WEBVTT - Attachment (with Gina Grad)

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<v Speaker 1>Portions of This Is Americans Live, The improvised documentary podcast,

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<v Speaker 1>For more of This Is Americans Live, listen to more

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<v Speaker 1>episodes of This is Americans Live. I guess and now

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<v Speaker 1>your first random sentence. As the years passed by, we

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<v Speaker 1>all know owners look more and more like their dogs.

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<v Speaker 1>Was this just another case of mistaken identity? Or did

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<v Speaker 1>this dog actually look like it's owner? Sweetheart? Really? Be honest?

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<v Speaker 1>Does Gerald looked like me? Maybe you favor each other,

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<v Speaker 1>but you know, I would ignore what everybody else is saying.

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<v Speaker 1>You're not twins. It's not like you're joined. You weren't.

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<v Speaker 1>You weren't birthed together. You just favor each other, so

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<v Speaker 1>we do. Look it's very sweet. I mean, you both

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<v Speaker 1>have that crazy sort of golden flex hair. You're both

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<v Speaker 1>your Yeah, okay, because because I told I told Charles

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<v Speaker 1>lit the next door that the dog was looking like me.

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<v Speaker 1>And he said, no, that you do not look like

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<v Speaker 1>a dog. So I do look like you do look

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<v Speaker 1>like a dog. Thank you. Let me let me ask you, guys,

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<v Speaker 1>when you think was the first time that you noticed

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<v Speaker 1>that maybe your dog was imble you as anner? Well?

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<v Speaker 1>When I you know, whenever I use the restroom, I

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<v Speaker 1>like to do it in front of a mirrorge just

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<v Speaker 1>so I can kind of look at myself. And when

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<v Speaker 1>I noticed that the way I squat is the same

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<v Speaker 1>way that he squats. Yeah, I noticed when I had

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<v Speaker 1>cleaned the glass so well that you walked right into it.

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<v Speaker 1>Remember it was just bam, and your little nose got

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<v Speaker 1>kind of pugged up. Yeah, you look like the bun. Yeah.

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<v Speaker 1>And I said, you look exactly like the pug. They

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<v Speaker 1>went to a photo studio to try and clear this up.

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<v Speaker 1>All right, Martin, show me sassy, sassy, all right, Gerald,

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<v Speaker 1>show me sassy, Show him sassy, Carold, show him sassy, sassier.

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<v Speaker 1>You're embarrassing me, You're embarrassing yourself. You're embarrassing yourself. I'm

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<v Speaker 1>not really getting sassy from that. I'm getting her. Do

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<v Speaker 1>you guys want me to give you five minutes. And

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<v Speaker 1>that's when they were approached by a commercial agent. He've

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<v Speaker 1>been looking for some new talent. You've been scouring the malls, scouting.

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<v Speaker 1>But then they came across each other, Martin and his

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<v Speaker 1>bub dog. Hey, Greg, Terrenton, if you and your dog

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<v Speaker 1>considered it? And the dog, no, we have it? Why

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<v Speaker 1>Why did you see something you like? I love? So

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<v Speaker 1>they embarked on a journey to Hollywood. They both packed

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<v Speaker 1>the car. Come on, boy, let's go to Hollywood. Unfortunately,

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<v Speaker 1>Martin had to leave his wife, wasn't sweetie. You and

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<v Speaker 1>I both know this day was coming. So they packed

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<v Speaker 1>the car and they left, driving all the way from

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<v Speaker 1>Utah to Los Angeles, passing Salt Lake, going through Nevada,

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<v Speaker 1>and they're right, there's Nevada. And they got to Los Angeles.

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<v Speaker 1>Here we come, Los Angeles, right boy. They went to

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<v Speaker 1>their first casting. The lobby was filled with a lot

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<v Speaker 1>of other owners that look like they're dogs. You are beautifully.

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<v Speaker 1>I don't really find Precious to look much like her

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<v Speaker 1>at all, how about you, buddy. I'll take that as

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<v Speaker 1>a yes. All right? Looking for Martin and his pug.

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<v Speaker 1>That's us. Come on, come on now, is not the

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<v Speaker 1>time for stage fright. If you guys want to just

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<v Speaker 1>go ahead and uh slate your name for the camera. Yes,

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<v Speaker 1>my name is Martin, and this is okay, great, and

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<v Speaker 1>then your height and uh where you were based out

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<v Speaker 1>of six ft four great? Okay, and just go ahead

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<v Speaker 1>and read the lines the way that they are right there.

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<v Speaker 1>There's no need to add any kind of accents or

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<v Speaker 1>anything like that. Ahead. Look, I'm a busy single dad

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<v Speaker 1>is always on the go. All right, thank you so much. God, No,

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<v Speaker 1>I'm sorry, now listen, try it again. What's right again?

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<v Speaker 1>I got a lot of people. No, no no, no, no no, no,

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<v Speaker 1>no, no no, please please please. The dog can read the

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<v Speaker 1>way the dog was cast, but Martin wasn't. No. Look,

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<v Speaker 1>i'm proud of you. I am proud of you. No,

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<v Speaker 1>it's okay, I'm proud of you. And you're gonna go

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<v Speaker 1>out there and just don't forget about me, okay. As

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<v Speaker 1>a dog's fame started growing, Marton started questioning his position

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<v Speaker 1>in the whole relationship. Was he still the owner or

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<v Speaker 1>was he about to be taken out into the woods

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<v Speaker 1>and abandoned. Usually it's the opposite. Hey, buddy, two things.

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<v Speaker 1>First year, you're a good boy. Second. So, as you know,

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<v Speaker 1>my aunt Leslie needs an operation on hip. I was

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<v Speaker 1>just wondering if maybe I could get a little bit

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<v Speaker 1>of an advance on my five. I'm his owner. Sorry,

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<v Speaker 1>I'm okay, I'm sorry, Mike. I just wanna can you

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<v Speaker 1>take a photo of us? Please? Yeah? Oh my god,

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<v Speaker 1>I can't believe every's going to see this photo. I'm

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<v Speaker 1>gonna put it on Instagram. Every means to be like,

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<v Speaker 1>oh my god, do you know that? Dogs? My commercial?

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<v Speaker 1>I think so much. You can follow me to This

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<v Speaker 1>is This is American's Life. Name your host ary with

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<v Speaker 1>producer Andy and our special guest contributor for this episode

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<v Speaker 1>is China Grat. This week's theme his attachment a human

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<v Speaker 1>condition and you can avoid some fine attachment to a

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<v Speaker 1>significant other at that and some too inanimate objects like

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<v Speaker 1>coffee or cigarettes. To start off each story, we'll be

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<v Speaker 1>using our trustee sentence generator as that jumping off improvised

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<v Speaker 1>a show in three acts. This is This is Americans Live,

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<v Speaker 1>Stay with Us. Act one, the white water rafting trip

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<v Speaker 1>was suddenly halted by the unexpected brick wall and stroke

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<v Speaker 1>and stroke and strong reverse strong reverse strong reverse strong

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<v Speaker 1>as a wall reverse faster, faster, reverse. There was a

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<v Speaker 1>brick wall in front of the river. Nobody had seen

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<v Speaker 1>it there before. Even when they got into the raft

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<v Speaker 1>and they started paddling, they just saw water in front

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<v Speaker 1>of them. Then all of a sudden there was up

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<v Speaker 1>brick wall. Reverse strong, sure, strong to the wall. There's

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<v Speaker 1>some there's some third wall. Can you help baby? Instead,

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<v Speaker 1>I'm just constantly sitting up there and telling everyone wants

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<v Speaker 1>to down. It was obvious that they had some marital problems. Alright,

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<v Speaker 1>we were strokes, but with me. But you have to

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<v Speaker 1>reverse stroke tone. That's what I've been doing. All you

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<v Speaker 1>do is boss people around. Was getting clom shark. You know,

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<v Speaker 1>I don't think there's something else getting closer, and it's

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<v Speaker 1>called d I D O R C E. The owner

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<v Speaker 1>of the white Water Rafting Company, realized they had something

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<v Speaker 1>else on their hands. Instead of providing a white water

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<v Speaker 1>rafting experience, they had stumbled upon a new Sarah Py phenomenon. Okay, listen,

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<v Speaker 1>there's a wall. I know about the wall. You keep

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<v Speaker 1>talking about the wall, and guess what I've been talking

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<v Speaker 1>about the wall for years that there is a wall coming.

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<v Speaker 1>We were headed right board. And if you don't go

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<v Speaker 1>to couple of scouts with me, where's your done? There's

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<v Speaker 1>a literal brick wall. Why can't we Why do we

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<v Speaker 1>have to go back to we? We have to move forward.

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<v Speaker 1>I've been saying that for a year. Has to move backwards.

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<v Speaker 1>If we keep moving backwards, will never get past the

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<v Speaker 1>time that we haven't coming. They talked to the couple

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<v Speaker 1>about their white Water Rafting company, which was now called

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<v Speaker 1>the Whitewater Counseling Company. I wanted to know exactly how

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<v Speaker 1>they shifted from one business model to the other. What

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<v Speaker 1>was was part of our court ordered mediation. We decided

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<v Speaker 1>to save a little bit of money in our divorce

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<v Speaker 1>proceedings to just mediate. But then we've we we met

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<v Speaker 1>a few couples who had a worse off on us.

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<v Speaker 1>We talk about stuff all right, as a rough water.

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<v Speaker 1>And you know, it's funny because what I it was

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<v Speaker 1>my suggestion to call the counseling company either or And

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<v Speaker 1>it was good. It was good. I was listening. I

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<v Speaker 1>had both bars out the door, you know what I mean.

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<v Speaker 1>But then once we opened of these counselors that aren't

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<v Speaker 1>we can focus on other people's probably that's right, and

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<v Speaker 1>our seems so bad I decided to talk to some

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<v Speaker 1>other couples who had come originally for whitewater rafting but

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<v Speaker 1>ended up coming to the white water counseling rafting trip.

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<v Speaker 1>I can't remember what I said before, but I just

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<v Speaker 1>want to see how it worked for new couples. So

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<v Speaker 1>we we go go on whitewater rafting trip and it

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<v Speaker 1>was action p e. But the the the instructors, they

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<v Speaker 1>started asking us about our marriage very much, questions about

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<v Speaker 1>the manage me and this me, and asked us how

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<v Speaker 1>frequent are lovemakings? We said, is this invitation? I see? Yes?

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<v Speaker 1>And they said absolutely not. And it was a little embarrassing.

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<v Speaker 1>We had the egg on the face. This the that

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<v Speaker 1>is how you see it. Okay, you see we had

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<v Speaker 1>the egg on this. What part of the country are

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<v Speaker 1>you guys from. We're from Refinescent. Refiniscent, h it's a

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<v Speaker 1>small village. There are only three people. Um, well, well,

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<v Speaker 1>now because we left, yes, we live. We get in

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<v Speaker 1>couples counseling. They encourage us to move out of Refiniscent

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<v Speaker 1>into a small cottage. So then we we move into

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<v Speaker 1>small cottage together because they tell us maybe the reason

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<v Speaker 1>why we feel so distinct is because we are not

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<v Speaker 1>forced to be in close proximate the of time. What

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<v Speaker 1>they did not realize is that Sow everybody in russ

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<v Speaker 1>And lives anyway. So I decided to go visit Refs

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<v Speaker 1>business and see the one sole person that was there.

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<v Speaker 1>Now that two of the three people had left, so lonely,

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<v Speaker 1>so lonely, and re vision. There was a very nice couple,

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<v Speaker 1>but they leave. So I am here myself. You have

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<v Speaker 1>like a pet or a cat or something? I did

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<v Speaker 1>hear the pitt pitt dog. But we entered into a

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<v Speaker 1>beauty contest together because he looked kind of like me?

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<v Speaker 1>And uh, can I see a picture? Do you have? Yes?

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<v Speaker 1>This is my little laughing? Doesn't he look like me

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<v Speaker 1>a little? What's his name? Again? Laugh? Him left leaf laughing? Sorry,

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<v Speaker 1>does he look like me a little? I think he

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<v Speaker 1>looks very much like reme. Having our time decipher well,

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<v Speaker 1>then why did he win the first prize in beauty

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<v Speaker 1>count this in you know, Los Angeles? And they made

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<v Speaker 1>me go home? Why was I not also awarded be

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<v Speaker 1>the contest? Now he's living the good life in Los

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<v Speaker 1>Angeles dating some other dog. And if they're living high

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<v Speaker 1>on hog and now I live here alone? Can you

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<v Speaker 1>answer this question for me? Do you even understand the question?

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<v Speaker 1>I realized if I didn't stop him, he just continue.

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<v Speaker 1>So anyway, so we arrived to Los Angeles through each well.

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<v Speaker 1>Firston that we fly to to Leoguard the other airport,

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<v Speaker 1>and then we drive. Why didn't we just fly the

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<v Speaker 1>Los Angeles? I talked to my producers. He just kept

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<v Speaker 1>going and going. I didn't know exactly when it tell

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<v Speaker 1>him to stop. You just have to tell him to stop.

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<v Speaker 1>I can't you just you have to ask him to stop,

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<v Speaker 1>all right, I'll try that, all right? So I tried to,

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<v Speaker 1>and so we drove first with drive through with this

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<v Speaker 1>state they won Ohio fourth from most popular state, and

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<v Speaker 1>the only I went back to my producers, would you

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<v Speaker 1>try to ask him to stop? I did, yes, And

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<v Speaker 1>he just kept going. And even even when I was

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<v Speaker 1>just trying to tell you, did you grab his hands

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<v Speaker 1>and uh and say listen, sir, it's very important you stopped.

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<v Speaker 1>Coming up Back to the first the word from our

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<v Speaker 1>esteemed sponsors, Stay with us. Back to the interview with

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<v Speaker 1>special guest contributor Jena grad Let's get to know our

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<v Speaker 1>special guest contributor Gina grad Um welcome. Hi, thank you

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<v Speaker 1>for having me, Thank you for being here. So, Gina,

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<v Speaker 1>tell us a little bit about yourself. I'm a broadcaster

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<v Speaker 1>here in Los Angeles. I work um with the KFI,

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<v Speaker 1>which is a very sort of famous AM radio station here.

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<v Speaker 1>I work on a Corolla show, another very famous podcast.

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<v Speaker 1>Been there for uh gosh, about six years and um, yeah,

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<v Speaker 1>I do a lot of voice over work and a

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<v Speaker 1>lot of fun. Can you tell us about the first

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<v Speaker 1>time that you ever did radio? Yes, well, the first

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<v Speaker 1>time literally I ever did radio. I used to go

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<v Speaker 1>on with my dad when I lived in Kansas and

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<v Speaker 1>would give the farm report UM on a local radio station,

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<v Speaker 1>telling the farmers to bring in their tender vegetation at night.

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<v Speaker 1>After this interview, I decided to go back and look

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<v Speaker 1>up the archive of footage. Hey, m four forty plas

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<v Speaker 1>before we get to the news of the traffic, of

0:12:35.559 --> 0:12:37.800
<v Speaker 1>the weather, and the celebrity gossipel let's check it with

0:12:38.040 --> 0:12:42.440
<v Speaker 1>the noob, the nebie, our farm report, farm reporter genus

0:12:42.559 --> 0:12:49.160
<v Speaker 1>spand okay, colder, we got twenty four minutes to fill.

0:12:49.200 --> 0:12:54.199
<v Speaker 1>So what else? Yeah, that's the fust on the guts rost,

0:12:54.360 --> 0:12:58.000
<v Speaker 1>the what rost on the what so Gina, when you

0:12:58.040 --> 0:12:59.520
<v Speaker 1>heard your voice for the first time, did you have

0:12:59.559 --> 0:13:03.800
<v Speaker 1>any shoes with how you sounded? Yeah? Doesn't everybody you know?

0:13:03.920 --> 0:13:06.360
<v Speaker 1>You have that, like you feel like you're more high

0:13:06.360 --> 0:13:09.680
<v Speaker 1>pitched and you're talking faster. In fact, when I started

0:13:09.679 --> 0:13:12.720
<v Speaker 1>in radio in Los Angeles, um, almost twenty years ago,

0:13:12.760 --> 0:13:14.920
<v Speaker 1>I sound very different than I do now. I have

0:13:15.280 --> 0:13:17.840
<v Speaker 1>somehow more more base in my voice, and I'm so

0:13:17.880 --> 0:13:20.400
<v Speaker 1>grateful for it. Did you ever take classes? I took

0:13:20.640 --> 0:13:24.199
<v Speaker 1>voice over classes for you know, commercial and things like that,

0:13:24.280 --> 0:13:26.400
<v Speaker 1>but not to actually, you know, not like in a

0:13:26.880 --> 0:13:29.120
<v Speaker 1>my fair lady way. Now. So I went to go

0:13:29.200 --> 0:13:31.440
<v Speaker 1>visit her voiceover teacher just to kind of get an

0:13:31.440 --> 0:13:33.720
<v Speaker 1>idea as to how she was as a student. Yes,

0:13:33.960 --> 0:13:37.360
<v Speaker 1>she was very good student, reminded me of a young

0:13:37.480 --> 0:13:41.560
<v Speaker 1>me before of her region. Why have you heard from her?

0:13:41.679 --> 0:13:43.520
<v Speaker 1>Have I heard from her? Yeah, she's on our radio show.

0:13:46.200 --> 0:13:48.880
<v Speaker 1>She's also very successful radio personality. I don't know if

0:13:48.880 --> 0:13:51.760
<v Speaker 1>you've heard. I have not heard. I heard that. You also,

0:13:51.840 --> 0:13:54.160
<v Speaker 1>you got married. You found somebody else in that voice

0:13:54.160 --> 0:13:57.400
<v Speaker 1>box community. I did. I found a beautiful boar. But

0:13:57.559 --> 0:14:03.440
<v Speaker 1>who also boys back like Hello, I love you, I

0:14:03.480 --> 0:14:06.840
<v Speaker 1>love you, I love you. I love you more. I

0:14:06.880 --> 0:14:09.679
<v Speaker 1>love you, bore, I love you boy. Did you guys

0:14:09.679 --> 0:14:13.520
<v Speaker 1>have any children? We had board children, mountaining baby boys,

0:14:14.000 --> 0:14:19.200
<v Speaker 1>do bouncing baby girls? Um, Charles mean any of them? Glad?

0:14:19.240 --> 0:14:23.920
<v Speaker 1>That would Steve? Can I meet them in person? Daddie,

0:14:25.920 --> 0:14:30.560
<v Speaker 1>you may have some kid and I too. Have you

0:14:30.680 --> 0:14:34.440
<v Speaker 1>have already had people? You have already had our pieces.

0:14:34.920 --> 0:14:36.960
<v Speaker 1>I'm going to break my toys. If you don't give

0:14:36.960 --> 0:14:40.080
<v Speaker 1>a kid, you will all be be punishing yourself because

0:14:40.120 --> 0:14:41.960
<v Speaker 1>you will be breaking your old toys. Why would you

0:14:42.000 --> 0:14:43.880
<v Speaker 1>threaten to be with breaking your old toys? Go to

0:14:43.920 --> 0:14:46.520
<v Speaker 1>your room. I hate the family. I hate that family.

0:14:46.880 --> 0:14:49.520
<v Speaker 1>Did you even know that that's what happened to your voice?

0:14:49.720 --> 0:14:52.280
<v Speaker 1>I had no idea. No, she always had this really

0:14:52.280 --> 0:14:56.480
<v Speaker 1>sort of rich voice, um, you know, really sort of

0:14:56.800 --> 0:14:59.600
<v Speaker 1>deep but velvety. And no, I didn't know. And I

0:14:59.600 --> 0:15:02.200
<v Speaker 1>didn't know about the transitioning either. I didn't know any

0:15:02.240 --> 0:15:06.800
<v Speaker 1>of it. Um so uh sorry, my producer Andy's laughing.

0:15:06.840 --> 0:15:10.560
<v Speaker 1>Is there something funny? No? No, I'm looking at this

0:15:10.680 --> 0:15:15.000
<v Speaker 1>meme that has a tiger addressed as a a cat.

0:15:15.200 --> 0:15:17.800
<v Speaker 1>I've seen that one before, so you originally from I'm

0:15:17.800 --> 0:15:20.120
<v Speaker 1>here Gina, Like, no, I'm from Kansas City. I was

0:15:20.160 --> 0:15:22.880
<v Speaker 1>born in Oregon, but I'm from Kansas City. How come

0:15:22.920 --> 0:15:26.840
<v Speaker 1>you guys moved around so much? My dad was a broadcaster,

0:15:27.120 --> 0:15:29.280
<v Speaker 1>and you know, we just moved from market to market,

0:15:29.520 --> 0:15:32.480
<v Speaker 1>just like you know, like an army brad almost so

0:15:32.680 --> 0:15:34.840
<v Speaker 1>it was your dad like a morning shock jocks, no

0:15:34.880 --> 0:15:38.680
<v Speaker 1>sports announcer. So did you know any morning shock jo shots?

0:15:39.160 --> 0:15:43.800
<v Speaker 1>I'm sorry, what did you know any morning did you

0:15:43.800 --> 0:15:49.760
<v Speaker 1>know any morning shoot shock shock jocks? Sorry? I did, Um,

0:15:49.800 --> 0:15:51.240
<v Speaker 1>there was a couple of kids. I don't know if

0:15:51.240 --> 0:15:52.640
<v Speaker 1>maybe if he made it his way out here at

0:15:52.680 --> 0:15:56.640
<v Speaker 1>Johnny Dare was a big man cow we had syndicated. Um,

0:15:56.960 --> 0:16:01.120
<v Speaker 1>I've met a lot of morning shock jocks, and uh yeah,

0:16:01.240 --> 0:16:02.800
<v Speaker 1>I kind of fell in love with radio and in

0:16:02.840 --> 0:16:05.960
<v Speaker 1>that in that vein. Um, who is your favorite shock jock?

0:16:06.600 --> 0:16:09.400
<v Speaker 1>Shock shock jock? It has to be the king of

0:16:09.440 --> 0:16:11.840
<v Speaker 1>all media. If everybody says Howard Stern, you gotta say

0:16:11.840 --> 0:16:14.200
<v Speaker 1>Howard Stern right. Well, when I say shock jock, I

0:16:14.240 --> 0:16:17.800
<v Speaker 1>was thinking more like a shock jock, like a French jacque.

0:16:17.920 --> 0:16:22.320
<v Speaker 1>Oh shock jock. Yeah, I see what you're saying. Yes, yeah,

0:16:22.360 --> 0:16:25.520
<v Speaker 1>I do have a favorite shock jack. In fact, I

0:16:25.560 --> 0:16:28.720
<v Speaker 1>was in the voice over class with a Frenchman, a

0:16:28.840 --> 0:16:32.120
<v Speaker 1>dashing Frenchman, and he wanted to get rid of his

0:16:32.200 --> 0:16:34.880
<v Speaker 1>French accent and and have more of an American accent.

0:16:35.160 --> 0:16:37.360
<v Speaker 1>He thought he was better at it than he was,

0:16:37.680 --> 0:16:39.480
<v Speaker 1>but it was always really fun to listen to him

0:16:39.480 --> 0:16:42.880
<v Speaker 1>try and have that American accent. What is that, gentle man?

0:16:42.920 --> 0:16:45.360
<v Speaker 1>How do you say it's time to kids? It tires

0:16:45.400 --> 0:16:48.960
<v Speaker 1>and lights the fires on the big one hundred thousand

0:16:49.040 --> 0:16:58.840
<v Speaker 1>wat monster say, let's do it. Thank you so much

0:16:58.880 --> 0:17:01.440
<v Speaker 1>for bringing that tape in. Absolutely is my pleasure. I've

0:17:01.440 --> 0:17:03.680
<v Speaker 1>never heard that before. I mean, it's just how do

0:17:03.720 --> 0:17:10.240
<v Speaker 1>you say sixty four degrees and forty five degrees? Za?

0:17:10.440 --> 0:17:14.160
<v Speaker 1>How do you say? Mountains? Lift? Texa four life? So

0:17:14.320 --> 0:17:16.440
<v Speaker 1>the second tape is from the next day. Yeah, I

0:17:16.680 --> 0:17:20.000
<v Speaker 1>tried to get as much audio as I could. How

0:17:20.040 --> 0:17:25.000
<v Speaker 1>do you say? Is six fifty four am? Money? And

0:17:25.080 --> 0:17:28.399
<v Speaker 1>this is how do you say? You know? It was

0:17:28.440 --> 0:17:30.320
<v Speaker 1>really weird though, because I didn't realize there were so

0:17:30.359 --> 0:17:35.600
<v Speaker 1>many differences culturally between Americans and French people. So he

0:17:35.680 --> 0:17:37.800
<v Speaker 1>would do like open phones, even though I don't think

0:17:37.800 --> 0:17:39.800
<v Speaker 1>he really knew what open phones meant. I don't even

0:17:39.840 --> 0:17:42.000
<v Speaker 1>know what okay? So open phones is just like, you know,

0:17:42.119 --> 0:17:44.960
<v Speaker 1>call about anything, and people would call about things that

0:17:45.320 --> 0:17:47.400
<v Speaker 1>I guess I don't know, Like they'd say things like,

0:17:47.600 --> 0:17:49.600
<v Speaker 1>you know, I'm a day late in a dollar short,

0:17:49.640 --> 0:17:51.880
<v Speaker 1>or you know, they'd use these colloquialisms and he didn't

0:17:51.960 --> 0:17:54.439
<v Speaker 1>understand them, but he had to pretend he did. It

0:17:54.520 --> 0:17:57.320
<v Speaker 1>was some of my favorite audio. Did late for what?

0:17:57.640 --> 0:18:00.400
<v Speaker 1>I don't know what? Color me pink? I just don't

0:18:00.400 --> 0:18:02.720
<v Speaker 1>even know what I'm thinking anymore. Color me a pink?

0:18:03.800 --> 0:18:07.000
<v Speaker 1>Request lines are not yet open, and I believe you

0:18:07.320 --> 0:18:11.400
<v Speaker 1>mean what's bad? Let's let's think about blue sky ideas. Yeah,

0:18:11.640 --> 0:18:14.320
<v Speaker 1>how do you say what? I can tell you the weather.

0:18:14.520 --> 0:18:16.960
<v Speaker 1>I can tell you this. I can tell you the weather.

0:18:17.040 --> 0:18:19.879
<v Speaker 1>And see, how do you say traffic? Tell me more

0:18:19.920 --> 0:18:26.800
<v Speaker 1>about did you um? Did you ever have any issues

0:18:26.880 --> 0:18:30.280
<v Speaker 1>with any other um? Because I imagine maybe starting out

0:18:30.280 --> 0:18:32.639
<v Speaker 1>in radio as a as a female, you may have

0:18:32.760 --> 0:18:37.200
<v Speaker 1>had some um run ins with some let's say men

0:18:37.320 --> 0:18:43.800
<v Speaker 1>that were not so nice. Yeah, competitive, maybe competitive? Absolutely,

0:18:43.840 --> 0:18:46.360
<v Speaker 1>you know high school, you know, it doesn't even feel

0:18:46.359 --> 0:18:48.800
<v Speaker 1>like high school. A lot of radio stations, especially you

0:18:48.800 --> 0:18:51.840
<v Speaker 1>know old you know, sort of jock talk stations feel

0:18:51.880 --> 0:18:54.520
<v Speaker 1>like and felt like middle school, and you might as

0:18:54.560 --> 0:18:56.560
<v Speaker 1>well have a locker there instead of your work, coppy,

0:18:56.600 --> 0:18:59.119
<v Speaker 1>because everybody's at each other's throats a lot of you know,

0:18:59.600 --> 0:19:03.880
<v Speaker 1>like my soogyny, um, a lot of dusting of sexual harassment,

0:19:03.920 --> 0:19:05.639
<v Speaker 1>but you kind of deal with it because you know

0:19:05.720 --> 0:19:12.760
<v Speaker 1>that's the business. Would Gus's on, Hey, good to see here.

0:19:13.760 --> 0:19:18.919
<v Speaker 1>I got to change my pencil quick. Sorry are you? So?

0:19:19.080 --> 0:19:20.800
<v Speaker 1>What time do you guys? Get off? I can't remember

0:19:21.359 --> 0:19:26.680
<v Speaker 1>right now? You got it here? Or get off? I'll

0:19:26.720 --> 0:19:29.480
<v Speaker 1>see the morning starts at six am and then we're well, well,

0:19:29.920 --> 0:19:31.840
<v Speaker 1>when are we adding here? I don't know. It depends

0:19:31.880 --> 0:19:34.119
<v Speaker 1>on what time she's leaving because we're so in her

0:19:34.200 --> 0:19:38.240
<v Speaker 1>whole area. That's I mean, I get it, that's funny.

0:19:38.400 --> 0:19:40.639
<v Speaker 1>But you're joking, right, because that otherwise I'd be an

0:19:40.800 --> 0:19:43.440
<v Speaker 1>hr issue. And you guys make this real hard on me.

0:19:43.480 --> 0:19:46.280
<v Speaker 1>I gotta tell you, we're gonna make any harder on

0:19:46.520 --> 0:19:51.399
<v Speaker 1>you later after we follow you. So you had some

0:19:51.520 --> 0:19:53.879
<v Speaker 1>issues with kind of just men that we're being a

0:19:53.920 --> 0:19:55.960
<v Speaker 1>little inappropriate in a lot of different ways. Yeah, and

0:19:56.000 --> 0:19:57.360
<v Speaker 1>you kind of want to, you know, you don't want

0:19:57.359 --> 0:19:59.639
<v Speaker 1>to be the whiner, but you also want to you know,

0:19:59.640 --> 0:20:02.480
<v Speaker 1>set boundaries. So it's it's a delicate dance. Do you

0:20:02.520 --> 0:20:05.359
<v Speaker 1>have any plans for your future and radio? Where do

0:20:05.400 --> 0:20:06.760
<v Speaker 1>you want to What do you want to do in

0:20:06.800 --> 0:20:10.360
<v Speaker 1>the next five years? Oh, that's a great question. Um, well,

0:20:10.520 --> 0:20:12.360
<v Speaker 1>you know, I love what I'm doing now and I'd

0:20:12.359 --> 0:20:15.520
<v Speaker 1>love to continue doing it. I love working with great hosts,

0:20:15.720 --> 0:20:18.280
<v Speaker 1>and uh, I would love to work with another female

0:20:18.320 --> 0:20:20.960
<v Speaker 1>co host because you know, I have another show right

0:20:21.000 --> 0:20:23.120
<v Speaker 1>now where I work with female and it's a lot

0:20:23.160 --> 0:20:24.919
<v Speaker 1>of fun just to not have to do like the

0:20:25.200 --> 0:20:27.720
<v Speaker 1>you know, like the gender cliche stuff. So I think

0:20:28.000 --> 0:20:30.600
<v Speaker 1>I think I'd like to continue working with more female

0:20:30.680 --> 0:20:32.560
<v Speaker 1>co host in the future and do something a little

0:20:32.560 --> 0:20:35.560
<v Speaker 1>more you know, maybe relationship based sort of you know,

0:20:35.720 --> 0:20:38.520
<v Speaker 1>feelings based, more of a like sort of a love

0:20:38.600 --> 0:20:41.280
<v Speaker 1>line for women, you know, kind of an Oprah vibe

0:20:41.880 --> 0:20:46.119
<v Speaker 1>without sound like Welcome Back to Lovers and Love starring

0:20:46.400 --> 0:20:51.520
<v Speaker 1>Gina Grad and me Tricia Thompson. Thank you, next color.

0:20:51.600 --> 0:20:55.080
<v Speaker 1>You've got a little bit of a problem. Yeah, So,

0:20:55.280 --> 0:21:01.240
<v Speaker 1>like my boyfriend is he's just not really ut. I

0:21:01.359 --> 0:21:03.280
<v Speaker 1>feel like he doesn't respond to my text when I

0:21:03.400 --> 0:21:07.760
<v Speaker 1>texted him. Okay, he takes a really long time, and

0:21:07.800 --> 0:21:10.240
<v Speaker 1>I just feel like he's seeing somebody else's I think

0:21:10.240 --> 0:21:12.800
<v Speaker 1>I think he's tea color color. Can I just say

0:21:12.880 --> 0:21:15.320
<v Speaker 1>that this is not about you? Um? You know, I

0:21:15.320 --> 0:21:17.840
<v Speaker 1>think you're doing everything right. I think that, and I

0:21:17.840 --> 0:21:20.159
<v Speaker 1>think Tricia would agree that. You know, when when you

0:21:20.160 --> 0:21:22.800
<v Speaker 1>get a text, you expect to prompt response. And I

0:21:22.840 --> 0:21:25.520
<v Speaker 1>don't want to be the hardass here, but um, I

0:21:25.560 --> 0:21:28.080
<v Speaker 1>think he is cheating on you because I was looking

0:21:28.080 --> 0:21:30.520
<v Speaker 1>through his text and I know there's some naked photos,

0:21:30.600 --> 0:21:34.680
<v Speaker 1>but he says that there is. Sister. Oh boy, it's

0:21:34.760 --> 0:21:38.680
<v Speaker 1>still problematic. Yeah, I don't know which one's worse. Why

0:21:38.720 --> 0:21:42.360
<v Speaker 1>does I mean, why would he have the naked pictures

0:21:42.359 --> 0:21:47.440
<v Speaker 1>of his European Have you ever been to Europe? I

0:21:47.440 --> 0:21:51.159
<v Speaker 1>don't really do that. Ye, listen to Tricia. I just

0:21:51.200 --> 0:21:55.560
<v Speaker 1>have one question. Listen, have you seen this meme with

0:21:55.640 --> 0:22:01.240
<v Speaker 1>the tiger? That's just like coming up at three? First,

0:22:01.440 --> 0:22:04.440
<v Speaker 1>a word from our sponsors who make this high quality

0:22:04.480 --> 0:22:15.399
<v Speaker 1>program possible. Stay with us, Act three. She hadn't had

0:22:15.400 --> 0:22:17.840
<v Speaker 1>a cup of coffee, and that made things all the worse.

0:22:18.760 --> 0:22:21.239
<v Speaker 1>It was a caffeine free camp. People came to this

0:22:21.320 --> 0:22:24.159
<v Speaker 1>camp to try to kick coffee kick any kind of

0:22:24.560 --> 0:22:27.800
<v Speaker 1>stimulans whatsoever. It was a process that disconnected themselves from

0:22:27.960 --> 0:22:30.439
<v Speaker 1>the morning coffee. I don't know about I'm being told,

0:22:30.760 --> 0:22:36.400
<v Speaker 1>I don't know that coffee is bad even when it's cold. Well,

0:22:36.400 --> 0:22:39.199
<v Speaker 1>you don't drink that garbage now, we don't drink that

0:22:39.320 --> 0:22:43.440
<v Speaker 1>garbage now, Please don't drink it. Otherwise, please don't drink.

0:22:45.000 --> 0:22:52.560
<v Speaker 1>Don't drink it. Ever, don't drink coffee because it's so

0:22:52.760 --> 0:22:56.240
<v Speaker 1>you've been the drill, sergeant for this coffee is caffeine

0:22:56.240 --> 0:23:00.000
<v Speaker 1>free coffee camp, coffee free cap. What is his name

0:23:00.000 --> 0:23:05.919
<v Speaker 1>of this? It is Sergeant Cart rides coffee kicking camp

0:23:06.240 --> 0:23:10.439
<v Speaker 1>four people. Is there a lot of there? Is there

0:23:10.480 --> 0:23:12.440
<v Speaker 1>a dash in between some of those words? Or is

0:23:12.480 --> 0:23:17.720
<v Speaker 1>there the sergeant cart rides coffee kicking camp calling four people?

0:23:18.520 --> 0:23:22.640
<v Speaker 1>Sorry one time, sergeant, what is your problem? I'm sorry?

0:23:23.520 --> 0:23:26.760
<v Speaker 1>Sergeant Cart rides coffee kicking camp four people calling between

0:23:27.080 --> 0:23:29.959
<v Speaker 1>camp and four people? How did you land on the

0:23:30.040 --> 0:23:32.520
<v Speaker 1>idea that you wanted to distart this camp? Well, when

0:23:32.520 --> 0:23:35.320
<v Speaker 1>I was dishonorably discharged from the Core, I had to

0:23:35.359 --> 0:23:38.800
<v Speaker 1>find something to do, and my internet had gotten disconnected,

0:23:38.800 --> 0:23:42.880
<v Speaker 1>so pornography was out, so I thought, what do people like?

0:23:43.200 --> 0:23:45.560
<v Speaker 1>They like coffee you and that's not right? So I

0:23:45.560 --> 0:23:48.240
<v Speaker 1>started this camp here. Did you have a previous issue

0:23:48.240 --> 0:23:50.840
<v Speaker 1>with caffeine or coffee in your past? I once had

0:23:50.920 --> 0:23:53.000
<v Speaker 1>an adult in my life that I trusted doused me

0:23:53.080 --> 0:23:55.000
<v Speaker 1>with hot coffee when I was a child. That's what

0:23:55.280 --> 0:23:57.720
<v Speaker 1>was the issue I had with coffee. And I didn't

0:23:57.720 --> 0:23:59.720
<v Speaker 1>really want to dig too deep today, but I guess

0:23:59.760 --> 0:24:01.919
<v Speaker 1>here we are. Was it all to use our this

0:24:01.960 --> 0:24:04.840
<v Speaker 1>is American's lifetime machine to go back in time to

0:24:04.880 --> 0:24:07.199
<v Speaker 1>see what it was like for him to get burned

0:24:07.280 --> 0:24:10.480
<v Speaker 1>with that coffee at every moment in his life. Cartwright,

0:24:10.960 --> 0:24:13.800
<v Speaker 1>Yaller Cartwright, Come over here. I want to give you

0:24:13.840 --> 0:24:17.320
<v Speaker 1>a hug. I am right here, mother, google Gga Cartwright.

0:24:17.440 --> 0:24:20.359
<v Speaker 1>I know that you had a little accident on the rug,

0:24:20.440 --> 0:24:22.520
<v Speaker 1>but I just want you to come here for a second.

0:24:22.600 --> 0:24:25.399
<v Speaker 1>Nothing bad's gonna happen. Well, I trust your mother, for

0:24:25.480 --> 0:24:28.560
<v Speaker 1>you are my mother, Google Gaga. I am a child.

0:24:28.680 --> 0:24:33.840
<v Speaker 1>Come on over here, I'm here, Why mother? Why? So?

0:24:34.119 --> 0:24:36.159
<v Speaker 1>That must have been very traumatic. It was not my

0:24:36.240 --> 0:24:39.600
<v Speaker 1>favorite and uh, from what I gather you, nothing's really

0:24:39.640 --> 0:24:41.960
<v Speaker 1>changed very much between and now a little bit of

0:24:41.960 --> 0:24:45.359
<v Speaker 1>an arrested development maybe focally. I mean, I tried to

0:24:45.359 --> 0:24:48.200
<v Speaker 1>shake this voice I have here by going to a

0:24:48.320 --> 0:24:52.480
<v Speaker 1>voice over class, but I was being sexually harassed by

0:24:52.600 --> 0:24:56.200
<v Speaker 1>the staff, so we decided to visit the voice over

0:24:56.240 --> 0:25:00.639
<v Speaker 1>a teacher. Cartwright is ma'am, Yes, ma'am. Oh, what a

0:25:00.760 --> 0:25:03.720
<v Speaker 1>strong and girthy voice you have. Well, thank you, And

0:25:03.720 --> 0:25:05.760
<v Speaker 1>why don't you mind putting the lid on that cup

0:25:05.760 --> 0:25:08.000
<v Speaker 1>of coffee? Gut there? Oh, no problem, it is a

0:25:08.000 --> 0:25:12.439
<v Speaker 1>little hot. So Cartwright, if you could just step on

0:25:12.520 --> 0:25:15.480
<v Speaker 1>up to that big mike, and I just want you

0:25:15.520 --> 0:25:21.520
<v Speaker 1>to say the following phrase. She sells seashells by the seashore.

0:25:21.960 --> 0:25:24.960
<v Speaker 1>She says, seashells by the seashore. I am quite uncomfortable.

0:25:25.160 --> 0:25:27.920
<v Speaker 1>He had a hard time dealing with the voice over coach.

0:25:28.000 --> 0:25:32.479
<v Speaker 1>She was constantly smoking. She was just a rabbit cigarette smoker,

0:25:32.520 --> 0:25:38.399
<v Speaker 1>two packs a day. Oh, what's the matter? Baby doesn't

0:25:38.480 --> 0:25:45.560
<v Speaker 1>like smoke? Not really? Would you mind pouring that coffee

0:25:45.560 --> 0:25:48.560
<v Speaker 1>into a therm? Is? Actually I'm sorry. Oh, let me

0:25:48.600 --> 0:25:51.800
<v Speaker 1>get that coffee right out of the water. Looks like

0:25:51.840 --> 0:25:58.560
<v Speaker 1>I spilled on my looks like her cell phone started

0:25:58.640 --> 0:26:02.480
<v Speaker 1>ringing and she picked it up. Hello, Hi, this is

0:26:02.480 --> 0:26:07.320
<v Speaker 1>a doctor Gold, and your test results came back. I

0:26:07.320 --> 0:26:09.679
<v Speaker 1>think you should come to the office. Oh is there

0:26:09.720 --> 0:26:15.439
<v Speaker 1>a problem, doctor, let's talk in person. Okay, Cartwright, you

0:26:15.560 --> 0:26:18.800
<v Speaker 1>stay here, and I hope you're slipping into something comfortable

0:26:18.800 --> 0:26:22.760
<v Speaker 1>when I get back. I mean I have a jacket.

0:26:23.160 --> 0:26:25.320
<v Speaker 1>She went to the doctor's office to see what was

0:26:25.359 --> 0:26:29.840
<v Speaker 1>so urgent. Hi, doctor Gold, you wanted me. Yeah, So

0:26:30.560 --> 0:26:34.359
<v Speaker 1>your test results came back and you do have cancer

0:26:34.400 --> 0:26:37.320
<v Speaker 1>of the throat area. That's kind of all of that area.

0:26:37.560 --> 0:26:40.239
<v Speaker 1>You smoke a lot, well, I smoke as much as

0:26:40.280 --> 0:26:45.159
<v Speaker 1>a lady ship boy. I like your voice a lot.

0:26:45.400 --> 0:26:48.879
<v Speaker 1>Thank you doctor. Unfortunately, eventually you're going to have to

0:26:48.960 --> 0:26:51.760
<v Speaker 1>use one of these, uh these these voice boxes. Oh

0:26:51.920 --> 0:26:55.080
<v Speaker 1>I don't think so, doctor. These little cigarettes only make

0:26:55.160 --> 0:27:00.320
<v Speaker 1>me stronger, and I'm gonna sound like this at the luck.

0:27:00.640 --> 0:27:02.920
<v Speaker 1>I decided to return the present day and see what

0:27:03.000 --> 0:27:05.800
<v Speaker 1>the voice teacher was up too. Be in hid sight,

0:27:05.960 --> 0:27:09.080
<v Speaker 1>I probably shouldn't have sloped so many zig rats, you know,

0:27:09.119 --> 0:27:12.200
<v Speaker 1>it's kind of it's fascinating. In this whole um episode,

0:27:12.200 --> 0:27:14.680
<v Speaker 1>I've been able to meet three of your students. How

0:27:14.760 --> 0:27:17.639
<v Speaker 1>are they do? They're doing pretty well. One is Gina

0:27:17.680 --> 0:27:22.000
<v Speaker 1>grab she's become a famous um for your personality. And

0:27:22.040 --> 0:27:24.560
<v Speaker 1>then there was a French guy. I can't remember his name.

0:27:25.160 --> 0:27:27.720
<v Speaker 1>He was a shock John Bell. He must not have

0:27:27.920 --> 0:27:30.879
<v Speaker 1>been very good if you can't remember they but it

0:27:30.960 --> 0:27:36.520
<v Speaker 1>was just in French. I'm sure he was. And then sorry, no,

0:27:36.760 --> 0:27:39.919
<v Speaker 1>I'm just thinking of all the dirty, nasty things I

0:27:39.920 --> 0:27:41.719
<v Speaker 1>would like you to do to be but I am

0:27:41.720 --> 0:27:44.200
<v Speaker 1>also laugh I get this beab that I thought. Have

0:27:44.280 --> 0:27:47.159
<v Speaker 1>you said the one? It is a dig? Guess what

0:27:47.200 --> 0:27:49.520
<v Speaker 1>this browd test? Yes? What it's grabs is? Are you

0:27:49.560 --> 0:27:55.240
<v Speaker 1>pressing the repeat button? Yes? Guess yes, yes, yes there

0:27:55.480 --> 0:27:58.800
<v Speaker 1>is a yes. You are hatsome, you are hats a bad.

0:28:00.440 --> 0:28:02.800
<v Speaker 1>This has been this his Americans life. Thank you to

0:28:02.920 --> 0:28:06.440
<v Speaker 1>our special guests, contributor Jane grad or producer Andy. I'm

0:28:06.440 --> 0:28:09.760
<v Speaker 1>ari and this has been this his Americans life. During

0:28:09.800 --> 0:28:19.560
<v Speaker 1>his textay the a four for w KLS cat to

0:28:19.600 --> 0:28:22.600
<v Speaker 1>kick off another dot stop block blocks and stock docks

0:28:22.680 --> 0:28:26.400
<v Speaker 1>and stop talking and music with the laugh hey shout

0:28:26.440 --> 0:28:32.240
<v Speaker 1>out to a She'll Grid actually sued this radio station

0:28:32.280 --> 0:28:39.240
<v Speaker 1>for sexual harassment. That's right, she in my former co

0:28:39.360 --> 0:28:41.720
<v Speaker 1>hosts set a lot of cards all the condition that

0:28:41.800 --> 0:28:45.000
<v Speaker 1>he no longer returned to the air waves and hurt

0:28:45.080 --> 0:28:49.760
<v Speaker 1>anyone else a motionally. But that's okay. I don't need him.

0:28:49.800 --> 0:28:52.280
<v Speaker 1>Never ted. Let's hit the phone lines, calling around the

0:28:52.280 --> 0:28:55.880
<v Speaker 1>air the cruel There is no more than in the ground.

0:28:56.040 --> 0:28:59.560
<v Speaker 1>Yeah that's true. There is unfortulent because she is now hot,

0:29:00.040 --> 0:29:03.520
<v Speaker 1>so so hot. I watch your mouse. You're gonna get

0:29:03.520 --> 0:29:07.600
<v Speaker 1>me kick off here so hot, Please stop, I want

0:29:07.600 --> 0:29:09.840
<v Speaker 1>to new things to her. Please stop talking. I will

0:29:09.880 --> 0:29:12.360
<v Speaker 1>now list all of the nasty things I would like

0:29:12.440 --> 0:29:16.480
<v Speaker 1>to new their in alpha medical God, please don't drop

0:29:16.520 --> 0:29:20.080
<v Speaker 1>the phone line. Let's call. You're on the air, kill me.

0:29:20.520 --> 0:29:23.440
<v Speaker 1>I never left that I knowed intend to until I

0:29:23.480 --> 0:29:27.120
<v Speaker 1>hear eno Grand Suite succulent voids. Come on.