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Speaker 1: Okay, okay, man using my face.

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Speaker 2: On your face.

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Speaker 3: It don't matter if you win by an intramd women,

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Speaker 3: I don't have friends, okay.

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Speaker 1: Friendly.

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Speaker 2: Room, room, and welcome to another. Fast Friends presented by

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Speaker 2: the NBA. That's game. We're back breaking down every action

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Speaker 2: film from the Fast and Furious franchise on deck today,

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Speaker 2: the fourth movie in the franchise, Fast and Furious. I'm

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Speaker 2: still j skeets here with our FF expert Trey Kirby.

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Speaker 2: Hell a when, of course we've got our super producer JD.

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Speaker 2: Hello there, Yes, here we are. If you're a friend

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Speaker 2: of Fast Friends, thank you so much. Keep tweeting in

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Speaker 2: your thoughts at No Dunks, Inc. That's I n C,

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Speaker 2: and email in your questions No dunks at the Athletic

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Speaker 2: in the subject title. It'll help out tasks, who has

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Speaker 2: to go through all the NBA questions, and then you

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Speaker 2: can just sort of gloss over those or just ford

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Speaker 2: them to us. Put fast Friends there in the little

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Speaker 2: header in the little subject. If you haven't already, leave

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Speaker 2: us a five star rating and review on Apple Podcasts,

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Speaker 2: subscribe to no Dunks on YouTube. That really helps us

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Speaker 2: out in terms of rankings. Okay, so Fast and Furious

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Speaker 2: the fourth movie in the franchise. But but but before

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Speaker 2: we get to that, we add another short film to watch.

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Speaker 2: Oh god, twenty minute short film. TK said it on

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Speaker 2: the last one. Vin Diesel did this one. Hey, I'm

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Speaker 2: directing it, I'm co writing it, producing it, I'm in it.

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Speaker 3: And yeah, and you're gonna love this idea. I'm the

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Speaker 3: hero and every woman in the Dominican Republic absolutely loves me.

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Speaker 3: Crazy twenty minute short, I mean, plot wise, what happens.

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Speaker 3: We kind of find out that Dom is the robin

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Speaker 3: Hood of the Dominican Republic. The Dominican Republic. People can't

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Speaker 3: live without oil. It's all they're talking about. Yep, So

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Speaker 3: Dom is gonna steal them oil. Yeah, yeah, how do

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Speaker 3: you distribute it? That's for him to figure out. They

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Speaker 3: never made a short about that, just the fact that

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Speaker 3: we're gonna be stealing that oil. We also learn about

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Speaker 3: Tago and Santos, who will continue on in the series

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Speaker 3: into this fourth movie that we're gonna watch. We learned

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Speaker 3: that Dom and Han know each other. Yes, don't know

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Speaker 3: how don't know from where. No, but Han shows up

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Speaker 3: in the Dominican Republic and you can tell they're old friends.

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Speaker 3: And other than that, we just learned that dom loves chicks.

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Speaker 3: It's literally twenty minutes of women hanging all over Vin Diesel,

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Speaker 3: like every single scene basically until Letty shows up right

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Speaker 3: at the end, who takes over hanging off of.

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Speaker 2: Yeah, exactly minutes of them just hanging out together, like,

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Speaker 2: we get it, you're in love. She's got her feet

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Speaker 2: up all over you while you're driving, and now you're

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Speaker 2: on the beach and you're just frolicking in the water.

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Speaker 2: We get it. Yeah. It just Diesel was like, Hey,

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Speaker 2: you know'd be cool to go hang out in the

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Speaker 2: Dominican Republic for a little bit. Just send me. I'll

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Speaker 2: make a little short film. It'd be awesome.

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Speaker 3: Yeah. When the credits pop up and it says written

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Speaker 3: and directed by Vin Diesel, you're like, yeah, yeah, I

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Speaker 3: think it was. I think so.

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Speaker 2: I'm not even sure I said the name for everybody.

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Speaker 2: T K said it on the last one. Los Bandoleros,

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Speaker 2: that's the out Laws. Is this short film if you

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Speaker 2: want to seek it out. We watched it on video

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Speaker 2: by the person that I think edited it. Oh wow,

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Speaker 2: real woman.

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Speaker 1: Yeah, yeah, she definitely worked on it. Although I was

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Speaker 1: I didn't care enough to dig any deeper to see,

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Speaker 1: you know, what her role was on it. But she

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Speaker 1: was very grateful on the Vimeo comments there, saying, hey,

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Speaker 1: thanks for all the likes. If you want to hire me,

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Speaker 1: here's my info. Yeah. I had no idea what she

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Speaker 1: did on it, but so JD.

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Speaker 2: I mean, Trey sort of already took us through it

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Speaker 2: the reasons I guess behind this. Hey, he knows Han,

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Speaker 2: he's in the Dominican Okay, Letty's here. Now they're in love. Yeah.

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Speaker 2: I don't think it needed to be twenty minutes. I'll

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Speaker 2: tell you that. I'm not even sure it needed to

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Speaker 2: exist at all. He could have really just got that

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Speaker 2: across from the movie itself. But what did you think?

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Speaker 1: Yeah, I mean, the one thing that I got out

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Speaker 1: of it was why they're stealing gas? Right, Like that

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Speaker 1: was not really explained in once we get into Fast

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Speaker 1: and Furious.

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Speaker 2: True.

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Speaker 1: So, and I actually went back and watched it after

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Speaker 1: I watched Fast and Furious. So I'm like, what is this?

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Speaker 1: Mad Max all of a sudden, like we're we're we're

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Speaker 1: we're now we're just heisting gas. Yeah, so he gave

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Speaker 1: a little bit of context, I guess, But I don't

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Speaker 1: remember in Fast and Furious seeing them distribute gas to

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Speaker 1: the masses or anything. In fact, I think they were

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Speaker 1: just filling up their race cars with it, right, Like

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Speaker 1: so you know, fine, Okay, well you know they're criminals

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Speaker 1: and that's fine. And maybe the context of it was

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Speaker 1: wasn't gas didn't gas explode in prices in two thousand

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Speaker 1: and nine, Like was that a thing from the you know, hey,

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Speaker 1: I get it, like gas. Look at Lebanon right now.

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Speaker 1: They are going through a horrific time and gas is

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Speaker 1: definitely a part of that equation and it can really

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Speaker 1: bring a nation to their knees. So absolutely, yeah, like

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Speaker 1: let's get the gas. But yeah, I mean, other than

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Speaker 1: the fact that, okay, we're stealing the gas to give

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Speaker 1: to the people who need the gas, which they in

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Speaker 1: my mind they didn't do, but okay, there's a reason

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Speaker 1: at least. And then it was, as you say, Skeets,

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Speaker 1: you know a little vacation of video. Vin Diesel and

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Speaker 1: Michelle Rodriguez we're seeing each other at some point right

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Speaker 1: during the production of at some point they were, they

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Speaker 1: were an item, so maybe they just you know, Skeets,

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Speaker 1: I think you nailed it, like, let's got a Dominican

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Speaker 1: Republic and we'll bring a crew and totally and I'll

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Speaker 1: bring my kayak built for two. And okay, I.

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Speaker 2: Will say this again, probably could have been done in

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Speaker 2: the movie itself, but this little short, it did make

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Speaker 2: me realize how in love they were.

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Speaker 1: Yeah, you never.

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Speaker 2: Really to me back to the first one, where of

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Speaker 2: course he was in Tom and Luddy. You know, we do.

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Speaker 2: They were an item, they're together, but there wasn't a

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Speaker 2: lot of like chemistry between the two or like this,

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Speaker 2: like you know, undying love for each other. So yeah,

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Speaker 2: I mean it took ten minutes of them again yeah,

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Speaker 2: on a kayak and driving around and stuff like that

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Speaker 2: to really drive it home. But okay I felt it,

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Speaker 2: and that of course Lee into what happens in the

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Speaker 2: fourth movie here and heard demise.

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Speaker 3: So yeah, yeah. If you think the short's weird, imagine

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Speaker 3: if they actually started with this at the beginning of

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Speaker 3: Fast and Furious to set up that first tist basically

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Speaker 3: impossible that they try that. But you're you're right, Skeets,

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Speaker 3: I would agree that there is legit chemistry between Vin

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Speaker 3: Diesel and Michelle Rodriguez, and apparently it's just heightened anytime

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Speaker 3: they're near any form of transportation, whether it be a

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Speaker 3: kayak or a car, it does not matter. That makes

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Speaker 3: them all even more in love with each other.

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Speaker 2: Yeah, okay, So look, do you need to go and

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Speaker 2: watch this? No? I don't think so. It's pretty funny

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Speaker 2: and somehow does fly by it despite being twenty minutes

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Speaker 2: and really nothing happening in it. I think as you

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Speaker 2: are seeing these new characters, you know, like Rico and

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Speaker 2: then you know, then Han is there, and you get

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Speaker 2: like the understanding of like, oh okay, this is going

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Speaker 2: to be happening before Tokyo Drift. But you're right, Trey,

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Speaker 2: we get no backstory on how these guys are buds

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Speaker 2: at all.

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Speaker 3: Huh huh.

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Speaker 2: He just rolls up.

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Speaker 3: He's like, hey, I'm here.

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Speaker 2: Yeah, He's like, all right, cool, what are we doing

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Speaker 2: with beer? Yeah?

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Speaker 3: Yeah.

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Speaker 1: Well, Also, you're sort of glossing over the fact that

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Speaker 1: they break out those guys out of prison, which is

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Speaker 1: not on screen for some reason, right, Like, don't they

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Speaker 1: go and get and break them one of the guys

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Speaker 1: at least out of prison. Yeah, that's not on screen,

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Speaker 1: but we do get five minutes of canoodling on a kayak.

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Speaker 1: It's just like, where did you spend this budget? You know?

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Speaker 1: Like and I would also say that this it was

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Speaker 1: boring as hell, like like it was twenty minutes you

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Speaker 1: skets you said it flew by. It was like I

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Speaker 1: thought it was. So I was just like, what is going?

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Speaker 3: You know why?

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Speaker 2: I was liking the music? I mean, I love the

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Speaker 2: Dominican Republic. It had a nice vibe to it.

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Speaker 1: Yeah, I agree with you, I do. I did enjoy

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Speaker 1: the music, but I thought the sound mix was terrible.

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Speaker 1: I hope that woman who posted that video wasn't the

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Speaker 1: sound mixer because she didn't have to a great job.

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Speaker 1: But I felt like I was watching Ryerson University fourth

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Speaker 1: year practicum honestly, like you know, with pretty high high

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Speaker 1: production value in that context. But you know, men do

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Speaker 1: do we know how much they spent on this thing?

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Speaker 2: I got no clue on that one. Again. I think

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Speaker 2: that was just that that was been demanding. He wanted

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Speaker 2: a vacation with Letty and Aura Michelle and say come on,

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Speaker 2: just send us down here. I got an idea, and

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Speaker 2: hot will show up it'll be great. Yeah.

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Speaker 3: Okay, what did you guys think about Dom wearing sleeves

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Speaker 3: that that was my big tease? Yeah, full sleeves.

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Speaker 1: Wow, yeah, you know I I loved it.

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Speaker 3: Yeah, totally. You could pull those forums at all.

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Speaker 2: No, nope, okay, So let's get to the actual movie

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Speaker 2: here on Fast Friends Today, Fast and Furious. It is

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Speaker 2: the fourth one, like I said, released in the spring

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Speaker 2: of two thousand and nine. They bumped it up apparently

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Speaker 2: get it out there for the springtime budget again. Eighty

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Speaker 2: five million box office, a lot better than Tokyo Drift.

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Speaker 2: Oh god, I think it like, uh, surpassed it in

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Speaker 2: the opening weekend alone or something like that. But three

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Speaker 2: hundred and sixty million worldwide. Fast and Furious did the

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Speaker 2: skinny well. Brian O'Connor, Yeah, he's back working for the

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Speaker 2: FBI in LA. He teams up with Dom to bring

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Speaker 2: down a heroin Importer by infiltrating his operation. So Vin Diesel,

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Speaker 2: Paul Walker, Michelle Rodriguez, some new actors that we'll get to,

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Speaker 2: I'm sure as we go through. This movie, directed once

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Speaker 2: again by Justin Lynn. He did Tokyo Drift. He's here

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Speaker 2: for this one, I believe he's there for the next

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Speaker 2: one too, if I have that correct. So, Trey, what

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Speaker 2: do you remember from this one? You told us last

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Speaker 2: time Tokyo Drift was the first one you didn't go

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Speaker 2: to a theater to see. I just went over the numbers.

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Speaker 2: You know, people were seeing this one. Was TK and

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Speaker 2: the boys back in the theater for Vinin and Paul

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Speaker 2: reuniting one hundred.

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Speaker 3: I was there opening weekend skeets, helping it take down

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Speaker 3: Tokyo Drift. This movie was legitimately a game changer amongst

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Speaker 3: our friend group. I saw it with my buddy Adam

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Speaker 3: at the AMC Yorktown Theater in Lombard, Illinois. If I'm

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Speaker 3: not mistaken, Pat Murphy canceled that night. Come on, buddy,

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Speaker 3: what are you doing?

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Speaker 1: Murphy?

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Speaker 3: Pat? Come on, you're being murp ridiculous here. But uh yeah,

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Speaker 3: you know, we were very excited that Vin and Paul

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Speaker 3: were both coming back. Rewatched things prior to the release,

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Speaker 3: and as you're I'm going to show you here, it

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Speaker 3: started taking over. I mean, this is me doing the

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Speaker 3: ask any racer, any real racer scene at a buddy's

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Speaker 3: house at a party. We were having our men's league

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Speaker 3: basketball team became known as fast and Furious. There we

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Speaker 3: are winning the championship. I've got custom jerseys, custom shoes,

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Speaker 3: and this custom jacket that I'm wearing to this very day,

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Speaker 3: A one of one Fast and Furious Nike zip up steeves.

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Speaker 3: You hear people talking like, you know the hits are

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Speaker 3: coming fast and furious now that we're opening presence Fast

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Speaker 3: and furious? Now was that ever a term that was

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Speaker 3: used before these movies came out? I don't know. Maybe

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Speaker 3: so you'd have to go back and check the Google trends.

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Speaker 3: But I was pumped when this movie came out, and

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Speaker 3: I still remember vividly seeing it the very first time.

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Speaker 2: Okay, quick question. I noticed on the slick niked jacket

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Speaker 2: you have there fast and Furious and spelled out an

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Speaker 2: D doesn't go with the ampersan was that not an option?

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Speaker 3: Honestly, Skates, I think I botched it. I think I

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Speaker 3: watched it. So what ampersand here as you see once

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Speaker 3: we upgraded to the Jersey campers.

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Speaker 2: Yeah, sorry sorry to bring that up. I never seen

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Speaker 2: your list.

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Speaker 3: I'm gonna need a seam ripper here.

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Speaker 2: Just put a piece of table over little and ampersand

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Speaker 2: signed there Okay, that's amazing. So you were there, you

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Speaker 2: were all like, I assume they're back in No.

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Speaker 3: Nine.

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Speaker 2: Like we're saying when this came out that there was

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Speaker 2: hype that the two of them were back and it

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Speaker 2: was going back to sort of the original vibe. You know,

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Speaker 2: we talked about how Tokyo Drift didn't do that well

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Speaker 2: despite us liking it, So there must have been well,

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Speaker 2: there obviously was with the numbers that was doing JD

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Speaker 2: the buzz for this movie. Get the boys are back,

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Speaker 2: here we go.

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Speaker 1: Listen. People love stars, you know, and they love what

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Speaker 1: they know, and they know Vin Diesel, they know Paul Walker,

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Speaker 1: they know Michelle Rodriguez. They know what they're getting themselves into,

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Speaker 1: and it's unfortunate to me, but you know, let's say

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Speaker 1: it is what it is.

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Speaker 2: All right. So I'm not as high on this one

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Speaker 2: as you were a Tokyo Drift too.

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Speaker 1: No, I'm not, naturally No, Okay, well.

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Speaker 2: Let's get into it. Then, five years after escaping from

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Speaker 2: the US dominic, Toretto. Yeah, Vin Baby and his new

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Speaker 2: crew okay, consisting of his girlfriend Lenny. What are their names? Takeo,

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Speaker 2: how do I say? Taho?

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Speaker 3: I think it's Tago Layout, Tago Enrico.

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Speaker 2: Yes, and those are like real artists, right, yeah, yeah,

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Speaker 2: we got Kara and we got Han he is there.

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Speaker 2: They are hijacking these fuel tankers in the Dominican Republic

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Speaker 2: using heavily modified Chevy trucks and an eighty seven Buick

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Speaker 2: Grand National. So, just like movies before, we are opening

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Speaker 2: with a heist. I mean, is what happened in the

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Speaker 2: first one, right, it was the truckers and they had

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Speaker 2: a bunch of cool Panasonic equipment on it. But this

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Speaker 2: one's got gas. As we learned in the short film.

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Speaker 2: They need it, they want it, and yeah, we're into

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Speaker 2: this movie and it's a you know, pretty intense action scene.

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Speaker 2: Though I will say there is a shot of a

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Speaker 2: truck flipping over at one point that looks like garbage.

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Speaker 2: It looks like a like a little model the mo

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Speaker 2: it looked it was like, oh up until that, it

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Speaker 2: was okay. But anyway, what'd you think of the opening

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Speaker 2: scene here? Trey?

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Speaker 3: I love it wholeheartedly. Skeets down his back, fast and

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Speaker 3: furious as back. They even brought back truckers. Can you

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Speaker 3: believe it? But they gave this guy a face. He's

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Speaker 3: not a faceless trucker. He's a trucker with an iguana. Yeah,

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Speaker 3: Eden is iguana as they're driving on down. But I

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Speaker 3: love it. You know, you're getting some hilarious lines. Letty

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Speaker 3: talking about gases gold. She ices the lock, she breaks

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Speaker 3: it and releases it liquid gold. I also love Vin

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Speaker 3: in this scene hanging out the window. Bust it and

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Speaker 3: he's riding all down the down the road with his

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Speaker 3: bicep hanging out. The one thing that is very strange

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Speaker 3: to me. You know, they're they're going through this entire heist.

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Speaker 3: Here the trucker like floors it and he's like, I

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Speaker 3: gotta get out of here. This is going too crazy.

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Speaker 3: Then he comes to like a turn where they're going

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Speaker 3: downhill and then it takes like a sharp write and

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Speaker 3: he shocked, like he had no idea. You've been going

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Speaker 3: on one road, buddy. I'm imagining this is a planned

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Speaker 3: out route. But he goes over the hill.

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Speaker 1: Was like, what was I thinking?

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Speaker 3: Yeah, man, you botched it. So I love that. I

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Speaker 3: think the trucker is very weird and dom in this

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Speaker 3: scene some incredible maneuvers with one hand. He never puts

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Speaker 3: a second hand on the steering wheel. This entire time,

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Speaker 3: and he's like whipping it into reverse. He's catching Letty

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Speaker 3: flying onto his windshield. He's got the classic part where

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Speaker 3: the popcn is rolling down you know, yep, just waiting,

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Speaker 3: just waiting, just waiting until it's the perfect time. Cruises

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Speaker 3: on through. Never touches that wheel with the second hand.

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Speaker 3: When you're that good, you just need one.

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Speaker 2: Yeah, thought. I will say one part that was strange

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Speaker 2: the guy with the pedaguana. The driver, he was like,

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Speaker 2: all right, we're gonna die here. I'm jumping out of

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Speaker 2: this vehicle. What did't Letty jump? Like yeah, like uh

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Speaker 2: and she if anything, She's like more clear, like she's

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Speaker 2: at the back of the truck at this point, so

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Speaker 2: like just just jump. You don't gotta get into the vehicle,

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Speaker 2: just jump off the side. He was fine. He died

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Speaker 2: an this little tuck and roll and he was good.

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Speaker 3: But yeah, especially once the like the back to tankers

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Speaker 3: have come off and he's kind of just on the

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Speaker 3: back of it, like there's a clear spot.

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Speaker 1: There, just off.

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Speaker 3: I mean, I was a little worried for her. You know,

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Speaker 3: she's getting dragged along. You can see her feet running

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Speaker 3: along the ground. But that's when there's like a tanker

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Speaker 3: in front of her and behind her and then you

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Speaker 3: can't jump off. Yeah, you get ran over, but uh,

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Speaker 3: once there's nothing behind you, it's like, uh, It's like

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Speaker 3: Dom said to I believe it was Tago release you idiots, Yeah,

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Speaker 3: straight up idiot. I feel like Letty was being a

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Speaker 3: little bit of an idiot.

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Speaker 2: There too, Like you're saying, just yeah, just jump, yeah,

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Speaker 2: just jump. JD. What do you think of this opening scene?

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Speaker 2: Were you hooked like you were the first time around

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Speaker 2: in F F one?

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Speaker 3: Nah?

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Speaker 1: You have to say that I wasn't. And it's this

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Speaker 1: is on me because I coming off of Tokyo Drift,

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Speaker 1: I was like, okay, okay, all right, here we go.

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Speaker 1: We're rolling now. And I enjoyed that movie. But I

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Speaker 1: made the mistake of thinking. I made the mistake of

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Speaker 1: my brain was still turned on when I turned on

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Speaker 1: the movie, and just things take me out of it,

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Speaker 1: Like how many tankers were on that truck, Like for

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Speaker 1: at least at least at.

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Speaker 2: The least at least for me, is possible? Yeah?

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Speaker 1: Is that a thing like four tankers on it? I've

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Speaker 1: seen two for sure. And in the prairies where it's flat,

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Speaker 1: I've seen three. Sure, but in the mountainous.

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Speaker 3: Regions too many.

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Speaker 1: I think there's too many tankers on there. So I'm like, okay,

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Speaker 1: well that would never happen. Number two, how fast can

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Speaker 1: you drive in reverse?

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Speaker 2: Oh my god, I know.

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Speaker 3: That's the greatest mystery. Can you go as fast as

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Speaker 3: you can backwards as you can forwards?

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Speaker 1: I want to say no.

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Speaker 2: I want to say no too.

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Speaker 1: Granted, I suppose these are as you said, scheme modified,

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Speaker 1: but oh my god, and you know, to line up

364
00:19:13,200 --> 00:19:16,600
Speaker 1: like that, it's a very convoluted scheme. That said, I

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Speaker 1: did love the stunt of Letty jumping on the tanker.

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Speaker 1: I loved the idea of the liquid nitrogen freezing it

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Speaker 1: and smashing it. It's a great visual. It's really fun.

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Speaker 1: It's you know, and locking into the to the to

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Speaker 1: the tanker from reverse. It's like kind of ingenious. And

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Speaker 1: you know, I could see them in the writer's room

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Speaker 1: like drawing it out or whatever like that part, Like

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Speaker 1: it is fun, but it's it's just like, uh, things

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Speaker 1: that things like that just take me out of it,

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Speaker 1: like put a little bit of realism in it. And

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Speaker 1: then and then with Dom sitting there just calm, cool

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Speaker 1: as a cucumber with a fiery tanker just coming at

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Speaker 1: them like wait for it, wait for it, Like wait,

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Speaker 1: what are you waiting for? Really, like you're talking about

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Speaker 1: please it's blind luck. It's like, well I might as

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Speaker 1: well go right. Also, they had time to vacate the

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Speaker 1: vehicle and run out of the way, right, but.

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Speaker 3: Go around the corner.

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Speaker 1: And as you said, like, I don't think that it

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Speaker 1: looked good enough to be like a fuck it. You know,

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Speaker 1: it's a it's it's a movie, right, Like, it looked

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Speaker 1: really kind of cheap and fake when he when they

387
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Speaker 1: slide under it. Yeah, So it's just not I don't know.

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Speaker 1: It was just like, okay, we're going, here's where we're going.

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Speaker 1: I know that this is where we're going in the franchise,

390
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Speaker 1: and that's fine. But that scene it didn't make me

391
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Speaker 1: go whoa like it did for Tokyo Drift, Like the

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Speaker 1: first scene in Tokyo Drift. I was just like, holy shit,

393
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Speaker 1: these people are gonna die. Not for one second did

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Speaker 1: I think anyone was gonna get a scratch on them,

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Speaker 1: including the iguana.

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Speaker 2: Did he jump with the iguana? He grabbed the igua? Yeah, yeah,

397
00:21:05,240 --> 00:21:05,639
Speaker 2: good for her.

398
00:21:06,280 --> 00:21:09,480
Speaker 1: And that's the other thing like if Diehard the movie

399
00:21:09,600 --> 00:21:12,159
Speaker 1: taught taught us anything. It's just like you want to

400
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Speaker 1: you want your your hero to show a little bit

401
00:21:14,680 --> 00:21:18,159
Speaker 1: of fear, right like, because that puts you into It's like, okay,

402
00:21:18,240 --> 00:21:22,399
Speaker 1: there's there's a cost of this. Like we're like Michelle

403
00:21:22,440 --> 00:21:25,520
Speaker 1: Rodriguez was freaking out, as she should have been, but

404
00:21:25,960 --> 00:21:28,840
Speaker 1: but Dom was just like he's a robot. It's and

405
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Speaker 1: it's yeah, he's never he's never scared, never scared. No, no.

406
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Speaker 2: And you think to the detriment of the movie or

407
00:21:35,600 --> 00:21:37,800
Speaker 2: to his character, yeah, you think it would do it

408
00:21:37,880 --> 00:21:40,240
Speaker 2: so good if he was a little terrified at times.

409
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Speaker 2: I'm a little worried.

410
00:21:42,640 --> 00:21:44,920
Speaker 1: Yes, I showed so yeah.

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Speaker 2: Okay, well you're.

412
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Speaker 3: Not gonna like this. JD. A quick google of the

413
00:21:49,280 --> 00:21:54,199
Speaker 3: phrase how fast can you drive in reverse? According to Quora,

414
00:21:54,760 --> 00:21:59,320
Speaker 3: totally accurate, approximately twenty to thirty miles per hour. There's

415
00:21:59,359 --> 00:22:02,240
Speaker 3: another result from motor one dot com that says, according

416
00:22:02,280 --> 00:22:05,520
Speaker 3: to the math, the EVO seven is only capable of

417
00:22:05,520 --> 00:22:09,840
Speaker 3: a top speed of thirty five point five miles per hour. Okay,

418
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Speaker 3: and they're not only having to It's not like they're

419
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Speaker 3: starting in reverse e right, Like the reverse yeah, and

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Speaker 3: then get back going and catch up to that truck

421
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Speaker 3: and then pull it away apparently uphill, right like they

422
00:22:23,160 --> 00:22:25,320
Speaker 3: would have been going uphill because they're kind of traveling

423
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Speaker 3: down these mountains, so those has got to be a

424
00:22:28,960 --> 00:22:31,960
Speaker 3: lot of horsepower on these Oh my god, the vehicles.

425
00:22:32,000 --> 00:22:34,159
Speaker 3: I'm saying, if you're able to go that fast backwards

426
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Speaker 3: and then haul two tankers of gas back up a mountain,

427
00:22:38,920 --> 00:22:39,320
Speaker 3: I don't know.

428
00:22:39,480 --> 00:22:41,439
Speaker 2: Well, it's funny you said that, because I was like,

429
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Speaker 2: I was thinking of them in the writer's room, this idea,

430
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Speaker 2: like you're saying, Okay, we're gonna we're gonna put the

431
00:22:47,200 --> 00:22:50,320
Speaker 2: art trucks in reverse, will latch on, we'll take these, uh,

432
00:22:50,359 --> 00:22:53,959
Speaker 2: these tanks of gas. But then somebody must have been like, well,

433
00:22:53,960 --> 00:22:55,920
Speaker 2: there's no way they can take all four of these

434
00:22:55,960 --> 00:22:59,040
Speaker 2: on one truck. So it's like, now we need two trucks,

435
00:22:59,200 --> 00:23:01,439
Speaker 2: and we need like they basically just pulled the stunt

436
00:23:01,480 --> 00:23:03,639
Speaker 2: off twice. Really, when you think about it, like with

437
00:23:03,680 --> 00:23:05,280
Speaker 2: two like Han doing the one and the other guys

438
00:23:05,280 --> 00:23:09,480
Speaker 2: doing the other. So at least they were like trying

439
00:23:09,520 --> 00:23:12,040
Speaker 2: to make it a little more realistic. I thought like,

440
00:23:12,200 --> 00:23:14,200
Speaker 2: then again, like why did it have to be four

441
00:23:14,200 --> 00:23:16,280
Speaker 2: tanks of gas as it was. I feel like one

442
00:23:16,320 --> 00:23:18,760
Speaker 2: would have been like gold, and they could have just

443
00:23:18,800 --> 00:23:21,679
Speaker 2: done that, but they needed the drama, of course, of

444
00:23:22,320 --> 00:23:24,880
Speaker 2: Letty getting seen. And then the guy. I love when

445
00:23:24,960 --> 00:23:28,520
Speaker 2: anytime a trucker or anybody sees somebody on their thing,

446
00:23:29,359 --> 00:23:33,880
Speaker 2: you know, it's like, let's just off at risk. Yeah, exactly,

447
00:23:34,400 --> 00:23:36,440
Speaker 2: just to get this one little person off back there.

448
00:23:36,880 --> 00:23:40,120
Speaker 1: Okay, and we're back to truck drivers not doing anything

449
00:23:40,160 --> 00:23:43,640
Speaker 1: but press the brake like you can't. That is simply

450
00:23:43,680 --> 00:23:44,280
Speaker 1: not an option.

451
00:23:44,680 --> 00:23:50,000
Speaker 2: No, no, you must keep going, go faster, and yeah,

452
00:23:50,119 --> 00:23:52,360
Speaker 2: see what happens, all right, Well they pulled it off.

453
00:23:52,400 --> 00:23:58,359
Speaker 2: Of course, then dom suspects that the police are on

454
00:23:58,400 --> 00:24:01,919
Speaker 2: his trail. I guess sort of says this too, right,

455
00:24:02,000 --> 00:24:04,040
Speaker 2: He's like, I mean, was this really smart what we

456
00:24:04,160 --> 00:24:06,040
Speaker 2: just did here? Like you are a fugitive.

457
00:24:08,160 --> 00:24:10,840
Speaker 1: You just blew up half of the Dominican Republic.

458
00:24:11,000 --> 00:24:14,520
Speaker 2: Yeah, like you brought a lot of eyeballs onto the area, man,

459
00:24:14,720 --> 00:24:17,200
Speaker 2: Like the cops are probably gonna be circling here soon.

460
00:24:17,480 --> 00:24:21,240
Speaker 3: You were trying to bring four tankers of gas to

461
00:24:21,280 --> 00:24:24,840
Speaker 3: the people of the Dominican Republic, and instead you completely

462
00:24:24,880 --> 00:24:27,880
Speaker 3: destroyed two of them, and we know there's a shortage.

463
00:24:28,320 --> 00:24:31,800
Speaker 2: Yeah yeah, oh we forgot about the guy in the

464
00:24:32,080 --> 00:24:36,639
Speaker 2: short elvis, right, he's like the one that sort of

465
00:24:36,680 --> 00:24:42,600
Speaker 2: sets this all up. Is he a crooked Like yeah, okay,

466
00:24:42,840 --> 00:24:45,760
Speaker 2: I forgot about him anyway. Yeah, he gives them like basically,

467
00:24:45,800 --> 00:24:47,920
Speaker 2: he's given them the window of when you could pull

468
00:24:47,920 --> 00:24:51,159
Speaker 2: this off. Yeah, that's in the short, so maybe you

469
00:24:51,160 --> 00:24:53,679
Speaker 2: do need to watch it anyway. Hants like when are

470
00:24:53,720 --> 00:24:55,680
Speaker 2: we doing here? This was dumb. You're a fugitive again,

471
00:24:55,720 --> 00:24:58,240
Speaker 2: man dom and uh he's like, yeah, yeah, we got

472
00:24:58,240 --> 00:25:00,600
Speaker 2: a we gotta disband, we gotta go our separate ways.

473
00:25:00,640 --> 00:25:03,960
Speaker 2: And this is where we learn that Han he's going

474
00:25:04,000 --> 00:25:04,439
Speaker 2: to Tokyo.

475
00:25:06,160 --> 00:25:08,080
Speaker 3: They're doing some crazy shit over there, and tell you.

476
00:25:08,200 --> 00:25:11,160
Speaker 2: That's exactly right. So let me go check it out.

477
00:25:11,280 --> 00:25:14,520
Speaker 2: I mean, you know, I was screaming at my television.

478
00:25:14,560 --> 00:25:16,960
Speaker 2: Don't go man, don't go.

479
00:25:16,880 --> 00:25:18,600
Speaker 3: On on a swivel.

480
00:25:18,600 --> 00:25:21,280
Speaker 2: But he's staying in the dr I know it's not

481
00:25:21,520 --> 00:25:24,040
Speaker 2: five star resorts you're staying in. He was all pissed

482
00:25:24,040 --> 00:25:26,760
Speaker 2: off about that in the short, like no air conditioning,

483
00:25:27,240 --> 00:25:29,920
Speaker 2: this place sucks, but you should stay there on anyway, Yeah,

484
00:25:29,960 --> 00:25:32,520
Speaker 2: he's going to leave. So that's where he goes his

485
00:25:32,600 --> 00:25:37,400
Speaker 2: separate way, and then you know, realizing that he must

486
00:25:37,520 --> 00:25:41,440
Speaker 2: leave down runs leaving Letty behind because there's gonna be

487
00:25:41,520 --> 00:25:44,320
Speaker 2: too much heat on him. So in the middle of

488
00:25:44,359 --> 00:25:48,240
Speaker 2: the night, he's just uh, well he's just sitting I think,

489
00:25:48,320 --> 00:25:50,600
Speaker 2: is he sitting on the stairs there? He's just staring

490
00:25:50,640 --> 00:25:50,919
Speaker 2: at her.

491
00:25:51,000 --> 00:25:54,480
Speaker 3: Yeah, this is my first big laugh out loud moment

492
00:25:54,600 --> 00:25:58,960
Speaker 3: at Vin Diesel acting. Is when he's watching Letty's sleep. Yeah,

493
00:25:59,520 --> 00:26:03,960
Speaker 3: nobody has looked more intense watching somebody sleepy. Looks like

494
00:26:04,000 --> 00:26:07,119
Speaker 3: he's been pressing five hundred pounds while just watching Letty

495
00:26:07,240 --> 00:26:10,199
Speaker 3: sleep there. And then he leaves her with a stack

496
00:26:10,240 --> 00:26:12,320
Speaker 3: of cash and his necklace.

497
00:26:12,480 --> 00:26:17,119
Speaker 2: Yes, that's right, that's right. Also, I can't think of

498
00:26:17,320 --> 00:26:20,440
Speaker 2: many people that would be worse in this world than

499
00:26:20,560 --> 00:26:23,879
Speaker 2: dom Vin Diesel of sneaking out of the room at night.

500
00:26:26,119 --> 00:26:27,520
Speaker 2: You know, he's a clamper.

501
00:26:28,040 --> 00:26:29,760
Speaker 3: This guy's always wearing boots.

502
00:26:29,880 --> 00:26:34,080
Speaker 2: You know, he's clomping, he's like hitting, hitting his elbow

503
00:26:34,119 --> 00:26:36,600
Speaker 2: on a door frame, and like he's just not quiet,

504
00:26:36,680 --> 00:26:40,080
Speaker 2: Like I'm quiet, I'm a ninja. He is not han sure,

505
00:26:40,800 --> 00:26:44,680
Speaker 2: uh you know, Letty Uh not Dom Paul Paul even

506
00:26:44,880 --> 00:26:46,960
Speaker 2: he's got some parkour moves, so I could see him

507
00:26:46,960 --> 00:26:48,399
Speaker 2: sort of being light on his feet.

508
00:26:49,160 --> 00:26:51,640
Speaker 1: Sneakers, Yeah, yeah he can.

509
00:26:52,200 --> 00:26:54,920
Speaker 2: Yeah. Anyways, he leaves, he leaves, he's out of here,

510
00:26:55,119 --> 00:26:57,320
Speaker 2: and uh yeah, this is yeah, we said goodbye to

511
00:26:57,400 --> 00:27:00,679
Speaker 2: Haunt and and now Dom is gone in the middle

512
00:27:00,720 --> 00:27:01,880
Speaker 2: of the night here.

513
00:27:01,920 --> 00:27:04,359
Speaker 3: So what do you think about the continuity tie in there,

514
00:27:04,720 --> 00:27:06,840
Speaker 3: completely restitching the timeline with.

515
00:27:06,920 --> 00:27:08,280
Speaker 2: A single line.

516
00:27:08,400 --> 00:27:10,680
Speaker 3: Yeah, it took one line for them to be like, well,

517
00:27:10,880 --> 00:27:13,600
Speaker 3: we completely read it the timeline of the entire franchise,

518
00:27:13,680 --> 00:27:16,200
Speaker 3: just by him saying, you could probably go do your

519
00:27:16,200 --> 00:27:19,320
Speaker 3: own thing. Yeah, shit over in Tokyo. And that's it.

520
00:27:19,440 --> 00:27:23,560
Speaker 3: That's it. That's the whole reason that that scene exists, right,

521
00:27:23,640 --> 00:27:26,200
Speaker 3: is so that they can bring Han back, even more

522
00:27:26,240 --> 00:27:28,880
Speaker 3: so in the future without him, you know, having perished

523
00:27:28,920 --> 00:27:31,320
Speaker 3: in the past or whatever. That's the whole reason that

524
00:27:31,359 --> 00:27:33,320
Speaker 3: scene is in there. I feel like, just so they

525
00:27:33,320 --> 00:27:36,680
Speaker 3: can bring Han back. Kind of worth it. People love Han.

526
00:27:38,040 --> 00:27:39,560
Speaker 3: He didn't get to eat it all in this movie,

527
00:27:39,560 --> 00:27:41,520
Speaker 3: which was a little bit of a disappointment. I think

528
00:27:41,520 --> 00:27:43,160
Speaker 3: he eats once, just once.

529
00:27:43,320 --> 00:27:44,560
Speaker 2: Yeah, And I don't know if it was in the

530
00:27:44,600 --> 00:27:46,960
Speaker 2: shorter in the movie, he does he eats something and

531
00:27:47,000 --> 00:27:49,199
Speaker 2: I was like, oh, yeah, well he's also yeah he's

532
00:27:49,240 --> 00:27:50,800
Speaker 2: eating at the table when they have like a little

533
00:27:50,800 --> 00:27:54,800
Speaker 2: family dinner. He starts right, I don't know what he's got.

534
00:27:54,600 --> 00:27:56,920
Speaker 1: In his milk. Yeah, but that doesn't cap that's he's

535
00:27:56,960 --> 00:27:59,840
Speaker 1: his snacker. We want to see him snacking walking around.

536
00:28:00,400 --> 00:28:03,480
Speaker 2: I think he got the inspiration for being a huge snacker.

537
00:28:03,600 --> 00:28:05,639
Speaker 2: Now we thought it might be Brad Pitt form Motions eleven.

538
00:28:05,720 --> 00:28:10,399
Speaker 2: I think it's the iguana because that guy is like

539
00:28:10,440 --> 00:28:13,720
Speaker 2: giving him some things. Yeah, he's like, wha damn, he's

540
00:28:13,760 --> 00:28:19,480
Speaker 2: a small for a Yeah, I wait, Yeah, it's weird.

541
00:28:19,520 --> 00:28:20,280
Speaker 2: It is weird.

542
00:28:20,359 --> 00:28:20,560
Speaker 3: Man.

543
00:28:20,720 --> 00:28:24,439
Speaker 2: Like, I just when people went into this movie for

544
00:28:24,480 --> 00:28:28,280
Speaker 2: the first time, We're like, was everybody mad confused? Or

545
00:28:28,359 --> 00:28:31,920
Speaker 2: was it like a known thing? Hey, this movie Fast

546
00:28:31,960 --> 00:28:35,520
Speaker 2: and Furious, like the fourth is happening in the timeline

547
00:28:35,560 --> 00:28:38,280
Speaker 2: before Tokyo Drift, Like was that a known thing heading

548
00:28:38,320 --> 00:28:38,880
Speaker 2: into the movie?

549
00:28:40,040 --> 00:28:42,520
Speaker 3: I don't remember it being that way. I remember being

550
00:28:42,560 --> 00:28:44,840
Speaker 3: confused when Hans showed up in the very first scene.

551
00:28:44,840 --> 00:28:49,680
Speaker 3: I was like, huh from Tokyo Drift. Okay, I mean

552
00:28:49,720 --> 00:28:51,120
Speaker 3: they said they knew each other at the end of

553
00:28:51,160 --> 00:28:53,640
Speaker 3: the movie. They did say that, but it was still

554
00:28:53,840 --> 00:28:56,240
Speaker 3: very weird seeing him come back, and you know, what

555
00:28:56,280 --> 00:28:58,480
Speaker 3: was this two thousand and nine, this came out, so

556
00:28:58,920 --> 00:29:00,760
Speaker 3: I don't know, maybe it wasn't quite as easy to

557
00:29:00,800 --> 00:29:04,440
Speaker 3: find the breakdown of the canonical timeline for Fast and Furious,

558
00:29:04,440 --> 00:29:07,680
Speaker 3: But I remember being confused, like, huh huh, on his

559
00:29:07,720 --> 00:29:10,640
Speaker 3: back and he's going back to Tokyo. Didn't he already

560
00:29:10,640 --> 00:29:12,960
Speaker 3: die in Tokyo.

561
00:29:14,800 --> 00:29:17,960
Speaker 1: I think audiences are smart enough to know a flashback

562
00:29:17,960 --> 00:29:19,960
Speaker 1: when they see it, or you know, I would have

563
00:29:20,120 --> 00:29:22,520
Speaker 1: just assumed that it was a flashback, you know.

564
00:29:23,520 --> 00:29:26,960
Speaker 2: But okay, all right, well that's where he's going. We

565
00:29:27,080 --> 00:29:33,000
Speaker 2: cut to parkour with our guy Brian O'Connor, Paul Walker.

566
00:29:33,800 --> 00:29:38,000
Speaker 2: He's been reinstated with the FBI, like this seat, this

567
00:29:38,160 --> 00:29:39,800
Speaker 2: thing gloss over bedtime.

568
00:29:41,280 --> 00:29:43,200
Speaker 3: He's a straight up agent now. Like I don't think

569
00:29:43,200 --> 00:29:46,360
Speaker 3: he wears a suit at all in the first Fast

570
00:29:46,360 --> 00:29:49,120
Speaker 3: and Furious or in Too Fast, Too Furious, where he

571
00:29:49,240 --> 00:29:52,400
Speaker 3: is still again working with government agencies, but he suited

572
00:29:52,520 --> 00:29:55,040
Speaker 3: up in this one. Yeah, this guy's an official White

573
00:29:55,120 --> 00:29:56,240
Speaker 3: Fed now, yeah.

574
00:29:56,160 --> 00:30:00,000
Speaker 2: Yeah, yeah, he's got a promotion. I guess he looked good.

575
00:30:00,120 --> 00:30:01,880
Speaker 1: Too. I will say he looks pretty.

576
00:30:01,880 --> 00:30:04,479
Speaker 2: Oh you like you like a brunette Paul Walker?

577
00:30:04,560 --> 00:30:06,680
Speaker 1: Do you? While I was miss I was talking about

578
00:30:06,680 --> 00:30:09,160
Speaker 1: this suit and he looks good in a jacket and tie.

579
00:30:09,680 --> 00:30:12,280
Speaker 1: You know, screuced up a bit, the guy cleaned up

580
00:30:12,400 --> 00:30:14,040
Speaker 1: looking man. He's a good looking man.

581
00:30:14,680 --> 00:30:17,760
Speaker 2: Yeah, he's he's back working with them, and uh, you

582
00:30:17,800 --> 00:30:21,280
Speaker 2: know he's chasing He's chasing down a criminal and feels

583
00:30:21,320 --> 00:30:23,640
Speaker 2: like every movie from around this time we legit get

584
00:30:23,640 --> 00:30:27,320
Speaker 2: the Parkour type of scene. Uh though, really loved the

585
00:30:27,400 --> 00:30:31,240
Speaker 2: move where the criminal, the guy that he's chasing that

586
00:30:31,280 --> 00:30:33,920
Speaker 2: Brian's chasing, uh, is on the other side of the

587
00:30:33,920 --> 00:30:38,040
Speaker 2: fence and Brian just like body checks him off the fence.

588
00:30:38,240 --> 00:30:42,200
Speaker 2: It's a smooth move. Yeah, you know, knocks him down

589
00:30:42,200 --> 00:30:45,240
Speaker 2: at least buys you a little bit of time. Ye though,

590
00:30:45,600 --> 00:30:47,600
Speaker 2: I guess you got it when you body check it

591
00:30:47,640 --> 00:30:50,720
Speaker 2: would help, you'd help yourself. You also hold on to

592
00:30:50,800 --> 00:30:53,560
Speaker 2: then like scramble over. But anyway, he gets them, He

593
00:30:53,600 --> 00:30:56,239
Speaker 2: gets him, don't you worry. Uh. Oh, he takes him

594
00:30:56,240 --> 00:30:58,160
Speaker 2: out a crashing them through the window.

595
00:30:58,200 --> 00:31:00,920
Speaker 1: Doesn't through that through the window. He's waiting to ambush him.

596
00:31:01,160 --> 00:31:04,200
Speaker 1: He's expecting Paul Walker to come at that window, and

597
00:31:04,320 --> 00:31:07,760
Speaker 1: he just kind of crashes through the other window, tackles

598
00:31:07,840 --> 00:31:09,040
Speaker 1: him off of a.

599
00:31:09,040 --> 00:31:11,400
Speaker 2: Roof right onto onto a van.

600
00:31:11,480 --> 00:31:14,480
Speaker 1: Though Yeah, luckily there was a van to break their.

601
00:31:15,960 --> 00:31:20,480
Speaker 2: Broke his neck otherwise. But he's got him, He's got him,

602
00:31:20,600 --> 00:31:22,600
Speaker 2: and yeah, we we are learning that they're trying to

603
00:31:22,640 --> 00:31:28,320
Speaker 2: find uh, this drug lord. Basically who's name? Ye? Yeah,

604
00:31:28,400 --> 00:31:31,040
Speaker 2: David Park is the connection medals the metal man.

605
00:31:31,080 --> 00:31:32,480
Speaker 1: But that's the name that he got out of it,

606
00:31:32,760 --> 00:31:34,959
Speaker 1: out of the guy. Yeah, immediately that all he had

607
00:31:35,000 --> 00:31:37,360
Speaker 1: to do was crash him off of a roof.

608
00:31:37,680 --> 00:31:39,360
Speaker 2: Yeah, he gave him so quickly.

609
00:31:40,280 --> 00:31:44,120
Speaker 1: How about a follow up question? Yeah, I need a name?

610
00:31:45,120 --> 00:31:46,040
Speaker 1: Is David Park?

611
00:31:46,480 --> 00:31:46,840
Speaker 3: All right?

612
00:31:46,840 --> 00:31:47,760
Speaker 2: Good?

613
00:31:48,200 --> 00:31:56,280
Speaker 3: I need dress cool? David Park? Pretty common name. Basically

614
00:31:56,360 --> 00:31:56,960
Speaker 3: what the FI?

615
00:31:58,200 --> 00:32:01,560
Speaker 2: He says, like, David Park, like a thousand of those?

616
00:32:02,800 --> 00:32:04,360
Speaker 3: Could you give me any more information?

617
00:32:07,200 --> 00:32:09,360
Speaker 2: We'll get back to the FBI. Three months later, though,

618
00:32:09,400 --> 00:32:12,120
Speaker 2: we learned Dom is residing in Panama City. Let's go

619
00:32:12,160 --> 00:32:14,000
Speaker 2: back to Dom and this is where he gets a

620
00:32:14,000 --> 00:32:16,400
Speaker 2: call from his sister Mia. Oh mea is back in

621
00:32:16,400 --> 00:32:19,840
Speaker 2: our lives. That was nice, who tells Dom that Leddy

622
00:32:20,000 --> 00:32:23,160
Speaker 2: has been murdered. Yeah.

623
00:32:23,200 --> 00:32:23,680
Speaker 1: Wow.

624
00:32:23,800 --> 00:32:28,200
Speaker 2: So Dom heads back to Los Angeles to attend her funeral,

625
00:32:28,960 --> 00:32:31,800
Speaker 2: though he's at a distance. I mean, he's not a dummy.

626
00:32:32,560 --> 00:32:35,640
Speaker 2: And Brian's there, the cops are there, you know, they're

627
00:32:35,680 --> 00:32:41,200
Speaker 2: stalking it out. I was thinking, she's not dead. This

628
00:32:41,280 --> 00:32:43,600
Speaker 2: is where my mind immediately went. I'm like, she's not dead.

629
00:32:44,320 --> 00:32:47,520
Speaker 2: They're trying to just like get him close to the obviously,

630
00:32:47,600 --> 00:32:50,280
Speaker 2: to the to the graveyard, to the funeral here and

631
00:32:50,320 --> 00:32:53,680
Speaker 2: then apprehend them or bring them in or something like that.

632
00:32:53,680 --> 00:32:55,200
Speaker 2: That's not where it ends up going, but that's what

633
00:32:55,280 --> 00:32:57,440
Speaker 2: I thought watching it. I was like, nah, there's no way.

634
00:32:57,640 --> 00:32:59,480
Speaker 2: I like, I was like, there's no way she's dead.

635
00:32:59,680 --> 00:33:01,720
Speaker 2: Even to the point where and we'll get to in

636
00:33:01,760 --> 00:33:05,520
Speaker 2: a second, he does his whole like SVU breakdown where

637
00:33:05,520 --> 00:33:08,840
Speaker 2: he turns into bunk from the wire, uh Dom, and

638
00:33:08,880 --> 00:33:12,720
Speaker 2: he's like recreating the scene of Letty's crash and what happens.

639
00:33:12,720 --> 00:33:15,280
Speaker 2: He's like picturing it and all this. I was even

640
00:33:15,320 --> 00:33:17,920
Speaker 2: then still like, she's not dead. She's not dead. But

641
00:33:18,920 --> 00:33:19,360
Speaker 2: she did.

642
00:33:19,800 --> 00:33:22,560
Speaker 1: I thought exactly the same thing that it was some

643
00:33:22,640 --> 00:33:25,880
Speaker 1: sort of entrapment scheme, you know, to be it, because

644
00:33:25,920 --> 00:33:30,320
Speaker 1: they're the the Feds are there so obviously taking pictures

645
00:33:30,320 --> 00:33:33,080
Speaker 1: and like they literally say, well, I thought he'd show up.

646
00:33:35,120 --> 00:33:36,040
Speaker 3: Let he be here.

647
00:33:36,440 --> 00:33:40,080
Speaker 2: Yeah, And then like Brian Paul Locker could like smell him.

648
00:33:40,440 --> 00:33:45,200
Speaker 1: He's like oil and Corona.

649
00:33:46,520 --> 00:33:50,280
Speaker 3: And another great uh, another great look from Vin here

650
00:33:50,320 --> 00:33:54,960
Speaker 3: when he's on top of the hill looking down, just

651
00:33:55,000 --> 00:33:57,640
Speaker 3: as intense as when he's leaving somebody in the middle

652
00:33:57,640 --> 00:34:00,000
Speaker 3: of the night is watching a funeral, and like you're saying,

653
00:34:00,680 --> 00:34:03,480
Speaker 3: I mean, Brian knows, he knows that that's where he

654
00:34:03,520 --> 00:34:05,440
Speaker 3: should look. He knows that that's where Dom will be

655
00:34:05,480 --> 00:34:09,719
Speaker 3: watching from near the oil, near the Derek. That's that's

656
00:34:09,719 --> 00:34:12,600
Speaker 3: his natural habits at there. Maybe could have checked the

657
00:34:12,600 --> 00:34:15,040
Speaker 3: first time, like right when you got there, looked right

658
00:34:15,120 --> 00:34:18,200
Speaker 3: up like, hey, this is a hunch. This is a hunch.

659
00:34:18,600 --> 00:34:21,560
Speaker 3: Stosniakau is that is his partner's name, the guy from

660
00:34:21,600 --> 00:34:25,000
Speaker 3: Boardwalk Campfire. That's that's who I always think he is.

661
00:34:25,400 --> 00:34:27,839
Speaker 3: I'm gonna play a hunch here. My guy is gonna

662
00:34:27,840 --> 00:34:29,759
Speaker 3: be up by the one. I'm gonna go check it out,

663
00:34:29,800 --> 00:34:31,279
Speaker 3: and then I'll come back down for the rest of

664
00:34:31,280 --> 00:34:34,280
Speaker 3: this and I'll report back. But looked about thirty seconds

665
00:34:34,320 --> 00:34:36,400
Speaker 3: too late, yep, Dom, it's seen enough.

666
00:34:36,480 --> 00:34:39,399
Speaker 2: He was gone, that's right. And so we do then

667
00:34:39,480 --> 00:34:42,960
Speaker 2: get Dom examining Letty's crash. He wants to find out

668
00:34:43,280 --> 00:34:46,080
Speaker 2: what the heck was happening. What happened? Take me to

669
00:34:46,120 --> 00:34:48,839
Speaker 2: the scene of the crime, and again JD. I mean,

670
00:34:48,880 --> 00:34:51,600
Speaker 2: this turns into like he's like picturing it and he's

671
00:34:51,640 --> 00:34:56,920
Speaker 2: like finding traces of a nitromethane on the ground, and

672
00:34:56,920 --> 00:34:59,360
Speaker 2: and then again I was so confused though. I was like,

673
00:35:00,239 --> 00:35:02,759
Speaker 2: he's picturing it happening. It looks sort of cool, I'll say,

674
00:35:02,880 --> 00:35:05,040
Speaker 2: like the crash happening, and he's there and it's sort

675
00:35:05,080 --> 00:35:07,120
Speaker 2: of like almost like you know, going through him in

676
00:35:07,160 --> 00:35:09,279
Speaker 2: a weird way. But I'm like, how does he know?

677
00:35:09,840 --> 00:35:11,399
Speaker 2: I guess he was probably told, but like, how does

678
00:35:11,400 --> 00:35:14,040
Speaker 2: he know she was shot? Like, you know, there's no

679
00:35:14,200 --> 00:35:16,560
Speaker 2: there's no evidence, is what I mean, at the scene

680
00:35:16,560 --> 00:35:19,520
Speaker 2: of the crime for him to know she shot. Now,

681
00:35:19,520 --> 00:35:22,080
Speaker 2: I assume Mia has said she got shot in the head.

682
00:35:22,200 --> 00:35:25,880
Speaker 2: I mean that's what. Yeah, Cortner's report said, what do

683
00:35:25,920 --> 00:35:30,200
Speaker 2: you think of of this Dom recreating the crash?

684
00:35:30,440 --> 00:35:36,120
Speaker 1: I mean, as an audience member, I appreciated the visualization

685
00:35:36,280 --> 00:35:41,040
Speaker 1: and the recreation of what happened? Dom just sort of

686
00:35:41,160 --> 00:35:44,680
Speaker 1: standing there and looking around and and and you know,

687
00:35:44,800 --> 00:35:47,560
Speaker 1: him coming up with this. It's not Sherlock, you know,

688
00:35:47,800 --> 00:35:51,960
Speaker 1: like he's he's he's no where. We've seen this before

689
00:35:52,000 --> 00:35:56,000
Speaker 1: in like recreation like sci fi stuff where it's just like, oh,

690
00:35:56,080 --> 00:35:58,960
Speaker 1: this must have happened, and and this kind of visualization

691
00:35:59,080 --> 00:36:01,840
Speaker 1: is not new, but I uh, but yeah, the idea

692
00:36:01,920 --> 00:36:04,400
Speaker 1: that the Dom just sort of, you know, it's so

693
00:36:04,600 --> 00:36:08,359
Speaker 1: it's so cliche, just bends down and like I thought

694
00:36:08,400 --> 00:36:11,440
Speaker 1: he was actually gonna taste that yellow pad or whatever,

695
00:36:11,719 --> 00:36:14,200
Speaker 1: like uh, you know, but he gives it a sniff,

696
00:36:14,239 --> 00:36:16,680
Speaker 1: and now he knows there's only one guy in LA

697
00:36:16,800 --> 00:36:21,600
Speaker 1: that deals in this what is it metha nitro methane,

698
00:36:22,719 --> 00:36:24,160
Speaker 1: So gotta look for that guy.

699
00:36:25,000 --> 00:36:27,560
Speaker 3: So are we lent to believe then that Dom is

700
00:36:27,640 --> 00:36:31,400
Speaker 3: just keeping up with the supply chain amongst racers in

701
00:36:31,480 --> 00:36:34,520
Speaker 3: Los Angeles? Because at some point they say he's been

702
00:36:34,560 --> 00:36:35,680
Speaker 3: gone for five years.

703
00:36:36,000 --> 00:36:37,640
Speaker 1: You know, that's a great point.

704
00:36:37,760 --> 00:36:41,000
Speaker 3: Great would imagine the market changes a lot in five years.

705
00:36:41,000 --> 00:36:42,920
Speaker 3: His last contact with Letty they say it was like

706
00:36:42,960 --> 00:36:45,799
Speaker 3: three months prior. I suppose she could have been like, yeah,

707
00:36:45,840 --> 00:36:50,040
Speaker 3: this guy's still moving nitro methane, but I don't know,

708
00:36:50,120 --> 00:36:54,480
Speaker 3: like one person, one person. Obviously it's in demand. The

709
00:36:54,480 --> 00:36:57,319
Speaker 3: criminals are after it, so there's an opportunity there for

710
00:36:57,560 --> 00:37:00,680
Speaker 3: a second person in LA to move this. I would

711
00:37:00,719 --> 00:37:04,960
Speaker 3: think we see how prevalent street racers are. Basically every

712
00:37:05,040 --> 00:37:07,440
Speaker 3: drug mule in the western half of the United States

713
00:37:07,520 --> 00:37:10,560
Speaker 3: uses drug uses street racers as their drug mule. So

714
00:37:10,640 --> 00:37:12,120
Speaker 3: you might be able to get in on it, but

715
00:37:12,760 --> 00:37:14,800
Speaker 3: I don't know, just the one, just the one.

716
00:37:15,400 --> 00:37:17,600
Speaker 2: Yeah, that's a good point too, because later in the movie,

717
00:37:17,680 --> 00:37:21,319
Speaker 2: doesn't Brian make like a little quip to Dom about like, oh,

718
00:37:21,400 --> 00:37:24,400
Speaker 2: you're you're getting with the times a little bit more

719
00:37:24,480 --> 00:37:26,359
Speaker 2: like sort of going into like putting a little more

720
00:37:26,400 --> 00:37:29,719
Speaker 2: technology in the car. Doesn't he say that later on?

721
00:37:29,840 --> 00:37:32,400
Speaker 2: So it's like, yeah, how in the know is he

722
00:37:32,719 --> 00:37:35,200
Speaker 2: about all this stuff still happening there? He's you're you're

723
00:37:35,200 --> 00:37:37,640
Speaker 2: an old man. I mean, things change, even even the

724
00:37:37,680 --> 00:37:40,120
Speaker 2: mechanic when he shows up. And that's where we go

725
00:37:40,239 --> 00:37:44,920
Speaker 2: next to the guy, uh that you know is selling

726
00:37:44,920 --> 00:37:47,439
Speaker 2: the nitro methane. The guy's even like you've been gone, man,

727
00:37:47,680 --> 00:37:50,800
Speaker 2: things have changed, new people in charge. He's not afraid

728
00:37:50,800 --> 00:37:52,200
Speaker 2: of him though, he should have been, because he gets

729
00:37:52,239 --> 00:37:55,600
Speaker 2: the crap, you know, kicked out of him. Uh drops

730
00:37:55,600 --> 00:38:00,000
Speaker 2: the drops the engine block nearly on the guy's head,

731
00:38:00,160 --> 00:38:02,720
Speaker 2: but he's so strong Dom is that he just grabs

732
00:38:02,719 --> 00:38:05,840
Speaker 2: it and holds it and that's that's enough to get

733
00:38:06,120 --> 00:38:10,280
Speaker 2: David Park. He gets the name that way from the mechanic,

734
00:38:10,560 --> 00:38:12,960
Speaker 2: if I have that correct. So now we have Brian

735
00:38:13,120 --> 00:38:16,319
Speaker 2: and Dom. They know David Park is the name, and

736
00:38:16,719 --> 00:38:19,680
Speaker 2: you know that's who ordered the fuel, and they're trying

737
00:38:19,719 --> 00:38:24,360
Speaker 2: to find out this green seventy two Ford Grand Torino

738
00:38:24,440 --> 00:38:27,440
Speaker 2: I think comes up there too where Dom gets that information,

739
00:38:27,520 --> 00:38:32,040
Speaker 2: and that'll come into play too. Yeah, okay, so uh yeah,

740
00:38:32,080 --> 00:38:34,880
Speaker 2: we got both these guys with this information because Brian

741
00:38:34,960 --> 00:38:37,799
Speaker 2: right now he's trying to track down this Mexican drug

742
00:38:37,840 --> 00:38:41,400
Speaker 2: lord Braga, and like we said, he's got the David

743
00:38:41,440 --> 00:38:44,399
Speaker 2: Park name. So it's a race basically to David Park.

744
00:38:45,239 --> 00:38:47,640
Speaker 2: Dom beats him. Dom beats Brian. He gets there first,

745
00:38:47,760 --> 00:38:51,919
Speaker 2: and he's got him hanging out the window tk by

746
00:38:52,000 --> 00:38:56,960
Speaker 2: his ankles. A classic television movie trope. Yeah, I get

747
00:38:57,040 --> 00:38:59,080
Speaker 2: them on, give me, give me the answers I want

748
00:38:59,320 --> 00:39:00,799
Speaker 2: what did you what did you think of this about this,

749
00:39:00,880 --> 00:39:02,200
Speaker 2: and then of course Brian arriving.

750
00:39:02,560 --> 00:39:05,080
Speaker 3: I just have to assume that Dom has been lifting

751
00:39:05,080 --> 00:39:09,279
Speaker 3: weights the entire time that he's trying away, a little

752
00:39:09,280 --> 00:39:12,560
Speaker 3: bit of stealing gasoline, but mostly lifting weights, because, like

753
00:39:12,560 --> 00:39:15,560
Speaker 3: you're saying, he catches the engine as it falls one

754
00:39:15,640 --> 00:39:18,400
Speaker 3: handed with the chain. He's holding the guy out the

755
00:39:18,400 --> 00:39:22,520
Speaker 3: window with one hand, having a conversation with Brian, and

756
00:39:22,600 --> 00:39:24,839
Speaker 3: the guy's like, hey, hey, hey, can we talk about

757
00:39:24,880 --> 00:39:26,239
Speaker 3: this a little bit later and hang out in the

758
00:39:26,239 --> 00:39:30,120
Speaker 3: window here. But what a great meet cute for Brian

759
00:39:30,160 --> 00:39:33,520
Speaker 3: and Dom to you know, encounter each other while Dom's

760
00:39:33,560 --> 00:39:35,799
Speaker 3: hanging a guy out the window. Great way to get

761
00:39:35,840 --> 00:39:37,719
Speaker 3: Paul and then back in the same room.

762
00:39:37,840 --> 00:39:42,840
Speaker 2: Oh for sure, Brian saves Park because Dom basically just

763
00:39:42,960 --> 00:39:43,520
Speaker 2: drops him.

764
00:39:43,760 --> 00:39:44,120
Speaker 1: Yeah.

765
00:39:44,280 --> 00:39:46,480
Speaker 2: I really couldn't understand what happened there. Did the guy

766
00:39:46,600 --> 00:39:48,520
Speaker 2: just manage to grab onto something.

767
00:39:48,480 --> 00:39:50,280
Speaker 1: He was holding onto a curtain?

768
00:39:50,760 --> 00:39:51,080
Speaker 2: Okay?

769
00:39:51,160 --> 00:39:53,680
Speaker 1: Okay, So I guess the question is did Dom know

770
00:39:53,840 --> 00:39:56,759
Speaker 1: that he was holding onto the curtain or was his

771
00:39:56,800 --> 00:40:01,359
Speaker 1: intention just to kill David Park? I mean, I want

772
00:40:01,400 --> 00:40:03,480
Speaker 1: to I want to think that he knew and that

773
00:40:04,040 --> 00:40:07,440
Speaker 1: he he knew that he was hot and Brian was

774
00:40:07,840 --> 00:40:09,480
Speaker 1: to pull the guy up and give him a chance

775
00:40:09,520 --> 00:40:10,080
Speaker 1: to get away.

776
00:40:10,200 --> 00:40:11,719
Speaker 2: Yeah, and that would be Yeah, that would be his

777
00:40:11,719 --> 00:40:15,799
Speaker 2: little getaway. You're right. So Brian does catch him and

778
00:40:15,840 --> 00:40:20,479
Speaker 2: then you know, that's that's his new informant because he's

779
00:40:20,480 --> 00:40:22,799
Speaker 2: gonna get Park is going to get Brian into at

780
00:40:22,880 --> 00:40:25,640
Speaker 2: least this street race, which is where we're gonna head

781
00:40:25,680 --> 00:40:28,640
Speaker 2: to very soon here. But we got to build some cars.

782
00:40:28,680 --> 00:40:31,400
Speaker 2: My favorite thing about Fast and Furious not the races,

783
00:40:31,920 --> 00:40:37,560
Speaker 2: it's the car building montage, baby, because Brian's is great,

784
00:40:38,200 --> 00:40:40,080
Speaker 2: uh you know, because he's got this plan he's got

785
00:40:40,120 --> 00:40:43,640
Speaker 2: to go in this race. He gets to pick from

786
00:40:44,000 --> 00:40:47,799
Speaker 2: like whatever car they have in the impound the cops have.

787
00:40:48,640 --> 00:40:50,839
Speaker 2: It's like he's playing street fighter. It's like they're all

788
00:40:50,920 --> 00:40:54,120
Speaker 2: up there and he's of course says like, uh, that one,

789
00:40:54,239 --> 00:40:55,839
Speaker 2: that one and that one. I can't remember the cars.

790
00:40:55,880 --> 00:40:57,839
Speaker 2: And then they're like, well what, and he's like, yeah,

791
00:40:57,880 --> 00:40:59,879
Speaker 2: I want all three. Like a kid in the can

792
00:41:00,239 --> 00:41:04,120
Speaker 2: store tk that he's picking his and Dom meanwhile he's

793
00:41:04,120 --> 00:41:06,359
Speaker 2: modifying his, and we get this montage of these guys

794
00:41:06,400 --> 00:41:07,280
Speaker 2: building up their cars.

795
00:41:07,280 --> 00:41:07,719
Speaker 1: I love it.

796
00:41:08,280 --> 00:41:12,840
Speaker 3: Yeah, pouring some oil, drinking some coronas, all the good stuff.

797
00:41:13,000 --> 00:41:15,439
Speaker 3: I mean they must have a ton of cars in

798
00:41:15,480 --> 00:41:18,239
Speaker 3: that FBI impound lot because they just give him away

799
00:41:18,239 --> 00:41:22,200
Speaker 3: willy nilly totally. Brian not only does he picking out

800
00:41:22,239 --> 00:41:25,040
Speaker 3: cars the first one he sees, he's like forty one

801
00:41:25,120 --> 00:41:29,400
Speaker 3: fifty eight, wrecked one of those before, But we know

802
00:41:29,440 --> 00:41:32,440
Speaker 3: you're gonna wreck these, But they still get pissed anytime

803
00:41:32,480 --> 00:41:35,319
Speaker 3: the guy is speeding, Like, come on, guys, you know

804
00:41:35,400 --> 00:41:37,680
Speaker 3: he's out there to go as fast as possible. He's

805
00:41:37,719 --> 00:41:42,600
Speaker 3: probably gonna destroy some of your impounded property. But I

806
00:41:42,640 --> 00:41:46,120
Speaker 3: don't know. The overhead on these missions is crazy because

807
00:41:46,160 --> 00:41:47,920
Speaker 3: Brian is just running through cars.

808
00:41:48,200 --> 00:41:51,239
Speaker 2: Oh yeah. The FBI is always okay as long as

809
00:41:51,239 --> 00:41:53,600
Speaker 2: they have a tracker on him. But then that even

810
00:41:53,600 --> 00:41:55,839
Speaker 2: gives them anxiety because they're like, oh, he's going through

811
00:41:56,120 --> 00:41:59,920
Speaker 2: red lights, he's speeding. Well, yeah, this is he's playing

812
00:42:00,080 --> 00:42:00,759
Speaker 2: apart man.

813
00:42:01,160 --> 00:42:03,040
Speaker 3: There's no rules when.

814
00:42:02,920 --> 00:42:06,279
Speaker 2: You're in illegal street racing. But yeah, they're always like, oh,

815
00:42:06,600 --> 00:42:09,520
Speaker 2: you didn't have his blinker on how to talk to

816
00:42:09,560 --> 00:42:10,480
Speaker 2: him about that later?

817
00:42:11,960 --> 00:42:16,320
Speaker 3: You had three moving violations in the past three blocks.

818
00:42:16,360 --> 00:42:23,960
Speaker 2: Yeah, okay. So we're building our cars, we're getting ready

819
00:42:24,080 --> 00:42:27,840
Speaker 2: for the race. There is like a little set up

820
00:42:27,880 --> 00:42:31,440
Speaker 2: the stakes. I guess this is where we get Wonder Woman. Uh.

821
00:42:31,960 --> 00:42:34,440
Speaker 2: Her name is Giselle. I believe in the movie she

822
00:42:34,520 --> 00:42:39,279
Speaker 2: is the liaison between for Braga, I guess, the drug lord,

823
00:42:39,600 --> 00:42:41,359
Speaker 2: and she reveals that the winner is going to become

824
00:42:41,360 --> 00:42:44,120
Speaker 2: the last driver on a team here that traffics heroin

825
00:42:44,560 --> 00:42:49,160
Speaker 2: between Mexico and the United States border. Yeah. I did

826
00:42:49,280 --> 00:42:53,560
Speaker 2: not know she was in this movie. Gal Yeah, I

827
00:42:53,719 --> 00:42:55,920
Speaker 2: had no idea. I read up. I think it's her

828
00:42:55,960 --> 00:42:57,560
Speaker 2: first movie on screen.

829
00:42:57,560 --> 00:42:58,480
Speaker 1: Movie.

830
00:42:58,880 --> 00:43:03,480
Speaker 2: Just crazy, really tiny part too when you think about it,

831
00:43:04,320 --> 00:43:06,720
Speaker 2: I was like, okay, well, got to get your start somewhere.

832
00:43:06,760 --> 00:43:09,120
Speaker 2: Were you were you pleasantly surprised? JD or shocked?

833
00:43:09,160 --> 00:43:11,560
Speaker 1: I guess I knew she was in it because I

834
00:43:11,600 --> 00:43:16,799
Speaker 1: saw her in the credit credits. I was wondering where

835
00:43:16,800 --> 00:43:19,600
Speaker 1: her shoulders were because I've been so used to seeing

836
00:43:19,600 --> 00:43:23,640
Speaker 1: her in uh in Wonder Woman, and boy, she's thinning

837
00:43:23,719 --> 00:43:27,239
Speaker 1: this and like I was just like, whoa, Like just

838
00:43:27,360 --> 00:43:31,200
Speaker 1: her shoulders are so slender. But you know, she's a

839
00:43:31,360 --> 00:43:34,040
Speaker 1: good dose. You know, she's great, one of the great

840
00:43:34,080 --> 00:43:38,279
Speaker 1: beauties out there. Beauty well, I want to you know,

841
00:43:38,400 --> 00:43:41,640
Speaker 1: like I'm reluctant to say that she's I'm reluctant to

842
00:43:41,760 --> 00:43:45,399
Speaker 1: say that she's a good actor because I I can't

843
00:43:45,600 --> 00:43:48,040
Speaker 1: tell to be honest, I mean, she can deliver lines

844
00:43:48,080 --> 00:43:52,919
Speaker 1: and stuff, and but uh, I don't know. Like Wonder Woman,

845
00:43:52,960 --> 00:43:54,840
Speaker 1: I thought she was awesome in the first one. I

846
00:43:54,920 --> 00:43:58,239
Speaker 1: hated Wonder Woman too. Uh, and I was like, oh,

847
00:43:58,320 --> 00:44:00,560
Speaker 1: maybe it's her fault. But I don't know. I don't know.

848
00:44:00,680 --> 00:44:03,560
Speaker 2: I mean this character though not her, Like the character's

849
00:44:03,600 --> 00:44:08,040
Speaker 2: almost pointless. Like it's like nothing happens with this character.

850
00:44:08,280 --> 00:44:11,400
Speaker 2: I know, like I guess that he she gets saved

851
00:44:11,560 --> 00:44:14,839
Speaker 2: by Dom and then gives up information to later get

852
00:44:15,400 --> 00:44:19,200
Speaker 2: to Braga. But she's like not even Like I was

853
00:44:19,239 --> 00:44:22,759
Speaker 2: never like, oh she's conniving or she's the brains or

854
00:44:22,880 --> 00:44:25,319
Speaker 2: like you never pick up. I never got any of

855
00:44:25,320 --> 00:44:27,200
Speaker 2: that from her. I was like, oh, okay, she's just

856
00:44:27,280 --> 00:44:29,280
Speaker 2: working for him and she's gonna give us a little information.

857
00:44:30,360 --> 00:44:31,200
Speaker 2: Was I missing something?

858
00:44:31,520 --> 00:44:34,480
Speaker 3: No, you're not missing anything, because there's that scene a

859
00:44:34,520 --> 00:44:37,400
Speaker 3: little further on where she's you know, really coming on

860
00:44:37,480 --> 00:44:40,600
Speaker 3: to Dom and he's not totally having it because he's

861
00:44:40,600 --> 00:44:44,120
Speaker 3: still in love with Letty in his heart. So she's

862
00:44:44,120 --> 00:44:46,799
Speaker 3: not even really the love interest in this movie. It's

863
00:44:46,840 --> 00:44:49,920
Speaker 3: like they could accomplish this with any kind of character basically, right,

864
00:44:50,000 --> 00:44:54,600
Speaker 3: somebody who you know? I mean, I guess, I guess

865
00:44:54,640 --> 00:44:57,560
Speaker 3: the hitting on Dom part is basically like you know,

866
00:44:57,600 --> 00:45:00,520
Speaker 3: we're showing Dom is still in love with Letty. She

867
00:45:00,600 --> 00:45:03,279
Speaker 3: gives them, you know, Dom has to save somebody from

868
00:45:03,320 --> 00:45:07,720
Speaker 3: the other Sides organization to get them in Dom's good graces,

869
00:45:07,719 --> 00:45:09,719
Speaker 3: which then gives them the information on how to get

870
00:45:09,760 --> 00:45:12,479
Speaker 3: to Braga because apparently he is going to church after

871
00:45:12,560 --> 00:45:14,359
Speaker 3: all this, and how else are you gonna find him?

872
00:45:14,400 --> 00:45:17,560
Speaker 3: So you need to figure out the GPS coordinates. But

873
00:45:17,680 --> 00:45:19,760
Speaker 3: that could have been anybody, like, it could have been anything.

874
00:45:19,800 --> 00:45:22,960
Speaker 3: It could have been basically off screen, but I don't know.

875
00:45:23,080 --> 00:45:26,120
Speaker 3: They said that gal Gado was hired for this because

876
00:45:26,160 --> 00:45:29,680
Speaker 3: she had experience with weapons from her time in the

877
00:45:29,719 --> 00:45:33,319
Speaker 3: Israeli miser military forces. And there is that scene where

878
00:45:33,320 --> 00:45:34,000
Speaker 3: she's cocking a.

879
00:45:33,960 --> 00:45:37,480
Speaker 2: Gun, remember about it having a weapon in her hand,

880
00:45:37,520 --> 00:45:39,640
Speaker 2: But yeah, you're right, there was that. That was it though,

881
00:45:40,520 --> 00:45:41,600
Speaker 2: I think so.

882
00:45:41,920 --> 00:45:45,520
Speaker 3: Yeah, she's mostly just standing there watching and it almost

883
00:45:45,600 --> 00:45:49,399
Speaker 3: always feels like she's on the side of Brian and Dom, right,

884
00:45:49,480 --> 00:45:53,560
Speaker 3: like she's working for Braga, But she's just ready to flip,

885
00:45:53,600 --> 00:45:56,640
Speaker 3: Like she's ready to flip immediately. She's looking for a reason.

886
00:45:56,960 --> 00:45:59,400
Speaker 2: Yeah, man, get her on Survivor. You could pick up

887
00:45:59,400 --> 00:46:06,479
Speaker 2: her problem. So let's get to the race, Koreatown Race.

888
00:46:06,560 --> 00:46:08,640
Speaker 2: There is a lot to unpack from this first off

889
00:46:08,680 --> 00:46:11,000
Speaker 2: before we actually start the race. We got this one

890
00:46:11,080 --> 00:46:14,400
Speaker 2: dude doing top golf over top of everybody. What a

891
00:46:14,440 --> 00:46:18,000
Speaker 2: weird setup that was. It's like, that's what it felt like,

892
00:46:18,120 --> 00:46:20,319
Speaker 2: top golf, but it wasn't top golf. But he's like

893
00:46:21,040 --> 00:46:23,160
Speaker 2: just hitting it onto a net where all then the

894
00:46:23,239 --> 00:46:27,760
Speaker 2: cars are underneath. Very very strange. We're gonna get this race.

895
00:46:28,400 --> 00:46:31,360
Speaker 2: We got one guy though, I laughed out loud. The

896
00:46:31,400 --> 00:46:34,239
Speaker 2: guy was like, hey, are we closing the streets here?

897
00:46:35,120 --> 00:46:35,560
Speaker 1: Yeah?

898
00:46:35,800 --> 00:46:37,040
Speaker 2: You super concerned.

899
00:46:37,520 --> 00:46:41,560
Speaker 1: It's a valid question. I think. I laughed out loud.

900
00:46:41,560 --> 00:46:43,560
Speaker 2: It's like, you're right. We usually do that with all

901
00:46:43,560 --> 00:46:47,040
Speaker 2: these movies. Not this time. No, no, no. We got

902
00:46:47,040 --> 00:46:52,640
Speaker 2: this weird GPS seerie voice type thing going in your

903
00:46:52,960 --> 00:46:56,400
Speaker 2: in your car. What did you think of the race?

904
00:46:56,440 --> 00:46:58,120
Speaker 2: And we'll get to the ending of it all JD.

905
00:46:58,280 --> 00:47:01,600
Speaker 2: But just how it was presented to us, this uh,

906
00:47:02,000 --> 00:47:04,239
Speaker 2: this voice telling us what to take All right, you

907
00:47:04,320 --> 00:47:07,719
Speaker 2: are five miles. It's like it was it sounded like

908
00:47:07,760 --> 00:47:10,880
Speaker 2: the same voice from an NBC game show where that

909
00:47:11,440 --> 00:47:13,880
Speaker 2: one like the one game where they had to like

910
00:47:14,880 --> 00:47:18,239
Speaker 2: I don't know, almost like do like like sixty like.

911
00:47:18,560 --> 00:47:19,600
Speaker 1: Was it a minute to win?

912
00:47:20,760 --> 00:47:22,120
Speaker 2: It's the exact same voice.

913
00:47:22,239 --> 00:47:25,959
Speaker 1: Yeah, it probably is the same voice. Yeah, but yeah,

914
00:47:26,000 --> 00:47:28,120
Speaker 1: how it was present. Well, first of all, I was like,

915
00:47:28,760 --> 00:47:32,319
Speaker 1: here we fucking go again with another audition. Okay, we

916
00:47:32,440 --> 00:47:36,239
Speaker 1: saw this and too fast, too furious, but okay fine.

917
00:47:37,160 --> 00:47:42,000
Speaker 1: The GPS, I thought, was, you know, very slick for

918
00:47:42,080 --> 00:47:46,480
Speaker 1: two thousand and nine, very slick for twenty twenty one. Uh,

919
00:47:46,719 --> 00:47:49,920
Speaker 1: you know, but again it's uh, we're getting into Bond

920
00:47:50,040 --> 00:47:54,400
Speaker 1: territory here, right, like with the technology is is well

921
00:47:54,400 --> 00:47:59,319
Speaker 1: beyond where we are. I did appreciate the GPS part

922
00:47:59,360 --> 00:48:01,719
Speaker 1: of it, uh, just to give us sort of a

923
00:48:03,280 --> 00:48:06,000
Speaker 1: place of where we are in the race, especially the

924
00:48:06,040 --> 00:48:08,799
Speaker 1: part where Brian seems to be going in the same

925
00:48:08,840 --> 00:48:11,960
Speaker 1: direction as Dom, but he's on a different level, right,

926
00:48:12,040 --> 00:48:16,000
Speaker 1: and it would have been almost impossible to relay that

927
00:48:16,480 --> 00:48:18,880
Speaker 1: without the GPS, right, So that part of it was

928
00:48:18,960 --> 00:48:20,480
Speaker 1: kind of cool. It's like, okay, I got to crash

929
00:48:20,480 --> 00:48:21,000
Speaker 1: through here.

930
00:48:21,239 --> 00:48:23,239
Speaker 2: Yeah, because there's a funny part too, where doesn't the

931
00:48:23,280 --> 00:48:30,759
Speaker 2: GPS say like, yeah, yeah, yeah, that's what he takes.

932
00:48:30,760 --> 00:48:35,520
Speaker 3: Sorry car. He says that he drives over the edge back,

933
00:48:35,880 --> 00:48:38,800
Speaker 3: he's like five miles behind, sorry car. Down over the

934
00:48:38,920 --> 00:48:41,839
Speaker 3: edge onto the other highway. One mile. I'm back down.

935
00:48:43,280 --> 00:48:47,399
Speaker 2: I have that written in notes. Sorry, I'm gonna start

936
00:48:47,440 --> 00:48:48,719
Speaker 2: saying that all the time.

937
00:48:49,239 --> 00:48:51,640
Speaker 3: To drive over, sorry car.

938
00:48:53,239 --> 00:48:57,480
Speaker 1: And I did appreciate the the the callback right where

939
00:48:57,520 --> 00:49:01,400
Speaker 1: it's there. They're in the home stretch. Dom hits his

940
00:49:01,680 --> 00:49:05,400
Speaker 1: his nose too late or too early. Dom too early,

941
00:49:05,520 --> 00:49:08,879
Speaker 1: and then he hits his and then uh, Tom kind

942
00:49:08,920 --> 00:49:13,920
Speaker 1: of cheats a little off. Well it cheats. I didn't

943
00:49:13,920 --> 00:49:17,480
Speaker 1: know there were rules. I didn't know there were rules.

944
00:49:19,280 --> 00:49:21,759
Speaker 1: Uh So in the end I was fine with it,

945
00:49:21,840 --> 00:49:24,360
Speaker 1: but I went like I was just, oh my god,

946
00:49:24,719 --> 00:49:28,960
Speaker 1: this is so tedious, Like, uh, the guy who plays

947
00:49:29,080 --> 00:49:36,640
Speaker 1: the villain, what's his name, Campos John Ortiz, He's great.

948
00:49:36,760 --> 00:49:40,279
Speaker 1: I like, and I love this the flex of you know,

949
00:49:40,360 --> 00:49:43,120
Speaker 1: here we are in my private driving range in the

950
00:49:43,160 --> 00:49:47,040
Speaker 1: middle of Korea Town and you know, downtown LA, and

951
00:49:47,120 --> 00:49:49,960
Speaker 1: all the cars are underneath my golf balls falling like

952
00:49:50,480 --> 00:49:53,360
Speaker 1: you know, it was a huge flex and he's a

953
00:49:53,360 --> 00:49:56,359
Speaker 1: great villain and uh so I enjoyed that part of it,

954
00:49:57,239 --> 00:50:00,759
Speaker 1: but yeah, it was ultimately it was fun, but I

955
00:50:00,920 --> 00:50:03,680
Speaker 1: was just like, Okay, is this gonna be the I

956
00:50:03,680 --> 00:50:06,080
Speaker 1: hope this is the last audition race that we see

957
00:50:06,120 --> 00:50:09,839
Speaker 1: in this franchise because it's it's really tedious at this point.

958
00:50:10,440 --> 00:50:12,399
Speaker 2: Yeah, try anything to add to the big race here.

959
00:50:13,000 --> 00:50:15,280
Speaker 3: I just like at the end when Dom has pulled

960
00:50:15,320 --> 00:50:20,200
Speaker 3: out the victory, you know, by smacking into Brian and

961
00:50:20,239 --> 00:50:23,480
Speaker 3: pulling across the thing, and I think it's Phoenix kind

962
00:50:23,480 --> 00:50:25,759
Speaker 3: of like the lead henchman comes in as soon as

963
00:50:25,800 --> 00:50:29,680
Speaker 3: it's after and what's he say? He says, that's what

964
00:50:29,760 --> 00:50:35,200
Speaker 3: I call a real driver. That's what I call a

965
00:50:35,280 --> 00:50:38,680
Speaker 3: real driver. Because they had the conversation earlier where they're like,

966
00:50:38,800 --> 00:50:43,240
Speaker 3: we want real drivers, only what's in the car doesn't

967
00:50:43,280 --> 00:50:46,480
Speaker 3: matter to you. A real driver who knows what's in

968
00:50:46,480 --> 00:50:49,480
Speaker 3: his car, that's.

969
00:50:49,320 --> 00:50:50,160
Speaker 1: A real driver.

970
00:50:51,800 --> 00:50:53,000
Speaker 3: He knew what was in his car.

971
00:50:54,040 --> 00:50:58,400
Speaker 2: Okay. So what's weird about this is Dom wins the race,

972
00:50:58,480 --> 00:51:03,239
Speaker 2: so therefore gets the final in the heroine you know, smuggling, right,

973
00:51:03,520 --> 00:51:05,520
Speaker 2: that's his role now because he won it, even if

974
00:51:05,520 --> 00:51:08,440
Speaker 2: he cheated a little bit, but so you're like, you know,

975
00:51:08,560 --> 00:51:11,800
Speaker 2: I was like, oh, wow, well, how is How's Brian

976
00:51:11,840 --> 00:51:15,600
Speaker 2: gonna get involved in this? Now cut to him like

977
00:51:15,800 --> 00:51:19,160
Speaker 2: driving away and sees that creepy dwite guy with the

978
00:51:19,239 --> 00:51:23,640
Speaker 2: ladies all over him, and is like the wheels are spinning.

979
00:51:23,719 --> 00:51:26,360
Speaker 2: You can see Brian's thinking of something. Now here is

980
00:51:26,400 --> 00:51:29,440
Speaker 2: where mine went with this. I don't know why I

981
00:51:29,480 --> 00:51:32,000
Speaker 2: thought this, and it would have been ten times funnier.

982
00:51:32,120 --> 00:51:35,080
Speaker 2: I thought he was going to impersonate the dwhite guy

983
00:51:37,960 --> 00:51:42,200
Speaker 2: because the guy had like like long blonde hair obviously

984
00:51:42,239 --> 00:51:44,680
Speaker 2: I had a certain style to him. Was like just

985
00:51:44,719 --> 00:51:46,799
Speaker 2: this this skeazy guy. I was like, oh, this might

986
00:51:46,840 --> 00:51:51,200
Speaker 2: get really funny. I thought Paul Brian the cop was

987
00:51:51,239 --> 00:51:53,000
Speaker 2: gonna like get rid of him, which he does, but

988
00:51:53,040 --> 00:51:56,440
Speaker 2: get rid of him and then be him uh.

989
00:51:57,520 --> 00:51:59,360
Speaker 3: White moons, Yeah exactly.

990
00:52:00,239 --> 00:52:02,600
Speaker 2: But that's not what happens. Instead, they like bust into

991
00:52:02,680 --> 00:52:06,120
Speaker 2: Dwight's weird I don't know, porno shoot like some foot

992
00:52:06,120 --> 00:52:10,200
Speaker 2: fetish shoot there and basically just puts myth on him

993
00:52:11,000 --> 00:52:15,000
Speaker 2: and then and then it like this was the weird part.

994
00:52:15,040 --> 00:52:15,200
Speaker 3: To me.

995
00:52:15,239 --> 00:52:17,520
Speaker 2: It was like I felt like they just jumped to

996
00:52:17,600 --> 00:52:19,800
Speaker 2: like Okay, that's his spot now because he got second,

997
00:52:19,920 --> 00:52:22,120
Speaker 2: is like that was the the thinking.

998
00:52:23,280 --> 00:52:26,440
Speaker 3: Yeah, yeah, I have to assume that they just, you know,

999
00:52:27,239 --> 00:52:30,480
Speaker 3: the criminal organization probably keeps track of all the times,

1000
00:52:30,520 --> 00:52:33,680
Speaker 3: you know, and they're taking the winner. But if anybody's

1001
00:52:33,719 --> 00:52:36,040
Speaker 3: disqualified from the winners, they take the next best time

1002
00:52:36,160 --> 00:52:38,239
Speaker 3: the rest of the heats. So you have to I

1003
00:52:38,280 --> 00:52:40,600
Speaker 3: guess Brian just was the next highest finisher.

1004
00:52:40,719 --> 00:52:44,959
Speaker 1: I've found that part so confusing and I had no

1005
00:52:45,080 --> 00:52:49,319
Speaker 1: idea what was going on? What so that guy was?

1006
00:52:49,320 --> 00:52:51,480
Speaker 1: Was he in the race? So certain?

1007
00:52:52,160 --> 00:52:57,360
Speaker 2: I think Giselle Wonder Woman shows us maybe the three guys,

1008
00:52:57,560 --> 00:52:59,279
Speaker 2: or maybe we see it from the FBI.

1009
00:52:59,080 --> 00:53:01,960
Speaker 3: Actually the FBI. They're basically like, there's there's a race

1010
00:53:02,000 --> 00:53:04,680
Speaker 3: coming up. He needs of course, he needs drivers. The

1011
00:53:04,680 --> 00:53:07,239
Speaker 3: guy needs drivers. We've already had three races, and there's

1012
00:53:07,239 --> 00:53:09,440
Speaker 3: a fourth one here. I don't know why you wouldn't

1013
00:53:09,440 --> 00:53:11,960
Speaker 3: just take the four drivers from the first race. It

1014
00:53:12,000 --> 00:53:13,680
Speaker 3: would be a quick way to get it done. But

1015
00:53:14,239 --> 00:53:16,680
Speaker 3: they do show he's on like the bill on the

1016
00:53:16,719 --> 00:53:17,400
Speaker 3: computer screen.

1017
00:53:17,520 --> 00:53:20,399
Speaker 2: Yeah, that's how we know Dwight's I mean, he must

1018
00:53:20,400 --> 00:53:23,480
Speaker 2: be a good driver, must be a real driver. But

1019
00:53:23,719 --> 00:53:25,920
Speaker 2: he is he's out of there, And yeah, I think

1020
00:53:26,000 --> 00:53:28,600
Speaker 2: Tk's right. I think it's like almost like qualifying for

1021
00:53:28,640 --> 00:53:31,359
Speaker 2: an Olympic final. It's like you maybe didn't win the race,

1022
00:53:31,400 --> 00:53:33,279
Speaker 2: but hey, put down a good time and you might

1023
00:53:33,320 --> 00:53:35,359
Speaker 2: still get in. You're up next, yeah, and have a chance.

1024
00:53:35,440 --> 00:53:38,120
Speaker 2: And as we know, having done a lot of movies

1025
00:53:38,120 --> 00:53:40,560
Speaker 2: here in the franchise already, you can't have a street

1026
00:53:40,640 --> 00:53:44,719
Speaker 2: race without four people in it. You absolutely have to

1027
00:53:44,800 --> 00:53:48,520
Speaker 2: have four. Can't race with three, just can't do it.

1028
00:53:48,880 --> 00:53:51,600
Speaker 2: Gotta have four. Even if you're only trying to find

1029
00:53:51,600 --> 00:53:54,319
Speaker 2: one person, you're only one winner. We have to have

1030
00:53:54,400 --> 00:53:58,400
Speaker 2: four out there. So yeah, they're both in.

1031
00:53:58,719 --> 00:53:59,120
Speaker 1: All right.

1032
00:53:59,200 --> 00:54:05,400
Speaker 2: Great. The team meets up with Braga's personal henchman. You

1033
00:54:05,400 --> 00:54:07,960
Speaker 2: said it, Trey Phoenix. Thought his name was Felix the

1034
00:54:08,080 --> 00:54:16,240
Speaker 2: entire movie until I saw Wikipedia after h and Dom

1035
00:54:16,560 --> 00:54:21,840
Speaker 2: notices that Phoenix drives the same terreno that the mechanic described.

1036
00:54:21,920 --> 00:54:24,279
Speaker 2: This is all happening if I have this right at

1037
00:54:24,280 --> 00:54:27,960
Speaker 2: the at this weird party, right there, at the strange

1038
00:54:28,000 --> 00:54:32,520
Speaker 2: party going on here where Brian is trying to follow Braga,

1039
00:54:33,239 --> 00:54:39,600
Speaker 2: and then Dom Dom's on the dance floor, and he's

1040
00:54:39,640 --> 00:54:42,520
Speaker 2: on the dance floor and then sees like a guy's

1041
00:54:42,600 --> 00:54:44,759
Speaker 2: just coming out of a weird elevator shaft. He's like, well,

1042
00:54:44,760 --> 00:54:46,680
Speaker 2: I'm checking that out, and that's where he finds the

1043
00:54:46,680 --> 00:54:48,799
Speaker 2: green car. But I'm sort of glossed over at a

1044
00:54:48,840 --> 00:54:53,160
Speaker 2: really great scene I thought was both guys at the

1045
00:54:53,160 --> 00:54:59,440
Speaker 2: party sucking back some coronas with they're with Campos but

1046
00:54:59,760 --> 00:55:02,759
Speaker 2: camp Yeah, they think he's Campo's not brock U. But

1047
00:55:03,640 --> 00:55:05,319
Speaker 2: and that they're sitting there and they're like they're doing

1048
00:55:05,360 --> 00:55:07,560
Speaker 2: like a little bit of like a little dance jad

1049
00:55:07,840 --> 00:55:13,080
Speaker 2: of like skirting around basically blowing each other's cover totally.

1050
00:55:13,400 --> 00:55:14,480
Speaker 2: Did you did you enjoy that?

1051
00:55:14,760 --> 00:55:18,040
Speaker 1: I did? I enjoyed it very much. I like this

1052
00:55:18,200 --> 00:55:21,719
Speaker 1: sort of I like those two at Loggerheads and sort

1053
00:55:21,719 --> 00:55:26,239
Speaker 1: of the mutually assured destruction, right like, yeah, I could

1054
00:55:26,280 --> 00:55:28,640
Speaker 1: blow up you up, you could blow me up, So

1055
00:55:28,880 --> 00:55:32,879
Speaker 1: let's begrudgingly sort of get through this. And I guess

1056
00:55:32,880 --> 00:55:36,400
Speaker 1: we're just we're in competition, but we're kind of working together,

1057
00:55:36,480 --> 00:55:38,840
Speaker 1: and it's sort of leading down that path. But I

1058
00:55:38,880 --> 00:55:44,640
Speaker 1: also love that, you know, Campos leaves right and then

1059
00:55:44,680 --> 00:55:46,719
Speaker 1: these girls come in. They just come in right like,

1060
00:55:47,000 --> 00:55:52,279
Speaker 1: and they're obviously working with Campos, right yep. But then

1061
00:55:53,680 --> 00:55:56,960
Speaker 1: Brian and Dom just start candidly talking about we're gonna

1062
00:55:56,960 --> 00:56:01,600
Speaker 1: bring this place down. Like it's like it's just like

1063
00:56:01,719 --> 00:56:05,080
Speaker 1: these women work for these like they work here, man.

1064
00:56:05,160 --> 00:56:07,759
Speaker 1: I mean, I understand that they're you know, like there's

1065
00:56:07,760 --> 00:56:10,600
Speaker 1: a code JD. I suppose there's a code with the

1066
00:56:10,640 --> 00:56:15,400
Speaker 1: hostesses in the in the organization. But it's like, wow,

1067
00:56:16,320 --> 00:56:18,200
Speaker 1: that's that's some Cajones right there.

1068
00:56:18,600 --> 00:56:18,920
Speaker 2: Yeah.

1069
00:56:19,040 --> 00:56:24,600
Speaker 3: Yeah. They only keep like the back cover under underground information.

1070
00:56:24,840 --> 00:56:27,200
Speaker 3: They only keep it away from composts. But they will

1071
00:56:27,239 --> 00:56:30,239
Speaker 3: gladly talk about it literally anytime, despite the fact that

1072
00:56:30,239 --> 00:56:32,440
Speaker 3: I mean, it seems like he owns the club, right

1073
00:56:32,640 --> 00:56:35,839
Speaker 3: or at the very least, that's a criminal hangout. Anybody

1074
00:56:35,840 --> 00:56:37,640
Speaker 3: could be listening, but they don't care. They're just sitting

1075
00:56:37,640 --> 00:56:40,000
Speaker 3: at the bar. He's like, what are the odds that

1076
00:56:40,120 --> 00:56:44,440
Speaker 3: an FBI would rain white mulleins the night before the race? Crazy?

1077
00:56:44,520 --> 00:56:44,680
Speaker 2: Right?

1078
00:56:44,960 --> 00:56:46,239
Speaker 3: Crazy? How do I know that?

1079
00:56:46,400 --> 00:56:47,160
Speaker 2: How do I know that?

1080
00:56:47,200 --> 00:56:49,520
Speaker 3: I just came out of jail. I don't know, Jack Garcia,

1081
00:56:49,719 --> 00:56:53,520
Speaker 3: it's a big place. We also get the little exchange.

1082
00:56:53,640 --> 00:56:57,080
Speaker 2: I thought it was actually pretty funny about campus, Like

1083
00:56:57,560 --> 00:56:59,439
Speaker 2: you guys know each other, like the way you guys

1084
00:56:59,480 --> 00:57:02,480
Speaker 2: talk to each He's really really and then Dom says, yeah,

1085
00:57:02,480 --> 00:57:05,200
Speaker 2: he dated my sister to me, and then I think

1086
00:57:05,239 --> 00:57:07,920
Speaker 2: Campos says something along the lines of like I can't

1087
00:57:07,960 --> 00:57:11,319
Speaker 2: believe you're still alive. Yeah, it's pretty it was pretty good.

1088
00:57:11,440 --> 00:57:15,759
Speaker 2: So yeah, they're a weird little like Brian following Campos,

1089
00:57:16,720 --> 00:57:20,280
Speaker 2: he thinks he's going to see Bragas, right, that's what

1090
00:57:20,400 --> 00:57:22,880
Speaker 2: that's what he's hoping for. I guess he gets. He

1091
00:57:22,880 --> 00:57:25,760
Speaker 2: gets a couple of shot glasses that's got prints on him,

1092
00:57:25,760 --> 00:57:27,640
Speaker 2: and then, like I said, Dom finds the green car,

1093
00:57:27,720 --> 00:57:30,240
Speaker 2: so he's like, ah, okay, now this is starting to

1094
00:57:30,240 --> 00:57:34,200
Speaker 2: make some sense as to uh who killed Leddy. We

1095
00:57:34,280 --> 00:57:38,680
Speaker 2: now go to I believe them getting the GPS call,

1096
00:57:38,760 --> 00:57:42,440
Speaker 2: Like I mean, they're now under this criminal organization, they're drivers.

1097
00:57:42,920 --> 00:57:45,960
Speaker 2: They all arrive at a big warehouse. We get this

1098
00:57:46,040 --> 00:57:48,680
Speaker 2: little I mean, it was not really needed, but we

1099
00:57:48,720 --> 00:57:51,560
Speaker 2: get the close call with Brian and that tracker in

1100
00:57:51,600 --> 00:57:54,760
Speaker 2: his car like beeping and flashing, and it's like, what

1101
00:57:54,800 --> 00:57:56,520
Speaker 2: does he end up doing? He just ends up ripping

1102
00:57:56,520 --> 00:57:58,600
Speaker 2: it out of the of the console and like taking

1103
00:57:58,640 --> 00:58:02,080
Speaker 2: it putting it into his Now drink, doesn't he Yeah,

1104
00:58:02,080 --> 00:58:02,520
Speaker 2: he's like.

1105
00:58:02,920 --> 00:58:09,120
Speaker 3: Just unscrews it. Yeah, that's easy exactly, It's really Oh

1106
00:58:09,160 --> 00:58:13,040
Speaker 3: he lost them, but we made it super easy to find.

1107
00:58:13,200 --> 00:58:15,120
Speaker 3: The guy can reach it while he's driving.

1108
00:58:16,200 --> 00:58:18,680
Speaker 1: But he installed it, didn't he like, didn't they give

1109
00:58:18,720 --> 00:58:19,960
Speaker 1: it to him to install?

1110
00:58:20,120 --> 00:58:22,800
Speaker 2: I think you're right, Yeah, I.

1111
00:58:23,040 --> 00:58:25,520
Speaker 1: Like what I don't what is the FBI doing. It's

1112
00:58:25,600 --> 00:58:28,200
Speaker 1: just like you have to know that they're gonna sweep

1113
00:58:28,200 --> 00:58:31,360
Speaker 1: for bugs or whatever, right, and then they lose contact

1114
00:58:31,400 --> 00:58:35,080
Speaker 1: with them, and then they immediately order a helicopter to

1115
00:58:35,160 --> 00:58:38,120
Speaker 1: go up, Like what do you do? You do you

1116
00:58:38,280 --> 00:58:40,960
Speaker 1: want to blow his cover? Like do you like, are

1117
00:58:41,000 --> 00:58:44,040
Speaker 1: you trying to submarine this thing? Right from the word go?

1118
00:58:44,320 --> 00:58:46,000
Speaker 1: So yeah, I don't know.

1119
00:58:46,520 --> 00:58:49,080
Speaker 2: Yeah, this part got a little strange for me in

1120
00:58:49,120 --> 00:58:52,440
Speaker 2: following it because again they're in the warehouse. What happens

1121
00:58:52,480 --> 00:58:54,840
Speaker 2: they put all their cars onto that big truck, that

1122
00:58:54,880 --> 00:58:59,080
Speaker 2: furniture truck, right, and uh I did laugh. I think

1123
00:58:59,120 --> 00:59:01,160
Speaker 2: Dom's just trying to get in a quick power nap.

1124
00:59:03,640 --> 00:59:06,360
Speaker 2: This is could have been just eyes. This is couldna

1125
00:59:06,400 --> 00:59:09,120
Speaker 2: get wild. So I'm just gonna rest my eyes. We're

1126
00:59:09,120 --> 00:59:12,520
Speaker 2: saying I got these two guys bothering go And where

1127
00:59:12,560 --> 00:59:16,200
Speaker 2: does this truck go? Does it go to the border,

1128
00:59:16,360 --> 00:59:17,960
Speaker 2: like on the American side?

1129
00:59:18,640 --> 00:59:22,800
Speaker 1: Is that weird? Weird believe that it went to Mexico.

1130
00:59:24,000 --> 00:59:26,560
Speaker 3: Yeah, they go from the United States to Mexico to

1131
00:59:26,600 --> 00:59:28,280
Speaker 3: then drive the drugs back back.

1132
00:59:28,320 --> 00:59:32,480
Speaker 2: Okay, okay, okay, So the truck just got through the

1133
00:59:32,520 --> 00:59:34,440
Speaker 2: Mexican border, no problem.

1134
00:59:34,640 --> 00:59:40,120
Speaker 1: Yeah, the Mexican side wouldn't necessarily chest and okay you know.

1135
00:59:40,120 --> 00:59:41,320
Speaker 2: What do you what do you gotta got some nice

1136
00:59:41,360 --> 00:59:44,920
Speaker 2: furniture on there? Come on through? Yeah? Okay, so okay,

1137
00:59:44,920 --> 00:59:46,400
Speaker 2: that makes a lot more sense to me. I thought

1138
00:59:46,400 --> 00:59:48,400
Speaker 2: that was the case, but I was confused with you know,

1139
00:59:48,400 --> 00:59:49,920
Speaker 2: we're gonna get to the tunnels in a second.

1140
00:59:49,920 --> 00:59:50,080
Speaker 3: Here.

1141
00:59:50,120 --> 00:59:54,919
Speaker 2: It was just a little strange. So we are in

1142
00:59:54,960 --> 00:59:59,920
Speaker 2: Mexico and this is where I think does Dom figure

1143
01:00:00,080 --> 01:00:04,760
Speaker 2: out that it like confronts Phoenix that we're gonna get

1144
01:00:04,880 --> 01:00:07,880
Speaker 2: killed when the work is done? Is that is that right?

1145
01:00:07,920 --> 01:00:09,720
Speaker 2: And he figures out like that he killed Letty?

1146
01:00:11,000 --> 01:00:15,240
Speaker 3: Yeah, he somehow puts us Okay, so he's seen the Torino.

1147
01:00:15,800 --> 01:00:17,040
Speaker 2: He knows the Torino.

1148
01:00:16,960 --> 01:00:19,880
Speaker 3: Had the nitro mephane. Yes, so I guess when he

1149
01:00:19,880 --> 01:00:22,800
Speaker 3: sees him put together, he's like, oh, this is the

1150
01:00:22,800 --> 01:00:26,439
Speaker 3: guy I know, my nos pretty much. I mean, it's

1151
01:00:26,480 --> 01:00:29,280
Speaker 3: really really interesting. How in the world does Dom know

1152
01:00:29,360 --> 01:00:32,040
Speaker 3: it's him right away? I guess it's just because he

1153
01:00:32,040 --> 01:00:32,840
Speaker 3: gets out of the car.

1154
01:00:33,320 --> 01:00:37,400
Speaker 1: Well, he knew he knew it's Phoenix's car because gal

1155
01:00:37,440 --> 01:00:42,640
Speaker 1: Gado told him that that's that's Phoenix's car her, and

1156
01:00:42,640 --> 01:00:45,480
Speaker 1: and then he at one point when they get to

1157
01:00:45,480 --> 01:00:48,880
Speaker 1: the warous, he goes, where's Phoenix or wherever? And they're

1158
01:00:48,920 --> 01:00:50,680
Speaker 1: like and she's like, oh, you're going to see him

1159
01:00:50,720 --> 01:00:54,200
Speaker 1: out there, right yeah?

1160
01:00:54,840 --> 01:00:58,600
Speaker 2: Right? And then but so yeah, that's right. But they

1161
01:00:58,640 --> 01:01:03,280
Speaker 2: had just done some driving tunnels. Where are they?

1162
01:01:03,840 --> 01:01:04,480
Speaker 1: Where are they?

1163
01:01:04,480 --> 01:01:06,960
Speaker 2: That's because when we get to the explosion that Dom

1164
01:01:07,040 --> 01:01:08,880
Speaker 2: sets off and then they jump in the hummer and

1165
01:01:08,880 --> 01:01:11,600
Speaker 2: all that and take the and take the heroin, Like,

1166
01:01:11,720 --> 01:01:14,120
Speaker 2: where have they gone? Are they? Just? They went through

1167
01:01:14,160 --> 01:01:14,600
Speaker 2: a tunnel.

1168
01:01:14,920 --> 01:01:17,720
Speaker 1: Yeah, the tunnel took them across the border.

1169
01:01:17,960 --> 01:01:21,160
Speaker 2: So now we're back in the state States. Yes, okay, okay, okay,

1170
01:01:22,280 --> 01:01:25,600
Speaker 2: all right, And while driving, you know, Dom has like

1171
01:01:25,800 --> 01:01:27,880
Speaker 2: for sure come to the realization that Phoenix is the

1172
01:01:27,880 --> 01:01:31,480
Speaker 2: guy that killed Letty. Yes, starts knows that before and

1173
01:01:31,520 --> 01:01:33,680
Speaker 2: he's like but the plan is like I'm going to

1174
01:01:33,800 --> 01:01:37,920
Speaker 2: like create like the diversion, I guess by sparking my

1175
01:01:38,040 --> 01:01:40,840
Speaker 2: vehicle explosion right with the lighter and all that.

1176
01:01:41,040 --> 01:01:43,600
Speaker 1: Yeah, I don't think he knows that the their intention

1177
01:01:43,720 --> 01:01:44,880
Speaker 1: is to kill all of them.

1178
01:01:44,920 --> 01:01:48,080
Speaker 3: Okay, okay, until like I think Phoenix like pulls a

1179
01:01:48,120 --> 01:01:50,120
Speaker 3: gun on him. He's like, he's something like it's good

1180
01:01:50,160 --> 01:01:53,640
Speaker 3: for business, you know, to get rid of the drivers afterward.

1181
01:01:53,680 --> 01:01:56,720
Speaker 3: And that's kind of how he knows that Letty would

1182
01:01:56,760 --> 01:01:59,720
Speaker 3: have been, you know, in the firing line at that point.

1183
01:02:00,560 --> 01:02:02,600
Speaker 3: Apparently the way it went down was that there were

1184
01:02:02,640 --> 01:02:05,919
Speaker 3: a bunch of shots. Let he got away, drove away,

1185
01:02:05,920 --> 01:02:08,520
Speaker 3: and then Phoenix is like, ah, let her go, let

1186
01:02:08,520 --> 01:02:10,720
Speaker 3: her go. Then we're gonna chase her down though we

1187
01:02:10,800 --> 01:02:12,520
Speaker 3: are let her go, but we're gonna go get her.

1188
01:02:12,760 --> 01:02:17,120
Speaker 2: Yeah, weird truth. So it looks like Phoenix is gonna

1189
01:02:17,200 --> 01:02:19,280
Speaker 2: kill Dom. You're right, like, this is it for our

1190
01:02:19,280 --> 01:02:23,280
Speaker 2: guy Dom? But no, no, no, he's he's perfectly timed

1191
01:02:23,280 --> 01:02:26,920
Speaker 2: it with his explosion to set off all the cars,

1192
01:02:26,960 --> 01:02:30,840
Speaker 2: including Bryan's, who will let him know about that, And

1193
01:02:30,880 --> 01:02:35,200
Speaker 2: then in the ensuing chaos here Dom and Brian hijack

1194
01:02:35,960 --> 01:02:40,960
Speaker 2: a ninety nine Hummer, ahmember Hummers, and that's got the

1195
01:02:41,160 --> 01:02:44,320
Speaker 2: that's got the sixty million dollars worth of heroin in it.

1196
01:02:45,000 --> 01:02:47,760
Speaker 2: And basically we have a chase. But they get out

1197
01:02:47,800 --> 01:02:50,240
Speaker 2: of there, right, I mean what am I? What am

1198
01:02:50,240 --> 01:02:51,480
Speaker 2: I missing there? Basically?

1199
01:02:52,240 --> 01:02:55,800
Speaker 1: Yeah, they blow up whatever it is for six or

1200
01:02:55,840 --> 01:03:00,960
Speaker 1: seven cars. It's a great diversion, right, and they get away.

1201
01:03:01,040 --> 01:03:02,760
Speaker 2: Yeah.

1202
01:03:03,080 --> 01:03:07,160
Speaker 1: Also, when Phoenix says it's good for a business, is it?

1203
01:03:07,680 --> 01:03:12,160
Speaker 1: I mean, you're gonna kill drivers every single time you

1204
01:03:12,280 --> 01:03:17,320
Speaker 1: do this and then audition them. You have four auditions

1205
01:03:17,600 --> 01:03:20,000
Speaker 1: through the streets of LA seems like it would draw

1206
01:03:20,040 --> 01:03:21,560
Speaker 1: a lot of attention to you.

1207
01:03:21,640 --> 01:03:24,520
Speaker 2: Yeah. Maybe just keep your really good drivers, that's right.

1208
01:03:24,880 --> 01:03:27,480
Speaker 2: Just keep them, you know, keep paying them, keep them

1209
01:03:27,520 --> 01:03:30,560
Speaker 2: well fed, get them all the oil they need, all

1210
01:03:30,560 --> 01:03:33,360
Speaker 2: the corona they want to drink. But no, you're right,

1211
01:03:33,360 --> 01:03:35,120
Speaker 2: they just I guess the idea is like they know

1212
01:03:35,160 --> 01:03:38,520
Speaker 2: too much, they know the tunnels. I guess you know,

1213
01:03:38,600 --> 01:03:39,840
Speaker 2: they could rat on us.

1214
01:03:40,080 --> 01:03:42,560
Speaker 3: You would think maybe this would raise suspicions among the

1215
01:03:42,560 --> 01:03:43,680
Speaker 3: street driving crew.

1216
01:03:44,000 --> 01:03:46,080
Speaker 2: What happened to Lendy? Yeah, she went to work for

1217
01:03:46,600 --> 01:03:48,959
Speaker 2: Broga right right, never came back.

1218
01:03:49,160 --> 01:03:53,120
Speaker 3: No, weird. What about Uh what about Johnny? Oh yeah, yeah, yeah,

1219
01:03:53,320 --> 01:03:55,520
Speaker 3: he went to go we want to work for Braga

1220
01:03:55,520 --> 01:03:56,240
Speaker 3: a few months.

1221
01:03:56,840 --> 01:03:58,920
Speaker 2: I haven't seen them. I haven't seen them for some reason.

1222
01:03:59,000 --> 01:04:01,640
Speaker 3: All these top on the circuit, they keep going to

1223
01:04:01,640 --> 01:04:03,600
Speaker 3: work for this guy and we never hear from them again.

1224
01:04:03,920 --> 01:04:05,880
Speaker 3: But I hear he's got another audition tonight. You want

1225
01:04:05,920 --> 01:04:08,360
Speaker 3: to go down to the golf course and throw down

1226
01:04:08,360 --> 01:04:09,800
Speaker 3: a lap? Okay?

1227
01:04:09,920 --> 01:04:12,600
Speaker 2: I actually have one more question with them going through

1228
01:04:12,600 --> 01:04:15,920
Speaker 2: the tunnel, like bringing the heroin back. What was happening

1229
01:04:15,960 --> 01:04:18,280
Speaker 2: Like was there like a little pissing contest going on

1230
01:04:19,360 --> 01:04:23,200
Speaker 2: in that tunnel between Phoenix and Dom, Like what they

1231
01:04:23,240 --> 01:04:24,080
Speaker 2: seem to be pissed?

1232
01:04:24,240 --> 01:04:27,200
Speaker 3: Like Dom kind of like swings out wide right before

1233
01:04:27,280 --> 01:04:31,200
Speaker 3: that pulls up next to him. How dare you? Yeah, Okay, yeah,

1234
01:04:31,200 --> 01:04:33,120
Speaker 3: it's a little bit of a pissing contest. I think,

1235
01:04:34,080 --> 01:04:36,080
Speaker 3: like we know they don't like each other. Yeah, but yeah,

1236
01:04:36,120 --> 01:04:37,760
Speaker 3: to me, it's a little bit hard to figure out

1237
01:04:37,760 --> 01:04:40,160
Speaker 3: what's going on in the tunnels because I mean, in

1238
01:04:40,200 --> 01:04:42,600
Speaker 3: this one hate the tunnels. Yeah, the tunnels are tough,

1239
01:04:42,720 --> 01:04:44,960
Speaker 3: but at least in this first part in the tunnels,

1240
01:04:44,960 --> 01:04:46,680
Speaker 3: they're just trying to get through it.

1241
01:04:46,720 --> 01:04:48,360
Speaker 2: You know, they're just trying to go together.

1242
01:04:48,160 --> 01:04:51,280
Speaker 3: As a team here, and even that is confusing. And yeah,

1243
01:04:51,320 --> 01:04:53,200
Speaker 3: I mean when they go through it again a little

1244
01:04:53,200 --> 01:04:55,160
Speaker 3: bit later. That's why it's pretty hard to follow.

1245
01:04:55,280 --> 01:04:57,520
Speaker 2: That's what I mean. It feels like, even though they're

1246
01:04:57,560 --> 01:05:00,600
Speaker 2: all on the same team, it almost it almost turns

1247
01:05:00,640 --> 01:05:02,920
Speaker 2: into a race. It feels like it's got the vibe

1248
01:05:02,920 --> 01:05:05,520
Speaker 2: of it, but they're not racing. That part was confusing.

1249
01:05:05,560 --> 01:05:08,360
Speaker 2: I think they're just like, screw you, screw you. Yeah,

1250
01:05:08,360 --> 01:05:12,120
Speaker 2: my cart's faster. Watched this? Yeah, anyway, Doc.

1251
01:05:12,200 --> 01:05:15,240
Speaker 1: I also don't forget that that Giselle is on the

1252
01:05:15,240 --> 01:05:18,080
Speaker 1: horn the whole time, going you gotta get out of there. Yeah,

1253
01:05:18,160 --> 01:05:19,720
Speaker 1: thirty seconds okay, you know.

1254
01:05:19,840 --> 01:05:21,320
Speaker 2: Okay, so why.

1255
01:05:21,760 --> 01:05:24,960
Speaker 1: Because they were they were made right away, like as

1256
01:05:24,960 --> 01:05:28,000
Speaker 1: soon as which I don't understand the point of the tunnels,

1257
01:05:28,040 --> 01:05:33,880
Speaker 1: because the border guards had some sort of infrared's system, right, like,

1258
01:05:34,360 --> 01:05:37,600
Speaker 1: so they were detected before they go into the tunnels, right,

1259
01:05:38,000 --> 01:05:41,800
Speaker 1: So if they do this all the time, then like

1260
01:05:42,920 --> 01:05:46,720
Speaker 1: surely the Americans would figure out Okay, well they disappeared

1261
01:05:46,720 --> 01:05:49,720
Speaker 1: here and they were gonna come out somewhere, so maybe

1262
01:05:49,760 --> 01:05:52,320
Speaker 1: we should station some guys or something like.

1263
01:05:52,520 --> 01:05:55,480
Speaker 2: I didn't understand that at all. They're like yeah, like

1264
01:05:55,560 --> 01:05:58,360
Speaker 2: she's saying, you're right, get out, get out, get out. Yeah,

1265
01:05:58,360 --> 01:06:02,080
Speaker 2: they're getting out on the American side, right, they got

1266
01:06:02,120 --> 01:06:06,640
Speaker 2: a chopper. Yeah, but like, so then what happened? They

1267
01:06:06,680 --> 01:06:09,160
Speaker 2: come out onto the American side right there?

1268
01:06:09,320 --> 01:06:11,680
Speaker 3: Very weird, It doesn't make any sense. They get out

1269
01:06:12,120 --> 01:06:14,040
Speaker 3: and they the way they make it look is they

1270
01:06:14,080 --> 01:06:16,320
Speaker 3: get out in time that they get out into the

1271
01:06:16,360 --> 01:06:18,880
Speaker 3: mountains right, and they're kind of like peeling away off

1272
01:06:18,920 --> 01:06:22,360
Speaker 3: to the right, but the helicopter comes in. They're like,

1273
01:06:22,440 --> 01:06:26,600
Speaker 3: we don't have visual yeah, right, fair, Okay, maybe they

1274
01:06:26,600 --> 01:06:29,560
Speaker 3: weren't coming out where you expected them, but you're in

1275
01:06:29,600 --> 01:06:31,960
Speaker 3: the middle of a mountain range, it's the middle of

1276
01:06:31,960 --> 01:06:34,400
Speaker 3: the night, and there are five to six cars driving

1277
01:06:34,440 --> 01:06:36,360
Speaker 3: in a line with their lights on. Like, I know,

1278
01:06:36,440 --> 01:06:38,560
Speaker 3: you didn't see them exactly where you thought, but if

1279
01:06:38,560 --> 01:06:41,160
Speaker 3: you look out the other window, it'd be easy to

1280
01:06:41,160 --> 01:06:43,200
Speaker 3: spot them. You would think that they would somehow, at

1281
01:06:43,200 --> 01:06:45,400
Speaker 3: some point get caught at some time doing all of

1282
01:06:45,440 --> 01:06:48,000
Speaker 3: these runs, which apparently happen all the time. Because they

1283
01:06:48,040 --> 01:06:50,880
Speaker 3: start talking about the sixty million dollars in Heroin and

1284
01:06:50,880 --> 01:06:53,240
Speaker 3: Brian's like, it doesn't matter, He's just gonna send more shipments.

1285
01:06:53,560 --> 01:06:56,480
Speaker 3: So what's happening all the time? Yeah, but they just

1286
01:06:56,480 --> 01:06:58,680
Speaker 3: never look out the right side window.

1287
01:06:58,720 --> 01:07:01,240
Speaker 2: And why are they, like you said, JD, how are

1288
01:07:01,280 --> 01:07:04,760
Speaker 2: they tracking them when they're in the tunnels. Why do

1289
01:07:04,800 --> 01:07:06,400
Speaker 2: they have a better idea of where they are when

1290
01:07:06,400 --> 01:07:10,560
Speaker 2: they're actually underground than when they pop out now they're

1291
01:07:10,600 --> 01:07:12,600
Speaker 2: just in a mountain range. That was so deam. That's

1292
01:07:12,600 --> 01:07:14,640
Speaker 2: why I was confused at the start here when I

1293
01:07:14,680 --> 01:07:17,680
Speaker 2: was like, what side are they on? Where are they?

1294
01:07:18,280 --> 01:07:22,280
Speaker 1: Why are they doing this? What is going on? This

1295
01:07:22,320 --> 01:07:24,120
Speaker 1: is the mistake that I'm made at the top of

1296
01:07:24,120 --> 01:07:26,800
Speaker 1: this movie. You can't you can't think about it.

1297
01:07:27,000 --> 01:07:29,760
Speaker 2: No, you're right, You're right. So okay, Dom and Brian.

1298
01:07:30,520 --> 01:07:32,480
Speaker 2: They've got the heroin in the hummer there. It was

1299
01:07:32,520 --> 01:07:34,640
Speaker 2: always it's nice to see a hummer again in my life.

1300
01:07:34,760 --> 01:07:36,520
Speaker 2: For sure, you don't see him around anymore.

1301
01:07:37,000 --> 01:07:39,320
Speaker 1: Was that an actual hummer or a hum vy like

1302
01:07:39,360 --> 01:07:42,160
Speaker 1: it's one? I think it was okay, all right?

1303
01:07:42,200 --> 01:07:47,720
Speaker 2: I think so they decide let's take this ride with

1304
01:07:47,760 --> 01:07:49,960
Speaker 2: all the heroin in it, and we're gonna put it

1305
01:07:50,000 --> 01:07:52,520
Speaker 2: in a great spot. No one will ever know or

1306
01:07:52,600 --> 01:07:54,560
Speaker 2: think to go there and look for it at the

1307
01:07:54,560 --> 01:07:59,440
Speaker 2: police impound. Dom's like really, Brian's like, you know, they wouldn't,

1308
01:07:59,440 --> 01:08:02,200
Speaker 2: they wouldn't look here. Don't worry. I use all these cars.

1309
01:08:02,200 --> 01:08:05,120
Speaker 2: Eventually I ruined every single car here.

1310
01:08:06,120 --> 01:08:08,800
Speaker 1: They know me here, Yeah, all the time.

1311
01:08:09,240 --> 01:08:13,040
Speaker 2: I've got like one of those subway passes, you know

1312
01:08:13,080 --> 01:08:15,520
Speaker 2: when you get like a free sandwich after your tenth one.

1313
01:08:16,160 --> 01:08:20,559
Speaker 2: I'll get my eleventh car for free. So that's where

1314
01:08:20,560 --> 01:08:22,720
Speaker 2: they put it. And then I think this is where

1315
01:08:22,760 --> 01:08:25,360
Speaker 2: Brian's like, you owe me a car because you blew

1316
01:08:25,439 --> 01:08:27,760
Speaker 2: up my car with that slick movie you did back there.

1317
01:08:28,400 --> 01:08:31,080
Speaker 2: And so Dom doesn't he just smash the wind? Does

1318
01:08:31,120 --> 01:08:33,240
Speaker 2: he smash the window? Yeah? He just smashes the window

1319
01:08:33,280 --> 01:08:36,920
Speaker 2: on a two thousand and eight Subaru. And they're like

1320
01:08:36,960 --> 01:08:38,559
Speaker 2: here you go, all right? Cool?

1321
01:08:39,479 --> 01:08:42,400
Speaker 3: The man is wanted worldwide, he's in a police in

1322
01:08:42,560 --> 01:08:48,000
Speaker 3: Pound life. They just hit sixty dollars in heroin. Yeah,

1323
01:08:48,040 --> 01:08:49,360
Speaker 3: way to keep it low pro.

1324
01:08:51,000 --> 01:08:54,599
Speaker 2: And then go back to Dom's house like that's where

1325
01:08:54,640 --> 01:08:57,640
Speaker 2: they go, or MIA's house, Dom's house, whoever's house it is,

1326
01:08:57,680 --> 01:09:00,720
Speaker 2: and they reunite with her and they cracks coronas and

1327
01:09:00,760 --> 01:09:02,040
Speaker 2: have some Chinese food.

1328
01:09:02,400 --> 01:09:06,120
Speaker 1: But sorry, there's one thing that happened that I found

1329
01:09:06,320 --> 01:09:10,360
Speaker 1: very distracting during all of this. Dom gets shot.

1330
01:09:11,400 --> 01:09:13,439
Speaker 2: Oh yeah, sorry, I forgot about that.

1331
01:09:14,320 --> 01:09:18,320
Speaker 1: Well, it's understandable that you would, because he barely reacts

1332
01:09:18,320 --> 01:09:22,240
Speaker 1: to it. It's like he doesn't even like recoil from it.

1333
01:09:22,280 --> 01:09:26,280
Speaker 1: You just see the bullet go in, basically. But then

1334
01:09:26,320 --> 01:09:28,760
Speaker 1: they show him bleeding, and this is the kind of

1335
01:09:28,760 --> 01:09:30,519
Speaker 1: thing that takes me out of movies all the time.

1336
01:09:30,560 --> 01:09:32,680
Speaker 1: It's just like, hey, we got to get to you

1337
01:09:32,720 --> 01:09:35,880
Speaker 1: to a doctor. Yeah, okay, get in the car. They

1338
01:09:35,960 --> 01:09:38,719
Speaker 1: drive to the Pound, they drive all over the place.

1339
01:09:40,280 --> 01:09:43,519
Speaker 1: He hasn't even taken off his jacket. Like he's bleeding

1340
01:09:43,960 --> 01:09:48,720
Speaker 1: all over the inside of that hummer. Like you're gonna die, man,

1341
01:09:48,840 --> 01:09:53,000
Speaker 1: Like you're gonna bleed to death. You know that arm?

1342
01:09:53,120 --> 01:09:54,519
Speaker 2: Did he smash the witch?

1343
01:09:55,400 --> 01:09:55,679
Speaker 1: Question?

1344
01:09:55,960 --> 01:09:57,320
Speaker 2: Was it the same arm? I hope it was this

1345
01:09:57,400 --> 01:09:59,040
Speaker 2: other one. I think he got shot. I feel like

1346
01:09:59,040 --> 01:10:02,080
Speaker 2: he got shot in the left, I don't know, shoulder

1347
01:10:02,120 --> 01:10:04,000
Speaker 2: area arm.

1348
01:10:03,880 --> 01:10:06,960
Speaker 3: And then I think he smashes the Yeah, but you're right,

1349
01:10:07,040 --> 01:10:10,320
Speaker 3: Jadiot barely affects him. It's like somebody bumped into him

1350
01:10:10,320 --> 01:10:12,519
Speaker 3: at the grocery store. It's like, ah, easy, Bud.

1351
01:10:14,800 --> 01:10:17,200
Speaker 2: I just proved that point. I forgot he was even shot,

1352
01:10:18,080 --> 01:10:19,840
Speaker 2: Like I didn't even like put it in my nose.

1353
01:10:20,720 --> 01:10:25,200
Speaker 1: There's a whole sequence of me patching them out. Yeaang, hey,

1354
01:10:25,439 --> 01:10:26,200
Speaker 1: this is gonna hurt.

1355
01:10:26,200 --> 01:10:29,400
Speaker 2: And he's like, no, she says, She says that the

1356
01:10:29,439 --> 01:10:30,439
Speaker 2: bullet's not in there.

1357
01:10:30,680 --> 01:10:33,360
Speaker 1: Yeah, well where did it go because there's no exit

1358
01:10:33,479 --> 01:10:34,880
Speaker 1: wound as far as I can out.

1359
01:10:35,040 --> 01:10:37,759
Speaker 2: Yeah, I don't know. I don't know. But she patches

1360
01:10:37,800 --> 01:10:40,280
Speaker 2: them up, and like I said, they ordered some Chinese

1361
01:10:40,320 --> 01:10:42,960
Speaker 2: food and they had their coronas and they're all they're

1362
01:10:42,960 --> 01:10:48,599
Speaker 2: all just kicking it. And then Dom finds out by

1363
01:10:48,640 --> 01:10:52,960
Speaker 2: way of cell phone that Brian was the last person

1364
01:10:53,000 --> 01:10:56,920
Speaker 2: to have contact with Letty, right, so he Dom just

1365
01:10:56,960 --> 01:11:00,320
Speaker 2: gets up, goes to his room, her room, where her

1366
01:11:00,840 --> 01:11:04,519
Speaker 2: finds this box I guess finds the cell phone and

1367
01:11:04,560 --> 01:11:09,080
Speaker 2: then that's that's he sees u it says Letty on it.

1368
01:11:09,120 --> 01:11:11,160
Speaker 2: But it's her phone. It's her phone, yeah yeah, And

1369
01:11:11,160 --> 01:11:13,160
Speaker 2: then of course the number he calls, the last number,

1370
01:11:13,160 --> 01:11:16,720
Speaker 2: and yeah, that's right, Brian's cell phone starts going off

1371
01:11:16,760 --> 01:11:18,400
Speaker 2: and that pisses Dom.

1372
01:11:18,760 --> 01:11:19,000
Speaker 1: Off.

1373
01:11:19,080 --> 01:11:21,880
Speaker 2: What did he have to do with this? Tacks Brian

1374
01:11:22,760 --> 01:11:25,400
Speaker 2: right there in the apartment, really throws him into a

1375
01:11:25,439 --> 01:11:29,200
Speaker 2: really nice bookcase, had a lot of things on it. Down.

1376
01:11:29,240 --> 01:11:30,719
Speaker 2: It goes, that's gonna be a hell of a mess

1377
01:11:30,760 --> 01:11:36,400
Speaker 2: for me to cleanup. But Brian like screams at Dom

1378
01:11:36,400 --> 01:11:38,759
Speaker 2: while he's kicking the crap out of him that Letty

1379
01:11:38,960 --> 01:11:43,479
Speaker 2: was working undercover. Man, she was tracking down Braga in

1380
01:11:43,600 --> 01:11:48,679
Speaker 2: exchange for clearing your record. Man, you did this, You

1381
01:11:48,800 --> 01:11:51,000
Speaker 2: killed Letty? Let that sink in, big guy.

1382
01:11:51,160 --> 01:11:51,479
Speaker 1: Wow?

1383
01:11:52,000 --> 01:11:53,200
Speaker 2: Yeah, what do you think, Trey?

1384
01:11:54,000 --> 01:11:56,240
Speaker 3: I mean, you can tell it was really eating at

1385
01:11:56,400 --> 01:12:05,760
Speaker 3: Brian because as Dom leaves, uh, I don't know how

1386
01:12:05,880 --> 01:12:09,960
Speaker 3: did how did Letty get into the same organization? I

1387
01:12:09,960 --> 01:12:12,080
Speaker 3: think the criminals in Fast and Furious do a pretty

1388
01:12:12,080 --> 01:12:16,040
Speaker 3: poor job of vetting their criminal associates, right, like even

1389
01:12:16,120 --> 01:12:18,920
Speaker 3: Brian getting in with Dom, Like it was too easy

1390
01:12:19,000 --> 01:12:22,000
Speaker 3: for Brian. All you gotta do to be good is

1391
01:12:22,280 --> 01:12:24,280
Speaker 3: literally have skills with the car, and they're like, cool, man,

1392
01:12:24,320 --> 01:12:26,280
Speaker 3: if you can drive fast, yeah, I don't care. I

1393
01:12:26,320 --> 01:12:30,440
Speaker 3: will do the bare minimum. Because they hired three drivers

1394
01:12:30,520 --> 01:12:33,120
Speaker 3: from the same crew. All of what you're trying to

1395
01:12:33,120 --> 01:12:36,840
Speaker 3: bring down this guy Braga. You know, all he's got

1396
01:12:36,920 --> 01:12:39,120
Speaker 3: is the old switcheroo. He doesn't have many other tricks

1397
01:12:39,160 --> 01:12:40,360
Speaker 3: up his sleeve. I don't think.

1398
01:12:40,280 --> 01:12:44,680
Speaker 1: No again, this is a terrible strategy killing your drivers

1399
01:12:44,760 --> 01:12:48,559
Speaker 1: because you have to. Eventually you're gonna get to cops.

1400
01:12:48,560 --> 01:12:51,639
Speaker 1: If you go through that many drivers, they're gonna there's

1401
01:12:51,800 --> 01:12:56,439
Speaker 1: gonna be some people who are don't have your best

1402
01:12:56,439 --> 01:12:59,080
Speaker 1: interest at heart, you know, all right?

1403
01:12:59,160 --> 01:13:02,360
Speaker 2: So Dom leaves in a in a tizzy, and uh

1404
01:13:02,800 --> 01:13:05,120
Speaker 2: we now he had a bunch of like FBI stuff,

1405
01:13:07,160 --> 01:13:09,599
Speaker 2: I laughed out loud the FBI to Brian at some point.

1406
01:13:09,640 --> 01:13:10,559
Speaker 2: I don't know if I have it in the right

1407
01:13:10,640 --> 01:13:12,080
Speaker 2: order here, but it says you better have one hell

1408
01:13:12,120 --> 01:13:19,160
Speaker 2: of an explanation, like yeah, let's say here. But Brian

1409
01:13:19,200 --> 01:13:22,679
Speaker 2: basically tells his superiors that in exchange for Dom's pardon,

1410
01:13:23,280 --> 01:13:27,400
Speaker 2: he will lure Braga into a trap and then force

1411
01:13:27,520 --> 01:13:30,439
Speaker 2: him to show up exchange money for the heroine, and

1412
01:13:30,479 --> 01:13:33,120
Speaker 2: then at the drop site they could get him. That's

1413
01:13:33,200 --> 01:13:36,280
Speaker 2: the plan. I have like glossed over a lot of

1414
01:13:36,320 --> 01:13:38,960
Speaker 2: the FBI stuff, like his him getting into it with

1415
01:13:39,000 --> 01:13:43,000
Speaker 2: the other cops. Mainly I guess the time where he

1416
01:13:43,120 --> 01:13:46,679
Speaker 2: steals Mia right, when did that even happen? I can't

1417
01:13:46,760 --> 01:13:50,280
Speaker 2: keep track of that. That was yeah, right, because he

1418
01:13:50,320 --> 01:13:54,720
Speaker 2: takes the guy from Boardwalk Empires. Yeah, like she's in there. Yeah,

1419
01:13:54,760 --> 01:13:57,040
Speaker 2: and then that is you're right, that's a long time ago.

1420
01:13:57,120 --> 01:13:58,920
Speaker 2: So he but then he's pissed off about that, and

1421
01:13:59,000 --> 01:14:01,759
Speaker 2: Brian just beats the crap out of him too. Brian

1422
01:14:01,800 --> 01:14:03,120
Speaker 2: gets away with a lot of stuff.

1423
01:14:03,160 --> 01:14:07,599
Speaker 1: Man, guy, he's a terrible police officer. He's absolutely the worst.

1424
01:14:07,640 --> 01:14:10,160
Speaker 1: He has no business working in law enforcement.

1425
01:14:10,920 --> 01:14:13,720
Speaker 2: Right, it's a good point. So we can just go

1426
01:14:13,800 --> 01:14:17,360
Speaker 2: to this the drop site here, the man who claims

1427
01:14:17,360 --> 01:14:19,759
Speaker 2: to be Braga, he comes out. He looks like a Braga.

1428
01:14:19,800 --> 01:14:20,759
Speaker 2: This guy looks cool.

1429
01:14:20,760 --> 01:14:20,960
Speaker 1: Man.

1430
01:14:21,000 --> 01:14:24,559
Speaker 2: This guy looks like he's a drug overlord, but he's not.

1431
01:14:25,520 --> 01:14:33,679
Speaker 2: He is revealed to be a decoy machine. Yeah. Yeah, ah,

1432
01:14:33,920 --> 01:14:38,160
Speaker 2: this was really confusing this whole what's going on back

1433
01:14:38,960 --> 01:14:45,120
Speaker 2: with uh what's her name? Brian's like, uh, yeah.

1434
01:14:45,000 --> 01:14:49,479
Speaker 1: Brian, Brian's assistant or partner is a trend, It's possible,

1435
01:14:49,760 --> 01:14:53,240
Speaker 1: very possible. Yeah, I'm looking at IMDb and I'm seeing

1436
01:14:54,280 --> 01:14:55,479
Speaker 1: I think it's I think it's true.

1437
01:14:55,520 --> 01:14:57,479
Speaker 2: But what's going on here?

1438
01:14:57,600 --> 01:14:57,880
Speaker 1: Though?

1439
01:14:58,080 --> 01:15:02,120
Speaker 2: They're they're waiting on the prints from the shot classes.

1440
01:15:02,160 --> 01:15:03,599
Speaker 2: I know there was a there was a big hold

1441
01:15:03,680 --> 01:15:05,400
Speaker 2: up with the databases that they were gonna have to

1442
01:15:05,400 --> 01:15:06,479
Speaker 2: be doing this through.

1443
01:15:06,320 --> 01:15:09,719
Speaker 3: Like, yeah, gotta manually enter them all, gonna take some time.

1444
01:15:09,960 --> 01:15:11,880
Speaker 2: Why do we I guess I just wait a day

1445
01:15:12,000 --> 01:15:13,400
Speaker 2: or two then for the drop.

1446
01:15:14,160 --> 01:15:16,760
Speaker 3: Yeah, why not wait until you actually have all of

1447
01:15:16,760 --> 01:15:21,240
Speaker 3: the evidence before going for it. But yeah, incredible delaying

1448
01:15:21,600 --> 01:15:25,120
Speaker 3: of the reveal here to not only set it up early,

1449
01:15:25,200 --> 01:15:27,599
Speaker 3: like this is gonna take a long time. They're gonna

1450
01:15:27,600 --> 01:15:29,599
Speaker 3: have to do a lot of work to figure this out.

1451
01:15:29,720 --> 01:15:32,559
Speaker 3: Then they do get confirmation and like JD said, it's

1452
01:15:32,560 --> 01:15:35,240
Speaker 3: a fax machine in two thousand and nine, they're facts

1453
01:15:35,320 --> 01:15:38,439
Speaker 3: and they're faxing that info and we only get half

1454
01:15:38,520 --> 01:15:41,280
Speaker 3: the page at first. Oh no, are we gonna do

1455
01:15:41,320 --> 01:15:43,680
Speaker 3: this about seeing their the head because you know a

1456
01:15:43,680 --> 01:15:45,679
Speaker 3: lot of printers come bottom first.

1457
01:15:45,840 --> 01:15:48,160
Speaker 1: Yeah, you ever seen a printer that does that? Hey

1458
01:15:48,520 --> 01:15:52,599
Speaker 1: bottom part. It's a it's a heavily modified fax machine

1459
01:15:52,640 --> 01:15:55,720
Speaker 1: like those like the pickup tracks at the beginning of

1460
01:15:55,760 --> 01:15:56,280
Speaker 1: the movie.

1461
01:15:56,479 --> 01:16:02,200
Speaker 3: Heavily modified, not factory tune the bottom. First, we learned.

1462
01:16:01,840 --> 01:16:07,000
Speaker 2: That Campos this whole time, he's the real Braga. That's

1463
01:16:07,000 --> 01:16:09,240
Speaker 2: a slick move by him. I'll give him that. Yeah,

1464
01:16:09,439 --> 01:16:13,360
Speaker 2: though decoy there. Uh. He escapes with Phoenix and they're

1465
01:16:13,400 --> 01:16:18,320
Speaker 2: off the Mexico within this like the chaos though Phoenix

1466
01:16:18,400 --> 01:16:22,439
Speaker 2: nearly runs over Giselle, but Dom saves her. He's a

1467
01:16:22,479 --> 01:16:26,400
Speaker 2: hero here. And look the failed trap if you want

1468
01:16:26,400 --> 01:16:29,439
Speaker 2: to call it, that gets Brian taken off the active duty.

1469
01:16:29,479 --> 01:16:31,960
Speaker 2: That that was it. He had this one to get

1470
01:16:31,960 --> 01:16:35,040
Speaker 2: it right. He blew it. O. I wouldn't say he

1471
01:16:35,080 --> 01:16:35,840
Speaker 2: really blew it.

1472
01:16:35,720 --> 01:16:37,360
Speaker 1: It, just definitely did not blow it.

1473
01:16:37,520 --> 01:16:37,800
Speaker 2: Yeah.

1474
01:16:37,840 --> 01:16:41,240
Speaker 1: And in fact that they were saying, like we're the brass,

1475
01:16:41,320 --> 01:16:43,920
Speaker 1: was like move in, move in, and they're like, we

1476
01:16:44,000 --> 01:16:46,600
Speaker 1: haven't heard. He hasn't given us the signal yet, like

1477
01:16:47,120 --> 01:16:49,479
Speaker 1: right right, true, Like they had already figured it out

1478
01:16:49,600 --> 01:16:52,040
Speaker 1: on on the ground right Like they were like, I

1479
01:16:52,040 --> 01:16:55,679
Speaker 1: don't think this guy is Braga, Like this isn't definitely

1480
01:16:55,720 --> 01:17:00,280
Speaker 1: not Braga move in anyways. And I and now that

1481
01:17:00,320 --> 01:17:02,880
Speaker 1: I think about it, did they not put didn't the

1482
01:17:02,920 --> 01:17:05,519
Speaker 1: top brass go like you got to solve this in

1483
01:17:05,560 --> 01:17:08,000
Speaker 1: two days or whatever. Forty eight hours. I'm giving you

1484
01:17:08,040 --> 01:17:11,240
Speaker 1: forty eight hours, Brian. And that's why they went and

1485
01:17:11,280 --> 01:17:13,360
Speaker 1: that's why they didn't wait for the evidence. Oh yeah,

1486
01:17:13,520 --> 01:17:16,200
Speaker 1: quote unquote evidence but still come on.

1487
01:17:16,600 --> 01:17:19,880
Speaker 2: Yeah yeah, so Brian, you're out of here again.

1488
01:17:19,960 --> 01:17:20,160
Speaker 3: Man.

1489
01:17:20,160 --> 01:17:21,800
Speaker 2: I don't know how he strikes this guy gets with

1490
01:17:21,840 --> 01:17:24,920
Speaker 2: the with the force. But here you going again. We

1491
01:17:25,040 --> 01:17:27,760
Speaker 2: cut to uh, I think we cut here to Dom

1492
01:17:27,800 --> 01:17:31,599
Speaker 2: brooding once again at the cemetery. Just a quick shot

1493
01:17:31,640 --> 01:17:36,240
Speaker 2: t K acting from Vin Diesel seeking revenge.

1494
01:17:36,840 --> 01:17:38,880
Speaker 3: Yeah, you know he's really feeling it with the arms

1495
01:17:38,920 --> 01:17:42,840
Speaker 3: or crosss, yes, staring down man. That's that's when Dom

1496
01:17:42,960 --> 01:17:46,479
Speaker 3: is at his most brooding, is when he's looking angry.

1497
01:17:46,520 --> 01:17:49,519
Speaker 3: There's no other way to say it, but just standing.

1498
01:17:49,520 --> 01:17:51,320
Speaker 3: We get a shot of the gravestone too.

1499
01:17:52,880 --> 01:17:55,080
Speaker 2: Z Ah, that's what it was. It was really dark

1500
01:17:55,120 --> 01:17:57,400
Speaker 2: on my screen. I was like, I'm not rewinding that

1501
01:17:57,439 --> 01:17:59,160
Speaker 2: to actually see what it was, but I was like,

1502
01:17:59,160 --> 01:18:01,200
Speaker 2: I know, it doesn't say let. I was like, I

1503
01:18:01,240 --> 01:18:03,920
Speaker 2: was thinking, like, oh, I wonder if like die Hard,

1504
01:18:03,960 --> 01:18:07,280
Speaker 2: Fast and Furious bands were like, oh that's her real name?

1505
01:18:07,560 --> 01:18:08,679
Speaker 2: Like was that the reveal?

1506
01:18:08,760 --> 01:18:09,120
Speaker 1: I don't know?

1507
01:18:09,200 --> 01:18:09,880
Speaker 2: Did anybody care?

1508
01:18:10,200 --> 01:18:10,639
Speaker 1: Who knows?

1509
01:18:10,800 --> 01:18:11,559
Speaker 2: Maybe? Yeah?

1510
01:18:11,600 --> 01:18:14,040
Speaker 1: Maybe I love those shots. I will say that the

1511
01:18:14,479 --> 01:18:17,519
Speaker 1: Justin Lynn is great at setting up those They look

1512
01:18:17,640 --> 01:18:20,200
Speaker 1: like album covers, you know, or is it you know

1513
01:18:20,360 --> 01:18:24,240
Speaker 1: the the there is just it's just an awesome visual

1514
01:18:24,240 --> 01:18:27,400
Speaker 1: in the movement of the camera. I mean it looks great.

1515
01:18:27,439 --> 01:18:31,080
Speaker 1: It's like a music video almost, I guess. But I

1516
01:18:31,120 --> 01:18:34,280
Speaker 1: love those little motifs that he does. They're great.

1517
01:18:35,400 --> 01:18:38,960
Speaker 2: We go now to I think we're at Dom's garage.

1518
01:18:40,240 --> 01:18:43,080
Speaker 2: I think is where we end up. It's like, again,

1519
01:18:43,120 --> 01:18:46,360
Speaker 2: if they really wanted to bring this guy in, he's

1520
01:18:46,400 --> 01:18:48,640
Speaker 2: like in one of two spots, like just go to

1521
01:18:48,720 --> 01:18:51,519
Speaker 2: one of those spots. It's usually at his garage. That's

1522
01:18:51,520 --> 01:18:53,519
Speaker 2: where he's at, which I think is his house. I

1523
01:18:53,560 --> 01:18:58,320
Speaker 2: don't know. But Brian and him, you know, team up here,

1524
01:18:59,280 --> 01:19:01,599
Speaker 2: you know, let's go get braga, let's do this together.

1525
01:19:02,160 --> 01:19:04,680
Speaker 2: We get a great line, Trey. I'm sure you loved it.

1526
01:19:04,720 --> 01:19:08,040
Speaker 2: Maybe you wrote it down where he says Buster became

1527
01:19:08,120 --> 01:19:13,519
Speaker 2: a gearhead. Dom says to Brian, who knows a ton

1528
01:19:13,560 --> 01:19:16,120
Speaker 2: about cars, So like it was a weird line because

1529
01:19:16,120 --> 01:19:18,920
Speaker 2: I was like, he's sort of always known about cars,

1530
01:19:18,960 --> 01:19:21,519
Speaker 2: Like that's one thing you can't say, you know, that's

1531
01:19:21,520 --> 01:19:24,439
Speaker 2: one thing you can say about Brian. Yeah, guy knows cars.

1532
01:19:25,439 --> 01:19:27,360
Speaker 2: I guess he's got the respect to Dom here. Now

1533
01:19:27,560 --> 01:19:30,880
Speaker 2: you met him at a street race? Yeah, like when

1534
01:19:30,880 --> 01:19:31,400
Speaker 2: you met him.

1535
01:19:31,439 --> 01:19:33,080
Speaker 3: Not only did you meet him at a street race,

1536
01:19:33,360 --> 01:19:36,120
Speaker 3: he was working for an auto parts store.

1537
01:19:37,600 --> 01:19:39,559
Speaker 2: No, it's like he's been a care ahead.

1538
01:19:40,040 --> 01:19:42,880
Speaker 1: They literally knew built a car together, didn't they?

1539
01:19:43,040 --> 01:19:51,240
Speaker 3: Like, Yes, the relationship is basically started by cars. That's

1540
01:19:51,280 --> 01:19:54,240
Speaker 3: like the one thing they have in common from the jump.

1541
01:19:55,760 --> 01:19:59,040
Speaker 3: But I guess the buster has become a gear. It's fundy,

1542
01:19:59,080 --> 01:20:01,479
Speaker 3: you're Buster again, I will say. I smiled at that.

1543
01:20:01,840 --> 01:20:05,479
Speaker 2: So the same sort of scene, the same set up here.

1544
01:20:05,560 --> 01:20:09,720
Speaker 2: Mia comes home doing some late night grocery shopping. She's upset,

1545
01:20:10,240 --> 01:20:13,479
Speaker 2: but Brian and her makeout. It's all good, and then

1546
01:20:13,520 --> 01:20:16,719
Speaker 2: they say goodbye, and Mia says goodbye to her brother

1547
01:20:16,840 --> 01:20:19,479
Speaker 2: Dom as they head off. They're going to travel to

1548
01:20:19,520 --> 01:20:22,240
Speaker 2: Mexico here and try and get Braga, so that's where

1549
01:20:22,280 --> 01:20:25,080
Speaker 2: they go. Anything to add from that little scene there

1550
01:20:25,120 --> 01:20:27,439
Speaker 2: at the house or the garage with Mia saying goodbye

1551
01:20:27,600 --> 01:20:31,559
Speaker 2: and the little sexy time between Brian and Mia, No, JD.

1552
01:20:31,760 --> 01:20:36,320
Speaker 1: Nothing, I honestly nothing. I mean it was a little

1553
01:20:36,320 --> 01:20:40,320
Speaker 1: bit emotional when Dom is She's like, how do I

1554
01:20:40,360 --> 01:20:42,840
Speaker 1: say goodbye to my only brother? And he's just like,

1555
01:20:43,720 --> 01:20:46,160
Speaker 1: you don't you just don't say goodbye.

1556
01:20:46,439 --> 01:20:49,640
Speaker 2: Interesting you said only brother too.

1557
01:20:50,280 --> 01:20:50,519
Speaker 3: Yeah.

1558
01:20:50,720 --> 01:20:54,840
Speaker 2: Doing a little research into that line, and spoiler alert,

1559
01:20:54,880 --> 01:20:57,800
Speaker 2: I don't think that's true later on down the line,

1560
01:20:57,800 --> 01:21:01,519
Speaker 2: but I will leave that right now. So they are

1561
01:21:01,560 --> 01:21:04,760
Speaker 2: off to Mexico to try and catch Braga. I guess

1562
01:21:04,800 --> 01:21:08,519
Speaker 2: they're in a rebuilt seventy Dodge Charger RT. They get

1563
01:21:08,560 --> 01:21:11,840
Speaker 2: the help from wonder Woman Gazelle. She gives them directions.

1564
01:21:12,200 --> 01:21:15,600
Speaker 2: They have a little moment there between them Dom and

1565
01:21:15,680 --> 01:21:19,680
Speaker 2: Gizelle for saving her life again. She's like, here you

1566
01:21:19,720 --> 01:21:25,960
Speaker 2: go bye. So weird and you want to talk about

1567
01:21:26,200 --> 01:21:28,400
Speaker 2: I was like looking at the time in the movie

1568
01:21:28,439 --> 01:21:30,160
Speaker 2: at this point like Jesus, like we got to get

1569
01:21:30,160 --> 01:21:32,040
Speaker 2: this guy still, and then like, what's going to be

1570
01:21:32,080 --> 01:21:35,000
Speaker 2: the fallout with these two guys. I'm like, you think

1571
01:21:35,040 --> 01:21:39,559
Speaker 2: it would take a little bit of time to find Braga. Nope,

1572
01:21:39,640 --> 01:21:42,720
Speaker 2: I guess she's given them the coordinates and he's at

1573
01:21:42,720 --> 01:21:47,879
Speaker 2: a church. They sneak up on this guy so easily.

1574
01:21:50,120 --> 01:21:53,360
Speaker 2: It was like I laughed out loud, how easy it was.

1575
01:21:53,360 --> 01:21:57,040
Speaker 2: Like I get it. He's in church, he's praying, but

1576
01:21:57,120 --> 01:21:59,280
Speaker 2: there's a bunch of his henchmen out there, Like how

1577
01:21:59,320 --> 01:22:01,000
Speaker 2: did they get in? He just came in the back

1578
01:22:01,160 --> 01:22:06,280
Speaker 2: like it was really easy. So you think Dom's gonna

1579
01:22:06,280 --> 01:22:09,680
Speaker 2: shoot him Braga. He doesn't though, No, no, no, We're

1580
01:22:09,720 --> 01:22:12,160
Speaker 2: gonna do this like you know Brian's way. I guess

1581
01:22:12,160 --> 01:22:15,080
Speaker 2: will Ryan style. We'll put him in jail and uh.

1582
01:22:15,920 --> 01:22:18,960
Speaker 2: Then Phoenix gets a call gets pulled away from his

1583
01:22:19,040 --> 01:22:25,439
Speaker 2: cock fighting. He mus a really good bird in that

1584
01:22:25,560 --> 01:22:29,599
Speaker 2: fight because he is livid. I don't think he's livid

1585
01:22:29,600 --> 01:22:31,439
Speaker 2: that he's got to go help out Braga. He's livid

1586
01:22:31,479 --> 01:22:33,960
Speaker 2: that he's like getting pulled away from this cockfighting. And

1587
01:22:34,000 --> 01:22:36,639
Speaker 2: then this thing just turns into a scene from Mad Max.

1588
01:22:36,680 --> 01:22:38,519
Speaker 2: You said it, JD. It's like, we get this whole

1589
01:22:38,560 --> 01:22:41,760
Speaker 2: desert shot and they're trying to escape. They're trying to

1590
01:22:41,840 --> 01:22:44,439
Speaker 2: hit the tunnels again they of course do. They're being

1591
01:22:44,520 --> 01:22:48,400
Speaker 2: chased by everybody. We get a bunch of tunnel stuff here.

1592
01:22:48,840 --> 01:22:54,560
Speaker 2: It ends with Brian getting t boned because of Phoenix.

1593
01:22:56,320 --> 01:22:58,719
Speaker 2: Do they just crashed through the side of the mountain

1594
01:22:58,840 --> 01:23:00,960
Speaker 2: and spit out on the other side, I don't know.

1595
01:23:01,240 --> 01:23:05,080
Speaker 2: We got Dom jumping from his car into another henchman's car.

1596
01:23:05,800 --> 01:23:08,920
Speaker 2: He pushes him out, he takes control. It sets off

1597
01:23:08,960 --> 01:23:12,599
Speaker 2: this chain reaction of tunnels collapsing. You know, he kills

1598
01:23:12,600 --> 01:23:14,360
Speaker 2: all these guys because he basically gets them trapped in

1599
01:23:14,400 --> 01:23:18,360
Speaker 2: the mountain there and then before Phoenix because they've like

1600
01:23:18,479 --> 01:23:21,160
Speaker 2: crashed out the side of the mountain or the tunnels.

1601
01:23:21,520 --> 01:23:25,280
Speaker 2: Phoenix is gonna kill Brian. But here comes Dom saves

1602
01:23:25,320 --> 01:23:30,840
Speaker 2: the day. Just straight drives his car into Phoenix. He

1603
01:23:31,000 --> 01:23:34,559
Speaker 2: chops the dude in half. I did laugh, Brian holding

1604
01:23:34,600 --> 01:23:35,120
Speaker 2: his foot.

1605
01:23:35,320 --> 01:23:38,679
Speaker 3: Yeah, you're not going anywhere, gotcha?

1606
01:23:39,080 --> 01:23:43,599
Speaker 2: And yeah, Dom avenges led his death there by driving

1607
01:23:43,640 --> 01:23:46,519
Speaker 2: his car into him. And then I mean, we can

1608
01:23:46,560 --> 01:23:48,439
Speaker 2: go back over things if you want, guys. But as

1609
01:23:48,479 --> 01:23:51,800
Speaker 2: the police and helicopters start showing up, Brian says, you

1610
01:23:51,840 --> 01:23:55,400
Speaker 2: gotta get out of here, man, but Dom refuses. He's

1611
01:23:55,439 --> 01:24:00,240
Speaker 2: not running anymore. Man. Almost almost took me back to

1612
01:24:00,280 --> 01:24:04,800
Speaker 2: Tokyo Drift where Sean's no Dad. I gotta I gotta

1613
01:24:04,880 --> 01:24:07,360
Speaker 2: deal with this a little differently. We can't keep running

1614
01:24:07,400 --> 01:24:10,559
Speaker 2: from our problems. Here are the mistakes we made. And uh, yeah,

1615
01:24:10,600 --> 01:24:14,440
Speaker 2: well I'll stop there for a second. Tunnel tunnel sequence.

1616
01:24:15,720 --> 01:24:17,720
Speaker 2: Uh A fan of it?

1617
01:24:17,840 --> 01:24:23,439
Speaker 1: JD or No not a fan. It's too dark, it's

1618
01:24:23,520 --> 01:24:27,240
Speaker 1: too as impossible to tell what the hell was going on.

1619
01:24:27,520 --> 01:24:30,760
Speaker 1: I mean, I guess I appreciated that we've been in

1620
01:24:30,800 --> 01:24:34,840
Speaker 1: the tunnels before and we know that they're confusing, and uh,

1621
01:24:34,960 --> 01:24:40,160
Speaker 1: you know, but the whole, the whole thing with Dom,

1622
01:24:41,560 --> 01:24:44,559
Speaker 1: I don't know what was more preposterous, him removing the

1623
01:24:44,720 --> 01:24:47,840
Speaker 1: door of his car or him jumping into the other

1624
01:24:47,920 --> 01:24:53,120
Speaker 1: person's car. You know, but you know what, Fine, that's

1625
01:24:53,160 --> 01:24:56,320
Speaker 1: all fine. We're now we're getting into superhero James Bond stuff,

1626
01:24:56,320 --> 01:24:58,479
Speaker 1: and that's good. That's where we want to go. That's

1627
01:24:58,520 --> 01:25:03,320
Speaker 1: where this whole thing is added by. Honestly, the biggest

1628
01:25:03,439 --> 01:25:07,400
Speaker 1: problem I had was avoiding getting shot by popping a

1629
01:25:07,439 --> 01:25:08,519
Speaker 1: wheelie in a car.

1630
01:25:08,800 --> 01:25:12,320
Speaker 3: Oh yeah, you know, yeah.

1631
01:25:11,560 --> 01:25:14,880
Speaker 2: Like that is the part where Dom is driving at

1632
01:25:14,880 --> 01:25:18,160
Speaker 2: Phoenix and he's gonna let fire and yeah, he pops

1633
01:25:18,200 --> 01:25:19,719
Speaker 2: it up, you're right, blocks himself.

1634
01:25:20,439 --> 01:25:23,360
Speaker 1: How how is that done? I mean, drifting is a

1635
01:25:23,400 --> 01:25:26,759
Speaker 1: mystery to me, but but actually pulling off a wheelie

1636
01:25:26,760 --> 01:25:31,559
Speaker 1: in a car, you know, I mean, I can understand

1637
01:25:31,560 --> 01:25:34,439
Speaker 1: the torque when you're on the when you're just starting

1638
01:25:34,520 --> 01:25:37,479
Speaker 1: a race, and we've seen it before, but that makes

1639
01:25:37,560 --> 01:25:40,920
Speaker 1: more sense to me. But just at will just yanking

1640
01:25:41,000 --> 01:25:45,440
Speaker 1: back on that steering whe else is it done?

1641
01:25:46,040 --> 01:25:48,760
Speaker 2: Yeah he doesn't. Yeah, we don't think he has hydraulics

1642
01:25:48,800 --> 01:25:51,519
Speaker 2: on this thing. It's not it's not even his car.

1643
01:25:51,680 --> 01:25:55,559
Speaker 3: Now he's into somebody else's car and he instantly knows

1644
01:25:55,560 --> 01:25:58,160
Speaker 3: how to pull off the wheelie. I'm with you, JD. Like, Okay,

1645
01:25:58,160 --> 01:26:00,920
Speaker 3: it's unbelievable that he pulls off a wheelie the first

1646
01:26:00,920 --> 01:26:03,639
Speaker 3: time when they're racing, but at least it's from the start,

1647
01:26:03,800 --> 01:26:06,840
Speaker 3: so maybe I don't know, I don't understand how it

1648
01:26:06,880 --> 01:26:08,960
Speaker 3: works physics wise, but at least you can fake it and

1649
01:26:09,040 --> 01:26:10,840
Speaker 3: be like, oh, they're starting from a stop.

1650
01:26:10,920 --> 01:26:12,400
Speaker 1: We here we go. Yeah.

1651
01:26:12,439 --> 01:26:16,320
Speaker 3: Yeah, but a mid drive wheelie a little unbelievable in

1652
01:26:16,320 --> 01:26:19,040
Speaker 3: a car that he's been driving for about thirty seconds

1653
01:26:19,040 --> 01:26:21,320
Speaker 3: at that point. So it's the best.

1654
01:26:21,680 --> 01:26:25,800
Speaker 2: Yeah. I hate the tunnel racing. It's just so confusing.

1655
01:26:25,840 --> 01:26:28,719
Speaker 2: I couldn't believe I was hoping or I was wishing

1656
01:26:28,720 --> 01:26:31,280
Speaker 2: there was a bunch of people on cell phones recording it,

1657
01:26:31,680 --> 01:26:33,719
Speaker 2: putting it to stream yard so I could maybe follow

1658
01:26:33,760 --> 01:26:36,040
Speaker 2: it a little better standing in the tunnel.

1659
01:26:36,080 --> 01:26:39,120
Speaker 1: Yeah exactly, But I mean, like the fact that they're

1660
01:26:39,120 --> 01:26:41,559
Speaker 1: in a tunnel doesn't bother me as much. But it's

1661
01:26:41,560 --> 01:26:44,599
Speaker 1: so tight and so close, and I wonder if Justin

1662
01:26:44,680 --> 01:26:47,800
Speaker 1: Lynn was just like, we kind of screwed ourselves here

1663
01:26:47,960 --> 01:26:50,040
Speaker 1: because you can't get a wide shot, You can't get

1664
01:26:50,080 --> 01:26:53,240
Speaker 1: any perspective of where where we are in relation to

1665
01:26:53,280 --> 01:26:56,559
Speaker 1: everybody else. You needed a GPS, I think in that

1666
01:26:56,680 --> 01:27:00,840
Speaker 1: scene as well. Yeah, like some sort of indicator where

1667
01:27:00,840 --> 01:27:02,439
Speaker 1: we were and what the hell was happening.

1668
01:27:02,760 --> 01:27:07,040
Speaker 2: Well, that's so true because they probably were like these tunnels, Like,

1669
01:27:07,080 --> 01:27:09,839
Speaker 2: if we're being realistic here, they're gonna build the tunnels

1670
01:27:09,920 --> 01:27:13,000
Speaker 2: only one car width probably, I guess maybe they're going

1671
01:27:13,120 --> 01:27:15,120
Speaker 2: back and forth. But they turn it into like a

1672
01:27:15,120 --> 01:27:18,280
Speaker 2: two lane highway right in the tunnel there, and we

1673
01:27:18,400 --> 01:27:20,920
Speaker 2: have like offshoots and like you can go left and

1674
01:27:21,040 --> 01:27:24,120
Speaker 2: right and like, yeah, trying, I think, just trying to

1675
01:27:24,120 --> 01:27:26,719
Speaker 2: give it a little bit more space to work with. Yeah,

1676
01:27:26,880 --> 01:27:30,040
Speaker 2: decisions to be made of where to go. But yeah,

1677
01:27:30,120 --> 01:27:32,800
Speaker 2: not a not a fan of the tunnel racing. I

1678
01:27:33,400 --> 01:27:34,240
Speaker 2: was happy it ended.

1679
01:27:34,479 --> 01:27:37,120
Speaker 3: I also just think it's like very strange that they

1680
01:27:37,160 --> 01:27:40,040
Speaker 3: did two tunnel races in the same movie, Like we

1681
01:27:40,080 --> 01:27:42,000
Speaker 3: didn't really need to go back and see that again.

1682
01:27:42,040 --> 01:27:44,599
Speaker 3: Through the first time it was confusing, but I mean,

1683
01:27:44,640 --> 01:27:47,000
Speaker 3: it's cool to see once, but you're just doing the

1684
01:27:47,040 --> 01:27:50,320
Speaker 3: exact same thing the second time. That being said, something

1685
01:27:50,320 --> 01:27:52,639
Speaker 3: that always works for the end for me in these

1686
01:27:52,680 --> 01:27:56,240
Speaker 3: movies is when the villain is sitting in the passenger

1687
01:27:56,320 --> 01:27:58,800
Speaker 3: seat driving along with somebody. We saw it in A

1688
01:27:59,080 --> 01:28:02,400
Speaker 3: Too Fast when Brian and Roman were both driving and

1689
01:28:02,439 --> 01:28:04,720
Speaker 3: they had the assassins sitting in their front seat and

1690
01:28:04,720 --> 01:28:06,599
Speaker 3: they had jokes going back and forth. I think Brag

1691
01:28:06,640 --> 01:28:09,960
Speaker 3: has great here where he's like, who are you getting nervous?

1692
01:28:10,080 --> 01:28:11,840
Speaker 3: You sure you know where the tunnels are? You know?

1693
01:28:11,920 --> 01:28:14,880
Speaker 3: I just love that concept, having the villain sitting there

1694
01:28:15,200 --> 01:28:16,960
Speaker 3: heckling the guy who's trying to take him down.

1695
01:28:17,040 --> 01:28:20,160
Speaker 2: Yeah, totally would have loved an Ejecto seat though.

1696
01:28:20,439 --> 01:28:24,000
Speaker 3: Nina Ejectosito, come on inside the mountain.

1697
01:28:24,720 --> 01:28:30,799
Speaker 2: Yeah, So okay, it is what it is. Despite Brian's

1698
01:28:30,800 --> 01:28:34,839
Speaker 2: requests for clemency, the judge sentence his Dawn to twenty

1699
01:28:34,840 --> 01:28:37,559
Speaker 2: five years to life in prison. A little nice, nice

1700
01:28:37,560 --> 01:28:39,760
Speaker 2: little twist. I thought, you know, I guess you're just

1701
01:28:39,800 --> 01:28:42,960
Speaker 2: thinking they're probably gonna let him off here, and he

1702
01:28:43,000 --> 01:28:47,320
Speaker 2: did save his life he saved an officer's life. But

1703
01:28:47,880 --> 01:28:51,760
Speaker 2: the judge is like, I mean, you did one right thing,

1704
01:28:51,880 --> 01:28:54,280
Speaker 2: but you basically just broke the law for the last

1705
01:28:54,360 --> 01:28:57,160
Speaker 2: like thirty years of your life. Here you're going to

1706
01:28:57,240 --> 01:28:59,240
Speaker 2: jail man now twenty five years of life. Maybe a

1707
01:28:59,280 --> 01:29:02,400
Speaker 2: little harsh no parole, I think he says to too.

1708
01:29:02,520 --> 01:29:06,840
Speaker 2: He slips in there. But but but Brian of course

1709
01:29:06,880 --> 01:29:10,640
Speaker 2: done with the FBI, got Dom boarding a prison bus,

1710
01:29:10,680 --> 01:29:13,280
Speaker 2: going to be transported to the penitentiary, and the movie

1711
01:29:13,400 --> 01:29:18,160
Speaker 2: ends with oh, yeah, you guessed it, Brian, mia Leo

1712
01:29:18,200 --> 01:29:22,880
Speaker 2: and Santos arriving in their cars to bust Dom out.

1713
01:29:22,920 --> 01:29:25,479
Speaker 2: And that's a that's where we end, little cliffhanger there.

1714
01:29:25,880 --> 01:29:28,000
Speaker 2: They like to do that in the Fast and Furious franchise,

1715
01:29:28,040 --> 01:29:31,600
Speaker 2: don't They like set up the final thing but not

1716
01:29:31,600 --> 01:29:34,720
Speaker 2: not really show you what happens, leaves it to your imagination.

1717
01:29:34,920 --> 01:29:36,760
Speaker 3: But yeah, the implied hijackie.

1718
01:29:36,840 --> 01:29:39,720
Speaker 2: Yeah, yeah, the way to end, and that is a

1719
01:29:39,800 --> 01:29:41,639
Speaker 2: that's the movie. We just went through that whole day

1720
01:29:41,680 --> 01:29:44,599
Speaker 2: on thing. Okay, so we'll do this a little quicker

1721
01:29:44,640 --> 01:29:46,080
Speaker 2: than normal here because I feel like we took a

1722
01:29:46,120 --> 01:29:50,680
Speaker 2: long time really detailed break down the fast we did

1723
01:29:50,720 --> 01:29:53,120
Speaker 2: cover a lot. We did. Jenny, we'll go you to

1724
01:29:53,160 --> 01:29:55,639
Speaker 2: first the fast is your favorite scene? Car quote whatever?

1725
01:29:55,680 --> 01:30:00,280
Speaker 1: What did you love my favorite scene? I mean, it's

1726
01:30:00,320 --> 01:30:03,719
Speaker 1: a bit of a stretch saying it's my favorite scene,

1727
01:30:03,880 --> 01:30:08,080
Speaker 1: as if I liked this movie. But I was surprised

1728
01:30:08,240 --> 01:30:15,240
Speaker 1: when when Dom calls on Letty's phone and Brian's phone rings,

1729
01:30:15,720 --> 01:30:20,040
Speaker 1: I was I was legit like, oh shit, like this

1730
01:30:20,240 --> 01:30:21,280
Speaker 1: is okay.

1731
01:30:21,560 --> 01:30:22,920
Speaker 2: Yeah.

1732
01:30:23,360 --> 01:30:27,679
Speaker 1: I wonder why Brian didn't mention, like what was the

1733
01:30:27,720 --> 01:30:30,839
Speaker 1: reason for not telling Dom right from the very beginning.

1734
01:30:31,320 --> 01:30:34,320
Speaker 1: But I was surprised. I was shocked, and I did.

1735
01:30:35,320 --> 01:30:39,200
Speaker 1: I liked that sort of the tension that it added

1736
01:30:39,240 --> 01:30:43,400
Speaker 1: to an already tense relationship between them, So and I

1737
01:30:43,439 --> 01:30:45,760
Speaker 1: was surprised, and I always liked to be surprised, so

1738
01:30:47,200 --> 01:30:49,759
Speaker 1: you know, and I love that trope of of I wonder,

1739
01:30:49,920 --> 01:30:52,200
Speaker 1: I wonder whose phone is going to ring, and it's like, oh,

1740
01:30:52,240 --> 01:30:55,519
Speaker 1: it's the guy next to me who's been Yeah. So

1741
01:30:55,640 --> 01:30:58,680
Speaker 1: that was cool, you know. But I don't have a

1742
01:30:58,680 --> 01:31:00,599
Speaker 1: lot of favorites in this movie.

1743
01:31:00,680 --> 01:31:05,160
Speaker 2: Unfortunately, I thought earlier in the movie crossed my mind

1744
01:31:05,200 --> 01:31:08,719
Speaker 2: when we saw the silhouette of the killer Letty's killer

1745
01:31:09,520 --> 01:31:12,600
Speaker 2: I was like, that looks like Brian. Who. I was like,

1746
01:31:12,640 --> 01:31:14,720
Speaker 2: could this be Brian? So I was getting excited when

1747
01:31:14,720 --> 01:31:16,240
Speaker 2: the cell phone was going off to it, Well, what's

1748
01:31:16,240 --> 01:31:18,280
Speaker 2: the move here? Now that all said, we sort of

1749
01:31:18,320 --> 01:31:20,240
Speaker 2: had learned the whole Phoenix part with the green car

1750
01:31:20,280 --> 01:31:23,000
Speaker 2: and the nitromethane and all that. But yeah, I went

1751
01:31:23,000 --> 01:31:25,759
Speaker 2: from thinking this is a fake out, she's actually alive

1752
01:31:26,800 --> 01:31:30,000
Speaker 2: to get don back to then like, wow, did Brian

1753
01:31:30,200 --> 01:31:32,400
Speaker 2: kill her? Like what went wrong there? And he's trying

1754
01:31:32,400 --> 01:31:33,960
Speaker 2: to keep that from Dom. But in the end, it's

1755
01:31:34,000 --> 01:31:37,479
Speaker 2: just this guy whose name is Phoenix, not Felix Phoenix.

1756
01:31:38,360 --> 01:31:42,160
Speaker 1: I also I read or I heard I don't know

1757
01:31:42,200 --> 01:31:44,840
Speaker 1: where I heard this, but somebody was watching the movie

1758
01:31:45,000 --> 01:31:50,360
Speaker 1: and they thought that maybe Letty was Braga because we

1759
01:31:50,439 --> 01:31:54,720
Speaker 1: never we don't see you know, Braga is just a

1760
01:31:54,760 --> 01:31:58,680
Speaker 1: mystery right when, a faceless person. But that would have

1761
01:31:58,680 --> 01:32:03,280
Speaker 1: been kind of cool if she was somehow Braga, you know,

1762
01:32:03,439 --> 01:32:05,720
Speaker 1: like she had sort of gotten so deep that she

1763
01:32:05,840 --> 01:32:09,160
Speaker 1: was running the thing or whatever, and I don't know,

1764
01:32:09,200 --> 01:32:12,240
Speaker 1: that could have been interesting, but that's not what happened.

1765
01:32:12,439 --> 01:32:16,040
Speaker 2: No, Trey, I got a favorite part of this movie.

1766
01:32:16,360 --> 01:32:18,920
Speaker 3: Yeah, A couple of the action set pieces are great.

1767
01:32:19,040 --> 01:32:21,479
Speaker 3: I do love the opening heightst It's a very fast

1768
01:32:21,520 --> 01:32:24,240
Speaker 3: and furious is back kind of moment for me. But

1769
01:32:25,040 --> 01:32:28,080
Speaker 3: you know, it's basically recreating a combination of the first

1770
01:32:28,080 --> 01:32:29,640
Speaker 3: scene from the first movie and the last scene from

1771
01:32:29,680 --> 01:32:32,080
Speaker 3: the first movie. But in that in the first one,

1772
01:32:32,080 --> 01:32:34,120
Speaker 3: we don't know it's Dom the first time around, and

1773
01:32:34,240 --> 01:32:37,880
Speaker 3: the second one, Dom drops the ball. In that last heist,

1774
01:32:37,920 --> 01:32:40,240
Speaker 3: you know, it's basically Brian and Letty who end up

1775
01:32:40,320 --> 01:32:42,920
Speaker 3: being the heroes here, but as we see the game

1776
01:32:42,960 --> 01:32:45,519
Speaker 3: has changed and now Dom is in hero mode. That

1777
01:32:45,600 --> 01:32:47,519
Speaker 3: to me, is the best action piece of the movie,

1778
01:32:47,600 --> 01:32:51,040
Speaker 3: followed closely by the get on the Team race, which

1779
01:32:51,080 --> 01:32:54,160
Speaker 3: is Dom and Brian head to head for the first time.

1780
01:32:54,240 --> 01:32:57,280
Speaker 3: Like we've said, there's the city driving, there's the rerouting joke,

1781
01:32:57,640 --> 01:33:00,840
Speaker 3: a lot of callbacks with the too earlym calls him

1782
01:33:01,080 --> 01:33:04,080
Speaker 3: still a bluster and of course you know there were

1783
01:33:04,120 --> 01:33:06,759
Speaker 3: no rules when you're raising. It's all about winning out there.

1784
01:33:06,840 --> 01:33:09,200
Speaker 3: So I thought that was great. It was kind of

1785
01:33:09,520 --> 01:33:11,519
Speaker 3: Both of those are a throwback to the first movie

1786
01:33:11,520 --> 01:33:14,760
Speaker 3: to me, saying, remember our semi truck heists. Now we've

1787
01:33:14,840 --> 01:33:17,040
Speaker 3: up the anny a little bit here, but We're still

1788
01:33:17,080 --> 01:33:18,639
Speaker 3: gonna give you a little bit of fan service sing

1789
01:33:18,680 --> 01:33:19,479
Speaker 3: these two throwdown.

1790
01:33:20,400 --> 01:33:22,760
Speaker 2: I think one of my favorite scenes, and I want

1791
01:33:22,800 --> 01:33:24,080
Speaker 2: to slip it in here because I don't think I

1792
01:33:24,080 --> 01:33:26,599
Speaker 2: brought it up when we were doing the breakdown. I

1793
01:33:26,800 --> 01:33:30,439
Speaker 2: liked Brian having a coffee with Mia, and I liked

1794
01:33:30,439 --> 01:33:33,040
Speaker 2: a couple of the lines in it. I mean, basically

1795
01:33:33,120 --> 01:33:36,599
Speaker 2: her telling him, you know, maybe you're not the good

1796
01:33:36,600 --> 01:33:39,240
Speaker 2: guy trying to be the bad guy. Maybe it's the opposite,

1797
01:33:39,280 --> 01:33:41,320
Speaker 2: Maybe you are actually one of the bad guys and

1798
01:33:41,360 --> 01:33:44,800
Speaker 2: you're putting on this good guy routine. And then she

1799
01:33:44,920 --> 01:33:47,760
Speaker 2: also asks them and it's a question we've always sort

1800
01:33:47,760 --> 01:33:49,519
Speaker 2: of wonder. It's like, why did you let my brother

1801
01:33:49,600 --> 01:33:51,880
Speaker 2: go that day? And he says at the time in

1802
01:33:51,920 --> 01:33:54,880
Speaker 2: the coffee shop, he says, I don't know, But then

1803
01:33:55,040 --> 01:33:59,320
Speaker 2: later doesn't he say? Basically, the answer was just respect,

1804
01:33:59,439 --> 01:34:00,200
Speaker 2: wasn't it.

1805
01:34:00,320 --> 01:34:04,000
Speaker 1: He I respected him more than I respected my right.

1806
01:34:04,720 --> 01:34:08,280
Speaker 2: Yeah, he wishes, he wishes he was domb really and

1807
01:34:08,360 --> 01:34:10,519
Speaker 2: a lot that he stands for family, I think more

1808
01:34:10,520 --> 01:34:13,240
Speaker 2: importantly than anything. So I'd like that scene. I thought

1809
01:34:13,280 --> 01:34:15,320
Speaker 2: that was good, and I think that's actually where maybe

1810
01:34:15,400 --> 01:34:17,439
Speaker 2: learning a bit of the timeline too, where she's like,

1811
01:34:17,439 --> 01:34:20,200
Speaker 2: like it's it is. Five years later she says that

1812
01:34:20,760 --> 01:34:22,559
Speaker 2: and she's pissed that he's a liar and all this

1813
01:34:22,680 --> 01:34:23,960
Speaker 2: I thought it was good. I thought it was good.

1814
01:34:23,960 --> 01:34:25,880
Speaker 2: And then they circled back when they were making love

1815
01:34:25,920 --> 01:34:29,000
Speaker 2: there in the kitchen and they follow up on that

1816
01:34:29,520 --> 01:34:33,639
Speaker 2: the furious dumbest scene things he hated the most. Tray

1817
01:34:33,720 --> 01:34:35,400
Speaker 2: will start with you, what was your least favorite part

1818
01:34:35,400 --> 01:34:35,960
Speaker 2: of this movie?

1819
01:34:36,200 --> 01:34:39,160
Speaker 3: Any Dom and Giselle love scene is my least favorite

1820
01:34:39,160 --> 01:34:41,439
Speaker 3: part of this movie. She gets his number at the

1821
01:34:41,479 --> 01:34:45,360
Speaker 3: first race, which, okay, sure, I mean, I guess she

1822
01:34:45,439 --> 01:34:49,519
Speaker 3: likes bad boys about a little unbelievable. Even worse is

1823
01:34:49,560 --> 01:34:55,120
Speaker 3: the car sex scene. Anytime Vin Diesel is reading lines

1824
01:34:55,160 --> 01:34:58,360
Speaker 3: about how women are like cars, I just hate it.

1825
01:34:59,479 --> 01:35:02,600
Speaker 2: One of the boys that appreciates a fine body, regardless

1826
01:35:02,600 --> 01:35:03,080
Speaker 2: of the make.

1827
01:35:05,880 --> 01:35:07,439
Speaker 3: I like a girl who ain't afraid to get a

1828
01:35:07,439 --> 01:35:12,920
Speaker 3: little bit of engine grease under her fingernails. I mean,

1829
01:35:13,840 --> 01:35:16,400
Speaker 3: I just I don't like Dom to me, not a

1830
01:35:16,439 --> 01:35:21,680
Speaker 3: believable sex symbol. Yeah, and it's also very weird that

1831
01:35:22,400 --> 01:35:24,600
Speaker 3: the entire reason Dom is back in the States to

1832
01:35:24,640 --> 01:35:26,880
Speaker 3: begin with is that he's investigating the love of his

1833
01:35:26,960 --> 01:35:30,200
Speaker 3: life's death. And I mean he's he turns down Giselle

1834
01:35:30,400 --> 01:35:34,080
Speaker 3: at every single chance he gets. Respect to that, but

1835
01:35:34,200 --> 01:35:36,760
Speaker 3: you're knacking on her, man, You are flirting with our

1836
01:35:36,800 --> 01:35:40,040
Speaker 3: pretty hardcore and you were just at your girlfriend's funeral.

1837
01:35:40,120 --> 01:35:40,320
Speaker 1: Man.

1838
01:35:40,560 --> 01:35:42,680
Speaker 3: Yeah, I don't know, Dom. I believe you as an

1839
01:35:42,680 --> 01:35:44,679
Speaker 3: action hero, but not a love interest totally.

1840
01:35:44,720 --> 01:35:48,400
Speaker 1: Well, as Las Bandolaro sort of establishes, he's a bit

1841
01:35:48,439 --> 01:35:49,439
Speaker 1: of a ladies man.

1842
01:35:49,360 --> 01:35:52,400
Speaker 2: Right, He's got like three women draped on him. When

1843
01:35:52,680 --> 01:35:56,120
Speaker 2: Letty shows back up and then they actually kiss it,

1844
01:35:56,200 --> 01:36:01,919
Speaker 2: She's like gross, I got like stripper saliva or sometime. Yeah.

1845
01:36:02,080 --> 01:36:06,040
Speaker 1: Also, what about the ratio of eighty percent devil twenty

1846
01:36:06,080 --> 01:36:10,679
Speaker 1: percent angel. That's not a good ratio. I don't think

1847
01:36:11,320 --> 01:36:14,760
Speaker 1: you want, you want fifty to fifty minimum. I mean,

1848
01:36:15,400 --> 01:36:17,880
Speaker 1: you know you want somebody who's gonna, you know, steal

1849
01:36:17,920 --> 01:36:20,200
Speaker 1: a fry from you every once in a while or

1850
01:36:20,280 --> 01:36:23,960
Speaker 1: slap your asst eighty percent devil is shitting in your

1851
01:36:24,040 --> 01:36:30,960
Speaker 1: magic spoon, man like legitimately, like that's causing problems man, Like.

1852
01:36:32,040 --> 01:36:36,080
Speaker 3: Too high, too high steep.

1853
01:36:37,960 --> 01:36:41,240
Speaker 2: My least favorite part, definitely any of the tunnel racing,

1854
01:36:41,240 --> 01:36:43,080
Speaker 2: which we've already gone over. Not a fan of it.

1855
01:36:43,200 --> 01:36:48,400
Speaker 2: Just just sucked. It was tough to follow. It wasn't exciting. Yeah,

1856
01:36:48,439 --> 01:36:49,320
Speaker 2: what about you JD?

1857
01:36:50,439 --> 01:36:53,880
Speaker 1: That tunnel tunnel stuff I hated. I hated that we

1858
01:36:53,960 --> 01:36:57,360
Speaker 1: had to audition there was another street race of it

1859
01:36:57,400 --> 01:37:01,080
Speaker 1: with it. It was addition, I hated them the wheelly.

1860
01:37:02,520 --> 01:37:04,920
Speaker 1: I hated that there were no rappers in this movie.

1861
01:37:05,200 --> 01:37:08,400
Speaker 1: I hated that where was tyresee? You know I would

1862
01:37:08,400 --> 01:37:09,680
Speaker 1: have loved in this.

1863
01:37:10,160 --> 01:37:13,920
Speaker 2: Yeah, although well those two guys were, you know, artists

1864
01:37:14,120 --> 01:37:17,840
Speaker 2: there musicians, so yeah, and I think one of their

1865
01:37:17,880 --> 01:37:21,320
Speaker 2: songs is in the soundtrack, you know.

1866
01:37:21,400 --> 01:37:24,640
Speaker 1: And I also I read uh then I think I

1867
01:37:24,680 --> 01:37:30,360
Speaker 1: came out of the director's comment commentary that uh Vin

1868
01:37:30,400 --> 01:37:33,160
Speaker 1: Diesel asked Justin Lynn, you know, what what is this

1869
01:37:33,240 --> 01:37:35,880
Speaker 1: movie about? Like, what is it actually about? I've read

1870
01:37:35,920 --> 01:37:38,519
Speaker 1: the script, but what is it about? And Justin Lynn

1871
01:37:38,680 --> 01:37:45,280
Speaker 1: is like, it's about sacrifice and dom is basically Jesus, right,

1872
01:37:45,720 --> 01:37:48,760
Speaker 1: So you know, I look back and I was like,

1873
01:37:48,880 --> 01:37:52,840
Speaker 1: oh my god, can you imagine how insufferable Vin Diesel was, like,

1874
01:37:53,200 --> 01:37:57,599
Speaker 1: there's a there's this like you're you're playing now he's

1875
01:37:57,600 --> 01:38:01,120
Speaker 1: got in his head, he's playing Jesus. It's fast and

1876
01:38:01,200 --> 01:38:03,920
Speaker 1: furious man. And then there's this awful shot. I mean

1877
01:38:03,960 --> 01:38:07,320
Speaker 1: it's a gorgeous shot, but they're overlooking the town right

1878
01:38:07,439 --> 01:38:10,000
Speaker 1: like that where they're gonna go get what's his face

1879
01:38:10,280 --> 01:38:14,519
Speaker 1: in the church in the church, and and and they're

1880
01:38:14,600 --> 01:38:16,920
Speaker 1: there's talking and they're like, Okay, we're gonna go do this.

1881
01:38:17,040 --> 01:38:19,920
Speaker 1: But there's this part where then Diesel's got his hands

1882
01:38:19,960 --> 01:38:23,040
Speaker 1: like this and he's got his crucifies' fix. But it's

1883
01:38:23,600 --> 01:38:27,160
Speaker 1: it's like rosary beads and this cross, and it's just like,

1884
01:38:29,520 --> 01:38:32,639
Speaker 1: come on, man, come on. And oh, by the way,

1885
01:38:32,640 --> 01:38:36,080
Speaker 1: if you're making the ultimate sacrifice, which he does. He says,

1886
01:38:36,240 --> 01:38:39,559
Speaker 1: I'm not running. I'm gonna face the consequences. I'm gonna

1887
01:38:39,600 --> 01:38:44,000
Speaker 1: get I'm gonna you know, I'm gonna whatever happens happens.

1888
01:38:44,040 --> 01:38:47,120
Speaker 1: I'm gonna take what's coming to me. But then it's

1889
01:38:47,160 --> 01:38:49,400
Speaker 1: a life sentence, and it's like, Okay, he seems like

1890
01:38:49,439 --> 01:38:51,320
Speaker 1: he's I'm ready to get busted out of here, you

1891
01:38:51,360 --> 01:38:55,080
Speaker 1: know what. Yeah, maybe un let's forget about the juice thing.

1892
01:38:55,080 --> 01:38:57,360
Speaker 1: I'm gonna get out of here. Yeah.

1893
01:38:57,360 --> 01:38:58,920
Speaker 2: I think he thought he might get like five to

1894
01:38:58,960 --> 01:38:59,880
Speaker 2: ten or something.

1895
01:38:59,760 --> 01:39:02,519
Speaker 1: Yeah, yeah, yeah, just break me out.

1896
01:39:02,760 --> 01:39:04,120
Speaker 2: Yeah, okay, okay.

1897
01:39:04,760 --> 01:39:07,400
Speaker 3: That is one of my favorite lines is when Brian

1898
01:39:07,520 --> 01:39:09,439
Speaker 3: is explaining to Dom at the meet up when they're

1899
01:39:09,439 --> 01:39:12,760
Speaker 3: gonna meet the real Braga and he's like, you know,

1900
01:39:12,760 --> 01:39:16,639
Speaker 3: if this goes well, they're gonna let you off. Still

1901
01:39:16,720 --> 01:39:26,559
Speaker 3: leave out milk and cookies for Santa Claus. Brian says, yeah, yeah,

1902
01:39:26,560 --> 01:39:26,760
Speaker 3: I do.

1903
01:39:29,479 --> 01:39:34,720
Speaker 2: Sorry, Car, some weird ass lines in this movie. I

1904
01:39:34,760 --> 01:39:39,080
Speaker 2: will add one other thing I hated. I can't stand

1905
01:39:39,400 --> 01:39:44,720
Speaker 2: the way Dom drinks a beer at times. I hate

1906
01:39:44,840 --> 01:39:45,960
Speaker 2: when somebody.

1907
01:39:46,240 --> 01:39:48,360
Speaker 1: Like he's a guy on the bottle neck.

1908
01:39:48,400 --> 01:39:53,040
Speaker 2: Well he goes full fist and then drinks it. Now

1909
01:39:53,080 --> 01:39:55,280
Speaker 2: he does it the first time at the party scene.

1910
01:39:55,320 --> 01:39:57,639
Speaker 2: Then they cut to him drinking again. Now he's drinking

1911
01:39:57,640 --> 01:39:59,800
Speaker 2: it like a normal human where he's holding the base.

1912
01:40:00,080 --> 01:40:01,920
Speaker 2: And then they go back to again and he's back

1913
01:40:01,960 --> 01:40:04,720
Speaker 2: to his like choke hold, and I can't stand how

1914
01:40:04,800 --> 01:40:09,960
Speaker 2: that looks. I hate it, hate it, hate it me Familia.

1915
01:40:10,479 --> 01:40:12,479
Speaker 2: This is a part where we get somebody from our

1916
01:40:12,520 --> 01:40:15,000
Speaker 2: family so that maybe had a question an observation, could

1917
01:40:15,040 --> 01:40:17,160
Speaker 2: be a wife, could be a kid, somebody else in

1918
01:40:17,240 --> 01:40:19,840
Speaker 2: your family. Trey will go to you for this one.

1919
01:40:20,080 --> 01:40:22,360
Speaker 2: Did did Laura watch this one with you? Or what

1920
01:40:22,400 --> 01:40:22,840
Speaker 2: do you got?

1921
01:40:23,600 --> 01:40:26,479
Speaker 3: She watched the first hour, I would say with me,

1922
01:40:26,920 --> 01:40:31,479
Speaker 3: uh and my favorite object. Yeah, exactly. Yeah, that's why

1923
01:40:31,479 --> 01:40:33,519
Speaker 3: I let her go because of respect. He made it

1924
01:40:33,520 --> 01:40:35,200
Speaker 3: through an hour. That's all right, you can go up.

1925
01:40:36,240 --> 01:40:38,559
Speaker 3: We're watching. It's at the part I guess you would

1926
01:40:38,560 --> 01:40:43,160
Speaker 3: call it the Letty murder investigation. Sure, basically it's just

1927
01:40:43,200 --> 01:40:45,800
Speaker 3: Dom looking back and forth up and down a road.

1928
01:40:46,880 --> 01:40:47,519
Speaker 2: Yep, yep.

1929
01:40:47,560 --> 01:40:50,480
Speaker 3: Cracks the case because he knows about the nitro methane.

1930
01:40:50,840 --> 01:40:53,040
Speaker 3: But when you're thinking about it, you know, similar to

1931
01:40:53,240 --> 01:40:56,320
Speaker 3: Lebron or MJ and Space Jam, that's all cgi stuff.

1932
01:40:56,520 --> 01:40:59,160
Speaker 3: So the guy's just out there. Vin Diesel is just

1933
01:40:59,200 --> 01:41:02,479
Speaker 3: out there looking back and forth off the road. And

1934
01:41:02,520 --> 01:41:05,680
Speaker 3: I'm trying to get Laura hyped up because Vin has

1935
01:41:05,720 --> 01:41:09,040
Speaker 3: got to show that Dom is looking completely and totally destroyed.

1936
01:41:09,040 --> 01:41:10,200
Speaker 3: And I'm just saying to Laura, I'm like.

1937
01:41:10,800 --> 01:41:15,120
Speaker 4: Oh, oh, he looks mad. Look how mad this guy

1938
01:41:15,240 --> 01:41:18,280
Speaker 4: looks his face? Look how mad he is. She says

1939
01:41:18,320 --> 01:41:21,479
Speaker 4: to me, his face looks the same. That doesn't every

1940
01:41:21,520 --> 01:41:23,120
Speaker 4: other scene of the movie.

1941
01:41:23,040 --> 01:41:27,760
Speaker 3: Yeah, and that's one hundred and I think that that's

1942
01:41:27,760 --> 01:41:30,479
Speaker 3: where some problems come in here. There's a lot of

1943
01:41:30,760 --> 01:41:33,720
Speaker 3: acting for Vin Diesel to do in this one. You know,

1944
01:41:33,760 --> 01:41:38,080
Speaker 3: he's got to be distraught, he's got to be angry,

1945
01:41:38,520 --> 01:41:41,120
Speaker 3: very rarely cracks a smile, I would say. So he's

1946
01:41:41,160 --> 01:41:45,240
Speaker 3: doing a lot of intense brooding, and he's not got

1947
01:41:45,240 --> 01:41:47,920
Speaker 3: a lot of depth to his brooding. I don't think

1948
01:41:48,000 --> 01:41:50,000
Speaker 3: even when he's cracking the case of the murder of

1949
01:41:50,080 --> 01:41:54,360
Speaker 3: his girlfriend. Just looking up and down the road, Laura, Laura,

1950
01:41:54,400 --> 01:41:55,439
Speaker 3: look how mad he is.

1951
01:41:55,960 --> 01:42:00,439
Speaker 2: Just look how mad. That's just how he looks. Okay,

1952
01:42:00,800 --> 01:42:03,800
Speaker 2: love it, Love it. Great observation there from Laura. Okay,

1953
01:42:03,840 --> 01:42:06,680
Speaker 2: well let's get to grading this, this fourth movie in

1954
01:42:06,720 --> 01:42:11,280
Speaker 2: the franchise. So the two questions scale of one to ten.

1955
01:42:11,520 --> 01:42:12,240
Speaker 2: What are you giving it?

1956
01:42:12,360 --> 01:42:12,599
Speaker 3: JD?

1957
01:42:12,720 --> 01:42:15,000
Speaker 2: And then like where does it fall in your power

1958
01:42:15,040 --> 01:42:16,320
Speaker 2: rankings for the franchise?

1959
01:42:16,520 --> 01:42:16,680
Speaker 3: Right?

1960
01:42:16,760 --> 01:42:21,320
Speaker 1: Okay, so I'm going to give it a four. You know,

1961
01:42:21,680 --> 01:42:25,800
Speaker 1: I liked it more than I liked Too Fast, Too Furious, yep,

1962
01:42:27,160 --> 01:42:30,719
Speaker 1: but not not quite as much as I liked the

1963
01:42:30,800 --> 01:42:33,360
Speaker 1: first one, which I gave a five, I believe. So,

1964
01:42:34,680 --> 01:42:37,880
Speaker 1: I mean, you know, my father would call this a

1965
01:42:37,880 --> 01:42:41,599
Speaker 1: pleasant little time waster, and that's exactly what it was.

1966
01:42:41,680 --> 01:42:46,320
Speaker 1: I folded my laundry. I you know, I had some laughs.

1967
01:42:46,920 --> 01:42:50,519
Speaker 1: I went a lot of WTF, like what's going on here?

1968
01:42:51,040 --> 01:42:56,120
Speaker 1: But really I I would rank it lower, but again

1969
01:42:56,200 --> 01:42:59,200
Speaker 1: I made the mistake. I'm it's on me. I tried

1970
01:42:59,240 --> 01:43:04,840
Speaker 1: to bring logic and thinking into it, so that's on me.

1971
01:43:04,960 --> 01:43:09,599
Speaker 1: So it's getting a four. So I've got Tokyo Drift

1972
01:43:09,800 --> 01:43:14,240
Speaker 1: number one, YEP, number two Fast, the Fast, and the Furious,

1973
01:43:14,560 --> 01:43:18,680
Speaker 1: YEP number three, This one fast and percent furious, and

1974
01:43:18,720 --> 01:43:21,000
Speaker 1: then four is two Fast, too Furious.

1975
01:43:21,320 --> 01:43:26,080
Speaker 2: Okay, okay, The question is, yeah, Trey, is this worse

1976
01:43:26,479 --> 01:43:27,879
Speaker 2: than Too Fast, Too Furious?

1977
01:43:28,120 --> 01:43:31,639
Speaker 3: This movie is definitely not worse than Too Fast, Too Furious.

1978
01:43:31,720 --> 01:43:33,880
Speaker 3: My guess is that ends up at the bottom of

1979
01:43:33,920 --> 01:43:37,080
Speaker 3: all three of our lists when we're done with this

1980
01:43:37,360 --> 01:43:40,320
Speaker 3: entire series. I was excited with this came out. I

1981
01:43:40,360 --> 01:43:43,400
Speaker 3: still like it. I still think it's good, but having

1982
01:43:43,520 --> 01:43:45,559
Speaker 3: now watched it a couple of times recently, I don't

1983
01:43:45,600 --> 01:43:48,200
Speaker 3: think it's going to finish in my top three. Here

1984
01:43:48,200 --> 01:43:50,439
Speaker 3: are the things I like. I like that it really

1985
01:43:50,479 --> 01:43:54,240
Speaker 3: recalibrates the series. Like you mentioned earlier, JD. You can

1986
01:43:54,280 --> 01:43:57,320
Speaker 3: tell in this one that it's not just racing anymore.

1987
01:43:57,360 --> 01:44:01,280
Speaker 3: This has become a heist action hero kind of movie,

1988
01:44:01,320 --> 01:44:03,519
Speaker 3: which is the second thing. I like they had to

1989
01:44:03,560 --> 01:44:07,840
Speaker 3: basically make Vin Diesel Dominic Tredo into a superhero in

1990
01:44:07,920 --> 01:44:11,479
Speaker 3: this one. He was a bumbling criminal in the first movie.

1991
01:44:11,479 --> 01:44:13,840
Speaker 3: If I asked me, he didn't even finish the job.

1992
01:44:14,000 --> 01:44:16,360
Speaker 3: In the first one, it was all Brian and Letty.

1993
01:44:16,760 --> 01:44:19,320
Speaker 3: But now he's back. He's the strongest man alive. He

1994
01:44:19,320 --> 01:44:22,000
Speaker 3: can bust out windows with his elbow. He does it twice.

1995
01:44:22,120 --> 01:44:24,599
Speaker 3: He catches Letty as she jumps from car to car,

1996
01:44:24,640 --> 01:44:27,040
Speaker 3: No big deal. He's torturing the guy in the garage,

1997
01:44:27,120 --> 01:44:30,000
Speaker 3: catches a full engine on a chain, hangs a guy

1998
01:44:30,000 --> 01:44:33,439
Speaker 3: out the window with one hand, gets shot through the shoulder,

1999
01:44:33,560 --> 01:44:36,479
Speaker 3: doesn't even flinch, jumps from car to car in a tunnel,

2000
01:44:36,520 --> 01:44:40,479
Speaker 3: and somehow pulls off two wheelies with a car. I've

2001
01:44:40,479 --> 01:44:43,160
Speaker 3: never seen one wheelie with the car, but dom is

2002
01:44:43,200 --> 01:44:46,040
Speaker 3: doing it all the time here, so you can tell that,

2003
01:44:46,960 --> 01:44:49,160
Speaker 3: you know. I feel like Vin was tired of taking

2004
01:44:49,320 --> 01:44:52,240
Speaker 3: l's in the first movie. He's like, if I'm coming back,

2005
01:44:53,160 --> 01:44:55,679
Speaker 3: this is me Familia, and I'm in charge. One hundred

2006
01:44:55,680 --> 01:44:57,960
Speaker 3: percent here and he's going crazy the things I don't like.

2007
01:44:58,120 --> 01:45:01,200
Speaker 3: The romance does not work for me, And I also

2008
01:45:01,320 --> 01:45:03,519
Speaker 3: feel like Brian kind of gets pushed to the background

2009
01:45:03,560 --> 01:45:05,680
Speaker 3: in this one. Yep, Brian doesn't do a whole much.

2010
01:45:05,680 --> 01:45:08,840
Speaker 3: He's really responding to what's going on with Vin with Dom,

2011
01:45:08,880 --> 01:45:11,880
Speaker 3: and he just doesn't have as much of his own storyline.

2012
01:45:11,920 --> 01:45:15,479
Speaker 3: I feel like, uh braga. I like him as an

2013
01:45:15,520 --> 01:45:19,360
Speaker 3: actor and as a villain when he's acting, but as

2014
01:45:19,360 --> 01:45:21,280
Speaker 3: a villain, like, he doesn't really do much for me,

2015
01:45:21,479 --> 01:45:24,200
Speaker 3: Like the only real mystery to him is like, which

2016
01:45:24,240 --> 01:45:27,439
Speaker 3: guy even is he? But you know, you rarely see

2017
01:45:27,520 --> 01:45:29,320
Speaker 3: him with a weapon, Like he doesn't seem like the

2018
01:45:29,360 --> 01:45:32,720
Speaker 3: scary guy in that group of criminals that's Phoenix, So

2019
01:45:33,520 --> 01:45:36,240
Speaker 3: he's almost like a comic relief villain, which it sometimes like.

2020
01:45:36,280 --> 01:45:37,960
Speaker 3: I think it's really funny when he's sitting next to

2021
01:45:38,120 --> 01:45:39,800
Speaker 3: Brian in the car, that kind of thing. I just

2022
01:45:39,800 --> 01:45:42,400
Speaker 3: think it could have been better. So for me, I'm

2023
01:45:42,439 --> 01:45:46,320
Speaker 3: giving it a seven to ten, same score as Tokyo Drift,

2024
01:45:46,360 --> 01:45:49,240
Speaker 3: but on my list it's gonna slot in at number two.

2025
01:45:49,280 --> 01:45:51,320
Speaker 3: So right now I've got Fast One, The Fast, and

2026
01:45:51,320 --> 01:45:54,519
Speaker 3: the Furious Fast four Fast and Furious at number two,

2027
01:45:55,000 --> 01:45:57,120
Speaker 3: and I'm putting this ahead because we got the ogs

2028
01:45:57,240 --> 01:46:00,360
Speaker 3: back in Dom and Brian, then Tokyo Drift and at

2029
01:46:00,360 --> 01:46:02,000
Speaker 3: the bottom, Too Fast, Too Furious.

2030
01:46:02,360 --> 01:46:04,679
Speaker 2: Okay, well, I'm putting it in the same slot there

2031
01:46:04,760 --> 01:46:07,480
Speaker 2: as JD. I have it third on the power rankings.

2032
01:46:07,720 --> 01:46:09,920
Speaker 2: I've got FF one, then I got Tokyo Drift, and

2033
01:46:09,960 --> 01:46:12,439
Speaker 2: I got this one. I'll give it a five. It's

2034
01:46:12,479 --> 01:46:14,559
Speaker 2: not the best movie I've ever seen. It's not the

2035
01:46:14,560 --> 01:46:17,200
Speaker 2: worst movie I've ever seen. I will say with all

2036
01:46:17,240 --> 01:46:21,840
Speaker 2: of these, I'm shocked how into them I am when

2037
01:46:21,840 --> 01:46:24,839
Speaker 2: I'm watching it, Like I'm not picking up my phone

2038
01:46:25,040 --> 01:46:27,800
Speaker 2: or I'm not like, okay, YadA, YadA, YadA gets through this.

2039
01:46:28,000 --> 01:46:32,639
Speaker 2: There's not that much like just throwaway scenes that are

2040
01:46:32,680 --> 01:46:36,559
Speaker 2: like just boring. For the most part, I'm pretty engaged

2041
01:46:36,560 --> 01:46:38,960
Speaker 2: in the movie, So I'll give it a five. But yeah,

2042
01:46:39,040 --> 01:46:41,920
Speaker 2: it's better than Too Fast, Too Furious. But it's not

2043
01:46:42,000 --> 01:46:43,920
Speaker 2: a great movie. I think I'm even being generous. I'm

2044
01:46:43,920 --> 01:46:45,800
Speaker 2: probably bumping it up because we had a little Han.

2045
01:46:46,400 --> 01:46:49,080
Speaker 2: A little Han's better than no Han being there. And

2046
01:46:49,160 --> 01:46:53,080
Speaker 2: I do like, of course having Dom and Brian back together.

2047
01:46:54,040 --> 01:46:56,439
Speaker 2: The Letty death. I didn't see that coming. If she

2048
01:46:56,640 --> 01:47:00,240
Speaker 2: shows up, though, I swear to God, if she's like

2049
01:47:01,160 --> 01:47:01,559
Speaker 2: eight or.

2050
01:47:01,600 --> 01:47:04,800
Speaker 1: Nut have you seen did you see the body?

2051
01:47:05,240 --> 01:47:08,840
Speaker 2: Oh? My God, Like there's no consequence, Like you can

2052
01:47:08,960 --> 01:47:11,639
Speaker 2: die in this and always come back. Okay that I'm

2053
01:47:11,640 --> 01:47:14,479
Speaker 2: gonna If that happens, I'm docking this movie another point.

2054
01:47:14,520 --> 01:47:16,479
Speaker 2: But for right now, I'll give it a five. And

2055
01:47:16,520 --> 01:47:20,360
Speaker 2: speaking of five, Trey set up the fifth installment here,

2056
01:47:20,960 --> 01:47:24,599
Speaker 2: Fast five. You know, get get me hyped. What can

2057
01:47:24,640 --> 01:47:28,600
Speaker 2: we look forward to? I am juiced and jacked for

2058
01:47:28,760 --> 01:47:32,719
Speaker 2: Fast five. A lot of people's favorite in the series.

2059
01:47:32,880 --> 01:47:37,080
Speaker 3: My personal favorite heading in Yeah Fast five. Yeah, because

2060
01:47:37,200 --> 01:47:39,240
Speaker 3: all the work that we've put in through these first

2061
01:47:39,360 --> 01:47:43,320
Speaker 3: four movies, the two Sicko shorts, it finally starts paying

2062
01:47:43,320 --> 01:47:47,000
Speaker 3: off in Fast five. I considered the first three movies

2063
01:47:47,280 --> 01:47:51,439
Speaker 3: the origin stories, the Phase one. Fourth movie resets the series,

2064
01:47:51,439 --> 01:47:55,719
Speaker 3: and in the fifth movie brings everything together, starts building

2065
01:47:55,760 --> 01:47:58,120
Speaker 3: it back up. We've met a lot of characters so far,

2066
01:47:58,960 --> 01:48:03,400
Speaker 3: and now they're all back, like everybody you love is

2067
01:48:03,439 --> 01:48:08,160
Speaker 3: coming back. For Fast five, plus, we get a literally

2068
01:48:08,360 --> 01:48:14,360
Speaker 3: huge addition to the Fast diverse Hobbs aka Dwayne Johnson

2069
01:48:14,760 --> 01:48:19,400
Speaker 3: aka the Rock ever heard of him? Jesus, how can

2070
01:48:19,400 --> 01:48:21,640
Speaker 3: you put an addition to the franchise. It's almost like

2071
01:48:21,680 --> 01:48:23,080
Speaker 3: we should add somebody as well.

2072
01:48:23,280 --> 01:48:27,800
Speaker 2: Oh interesting, Maybe we will do that. Maybe we'll add

2073
01:48:27,800 --> 01:48:32,120
Speaker 2: our own Hobbes for our breakdown of Fast Friends. Fast five,

2074
01:48:32,240 --> 01:48:35,560
Speaker 2: the fifth movie in the Fast and Furious franchise. But

2075
01:48:35,600 --> 01:48:37,720
Speaker 2: you're gonna have to wait and find out who that

2076
01:48:38,000 --> 01:48:42,200
Speaker 2: Hobbes may be. Who's this jack guy or girl may

2077
01:48:42,200 --> 01:48:44,760
Speaker 2: be joining us? We have a guest in mind that's

2078
01:48:44,840 --> 01:48:47,160
Speaker 2: next week, though. Keep your questions coming for Fast Friends.

2079
01:48:47,200 --> 01:48:49,639
Speaker 2: No dunks at the Athletic dot Com put fast Friends

2080
01:48:49,640 --> 01:48:52,240
Speaker 2: in the subject header. There can leave a comment below

2081
01:48:52,240 --> 01:48:54,400
Speaker 2: this video on YouTube, and you can tweet at us

2082
01:48:54,800 --> 01:48:58,120
Speaker 2: at no Dunk's ink. My goodness nearly two hours wow

2083
01:48:58,439 --> 01:49:01,519
Speaker 2: talking Fast and As, but it flew by. It's just

2084
01:49:01,560 --> 01:49:04,639
Speaker 2: like watching the movies, guys having a blast drinking a corona.

2085
01:49:04,720 --> 01:49:07,160
Speaker 2: Actually I haven't drinking it. We lied, JDI. We said

2086
01:49:07,160 --> 01:49:09,680
Speaker 2: we're gonna start drinking coronas when we were doing this.

2087
01:49:09,760 --> 01:49:11,439
Speaker 2: But the problem is we're recording about like ten in

2088
01:49:11,520 --> 01:49:11,960
Speaker 2: the morning.

2089
01:49:12,160 --> 01:49:14,320
Speaker 1: Yeah, but Fast five we're gonna have to do a

2090
01:49:14,320 --> 01:49:17,160
Speaker 1: little later because our mystery guest may be on the

2091
01:49:17,160 --> 01:49:17,760
Speaker 1: West coast.

2092
01:49:18,040 --> 01:49:21,639
Speaker 2: Oh okay, so let's get some coronas going for our

2093
01:49:21,720 --> 01:49:25,360
Speaker 2: Fast five record of fast friends. Guys, great to see

2094
01:49:25,360 --> 01:49:27,840
Speaker 2: you as always, We'll see you next week. Take care.