1
00:00:00,200 --> 00:00:03,800
Speaker 1: Hello the Internet, and welcome to this episode of Reckless

2
00:00:03,880 --> 00:00:09,360
Speaker 1: Trend Danger Mint courtesy of Johnny Davis. My name is Jack.

3
00:00:09,600 --> 00:00:14,960
Speaker 1: You are Miles and see it's Monday, March one. Who

4
00:00:15,040 --> 00:00:18,840
Speaker 1: even say the date at the top of this who? Really?

5
00:00:18,880 --> 00:00:21,239
Speaker 1: No one can ever say. No one can ever say

6
00:00:21,239 --> 00:00:23,759
Speaker 1: there's no record of any of this, um, but don't

7
00:00:23,800 --> 00:00:26,760
Speaker 1: even try to find out. How's it going? How are

8
00:00:26,760 --> 00:00:31,000
Speaker 1: you on this Monday afternoon? I'm two hours into recording together.

9
00:00:31,080 --> 00:00:33,960
Speaker 1: I'm great. Thanks for finally fucking asking. I had tears

10
00:00:34,040 --> 00:00:36,720
Speaker 1: on my eyes two hours tears in my eyes and

11
00:00:36,920 --> 00:00:42,959
Speaker 1: like more on this. Hey, hey, stop with the sniffling, man,

12
00:00:46,240 --> 00:00:49,800
Speaker 1: What are you doing cocaine or something? Crying man? Yeah, whatever,

13
00:00:49,800 --> 00:00:52,800
Speaker 1: man's get it together. Well, speaking of crying, King of

14
00:00:52,840 --> 00:00:59,120
Speaker 1: Reggaeton Daddy Yankee has announced they're retiring. Yeah. I saw

15
00:00:59,240 --> 00:01:02,040
Speaker 1: so many head lines being like, sounds like he round

16
00:01:02,040 --> 00:01:09,040
Speaker 1: out of Gasolina and you're like, oh boy, um, yeah,

17
00:01:09,120 --> 00:01:13,280
Speaker 1: I mean the person who basically, I mean, I feel

18
00:01:13,319 --> 00:01:15,160
Speaker 1: like brought reggae told him to the masses at least

19
00:01:15,200 --> 00:01:17,760
Speaker 1: outside of like, you know, Puerto Rico. You know, I

20
00:01:17,840 --> 00:01:22,640
Speaker 1: was sucking Gasolina when actually came out. I was I

21
00:01:22,720 --> 00:01:26,839
Speaker 1: was ready. I just want to read his statement. This race,

22
00:01:27,280 --> 00:01:30,720
Speaker 1: which has been a marathon, finally sees the finish line.

23
00:01:31,959 --> 00:01:34,399
Speaker 1: Now I'm going to enjoy what all of you have

24
00:01:34,560 --> 00:01:39,000
Speaker 1: given me, namely lots of money. No that's not People

25
00:01:39,080 --> 00:01:42,080
Speaker 1: say that I made this genre worldwide, but it was

26
00:01:42,160 --> 00:01:44,600
Speaker 1: you who gave me the key to open the doors

27
00:01:44,800 --> 00:01:49,080
Speaker 1: to make it the biggest in the world. Um, that's beautiful.

28
00:01:49,560 --> 00:01:52,400
Speaker 1: I also there's something he's doing in the first sentence

29
00:01:52,600 --> 00:01:57,200
Speaker 1: with the tensing that feels very like poetic, which we'll

30
00:01:57,200 --> 00:02:01,120
Speaker 1: get to a little later on. Believe it or not. Poetry. Yeah, yeah,

31
00:02:01,160 --> 00:02:04,919
Speaker 1: that's that is the statement of a true artist. Um,

32
00:02:04,920 --> 00:02:09,400
Speaker 1: he's forty five. It looks great. Damn Yeah. The hairline

33
00:02:09,680 --> 00:02:17,040
Speaker 1: stronger than wron crete god Daddy Yankee. Yeah, well, you know,

34
00:02:17,440 --> 00:02:20,000
Speaker 1: it seems like all the cool things go to Daddy Yankee.

35
00:02:20,160 --> 00:02:26,359
Speaker 1: You're the godfather reggae toime iron, strong hairline. But she'll

36
00:02:26,440 --> 00:02:29,639
Speaker 1: enjoy it all. I just now he was laughing. Now,

37
00:02:29,680 --> 00:02:33,600
Speaker 1: who's a loser, Daddy Yankee retiring and ship I love

38
00:02:33,639 --> 00:02:36,280
Speaker 1: how I love the humility though, you know I was

39
00:02:36,840 --> 00:02:39,959
Speaker 1: I sure, yeah, I mean yeah, by all definitions. Yeah,

40
00:02:39,960 --> 00:02:42,240
Speaker 1: I am the fucking one who put it on. But

41
00:02:42,320 --> 00:02:45,000
Speaker 1: he was even like, no, I was, y'all. It was,

42
00:02:45,160 --> 00:02:49,880
Speaker 1: y'all an imaginary argument with someone who's trying to give

43
00:02:49,960 --> 00:02:58,280
Speaker 1: him credit. Sure, maybe by all definitions of who put

44
00:02:58,360 --> 00:03:00,720
Speaker 1: this ship on, but yeah, why not? And now look

45
00:03:00,760 --> 00:03:03,720
Speaker 1: at the biggest genre, Like, it makes sense to me

46
00:03:03,760 --> 00:03:06,680
Speaker 1: when an athlete retires. It doesn't make sense when they

47
00:03:06,919 --> 00:03:13,680
Speaker 1: retire Tom Thomas, but it when when an artist retires.

48
00:03:14,160 --> 00:03:16,880
Speaker 1: I guess, Jack, don't we already we already know it's

49
00:03:16,880 --> 00:03:20,880
Speaker 1: a cash crap, all right? Come on, Jack, come on man.

50
00:03:20,960 --> 00:03:23,119
Speaker 1: When the Black Album came out, I bought s Doc

51
00:03:23,240 --> 00:03:25,440
Speaker 1: Carter's because I thought this man was going to leave

52
00:03:25,560 --> 00:03:27,720
Speaker 1: us forever. Could you imagine the n f T s

53
00:03:27,760 --> 00:03:31,960
Speaker 1: that would have been available if he was just a

54
00:03:31,960 --> 00:03:34,600
Speaker 1: little bit more ahead of his time. I would have

55
00:03:35,480 --> 00:03:39,480
Speaker 1: been absolutely destroyed my life in debt to buy the

56
00:03:39,720 --> 00:03:43,600
Speaker 1: n FT of the Black Album. Um, but I mean

57
00:03:43,760 --> 00:03:46,680
Speaker 1: because you know, because here the announcement follows. That means

58
00:03:46,720 --> 00:03:51,120
Speaker 1: there's an album and a farewell tour, and that's that's

59
00:03:51,120 --> 00:03:52,680
Speaker 1: how you let people know, like, don't sunk up and

60
00:03:52,720 --> 00:03:55,360
Speaker 1: miss this ship. Now I'm not saying that's his end game,

61
00:03:55,440 --> 00:03:58,920
Speaker 1: but I know that the definite the plus of announcing

62
00:03:59,360 --> 00:04:01,320
Speaker 1: you're hanging it up is saying I'm also going on

63
00:04:01,400 --> 00:04:03,200
Speaker 1: this tour and you motherfucker's better not miss a show

64
00:04:03,320 --> 00:04:06,040
Speaker 1: or else. That's it. Has there ever been somebody who

65
00:04:06,080 --> 00:04:08,960
Speaker 1: like retired at their peak and really really retired from

66
00:04:09,000 --> 00:04:13,240
Speaker 1: like an art form, an art form like that wasn't

67
00:04:13,280 --> 00:04:16,280
Speaker 1: like due to like an accident or death or something. Yeah,

68
00:04:16,400 --> 00:04:21,960
Speaker 1: I do mean, not discounting anyone who died. Yeah, I mean,

69
00:04:22,080 --> 00:04:29,800
Speaker 1: I don't know. Brian said Daft Punk. Maybe did that

70
00:04:29,920 --> 00:04:36,240
Speaker 1: Anna saying Tiana Taylor? Yeah, yeah, but yeah, I don't know.

71
00:04:36,240 --> 00:04:37,760
Speaker 1: I feel like it's this art is such a weird

72
00:04:37,839 --> 00:04:41,679
Speaker 1: thing because it's not how could you even know within

73
00:04:41,800 --> 00:04:45,880
Speaker 1: like yourself, They're like I no longer I guess, unless

74
00:04:45,880 --> 00:04:48,120
Speaker 1: you're saying I'm no, I no longer have the will

75
00:04:48,200 --> 00:04:50,960
Speaker 1: to create anymore. That seems like a retirement. I could

76
00:04:51,120 --> 00:04:53,560
Speaker 1: like be like, oh shit, okay, this person has been

77
00:04:53,600 --> 00:04:55,760
Speaker 1: like I fried out all my circuits at least in

78
00:04:55,800 --> 00:04:58,320
Speaker 1: this way, and I can't do music anymore. Like I

79
00:04:58,360 --> 00:05:01,000
Speaker 1: think I'm gonna switch to sculpting some ship, all right.

80
00:05:01,640 --> 00:05:08,280
Speaker 1: Kanye Band from the Grammys was supposed to perform has

81
00:05:08,320 --> 00:05:13,200
Speaker 1: been banned due to his online behavior. I don't know,

82
00:05:13,360 --> 00:05:15,560
Speaker 1: I don't know what I don't know. I mean, this

83
00:05:15,600 --> 00:05:18,080
Speaker 1: is this story is just again like everything with Kanye

84
00:05:18,240 --> 00:05:20,520
Speaker 1: since his like he's been more sort of or at

85
00:05:20,560 --> 00:05:23,680
Speaker 1: least been more transparently clear that he's struggling with mental health.

86
00:05:23,720 --> 00:05:25,719
Speaker 1: He's just kind of like, this is a weird story still,

87
00:05:25,839 --> 00:05:28,400
Speaker 1: but because how many He's got a few nominations too

88
00:05:28,440 --> 00:05:32,960
Speaker 1: in the show, So um for Donda, donta Donda, Donda,

89
00:05:33,000 --> 00:05:36,839
Speaker 1: donta donta, donta do do do do Donda? Um? You know,

90
00:05:36,960 --> 00:05:39,120
Speaker 1: do you ever do? My friend plays out for his

91
00:05:39,200 --> 00:05:42,080
Speaker 1: kid and his kid just loves that song, the just

92
00:05:42,120 --> 00:05:48,479
Speaker 1: the Donda. Yeah, you're like a SMR ship there. But

93
00:05:48,560 --> 00:05:50,320
Speaker 1: that's a that's a good album when you have kids

94
00:05:50,320 --> 00:05:52,240
Speaker 1: because you can listen to it with kids because it

95
00:05:52,240 --> 00:05:56,280
Speaker 1: doesn't have any profanities. And this is what I've been

96
00:05:56,279 --> 00:05:58,279
Speaker 1: saying is a problem with rap music from the start.

97
00:05:58,960 --> 00:06:03,000
Speaker 1: You know, up, hey man, that tip or gore backchat

98
00:06:03,040 --> 00:06:09,479
Speaker 1: you thank you? Um. West Side Story star Rachel Zegler

99
00:06:10,200 --> 00:06:14,279
Speaker 1: has not been does not have a ticket to the Oscars.

100
00:06:14,320 --> 00:06:20,600
Speaker 1: She's got no ticket to ride none, she's not. She's

101
00:06:20,640 --> 00:06:26,400
Speaker 1: in a movie that's it nominated for what seven fucking things? Yeah,

102
00:06:26,600 --> 00:06:29,680
Speaker 1: and she's not in it. And that leads you to understand, well,

103
00:06:29,720 --> 00:06:32,320
Speaker 1: who gets to go? Well, if you're a presenter or

104
00:06:32,320 --> 00:06:36,040
Speaker 1: a nominee, you get two tickets. That's the standard, and

105
00:06:36,080 --> 00:06:39,039
Speaker 1: then from there the studios get an allotment, so then

106
00:06:39,120 --> 00:06:43,160
Speaker 1: they can bestow those tickets upon their people that they

107
00:06:43,160 --> 00:06:47,640
Speaker 1: believe need to be at the award show. So yeah,

108
00:06:47,720 --> 00:06:51,480
Speaker 1: I think, so what's going on whoever her agent is,

109
00:06:51,839 --> 00:06:55,240
Speaker 1: they need to have a talk, because like, come on,

110
00:06:55,920 --> 00:07:01,680
Speaker 1: that's inexcusable. Uh, her wanting to go and not getting invited,

111
00:07:02,240 --> 00:07:05,560
Speaker 1: you know, right, and she's like people. People are like,

112
00:07:05,600 --> 00:07:09,560
Speaker 1: she's a star, she's gonna have an amazing career. Um,

113
00:07:09,640 --> 00:07:13,360
Speaker 1: she's already like booking all sorts of new ship. Um.

114
00:07:13,560 --> 00:07:16,680
Speaker 1: So it's not like people were like, well, uh, that

115
00:07:16,760 --> 00:07:20,000
Speaker 1: was a mistake, let's move on from that. So it's

116
00:07:20,040 --> 00:07:23,480
Speaker 1: just I don't you're not going to I get that

117
00:07:23,800 --> 00:07:25,880
Speaker 1: somebody sucked up and you didn't get a ticket, but

118
00:07:25,960 --> 00:07:30,480
Speaker 1: I'd have a feeling Steven Spielberg, who can fucking cancel

119
00:07:30,560 --> 00:07:32,960
Speaker 1: the Oscars if you wanted to have so much fucking power.

120
00:07:33,000 --> 00:07:35,280
Speaker 1: And I mean not that much, but you'll you'll you'll

121
00:07:35,280 --> 00:07:37,840
Speaker 1: get a ticket, especially after you your I g post

122
00:07:37,880 --> 00:07:40,040
Speaker 1: if people like, oh the funk is she not going? Yeah,

123
00:07:40,080 --> 00:07:43,160
Speaker 1: this is a funk up on the part of somebody

124
00:07:43,160 --> 00:07:47,520
Speaker 1: who has a job that I do not envy. Yeah,

125
00:07:47,640 --> 00:07:49,600
Speaker 1: someone got fired. There's not I don't think there's a

126
00:07:49,600 --> 00:07:51,680
Speaker 1: conspiracy to keep you out of there unless you said

127
00:07:51,680 --> 00:07:52,960
Speaker 1: some ship. And I don't know what is going on

128
00:07:53,000 --> 00:07:55,680
Speaker 1: with your personal life, but I have a feeling somebody

129
00:07:55,720 --> 00:07:59,240
Speaker 1: fucked up. But I'm excited about the presenter list. That's

130
00:07:59,320 --> 00:08:02,520
Speaker 1: That's one thing I can say. Mittens together for this one.

131
00:08:02,600 --> 00:08:06,040
Speaker 1: As a fan of board sports, board base, it doesn't

132
00:08:06,080 --> 00:08:09,680
Speaker 1: matter what kind of board. I just want somebody to

133
00:08:09,720 --> 00:08:12,800
Speaker 1: be standing on top of a board. Um, and we

134
00:08:12,920 --> 00:08:16,240
Speaker 1: got three of them presenting at the Oscars. Goats three

135
00:08:16,280 --> 00:08:19,840
Speaker 1: go tonight. Yeah. Um we got Tony Hawk, but we

136
00:08:19,960 --> 00:08:23,800
Speaker 1: got Kelly Slater, we got Sewn White again. This is

137
00:08:23,920 --> 00:08:28,239
Speaker 1: this is presenting at the Oscars. Yeah, there there wasn't

138
00:08:28,360 --> 00:08:31,080
Speaker 1: There wasn't a movie right that came out this year

139
00:08:31,160 --> 00:08:36,520
Speaker 1: that I'm missing those like boards dude, uh, the great

140
00:08:37,160 --> 00:08:43,320
Speaker 1: board boy and board boys. Yeah, I mean everybody else,

141
00:08:43,400 --> 00:08:49,640
Speaker 1: Stephanie Beatrice, d J Khalid. I'm sorry, Kalid, but I

142
00:08:49,679 --> 00:08:56,040
Speaker 1: don't know what you're doing there. Jennifer Garner, Her Tiffany Haddish, Uh,

143
00:08:56,280 --> 00:09:00,839
Speaker 1: Elliott Page, Like, Elliott Page makes sense, Bill, he makes sense.

144
00:09:00,840 --> 00:09:04,360
Speaker 1: Tiffany Haddish makes sense. Jennifer Garner. I'm kind of looking

145
00:09:04,400 --> 00:09:07,360
Speaker 1: at DJ Khaled and the Borders as being a little

146
00:09:07,360 --> 00:09:10,000
Speaker 1: bit of a hey, fellow kids type moment. But even then,

147
00:09:10,040 --> 00:09:12,280
Speaker 1: I'm like, who are these kids that they're trying to

148
00:09:12,320 --> 00:09:15,960
Speaker 1: communicate to with these people? By the way, speaking of

149
00:09:16,000 --> 00:09:21,040
Speaker 1: Borders and DJ Khaled, Uh, I saw he opened for

150
00:09:21,280 --> 00:09:23,680
Speaker 1: jay Z and Beyonce at the Rose Bull show that

151
00:09:23,720 --> 00:09:26,400
Speaker 1: I went to. I was like, what why is the

152
00:09:26,480 --> 00:09:30,120
Speaker 1: student opening? And he was just riding around on one

153
00:09:30,120 --> 00:09:33,679
Speaker 1: of those hover crafts the whole time. Uh and uh

154
00:09:34,080 --> 00:09:37,920
Speaker 1: was very entertaining. Yeah, just appeared to be a kid

155
00:09:37,960 --> 00:09:43,320
Speaker 1: having fun. But yeah, he's just an energetic force. You know.

156
00:09:43,840 --> 00:09:47,120
Speaker 1: I'm just as somebody who's attempted to work with him

157
00:09:47,240 --> 00:09:49,559
Speaker 1: and say have him say things on script. I'm curious

158
00:09:49,600 --> 00:09:51,400
Speaker 1: what the prompter game is going to be like, or

159
00:09:51,440 --> 00:09:53,520
Speaker 1: if he's just gonna like how they write it to

160
00:09:53,640 --> 00:09:57,960
Speaker 1: really get his ass like his essence is he is

161
00:09:58,000 --> 00:10:01,600
Speaker 1: some writer painfully going to have to put major key

162
00:10:01,600 --> 00:10:05,600
Speaker 1: in the prompter or another one. You know, we the best.

163
00:10:05,800 --> 00:10:07,520
Speaker 1: I don't know, or will he do that on his

164
00:10:07,559 --> 00:10:11,280
Speaker 1: own because he's great at branding? This will this will

165
00:10:11,320 --> 00:10:13,920
Speaker 1: be an interesting one um. As super producer Brian was

166
00:10:13,920 --> 00:10:17,680
Speaker 1: saying before us. Reminded me because I had the same thought.

167
00:10:17,760 --> 00:10:25,600
Speaker 1: Last year's Oscars felt like a regional UH industry awards banquets. Um.

168
00:10:25,600 --> 00:10:28,840
Speaker 1: It felt like kind of minor and you know, focused

169
00:10:28,880 --> 00:10:32,240
Speaker 1: on you know, the people who are good, who achieved

170
00:10:32,280 --> 00:10:36,800
Speaker 1: great things in our industry, the three diamonds plaque um

171
00:10:37,320 --> 00:10:41,200
Speaker 1: type ship. And I don't know, but at least the

172
00:10:41,600 --> 00:10:45,480
Speaker 1: that head, that weird thing where Steven Soderberg was like

173
00:10:45,520 --> 00:10:50,800
Speaker 1: trying to do something interesting. UM and like this in

174
00:10:50,800 --> 00:10:54,360
Speaker 1: the movie theater a bit too. Yeah that's right. But

175
00:10:54,440 --> 00:10:55,960
Speaker 1: this year I just feel like it's going to be

176
00:10:56,040 --> 00:11:02,080
Speaker 1: very strange. UM when yeah, we'll see UM. Listen, we'll

177
00:11:02,120 --> 00:11:05,559
Speaker 1: be kind of more most of us won't see UM,

178
00:11:05,840 --> 00:11:09,040
Speaker 1: and then most of us won't see and then you'll

179
00:11:09,120 --> 00:11:10,920
Speaker 1: listen to the daily zeitgeist and we'll tell you what

180
00:11:10,960 --> 00:11:14,839
Speaker 1: people are saying on Twitter um, alright, let's take a

181
00:11:14,960 --> 00:11:28,520
Speaker 1: quick break. We'll be right back, and we're back, and

182
00:11:28,679 --> 00:11:32,400
Speaker 1: it is World Poetry Day. I mean, I kind of

183
00:11:32,440 --> 00:11:37,360
Speaker 1: this one kind of dovetails with another thing that we

184
00:11:37,440 --> 00:11:39,880
Speaker 1: have going on here, and that is a piece of

185
00:11:39,920 --> 00:11:43,679
Speaker 1: poetry spoken word poetry that was released by push a

186
00:11:43,760 --> 00:11:47,480
Speaker 1: t Um. I mean is it this? Is it spoken?

187
00:11:47,520 --> 00:11:52,760
Speaker 1: I mean or just filthy bars? But let's talk about

188
00:11:52,760 --> 00:11:56,240
Speaker 1: poetry real quick. Are you Are you a poetry head? No?

189
00:11:56,360 --> 00:11:58,760
Speaker 1: I was just really like realizing how many people were

190
00:11:58,760 --> 00:12:01,280
Speaker 1: stoked on World poet for Your Day. And I just realized,

191
00:12:01,320 --> 00:12:05,720
Speaker 1: like I maybe only the last two or three years

192
00:12:05,760 --> 00:12:07,840
Speaker 1: have I been more like into like just kind of

193
00:12:07,840 --> 00:12:10,600
Speaker 1: experiencing poetry or looking for ship that kind of resonates

194
00:12:10,600 --> 00:12:12,839
Speaker 1: with me. But like back then, I was like, man,

195
00:12:12,840 --> 00:12:15,080
Speaker 1: this ship is fucking whack, bro. Ship is boring as

196
00:12:15,120 --> 00:12:17,320
Speaker 1: fun because also I just was not emotionally in touch

197
00:12:17,400 --> 00:12:22,280
Speaker 1: enough to understand like that the like literary art of

198
00:12:22,320 --> 00:12:24,840
Speaker 1: it all. And I was like, all right, that ship rhymes.

199
00:12:24,920 --> 00:12:27,920
Speaker 1: I guess you're comparing his fucking love to a candle

200
00:12:28,000 --> 00:12:30,880
Speaker 1: or some ship. I don't know. Uh. And then you

201
00:12:30,880 --> 00:12:32,800
Speaker 1: start hearing like poetry that kind of speaks to you

202
00:12:32,800 --> 00:12:34,920
Speaker 1: and it touches you. But yeah, I was just thinking

203
00:12:34,960 --> 00:12:37,760
Speaker 1: about how I stayed ignorant for a long time because

204
00:12:37,960 --> 00:12:39,959
Speaker 1: was it a gravy candle? But he was comparing his

205
00:12:40,040 --> 00:12:41,840
Speaker 1: love to No, it wasn't no gravy. If it was,

206
00:12:41,840 --> 00:12:46,320
Speaker 1: I would it would have been better. Try harder poets

207
00:12:47,120 --> 00:12:49,439
Speaker 1: give us hit us with one. Do you have one

208
00:12:49,480 --> 00:12:51,840
Speaker 1: off the top of your head, a poet, Poe or

209
00:12:51,880 --> 00:12:58,000
Speaker 1: a poem that you're you'd recommend it gets the Miles

210
00:12:58,040 --> 00:13:03,480
Speaker 1: Gray stamp of approval Poe him. Uh. You know what's

211
00:13:03,480 --> 00:13:07,840
Speaker 1: funny it when we had Melissa Lozada Aliva on this show.

212
00:13:08,200 --> 00:13:12,240
Speaker 1: He's a poet and she's really funny on Twitter, on

213
00:13:12,240 --> 00:13:14,800
Speaker 1: on social media, and she actually kind of got me

214
00:13:15,240 --> 00:13:18,200
Speaker 1: looking at poetry different, to be honest. Uh. And it

215
00:13:18,240 --> 00:13:20,920
Speaker 1: took first hand experience with somebody that was on the

216
00:13:20,960 --> 00:13:22,920
Speaker 1: show and was a poet and to be like, oh,

217
00:13:22,960 --> 00:13:25,120
Speaker 1: this ship is actually kind of witty. I couldn't say

218
00:13:25,360 --> 00:13:27,920
Speaker 1: specifically a poem of hers. But because I'm not like again,

219
00:13:27,920 --> 00:13:29,520
Speaker 1: I'm not fully getting to poech I'm like, yeah, I

220
00:13:29,559 --> 00:13:32,720
Speaker 1: got this sh it on my wall, but I'm saying

221
00:13:33,320 --> 00:13:36,920
Speaker 1: and the first thing that comes up is her website

222
00:13:37,000 --> 00:13:40,959
Speaker 1: and it's got a bunch of her poetry. Yeah, oh Becca,

223
00:13:41,080 --> 00:13:44,040
Speaker 1: and the chat says, Loki V much love poetry. Okay,

224
00:13:44,240 --> 00:13:46,600
Speaker 1: see I get there's nothing wrong because you know what,

225
00:13:46,640 --> 00:13:48,600
Speaker 1: And then I got into it when uh, for a second,

226
00:13:48,640 --> 00:13:50,880
Speaker 1: I was working with it when death Poetry Slam came

227
00:13:50,880 --> 00:13:52,760
Speaker 1: out because I felt the closest thing to like freestyle

228
00:13:52,840 --> 00:13:57,120
Speaker 1: rap um but with like you know, emotion and depth. Um.

229
00:13:57,160 --> 00:13:59,040
Speaker 1: But yeah, now I'm just you know, like I said,

230
00:13:59,200 --> 00:14:02,840
Speaker 1: I'm just I'm I'm exploring the waters of poetry. Now,

231
00:14:03,080 --> 00:14:04,920
Speaker 1: ship is that gang? Let me know, I'm I'm sure

232
00:14:05,040 --> 00:14:07,440
Speaker 1: mostly y'all fucking no way more ship? I know, you know,

233
00:14:07,520 --> 00:14:09,439
Speaker 1: more ship because I don't know anything. Hit me with

234
00:14:09,559 --> 00:14:13,040
Speaker 1: some of your favorite poems. Because it takes me like

235
00:14:13,160 --> 00:14:15,280
Speaker 1: under an hour to read a poem. So you can

236
00:14:15,320 --> 00:14:18,319
Speaker 1: send that to me and I'll read it pretty quickly.

237
00:14:18,920 --> 00:14:21,920
Speaker 1: Uh all right, let's talk about one of my favorite poets.

238
00:14:22,200 --> 00:14:26,720
Speaker 1: Push it to it. So he wrote a filet o

239
00:14:26,840 --> 00:14:33,720
Speaker 1: fish Distract for Wendy's Arby's Sorry, oh Arby, that changes everything?

240
00:14:34,360 --> 00:14:37,840
Speaker 1: Um no it doesn't. Uh, this is a piece of

241
00:14:38,000 --> 00:14:42,160
Speaker 1: span con. You'll leave. So he tweeted just dropped the

242
00:14:42,200 --> 00:14:45,440
Speaker 1: distract with our at Arby's grab some popcorn a spicy

243
00:14:45,480 --> 00:14:49,880
Speaker 1: fish sandwich hashtag arby Spicy spicy fish distract hashtag Arby's

244
00:14:49,920 --> 00:14:55,320
Speaker 1: paid me. But I would say this anyway? Oh I don't. Okay, Okay,

245
00:14:55,320 --> 00:14:56,840
Speaker 1: Well let's think you would if you know it was

246
00:14:56,880 --> 00:15:00,600
Speaker 1: good for you in terms of the number of people

247
00:15:00,920 --> 00:15:06,200
Speaker 1: who are devoted to the filet o fish, well, I

248
00:15:06,240 --> 00:15:08,040
Speaker 1: mean you got y'all want to hear it, you want

249
00:15:08,320 --> 00:15:11,960
Speaker 1: you're you're already for some fish based battle reps. Can

250
00:15:12,000 --> 00:15:16,680
Speaker 1: he can he say that about here? Again? Remember this

251
00:15:16,760 --> 00:15:20,400
Speaker 1: is push a t who's cocaine bars were some of

252
00:15:20,440 --> 00:15:23,760
Speaker 1: the most like next level things from the early odds

253
00:15:24,360 --> 00:15:29,120
Speaker 1: now putting his energy into you know, to take picking

254
00:15:29,120 --> 00:15:36,240
Speaker 1: a side in the franchise words okay, aggressive synth, I'm

255
00:15:36,280 --> 00:15:39,000
Speaker 1: the reason the whole world of it. Now, I gotta

256
00:15:39,040 --> 00:15:41,640
Speaker 1: trush it for let your fishes that you should be

257
00:15:41,680 --> 00:15:45,920
Speaker 1: disgusted fish asking us to trust it a half spice

258
00:15:45,960 --> 00:15:50,160
Speaker 1: of cheese. Making these on a budget, crispy fishes simply

259
00:15:50,240 --> 00:15:52,640
Speaker 1: gate with lines around the corner. We might need a

260
00:15:52,760 --> 00:15:56,360
Speaker 1: guestless eggs to stage left. The sandwiches taste fresh, and

261
00:15:56,400 --> 00:15:59,400
Speaker 1: a little Cuba fish from a clown is facing. Okay,

262
00:15:59,560 --> 00:16:02,800
Speaker 1: I have a problem with that, Ryan Push, which one

263
00:16:03,240 --> 00:16:06,000
Speaker 1: you had to like? You said the lines around the

264
00:16:06,000 --> 00:16:08,520
Speaker 1: corner that I need a guest list, he said, exit

265
00:16:08,640 --> 00:16:13,000
Speaker 1: stage left. The sandwiches taste fresh, a little Cuba fish

266
00:16:13,080 --> 00:16:16,960
Speaker 1: from a clown is base sick. You know it needs

267
00:16:17,000 --> 00:16:19,920
Speaker 1: to be base sex, but there's no base sec. You

268
00:16:19,960 --> 00:16:25,080
Speaker 1: know that that sounds weird. Whatever, what are you gonna do? Uh? Push?

269
00:16:25,320 --> 00:16:32,680
Speaker 1: I mean in the beginning this, he starts off referencing

270
00:16:32,760 --> 00:16:35,440
Speaker 1: the fact that he's on I'm Loving It because he said,

271
00:16:35,680 --> 00:16:39,120
Speaker 1: I'm the reason the whole world love it, And that's

272
00:16:39,120 --> 00:16:41,680
Speaker 1: a highly disputed thing in music. Is Push a t

273
00:16:41,800 --> 00:16:46,080
Speaker 1: and Malice's hand in the I'm Loving It McDonald's campaign,

274
00:16:46,200 --> 00:16:49,080
Speaker 1: because that's a justin Timberlake song and Farrell and Chad

275
00:16:49,120 --> 00:16:51,520
Speaker 1: were working on it, and there's like a lot of

276
00:16:51,560 --> 00:16:54,280
Speaker 1: disputes around who came up with it, and I was

277
00:16:54,320 --> 00:16:56,800
Speaker 1: there's a whole article about how this German ad agency

278
00:16:56,840 --> 00:16:58,840
Speaker 1: actually came up with the phrasing of like it was

279
00:16:58,920 --> 00:17:01,120
Speaker 1: like I love it and then that turned into I'm

280
00:17:01,160 --> 00:17:03,800
Speaker 1: loving it like when they matched it up with justin Timberlake.

281
00:17:04,520 --> 00:17:08,600
Speaker 1: So and then where what is their contribution is supposed

282
00:17:08,600 --> 00:17:11,959
Speaker 1: to be They wrapped on the commerce there in the

283
00:17:12,320 --> 00:17:14,439
Speaker 1: like one of the longer cuts of the commercial rapping.

284
00:17:14,680 --> 00:17:16,679
Speaker 1: But they said they had a hand in the process

285
00:17:16,800 --> 00:17:18,840
Speaker 1: where they're coming up with it. And like there's like

286
00:17:18,880 --> 00:17:21,000
Speaker 1: a lot of like even engineers who are like I

287
00:17:21,119 --> 00:17:23,160
Speaker 1: was that the sessions with it, they weren't even sucking there.

288
00:17:23,200 --> 00:17:27,600
Speaker 1: That's alive to be like okay, easy, easy, hotly contested.

289
00:17:27,880 --> 00:17:30,639
Speaker 1: So like, for instance, one of one of the super

290
00:17:30,680 --> 00:17:36,040
Speaker 1: producers on this very episode immediately switched allegiances to Drake

291
00:17:36,280 --> 00:17:39,520
Speaker 1: upon hearing that because they ride so hard for the

292
00:17:39,520 --> 00:17:42,320
Speaker 1: fileto fish sandwich. Um, I know a lot of people

293
00:17:42,359 --> 00:17:45,280
Speaker 1: who really love a filet of fish sandwich. I love

294
00:17:45,320 --> 00:17:48,360
Speaker 1: a fly fish. Have you tried those RBS one? Now,

295
00:17:48,440 --> 00:17:51,840
Speaker 1: see this is where we're playing. This is what they want.

296
00:17:51,880 --> 00:17:53,760
Speaker 1: I'll tell you I'm gonna I'm gonna take a dump

297
00:17:53,760 --> 00:17:57,120
Speaker 1: on it right now, buck RBS staying your motherfucking lane.

298
00:17:57,160 --> 00:18:00,440
Speaker 1: You'll have the meats. Don't start getting out of your

299
00:18:00,440 --> 00:18:03,600
Speaker 1: fucking corral here, Arby's you funk with the meats, not

300
00:18:03,720 --> 00:18:07,439
Speaker 1: the fish. So I'm not going to I'm not even

301
00:18:07,440 --> 00:18:09,760
Speaker 1: going to look your way because if I go to Arby's,

302
00:18:09,760 --> 00:18:12,200
Speaker 1: I only get one thing that's at least four beef

303
00:18:12,200 --> 00:18:18,240
Speaker 1: and cheddars hm in a ship. Oh my god, I'm disgusting.

304
00:18:18,320 --> 00:18:23,199
Speaker 1: I'm disgusting. I'm absolutely I'm disgusting. I'll debase myself in

305
00:18:23,240 --> 00:18:27,560
Speaker 1: an Arbi's um. But so what what do you think

306
00:18:27,640 --> 00:18:31,800
Speaker 1: made Arby's hire him to do this? Do you think

307
00:18:31,840 --> 00:18:35,840
Speaker 1: it was the Drake Beef? Do you think it was? Yeah?

308
00:18:35,920 --> 00:18:39,440
Speaker 1: I think I think some you know, hip hop minded

309
00:18:39,720 --> 00:18:42,480
Speaker 1: millennial person at an ad agency was like, you know

310
00:18:42,560 --> 00:18:45,440
Speaker 1: the kids, like when push comes after somebody and goes

311
00:18:45,480 --> 00:18:48,800
Speaker 1: for their neck, the kids listen, right, So why don't

312
00:18:48,840 --> 00:18:50,520
Speaker 1: we just kind of do a mash up here and

313
00:18:50,640 --> 00:18:55,080
Speaker 1: rather than drizzy, it's make dizzy. Nothing is uh safe?

314
00:18:55,800 --> 00:18:59,720
Speaker 1: Right comes for us all? But you know who's really

315
00:19:00,080 --> 00:19:02,439
Speaker 1: more than that? Because I'm sorry at the exit stage

316
00:19:02,560 --> 00:19:06,439
Speaker 1: left the sandwich taste fresh. Then there's a Sund's basic. Okay,

317
00:19:06,440 --> 00:19:08,679
Speaker 1: hold on, you lost that one. I'm sorry. Push your

318
00:19:08,680 --> 00:19:12,080
Speaker 1: t to doja Cat because like last week she posted

319
00:19:12,080 --> 00:19:14,440
Speaker 1: on her TikTok about this like Mexican pizza wrap she

320
00:19:14,480 --> 00:19:16,320
Speaker 1: had to do for taco bell is part of a deal,

321
00:19:16,359 --> 00:19:19,240
Speaker 1: and she's like really, she's like pained trying to tell

322
00:19:19,280 --> 00:19:21,439
Speaker 1: people about it. She's like, this was an ad and

323
00:19:21,600 --> 00:19:25,160
Speaker 1: just something I have to do. So and her performances,

324
00:19:25,200 --> 00:19:27,880
Speaker 1: her reading it off of wherever she wrote it down.

325
00:19:28,480 --> 00:19:30,400
Speaker 1: Oh yeah, let me just play. Let me just play

326
00:19:30,400 --> 00:19:31,800
Speaker 1: a little bit of the Doja cat one because I

327
00:19:31,800 --> 00:19:41,320
Speaker 1: think the Doja cat beats. Push your t hands down. Yeah,

328
00:19:41,680 --> 00:19:44,560
Speaker 1: I got mean, I need meat. I need a shell

329
00:19:44,640 --> 00:19:47,000
Speaker 1: with the sauce and teat give you hell? Did you

330
00:19:47,119 --> 00:19:50,760
Speaker 1: cross me me? But the dough won't try me listening,

331
00:19:51,520 --> 00:19:55,200
Speaker 1: I will endure the dance to post continued. I don't

332
00:19:55,200 --> 00:19:58,760
Speaker 1: share when I read from when I eat, I didn't

333
00:19:58,760 --> 00:20:03,800
Speaker 1: do yes, I eat tight eat pizza beans. You know

334
00:20:03,800 --> 00:20:08,440
Speaker 1: what I mean? That ship is fresh? Okay, that's fucking bars. Yeah.

335
00:20:09,440 --> 00:20:14,439
Speaker 1: Who is she mad at in in the song? I

336
00:20:14,440 --> 00:20:16,240
Speaker 1: think she's just basically she's just trying to be like

337
00:20:16,680 --> 00:20:20,280
Speaker 1: taking on like this energy of like, don't funk around

338
00:20:20,359 --> 00:20:23,800
Speaker 1: with my Mexican pizza right because it has been sucked

339
00:20:23,840 --> 00:20:27,960
Speaker 1: around with people. If you hell, if you cross me,

340
00:20:28,680 --> 00:20:31,120
Speaker 1: we're about to throw hands. If you want trying me

341
00:20:31,800 --> 00:20:34,920
Speaker 1: over the Mexican pizza. I'm like that. See now I'm

342
00:20:34,960 --> 00:20:37,879
Speaker 1: attaching an emotion to the Mexican pizza, which is like,

343
00:20:37,880 --> 00:20:39,920
Speaker 1: don't funk with me. I'm on my Mexican pizza. Shit,

344
00:20:40,520 --> 00:20:44,919
Speaker 1: I'm a beast. Yeah, just sounds like a fishhter people

345
00:20:44,960 --> 00:20:48,080
Speaker 1: who you know can't see because this is an audio metium.

346
00:20:48,119 --> 00:20:50,040
Speaker 1: Every time that bell rang, I tried to get up

347
00:20:50,040 --> 00:20:51,960
Speaker 1: and leave the room like in those ads when the

348
00:20:52,000 --> 00:20:54,639
Speaker 1: people hear the bell ring. So I just got pulled

349
00:20:54,720 --> 00:20:59,679
Speaker 1: back by the phone cable. Um, but yeah, they got me.

350
00:21:00,080 --> 00:21:05,200
Speaker 1: Uh yeah, alright, well, uh, there's a couple of other

351
00:21:05,200 --> 00:21:10,000
Speaker 1: things trending that are uh sad. So you know, there's

352
00:21:10,040 --> 00:21:13,280
Speaker 1: an Apple outage. But that's more an explanation for why

353
00:21:13,280 --> 00:21:18,120
Speaker 1: I was late to the recording. Everybody text messages. Oh yeah,

354
00:21:18,200 --> 00:21:21,359
Speaker 1: I thought my earlier this morning when I like the

355
00:21:21,480 --> 00:21:24,240
Speaker 1: music app was sucking up for me, and I was, so,

356
00:21:24,320 --> 00:21:27,480
Speaker 1: who knows what's happening? Man? Who knows? We don't know.

357
00:21:27,920 --> 00:21:31,840
Speaker 1: We just uh yeah, but all right, let's take uh

358
00:21:31,960 --> 00:21:34,480
Speaker 1: let's not take a break, take a very long break,

359
00:21:34,720 --> 00:21:37,040
Speaker 1: take a very long break until we are back tomorrow

360
00:21:37,200 --> 00:21:40,400
Speaker 1: with the whole last episode of the show. Um. Until then,

361
00:21:40,480 --> 00:21:43,000
Speaker 1: be kind to each other, be kind to yourselves, get

362
00:21:43,040 --> 00:21:46,520
Speaker 1: the vac scene, don't do nothing about white supremacy, and

363
00:21:46,560 --> 00:21:49,600
Speaker 1: we will talk to y'all tomorrow. Bye bye,