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Speaker 1: I cannot believe that I'm getting to talk to you. Well,

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Speaker 1: I cannot believe I'm going to answer these questions. Left

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Speaker 1: the building. Don't worry, mind, let me tell you something.

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Speaker 1: By all of we're not working with you anymore. Did

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Speaker 1: your brain fire you? My brain fires me. Every morning

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Speaker 1: I wake up and they're like, don't call it putting

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Speaker 1: on any clothes. You're not going anywhere, You're not doing anything.

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Speaker 1: Guess what. Hello, I'm Mini driver and welcome to the

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Speaker 1: first episode of many questions. Growing up, my family always

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Speaker 1: had the radio want I loved the ritual of listening

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Speaker 1: to shows like Desert Island Discs on a Sunday morning

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Speaker 1: and hearing interesting people answer the same set of questions. Later,

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Speaker 1: whenever I got my copy of Vanity fairback when you

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Speaker 1: actually bought hard copies of magazines, I would always turn

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Speaker 1: to the back page each first and read their version

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Speaker 1: of Proust's questionnaire. I think it's the scientific method, really.

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Speaker 1: In asking different people the same set of questions, you

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Speaker 1: can make interesting observations about the way we're the same

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Speaker 1: and different. I love this discipline, and it made me wonder,

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Speaker 1: what if these questions were just the jumping off point

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Speaker 1: what greater depths would be revealed if I asked these

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Speaker 1: questions as conversation starters with thought leaders and trailblazers across

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Speaker 1: all these different disciplines. I think of this show as

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Speaker 1: a mini archive no pun intended, although it's sort of unavoidable,

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Speaker 1: where I invite you to observe how these trailblazers overlap

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Speaker 1: and also where they don't. So I took the format

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Speaker 1: of Pruf's questionnaire and adapted what I think are seven

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Speaker 1: of the most important questions you could ever ask someone

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Speaker 1: They are When and where were you happiest? What is

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Speaker 1: the quality you like least about yourself? What relationship, real

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Speaker 1: or fictionalized, defines love for you? What quest in which

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Speaker 1: you most like answered, What person, place, or experience has

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Speaker 1: shaped you the most? What would be your last meal?

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Speaker 1: And can you tell me something in your life that

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Speaker 1: has grown out of a personal disaster? And I've gathered

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Speaker 1: a group of remarkable people that I am honored and

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Speaker 1: humbled to have had the chance to engage with. You

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Speaker 1: may not hear their answers to all seven of these questions.

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Speaker 1: We've selected the ones that felt closest to their experience

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Speaker 1: or were the most surprising or the ones that provided

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Speaker 1: the most fertile ground to connect. And we're starting with

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Speaker 1: Viola Davis, who, to me is one of the most passionate, thoughtful,

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Speaker 1: and compelling actors I've ever watched on screen. She's one Tony's,

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Speaker 1: Emmy's and Oscars, but sincerely all that hardware aside. She

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Speaker 1: is an extremely interesting person with a generosity of spirit

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Speaker 1: that makes me feel a bit star struck and frankly

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Speaker 1: a bit tongue tied. I don't think that's a bad thing,

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Speaker 1: though it is humbling being around people you don't know

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Speaker 1: very well but admire greatly. I am thrilled I get

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Speaker 1: to talk to Viola today. It's really hard being an

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Speaker 1: actor and interviewing you, because all I really want to

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Speaker 1: be doing is like sitting in an empty theater asking

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Speaker 1: you questions and then getting to go and sort of

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Speaker 1: do scenes and like, welcome stuff. I've watched your movie,

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Speaker 1: your your most recent beautiful, My Rainey's Black Bottom twice now,

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Speaker 1: and I don't know where to start. I don't know

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Speaker 1: where to start about you, and I don't know where

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Speaker 1: to start about Chadwick Boseman. And that's not even talking

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Speaker 1: about the supporting character who are all in their own

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Speaker 1: movies that are exquisite as well. I'm telling you, I'm

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Speaker 1: going to get my baseball back and I'll come and

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Speaker 1: start swinging it around. If you don't really ask her,

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Speaker 1: I'm good either way. I'm not going to interview you

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Speaker 1: because you've done have plenty of that. I'm going to

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Speaker 1: stick to these questions. First question, what relationship, real or fictionalized,

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Speaker 1: defined love for you? Now, Lord of Mercy, Oh, I

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Speaker 1: know shadow Lands, that film is about redemption and the

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Speaker 1: idea that love it's not the absence of pain, and

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Speaker 1: we're so we're so conditioned to believe that that it's

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Speaker 1: supposed to be the absence of pain, that it's meant

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Speaker 1: to be joy and happiness, and this it redeems love,

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Speaker 1: redeems it does redeem, and it's not based in mystery.

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Speaker 1: A friend of mine at her wedding, she said something

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Speaker 1: absolutely beautiful with her vows. She told her husband. Then

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Speaker 1: she said, I promised to love you exactly as God

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Speaker 1: made you. And I think that that's powerful. I mean,

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Speaker 1: I watched my mom sit by my dad's David when

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Speaker 1: he was dying of pancreatic cancer, and he would he

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Speaker 1: would just scream her name every two seconds, may Alice, malice, malice,

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Speaker 1: and she would say damn, damn, I'm right here, and

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Speaker 1: he say oh oh, and then she would hold him.

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Speaker 1: And for me that that's it. You know, I've been

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Speaker 1: with my husband twenty one years and all those things

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Speaker 1: that probably are not in the sexy romantic comedies are

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Speaker 1: all the things that I value. Someone who's gonna be

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Speaker 1: there when you're sick, someone who literally, you know it's

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Speaker 1: gonna hold your hand when you're going, someone who, like

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Speaker 1: I said, just simply loves you. I mean, my mom

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Speaker 1: and dad were together for forty eight years, and at

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Speaker 1: the end of his life it became about her telling

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Speaker 1: him to go. And there is something m for me

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Speaker 1: in terms of the kind of love I have now

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Speaker 1: for my husband. It's not about concealer and tight abs,

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Speaker 1: and you deserve it. What question would you most like answered? Oh, man,

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Speaker 1: I'll tell you that right now. Why are we so

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Speaker 1: cruel to each other? Ah? Please answer that question to me?

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Speaker 1: Why are we so vicious? If you were to ask

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Speaker 1: anyone what's the most vicious animal in the world, I mean,

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Speaker 1: they probably would say the black mamba or you know,

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Speaker 1: a female lion. I mean, I don't know, but the

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Speaker 1: two legged variety, the depth to which we are cruel.

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Speaker 1: And here's the thing, the thing that is really really

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Speaker 1: really interesting is we're cruel and we know how hard

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Speaker 1: life is. We know the road, and even after knowing

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Speaker 1: the road, we go back, and the level of judgment,

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Speaker 1: how we sort of don't protect each other, how we

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Speaker 1: think that killing someone will make us feel better. I mean,

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Speaker 1: I don't know. There's no measure of cruelty, men towards women,

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Speaker 1: black towards white, and I think there's a human answer

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Speaker 1: to it. I genuinely don't. The closest I ever came

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Speaker 1: to understanding it was this extraordinary geneticist called Lord Michael Winstone,

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Speaker 1: who was part of the team who isolated the genome initially.

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Speaker 1: And we were saying backstage going on a English talk show.

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Speaker 1: It was years ago, the Iraq War was happening, and

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Speaker 1: I was talking about just the share loss of innocent life.

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Speaker 1: And he said, he's a Christian, a devout Christian, and

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Speaker 1: he is also you know, this extraordinary scientist. And he said,

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Speaker 1: I've always felt the nexus of my spirituality and science

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Speaker 1: comes in truly understanding that you in the universe energetically, scientifically,

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Speaker 1: you literally cannot have one without the other. Each thing

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Speaker 1: has its counterpart. It has to night and day, good

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Speaker 1: and evil. And he said, however simplistic it sounds, it

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Speaker 1: is part of this, this order. We experience it so harshly.

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Speaker 1: We also experienced joy so profoundly as human beings, but

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Speaker 1: are cruelty to each other. I don't. I don't think

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Speaker 1: we can understand it or measure it in human terms,

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Speaker 1: because I think it's it's an energetic it's sort of

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Speaker 1: energy that was set in motion by God, source energy,

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Speaker 1: whatever you want to call it, and and so it is,

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Speaker 1: and so there are always two halves to everything. I mean,

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Speaker 1: that's the only way I could ever. That was the

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Speaker 1: closest I got my head to getting around it. Being

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Speaker 1: a theater geek. I remember the one thing I was

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Speaker 1: taught that stayed in my it was the divine rights

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Speaker 1: of kings, the hierarchy to which people feel like they're born.

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Speaker 1: And the whole idea is to be in a position

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Speaker 1: in terms of status as high as possible, because then

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Speaker 1: the only one you're answering to is God. You're basically

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Speaker 1: dancing with with God and everyone else is beneath you.

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Speaker 1: When man makes sense of their own existence, there is

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Speaker 1: something about status. I always say. The bumper sticker in

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Speaker 1: the eighties it was on the back of everyone's car

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Speaker 1: that said, he who dies with the most toys wins.

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Speaker 1: So is the ego? Is that? What is that? What

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Speaker 1: it is? Ego? It's I don't know who I am

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Speaker 1: unless I have my foot on someone else's neck. Status

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Speaker 1: is your social standing above another person that gives you

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Speaker 1: meaning and value. It's powerful. It's a cast system. M

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Speaker 1: But I agree with you. I think it defies understanding.

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Speaker 1: I always say, I wonder what the caveman thought. That

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Speaker 1: caveman who didn't have a computer, couldn't speak, didn't have

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Speaker 1: any clothes. He's standing there, he's looking at the ocean,

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Speaker 1: he's looking at the sky. What is he thinking? How

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Speaker 1: is he making thinking about food or sex or where

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Speaker 1: he's going to sleep, or how fast you can run

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Speaker 1: away from the sabots? How I got that's what he's thinking.

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Speaker 1: That's it total instinct. Where and when in your life

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Speaker 1: were you happiest? You know what I'm going to have

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Speaker 1: to say. At When I went to Africa for the

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Speaker 1: first time, I went to the Gambia, West Africa for

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Speaker 1: two weeks and I was at Williard. Juilliard gave me

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Speaker 1: a scholarship dollars because I guilted them into it. It's

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Speaker 1: very eurocentric training at Juilliard, and I said, it was

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Speaker 1: suppressing me so much. It was tethering me so much

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Speaker 1: that I no longer knew what my voice was. I

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Speaker 1: sort of had lost my identity in trying to make

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Speaker 1: me and my blackness disappear in George Bernard Shaw and

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Speaker 1: Stringberg and check Off and Shakespeare. I just didn't know

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Speaker 1: what kind of artists I was supposed to be if

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Speaker 1: I couldn't use myself and my voice. So they gave

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Speaker 1: me a scholarship and I went to Africa when I

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Speaker 1: was twenty five to study the dance and music folklore

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Speaker 1: four different tribes. And it changed my life. It just

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Speaker 1: changed my life. And maybe it was because also I

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Speaker 1: had broken up with a boyfriend right before and and

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Speaker 1: so I was stated, you know, oh my god, it

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Speaker 1: was like a Greek tragedy. You know. I look back

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Speaker 1: on that now and said, by, oh, why don't you

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Speaker 1: just go to McDonald's or something, or just have a drink. No,

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Speaker 1: go to Gambia. Yeah, no, I got to Gambia. I'm

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Speaker 1: gonna geographical. I got at this heartbreak. I went to

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Speaker 1: the Gambia and it was transformational, like that radical shifting

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Speaker 1: that takes place in your life that just takes you

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Speaker 1: by surprise, because it's the power of myth and rituals

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Speaker 1: that worked for me. It was the getting in the

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Speaker 1: car every single day and singing their songs and the

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Speaker 1: dances and the rituals that were about finding one's value

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Speaker 1: or becoming a woman or a baby surviving after seven days.

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Speaker 1: When I saw those Kenylla women and the Mandinka tribe

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Speaker 1: in Africa, they were infertile women, women who could not

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Speaker 1: have children, and they dressed as clowns, oversized clothes and

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Speaker 1: makeup on their faces, and they went into these compounds screaming,

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Speaker 1: shouting with the jim Bay drums. Everybody would scream and

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Speaker 1: shout with them, dozens of people, like a mob scene.

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Speaker 1: And then they passed a calabash around with food and

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Speaker 1: then they sang this song and it translates to I

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Speaker 1: did not come here for food. My stomach is full.

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Speaker 1: I did not come here for food. I came for

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Speaker 1: much more. And the whole ritual was about parting the

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Speaker 1: clouds of heaven, making so much noise that God would

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Speaker 1: hear the deepest pain of not being able to have

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Speaker 1: a child and somehow poured down the blessing. It's like

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Speaker 1: those types of rituals that I took part in that

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Speaker 1: made me believe that there was something in the abstract

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Speaker 1: world that I could I don't know that I could

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Speaker 1: cling to to find in myself. I'm extremely moved by

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Speaker 1: that amazing image, and I wish that we had more

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Speaker 1: ritual around the hard things in the West, the way

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Speaker 1: that we live around death, around infertility, around loss, around

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Speaker 1: getting old. Did you feel that the ritual itself or

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Speaker 1: the community performing the ritual created the scaffold upon which

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Speaker 1: you could actually have something to tell yourself to that

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Speaker 1: when you came back you would still be connected. I

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Speaker 1: love that question. I know exactly what you're saying, and

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Speaker 1: I think that's a great question. It was more of

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Speaker 1: the community and the connection. It was more of being seen.

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Speaker 1: I mean, m a dark skinned woman. From the moment

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Speaker 1: you come out of the womb and you step forth

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Speaker 1: into the world, you get all the values associated with

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Speaker 1: being dark skin and then being at Juilliard with a

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Speaker 1: deep voice, dark skinned, wide, no big lips. It's like

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Speaker 1: you're basically nothing. The invisibility. So a notion of invisibility. Yes, okay,

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Speaker 1: it's so fascinating because I can only empathize with a

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Speaker 1: feeling of growing up invisible and then going to a place.

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Speaker 1: And what you just said of what a community does

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Speaker 1: is a community sees they see the howling sadness of

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Speaker 1: these women, and they wrap around it and honor it,

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Speaker 1: literally to make God listen. So you becoming an actor

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Speaker 1: and the bizarre oxymoron of the invisibility that there is

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Speaker 1: supposed to be you know that was saying, Oh she

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Speaker 1: disappeared into a role. Oh he really disappeared into the character.

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Speaker 1: It was extraordinary. There must be a very particular attention

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Speaker 1: for you with that idea of what is it to

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Speaker 1: disappear into a character or is it rather to know yourself,

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Speaker 1: to see yourself and to gather them into what you

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Speaker 1: already are? But you you've got to know what that

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Speaker 1: is in the first place. You do have to know

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Speaker 1: what that is in the first place. I don't know

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Speaker 1: if I did not know that, or if I just

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Speaker 1: didn't trust it at the time, if I just didn't

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Speaker 1: value it at the time, because as you move through life,

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Speaker 1: people tell you who you should be or who you

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Speaker 1: should not be, and that's what was happening. I don't

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Speaker 1: mean the blast Juilliard at all. I compared to Musin X.

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Speaker 1: Like I said, Musin X tastes bad, but it works.

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Speaker 1: The permission, that's what I want to say. Permission. That's

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Speaker 1: what I got when I was in Africa. It was

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Speaker 1: literally a weekend to that trip that I sat down

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Speaker 1: at one point and it was the one time in

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Speaker 1: my life that I had absolutely no anxiety, like none,

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Speaker 1: like floating on air. So I think that what I

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Speaker 1: was looking for was permission that God made me right

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Speaker 1: because I didn't have that permission throughout my entire childhood

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Speaker 1: and throughout Juilliard. And that's really overly simplifying it. It's

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Speaker 1: like Renee Brown says, when you start with the foundation

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Speaker 1: of worth and value, then you can live better when

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Speaker 1: you start with that foundation. When you came back and

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Speaker 1: you're back into the check off from the Stromberg, you're

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Speaker 1: taking a look at Masha, did you feel that the

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Speaker 1: distance had been lessened or do you always feel that

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Speaker 1: there is a scrim in between the plethora of white

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Speaker 1: playwrights and you as a black woman. Yes, I did.

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Speaker 1: I did. I didn't feel like I was being whipped

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Speaker 1: for doing everything wrong. But it was only until maybe

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Speaker 1: twentysomething years later that I can literally sit here with

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Speaker 1: you and say that I reject act everything that I've

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Speaker 1: been taught. I reject people telling me that I'm not

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Speaker 1: smart if I don't read the classics? So does Tony Morrison?

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Speaker 1: Does that qualify as a classic? What does that mean?

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Speaker 1: Who wrote those rules? Who told me that I wasn't beautiful?

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Speaker 1: Who told me that if I did not fit into

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Speaker 1: any character in George Bernard Shaw, then somehow I'm really

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Speaker 1: crappy at what I do. What if George Bernard Shaw

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Speaker 1: doesn't speak to me? What if he doesn't does that

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Speaker 1: make me what? I think that the keepers of the

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Speaker 1: structure of the way things should be have been extraordinarily flawed.

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Speaker 1: I'm coming from a country that's built on a science,

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Speaker 1: basically a bunk science to explain why I, as a

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Speaker 1: black woman, is less than science is a beauty sciences

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Speaker 1: of intelligent science of sexuality that told us that you're

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Speaker 1: never gonna be as pretty, your brains are smaller, So

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Speaker 1: You're never gonna be as smart. Black women could take

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Speaker 1: as much pain as possible because you don't feel any pain.

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Speaker 1: You're strong, you're almost masculine. You could cut them open

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Speaker 1: without any anesthesia. You can rape them with impunity. That's

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Speaker 1: where I'm coming from. So now at fifty five, I

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Speaker 1: could say the foundation in which you explained my existence

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Speaker 1: and who I am, I rejected the fact that you

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Speaker 1: are telling the stories that you tell now, given that

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Speaker 1: you felt voiceless and invisible, is truly inspiring. M What

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Speaker 1: is the quot to see you like least about yourself?

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Speaker 1: The quality about myself that I like the least is

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Speaker 1: my esteem issues. Although I will say that I am

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Speaker 1: a lot better than I was like by nine something present,

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Speaker 1: but I don't even like feeling one vestige of it

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Speaker 1: where all of a sudden you're in a situation and

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Speaker 1: then you're right back to where you've started. And if

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Speaker 1: I were to track any situation that brings that out

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Speaker 1: of me, that feeling of not feeling worthy, it's when

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Speaker 1: people try to attack my worth. It could be anything.

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Speaker 1: It could be the mommy skills, it could be anything

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Speaker 1: with acting, with your work, with your skill set. As

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Speaker 1: soon as I feel like I'm under attack. I feel it,

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Speaker 1: it costs me something. Do you have any ritual to

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Speaker 1: heal that in those moments? Well, there's two things that

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Speaker 1: I do. I'm a believer in connection and finding people

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Speaker 1: in your life that love you. You know, a therapist

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Speaker 1: told me that once find someone who loves you, Viola,

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Speaker 1: that roots for you, just sweats for you, just has

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Speaker 1: your back. I mean, I grew up in really abject

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Speaker 1: poverty and people always ask me, how did you get

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Speaker 1: from that to this? And I always say, those supernatural allies,

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Speaker 1: those people who come out of nowhere, who say, let

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Speaker 1: me tell you, this is what you have to do. Okay,

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Speaker 1: let's suit up and me and you will fight this

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Speaker 1: battle together. Okay. But they're supernatural, which means that you know,

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Speaker 1: they come out of nowhere and they're not always the

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Speaker 1: people that you think they're going to be. But the

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Speaker 1: other thing that I do, and it's really working for me,

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Speaker 1: I go to Viola, the little girl, the eight year old.

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Speaker 1: I literally talked to her, and I'm not kidding you.

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Speaker 1: At first, I would always try to heal her because

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Speaker 1: I said, you grew up with an alcoholic father and abuse.

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Speaker 1: So I'm gonna heal this little girl, you know, who

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Speaker 1: was always fighting, rough and tumble little girl, and then

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Speaker 1: someone made me realize that she was a survivor. You

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Speaker 1: have to allow her to be excited at the year

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Speaker 1: old she's gonna become. Usually gotta let her squeal in delight.

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Speaker 1: And so now I'm just gonna say this. If it

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Speaker 1: were up to me, I would put all the trophies

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Speaker 1: in a box in a garage. I don't like watching myself.

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Speaker 1: I have a tendency to not celebrate my victories. I

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Speaker 1: have its tendency to some time aims just sort of

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Speaker 1: twisted and turning around actually and almost let it destroy me.

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Speaker 1: Sometimes it's a weird dichotomy there when I tap into

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Speaker 1: that eight year old girl and say, Viola, guess what

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Speaker 1: we're gonna eat some French fries today? We are Viola,

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Speaker 1: guess what We're gonna get dressed up today in acute dress.

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Speaker 1: I hate getting dressed up because I hate heels. We're

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Speaker 1: gonna dress up today in some heels and we're gonna

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Speaker 1: go to an awards show. Oh my god. Then I

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Speaker 1: have an appreciation for my life that is the equivalent

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Speaker 1: of a child's joy. That's helping me a lot. It's

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Speaker 1: helped me sleep at night. It helps me enjoy every

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Speaker 1: single moment. What person, place, or experience most alter to

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Speaker 1: you in life. My dad dying was a big one.

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Speaker 1: That's a hard one because I was there. I wish

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Speaker 1: I were more brave during that time in what way.

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Speaker 1: It was after he died that I went on the

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Speaker 1: hospice page and they had a whole section that talked

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Speaker 1: about how to help someone die. That they will have

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Speaker 1: dementia and they will see people that had passed before them.

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Speaker 1: They would literally call out their names, and you have

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Speaker 1: to validate them. You can't just say it's delusional, because

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Speaker 1: what that is is once again it's the word permission.

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Speaker 1: They're asking for permission to cross over. I didn't want

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Speaker 1: to look at that. They just want you to hold

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Speaker 1: their hand. I didn't want to look at that. They

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Speaker 1: just want their lips to stay moist. I want to

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Speaker 1: know that no one tells you about death, No one

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Speaker 1: talks about it. So to literally see a parent take

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Speaker 1: the last breath and they have to sit there and go, Daddy,

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Speaker 1: it's okay to go. And then at his funeral, I

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Speaker 1: remember when we closed the casket and my nieces and

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Speaker 1: nephews had all these pictures they put in the casket

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Speaker 1: with him. Was beautiful. And I looked in the casket

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Speaker 1: and he didn't have any shoes on, and I was pissed.

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Speaker 1: I was like, we paid you all this money in

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Speaker 1: my brain because I was about to custom out, and

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Speaker 1: you didn't put any shoes on. My daddy looks greatly.

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Speaker 1: He didn't put shoes, and the next thought was he

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Speaker 1: didn't need shoes. That encapsulates life. It does, don't care

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Speaker 1: what anyone says it does. After he died, you're not

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Speaker 1: thinking about how he pissed you off. You're not thinking

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Speaker 1: about that he was an alcoholic. You're just thinking about

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Speaker 1: the fact that I loved him. He was my father

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Speaker 1: and he's gone. And then you're thinking about forgiveness. You're

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Speaker 1: thinking about mercy. You think about all those things that

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Speaker 1: nobody teaches you about in life. There's no other way

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Speaker 1: to measure life. It whittles life down to absolutely the

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Speaker 1: essentials of really what makes a life and what makes joy.

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Speaker 1: I would say that would be it. It It leveled me.

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Speaker 1: Do you find that after these big moments in your life,

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Speaker 1: you can take them with you into the evolution of

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Speaker 1: who you are after them. Are you aware of practicing

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Speaker 1: those things that you've observed? Yeah, I do, But then

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Speaker 1: I have to move through life and someone comes along

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Speaker 1: and knocks my ass down. Yeah knowing now, I mean

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Speaker 1: it's a war of attrition a lot of the time. Yeah, absolutely,

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Speaker 1: it's it's difficult, but I do, and I'll tell you

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Speaker 1: when I do. People notice when I came back from Africa,

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Speaker 1: everyone noticed the ship it so I know I bring

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Speaker 1: it back. But then I got to navigate through life.

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Speaker 1: You know what my dad used to say, He said,

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Speaker 1: I don't know why you keep aiming for of everything,

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Speaker 1: he said, this is the biggest miss name where we

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Speaker 1: should be aiming for, like like fifty eight percent. If

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Speaker 1: that's let that be your because it's never you're always

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Speaker 1: going to be disappointed. You're never going to get it right.

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Speaker 1: And he was like, it doesn't have lower standards. It's

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Speaker 1: just appreciate that there is a certain percentage of life

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00:27:32,400 --> 00:27:35,760
Speaker 1: that is mostly circumstance or lock or whatever you want

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00:27:35,760 --> 00:27:38,120
Speaker 1: to call it. This is not going to go your way,

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00:27:38,600 --> 00:27:41,680
Speaker 1: and in order to not be buffeted by that, constantly

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00:27:42,520 --> 00:27:45,399
Speaker 1: sort of hold true to the smaller amount that you

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Speaker 1: are sure of oh yeah, oh, and where I began.

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Speaker 1: It is a rare privilege talking to you, It really is. Um.

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Speaker 1: I feel like I learned something every time I hear

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00:27:57,880 --> 00:28:01,880
Speaker 1: you interviewed, but even also when I watch you work

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00:28:02,080 --> 00:28:08,040
Speaker 1: and like as an actor, that's amazing. It's back at

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Speaker 1: your girl. I appreciate you, and I appreciate your time honestly,

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Speaker 1: all my love and thanks to you, Oh love, back

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00:28:15,640 --> 00:28:21,199
Speaker 1: to you. Please watch Viola's extraordinary performance in mar Rainey's

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00:28:21,240 --> 00:28:24,440
Speaker 1: Black Bottom, but also go back and find that scene

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Speaker 1: in the movie Doubt where she and Meryl Streep go

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Speaker 1: head to head by the basketball court. It is an

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Speaker 1: acting masterclass. Many Questions is hosted and written by Me

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Speaker 1: Mini Driver, supervising producer Aaron Kaufman, Producer Morgan Lavoy, Research

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00:28:44,440 --> 00:28:50,280
Speaker 1: assistant Marissa Brown. Original music Sorry Baby by Mini Driver,

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Speaker 1: Additional music by Aaron Kaufman. Executive produced by Me and

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Speaker 1: man gesh Hetty God Special thanks to Jim Nikolay, Will Pearson,

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00:29:02,000 --> 00:29:07,240
Speaker 1: Addison O Day, Lisa Castella and Annick Oppenheim at w kPr,

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00:29:08,120 --> 00:29:12,520
Speaker 1: de La Pescadore, Kate Driver and Jason Weinberg, and for

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00:29:12,680 --> 00:29:15,840
Speaker 1: constantly solicited Tex support Henry driver,