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Speaker 1: Good morning usca yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo Yo. I'm DJ Envy Now nobody

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Speaker 1: name is Charlotmagne, the guy with the world most dangerous morning.

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Speaker 1: Yore to Breakfast Club and currently we are on vacation, man,

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Speaker 1: totally disconnected. Yes, we're not even really here. You think

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Speaker 1: you're listening to us, but we're not. Well, we are not.

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Speaker 1: We're here in spirit. Yeah. Yeah, and we're gonna be

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Speaker 1: playing some of our top interviews and some throwbacks, so

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Speaker 1: keep a lock right, it's gonna be running the boards

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Speaker 1: and we'll see you in the new year. It's the

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Speaker 1: Breakfast Club. Good morning. Yes, this is your time to

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Speaker 1: get it off your chest. Whether you're man black, from

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Speaker 1: you on the Breakfast Club. You got something on your mom? Hello?

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Speaker 1: Who's this? Good morning? This is Sandra. Oh my god,

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Speaker 1: I can't believe my day school. I'm so excited to

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Speaker 1: talk to you guys. Thank Sandraw, guys. Good morning, you

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Speaker 1: guys the epitome of Black VII. You guys are great.

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Speaker 1: Ah man, thank you Sandraw. I just hope to get

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Speaker 1: off my tip guy. I think siding was wrong for

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Speaker 1: JEF getting DG out. I think they should have fought

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Speaker 1: harder to get the marine out. He fought for our country.

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Speaker 1: I mean, it wasn't an even trade. I give it

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Speaker 1: one hundred percent, but I just think he should have

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Speaker 1: fought harder to people for about I don't disagree. You know,

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Speaker 1: I'm happy BG as home, but I don't disagree. That's

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Speaker 1: all I have to say. But thank you guys. Yes,

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Speaker 1: many a great day. Thank you so much. Hello. Who's this?

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Speaker 1: What's our interviews up to? Say? Ye? What's listen to?

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Speaker 1: Good morning, Jane? What's so sorry? What up? Says? How you?

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Speaker 1: I'm doing good? Listen to y'all and justice. It is

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Speaker 1: finally being brought to the light that happened to me, y'all,

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Speaker 1: what happened? What happened? So remember I told y'all a

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Speaker 1: couple of years back about the retro laps, about what

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Speaker 1: never mind, what happened? That Roland Ray has scammed me

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Speaker 1: out of eighty five dollars, and y'all the same room

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Speaker 1: finally brought it to the light that he was scammed

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Speaker 1: and then he had hit scammer people. You don't know

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Speaker 1: how you still all get him getting scam Now? How

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Speaker 1: did he scam? How you scare me? Why would you

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Speaker 1: send him eighty five dollars? Because I paid him eighty

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Speaker 1: five dollars. I told all this. I paid him man

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Speaker 1: eighty five dollars to post me for this thing that

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Speaker 1: has gone like on the LGBT community. He had like

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Speaker 1: a bunch of like gay and like you know LGDD followers,

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Speaker 1: and he took my money. It just disappaid her. And

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Speaker 1: they did an investigation on him yesterday and lock him

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Speaker 1: up and bring me to testify because I'm smistering. I'm

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Speaker 1: telling on him. Yeah, we're gonna report that story next year.

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Speaker 1: It says Rolling Ray aka the most famous boy in

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Speaker 1: the wheelchair, has been accused by several social media users

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Speaker 1: of being a scammer here a scammera and I'm I'm

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Speaker 1: smistering on him. Please block them up. Allegedly. Allegedly, they

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Speaker 1: claimed that uh people pay him for shoutouts seventy six

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Speaker 1: dollars to one hundred dollars for shoutouts, but after sending

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Speaker 1: them the money, they said he took their cash and

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Speaker 1: rolled out. Salute the Rolling Ray Man, Salute the Rolling

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Speaker 1: Ray rolling Ray out head hustling man dropping the clues

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Speaker 1: bombs for Rolling Ray man. Don't man, Rolling Ray out

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Speaker 1: head hustling man. You know what I'm saying, y'all bothering

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Speaker 1: that man for shoutouts? You know what I mean? I

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Speaker 1: need to be charging y'all for shoutouts. I'm not mad

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Speaker 1: at rolling y go ahead, Rolling Ray. Do you thing,

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Speaker 1: bromp when you're reporting, you know somebody personally who he cam?

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Speaker 1: It's not all lead Rolling reins came and nobody y'all

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Speaker 1: asking that man for shout out for him, he'll get

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Speaker 1: He'll get to it when he get to it. He

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Speaker 1: get to it, that's right, guy, he's his man. He'll

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Speaker 1: get the shout y'all out when you get to it.

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Speaker 1: Huh but a year? Sorry, well he backed up clearly

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Speaker 1: he got a long log. He gotta roll up on

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Speaker 1: you soon. Don't worry about it by mad at that man,

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Speaker 1: bothering that man for shoutouts. Man, Hello, who's this? It's

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Speaker 1: your bail from Houston, touches O'Neil from ah ten. What

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Speaker 1: up getting off her chests? Brother? Yeah, I want to

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Speaker 1: give a shout out to my boy dj R Penny

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Speaker 1: aka d j empty on a good season one episode

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Speaker 1: eight of East Who Yak Your Man? Thank you brother.

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Speaker 1: You know. I was excited to do that. And uh,

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Speaker 1: they're gonna bring me back. I think I'm on the

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Speaker 1: first episode in the new year, and hopefully they bring

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Speaker 1: me back for some other stuff. Man, I'm excited about it. Man,

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Speaker 1: I love that series. The show is really good. If

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Speaker 1: you haven't seen, it's called East New York because on CBS.

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Speaker 1: Great show. And I'm just excited. Definitely said he's snitching.

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Speaker 1: He definitely gonna snitch the next episode. I held it

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Speaker 1: down the first episode. So they're gonna break them they

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Speaker 1: ain't breaking. Yeah. Well, Also, I want to say that

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Speaker 1: hip hop homicide that's also good with man, it's hip

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Speaker 1: hop homicide, I say. I say homicide is the same

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Speaker 1: way where you from. I'm from Louis He has a

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Speaker 1: sovereign thing, I guess because I say hip hop homicide too.

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Speaker 1: But it's homicide. Hey, that's one of the best shows

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Speaker 1: on TV. Man, Swow the Van Lending and fifty cent

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Speaker 1: Scott Young. Yes, that's one of the best shows on television. Man. Yeah,

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Speaker 1: this week they're gonna be diving into the murder of

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Speaker 1: X x X attention and uh it's and then after

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Speaker 1: that they're gonna do MO three from Dallas. Uh, and

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Speaker 1: then they're gonna do uh damn, I don't want to

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Speaker 1: say his name wrong, uh FBG Duck Yeah O with Chicago, right,

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Speaker 1: I gotta play. And they're gonna do one on pick

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Speaker 1: off two well or not this year because those are

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Speaker 1: the last three that they got XXX attention on, uh

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Speaker 1: MO three and FBG Duck. But like I said, the

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Speaker 1: way that you know so many of our our hip

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Speaker 1: hop stars are passing and being killed, I mean this show.

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Speaker 1: If you like how they do the show, there is

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Speaker 1: because because the show addresses like all the socioeconomic conditions

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Speaker 1: that lead to things like this happening. They deal with

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Speaker 1: people's trauma. They deal with a lot of these brothers

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Speaker 1: hurt and anger, so it's not just exploitation of a murder,

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Speaker 1: you know, correct, And they talk to the right people

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Speaker 1: of family members, people involved, police officers, uh, special agents, friends, pastors,

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Speaker 1: and then they try to get a solution of why.

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Speaker 1: You know, hopefully this can be solved and stopped. And

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Speaker 1: maybe it's a good show, but y'all job yeah, y'll

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Speaker 1: need to keep watching it up for people that ain't watching.

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Speaker 1: I ain't gonna give too much about it, but hey,

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Speaker 1: it's a good show, right and you can stream it

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Speaker 1: on all Black. Uh. And they got all the episodes

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Speaker 1: up there. Shout the van laid the man he didn't.

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Speaker 1: He does an amazing job on that show. All right, man,

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Speaker 1: y'all have to aver good morning, peace King, Get it

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Speaker 1: off your chess. It's the Breakfast Local Morning, the Breakfast Club.

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Speaker 1: Get it off your chess. Hey, I just want to

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Speaker 1: get off my chest, man. I just want to get

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Speaker 1: you getting both you and Charlotte Bank you guys flowers

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Speaker 1: actually because honestly, you know, y'all push you know, y'all

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Speaker 1: help me, help me push through a whole summer, like

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Speaker 1: you know, just like listening to we all every day

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Speaker 1: and it's also just doing you know, during school and

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Speaker 1: all all stuff. And I just want to give you

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Speaker 1: all both, y'all, y'all flowers, you know, the Mountain Man

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Speaker 1: and all stuff like you know, y'all really like you know,

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Speaker 1: give you know, give a lot of motivation for me

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Speaker 1: and all stuff. And it's like you know, and a

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Speaker 1: lot of laughter. Two Also, I don't want to give

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Speaker 1: you all, y'all flowers and all say thank you, thank you,

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Speaker 1: appreciate that, appreciate you, brob yeah because show yeah, y'all

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Speaker 1: have a good morning. Now. Hello, who's this going on?

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Speaker 1: As Sean? What I'm getting off your chest? Man? I

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Speaker 1: want to get it off my chest this morning. First

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Speaker 1: of all, I live say good morning, Salomon, good morning.

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Speaker 1: And you know what I'm saying, good morning for its

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Speaker 1: I do on the day, do good. I'm doing good man,

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Speaker 1: I'm celebrating my birthday. You know what I'm saying. So

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Speaker 1: I'm bled right now. Man, I'm on board in the

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Speaker 1: world castually, you know. I you know, I want to

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Speaker 1: let down O. Man, I really appreciate l in the morning, town.

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Speaker 1: I appreciate that little get to the day man, like

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Speaker 1: in the morning palm man that you know what I'm saying,

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Speaker 1: y'all tell me that that that that coach. You know

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Speaker 1: what I'm saying. You can give me do the day that.

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Speaker 1: I appreciate that, I think King, Yeah, sir, and Sean.

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Speaker 1: I wanted to ask you about your book too, Man.

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Speaker 1: Can I get is it any way? Pop? I can

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Speaker 1: get a copy of it. I don't have any at

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Speaker 1: the current moments. I have to get a new shipment

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Speaker 1: of Black Privilege as ship Corning. But as soon as

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Speaker 1: I get them, I can get your information. We can

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Speaker 1: send it out of the later date. But I can't

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Speaker 1: send you a Black Effect snapback right now. You know

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Speaker 1: my podcast that were Black Effect. I can send you

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Speaker 1: that right now. Oh yeah, that's dope, Yes, sir, I

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Speaker 1: appreciate the hold on. Yeah, Taylor red one of y'all

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Speaker 1: put him a whole get his email and send that

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Speaker 1: out today, please. He's line three. Hello. Who's this Hello?

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Speaker 1: This is on the side of the one. Hey, I'm

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Speaker 1: inspired writer. Uh, I'm wanting advice on how to move

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Speaker 1: my book forward, like getting the Ball was calling to

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Speaker 1: companies and things of that nature. Have you written a book? Answer?

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Speaker 1: Excuse me? Have you written a book? I have your

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Speaker 1: self published? Yeah? Yeah, y'all published it, y'all. I sent

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Speaker 1: it to you one day, Charlemagne to the Redio station.

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Speaker 1: I don't know if it's the name of it. It's

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Speaker 1: called Real Essay Guide the President of the Baby Boy.

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Speaker 1: Oh man, I gotta look for that one like I

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Speaker 1: sent it like making a month ago. I told MV two.

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Speaker 1: I gave MVY a copy for all of y'all lessons,

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Speaker 1: but he said, you know, he busy, he worked. You know, well,

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Speaker 1: I can't tell you the process of how to get

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Speaker 1: it done, but I you know, I have a book

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Speaker 1: publishing company called Black Privilege Publishing through Simon and Schust.

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Speaker 1: We put out Tamika Mallory, State of Emergency, how to

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Speaker 1: Win in the Country Were Built, and we put out

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Speaker 1: and Need of Copack, Shallow Waters, and we have some

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Speaker 1: amazing releases on the way. So the only thing I

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Speaker 1: can tell you is that I will definitely look for

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Speaker 1: your book and check it out, and you know, you

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Speaker 1: can leave your information. But I can't give you no

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Speaker 1: information on how to get a book deal. I don't know. Yeah,

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Speaker 1: I mean what I would tell you is keep doing

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Speaker 1: what you're doing. I mean, I think you try to

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Speaker 1: give me the book at the car show, but I

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Speaker 1: would keeping up popping up at these places where people

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Speaker 1: are and trying to sell that book. And it's like

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Speaker 1: anything else is like back in the day. You gotta

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Speaker 1: go hand in hand. You gotta be out there and

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Speaker 1: selling the pitch. Because yeah, I'm always looking for fresh authors.

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Speaker 1: I'm not gonna lie. I mean, I have a lot

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Speaker 1: of we have a lot of releases coming on black

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Speaker 1: privilege publishing from a you know a lot of people

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Speaker 1: that folks know, but I'm always looking for fresh publishers

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Speaker 1: that got great stories. So I'm gonna look for that book,

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Speaker 1: my brother. Yeah, we'll get it off your chest at

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Speaker 1: the breakfast club. Good morning the breakfast Club. You know,

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Speaker 1: some people have to wait a certain amount of time,

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Speaker 1: some people had to pay people. Was just a conversation.

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Speaker 1: So what was the process? Would you getting your masters above? Yeah,

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Speaker 1: but you know when you when you have when you signed.

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Speaker 1: You know, from our era when we did deals, it

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Speaker 1: was standard for the labels to have control of the

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Speaker 1: master for like seven years and then some of it

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Speaker 1: will held every buy that back and then some of it.

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Speaker 1: You know, it was all three. Do you talk to

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Speaker 1: a lot of the Detroit artistcause it's Detroit. Is a

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Speaker 1: new wave of artists coming out. Do you get a

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Speaker 1: chance to speak with the younger artists and say, hey,

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Speaker 1: this is how you should be signing your deals or

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Speaker 1: is it one of those things when you're young you're like, oh,

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Speaker 1: we knew what we're doing. Anyway, No, I speak to

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Speaker 1: him as much as I can. This is one of

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Speaker 1: them dull is like enlightened beyond his years. But there's

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Speaker 1: a few artists that I kind of mentor not to

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Speaker 1: the degree of him, But there's a lot of companies.

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Speaker 1: They come with a bag of money. They don't have

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Speaker 1: much to offer, but since they have money upfront, and

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Speaker 1: they're catching these guys at a time where they kind

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Speaker 1: of need money or they feel like that they need money,

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Speaker 1: it's already in the contract. I actually read somebody's proposal

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Speaker 1: and it's said, we will have ownership of a master

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Speaker 1: in perpetuity, and then we'll split everything sixty forty sixty

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Speaker 1: US forty you and give you a five thousand dollars advance.

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Speaker 1: And he was thinking about signing it for five thousand dollars.

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Speaker 1: God dag, because yeah, because we don't five thousand number one,

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Speaker 1: we programmed to think shortsided correct. We have no kind

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Speaker 1: of like idea of how to place value on that master,

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Speaker 1: so early on we don't know what it's going to

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Speaker 1: be worth until it comes out, and then it goes

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Speaker 1: and then it's like, damn, Okay, now I know a

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Speaker 1: little bit more. Now I want to go get the

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Speaker 1: master back. Now it's the same old song and dance

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Speaker 1: publicly from a public platform. You bashing some company or

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Speaker 1: something like that, which that don't look good either. There's

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Speaker 1: an investment. The problem is we don't always understand the

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Speaker 1: complexity other deals. But you can't be mad. You have

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Speaker 1: to have an attorney. So that means your attorney looks

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Speaker 1: over that paperwork in most cases. Yeah, but your attorney

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Speaker 1: is their attorney. That's we got. I give you an

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Speaker 1: attorney just to any attorney. But you know how that

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Speaker 1: conversation came up in the car. I said, do you

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Speaker 1: think it's possible for me, a black man to cultivate

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Speaker 1: a real meaningful relationship with an artist and on his masters?

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Speaker 1: And I said yeah. He said for period, for any

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Speaker 1: period of time. I think so there is there any

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Speaker 1: point where that artist is gonna get a little bit wiser,

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Speaker 1: a little bit bigger, and then look look at it

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Speaker 1: in retrospect. Is it possible for him or her not

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Speaker 1: to harbor some Yeah, I agree with you already negotiate though,

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Speaker 1: like when that artist catches that hit. It has to

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Speaker 1: be a point where it said, Okay, I made my

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Speaker 1: money back off the investment. Because it's not just five

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Speaker 1: thousand dollars. You gotta pay for travel, You gotta pay

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Speaker 1: for war. That's the big for traveling you're paying for

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Speaker 1: What would your renegotiation be? It depends how big direcorded.

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Speaker 1: Like a perfect example, right Cardi B. When Cardy B

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Speaker 1: was first side, they put a lot into Cardi B.

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Speaker 1: But this you took off that should have been to

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Speaker 1: renegotiate right then and there you got the one of

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Speaker 1: the biggest female artists. Give it half the coopany, But

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Speaker 1: then what happens when you got five Cardi bs? Ain't

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Speaker 1: a label exactly. And that's what I was gonna say

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Speaker 1: about the masters conversation. It's about the investment you put

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Speaker 1: in them. You know what I mean. I don't want

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Speaker 1: none of your masters if I didn't make a large investment.

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Speaker 1: But if I made a large investment, man, I can

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Speaker 1: see why I gotta get it back. And we're gonna

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Speaker 1: be held to a different standard than the labels would be. Yeah,

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Speaker 1: you're here the way, let's talk about Hole Buffy. You

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Speaker 1: know what I'm saying, Like, don't abody to talk about Leod,

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Speaker 1: don't abody to talk about none of these labels. Correct,

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Speaker 1: But let Hoole do something, Let you do something. Let

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Speaker 1: any of us do something, and it's just like, oh, man,

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Speaker 1: you're wrong. How could you do that? You know what

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Speaker 1: I mean? But when you're investing somebody, you're paying for everything, right,

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Speaker 1: So you're paying for studio talking, you're paying for them

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Speaker 1: lights to be on, You're paying for the engineer, you're

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Speaker 1: paying for the food for damn the water, traveling, hotels,

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Speaker 1: wardrobe if they don't have it. Now he has to

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Speaker 1: make a record. If that record don't pop, you don't

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Speaker 1: get none of that money back. And you're doing it

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Speaker 1: on some family, and that creates a sense of entitlement.

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Speaker 1: That's why I asked in the context of building cultivating

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Speaker 1: the relationship, because you know, we do everything on some family,

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Speaker 1: you know what I'm so it's difficult to be able

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Speaker 1: to do that kind of business and cultivate a relationship.

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Speaker 1: Is that The other problem too, though, that the black

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Speaker 1: executives do do the family thing. We're a family. We

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Speaker 1: Rocked for life, we bad Boy for life. Isn't that

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Speaker 1: to just be more business? That's what it always feels like,

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Speaker 1: even when like you look at Meek signing the Raws

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Speaker 1: or Drake and you know, Nikki signing the Wayne. It's

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Speaker 1: a family. It's a family when we win. Yeah, but

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Speaker 1: then when you start throwing them bricks out and it's

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Speaker 1: f that person that you just called your family, you know, yeah, yeah,

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Speaker 1: I know, I know. I don't know. I say that

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Speaker 1: because we want fans. Is that's when we come from

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Speaker 1: though and our culture. We come from broken family. So

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Speaker 1: the ability to make money with our family ain't just music.

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Speaker 1: I mean, it could be the dope game too, but

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Speaker 1: at the end of the day, it still starts with leadership.

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Speaker 1: I went out there when when Puff was working on

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Speaker 1: the press Play album. I went out there to work

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Speaker 1: for him, and it's you had me in like a

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Speaker 1: MIDI room just writing versus over and over and over

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Speaker 1: again while he was in the bigger, luxurious a room

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Speaker 1: with all of his celebrity friends, and I was just like, Man,

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Speaker 1: this ain't paid me. You know what I'm saying, Like

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Speaker 1: this brying me. About ten years later, after I was

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Speaker 1: a little wiser, I looked at him in retrospect. Man,

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Speaker 1: I had to hit him on the DM. I didn't

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Speaker 1: have his num. I had to hear him on the

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Speaker 1: DM man to tell him how much I appreciate him,

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Speaker 1: how much I took from that, Like it was because

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Speaker 1: of that process that I started to rewrite in my

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Speaker 1: own creative process. I was like, I didn't even rewrite

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Speaker 1: my own just much. Why don't I approach but this

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Speaker 1: same kind of intensity I poured that from it, and

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Speaker 1: just the opportunity, you know what I mean, Like sometimes man,

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Speaker 1: we take for granted the opportunity. And I looked at

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Speaker 1: him and thought about how many great things he's contributed

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Speaker 1: to the culture, and how much all of the bad

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Speaker 1: stuff or the quote unquote bad stuff is always placed

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Speaker 1: in front of the same with Baby. I wish I

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Speaker 1: could call Baby and tell him how great I think

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Speaker 1: he is, you know, I mean, because it's like every

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Speaker 1: time you hear about these guys as well, they're on drugs,

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Speaker 1: they're doing this, getting them doing this. But it's like, bro,

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Speaker 1: the'se It's been existing since nineteen ninety seven legends. If

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Speaker 1: that was anybody else from any other culture of people,

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Speaker 1: these would be they would be status. No, we have

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Speaker 1: appreciate even Dame. I was. I've seen Dame this weekend.

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Speaker 1: I was on a panel with him and the middle

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Speaker 1: of panel I had to say thank you, and he

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Speaker 1: was like, for what I was like back then when

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Speaker 1: I was doing mixtapes, even though it was like ninety nine.

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Speaker 1: I was like, you had an opportunity to do the

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Speaker 1: Rockefeller mixtapes with Clue, with S and S with Flex

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Speaker 1: what you said you wanted a young DJ at the time,

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Speaker 1: and you pick me? And I was like, thank you

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Speaker 1: because you were cheaper. You know that. I said thank you,

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Speaker 1: But I was like, you know what, when you grow

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Speaker 1: a little bit, we really understand how how grateful it

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Speaker 1: was to have that opportunity because we don't have those opportunity. Yeah.

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Speaker 1: But I will say though, ten years ago you other

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Speaker 1: know New Royce, No no, no, no, I was saying

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Speaker 1: time you're in the b room. Now you ain't. No

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Speaker 1: New was saying ten years later from when that was

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Speaker 1: Camember the press playoffs. Yeah, but even with that, Russia

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Speaker 1: the five not should have been treating with a little

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Speaker 1: bit more respect. I think, no, no, no, I was

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Speaker 1: on a private jet with them. We went to talk. Okay,

364
00:17:14,400 --> 00:17:16,040
Speaker 1: when we was up at daddy shouse. You remember how

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Speaker 1: long ago we got more with Royce to five nine.

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Speaker 1: When we come back, Dope moves to Breakfast Club. Good Morning,

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Speaker 1: the Breakfast Club the morning. Everybody is DJ Envy Charlomagne

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Speaker 1: the guy. We are the Breakfast Club. We're still kicking

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Speaker 1: it with Royce to five nine. And I got to

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Speaker 1: ask slaughter house of y'all back on good terms. I

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Speaker 1: don't know what month this was, what week it was.

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Speaker 1: I happened to turn Instagram, and I've seen y'all arguing

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Speaker 1: on Instagram. You would you would have you were the

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Speaker 1: middle man, you would have one trying to calm things down.

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Speaker 1: And they were going back and forth, and I just

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Speaker 1: turned to I was like, I can't see these bubbs

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Speaker 1: arguing anymore. So you're back good. I mean, I could

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00:17:52,040 --> 00:17:53,840
Speaker 1: never say we're bad, you know what I mean? Like

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Speaker 1: they listen, man, we've been We've spent ten years together. Man,

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Speaker 1: Damn there every day building something special, you know what

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Speaker 1: I mean. And it just it just ended in a

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Speaker 1: very unfortunate way. But I can't just sum it up

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Speaker 1: like that. Now. We haven't spoken. Two of the guys,

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00:18:12,680 --> 00:18:15,919
Speaker 1: Crooked and Joel, made some made some decisions that you know,

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Speaker 1: we can't really come back from in terms of business.

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Speaker 1: That's really it. Decision was they decided to do their

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Speaker 1: own group or do their own thing together. I'n give

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Speaker 1: you the short version, but me and Joe is sitting

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Speaker 1: around minding our own business, and we look up and

390
00:18:27,280 --> 00:18:30,640
Speaker 1: they start rolling out a project. The project was called

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Speaker 1: The Rise and Fall a Slaughterhouse. They put this project

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Speaker 1: out and the project is announcing to the world that

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00:18:36,320 --> 00:18:38,920
Speaker 1: the group is over. And this is while we had

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00:18:38,920 --> 00:18:42,440
Speaker 1: already went through a long negotiation with Shady to pull

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Speaker 1: the group off the label so we can do things

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00:18:45,800 --> 00:18:49,000
Speaker 1: moving forward, so we can make another album, so we

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Speaker 1: can relaunch merchandise, so we can relaunch everything Slaughterhouse. So

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00:18:52,480 --> 00:18:54,280
Speaker 1: y'all were gonna do another album, even Joe was gonna

399
00:18:54,280 --> 00:18:55,880
Speaker 1: do get in the studio and do another album at

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00:18:55,880 --> 00:18:59,280
Speaker 1: that time. Absolutely okay. The whole album was basically about

401
00:18:59,320 --> 00:19:02,200
Speaker 1: how Joe Knock gonna wrap Tricket came to the table

402
00:19:02,240 --> 00:19:04,879
Speaker 1: with a deal idea. We didn't want to do it,

403
00:19:04,960 --> 00:19:07,480
Speaker 1: so day over it. They're done, The group is done.

404
00:19:07,720 --> 00:19:09,240
Speaker 1: And I just felt like that was a hell of

405
00:19:09,280 --> 00:19:11,879
Speaker 1: a thing to blindside me with as a friend and

406
00:19:12,040 --> 00:19:14,800
Speaker 1: as a business partner, because number one, if the group

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00:19:14,880 --> 00:19:17,840
Speaker 1: is gonna be over, that's fine. Things in let me

408
00:19:17,880 --> 00:19:20,560
Speaker 1: know that. Or if you're gonna go public and say

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00:19:20,680 --> 00:19:23,440
Speaker 1: that you're done with the group, that's school. But don't

410
00:19:23,520 --> 00:19:26,040
Speaker 1: just go public and just announced that the group is done.

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Speaker 1: I expected more out of crookeet. I didn't have as

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00:19:28,800 --> 00:19:30,960
Speaker 1: much of a problem with Joel, because you know, me

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00:19:31,000 --> 00:19:33,560
Speaker 1: and Joel always been been cool. But me and Crook, well,

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Speaker 1: I thought we were better than that, you know what

415
00:19:35,359 --> 00:19:37,120
Speaker 1: I mean. So it was more of a personal thing,

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Speaker 1: you know what I mean. But I can't. I can't

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Speaker 1: bring myself to a point where I can get on

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Speaker 1: a public platform and bash any of them though, you

419
00:19:42,960 --> 00:19:44,480
Speaker 1: know what I mean. I got too much love for him,

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00:19:44,800 --> 00:19:46,399
Speaker 1: and I think the amount of love I got for

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00:19:46,480 --> 00:19:49,439
Speaker 1: him is what made me so disappointed. Bunn told me,

422
00:19:49,520 --> 00:19:52,280
Speaker 1: like when we first, when Slaughterhouse first became a thing,

423
00:19:52,720 --> 00:19:55,480
Speaker 1: he called me and any time I ever aired out

424
00:19:55,520 --> 00:19:59,280
Speaker 1: anything publicly if it involved family, I always regretted it.

425
00:20:00,000 --> 00:20:03,199
Speaker 1: I'd always resonated with Since that conversation, I've went and

426
00:20:03,240 --> 00:20:07,240
Speaker 1: done that probably fifty times, and I regretted it every time.

427
00:20:07,320 --> 00:20:09,439
Speaker 1: So you know, so that's one of the things that

428
00:20:09,440 --> 00:20:12,040
Speaker 1: I'm working on. So to answer your question, no, no

429
00:20:12,040 --> 00:20:16,080
Speaker 1: more slaughter House, but still nothing beloved. Always I respect everything,

430
00:20:16,119 --> 00:20:17,879
Speaker 1: as you said, and I feel like that should have

431
00:20:17,920 --> 00:20:21,160
Speaker 1: been an easy conversation for Crooking in Joel because Joe

432
00:20:21,160 --> 00:20:22,880
Speaker 1: don't want to rap, so he don't want to wrap.

433
00:20:22,880 --> 00:20:25,280
Speaker 1: There's no slaughter House, so why shouldn't he be able

434
00:20:25,320 --> 00:20:28,159
Speaker 1: to go do their own project. Well, it's easy to

435
00:20:28,200 --> 00:20:30,919
Speaker 1: paint Joe as that because of how many things he

436
00:20:31,000 --> 00:20:34,920
Speaker 1: said publicly. But when we're having conference calls and he's

437
00:20:34,960 --> 00:20:38,080
Speaker 1: a part of every call and we having creative conversations

438
00:20:38,080 --> 00:20:40,840
Speaker 1: about what we're gonna do next, you know what I mean?

439
00:20:40,880 --> 00:20:43,040
Speaker 1: He was gonna get back in the doing. Joe staying

440
00:20:43,280 --> 00:20:46,360
Speaker 1: is I'm retired doing. I'm in the content space. But

441
00:20:47,080 --> 00:20:50,000
Speaker 1: I'm really into ownership right now. I will wrap in

442
00:20:50,119 --> 00:20:52,800
Speaker 1: slaughter House. If we own it, it can't be on Shady,

443
00:20:53,000 --> 00:20:55,000
Speaker 1: And if we decide to take it to another label,

444
00:20:55,520 --> 00:20:58,159
Speaker 1: I would be particular on how we would do that

445
00:20:58,240 --> 00:21:00,960
Speaker 1: deal because we already built this. This is something we've

446
00:21:00,960 --> 00:21:04,000
Speaker 1: built already, and I agree it shouldn't just sit on

447
00:21:04,000 --> 00:21:05,919
Speaker 1: Shady if Shady doesn't want to release it. And this

448
00:21:06,040 --> 00:21:09,399
Speaker 1: is respectfully because I love them too always, So to

449
00:21:09,520 --> 00:21:12,480
Speaker 1: get to that point with Joe being way more knowledgeable

450
00:21:12,600 --> 00:21:16,040
Speaker 1: obviously myself being way more knowledgeable, and then just having

451
00:21:16,080 --> 00:21:17,920
Speaker 1: it in our possession and for them to just jump

452
00:21:18,000 --> 00:21:21,159
Speaker 1: the gun like that because of a deal that he

453
00:21:21,200 --> 00:21:23,840
Speaker 1: put on the table, which he that's never been his

454
00:21:23,960 --> 00:21:26,040
Speaker 1: role in the group. But I mean, anything that anybody

455
00:21:26,080 --> 00:21:28,560
Speaker 1: put on the table, I would consider it. But I

456
00:21:28,640 --> 00:21:31,280
Speaker 1: think that we should be allowed to ask questions. Right

457
00:21:31,320 --> 00:21:33,199
Speaker 1: if I put something on the table for us and

458
00:21:33,320 --> 00:21:36,120
Speaker 1: you ask questions, or even if you say no, does

459
00:21:36,160 --> 00:21:38,280
Speaker 1: that mean everything is over? Or does that mean we

460
00:21:38,359 --> 00:21:40,560
Speaker 1: go to another label. We hadn't talked to any other

461
00:21:40,640 --> 00:21:42,959
Speaker 1: labels yet. We hadn't even talked to a label in

462
00:21:42,960 --> 00:21:45,359
Speaker 1: that situation. We talked to a guy who was talking

463
00:21:45,400 --> 00:21:47,639
Speaker 1: to a label. We never had nothing on paper. There

464
00:21:47,760 --> 00:21:49,760
Speaker 1: never was a proposal in black and white for us

465
00:21:49,800 --> 00:21:52,240
Speaker 1: to look at. It was just a conversation. He didn't

466
00:21:52,240 --> 00:21:55,680
Speaker 1: like how the conversation went, so he decided we're gonna

467
00:21:55,680 --> 00:21:57,880
Speaker 1: go do this playing devil's advocate, Like, do you feel

468
00:21:57,920 --> 00:22:02,680
Speaker 1: like the white Devil's advocate? We know Joe was doing

469
00:22:02,720 --> 00:22:06,600
Speaker 1: well with his content, creating everything that he's doing. You're

470
00:22:06,600 --> 00:22:10,040
Speaker 1: obviously doing well. Could it be a situation where maybe

471
00:22:10,160 --> 00:22:13,600
Speaker 1: Joel and Crooked weren't doing as well because the group

472
00:22:13,720 --> 00:22:15,880
Speaker 1: was so much financial for them. I mean, y'all were

473
00:22:15,920 --> 00:22:17,960
Speaker 1: going on towards y'all. I don't think y'all ever really

474
00:22:17,960 --> 00:22:20,720
Speaker 1: got the money that y'all deserved. Yet you feel like

475
00:22:20,800 --> 00:22:22,680
Speaker 1: maybe that was their way of saying, look, I gotta

476
00:22:22,680 --> 00:22:24,680
Speaker 1: feed my family at the end of the day. Possibly,

477
00:22:24,800 --> 00:22:27,480
Speaker 1: and I mean listen. That makes it even worse because

478
00:22:27,480 --> 00:22:30,440
Speaker 1: it's like, bro, if that's what it was, we who

479
00:22:30,440 --> 00:22:33,320
Speaker 1: are you supposed to have been talking to? I understand

480
00:22:33,320 --> 00:22:35,080
Speaker 1: the ups and down. So if it's if this is

481
00:22:35,080 --> 00:22:38,440
Speaker 1: a downtime, because there's been plenty of things that I've

482
00:22:38,480 --> 00:22:41,159
Speaker 1: done that I've done because one of my rules in

483
00:22:41,200 --> 00:22:43,280
Speaker 1: the group was I don't like I'm not doing any

484
00:22:43,359 --> 00:22:46,560
Speaker 1: three man shows. All members gotta be there. There's been

485
00:22:46,600 --> 00:22:49,200
Speaker 1: plenty of times Joe couldn't make it where they were like, yo, listen,

486
00:22:49,400 --> 00:22:50,879
Speaker 1: we need you to come do this because we need

487
00:22:50,920 --> 00:22:53,240
Speaker 1: the money. And I did it like Roy's gonna be played.

488
00:22:53,359 --> 00:22:55,840
Speaker 1: It was a bad deal. There were times when when

489
00:22:55,920 --> 00:22:59,040
Speaker 1: Joe was ready to wrap and we couldn't get Crooked

490
00:22:59,040 --> 00:23:01,760
Speaker 1: to rap. They don't talk about that, you know what

491
00:23:01,800 --> 00:23:04,400
Speaker 1: I'm saying, Like Crook and Cook always ready to wrap.

492
00:23:04,480 --> 00:23:06,680
Speaker 1: Bok didn't want to know. See see what I'm saying.

493
00:23:06,760 --> 00:23:09,479
Speaker 1: See See, people got the wrong impression about people. And

494
00:23:09,480 --> 00:23:12,560
Speaker 1: that's why Joe is easy to paint as a certain thing.

495
00:23:12,880 --> 00:23:15,560
Speaker 1: He's easy talking. Yeah, and Joel look like they look

496
00:23:15,640 --> 00:23:17,760
Speaker 1: like the blue collar guys, correct, you know the guys

497
00:23:17,800 --> 00:23:19,760
Speaker 1: who you know willing the road, they sleeves up, all

498
00:23:19,800 --> 00:23:23,520
Speaker 1: that crook. He had his ways about him the whole time.

499
00:23:23,560 --> 00:23:27,440
Speaker 1: He's always had some issue with Joe that he wouldn't address.

500
00:23:27,760 --> 00:23:30,320
Speaker 1: It was always in the air. I can't quite put

501
00:23:30,359 --> 00:23:32,920
Speaker 1: my finger on what that was. But this getting made

502
00:23:32,960 --> 00:23:35,879
Speaker 1: Joe disrecords. He didn't did it all types of you

503
00:23:35,920 --> 00:23:38,040
Speaker 1: know what I'm saying, People just didn't hear. And there

504
00:23:38,119 --> 00:23:40,240
Speaker 1: was a time where he was like, nah, I ain't wrapping.

505
00:23:40,640 --> 00:23:43,760
Speaker 1: Nobody went out and put out an album about him

506
00:23:43,800 --> 00:23:45,840
Speaker 1: not rapping and saying that the group is over with.

507
00:23:45,840 --> 00:23:48,639
Speaker 1: It's just it's messy. And then on the business side

508
00:23:48,720 --> 00:23:52,920
Speaker 1: it's like, yo, you you're not up up your too.

509
00:23:53,560 --> 00:23:56,600
Speaker 1: And then you know, like during the whole process, you

510
00:23:56,720 --> 00:23:58,440
Speaker 1: had to paint me in a certain light in order

511
00:23:58,480 --> 00:24:00,120
Speaker 1: to be able to do that, And I'm just trying

512
00:24:00,119 --> 00:24:02,760
Speaker 1: to figure out what what did I do to deserve that? Yeah,

513
00:24:02,960 --> 00:24:04,840
Speaker 1: I mean there's no record a silent because I heard.

514
00:24:05,200 --> 00:24:07,600
Speaker 1: I heard people are getting invited to the Frank Stand.

515
00:24:07,800 --> 00:24:09,760
Speaker 1: I never did, didn't somebody said SMD on one of

516
00:24:09,800 --> 00:24:12,760
Speaker 1: those calls. Oh no, no, Joe, Joe, Joe one of them.

517
00:24:12,800 --> 00:24:16,760
Speaker 1: I was like, Joe, Yeah, Joe said that project, that

518
00:24:16,800 --> 00:24:19,600
Speaker 1: project of SMD. He said that project that probably can

519
00:24:19,640 --> 00:24:21,480
Speaker 1: suck much. Yeah, yeah, yeah, yeah. Oh maybe it was

520
00:24:21,480 --> 00:24:23,600
Speaker 1: the project. Oh yeah, maybe that's not That's just that

521
00:24:23,680 --> 00:24:25,479
Speaker 1: when I started seeing him lives like, you know what, enough,

522
00:24:25,520 --> 00:24:27,200
Speaker 1: that was just that was just some Joe to say though,

523
00:24:27,240 --> 00:24:28,640
Speaker 1: you know what I'm saying, Like it was It wasn't

524
00:24:28,680 --> 00:24:31,400
Speaker 1: like Joel know how Joe talked, you know what I mean.

525
00:24:31,880 --> 00:24:34,000
Speaker 1: So that wasn't That wasn't really nothing. That was one

526
00:24:34,040 --> 00:24:35,560
Speaker 1: of the things where you can take it. You can

527
00:24:35,600 --> 00:24:38,840
Speaker 1: take it super super offensive and personal if you if

528
00:24:38,840 --> 00:24:42,080
Speaker 1: you choose to. But Joe, Joel said a lot of them.

529
00:24:42,160 --> 00:24:44,440
Speaker 1: He said a lot of weird stuff too, you know

530
00:24:44,480 --> 00:24:48,080
Speaker 1: what I mean, Like everybody played that part. I'm I'm

531
00:24:48,080 --> 00:24:50,159
Speaker 1: holding myself accountable for the for the part that I

532
00:24:50,200 --> 00:24:52,000
Speaker 1: played to you know what I mean. But I mean

533
00:24:52,440 --> 00:24:54,560
Speaker 1: it's a little part did you play you think? I mean,

534
00:24:54,560 --> 00:24:56,000
Speaker 1: you're making it hard for me because I don't do

535
00:24:56,080 --> 00:25:01,160
Speaker 1: much wrong, Charlie Man, I just I just I just um.

536
00:25:01,160 --> 00:25:03,439
Speaker 1: I did that thing that I was talking about. I

537
00:25:03,520 --> 00:25:06,679
Speaker 1: went on Joe's show, and I was frustrated in my

538
00:25:06,800 --> 00:25:10,119
Speaker 1: reaction to what they did. Caused Crook to react to

539
00:25:10,280 --> 00:25:13,520
Speaker 1: how I reacted. What he said made me block them.

540
00:25:13,560 --> 00:25:15,480
Speaker 1: It made me block them on social media and made

541
00:25:15,480 --> 00:25:18,199
Speaker 1: me block his number because I don't. I love them

542
00:25:18,200 --> 00:25:20,240
Speaker 1: too much and I don't want nothing else to get said.

543
00:25:20,240 --> 00:25:22,600
Speaker 1: It's gonna put me up there, you know what I mean.

544
00:25:23,520 --> 00:25:25,560
Speaker 1: And I don't feel like there's anything that should go

545
00:25:25,680 --> 00:25:28,280
Speaker 1: on in the wrap space that should even bring you

546
00:25:28,480 --> 00:25:30,000
Speaker 1: to that, you know what I mean. But we all

547
00:25:30,320 --> 00:25:32,679
Speaker 1: we all gardened something, you know what I mean, Like

548
00:25:32,720 --> 00:25:35,720
Speaker 1: we all garden rather it's our egos. We come from

549
00:25:35,800 --> 00:25:38,960
Speaker 1: environments where the measuring stick cool some souped up tough guy,

550
00:25:39,400 --> 00:25:42,399
Speaker 1: you know what I mean. Like everybody's like, watch how

551
00:25:42,440 --> 00:25:44,960
Speaker 1: you talk to me. Respect me, But everybody ain't being

552
00:25:44,960 --> 00:25:48,240
Speaker 1: so respectful, you know so well. We appreciate you brothers

553
00:25:48,240 --> 00:25:52,440
Speaker 1: for joining us. It's the breakfast club. Good morning, the

554
00:25:52,680 --> 00:25:56,680
Speaker 1: breakfast club. Your morning's gone never be the same when

555
00:25:56,680 --> 00:25:59,040
Speaker 1: it's time to get with someone special, the best way

556
00:25:59,040 --> 00:26:01,720
Speaker 1: to do it is with mat them large size condoms.

557
00:26:01,760 --> 00:26:04,280
Speaker 1: That gold foil rapper is a badge of honor and

558
00:26:04,320 --> 00:26:06,920
Speaker 1: it means you're protected and you take care of things

559
00:26:06,920 --> 00:26:09,960
Speaker 1: with comfort. Accept no substitute. So bring the pleasure with

560
00:26:10,000 --> 00:26:14,440
Speaker 1: the gold standard Magnum large size condomns. It's topic time

561
00:26:19,680 --> 00:26:21,639
Speaker 1: called eight hundred five A five one oh five one.

562
00:26:21,680 --> 00:26:23,680
Speaker 1: To join it to the discussion with the Breakfast club.

563
00:26:24,000 --> 00:26:28,840
Speaker 1: Talk about it. Everybody envy Charlotmagne the guy. We are

564
00:26:28,880 --> 00:26:30,720
Speaker 1: the breakfast club. Now if you just join us, we're

565
00:26:30,720 --> 00:26:33,600
Speaker 1: talking about Kevin Gates and open up the phone lines.

566
00:26:33,680 --> 00:26:35,679
Speaker 1: Eight hundred five A five one oh five one now

567
00:26:35,720 --> 00:26:39,040
Speaker 1: Kevin Gates. Posters posted this on Twitter yesterday. If a

568
00:26:39,080 --> 00:26:40,800
Speaker 1: woman comes in the bathroom and talks to me while

569
00:26:40,840 --> 00:26:44,160
Speaker 1: I'm taking an ish, I find that very romantic. Now

570
00:26:44,200 --> 00:26:46,520
Speaker 1: do you like when your wife comes in the bathroom

571
00:26:46,640 --> 00:26:49,679
Speaker 1: it has a conversation with you? Absolutely not. That's not

572
00:26:49,760 --> 00:26:52,200
Speaker 1: something that we do. I hate poop, first of all,

573
00:26:52,280 --> 00:26:54,160
Speaker 1: don't like it. I know everyone does it, but it's

574
00:26:54,240 --> 00:26:56,040
Speaker 1: literally one of my least favorite things to do. I

575
00:26:56,040 --> 00:26:57,560
Speaker 1: don't look at it when it's in the toilet. I

576
00:26:57,560 --> 00:26:58,959
Speaker 1: know some people like to look at it and make

577
00:26:59,000 --> 00:27:02,000
Speaker 1: sure it's like, you know, in the shape of a

578
00:27:02,000 --> 00:27:04,760
Speaker 1: Superman logo, like I don't do Yeah, I don't do

579
00:27:04,800 --> 00:27:05,840
Speaker 1: none of that, you know what I mean. I think

580
00:27:05,840 --> 00:27:08,480
Speaker 1: when you are moving vows, it's a sacred experience and

581
00:27:08,480 --> 00:27:10,520
Speaker 1: you should expel with by yourself. I don't want my

582
00:27:10,520 --> 00:27:12,720
Speaker 1: wife in the bathroom with me while I'm pooping. There's

583
00:27:12,760 --> 00:27:15,359
Speaker 1: nothing cute about that. It's nothing sexy about that. I

584
00:27:15,359 --> 00:27:17,760
Speaker 1: mean to me, Kevin Gates, that's him to him, to

585
00:27:17,800 --> 00:27:20,120
Speaker 1: each his own, and to me, No, yeah, I feel

586
00:27:20,160 --> 00:27:21,480
Speaker 1: the same. I don't. I don't see nothing the sex

587
00:27:21,520 --> 00:27:23,240
Speaker 1: of it. I don't want to have a conversation, although

588
00:27:23,240 --> 00:27:25,000
Speaker 1: I set up shot, but I go to the bathroom though,

589
00:27:25,040 --> 00:27:27,119
Speaker 1: like I said, like, I'm not in the bathroom for

590
00:27:27,160 --> 00:27:32,199
Speaker 1: like thirty seconds. I'm magazine. Nah, not me, Nah, I

591
00:27:32,280 --> 00:27:34,960
Speaker 1: got my phone. No, I'm too old to lay something.

592
00:27:34,960 --> 00:27:36,920
Speaker 1: I might be paying my bills. I'm doing like I

593
00:27:37,840 --> 00:27:39,840
Speaker 1: really take my time, like I sometimes I'm all that

594
00:27:39,920 --> 00:27:41,760
Speaker 1: so long my feet fall a skip that happens to

595
00:27:41,760 --> 00:27:42,920
Speaker 1: me all the time. And I don't even gotta be

596
00:27:42,960 --> 00:27:44,280
Speaker 1: on that long. That's why I don't do it no more.

597
00:27:44,280 --> 00:27:46,520
Speaker 1: I meant to get. I liked him step stools my

598
00:27:46,760 --> 00:27:48,640
Speaker 1: sister Alicia, and they told me a long time ago

599
00:27:48,680 --> 00:27:50,640
Speaker 1: to get one of them stools. Like it's like a

600
00:27:50,640 --> 00:27:52,680
Speaker 1: squatty party there you go when you put your legs

601
00:27:52,720 --> 00:27:54,720
Speaker 1: up while you're pooping, so you put your legs up

602
00:27:54,720 --> 00:27:56,399
Speaker 1: while you do That's that's just too much. But I

603
00:27:56,400 --> 00:27:57,960
Speaker 1: will tell you something. When I got a callinic, I

604
00:27:58,040 --> 00:28:01,080
Speaker 1: did that. It was amazing. Not gonna lie. What part

605
00:28:01,119 --> 00:28:04,399
Speaker 1: did you like? What the calonic part? I like the

606
00:28:04,400 --> 00:28:06,479
Speaker 1: whole process. I mean, it's a little uncomfortable, but I'm

607
00:28:06,480 --> 00:28:08,440
Speaker 1: talking about like when the after you the calonic is done,

608
00:28:08,760 --> 00:28:11,080
Speaker 1: you gotta go sit on the toilet in the calonic place.

609
00:28:11,359 --> 00:28:14,000
Speaker 1: And she had a squatty party in there. And I'm

610
00:28:14,040 --> 00:28:15,639
Speaker 1: not gonna lie, man. I don't know if it was

611
00:28:15,680 --> 00:28:17,719
Speaker 1: the calonic of the squatt a party, but it dumped

612
00:28:17,800 --> 00:28:20,760
Speaker 1: like you dump dump dump, you know what I mean.

613
00:28:20,840 --> 00:28:22,720
Speaker 1: If it was, it felt good and my leg weren't

614
00:28:22,720 --> 00:28:24,640
Speaker 1: sleepy when I got up. I'm glad you finally good.

615
00:28:24,760 --> 00:28:27,159
Speaker 1: But yeah, answer your question. No, I don't want my

616
00:28:27,200 --> 00:28:29,160
Speaker 1: woman in the bathroom with me while I'm taking the poop.

617
00:28:29,760 --> 00:28:30,719
Speaker 1: And I don't want to be in there with her

618
00:28:30,760 --> 00:28:33,879
Speaker 1: what she's taking? No, I mean, hello, who's this? Hey?

619
00:28:34,440 --> 00:28:37,040
Speaker 1: This is representing the ball? Yeah, what's up? Bro? We're

620
00:28:37,040 --> 00:28:39,880
Speaker 1: talking about, you know, pooping in front of your partner,

621
00:28:40,240 --> 00:28:43,640
Speaker 1: all right, subjective about think about it normally. How many

622
00:28:43,720 --> 00:28:48,200
Speaker 1: people have you pooped in front of them? Not even

623
00:28:48,360 --> 00:28:51,640
Speaker 1: very few, nobody besides my wife. And this is when

624
00:28:51,800 --> 00:28:54,360
Speaker 1: when it has to happen. But I don't think I've

625
00:28:54,360 --> 00:28:57,080
Speaker 1: ever pooped in front of my wife. My mama went

626
00:28:57,080 --> 00:29:01,360
Speaker 1: out of the baby was atte. So the highest level

627
00:29:01,480 --> 00:29:04,760
Speaker 1: of intimacy is pooping in front of your partner. No,

628
00:29:04,800 --> 00:29:06,800
Speaker 1: it's not no more intimate than that. That is not

629
00:29:06,800 --> 00:29:10,760
Speaker 1: true romantic. That's just simply not true romantic. And only

630
00:29:10,800 --> 00:29:12,440
Speaker 1: my wife only comes to the bathroom. She has to,

631
00:29:12,520 --> 00:29:14,680
Speaker 1: like you might like, she might need something out the bathroom,

632
00:29:14,840 --> 00:29:16,560
Speaker 1: and when she comes in there, she's coming in like

633
00:29:17,000 --> 00:29:20,120
Speaker 1: full gas mask or like ah. And by your logic,

634
00:29:20,160 --> 00:29:21,640
Speaker 1: you might as well walk around with a dipe on

635
00:29:21,720 --> 00:29:23,480
Speaker 1: and let your wife change you and wipe you and

636
00:29:23,520 --> 00:29:27,239
Speaker 1: all kinds of stuff, and that intimate too. Absolutely, have

637
00:29:27,240 --> 00:29:30,080
Speaker 1: a blessed day, sir, Have a blessed don't kink shaming,

638
00:29:30,440 --> 00:29:33,880
Speaker 1: Have a blessed don't kink shading? Hello, who's this? What's

639
00:29:33,920 --> 00:29:36,920
Speaker 1: going on? This is a DJ? This is lit. I'm

640
00:29:36,960 --> 00:29:40,600
Speaker 1: wanting the radio. That's lit. It's lit. You poop in

641
00:29:40,600 --> 00:29:43,280
Speaker 1: front of your partner. I'm sorry you're poop in front

642
00:29:43,280 --> 00:29:46,040
Speaker 1: of your partner? Um, yeah, I do. Definitely you've got

643
00:29:46,040 --> 00:29:47,600
Speaker 1: you because that's not let you know that. That's the

644
00:29:47,680 --> 00:29:49,680
Speaker 1: who's got a real one? That means definitely down for

645
00:29:49,720 --> 00:29:51,960
Speaker 1: the You know what, boy, y'all got some y'all got

646
00:29:51,960 --> 00:29:55,240
Speaker 1: some weird ways to make sure that your woman is real? No,

647
00:29:55,440 --> 00:29:57,240
Speaker 1: because you know you, I mean because you have to,

648
00:29:57,320 --> 00:29:59,480
Speaker 1: because that's something natural of people be like ill, Like

649
00:29:59,480 --> 00:30:00,880
Speaker 1: you know what I'm saying. Like when you first start

650
00:30:00,960 --> 00:30:03,640
Speaker 1: dating somebody like you, you know how many farts you

651
00:30:03,720 --> 00:30:06,240
Speaker 1: hold in? Yeah, that's not healthy. You gotta let it

652
00:30:06,240 --> 00:30:08,480
Speaker 1: out for somebody that you could feel comfortable with, that

653
00:30:08,880 --> 00:30:11,880
Speaker 1: let you you couldst of all and all that we

654
00:30:11,960 --> 00:30:14,320
Speaker 1: have conversations. First of all, I don't fart in my clothes.

655
00:30:14,400 --> 00:30:16,840
Speaker 1: That's number one. Number two, why would you want to

656
00:30:16,840 --> 00:30:19,760
Speaker 1: fart around anybody? That's just disrespectful. Like it's just it's

657
00:30:19,760 --> 00:30:22,000
Speaker 1: like nobody just sits around and foughts. You ain't never

658
00:30:22,040 --> 00:30:24,200
Speaker 1: just been in the casual conversation with persons and they

659
00:30:24,240 --> 00:30:26,080
Speaker 1: just fought. Maybe when you was a kid, but when

660
00:30:26,080 --> 00:30:27,800
Speaker 1: you're an adult, you don't do stuff like that. Why

661
00:30:27,800 --> 00:30:30,400
Speaker 1: would you do that around your wife? So this is

662
00:30:30,440 --> 00:30:32,280
Speaker 1: what I do when if I'm in public and I

663
00:30:32,280 --> 00:30:34,520
Speaker 1: gotta fart, I just I just step away. I just say,

664
00:30:34,520 --> 00:30:36,680
Speaker 1: excuse me, I stepped to the side, fart and let

665
00:30:36,680 --> 00:30:38,760
Speaker 1: it air out. Wait about a couple of seconds, because

666
00:30:38,760 --> 00:30:41,120
Speaker 1: you don't want it to linger in them to respect,

667
00:30:41,200 --> 00:30:44,000
Speaker 1: that's respect, that's respects. So why wouldn't you give you

668
00:30:44,040 --> 00:30:45,959
Speaker 1: a woman that same respect? Why would you fart in

669
00:30:45,960 --> 00:30:48,440
Speaker 1: front of her just because you think you can. That's

670
00:30:48,480 --> 00:30:53,640
Speaker 1: just disrespectful for you. While we've been together for a while,

671
00:30:53,720 --> 00:30:55,240
Speaker 1: you haven't saying you fought. You gotta let it, you

672
00:30:55,280 --> 00:30:57,920
Speaker 1: gotta go, you gotta go. That's a family member at

673
00:30:57,920 --> 00:31:00,280
Speaker 1: this point. If you're am fan, No, you don't have

674
00:31:00,360 --> 00:31:03,720
Speaker 1: y'all show you faring fun of your wife, not on purpose. Yeah,

675
00:31:03,760 --> 00:31:05,640
Speaker 1: but you gotta let it go. Yo. You know it's

676
00:31:05,760 --> 00:31:08,280
Speaker 1: it's a chemical imbalance when you um hold I mean,

677
00:31:08,600 --> 00:31:09,880
Speaker 1: I don't fight in front of me. I don't fight

678
00:31:10,000 --> 00:31:11,920
Speaker 1: my clothes. Oh yeah, I will fall. I would pass

679
00:31:11,960 --> 00:31:14,320
Speaker 1: gas from my wife and my kids and my family,

680
00:31:14,440 --> 00:31:16,560
Speaker 1: not me. I ain't issued in front of us were

681
00:31:16,640 --> 00:31:18,360
Speaker 1: I'm not gonna hea bade. Let's have this conversation in

682
00:31:18,360 --> 00:31:21,280
Speaker 1: the bathroom. I'm pooping. I'm not gonna do that. Wait

683
00:31:21,280 --> 00:31:22,640
Speaker 1: real quick, I just want to say this. I want

684
00:31:22,680 --> 00:31:24,440
Speaker 1: to keep you on too long. I've been calling the

685
00:31:25,320 --> 00:31:27,480
Speaker 1: radio since I was a kid. This is my first

686
00:31:27,480 --> 00:31:29,760
Speaker 1: time I ever get into that's wild. I just gonna

687
00:31:29,760 --> 00:31:32,280
Speaker 1: be a good day today. Me on the ground, I'm Charlotte,

688
00:31:32,280 --> 00:31:34,200
Speaker 1: and I'm every following me on the ground. All right,

689
00:31:34,440 --> 00:31:36,320
Speaker 1: all right, man, I won't say the beauty of having

690
00:31:36,320 --> 00:31:37,880
Speaker 1: young kids that I you know, I gotta, I gotta.

691
00:31:37,880 --> 00:31:40,280
Speaker 1: I got a six year old and a tune to

692
00:31:40,320 --> 00:31:43,440
Speaker 1: be three year old. Like, if you do accidentally fart,

693
00:31:43,960 --> 00:31:46,320
Speaker 1: you can always blame it on them. I do that

694
00:31:46,360 --> 00:31:52,040
Speaker 1: all the time. Hello this Hey, what me? Just a

695
00:31:52,720 --> 00:31:55,600
Speaker 1: big from Myrtle Beach And what's up brother, Myrtle Beach.

696
00:31:55,640 --> 00:31:58,520
Speaker 1: We're talking about pooping, ain't man, partner? Huh? I got

697
00:31:58,520 --> 00:32:00,560
Speaker 1: the thick man. I thought about this and I got

698
00:32:00,600 --> 00:32:03,480
Speaker 1: to say, yeah, I did. Finally the first time it happened,

699
00:32:03,520 --> 00:32:06,600
Speaker 1: I thought she was the one because back in high

700
00:32:06,600 --> 00:32:08,760
Speaker 1: school I was at Kante, I couldn't poop in front

701
00:32:08,760 --> 00:32:10,320
Speaker 1: of everybody, so I had to go to the whole

702
00:32:10,320 --> 00:32:12,640
Speaker 1: tech fielding. So I felt like if I felt that

703
00:32:12,680 --> 00:32:15,480
Speaker 1: comfortable around her, she was the one. Why would you

704
00:32:15,560 --> 00:32:17,600
Speaker 1: have to poop in front of everybody? Sir? You know

705
00:32:17,600 --> 00:32:19,240
Speaker 1: when you go, you know kids are in high school.

706
00:32:19,280 --> 00:32:22,040
Speaker 1: So man, I'm sure you got trauma times something when oh,

707
00:32:22,120 --> 00:32:24,000
Speaker 1: you go to the regular basketment. If you're poop in

708
00:32:24,040 --> 00:32:26,560
Speaker 1: high school, everybody comes and opened the door and nothing, dude,

709
00:32:26,680 --> 00:32:29,080
Speaker 1: do whatever you know. I can honestly say, and this

710
00:32:29,200 --> 00:32:31,440
Speaker 1: is not a lie. I've never pooped in high school.

711
00:32:31,520 --> 00:32:33,720
Speaker 1: I never pooped in the bathroom in high school. You

712
00:32:33,800 --> 00:32:35,560
Speaker 1: held it till you came home. I just never had

713
00:32:35,600 --> 00:32:37,440
Speaker 1: to in school. I don't know why my bows got

714
00:32:37,440 --> 00:32:40,560
Speaker 1: a lot more regular as I got older in school.

715
00:32:40,600 --> 00:32:43,400
Speaker 1: I never, I never. I never pooped in high school.

716
00:32:43,840 --> 00:32:45,720
Speaker 1: If you have a strong summer, because that pizza and

717
00:32:45,840 --> 00:32:48,640
Speaker 1: me up surprise had me going. Man after her period. Wait,

718
00:32:48,840 --> 00:32:52,600
Speaker 1: wait when you come out and you came out of ninety's,

719
00:32:52,680 --> 00:32:54,920
Speaker 1: I came out of ninety or ninety eight, But I

720
00:32:54,920 --> 00:32:58,080
Speaker 1: supposed to be ninety six. So damn yeah, I don't

721
00:32:58,080 --> 00:33:01,720
Speaker 1: remember pooping in high school. I never Yeah, music, I

722
00:33:01,840 --> 00:33:04,560
Speaker 1: also want to day, man, I love the positivity you brother,

723
00:33:04,640 --> 00:33:07,000
Speaker 1: cheep the going. I appreciated it and it keeps me

724
00:33:07,080 --> 00:33:09,800
Speaker 1: going every day. Man, Thank you King. All right, what's

725
00:33:09,840 --> 00:33:11,680
Speaker 1: the all of the story. More of the story is

726
00:33:11,680 --> 00:33:13,239
Speaker 1: to each his own. You know what I'm saying. I'm

727
00:33:13,280 --> 00:33:14,520
Speaker 1: just telling you what I don't do. You know what

728
00:33:14,560 --> 00:33:16,160
Speaker 1: I mean. Kevin Gate, that's what worked for him and

729
00:33:16,200 --> 00:33:18,560
Speaker 1: his queen. You know, me and my queen roll a

730
00:33:18,600 --> 00:33:21,040
Speaker 1: different way. That's all. But once again, I don't like poop.

731
00:33:21,240 --> 00:33:23,120
Speaker 1: I don't even like to be in the bathroom with

732
00:33:23,160 --> 00:33:26,160
Speaker 1: myself when I poop. It's the breakfast club morning, the

733
00:33:26,360 --> 00:33:34,640
Speaker 1: breakfast club, and I'm molling everybody's we are the breakfast clubs.

734
00:33:34,720 --> 00:33:38,200
Speaker 1: Especial guests joining us today. Indeed, we have Cheryl Mckissac

735
00:33:38,320 --> 00:33:43,200
Speaker 1: Daniel and Don Peoples. Welcome, Hello, now, welcome back. Yes,

736
00:33:43,240 --> 00:33:46,960
Speaker 1: you know, Cheryl is the president of CEO and Don

737
00:33:47,000 --> 00:33:49,760
Speaker 1: is the founder, chairman and CEO of the People's Corporation.

738
00:33:50,400 --> 00:33:52,920
Speaker 1: Let me tell y'all something. It's been a lot of

739
00:33:52,960 --> 00:33:56,160
Speaker 1: rappers in this room, a lot of athletes in this room. Okay,

740
00:33:56,320 --> 00:33:57,800
Speaker 1: just might be the most money been in this room

741
00:33:57,800 --> 00:34:01,760
Speaker 1: at one time. That's all I'm gonna say. A fact,

742
00:34:02,040 --> 00:34:03,600
Speaker 1: just a fact, might be the most money that's been

743
00:34:03,640 --> 00:34:04,800
Speaker 1: in this room at one time. I just want to

744
00:34:04,800 --> 00:34:07,840
Speaker 1: say that, how are you all today? Well? We are great, Okay,

745
00:34:08,040 --> 00:34:11,279
Speaker 1: glad to be here, Glad that you are having us

746
00:34:11,320 --> 00:34:14,680
Speaker 1: in to talk about Affirmation Tower. That's right. And he said,

747
00:34:14,760 --> 00:34:17,279
Speaker 1: y'all wanted to be the most inclusive skyscraper in New

748
00:34:17,360 --> 00:34:18,960
Speaker 1: York City. What does that mean? He be a break

749
00:34:19,000 --> 00:34:20,880
Speaker 1: that down because they came ahead bullying me. First of all,

750
00:34:21,120 --> 00:34:24,279
Speaker 1: just because I went to Hampton University. They can't bully

751
00:34:24,320 --> 00:34:26,680
Speaker 1: talking on this Howard stuff. But explain what that that

752
00:34:26,760 --> 00:34:30,400
Speaker 1: project is about, that inclusive skyscraper. Listen. It was last

753
00:34:30,480 --> 00:34:35,160
Speaker 1: year when cbr EL, a large brokerage firm, came to

754
00:34:35,239 --> 00:34:38,640
Speaker 1: me and they said, listen, this is up for grabs

755
00:34:38,680 --> 00:34:41,319
Speaker 1: and the only person that we think can develop this

756
00:34:41,440 --> 00:34:44,799
Speaker 1: is Don Peoples. And I'm like, Don's a friend. He

757
00:34:44,920 --> 00:34:48,040
Speaker 1: was already looking at this project. And so you know,

758
00:34:48,080 --> 00:34:50,239
Speaker 1: if the best in the brightest of this country feel

759
00:34:50,280 --> 00:34:52,719
Speaker 1: that way, then we certainly know we can do this.

760
00:34:52,800 --> 00:34:56,000
Speaker 1: And I'm gonna let Don explain the project. Well, great,

761
00:34:56,040 --> 00:34:58,000
Speaker 1: I mean, look, Caryl and I have been friends, and

762
00:34:58,160 --> 00:35:03,120
Speaker 1: she and her sister were freshmen, and oh, y'all got

763
00:35:03,160 --> 00:35:09,880
Speaker 1: some stories. And I was in the real beginning and

764
00:35:09,920 --> 00:35:13,040
Speaker 1: going to the real estate business. And Cheryl's family has

765
00:35:13,040 --> 00:35:15,440
Speaker 1: a long history in it, and Cheryl's done an amazing

766
00:35:15,520 --> 00:35:18,200
Speaker 1: job in building her business here in New York and

767
00:35:18,239 --> 00:35:21,319
Speaker 1: other parts of the country. And so when the opportunity

768
00:35:21,320 --> 00:35:23,920
Speaker 1: to come build a building across the street from the

769
00:35:24,000 --> 00:35:28,120
Speaker 1: Jabbat Center, one of the major attractions in New York City,

770
00:35:28,440 --> 00:35:32,440
Speaker 1: I thought, what better place than to build what will be, unfortunately,

771
00:35:32,480 --> 00:35:36,080
Speaker 1: the first skyscraper in New York City built by black people.

772
00:35:36,719 --> 00:35:41,719
Speaker 1: And it's mindboding. I'm sure black people will build something,

773
00:35:41,760 --> 00:35:43,839
Speaker 1: but it wasn't. No black people actually behind it on

774
00:35:43,840 --> 00:35:47,920
Speaker 1: the financial level. That's exactly right, that black people worked

775
00:35:48,360 --> 00:35:50,640
Speaker 1: on it, but they and not enough, by the way,

776
00:35:50,680 --> 00:35:55,120
Speaker 1: because the construction industry has been discriminating over the years

777
00:35:55,120 --> 00:35:57,319
Speaker 1: as well in terms of the high paying jobs that

778
00:35:57,360 --> 00:36:00,200
Speaker 1: are generated by them. But that's stranging. So I thought that,

779
00:36:00,280 --> 00:36:02,560
Speaker 1: you know, we ought to build this building should be

780
00:36:02,560 --> 00:36:07,680
Speaker 1: built by black developers. And so I thought about this

781
00:36:07,800 --> 00:36:10,279
Speaker 1: as also we want to send a message that we

782
00:36:10,320 --> 00:36:14,759
Speaker 1: all work together. And so I called Cheryl first and look,

783
00:36:15,000 --> 00:36:17,400
Speaker 1: you know, I want you in your company as a

784
00:36:17,400 --> 00:36:20,879
Speaker 1: construction company to build this building, but also I want

785
00:36:20,880 --> 00:36:23,160
Speaker 1: you to be a developer a partner with us in that.

786
00:36:23,280 --> 00:36:25,799
Speaker 1: So she came in Craig Livingston, who has been a

787
00:36:25,800 --> 00:36:29,640
Speaker 1: trailblazer in terms of economic empowerment for black real estate

788
00:36:29,680 --> 00:36:33,760
Speaker 1: professionals and entrepreneurs. We brought him on as a developer

789
00:36:33,760 --> 00:36:36,520
Speaker 1: as well and put together a team that's eighty percent

790
00:36:36,560 --> 00:36:40,240
Speaker 1: black owned. And then we were designing it, I thought,

791
00:36:40,719 --> 00:36:43,000
Speaker 1: we want an architecture's going to make a powerful statement.

792
00:36:43,360 --> 00:36:45,920
Speaker 1: So we picked David Aga, who I've worked with before

793
00:36:46,280 --> 00:36:48,680
Speaker 1: and who was the architect for the Museum for African

794
00:36:48,719 --> 00:36:51,759
Speaker 1: American History and Culture in Washington, DC, which is the

795
00:36:51,760 --> 00:36:55,320
Speaker 1: most visited museum in the whole Smithsonian system since the

796
00:36:55,400 --> 00:36:57,960
Speaker 1: day had opened. And then we committed to thirty five

797
00:36:58,040 --> 00:37:02,080
Speaker 1: percent minority contract and get a minimum threshold to build

798
00:37:02,080 --> 00:37:05,720
Speaker 1: that building. And then you know, when we're designing the building,

799
00:37:06,400 --> 00:37:08,399
Speaker 1: it was going to be super tall. But then I said,

800
00:37:08,400 --> 00:37:10,760
Speaker 1: why not build the tallest building. Let's build the tallest

801
00:37:10,760 --> 00:37:15,040
Speaker 1: building in the Western Hemisphere, built first building to be

802
00:37:15,040 --> 00:37:17,120
Speaker 1: built by black people in New York City in terms

803
00:37:17,120 --> 00:37:20,040
Speaker 1: of financially, and let's make it the tallest one in

804
00:37:20,080 --> 00:37:22,359
Speaker 1: the Western Hemisphere. And so that's what we started doing.

805
00:37:22,400 --> 00:37:24,319
Speaker 1: How much will this building costs to make it? How

806
00:37:24,320 --> 00:37:33,160
Speaker 1: long would it take? Three point six billion dollars? It's

807
00:37:33,200 --> 00:37:35,799
Speaker 1: some work, but we're gonna get it done and it

808
00:37:35,840 --> 00:37:39,120
Speaker 1: will be one of the biggest projects built in New

809
00:37:39,239 --> 00:37:41,759
Speaker 1: York City. And it meets two moments. So right now

810
00:37:41,800 --> 00:37:44,680
Speaker 1: we're coming out of COVID, so America and New York

811
00:37:44,680 --> 00:37:46,440
Speaker 1: has got to build back. But we got to do

812
00:37:46,480 --> 00:37:48,799
Speaker 1: it differently. We got to be inclusive, because that's the

813
00:37:48,840 --> 00:37:51,400
Speaker 1: other moment. I mean, these protests that we've had around

814
00:37:51,440 --> 00:37:55,239
Speaker 1: a country over the last two years, especially last year,

815
00:37:55,560 --> 00:37:59,080
Speaker 1: was about fighting for equal treatment under the law for

816
00:37:59,239 --> 00:38:01,560
Speaker 1: black people, but also for us to have our seat

817
00:38:01,560 --> 00:38:04,400
Speaker 1: at the table. Economically, is it residential or is it

818
00:38:04,400 --> 00:38:07,960
Speaker 1: going to be commercial? Office? Two hotels, So starting on

819
00:38:08,040 --> 00:38:12,080
Speaker 1: the podium that'll have a cultural center that the NAACP's

820
00:38:12,080 --> 00:38:15,359
Speaker 1: putting together, and then officers for the NAACP, and then

821
00:38:15,480 --> 00:38:18,319
Speaker 1: last week, Reverend Sharpton and I made an agreement that

822
00:38:18,760 --> 00:38:22,279
Speaker 1: we're going to bring the Civil Rights Museum there as well,

823
00:38:22,400 --> 00:38:25,160
Speaker 1: so that'll be on the lower levels of the building,

824
00:38:25,880 --> 00:38:30,440
Speaker 1: and then we'll have some restaurant and other space on

825
00:38:30,480 --> 00:38:32,920
Speaker 1: the top of the what's supporting the bigger part. And

826
00:38:32,960 --> 00:38:35,600
Speaker 1: then as we go up the tower, two hotels and

827
00:38:35,640 --> 00:38:39,000
Speaker 1: then officers and then up top three levels of the

828
00:38:39,080 --> 00:38:43,200
Speaker 1: event venue space, a observation deck. And to put the

829
00:38:43,360 --> 00:38:45,720
Speaker 1: icing on the cake, we are putting an ice skating

830
00:38:45,800 --> 00:38:48,320
Speaker 1: ring on top of the building, on top of the building,

831
00:38:48,400 --> 00:38:51,320
Speaker 1: sixteen hundred feet up in the air. Everything is intentional.

832
00:38:51,400 --> 00:38:54,759
Speaker 1: So the name the affirmation towel what at the meeting

833
00:38:54,760 --> 00:38:57,480
Speaker 1: behind the end, we're affirming that we're meeting those two

834
00:38:57,520 --> 00:39:01,040
Speaker 1: points in time. When you look at the tower, it

835
00:39:01,200 --> 00:39:05,120
Speaker 1: looks like it's upside down, and that's another message. We

836
00:39:05,160 --> 00:39:08,040
Speaker 1: are turning things upside down. We want to open up

837
00:39:08,080 --> 00:39:11,040
Speaker 1: this system to people like ours. But as you know,

838
00:39:11,520 --> 00:39:14,919
Speaker 1: when black people are owners, it creates an echosystem where

839
00:39:14,960 --> 00:39:17,520
Speaker 1: we help people all along the line. So how long

840
00:39:17,560 --> 00:39:19,520
Speaker 1: do you think it's going to take to actually complete

841
00:39:19,520 --> 00:39:22,239
Speaker 1: this project. It will take us when we start construction

842
00:39:22,400 --> 00:39:25,360
Speaker 1: about three years, and before that it'll take about a

843
00:39:25,440 --> 00:39:27,799
Speaker 1: year and a half of designed So we're about five

844
00:39:27,880 --> 00:39:30,600
Speaker 1: years out. How difficult was it to get this project?

845
00:39:31,360 --> 00:39:33,960
Speaker 1: I mean, and we're still fighting for it. I mean,

846
00:39:34,000 --> 00:39:36,840
Speaker 1: we are fighting for it now. It's very difficult, but

847
00:39:36,960 --> 00:39:39,080
Speaker 1: I mean I expect it to be difficult. I mean,

848
00:39:39,360 --> 00:39:43,880
Speaker 1: but we're knocking down barriers each day. And in reality,

849
00:39:44,200 --> 00:39:48,040
Speaker 1: Doctor King, Mecca ever John Lewis, it was hard for

850
00:39:48,080 --> 00:39:51,120
Speaker 1: them too. And we're doing it in other cities. We

851
00:39:51,239 --> 00:39:54,200
Speaker 1: just want a huge project. In Boston. Yep. Last week

852
00:39:54,239 --> 00:39:59,520
Speaker 1: we got with the Republican governor. Well, actually it was

853
00:39:59,719 --> 00:40:03,200
Speaker 1: eas easier because so give you a sense. So I mean,

854
00:40:03,239 --> 00:40:06,719
Speaker 1: I'm a big boot. I'm a Democrat, lifelong Democrat, but

855
00:40:07,280 --> 00:40:10,359
Speaker 1: I'm like when Henry Kissinger said about America, he said,

856
00:40:10,360 --> 00:40:14,640
Speaker 1: America has no permanent friends, no permanent enemies, interress black people.

857
00:40:14,680 --> 00:40:18,480
Speaker 1: We gotta have no permanent friends, no permanent enemies, permanent interest.

858
00:40:18,800 --> 00:40:22,880
Speaker 1: So the governor, Charlie Baker in Boston decided that he

859
00:40:22,960 --> 00:40:25,680
Speaker 1: saw the unfairness in the system. So what he did

860
00:40:25,800 --> 00:40:29,120
Speaker 1: is every project that he's doing in that state, twenty

861
00:40:29,120 --> 00:40:31,960
Speaker 1: five points out of a hundred, is for equity for

862
00:40:32,080 --> 00:40:35,640
Speaker 1: people of color. Always ask this question, and I don't

863
00:40:35,680 --> 00:40:37,000
Speaker 1: even know you can have one without the other. But

864
00:40:37,120 --> 00:40:41,359
Speaker 1: what's more important economic equity are equality? Oh wow, that's

865
00:40:41,400 --> 00:40:45,200
Speaker 1: a really good question. But I would say the economics

866
00:40:45,239 --> 00:40:49,600
Speaker 1: are very important, because then that's gonna help create the equality.

867
00:40:49,880 --> 00:40:55,040
Speaker 1: In my opinion, Don always says this about venture capitalists,

868
00:40:55,080 --> 00:40:58,879
Speaker 1: and they're sixty nine trillion dollars of money out there

869
00:40:58,960 --> 00:41:02,680
Speaker 1: that's been invested it, but only one point three percent

870
00:41:02,719 --> 00:41:06,480
Speaker 1: of it has been invested by black firms. So we

871
00:41:06,600 --> 00:41:11,200
Speaker 1: are so upside down on the economic ladder that we

872
00:41:11,320 --> 00:41:14,040
Speaker 1: just have to do something about that. If we can

873
00:41:14,280 --> 00:41:18,160
Speaker 1: have access to economic opportunity, we can solve our own problems.

874
00:41:18,160 --> 00:41:20,160
Speaker 1: We can deal with our own community. But you keep

875
00:41:20,160 --> 00:41:24,040
Speaker 1: blocking us from economic opportunity, then we're going to continue

876
00:41:24,239 --> 00:41:28,400
Speaker 1: to struggle. So we can do it for ourselves. Then

877
00:41:28,680 --> 00:41:30,960
Speaker 1: we can expand our community and take care of our

878
00:41:30,960 --> 00:41:33,759
Speaker 1: own issues, and we can support our own organizations. And

879
00:41:33,800 --> 00:41:35,400
Speaker 1: they need to stop looking at us. I said this

880
00:41:35,520 --> 00:41:38,000
Speaker 1: yesterday to group of white business people. You all need

881
00:41:38,040 --> 00:41:39,800
Speaker 1: to stop looking at doing business with black people of

882
00:41:39,880 --> 00:41:43,120
Speaker 1: philanthropic it's good business for you, that's right, all right.

883
00:41:43,160 --> 00:41:45,320
Speaker 1: When we come back, we have more with Cheryl McKissick,

884
00:41:45,400 --> 00:41:47,720
Speaker 1: Daniel and Don Peebles so don't move us to Breakfast

885
00:41:47,719 --> 00:41:51,839
Speaker 1: Club morning. Everybody is DJ Envy, Charlomnea Goad, we are

886
00:41:51,880 --> 00:41:54,320
Speaker 1: to Breakfast Club. We're still kicking it with Cheryl McKissick,

887
00:41:54,400 --> 00:41:56,920
Speaker 1: Daniel and Don Peebles. We got to go back to

888
00:41:56,920 --> 00:41:59,520
Speaker 1: the origin story because when I hear you know, y'all

889
00:41:59,560 --> 00:42:02,360
Speaker 1: knew each other as freshman at Howard University, that's like

890
00:42:02,400 --> 00:42:06,439
Speaker 1: some outliers divine alignment type stuff, like did y'all both

891
00:42:06,520 --> 00:42:09,560
Speaker 1: know that's what y'all wanted to do in the future.

892
00:42:10,800 --> 00:42:14,560
Speaker 1: When I met Don, Don had bought his first apartment

893
00:42:14,719 --> 00:42:18,080
Speaker 1: in DC, and I said, how well, I was a

894
00:42:18,120 --> 00:42:20,839
Speaker 1: freshman freshman and I was two years I think I'm

895
00:42:20,840 --> 00:42:23,440
Speaker 1: two years older than right. So he was in college

896
00:42:23,480 --> 00:42:25,960
Speaker 1: and he had bought an apartment, and I remember my

897
00:42:26,040 --> 00:42:28,000
Speaker 1: twin sister and are saying to each other, well, who

898
00:42:28,040 --> 00:42:31,959
Speaker 1: does that apartments when you're in college? And Don said

899
00:42:32,040 --> 00:42:35,879
Speaker 1: then he said, I'm going to do transformational development. My

900
00:42:35,920 --> 00:42:38,000
Speaker 1: sister and I we always knew we were going to

901
00:42:38,080 --> 00:42:40,600
Speaker 1: be in the family business. I mean, we're a fifth generation.

902
00:42:40,680 --> 00:42:44,400
Speaker 1: We always knew that. But then over the years Don

903
00:42:44,680 --> 00:42:48,640
Speaker 1: was in DC Philadelphia, and we kept saying we're gonna

904
00:42:48,640 --> 00:42:50,800
Speaker 1: work together at some point. We are definitely going to

905
00:42:50,880 --> 00:42:54,280
Speaker 1: work together, but it just has to be the right project.

906
00:42:54,440 --> 00:42:58,360
Speaker 1: So we know, MCKINNI gets fifth generation is people's first generations.

907
00:43:00,000 --> 00:43:01,239
Speaker 1: You get the money to buy that help farm and done.

908
00:43:01,280 --> 00:43:04,520
Speaker 1: You don't want to tell you it was I started yourself.

909
00:43:04,680 --> 00:43:08,640
Speaker 1: I started working. I quit college after my freshman year

910
00:43:08,880 --> 00:43:11,719
Speaker 1: and started working in real estate. And frankly, I mean,

911
00:43:11,719 --> 00:43:13,640
Speaker 1: it was a black government, it was a black mayor,

912
00:43:13,680 --> 00:43:16,279
Speaker 1: and they were focused on economic compowerment for black people.

913
00:43:16,280 --> 00:43:17,879
Speaker 1: So I felt it was a good place to start

914
00:43:17,920 --> 00:43:20,879
Speaker 1: doing business. And so I got exposed to real estate

915
00:43:20,880 --> 00:43:23,160
Speaker 1: because my mother was a real estate sales agent and

916
00:43:23,200 --> 00:43:26,560
Speaker 1: a broker, and so I learned from her. I started

917
00:43:26,600 --> 00:43:28,759
Speaker 1: my own company when I was twenty three, wow, and

918
00:43:29,120 --> 00:43:31,360
Speaker 1: built my first building when I was twenty six. But

919
00:43:31,400 --> 00:43:33,520
Speaker 1: I couldn't have done it anywhere else. DC at that

920
00:43:33,560 --> 00:43:37,320
Speaker 1: time was mecca for black economic empowerment. It was Atlanta

921
00:43:37,440 --> 00:43:40,799
Speaker 1: and DC. Maran Barry, Yeah and Maryan Bear for all

922
00:43:40,840 --> 00:43:48,680
Speaker 1: his faults, you know, he was Yeah. At his memorial service,

923
00:43:48,880 --> 00:43:53,080
Speaker 1: Minister Farcom mentioned that about his history of everything that

924
00:43:53,280 --> 00:43:55,279
Speaker 1: you know, he was being criticized for having a drug

925
00:43:55,320 --> 00:43:57,200
Speaker 1: abuse problem, and he said, who are you talking about,

926
00:43:57,280 --> 00:44:04,759
Speaker 1: John Kennedy because it wasn't so yeah. So, I mean,

927
00:44:04,800 --> 00:44:07,480
Speaker 1: Barry was transformative and the government at that time was

928
00:44:07,520 --> 00:44:10,920
Speaker 1: and they knocked down opportunities, barriers to opportunities for black

929
00:44:10,960 --> 00:44:14,839
Speaker 1: business people. Bob Johnson got a start in DC. I

930
00:44:14,880 --> 00:44:17,719
Speaker 1: got mine, many other black business people did. But I

931
00:44:17,760 --> 00:44:21,800
Speaker 1: met Cheryl and her sister. They were freshman in college

932
00:44:22,040 --> 00:44:25,120
Speaker 1: and her cousin was a good friend of mine, and

933
00:44:25,160 --> 00:44:28,160
Speaker 1: so we became friends, and we both had kind of

934
00:44:28,160 --> 00:44:30,719
Speaker 1: common entriests. They were going into the family business. I

935
00:44:30,800 --> 00:44:34,120
Speaker 1: was building mine and some of my sons in our business.

936
00:44:34,120 --> 00:44:37,640
Speaker 1: Now he's twenty seven and my daughter's nineteen and at TCU,

937
00:44:37,760 --> 00:44:40,160
Speaker 1: and I'm hopeful that she will go into the business

938
00:44:40,160 --> 00:44:42,000
Speaker 1: as well, and we can build some legacy. But part

939
00:44:42,000 --> 00:44:45,680
Speaker 1: of the legacy I want to build is demonstrating how

940
00:44:45,800 --> 00:44:48,680
Speaker 1: we can work together, because I may not be able

941
00:44:48,680 --> 00:44:52,080
Speaker 1: to do a three point six billion dollar building by myself,

942
00:44:52,400 --> 00:44:55,440
Speaker 1: Cheryl may not be able to Craig, but collectively we can.

943
00:44:55,960 --> 00:44:58,719
Speaker 1: But John, you didn't need us, I mean financially, but

944
00:44:58,760 --> 00:45:01,560
Speaker 1: I needed you all in every other way. Um, and

945
00:45:01,680 --> 00:45:05,880
Speaker 1: you all bring tremendous resources to the table. I know

946
00:45:05,920 --> 00:45:09,040
Speaker 1: people are watching this and they were all so good man.

947
00:45:08,040 --> 00:45:11,000
Speaker 1: I'm just saying this just feel so good man. I

948
00:45:11,040 --> 00:45:13,200
Speaker 1: know people are watching this and then they want to

949
00:45:13,200 --> 00:45:15,360
Speaker 1: know how though, Like it's you know, it's easy to

950
00:45:15,360 --> 00:45:17,440
Speaker 1: say I bought my first building any but but how

951
00:45:17,440 --> 00:45:20,759
Speaker 1: where did the capital come from? Like? Where does one start? Well?

952
00:45:20,760 --> 00:45:22,799
Speaker 1: I think the first thing is with a dream. I

953
00:45:22,840 --> 00:45:26,160
Speaker 1: mean developers are dreamers, um with visionaries and so with

954
00:45:26,280 --> 00:45:30,000
Speaker 1: the dream and with a plan and becoming a student

955
00:45:30,080 --> 00:45:31,960
Speaker 1: of the business and I mean beasts. You can be

956
00:45:32,000 --> 00:45:34,839
Speaker 1: self taught, read some books, learn about the business. It's

957
00:45:34,880 --> 00:45:37,600
Speaker 1: not a complicated business by the way supply and demand,

958
00:45:38,080 --> 00:45:41,640
Speaker 1: So understanding the business, having a dream and having a

959
00:45:41,719 --> 00:45:44,439
Speaker 1: dream to be achievable, but you know, pushing and then

960
00:45:44,840 --> 00:45:48,160
Speaker 1: I'm finding an idea. Once you find an idea, then

961
00:45:48,280 --> 00:45:52,239
Speaker 1: you can raise money for it. Now, what Cheryl touched on,

962
00:45:52,320 --> 00:45:55,200
Speaker 1: if you're black, don't expect it to be easy. Um.

963
00:45:55,200 --> 00:45:58,040
Speaker 1: The Federal Reserved did a study last year, just sixty

964
00:45:58,120 --> 00:46:01,879
Speaker 1: nine trillion dollars investing in equity and venture capital, and

965
00:46:01,960 --> 00:46:04,920
Speaker 1: that's normally goes. That's where real estate developers get equity

966
00:46:04,920 --> 00:46:08,000
Speaker 1: for their project from private equity, But just sixty nine

967
00:46:08,040 --> 00:46:11,440
Speaker 1: trillion dollars invested in private equity in the United States,

968
00:46:11,680 --> 00:46:13,759
Speaker 1: and out of that, one point three percent of it

969
00:46:13,800 --> 00:46:18,280
Speaker 1: goes to businesses own or founded, or projects or worked

970
00:46:18,320 --> 00:46:22,359
Speaker 1: on by blocks or women combined. So white men get

971
00:46:22,440 --> 00:46:24,800
Speaker 1: ninety eight point seven percent of all venture capital and

972
00:46:24,840 --> 00:46:27,279
Speaker 1: private equity money. So the challenge is equity. But if

973
00:46:27,320 --> 00:46:30,240
Speaker 1: you can, you can raise the money friends and family

974
00:46:30,440 --> 00:46:34,280
Speaker 1: and so on, and then build your building or buy

975
00:46:34,280 --> 00:46:36,759
Speaker 1: a property and renovate it. And then do what I

976
00:46:36,760 --> 00:46:38,400
Speaker 1: did is I rolled all my money back in. So

977
00:46:38,440 --> 00:46:41,640
Speaker 1: the first project that we did was ten million dollars.

978
00:46:42,120 --> 00:46:46,240
Speaker 1: Didn't start didn't you started with an impartment department of shouse.

979
00:46:46,600 --> 00:46:48,319
Speaker 1: I think that's the question, Like you started from us

980
00:46:48,600 --> 00:46:50,680
Speaker 1: your part? Yeah, but then right, but then after that

981
00:46:51,160 --> 00:46:54,200
Speaker 1: I started consulting an appraisal business, and that's how I

982
00:46:54,280 --> 00:46:57,040
Speaker 1: earned a living and begin to accumulate some money to save.

983
00:46:57,520 --> 00:47:00,319
Speaker 1: And then with that money, I found an operat unity

984
00:47:00,400 --> 00:47:03,359
Speaker 1: to build an office building. But if you have a

985
00:47:03,440 --> 00:47:07,120
Speaker 1: dream and you're willing to do some work, you can

986
00:47:07,280 --> 00:47:09,960
Speaker 1: make money in the real estate business. You know, we

987
00:47:10,080 --> 00:47:13,760
Speaker 1: talk about the the racial no world gap in America.

988
00:47:13,920 --> 00:47:16,600
Speaker 1: A lot you think that actually can be closed in

989
00:47:16,600 --> 00:47:19,400
Speaker 1: this generation. I don't think it can be closed. I

990
00:47:19,440 --> 00:47:21,879
Speaker 1: think we can make some progress, but we won't do

991
00:47:21,920 --> 00:47:25,040
Speaker 1: it the way it is right now. And one of

992
00:47:25,080 --> 00:47:27,319
Speaker 1: your former guests is a man I've known a long

993
00:47:27,400 --> 00:47:31,040
Speaker 1: time and currently president, and I remember it's comment about

994
00:47:31,120 --> 00:47:33,080
Speaker 1: it could make up your mind between him and Trump.

995
00:47:33,080 --> 00:47:36,880
Speaker 1: You're not black, well, I mean again, no permanent friends,

996
00:47:36,880 --> 00:47:39,680
Speaker 1: no permanent enemies, permanent interests. But he would be at

997
00:47:39,960 --> 00:47:43,440
Speaker 1: right now in the Delaware waterfront, on the porch of

998
00:47:43,480 --> 00:47:47,839
Speaker 1: his house if it wasn't for black people. It's time

999
00:47:47,880 --> 00:47:51,040
Speaker 1: to pay up, and I mean pay up in other

1000
00:47:51,120 --> 00:47:55,759
Speaker 1: ways by giving us access to economic opportunity. And that's

1001
00:47:55,760 --> 00:47:58,920
Speaker 1: when we close the wallscap a place like Boston. According

1002
00:47:58,960 --> 00:48:02,640
Speaker 1: to Federal Reserve, the average household net worth of a

1003
00:48:02,719 --> 00:48:05,319
Speaker 1: white family in Boston is two hundred and forty seven

1004
00:48:05,360 --> 00:48:08,560
Speaker 1: thousand dollars. The average household net worth of a black

1005
00:48:08,600 --> 00:48:14,240
Speaker 1: family is eight dollars eight dollars. That isn't insurmountable, whilst

1006
00:48:14,280 --> 00:48:21,120
Speaker 1: disparity without affirmative aggressive eight dollars to two hundred and

1007
00:48:21,120 --> 00:48:26,160
Speaker 1: forty seven thousand, and so you can't solve that by

1008
00:48:26,239 --> 00:48:30,040
Speaker 1: taking baby steps. Frankly, we can't let these liberal democrats

1009
00:48:30,440 --> 00:48:33,279
Speaker 1: continue to try to make us comfortable being poor. So

1010
00:48:33,440 --> 00:48:40,760
Speaker 1: we're gonna have to demand aggressive steps economically, not window dressing,

1011
00:48:40,840 --> 00:48:42,880
Speaker 1: not hiring a few black people here and there. And

1012
00:48:42,920 --> 00:48:44,480
Speaker 1: by the way, the other thing, when black people get

1013
00:48:44,560 --> 00:48:47,000
Speaker 1: in a position of power, they got to help each other.

1014
00:48:47,560 --> 00:48:50,799
Speaker 1: We cannot get into these positions and sit in them

1015
00:48:51,200 --> 00:48:53,520
Speaker 1: and then just kind of keep the status quo so

1016
00:48:53,560 --> 00:48:55,319
Speaker 1: then they can say, see, there, we got a black

1017
00:48:55,320 --> 00:48:57,680
Speaker 1: person in here, so we're not racist. We're not doing

1018
00:48:57,680 --> 00:49:00,200
Speaker 1: anything because we can't find any qualified black people. Well,

1019
00:49:00,239 --> 00:49:02,759
Speaker 1: because if we could, the brother over here or the

1020
00:49:02,800 --> 00:49:05,000
Speaker 1: sister over here would be doing it, and they're not.

1021
00:49:05,239 --> 00:49:07,279
Speaker 1: And that's one of the reasons why my company has

1022
00:49:07,320 --> 00:49:10,359
Speaker 1: focused on this issue. And I would dare to say

1023
00:49:10,400 --> 00:49:16,000
Speaker 1: that I am the most outspoken advocate for equal opportunity

1024
00:49:16,000 --> 00:49:20,120
Speaker 1: and fair treatment for black people in business and finance

1025
00:49:20,480 --> 00:49:23,120
Speaker 1: and that and also that we got to do it aggressively.

1026
00:49:23,160 --> 00:49:25,400
Speaker 1: We cannot just sit back here anymore. What do you

1027
00:49:25,800 --> 00:49:28,520
Speaker 1: what does reparations look like? Yeah, I think that what's

1028
00:49:28,600 --> 00:49:33,600
Speaker 1: realistic for us is that the entire system of how

1029
00:49:34,000 --> 00:49:38,480
Speaker 1: our government does business changes, and it is reflective of

1030
00:49:38,640 --> 00:49:41,920
Speaker 1: population demographics. So if you're in a city that it's

1031
00:49:42,000 --> 00:49:44,840
Speaker 1: fifty percent black, fifty percent of the government contracts go

1032
00:49:44,920 --> 00:49:47,480
Speaker 1: to black businesses. If you're a business like you know,

1033
00:49:47,600 --> 00:49:53,560
Speaker 1: Goldman Sacks or whatever, and you are taking institutional capital

1034
00:49:53,640 --> 00:49:56,600
Speaker 1: as an investment advisor, then you've got to deploy that

1035
00:49:57,120 --> 00:50:00,360
Speaker 1: reflective of the population demographics. So if you're running a

1036
00:50:00,480 --> 00:50:03,320
Speaker 1: national business, black people a thirteen percent of the population,

1037
00:50:03,440 --> 00:50:05,400
Speaker 1: thirteen percent of the loans have to be made to

1038
00:50:05,600 --> 00:50:07,840
Speaker 1: black businesses and black people on the same terms that

1039
00:50:07,880 --> 00:50:09,799
Speaker 1: you make them to the white firms. So we could

1040
00:50:09,800 --> 00:50:13,520
Speaker 1: do that just a fairness, I mean, we would make

1041
00:50:13,560 --> 00:50:15,680
Speaker 1: great progress. But what has happened here is that the

1042
00:50:15,880 --> 00:50:20,960
Speaker 1: impediments to our to us having fair opportunity are compounded

1043
00:50:20,960 --> 00:50:24,759
Speaker 1: by these obstacles and these injustices. Economically, Oh brother, don

1044
00:50:24,760 --> 00:50:28,080
Speaker 1: I can't buy no building with fairness. I need some capital, right,

1045
00:50:28,120 --> 00:50:29,080
Speaker 1: you know what I mean? So as you feel like

1046
00:50:29,120 --> 00:50:33,480
Speaker 1: America ows there's something tangible, Yes, yeah, I think America

1047
00:50:33,520 --> 00:50:37,879
Speaker 1: owes us something tangible by giving us capital. Look, I

1048
00:50:37,920 --> 00:50:40,840
Speaker 1: think there should be some place where there's like a

1049
00:50:40,880 --> 00:50:47,080
Speaker 1: pool of capital that goes to black people. And yeah,

1050
00:50:47,239 --> 00:50:49,839
Speaker 1: but not loans should be and if you and if

1051
00:50:49,840 --> 00:50:52,640
Speaker 1: you execute, you know, and if you execute, then you

1052
00:50:52,680 --> 00:50:55,360
Speaker 1: don't pay it back exactly right. But I think we

1053
00:50:55,520 --> 00:50:58,600
Speaker 1: also have to say, okay, what about property that has

1054
00:50:58,640 --> 00:51:01,960
Speaker 1: to be adjustin the reperate cash reparations were returning a

1055
00:51:02,120 --> 00:51:04,879
Speaker 1: property needs to take place? All right, when we come back,

1056
00:51:04,920 --> 00:51:07,560
Speaker 1: we have more with Cheryl McKissick, Daniel and Don Peebles.

1057
00:51:07,560 --> 00:51:09,920
Speaker 1: So don't move. It's to breakfast Club. Go morning morning,

1058
00:51:09,960 --> 00:51:14,200
Speaker 1: everybody charge the guy. We all the Breakfast Club was

1059
00:51:14,200 --> 00:51:17,920
Speaker 1: still kicking it with Cheryl McKissick, Daniel and Don Peebles. Charlemagne,

1060
00:51:18,120 --> 00:51:21,759
Speaker 1: how difficult is it navigating the construction industry and the

1061
00:51:21,880 --> 00:51:25,840
Speaker 1: real estate industry as a black person? It's hard knocks

1062
00:51:27,160 --> 00:51:32,560
Speaker 1: a black woman. Yeah, I mean, Don talked about black

1063
00:51:32,600 --> 00:51:36,640
Speaker 1: females starting to the most businesses. However, we're still only

1064
00:51:36,680 --> 00:51:40,160
Speaker 1: two percent of the businesses in New York City. And

1065
00:51:40,239 --> 00:51:43,319
Speaker 1: so how was I able to build a business in

1066
00:51:43,360 --> 00:51:48,600
Speaker 1: New York? It was really pushing prime opportunities, not where

1067
00:51:48,680 --> 00:51:52,040
Speaker 1: I was a sub consultant, you know, working under the

1068
00:51:52,280 --> 00:51:55,680
Speaker 1: umbrella of a large firm. No, I had to be

1069
00:51:55,760 --> 00:51:59,200
Speaker 1: the lead person, whether that was a two million dollar

1070
00:51:59,280 --> 00:52:03,000
Speaker 1: project that turned into a five million dollar project or

1071
00:52:03,120 --> 00:52:06,360
Speaker 1: ten million dollar project. But that was all a fight

1072
00:52:06,680 --> 00:52:09,759
Speaker 1: because there are no laws out there for that. You know,

1073
00:52:09,840 --> 00:52:14,480
Speaker 1: you have to create relationships and you know, convince people

1074
00:52:14,920 --> 00:52:17,279
Speaker 1: to give you this shot. And that's coming from a

1075
00:52:17,280 --> 00:52:19,920
Speaker 1: fifth generation company. So I can imagine, oh yeah, two

1076
00:52:20,040 --> 00:52:23,680
Speaker 1: hundred and thirty years wow, and we're still having to

1077
00:52:23,719 --> 00:52:26,720
Speaker 1: prove who we are and still not getting the access

1078
00:52:26,760 --> 00:52:29,560
Speaker 1: that we should get politically. Do you know, do these

1079
00:52:29,600 --> 00:52:32,520
Speaker 1: politicians come to you, of course to make donations and stuff,

1080
00:52:32,640 --> 00:52:34,719
Speaker 1: And if so, does that give y'all some type of

1081
00:52:35,000 --> 00:52:37,799
Speaker 1: power when it comes to them. Yeah, you get y'all

1082
00:52:37,800 --> 00:52:40,080
Speaker 1: able to demand things from them. So I've been involved

1083
00:52:40,120 --> 00:52:45,120
Speaker 1: in politics my entire careers. Obama's National Finance Committee for

1084
00:52:45,200 --> 00:52:48,400
Speaker 1: both of his election, Bill Clinton's as well. What I

1085
00:52:48,640 --> 00:52:51,239
Speaker 1: learned over the years is that you can have some

1086
00:52:51,440 --> 00:52:57,240
Speaker 1: access to some people, but even there we get discriminated against.

1087
00:52:57,520 --> 00:53:01,879
Speaker 1: We're big supporters of many different policy petitians, but they

1088
00:53:01,960 --> 00:53:06,239
Speaker 1: will be willing to jump over backwards to help a

1089
00:53:06,280 --> 00:53:09,680
Speaker 1: white business person who is you know, at a high level,

1090
00:53:10,600 --> 00:53:14,000
Speaker 1: but when it comes to us, they'll decide when they're

1091
00:53:14,000 --> 00:53:16,359
Speaker 1: going to treat us fairly and when they're not, and

1092
00:53:16,400 --> 00:53:19,840
Speaker 1: that the money's not as impactful. And it's kind of

1093
00:53:19,840 --> 00:53:21,839
Speaker 1: a subtlety. And I don't know if I'm explaining it right,

1094
00:53:22,080 --> 00:53:25,200
Speaker 1: but what I'm saying is that our money isn't as

1095
00:53:25,320 --> 00:53:30,160
Speaker 1: good as the other people's money when it comes to

1096
00:53:30,280 --> 00:53:33,359
Speaker 1: many politicians, even if you have the same amount of money,

1097
00:53:33,880 --> 00:53:36,400
Speaker 1: even if financially y'all on equal footage, you'll tell us

1098
00:53:36,440 --> 00:53:41,000
Speaker 1: there's a wall between policy and making decisions as a

1099
00:53:41,040 --> 00:53:46,439
Speaker 1: government leader and your money. And so what I've done,

1100
00:53:46,520 --> 00:53:49,719
Speaker 1: and that's so fundraising and contributing money is kind of

1101
00:53:49,719 --> 00:53:52,200
Speaker 1: the carrot. I say, Okay, the carrot doesn't work, I'll

1102
00:53:52,280 --> 00:53:54,520
Speaker 1: use a stick. So a couple of times that these

1103
00:53:54,560 --> 00:53:58,520
Speaker 1: people have crossed me and treated me unfairly, I form

1104
00:53:58,560 --> 00:54:01,920
Speaker 1: a political action committee and I run an independent campaign

1105
00:54:01,960 --> 00:54:05,040
Speaker 1: against them. And because I figure, if I got some money,

1106
00:54:05,280 --> 00:54:06,800
Speaker 1: I need to use it at least to level of

1107
00:54:06,840 --> 00:54:09,359
Speaker 1: playing field for what I'm trying to do. And so

1108
00:54:09,800 --> 00:54:11,600
Speaker 1: I'm not going to take it on the chin. And

1109
00:54:11,640 --> 00:54:13,759
Speaker 1: that's the other thing is that they think that they

1110
00:54:13,840 --> 00:54:16,719
Speaker 1: can threw us over and get away with it. So

1111
00:54:16,760 --> 00:54:19,719
Speaker 1: I try to send a message no, there's some repercussions

1112
00:54:19,760 --> 00:54:22,080
Speaker 1: if you treat us unfairly. You think we do ourselves

1113
00:54:22,120 --> 00:54:25,400
Speaker 1: a disservice by always voting Democrat, always being with one

1114
00:54:25,400 --> 00:54:28,160
Speaker 1: party against low to one party, Yes, I think. So,

1115
00:54:28,760 --> 00:54:31,719
Speaker 1: I think we need to vote what policies are important

1116
00:54:31,760 --> 00:54:36,560
Speaker 1: to us and get them to agree to some concrete things.

1117
00:54:36,800 --> 00:54:40,359
Speaker 1: So I chaired the Congressional Black Caucus Foundation Board, which

1118
00:54:40,400 --> 00:54:43,480
Speaker 1: is the think tank for the fifty some black members

1119
00:54:43,480 --> 00:54:46,879
Speaker 1: of Congress and does that legislative weekend in Washington, DC.

1120
00:54:47,080 --> 00:54:51,160
Speaker 1: So I chaired that last three years of Obama's administration

1121
00:54:51,320 --> 00:54:53,719
Speaker 1: and then going into trump first year, And I told

1122
00:54:53,760 --> 00:54:55,960
Speaker 1: the caucus members when Trump came in, I know him

1123
00:54:56,400 --> 00:54:59,320
Speaker 1: and he's transactional. Go meet with him with a list

1124
00:54:59,360 --> 00:55:02,400
Speaker 1: of things for black people. Because you all weren't elected

1125
00:55:02,640 --> 00:55:05,959
Speaker 1: to be Democrats. You were elected to advocate for black people,

1126
00:55:06,000 --> 00:55:09,359
Speaker 1: your constituents. So go with a list of what your

1127
00:55:09,400 --> 00:55:12,759
Speaker 1: constituents want and tell him you want this, and ask

1128
00:55:12,840 --> 00:55:14,640
Speaker 1: him what does he want, and see if there's a

1129
00:55:14,640 --> 00:55:17,640
Speaker 1: deal to be made. But you can't put the black

1130
00:55:17,680 --> 00:55:21,280
Speaker 1: agenda on hold for a four to eight years because

1131
00:55:21,280 --> 00:55:23,399
Speaker 1: you don't like the guy in the office. You got

1132
00:55:23,400 --> 00:55:26,239
Speaker 1: to play a game of power. You gotta constantly fight

1133
00:55:26,280 --> 00:55:29,760
Speaker 1: because our agenda can't wait. So we should do business

1134
00:55:29,760 --> 00:55:33,720
Speaker 1: with whoever we have to to get our program going forward,

1135
00:55:33,960 --> 00:55:36,960
Speaker 1: and then we can vote again later. The Democratic Party

1136
00:55:37,080 --> 00:55:40,120
Speaker 1: takes us for granted, and they have for a very

1137
00:55:40,160 --> 00:55:43,560
Speaker 1: long time. And frankly, we should be on the front

1138
00:55:43,600 --> 00:55:46,879
Speaker 1: steps of the White House telling Joe Biden this isn't enough.

1139
00:55:47,040 --> 00:55:50,080
Speaker 1: It's great that you appointed a qualified woman to the

1140
00:55:50,120 --> 00:55:54,040
Speaker 1: Supreme Court, a black woman, all right, but here's what

1141
00:55:54,120 --> 00:55:59,239
Speaker 1: we need over in the Supreme Court. Expand the Supreme

1142
00:55:59,280 --> 00:56:01,680
Speaker 1: Court in a forge ye want to if you want

1143
00:56:01,680 --> 00:56:05,040
Speaker 1: to really make an impact. But also, he's responsible for

1144
00:56:05,239 --> 00:56:07,560
Speaker 1: the nineteen ninety four crimes, and I tell him to

1145
00:56:07,600 --> 00:56:11,120
Speaker 1: his face he's responsible for He's clean it up, and

1146
00:56:11,440 --> 00:56:16,279
Speaker 1: he has not addressed that yet. And he spoke passionately,

1147
00:56:16,440 --> 00:56:18,120
Speaker 1: and he was the floor leader in the Senate for

1148
00:56:18,160 --> 00:56:20,719
Speaker 1: Bill Clinton from the nineteen ninety four crime bill that

1149
00:56:20,840 --> 00:56:23,560
Speaker 1: led to the mass incarceration of black men and women

1150
00:56:24,360 --> 00:56:28,000
Speaker 1: and these mandatory sentences that destroyed lives. So he's got

1151
00:56:28,000 --> 00:56:29,759
Speaker 1: to clean that up. And he's got to clean that up.

1152
00:56:29,840 --> 00:56:32,480
Speaker 1: Not just what's criminal justice reform, because that's only going

1153
00:56:32,560 --> 00:56:35,919
Speaker 1: to deal with what's going forward. But secondly, he's got

1154
00:56:35,920 --> 00:56:39,080
Speaker 1: to make right what he's done our community and our

1155
00:56:39,120 --> 00:56:42,520
Speaker 1: people since nineteen ninety four, before nineties. Yeah, because you

1156
00:56:42,560 --> 00:56:44,920
Speaker 1: know the mandatory minimum sentence in the crack laws. That

1157
00:56:45,040 --> 00:56:47,399
Speaker 1: was the eighties eighties. You're right. Yeah. When I when

1158
00:56:47,400 --> 00:56:48,759
Speaker 1: I said that to him, I said, um, you know

1159
00:56:48,760 --> 00:56:50,080
Speaker 1: they led the massive cause race And he said, no,

1160
00:56:50,120 --> 00:56:52,120
Speaker 1: it didn't. It was the mandatory minimum in the eighties.

1161
00:56:52,120 --> 00:56:56,200
Speaker 1: I said, when you wrote that too, it was easy

1162
00:56:56,200 --> 00:56:58,600
Speaker 1: to do business with? Is it Biden or was it

1163
00:56:58,640 --> 00:57:01,239
Speaker 1: Trump to do business with? I think Trump would would

1164
00:57:01,280 --> 00:57:03,600
Speaker 1: be easier to do business with because there's no competing

1165
00:57:03,640 --> 00:57:06,200
Speaker 1: interest and he's a decisive person. I think that the

1166
00:57:06,280 --> 00:57:10,800
Speaker 1: Democratic presidents have tried to make this Rainbow constituency happy.

1167
00:57:11,000 --> 00:57:15,760
Speaker 1: So same thing about reparations and minority contracting. This country

1168
00:57:16,480 --> 00:57:21,200
Speaker 1: owes two classes of people a great debt. It owes

1169
00:57:21,400 --> 00:57:25,120
Speaker 1: Native Americans a great debt, and then it owes black

1170
00:57:25,160 --> 00:57:28,160
Speaker 1: people a debt, and it's time to pay that. And

1171
00:57:28,280 --> 00:57:31,760
Speaker 1: Biden could do that. Frankly, I was disappointed because I

1172
00:57:31,840 --> 00:57:35,000
Speaker 1: thought that President Obama should have done it. But Trump

1173
00:57:35,120 --> 00:57:39,800
Speaker 1: is transactional, so you can do business with him today

1174
00:57:40,040 --> 00:57:42,640
Speaker 1: and be against him tomorrow. He's going to understand that

1175
00:57:42,640 --> 00:57:46,000
Speaker 1: because he's wise that way. So we have to be

1176
00:57:46,160 --> 00:57:49,840
Speaker 1: focused on getting business done. And to this point in time,

1177
00:57:50,240 --> 00:57:53,000
Speaker 1: I can't think about what the President of the United

1178
00:57:53,000 --> 00:57:55,640
Speaker 1: States has done for black people. And he's been in

1179
00:57:55,840 --> 00:57:58,800
Speaker 1: office for a year. So how long do we have

1180
00:57:58,920 --> 00:58:02,040
Speaker 1: to wait for the man that we single handedly put

1181
00:58:02,160 --> 00:58:05,480
Speaker 1: into office? Right? I agree? And our agenda has always last,

1182
00:58:05,600 --> 00:58:10,200
Speaker 1: isn't it? Yes? If yeh? Yes, great conversation, Sister Sheryl,

1183
00:58:13,840 --> 00:58:17,200
Speaker 1: because peoples, I mean that was that was of course.

1184
00:58:17,560 --> 00:58:20,160
Speaker 1: So what's the call to action to change the five

1185
00:58:20,160 --> 00:58:22,400
Speaker 1: thousands for that one? But we need everyone to talk

1186
00:58:22,440 --> 00:58:25,560
Speaker 1: about Affirmation Tower. We need this to be a movement

1187
00:58:25,920 --> 00:58:29,760
Speaker 1: because this is going to change how we position ourselves.

1188
00:58:29,800 --> 00:58:33,160
Speaker 1: It's changing a paradigm for black people, not only in

1189
00:58:33,240 --> 00:58:35,880
Speaker 1: New York but in our nation. And that's the call

1190
00:58:35,960 --> 00:58:39,720
Speaker 1: to action. They need to call the Governor's office of

1191
00:58:39,840 --> 00:58:42,520
Speaker 1: New York and say that they support it. They need

1192
00:58:42,560 --> 00:58:46,400
Speaker 1: to call their their New York City resident or New

1193
00:58:46,480 --> 00:58:49,000
Speaker 1: York State resident. They need to call their elected officials

1194
00:58:49,000 --> 00:58:52,520
Speaker 1: and say that they support this project and they support

1195
00:58:52,600 --> 00:58:56,480
Speaker 1: what it stands for, which is economic opportunity. For black

1196
00:58:56,560 --> 00:59:00,360
Speaker 1: businesses and going forward, we got to hold any anybody

1197
00:59:00,480 --> 00:59:02,920
Speaker 1: running for office it wants our support. What are you

1198
00:59:03,000 --> 00:59:05,840
Speaker 1: going to do for us economically? That's right? What are

1199
00:59:05,880 --> 00:59:08,040
Speaker 1: you going? How are you going to write this scales

1200
00:59:08,120 --> 00:59:11,520
Speaker 1: of injustice that we're dealing with, And that's the call

1201
00:59:11,560 --> 00:59:16,320
Speaker 1: to action. Economic empowerment for our people will lead us

1202
00:59:16,560 --> 00:59:18,560
Speaker 1: to a much better place because we can. What did

1203
00:59:18,640 --> 00:59:20,200
Speaker 1: James Brown saying, I don't want nobody to give me

1204
00:59:20,200 --> 00:59:22,760
Speaker 1: nothing to open the door. I'll get it myself, right, Well,

1205
00:59:22,760 --> 00:59:24,640
Speaker 1: that's what we want to open the doors of opportunity.

1206
00:59:24,760 --> 00:59:26,960
Speaker 1: Let us do our thing. We have shown. I want

1207
00:59:27,000 --> 00:59:28,360
Speaker 1: both done. I want to open the door. I want

1208
00:59:28,400 --> 00:59:29,840
Speaker 1: something to be sitting on the table when I walk in.

1209
00:59:29,880 --> 00:59:31,520
Speaker 1: I agree with you, and it should be by the way,

1210
00:59:31,680 --> 00:59:35,840
Speaker 1: our our ancestors paid for it, and we got nothing

1211
00:59:35,920 --> 00:59:39,280
Speaker 1: for it. They got nothing for it but extreme oppression.

1212
00:59:39,640 --> 00:59:41,760
Speaker 1: And so this country owes us a death. The White

1213
00:59:41,800 --> 00:59:43,920
Speaker 1: House that Biden is sleeping and was built by slaves.

1214
00:59:44,000 --> 00:59:48,360
Speaker 1: That's right, that's it. Well, we appreciate you, guys man,

1215
00:59:48,720 --> 00:59:51,160
Speaker 1: and please, anytime y'all want to pull up, pull up,

1216
00:59:51,240 --> 00:59:55,640
Speaker 1: all right, okay, we will absolutely well, absolute cub good

1217
00:59:55,640 --> 00:59:59,640
Speaker 1: morning the breakfast club, your mornings will never be the same.

1218
01:00:00,560 --> 01:00:02,919
Speaker 1: When it's time to get with someone special, the best

1219
01:00:02,920 --> 01:00:05,760
Speaker 1: way to do it is with Magnum large sized condoms.

1220
01:00:05,800 --> 01:00:08,360
Speaker 1: That gold foil rapper is a badge of honor and

1221
01:00:08,400 --> 01:00:10,919
Speaker 1: it means you're protected and you take care of things

1222
01:00:10,960 --> 01:00:14,080
Speaker 1: with comfort. Accept no substitute. Bring the pleasure with the

1223
01:00:14,200 --> 01:00:30,040
Speaker 1: gold standard Magnum large sized condoms you get day you are,

1224
01:00:30,400 --> 01:00:34,640
Speaker 1: I'm gonna fatten all that shit around your eye Doten Blowers. Man,

1225
01:00:34,640 --> 01:00:38,720
Speaker 1: they're waiting for Charlomagne to make a judgment. Who was

1226
01:00:38,760 --> 01:00:40,919
Speaker 1: gonna be on the Donkey of the day. They chose

1227
01:00:41,000 --> 01:00:44,360
Speaker 1: you's a breakfast club, bitches, Who's donkey of the day

1228
01:00:44,400 --> 01:00:47,040
Speaker 1: to day? Well, donkey today was to a hiker in

1229
01:00:47,120 --> 01:00:50,040
Speaker 1: Colorado who got lost on a mountain for twenty four hours.

1230
01:00:51,640 --> 01:00:54,360
Speaker 1: Now I know what you're thinking, Why, oh why with

1231
01:00:54,520 --> 01:00:57,160
Speaker 1: Uncle Charla, Brother Lennard give a man who got lost

1232
01:00:57,200 --> 01:00:59,600
Speaker 1: for twenty four hours hiking donkey of the day. Well,

1233
01:00:59,680 --> 01:01:02,360
Speaker 1: it's tough one. It's a tough one because on one hand,

1234
01:01:02,920 --> 01:01:05,400
Speaker 1: I feel him. On the other hand, I'm like, I

1235
01:01:05,440 --> 01:01:08,200
Speaker 1: don't think he wanted to be saved. Let me explain see.

1236
01:01:08,240 --> 01:01:10,760
Speaker 1: This man was reported missing after he didn't return from

1237
01:01:10,760 --> 01:01:14,480
Speaker 1: an expedition on October eighteenth on Mount Elbert. Mount Elbert

1238
01:01:14,520 --> 01:01:16,720
Speaker 1: is the highest peak in the state of Colorado. Now,

1239
01:01:16,760 --> 01:01:20,560
Speaker 1: he was lost, clearly, but sometimes folks be lost to us,

1240
01:01:21,040 --> 01:01:24,400
Speaker 1: but to them they just outside, all right, this kind

1241
01:01:24,400 --> 01:01:26,760
Speaker 1: of feels like one of those situations, even though it's not.

1242
01:01:27,120 --> 01:01:29,040
Speaker 1: I know y'all think I sound like Rafiki and the

1243
01:01:29,040 --> 01:01:31,080
Speaker 1: Lion King right now, but listening to me, pay attention

1244
01:01:31,160 --> 01:01:33,720
Speaker 1: follow this because they will all make sense in one second. Now,

1245
01:01:33,760 --> 01:01:36,840
Speaker 1: if people think you're lost, the first thing I would

1246
01:01:36,840 --> 01:01:40,880
Speaker 1: assume to do is call your phone, right. That's what

1247
01:01:40,960 --> 01:01:42,760
Speaker 1: they tried to do to this hiker. And this is

1248
01:01:42,800 --> 01:01:44,760
Speaker 1: where it gets tricky for me, because trust me when

1249
01:01:44,800 --> 01:01:47,680
Speaker 1: I tell you, I feel how this hike could be feeling.

1250
01:01:47,920 --> 01:01:50,440
Speaker 1: Let's go to KGTV ABC ten for the report. Police.

1251
01:01:50,520 --> 01:01:52,920
Speaker 1: We're looking into a story that seems hard to believe.

1252
01:01:53,200 --> 01:01:57,240
Speaker 1: It claims a loss hiker ignored calls from a rescue

1253
01:01:57,320 --> 01:02:00,919
Speaker 1: cruz because he didn't recognize the phone number, and it's

1254
01:02:00,960 --> 01:02:04,520
Speaker 1: actually true. The hiker was reported missing last week after

1255
01:02:04,560 --> 01:02:07,120
Speaker 1: he failed to return from a track on Mount Albert

1256
01:02:07,240 --> 01:02:10,800
Speaker 1: in Colorado, and the Lake County Search and Rescue team

1257
01:02:10,880 --> 01:02:14,520
Speaker 1: says they repeatedly tried calling the hikers cell phone, but

1258
01:02:14,600 --> 01:02:18,560
Speaker 1: the man never answered because he didn't recognize the number.

1259
01:02:18,880 --> 01:02:22,040
Speaker 1: The hiker did safely return to his place of lodging

1260
01:02:22,160 --> 01:02:25,800
Speaker 1: twenty four hours later, with no idea that anyone had

1261
01:02:25,800 --> 01:02:28,160
Speaker 1: been looking for him. Raise your hand if you don't

1262
01:02:28,520 --> 01:02:32,960
Speaker 1: answer unrecognized phone numbers, okay, if you're driving, blow the horn,

1263
01:02:33,200 --> 01:02:35,880
Speaker 1: all right. I just assumed that an unrecognized phone number

1264
01:02:36,120 --> 01:02:38,120
Speaker 1: is a bill collector, all right, and you're going to

1265
01:02:38,240 --> 01:02:40,360
Speaker 1: a voicemail that I will never check. Now I have

1266
01:02:40,400 --> 01:02:42,680
Speaker 1: to ask another question, how lost are you really if

1267
01:02:42,720 --> 01:02:44,840
Speaker 1: you don't answer the phone and people are looking for

1268
01:02:44,920 --> 01:02:49,280
Speaker 1: you simply because you don't recognize the phone number. I

1269
01:02:49,320 --> 01:02:51,520
Speaker 1: feel him, Okay, I don't answer the phone for numbers

1270
01:02:51,520 --> 01:02:53,360
Speaker 1: I don't know. In fact, too many numbers I don't know.

1271
01:02:53,400 --> 01:02:55,320
Speaker 1: Calling me is one of the main reasons I changed

1272
01:02:55,360 --> 01:02:57,640
Speaker 1: my phone number. But here's the thing, I don't know

1273
01:02:57,680 --> 01:03:01,240
Speaker 1: if this hiker necessarily deserves done today. Sounds like the

1274
01:03:01,280 --> 01:03:04,280
Speaker 1: people who were looking for him deserved donkey today because

1275
01:03:04,320 --> 01:03:06,880
Speaker 1: they're trying to save a person that didn't need saving.

1276
01:03:07,480 --> 01:03:10,880
Speaker 1: Maybe number one he didn't answer a number he didn't know. Therefore,

1277
01:03:10,880 --> 01:03:13,120
Speaker 1: he clearly wasn't scressing. He clearly didn't think he was

1278
01:03:13,160 --> 01:03:16,040
Speaker 1: in danger. Okay, number two, did you hear to enter

1279
01:03:16,120 --> 01:03:17,640
Speaker 1: the news report? Can he played? Just the end of

1280
01:03:17,680 --> 01:03:19,840
Speaker 1: the news report? It's that way to do that. The

1281
01:03:19,920 --> 01:03:22,360
Speaker 1: hiker spent the night searching for the trail and bouncing

1282
01:03:22,400 --> 01:03:24,840
Speaker 1: between different trails to find what I want. That's that

1283
01:03:24,920 --> 01:03:26,680
Speaker 1: wasn't it At the end of it. At the end

1284
01:03:26,680 --> 01:03:28,440
Speaker 1: of it, they said, he made his way back to

1285
01:03:28,520 --> 01:03:31,920
Speaker 1: his lodging. Right, if this guy was really lost, I

1286
01:03:32,120 --> 01:03:35,440
Speaker 1: can't tell. But if he really was lost, round of

1287
01:03:35,480 --> 01:03:39,000
Speaker 1: applause for his focus, give this mass some applause, right, Okay,

1288
01:03:39,320 --> 01:03:41,439
Speaker 1: I mean if I'm lost trying to figure my way back,

1289
01:03:41,480 --> 01:03:43,439
Speaker 1: I don't want to talk to anyone on the phone either.

1290
01:03:43,680 --> 01:03:47,680
Speaker 1: You ever have your GPS going driving but somebody called

1291
01:03:47,720 --> 01:03:51,480
Speaker 1: you and interrupts the GPS, or you're driving and talking

1292
01:03:51,520 --> 01:03:53,760
Speaker 1: and you missing what the GPS is telling you because

1293
01:03:53,800 --> 01:03:55,960
Speaker 1: this person wants to talk on the phone. What your

1294
01:03:56,000 --> 01:04:00,240
Speaker 1: chat about? Okay, I missed me? Exit all right? Asked

1295
01:04:00,240 --> 01:04:02,600
Speaker 1: how this man's brain was working in this moment. He

1296
01:04:02,600 --> 01:04:05,840
Speaker 1: couldn't be bothered. He was too busy bouncing from trail

1297
01:04:05,920 --> 01:04:07,800
Speaker 1: to trail trying to figure things out. Now, let's go

1298
01:04:07,800 --> 01:04:09,760
Speaker 1: to this news report from sacB dot com. Here this

1299
01:04:09,800 --> 01:04:11,959
Speaker 1: one the hiker spent the night searching for the trail

1300
01:04:12,000 --> 01:04:14,720
Speaker 1: and bouncing between different trails to find a trailhead where

1301
01:04:14,760 --> 01:04:18,120
Speaker 1: they had parked. Rescuers said, I don't know if he

1302
01:04:18,200 --> 01:04:21,000
Speaker 1: was lost. I really don't. I really don't know if

1303
01:04:21,000 --> 01:04:22,880
Speaker 1: this man was truly lost. But if he was, like

1304
01:04:22,920 --> 01:04:26,200
Speaker 1: the media is reporting, I need to know his reasoning

1305
01:04:26,240 --> 01:04:28,960
Speaker 1: for not answering his phone because I need that kind

1306
01:04:28,960 --> 01:04:31,320
Speaker 1: of discipline in my life. Can somebody go interview this man,

1307
01:04:31,360 --> 01:04:33,480
Speaker 1: Please have a conversation. I need to be able to

1308
01:04:33,520 --> 01:04:37,240
Speaker 1: ignore my phone and other distractions under the rest are

1309
01:04:37,360 --> 01:04:40,520
Speaker 1: not just like you know this individual was. I was

1310
01:04:40,560 --> 01:04:45,000
Speaker 1: always taught desperate people through desperate things, and you know,

1311
01:04:45,120 --> 01:04:48,640
Speaker 1: answering unrecognized phone numbers is an active desperation. So clearly

1312
01:04:48,640 --> 01:04:52,040
Speaker 1: there was nothing desperate about this man because he didn't

1313
01:04:52,040 --> 01:04:53,960
Speaker 1: feel the need to answer his phone while he was

1314
01:04:54,000 --> 01:05:01,560
Speaker 1: so called lost in the mountains. Is a prophet, okay,

1315
01:05:01,640 --> 01:05:05,120
Speaker 1: a beacon of light named Project pat who once said,

1316
01:05:05,600 --> 01:05:08,640
Speaker 1: don't save her, she don't want to be saved. I

1317
01:05:08,680 --> 01:05:11,160
Speaker 1: think this applies to this hiker. All right, don't save

1318
01:05:11,240 --> 01:05:14,120
Speaker 1: this man. He didn't want to be saved. As stupid

1319
01:05:14,120 --> 01:05:16,479
Speaker 1: as we want to call this man. If you gotta

1320
01:05:16,520 --> 01:05:18,600
Speaker 1: let a whole be a hole, you gotta let a

1321
01:05:18,680 --> 01:05:21,360
Speaker 1: hiker be a hiker. But we can still give him

1322
01:05:21,400 --> 01:05:24,080
Speaker 1: the credit he deserves for being I guess what we

1323
01:05:24,120 --> 01:05:28,000
Speaker 1: would call stupid. Sometimes people just don't want to be bothered.

1324
01:05:28,640 --> 01:05:35,080
Speaker 1: But give this hiker the biggest seat anyway, just in

1325
01:05:35,080 --> 01:05:37,760
Speaker 1: case he was really lost. All right, all you gotta

1326
01:05:37,760 --> 01:05:39,320
Speaker 1: do is pick up the phone and not say anything.

1327
01:05:39,400 --> 01:05:43,560
Speaker 1: Pick up the phone, baby, pick up But then but no,

1328
01:05:43,680 --> 01:05:46,880
Speaker 1: that would be if people think you're lost, right and

1329
01:05:46,920 --> 01:05:49,720
Speaker 1: they call your phone, and somebody picks up the phone

1330
01:05:49,720 --> 01:05:52,320
Speaker 1: and don't say nothing. Now they really gonna be described.

1331
01:05:52,480 --> 01:05:55,160
Speaker 1: Now they're gonna really want the law enforcement and everybody.

1332
01:05:55,400 --> 01:05:59,800
Speaker 1: You pick up the phone. That's even worse. She's not

1333
01:05:59,840 --> 01:06:02,560
Speaker 1: a It was like a strange phone. So a strange

1334
01:06:02,680 --> 01:06:05,840
Speaker 1: voice picked up my phone, a strange voice picked up

1335
01:06:05,840 --> 01:06:07,520
Speaker 1: his phone. I really think he's in trouble with her.

1336
01:06:08,560 --> 01:06:12,000
Speaker 1: Oh yeah, yeah, you would have the whole fairs after

1337
01:06:12,160 --> 01:06:15,840
Speaker 1: everybody would be looking for that person. After that collector.

1338
01:06:17,280 --> 01:06:19,480
Speaker 1: All right, well thank you for that. Dog get a day,

1339
01:06:20,200 --> 01:06:27,440
Speaker 1: this club, good morning, the breakfast club. Like nobody has

1340
01:06:27,560 --> 01:06:30,080
Speaker 1: seen what I was doing, you know, But for me,

1341
01:06:30,120 --> 01:06:33,960
Speaker 1: it was kind of like a natural reaction to what

1342
01:06:34,040 --> 01:06:36,040
Speaker 1: was going on, you know what I'm saying, Circle twenty ten,

1343
01:06:36,120 --> 01:06:38,480
Speaker 1: twenty eleven. You know a lot of stuff on the

1344
01:06:38,600 --> 01:06:41,040
Speaker 1: radio was like young money dominant. Then they started going

1345
01:06:41,160 --> 01:06:43,280
Speaker 1: west coast with it, you know what I'm saying, And um,

1346
01:06:43,840 --> 01:06:48,240
Speaker 1: I just felt the need that New York needed something

1347
01:06:48,360 --> 01:06:51,560
Speaker 1: that like represented it again. And yeah, now it's just

1348
01:06:51,640 --> 01:06:54,480
Speaker 1: kind of part of my DNA radio at that time,

1349
01:06:54,520 --> 01:06:56,520
Speaker 1: I know that. Well, you know, I was a kid.

1350
01:06:56,560 --> 01:07:00,959
Speaker 1: I hated everything. I hated a little everything. I didn't

1351
01:07:00,960 --> 01:07:03,280
Speaker 1: want to have talked to nobody. I wouldn't see nobody.

1352
01:07:03,320 --> 01:07:06,000
Speaker 1: I had no type of gauge on really what was

1353
01:07:06,040 --> 01:07:08,919
Speaker 1: going on into the magnitude of how it was going.

1354
01:07:09,160 --> 01:07:11,200
Speaker 1: Why did it take so long? Why why ten years

1355
01:07:11,280 --> 01:07:19,200
Speaker 1: between projects? Oh no, it wasn't to you five years

1356
01:07:19,200 --> 01:07:23,840
Speaker 1: ago American, right, but five years is a long time

1357
01:07:23,880 --> 01:07:26,440
Speaker 1: too in this business. Why five years? Man? It wasn't

1358
01:07:26,480 --> 01:07:29,720
Speaker 1: no specific reason, Like it wasn't like I finished my

1359
01:07:29,760 --> 01:07:31,400
Speaker 1: last time. I was like, yeah, I'm gonna take five

1360
01:07:31,480 --> 01:07:34,120
Speaker 1: years or nine. It just it just happened that way, man.

1361
01:07:34,160 --> 01:07:37,440
Speaker 1: You know, I was experimenting, trying to find a new direction,

1362
01:07:37,520 --> 01:07:39,160
Speaker 1: trying to figure out which way I wanted to go.

1363
01:07:39,640 --> 01:07:42,640
Speaker 1: In addition, I had my first kid, you know, my daughter,

1364
01:07:42,720 --> 01:07:45,800
Speaker 1: she's four years old now, started doing a lot of

1365
01:07:45,840 --> 01:07:49,400
Speaker 1: TV and film stuff started taking off. So it was

1366
01:07:49,440 --> 01:07:51,880
Speaker 1: just really getting used to a new balance. And then

1367
01:07:51,880 --> 01:07:54,560
Speaker 1: the pandemic set me back. Like I had a project,

1368
01:07:54,560 --> 01:07:58,400
Speaker 1: but when the pandemic started, I got connected with myself

1369
01:07:58,440 --> 01:08:01,880
Speaker 1: in a different way, you know, and it became a

1370
01:08:01,880 --> 01:08:05,080
Speaker 1: whole different thing, you know. So it's just it's kind

1371
01:08:05,080 --> 01:08:06,520
Speaker 1: of the way it lined up. But I'll tell you this,

1372
01:08:06,640 --> 01:08:09,680
Speaker 1: like I ain't never playing on going away for that

1373
01:08:09,800 --> 01:08:12,400
Speaker 1: long again. How did you get into acting? For people

1374
01:08:12,400 --> 01:08:15,480
Speaker 1: that don't know, I was a theater student in high school.

1375
01:08:15,520 --> 01:08:18,040
Speaker 1: I went to Edward Armorro. I had like audition for

1376
01:08:18,080 --> 01:08:22,439
Speaker 1: a bunch of different trauma theater programs. Because when I

1377
01:08:22,520 --> 01:08:24,080
Speaker 1: was coming up, when I when it was time for

1378
01:08:24,120 --> 01:08:25,640
Speaker 1: me to go to high school, like I always was

1379
01:08:25,680 --> 01:08:28,400
Speaker 1: into music, but at the time, there was no program

1380
01:08:28,479 --> 01:08:30,840
Speaker 1: to go to like work on my rap skills or

1381
01:08:30,880 --> 01:08:34,760
Speaker 1: the Rapper show. My next like best thing to me

1382
01:08:35,000 --> 01:08:37,680
Speaker 1: was film. They kicked me out after myself more year

1383
01:08:37,720 --> 01:08:41,880
Speaker 1: though for what my attendance is just poor. I was

1384
01:08:41,920 --> 01:08:44,080
Speaker 1: like one out of three black kids. And the great

1385
01:08:44,120 --> 01:08:46,080
Speaker 1: thing about that is I was one out of three

1386
01:08:46,080 --> 01:08:48,679
Speaker 1: black kids. It was me and the homie Sadiq who

1387
01:08:48,680 --> 01:08:51,679
Speaker 1: played ghost Face, who ten wow, So it was dope.

1388
01:08:51,720 --> 01:08:53,840
Speaker 1: You know what I'm saying that, Yeah, you know what

1389
01:08:53,840 --> 01:08:56,400
Speaker 1: I mean, connecting back with him the whole full circle joint.

1390
01:08:56,520 --> 01:08:58,559
Speaker 1: Did you ever think you would lose your rap identity

1391
01:08:58,600 --> 01:09:01,720
Speaker 1: as Joey Badass playing back to Day? Um? No, I

1392
01:09:01,880 --> 01:09:03,800
Speaker 1: think I was gonna lose my rap identity. But that

1393
01:09:03,920 --> 01:09:07,320
Speaker 1: is a good question because I was always reluctant about

1394
01:09:07,439 --> 01:09:09,720
Speaker 1: playing roles that were too close to who I am

1395
01:09:09,720 --> 01:09:11,880
Speaker 1: in real life. But when I got off of that,

1396
01:09:12,040 --> 01:09:15,000
Speaker 1: you know, it's wou tang like that's a big honor.

1397
01:09:15,120 --> 01:09:18,080
Speaker 1: And then Rizzi has been one of my mentors in

1398
01:09:18,120 --> 01:09:20,840
Speaker 1: this game for a long time, so I definitely wanted

1399
01:09:20,880 --> 01:09:22,559
Speaker 1: to come through for him, like I felt he's come

1400
01:09:22,600 --> 01:09:24,840
Speaker 1: through for me a lot of the time. But you know,

1401
01:09:24,960 --> 01:09:27,040
Speaker 1: then I got power and then I got on viv

1402
01:09:27,200 --> 01:09:29,519
Speaker 1: Or foul Tan. Tell me about the jay Z connection

1403
01:09:29,520 --> 01:09:31,360
Speaker 1: because you referenced that a couple of times on the

1404
01:09:31,400 --> 01:09:34,120
Speaker 1: album will make you feel and I might be popt it,

1405
01:09:34,200 --> 01:09:36,240
Speaker 1: but you say peepe game like Jay, That's that's why

1406
01:09:36,280 --> 01:09:38,519
Speaker 1: he didn't sign me. That's why I didn't. He didn't

1407
01:09:38,520 --> 01:09:40,360
Speaker 1: sign us. Get the Game at Bay. Like the forty

1408
01:09:40,439 --> 01:09:43,599
Speaker 1: nine ers, Jay's like an idol. I read his book

1409
01:09:43,680 --> 01:09:46,560
Speaker 1: The Coded, and that line was inspired by piecing the

1410
01:09:46,640 --> 01:09:48,960
Speaker 1: coda when he said he met with Russell Simmons for

1411
01:09:49,000 --> 01:09:52,600
Speaker 1: the first time, and he details experience as him like

1412
01:09:52,680 --> 01:09:55,680
Speaker 1: remembering sitting at that table and looking at them and

1413
01:09:55,800 --> 01:09:57,920
Speaker 1: thinking to himself like damn, like I don't want to

1414
01:09:57,960 --> 01:10:00,320
Speaker 1: be signing these. I want to beat these. Be a

1415
01:10:00,320 --> 01:10:03,599
Speaker 1: first conversation with Jay, you first sit down with him. Yeah, yeah.

1416
01:10:03,720 --> 01:10:06,559
Speaker 1: I was seventeen years old. I was in Denvil. He

1417
01:10:06,600 --> 01:10:08,839
Speaker 1: flew me back out to New York to meet with him,

1418
01:10:09,000 --> 01:10:11,800
Speaker 1: and you know, it was a funny little so I

1419
01:10:11,920 --> 01:10:16,720
Speaker 1: walked in and I'm like, yes, like whatever it is.

1420
01:10:20,080 --> 01:10:23,800
Speaker 1: It was a dope experience, man, because at seventeen years old,

1421
01:10:23,800 --> 01:10:26,280
Speaker 1: I felt so limitless. It was probably like when I

1422
01:10:26,320 --> 01:10:29,200
Speaker 1: was fifteen or sixteen, Like I visualized in my mind

1423
01:10:29,240 --> 01:10:31,200
Speaker 1: like I want to be signed at jay Z. So

1424
01:10:31,200 --> 01:10:33,439
Speaker 1: when I was growing up in that rock Nation building,

1425
01:10:33,520 --> 01:10:36,600
Speaker 1: like a year or two later, I'm like, damn, I

1426
01:10:36,640 --> 01:10:39,960
Speaker 1: could do anything. I'm already in alignment with my idol.

1427
01:10:40,640 --> 01:10:43,080
Speaker 1: Anything is possible. Did he tell you why he didn't

1428
01:10:43,080 --> 01:10:46,679
Speaker 1: sign y'all? It's funny like I always see him now

1429
01:10:46,920 --> 01:10:49,679
Speaker 1: and I'll be wanting to have that conversation, but the time,

1430
01:10:49,800 --> 01:10:52,160
Speaker 1: I feel like the time never permits, like where we act,

1431
01:10:52,320 --> 01:10:54,519
Speaker 1: But I'd be wanting to ask him that I was

1432
01:10:54,560 --> 01:10:57,240
Speaker 1: so young at the time, and to me, there was

1433
01:10:57,280 --> 01:11:00,240
Speaker 1: no reason to not sign at jay Z, but you know,

1434
01:11:00,280 --> 01:11:04,040
Speaker 1: there was other factors involved and like that. So I'm

1435
01:11:04,080 --> 01:11:07,719
Speaker 1: not really sure what exactly happened, because based off the album,

1436
01:11:07,720 --> 01:11:10,080
Speaker 1: it seems like y'all used to be up there a lot,

1437
01:11:10,120 --> 01:11:12,920
Speaker 1: like skateboarding in front of the building. Well, yeah, they

1438
01:11:12,960 --> 01:11:14,880
Speaker 1: showed us a lot of love. And know what I'm saying,

1439
01:11:15,320 --> 01:11:17,640
Speaker 1: to this day, you know, he looks out for me,

1440
01:11:17,680 --> 01:11:20,160
Speaker 1: shows me a lot of love. So it's just always

1441
01:11:20,160 --> 01:11:24,040
Speaker 1: been um more like three degrees of separation. And I

1442
01:11:24,120 --> 01:11:26,040
Speaker 1: like what you said about this being a reintroduction to

1443
01:11:26,080 --> 01:11:28,479
Speaker 1: Joy Badass, because you do tell so much about yourself.

1444
01:11:28,479 --> 01:11:31,360
Speaker 1: You talk about your cousin Richie rich writing your writing

1445
01:11:31,400 --> 01:11:33,600
Speaker 1: your first rap? Yeah, what kind of battery did that?

1446
01:11:33,600 --> 01:11:37,440
Speaker 1: Putting your back? He just like really gave me structure,

1447
01:11:38,080 --> 01:11:39,320
Speaker 1: you know what I'm saying, Like he taught me how

1448
01:11:39,360 --> 01:11:41,120
Speaker 1: to count balls and all like. And then you know,

1449
01:11:41,160 --> 01:11:43,960
Speaker 1: I had other older cousins who's a rapping like that.

1450
01:11:44,160 --> 01:11:46,120
Speaker 1: For a long time, it was a running joke because

1451
01:11:46,560 --> 01:11:49,000
Speaker 1: when I was a kid, I used to always tell them, yo, y'all,

1452
01:11:49,040 --> 01:11:51,519
Speaker 1: y'all need to bring me to the studio and then

1453
01:11:51,960 --> 01:11:56,200
Speaker 1: blew up and I was like, oh, yeah, you remember

1454
01:11:56,200 --> 01:11:59,479
Speaker 1: writing your first rap? Nah? Nah, But it must have

1455
01:11:59,520 --> 01:12:02,200
Speaker 1: been like first grade because that's when I was introduced

1456
01:12:02,200 --> 01:12:05,599
Speaker 1: to poetry and I identified it as like I was like, oh,

1457
01:12:05,640 --> 01:12:08,840
Speaker 1: this is that biggie doing. That's like what my brain said,

1458
01:12:09,040 --> 01:12:11,000
Speaker 1: you know what I mean? And from there I got

1459
01:12:11,040 --> 01:12:14,360
Speaker 1: into poetry. But I will always do like rap style poems.

1460
01:12:14,560 --> 01:12:17,400
Speaker 1: But I remember the first time I spent that verse

1461
01:12:17,439 --> 01:12:19,840
Speaker 1: that my cousin wrote for me for my mom's I

1462
01:12:19,920 --> 01:12:22,920
Speaker 1: was like nine years old and something like my name

1463
01:12:23,000 --> 01:12:25,920
Speaker 1: is little Jay and I got the nine you messed

1464
01:12:25,920 --> 01:12:29,000
Speaker 1: with me and I blow off your mind. They hating cousins.

1465
01:12:29,040 --> 01:12:31,599
Speaker 1: I'll be on my ground and I always shine while

1466
01:12:31,600 --> 01:12:34,400
Speaker 1: you're acting like yourself clocks for I put a pipe

1467
01:12:34,400 --> 01:12:37,920
Speaker 1: bomb in your mailbox something like that, Right, I'm not.

1468
01:12:39,040 --> 01:12:43,040
Speaker 1: I don't know. Na. She even staff for me. She

1469
01:12:43,120 --> 01:12:48,320
Speaker 1: was like, do you know what a nine is? I

1470
01:12:48,479 --> 01:12:50,920
Speaker 1: was like, I'm to me, I'm like, I'm nine, so

1471
01:12:51,000 --> 01:12:55,599
Speaker 1: it just sounds nine years old for me. I'm like, nah.

1472
01:12:55,720 --> 01:12:58,120
Speaker 1: She was like, it's a gun. First of all. I

1473
01:12:58,160 --> 01:13:01,719
Speaker 1: was like word. And then she gave me the realist advice.

1474
01:13:01,720 --> 01:13:03,640
Speaker 1: She was like, Yo, look, if you want to do this,

1475
01:13:03,760 --> 01:13:06,200
Speaker 1: you could do that, but you just gotta be true

1476
01:13:06,240 --> 01:13:09,120
Speaker 1: to yourself. And from there I just kind of took

1477
01:13:09,160 --> 01:13:13,479
Speaker 1: that in rand with about the pipe mall nah. I

1478
01:13:13,520 --> 01:13:15,960
Speaker 1: think she kind of figured out that it wasn't my words,

1479
01:13:16,439 --> 01:13:18,920
Speaker 1: you know what I'm saying. Somebody else was involved in that.

1480
01:13:19,120 --> 01:13:21,080
Speaker 1: All right. We got more with Joey Badass when we

1481
01:13:21,200 --> 01:13:23,280
Speaker 1: come back, don't Move. It's the Breakfast Club. Good Morning,

1482
01:13:23,560 --> 01:13:27,519
Speaker 1: Everybody's DJ Envy Charlemagne the guy we are to Breakfast

1483
01:13:27,520 --> 01:13:30,439
Speaker 1: Club was still kicking it with Joey Badass. Charlemagne. No,

1484
01:13:30,720 --> 01:13:32,840
Speaker 1: I love written in the stars too. You mentioned your

1485
01:13:32,880 --> 01:13:34,920
Speaker 1: daughter earlier you said your daughter was your wake up call.

1486
01:13:35,360 --> 01:13:37,559
Speaker 1: What did that wake up call look like? Do you? Yeah?

1487
01:13:37,640 --> 01:13:40,840
Speaker 1: You know, I felt so obligated in earlier years in

1488
01:13:40,960 --> 01:13:43,880
Speaker 1: my career to take kid people to the point where

1489
01:13:44,240 --> 01:13:47,160
Speaker 1: a lot of the times it burned me out, feeling

1490
01:13:47,200 --> 01:13:49,599
Speaker 1: like guilt survive is guilt and things of that nature.

1491
01:13:49,640 --> 01:13:53,320
Speaker 1: But you know, when my baby girl came, it was like, oh, Okay,

1492
01:13:53,360 --> 01:13:57,320
Speaker 1: this is really the only person I'm responsible for, you

1493
01:13:57,360 --> 01:13:59,519
Speaker 1: know what I'm saying. And now that she's his different

1494
01:13:59,640 --> 01:14:02,760
Speaker 1: Like if you can't respect that, Dan, you know, we

1495
01:14:02,840 --> 01:14:05,320
Speaker 1: can't even be cool no more. How's your life change?

1496
01:14:05,360 --> 01:14:07,920
Speaker 1: How do you move differently now that you have a girl? Well? Yeah,

1497
01:14:07,960 --> 01:14:12,200
Speaker 1: you know, definitely more focused, Definitely more intention and everything

1498
01:14:12,240 --> 01:14:14,760
Speaker 1: that I do, especially when it comes to you know, spending,

1499
01:14:14,880 --> 01:14:17,400
Speaker 1: and you know, I say, it made me more patient,

1500
01:14:17,479 --> 01:14:21,880
Speaker 1: It made me more gentle, It made me more willing

1501
01:14:21,920 --> 01:14:24,160
Speaker 1: to learn and listen. How did you change your overall

1502
01:14:24,200 --> 01:14:27,479
Speaker 1: perspective of women? Definitely, Like you know, from time to

1503
01:14:27,560 --> 01:14:30,360
Speaker 1: time I would have the thought like I wouldn't with

1504
01:14:30,560 --> 01:14:32,640
Speaker 1: my daughter to you know what I'm saying, being in

1505
01:14:32,640 --> 01:14:35,479
Speaker 1: a situation like that, So it definitely kind of gives

1506
01:14:35,479 --> 01:14:38,840
Speaker 1: you a heightened state of awareness when it comes to

1507
01:14:38,880 --> 01:14:41,400
Speaker 1: that interaction. But I mean, I've always been a super

1508
01:14:41,439 --> 01:14:45,040
Speaker 1: respectful man anyway, but like you know, with my baby

1509
01:14:45,080 --> 01:14:47,160
Speaker 1: girl in my life, it definitely kind of shased my

1510
01:14:47,200 --> 01:14:49,479
Speaker 1: mind in a way, like, let me try to be

1511
01:14:49,560 --> 01:14:51,519
Speaker 1: more like the version of the man that I would

1512
01:14:51,560 --> 01:14:54,320
Speaker 1: want my baby girl to grow up. Man, you know,

1513
01:14:54,560 --> 01:14:57,040
Speaker 1: be with deal with Do you ever look at it

1514
01:14:57,120 --> 01:14:58,880
Speaker 1: like I was this way as a man and now

1515
01:14:58,920 --> 01:15:00,680
Speaker 1: I gotta change because I don't want my daughter to

1516
01:15:00,800 --> 01:15:04,920
Speaker 1: like that as a man. Yes and no, because you know,

1517
01:15:05,640 --> 01:15:09,439
Speaker 1: life is about growth. You know, nobody's gonna come straight

1518
01:15:09,479 --> 01:15:13,000
Speaker 1: off with a tree like Bompart like, nah, you got experience,

1519
01:15:13,040 --> 01:15:14,640
Speaker 1: and you know I want I don't want none of

1520
01:15:14,680 --> 01:15:17,240
Speaker 1: that to be hidden from my child, Like I don't

1521
01:15:17,240 --> 01:15:20,800
Speaker 1: want her to ever view life as a thing where

1522
01:15:20,840 --> 01:15:23,320
Speaker 1: you could skip steps and still get by. You know,

1523
01:15:23,360 --> 01:15:25,479
Speaker 1: we all got we all got all types of childhood

1524
01:15:25,560 --> 01:15:28,120
Speaker 1: traumas that we couldn't even run from if we tried to.

1525
01:15:28,720 --> 01:15:31,200
Speaker 1: These are the things that affect us saying. You know

1526
01:15:31,200 --> 01:15:33,720
Speaker 1: what I'm saying, ultimately shape who we are, you know

1527
01:15:33,720 --> 01:15:35,600
Speaker 1: what I mean. But as long as you know you

1528
01:15:35,680 --> 01:15:38,000
Speaker 1: got that growth mindset or as long as whoever she's

1529
01:15:38,000 --> 01:15:41,840
Speaker 1: with got that growth mindset, then I got some patience,

1530
01:15:42,080 --> 01:15:44,320
Speaker 1: you know, I got some sympathy now in the baddest.

1531
01:15:44,320 --> 01:15:45,760
Speaker 1: First of all, you and you and Diddy seem like

1532
01:15:45,800 --> 01:15:48,320
Speaker 1: y'all have a strong relationship. Absolutely. Now did he get

1533
01:15:48,360 --> 01:15:51,120
Speaker 1: so cool and so close? Man? I met Diddy twenty

1534
01:15:51,120 --> 01:15:54,920
Speaker 1: sixteen coming out to Rihanna met Gala after party and

1535
01:15:55,080 --> 01:15:57,040
Speaker 1: one no, he was walking out. I was walking in

1536
01:15:57,760 --> 01:16:00,519
Speaker 1: and he was just like, Yo, King, I'm been trying

1537
01:16:00,520 --> 01:16:02,599
Speaker 1: to connect with you for years, Like I was trying

1538
01:16:02,640 --> 01:16:04,360
Speaker 1: to sign you back in the day, and I'm like,

1539
01:16:04,400 --> 01:16:06,080
Speaker 1: this is all news to me, you know what I mean,

1540
01:16:06,080 --> 01:16:08,120
Speaker 1: It's first time. I mean, you know, I'm like, wow, work.

1541
01:16:09,120 --> 01:16:11,160
Speaker 1: And in that same week I had rolled it out

1542
01:16:11,160 --> 01:16:13,720
Speaker 1: in Miami and then I ran into him again, and

1543
01:16:13,720 --> 01:16:16,120
Speaker 1: if from there it was just like we would just

1544
01:16:16,240 --> 01:16:18,280
Speaker 1: roll dogs, you know what I'm saying, Like he would

1545
01:16:18,320 --> 01:16:19,920
Speaker 1: be going some Yoto, I'm being in New York, b

1546
01:16:20,000 --> 01:16:22,360
Speaker 1: wonna pull up and we just kind of developed that

1547
01:16:22,439 --> 01:16:24,800
Speaker 1: relationship like that, and it's like I'm CP two that

1548
01:16:24,960 --> 01:16:28,400
Speaker 1: is strangers too, Yeah, exactly because of me, you know

1549
01:16:28,439 --> 01:16:30,080
Speaker 1: what I mean. I got him on that project. I

1550
01:16:30,080 --> 01:16:32,519
Speaker 1: got him involved, I made a phone call. I'm super

1551
01:16:32,560 --> 01:16:35,960
Speaker 1: grateful for that relationship because me, I'm a sponge. So

1552
01:16:36,000 --> 01:16:37,719
Speaker 1: it's like, you bring me around at the right wounds

1553
01:16:37,720 --> 01:16:40,160
Speaker 1: and tables, like I ain't taking that for granted. I'm connecting,

1554
01:16:40,200 --> 01:16:42,439
Speaker 1: I'm network and I'm you know what I'm saying, I'm

1555
01:16:42,600 --> 01:16:46,000
Speaker 1: using the opportunity fruitfully, you know what I mean, as

1556
01:16:46,040 --> 01:16:48,680
Speaker 1: it should be. So the fact that he could identify

1557
01:16:48,760 --> 01:16:51,040
Speaker 1: that in me, I'm very appreciative of that. You know,

1558
01:16:51,040 --> 01:16:52,639
Speaker 1: he did the intro and the outro. On the oultro,

1559
01:16:52,760 --> 01:16:54,760
Speaker 1: he said something to the effect of, we got to

1560
01:16:54,800 --> 01:16:57,680
Speaker 1: bring that New York feeling back. Are those conversations that

1561
01:16:57,760 --> 01:16:59,679
Speaker 1: y'all have? And do you think that you can actually

1562
01:16:59,680 --> 01:17:02,200
Speaker 1: bring you back? If you live in someplace like Miami

1563
01:17:02,479 --> 01:17:05,160
Speaker 1: or LA, don't you gotta be here? Yeah? I think

1564
01:17:05,160 --> 01:17:07,320
Speaker 1: you gotta be here for show because you gotta connect

1565
01:17:07,360 --> 01:17:10,240
Speaker 1: with the pulse of the city. You know. Um, what

1566
01:17:10,360 --> 01:17:12,640
Speaker 1: was the question? The question was, do you all have

1567
01:17:12,680 --> 01:17:16,120
Speaker 1: those conversations about bringing the feeling back? Oh? Yeah, you know, yeah, yeah,

1568
01:17:16,160 --> 01:17:18,680
Speaker 1: me and Puff we've spoken about that over the years, Like,

1569
01:17:18,720 --> 01:17:21,000
Speaker 1: you know, I'll play him some songs. He's like yeah,

1570
01:17:21,040 --> 01:17:23,240
Speaker 1: like this is the vible, this ain't the vibe, or

1571
01:17:23,520 --> 01:17:25,720
Speaker 1: you should do this, you should go more here, you know,

1572
01:17:25,760 --> 01:17:29,080
Speaker 1: but that's usually the focus of the conversation, you know

1573
01:17:29,080 --> 01:17:31,960
Speaker 1: what I'm saying. We're always trying to stay in that essence.

1574
01:17:32,240 --> 01:17:34,080
Speaker 1: He still got to end. Fifty said, did he don't

1575
01:17:34,080 --> 01:17:36,120
Speaker 1: got no air? No more? Fifty said, did he ain't

1576
01:17:36,120 --> 01:17:40,479
Speaker 1: got no that's a that's a lot puff. I feel

1577
01:17:40,479 --> 01:17:43,040
Speaker 1: like he always gonna have an ear. Now you can

1578
01:17:43,080 --> 01:17:45,240
Speaker 1: tell that you've really been doing the work on yourself

1579
01:17:45,640 --> 01:17:47,680
Speaker 1: mentally too, you know what I mean, Like you go

1580
01:17:47,720 --> 01:17:50,680
Speaker 1: to therapy, I do, Okay, you'll go to therapy. Um,

1581
01:17:50,720 --> 01:17:53,639
Speaker 1: I started going to therapy back at twenty twenty. You know.

1582
01:17:54,200 --> 01:17:57,280
Speaker 1: As unfortunate as that pandemic was for a lot of people,

1583
01:17:57,439 --> 01:17:59,200
Speaker 1: you know what I'm saying. Like I definitely don't want

1584
01:17:59,240 --> 01:18:01,599
Speaker 1: to be in sensitive when I say this, but for me,

1585
01:18:01,640 --> 01:18:06,479
Speaker 1: I needed that. I didn't know stillness in my adult life.

1586
01:18:06,680 --> 01:18:08,880
Speaker 1: Like I hit the ground running that seventeen years old,

1587
01:18:08,920 --> 01:18:11,559
Speaker 1: I was still a kid. I didn't realize for about

1588
01:18:11,640 --> 01:18:14,320
Speaker 1: five six years, I didn't stop, you know what I mean.

1589
01:18:14,360 --> 01:18:17,839
Speaker 1: So when I finally got that space in that time,

1590
01:18:18,400 --> 01:18:21,160
Speaker 1: it's like I just went real deep inside, you know

1591
01:18:21,160 --> 01:18:22,920
Speaker 1: what I mean, and I realized things that I needed.

1592
01:18:22,920 --> 01:18:24,880
Speaker 1: I was like, Okay, I need that repet you know

1593
01:18:24,920 --> 01:18:28,160
Speaker 1: what I mean, Like, I need to be held accountable

1594
01:18:28,720 --> 01:18:32,000
Speaker 1: for my shortcomings. I need those to be pointed out

1595
01:18:32,080 --> 01:18:34,800
Speaker 1: to me because I'm what you call a self improvement junk,

1596
01:18:35,360 --> 01:18:38,400
Speaker 1: Like I'm committed and devoted to being a better version

1597
01:18:38,400 --> 01:18:40,760
Speaker 1: of myself every time I show up. You could see

1598
01:18:40,760 --> 01:18:43,479
Speaker 1: the evolution in all the breakfast club interviews. I think

1599
01:18:43,520 --> 01:18:45,679
Speaker 1: this is our third one. Yeah, you know what I'm saying.

1600
01:18:45,720 --> 01:18:48,960
Speaker 1: So I pride myself on that, you know. So therapy

1601
01:18:49,120 --> 01:18:53,519
Speaker 1: was definitely an outlet that I saw to bring me

1602
01:18:53,800 --> 01:18:57,280
Speaker 1: closer to a higher self awareness and just state of being.

1603
01:18:57,439 --> 01:19:01,160
Speaker 1: What how did you decide to do it? That decision? Well,

1604
01:19:01,360 --> 01:19:04,559
Speaker 1: you know, I've always been open minded, and I started

1605
01:19:04,560 --> 01:19:08,559
Speaker 1: to resonate with the idea that black people therapy being

1606
01:19:08,600 --> 01:19:11,000
Speaker 1: so tabooed to us. What it was is I was

1607
01:19:11,040 --> 01:19:14,720
Speaker 1: introduced to the concept of emotional intelligence and that kind

1608
01:19:14,760 --> 01:19:16,960
Speaker 1: of blew my mind. That opened so many doors for

1609
01:19:17,040 --> 01:19:19,679
Speaker 1: me because I'm like, wow, like we really wasn't taught

1610
01:19:19,720 --> 01:19:22,960
Speaker 1: this how important it is to identify your own emotions

1611
01:19:23,120 --> 01:19:25,920
Speaker 1: in relation to the people around you. You know what

1612
01:19:25,960 --> 01:19:27,800
Speaker 1: I'm saying, Like, we might just wake up in a

1613
01:19:27,840 --> 01:19:31,559
Speaker 1: bad mood and you wearing that moved and now your

1614
01:19:31,560 --> 01:19:35,000
Speaker 1: household is feeling that move, and you don't even realize

1615
01:19:35,320 --> 01:19:38,200
Speaker 1: you just passed that mood on to your son. Now

1616
01:19:38,240 --> 01:19:41,160
Speaker 1: your son is in school with that move, and he

1617
01:19:41,280 --> 01:19:43,840
Speaker 1: passing that on to you. Know what I'm saying, Like energy,

1618
01:19:44,400 --> 01:19:47,240
Speaker 1: Energy is so contagious, And once I kind of like

1619
01:19:47,479 --> 01:19:52,320
Speaker 1: realized that, it started to open little pathways in my brain,

1620
01:19:52,439 --> 01:19:56,960
Speaker 1: like them even identifying with frustration as an emotion. If

1621
01:19:57,000 --> 01:19:59,559
Speaker 1: you tell a black man, yo, you're being emotional, that's

1622
01:19:59,560 --> 01:20:02,920
Speaker 1: like a fa. But people don't realize that. Yo. If

1623
01:20:02,960 --> 01:20:05,479
Speaker 1: you're angry, if we're having a conversation, you're just screaming

1624
01:20:05,520 --> 01:20:08,080
Speaker 1: because you're mad. You're in your emotion. You know what

1625
01:20:08,080 --> 01:20:11,559
Speaker 1: I'm saying. People get emotionally hijacked every day, be every

1626
01:20:11,600 --> 01:20:15,200
Speaker 1: day like blinded by emotion, blinded by rage. So I

1627
01:20:15,280 --> 01:20:18,280
Speaker 1: just kind of started on that path for understanding myself more.

1628
01:20:18,320 --> 01:20:21,200
Speaker 1: Because I grew up I had like anger issues and

1629
01:20:21,240 --> 01:20:23,640
Speaker 1: stuff like that. It was hard to me to identify

1630
01:20:24,040 --> 01:20:25,720
Speaker 1: a lot of things that I was feeling did you

1631
01:20:25,720 --> 01:20:28,080
Speaker 1: figure out where that anger came from? None that I

1632
01:20:28,120 --> 01:20:29,680
Speaker 1: think about it, looking in the high sight, I think

1633
01:20:29,680 --> 01:20:31,599
Speaker 1: a lot of it came from when my parents split,

1634
01:20:31,960 --> 01:20:35,120
Speaker 1: me not knowing how to process that and then manifesting

1635
01:20:35,360 --> 01:20:38,880
Speaker 1: something else, like me trying to find a reason for elsewhere,

1636
01:20:39,400 --> 01:20:41,479
Speaker 1: you know what I mean, I can't that same realization

1637
01:20:41,479 --> 01:20:43,679
Speaker 1: in therapy, Like I didn't realize how much my parents

1638
01:20:43,680 --> 01:20:47,880
Speaker 1: divorcing had impacted me, and how angry I was at

1639
01:20:47,920 --> 01:20:52,080
Speaker 1: my pops for that word up at the do something

1640
01:20:52,080 --> 01:20:54,040
Speaker 1: of you, especially as a black man, you know what

1641
01:20:54,040 --> 01:20:56,080
Speaker 1: I mean, because now you got that separation from your

1642
01:20:56,120 --> 01:20:59,479
Speaker 1: father and it's like you need your father, or as

1643
01:20:59,479 --> 01:21:02,120
Speaker 1: a black man, especially in this world, you had that

1644
01:21:02,120 --> 01:21:03,720
Speaker 1: conversation with your pops. Because you know, one of the

1645
01:21:03,720 --> 01:21:05,800
Speaker 1: best things that helped me was having a conversation with

1646
01:21:05,920 --> 01:21:08,320
Speaker 1: my pops and realizing that he was going to therapy

1647
01:21:08,320 --> 01:21:10,040
Speaker 1: two or three times a week. Back in the day

1648
01:21:10,240 --> 01:21:12,160
Speaker 1: he tried to kill himself. Back in the day he

1649
01:21:12,200 --> 01:21:14,200
Speaker 1: was on tend to twelve different medications. It made me

1650
01:21:14,200 --> 01:21:16,880
Speaker 1: give him more grace because I realized, damn, he was

1651
01:21:16,960 --> 01:21:19,200
Speaker 1: somebody before he was my parents, right, and you know,

1652
01:21:19,280 --> 01:21:21,200
Speaker 1: he was just doing the best he could, but what

1653
01:21:21,280 --> 01:21:22,960
Speaker 1: he had, Yeah, you know, I have to. I have

1654
01:21:23,080 --> 01:21:25,800
Speaker 1: great conversations for my dad all of the time, and

1655
01:21:25,840 --> 01:21:29,200
Speaker 1: it's like I have my own interpretations of it because

1656
01:21:29,720 --> 01:21:33,479
Speaker 1: my understanding and his understanding is definitely different, and it's

1657
01:21:33,520 --> 01:21:37,120
Speaker 1: like a generational difference. And I came to kind of

1658
01:21:37,160 --> 01:21:40,799
Speaker 1: growing accept that because what fulfills me, what I appreciate,

1659
01:21:40,840 --> 01:21:43,160
Speaker 1: what I'm grateful for is that I could hear my

1660
01:21:43,240 --> 01:21:45,840
Speaker 1: old man's wisdom, you know what I mean. And it's

1661
01:21:45,920 --> 01:21:49,200
Speaker 1: like it's up to me to interpret that however I

1662
01:21:49,240 --> 01:21:53,559
Speaker 1: see fit. But just being able to hear that, Like,

1663
01:21:53,760 --> 01:21:56,679
Speaker 1: you know, I might feel a little bit more spiritually

1664
01:21:56,680 --> 01:21:59,840
Speaker 1: advanced than my dad, but I could never be more experienced,

1665
01:22:00,720 --> 01:22:03,360
Speaker 1: you know what I'm saying, And that alone just make

1666
01:22:03,439 --> 01:22:05,519
Speaker 1: me so grateful for any time we connect, you know

1667
01:22:05,560 --> 01:22:06,960
Speaker 1: what I'm saying, because I feel like it's a meeting

1668
01:22:06,960 --> 01:22:09,479
Speaker 1: of the minds and you can learn from anybody. All Right,

1669
01:22:09,479 --> 01:22:11,679
Speaker 1: we got more with Joey Badass when we come back.

1670
01:22:11,680 --> 01:22:15,200
Speaker 1: Don't move. It's the Breakfast Club. Good morning, a breakfast

1671
01:22:15,240 --> 01:22:21,600
Speaker 1: Club morning. Everybody is DJ envied Charlemagne, the guy we

1672
01:22:21,680 --> 01:22:23,719
Speaker 1: are to Breakfast Club. Were still kicking it with Joey

1673
01:22:23,800 --> 01:22:26,559
Speaker 1: Badass Charlemagne. Do you really meditate every day? You say

1674
01:22:26,600 --> 01:22:28,599
Speaker 1: that on the album, So you meditate everything? Na, it's

1675
01:22:28,640 --> 01:22:31,160
Speaker 1: hard to meditate every day, like you know, that's more

1676
01:22:31,160 --> 01:22:34,519
Speaker 1: of like a manifestation. I would like to meditate every

1677
01:22:34,600 --> 01:22:36,280
Speaker 1: day at a point, I was, you know, in the

1678
01:22:36,320 --> 01:22:38,920
Speaker 1: Pandemic for show. But one thing I try to do

1679
01:22:39,000 --> 01:22:41,280
Speaker 1: is pray every day because I feel like it's a

1680
01:22:41,280 --> 01:22:44,400
Speaker 1: form of you know, meditation or just a form of

1681
01:22:45,280 --> 01:22:48,479
Speaker 1: being able to like program you're thinking in the right way.

1682
01:22:48,600 --> 01:22:50,160
Speaker 1: What did you see about it? Because I always say,

1683
01:22:50,200 --> 01:22:51,920
Speaker 1: you know, the pandemic, like you said earlier, made all

1684
01:22:51,920 --> 01:22:53,559
Speaker 1: of us be still for the first time. A lot

1685
01:22:53,640 --> 01:22:55,200
Speaker 1: of us had to like really be still for the

1686
01:22:55,240 --> 01:22:57,920
Speaker 1: first time and deal with ourselves. Couldn't run from our

1687
01:22:57,960 --> 01:23:00,240
Speaker 1: traumas or nothing. What did you see that I made

1688
01:23:00,240 --> 01:23:01,880
Speaker 1: you be like, oh no, I gotta go do some

1689
01:23:01,920 --> 01:23:05,440
Speaker 1: work on myself. I saw how much I was settling

1690
01:23:05,520 --> 01:23:07,960
Speaker 1: for the short end of the stick. Like you know,

1691
01:23:08,000 --> 01:23:11,000
Speaker 1: I spent a lot of the like the first half

1692
01:23:11,040 --> 01:23:15,360
Speaker 1: of my career really focused and obliged to taking care

1693
01:23:15,400 --> 01:23:18,400
Speaker 1: of other people, and in that I put a lot

1694
01:23:18,439 --> 01:23:21,519
Speaker 1: of people before myself. So when the pandemic, it kind

1695
01:23:21,520 --> 01:23:23,559
Speaker 1: of put things in perspective to me. It's like, damn,

1696
01:23:24,160 --> 01:23:25,960
Speaker 1: I got I did this one for that one, that

1697
01:23:26,040 --> 01:23:28,280
Speaker 1: one for this one, But what the do I have

1698
01:23:28,280 --> 01:23:31,240
Speaker 1: to show for myself? And then that was a whole

1699
01:23:31,280 --> 01:23:34,880
Speaker 1: reset because then I came out the pandemic selfish, but

1700
01:23:35,000 --> 01:23:38,080
Speaker 1: in the best way possible, because I've never been that person.

1701
01:23:38,680 --> 01:23:40,519
Speaker 1: It is evident too, like I'm glad you noticed that.

1702
01:23:40,600 --> 01:23:42,360
Speaker 1: You said, Yo, you look healthy, Like this is what

1703
01:23:42,439 --> 01:23:44,920
Speaker 1: I look like when I'm focused on myself. Did the

1704
01:23:45,000 --> 01:23:48,600
Speaker 1: pandemic finally give you the opportunity to grieve? Steve's the

1705
01:23:48,680 --> 01:23:52,320
Speaker 1: right way? It definitely gave me opportunities. But I don't

1706
01:23:52,360 --> 01:23:54,320
Speaker 1: I don't know this this this grieving, is it a

1707
01:23:54,360 --> 01:23:56,360
Speaker 1: complete process? Does it get I don't know if it's

1708
01:23:56,400 --> 01:23:58,000
Speaker 1: a complete process. But I was gonna say when I

1709
01:23:58,000 --> 01:24:00,839
Speaker 1: listened to Survivor's Guild, I feel like you have finally

1710
01:24:00,960 --> 01:24:04,960
Speaker 1: started processing. Yes, you know his death. This is the

1711
01:24:04,960 --> 01:24:08,400
Speaker 1: first year where I definitely feel a little bit of peace,

1712
01:24:08,800 --> 01:24:10,880
Speaker 1: you know what I mean. It's ten years later, but

1713
01:24:10,960 --> 01:24:15,120
Speaker 1: just with Stesus, I'm still majorly grieving my cousin junior.

1714
01:24:15,200 --> 01:24:18,760
Speaker 1: Then how are you processing it, like, you know, did

1715
01:24:18,800 --> 01:24:20,639
Speaker 1: it make you look at Because I had a friend

1716
01:24:20,640 --> 01:24:23,640
Speaker 1: committed suicide in twenty twenty, and when she did that,

1717
01:24:23,720 --> 01:24:27,599
Speaker 1: it made me look at suicide differently. It definitely brought

1718
01:24:27,640 --> 01:24:30,120
Speaker 1: me to a very dark place. And you know me,

1719
01:24:30,160 --> 01:24:33,679
Speaker 1: I'm very intuitive, So something inside me told me because

1720
01:24:33,720 --> 01:24:36,760
Speaker 1: I remember coming from the funeral for me and c

1721
01:24:36,960 --> 01:24:39,639
Speaker 1: J was on the way back to the crib and

1722
01:24:39,760 --> 01:24:42,720
Speaker 1: I remember telling him like, yo, bro, we gotta be

1723
01:24:42,840 --> 01:24:48,080
Speaker 1: strong for everybody else because it's easy to fall right now.

1724
01:24:48,360 --> 01:24:51,680
Speaker 1: And I got pulled into that. Even after saying it,

1725
01:24:51,800 --> 01:24:54,960
Speaker 1: even after having that a witness and that understanding that

1726
01:24:55,040 --> 01:24:57,519
Speaker 1: I couldn't go there, I still got sucked into that,

1727
01:24:57,920 --> 01:24:59,560
Speaker 1: you know what I mean. It brought me out of

1728
01:24:59,640 --> 01:25:03,000
Speaker 1: very low, low place. I was depressed, like I felt

1729
01:25:03,040 --> 01:25:06,960
Speaker 1: so many ways. I'm like, damn, like seventeen years old,

1730
01:25:07,000 --> 01:25:09,280
Speaker 1: Like I know so many people who were so much

1731
01:25:09,320 --> 01:25:11,320
Speaker 1: older than me, and they've never lost somebody this close

1732
01:25:11,360 --> 01:25:13,240
Speaker 1: to them, you know what I mean. It was just

1733
01:25:13,360 --> 01:25:16,800
Speaker 1: it was a lot of unsettling emotions and feelings and

1734
01:25:16,840 --> 01:25:20,080
Speaker 1: at the same time, dealing with fame for the first time,

1735
01:25:20,160 --> 01:25:22,439
Speaker 1: dealing with you know what I'm saying, Like the ills

1736
01:25:22,479 --> 01:25:25,080
Speaker 1: of that it was bucked. That's a natural though. I'm

1737
01:25:25,120 --> 01:25:26,920
Speaker 1: sure your therapists told you that you gotta light something

1738
01:25:26,920 --> 01:25:30,280
Speaker 1: to feel your feels, like, yeah, and that's what I

1739
01:25:30,360 --> 01:25:32,920
Speaker 1: realized too. Like, first of all, I'm grateful for the

1740
01:25:32,960 --> 01:25:34,800
Speaker 1: fact that I was able to put a lot of

1741
01:25:34,840 --> 01:25:37,560
Speaker 1: my trauma off because I was so busy, because I

1742
01:25:37,600 --> 01:25:40,080
Speaker 1: don't know what I would have did with that idle time,

1743
01:25:40,600 --> 01:25:42,479
Speaker 1: you know what I mean. Like I was hotly depressed,

1744
01:25:42,479 --> 01:25:44,960
Speaker 1: Like I felt suicidal all of that, you know what

1745
01:25:45,040 --> 01:25:48,320
Speaker 1: I mean. Like I was very convinced that I wasn't

1746
01:25:48,360 --> 01:25:51,600
Speaker 1: gonna live past twenty five. Like at seventeen eighteen, I

1747
01:25:51,640 --> 01:25:53,599
Speaker 1: was very convinced to that. I'm like, it's no way,

1748
01:25:53,880 --> 01:25:56,160
Speaker 1: Like I didn't see life after twenty five. Even when

1749
01:25:56,160 --> 01:25:58,160
Speaker 1: I turned twenty five, I was a mind for me

1750
01:25:58,479 --> 01:26:02,080
Speaker 1: because I'm like, damn, I did not visualize life this far. Wow.

1751
01:26:02,240 --> 01:26:04,320
Speaker 1: And then right there I drew up a twenty year plan.

1752
01:26:04,560 --> 01:26:07,000
Speaker 1: Did you look at suicide differently because a lot of people,

1753
01:26:07,479 --> 01:26:09,439
Speaker 1: especially in New York it's probably all of the world,

1754
01:26:09,479 --> 01:26:11,639
Speaker 1: but especially in New York. When growing up as a kid,

1755
01:26:11,640 --> 01:26:13,719
Speaker 1: when you think of suicide, the first thing that people

1756
01:26:13,760 --> 01:26:15,920
Speaker 1: think is your soft for your week. But then when

1757
01:26:15,920 --> 01:26:19,040
Speaker 1: you start having those emotions in that feeling, you realize

1758
01:26:19,520 --> 01:26:22,439
Speaker 1: its far from that. First of all, it's weird to

1759
01:26:22,479 --> 01:26:25,880
Speaker 1: say this, but like I think suicide is an incredibly

1760
01:26:26,040 --> 01:26:31,360
Speaker 1: brave thing. You have to have a lot of audacity

1761
01:26:31,680 --> 01:26:33,840
Speaker 1: to do that to yourself, you know what I'm saying.

1762
01:26:33,880 --> 01:26:36,920
Speaker 1: And then it's like to withstand that pain or whichever way,

1763
01:26:37,080 --> 01:26:40,320
Speaker 1: like you know, like it's heavy, but it's like there's

1764
01:26:40,320 --> 01:26:42,600
Speaker 1: nothing soft about that, nothing at all, you know what

1765
01:26:42,680 --> 01:26:44,840
Speaker 1: I'm saying. Like I remember when I was at that point,

1766
01:26:44,920 --> 01:26:48,000
Speaker 1: I'm feeling low, and like as low as I was feeling,

1767
01:26:48,120 --> 01:26:50,400
Speaker 1: as convinced I was that like I didn't really want

1768
01:26:50,400 --> 01:26:55,240
Speaker 1: to live. I couldn't find that courage to actually do it.

1769
01:26:55,400 --> 01:26:57,559
Speaker 1: My home girl, Jazz, rest in peace. She did it

1770
01:26:57,600 --> 01:27:00,400
Speaker 1: in twenty twenties, completed suicide. That's what these say to say,

1771
01:27:00,400 --> 01:27:03,880
Speaker 1: shanty dark. But Jazz said she was so intentional and

1772
01:27:03,920 --> 01:27:07,400
Speaker 1: so calculated and so strategic that when she did it,

1773
01:27:07,479 --> 01:27:10,280
Speaker 1: in my mind, I processed it like she just knew

1774
01:27:10,280 --> 01:27:13,160
Speaker 1: it was her time to go. Like, you know, I've

1775
01:27:13,240 --> 01:27:15,960
Speaker 1: never had that feeling like it's time for me to exit,

1776
01:27:16,120 --> 01:27:17,400
Speaker 1: you know. But even if you go look at her Twitter,

1777
01:27:17,479 --> 01:27:18,920
Speaker 1: she was saying things like I wonder what my next

1778
01:27:18,960 --> 01:27:20,680
Speaker 1: life is gonna be like and things like that. So

1779
01:27:21,400 --> 01:27:25,320
Speaker 1: something came over her where she knew today is my day.

1780
01:27:24,240 --> 01:27:26,880
Speaker 1: You ste It was the same way with Steves, you

1781
01:27:26,880 --> 01:27:30,759
Speaker 1: know what I'm saying, Like he definitely was vocal about

1782
01:27:30,800 --> 01:27:33,639
Speaker 1: it leading up to it happening, you know what I'm saying,

1783
01:27:33,680 --> 01:27:36,639
Speaker 1: and like when it was just it was weird man

1784
01:27:37,840 --> 01:27:40,840
Speaker 1: that the deport buying that new portion nine eleven? Did

1785
01:27:40,840 --> 01:27:42,960
Speaker 1: it really help your mental health? That's you say on that,

1786
01:27:43,479 --> 01:27:45,360
Speaker 1: Yeah a little bit, you know what I'm saying, because

1787
01:27:45,400 --> 01:27:50,120
Speaker 1: sometimes you gotta show yourself like what you can, like

1788
01:27:50,240 --> 01:27:53,400
Speaker 1: achieved like it with it being a superficial item and

1789
01:27:53,439 --> 01:27:56,720
Speaker 1: a material thing. To me, it was more represented me

1790
01:27:56,840 --> 01:28:00,400
Speaker 1: having a goal, you know, and me proving myself once again,

1791
01:28:00,520 --> 01:28:03,240
Speaker 1: like anything that's possible, Like that was my dream car

1792
01:28:03,880 --> 01:28:06,120
Speaker 1: and I could have got it for a long time,

1793
01:28:06,160 --> 01:28:08,240
Speaker 1: but then one day I just decided, y'all gonna do it,

1794
01:28:08,479 --> 01:28:12,000
Speaker 1: And yeah, it really did something from my state of being,

1795
01:28:12,120 --> 01:28:13,800
Speaker 1: my state of mind, you know what I'm saying, Like

1796
01:28:13,840 --> 01:28:16,240
Speaker 1: I had to put to myself, like I know, all

1797
01:28:16,280 --> 01:28:18,160
Speaker 1: I gotta do is be connected to the source. But

1798
01:28:19,200 --> 01:28:23,800
Speaker 1: now I need to pouh. Now what I love about you,

1799
01:28:23,880 --> 01:28:25,960
Speaker 1: Joey Man is like when when you see a black

1800
01:28:26,000 --> 01:28:28,360
Speaker 1: man doing the work it does reflecting his life, it

1801
01:28:28,439 --> 01:28:31,600
Speaker 1: reflecting the way he looks, and reflecting his career professionally.

1802
01:28:31,840 --> 01:28:34,360
Speaker 1: Just probably your best body of work album. Why you

1803
01:28:34,360 --> 01:28:36,880
Speaker 1: see what you're doing in Hollywood. So that's why, man,

1804
01:28:36,880 --> 01:28:38,400
Speaker 1: when I see you, when I see that and I

1805
01:28:38,400 --> 01:28:40,679
Speaker 1: hear you telling these stories about going to therapy and everything,

1806
01:28:40,720 --> 01:28:42,880
Speaker 1: I'm like, that's gonna convince so many more black men

1807
01:28:42,960 --> 01:28:45,360
Speaker 1: to go go do the work. Absolutely. Man. It's like,

1808
01:28:45,400 --> 01:28:48,120
Speaker 1: you know, I always probably myself on being some type

1809
01:28:48,120 --> 01:28:50,840
Speaker 1: of role model because it's like with this position I got,

1810
01:28:50,880 --> 01:28:53,360
Speaker 1: with this stature, with this platform, it's like I got

1811
01:28:53,360 --> 01:28:55,880
Speaker 1: so many people listening, and I feel like the least

1812
01:28:55,880 --> 01:28:59,880
Speaker 1: I could do is implant seeds that will sprout, like,

1813
01:29:00,040 --> 01:29:02,640
Speaker 1: you know, more opportunity for these people, or just you know,

1814
01:29:02,720 --> 01:29:07,280
Speaker 1: wisdom that will transcend you into the right directions for

1815
01:29:07,320 --> 01:29:09,760
Speaker 1: these people and stuff like that, and also just making

1816
01:29:09,800 --> 01:29:12,439
Speaker 1: them not feel alone. Like I realized that, like my

1817
01:29:12,560 --> 01:29:15,679
Speaker 1: most relatable work is my most vulnerable work, and usually

1818
01:29:15,680 --> 01:29:18,439
Speaker 1: when I go there like a survivor skill or show me.

1819
01:29:18,560 --> 01:29:21,880
Speaker 1: People relate to that more. We appreciate you for Joey

1820
01:29:22,000 --> 01:29:25,439
Speaker 1: bass Man, keep growing. My brother's Joey Badass. It's the

1821
01:29:25,479 --> 01:29:29,040
Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Your mornings will

1822
01:29:29,120 --> 01:29:32,640
Speaker 1: never be the same. When it's time to get with

1823
01:29:32,680 --> 01:29:34,800
Speaker 1: someone special, the best way to do it is with

1824
01:29:34,920 --> 01:29:38,479
Speaker 1: Magnum large size condoms. That gold foil wrapper is a

1825
01:29:38,560 --> 01:29:41,200
Speaker 1: badge of honor and it means you're protected and you

1826
01:29:41,280 --> 01:29:44,400
Speaker 1: take care of things with comfort. Accept no substitutes. Bring

1827
01:29:44,439 --> 01:29:48,800
Speaker 1: the pleasure with the gold standard Magnum large size condoms.

1828
01:29:48,880 --> 01:29:56,840
Speaker 1: It's topic time called eight hundred five eight five one five.

1829
01:29:56,880 --> 01:29:59,000
Speaker 1: Want to join it to the discussion with the Breakfast Club.

1830
01:29:59,320 --> 01:30:04,120
Speaker 1: Talk about it, everybody, DJ Envy, Charlomagne, the guy. We

1831
01:30:04,200 --> 01:30:06,040
Speaker 1: are the breakfast Club. Now if you just joined us,

1832
01:30:06,040 --> 01:30:08,880
Speaker 1: we're talking about Kevin Gates and open up the phone

1833
01:30:08,920 --> 01:30:10,800
Speaker 1: lines eight hundred and five A five one oh five

1834
01:30:10,880 --> 01:30:14,080
Speaker 1: one now. Kevin Gates post posted this on Twitter yesterday.

1835
01:30:14,320 --> 01:30:15,960
Speaker 1: If a woman comes in the bathroom, it talks to

1836
01:30:16,000 --> 01:30:19,000
Speaker 1: me while I'm taking an ish. I find that very romantic.

1837
01:30:19,479 --> 01:30:22,040
Speaker 1: Now do you like when your wife comes in the bathroom?

1838
01:30:22,120 --> 01:30:25,120
Speaker 1: It has a conversation with you. Absolutely not. That's not

1839
01:30:25,240 --> 01:30:27,680
Speaker 1: something that we do. I hate poop, first of all,

1840
01:30:27,760 --> 01:30:29,639
Speaker 1: don't like it. I know everyone does it, but it's

1841
01:30:29,720 --> 01:30:31,479
Speaker 1: literally one of my least favorite things to do. I

1842
01:30:31,520 --> 01:30:32,960
Speaker 1: don't look at it when it's in the toilet. I

1843
01:30:33,040 --> 01:30:34,400
Speaker 1: know some people like to look at it and make

1844
01:30:34,439 --> 01:30:37,439
Speaker 1: sure it's like, you know, in the shape of the

1845
01:30:37,479 --> 01:30:40,160
Speaker 1: Superman logo, like I don't do. Yeah, I don't do

1846
01:30:40,240 --> 01:30:41,280
Speaker 1: none of that, you know what I mean. I think

1847
01:30:41,280 --> 01:30:43,920
Speaker 1: when you are moving vows, it's a sacred experience and

1848
01:30:43,960 --> 01:30:45,960
Speaker 1: you should expel ways by yourself. I don't want my

1849
01:30:46,000 --> 01:30:48,160
Speaker 1: wife in the bathroom with me while I'm pooping. There's

1850
01:30:48,200 --> 01:30:50,760
Speaker 1: nothing cute about that. It's nothing sexy about that. I

1851
01:30:50,840 --> 01:30:53,200
Speaker 1: mean to me, Kevin Gates, that sends to him to

1852
01:30:53,280 --> 01:30:55,599
Speaker 1: each his own, and to me, No, yeah, I feel

1853
01:30:55,600 --> 01:30:57,080
Speaker 1: the same. I don't. I don't see nothing sexy with

1854
01:30:57,120 --> 01:30:58,960
Speaker 1: I don't want to have a conversation. Although I set

1855
01:30:59,040 --> 01:31:00,439
Speaker 1: up shot when I go to the back from though,

1856
01:31:00,520 --> 01:31:02,519
Speaker 1: like I said, like, I'm not in the bathroom for

1857
01:31:02,600 --> 01:31:07,640
Speaker 1: like thirty seconds, I'm magazine. Nah, not me, Nah, I

1858
01:31:07,720 --> 01:31:10,640
Speaker 1: got my phone. No, I'm too old. Something that I

1859
01:31:10,760 --> 01:31:12,400
Speaker 1: might be paying my bills. What I'm doing, like, I

1860
01:31:13,320 --> 01:31:15,320
Speaker 1: really take my time, like I sometimes I'm on that

1861
01:31:15,400 --> 01:31:16,600
Speaker 1: so a lot on my feet, fall to sleep. That

1862
01:31:16,880 --> 01:31:18,120
Speaker 1: happens to me all the time. And I don't even

1863
01:31:18,160 --> 01:31:19,400
Speaker 1: gotta be on there long. That's why I don't do

1864
01:31:19,400 --> 01:31:20,840
Speaker 1: it any more. I meant to get I like them

1865
01:31:21,040 --> 01:31:23,560
Speaker 1: step stools. My sister Alicia, and they told me a

1866
01:31:23,600 --> 01:31:25,120
Speaker 1: long time ago to get one of them stools. Like

1867
01:31:25,200 --> 01:31:27,519
Speaker 1: it's like a squatty party there you go when you

1868
01:31:27,560 --> 01:31:29,680
Speaker 1: put your legs up while you're pooping, so you put

1869
01:31:29,680 --> 01:31:31,280
Speaker 1: your legs up wi you pool. That's too that's just

1870
01:31:31,360 --> 01:31:32,600
Speaker 1: too much. But I will tell you that when I

1871
01:31:32,640 --> 01:31:35,280
Speaker 1: got a calonic, I did that. It was amazing. I'm

1872
01:31:35,280 --> 01:31:38,880
Speaker 1: not gonna lie. Did you like what the calonic part?

1873
01:31:39,479 --> 01:31:41,759
Speaker 1: I like the whole process. I mean it's a little uncomfortable,

1874
01:31:41,760 --> 01:31:43,040
Speaker 1: but I'm talking about like when the after year the

1875
01:31:43,080 --> 01:31:45,519
Speaker 1: calonic is done, you gotta go sit on the toilet

1876
01:31:45,640 --> 01:31:48,280
Speaker 1: and the calonic place and she had a squatty party

1877
01:31:48,320 --> 01:31:50,720
Speaker 1: in there, and I'm not gonna lie, man. I don't

1878
01:31:50,720 --> 01:31:52,439
Speaker 1: know if it was the calinic of the squatty party,

1879
01:31:52,479 --> 01:31:55,960
Speaker 1: but it dumped like you dump dump dump, you know

1880
01:31:55,960 --> 01:31:57,439
Speaker 1: what I mean. If it was, it felt good and

1881
01:31:57,600 --> 01:31:59,400
Speaker 1: my legs weren't sleepy when I got up. I'm glad

1882
01:31:59,400 --> 01:32:02,000
Speaker 1: you find a good but yeah, answer your question. No,

1883
01:32:02,120 --> 01:32:03,720
Speaker 1: I don't want my woman in the bathroom with you

1884
01:32:03,800 --> 01:32:05,720
Speaker 1: while I'm taking the pool. And I don't want to

1885
01:32:05,720 --> 01:32:09,280
Speaker 1: be in there with her what she's taking? Collo? Who's this? Hey?

1886
01:32:09,920 --> 01:32:12,479
Speaker 1: This is representing the ball? Yeah, what's up? Bro? We're

1887
01:32:12,520 --> 01:32:15,320
Speaker 1: talking about, uh, you know, pooping in front of your partner.

1888
01:32:15,720 --> 01:32:18,400
Speaker 1: All right, so check this out. Think about it. Normally,

1889
01:32:18,680 --> 01:32:21,320
Speaker 1: how many people have you pooped in front of what?

1890
01:32:21,960 --> 01:32:26,519
Speaker 1: I've not even very few, nobody besides my wife. And

1891
01:32:26,760 --> 01:32:29,000
Speaker 1: this is when when it has to happen. But I

1892
01:32:29,320 --> 01:32:31,040
Speaker 1: don't think I've ever pooped in front of my wife.

1893
01:32:31,920 --> 01:32:35,080
Speaker 1: My mama went out of the baby right with athlete.

1894
01:32:35,479 --> 01:32:39,280
Speaker 1: So the highest level of intimately, it's pooping in front

1895
01:32:39,320 --> 01:32:41,680
Speaker 1: of the partner. No, it's not no more intimate than that.

1896
01:32:41,880 --> 01:32:45,160
Speaker 1: That is not true like romantic, that's just simply not true. Romantic.

1897
01:32:45,720 --> 01:32:47,560
Speaker 1: And only my wife only comes in the bathroom. She

1898
01:32:47,640 --> 01:32:49,439
Speaker 1: has so like it might like she might need something

1899
01:32:49,479 --> 01:32:51,439
Speaker 1: out the bathroom, and when she comes in there, she's

1900
01:32:51,439 --> 01:32:54,720
Speaker 1: coming there like full gas mask on like ah, and

1901
01:32:54,880 --> 01:32:56,640
Speaker 1: by your logic, you might as well walk around with

1902
01:32:56,680 --> 01:32:58,360
Speaker 1: a dipe on and let your wife change you and

1903
01:32:58,479 --> 01:33:01,520
Speaker 1: wipe you and all kinds of stuff that to meet too. Absolutely,

1904
01:33:02,320 --> 01:33:05,559
Speaker 1: have a blessed day, sir, Have a blessed don't king shaming,

1905
01:33:05,880 --> 01:33:08,960
Speaker 1: Have a blessing. Don't kink shaming. Hello, who's this and

1906
01:33:09,160 --> 01:33:12,599
Speaker 1: what's going on? This is? This is lit? I'm going

1907
01:33:12,600 --> 01:33:16,240
Speaker 1: to radio. It's lit. It's lit. You're poop in front

1908
01:33:16,240 --> 01:33:18,439
Speaker 1: of your partner? Oh bro, I'm sorry if you're poop

1909
01:33:18,479 --> 01:33:21,000
Speaker 1: in front of your partner. Um, yeah, I do. Definitely

1910
01:33:21,120 --> 01:33:23,000
Speaker 1: you got you because that lets you know that that's

1911
01:33:23,040 --> 01:33:25,000
Speaker 1: a you got a real one. That means definitely down

1912
01:33:25,080 --> 01:33:27,920
Speaker 1: for the boy. Y'all got some y'all got some weird

1913
01:33:28,080 --> 01:33:30,720
Speaker 1: ways to make sure that your woman is a real No,

1914
01:33:30,920 --> 01:33:32,680
Speaker 1: because you know you, I mean because you have to,

1915
01:33:32,760 --> 01:33:34,920
Speaker 1: because that's something natural of people be like ill, Like

1916
01:33:35,000 --> 01:33:36,320
Speaker 1: you know what I'm saying. Like when you first start

1917
01:33:36,439 --> 01:33:39,080
Speaker 1: dating somebody like you, you know how many fought you

1918
01:33:39,160 --> 01:33:41,920
Speaker 1: holding that's not healthy. You gotta let it out so

1919
01:33:42,040 --> 01:33:44,760
Speaker 1: somebody that you could feel comfortable with that let you you.

1920
01:33:45,000 --> 01:33:48,240
Speaker 1: You couldst of all and all that we have conversations.

1921
01:33:48,360 --> 01:33:50,000
Speaker 1: First of all, I don't fight in my clothes. That's

1922
01:33:50,120 --> 01:33:52,519
Speaker 1: number one. Number two, why would you want to fart

1923
01:33:52,520 --> 01:33:55,719
Speaker 1: around anybody? That's just disrespectful. Like it's just like nobody

1924
01:33:55,840 --> 01:33:57,720
Speaker 1: just sits around and farts. You ain't never just been

1925
01:33:57,760 --> 01:33:59,720
Speaker 1: in the casual conversation with a person and they just

1926
01:34:00,160 --> 01:34:02,080
Speaker 1: maybe when you was a kid, but when you're an adult,

1927
01:34:02,120 --> 01:34:03,479
Speaker 1: you don't do stuff like that. So why would you

1928
01:34:03,520 --> 01:34:06,080
Speaker 1: do that around your wife? So this is what I

1929
01:34:06,280 --> 01:34:08,240
Speaker 1: do when if I'm in public and I gotta fart,

1930
01:34:08,320 --> 01:34:10,479
Speaker 1: I just I just stop away. I just say, excuse me,

1931
01:34:10,520 --> 01:34:12,639
Speaker 1: I'll stepped to the side, fart and let it air out,

1932
01:34:12,720 --> 01:34:14,599
Speaker 1: wait about a couple of seconds, because you don't want

1933
01:34:14,640 --> 01:34:18,479
Speaker 1: it to linger in them to respect, that's respect, that's respect.

1934
01:34:18,560 --> 01:34:20,559
Speaker 1: So why wouldn't you give you a woman that same respect?

1935
01:34:20,600 --> 01:34:22,280
Speaker 1: Why would you fart in front of her just because

1936
01:34:22,320 --> 01:34:27,720
Speaker 1: you think you can. That's just disrespectful for you. While

1937
01:34:28,000 --> 01:34:30,080
Speaker 1: we've been together phone, while I'm saying you fart, you

1938
01:34:30,120 --> 01:34:32,519
Speaker 1: gotta let you gotta go, you gotta go that it's

1939
01:34:32,520 --> 01:34:34,880
Speaker 1: a family member. At this point, If y'all I'm saying no,

1940
01:34:35,479 --> 01:34:37,920
Speaker 1: they'll show you far in front of your wife. Not

1941
01:34:38,040 --> 01:34:40,160
Speaker 1: on purpose. Yeah, but you gotta let it go if

1942
01:34:40,240 --> 01:34:42,599
Speaker 1: you know, you know, it's it's a chemical imbalance when

1943
01:34:42,640 --> 01:34:44,760
Speaker 1: you hold that. I mean, I don't far in front

1944
01:34:44,760 --> 01:34:46,840
Speaker 1: of me. I don't fight my clone. Yeah, I will fall.

1945
01:34:46,880 --> 01:34:49,240
Speaker 1: I would pass gas from my wife and my kids

1946
01:34:49,240 --> 01:34:51,360
Speaker 1: and my family, not me. I ain't issued in front

1947
01:34:51,400 --> 01:34:53,320
Speaker 1: of her. I'm not gonna. Hey, babe, let's add this

1948
01:34:53,360 --> 01:34:55,320
Speaker 1: conversation in the bathroom. I'm pooping. I'm not gonna do that.

1949
01:34:56,520 --> 01:34:57,920
Speaker 1: Wait real quick, I just want to say this. I

1950
01:34:57,960 --> 01:34:59,240
Speaker 1: want to keep you on too long. You know, I've

1951
01:34:59,280 --> 01:35:02,040
Speaker 1: been calling the the radio since I was a kid.

1952
01:35:02,160 --> 01:35:03,880
Speaker 1: This is my first time I ever get into it.

1953
01:35:03,920 --> 01:35:05,960
Speaker 1: That's wild. This is gonna be a good day today.

1954
01:35:06,160 --> 01:35:08,519
Speaker 1: Help me on the Gramm, Charlotte, and I'm every following

1955
01:35:08,520 --> 01:35:10,920
Speaker 1: me on the Graham. All right, all right, I won't

1956
01:35:10,960 --> 01:35:12,560
Speaker 1: say the beauty of having young kids that I you know,

1957
01:35:12,600 --> 01:35:14,160
Speaker 1: I gotta, I gotta. I got a six year old

1958
01:35:14,200 --> 01:35:17,280
Speaker 1: and a tune to be three year old. Like, if

1959
01:35:17,360 --> 01:35:20,519
Speaker 1: you do accidentally fart, you can always blame it on them.

1960
01:35:21,400 --> 01:35:26,400
Speaker 1: I do that all the time. Hello, this, Hey, what's up?

1961
01:35:27,320 --> 01:35:30,280
Speaker 1: Just a big loop from Myrtle Beach. Hey, what's up, brother,

1962
01:35:30,439 --> 01:35:34,040
Speaker 1: Myrtle Beach talking about man partner? Huh, I got the

1963
01:35:34,080 --> 01:35:36,720
Speaker 1: sick man. I thought about this and I got to say, yeah,

1964
01:35:37,040 --> 01:35:39,280
Speaker 1: I did. Finally the first time it happened, I thought

1965
01:35:39,320 --> 01:35:42,360
Speaker 1: she was the one because back in high school I

1966
01:35:42,520 --> 01:35:44,679
Speaker 1: was at can't I couldn't poop in front of everybody,

1967
01:35:44,760 --> 01:35:46,400
Speaker 1: so I had to go to the bull Tech Builders.

1968
01:35:46,840 --> 01:35:49,120
Speaker 1: So I felt like if I felt that comfortable around her,

1969
01:35:49,240 --> 01:35:51,439
Speaker 1: she was the one. Why would you have to poop

1970
01:35:51,479 --> 01:35:53,439
Speaker 1: in front of everybody? Sir? You know when you go,

1971
01:35:53,520 --> 01:35:55,519
Speaker 1: you know, kids during hot school the man, I'm sure

1972
01:35:55,520 --> 01:35:57,880
Speaker 1: you got trauma time. I'm when, oh, you go to

1973
01:35:58,000 --> 01:35:59,960
Speaker 1: the regular bathroom and if you're poop in high school,

1974
01:36:00,000 --> 01:36:02,559
Speaker 1: everybody comes to open the door. Nothing, dude, do whatever

1975
01:36:02,680 --> 01:36:04,840
Speaker 1: you know. I can honestly say, and this is not

1976
01:36:04,960 --> 01:36:07,280
Speaker 1: a lie. I've never pooped in high school. I never

1977
01:36:07,360 --> 01:36:09,519
Speaker 1: pooped in the bathroom in high school. You held it

1978
01:36:09,600 --> 01:36:11,679
Speaker 1: till you came home. I just never had to in school.

1979
01:36:11,680 --> 01:36:13,280
Speaker 1: I don't know why my bows got a lot more

1980
01:36:13,400 --> 01:36:17,000
Speaker 1: regular as I got older in school. I never, I never,

1981
01:36:17,200 --> 01:36:19,800
Speaker 1: I never pooped in high school. If you have a

1982
01:36:19,880 --> 01:36:22,280
Speaker 1: strong stomach, because that pez sa me lott surprise had

1983
01:36:22,320 --> 01:36:24,639
Speaker 1: me going, man after the third period. But wait when

1984
01:36:24,720 --> 01:36:27,880
Speaker 1: you come out and you came out of ninety four, Dan,

1985
01:36:27,920 --> 01:36:30,280
Speaker 1: that's I came out of ninety or ninety eight. But

1986
01:36:30,280 --> 01:36:33,320
Speaker 1: I supposed to be ninety six, so damn yeah, I

1987
01:36:33,360 --> 01:36:38,000
Speaker 1: don't remember pooping in high school. I also just want

1988
01:36:38,040 --> 01:36:40,320
Speaker 1: to say, man, I love the positivity your brothers keep

1989
01:36:40,360 --> 01:36:42,680
Speaker 1: it going. I appreciate it, and it keeps me going

1990
01:36:42,760 --> 01:36:45,320
Speaker 1: every day. Man, thank you king. All right, what's the

1991
01:36:45,400 --> 01:36:47,160
Speaker 1: all of the story. More of the story is to

1992
01:36:47,200 --> 01:36:48,760
Speaker 1: each his own. You know what I'm saying. I'm just

1993
01:36:48,800 --> 01:36:50,200
Speaker 1: telling you what I don't do. You know what I mean.

1994
01:36:50,320 --> 01:36:52,040
Speaker 1: Kevin Gates, that's what works with him and his queen.

1995
01:36:52,400 --> 01:36:54,519
Speaker 1: You know, me and my queen roll a different way.

1996
01:36:54,640 --> 01:36:56,760
Speaker 1: That's all. But once again, I don't like poop. I

1997
01:36:56,840 --> 01:36:58,920
Speaker 1: don't even like to be in the bathroom with myself

1998
01:36:58,960 --> 01:37:02,360
Speaker 1: when I poop. Breakfast Club, then barning everybody is DJ

1999
01:37:03,000 --> 01:37:06,800
Speaker 1: Envy Angela Yee, Charlemagne, the guy we are the breakfast club.

2000
01:37:07,000 --> 01:37:08,720
Speaker 1: All right, Well, you got a positive note. Now the

2001
01:37:08,800 --> 01:37:12,400
Speaker 1: positive note is simply this after getting what you manifested,

2002
01:37:12,439 --> 01:37:14,240
Speaker 1: because this is very important Everybody want to have their

2003
01:37:14,360 --> 01:37:17,840
Speaker 1: vision boards and manifest things. And you know a lot

2004
01:37:17,880 --> 01:37:19,880
Speaker 1: of us get those things that we manifest, but after

2005
01:37:19,960 --> 01:37:23,640
Speaker 1: getting what you manifested, ask for discipline to keep it

2006
01:37:24,120 --> 01:37:29,400
Speaker 1: and wisdom to multiply it. Have a blessed day. Breakfast

2007
01:37:29,479 --> 01:37:31,679
Speaker 1: club bitches. You know I'm finish for y'all. Dumb