WEBVTT - The Write Stuff with Jenny Bicks... (S1 E8 "Three's A Crowd")

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte? We're back to Are You a Charlotte

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<v Speaker 1>with an incredible guest, the one and only Jenny Becksia.

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<v Speaker 1>Thank you for having me. It's my pleasure. We're gonna

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<v Speaker 1>rewatch your very first episode that you wrote for Sex

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<v Speaker 1>and the City. It is episode one oh eight three.

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<v Speaker 1>Is a crowd an incredible episode written by you, directed

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<v Speaker 1>by the also incredible Nicole Hall of Center. So I

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<v Speaker 1>love this episode. I really didn't have a lot of

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<v Speaker 1>memories of this episode. I was like, what on earth

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<v Speaker 1>is happening? It's a bold first episode, Jenny. It's bold,

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<v Speaker 1>it is.

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<v Speaker 2>It was bold, and yet it was you know, it

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<v Speaker 2>was of the time.

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<v Speaker 1>Oh my gosh, what so of the time. And I

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<v Speaker 1>mean we did touch on this briefly amongst ourselves, but

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<v Speaker 1>to me, it's the first time that the theme is

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<v Speaker 1>really run through all the characters in such a great,

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<v Speaker 1>great way.

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<v Speaker 2>Yeah, it's such a magical thing when you find and

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<v Speaker 2>kind of a sexual thing that also ties into exactly

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<v Speaker 2>what your characters might be going through at the moment.

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<v Speaker 2>And we had, you know, Carrie and Big were at

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<v Speaker 2>this point in their relationship where they were getting more serious,

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<v Speaker 2>and suddenly she learns about the ex wife, the other

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<v Speaker 2>third person, and so we're dealing with that at the

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<v Speaker 2>same time that Charlotte is dealing with the fact that

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<v Speaker 2>the man that she's betting or he's betting her. We

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<v Speaker 2>would never have used words like that. By the way,

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<v Speaker 2>betting wants to have a threesome. That's a fantasy, right,

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<v Speaker 2>and she's thinking about it.

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<v Speaker 1>I know it that crazy shirlt Oh my god. And

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<v Speaker 1>also just side note, we have Lisa Emory right, incredibly incredible.

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<v Speaker 1>You all might know from Ozark, where she played a

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<v Speaker 1>very terrifying character. Yes, and in our episode here, she's

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<v Speaker 1>a sweet wife who gets cheated, all know, she gets

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<v Speaker 1>cuckolded and you feel so bad for her. But she's

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<v Speaker 1>very open and she's like, maybe if this would keep

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<v Speaker 1>my husband happy, we can have a threesome. And Samantha

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<v Speaker 1>is not having it. She's the guest star. She's the

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<v Speaker 1>guest star. So that this is a big part of

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<v Speaker 1>the theme that I want to talk about. We can

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<v Speaker 1>go see by scene, but also just thematically. When I

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<v Speaker 1>was watching it, because I didn't remember a lot of it, right,

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<v Speaker 1>Like I told you, already, but when when Charlotte does

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<v Speaker 1>seem like she might be going to have a threesome

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<v Speaker 1>with these people in a very romantic and beautifully lit scene.

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<v Speaker 1>I had a panic when I was watching this in

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<v Speaker 1>my bed last night, thinking why don't I remember kissing

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<v Speaker 1>these two people at the same time? Oh my god,

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<v Speaker 1>am I about to see what are going to do?

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<v Speaker 1>And it wasn't fact a dream it was. It wasn't

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<v Speaker 1>just like, how could I have blocked that out or whatever,

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<v Speaker 1>because I've never had that an you had your top off?

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<v Speaker 1>I did? How about that? And I can one tell

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<v Speaker 1>that I am in a panic because I stepped very

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<v Speaker 1>gingerly forward, which I know I'm just trying to be

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<v Speaker 1>right on my busk so that nobody cards are showing.

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<v Speaker 1>And then I very gingerly reached my hands out like

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<v Speaker 1>in a really odd way, and they take my hands.

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<v Speaker 1>I can so feel the nerves radiating takes such guts

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<v Speaker 1>well too, And I'm curious if you what your thoughts are.

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<v Speaker 1>What I remember, especially from the very beginning, was that

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<v Speaker 1>we all as a group, and I can't speak for everyone,

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<v Speaker 1>but we didn't know what was right or wrong for

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<v Speaker 1>us to show because we didn't really know what show

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<v Speaker 1>we were on, right, And do you remember that show

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<v Speaker 1>dream On that was on HBO where literally every episode

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<v Speaker 1>some random woman just shows her breast, right, We didn't

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<v Speaker 1>want to be that, right. We wanted to be like

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<v Speaker 1>for women, like for women to watch from the female gaze,

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<v Speaker 1>not like titillating. But also we are talking about sex,

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<v Speaker 1>and we didn't want to be fake. I mean, it

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<v Speaker 1>was a very awful it was.

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<v Speaker 2>It was a fine line, yeah, And I think I

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<v Speaker 2>think what's great is because because we didn't show a

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<v Speaker 2>ton of nudity. Honestly, it was true to who what

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<v Speaker 2>the show was, right, right, which was we're not we're

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<v Speaker 2>not real sex on HBO. Now we're a show that

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<v Speaker 2>we're we're talking about it, but you but showing a

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<v Speaker 2>boob just for fun is not the reason people. People

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<v Speaker 2>aren't watching it to hope to catch a sight of

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<v Speaker 2>you know, full frontal nudity, right right, right, right, So

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<v Speaker 2>if they were, they were disappointed, exactly.

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<v Speaker 1>And so if it was appropriate for the scene, you know,

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<v Speaker 1>it's been a little bit like like there was a

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<v Speaker 1>scene in the last word I want to say where

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<v Speaker 1>you see a little bit of my side boom and

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<v Speaker 1>I'm like, oh my god, I didn't even remember this, right,

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<v Speaker 1>Oh my god. I mean, of course, now you're like,

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<v Speaker 1>it's like my thing people.

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<v Speaker 2>Which was an episode I wrote you you did it.

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<v Speaker 1>I know you owned it. Thank you. It was challenging.

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<v Speaker 1>But I'll tell you what I liked about that, and

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<v Speaker 1>I also have I mean, there are some times and

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<v Speaker 1>I said something earlier in one of the clickbaity situation

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<v Speaker 1>with the press these days is so stressful because you

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<v Speaker 1>say things because it's so intimate. Right, of course, I

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<v Speaker 1>did see something because there were some awkward times early on,

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<v Speaker 1>you know, with directors, not with you guys, but like

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<v Speaker 1>sometimes in the middle of the night when everyone would

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<v Speaker 1>have gone home, who wasn't in the scene, you know,

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<v Speaker 1>some director would want you to do something and like

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<v Speaker 1>even you know, the other actresses weren't there. You could

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<v Speaker 1>even go to them and be like help me. And

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<v Speaker 1>I would go log myself in my dressing room and

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<v Speaker 1>call my manager back in LA and be like, help me.

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<v Speaker 1>What do I do? The Mick I remember because we

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<v Speaker 1>had talked about it, you know, for some time, and

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<v Speaker 1>it was obviously a very very integral part of the storyline.

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<v Speaker 1>That was a very big important storyline, and because it

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<v Speaker 1>wasn't sexual, it's much easier to have some nudity in

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<v Speaker 1>a non sexual way than to in it like a

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<v Speaker 1>spiritual way. But the thing that I remember about that

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<v Speaker 1>is that the director and the DP and video village

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<v Speaker 1>had been set up because the ad let it happen

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<v Speaker 1>I'm not gonna name right now where I had to

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<v Speaker 1>walk and they were smoking cigars what mm. And it

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<v Speaker 1>was like hours because it was the wee wee hours

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<v Speaker 1>because took forever to go down to that tie set

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<v Speaker 1>that we'd built, right and I went to this a

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<v Speaker 1>D and I was like, uh, I'm trying to do

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<v Speaker 1>something here, like with our feeling self conscious, could you

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<v Speaker 1>possibly move all those guys? My god, I'm so sorry.

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<v Speaker 1>I know it's crazy back then what went on? Right,

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<v Speaker 1>And this is a show where we had so much power,

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<v Speaker 1>but we didn't have there were no intimacy exactly that

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<v Speaker 1>those did not exist in our business. No, And even

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<v Speaker 1>in a situation where you theoretically did have so much

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<v Speaker 1>power that all that stuff was still able to happen,

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<v Speaker 1>And then you had to be the bad guy and

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<v Speaker 1>go and say like they can't smoke their cigars literally

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<v Speaker 1>in my eye line when I did that. Anyone's smoking

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<v Speaker 1>a cigar. I'm pretty sure that's ill exactly. No, back

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<v Speaker 1>in the day, they remember on the Silver Cups soundstage,

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<v Speaker 1>we'd be there all night Friday night, and like it

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<v Speaker 1>would just be like a cloud of smoke. You know,

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<v Speaker 1>Sarah was smoking because Carrie was supposed to smoke. McGan

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<v Speaker 1>was smoking. I mean, so many people right, and you're smoking.

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<v Speaker 1>I can't see my mark, you know, I know, the

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<v Speaker 1>olden days, olden days. Anyway, back to the episode, but yeah,

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<v Speaker 1>a lot of crazy stuff went on.

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<v Speaker 2>Well yeah, but also I will say it was a

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<v Speaker 2>beautifully shot. That moment was beautifully shot.

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<v Speaker 1>Because it's in Charlotte's mind, right, so it's perfection. But

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<v Speaker 1>you had a romantic perfection. Looked beautiful. Thank you so much.

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<v Speaker 1>I'm so happy that I did it, because of course

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<v Speaker 1>at the time, you're like so stressed and stress and stressed.

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<v Speaker 1>Now you're like, oh my god, I should have just

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<v Speaker 1>been running through the town with my shirt. No, and

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<v Speaker 1>that's what we call clickbait. I know, ladies sometimes think that.

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<v Speaker 1>I do sometimes think that, but I remember having a

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<v Speaker 1>lot of stress about it.

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<v Speaker 2>No, but I do think the other thing and Michael

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<v Speaker 2>talks about this a lot too, is that we always

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<v Speaker 2>wanted the sex to be almost like we never wanted

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<v Speaker 2>to be like like, oh, we're shooting a like a

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<v Speaker 2>soft porn like Red Diary kind of situation, right. But

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<v Speaker 2>I will say the music choices in my episode there

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<v Speaker 2>was like this jazzy kind of sex and music when

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<v Speaker 2>you're in bed with your boyfriend. I'm like, we would

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<v Speaker 2>never have done that after season one, for sure, we

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<v Speaker 2>would not. We would have counterpointed it more well.

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<v Speaker 1>I think that's what was confusing about being an actress

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<v Speaker 1>in season one too, was because we didn't really know, right.

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<v Speaker 1>We weren't really sure what the tone was, right, so

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<v Speaker 1>we weren't really sure in the acting of it also,

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<v Speaker 1>and then sometimes we weren't around when the others were

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<v Speaker 1>doing their sex scenes, right, so, or their romantic scenes

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<v Speaker 1>or whatever it was, so we didn't know what they

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<v Speaker 1>were doing what I'm saying, So there was like this

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<v Speaker 1>kind of like checking in, like what what do you guys,

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<v Speaker 1>what do you think? What do you what are you doing?

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<v Speaker 1>Because like Cynthia, you know her, she's like I don't care,

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<v Speaker 1>you know, but she still hasn't there's she hasn't shown

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<v Speaker 1>much or whatever. And then Kim, I think at one

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<v Speaker 1>point already has but it was like kind of a

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<v Speaker 1>funny she like had a there's a humor kind of

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<v Speaker 1>about it.

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<v Speaker 2>I think as long as there's either like the michpho

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<v Speaker 2>where you're in a situation is non sexual, right, or

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<v Speaker 2>if it's happening, it's for really good reason and your

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<v Speaker 2>counterpoint it with something so that it doesn't feel purient exactly.

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<v Speaker 1>But that was the whole key to it, and we

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<v Speaker 1>hadn't really fully gelled on.

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<v Speaker 2>I don't think we knew yeah, because also.

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<v Speaker 1>Not everyone was around all the time to discuss it

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<v Speaker 1>kind of in a thorough way, you know what I mean.

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<v Speaker 1>You were just like, what what did that one? Do?

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<v Speaker 1>You know? No one really knew, right, But what I

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<v Speaker 1>did watch the threesomething that I thought I was going

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<v Speaker 1>to about to have, I didn't remember, and then I

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<v Speaker 1>was like, oh, thank god, I've just dream But I

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<v Speaker 1>could literally tell that I'm just like like frozen as

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<v Speaker 1>an actress, Like I'm just going to take this tiny

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<v Speaker 1>step and then nothing will show, you know what I mean,

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<v Speaker 1>Like there won't be too much barand and they're alway

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<v Speaker 1>side boom. I'm just like just enough stepping, yes exactly.

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<v Speaker 1>But anyway, we digress. But I mean, there's the fun

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<v Speaker 1>things to think about, because I think that the way

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<v Speaker 1>that it developed and the fact that all of us

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<v Speaker 1>were there and had the same goal is why it

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<v Speaker 1>worked out and why we felt safe eventually, Like it

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<v Speaker 1>took a little so that we felt unsafe in the

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<v Speaker 1>me and we were just weren't sure right, like we

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<v Speaker 1>were checking in.

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<v Speaker 2>I just didn't know where the lines were exactly, and

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<v Speaker 2>it depended on the director what they wanted to do,

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<v Speaker 2>you know, and sometimes that wasn't necessarily in line with

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<v Speaker 2>what Darren and Michael wanted, you know, and then you

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<v Speaker 2>had to call people. Yeahs had to be made help

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<v Speaker 2>hel yes, yes, okay, So I'm basically I'm basically oh yeah, yeah, yeah,

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<v Speaker 2>I'm meeting the guy at the Benefits all the benefits

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<v Speaker 2>of the diseases.

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<v Speaker 1>His name is Jack. You know, he's one of many guys.

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<v Speaker 1>In the beginning, Charlotte's just trying to figure out if

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<v Speaker 1>she can go with what he wants, and pretty quick

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<v Speaker 1>he seems like he brings up this threesome. I mean,

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<v Speaker 1>I guess we have the montage, so it's like there's

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<v Speaker 1>time has passed and I like, I really, this is

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<v Speaker 1>the first time when I'm watching that I feel like

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<v Speaker 1>Charlotte's storyline makes sense. Oh really yeah, Like before there's

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<v Speaker 1>the artist who paints her, which everyone's like, uh, she

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<v Speaker 1>agreed to this, and for me, I mean, I can

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<v Speaker 1>only assume. I think at the time, I just really

0:10:59.160 --> 0:11:01.560
<v Speaker 1>wanted someone to write a storyline for me, right, And

0:11:01.600 --> 0:11:02.880
<v Speaker 1>I was like, I'm going to have to roll with this.

0:11:02.960 --> 0:11:05.280
<v Speaker 1>And then I also think because it's about her gallery,

0:11:05.360 --> 0:11:07.560
<v Speaker 1>it's about art. So she's like, I'm going to do

0:11:07.559 --> 0:11:09.640
<v Speaker 1>what I have to do because she thinks she's landed

0:11:09.720 --> 0:11:11.760
<v Speaker 1>him as a client and need a big deal, right

0:11:11.800 --> 0:11:14.280
<v Speaker 1>and it's safe up in the woods, and his wife

0:11:14.360 --> 0:11:16.800
<v Speaker 1>was there, you don't, I'm saying, And she likes art.

0:11:17.040 --> 0:11:19.480
<v Speaker 1>She loves art because like when he asks her, one

0:11:19.520 --> 0:11:28.600
<v Speaker 1>are your fantasies? Loved it myself so hard. I just authentically, well,

0:11:28.640 --> 0:11:32.559
<v Speaker 1>I'd like to own my gallery. One It's like I

0:11:32.640 --> 0:11:35.840
<v Speaker 1>didn't mean that exactly, but then I also said that

0:11:35.840 --> 0:11:37.559
<v Speaker 1>I want a house in May, which you do have.

0:11:37.800 --> 0:11:40.640
<v Speaker 2>I do have, which I love that yeah so much.

0:11:40.640 --> 0:11:43.080
<v Speaker 1>So there you go. I love it. Did you want

0:11:43.120 --> 0:11:45.439
<v Speaker 1>that at the time. You know what's interesting.

0:11:45.480 --> 0:11:47.719
<v Speaker 2>So I had spent my summers growing up there, so

0:11:47.920 --> 0:11:50.959
<v Speaker 2>my family had a house there. But I think I

0:11:51.000 --> 0:11:52.600
<v Speaker 2>always imagined I would have my own house.

0:11:52.720 --> 0:11:53.040
<v Speaker 1>Amazing.

0:11:53.080 --> 0:11:55.160
<v Speaker 2>I didn't then, but now I do. I'm so there

0:11:55.200 --> 0:11:58.720
<v Speaker 2>you go, Just like Charlotte, I got certain.

0:11:58.440 --> 0:12:02.000
<v Speaker 1>Things Charlotte le dream go somewhere. Maybe Harry didn't share it.

0:12:02.080 --> 0:12:03.920
<v Speaker 1>We don't know. We don't know if well, I guess

0:12:03.920 --> 0:12:06.640
<v Speaker 1>we do. I think we would would. I think it

0:12:06.679 --> 0:12:09.680
<v Speaker 1>would come up. She found other Harry didn't. He probably

0:12:09.720 --> 0:12:11.440
<v Speaker 1>didn't want to be in Maine. There's a lot of ticks.

0:12:11.760 --> 0:12:14.000
<v Speaker 1>You know. He's got not like the bugs. He doesn't

0:12:14.080 --> 0:12:17.240
<v Speaker 1>like the bugs. He really really doesn't. It's still going on.

0:12:20.000 --> 0:12:25.000
<v Speaker 3>Okay, back to the show, way back, Okay, So I

0:12:25.040 --> 0:12:28.839
<v Speaker 3>have I get to have the thematic storyline, which is fun,

0:12:29.160 --> 0:12:31.480
<v Speaker 3>and I like that there's like a beginning, middle and

0:12:31.520 --> 0:12:34.360
<v Speaker 3>an end, and then also that there's such a great discussion.

0:12:34.800 --> 0:12:38.160
<v Speaker 1>Yes, I love that discussion. And so I need some

0:12:38.200 --> 0:12:40.640
<v Speaker 1>clarity though, because sometimes people say things that I'm not

0:12:40.720 --> 0:12:44.800
<v Speaker 1>quite sure if I'm hearing correctly, Like basically sam is saying,

0:12:45.360 --> 0:12:48.360
<v Speaker 1>Samantha saying that you don't want to be the guest

0:12:48.400 --> 0:12:50.360
<v Speaker 1>star in the Three Cents. So you do want to

0:12:50.360 --> 0:12:51.640
<v Speaker 1>be the guest you don't want to be the guest

0:12:51.640 --> 0:12:52.920
<v Speaker 1>star because you don't want connections.

0:12:52.960 --> 0:12:54.839
<v Speaker 2>You don't want connections. You don't want to do it

0:12:54.880 --> 0:12:56.800
<v Speaker 2>with like a good friend. You want to be like

0:12:57.120 --> 0:12:58.960
<v Speaker 2>you want to come in and out enjoy it and

0:12:59.000 --> 0:12:59.680
<v Speaker 2>get the hell out of.

0:13:00.120 --> 0:13:02.240
<v Speaker 1>Crazy that Charlotte's like, no, maybe I would want one

0:13:02.240 --> 0:13:04.600
<v Speaker 1>of my friends. But that's so Charlotte.

0:13:04.640 --> 0:13:13.360
<v Speaker 2>She's like she would feel safe that way. It was terrible.

0:13:13.720 --> 0:13:18.640
<v Speaker 1>If she tried to converse. Terrible, okay, just terrible in

0:13:18.720 --> 0:13:21.920
<v Speaker 1>so many ways, Like, oh my god. Anyway, I had

0:13:21.920 --> 0:13:23.440
<v Speaker 1>a moment of fear then too, because I was like,

0:13:23.480 --> 0:13:26.840
<v Speaker 1>I don't remember any of this. She's like, we did

0:13:28.320 --> 0:13:29.800
<v Speaker 1>try to talk her into it. Oh my god. I

0:13:29.840 --> 0:13:33.240
<v Speaker 1>was mortified. Thank god, I do not. But then poor Miranda.

0:13:33.360 --> 0:13:39.240
<v Speaker 1>I know, I know, it's so adorable. I remember this

0:13:39.320 --> 0:13:39.640
<v Speaker 1>at all.

0:13:39.720 --> 0:13:43.280
<v Speaker 2>I know, and I love I really I love how

0:13:43.320 --> 0:13:46.480
<v Speaker 2>Cynthia played it through the episode so brilliant, like I'm

0:13:46.480 --> 0:13:48.640
<v Speaker 2>going to get to the bottom of this, and I'm

0:13:48.720 --> 0:13:50.880
<v Speaker 2>upset and I'm sorry I wasn't chosen.

0:13:51.000 --> 0:13:54.240
<v Speaker 1>I am not upsetting, I know, and she's got this therapist,

0:13:54.400 --> 0:13:56.760
<v Speaker 1>which like, do you ever see this person again? I

0:13:56.760 --> 0:13:59.000
<v Speaker 1>don't think we did. Oh my god, he's an older

0:13:59.080 --> 0:14:01.480
<v Speaker 1>man and he's basically it's like, are you asking to

0:14:01.480 --> 0:14:02.160
<v Speaker 1>have a THREESOMEE?

0:14:02.640 --> 0:14:02.840
<v Speaker 2>Right?

0:14:02.920 --> 0:14:06.040
<v Speaker 1>It's so weird and funny, and it's such a traditional

0:14:06.080 --> 0:14:08.680
<v Speaker 1>looking therapy office where I'm just like, is this what

0:14:08.760 --> 0:14:11.000
<v Speaker 1>a therapy would look like in nineteen ninety eight in

0:14:11.040 --> 0:14:11.760
<v Speaker 1>Manhattan Knows?

0:14:11.840 --> 0:14:13.800
<v Speaker 2>It was probably whatever set we had sat that we

0:14:13.800 --> 0:14:15.679
<v Speaker 2>could put up two flats, some books and some.

0:14:15.640 --> 0:14:29.120
<v Speaker 1>Books totally totally. And then I really love that scene

0:14:29.120 --> 0:14:31.560
<v Speaker 1>what she finds we're out of order, but I don't care, Gus,

0:14:31.600 --> 0:14:34.360
<v Speaker 1>we're following her story exactly. We're following Miranda. So when

0:14:34.440 --> 0:14:36.920
<v Speaker 1>she finds the couple and they're like, no one really

0:14:36.920 --> 0:14:38.920
<v Speaker 1>answers our ad who isn't and they don't want to

0:14:38.920 --> 0:14:42.240
<v Speaker 1>say it. Those actors are so great, they are so great,

0:14:42.280 --> 0:14:44.920
<v Speaker 1>They are so great, and they're so excited to have Miranda.

0:14:45.000 --> 0:14:47.840
<v Speaker 1>They're so excited that it's Miranda. And Miranda looks just

0:14:48.280 --> 0:14:51.280
<v Speaker 1>radiant right every way because she's been chosen.

0:14:51.680 --> 0:14:53.680
<v Speaker 2>And the way Cynthia walks off at the end with

0:14:53.800 --> 0:14:55.880
<v Speaker 2>that kind of Oh good, she launts it with her

0:14:55.920 --> 0:14:56.880
<v Speaker 2>shoulders like.

0:14:56.840 --> 0:14:59.920
<v Speaker 1>She's owning it. Powerful. I mean, she was powerful for

0:15:00.160 --> 0:15:02.520
<v Speaker 1>the get go. She had to remind her she felt,

0:15:02.800 --> 0:15:07.080
<v Speaker 1>you know, I mean, but like even when she's like

0:15:07.200 --> 0:15:11.720
<v Speaker 1>her inner strength is so apparent. Oh yeah, and I

0:15:11.800 --> 0:15:12.800
<v Speaker 1>love it so much.

0:15:13.040 --> 0:15:15.400
<v Speaker 2>Well, do I remember that I always loved my Miranda,

0:15:15.480 --> 0:15:18.480
<v Speaker 2>Oh which I was so upset when those quizzes would

0:15:18.480 --> 0:15:20.680
<v Speaker 2>come out and everyone's like, I don't like Miranda.

0:15:20.720 --> 0:15:23.960
<v Speaker 1>It's like you, but that's me. I felt kind of

0:15:24.000 --> 0:15:24.800
<v Speaker 1>the same. Now.

0:15:25.440 --> 0:15:28.480
<v Speaker 2>Well no, thank god, thank god, thank god. But that

0:15:28.640 --> 0:15:30.520
<v Speaker 2>was a very hard you know, it's true.

0:15:30.560 --> 0:15:32.960
<v Speaker 1>I mean, people also thought Charlotte was. They would say

0:15:32.960 --> 0:15:34.640
<v Speaker 1>that I was boring and that it was a prude,

0:15:34.640 --> 0:15:36.680
<v Speaker 1>which is hysterical when you watch it back.

0:15:37.160 --> 0:15:39.600
<v Speaker 2>Hello, Hello, you were not having half the sex that

0:15:39.680 --> 0:15:40.160
<v Speaker 2>Charlotte was.

0:15:40.160 --> 0:15:42.360
<v Speaker 1>No, I was definitely no. I don't mean you, I

0:15:42.400 --> 0:15:47.320
<v Speaker 1>mean nobody but including myself. We're working on big time

0:15:47.360 --> 0:15:50.320
<v Speaker 1>working and I never was that, you know, she was

0:15:50.440 --> 0:15:55.320
<v Speaker 1>like out there, wow, in beect Miranda. Love that storyline,

0:15:55.960 --> 0:15:58.680
<v Speaker 1>really really love it so fun. But now help me understand.

0:15:58.960 --> 0:16:01.480
<v Speaker 1>At the dinner where we discussed it, when Charlotte's like,

0:16:01.520 --> 0:16:03.920
<v Speaker 1>this guy, once I have a threesome, what should I do?

0:16:04.440 --> 0:16:09.360
<v Speaker 1>And so Samantha's saying it's great, but don't be involved.

0:16:09.440 --> 0:16:13.520
<v Speaker 1>Be the guys start right, And then Carrie's saying, don't

0:16:13.520 --> 0:16:14.480
<v Speaker 1>do it if you don't want to do.

0:16:14.440 --> 0:16:17.840
<v Speaker 2>It right, and then being supportive and saying it's a thing,

0:16:17.920 --> 0:16:20.280
<v Speaker 2>but you don't don't don't feel compelled to do it?

0:16:20.440 --> 0:16:23.360
<v Speaker 1>Got it? And her storyline is more about the emotional

0:16:24.040 --> 0:16:27.640
<v Speaker 1>baggage of Big being married before and her knowing it. Yes, now,

0:16:27.680 --> 0:16:29.440
<v Speaker 1>can we discuss Big a little bit?

0:16:29.720 --> 0:16:32.200
<v Speaker 2>Let's please, let's because I.

0:16:34.120 --> 0:16:35.840
<v Speaker 1>You know, and some of these things made me laugh,

0:16:35.880 --> 0:16:40.200
<v Speaker 1>because you know, Charlotte was always pro Big, as we know, yes,

0:16:40.840 --> 0:16:44.800
<v Speaker 1>and I never questioned it. I feel that I also

0:16:45.160 --> 0:16:48.520
<v Speaker 1>was pro big. I don't remember ever having a thought

0:16:48.520 --> 0:16:51.040
<v Speaker 1>that wasn't pro big. I look back at it now

0:16:51.160 --> 0:16:55.520
<v Speaker 1>and the I'm like, why were we pro big? Oh?

0:16:55.960 --> 0:16:59.320
<v Speaker 2>It's a mess, yes, But in this I feel like

0:16:59.520 --> 0:17:02.840
<v Speaker 2>I am like the original Big defender?

0:17:02.960 --> 0:17:04.840
<v Speaker 1>Are you I do? Well?

0:17:04.880 --> 0:17:08.639
<v Speaker 2>I'll tell you why, because what we wanted to play

0:17:08.840 --> 0:17:10.840
<v Speaker 2>was and we've all had this person in our lives

0:17:11.080 --> 0:17:15.240
<v Speaker 2>at some point, this relationship where it's very the chemistry

0:17:15.280 --> 0:17:18.720
<v Speaker 2>is there. You're drawn to this person and they're just

0:17:19.440 --> 0:17:23.360
<v Speaker 2>unknowable and ungettable enough to keep you going towards them.

0:17:23.400 --> 0:17:25.320
<v Speaker 1>Well, listen, you guys wrote that perfectly.

0:17:25.440 --> 0:17:30.760
<v Speaker 2>Yeah, and Big, I think had he wanted to get

0:17:30.800 --> 0:17:34.000
<v Speaker 2>closer to her at certain times and he did right,

0:17:34.640 --> 0:17:38.120
<v Speaker 2>And so I think what we did well was portray

0:17:38.160 --> 0:17:40.760
<v Speaker 2>that kind of where you've got this banter, you've got

0:17:40.800 --> 0:17:43.760
<v Speaker 2>this kind of chemical desire to be with each other.

0:17:44.080 --> 0:17:47.760
<v Speaker 2>It's not necessarily the healthiest, but it wasn't as unhealthy

0:17:47.880 --> 0:17:48.679
<v Speaker 2>as I think people.

0:17:48.760 --> 0:17:49.200
<v Speaker 1>It was funny.

0:17:49.240 --> 0:17:52.919
<v Speaker 2>I was talking to my niece who's twenty four, and

0:17:52.960 --> 0:17:56.119
<v Speaker 2>she said, oh, Big, it's just a toxic bachelor, and

0:17:56.160 --> 0:17:58.480
<v Speaker 2>I was like, wow, I think that too. When I

0:17:58.520 --> 0:18:01.520
<v Speaker 2>look back, I guess maybe he was. And maybe I

0:18:01.560 --> 0:18:04.199
<v Speaker 2>have a soft spot for the TX. I mean, certainly

0:18:04.200 --> 0:18:06.679
<v Speaker 2>at the time I was dating that kind of we

0:18:06.880 --> 0:18:13.040
<v Speaker 2>all were. So I think we were all playing and

0:18:13.080 --> 0:18:17.679
<v Speaker 2>it was like dashing and ungettable, like you could almost

0:18:17.680 --> 0:18:20.840
<v Speaker 2>get him and then you couldn't. Yeah, but it's funny.

0:18:20.840 --> 0:18:23.240
<v Speaker 2>When Julia and Elisa came on, they were like, we

0:18:23.280 --> 0:18:25.959
<v Speaker 2>don't get Big, we don't get it, we don't understand it.

0:18:26.359 --> 0:18:28.480
<v Speaker 2>We like aiden, and I was like, this is great,

0:18:28.640 --> 0:18:30.520
<v Speaker 2>this is why this works. Well, we can be and

0:18:30.560 --> 0:18:34.000
<v Speaker 2>the writers are having that discussion the same way the

0:18:34.040 --> 0:18:36.520
<v Speaker 2>audience will feel and Carrie will feel.

0:18:37.000 --> 0:18:40.159
<v Speaker 1>Yeah yeah, yeah, yeah, Well that's good. That's helpful. That's helpful.

0:18:40.200 --> 0:18:42.320
<v Speaker 1>So that was your goal, and you guys really really

0:18:42.359 --> 0:18:44.840
<v Speaker 1>did it. Because the other thing that I love about

0:18:44.880 --> 0:18:47.080
<v Speaker 1>it though, is that you know, it's very much from

0:18:47.160 --> 0:18:50.360
<v Speaker 1>the female perspective, right, Like we are with Carrie, right,

0:18:50.400 --> 0:18:54.440
<v Speaker 1>so you know when Carrie's spinning, you know, I'm also spinning,

0:18:54.600 --> 0:18:57.359
<v Speaker 1>like what is going on with him? And sometimes his

0:18:57.480 --> 0:19:00.159
<v Speaker 1>actions don't match his words and she tries to get

0:19:00.240 --> 0:19:03.680
<v Speaker 1>him to talk and he doesn't talk? Why doesn't talk? Mean?

0:19:03.880 --> 0:19:07.320
<v Speaker 2>And such a good friend, like Charlotte was a really

0:19:07.440 --> 0:19:08.240
<v Speaker 2>good friend.

0:19:08.560 --> 0:19:10.400
<v Speaker 1>She still is, yeah, I.

0:19:10.320 --> 0:19:15.840
<v Speaker 2>Mean she she's there for these women at times where

0:19:15.920 --> 0:19:16.919
<v Speaker 2>other people might not be.

0:19:17.600 --> 0:19:19.440
<v Speaker 1>I mean, I think that's true for all four really

0:19:19.480 --> 0:19:22.080
<v Speaker 1>when you think about it. I mean sometimes Miranda does

0:19:22.280 --> 0:19:25.399
<v Speaker 1>actually say to Carrie like that dude is toxic, What

0:19:25.440 --> 0:19:27.040
<v Speaker 1>are you doing? Why are you going back? Or whatever?

0:19:27.119 --> 0:19:29.600
<v Speaker 1>You know, she's very's more blunt. She's like I'm going

0:19:29.640 --> 0:19:31.240
<v Speaker 1>to tell her what no one else is going to

0:19:31.280 --> 0:19:34.480
<v Speaker 1>tell her. And then Samantha is so non judgmental. Do

0:19:34.480 --> 0:19:36.239
<v Speaker 1>you know what I mean when in you know, the

0:19:36.240 --> 0:19:39.920
<v Speaker 1>best most powerful way, right, not like a lack of power,

0:19:40.000 --> 0:19:42.200
<v Speaker 1>like accepting a power like I'm not going to judge

0:19:42.200 --> 0:19:44.879
<v Speaker 1>you doing this exactly you do you? I want to

0:19:44.920 --> 0:19:46.920
<v Speaker 1>do me, this is what I do. I'm going to

0:19:47.000 --> 0:19:49.240
<v Speaker 1>do it. I'm not going to apologize, which is amazing.

0:19:49.840 --> 0:19:51.560
<v Speaker 1>And then Charlotte, God love her.

0:19:51.680 --> 0:19:55.359
<v Speaker 4>You know now that I'm looking back on it too, like,

0:19:55.680 --> 0:19:57.560
<v Speaker 4>I don't know what I was thinking at the time

0:19:57.680 --> 0:19:59.399
<v Speaker 4>other than that, you know, I want to make this

0:19:59.440 --> 0:20:01.359
<v Speaker 4>work and I want to fit in right like, which

0:20:01.400 --> 0:20:03.120
<v Speaker 4>is also what I think Charlotte was thinking.

0:20:03.359 --> 0:20:04.840
<v Speaker 1>But me as an actor, right like, I'm like, I'm

0:20:04.840 --> 0:20:06.919
<v Speaker 1>going to try to pull this off because I didn't

0:20:06.920 --> 0:20:09.439
<v Speaker 1>inside feel like I could pull off what they the

0:20:09.480 --> 0:20:12.480
<v Speaker 1>three of them who seem so powerful to me, you know,

0:20:12.560 --> 0:20:16.119
<v Speaker 1>I didn't feel that powerful, and yet she was and

0:20:16.160 --> 0:20:19.679
<v Speaker 1>it is yeah, really I do mean later maybe, but

0:20:20.160 --> 0:20:20.960
<v Speaker 1>not yet.

0:20:21.160 --> 0:20:24.800
<v Speaker 2>I think, like all of those characters, she went through

0:20:24.840 --> 0:20:27.800
<v Speaker 2>an evolution, and I think she she does find these

0:20:27.840 --> 0:20:31.560
<v Speaker 2>moments later on yeah, where she stands up and says,

0:20:31.640 --> 0:20:32.560
<v Speaker 2>this is strong.

0:20:32.480 --> 0:20:34.200
<v Speaker 1>No, you're right, You're right, right, for sure. For sure,

0:20:34.240 --> 0:20:36.119
<v Speaker 1>it takes a while, it takes what takes a while,

0:20:36.240 --> 0:20:38.680
<v Speaker 1>But I love the searching, and I do think that

0:20:38.680 --> 0:20:42.040
<v Speaker 1>that is really important. And there was a like later

0:20:42.119 --> 0:20:45.000
<v Speaker 1>on when she gets so didactic, right, and like tray

0:20:45.040 --> 0:20:49.920
<v Speaker 1>is it? You know, she can get lost in her fantasy,

0:20:50.000 --> 0:20:52.800
<v Speaker 1>you know, which I think is obviously so relatable. But

0:20:52.840 --> 0:20:55.720
<v Speaker 1>my question in terms of Carrie and Big, because we've

0:20:55.760 --> 0:21:01.560
<v Speaker 1>got Carrie, she's obviously so brilliant, so amazing, got so

0:21:01.680 --> 0:21:04.280
<v Speaker 1>much going on, right, But then, like you know, even

0:21:04.400 --> 0:21:06.359
<v Speaker 1>Valley of the twenty something guys, you know, she's just like,

0:21:06.400 --> 0:21:07.760
<v Speaker 1>I don't know, I need to be kissed. You know,

0:21:07.960 --> 0:21:10.520
<v Speaker 1>she goes that weird hole in the wall bar. You're

0:21:10.600 --> 0:21:13.680
<v Speaker 1>just like, where are we going? What is? It?

0:21:13.720 --> 0:21:13.840
<v Speaker 2>Was?

0:21:14.000 --> 0:21:15.680
<v Speaker 1>For sure a hole in the wall bar? Is I

0:21:15.760 --> 0:21:18.160
<v Speaker 1>mean it's insane, Like I don't even think those places

0:21:18.200 --> 0:21:20.720
<v Speaker 1>exist anymore? Right, And then she goes, I mean, who

0:21:20.720 --> 0:21:23.720
<v Speaker 1>wouldn't want to kiss him at the elephant? He's adorable, right,

0:21:23.960 --> 0:21:25.400
<v Speaker 1>And then she goes and then she wakes up there's

0:21:25.400 --> 0:21:27.400
<v Speaker 1>no toilet paper, and you know what happens, And then

0:21:27.440 --> 0:21:29.199
<v Speaker 1>Big is still there and the thing that I do

0:21:29.280 --> 0:21:32.520
<v Speaker 1>see about Big, and definitely like the justin Throw character

0:21:32.560 --> 0:21:34.480
<v Speaker 1>comes after that, and he's like, kind of ick, but

0:21:34.560 --> 0:21:35.960
<v Speaker 1>he's just in Throw, so I kind of like it.

0:21:36.000 --> 0:21:38.520
<v Speaker 1>But he's also kind of ick, right, But she's like, ah,

0:21:38.600 --> 0:21:40.879
<v Speaker 1>he's got his arms around me and you're very weird

0:21:40.960 --> 0:21:42.840
<v Speaker 1>and you went on a date with that woman that's

0:21:42.840 --> 0:21:46.160
<v Speaker 1>the episode before this. But then she ends up giving

0:21:46.160 --> 0:21:48.439
<v Speaker 1>Big another chance. Every time, right, she tries to get

0:21:48.480 --> 0:21:51.600
<v Speaker 1>him to communicate. He doesn't really communicate, but he also tries,

0:21:51.680 --> 0:21:53.560
<v Speaker 1>like he shows up to the park in the middle

0:21:53.560 --> 0:21:55.840
<v Speaker 1>of the night and the last up yeah, and then

0:21:56.040 --> 0:21:58.520
<v Speaker 1>this time he just very blithely says, you know, yeah,

0:21:58.520 --> 0:21:59.879
<v Speaker 1>I was married before and you could see her just

0:21:59.920 --> 0:22:02.439
<v Speaker 1>like huh, like to her, this kind of stuff is

0:22:02.560 --> 0:22:06.840
<v Speaker 1>super important. Information, right, is very important. And the last

0:22:06.880 --> 0:22:10.000
<v Speaker 1>episode two is when they go to that party and

0:22:10.040 --> 0:22:12.440
<v Speaker 1>that girl kisses him. He's like, you've got my passport,

0:22:12.840 --> 0:22:15.639
<v Speaker 1>and then the other guy introduces Carrie with by another

0:22:15.760 --> 0:22:19.159
<v Speaker 1>name it must be Julia or whatever. She's like, you

0:22:19.200 --> 0:22:22.000
<v Speaker 1>know how you know, and we Big never says what

0:22:22.080 --> 0:22:23.000
<v Speaker 1>he's actually doing.

0:22:23.840 --> 0:22:27.320
<v Speaker 2>I will say this though, tell me it was the nineties.

0:22:27.359 --> 0:22:30.600
<v Speaker 2>It was a longish time ago now, and I think

0:22:31.560 --> 0:22:35.080
<v Speaker 2>a lot has happened with how men communicate now.

0:22:34.960 --> 0:22:36.040
<v Speaker 1>You do, I do.

0:22:36.240 --> 0:22:39.360
<v Speaker 2>I think there's much more pressure, and I think men

0:22:39.400 --> 0:22:41.960
<v Speaker 2>have risen. A lot of guys have risen to younger

0:22:41.960 --> 0:22:45.400
<v Speaker 2>guys have risen to the occasion and know that they

0:22:45.440 --> 0:22:48.920
<v Speaker 2>need to be communicative. Okay, But I would say back then,

0:22:49.560 --> 0:22:52.359
<v Speaker 2>I didn't know that many men, certainly that I was dating,

0:22:52.480 --> 0:22:54.959
<v Speaker 2>or that I knew who would want to have a like,

0:22:55.240 --> 0:22:59.520
<v Speaker 2>have a real conversation about the relationship, got it, because

0:22:59.560 --> 0:23:01.399
<v Speaker 2>that would been like, what why is you?

0:23:01.560 --> 0:23:02.320
<v Speaker 1>Why do you want to talk?

0:23:02.359 --> 0:23:06.040
<v Speaker 2>So like it was still a time where men saying

0:23:06.160 --> 0:23:07.920
<v Speaker 2>less was sexy and not withholding.

0:23:08.200 --> 0:23:08.760
<v Speaker 1>Interesting.

0:23:08.880 --> 0:23:12.560
<v Speaker 2>Now we all learned that was withholding, But at the time,

0:23:12.920 --> 0:23:15.680
<v Speaker 2>men weren't. You weren't having those kind of conversations.

0:23:15.680 --> 0:23:17.520
<v Speaker 1>I never had any of the thoughts that I'm having

0:23:17.560 --> 0:23:20.639
<v Speaker 1>now then, And so I helped explain that. Yeah, Like

0:23:20.760 --> 0:23:22.720
<v Speaker 1>I was just like, of course she would one of

0:23:22.760 --> 0:23:25.720
<v Speaker 1>you with him because he has so much going on

0:23:25.880 --> 0:23:30.840
<v Speaker 1>and intelligent and successful, and she is intelligent and successful,

0:23:30.840 --> 0:23:32.800
<v Speaker 1>and she could do the crossword puzzle. You know that

0:23:32.880 --> 0:23:34.720
<v Speaker 1>he's doing. You know what I'm saying, Like there were

0:23:34.840 --> 0:23:38.800
<v Speaker 1>certain things that I could definitely understand, right, And obviously

0:23:38.840 --> 0:23:42.399
<v Speaker 1>the chemistry obviously, but I also feel like sir Justsica's

0:23:42.440 --> 0:23:45.400
<v Speaker 1>chemistry was like every man that you know, you guys

0:23:45.400 --> 0:23:47.280
<v Speaker 1>put in front of her, but he made her feel

0:23:47.320 --> 0:23:48.720
<v Speaker 1>something different. For sure. It was different.

0:23:48.800 --> 0:23:51.520
<v Speaker 2>She felt early and she felt off kilter, which I

0:23:51.520 --> 0:23:53.960
<v Speaker 2>think for some women like that good point. They like

0:23:54.040 --> 0:23:58.240
<v Speaker 2>that because it makes them feel like, oh, this is different.

0:23:58.480 --> 0:24:01.200
<v Speaker 2>I don't know what is the right. I don't want

0:24:01.240 --> 0:24:02.800
<v Speaker 2>to be in charge all the time. I want this

0:24:02.880 --> 0:24:05.760
<v Speaker 2>guy to That's so good. Now that's not necessarily healthy, right,

0:24:05.760 --> 0:24:07.440
<v Speaker 2>but that's a good But she did end up marrying

0:24:07.480 --> 0:24:11.040
<v Speaker 2>him so later after many chapters.

0:24:11.400 --> 0:24:15.560
<v Speaker 1>Yes, and they they also I feel too if I

0:24:15.600 --> 0:24:17.840
<v Speaker 1>look at the whole thing, and I mean, we'll see

0:24:17.840 --> 0:24:21.399
<v Speaker 1>as we go, right, but as much. And this was

0:24:21.440 --> 0:24:24.320
<v Speaker 1>so funny looking back at the first season. She tries

0:24:24.480 --> 0:24:27.960
<v Speaker 1>so hard to get into communicating, I mean so hard,

0:24:28.240 --> 0:24:33.520
<v Speaker 1>and he doesn't not but he also doesn't fully communicate,

0:24:33.520 --> 0:24:35.520
<v Speaker 1>like at the end of the episode before this, and

0:24:35.560 --> 0:24:37.480
<v Speaker 1>she says, they just want to stand still with you,

0:24:38.000 --> 0:24:41.080
<v Speaker 1>and he doesn't really answer her, but he puts his.

0:24:41.040 --> 0:24:43.800
<v Speaker 2>Arm dunder and stay yes and That's what I think

0:24:43.800 --> 0:24:46.320
<v Speaker 2>you have to look at is he's not a talker, right,

0:24:46.400 --> 0:24:51.679
<v Speaker 2>He's a doer, right. And look, Aiden was there for

0:24:51.720 --> 0:24:54.159
<v Speaker 2>her talk to her, and it wasn't.

0:24:54.040 --> 0:24:57.159
<v Speaker 1>Right because he didn't really get her, right. And I

0:24:57.200 --> 0:24:59.440
<v Speaker 1>remember the engagement ring, right.

0:24:59.760 --> 0:25:01.639
<v Speaker 2>Yeah, I mean that was such a great that was

0:25:01.680 --> 0:25:04.080
<v Speaker 2>a great episode in it and kind of a great

0:25:04.520 --> 0:25:08.760
<v Speaker 2>thematically like, oh my god, you didn't get me, You've

0:25:08.880 --> 0:25:10.879
<v Speaker 2>never gotten me, right, And I do think that somebody's

0:25:10.880 --> 0:25:14.600
<v Speaker 2>big daughter. Yes, he just wasn't communicating.

0:25:14.040 --> 0:25:16.879
<v Speaker 1>Right, He wasn't He wasn't skilled in that, yeah, But

0:25:16.960 --> 0:25:19.399
<v Speaker 1>he was a doer. That's this is good, Jenny.

0:25:19.480 --> 0:25:21.639
<v Speaker 2>This is I'm not saying anyone should be with a

0:25:21.720 --> 0:25:22.160
<v Speaker 2>mister pick.

0:25:22.160 --> 0:25:24.440
<v Speaker 1>I'm just telling you our thought process. And I mean,

0:25:24.480 --> 0:25:26.520
<v Speaker 1>I do think it's important to think about the timing.

0:25:26.560 --> 0:25:29.359
<v Speaker 1>And that's why it's interesting to do this rewatch now, right,

0:25:29.560 --> 0:25:31.520
<v Speaker 1>because so many things have changed and so many things

0:25:31.560 --> 0:25:34.880
<v Speaker 1>haven't changed, right. So, like even for myself, and obviously

0:25:34.960 --> 0:25:37.160
<v Speaker 1>I was much much younger then, right, So I never

0:25:37.240 --> 0:25:39.919
<v Speaker 1>had any of these thoughts. Then I would read the script.

0:25:40.000 --> 0:25:42.280
<v Speaker 1>I would be just be like, of course she wants big, right.

0:25:43.080 --> 0:25:46.240
<v Speaker 1>I never thought like he's withholding never entered my mind,

0:25:46.560 --> 0:25:47.120
<v Speaker 1>you know what I mean.

0:25:47.200 --> 0:25:48.760
<v Speaker 2>I don't even think we use that word in the

0:25:48.760 --> 0:25:51.760
<v Speaker 2>writer's I think we just interesting knew that he was

0:25:52.119 --> 0:25:55.439
<v Speaker 2>currently a little at arm's length with her, but she

0:25:55.720 --> 0:25:58.480
<v Speaker 2>liked it. Yeah, and that's what we were We's what

0:25:58.520 --> 0:25:59.119
<v Speaker 2>we were playing.

0:25:59.359 --> 0:26:03.760
<v Speaker 1>That's important. That's important context. Thank you, Jenny, so weld

0:26:04.000 --> 0:26:09.400
<v Speaker 1>of it. Okay, now here we go, we've got montage

0:26:09.440 --> 0:26:15.000
<v Speaker 1>of threesomes. We also stopped doing montages soon. I mean,

0:26:15.200 --> 0:26:18.760
<v Speaker 1>it's so kind of funny how the different things that

0:26:18.800 --> 0:26:21.199
<v Speaker 1>we did, you know, and I do remember that. It's

0:26:21.280 --> 0:26:23.879
<v Speaker 1>like production wise, that was a challenge, Yeah, because you

0:26:23.920 --> 0:26:26.119
<v Speaker 1>had to get all these different people rounded up, you

0:26:26.200 --> 0:26:26.680
<v Speaker 1>know what I mean.

0:26:26.840 --> 0:26:29.200
<v Speaker 2>And especially as time went on with the show and

0:26:29.240 --> 0:26:31.919
<v Speaker 2>the show became more popular, when the people who blessed

0:26:31.920 --> 0:26:32.720
<v Speaker 2>them would come and do.

0:26:32.720 --> 0:26:33.600
<v Speaker 1>This, they were nervous.

0:26:33.640 --> 0:26:35.560
<v Speaker 2>They were like, I'm on Sex and the City and

0:26:35.600 --> 0:26:37.280
<v Speaker 2>I have one line and I have to get it

0:26:37.359 --> 0:26:39.680
<v Speaker 2>right or I need to walk my dog from here

0:26:39.720 --> 0:26:40.000
<v Speaker 2>to hear.

0:26:40.359 --> 0:26:44.480
<v Speaker 1>And yeah, you feel for them, so so funny. Okay,

0:26:44.520 --> 0:26:46.960
<v Speaker 1>we have this very kind of funny storyline of Samantha

0:26:47.200 --> 0:26:49.560
<v Speaker 1>sleeping with the married guy, which I also feel now

0:26:49.800 --> 0:26:52.520
<v Speaker 1>would not really happen like this in a show, no,

0:26:53.080 --> 0:26:56.040
<v Speaker 1>because it would not really be like, oh haha, isn't

0:26:56.080 --> 0:26:57.720
<v Speaker 1>that funny? Do you know what I mean? It would

0:26:57.720 --> 0:27:00.639
<v Speaker 1>be like that's gross and he's just talking guy's wife

0:27:00.680 --> 0:27:02.800
<v Speaker 1>just all the time, right off the bat. Yeah, like

0:27:02.840 --> 0:27:03.760
<v Speaker 1>my wife won't do this.

0:27:05.400 --> 0:27:09.320
<v Speaker 2>I mean, it's bizarre, but she doesn't care. No, I mean,

0:27:09.480 --> 0:27:13.679
<v Speaker 2>you know, it's all fair game. I know it's super interesting.

0:27:13.800 --> 0:27:17.680
<v Speaker 1>I mean, was there any pause in the writer's room

0:27:17.800 --> 0:27:20.359
<v Speaker 1>about Samantha in general?

0:27:20.400 --> 0:27:27.280
<v Speaker 2>About Samantha, No, I mean not in any big way.

0:27:27.320 --> 0:27:31.280
<v Speaker 2>I mean sometimes we would talk about storylines that weren't her,

0:27:31.440 --> 0:27:34.119
<v Speaker 2>even if they were wild. You know, she still had

0:27:34.200 --> 0:27:38.480
<v Speaker 2>her morals and she still had her ego. But no,

0:27:39.240 --> 0:27:44.280
<v Speaker 2>you know, we knew she was the she was the id, right,

0:27:44.440 --> 0:27:46.280
<v Speaker 2>Like she was the one just going out there and

0:27:46.840 --> 0:27:49.840
<v Speaker 2>doing it and owning it, which and.

0:27:49.760 --> 0:27:51.240
<v Speaker 1>You guys were just like, we're doing it and we

0:27:51.240 --> 0:27:52.680
<v Speaker 1>don't care what anyone says.

0:27:53.000 --> 0:27:55.720
<v Speaker 2>Yeah, I mean there was definitely there was pushback and blowback,

0:27:55.800 --> 0:27:58.680
<v Speaker 2>not not internally, but you know, once the show started airing,

0:27:58.720 --> 0:28:01.080
<v Speaker 2>and of course everyone said, that's not a woman, that's

0:28:01.080 --> 0:28:06.439
<v Speaker 2>a gay man. Right, which is so rude and and

0:28:06.720 --> 0:28:09.640
<v Speaker 2>so of the time as well. Right, like a woman

0:28:09.640 --> 0:28:14.040
<v Speaker 2>who owns her sexuality doesn't exist. Therefore, this is a man,

0:28:14.200 --> 0:28:15.560
<v Speaker 2>and this is a gay man. Why is it a

0:28:15.560 --> 0:28:17.440
<v Speaker 2>gay man? Why isn't it just a man? By the way?

0:28:17.840 --> 0:28:21.440
<v Speaker 1>Rude on a bun. But no, we knew she was the.

0:28:21.359 --> 0:28:25.200
<v Speaker 2>One we could rely on to go and and enjoy

0:28:25.840 --> 0:28:28.360
<v Speaker 2>life and make mistakes along the way because of it,

0:28:28.840 --> 0:28:30.640
<v Speaker 2>you know, fall on her face because of it. But

0:28:30.720 --> 0:28:35.280
<v Speaker 2>she she wanted to enjoy everything that life had to offer, which.

0:28:35.080 --> 0:28:37.480
<v Speaker 1>Is amazing to think about it. It's amazing that there

0:28:37.520 --> 0:28:41.000
<v Speaker 1>just aren't I mean even still now, it's not a

0:28:41.120 --> 0:28:42.760
<v Speaker 1>character that you see a lot. Now.

0:28:42.800 --> 0:28:45.640
<v Speaker 2>I think that character would be judged more like in

0:28:45.680 --> 0:28:48.720
<v Speaker 2>a weird way, right, Like it would be like, oh,

0:28:48.720 --> 0:28:50.440
<v Speaker 2>what a slut? Right?

0:28:50.680 --> 0:28:53.720
<v Speaker 1>I don't know. I don't know what the young people think.

0:28:53.840 --> 0:28:55.960
<v Speaker 2>If they're not half as much sex as she did,

0:28:56.080 --> 0:28:57.920
<v Speaker 2>they're not, this is what I hear.

0:28:58.160 --> 0:28:59.760
<v Speaker 1>I don't know. I hear tell you to find out,

0:28:59.840 --> 0:29:02.040
<v Speaker 1>Can you guys come on the Instagram and tell me? Yes,

0:29:02.920 --> 0:29:04.280
<v Speaker 1>we will come on the Instagram.

0:29:05.360 --> 0:29:07.360
<v Speaker 2>We will come on the machine and put it in there.

0:29:08.400 --> 0:29:10.840
<v Speaker 1>Yes, because it is really interesting to think about. Like,

0:29:10.880 --> 0:29:12.480
<v Speaker 1>on the one hand, I feel like at a certain

0:29:12.480 --> 0:29:15.680
<v Speaker 1>point there was like do what you're into, feel free,

0:29:15.920 --> 0:29:18.120
<v Speaker 1>But then I don't know if that really panned out.

0:29:19.920 --> 0:29:22.240
<v Speaker 2>I'd like to think it made some changes. And I

0:29:22.240 --> 0:29:25.160
<v Speaker 2>think certainly women own their sexuality more now you too,

0:29:25.240 --> 0:29:27.560
<v Speaker 2>But I'm not sure that people are literally having as

0:29:27.600 --> 0:29:29.760
<v Speaker 2>much sex male or female.

0:29:29.880 --> 0:29:31.880
<v Speaker 1>I mean, what happened with the apps, wasn't the app

0:29:31.920 --> 0:29:33.560
<v Speaker 1>weren't the apps supposed to help you if that's what

0:29:33.600 --> 0:29:34.800
<v Speaker 1>you wanted to Yes.

0:29:34.720 --> 0:29:36.880
<v Speaker 2>And I think they do, Okay, but I don't think

0:29:36.880 --> 0:29:41.040
<v Speaker 2>people are are are so free, yeah, feeling so free,

0:29:41.440 --> 0:29:44.280
<v Speaker 2>so free or so yeah, but this is something that

0:29:44.280 --> 0:29:48.080
<v Speaker 2>we should investigate. I think we should investigate magnifying glass

0:29:48.400 --> 0:29:50.360
<v Speaker 2>and walk around like her cute parole.

0:29:50.480 --> 0:29:52.520
<v Speaker 1>It's like, how much sex are you? You have a

0:29:52.560 --> 0:29:55.080
<v Speaker 1>question on a sexual around? I have questions? Right, And

0:29:55.520 --> 0:29:58.680
<v Speaker 1>Kristin let her know. Should we ask esther perel? I

0:29:58.720 --> 0:30:00.880
<v Speaker 1>love esther Perell? Ask her right?

0:30:01.120 --> 0:30:02.080
<v Speaker 2>You should have her on the show.

0:30:02.160 --> 0:30:03.280
<v Speaker 1>We should have her on the show.

0:30:03.280 --> 0:30:04.200
<v Speaker 2>We should have done her.

0:30:04.320 --> 0:30:06.840
<v Speaker 1>Oh my god, that would be amazing. Okay, cool, let's

0:30:06.880 --> 0:30:09.880
<v Speaker 1>keep going with our with our rewatch. Okay, the therapy. We

0:30:09.920 --> 0:30:13.200
<v Speaker 1>already touched on this. That guy is adorable. And also

0:30:13.240 --> 0:30:15.960
<v Speaker 1>it's just very funny to me that Miranda, out of

0:30:15.960 --> 0:30:18.800
<v Speaker 1>all of us, is the one in therapy. Yeah, it's hysterical.

0:30:19.160 --> 0:30:21.360
<v Speaker 2>She was, you know, trying to figure it out.

0:30:21.880 --> 0:30:28.920
<v Speaker 1>We all were absolutely right. And then Carrie timid or

0:30:28.960 --> 0:30:32.360
<v Speaker 1>bad exactly exactly. I mean, you know, in the beginning

0:30:32.480 --> 0:30:36.400
<v Speaker 1>Charlotte's maybe she like, she just asked questions, should I

0:30:36.400 --> 0:30:37.320
<v Speaker 1>do this? Should not do this?

0:30:37.480 --> 0:30:40.200
<v Speaker 2>Carrie did go to therapy though, when she met Bonchovi.

0:30:41.080 --> 0:30:44.640
<v Speaker 2>What you probably don't remember this episode? I wrote, games

0:30:44.680 --> 0:30:47.760
<v Speaker 2>people play, games, people play? She went, she met him

0:30:47.800 --> 0:30:49.760
<v Speaker 2>in the waiting room of her therapists.

0:30:49.840 --> 0:30:51.160
<v Speaker 1>Why did she go to therapy?

0:30:51.480 --> 0:30:54.120
<v Speaker 2>She needed some therapy, she needed to talk some stuff through.

0:30:54.280 --> 0:30:59.840
<v Speaker 1>Well, for sure, I don't remember this too. And John

0:31:00.120 --> 0:31:01.360
<v Speaker 1>Joey comes in season two.

0:31:04.560 --> 0:31:07.080
<v Speaker 2>We have some wild guest stars along the way.

0:31:08.000 --> 0:31:10.560
<v Speaker 1>Job but I would have said season six, no, I

0:31:10.640 --> 0:31:13.479
<v Speaker 1>know on Earth, Oh my god, I can't wait till

0:31:13.520 --> 0:31:15.040
<v Speaker 1>we get to let us morn. Oh my god?

0:31:15.200 --> 0:31:18.600
<v Speaker 2>How about a Lettis Morris said, I know so much

0:31:18.600 --> 0:31:20.920
<v Speaker 2>fun working with Like, how lucky was I I just

0:31:20.960 --> 0:31:25.800
<v Speaker 2>remember coming to watch that day because Sarah was so nervous,

0:31:25.920 --> 0:31:26.800
<v Speaker 2>Oh my god.

0:31:26.680 --> 0:31:29.920
<v Speaker 1>And I was like scared, but I don't think I

0:31:29.960 --> 0:31:33.400
<v Speaker 1>talked to her. I was too scared, too scared. She

0:31:33.520 --> 0:31:35.640
<v Speaker 1>was a very big choice for a big deal, I

0:31:35.680 --> 0:31:49.360
<v Speaker 1>mean huge deal. Okay, let's talk about Big and the

0:31:49.440 --> 0:31:52.080
<v Speaker 1>wife X wife. Yeah, let's talk about this because it's

0:31:52.120 --> 0:31:54.840
<v Speaker 1>super interesting to me. And I did not really remember

0:31:54.840 --> 0:31:55.880
<v Speaker 1>this so much.

0:31:55.720 --> 0:31:58.840
<v Speaker 2>And it's something we you know, we introduced it and

0:31:58.840 --> 0:32:00.440
<v Speaker 2>then we never bring our again.

0:32:00.520 --> 0:32:03.280
<v Speaker 1>I know, just kind of fascinated. It's kind of nuts.

0:32:03.760 --> 0:32:08.720
<v Speaker 2>And that also rewatching. I remember that not only did

0:32:08.800 --> 0:32:11.040
<v Speaker 2>he not say it an ex wife, but the ex

0:32:11.080 --> 0:32:14.640
<v Speaker 2>wife doesn't tell Carrie that she knows that Carrie's dating Big.

0:32:14.720 --> 0:32:16.400
<v Speaker 1>There's a lot of secrecy, which was.

0:32:16.400 --> 0:32:19.000
<v Speaker 2>Really interesting because she seems so kind of open.

0:32:19.520 --> 0:32:22.400
<v Speaker 1>But she says to her at the lunch that they

0:32:22.440 --> 0:32:25.760
<v Speaker 1>have after Carrie's pitched her book that she doesn't actually

0:32:25.800 --> 0:32:29.280
<v Speaker 1>have right, She says, are you seeing anyone? And I

0:32:29.440 --> 0:32:32.040
<v Speaker 1>did think that that actress Noel, I believe it is

0:32:32.080 --> 0:32:34.719
<v Speaker 1>her game played it so well because I thought, does

0:32:34.760 --> 0:32:35.080
<v Speaker 1>she know?

0:32:35.880 --> 0:32:36.080
<v Speaker 2>Right?

0:32:36.280 --> 0:32:40.360
<v Speaker 1>Does she know? And she did, but she played it off. Now,

0:32:40.400 --> 0:32:43.560
<v Speaker 1>what do you think in terms of my producers were like,

0:32:44.240 --> 0:32:46.640
<v Speaker 1>why is Big still friends with his ex wife? And

0:32:46.720 --> 0:32:49.240
<v Speaker 1>I was like, why wouldn't they be? Right? They could

0:32:49.240 --> 0:32:52.239
<v Speaker 1>be friends right also because he cheated on her, but

0:32:52.320 --> 0:32:54.400
<v Speaker 1>he kind of is who he is and that way

0:32:54.400 --> 0:32:57.320
<v Speaker 1>that we were talking about, right, I mean, it doesn't

0:32:57.320 --> 0:32:59.040
<v Speaker 1>shock me, especially because they say it was a long

0:32:59.080 --> 0:33:02.040
<v Speaker 1>time ago, so that means in his twenties or something, right,

0:33:02.440 --> 0:33:05.400
<v Speaker 1>And then she's so beautiful and accomplished. I mean, it

0:33:05.440 --> 0:33:07.520
<v Speaker 1>makes so much sense in so many ways, especially because

0:33:07.520 --> 0:33:07.760
<v Speaker 1>we know.

0:33:07.720 --> 0:33:11.280
<v Speaker 2>Him's also going to carry hung yes just special Olympics,

0:33:11.320 --> 0:33:12.440
<v Speaker 2>Like what can't she do?

0:33:12.520 --> 0:33:14.760
<v Speaker 1>And we know she he's going to marry another very

0:33:14.760 --> 0:33:17.320
<v Speaker 1>beautiful brute, you know what I mean, So it makes

0:33:17.600 --> 0:33:21.480
<v Speaker 1>it tracks right, right tracks. But I loved the inner

0:33:21.480 --> 0:33:24.440
<v Speaker 1>play between Carrie and the ex wife in terms of

0:33:24.960 --> 0:33:26.800
<v Speaker 1>they love each other, they have they hit it off,

0:33:27.280 --> 0:33:29.440
<v Speaker 1>you know, and I love Carrie. I mean she does

0:33:29.520 --> 0:33:34.800
<v Speaker 1>kind of have like a how to put it, it's

0:33:34.880 --> 0:33:37.880
<v Speaker 1>like kind of manipulative. I don't know how to put it,

0:33:38.000 --> 0:33:40.520
<v Speaker 1>but like it reminded me also and just like that

0:33:40.760 --> 0:33:43.080
<v Speaker 1>after Big has died. Sorry if I'm giving anything away

0:33:43.080 --> 0:33:48.440
<v Speaker 1>to sure, you know, but in case you don't. Later

0:33:48.560 --> 0:33:55.240
<v Speaker 1>on Big Dies. But spoiler alert terrible. I'm really sorry.

0:33:55.280 --> 0:33:57.360
<v Speaker 1>I'm really sorry we'll have to put like a spoiler alert.

0:33:57.440 --> 0:34:01.720
<v Speaker 1>But do you remember when Carrie to go find Natasha

0:34:01.800 --> 0:34:05.280
<v Speaker 1>BIG's other ex wife, Yes, and secretly goes down there

0:34:05.320 --> 0:34:08.160
<v Speaker 1>and we're all with her to support her. It reminded

0:34:08.200 --> 0:34:12.360
<v Speaker 1>me so much of that. It's so fascinating how specific

0:34:12.400 --> 0:34:14.440
<v Speaker 1>the characters are. And I don't know if Michael Patrick

0:34:14.520 --> 0:34:17.040
<v Speaker 1>was thinking back or not thinking back, like are they

0:34:17.160 --> 0:34:20.360
<v Speaker 1>is it conscious decisions? Like it's like when I sleep

0:34:20.400 --> 0:34:22.960
<v Speaker 1>with that hasidic Jewish artist.

0:34:23.640 --> 0:34:27.839
<v Speaker 2>What a what a precursor, the total precursor, right, But

0:34:27.920 --> 0:34:28.839
<v Speaker 2>did we know that?

0:34:28.920 --> 0:34:29.680
<v Speaker 1>I don't think we.

0:34:30.120 --> 0:34:33.040
<v Speaker 2>Thought of that as a precursor. Like I'd love to

0:34:33.080 --> 0:34:35.560
<v Speaker 2>say we were that smart that we were like, hey, I.

0:34:35.520 --> 0:34:39.000
<v Speaker 1>Don't, let's bring it back around. I just think the DNA. Yeah,

0:34:39.120 --> 0:34:42.360
<v Speaker 1>with the characters were like specific and alive, do you

0:34:42.440 --> 0:34:44.360
<v Speaker 1>know what I mean? And still are in a really

0:34:44.400 --> 0:34:48.200
<v Speaker 1>odd way. It's fascinating to me. Anyway. I loved this

0:34:48.200 --> 0:34:50.520
<v Speaker 1>this ex wife because I love the dynamic between the

0:34:50.560 --> 0:34:53.080
<v Speaker 1>two women carry and the ex wife, and then I

0:34:53.160 --> 0:34:55.720
<v Speaker 1>love that when Carrie goes back to him, she doesn't

0:34:55.719 --> 0:34:57.680
<v Speaker 1>really tell him, and he's like, what's wrong, which is

0:34:57.719 --> 0:35:00.640
<v Speaker 1>actually pretty topful of him, right, And then she says,

0:35:00.719 --> 0:35:02.919
<v Speaker 1>you know, and then he he didn't know. She doesn't

0:35:02.960 --> 0:35:04.680
<v Speaker 1>even say. He goes, I didn't say about my ex

0:35:04.680 --> 0:35:06.960
<v Speaker 1>wife because it was a long time ago. No, no, and

0:35:07.000 --> 0:35:08.920
<v Speaker 1>then she tries to get more info when he's like

0:35:09.000 --> 0:35:11.640
<v Speaker 1>kind of halfway giving it as he does. And then

0:35:11.920 --> 0:35:14.120
<v Speaker 1>they get in bed and the ex wife is there,

0:35:14.160 --> 0:35:16.920
<v Speaker 1>and Carrie says her voiceover about you.

0:35:16.880 --> 0:35:19.560
<v Speaker 2>Know, you're never alone in the bed because there's always

0:35:19.560 --> 0:35:22.800
<v Speaker 2>something that's been there before you exactly, which.

0:35:22.600 --> 0:35:26.480
<v Speaker 1>Is good, right, Jenny, Oh my god, is not brilliant? Right, yes, no,

0:35:26.600 --> 0:35:26.960
<v Speaker 1>you know what.

0:35:27.080 --> 0:35:29.120
<v Speaker 2>It was a theme that worked really well because it

0:35:29.160 --> 0:35:32.879
<v Speaker 2>really was about how when you're in your thirties, it's

0:35:32.880 --> 0:35:35.080
<v Speaker 2>not your first relationship, it's not your first time at

0:35:35.080 --> 0:35:37.880
<v Speaker 2>the rodeo. They're gonna be people are coming with their baggage,

0:35:37.920 --> 0:35:39.640
<v Speaker 2>and some of that baggage can be an ex wife

0:35:39.760 --> 0:35:42.680
<v Speaker 2>or god knows what else, and you have to there's

0:35:42.680 --> 0:35:44.719
<v Speaker 2>always going to be someone there before you.

0:35:44.719 --> 0:35:49.120
<v Speaker 1>You're not the first in no, and I mean, thank god, really,

0:35:49.360 --> 0:35:55.080
<v Speaker 1>thank god, thank god. You a lot of work.

0:35:55.120 --> 0:35:56.960
<v Speaker 2>But then there's a lot of work to you know,

0:35:57.160 --> 0:35:57.720
<v Speaker 2>take all.

0:35:57.600 --> 0:36:01.520
<v Speaker 1>The out I mean, especially they're not working on it. Yeah,

0:36:01.600 --> 0:36:03.399
<v Speaker 1>I think that's the thing. But she doesn't really say

0:36:03.400 --> 0:36:06.040
<v Speaker 1>that because I mean she's obviously Carrie's also not that

0:36:06.120 --> 0:36:08.160
<v Speaker 1>worked out. This I was gonna say.

0:36:08.239 --> 0:36:11.080
<v Speaker 2>I would argue too, maybe this is incendiary to say.

0:36:11.280 --> 0:36:14.920
<v Speaker 2>I think Carrie is a little withholding herself, like, oh,

0:36:14.960 --> 0:36:18.160
<v Speaker 2>I think with with with big Like, I don't think

0:36:18.200 --> 0:36:21.200
<v Speaker 2>she wants to show how much she's falling for him.

0:36:21.239 --> 0:36:22.320
<v Speaker 1>I don't think she wants.

0:36:22.360 --> 0:36:26.399
<v Speaker 2>I think she's she's trying to be I'm cool, I'm here.

0:36:26.880 --> 0:36:29.200
<v Speaker 1>That's what I see her do in the first couple, right,

0:36:29.520 --> 0:36:32.360
<v Speaker 1>she like especially with the Justin Threaux character, you know,

0:36:33.000 --> 0:36:35.040
<v Speaker 1>she doesn't she sees him on this date, which I

0:36:35.080 --> 0:36:37.880
<v Speaker 1>think totally doesn't make sense. I'm with Carrie on that, Like, right,

0:36:37.920 --> 0:36:40.520
<v Speaker 1>they've had this like incredible eight days together. She doesn't

0:36:40.520 --> 0:36:43.279
<v Speaker 1>even talk to us her friends, and then she goes

0:36:43.320 --> 0:36:45.279
<v Speaker 1>out with us on the first night she doesn't have him,

0:36:45.280 --> 0:36:47.280
<v Speaker 1>and there he is with a woman I would be

0:36:47.480 --> 0:36:51.880
<v Speaker 1>way mad and very convenient anfused. But then he does

0:36:51.920 --> 0:36:54.880
<v Speaker 1>his big thing and she's like, oh, I'm going to

0:36:54.960 --> 0:36:57.319
<v Speaker 1>a party, you know what I'm saying. And then she

0:36:57.400 --> 0:36:59.400
<v Speaker 1>calls him from the party on the landline, which is

0:36:59.400 --> 0:37:02.920
<v Speaker 1>also hysterical and just to throw She's like, he's wrapping

0:37:02.920 --> 0:37:06.040
<v Speaker 1>his arms around me. I mean, she definitely plays.

0:37:05.719 --> 0:37:08.120
<v Speaker 2>The Yeah, she had some learning to do as.

0:37:08.000 --> 0:37:10.839
<v Speaker 1>We of course, which I get. I mean I get

0:37:10.880 --> 0:37:13.560
<v Speaker 1>it in terms of she's doing the best that she

0:37:13.719 --> 0:37:16.799
<v Speaker 1>can do, you know, and she's obviously drawn to him

0:37:16.920 --> 0:37:20.399
<v Speaker 1>and doesn't really know what else to do. She does try, Yeah,

0:37:20.440 --> 0:37:22.960
<v Speaker 1>you know, she'll try and he'll like evade, So then

0:37:23.000 --> 0:37:25.600
<v Speaker 1>she does that. I get it, I get it. You know,

0:37:25.719 --> 0:37:27.399
<v Speaker 1>what are you going to do? You know, you try

0:37:27.440 --> 0:37:30.560
<v Speaker 1>your past. Yeah, they are kind of well matched in

0:37:30.600 --> 0:37:31.280
<v Speaker 1>that way.

0:37:31.239 --> 0:37:34.000
<v Speaker 2>And that way I think they are, and they grew together.

0:37:34.160 --> 0:37:35.799
<v Speaker 1>I get. Well, that's for sure.

0:37:35.840 --> 0:37:38.640
<v Speaker 2>Speak of landlines. How about the flip phone that Ken

0:37:38.880 --> 0:37:40.520
<v Speaker 2>the Mary guy has in that scene.

0:37:40.760 --> 0:37:42.040
<v Speaker 1>History beyond is beyond.

0:37:42.080 --> 0:37:43.640
<v Speaker 2>I mean, that's a big deal that with flip phone.

0:37:43.680 --> 0:37:45.359
<v Speaker 2>Oh my god, I think I had a flip phone

0:37:45.400 --> 0:37:46.400
<v Speaker 2>that I had one.

0:37:46.239 --> 0:37:48.960
<v Speaker 1>Hundred percent flip phone and we were so proud of them.

0:37:49.000 --> 0:37:51.120
<v Speaker 2>Oh, look at these big they were size of bricks,

0:37:51.120 --> 0:37:51.920
<v Speaker 2>they were massive.

0:37:52.000 --> 0:37:54.520
<v Speaker 1>But we have flip phones. It was cool to own them.

0:37:54.880 --> 0:38:01.080
<v Speaker 1>But you know, hey, Big has the car phone. It's

0:38:01.160 --> 0:38:04.520
<v Speaker 1>the joy every time that thing out. Oh my god,

0:38:04.560 --> 0:38:05.120
<v Speaker 1>I can't believe that.

0:38:05.480 --> 0:38:07.640
<v Speaker 2>We never thought the show would be watched. Now, if

0:38:07.640 --> 0:38:09.360
<v Speaker 2>we did, a lot of things might be different.

0:38:09.400 --> 0:38:10.480
<v Speaker 1>But I mean, how could we.

0:38:10.560 --> 0:38:13.640
<v Speaker 2>We couldn't have know. We didn't have the time, We didn't.

0:38:14.280 --> 0:38:17.319
<v Speaker 1>That's the joy. That's the great thing about film, and

0:38:17.440 --> 0:38:20.239
<v Speaker 1>also just it gives a record of like this, this

0:38:20.320 --> 0:38:22.360
<v Speaker 1>is what we were you guys.

0:38:22.520 --> 0:38:25.200
<v Speaker 2>There was no texting, there was no sexting, there was

0:38:25.280 --> 0:38:27.399
<v Speaker 2>no no you had.

0:38:27.320 --> 0:38:29.360
<v Speaker 1>To go find a landline at the club.

0:38:30.000 --> 0:38:32.960
<v Speaker 2>That's why people could miss Carrie's birthday altogether.

0:38:33.320 --> 0:38:36.920
<v Speaker 1>That's you know true, that's so true. Oh my god. Yes, Okay,

0:38:36.960 --> 0:38:38.880
<v Speaker 1>back to this thing. What am I supposed to talk

0:38:38.920 --> 0:38:41.719
<v Speaker 1>about that I haven't talked about. We didn't talk about

0:38:41.719 --> 0:38:43.000
<v Speaker 1>the incredible Lisa Emory.

0:38:43.640 --> 0:38:49.080
<v Speaker 2>Lisa Emory unbelievable. God, she is such an amazing actress.

0:38:48.920 --> 0:38:52.040
<v Speaker 2>But what she did with that, I mean, and by

0:38:52.080 --> 0:38:54.319
<v Speaker 2>the way, that's a very short like she has very

0:38:54.360 --> 0:38:56.279
<v Speaker 2>little to get across who she is and what she

0:38:56.360 --> 0:38:57.799
<v Speaker 2>wants and it's all there.

0:38:58.160 --> 0:39:01.520
<v Speaker 1>Yeah, she so brilliantly. She's gonna fight for her husband.

0:39:01.640 --> 0:39:04.480
<v Speaker 1>It's so true. She's gonna have a three zomee Santha,

0:39:04.560 --> 0:39:07.520
<v Speaker 1>that's what she has to I remember a few years later,

0:39:07.520 --> 0:39:09.400
<v Speaker 1>we were still doing the show and we ran into

0:39:09.440 --> 0:39:13.080
<v Speaker 1>her Sin and I ran into her downtown and she

0:39:13.200 --> 0:39:15.920
<v Speaker 1>talked to us, but she had her regular blonde terror

0:39:16.360 --> 0:39:18.520
<v Speaker 1>and I was like, oho is that person? And so

0:39:18.640 --> 0:39:19.919
<v Speaker 1>he was like, she's on the show. You don't remember,

0:39:19.960 --> 0:39:23.000
<v Speaker 1>and I'm like, no, I don't know that. So Miranda

0:39:23.040 --> 0:39:28.320
<v Speaker 1>Red interesting. And then when Ozark came out, of course

0:39:28.520 --> 0:39:30.680
<v Speaker 1>I had just such a joy watching her and getting

0:39:30.680 --> 0:39:34.640
<v Speaker 1>her to really have just such an amazing and terrifying role.

0:39:35.040 --> 0:39:37.120
<v Speaker 2>It's a terri terrifying role. And by the way, it's

0:39:37.200 --> 0:39:39.200
<v Speaker 2>kind of terrifying as the wife.

0:39:39.239 --> 0:39:42.160
<v Speaker 1>She was a little terrible. I don't want it. Also sad, sad,

0:39:42.280 --> 0:39:44.360
<v Speaker 1>she's so good, and I think she'd done a play

0:39:44.360 --> 0:39:46.799
<v Speaker 1>with Sin by that time in between there. Anyway, she's

0:39:46.840 --> 0:39:48.719
<v Speaker 1>been in our lives in a lovely way. One of

0:39:48.719 --> 0:39:50.800
<v Speaker 1>those people where they're just such a great actor that

0:39:50.840 --> 0:39:52.359
<v Speaker 1>you're glad that they get a part that they can

0:39:52.400 --> 0:39:56.160
<v Speaker 1>actually like all their stuff. Yeah, totally, But it's so

0:39:56.200 --> 0:39:58.760
<v Speaker 1>funny to see her back in the day with us

0:39:58.920 --> 0:40:02.520
<v Speaker 1>in a red in a which I know, but she

0:40:02.600 --> 0:40:05.400
<v Speaker 1>really she makes that whole thing live. But that husband,

0:40:05.440 --> 0:40:08.239
<v Speaker 1>I'm just like, oh my god.

0:40:08.080 --> 0:40:10.680
<v Speaker 2>It was the least interesting of any of them.

0:40:10.760 --> 0:40:12.600
<v Speaker 1>I mean, they all should have just said forget you,

0:40:12.680 --> 0:40:16.279
<v Speaker 1>let's go, Like you're like, why does anyone want to

0:40:16.280 --> 0:40:18.440
<v Speaker 1>fight with this dude? So sorry if I'm offending anybody

0:40:18.520 --> 0:40:20.839
<v Speaker 1>right now. Okay, then we get to the crazy masquerade ball.

0:40:21.920 --> 0:40:25.560
<v Speaker 1>What on wow? I mean so much to unpacked there,

0:40:25.640 --> 0:40:26.760
<v Speaker 1>I don't even know where to start.

0:40:27.480 --> 0:40:29.640
<v Speaker 2>Also, I like, it's a masquerade ball, but like really,

0:40:29.680 --> 0:40:30.960
<v Speaker 2>they're just little masks that you.

0:40:31.040 --> 0:40:34.799
<v Speaker 1>Pick off and put on your face. As the budgetacase

0:40:34.840 --> 0:40:37.000
<v Speaker 1>you're just on a staircase. There's a staircase, and then

0:40:37.160 --> 0:40:37.920
<v Speaker 1>like a weird.

0:40:37.640 --> 0:40:41.640
<v Speaker 2>Coat room and again then suddenly there's a little janky

0:40:41.719 --> 0:40:42.640
<v Speaker 2>bedroom upstairs.

0:40:42.719 --> 0:40:45.560
<v Speaker 1>I know it like that does not have a budget. No,

0:40:45.680 --> 0:40:48.280
<v Speaker 1>it's sad, but I'm gonna I'm gonna apparently have a threesome.

0:40:48.320 --> 0:40:50.200
<v Speaker 2>In that you were gonna have a threesome and then

0:40:50.280 --> 0:40:53.640
<v Speaker 2>you don't, and you do rewatching it. What you did

0:40:53.680 --> 0:40:55.919
<v Speaker 2>in that moment is I I would like to say

0:40:55.920 --> 0:40:57.520
<v Speaker 2>one of the first moments where I knew you could

0:40:57.560 --> 0:41:00.600
<v Speaker 2>really do comedy was the moment where you sit down

0:41:00.640 --> 0:41:04.919
<v Speaker 2>between them and they shove you slowly off the bed.

0:41:05.440 --> 0:41:07.560
<v Speaker 2>Not only do you land on the floor, you make

0:41:07.600 --> 0:41:11.160
<v Speaker 2>a decision to grab your mask and walk out.

0:41:11.800 --> 0:41:15.319
<v Speaker 1>It's not just it's like I.

0:41:14.800 --> 0:41:17.400
<v Speaker 2>Have some dignity and I am taking my mask and

0:41:17.520 --> 0:41:17.880
<v Speaker 2>leaving it.

0:41:18.239 --> 0:41:20.920
<v Speaker 1>And then that's how you perceive that. I am so

0:41:21.200 --> 0:41:24.760
<v Speaker 1>confused when I was rewatching that because A don't remember

0:41:24.800 --> 0:41:30.719
<v Speaker 1>it right, B What is actually happening, Like like I

0:41:30.760 --> 0:41:36.000
<v Speaker 1>don't understand exactly, Like is it the idea that people

0:41:36.080 --> 0:41:38.120
<v Speaker 1>say they want threems but they really just want to

0:41:38.120 --> 0:41:39.040
<v Speaker 1>have sex with someone else?

0:41:39.239 --> 0:41:41.600
<v Speaker 2>Well that's what we were playing in Okay, okay, okay,

0:41:41.640 --> 0:41:43.640
<v Speaker 2>that is I'm not no judgment on those who have

0:41:43.640 --> 0:41:44.080
<v Speaker 2>three sums.

0:41:44.120 --> 0:41:45.200
<v Speaker 1>I don't know what they're thinking.

0:41:45.200 --> 0:41:48.719
<v Speaker 2>But in that case, it was this gal comes up

0:41:48.800 --> 0:41:51.400
<v Speaker 2>and then is kind of like I want to get

0:41:51.640 --> 0:41:52.520
<v Speaker 2>screwed by this guy?

0:41:52.719 --> 0:41:53.360
<v Speaker 1>Got it?

0:41:53.520 --> 0:41:55.239
<v Speaker 2>Or And I don't even know if it's that much.

0:41:55.239 --> 0:41:57.319
<v Speaker 2>As much as she leans and start kissing him, it

0:41:57.360 --> 0:42:02.560
<v Speaker 2>gets more, it gets stronger, right, and then suddenly you

0:42:02.600 --> 0:42:07.280
<v Speaker 2>are in this case, Miranda, you are shoved to the

0:42:07.360 --> 0:42:11.040
<v Speaker 2>floor which is just so Charlotte relatable, so funny, the

0:42:11.080 --> 0:42:14.719
<v Speaker 2>way the choices you made to make it.

0:42:14.719 --> 0:42:17.680
<v Speaker 1>It was I'm like, are my shoes still on my feet?

0:42:17.760 --> 0:42:20.920
<v Speaker 1>That's what I'm thinking one of them, and they actually were,

0:42:21.000 --> 0:42:22.279
<v Speaker 1>because I was like, how am I going to get up?

0:42:22.320 --> 0:42:24.080
<v Speaker 1>I'm thinking just as an actress. Because also I think

0:42:24.080 --> 0:42:28.799
<v Speaker 1>I was worried about my skirt pulling up. There was

0:42:28.800 --> 0:42:31.359
<v Speaker 1>a lot going on thoughts when I rewatched myself right,

0:42:31.400 --> 0:42:32.879
<v Speaker 1>like is my skirt gonna pull up? Are you gonna

0:42:32.920 --> 0:42:35.800
<v Speaker 1>see my spanks? Like what's happening? Spanks? And bended yet?

0:42:35.560 --> 0:42:39.319
<v Speaker 1>I I don't even know, but I have panny hose

0:42:39.360 --> 0:42:41.759
<v Speaker 1>on week. Pat had not eradicated the panty hose yet,

0:42:41.760 --> 0:42:45.360
<v Speaker 1>which is very funny because that's coming like there's certainly

0:42:46.000 --> 0:42:48.160
<v Speaker 1>I think about it's the nineties, but like Pat, you know,

0:42:48.200 --> 0:42:51.360
<v Speaker 1>I remember when Pat was like no one will wear hoes?

0:42:51.640 --> 0:42:54.880
<v Speaker 1>Were like, what, it's a very Pat. I know it

0:42:54.920 --> 0:42:58.120
<v Speaker 1>was close. It wasn't fully close, but I remember there

0:42:58.200 --> 0:43:01.920
<v Speaker 1>was like strange elements and this is probably something I

0:43:01.920 --> 0:43:06.240
<v Speaker 1>shouldn't say. There were strange cult type elements about being

0:43:06.280 --> 0:43:10.359
<v Speaker 1>in that cast right right, where like well, no scrunches

0:43:10.440 --> 0:43:14.120
<v Speaker 1>some rules. No scrunchies, no banana clips.

0:43:14.680 --> 0:43:17.760
<v Speaker 2>I'll never forget. I'll never I still can't when people

0:43:17.760 --> 0:43:18.720
<v Speaker 2>wear banana clips.

0:43:18.760 --> 0:43:21.840
<v Speaker 1>I have one at home in my bathroom, and every.

0:43:21.640 --> 0:43:24.800
<v Speaker 2>Time you reach, every time you reach, even though you're alone,

0:43:27.000 --> 0:43:27.520
<v Speaker 2>and I'm.

0:43:27.320 --> 0:43:29.960
<v Speaker 1>Like, no banana clips, no one's gonna see me, turn

0:43:30.120 --> 0:43:34.959
<v Speaker 1>my back through. But also like like the little things

0:43:34.960 --> 0:43:37.640
<v Speaker 1>and they come slowly. They weren't all in the beginning, right,

0:43:37.640 --> 0:43:40.720
<v Speaker 1>But like no scrunchies, no bana clips, no hose unless

0:43:40.719 --> 0:43:42.879
<v Speaker 1>they were fish nets. You went through a whole fish

0:43:42.920 --> 0:43:46.120
<v Speaker 1>net phase. And if you could find double fishnets, that

0:43:46.320 --> 0:43:49.240
<v Speaker 1>was great, great, and if you could find nude double

0:43:49.280 --> 0:43:52.600
<v Speaker 1>fish nets even better, even better. Right, And then there

0:43:52.640 --> 0:43:55.480
<v Speaker 1>was a heel height situation, which it definitely takes me

0:43:55.520 --> 0:43:58.080
<v Speaker 1>a while to get on board with, all the way

0:43:58.120 --> 0:44:01.040
<v Speaker 1>to the Widower episode when she got me my first

0:44:01.040 --> 0:44:03.799
<v Speaker 1>pair of like one hundred and five milimeters manolos, But

0:44:03.840 --> 0:44:05.560
<v Speaker 1>it took that long for me to be able to

0:44:05.640 --> 0:44:07.760
<v Speaker 1>like functionally walk well things.

0:44:07.920 --> 0:44:10.040
<v Speaker 2>And guess what I can't walk in now? All of

0:44:10.080 --> 0:44:13.960
<v Speaker 2>those minolas, all of them, listen, I mean, bless all

0:44:14.000 --> 0:44:16.680
<v Speaker 2>of us, so trying, we're doing it, but it's not

0:44:16.719 --> 0:44:17.360
<v Speaker 2>easy now.

0:44:17.280 --> 0:44:19.560
<v Speaker 1>Now, it's true, But then they escalated after that to

0:44:19.600 --> 0:44:22.200
<v Speaker 1>the so case. I just did a whole episode Jenny

0:44:22.200 --> 0:44:26.719
<v Speaker 1>and the so caates. Oh my god, why like why,

0:44:27.160 --> 0:44:28.800
<v Speaker 1>I'm barely able to walk.

0:44:28.600 --> 0:44:31.640
<v Speaker 2>But they you know they are, they're sexy shoes, they are,

0:44:31.680 --> 0:44:36.600
<v Speaker 2>but just not to wage right now.

0:44:36.640 --> 0:44:38.520
<v Speaker 1>But also, I'm trying to do this crazy stunt. You'll

0:44:38.520 --> 0:44:41.000
<v Speaker 1>see it, and just like that stunt?

0:44:41.040 --> 0:44:43.840
<v Speaker 2>What what what part of the problems You can blame

0:44:44.120 --> 0:44:47.640
<v Speaker 2>your co star, Miss Sarah Jessica. But because she could

0:44:47.719 --> 0:44:48.720
<v Speaker 2>run in those things.

0:44:48.520 --> 0:44:51.880
<v Speaker 1>She's still can't. She made it look so easy, right,

0:44:51.960 --> 0:44:53.920
<v Speaker 1>I know. So that was the thing you were trying

0:44:53.960 --> 0:44:56.120
<v Speaker 1>to live up to, Sara Juska. So the other rules

0:44:56.120 --> 0:44:58.680
<v Speaker 1>were that you always had to return borrow clothes, yes,

0:44:58.719 --> 0:45:01.080
<v Speaker 1>because we were so worried once did finally get anyone

0:45:01.120 --> 0:45:04.120
<v Speaker 1>to lend us clothes for personal or for the show.

0:45:04.480 --> 0:45:06.560
<v Speaker 1>If you didn't return, no one was going to lend

0:45:06.640 --> 0:45:09.160
<v Speaker 1>him again. And we really relied on that once we

0:45:09.200 --> 0:45:11.080
<v Speaker 1>got it going. Oh yeah, so, like I know, other

0:45:11.120 --> 0:45:12.840
<v Speaker 1>actors were like, what do you mean, you know, just

0:45:12.920 --> 0:45:16.960
<v Speaker 1>keep it. I'm like, oh no, you don't do that,

0:45:17.800 --> 0:45:19.680
<v Speaker 1>you don't. I mean, there's other rules I can't think

0:45:19.719 --> 0:45:22.359
<v Speaker 1>of right now, but like slowly the rules and oh

0:45:22.400 --> 0:45:25.440
<v Speaker 1>you only wore coast of Elogy strings, right, like so

0:45:25.600 --> 0:45:28.120
<v Speaker 1>many rules? Right? Don't we make a joke in one

0:45:28.120 --> 0:45:31.120
<v Speaker 1>of these episodes about Miranda doesn't even want to wear

0:45:31.160 --> 0:45:33.759
<v Speaker 1>a thong or something? I was like, oh my god, yes,

0:45:33.800 --> 0:45:35.520
<v Speaker 1>it goes about is it not taken.

0:45:35.320 --> 0:45:39.080
<v Speaker 2>Over in the in the coffee shop scene, right, she said,

0:45:39.080 --> 0:45:41.200
<v Speaker 2>you can't beat a three, so you won't even wear

0:45:41.200 --> 0:45:41.960
<v Speaker 2>a thong exactly.

0:45:41.960 --> 0:45:44.560
<v Speaker 1>And you know what's funny is hearing that again? I thought?

0:45:44.719 --> 0:45:46.479
<v Speaker 1>Were we even wearing thoughts back? Guys?

0:45:46.520 --> 0:45:48.920
<v Speaker 2>We were, like, I guess the beginning of it. It

0:45:49.000 --> 0:45:52.680
<v Speaker 2>was the beginning Darren. Darren gave us all thongs. This

0:45:52.760 --> 0:45:55.600
<v Speaker 2>is going to come out wrong again. Oh boy, I

0:45:55.600 --> 0:46:01.480
<v Speaker 2>can't I do it? Darn and Christmas Darren all not.

0:46:01.920 --> 0:46:04.360
<v Speaker 2>We did not give Michael thong, but all that ladies

0:46:04.360 --> 0:46:06.800
<v Speaker 2>which were actually would have only been at that time,

0:46:07.760 --> 0:46:09.879
<v Speaker 2>because I don't think it was this. It was season two.

0:46:10.960 --> 0:46:15.080
<v Speaker 2>Cindy and I were gift gifted. Yeah, Cosabella thongs.

0:46:15.200 --> 0:46:16.040
<v Speaker 1>That was the thing, man.

0:46:16.520 --> 0:46:19.279
<v Speaker 2>Yeah, you had to you know, they were expensive, I

0:46:19.320 --> 0:46:24.560
<v Speaker 2>mean they were. It might have been Lapela very expense

0:46:24.760 --> 0:46:26.160
<v Speaker 2>very nice, very nice.

0:46:26.239 --> 0:46:27.759
<v Speaker 1>That's what we would wear if we had like a

0:46:27.800 --> 0:46:32.440
<v Speaker 1>fancy you know, like yeah, I mean we could go

0:46:32.680 --> 0:46:35.040
<v Speaker 1>down the list of like the approved brand and then

0:46:35.040 --> 0:46:37.200
<v Speaker 1>not approved and you know what I mean, Like it

0:46:37.280 --> 0:46:37.719
<v Speaker 1>was a lot.

0:46:37.920 --> 0:46:38.879
<v Speaker 2>It was a lot man.

0:46:39.360 --> 0:46:41.719
<v Speaker 1>You couldn't wear you know, you couldn't didn't matter how

0:46:41.760 --> 0:46:45.000
<v Speaker 1>cold you were, there's not going to be a functional coat.

0:46:45.160 --> 0:46:48.680
<v Speaker 2>It was eternal spring. It was a turnal spring, no matter.

0:46:48.920 --> 0:46:51.480
<v Speaker 2>And you gals went through it. I mean that it

0:46:51.560 --> 0:46:54.680
<v Speaker 2>was a couple of seas seemed so far like and

0:46:54.719 --> 0:46:56.680
<v Speaker 2>you could see you, but.

0:46:56.640 --> 0:46:57.919
<v Speaker 1>You had to somehow make it work.

0:46:57.960 --> 0:46:59.560
<v Speaker 2>It's before we could afford to take it out. We

0:46:59.640 --> 0:47:02.520
<v Speaker 2>see you, you know, you're seeing people's breath and you're

0:47:02.560 --> 0:47:04.160
<v Speaker 2>standing there in a cute sun dress.

0:47:04.560 --> 0:47:17.480
<v Speaker 1>I know, it's so crazy, so crazy the weird things

0:47:17.480 --> 0:47:19.960
<v Speaker 1>about acting, you know, I mean, it's the most incredible

0:47:20.000 --> 0:47:22.400
<v Speaker 1>job in so many ways, in the just weird technical

0:47:22.520 --> 0:47:25.640
<v Speaker 1>practical things. Sure, like you're up all night and you're

0:47:25.680 --> 0:47:28.000
<v Speaker 1>having to somehow talk really fast and be funny.

0:47:28.160 --> 0:47:31.239
<v Speaker 2>Yes, and you're on camera, this is not off camera.

0:47:31.560 --> 0:47:35.239
<v Speaker 1>And you're walking five blocks down the village streets trying

0:47:35.280 --> 0:47:37.680
<v Speaker 1>to walk and talk while people are shouting at you

0:47:37.800 --> 0:47:41.239
<v Speaker 1>from cars. Well, you know, radio Man is over here.

0:47:41.600 --> 0:47:44.200
<v Speaker 2>My god, Steve the paparazzi.

0:47:43.600 --> 0:47:47.480
<v Speaker 1>God name Steve. Yes, don't say his last name. We

0:47:47.560 --> 0:47:51.399
<v Speaker 1>still deal with him, Jenny. We just put radio Man

0:47:51.440 --> 0:47:54.960
<v Speaker 1>in the show I saw, and no one told me.

0:47:55.120 --> 0:47:56.840
<v Speaker 1>Can I just tell you that no one told me

0:47:56.960 --> 0:47:59.279
<v Speaker 1>that they had hired radio Man to act in our show?

0:47:59.360 --> 0:48:02.040
<v Speaker 1>He should tell you that. So I come out, I'm

0:48:02.120 --> 0:48:04.960
<v Speaker 1>acting in the scene, and I'm like, radio Man's in

0:48:05.000 --> 0:48:08.680
<v Speaker 1>the shot. I start that, I'm like, wait, can't you

0:48:08.680 --> 0:48:10.840
<v Speaker 1>guys see him? The cameras across the street and they

0:48:10.880 --> 0:48:11.799
<v Speaker 1>were like, he's supposed to.

0:48:11.760 --> 0:48:13.719
<v Speaker 2>Do you want to explain to Radio Man is real quick?

0:48:13.760 --> 0:48:16.000
<v Speaker 1>Oh yes, of course, Thank you, Jenny, Welcome Voice of

0:48:16.040 --> 0:48:20.160
<v Speaker 1>the viewers. Radio Man is a very sweet man who

0:48:20.719 --> 0:48:24.560
<v Speaker 1>originally back in the day, rode his bike all over

0:48:24.640 --> 0:48:28.360
<v Speaker 1>Manhattan into the different burrows and looked at all of

0:48:28.400 --> 0:48:31.640
<v Speaker 1>the production notices in New York when you get a

0:48:31.680 --> 0:48:34.839
<v Speaker 1>permit to shoot any kind of film or television show,

0:48:35.000 --> 0:48:36.880
<v Speaker 1>they have to put up a production notice so people

0:48:36.880 --> 0:48:38.879
<v Speaker 1>don't park on the street. Because we have to bring

0:48:39.000 --> 0:48:41.440
<v Speaker 1>all of our equipment and trailers and whatnot, and theoretically

0:48:41.440 --> 0:48:43.880
<v Speaker 1>even film on that street, right, so there would be

0:48:43.920 --> 0:48:46.120
<v Speaker 1>like our show cars they call them, We bring in

0:48:46.200 --> 0:48:48.319
<v Speaker 1>cars to put there so that we don't bump into

0:48:48.400 --> 0:48:51.120
<v Speaker 1>someone's car or whatever. So Radiman would go all over

0:48:51.160 --> 0:48:53.759
<v Speaker 1>town on his bike. I do not believe that he

0:48:53.840 --> 0:48:57.800
<v Speaker 1>had a home. And he would make it his personal

0:48:57.880 --> 0:49:00.759
<v Speaker 1>business to know where all the products were going to

0:49:00.800 --> 0:49:02.839
<v Speaker 1>be the next morning, and then he would come back

0:49:03.080 --> 0:49:05.160
<v Speaker 1>and say hello. And when he came by to say hello,

0:49:05.160 --> 0:49:07.800
<v Speaker 1>he would also tell you all the other productions filming

0:49:07.840 --> 0:49:10.120
<v Speaker 1>that day and where they were. Why did we call

0:49:10.239 --> 0:49:12.720
<v Speaker 1>him radio man because he also had a massive radio.

0:49:14.200 --> 0:49:16.279
<v Speaker 1>He had like a boom box. We would call it

0:49:16.680 --> 0:49:18.480
<v Speaker 1>that that traveled with him on the bike.

0:49:18.640 --> 0:49:21.759
<v Speaker 2>And then he still does it on a string around

0:49:21.800 --> 0:49:23.120
<v Speaker 2>his Oh my god, he had a string.

0:49:23.440 --> 0:49:25.520
<v Speaker 1>Yes, I don't think he does that anymore because he's

0:49:25.560 --> 0:49:26.239
<v Speaker 1>a little bit older.

0:49:26.440 --> 0:49:27.360
<v Speaker 2>It's true, it's true.

0:49:27.480 --> 0:49:31.160
<v Speaker 1>But the radio is in the shot of and just

0:49:31.200 --> 0:49:33.759
<v Speaker 1>like but he has a grocery cart. We gave him

0:49:33.760 --> 0:49:35.600
<v Speaker 1>a grocery card because the bike. I don't think, no,

0:49:35.760 --> 0:49:37.040
<v Speaker 1>I think see him on his bike.

0:49:37.120 --> 0:49:38.359
<v Speaker 2>I think he's aged that way.

0:49:38.480 --> 0:49:41.719
<v Speaker 1>Yeah, but we do still see him. I think possibly

0:49:41.920 --> 0:49:45.520
<v Speaker 1>maybe he is in a better living situation. Now we don't.

0:49:45.719 --> 0:49:48.919
<v Speaker 1>He's not all the time there, which is actually good.

0:49:49.000 --> 0:49:52.839
<v Speaker 1>That's a little older, and he is a fixture. He's

0:49:52.840 --> 0:49:54.120
<v Speaker 1>a New York City intersture.

0:49:54.400 --> 0:49:56.600
<v Speaker 2>Yes, And that's where you have to love New York.

0:49:56.640 --> 0:49:59.040
<v Speaker 2>That some things don't change so much changes.

0:49:59.320 --> 0:49:59.759
<v Speaker 1>That's right.

0:50:00.000 --> 0:50:02.000
<v Speaker 2>Sounds like the beginning of a voiceover it.

0:50:02.800 --> 0:50:05.320
<v Speaker 1>I wonder which things change.

0:50:05.360 --> 0:50:07.759
<v Speaker 2>Everything in New York changes, but some things always stay

0:50:07.800 --> 0:50:08.120
<v Speaker 2>the same.

0:50:08.160 --> 0:50:08.799
<v Speaker 1>It's so true.

0:50:08.840 --> 0:50:11.040
<v Speaker 2>There we were in the meatpacking district where it used

0:50:11.080 --> 0:50:12.640
<v Speaker 2>to smell like meat. I mean, how about that the

0:50:12.719 --> 0:50:16.160
<v Speaker 2>opening of that episode where when the meatpacking district changed

0:50:16.200 --> 0:50:16.839
<v Speaker 2>and it really did.

0:50:17.040 --> 0:50:20.200
<v Speaker 1>Oh, it's nuts. Now every time I go, I'm just.

0:50:20.160 --> 0:50:22.760
<v Speaker 2>Like what Brooklyn? I mean now everyone lives in Brooklyn.

0:50:22.880 --> 0:50:23.800
<v Speaker 2>No one lives in Brooklyn.

0:50:23.840 --> 0:50:24.440
<v Speaker 1>No one believes me.

0:50:24.480 --> 0:50:26.000
<v Speaker 2>That's one of those the people are like, why did

0:50:26.000 --> 0:50:27.719
<v Speaker 2>you have a storyline about how no one lives at

0:50:27.719 --> 0:50:29.680
<v Speaker 2>Miranda in Brooklyn?

0:50:30.239 --> 0:50:33.040
<v Speaker 1>In Brooklyn, can I tell you something funny? Second season

0:50:33.120 --> 0:50:35.200
<v Speaker 1>of And just like that, we were all in airbea Well,

0:50:35.239 --> 0:50:38.319
<v Speaker 1>I'm in airbnbs now, right, and not all of us,

0:50:38.360 --> 0:50:42.279
<v Speaker 1>just me and I rented one in Dumbo And I

0:50:42.360 --> 0:50:45.200
<v Speaker 1>was picturing Dumbo when we filmed there, right, and I

0:50:45.320 --> 0:50:49.840
<v Speaker 1>was like, what is this small? It's Disneyland. There's lights

0:50:50.400 --> 0:50:54.520
<v Speaker 1>that say Dumbo. I was like, I'm still in shock,

0:50:54.600 --> 0:50:57.040
<v Speaker 1>you know, I did not know. I was like, where

0:50:57.040 --> 0:50:59.840
<v Speaker 1>you are? Tell me where the warehouses?

0:51:00.640 --> 0:51:04.480
<v Speaker 2>They're back on our show. Yes, you can watch our

0:51:04.560 --> 0:51:07.680
<v Speaker 2>show and remember and see these things.

0:51:07.800 --> 0:51:10.400
<v Speaker 1>Right, Okay, wait the end scene of carrying big oh

0:51:10.440 --> 0:51:11.359
<v Speaker 1>and the wife is in the.

0:51:11.280 --> 0:51:14.320
<v Speaker 2>Back, and the wife is in the back the specter

0:51:14.480 --> 0:51:15.120
<v Speaker 2>of the wife.

0:51:15.200 --> 0:51:17.120
<v Speaker 1>I love that scene too. That seems beautiful and we

0:51:17.320 --> 0:51:19.880
<v Speaker 1>pretty we love about that scene. It's it's on a

0:51:19.960 --> 0:51:23.600
<v Speaker 1>village street, but we haven't seen her stupid yet. No,

0:51:23.719 --> 0:51:25.840
<v Speaker 1>we have not, no, which is super interesting.

0:51:25.880 --> 0:51:28.120
<v Speaker 2>It's very confusing where you all lived. And I mean,

0:51:28.560 --> 0:51:30.719
<v Speaker 2>I know we've you know, we always talk about this,

0:51:30.840 --> 0:51:33.400
<v Speaker 2>but this is one of those talk about lack of continuity.

0:51:33.440 --> 0:51:35.480
<v Speaker 2>But yeah, we're on the village street and it's the

0:51:35.560 --> 0:51:37.440
<v Speaker 2>village the way I remember that, like the way the

0:51:37.520 --> 0:51:39.319
<v Speaker 2>village was, and that street is still back.

0:51:39.360 --> 0:51:41.040
<v Speaker 1>I mean, it still looks at me except for a

0:51:41.280 --> 0:51:42.040
<v Speaker 1>lot of people.

0:51:44.320 --> 0:51:48.360
<v Speaker 3>We all have cupcakes, right, and buses exactly.

0:51:48.040 --> 0:51:51.040
<v Speaker 2>And things like that, But that scene for me, I

0:51:51.120 --> 0:51:54.880
<v Speaker 2>loved I loved how in some ways open big was

0:51:55.000 --> 0:51:56.839
<v Speaker 2>that's right. He's the one who says, we just went

0:51:56.880 --> 0:51:59.400
<v Speaker 2>through this dinner and we talked like strangers.

0:51:59.400 --> 0:52:02.560
<v Speaker 1>What's going on? Right? Good p calls her on it.

0:52:03.239 --> 0:52:05.400
<v Speaker 2>She would have just said well, good night and been annoyed,

0:52:05.480 --> 0:52:07.759
<v Speaker 2>but he says, what's going on? And then she she

0:52:08.160 --> 0:52:12.080
<v Speaker 2>comes clean very quickly, right, And he comes clean pretty quickly, right,

0:52:12.960 --> 0:52:15.319
<v Speaker 2>and makes a joke which an offhand joke about you know,

0:52:15.360 --> 0:52:18.919
<v Speaker 2>being friends with all his ex wives, but I do

0:52:19.040 --> 0:52:20.840
<v Speaker 2>think and then they come back together, which I know

0:52:20.920 --> 0:52:22.239
<v Speaker 2>might be infuriating to people.

0:52:22.320 --> 0:52:24.279
<v Speaker 1>Now, I didn't feel that way. No, No, I didn't

0:52:24.280 --> 0:52:27.160
<v Speaker 1>feel that way. I felt more like, that's like saying,

0:52:27.520 --> 0:52:30.560
<v Speaker 1>you know, these are my faults, yeah, which everyone's going

0:52:30.600 --> 0:52:33.160
<v Speaker 1>to have, right, like, but I like you now widely,

0:52:33.320 --> 0:52:37.400
<v Speaker 1>he was more I felt like he was more present

0:52:37.520 --> 0:52:39.480
<v Speaker 1>and the veil was dropped a little bit. I don't

0:52:39.480 --> 0:52:41.000
<v Speaker 1>know if that's the right phrase to use for such

0:52:41.040 --> 0:52:43.799
<v Speaker 1>a dude, but you know, like the wall was down

0:52:43.840 --> 0:52:46.680
<v Speaker 1>a bit, and he seemed kind of more like making

0:52:46.719 --> 0:52:49.120
<v Speaker 1>an effort and a little bit more vulnerable. And I

0:52:49.239 --> 0:52:53.360
<v Speaker 1>love the ex wife being behind him and then disappearing.

0:52:53.120 --> 0:52:55.879
<v Speaker 2>And again, what a beautiful shot. Like on network TV,

0:52:55.920 --> 0:52:58.520
<v Speaker 2>you never could have done that moment where Nicole starts

0:52:58.520 --> 0:53:01.160
<v Speaker 2>to walk away and you and then you know, we

0:53:01.320 --> 0:53:05.440
<v Speaker 2>we we come up on it and she keeps walking.

0:53:05.719 --> 0:53:08.520
<v Speaker 2>It's like we're on it for a couple seconds longer

0:53:08.520 --> 0:53:10.319
<v Speaker 2>than we need to be and we just get to

0:53:10.360 --> 0:53:14.280
<v Speaker 2>do that to have that moment and not cut because

0:53:14.400 --> 0:53:16.480
<v Speaker 2>you have a commercial, right right, right?

0:53:17.360 --> 0:53:20.640
<v Speaker 1>Yeah, I never think beautiful so true. Yeah, I mean

0:53:20.640 --> 0:53:24.680
<v Speaker 1>it's funny because now obviously with streaming, the structure of

0:53:24.719 --> 0:53:28.840
<v Speaker 1>television has gone our way. But it's hard even for

0:53:28.920 --> 0:53:32.880
<v Speaker 1>myself to remember what the structure of TV proper was

0:53:33.920 --> 0:53:36.120
<v Speaker 1>before us and before HBS.

0:53:35.800 --> 0:53:37.680
<v Speaker 2>Not that it was not being able to spend that

0:53:37.719 --> 0:53:40.560
<v Speaker 2>and then we had like just freedom and to get

0:53:40.600 --> 0:53:45.680
<v Speaker 2>like specific shots right on her tree torns in this moment,

0:53:45.800 --> 0:53:47.759
<v Speaker 2>and you know, we got to do it.

0:53:47.960 --> 0:53:49.520
<v Speaker 1>Yeah, and it's beautiful.

0:53:49.640 --> 0:53:51.920
<v Speaker 2>It was that's a beautiful well Nicole, she did a

0:53:51.960 --> 0:53:52.840
<v Speaker 2>great job directing that.

0:53:53.040 --> 0:53:55.279
<v Speaker 1>We really did a beautiful job. She all did a

0:53:55.280 --> 0:53:56.000
<v Speaker 1>great job too.

0:53:56.160 --> 0:53:58.680
<v Speaker 2>Every week it was a good episode. It really was lovely,

0:53:58.840 --> 0:54:01.759
<v Speaker 2>what a great, great episode. I was so lucky I

0:54:01.800 --> 0:54:03.360
<v Speaker 2>was so lucky to be able to do it.

0:54:03.480 --> 0:54:05.960
<v Speaker 1>Lucky. Yeah, I know all of us are so lucky,

0:54:05.960 --> 0:54:08.040
<v Speaker 1>and it's so beautiful to look back on. And for

0:54:08.160 --> 0:54:10.080
<v Speaker 1>me obviously, like I said, I mean, I really just

0:54:10.160 --> 0:54:13.000
<v Speaker 1>remember being feeling like the first season was like a mess,

0:54:13.239 --> 0:54:15.880
<v Speaker 1>because I think I felt a mess, you know, and

0:54:16.000 --> 0:54:18.000
<v Speaker 1>just like trying so hard, like I was trying so

0:54:18.040 --> 0:54:19.560
<v Speaker 1>hard to fit in. I was trying so hard to

0:54:19.560 --> 0:54:21.400
<v Speaker 1>pull off these things and trying to figure out how

0:54:21.440 --> 0:54:23.480
<v Speaker 1>Pat wanted to dress me and could I do it?

0:54:23.600 --> 0:54:26.319
<v Speaker 1>And you're not saying like so many actor anxieties, right,

0:54:26.400 --> 0:54:28.319
<v Speaker 1>and like how is the sex being presented? And what

0:54:28.360 --> 0:54:30.480
<v Speaker 1>we're we doing? But also it was fun and it

0:54:30.520 --> 0:54:34.200
<v Speaker 1>was fun because we were together, and the relationship with

0:54:34.400 --> 0:54:37.040
<v Speaker 1>all of us off camera was also growing because we

0:54:37.040 --> 0:54:39.360
<v Speaker 1>were together going through this thing and we knew that

0:54:39.400 --> 0:54:41.200
<v Speaker 1>it was special. We didn't know what we didn't know

0:54:41.239 --> 0:54:44.080
<v Speaker 1>what it was, but it was just a special, special experience.

0:54:44.200 --> 0:54:46.520
<v Speaker 2>And you say all these things, and what's amazing about

0:54:46.560 --> 0:54:49.480
<v Speaker 2>you as a performer is it didn't come through that way.

0:54:49.640 --> 0:54:52.000
<v Speaker 2>Really you might have been feeling that way, but what

0:54:52.120 --> 0:54:55.840
<v Speaker 2>it became for Charlotte was just this desire to figure

0:54:55.880 --> 0:54:56.439
<v Speaker 2>things out.

0:54:56.840 --> 0:54:59.200
<v Speaker 1>That's true. That's true, and I mean some of it too.

0:54:59.320 --> 0:55:02.160
<v Speaker 1>I think, you know, like you can't always really even

0:55:02.200 --> 0:55:05.160
<v Speaker 1>separate yourself from the character you're playing, you know, and

0:55:05.200 --> 0:55:08.120
<v Speaker 1>the experience that you have on a set, because as

0:55:08.200 --> 0:55:11.839
<v Speaker 1>much as you are, of course a separate individual, you're

0:55:11.880 --> 0:55:14.959
<v Speaker 1>working so hard to figure that character out. And because

0:55:15.000 --> 0:55:19.319
<v Speaker 1>Charlotte was really very minimal in the beginning of the show, right,

0:55:19.400 --> 0:55:21.800
<v Speaker 1>and we had to find her all together. And Michael

0:55:21.840 --> 0:55:23.319
<v Speaker 1>Patrick was like, I didn't know how I was going

0:55:23.360 --> 0:55:24.840
<v Speaker 1>to write for that character. I was like, oh, no,

0:55:25.000 --> 0:55:27.600
<v Speaker 1>I'm gonna have that character. And obviously he's done a

0:55:27.640 --> 0:55:33.520
<v Speaker 1>bang up Jo turns out, but you.

0:55:33.480 --> 0:55:36.640
<v Speaker 2>Know he on the face of it, he didn't absolutely

0:55:36.640 --> 0:55:38.759
<v Speaker 2>because I actually think and that's where I think I

0:55:38.840 --> 0:55:40.759
<v Speaker 2>helped a little bit, was that was my world that

0:55:41.280 --> 0:55:42.640
<v Speaker 2>I had grown up on the Upper East Side.

0:55:42.680 --> 0:55:45.719
<v Speaker 1>I knew Charlotte's. I wasn't necessarily.

0:55:45.239 --> 0:55:48.839
<v Speaker 2>Exactly I saved the day. It's really what I'm trying

0:55:48.840 --> 0:55:52.080
<v Speaker 2>to say. I absolutely did not in this part.

0:55:52.160 --> 0:55:54.440
<v Speaker 1>Not putting those pieces together. That's the first time that

0:55:54.719 --> 0:55:56.040
<v Speaker 1>her storyline makes sense to me.

0:55:56.160 --> 0:55:57.960
<v Speaker 2>Oh well, that's I mean, maybe that was also just

0:55:58.120 --> 0:55:59.600
<v Speaker 2>a bit of luck of the draw. But I do

0:55:59.640 --> 0:56:02.239
<v Speaker 2>think I was able to shine a light on that

0:56:02.360 --> 0:56:04.880
<v Speaker 2>world a little bit so that it didn't just feel

0:56:04.920 --> 0:56:07.839
<v Speaker 2>like a satire exactly because it could be, and we

0:56:07.880 --> 0:56:11.040
<v Speaker 2>do satirize it in that episode to some extent, But

0:56:11.120 --> 0:56:15.040
<v Speaker 2>she's not there to be satirized, right, She's living, breathing

0:56:15.520 --> 0:56:17.480
<v Speaker 2>with a set of rules that she thought would work

0:56:17.520 --> 0:56:19.760
<v Speaker 2>for her that ultimately didn't.

0:56:20.239 --> 0:56:23.839
<v Speaker 1>All the best rules were not that they were crazy, No,

0:56:24.040 --> 0:56:26.560
<v Speaker 1>they were like, she's so open in a way that

0:56:26.600 --> 0:56:28.600
<v Speaker 1>I didn't even remember, Like I'm like, what am I

0:56:28.640 --> 0:56:31.319
<v Speaker 1>going to do? Oh my god, Oh my god. You know,

0:56:31.400 --> 0:56:34.680
<v Speaker 1>it's entertaining, it's entertaining and interesting to watch. But I

0:56:34.719 --> 0:56:37.120
<v Speaker 1>do think you're right and that all the characters were

0:56:37.880 --> 0:56:41.320
<v Speaker 1>much more formed than I even realized, you know what

0:56:41.400 --> 0:56:43.600
<v Speaker 1>I'm saying, Like you look back and you're like, oh, yeah,

0:56:43.640 --> 0:56:44.520
<v Speaker 1>we are all there.

0:56:44.680 --> 0:56:47.120
<v Speaker 2>We just but none of us knew in some ways,

0:56:47.120 --> 0:56:49.720
<v Speaker 2>like they were there and sitting there at that coffee shop.

0:56:49.719 --> 0:56:50.319
<v Speaker 1>You can see it.

0:56:50.520 --> 0:56:55.200
<v Speaker 2>Yeah, they're all doing exactly they you as, these characters

0:56:55.239 --> 0:56:59.239
<v Speaker 2>were all living those characters, right, animatedly living those characters. Right.

0:56:59.480 --> 0:57:01.799
<v Speaker 2>We wouldn't for a little bit, right, until we look

0:57:01.840 --> 0:57:03.200
<v Speaker 2>back and go there they were right.

0:57:03.239 --> 0:57:06.200
<v Speaker 1>It hadn't like gelled hard where we were like, yes,

0:57:06.280 --> 0:57:08.239
<v Speaker 1>this is what we're doing and this is how we're

0:57:08.239 --> 0:57:11.879
<v Speaker 1>doing it. But it was coming. It's coming, super interesting things.

0:57:12.280 --> 0:57:15.600
<v Speaker 1>Joy is it's so much fun. You're a joke.

0:57:15.719 --> 0:57:17.720
<v Speaker 2>I could talk forever about that magic time.

0:57:17.720 --> 0:57:20.600
<v Speaker 1>I'm glad we're going to have you back. You've got

0:57:20.680 --> 0:57:22.880
<v Speaker 1>so many episodes coming. Oh my god, how are we

0:57:22.920 --> 0:57:25.000
<v Speaker 1>going to choose which ones to happen? I don't know

0:57:25.120 --> 0:57:27.520
<v Speaker 1>what enjoy though, because you have I mean, of course

0:57:27.600 --> 0:57:32.160
<v Speaker 1>incredible insights into what it was like to create the show.

0:57:32.280 --> 0:57:35.720
<v Speaker 2>It was such I hope everyone gets the chance in

0:57:35.800 --> 0:57:38.280
<v Speaker 2>their lives to be part of something from from the beginning,

0:57:38.480 --> 0:57:39.640
<v Speaker 2>to see something grow.

0:57:39.960 --> 0:57:42.480
<v Speaker 1>It's so hard, so hard, it's so rare. It's so

0:57:42.600 --> 0:57:44.680
<v Speaker 1>worth it. It is so worth it. But I mean,

0:57:44.800 --> 0:57:47.200
<v Speaker 1>sometimes you know, you you might and I'm sure you

0:57:47.480 --> 0:57:49.800
<v Speaker 1>might have had this experience. You know, you try stuff

0:57:49.840 --> 0:57:52.440
<v Speaker 1>out in our business, right, because of course we're just

0:57:52.480 --> 0:57:54.520
<v Speaker 1>so you know, lucky to be able to work in

0:57:54.560 --> 0:57:57.920
<v Speaker 1>our business. Obviously it's a hard business, and people can

0:57:57.960 --> 0:58:00.680
<v Speaker 1>seem awesome and have great idea and you're like, this

0:58:00.720 --> 0:58:03.040
<v Speaker 1>could be good and then no, it just does not

0:58:03.120 --> 0:58:05.680
<v Speaker 1>so much. You don't know why. You know, I've had

0:58:05.720 --> 0:58:08.040
<v Speaker 1>that since then, never anything that I felt the way

0:58:08.040 --> 0:58:09.960
<v Speaker 1>that I felt about us, you know what I'm saying.

0:58:10.240 --> 0:58:14.120
<v Speaker 1>And it's hard. You also feel really bad, like you

0:58:14.240 --> 0:58:16.640
<v Speaker 1>know that nothing's really good to live up to it.

0:58:16.680 --> 0:58:19.200
<v Speaker 1>I'm sorry for everybody I'm involved with but or have

0:58:19.240 --> 0:58:22.760
<v Speaker 1>ever been involved with professionally. But you're hoping, you know,

0:58:22.800 --> 0:58:25.280
<v Speaker 1>it could be fun in a different way or whatever.

0:58:25.400 --> 0:58:26.400
<v Speaker 1>It will always be.

0:58:26.680 --> 0:58:29.360
<v Speaker 2>It'll be different, but it will never live up to

0:58:29.400 --> 0:58:32.160
<v Speaker 2>what that was. And I think we all in retrospect

0:58:32.240 --> 0:58:34.000
<v Speaker 2>really know that now. Yeah, yeah, yeah, I mean I

0:58:34.040 --> 0:58:35.320
<v Speaker 2>think living it, we even do it.

0:58:35.600 --> 0:58:37.120
<v Speaker 1>I think we might know that we did.

0:58:37.480 --> 0:58:39.440
<v Speaker 2>Yeah, but now you really know.

0:58:39.440 --> 0:58:41.520
<v Speaker 1>It now, we really really And how lucky were we?

0:58:41.800 --> 0:58:42.320
<v Speaker 1>So lucky?

0:58:42.320 --> 0:58:44.680
<v Speaker 2>And still so I was gonna say, you get to still,

0:58:44.920 --> 0:58:46.960
<v Speaker 2>I know Charlotte is in you.

0:58:47.080 --> 0:58:50.480
<v Speaker 1>I know, I know she's still kicking around there. It's

0:58:50.600 --> 0:58:58.080
<v Speaker 1>awesome hav mind at this point, but that would be fun.

0:58:58.280 --> 0:59:00.360
<v Speaker 1>I don't know. You never know what, Michael do you

0:59:00.480 --> 0:59:03.640
<v Speaker 1>not know? So get ready. I think the kids are

0:59:03.640 --> 0:59:05.240
<v Speaker 1>more likely to be having a three I think so

0:59:05.440 --> 0:59:07.640
<v Speaker 1>I now have to deal with that. But that's okay.

0:59:07.840 --> 0:59:09.960
<v Speaker 1>I mean, yeah, it is a dream. It's a dream

0:59:10.080 --> 0:59:12.240
<v Speaker 1>in so many ways. And it's a dream to get

0:59:12.240 --> 0:59:15.200
<v Speaker 1>to talk to our fans, yeah on the podcast.

0:59:15.440 --> 0:59:17.840
<v Speaker 2>What a joy to get to hear from people and

0:59:17.920 --> 0:59:19.960
<v Speaker 2>know that the show still lives on I know, right,

0:59:20.120 --> 0:59:22.600
<v Speaker 2>So thank you all for still watching. Yeah, thank you

0:59:23.160 --> 0:59:25.400
<v Speaker 2>watching again and watching for the first time.

0:59:25.600 --> 0:59:27.600
<v Speaker 1>Yes, absolutely, we love all of.

0:59:27.600 --> 0:59:29.560
<v Speaker 2>You guys, and we're sorry about the flip phones.

0:59:30.960 --> 0:59:33.760
<v Speaker 1>But it's funny, but it's funny to look at, and

0:59:33.920 --> 0:59:36.240
<v Speaker 1>even I think in the pilot there's an even bigger one,

0:59:36.480 --> 0:59:40.280
<v Speaker 1>like it's hysterical to be an evolution of phones. That

0:59:40.320 --> 0:59:43.000
<v Speaker 1>could be like a subplot of the whole series, the

0:59:43.040 --> 0:59:49.960
<v Speaker 1>evolution of the phones. Yeah, all right, thank you, Jenny,