1 00:00:00,520 --> 00:00:03,120 Speaker 1: Hey guys, thanks for checking out this bonus episode and 2 00:00:03,200 --> 00:00:05,280 Speaker 1: happy New Year. Before we get into it, I wanted 3 00:00:05,280 --> 00:00:07,480 Speaker 1: to fill you in on all the great content we've 4 00:00:07,480 --> 00:00:10,080 Speaker 1: got for you this week here in Disgraceland. All right, 5 00:00:10,119 --> 00:00:12,280 Speaker 1: we got the double after party for double the Fun. 6 00:00:12,360 --> 00:00:15,680 Speaker 1: That's right, new after party episodes today and on Thursday 7 00:00:15,680 --> 00:00:18,919 Speaker 1: this week, before we dive into a ton of brand 8 00:00:18,960 --> 00:00:21,880 Speaker 1: new episodes for twenty twenty four. Over in the bad 9 00:00:21,960 --> 00:00:24,200 Speaker 1: Lands Feed, check out a brand new episode on Sharon 10 00:00:24,320 --> 00:00:26,599 Speaker 1: Stone that drops tomorrow. And today we've got a brand 11 00:00:26,600 --> 00:00:30,120 Speaker 1: new episode of our kids in family show Music Lands Stories. 12 00:00:30,160 --> 00:00:32,600 Speaker 1: You can find that in its own feed. That show, 13 00:00:32,640 --> 00:00:35,720 Speaker 1: of course, is hosted by the great Nikki Lynnette, who 14 00:00:35,760 --> 00:00:38,840 Speaker 1: also hosts another double of a show called About a Girl. 15 00:00:39,200 --> 00:00:41,000 Speaker 1: And we got a new episode over in that feed too, 16 00:00:41,240 --> 00:00:44,879 Speaker 1: this one about Bob Dylan and Sues Rotolo. You might 17 00:00:44,920 --> 00:00:46,960 Speaker 1: know her as the woman walking down the street with 18 00:00:47,000 --> 00:00:49,400 Speaker 1: Bob on the cover of The Free Wheeling Bob Dylan, 19 00:00:49,440 --> 00:00:52,440 Speaker 1: but she actually had a huge impact on Dylan's growth 20 00:00:52,680 --> 00:00:54,279 Speaker 1: as an artist early on, So you're going to want 21 00:00:54,280 --> 00:00:56,720 Speaker 1: to check that episode of About a Girl out. All right, though, 22 00:00:56,800 --> 00:01:02,240 Speaker 1: let's get into the after party shall we. Hey, discos, 23 00:01:02,600 --> 00:01:05,160 Speaker 1: need a little more Disgraceland in your life, just to 24 00:01:05,160 --> 00:01:08,800 Speaker 1: touch to get you through. Yeah, me too. This is 25 00:01:08,800 --> 00:01:12,679 Speaker 1: the podcast that comes after the podcast. Welcome to Disgraceland, 26 00:01:12,959 --> 00:01:30,160 Speaker 1: the after Party. Welcome to the Disgraceland bonus episode, a 27 00:01:30,160 --> 00:01:33,199 Speaker 1: little thing we like to call the after party. This 28 00:01:33,280 --> 00:01:35,759 Speaker 1: is the show after the show, the party after the party, 29 00:01:35,800 --> 00:01:38,080 Speaker 1: the bridge to game from one full episode of Disgraceland 30 00:01:38,080 --> 00:01:41,199 Speaker 1: to the other, the backyard to dig into the dirt. 31 00:01:41,560 --> 00:01:45,120 Speaker 1: On this episode, we are talking about, among other things, 32 00:01:45,200 --> 00:01:50,160 Speaker 1: Disgraceland in twenty twenty three looking back, and Disgraceland in 33 00:01:50,240 --> 00:01:54,560 Speaker 1: twenty twenty four looking forward, our rewind episode on Johnny Cash. 34 00:01:54,560 --> 00:01:56,280 Speaker 1: We're going to give that some attention as well, and 35 00:01:56,320 --> 00:02:00,520 Speaker 1: of course your voicemails, your text, dms and more, always 36 00:02:00,680 --> 00:02:02,360 Speaker 1: a whole lot of rosie. 37 00:02:02,440 --> 00:02:16,640 Speaker 2: All right, disc goes, let's get too experience this week 38 00:02:16,680 --> 00:02:19,799 Speaker 2: in Disgraceland. All right, we're doing something a little different. 39 00:02:19,840 --> 00:02:22,240 Speaker 2: First of all, Happy New Year to all of you. Okay, 40 00:02:22,600 --> 00:02:24,840 Speaker 2: I've talked to some of you on techt some of 41 00:02:24,880 --> 00:02:27,480 Speaker 2: you got your voicemails, talk to a bunch of you 42 00:02:27,680 --> 00:02:31,400 Speaker 2: on Instagram, not enough of you on Twitter. Some of 43 00:02:31,440 --> 00:02:34,000 Speaker 2: you on TikTok, but again not enough there as well. 44 00:02:34,280 --> 00:02:36,320 Speaker 1: I just want to say, if I haven't said it, alright, 45 00:02:36,320 --> 00:02:38,600 Speaker 1: if you haven't heard me say it, Happy New Year. 46 00:02:38,680 --> 00:02:41,200 Speaker 1: I am pumped about twenty twenty four. This is going 47 00:02:41,240 --> 00:02:44,639 Speaker 1: to be the greatest year for Disgraceland yet. I can 48 00:02:44,760 --> 00:02:47,760 Speaker 1: promise you. We are doing a lot of different things, 49 00:02:47,800 --> 00:02:50,760 Speaker 1: a lot of new and exciting things. Got some interesting 50 00:02:50,800 --> 00:02:53,959 Speaker 1: projects happening. It's a whole new year for the show 51 00:02:54,000 --> 00:02:58,280 Speaker 1: that you have come to love and support, Disgraceland. I'm 52 00:02:58,320 --> 00:03:00,000 Speaker 1: here for you, and I just want to say it again, 53 00:03:00,480 --> 00:03:03,639 Speaker 1: Happy New Year. This week, we're starting things off. We're 54 00:03:03,639 --> 00:03:06,960 Speaker 1: all getting back into it. We've got our production wheels spinning, 55 00:03:07,160 --> 00:03:10,040 Speaker 1: the factory is in full flex. This week, we're doing 56 00:03:10,040 --> 00:03:12,440 Speaker 1: it a little bit different. We're doing two after party 57 00:03:12,480 --> 00:03:14,919 Speaker 1: episodes for you, two bonus episodes this week before we 58 00:03:14,960 --> 00:03:18,720 Speaker 1: get into the full episodes next week. That's well, you know, 59 00:03:19,000 --> 00:03:21,480 Speaker 1: because we got a lot to talk about. We're gonna 60 00:03:21,480 --> 00:03:24,320 Speaker 1: look back first. I want to look back at twenty 61 00:03:24,400 --> 00:03:27,760 Speaker 1: twenty three before we look forward to twenty twenty four. 62 00:03:29,680 --> 00:03:33,960 Speaker 1: We've created a little production juggernaut over here at Double Elvis. 63 00:03:34,120 --> 00:03:37,000 Speaker 1: We produce a lot of content. This year, we've produced 64 00:03:37,000 --> 00:03:40,080 Speaker 1: more content than we had any year prior, at least 65 00:03:40,120 --> 00:03:43,680 Speaker 1: more Disgraceland content. I'm fairly confident. Just double Elvis. In general, 66 00:03:44,320 --> 00:03:47,480 Speaker 1: we were banging it out. But I want to recap 67 00:03:47,680 --> 00:03:51,480 Speaker 1: the Disgraceland full episodes that we gave you in twenty 68 00:03:51,600 --> 00:03:57,520 Speaker 1: twenty three. Forty full episodes. Forty forty that's insane. We 69 00:03:57,560 --> 00:04:01,840 Speaker 1: started the show back in two thousand eighteen. I launched 70 00:04:01,840 --> 00:04:04,280 Speaker 1: with twelve episodes. Then I snuck I think in that 71 00:04:04,320 --> 00:04:06,920 Speaker 1: same calendar year. Yeah, that same calendar year February eighteen, 72 00:04:07,680 --> 00:04:12,360 Speaker 1: two thousand, sorry, twenty eighteen, we did another twelve episodes. 73 00:04:12,440 --> 00:04:15,240 Speaker 1: So we did two twelve episode seasons twenty four episodes 74 00:04:15,240 --> 00:04:17,479 Speaker 1: for the year in twenty eighteen. We repeated that in 75 00:04:17,480 --> 00:04:21,680 Speaker 1: two thousand, nineteen, twenty and twenty one and twenty two, 76 00:04:21,880 --> 00:04:24,960 Speaker 1: and then you know, give or take a few. This 77 00:04:25,080 --> 00:04:27,360 Speaker 1: year we jumped it up, jumped it up to forty 78 00:04:27,360 --> 00:04:30,840 Speaker 1: full episodes, all right, in order. Fifty cent ac DC, 79 00:04:31,080 --> 00:04:34,680 Speaker 1: Mac Miller, Lynyrd, Skinnered Otis Redding, lou Reid Part one, 80 00:04:34,720 --> 00:04:38,719 Speaker 1: lou Reed Part two, sly Stone, MC five, Skip, James 81 00:04:38,760 --> 00:04:42,440 Speaker 1: Willie Nelson Part one, Willie Nelson, Part two, Bruce Springsteen, 82 00:04:42,640 --> 00:04:45,400 Speaker 1: Justin Bieber, easy E, j F. Buckley, Jimmy Hendrix, Little 83 00:04:45,440 --> 00:04:49,760 Speaker 1: Kim Arrowsmith, Arianna Grande, New Order, Merle Haggard, Sonny Rawlins, 84 00:04:49,839 --> 00:04:53,440 Speaker 1: The Velvet Underground, and then ten episodes on the Wu 85 00:04:53,520 --> 00:04:57,159 Speaker 1: Tang Clan, one for each member, then U two, Blondie 86 00:04:57,200 --> 00:05:01,560 Speaker 1: in Excess, Jane's Addiction, Sean Diddycoe Holmes, and Mariah Carey. 87 00:05:01,839 --> 00:05:06,320 Speaker 1: All that together makes forty full episodes for twenty twenty three. 88 00:05:06,440 --> 00:05:10,360 Speaker 1: For twenty twenty four, we're planning roughly the same amount 89 00:05:10,360 --> 00:05:15,320 Speaker 1: of output, and we're doing it a little different. As 90 00:05:15,320 --> 00:05:19,120 Speaker 1: I've been teasing, we're going to be talking about other 91 00:05:19,400 --> 00:05:22,720 Speaker 1: artists who aren't just musicians, and we're going to be 92 00:05:22,800 --> 00:05:26,240 Speaker 1: releasing those artists in the Disgraceland feed. I'll have more 93 00:05:26,279 --> 00:05:29,120 Speaker 1: on this as we continue to talk here in these 94 00:05:29,160 --> 00:05:34,200 Speaker 1: bar But we're combining, we're combining our efforts with bad 95 00:05:34,320 --> 00:05:38,440 Speaker 1: Lands in Disgraceland. It's you know, it doesn't matter what 96 00:05:38,480 --> 00:05:40,800 Speaker 1: the medium is, it doesn't matter what the vertical is, 97 00:05:40,880 --> 00:05:43,320 Speaker 1: it doesn't matter what form of art we're talking about 98 00:05:43,440 --> 00:05:46,520 Speaker 1: or what section of life we're talking about. Disgrace is 99 00:05:46,560 --> 00:05:49,800 Speaker 1: a disgrace, is a disgrace. What we really talk about 100 00:05:49,839 --> 00:05:54,719 Speaker 1: here is interesting people, the lives of extraordinary artists, and 101 00:05:54,800 --> 00:05:58,520 Speaker 1: the transgressions that have fueled them, that have crushed them, 102 00:05:58,760 --> 00:06:02,720 Speaker 1: that have served as incredible obstacles for them to navigate 103 00:06:02,760 --> 00:06:06,799 Speaker 1: around with incredible drama. That's really what we do here. 104 00:06:07,200 --> 00:06:11,159 Speaker 1: So as I grow as a storyteller, as a writer, 105 00:06:11,440 --> 00:06:14,800 Speaker 1: and as you guys grow as listeners and as part 106 00:06:14,800 --> 00:06:18,039 Speaker 1: of this community, and we engage in this feedback every week, 107 00:06:18,480 --> 00:06:22,200 Speaker 1: I think we should be able to talk about artists 108 00:06:22,279 --> 00:06:26,640 Speaker 1: who might not be from a rock and roll band 109 00:06:26,720 --> 00:06:29,800 Speaker 1: or from the rock and roll the world of the 110 00:06:29,880 --> 00:06:33,000 Speaker 1: music industry, but are pretty fucking rock and roll. Anthony 111 00:06:33,000 --> 00:06:36,440 Speaker 1: Bourdin perfect example, about as rock and roll as you get. Guy, 112 00:06:36,520 --> 00:06:38,760 Speaker 1: never played an instrument, guy never made a record, but 113 00:06:39,240 --> 00:06:41,719 Speaker 1: just a fascinating subject that I've been dying to talk 114 00:06:41,760 --> 00:06:45,760 Speaker 1: about forever. Doesn't really fit into bad lands or disgraceland. 115 00:06:45,800 --> 00:06:50,479 Speaker 1: And that got me thinking, well, shit, man, it's all disgraceful, right, 116 00:06:50,680 --> 00:06:53,960 Speaker 1: Andy Warhol, same thing, Steve McQueen. Okay, you see where 117 00:06:54,000 --> 00:06:56,320 Speaker 1: I'm going with this. Hunter S. Thompson, you know where 118 00:06:56,320 --> 00:06:58,599 Speaker 1: I'm going, all right? So these are the episodes we 119 00:06:58,680 --> 00:07:03,560 Speaker 1: have planned for next year so far. Serge Gainsburg, Stu 120 00:07:03,680 --> 00:07:06,000 Speaker 1: Suckcliffe from The Beatles. This will be chapter nine in 121 00:07:06,040 --> 00:07:08,480 Speaker 1: our Beatles series. And I don't know. I think this 122 00:07:08,560 --> 00:07:12,640 Speaker 1: is it maybe a maybe a peak best episode. I 123 00:07:12,720 --> 00:07:16,400 Speaker 1: doubt it, but I digress. I let me keep going here. 124 00:07:16,480 --> 00:07:20,400 Speaker 1: Number one Serge Gainsburg, Stu Suckcliffe, Scott Wiland from Stone Table, 125 00:07:20,440 --> 00:07:25,280 Speaker 1: Pilots The Clash, Anthony Bourdin, like I mentioned, Andy Warhol, 126 00:07:25,360 --> 00:07:30,920 Speaker 1: Peter Tosh, Steve McQueen, Public Enemy, Hunter s Thompson, Lane 127 00:07:30,960 --> 00:07:36,280 Speaker 1: Staley from Alison Chains, Kobe Bryant, Basquatch, Garth Brooks, william 128 00:07:36,560 --> 00:07:42,920 Speaker 1: S Burrows, Chris Cornell, Bob Dylan r Kelly, jose Canseco, 129 00:07:43,400 --> 00:07:47,440 Speaker 1: Bobby brown Waylon Jennings. And that's just the first half 130 00:07:47,480 --> 00:07:49,440 Speaker 1: of the year. We got a bead on who we're 131 00:07:49,440 --> 00:07:52,040 Speaker 1: doing for the second half of the year. Heard a 132 00:07:52,040 --> 00:07:55,000 Speaker 1: lot of suggestions from you guys. This is your last 133 00:07:55,080 --> 00:07:57,480 Speaker 1: chance to get these suggestions in for the calendar year 134 00:07:57,520 --> 00:08:01,880 Speaker 1: twenty twenty four six one seven, nine oh six, six 135 00:08:02,040 --> 00:08:05,760 Speaker 1: six three eight, Send me a text, send me a voicemail. 136 00:08:05,800 --> 00:08:08,520 Speaker 1: You guys are great with the suggestions, but everything I 137 00:08:08,640 --> 00:08:11,000 Speaker 1: just mentioned to you, All of those names, those are 138 00:08:11,040 --> 00:08:13,800 Speaker 1: already being produced right now. A lot of them are 139 00:08:13,840 --> 00:08:16,240 Speaker 1: already done. They're already in the can, They're already ready 140 00:08:16,280 --> 00:08:19,000 Speaker 1: to go writing the Anthony Board an episode as we 141 00:08:19,040 --> 00:08:22,800 Speaker 1: speak this week. But like I said, that was twenty 142 00:08:22,800 --> 00:08:24,560 Speaker 1: one episodes that I just laid out for you for 143 00:08:24,760 --> 00:08:27,120 Speaker 1: twenty twenty four that we have planned already, and we're 144 00:08:27,120 --> 00:08:29,840 Speaker 1: gonna be doing about that same amount for the second 145 00:08:29,880 --> 00:08:31,880 Speaker 1: half of the year. So we have some empty slots. 146 00:08:31,880 --> 00:08:34,760 Speaker 1: We have a good idea on who we want to cover. Uh, 147 00:08:34,840 --> 00:08:37,720 Speaker 1: but just now's the time. Six one seven nine oh 148 00:08:37,800 --> 00:08:41,280 Speaker 1: six six six three eight. Uh. For those of you 149 00:08:41,280 --> 00:08:43,360 Speaker 1: who are gonna your hair is gonna light on fire. 150 00:08:43,400 --> 00:08:47,079 Speaker 1: You're gonna spontaneously combust because you haven't heard me say 151 00:08:47,320 --> 00:08:50,920 Speaker 1: the band name van Halen. Don't worry. It's in the hopper. 152 00:08:51,200 --> 00:08:53,120 Speaker 1: It's done. Actually, I don't know why it's not on 153 00:08:53,120 --> 00:08:55,800 Speaker 1: this list. Uh, probably because we're not releasing it until 154 00:08:55,800 --> 00:08:58,520 Speaker 1: the second half of the year. But don't worry. Van 155 00:08:58,559 --> 00:09:01,959 Speaker 1: Halen's coming all right. Also, I want to know other 156 00:09:02,120 --> 00:09:05,480 Speaker 1: artists who aren't musicians that you want to hear of. 157 00:09:05,640 --> 00:09:09,319 Speaker 1: Big Big, The Bigger the name the better. Okay. I 158 00:09:09,360 --> 00:09:11,360 Speaker 1: see jose Canseco on here and my mind goes to 159 00:09:11,440 --> 00:09:13,000 Speaker 1: Lenny Diister and I go, you know, no, nos, who 160 00:09:13,040 --> 00:09:15,359 Speaker 1: the fuck Lenny Diister is except for me and my 161 00:09:15,520 --> 00:09:18,559 Speaker 1: stupid friends. So I don't know. I don't think that's 162 00:09:18,679 --> 00:09:20,640 Speaker 1: not quite the type of name I'm thinking of. Right, 163 00:09:20,720 --> 00:09:23,319 Speaker 1: we want bigger names, Okay, even I look, I look 164 00:09:23,360 --> 00:09:25,680 Speaker 1: on this list and I look at someone like William 165 00:09:25,760 --> 00:09:27,880 Speaker 1: S Burrows and Hunter S. Thompson. I know who those 166 00:09:27,920 --> 00:09:31,400 Speaker 1: guys are, the greats. They're giants in my world. But 167 00:09:31,480 --> 00:09:34,680 Speaker 1: I want big names. I want big crimes. Let me 168 00:09:34,760 --> 00:09:37,640 Speaker 1: know what you guys want to hear. Six one seven 169 00:09:37,960 --> 00:09:42,400 Speaker 1: nine oh six six six three eight. Also, before I forget, 170 00:09:42,800 --> 00:09:45,160 Speaker 1: we have a rewind episode from our archive coming to 171 00:09:45,160 --> 00:09:50,400 Speaker 1: you this Friday. This is our Johnny Cash. Episode involves crash, cadillacs, 172 00:09:50,480 --> 00:09:54,560 Speaker 1: drug smuggling, speed of course, tranquilizers of course, beer, and 173 00:09:54,600 --> 00:09:57,640 Speaker 1: oh yeah, burning down a national forest. So if you 174 00:09:57,679 --> 00:09:59,840 Speaker 1: have not heard this Johnny Cash episode, if you were 175 00:09:59,880 --> 00:10:04,440 Speaker 1: in New to Disgraceland, I suggest you stick around and 176 00:10:04,480 --> 00:10:06,800 Speaker 1: you check this one out. You're not going to want 177 00:10:06,840 --> 00:10:08,600 Speaker 1: to miss it, all right. Six one seven nine oh 178 00:10:08,600 --> 00:10:10,720 Speaker 1: six six six three eight to get your requests in 179 00:10:10,760 --> 00:10:14,880 Speaker 1: on who you want to hear voicemail text, also at 180 00:10:14,880 --> 00:10:20,520 Speaker 1: disgracelam pod on Instagram, on Twitter, on TikTok, YouTube, Facebook, 181 00:10:21,000 --> 00:10:23,800 Speaker 1: X what am I forgetting? I'm everywhere disgrace lampod at 182 00:10:23,840 --> 00:10:26,800 Speaker 1: gmail dot com on email, and speaking of which, let's 183 00:10:26,880 --> 00:10:30,680 Speaker 1: check out this email from April Woodhall right, subject Dean 184 00:10:30,760 --> 00:10:33,760 Speaker 1: Martin exclamation point Jake. I was delighted to hear you 185 00:10:33,760 --> 00:10:35,959 Speaker 1: sing the praises of Dean Martin. Check out a movie 186 00:10:35,960 --> 00:10:38,480 Speaker 1: called Kiss Me Stupid where he plays himself. There is 187 00:10:38,640 --> 00:10:41,160 Speaker 1: no one cooler. Thank you for all you do and 188 00:10:41,280 --> 00:10:43,520 Speaker 1: especially your great energy. Happy New Year, Well, happy New 189 00:10:43,600 --> 00:10:46,280 Speaker 1: Year to you, April. I agree there was no one cooler. 190 00:10:46,480 --> 00:10:49,520 Speaker 1: Elvis agreed to. All right, let's check out one. Let's 191 00:10:49,559 --> 00:10:51,079 Speaker 1: do one more, and one more and one more. I 192 00:10:51,080 --> 00:10:52,760 Speaker 1: know I gotta be quick here, Let's do one more here. 193 00:10:52,800 --> 00:10:57,000 Speaker 1: This one is from Jeff Cox, subject Taylor Mitchell. Okay, 194 00:10:57,040 --> 00:10:58,680 Speaker 1: we haven't done an episode on Taylor Mitchell, but I 195 00:10:58,679 --> 00:11:01,880 Speaker 1: did do a little Instagram video about this folk singer 196 00:11:01,920 --> 00:11:07,199 Speaker 1: from Canada who was unfortunately killed on a hike attacked 197 00:11:07,440 --> 00:11:12,240 Speaker 1: by wild coyotes and eaten lives. Brutal, brutal, brutal story. 198 00:11:12,920 --> 00:11:16,199 Speaker 1: This comes from like I said, Jeff Cox subject Taylor 199 00:11:16,240 --> 00:11:19,559 Speaker 1: Mitchell message Hello. I'm a huge fan of all your podcasts, 200 00:11:19,559 --> 00:11:22,560 Speaker 1: and Disgraceland is my first recommendation to people who ask 201 00:11:22,640 --> 00:11:24,960 Speaker 1: for a podcast to listen to, then I tell them 202 00:11:25,000 --> 00:11:26,480 Speaker 1: to listen to all the other ones that you do. 203 00:11:26,520 --> 00:11:29,240 Speaker 1: I live in Cape Breton where Taylor was killed. She 204 00:11:29,360 --> 00:11:31,880 Speaker 1: was killed in the Cape Breton Highlands National Park. There's 205 00:11:31,880 --> 00:11:34,240 Speaker 1: a paved road called the Cabot Trail you can drive 206 00:11:34,280 --> 00:11:36,319 Speaker 1: on through the park. There are lots of trails and 207 00:11:36,360 --> 00:11:38,400 Speaker 1: beaches and such off the main road. It was one 208 00:11:38,400 --> 00:11:42,240 Speaker 1: of these trails, called the Skyline Trail that she was attacked. 209 00:11:42,280 --> 00:11:44,360 Speaker 1: I've walked that trail many times and came face to 210 00:11:44,400 --> 00:11:45,959 Speaker 1: face with a moose a couple of times, so you 211 00:11:46,000 --> 00:11:48,319 Speaker 1: can get within fifteen to twenty feet of them sometimes. 212 00:11:48,600 --> 00:11:51,360 Speaker 1: The views and foliage are amazing. If you have any 213 00:11:51,400 --> 00:11:53,400 Speaker 1: questions about the area, I would be honored to help. 214 00:11:53,520 --> 00:11:56,240 Speaker 1: Thank you from Jeff Well, Jeff, thanks for that email. 215 00:11:56,960 --> 00:11:59,640 Speaker 1: Pretty wild that you're still walking that same path where 216 00:11:59,679 --> 00:12:05,800 Speaker 1: that that that death happened. That's crazy. Be careful. All right, guys, 217 00:12:05,800 --> 00:12:07,320 Speaker 1: we're gonna take a quick break. We'll be back in 218 00:12:07,320 --> 00:12:32,600 Speaker 1: a flash with your texts and your voicemails. All right, 219 00:12:32,640 --> 00:12:34,440 Speaker 1: we are back, and I answer some texts here, This 220 00:12:34,480 --> 00:12:36,880 Speaker 1: one from the seven six to soh hey, just listen 221 00:12:36,880 --> 00:12:39,160 Speaker 1: to the Beach Boys episodes. Then the bonus. So glad 222 00:12:39,160 --> 00:12:41,120 Speaker 1: you had been enlightened to the bullshit that is Helter 223 00:12:41,240 --> 00:12:45,520 Speaker 1: Skelter and the genius of Chaos. The book Tom O'Neill, 224 00:12:45,800 --> 00:12:48,400 Speaker 1: that's the author of Chaos that the seven six to 225 00:12:48,440 --> 00:12:51,320 Speaker 1: so was talking about was on Joe Rogan. Go to 226 00:12:51,360 --> 00:12:53,120 Speaker 1: YouTube and search. I know where to find the Joe 227 00:12:53,160 --> 00:12:55,559 Speaker 1: Rogan podcast, but I appreciate it. Seven six seven six 228 00:12:55,640 --> 00:12:57,600 Speaker 1: zero goes on to say he's working on book two 229 00:12:57,720 --> 00:12:59,560 Speaker 1: and there will be a Netflix stock. I'm aware of that. 230 00:13:00,200 --> 00:13:02,720 Speaker 1: With Errol Mars, I know this. I suggest you read 231 00:13:02,720 --> 00:13:05,439 Speaker 1: The Manson File by Nikolas Shrek to really have your 232 00:13:05,440 --> 00:13:08,560 Speaker 1: mind blown about the Manson stuff, especially the cover up 233 00:13:08,679 --> 00:13:11,920 Speaker 1: and the sham that the trial was all right. Happy 234 00:13:11,960 --> 00:13:13,640 Speaker 1: to hear that there's other people out there in the 235 00:13:13,679 --> 00:13:17,440 Speaker 1: world like myself who are hip to the real Helter 236 00:13:17,559 --> 00:13:21,480 Speaker 1: Skelter story. I was not hip to it. When we 237 00:13:21,600 --> 00:13:24,600 Speaker 1: produce those Beach Boys episodes. I was still on that 238 00:13:24,640 --> 00:13:26,960 Speaker 1: Helter Skelter train, But can you blame me? Can you? 239 00:13:27,040 --> 00:13:29,600 Speaker 1: Can you blame me? Don't blame me. It wasn't until 240 00:13:29,640 --> 00:13:34,000 Speaker 1: I read Chaos, all right? Go read Chaos. Go read 241 00:13:34,360 --> 00:13:37,320 Speaker 1: Chaos all right? This one from the four one to zero, right, Sin. 242 00:13:37,520 --> 00:13:40,520 Speaker 1: So whatever you decide about combining bad Lands and disgraceland 243 00:13:40,559 --> 00:13:42,680 Speaker 1: will be fine. I listened no matter what, But having 244 00:13:42,679 --> 00:13:45,560 Speaker 1: to keep track of fewer podcasts would be great. What 245 00:13:45,559 --> 00:13:48,319 Speaker 1: were you saying about Chaos versus Helter Skelter. It really 246 00:13:48,400 --> 00:13:50,920 Speaker 1: hits on exactly what you do for us. You get 247 00:13:50,920 --> 00:13:53,160 Speaker 1: the real story about these artists out there in a 248 00:13:53,160 --> 00:13:55,559 Speaker 1: way that is not only entertaining, but based on facts 249 00:13:55,559 --> 00:13:58,200 Speaker 1: and evidence. No one needs to hear the urban legends 250 00:13:58,240 --> 00:14:00,679 Speaker 1: again about how Mama cast choked on a ham sandwich, 251 00:14:00,720 --> 00:14:05,520 Speaker 1: or that Michael Hutchins accidentally died during autoerotic asphyxiation. Asphyxiation, 252 00:14:05,640 --> 00:14:08,200 Speaker 1: excuse me. Even when the storytelling styles from a more 253 00:14:08,240 --> 00:14:10,439 Speaker 1: creative point of view, the facts are real. That's probably 254 00:14:10,480 --> 00:14:12,600 Speaker 1: the thing I most appreciate in all these stories that 255 00:14:12,640 --> 00:14:15,520 Speaker 1: you tell. These people may be famous, but they are human. Well, 256 00:14:15,520 --> 00:14:18,360 Speaker 1: thank you for one zero. I really appreciate that, and 257 00:14:18,400 --> 00:14:20,320 Speaker 1: that's kind of how I'm thinking about it as well. 258 00:14:20,480 --> 00:14:22,760 Speaker 1: They're all just human stories, and we're here to tell 259 00:14:22,800 --> 00:14:26,480 Speaker 1: them in the most entertaining and dramatic way possible using 260 00:14:26,520 --> 00:14:31,000 Speaker 1: this exciting, coolest shit medium known as podcasting. Stoked that 261 00:14:31,040 --> 00:14:33,800 Speaker 1: you're down with combining the feeds. I'll have more on 262 00:14:33,880 --> 00:14:37,920 Speaker 1: that in the coming weeks. The five four to one writes, 263 00:14:37,960 --> 00:14:41,040 Speaker 1: in just listening to yesterday's after party, you recommended al 264 00:14:41,200 --> 00:14:44,840 Speaker 1: Fonse Mouzon Funky Snakefoot. I've heard that before. I'll have 265 00:14:44,880 --> 00:14:47,840 Speaker 1: to search through my dad's album collection because I am 266 00:14:47,960 --> 00:14:52,400 Speaker 1: sure I have that album on vinyl. Yes, al Fonse Mouson. 267 00:14:52,560 --> 00:14:55,480 Speaker 1: Was that the guy's name? I remember? Funky Snakefoot fucking great? 268 00:14:55,720 --> 00:14:58,960 Speaker 1: Also someone I don't know if I talked about it 269 00:14:58,960 --> 00:15:01,000 Speaker 1: in an after party, guys, if I was talking about 270 00:15:01,000 --> 00:15:05,760 Speaker 1: it on social media or something. Clarence read and I 271 00:15:05,800 --> 00:15:07,880 Speaker 1: believe the song is called the Winter. It's a Christmas 272 00:15:07,960 --> 00:15:10,000 Speaker 1: song that I got obsessed with. I think that's the 273 00:15:10,080 --> 00:15:12,200 Speaker 1: name of it over the last couple of weeks. I 274 00:15:12,200 --> 00:15:14,120 Speaker 1: should remember it, and I listened to it enough, but 275 00:15:14,120 --> 00:15:15,880 Speaker 1: I drink a lot of bourbon over the break as well. 276 00:15:16,360 --> 00:15:19,440 Speaker 1: I can remember the song, and again Clarence read, No, 277 00:15:19,480 --> 00:15:21,280 Speaker 1: it was my dad. My dad told me this, and 278 00:15:21,320 --> 00:15:24,800 Speaker 1: I was telling him about the song, and uh, my dad, 279 00:15:26,040 --> 00:15:28,360 Speaker 1: who knows way more about music than I do, told 280 00:15:28,440 --> 00:15:33,880 Speaker 1: me that Clarence Reid is Blowfly, Blowfly. I didn't know that. 281 00:15:33,920 --> 00:15:35,720 Speaker 1: You guys know who Blowfly is. Check that out. If 282 00:15:35,720 --> 00:15:37,600 Speaker 1: you don't know, check out Blowfly, and then check out 283 00:15:37,600 --> 00:15:41,120 Speaker 1: Clarence read. Check out the music. All right. So then 284 00:15:41,120 --> 00:15:43,520 Speaker 1: I'm watching boardein because I'm writing this board Aine episode. 285 00:15:43,560 --> 00:15:45,840 Speaker 1: I'm doing this research, and I find out that Clarence 286 00:15:45,880 --> 00:15:49,640 Speaker 1: read Blowfly is from Florida, which I did not know. 287 00:15:49,800 --> 00:15:51,560 Speaker 1: Not that you would care about that, but again, this 288 00:15:51,600 --> 00:15:53,960 Speaker 1: guy's just popping up everywhere right now. Check out Clarence 289 00:15:54,000 --> 00:15:56,240 Speaker 1: read get back to me. Six one seven nine oh 290 00:15:56,280 --> 00:15:58,640 Speaker 1: six six six three eight. Did you have a good 291 00:15:58,640 --> 00:16:00,000 Speaker 1: New Year's guys? Did you have a good New Years? 292 00:16:00,680 --> 00:16:02,840 Speaker 1: Do you go out to do some fun stuff? Do 293 00:16:02,880 --> 00:16:05,400 Speaker 1: you make out when the ball dropped all that? Eight 294 00:16:05,440 --> 00:16:07,720 Speaker 1: one four? Rights and hey, Jake, My New Year's Eve 295 00:16:07,840 --> 00:16:10,880 Speaker 1: song is ding Dong ding Dong by George Harrison from 296 00:16:10,920 --> 00:16:14,600 Speaker 1: The Underrated in my honest opinion album dark Horse, Ring 297 00:16:14,680 --> 00:16:17,000 Speaker 1: Out the Old, Ring In the New and as an 298 00:16:17,000 --> 00:16:19,840 Speaker 1: added bonus, the video is chock full of George Harrison's 299 00:16:19,920 --> 00:16:23,800 Speaker 1: unhinged sense of humor. Love the show, longtime listener, first 300 00:16:23,800 --> 00:16:26,200 Speaker 1: time Texter rock and ROLLA thank you, hey one four 301 00:16:26,240 --> 00:16:29,680 Speaker 1: appreciate that you know I cannot. I have that record, 302 00:16:30,040 --> 00:16:33,400 Speaker 1: but I do not know that song. I don't know it. 303 00:16:33,920 --> 00:16:35,400 Speaker 1: I'm not gonna lie and pretend I know it. I 304 00:16:35,400 --> 00:16:37,440 Speaker 1: don't know it. You can't know every song, not even 305 00:16:37,440 --> 00:16:41,080 Speaker 1: every George Harrison song on a you know what some 306 00:16:41,160 --> 00:16:43,960 Speaker 1: would say is a seminal George Harrison album. I don't 307 00:16:44,000 --> 00:16:45,880 Speaker 1: know it. An album I have, I don't know the song. 308 00:16:45,920 --> 00:16:48,280 Speaker 1: I can't think of it eight six two rights and hey, Jake, 309 00:16:48,320 --> 00:16:50,240 Speaker 1: I have an idea for an episode Disgrace Slay. An 310 00:16:50,280 --> 00:16:53,400 Speaker 1: episode that is Ian Watkins, lead singer of Lost Prophets, 311 00:16:53,440 --> 00:16:55,600 Speaker 1: in prison and can't wait to get out so he 312 00:16:55,640 --> 00:16:59,360 Speaker 1: can reoffend his crime luring and assaulting young girls age 313 00:16:59,360 --> 00:17:02,720 Speaker 1: fourteen with all remorse and a wicked cocaine habit. It's 314 00:17:02,760 --> 00:17:06,560 Speaker 1: disgusting by any means, may be too egregious for you 315 00:17:06,640 --> 00:17:08,560 Speaker 1: to do. You don't have to look into it. It 316 00:17:08,600 --> 00:17:11,040 Speaker 1: also involves a baby at one point on video. Oh 317 00:17:11,080 --> 00:17:13,480 Speaker 1: my god. Yeah, that's too much. I can't get in there. 318 00:17:13,520 --> 00:17:15,919 Speaker 1: I typically don't do. I don't mess with the kids stuff. 319 00:17:16,760 --> 00:17:19,800 Speaker 1: I'm going to make an exception for the r Kelly thing. 320 00:17:20,119 --> 00:17:24,040 Speaker 1: That's a different story, entirely not different. It's a expanded 321 00:17:24,119 --> 00:17:25,679 Speaker 1: or bigger or deeper. I don't know. I don't know 322 00:17:25,680 --> 00:17:28,280 Speaker 1: what the right adjective is, but it's it's it's not 323 00:17:28,440 --> 00:17:31,000 Speaker 1: just like, you know whatever. I don't like thinking about it. 324 00:17:31,000 --> 00:17:32,399 Speaker 1: I don't like talking about it, and I don't think 325 00:17:32,400 --> 00:17:34,320 Speaker 1: if people want to listen to me talk about the 326 00:17:34,400 --> 00:17:36,720 Speaker 1: kids stuff. That's always been my take. That's why I 327 00:17:36,720 --> 00:17:39,560 Speaker 1: haven't done it. Let's check out this one from the 328 00:17:39,600 --> 00:17:43,120 Speaker 1: five to one nine. It's mister Mojo Rising, not rising. 329 00:17:43,560 --> 00:17:48,359 Speaker 1: There's no g and Jim Morrison, Dave. Dave's pissed Dave. 330 00:17:49,359 --> 00:17:52,400 Speaker 1: We're fucking around here, man, We're not being super literal, 331 00:17:52,560 --> 00:17:54,680 Speaker 1: you know what I'm saying four to two four, writes 332 00:17:54,720 --> 00:17:58,320 Speaker 1: in Looking forward to twenty twenty four Disgraceland with a 333 00:17:58,359 --> 00:18:02,680 Speaker 1: snap of his top pog casts from Spotify, with Disgraceland 334 00:18:02,680 --> 00:18:05,200 Speaker 1: in the number one spot, there you go. Six soho 335 00:18:05,200 --> 00:18:08,240 Speaker 1: three rights in. Jake showed my kids The Blues Brothers 336 00:18:08,280 --> 00:18:10,640 Speaker 1: when they were just six and nine years old. Kind 337 00:18:10,640 --> 00:18:16,239 Speaker 1: of a whoops parenting moment. Perhaps, Ah, I don't know, 338 00:18:16,880 --> 00:18:19,040 Speaker 1: they might be too young where it doesn't matter, Like 339 00:18:19,080 --> 00:18:21,800 Speaker 1: there's a point when your kids are they're young enough 340 00:18:22,520 --> 00:18:25,480 Speaker 1: that they don't get the super dirty stuff, but they're 341 00:18:25,520 --> 00:18:27,800 Speaker 1: old enough to get the other stuff, If that makes sense. 342 00:18:27,920 --> 00:18:30,520 Speaker 1: You know what I'm saying. Three oh four rights in, 343 00:18:30,600 --> 00:18:33,720 Speaker 1: and I'll leave you with this text. Guys, Disgraceland times 344 00:18:33,840 --> 00:18:39,879 Speaker 1: bad Lands equals Jake motherfucking Brennan Land. That's your new title, 345 00:18:40,280 --> 00:18:43,760 Speaker 1: so everybody knows it. Don't get no better. Appreciate you 346 00:18:43,800 --> 00:18:45,960 Speaker 1: three zho four, but I'm gonna stick with just straight 347 00:18:46,000 --> 00:18:49,679 Speaker 1: up Brennan. All right, guys. Six one seven nine oh 348 00:18:49,720 --> 00:18:51,879 Speaker 1: six six six three eight. I want to know what 349 00:18:51,920 --> 00:18:54,119 Speaker 1: you want to hear in twenty twenty four. All right, 350 00:18:54,200 --> 00:18:57,119 Speaker 1: I got twenty more slots give or take to fill 351 00:18:57,359 --> 00:19:00,520 Speaker 1: big names. Big let's go beyond music. Let me know 352 00:19:00,600 --> 00:19:03,120 Speaker 1: what you're thinking tech six one seven nine oh six 353 00:19:03,200 --> 00:19:07,680 Speaker 1: six six three eight. Voicemail, same thing, same number, all right, 354 00:19:07,880 --> 00:19:10,119 Speaker 1: Hit me on social at disgrace MPOG and take a 355 00:19:10,200 --> 00:19:27,760 Speaker 1: quick break back after this. All right, we are back, 356 00:19:27,800 --> 00:19:30,320 Speaker 1: and this is the recommendation's part, the part of the 357 00:19:30,320 --> 00:19:32,280 Speaker 1: show where we recommend the things, the music that is 358 00:19:32,320 --> 00:19:35,800 Speaker 1: it needs recommending. This is the recommendations part. So over 359 00:19:35,840 --> 00:19:39,840 Speaker 1: the break, I was doing a lot of house clean up, 360 00:19:40,720 --> 00:19:43,840 Speaker 1: doing a lot of organizing, and uh, while I do 361 00:19:43,920 --> 00:19:46,600 Speaker 1: that stuff around the house, anyways, I like to put 362 00:19:46,640 --> 00:19:51,160 Speaker 1: on a TV series that just goes deep, that has 363 00:19:51,200 --> 00:19:54,400 Speaker 1: a ton of episodes and seasons, and then I've seen 364 00:19:54,480 --> 00:19:57,880 Speaker 1: a bunch, uh and just have it playing while I'm 365 00:19:57,880 --> 00:19:59,920 Speaker 1: doing my stuff, and then I kind of loosely get 366 00:20:00,080 --> 00:20:02,959 Speaker 1: hold into the narrative, but I'm not really paying attention, 367 00:20:03,040 --> 00:20:05,480 Speaker 1: but there's enough of the story going on in the 368 00:20:05,480 --> 00:20:11,560 Speaker 1: background to keep me semi interested and not bored with 369 00:20:11,640 --> 00:20:13,760 Speaker 1: the task that I'm having to do. But it's not 370 00:20:13,840 --> 00:20:16,320 Speaker 1: distracting me either, you see what I'm saying. So good 371 00:20:16,359 --> 00:20:19,800 Speaker 1: shows for this have been in my experience in the past. 372 00:20:20,640 --> 00:20:24,840 Speaker 1: The Wire has been a great one, mad Men another one. 373 00:20:25,320 --> 00:20:27,399 Speaker 1: So over the break, you know, it's been a while. 374 00:20:28,359 --> 00:20:31,080 Speaker 1: I was a sopranos. I had to do it. I 375 00:20:31,080 --> 00:20:33,280 Speaker 1: don't know, I just had the Sopranos. I didn't started 376 00:20:33,560 --> 00:20:36,560 Speaker 1: at season one. I started around season four or five 377 00:20:36,680 --> 00:20:38,440 Speaker 1: or something like that. I think it was season five, 378 00:20:39,119 --> 00:20:42,480 Speaker 1: basically because season six. I wasn't a big fan of 379 00:20:42,520 --> 00:20:45,520 Speaker 1: season six, though I did love the final episode that 380 00:20:45,560 --> 00:20:47,760 Speaker 1: everyone else hated, and not just to be a contrarian, 381 00:20:47,840 --> 00:20:51,879 Speaker 1: I really loved it when it first hit. But anyways, 382 00:20:51,880 --> 00:20:54,120 Speaker 1: I didn't like the whole season. I hated that whole 383 00:20:54,119 --> 00:20:57,040 Speaker 1: part with Tony. Spoiler alert, Okay, just letting you know. 384 00:20:57,080 --> 00:20:59,399 Speaker 1: If you haven't seen The Sopranos, it's been like twenty 385 00:20:59,440 --> 00:21:02,680 Speaker 1: fucking years, there's gonna be some spoilers. Okay. I didn't 386 00:21:02,720 --> 00:21:05,000 Speaker 1: like the part where Tony gets shot and he ends 387 00:21:05,119 --> 00:21:09,720 Speaker 1: up in Costa Mesa or wherever, wherever David Jase's idea 388 00:21:09,760 --> 00:21:13,720 Speaker 1: of purgatory is in America. I didn't like that whole storyline, 389 00:21:13,720 --> 00:21:16,080 Speaker 1: and I wanted to rewatch it sort of kind of 390 00:21:16,119 --> 00:21:18,199 Speaker 1: not really and see if it if it hit me 391 00:21:18,240 --> 00:21:20,840 Speaker 1: in any way, And of course it did, and of 392 00:21:20,840 --> 00:21:24,159 Speaker 1: course I like it. I love it now actually, But 393 00:21:24,359 --> 00:21:26,679 Speaker 1: it also the thing. The reason I'm telling you all 394 00:21:26,720 --> 00:21:30,600 Speaker 1: this is because there's this incredible scene where Christopher gets 395 00:21:31,200 --> 00:21:35,200 Speaker 1: gets high on heroin and gets back into junk and 396 00:21:35,200 --> 00:21:39,640 Speaker 1: and he's he's outdoors at this Italian festival at night 397 00:21:39,680 --> 00:21:43,760 Speaker 1: after it's closed down, and uh, it's it's a feast, 398 00:21:43,840 --> 00:21:47,240 Speaker 1: one of those you know, classic city feasts that the 399 00:21:47,280 --> 00:21:50,840 Speaker 1: Italians do. And he's lying back on the bench and 400 00:21:50,840 --> 00:21:55,840 Speaker 1: he's smoking a cigarette and he's wasted, and there's this 401 00:21:56,000 --> 00:21:59,800 Speaker 1: song playing and it's so good and it's Fred Neils 402 00:21:59,840 --> 00:22:04,320 Speaker 1: the Dolphins, and this song is just amazing. I've talked 403 00:22:04,320 --> 00:22:07,280 Speaker 1: about this song before to you guys, I believe in 404 00:22:07,320 --> 00:22:11,080 Speaker 1: some capacity. And then I forgot about it, loved that 405 00:22:11,200 --> 00:22:15,560 Speaker 1: I was reminded of it again from the sopranos, and 406 00:22:16,480 --> 00:22:18,120 Speaker 1: I was like, I'm gonna I'm gonna look into Fred Neil. 407 00:22:18,160 --> 00:22:20,040 Speaker 1: I'm going to figure this guy out, see what else 408 00:22:20,080 --> 00:22:21,800 Speaker 1: is out there. And then I thought, no, I'm not. 409 00:22:22,200 --> 00:22:23,840 Speaker 1: I'm going to ask the discos. I'm going to ask 410 00:22:23,840 --> 00:22:26,399 Speaker 1: the Disgraceland listeners. I'm going to ask the Disgraceland community 411 00:22:26,480 --> 00:22:29,479 Speaker 1: what they know about Fred Neil. So whoever among you 412 00:22:29,560 --> 00:22:32,679 Speaker 1: knows anything about Fred Neil, has other Fred Neil music 413 00:22:32,720 --> 00:22:34,960 Speaker 1: you can recommend to me. Hit me back six one 414 00:22:35,040 --> 00:22:39,240 Speaker 1: seven nine oh six six six three eight. Let's talk 415 00:22:39,320 --> 00:22:43,720 Speaker 1: about this week's rewind episode in the meantime of Johnny Cash. 416 00:22:44,320 --> 00:22:49,280 Speaker 1: This episode is uh. It's one of my favorite Disgraceland episodes. 417 00:22:49,880 --> 00:22:54,160 Speaker 1: I remember when we released it back in twenty nineteen. 418 00:22:54,200 --> 00:22:56,840 Speaker 1: I believe, UH, it pissed a lot of people off 419 00:22:56,920 --> 00:22:59,760 Speaker 1: because it was critical of Johnny Cash. And Johnny Cash 420 00:22:59,800 --> 00:23:03,679 Speaker 1: fans are, you know, they like to stand up on 421 00:23:03,720 --> 00:23:05,720 Speaker 1: their front foot, and you know, they like to yell 422 00:23:05,880 --> 00:23:08,119 Speaker 1: or something. I don't know, but I don't really understand 423 00:23:08,119 --> 00:23:09,560 Speaker 1: why I pissed people off. I think it was just 424 00:23:09,720 --> 00:23:13,280 Speaker 1: some people don't like their artists to be criticized. And 425 00:23:13,680 --> 00:23:15,680 Speaker 1: you know me, none of these guys, as much as 426 00:23:15,680 --> 00:23:20,040 Speaker 1: I love them or girls, are beyond criticism. But I 427 00:23:20,080 --> 00:23:24,240 Speaker 1: also remember that this episode was the first time, I 428 00:23:24,280 --> 00:23:26,040 Speaker 1: think I think it was the first time I tried 429 00:23:26,160 --> 00:23:31,280 Speaker 1: collaborating with another writer and having them write an episode 430 00:23:31,359 --> 00:23:35,399 Speaker 1: of Disgraceland, and it did not go well for either 431 00:23:35,440 --> 00:23:38,879 Speaker 1: of us. We tried. It just didn't work, and I 432 00:23:38,920 --> 00:23:42,359 Speaker 1: remembered it was coming up on the deadline and I 433 00:23:42,480 --> 00:23:47,120 Speaker 1: had to scrap the entire episode and write it all 434 00:23:47,200 --> 00:23:51,680 Speaker 1: over myself start to finish. Typically, it takes me five 435 00:23:51,800 --> 00:23:54,760 Speaker 1: days to write an episode after I've done the research. 436 00:23:55,280 --> 00:23:57,840 Speaker 1: I thankfully had done the research because I was, like 437 00:23:57,880 --> 00:24:00,160 Speaker 1: I said, collaborating, but I hadn't done any of the writing. 438 00:24:00,400 --> 00:24:02,040 Speaker 1: And then I remember I just sat down in the 439 00:24:02,040 --> 00:24:04,120 Speaker 1: morning and I was like, I'm just fucking doing this. 440 00:24:04,240 --> 00:24:07,359 Speaker 1: I'm finishing this all five thousand words or whatever it is, 441 00:24:07,600 --> 00:24:10,280 Speaker 1: edited the whole thing, and it took me something like 442 00:24:10,359 --> 00:24:13,160 Speaker 1: seventeen hours to get done. Finally got it done, finally 443 00:24:13,200 --> 00:24:14,800 Speaker 1: got it out. There had no idea if it was 444 00:24:14,840 --> 00:24:17,560 Speaker 1: good or bad. I went back and listened to it 445 00:24:17,960 --> 00:24:22,040 Speaker 1: months later, decided it was good. But I had such poor, poor, 446 00:24:22,480 --> 00:24:25,920 Speaker 1: such a poor experience producing it, that it just it's 447 00:24:26,240 --> 00:24:28,359 Speaker 1: just one of those episodes that fell flat for me 448 00:24:28,440 --> 00:24:31,919 Speaker 1: for a lot of years. But but I've listened to 449 00:24:31,960 --> 00:24:34,199 Speaker 1: it recently and I think it's pretty damn good and 450 00:24:34,240 --> 00:24:36,200 Speaker 1: I think you're gonna love it. So for a little 451 00:24:36,200 --> 00:24:38,920 Speaker 1: context on this Johnny Cash episode, it was around this time, 452 00:24:38,960 --> 00:24:42,800 Speaker 1: actually early January, January thirteenth to be exact. Back in 453 00:24:42,920 --> 00:24:46,680 Speaker 1: nineteen sixty eight that Johnny Cash made history by performing 454 00:24:46,720 --> 00:24:49,080 Speaker 1: a show for inmates at Fulsome State prison. He made 455 00:24:49,240 --> 00:24:52,240 Speaker 1: the record this is in Fulsome, California. The show is recorded. 456 00:24:52,760 --> 00:24:55,240 Speaker 1: The record was released on Columbia Records in May of 457 00:24:55,320 --> 00:24:58,800 Speaker 1: that same year. It's a big, huge part of the story. 458 00:24:59,440 --> 00:25:02,040 Speaker 1: The album's first single, Folsom Prison Blues, charted on the 459 00:25:02,080 --> 00:25:05,720 Speaker 1: Billboard one hundred and on the Country charts. It's just 460 00:25:05,760 --> 00:25:08,040 Speaker 1: a big deal, big big big big big big big 461 00:25:08,080 --> 00:25:10,439 Speaker 1: big big deal at the time, back when it was 462 00:25:10,480 --> 00:25:14,160 Speaker 1: first release. But but a week later, Robert F. Kennedy 463 00:25:14,480 --> 00:25:18,280 Speaker 1: was assassinated and radio stations stopped playing the song because 464 00:25:18,320 --> 00:25:20,840 Speaker 1: of the famous line, I shot a man in Reno 465 00:25:21,280 --> 00:25:24,399 Speaker 1: just to watch him die. Columbia Records demanded that the 466 00:25:24,440 --> 00:25:28,720 Speaker 1: single be remixed to remove that line. Johnny Cash protested, 467 00:25:28,880 --> 00:25:32,320 Speaker 1: but Columbia won the argument. It was remixed, the line 468 00:25:32,560 --> 00:25:36,280 Speaker 1: was cut, re released, and then of course it charted 469 00:25:36,400 --> 00:25:40,760 Speaker 1: even higher. Crazy Story six one seven nine oh six 470 00:25:40,840 --> 00:25:43,960 Speaker 1: six six three eight. Your favorite Johnny Cash music? What 471 00:25:44,200 --> 00:25:47,280 Speaker 1: is it? It's a huge well to dig from, all right. 472 00:25:47,359 --> 00:25:49,919 Speaker 1: Do you like the early Sun Records stuff. Do you 473 00:25:50,040 --> 00:25:53,520 Speaker 1: like the later Columbia stuff when he finally found his way? 474 00:25:53,960 --> 00:25:55,720 Speaker 1: Do you like the I don't know? Do you like 475 00:25:55,760 --> 00:25:58,120 Speaker 1: the gospel stuff? Do you like the the later Rick 476 00:25:58,200 --> 00:26:00,760 Speaker 1: Rubin stuff? What's your favorite Johnny Cash Music six one 477 00:26:00,800 --> 00:26:03,760 Speaker 1: seven nine oh six six six three eight voicemail text, 478 00:26:03,920 --> 00:26:22,520 Speaker 1: I'm gonna take a quick break back and flash. All right, 479 00:26:22,560 --> 00:26:24,880 Speaker 1: welcome back again six one seven nine oh six six 480 00:26:24,960 --> 00:26:29,520 Speaker 1: six three eight and at disgracelam pod on Instagram, x, Facebook, YouTube, 481 00:26:29,560 --> 00:26:32,240 Speaker 1: TikTok wherever I am there, hit me up all right, 482 00:26:32,320 --> 00:26:35,680 Speaker 1: I'm here for you. Disgrace lamppod at gmail dot com 483 00:26:35,680 --> 00:26:39,000 Speaker 1: on email. Let's recap, shall we? All right? Number one 484 00:26:39,080 --> 00:26:42,120 Speaker 1: right now in your feed? This after party number two 485 00:26:42,240 --> 00:26:45,560 Speaker 1: coming on Thursday. Another after party number three on Friday. 486 00:26:45,600 --> 00:26:48,800 Speaker 1: A rewind episode from the archive on Johnny Cash. Number 487 00:26:48,800 --> 00:26:51,000 Speaker 1: four over in the Badlands feed. We got a new 488 00:26:51,000 --> 00:26:53,879 Speaker 1: episode on Sharon Stone tomorrow five next week in the 489 00:26:53,920 --> 00:26:57,000 Speaker 1: disgrace Land feed, a brand new episode on Surge Gainsburg. 490 00:26:57,280 --> 00:26:59,640 Speaker 1: My number number six. My number is six one seven 491 00:26:59,720 --> 00:27:01,639 Speaker 1: nine six six six three eight. You can call it 492 00:27:01,720 --> 00:27:04,119 Speaker 1: on the telephone, you can text me seven. Remember that 493 00:27:04,160 --> 00:27:05,639 Speaker 1: no one cares about the music you love more than 494 00:27:05,680 --> 00:27:08,359 Speaker 1: you do, and well that is a disgrace. All right, 495 00:27:08,640 --> 00:27:12,000 Speaker 1: My moment of bliss in honor this week's Disgraceland rewind 496 00:27:12,040 --> 00:27:15,920 Speaker 1: episode on Johnny Cash. Me reading you the phone book 497 00:27:16,000 --> 00:27:23,199 Speaker 1: from Little Rock, Arkansas, circa nineteen sixty three. Cave See 498 00:27:23,760 --> 00:27:28,840 Speaker 1: three one one six Cyprus three dash nine one four two, 499 00:27:29,880 --> 00:27:36,360 Speaker 1: Cavanaugh Anita Mohawk three dash eight nine oh five, Cavanaugh 500 00:27:36,920 --> 00:27:43,480 Speaker 1: Margaret Mohawk three dash four six two seven. Cavender Joanne 501 00:27:43,920 --> 00:27:50,640 Speaker 1: Franklin five dash five eight eight four. Cavender Lenny Mohawk 502 00:27:51,240 --> 00:27:56,920 Speaker 1: three dash three nine three eight, Caver Gilbert Mohawks three 503 00:27:57,160 --> 00:28:01,880 Speaker 1: jash two eight five three cave ju Us frank Mohawk 504 00:28:02,040 --> 00:28:07,040 Speaker 1: t catash seson one us cab cab dash, the Fragila 505 00:28:07,480 --> 00:28:13,200 Speaker 1: five dish eight WI three hand one six skys three 506 00:28:13,760 --> 00:28:22,880 Speaker 1: to two. Quit talking and start mixing