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Speaker 1: The Thread is a new hit podcast from Azzi Media

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Speaker 1: that explores history surprising connections in order to discover how

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Speaker 1: one thing leads to another, like how movie moguls in

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Speaker 1: early Hollywood helped spark the me too movement. Today, get

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Speaker 1: it on iHeartRadio or wherever you listen. Fifty percent year,

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Speaker 1: I Love You to Sit Out didn't become the most

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Speaker 1: prominent form. Wake your ass up early in the morning.

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Speaker 1: But they tell me it was, y'all. I s hell yeah,

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Speaker 1: I'm getting the morning show. Three people's choice. Actually, people,

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Speaker 1: I can't believe you. Guys are the breaks? Did we

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Speaker 1: know this? Breakfast club? Wake up? Wake up, wake your

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Speaker 1: time to get it off your chest with your man

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Speaker 1: or blas. We want to hear from you on a

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Speaker 1: breakfast gloves. Hello, who's this poor chef? Hey, Paul should

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Speaker 1: get it off your chests? Mama, I want to get

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Speaker 1: off my shows. There I put on social media. I

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Speaker 1: purchased something from the local fashion over and they still

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Speaker 1: don't give me my credit and I CARDI whoa stop?

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Speaker 1: I need you to stop for a second. There's a

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Speaker 1: local fashion over. I thought fashion was only on social media.

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Speaker 1: It's locally online. Okay, all right? And I know y'all

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Speaker 1: seen my DM telling y'all to get it off my

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Speaker 1: chest from me because I added Cardi B asked her

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Speaker 1: to help me out with her street cred and I

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Speaker 1: ain't getting nothing bad. Well, Cardie B probably didn't see

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Speaker 1: it because she has like, you know, thousands of people

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Speaker 1: hit on and Cardi B don't own fashion over both.

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Speaker 1: Why are you adding Cardi B? You should be adding

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Speaker 1: the people fashion. She felt like maybe Cardi B would

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Speaker 1: have a little more cloud my goodness. So you get

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Speaker 1: your fashion over dress, mama. It was it for something

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Speaker 1: special with some mother's day. I had me a nice look,

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Speaker 1: you know, outfit picked out, but I just refused to

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Speaker 1: purchase anything and they still owe me like eighties. All right,

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Speaker 1: but listen, this is what you do. Send me a

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Speaker 1: DM right now, because I do know a couple of

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Speaker 1: people that work there, So I'm gonna hit up my

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Speaker 1: guy and send it to him and see if he

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Speaker 1: can help you. Good love, All y'all gonna feel so bad.

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Speaker 1: All y'all gonna feel badhen y'all realize if Bonka Trump

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Speaker 1: is going a fashion hello, who's this? Definitely not good

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Speaker 1: morning Breakfast club. This is Charlagne. Hey, Charlotte Man, Hey, Hey,

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Speaker 1: hear me, y'all. I just wanted to say that I'm blessed. Um.

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Speaker 1: You know, within the last six years of my life,

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Speaker 1: I've been through a lot. I lost my mom six

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Speaker 1: years ago, and you know, me and he were very

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Speaker 1: very close, was very setting, and so you know, I

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Speaker 1: was overweighted and I just had a lot of things

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Speaker 1: going on. And I just recently lost eighty pounds. I'm

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Speaker 1: seventy one, Okay, I am sexist, ever, I look like

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Speaker 1: my high school days. Um. I've been a stay at

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Speaker 1: home on my oldest and thirteen, and my youngest is nine.

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Speaker 1: I just went back to work for the first time

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Speaker 1: and I've been working for a year, and you know,

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Speaker 1: things are just really looking up for me. So I'm

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Speaker 1: just calling to say I'm blessed. I love y'all. Charlotte Magne,

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Speaker 1: I'm from South Carolina. Bo and the crowds you're talking about.

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Speaker 1: We had some of the best lane last night. Oh man,

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Speaker 1: So you got some good sleep, man, sleep my ass. Oh,

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Speaker 1: I can't say that I was doing anything but sleep. Okay,

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Speaker 1: that's what I'm telling you. Were having sex in the rain.

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Speaker 1: What you're talking about boy anytime. I am do you

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Speaker 1: know how to? I wish I could send a picture.

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Speaker 1: I am hot, okay, I am doing it up. And

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Speaker 1: you know, me and my have been together twenty two years.

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Speaker 1: I'm just glad and he's having fun because you're so

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Speaker 1: much more confident now too and happy. So you're talking

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Speaker 1: about I mean king. No, I could put on little

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Speaker 1: Bunny as ever and nobody can't tell me. I don't

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Speaker 1: look it. I don't give damn congratulations, see you, Murma.

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Speaker 1: I definitely was having sex to the night before I

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Speaker 1: was raining. I had them a guel playing while it

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Speaker 1: was raining. I was, I was wishing. I was wishing

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Speaker 1: it was raining last night. I said that to my wife.

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Speaker 1: Damn I was he was raining. Hello, who's this? Queen?

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Speaker 1: Goddep NB the spread from Alwakee, Wisconsin trucking in what whatting?

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Speaker 1: What's up? Bro? Get it off her chest man. It

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Speaker 1: is very expensive and a single person out here, I

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Speaker 1: wrought through a lot of though being single and brother envy.

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Speaker 1: I would like you to congratulate me, brother, because I

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Speaker 1: did get some pool last weekend. I was it a

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Speaker 1: real person or what was it a doll? Definitely definitely

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Speaker 1: a doll Yeah, it was a young lady. I had

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Speaker 1: to pay for it, young lady? How only young? What age?

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Speaker 1: It was? Twenty seven? Are you paid for it? What's

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Speaker 1: the price of poom former Milwaukee nowadays? I had to

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Speaker 1: pay one hundred dollars. So I didn't want you at Harry. Well,

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Speaker 1: you get what you paid. You get what you paid for, man,

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Speaker 1: So call me when you start getting that herpes medication.

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Speaker 1: Well you know at this stage to the game, mister, Yeah,

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Speaker 1: you gotta make it half to somehow. My great grandmother

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Speaker 1: Cloud always told me, baby, sometimes you gotta pay the play.

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Speaker 1: I didn't understand what she talked about back then. I

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Speaker 1: thought she had all times. Let me tell you something.

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Speaker 1: I can guarantee your grandma chargs more than a hundred dollars. Okay,

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Speaker 1: stop it, get it off your chests. Eight hundred five

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Speaker 1: eight five one oh five one. Callers up now was

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Speaker 1: the breakfast club coming? Pick up the mother mother phone

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Speaker 1: and dial this is your time to get it off

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Speaker 1: your chest. Brother, you're man or blast. We want to

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Speaker 1: hear from you on the breakfast club. Please, it has

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Speaker 1: the same energy. Hello, who's this hey? Get it off

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Speaker 1: your chest? Um? Well, first of all, I just want

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Speaker 1: to take good morning to everybody. I'm calling them salts

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Speaker 1: very Maryland. I just want to wish everybody a productive week. Okay,

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Speaker 1: thank you, Mama. When I think it's Altbury Maryland, I

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Speaker 1: think it's Alsbury Steak, and I don't even eat that.

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Speaker 1: That's like mystery. I love it down like you're in

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Speaker 1: a good mood this morning. Um. You know I'm getting

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Speaker 1: over pneumonia, but I mean I'm still just like really

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Speaker 1: blessed because you know, I didn't have to wake up

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Speaker 1: this morning. So I'm just trying to go forward every

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Speaker 1: day a little more proan know that has how you

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Speaker 1: got pneumoniable, I have no clue I got it, and

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Speaker 1: I had it for about a week before I even

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Speaker 1: figured it out. So it's standing online at the club

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Speaker 1: with a little short skirt on and no panties. Indeed,

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Speaker 1: I got too much meat for them, all right, Mama, Hello,

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Speaker 1: who's this? Precious? Hey, prescious, good morning, good morning. How

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Speaker 1: are you doing all right? Why are you? Why are

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Speaker 1: you calling this morning? My mom? Because my girls and

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Speaker 1: called me her exes name a couple. Hey, shout out

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Speaker 1: to shout out to your girls ex for having that

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Speaker 1: good tongue game soever, No, what is she doing in

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Speaker 1: the bedroom or is it just ra yes? Yes, yes,

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Speaker 1: yes in the bedroom. You know what that means. That

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Speaker 1: means that her jaw game way better than yours. Step

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Speaker 1: it up. It's not funny, Charlotte, her uncle train. What's

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Speaker 1: her ex's name? I'm not gonna see her name? Put

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Speaker 1: off whatever you may be off the chamb but she

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Speaker 1: can't forget her exes's name. What's her name? What's her name?

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Speaker 1: We just want to know her name? Mama, mama? Okay,

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Speaker 1: so maybe So what does she say when she said

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Speaker 1: her name by accident that she pretended didn't happen? Does

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Speaker 1: she apologize? Yes, she doesn't have it didn't happen? Wow,

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Speaker 1: heard you? That's what she got it like, I'm moaning? Sorry,

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Speaker 1: I'm sorry, Oh moan game gotta be like she gotta

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Speaker 1: be like I was just watching love and hip hop. Mona,

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Speaker 1: that's crazy. That your job game so whack. You can't

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Speaker 1: forget her exit's name. No, I'm gonna be honest, man,

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Speaker 1: not what Maybe you need some new tricks. Try halls

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Speaker 1: in your mouth for something. Halls all right, mama, thank

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Speaker 1: you for calling on. Thank you that sucks said that. Yeah, literally, Hello,

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Speaker 1: who's this? This jiggy called from Charleston. Let's up, broke,

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Speaker 1: get it off your checks for three what was happening?

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Speaker 1: So check it out? I got a gig at Walmart, right,

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Speaker 1: this is eligible for hiring. But they didn't call me back.

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Speaker 1: It's been five d Did you call them back? No? Well,

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Speaker 1: maybe you should do that, or maybe you're not getting

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Speaker 1: the job. You shouldn't, right, No, you should definitely hit

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Speaker 1: them up and be like, hey, I'm just checking in

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Speaker 1: to see if there was any other information that you

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Speaker 1: needed and to see the status of my residence passed

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Speaker 1: the background checking, all that, But I didn't get no

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Speaker 1: call back. Follow up? You've heard of a follow up?

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Speaker 1: God damn, it's your first job? No, all right, job,

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Speaker 1: your thirteenth job. Listen, go follow up? Stop playing? All right?

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Speaker 1: All right, my goodness, But you can call up, Hello,

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Speaker 1: who's this Hiles today? Chef from Destroyed? Hey, mama, what up? Do? Yes,

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Speaker 1: I'm here, fred and loved and bless it. And you know,

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Speaker 1: there's so much negativity in the world, and hey, my

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Speaker 1: mother got signed for that. I'd be feeling the same

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Speaker 1: way all the time. That's why I keep it positive.

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Speaker 1: That's all you can do. You know what I'm saying,

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Speaker 1: Even with nobody else used it positive, you have to

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Speaker 1: keep it positive for yourself. That's what I said. I

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Speaker 1: don't let anybody else dictate what my mood is gonna be.

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Speaker 1: There you go, Mama, the Breakfast Club morning. Everybody is

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Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy we all the

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Speaker 1: Breakfast Club. Now, we have a young lady in the

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Speaker 1: building that's need a page. Her name is not Nita

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Speaker 1: pagees Gena Page, You crazy fool, okay, And Gina Page

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Speaker 1: is the founder of African Ancestry dot com. You know.

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Speaker 1: A couple of months ago, I took a twenty three

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Speaker 1: and meat dot com test and said that I was

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Speaker 1: ninety seven percent West African, which I love because I'm

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Speaker 1: black as black as hell, and uh, somebody Chadwick Boseman

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Speaker 1: actually put us on the African Ancestry and said that

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Speaker 1: if you get with them, they can tell you your

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Speaker 1: tribe and what country you're from. Sight do you a

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Speaker 1: matter factay, what idea is? I took the DNA test

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Speaker 1: me too, Yeah, so I'm from ninety seven percent of

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Speaker 1: East African West African now see that's the wrong test.

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Speaker 1: Which one you took, like you got you took ancestry. Yeah,

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Speaker 1: I took African ancestry. That's a difference. So African ancestry

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Speaker 1: could tell you the specific um ethnic group that you

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Speaker 1: come from. So you know, if you if you just

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Speaker 1: know the country, that's still the European borders. But if

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Speaker 1: you know that you're europe from Nigeria, then you can.

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Speaker 1: Now now you can you can pinpoint specific customers and

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Speaker 1: ritual that they are part of your path. So our

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Speaker 1: special guests heard that the page right, and so she

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Speaker 1: sent us African ancestry kids. Right, Well, good morning, how

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Speaker 1: are you? I'm great, I'm happy to be here. Now

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Speaker 1: how do you get all these results? We are able

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Speaker 1: to get these results because we had the largest database

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Speaker 1: of African lineages in the world. So we're the only

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Speaker 1: DNA company, if you will, for ancestry that can can

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Speaker 1: specialize in giving black people specific information fifteen years Wow,

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Speaker 1: So we pioneered this technology. What made you do it?

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Speaker 1: What was the start? Like? Why were you you know,

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Speaker 1: what made you want to do this? You know? So

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Speaker 1: my business partners a geneticist, doctor Rick Kittles, who is

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Speaker 1: a fan of your show, Thank you, and um. He

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Speaker 1: really wanted to know where he was from. That's how

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Speaker 1: it really started, right, He just wanted to know where

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Speaker 1: he was from. As he moved along in his career,

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Speaker 1: he worked on the New York African Burial Ground Project

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Speaker 1: in the nineties here in New York in Lower Manhattan.

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Speaker 1: They were building a federal building and they unearthed the

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Speaker 1: cemetery in the process, and so a team from Howard

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Speaker 1: University was brought in to identify the ancestry of those bones.

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Speaker 1: So then the community said, well, if you can do

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Speaker 1: it for bones, you should be able to do it

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Speaker 1: for me. I'm still alive. And so it was a

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Speaker 1: classic case of the community saying I want this information,

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Speaker 1: and I was forming a company to provide them with

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Speaker 1: the answer. I know what you were doing before this.

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Speaker 1: I had a corporate background, so I so I marketed Colgate,

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Speaker 1: Parmala product, sairy bakery products, stuff like that. Wonderfulfilling is

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Speaker 1: this no? Because you know what, it doesn't really matter

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Speaker 1: if you use dish liquid that has scrubbing bubbles in it,

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Speaker 1: or if it smells like lavender, that doesn't matter. You know,

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Speaker 1: we shouldn't really be eating a whole bunch of cheesecakes

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Speaker 1: and frozen pies and all of that. This technology did

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Speaker 1: not exist before African Ancestry dot Com. If you wanted

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Speaker 1: to know where in Africa you came from, you were short.

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Speaker 1: That's real and so this isn't like anything else that

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Speaker 1: has ever existed. So yeah, it's very different and much

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Speaker 1: more fulfilling. We're tested. A lot of celebrities tested, Oprah Winfrey,

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Speaker 1: John Legend, Yea sike Lee. Yes, and now we're excited. Yeah,

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Speaker 1: I'm excited to get out. I want to see if

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Speaker 1: I'm if I'm really black, I'm a Dominican, if I'm

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Speaker 1: a European from somewhere. I'm gonna be honest with you.

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Speaker 1: Have you have you ever had that happened? Somebody who

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Speaker 1: can't wait to see what they're from Africa, but he's

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Speaker 1: from somewhere totally different. Yeah, I wouldn't be the Caribbean though,

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Speaker 1: because we were taken. We were brought from Africa to

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Speaker 1: the Caribbean, so it wouldn't say Dominican, it would go

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Speaker 1: beyond to Africa. But yeah, so we don't know what

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Speaker 1: we're gonna find. We're called African ancestry, but None of

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Speaker 1: us is one hundred percent anything, Right. I was ninety

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Speaker 1: seven when I did that other times, and that's not

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Speaker 1: one hundred percent. So you were three percent something out.

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Speaker 1: So we might find part of your ninety seven percent,

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Speaker 1: or we might find part of your three percent. We

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Speaker 1: don't know. I think I'm Indian. I think I had

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Speaker 1: a little Indian in me. Might I think my mama

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Speaker 1: told me one time my great grandfather that her grandfather

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Speaker 1: was an Indian or something. I don't know. Why is

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Speaker 1: it a point for people to know that ancestry that's

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Speaker 1: your foundation. You can't know who you are if you

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Speaker 1: don't know where you come from. Right, And we're as

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Speaker 1: Black Americans, we're the only group in this country that

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Speaker 1: doesn't know. We know we're from Africa at some point.

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Speaker 1: We know it's West Africa because we know history, but

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Speaker 1: there are thousands of cultures and traditions and practices. So

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Speaker 1: it's a real difference when you know that your ancestry

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Speaker 1: is African versus knowing that your people were warriors, or

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Speaker 1: your people were artisans, or your people were business people

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Speaker 1: like mine. So it puts my entrepreneurship into perspective in

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Speaker 1: a new way. So my father's father's father. There's line.

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Speaker 1: I traced back to the house of people living in

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Speaker 1: Nigeria today, and then on my mother's mother's mother's line,

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Speaker 1: like you all did, I raced back to the Flani

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Speaker 1: people living in Nigeria. Did you see a spiking people

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Speaker 1: wanting to know where they're from at the Black Panther. Absolutely, yeah,

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Speaker 1: I mean it was. It was amazing how the consciousness

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Speaker 1: just shifted almost on a done and so now people

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Speaker 1: want to find their own Wakanda. You know, they already

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Speaker 1: know they're African, that's not what they want to know.

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Speaker 1: They want to know where in Africa. So um, that

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Speaker 1: movie was definitely instrumental and pivotal in shifting the collective

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Speaker 1: consciousness because you know, before February, when we would tell

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Speaker 1: people what we would do, they would say, I'm from Zamoonda, yes,

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Speaker 1: zond our cultural reference. And then the day Black Panther

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Speaker 1: line is now we're all from Wakanda. That's still a

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Speaker 1: debate though all jokers. Would you rather people see? I

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Speaker 1: feel like the Moonda is more like Jersey, Wakanda is

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Speaker 1: more like New York. Like I would live in Zamunda

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Speaker 1: and work in Wakanda, you know, what I'm saying. I

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Speaker 1: just feel like the mooning probably a little bit more country,

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Speaker 1: a little more rural, you know, da more city likes.

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Speaker 1: I would. I would live in Zamunda, work in Wakanda.

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Speaker 1: You know they didn't show us just a little bit,

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Speaker 1: just just when they were going through the Yeah, yeah,

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Speaker 1: we saw a lot more. All right. We have more

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Speaker 1: with Gina Paige when we come back, so don't move.

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Speaker 1: It's a breakfast club. God Morning, the breakfast club Morning.

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Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne, the guy. We

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Speaker 1: all the breakfast club. We have Gina Paige here from

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Speaker 1: African ancestry. You're ready, you're ready to find out you

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Speaker 1: from Dominican and go have some questions for your parents?

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Speaker 1: Are you ready? Ready? I'm ready, I'm ready. I bet

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Speaker 1: my wife already got hurt back. My wife got hurt

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Speaker 1: back this week, I believe. Okay. Yeah, she's a from

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Speaker 1: Sierra Leona. So that's what I call it, my diamond

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Speaker 1: from Sierra leon Yes, So who should I do first? Okay?

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Speaker 1: So the test that we did for you traces your

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Speaker 1: mother's mother's mother's mother's line. I'm yeah, I will and

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Speaker 1: it only looks at that branch of your tree, so

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Speaker 1: it doesn't look at anybody else. Nobody on your father's side,

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Speaker 1: nobody on your mother's father's side. It's just mother to

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Speaker 1: mother to mother got and these results are going to

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Speaker 1: be the same for you, your children, your siblings, your mother,

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Speaker 1: her brothers and sisters, their kids. Everybody in the family

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Speaker 1: is now going to share these results. The mother is

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Speaker 1: the most important one to get because that's most comprehensible. No,

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Speaker 1: the mother is important to get because there's a ninety

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Speaker 1: two percent chance that's going to be African. Got you.

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Speaker 1: When we do the paternal line, it only comes back

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Speaker 1: African sixty five because white in we're having brown babies.

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Speaker 1: He said that. So when we look at the Y

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Speaker 1: chromosome that you you all as men get from white men,

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Speaker 1: I mean get from your fathers, difr fathers, it could

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Speaker 1: if you know, if if a British slave trader had

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Speaker 1: a son with an enslaved African woman, then that son's

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Speaker 1: gonna be black and over generations he can look like

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Speaker 1: you and me, or look like you, but the Y

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Speaker 1: chromosome is still going to go back to Britain. So

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Speaker 1: I didn't want to come here and give have the

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Speaker 1: chance of giving you um European results, please don't. So

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Speaker 1: that's why I said the maternal tests. So actually I

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Speaker 1: want to do you both at the same time. That

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Speaker 1: cruel because your results are extremely similar. They're extremely similar.

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Speaker 1: So we found both of your ancestries anxiety in three countries,

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Speaker 1: and these three countries are very closely related. They're closely

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Speaker 1: close in proximity and the groups are related. So the

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Speaker 1: first country we found your ancestry in is Sierra Leons

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Speaker 1: and you're both Mendae. Mendae people in Sierra Leone. So

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Speaker 1: that's the same as your wife Charlemagne. People like Isaiah Washington, Correta,

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Speaker 1: Scott King, people like that are Menday. Now, the Menday

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Speaker 1: were on the Amistad, if you remember, they're the ones

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Speaker 1: who turned the Amistad around. Yes, okay, the other important

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Speaker 1: thing about the Menday I know that you come from

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Speaker 1: South Carolina, right, So the Menday were rice farmers and

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Speaker 1: slavery was a business, right, This one just some haphazard

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Speaker 1: thing that happened. So the planters in South Carolina, the

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Speaker 1: rice planters needed skilled labor in and so they took

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Speaker 1: the Mendae and brought them to South Carolina and Georgia. Yes,

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Speaker 1: mother mother, my mother's grandmother is from South Carolina. There

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Speaker 1: you go, and so um, that's one group. Then right

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Speaker 1: next to Sierra Leone is a country called Guinea Bissal.

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Speaker 1: Guinea Bissal is a very small as a tiny country

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Speaker 1: on the continent and unfortunately a very poor country. In fact,

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Speaker 1: they don't even have any representation here in the United States.

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Speaker 1: There's no embassy I can send you to or anything

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Speaker 1: like that, no diplomatic presence. You both share ancestry with

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Speaker 1: people from Guinea Bissau. Envy your people are the Fulani,

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Speaker 1: and the Fulani were nomads, so you'll find Fulani all

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Speaker 1: across Africa. You'll find them in Senegal, You'll find him

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Speaker 1: in Molly, You'll find him in Nigeria, where where my

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Speaker 1: people are Charlemagne, Your people are the Balanta in Guinea Bistau,

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Speaker 1: and Blanca means those who resist. I'm starting to see

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Speaker 1: a theme here, right. We've got the Mende who resistant enslavement,

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Speaker 1: We've got the Blanca who were resistant. And then you're

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Speaker 1: a wanderer, all right. And then the last country we

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Speaker 1: found is just one country away from Guinea Bistau. So

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Speaker 1: there's not even eight hundred miles between Sierra Leone and Senegal.

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Speaker 1: You know, these are artificial borders. You share ancestry with

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Speaker 1: the Mandinka man ding ding my wife told me. I

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Speaker 1: was a right, yeah, that's the same things. Well, you know,

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Speaker 1: the Mandinka are the grios. They're the keepers of the

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Speaker 1: history and the culture through oral traditions and musical traditions.

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Speaker 1: So I thought it was consistent that we're resistant and

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Speaker 1: wearing the music. I'm a resistant in the music yea,

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Speaker 1: and into communication with just why we're here now. So congratulations,

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Speaker 1: welcome to the African ancestry family. There are a lot

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Speaker 1: of places I don't know if you've traveled to any

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Speaker 1: of these countries, these results you get to share with

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Speaker 1: everybody in your family. So if you have a family

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Speaker 1: reunion on your mother's side, these are results are going

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Speaker 1: to apply to all of from three different tribes. Okay.

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Speaker 1: And if you think about it, so remember I told you,

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Speaker 1: they're not even eight hundred miles between cra LEAs and Senegal.

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Speaker 1: So it's like you could you could be living in

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Speaker 1: DC and have people in Atlanta. You're in different places,

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Speaker 1: but you share the same genetics. And then ethnic groups

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Speaker 1: aren't genetic. The Menday, the Mandinka, the belong to the Fulani.

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Speaker 1: Those are social and cultural groups. Okay, So you could

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Speaker 1: be in DC and be a Baptist, and your mother

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00:22:00,640 --> 00:22:04,639
Speaker 1: could be in Atlanta and be a and me. You

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00:22:04,720 --> 00:22:08,480
Speaker 1: belong to different groups that share different traditions, may have

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Speaker 1: different values, but you have the same genetics. I didn't

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00:22:11,160 --> 00:22:13,720
Speaker 1: know it could be more than one. Yeah, and they're

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Speaker 1: so closely related that we just gave you everything. Now, Well,

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Speaker 1: in your letter, you'll see something called a sequence similarity

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Speaker 1: score rights. Okay, So in your case, Charlemagne, we found

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00:22:28,080 --> 00:22:32,200
Speaker 1: identical matches. So we found people in each of those

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Speaker 1: groups in our database. Remember I told you it's the

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Speaker 1: largest in the world, over thirty three thousand that have

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Speaker 1: your exact same mitochondrial DNA signature. Here, Envy, we found

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00:22:43,840 --> 00:22:48,199
Speaker 1: people whose signatures are ninety nine point seven percent the

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00:22:48,240 --> 00:22:52,679
Speaker 1: same as yours. So they're not identical, but we feel

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00:22:52,800 --> 00:22:57,320
Speaker 1: damn sure. You know, we are highly confident that you

396
00:22:57,480 --> 00:23:00,920
Speaker 1: share ancestry with those groups. Gotch So you can pick

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00:23:00,960 --> 00:23:04,080
Speaker 1: and choose, you can. You know, identity is fluid. You

398
00:23:04,080 --> 00:23:06,919
Speaker 1: get to you get to form your identity. However, you

399
00:23:06,960 --> 00:23:11,960
Speaker 1: see fit my wife. Now now you're you're marking. When

400
00:23:12,040 --> 00:23:14,840
Speaker 1: you get home, you can compare your letters and these

401
00:23:14,880 --> 00:23:19,000
Speaker 1: are going to be different than her. Yep, but you

402
00:23:19,080 --> 00:23:22,080
Speaker 1: didn't need me to tell you that, right, Shut up?

403
00:23:22,200 --> 00:23:24,120
Speaker 1: Every time you talk light skin, you just as light skin,

404
00:23:24,200 --> 00:23:29,320
Speaker 1: and brothers, I am excited. So where can they get these?

405
00:23:29,400 --> 00:23:34,199
Speaker 1: African Ancestry test gin at African Ancestry dot com, African

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00:23:34,240 --> 00:23:37,400
Speaker 1: ancestry dot com. All right, Gina, thank you for coming,

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00:23:37,520 --> 00:23:40,600
Speaker 1: Thank you for coming, Thank you for having me. Charlotte Magne.

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Speaker 1: I brought you something else too. I brought you a gift,

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00:23:43,240 --> 00:23:46,600
Speaker 1: thank you very much. That beautiful. That's a new pendant.

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00:23:46,760 --> 00:23:52,560
Speaker 1: It has Senegal, Sierra Leone and um Guinea be out

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00:23:52,640 --> 00:23:55,080
Speaker 1: on it. Your name is engraved on the back with

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00:23:55,200 --> 00:23:58,879
Speaker 1: their countries. And so if now that I now that

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00:23:58,960 --> 00:24:01,520
Speaker 1: we've revealed your is envy, I'll make sure that you

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00:24:01,600 --> 00:24:03,360
Speaker 1: get a PA. Thank you very much, get him Latin

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00:24:03,400 --> 00:24:07,760
Speaker 1: America pendant. Never say I'm on my mama's side, I

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00:24:07,800 --> 00:24:12,760
Speaker 1: say I'm African. I'm your brother. Shut up, brother, Jesus Christ,

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00:24:13,040 --> 00:24:19,399
Speaker 1: how's mom doing? Jesus? But we appreciate you for joining

418
00:24:19,480 --> 00:24:21,720
Speaker 1: us I've had a good time. Thank you very much

419
00:24:21,760 --> 00:24:24,720
Speaker 1: for me. All right, thank you, Gina. It's the Breakfast Club.

420
00:24:32,520 --> 00:24:34,520
Speaker 1: It's time to shoot your shot. To shoot your shot

421
00:24:34,640 --> 00:24:37,879
Speaker 1: with the Breakfast Club, one chance. Don't mess it up.

422
00:24:38,119 --> 00:24:40,320
Speaker 1: Mess it up, mess it up, mess it up. We

423
00:24:40,359 --> 00:24:42,639
Speaker 1: got ni Sha on the line. Nisha, Good morning, Good morning.

424
00:24:42,880 --> 00:24:45,119
Speaker 1: How are you doing this morning, Nisha? I'm doing okay.

425
00:24:45,280 --> 00:24:47,159
Speaker 1: I'm hoping you guys can help me out. Okay, Now

426
00:24:47,200 --> 00:24:48,680
Speaker 1: who do you want to shoot your shot with? His

427
00:24:48,840 --> 00:24:51,440
Speaker 1: name is Andrea. Okay, tell us about Andre. He's a

428
00:24:51,520 --> 00:24:54,440
Speaker 1: really free dude. He's my big brother, is one of

429
00:24:54,520 --> 00:24:56,240
Speaker 1: his best friends. So I've known him since I was

430
00:24:56,320 --> 00:24:58,600
Speaker 1: like a girl. He's always just been really cute. And

431
00:25:00,400 --> 00:25:02,960
Speaker 1: we started hooking up like a couple of months ago.

432
00:25:03,160 --> 00:25:05,480
Speaker 1: And now I want to like tell my brother. We've

433
00:25:05,480 --> 00:25:07,120
Speaker 1: been doing it on a super lolo and I want

434
00:25:07,160 --> 00:25:09,359
Speaker 1: to tell my brother so you can like be together.

435
00:25:09,560 --> 00:25:11,360
Speaker 1: So you want to tell your brother that his friend

436
00:25:11,440 --> 00:25:14,800
Speaker 1: been smashing I'm gonna tell my Well, I mean yeah,

437
00:25:14,960 --> 00:25:17,960
Speaker 1: but I wanted my brother that we're gonna be together. Okay,

438
00:25:18,000 --> 00:25:19,320
Speaker 1: So that you want this to be you a man,

439
00:25:19,440 --> 00:25:22,439
Speaker 1: So have y'all discussed this I mean, you know how

440
00:25:22,520 --> 00:25:24,920
Speaker 1: sometimes you don't need to what what doesn't need to

441
00:25:24,960 --> 00:25:26,440
Speaker 1: be said, doesn't need to be said, you know, like

442
00:25:26,520 --> 00:25:27,760
Speaker 1: we don't have to talk about that. I know he

443
00:25:27,840 --> 00:25:30,000
Speaker 1: wants to be with me. Make sure I'm clear. It's

444
00:25:30,040 --> 00:25:33,399
Speaker 1: your brother's best friend and you've been smashing your brother's

445
00:25:33,480 --> 00:25:35,800
Speaker 1: best friend. That's not gonna turn out. How old? How

446
00:25:35,880 --> 00:25:37,800
Speaker 1: old is your brother's best friend? How old do you are?

447
00:25:37,840 --> 00:25:41,360
Speaker 1: You the little sisters? I'm oh wow, Now it's gonna

448
00:25:41,359 --> 00:25:45,520
Speaker 1: be a little fight sister's ground. So let me say,

449
00:25:45,560 --> 00:25:47,200
Speaker 1: do y'all like go on dates? Or is it just

450
00:25:47,400 --> 00:25:51,119
Speaker 1: a smash? Sometimes? Thing? We go out when when you know,

451
00:25:51,240 --> 00:25:54,000
Speaker 1: time allows. I'm a nurse, so sometimes I work up,

452
00:25:54,160 --> 00:25:56,800
Speaker 1: you know, all day all night. But um, you know

453
00:25:56,920 --> 00:25:59,840
Speaker 1: we go out and guys talking to fill y'all face

454
00:26:00,040 --> 00:26:03,080
Speaker 1: time and all that. Sometimes. Yeah, and we text a lot.

455
00:26:03,359 --> 00:26:05,600
Speaker 1: Does he text you good morning? Bay? I miss you

456
00:26:05,760 --> 00:26:09,080
Speaker 1: thinking of you of course. Okay, I don't know. I

457
00:26:09,080 --> 00:26:10,760
Speaker 1: don't know how this is gonna work. Many are you

458
00:26:10,840 --> 00:26:12,760
Speaker 1: prepared for your brother to tell you that this guy

459
00:26:12,840 --> 00:26:14,399
Speaker 1: has been smashing a whole bunch of other chicks and

460
00:26:14,440 --> 00:26:16,720
Speaker 1: you just another one in a long line. True or

461
00:26:16,800 --> 00:26:18,399
Speaker 1: maybe he's a good guy and he would love for

462
00:26:18,480 --> 00:26:21,719
Speaker 1: his sister to be with his good friend. That all right,

463
00:26:21,720 --> 00:26:23,600
Speaker 1: Well let's see what happens. Well, hope for the best.

464
00:26:23,640 --> 00:26:25,520
Speaker 1: The only one way to find out is your brother big,

465
00:26:25,560 --> 00:26:27,480
Speaker 1: because if not, I'm sure he's gonna beat the hell

466
00:26:27,480 --> 00:26:32,080
Speaker 1: out of this guy. They've been first for a long time.

467
00:26:32,080 --> 00:26:34,679
Speaker 1: I don't think there's gonna be any problems shoots. Your

468
00:26:34,680 --> 00:26:36,400
Speaker 1: shot is hopeful the best. What's for the worst, because

469
00:26:36,440 --> 00:26:38,720
Speaker 1: the worst always leads for better ratings for us. Okay,

470
00:26:38,800 --> 00:26:40,760
Speaker 1: all right, we'll hold on. We'll call him and when

471
00:26:40,800 --> 00:26:43,040
Speaker 1: we come back, said, ope, move, keep a lot. We're

472
00:26:43,200 --> 00:26:45,399
Speaker 1: what's his name again? Andre? All right, we're gonna call

473
00:26:45,480 --> 00:26:47,480
Speaker 1: Andre when we come back. Keep a lock to Breakfast Club.

474
00:26:47,520 --> 00:26:51,960
Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlomane

475
00:26:52,000 --> 00:26:54,800
Speaker 1: the guy we are the Breakfast Club. Now, we have

476
00:26:54,960 --> 00:26:57,040
Speaker 1: Nisha on the line. Now, Nisha, we're about to call

477
00:26:57,119 --> 00:27:12,440
Speaker 1: Andre now, so let's call him. Hello, Hey, Andre, this

478
00:27:12,600 --> 00:27:16,760
Speaker 1: is nisa Um. I wanted to call it and talk

479
00:27:16,800 --> 00:27:19,280
Speaker 1: to you about something that's in my mind for a minute.

480
00:27:19,840 --> 00:27:24,520
Speaker 1: Oh boy, bush me, my boy, what's up? I think

481
00:27:24,560 --> 00:27:27,280
Speaker 1: it's till we tell my brother that you know, we together,

482
00:27:29,040 --> 00:27:32,840
Speaker 1: dear little which we were together, which we were together.

483
00:27:32,920 --> 00:27:35,760
Speaker 1: We're not together now because we on the load like

484
00:27:36,520 --> 00:27:38,239
Speaker 1: you act like you're scary, you don't want to tell

485
00:27:38,280 --> 00:27:41,960
Speaker 1: my brother what we've been doing, and I'm like, forget it,

486
00:27:42,040 --> 00:27:44,320
Speaker 1: like let's just tell him, tell the family so we

487
00:27:44,359 --> 00:27:46,840
Speaker 1: could be together. So now this is why I didn't

488
00:27:46,840 --> 00:27:48,680
Speaker 1: even want to go down this rabbit hole with you,

489
00:27:49,080 --> 00:27:51,720
Speaker 1: you know what I mean, because you know, just because

490
00:27:51,760 --> 00:27:53,840
Speaker 1: we've messed around on me will be together, you know

491
00:27:53,880 --> 00:27:58,920
Speaker 1: what I mean? What we're not together now? Yeah, but

492
00:27:59,040 --> 00:28:01,680
Speaker 1: see what we first started messing around. What the first

493
00:28:01,720 --> 00:28:04,640
Speaker 1: thing we said was we wasn't gonna you know, no feelings,

494
00:28:04,680 --> 00:28:07,120
Speaker 1: and you know, we're just having fun. You know. That's

495
00:28:07,119 --> 00:28:09,200
Speaker 1: why I don't understand what you're calling me with this

496
00:28:09,440 --> 00:28:11,800
Speaker 1: all out of left field right now. That's how you

497
00:28:11,840 --> 00:28:14,840
Speaker 1: treat the woman that you don't have any fund for. Listen,

498
00:28:15,160 --> 00:28:18,000
Speaker 1: it's just we're just having fun day. I don't understand.

499
00:28:18,359 --> 00:28:20,040
Speaker 1: You know, of course I care for you, you know

500
00:28:20,119 --> 00:28:22,960
Speaker 1: you're my friend. You know I definitely care for you,

501
00:28:23,359 --> 00:28:26,040
Speaker 1: But you know, all of that relationship stuff, I'm not

502
00:28:26,160 --> 00:28:28,359
Speaker 1: trying to hear that. And I'm definitely not trying to

503
00:28:28,400 --> 00:28:31,639
Speaker 1: tell this dude or the family or anybody else. You know,

504
00:28:32,080 --> 00:28:34,920
Speaker 1: what we do was between us school, Nope, not anymore

505
00:28:35,280 --> 00:28:39,720
Speaker 1: between you the whole breakfast club listening audience. Well it's

506
00:28:39,800 --> 00:28:42,400
Speaker 1: DJ v Angela Ye Shlomne the guy bro. Now you

507
00:28:42,440 --> 00:28:43,920
Speaker 1: said you didn't want to go down that rabbit hole,

508
00:28:43,960 --> 00:28:45,320
Speaker 1: but you didn't go down the rabbit hole. You went

509
00:28:45,320 --> 00:28:49,680
Speaker 1: down your friends, just this kittycat hole. So my god,

510
00:28:49,800 --> 00:28:52,760
Speaker 1: now you got me. Now you got me on the radio, like,

511
00:28:52,960 --> 00:28:54,760
Speaker 1: are you serious? That's what you give me? Messing with

512
00:28:54,760 --> 00:28:57,000
Speaker 1: a little sits. You can't believe you right now, that's right,

513
00:28:57,040 --> 00:29:00,480
Speaker 1: I can't believe you. Please me. You got me on

514
00:29:00,720 --> 00:29:04,400
Speaker 1: breakfast close like everybody listening to finish. Yeah, all right,

515
00:29:04,520 --> 00:29:07,479
Speaker 1: So so Andre, you're being honest though you guys are

516
00:29:07,600 --> 00:29:10,000
Speaker 1: just sleeping around. You don't want to be with her. No,

517
00:29:10,120 --> 00:29:12,040
Speaker 1: I don't want no, I'm not trying to do all.

518
00:29:12,360 --> 00:29:15,360
Speaker 1: I mean, nsha, He's honest with you. You know now,

519
00:29:15,520 --> 00:29:18,320
Speaker 1: to you, if you decide no, I mean listening, you

520
00:29:18,480 --> 00:29:20,200
Speaker 1: you got to stop playing. If you don't want a

521
00:29:20,280 --> 00:29:21,760
Speaker 1: girl to think that you don't want to be with her,

522
00:29:21,840 --> 00:29:23,280
Speaker 1: then you gotta stop doing a stuff that you do.

523
00:29:23,400 --> 00:29:27,480
Speaker 1: You treat me mad a nice cake, Well he should

524
00:29:27,520 --> 00:29:32,120
Speaker 1: still treat you at nice eat the butt or yeah,

525
00:29:33,680 --> 00:29:35,880
Speaker 1: you mean you're going around you're just eating mad booty.

526
00:29:36,160 --> 00:29:38,160
Speaker 1: You just eat an ass everywhere you go, eat all

527
00:29:38,200 --> 00:29:44,640
Speaker 1: your friends, sister's ass. Andre, you're cereal ass eater. You're

528
00:29:44,640 --> 00:29:54,440
Speaker 1: a serial sister as eave me first. Wow Okay, okay,

529
00:29:57,080 --> 00:29:59,120
Speaker 1: may say, y'all did a sixty nine in the bar. Yeah,

530
00:29:59,120 --> 00:30:01,720
Speaker 1: it sounds like y'all belong together if you ask me. Okay,

531
00:30:01,800 --> 00:30:03,960
Speaker 1: but instead of time to disrespect each other, I guess

532
00:30:04,120 --> 00:30:05,720
Speaker 1: what it is, Nitia. He don't want to be with

533
00:30:05,800 --> 00:30:07,680
Speaker 1: you like that. So if you still want to continue

534
00:30:07,760 --> 00:30:10,120
Speaker 1: to mess with him because he treats you nice, that's

535
00:30:10,200 --> 00:30:12,440
Speaker 1: on you. But just know it's not a relationship. Well,

536
00:30:12,520 --> 00:30:14,160
Speaker 1: he might not want to be with me, but he's

537
00:30:14,200 --> 00:30:18,720
Speaker 1: gonna have to tell my brother something because I'm pregnant. Okay,

538
00:30:19,400 --> 00:30:22,880
Speaker 1: she didn't not tell us this. Are you? Are you

539
00:30:23,000 --> 00:30:27,040
Speaker 1: really pregnant? Yeah? I really am. I'm taking my ball

540
00:30:27,080 --> 00:30:28,600
Speaker 1: and going home. I'm gonna be honest with you, Andrew.

541
00:30:28,600 --> 00:30:30,520
Speaker 1: I don't know if I believe it, because women sometimes

542
00:30:30,560 --> 00:30:32,560
Speaker 1: women do one or two things in this situation. Neither

543
00:30:32,600 --> 00:30:35,240
Speaker 1: say they're pregnant or they say you raped them. I don't.

544
00:30:35,320 --> 00:30:38,080
Speaker 1: I don't think it's mind. I don't think it's mind. What. Oh,

545
00:30:38,160 --> 00:30:39,480
Speaker 1: that's not the way to go. You think she's a

546
00:30:39,560 --> 00:30:43,640
Speaker 1: home Yeah, I don't think it's no what, just having fun.

547
00:30:43,880 --> 00:30:45,480
Speaker 1: I don't know what you're out there doing. Now you're

548
00:30:45,480 --> 00:30:50,640
Speaker 1: talking about the fun include condoms. Baby's gonna be named

549
00:30:50,680 --> 00:30:52,680
Speaker 1: it's gonna be named fun then, because that's what happened

550
00:30:53,800 --> 00:30:57,240
Speaker 1: with Andre Wayne condoms, misia. Yes, not all the time,

551
00:30:58,280 --> 00:31:01,200
Speaker 1: all the time, all the time. All right, Well, well guys,

552
00:31:01,240 --> 00:31:02,600
Speaker 1: I think you guys need to hit this one. This

553
00:31:02,760 --> 00:31:05,000
Speaker 1: was a little too far out of our tax bracket. Yeah, Andrew,

554
00:31:05,000 --> 00:31:07,000
Speaker 1: I hope that you enjoyed your little fun, because now

555
00:31:07,000 --> 00:31:08,840
Speaker 1: you're about to have a little fun on the way. Okay,

556
00:31:10,960 --> 00:31:13,960
Speaker 1: next thing, she's gonna be saying you your strong, God,

557
00:31:14,320 --> 00:31:16,600
Speaker 1: don't be disrespectful. That might be your child's mother. Are

558
00:31:16,640 --> 00:31:19,080
Speaker 1: you gonna tell Andre now? I mean you're gonna tell

559
00:31:19,080 --> 00:31:22,600
Speaker 1: her brother now? No, No, that's not much. She's not pregnant,

560
00:31:22,840 --> 00:31:25,360
Speaker 1: you know, and she's crazy, you know, and she's calling

561
00:31:25,480 --> 00:31:27,280
Speaker 1: up here a radio station to do it this unless

562
00:31:27,320 --> 00:31:29,160
Speaker 1: she's crazy. Now, did you guys have did you guys

563
00:31:29,200 --> 00:31:32,600
Speaker 1: have I protected sex? No? She just said sometimes, he

564
00:31:32,640 --> 00:31:39,960
Speaker 1: said yes, he said no. She listen, get his ass literally,

565
00:31:40,160 --> 00:31:42,440
Speaker 1: I mean there's nothing eat to say. I mean he

566
00:31:42,520 --> 00:31:44,560
Speaker 1: out here obviously in the street, just doing all types

567
00:31:44,560 --> 00:31:46,440
Speaker 1: of stuff dirty. He's gonna get what comes to him.

568
00:31:46,600 --> 00:31:48,920
Speaker 1: But that's fine. That has nothing to do with anything.

569
00:31:48,920 --> 00:31:50,480
Speaker 1: You don't want to tell my brother, Fine, I'm gonna

570
00:31:50,480 --> 00:31:52,600
Speaker 1: tell him. I'm gonna also tell him I'm pregnant. So

571
00:31:53,040 --> 00:31:55,040
Speaker 1: either way, you're gonna deal with it. All right. Well, well,

572
00:31:55,120 --> 00:31:57,240
Speaker 1: guys's not starting to be mean or anything, but I

573
00:31:57,360 --> 00:31:59,280
Speaker 1: can't do this with you because I gotta girl. You

574
00:31:59,360 --> 00:32:02,200
Speaker 1: know what I mean? Oh my god, Well you should

575
00:32:02,200 --> 00:32:06,719
Speaker 1: have thought about that. Andre, a member of the Faithful

576
00:32:06,800 --> 00:32:09,880
Speaker 1: male community. Basically, you've been cheating on your girlfriend and

577
00:32:09,880 --> 00:32:11,520
Speaker 1: you didn't even let her know you had a girlfriend.

578
00:32:11,560 --> 00:32:14,720
Speaker 1: So now this happens, Well, we was messing around before

579
00:32:14,760 --> 00:32:17,240
Speaker 1: I got a girlfriend, so you know, Wow, it's not

580
00:32:17,360 --> 00:32:20,000
Speaker 1: really cheating, I don't think. But you said was messing

581
00:32:20,080 --> 00:32:22,200
Speaker 1: with her even after you that's still cheating. You had

582
00:32:22,200 --> 00:32:24,960
Speaker 1: a girlfriend. Goodness, So now with you because what he's saying,

583
00:32:25,040 --> 00:32:29,160
Speaker 1: is he's cheating on me with the chick girl girl. No,

584
00:32:29,320 --> 00:32:33,000
Speaker 1: you're not my girl again. You know what, Guys, you know,

585
00:32:33,080 --> 00:32:34,520
Speaker 1: I'm sorry. This didn't won't out the way it was

586
00:32:34,560 --> 00:32:38,240
Speaker 1: supposed to. Nisia, good luck with the baby, Andre, support

587
00:32:38,280 --> 00:32:40,840
Speaker 1: your kids. Keep what's updated? Yeah, Nicia carll Us after

588
00:32:40,880 --> 00:32:43,680
Speaker 1: you had the baby? Okay? All right, I didn't go well,

589
00:32:43,960 --> 00:32:46,719
Speaker 1: not at all? All right, Well, rumors up. Next, it's

590
00:32:46,760 --> 00:32:56,400
Speaker 1: the Breakfast Club commanding it's time to shoot your shout

591
00:32:56,560 --> 00:32:59,280
Speaker 1: to shoot your shot with the Breakfast Club. Want chance,

592
00:32:59,560 --> 00:33:02,080
Speaker 1: don't mess it up? Mess it up? May you have

593
00:33:02,320 --> 00:33:05,800
Speaker 1: Asia on theline. Asia, good morning? Hey't good morning. How

594
00:33:05,840 --> 00:33:08,560
Speaker 1: are you doing this morning? I'm really good. How are you?

595
00:33:08,960 --> 00:33:10,680
Speaker 1: We're doing great? Now? Who do you want to shoot

596
00:33:10,680 --> 00:33:14,840
Speaker 1: your shot with? All right, he's my friend Sean Okay, Um,

597
00:33:15,080 --> 00:33:18,320
Speaker 1: basically he's known me for years. He knows the best

598
00:33:18,440 --> 00:33:22,680
Speaker 1: the worst about me, all that, and he also knows

599
00:33:22,840 --> 00:33:26,720
Speaker 1: my three kids, and he's an exceptional role model to them,

600
00:33:26,840 --> 00:33:31,040
Speaker 1: like they love him, an amazing guy. So I mean,

601
00:33:31,200 --> 00:33:33,440
Speaker 1: I was like bringing my kids to school they listened

602
00:33:33,440 --> 00:33:35,720
Speaker 1: to Breakfast Pub and when I heard about the shoot

603
00:33:35,760 --> 00:33:38,000
Speaker 1: your shot, I was like pulled up. Let me just

604
00:33:38,160 --> 00:33:39,800
Speaker 1: talk told it so you want your kids to hear

605
00:33:39,840 --> 00:33:43,320
Speaker 1: you get rejected this morning. No, that's not gonna happen. Well,

606
00:33:43,360 --> 00:33:46,120
Speaker 1: we don't know what's gonna happen. How the baby daddies

607
00:33:46,160 --> 00:33:49,320
Speaker 1: do you have? I have one? Okay, only one baby daddy?

608
00:33:49,360 --> 00:33:51,920
Speaker 1: All right? Okay? Now do you like this showing because

609
00:33:52,000 --> 00:33:54,560
Speaker 1: he's a nice person and you really liked him on

610
00:33:54,640 --> 00:33:56,720
Speaker 1: the fact that he just treats your kids good? No,

611
00:33:57,000 --> 00:34:01,680
Speaker 1: of course, race, he's he's calm, he have all the

612
00:34:01,760 --> 00:34:06,680
Speaker 1: same interest but he is an amazing role model for them. Like, yeah,

613
00:34:07,040 --> 00:34:08,719
Speaker 1: that goes hand in hand if he's a good guy.

614
00:34:08,840 --> 00:34:11,000
Speaker 1: He teased the kids kids, are you attractive to him? Yeah,

615
00:34:11,000 --> 00:34:12,560
Speaker 1: but just because he's a role model for your kids,

616
00:34:12,600 --> 00:34:14,320
Speaker 1: don't mean he need to be your piece of penis.

617
00:34:14,600 --> 00:34:17,800
Speaker 1: That is true. It's attractive to him. I'm very attractive

618
00:34:17,840 --> 00:34:21,120
Speaker 1: to him. Did he know that? I mean, I've we've

619
00:34:21,120 --> 00:34:24,000
Speaker 1: been friends. So if you ever flirted with him when

620
00:34:24,040 --> 00:34:26,360
Speaker 1: he when he come over to to say what's up

621
00:34:26,400 --> 00:34:27,880
Speaker 1: to the kids? Do you do you dress up a

622
00:34:27,920 --> 00:34:31,320
Speaker 1: little bit? I mean I make sure I look presentable.

623
00:34:31,600 --> 00:34:33,920
Speaker 1: Did you can't vibe? But did you catch a vibe?

624
00:34:33,960 --> 00:34:37,239
Speaker 1: From him, and he's feeling you too. I have crowd

625
00:34:37,239 --> 00:34:40,160
Speaker 1: of vibe. He does look at me like he likes me,

626
00:34:40,360 --> 00:34:43,680
Speaker 1: but he's very like and I'm saying like reserve, respectful,

627
00:34:43,800 --> 00:34:47,600
Speaker 1: like yes, yes, exactly, and which makes me like him

628
00:34:47,640 --> 00:34:50,040
Speaker 1: even more. All right, he could be looking at you like, man,

629
00:34:50,080 --> 00:34:51,600
Speaker 1: I know she ain't trying to be sexy right now.

630
00:34:51,640 --> 00:34:55,120
Speaker 1: I'm just over here to get teaching candy and to me.

631
00:34:55,719 --> 00:34:57,759
Speaker 1: All right, Well, when we come back, we're gonna call

632
00:34:57,880 --> 00:35:00,440
Speaker 1: showing up and um, We're gonna let you do your thing.

633
00:35:00,440 --> 00:35:02,160
Speaker 1: Hopefully works out. If you need help, just let us

634
00:35:02,200 --> 00:35:06,640
Speaker 1: know what's tapping. How many kids you got? Agree that

635
00:35:06,880 --> 00:35:09,480
Speaker 1: one guy? Right? So so hold on my mother, I

636
00:35:09,480 --> 00:35:10,840
Speaker 1: don't know if not to me. I people want to

637
00:35:10,880 --> 00:35:14,320
Speaker 1: ready made family day. Just just add water might have

638
00:35:14,719 --> 00:35:16,200
Speaker 1: all right, we'll call him when we come back. Keep

639
00:35:16,200 --> 00:35:18,600
Speaker 1: a lock as the breakfast Club, no more morning. Everybody

640
00:35:18,760 --> 00:35:22,120
Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy we are

641
00:35:22,200 --> 00:35:24,960
Speaker 1: the breakfast club. We have Asia on the line. Asia,

642
00:35:25,000 --> 00:35:27,919
Speaker 1: You ready to call him? I'm ready all right? Hold

643
00:35:27,960 --> 00:35:42,239
Speaker 1: on Hello, Hello, Well the morning shone as Oh Asia? Yeah?

644
00:35:42,320 --> 00:35:44,400
Speaker 1: Are you doing? Are you doing? Are you doing? I

645
00:35:44,480 --> 00:35:48,040
Speaker 1: went good. I'm good. Listen, Um, I wanted to talk

646
00:35:48,120 --> 00:35:52,200
Speaker 1: to you about something today. I think, Um, I think

647
00:35:52,480 --> 00:35:56,560
Speaker 1: we both know that there's there's a little spark between us. Um.

648
00:35:56,760 --> 00:35:59,399
Speaker 1: I really like you. I think you're an amazing guy

649
00:35:59,719 --> 00:36:03,120
Speaker 1: and the kind of man that you are abound my

650
00:36:03,280 --> 00:36:06,120
Speaker 1: kids and some of my kids. It's just kind of

651
00:36:06,160 --> 00:36:09,120
Speaker 1: made me look at you and a romantic well being.

652
00:36:09,400 --> 00:36:13,320
Speaker 1: So basically what I'm saying is I'm interested in taking

653
00:36:13,360 --> 00:36:17,880
Speaker 1: this further, like being more than friends with you. What

654
00:36:18,000 --> 00:36:22,600
Speaker 1: do you think? All right, I'll keep you one hundred

655
00:36:22,600 --> 00:36:25,120
Speaker 1: because we always keep you one hundred. Asia, Like, yeah,

656
00:36:25,480 --> 00:36:28,200
Speaker 1: I like you know, I like you, you know. I

657
00:36:28,280 --> 00:36:30,960
Speaker 1: mean you have a good energy, good vibes. But I

658
00:36:31,080 --> 00:36:34,200
Speaker 1: can't want your kids. Your kids are just too too

659
00:36:34,719 --> 00:36:43,920
Speaker 1: did too much. They are too too much. Really, that's crazy.

660
00:36:44,040 --> 00:36:49,239
Speaker 1: Jathan Breakfast Club and she said that you're so great

661
00:36:49,280 --> 00:36:57,040
Speaker 1: with her kids. Asia, I'm sorry, but for real, though,

662
00:36:57,160 --> 00:37:07,160
Speaker 1: it's like they are just monsters. Is like, hey man,

663
00:37:07,400 --> 00:37:10,160
Speaker 1: first of all, I have three angels. He's been about

664
00:37:10,200 --> 00:37:12,360
Speaker 1: them long enough to know that, Like, I don't understand

665
00:37:12,360 --> 00:37:14,520
Speaker 1: why would you keep coming by? I think their monster's

666
00:37:14,560 --> 00:37:16,360
Speaker 1: like I like kicking it with you. You know that.

667
00:37:16,680 --> 00:37:20,600
Speaker 1: I like kicking it with you, like when you have

668
00:37:20,680 --> 00:37:23,359
Speaker 1: your kids like screaming at me for no reason, even

669
00:37:23,400 --> 00:37:29,080
Speaker 1: though when I'm nice, throwing they're throwing everywhere, calling you daddy.

670
00:37:30,360 --> 00:37:32,600
Speaker 1: They don't call me daddy. They don't do that. And

671
00:37:32,600 --> 00:37:35,400
Speaker 1: they call me they call me who you even though

672
00:37:35,440 --> 00:37:44,759
Speaker 1: they know my who you? Who? You really really out here? No,

673
00:37:45,239 --> 00:37:47,960
Speaker 1: not your fault, but you know what your father was?

674
00:37:48,120 --> 00:37:52,080
Speaker 1: Father was there? Oh? First of all. First of all,

675
00:37:52,120 --> 00:37:53,920
Speaker 1: those kids are the reflection of me. So I don't

676
00:37:53,960 --> 00:37:55,640
Speaker 1: know how you can me and not like my Wow,

677
00:37:55,920 --> 00:37:58,120
Speaker 1: don't get upset, Asia, Asia, you can't get mad at

678
00:37:58,200 --> 00:38:00,960
Speaker 1: that man because you read this all right, stands that

679
00:38:01,040 --> 00:38:03,359
Speaker 1: package deal though you know it's her and the kid.

680
00:38:03,560 --> 00:38:06,319
Speaker 1: He don't like the whole package. Right, there's the reason.

681
00:38:06,360 --> 00:38:08,319
Speaker 1: There's a reason why the father don't there's a reason

682
00:38:08,360 --> 00:38:16,240
Speaker 1: why don't go. That's the blows with the Terrence Crawford

683
00:38:16,320 --> 00:38:19,319
Speaker 1: body blows. My goodness. Well, I'm sorry, Asia, this didn't

684
00:38:19,320 --> 00:38:20,680
Speaker 1: work out. I don't even think you guys could be

685
00:38:20,719 --> 00:38:22,920
Speaker 1: friends in Asia. I wasn't even win around my kids

686
00:38:23,000 --> 00:38:25,440
Speaker 1: acting like that. He's definitely not seeing my kids like

687
00:38:25,520 --> 00:38:31,439
Speaker 1: come around trying to act like that cool, like we joked,

688
00:38:31,480 --> 00:38:33,759
Speaker 1: like he wasn't joking, But it's not funny. They need

689
00:38:33,800 --> 00:38:36,560
Speaker 1: a father your Asia, Like, why why would you think

690
00:38:36,600 --> 00:38:40,359
Speaker 1: that's okay? Asia? Maybe they're real. I'm keeping one hundred.

691
00:38:40,360 --> 00:38:44,200
Speaker 1: Your kids are just asked. Oh, if you should be Asia,

692
00:38:44,200 --> 00:38:45,759
Speaker 1: if you should be mad at anybody, it's your kids

693
00:38:45,760 --> 00:38:48,279
Speaker 1: for calling that man who you okay? And that's that

694
00:38:48,360 --> 00:38:50,120
Speaker 1: step Sean. You're gonna bring up the fact that their

695
00:38:50,160 --> 00:38:53,640
Speaker 1: father's not in their life. Maybe that's they need some direction.

696
00:38:54,000 --> 00:38:56,520
Speaker 1: You know, it's not their fuck. Asian knows. Asian knows

697
00:38:56,560 --> 00:38:58,000
Speaker 1: the daddy belled out on her. You don't have to

698
00:38:58,080 --> 00:39:01,560
Speaker 1: remind her. I'll stop it. Asia, I'm sorry. I hung

699
00:39:01,640 --> 00:39:03,160
Speaker 1: up on him, and you can find a better man

700
00:39:03,200 --> 00:39:05,840
Speaker 1: than him, Asian. Don't listen to he's lying to you

701
00:39:05,960 --> 00:39:07,239
Speaker 1: right now. I don't know. I don't know if you're

702
00:39:07,239 --> 00:39:10,160
Speaker 1: gonna find anybody better. You can find somebody ever love

703
00:39:10,360 --> 00:39:13,200
Speaker 1: you and your kids and your kids. That's right. I'm

704
00:39:13,200 --> 00:39:15,960
Speaker 1: gonna tell you one thing, Asia, I'll tell you one thing.

705
00:39:16,560 --> 00:39:18,640
Speaker 1: You always got a friend in Jesus. Oh my god,

706
00:39:18,680 --> 00:39:20,760
Speaker 1: stop it. Thank you very much. I'm sorry it didn't

707
00:39:20,760 --> 00:39:24,239
Speaker 1: work out. Yea all right, I'm sorry. I don't waste

708
00:39:24,239 --> 00:39:28,799
Speaker 1: your time anymore. That isn't the great. But I hope

709
00:39:28,840 --> 00:39:31,719
Speaker 1: you have her kids in the car. Let's be honest, right, Yeah,

710
00:39:31,719 --> 00:39:33,600
Speaker 1: I hope that kids weren't in the car. But if

711
00:39:33,600 --> 00:39:37,560
Speaker 1: you're dating somebody and their kids are not well, you know,

712
00:39:37,840 --> 00:39:40,280
Speaker 1: I don't want to say trained, but don't have manners

713
00:39:40,320 --> 00:39:43,239
Speaker 1: and all that. Do you still stay? Because my family,

714
00:39:43,600 --> 00:39:45,719
Speaker 1: especially if they referring to me as who you but

715
00:39:45,840 --> 00:39:47,759
Speaker 1: and then going to the mama and saying, Mama, who this?

716
00:39:48,320 --> 00:39:49,960
Speaker 1: You know what I mean? You gotta learn my name.

717
00:39:50,080 --> 00:39:52,520
Speaker 1: Remember that one time when Charlemagne was talking about it

718
00:39:52,600 --> 00:39:56,320
Speaker 1: ain't no charlemagnet nothing. Charlemagne, don't move like that. Charlemagne

719
00:39:56,360 --> 00:39:58,040
Speaker 1: has been a part of the faith of Maile community

720
00:39:58,080 --> 00:40:01,080
Speaker 1: for about two or three years now. Happily I am

721
00:40:01,120 --> 00:40:03,960
Speaker 1: a happily married man. And boy was like, dad, can

722
00:40:03,960 --> 00:40:06,600
Speaker 1: you read me a book? Yep? And what did Charlomagne

723
00:40:06,680 --> 00:40:08,719
Speaker 1: do we read in my book? Nope? My bell just

724
00:40:08,840 --> 00:40:14,720
Speaker 1: like Asia's baby daddy. All right, well we got rumors

725
00:40:14,760 --> 00:40:16,880
Speaker 1: on the way. Yes, let's talk about Nicki Mina just

726
00:40:16,960 --> 00:40:19,600
Speaker 1: knew song since we got into that or already Okay, well,

727
00:40:19,600 --> 00:40:22,239
Speaker 1: you can get my farts ready. Let's couldn't this Graci.

728
00:40:22,320 --> 00:40:23,640
Speaker 1: We'll talk about that when we come back as the

729
00:40:23,640 --> 00:40:38,719
Speaker 1: Breakfast Club God morning, don't you get you are? I'm

730
00:40:38,760 --> 00:40:41,120
Speaker 1: gonna fatten all that around your eye. They want this

731
00:40:41,239 --> 00:40:44,040
Speaker 1: man to doroten blowers. Man, they're waiting for Charlomagne to

732
00:40:44,160 --> 00:40:46,799
Speaker 1: top the blows. Let's go to make a judgment. Who

733
00:40:46,920 --> 00:40:48,279
Speaker 1: was going to be on the Donkey of the Day.

734
00:40:48,600 --> 00:40:51,719
Speaker 1: They chose you because the Breakfast Club bitch you Who's

735
00:40:51,840 --> 00:40:54,239
Speaker 1: Donkey of the day to day? All right, listen, man,

736
00:40:54,440 --> 00:40:56,600
Speaker 1: Charlomagne had got here. I'm on vacation. I don't give

737
00:40:56,600 --> 00:40:59,239
Speaker 1: a damn what y'all think about that, because I deserve it. Now,

738
00:40:59,360 --> 00:41:01,600
Speaker 1: the Breakfast was in eighty plus markets in one hundred

739
00:41:01,600 --> 00:41:02,920
Speaker 1: and fifty country, so we have a lot of new

740
00:41:02,960 --> 00:41:05,400
Speaker 1: listeners who probably don't even know who Charlomagne the God is.

741
00:41:05,520 --> 00:41:08,239
Speaker 1: So use my time off to catch up on some

742
00:41:08,360 --> 00:41:11,279
Speaker 1: of my past work. Okay, okay, if you knew here,

743
00:41:11,480 --> 00:41:13,480
Speaker 1: I do a segment every day called Donkey to Day

744
00:41:13,560 --> 00:41:15,719
Speaker 1: donkey as in jackass, and that's what I give someone

745
00:41:15,800 --> 00:41:18,120
Speaker 1: the credit they deserve for being stupid. So if you've

746
00:41:18,160 --> 00:41:19,800
Speaker 1: never heard of it. This is new to you, but

747
00:41:19,880 --> 00:41:21,400
Speaker 1: if you are a regular listener, then this is an

748
00:41:21,400 --> 00:41:24,280
Speaker 1: oldiep but goody because it's the best of the Donkey

749
00:41:24,320 --> 00:41:27,160
Speaker 1: of the day. Donkey or the day goes to Michael Rotundo. Now,

750
00:41:27,200 --> 00:41:29,120
Speaker 1: if you don't know who Michael Rotundo is, he's a

751
00:41:29,200 --> 00:41:31,920
Speaker 1: thirty year old man who clearly has never heard such

752
00:41:32,040 --> 00:41:35,920
Speaker 1: motivating records like tel see No Scrubs where t Bos

753
00:41:36,000 --> 00:41:38,239
Speaker 1: Left Eye and Chili told young men they don't want

754
00:41:38,320 --> 00:41:40,239
Speaker 1: no scrubs or scrubb as a man who can't get

755
00:41:40,400 --> 00:41:43,080
Speaker 1: no love from them, okay, hanging out the path the

756
00:41:43,160 --> 00:41:45,440
Speaker 1: side of their best friend's ride. I did not want

757
00:41:45,480 --> 00:41:47,600
Speaker 1: to beat that guy in the passengers side. Okay. When

758
00:41:47,680 --> 00:41:50,120
Speaker 1: Rasanda Thomas said, oh, if you live at home with

759
00:41:50,239 --> 00:41:53,080
Speaker 1: your mama, Oh yes, boy, I'm talking to you, It's

760
00:41:53,080 --> 00:41:55,439
Speaker 1: sent chills up my spine. I knew at that point

761
00:41:55,600 --> 00:41:57,600
Speaker 1: I couldn't live at home with my mama. No mote,

762
00:41:57,800 --> 00:42:00,120
Speaker 1: because you can't get chicks that look like Chili, you know,

763
00:42:00,200 --> 00:42:03,240
Speaker 1: with the natural babyheads if you live home with your mom. Okay,

764
00:42:03,440 --> 00:42:05,560
Speaker 1: when out Kast and Goody Mob told me you need

765
00:42:05,600 --> 00:42:07,200
Speaker 1: to get up, get out and get something don't let

766
00:42:07,239 --> 00:42:08,800
Speaker 1: the dais of your life pass by. You need to

767
00:42:08,840 --> 00:42:10,560
Speaker 1: get up, get out and get something because you and

768
00:42:10,640 --> 00:42:11,920
Speaker 1: I got to do for you and I. When I

769
00:42:12,040 --> 00:42:15,160
Speaker 1: heard that record, my rusty butt knew I had to

770
00:42:15,200 --> 00:42:17,000
Speaker 1: get up and get out of my mama house. And

771
00:42:17,080 --> 00:42:21,360
Speaker 1: who can forget jay Z cannot live? But shut up? Okay,

772
00:42:21,520 --> 00:42:24,120
Speaker 1: stop worrying about my butt this morning? Okay? And who

773
00:42:24,160 --> 00:42:28,160
Speaker 1: can forget jay Z cannot live? One line? One line

774
00:42:28,280 --> 00:42:30,759
Speaker 1: let me know I can't live with my mama no more.

775
00:42:30,960 --> 00:42:34,240
Speaker 1: And that line was I'd rather die enormous than live dormant.

776
00:42:34,360 --> 00:42:36,359
Speaker 1: And living in your mama house past a certain age

777
00:42:36,600 --> 00:42:39,480
Speaker 1: is living dormant. Okay. See Michael Rotunda was thirty years

778
00:42:39,520 --> 00:42:41,919
Speaker 1: old and still lives at home with his parents. In fact,

779
00:42:42,000 --> 00:42:43,520
Speaker 1: not only does he live at home with his parents,

780
00:42:44,440 --> 00:42:47,319
Speaker 1: his parents had to sue him. Okay, they get him

781
00:42:47,360 --> 00:42:50,520
Speaker 1: evicted from their house. Okay, real quick around the room.

782
00:42:50,600 --> 00:42:54,280
Speaker 1: Can we play a game up? Guess what race its?

783
00:42:55,520 --> 00:42:58,120
Speaker 1: Get real quick around in the room and be thirty

784
00:42:58,200 --> 00:43:00,640
Speaker 1: ye old man get sued by parents, get him evicted

785
00:43:00,680 --> 00:43:03,799
Speaker 1: from their home. What raises that individual? White angelu yee?

786
00:43:04,000 --> 00:43:06,040
Speaker 1: Thirty year old man get sewed by parents to get

787
00:43:06,120 --> 00:43:09,279
Speaker 1: him evicted from their home. What races that individual? Caucasian?

788
00:43:09,480 --> 00:43:17,400
Speaker 1: Why people? What happened? Let's go to CBS News for

789
00:43:17,520 --> 00:43:19,960
Speaker 1: the report. Thirty year old Michael Rotundo has caught the

790
00:43:20,000 --> 00:43:23,560
Speaker 1: attention of households around the country as a headstrong squatter

791
00:43:23,719 --> 00:43:26,960
Speaker 1: in his parents suburban Syracuse home. Parents Mark and Christina

792
00:43:27,040 --> 00:43:29,240
Speaker 1: Rotundo told a judge that they've been trying to evict

793
00:43:29,320 --> 00:43:33,160
Speaker 1: their unemployed son for eight years, writing him five notices

794
00:43:33,200 --> 00:43:37,280
Speaker 1: since February, even gifting Michael eleven hundred dollars to pay rent.

795
00:43:37,640 --> 00:43:40,080
Speaker 1: In an interview today, Michael says he wants to move out,

796
00:43:40,080 --> 00:43:43,120
Speaker 1: but believes he's owed a six month notice. I would

797
00:43:43,200 --> 00:43:46,920
Speaker 1: consider much of what they were doing to try to

798
00:43:46,960 --> 00:43:50,000
Speaker 1: get me out as attacks. I'll leave. I don't like

799
00:43:50,120 --> 00:43:52,799
Speaker 1: living here, but I need you know, I need reasonal time.

800
00:43:53,000 --> 00:43:56,040
Speaker 1: But the judge ultimately sided with the parents. Michael blames

801
00:43:56,040 --> 00:43:58,880
Speaker 1: an ongoing custody battle over his own son for overstaying.

802
00:43:59,000 --> 00:44:01,600
Speaker 1: Is welcome at home. He's a college graduate. I went

803
00:44:01,760 --> 00:44:03,799
Speaker 1: for engineering, and then when I couldn't do the mass,

804
00:44:04,000 --> 00:44:06,480
Speaker 1: I switched your business. But he couldn't keep a job.

805
00:44:06,640 --> 00:44:09,239
Speaker 1: I have plans to be able to provide myself with

806
00:44:09,480 --> 00:44:11,960
Speaker 1: the income I need to support myself. But it's not

807
00:44:12,160 --> 00:44:18,759
Speaker 1: something that's going to come together tomorrow. Matt Rotundo has

808
00:44:18,840 --> 00:44:22,080
Speaker 1: never heard the notorious Big say being broke at thirty

809
00:44:22,120 --> 00:44:24,160
Speaker 1: gives a brother to chill. See personally, when I heard

810
00:44:24,239 --> 00:44:26,400
Speaker 1: that line in nineteen ninety five, when I was a teenager,

811
00:44:26,560 --> 00:44:28,640
Speaker 1: I knew I couldn't be broken age thirty. I just

812
00:44:28,719 --> 00:44:31,960
Speaker 1: wanted better for myself. Matt, you don't want better for yourself, okay.

813
00:44:31,960 --> 00:44:33,680
Speaker 1: You want to enables in your life. You want to

814
00:44:33,680 --> 00:44:35,520
Speaker 1: be depending on your parents for the rest of your life.

815
00:44:35,560 --> 00:44:38,000
Speaker 1: God forbid if your parents passed away, what you're gonna do.

816
00:44:38,520 --> 00:44:40,319
Speaker 1: You don't pay bills, you don't pay rent. Your parents

817
00:44:40,360 --> 00:44:42,360
Speaker 1: are given. Your parents have given you every opportunity to

818
00:44:42,480 --> 00:44:45,359
Speaker 1: be great, and you haven't succeeded. Okay, your parents gave

819
00:44:45,400 --> 00:44:47,120
Speaker 1: you eleven hundred dollars and you can find a place

820
00:44:47,120 --> 00:44:48,680
Speaker 1: to stay. Let me tell you something. When I first

821
00:44:48,719 --> 00:44:50,839
Speaker 1: moved up my mama house, I left most Corona, South

822
00:44:50,920 --> 00:44:53,120
Speaker 1: Carolina and got an apartment in West Colombia. Okay, you

823
00:44:53,239 --> 00:44:55,279
Speaker 1: dropped on a clues bron for Columbia, South Carolina the

824
00:44:55,400 --> 00:44:57,480
Speaker 1: eight oh three. I think my rim might have been

825
00:44:57,480 --> 00:44:59,040
Speaker 1: four hundred dollars at the time, Okay. I think I

826
00:44:59,040 --> 00:45:01,359
Speaker 1: had to pay a security depart and first month rent,

827
00:45:01,520 --> 00:45:03,279
Speaker 1: so maybe it was eight hundred dollars. Okay, that's what

828
00:45:03,360 --> 00:45:05,040
Speaker 1: I needed. I don't remember, but I do know I

829
00:45:05,120 --> 00:45:06,879
Speaker 1: didn't have it, and I didn't have parents. I could

830
00:45:06,880 --> 00:45:08,640
Speaker 1: give me eleven hundred dollars to help me out, but

831
00:45:08,719 --> 00:45:10,879
Speaker 1: I knew I had to get out. Okay. See, living

832
00:45:10,880 --> 00:45:13,359
Speaker 1: with your mama past a certain age is the sunken place.

833
00:45:13,640 --> 00:45:16,760
Speaker 1: And Matt Michael Rotundo what was his name, mattam Michael

834
00:45:16,960 --> 00:45:20,040
Speaker 1: Michael Rotundo, you are in the sunken place. Okay. So

835
00:45:20,160 --> 00:45:22,000
Speaker 1: even though I didn't have the money, I saved up

836
00:45:22,000 --> 00:45:23,919
Speaker 1: and got that money. And I wasn't even full time

837
00:45:23,960 --> 00:45:26,799
Speaker 1: at the radio station Hot one of three nine by

838
00:45:26,800 --> 00:45:28,560
Speaker 1: the way, where we now do mornings. Or they fired

839
00:45:28,560 --> 00:45:30,759
Speaker 1: me at one time too, but we do morning. Yes,

840
00:45:31,400 --> 00:45:33,440
Speaker 1: you know, I was doing part time at the radio station.

841
00:45:34,120 --> 00:45:36,160
Speaker 1: I wasn't sure I was gonna have the rent every month,

842
00:45:36,200 --> 00:45:39,080
Speaker 1: but I said effort because anything was better thing hanging

843
00:45:39,400 --> 00:45:41,440
Speaker 1: out the passenger side of your best friend's ride and

844
00:45:41,560 --> 00:45:43,439
Speaker 1: living with your mama. So in the words of Martin

845
00:45:43,520 --> 00:45:46,440
Speaker 1: Luther King Junior. I took that first step even though

846
00:45:46,440 --> 00:45:47,960
Speaker 1: I didn't see the rest of the steadcase. And that

847
00:45:48,080 --> 00:45:50,400
Speaker 1: is what Michael Rotundo is scared to do, take the

848
00:45:50,520 --> 00:45:53,440
Speaker 1: first step to get his big, thirty year old rusty

849
00:45:53,520 --> 00:45:55,719
Speaker 1: butt out of his mama house. Now, why is Matt

850
00:45:55,800 --> 00:45:57,800
Speaker 1: Rotundo getting donkey to day to day? Not just for

851
00:45:57,920 --> 00:46:00,320
Speaker 1: being thirty and living with his parents. But he was

852
00:46:00,360 --> 00:46:02,319
Speaker 1: on TMZ Live and he was asked if he thinks

853
00:46:02,440 --> 00:46:05,520
Speaker 1: his parents are good people? And listen to what he

854
00:46:05,640 --> 00:46:08,640
Speaker 1: had to say. Do you think your parents are good people?

855
00:46:09,080 --> 00:46:11,880
Speaker 1: Why do you say that? Well, I just think that

856
00:46:11,960 --> 00:46:14,960
Speaker 1: when you attack someone who's supposed to be, you know,

857
00:46:15,040 --> 00:46:18,239
Speaker 1: someone you love, that's really reflects poorly on I don't

858
00:46:18,480 --> 00:46:20,799
Speaker 1: think good people do that. Once you do move out,

859
00:46:21,040 --> 00:46:25,440
Speaker 1: will there be a relationship between you and your parents? Wow?

860
00:46:26,080 --> 00:46:32,440
Speaker 1: How dare you? I see you? Why? People? I can

861
00:46:32,560 --> 00:46:35,880
Speaker 1: smell the privilege on his breath. Okay, do you know

862
00:46:36,000 --> 00:46:38,279
Speaker 1: the level of entitlement you have to have to live

863
00:46:38,320 --> 00:46:40,279
Speaker 1: with your parents for thirty years rentfree, and then when

864
00:46:40,280 --> 00:46:41,920
Speaker 1: they finally want you to leave because they want to

865
00:46:41,960 --> 00:46:44,560
Speaker 1: walk around their house negative because they have taken care

866
00:46:44,560 --> 00:46:46,640
Speaker 1: of you twelve years past the legal age. You have

867
00:46:46,719 --> 00:46:49,080
Speaker 1: to nerve to say they're not good people. They raise

868
00:46:49,160 --> 00:46:51,000
Speaker 1: you as a baby all through your teens and your

869
00:46:51,040 --> 00:46:53,160
Speaker 1: twenties and nine ain't not good people because you're thirty

870
00:46:53,200 --> 00:46:56,280
Speaker 1: and they want you at your house out there house. Well, Michael,

871
00:46:56,280 --> 00:46:59,640
Speaker 1: I am sorry your parents disapproval of your behavior and

872
00:46:59,719 --> 00:47:04,320
Speaker 1: since of entitlement makes you uncomfortable. Okay, kids, always remember

873
00:47:04,360 --> 00:47:06,359
Speaker 1: your parents old you nothing. All right? In a sense

874
00:47:06,400 --> 00:47:09,160
Speaker 1: of entitlement is a cancerous thought process that is void

875
00:47:09,200 --> 00:47:12,520
Speaker 1: of gratitude and can be deadly to all relationships. Please

876
00:47:12,560 --> 00:47:15,040
Speaker 1: give Michael Rotundo to switch signs and the Hamletones Police,

877
00:47:15,320 --> 00:47:25,120
Speaker 1: Oh no you are dogee, Oh the da do gee.

878
00:47:26,560 --> 00:47:33,759
Speaker 1: Oh the day ye shocked. The parents feel comfortable with

879
00:47:33,880 --> 00:47:35,680
Speaker 1: him living in the house. What's crazy is he don't

880
00:47:35,680 --> 00:47:37,440
Speaker 1: even speak to them in the house, like how dare

881
00:47:37,680 --> 00:47:39,480
Speaker 1: That's all I'm saying that that's the kind of that's

882
00:47:39,520 --> 00:47:41,200
Speaker 1: the kind of sun that you know wakes up one

883
00:47:41,280 --> 00:47:43,640
Speaker 1: day and decided to kill the parents. Yeah all right,

884
00:47:43,760 --> 00:47:49,759
Speaker 1: you know why when morning everybody is dj N Vie Angela, Ye,

885
00:47:49,960 --> 00:47:52,080
Speaker 1: Charlomagne the guy, we are the breakfast club. We got

886
00:47:52,120 --> 00:47:54,719
Speaker 1: a special guest in the building. Yes, yeah, see so

887
00:47:54,960 --> 00:47:58,160
Speaker 1: what ut? What up? What up? What's up? My brother? Deal? Bro? Now,

888
00:47:58,160 --> 00:48:00,120
Speaker 1: I don't know nothing about LA politics, but are you

889
00:48:00,120 --> 00:48:01,880
Speaker 1: allowed to way that was read? I could do it.

890
00:48:01,920 --> 00:48:05,279
Speaker 1: I won't. Man, just my brand, don't you know what

891
00:48:05,320 --> 00:48:07,920
Speaker 1: I'm saying? Absolutely, I like I read look with gold,

892
00:48:08,000 --> 00:48:09,279
Speaker 1: you know what I mean? People tripped like that with

893
00:48:09,360 --> 00:48:13,640
Speaker 1: the colors you wear or depend Like again, everybody knows

894
00:48:13,640 --> 00:48:16,600
Speaker 1: who I am far as where I belong, so you

895
00:48:16,680 --> 00:48:20,239
Speaker 1: know I'll be seeing like internet uh comments some time

896
00:48:20,280 --> 00:48:22,800
Speaker 1: when I'll be flamed up. But in La, you know

897
00:48:22,840 --> 00:48:25,040
Speaker 1: what I mean, we grew up. If he was a

898
00:48:25,120 --> 00:48:26,799
Speaker 1: real one, you can wear what you want. That don't

899
00:48:26,840 --> 00:48:30,680
Speaker 1: really apply. You know what I'm saying is it's still

900
00:48:30,719 --> 00:48:33,799
Speaker 1: heavy like that though. I mean it's like if I'm

901
00:48:33,840 --> 00:48:35,880
Speaker 1: in somebody elsehood with a gang of red on and

902
00:48:35,960 --> 00:48:38,919
Speaker 1: I'm not a known face and I'm in a crip hood, Yeah,

903
00:48:38,920 --> 00:48:41,480
Speaker 1: it'll probably I probably get addressed. But I don't think

904
00:48:41,520 --> 00:48:43,320
Speaker 1: I had that problem. They'd be like that's nit, you

905
00:48:43,360 --> 00:48:48,319
Speaker 1: know what I'm saying. Congratulations on the album, man, Yeah,

906
00:48:48,440 --> 00:48:50,840
Speaker 1: Victory Lapping Store, go grab that stream that all that

907
00:48:52,800 --> 00:48:54,640
Speaker 1: I've had to it took too long, right, he had

908
00:48:54,640 --> 00:48:56,919
Speaker 1: a lot to prove on that I did. Let's talk

909
00:48:56,920 --> 00:48:59,520
Speaker 1: about it now. The albums built first and foremost. I

910
00:48:59,640 --> 00:49:01,880
Speaker 1: love that. I hear a lot that you don't like

911
00:49:01,920 --> 00:49:06,160
Speaker 1: weirdo rappers, facts that what's a weirdo rapper to you? Well,

912
00:49:06,320 --> 00:49:07,800
Speaker 1: I think you're talking about the line when I was

913
00:49:07,840 --> 00:49:11,040
Speaker 1: like the Saint this weirdo rapp you Yeah, I just

914
00:49:11,160 --> 00:49:14,279
Speaker 1: feel like, you know, um, I felt pressure a little

915
00:49:14,280 --> 00:49:16,959
Speaker 1: bit from where the game is at, and it ain't

916
00:49:16,960 --> 00:49:19,840
Speaker 1: no just to nobody specific just like it ain't it

917
00:49:19,960 --> 00:49:24,600
Speaker 1: ain't um in a direction of what we grew up

918
00:49:24,640 --> 00:49:27,320
Speaker 1: on in terms of like you gotta say something, you

919
00:49:27,400 --> 00:49:28,719
Speaker 1: know what I mean. You gotta be a man of

920
00:49:28,800 --> 00:49:31,480
Speaker 1: respect or a woman of respect, you know what I mean?

921
00:49:31,600 --> 00:49:34,160
Speaker 1: Even from like just the drug stuff, like you know

922
00:49:34,320 --> 00:49:37,680
Speaker 1: that was never glorified in rap culture. We could almost

923
00:49:37,760 --> 00:49:42,160
Speaker 1: like led by scarfaces, jay Z or Tupac lyrics if

924
00:49:42,200 --> 00:49:45,480
Speaker 1: we ain't had no principles, like a man around, we

925
00:49:45,520 --> 00:49:47,640
Speaker 1: could live by the lyrics and come out as a

926
00:49:47,719 --> 00:49:50,520
Speaker 1: solid individual. So that's what I meant. Just as far as, like,

927
00:49:51,320 --> 00:49:53,920
Speaker 1: you know, just returning to that direction, I don't know,

928
00:49:54,080 --> 00:49:57,640
Speaker 1: like telling people what to do or just you know,

929
00:49:57,920 --> 00:50:00,880
Speaker 1: try to represent the principles that I grew up on

930
00:50:01,040 --> 00:50:03,200
Speaker 1: in rap music. That's one thing I like a bunch

931
00:50:03,239 --> 00:50:05,400
Speaker 1: of music. It always has socially redeeming value to it.

932
00:50:05,440 --> 00:50:08,319
Speaker 1: And on dedication. You know. Kendrick says that this man

933
00:50:08,440 --> 00:50:11,120
Speaker 1: El said, do a song with nip here better cryp with.

934
00:50:11,200 --> 00:50:13,160
Speaker 1: Kendrick said, he a man. First, do you hear what

935
00:50:13,239 --> 00:50:16,120
Speaker 1: these peaks about from black businesses and falls imprisonments? And

936
00:50:16,200 --> 00:50:18,480
Speaker 1: he said, listen closest bigger than deduces and four. So

937
00:50:18,920 --> 00:50:20,239
Speaker 1: is that a challenge for you to get people to

938
00:50:20,280 --> 00:50:23,040
Speaker 1: see you from more than the stereotypical West Coast gangster REBM.

939
00:50:23,320 --> 00:50:25,600
Speaker 1: I mean people people received me based on what I said,

940
00:50:25,840 --> 00:50:28,279
Speaker 1: so I wouldn't I wouldn't blame people for that. I

941
00:50:28,360 --> 00:50:30,600
Speaker 1: came in and said, it's why I'm from and it's

942
00:50:30,600 --> 00:50:32,879
Speaker 1: when I represent. But it was for a reason I wanted.

943
00:50:32,960 --> 00:50:35,960
Speaker 1: I wanted to establish, you know, what I belong to,

944
00:50:36,160 --> 00:50:37,759
Speaker 1: and I looked at it like jail. That's why I

945
00:50:37,800 --> 00:50:40,240
Speaker 1: usually tell my homies because even some of my homeboys

946
00:50:40,280 --> 00:50:42,520
Speaker 1: would be like, well, you can't come out talking about

947
00:50:42,560 --> 00:50:45,640
Speaker 1: the hood and specifically you know what I mean when

948
00:50:45,680 --> 00:50:48,040
Speaker 1: you walk into a dorm, the first thing you establishes

949
00:50:48,040 --> 00:50:50,279
Speaker 1: where are you from? And then from there you get

950
00:50:50,320 --> 00:50:52,640
Speaker 1: into the person behind this. Just in case whoever got

951
00:50:52,680 --> 00:50:54,600
Speaker 1: a problem with this, wherever your enemies is, you go

952
00:50:54,680 --> 00:50:56,640
Speaker 1: to the back, you hunting your business, and then you

953
00:50:56,760 --> 00:51:00,560
Speaker 1: get into like, okay, I could actually with you you

954
00:51:00,719 --> 00:51:02,040
Speaker 1: you know what I mean. We get to know each other,

955
00:51:02,160 --> 00:51:06,080
Speaker 1: but you get that out the way first. And so um. Also,

956
00:51:06,120 --> 00:51:10,720
Speaker 1: I wanted to I wanted my message to impact gang culture,

957
00:51:11,440 --> 00:51:12,879
Speaker 1: you know what I'm saying. I wanted what I had

958
00:51:12,920 --> 00:51:16,560
Speaker 1: to say to impact individuals like myself, young people. I

959
00:51:16,719 --> 00:51:19,120
Speaker 1: was in these areas that I was controlled by gag banging.

960
00:51:19,160 --> 00:51:21,000
Speaker 1: I didn't want to appreciate the choir, but I wanted

961
00:51:21,040 --> 00:51:23,600
Speaker 1: to be able to say, you know, I'm one of you,

962
00:51:24,080 --> 00:51:26,359
Speaker 1: and where I'm gonna go, wherever I end up, you're

963
00:51:26,360 --> 00:51:28,239
Speaker 1: gonna You're gonna know that you can end up there

964
00:51:28,280 --> 00:51:30,840
Speaker 1: two whether it's at the top of the game or

965
00:51:30,920 --> 00:51:33,960
Speaker 1: in a successful situation as a business owner. I came

966
00:51:34,040 --> 00:51:36,040
Speaker 1: from this and it's it's authentic and I'm not on

967
00:51:36,080 --> 00:51:38,120
Speaker 1: the outside of this culture. That's why I came in

968
00:51:38,239 --> 00:51:40,279
Speaker 1: like I came in. I wasn't trying to like be

969
00:51:40,440 --> 00:51:42,439
Speaker 1: on th super tough guys, you know what I'm saying.

970
00:51:42,480 --> 00:51:45,560
Speaker 1: I just wanted to be clear that you know, wherever

971
00:51:45,680 --> 00:51:48,840
Speaker 1: I take it, I'm not I'm not different. I'm exactly

972
00:51:48,880 --> 00:51:50,640
Speaker 1: the same. I've been through everything you've been through or

973
00:51:50,680 --> 00:51:53,440
Speaker 1: you're gonna go through as a somebody in that culture

974
00:51:53,880 --> 00:51:55,600
Speaker 1: is what is a better cryp? What does that mean?

975
00:51:56,280 --> 00:51:57,840
Speaker 1: I don't know because I ain't say it, But what

976
00:51:57,920 --> 00:52:01,560
Speaker 1: I would assume Kendrick ment was that, um, somebody that

977
00:52:02,400 --> 00:52:10,920
Speaker 1: is not one bias or outside of communicating with a

978
00:52:11,080 --> 00:52:13,120
Speaker 1: blood or somebody from the other side of the tracks.

979
00:52:13,320 --> 00:52:14,880
Speaker 1: Maybe that's what he meant. That's what I took it,

980
00:52:14,960 --> 00:52:17,200
Speaker 1: as you know, But we had to ask Kendrick his

981
00:52:17,400 --> 00:52:19,680
Speaker 1: his take on what he meant by that. You talk

982
00:52:19,680 --> 00:52:22,200
Speaker 1: about West coas infrastructure. It was a period when you

983
00:52:22,440 --> 00:52:25,640
Speaker 1: needed adopted Drake Co sign to get out of the West.

984
00:52:25,719 --> 00:52:29,120
Speaker 1: Why why do you think that changed? Drake Man he built. Uh.

985
00:52:29,400 --> 00:52:31,719
Speaker 1: I call it an island. If you look at music,

986
00:52:31,920 --> 00:52:35,400
Speaker 1: it's like three or four islands in rap music, you

987
00:52:35,480 --> 00:52:36,880
Speaker 1: know what I mean. And a lot of a lot

988
00:52:36,920 --> 00:52:38,880
Speaker 1: of things that you might not know, well y'all know,

989
00:52:39,000 --> 00:52:41,239
Speaker 1: but that the people might not know are connected to

990
00:52:41,320 --> 00:52:44,400
Speaker 1: these islands. They connected. You got to like Jimmy Iveen,

991
00:52:44,520 --> 00:52:47,160
Speaker 1: Doctor Dre Island, which you got to let start the

992
00:52:47,280 --> 00:52:52,560
Speaker 1: artist Tupac came under that. Drake Snoop game, Um Kendrick,

993
00:52:52,760 --> 00:52:54,680
Speaker 1: well yeah, Kendrick is a part of the top Dog

994
00:52:54,800 --> 00:52:57,120
Speaker 1: thing as well. But it connects, you know what I'm saying.

995
00:52:57,239 --> 00:53:00,480
Speaker 1: And so then you got like the leor def Jam

996
00:53:00,640 --> 00:53:04,640
Speaker 1: Island and that not Island Records. I'm just saying, you

997
00:53:04,680 --> 00:53:07,480
Speaker 1: know what I'm saying. Yeah, and a rough frauder's murder

998
00:53:07,560 --> 00:53:12,200
Speaker 1: ain't Rocket Feller. Yeah, you know, Um Kanye, then all

999
00:53:12,239 --> 00:53:15,040
Speaker 1: the artists that came out to ya fall under that,

1000
00:53:15,160 --> 00:53:17,960
Speaker 1: and then you got um whatever happened on Sony, you

1001
00:53:18,040 --> 00:53:19,840
Speaker 1: know what I mean. And so it was one of

1002
00:53:19,880 --> 00:53:23,680
Speaker 1: them three options right for artists and unless you you

1003
00:53:23,800 --> 00:53:26,440
Speaker 1: want to go what I called just taking the stairs

1004
00:53:26,560 --> 00:53:29,960
Speaker 1: and figuring out how to how to get into one

1005
00:53:30,000 --> 00:53:32,600
Speaker 1: of those situations as your own thing. Top Dog did it.

1006
00:53:32,800 --> 00:53:34,839
Speaker 1: You know what I'm saying. Top Dog created his own thing.

1007
00:53:35,280 --> 00:53:37,720
Speaker 1: And so that was my goal to build an island myself,

1008
00:53:37,920 --> 00:53:39,440
Speaker 1: you know what I mean. I saw what even like

1009
00:53:39,600 --> 00:53:41,920
Speaker 1: Jay they got rock Nations. I saw Island right. Absolutely,

1010
00:53:41,920 --> 00:53:44,000
Speaker 1: that's his own thing. Even though it came from then

1011
00:53:44,040 --> 00:53:47,080
Speaker 1: being an artist connected to another situation, they have turned

1012
00:53:47,080 --> 00:53:50,480
Speaker 1: that into its own operation. Yeah, we're talking to Nipsey Hustle.

1013
00:53:50,520 --> 00:53:53,080
Speaker 1: Of course he has a new album, Victory Lap out right. Now,

1014
00:53:53,960 --> 00:53:55,719
Speaker 1: what kind of conversations did you and did he have?

1015
00:53:55,840 --> 00:53:59,399
Speaker 1: Because you and did he? Yeah, formed a relationship, I assume, dude,

1016
00:54:00,040 --> 00:54:03,280
Speaker 1: Lauren London and Cassie Yeah, yeah yeah, book threw me too,

1017
00:54:03,520 --> 00:54:08,640
Speaker 1: you know Lauren. No, I'm saying Lauren. Lauren introduced me

1018
00:54:08,760 --> 00:54:11,080
Speaker 1: to Puff. I mean I knew Puff, but it was

1019
00:54:11,200 --> 00:54:13,239
Speaker 1: it was more of a personal relationship out to you know,

1020
00:54:14,080 --> 00:54:17,200
Speaker 1: uh we was at Cassie something like that. You know

1021
00:54:17,280 --> 00:54:18,680
Speaker 1: who made you want to get a old like? Did

1022
00:54:18,719 --> 00:54:22,040
Speaker 1: he and put him on young? Crazy? Did he? Did

1023
00:54:22,080 --> 00:54:24,800
Speaker 1: he Young? I'll try to get him more rapp because

1024
00:54:24,800 --> 00:54:27,560
Speaker 1: I was I was referencing to Hate Me Now video

1025
00:54:28,200 --> 00:54:31,080
Speaker 1: and what what his his presence on that record with

1026
00:54:31,239 --> 00:54:33,959
Speaker 1: NAS brought to it. I'm like, look this this the record,

1027
00:54:34,000 --> 00:54:35,680
Speaker 1: this rap I want you to get on this. Put

1028
00:54:35,719 --> 00:54:37,719
Speaker 1: the mink one in the video. We're gonna make a movie.

1029
00:54:38,200 --> 00:54:40,120
Speaker 1: And he was like, um, he told me the whole

1030
00:54:40,160 --> 00:54:42,279
Speaker 1: story behind that. He like, Brobbuster forty million out of

1031
00:54:42,360 --> 00:54:44,760
Speaker 1: check a week before I did that movie, So I wouldn't.

1032
00:54:44,840 --> 00:54:47,759
Speaker 1: I mean that video, wow, Like that's that's the energy

1033
00:54:47,800 --> 00:54:50,160
Speaker 1: you saw in that video. I wouldn't spend all this

1034
00:54:50,280 --> 00:54:52,520
Speaker 1: dough on the chain and we got tigers. He's like,

1035
00:54:52,719 --> 00:54:55,160
Speaker 1: I got the biggest check in my life. Yeah. So

1036
00:54:55,239 --> 00:54:56,759
Speaker 1: he like, we probably gonna be able to recreate that.

1037
00:54:59,000 --> 00:55:01,600
Speaker 1: But you know, um, when I played the rest of

1038
00:55:01,640 --> 00:55:03,799
Speaker 1: the songs for him, he heard Young and he chose

1039
00:55:03,880 --> 00:55:06,279
Speaker 1: that record. Yeah, so you know, he just went in

1040
00:55:06,320 --> 00:55:09,240
Speaker 1: the booth and then started you know that, yeah, start gassing,

1041
00:55:09,880 --> 00:55:12,759
Speaker 1: you know. But even still like Rapps, he gave me

1042
00:55:12,880 --> 00:55:15,960
Speaker 1: some real production advice on that record. When I played

1043
00:55:16,000 --> 00:55:19,239
Speaker 1: it for him, it was different than what you heard enough, yeah,

1044
00:55:19,400 --> 00:55:21,400
Speaker 1: and he was like, listen, bro. He pulled up Natural,

1045
00:55:21,480 --> 00:55:24,319
Speaker 1: moren Killers, Boy, ice Cube and Doctor Dre Like, this's

1046
00:55:24,320 --> 00:55:26,440
Speaker 1: what you're going for. This is what y'all trying to

1047
00:55:26,520 --> 00:55:28,800
Speaker 1: do on this record. Maximize make it sound like this.

1048
00:55:29,000 --> 00:55:31,120
Speaker 1: And we went back in the studio and I played

1049
00:55:31,120 --> 00:55:34,080
Speaker 1: it for my producers and then we turned it up

1050
00:55:34,160 --> 00:55:36,040
Speaker 1: and added a sin flead all the way through, so

1051
00:55:36,160 --> 00:55:38,120
Speaker 1: it sound more like West Coast violent, you know what

1052
00:55:38,120 --> 00:55:40,520
Speaker 1: I mean? And I felt what he said. After the

1053
00:55:40,520 --> 00:55:42,720
Speaker 1: fun I was a little set like what you mean, banging,

1054
00:55:43,239 --> 00:55:47,440
Speaker 1: But after I reapproached it, it was room to make

1055
00:55:47,520 --> 00:55:49,120
Speaker 1: the record better. See that's what all those people who

1056
00:55:49,160 --> 00:55:51,080
Speaker 1: say did he don't do like when they said he

1057
00:55:51,120 --> 00:55:53,879
Speaker 1: don't really produce? Nah? But see me my understanding the day,

1058
00:55:53,880 --> 00:55:55,640
Speaker 1: this is how I look at Did he right? All right?

1059
00:55:55,680 --> 00:55:59,239
Speaker 1: Think about my money, my problems. No disrespect to Big.

1060
00:55:59,400 --> 00:56:01,520
Speaker 1: Big is legend. So what I'm about to say is

1061
00:56:01,600 --> 00:56:04,279
Speaker 1: not a shot against Biggie. Don't please, don't spend it

1062
00:56:04,360 --> 00:56:06,719
Speaker 1: like that when they hear this. What I'm saying is

1063
00:56:06,760 --> 00:56:08,799
Speaker 1: that all right, I've seen an interview and Biggie had

1064
00:56:08,840 --> 00:56:11,319
Speaker 1: the glasses on and he was like, yes, more money,

1065
00:56:11,360 --> 00:56:13,279
Speaker 1: more problems, you know what I mean, you gotta you

1066
00:56:13,400 --> 00:56:16,000
Speaker 1: just come with this. That was before the record, right,

1067
00:56:16,440 --> 00:56:19,800
Speaker 1: So who told the songwriter, hey, look, take the Dinah

1068
00:56:19,880 --> 00:56:24,120
Speaker 1: Ross melody and take this line more money, more problems

1069
00:56:24,719 --> 00:56:27,320
Speaker 1: and in the hook with more money, more problems, that

1070
00:56:27,520 --> 00:56:31,120
Speaker 1: was puff that's production and big and then presented it

1071
00:56:31,200 --> 00:56:34,000
Speaker 1: to Biggie, who said, sample to Dinah Ross, I'm coming

1072
00:56:34,040 --> 00:56:36,160
Speaker 1: out record you know what I'm saying. Who said that?

1073
00:56:36,239 --> 00:56:40,359
Speaker 1: That was puff decision and then to Biggie to Alley Oop,

1074
00:56:40,400 --> 00:56:44,560
Speaker 1: and Biggie came with the big poss Yeah, but to

1075
00:56:44,680 --> 00:56:46,960
Speaker 1: catch that Alley Oop, I've been an artist. I know

1076
00:56:47,040 --> 00:56:49,239
Speaker 1: what that dude. I gotta when I think I think

1077
00:56:49,280 --> 00:56:52,560
Speaker 1: about then we should sample a big record, and I

1078
00:56:52,680 --> 00:56:55,759
Speaker 1: think about what can I tell the songwriter for the hook?

1079
00:56:56,080 --> 00:56:58,680
Speaker 1: Then I gotta also do the verse. So that's what

1080
00:56:58,760 --> 00:57:01,120
Speaker 1: I told puff Bro, throw me and Ali like you threw.

1081
00:57:01,239 --> 00:57:03,839
Speaker 1: You know what I'm saying. Yeah, listen to what I'm saying.

1082
00:57:03,840 --> 00:57:07,160
Speaker 1: To my interviews, learned me get in your puff daddy

1083
00:57:07,200 --> 00:57:09,560
Speaker 1: the producer bag and throw me some lubs. I'm gonna

1084
00:57:09,560 --> 00:57:12,080
Speaker 1: catch him. We have more with Nipsey Hustle when we

1085
00:57:12,160 --> 00:57:14,000
Speaker 1: come back. Keep a lot. This the Breakfast Club, Good

1086
00:57:14,000 --> 00:57:19,160
Speaker 1: morning morning. Everybody is DJ Envy Angela Yee, Charlemagne the guy.

1087
00:57:19,200 --> 00:57:21,600
Speaker 1: We are the Breakfast Club. We have Nipsey Hustle in

1088
00:57:21,720 --> 00:57:24,280
Speaker 1: the building. Charlemagne. He said with Hard Knocked Wife on

1089
00:57:24,320 --> 00:57:26,480
Speaker 1: the album, Yeah, yeah, did you have to clear what

1090
00:57:26,560 --> 00:57:29,040
Speaker 1: do you have to clear that? With Jay z? Okay okay, yeah,

1091
00:57:29,240 --> 00:57:30,920
Speaker 1: you know what's crazy about that record? I thought you

1092
00:57:30,960 --> 00:57:32,320
Speaker 1: played the keys over just to the UF where you

1093
00:57:32,520 --> 00:57:36,640
Speaker 1: have to clear na HS hard, motivation, recorde, hustle and motivation. Yeah.

1094
00:57:36,720 --> 00:57:40,040
Speaker 1: So when jay Z got Annie to clear the record,

1095
00:57:40,560 --> 00:57:42,320
Speaker 1: I guess when he paid him. He said, ya, gotta

1096
00:57:42,400 --> 00:57:45,520
Speaker 1: let every other rap artists after me use it. Wow.

1097
00:57:46,680 --> 00:57:48,520
Speaker 1: So that was his that was his deal with with

1098
00:57:48,680 --> 00:57:53,200
Speaker 1: with whoever the producers and writers, you know what I'm saying. Yeah,

1099
00:57:53,240 --> 00:57:57,280
Speaker 1: so we benefited off his negotiation in nineteen ninety eight. Wow,

1100
00:57:57,520 --> 00:57:59,640
Speaker 1: we just had to get jay Z to clear because

1101
00:57:59,720 --> 00:58:02,360
Speaker 1: when he cleared it with the owners of the copyright,

1102
00:58:02,840 --> 00:58:04,960
Speaker 1: he made it to where any hip hop artist after

1103
00:58:05,120 --> 00:58:07,760
Speaker 1: him could use the record. Jay did that, so hopefully

1104
00:58:07,760 --> 00:58:10,760
Speaker 1: you don't have to go through that. Yeah, for everybody,

1105
00:58:10,760 --> 00:58:13,080
Speaker 1: every hip hop artist gotta clear with jay first. Well,

1106
00:58:13,400 --> 00:58:15,000
Speaker 1: they just need excuse me, they just need the jay

1107
00:58:15,120 --> 00:58:17,320
Speaker 1: Z clearance to any Clarence as good long as their

1108
00:58:17,400 --> 00:58:19,400
Speaker 1: hip hop artists. Jays always showed you love. But didn't

1109
00:58:19,400 --> 00:58:21,760
Speaker 1: he buy like a thousand copies of your Crenshaw? What

1110
00:58:22,040 --> 00:58:23,760
Speaker 1: was the he bought it? He bought a hundred copies

1111
00:58:23,920 --> 00:58:26,840
Speaker 1: of Crenshaw That was one hundred dollars okay, okay, yeah, yeah,

1112
00:58:26,960 --> 00:58:28,720
Speaker 1: And now you didn't even know him. Back to now.

1113
00:58:28,760 --> 00:58:30,120
Speaker 1: I mean, you know I met j in l a

1114
00:58:30,560 --> 00:58:33,080
Speaker 1: years ago at a concert. I was just backstage and

1115
00:58:33,120 --> 00:58:34,920
Speaker 1: I you know, I ran up to I didn't run

1116
00:58:35,000 --> 00:58:36,320
Speaker 1: up to him, just like, what's something I'm nip, you

1117
00:58:36,320 --> 00:58:38,600
Speaker 1: know what I mean? From La Bron rolling sixties. He

1118
00:58:38,680 --> 00:58:41,040
Speaker 1: actually bought a low rider. The story is I ain't

1119
00:58:41,040 --> 00:58:42,640
Speaker 1: never asked him, but he bought a low rider from

1120
00:58:42,640 --> 00:58:45,240
Speaker 1: one of my homeboys, Money Mike. That's in the Maya video.

1121
00:58:45,680 --> 00:58:47,880
Speaker 1: That's to me the Yeah, you know what I mean,

1122
00:58:48,000 --> 00:58:49,600
Speaker 1: he bought that from one of my homeboys, one of

1123
00:58:49,640 --> 00:58:52,040
Speaker 1: my JA homies from La I was an old school hustling.

1124
00:58:52,120 --> 00:58:53,800
Speaker 1: That was really his hunt. Yeah that was here he

1125
00:58:53,840 --> 00:58:57,880
Speaker 1: bought that, being so real. Yeah yeah, yeah, that's confirmed,

1126
00:58:57,960 --> 00:59:00,960
Speaker 1: you know what I mean. So I just was like, yeah,

1127
00:59:00,960 --> 00:59:03,400
Speaker 1: I'm I'm net, I'm rolling sixties. He's like nah, I know.

1128
00:59:03,760 --> 00:59:06,200
Speaker 1: And you know, this was years before the Crenshaw thing.

1129
00:59:06,280 --> 00:59:08,560
Speaker 1: He like, you know, y'all doing your thing? He keep going.

1130
00:59:09,160 --> 00:59:10,840
Speaker 1: So that was the only count boy we ever had

1131
00:59:10,960 --> 00:59:14,680
Speaker 1: until the Crenshaw thing. But um, yeah, Jake been a

1132
00:59:14,720 --> 00:59:16,520
Speaker 1: hunted man. So you know what I mean, a lot

1133
00:59:16,600 --> 00:59:18,880
Speaker 1: of love and now Blue Laces Too, one of my

1134
00:59:18,920 --> 00:59:21,360
Speaker 1: favorite records. On the album you make a Spook who

1135
00:59:21,400 --> 00:59:24,200
Speaker 1: sat by the Door reference you know about that man? Yeah, absolutely,

1136
00:59:24,200 --> 00:59:26,280
Speaker 1: I don't. I don't think you are spook, was said

1137
00:59:26,320 --> 00:59:28,000
Speaker 1: by the door, I think your intentions are pretty clip.

1138
00:59:28,280 --> 00:59:30,120
Speaker 1: Well now I would say so, but even to the

1139
00:59:30,360 --> 00:59:32,480
Speaker 1: point of made earlier. That's one of the reasons I

1140
00:59:32,640 --> 00:59:35,040
Speaker 1: was so vocal about where I was coming from and

1141
00:59:35,680 --> 00:59:37,880
Speaker 1: what I represented because I knew, I knew who I

1142
00:59:37,960 --> 00:59:40,440
Speaker 1: wanted to mobilize, you know what I mean. And if

1143
00:59:40,480 --> 00:59:42,560
Speaker 1: anybody ain't seen that book, I mean, see that movie.

1144
00:59:42,600 --> 00:59:45,680
Speaker 1: You read the book. It's about a gang member from

1145
00:59:45,760 --> 00:59:50,040
Speaker 1: Chicago who you know, presented himself in a way he

1146
00:59:50,160 --> 00:59:52,160
Speaker 1: never kind of cases he was. He was. He had

1147
00:59:52,200 --> 00:59:55,360
Speaker 1: a clean cut look, and he infiltrated the CIA, yep,

1148
00:59:55,760 --> 00:59:58,960
Speaker 1: and he became educated and became and basically he used

1149
00:59:59,000 --> 01:00:02,520
Speaker 1: their agenda, choose to have a token in the CIA

1150
01:00:02,680 --> 01:00:06,640
Speaker 1: for political reasons. You know, we're gonna speak blunt um.

1151
01:00:07,080 --> 01:00:09,360
Speaker 1: He used it against him. And I think that in

1152
01:00:09,520 --> 01:00:11,160
Speaker 1: terms of hip hop, you think of the message that

1153
01:00:11,280 --> 01:00:14,800
Speaker 1: they embrace, I feel parallel with like you know what

1154
01:00:14,880 --> 01:00:17,960
Speaker 1: I mean, the power structure. I don't mean the culture

1155
01:00:17,960 --> 01:00:20,680
Speaker 1: of hip hop, but the power structure music they got

1156
01:00:20,960 --> 01:00:24,360
Speaker 1: prescribed personas they expect from us, you know what I'm saying.

1157
01:00:24,400 --> 01:00:26,960
Speaker 1: So I feel like the way he used their intention

1158
01:00:27,000 --> 01:00:30,920
Speaker 1: against him was was one of my underlying strategies. You know,

1159
01:00:31,000 --> 01:00:33,080
Speaker 1: you gotta put the medicine in the candy. And it

1160
01:00:33,240 --> 01:00:34,960
Speaker 1: was interested by that book. All his people used to

1161
01:00:34,960 --> 01:00:38,200
Speaker 1: call him my uncle Tom and a coon. He was

1162
01:00:38,240 --> 01:00:40,200
Speaker 1: there working for them the whole time. Yeah, and he

1163
01:00:40,360 --> 01:00:42,160
Speaker 1: and he I don't want to go blow nothing up

1164
01:00:42,240 --> 01:00:43,800
Speaker 1: like he did in the movie, you know what I mean,

1165
01:00:43,920 --> 01:00:46,560
Speaker 1: But just in terms of being able to mobilize his

1166
01:00:46,720 --> 01:00:49,840
Speaker 1: homies toward to a higher cause. You know, there's a

1167
01:00:49,840 --> 01:00:51,400
Speaker 1: lot of little Jews that you're saying. And then that's

1168
01:00:51,400 --> 01:00:53,240
Speaker 1: what I like. Like I said, the medicine really isn't

1169
01:00:53,280 --> 01:00:54,760
Speaker 1: the candy, because even when you drop a ball like

1170
01:00:55,040 --> 01:00:57,480
Speaker 1: about doctor Seby. Yeah, like just that one thing they

1171
01:00:57,560 --> 01:00:59,840
Speaker 1: killed doctor Seby will make somebody go research with hunt

1172
01:00:59,880 --> 01:01:10,080
Speaker 1: him doctor doctor Cebatlet. I never met him, I met

1173
01:01:10,120 --> 01:01:13,560
Speaker 1: his wife, and I take his products for sure. Why

1174
01:01:13,600 --> 01:01:17,040
Speaker 1: do they kill all holistic doctors messing up the medicals

1175
01:01:17,720 --> 01:01:19,880
Speaker 1: you short, stopping the ground. Why don't you get killed

1176
01:01:19,880 --> 01:01:22,479
Speaker 1: for the hustling in front of your spot. You're short

1177
01:01:22,560 --> 01:01:26,520
Speaker 1: stopping the grind. And they checked his billions. You got

1178
01:01:26,800 --> 01:01:29,840
Speaker 1: that get flipped for a couple hundred thousand, So you're

1179
01:01:29,840 --> 01:01:33,200
Speaker 1: playing with some pharmaceutical money, you know, and what's crazy.

1180
01:01:33,280 --> 01:01:35,960
Speaker 1: I'm working on doing a documentary on the trial. In

1181
01:01:36,160 --> 01:01:39,320
Speaker 1: nineteen eighty five, doctor Sevy went to trial against New

1182
01:01:39,400 --> 01:01:42,880
Speaker 1: York Right because he put the newspaper. Sure did he did?

1183
01:01:42,920 --> 01:01:45,480
Speaker 1: He beat the case and he went to federal court

1184
01:01:45,560 --> 01:01:48,440
Speaker 1: the next day and beat that case on record, and

1185
01:01:48,600 --> 01:01:51,480
Speaker 1: nobody talk about it. We're still talking to Nipsey Hustle,

1186
01:01:51,520 --> 01:01:53,800
Speaker 1: he's in the building right now that what happened with

1187
01:01:53,880 --> 01:01:57,120
Speaker 1: reboking And were you signed the revoking the rebok do

1188
01:01:57,200 --> 01:01:59,120
Speaker 1: the release that you were there? Nah, I didn't. I

1189
01:01:59,160 --> 01:02:02,720
Speaker 1: didn't endorse me with Pumer Right recently. Um, I don't

1190
01:02:02,760 --> 01:02:07,040
Speaker 1: want to go too deep into that because man, I

1191
01:02:07,320 --> 01:02:11,080
Speaker 1: ain't I ain't uh faking nah. But I don't want

1192
01:02:11,080 --> 01:02:13,120
Speaker 1: to go too far into details with the with the

1193
01:02:13,360 --> 01:02:17,000
Speaker 1: other thing because it's something that we're gonna pursue. But um,

1194
01:02:17,480 --> 01:02:20,400
Speaker 1: you know, it wasn't authorized, It wasn't authorized, and they

1195
01:02:20,680 --> 01:02:23,080
Speaker 1: put all money in on the shoe. They put rich

1196
01:02:23,200 --> 01:02:25,400
Speaker 1: Rolling on the shoe. I don't even that's that's some gang.

1197
01:02:26,040 --> 01:02:28,840
Speaker 1: You don't put rich Rolling on the shoe. You know,

1198
01:02:28,920 --> 01:02:32,120
Speaker 1: you gotta pay thousands of people. It's doing life in

1199
01:02:32,280 --> 01:02:35,360
Speaker 1: jail that, you know what I mean, fall under that structure.

1200
01:02:35,440 --> 01:02:38,040
Speaker 1: So you gotta be careful with that. You know, I don't.

1201
01:02:38,120 --> 01:02:39,960
Speaker 1: I'm not even taking a check for nothing to stay

1202
01:02:40,080 --> 01:02:42,160
Speaker 1: rich Rolling. I would have told him. I'd have told

1203
01:02:42,200 --> 01:02:45,280
Speaker 1: the designers, no, bro, stay clear of that. You can't

1204
01:02:45,320 --> 01:02:47,840
Speaker 1: copy right. It's like putting crip on the shoe or something.

1205
01:02:48,280 --> 01:02:50,800
Speaker 1: Who you're gonna pay And that caused the problems for you, like,

1206
01:02:50,840 --> 01:02:54,040
Speaker 1: oh you got paid off? And even outside of that,

1207
01:02:54,080 --> 01:02:56,720
Speaker 1: because if if I was right, I would I would

1208
01:02:56,760 --> 01:02:59,720
Speaker 1: stand on being right. That's not right. I'm not. I'm

1209
01:02:59,720 --> 01:03:02,880
Speaker 1: not the beneficiary of that. You can't just pay me

1210
01:03:03,000 --> 01:03:04,880
Speaker 1: and think that. And by the way, they didn't pay me.

1211
01:03:05,160 --> 01:03:06,960
Speaker 1: But you can't just pay me and think that we

1212
01:03:07,240 --> 01:03:11,280
Speaker 1: paid Nip and he speaked for the nah ross got it.

1213
01:03:11,320 --> 01:03:12,960
Speaker 1: They got a hundred years. You know what I'm saying,

1214
01:03:13,000 --> 01:03:15,320
Speaker 1: what I looked like taking a check. I can't do that.

1215
01:03:16,640 --> 01:03:18,680
Speaker 1: Grinding all my life. You tell a story where somebody

1216
01:03:18,720 --> 01:03:21,320
Speaker 1: got stomped out and you say, fifty and Millwather bound

1217
01:03:21,360 --> 01:03:23,760
Speaker 1: from Joling, Vegas. What was that? That was a long

1218
01:03:23,840 --> 01:03:25,480
Speaker 1: time ago man at a club me and why you

1219
01:03:25,600 --> 01:03:28,000
Speaker 1: was performing that in Vegas called strip hat and uh,

1220
01:03:28,720 --> 01:03:32,880
Speaker 1: you know somebody Melee broke out and uh, you know

1221
01:03:33,240 --> 01:03:36,160
Speaker 1: it ain't going they favor but didn't that started it?

1222
01:03:36,480 --> 01:03:39,680
Speaker 1: And uh just so happened. Fifty and Mayweather was in

1223
01:03:39,720 --> 01:03:41,480
Speaker 1: the club. You know, they had all the cars and

1224
01:03:41,680 --> 01:03:44,080
Speaker 1: they was really just coming to show up, and uh,

1225
01:03:44,920 --> 01:03:47,280
Speaker 1: you know it made the news. It was a big

1226
01:03:47,320 --> 01:03:49,760
Speaker 1: old thing. But try to robbers, you know what I mean.

1227
01:03:49,840 --> 01:03:52,040
Speaker 1: Like somebody was waiting outside of my section. It was

1228
01:03:52,040 --> 01:03:54,480
Speaker 1: all girls coming into the section and take pictures. And

1229
01:03:55,240 --> 01:03:56,880
Speaker 1: you know, you be in a section, your chain hand,

1230
01:03:56,960 --> 01:03:59,840
Speaker 1: you stand on the couch, and you know somebody was

1231
01:03:59,880 --> 01:04:01,640
Speaker 1: like where you from? One of the things you're a fan.

1232
01:04:02,360 --> 01:04:04,280
Speaker 1: I'm like, hunt, you got my concert? You don't know

1233
01:04:04,280 --> 01:04:06,400
Speaker 1: what I'm from? From? La Bros Like no, where are

1234
01:04:06,400 --> 01:04:09,640
Speaker 1: you from? And I frowned. I guess my homeboy seeing

1235
01:04:09,680 --> 01:04:13,080
Speaker 1: me frowning, dope fending and then it just a big

1236
01:04:13,360 --> 01:04:15,640
Speaker 1: mylight broke out. You know what I'm saying but yeah,

1237
01:04:15,680 --> 01:04:18,280
Speaker 1: that's what that was about. It's on YouTube. The those

1238
01:04:18,320 --> 01:04:21,040
Speaker 1: footage is on YouTube. But fifty and maywe bound for

1239
01:04:21,160 --> 01:04:23,000
Speaker 1: y'all like they need they need to get out the club? Well,

1240
01:04:23,400 --> 01:04:26,440
Speaker 1: you that was probably taken out of context. They left

1241
01:04:26,480 --> 01:04:31,720
Speaker 1: the same time, twenty thirty security and fifty was it

1242
01:04:31,800 --> 01:04:35,240
Speaker 1: with fifty thirty people? So yeah, that was good money on.

1243
01:04:35,400 --> 01:04:37,800
Speaker 1: I wasn't saying like they needed our help. It's just like,

1244
01:04:38,040 --> 01:04:41,400
Speaker 1: you know, a little fact they was in the building

1245
01:04:41,440 --> 01:04:43,560
Speaker 1: and you know that got footage and floored on on

1246
01:04:43,640 --> 01:04:46,040
Speaker 1: the ind an argument the police in the front of

1247
01:04:46,080 --> 01:04:48,240
Speaker 1: the club. You know, I just I'll be trying to

1248
01:04:48,280 --> 01:04:50,360
Speaker 1: revolve around really that took place, you know what I mean?

1249
01:04:50,920 --> 01:04:52,600
Speaker 1: Just to go back to the doctor seventy three real quick?

1250
01:04:52,640 --> 01:04:55,160
Speaker 1: What makes you want to do a documentary? Okay, get

1251
01:04:55,200 --> 01:04:56,520
Speaker 1: it right, man, It makes you want to do a

1252
01:04:56,600 --> 01:05:00,240
Speaker 1: documentary about doctor Cebe. I think the stories and pardon,

1253
01:05:00,280 --> 01:05:02,520
Speaker 1: I think it's a powerful narrative. It is, you know

1254
01:05:02,560 --> 01:05:05,520
Speaker 1: what I mean? And I think if imagine this, anybody

1255
01:05:05,560 --> 01:05:08,280
Speaker 1: in this room, if I could say, hey, somebody cured

1256
01:05:08,360 --> 01:05:10,640
Speaker 1: a's Ya'll be like yeah, right, And then I can

1257
01:05:10,720 --> 01:05:14,480
Speaker 1: show you an example of him going a trial, improving

1258
01:05:14,520 --> 01:05:18,000
Speaker 1: in the court to a jury that he cured a's

1259
01:05:18,600 --> 01:05:21,040
Speaker 1: I'll be interested in that absolute and y'all will look

1260
01:05:21,080 --> 01:05:23,400
Speaker 1: into the way he did it. Right, So I feel like,

1261
01:05:23,520 --> 01:05:29,360
Speaker 1: more so than like champion his products or explaining his methodology,

1262
01:05:29,880 --> 01:05:32,200
Speaker 1: put some light on that case. Imagine being able to

1263
01:05:32,280 --> 01:05:35,920
Speaker 1: cure cancer or being able to cure any type of herpes,

1264
01:05:36,120 --> 01:05:39,000
Speaker 1: all kinds, and that's what he do about what he did. Yeah, yeah, yeah,

1265
01:05:39,000 --> 01:05:41,400
Speaker 1: he used to send all types of vitamins up to

1266
01:05:41,440 --> 01:05:45,880
Speaker 1: the station. Yeah, herpies. No, I said, vitamins. To hear me,

1267
01:05:45,960 --> 01:05:50,880
Speaker 1: I said, all right, well, let's get into a Nipsey

1268
01:05:50,960 --> 01:05:54,840
Speaker 1: Hustle joint is featuring Kendrick Lamar. It's called Dedication the

1269
01:05:55,080 --> 01:06:01,600
Speaker 1: Breakfast Club. What y'all a seed j Envy Angela yee,

1270
01:06:01,720 --> 01:06:04,920
Speaker 1: Charlomagne the guy we are the breakfast Club Nipsey Hustles

1271
01:06:04,960 --> 01:06:09,120
Speaker 1: in the building. That was his joint dedication feature Kenjick Lamar. Now, now, Nipsey,

1272
01:06:09,160 --> 01:06:13,240
Speaker 1: you were talking about Cardi and her wearing different colors. No,

1273
01:06:13,400 --> 01:06:15,480
Speaker 1: that's not what I said, And you know what I mean,

1274
01:06:15,680 --> 01:06:19,440
Speaker 1: Just yeah, I like Cardi b Cardi B DI diverse

1275
01:06:19,520 --> 01:06:22,960
Speaker 1: for me, like Yeah, that's that's that's a fact. Like

1276
01:06:23,800 --> 01:06:26,840
Speaker 1: anybody don't like Cardi, that hater. I used to watch

1277
01:06:26,880 --> 01:06:29,600
Speaker 1: her ig clips and be laughing, like this girl crazy,

1278
01:06:29,680 --> 01:06:32,800
Speaker 1: But her personality is golden, you know what I mean.

1279
01:06:32,920 --> 01:06:35,560
Speaker 1: But wrong is wrong? Right is right? Bro, That's what

1280
01:06:35,680 --> 01:06:38,440
Speaker 1: I grew up on. That loved me. Bro, gonna tell me,

1281
01:06:38,560 --> 01:06:40,480
Speaker 1: Bro it was wrong? Right, all right, don't tell me

1282
01:06:40,560 --> 01:06:42,520
Speaker 1: that in public. Wait until we get back to the hood.

1283
01:06:42,760 --> 01:06:45,560
Speaker 1: I might set off a melee and we gonna fight

1284
01:06:45,640 --> 01:06:47,040
Speaker 1: with me. But when we get back to the hood, Bro,

1285
01:06:47,120 --> 01:06:48,680
Speaker 1: that was But don't do that. You gonna have us.

1286
01:06:48,680 --> 01:06:51,080
Speaker 1: You're gonna get us in a wreck. Wrong is wrong, Right,

1287
01:06:51,120 --> 01:06:54,800
Speaker 1: it's right. That terminology she used is like real Nooklet

1288
01:06:55,000 --> 01:06:58,160
Speaker 1: just for the record, that's how Blood's talk. Blood says

1289
01:06:58,520 --> 01:07:04,120
Speaker 1: crab BLUs, say flute crip, say slob crip, say dead

1290
01:07:04,400 --> 01:07:06,640
Speaker 1: like the fires. With all my homeboys, I'd be like, bro,

1291
01:07:06,760 --> 01:07:09,640
Speaker 1: give me a dead bull. That's how we talk. But

1292
01:07:10,120 --> 01:07:16,560
Speaker 1: I'll be intentionally respectful on the record because we're talking

1293
01:07:16,560 --> 01:07:20,440
Speaker 1: about a public environment, which is the music industry. You

1294
01:07:20,520 --> 01:07:23,880
Speaker 1: feel what I'm saying. We saw what happened with death Row,

1295
01:07:24,800 --> 01:07:27,040
Speaker 1: so we're gonna set tripping public You're gonna get count

1296
01:07:27,080 --> 01:07:29,880
Speaker 1: on camera squabbling. You're gonna violate while you worth three

1297
01:07:29,960 --> 01:07:32,680
Speaker 1: hundred million sugar night, you're gonna go to the pen.

1298
01:07:33,560 --> 01:07:37,600
Speaker 1: Pockey gonna die right around that happened. That was game banging.

1299
01:07:38,000 --> 01:07:41,600
Speaker 1: That was set tripping publicly. So we would be bad

1300
01:07:41,680 --> 01:07:45,680
Speaker 1: leaders to read create that. What about somebody like Takashi

1301
01:07:45,800 --> 01:07:48,640
Speaker 1: Si N I don't want to talk about other people

1302
01:07:48,720 --> 01:07:51,120
Speaker 1: for real, you know what I'm saying. I feel I

1303
01:07:51,240 --> 01:07:54,200
Speaker 1: feel my own way about it, but God, bless everybody. Man,

1304
01:07:54,280 --> 01:07:56,280
Speaker 1: get your money? You feel me what I said about

1305
01:07:56,360 --> 01:07:59,040
Speaker 1: Cardi Big asked me and so I spoke on it.

1306
01:07:59,120 --> 01:08:00,680
Speaker 1: But I don't want to hate on Cardi. B get

1307
01:08:00,720 --> 01:08:02,840
Speaker 1: your money. Cardi. I respect what you're doing. You know

1308
01:08:02,840 --> 01:08:04,880
Speaker 1: what I'm saying. She done a verse for me. I

1309
01:08:04,960 --> 01:08:06,960
Speaker 1: see to me goes, I shake their hand. You know

1310
01:08:06,960 --> 01:08:09,120
Speaker 1: what I'm saying. I respect her. Come up, she came

1311
01:08:09,200 --> 01:08:14,960
Speaker 1: from the gutter about saying disrespectful things on I G

1312
01:08:15,400 --> 01:08:17,840
Speaker 1: I'm gonna always be like that. Ain't the move, That's

1313
01:08:17,920 --> 01:08:20,160
Speaker 1: not That's not what you're supposed to do. Now, do

1314
01:08:20,280 --> 01:08:22,439
Speaker 1: I tell you what to do? Nah? You get it?

1315
01:08:22,479 --> 01:08:23,960
Speaker 1: How you live? If you like it. I love it.

1316
01:08:24,320 --> 01:08:26,519
Speaker 1: I just know me and mine we're gonna move this

1317
01:08:26,640 --> 01:08:29,920
Speaker 1: way because I'm always stand on what I do. So

1318
01:08:30,040 --> 01:08:32,160
Speaker 1: that if I walk into a room full of bloods

1319
01:08:32,600 --> 01:08:34,639
Speaker 1: and I ain't gonna be like, oh, they go to slops,

1320
01:08:35,160 --> 01:08:37,800
Speaker 1: I'm not gonna talk like that, because that's that's called

1321
01:08:37,960 --> 01:08:41,280
Speaker 1: being a cell soldier on some jail. You know what

1322
01:08:41,320 --> 01:08:44,880
Speaker 1: I'm saying, Get us in the cell, popping it because

1323
01:08:44,920 --> 01:08:49,280
Speaker 1: you can't get touched. You're hiding behind the cell. You

1324
01:08:49,320 --> 01:08:51,240
Speaker 1: know what I'm saying, pop the gates. Talk like that.

1325
01:08:51,880 --> 01:08:54,120
Speaker 1: If you ain't gonna talk like that, then keep it

1326
01:08:54,200 --> 01:08:56,719
Speaker 1: one way. I've been in a tank with a hunted

1327
01:08:56,720 --> 01:08:59,840
Speaker 1: bloods before. I'm from six old crib. I ain't gonna

1328
01:08:59,840 --> 01:09:02,840
Speaker 1: call these slaves to kill me. But I ain't even

1329
01:09:03,200 --> 01:09:05,719
Speaker 1: this is where I'm from, Homie. You feel what I'm saying,

1330
01:09:05,800 --> 01:09:09,000
Speaker 1: and so same the other way around. I've been in

1331
01:09:09,040 --> 01:09:11,519
Speaker 1: the dorm with a huntred crips in two or three

1332
01:09:11,600 --> 01:09:16,519
Speaker 1: bloods and they ain't using that terminology. They not. That's

1333
01:09:16,560 --> 01:09:19,000
Speaker 1: just against the laws of nature. This is just set

1334
01:09:19,040 --> 01:09:22,160
Speaker 1: self preservation gonna prevent you. I'm talking like that. That's

1335
01:09:22,200 --> 01:09:24,880
Speaker 1: what I was speaking on but for the record, and

1336
01:09:25,080 --> 01:09:28,519
Speaker 1: just for the New York bangers, I respect realis everywhere

1337
01:09:28,880 --> 01:09:32,240
Speaker 1: in every city and state. You can't take that from nobody.

1338
01:09:32,840 --> 01:09:35,519
Speaker 1: Gang culture came from out of LA. I don't mean

1339
01:09:35,560 --> 01:09:39,519
Speaker 1: it ain't really in New York that pushing aligne as

1340
01:09:39,600 --> 01:09:42,760
Speaker 1: bloods and crips. But we gotta be honest, We gotta

1341
01:09:42,800 --> 01:09:46,360
Speaker 1: speak honestly. We can't be political about the dead and

1342
01:09:46,560 --> 01:09:49,560
Speaker 1: doing life for you see what I'm saying that. So

1343
01:09:49,640 --> 01:09:51,720
Speaker 1: that's that's that's my stance on it. But so like

1344
01:09:51,800 --> 01:09:54,519
Speaker 1: I said, everybody getting money, man, I respect party. You

1345
01:09:54,640 --> 01:09:56,400
Speaker 1: know what I mean. She linked up with with Wacko

1346
01:09:56,520 --> 01:10:00,720
Speaker 1: one of my respect he had parrot and you know,

1347
01:10:01,439 --> 01:10:03,240
Speaker 1: I ain't mad out of deal thing. I just my

1348
01:10:03,400 --> 01:10:06,559
Speaker 1: personal opinion. It's in your interest not to be public

1349
01:10:06,960 --> 01:10:09,920
Speaker 1: dis in gangs, you know what I'm saying, unless you

1350
01:10:10,000 --> 01:10:12,040
Speaker 1: want to put your security at risk, because it ain't

1351
01:10:12,040 --> 01:10:14,760
Speaker 1: gonna be you shooting or getting shot at. You're gonna

1352
01:10:14,800 --> 01:10:17,200
Speaker 1: be pushed into the car. You know, we were talking

1353
01:10:17,200 --> 01:10:20,400
Speaker 1: about on Friday last week, we were talking about checking

1354
01:10:20,439 --> 01:10:23,120
Speaker 1: in and how do you feel about checking in? Because

1355
01:10:23,120 --> 01:10:25,080
Speaker 1: I mean, it's it's a big thing, especially in LA.

1356
01:10:25,120 --> 01:10:26,880
Speaker 1: You know, what I mean, because it's so open, and

1357
01:10:26,960 --> 01:10:28,320
Speaker 1: you mean you could drive in a block in LA

1358
01:10:28,479 --> 01:10:30,599
Speaker 1: one block, it'd be a sunny, clean block, mixed block,

1359
01:10:30,600 --> 01:10:34,000
Speaker 1: you in the middle of the hood. Yeah, checking in

1360
01:10:34,280 --> 01:10:39,479
Speaker 1: is it suggests friendly extortion when you say checking in.

1361
01:10:40,160 --> 01:10:44,280
Speaker 1: Our relationship is different because we all need relationships. You

1362
01:10:44,320 --> 01:10:46,640
Speaker 1: know what I'm saying. I'm sure when you travel you

1363
01:10:46,800 --> 01:10:49,760
Speaker 1: from New York, but you got relationships all over the country, Charlotte, man,

1364
01:10:49,800 --> 01:10:51,880
Speaker 1: you got relationships all over it, and I'm sure you

1365
01:10:52,000 --> 01:10:55,360
Speaker 1: do too, and a relationship I don't. I don't believe

1366
01:10:55,400 --> 01:10:59,559
Speaker 1: in fake relationships. So it just established genuine relationships. Everywhere

1367
01:10:59,600 --> 01:11:02,479
Speaker 1: you go, you'll be in a better position. And you

1368
01:11:02,560 --> 01:11:06,560
Speaker 1: do that off being respectful and being you know, you're reciprocated.

1369
01:11:06,640 --> 01:11:09,080
Speaker 1: Somebody come to your city, Bro, you need something, whether

1370
01:11:09,120 --> 01:11:11,400
Speaker 1: it's a car, some weed, you know what I mean.

1371
01:11:11,520 --> 01:11:13,320
Speaker 1: You want to go somewhere to eat what you need?

1372
01:11:13,400 --> 01:11:15,439
Speaker 1: You out of town. I got you, not just some

1373
01:11:15,560 --> 01:11:19,280
Speaker 1: protection you feel me. So I wouldn't say to check in.

1374
01:11:19,600 --> 01:11:21,960
Speaker 1: I don't know them about that, but just I got

1375
01:11:22,000 --> 01:11:25,200
Speaker 1: relationships in New York that it's respect. When I pull up,

1376
01:11:25,280 --> 01:11:27,320
Speaker 1: you know what I mean, to make sure I got

1377
01:11:27,360 --> 01:11:29,680
Speaker 1: whatever I need. Same in La. I can get you

1378
01:11:29,760 --> 01:11:31,840
Speaker 1: from the airport. Bro, you could take my car, you

1379
01:11:31,880 --> 01:11:34,440
Speaker 1: could come to my store. You could you meet my homeboys.

1380
01:11:34,720 --> 01:11:37,160
Speaker 1: You could get numbers. If you any problems or whatever,

1381
01:11:37,280 --> 01:11:38,920
Speaker 1: just call in or you want to know where to

1382
01:11:38,960 --> 01:11:41,120
Speaker 1: go eat. That That ain't because you had to, That's

1383
01:11:41,160 --> 01:11:44,360
Speaker 1: because yeah, we in strengthen numbers and we only from

1384
01:11:44,439 --> 01:11:47,599
Speaker 1: one place. You know, now, what happened with the LGBT community.

1385
01:11:47,640 --> 01:11:49,519
Speaker 1: They were set tripping on you at one point when

1386
01:11:49,520 --> 01:11:53,479
Speaker 1: you you know, man, they for the record, Come on, man,

1387
01:11:53,640 --> 01:11:56,479
Speaker 1: I live in LA I'm in the music industry. You're

1388
01:11:56,479 --> 01:11:58,960
Speaker 1: gonna I can't. It's no way I could have take

1389
01:11:59,040 --> 01:12:01,880
Speaker 1: issue with anybody sexuality, you know what I'm saying. And

1390
01:12:02,040 --> 01:12:03,840
Speaker 1: at the end of the day, I got people in

1391
01:12:03,960 --> 01:12:06,280
Speaker 1: my family. I got people I loved, my homegirls, some

1392
01:12:06,400 --> 01:12:08,920
Speaker 1: of them, you know, people that I grew up around

1393
01:12:09,320 --> 01:12:12,960
Speaker 1: that you know that stay lifestyle. I could never judge

1394
01:12:13,000 --> 01:12:16,200
Speaker 1: nobody for their sexuality. What they what they took out

1395
01:12:16,240 --> 01:12:19,519
Speaker 1: of context was a critique on the media. I made

1396
01:12:19,520 --> 01:12:22,919
Speaker 1: a critique on the media, and I was really speaking

1397
01:12:22,960 --> 01:12:27,000
Speaker 1: toward what my homeboy, Big you did for the kids

1398
01:12:27,880 --> 01:12:32,200
Speaker 1: and the image of you know, somebody that came from prison,

1399
01:12:33,400 --> 01:12:39,880
Speaker 1: that came from gang culture with what the image gets portrayed,

1400
01:12:40,000 --> 01:12:43,680
Speaker 1: ass around that type of individual and what this this

1401
01:12:43,840 --> 01:12:46,920
Speaker 1: this person's actually doing. And you know, I think that

1402
01:12:47,000 --> 01:12:50,720
Speaker 1: it was taken out of contexts um, you know, and

1403
01:12:51,360 --> 01:12:53,880
Speaker 1: that's a that's a sensitive thing. I would never want

1404
01:12:53,920 --> 01:12:58,000
Speaker 1: people to feel alienated or like, damn, you know, an

1405
01:12:58,120 --> 01:13:00,800
Speaker 1: artist that I inspired by look to or somebody I

1406
01:13:00,960 --> 01:13:04,080
Speaker 1: respect might look at me is less staying. That's not

1407
01:13:04,160 --> 01:13:06,240
Speaker 1: what I'm meant, you know what I'm saying. And I

1408
01:13:06,360 --> 01:13:08,880
Speaker 1: think it just got taken out of context. And you know,

1409
01:13:09,280 --> 01:13:12,679
Speaker 1: it's a movement right now for like acceptance and quality,

1410
01:13:12,800 --> 01:13:16,880
Speaker 1: so you know there's a whole machine built behind it's like,

1411
01:13:17,200 --> 01:13:19,519
Speaker 1: uh like a witch hunt, you know what I'm saying.

1412
01:13:19,720 --> 01:13:23,720
Speaker 1: Let it like, let anybody say sexism, homophobia, you know

1413
01:13:23,760 --> 01:13:25,679
Speaker 1: what I'm saying. So I fell into that. It's all good,

1414
01:13:25,760 --> 01:13:27,800
Speaker 1: you know what I mean. I respected. I'm with the

1415
01:13:27,880 --> 01:13:32,200
Speaker 1: movement of equality and everybody respect everybody's individuals. God is

1416
01:13:32,240 --> 01:13:34,200
Speaker 1: the creator and the judge. I'm not the judge. I

1417
01:13:34,240 --> 01:13:36,400
Speaker 1: think they were just upset because they felt like you

1418
01:13:36,479 --> 01:13:41,160
Speaker 1: were implying that homosexuals couldn't look like to call real

1419
01:13:41,240 --> 01:13:43,519
Speaker 1: min and that was probably the air that I made

1420
01:13:43,800 --> 01:13:46,960
Speaker 1: in articulation that you know, it could be rare like that.

1421
01:13:47,160 --> 01:13:49,040
Speaker 1: I could have been more clear, you know what I'm saying,

1422
01:13:49,120 --> 01:13:52,920
Speaker 1: But me personally, I judged things off of intention. We

1423
01:13:53,040 --> 01:13:55,400
Speaker 1: all human, We're gonna we're gonna make mistakes. But I

1424
01:13:55,520 --> 01:13:58,320
Speaker 1: gave somebody intention. What was you trying to say? You

1425
01:13:58,360 --> 01:14:01,040
Speaker 1: know what I'm saying. And if the intention and it's clear,

1426
01:14:01,920 --> 01:14:05,519
Speaker 1: I give the execution a little wiggle room, you know

1427
01:14:05,560 --> 01:14:07,840
Speaker 1: what I'm saying, or the or the articulation. And I

1428
01:14:08,520 --> 01:14:10,439
Speaker 1: asked everybody looking my attention, you know what I'm saying?

1429
01:14:10,640 --> 01:14:12,120
Speaker 1: Was I trying to say? I was trying to pick

1430
01:14:12,240 --> 01:14:14,760
Speaker 1: up my homeboy for creating a banquet for these young

1431
01:14:15,720 --> 01:14:18,920
Speaker 1: kids from the hood that played football, got everybody suited

1432
01:14:18,920 --> 01:14:21,680
Speaker 1: and booted. I seen in there that was killers at

1433
01:14:21,720 --> 01:14:25,599
Speaker 1: one time with suits on, you know, serving the kids food,

1434
01:14:26,160 --> 01:14:27,639
Speaker 1: and you know what I mean, I'm like, we gotta

1435
01:14:27,680 --> 01:14:29,360
Speaker 1: do this more often. I wanted to share a light

1436
01:14:29,439 --> 01:14:32,200
Speaker 1: on that, you know what I'm saying. Yeah, my last

1437
01:14:32,240 --> 01:14:34,280
Speaker 1: question for nip Man because I'm riding in the car

1438
01:14:34,320 --> 01:14:36,680
Speaker 1: and I'm like, boy gonna get in for this. You

1439
01:14:36,800 --> 01:14:39,640
Speaker 1: said that your mistress is creole. How do you get

1440
01:14:39,680 --> 01:14:43,040
Speaker 1: away with that? Man, this music man, I said, I said,

1441
01:14:43,160 --> 01:14:45,680
Speaker 1: my wife is a Cno, I said, this life is

1442
01:14:45,720 --> 01:14:48,439
Speaker 1: a free through my life, my wife is a CN,

1443
01:14:48,680 --> 01:14:51,680
Speaker 1: but my mistress is creole. You know that was that

1444
01:14:51,800 --> 01:14:54,080
Speaker 1: was number one. I recorded that before me, before I

1445
01:14:54,160 --> 01:14:59,000
Speaker 1: had a girl. For real. That's that's that's a fact

1446
01:14:59,120 --> 01:15:02,280
Speaker 1: though I just put. But then again, this music man, like,

1447
01:15:02,920 --> 01:15:05,240
Speaker 1: my girls are actress. If she kissing on camera, what

1448
01:15:05,320 --> 01:15:08,479
Speaker 1: I'm gonna be mad? No do thing. I love. I

1449
01:15:08,520 --> 01:15:09,840
Speaker 1: love the fact that you said your girls. So you're

1450
01:15:09,880 --> 01:15:12,040
Speaker 1: back together, y'all go yeah, yeah, yeah, we solid players

1451
01:15:12,520 --> 01:15:15,240
Speaker 1: to man, That's all I'm saying. Like that The reason

1452
01:15:15,320 --> 01:15:17,519
Speaker 1: I ask because she don't play. Yeah, no run down

1453
01:15:17,560 --> 01:15:20,679
Speaker 1: on you. Yes, she ran down on you. Chart went hard.

1454
01:15:20,760 --> 01:15:24,160
Speaker 1: You know what I'm saying. But yeah, boie boogie boogie. Man.

1455
01:15:24,200 --> 01:15:26,280
Speaker 1: You know she knows how to defend herself and stand up,

1456
01:15:26,360 --> 01:15:28,880
Speaker 1: you know what I mean. And you know she from

1457
01:15:29,040 --> 01:15:31,120
Speaker 1: La she grew up. Um. A lot of people might

1458
01:15:31,200 --> 01:15:33,200
Speaker 1: think she got a privileged background. She ain't got no

1459
01:15:33,240 --> 01:15:35,200
Speaker 1: privilege background. I think she's new new in real life.

1460
01:15:35,520 --> 01:15:38,760
Speaker 1: Yeah yeah, yeah, yeah, no, but she comes from lag

1461
01:15:38,880 --> 01:15:41,240
Speaker 1: Man and you know what I mean, she seen Charlotte

1462
01:15:41,240 --> 01:15:44,120
Speaker 1: Mayne zero then, but she I told her, I told

1463
01:15:44,160 --> 01:15:45,759
Speaker 1: her from jump though. I'm like, you're gonna meet Charlotte

1464
01:15:45,760 --> 01:15:48,040
Speaker 1: Mage and like, Charlotte Man, respect Charlotte Man, you know

1465
01:15:48,080 --> 01:15:50,519
Speaker 1: what I mean. Charlotte Magne known for being honest and

1466
01:15:50,960 --> 01:15:53,640
Speaker 1: you know what I mean, ruffling feathers. But I know

1467
01:15:54,439 --> 01:15:57,240
Speaker 1: his stance and I'm like, y'all got the similar mentality

1468
01:15:57,320 --> 01:16:00,679
Speaker 1: in terms of like what's right, you know what I'm saying. Yeah,

1469
01:16:00,720 --> 01:16:02,439
Speaker 1: she she got a lot of love and respect for you,

1470
01:16:02,840 --> 01:16:08,000
Speaker 1: and we appreciate you joining us. Yeah, Victory, Yeah, and

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01:16:08,080 --> 01:16:09,840
Speaker 1: it's the Breakfast Club. Good morning. Yeah,