WEBVTT - Ian McKellen

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<v Speaker 1>This episode is brought to you by Me and M,

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<v Speaker 1>the British modern luxury clothing label designed for busy women.

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<v Speaker 1>Founded and designed in London. Me and M is about

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<v Speaker 1>its trousers and how I got to know the brand.

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<v Speaker 1>It's my go to for styles that are comfortable enough

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<v Speaker 1>to wear in the kitchen or the restaurant, also polished

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<v Speaker 1>its stores across London, Edinburgh, New York. If you're in London,

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<v Speaker 1>I'd really recommend heading to their beautiful, brand new flagship

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<v Speaker 1>store in Marlevin, which opens on the twenty ninth of October.

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<v Speaker 1>I'm often asked who was the inspiration for Ruthie's Table

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<v Speaker 1>four and the answer is easy. It all began with

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<v Speaker 1>Ian McKellen. For some years, Richard and I invited a

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<v Speaker 1>collection of actors to give performances in our home. On

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<v Speaker 1>his night, Ian gave a soliloquy from King Lear, sang

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<v Speaker 1>a beautiful song by Sondheim, shared an anecdote about Christmas pantomimes,

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<v Speaker 1>and read a poem by Orden. For the surprise finale,

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<v Speaker 1>he sat on a stool with the River Cafe cookbook

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<v Speaker 1>and read the recipe for Rebelita, a traditional Tuscan soup

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<v Speaker 1>compelling as any story, poem, sonnet or song. We were

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<v Speaker 1>all spellbound. Fifteen years later and an idea for a

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<v Speaker 1>podcast was born. In is known to everyone as different

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<v Speaker 1>characters Macbeth, king Lear, Hamlet, Gandolf. I know him as

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<v Speaker 1>my inspiration and also as my friend. I have so

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<v Speaker 1>many happy memories of Ian Sunday lunches at the River Cafe,

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<v Speaker 1>going to Paris together, and on my birthday one year,

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<v Speaker 1>he even sang my favorite Coporter song, You're the Top.

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<v Speaker 2>I a bride proper confined those rondapots, but it bas

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<v Speaker 2>a hard bottom. Oh that's the sweetest thing I ever heard.

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<v Speaker 1>It's true, it's true. Do you remember those nights? And

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<v Speaker 1>I have a photograph of you with the cookbook reading

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<v Speaker 1>it on the steps. I think, right, yes.

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<v Speaker 2>What I've been inspired by those experience is to do

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<v Speaker 2>something similar here what is that? And above the room

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<v Speaker 2>above where we are now, I can get in seventy

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<v Speaker 2>chairs and I put them on tears so that everyone

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<v Speaker 2>gets a good view, and I got a very nice piano.

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<v Speaker 2>The professionals like to come and play undress. Schiff has

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<v Speaker 2>played in my room upstairs. Joshua Bell comes and plays

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<v Speaker 2>the violin. Just the fundraisers for various things. But I

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<v Speaker 2>don't think I would have done it if I hadn't

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<v Speaker 2>seen that you could turn your home into a concert

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<v Speaker 2>all And it's.

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<v Speaker 1>The intimacy of performance is something special.

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<v Speaker 2>When you can hear the pennis breathing and hear their

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<v Speaker 2>fingers or their nails on the on the keyboard, it's wonderful.

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<v Speaker 1>So what we do is that we ask our guests

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<v Speaker 1>to read a recipe from one of our books. But

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<v Speaker 1>you've chosen, oh, that's fine. I can take it and

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<v Speaker 1>I might learn something because the recipe you're reading is

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<v Speaker 1>very British, isn't it.

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<v Speaker 2>I'm not a cook, but here we are. This is

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<v Speaker 2>Queen of Puddings and it was what my mother used

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<v Speaker 2>to make. The ingredients for this are two ounces, and

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<v Speaker 2>I like aunces rather than drums. I don't understand graunds.

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<v Speaker 2>So two ounces of soft white breadcrumbs, two eggs, two

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<v Speaker 2>ounces of caster sugar, jam, trances of stultanas. I don't

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<v Speaker 2>put sultans in. Ten fluid ounces of milk, an ounce

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<v Speaker 2>of butter, bit of grated rind of a lemon, and

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<v Speaker 2>that's it. It says here. You boil the milk with

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<v Speaker 2>the butter, and you pour on the bread crumbs, and

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<v Speaker 2>you add the sugar and the rind, and you stir thoroughly.

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<v Speaker 2>You beat the egg yolks and you beat each into

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<v Speaker 2>buttered pie dish, and you refrigerate for forty minutes. I

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<v Speaker 2>don't suppose I'd do that. Then you bake it at

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<v Speaker 2>a level four and gas middle shelf until delicately springy.

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<v Speaker 2>I do like that in recipes when there's something really

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<v Speaker 2>homely means what it says, you whip the egg whites

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<v Speaker 2>very stiffly. That's to make a meringue. You put the

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<v Speaker 2>jam on top of the bread crumbs, you pipe or

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<v Speaker 2>fork the egg whites over the top, and you bake

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<v Speaker 2>in the oven for ten minutes. Couldn't be easier, and

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<v Speaker 2>it's absolutely delicious. But it was something you could manage

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<v Speaker 2>during the war.

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<v Speaker 1>Well, let's talk about that. Because you were born in

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<v Speaker 1>nineteen thirty nine, I was just before the war in

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<v Speaker 1>Lancas in Lancashire, do you have a first food memory.

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<v Speaker 1>Do you remember?

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<v Speaker 2>Well, we were living in Wigan, which is in Lancashire,

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<v Speaker 2>a coal mining town. The big towns nearby like Manchester

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<v Speaker 2>and Liverpool were bombed regularly and the only bombs we

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<v Speaker 2>ever saw were there was very few that were discarded

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<v Speaker 2>before the Germans flew back east, so there were only

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<v Speaker 2>two bombs in the whole of the war in Wigan.

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<v Speaker 2>So safe it was it that we had evacuee. We

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<v Speaker 2>had a family.

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<v Speaker 1>It was considered a safe place to take children.

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<v Speaker 2>Yes, and how my mother managed I don't know, suddenly

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<v Speaker 2>having to share the tiny kitchen with another woman who

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<v Speaker 2>had two children. How we all fitted into our house.

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<v Speaker 1>I don't know what was the house like to describe

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<v Speaker 1>your house, It had.

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<v Speaker 2>Four bedrooms, but it was a semi detached house in

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<v Speaker 2>the street and near the center of Wigan, with a

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<v Speaker 2>lovely aspect in both front over the park and at

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<v Speaker 2>the back over the cricket club. Bit squeezed inside. I suppose, well,

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<v Speaker 2>we all shared beds. I can't really remember.

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<v Speaker 1>But food, do you remember the kitchen?

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<v Speaker 2>We asked the kitchen was that we had a fire

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<v Speaker 2>which heated the oven, no fridge of course, there was

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<v Speaker 2>a little little room which we called the pantry, which

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<v Speaker 2>was relatively cool.

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<v Speaker 1>But this would be if you were born in thirty nine,

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<v Speaker 1>so you're aware your memories of food in your house

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<v Speaker 1>and the kitchen. You would have been about four or five,

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<v Speaker 1>which was about nineteen forty four forty five.

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<v Speaker 2>I was very aware of the rationing.

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<v Speaker 1>What was it like?

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<v Speaker 2>My mother liked to bake. In order to bake, you

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<v Speaker 2>needed sugar, you needed fat, and the rationing was two

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<v Speaker 2>ounces of butter a week per person and four ounces

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<v Speaker 2>of margarine and one egg. Now there was dried egg

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<v Speaker 2>which was the equivalent of three eggs. You had that

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<v Speaker 2>for a week, so she could bake with that sugar. Again,

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<v Speaker 2>severely irrations and the way we got round things that's

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<v Speaker 2>probably illegal. We used to swap our rations for tea

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<v Speaker 2>and coffee which we didn't drink, and took from those

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<v Speaker 2>people who desperately needed that fix sugar or fat. And

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<v Speaker 2>it was always my job. On a Saturday, when the

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<v Speaker 2>groceries arrived, I would take half a pound of butter,

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<v Speaker 2>which was for four of us double that amount of margarine,

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<v Speaker 2>put it in a big bowl, take the top off

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<v Speaker 2>the milk that was always cream on top of them

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<v Speaker 2>and put those three bits of fat together and in

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<v Speaker 2>front of the fire, warmed it and beat it until

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<v Speaker 2>it was a paste butter.

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<v Speaker 1>The butter in mind, that was the.

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<v Speaker 2>Butter for the week, and it always ran out on

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<v Speaker 2>a Thursday.

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<v Speaker 1>If your mother would make would she bake, would say, okay, children,

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<v Speaker 1>we're not having butter on toast. We're going to save

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<v Speaker 1>the butter. We're not going to fry something in butter.

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<v Speaker 1>We're going to save it for the cake.

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<v Speaker 2>Butter.

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<v Speaker 1>Yes, And that went to what year was that.

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<v Speaker 2>Right through the wall. But I don't ever remember being hungry.

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<v Speaker 1>You weren't hungry, or a sense of denial.

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<v Speaker 2>And there was always a pudding.

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<v Speaker 1>There was. So you were living in a house with

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<v Speaker 1>your mother, your father, and your sister and yourself. So

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<v Speaker 1>there were four of you.

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<v Speaker 2>There are four of us, and then three arrived mother

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<v Speaker 2>and two children. They were just with us for a year.

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<v Speaker 2>I don't remember any arguments. I remember the lad teaching

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<v Speaker 2>me how to tie my shoelaces. There was a pattern

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<v Speaker 2>of life like washing was always done on a Monday.

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<v Speaker 2>Tuesday was ironing.

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<v Speaker 1>Mother was cooking all yeah, your mother was cooking.

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<v Speaker 2>She was a cook. I don't remember my father ever

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<v Speaker 2>cooking anything apart from and you.

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<v Speaker 1>Did you go in the kitchen? Would you say the

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<v Speaker 1>whole time?

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<v Speaker 2>Can I have the bowl? Can I have the bowl?

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<v Speaker 2>And there was a pattern with the food there because

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<v Speaker 2>we went to church on Sunday and she didn't want

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<v Speaker 2>to cook on a Sunday. We always had a roast,

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<v Speaker 2>but we had it on a Saturday, so that was

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<v Speaker 2>our big meal of the of the week. On Sunday

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<v Speaker 2>we would have the cold meat. And on Monday always

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<v Speaker 2>we had the minced meat and turned into shepherd's pie.

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<v Speaker 2>And then we got to get through Tuesday, Wednesday, Thursday, Friday,

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<v Speaker 2>and that's when it would be baked beans on toast

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<v Speaker 2>as the main meal, which we called the tea. We

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<v Speaker 2>might manage a salad with a bit of ham, maybe

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<v Speaker 2>two ounces a week. And there was probably a Friday

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<v Speaker 2>or two where we didn't have quite enough to eat,

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<v Speaker 2>but I didn't really notice that.

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<v Speaker 1>Was it a solitary life? Did you feel that you

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<v Speaker 1>had friend Your mother had friends and you had friends

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<v Speaker 1>and people. Oh, yes, she was a very social You

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<v Speaker 1>said that you enjoyed being with people, and so they

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<v Speaker 1>were all those friends. Was your father a preacher.

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<v Speaker 2>He was a lay preacher. So we were very We

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<v Speaker 2>were very Christian.

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<v Speaker 1>You grew up in a house that loved culture as well.

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<v Speaker 1>That there was piano music, there was, you know, we

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<v Speaker 1>did think of it as culture.

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<v Speaker 2>We thought of it as a lovely pastime. Dad played

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<v Speaker 2>the piano and my sister learned the piano. I learned

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<v Speaker 2>the piano for a bit. Visitors, always dropping by, close friends,

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<v Speaker 2>everything within walking distance, you know, no car bikes we

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<v Speaker 2>had and once a year or twice a year, close

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<v Speaker 2>together in the autumn, we'd go BlackBerry. That was a

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<v Speaker 2>great thrill. You could get food for free off the bushes.

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<v Speaker 1>Stra did your mother ever make summer pudding with the

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<v Speaker 1>black currants?

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<v Speaker 2>Summer pudding? I love soup because all you needed in

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<v Speaker 2>that was a bit of sugar and you could probably

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<v Speaker 2>use saccharin and some bread crumbs.

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<v Speaker 1>Make it in the river cafe. You have to come.

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<v Speaker 1>We make it with currants raspberries. Now this is not

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<v Speaker 1>a rationing summer pudding, but in Valpolicella, and we cook

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<v Speaker 1>it the berries and the currants down, and then we

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<v Speaker 1>line a beautiful bowl with bread slices of bread, and

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<v Speaker 1>then you put the fruit in and then you close

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<v Speaker 1>it with the bread and you press it down and

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<v Speaker 1>then we leave it and then you demold it, and

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<v Speaker 1>it is one of my favorite. The British do a

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<v Speaker 1>lot of puddings with bread, don't they The one the

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<v Speaker 1>recipe you they like using up the bread.

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<v Speaker 2>But you know, there was every thing was rationed. I

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<v Speaker 2>can remember the first banana.

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<v Speaker 1>When was that.

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<v Speaker 2>That'd been about nineteen forty four.

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<v Speaker 1>Where were you?

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<v Speaker 2>I was at home and missus Baron next door came

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<v Speaker 2>in and she said, I've got something to show you,

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<v Speaker 2>a banana. When i'd heard about bananas, I knew they

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<v Speaker 2>weren't straight. And she came in with this four inch

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<v Speaker 2>banana and we were all allowed to hold it and

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<v Speaker 2>imagine what it might be like inside, and then it

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<v Speaker 2>was explained that you peeled up. There was the banana.

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<v Speaker 2>Missus Baron mashed it up, and the five kids, Jeane

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<v Speaker 2>and I and the three next door shared a banana sandwich.

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<v Speaker 2>It was probably quite a healthy diet.

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<v Speaker 1>Well, they say that you didn't have sugar, you didn't

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<v Speaker 1>your teeth, you didn't have sweets, and you had them.

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<v Speaker 1>People weren't overweight.

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<v Speaker 2>You would see sometimes rolling out of a pub. We

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<v Speaker 2>never went public entrink, some woman with a huge ass,

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<v Speaker 2>and I was riveted by it. I would follow them

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<v Speaker 2>down the street. I've never seen anything like. No, you're right.

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<v Speaker 2>We were all things, but I suppose it's healthy. Sometimes

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<v Speaker 2>it was very exciting school. We went to school and

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<v Speaker 2>food parcels arrived from North America think I think Canada,

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<v Speaker 2>And I remember bringing back I couldn't believe it, a

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<v Speaker 2>huge two pound bag of cocoa powder, and presented it

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<v Speaker 2>to my mother. I loved her so much.

0:13:42.040 --> 0:13:42.920
<v Speaker 1>What was she like here?

0:13:44.520 --> 0:13:51.559
<v Speaker 2>Ah, she was beauty, she was pretty, nature, was very gentle.

0:13:53.559 --> 0:13:57.760
<v Speaker 2>She had a rather flamboyant younger sister who she was

0:13:57.800 --> 0:13:59.280
<v Speaker 2>the one who made the jokes. But it was my

0:13:59.360 --> 0:14:02.600
<v Speaker 2>mother who was all was laughing. But she loved going

0:14:02.640 --> 0:14:05.640
<v Speaker 2>to the theater and so did that. And she did

0:14:05.679 --> 0:14:07.800
<v Speaker 2>a little bit of acting when she was a kid

0:14:08.880 --> 0:14:13.040
<v Speaker 2>in church socials and so on. And I suppose she

0:14:13.240 --> 0:14:20.320
<v Speaker 2>was crazy about me, her little boy. Long after the war,

0:14:20.480 --> 0:14:24.520
<v Speaker 2>when we'd moved from Wigan to Bolton, she was only

0:14:24.640 --> 0:14:29.120
<v Speaker 2>forty four and got breast cats. I wasn't told I was.

0:14:29.200 --> 0:14:33.600
<v Speaker 2>I was eleven or twelve, and I went off on

0:14:33.640 --> 0:14:38.080
<v Speaker 2>a school camp for a couple of weeks and she

0:14:38.240 --> 0:14:41.920
<v Speaker 2>was by that time sleeping downstairs. She couldn't manage to

0:14:42.000 --> 0:14:48.000
<v Speaker 2>walk upstead. And while I was away she died. And

0:14:48.080 --> 0:14:53.360
<v Speaker 2>I've not got over it yet. So when she died,

0:14:53.760 --> 0:14:57.000
<v Speaker 2>I was berefed, really, and I didn't know I was berefed.

0:14:58.440 --> 0:15:02.480
<v Speaker 2>And my father very generous, not just for his own sake.

0:15:02.840 --> 0:15:05.360
<v Speaker 2>He remarried and I think party to give me a mother.

0:15:05.920 --> 0:15:09.760
<v Speaker 2>And my stepmother, Gladys, was very good at that job

0:15:10.720 --> 0:15:14.920
<v Speaker 2>and the reasonable cook herself. What was she like? She

0:15:15.160 --> 0:15:20.160
<v Speaker 2>was short, she was from Liverpool, she'd been a secretary

0:15:20.160 --> 0:15:23.200
<v Speaker 2>I think all her life, and in her early forties

0:15:23.800 --> 0:15:28.760
<v Speaker 2>finally married handsome Dennis McCallum.

0:15:34.360 --> 0:15:38.200
<v Speaker 1>Every year, The River Cafe curates holiday gift boxes filled

0:15:38.240 --> 0:15:42.560
<v Speaker 1>with Italian ingredients. Are extra virgin olive oil bottled exclusively

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<v Speaker 1>for the River Cafe, Paula Petrelli, tomatoes from Pulia, Tuscan

0:15:47.320 --> 0:15:51.040
<v Speaker 1>chocolates and candied sweets from Genoa. One of our best

0:15:51.120 --> 0:15:54.840
<v Speaker 1>boxes in the international box, which also has River Cafe

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<v Speaker 1>Limited Edition, jam Chipriani, Ultra Fine Taglerini, Pasta Cafe Cantucci

0:16:01.280 --> 0:16:05.240
<v Speaker 1>and a Bella Freud candle water. On our website, shop

0:16:05.320 --> 0:16:14.600
<v Speaker 1>the River Cafe, dout co UK or call me an seven. Sorry, Okay, thanks.

0:16:18.640 --> 0:16:21.600
<v Speaker 1>Do you think that the rationing and the discipline and

0:16:21.720 --> 0:16:24.520
<v Speaker 1>the lack of food has stayed with you all your life?

0:16:24.840 --> 0:16:27.440
<v Speaker 1>Do you still think about wastage or about excess?

0:16:27.600 --> 0:16:31.680
<v Speaker 2>Oh? I saw. Well. One way in which is certainly

0:16:31.680 --> 0:16:35.760
<v Speaker 2>effected my life is my parents were teetotal. They'd taken

0:16:35.920 --> 0:16:39.520
<v Speaker 2>the pledge, which is what people did in the twenties,

0:16:40.200 --> 0:16:43.800
<v Speaker 2>swore off drink and we didn't drink tea or coffee,

0:16:43.920 --> 0:16:46.320
<v Speaker 2>so the only thing we drank was water out of

0:16:46.360 --> 0:16:49.600
<v Speaker 2>the tap, but in life water and I never developed

0:16:49.600 --> 0:16:53.160
<v Speaker 2>a taste for alcohol. And three years ago all was

0:16:53.200 --> 0:16:57.920
<v Speaker 2>at four and now I stopped drinking alcohol altogether, So

0:16:58.240 --> 0:17:02.880
<v Speaker 2>that really stayed with me, I do. I was deeply

0:17:03.000 --> 0:17:05.600
<v Speaker 2>shocked when I first went to America and saw the

0:17:05.720 --> 0:17:11.159
<v Speaker 2>size of portions of people at the food will be

0:17:11.240 --> 0:17:13.880
<v Speaker 2>put on your plate as a kid, and you will

0:17:13.960 --> 0:17:16.320
<v Speaker 2>eat it whether you enjoy it or not. It's not

0:17:16.480 --> 0:17:19.920
<v Speaker 2>the point. You must finish everything. Think of the starving

0:17:20.040 --> 0:17:23.520
<v Speaker 2>children in China, we were told. And the day I

0:17:23.600 --> 0:17:26.119
<v Speaker 2>knew I was an adult was when I went to

0:17:26.280 --> 0:17:29.520
<v Speaker 2>Cambridge and on the first day in my little gown,

0:17:30.280 --> 0:17:34.200
<v Speaker 2>sat with other boys in the dining hall and was

0:17:34.280 --> 0:17:42.080
<v Speaker 2>waited on by people, and we had venice venison goodness. Say, now,

0:17:42.160 --> 0:17:45.000
<v Speaker 2>this is way after the war, and cabbage. I think

0:17:45.080 --> 0:17:47.800
<v Speaker 2>it was on the side, and I had my way

0:17:47.880 --> 0:17:49.760
<v Speaker 2>through the venice and I didn't much like it, and

0:17:49.880 --> 0:17:52.560
<v Speaker 2>I decided I wouldn't finish the cabbage, and I left

0:17:52.600 --> 0:17:55.680
<v Speaker 2>it on the table on the plate. I'd never until

0:17:55.720 --> 0:17:58.720
<v Speaker 2>I was the age eighteen left anything on my plate,

0:17:59.240 --> 0:18:01.879
<v Speaker 2>and I knew away from home i'd done that, and

0:18:02.000 --> 0:18:05.159
<v Speaker 2>that I was now an adult. I apparently spoke in

0:18:05.280 --> 0:18:08.000
<v Speaker 2>a funny way. I mean, I was mocked for my accent.

0:18:09.320 --> 0:18:10.520
<v Speaker 1>What's the accent?

0:18:10.680 --> 0:18:14.720
<v Speaker 2>Like? What was it? Something like this? Really it would

0:18:14.720 --> 0:18:17.760
<v Speaker 2>be a little bit broader than I allow myself to be.

0:18:18.400 --> 0:18:21.600
<v Speaker 2>But I could never say the word one. I always

0:18:21.600 --> 0:18:27.639
<v Speaker 2>said one one. Well, horrible little boys from public school

0:18:28.160 --> 0:18:30.800
<v Speaker 2>would point at me and mock me, and so I

0:18:31.160 --> 0:18:34.560
<v Speaker 2>tried to speak like they did, rather posh and didn't succeed.

0:18:35.000 --> 0:18:37.960
<v Speaker 2>Of late, I've let my own accent come back and

0:18:38.040 --> 0:18:38.919
<v Speaker 2>feel much happier.

0:18:39.720 --> 0:18:44.080
<v Speaker 1>Yeah, and so at Cambridge you were exposed to vedicine

0:18:44.240 --> 0:18:47.280
<v Speaker 1>and meals in the college, but you also did you

0:18:47.800 --> 0:18:50.320
<v Speaker 1>have enough money to go to restaurants in Cambridge? Would

0:18:50.359 --> 0:18:51.960
<v Speaker 1>you go out with your friends to a pub and

0:18:52.600 --> 0:18:53.560
<v Speaker 1>eat well?

0:18:53.760 --> 0:18:57.240
<v Speaker 2>What the great discovery at Cambridge was the Indian restaurant

0:18:57.840 --> 0:19:00.879
<v Speaker 2>And I used to have egg curry was half a

0:19:01.880 --> 0:19:06.560
<v Speaker 2>hard boiled egg with a curry delicious, So that that's

0:19:06.600 --> 0:19:09.239
<v Speaker 2>the first time I really went to have as an

0:19:09.359 --> 0:19:10.719
<v Speaker 2>adult and independent.

0:19:11.400 --> 0:19:15.600
<v Speaker 1>So you were acting in Cambridge, we were there, Jacoby

0:19:15.720 --> 0:19:16.399
<v Speaker 1>and Camber.

0:19:18.040 --> 0:19:19.879
<v Speaker 2>I Swift, a lot, a lot of people who went

0:19:19.960 --> 0:19:23.040
<v Speaker 2>into the businesses. We spent those of us who are

0:19:23.080 --> 0:19:27.360
<v Speaker 2>really keen spent all our time acting rather than studying.

0:19:28.160 --> 0:19:30.240
<v Speaker 2>I never learned how to be a good student.

0:19:30.440 --> 0:19:32.480
<v Speaker 1>What were you studying? What was the course? You went into?

0:19:33.359 --> 0:19:34.280
<v Speaker 2>English literature?

0:19:35.880 --> 0:19:39.359
<v Speaker 1>And so we were able to direct? Did you act?

0:19:39.440 --> 0:19:40.560
<v Speaker 2>Did you didn't direct?

0:19:42.720 --> 0:19:46.040
<v Speaker 1>Do you have any education in acting? Did you have none?

0:19:46.080 --> 0:19:50.399
<v Speaker 2>I've just done at school. Yes. Before I went to

0:19:50.480 --> 0:19:55.040
<v Speaker 2>Cambridge I played him with the fifth Prince hal in

0:19:55.119 --> 0:19:59.160
<v Speaker 2>the earlier and in the fourth I played girls part.

0:19:59.240 --> 0:20:02.359
<v Speaker 2>We also had at miniature theater. It was called just

0:20:02.480 --> 0:20:04.960
<v Speaker 2>down the road from the school, the theater that held

0:20:05.000 --> 0:20:11.560
<v Speaker 2>about fifty audience members and we did constant programs of

0:20:11.600 --> 0:20:14.600
<v Speaker 2>one act place all the time, and if you did

0:20:14.680 --> 0:20:16.240
<v Speaker 2>that you were allowed to miss.

0:20:17.400 --> 0:20:21.000
<v Speaker 1>Pt And what was it like when you left Cambridge

0:20:21.119 --> 0:20:23.760
<v Speaker 1>came you went? Did you have a domestic situation where

0:20:23.800 --> 0:20:25.640
<v Speaker 1>you had to cook for yourself?

0:20:26.200 --> 0:20:29.360
<v Speaker 2>Well? Yes, I went straight off and got a job

0:20:29.480 --> 0:20:34.560
<v Speaker 2>in a repertory company. Most major cities had a repertory company,

0:20:34.680 --> 0:20:36.880
<v Speaker 2>the big group of actors who stayed together for a year.

0:20:37.400 --> 0:20:39.880
<v Speaker 2>It did a different play every two weeks or three weeks.

0:20:40.520 --> 0:20:43.840
<v Speaker 2>And Coventry was such a place at the Belgrade Theater

0:20:43.880 --> 0:20:48.200
<v Speaker 2>in company and I was in that company. It was

0:20:48.280 --> 0:20:53.240
<v Speaker 2>all very post war, an optimistic. Coventry had been appalling

0:20:53.320 --> 0:20:56.040
<v Speaker 2>the bomb, of course, but the center of the town

0:20:56.200 --> 0:21:01.800
<v Speaker 2>rebuilt with a theater, a modern theater with little flats attached,

0:21:02.240 --> 0:21:05.399
<v Speaker 2>and I paid half my weekly salary to pay for

0:21:05.520 --> 0:21:08.640
<v Speaker 2>this flat. Just across the car park was the Hole

0:21:08.720 --> 0:21:12.240
<v Speaker 2>in the Wall pub, which is about now in twenty

0:21:12.359 --> 0:21:15.200
<v Speaker 2>twenty four to close down forever more. But big part

0:21:15.280 --> 0:21:17.320
<v Speaker 2>of our lives. We always went there after the show

0:21:17.520 --> 0:21:19.680
<v Speaker 2>you did, and we were allowed to stay there after

0:21:19.880 --> 0:21:22.160
<v Speaker 2>hours and drink with the policeman.

0:21:22.600 --> 0:21:24.560
<v Speaker 1>Is that something you still do now? Do you like

0:21:24.640 --> 0:21:26.080
<v Speaker 1>to go after a performance?

0:21:26.200 --> 0:21:28.920
<v Speaker 2>Do you go out with friends, and now I don't

0:21:28.960 --> 0:21:30.520
<v Speaker 2>go out to pubs because I don't drink.

0:21:30.600 --> 0:21:34.440
<v Speaker 1>So now, but do you go to restaurants after night theater?

0:21:35.040 --> 0:21:39.280
<v Speaker 2>Yes, I do, but not as a matter of course. No,

0:21:39.720 --> 0:21:42.800
<v Speaker 2>I'm happy to get back home and make myself a sandwich,

0:21:43.119 --> 0:21:47.040
<v Speaker 2>so I'd probably at things on toast all the time.

0:21:47.440 --> 0:21:49.720
<v Speaker 2>And we we couldn't afford to go to a restaurant.

0:21:49.840 --> 0:21:52.879
<v Speaker 1>You didn't go to any local restaurants, No, no, no,

0:21:53.240 --> 0:21:53.840
<v Speaker 1>yeah no.

0:21:55.640 --> 0:21:59.399
<v Speaker 2>But when I first came to live in London in

0:21:59.520 --> 0:22:05.119
<v Speaker 2>ninety six six four, in the King's Road, the unfashionable

0:22:05.280 --> 0:22:08.600
<v Speaker 2>end in those days, near World's End, I was living

0:22:08.680 --> 0:22:12.000
<v Speaker 2>with some friends, sharing flat with three or four other people,

0:22:12.600 --> 0:22:16.560
<v Speaker 2>and we did sometimes go out to a restaurant. Yes,

0:22:17.240 --> 0:22:19.439
<v Speaker 2>it was a thrill, felt terribly grown up.

0:22:19.880 --> 0:22:22.800
<v Speaker 1>And of course at that time being gay was still illegal,

0:22:22.960 --> 0:22:23.240
<v Speaker 1>wasn't it.

0:22:23.800 --> 0:22:28.080
<v Speaker 2>Yes, yes, oh yes. I went right through Cambridge and

0:22:28.520 --> 0:22:33.840
<v Speaker 2>right through my twenties in a country where you could

0:22:33.920 --> 0:22:38.600
<v Speaker 2>be imprisoned for making love, but because it was just

0:22:39.520 --> 0:22:46.960
<v Speaker 2>what it was, you didn't. I lived with my boyfriend

0:22:47.920 --> 0:22:51.720
<v Speaker 2>in our own flat in London, and he was a

0:22:51.760 --> 0:22:55.520
<v Speaker 2>good cook, and that's when I began to start cooking properly,

0:22:56.960 --> 0:22:59.040
<v Speaker 2>as long as my job to do the roast easy,

0:22:59.119 --> 0:23:03.160
<v Speaker 2>isn't it a roast? But we lived very perfectly openly.

0:23:03.320 --> 0:23:07.040
<v Speaker 2>Everybody knew we lived together. We always went out together.

0:23:07.480 --> 0:23:10.160
<v Speaker 2>We wouldn't hold hands, of course in public, that would

0:23:10.160 --> 0:23:14.320
<v Speaker 2>be to draw attention. I didn't talk to the family

0:23:14.359 --> 0:23:17.399
<v Speaker 2>about being gay, but I didn't feel that I was

0:23:17.520 --> 0:23:21.359
<v Speaker 2>living a repressed life. I had to rather be taught that.

0:23:22.000 --> 0:23:25.440
<v Speaker 2>It was only when the government wanted to pass a

0:23:25.560 --> 0:23:31.080
<v Speaker 2>law to restrict how much schools could discuss homosexuality that

0:23:31.200 --> 0:23:34.480
<v Speaker 2>I realized that I was being treated by the law

0:23:34.520 --> 0:23:38.399
<v Speaker 2>as a second class citizen, and this particularly law was

0:23:38.440 --> 0:23:41.240
<v Speaker 2>going to make it worse. That I got annoyed and

0:23:41.359 --> 0:23:46.040
<v Speaker 2>angry and joined in the fight to stop Section twenty eight,

0:23:46.119 --> 0:23:49.720
<v Speaker 2>and then and then the other laws that already existed.

0:23:49.359 --> 0:23:51.000
<v Speaker 1>And then stonewall Yes.

0:23:51.000 --> 0:23:54.359
<v Speaker 2>Which we did through the lobby group Stonewall that.

0:23:54.480 --> 0:23:58.919
<v Speaker 1>Brought you into an engaged with your success as an

0:23:58.960 --> 0:24:03.240
<v Speaker 1>actor and being traveling. Did you travel to other countries?

0:24:03.320 --> 0:24:06.320
<v Speaker 1>Did you arrive in France or Italy or Germany? And

0:24:06.440 --> 0:24:09.920
<v Speaker 1>think this is also completely as.

0:24:09.880 --> 0:24:12.760
<v Speaker 2>Far as food is concerned, food, food.

0:24:12.840 --> 0:24:15.720
<v Speaker 1>Or culture or just being in a foreign country. What

0:24:15.880 --> 0:24:16.520
<v Speaker 1>did that make you?

0:24:16.840 --> 0:24:22.800
<v Speaker 2>Yes, think again, in my childhood, a visit abroad was

0:24:22.880 --> 0:24:23.959
<v Speaker 2>a very unusual thing.

0:24:24.119 --> 0:24:25.600
<v Speaker 1>Did you go abroad with your parents?

0:24:26.080 --> 0:24:30.280
<v Speaker 2>My mother never left the country. My father, who liked

0:24:30.359 --> 0:24:35.840
<v Speaker 2>walking and climbing mountains, was a bit more adventurous, and

0:24:36.040 --> 0:24:41.000
<v Speaker 2>he did go abroad during my childhood to Germany, where

0:24:41.080 --> 0:24:46.600
<v Speaker 2>we had connections with German Christians who'd corresponded with during

0:24:46.680 --> 0:24:51.320
<v Speaker 2>the war. And in nineteen fifty four I went to

0:24:51.520 --> 0:24:55.040
<v Speaker 2>Germany with my dad and I had my first glass

0:24:55.119 --> 0:24:59.040
<v Speaker 2>of wine on sailing up the Rhine.

0:25:01.840 --> 0:25:03.600
<v Speaker 1>Disgusting.

0:25:04.560 --> 0:25:06.920
<v Speaker 2>It was white wine. It was just like sour. It

0:25:07.040 --> 0:25:09.639
<v Speaker 2>was so sour. Perhaps it was sour, Perhaps it was

0:25:09.680 --> 0:25:11.200
<v Speaker 2>a bit of old cheap wine.

0:25:12.040 --> 0:25:14.919
<v Speaker 1>But now, when you travel for work or when you travel,

0:25:15.320 --> 0:25:19.240
<v Speaker 1>do you enjoy thinking about a different culture of food?

0:25:19.840 --> 0:25:22.119
<v Speaker 1>You know, if you go to Italy, where do you go?

0:25:22.440 --> 0:25:24.760
<v Speaker 2>You go to France and it's all meat, isn't it?

0:25:25.080 --> 0:25:34.040
<v Speaker 2>And I don't eat meat except occasional pork pie, occasional sausage.

0:25:34.119 --> 0:25:36.680
<v Speaker 1>That's what Richard Air said. I asked Richard Air about you,

0:25:36.800 --> 0:25:43.240
<v Speaker 1>and he said he's a vegetarian, but a few lapses everyone.

0:25:42.440 --> 0:25:46.600
<v Speaker 2>But I'm not a strict vegetarian. It's just I don't

0:25:46.640 --> 0:25:50.119
<v Speaker 2>have a taste for meat, so I don't feel guilty

0:25:50.160 --> 0:25:55.560
<v Speaker 2>when I have a little sausage. Christmas is all the

0:25:55.640 --> 0:25:58.000
<v Speaker 2>trimmings I like, I don't like. I don't want the take.

0:25:58.080 --> 0:26:02.720
<v Speaker 1>All those feasts in Shakespeare tell me the Clays with

0:26:02.840 --> 0:26:07.440
<v Speaker 1>a great feasts you Well, it's a joke.

0:26:07.520 --> 0:26:11.600
<v Speaker 2>That the actors in the old days, working these regional companies,

0:26:11.640 --> 0:26:13.880
<v Speaker 2>not being paid enough money or getting enough to eat,

0:26:14.000 --> 0:26:17.600
<v Speaker 2>would say, we're doing check off. There's a practical pork

0:26:17.840 --> 0:26:22.720
<v Speaker 2>high in the third act, so stage management will provide

0:26:22.720 --> 0:26:30.000
<v Speaker 2>them that you could actually eat free, free food. So

0:26:30.240 --> 0:26:33.680
<v Speaker 2>that's the eating that I remember as check off, rather

0:26:33.800 --> 0:26:38.600
<v Speaker 2>than Macbeth, where there's a feast going on. But I

0:26:38.640 --> 0:26:42.760
<v Speaker 2>don't think macbeths in a fit state looking at the

0:26:42.840 --> 0:26:45.200
<v Speaker 2>ghost of a man who's killed to be bothered about

0:26:45.240 --> 0:26:46.560
<v Speaker 2>what's on the table.

0:26:50.880 --> 0:26:54.080
<v Speaker 1>If you like listening to Ruthie's Table for would you

0:26:54.240 --> 0:26:58.200
<v Speaker 1>please make sure to rate and review the podcast on

0:26:58.320 --> 0:27:03.399
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:27:04.240 --> 0:27:11.280
<v Speaker 1>Thank you tell me about your movie the critic.

0:27:11.680 --> 0:27:14.480
<v Speaker 2>It's written by Patrick Marber, who's a wonderful playwriter and

0:27:14.520 --> 0:27:18.960
<v Speaker 2>screenplay writer. And he rather alluringly he said to me

0:27:19.080 --> 0:27:21.360
<v Speaker 2>when he sent the script, this is the best part

0:27:21.400 --> 0:27:24.480
<v Speaker 2>I've ever written, but you thought, oh, I better play

0:27:24.520 --> 0:27:29.360
<v Speaker 2>it before somebody else gets hold of it. And it's

0:27:29.440 --> 0:27:32.240
<v Speaker 2>about a critic in the nineteen thirties. It's all set

0:27:33.000 --> 0:27:38.040
<v Speaker 2>in that dreadful decade. Really, when fascism is around the corner,

0:27:38.080 --> 0:27:41.280
<v Speaker 2>I won't know, it's on the streets. And my character

0:27:41.440 --> 0:27:46.239
<v Speaker 2>is a critic, major drama critic, who's gay, living at

0:27:46.280 --> 0:27:48.720
<v Speaker 2>a time and it was absolutely illegal to be gay.

0:27:49.520 --> 0:27:54.160
<v Speaker 2>It's when he is in danger of losing his job

0:27:54.359 --> 0:27:58.920
<v Speaker 2>that his true nature emerges and he turns into a

0:27:59.080 --> 0:28:04.600
<v Speaker 2>rather a raw school would be too milder term monstrous behavior.

0:28:05.160 --> 0:28:10.040
<v Speaker 2>It's a thriller, I suppose, but people behaving very badly

0:28:10.119 --> 0:28:13.320
<v Speaker 2>to each other, but you understand why they're doing it.

0:28:14.000 --> 0:28:16.800
<v Speaker 1>What about when you went to New Zealand, when you

0:28:17.000 --> 0:28:19.680
<v Speaker 1>did Lord of the Rings? What was that?

0:28:20.280 --> 0:28:23.840
<v Speaker 2>Oh? Now, Lord of the Rings refilmed nearly twenty five

0:28:23.920 --> 0:28:29.240
<v Speaker 2>years ago in New Zealand. And I had no great

0:28:29.560 --> 0:28:35.240
<v Speaker 2>anticipation that New Zealand would be a source of exciting food,

0:28:35.800 --> 0:28:39.080
<v Speaker 2>but things were beginning to change in New Zealand, and

0:28:39.240 --> 0:28:44.960
<v Speaker 2>so there was a new sort of cuisine arriving fish

0:28:45.120 --> 0:28:51.560
<v Speaker 2>often and the Jacksons, Peter Jackson and his wife partner

0:28:52.160 --> 0:28:55.360
<v Speaker 2>were very alert to providing good food and I looked

0:28:55.480 --> 0:28:59.480
<v Speaker 2>forward to the lunches there every day. They were wonderful.

0:29:00.040 --> 0:29:03.440
<v Speaker 2>It was a choice of food and the standard of

0:29:03.520 --> 0:29:05.880
<v Speaker 2>cooking was amazing, very good puddings.

0:29:06.360 --> 0:29:08.640
<v Speaker 1>A lot of directors say they don't like to stop

0:29:08.760 --> 0:29:10.360
<v Speaker 1>for lunch. What do you feel about it?

0:29:10.680 --> 0:29:13.080
<v Speaker 2>Well, they haven't had to get up as early as

0:29:13.120 --> 0:29:15.400
<v Speaker 2>the actors to go to make up and get to

0:29:15.480 --> 0:29:19.560
<v Speaker 2>the vacation. The best place to film is in Italy,

0:29:20.320 --> 0:29:26.640
<v Speaker 2>where everything stops at noon and you take off three hours,

0:29:26.760 --> 0:29:29.480
<v Speaker 2>three hours to eat and have a rest, and then

0:29:29.520 --> 0:29:33.640
<v Speaker 2>go back and work till the evening. Food's terribly important

0:29:33.720 --> 0:29:37.280
<v Speaker 2>on the film, as it is with a fighting army.

0:29:37.840 --> 0:29:42.240
<v Speaker 1>And this is my last question. After a really interesting

0:29:42.520 --> 0:29:46.640
<v Speaker 1>and beautiful conversation about your life and your childhood and

0:29:46.760 --> 0:29:51.600
<v Speaker 1>your mother and how food connected you through those experiences.

0:29:51.720 --> 0:29:55.000
<v Speaker 1>I think I'd like to know when you need food,

0:29:55.600 --> 0:29:58.400
<v Speaker 1>not because you're hungry or because you're sharing, but you

0:29:58.480 --> 0:30:01.440
<v Speaker 1>want a sense of comfort. Is there something that you

0:30:01.480 --> 0:30:02.640
<v Speaker 1>would go to Yes.

0:30:03.640 --> 0:30:10.200
<v Speaker 2>Two things both involved toast, hot buttered toast, a smear

0:30:10.280 --> 0:30:20.280
<v Speaker 2>of marmite, oh, fresh sliced tomatoes, salt pepper, mayonnaise, mayonnaise

0:30:21.080 --> 0:30:24.000
<v Speaker 2>on top of the tomatoes. Do you think that's the

0:30:24.080 --> 0:30:24.760
<v Speaker 2>wrong thing to do.

0:30:25.360 --> 0:30:27.840
<v Speaker 1>As an American? The one thing I have not I've

0:30:27.960 --> 0:30:31.080
<v Speaker 1>learned very much about your country, and I two things

0:30:31.120 --> 0:30:33.120
<v Speaker 1>actually I don't really understand. One is cricket and the

0:30:33.200 --> 0:30:38.400
<v Speaker 1>other is more mite. You don't get marmite, I'm not

0:30:38.600 --> 0:30:41.800
<v Speaker 1>really Richard did. Richard loved marmite, but I not.

0:30:43.240 --> 0:30:43.640
<v Speaker 2>You don't.

0:30:43.960 --> 0:30:46.440
<v Speaker 1>But the mayonnaise I've never heard. I know about the

0:30:46.480 --> 0:30:51.320
<v Speaker 1>butter and the marmite and the tomatoes. But I'm sitting

0:30:51.400 --> 0:30:53.040
<v Speaker 1>here with three other British.

0:30:53.680 --> 0:30:58.240
<v Speaker 2>I promise we should shoot it just livens up the

0:30:58.320 --> 0:31:02.880
<v Speaker 2>taste buds. But and the textures are interesting. And the

0:31:03.000 --> 0:31:08.520
<v Speaker 2>other would be hot buttered toast with scrambled eggs. It's

0:31:08.600 --> 0:31:12.680
<v Speaker 2>how glad. It's my stepmother made. My mother always used

0:31:12.720 --> 0:31:15.000
<v Speaker 2>to do scrambled eggs if we were likely enough to

0:31:15.080 --> 0:31:18.920
<v Speaker 2>have them, putting some butter and a drop of milk

0:31:19.040 --> 0:31:24.360
<v Speaker 2>in the pan and getting that melted before adding the

0:31:24.520 --> 0:31:29.960
<v Speaker 2>already whisked egg and even then the eggs would sometimes

0:31:30.040 --> 0:31:32.640
<v Speaker 2>separate at the end and you were left with a

0:31:32.800 --> 0:31:38.320
<v Speaker 2>lot of curd and horrible. Dad is his recipe from

0:31:38.360 --> 0:31:40.800
<v Speaker 2>her mother was you put everything in the pan straight away.

0:31:40.920 --> 0:31:43.479
<v Speaker 2>So in you go with a couple of eggs, if

0:31:43.480 --> 0:31:49.920
<v Speaker 2>it's one person, a nice dollop of salted butter, some pepper,

0:31:51.280 --> 0:31:54.480
<v Speaker 2>a drop of milk or cream. Put it on a

0:31:54.560 --> 0:31:59.640
<v Speaker 2>low heat and just keep stirring and it'll start making

0:32:00.520 --> 0:32:04.080
<v Speaker 2>stop sigidifying, and you can pick the exact moment when

0:32:04.120 --> 0:32:07.200
<v Speaker 2>it's ready and put it on the hot buttered toast

0:32:07.240 --> 0:32:11.920
<v Speaker 2>which you've got waiting. It feels nutritious. It reminds me

0:32:12.040 --> 0:32:14.760
<v Speaker 2>of my childhood when scrambled eggs was a real treat

0:32:15.840 --> 0:32:17.160
<v Speaker 2>and it's very easy to do.

0:32:18.000 --> 0:32:21.120
<v Speaker 1>Okay, we'll make it. Well, listeners, let's listen to this

0:32:21.360 --> 0:32:25.680
<v Speaker 1>very easy recipe. We've had in McKellen to ourselves. We've

0:32:25.760 --> 0:32:30.160
<v Speaker 1>had stories to listen to, and now we have two recipes.

0:32:31.320 --> 0:32:33.880
<v Speaker 1>So it's been a lucky day. But most of all,

0:32:33.880 --> 0:32:37.400
<v Speaker 1>it's being with you I and hearing your stories.

0:32:38.200 --> 0:32:42.400
<v Speaker 2>It's lovely to see you and I should never forget

0:32:42.560 --> 0:32:48.480
<v Speaker 2>going with you and Richard to Paris. Oh, you took

0:32:48.560 --> 0:32:51.720
<v Speaker 2>me there. He was having an exhibition and his pompey

0:32:51.800 --> 0:32:55.920
<v Speaker 2>Do Center. And when he arrived there and walked into

0:32:56.000 --> 0:32:59.640
<v Speaker 2>the exhibition space, and there were a lot of Tyro

0:33:01.200 --> 0:33:04.040
<v Speaker 2>architects that they couldn't believe the great man was there

0:33:04.520 --> 0:33:08.040
<v Speaker 2>in person, and what a star he was, and he

0:33:08.160 --> 0:33:12.000
<v Speaker 2>loved you really, and I know that he was so handsome.

0:33:12.280 --> 0:33:14.000
<v Speaker 2>And if you hadn't already got.

0:33:16.520 --> 0:33:22.960
<v Speaker 1>I was watching it. Thank you, Ian, It's lovely, lovely

0:33:23.120 --> 0:33:23.160
<v Speaker 1>to