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Speaker 1: Richard Show, Rupert.

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Speaker 2: Small small small, small small small. Here comes Haze and

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Speaker 2: Sean hollyway Hammer. So I'm sort of flipping around in space.

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Speaker 2: I'm like like I'm limp, but I'm flipping and spinning around.

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Speaker 3: From what's flipping you froms.

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Speaker 4: I was?

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Speaker 2: So I'm being have a bell done on me? Yes

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Speaker 2: by Emily? Oh yes, yes, yes, yes, yes, yes, yes,

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Speaker 2: yes yes yes da channel yes yes. And so basically

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Speaker 2: we should have known all along the obsession with bones.

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Speaker 2: Mm hmm, the always touching them and like trying to

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Speaker 2: figure them out. Oh, yes, this is witch like behavior.

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Speaker 2: It absolutely is.

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Speaker 3: And I hate to incriminate the entire bloodline, but yes,

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Speaker 3: is that sister of hers a bit too quirky?

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Speaker 2: Yes? And Caleb? How can Caleb capture these images without

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Speaker 2: having the powers of a witch? Perhaps the most fucked

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Speaker 2: up one of them all, Caleb. So she is essentially

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Speaker 2: crafting me on the set, on the bones set, on

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Speaker 2: a break. Then everyone's there, everyone's watching, David's watching, and

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Speaker 2: I'm just being spun. Is heart Hanson supervising? Is he

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Speaker 2: stepping in Heart Hanson, creator of Bones? It's like you

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Speaker 2: can kind of tell this is like season fourteen he

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Speaker 2: is a little checked out, sure, and he's kind of

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Speaker 2: like staying on like on the side, like and he

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Speaker 2: has headphones on, but it sounds like they're playing like

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Speaker 2: an audio bug. Uh huh. That's like how to do

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Speaker 2: a different show.

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Speaker 3: When I met over there, he said, the thing to

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Speaker 3: remember is you don't work for the bones.

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Speaker 2: The bones work for you. So that was I think

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Speaker 2: the mistake that I made. Uh huh. I showed up

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Speaker 2: very deferential to the bones. You don't want to do that. Yeah,

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Speaker 2: And I think the sort of flipping was almost like

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Speaker 2: an initiation, like sort of a hazing ritual. But like

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Speaker 2: very wyet, that's a good way to get into the show. Hey,

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Speaker 2: welcome to Hollywood Handbook, An insider's guide to kicking a button,

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Speaker 2: dropping names in the red carpet lineback hallways. At this

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Speaker 2: industry we call showbiz live Live. How did it fucking

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Speaker 2: nuts to be alive? If you know, if you've ever

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Speaker 2: been to one of our live shows before, we always

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Speaker 2: wear the same clothes. It's a cute little thing that

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Speaker 2: we do. We're back at the Dynasty Typewriter once again.

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Speaker 2: We have sold out once again. I spend the whole

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Speaker 2: drive being very pleased with myself that maybe I'm going

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Speaker 2: to see sold out on the Marquee once again. I

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Speaker 2: slowed down as I'm approaching the theater once again, the

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Speaker 2: it's not on the side facing me as I'm driving in.

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Speaker 2: It's a different show. Once again, I have to turn

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Speaker 2: around as I'm passing the theater to see. But what's

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Speaker 2: different this time is it did say sold out on

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Speaker 2: the Marquee EO.

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Speaker 5: And if I could get real for a minute, that

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Speaker 5: sold out sign. That's thanks to you, guys, and I

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Speaker 5: appreciate that, thank you for doing the tickets and stuff.

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Speaker 3: Without you guys, the sign wouldn't even not say sold out.

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Speaker 3: I wouldn't even say Hollywood Handbook because what would that be?

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Speaker 3: And that's because you guys.

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Speaker 2: So it's back to school time, back to school time,

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Speaker 2: back to the teacher's class.

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Speaker 3: And if I could get so real for a minute

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Speaker 3: with you guys, if I could just for a minute

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Speaker 3: get real, going back to school can.

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Speaker 2: Be pretty tricky. Huh. No one knows that better than you, guys.

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Speaker 2: So we want to give you tips for teacher for

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Speaker 2: teacher for going back to school ideas projects, activity, freaking homework,

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Speaker 2: homework ideas for homework When you show up on the

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Speaker 2: first day and you don't have any homework ideas, teacher, teacher,

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Speaker 2: bad school, go teacher, you forgot to give us homework

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Speaker 2: at wrong. That's not the teacher's pet. Here's the teacher's pet.

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Speaker 3: Teacher, teacher, you forgot to accept my homework that I

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Speaker 3: brought from home. Assign yourself a project.

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Speaker 2: Do you have any tips for I guess that was one. No, yeah,

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Speaker 2: any other tips for school? For school guys.

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Speaker 3: If you're doing back to school shopping right before you

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Speaker 3: go back to school.

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Speaker 2: You're doing it wrong. Wait until there is no more school.

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Speaker 3: Yes, when you graduate from school and have a job,

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Speaker 3: it's so much easier to buy school supplies.

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Speaker 2: And then they last for so much longer. Oh yeah,

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Speaker 2: oh yeah, when you are not going to school every

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Speaker 2: day and using them up. How about you actually buy

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Speaker 2: something that you can keep.

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Speaker 3: Yes, I can't remember the last time I touched a pencil,

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Speaker 3: but they're in my drawer.

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Speaker 2: One tip that I have from my experience would be

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Speaker 2: the class where you will be making the most physical

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Speaker 2: contact with the teacher is pottery. Now that's yes, for better,

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Speaker 2: for worse. Do with that information whatever you want, but

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Speaker 2: it's that is the class where it will happen the most.

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Speaker 3: If there is a point in the day that you

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Speaker 3: want to carve out to splash on a little extra aftershove.

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Speaker 2: Yes, or like some kind of like a bitter apple hmmm,

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Speaker 2: something that that like really something that sometimes only the

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Speaker 2: teacher can smell.

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Speaker 3: But sends the message, hey, do not chew on me

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Speaker 3: while we walk.

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Speaker 2: Uh school back to school at school school schools having

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Speaker 2: tips for school.

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Speaker 3: Oh yeah, tips going there, teacher.

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Speaker 2: We did, teacher, yep. The So I just want to

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Speaker 2: clarify something today that's the climate strike, and so don't

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Speaker 2: do that. Uh. We sat down uh with before every show.

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Speaker 2: We do every like a podcast in the studio every

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Speaker 2: live show, Sean and I sit down. It's sort of

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Speaker 2: a drafter drafting table, uh, and there's like graft paper

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Speaker 2: and we like plot out the whole thing. We do

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Speaker 2: all the choreo. We like we just get in the

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Speaker 2: lab and we don't come out until we have it

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Speaker 2: until like the whole show.

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Speaker 3: Until the show is loaded and ready to blast.

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Speaker 2: Yes, but today, out of respect for the climate strike,

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Speaker 2: we have not prepared anything, not a.

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Speaker 3: Thing, nothing, because think about it, a climate strike. So

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Speaker 3: then I'm what I'm doing, drafting table going working with

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Speaker 3: Hayes on the show. I'm sorry, no, So we are

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Speaker 3: fucking around, We are messing with you.

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Speaker 2: We don't even know much about school. Uh huh. And

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Speaker 2: we're and we're in a bit of a pickle, just

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Speaker 2: time pilling wise. But we're not alone. We've come prepared.

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Speaker 2: We've got our little secret weapon. Then this is the

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Speaker 2: ripcord in case we needed it. We do have a

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Speaker 2: guest mm hm, And we are going to bring out

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Speaker 2: the guests. And his name is Andy and the rest

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Speaker 2: of it is Andy Daily. Yes here he comes. Oh yeah, dude,

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Speaker 2: you get the whole damn couch. This is like a

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Speaker 2: little talk show. It's weird. It's weird that the microphone

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Speaker 2: is over here. Aye, you said that this was your

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Speaker 2: first time at the theater, but somehow you knew to

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Speaker 2: scoop up the curtain from the middle, uh huh instead

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Speaker 2: of going through the park that is split open. That's

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Speaker 2: what we did as well. What I was bewildered, is

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Speaker 2: there a right way to do it? And I did

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Speaker 2: it wrong.

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Speaker 3: There is not a right way that I have found

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Speaker 3: to do it. Okay, I I know that I somehow

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Speaker 3: got back there without doing that.

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Speaker 2: But I can't remember how I came in. Why is

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Speaker 2: the microphone over here? Oh? Because last time when you

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Speaker 2: were on the show, I was calling in and so

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Speaker 2: this is like a middle ground between that and like

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Speaker 2: like an intimate actually being close enough share space. Did

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Speaker 2: you have think that I was obese? Look at the

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Speaker 2: size of this. This is too much chair for one man. Yeah,

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Speaker 2: you know what, I just saw you as a guy

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Speaker 2: who loves to lounge. Am I wrong? Well I'll give

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Speaker 2: it a try. And do you have any tips back

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Speaker 2: to school? It's not bad? Yeah? What did you ask

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Speaker 2: me to have any tips? Back to school? Back to school?

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Speaker 2: Teach you back to school? Yeah, don't go man ship

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Speaker 2: man id what that answer would have been like if

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Speaker 2: you hadn't been lounging. And I'm worry the whole show.

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Speaker 2: That's right.

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Speaker 3: We might not get the responsible version of Andy because

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Speaker 3: we have provided him with such a comfy lounger.

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Speaker 2: You might not get any version, motherfucker. And as you know,

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Speaker 2: if you've ever been to one of our shows before,

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Speaker 2: the guests also wears the same shirt as us. It

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Speaker 2: is a planned theme. Yeah, it's not humiliating because and

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Speaker 2: it's a choice.

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Speaker 4: Yes, it would be humiliating if we had not discussed

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Speaker 4: this beforehand. I all just happened to own the same

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Speaker 4: light blue shirt and wear it on the side.

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Speaker 2: Just what kind of fucking losers? And how sad to

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Speaker 2: have the thought when you're backstage and Sean comes back

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Speaker 2: and is wearing a blue shirt, and you think to yourself, well,

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Speaker 2: at least Andy will be wearing a different shirt, not

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Speaker 2: realizing that I think Andy is the most likely to

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Speaker 2: be wearing the blue shirt. No joke.

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Speaker 4: I do have five of these, so the chances of

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Speaker 4: me wearing it was eighty percent. Back to school because

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Speaker 4: I have one other shirt?

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Speaker 2: Any any other back to school ideas? Back to school ideas?

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Speaker 3: Gosh, I mean no, and and let's blue sky this thing, Andy,

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Speaker 3: I mean anything about school or just anything.

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Speaker 2: Fuck I mean you know, I mean, just really buckle

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Speaker 2: down this year. You have toy you got this year.

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Speaker 2: You've gotta buckle down, guys. Come on, it's let's get serious.

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Speaker 4: Come on, if the teachers are not your enemy, okay, okay, okay,

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Speaker 4: what else, No, let's got the sh Let's stop fucking

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Speaker 4: around and get to fucking business.

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Speaker 2: Our job is to give our fans the most delightful

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Speaker 2: experience possible. And we listen to them when we go

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Speaker 2: on message boards and are looking for praise for ourselves

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Speaker 2: and they are talking about something else.

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Speaker 3: Other shows. They're saying. This is they say about our show.

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Speaker 3: This is my second favorite show, and I go no.

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Speaker 3: And what they really like, Hayes, is this show that

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Speaker 3: Andy has done.

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Speaker 2: Oh Andy, did you did the show? Admit it and

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Speaker 2: say you did the show? A little show and actually

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Speaker 2: it is very little in terms of very few episodes.

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Speaker 2: M for amount of times I have to hear about it. Yeah,

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Speaker 2: that's interesting. And it's called the Andy Daily Podcast Pilot Project. Yes,

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Speaker 2: hold for applause, that's correct. ADPPP, ADPPP. People love the show.

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Speaker 2: You started it and bailed on it. I try doing

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Speaker 2: two hundred episodes and been quitting, but still doing over

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Speaker 2: one hundred more.

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Speaker 3: Yeah, without actually doing it, showing up and doing it

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Speaker 3: every week.

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Speaker 2: Yes, and you're not doing it. You're not even doing

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Speaker 2: it anymore, but you are there somehow imagine you're not

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Speaker 2: doing this show. Now, that's smart. I'm home, yeah, man,

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Speaker 2: I'm on a beach in Santrope Pina Colada in hand

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Speaker 2: and in my latest John Grisham open on my lap?

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Speaker 2: Was it called the newest John Grisham? That's what it's

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Speaker 2: called The Chamber Maker. Oh uh. So everyone is saying,

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Speaker 2: can I have a new Andy Daily show? A new episode?

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Speaker 2: Do you do the new season? Man, have a new season?

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Speaker 2: And you're saying no, No, I don't think so. No,

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Speaker 2: it's too much work. That's where you're wrong. What do

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Speaker 2: you mean? We will show you because we'll do it

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Speaker 2: right now. We are going to deliver an entire season

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Speaker 2: of the Andy Daily Podcast pilot project, and we'll just

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Speaker 2: we'll just bang how many episodes per season? What do

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Speaker 2: you do? Six? Seven, eight, doesn't matter? We might do

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Speaker 2: this might be a sixer, This might be a short order. Yeah,

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Speaker 2: if I did a third season, it could very well

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Speaker 2: be six episodes. It will be because you're doing it

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Speaker 2: right now, do you's that? What are you talking about?

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Speaker 2: How's that gonna work? Well? You are gonna have to

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Speaker 2: tell us we have not listened to the show. That's fine,

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Speaker 2: I have ever heard this? Yes, do what podcast do

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Speaker 2: you listen to? I don't. I know.

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Speaker 4: I don't care for audio entertainment. It's gotta be visual

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Speaker 4: and not audio.

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Speaker 2: I'm just a silent movie guy and that's about it

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Speaker 2: for me.

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Speaker 3: Slide shows, yes, big daddy b roll. You're like, let

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Speaker 3: me get just.

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Speaker 2: Yeah yeah yeah, I like the like the local news

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Speaker 2: b roll. Oh yeah, that can be pretty soothing. Where

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Speaker 2: do you get the local news be roll? I gotta

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Speaker 2: I gotta buddy guy, I got a k T l A. Yeah,

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Speaker 2: this clown can't get the local news b roll. You're like,

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Speaker 2: you're like a reverse night crawler. You just go pick

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Speaker 2: it up, DayWalker. Yeah yeah, you're a day walker.

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Speaker 4: Yeah yeah, I just go pick it up and I

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Speaker 4: just sit home and I watch hours of people.

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Speaker 2: You know, mid They shoot people's mid sections a lot

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Speaker 2: of the time. If they want to do a report

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Speaker 2: on yeah.

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Speaker 4: Fitness, uh you know, go down to the beach, people

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Speaker 4: walking around.

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Speaker 2: Yeah. I wish they'd do instead of like like obesity

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Speaker 2: crisis or whatever, Like why are all these people so hot? Yes,

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Speaker 2: all these mid sections like so hot? Sexiness crisis?

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Speaker 3: Yeah, yeah, what's with all the sex appeal people? It's

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Speaker 3: reached record numbers and we have to stop it. I

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Speaker 3: think that's a good news story. So is that the

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Speaker 3: podcast pilot project or something?

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Speaker 2: Can we do something with that. So every episode is

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Speaker 2: a guy what strange guy? Yes, he's a bit unusual,

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Speaker 2: wouldn't you admit? Oh, I'll explain the show.

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Speaker 4: It's yes, each episode is a pilot for a podcast

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Speaker 4: that is being made by starring a different character, each

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Speaker 4: of which are played.

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Speaker 2: By a different character, different character, all male men. That's true,

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Speaker 2: they are all male and the men are a bit unusual.

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Speaker 4: Would you say, yeah, yeah, fairly unusual.

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Speaker 2: I guess it would sound pretty good. So we have

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Speaker 2: to do a bunch of these. We're just gonna do them.

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Speaker 2: We're just gonna we're just gonna do them all. Rip it. Uh,

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Speaker 2: we can do one where you know, I work very

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Speaker 2: hard on these.

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Speaker 4: You know, it's like there are carefully crafted characters and

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Speaker 4: it takes, you know, an enormous amount of effort for

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Speaker 4: each one of these episodes there, you know, so I

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Speaker 4: don't know.

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Speaker 6: Okay, Well, the and will work hard to Okay, we're

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Speaker 6: guess you're gonna make do all six of them.

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Speaker 2: Here and again trying to work on the climate strike.

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Speaker 2: So he's saying, let's instead of doing that, let's do work.

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Speaker 2: And if we're all hearing this, yeah, so that's two

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Speaker 2: doing climate strike. The right way, and one you decide yeah,

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Speaker 2: oh no, I always get work done on the climate strike.

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Speaker 2: There's more work for you. Yeah, climate strike day. I'm

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Speaker 2: out there working like a dog.

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Speaker 4: You've got a jackhammer in the middle of the you bet,

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Speaker 4: I am guess power jackhammer the most visible work climate scam.

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Speaker 2: This guy was waiting for. Is somebody gonna say, yeah, yeah,

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Speaker 2: I getna fucking ex way. You know I was there first. Yeah,

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Speaker 2: just come up and do it. Shah Man, I just

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Speaker 2: got the fucking mic. Dude, I don't want to do this.

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Speaker 2: You're not doing it? Oh you said it? Brother? Back

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Speaker 2: to school idea that is also podcast pilot project idea yep,

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Speaker 2: and the two can coexist. A guy who has accidentally

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Speaker 2: been placed at French People College, and is this feeling

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Speaker 2: like our show? Is it's a it's a paper mistake

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Speaker 2: and he has been assigned to do the official podcast

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Speaker 2: of French People College.

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Speaker 4: Okay, they questions about French People College.

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Speaker 2: Is it sure? Is this a college in France? Are

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Speaker 2: you your guy? Are you the guy already? Sure? Like

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Speaker 2: what he would say, we're doing six of these. If

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Speaker 2: we're doing six of them, we might as well just yeah,

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Speaker 2: we should be in.

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Speaker 4: All right, Welcome to the French People College Podcast.

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Speaker 2: Mm hmm, all right.

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Speaker 4: This is a pilot for a new podcast taking place

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Speaker 4: here in French College, and I have two guests here

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Speaker 4: who are students at French College's that Gray Blue.

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Speaker 2: Scott. It sounds like you said you don't speak English?

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Speaker 2: Is that correct? Is that what you Eskatoo parlong lay

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Speaker 2: A Scot.

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Speaker 4: Wow, that's amazing when someone is so good at the

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Speaker 4: language that it doesn't even sound like that language.

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Speaker 2: Oh of course, Oh no, I mean, of course this

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Speaker 2: is wild.

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Speaker 4: I mean I I don't even know what I'm doing

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Speaker 4: at French College, so that's a real mistake.

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Speaker 2: I'm not French. Yeah. So that's episode one. Wow, all right,

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Speaker 2: we're a sixth of the way done. That's great.

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Speaker 4: We've never even found out my character's name, and that's

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Speaker 4: good because that's the hardest part is coming up with

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Speaker 4: their names.

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Speaker 2: Yeah. I can tell from your shows, very hard. They're crazy.

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Speaker 2: The names are like nuts out of this world. Yeah.

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Speaker 2: The name sometimes make me running hide. Maybe we work

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Speaker 2: backwards from a name. Maybe we get from the audience. Oh,

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Speaker 2: get a name from the audience.

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Speaker 4: They love they audience participation.

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Speaker 2: Yeah, Oh, it's always a bad idea. Yes, oh no,

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Speaker 2: that sounds great.

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Speaker 4: Get a name from the audience, and then we'll build

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Speaker 4: the pilot podcast from there.

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Speaker 2: Maybe we get a first name from one person in

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Speaker 2: the last name from another. You seem to have a

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Speaker 2: lot of ideas. What's a good first name for a

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Speaker 2: podcast character that that Andy could do? And that's like within,

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Speaker 2: don't pitch something that's like out of his want to

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Speaker 2: be a man.

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Speaker 3: Okay, okay, we might be moving on to another audience member.

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Speaker 2: Yes here, I am thinking we are in the safest

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Speaker 2: suggestion territory. Yeah, there's a kind of only one way

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Speaker 2: to screw that up.

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Speaker 4: Yeah, for the home listener, he suggested Andy, thank you.

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Speaker 2: I just didn't want to spare you that humiliation. He

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Speaker 2: did say it comes to mind. He did suggest it.

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Speaker 2: He just said, this is what is happening. He said,

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Speaker 2: Andy comes to mind.

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Speaker 4: Yeah, okay, so you're backing away from that being your suggestion.

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Speaker 2: You're just reporting the news that it came to mind.

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Speaker 3: Or is he saying that's your name, that Andy comes

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Speaker 3: to mind. Interesting, it's like an ASMR enjoyer anyway, an enjoyer. Yeah,

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Speaker 3: he's having little brain gasms. He comes to mind. This

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Speaker 3: one is harder than the last one. So yeah, well

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Speaker 3: let's get a different name. Then let's get a different name.

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Speaker 3: Oh that could interesting. Wow he's a dog.

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Speaker 2: He's something of a little Hellian in the Martin Short movie.

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Speaker 2: Oh yes, there's areas.

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Speaker 3: He's a maleman who's good at jeopardy on the show Cheers.

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Speaker 2: And a last name. Uh who said not hepatitis? What

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Speaker 2: was that? Clifford Dog. So we're narrowing the scow Clifford Donny. Yeah,

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Speaker 2: I feel bad that I made so much fun of Andy.

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Speaker 2: As a suggestion could be how about this a podcast

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Speaker 2: about Clifford Dog, the human inspiration for the character Clifford

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Speaker 2: the Big Red Dog, a very large, discolored man. Could

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Speaker 2: that be interesting? No, let's do it anyway. Yeah, he's

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Speaker 2: gotta be rich as hell.

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Speaker 4: Hi, welcome to I Am not a Dog. I am

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Speaker 4: Clifford Dog. This is my podcast pilot. I'm making a pilot.

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Speaker 4: I hope it becomes a regular podcast. And I did

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Speaker 4: this pilot just to raise awareness that I am not

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Speaker 4: a dog. I was the inspiration for the very famous

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Speaker 4: Clifford the Big Red Dog character.

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Speaker 2: And I do live with a little girl named Emily.

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Speaker 4: Elizabeth, and we do live on Birdwell Island. But I

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Speaker 4: am not a dog, and I am unusually large, and

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Speaker 4: due to a deficiency of well, the doctors can't nail

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Speaker 4: it down. But I'm bright Red. Yeah, my guests further

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Speaker 4: this podcast, are you immortalize me as a Clifford in

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Speaker 4: this goddamn book series?

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Speaker 7: Yeah?

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Speaker 2: Tell them your name again to a Conrad Bird or

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Speaker 2: something like that, sock gray blue. Oh shit, I forgot

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Speaker 2: that guy's French. And I I mean, I'm just someone

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Speaker 2: you kind of beckoned inside. Yeah, it seemed like right

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Speaker 2: before you had to record. Yeah, I just want to

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Speaker 2: say you. I would never have thought you were a dog.

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Speaker 2: Thank you necessarily, No, thank you very much. That's uh.

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Speaker 2: But what you are is very unclear. But it's not

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Speaker 2: a dog. It's very clear. I'm a human man.

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Speaker 4: I'm just it's very very large, larger than you would expect.

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Speaker 4: And it kind of seems like what happened there, right,

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Speaker 4: And I'm bright Red and I work here at this

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Speaker 4: is my watch repair shop, and I record the podcast

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Speaker 4: out of here, and you were.

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Speaker 3: Just what an unusual job for a very large person

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Speaker 3: to take, working with just the smallest tears and most

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Speaker 3: precise instruments you could imagine, and.

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Speaker 2: Just looking around your shop, Yeah, it doesn't look like

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Speaker 2: it's going great. No, everything is somehow. I mean, I

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Speaker 2: didn't know a watch part could be smushed. Yeah, you

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Speaker 2: have smushed all this stuff.

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Speaker 4: Well that's true, but only because of my gigantic hands.

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Speaker 2: Okay, yeah, huh, and so it's I have no choice

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Speaker 2: but to smush the watches. I just want to say,

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Speaker 2: the effects, like your size, and like the coloration of stuff.

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Speaker 2: I think it is made a little worse by the nudity.

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Speaker 4: Well, I would love to be wearing clothes. You just

402
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Speaker 4: tell me where I can find some that will fit

403
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Speaker 4: this body.

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00:29:07,320 --> 00:29:08,880
Speaker 2: Okay, okay at the store.

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Speaker 4: What's your next suggestion, because I've tried the store. Okay,

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Speaker 4: I've been doing like a couple of them. Okay, I

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Speaker 4: am gigantically large. Did you make any money?

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00:29:23,360 --> 00:29:23,400
Speaker 2: No?

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00:29:23,640 --> 00:29:26,560
Speaker 4: I never oh, finish your sentence, but I have not

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Speaker 4: made any money off of anything.

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Speaker 2: Even off the books.

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Speaker 4: Huh, my dad, you know I didn't make any money

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Speaker 4: off of those goddamn books.

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Speaker 3: I couldn't remember, you know, contract stuff, it's all you know, gibberish.

415
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Speaker 2: No, but that sucks, dude, that sucks. Man, I mean

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Speaker 2: I just saw it. I was like, I don't think

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Speaker 2: people would really want to see that as a guy,

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Speaker 2: but as a dog. It's true.

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Speaker 4: People don't seem to want to see me as a guy.

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Speaker 2: So that's the second episode. All right, man, we're trucking

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Speaker 2: and this is great. We're third of the way done. Yeah,

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00:30:09,080 --> 00:30:11,880
Speaker 2: and it's either like the payoff is the same. You

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Speaker 2: see what I'm saying for no working on it and

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Speaker 2: not working on Oh no, I do see what you're saying.

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Speaker 4: You know, I feel like an idiot because I'm literally

426
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Speaker 4: like typing up outlines and co.

427
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Speaker 2: Yeah, put all this time in writing music and stuff,

428
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Speaker 2: just like it is mostly writing music. Yeah, you're in

429
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Speaker 2: the lab all night. Yes, comedy lamb, yep, the comedy lab.

430
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Speaker 2: Let's do another show? What's another guy like to do?

431
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Speaker 2: What's like a character that you have always wanted to

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Speaker 2: play and it doesn't It can be the thing for podcasts.

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Speaker 2: It can be a fictional character that already exists. What

434
00:30:50,120 --> 00:30:52,120
Speaker 2: what does that mean? A fictional character that already exists?

435
00:30:52,120 --> 00:30:54,240
Speaker 2: You mean somebody else's bit? What are you talking about?

436
00:30:54,280 --> 00:30:58,560
Speaker 2: Whoa what they're saying? Somebody else's bit? Although I have

437
00:30:58,680 --> 00:31:03,600
Speaker 2: been known to pick and choose. I'm something of a

438
00:31:03,640 --> 00:31:12,560
Speaker 2: heat seeker. You think the lady's doing the office podcast

439
00:31:12,640 --> 00:31:16,640
Speaker 2: wend and like that asked, and we're like, hey, it's okay.

440
00:31:16,720 --> 00:31:19,920
Speaker 2: Can we like to talk about this show every episode? No,

441
00:31:20,080 --> 00:31:24,920
Speaker 2: they just do it. Oh yeah, think about that. Yeah,

442
00:31:25,280 --> 00:31:28,360
Speaker 2: you do whatever you want. Yeah, but it could be

443
00:31:28,640 --> 00:31:30,040
Speaker 2: it's not necessarily.

444
00:31:29,560 --> 00:31:32,880
Speaker 3: Stealing a bit, but it is stealing intellectual property.

445
00:31:33,560 --> 00:31:38,960
Speaker 4: Yes, okay, so a podcast pilot built around stealing the

446
00:31:39,000 --> 00:31:40,160
Speaker 4: intellectual problems.

447
00:31:40,200 --> 00:31:46,800
Speaker 2: But you can't search a sound and so you can't

448
00:31:46,840 --> 00:31:49,680
Speaker 2: if you name the show something else, you can do

449
00:31:49,760 --> 00:31:53,680
Speaker 2: whatever you want in the sound part and they cannot

450
00:31:53,920 --> 00:31:59,200
Speaker 2: find it. They're searching around for like the name of

451
00:31:59,280 --> 00:32:05,280
Speaker 2: their They I'm lost. But it's all right. It's like

452
00:32:05,360 --> 00:32:09,760
Speaker 2: the all the lawyers. The lawyers are on the computer

453
00:32:10,440 --> 00:32:13,520
Speaker 2: and they're searching for the name of Snoopy or whoever

454
00:32:13,560 --> 00:32:14,560
Speaker 2: it is that they have.

455
00:32:14,720 --> 00:32:16,840
Speaker 4: So if I have a podcast called Let's talk about

456
00:32:16,880 --> 00:32:22,440
Speaker 4: Snoopy or I Am Snoopy, I am Snoopy, you're not.

457
00:32:22,800 --> 00:32:25,400
Speaker 2: Yes, even if you even if in the.

458
00:32:25,400 --> 00:32:30,320
Speaker 3: Podcast you were being you know, Clifford Dog or something else. Hey,

459
00:32:30,360 --> 00:32:32,680
Speaker 3: you're kind of capitalizing making money off of snoopy.

460
00:32:33,000 --> 00:32:35,880
Speaker 2: But if you call it, I mean, what's something you

461
00:32:35,920 --> 00:32:41,920
Speaker 2: could call it? Uh fucking maybe something unappealed, like yeah,

462
00:32:42,040 --> 00:32:45,280
Speaker 2: this podcast, this actually smells bad.

463
00:32:45,360 --> 00:32:52,480
Speaker 3: Somehow, this podcast sucks. It smells. This smells so yeah.

464
00:32:52,360 --> 00:32:56,160
Speaker 2: You could call it that, but that once you're in there,

465
00:32:56,320 --> 00:33:00,280
Speaker 2: you could do like, hey, it's me Snoopy. Yes, you

466
00:33:00,280 --> 00:33:03,200
Speaker 2: can do a really beloved character. Maybe it's not all right,

467
00:33:03,280 --> 00:33:04,800
Speaker 2: welcome to this smells.

468
00:33:05,800 --> 00:33:10,960
Speaker 4: This is the podcast that smells horrible. No one should listen,

469
00:33:12,040 --> 00:33:18,120
Speaker 4: all right, talented, Now that all the people with sensitive noses,

470
00:33:18,240 --> 00:33:21,920
Speaker 4: all those fucking lawyers have been scared away by the

471
00:33:21,960 --> 00:33:23,440
Speaker 4: threat of a bad smell.

472
00:33:25,120 --> 00:33:27,880
Speaker 2: You know who I am.

473
00:33:28,640 --> 00:33:32,080
Speaker 8: I'm fucking stupid over snooping the dog.

474
00:33:32,640 --> 00:33:37,200
Speaker 2: I live on a dog house, and I'm a World

475
00:33:37,200 --> 00:33:42,720
Speaker 2: War one flying ace in my fantasies. You know who

476
00:33:42,760 --> 00:33:47,840
Speaker 2: I'm interviewing too. I got old old Charlie Brown here. Yeah, okay,

477
00:33:47,920 --> 00:33:48,920
Speaker 2: take it away, Charlie.

478
00:33:49,240 --> 00:33:54,160
Speaker 4: Ah, come on, you guys, we can do whatever the

479
00:33:54,200 --> 00:33:54,920
Speaker 4: fuck we want.

480
00:33:54,960 --> 00:34:00,000
Speaker 2: The lawyers are listening. It's me. I am Joy Brown. Yeah,

481
00:33:59,840 --> 00:34:06,600
Speaker 2: I'm a little kid. I love to wear shorts. Day

482
00:34:09,360 --> 00:34:14,160
Speaker 2: is famous that I am bald. Yeah, what's up with that?

483
00:34:15,600 --> 00:34:19,640
Speaker 2: I actually am just a little kid, and so I

484
00:34:19,680 --> 00:34:24,080
Speaker 2: don't know, Like, how old are you? The science of

485
00:34:24,200 --> 00:34:29,399
Speaker 2: my head is an adult subject, and for a little kid,

486
00:34:29,600 --> 00:34:36,680
Speaker 2: I don't understand. I am one year old. I'm surprised. Yes,

487
00:34:36,800 --> 00:34:38,680
Speaker 2: Charlie Brown is one year old.

488
00:34:39,440 --> 00:34:44,319
Speaker 3: It's time for the Woodstock minute. I'm Woodstock and I

489
00:34:44,480 --> 00:34:48,480
Speaker 3: got something to say, and it's gonna dig about a minute.

490
00:34:51,880 --> 00:34:53,839
Speaker 2: Why, Like, what's going on?

491
00:34:54,360 --> 00:35:00,879
Speaker 3: I mean, everyone is annoying me. Okay, so well let's

492
00:35:00,920 --> 00:35:06,680
Speaker 3: get real. People are so annoying. I was trying to

493
00:35:06,680 --> 00:35:08,919
Speaker 3: do ice skating on my bird bath the other day

494
00:35:12,040 --> 00:35:15,359
Speaker 3: and then somebody comes over and it's like, don't do that.

495
00:35:17,280 --> 00:35:20,200
Speaker 3: I mean I was ready to just about just you know,

496
00:35:21,320 --> 00:35:22,000
Speaker 3: fly away.

497
00:35:23,800 --> 00:35:26,040
Speaker 2: And that's a three panel structure.

498
00:35:26,280 --> 00:35:30,480
Speaker 4: Yeah, it's funnier than a lot of Peanuts cartoons.

499
00:35:30,560 --> 00:35:35,880
Speaker 2: Yeah. Is that the end of the wood Stock minute? Oh?

500
00:35:35,920 --> 00:35:40,880
Speaker 2: How long has it been? No one's timing it? Well

501
00:35:40,920 --> 00:35:42,440
Speaker 2: that'll do you then?

502
00:35:42,680 --> 00:35:47,640
Speaker 3: Uh, okay, woods Stung minute. We're wrapping up in three

503
00:35:48,600 --> 00:35:54,359
Speaker 3: two one, and it's all these ten more seconds left.

504
00:35:54,400 --> 00:35:54,560
Speaker 2: Now.

505
00:35:56,440 --> 00:35:59,319
Speaker 3: We counted down to the last ten seconds and we

506
00:35:59,360 --> 00:36:00,600
Speaker 3: are way out.

507
00:36:01,680 --> 00:36:05,960
Speaker 2: Man, I don't think this pilot is gonna get picked up. Well,

508
00:36:06,000 --> 00:36:11,840
Speaker 2: none of them did. That's true, none of them have

509
00:36:11,960 --> 00:36:17,120
Speaker 2: been picked up. Mmm, seems seems wrong. How do you

510
00:36:17,200 --> 00:36:19,520
Speaker 2: build a character? That's the end of that show that

511
00:36:20,280 --> 00:36:21,480
Speaker 2: How do you build a character?

512
00:36:22,840 --> 00:36:27,200
Speaker 3: Thank you so, because the way we're starts, we did

513
00:36:27,280 --> 00:36:30,120
Speaker 3: for Andy choose that, like the Peanuts world is populated

514
00:36:30,160 --> 00:36:32,760
Speaker 3: with many female characters, we did choose three male ones

515
00:36:32,920 --> 00:36:36,880
Speaker 3: for so it would fit with the Abye Dailey podcast pilot.

516
00:36:38,960 --> 00:36:41,719
Speaker 4: There are there are, There are women on the podcast

517
00:36:41,719 --> 00:36:45,680
Speaker 4: pilot project, women playing women. It is true though that

518
00:36:45,840 --> 00:36:48,640
Speaker 4: in every case men have played men. You have a

519
00:36:48,680 --> 00:36:49,799
Speaker 4: good point there, but.

520
00:36:49,800 --> 00:36:54,359
Speaker 2: It was a long time ago. It was a different time.

521
00:36:56,239 --> 00:36:59,880
Speaker 2: We gotta think about this stuff. Yeah, I mean we have,

522
00:37:00,000 --> 00:37:04,920
Speaker 2: certainly I've grown since then. Yeah, all right, what were

523
00:37:04,920 --> 00:37:06,279
Speaker 2: you saying? Were you in the middle of a thought?

524
00:37:06,360 --> 00:37:06,520
Speaker 8: What?

525
00:37:07,120 --> 00:37:08,960
Speaker 2: Oh, you're gonna ask me how I developed the character? Yeah,

526
00:37:09,080 --> 00:37:10,839
Speaker 2: I don't know. I know, I don't I don't know.

527
00:37:11,080 --> 00:37:14,600
Speaker 2: You don't know, I don't know. So what happens for

528
00:37:14,719 --> 00:37:17,440
Speaker 2: you at all? I don't know. You don't know.

529
00:37:19,160 --> 00:37:24,959
Speaker 3: So you're effectively an awaking blackout And later on you'll

530
00:37:24,960 --> 00:37:27,239
Speaker 3: listen to your own show and go whoa who made this?

531
00:37:27,560 --> 00:37:28,440
Speaker 2: Yeah, it's like that.

532
00:37:29,920 --> 00:37:31,839
Speaker 4: No, Scott Ackerman will send me an email and say

533
00:37:31,880 --> 00:37:33,560
Speaker 4: will you please come and do a comedy bang bang,

534
00:37:33,640 --> 00:37:37,480
Speaker 4: and I will go into a panic and then try

535
00:37:37,480 --> 00:37:38,600
Speaker 4: to come up with a new character.

536
00:37:39,040 --> 00:37:42,360
Speaker 2: Let's talk about some of these guys. There's cowboy Head.

537
00:37:42,800 --> 00:37:46,520
Speaker 4: Yeah, it's got the head of a cowboy and the

538
00:37:46,560 --> 00:37:52,600
Speaker 4: body of also a cowboy. Yes, that's Dalton Willcox, cowboy poet,

539
00:37:53,160 --> 00:37:55,200
Speaker 4: uh poet Lauriate of the West.

540
00:37:55,680 --> 00:38:00,279
Speaker 3: Yeah, yep, he's a bit of an on.

541
00:38:01,800 --> 00:38:05,160
Speaker 2: Yeah. Yeah, you were right before you said that they

542
00:38:05,160 --> 00:38:11,480
Speaker 2: were all unusual. Unusual. I'd say, there's uh, the lettrous

543
00:38:11,560 --> 00:38:12,359
Speaker 2: perv Yeah.

544
00:38:12,480 --> 00:38:18,040
Speaker 4: Don Jamello yeah, uh yeah, damn what people are making

545
00:38:18,040 --> 00:38:19,240
Speaker 4: strange sounds in the audience.

546
00:38:20,080 --> 00:38:21,880
Speaker 2: Uh, he's the clap for.

547
00:38:24,719 --> 00:38:28,040
Speaker 4: He's the director of the Radio City Music Hall Christmas Spectacular. Yeah,

548
00:38:28,120 --> 00:38:31,479
Speaker 4: and a legendary pervert. He's a little offbeat, I'd say,

549
00:38:33,200 --> 00:38:35,240
Speaker 4: a bit of a screw loose in my opinion.

550
00:38:35,400 --> 00:38:38,320
Speaker 3: Seemed like a yeah, want or two sandwiches short of

551
00:38:38,360 --> 00:38:39,240
Speaker 3: a freaking picnic.

552
00:38:42,080 --> 00:38:47,280
Speaker 2: And then there's a guy with something of a dark streak.

553
00:38:47,400 --> 00:38:53,359
Speaker 4: Huh kind of I think that's all of them.

554
00:38:53,400 --> 00:38:56,440
Speaker 2: But yeah, oh, there's a number of other characters.

555
00:38:56,520 --> 00:38:58,719
Speaker 4: Yeah, it's fine that you don't know them, because I

556
00:38:58,719 --> 00:38:59,799
Speaker 4: can't think of anymore either.

557
00:39:00,200 --> 00:39:06,280
Speaker 2: M hmm. Yeah, you give him a guy. You always

558
00:39:06,280 --> 00:39:09,040
Speaker 2: are having guys. You're always coming up with all these

559
00:39:09,200 --> 00:39:14,000
Speaker 2: monsters and characters. It's true, draws these monsters I do. Yeah,

560
00:39:15,040 --> 00:39:15,879
Speaker 2: how many have we done?

561
00:39:15,920 --> 00:39:19,280
Speaker 3: So we've done three, you've done three.

562
00:39:19,640 --> 00:39:23,160
Speaker 2: Yeah, it's going great. It's gotten better and better.

563
00:39:23,440 --> 00:39:25,759
Speaker 3: It's what you want is for the show to pick

564
00:39:25,800 --> 00:39:27,720
Speaker 3: up steam in just this exact way.

565
00:39:29,120 --> 00:39:33,760
Speaker 2: And the three that we have are the official French

566
00:39:33,760 --> 00:39:38,320
Speaker 2: People college podcast I Am Not a Dog by Clifford

567
00:39:38,360 --> 00:39:41,399
Speaker 2: Dog oh yeah, and just Smells Bad.

568
00:39:43,400 --> 00:39:47,320
Speaker 4: Don't listen to it, which a ka snoopy podcast.

569
00:39:47,360 --> 00:39:51,279
Speaker 2: Akay, but don't. Yeah, the more likely we are to

570
00:39:51,280 --> 00:39:53,000
Speaker 2: get in trouble, which I thought was smart. By the way,

571
00:39:53,160 --> 00:39:56,480
Speaker 2: when you did that one, the beginning was still that

572
00:39:56,560 --> 00:40:00,359
Speaker 2: the podcast stuck just in case the at.

573
00:40:00,280 --> 00:40:03,920
Speaker 4: The very beginning, Yeah, that's right, chat, well, because they

574
00:40:04,000 --> 00:40:05,960
Speaker 4: might see the title and say, I'm familiar with this

575
00:40:06,040 --> 00:40:10,160
Speaker 4: old trick. This is probably intellectual property being stolen left

576
00:40:10,200 --> 00:40:10,440
Speaker 4: and right.

577
00:40:10,560 --> 00:40:12,520
Speaker 2: Yeah, I'm gonna tune in, and then they wouldn't listen

578
00:40:12,560 --> 00:40:13,680
Speaker 2: to the first five second.

579
00:40:15,120 --> 00:40:26,320
Speaker 3: Yeah, correct, Yeah, that's good. Well, I draw these crazy monsters, Andy,

580
00:40:27,760 --> 00:40:30,200
Speaker 3: When I closed my eyes, I'll see like.

581
00:40:32,760 --> 00:40:34,880
Speaker 2: Oscar the Grouch.

582
00:40:35,440 --> 00:40:40,319
Speaker 3: Like some of the most fucked up shit you could imagine, Oh,

583
00:40:41,239 --> 00:40:45,400
Speaker 3: the freaking Grover and the Cookie Monster.

584
00:40:46,120 --> 00:40:49,200
Speaker 2: I mean, when I closed my eyes, it's a horror

585
00:40:49,400 --> 00:40:50,279
Speaker 2: show in there.

586
00:40:51,440 --> 00:40:56,440
Speaker 3: And if we could somehow turn that into a podcast

587
00:40:56,520 --> 00:40:58,760
Speaker 3: pilot project episode.

588
00:40:59,080 --> 00:41:00,760
Speaker 2: Man, that'd be something else.

589
00:41:05,000 --> 00:41:05,040
Speaker 4: What.

590
00:41:07,040 --> 00:41:12,120
Speaker 2: Okay, so wow, I'm back. So he thought of a monster.

591
00:41:12,520 --> 00:41:18,480
Speaker 2: It looks it's sort of well, it's Oscar the Grouse hid. Yeah,

592
00:41:18,480 --> 00:41:19,719
Speaker 2: I know that what he looks like.

593
00:41:19,920 --> 00:41:24,560
Speaker 3: Yeah, yeah, but oh yeah he has Now I'm engaged

594
00:41:24,680 --> 00:41:25,640
Speaker 3: human skin.

595
00:41:31,719 --> 00:41:36,080
Speaker 2: Yeah, it's not good.

596
00:41:37,719 --> 00:41:41,080
Speaker 4: Under the green fur, or instead of the green fur instead.

597
00:41:41,280 --> 00:41:45,200
Speaker 2: Yeah, and this is something to think about. Instead of

598
00:41:45,480 --> 00:41:48,759
Speaker 2: doing all these different like kinds of guys, you can

599
00:41:48,960 --> 00:41:57,040
Speaker 2: just do humanoid versions of like fictional creatures space with

600
00:41:57,080 --> 00:42:01,440
Speaker 2: a Whifford And now we just do it again with

601
00:42:01,560 --> 00:42:04,640
Speaker 2: Oscar the Ground and we did it really with Snoopy.

602
00:42:04,719 --> 00:42:08,479
Speaker 2: We've done it. Snoopy doesn't really Snoopy didn't do any

603
00:42:08,680 --> 00:42:12,319
Speaker 2: dog stuff at all. No, that's a good point. He

604
00:42:12,480 --> 00:42:14,960
Speaker 2: was just a god. He's just the guy claiming to

605
00:42:15,000 --> 00:42:17,879
Speaker 2: be snoopy. Yeah, I think he kind of got off

606
00:42:17,880 --> 00:42:19,880
Speaker 2: on it to be hon Now here's something that I

607
00:42:19,920 --> 00:42:23,760
Speaker 2: am actually worried about. This podcast may stink for real

608
00:42:25,040 --> 00:42:28,560
Speaker 2: in what sense of the word. Well, I have bad

609
00:42:28,640 --> 00:42:33,759
Speaker 2: news for you about Oscar the Groud. Oh no, it

610
00:42:34,040 --> 00:42:39,319
Speaker 2: is obsessed with the garbage can and trash. He loves

611
00:42:40,320 --> 00:42:43,520
Speaker 2: banana peel Yeah, can.

612
00:42:44,680 --> 00:42:50,080
Speaker 3: Milk carton sour milk curdled with him.

613
00:42:50,680 --> 00:42:55,880
Speaker 4: Welcome to this podcast. This one really does smell that.

614
00:42:58,239 --> 00:43:05,560
Speaker 4: I am Oscar the Grouch with you, and this is

615
00:43:05,640 --> 00:43:11,960
Speaker 4: my podcast pilot, and I'm a real grouch and my

616
00:43:12,080 --> 00:43:14,560
Speaker 4: guests are two of my prisoners here in.

617
00:43:14,400 --> 00:43:15,440
Speaker 2: My trash can.

618
00:43:17,040 --> 00:43:19,319
Speaker 4: How did you now? You were just a guy taking

619
00:43:19,360 --> 00:43:21,279
Speaker 4: out the trash and I came up and grabbed you

620
00:43:21,320 --> 00:43:23,880
Speaker 4: and dragged you down here into the labyrinth of my

621
00:43:24,040 --> 00:43:25,880
Speaker 4: underground trash complex.

622
00:43:26,080 --> 00:43:30,040
Speaker 2: Yes, I am a trash man. I am a Delvin.

623
00:43:30,239 --> 00:43:35,480
Speaker 2: I am from the Off Book episode that Hayes Davenport

624
00:43:35,520 --> 00:43:38,360
Speaker 2: and Shawn Clements did of Off Book. Please go listen

625
00:43:38,400 --> 00:43:41,200
Speaker 2: to it. I was the trash man in that episode.

626
00:43:41,680 --> 00:43:44,080
Speaker 2: This is a tie in with off Book. It's an

627
00:43:44,160 --> 00:43:49,560
Speaker 2: old off book tie in probably behind the paywall. It's archived.

628
00:43:50,239 --> 00:43:52,240
Speaker 2: It's gotta be archived at this point.

629
00:43:52,320 --> 00:43:55,760
Speaker 3: It's the only way that the company can even pretend

630
00:43:55,760 --> 00:43:56,520
Speaker 3: to be viable.

631
00:43:59,719 --> 00:44:00,920
Speaker 2: So let's get it.

632
00:44:01,080 --> 00:44:03,319
Speaker 4: But it's well worth your three forty nine a month

633
00:44:03,440 --> 00:44:04,600
Speaker 4: to hear that one alone.

634
00:44:04,840 --> 00:44:07,319
Speaker 2: Yes, to go back and listen to that, and then

635
00:44:07,440 --> 00:44:10,760
Speaker 2: get this reference for this which will soon be archived

636
00:44:10,800 --> 00:44:13,600
Speaker 2: as well. Blink and you miss it in terms of

637
00:44:13,719 --> 00:44:17,719
Speaker 2: archiving these things, Is that right? Yeah? I don't listen

638
00:44:17,760 --> 00:44:21,960
Speaker 2: to any podcasts. Whoa, I don't blame you a bell.

639
00:44:23,000 --> 00:44:29,720
Speaker 2: Now this trash prison I'm in. Yeah, you're in the prison.

640
00:44:29,880 --> 00:44:33,719
Speaker 2: Part of the trash can. The trash can is viewers

641
00:44:33,719 --> 00:44:39,200
Speaker 2: of Sisame Street. No is vast. It is a vast underworld.

642
00:44:39,360 --> 00:44:48,400
Speaker 2: Oh yeah, Gratchland. I'm on Gland. What I won to gotcha? Grasslands?

643
00:44:48,480 --> 00:44:51,560
Speaker 2: Whold Land? That's fine.

644
00:44:51,760 --> 00:44:55,960
Speaker 4: Now part of it is a prison. Let's talk to

645
00:44:55,960 --> 00:44:58,040
Speaker 4: our other prisoner. How did you end up in here?

646
00:44:58,520 --> 00:45:02,480
Speaker 2: I am a human version of Fozzy Bear. I'm a

647
00:45:02,600 --> 00:45:08,759
Speaker 2: humane that he was based on. I do a lot

648
00:45:08,760 --> 00:45:14,040
Speaker 2: of podcasts like this. I've hearn a podcast comedian, and

649
00:45:14,440 --> 00:45:16,759
Speaker 2: I guess I'm just taking this opportunity to say, I

650
00:45:16,760 --> 00:45:23,120
Speaker 2: really appreciate SNL giving me a chance. When you do

651
00:45:23,239 --> 00:45:27,719
Speaker 2: as Betty Podcast as I do, like you're gonna like

652
00:45:27,880 --> 00:45:31,879
Speaker 2: take some swings and like some of them are gonna miss. Obviously,

653
00:45:32,719 --> 00:45:37,840
Speaker 2: you've gotta take a big risk if you are pushing

654
00:45:38,520 --> 00:45:46,080
Speaker 2: to the absolute edge of human decency. There's no other

655
00:45:46,120 --> 00:45:50,120
Speaker 2: way to be a comedian. Yes, certainly on a podcast. Yes,

656
00:45:51,280 --> 00:45:54,720
Speaker 2: but I was funny enough to get on SNL, which

657
00:45:54,800 --> 00:45:56,120
Speaker 2: apparently means something to.

658
00:45:56,120 --> 00:46:00,680
Speaker 4: Me that can never be taken it away from you,

659
00:46:01,000 --> 00:46:03,040
Speaker 4: except except by SNL.

660
00:46:03,160 --> 00:46:07,040
Speaker 2: Yes, except in this one case. Yes, I've been told

661
00:46:07,080 --> 00:46:11,280
Speaker 2: that it can. Yes. Yes, And you are a woman.

662
00:46:12,200 --> 00:46:17,000
Speaker 2: Yes I am. Well it's twenty nineteen. Yes, it's twenty nineteen.

663
00:46:17,320 --> 00:46:19,480
Speaker 2: I am a woman. Fozzy Bear could be a woman.

664
00:46:19,560 --> 00:46:24,880
Speaker 2: Now I should come clean about something. Yes, garbage man,

665
00:46:25,120 --> 00:46:27,319
Speaker 2: I'm a bit of a ravenous little monster when it

666
00:46:27,360 --> 00:46:38,160
Speaker 2: comes to collecting trash. And that's that joke. Here's I

667
00:46:38,200 --> 00:46:41,680
Speaker 2: got a meme. Oh, I love I love memes me.

668
00:46:42,000 --> 00:46:46,279
Speaker 2: It's the joker trailer. Oh, but it's just clips of

669
00:46:46,960 --> 00:46:51,840
Speaker 2: Fozzy Bear going around doing his comedy and stuff. But

670
00:46:51,880 --> 00:46:56,120
Speaker 2: it's the voiceover from the Joker trailer and Fozzy is

671
00:46:56,160 --> 00:47:01,040
Speaker 2: the one that's like, that's a can't make yes. Yeah, oh,

672
00:47:01,160 --> 00:47:03,719
Speaker 2: I think that that's a can't miss me. Yeah, I

673
00:47:03,719 --> 00:47:05,040
Speaker 2: think that's ah.

674
00:47:05,239 --> 00:47:10,160
Speaker 3: That meme is so choice, don't give it away.

675
00:47:11,800 --> 00:47:14,080
Speaker 2: I knew Andy like it. He loves visual stuff.

676
00:47:14,200 --> 00:47:18,560
Speaker 4: Ye wild about visual stuff and memes. I uh, I

677
00:47:18,600 --> 00:47:22,080
Speaker 4: spent a solid I don't want to exaggerate fifteen minutes

678
00:47:22,560 --> 00:47:27,080
Speaker 4: on the Internet with the picture of Joaquin Phoenix as

679
00:47:27,160 --> 00:47:29,279
Speaker 4: the Joker in the on the poster image where he's

680
00:47:29,320 --> 00:47:29,520
Speaker 4: kind of.

681
00:47:29,520 --> 00:47:32,879
Speaker 2: Looking up at the sky looking for I.

682
00:47:32,880 --> 00:47:37,239
Speaker 4: Believed that there was a similar image of Bono as mcphisto.

683
00:47:39,280 --> 00:47:42,759
Speaker 2: Wow, and uh I I just wanted to have them

684
00:47:42,840 --> 00:47:45,799
Speaker 2: side by side himself. Is that a tweet? But I

685
00:47:45,800 --> 00:47:48,719
Speaker 2: couldn't find uh.

686
00:47:48,280 --> 00:47:51,400
Speaker 8: Oh, I couldn't find a suitable mcphisto picture.

687
00:47:51,760 --> 00:47:56,520
Speaker 2: You got it. Comedy is about taking risks. You gotta

688
00:47:56,800 --> 00:47:59,880
Speaker 2: not everything is gonna work. I wanted to just I have.

689
00:48:00,360 --> 00:48:03,760
Speaker 2: I wanted the same pose and a but the payoff,

690
00:48:04,480 --> 00:48:08,000
Speaker 2: I know, the sweet payoffs. Strange lack of photos of

691
00:48:08,080 --> 00:48:11,239
Speaker 2: mcphisto on Google Images. Yeah, that's fucking me up.

692
00:48:13,800 --> 00:48:17,160
Speaker 3: You you would have gone so damn viral.

693
00:48:17,480 --> 00:48:20,320
Speaker 2: No shit I would have had like you wouldn't be

694
00:48:20,320 --> 00:48:25,160
Speaker 2: hanging out with us clowns. That would have been like

695
00:48:25,320 --> 00:48:32,879
Speaker 2: seventy nine likes. Oh, I can taste it now anymore. Name,

696
00:48:32,960 --> 00:48:35,160
Speaker 2: we gotta like you all should have been coming up

697
00:48:35,200 --> 00:48:37,040
Speaker 2: with names. Somebody must have come up with a name

698
00:48:37,080 --> 00:48:43,560
Speaker 2: by now. Gort Carl, Gort Carl.

699
00:48:44,040 --> 00:48:48,640
Speaker 3: This is very good, like the that's very strong, Okay,

700
00:48:51,280 --> 00:48:52,680
Speaker 3: an idea of gorge all right?

701
00:48:52,760 --> 00:49:02,319
Speaker 2: God please? Yeah? Jort is Jane short. Yes, we can

702
00:49:02,400 --> 00:49:13,880
Speaker 2: all agree. Gort is grass shorts, much like the traditional

703
00:49:13,920 --> 00:49:21,560
Speaker 2: grass skirt of the Hawaiian islets. But Gort is outfitted

704
00:49:21,960 --> 00:49:24,080
Speaker 2: in grass short.

705
00:49:25,440 --> 00:49:31,160
Speaker 4: There's no other way this could possibly have gone. M Yes,

706
00:49:31,760 --> 00:49:34,640
Speaker 4: So he's the guy who wears grass shorts.

707
00:49:34,880 --> 00:49:36,279
Speaker 9: He is a.

708
00:49:37,880 --> 00:49:41,719
Speaker 2: Older white man who has retired to the Hawaiian Islands

709
00:49:42,360 --> 00:49:46,640
Speaker 2: and has adopted a lot of their culture, in particular

710
00:49:46,680 --> 00:49:47,520
Speaker 2: on his shorts.

711
00:49:49,800 --> 00:49:57,279
Speaker 3: Great, don't forget. His last name is Carl. Yes, if

712
00:49:57,320 --> 00:49:58,719
Speaker 3: that informed said eything?

713
00:50:00,000 --> 00:50:14,000
Speaker 4: He and welcome to the Hawaiian lifestyle with me, Gord Carl.

714
00:50:15,600 --> 00:50:19,920
Speaker 4: I am a retiree living down here on the Big

715
00:50:19,960 --> 00:50:25,000
Speaker 4: Island and really just getting into it my ties every day.

716
00:50:26,480 --> 00:50:32,280
Speaker 2: Lais POI other references to Hawaii.

717
00:50:34,000 --> 00:50:37,399
Speaker 4: And I am loving it. And like most people, I

718
00:50:37,440 --> 00:50:40,760
Speaker 4: am named after what I am likely to turn up wearing,

719
00:50:46,640 --> 00:50:49,320
Speaker 4: which is shorts made of grass.

720
00:50:49,360 --> 00:50:50,319
Speaker 7: My guests.

721
00:50:55,239 --> 00:51:03,200
Speaker 2: The grandson of Don Ho uh s deely ho he

722
00:51:03,200 --> 00:51:05,879
Speaker 2: here today? Hey brother, what's going on?

723
00:51:06,400 --> 00:51:13,080
Speaker 4: Your grandfather was a legendary a Hawaiian ukalyst and entertainer.

724
00:51:13,480 --> 00:51:17,520
Speaker 2: You said it, not me? And uh? And are you

725
00:51:17,600 --> 00:51:21,440
Speaker 2: carrying on the tradition of doing them? You're asking if

726
00:51:21,440 --> 00:51:24,880
Speaker 2: I play the ukulele? Yes, nope, okay?

727
00:51:26,239 --> 00:51:28,839
Speaker 4: Can you sing a little of your grandfather's most famous song,

728
00:51:28,920 --> 00:51:29,680
Speaker 4: Tiny Bubbles?

729
00:51:29,840 --> 00:51:30,080
Speaker 2: Oh?

730
00:51:30,160 --> 00:51:37,720
Speaker 10: Yeah, the little bubbles. Damn these little damn bubbles getting

731
00:51:37,840 --> 00:51:43,920
Speaker 10: every nook and cranny, don't they. Dear man, I'm gonna

732
00:51:43,920 --> 00:51:48,480
Speaker 10: be picking these bubbles out for a week.

733
00:51:49,280 --> 00:51:55,719
Speaker 4: Well that's a different take on a classic hot hot

734
00:51:55,719 --> 00:51:58,719
Speaker 4: now take not surprised from the young generation. What do

735
00:51:58,760 --> 00:51:59,960
Speaker 4: you know ze or why?

736
00:52:00,320 --> 00:52:00,839
Speaker 2: Who gives?

737
00:52:01,760 --> 00:52:02,399
Speaker 4: Yeah? Yeah?

738
00:52:02,719 --> 00:52:02,919
Speaker 6: Yeah?

739
00:52:03,120 --> 00:52:03,319
Speaker 10: Yeah.

740
00:52:04,480 --> 00:52:13,359
Speaker 2: My other guest is a volcano. Yeah, hey brother, Hey,

741
00:52:13,440 --> 00:52:20,400
Speaker 2: what's up? Are you active at this point? Boy?

742
00:52:20,920 --> 00:52:21,040
Speaker 10: Uh?

743
00:52:21,200 --> 00:52:25,799
Speaker 2: Just sort of looking at my career. I would love

744
00:52:25,920 --> 00:52:33,240
Speaker 2: to say yes, but the town has other ideas. Oh really, yeah, yeah,

745
00:52:33,320 --> 00:52:39,680
Speaker 2: business has been terrible. Nobody really wants me to do that. Well,

746
00:52:40,000 --> 00:52:43,439
Speaker 2: there's no market for it. I can talk a little

747
00:52:43,440 --> 00:52:45,960
Speaker 2: bit about that. I am, of course, this Volcano's manager.

748
00:52:46,280 --> 00:52:50,080
Speaker 2: I scored him a Pixar short a few years ago.

749
00:52:50,840 --> 00:52:51,520
Speaker 2: That's huge.

750
00:52:51,760 --> 00:52:56,520
Speaker 3: Yeah, he was sort of an older male volcano and

751
00:52:56,640 --> 00:52:58,600
Speaker 3: there was like a love story with him, like a

752
00:52:58,680 --> 00:53:04,400
Speaker 3: younger islander something. I don't I don't recall it perfectly obviously,

753
00:53:05,120 --> 00:53:05,759
Speaker 3: and I should have.

754
00:53:05,800 --> 00:53:07,200
Speaker 2: Read the script closer at the time.

755
00:53:07,400 --> 00:53:10,520
Speaker 4: I can't tell you what happens in that dim sum

756
00:53:10,640 --> 00:53:14,319
Speaker 4: Pixar short. If these things are illusory, yeah, ephemeral, you

757
00:53:14,360 --> 00:53:15,080
Speaker 4: forget them.

758
00:53:14,920 --> 00:53:17,359
Speaker 2: But you go back that it was people love it.

759
00:53:17,480 --> 00:53:20,799
Speaker 2: People love this thing. They did briefly and then they

760
00:53:20,800 --> 00:53:23,520
Speaker 2: were pissed. But then but you go back and you're like,

761
00:53:23,640 --> 00:53:26,840
Speaker 2: let's do another one of these. You've done a million

762
00:53:26,880 --> 00:53:31,400
Speaker 2: with freaking cowboy head who also has the body of

763
00:53:31,440 --> 00:53:35,799
Speaker 2: a cowboy. Yes, yeah, why not war with this volcano

764
00:53:36,000 --> 00:53:38,680
Speaker 2: people people are kind of mad about but maybe we

765
00:53:38,800 --> 00:53:40,719
Speaker 2: do it right this time. Yeah. They was fixed some

766
00:53:40,760 --> 00:53:43,439
Speaker 2: of the rough out, the some of the stuff did

767
00:53:43,440 --> 00:53:47,480
Speaker 2: you erupt in the short? I don't remember, so like

768
00:53:47,520 --> 00:53:52,560
Speaker 2: because I feel like stars a volcano. It was off camera,

769
00:53:53,760 --> 00:53:55,960
Speaker 2: and by the time they set up the camera and stuff,

770
00:53:56,000 --> 00:53:59,720
Speaker 2: I was already It's hard to time it exactly right.

771
00:54:00,160 --> 00:54:02,840
Speaker 4: Or but I would be if it's something features a

772
00:54:02,880 --> 00:54:04,400
Speaker 4: volcano and it doesn't erupt.

773
00:54:04,480 --> 00:54:08,640
Speaker 2: As an audience member, I feel ripped off. Yeah, I mean,

774
00:54:09,080 --> 00:54:11,399
Speaker 2: you know, it's like a short movie before the rest

775
00:54:11,440 --> 00:54:14,640
Speaker 2: of the movie. So like, yeah, I guess you have

776
00:54:14,680 --> 00:54:18,280
Speaker 2: your money back. I mean, ye, back, here's your fucking

777
00:54:18,280 --> 00:54:23,400
Speaker 2: refund to watch what fraction of was the short? A quarter?

778
00:54:23,960 --> 00:54:26,400
Speaker 2: A quarter? Yeah, I would take it back, thank you.

779
00:54:28,640 --> 00:54:33,720
Speaker 2: I don't really have it. Well, I hope this pilot

780
00:54:33,719 --> 00:54:39,360
Speaker 2: gets picked up. This one feels good. That's all the

781
00:54:39,400 --> 00:54:43,240
Speaker 2: time we have for whatever the name of this was. Hey, sorry,

782
00:54:43,280 --> 00:54:45,080
Speaker 2: I'm a new person coming in here. Oh, a new

783
00:54:45,080 --> 00:54:50,280
Speaker 2: person coming in It's me your son, Oh shit, Smith, Carl,

784
00:54:52,000 --> 00:54:59,799
Speaker 2: Hi Smith. Please I see you're wearing your Smith's yes. Uh,

785
00:55:00,360 --> 00:55:04,719
Speaker 2: please come back to the continental United States. Your family

786
00:55:05,719 --> 00:55:09,040
Speaker 2: misses you on the on the mainland. You have like

787
00:55:09,120 --> 00:55:13,480
Speaker 2: a huge family and a wife. Yes, I have a

788
00:55:13,520 --> 00:55:22,640
Speaker 2: wife and thirteen children. Your wife dress, Carl, we have two.

789
00:55:22,600 --> 00:55:27,239
Speaker 3: Hundred and six grandchildren and sorry, can I leave for

790
00:55:27,280 --> 00:55:27,759
Speaker 3: this part.

791
00:55:29,760 --> 00:55:35,560
Speaker 4: No, you may not, but you just I can't even

792
00:55:35,560 --> 00:55:40,120
Speaker 4: tell you. The Hawaiian lifestyle is just irresistible. It's I

793
00:55:40,160 --> 00:55:41,640
Speaker 4: love it more than any of you.

794
00:55:44,239 --> 00:55:48,480
Speaker 2: I've heard a lot of talk about the lifestyle. My

795
00:55:48,520 --> 00:55:52,480
Speaker 2: son this is the sun. Okay, he's part of the lifestyle.

796
00:55:52,640 --> 00:55:56,000
Speaker 3: Wait, what is it about the the beachy lifestyle?

797
00:55:56,280 --> 00:55:59,440
Speaker 2: Feed up? Pina Colada in hand in John Grisham in

798
00:55:59,480 --> 00:56:05,239
Speaker 2: your lab an Escape. So that's the end of that show.

799
00:56:07,320 --> 00:56:10,359
Speaker 2: I like that one. It brought in some family drama. Yeah.

800
00:56:10,920 --> 00:56:14,400
Speaker 3: That six yet, well, ship, I think it's five.

801
00:56:14,600 --> 00:56:18,759
Speaker 2: We are basically out of time. It's a bad Baker's six. Yeah,

802
00:56:23,520 --> 00:56:28,920
Speaker 2: can I say it was five? That felt like six? Right? Yeah?

803
00:56:28,960 --> 00:56:31,760
Speaker 2: Well the six is the main one that we're doing.

804
00:56:32,400 --> 00:56:38,919
Speaker 2: Oh right, this is even one.

805
00:56:39,120 --> 00:56:41,520
Speaker 4: Isn't a podcast pilot where you guys make me do

806
00:56:41,640 --> 00:56:42,880
Speaker 4: five podcast pilots?

807
00:56:43,640 --> 00:56:48,440
Speaker 2: Yeah? I like it? Yeah, thank you. Everyone else is

808
00:56:48,480 --> 00:56:53,640
Speaker 2: teaming up? Yeah right, have you noticed this? No, who's

809
00:56:53,680 --> 00:57:01,360
Speaker 2: teaming up? Oh they didn't tell you? And and oh

810
00:57:01,440 --> 00:57:06,400
Speaker 2: man kill NBC Scott and laughis and pft coming out

811
00:57:06,440 --> 00:57:09,680
Speaker 2: of a podcast studio and he's like, hey, guys, like what, Yeah,

812
00:57:09,719 --> 00:57:10,239
Speaker 2: what's going on?

813
00:57:10,280 --> 00:57:10,480
Speaker 6: Guys?

814
00:57:10,600 --> 00:57:12,520
Speaker 2: Yeah, it looks like you just finished having a really

815
00:57:12,560 --> 00:57:14,840
Speaker 2: good time. Like, what's going on there? What was that

816
00:57:14,880 --> 00:57:22,720
Speaker 2: a comedy? Bang? Bang? You banking one? Yeah? We can

817
00:57:22,800 --> 00:57:24,600
Speaker 2: do one more. I mean like, I think we have

818
00:57:25,120 --> 00:57:28,960
Speaker 2: a lot more time. Oh okay, right, yeah, yeah, that's

819
00:57:29,000 --> 00:57:31,560
Speaker 2: my understanding. I think we have to do at least

820
00:57:31,560 --> 00:57:34,320
Speaker 2: one more. Really. Oh yes, oh I was sure we

821
00:57:34,320 --> 00:57:40,440
Speaker 2: were done. Time time to me is so elastic. I

822
00:57:40,920 --> 00:57:43,560
Speaker 2: can't get with this Western concept of time.

823
00:57:45,240 --> 00:57:56,400
Speaker 9: What's Eastern time? It's three hours later. I'll see you later, everybody.

824
00:57:56,760 --> 00:58:00,000
Speaker 2: No, don't go, I'm not I'm not. I'm just stretched

825
00:58:00,160 --> 00:58:00,480
Speaker 2: it out.

826
00:58:01,880 --> 00:58:05,400
Speaker 3: And if I could get real for a second, you know,

827
00:58:05,440 --> 00:58:09,640
Speaker 3: there'd be no podcast pilots without you guys.

828
00:58:10,840 --> 00:58:12,720
Speaker 2: Does anyone want to come up and be in one?

829
00:58:12,760 --> 00:58:17,040
Speaker 2: The only thing better? Yeah, then them staying there and

830
00:58:17,080 --> 00:58:20,520
Speaker 2: talking is them coming up here. Uh, that's the only

831
00:58:20,520 --> 00:58:23,160
Speaker 2: thing better. That's the only better thing. Well, but we

832
00:58:23,200 --> 00:58:28,120
Speaker 2: don't have a fourth microphone otherwise, that's his sure. You

833
00:58:28,160 --> 00:58:30,960
Speaker 2: know there's no room on this chair. What am I

834
00:58:31,040 --> 00:58:35,840
Speaker 2: seeing over here? What's funny to me right now is

835
00:58:35,880 --> 00:58:39,400
Speaker 2: that Kevin has been backstage the whole time and sort

836
00:58:39,440 --> 00:58:41,800
Speaker 2: of wondering, like when he's gonna get to come out

837
00:58:42,720 --> 00:58:47,720
Speaker 2: and do something and I just forgot. Oh yeah, I

838
00:58:47,760 --> 00:58:58,360
Speaker 2: wonder if Kevin has an idea for a podcast pilot? Yeah, Kevin, Yeah,

839
00:58:59,640 --> 00:59:04,280
Speaker 2: brought microphone. That's what it's come to with Kevin. That's

840
00:59:04,320 --> 00:59:07,040
Speaker 2: the level of assuming that happens with Kevin.

841
00:59:07,600 --> 00:59:14,520
Speaker 1: Hey, guys, chef Kevin here, do you have idea for

842
00:59:14,560 --> 00:59:17,800
Speaker 1: a podcast? It's called nice Boat?

843
00:59:18,200 --> 00:59:22,640
Speaker 2: Okay, most of these have been built around just like

844
00:59:22,720 --> 00:59:30,640
Speaker 2: sort of a strange guy. It's hosted by one okay,

845
00:59:32,400 --> 00:59:36,400
Speaker 2: shit man. Yeah, that is what we've been doing. This

846
00:59:36,560 --> 00:59:38,600
Speaker 2: chair was too big for one person, but it's too

847
00:59:38,640 --> 00:59:39,240
Speaker 2: small for two.

848
00:59:39,440 --> 00:59:42,520
Speaker 3: Yeah, you want to switch with me?

849
00:59:42,560 --> 00:59:50,120
Speaker 2: Andy, No, good call? Well, oh, tell us more about

850
00:59:50,400 --> 00:59:51,320
Speaker 2: a great boat?

851
00:59:51,920 --> 00:59:56,680
Speaker 1: Nice nice boat, nice boat. So you're reviewing different boats

852
00:59:56,760 --> 00:59:57,520
Speaker 1: with guests.

853
00:59:57,760 --> 01:00:03,120
Speaker 3: He's married to nice instead of great.

854
01:00:04,360 --> 01:00:06,360
Speaker 2: This is a podcast, No, Andy, I've been in the

855
01:00:06,480 --> 01:00:08,440
Speaker 2: podcasting for a little while. I think I know what

856
01:00:08,480 --> 01:00:16,280
Speaker 2: I'm doing. The show is called nice Boat. It is better.

857
01:00:16,760 --> 01:00:17,280
Speaker 4: It is better?

858
01:00:17,440 --> 01:00:22,280
Speaker 2: Yeah it is. And he's reviewing boats.

859
01:00:22,880 --> 01:00:26,320
Speaker 1: Yes, he's reviewing the guest boat. So the guests bring

860
01:00:26,360 --> 01:00:30,520
Speaker 1: their boat on and then you review it. Okay, so

861
01:00:31,120 --> 01:00:36,200
Speaker 1: they kind of like honk their horn as maybe you're

862
01:00:36,200 --> 01:00:37,880
Speaker 1: doing like a monologue at the top.

863
01:00:38,600 --> 01:00:46,680
Speaker 2: Oh, who's that? Okay, okay, so you have been assigned

864
01:00:47,440 --> 01:00:55,080
Speaker 2: a monologue. Wouldn't have been my suggestion. I want to

865
01:00:55,200 --> 01:00:55,880
Speaker 2: have a good.

866
01:00:55,800 --> 01:01:00,120
Speaker 4: Time, classic or contemporary.

867
01:01:02,800 --> 01:01:09,280
Speaker 2: Good evening, and welcome to great boat formerly nice boat.

868
01:01:09,400 --> 01:01:11,760
Speaker 2: But the boats have just been great.

869
01:01:12,200 --> 01:01:18,600
Speaker 4: And this is podcast where I will be reviewing my

870
01:01:18,800 --> 01:01:19,720
Speaker 4: guest's boat.

871
01:01:21,720 --> 01:01:34,480
Speaker 2: Ah. Oh, thank god, get out of the fucking way.

872
01:01:34,800 --> 01:01:37,640
Speaker 4: I do do this podcast from the middle of a canal,

873
01:01:42,400 --> 01:01:45,720
Speaker 4: and there's usually a bunch of boats behind us here

874
01:01:45,760 --> 01:01:46,560
Speaker 4: that want to get through.

875
01:01:50,600 --> 01:01:53,120
Speaker 2: But this is from Hurley Burley. What are you? What

876
01:01:53,120 --> 01:01:53,640
Speaker 2: are you doing?

877
01:01:54,160 --> 01:01:57,959
Speaker 3: Hey, you're doing a nice boat up there.

878
01:01:58,480 --> 01:02:05,680
Speaker 2: It's great boat now. Never mind nobody was nice boat.

879
01:02:06,960 --> 01:02:16,440
Speaker 2: I can't hear you. Well, uh, someone will come along

880
01:02:17,080 --> 01:02:22,360
Speaker 2: and we'll review their boat. Oh boy, who's this now? Hello? Hey?

881
01:02:22,640 --> 01:02:27,680
Speaker 2: You doing great boat? Yes? Hey? What do you do

882
01:02:27,760 --> 01:02:31,760
Speaker 2: if nobody shows up with a boat? Well? If no one,

883
01:02:31,880 --> 01:02:34,280
Speaker 2: it hasn't happened yet, but I do have a plan

884
01:02:34,360 --> 01:02:34,520
Speaker 2: for it.

885
01:02:34,560 --> 01:02:39,920
Speaker 4: I would just do a second monologue. He's got to

886
01:02:39,960 --> 01:02:43,520
Speaker 4: have that motor looked at. It doesn't sound good at all.

887
01:02:44,280 --> 01:02:50,240
Speaker 2: I heard that. Oh you heard that. Oh, hello, there's sailor.

888
01:02:50,560 --> 01:02:54,840
Speaker 2: Hey it's me Mary Holland. I'm a scheduled guest on

889
01:02:54,960 --> 01:02:59,040
Speaker 2: the podcast. Oh him, Mary, as you can see him

890
01:02:59,040 --> 01:03:04,040
Speaker 2: like five boats. I do see that. That is a problem.

891
01:03:04,320 --> 01:03:08,840
Speaker 2: Do it from here? Well, let's see, I can see it.

892
01:03:08,840 --> 01:03:12,200
Speaker 2: It's not ideal. This okay, if I have the show

893
01:03:12,280 --> 01:03:15,040
Speaker 2: is called great boat, but the boat is fine. The

894
01:03:15,120 --> 01:03:19,200
Speaker 2: situation is not ideal. Uh yep. I can see. You've

895
01:03:19,240 --> 01:03:20,560
Speaker 2: got a really nice boat.

896
01:03:21,000 --> 01:03:23,880
Speaker 4: Looks like there's plenty of room to walk around the

897
01:03:23,920 --> 01:03:31,360
Speaker 4: deck and below decks. Looks like it's see worthy. And

898
01:03:31,400 --> 01:03:34,920
Speaker 4: I like how you've painted it. I think, Mary Holland,

899
01:03:34,960 --> 01:03:41,080
Speaker 4: you've got a great boat. Thanks for being on the podcast.

900
01:03:43,960 --> 01:03:48,160
Speaker 2: Okay, that I stand corrected. That was pretty good. Yeah,

901
01:03:48,160 --> 01:03:54,320
Speaker 2: that was a little worry about that one. So back

902
01:03:54,360 --> 01:03:59,360
Speaker 2: to school. What is God? What is it about the

903
01:03:59,600 --> 01:04:03,240
Speaker 2: changing leaves? And we need one audience guest. We'll do

904
01:04:03,320 --> 01:04:07,080
Speaker 2: one audience guest and then can we get the lights up?

905
01:04:07,800 --> 01:04:10,960
Speaker 2: This is one issue that I'm predicting is all of

906
01:04:11,240 --> 01:04:13,920
Speaker 2: the people that go to our shows, Uh, just go

907
01:04:14,040 --> 01:04:16,680
Speaker 2: to every show in the country. It's all the same

908
01:04:16,720 --> 01:04:21,680
Speaker 2: people in like a clump. They just like clump together

909
01:04:21,840 --> 01:04:24,640
Speaker 2: and they just move from city to city now, so

910
01:04:24,680 --> 01:04:27,760
Speaker 2: they will have to sort of untangle their hair for

911
01:04:27,960 --> 01:04:33,440
Speaker 2: one of the clumps to get Does anyone want to

912
01:04:33,480 --> 01:04:37,480
Speaker 2: be a guest on the final episode a new season

913
01:04:37,520 --> 01:04:43,480
Speaker 2: any Daily podcast pilot project? Anyone? Yes? You will? Saying please?

914
01:04:44,680 --> 01:04:48,560
Speaker 3: Alright, she's insisting there is there's a micro.

915
01:04:50,280 --> 01:04:55,640
Speaker 2: Tested it. N you want to? Kevin's gone. I didn't

916
01:04:55,640 --> 01:04:59,560
Speaker 2: know that was an option. Hi, that was so interesting.

917
01:04:59,600 --> 01:05:02,720
Speaker 2: She true to the chair as if asking Andy to

918
01:05:02,760 --> 01:05:06,080
Speaker 2: sit down, but Andy already wasting out.

919
01:05:06,520 --> 01:05:08,320
Speaker 11: It was am I allowed to go right there?

920
01:05:08,320 --> 01:05:13,880
Speaker 2: It was incoming. I'm sitting here, and so you had

921
01:05:14,040 --> 01:05:16,640
Speaker 2: fair warning. I did, and I appreciate it.

922
01:05:16,760 --> 01:05:16,840
Speaker 3: Hi.

923
01:05:16,920 --> 01:05:17,440
Speaker 2: I'm Andy.

924
01:05:17,520 --> 01:05:18,440
Speaker 5: Hi, I'm Francisca.

925
01:05:18,560 --> 01:05:22,040
Speaker 2: Hi Francesca. Francesca sounds like someone who would go to

926
01:05:22,080 --> 01:05:25,520
Speaker 2: French people college. M Was that one hitting a little

927
01:05:25,520 --> 01:05:28,000
Speaker 2: close to home? Yeah?

928
01:05:28,080 --> 01:05:31,200
Speaker 11: Yeah, it was offensive to my people. I did get

929
01:05:31,240 --> 01:05:33,400
Speaker 11: an ancestry dot Com thing done, and I think I

930
01:05:33,440 --> 01:05:36,520
Speaker 11: have like a like a three percent it's an Italian name.

931
01:05:37,640 --> 01:05:41,440
Speaker 2: Yes, yes, no, we know obviously we know that. But

932
01:05:41,600 --> 01:05:43,640
Speaker 2: if you but if you're going, that's why you would

933
01:05:43,680 --> 01:05:46,240
Speaker 2: have to go to French people college, Yes, if you

934
01:05:46,720 --> 01:05:49,360
Speaker 2: would have to go there. So thank you for using

935
01:05:49,400 --> 01:05:52,160
Speaker 2: your time to spread the message about your theory that

936
01:05:52,320 --> 01:06:00,960
Speaker 2: French and Italian people are a different race. Controversial. Uh,

937
01:06:01,120 --> 01:06:04,400
Speaker 2: your name is Francesca Andy, I mean, are you just

938
01:06:04,440 --> 01:06:08,960
Speaker 2: gonna play Francesca? Oh? I don't know. I mean like

939
01:06:09,280 --> 01:06:13,680
Speaker 2: it sounds like she wants you to play herself with

940
01:06:13,760 --> 01:06:15,440
Speaker 2: a heavy Italian accent.

941
01:06:19,280 --> 01:06:22,440
Speaker 3: Okay, I'm getting it that I'm getting I'm getting it.

942
01:06:22,480 --> 01:06:26,840
Speaker 3: So Francesca's pitch is your like a stereotypical Italian chef?

943
01:06:28,880 --> 01:06:31,280
Speaker 2: Okay, Francesca, if that's what you need to hear.

944
01:06:31,800 --> 01:06:33,560
Speaker 11: Okay, I do have to come clean though, before we

945
01:06:33,680 --> 01:06:36,080
Speaker 11: like think this is okay, that same ancestry thing did

946
01:06:36,080 --> 01:06:38,720
Speaker 11: tell me that I have zero percent Italian heritage.

947
01:06:39,280 --> 01:06:44,840
Speaker 2: Oh it was a real worldview, really, So this is

948
01:06:44,880 --> 01:06:49,480
Speaker 2: almost like a fantasy scenario for you, Yes, the Italian

949
01:06:49,600 --> 01:06:54,920
Speaker 2: version of Yes, Francesca, what are you passionate about? Oh? God,

950
01:06:55,400 --> 01:07:01,120
Speaker 2: uh no, it's all bad. Okay, then we have to

951
01:07:01,160 --> 01:07:05,400
Speaker 2: do it. No, that's no, no, no, no, no, there's

952
01:07:05,440 --> 01:07:10,560
Speaker 2: no pressure whatsoever. If every single thing that you're passionate

953
01:07:10,640 --> 01:07:14,920
Speaker 2: about is bad, we can do something else.

954
01:07:15,040 --> 01:07:17,600
Speaker 3: Yeah, maybe something you're not passionate about.

955
01:07:17,760 --> 01:07:21,840
Speaker 2: Yeah, something good. It has to be that. Yes, well, Francesco,

956
01:07:21,920 --> 01:07:25,080
Speaker 2: what could you say that would make you sound decent? No,

957
01:07:25,120 --> 01:07:27,040
Speaker 2: I'm kidding. Go ahead, what are you gonna say?

958
01:07:28,200 --> 01:07:29,520
Speaker 11: When you said what can I say that I could

959
01:07:29,520 --> 01:07:30,040
Speaker 11: sound decent?

960
01:07:30,080 --> 01:07:32,040
Speaker 2: Well when you said that, when you were excited to

961
01:07:32,040 --> 01:07:33,200
Speaker 2: say something? Well, okay?

962
01:07:33,320 --> 01:07:34,880
Speaker 11: Well no, so I have a good thing that but

963
01:07:34,960 --> 01:07:36,440
Speaker 11: it sucks because the first thing that I thought of

964
01:07:36,480 --> 01:07:38,960
Speaker 11: when he said passionate was like like comedy, and that

965
01:07:39,000 --> 01:07:43,000
Speaker 11: made me want that's bad. Oh yeah, embarrassing thing for

966
01:07:43,200 --> 01:07:44,080
Speaker 11: y do it?

967
01:07:44,120 --> 01:07:47,720
Speaker 2: He is right, thank you, but.

968
01:07:47,760 --> 01:07:49,760
Speaker 11: No, I'm very passionate about popcorn.

969
01:07:50,480 --> 01:07:54,120
Speaker 2: Okay, popcorn? Yep? Yeah, hour onto something.

970
01:07:54,360 --> 01:07:58,200
Speaker 3: Yes, this is the Italian chef who makes popcorn parmesan

971
01:07:59,200 --> 01:08:00,360
Speaker 3: fan stick.

972
01:08:01,960 --> 01:08:02,840
Speaker 2: Welcoming to that.

973
01:08:02,920 --> 01:08:15,360
Speaker 8: It's a nicer popcorn. It's me popcorn and Luigi's I

974
01:08:15,480 --> 01:08:22,280
Speaker 8: make a gourmet popcorn. My guest today is a Francesca

975
01:08:23,040 --> 01:08:29,479
Speaker 8: and she is here. What's some explosive of news No

976
01:08:29,560 --> 01:08:32,160
Speaker 8: pun intended with a pop you know it's exploding the

977
01:08:32,200 --> 01:08:41,120
Speaker 8: pan from an ancestry. I done a comma, Francesca, You've

978
01:08:41,160 --> 01:08:46,360
Speaker 8: done an ancestry dona Comma and.

979
01:08:46,280 --> 01:08:49,439
Speaker 4: We want to hear all about it here on. That's

980
01:08:49,439 --> 01:08:50,840
Speaker 4: a nice popcorns.

981
01:08:53,280 --> 01:08:55,800
Speaker 11: Well, I was really surprised because what I ended up

982
01:08:55,800 --> 01:08:58,919
Speaker 11: doing was not ancestry dot com, but ancestry dot.

983
01:08:58,760 --> 01:09:04,000
Speaker 2: Beep beep, Oh look at that, hey, get the funk

984
01:09:04,040 --> 01:09:05,480
Speaker 2: out of my way.

985
01:09:06,000 --> 01:09:08,400
Speaker 4: As you know, we hosted this podcast from a canal

986
01:09:08,439 --> 01:09:14,800
Speaker 4: in a Venice, the popcorner capital of the world. And

987
01:09:14,960 --> 01:09:18,479
Speaker 4: sometimes the people come through with a boat and they

988
01:09:18,520 --> 01:09:21,360
Speaker 4: get a hot under the collar.

989
01:09:23,960 --> 01:09:24,680
Speaker 2: Fantastic.

990
01:09:26,560 --> 01:09:29,560
Speaker 4: What do you call those guys in a gondola, gondoliers?

991
01:09:29,560 --> 01:09:35,400
Speaker 11: Great, I'm glad they got bike bike horns.

992
01:09:35,920 --> 01:09:37,799
Speaker 2: Yes, the gondoliers have a bike of horns.

993
01:09:38,040 --> 01:09:41,519
Speaker 11: There's so much traffic these days, you know, it's almost

994
01:09:41,520 --> 01:09:44,080
Speaker 11: like Venison, California.

995
01:09:44,760 --> 01:09:53,719
Speaker 2: I've never been to that Luigia corner. What did you say,

996
01:09:54,640 --> 01:09:55,519
Speaker 2: toss you a piece of.

997
01:09:55,439 --> 01:09:58,519
Speaker 8: Papacorner, catch you in my mouth?

998
01:10:00,240 --> 01:10:01,800
Speaker 2: This isn't we usually say it is.

999
01:10:01,800 --> 01:10:05,000
Speaker 8: For the end of the show, we kinda toss the

1000
01:10:05,080 --> 01:10:08,839
Speaker 8: popcorn from both to moat in the canals of Nice, Italy,

1001
01:10:09,680 --> 01:10:10,519
Speaker 8: and he's gonna.

1002
01:10:10,320 --> 01:10:13,960
Speaker 2: Catch it in his mouth. Here we go, it's felling.

1003
01:10:14,040 --> 01:10:15,160
Speaker 2: Do your water.

1004
01:10:17,640 --> 01:10:20,360
Speaker 4: You picking that fucking piece of popcorn out of that canal.

1005
01:10:20,640 --> 01:10:24,479
Speaker 2: I'm calling Luigia. I'm going picking that. This is a

1006
01:10:24,560 --> 01:10:27,080
Speaker 2: gordmele popcorn. You don't let it fall in a fucking

1007
01:10:27,160 --> 01:10:31,680
Speaker 2: canal that that soggy, colonel. I mean, I'm meaning it.

1008
01:10:31,720 --> 01:10:33,080
Speaker 2: I'm saving the popcorn.

1009
01:10:34,400 --> 01:10:39,200
Speaker 7: Luig Can you lift the wicked curse that's placed on me?

1010
01:10:41,200 --> 01:10:46,800
Speaker 4: On this fucking guy again? What wasn't a curse'sn't a

1011
01:10:46,840 --> 01:10:47,439
Speaker 4: curse again?

1012
01:10:47,720 --> 01:10:51,759
Speaker 7: Sort of evil supernatural thing. I'm one of Stephen King's

1013
01:10:51,960 --> 01:10:59,520
Speaker 7: the Gondoliers, remember.

1014
01:10:59,320 --> 01:11:04,559
Speaker 2: Stephen k I don't think that Stephen King remembers that one.

1015
01:11:07,040 --> 01:11:10,960
Speaker 7: Come on, it wasn't too apart the miniseries.

1016
01:11:14,360 --> 01:11:18,479
Speaker 2: Two parts. That's very many that you can't even call

1017
01:11:18,520 --> 01:11:21,599
Speaker 2: that a mini series. Okay, I will try to lift

1018
01:11:21,720 --> 01:11:30,240
Speaker 2: the curse. Okay, I don't feel anything. You have to

1019
01:11:30,280 --> 01:11:31,200
Speaker 2: step into my pan.

1020
01:11:31,320 --> 01:11:35,960
Speaker 4: I'm a fry you in oil, that's okay, that's gonna

1021
01:11:36,000 --> 01:11:36,799
Speaker 4: solve the curse.

1022
01:11:37,120 --> 01:11:40,719
Speaker 2: I have a gigantic pan. I fill it with oil

1023
01:11:41,720 --> 01:11:45,200
Speaker 2: and you're gonna lie down in there. Okay, let me

1024
01:11:45,240 --> 01:11:49,759
Speaker 2: say the oil. Maybe it's gonna get rid of a person.

1025
01:11:49,800 --> 01:11:50,479
Speaker 2: That's nice.

1026
01:11:50,560 --> 01:11:59,040
Speaker 4: Oh how are you feeling now.

1027
01:12:01,080 --> 01:12:01,600
Speaker 2: Dead.

1028
01:12:02,320 --> 01:12:07,160
Speaker 8: Hey Luigi, you papa wa Luigi. Hey we got rid

1029
01:12:07,200 --> 01:12:11,639
Speaker 8: of the cursor, didn't we by killing a man in oil.

1030
01:12:14,600 --> 01:12:23,719
Speaker 2: That's our show. Thank you for coming. Thank you, Francesca, thank.

1031
01:12:23,560 --> 01:12:39,759
Speaker 12: You, Andy you goodbye, Sma.

1032
01:12:40,280 --> 01:12:48,839
Speaker 2: Small small, small, small s. Here comes Haze and Sean

1033
01:12:51,680 --> 01:12:52,639
Speaker 2: Hollywood Hammer.