals with the First Family

0:24:37.760 --> 0:24:40.120
<v Speaker 1>and how he do it through his skill he hasn't

0:24:40.200 --> 0:24:43.240
<v Speaker 1>yet realized will be his superpower. Making up a clever story.

0:24:46.720 --> 0:24:49.280
<v Speaker 1>Dall spends his time at Hyde Park, swimming, bird watching,

0:24:49.359 --> 0:24:52.360
<v Speaker 1>barbecuing and drinking with the President and First Lady. He's

0:24:52.359 --> 0:24:55.239
<v Speaker 1>making mental notes on everything, desperate to report it all

0:24:55.280 --> 0:24:58.680
<v Speaker 1>back to Stevenson and prove himself in the job. According

0:24:58.680 --> 0:25:01.439
<v Speaker 1>to Dol, he even managers to spend time alone with FDR,

0:25:01.760 --> 0:25:05.000
<v Speaker 1>mixing Martiniz before lunch while the tipsy President says things

0:25:05.040 --> 0:25:07.800
<v Speaker 1>like I just received an interesting cable from mister Churchill,

0:25:08.240 --> 0:25:12.440
<v Speaker 1>and then proceeds to tell Doll what Churchill wrote. Surprise, surprise,

0:25:12.640 --> 0:25:15.600
<v Speaker 1>FDR clearly takes a liking to Doll. Two. He even

0:25:15.680 --> 0:25:18.919
<v Speaker 1>drives Doll around the property and especially made car. It

0:25:18.960 --> 0:25:21.400
<v Speaker 1>all feels pretty surreal for a young man not many

0:25:21.440 --> 0:25:23.439
<v Speaker 1>years out of high school who's been tapped as a

0:25:23.480 --> 0:25:26.480
<v Speaker 1>spy and is now casually hanging out with the most

0:25:26.480 --> 0:25:31.560
<v Speaker 1>powerful couple on the planet. At the end of his

0:25:31.600 --> 0:25:34.720
<v Speaker 1>first weekend with the First Family in all those lavish surroundings,

0:25:35.000 --> 0:25:37.480
<v Speaker 1>Doll goes back to his tiny apartment with the bloodstained

0:25:37.480 --> 0:25:40.800
<v Speaker 1>carpet and writes up an incredibly thorough twelve page report

0:25:40.880 --> 0:25:45.359
<v Speaker 1>with journalistic precision quote visit to Hyde Park July second

0:25:45.440 --> 0:25:48.399
<v Speaker 1>to fourth, Yeah, he got invited there for July fourth.

0:25:48.960 --> 0:25:52.720
<v Speaker 1>Doll's report includes everything FDR said about Churchill, his impressions

0:25:52.720 --> 0:25:55.480
<v Speaker 1>about whether FDR will run for another term, and everything

0:25:55.480 --> 0:26:00.679
<v Speaker 1>else he thinks could even possibly be relevant. Whether Doll's

0:26:00.680 --> 0:26:03.520
<v Speaker 1>report was read by Churchill himself, but it's clear his

0:26:03.600 --> 0:26:07.080
<v Speaker 1>work helps the British government gain insight into where America stands.

0:26:07.640 --> 0:26:10.200
<v Speaker 1>There's even a suggestion that Roosevelt may have used Doll

0:26:10.320 --> 0:26:13.159
<v Speaker 1>to convey information to the British that was impossible for

0:26:13.280 --> 0:26:16.960
<v Speaker 1>FDR to stay outright for diplomatic reasons. For Doll, it

0:26:17.040 --> 0:26:19.960
<v Speaker 1>is such a head trip. Writer Matthew Denison points out

0:26:20.480 --> 0:26:23.320
<v Speaker 1>Rold's life have become a double life. He was still

0:26:23.359 --> 0:26:26.200
<v Speaker 1>ostensibly working for the British embassy at the same time

0:26:26.280 --> 0:26:29.320
<v Speaker 1>he was a gather and conduit of information in Britain's

0:26:29.359 --> 0:26:33.639
<v Speaker 1>best interests. Needless to say, Doll's handlers are more than

0:26:33.680 --> 0:26:36.480
<v Speaker 1>a little shocked and beyond thrilled with this kid, and

0:26:36.600 --> 0:26:39.680
<v Speaker 1>Dall's early success only makes him more confident. The young

0:26:39.680 --> 0:26:42.600
<v Speaker 1>man who felt rudderless just months earlier now moves through

0:26:42.680 --> 0:26:45.560
<v Speaker 1>Washington with the assurance of someone who believes he can't fail.

0:26:51.920 --> 0:26:54.560
<v Speaker 1>One of Dall's more salacious tasks for the Irregulars is

0:26:54.600 --> 0:26:57.880
<v Speaker 1>seducing powerful women in order to enlist their help. This

0:26:57.920 --> 0:27:00.439
<v Speaker 1>is a task the young Doll is very excited about.

0:27:01.400 --> 0:27:03.760
<v Speaker 1>He's also built for it, and he uses this trait

0:27:03.960 --> 0:27:06.840
<v Speaker 1>for his most important seduction with a woman with the

0:27:06.960 --> 0:27:12.000
<v Speaker 1>very whimsical very dolli in name Claire Booth. Loose Dolls

0:27:12.000 --> 0:27:13.879
<v Speaker 1>first sent to Claire because of who she's married to.

0:27:14.440 --> 0:27:16.879
<v Speaker 1>Claire is one half of one of the most influential

0:27:16.920 --> 0:27:20.040
<v Speaker 1>power couples of the century. Her husband is Henry Loose,

0:27:20.119 --> 0:27:22.600
<v Speaker 1>who builds a media empire that quite literally shapes what

0:27:22.680 --> 0:27:26.120
<v Speaker 1>millions of Americans think. He's the founder of Ready for It,

0:27:26.520 --> 0:27:31.800
<v Speaker 1>Time Magazine, Fortune Magazine, Life Magazine, and Sports Illustrated. When

0:27:31.840 --> 0:27:35.760
<v Speaker 1>these publications begin running pieces with distinctly anti British undertones,

0:27:36.000 --> 0:27:39.240
<v Speaker 1>British intelligence is not happy for a nation fighting for

0:27:39.280 --> 0:27:42.719
<v Speaker 1>its survival. This isn't just bad press, it's an existential threat.

0:27:43.119 --> 0:27:46.560
<v Speaker 1>If American public opinion turns against Britain, vital Aid could

0:27:46.560 --> 0:27:49.720
<v Speaker 1>evaporate overnight. The irregulars have to find a way to

0:27:49.840 --> 0:27:53.000
<v Speaker 1>change the tenor of Henry's magazines. They're not sure how

0:27:53.040 --> 0:27:55.879
<v Speaker 1>to reach Henry, who's notoriously stubborn, but maybe they can

0:27:55.880 --> 0:27:58.760
<v Speaker 1>get to his wife. After all, it's an open secret

0:27:58.800 --> 0:28:02.119
<v Speaker 1>that the Loose marriage is unconventional. For its final twenty

0:28:02.160 --> 0:28:05.679
<v Speaker 1>eight years, Henry apparently refuses to sleep with Claire. He

0:28:05.680 --> 0:28:08.240
<v Speaker 1>says he's in such profound awe of her that he

0:28:08.280 --> 0:28:11.919
<v Speaker 1>can't get aroused, a truly tragic condition that vanishes whenever

0:28:11.960 --> 0:28:17.080
<v Speaker 1>he's around almost literally any other woman. Dahl first meets

0:28:17.080 --> 0:28:19.160
<v Speaker 1>Claire at the New York premiere of a propaganda film,

0:28:19.320 --> 0:28:22.720
<v Speaker 1>Eagle Squadron. It's about US airman who volunteered to fly

0:28:22.840 --> 0:28:25.800
<v Speaker 1>with the Royal Air Force. The lobby outside the screening

0:28:25.840 --> 0:28:29.560
<v Speaker 1>room is packed with DC power players. Cigar smoke hangs

0:28:29.560 --> 0:28:33.240
<v Speaker 1>in lazy clouds beneath crystal chandeliers. The murmur of hush

0:28:33.280 --> 0:28:36.760
<v Speaker 1>conversations about policy and the war intermingles with the clink

0:28:36.800 --> 0:28:41.560
<v Speaker 1>of cocktail glasses. Dahl's date, Nancy Carroll, is a celebrity

0:28:41.800 --> 0:28:44.960
<v Speaker 1>once nominated for Best Actress, which tells you everything about

0:28:44.960 --> 0:28:49.080
<v Speaker 1>Doll's social currency. There whispers about the impropriety of Nancy's

0:28:49.120 --> 0:28:52.160
<v Speaker 1>obvious infatuation with Dol, who's twelve years younger than her,

0:28:52.640 --> 0:28:55.000
<v Speaker 1>but Nancy doesn't seem to care, and neither does All.

0:28:55.480 --> 0:28:58.040
<v Speaker 1>He already draws attention with his height and good looks.

0:28:58.840 --> 0:29:01.160
<v Speaker 1>He enjoys the gaze of the room, but doesn't seek it,

0:29:01.680 --> 0:29:06.840
<v Speaker 1>and his focus is now pulled elsewhere. Claire Loose is

0:29:06.840 --> 0:29:09.120
<v Speaker 1>not in a spotlight, but in a pocket of conversation

0:29:09.240 --> 0:29:12.120
<v Speaker 1>where men lean down to hear her. Doll doesn't approach,

0:29:12.240 --> 0:29:15.560
<v Speaker 1>not yet. He observes how Claire holds court teasing some

0:29:15.680 --> 0:29:20.000
<v Speaker 1>young congressman who said the wrong thing. The house lights

0:29:20.000 --> 0:29:23.360
<v Speaker 1>begin to flicker. Dahl leads Nancy into the theater, but

0:29:23.440 --> 0:29:27.360
<v Speaker 1>as they settle in, his eyes remain Unclare Claire spots

0:29:27.360 --> 0:29:31.880
<v Speaker 1>his stare, this impossibly handsome, impossibly composed British diplomat. She

0:29:31.920 --> 0:29:34.480
<v Speaker 1>gets a chill when she realizes he's not looking away.

0:29:34.960 --> 0:29:37.320
<v Speaker 1>He's telling her this look is not a passing glance,

0:29:37.600 --> 0:29:40.800
<v Speaker 1>not an accident. Doll has already been briefed on Claire

0:29:40.800 --> 0:29:45.200
<v Speaker 1>by the irregulars. For Claire's part, there's no flustered, bashful reaction.

0:29:46.880 --> 0:29:51.120
<v Speaker 1>Dall does not return home that night. Later in the week,

0:29:51.160 --> 0:29:53.400
<v Speaker 1>when Dall dutifully writes a letter to his mother, he

0:29:53.440 --> 0:29:56.560
<v Speaker 1>tells her everything, and I mean everything, even about his

0:29:56.600 --> 0:29:59.760
<v Speaker 1>awkward exchange with his landlady. After getting home from Claire's.

0:30:00.440 --> 0:30:02.760
<v Speaker 1>He writes, quote, I got home at nine am the

0:30:02.800 --> 0:30:04.960
<v Speaker 1>next morning. I had to do a lot of talking

0:30:05.000 --> 0:30:13.360
<v Speaker 1>to re establish my reputation. Doll's job, of course, isn't

0:30:13.400 --> 0:30:15.360
<v Speaker 1>just to have one night stance. If he's going to

0:30:15.440 --> 0:30:17.520
<v Speaker 1>change Claire's opinion of the Brits and try to get

0:30:17.560 --> 0:30:20.120
<v Speaker 1>her to influence her husband's magazines. It needs to be

0:30:20.160 --> 0:30:23.760
<v Speaker 1>a more involved affair. Dall soon realizes focusing only on

0:30:23.800 --> 0:30:26.720
<v Speaker 1>the effect Claire might have on time and life is shortsighted.

0:30:27.200 --> 0:30:30.240
<v Speaker 1>Changing Claire's mind about the Brits will also be hugely helpful,

0:30:30.640 --> 0:30:33.320
<v Speaker 1>because what I haven't mentioned yet is that Claire is

0:30:33.320 --> 0:30:39.360
<v Speaker 1>incredibly influential in her own right. Claire lives a giant life,

0:30:39.600 --> 0:30:43.160
<v Speaker 1>almost as noisy as Dolls Blake Doll. Claire finds incredible

0:30:43.200 --> 0:30:46.480
<v Speaker 1>success in a number of completely different fields. She starts

0:30:46.480 --> 0:30:48.800
<v Speaker 1>out as a short story writer. The New York Times

0:30:48.840 --> 0:30:52.440
<v Speaker 1>finds her first published volume superficial, but praises its quote

0:30:52.720 --> 0:30:56.680
<v Speaker 1>lovely festoons of epigrams, and writes, what malice there may

0:30:56.720 --> 0:30:58.880
<v Speaker 1>be in these pages has a falinity that is the

0:30:58.920 --> 0:31:03.040
<v Speaker 1>purest angoring. I have absolutely no idea what that means either,

0:31:03.840 --> 0:31:06.120
<v Speaker 1>but I guess it's not good because it pushes Claire

0:31:06.200 --> 0:31:08.720
<v Speaker 1>to pivot away from short stories and to try playwriting.

0:31:09.200 --> 0:31:12.440
<v Speaker 1>Turns out she's pretty good at it. In nineteen thirty six,

0:31:12.720 --> 0:31:16.240
<v Speaker 1>Claire writes The Women, which runs over six hundred performances

0:31:16.240 --> 0:31:19.160
<v Speaker 1>on Broadway. It's a commentary on the pamper lives of

0:31:19.200 --> 0:31:22.880
<v Speaker 1>wealthy Manhattan socialites, which Claire is about to become. The

0:31:22.920 --> 0:31:25.520
<v Speaker 1>play is adapted twice for the movies, later with a

0:31:25.600 --> 0:31:28.760
<v Speaker 1>Net Betting and Meg Ryan, but first with Joan Crawford.

0:31:29.160 --> 0:31:32.480
<v Speaker 5>Well, girl, looks like it's back to the perfume grounded

0:31:32.560 --> 0:31:32.800
<v Speaker 5>for me.

0:31:33.680 --> 0:31:36.600
<v Speaker 6>And by the way, there's a name for you, ladies,

0:31:36.680 --> 0:31:39.520
<v Speaker 6>but it is used in high society outside of.

0:31:39.440 --> 0:31:44.280
<v Speaker 1>A kennel Lake Dahl, Claire bores easily. After her success

0:31:44.280 --> 0:31:47.120
<v Speaker 1>with the Women, Claire decides to move into journalism. She

0:31:47.200 --> 0:31:50.280
<v Speaker 1>works at Vogue Vanity Fair, then decides to try war

0:31:50.320 --> 0:31:54.480
<v Speaker 1>correspondent for Life magazine. Growing restless yet again, Claire takes

0:31:54.480 --> 0:31:57.520
<v Speaker 1>her varied experiences in creative writing, journalism, and in the

0:31:57.560 --> 0:32:02.480
<v Speaker 1>war and decides to run for Congress. Accomplished, beautiful and wealthy,

0:32:02.760 --> 0:32:05.920
<v Speaker 1>Claire wins her election, and she's seated on the powerful

0:32:05.960 --> 0:32:10.000
<v Speaker 1>House Military Affairs Committee. Here she is years later on

0:32:10.080 --> 0:32:13.680
<v Speaker 1>the cartoonishly conservative William F. Buckley Show, speaking about the

0:32:13.720 --> 0:32:15.080
<v Speaker 1>subject of men versus women.

0:32:15.480 --> 0:32:19.280
<v Speaker 3>Man's ruth strength. We're stronger than a woman's strength. It's

0:32:19.280 --> 0:32:22.920
<v Speaker 3>that simple. After which, in order to get out from anger,

0:32:23.440 --> 0:32:28.840
<v Speaker 3>she developed a thing called guile. Gile was weaponed against tyranny.

0:32:30.160 --> 0:32:33.240
<v Speaker 1>With Claire's seat in Congress, her powerful committee assignment, and

0:32:33.440 --> 0:32:36.480
<v Speaker 1>her unique ability to captivate audiences with her writing, plus

0:32:36.520 --> 0:32:40.080
<v Speaker 1>her husband's little publishing empire, you could argue Claire's about

0:32:40.080 --> 0:32:42.959
<v Speaker 1>as influential as it gets, which is bad for the Brits,

0:32:43.160 --> 0:32:46.040
<v Speaker 1>because she also gives a blistering forty minute speech on

0:32:46.080 --> 0:32:50.600
<v Speaker 1>the House floor arguing passionately against cooperation with England. If

0:32:50.600 --> 0:32:52.920
<v Speaker 1>Doll can help sway her, he'll be a hero to

0:32:52.960 --> 0:32:58.640
<v Speaker 1>the irregulars. Claire is in a very different social stratosphere

0:32:58.680 --> 0:33:01.400
<v Speaker 1>than twenty something Dull, living off cheese sandwiches in his

0:33:01.480 --> 0:33:04.480
<v Speaker 1>tiny walk up apartment. But even though Claire is already

0:33:04.480 --> 0:33:08.760
<v Speaker 1>incredibly successful, anne married, and at thirty nine, thirteen years

0:33:08.760 --> 0:33:11.800
<v Speaker 1>older than Dahl, she falls for him. Here's a tall,

0:33:12.120 --> 0:33:15.000
<v Speaker 1>handsome ex pilot who can talk literature and theater with

0:33:15.040 --> 0:33:18.360
<v Speaker 1>her in a way most DC boys cannot. The relationship

0:33:18.440 --> 0:33:21.440
<v Speaker 1>is electric, and Doll is soon complaining to his superiors

0:33:21.480 --> 0:33:25.800
<v Speaker 1>about Claire's appetite. According to a lawyer who serves an

0:33:25.840 --> 0:33:28.719
<v Speaker 1>FDR's administration, again with a name that may as well

0:33:28.760 --> 0:33:31.640
<v Speaker 1>be out of a Doll story, Creak more Fath Doll

0:33:31.720 --> 0:33:33.840
<v Speaker 1>confides in him that he just can't take another night

0:33:33.880 --> 0:33:38.040
<v Speaker 1>with Claire. She's completely worn him out over three NonStop evenings.

0:33:38.560 --> 0:33:41.600
<v Speaker 1>He doesn't have anything left. I went to the ambassador

0:33:41.640 --> 0:33:44.560
<v Speaker 1>this morning, Doll says, and I said, you know, it's

0:33:44.560 --> 0:33:47.400
<v Speaker 1>a great assignment, but I just can't go on. And

0:33:47.560 --> 0:33:51.280
<v Speaker 1>according to Dol, the Ambassador replied, Rold, did you ever

0:33:51.320 --> 0:33:53.720
<v Speaker 1>see the Charles Lotton movie Henry the Eighth Do you

0:33:53.720 --> 0:33:55.800
<v Speaker 1>remember the scene of Henry going to the bedroom with

0:33:55.840 --> 0:33:58.880
<v Speaker 1>Anne of Cleaves and he turns and says, the things

0:33:58.920 --> 0:34:01.800
<v Speaker 1>I've done for England, Well, that's what you've got to do.

0:34:03.480 --> 0:34:06.120
<v Speaker 1>Many years later, Doll will put the things I've done

0:34:06.160 --> 0:34:09.520
<v Speaker 1>for England line into Sean Connery's mouth as James Bond.

0:34:10.600 --> 0:34:12.759
<v Speaker 1>I don't really believe the British Ambassador said all that

0:34:12.840 --> 0:34:15.200
<v Speaker 1>to Doll. To me, this feels less like a real

0:34:15.200 --> 0:34:18.600
<v Speaker 1>complaint and more like a humble brag. Dolls trying to

0:34:18.600 --> 0:34:20.239
<v Speaker 1>figure out what it means to be a man in

0:34:20.280 --> 0:34:23.600
<v Speaker 1>this uncertain period. Should he be a macho playboy or

0:34:23.600 --> 0:34:26.880
<v Speaker 1>a more sensitive man of letters. He's twenty six. This

0:34:26.960 --> 0:34:29.000
<v Speaker 1>is when you figure out who you are, which isn't

0:34:29.040 --> 0:34:31.520
<v Speaker 1>easy when you're lying about your identity. It's almost everyone

0:34:31.560 --> 0:34:36.320
<v Speaker 1>you meet. The overall effect of Doll's relationship with Claire

0:34:36.400 --> 0:34:39.240
<v Speaker 1>is pretty profound. He reports back on all his intimate,

0:34:39.320 --> 0:34:42.320
<v Speaker 1>candid conversations with her. He's able to tell his superiors

0:34:42.360 --> 0:34:45.120
<v Speaker 1>about internal debates regarding the British that are happening in

0:34:45.160 --> 0:34:48.960
<v Speaker 1>Congress and behind closed doors in influential media circles. He's

0:34:49.000 --> 0:34:53.479
<v Speaker 1>offering unparalleled insight into American political dynamics, and he helps

0:34:53.520 --> 0:34:57.040
<v Speaker 1>the British craft proactive ways to engage the Americans for help.

0:34:57.440 --> 0:35:00.440
<v Speaker 1>And pretty soon, wouldn't you know it, Life Maga is

0:35:00.520 --> 0:35:04.239
<v Speaker 1>running some pro British stories framing Britain as America's most

0:35:04.320 --> 0:35:11.360
<v Speaker 1>essential ally. But even more importantly, dall is in weekending

0:35:11.400 --> 0:35:13.759
<v Speaker 1>with the President, carrying on an affair with the congresswoman

0:35:13.960 --> 0:35:16.120
<v Speaker 1>and mingling with some of the most powerful figures in

0:35:16.120 --> 0:35:20.560
<v Speaker 1>the country. In espionage accesses everything, and Doll has it,

0:35:21.080 --> 0:35:23.719
<v Speaker 1>But he's still far from achieving all his goals. He

0:35:23.800 --> 0:35:25.680
<v Speaker 1>still has a lot of work left to do, and

0:35:25.719 --> 0:35:27.279
<v Speaker 1>he's going to have to do it with a ton

0:35:27.320 --> 0:35:30.400
<v Speaker 1>of obstacles in his way. While I've mentioned that pretty

0:35:30.440 --> 0:35:33.120
<v Speaker 1>much everybody who meets Stall loves him. The truth is

0:35:33.120 --> 0:35:35.920
<v Speaker 1>that when anyone is as successful as Dollars, there are

0:35:35.920 --> 0:35:40.240
<v Speaker 1>going to be those who don't appreciate it. A charming, arrogant, handsome,

0:35:40.320 --> 0:35:44.560
<v Speaker 1>twenty six year old foreigner actively practicing espionage on behalf

0:35:44.560 --> 0:35:47.400
<v Speaker 1>of six in the US and conducting affairs with some

0:35:47.440 --> 0:35:50.759
<v Speaker 1>of the most powerful women in the nation. Yeah, that's

0:35:50.800 --> 0:36:04.239
<v Speaker 1>going to engender some enemies for one, the FBI. The

0:36:04.280 --> 0:36:07.560
<v Speaker 1>Secret World of Roll Dall is produced by Imagine Audio

0:36:07.760 --> 0:36:11.760
<v Speaker 1>and Parallax Studios for iHeart Podcasts. Created and written by

0:36:11.920 --> 0:36:16.719
<v Speaker 1>me Aaron Tracy, produced by Matt Schrader, post production by

0:36:17.040 --> 0:36:21.000
<v Speaker 1>wind Hill Studios, with editing, scoring, and sound design by

0:36:21.000 --> 0:36:26.000
<v Speaker 1>Mark Henry Phillips. Editing by Ryan Seton, music by a PM.

0:36:26.800 --> 0:36:32.440
<v Speaker 1>Executive producers Nathan Cloke, Karl Welker, Brian Grazer, Ron Howard,

0:36:33.040 --> 0:36:37.279
<v Speaker 1>and Aaron Tracy. Additional voice performances and recreation by Mark

0:36:37.320 --> 0:36:40.960
<v Speaker 1>Henry Phillips and Eleven Laps. If you enjoyed this episode,

0:36:41.120 --> 0:36:43.600
<v Speaker 1>be sure to rate and review The Secret World of

0:36:43.719 --> 0:36:47.160
<v Speaker 1>Roll Dall on Apple Podcasts or wherever you get your podcasts.

0:36:47.800 --> 0:36:52.880
<v Speaker 1>Copyright twenty twenty six Imagine Entertainment, iHeartMedia and parallax