WEBVTT - Deleted Scenes (Season 2)

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<v Speaker 1>To celebrate the end of season two. Of many Questions,

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<v Speaker 1>I'm thrilled to share a few more answers from our

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<v Speaker 1>guests that you didn't get to hear over the course

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<v Speaker 1>of the year. As I'm sure you know, we ask

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<v Speaker 1>each guest the same seven questions every interview, but we

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<v Speaker 1>don't always get to share every answer. But that's why

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<v Speaker 1>I love having one last chance every season to share

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<v Speaker 1>a few of the conversations with our guests that you

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<v Speaker 1>haven't heard. So to close out this season, here's a

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<v Speaker 1>few of my favorite answers from guests this year that

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<v Speaker 1>weren't in the original episodes. Are deleted scenes from season two.

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<v Speaker 1>And don't worry, well, we might be tying a bow

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<v Speaker 1>on this season. Many Questions will be back soon with

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<v Speaker 1>brand new, fantastic inspired and interesting guests, but for now,

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<v Speaker 1>let's get into season two's deleted scenes. Here is pull

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<v Speaker 1>at surprise winning author Anthony Dorr Tony What would be

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<v Speaker 1>your last meal? Mine would be crisps? Whatever? Really? Would

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<v Speaker 1>you really know? It would be? Would I would have them?

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<v Speaker 1>They would be there along with everything else that I

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<v Speaker 1>was going to eat. I love them? But but what

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<v Speaker 1>would your last meal be? Um? It's gonna be predictable

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<v Speaker 1>the American. But I think I would do a hamburger.

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<v Speaker 1>I'm trying not to eat beef very much, but I

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<v Speaker 1>think if it's my last one, I'm going to go

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<v Speaker 1>for it. I think you're fine, uh, and then with

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<v Speaker 1>like pickles, catchup mustard, the whole thing. Then French fries

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<v Speaker 1>with salt, really like salt. And then I would have

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<v Speaker 1>vanilla ice cream with M and M's on it. Now

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<v Speaker 1>is this something that you would eat when you were

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<v Speaker 1>a child or is it something that you're just imagining?

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<v Speaker 1>What the distillation of deliciousness is here? Like doctor Driver

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<v Speaker 1>the therapist in that one. Yeah, totally, I might be connected.

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<v Speaker 1>And it's like a try eildhood meal, isn't it? But

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<v Speaker 1>there's something about Yeah, maybe it's a mouthful of nostalgia

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<v Speaker 1>and comfort because apparently I'm dying right after this. That

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<v Speaker 1>was well, I mean, I I know it would suck,

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<v Speaker 1>it would It's so funny. It's kind of like. But

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<v Speaker 1>I also maybe in my version, like your last meal,

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<v Speaker 1>I someways think about all the other reasons, Like it

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<v Speaker 1>could be that you are like the last person on Earth,

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<v Speaker 1>or it could be in like the metaverse in some

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<v Speaker 1>virtual place one can go and experience like that feeling

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<v Speaker 1>of what your last meal is without you actually dying.

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<v Speaker 1>And then I think, but what would happen if you

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<v Speaker 1>actually got trapped in the metaverse and then it really

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<v Speaker 1>was your last meal? And then I go mad And

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<v Speaker 1>then at four o'clock in the morning and I don't

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<v Speaker 1>know what to do. I would like to say I

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<v Speaker 1>could appreciate each of meal I'm going to eat as

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<v Speaker 1>if it were my last meal. But usually I'm like

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<v Speaker 1>reading something and I don't taste it at all. I'm

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<v Speaker 1>jamming a whole doughnut right into my mouth and looking

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<v Speaker 1>at my email, and I realized I eat the whole

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<v Speaker 1>doughnut and didn't pay attention. So I'm trying to be

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<v Speaker 1>more present with the eating thing as because that's what

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<v Speaker 1>your exercise really is about, is defamiliarized this stuff we're

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<v Speaker 1>putting in our mouths and taste it because it's incredible,

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<v Speaker 1>Like we have access to so many spices that humans

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<v Speaker 1>throughout history didn't have. I can go buy avocados in

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<v Speaker 1>January and boise Idaho's incredible, So why if I could

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<v Speaker 1>just appreciate those things a little more and of a

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<v Speaker 1>bowl of vanilla ice cream and where it's ninety four

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<v Speaker 1>degrees outside, that's a terrible That's like an Aztec king

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<v Speaker 1>would sacrifice like forty people just to get Yeah. Oh,

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<v Speaker 1>I like that. I wish that that was a tribe

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<v Speaker 1>that we would find who had deified frozen dairy. I

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<v Speaker 1>would totally join that. I would join that collection of people.

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<v Speaker 1>Here is television host Katie Nolan. What quality do you

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<v Speaker 1>like least about yourself? How much time you got? Honestly, though,

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<v Speaker 1>I have spent the last whatever time two and a

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<v Speaker 1>half years whatever, we will all call the pandemic when

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<v Speaker 1>we look back at this part of our life. I'm

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<v Speaker 1>working on forgiveness of self, very self critical, and I

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<v Speaker 1>know that's probably a common trait among people, so I'm

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<v Speaker 1>not saying it makes me special, but it is something

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<v Speaker 1>that I am trying to work on. Forgive myself for

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<v Speaker 1>my shortcomings or understand them better so that I can

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<v Speaker 1>engineer my life around them. But the one that will

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<v Speaker 1>always haunt me is time management. I hate my lack

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<v Speaker 1>of an ability to manage time. I get very caught

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<v Speaker 1>up in my brain and I'm very curious, so I

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<v Speaker 1>follow a lot of paths like I could spend an

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<v Speaker 1>hour and a half reading about drama between two people

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<v Speaker 1>I've never met and don't know and I've never heard of.

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<v Speaker 1>Until I see a headline of this drama that sounds interesting.

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<v Speaker 1>I can read it and learn everything about it for

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<v Speaker 1>an hour and a half, but then I just lose

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<v Speaker 1>track of everything else. Scheduling things makes me so anxious.

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<v Speaker 1>I was ten minutes late for this a thing that

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<v Speaker 1>was very important to me, and I'm in my pajamas.

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<v Speaker 1>But the most generous reading I've had of that is

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<v Speaker 1>my good friend Mina Kimes, who also works in sports

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<v Speaker 1>TV and is brilliant and is our future and our queen.

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<v Speaker 1>She compared me to Andy Reid, and I know that

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<v Speaker 1>might not land, but I can explain it. He's a

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<v Speaker 1>football coach who is very creative in his play calling,

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<v Speaker 1>but sometimes he gets so distracted by how creative he

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<v Speaker 1>wants to be that he doesn't realize that the game

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<v Speaker 1>is about to end, and so he runs on the

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<v Speaker 1>time to do the thing he wanted to do because

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<v Speaker 1>he was showing off all the things he knows how

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<v Speaker 1>to do. It was part of the thing that's helped

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<v Speaker 1>me see the good intentions of my weaknesses. And try

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<v Speaker 1>to do my best at them where I can, and

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<v Speaker 1>then be prepared to apologize for them or warn people

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<v Speaker 1>of them ahead of time, because nothing's worse than disappointing people.

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<v Speaker 1>There are all things less than disappointing people. Yes, probably

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<v Speaker 1>killing people. I think maybe after you've disappointed them, well,

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<v Speaker 1>then you have to They can't continue to live disappointed

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<v Speaker 1>in me. I must rid the earth of their existence.

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<v Speaker 1>I say this a lot, and it's a soccer term,

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<v Speaker 1>which is, even if it's going really badly, you have

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<v Speaker 1>to play to the last whistle. You have to play

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<v Speaker 1>with everything. Don't say, well, your creative play for the

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<v Speaker 1>last fourteen seconds of a game. But I'm a procrastinator.

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<v Speaker 1>That's what I do because if I as soon as

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<v Speaker 1>I write it, or film it or put it on paper,

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<v Speaker 1>whatever it is I'm making, then it's going to be done.

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<v Speaker 1>And I don't want it to be done. I like

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<v Speaker 1>living in the part where you're figuring it out until

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<v Speaker 1>it's perfect. I don't want to do it. What about

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<v Speaker 1>the idea that like it is never going to be perfect?

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<v Speaker 1>And now what about letting go of this constraint you've

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<v Speaker 1>put on it and just be in the process, which

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<v Speaker 1>you clearly love because God knows you create. Everything is

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<v Speaker 1>self generated that you do, Everything is about you creating

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<v Speaker 1>this content and offering that up. And people clearly obsessively

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<v Speaker 1>love what you do. Even the people that don't get it,

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<v Speaker 1>they love what you do. That's like that. I think

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<v Speaker 1>that might be one of the nicest things anyone said

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<v Speaker 1>to me. I hope that you will be nicer to

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<v Speaker 1>yourself because you're great. You're great. No, not really, I

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<v Speaker 1>have my own ship to work on. This is writer,

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<v Speaker 1>filmmaker and podcast host Sam Fragoso. Okay, what I really

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<v Speaker 1>want to hear this now because I think you might

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<v Speaker 1>know things that I don't. What question do you most

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<v Speaker 1>want answered? My question? And it's something I've thought a

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<v Speaker 1>lot about this year in the pandemic. Why do we

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<v Speaker 1>often wait for conditions to get so bad before we

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<v Speaker 1>make change? And that's true of love, it's true of

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<v Speaker 1>this looming ongoing environmental crisis, it's true of racial justice,

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<v Speaker 1>it's true across the board. Why do we have to

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<v Speaker 1>weigh eight for the conditions to be so untenable before

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<v Speaker 1>we try to make them tenable again? And it's something

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<v Speaker 1>that really bothers me. You know, last year We did

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<v Speaker 1>a podcast with friend labor Witz, and back in the

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<v Speaker 1>late nineties, we were talking about this piece she wrote,

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<v Speaker 1>which was with Vanity Fair was like Nas told too,

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<v Speaker 1>I think it's called on race is what it's called.

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<v Speaker 1>And she makes all these great with a lovely, smart,

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<v Speaker 1>thoughtful points, as she often does about race, and she said,

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<v Speaker 1>I didn't know about any of this within people of color,

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<v Speaker 1>within the black community until I had a friend that

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<v Speaker 1>got pulled over while he had a Mercedes, and I thought,

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<v Speaker 1>that's interesting. But why do you have to know someone?

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<v Speaker 1>Why do we have to wait to know someone? Why

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<v Speaker 1>can't we actually just believe people's testimony? And this constant

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<v Speaker 1>thing this past year in the pandemic, whether it's around

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<v Speaker 1>mask mandates or police brutality, why do we have to

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<v Speaker 1>wait to have a secondhand account? But what do we need?

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<v Speaker 1>It's a really really good question. Why do we have

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<v Speaker 1>to wait for things to get so bad before we

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<v Speaker 1>address them? And also we don't seem to address them definitively.

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<v Speaker 1>It's like we all know that there is a climate

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<v Speaker 1>emergency and people are still just talking about it. I

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<v Speaker 1>wonder what that is? What is that human thing? The

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<v Speaker 1>easy answer is that it's laziness or slothfulness, as fran

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<v Speaker 1>would say. It also could just be life is really

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<v Speaker 1>hard already, we're already trying to just make it through

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<v Speaker 1>the day. When it comes to these big issues that

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<v Speaker 1>feel larger than life, although they're very much of life,

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<v Speaker 1>we let them go. We're trying to get on because,

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<v Speaker 1>as you said, this is all over in an instant.

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<v Speaker 1>She said, I know about people's experiences because I have

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<v Speaker 1>friends that look like that person, and I think that

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<v Speaker 1>applies to empathy in general. It's like COVID. It's like, yeah,

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<v Speaker 1>well I care about COVID because my friend died and

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<v Speaker 1>I had some people who mind. But why would we

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<v Speaker 1>have to wait for that? It's mystifying. I honestly think

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<v Speaker 1>that we look at a lot. We look at a

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<v Speaker 1>lot myopically and also to keep the gigantic nature of

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<v Speaker 1>stuff that's happening in the world at bay, and that

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<v Speaker 1>it's only when that bubble is penetrated by something personal

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<v Speaker 1>happening perhaps and it should or shouldn't. That's how it is,

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<v Speaker 1>maybe you're saying. When it comes to like change and

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<v Speaker 1>education in this country, there's been a long conversation about

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<v Speaker 1>giving kids free college or reducing tuition and all these things,

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<v Speaker 1>and the situation is dire. We know it's dire. There's

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<v Speaker 1>people not qualified for the jobs. There's not enough jobs

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<v Speaker 1>to even be qualified for. Schools are more expensive than

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<v Speaker 1>every we know. We all know this. And my dad,

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<v Speaker 1>who's a teacher, mind you, I sometimes said, and we

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<v Speaker 1>should really think about changing the system. We should think

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<v Speaker 1>about having these free colleges. In his first response as

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<v Speaker 1>a teacher as a Mexican, Yeah, but I had to

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<v Speaker 1>pay for school. I had to pay for them. So

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<v Speaker 1>it's like eye for an eye. It's like we're always

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<v Speaker 1>paying off the debt. There's like this ongoing ledger that

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<v Speaker 1>we need to toss out to say we're here now,

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<v Speaker 1>Like I'm sorry, my dad paid for it. But it

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<v Speaker 1>doesn't mean kids, aren't you now? So I don't know,

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<v Speaker 1>maybe that's part of it. I think that also works oversely,

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<v Speaker 1>and that it wasn't me doing that oppressing. I didn't

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<v Speaker 1>do all of that stuff. Why should I be responsible now?

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<v Speaker 1>I think he just comes back to we are these

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<v Speaker 1>individual entities, and maybe it is some deep reptilian brain

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<v Speaker 1>recognition that we are here for such a short amount

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<v Speaker 1>of time and that actually our lot is all we

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<v Speaker 1>really have the capacity to care about, and maybe there

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<v Speaker 1>is some deep programming of just taking care of yourself

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<v Speaker 1>and maybe your children because there's the DNA of the progeny.

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<v Speaker 1>I think it will. What it does is it takes

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<v Speaker 1>something that's really meant to stop you getting eaten by

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<v Speaker 1>a wild animal, and you start appying that to social

0:11:58.720 --> 0:12:02.040
<v Speaker 1>constructs that we have created as opposed to going, okay,

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<v Speaker 1>if we've created these social constructs, we need to develop

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<v Speaker 1>our responses to them, but nobody wants to do that.

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<v Speaker 1>They just want to make sure that they can take

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<v Speaker 1>care of their own lot. It's alternately depressing and understandable

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<v Speaker 1>because it's requiring us as humans to evolve to a

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<v Speaker 1>place to meet what we've created. It's so existential because

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<v Speaker 1>we've created all this stuff in the world, but it's

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<v Speaker 1>like we haven't evolved enough to meet the ship that

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<v Speaker 1>we've created with a response that is going to help

0:12:29.440 --> 0:12:33.400
<v Speaker 1>it or change it, and so we just stick our

0:12:33.440 --> 0:12:36.400
<v Speaker 1>heads back in the ground. There must be something hopeful.

0:12:36.600 --> 0:12:40.400
<v Speaker 1>In the specific context of when I asked fran the question,

0:12:41.080 --> 0:12:44.880
<v Speaker 1>I was she was sixty. It didn't even totally compute,

0:12:44.960 --> 0:12:47.760
<v Speaker 1>and I bet if you explain the dynamic and situation

0:12:47.800 --> 0:12:50.400
<v Speaker 1>to your son, who's much younger than I am. It

0:12:50.440 --> 0:12:52.760
<v Speaker 1>would make complete sense to him, and it would make

0:12:52.800 --> 0:12:55.120
<v Speaker 1>complete sense to my younger sister and my younger brother.

0:12:55.360 --> 0:12:58.240
<v Speaker 1>So there is some hope in future generations that I

0:12:58.240 --> 0:13:00.800
<v Speaker 1>think they're asking these questions. I think they feel it

0:13:00.800 --> 0:13:04.080
<v Speaker 1>in their bones. I do. So that's the hopeful party,

0:13:04.400 --> 0:13:07.800
<v Speaker 1>and then they'll have their own bunch of shipped to

0:13:07.840 --> 0:13:11.120
<v Speaker 1>deal with. Like I think that's also part of our condition,

0:13:11.160 --> 0:13:13.920
<v Speaker 1>that we continue to create stuff that we then have

0:13:14.000 --> 0:13:18.240
<v Speaker 1>to solve. Maybe it doesn't get solved. That's part of

0:13:18.240 --> 0:13:22.360
<v Speaker 1>the position. We might not survive our own slot. I

0:13:22.400 --> 0:13:24.680
<v Speaker 1>thought I was a depressing one, you know what, But

0:13:24.800 --> 0:13:28.640
<v Speaker 1>we're here in this present moment being happy. It's all true.

0:13:28.679 --> 0:13:30.800
<v Speaker 1>I think there is You're absolutely right, there is hope.

0:13:30.840 --> 0:13:33.120
<v Speaker 1>My son does not look at the world the way

0:13:33.120 --> 0:13:36.439
<v Speaker 1>that I do at all. He will have beginner's eyes.

0:13:36.520 --> 0:13:39.080
<v Speaker 1>With all the ship that we've created, it's really who

0:13:39.120 --> 0:13:42.280
<v Speaker 1>is the janitorial generation? Who is really gonna have to

0:13:42.320 --> 0:13:44.280
<v Speaker 1>clean up all this ship? I think it might be you.

0:13:44.559 --> 0:13:48.440
<v Speaker 1>I think it might be your generation. Sorry, Sam, here's

0:13:48.440 --> 0:13:50.959
<v Speaker 1>a broom and a dust bat and brush. I am

0:13:51.000 --> 0:13:55.440
<v Speaker 1>a fossil, like I'm going to hand that on hand

0:13:55.440 --> 0:14:08.280
<v Speaker 1>that up. Next up is comedian, actress and co writer

0:14:08.400 --> 0:14:13.240
<v Speaker 1>of the TV series Starstruck Rose Matter Fair. Okay, so

0:14:13.600 --> 0:14:18.680
<v Speaker 1>what person, plays or experience so far has most altered

0:14:18.720 --> 0:14:23.640
<v Speaker 1>your life? Oh, this is a it's very hard. I

0:14:23.680 --> 0:14:27.480
<v Speaker 1>feel like I haven't lived lived answers to the question,

0:14:27.640 --> 0:14:30.480
<v Speaker 1>I think experience in place I think would be would

0:14:30.480 --> 0:14:31.960
<v Speaker 1>be a big one for me. And that is I

0:14:31.960 --> 0:14:35.400
<v Speaker 1>think just being from New Zealand, living in New Zealand,

0:14:35.440 --> 0:14:37.520
<v Speaker 1>growing up in a place like New Zealand, it has

0:14:37.560 --> 0:14:41.240
<v Speaker 1>an immense effect I think on anyone who went through that.

0:14:41.520 --> 0:14:43.800
<v Speaker 1>I live in London now, but I think, yeah, I

0:14:43.880 --> 0:14:45.840
<v Speaker 1>just wouldn't have been the person I am and do

0:14:45.960 --> 0:14:47.960
<v Speaker 1>the things I do, and particularly I think, you know,

0:14:48.200 --> 0:14:50.400
<v Speaker 1>I started in comedy, like, I don't think I would

0:14:50.400 --> 0:14:53.400
<v Speaker 1>have had the attitude towards making things and making comedy

0:14:53.400 --> 0:14:56.560
<v Speaker 1>and writing and just creativity in general if I hadn't

0:14:56.600 --> 0:14:59.640
<v Speaker 1>come from a country where it was like, I don't

0:14:59.640 --> 0:15:01.720
<v Speaker 1>know something specific about news that you know a lot

0:15:01.760 --> 0:15:04.840
<v Speaker 1>of New Zealanders, you know who like we're an l

0:15:04.920 --> 0:15:07.120
<v Speaker 1>a at the same time as you install all those

0:15:07.200 --> 0:15:09.960
<v Speaker 1>kind of you know, people who have moved abroad, and

0:15:10.160 --> 0:15:12.560
<v Speaker 1>there is just this weird quality when you come from

0:15:12.560 --> 0:15:16.320
<v Speaker 1>a country in the bottom of the world and you're

0:15:16.400 --> 0:15:18.880
<v Speaker 1>allowed to like have this sort of sandpit of just

0:15:19.400 --> 0:15:21.560
<v Speaker 1>doing whatever you want without I think a lot of

0:15:21.560 --> 0:15:24.840
<v Speaker 1>the pressures, particularly and like you know, being a performer

0:15:24.920 --> 0:15:26.920
<v Speaker 1>in like cities like London or like you know, in

0:15:26.960 --> 0:15:28.840
<v Speaker 1>the States and stuff, and know, you can be weird.

0:15:29.360 --> 0:15:33.280
<v Speaker 1>But New Zealand seems to be this really extraordinary incubator

0:15:33.680 --> 0:15:38.120
<v Speaker 1>for creativity. Like that's what I've noticed with the actors, writers, directors,

0:15:38.240 --> 0:15:41.600
<v Speaker 1>musicians that I know New Zealand. It's like this brilliant

0:15:41.640 --> 0:15:47.160
<v Speaker 1>creative science island where you're all you're all grown and

0:15:47.200 --> 0:15:50.680
<v Speaker 1>then you go off out into the world and everybody

0:15:50.680 --> 0:15:53.400
<v Speaker 1>because there is something recognizable there. For me, there is

0:15:53.440 --> 0:15:57.440
<v Speaker 1>something recognizably Keywi. There is a way of seeing the

0:15:57.480 --> 0:16:01.040
<v Speaker 1>world that is brilliant and clever and also doesn't really

0:16:01.040 --> 0:16:04.880
<v Speaker 1>give a fuck, but it's curious and fascinated and not

0:16:05.240 --> 0:16:10.000
<v Speaker 1>or at least not publicly judgmental, yes, but rather rather

0:16:10.040 --> 0:16:13.480
<v Speaker 1>sort of let me have all this input. Maybe again

0:16:13.520 --> 0:16:17.560
<v Speaker 1>from being from little lovely Islands at the you know,

0:16:17.640 --> 0:16:20.520
<v Speaker 1>in the southern hemisphere. There's a lot of this pressure.

0:16:20.560 --> 0:16:23.280
<v Speaker 1>I think, I think the output of of lots of

0:16:23.280 --> 0:16:25.800
<v Speaker 1>things like music and film that comes out of New Zealand.

0:16:25.800 --> 0:16:27.720
<v Speaker 1>I mean there's always like it's always the funny thing.

0:16:27.720 --> 0:16:30.480
<v Speaker 1>I think there's very I think Ireland and New Zealand

0:16:30.480 --> 0:16:33.600
<v Speaker 1>have very similar like a lot of my Irish friends,

0:16:33.760 --> 0:16:37.080
<v Speaker 1>it's bizarrely like it's kind of similar traits. But I

0:16:37.080 --> 0:16:40.040
<v Speaker 1>think it's you know, farming and men with depression. That's

0:16:40.520 --> 0:16:47.120
<v Speaker 1>heavy drinking, heavy drinking, sheep farming, member depression, similar population size. Yes,

0:16:47.240 --> 0:16:50.480
<v Speaker 1>that's the vibe. I think geography really obviously has an

0:16:50.480 --> 0:16:53.640
<v Speaker 1>effect on a sort of national attitude and and and

0:16:53.840 --> 0:16:56.200
<v Speaker 1>sort of you know, even personality traits. But I think

0:16:56.240 --> 0:16:58.160
<v Speaker 1>I think, you know, New Zealand is a place where

0:16:58.160 --> 0:17:01.000
<v Speaker 1>there is like an earnest as well sometimes in like

0:17:01.040 --> 0:17:04.159
<v Speaker 1>a connection to the land that you're from, and you know,

0:17:04.200 --> 0:17:08.359
<v Speaker 1>a sensitivity. I think that maybe you know, the other

0:17:08.720 --> 0:17:13.000
<v Speaker 1>places have less or I don't know. I think it's

0:17:13.040 --> 0:17:15.480
<v Speaker 1>just a great place for you to be a weird

0:17:15.720 --> 0:17:19.000
<v Speaker 1>artie freak and like you know, learn to do something

0:17:19.080 --> 0:17:21.040
<v Speaker 1>without pressure and you know you look at like you

0:17:21.080 --> 0:17:22.879
<v Speaker 1>know tycho or like you know a fly to the

0:17:22.880 --> 0:17:25.600
<v Speaker 1>concord or you know, act your main all that's amazing

0:17:26.280 --> 0:17:29.600
<v Speaker 1>all given the opportunity to just sunk around for many

0:17:29.680 --> 0:17:32.119
<v Speaker 1>years doing comedy and the same with you know, filmmakers

0:17:32.119 --> 0:17:34.320
<v Speaker 1>from New Zealand. I think it's like the work is

0:17:34.400 --> 0:17:38.040
<v Speaker 1>the focus sometimes rather than like the industry, because it's like, no,

0:17:38.200 --> 0:17:41.400
<v Speaker 1>there's not really an industry you know down there as

0:17:41.440 --> 0:17:44.720
<v Speaker 1>such like as much as you know here or in America,

0:17:44.840 --> 0:17:48.399
<v Speaker 1>and just you know, a healthy attitude towards um life.

0:17:48.440 --> 0:17:51.800
<v Speaker 1>It's certainly working in comedy and television and stuff. I

0:17:51.840 --> 0:17:53.760
<v Speaker 1>think there's always part when you when you've got another

0:17:53.800 --> 0:17:56.480
<v Speaker 1>New Zealander, like I've got Alice Neddon, who I write

0:17:56.600 --> 0:17:59.760
<v Speaker 1>you sound struck with, and it's like inception. You know,

0:17:59.800 --> 0:18:03.480
<v Speaker 1>we're each other's token, just grounding each other and going, remember,

0:18:03.640 --> 0:18:08.639
<v Speaker 1>none of this matters. It's fine. You are such a stupid,

0:18:08.680 --> 0:18:12.280
<v Speaker 1>silly person from we grew up streets away from each other.

0:18:12.480 --> 0:18:15.960
<v Speaker 1>This is all ridiculous and very funny, and it's so

0:18:16.320 --> 0:18:19.320
<v Speaker 1>great and healthy to have that. I think it's so

0:18:19.480 --> 0:18:21.600
<v Speaker 1>nice to have a mate doing all of this with

0:18:21.840 --> 0:18:25.960
<v Speaker 1>it means my imagine I'm very jealous of that. It's lovely.

0:18:29.480 --> 0:18:35.680
<v Speaker 1>Next up is actress and model Brookshields. What relationship, real

0:18:35.880 --> 0:18:40.400
<v Speaker 1>or fictionalized, defines love for you? You know, it's interesting

0:18:40.480 --> 0:18:45.240
<v Speaker 1>because love in my personal life had always seemed conditional.

0:18:45.920 --> 0:18:50.359
<v Speaker 1>Then I became a mother and all of it flipped

0:18:50.400 --> 0:18:54.800
<v Speaker 1>on its head. It was no longer selfish to me.

0:18:55.480 --> 0:19:01.320
<v Speaker 1>That first feeling of unselfish love was it was something

0:19:01.320 --> 0:19:03.280
<v Speaker 1>I don't think. I thought I would love my baby

0:19:03.280 --> 0:19:05.240
<v Speaker 1>and I whatever, and I had a hard time with

0:19:05.320 --> 0:19:09.960
<v Speaker 1>my first one postpartum wise, but beyond that, I've never

0:19:10.080 --> 0:19:14.480
<v Speaker 1>known that kind of selfless love where I really it

0:19:14.600 --> 0:19:19.239
<v Speaker 1>was just purely about this this other creature that I

0:19:19.280 --> 0:19:23.359
<v Speaker 1>was both responsible for and the desire to be the

0:19:23.400 --> 0:19:28.000
<v Speaker 1>best part of myself or version of myself instead of

0:19:28.040 --> 0:19:32.119
<v Speaker 1>just fit into somebody else's idea of of what that

0:19:32.200 --> 0:19:34.600
<v Speaker 1>love should look like. You know, Yeah, there was nothing

0:19:34.680 --> 0:19:37.239
<v Speaker 1>you had to do to experience that love. It was

0:19:37.920 --> 0:19:41.280
<v Speaker 1>in and all of itself. Like that. I I get that.

0:19:41.359 --> 0:19:46.280
<v Speaker 1>It's it's a particularly I think you mentioned like the

0:19:46.280 --> 0:19:50.000
<v Speaker 1>transactional nature of being an actor or trying to make

0:19:50.040 --> 0:19:52.639
<v Speaker 1>a living doing it, and love is so wrapped up

0:19:52.640 --> 0:19:55.879
<v Speaker 1>in that because love and approbation in terms of like

0:19:55.920 --> 0:19:58.520
<v Speaker 1>an audience or people putting you in things. And then

0:19:58.520 --> 0:20:01.600
<v Speaker 1>when you have a child, it's so beautiful, how it

0:20:01.720 --> 0:20:06.760
<v Speaker 1>just it blows up that whole notion of you don't

0:20:06.800 --> 0:20:10.119
<v Speaker 1>have to try to do anything. You have to feed

0:20:10.240 --> 0:20:12.640
<v Speaker 1>that baby and stare at it and love it and

0:20:12.880 --> 0:20:16.159
<v Speaker 1>play with it and be there's no, there's something you

0:20:16.160 --> 0:20:19.760
<v Speaker 1>actually have to do, no, in order to engender that love.

0:20:20.240 --> 0:20:23.879
<v Speaker 1>It's so pure. Yeah, And I think my my version

0:20:23.920 --> 0:20:28.040
<v Speaker 1>of love for me, even all romantic love had a

0:20:29.160 --> 0:20:32.160
<v Speaker 1>it like had a goal to it. You did this, this,

0:20:32.160 --> 0:20:34.919
<v Speaker 1>this and this, and then that would happen or or something.

0:20:35.040 --> 0:20:38.680
<v Speaker 1>Or I'd be like, look at me, walk a walk

0:20:38.680 --> 0:20:40.880
<v Speaker 1>a walk, I like I would be doing a song

0:20:40.920 --> 0:20:43.720
<v Speaker 1>and dance just to sort of get approval or I

0:20:43.760 --> 0:20:47.600
<v Speaker 1>was never really first in it, and so it was

0:20:48.200 --> 0:20:50.439
<v Speaker 1>it was very odd. But then to you have this

0:20:50.600 --> 0:20:55.640
<v Speaker 1>primary thing kind of comes out of you and feeds

0:20:55.800 --> 0:21:02.840
<v Speaker 1>on you, and it's the most parasitic, crazy relationship, right,

0:21:03.280 --> 0:21:07.840
<v Speaker 1>And to just think, yeah, that's she doesn't even know

0:21:08.000 --> 0:21:14.119
<v Speaker 1>me and she loves me. Oh my god, I must

0:21:14.119 --> 0:21:18.240
<v Speaker 1>be all right, wait till you get to know me.

0:21:23.200 --> 0:21:29.120
<v Speaker 1>Here is comedian and television host Graham Norton. Okay, So

0:21:29.480 --> 0:21:36.159
<v Speaker 1>what would be your last meal? It would definitely involve potato.

0:21:37.440 --> 0:21:41.720
<v Speaker 1>What because because you love potatoes. I don't mean this

0:21:41.880 --> 0:21:44.960
<v Speaker 1>to be stereotypical about Irish people that because you ate

0:21:45.000 --> 0:21:47.520
<v Speaker 1>a lot of potatoes growing up a lot of different ways.

0:21:47.800 --> 0:21:52.520
<v Speaker 1>Have you always had an affinity for the tubers? I mean,

0:21:52.560 --> 0:21:55.840
<v Speaker 1>I don't know it's certain whether it's you know, nature

0:21:55.840 --> 0:21:59.680
<v Speaker 1>and nurture, I don't know, but a bowl of mash

0:21:59.760 --> 0:22:06.919
<v Speaker 1>but aato is so delicious. Remember seeing him? What's that

0:22:07.040 --> 0:22:09.080
<v Speaker 1>York film? There's a scene at the end where she's

0:22:09.119 --> 0:22:11.119
<v Speaker 1>on death throw and she's getting her last meal. And

0:22:11.160 --> 0:22:12.800
<v Speaker 1>I remember I was on a diet at the time.

0:22:12.840 --> 0:22:14.119
<v Speaker 1>I was trying to dose weight. So I see some

0:22:14.240 --> 0:22:17.720
<v Speaker 1>loots of fish and salad and things, and they gave

0:22:17.760 --> 0:22:20.439
<v Speaker 1>her her last meal and it was like chop steak.

0:22:20.560 --> 0:22:23.560
<v Speaker 1>It was a really big chop steak with potato and gravy,

0:22:23.640 --> 0:22:27.760
<v Speaker 1>and and she pushed it away. And that was when

0:22:27.760 --> 0:22:31.479
<v Speaker 1>I lost all sympathy for that character, because I eat it,

0:22:32.119 --> 0:22:37.960
<v Speaker 1>you more on eat it looks delicious, get it down here.

0:22:38.359 --> 0:22:41.120
<v Speaker 1>So I do like the concept of last meal because

0:22:41.280 --> 0:22:42.800
<v Speaker 1>all of us are going to have a last meal,

0:22:43.080 --> 0:22:46.679
<v Speaker 1>but our last meal will probably be toast. If you

0:22:46.720 --> 0:22:49.840
<v Speaker 1>die of all day, you ends up with toast, which,

0:22:49.920 --> 0:22:52.000
<v Speaker 1>by the way, that wouldn't be a bad thing for me.

0:22:52.240 --> 0:22:56.399
<v Speaker 1>I love toast, do you, Yeah, really do if it

0:22:56.600 --> 0:22:58.840
<v Speaker 1>if it ended up being my last meal, I'd be

0:22:58.920 --> 0:23:02.800
<v Speaker 1>really piste off. It were the crisps that I didn't want,

0:23:02.920 --> 0:23:05.119
<v Speaker 1>but I had to take a packet of crisps because

0:23:05.119 --> 0:23:07.159
<v Speaker 1>I was hungry, but they didn't have the flavor that

0:23:07.160 --> 0:23:09.880
<v Speaker 1>I liked, and I ended up with like I hate cheese,

0:23:09.960 --> 0:23:12.320
<v Speaker 1>no onion crisps, Like I ate cheese nonion crisp. Because

0:23:12.359 --> 0:23:14.879
<v Speaker 1>that would be really a bummer for me, that was

0:23:14.960 --> 0:23:17.080
<v Speaker 1>my last meal. You could have, it would give you

0:23:17.080 --> 0:23:21.240
<v Speaker 1>a reason to live. You'd hang on. I must get

0:23:21.320 --> 0:23:28.960
<v Speaker 1>to the shock, must not let that lingering shit taste

0:23:30.520 --> 0:23:39.920
<v Speaker 1>for eternity. Yeah. And also I suppose maybe this whole

0:23:39.920 --> 0:23:42.919
<v Speaker 1>idea of last meal, it only makes sense in a

0:23:43.000 --> 0:23:45.760
<v Speaker 1>situation like you're going to be killed in fairness to

0:23:45.840 --> 0:23:49.480
<v Speaker 1>be work, you would I suppose lose some interest. And

0:23:49.600 --> 0:23:51.280
<v Speaker 1>that's what people have tried to say. There's me. They've

0:23:51.280 --> 0:23:53.600
<v Speaker 1>been like on the show, they've been like wow, they

0:23:53.600 --> 0:23:55.240
<v Speaker 1>were like, you know, I just think I would be

0:23:55.920 --> 0:23:57.720
<v Speaker 1>I just I don't think I could eat, and I

0:23:57.800 --> 0:23:59.639
<v Speaker 1>was like, yeah no, but let's just say you could.

0:24:00.680 --> 0:24:03.200
<v Speaker 1>Let's just see really hungry because it is your last meal,

0:24:03.359 --> 0:24:05.120
<v Speaker 1>and let's take the whole death thing out of it.

0:24:05.320 --> 0:24:07.240
<v Speaker 1>There might be I think I even said that some

0:24:07.280 --> 0:24:08.720
<v Speaker 1>of there might be another reason why this is your

0:24:08.800 --> 0:24:13.080
<v Speaker 1>last meal. And there was a really long s You're

0:24:13.119 --> 0:24:18.119
<v Speaker 1>being abducted by aliens and they don't eat so potatoes,

0:24:18.240 --> 0:24:21.640
<v Speaker 1>lovely potato. It's mashed mashed potato. Probably do you put

0:24:21.680 --> 0:24:24.280
<v Speaker 1>butter and a little bit of cream or milk in

0:24:24.320 --> 0:24:26.880
<v Speaker 1>your bashed potatoes or do you just well, here's the thing.

0:24:27.119 --> 0:24:29.199
<v Speaker 1>When I go out, I eat whatever. But in the

0:24:29.280 --> 0:24:33.359
<v Speaker 1>house it's vegan and it's and it's one of the

0:24:33.480 --> 0:24:36.360
<v Speaker 1>things about mashed potos because I always thought mashed potatoes

0:24:36.359 --> 0:24:39.000
<v Speaker 1>were gorgeous because you put you know, lots of woster

0:24:39.160 --> 0:24:44.040
<v Speaker 1>in them. And can I just say, we've been underestimating

0:24:44.040 --> 0:24:46.160
<v Speaker 1>the potato this whole time. Just a bit of plant

0:24:46.200 --> 0:24:50.440
<v Speaker 1>based butter, olive oil, salt and pepper and then mash away.

0:24:50.640 --> 0:24:54.920
<v Speaker 1>It is as delicious as any mashy you've ever had.

0:24:55.160 --> 0:24:59.840
<v Speaker 1>You're very surprising, Graham. I like that vegan mashed potatoes.

0:25:00.040 --> 0:25:01.640
<v Speaker 1>That that okay, you will last me on and then

0:25:01.760 --> 0:25:05.879
<v Speaker 1>I'm actually going to make that. Does it depend on

0:25:05.880 --> 0:25:08.200
<v Speaker 1>what potatoes you use? Because in America you can't get

0:25:08.720 --> 0:25:14.640
<v Speaker 1>you can't get like are they called marass piper my favorite?

0:25:14.680 --> 0:25:16.439
<v Speaker 1>You can't get them in America. Can't find they are

0:25:16.480 --> 0:25:19.040
<v Speaker 1>the most versatile. They are the most versatile. They are.

0:25:19.359 --> 0:25:22.520
<v Speaker 1>They are the best roast potatoes, the best chips, and

0:25:22.600 --> 0:25:26.280
<v Speaker 1>the best mashed potatoes I found. But in America they

0:25:26.359 --> 0:25:28.959
<v Speaker 1>must have good potatoes. They don't have, you know, they

0:25:28.960 --> 0:25:32.399
<v Speaker 1>don't have new potatoes. They have like russets, but the

0:25:32.480 --> 0:25:35.480
<v Speaker 1>small potatoes. It's funny, I haven't found any really good ones.

0:25:35.520 --> 0:25:38.800
<v Speaker 1>But then I've I've never been to Ida Home off

0:25:38.800 --> 0:25:56.760
<v Speaker 1>the Potato exactly. Maybe I got to go there. This

0:25:57.040 --> 0:26:01.679
<v Speaker 1>is the legendary journalist and television host Dnam'm Paul in

0:26:01.720 --> 0:26:04.040
<v Speaker 1>your life. Can you tell me about something that has

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<v Speaker 1>grown out of a personal disaster? Well, I think my

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<v Speaker 1>first personal disaster was failing my exams. I had never

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<v Speaker 1>failed anything in my life. I'd never ever failed anything

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<v Speaker 1>in my life. I was always you know, first or second,

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<v Speaker 1>you know in my class. No, No, sorry, no, Joanna

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<v Speaker 1>Blundle was first. Wow, you've never forgotten Joanna Bund. I

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<v Speaker 1>have never forgotten. I was eleven years old until eighteen

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<v Speaker 1>years old. I've never forgotten it. But just to say

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<v Speaker 1>that when I did fail my levels, I was desperate.

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<v Speaker 1>I've never been that desperate. I've never sunk into such

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<v Speaker 1>a hole. And I didn't know what to do. I

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<v Speaker 1>did not know what to do with my life. And

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<v Speaker 1>I sent me home to Iran and I spent that

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<v Speaker 1>year in the revolution. And you know, you you wouldn't

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<v Speaker 1>want to say that that was a good thing that

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<v Speaker 1>came out of failure, but that was a constructive thing

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<v Speaker 1>that happened in my life that put me on the

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<v Speaker 1>path to my future. What did you do in that year? What? What?

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<v Speaker 1>What did you secretarial work? I did a little this

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<v Speaker 1>or a little bad. But during a revolution, a cultural

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<v Speaker 1>and a religious revolution, well it was hard because you know,

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<v Speaker 1>I was of the class and the group who was

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<v Speaker 1>being revolted against, so it was, you know, not that

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<v Speaker 1>easy for me to get in to see what was

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<v Speaker 1>going on. I watched it from the sidelines as it

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<v Speaker 1>as it unfolded outside my door or whatever. I did

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<v Speaker 1>not go into the protests I just watched and I

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<v Speaker 1>talked and I listened, and then in the end, my

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<v Speaker 1>father sent me out just before Ormeni came back, because

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<v Speaker 1>you said, if you don't go now, you don't know

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<v Speaker 1>what will happen. And I needed to go to university.

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<v Speaker 1>So that's what happened. I really did not mean in

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<v Speaker 1>any way to be disrespectful, to make light of what

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<v Speaker 1>must have been an unfathomable time in Iran's history. But

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<v Speaker 1>I do kind of love the idea that you've failed

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<v Speaker 1>your A levels and then we're like, okay, I guess

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<v Speaker 1>I'm just going to go back to the revolution. Then

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<v Speaker 1>there's there's no point anymore. I'm just going to go

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<v Speaker 1>back and watch everything chatting like that's that's that's kind

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<v Speaker 1>of that's kind of amazing. It sort of happened after

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<v Speaker 1>I failed. But it was great. I mean, what can

0:28:15.720 --> 0:28:17.880
<v Speaker 1>I tell you? It wasn't great for so many people.

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<v Speaker 1>Many people lost their lives. In fact, in my own family,

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<v Speaker 1>my father's brother, my uncle was arrested and in jail

0:28:25.240 --> 0:28:29.480
<v Speaker 1>and he was either killed or died or tortured to death.

0:28:29.600 --> 0:28:32.440
<v Speaker 1>We never saw his body. They never gave it back. Um,

0:28:32.520 --> 0:28:35.600
<v Speaker 1>And so these things stick with you it's a very

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<v Speaker 1>particular context that you then go out into the world

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<v Speaker 1>to do what you do. And I think it's astonishing

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<v Speaker 1>that you survived that, that you survived not just physically

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<v Speaker 1>but mentally. And I know you've said that so many

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<v Speaker 1>people didn't. Well, to bring it back to what you've

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<v Speaker 1>been asking me, I survived because of love and happiness

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<v Speaker 1>and joy and knowing how to see it and how

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<v Speaker 1>to recognize it and wanting it. M hmm. That is

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<v Speaker 1>true for all of us as well. I mean that

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<v Speaker 1>that is a wonderful thing to hear. And that's a wrap.

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<v Speaker 1>Thank you so much for listening to season two, and

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<v Speaker 1>I can't wait for you to join me next season

0:29:14.720 --> 0:29:18.320
<v Speaker 1>for even more guests, more laughs, and more surprises. You know,

0:29:18.360 --> 0:29:21.280
<v Speaker 1>when I first started many questions, I wanted each episode

0:29:21.320 --> 0:29:25.800
<v Speaker 1>to help us create some sort of cultural anthology, every

0:29:25.840 --> 0:29:29.200
<v Speaker 1>new guest giving us news stories that highlighted our differences

0:29:29.240 --> 0:29:33.320
<v Speaker 1>and our similarities, whether we're reliving early gigs at CBGB

0:29:33.440 --> 0:29:37.160
<v Speaker 1>with Debbie Harry, sharing fried Hallumi cheese with an Airs Mitchell,

0:29:37.640 --> 0:29:41.000
<v Speaker 1>or talking about dog psychics with Graham Norton. I hope

0:29:41.040 --> 0:29:44.280
<v Speaker 1>you heard something that made you laugh, something that surprised you,

0:29:44.800 --> 0:29:47.000
<v Speaker 1>maybe even something that made you feel a little more

0:29:47.040 --> 0:29:50.800
<v Speaker 1>connected to the world. Until next season, be sure to

0:29:50.840 --> 0:29:54.800
<v Speaker 1>follow me on Instagram and Twitter at Driver Mini and

0:29:54.840 --> 0:29:57.800
<v Speaker 1>subscribe to Many Questions on the I Heart Radio app,

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<v Speaker 1>Apple Podcasts, Spotify, or wherever you listen to your podcast

0:30:01.680 --> 0:30:04.000
<v Speaker 1>to be the first to note about our new episodes.

0:30:04.640 --> 0:30:07.720
<v Speaker 1>I can't thank you enough for listening. Thank you so much.

0:30:10.000 --> 0:30:13.280
<v Speaker 1>Mini Questions is hosted and written by Me Mini Driver,

0:30:13.840 --> 0:30:21.480
<v Speaker 1>supervising producer Aaron Kaufman, Producer Morgan Lavoy, Research assistant Marissa Brown.

0:30:22.720 --> 0:30:28.440
<v Speaker 1>Original music Sorry Baby by Mini Driver, Additional music by

0:30:28.440 --> 0:30:33.640
<v Speaker 1>Aaron Kaufman. Executive produced by Me Mini Driver. Special thanks

0:30:33.840 --> 0:30:39.520
<v Speaker 1>to Jim Nikolay, Will Pearson, Addison No Day, Lisa Castella

0:30:39.640 --> 0:30:43.920
<v Speaker 1>and a Nick Oppenheim at w kPr, de La Pescador,

0:30:44.600 --> 0:30:49.000
<v Speaker 1>Kate Driver and Jason Weinberg, and for constantly solicited tech

0:30:49.000 --> 0:30:55.440
<v Speaker 1>support Henry Driver. Additional production from Many Questions with the

0:30:55.440 --> 0:30:58.400
<v Speaker 1>Mini Driver Season two provided by Zoe Denkla and Carl

0:30:58.440 --> 0:30:58.800
<v Speaker 1>Cadle