1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,880 --> 00:00:09,800 Speaker 1: you a Charlotte? Welcome back, everybody too, are you a Charlotte? 3 00:00:09,880 --> 00:00:12,799 Speaker 1: We are back with Bridget moynihan and we are going 4 00:00:12,880 --> 00:00:17,000 Speaker 1: to break down the episode that she first appeared in, 5 00:00:17,640 --> 00:00:21,840 Speaker 1: twenty something Girls versus thirty something Women, which is kind 6 00:00:21,840 --> 00:00:25,720 Speaker 1: of funny because twenty somethings and thirty somethings they're not 7 00:00:25,760 --> 00:00:28,720 Speaker 1: really that different, but apparently at the time we really 8 00:00:28,760 --> 00:00:31,480 Speaker 1: felt like they were. But now when I look back 9 00:00:31,520 --> 00:00:35,239 Speaker 1: at the episode, I feel very much relating to like 10 00:00:35,640 --> 00:00:38,600 Speaker 1: fifty something women and twenty seven you know, like the 11 00:00:38,720 --> 00:00:42,560 Speaker 1: generational divide is so great, right because we all remember 12 00:00:42,680 --> 00:00:46,680 Speaker 1: analog world. They don't know anything about analog world. Like 13 00:00:46,720 --> 00:00:48,120 Speaker 1: I have to say to my kids all the time, 14 00:00:48,240 --> 00:00:50,880 Speaker 1: like they'll say, like, what did you watch on the iPad, Mommy, 15 00:00:50,880 --> 00:00:54,320 Speaker 1: And I'm like, there was no iPad, children, It was 16 00:00:54,440 --> 00:00:58,680 Speaker 1: black and white. There were three TV stations. They look 17 00:00:58,720 --> 00:01:03,400 Speaker 1: at you like you are insane, Like it's so interesting 18 00:01:03,520 --> 00:01:07,959 Speaker 1: the you know, the fast paced way that the change 19 00:01:08,040 --> 00:01:10,840 Speaker 1: is happening, I guess. And then obviously the generations are 20 00:01:10,880 --> 00:01:14,039 Speaker 1: very different, which is discussed a lot, but I think 21 00:01:14,400 --> 00:01:17,440 Speaker 1: probably on purpose and should be discussed some more. And 22 00:01:17,480 --> 00:01:21,040 Speaker 1: when I watched this, I was reminded of the fact 23 00:01:21,440 --> 00:01:23,640 Speaker 1: that at the time, we thought that thirty something women, 24 00:01:23,840 --> 00:01:26,360 Speaker 1: first of all, were really old, right, which is funny 25 00:01:26,520 --> 00:01:30,759 Speaker 1: because it's not old at all. But the twenty something girls, 26 00:01:31,000 --> 00:01:32,759 Speaker 1: they were a bit of a mess in this episode. 27 00:01:32,800 --> 00:01:34,640 Speaker 1: So this is the episode where we see at the 28 00:01:34,680 --> 00:01:38,679 Speaker 1: party and one of the things that I remember and 29 00:01:38,720 --> 00:01:40,560 Speaker 1: I don't even remember the names, and I don't think 30 00:01:40,600 --> 00:01:42,640 Speaker 1: I should probably say that even if I could. But 31 00:01:42,720 --> 00:01:46,800 Speaker 1: you know, Samantha's a publicist, and her storyline is that 32 00:01:46,840 --> 00:01:51,480 Speaker 1: she's a publicist. She has an assistant who's a terrible assistant. Okay, 33 00:01:51,720 --> 00:01:56,440 Speaker 1: this girl's yacking on the phone, you know, relatively disrespectful 34 00:01:56,480 --> 00:02:00,160 Speaker 1: to her boss, doesn't hang up. Samantha is like, no, oh, 35 00:02:00,160 --> 00:02:02,000 Speaker 1: I actually mean it. You need to do your job, 36 00:02:02,320 --> 00:02:05,600 Speaker 1: and so this girl quits and takes Samantha's rolodex. That 37 00:02:05,720 --> 00:02:09,680 Speaker 1: was all based on real people who if I wanted to, 38 00:02:09,760 --> 00:02:11,160 Speaker 1: I could find their names and tell you, but I 39 00:02:11,160 --> 00:02:12,680 Speaker 1: think I probably shouldn't. 40 00:02:12,400 --> 00:02:15,320 Speaker 2: Right, I can imagine it. I feel like that was 41 00:02:15,480 --> 00:02:18,000 Speaker 2: kind of the thing you do. I'm pretty sure you do. 42 00:02:18,280 --> 00:02:20,079 Speaker 1: It was a real thing, and I remember like all 43 00:02:20,120 --> 00:02:22,680 Speaker 1: of New York was like but then this person who 44 00:02:22,760 --> 00:02:25,320 Speaker 1: took the Rolodex did really, really well. It was like 45 00:02:25,360 --> 00:02:27,000 Speaker 1: kind of one of the up and comers and is 46 00:02:27,080 --> 00:02:32,000 Speaker 1: now like a long term person in the PR world. 47 00:02:32,400 --> 00:02:35,200 Speaker 1: But the funny thing at the time of the storyline, 48 00:02:35,720 --> 00:02:37,800 Speaker 1: you know, because they were always stealing stuff, you know, 49 00:02:37,840 --> 00:02:40,640 Speaker 1: and trying to change it a little bit whatever, Now 50 00:02:40,680 --> 00:02:45,640 Speaker 1: that they really cared, I don't think these young girls 51 00:02:45,639 --> 00:02:48,800 Speaker 1: are a mess. They're just a terrible mess. Because as 52 00:02:48,840 --> 00:02:52,240 Speaker 1: this girl who takes Samantha's Rolodex and then eventually is 53 00:02:52,320 --> 00:02:55,919 Speaker 1: throwing the rodeo party where we initially meet Natasha, everything's 54 00:02:56,000 --> 00:02:57,800 Speaker 1: going wrong and she doesn't know what to do and 55 00:02:57,840 --> 00:03:01,000 Speaker 1: she's potentially coked up, which is also in her and 56 00:03:01,080 --> 00:03:04,120 Speaker 1: then Samantha has to save the day, you know. 57 00:03:04,160 --> 00:03:07,040 Speaker 2: Well, and the best part about that she introduces your 58 00:03:07,840 --> 00:03:09,079 Speaker 2: young fling. 59 00:03:09,080 --> 00:03:13,440 Speaker 1: Totally to the crab guy who antson Mountain, who we 60 00:03:13,560 --> 00:03:15,040 Speaker 1: do still want to have on the podcast. 61 00:03:15,080 --> 00:03:15,920 Speaker 3: I'm really sorry that you. 62 00:03:16,280 --> 00:03:18,600 Speaker 1: Sometimes I've been having some trouble getting the guys to 63 00:03:18,639 --> 00:03:21,680 Speaker 1: come on, not all of them, but like sometimes when 64 00:03:21,680 --> 00:03:25,600 Speaker 1: I rewatched the episode, I kind of understand why. I mean, 65 00:03:25,639 --> 00:03:28,320 Speaker 1: it's like kind of ick and also not only let's 66 00:03:28,320 --> 00:03:31,560 Speaker 1: back up, so Charlotte has, for some reason that we 67 00:03:31,639 --> 00:03:34,320 Speaker 1: don't even get into, just decided she's going to try 68 00:03:34,320 --> 00:03:37,160 Speaker 1: to pretend like she's twenty seven in this whole episode, 69 00:03:37,320 --> 00:03:39,320 Speaker 1: which I think is so funny. Or twenty six. I 70 00:03:39,320 --> 00:03:42,400 Speaker 1: can't even remember, and I only this is again vague, 71 00:03:42,480 --> 00:03:44,960 Speaker 1: vague memories. I remember that we were in far Rockaway 72 00:03:45,040 --> 00:03:47,880 Speaker 1: and I was very mad personally inside me that we 73 00:03:47,880 --> 00:03:49,880 Speaker 1: were not at the Hamptons, because I was like, this 74 00:03:50,040 --> 00:03:53,520 Speaker 1: place is sad okay, no fence to Far Rockway, but 75 00:03:53,760 --> 00:03:55,560 Speaker 1: you know, yeah, it was not glamorous. 76 00:03:55,680 --> 00:03:57,840 Speaker 3: It was not what you had in your mind, not. 77 00:03:57,920 --> 00:03:59,520 Speaker 1: At all what I had in my mind. And we 78 00:03:59,560 --> 00:04:01,960 Speaker 1: had to work hard to make those parties look nice, 79 00:04:02,080 --> 00:04:05,440 Speaker 1: you know. And the beach doesn't look like the Hampton's beach. 80 00:04:05,760 --> 00:04:10,360 Speaker 1: But never mind. So we're in Far Rockaway and I 81 00:04:10,360 --> 00:04:13,400 Speaker 1: think we all had to take those eighteen seater buses out, 82 00:04:13,520 --> 00:04:16,600 Speaker 1: you know, those buses, like it's not a bus bus 83 00:04:16,600 --> 00:04:20,239 Speaker 1: but like a van okay, sixteen sixteen seater, sixteen eighteen seater, 84 00:04:20,600 --> 00:04:24,039 Speaker 1: like we were all together, Maybe not, sir Jessica but 85 00:04:24,279 --> 00:04:26,320 Speaker 1: everybody else, you know what I mean? It was it 86 00:04:26,360 --> 00:04:28,840 Speaker 1: was a lot to film this episode. It was the 87 00:04:28,960 --> 00:04:30,480 Speaker 1: end of the season too, so I think there was 88 00:04:30,480 --> 00:04:33,000 Speaker 1: a lot of pressure on it. And hold on, did 89 00:04:33,000 --> 00:04:33,560 Speaker 1: I say this? 90 00:04:33,839 --> 00:04:37,320 Speaker 3: Darren directed this? Okay, he wrote it and directed it, 91 00:04:37,360 --> 00:04:37,720 Speaker 3: which I. 92 00:04:37,640 --> 00:04:40,480 Speaker 1: Didn't remember that at all. Do you remember Darren as 93 00:04:40,520 --> 00:04:41,039 Speaker 1: a director? 94 00:04:42,279 --> 00:04:47,720 Speaker 4: Again, I was so overwhelmed, of course by all of it, 95 00:04:47,839 --> 00:04:50,400 Speaker 4: all of it, and then like thrown because I'm sure 96 00:04:50,480 --> 00:04:54,680 Speaker 4: I didn't meet Chris until on set, like I don't remember, but. 97 00:04:54,640 --> 00:05:00,040 Speaker 2: It was just like, you know, well, he's he's he 98 00:05:00,240 --> 00:05:03,679 Speaker 2: turned on the charm for you. It did, yea, hence 99 00:05:03,800 --> 00:05:05,040 Speaker 2: my massive smile. 100 00:05:05,520 --> 00:05:09,159 Speaker 1: It's amazing though, it's perfect, It's perfect and good. 101 00:05:09,200 --> 00:05:10,159 Speaker 3: Okay, we're gonna back up. 102 00:05:10,160 --> 00:05:13,200 Speaker 1: We're gonna talk about the storyline. So remember this Brady 103 00:05:13,200 --> 00:05:16,960 Speaker 1: bunch thing they do in the beginning. Oh god, so Darren, 104 00:05:17,120 --> 00:05:19,279 Speaker 1: Darren loves a little courky thing thing. 105 00:05:19,960 --> 00:05:24,400 Speaker 2: Yes, just even the way they told the crabs that 106 00:05:24,480 --> 00:05:27,599 Speaker 2: you had crabs, right, I know, maybe the growing up 107 00:05:27,880 --> 00:05:28,520 Speaker 2: on the table. 108 00:05:29,120 --> 00:05:31,040 Speaker 3: Yeah yeah, yeah, yeah, it's true. That was creative. 109 00:05:31,080 --> 00:05:33,040 Speaker 1: I'm really glad. Also, they did cut to my stomach 110 00:05:33,040 --> 00:05:35,440 Speaker 1: and I remember just sucking my stomach in it really hard. 111 00:05:35,720 --> 00:05:37,520 Speaker 1: But also thank god they didn't put a little bug 112 00:05:37,560 --> 00:05:40,960 Speaker 1: on there or something. Yeah, oh god, but. 113 00:05:40,920 --> 00:05:42,240 Speaker 3: They cut to the crabs instead. 114 00:05:43,040 --> 00:05:45,599 Speaker 1: So they do this very funny little Brady Bunch thing 115 00:05:45,680 --> 00:05:48,000 Speaker 1: to tell the story of how we all end up 116 00:05:48,080 --> 00:05:51,360 Speaker 1: at Hampton's house, which is that this couple who we've 117 00:05:51,400 --> 00:05:54,960 Speaker 1: never met or heard from, have these friends and then 118 00:05:54,960 --> 00:05:57,719 Speaker 1: they're all in related and or breaking up and cheating 119 00:05:57,760 --> 00:06:00,720 Speaker 1: on each other. A very clever little Brady Bunch thing there. 120 00:06:00,720 --> 00:06:04,920 Speaker 1: I'm sure that was all Darren. Then I convince everybody 121 00:06:04,960 --> 00:06:07,520 Speaker 1: at the coffee shop that we should go and stay 122 00:06:07,600 --> 00:06:09,479 Speaker 1: in this house because we're getting a good deal for 123 00:06:09,560 --> 00:06:12,320 Speaker 1: the month of August, which, of course, back then all 124 00:06:12,360 --> 00:06:15,200 Speaker 1: the deals were good compared to now, my god, I 125 00:06:15,240 --> 00:06:18,120 Speaker 1: mean the amount of money I have paid to take 126 00:06:18,160 --> 00:06:20,760 Speaker 1: my kids out to the Hampton's good Lord, yes hoo. 127 00:06:21,839 --> 00:06:23,520 Speaker 1: So I convinced them all to come out to the 128 00:06:23,640 --> 00:06:26,080 Speaker 1: to the Hamptons, and I say some crazy things like 129 00:06:26,360 --> 00:06:28,960 Speaker 1: who knows in a year one of us could be married, 130 00:06:29,040 --> 00:06:30,800 Speaker 1: one of us could have a kid. Yeah, And they 131 00:06:30,839 --> 00:06:33,080 Speaker 1: all look at me like I'm insane, and in. 132 00:06:33,040 --> 00:06:36,120 Speaker 3: Fact I'm right. I'm right Charlotte is right. 133 00:06:36,520 --> 00:06:42,400 Speaker 1: In a year people pregnant Miranda, Oh remember that. 134 00:06:43,720 --> 00:06:46,479 Speaker 2: It all comes to pass with the guy from the 135 00:06:46,520 --> 00:06:47,320 Speaker 2: Sandwich Suit. 136 00:06:48,000 --> 00:06:53,320 Speaker 1: No, you don't know who Miranda has a kid with. Yes, okay, good? 137 00:06:53,400 --> 00:06:56,640 Speaker 1: Yeah Igenburg Steve, Yeah, Yes. 138 00:06:56,600 --> 00:06:59,320 Speaker 3: That was a great relationship. I actually liked that relationship. 139 00:06:59,320 --> 00:07:02,920 Speaker 2: It's as fantastic, unbelievable. 140 00:07:02,960 --> 00:07:05,400 Speaker 1: Also, will not come on the podcast. I have begged 141 00:07:05,440 --> 00:07:10,400 Speaker 1: and cried and begged because he kind of interestingly little 142 00:07:10,440 --> 00:07:13,520 Speaker 1: bit like you in terms of doesn't watch his work, 143 00:07:13,920 --> 00:07:17,280 Speaker 1: doesn't really remember things, doesn't want to pay attention to 144 00:07:17,360 --> 00:07:19,080 Speaker 1: that part, hates press. 145 00:07:19,560 --> 00:07:22,240 Speaker 3: And I said, it's not press, it's me, yes, and 146 00:07:22,320 --> 00:07:22,840 Speaker 3: on a couch. 147 00:07:23,080 --> 00:07:25,480 Speaker 1: Yeah, and I will protect you and trust you in 148 00:07:25,520 --> 00:07:28,080 Speaker 1: all ways. But he was like, I just don't do that, 149 00:07:28,920 --> 00:07:30,920 Speaker 1: you know, And I don't want anyone to be uncomfortable. 150 00:07:30,960 --> 00:07:32,600 Speaker 1: So I said, okay, David, I forgive you. 151 00:07:32,640 --> 00:07:35,840 Speaker 2: But imagine if he and I were on the same episode, 152 00:07:35,880 --> 00:07:38,280 Speaker 2: we'd be like, I don't know, I don't know, I 153 00:07:38,320 --> 00:07:40,160 Speaker 2: can't remember, but. 154 00:07:40,080 --> 00:07:42,800 Speaker 1: It would be entertaining because you're both really watchable. So 155 00:07:43,080 --> 00:07:45,239 Speaker 1: I would watch that. But I mean the thing about 156 00:07:45,240 --> 00:07:47,720 Speaker 1: Eigenberg I think as well, is that he is so 157 00:07:47,920 --> 00:07:51,120 Speaker 1: incredibly real and in it that he doesn't want to 158 00:07:51,200 --> 00:07:54,000 Speaker 1: kind of look back at the finished product work as 159 00:07:54,080 --> 00:07:57,280 Speaker 1: being the important thing. He wants to be in it, 160 00:07:57,800 --> 00:08:01,480 Speaker 1: which I respect, you know, and everyone has their own thing, 161 00:08:01,480 --> 00:08:05,080 Speaker 1: and I think that that's important to kind of honor. Right, 162 00:08:05,600 --> 00:08:07,679 Speaker 1: Like Sara Juska doesn't want to watch the episodes. People 163 00:08:07,680 --> 00:08:09,160 Speaker 1: are all mad at her that she doesn't want to 164 00:08:09,200 --> 00:08:13,200 Speaker 1: watch the episodes. That's her process, yeah, Like her process 165 00:08:13,240 --> 00:08:15,560 Speaker 1: is that I'm in it and I'm going to do 166 00:08:15,600 --> 00:08:17,600 Speaker 1: the best I can do in it, and that is 167 00:08:17,680 --> 00:08:21,040 Speaker 1: kind of the end of it, right, Yeah, in the scene, 168 00:08:21,080 --> 00:08:23,600 Speaker 1: that's my job, right, Our job is not to watch 169 00:08:23,600 --> 00:08:26,480 Speaker 1: ourselves necessarily, unless you want to watch yourself and learn 170 00:08:26,520 --> 00:08:28,680 Speaker 1: from it, and then that's great. And sometimes I have 171 00:08:28,800 --> 00:08:32,280 Speaker 1: had really great joy watching it with a big audience, 172 00:08:32,400 --> 00:08:35,480 Speaker 1: like at a premiere, Yeah, because you get to really 173 00:08:36,000 --> 00:08:41,440 Speaker 1: feel yeah the response, Yeah, which is a joy. Right, Okay, 174 00:08:41,480 --> 00:08:43,079 Speaker 1: we're back to the show. We're back to the show. 175 00:08:43,440 --> 00:08:48,520 Speaker 1: So here we are Samantha. She has this young young assistant, 176 00:08:48,640 --> 00:08:51,560 Speaker 1: Nina is her name, and oh my goodness, it's a 177 00:08:51,600 --> 00:08:53,640 Speaker 1: hot mess. So then we cut to the jitney, which 178 00:08:53,880 --> 00:08:56,400 Speaker 1: seeing us all getting on that Jitney really made me laugh. 179 00:08:56,640 --> 00:09:00,120 Speaker 1: The memories of the Jitney. Oh my goodness. Me and 180 00:09:00,200 --> 00:09:03,960 Speaker 1: I meet this young guy, Greg and he's twenty six, 181 00:09:04,040 --> 00:09:06,120 Speaker 1: so I kind of wonk at the girls, like, you know, 182 00:09:06,160 --> 00:09:08,839 Speaker 1: he's twenty six or whatever, and they're like, oh, what 183 00:09:09,000 --> 00:09:13,160 Speaker 1: is going on? So we all head out, we go 184 00:09:13,240 --> 00:09:18,960 Speaker 1: to the we have a whole conversation about this is 185 00:09:19,000 --> 00:09:22,760 Speaker 1: funny to me because the conversation is basically, are the 186 00:09:22,840 --> 00:09:26,920 Speaker 1: twenty something girls in Manhattan a threat to the thirty 187 00:09:27,000 --> 00:09:30,360 Speaker 1: something women in Manhattan? And of course you are going 188 00:09:30,400 --> 00:09:32,760 Speaker 1: to be the epitome of this when we do meet 189 00:09:32,760 --> 00:09:34,400 Speaker 1: you at the end of the episode, because you are 190 00:09:34,400 --> 00:09:36,760 Speaker 1: a twenty something and we are a thirty something. And 191 00:09:36,800 --> 00:09:40,760 Speaker 1: to me, it's so really bizarre and weird. This kind 192 00:09:40,840 --> 00:09:42,680 Speaker 1: of divide that we divide. 193 00:09:42,960 --> 00:09:45,680 Speaker 3: Yeah, but because it's not that far off. It's not 194 00:09:45,760 --> 00:09:46,760 Speaker 3: far off at all. 195 00:09:46,960 --> 00:09:51,400 Speaker 1: But I think back then, the idea of being in 196 00:09:51,440 --> 00:09:55,000 Speaker 1: your thirties as a woman, because we were very limited 197 00:09:55,080 --> 00:09:58,080 Speaker 1: in terms of like obviously as an actress you were limited, 198 00:09:58,160 --> 00:10:00,400 Speaker 1: like you thought at forty it would be done. That's 199 00:10:00,440 --> 00:10:02,960 Speaker 1: what I was told, that's what everyone believe. But also 200 00:10:03,000 --> 00:10:05,720 Speaker 1: I think back then you were supposed to be married 201 00:10:06,720 --> 00:10:09,359 Speaker 1: in your thirties, you were supposed to have your job, 202 00:10:09,559 --> 00:10:14,480 Speaker 1: You're supposed to have it together in your thirties. Children, children, Yes, 203 00:10:15,120 --> 00:10:18,600 Speaker 1: Whereas now I feel like everything's much more wide open 204 00:10:18,640 --> 00:10:23,240 Speaker 1: and fluid and whatever you want to do goes, But 205 00:10:23,280 --> 00:10:26,360 Speaker 1: back then not so much. You were supposed to be 206 00:10:26,360 --> 00:10:28,600 Speaker 1: your shit together by your thirties. So I think that's 207 00:10:28,679 --> 00:10:31,000 Speaker 1: why the difference, the difference in terms of how we 208 00:10:31,080 --> 00:10:33,880 Speaker 1: talk about it. But I also think it's so interesting 209 00:10:33,920 --> 00:10:39,840 Speaker 1: to think about the idea of are the younger women 210 00:10:39,920 --> 00:10:43,680 Speaker 1: threatening or not? And to me, I just don't even 211 00:10:43,720 --> 00:10:47,480 Speaker 1: feel like we're even remotely the same, Like, how could 212 00:10:47,520 --> 00:10:50,280 Speaker 1: we even be threatened by them? Like any guy who 213 00:10:50,280 --> 00:10:53,160 Speaker 1: would like a twenty something is not going to like me. 214 00:10:54,200 --> 00:10:55,360 Speaker 1: We're totally different. 215 00:10:55,840 --> 00:10:57,560 Speaker 3: Yeah, do you know what I mean? Do you feel 216 00:10:57,600 --> 00:10:57,960 Speaker 3: that way? 217 00:10:58,400 --> 00:11:01,079 Speaker 1: Not that you're in it, but you know what I'm saying, Yeah, 218 00:11:01,160 --> 00:11:01,480 Speaker 1: I'm not. 219 00:11:02,000 --> 00:11:05,400 Speaker 3: I'm not in it. I don't know. Yeah, but I 220 00:11:05,440 --> 00:11:07,800 Speaker 3: wouldn't be, I think, Yeah, I don't know. 221 00:11:08,040 --> 00:11:10,240 Speaker 1: It's hard to even for me, it's hard to imagine 222 00:11:10,280 --> 00:11:13,960 Speaker 1: the idea of wasting energy. Feeling threatened by the twenties 223 00:11:14,040 --> 00:11:19,800 Speaker 1: is what I'm really saying, right, well, certainly at this age, yeah, right, yeah, 224 00:11:19,840 --> 00:11:20,560 Speaker 1: And I don't. 225 00:11:20,320 --> 00:11:25,160 Speaker 2: Remember being threatened by it. Me neither thirties eitherty. 226 00:11:24,840 --> 00:11:28,040 Speaker 1: Whatever, No me, neither me, neither me, neither. And I 227 00:11:28,080 --> 00:11:31,320 Speaker 1: think in a lot of ways because I don't think. 228 00:11:31,520 --> 00:11:34,480 Speaker 1: I mean, it is funny that certainly there's a lot 229 00:11:34,520 --> 00:11:36,280 Speaker 1: of women out there who try to pretend that they're 230 00:11:36,320 --> 00:11:40,640 Speaker 1: younger than they are, which is sad, but I understand 231 00:11:40,720 --> 00:11:44,480 Speaker 1: why because our society is so ageist and has been 232 00:11:44,520 --> 00:11:46,840 Speaker 1: for so long, and we're trying to change it. But 233 00:11:46,880 --> 00:11:49,120 Speaker 1: it's really hard to change these things, man, you know 234 00:11:49,240 --> 00:12:03,080 Speaker 1: what I'm saying. So I have this whole thing with 235 00:12:03,200 --> 00:12:05,760 Speaker 1: this young guy who has like floppy hair, which is 236 00:12:05,800 --> 00:12:07,960 Speaker 1: so funny where I'm going to try to pretend like 237 00:12:07,960 --> 00:12:11,880 Speaker 1: I'm in my twenties, really embarrassing. But I also remember 238 00:12:12,120 --> 00:12:14,360 Speaker 1: he would just throw me. He was just throwing me 239 00:12:14,880 --> 00:12:16,120 Speaker 1: at the when we're in the beach. 240 00:12:16,280 --> 00:12:16,960 Speaker 3: I know, I saw that. 241 00:12:17,120 --> 00:12:19,240 Speaker 1: Oh my god, and you could hear me just squealing 242 00:12:19,280 --> 00:12:21,880 Speaker 1: in the background through that whole scene because I think 243 00:12:21,880 --> 00:12:22,240 Speaker 1: they just. 244 00:12:22,200 --> 00:12:24,840 Speaker 2: Told him like throw her around, yeah, and I was like, ah, God, 245 00:12:24,920 --> 00:12:28,280 Speaker 2: don't know, but I'm so genius because like he was 246 00:12:28,360 --> 00:12:31,040 Speaker 2: like wrestling of football, and you were. 247 00:12:30,920 --> 00:12:33,120 Speaker 3: Like, I'm gonna be twenty six. I'm gonna be twenty six. 248 00:12:33,240 --> 00:12:34,319 Speaker 3: I'm gonna be twenty. 249 00:12:34,080 --> 00:12:36,600 Speaker 2: Six, right, and I try to give him high Yeah, 250 00:12:36,840 --> 00:12:37,880 Speaker 2: Oh my god great. 251 00:12:38,040 --> 00:12:40,400 Speaker 1: I mean it's very much like how it is now. 252 00:12:40,760 --> 00:12:42,400 Speaker 1: I have a fourteen year old, right, and they have 253 00:12:42,440 --> 00:12:45,240 Speaker 1: all the crazy words gibbty whatever, blah blah blah. 254 00:12:45,240 --> 00:12:45,960 Speaker 3: I don't know that one. 255 00:12:46,000 --> 00:12:49,360 Speaker 1: Oh Lord, have mercy. And my daughter told me the 256 00:12:49,440 --> 00:12:52,560 Speaker 1: other day like, Mom, don't try. 257 00:12:52,960 --> 00:12:53,880 Speaker 2: Yeah yeah, Like. 258 00:12:53,880 --> 00:12:57,920 Speaker 1: Okay, thank you, thank you. I have permission not to try. 259 00:12:58,360 --> 00:13:03,080 Speaker 1: I'm so glad because they have a whole vocabulary and if. 260 00:13:03,000 --> 00:13:05,560 Speaker 3: It comes out of your mouth, it just doesn't work. 261 00:13:05,720 --> 00:13:08,960 Speaker 1: It's mortifying. It's fully mortifying, right, it's fully mortifying. But 262 00:13:09,080 --> 00:13:11,640 Speaker 1: at this point Charlotte can just barely pull it off. 263 00:13:11,840 --> 00:13:14,320 Speaker 1: Though of course the girls are like, oh god, why 264 00:13:14,360 --> 00:13:17,360 Speaker 1: is she even trying? And she pays the price by 265 00:13:17,360 --> 00:13:20,200 Speaker 1: getting crabs, which I think is totally appropriate and fine. 266 00:13:20,840 --> 00:13:24,280 Speaker 1: So then Carrie meets this guy. He's a doctor. He's 267 00:13:24,280 --> 00:13:27,640 Speaker 1: good on paper. You can tell it's not gonna work. 268 00:13:27,800 --> 00:13:30,760 Speaker 1: It's so funny to me to watch that storyline. I 269 00:13:30,800 --> 00:13:34,240 Speaker 1: mean it is kind of sweet in a way, like 270 00:13:34,440 --> 00:13:38,200 Speaker 1: in the absence of Big that she's trying with like kind. 271 00:13:38,120 --> 00:13:40,000 Speaker 3: Of appropriate choices. 272 00:13:40,160 --> 00:13:44,199 Speaker 1: Yes, you know, he's a doctor. He's very polite, but 273 00:13:44,440 --> 00:13:49,360 Speaker 1: there's but none of the no, no spark, nothing, nothing 274 00:13:49,440 --> 00:13:55,000 Speaker 1: at all. They walk down the beach. You know, Carrie's fascinating, 275 00:13:56,720 --> 00:13:57,680 Speaker 1: but that's all. I thought. 276 00:13:57,720 --> 00:13:58,680 Speaker 3: She's so out of his. 277 00:13:58,720 --> 00:14:03,800 Speaker 2: League over saying yeah, that's well put, that's well put. 278 00:14:04,160 --> 00:14:06,520 Speaker 1: I think that's an interesting thing too, Like when I 279 00:14:06,559 --> 00:14:09,920 Speaker 1: look back, there's a lot of analysis of Big and 280 00:14:09,960 --> 00:14:12,400 Speaker 1: carry right, And I tried to get Sarah Josca to 281 00:14:12,600 --> 00:14:14,679 Speaker 1: now analyze it when she came on the podcast, and 282 00:14:14,960 --> 00:14:16,760 Speaker 1: she doesn't really want to. She did have a very 283 00:14:16,760 --> 00:14:20,800 Speaker 1: interesting perspective about him, which I thought was interesting and 284 00:14:21,560 --> 00:14:25,080 Speaker 1: unusual in terms of like who raised him and how 285 00:14:25,120 --> 00:14:27,000 Speaker 1: he was raised and why he is the way that 286 00:14:27,080 --> 00:14:29,400 Speaker 1: he is and the generation that he was a part of, 287 00:14:29,480 --> 00:14:32,800 Speaker 1: which does totally make sense. But then I said why, 288 00:14:33,000 --> 00:14:35,000 Speaker 1: you know, but why did she put up with so 289 00:14:35,160 --> 00:14:38,360 Speaker 1: much from him? Because she really does And she said 290 00:14:39,200 --> 00:14:42,200 Speaker 1: he was just her person, which I think is the 291 00:14:42,240 --> 00:14:43,920 Speaker 1: way it is, you know what. 292 00:14:43,960 --> 00:14:47,760 Speaker 3: I mean, how what was the age difference? 293 00:14:48,400 --> 00:14:50,800 Speaker 1: The age difference of them is like ten years. 294 00:14:50,840 --> 00:14:53,400 Speaker 2: I want to say on s big, I mean, I'd 295 00:14:53,440 --> 00:14:56,240 Speaker 2: have to analyze it, and then that means it was 296 00:14:56,320 --> 00:14:58,000 Speaker 2: twenty years between. 297 00:14:58,760 --> 00:15:02,960 Speaker 1: Or yeah, which I don't you never even mentioned. Yeah, 298 00:15:03,240 --> 00:15:05,240 Speaker 1: you had a little age range situation going on. 299 00:15:05,320 --> 00:15:08,560 Speaker 2: There was age range situation, I know. 300 00:15:08,680 --> 00:15:11,920 Speaker 1: But it was so incredibly common and not thought of 301 00:15:12,120 --> 00:15:14,800 Speaker 1: twice that a man like that would marry a girl 302 00:15:14,800 --> 00:15:18,880 Speaker 1: who was twenty five. No, that was just totally normal 303 00:15:19,120 --> 00:15:24,520 Speaker 1: and expected. I would actually say expected. Yeah, Carrie was 304 00:15:24,600 --> 00:15:28,760 Speaker 1: unexpected because she was complicated, she was thirty something. She 305 00:15:28,920 --> 00:15:29,320 Speaker 1: was hot. 306 00:15:29,680 --> 00:15:30,600 Speaker 3: Yeah, you know what I mean. 307 00:15:30,960 --> 00:15:35,240 Speaker 1: You're cool and hot a total different way. You're desirable 308 00:15:35,320 --> 00:15:37,240 Speaker 1: in a whole different way, you know what I'm saying. 309 00:15:37,440 --> 00:15:40,680 Speaker 1: But that's what I love about the contrast, and that's 310 00:15:40,680 --> 00:15:44,320 Speaker 1: why you were so perfect. But I want to talk 311 00:15:44,360 --> 00:15:46,680 Speaker 1: about something that's not in this episode because you're here, 312 00:15:46,920 --> 00:15:49,120 Speaker 1: and I would be remiss if we do not talk 313 00:15:49,160 --> 00:15:53,240 Speaker 1: about the falling down the stairs and oh, yeah, tooth. 314 00:15:54,040 --> 00:16:00,440 Speaker 2: I rewatched that episode and it made I I was shocked. 315 00:16:00,760 --> 00:16:02,080 Speaker 1: I know, I was shocked as well. 316 00:16:02,160 --> 00:16:03,440 Speaker 3: Yeah, it really made me jump. 317 00:16:03,840 --> 00:16:06,520 Speaker 2: It made me jump and then and hurt and then 318 00:16:06,600 --> 00:16:11,920 Speaker 2: her helping I know, Natasha and I locked the door, locked. 319 00:16:11,680 --> 00:16:13,560 Speaker 1: The door so she can't get in the air. Now, 320 00:16:14,320 --> 00:16:16,720 Speaker 1: what do you remember of that, Like, what were you thinking? 321 00:16:16,880 --> 00:16:19,680 Speaker 2: I don't know, but it was I don't know if 322 00:16:19,680 --> 00:16:21,680 Speaker 2: that was an instinct or that was in the script. 323 00:16:21,720 --> 00:16:26,000 Speaker 2: I can't remember, but I just again, then having her 324 00:16:26,080 --> 00:16:29,120 Speaker 2: sit out there watching the rest of the episode, and 325 00:16:29,200 --> 00:16:32,040 Speaker 2: her staying there and checking in and making sure, and 326 00:16:32,080 --> 00:16:36,320 Speaker 2: then Big showing up and he thanked her for being there. 327 00:16:37,880 --> 00:16:41,320 Speaker 2: But and then my parents were coming to Natasha's parents 328 00:16:41,320 --> 00:16:44,120 Speaker 2: were coming down, like what was that whole conversation going 329 00:16:44,200 --> 00:16:47,080 Speaker 2: to be with my husband? Like it was all like 330 00:16:47,160 --> 00:16:48,560 Speaker 2: you just I just wanted to. 331 00:16:48,600 --> 00:16:51,240 Speaker 3: Know that next thing, like he just wasn't for them 332 00:16:51,400 --> 00:16:51,760 Speaker 3: me too. 333 00:16:51,840 --> 00:16:53,760 Speaker 1: I feel like there was a lot left out. But 334 00:16:53,800 --> 00:16:55,680 Speaker 1: part of the reason that that was left out was 335 00:16:55,680 --> 00:16:59,160 Speaker 1: because we're with Carrie, right, so she doesn't know that, right. 336 00:16:59,440 --> 00:17:01,240 Speaker 1: But all also feel at the same. 337 00:17:01,040 --> 00:17:03,720 Speaker 3: Time like beautifully written because it makes. 338 00:17:03,520 --> 00:17:07,159 Speaker 1: You wonder like what is happening over there? Yeah, what 339 00:17:07,320 --> 00:17:11,359 Speaker 1: is happening over there? And poor Natasha. 340 00:17:11,080 --> 00:17:11,879 Speaker 3: Poor Natasha. 341 00:17:12,160 --> 00:17:15,679 Speaker 2: But then I'd love when we come back to and 342 00:17:15,800 --> 00:17:20,280 Speaker 2: just like that that it's Natasha who is caring for her. 343 00:17:20,840 --> 00:17:24,200 Speaker 1: So incredible, you know, yes, I mean. 344 00:17:24,040 --> 00:17:27,720 Speaker 3: There really is that bond. 345 00:17:29,119 --> 00:17:34,200 Speaker 2: Between them, like they absolutely I mean whether you know, right, 346 00:17:34,280 --> 00:17:36,760 Speaker 2: But that also isn't that the weirdness of life? 347 00:17:36,880 --> 00:17:40,000 Speaker 1: Right? Like like also before we go there, because I 348 00:17:40,040 --> 00:17:42,080 Speaker 1: want to say this when I did rewatch, when you 349 00:17:42,119 --> 00:17:44,720 Speaker 1: come in and so big in care of having their affair, 350 00:17:44,840 --> 00:17:46,800 Speaker 1: just to update everybody, big and carry, you're having their 351 00:17:46,840 --> 00:17:51,000 Speaker 1: affair within my bed exactly, and we think you don't 352 00:17:51,000 --> 00:17:54,120 Speaker 1: know about it, but you come in and you see 353 00:17:54,200 --> 00:17:56,679 Speaker 1: her trying to run out the back door, and you say, 354 00:17:57,400 --> 00:17:59,719 Speaker 1: I knew you were having an affair, but not in 355 00:17:59,760 --> 00:18:02,600 Speaker 1: my bed or in my apartment or something like that. 356 00:18:02,600 --> 00:18:04,280 Speaker 1: That just kind of broke me too. 357 00:18:04,640 --> 00:18:07,480 Speaker 2: Like yeah, because obviously she's been you know, where have 358 00:18:07,520 --> 00:18:07,880 Speaker 2: you been? 359 00:18:08,040 --> 00:18:10,400 Speaker 3: And there's been questions there's. 360 00:18:10,200 --> 00:18:15,320 Speaker 2: Been in their relationship, right that you don't ever know 361 00:18:15,359 --> 00:18:16,520 Speaker 2: about until that moment. 362 00:18:16,760 --> 00:18:19,399 Speaker 1: But that's just like how a mistress wouldn't know, do 363 00:18:19,400 --> 00:18:21,080 Speaker 1: you know what I'm saying? Like we're so with Carrie, 364 00:18:21,520 --> 00:18:24,280 Speaker 1: but yet and because we're kind of inside Carrie's mind 365 00:18:24,440 --> 00:18:26,680 Speaker 1: at all times because of the voiceover, right, like we're 366 00:18:27,119 --> 00:18:30,080 Speaker 1: in in her and we're obviously as her friends devoted 367 00:18:30,080 --> 00:18:34,040 Speaker 1: to her. But just from your perspective, from the Natasha perspective, 368 00:18:34,840 --> 00:18:39,640 Speaker 1: I was so sad. And you also have so much 369 00:18:39,800 --> 00:18:42,560 Speaker 1: poise because even though you come in and you see 370 00:18:42,560 --> 00:18:46,440 Speaker 1: her trying to scuttle out the back, you're still like Carrie, wait, 371 00:18:46,960 --> 00:18:50,400 Speaker 1: like you're not screaming at her, you know what I mean, 372 00:18:50,480 --> 00:18:53,240 Speaker 1: like you're chasing her, but you're you're you're still very 373 00:18:53,280 --> 00:18:56,200 Speaker 1: poised about it because apparently you already knew. 374 00:18:56,080 --> 00:19:00,960 Speaker 2: Well, there weren't any knives on these, because that would 375 00:19:01,040 --> 00:19:01,879 Speaker 2: have made sense. 376 00:19:02,040 --> 00:19:04,919 Speaker 1: Okay, it would have made sense to me at least 377 00:19:05,000 --> 00:19:06,640 Speaker 1: to me at least it would have made sense. 378 00:19:06,800 --> 00:19:08,600 Speaker 3: But then when you fall and you hit. 379 00:19:08,520 --> 00:19:11,840 Speaker 1: Your face, Oh my god, I'm dying. Right, was it 380 00:19:11,880 --> 00:19:12,560 Speaker 1: really film that? 381 00:19:12,680 --> 00:19:13,800 Speaker 3: Well? 382 00:19:13,840 --> 00:19:14,800 Speaker 1: Was it a stunt double? 383 00:19:15,040 --> 00:19:15,440 Speaker 3: I don't know. 384 00:19:15,560 --> 00:19:17,639 Speaker 1: Memory, Okay, we're gonna find out all these clues. 385 00:19:17,760 --> 00:19:20,000 Speaker 3: Sure, there was a stump, but there was a pad. 386 00:19:19,800 --> 00:19:22,639 Speaker 1: There, right, There was a pad, right, because when you 387 00:19:22,640 --> 00:19:24,640 Speaker 1: lift your head up, it's obviously you So if there 388 00:19:24,680 --> 00:19:27,000 Speaker 1: was a sun double, it was minimal. But also, thank 389 00:19:27,040 --> 00:19:29,960 Speaker 1: god I had remembered it somehow that you literally fell 390 00:19:30,000 --> 00:19:31,879 Speaker 1: down the stairs, but you fell kind of on the 391 00:19:31,960 --> 00:19:34,560 Speaker 1: threshold out the stairwell, which is better than. 392 00:19:34,640 --> 00:19:37,160 Speaker 3: It was down one flight, and then the turn. 393 00:19:37,280 --> 00:19:38,800 Speaker 1: Yeah, everything, got it. 394 00:19:38,800 --> 00:19:39,840 Speaker 3: It's scary, scary. 395 00:19:39,880 --> 00:19:42,680 Speaker 1: It's so scary and so dramatic and so well written. 396 00:19:43,040 --> 00:19:45,320 Speaker 1: Oh my god, oh my god. I'm still trying to 397 00:19:45,320 --> 00:19:48,800 Speaker 1: recover from it. And again, I just don't even think myself, 398 00:19:49,480 --> 00:19:51,720 Speaker 1: you know, because I'm all in her world, right, and 399 00:19:51,760 --> 00:19:54,840 Speaker 1: I remember thinking it was really really good, right, but 400 00:19:54,880 --> 00:19:58,679 Speaker 1: I never thought about like you and Natasha and you 401 00:19:58,720 --> 00:19:59,480 Speaker 1: know what is it like? 402 00:20:00,200 --> 00:20:00,879 Speaker 3: Are you okay? 403 00:20:01,240 --> 00:20:02,000 Speaker 1: You know what I mean? 404 00:20:02,080 --> 00:20:02,760 Speaker 3: How's your tooth? 405 00:20:03,000 --> 00:20:05,640 Speaker 1: Yeah? Yeah? And then the fact that you later on 406 00:20:05,720 --> 00:20:07,760 Speaker 1: and then just like that say that it's still a 407 00:20:07,800 --> 00:20:08,480 Speaker 1: different color. 408 00:20:08,880 --> 00:20:11,000 Speaker 2: No, that was that was in that was in sex 409 00:20:11,240 --> 00:20:15,000 Speaker 2: sex and when you sit down where she like interrupts, 410 00:20:15,119 --> 00:20:16,200 Speaker 2: she comes, she comes. 411 00:20:16,960 --> 00:20:19,679 Speaker 1: You might be at the four seasons like you're somewhere 412 00:20:19,720 --> 00:20:22,879 Speaker 1: really posed. Some were fam yes, really fancy. Oh so 413 00:20:22,920 --> 00:20:24,480 Speaker 1: that was that scene where you tell her that still 414 00:20:24,800 --> 00:20:27,480 Speaker 1: how do you remember that? Did you like that? Were 415 00:20:27,480 --> 00:20:28,760 Speaker 1: you happy about that scene? 416 00:20:28,960 --> 00:20:29,120 Speaker 4: Oh? 417 00:20:29,160 --> 00:20:29,920 Speaker 3: I think so? Yeah. 418 00:20:30,040 --> 00:20:32,360 Speaker 2: Well I think it's also the only scene I had 419 00:20:32,480 --> 00:20:33,800 Speaker 2: multiple lines. 420 00:20:34,080 --> 00:20:35,600 Speaker 3: Which is so incredible. 421 00:20:38,359 --> 00:20:42,080 Speaker 2: Right, there were episodes I had no lines I'm sure unbelievable, 422 00:20:42,280 --> 00:20:45,479 Speaker 2: so unbelievable. That was nerve wracking. Suddenly I had to 423 00:20:45,920 --> 00:20:47,320 Speaker 2: string sentences together. 424 00:20:48,600 --> 00:20:50,520 Speaker 3: Could I do it? Or could I not? 425 00:20:50,760 --> 00:20:54,600 Speaker 1: I don't know, My god, you weren't actually thinking no, no, no? 426 00:20:54,920 --> 00:20:57,520 Speaker 1: Did you so? So? You were? When you so? You 427 00:20:57,520 --> 00:20:59,800 Speaker 1: were modeling? Then you were going on all the auditions, 428 00:20:59,800 --> 00:21:02,119 Speaker 1: all the auditions. You really wanted to act because modeling 429 00:21:02,160 --> 00:21:05,000 Speaker 1: was not fulfilling. This is what I'm getting, very successful, 430 00:21:05,040 --> 00:21:07,480 Speaker 1: but you know, wanted more. Right, Did you go to 431 00:21:07,520 --> 00:21:10,600 Speaker 1: acting class? Yes? Did you get acting class before or 432 00:21:10,640 --> 00:21:11,560 Speaker 1: did you have a coach? 433 00:21:12,400 --> 00:21:14,640 Speaker 2: I was going to school here in the city while 434 00:21:14,640 --> 00:21:16,879 Speaker 2: I was working during the day, and I was working 435 00:21:16,920 --> 00:21:20,480 Speaker 2: at K. Michael Patton Studio here on the Upper West Side, 436 00:21:20,640 --> 00:21:25,959 Speaker 2: and she was Meisner based and just lovely and loved 437 00:21:26,040 --> 00:21:30,159 Speaker 2: that class. Maria Bello actually I think went to the 438 00:21:30,200 --> 00:21:33,640 Speaker 2: same I think she went to the same studio at 439 00:21:34,000 --> 00:21:39,959 Speaker 2: one part of her training. Cool and then I started working, 440 00:21:39,960 --> 00:21:43,960 Speaker 2: But I kind of focused on studying for a while 441 00:21:44,280 --> 00:21:46,320 Speaker 2: and getting because I didn't want to go out into 442 00:21:46,320 --> 00:21:51,200 Speaker 2: the auditioning process not having some sort of confidence and 443 00:21:51,680 --> 00:21:56,640 Speaker 2: sea legs, a little bit of knowing how to prepare and. 444 00:21:58,040 --> 00:21:59,920 Speaker 3: Absolutely and worktely. 445 00:22:00,520 --> 00:22:02,920 Speaker 2: You get the job and then you can't actually do it, 446 00:22:03,240 --> 00:22:05,800 Speaker 2: you know, that would be horrible. That would have been horrible, horrible. 447 00:22:07,200 --> 00:22:09,320 Speaker 2: So I gave myself like three years before I would 448 00:22:09,440 --> 00:22:11,879 Speaker 2: actually start auditioning. 449 00:22:11,560 --> 00:22:14,320 Speaker 1: Smart Smarts, so that would have been before. Yeah, got it, 450 00:22:14,359 --> 00:22:16,440 Speaker 1: got it? Got it cool? Okay, I have to talk 451 00:22:16,480 --> 00:22:19,240 Speaker 1: about the episodes more, I think, because some things really 452 00:22:19,280 --> 00:22:20,080 Speaker 1: love the rewatching. 453 00:22:20,720 --> 00:22:22,600 Speaker 3: Of course they did interesting. It's so great. 454 00:22:22,920 --> 00:22:28,280 Speaker 1: It's interesting. Yeah, yeah, it's an interesting way to relive 455 00:22:28,359 --> 00:22:30,760 Speaker 1: the episodes, you know, and I guess people watch them 456 00:22:30,760 --> 00:22:32,439 Speaker 1: over and over, which is so cool. 457 00:22:32,640 --> 00:22:35,640 Speaker 2: It's so great now because also there's a lot of 458 00:22:36,880 --> 00:22:42,320 Speaker 2: our generation who were in it, or we're watching it 459 00:22:42,560 --> 00:22:46,520 Speaker 2: for the first time. Yeah, whose children are now? I know, 460 00:22:46,880 --> 00:22:48,880 Speaker 2: teenagers biz are watching it. 461 00:22:49,240 --> 00:22:51,719 Speaker 1: I know it. I know my eighteen year old has 462 00:22:51,760 --> 00:22:53,480 Speaker 1: not seen it yet, but all of our friends have, 463 00:22:53,720 --> 00:22:56,480 Speaker 1: which is interesting, and she wants to know when I 464 00:22:56,520 --> 00:22:57,240 Speaker 1: will let her see it. 465 00:22:57,240 --> 00:22:58,160 Speaker 3: And I just can't get my. 466 00:22:58,080 --> 00:23:00,560 Speaker 1: Mind around it, do I mean, I just yeah, it's 467 00:23:00,600 --> 00:23:04,600 Speaker 1: weird for me to think about her watching it. You know, 468 00:23:05,080 --> 00:23:07,520 Speaker 1: I want her to watch it. I'm just not quite 469 00:23:07,640 --> 00:23:08,240 Speaker 1: ready yet. 470 00:23:09,200 --> 00:23:13,520 Speaker 2: Well, I think the good thing is it's not porn right, Like, 471 00:23:13,600 --> 00:23:16,640 Speaker 2: that's not what you're holding back from her seeing. 472 00:23:16,960 --> 00:23:21,000 Speaker 1: No, absolutely, and there is as ye yes and funny 473 00:23:21,000 --> 00:23:24,520 Speaker 1: and the women in charge you know, absolutely absolutely, It's 474 00:23:24,560 --> 00:23:27,119 Speaker 1: just such good content is still there? 475 00:23:27,400 --> 00:23:27,680 Speaker 2: Right? 476 00:23:27,760 --> 00:23:30,880 Speaker 1: So like as a mom, I'm as a mother, yes, 477 00:23:32,160 --> 00:23:34,920 Speaker 1: And then I have to think through, like which which 478 00:23:34,960 --> 00:23:37,159 Speaker 1: episode do I not want her to see of me? 479 00:23:37,760 --> 00:23:38,400 Speaker 1: You know what I mean? 480 00:23:38,480 --> 00:23:38,680 Speaker 2: Yeah? 481 00:23:38,720 --> 00:23:41,160 Speaker 1: Do you feel that like did your son watch you? Well? 482 00:23:42,440 --> 00:23:44,920 Speaker 2: I feel like when Euphoria came out, there are a 483 00:23:44,960 --> 00:23:47,439 Speaker 2: lot of parents who are having this discussion like do 484 00:23:47,440 --> 00:23:49,639 Speaker 2: do you let your kids watch it? So many of 485 00:23:49,680 --> 00:23:52,960 Speaker 2: the kids were letting like, let's watch it. Let's watch 486 00:23:53,000 --> 00:23:56,000 Speaker 2: the episode, but let's break it down and talk about 487 00:23:56,000 --> 00:23:58,119 Speaker 2: the deuce and don'ts and what's actually happening in your 488 00:23:58,200 --> 00:24:02,600 Speaker 2: life and how would you like it's an educational side 489 00:24:02,640 --> 00:24:07,760 Speaker 2: of it? Yeah yeah as a mom, yeah, yeah, you 490 00:24:07,760 --> 00:24:08,679 Speaker 2: could be having. 491 00:24:08,920 --> 00:24:10,320 Speaker 3: Absolutely I think that's great. 492 00:24:10,400 --> 00:24:13,720 Speaker 1: I just have to just like get my mind around 493 00:24:13,760 --> 00:24:15,760 Speaker 1: the fact that I might be doing something or whatever 494 00:24:16,000 --> 00:24:18,200 Speaker 1: that might be embarrassing, the. 495 00:24:18,160 --> 00:24:21,360 Speaker 2: Worst thing or the scariest thing that you don't want 496 00:24:21,400 --> 00:24:27,200 Speaker 2: your daughter to see. You do say in the position of. 497 00:24:29,119 --> 00:24:33,760 Speaker 1: Such a good question, Richard, I don't even know. I mean, 498 00:24:33,880 --> 00:24:37,920 Speaker 1: luckily I play Charlotte, right right, So it's not that 499 00:24:38,480 --> 00:24:41,960 Speaker 1: bad that I can think of. I think it's more 500 00:24:42,119 --> 00:24:48,760 Speaker 1: of like the just this frankness of the conversation. 501 00:24:48,320 --> 00:24:50,840 Speaker 3: Right across the board, across the. 502 00:24:50,800 --> 00:24:54,040 Speaker 1: Board, like Samantha, you know, comes to mind. And the 503 00:24:54,080 --> 00:24:56,840 Speaker 1: thing that's great about Samantha as a certainly as a 504 00:24:56,880 --> 00:24:59,320 Speaker 1: conversational tool with your children, is that she is so 505 00:24:59,480 --> 00:25:05,119 Speaker 1: sex boss and not judgmental and fully empowered in what 506 00:25:05,160 --> 00:25:07,920 Speaker 1: she wants, you know, And it's so rare to find 507 00:25:07,920 --> 00:25:11,840 Speaker 1: these characters, women characters in this way. So I love 508 00:25:12,280 --> 00:25:16,119 Speaker 1: that perspective as like, you know, look at she she 509 00:25:16,240 --> 00:25:20,280 Speaker 1: does what she wants, you know, she's unapologetic about it. 510 00:25:20,680 --> 00:25:23,080 Speaker 1: Like that's something that as a young person I would 511 00:25:23,119 --> 00:25:26,560 Speaker 1: have loved to see. Yeah, right, I mean there are 512 00:25:26,560 --> 00:25:29,000 Speaker 1: just so many weird things. This is what comes to mind. 513 00:25:29,320 --> 00:25:31,919 Speaker 1: It's so not anything to be embarrassed about. But I 514 00:25:31,960 --> 00:25:34,840 Speaker 1: do so many silly things. Like there's a scene it 515 00:25:34,880 --> 00:25:38,000 Speaker 1: hasn't I don't think we've rewatched it yet where for 516 00:25:38,080 --> 00:25:40,760 Speaker 1: some reason someone tells me that I need to look 517 00:25:40,760 --> 00:25:43,720 Speaker 1: at my private parts in the mirror and get. 518 00:25:43,560 --> 00:25:45,600 Speaker 3: My private parts in the mirror and I fall off 519 00:25:45,600 --> 00:25:50,000 Speaker 3: the bed. Okay, yeah, yes, that would be great, honey. 520 00:25:50,160 --> 00:25:53,040 Speaker 2: So when you do that, make sure you're holding onto 521 00:25:53,080 --> 00:25:56,600 Speaker 2: something stable and maybe have a crash pad on the 522 00:25:56,640 --> 00:25:58,800 Speaker 2: floor prior to checking yourself. 523 00:25:58,880 --> 00:26:00,760 Speaker 3: Really totally so good. 524 00:26:00,800 --> 00:26:03,680 Speaker 1: There's nothing that I don't stand by, do you know 525 00:26:03,680 --> 00:26:07,280 Speaker 1: what I mean? But it's also just like embarrassing kind of. 526 00:26:08,480 --> 00:26:11,440 Speaker 1: I mean, in general, I don't show my kids my acting. 527 00:26:12,320 --> 00:26:14,399 Speaker 1: People are always asking me if I do, and I'm like, 528 00:26:14,680 --> 00:26:17,359 Speaker 1: why would I is so weird. I mean, I have 529 00:26:17,440 --> 00:26:19,080 Speaker 1: movies like The Shaggy Dog that I did that I 530 00:26:19,080 --> 00:26:22,600 Speaker 1: could totally show them, but it just seems strange, like 531 00:26:22,680 --> 00:26:24,440 Speaker 1: I want them to think of me as their mom. 532 00:26:24,520 --> 00:26:28,919 Speaker 1: I don't need them to secret public, public thing. But 533 00:26:29,000 --> 00:26:31,199 Speaker 1: when we did go back to do and just like that, 534 00:26:31,240 --> 00:26:33,840 Speaker 1: because it had been COVID, my son is only seven now, 535 00:26:33,880 --> 00:26:36,399 Speaker 1: so he doesn't remember, you know, the Heyday, and Jema 536 00:26:36,560 --> 00:26:38,400 Speaker 1: wasn't here for the Heyday either, my fourteen year old, 537 00:26:38,960 --> 00:26:42,399 Speaker 1: but she knows everybody and knows about it, intellectually knows 538 00:26:42,440 --> 00:26:46,000 Speaker 1: about it. But they put us on that building, oh, 539 00:26:46,040 --> 00:26:49,320 Speaker 1: on sunset and on the buses. So the buses would 540 00:26:49,359 --> 00:26:53,560 Speaker 1: drive by and Wilson, who's seven, he'd say, Mommy, there's 541 00:26:53,560 --> 00:26:58,080 Speaker 1: you and your friends so cute, and I was like, yes, 542 00:26:58,240 --> 00:27:01,360 Speaker 1: there we are. So he has like a odd idea 543 00:27:01,480 --> 00:27:04,200 Speaker 1: of what it is, you know, without knowing the details. 544 00:27:04,240 --> 00:27:07,320 Speaker 1: And then he really loves craft services. That's his course. 545 00:27:07,520 --> 00:27:10,960 Speaker 1: Mommy gets good lunch. She gets a lot of snacks. 546 00:27:10,720 --> 00:27:25,920 Speaker 3: At work, like yes, yes, okay, oh wait. 547 00:27:26,000 --> 00:27:28,520 Speaker 1: One of the most adorable parts of this whole episode 548 00:27:28,600 --> 00:27:31,159 Speaker 1: is that they have Carrie looking through an album of 549 00:27:31,200 --> 00:27:34,040 Speaker 1: her twenties and there's an actual picture of her kissing 550 00:27:34,040 --> 00:27:36,119 Speaker 1: Matthew Broderick in it, but they have their heads turned 551 00:27:36,320 --> 00:27:39,320 Speaker 1: and you can't tell that that's her, and I know that. 552 00:27:39,880 --> 00:27:42,560 Speaker 3: I can't remember when that moment was happening. 553 00:27:42,680 --> 00:27:45,280 Speaker 1: She goes back, so they go to the Hampton's all 554 00:27:45,280 --> 00:27:47,240 Speaker 1: the weekend, and then she goes back to her apartment 555 00:27:47,400 --> 00:27:50,320 Speaker 1: and she's thinking about what she was like in her twenties, 556 00:27:50,359 --> 00:27:53,800 Speaker 1: because we have this whole counterpoint of the twenty somethings, right, 557 00:27:54,119 --> 00:27:56,840 Speaker 1: And she's got a big photo album, old fashioned photo 558 00:27:56,880 --> 00:28:00,960 Speaker 1: album with a hard to stick yeah feeling exactly, and 559 00:28:01,000 --> 00:28:03,520 Speaker 1: it's really sweet, and there's a picture of her Matthew, 560 00:28:04,320 --> 00:28:05,880 Speaker 1: I know when I was like, oh, and she kind 561 00:28:05,880 --> 00:28:09,920 Speaker 1: of at one point she like, there's also some kind 562 00:28:09,960 --> 00:28:12,960 Speaker 1: of funny she's got her big puffy eighties hair. There's 563 00:28:13,000 --> 00:28:16,080 Speaker 1: some funny embarrassing pictures that she puts her hand over them, 564 00:28:16,080 --> 00:28:19,080 Speaker 1: like I'm so embarrassed. It's really cute and so her. 565 00:28:19,400 --> 00:28:21,919 Speaker 1: You know, in the olden days, we would have done 566 00:28:21,960 --> 00:28:23,600 Speaker 1: things like that and not realized they were going to 567 00:28:23,680 --> 00:28:28,320 Speaker 1: live forever. Yeah, you know, so we Oh my god, 568 00:28:28,359 --> 00:28:30,960 Speaker 1: we forgot about the fact that Carrie gets a groupie 569 00:28:31,320 --> 00:28:34,840 Speaker 1: slash assistant in this episode. This writer is who she 570 00:28:34,960 --> 00:28:35,880 Speaker 1: meets who says. 571 00:28:35,720 --> 00:28:38,240 Speaker 3: It's never had sex, yes, yeah, which. 572 00:28:38,040 --> 00:28:40,840 Speaker 1: Is also so strange and interesting and you can see 573 00:28:40,880 --> 00:28:45,120 Speaker 1: Carrie's face just like what And it also reminded me 574 00:28:45,200 --> 00:28:51,000 Speaker 1: of the great generational divide now sometimes where I sometimes 575 00:28:51,080 --> 00:28:53,360 Speaker 1: feel this way with younger women when they say, like, 576 00:28:54,120 --> 00:28:59,160 Speaker 1: you know, what do you mean feminism? And I'm like, 577 00:29:01,800 --> 00:29:04,560 Speaker 1: what do you mean? What do you mean feminism? Like 578 00:29:04,640 --> 00:29:07,840 Speaker 1: do you not know that you are benefiting from feminism? 579 00:29:07,880 --> 00:29:12,240 Speaker 1: Like really, has that word taken on so much weight 580 00:29:12,320 --> 00:29:15,720 Speaker 1: in a bad way like that you can't embrace it? 581 00:29:15,800 --> 00:29:16,840 Speaker 1: That's crazy? 582 00:29:17,760 --> 00:29:22,920 Speaker 2: Well, yes, yeah, I mean, I guess the wheels are turning. 583 00:29:23,280 --> 00:29:25,640 Speaker 2: The wheels are turning, and I'm afraid i'll say something. 584 00:29:26,120 --> 00:29:28,640 Speaker 1: I get it, it's hard. It's a hard one talking about. 585 00:29:28,680 --> 00:29:29,480 Speaker 1: But do you know what I'm saying? 586 00:29:29,640 --> 00:29:31,080 Speaker 3: Yes, yes, yes, so. 587 00:29:34,600 --> 00:29:37,400 Speaker 1: Bu uh but I'm way out of order. So Carrie 588 00:29:37,440 --> 00:29:39,720 Speaker 1: gets this little group who's never had sex and then 589 00:29:39,760 --> 00:29:42,760 Speaker 1: who then at one point paints her toenails in the 590 00:29:42,800 --> 00:29:48,400 Speaker 1: Hamptons and says something about women just parading their huhas 591 00:29:48,400 --> 00:29:49,920 Speaker 1: which I'm not going to say the word she uses, 592 00:29:50,480 --> 00:29:52,560 Speaker 1: and how gross it is. And you can just see 593 00:29:52,640 --> 00:29:55,800 Speaker 1: Carrie like, this is really weird, and this girl is 594 00:29:55,800 --> 00:29:58,080 Speaker 1: not in the place she should be. But also, in 595 00:29:58,160 --> 00:30:00,480 Speaker 1: my mind, the thing that I see when I see her, 596 00:30:01,000 --> 00:30:02,840 Speaker 1: she wants to be a writer, right, and she's hoping 597 00:30:02,840 --> 00:30:04,840 Speaker 1: that if she's around Carrie, there's a rub offer. And 598 00:30:04,880 --> 00:30:07,000 Speaker 1: she goes to a book party with her, and you know, 599 00:30:07,040 --> 00:30:11,680 Speaker 1: she she's a climber, you know. Yeah, it's interesting, but 600 00:30:11,760 --> 00:30:18,040 Speaker 1: she thinks that she's innocent and pure and exactly yeah, right, 601 00:30:18,160 --> 00:30:20,240 Speaker 1: it's very interesting, very interesting. 602 00:30:20,920 --> 00:30:22,320 Speaker 3: Okay, we're back at the beach. 603 00:30:23,000 --> 00:30:26,560 Speaker 1: Things are fabulous. We have no idea our world is 604 00:30:26,600 --> 00:30:30,360 Speaker 1: about to be crushed. You know, Carrie's flirting with the doctor. 605 00:30:30,960 --> 00:30:33,960 Speaker 1: I see, oh this is when we're finally at the 606 00:30:33,960 --> 00:30:36,360 Speaker 1: hoe down the Hoedown. Man, A lot happens, and I 607 00:30:36,360 --> 00:30:37,160 Speaker 1: think we were there. 608 00:30:38,040 --> 00:30:40,960 Speaker 2: The costumes at the Hoedown were good, Oh my god. 609 00:30:41,000 --> 00:30:42,600 Speaker 2: The Harry's costume was good. 610 00:30:42,760 --> 00:30:45,800 Speaker 1: Carrie's costume is incredible, and they still there's all kind 611 00:30:45,800 --> 00:30:48,000 Speaker 1: of tiktoks about it and whatnot, which I totally get. 612 00:30:48,600 --> 00:30:52,160 Speaker 1: I mean, she can pull off anything, really, yeah, but 613 00:30:52,280 --> 00:30:55,360 Speaker 1: also everyone has some crazy little hats, like it's funny 614 00:30:55,400 --> 00:30:58,880 Speaker 1: in the summer of Cowboy Carter to think back, that's funny. 615 00:30:59,000 --> 00:31:02,840 Speaker 1: You know, these were more toy They look like children's hats, 616 00:31:04,640 --> 00:31:06,920 Speaker 1: like we've gone to a birthday party and stolen all 617 00:31:06,920 --> 00:31:10,600 Speaker 1: of their hats. So then she's looking across the party. 618 00:31:10,840 --> 00:31:14,959 Speaker 1: You know. I have gone and confronted this dude Greg 619 00:31:15,360 --> 00:31:19,560 Speaker 1: and said, you know, you gave me crabs and he's like, well, 620 00:31:19,600 --> 00:31:22,920 Speaker 1: you deceived me about your age, and that's worse. 621 00:31:23,120 --> 00:31:26,960 Speaker 2: Yeah. I was like, not really, not really cream for that, dud. 622 00:31:26,960 --> 00:31:30,560 Speaker 2: You're not on antibiotics for that exactly. And then I say, oh. 623 00:31:30,680 --> 00:31:33,080 Speaker 3: Row up, I don't know what you Yeah. 624 00:31:32,760 --> 00:31:36,160 Speaker 1: Yeah, I don't either, but yeah, it's all really he's 625 00:31:36,400 --> 00:31:39,920 Speaker 1: he's quite uh, he's I think. I think what I'm 626 00:31:39,960 --> 00:31:42,360 Speaker 1: thinking about with the groupie girl and him as well, 627 00:31:42,440 --> 00:31:46,240 Speaker 1: is there's a bit of a like higher mightier than 628 00:31:46,240 --> 00:31:49,120 Speaker 1: now whatever, you know what I'm saying, like, uh, kind 629 00:31:49,120 --> 00:31:53,720 Speaker 1: of we're better than you idea, which I do kind 630 00:31:53,800 --> 00:31:57,680 Speaker 1: of feel like plays out now in the generational differences 631 00:31:57,720 --> 00:32:03,200 Speaker 1: where everyone's talking about gen Z, gen alpha, so many, 632 00:32:03,400 --> 00:32:09,400 Speaker 1: so many gens. Then the saddest, saddest sad part happens 633 00:32:09,440 --> 00:32:11,880 Speaker 1: where she looks across and sees you and as you 634 00:32:12,040 --> 00:32:16,280 Speaker 1: very very accurately said, you were just glowing and acting, 635 00:32:17,480 --> 00:32:20,600 Speaker 1: smiling and laughing, just happy to be there with him, 636 00:32:20,720 --> 00:32:24,640 Speaker 1: so glorious, so glorious, and he looks also so relaxed, 637 00:32:24,680 --> 00:32:28,520 Speaker 1: and he really did he really did. It shocked me. Yeah, 638 00:32:28,560 --> 00:32:32,920 Speaker 1: it really shocked me. And obviously it is horrific for Carrie, 639 00:32:33,640 --> 00:32:37,480 Speaker 1: and she tries to kind of save face but also 640 00:32:37,560 --> 00:32:40,200 Speaker 1: find out what the heck is going on. You very 641 00:32:40,200 --> 00:32:44,440 Speaker 1: politely excuse yourself, he says, the very lame I was 642 00:32:44,480 --> 00:32:46,480 Speaker 1: going to call you, which I just wanted to smack 643 00:32:46,560 --> 00:32:48,440 Speaker 1: him so hard when he said that, I know, like 644 00:32:49,280 --> 00:32:50,560 Speaker 1: that is a lame. 645 00:32:50,800 --> 00:32:54,800 Speaker 2: Excuse, but he did sound like he meant it. He 646 00:32:55,960 --> 00:32:57,680 Speaker 2: struggled with calling her. 647 00:32:58,440 --> 00:33:01,200 Speaker 1: I guess I think I do you think you're being generous? 648 00:33:01,200 --> 00:33:02,640 Speaker 3: But yeah, I think I'm being generous. 649 00:33:02,680 --> 00:33:04,440 Speaker 1: I think you're being generous. But I mean, this is 650 00:33:04,480 --> 00:33:06,680 Speaker 1: the mindset that we all had, right, this is the 651 00:33:06,680 --> 00:33:08,840 Speaker 1: mindset that I would have had at the time. Oh, 652 00:33:09,080 --> 00:33:11,040 Speaker 1: he did want to call her, That's what I would 653 00:33:11,040 --> 00:33:13,240 Speaker 1: have thought. But then I'm like, but did you call her? 654 00:33:13,560 --> 00:33:15,800 Speaker 1: Did you think about the fact that you're running around 655 00:33:15,920 --> 00:33:18,720 Speaker 1: town with this gorgeous twenty five year old and you 656 00:33:18,800 --> 00:33:22,000 Speaker 1: haven't told the woman that you left that you're back 657 00:33:22,000 --> 00:33:26,240 Speaker 1: from Paris, which you basically yeah, you know, broke up 658 00:33:26,280 --> 00:33:28,320 Speaker 1: with her for or she broke up with him, however 659 00:33:28,320 --> 00:33:30,440 Speaker 1: you want to look at it anyway. Then she runs 660 00:33:30,480 --> 00:33:32,719 Speaker 1: to the beach. This is one of those times where 661 00:33:32,760 --> 00:33:36,400 Speaker 1: in my mind back then our production values were really low, 662 00:33:36,600 --> 00:33:38,600 Speaker 1: and in some ways they were, but in some ways 663 00:33:38,640 --> 00:33:41,120 Speaker 1: they're incredible. Like when she goes to the beach and 664 00:33:41,360 --> 00:33:46,080 Speaker 1: Miranda runs out there, she and the fireworks, Yeah, so incredible. 665 00:33:46,640 --> 00:33:49,760 Speaker 1: Oh my god. I don't know if they're real or 666 00:33:49,880 --> 00:33:53,480 Speaker 1: CGI or whatever you add back then, but they're incredible. 667 00:33:53,680 --> 00:33:58,160 Speaker 1: They're so good, and also just the mastery with which 668 00:33:58,360 --> 00:34:01,720 Speaker 1: Sara Jessica uses her cowboy to fake throwing. 669 00:34:01,480 --> 00:34:06,600 Speaker 2: Up unbelievable, right, yeah, really well doable and pull her 670 00:34:06,640 --> 00:34:08,080 Speaker 2: hair back at the same time. 671 00:34:08,160 --> 00:34:10,800 Speaker 1: And Miranda comes and pulls her hair back, which is 672 00:34:10,840 --> 00:34:13,399 Speaker 1: a throwback to earlier in the episode where we see 673 00:34:13,400 --> 00:34:15,960 Speaker 1: the girls throwing up at the initial campfire we go 674 00:34:16,000 --> 00:34:18,440 Speaker 1: to with the young guys, Yes, and they're throwing up 675 00:34:18,480 --> 00:34:20,359 Speaker 1: and we're like, oh, we've got to leave, and then 676 00:34:20,360 --> 00:34:22,239 Speaker 1: they say, oh, but the sweet thing about twenty seven 677 00:34:22,320 --> 00:34:24,640 Speaker 1: girls is they're always there for their friends. And then 678 00:34:24,680 --> 00:34:28,040 Speaker 1: you see Miranda on the beach holding Carrie's hairbag. It's like, 679 00:34:29,360 --> 00:34:33,280 Speaker 1: it's so sweet and good, it's so good. And then 680 00:34:33,760 --> 00:34:37,680 Speaker 1: she says, I realized twenty something girls are just fabulous 681 00:34:38,000 --> 00:34:40,399 Speaker 1: until you see one with the man who broke your heart. 682 00:34:42,480 --> 00:34:46,640 Speaker 1: It's so sad. It's so so so sad. I know it, 683 00:34:46,960 --> 00:34:51,359 Speaker 1: I know it. Sorry, Carrie, I know. And it's just 684 00:34:51,400 --> 00:34:53,919 Speaker 1: going to go to some crazy places. That's the other 685 00:34:53,960 --> 00:34:56,720 Speaker 1: thing that's interesting watching it is because we know what happens, 686 00:34:58,000 --> 00:34:59,000 Speaker 1: you know, yeah, but. 687 00:34:58,960 --> 00:35:01,480 Speaker 3: You still can't wait to watch the next episode. 688 00:35:01,560 --> 00:35:05,040 Speaker 2: I know, I know, even if you've seen them hundreds 689 00:35:05,040 --> 00:35:07,360 Speaker 2: of times, like you know what's going to happen. 690 00:35:07,400 --> 00:35:10,760 Speaker 1: I know, you guys, I know, I know. But also 691 00:35:10,840 --> 00:35:14,719 Speaker 1: the little details are so good that like even if 692 00:35:14,719 --> 00:35:17,560 Speaker 1: you remember the big, the big picture things, you forget 693 00:35:17,600 --> 00:35:21,040 Speaker 1: all these tiny little details which are just so excellent. 694 00:35:21,640 --> 00:35:26,280 Speaker 2: Yeah, just like everybody costume props, costumes, Yeah. 695 00:35:25,880 --> 00:35:28,400 Speaker 1: Costume props everybody. So let's just talk about it and 696 00:35:28,440 --> 00:35:32,000 Speaker 1: just like that, really quick, Michael Patrick calls you, says, hey, 697 00:35:32,000 --> 00:35:35,120 Speaker 1: can I pitch you something? Bridget We're like yeah, yeah, yeah, yeah. 698 00:35:35,520 --> 00:35:39,399 Speaker 1: And then when you came had you it was right 699 00:35:39,440 --> 00:35:42,160 Speaker 1: after COVID. Had you gone back to work already on 700 00:35:42,280 --> 00:35:47,960 Speaker 1: blue Buds or yes, oh got it? So we had 701 00:35:48,000 --> 00:35:50,640 Speaker 1: to just borrow you from them. Then you had to 702 00:35:50,640 --> 00:35:52,239 Speaker 1: come spend the day with us a couple of days. 703 00:35:52,320 --> 00:35:54,640 Speaker 2: I think it was in the summer, so I think, yeah, 704 00:35:54,640 --> 00:36:00,279 Speaker 2: so I think that I was on hiatus and then 705 00:36:00,280 --> 00:36:02,839 Speaker 2: I was going back to work literally like the next 706 00:36:02,880 --> 00:36:05,759 Speaker 2: week after I shot. 707 00:36:05,520 --> 00:36:06,960 Speaker 3: With you, probably the same week. 708 00:36:08,120 --> 00:36:12,080 Speaker 1: And was it like for us coming back? It was 709 00:36:12,160 --> 00:36:16,680 Speaker 1: the same but very different. How did you feel coming 710 00:36:16,760 --> 00:36:17,839 Speaker 1: back after all the time? 711 00:36:18,280 --> 00:36:21,160 Speaker 2: It felt very much the same, like for me. My 712 00:36:21,320 --> 00:36:25,360 Speaker 2: first scene I shot with you guys. Maybe it was 713 00:36:25,400 --> 00:36:28,120 Speaker 2: the outdoor one getting out of the car, I don't remember, 714 00:36:28,200 --> 00:36:34,760 Speaker 2: but I remember being upstairs in some window and you 715 00:36:34,800 --> 00:36:38,240 Speaker 2: guys were walking across the street, you know, across right 716 00:36:38,440 --> 00:36:39,200 Speaker 2: the street. 717 00:36:38,960 --> 00:36:44,799 Speaker 3: Together and looking up and I just remember thinking, oh 718 00:36:44,840 --> 00:36:46,960 Speaker 3: my gosh, I'm so happy to be back here. 719 00:36:47,160 --> 00:36:53,000 Speaker 2: And you guys were so perfectly dressed, and the energy 720 00:36:53,600 --> 00:36:57,239 Speaker 2: and the you know, the friendships. So I got to 721 00:36:57,239 --> 00:36:59,640 Speaker 2: see it from way up here, but I saw the 722 00:36:59,680 --> 00:37:03,920 Speaker 2: crowds on the streets on either end, and it was 723 00:37:04,920 --> 00:37:11,560 Speaker 2: COVID right, And I think that you that show coming back, 724 00:37:12,920 --> 00:37:15,000 Speaker 2: You guys on the street in those. 725 00:37:14,800 --> 00:37:20,879 Speaker 3: Outfits just revived this city. 726 00:37:22,440 --> 00:37:27,320 Speaker 2: In neighborhood, like oh, life is coming back to almost 727 00:37:28,040 --> 00:37:28,719 Speaker 2: and that was. 728 00:37:28,719 --> 00:37:30,000 Speaker 3: What the show was going to do. 729 00:37:31,239 --> 00:37:34,440 Speaker 2: Yeah, it fell on air like it just felt we 730 00:37:34,520 --> 00:37:37,440 Speaker 2: needed my We didn't know we were missing this, but 731 00:37:37,560 --> 00:37:41,279 Speaker 2: yeah we needed this. It's true's energy and I think 732 00:37:41,440 --> 00:37:44,520 Speaker 2: just all of us, you know, no one could work right. 733 00:37:44,600 --> 00:37:47,080 Speaker 2: So it was it was like the cruise couldn't work, 734 00:37:47,320 --> 00:37:50,560 Speaker 2: you know, the entire we were we were back, like, yeah, 735 00:37:50,640 --> 00:37:56,360 Speaker 2: we had a great we were back right away. Probably 736 00:37:57,239 --> 00:38:00,680 Speaker 2: if we finished in that March of COVID that first year. 737 00:38:00,719 --> 00:38:03,360 Speaker 2: We were back on working in October. 738 00:38:03,680 --> 00:38:05,399 Speaker 3: That's amazing, and we just. 739 00:38:05,600 --> 00:38:09,440 Speaker 1: Yeah, that's so great. Yeah, since we had started Gilded 740 00:38:09,480 --> 00:38:11,360 Speaker 1: Age a little bit before us. But they had to 741 00:38:11,360 --> 00:38:15,360 Speaker 1: do some crazy things, like they had these bubbles that 742 00:38:15,440 --> 00:38:18,000 Speaker 1: they would put them in before action. 743 00:38:19,640 --> 00:38:20,760 Speaker 3: We never got the bubbles. 744 00:38:20,840 --> 00:38:24,080 Speaker 1: Yeah. I don't know what was happening, but I mean 745 00:38:24,120 --> 00:38:26,160 Speaker 1: it was I think there was so much unknown, right, 746 00:38:26,280 --> 00:38:30,239 Speaker 1: so people were worried and whatnot. And I remember the 747 00:38:30,280 --> 00:38:31,920 Speaker 1: masks and you know, you'd wear the mask holl the 748 00:38:32,040 --> 00:38:33,239 Speaker 1: end and then take them off and then you have 749 00:38:33,280 --> 00:38:37,319 Speaker 1: marks on your face, back in your face. But we 750 00:38:37,320 --> 00:38:39,640 Speaker 1: were just so happy to be working. Yeah, so amazing 751 00:38:39,680 --> 00:38:41,680 Speaker 1: to be working and to be working together. You know, 752 00:38:41,760 --> 00:38:43,279 Speaker 1: I would work with them forever. Yeah. 753 00:38:43,360 --> 00:38:43,600 Speaker 2: Good. 754 00:38:44,000 --> 00:38:48,200 Speaker 1: Yeah, it's just been an incredible joy and thank you. Wait. 755 00:38:48,880 --> 00:38:52,320 Speaker 1: Oh wait, oh what's left Bridget? 756 00:38:52,640 --> 00:38:52,879 Speaker 2: Yeah? 757 00:38:53,040 --> 00:38:56,279 Speaker 1: Are you a Charlotte? 758 00:38:56,560 --> 00:38:56,840 Speaker 4: Wait? 759 00:38:56,960 --> 00:38:58,280 Speaker 3: I have to answer this question. 760 00:39:00,480 --> 00:39:04,360 Speaker 2: I'm ish, Okay, I feel like Charlotte is no pressure. 761 00:39:04,400 --> 00:39:06,280 Speaker 3: You don't have to be Oh no, no, no, okay, 762 00:39:06,440 --> 00:39:09,200 Speaker 3: I think I have is I think in life? 763 00:39:09,239 --> 00:39:09,560 Speaker 1: You do? 764 00:39:09,680 --> 00:39:10,080 Speaker 3: Yeah? 765 00:39:10,160 --> 00:39:13,040 Speaker 1: I mean, if I may be so persumptuous. Yeah, I 766 00:39:13,080 --> 00:39:20,040 Speaker 1: mean you're certainly grounded, family oriented, loyal, you know, believe 767 00:39:20,080 --> 00:39:24,160 Speaker 1: in love, you know you you are all of them omitted. 768 00:39:24,320 --> 00:39:26,280 Speaker 2: I think Charlotte is a bit more of a people 769 00:39:26,320 --> 00:39:27,520 Speaker 2: pleaser than I am. 770 00:39:27,760 --> 00:39:30,640 Speaker 1: Well, good for you then that you're not. That's one 771 00:39:30,640 --> 00:39:33,480 Speaker 1: of her worst qualities. Okay, good, I don't know. 772 00:39:34,160 --> 00:39:36,359 Speaker 3: Look, I love her, so I'm not going to rail 773 00:39:36,360 --> 00:39:36,600 Speaker 3: on her. 774 00:39:36,640 --> 00:39:39,160 Speaker 1: But you know, people pleasing is exhausting and not really 775 00:39:39,200 --> 00:39:42,880 Speaker 1: great for your health. A lot of work. But like, 776 00:39:42,920 --> 00:39:45,520 Speaker 1: I feel like you your own and I think people 777 00:39:45,760 --> 00:39:47,800 Speaker 1: I feel I feel like and tell me if I'm wrong. 778 00:39:48,320 --> 00:39:51,880 Speaker 1: You're You're part in Blue Bloods in some ways, you know, 779 00:39:53,160 --> 00:39:56,440 Speaker 1: showed people you're kind of more your real self in 780 00:39:56,480 --> 00:40:00,759 Speaker 1: certain ways in terms of like the grounded, rigid, you know, 781 00:40:00,760 --> 00:40:02,120 Speaker 1: because you're so glamorous looking. 782 00:40:02,360 --> 00:40:05,799 Speaker 2: Yeah, and it really was a like nice fit as 783 00:40:05,840 --> 00:40:09,040 Speaker 2: far as you know, Irish Catholic, that kind of family, 784 00:40:09,280 --> 00:40:11,359 Speaker 2: and like I grew up in some a lot of 785 00:40:12,040 --> 00:40:15,560 Speaker 2: a lot of those elements, right, and I learned a 786 00:40:15,600 --> 00:40:16,560 Speaker 2: lot from that character. 787 00:40:17,800 --> 00:40:19,480 Speaker 3: But yeah, yeah, yeah. 788 00:40:19,640 --> 00:40:23,000 Speaker 1: But like I mean, I don't know if it I 789 00:40:23,000 --> 00:40:26,080 Speaker 1: don't know, I don't know. Some people will say to me, like, 790 00:40:26,760 --> 00:40:29,760 Speaker 1: you know, I'm part Charlotte park Carry or you know whatever. 791 00:40:29,800 --> 00:40:31,880 Speaker 1: You know what I'm saying, Yeah, probably true for myself, 792 00:40:31,920 --> 00:40:34,840 Speaker 1: Like I'm not all Charlotte, thank goodness, right, but but 793 00:40:34,920 --> 00:40:37,160 Speaker 1: I do. It's fun to think about it is fun 794 00:40:37,200 --> 00:40:38,480 Speaker 1: to yeah, yeah, yeah, yeah. 795 00:40:38,480 --> 00:40:40,319 Speaker 3: I'm happy I got to come back and hang out 796 00:40:40,320 --> 00:40:40,640 Speaker 3: with you. 797 00:40:40,760 --> 00:40:43,080 Speaker 1: So happy, I mean, and I feel like there's a 798 00:40:43,120 --> 00:40:45,440 Speaker 1: lot more coming, even though you said you have very 799 00:40:45,440 --> 00:40:47,440 Speaker 1: little screen time, but like I would love to have 800 00:40:47,480 --> 00:40:49,799 Speaker 1: you back for that conversation when you do finally talk 801 00:40:49,840 --> 00:40:52,279 Speaker 1: to Carrie. I don't know if you're free, you know 802 00:40:52,320 --> 00:40:54,719 Speaker 1: what I'm saying, I'm free because that's so good. And 803 00:40:54,760 --> 00:40:59,400 Speaker 1: I also feel like the way that this lives in 804 00:40:59,400 --> 00:41:03,360 Speaker 1: people's lifeas you know, partly because you were so much discussed, 805 00:41:03,960 --> 00:41:07,640 Speaker 1: but also because the whole storyline is so complicated and 806 00:41:07,680 --> 00:41:09,840 Speaker 1: we were so much on Carrie's side. But is that 807 00:41:09,960 --> 00:41:12,640 Speaker 1: actually where we should have been, right? I don't think so. 808 00:41:12,840 --> 00:41:15,640 Speaker 1: I know, you know, it's really interesting to me, and 809 00:41:15,680 --> 00:41:18,480 Speaker 1: the fact that people would be upset with you because 810 00:41:18,520 --> 00:41:21,200 Speaker 1: you were, you know, in the way or ruining Big 811 00:41:21,200 --> 00:41:21,800 Speaker 1: and Carrie. 812 00:41:22,120 --> 00:41:26,879 Speaker 2: Oh my gosh, I know, I know somebody just said 813 00:41:26,920 --> 00:41:30,280 Speaker 2: to me, you know, I used to be all Carrie, 814 00:41:30,280 --> 00:41:34,440 Speaker 2: but now I'm now I'm all Natasha. Because of their 815 00:41:34,600 --> 00:41:39,520 Speaker 2: age difference, when this she became older, she became more 816 00:41:40,160 --> 00:41:42,200 Speaker 2: pro Natasha. 817 00:41:41,719 --> 00:41:45,560 Speaker 1: Absolutely, and probably more understanding of what Natasha was going through. 818 00:41:45,640 --> 00:41:46,399 Speaker 3: Yeah, you know. 819 00:41:46,360 --> 00:41:49,080 Speaker 1: Which I's That's the joy of the show is that 820 00:41:49,120 --> 00:41:52,120 Speaker 1: as you age, you might have different perspectives on the storylines, 821 00:41:52,160 --> 00:41:54,080 Speaker 1: on the characters, all of those things. 822 00:41:54,120 --> 00:41:56,799 Speaker 3: I know, You're a joy, so happy to be here. 823 00:41:57,040 --> 00:41:58,000 Speaker 1: You for being here. 824 00:41:58,440 --> 00:42:01,800 Speaker 3: Yeah, I'll come back. You have me please? 825 00:42:01,800 --> 00:42:06,880 Speaker 1: There you are you kidding me? M h m hmmmm.