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Speaker 1: So you know, I mean, obviously comedy evolves, like our

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Speaker 1: attitudes change.

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Speaker 2: It's a it's a good thing, it is.

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Speaker 1: But there's something lost always, you know, and with the

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Speaker 1: new means out with the old, and so you know,

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Speaker 1: it's I've been kind of banging my head against all

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Speaker 1: a little bit trying to find a way. No, I know,

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Speaker 1: but it's like for someone like me who's been doing

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Speaker 1: this for a while and and there's certain things that

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Speaker 1: I know they work, it's just trying to find uh,

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Speaker 1: and I know I'll find.

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Speaker 2: It, but.

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Speaker 1: Trying to find some kind of marginalized group that it

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Speaker 1: is okay to pick up. Yeah, sure, like just just looking.

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Speaker 3: For and I and I and I know why a

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Speaker 3: lot of them are not and I uh And again

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Speaker 3: I think that's positive.

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Speaker 2: I think society is listening in a positive for anyone

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Speaker 2: who's like, what what are you talking about? Listen to

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Speaker 2: what he's saying. He knows that most of them, and

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Speaker 2: maybe all of them.

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Speaker 1: Probably all of them, but are not fine.

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Speaker 2: It's not okay Italian. That's what I was going to say.

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Speaker 1: So that was my first thought to could could be

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Speaker 1: that could be an avenue for me to approach where

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Speaker 1: I can say, Okay, here's a group, you know, a

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Speaker 1: sizeable group. Everyone has an idea of what this is,

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Speaker 1: and maybe I can on some level, uh and the

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Speaker 1: marginalized characterize them in a general way that could generate comedy.

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Speaker 1: Well they if they are very stupid and so that. So,

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Speaker 1: so what what I like about.

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Speaker 2: The Italian in the set?

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Speaker 4: Italians?

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Speaker 2: And I have a.

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Speaker 1: Dumb you know, because I have because I have some

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Speaker 1: portions of my stand up set, my comedy routine. No,

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Speaker 1: I thought it was a great suggestion by you, Adam

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Speaker 1: and Adam palace here by the way, but I thought, oh,

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Speaker 1: good thing Adam was here because he he's on the ground.

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Speaker 1: You know, he's been doing these travelshers where he meets

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Speaker 1: huge uh you know groups and these swaths are nation

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Speaker 1: and he does beat these huge Italians. He does, he

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Speaker 1: does interact with them, and so he knows like, yeah,

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Speaker 1: some of the ship they're doing saying, I mean I

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Speaker 1: have a I have a actually, Adam, maybe you could

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Speaker 1: be a test audience for this. So I have a

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Speaker 1: joke I've been working on about Oh no, I don't

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Speaker 1: want to about the Italian ex nation. And I think

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Speaker 1: that just run it by you it's a joke about

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Speaker 1: a joke about Italians. Really, uh so it's sort of

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Speaker 1: this meta like bird's eye view.

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Speaker 4: But you're still making a joke about Italians.

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Speaker 1: Well, we'll see you tell me if this is okay, okay,

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Speaker 1: let's hear it. A man walks into a bar, A

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Speaker 1: blind gentleman sits at the bar, your orders a drink,

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Speaker 1: uh seven and seven, And as he's drinking it, he

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Speaker 1: starts sort of chatting up your bartender and they have ye, sorry.

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Speaker 2: I just got a I'm watching Adam I got I

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Speaker 2: saw sort of a confused look and if there's anything,

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Speaker 2: no back and was it the seven and seven he

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Speaker 2: could order? Seven?

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Speaker 4: Was no?

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Speaker 5: No, the seven and seven was specific. So I was like,

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Speaker 5: I was confused because sometimes when you're when you're hearing

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Speaker 5: a joke, you you know, you're like, this is all

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Speaker 5: this informations?

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Speaker 1: Is this gonna come into That's a that's a comic

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Speaker 1: mind like that is that is honed to a sharp edge,

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Speaker 1: because I don't think a lot of people do absorb

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Speaker 1: all those little details. No, the drink, you know, at

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Speaker 1: the average to spoil it, the drink is not ultimately

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Speaker 1: important to the joke. So if you want to change.

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Speaker 1: There are something you're more comfortable with. What are you

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Speaker 1: drinking these days?

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Speaker 2: Like what do you?

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Speaker 5: I would say, I just don't need a detail then

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Speaker 5: because then I'm focused on the It's like does he

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Speaker 5: need he just walked into a bar, that's enough.

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Speaker 2: Okay, So this is the mystery. This is close up magic,

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Speaker 2: Like this is like, this is the mystery I actually

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Speaker 2: I mean I don't want to speak for Sean, but

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Speaker 2: often like that, like he wants you to be focusing on.

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Speaker 4: Right, Well, that's what I was asking.

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Speaker 5: Yeah, that's so it doesn't matter joke.

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Speaker 2: It could be a different but it has to but

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Speaker 2: it has to be a yeah.

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Speaker 4: But the specificity, the specificity.

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Speaker 1: Is like creating a world for you, you know what

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Speaker 1: I mean? I wanted to joke feel lived in.

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Speaker 5: Of course, but like does that is the question is

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Speaker 5: like is it distracting from from where this is going

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Speaker 5: to go?

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Speaker 1: Well, I like to take the audience on a journey

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Speaker 1: with me.

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Speaker 2: You know, I don't.

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Speaker 4: Remember Billy Joel. I don't remember Billy Joel telling me

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Speaker 4: the color of the drapes and piano.

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Speaker 1: Man, but he tells you the colors of the wine.

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Speaker 1: He tells you two different colors of wine.

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Speaker 4: It's a different song. It's a different song.

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Speaker 1: But he but he does go into the colors of

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Speaker 1: the wine.

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Speaker 2: There's a bottle of different he does. He does say

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Speaker 2: the name of a drink and piano man. Yeah, and

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Speaker 2: he talks about a guy making love to it.

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Speaker 5: Is that not making but no, because that story was

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Speaker 5: about the people at the bar.

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Speaker 2: But this is a joke about people to be a joke.

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Speaker 4: This seems to be a joke about a specific.

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Speaker 5: Interaction that happened, and that has nothing to do with

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Speaker 5: the drink and piano man, the specific drink that the

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Speaker 5: specific interaction that happened was the guy making love to

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Speaker 5: his tonic and gin.

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Speaker 1: But he didn't. But he didn't that have to be

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Speaker 1: drinking a tonic in gin. I mean that he could

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Speaker 1: have been making love to his seven and seven.

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Speaker 4: But it wouldn't have rhymed with Well.

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Speaker 1: The joke doesn't rhyme. The joke's not gonna r I

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Speaker 1: don't know. I mean, if you need that to enjoy it, then.

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Speaker 5: No, I don't need any sort of iambic anything for

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Speaker 5: a for a for a for a punchline.

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Speaker 4: I'm just I'm just saying I just asked the question.

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Speaker 2: Yeah, okay, great, so this is good.

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Speaker 1: So he'll be drinking a tonic in gin because I

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Speaker 1: kind of know my audience a little bit now, and

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Speaker 1: I understand that that's something that helps make you feel comfortable.

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Speaker 1: So a gentleman uh walks in the bar.

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Speaker 5: I feel like I was thinking about the seven and

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Speaker 5: seven and I feel like I'm you want it bad,

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Speaker 5: I've already if I want it back, but I've like

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Speaker 5: labeled the guy in my head watch this.

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Speaker 1: I got you guy watching the bar. He's a blind

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Speaker 1: man and he sits down at the bar.

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Speaker 5: I forgot you aren't even blind. I forgot that he's

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Speaker 5: just blind. So it was because we're talking, right, Yeah,

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Speaker 5: it's super distracting that Yeah, okay, So do.

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Speaker 4: I need to know he's blind? Do I need to

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Speaker 4: know he's blind?

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Speaker 2: You do?

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Speaker 4: Okay? So okay, so yeah, can we start again.

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Speaker 5: Yeah, this hotel hotel chair is kind of uncomfortable.

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Speaker 1: Okay.

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Speaker 4: I don't know if that's going to pay off later.

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Speaker 5: I don't know if that's going to pay off later,

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Speaker 5: that the hotel chair was uncomfortable.

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Speaker 2: You brought.

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Speaker 4: I'm just saying now you brought.

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Speaker 5: Now that's yeah, but now that's something that you're going

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Speaker 5: to be thinking about and audience is going to be

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Speaker 5: thinking about throughout the rest of our interaction.

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Speaker 1: Well, if I can work it into the I mean,

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Speaker 1: do you want his bar stool to be uncomfortable?

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Speaker 2: Just you relate to the I'm not the story for that.

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Speaker 4: I'm just saying, Look, he could be shifting.

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Speaker 1: Around in his seat a little bit. That doesn't take

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Speaker 1: away from it, you.

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Speaker 5: Know, No, No, I think the most important a blind

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Speaker 5: guy walks into a bar with no assistance is like

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Speaker 5: the headline.

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Speaker 1: Yeah, he enters the bar and uh, and he sits down.

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Speaker 1: I mean, you want to have a dog?

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Speaker 5: I think if I don't want him to, but I

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Speaker 5: would be surprised if he didn't. If he's making his

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Speaker 5: way to a bar.

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Speaker 1: Okay, I don't even know what I'm talking about. So uh,

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Speaker 1: he sits down to yours two drinks. He says, I

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Speaker 1: have a ton of ajin into seven and.

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Speaker 4: Seven one for the dog.

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Speaker 1: If you like it too, And he's kind of for you,

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Speaker 1: and and he kind of starts to shimmy around in

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Speaker 1: his seat a little bit. He says he's new barstools

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Speaker 1: or something. This opens up an avenue of conversation with

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Speaker 1: the bartender, who he actually hits it off with. And

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Speaker 1: you know, she's explaining to him that the that the

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Speaker 1: place was recently refurbished, there's sort of more of like

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Speaker 1: a modern gastropub kind of venue now that it used

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Speaker 1: to be a little more divy, and so that's maybe

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Speaker 1: why he's noticing the chairs or the sools rather are different.

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Speaker 1: As they talk, he starts to feel more comfortable, and

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Speaker 1: he has another drink or two, and he finally says, uh,

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Speaker 1: you know, I'd love to share with you something that

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Speaker 1: makes me laugh. It's a joke about Italians. Now, before

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Speaker 1: he can say another word, he feels a hand grip

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Speaker 1: his shoulder. It's the person at the bar sitting next

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Speaker 1: to him, and she says, sir, before you tell this joke,

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Speaker 1: I want you to understand what's happening in the bar

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Speaker 1: around you. The woman behind the bar is in fact

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Speaker 1: an Italian.

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Speaker 2: Not only that, so the idea is that he's blind

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Speaker 2: if he could see this woman is visibly Adele's yes,

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Speaker 2: every everyone.

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Speaker 5: In the bar like she looks like the pasta queen, Like,

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Speaker 5: what what does that mean? Visibly Italian?

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Speaker 1: What does it mean?

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Speaker 2: To you.

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Speaker 4: No, no, no, no, no, I'm I'm not telling the joke.

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Speaker 2: Well, I agree because the idea, what.

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Speaker 1: Wow, the chair paid off, the chair paid off, and

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Speaker 1: that's and and that's a comic mind she's she's uh

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Speaker 1: strakan nona? That's yeah?

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Speaker 2: How are.

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Speaker 1: Yeah? So the woman grabbing this man's arm, says, the

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Speaker 1: woman behind the bar is visibly Italian. She's wearing a

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Speaker 1: kiss me on Italian pin, her shirt is the Italian flag,

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Speaker 1: and not only that, she's proud of her heritage. And

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Speaker 1: she has a black belt at karate. I myself, sir

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Speaker 1: am Italian. And while one hand is gripping your shoulder

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Speaker 1: to warn you off of a potential faux pas, the

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Speaker 1: other hand is wielding a spiked baseball bat. Behind you

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Speaker 1: at the table, there are two Italian best friends, off

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Speaker 1: duty police officers, each with a loaded weapon on their hip.

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Speaker 1: And of course, at the door that you walk past

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Speaker 1: with your dog is a bouncer who happens to be

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Speaker 1: Italian as well. So are you sure you want to

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Speaker 1: tell this joke? And the gentleman says, well, not if

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Speaker 1: I'm going to have to explain it five times.

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Speaker 2: Do you get it?

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Speaker 4: Yeah? Yeah, I got it.

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Speaker 2: Do you not get it?

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Speaker 4: No? I get it.

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Speaker 1: Do you like was the drinking issue or what happened.

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Speaker 4: With the No, it turns out none of it was

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Speaker 4: an issue. It was just should he joke?

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Speaker 2: Okay? Yeah, okay, And you feel bad because like you

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Speaker 2: had to have it.

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Speaker 1: Actually it was like your idea kind of to tell it.

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Speaker 5: You see, you were telling it almost immediately when we

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Speaker 5: came on.

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Speaker 1: Well, you diggested that the area of Italian I.

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Speaker 4: Suggested that, Yeah, but you could plug in any like.

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Speaker 5: It almost feels like the point of the joke is

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Speaker 5: that you could.

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Speaker 4: You could take out the word Italian on plugging any of.

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Speaker 2: The you have some other examples, yeah.

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Speaker 1: No, no, no, no, no, okay, because that that is that

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Speaker 1: is the point to me, is like what's the right

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Speaker 1: specific these days? Because it's getting a little bit complicated

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Speaker 1: and you know, and maybe maybe Italian X is not the.

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Speaker 4: The You're right, you know.

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Speaker 5: I guess the reason I didn't laugh at the joke

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Speaker 5: is because I was humbled, truly when I for even.

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Speaker 4: For even Italians. Yeah, I caught that, even in a jokey.

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Speaker 5: Way, because it did I was it was very funny

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Speaker 5: when because I didn't know what you were going to

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Speaker 5: be talking.

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Speaker 2: About, what I'm going to say or anything.

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Speaker 5: Yeah, and then you took me by surprise and it

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Speaker 5: made me laugh, and then I tried to get it

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Speaker 5: on it and I just can't keep up.

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Speaker 1: So oh, I wouldn't say that. You know, we have

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Speaker 1: different styles, and I think that's cool. I think it's

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Speaker 1: what works, like when you do this show, like it's

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Speaker 1: this kind of clash of these styles. There's his work

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Speaker 1: is really cerebral. I have this it's mathy, yes, and

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Speaker 1: then I have I'm I'm operating off this like gut instinct.

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Speaker 1: And then you have like a bag of tricks like

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Speaker 1: you have like a oh I don't know, like moves.

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Speaker 4: That you could do that people have seen.

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Speaker 5: And I know we'll get results, but I almost feel like,

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Speaker 5: I guess since I've gotten older, I don't know that

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Speaker 5: it's like I'm not even.

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Speaker 2: That the bag. It's not really like a bag.

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Speaker 5: We're not even in the same not even Yeah, I

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Speaker 5: was gonna say that, we're.

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Speaker 4: Not even shopping at the same store, sugar.

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Speaker 5: I don't think I think like I think that I'm

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Speaker 5: just not as quick as you guys.

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Speaker 4: I'm not as like I don't.

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Speaker 2: Think it's about speed. I honestly don't think that any well.

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Speaker 5: Read I'm not as surprising. I think, you know, I haven't. Honestly,

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Speaker 5: I had the time to work on my comedic chops,

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Speaker 5: and I uh, it shows because you guys are, like

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Speaker 5: I said, lightning fast.

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Speaker 2: And but also not working at it. It doesn't it

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Speaker 2: doesn't actually like.

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Speaker 4: It seems one.

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Speaker 5: I think anyone heard this conversation, see those two are

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Speaker 5: working extremely hard.

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Speaker 4: No, I think I've lost that drive at work.

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Speaker 1: Where it doesn't look like your work. Yeah, it's like

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Speaker 1: it's that still don't see the work. But it's I

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Speaker 1: guess I kind of, but I guess I love it.

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Speaker 2: I think you're selling yourself short as someone who people

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Speaker 2: look at and they're like, that person's working very hard, hard,

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Speaker 2: like the real pick me vibes from that person.

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Speaker 5: No, I know, I look people look at me and

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Speaker 5: they say, that guy's on his grind, he's working hard.

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Speaker 5: And that's that's because I'm out there, you know, So

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Speaker 5: I get that.

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Speaker 4: Yeah, main carried for sure, and I think that it's

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Speaker 4: just I don't. I haven't. I haven't been.

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Speaker 5: Behind the in a room in a while, you know,

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Speaker 5: I don't. I certainly don't have faceless writer energy. And

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Speaker 5: I am not as quick as you guys. I am

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Speaker 5: a step behind in that way. I've been out. It's

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Speaker 5: like I've almost been out in front.

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Speaker 1: Hearing you talk like this. I really don't think you.

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Speaker 1: I hate you step and I think.

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Speaker 2: You know.

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Speaker 1: For me, I'm like, if there was some kind of

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Speaker 1: magic comedy powder, I could just sprinkle right provide you

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Speaker 1: with that boost to feel like you are quick, like

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Speaker 1: you are kind of hopping, you know what I mean?

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Speaker 1: Because that that's how I think I was like a

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Speaker 1: guy who is on fire.

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Speaker 4: Yeah, yeah, I think, And I think even now.

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Speaker 5: Sitting here without any of that reference powder, which I

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Speaker 5: know you yourself would never touch it all, and that

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Speaker 5: you pride yourself on it, and you would compare us.

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Speaker 5: It's like looking. I mean, like we are just in

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Speaker 5: different leaves. It's like looking. It's like looking at a

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Speaker 5: at a at a dog and a supermodel. It's like,

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Speaker 5: you can't expect the supermodel to eat out of a bowl.

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Speaker 5: You know, I wouldn't know, so that would be even harder.

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Speaker 5: Need a spoon, you can't. It would be harder to

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Speaker 5: eat out of a bowl if it was liquid. I

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Speaker 5: would assume, right, or I guess I don't know, maybe easier.

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Speaker 5: The point is that I feel a spoon, I guess,

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Speaker 5: so yeah, But then you get to the bottom of

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Speaker 5: me so soup without the spoon, and you're confused a little,

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Speaker 5: like how do I get the spinach.

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Speaker 4: The tofu into my mouth? And I got to use

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Speaker 4: my chopsticks.

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Speaker 5: But the point is I feel bad that I even

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Speaker 5: tried to get in the ring with to legit, I mean,

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Speaker 5: mount rushmore of podcasting really truly, Like when I think

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Speaker 5: about podcasters, especially white ones, you guys are like the best,

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Speaker 5: and I can't.

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Speaker 2: It was dumb. It was dumb.

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Speaker 5: Let's just do the interview, Let's just do an interview,

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Speaker 5: let's talk about it, let's just talk about let's just

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Speaker 5: talk about.

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Speaker 4: My movies or whatever, because I feel.

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Speaker 2: Like, no, and I you know, I well, I think

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Speaker 2: this is relevant to the I wouldn't know what movies

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Speaker 2: to talk about, but the TV show we can Yeah,

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Speaker 2: I wouldn't know.

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Speaker 5: Yeah, when you talk about the TV show, yeah, you probably,

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Speaker 5: but this is probably more of an art house guy, right,

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Speaker 5: you probably don't see the major fair.

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Speaker 2: I don't know, Like if it is art house, it's

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Speaker 2: not like I don't know what the budget is or

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Speaker 2: I wouldn't imagine where we're talking about, like huge budget

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Speaker 2: stuf wouldn't be my guess.

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Speaker 4: But yeah, I know I would know, I would.

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Speaker 5: I would say that, I'm you're probably you're not gonna

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Speaker 5: catch me in an A two four film.

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Speaker 2: So if I didn't come across your desk, guy, even

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Speaker 2: saying it a two four is, yeah, it feels like

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Speaker 2: you're not familiar with the which is I mean, like

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Speaker 2: whatever it is, if there are if it is a movie,

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Speaker 2: if there are movies, if there are no movies, like

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Speaker 2: that's it's all fine.

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Speaker 1: If you one movie, or you could put an s

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Speaker 1: on and you could pluralize movies and regardless, it's not

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Speaker 1: you know, it's not gonna change the way I see

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Speaker 1: you because I haven't seen any anything that you've been in.

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Speaker 4: I do know the show wrote Sean you wrote Sean Hollman.

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Speaker 1: Second, and also I mean, I mean since the last time, yeah.

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Speaker 5: Since the last one, because I was gonna say you wrote,

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Speaker 5: I mean a job you held firmly was a writer

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Speaker 5: on the show that I was, I was on and

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Speaker 5: then and then and then I think we you were

364
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Speaker 5: so funny that you you were on the show too,

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Speaker 5: You remember that.

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Speaker 1: I think that's how most people will characterize my the

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Speaker 1: path to me appearing on the show. But I do remember, Yeah,

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Speaker 1: I remember us working together on the show, and it

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Speaker 1: was for me, it.

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Speaker 4: Was a so you've seen my work. We don't have to.

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Speaker 4: You guys are smart guys.

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Speaker 1: No, I know, I know. But you said, I'm sorry

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Speaker 1: when you said you can talk about my movies, I

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Speaker 1: assumed you meant that you were And this is my mistake,

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Speaker 1: and this is like why communication is so important. I

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Speaker 1: thought you meant something you'd done, like since the last

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Speaker 1: time you were here, that we would be That's what

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Speaker 1: I thought about too. I'm sure I didn't.

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Speaker 2: I thought it was the fact that we're talking about

380
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Speaker 2: the show from like twelve years ago or whatever. Like

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Speaker 2: I honestly thought when you were talking, I think that's

382
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Speaker 2: movies and shows and things we were talking about.

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Speaker 1: And that's why I was confused. I think that's why

384
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Speaker 1: I was confused.

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Speaker 2: That's and the pandemic. Look, the pandemic has been tough

386
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Speaker 2: on the entire business and not podcasting, but at our beards.

387
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Speaker 4: Look at our beards.

388
00:21:02,600 --> 00:21:07,200
Speaker 2: Yeah, and so like there's no sure shame.

389
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Speaker 4: I wish it would end.

390
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Speaker 2: I wish and not happen.

391
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Speaker 4: I'm at my work with it.

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Speaker 2: Yeah. Well, watching your show, I was sort of like, oh,

393
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Speaker 2: I guess this guy thinks the pandemic is over where

394
00:21:16,920 --> 00:21:20,040
Speaker 2: we actually are still in the global pandemic. So right, no, no,

395
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Speaker 2: And that's watching you eat at restaurants every day. So

396
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Speaker 2: it's like, Okay, this is actually killing people when when

397
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Speaker 2: you do this, if that's if that's something you're comfortable with,

398
00:21:30,600 --> 00:21:31,760
Speaker 2: then that's.

399
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Speaker 4: Yeah.

400
00:21:32,480 --> 00:21:34,919
Speaker 2: We all were all like adapting to this moment in

401
00:21:34,920 --> 00:21:36,760
Speaker 2: different ways, and some people are choosing to do it

402
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Speaker 2: in a way that like is in service and damage people,

403
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Speaker 2: and some people are crossing people's lives and and it's and.

404
00:21:45,440 --> 00:21:51,600
Speaker 5: Yeah, yeah, I mean, uh, I just want to say also, like,

405
00:21:51,640 --> 00:21:54,199
Speaker 5: because we've been talking a lot about context, like you

406
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Speaker 5: guys asked me to come on this show.

407
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Speaker 4: You asked me to come here.

408
00:21:57,440 --> 00:21:59,360
Speaker 2: Yes, because the rest.

409
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Speaker 5: You said you even in the email I believe it,

410
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Speaker 5: said come on, come on the show, talk about new show.

411
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Speaker 6: So I I am a little bit like, I know,

412
00:22:09,680 --> 00:22:11,560
Speaker 6: I know I shouldn't have jumped in the deep water

413
00:22:11,640 --> 00:22:15,760
Speaker 6: of you know, comedy writers or whatever you guys are

414
00:22:15,840 --> 00:22:16,760
Speaker 6: but the past.

415
00:22:17,480 --> 00:22:18,119
Speaker 4: It's in the past.

416
00:22:18,119 --> 00:22:21,280
Speaker 5: But I do feel a little bit like you're you're

417
00:22:21,320 --> 00:22:24,800
Speaker 5: on the attack. You got your you got your pens out,

418
00:22:24,880 --> 00:22:26,840
Speaker 5: and they do seem to be mightier than a sword

419
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Speaker 5: right now.

420
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Speaker 4: So I I, uh, I want to apologize.

421
00:22:30,720 --> 00:22:34,000
Speaker 2: I want to well, I actually I don't need to

422
00:22:34,040 --> 00:22:36,840
Speaker 2: start it like there there is. You came to us

423
00:22:37,040 --> 00:22:41,280
Speaker 2: saying that you were inadequate for to like engage with them.

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Speaker 4: I am. There's no way that I could keep up

425
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Speaker 4: with this light.

426
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Speaker 2: I mean, but that's the speed, Sean said, already and

427
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Speaker 2: and I said to the speed doesn't matter and there

428
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Speaker 2: and again, I do think that even with time, it

429
00:22:55,680 --> 00:22:59,040
Speaker 2: would make any different. And I know that because like

430
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Speaker 2: I watched the show and I was a little worried,

431
00:23:01,720 --> 00:23:04,080
Speaker 2: like this is a this format is like quick a

432
00:23:04,200 --> 00:23:09,680
Speaker 2: travel show format, Like you're like, uh, handheld, you're on

433
00:23:09,720 --> 00:23:11,840
Speaker 2: the move, Like they're not going to have time to

434
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Speaker 2: like stop it down for you, no, and like cut

435
00:23:15,359 --> 00:23:18,439
Speaker 2: around like some of your ship. So I was like, like,

436
00:23:18,600 --> 00:23:20,960
Speaker 2: is he going to be able to create kind of

437
00:23:20,960 --> 00:23:23,919
Speaker 2: that like in a box that old how that like

438
00:23:23,920 --> 00:23:27,639
Speaker 2: twelve years ago pally like energy like on this show?

439
00:23:28,280 --> 00:23:32,639
Speaker 2: But Ultimately, I found like the show is working for

440
00:23:32,680 --> 00:23:34,440
Speaker 2: me because you didn't even try to do that at all.

441
00:23:34,480 --> 00:23:38,680
Speaker 2: It's like super corporate. It's like working for you that way.

442
00:23:39,200 --> 00:23:43,040
Speaker 1: Yeah, it's very exactly in this way that's very palatable

443
00:23:43,320 --> 00:23:49,119
Speaker 1: and very uh it feels like pleasant because it's so

444
00:23:49,160 --> 00:23:54,480
Speaker 1: sort of generic and nonspecific processed cheese. Yeah, you know

445
00:23:54,520 --> 00:23:59,000
Speaker 1: what you're getting. You've had it before, and there's no

446
00:23:59,760 --> 00:24:03,359
Speaker 1: like nasty surprise waiting for you, you know, feel like

447
00:24:03,480 --> 00:24:04,320
Speaker 1: dangerous at all.

448
00:24:04,920 --> 00:24:05,879
Speaker 4: No, we're not trying to.

449
00:24:06,000 --> 00:24:09,040
Speaker 5: And again, like I it's just that's just the tone

450
00:24:09,040 --> 00:24:11,080
Speaker 5: that we wanted to go for. We wanted it to

451
00:24:11,119 --> 00:24:17,159
Speaker 5: be aspirational where like to nobody's could look at it

452
00:24:17,200 --> 00:24:18,080
Speaker 5: and be like I could do.

453
00:24:18,119 --> 00:24:20,920
Speaker 4: That, you know, and clearly we've we've done that. I'm

454
00:24:20,960 --> 00:24:24,320
Speaker 4: learning today. So I I really appreciate that it's.

455
00:24:24,640 --> 00:24:27,879
Speaker 2: Special in that way for something that is like oh yeah,

456
00:24:28,200 --> 00:24:35,439
Speaker 2: like so not ambitious, uh like so and also so

457
00:24:36,040 --> 00:24:40,879
Speaker 2: forward in its desire to just like make money to

458
00:24:41,320 --> 00:24:46,240
Speaker 2: like so yeah, because there's it's not a there's not

459
00:24:46,320 --> 00:24:50,040
Speaker 2: going to it to like go into restaurants and basically

460
00:24:50,080 --> 00:24:53,880
Speaker 2: just not that eating this food and be like god

461
00:24:54,000 --> 00:24:56,680
Speaker 2: like this is so awesome when it like obviously fucking sucks.

462
00:24:57,720 --> 00:25:01,120
Speaker 1: You know, I was the first Gen X allowed damage ship.

463
00:25:01,280 --> 00:25:03,879
Speaker 4: Do you know that I was the first person ever

464
00:25:04,119 --> 00:25:05,080
Speaker 4: on Hollywood Handbook?

465
00:25:05,080 --> 00:25:07,280
Speaker 2: Did you know that that was? So that there's been

466
00:25:07,280 --> 00:25:09,800
Speaker 2: some confusion about that was Jake Johnson and we do

467
00:25:09,920 --> 00:25:13,919
Speaker 2: hear that all the time, that that confusion still even now,

468
00:25:15,000 --> 00:25:17,480
Speaker 2: which which I like, if you know, if I'm you,

469
00:25:17,600 --> 00:25:18,480
Speaker 2: I'm like, that's.

470
00:25:18,280 --> 00:25:19,800
Speaker 4: Great, I'm Mandela.

471
00:25:19,960 --> 00:25:22,919
Speaker 5: I have a Mandela effect of my I didn't do

472
00:25:23,000 --> 00:25:24,880
Speaker 5: Hollywood Handbook, you did.

473
00:25:24,920 --> 00:25:28,960
Speaker 1: It was a guest that that was Blake.

474
00:25:30,359 --> 00:25:32,159
Speaker 4: Where am I in the guest list?

475
00:25:32,400 --> 00:25:32,720
Speaker 2: Third?

476
00:25:35,119 --> 00:25:35,800
Speaker 1: Maybe four?

477
00:25:37,080 --> 00:25:40,199
Speaker 5: Is there some one of database we can look at

478
00:25:40,800 --> 00:25:41,280
Speaker 5: on it?

479
00:25:42,119 --> 00:25:43,520
Speaker 4: Thanks Kevin, that's right.

480
00:25:43,640 --> 00:25:47,400
Speaker 1: Fourth and the thirty about.

481
00:25:47,240 --> 00:25:50,960
Speaker 2: The third guest who has come back about this show?

482
00:25:52,320 --> 00:25:55,560
Speaker 1: Any show about your I don't watch in these days.

483
00:25:56,680 --> 00:25:58,919
Speaker 4: I don't.

484
00:25:59,520 --> 00:26:03,480
Speaker 2: You don't why that showed up in in in your show?

485
00:26:03,920 --> 00:26:08,920
Speaker 1: Yeah, just because there's something I watched fIF FIFA number

486
00:26:08,960 --> 00:26:11,120
Speaker 1: four number four four.

487
00:26:11,400 --> 00:26:12,600
Speaker 4: So I really set the template.

488
00:26:12,640 --> 00:26:13,600
Speaker 2: I guess.

489
00:26:14,560 --> 00:26:17,160
Speaker 1: Yeah, you were batt and clean up mm hmm, right,

490
00:26:17,480 --> 00:26:24,359
Speaker 1: bases loaded, we had Jake Johnson and then yeah.

491
00:26:22,840 --> 00:26:25,160
Speaker 2: Got stranded out there mm hmmm.

492
00:26:25,640 --> 00:26:30,080
Speaker 5: So you started strong and then tailed off to now,

493
00:26:31,160 --> 00:26:32,359
Speaker 5: when was the less time Donald was on?

494
00:26:33,840 --> 00:26:34,240
Speaker 1: Let me.

495
00:26:36,680 --> 00:26:38,200
Speaker 2: Kevin? Where? Yeah? Where is that?

496
00:26:38,280 --> 00:26:41,280
Speaker 4: Who's speaking over there? Kevin? Are you speaking? Shut the

497
00:26:41,400 --> 00:26:42,440
Speaker 4: fuck up?

498
00:26:44,400 --> 00:26:46,080
Speaker 1: Sorry, sir, thank you.

499
00:26:47,280 --> 00:26:47,480
Speaker 2: Wait.

500
00:26:47,520 --> 00:26:52,080
Speaker 4: I had a question for you, Adam, when was one second? Fuck?

501
00:26:53,480 --> 00:26:54,879
Speaker 4: When was the last time Donald was on?

502
00:26:57,240 --> 00:26:58,560
Speaker 1: I don't have all the numbers.

503
00:26:58,640 --> 00:26:59,480
Speaker 2: And Jake?

504
00:26:59,520 --> 00:27:00,960
Speaker 4: How many times is Jake been back?

505
00:27:02,240 --> 00:27:07,240
Speaker 2: He's he's he's been back for sure. How many like

506
00:27:07,520 --> 00:27:08,400
Speaker 2: what like? How many?

507
00:27:08,520 --> 00:27:08,600
Speaker 4: Like?

508
00:27:09,119 --> 00:27:11,399
Speaker 2: How many? I don't know what.

509
00:27:11,359 --> 00:27:17,160
Speaker 1: Times means like, I can't like how many like? Answer that?

510
00:27:17,320 --> 00:27:19,600
Speaker 2: Like? Funny bits did he do on the like how

511
00:27:19,600 --> 00:27:23,680
Speaker 2: many like clips were? How many? How many amazing clips

512
00:27:23,680 --> 00:27:25,239
Speaker 2: were we able to pull from it?

513
00:27:25,680 --> 00:27:27,040
Speaker 4: No, that's not what I asked.

514
00:27:27,520 --> 00:27:30,360
Speaker 1: He's been back and and and honestly, when he has

515
00:27:30,440 --> 00:27:34,280
Speaker 1: come back and we've said thank you for doing this,

516
00:27:34,480 --> 00:27:38,520
Speaker 1: he said any time, So quantify the same thing.

517
00:27:38,680 --> 00:27:41,800
Speaker 2: And after the show was over, and the first thing

518
00:27:41,840 --> 00:27:43,520
Speaker 2: he said after the show was over was that was

519
00:27:43,520 --> 00:27:44,359
Speaker 2: really fun guys.

520
00:27:45,000 --> 00:27:50,560
Speaker 1: Yeah, so that was crazy. Oh my god, you guys

521
00:27:50,560 --> 00:27:51,159
Speaker 1: are nuts.

522
00:27:51,160 --> 00:27:52,119
Speaker 2: That was so funny.

523
00:27:52,560 --> 00:27:54,480
Speaker 4: Blake, who is Blake?

524
00:27:56,280 --> 00:28:01,080
Speaker 2: Blake? Blake Anderson? He was back recently too, the work

525
00:28:01,080 --> 00:28:01,720
Speaker 2: aholic guy.

526
00:28:02,240 --> 00:28:06,000
Speaker 5: Yeah, he's like I'm supposed to.

527
00:28:05,520 --> 00:28:13,000
Speaker 2: I don't even think of him as the white Yeah Blake, Yeah,

528
00:28:13,160 --> 00:28:17,840
Speaker 2: well he's on, he's on now. I tried to watch

529
00:28:18,560 --> 00:28:21,840
Speaker 2: I tried to watch your show on Hulu and they

530
00:28:21,840 --> 00:28:23,800
Speaker 2: said it's not available right now.

531
00:28:24,080 --> 00:28:30,680
Speaker 5: Look, I truly, truly, I would tell I'm never coming

532
00:28:30,720 --> 00:28:34,000
Speaker 5: back ever to this podcast ever.

533
00:28:35,359 --> 00:28:40,200
Speaker 2: I And this is this is that insecurity again, that

534
00:28:40,200 --> 00:28:44,640
Speaker 2: that you don't you're able to everyone.

535
00:28:44,800 --> 00:28:48,520
Speaker 5: I always do this, and I it's the same thing.

536
00:28:48,840 --> 00:28:52,000
Speaker 5: I come in, you start choking around. I start choking around,

537
00:28:52,040 --> 00:28:56,400
Speaker 5: and then immediately I get insulted because you guys either

538
00:28:56,600 --> 00:29:01,080
Speaker 5: haven't seen my movie or insulting yourself, don't like it,

539
00:29:01,240 --> 00:29:04,440
Speaker 5: and you're you're you're backhand accomplimenting me, and I just.

540
00:29:06,880 --> 00:29:07,400
Speaker 2: I love.

541
00:29:09,680 --> 00:29:10,480
Speaker 4: I'm like Donald.

542
00:29:11,160 --> 00:29:13,960
Speaker 5: I'm just like Donald, except I've done this show more

543
00:29:14,000 --> 00:29:15,560
Speaker 5: times and that's enough.

544
00:29:15,640 --> 00:29:16,360
Speaker 4: Enough is enough.

545
00:29:17,120 --> 00:29:20,160
Speaker 1: If it's about.

546
00:29:20,760 --> 00:29:24,800
Speaker 5: I see you think about saying something, I don't even

547
00:29:24,840 --> 00:29:30,320
Speaker 5: fucking laugh, so annoyed Kevin.

548
00:29:30,760 --> 00:29:33,400
Speaker 7: This week on the Patreon Carlin Assan draft the fantasy

549
00:29:33,400 --> 00:29:36,160
Speaker 7: football team the Boys help the listeners go to sleep

550
00:29:36,200 --> 00:29:38,800
Speaker 7: on the pro Version and The Flaker Ones are mostly

551
00:29:38,840 --> 00:29:42,239
Speaker 7: talking all things basketball. Check out all these shows and

552
00:29:42,280 --> 00:29:45,160
Speaker 7: the video for today's episode with Adam at Patreon dot

553
00:29:45,200 --> 00:29:46,600
Speaker 7: com Slash the Flaker Ones.

554
00:29:52,240 --> 00:29:52,880
Speaker 2: I think we can.

555
00:29:52,960 --> 00:29:55,400
Speaker 1: I think we've actually identified what the issue is is,

556
00:29:55,440 --> 00:29:58,680
Speaker 1: like where you're going at each other. You know, you

557
00:29:58,760 --> 00:30:01,640
Speaker 1: feel like we're in soul thing you or something. We

558
00:30:01,720 --> 00:30:07,360
Speaker 1: obviously feel like you don't appreciate the kind of soft

559
00:30:07,440 --> 00:30:09,760
Speaker 1: landing we try to provide when you do come on

560
00:30:09,800 --> 00:30:13,080
Speaker 1: the show, which is which is I let me to.

561
00:30:13,080 --> 00:30:16,600
Speaker 2: Say, I'm not worried about that, like that him like

562
00:30:16,680 --> 00:30:19,560
Speaker 2: not being appreciative because I know that's shorts on the show.

563
00:30:19,640 --> 00:30:20,880
Speaker 4: Has Ben Schwartz on the show?

564
00:30:21,640 --> 00:30:22,080
Speaker 1: Yeah?

565
00:30:22,400 --> 00:30:25,760
Speaker 2: He Someone tweeted at him, do you want to do

566
00:30:25,800 --> 00:30:27,920
Speaker 2: the show again? And he was like, yeah, those guys

567
00:30:27,920 --> 00:30:29,640
Speaker 2: are so funny. It was like he did he said,

568
00:30:29,640 --> 00:30:30,200
Speaker 2: those guys.

569
00:30:30,080 --> 00:30:32,080
Speaker 4: And I can find that. I can find that tweet.

570
00:30:32,400 --> 00:30:33,880
Speaker 1: That tweet, we can find it.

571
00:30:34,240 --> 00:30:34,720
Speaker 4: We can find that.

572
00:30:35,240 --> 00:30:36,800
Speaker 1: Kevinvin Ken, you can find it.

573
00:30:37,800 --> 00:30:43,160
Speaker 5: Yeah, because apparently he can do everything, including talk on

574
00:30:43,200 --> 00:30:43,600
Speaker 5: a podcast.

575
00:30:43,600 --> 00:30:45,480
Speaker 4: Where supposed to be a fucking engineer.

576
00:30:45,640 --> 00:30:50,640
Speaker 5: Or whatever, the producer whatever, Why why do produces a

577
00:30:50,680 --> 00:30:54,160
Speaker 5: fucking podcast I'm recording on my phone.

578
00:30:54,280 --> 00:30:56,360
Speaker 4: I'm recording my fucking phone. Good job, keV.

579
00:30:57,520 --> 00:30:59,520
Speaker 1: That is a good job, Kevin, because sometimes people don't

580
00:30:59,520 --> 00:31:02,280
Speaker 1: record on we have to use the zoom audio and

581
00:31:02,360 --> 00:31:03,560
Speaker 1: it's always a step down.

582
00:31:03,880 --> 00:31:04,479
Speaker 2: Thanks Vin.

583
00:31:04,560 --> 00:31:07,160
Speaker 5: I'm just say this was on my This was on

584
00:31:07,200 --> 00:31:09,760
Speaker 5: my press junket for today.

585
00:31:09,960 --> 00:31:11,080
Speaker 4: I have a.

586
00:31:11,080 --> 00:31:13,800
Speaker 1: Ton Well, I know, you got to get you.

587
00:31:14,600 --> 00:31:17,120
Speaker 2: They're having to hit it hard. Their word, it's it's

588
00:31:17,160 --> 00:31:20,360
Speaker 2: not the chip isn't sailing on its own.

589
00:31:20,720 --> 00:31:24,800
Speaker 5: I actually think is so high that people are dying

590
00:31:24,800 --> 00:31:25,719
Speaker 5: to talk to us.

591
00:31:25,880 --> 00:31:27,640
Speaker 4: Okay, so I have to. I have a ton of

592
00:31:27,640 --> 00:31:28,520
Speaker 4: interviews today.

593
00:31:28,680 --> 00:31:29,040
Speaker 2: That's g.

594
00:31:30,960 --> 00:31:33,880
Speaker 5: You know, I should have known this. A lot of

595
00:31:33,880 --> 00:31:37,600
Speaker 5: my friends are feeling this way. You guys are fucking jealous.

596
00:31:39,040 --> 00:31:42,360
Speaker 1: Wait, okay, friends, do you have.

597
00:31:42,360 --> 00:31:42,920
Speaker 4: You see that?

598
00:31:43,680 --> 00:31:46,760
Speaker 2: And so's is that real? Let's see if this if

599
00:31:46,760 --> 00:31:49,240
Speaker 2: the guys that are the start off of this tweet

600
00:31:49,280 --> 00:31:54,200
Speaker 2: would be jealous. Here's first off, one guy says, well,

601
00:31:54,240 --> 00:31:57,600
Speaker 2: you do Hollywood Handbook again. The boys need your joyous wit.

602
00:31:57,800 --> 00:31:58,920
Speaker 2: I don't know what that means.

603
00:31:59,080 --> 00:32:01,120
Speaker 4: Okay, so this guy saw that.

604
00:32:02,080 --> 00:32:06,760
Speaker 8: That we need like we need it. Yeah, it's take

605
00:32:06,840 --> 00:32:10,120
Speaker 8: it spot on. He seems like he's a fan, and

606
00:32:10,160 --> 00:32:15,920
Speaker 8: then then he knows you did.

607
00:32:14,400 --> 00:32:17,560
Speaker 2: Sonic to response, oh wait, that's the movie you were

608
00:32:17,600 --> 00:32:18,200
Speaker 2: talking about.

609
00:32:19,120 --> 00:32:24,160
Speaker 4: Yeah, one of them.

610
00:32:22,280 --> 00:32:24,080
Speaker 2: But probably the what you were talking about where you

611
00:32:24,080 --> 00:32:30,440
Speaker 2: were talking about like big budget movies, super spreaders. And

612
00:32:30,520 --> 00:32:35,120
Speaker 2: of course this is like all in line with I mean,

613
00:32:35,240 --> 00:32:40,640
Speaker 2: like famously, the Sonic franchise has killed more people than

614
00:32:40,640 --> 00:32:45,280
Speaker 2: all Wars put together because it brought any other film.

615
00:32:45,960 --> 00:32:49,240
Speaker 2: It brought people indoors at a.

616
00:32:49,240 --> 00:32:53,000
Speaker 1: Time when that was the beginning of the pandemic.

617
00:32:53,800 --> 00:32:59,360
Speaker 2: Yes, and now you're doing the show that is basically

618
00:32:59,440 --> 00:33:01,120
Speaker 2: called Let's Go Inside.

619
00:33:02,360 --> 00:33:06,160
Speaker 4: How do you get any in what world is this?

620
00:33:06,400 --> 00:33:08,800
Speaker 2: But wait, pull up what he said, any.

621
00:33:08,600 --> 00:33:11,959
Speaker 4: Sort of whatever, bring me on?

622
00:33:12,040 --> 00:33:18,000
Speaker 2: And they most honorable profession in the world telling the truth. Then,

623
00:33:19,600 --> 00:33:24,840
Speaker 2: of course those those those two guys, so he knows

624
00:33:24,920 --> 00:33:26,280
Speaker 2: exactly how many.

625
00:33:26,080 --> 00:33:26,840
Speaker 1: Of us there are.

626
00:33:27,240 --> 00:33:33,680
Speaker 2: Yes, the show hilarious, has nothing to say about hilarious.

627
00:33:33,720 --> 00:33:36,160
Speaker 1: They say they need your joyous wit, And I think

628
00:33:36,200 --> 00:33:38,800
Speaker 1: he's kind of giving this poster a bit of a

629
00:33:38,800 --> 00:33:42,160
Speaker 1: bop on the nose. They need me those two guys

630
00:33:42,160 --> 00:33:43,480
Speaker 1: are hilarious.

631
00:33:43,960 --> 00:33:45,840
Speaker 4: Well, that's not what he says. He says, of course,

632
00:33:47,200 --> 00:33:50,240
Speaker 4: of course, of course, you guys are hilarious. Well, right,

633
00:33:50,360 --> 00:33:51,880
Speaker 4: will you do, Hollywood, hambig again?

634
00:33:52,520 --> 00:33:54,920
Speaker 1: Separate two separate lines here, will you do, Hollywood?

635
00:33:57,880 --> 00:34:00,960
Speaker 4: Those guys are of course they do. Of course they.

636
00:34:00,840 --> 00:34:03,600
Speaker 2: Need you're not following the order order.

637
00:34:03,680 --> 00:34:06,600
Speaker 4: I don't think. I also think, and I don't think.

638
00:34:06,640 --> 00:34:08,919
Speaker 4: I know. You could leave that up.

639
00:34:08,800 --> 00:34:11,680
Speaker 5: There as much as you want, because there's nothing that

640
00:34:11,840 --> 00:34:18,239
Speaker 5: I would want more than to be told I'm hilarious.

641
00:34:19,200 --> 00:34:21,880
Speaker 5: I love it, and I love it when it comes

642
00:34:21,920 --> 00:34:26,799
Speaker 5: from other comedians in a public forum, almost like.

643
00:34:28,360 --> 00:34:29,960
Speaker 2: Adam he King made you.

644
00:34:30,080 --> 00:34:33,160
Speaker 4: He he King made you. He said, these guys are

645
00:34:33,200 --> 00:34:33,920
Speaker 4: my guys.

646
00:34:34,480 --> 00:34:38,720
Speaker 2: That is honestly, that's one of the most.

647
00:34:38,640 --> 00:34:43,719
Speaker 9: Hilarious he said, he said verified, he said verified.

648
00:34:43,840 --> 00:34:48,440
Speaker 5: The idea of those two guys, those two guys, I

649
00:34:48,480 --> 00:34:50,160
Speaker 5: will say verified.

650
00:34:50,280 --> 00:34:51,480
Speaker 4: Now you can now they're safe.

651
00:34:51,960 --> 00:34:57,080
Speaker 2: The idea that you would need to be told that

652
00:34:57,080 --> 00:35:03,200
Speaker 2: that you have been hilarious in your career before. M hmm.

653
00:35:03,680 --> 00:35:07,160
Speaker 1: That's that's that's laughing, that's that's hilarious.

654
00:35:07,160 --> 00:35:09,279
Speaker 2: That's making that you need to.

655
00:35:09,239 --> 00:35:12,280
Speaker 8: Hear that that that you have done.

656
00:35:12,800 --> 00:35:14,319
Speaker 2: I need it, I like it, I like it, and

657
00:35:14,400 --> 00:35:16,160
Speaker 2: I know that hilarious work and.

658
00:35:16,280 --> 00:35:19,839
Speaker 5: I know that there's nothing more that you guys love

659
00:35:19,920 --> 00:35:26,000
Speaker 5: than having your comedy associated so one to one with

660
00:35:26,160 --> 00:35:30,720
Speaker 5: another comedian who shares the exact same sense of humor

661
00:35:31,000 --> 00:35:34,080
Speaker 5: and point of view as you two. And to me,

662
00:35:34,200 --> 00:35:39,799
Speaker 5: it's almost a perfect right there. So I don't even

663
00:35:39,840 --> 00:35:40,560
Speaker 5: know why you need me.

664
00:35:42,080 --> 00:35:42,600
Speaker 2: We don't.

665
00:35:43,640 --> 00:35:46,680
Speaker 4: Don't You should have again? You should have shorts on again?

666
00:35:51,520 --> 00:35:52,040
Speaker 1: He would.

667
00:35:52,280 --> 00:35:56,160
Speaker 2: Yeah, he's really desperate to Actually, if you read the

668
00:35:56,200 --> 00:36:06,040
Speaker 2: thing hilarious the show. First of all, are we where

669
00:36:06,040 --> 00:36:08,440
Speaker 2: are we on one hundred and one? Are we committed

670
00:36:08,480 --> 00:36:10,359
Speaker 2: to that? Yeah? Are we doing Yeah?

671
00:36:10,360 --> 00:36:10,719
Speaker 4: We're doing it?

672
00:36:10,880 --> 00:36:13,600
Speaker 2: No, I mean but you you are going to do

673
00:36:13,640 --> 00:36:18,839
Speaker 2: them all? M ok and the and the network knows that. No,

674
00:36:19,480 --> 00:36:24,759
Speaker 2: they don't know, not yet, but they'll. I think they're

675
00:36:24,760 --> 00:36:26,360
Speaker 2: gonna realize that we gotta do it.

676
00:36:27,080 --> 00:36:29,640
Speaker 4: For we've done eight.

677
00:36:30,760 --> 00:36:37,719
Speaker 2: I'm hearing fourteen. Fourteen sounds really clean to me. That's

678
00:36:38,280 --> 00:36:40,480
Speaker 2: one hundred and one is pretty that's a story. And this,

679
00:36:40,880 --> 00:36:43,440
Speaker 2: like your first season all put together is almost as

680
00:36:43,480 --> 00:36:45,120
Speaker 2: long as a movie. Is that the movie you were

681
00:36:45,120 --> 00:36:47,120
Speaker 2: talking about?

682
00:36:47,600 --> 00:36:47,920
Speaker 5: M hm?

683
00:36:49,640 --> 00:36:53,600
Speaker 2: They Okay, that's the movie? Talk to some of your movies?

684
00:36:55,400 --> 00:36:59,279
Speaker 4: Has a co fired done this podcast oh yeah, how

685
00:36:59,280 --> 00:37:00,719
Speaker 4: many times?

686
00:37:02,400 --> 00:37:07,520
Speaker 2: She also, really, I am never coming back ever.

687
00:37:07,680 --> 00:37:12,160
Speaker 5: I am never ever coming back here ever in the

688
00:37:12,200 --> 00:37:16,759
Speaker 5: digital space in a in person okay.

689
00:37:16,640 --> 00:37:22,200
Speaker 2: For me one more comfortable a new studio together, that's yeah,

690
00:37:22,760 --> 00:37:25,160
Speaker 2: fucking sick. Do you see that keyboard?

691
00:37:25,840 --> 00:37:30,200
Speaker 4: I don't give up, Kevin forget. I asked, what else?

692
00:37:30,360 --> 00:37:30,839
Speaker 4: What else?

693
00:37:31,040 --> 00:37:34,640
Speaker 5: Is there anything else that I have to do?

694
00:37:35,480 --> 00:37:37,920
Speaker 1: What having you record some new bumpers since you're here?

695
00:37:38,120 --> 00:37:39,240
Speaker 1: Just stuff that's a little.

696
00:37:39,000 --> 00:37:43,040
Speaker 4: Bit fucking ship. It feels like.

697
00:37:46,080 --> 00:37:52,359
Speaker 1: What just because associated with the show, you guys, And

698
00:37:52,400 --> 00:37:56,200
Speaker 1: then all right, why have shorts to your bumpers? It's

699
00:37:56,200 --> 00:38:00,879
Speaker 1: just you and you and it's not appreciative things, just

700
00:38:00,960 --> 00:38:02,480
Speaker 1: like right.

701
00:38:02,480 --> 00:38:05,399
Speaker 5: Okay, it's a little And then that's so fucked up

702
00:38:05,600 --> 00:38:09,640
Speaker 5: that like you make me feel bad for a drug.

703
00:38:11,480 --> 00:38:13,680
Speaker 4: Situation a long time ago.

704
00:38:14,120 --> 00:38:18,040
Speaker 5: When the two of you sit up there and you're

705
00:38:18,239 --> 00:38:20,520
Speaker 5: or I guess Sean's in the flats and you're looking

706
00:38:20,560 --> 00:38:22,080
Speaker 5: at me like you guys are some like.

707
00:38:23,719 --> 00:38:27,360
Speaker 4: Fucking the pope or whatever. Fuck both of you.

708
00:38:29,520 --> 00:38:33,120
Speaker 1: Okay, So what we need from you is just because

709
00:38:33,120 --> 00:38:34,560
Speaker 1: we do a couple of shows.

710
00:38:34,880 --> 00:38:38,000
Speaker 2: It is just let's just say like.

711
00:38:39,440 --> 00:38:45,480
Speaker 1: Uh yeah, hey, thanks, for checking out Hollywood Handbooks. Be

712
00:38:45,640 --> 00:38:48,560
Speaker 1: sure to listen to the boys on this week's pro version,

713
00:38:49,000 --> 00:38:52,759
Speaker 1: where they have a little bit of fun with all

714
00:38:52,880 --> 00:38:55,360
Speaker 1: kinds of things from movie teaser.

715
00:38:55,280 --> 00:38:58,040
Speaker 4: How long this is? You want me to say all

716
00:38:58,080 --> 00:38:58,440
Speaker 4: of this?

717
00:39:00,360 --> 00:39:02,160
Speaker 1: Well, that's just for the pro version. Then we'll do

718
00:39:02,200 --> 00:39:06,000
Speaker 1: one for flagrant ones where it's like speaking of shooting hoops.

719
00:39:06,760 --> 00:39:10,960
Speaker 2: I do one about formula one sometimes. Oh yeah, I've

720
00:39:10,960 --> 00:39:12,600
Speaker 2: been thinking of a lot more.

721
00:39:13,400 --> 00:39:15,040
Speaker 4: All right, are you ready, Kevin?

722
00:39:18,360 --> 00:39:21,600
Speaker 2: Now? I'm ready. Wait?

723
00:39:21,640 --> 00:39:22,680
Speaker 1: Are you still recording on your.

724
00:39:22,840 --> 00:39:25,640
Speaker 4: You didn't even do anything, you didn't Are you still recording?

725
00:39:25,719 --> 00:39:27,280
Speaker 2: I need you to record on your iPhone?

726
00:39:28,080 --> 00:39:30,280
Speaker 4: I am I've been recording the whole time.

727
00:39:31,719 --> 00:39:35,160
Speaker 2: And action. Do you like.

728
00:39:35,160 --> 00:39:39,920
Speaker 5: Shooting free throws? Well, then come listen to Hollywood Handbook.

729
00:39:40,000 --> 00:39:44,320
Speaker 5: These guys are hilarious. Quote Ben Schwartz, New York.

730
00:39:44,160 --> 00:39:48,040
Speaker 1: Times, it's you do like shooting free throws? You do

731
00:39:48,160 --> 00:39:52,160
Speaker 1: like shooting free throws? Don't make it a question. Questions

732
00:39:52,239 --> 00:39:58,040
Speaker 1: or thieves. Statements are gifts. You do like shooting free throws.

733
00:39:58,640 --> 00:40:00,000
Speaker 1: Listen to the the boys.

734
00:40:00,400 --> 00:40:04,160
Speaker 5: I have such a problem with that saying questions or thieves.

735
00:40:04,160 --> 00:40:05,239
Speaker 4: Such a problem with that.

736
00:40:06,960 --> 00:40:07,799
Speaker 1: Well, I'm not gonna ask you.

737
00:40:08,000 --> 00:40:09,200
Speaker 2: I wouldn't steal from you like that.

738
00:40:11,840 --> 00:40:14,600
Speaker 1: So you're gonna say, uh, that's where our other show,

739
00:40:14,640 --> 00:40:18,040
Speaker 1: the flavorant Ones that we do with Carl. Do you

740
00:40:18,080 --> 00:40:18,759
Speaker 1: need a last name?

741
00:40:18,800 --> 00:40:20,919
Speaker 4: I know? Has Carlvin on this show? No? I know Carl.

742
00:40:21,239 --> 00:40:22,440
Speaker 4: Has Carl been on this show?

743
00:40:23,000 --> 00:40:27,520
Speaker 2: Yes? Yeah? And he likes you guys, he really wants

744
00:40:27,560 --> 00:40:28,680
Speaker 2: he's one of our best friends.

745
00:40:28,719 --> 00:40:29,239
Speaker 1: Yeah.

746
00:40:30,120 --> 00:40:31,920
Speaker 4: I don't know how because Carl is a good guy.

747
00:40:31,960 --> 00:40:33,600
Speaker 4: So I don't know how that happened.

748
00:40:36,080 --> 00:40:39,440
Speaker 2: I think you're just bringing he's really he's really fast.

749
00:40:39,560 --> 00:40:42,160
Speaker 4: I am not he is he's fast, Well he is,

750
00:40:42,400 --> 00:40:43,680
Speaker 4: I know he's fast.

751
00:40:44,239 --> 00:40:44,479
Speaker 2: Yeah.

752
00:40:44,520 --> 00:40:45,440
Speaker 4: Well he's got that gift.

753
00:40:45,480 --> 00:40:47,240
Speaker 5: He can be both out in front of the camera

754
00:40:48,160 --> 00:40:51,680
Speaker 5: and then also he can he can be where you

755
00:40:51,760 --> 00:40:53,000
Speaker 5: guys are, like in the dark.

756
00:40:54,360 --> 00:40:54,719
Speaker 2: Or whatever.

757
00:40:54,760 --> 00:40:57,600
Speaker 5: I just assume the room is dark, no, because who

758
00:40:57,600 --> 00:40:59,319
Speaker 5: would want to you guys want to look at each other?

759
00:41:01,480 --> 00:41:05,439
Speaker 2: Yeah? Right? The writers, the writers, they're ugly.

760
00:41:06,440 --> 00:41:09,600
Speaker 4: The writers ugly. The writers are ugly because otherwise they'd

761
00:41:09,600 --> 00:41:12,120
Speaker 4: be on camera, right.

762
00:41:12,320 --> 00:41:22,759
Speaker 2: Maybe, and being like being ugly to you is like.

763
00:41:19,239 --> 00:41:22,160
Speaker 4: Like no, it's just like definitely a harder life.

764
00:41:23,520 --> 00:41:28,880
Speaker 2: An ugly Italian person is like the worst thing you know.

765
00:41:30,960 --> 00:41:31,680
Speaker 4: Is beautiful.

766
00:41:31,719 --> 00:41:36,080
Speaker 9: It's look, I think this person is beautiful. Okay, I

767
00:41:36,120 --> 00:41:40,040
Speaker 9: told you this the last. I think what you guys

768
00:41:40,040 --> 00:41:42,040
Speaker 9: are doing is brave m hm.

769
00:41:42,640 --> 00:41:46,440
Speaker 5: To come out from behind the jokes and now be

770
00:41:46,520 --> 00:41:49,399
Speaker 5: like look at me and and everyone can just rip

771
00:41:49,440 --> 00:41:50,160
Speaker 5: you to shreds.

772
00:41:51,080 --> 00:41:51,839
Speaker 4: I think that's brave.

773
00:41:52,000 --> 00:41:53,880
Speaker 2: I think it would be brave not to do this.

774
00:41:54,000 --> 00:41:56,520
Speaker 2: Man to try and like hold this in. That's the

775
00:41:56,640 --> 00:42:02,360
Speaker 2: scariest thing I got our room. I'm a coward showing

776
00:42:02,440 --> 00:42:04,839
Speaker 2: up everything too scared because I keep this bottle done.

777
00:42:04,920 --> 00:42:06,799
Speaker 4: You show up every day. You do this every day.

778
00:42:07,800 --> 00:42:10,480
Speaker 2: You have probably maybe four days, so we don't release

779
00:42:10,520 --> 00:42:11,919
Speaker 2: them all, but we do it every day.

780
00:42:13,920 --> 00:42:14,719
Speaker 4: Good use of time.

781
00:42:15,719 --> 00:42:17,960
Speaker 2: This one may not come out.

782
00:42:19,040 --> 00:42:22,640
Speaker 4: I would hope, huh. I would hope not. I mean

783
00:42:22,640 --> 00:42:24,279
Speaker 4: not because for anyone's sake.

784
00:42:25,560 --> 00:42:29,360
Speaker 1: Well I wish, yes, Well why don't you wish in

785
00:42:29,480 --> 00:42:31,600
Speaker 1: one hand and do a podcast in the other and

786
00:42:31,640 --> 00:42:33,640
Speaker 1: see which one people like.

787
00:42:35,120 --> 00:42:38,000
Speaker 5: I'll just get both the birds with one stone and

788
00:42:38,000 --> 00:42:39,600
Speaker 5: say I'm never doing this again.

789
00:42:40,040 --> 00:42:42,799
Speaker 2: Can I just not enough? It's just like, do you

790
00:42:42,920 --> 00:42:45,239
Speaker 2: do you need? Do we need to trade like we

791
00:42:45,280 --> 00:42:46,960
Speaker 2: do some more promo for your show and then you

792
00:42:47,040 --> 00:42:52,439
Speaker 2: do a bumper? Is that like I feel I said,

793
00:42:52,480 --> 00:42:57,120
Speaker 2: I I said, I love the show. It's like seeing

794
00:42:57,160 --> 00:43:02,440
Speaker 2: you and gabriis just this world. Yes, some great clips,

795
00:43:04,560 --> 00:43:08,680
Speaker 2: you guys having fun, you hitting the slopes literally for once.

796
00:43:09,680 --> 00:43:11,360
Speaker 2: The idea like.

797
00:43:14,239 --> 00:43:16,880
Speaker 4: It's so dumb, it's so fucked up you both have.

798
00:43:17,120 --> 00:43:18,680
Speaker 2: I don't think so I think the show. I don't

799
00:43:18,680 --> 00:43:21,120
Speaker 2: think the show is. I don't think it's dumb or no,

800
00:43:21,200 --> 00:43:25,680
Speaker 2: it's not challenging, but it's it's not dumb. Okay, it's

801
00:43:25,760 --> 00:43:28,479
Speaker 2: not There's almost not an adjective that I would put

802
00:43:28,480 --> 00:43:31,160
Speaker 2: on it, you know what I mean, Like.

803
00:43:31,440 --> 00:43:34,800
Speaker 1: It's just like the show's happening now, Okay.

804
00:43:35,560 --> 00:43:37,399
Speaker 2: Anytime I think like, oh, it's going to be this thing,

805
00:43:37,400 --> 00:43:39,440
Speaker 2: it's like, no, it's not that. But that's like in

806
00:43:39,520 --> 00:43:41,279
Speaker 2: a in a in a good or bad or like,

807
00:43:41,320 --> 00:43:44,640
Speaker 2: ohh maybe it might start to be this now. Oh no, no.

808
00:43:45,560 --> 00:43:46,200
Speaker 4: Said a word.

809
00:43:46,560 --> 00:43:49,000
Speaker 5: I haven't said a word in the last five minutes,

810
00:43:49,040 --> 00:43:51,040
Speaker 5: and the two of you just fucking back.

811
00:43:50,880 --> 00:43:56,719
Speaker 2: And that's amazing. That time for you silent feels like I.

812
00:43:58,320 --> 00:44:02,440
Speaker 8: Cannot keep up with the lightning minds of Hollywood.

813
00:44:02,440 --> 00:44:05,000
Speaker 4: Phone book or whatever the fuck this stupid thing is.

814
00:44:06,080 --> 00:44:07,960
Speaker 4: Are we good? Did we get it?

815
00:44:09,080 --> 00:44:09,239
Speaker 2: Yeah?

816
00:44:09,280 --> 00:44:11,040
Speaker 1: I just do the bumpers real quick and then we'll

817
00:44:11,080 --> 00:44:12,520
Speaker 1: just get get out of your hair.

818
00:44:12,719 --> 00:44:18,000
Speaker 5: Great, you're you've been listening to the Hollywood Handbook with

819
00:44:18,080 --> 00:44:19,960
Speaker 5: Sean and Hayes MacArthur.

820
00:44:21,680 --> 00:44:24,400
Speaker 2: If you want to do more and if I'm gonna

821
00:44:24,400 --> 00:44:26,640
Speaker 2: get there was a time when Hayes MacArthur was like

822
00:44:27,040 --> 00:44:28,960
Speaker 2: that was like the good one. Now I think we're

823
00:44:29,000 --> 00:44:32,800
Speaker 2: actually moving back into a Hayes Hargrove moment. So if

824
00:44:34,040 --> 00:44:36,840
Speaker 2: Kristen Wiggs ex I actually done a lot, don't you

825
00:44:37,040 --> 00:44:39,000
Speaker 2: just said you don't know who that is? So I

826
00:44:40,080 --> 00:44:40,560
Speaker 2: was helping you.

827
00:44:40,600 --> 00:44:43,719
Speaker 4: I don't know. I know, I don't know who that is.

828
00:44:43,760 --> 00:44:45,319
Speaker 4: I I only know you.

829
00:44:47,840 --> 00:44:53,799
Speaker 2: Sort of, Okay, yeah, I don't that's not I don't

830
00:44:53,800 --> 00:44:55,720
Speaker 2: feel like we know each other that well. But that's fine.

831
00:44:55,840 --> 00:44:56,879
Speaker 2: Like if you feel like.

832
00:44:58,200 --> 00:45:00,120
Speaker 4: You don't think we know each other or no, that's

833
00:45:00,000 --> 00:45:00,680
Speaker 4: it's great.

834
00:45:00,440 --> 00:45:04,000
Speaker 5: To be a sort of a sort of No, I

835
00:45:04,000 --> 00:45:06,520
Speaker 5: wouldn't classify r knowing each other as sort.

836
00:45:06,320 --> 00:45:09,280
Speaker 2: Of yeah, no, that's that's right. I think that's.

837
00:45:09,120 --> 00:45:12,160
Speaker 4: Exactly what sort of Yeah, I sort of.

838
00:45:12,120 --> 00:45:14,560
Speaker 2: Know you yes, that's right. I think I used it.

839
00:45:14,800 --> 00:45:17,759
Speaker 5: And I sort of I sort of know Sean for

840
00:45:17,880 --> 00:45:19,120
Speaker 5: going on twenty years.

841
00:45:19,440 --> 00:45:20,839
Speaker 2: Yeah, I think I used to know you.

842
00:45:21,719 --> 00:45:25,360
Speaker 5: Yeah, you remind me of somebody that I used to know.

843
00:45:26,520 --> 00:45:28,440
Speaker 5: All right, I really I really hate this.

844
00:45:29,400 --> 00:45:33,560
Speaker 2: I don't. Let's do one more energy book, one more,

845
00:45:34,280 --> 00:45:36,000
Speaker 2: one more set of bumpers.

846
00:45:36,360 --> 00:45:40,160
Speaker 1: Just for Flinger Ones, pro Version and Hollywood Handbook. Just

847
00:45:40,239 --> 00:45:43,880
Speaker 1: keep listening, keep subscribing. And you've been listening to upgrade

848
00:45:43,880 --> 00:45:45,200
Speaker 1: to a more expensive up grade.

849
00:45:45,080 --> 00:45:48,080
Speaker 5: Here, Yeah, you've been listening to Hollywood Handbook, upgrade to

850
00:45:48,120 --> 00:45:49,160
Speaker 5: a more expensive tier.

851
00:45:49,280 --> 00:45:51,400
Speaker 4: You've been listening to Fine, uh what is it?

852
00:45:52,239 --> 00:45:52,920
Speaker 2: The pro version.

853
00:45:54,160 --> 00:45:58,320
Speaker 4: You've been listening to the pro version upgrade higher. Please

854
00:45:58,320 --> 00:46:01,040
Speaker 4: listen to the pro version upgrade to a higher tier

855
00:46:01,200 --> 00:46:04,800
Speaker 4: and then the one. And you've been listening to Flagrant Ones,

856
00:46:05,239 --> 00:46:06,080
Speaker 4: the flagrant ones.

857
00:46:06,239 --> 00:46:08,200
Speaker 1: Yeah you yeah, and do do you? I liked your

858
00:46:08,239 --> 00:46:10,880
Speaker 1: idea that you Hey you like to shoot free throws?

859
00:46:11,440 --> 00:46:16,040
Speaker 5: Hey you thought? Okay, cool, Hey you like to shoot

860
00:46:16,040 --> 00:46:18,879
Speaker 5: free throws? Will come down, But they're not coming, they're

861
00:46:18,920 --> 00:46:19,640
Speaker 5: not going anywhere.

862
00:46:19,640 --> 00:46:21,320
Speaker 1: They're not going. No, they're going to come.

863
00:46:21,160 --> 00:46:23,120
Speaker 2: Down to the tier.

864
00:46:23,320 --> 00:46:26,880
Speaker 5: Hey, hey, you like shooting free throws. Why don't you

865
00:46:26,920 --> 00:46:29,719
Speaker 5: sign up for the new tier of the flagrant Ones.

866
00:46:30,000 --> 00:46:32,680
Speaker 2: Yeah? Really, yeah it's not, but that's fine if they

867
00:46:32,880 --> 00:46:35,640
Speaker 2: if they think that it is new, okay, and then

868
00:46:35,680 --> 00:46:37,520
Speaker 2: they can and they can watch it. They can watch

869
00:46:37,560 --> 00:46:42,120
Speaker 2: the party. Oh, they can watch the more expensive Yeah,

870
00:46:42,440 --> 00:46:44,640
Speaker 2: they can watch them. Oh I thought you do that

871
00:46:44,760 --> 00:46:47,040
Speaker 2: because you look I want to say, you look awesome.

872
00:46:50,600 --> 00:46:52,720
Speaker 4: I feel bad for the people that have to watch.

873
00:46:52,840 --> 00:46:56,120
Speaker 2: I mean, I I thought you were like I thought

874
00:46:56,160 --> 00:46:58,839
Speaker 2: you were like really really prep like putting time into it,

875
00:46:58,880 --> 00:47:01,279
Speaker 2: because like you look really as everything else is like

876
00:47:02,160 --> 00:47:04,800
Speaker 2: going in like whatever, Like you're you're looking great.

877
00:47:05,520 --> 00:47:06,239
Speaker 1: Yeah, thank you?

878
00:47:07,719 --> 00:47:10,000
Speaker 4: All right now, I really I can't say this. I

879
00:47:10,400 --> 00:47:13,080
Speaker 4: am I've had a horrible time, but can we please

880
00:47:13,719 --> 00:47:14,239
Speaker 4: be done it?

881
00:47:17,160 --> 00:47:19,480
Speaker 1: I think I'm okay. Kevin, you had a question.

882
00:47:20,320 --> 00:47:25,480
Speaker 7: Yeah, in the pilot episode, Adam, someone like compliments you

883
00:47:25,520 --> 00:47:27,360
Speaker 7: and you order them around a drinks.

884
00:47:27,360 --> 00:47:30,880
Speaker 2: Do you remember that they do that in like every episode? Yeah,

885
00:47:30,920 --> 00:47:35,520
Speaker 2: every every episode follows the exact same for so just say,

886
00:47:35,640 --> 00:47:37,879
Speaker 2: whenever you're about to say something about the show, just say,

887
00:47:37,960 --> 00:47:40,000
Speaker 2: like in every episode you do blank.

888
00:47:40,719 --> 00:47:44,000
Speaker 7: Yeah, in every episode someone compliments you and you say

889
00:47:44,040 --> 00:47:45,840
Speaker 7: to the waiter, can you get them around to drinks?

890
00:47:46,640 --> 00:47:52,680
Speaker 2: Was that added in post? What Kevin's alert? Yeah, and

891
00:47:52,800 --> 00:47:55,120
Speaker 2: he's like learning. He's a producer and so we want

892
00:47:55,160 --> 00:47:56,799
Speaker 2: him to be learning about like product.

893
00:47:57,120 --> 00:48:00,680
Speaker 1: Sorry, ad R, it sounded like and that sounded like

894
00:48:00,719 --> 00:48:01,640
Speaker 1: it was a different day.

895
00:48:02,840 --> 00:48:05,440
Speaker 2: Was it a different day, Adam, No.

896
00:48:05,440 --> 00:48:07,480
Speaker 4: We did we We was the same.

897
00:48:07,320 --> 00:48:10,200
Speaker 2: Day you did the ad R in the same day

898
00:48:10,440 --> 00:48:11,319
Speaker 2: we did. No.

899
00:48:11,719 --> 00:48:13,760
Speaker 4: We did not do any editions recording.

900
00:48:14,200 --> 00:48:15,680
Speaker 2: We just you did no ADR.

901
00:48:17,120 --> 00:48:19,000
Speaker 4: Now, Kevin, it is a fucking bullshit.

902
00:48:19,080 --> 00:48:22,720
Speaker 5: Now you got your producer, Kevin giving me this fucking

903
00:48:22,960 --> 00:48:24,000
Speaker 5: backhanded bullshit.

904
00:48:24,400 --> 00:48:28,239
Speaker 2: There's nothing wrong with doing ADR show, the fact that

905
00:48:28,280 --> 00:48:30,680
Speaker 2: the show liked to do ABR came together.

906
00:48:30,719 --> 00:48:32,080
Speaker 4: Did you drop a motorcycle, Kevin?

907
00:48:33,080 --> 00:48:35,920
Speaker 1: Uh No, They're bad for the environment.

908
00:48:37,640 --> 00:48:42,160
Speaker 4: I really, I fucking hate this so much. It's infuriating.

909
00:48:42,360 --> 00:48:45,440
Speaker 2: We try to get to fifty eight if you want

910
00:48:45,480 --> 00:48:46,839
Speaker 2: to just like put a clock on it. We try

911
00:48:46,840 --> 00:48:49,600
Speaker 2: to get to like fifty eight minutes. Yeah, we're closing in.

912
00:48:49,560 --> 00:48:51,880
Speaker 4: On We did a thirty warm up.

913
00:48:53,760 --> 00:48:54,680
Speaker 1: That was your choice.

914
00:48:57,360 --> 00:48:58,560
Speaker 4: I think you, Sean.

915
00:48:58,600 --> 00:49:01,080
Speaker 5: I hate to say this, but I think you need

916
00:49:01,120 --> 00:49:04,120
Speaker 5: to check back in with yourself and look what choice

917
00:49:04,160 --> 00:49:04,799
Speaker 5: means to you.

918
00:49:06,640 --> 00:49:11,600
Speaker 4: That was not my choice. I was fooled. It was tricked.

919
00:49:12,080 --> 00:49:18,120
Speaker 1: Okay, okay, I'm checking in with myself. I'm feeling pretty good.

920
00:49:20,800 --> 00:49:24,360
Speaker 1: I'm a little sad that my friend Adam can't fucking

921
00:49:24,400 --> 00:49:29,960
Speaker 1: remember what happened less than an hour ago when he said, like,

922
00:49:30,040 --> 00:49:33,560
Speaker 1: do you mind if I just go off? Do you

923
00:49:33,600 --> 00:49:38,120
Speaker 1: mind if I go off kings before we report? I

924
00:49:38,160 --> 00:49:41,960
Speaker 1: really need to go off my kings? And you started

925
00:49:42,000 --> 00:49:44,200
Speaker 1: just ripping into.

926
00:49:44,160 --> 00:49:45,240
Speaker 2: My brothers in Christ.

927
00:49:45,360 --> 00:49:48,960
Speaker 4: He said, yeah, my brothers in Christ.

928
00:49:49,120 --> 00:49:51,359
Speaker 2: Yeah. It's like I was like, yeah, I guess people

929
00:49:51,360 --> 00:49:52,000
Speaker 2: are saying that, no.

930
00:49:52,320 --> 00:49:55,520
Speaker 4: You did this short. These people the same stick to

931
00:49:55,560 --> 00:49:57,440
Speaker 4: shorts were trying.

932
00:49:59,040 --> 00:50:02,120
Speaker 1: Yeah. We was yeah, yeah, he's saying a lot more

933
00:50:02,160 --> 00:50:04,480
Speaker 1: than he was singing and when we were doing it.

934
00:50:04,520 --> 00:50:06,439
Speaker 1: So it was hard to get this stuff in there.

935
00:50:06,800 --> 00:50:08,799
Speaker 5: Is there some sort of does Earwolf have some sort

936
00:50:08,800 --> 00:50:10,720
Speaker 5: of like comment card that I can figure?

937
00:50:10,880 --> 00:50:13,120
Speaker 4: Felt like, let people know what happened.

938
00:50:12,800 --> 00:50:15,200
Speaker 2: Here, maybe they might check with you. Yeah, I don't

939
00:50:15,239 --> 00:50:15,640
Speaker 2: fucking know.

940
00:50:17,040 --> 00:50:19,640
Speaker 4: We're not This is not I would not want anyone

941
00:50:19,640 --> 00:50:20,399
Speaker 4: else to have to do.

942
00:50:20,360 --> 00:50:23,960
Speaker 2: This comment card show that's overhead, Like we don't need

943
00:50:24,000 --> 00:50:25,000
Speaker 2: that kind of overhead here.

944
00:50:25,400 --> 00:50:29,080
Speaker 7: Yeah, before you leave, I just need I need two

945
00:50:29,160 --> 00:50:32,319
Speaker 7: emails of contacts that you think would be a good

946
00:50:32,360 --> 00:50:33,280
Speaker 7: guest on the show.

947
00:50:34,280 --> 00:50:36,600
Speaker 2: Yeah, we tried to kind of pay it forward because

948
00:50:37,440 --> 00:50:40,919
Speaker 2: these are emails from you to them asking.

949
00:50:40,560 --> 00:50:42,640
Speaker 4: You want me to forward them. You want me to

950
00:50:42,680 --> 00:50:43,839
Speaker 4: ask people to.

951
00:50:44,320 --> 00:50:47,440
Speaker 1: Yeah, they'll do the show. Yeah, it could be a

952
00:50:47,480 --> 00:50:48,840
Speaker 1: little specific for the people.

953
00:50:49,000 --> 00:50:52,400
Speaker 4: Yeah, you ready, I have Yeah, let me just go on.

954
00:50:53,040 --> 00:50:57,360
Speaker 4: It's gonna email Dalia, Crystalia, you guys Mireham.

955
00:50:58,040 --> 00:51:01,680
Speaker 2: Okay, so are you not in touch with like, oh,

956
00:51:01,760 --> 00:51:03,600
Speaker 2: look Damon, that.

957
00:51:03,640 --> 00:51:06,239
Speaker 4: Pops up first name? That pops up would be a

958
00:51:06,239 --> 00:51:06,880
Speaker 4: good first name.

959
00:51:09,520 --> 00:51:10,160
Speaker 2: Yeah.

960
00:51:10,920 --> 00:51:16,680
Speaker 4: Actually I do have to pick up my kid. Oh okay,

961
00:51:17,040 --> 00:51:18,840
Speaker 4: a kid with me and I have a kid with me.

962
00:51:23,120 --> 00:51:25,759
Speaker 1: This yeah, but this is this was good, So I

963
00:51:25,760 --> 00:51:30,600
Speaker 1: would say, you know, obviously we have the bumpers. If

964
00:51:30,600 --> 00:51:33,880
Speaker 1: you could just do some wild like uh sort of

965
00:51:33,960 --> 00:51:38,480
Speaker 1: sound bird soundboard type like interruption lines like stuff for

966
00:51:38,560 --> 00:51:41,399
Speaker 1: Kevin to plug in afterwards, where when we're interviewing another guest,

967
00:51:41,480 --> 00:51:45,080
Speaker 1: if it's feeling a little dry, you can go like whoa,

968
00:51:45,239 --> 00:51:48,520
Speaker 1: like you know that was a wild one.

969
00:51:48,680 --> 00:51:51,640
Speaker 4: Yeah, like drops like just like wild drops.

970
00:51:51,520 --> 00:51:54,520
Speaker 1: Boys are heating up. Yeah that yeah, stuff like that,

971
00:51:54,640 --> 00:51:56,440
Speaker 1: so that we could just like plug that stuff in.

972
00:51:58,040 --> 00:52:03,760
Speaker 4: Uh, okay, do you have any.

973
00:52:02,719 --> 00:52:05,160
Speaker 1: He just did about a couple of examples.

974
00:52:05,239 --> 00:52:11,000
Speaker 4: Yeah, do you have any that you wrote though, like

975
00:52:12,200 --> 00:52:15,440
Speaker 4: things that you want me to say?

976
00:52:15,640 --> 00:52:20,560
Speaker 1: Yeah, asking long hand?

977
00:52:20,760 --> 00:52:22,280
Speaker 2: No no.

978
00:52:21,239 --> 00:52:23,759
Speaker 1: No no no no no no that we're we're we're

979
00:52:23,800 --> 00:52:26,560
Speaker 1: beyond that. You and I we practically know each other.

980
00:52:26,920 --> 00:52:30,080
Speaker 2: What we'll do is sort of sort of.

981
00:52:32,680 --> 00:52:36,960
Speaker 1: Why don't you just uh say some things that you

982
00:52:37,120 --> 00:52:39,439
Speaker 1: felt during this where you're like, where is this going?

983
00:52:39,520 --> 00:52:44,040
Speaker 1: This is getting crazy? Or like when you're feeling like,

984
00:52:44,320 --> 00:52:49,560
Speaker 1: uh okay, funny much? Yes, please like that kind of thing,

985
00:52:49,600 --> 00:52:52,200
Speaker 1: and we'll just goes in okay cool.

986
00:52:54,440 --> 00:53:00,759
Speaker 10: Putting him down to make myself feel better, putting him

987
00:53:00,800 --> 00:53:06,680
Speaker 10: down to make myself feel better. I'm putting him down

988
00:53:06,760 --> 00:53:08,200
Speaker 10: to make myself feel better.

989
00:53:09,040 --> 00:53:11,960
Speaker 2: These are getting These are getting worse, not better. I

990
00:53:12,000 --> 00:53:15,840
Speaker 2: feel Yeah, I think the first one. First one is

991
00:53:15,880 --> 00:53:19,279
Speaker 2: I think the closest we're gonna get so we can.

992
00:53:19,520 --> 00:53:21,239
Speaker 2: I think we're you got it. I think we're good.

993
00:53:21,360 --> 00:53:22,680
Speaker 2: I think we got it. Thank you.

994
00:53:22,760 --> 00:53:23,960
Speaker 1: Bye,