1 00:00:04,880 --> 00:00:12,480 Speaker 1: So I'm in the studio with afro Jack and he's like, 2 00:00:12,560 --> 00:00:14,920 Speaker 1: listened to my new track, Like I got some good 3 00:00:14,960 --> 00:00:17,240 Speaker 1: samples for it, yes. 4 00:00:17,760 --> 00:00:21,000 Speaker 2: And so he's playing it for me and. 5 00:00:23,000 --> 00:00:25,239 Speaker 1: I, you know, there's this like kind of back these 6 00:00:25,239 --> 00:00:29,600 Speaker 1: background voices on the track, and I'm like, afro this 7 00:00:29,640 --> 00:00:33,920 Speaker 1: sounds like this is like my mother and father having 8 00:00:33,960 --> 00:00:46,760 Speaker 1: a conversation, but they haven't been alive since recording technology existed, 9 00:00:47,600 --> 00:00:52,680 Speaker 1: right or back then it was like a brass can. 10 00:00:52,840 --> 00:00:56,240 Speaker 1: You could like record stuff onto a brass can. He 11 00:00:56,360 --> 00:01:04,040 Speaker 1: had found the can. He had found a brass can. Yeah, 12 00:01:04,080 --> 00:01:07,039 Speaker 1: and uh, he was redoing his house and there was 13 00:01:07,080 --> 00:01:09,280 Speaker 1: like a secret hole in the wall in the wall. 14 00:01:09,400 --> 00:01:10,240 Speaker 1: Yeah huh. 15 00:01:11,400 --> 00:01:13,520 Speaker 2: Well I was over because I was doing like when 16 00:01:13,520 --> 00:01:16,440 Speaker 2: he found that can. I remember I was helping him 17 00:01:16,480 --> 00:01:21,040 Speaker 2: move the wall, uh from the bottom part, and I 18 00:01:21,120 --> 00:01:24,319 Speaker 2: did reach in and uh pull out a brass can. 19 00:01:24,560 --> 00:01:28,160 Speaker 2: And I did say, let's listen to this, okay. And 20 00:01:28,240 --> 00:01:30,360 Speaker 2: I remember saying this would be great for your new track. 21 00:01:30,440 --> 00:01:32,479 Speaker 2: And I thought it was interesting that what we heard 22 00:01:32,680 --> 00:01:35,280 Speaker 2: was they were discussing you and whether you were naughty 23 00:01:35,319 --> 00:01:38,080 Speaker 2: and you sort of learned to use the potty correctly 24 00:01:39,240 --> 00:01:40,160 Speaker 2: it's not nice. 25 00:01:40,880 --> 00:01:44,920 Speaker 1: The what the thesergic on the conversation, I was hoping 26 00:01:45,400 --> 00:01:48,160 Speaker 1: I haven't spoken to them, it's so long long. Yeah, 27 00:01:48,200 --> 00:01:51,760 Speaker 1: I was hoping it would be something nicer than what 28 00:01:51,840 --> 00:01:53,040 Speaker 1: punishment to give me? 29 00:01:53,320 --> 00:01:55,760 Speaker 2: Yes, for being naughty, well. 30 00:01:55,560 --> 00:01:57,000 Speaker 3: But to play Devil's advocate. 31 00:01:57,040 --> 00:02:00,600 Speaker 2: From what I heard on the can, it's like, maybe 32 00:02:00,600 --> 00:02:02,880 Speaker 2: you need a punishment because it sounds like you're wilfully 33 00:02:02,920 --> 00:02:03,840 Speaker 2: ignoring the potty. 34 00:02:06,560 --> 00:02:10,560 Speaker 3: Is that fair? That does sound I mean, I'm you know, 35 00:02:11,720 --> 00:02:13,440 Speaker 3: good about it now? 36 00:02:13,560 --> 00:02:17,680 Speaker 2: Yes, so maybe that what happened were yeah, and this 37 00:02:17,720 --> 00:02:21,320 Speaker 2: is almost making The punishments were pretty tame. M take 38 00:02:21,320 --> 00:02:26,080 Speaker 2: away your licorice mm hmmm mmmm. Make you eat a 39 00:02:26,160 --> 00:02:28,040 Speaker 2: whole thing of liquorice too much? Do you have a 40 00:02:28,040 --> 00:02:29,480 Speaker 2: belly ache? You don't want it anymore? 41 00:02:29,520 --> 00:02:29,880 Speaker 4: Mm hmm. 42 00:02:31,120 --> 00:02:32,480 Speaker 2: Or put your liquorice in the potty. 43 00:02:32,560 --> 00:02:34,680 Speaker 3: Deleting my game files, oh. 44 00:02:34,480 --> 00:02:38,480 Speaker 2: Yes, that was That was extreme and we don't do 45 00:02:38,600 --> 00:02:41,480 Speaker 2: that stuff anymore. And I remember when I went to school, 46 00:02:41,520 --> 00:02:43,760 Speaker 2: the nuns would come over and delete your game files, 47 00:02:45,800 --> 00:02:48,560 Speaker 2: you know, because that's just how we were raised back. 48 00:02:48,520 --> 00:02:52,000 Speaker 1: Which then was trying to get the metal ball through 49 00:02:52,040 --> 00:02:55,400 Speaker 1: a maze into the hole on the other side. 50 00:02:55,919 --> 00:02:59,800 Speaker 2: Yeah, or one of those fifteen puzzles and they would 51 00:02:59,800 --> 00:03:02,840 Speaker 2: just shake it up and you start over. But yeah, 52 00:03:02,919 --> 00:03:06,720 Speaker 2: I do, I do, Yes, I do. I do relate 53 00:03:06,760 --> 00:03:13,720 Speaker 2: to you being upset about that. But that's all in 54 00:03:13,760 --> 00:03:14,320 Speaker 2: the past. 55 00:03:14,919 --> 00:03:17,600 Speaker 1: Hey, welcome to Hollywood Hambook and Insider's Guide to kicking 56 00:03:17,600 --> 00:03:19,920 Speaker 1: button dropping names in the red carpet lined back hallways 57 00:03:19,919 --> 00:03:21,520 Speaker 1: of this industry we call show buziness. 58 00:03:22,760 --> 00:03:24,720 Speaker 3: We on the show. 59 00:03:25,560 --> 00:03:31,160 Speaker 1: The show is taking place in America, United States, in Hollywood. 60 00:03:32,200 --> 00:03:38,360 Speaker 1: Listening to the show are world people the whole. 61 00:03:38,080 --> 00:03:40,760 Speaker 2: Big and yes, all around it. 62 00:03:41,240 --> 00:03:47,040 Speaker 1: France, you may recall America had Oh well that's French filmmak. 63 00:03:47,120 --> 00:03:51,280 Speaker 2: Yes, I'm talking about anywhere. Yes, that's a bad second example. 64 00:03:51,720 --> 00:03:54,480 Speaker 2: That's a bad second example, because yes, that is sort 65 00:03:54,520 --> 00:03:56,840 Speaker 2: of the thing that you knew was definitely. 66 00:03:56,440 --> 00:03:59,520 Speaker 3: Covered, right, but any other place. 67 00:03:59,720 --> 00:04:03,200 Speaker 2: French or French people. 68 00:04:03,720 --> 00:04:06,360 Speaker 1: Yes, the thing, And I did say that, that was 69 00:04:06,400 --> 00:04:09,320 Speaker 1: the first thing I said after as an example of 70 00:04:09,360 --> 00:04:10,640 Speaker 1: not America. 71 00:04:10,520 --> 00:04:17,680 Speaker 2: Right, Yes, yes, definitely not America. So French America And 72 00:04:17,720 --> 00:04:19,440 Speaker 2: you can do the other one. 73 00:04:20,080 --> 00:04:23,440 Speaker 1: Is there an Australian person, Ah, Yes, wouldn't that be 74 00:04:23,640 --> 00:04:25,280 Speaker 1: rich and boogieing down? 75 00:04:25,360 --> 00:04:29,920 Speaker 2: Under and toss me the boomer mate. 76 00:04:30,080 --> 00:04:33,599 Speaker 1: And what we have here today on a visit is 77 00:04:33,640 --> 00:04:40,600 Speaker 1: a fan from a different sort of United place, you know, 78 00:04:40,680 --> 00:04:45,320 Speaker 1: the United States, but this is a kingdom that's united. 79 00:04:45,000 --> 00:04:47,120 Speaker 2: The United Kingdom, the Kingdom. 80 00:04:47,480 --> 00:04:51,960 Speaker 1: And Andrew here, Andrew n I and he flew all 81 00:04:51,960 --> 00:04:56,359 Speaker 1: the way here from there, and it seems like he 82 00:04:56,440 --> 00:05:00,960 Speaker 1: must want something in return, and so here he is. 83 00:05:01,080 --> 00:05:04,080 Speaker 1: And uh, this is that I think. I think this 84 00:05:04,200 --> 00:05:05,440 Speaker 1: is pretty much square now. 85 00:05:05,560 --> 00:05:08,000 Speaker 2: And it's good for us too. It's a good education 86 00:05:08,200 --> 00:05:10,679 Speaker 2: for our listeners because we're big Anglo file. 87 00:05:10,880 --> 00:05:12,680 Speaker 1: This is what we really mostly wanted to talk to 88 00:05:12,720 --> 00:05:14,719 Speaker 1: you about because we love British comedy. 89 00:05:15,200 --> 00:05:20,360 Speaker 2: It's being so much smarter. And the mods are over there, 90 00:05:20,680 --> 00:05:24,520 Speaker 2: Yes are they? What are they doing? Andrew? Are the 91 00:05:24,600 --> 00:05:26,600 Speaker 2: mods still terrorizing your little town? 92 00:05:26,760 --> 00:05:30,680 Speaker 5: Yes, it's it's a problem when they're driving around on 93 00:05:30,680 --> 00:05:31,880 Speaker 5: their scooters. 94 00:05:31,920 --> 00:05:35,240 Speaker 2: Are much too loud. Oh please, yes, they put a 95 00:05:35,320 --> 00:05:38,040 Speaker 2: muffler on that, and they're frugging. 96 00:05:38,080 --> 00:05:40,360 Speaker 1: They do this, They get together and they do this 97 00:05:40,560 --> 00:05:42,919 Speaker 1: frug which is they call it a dance, but it 98 00:05:42,960 --> 00:05:46,000 Speaker 1: looks to me like some sort of street fight. 99 00:05:46,200 --> 00:05:48,800 Speaker 2: No dance I've ever seen. It's far too frightening. 100 00:05:48,880 --> 00:05:50,920 Speaker 1: And when they when the when they and the rockers 101 00:05:51,680 --> 00:05:54,800 Speaker 1: get together in the town square, what's that like? 102 00:05:55,240 --> 00:05:57,000 Speaker 5: It's it's pretty terrifying. 103 00:05:57,040 --> 00:05:59,240 Speaker 6: I wouldn't I wouldn't go near that. 104 00:05:59,400 --> 00:06:01,560 Speaker 2: I am an glow file. But that's one part of 105 00:06:01,600 --> 00:06:04,800 Speaker 2: the English stuff. I can get it to do without No. 106 00:06:04,960 --> 00:06:09,040 Speaker 2: I like mister Bean. Yes, so we love British comedy. 107 00:06:09,200 --> 00:06:11,840 Speaker 2: Mister Bean, he's smashing the sardines. 108 00:06:12,120 --> 00:06:15,320 Speaker 1: Yes, it's smart, mister Bean, Monty Python, this stuff is 109 00:06:15,400 --> 00:06:19,560 Speaker 1: just on every level, just more intelligent than American. 110 00:06:20,680 --> 00:06:25,720 Speaker 2: Yes, well here's American comedy in a nutshell. Ow I 111 00:06:26,360 --> 00:06:29,320 Speaker 2: fell on my butt. Yeah, I'm too big to be 112 00:06:29,360 --> 00:06:33,200 Speaker 2: a spy, you know. Like that's literally what the comedy is. 113 00:06:33,240 --> 00:06:35,919 Speaker 2: And it's funny and it has its place. But I 114 00:06:35,960 --> 00:06:39,440 Speaker 2: wish sometimes they would also do some of this mister 115 00:06:39,600 --> 00:06:41,880 Speaker 2: Bean stuff, which. 116 00:06:43,600 --> 00:06:44,680 Speaker 4: Just kills me. 117 00:06:45,279 --> 00:06:48,200 Speaker 2: When he's wearing the exit sign over his butt because 118 00:06:48,240 --> 00:06:50,600 Speaker 2: he lost his clothes in the hotel, yes. 119 00:06:50,520 --> 00:06:53,239 Speaker 1: Or him like getting a turkey stuck on his head, 120 00:06:53,360 --> 00:06:55,039 Speaker 1: or what's your favorite, Andrew? 121 00:06:55,320 --> 00:06:56,360 Speaker 6: My favorite mister Bean? 122 00:06:56,520 --> 00:06:56,960 Speaker 2: Mm hmmm. 123 00:06:57,400 --> 00:07:00,200 Speaker 5: I like when he's on top of the car. Don't 124 00:07:00,200 --> 00:07:03,279 Speaker 5: even come with the sticks. That's my favorite poems. 125 00:07:05,440 --> 00:07:07,400 Speaker 2: I don't know that one. 126 00:07:07,560 --> 00:07:08,240 Speaker 3: And for like. 127 00:07:09,760 --> 00:07:13,040 Speaker 1: Here we need like you know, the spy, the big spy. 128 00:07:13,560 --> 00:07:17,040 Speaker 1: Oh yes, we need you know, like to laugh at 129 00:07:17,080 --> 00:07:18,680 Speaker 1: people who are maybe less attractive. 130 00:07:19,040 --> 00:07:21,320 Speaker 2: Well it's also rated R because it's got to be 131 00:07:21,440 --> 00:07:24,400 Speaker 2: foul mouth, and I don't think you need that in 132 00:07:24,440 --> 00:07:25,200 Speaker 2: British comedy. 133 00:07:25,400 --> 00:07:29,200 Speaker 1: Whereas mister Bean is for children can watch, you can 134 00:07:29,280 --> 00:07:33,240 Speaker 1: watch with the whole family. And he's like a nice looking, 135 00:07:33,880 --> 00:07:37,040 Speaker 1: in shape guy, so like the you know, it's something 136 00:07:37,320 --> 00:07:38,920 Speaker 1: a little something for. 137 00:07:39,000 --> 00:07:41,640 Speaker 3: Women or just like even as a guy. 138 00:07:41,840 --> 00:07:46,640 Speaker 2: Honestly, like I like girls, but that doesn't I'm not blind. 139 00:07:46,680 --> 00:07:49,600 Speaker 2: I could still tell that mister Bean is a true piece. 140 00:07:52,120 --> 00:07:55,360 Speaker 1: To be a guy, but like I could think about 141 00:07:55,600 --> 00:07:58,440 Speaker 1: being missus Bean and what that would be like. 142 00:07:59,320 --> 00:08:04,280 Speaker 2: Yes, and and the best comedies not only exist in 143 00:08:04,320 --> 00:08:06,360 Speaker 2: a fantasy world you can enjoy on the screen, but 144 00:08:06,440 --> 00:08:09,960 Speaker 2: also create a fantasy world in your mind where you know, 145 00:08:10,080 --> 00:08:12,200 Speaker 2: mister Bean's coming home from a long day of work. 146 00:08:12,280 --> 00:08:15,000 Speaker 2: I've made him a cast role perhaps, and I've sort 147 00:08:15,000 --> 00:08:17,480 Speaker 2: of set stuff up on the table for dinner. But 148 00:08:17,960 --> 00:08:19,960 Speaker 2: before dinner comes a. 149 00:08:19,960 --> 00:08:23,840 Speaker 1: Little bit of sure physical the little baby Beans run 150 00:08:23,840 --> 00:08:26,720 Speaker 1: in and you say, you guys shuffle a log about 151 00:08:26,760 --> 00:08:27,640 Speaker 1: for a while. 152 00:08:27,560 --> 00:08:30,760 Speaker 2: And I wonder what kind of antics we would get 153 00:08:30,800 --> 00:08:36,319 Speaker 2: into trying to engage in a physical activity like that, 154 00:08:36,360 --> 00:08:39,280 Speaker 2: because frequently that sort of thing doesn't go in a 155 00:08:39,320 --> 00:08:41,959 Speaker 2: predictable way for mister Bean. 156 00:08:43,840 --> 00:08:47,280 Speaker 1: How do you think that would play out? Yes, Andrew, 157 00:08:47,280 --> 00:08:48,320 Speaker 1: you're the expert. 158 00:08:48,480 --> 00:08:50,680 Speaker 2: You've seen the car stick one which hasn't made it 159 00:08:50,720 --> 00:08:54,080 Speaker 2: to the States yet. So please do you know? 160 00:08:54,360 --> 00:09:00,320 Speaker 1: I'm missus Bean and my husband and I are, you know, 161 00:09:00,640 --> 00:09:02,880 Speaker 1: hoping to have a sexual encounter. 162 00:09:04,880 --> 00:09:07,360 Speaker 5: But everything, everything he does seems to go wrong in 163 00:09:07,400 --> 00:09:11,520 Speaker 5: some way. So I suppose he if he came in 164 00:09:11,559 --> 00:09:15,160 Speaker 5: the room, perhaps he would slip on something. If he 165 00:09:15,280 --> 00:09:19,040 Speaker 5: was getting into bed, he sort of misjudge the distance, 166 00:09:19,080 --> 00:09:20,080 Speaker 5: maybe slipped off the bed. 167 00:09:20,320 --> 00:09:24,280 Speaker 2: Oh no, what if we were going to do it 168 00:09:24,280 --> 00:09:25,359 Speaker 2: in the shower. 169 00:09:26,640 --> 00:09:27,000 Speaker 6: Shower? 170 00:09:27,559 --> 00:09:30,120 Speaker 5: Well, I mean if there was water on the floor, 171 00:09:30,880 --> 00:09:33,320 Speaker 5: for example, don't say it. 172 00:09:33,320 --> 00:09:38,280 Speaker 1: It seems like there are lots of bottles in the shower, 173 00:09:39,040 --> 00:09:42,360 Speaker 1: and it seems like that might be a place that 174 00:09:42,400 --> 00:09:45,559 Speaker 1: he could get his what do you guys call it? 175 00:09:45,679 --> 00:09:46,040 Speaker 6: Not again? 176 00:09:46,800 --> 00:09:46,959 Speaker 4: Now? 177 00:09:51,800 --> 00:09:55,840 Speaker 2: Yes? What's that the downstairs and gullies? 178 00:09:55,960 --> 00:09:58,560 Speaker 1: Yes, that seems like he could get his ghoulies stuck 179 00:09:58,600 --> 00:09:59,600 Speaker 1: in a shampoo bottle. 180 00:10:00,040 --> 00:10:03,920 Speaker 2: Hmmm, and all the time he slipped. Maybe if you're 181 00:10:04,000 --> 00:10:08,040 Speaker 2: there waiting, maybe it go in the wrong hole. And 182 00:10:08,880 --> 00:10:13,160 Speaker 2: so then the exit, yes, the exit signed from earlier. 183 00:10:14,720 --> 00:10:18,240 Speaker 2: And to me, that really seems like a rich, smart 184 00:10:18,320 --> 00:10:21,640 Speaker 2: area for comedy's. That's sort of an in the loop, 185 00:10:22,520 --> 00:10:26,760 Speaker 2: deep kind of yes, yes, love yeah, love in the loop. 186 00:10:27,280 --> 00:10:28,240 Speaker 2: I like the cursing. 187 00:10:29,440 --> 00:10:35,760 Speaker 1: It's smart cursing, so creative Python, how they dress like 188 00:10:36,480 --> 00:10:39,880 Speaker 1: ladies and sometimes when they walk it makes a fart sound. 189 00:10:40,200 --> 00:10:42,040 Speaker 2: Well, and they would have if you've seen the one 190 00:10:42,120 --> 00:10:45,079 Speaker 2: movie Meaning of Life. They have all the joggers with 191 00:10:45,200 --> 00:10:50,800 Speaker 2: the the holes cut out for their tetons. That what 192 00:10:50,840 --> 00:10:52,240 Speaker 2: do you call the jumbleeese? 193 00:10:52,559 --> 00:10:52,800 Speaker 1: Right? 194 00:10:53,200 --> 00:10:54,000 Speaker 3: Is that right? 195 00:10:55,760 --> 00:11:01,360 Speaker 2: Jumble yeah, jubblee. So that you know, and that was 196 00:11:01,440 --> 00:11:03,240 Speaker 2: so funny and erotic. 197 00:11:03,640 --> 00:11:08,240 Speaker 1: I love knowing what's next and what's coming over from 198 00:11:08,280 --> 00:11:12,559 Speaker 1: across the pond, because before the office, that one kind 199 00:11:12,559 --> 00:11:15,280 Speaker 1: of snuck up on me. There was this American one, 200 00:11:15,880 --> 00:11:17,839 Speaker 1: and then people are telling me about this other one, 201 00:11:17,840 --> 00:11:19,679 Speaker 1: and I wish I had known about that before. 202 00:11:20,280 --> 00:11:27,800 Speaker 2: So what's coming? What's our new office? Do you have 203 00:11:28,080 --> 00:11:31,360 Speaker 2: Blue PETERA m let me check. 204 00:11:31,440 --> 00:11:34,160 Speaker 5: I mean it's not it's not quite a comedy, but 205 00:11:34,720 --> 00:11:37,760 Speaker 5: it's sort of a children's television show and they do 206 00:11:37,920 --> 00:11:39,880 Speaker 5: activities and you make crafts and things. 207 00:11:40,120 --> 00:11:42,320 Speaker 6: I think that could be booth clues the next big thing. 208 00:11:43,040 --> 00:11:43,959 Speaker 2: Okay, that's big. 209 00:11:44,840 --> 00:11:48,559 Speaker 1: It seems like if mister Bean not to go back 210 00:11:48,600 --> 00:11:49,920 Speaker 1: to this, it's just difficult. 211 00:11:50,240 --> 00:11:51,160 Speaker 2: Stop picturing it. 212 00:11:51,679 --> 00:11:55,920 Speaker 1: If his jumblies are stuck at a shampoo bottle. As 213 00:11:55,960 --> 00:12:00,480 Speaker 1: he is becoming more and more aroused by this, the uh, 214 00:12:00,720 --> 00:12:04,640 Speaker 1: maybe his wife doing something of a strip show. It 215 00:12:04,720 --> 00:12:07,240 Speaker 1: seems like he could end up with a Blue Peter 216 00:12:07,320 --> 00:12:11,920 Speaker 1: of his own. He's doing everything he can to not 217 00:12:12,000 --> 00:12:15,520 Speaker 1: be stimulated by his wife's performance. He doesn't want to 218 00:12:15,600 --> 00:12:21,040 Speaker 1: hurt her feelings, though, because because it's sort of it's 219 00:12:21,080 --> 00:12:21,520 Speaker 1: and it's me. 220 00:12:21,720 --> 00:12:24,120 Speaker 2: Yes, it's sort of implied. 221 00:12:24,320 --> 00:12:30,520 Speaker 1: That mister Bean is endowed, oh, in a special way. 222 00:12:30,960 --> 00:12:36,959 Speaker 2: Yes, that he is built physically in a particular manner. 223 00:12:37,000 --> 00:12:43,120 Speaker 2: It's heavily implied. There's no dialogue in every episode, but 224 00:12:43,800 --> 00:12:49,800 Speaker 2: they give you a generous clue. 225 00:12:49,000 --> 00:12:53,840 Speaker 1: And so you can imagine what something of that of 226 00:12:53,880 --> 00:12:57,160 Speaker 1: those proportions would do in a shampoo bottle. 227 00:12:57,480 --> 00:13:04,079 Speaker 2: Yes if blast off now, I as long as we're 228 00:13:04,120 --> 00:13:08,200 Speaker 2: talking about fantasies of ours, have to just say this. 229 00:13:08,280 --> 00:13:10,000 Speaker 2: And I don't know what it is, but I know 230 00:13:10,080 --> 00:13:14,880 Speaker 2: it's something, and it's mister Bean and Chris. 231 00:13:14,520 --> 00:13:20,720 Speaker 1: O daw Yes, Chris O'Dowd is a guy of yours. 232 00:13:21,200 --> 00:13:23,040 Speaker 2: One of your guys who I wish was one of 233 00:13:23,080 --> 00:13:28,200 Speaker 2: our guys. Yes, the inexplicably Scottish cop from Bridesmaids where 234 00:13:28,240 --> 00:13:30,840 Speaker 2: we said get over here and start being in our movies. Yes, 235 00:13:31,120 --> 00:13:34,600 Speaker 2: I need it. And can you tell me a little 236 00:13:34,600 --> 00:13:35,480 Speaker 2: bit about him? 237 00:13:35,600 --> 00:13:36,400 Speaker 6: How is he? 238 00:13:37,679 --> 00:13:40,560 Speaker 5: Well, I've I've never actually, I mean, you know the 239 00:13:41,280 --> 00:13:47,640 Speaker 5: he's from Holand oh perfect, I'm from from England, from 240 00:13:47,679 --> 00:13:48,520 Speaker 5: the UK. 241 00:13:49,040 --> 00:13:51,000 Speaker 2: Yes, so you're the boss of him. 242 00:13:52,320 --> 00:13:53,160 Speaker 6: What's seven possible? 243 00:13:53,840 --> 00:13:54,840 Speaker 2: Is a good employee? 244 00:13:55,280 --> 00:14:04,120 Speaker 5: Uh? Well, I'm a little what's ned divine like? He's 245 00:14:04,400 --> 00:14:06,920 Speaker 5: a new one to me. I haven't come across him. 246 00:14:07,080 --> 00:14:07,480 Speaker 7: Mm hmm. 247 00:14:10,080 --> 00:14:18,760 Speaker 5: William Wallace, he's again a tricky one, not. 248 00:14:20,560 --> 00:14:22,600 Speaker 6: Terribly pro English. I guess you would say. 249 00:14:24,120 --> 00:14:28,800 Speaker 2: Blackadder. He's another one who. 250 00:14:31,240 --> 00:14:31,600 Speaker 6: Sorry. 251 00:14:33,200 --> 00:14:35,360 Speaker 2: Yes, And that's the thing about British people is they're 252 00:14:35,480 --> 00:14:38,160 Speaker 2: very One of the ways they are polite is they're 253 00:14:38,200 --> 00:14:40,080 Speaker 2: so quiet that the mic can't hear them. 254 00:14:40,240 --> 00:14:43,440 Speaker 1: Well, yeah, so you prefer to do your You asked 255 00:14:43,440 --> 00:14:45,840 Speaker 1: if you could do the whole show physically in something 256 00:14:45,840 --> 00:14:50,040 Speaker 1: of a Bean style, And it's regrettable the podcast format, 257 00:14:50,120 --> 00:14:52,920 Speaker 1: there is no what would the Bean podcast be like? 258 00:14:52,960 --> 00:14:56,320 Speaker 1: It would just be him like thumping against the mike 259 00:14:56,360 --> 00:14:57,000 Speaker 1: ius he likes. 260 00:14:57,960 --> 00:15:00,000 Speaker 5: I think it's it's pretty interesting that you're talking about 261 00:15:00,080 --> 00:15:04,280 Speaker 5: him being silent because in Britain that he's quite audible. 262 00:15:04,360 --> 00:15:06,040 Speaker 5: I mean it's fully full script. 263 00:15:06,080 --> 00:15:08,280 Speaker 2: I didn't you can hear him. 264 00:15:08,640 --> 00:15:10,240 Speaker 5: I mean you sort of have to adjust to to 265 00:15:10,320 --> 00:15:13,760 Speaker 5: a sort of British cadence. Yeah, but he's perfectly audible. 266 00:15:14,320 --> 00:15:15,560 Speaker 3: Oh that's fascinating. 267 00:15:15,560 --> 00:15:17,280 Speaker 2: What kind of stuff is he saying? Yeah? 268 00:15:17,320 --> 00:15:20,400 Speaker 1: When I watch him, I like, I just hear nothing, 269 00:15:20,480 --> 00:15:23,440 Speaker 1: is it my the Yankee ears? 270 00:15:24,800 --> 00:15:26,960 Speaker 5: There's there's a lot of stuff about him being worried 271 00:15:27,000 --> 00:15:31,000 Speaker 5: about slipping or maybe eating eating an undercooked steak, things 272 00:15:31,080 --> 00:15:31,360 Speaker 5: like that. 273 00:15:32,680 --> 00:15:35,160 Speaker 1: So before it's just before he gets into one of 274 00:15:35,200 --> 00:15:38,440 Speaker 1: his scrapes, he says that he hopes it is not 275 00:15:38,480 --> 00:15:39,120 Speaker 1: gonna happen. 276 00:15:39,240 --> 00:15:40,480 Speaker 2: He really sets the table. 277 00:15:40,560 --> 00:15:42,440 Speaker 5: Huh, I mean it's full shadowing. 278 00:15:42,800 --> 00:15:46,560 Speaker 2: Yeah, I would love to hear something like that, just 279 00:15:46,640 --> 00:15:47,520 Speaker 2: him going, uh. 280 00:15:47,400 --> 00:15:54,440 Speaker 1: Oh, that sounds sad to me almost m m. 281 00:15:55,160 --> 00:15:59,160 Speaker 2: But that's some of the layers they bring over over 282 00:15:59,280 --> 00:16:01,840 Speaker 2: the pond, afraid of emotions like we are. 283 00:16:01,840 --> 00:16:04,120 Speaker 1: And I speaking of which, I have one of those 284 00:16:05,520 --> 00:16:08,240 Speaker 1: keep calm t shirts but minds us, keep calm and 285 00:16:08,320 --> 00:16:08,800 Speaker 1: chive on. 286 00:16:11,280 --> 00:16:13,440 Speaker 2: Minds us keep calm and put a bird on it. 287 00:16:14,760 --> 00:16:16,800 Speaker 2: And I and I don't know. 288 00:16:16,680 --> 00:16:19,720 Speaker 3: Why, but I love it. What does your guys say? 289 00:16:21,360 --> 00:16:26,080 Speaker 1: We just have the regular carrion Okay, classic and carry Brownstein. 290 00:16:27,000 --> 00:16:30,720 Speaker 2: That's right, okay, similar to Sean's close. 291 00:16:30,840 --> 00:16:36,239 Speaker 1: Yeah, those are And what's that what's that supposed to be. 292 00:16:37,840 --> 00:16:41,680 Speaker 5: The poster? Yeah, well, I mean it's sort of a phrase. 293 00:16:41,720 --> 00:16:44,080 Speaker 5: I guess you can take it with you in everyday life. 294 00:16:44,160 --> 00:16:48,160 Speaker 5: Sort of lived by that mantra. Okay, if you were 295 00:16:48,160 --> 00:16:50,560 Speaker 5: in a situation in which you were to to become 296 00:16:50,600 --> 00:16:52,920 Speaker 5: on calm, to become agitated, or something like if you 297 00:16:52,920 --> 00:16:59,560 Speaker 5: were slipping, yes, just try on, carry on or put 298 00:16:59,560 --> 00:17:00,120 Speaker 5: a bird on it. 299 00:17:00,400 --> 00:17:06,160 Speaker 1: You guys got the chibe over there. 300 00:17:05,359 --> 00:17:09,000 Speaker 6: We we just go to some of these colleges. We 301 00:17:09,040 --> 00:17:09,600 Speaker 6: have different names. 302 00:17:09,920 --> 00:17:12,080 Speaker 2: Some of these college girls they got on that side 303 00:17:13,440 --> 00:17:18,280 Speaker 2: an't where much, Andrew, we probably got to Oh, yes, 304 00:17:18,440 --> 00:17:26,159 Speaker 2: that's what I love, amateurs, real girls, amateurs. Now I 305 00:17:26,200 --> 00:17:30,600 Speaker 2: hate the pros. I know I'm being played now, Andrew, 306 00:17:31,400 --> 00:17:34,480 Speaker 2: we gotta go because we have guests coming in and 307 00:17:34,800 --> 00:17:36,119 Speaker 2: it is time to end this. 308 00:17:36,440 --> 00:17:39,800 Speaker 1: Next on the show is the guest who is today, 309 00:17:40,520 --> 00:17:44,560 Speaker 1: Neil Campbell and he's a star of comedy and he's 310 00:17:44,760 --> 00:17:48,760 Speaker 1: been on television and you might know him from the 311 00:17:48,960 --> 00:17:51,639 Speaker 1: other podcast Comedy Bang Bang that you used to like, 312 00:17:51,720 --> 00:17:54,240 Speaker 1: but you don't like it anymore because now you can't 313 00:17:54,240 --> 00:17:57,760 Speaker 1: really listen to it without thinking, like, is the other 314 00:17:57,840 --> 00:18:03,400 Speaker 1: wrong on Hollywood Handbook, the one you love Hollywood Hamburg. 315 00:18:09,359 --> 00:18:15,600 Speaker 2: So I'm walking into Heartbeat House, you know. I do 316 00:18:15,720 --> 00:18:19,719 Speaker 2: my dance class there, Yes, Monday nights, Yoga booty ballet. 317 00:18:21,280 --> 00:18:24,560 Speaker 2: It's like ballet moves and it's also like booty dancing, 318 00:18:24,880 --> 00:18:27,520 Speaker 2: and then we do yoga at the end to stretch 319 00:18:27,520 --> 00:18:33,760 Speaker 2: it out. And they are getting all set. 320 00:18:33,680 --> 00:18:37,760 Speaker 4: Up in the room and I spot Mercedes Rule in 321 00:18:37,800 --> 00:18:38,400 Speaker 4: the back. 322 00:18:39,680 --> 00:18:41,720 Speaker 2: And it's so uncomfortable for me as the instructor in 323 00:18:41,720 --> 00:18:43,760 Speaker 2: the back, of course, so uncomfortable for me as the 324 00:18:43,760 --> 00:18:45,600 Speaker 2: instructor that I have to go and tell her I'm 325 00:18:45,640 --> 00:18:49,560 Speaker 2: so sorry, but your classes have expired, like you have 326 00:18:49,600 --> 00:18:52,159 Speaker 2: to buy a new membership where you can't because she's 327 00:18:52,200 --> 00:18:52,639 Speaker 2: a friend. 328 00:18:53,040 --> 00:18:56,400 Speaker 1: Yeah, I know, And that's probably why she thinks that 329 00:18:56,440 --> 00:18:56,880 Speaker 1: she can. 330 00:18:57,200 --> 00:19:00,080 Speaker 2: She never would have tried this with Denise. She never 331 00:19:00,119 --> 00:19:02,479 Speaker 2: would have walked into her class Richard. Yes, and she 332 00:19:02,600 --> 00:19:05,040 Speaker 2: never would have walked into her class to pull this BS. 333 00:19:05,520 --> 00:19:12,840 Speaker 2: And so I hate to be that authoritarian figure, but 334 00:19:14,359 --> 00:19:16,119 Speaker 2: there are rules for a reason in that place. 335 00:19:16,240 --> 00:19:19,680 Speaker 1: Well, because if everyone else finds out well hartpe House 336 00:19:19,720 --> 00:19:22,240 Speaker 1: is sacred to me, yoga booty ballet is suddenly now 337 00:19:23,000 --> 00:19:24,040 Speaker 1: just free for friends. 338 00:19:24,440 --> 00:19:30,280 Speaker 2: M then what do I do? How do I make money? Okay, 339 00:19:30,400 --> 00:19:32,360 Speaker 2: so that's the story about that. 340 00:19:32,640 --> 00:19:35,960 Speaker 1: Hey, welcome to guy the kicking button dropping names of 341 00:19:35,960 --> 00:19:37,879 Speaker 1: the red carpet line back hallways of this industry we 342 00:19:37,920 --> 00:19:38,840 Speaker 1: call showbiz. 343 00:19:39,680 --> 00:19:42,639 Speaker 2: We've talked before about podcasting. 344 00:19:42,720 --> 00:19:43,840 Speaker 3: We're doing one now. 345 00:19:44,440 --> 00:19:47,199 Speaker 1: This is a podcast network that we are doing the 346 00:19:47,240 --> 00:19:47,919 Speaker 1: show on. 347 00:19:48,840 --> 00:19:49,119 Speaker 2: You know. 348 00:19:49,200 --> 00:19:52,320 Speaker 1: One of them is called ear Wolf, but that's one 349 00:19:52,359 --> 00:19:53,800 Speaker 1: that's different from. 350 00:19:53,560 --> 00:19:56,439 Speaker 2: Ours and kind of the old model of that one, yes. 351 00:19:56,359 --> 00:19:58,760 Speaker 1: And we're changing it by doing a new one that's 352 00:19:58,800 --> 00:20:03,800 Speaker 1: called wolf Cool. We have one podcast in our network, 353 00:20:03,840 --> 00:20:07,000 Speaker 1: which is with Seth Morris and it's talking turkey. 354 00:20:07,000 --> 00:20:10,280 Speaker 2: It's about Thanksgiving. Great Thanksgiving memories get discussed on that 355 00:20:10,320 --> 00:20:18,280 Speaker 2: and please he just did a whole episode about and 356 00:20:19,280 --> 00:20:22,640 Speaker 2: who brought the thunder in that episode and so that 357 00:20:22,800 --> 00:20:23,280 Speaker 2: was great. 358 00:20:24,200 --> 00:20:28,040 Speaker 1: But you know, we look at the landscape when choosing 359 00:20:28,080 --> 00:20:29,320 Speaker 1: the people for our network. 360 00:20:29,359 --> 00:20:32,080 Speaker 2: We look out there at the landscape. Uh. 361 00:20:32,119 --> 00:20:35,679 Speaker 1: And we heard that Earwolf was maybe going to do 362 00:20:35,720 --> 00:20:38,320 Speaker 1: a podcast with Paul F. Tompkins, and we said, I 363 00:20:38,359 --> 00:20:40,879 Speaker 1: don't know, you know, like should we try and bid 364 00:20:40,920 --> 00:20:41,320 Speaker 1: for that? 365 00:20:41,600 --> 00:20:44,439 Speaker 2: And we said, you let them have that one. They 366 00:20:44,520 --> 00:20:47,200 Speaker 2: launched a laptus one. We said, let it go. This 367 00:20:47,680 --> 00:20:51,160 Speaker 2: womped up is a thing. Yes, we said, we'll keep 368 00:20:51,160 --> 00:20:53,520 Speaker 2: our hands off that because we had our eyes on 369 00:20:54,000 --> 00:20:55,280 Speaker 2: the real gym the whole time. 370 00:20:55,359 --> 00:20:59,360 Speaker 1: Yes, the Neil deal, the Neil deal, and that's Neil Campbell. 371 00:20:59,440 --> 00:21:00,760 Speaker 2: And Neil Campbell is here. 372 00:21:00,880 --> 00:21:05,359 Speaker 1: Hi, hey, guys, and you know him from being fans 373 00:21:05,440 --> 00:21:07,960 Speaker 1: when we brought you to Comedy Bang Bang and you 374 00:21:08,119 --> 00:21:10,440 Speaker 1: went back and listened to those episodes, you probably heard 375 00:21:10,480 --> 00:21:13,160 Speaker 1: several with with Neil Campbell. 376 00:21:12,760 --> 00:21:13,440 Speaker 2: Being on them. 377 00:21:13,560 --> 00:21:16,440 Speaker 4: Yes, I've been on a few few episodes The Bang 378 00:21:16,480 --> 00:21:20,520 Speaker 4: Bang podcast. Thanks for directing some listeners that way. 379 00:21:20,800 --> 00:21:25,240 Speaker 2: Yes, and and why so you have done that show? 380 00:21:25,359 --> 00:21:27,520 Speaker 2: So why didn't they give you your own show like 381 00:21:27,560 --> 00:21:28,800 Speaker 2: they did for these other people. 382 00:21:29,400 --> 00:21:32,119 Speaker 4: Well, part of it's all about who you know. You know, 383 00:21:32,720 --> 00:21:35,480 Speaker 4: that's that's a tail as old as time. You don't 384 00:21:35,520 --> 00:21:40,320 Speaker 4: know Scott, No, well I do know Scott, So part 385 00:21:40,359 --> 00:21:42,160 Speaker 4: of it is about who you know, and I do 386 00:21:42,240 --> 00:21:43,080 Speaker 4: have that covered. 387 00:21:43,440 --> 00:21:46,480 Speaker 3: Oh yes, okay, that's your party. 388 00:21:46,280 --> 00:21:50,120 Speaker 2: The part you have, Yes, that's what I have. That's great. Yeah. 389 00:21:50,200 --> 00:21:52,960 Speaker 4: Then well I asked them. I am I'm friends with 390 00:21:53,040 --> 00:21:56,600 Speaker 4: Lauren and PFT, and I said, how did you guys 391 00:21:56,640 --> 00:22:00,440 Speaker 4: get a podcast? And they said, we asked, and I. 392 00:22:01,960 --> 00:22:12,840 Speaker 2: Mean yeah, just hear like yeah good, oh no, we 393 00:22:12,920 --> 00:22:15,200 Speaker 2: would never do that and you can't either. I would 394 00:22:15,200 --> 00:22:18,080 Speaker 2: never have that of you. Yeah, but you did ask 395 00:22:18,160 --> 00:22:19,960 Speaker 2: us if you could have one on Yeah. 396 00:22:20,040 --> 00:22:22,640 Speaker 4: You know, well, of course I don't know you as well, 397 00:22:23,359 --> 00:22:24,040 Speaker 4: ask someone I know. 398 00:22:24,080 --> 00:22:25,120 Speaker 3: You didn't have that part. 399 00:22:25,280 --> 00:22:27,920 Speaker 4: Yeah, I'll do one of the other, but not both. 400 00:22:28,000 --> 00:22:28,520 Speaker 2: That's right. 401 00:22:29,440 --> 00:22:33,800 Speaker 1: And we when you said what your dream project was 402 00:22:33,840 --> 00:22:38,719 Speaker 1: and your favorite thing to study is being science, definitely 403 00:22:39,080 --> 00:22:40,960 Speaker 1: speak on your relationship to science, Neil. 404 00:22:42,200 --> 00:22:45,160 Speaker 4: I mean I guess it goes back to I was actually, 405 00:22:45,359 --> 00:22:47,679 Speaker 4: this is so funny. When I was a kid, I 406 00:22:47,760 --> 00:22:52,720 Speaker 4: was in school and we actually had a science class. 407 00:22:53,359 --> 00:22:56,680 Speaker 3: Neil, you never told us we did. 408 00:22:56,720 --> 00:23:00,640 Speaker 4: We did, and we had a science text book and 409 00:23:00,680 --> 00:23:03,439 Speaker 4: it would teach us science. Yeah, and it was just 410 00:23:03,480 --> 00:23:08,000 Speaker 4: such a wonderful introduction into this whole I mean, it's 411 00:23:08,040 --> 00:23:08,879 Speaker 4: an art form. 412 00:23:08,960 --> 00:23:11,320 Speaker 3: Really, science is an art form. 413 00:23:11,840 --> 00:23:15,000 Speaker 2: Yeah. Science is the biggest art there is, and it's. 414 00:23:15,240 --> 00:23:19,640 Speaker 1: The different colors of the chemicals and such. Nature's art form. 415 00:23:19,680 --> 00:23:22,639 Speaker 2: This school sounds so insane to me. Is this month's 416 00:23:22,640 --> 00:23:24,280 Speaker 2: story or what's going on? 417 00:23:24,400 --> 00:23:30,240 Speaker 4: Oh no, this was just like elementary school and like Virginia. 418 00:23:30,400 --> 00:23:34,320 Speaker 1: Yeah, and they just is that what you said when 419 00:23:34,359 --> 00:23:37,840 Speaker 1: you were telling a fake story? Right after you tell 420 00:23:37,840 --> 00:23:38,840 Speaker 1: a fake story. 421 00:23:39,320 --> 00:23:47,360 Speaker 4: We got our share of ribbing. Yeah. Well so, uh. 422 00:23:48,000 --> 00:23:53,800 Speaker 2: I of course am passionate about science and so passionate. 423 00:23:53,920 --> 00:23:56,280 Speaker 2: It's one of the things that really juices me up 424 00:23:56,359 --> 00:24:00,120 Speaker 2: and gets me a metaphorical boner, bugs. 425 00:24:00,560 --> 00:24:03,879 Speaker 3: Whales, whales, the human body. 426 00:24:04,480 --> 00:24:07,399 Speaker 2: Yes, beautiful women mm hmmm. 427 00:24:07,840 --> 00:24:10,240 Speaker 1: Because anything can be science, and that's a big thing 428 00:24:10,320 --> 00:24:11,639 Speaker 1: that your podcast is about. 429 00:24:11,880 --> 00:24:12,160 Speaker 3: Yeah. 430 00:24:12,359 --> 00:24:15,240 Speaker 4: Yeah, it's looking at the science of the every day, 431 00:24:17,240 --> 00:24:19,439 Speaker 4: in addition to the science of the weekly and the 432 00:24:19,520 --> 00:24:24,159 Speaker 4: science of the monthly. Mm hmm. You know, you can 433 00:24:24,200 --> 00:24:25,960 Speaker 4: really pick any any sort. 434 00:24:25,720 --> 00:24:29,320 Speaker 1: Of And when you say science of the weekly, that's 435 00:24:29,359 --> 00:24:32,639 Speaker 1: not being like weak nerds or anything, because nerds are 436 00:24:32,680 --> 00:24:34,560 Speaker 1: becoming stronger than ever. 437 00:24:34,960 --> 00:24:40,399 Speaker 4: Yeah, they're using their brains to go, how do I 438 00:24:40,000 --> 00:24:42,440 Speaker 4: I can use science to increase my body? 439 00:24:43,880 --> 00:24:47,119 Speaker 2: Yeah, and I think that science nerds actually are the 440 00:24:47,160 --> 00:24:49,560 Speaker 2: best at working on that have the biggest muscles because 441 00:24:49,600 --> 00:24:51,800 Speaker 2: they were able to do all the calculation. 442 00:24:52,000 --> 00:24:55,000 Speaker 4: They can build a machine and they understand what angle 443 00:24:55,080 --> 00:24:57,520 Speaker 4: to put things out. You know, some people look at 444 00:24:57,560 --> 00:25:01,560 Speaker 4: weights and kind of kick them around, and the science 445 00:25:02,320 --> 00:25:07,760 Speaker 4: whiz understands if I take this weight and I push 446 00:25:07,800 --> 00:25:10,840 Speaker 4: it against the force of gravity rather than gravity, help 447 00:25:10,920 --> 00:25:14,080 Speaker 4: me my muscle mess will likely increase. 448 00:25:14,440 --> 00:25:17,359 Speaker 1: Yes, And not knowing about gravity is really bad for 449 00:25:17,440 --> 00:25:19,679 Speaker 1: these jocks as they. 450 00:25:19,320 --> 00:25:23,680 Speaker 4: They don't know they're just a graviton doesn't exist. 451 00:25:24,680 --> 00:25:27,960 Speaker 2: And that's yes. And as they are getting older, a 452 00:25:27,960 --> 00:25:30,200 Speaker 2: lot of them only have very strong feet because as 453 00:25:30,200 --> 00:25:32,400 Speaker 2: you said, they kick the weights around and they never 454 00:25:32,480 --> 00:25:33,000 Speaker 2: are right. 455 00:25:33,119 --> 00:25:34,960 Speaker 4: Or they've become expert and they've maybe you know, they've 456 00:25:34,960 --> 00:25:37,639 Speaker 4: probably made a lot of money off of dropping and 457 00:25:38,520 --> 00:25:40,879 Speaker 4: using gravity, but you can get to a certain age 458 00:25:40,920 --> 00:25:45,800 Speaker 4: and that runs out. Yeah, fought against gravity to sort 459 00:25:45,840 --> 00:25:49,400 Speaker 4: of build up a body that can sustain it all sustainable. 460 00:25:49,560 --> 00:25:51,760 Speaker 2: Yes, And it's the difference between being rich and being 461 00:25:51,800 --> 00:25:55,560 Speaker 2: wealthy now and it's and I always like to talk 462 00:25:55,600 --> 00:26:01,000 Speaker 2: about that on Chris Rock. So can we please talk 463 00:26:01,040 --> 00:26:04,840 Speaker 2: about this show? And I'm so excited and we're gonna 464 00:26:04,880 --> 00:26:07,200 Speaker 2: launch it out a wolf cool and it's a little 465 00:26:07,280 --> 00:26:09,480 Speaker 2: like Ted Talks And in fact we're alloking. 466 00:26:09,200 --> 00:26:11,640 Speaker 1: A talk at the landscape and there are these Ted 467 00:26:11,720 --> 00:26:13,600 Speaker 1: talks and we decided to do. 468 00:26:13,600 --> 00:26:16,960 Speaker 3: Them again the same way. 469 00:26:17,320 --> 00:26:20,320 Speaker 2: Yes, but we added a D so we can't get 470 00:26:20,359 --> 00:26:20,880 Speaker 2: in trouble. 471 00:26:21,200 --> 00:26:22,399 Speaker 3: And that is a guy we know. 472 00:26:22,640 --> 00:26:24,800 Speaker 1: So before you say like you're not allowed to do that, 473 00:26:24,880 --> 00:26:27,159 Speaker 1: there is a guy who's a friend of ours. 474 00:26:27,680 --> 00:26:28,640 Speaker 4: She's a lovely man. 475 00:26:28,760 --> 00:26:29,240 Speaker 3: Mm hmmm. 476 00:26:29,800 --> 00:26:33,040 Speaker 2: And so we what this format of this show will 477 00:26:33,080 --> 00:26:36,320 Speaker 2: be is every week there will be a great science 478 00:26:36,440 --> 00:26:40,960 Speaker 2: topic and Hayes, Neil and I will each have done 479 00:26:40,960 --> 00:26:44,840 Speaker 2: a Ted talk about it and you'll get to hear. 480 00:26:44,960 --> 00:26:46,880 Speaker 2: And so we're going to play some clips from our 481 00:26:46,960 --> 00:26:50,000 Speaker 2: first premiere episode that's coming out. 482 00:26:49,960 --> 00:26:53,320 Speaker 1: Yes, and what are the topics for this, well talk? 483 00:26:53,400 --> 00:26:57,159 Speaker 1: Do we want the science of love? The science of 484 00:26:57,240 --> 00:26:59,440 Speaker 1: wo there'd be a richer is a good one? 485 00:26:59,560 --> 00:27:00,840 Speaker 2: That's a great Yes? 486 00:27:02,160 --> 00:27:04,359 Speaker 4: Does a watched pot never boil? 487 00:27:07,080 --> 00:27:07,480 Speaker 2: Okay? 488 00:27:08,040 --> 00:27:11,640 Speaker 1: And I guess mine is probably gonna be about soccer. Yes, 489 00:27:12,440 --> 00:27:14,159 Speaker 1: it's me, so it'll be soccer. 490 00:27:14,440 --> 00:27:15,919 Speaker 2: Yes. I guess what we'll do. 491 00:27:16,000 --> 00:27:20,359 Speaker 1: We'll just play our first episode and then occasionally cut 492 00:27:20,400 --> 00:27:23,800 Speaker 1: out of it to discuss the things that we did 493 00:27:23,840 --> 00:27:27,760 Speaker 1: in the episode, like behind the scenes stuff about the podcast. Yeah, 494 00:27:27,960 --> 00:27:29,600 Speaker 1: and so I guess there'll just be like kind of 495 00:27:29,600 --> 00:27:33,399 Speaker 1: backing music for the podcast, which is how you'll know 496 00:27:34,200 --> 00:27:36,080 Speaker 1: that you're listening to the podcast. 497 00:27:36,560 --> 00:27:37,360 Speaker 2: Does that make sense? 498 00:27:38,240 --> 00:27:38,480 Speaker 6: Maybe? 499 00:27:39,200 --> 00:27:44,120 Speaker 1: So, without further ado, this is this is our ted 500 00:27:44,160 --> 00:27:52,000 Speaker 1: Talks podcast. Without further ado, this is our ted Talks 501 00:27:52,040 --> 00:27:57,639 Speaker 1: podcast from Wolf Cool. Today's subject is the science of love. 502 00:27:58,359 --> 00:28:00,439 Speaker 1: You know, it is hugging and kissing, but is it 503 00:28:00,560 --> 00:28:07,880 Speaker 1: actually math? In as well our first speaker, science fan 504 00:28:08,320 --> 00:28:09,120 Speaker 1: Neil Campbell. 505 00:28:12,280 --> 00:28:17,600 Speaker 4: Love seems pretty simple, right, It's just a matter of 506 00:28:18,080 --> 00:28:20,240 Speaker 4: saying I love you to someone. That means you're in love. 507 00:28:21,920 --> 00:28:22,760 Speaker 6: Well, what causes that? 508 00:28:23,720 --> 00:28:26,399 Speaker 4: There's something beneath the surface? There's there's something going on, 509 00:28:26,440 --> 00:28:28,480 Speaker 4: a chemical reaction inside your brain. 510 00:28:29,200 --> 00:28:31,080 Speaker 2: That is what love is. 511 00:28:31,119 --> 00:28:34,000 Speaker 4: And scientists have been able to trace this, trace this 512 00:28:34,080 --> 00:28:37,400 Speaker 4: to a chemical reaction, and in fact, it is when 513 00:28:39,080 --> 00:28:45,280 Speaker 4: a hydrogen molecule interacts with a nutrigen molecule with a 514 00:28:45,360 --> 00:28:46,280 Speaker 4: nutrient gena bottle. 515 00:28:48,240 --> 00:28:50,800 Speaker 1: And I guess we'll speak on our decision to have 516 00:28:51,720 --> 00:28:54,320 Speaker 1: multiple scientists collaborating with each other. 517 00:28:54,520 --> 00:28:56,320 Speaker 2: Well, the thing about these TED talks that I've heard 518 00:28:56,440 --> 00:28:59,720 Speaker 2: is it's always one scientist just talking straight, and I 519 00:28:59,720 --> 00:29:03,200 Speaker 2: feel like if they fuck up, or if they just 520 00:29:03,640 --> 00:29:06,680 Speaker 2: maybe are forgetting a point, or maybe if another scientist 521 00:29:06,680 --> 00:29:08,720 Speaker 2: says a question, why can't they chime in during that 522 00:29:08,760 --> 00:29:09,880 Speaker 2: TED talk Exactly? 523 00:29:10,960 --> 00:29:13,560 Speaker 4: I've also known as normal TED talks. They sort of 524 00:29:13,600 --> 00:29:15,000 Speaker 4: go through a thing and then they at the end 525 00:29:15,040 --> 00:29:18,880 Speaker 4: talk about a lesson they've learned. And I think is 526 00:29:18,960 --> 00:29:21,200 Speaker 4: so convenient, And you know, what we're good at is 527 00:29:21,560 --> 00:29:25,440 Speaker 4: really really pulling out minimum of seven lessons we've learned. 528 00:29:27,280 --> 00:29:30,880 Speaker 2: Yes, because the idea there's one primary lesson being learned 529 00:29:30,920 --> 00:29:34,040 Speaker 2: from any one of these TED talks is so minimized. 530 00:29:34,040 --> 00:29:36,920 Speaker 4: It wastes your time as a listener. That's the hour 531 00:29:37,120 --> 00:29:39,240 Speaker 4: just learned one lesson and people just. 532 00:29:39,280 --> 00:29:41,240 Speaker 1: Kind of want to get right to that, which is 533 00:29:41,280 --> 00:29:43,480 Speaker 1: really what we do. And a lot of these and 534 00:29:43,560 --> 00:29:48,600 Speaker 1: a lot of these talks. Oh baby, yes, Lesson number one. 535 00:29:50,840 --> 00:29:55,840 Speaker 1: When you find a partner, it's pheromones, same as butterflies. 536 00:29:57,920 --> 00:30:01,160 Speaker 2: Lesson number two. The first time you have love is 537 00:30:01,200 --> 00:30:03,760 Speaker 2: with your mommy. 538 00:30:05,520 --> 00:30:09,960 Speaker 4: Lesson number three. You only feel love at the moment 539 00:30:10,160 --> 00:30:11,520 Speaker 4: your heart is beating. 540 00:30:11,760 --> 00:30:13,640 Speaker 2: Between beats a. 541 00:30:16,520 --> 00:30:20,400 Speaker 1: Lesson number four. Love is for between a man and 542 00:30:20,440 --> 00:30:27,840 Speaker 1: a woman. Lesson number five. It's not safe for land 543 00:30:27,920 --> 00:30:35,800 Speaker 1: walkers to fall in love with an eel. Lesson number six. 544 00:30:38,200 --> 00:30:42,080 Speaker 4: It's okay to be hot for teacher, and you'll know 545 00:30:42,160 --> 00:30:44,800 Speaker 4: it due to the physical sensation of feeling hot. 546 00:30:46,880 --> 00:30:53,040 Speaker 1: Lesson number seven. Love is great, but sometimes chocolate does. 547 00:30:53,440 --> 00:31:00,959 Speaker 1: Being as this as very nice. We're allowed to have 548 00:31:01,000 --> 00:31:04,720 Speaker 1: fun here. Yeah, so that made you mad. 549 00:31:05,360 --> 00:31:10,320 Speaker 2: Oh well, in a joking manner, because I felt like 550 00:31:10,400 --> 00:31:13,240 Speaker 2: you were being very cheeky with that final lesson. 551 00:31:13,480 --> 00:31:16,760 Speaker 1: Oh okay, and I because I did not take that 552 00:31:17,040 --> 00:31:20,320 Speaker 1: as a joke at the time, and you know that, yes, 553 00:31:20,440 --> 00:31:22,520 Speaker 1: And then when I confronted you about it, you did 554 00:31:22,680 --> 00:31:24,920 Speaker 1: pretend that it was serious. 555 00:31:26,000 --> 00:31:30,280 Speaker 2: Yeah, Well, I guess in my mind, the joke was 556 00:31:30,920 --> 00:31:33,880 Speaker 2: science has taken so seriously and talking about love is 557 00:31:33,920 --> 00:31:36,480 Speaker 2: always taken so seriously that the fact you were being 558 00:31:36,520 --> 00:31:39,640 Speaker 2: a little cheeky imagine I said, no, you're not allowed. 559 00:31:40,240 --> 00:31:42,520 Speaker 2: And to me, the best way to follow that joke 560 00:31:42,640 --> 00:31:45,040 Speaker 2: up was to never back away from it, and to 561 00:31:45,160 --> 00:31:51,680 Speaker 2: actually fire you from the podcast, and to make you 562 00:31:51,800 --> 00:31:54,840 Speaker 2: move to a different house from the one you lived 563 00:31:54,840 --> 00:31:59,600 Speaker 2: in by calling the police and getting a restraining order 564 00:31:59,640 --> 00:32:02,000 Speaker 2: file against you and then standing in your front yard 565 00:32:02,040 --> 00:32:02,920 Speaker 2: so you couldn't go home. 566 00:32:04,080 --> 00:32:07,200 Speaker 1: I mean, I guess we can get that part of 567 00:32:07,200 --> 00:32:10,320 Speaker 1: the podcast now since we sort of know sure what 568 00:32:10,440 --> 00:32:14,000 Speaker 1: happens there, So just pick up again, I guess after 569 00:32:14,040 --> 00:32:14,960 Speaker 1: that portion. 570 00:32:15,440 --> 00:32:29,160 Speaker 8: Yeah, okay, great, Sorry, sorry about that. 571 00:32:30,640 --> 00:32:32,600 Speaker 4: Maybe I should just pick it up where we're kind 572 00:32:32,600 --> 00:32:34,200 Speaker 4: of the next thing in the notes. 573 00:32:34,920 --> 00:32:37,160 Speaker 2: Yeah, no, I probably went too far with the whole 574 00:32:38,520 --> 00:32:39,000 Speaker 2: It's fine. 575 00:32:39,240 --> 00:32:42,800 Speaker 4: It was funny. I yeah, the concept is funny, but 576 00:32:42,880 --> 00:32:46,920 Speaker 4: in practice it was It just goes back to McCarthyism. 577 00:32:47,160 --> 00:32:50,920 Speaker 4: You know, it's funny to actually angry it, and Melissa 578 00:32:50,960 --> 00:32:52,000 Speaker 4: McCarthy does it all the time. 579 00:32:55,320 --> 00:32:59,280 Speaker 3: Soccer people love it around the world, But what is it? 580 00:32:59,280 --> 00:32:59,920 Speaker 2: It's kicking. 581 00:33:00,160 --> 00:33:03,240 Speaker 1: Only we know that, and they have it in Spain, 582 00:33:04,080 --> 00:33:06,640 Speaker 1: Germany and all these other places. 583 00:33:06,720 --> 00:33:08,760 Speaker 2: No, let me go, let me go. 584 00:33:10,640 --> 00:33:14,480 Speaker 4: Recent studies have actually shown though, that one eleventh of 585 00:33:14,480 --> 00:33:18,240 Speaker 4: a soccer team is allowed to use their hands. 586 00:33:19,520 --> 00:33:24,880 Speaker 2: Yes, And I actually have done even more research into that, 587 00:33:25,000 --> 00:33:27,600 Speaker 2: and I've found out that sometimes when they're outside of 588 00:33:27,640 --> 00:33:32,160 Speaker 2: the bounds then they can use it too. Now. 589 00:33:32,280 --> 00:33:34,800 Speaker 1: The thing that I'll say, now it's sort of upset 590 00:33:34,840 --> 00:33:37,680 Speaker 1: me about that, yeah, is that those are my soccer ideas. 591 00:33:38,600 --> 00:33:39,880 Speaker 2: That's my soccer research. 592 00:33:41,040 --> 00:33:48,800 Speaker 1: And in science, as in any art, you credit the artist, 593 00:33:50,080 --> 00:33:54,480 Speaker 1: and to hear my ideas like that on the speaker 594 00:33:54,520 --> 00:34:01,080 Speaker 1: that was projecting outside of the Nokia theater was that 595 00:34:01,280 --> 00:34:02,240 Speaker 1: was difficult for me. 596 00:34:02,400 --> 00:34:04,719 Speaker 2: Would you guys speak on the decision? 597 00:34:05,160 --> 00:34:08,759 Speaker 4: I feel like it was covered under fair use. We 598 00:34:08,760 --> 00:34:11,319 Speaker 4: were sort of doing like the girl talk of a 599 00:34:11,360 --> 00:34:13,719 Speaker 4: Ted title. It was a girl Ted talk where we 600 00:34:13,719 --> 00:34:16,440 Speaker 4: were taking your ideas and sort of mashing them up 601 00:34:16,520 --> 00:34:18,640 Speaker 4: and making them into their own thing. 602 00:34:19,360 --> 00:34:19,640 Speaker 6: Yeah. 603 00:34:19,680 --> 00:34:21,520 Speaker 2: I don't think we stayed on any one of your 604 00:34:21,520 --> 00:34:24,360 Speaker 2: ideas for long enough that we would have had to 605 00:34:24,360 --> 00:34:25,440 Speaker 2: pay you for the idea. 606 00:34:26,600 --> 00:34:28,439 Speaker 4: We took a break. We just passed a soccer ball 607 00:34:28,480 --> 00:34:29,120 Speaker 4: back and forth. 608 00:34:30,000 --> 00:34:34,600 Speaker 2: Well, I do like that kind of music. It gets 609 00:34:34,640 --> 00:34:36,880 Speaker 2: me very excited. 610 00:34:38,480 --> 00:34:41,920 Speaker 1: Should we cut to the podcast that I guess we 611 00:34:42,680 --> 00:34:45,920 Speaker 1: chose to do after the Love and the Soccer Ones, 612 00:34:46,440 --> 00:34:49,560 Speaker 1: which is does a watch pot Never Boil? 613 00:34:49,800 --> 00:34:50,440 Speaker 3: Never? 614 00:34:50,760 --> 00:34:54,560 Speaker 4: A metaphorical kind of title, right cutting into the themes 615 00:34:54,600 --> 00:34:55,359 Speaker 4: that week. 616 00:34:55,560 --> 00:34:58,160 Speaker 1: Yes, and I guess we'll find out what that is 617 00:34:58,160 --> 00:34:59,719 Speaker 1: a metaphor for. 618 00:35:00,120 --> 00:35:05,480 Speaker 2: Yeah. 619 00:35:00,400 --> 00:35:10,920 Speaker 4: Yeah, they often say a watched pot never boils, and 620 00:35:11,360 --> 00:35:14,120 Speaker 4: that's true. If you're trying to make a pot or 621 00:35:14,160 --> 00:35:19,480 Speaker 4: any object boil simply by observing it, you're SOL. 622 00:35:20,239 --> 00:35:22,640 Speaker 3: And we we should talk to you about that. 623 00:35:23,640 --> 00:35:27,719 Speaker 1: None of the rudeness, Yeah, you know, because I do 624 00:35:27,880 --> 00:35:28,640 Speaker 1: know what that means. 625 00:35:29,000 --> 00:35:31,680 Speaker 2: It's a science place, and so that's not. 626 00:35:32,360 --> 00:35:34,160 Speaker 1: If you're going to say SOL, it should stand for 627 00:35:34,239 --> 00:35:35,520 Speaker 1: Science of Love and that's it. 628 00:35:35,640 --> 00:35:38,880 Speaker 4: I understand. But I sort of like to position myself 629 00:35:38,880 --> 00:35:40,640 Speaker 4: as the rebel scientist. 630 00:35:41,160 --> 00:35:41,400 Speaker 6: You know. 631 00:35:41,520 --> 00:35:45,480 Speaker 4: That's why i wear the leather bomber jacket and you 632 00:35:45,520 --> 00:35:48,319 Speaker 4: know I've got the wrap around shades wraps around the 633 00:35:48,360 --> 00:35:51,720 Speaker 4: back of my head because I'm indoors you know, obviously. 634 00:35:51,880 --> 00:35:53,520 Speaker 2: Like to share the room backwards. 635 00:35:53,719 --> 00:35:55,360 Speaker 4: Yeah, I like to enter the room I can't, so 636 00:35:55,440 --> 00:35:59,080 Speaker 4: you'd walk ever since I had the reconstructive ACL surgery. 637 00:35:59,160 --> 00:36:03,320 Speaker 4: But I people understand it's kind of an attemptate milwalking. 638 00:36:03,360 --> 00:36:05,000 Speaker 2: And then people can see the back of the jack. 639 00:36:06,120 --> 00:36:06,919 Speaker 2: Can I see the back? 640 00:36:07,040 --> 00:36:08,920 Speaker 4: Yeah, that's pig emblem. 641 00:36:09,040 --> 00:36:13,080 Speaker 1: Yeah, and this as an almost cursing, Yeah, okay, I had. 642 00:36:13,040 --> 00:36:15,920 Speaker 4: That custom designed by my stepdad. 643 00:36:17,080 --> 00:36:20,239 Speaker 1: And speak on your relationship with your step down with him, Yeah, 644 00:36:20,719 --> 00:36:22,359 Speaker 1: I mean we have a great relationship. 645 00:36:22,480 --> 00:36:24,920 Speaker 4: I you know. 646 00:36:25,000 --> 00:36:27,600 Speaker 2: He are you guys living separately or. 647 00:36:27,719 --> 00:36:29,600 Speaker 4: Yeah, Yeah, we don't live. He's he works at his 648 00:36:29,640 --> 00:36:34,360 Speaker 4: embroidery business. And you know, he'll still send me He 649 00:36:34,440 --> 00:36:36,359 Speaker 4: taught me how to drop Porky Pig, and he'll still 650 00:36:36,400 --> 00:36:41,000 Speaker 4: send me drawings and that he's done new ones from 651 00:36:41,600 --> 00:36:44,960 Speaker 4: new angles. It seems like every day he's sort of 652 00:36:45,000 --> 00:36:47,040 Speaker 4: discovered a new angle of Porky Pig. Yeah. 653 00:36:47,080 --> 00:36:49,200 Speaker 2: He was working on an aerial view of Porky Pig 654 00:36:49,239 --> 00:36:50,960 Speaker 2: when I was there the last time, and not just 655 00:36:51,040 --> 00:36:54,279 Speaker 2: the top of his head and snout, but actually as 656 00:36:54,320 --> 00:36:57,520 Speaker 2: if Porky was sunbathing on a roof and you were 657 00:36:57,520 --> 00:36:58,880 Speaker 2: in a helicopter above. 658 00:36:59,160 --> 00:37:02,040 Speaker 4: Yeah, and you can see the shadow of the helicopter 659 00:37:02,200 --> 00:37:05,120 Speaker 4: kind of covering his left hoof the. 660 00:37:05,120 --> 00:37:08,239 Speaker 1: Detail, Yes, of that, and the bikini straps kind of 661 00:37:08,280 --> 00:37:10,960 Speaker 1: resting yes to the side, as if you were getting 662 00:37:11,160 --> 00:37:12,200 Speaker 1: sort of a rare tree. 663 00:37:12,200 --> 00:37:15,440 Speaker 2: But if you had been yes under neath, or if 664 00:37:15,440 --> 00:37:19,160 Speaker 2: he sat up to and put lotion on sack, that 665 00:37:19,200 --> 00:37:20,480 Speaker 2: you get to see the whole thing. 666 00:37:20,520 --> 00:37:22,200 Speaker 4: And he's been in a whole You know a lot 667 00:37:22,239 --> 00:37:25,799 Speaker 4: of low angle portraits of Porky arching his back and 668 00:37:25,880 --> 00:37:32,600 Speaker 4: stretching out, stretching on some of the Yes, I mean 669 00:37:32,640 --> 00:37:36,719 Speaker 4: it's Porky. It's funny. I've laughing because it's a community. 670 00:37:36,400 --> 00:37:40,160 Speaker 2: Really has a speech impediment, and the idea of seeing 671 00:37:40,239 --> 00:37:43,120 Speaker 2: from a low angle where you can actually I mean 672 00:37:43,160 --> 00:37:45,239 Speaker 2: if you're low enough where you could look straight up 673 00:37:45,239 --> 00:37:51,959 Speaker 2: his pant leg or something, or even from the back 674 00:37:52,000 --> 00:37:54,160 Speaker 2: where you could follow that curly Q tail all the 675 00:37:54,200 --> 00:37:54,680 Speaker 2: way home. 676 00:37:55,840 --> 00:37:56,640 Speaker 1: We we we. 677 00:37:58,960 --> 00:38:00,920 Speaker 4: He did a drawing recently Porky and the X ray 678 00:38:01,040 --> 00:38:04,400 Speaker 4: machine from Total Recall. You could see the bonus curly 679 00:38:04,440 --> 00:38:05,239 Speaker 4: as well. 680 00:38:07,040 --> 00:38:13,480 Speaker 2: And machine from Total Recall. Yes, yeah, it's not a 681 00:38:13,640 --> 00:38:17,440 Speaker 2: humid X ray machine. No. Uh, like it's not a 682 00:38:17,480 --> 00:38:20,560 Speaker 2: normal one like we use in our hospitals. Uh, specifically 683 00:38:20,640 --> 00:38:22,000 Speaker 2: the one I really it was. 684 00:38:22,040 --> 00:38:24,160 Speaker 4: It was it was a drawing inside a thought bubble 685 00:38:24,200 --> 00:38:25,719 Speaker 4: that was emanating from Philip K. 686 00:38:25,800 --> 00:38:26,520 Speaker 6: Dick's grave. 687 00:38:26,920 --> 00:38:28,640 Speaker 2: Before we get too far away from it, I realized 688 00:38:28,640 --> 00:38:30,480 Speaker 2: I did say looking up his pant leg, and I 689 00:38:30,520 --> 00:38:33,080 Speaker 2: forgot to explain that while traditionally Porky Pig is not 690 00:38:33,400 --> 00:38:36,719 Speaker 2: wearing pants, that your stepdad also does put him in 691 00:38:36,760 --> 00:38:38,080 Speaker 2: some pretty unique outfits. 692 00:38:38,719 --> 00:38:41,920 Speaker 4: He draws him in different almals when he's wondering if 693 00:38:41,960 --> 00:38:44,319 Speaker 4: he should buy new clothes, and he'll look at something 694 00:38:44,320 --> 00:38:46,160 Speaker 4: online and they'll go draw Porky at it to see 695 00:38:46,200 --> 00:38:48,319 Speaker 4: if Porky looks good at it, and so he'll be like, 696 00:38:48,360 --> 00:38:51,160 Speaker 4: oh that I he loiks kind of night, the nice 697 00:38:51,200 --> 00:38:57,240 Speaker 4: and newsbl trousers. He has a fair. 698 00:38:57,880 --> 00:39:00,239 Speaker 2: Way to figure out sort of what's going to fit 699 00:39:00,320 --> 00:39:02,000 Speaker 2: his frame. Yes, exactly. 700 00:39:02,880 --> 00:39:09,520 Speaker 1: And now your stepdad, Yeah, is your father my dad? 701 00:39:09,719 --> 00:39:14,560 Speaker 2: I just thought, yeah, I just thought it might be 702 00:39:14,640 --> 00:39:19,239 Speaker 2: interesting for people. I just thought it was obvious. Yeah, 703 00:39:19,239 --> 00:39:25,560 Speaker 2: it is my dad. And my dad porked your mom. 704 00:39:25,800 --> 00:39:28,080 Speaker 2: I mean for like you know, I mean after. 705 00:39:28,120 --> 00:39:28,919 Speaker 3: He says it. 706 00:39:29,040 --> 00:39:33,799 Speaker 2: Yeah, yeah, and so h so you know we're all 707 00:39:33,840 --> 00:39:34,720 Speaker 2: one happy family. 708 00:39:34,760 --> 00:39:38,800 Speaker 1: Define And you don't feel like like, you know, Sean 709 00:39:39,080 --> 00:39:41,719 Speaker 1: is there in the house, but you don't want to 710 00:39:41,760 --> 00:39:43,160 Speaker 1: live in the house as well. 711 00:39:43,719 --> 00:39:47,280 Speaker 4: No, I kind of. Yeah, I've struck out on my own. 712 00:39:47,840 --> 00:39:52,560 Speaker 4: I've got a nice tent in the backyard and you know, 713 00:39:52,760 --> 00:39:56,640 Speaker 4: and and it's it's I just I'm an independent person, 714 00:39:56,880 --> 00:39:57,920 Speaker 4: like having my independence. 715 00:39:58,360 --> 00:40:00,440 Speaker 2: Yeah, And I admire that, and I I do. I 716 00:40:00,480 --> 00:40:02,839 Speaker 2: am sometimes jealous when I see like, oh, he's got 717 00:40:02,840 --> 00:40:07,640 Speaker 2: his own entrance and uh, you can come home whenever, 718 00:40:07,920 --> 00:40:10,440 Speaker 2: and uh yeah, and it has been able to run 719 00:40:10,480 --> 00:40:13,520 Speaker 2: an extension cord out there. That was nice. And so 720 00:40:14,600 --> 00:40:17,759 Speaker 2: it's like, uh, that's sick. But at the same time, 721 00:40:17,880 --> 00:40:21,759 Speaker 2: I'm in the basement. Uh, and I can I feel 722 00:40:21,800 --> 00:40:24,120 Speaker 2: like rock really hard down there. That's what you can't 723 00:40:24,160 --> 00:40:27,040 Speaker 2: necessarily do because your tent is so close to the 724 00:40:27,040 --> 00:40:28,120 Speaker 2: neighbor's property line. 725 00:40:28,239 --> 00:40:31,000 Speaker 4: That's true. That's true. And I and usually the chord 726 00:40:31,120 --> 00:40:34,000 Speaker 4: is just in my lava lamp. But if I try 727 00:40:34,000 --> 00:40:37,359 Speaker 4: to put it into the guitar, you know, you you 728 00:40:37,400 --> 00:40:39,239 Speaker 4: have the amps, you have everything to really be able 729 00:40:39,239 --> 00:40:42,920 Speaker 4: to rock out down there. I only have one power source. 730 00:40:43,800 --> 00:40:45,600 Speaker 2: And the light sort that's your light sort. 731 00:40:45,680 --> 00:40:48,080 Speaker 4: It's my light source as well. Yeah, so I could try, 732 00:40:48,120 --> 00:40:50,440 Speaker 4: but I'm not good enough at the chords to be 733 00:40:50,440 --> 00:40:52,240 Speaker 4: able to think the guitar. 734 00:40:52,680 --> 00:40:56,120 Speaker 1: Yeah, well, people are gonna be wondering how that pot 735 00:40:56,200 --> 00:41:04,480 Speaker 1: gets hot. Oh yeah, let's let's find out. You could 736 00:41:05,880 --> 00:41:10,839 Speaker 1: burn up the pot. But where would the fire come from? Well, 737 00:41:11,160 --> 00:41:14,239 Speaker 1: not from just watching it. That's the problem. 738 00:41:14,680 --> 00:41:18,800 Speaker 2: So when you think about whether a watch pot doesn't 739 00:41:18,920 --> 00:41:22,400 Speaker 2: ever boil, then you would know that it never boils. 740 00:41:22,800 --> 00:41:26,680 Speaker 2: And so if you do go to the store and 741 00:41:26,920 --> 00:41:30,040 Speaker 2: buy the pot, just know when you get home that 742 00:41:30,280 --> 00:41:34,040 Speaker 2: making it boil will be harder than just looking at it. 743 00:41:35,520 --> 00:41:40,960 Speaker 1: Lesson one, When you turn the knob, it becomes fire 744 00:41:41,120 --> 00:41:41,680 Speaker 1: on the top. 745 00:41:44,280 --> 00:41:48,439 Speaker 4: Lesson two. Maybe wondering if you downloaded this podcast, why 746 00:41:48,480 --> 00:41:55,480 Speaker 4: boil was spelt like Peter Boil's lastening A pot won't 747 00:41:55,560 --> 00:41:58,520 Speaker 4: turn into Peter Boil. The act of boiling. 748 00:42:00,440 --> 00:42:04,680 Speaker 2: Lesson three, pot is also something to bad kids smoke 749 00:42:08,080 --> 00:42:09,040 Speaker 2: less than four. 750 00:42:10,480 --> 00:42:13,040 Speaker 1: B O I l I n G is becoming hot 751 00:42:13,600 --> 00:42:17,480 Speaker 1: b o y l I Edgy is coming in with 752 00:42:17,520 --> 00:42:26,800 Speaker 1: that great laugh line and making the studio audience go crazy. 753 00:42:27,640 --> 00:42:32,120 Speaker 4: Let's say you put a watch inside a pot. That's 754 00:42:32,160 --> 00:42:36,560 Speaker 4: not gonna change anything except you're gonna be wondering where 755 00:42:36,600 --> 00:42:37,120 Speaker 4: your watch went. 756 00:42:39,560 --> 00:42:42,600 Speaker 2: That's why less than five is put a watch around 757 00:42:42,640 --> 00:42:45,800 Speaker 2: the pot, then you'll know how long it's taking. 758 00:42:48,480 --> 00:42:53,480 Speaker 1: Less than six, what about watch is like the guy 759 00:42:53,520 --> 00:42:57,279 Speaker 1: who's like the night watch at a factory, And that's 760 00:42:57,320 --> 00:42:58,160 Speaker 1: another cut. 761 00:43:00,440 --> 00:43:04,120 Speaker 4: Less than seven. Let's say you just want to make 762 00:43:04,440 --> 00:43:11,240 Speaker 4: some pasta, Just call a restaurant. They'll do it for you. 763 00:43:11,480 --> 00:43:16,839 Speaker 4: Why I ought, okay, but you were mad that time. 764 00:43:17,320 --> 00:43:20,879 Speaker 2: That time, I was really pissed off to send all 765 00:43:21,000 --> 00:43:25,000 Speaker 2: that business to restaurants when we are trying to launch 766 00:43:25,080 --> 00:43:31,239 Speaker 2: a series of wolf cool paasta and pasta fazzoles. Yes, well, 767 00:43:31,280 --> 00:43:33,200 Speaker 2: there are pots for making pasta fazol and they come 768 00:43:33,239 --> 00:43:34,080 Speaker 2: with all the ingredients. 769 00:43:34,120 --> 00:43:36,200 Speaker 4: And yeah, one use pots. 770 00:43:37,600 --> 00:43:41,600 Speaker 3: Instead of just going to all the different store, you know, go. 771 00:43:41,600 --> 00:43:44,880 Speaker 1: To the grocery store for the pasta, go to the 772 00:43:44,920 --> 00:43:49,600 Speaker 1: spice store for the fazzoole, get the pot in some 773 00:43:49,719 --> 00:43:52,600 Speaker 1: other who knows that the garbage dump who has time, 774 00:43:53,560 --> 00:43:57,520 Speaker 1: get it all together in the mail, mix them all up. 775 00:43:57,800 --> 00:44:01,040 Speaker 1: We send the water as well, which is special Italian water, 776 00:44:01,160 --> 00:44:04,360 Speaker 1: which has the different minerals for because Alley water's heavy. 777 00:44:04,719 --> 00:44:07,520 Speaker 4: Yeah yeah, and Italian water, you know, and it comes in 778 00:44:07,560 --> 00:44:08,680 Speaker 4: a thing that's shaped like a boot. 779 00:44:09,360 --> 00:44:12,560 Speaker 3: Mm hmm, it was I could see why you would 780 00:44:12,600 --> 00:44:13,239 Speaker 3: get upset to. 781 00:44:13,520 --> 00:44:16,360 Speaker 4: Yeah, I really it was just a slip of the tongue, 782 00:44:16,400 --> 00:44:18,880 Speaker 4: which it would be a great idea for a future 783 00:44:18,920 --> 00:44:19,400 Speaker 4: ted tug. 784 00:44:19,560 --> 00:44:24,160 Speaker 2: Oh that's such a rich area. Should we play that episode? Yes, 785 00:44:28,400 --> 00:44:32,560 Speaker 2: eating pussy it's a great way to make a girl 786 00:44:32,600 --> 00:44:36,760 Speaker 2: comp and that can be important. 787 00:44:39,440 --> 00:44:43,680 Speaker 7: I call it a slip of the tongue. 788 00:44:45,280 --> 00:44:45,879 Speaker 2: Lesson one. 789 00:44:48,080 --> 00:44:53,360 Speaker 1: Memorize alphabet before you go in there, because it's gonna 790 00:44:53,360 --> 00:44:54,080 Speaker 1: come in handy. 791 00:44:56,320 --> 00:44:59,800 Speaker 4: Lesson too, the better you're doing the slipper it gets. 792 00:45:01,800 --> 00:45:06,040 Speaker 2: Lesson three, don't get scared. 793 00:45:08,760 --> 00:45:13,920 Speaker 1: Less than four. If you do get scared, pretend that 794 00:45:13,960 --> 00:45:14,800 Speaker 1: you saw a mouse. 795 00:45:17,560 --> 00:45:18,240 Speaker 2: Lesson five. 796 00:45:20,600 --> 00:45:24,399 Speaker 4: If you aren't used to the taste of slime, go 797 00:45:25,239 --> 00:45:26,799 Speaker 4: lick sub so you get used to it. 798 00:45:33,239 --> 00:45:38,200 Speaker 2: Less than six. Let's bring back that mouse Hayes mentioned earlier. 799 00:45:41,239 --> 00:45:42,040 Speaker 2: Is she cool with that? 800 00:45:45,160 --> 00:45:49,760 Speaker 1: Lesson seven. A lot of people don't realize that getting 801 00:45:49,800 --> 00:45:54,200 Speaker 1: slimed on the old Nickelodeon shows was meant to replicate 802 00:45:54,640 --> 00:45:58,000 Speaker 1: what happens if you do a good job. 803 00:45:58,960 --> 00:46:02,120 Speaker 2: Wish you're eating plussy? 804 00:46:02,160 --> 00:46:06,560 Speaker 1: What do you mean that's how it should end, that 805 00:46:06,600 --> 00:46:12,759 Speaker 1: should be the final result begun that something similar to 806 00:46:12,840 --> 00:46:17,920 Speaker 1: the experience of getting slime on. Say, figure it out. 807 00:46:18,480 --> 00:46:23,239 Speaker 1: One of these old Nickelodeon shows that we all love. 808 00:46:24,719 --> 00:46:27,399 Speaker 1: Don't you love those old Nickelodeon shows. I can watch 809 00:46:27,440 --> 00:46:27,799 Speaker 1: them all. 810 00:46:27,880 --> 00:46:31,879 Speaker 2: Anything from any old show from when I was a kid. 811 00:46:31,760 --> 00:46:34,960 Speaker 1: And they were actually funny and they were like pretty 812 00:46:35,040 --> 00:46:36,719 Speaker 1: twisted in a way that stuff on. 813 00:46:36,800 --> 00:46:38,760 Speaker 3: TV for kids is not anymore. 814 00:46:38,760 --> 00:46:42,239 Speaker 2: It's all safe now, dude. Some of these shows when 815 00:46:42,239 --> 00:46:44,319 Speaker 2: we were kids are so fucked up. 816 00:46:44,400 --> 00:46:47,000 Speaker 3: It'd be about nose pickings. They could talk about nose 817 00:46:47,520 --> 00:46:48,240 Speaker 3: and some of them. 818 00:46:48,080 --> 00:46:50,279 Speaker 4: Were actually like scary too when they tried to be 819 00:46:50,840 --> 00:46:53,520 Speaker 4: like somehow are genuinely like actually scary? 820 00:46:54,080 --> 00:46:56,160 Speaker 2: Dude. Yeah, it's fucked up. Some of this ship that 821 00:46:56,200 --> 00:46:57,799 Speaker 2: they're trying to do to some of these guys. They're 822 00:46:57,840 --> 00:47:01,480 Speaker 2: trying to kill those power rangers. And did that influence 823 00:47:01,880 --> 00:47:02,399 Speaker 2: on you? 824 00:47:03,239 --> 00:47:06,640 Speaker 4: Yeah, well, you know, originally I was trying to come 825 00:47:06,680 --> 00:47:09,479 Speaker 4: up with a podcast idea. I thought, I'm just gonna 826 00:47:09,480 --> 00:47:11,279 Speaker 4: get a bunch of kids and I'm gonna gather them 827 00:47:11,280 --> 00:47:14,200 Speaker 4: around the campfire and I'm gonna have them tell each 828 00:47:14,239 --> 00:47:20,759 Speaker 4: other stories, scary stories. And then I'll just record them 829 00:47:20,760 --> 00:47:22,160 Speaker 4: and make that into a podcast. 830 00:47:22,920 --> 00:47:24,440 Speaker 2: And what happened with that idea? 831 00:47:24,640 --> 00:47:28,200 Speaker 4: The fire ruined the audio. 832 00:47:29,040 --> 00:47:31,160 Speaker 2: Oh right, yeah, because of the screaming. 833 00:47:31,800 --> 00:47:34,600 Speaker 4: Well, yeah, the kids. I built it too large. 834 00:47:36,160 --> 00:47:39,160 Speaker 2: You're recording out of your tent in the backyard. It's 835 00:47:39,200 --> 00:47:42,560 Speaker 2: not a great place to have one directional. 836 00:47:42,080 --> 00:47:45,120 Speaker 1: Mic and it's that thing where to summon the story 837 00:47:45,280 --> 00:47:51,800 Speaker 1: or whatever the kids have to throw the fire exploder. 838 00:47:51,880 --> 00:47:55,160 Speaker 4: Yeah, and most of their stories, they're scary. I'd say, 839 00:47:55,200 --> 00:47:58,000 Speaker 4: tell your scariest story, And most of them revolved around 840 00:47:58,560 --> 00:48:02,239 Speaker 4: how they wound up there, right, the events leading up 841 00:48:02,280 --> 00:48:05,840 Speaker 4: to them being in a stranger's backyard. And you think 842 00:48:05,880 --> 00:48:09,480 Speaker 4: of what I learned from just observing this experience. A 843 00:48:09,520 --> 00:48:11,560 Speaker 4: lot of times the sort of fire exploder is just 844 00:48:11,600 --> 00:48:14,000 Speaker 4: sort of like a special effects powder that makes a poof. 845 00:48:14,200 --> 00:48:16,279 Speaker 2: But you were having them throw a car battery into 846 00:48:16,280 --> 00:48:18,080 Speaker 2: the middle of the fire. Yeah. 847 00:48:18,080 --> 00:48:19,920 Speaker 4: I've been trying to get rid of these car batteries, 848 00:48:19,920 --> 00:48:21,840 Speaker 4: as you know, for years. 849 00:48:22,520 --> 00:48:24,600 Speaker 2: Oh yeah, no, I bought a couple of them. You can't. 850 00:48:25,800 --> 00:48:28,359 Speaker 1: You have to dispose of a special way. You did 851 00:48:28,360 --> 00:48:32,319 Speaker 1: a Ted talk on kid acquisition. Should we play some 852 00:48:32,400 --> 00:48:33,680 Speaker 1: of that Okay. 853 00:48:36,280 --> 00:48:41,120 Speaker 4: Kids, they're everywhere, But what if you want one you 854 00:48:41,160 --> 00:48:45,959 Speaker 4: don't have one. You can't just make one. You gotta 855 00:48:46,000 --> 00:48:50,440 Speaker 4: go get one, and science can help. You can look 856 00:48:50,440 --> 00:48:53,640 Speaker 4: at geometry, I figure what angle I should approach your 857 00:48:53,680 --> 00:48:56,799 Speaker 4: kids if he can't see me. You can look at 858 00:48:56,840 --> 00:49:00,920 Speaker 4: where the sun is. If you can't see it, it's 859 00:49:00,960 --> 00:49:03,680 Speaker 4: probably dark out and it's a little bit easier. Could 860 00:49:03,680 --> 00:49:06,000 Speaker 4: go at a kid from an angle at which you 861 00:49:06,040 --> 00:49:06,920 Speaker 4: can't already see you. 862 00:49:07,840 --> 00:49:13,080 Speaker 2: Lesson one. If you keep your mouth shut, I won't 863 00:49:13,120 --> 00:49:16,160 Speaker 2: hurt you. Lesson too. 864 00:49:18,440 --> 00:49:25,239 Speaker 1: I talked to your mom and she's sick and she 865 00:49:25,440 --> 00:49:29,200 Speaker 1: needs you to come to her with me. 866 00:49:30,920 --> 00:49:37,240 Speaker 4: Lesson number three. Look, here's a form. Your parents signed 867 00:49:37,280 --> 00:49:38,759 Speaker 4: it because you belong to me. 868 00:49:38,840 --> 00:49:39,040 Speaker 6: Now. 869 00:49:42,440 --> 00:49:47,520 Speaker 7: Lesson four, Shu, shut up, shut Look like you could 870 00:49:47,520 --> 00:49:49,840 Speaker 7: stay late, watch whatever you want and can eat candy 871 00:49:49,920 --> 00:49:52,680 Speaker 7: for dinner, anything anything you want to do. 872 00:49:52,840 --> 00:49:54,040 Speaker 4: Shut shut, shut up. 873 00:49:55,239 --> 00:49:55,919 Speaker 3: Lesson six. 874 00:49:56,960 --> 00:50:00,359 Speaker 1: Yes that that forum is written on a tosier old poper. 875 00:50:01,760 --> 00:50:08,319 Speaker 1: I bet that Toots your ropepop is somewhere inside the canoe. 876 00:50:10,800 --> 00:50:19,160 Speaker 4: Lesson ten. Here's I'll hair diye packet. I'll help you 877 00:50:19,320 --> 00:50:20,800 Speaker 4: you need to change your hair color. 878 00:50:25,360 --> 00:50:34,200 Speaker 2: Less than fifty five. That's not your name anymore. So 879 00:50:34,320 --> 00:50:36,759 Speaker 2: that's our podcast, that's a new one. 880 00:50:36,840 --> 00:50:38,960 Speaker 1: I think it's going to be a big hit as 881 00:50:39,000 --> 00:50:41,160 Speaker 1: long as it's higher than Weight Weight don't tell me. 882 00:50:41,200 --> 00:50:43,480 Speaker 2: I don't care. Honestly, that's the only thing that is. 883 00:50:43,800 --> 00:50:44,840 Speaker 2: That's our big enemy. 884 00:50:44,719 --> 00:50:49,120 Speaker 1: Important to me at this point, I understand that's how 885 00:50:49,120 --> 00:50:50,560 Speaker 1: a lot of people get their news. 886 00:50:51,719 --> 00:50:52,360 Speaker 2: I think. 887 00:50:53,800 --> 00:50:56,000 Speaker 1: The death of traditional newspapers are the hands of weight 888 00:50:56,000 --> 00:50:58,520 Speaker 1: Weight Don't tell me, I frankly do not think is 889 00:50:58,560 --> 00:51:00,000 Speaker 1: a positive development. 890 00:51:00,040 --> 00:51:01,640 Speaker 2: And are getting in. 891 00:51:01,680 --> 00:51:07,240 Speaker 4: Depth coverage, yes, just getting the highlights, the bullet points. 892 00:51:07,680 --> 00:51:15,879 Speaker 2: Yes. And Paula Poudstone to me, is not a real journalist. No, 893 00:51:16,400 --> 00:51:22,960 Speaker 2: there's only a couple of real journalists. Tambodebt sheelby Pharrell 894 00:51:25,680 --> 00:51:26,719 Speaker 2: trying to think of who else is it? 895 00:51:26,920 --> 00:51:30,440 Speaker 1: Mo Mo Mo is a real journalist. 896 00:51:31,080 --> 00:51:33,480 Speaker 2: Okay, he's on a he's in a gray area for 897 00:51:33,600 --> 00:51:35,759 Speaker 2: me where yes he's a journalist, but he's also a 898 00:51:35,800 --> 00:51:37,120 Speaker 2: true entertainer. 899 00:51:37,360 --> 00:51:41,440 Speaker 1: Which to me, the New when the New, when the 900 00:51:41,480 --> 00:51:44,080 Speaker 1: Daily Show opened up, he's been there before. 901 00:51:45,200 --> 00:51:49,640 Speaker 3: What's the ex Why wasn't it Mo Morocca? 902 00:51:49,880 --> 00:51:53,440 Speaker 2: Yeah, he may just literally not have had time or 903 00:51:53,440 --> 00:51:55,920 Speaker 2: they may not. He may have changed his number and 904 00:51:55,960 --> 00:51:58,640 Speaker 2: they can't get it. Yeah, they couldn't afford him. 905 00:51:58,760 --> 00:52:01,840 Speaker 3: Maybe well yeah, soon. 906 00:52:02,280 --> 00:52:06,799 Speaker 2: That's the episode of the show. Neil, thanks so much 907 00:52:06,800 --> 00:52:07,359 Speaker 2: for being here. 908 00:52:07,280 --> 00:52:08,360 Speaker 3: And we're really looking Cody. 909 00:52:08,400 --> 00:52:11,399 Speaker 2: Wake up, Cody, Cody, Cody, Cody, Cody, Cody Up, Cody. 910 00:52:11,440 --> 00:52:13,960 Speaker 2: Show Neil, you're a poison oak. Neil, you don't want 911 00:52:13,960 --> 00:52:14,279 Speaker 2: to see this. 912 00:52:16,160 --> 00:52:20,920 Speaker 4: That gives me an idea for a podcast. It's been 913 00:52:21,280 --> 00:52:23,520 Speaker 4: a true honor, guys, and thanks for launching my new podcast. 914 00:52:23,560 --> 00:52:25,479 Speaker 4: I can't wait to keep working with you, dude. 915 00:52:25,520 --> 00:52:28,640 Speaker 2: I can't wait to kick ass. And let's do this thing. 916 00:52:29,680 --> 00:52:32,959 Speaker 1: It will be on Wolf School has its own app. 917 00:52:33,000 --> 00:52:35,759 Speaker 1: It's on in the app store. Send us your phones 918 00:52:37,000 --> 00:52:39,760 Speaker 1: and we can install the app. We can do a procedure. 919 00:52:39,800 --> 00:52:44,879 Speaker 1: It's a hard hardware installation. There's a little fob. 920 00:52:44,880 --> 00:52:48,080 Speaker 2: Actual, Yeah, it's a physical chip we put in so 921 00:52:48,680 --> 00:52:50,400 Speaker 2: and you'll love it. And that's how you hear all 922 00:52:50,400 --> 00:52:53,839 Speaker 2: the Wolf Cool and the Ted Show is going to 923 00:52:53,880 --> 00:53:01,960 Speaker 2: be coming out every third Sunday. At I thought it 924 00:53:02,000 --> 00:53:07,759 Speaker 2: was summer, every third summer. Sorry, I'm my Lasik is 925 00:53:07,800 --> 00:53:10,440 Speaker 2: giving out on me, so I gotta go do a new. 926 00:53:10,320 --> 00:53:14,040 Speaker 4: One, but it won't if the equinox is happening, it 927 00:53:14,080 --> 00:53:15,120 Speaker 4: won't come out that day. 928 00:53:15,320 --> 00:53:22,840 Speaker 2: Well, yeah, that's obvious. So pro version, the pro version, 929 00:53:22,880 --> 00:53:27,440 Speaker 2: who wins it? The pro version goes to Witty Lama. 930 00:53:27,680 --> 00:53:31,040 Speaker 1: Witty Lama gets the pro version and they get an 931 00:53:31,160 --> 00:53:36,919 Speaker 1: exclusive look. Just a quick glimpse at Neil Campbell's podcast 932 00:53:37,160 --> 00:53:43,480 Speaker 1: about Cody's poison Oak Crash, and that's for Witty Lama. 933 00:53:46,040 --> 00:53:47,920 Speaker 4: Hey, Cody, let me take a closer look at that. 934 00:53:49,800 --> 00:53:51,560 Speaker 4: I should take the whole shirt off, so I don't 935 00:53:51,560 --> 00:53:56,839 Speaker 4: know how far it's spread. Oh, I've seen a little 936 00:53:56,840 --> 00:54:00,960 Speaker 4: bound the waistline. You gotta lose the pants too. 937 00:54:01,080 --> 00:54:04,400 Speaker 2: Bye. 938 00:54:06,800 --> 00:54:10,880 Speaker 7: Hollywood Handbook is brought to you by Wolf Cool Productions 939 00:54:10,880 --> 00:54:18,280 Speaker 8: To subsidiary of Calvin n hibs Ow Baby