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Speaker 3: The volume. This is a message that applies to ninety

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Speaker 4: You're either that one guy in a hundred who actually

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Speaker 4: I find both generally untrustworthy.

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Speaker 5: But for the other ninety nine percent of you, listen

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Speaker 5: up right now.

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Speaker 3: That's ninety nine dollars and ninety nine cents for an

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Speaker 3: not available in all areas.

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Speaker 4: No, all right, we back Man and Nick Keith bringing

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Speaker 4: us an influ on this guys.

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Speaker 5: If we don't know what this is like, this is

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Speaker 5: not fans. It's in a very timid way. J legendary,

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Speaker 5: JERMAINI pree. Look at what JD Bio said. Jamain Dupri

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Speaker 5: is a Grammy winning producer, songwriter.

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Speaker 4: And cultural I know he was a culture I just

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Speaker 4: didn't know that about you, bro, whose influences shape the

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Speaker 4: sound of modern ship with Jamaine dupri the fucking legend.

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Speaker 6: How you feeling, bro, I'm good?

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Speaker 5: Listen man, listen. I'm gonna be honest with you.

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Speaker 4: I always admired your work ethic, but the last couple

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Speaker 4: of months, I feel like I can't open my phone

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Speaker 4: and not see you working, not see you in the studio.

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Speaker 4: I know you got the Magic City thing you're doing?

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Speaker 4: How you feel? Are you sleeping at.

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Speaker 2: Old j D? A little bit? A little bit, a

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Speaker 2: little bit?

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Speaker 4: But you're working? Though you're working? How far so is

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Speaker 4: the project where we at with it? Eighty?

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Speaker 6: I got like ten songs. I don't know what I'm

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Speaker 6: gonna stop though.

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Speaker 5: Okay, it's one of those you just like.

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Speaker 7: But because every time I make a song, I keep saying, oh,

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Speaker 7: I can make something better than that, because I get

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Speaker 7: to a space and I feel like I can make

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Speaker 7: something better. So I gotta stop myself at some point. Yeah,

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Speaker 7: I will just keep going.

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Speaker 5: But I see you you and with people you with

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Speaker 5: Aqim Ali.

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Speaker 4: I love suase like you in there with people that

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Speaker 4: we probably wouldn't think that you was going to work it.

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Speaker 5: But is that is that purpose of.

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Speaker 2: The goal?

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Speaker 8: Is?

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Speaker 7: I think like, as a producer, you know, and it's

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Speaker 7: all right, you gotta do something to keep you fresh

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Speaker 7: and keep you excited. That's probably why I can't sleep,

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Speaker 7: because I'm working with you know, I'm getting a chance

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Speaker 7: to work with people I ain't never worked with, So

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Speaker 7: I don't know what they're gonna do, and I don't

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Speaker 7: know how they're gonna feel when we get in the box.

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Speaker 7: Like it ain't like a great relationship coming. It's like

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Speaker 7: my first time going in there, so it's kind of

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Speaker 7: like a date. Like you nervous a little bit, So

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Speaker 7: I'm just working. I'm working with a lot of people

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Speaker 7: that I mean, the whole album basically is the artists

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Speaker 7: that I never did songs with.

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Speaker 6: That's what that was my mindset to do it like that?

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Speaker 4: Is that well because you just a legend and in

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Speaker 4: every sense of the word, is that a way to

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Speaker 4: kind of keep you motivated and refreshed like you got

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Speaker 4: that new blood, new talent in the studio.

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Speaker 6: I think it's for the people. I think it's for

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Speaker 6: things for y'all.

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Speaker 7: I think it's for everybody out there, like you know,

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Speaker 7: people that probably like you know, they they never I'm

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Speaker 7: sure people never thought they'd see you know. But I

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Speaker 7: like I like him because he's a different flow and

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Speaker 7: then left absolutely think he gets the light that he needed.

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Speaker 7: Absolutely That's why I picked him.

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Speaker 3: And you got to look at the producers that love him,

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Speaker 3: like he has a whole project with James Blake.

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Speaker 5: It's a special one.

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Speaker 2: What it is.

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Speaker 7: I just wanted to give people something different. I don't

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Speaker 7: want people to be like, yo, they okay, it's already magic.

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Speaker 7: See if you've been there letting, you've been in the back. See,

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Speaker 7: you know exactly what to expect. But you ain't expecting

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Speaker 7: me to do all these records with these artists. You know,

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Speaker 7: people thought it was gonna be an album and it

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Speaker 7: started off like that. I was just gonna all record

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Speaker 7: and just get songs from people to do it like that.

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Speaker 7: But I feel like that's just that's the old way,

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Speaker 7: you know what I mean. And I don't think we've

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Speaker 7: ever seen a producer do an album with his whole

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Speaker 7: city only. I ain't putting nobody else on there but

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Speaker 7: people from Atlanta.

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Speaker 2: I love that fire.

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Speaker 3: I mean, Division pretty much lives at your compound. And

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Speaker 3: you guys made it official finally finally start paying rent

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Speaker 3: at some point now they really did.

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Speaker 2: Yeah, So how is it?

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Speaker 4: How is it now that obviously as you have a

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Speaker 4: relationship and y'all know each other pretty well. But how

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Speaker 4: is it now that this official you and that underneath JD.

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Speaker 7: I mean, I think it's just you know, just understanding.

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Speaker 7: I think, like you know, I don't know. I don't

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Speaker 7: know because I don't know the business behind what was

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Speaker 7: happening with them before. I just know what I saw

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Speaker 7: and then what I what I was able to be

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Speaker 7: a part of and then to get an opportunity to

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Speaker 7: be a part of it because it wasn't that wasn't

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Speaker 7: even the works when we did the last album, like

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Speaker 7: you know, them staying where they was at.

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Speaker 6: I thought it was perfect for them.

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Speaker 7: But when I, you know, got it heard what Oh

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Speaker 7: wait a minute, y'all done?

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Speaker 6: Come on, let's figure it out.

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Speaker 7: So I just think that, you know, it was just

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Speaker 7: timing because I didn't even have a deal like this

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Speaker 7: at the time we did the last record. So for

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Speaker 7: me to have my deal and then that you know,

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Speaker 7: they deal be up, I think that's just God telling

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Speaker 7: me that's a sign.

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Speaker 3: Yeah, there was a lot of talk on the timeline

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Speaker 3: the past two days. Timberland announced that he signed his

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Speaker 3: first AI artist and that he's.

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Speaker 9: I love you, but I love you, but come on,

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Speaker 9: the throw up Ai JD, Like I get it.

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Speaker 2: The technology, the new era.

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Speaker 4: No, but it's just certain producers that's just too legendary

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Speaker 4: to touch that type of Like if I heard JD

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Speaker 4: had an AI girls group coming out, I would text

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Speaker 4: JD curse Mountain.

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Speaker 3: Hang out even had a picture and everything of this,

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Speaker 3: Like I mean, I get it, Jay, I get it,

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Speaker 3: Like you know, it's we're in a new, whole new

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Speaker 3: era the way we you know, communicating the technology.

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Speaker 4: I get it, and I understand that it is part

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Speaker 4: of the record making industry and the song making process

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Speaker 4: with technology, but it's some things just out of bounds,

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Speaker 4: like it's like we can't go that far.

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Speaker 7: Yes, I had to look at it for a bunch

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Speaker 7: of different ways. Like I got in that. I took

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Speaker 7: a ride in the way Mark, I took a trip

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Speaker 7: in the Raymark.

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Speaker 5: I saw you post that I was on the time.

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Speaker 7: I don't know, listen, it might be you know, like

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Speaker 7: if you get in that car, it might be like

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Speaker 7: only music for that car. Like I don't know what

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Speaker 7: what is what his game is, I don't know what

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Speaker 7: the whole thing is. But I'm just saying, like it's

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Speaker 7: a world out there. I guess they might have to

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Speaker 7: have music for that world. This our world, right, get

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Speaker 7: walking around touching people like you just said, JD.

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Speaker 6: They got you out working.

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Speaker 7: I feel like you know that ain't this ain't for

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Speaker 7: that that person or whatever that thing is for the

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Speaker 7: AI character. I just feel like it might be a

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Speaker 7: world out there that I'm not privy too.

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Speaker 2: I don't think.

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Speaker 7: I don't know, none of us are. Maybe that we

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Speaker 7: don't know that you got to go into this virtual world.

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Speaker 7: And they might got radio stations. I know, like somebody

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Speaker 7: they asked me to do like Grand Theft Auto and

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Speaker 7: they were saying, like Drake got his own radio stations

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Speaker 7: on Grand Theft Auto. The way that they getting ready

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Speaker 7: to do it is that Drake can actually upload music

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Speaker 7: that we probably ain't never even heard online or whatever

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Speaker 7: else on that video geah.

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Speaker 6: So I'm just saying you got to think, but that's.

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Speaker 5: A little different. Yeah, it's like a playlist for a

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Speaker 5: video game.

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Speaker 7: Yeah, but I'm saying it's still inside that game. Like

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Speaker 7: you gotta get on you got to get on your

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Speaker 7: thing that actually play the music. You can't get in

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Speaker 7: the car and hear it, right, I mean you could

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Speaker 7: if they take it. But I'm saying they're actually trying

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Speaker 7: to make it where it's just like you got to

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Speaker 7: get in the car that's on that grand Theft auto

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Speaker 7: to hear these sound songs, right, So that's what I'm saying.

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Speaker 7: So it's kind of like a if he does it,

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Speaker 7: say if they got an AI radio station or something

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Speaker 7: like that and you only hear the music over there.

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Speaker 6: I don't know. I'm just thinking, like I'm trying to

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Speaker 6: make it cool way, So.

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Speaker 9: Let me take the thumbs down back, is it because

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Speaker 9: I thought you keep it?

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Speaker 5: Do what I thought was it was an AI artist?

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Speaker 2: It is? But I'm just I think.

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Speaker 3: There is great stuff with AI can help a pro tools,

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Speaker 3: like there is stuff with music. I think AI is

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Speaker 3: very important and helping real artists. But when you go

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Speaker 3: this far where it is something that's completely made up,

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Speaker 3: and then also where do you draw the line?

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Speaker 6: I mean, I think it's the.

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Speaker 7: Same thing as stream Like I think like when they

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Speaker 7: start saying streaming and they stop telling you how many

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Speaker 7: records people sol or they said like or this person

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Speaker 7: stream and they sould blah blahlah blah.

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Speaker 6: Selling and streaming is two different things.

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Speaker 7: I think, Like if you're gonna have that conversation about streaming,

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Speaker 7: Just say how many streams they got?

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Speaker 6: Stop saying the.

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Speaker 7: Streams equal this, because when you do that, then you're like,

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Speaker 7: you're not talking about streaming no more. Now you're coming

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Speaker 7: back into this this this world there. You know, these

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Speaker 7: gn X people feel like it's the dinosaur era, right,

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Speaker 7: So I'm saying the same thing. I feel like if

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Speaker 7: they and I think that's where the mistake happened. I

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Speaker 7: think he introduced this in a world that ain't even

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Speaker 7: into aiah okay, right, So it's confusing to a lot

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Speaker 7: of people. But if he introduced that at like a

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Speaker 7: computer conference, all that makes sense to the situation.

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Speaker 2: It makes people to be.

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Speaker 7: Like, oh my god, right, that's what That's why. That's

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Speaker 7: why I think the confused. I just think we gotta

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Speaker 7: wait and see. I don't think you can introduce an

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Speaker 7: AI artist.

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Speaker 5: I find a way about you know what I'm saying.

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Speaker 3: But do you think maybe it could put producers and

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Speaker 3: artists at risk? Like for example, with the AI ship,

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Speaker 3: they could take your whole catalog and upload it to

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Speaker 3: this girl that is now Timberland's AI artist, and she

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Speaker 3: can take all that information and spit it out in

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Speaker 3: a different way where you wouldn't even it wouldn't be

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Speaker 3: a sample, you wouldn't get any pub royalties.

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Speaker 5: But they can literally just take a catalog.

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Speaker 7: They're going to fix all that it ain't they ain't

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Speaker 7: ready just slide like that, you know, Like I got

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Speaker 7: the new song on me TI and the Turnaround record,

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Speaker 7: and I try to upload yesterday the TikTok, and I

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Speaker 7: guess because it's got a sample in it, they flagged me.

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Speaker 7: This song ain't even out yet, So I don't think

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Speaker 7: they on all that. They not get rid of that song.

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Speaker 2: Ain't out yet and they flagged them for the sample.

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Speaker 3: But even like you look at chat GBT, people like

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Speaker 3: using that to create lyrics, there's no sample in that.

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Speaker 3: Chat GBT just has all the information of the Internet.

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Speaker 3: But it just makes them listen, say I say this.

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Speaker 3: Hopefully it opens the door for people to have more jobs.

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Speaker 3: People sit at their desk to try to figure out

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Speaker 3: whatever they got to do. I just I just think

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Speaker 3: that it's a different world. I think it's a world

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Speaker 3: idea that we probably don't know about. Like I said,

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Speaker 3: like I'm asking how to ask everybody about the way

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Speaker 3: more than everybody, Like I.

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Speaker 6: Don't know if I'm getting into it.

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Speaker 7: They riding around here crazy, the one hundred different Like,

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Speaker 7: ain't nobody jumping in them, but they out here, they moving,

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Speaker 7: So that means like it's a bunch of you know,

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Speaker 7: the urban community. We always be late with technology. I'm

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Speaker 7: happy to see that he's doing it from that perspective.

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Speaker 5: When you're the first one to do it, go get

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Speaker 5: some flag.

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Speaker 7: You're gonna get some f for That's why I stopped

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Speaker 7: buying cars first because in atlanta't understand.

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Speaker 2: That's a flex.

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Speaker 5: That's why I got buying cars first, because they ain't understand.

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Speaker 4: All right, So you got the the Social Depth billboard

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Speaker 4: is back in Atlanta.

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Speaker 2: You see it. I'm being that last night.

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Speaker 4: I didn't see being meth last night, but when I

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Speaker 4: saw you post that, I was happy to see that

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Speaker 4: because it's nostalgia for somebody like me because I remember

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Speaker 4: what it was and how crazy that was when you

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Speaker 4: first put the billboard up years ago. And you also

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Speaker 4: got the uh was it Social Death University? I think

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Speaker 4: when you interned the kids.

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Speaker 6: Intern well do the internship with Emery?

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Speaker 7: Okay, Well I did it this this semester, and I'm

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Speaker 7: gonna probably keep it going out it's cool for kids

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Speaker 7: to come learn. And I think like just the word intern,

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Speaker 7: I don't think people even understand what that is. Like

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Speaker 7: if it was an intern here, you gotta know, pick

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Speaker 7: up plug stuff and you gotta get you some car.

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Speaker 2: Everybody, I don't think they understand that.

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Speaker 7: So it was coming to the studio thinking they was

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Speaker 7: getting ready rapped and all this, and we had to like, yeah, yeah,

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Speaker 7: this is what interns do first. I mean, then you

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Speaker 7: can get to doing what you gotta do. So I

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Speaker 7: think that it's important that somebody, not just me, other

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Speaker 7: people do this, you know what I mean.

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Speaker 6: So I don't think.

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Speaker 4: That the kids on that Rory or the or the

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Speaker 4: young the young adults understand the type of person that

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Speaker 4: they have access to.

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Speaker 2: Yeah, what JD's doing with the internship, like.

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Speaker 4: The intern for JD, it don't get much big or better.

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Speaker 2: J meant you get to go in the studio.

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Speaker 5: Like the game, like the that's what class was gonna

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Speaker 5: be right today? Herbywhere the dog?

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Speaker 7: You know, you gotta get that mop over there, you

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Speaker 7: mean some snacks you know, blah blah. They was like

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Speaker 7: what they got to take the trash over that? All

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Speaker 7: that six months of that you don't see nobody do

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Speaker 7: that in a long time. It feel like you're being

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Speaker 7: mean to people. Now you learned.

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Speaker 4: Now we were talking about the whole Joey Badass thing,

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Speaker 4: and I remember meeting him in your studio.

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Speaker 2: Oh damn, that's when you met him.

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Speaker 4: That's the first time I ever met Joey, first time

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Speaker 4: I ever met him. And I was telling people, I

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Speaker 4: was like, I was so blown away because he was

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Speaker 4: standing there in front of like JD if you've never

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Speaker 4: been to studio, he got anything he's ever worked on

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Speaker 4: the done but a thousand plaques all over the place.

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Speaker 4: But Joey was standing in front of Bow Wow's plaque

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Speaker 4: for about five minutes of staring at it.

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Speaker 2: So I'm looking, I'm like, well, why he looking at

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Speaker 2: BOO plaque like that?

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Speaker 4: And he said, Yo, this was the album that inspired

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Speaker 4: me to start rapping. And I tell people that, I'm like,

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Speaker 4: I would have never guessed that Joey Badass's inspiration to

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Speaker 4: rap came from bow.

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Speaker 6: Now you say you've been watching my videos, you hear

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Speaker 6: why I ain't say the same thing.

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Speaker 4: Absolutely, that shit is crazy, Like it's crazy to me

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Speaker 4: to hear these guys and I'm like, damn, like, nothing

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Speaker 4: about Joey Badass, his music style, anything says bow Wow

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Speaker 4: inspired me.

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Speaker 2: First.

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Speaker 7: Yeah, they just they was young though, and it was

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Speaker 7: That's why, you know, that's another reason why I'm here today.

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Speaker 7: It's a twenty fifth anniverse for BT, and one those

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Speaker 7: six in part was a real you know, pivotal ever

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Speaker 7: for just all kids rapping, all kids singing everything. So

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Speaker 7: it's like and we was at the head. We was

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Speaker 7: at the head of that absolutely, you know, and bow

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Speaker 7: Wow was the person that they was paying.

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Speaker 3: That's that's just the age gap, I think. Well, because

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Speaker 3: that doesn't surprise me. I'm around the same age as Joeys, Like, yeah,

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Speaker 3: that was.

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Speaker 7: Like, I mean, you know, I've heard it, heard it

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Speaker 7: a bunch of times, and I'll get tired of arguing

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Speaker 7: about it, so be like, man, you know, I ain't

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Speaker 7: get really I'm not even gonna do this because I'm saying,

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Speaker 7: like it feels like people were like, you can't tell

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Speaker 7: me you want if you was watching BT, ain't no way.

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Speaker 2: In hell you can even deny it. Doubt.

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Speaker 6: That's the thing.

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Speaker 7: It was like kids like Joey Badass was coming home

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Speaker 7: from school watching one O six apart that's just like

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Speaker 7: a daily routine. And they also was standing in line

360
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Speaker 7: trying to get in there to go to one those

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Speaker 7: six a part. So you know, even when jay Z

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Speaker 7: was on one o six apart performing Ja Rule whatever,

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Speaker 7: and still when it got the number one for five miles.

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Speaker 6: Straight, it was bow absolutely.

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Speaker 5: Before we let you go? Is there a possibility of

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Speaker 5: a three Stacks verse on this album?

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Speaker 6: I mean, we've been talking about it.

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Speaker 7: He running around Atlanta a lot, so I mean, you know,

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Speaker 7: that's my man, so from from a childhood, so I'm

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Speaker 7: gonna bump into him by you know, I'm not, don't

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Speaker 7: you know. It's a lot of people out there that

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Speaker 7: that that want to be on this record, and.

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Speaker 6: You know, and I'm trying to make room for everybody.

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Speaker 7: So I mean, if it don't happen, you know, I understand,

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Speaker 7: I get it, but he should be on it.

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Speaker 3: I mean, I feel like as fans were old the

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Speaker 3: JDN and he's a proper.

378
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Speaker 7: Three people probably don't know he's very much a strip

379
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Speaker 7: club junk listen.

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Speaker 5: I know that because I'm a little older, but I

381
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Speaker 5: absolutely I know that.

382
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Speaker 4: But I think it makes sense for him to get

383
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Speaker 4: on that and in a in an Andre three thousand way.

384
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Speaker 7: Oh no, I want to. I mean, you know, and

385
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Speaker 7: like I said, that's why. That's another reason why I

386
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Speaker 7: was swaver on it. I don't want it. I don't

387
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Speaker 7: want I want people to understand I'm not it's not

388
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Speaker 7: we're not making it just like trap trap trap trapp.

389
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Speaker 7: This is a it's a it's what I think the

390
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Speaker 7: strip club should be playing. I feel like the music

391
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Speaker 7: in the strip club shouldn't be so boxy, should be

392
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Speaker 7: you know, That's how I grew up. It was different

393
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Speaker 7: range of music that you heard in the strip club.

394
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Speaker 7: And I'm just trying to open it up. So get

395
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Speaker 7: back to that.

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Speaker 4: So the legend j D JD. We appreciate you, brother,

397
00:16:09,960 --> 00:16:11,360
Speaker 4: always good seeing you. And I got to get back

398
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Speaker 4: to Lanta just so we can hang out and kick

399
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Speaker 4: it again.

400
00:16:13,080 --> 00:16:15,200
Speaker 5: Man, my guy, let's just do it. We don't even

401
00:16:15,200 --> 00:16:18,120
Speaker 5: need an intrust. The legs in the car, I wasn't

402
00:16:18,160 --> 00:16:18,680
Speaker 5: gonna do it.

403
00:16:19,560 --> 00:16:21,360
Speaker 2: I was like the legs all the way to.

404
00:16:21,320 --> 00:16:23,920
Speaker 5: The bat, you know, like jeans weren't torn when he

405
00:16:23,920 --> 00:16:24,280
Speaker 5: woke up.

406
00:16:24,280 --> 00:16:24,800
Speaker 2: This small day.

407
00:16:24,960 --> 00:16:27,520
Speaker 5: This is just sitting like this. That's why you're just

408
00:16:29,160 --> 00:16:30,600
Speaker 5: that was regular dinnutes.

409
00:16:31,360 --> 00:16:33,800
Speaker 2: This was a street legs we hit with our guy

410
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Speaker 2: brother feeling.

411
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Speaker 10: I'm good, Brot, how you feeling, I'm chilling, bro I didn't.

412
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Speaker 2: I definitely packed that for the wrong season. You didn't.

413
00:16:44,400 --> 00:16:46,800
Speaker 2: It's kind of chilly last night. I don't know.

414
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Speaker 10: I mean it's always coold at night, but like during

415
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Speaker 10: the day, that ship don't.

416
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Speaker 9: Be it be They go up to about seventy five. Yeah,

417
00:16:52,280 --> 00:16:55,560
Speaker 9: night is sixty yeah, fifty, depending on where you at

418
00:16:56,040 --> 00:16:56,440
Speaker 9: be bad?

419
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Speaker 2: It is bad.

420
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Speaker 5: How you feeling, though?

421
00:16:58,360 --> 00:16:58,480
Speaker 8: Man?

422
00:16:58,520 --> 00:17:00,320
Speaker 2: I'm good where y'all at? Last night went up?

423
00:17:00,680 --> 00:17:02,920
Speaker 5: I was not studio to sleep.

424
00:17:03,840 --> 00:17:04,119
Speaker 2: The clock.

425
00:17:04,160 --> 00:17:05,800
Speaker 5: I was knocked out from all the lights was on,

426
00:17:05,840 --> 00:17:06,920
Speaker 5: you know, get.

427
00:17:06,720 --> 00:17:12,919
Speaker 2: One of them. One of the like I was playing.

428
00:17:12,680 --> 00:17:14,920
Speaker 3: On getting this thing was did you go to a

429
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Speaker 3: BT event?

430
00:17:15,800 --> 00:17:18,000
Speaker 2: I went to? Like I want to I go to

431
00:17:18,040 --> 00:17:19,920
Speaker 2: I wanted some party. I went to some party and.

432
00:17:19,840 --> 00:17:22,160
Speaker 10: Then we went to uh deaf Jam had some ship

433
00:17:22,200 --> 00:17:23,520
Speaker 10: like a R and B night type of vibe.

434
00:17:23,760 --> 00:17:26,320
Speaker 3: How many people did you falsely say yeah and now

435
00:17:26,320 --> 00:17:26,800
Speaker 3: we're gonna link?

436
00:17:27,480 --> 00:17:28,920
Speaker 2: I did that ship. I did that. We gonna link?

437
00:17:29,200 --> 00:17:33,520
Speaker 10: I did the fake Yeah, you know we overd like

438
00:17:33,920 --> 00:17:37,320
Speaker 10: right right, my man, there's a reason we have a

439
00:17:37,359 --> 00:17:38,199
Speaker 10: linked h.

440
00:17:41,200 --> 00:17:43,159
Speaker 2: My number, no way of contacting me.

441
00:17:44,320 --> 00:17:46,159
Speaker 4: See, that's why I don't go out, because I'm at

442
00:17:46,200 --> 00:17:47,880
Speaker 4: the age of I don't got no more.

443
00:17:48,000 --> 00:17:50,600
Speaker 2: I'm lying, bro, I'm still on my lions. I just

444
00:17:50,640 --> 00:17:51,480
Speaker 2: can't do it. Man.

445
00:17:51,920 --> 00:17:54,560
Speaker 3: Before you came, when Peage was setting up, I was

446
00:17:54,560 --> 00:17:56,720
Speaker 3: sitting there getting framed. I left and I went and

447
00:17:56,760 --> 00:18:00,359
Speaker 3: sat in the car because I was already iron of

448
00:18:00,440 --> 00:18:02,480
Speaker 3: talking to any person that walked past.

449
00:18:02,640 --> 00:18:03,200
Speaker 5: What we're gonna do.

450
00:18:03,320 --> 00:18:05,120
Speaker 3: I sat in the car by myself, like an old

451
00:18:05,160 --> 00:18:08,680
Speaker 3: divorced man in the driveway, waiting for this to start

452
00:18:08,720 --> 00:18:11,680
Speaker 3: because I did not want to like politics or talk

453
00:18:11,720 --> 00:18:12,080
Speaker 3: to anybody.

454
00:18:12,119 --> 00:18:12,280
Speaker 11: Yeah.

455
00:18:12,320 --> 00:18:13,240
Speaker 2: No, I feel you. I feel you.

456
00:18:13,280 --> 00:18:14,600
Speaker 10: I was doing the same ship in my career. I

457
00:18:14,600 --> 00:18:16,520
Speaker 10: put on turnal call of duty right before I came in.

458
00:18:16,560 --> 00:18:23,880
Speaker 2: I was like, guess, but I am. I'm not gonna lie.

459
00:18:23,960 --> 00:18:26,800
Speaker 4: I am impressed by the fact that rappers out early.

460
00:18:27,160 --> 00:18:28,400
Speaker 5: Yeah, because rap is not early.

461
00:18:28,440 --> 00:18:29,879
Speaker 2: That's a fact. That's not an early genre.

462
00:18:29,960 --> 00:18:32,040
Speaker 10: Now, it's usually a nigga like or a white man

463
00:18:32,160 --> 00:18:34,000
Speaker 10: something like him that like has to like call you

464
00:18:34,119 --> 00:18:35,040
Speaker 10: or bring or drag you out.

465
00:18:35,119 --> 00:18:36,640
Speaker 2: Yeah, yeah, exactly. Yeah.

466
00:18:36,680 --> 00:18:36,840
Speaker 11: Yeah.

467
00:18:37,000 --> 00:18:38,679
Speaker 5: He held me about seven times to that, right, That's

468
00:18:38,680 --> 00:18:42,520
Speaker 5: what I'm saying. Bro, I'm on the way. Let's look

469
00:18:42,560 --> 00:18:45,680
Speaker 5: at my last text from tomorrow. What's your e t A.

470
00:18:49,800 --> 00:18:50,399
Speaker 2: He was here.

471
00:18:52,200 --> 00:18:53,159
Speaker 5: I was sitting in the car.

472
00:18:53,720 --> 00:18:55,520
Speaker 9: But you know, like, listen, I want to as soon

473
00:18:55,560 --> 00:18:57,840
Speaker 9: as we ready, I'm walking right, Yeah, let me know

474
00:18:57,880 --> 00:18:58,280
Speaker 9: when I want.

475
00:18:58,600 --> 00:19:00,560
Speaker 2: Yeah, my man, I don't want to do it. Wait,

476
00:19:00,600 --> 00:19:02,680
Speaker 2: y'all had to be here at eleven or before eleven s.

477
00:19:03,359 --> 00:19:06,679
Speaker 10: I mean we had to, okay, because it started at eleven, right,

478
00:19:06,720 --> 00:19:08,840
Speaker 10: it started eleven. Because I'm gonna say the reason I'm

479
00:19:08,840 --> 00:19:11,959
Speaker 10: asking is because I seen Mall coming. Mall came in

480
00:19:11,960 --> 00:19:14,760
Speaker 10: at the meat so whenever, and I got here late.

481
00:19:15,000 --> 00:19:15,920
Speaker 10: So at that point, like.

482
00:19:16,840 --> 00:19:21,720
Speaker 5: Jermaine do previous here before more, I seen Yeah, but

483
00:19:21,800 --> 00:19:22,280
Speaker 5: you know why.

484
00:19:22,280 --> 00:19:24,199
Speaker 2: But you know why j Kevin Hark was here.

485
00:19:24,720 --> 00:19:26,240
Speaker 5: But you know why they here because they're trying to

486
00:19:26,240 --> 00:19:26,760
Speaker 5: get out of here.

487
00:19:26,840 --> 00:19:27,119
Speaker 2: Right now.

488
00:19:27,960 --> 00:19:28,560
Speaker 5: Listen, get in You.

489
00:19:30,119 --> 00:19:30,919
Speaker 2: Heard j was here?

490
00:19:30,960 --> 00:19:31,320
Speaker 5: Ready back?

491
00:19:31,560 --> 00:19:33,119
Speaker 2: Yeah exactly, he's chilling. I like that.

492
00:19:33,520 --> 00:19:35,439
Speaker 3: I'm scared of Maul even saying the comment he just

493
00:19:35,440 --> 00:19:37,239
Speaker 3: said about people being late, because I don't even think

494
00:19:37,320 --> 00:19:40,000
Speaker 3: man knows he's in hot water. He went Mall goes

495
00:19:40,080 --> 00:19:42,920
Speaker 3: viral for the most random ship said stop drinking soda

496
00:19:42,960 --> 00:19:44,919
Speaker 3: in the morning, and he got killed for two weeks.

497
00:19:45,119 --> 00:19:50,560
Speaker 3: Waits Ma said he doesn't like mumble rap and doesn't

498
00:19:50,720 --> 00:19:52,360
Speaker 3: like some of the younger rappers that can't read.

499
00:19:52,480 --> 00:19:53,440
Speaker 5: It was a very funny.

500
00:19:54,880 --> 00:19:58,840
Speaker 2: Yeah breaths for sure, right right, my friend.

501
00:20:00,320 --> 00:20:02,400
Speaker 3: So the fact that Maul is now saying that black

502
00:20:02,400 --> 00:20:04,439
Speaker 3: people are lay at the bt wards sitting next to me,

503
00:20:04,600 --> 00:20:05,399
Speaker 3: I'm nervous.

504
00:20:05,400 --> 00:20:07,320
Speaker 5: Awhere, that's gonna go. The thing is I could say it.

505
00:20:07,880 --> 00:20:10,919
Speaker 10: Yeah, yeah, yeah, you're.

506
00:20:10,160 --> 00:20:12,119
Speaker 5: Not saying it. I'm just saying I sit next to

507
00:20:12,160 --> 00:20:13,280
Speaker 5: you when you go viral.

508
00:20:13,600 --> 00:20:17,280
Speaker 3: Right, Yeah, there were stick pieces from scholars from the

509
00:20:17,280 --> 00:20:18,879
Speaker 3: black community and my white.

510
00:20:18,600 --> 00:20:19,080
Speaker 2: Face was.

511
00:20:20,760 --> 00:20:20,960
Speaker 12: Next.

512
00:20:22,800 --> 00:20:25,600
Speaker 5: He said it, right, he said every time. Yeah, now

513
00:20:25,640 --> 00:20:26,360
Speaker 5: you be getting.

514
00:20:28,400 --> 00:20:30,119
Speaker 3: Right. But I take that when we first started potting,

515
00:20:30,400 --> 00:20:32,359
Speaker 3: y'all would use the N word and they would clip

516
00:20:32,400 --> 00:20:33,680
Speaker 3: it and say I said it, and I'm like, you

517
00:20:33,680 --> 00:20:34,360
Speaker 3: could see the mouth.

518
00:20:34,720 --> 00:20:37,560
Speaker 5: My mouth isn't even moving like so I'll take some

519
00:20:37,640 --> 00:20:39,520
Speaker 5: Cardi b heat instead of that back in the day,

520
00:20:39,520 --> 00:20:40,400
Speaker 5: because I.

521
00:20:40,320 --> 00:20:42,560
Speaker 10: Think I think it's the fact that everybody collectively knows

522
00:20:42,600 --> 00:20:45,000
Speaker 10: that at some point, not like not offensively but at

523
00:20:45,000 --> 00:20:46,560
Speaker 10: some point you dropped the nigga like I don't know it,

524
00:20:46,640 --> 00:20:48,280
Speaker 10: Like and you're thirty some years of living, like you

525
00:20:48,320 --> 00:20:49,680
Speaker 10: dropped the nigga somewhere like you said.

526
00:20:49,680 --> 00:20:51,800
Speaker 2: It's just like I think I think Rory might have

527
00:20:51,840 --> 00:20:53,400
Speaker 2: dropped it when he went on his We.

528
00:20:53,320 --> 00:20:54,640
Speaker 5: Have to do this at this event.

529
00:20:57,400 --> 00:21:00,800
Speaker 3: On the spot, right, you know what we said that

530
00:21:00,920 --> 00:21:05,440
Speaker 3: BT We've hung out in a studio and residents twenty

531
00:21:05,440 --> 00:21:06,520
Speaker 3: times have this conversation.

532
00:21:06,800 --> 00:21:07,920
Speaker 5: We didn't have to have it here.

533
00:21:08,119 --> 00:21:10,679
Speaker 2: Yeah, yeah, I just found out.

534
00:21:10,720 --> 00:21:13,639
Speaker 10: I just found out Teddy Swims is nominated for BT Award.

535
00:21:13,640 --> 00:21:15,959
Speaker 10: I love when white people get nominated like this.

536
00:21:16,119 --> 00:21:18,840
Speaker 5: You know you got to I have to b two.

537
00:21:18,960 --> 00:21:20,760
Speaker 2: Oh, this is great, this is like, this is what

538
00:21:20,800 --> 00:21:21,960
Speaker 2: we need. This is culture.

539
00:21:22,400 --> 00:21:24,239
Speaker 5: Have a Hip Hop Award and a BT war.

540
00:21:25,760 --> 00:21:27,040
Speaker 2: Did you go up? You have to go out?

541
00:21:27,080 --> 00:21:29,440
Speaker 5: Did you know that was the one they did digitally?

542
00:21:29,880 --> 00:21:30,080
Speaker 2: Yah?

543
00:21:30,440 --> 00:21:31,800
Speaker 10: You ain't ever you have to take a picture with it,

544
00:21:31,800 --> 00:21:35,760
Speaker 10: like one of these. Just solidarity, like you know what

545
00:21:35,760 --> 00:21:40,680
Speaker 10: I mean, we stand when you walk in my curb.

546
00:21:40,720 --> 00:21:42,440
Speaker 10: It is right there though, Like I'm proud of the ward.

547
00:21:43,119 --> 00:21:44,800
Speaker 10: I think the BT Wars. I take it very serious.

548
00:21:44,840 --> 00:21:46,119
Speaker 5: I love the word. I just think it's funny that

549
00:21:46,640 --> 00:21:47,119
Speaker 5: I haven't.

550
00:21:48,160 --> 00:21:49,840
Speaker 10: Last time I seen you, I was Muslim. I think

551
00:21:49,880 --> 00:21:50,960
Speaker 10: you know what I'm saying. I think you should do

552
00:21:50,960 --> 00:21:54,280
Speaker 10: the same thing, just like just for this season of job.

553
00:21:54,320 --> 00:21:56,040
Speaker 10: I've always been Muslim, right, So.

554
00:21:56,520 --> 00:22:00,000
Speaker 9: Yeah, who are we looking forward to seeing?

555
00:22:00,040 --> 00:22:01,120
Speaker 5: You know, like, who's performing?

556
00:22:01,359 --> 00:22:01,560
Speaker 11: Uh?

557
00:22:01,720 --> 00:22:04,320
Speaker 5: Teddy Teddy Swims performing though.

558
00:22:06,800 --> 00:22:07,400
Speaker 2: You see.

559
00:22:09,000 --> 00:22:12,760
Speaker 5: That was Belly Gang. That wasn't Teddy Swims perform, not

560
00:22:12,880 --> 00:22:13,720
Speaker 5: Teddy Swims.

561
00:22:13,960 --> 00:22:18,600
Speaker 9: A look at this, nigga leg I don't think this

562
00:22:18,680 --> 00:22:19,560
Speaker 9: is crazy that he's.

563
00:22:19,400 --> 00:22:20,360
Speaker 2: Doing an interview like this.

564
00:22:20,560 --> 00:22:23,320
Speaker 5: You don't understand when he first posted this on the internet.

565
00:22:23,680 --> 00:22:26,880
Speaker 3: I sent him like Google research and how bad it's

566
00:22:26,960 --> 00:22:27,760
Speaker 3: for you.

567
00:22:27,840 --> 00:22:30,960
Speaker 5: Don't make this a thing, Jos like that the window

568
00:22:32,040 --> 00:22:32,680
Speaker 5: Joe's in the window.

569
00:22:32,720 --> 00:22:32,880
Speaker 12: Bro.

570
00:22:34,160 --> 00:22:36,080
Speaker 2: It was the thing that took the people with the.

571
00:22:36,080 --> 00:22:45,160
Speaker 3: Evil Kidding Toy story. You look like sid Toy. That's

572
00:22:45,200 --> 00:22:45,720
Speaker 3: your stance.

573
00:22:45,800 --> 00:22:48,440
Speaker 4: You're I think it's dope that we have the BT

574
00:22:48,640 --> 00:22:50,719
Speaker 4: was and I don't know who's Kevin is hosting?

575
00:22:51,440 --> 00:22:54,359
Speaker 2: Yeah, yeah, Philly, that's that's about.

576
00:22:54,080 --> 00:22:57,680
Speaker 3: As much as the media BT question, Philly.

577
00:22:58,400 --> 00:23:03,360
Speaker 9: You know, right, you got to Yeah, okay, but who

578
00:23:03,359 --> 00:23:05,479
Speaker 9: else is performing like, I don't even know who's performing

579
00:23:05,480 --> 00:23:05,800
Speaker 9: this yow.

580
00:23:05,840 --> 00:23:07,320
Speaker 10: I know Teddy Swims is nominal. That's all I know

581
00:23:07,359 --> 00:23:09,960
Speaker 10: about BT. Teddy Swims is nominated. Keevin Hart's performing is

582
00:23:10,040 --> 00:23:12,119
Speaker 10: n l A. I think he is in l A.

583
00:23:14,040 --> 00:23:19,840
Speaker 3: You are from Phillip Right, they gave us j D's Wikipedia,

584
00:23:20,080 --> 00:23:21,880
Speaker 3: but didn't get us performance.

585
00:23:23,119 --> 00:23:24,919
Speaker 4: They came and gave us a j D bio, Like,

586
00:23:24,920 --> 00:23:27,880
Speaker 4: we don't know, Jermaine, why are you handing me this

587
00:23:28,840 --> 00:23:30,280
Speaker 4: cultural architect right?

588
00:23:31,040 --> 00:23:31,320
Speaker 13: JD?

589
00:23:33,720 --> 00:23:35,919
Speaker 3: All right, well let's look in real time. I like

590
00:23:35,920 --> 00:23:37,119
Speaker 3: this because you're a friend. We don't have to do

591
00:23:37,160 --> 00:23:41,080
Speaker 3: like we can do it in real time. Okay, there's

592
00:23:41,080 --> 00:23:43,520
Speaker 3: a there's a lot of women panels.

593
00:23:43,600 --> 00:23:48,840
Speaker 10: Okay, okay, that's an uh.

594
00:23:48,640 --> 00:23:51,480
Speaker 5: A spicy moments. I see nothing.

595
00:23:51,480 --> 00:23:53,119
Speaker 2: I don't even think they're doing performances this year.

596
00:23:53,240 --> 00:23:56,320
Speaker 4: Sounds like, well, we got wind of who is performing,

597
00:23:56,359 --> 00:23:57,640
Speaker 4: but he told me not to say nothing.

598
00:23:57,640 --> 00:23:58,280
Speaker 2: We'll talk about it.

599
00:23:59,240 --> 00:24:01,400
Speaker 5: That that's gonna be dope, right right, Rather.

600
00:24:01,280 --> 00:24:02,800
Speaker 4: Than that, I don't know. I really don't know who

601
00:24:02,800 --> 00:24:05,480
Speaker 4: else is performing the ship. Yeah he's anniverse.

602
00:24:05,560 --> 00:24:06,440
Speaker 2: Somebody said, uh.

603
00:24:07,280 --> 00:24:09,920
Speaker 3: What wait wait hold on, all right, so People Magazine

604
00:24:10,320 --> 00:24:12,720
Speaker 3: BT Awards twenty twenty five Everything you need to know

605
00:24:12,720 --> 00:24:13,840
Speaker 3: about Culture's Biggest Night.

606
00:24:14,560 --> 00:24:15,520
Speaker 5: I love the headline.

607
00:24:16,080 --> 00:24:20,800
Speaker 3: Why is the picture Kendrick, Doci and Drake two of

608
00:24:20,840 --> 00:24:22,120
Speaker 3: which that will not be in a test?

609
00:24:22,240 --> 00:24:25,320
Speaker 2: Yeah, no, that's not happening. I don't what are people

610
00:24:25,359 --> 00:24:26,080
Speaker 2: magazine doing?

611
00:24:26,080 --> 00:24:28,400
Speaker 10: People magazines said black people what black people don't be.

612
00:24:28,320 --> 00:24:32,000
Speaker 3: Done right now twenty twenty five, and but two people

613
00:24:32,000 --> 00:24:33,160
Speaker 3: that are definitely not gonna.

614
00:24:32,920 --> 00:24:35,199
Speaker 2: Be Yeah, yeah, okay, all right, you may be here.

615
00:24:36,160 --> 00:24:40,520
Speaker 3: Yeah yeah, uh okay, low Waynefonna Taylor performance.

616
00:24:40,520 --> 00:24:41,359
Speaker 2: Okay, okay.

617
00:24:41,480 --> 00:24:43,280
Speaker 5: I love Tianna's new record, You love.

618
00:24:43,160 --> 00:24:46,760
Speaker 2: Low Wayne record My Bad. I think you intentionally skip

619
00:24:47,920 --> 00:24:49,200
Speaker 2: flex Flex.

620
00:24:49,040 --> 00:24:50,840
Speaker 5: That's one of the songs in the I like, I

621
00:24:50,880 --> 00:24:52,480
Speaker 5: have not given it.

622
00:24:52,520 --> 00:24:54,560
Speaker 3: I got halfway through it on his way here.

623
00:24:54,680 --> 00:24:58,680
Speaker 2: That makes sense, That makes sense. That makes it, Yo, mindy,

624
00:24:58,680 --> 00:24:59,600
Speaker 2: don't do that. Okay.

625
00:25:01,920 --> 00:25:04,240
Speaker 5: Matter of fact, I don't like go to Wayne. Hate

626
00:25:04,240 --> 00:25:04,800
Speaker 5: this what happened?

627
00:25:05,040 --> 00:25:07,840
Speaker 3: So he's been getting killed On the timeline twenty four hours,

628
00:25:07,880 --> 00:25:11,600
Speaker 3: defend them. The first five records I heard weren't that.

629
00:25:12,200 --> 00:25:13,320
Speaker 3: They weren't as bad as what I thought.

630
00:25:13,320 --> 00:25:14,000
Speaker 5: The timeline was.

631
00:25:13,920 --> 00:25:15,760
Speaker 10: Saying, you talking about the intro where he wasn't on

632
00:25:15,800 --> 00:25:19,760
Speaker 10: it or like that all right now I wanted I

633
00:25:19,800 --> 00:25:21,120
Speaker 10: want to make sure. I want to say, Page, did

634
00:25:21,560 --> 00:25:24,879
Speaker 10: how you feel about it? I ain't finished it like me,

635
00:25:24,880 --> 00:25:26,280
Speaker 10: and we listened to it together.

636
00:25:26,920 --> 00:25:29,639
Speaker 5: I still have chances up. Yeah, okay, Welcome to the Car.

637
00:25:29,720 --> 00:25:35,199
Speaker 3: You didn't like, you didn't like Bells the third record

638
00:25:35,560 --> 00:25:35,880
Speaker 3: with you?

639
00:25:36,600 --> 00:25:37,440
Speaker 5: That's not gonna keep you.

640
00:25:37,520 --> 00:25:38,080
Speaker 2: Wait, what do you what?

641
00:25:38,160 --> 00:25:40,840
Speaker 3: Dore? He sample, Well, that's gonna text me say can

642
00:25:40,840 --> 00:25:41,840
Speaker 3: you take that Wayne part out?

643
00:25:41,840 --> 00:25:43,639
Speaker 14: And ye?

644
00:25:46,640 --> 00:25:49,000
Speaker 2: Good buddy. Damn that ship broke my heart.

645
00:25:49,080 --> 00:25:51,000
Speaker 5: There's a couple on here that I thought it was okay.

646
00:25:51,200 --> 00:25:53,639
Speaker 2: That elephant noise one I didn't here that.

647
00:25:53,640 --> 00:25:55,520
Speaker 3: I didn't get to that one on the timeline that

648
00:25:55,600 --> 00:25:56,480
Speaker 3: was like the worst or not?

649
00:25:56,600 --> 00:26:00,320
Speaker 2: He fread he did a band from TV. He redid

650
00:26:00,400 --> 00:26:01,960
Speaker 2: band from TV, which I feel like.

651
00:26:02,119 --> 00:26:03,800
Speaker 5: From TV's on no ceilings. Though I don't need him

652
00:26:03,800 --> 00:26:04,040
Speaker 5: to know.

653
00:26:04,080 --> 00:26:06,480
Speaker 2: You know, he did not smoke it on this one.

654
00:26:06,960 --> 00:26:11,680
Speaker 10: The blunt was out, no papers, no papers, something, get

655
00:26:11,680 --> 00:26:13,000
Speaker 10: into the car to and flex up.

656
00:26:13,480 --> 00:26:15,080
Speaker 3: I don't know if I got to flex up. Welcome

657
00:26:15,080 --> 00:26:16,440
Speaker 3: to the Car I liked and Bell I like it.

658
00:26:16,480 --> 00:26:18,720
Speaker 3: But again, this isn't a cop out. I am going

659
00:26:18,760 --> 00:26:20,480
Speaker 3: to ask we were traveling and.

660
00:26:21,200 --> 00:26:24,240
Speaker 10: I was traveling to That's what I'm saying, right, I

661
00:26:24,240 --> 00:26:26,440
Speaker 10: had to get here, like you can't listen anymore.

662
00:26:27,040 --> 00:26:36,320
Speaker 2: Yeah, but I was traveling. You see what I'm saying.

663
00:26:36,440 --> 00:26:39,639
Speaker 2: It was a lot. It was a lot. Boy's be weekend,

664
00:26:39,680 --> 00:26:40,399
Speaker 2: Like you can't listen.

665
00:26:40,280 --> 00:26:43,680
Speaker 3: To music about United Wi Fi. It's right exactly.

666
00:26:43,720 --> 00:26:45,400
Speaker 2: You see what I'm saying. You see what I'm saying.

667
00:26:45,400 --> 00:26:48,480
Speaker 10: It's adustry, it's gonna be you know, color will the

668
00:26:48,480 --> 00:26:49,600
Speaker 10: whole time. You barely get this.

669
00:26:50,200 --> 00:26:51,760
Speaker 3: You know, you fall asleep, don't charge your phone and

670
00:26:52,200 --> 00:26:53,760
Speaker 3: you know I what I said, just called the Uber.

671
00:26:53,800 --> 00:26:55,040
Speaker 2: Then I'm about to say you need you need to

672
00:26:55,040 --> 00:26:55,720
Speaker 2: call the uber so.

673
00:26:55,680 --> 00:26:57,399
Speaker 5: Like you can't do that, you're the old charger.

674
00:26:58,040 --> 00:27:02,120
Speaker 9: Yeah, y'all we're gonna have to clean up a lot

675
00:27:02,119 --> 00:27:05,480
Speaker 9: of that. I can't do that, man, we can't put

676
00:27:05,480 --> 00:27:05,760
Speaker 9: that out.

677
00:27:06,040 --> 00:27:12,560
Speaker 3: But this this part of going Patrio, Wayne and Karen

678
00:27:12,600 --> 00:27:14,640
Speaker 3: Siville are not subscribing to our Patreon.

679
00:27:14,800 --> 00:27:18,240
Speaker 2: Talked to us about bow Wow. What about him?

680
00:27:20,440 --> 00:27:21,240
Speaker 5: So you're from Philly?

681
00:27:21,359 --> 00:27:25,800
Speaker 9: No, listen, everybody that we sat down with today, you

682
00:27:25,840 --> 00:27:30,880
Speaker 9: know Billy Well probably bow Wow fan too. It's bow Wow,

683
00:27:30,920 --> 00:27:32,359
Speaker 9: one of the one of the guys that you listened

684
00:27:32,400 --> 00:27:32,919
Speaker 9: to growing up.

685
00:27:32,960 --> 00:27:37,840
Speaker 10: No ship yo, No, actually, actually bow I didn't listen

686
00:27:37,920 --> 00:27:38,679
Speaker 10: to bow like that.

687
00:27:38,800 --> 00:27:39,440
Speaker 2: I listened to the.

688
00:27:39,359 --> 00:27:41,680
Speaker 10: One whatever the rerecord that sample represent that or whatever.

689
00:27:43,119 --> 00:27:46,119
Speaker 10: But I used to I used to tell me and

690
00:27:46,200 --> 00:27:47,560
Speaker 10: my sister used to go to this park down the

691
00:27:47,560 --> 00:27:49,760
Speaker 10: street from my house and she would tell people I

692
00:27:49,800 --> 00:27:51,879
Speaker 10: was a little bow Wow and I would take pictures and

693
00:27:51,880 --> 00:27:53,879
Speaker 10: they would pay her, like we we we got like

694
00:27:53,920 --> 00:27:54,960
Speaker 10: twenty dollars, like.

695
00:27:54,880 --> 00:27:55,840
Speaker 2: Just off because I hair.

696
00:27:55,880 --> 00:27:58,280
Speaker 10: And wasn't that many little niggas were hair at the time,

697
00:27:58,320 --> 00:28:00,640
Speaker 10: you know what I'm saying, Like there was a.

698
00:28:01,320 --> 00:28:04,120
Speaker 2: Probably was a lot of it, wasn't.

699
00:28:04,240 --> 00:28:07,159
Speaker 3: There could be two catfish episodes of somebody pretending to

700
00:28:07,160 --> 00:28:07,640
Speaker 3: be bow Wow.

701
00:28:08,320 --> 00:28:09,440
Speaker 2: Who else was pretending to be about?

702
00:28:09,520 --> 00:28:10,520
Speaker 5: That was the funniest episode.

703
00:28:11,040 --> 00:28:13,679
Speaker 2: Damn Yeah, I've never seen that. No, I've never seen that.

704
00:28:14,640 --> 00:28:18,040
Speaker 3: Dyke pretended to be bow Wow. And damn this girl

705
00:28:18,160 --> 00:28:22,040
Speaker 3: was sending damn bow Wow money because like I did

706
00:28:22,080 --> 00:28:25,400
Speaker 3: see this, like every time, yes, yes, every time bow

707
00:28:25,440 --> 00:28:28,520
Speaker 3: Wow like went to film, his like credit card would

708
00:28:28,520 --> 00:28:29,000
Speaker 3: be frozen.

709
00:28:29,320 --> 00:28:30,679
Speaker 2: She was like, no, I understand right that.

710
00:28:33,840 --> 00:28:37,680
Speaker 9: Money a little just a little.

711
00:28:37,440 --> 00:28:39,760
Speaker 3: Bit, right, It's just a bunch of bunch of money.

712
00:28:40,320 --> 00:28:42,040
Speaker 3: So you were the original Catfish bow Wow?

713
00:28:42,040 --> 00:28:42,640
Speaker 2: I was the original.

714
00:28:43,160 --> 00:28:43,320
Speaker 8: Yeah.

715
00:28:44,400 --> 00:28:46,080
Speaker 10: The funny thing is the song that we did when

716
00:28:46,120 --> 00:28:49,600
Speaker 10: we sample, he put a verse on it. I didn't

717
00:28:49,600 --> 00:28:51,160
Speaker 10: gonna say who didn't allow it to come out, but

718
00:28:51,360 --> 00:28:52,440
Speaker 10: he put a verse on that.

719
00:28:52,520 --> 00:28:53,560
Speaker 2: Joe, Now you got to say who.

720
00:28:53,560 --> 00:28:54,440
Speaker 5: You gotta say who stopped it?

721
00:28:55,520 --> 00:28:58,080
Speaker 2: You know who stopped the verse? Somebody? It was somebody

722
00:28:58,080 --> 00:28:58,840
Speaker 2: from the high that.

723
00:28:59,040 --> 00:29:04,840
Speaker 5: It's definitely rock nations, absolutely nothing, but it was.

724
00:29:05,960 --> 00:29:12,800
Speaker 10: I thought he's lid but like, what with that? Yeah, no, nigga,

725
00:29:12,840 --> 00:29:15,400
Speaker 10: Do I mean he's slid on the original? Yeah, I

726
00:29:15,440 --> 00:29:17,160
Speaker 10: mean you know twenty some years ago.

727
00:29:17,240 --> 00:29:18,800
Speaker 2: Yeah, that.

728
00:29:20,640 --> 00:29:22,360
Speaker 3: Probably, you know, I think that was that might have

729
00:29:22,360 --> 00:29:24,240
Speaker 3: been the time when I was writing for him.

730
00:29:24,280 --> 00:29:26,520
Speaker 2: That might be a t everyone, but lid on that.

731
00:29:26,560 --> 00:29:27,080
Speaker 2: This might like.

732
00:29:28,800 --> 00:29:31,920
Speaker 10: I was doing, I was fucking I'm about like yeah,

733
00:29:32,120 --> 00:29:34,680
Speaker 10: so you wait, the question was he's a he's a legend?

734
00:29:34,800 --> 00:29:35,760
Speaker 2: You're saying is he a legend?

735
00:29:35,840 --> 00:29:39,120
Speaker 3: And maul can I believe people our age like revered

736
00:29:39,160 --> 00:29:39,560
Speaker 3: bow Wow?

737
00:29:39,880 --> 00:29:42,480
Speaker 5: And that's not what it is that nigga, No, no one

738
00:29:42,520 --> 00:29:43,040
Speaker 5: hundred percent.

739
00:29:43,080 --> 00:29:49,200
Speaker 9: But he let me, yeah, like that, don't do that.

740
00:29:49,240 --> 00:29:50,960
Speaker 9: Don't do that, bro, that's too it's too much shit

741
00:29:51,040 --> 00:29:54,080
Speaker 9: going on. I recognize that he is a legend.

742
00:29:54,240 --> 00:29:57,160
Speaker 4: Yeah, but I just think that now the artists that

743
00:29:57,240 --> 00:29:59,920
Speaker 4: he inspired are actually doing their thing now and then

744
00:30:00,120 --> 00:30:02,640
Speaker 4: right sorry, moving around and now I'm interacting with them,

745
00:30:02,640 --> 00:30:04,880
Speaker 4: I'm hearing it more like no bow Wow inspired that.

746
00:30:05,360 --> 00:30:07,400
Speaker 2: Yeah, that so all it is.

747
00:30:07,400 --> 00:30:10,160
Speaker 4: But I know, I'm very aware of how insane bow

748
00:30:10,200 --> 00:30:11,920
Speaker 4: Wow was as an artist growing up.

749
00:30:12,440 --> 00:30:13,880
Speaker 3: And how do you not know who wrote that you

750
00:30:13,880 --> 00:30:16,080
Speaker 3: had to split the publicum? Just look at your contract and.

751
00:30:16,080 --> 00:30:20,160
Speaker 10: I'm gonna tell you that, off my god, I know,

752
00:30:20,200 --> 00:30:21,840
Speaker 10: and I'm gonna tell you that what I wrote that

753
00:30:21,840 --> 00:30:24,800
Speaker 10: hook was fire. I'll tell you who name wasn't on it.

754
00:30:28,680 --> 00:30:32,800
Speaker 5: Ship twenty twenty five We got yo, bro.

755
00:30:32,800 --> 00:30:40,400
Speaker 3: Thank you because just mess to the point that I

756
00:30:40,480 --> 00:30:41,720
Speaker 3: just want to take you.

757
00:30:42,840 --> 00:30:44,880
Speaker 2: Y'all are crazy man.

758
00:30:46,000 --> 00:30:48,000
Speaker 4: All right, Ry, We are back at the media room

759
00:30:48,040 --> 00:30:51,520
Speaker 4: being t Awards twenty twenty five. Yes, we are joined

760
00:30:51,560 --> 00:30:54,840
Speaker 4: by someone who I have been wanting to speak with.

761
00:30:55,920 --> 00:30:58,240
Speaker 4: Big fan of hers, love what she's doing in in

762
00:30:58,320 --> 00:31:02,320
Speaker 4: the sports world. We haven't had a chance to connect personally. Well,

763
00:31:02,320 --> 00:31:04,200
Speaker 4: here we are at the BT. What's twenty twenty five?

764
00:31:04,320 --> 00:31:05,000
Speaker 4: Joy Taylor.

765
00:31:05,160 --> 00:31:07,760
Speaker 3: Yes, we actually need a proper We have a segment

766
00:31:07,800 --> 00:31:10,000
Speaker 3: called Don't Know Bull that we do every Wednesday.

767
00:31:10,040 --> 00:31:12,320
Speaker 5: Oh yes, John, I don't know. I don't know about ball.

768
00:31:12,480 --> 00:31:15,320
Speaker 5: We need you to come up there. Don't tell us

769
00:31:15,320 --> 00:31:16,600
Speaker 5: about ball and act like they do.

770
00:31:17,080 --> 00:31:21,240
Speaker 12: We need somebody had this conversation a few minutes ago.

771
00:31:21,760 --> 00:31:23,840
Speaker 15: It's okay, though, it's.

772
00:31:23,640 --> 00:31:27,000
Speaker 12: So intimidating to talk about sports, like who cares?

773
00:31:27,080 --> 00:31:27,800
Speaker 6: So you're wrong?

774
00:31:28,200 --> 00:31:30,400
Speaker 16: We're wrong all the time. I mean, I'm not wrong,

775
00:31:30,440 --> 00:31:32,680
Speaker 16: but prong all.

776
00:31:32,640 --> 00:31:35,960
Speaker 5: The tif your mortals are. But yeah, you know, it's okay.

777
00:31:36,120 --> 00:31:39,160
Speaker 12: It's people be ranting and won't even know that the

778
00:31:39,200 --> 00:31:42,120
Speaker 12: players not on the team anymore. Coach, it's not even there,

779
00:31:42,160 --> 00:31:45,760
Speaker 12: like it's okay, we just we just talk. That's all right.

780
00:31:46,120 --> 00:31:48,240
Speaker 12: It's so intimidating talk about sports. You don't need to

781
00:31:48,280 --> 00:31:51,680
Speaker 12: know every single rule and every single player that played

782
00:31:51,680 --> 00:31:53,560
Speaker 12: for the eighty seven Yankees, Like it doesn't.

783
00:31:53,600 --> 00:31:56,520
Speaker 3: It's that that defines who you are as a sports broadcast.

784
00:31:56,760 --> 00:31:58,800
Speaker 16: Is the blood type?

785
00:32:00,880 --> 00:32:03,840
Speaker 3: Was Babe Ruth? Actually black? Yes?

786
00:32:02,400 --> 00:32:07,600
Speaker 12: Now listen to that question, and I feel like I haven't.

787
00:32:08,120 --> 00:32:10,160
Speaker 12: But they're like, you're not taking Babe Ruth from us,

788
00:32:10,160 --> 00:32:16,160
Speaker 12: So that weekend we're gonna take.

789
00:32:16,040 --> 00:32:17,400
Speaker 5: Away taking baby for the weekend.

790
00:32:17,400 --> 00:32:19,880
Speaker 3: And I have seen on the photo of his first cousins. Yes,

791
00:32:20,120 --> 00:32:24,000
Speaker 3: that is a black man.

792
00:32:23,120 --> 00:32:23,760
Speaker 2: George Herman.

793
00:32:24,560 --> 00:32:28,680
Speaker 5: That name is what are we talking about?

794
00:32:27,960 --> 00:32:31,160
Speaker 3: That's the old black man?

795
00:32:31,800 --> 00:32:32,080
Speaker 2: All right?

796
00:32:32,120 --> 00:32:34,160
Speaker 3: Yeah, I don't have we got here? Is Halliburton the

797
00:32:34,160 --> 00:32:36,560
Speaker 3: worst human being that's ever existed. That's how I feel.

798
00:32:37,480 --> 00:32:37,840
Speaker 16: Listen.

799
00:32:38,080 --> 00:32:40,840
Speaker 3: I hate everything about him. It's from pure hate, it's

800
00:32:40,880 --> 00:32:42,080
Speaker 3: from pure jealousy.

801
00:32:42,920 --> 00:32:47,120
Speaker 12: He is having an all time run. His life is

802
00:32:47,160 --> 00:32:49,000
Speaker 12: never gonna be the same, and I love it for him.

803
00:32:49,320 --> 00:32:51,760
Speaker 12: Like be prepared because if you hate him, he's gonna

804
00:32:51,760 --> 00:32:53,760
Speaker 12: be on every commercial this summer. Yes, you about to

805
00:32:53,760 --> 00:32:56,640
Speaker 12: see his face on every promo for the league next year.

806
00:32:57,040 --> 00:32:59,800
Speaker 12: He's gonna have deals on deals. It's gonna be. I

807
00:32:59,800 --> 00:33:03,480
Speaker 12: can see it now, Like someone is scripting this cinematic.

808
00:33:03,840 --> 00:33:07,720
Speaker 12: Do you remember the remember the commercial Lebron did uh

809
00:33:08,040 --> 00:33:10,640
Speaker 12: with the take Rena Church.

810
00:33:11,280 --> 00:33:12,200
Speaker 5: Of course coming?

811
00:33:12,440 --> 00:33:17,760
Speaker 12: Yeah yeah, yeah, but for Caliburton, for the overrated thing,

812
00:33:18,400 --> 00:33:21,600
Speaker 12: Like it's gonna be like all the clips like Caliburton,

813
00:33:22,400 --> 00:33:25,400
Speaker 12: It's gonna be like dribbling and then they're gonna I mean,

814
00:33:25,400 --> 00:33:26,640
Speaker 12: I'm just give me ten percent.

815
00:33:26,680 --> 00:33:27,360
Speaker 16: I just wrote it from you.

816
00:33:27,760 --> 00:33:30,160
Speaker 4: I'm very I mean, we obviously know he's a he's

817
00:33:30,160 --> 00:33:34,600
Speaker 4: a great player, but I am surprised by his performance

818
00:33:34,600 --> 00:33:35,160
Speaker 4: in the playoffs.

819
00:33:35,160 --> 00:33:35,480
Speaker 5: I will be.

820
00:33:35,520 --> 00:33:36,920
Speaker 12: Yeah, I think we all I mean we all are

821
00:33:37,160 --> 00:33:40,360
Speaker 12: it's he's but we're surprised because we've never seen it before,

822
00:33:40,680 --> 00:33:42,960
Speaker 12: Like he's never had these moments.

823
00:33:43,120 --> 00:33:44,440
Speaker 16: Last year they got swept.

824
00:33:44,600 --> 00:33:47,880
Speaker 12: Yeah, they're let's be honest, they're the Pacers. They don't

825
00:33:47,920 --> 00:33:51,040
Speaker 12: have national media games. They don't get that, don't have

826
00:33:51,280 --> 00:33:54,280
Speaker 12: fourteen games this year, right, Yeah, So it's it's really

827
00:33:54,360 --> 00:33:58,800
Speaker 12: not surprising that everyone is surprised and and he's now

828
00:33:58,880 --> 00:34:01,920
Speaker 12: stepping into the moment like you are something until you're not.

829
00:34:02,480 --> 00:34:05,440
Speaker 12: So I think the overrated things obviously like that's going

830
00:34:05,520 --> 00:34:06,720
Speaker 12: to follow him and make it.

831
00:34:06,800 --> 00:34:08,560
Speaker 16: At this point, you should want to be called overrated.

832
00:34:08,600 --> 00:34:10,320
Speaker 12: Josh Allen won the MVP in Olivert and I was

833
00:34:10,360 --> 00:34:12,160
Speaker 12: having the run of his life, like call me overrated,

834
00:34:12,200 --> 00:34:15,080
Speaker 12: Please let me speak this on me, like do a

835
00:34:15,160 --> 00:34:16,160
Speaker 12: forty minute podcast.

836
00:34:16,680 --> 00:34:19,040
Speaker 3: Have we've seen a playoff run in the last decade

837
00:34:19,160 --> 00:34:20,600
Speaker 3: that has been close to Aliburn right now.

838
00:34:20,719 --> 00:34:24,719
Speaker 12: Well, Halliburn is also so unique because he isn't Lebron.

839
00:34:24,880 --> 00:34:25,879
Speaker 16: He isn't He's not.

840
00:34:25,840 --> 00:34:29,600
Speaker 5: This overwhelming figure like he isn't He's not an intimidated

841
00:34:29,600 --> 00:34:32,319
Speaker 5: figure on the court. But the thing that I think

842
00:34:32,360 --> 00:34:34,160
Speaker 5: that that people aren't speaking to is the fact that

843
00:34:34,160 --> 00:34:36,320
Speaker 5: that team has been together. They kept that team together.

844
00:34:36,760 --> 00:34:37,600
Speaker 5: They're cool players.

845
00:34:37,680 --> 00:34:39,200
Speaker 4: A lot of the guys have been together maybe two

846
00:34:39,239 --> 00:34:41,560
Speaker 4: or three years now, and I think it's just clicking

847
00:34:41,600 --> 00:34:42,200
Speaker 4: at the right time.

848
00:34:42,640 --> 00:34:47,440
Speaker 12: They if they end up winning this series, they're gonna

849
00:34:48,320 --> 00:34:51,840
Speaker 12: make things very difficult for a lot of gms because

850
00:34:52,239 --> 00:34:58,160
Speaker 12: they are not built with multiple superstars. They're not built

851
00:34:59,600 --> 00:35:04,920
Speaker 12: to be a super dominating team. They would have beat

852
00:35:05,600 --> 00:35:08,840
Speaker 12: a completely dominant team in the Thunder who has.

853
00:35:09,160 --> 00:35:09,920
Speaker 16: The league MVP.

854
00:35:10,640 --> 00:35:13,920
Speaker 12: So the excuses of oh, well, we need more stars

855
00:35:14,000 --> 00:35:16,680
Speaker 12: or we need no, I don't need to put together

856
00:35:16,760 --> 00:35:19,800
Speaker 12: a rosser that compliments each other, that plays a certain

857
00:35:19,800 --> 00:35:23,120
Speaker 12: style of ball, that has someone who is a clutch player.

858
00:35:23,400 --> 00:35:25,560
Speaker 16: It is extremely well coached.

859
00:35:26,400 --> 00:35:29,239
Speaker 3: I mean, do you think that aau era is over

860
00:35:29,680 --> 00:35:32,200
Speaker 3: like even to the Celtics what they've done. Of course

861
00:35:32,239 --> 00:35:34,400
Speaker 3: they're superstars, but not to the degree of what like

862
00:35:34,440 --> 00:35:38,120
Speaker 3: the Heat used to do, even the Celtics before Lakers,

863
00:35:38,239 --> 00:35:40,560
Speaker 3: is that done even with Well, I mean, I think the.

864
00:35:40,560 --> 00:35:44,359
Speaker 12: Super team era kind of died with Kawhi, Like yeah,

865
00:35:44,440 --> 00:35:48,600
Speaker 12: when he moved, he sort of debted the super team thing.

866
00:35:49,160 --> 00:35:52,440
Speaker 12: And we haven't really seen a superteam win since the Warriors.

867
00:35:53,040 --> 00:35:56,759
Speaker 12: They've still been assembled, but it just hasn't worked out.

868
00:35:56,800 --> 00:35:59,800
Speaker 12: And the risk of that is you're so top heavy

869
00:35:59,840 --> 00:36:01,960
Speaker 12: that you have to really be with an organization like

870
00:36:02,040 --> 00:36:05,400
Speaker 12: the Warriors are, like the Heat that finds these players

871
00:36:05,520 --> 00:36:07,680
Speaker 12: that they can develop quickly and put them in these

872
00:36:07,840 --> 00:36:11,400
Speaker 12: unbelievable positions to ascend in the postseason, Like you got

873
00:36:11,440 --> 00:36:13,640
Speaker 12: to be a well run organization to do that. So

874
00:36:14,200 --> 00:36:15,799
Speaker 12: I do think the league is changing in a lot

875
00:36:15,840 --> 00:36:18,800
Speaker 12: of ways. Obviously, it's become very international, so the style

876
00:36:18,800 --> 00:36:22,520
Speaker 12: of play is changing. The fan base, how we consume

877
00:36:22,560 --> 00:36:27,320
Speaker 12: it is changing, how we react to certain players is changing.

878
00:36:27,440 --> 00:36:30,680
Speaker 12: Like it's just we've seen the switch over from the

879
00:36:30,680 --> 00:36:33,719
Speaker 12: Ogs to the younger guys now in this finals. It's

880
00:36:33,760 --> 00:36:38,680
Speaker 12: also two very small markets without transcendent superstars like Sga

881
00:36:38,719 --> 00:36:41,680
Speaker 12: is a superstar for sure, Halliburtn's just become one, but

882
00:36:42,560 --> 00:36:45,799
Speaker 12: SGA is not a household name for the casual sports fan.

883
00:36:46,600 --> 00:36:48,840
Speaker 12: So I do think like what happens next year with

884
00:36:48,920 --> 00:36:52,239
Speaker 12: the league will be very interesting, like how and what

885
00:36:53,080 --> 00:36:57,879
Speaker 12: young player takes that face of the league role on,

886
00:36:58,280 --> 00:37:01,760
Speaker 12: Because while Lebron is still there, his you know, shadow

887
00:37:01,880 --> 00:37:05,720
Speaker 12: looms for the league as it should and stuff is still.

888
00:37:05,520 --> 00:37:08,600
Speaker 16: There, it's a new era and.

889
00:37:08,600 --> 00:37:12,080
Speaker 12: Who steps into that space will be very interesting or

890
00:37:12,160 --> 00:37:13,160
Speaker 12: if we even need it.

891
00:37:13,200 --> 00:37:15,160
Speaker 16: I mean I think that you do, Like I.

892
00:37:15,080 --> 00:37:16,520
Speaker 12: Think when you think of a league, like you think

893
00:37:16,520 --> 00:37:18,719
Speaker 12: of the NFL, you think of my homes, you think

894
00:37:18,760 --> 00:37:21,120
Speaker 12: of like the young stars in the league that are winning.

895
00:37:21,560 --> 00:37:23,760
Speaker 16: So it'll be interesting to see how it develops.

896
00:37:24,000 --> 00:37:26,120
Speaker 5: Where is your passion for sports to come from?

897
00:37:26,160 --> 00:37:28,279
Speaker 4: Like did you grow up in a household where you

898
00:37:28,320 --> 00:37:30,239
Speaker 4: had to kind of like argue over what we were

899
00:37:30,280 --> 00:37:31,359
Speaker 4: watching and things like that?

900
00:37:31,360 --> 00:37:32,879
Speaker 5: Like where does that come from? Because you don't see

901
00:37:32,920 --> 00:37:34,359
Speaker 5: many women.

902
00:37:34,600 --> 00:37:37,000
Speaker 4: Talk sports the way you do, Like you're talking from

903
00:37:37,000 --> 00:37:39,400
Speaker 4: a very a place of No. I grew up this

904
00:37:39,440 --> 00:37:41,360
Speaker 4: is what I do, Like, where does that come from?

905
00:37:41,520 --> 00:37:41,640
Speaker 2: So?

906
00:37:41,760 --> 00:37:45,200
Speaker 12: I grew up in Pittsburgh, Pennsylvania, PA. And I grew

907
00:37:45,320 --> 00:37:48,480
Speaker 12: up with my aunt and my aunts and my grandmother

908
00:37:48,520 --> 00:37:51,960
Speaker 12: were big sports fans, as most pretty much everyone in

909
00:37:52,000 --> 00:37:52,560
Speaker 12: a city like.

910
00:37:52,520 --> 00:37:54,120
Speaker 5: Pittsburgh is still a nation.

911
00:37:54,320 --> 00:37:57,960
Speaker 16: Yeah, and when the game came on, everyone had to

912
00:37:58,000 --> 00:37:58,440
Speaker 16: shut up.

913
00:37:59,640 --> 00:38:02,439
Speaker 12: They knew every player, they knew the coaches, they knew

914
00:38:02,480 --> 00:38:06,400
Speaker 12: the coordinators. If they lost, they were pissed. Everyone should

915
00:38:06,440 --> 00:38:08,840
Speaker 12: be fired, Like I just grew up. My mother is

916
00:38:08,880 --> 00:38:11,120
Speaker 12: a die hard Cowboys fan. Don't ask me why or how,

917
00:38:11,480 --> 00:38:15,560
Speaker 12: but she is a diehard Cowboys fan. She will rewatch

918
00:38:16,440 --> 00:38:20,239
Speaker 12: games two days, Like we know the outcome of this game.

919
00:38:20,800 --> 00:38:22,120
Speaker 12: She's like, yeah, but I didn't get to see the

920
00:38:22,120 --> 00:38:25,279
Speaker 12: first quarter, so she will rewatch the game, which is like,

921
00:38:25,320 --> 00:38:27,960
Speaker 12: I'm not even that bad. So it's just always been

922
00:38:28,040 --> 00:38:31,719
Speaker 12: familiar to me to have an opinion or point of

923
00:38:31,800 --> 00:38:35,840
Speaker 12: view on sports. And I grew up playing sports. I

924
00:38:35,880 --> 00:38:38,759
Speaker 12: played basketball, soccer, volleyball, track. Obviously I come from a

925
00:38:38,800 --> 00:38:41,960
Speaker 12: sports family as well. And I really think growing up

926
00:38:42,000 --> 00:38:44,839
Speaker 12: in a city that sports is ingrains in like the

927
00:38:44,880 --> 00:38:47,719
Speaker 12: culture and the community of the city in such a

928
00:38:47,840 --> 00:38:50,960
Speaker 12: historic way, in such a proud way. Because the Seilers

929
00:38:50,960 --> 00:38:55,920
Speaker 12: are just like a dynastic organization, It's just familiar to me,

930
00:38:56,040 --> 00:38:59,919
Speaker 12: like I just expect that everyone has a review wants.

931
00:39:01,080 --> 00:39:02,960
Speaker 16: I have to remind myself some times, so like everybody

932
00:39:03,000 --> 00:39:03,600
Speaker 16: doesn't care.

933
00:39:03,480 --> 00:39:06,719
Speaker 2: This much with music.

934
00:39:06,840 --> 00:39:12,240
Speaker 3: Yeah, it's it's just what's familiar to me, Okay, as

935
00:39:12,719 --> 00:39:15,160
Speaker 3: coming from a city that is the same way about

936
00:39:15,200 --> 00:39:18,040
Speaker 3: their basketball team. I've been a lifelong tortured Knicks fan.

937
00:39:18,120 --> 00:39:21,920
Speaker 3: That's why I started with hating Halliburton before we let

938
00:39:21,960 --> 00:39:23,640
Speaker 3: you go. How do you feel about the Tips firing.

939
00:39:24,160 --> 00:39:27,600
Speaker 16: I didn't like it. I didn't like it either, so I'm.

940
00:39:27,280 --> 00:39:30,960
Speaker 9: I loved it. I get it, but because I knew

941
00:39:30,960 --> 00:39:32,200
Speaker 9: he was going to get fired, because.

942
00:39:33,239 --> 00:39:34,960
Speaker 5: He's the only one that's brought in us this far.

943
00:39:35,160 --> 00:39:37,720
Speaker 16: Like I'm a big fan of firing coaches.

944
00:39:37,960 --> 00:39:43,600
Speaker 12: I think a coach really has to earn getting fired. Also,

945
00:39:43,880 --> 00:39:47,040
Speaker 12: hearkening back to the Steelers, like the Steelers are always good.

946
00:39:47,120 --> 00:39:51,040
Speaker 12: Mike Tomlin has never had a losing season, which is remarkable,

947
00:39:51,320 --> 00:39:53,040
Speaker 12: and especially when you look at what he's had to

948
00:39:53,040 --> 00:39:55,440
Speaker 12: work with from the quarterback position. They've had three coaches

949
00:39:55,440 --> 00:39:59,400
Speaker 12: in the history of their organization. Now they've been incredible coaches.

950
00:39:59,719 --> 00:40:03,359
Speaker 12: But the problem with firing coaches is we just look

951
00:40:03,400 --> 00:40:06,680
Speaker 12: at the guy who we see, right. We don't hold

952
00:40:06,719 --> 00:40:10,840
Speaker 12: gms accountable the way that we do coaches. Obviously we

953
00:40:10,880 --> 00:40:15,759
Speaker 12: can't hold owners accountable, but owners fiddle with things all

954
00:40:15,800 --> 00:40:18,240
Speaker 12: the time that take things out of the coach's hands.

955
00:40:18,760 --> 00:40:22,040
Speaker 12: So when you have a meddling owner, is it the

956
00:40:22,080 --> 00:40:24,560
Speaker 12: coach's fault or is it because this owner didn't want

957
00:40:24,600 --> 00:40:26,480
Speaker 12: to pay this player that this coach wanted. Like we

958
00:40:26,520 --> 00:40:28,520
Speaker 12: don't know all the behind the scenes things that happen.

959
00:40:28,560 --> 00:40:31,279
Speaker 12: What we do know is consistency and growth. And I

960
00:40:31,320 --> 00:40:35,520
Speaker 12: feel like that's what Sibbs did for the next organization,

961
00:40:35,600 --> 00:40:39,920
Speaker 12: and he stabilized the organization. Like I hate talking about

962
00:40:40,640 --> 00:40:43,040
Speaker 12: poorly run organization. It's like I don't want to give

963
00:40:43,040 --> 00:40:45,640
Speaker 12: them airtime because I know how hard it is for

964
00:40:45,680 --> 00:40:47,320
Speaker 12: people in that building to have success.

965
00:40:47,520 --> 00:40:49,840
Speaker 16: When you go into work and it's utter.

966
00:40:49,760 --> 00:40:51,600
Speaker 12: Chaos when you don't have the things that you need,

967
00:40:51,600 --> 00:40:52,960
Speaker 12: when you don't have the support that you need, when

968
00:40:52,960 --> 00:40:54,319
Speaker 12: you don't have the staff that you need, when they're

969
00:40:54,360 --> 00:40:56,279
Speaker 12: not bringing in the players that you need, Like it's

970
00:40:56,320 --> 00:40:59,120
Speaker 12: so hard to win, Like that, so much goes into winning,

971
00:41:00,040 --> 00:41:02,200
Speaker 12: and we zero in on the coaches because they're the

972
00:41:02,200 --> 00:41:04,200
Speaker 12: guys that we see on the sideline. Also, when you

973
00:41:04,239 --> 00:41:08,160
Speaker 12: fire a coach, their whole staff usually gets fired, which.

974
00:41:07,960 --> 00:41:09,880
Speaker 16: Means there's a whole changeover.

975
00:41:09,960 --> 00:41:12,560
Speaker 12: So players, guys who are down the bench a little

976
00:41:12,560 --> 00:41:14,400
Speaker 12: bit who had this connection with this coach, who are

977
00:41:14,400 --> 00:41:16,719
Speaker 12: actually developing and like getting some momentum.

978
00:41:16,760 --> 00:41:18,160
Speaker 16: Now they got to get a new coach in there.

979
00:41:18,239 --> 00:41:19,399
Speaker 16: Maybe they don't get along with them.

980
00:41:19,400 --> 00:41:23,040
Speaker 12: Like there's it's such a it's such an avalanche of

981
00:41:23,080 --> 00:41:26,160
Speaker 12: effects that happen when you bring in a new coaching,

982
00:41:26,440 --> 00:41:29,120
Speaker 12: a new coach because they have their own staff, and

983
00:41:29,160 --> 00:41:32,719
Speaker 12: then maybe they have a specific style of practice that

984
00:41:32,760 --> 00:41:33,239
Speaker 12: doesn't work.

985
00:41:33,280 --> 00:41:36,399
Speaker 16: Like it's just it's never ending. Yeah, And I am

986
00:41:36,480 --> 00:41:38,799
Speaker 16: just a fan of it should.

987
00:41:38,600 --> 00:41:41,080
Speaker 12: Be obvious that the coach needs to be fired, like

988
00:41:41,160 --> 00:41:43,080
Speaker 12: they should be obvious. And if you are, if you

989
00:41:43,239 --> 00:41:46,360
Speaker 12: take this organization further than they've been in twenty five years,

990
00:41:46,600 --> 00:41:47,960
Speaker 12: maybe just give him one more year.

991
00:41:48,000 --> 00:41:49,600
Speaker 5: That's what That's where I'm at with that at that.

992
00:41:49,640 --> 00:41:52,000
Speaker 3: But he made some mistakes in the playoffs, but I'm

993
00:41:52,239 --> 00:41:53,600
Speaker 3: with Joy on that, like, well, it needs to be

994
00:41:53,600 --> 00:41:56,200
Speaker 3: a bigger reason than just they fell.

995
00:41:56,280 --> 00:41:59,399
Speaker 4: Sure, but there's a thing going around now that's kind

996
00:41:59,400 --> 00:42:03,440
Speaker 4: of looting. That cat got him fired in Minnesota and

997
00:42:03,480 --> 00:42:06,680
Speaker 4: now cat got him fired in New York clips that

998
00:42:06,680 --> 00:42:09,080
Speaker 4: I'm kind of having, you know.

999
00:42:09,560 --> 00:42:12,279
Speaker 12: Yeah, I don't know that that's like, I don't know

1000
00:42:12,320 --> 00:42:14,800
Speaker 12: that that's like the reason that he got fired. Obviously,

1001
00:42:14,840 --> 00:42:17,759
Speaker 12: we know superstars play a big role in who the

1002
00:42:17,800 --> 00:42:20,480
Speaker 12: coach is and if they stay, and sometimes they may

1003
00:42:20,520 --> 00:42:24,319
Speaker 12: make like an offhand comment that influences things. I don't

1004
00:42:24,440 --> 00:42:26,160
Speaker 12: I have no idea whether he did or he didn't,

1005
00:42:27,239 --> 00:42:29,600
Speaker 12: But to me, I just I would have given him

1006
00:42:29,640 --> 00:42:32,440
Speaker 12: one more year. Like I think they had. They overachieved

1007
00:42:32,440 --> 00:42:34,760
Speaker 12: this year. Nobody had him in the Eastern Conference finals.

1008
00:42:34,840 --> 00:42:38,120
Speaker 12: With all due respect, So you ever achieved this year? Yes,

1009
00:42:38,200 --> 00:42:41,280
Speaker 12: you fell short. Run it back one more year. You've

1010
00:42:41,360 --> 00:42:44,080
Speaker 12: run better every single year. If you fall shorter than

1011
00:42:44,080 --> 00:42:46,279
Speaker 12: your expectations next year, cool, you didn't get the job.

1012
00:42:46,280 --> 00:42:49,680
Speaker 5: They invest in a bench and give it another year.

1013
00:42:49,760 --> 00:42:51,080
Speaker 16: Yeah, I would have given it one more year.

1014
00:42:51,160 --> 00:42:51,359
Speaker 6: Yeah.

1015
00:42:51,440 --> 00:42:53,279
Speaker 5: Well, Joy, we got to have you on Don't Know Ball.

1016
00:42:53,520 --> 00:42:55,600
Speaker 3: Yeah, I'm still proper episode for share next time you're

1017
00:42:55,560 --> 00:43:00,360
Speaker 3: in New York. Definitely got to appreciate it. Let's do it, George.

1018
00:43:01,760 --> 00:43:04,960
Speaker 4: All right, Rory, we are back BT Awards twenty twenty five. Yes,

1019
00:43:05,360 --> 00:43:07,719
Speaker 4: and we are sitting down finally with a West Coast

1020
00:43:07,800 --> 00:43:09,280
Speaker 4: representative on the wrap side.

1021
00:43:09,280 --> 00:43:10,520
Speaker 5: But we had Mazi earlier.

1022
00:43:10,640 --> 00:43:14,560
Speaker 9: Yeah, yea, we have Mazi oak Park now sitting down

1023
00:43:14,560 --> 00:43:15,120
Speaker 9: with a Z.

1024
00:43:16,560 --> 00:43:16,880
Speaker 2: Shike.

1025
00:43:17,080 --> 00:43:21,000
Speaker 9: Yes, I don't want to say chee k. I'm gonna say,

1026
00:43:21,400 --> 00:43:24,680
Speaker 9: bro man, I'm good to be aware to work you man,

1027
00:43:25,560 --> 00:43:27,560
Speaker 9: They too, They too. Yeah, we're getting right.

1028
00:43:27,880 --> 00:43:30,120
Speaker 2: So it's a good weekend, no bt, always a good weekend.

1029
00:43:30,400 --> 00:43:30,880
Speaker 2: Good weekend.

1030
00:43:31,000 --> 00:43:32,440
Speaker 3: I'm proud of you too. More this is this is

1031
00:43:32,440 --> 00:43:36,919
Speaker 3: showing piece and solidarity. He had my my favorite verse

1032
00:43:37,440 --> 00:43:41,239
Speaker 3: on g n X, my favorite feature for surely, I mean,

1033
00:43:42,560 --> 00:43:46,360
Speaker 3: no homo. I followed him right after I heard peekaboo.

1034
00:43:46,960 --> 00:43:50,640
Speaker 3: I like follow men on Instagram like that before you

1035
00:43:50,680 --> 00:43:52,960
Speaker 3: told us that. I'm glad after I heard people after

1036
00:43:53,440 --> 00:43:56,120
Speaker 3: he heard about your man not sorry for your loss, ize,

1037
00:43:56,120 --> 00:44:05,160
Speaker 3: I'm following him, coach. That was the only person I

1038
00:44:05,200 --> 00:44:08,440
Speaker 3: followed immediately after I heard gn X. But what the

1039
00:44:08,480 --> 00:44:10,719
Speaker 3: internet thinks about you? I think this is great that

1040
00:44:10,760 --> 00:44:15,440
Speaker 3: both of y'all are sitting down the West Coast together.

1041
00:44:16,040 --> 00:44:17,359
Speaker 3: The show we can all live.

1042
00:44:18,200 --> 00:44:21,359
Speaker 4: They tried to make it East coast, West Coast thing

1043
00:44:21,480 --> 00:44:24,000
Speaker 4: ovo West Coast. No man, it's all love it's not,

1044
00:44:24,080 --> 00:44:26,319
Speaker 4: but especially for me l A. You know, Rory La

1045
00:44:26,480 --> 00:44:29,080
Speaker 4: is a second home from me. How you feeling about

1046
00:44:29,080 --> 00:44:31,160
Speaker 4: how's the success of you know, being on one of

1047
00:44:31,160 --> 00:44:32,279
Speaker 4: the biggest albums of the year.

1048
00:44:32,480 --> 00:44:33,720
Speaker 2: Yeah, how's life changed?

1049
00:44:33,719 --> 00:44:35,880
Speaker 5: How's you know? How the ladies treating you? How they

1050
00:44:35,920 --> 00:44:36,400
Speaker 5: talking to you?

1051
00:44:36,440 --> 00:44:38,680
Speaker 2: Now? The text messages respawning a little faster?

1052
00:44:39,160 --> 00:44:41,799
Speaker 17: Uh yeah, yeah, you know bitches that I ain't talked

1053
00:44:41,840 --> 00:44:43,719
Speaker 17: to him three years opening up.

1054
00:44:44,640 --> 00:44:47,960
Speaker 9: I like that, he said, bitches, you know what I'm saying,

1055
00:44:48,120 --> 00:44:49,120
Speaker 9: you don't talk me for three years.

1056
00:44:50,120 --> 00:44:55,160
Speaker 17: Yeah, they're responding to text happy birthdays from three years ago.

1057
00:44:55,280 --> 00:44:58,520
Speaker 5: It was checking up on you go ahead. They didn't

1058
00:44:58,520 --> 00:44:59,640
Speaker 5: even hear about the Super Bowl.

1059
00:45:01,360 --> 00:45:03,759
Speaker 17: But no, man, I just I've just been working, bro,

1060
00:45:03,840 --> 00:45:06,120
Speaker 17: and you know, like I've been doing my bends just

1061
00:45:06,120 --> 00:45:09,400
Speaker 17: to stay focused and not get too caught up and everything.

1062
00:45:09,440 --> 00:45:11,080
Speaker 2: You know what I'm saying, because it can be a lot.

1063
00:45:11,239 --> 00:45:13,800
Speaker 17: Yeah, So, you know, I just had my little things,

1064
00:45:13,920 --> 00:45:16,480
Speaker 17: like I like this last thing when I did the

1065
00:45:16,560 --> 00:45:18,000
Speaker 17: GNX sword shit like that.

1066
00:45:18,520 --> 00:45:19,640
Speaker 2: I think, like, through all.

1067
00:45:19,480 --> 00:45:21,880
Speaker 17: The shit that's been happening in the past six months,

1068
00:45:22,160 --> 00:45:24,600
Speaker 17: I felt that one of the most like once it

1069
00:45:24,719 --> 00:45:28,080
Speaker 17: hit all over the internet, like I felt like overwhelmed

1070
00:45:28,080 --> 00:45:30,080
Speaker 17: a little bit, like over stimulated, like you know what

1071
00:45:30,080 --> 00:45:30,760
Speaker 17: I'm saying.

1072
00:45:30,520 --> 00:45:32,120
Speaker 2: Like I felt that the most. So I kind of

1073
00:45:32,160 --> 00:45:33,120
Speaker 2: like I.

1074
00:45:33,040 --> 00:45:34,840
Speaker 17: Didn't take a little break, but I didn't post or

1075
00:45:34,880 --> 00:45:36,680
Speaker 17: nothing for a little bit, like all right, hold on,

1076
00:45:36,760 --> 00:45:38,560
Speaker 17: let me let this sink in for a minute, you.

1077
00:45:38,520 --> 00:45:39,080
Speaker 2: Know what I'm saying.

1078
00:45:39,360 --> 00:45:41,719
Speaker 17: And yeah, that's really just how I've been dealing with

1079
00:45:41,760 --> 00:45:44,279
Speaker 17: everything though, you know, just finding balance, you know what

1080
00:45:44,280 --> 00:45:44,720
Speaker 17: I'm saying.

1081
00:45:45,080 --> 00:45:47,560
Speaker 3: Has it been a lot of pressure? You know, because

1082
00:45:47,640 --> 00:45:50,360
Speaker 3: I've seen because the internet has been a mess with

1083
00:45:50,480 --> 00:45:54,200
Speaker 3: everything that happened last year? Fact, fact, has there been

1084
00:45:54,200 --> 00:45:56,640
Speaker 3: a lot of pressure with people saying every feature from

1085
00:45:56,840 --> 00:45:59,880
Speaker 3: GNX should have capitalized on that ship the next fucking day,

1086
00:46:00,120 --> 00:46:02,279
Speaker 3: Like why didn't they all have albums ready to go

1087
00:46:02,400 --> 00:46:04,760
Speaker 3: that next day? What's the pressure been like with getting

1088
00:46:04,800 --> 00:46:07,560
Speaker 3: something so important and so great?

1089
00:46:07,840 --> 00:46:11,200
Speaker 17: I mean, respectfully, bro, I don't really deal with that

1090
00:46:11,320 --> 00:46:15,160
Speaker 17: shit because I'm the example that they use. It is

1091
00:46:15,239 --> 00:46:18,279
Speaker 17: why Nigga should capitalized. Well you should have did it?

1092
00:46:18,400 --> 00:46:21,239
Speaker 17: Like check, well, check did this ch that? So I

1093
00:46:21,239 --> 00:46:26,200
Speaker 17: don't necessarily feel feel that particular pressure. I guess the

1094
00:46:26,239 --> 00:46:31,800
Speaker 17: pressure I do feel is like coming with a real

1095
00:46:31,880 --> 00:46:34,040
Speaker 17: body of work. You know what I'm saying, Like, that's

1096
00:46:34,080 --> 00:46:37,000
Speaker 17: what's gonna make this shit really stick and count.

1097
00:46:37,280 --> 00:46:37,920
Speaker 2: You know what I'm saying.

1098
00:46:37,960 --> 00:46:41,000
Speaker 17: So and it's not really pressure, but you know what

1099
00:46:41,040 --> 00:46:42,560
Speaker 17: I'm saying, like I feel it though, you know what

1100
00:46:42,560 --> 00:46:45,239
Speaker 17: I'm saying. That's the only thing I'm kind of like

1101
00:46:45,960 --> 00:46:48,960
Speaker 17: focused are like I guess you could say concerned about

1102
00:46:49,520 --> 00:46:51,759
Speaker 17: It's like following up with that body of work, bro,

1103
00:46:51,880 --> 00:46:52,960
Speaker 17: Like that's what's gonna count.

1104
00:46:53,000 --> 00:46:53,880
Speaker 2: Like these singles I do.

1105
00:46:53,960 --> 00:46:57,239
Speaker 17: It's cool, you know, the dot looks is great, but

1106
00:46:58,000 --> 00:47:00,840
Speaker 17: you know, I got to build my own foundation and

1107
00:47:00,880 --> 00:47:02,400
Speaker 17: it's gonna start there with that album.

1108
00:47:02,400 --> 00:47:05,200
Speaker 2: You know what I mean, What is it?

1109
00:47:05,239 --> 00:47:07,040
Speaker 4: What is it like for you though, Like to be

1110
00:47:07,120 --> 00:47:09,759
Speaker 4: able to touch a stage in a stadium like so

1111
00:47:09,920 --> 00:47:13,719
Speaker 4: far like that many people looking at you hearing you, like,

1112
00:47:14,320 --> 00:47:16,880
Speaker 4: how does that affect your creativity? How does that affect

1113
00:47:17,160 --> 00:47:19,719
Speaker 4: you know, the way you look at the industry, Like

1114
00:47:20,200 --> 00:47:22,239
Speaker 4: things have to change once you on a platform in

1115
00:47:22,280 --> 00:47:23,520
Speaker 4: the stage that big.

1116
00:47:24,040 --> 00:47:28,040
Speaker 2: Yeah, I mean it really just leveled me up, you

1117
00:47:28,120 --> 00:47:29,359
Speaker 2: know what I'm saying. Like and.

1118
00:47:31,800 --> 00:47:34,480
Speaker 17: You know, like like when when I did this ship

1119
00:47:34,640 --> 00:47:36,320
Speaker 17: like and That's why I tak a lot of people,

1120
00:47:36,440 --> 00:47:40,399
Speaker 17: Like I was so focused on the performance. I didn't

1121
00:47:40,440 --> 00:47:43,000
Speaker 17: really like get too submerged into the crowd.

1122
00:47:43,120 --> 00:47:43,879
Speaker 2: Like you know what I'm saying.

1123
00:47:44,200 --> 00:47:46,240
Speaker 17: I had the custom in ears in so I couldn't

1124
00:47:46,239 --> 00:47:48,520
Speaker 17: hear nothing, Like all I could hear was the beat

1125
00:47:49,239 --> 00:47:51,920
Speaker 17: myself and die, Like I couldn't hear nothing. And then

1126
00:47:51,960 --> 00:47:54,840
Speaker 17: I was so focused on hitting my cues. You know,

1127
00:47:55,000 --> 00:47:56,560
Speaker 17: I didn't you know what I'm saying, I didn't want

1128
00:47:56,600 --> 00:47:58,560
Speaker 17: to bump into the dancers. And then when you see

1129
00:47:58,560 --> 00:48:00,840
Speaker 17: his walk on the second side of the age, like

1130
00:48:00,880 --> 00:48:01,279
Speaker 17: I had to.

1131
00:48:01,320 --> 00:48:02,080
Speaker 2: Keep up with him.

1132
00:48:02,200 --> 00:48:05,000
Speaker 17: Okay, we did the little choreographer bub band thing. So

1133
00:48:05,080 --> 00:48:07,640
Speaker 17: I'm so focused on that, Like it didn't hit me

1134
00:48:07,719 --> 00:48:10,520
Speaker 17: till later. Like I'm liking all the videos Twitter people

1135
00:48:10,520 --> 00:48:12,719
Speaker 17: figuring out, but I'm like, I'm really saving this later

1136
00:48:12,760 --> 00:48:15,040
Speaker 17: because I'm watch it. That was the only way I

1137
00:48:15,040 --> 00:48:17,880
Speaker 17: was able to see the crowd reaction was through the videos,

1138
00:48:18,320 --> 00:48:20,719
Speaker 17: and you know, or it just leveled me up, bro,

1139
00:48:20,880 --> 00:48:22,880
Speaker 17: Like you know what I'm saying, Like again, it just

1140
00:48:22,920 --> 00:48:25,640
Speaker 17: make it makes sense and you know, as people know

1141
00:48:25,800 --> 00:48:27,799
Speaker 17: I fought for that, you know what, I'm like, I

1142
00:48:27,840 --> 00:48:29,520
Speaker 17: have to get on the ass to make sure I

1143
00:48:29,560 --> 00:48:30,440
Speaker 17: got on that stage.

1144
00:48:30,560 --> 00:48:32,560
Speaker 2: And I couldn't fuck up, couldn't suck up because I

1145
00:48:32,600 --> 00:48:34,719
Speaker 2: asked for that ship. You gotta be ready for it.

1146
00:48:34,800 --> 00:48:38,440
Speaker 17: Yeah, And even before we went on stage, he like

1147
00:48:38,480 --> 00:48:40,440
Speaker 17: called me in his green room, like right before, like

1148
00:48:40,440 --> 00:48:42,800
Speaker 17: two songs before I think Sizzl was still on stage,

1149
00:48:43,600 --> 00:48:45,880
Speaker 17: and he was like, he was like, you nervous. I

1150
00:48:45,920 --> 00:48:48,160
Speaker 17: was like, no, heim, I asked for this. He's like, yeah, nigga,

1151
00:48:48,160 --> 00:48:57,520
Speaker 17: bet not be nervous. Your poker face though, bro. So

1152
00:48:58,040 --> 00:49:00,520
Speaker 17: it's just a level of bro. That's it for for real.

1153
00:49:01,200 --> 00:49:03,319
Speaker 3: How has that helped with what you want to do

1154
00:49:03,400 --> 00:49:08,200
Speaker 3: with live performances moving forward? H It's like going Sophie

1155
00:49:08,320 --> 00:49:09,480
Speaker 3: is crazy.

1156
00:49:09,680 --> 00:49:12,600
Speaker 2: Very crazy, bro U. It helped a lot.

1157
00:49:12,760 --> 00:49:16,440
Speaker 17: I mean the main thing is like real live performance,

1158
00:49:16,520 --> 00:49:20,400
Speaker 17: no backtrack, Like that's the real thing, keeping your breath,

1159
00:49:20,480 --> 00:49:24,480
Speaker 17: no backtrack, Like I performed without backtracks before, but not

1160
00:49:24,560 --> 00:49:27,239
Speaker 17: the full hour set, you know what I'm saying. Like

1161
00:49:27,320 --> 00:49:29,680
Speaker 17: that's a different ball game, Like you know what I'm saying.

1162
00:49:30,000 --> 00:49:33,000
Speaker 17: So that's one thing that I took from that that

1163
00:49:33,160 --> 00:49:35,080
Speaker 17: I have to work on. I don't have it all

1164
00:49:35,080 --> 00:49:37,440
Speaker 17: the way, Like there's some songs out of my catalog

1165
00:49:37,480 --> 00:49:40,040
Speaker 17: that I can do. But the other one, like I

1166
00:49:40,040 --> 00:49:41,680
Speaker 17: got to figure out a way, like you know what

1167
00:49:41,680 --> 00:49:44,239
Speaker 17: I'm saying, to sauce it and you know, like do

1168
00:49:44,360 --> 00:49:47,319
Speaker 17: different things and that that's the one thing, the no

1169
00:49:47,440 --> 00:49:49,480
Speaker 17: backtrack shit, like yeah, the real performance, you know what

1170
00:49:49,480 --> 00:49:49,799
Speaker 17: I'm saying.

1171
00:49:49,800 --> 00:49:51,520
Speaker 4: After hitting that type of stage, do you feel like

1172
00:49:51,560 --> 00:49:55,280
Speaker 4: at some point you probably uh you took for granted

1173
00:49:55,320 --> 00:49:57,640
Speaker 4: exactly how much goes into performing Because to be able

1174
00:49:57,680 --> 00:49:59,800
Speaker 4: to be on the stage that big and hit those cues,

1175
00:49:59,800 --> 00:50:02,440
Speaker 4: that's that far apart. Yeah, that type of performance is

1176
00:50:02,480 --> 00:50:04,480
Speaker 4: a different level fact, So do you look at that

1177
00:50:04,480 --> 00:50:06,840
Speaker 4: part of your career like, Okay, I got a sharp

1178
00:50:06,840 --> 00:50:07,600
Speaker 4: in my live.

1179
00:50:07,400 --> 00:50:10,560
Speaker 2: Performance set no for real Yeah yeah yeah.

1180
00:50:10,600 --> 00:50:13,000
Speaker 17: But at the same time, Bro, you couldn't tell me

1181
00:50:13,040 --> 00:50:14,680
Speaker 17: none of this ship was gonna happen a year ago,

1182
00:50:15,080 --> 00:50:18,080
Speaker 17: Like you know what I'm saying, Like I performed.

1183
00:50:19,000 --> 00:50:19,520
Speaker 2: What was it?

1184
00:50:19,560 --> 00:50:23,640
Speaker 17: I think it was the form not to pop out,

1185
00:50:23,800 --> 00:50:25,359
Speaker 17: But before that I did.

1186
00:50:25,880 --> 00:50:27,279
Speaker 2: I think it was the blank Face Store.

1187
00:50:27,920 --> 00:50:30,920
Speaker 17: Well, Q and I brought us out there and it

1188
00:50:31,000 --> 00:50:32,920
Speaker 17: still wasn't nothing like that because I didn't go with him,

1189
00:50:33,000 --> 00:50:33,960
Speaker 17: like we open for him.

1190
00:50:34,000 --> 00:50:35,399
Speaker 2: You know what, I'm saying, but.

1191
00:50:36,920 --> 00:50:39,600
Speaker 17: In a way, in a way, you know again, I

1192
00:50:39,640 --> 00:50:41,760
Speaker 17: just think I couldn't see myself. I never see myself

1193
00:50:41,800 --> 00:50:43,400
Speaker 17: on that type of stage, you know what I'm saying.

1194
00:50:43,480 --> 00:50:46,200
Speaker 17: So yeah, now that I am, I guess you can't

1195
00:50:46,239 --> 00:50:47,960
Speaker 17: say that, like you know what I mean, Like I

1196
00:50:48,120 --> 00:50:50,520
Speaker 17: have to get sharper bro, Like you know, the bar

1197
00:50:50,600 --> 00:50:54,000
Speaker 17: said right now, Yeah, the bar said. And because everybody's

1198
00:50:54,000 --> 00:50:56,399
Speaker 17: seen it, it's like now they're like, all right, it's

1199
00:50:56,400 --> 00:51:00,879
Speaker 17: gotta be at that. If it's set thousand or five

1200
00:51:00,920 --> 00:51:02,480
Speaker 17: hundred people in that room, you to perform.

1201
00:51:04,960 --> 00:51:05,520
Speaker 2: That's the fact.

1202
00:51:05,600 --> 00:51:07,920
Speaker 3: One of my favorite videos this year was you with

1203
00:51:08,000 --> 00:51:10,120
Speaker 3: your family watching the Super Bowl.

1204
00:51:10,320 --> 00:51:13,880
Speaker 5: Like, honestly, that was like just beautiful to watch in general.

1205
00:51:15,200 --> 00:51:17,840
Speaker 3: You know, I complimented it in your comments and got

1206
00:51:18,080 --> 00:51:20,080
Speaker 3: killed by every TD fan on Earth.

1207
00:51:20,280 --> 00:51:21,520
Speaker 5: I just tried to compliment him.

1208
00:51:27,320 --> 00:51:29,680
Speaker 3: He's sitting with his family watching that and then Kendrick

1209
00:51:29,719 --> 00:51:30,960
Speaker 3: does part of the verse with his day.

1210
00:51:31,040 --> 00:51:32,520
Speaker 5: I was like, this is amazing.

1211
00:51:32,680 --> 00:51:35,640
Speaker 3: Yeah, what was that like sharing that moment just with

1212
00:51:35,719 --> 00:51:39,200
Speaker 3: your family, I mean capturing I know, it was incredible.

1213
00:51:39,560 --> 00:51:41,800
Speaker 2: Uh Bro, we didn't think he was gonna do that.

1214
00:51:41,840 --> 00:51:44,440
Speaker 17: Ship Yeah, I didn't know like, we didn't even think

1215
00:51:44,480 --> 00:51:46,799
Speaker 17: he was gonna do that many new songs, but it

1216
00:51:46,840 --> 00:51:48,719
Speaker 17: made sense because he was going on the tour and

1217
00:51:48,719 --> 00:51:51,080
Speaker 17: it's pretty much the same set list, right, So I

1218
00:51:51,080 --> 00:51:52,640
Speaker 17: didn't we didn't think he was gonna do that. My

1219
00:51:52,760 --> 00:51:55,600
Speaker 17: menasurer here was like, we're just gonna watch. She's like,

1220
00:51:55,719 --> 00:51:59,080
Speaker 17: he's gonna do peekaboo or whatever. We're just gonna watch.

1221
00:51:59,440 --> 00:52:03,280
Speaker 17: And I captured it on my TikTok Live. There's nobody

1222
00:52:03,320 --> 00:52:05,800
Speaker 17: in my life, bro, I like twelve people, you know

1223
00:52:05,840 --> 00:52:09,920
Speaker 17: what I'm saying, And he did so he did the

1224
00:52:10,000 --> 00:52:12,920
Speaker 17: damn song, So now we're freaking out. There's no way. Hell,

1225
00:52:13,000 --> 00:52:14,960
Speaker 17: I thought he was gonna wrap my verse though, you

1226
00:52:15,000 --> 00:52:17,000
Speaker 17: know what I'm saying. So if you watch the video,

1227
00:52:17,120 --> 00:52:19,920
Speaker 17: it's like he do the song, we turn, they do

1228
00:52:20,040 --> 00:52:20,440
Speaker 17: my ship.

1229
00:52:20,719 --> 00:52:22,960
Speaker 2: We super freak out, you know what I'm saying.

1230
00:52:23,040 --> 00:52:25,840
Speaker 17: And it was crazy, bro, just a it was a

1231
00:52:25,880 --> 00:52:28,960
Speaker 17: real wholesome moment, and I guess it's good because it

1232
00:52:29,000 --> 00:52:32,040
Speaker 17: was captured and kind of get people like where I'm

1233
00:52:32,080 --> 00:52:34,400
Speaker 17: coming from and my essence and make them rood for

1234
00:52:34,480 --> 00:52:36,359
Speaker 17: me more because they like.

1235
00:52:36,280 --> 00:52:38,479
Speaker 3: You can see, it wasn't some set up social media

1236
00:52:38,480 --> 00:52:39,960
Speaker 3: say with your family with.

1237
00:52:40,000 --> 00:52:42,799
Speaker 17: A real reaction the moment, and I understand, like how

1238
00:52:42,880 --> 00:52:45,560
Speaker 17: passionate that I am and my family only freaking out

1239
00:52:45,560 --> 00:52:47,920
Speaker 17: like that because they know how much fucking work I

1240
00:52:47,960 --> 00:52:49,160
Speaker 17: can put in, you know what I'm saying.

1241
00:52:49,200 --> 00:52:51,400
Speaker 2: So it's like, damn all this shit is coming tuition,

1242
00:52:51,560 --> 00:52:52,240
Speaker 2: you know what I'm saying.

1243
00:52:52,560 --> 00:52:54,480
Speaker 4: So where we at with the album? How far are

1244
00:52:54,480 --> 00:52:55,920
Speaker 4: we or how close are we to getting it?

1245
00:52:56,600 --> 00:52:56,880
Speaker 6: Ship?

1246
00:52:58,040 --> 00:53:00,960
Speaker 2: Yeah, I gotta ask that's yeah, yeah, super Bowl up?

1247
00:53:01,040 --> 00:53:02,200
Speaker 2: Cool with the album.

1248
00:53:02,520 --> 00:53:08,080
Speaker 17: This album facts, I've been working on it since fucking

1249
00:53:08,120 --> 00:53:12,840
Speaker 17: what February. I think so far, and I have some

1250
00:53:12,960 --> 00:53:15,640
Speaker 17: strong records, bro, I think the last stage I'm in

1251
00:53:15,840 --> 00:53:19,080
Speaker 17: now it's features, you know what I'm saying. Even my

1252
00:53:19,239 --> 00:53:22,959
Speaker 17: last my last single, I dropped Game Time that came

1253
00:53:23,000 --> 00:53:24,840
Speaker 17: out of working on the album, you know what I'm saying.

1254
00:53:24,840 --> 00:53:27,759
Speaker 17: So it's a lot of great records like that and

1255
00:53:27,880 --> 00:53:30,920
Speaker 17: different shit too. But I'm on the future side of

1256
00:53:30,960 --> 00:53:32,680
Speaker 17: things now, you know what I'm saying, And I'm glad

1257
00:53:32,680 --> 00:53:35,640
Speaker 17: I took my time because through all these different events.

1258
00:53:36,000 --> 00:53:38,600
Speaker 17: Now these other bigger artists is hitting me up. You

1259
00:53:38,600 --> 00:53:40,560
Speaker 17: know what I'm saying, Like, not just rapper, but r

1260
00:53:40,600 --> 00:53:42,480
Speaker 17: and b artists like going my mind.

1261
00:53:42,440 --> 00:53:44,240
Speaker 3: Like I mean, with your tone, I think you should

1262
00:53:44,239 --> 00:53:45,640
Speaker 3: be working with the artists like.

1263
00:53:45,680 --> 00:53:47,480
Speaker 17: They telling me, like, you know, I'm working on some

1264
00:53:47,560 --> 00:53:50,200
Speaker 17: demos for you. I'm gonna send it over. I'm just

1265
00:53:50,200 --> 00:53:53,360
Speaker 17: like Nigga one like all right, man, like you know

1266
00:53:53,400 --> 00:53:56,440
Speaker 17: what I'm saying. So that's the stage i'man now is

1267
00:53:56,719 --> 00:53:59,400
Speaker 17: knocking those features out. I'm start working on it again

1268
00:53:59,480 --> 00:54:03,680
Speaker 17: next week. So honestly sometime soon bro, like it's going

1269
00:54:03,760 --> 00:54:05,480
Speaker 17: to be this year for sure, though, Yeah, it's going

1270
00:54:05,560 --> 00:54:06,080
Speaker 17: to be this year.

1271
00:54:06,239 --> 00:54:07,360
Speaker 5: I'm looking forward to hearing it.

1272
00:54:07,440 --> 00:54:07,600
Speaker 14: Man.

1273
00:54:07,680 --> 00:54:09,719
Speaker 2: Man, I gotta get the work. Yeah, I'm looking forward

1274
00:54:09,800 --> 00:54:10,480
Speaker 2: to get the word.

1275
00:54:10,800 --> 00:54:14,759
Speaker 4: I don't know is critiquing, not critiquing, but you know

1276
00:54:14,800 --> 00:54:17,920
Speaker 4: what i mean, I'm just listening differently because you get

1277
00:54:17,920 --> 00:54:20,560
Speaker 4: those type of looks, you know, Toronto like Kendrick to

1278
00:54:21,160 --> 00:54:24,279
Speaker 4: Stamp you I got. I got to hear what he

1279
00:54:24,600 --> 00:54:25,799
Speaker 4: what he on, what he talking about?

1280
00:54:26,120 --> 00:54:28,719
Speaker 5: I know what that sounded like with Kendrick, but let

1281
00:54:28,760 --> 00:54:30,399
Speaker 5: me hear what he sound like.

1282
00:54:30,400 --> 00:54:32,680
Speaker 2: That's what I'm not looking. I'm not over critical.

1283
00:54:32,719 --> 00:54:34,759
Speaker 4: It's just like I'm looking forward to hand what you

1284
00:54:34,800 --> 00:54:36,560
Speaker 4: did away from all that all of that noise. I

1285
00:54:36,600 --> 00:54:38,680
Speaker 4: don't like to call it noise, but it's noise, just like, yeah,

1286
00:54:38,920 --> 00:54:40,919
Speaker 4: it's big fact what you did away from that much?

1287
00:54:40,960 --> 00:54:41,600
Speaker 5: That was quiet?

1288
00:54:41,719 --> 00:54:44,279
Speaker 4: Right, That's what I'm looking forward to real sh sh

1289
00:54:44,520 --> 00:54:45,839
Speaker 4: I like that a lot like.

1290
00:54:45,800 --> 00:54:49,319
Speaker 3: That again, my opinion the standout feature on gm X

1291
00:54:49,440 --> 00:54:52,359
Speaker 3: no real complex does list.

1292
00:54:52,560 --> 00:54:53,600
Speaker 5: That's just what the fuck they do?

1293
00:54:53,680 --> 00:54:53,919
Speaker 2: Yeah?

1294
00:54:54,000 --> 00:54:57,800
Speaker 3: Yeah, what what did you think about complexes? Was the

1295
00:54:57,880 --> 00:54:59,759
Speaker 3: top twenty five? They did twenty five?

1296
00:54:59,840 --> 00:55:00,000
Speaker 2: Right?

1297
00:55:00,280 --> 00:55:04,120
Speaker 3: It was a fifty d fifty top fifty rappers from

1298
00:55:04,200 --> 00:55:06,359
Speaker 3: Los Angeles? How did you feel about complex list?

1299
00:55:08,000 --> 00:55:08,920
Speaker 5: Park wasn't doing there?

1300
00:55:08,960 --> 00:55:12,239
Speaker 17: That was the biggest Like, yeah, I didn't even notice that.

1301
00:55:12,360 --> 00:55:14,200
Speaker 17: Yeah they told me that ship last night.

1302
00:55:15,280 --> 00:55:15,440
Speaker 2: Bro.

1303
00:55:18,200 --> 00:55:20,480
Speaker 17: Through all this, I've been learning to separate myself from

1304
00:55:20,560 --> 00:55:24,719
Speaker 17: things like as far as as far as like taking

1305
00:55:24,760 --> 00:55:25,680
Speaker 17: ship so personal.

1306
00:55:25,760 --> 00:55:26,720
Speaker 2: I can't take you personally.

1307
00:55:27,200 --> 00:55:31,040
Speaker 17: Everything is opinionated. Yeah, it's their opinion. I'm not mad

1308
00:55:31,120 --> 00:55:34,719
Speaker 17: at it. Yeah, I mean it would have make s

1309
00:55:34,800 --> 00:55:36,759
Speaker 17: us to kind of get the backstory on who made

1310
00:55:36,800 --> 00:55:37,200
Speaker 17: the list?

1311
00:55:37,440 --> 00:55:39,399
Speaker 5: Okay, are you even from the West?

1312
00:55:40,200 --> 00:55:40,399
Speaker 2: Yeah?

1313
00:55:40,440 --> 00:55:43,200
Speaker 5: Yeah, anytime you look at the list, we always wanted

1314
00:55:43,200 --> 00:55:43,920
Speaker 5: to who made this?

1315
00:55:44,320 --> 00:55:45,000
Speaker 2: Who made this?

1316
00:55:45,719 --> 00:55:48,879
Speaker 5: Like what is your background, what allows you to even

1317
00:55:48,920 --> 00:55:49,439
Speaker 5: make this list?

1318
00:55:49,560 --> 00:55:52,400
Speaker 2: Right? So until they start doing shit like that, I

1319
00:55:52,880 --> 00:55:54,600
Speaker 2: don't really feel no way about it. You don't give

1320
00:55:54,600 --> 00:55:55,799
Speaker 2: it too much energy because.

1321
00:55:55,520 --> 00:55:57,920
Speaker 17: You're not really standing on business. You're not coming out

1322
00:55:58,000 --> 00:56:03,480
Speaker 17: like all right brok background like I'm hip hop with

1323
00:56:03,600 --> 00:56:06,360
Speaker 17: he would, You're not doing that. You're writing it and

1324
00:56:06,560 --> 00:56:07,080
Speaker 17: hiding like.

1325
00:56:07,360 --> 00:56:11,200
Speaker 3: Right, what the goal is to get clicks and make

1326
00:56:11,239 --> 00:56:12,840
Speaker 3: people talk about it. So even know you're going to

1327
00:56:12,880 --> 00:56:15,840
Speaker 3: put that type of ship. Yeah, but Game, who I

1328
00:56:15,920 --> 00:56:19,200
Speaker 3: felt just my personal list, I think Game is top

1329
00:56:19,280 --> 00:56:21,480
Speaker 3: five for the West, just my personal the fact that

1330
00:56:21,520 --> 00:56:25,240
Speaker 3: they put him, I think with eleven games at eleven,

1331
00:56:25,280 --> 00:56:27,759
Speaker 3: I think Game is top five. I agree he put

1332
00:56:27,760 --> 00:56:30,120
Speaker 3: out his own list he had you had seventy eight,

1333
00:56:30,239 --> 00:56:34,560
Speaker 3: I believe. Yeah, just like you know who Game is

1334
00:56:34,600 --> 00:56:37,200
Speaker 3: and what he represents to the West Coast, Yeah, him

1335
00:56:37,320 --> 00:56:39,560
Speaker 3: him acknowledging that you should have been on the list

1336
00:56:39,640 --> 00:56:41,560
Speaker 3: when it comes to now fuck with.

1337
00:56:41,640 --> 00:56:41,960
Speaker 2: Game, bro.

1338
00:56:42,520 --> 00:56:45,400
Speaker 17: He has an amazing catalog your dog, you know what

1339
00:56:45,400 --> 00:56:49,680
Speaker 17: I'm saying, And you know it's artists like like that.

1340
00:56:50,600 --> 00:56:53,279
Speaker 2: That like makes my mom understand where I am.

1341
00:56:53,560 --> 00:56:56,520
Speaker 17: You know what I'm saying, because she raised me we

1342
00:56:56,680 --> 00:56:59,080
Speaker 17: listened in the game Black All Street List.

1343
00:56:59,120 --> 00:57:00,359
Speaker 5: You know what I'm saying, So now was rude?

1344
00:57:01,080 --> 00:57:03,120
Speaker 17: She gets it like when I'm like I sent in

1345
00:57:03,160 --> 00:57:05,680
Speaker 17: the picture on with game the Wood, she gets it like,

1346
00:57:05,880 --> 00:57:08,759
Speaker 17: oh okay, I'm doing it. You know what I'm saying.

1347
00:57:08,840 --> 00:57:10,880
Speaker 17: So I be need no type of moment. So I

1348
00:57:11,000 --> 00:57:13,640
Speaker 17: definitely have a different respect level of the game. He

1349
00:57:14,239 --> 00:57:17,280
Speaker 17: definitely one of the ones bro without doubt, of doubt,

1350
00:57:17,480 --> 00:57:18,440
Speaker 17: with out of doubt.

1351
00:57:18,600 --> 00:57:20,920
Speaker 3: Before we let you go, because I feel like this

1352
00:57:21,120 --> 00:57:23,200
Speaker 3: was a great peaceful moment for the internet.

1353
00:57:23,680 --> 00:57:25,920
Speaker 5: Can you say something nice about Joey badass.

1354
00:57:29,160 --> 00:57:40,360
Speaker 11: Joy away from god Man? What one thing I can say?

1355
00:57:41,720 --> 00:57:45,520
Speaker 11: Oh God, I wish, I wish what.

1356
00:57:45,640 --> 00:57:47,880
Speaker 2: You doing with the power Ship is still I mean,

1357
00:57:47,920 --> 00:57:48,600
Speaker 2: it's still amazing.

1358
00:57:48,640 --> 00:57:52,160
Speaker 17: You know I'm saying I do wish he like consistently

1359
00:57:52,280 --> 00:57:55,280
Speaker 17: went crazy, Like okay, not saying never wish he got

1360
00:57:55,360 --> 00:57:57,920
Speaker 17: into acted because I said that shit still fired. But

1361
00:57:58,720 --> 00:58:00,960
Speaker 17: I feel like if he just was a going crazy,

1362
00:58:01,360 --> 00:58:04,400
Speaker 17: he would really be like you know what I mean,

1363
00:58:05,000 --> 00:58:06,240
Speaker 17: he still feel me.

1364
00:58:06,320 --> 00:58:09,680
Speaker 4: But he definitely surprised a lot of people included with

1365
00:58:10,120 --> 00:58:10,880
Speaker 4: with his performance.

1366
00:58:11,040 --> 00:58:13,400
Speaker 2: But I was what was we speaking to earlier?

1367
00:58:13,440 --> 00:58:15,960
Speaker 4: But I said, I love the fact that all of

1368
00:58:16,000 --> 00:58:19,280
Speaker 4: that happened because it forced the rappers to rap. Everybody

1369
00:58:19,360 --> 00:58:22,040
Speaker 4: started rapping it. People's getting the studio putting records out

1370
00:58:22,040 --> 00:58:24,400
Speaker 4: the next day. Like the turnover time was incredible. So

1371
00:58:24,680 --> 00:58:26,920
Speaker 4: if we got if that is what we needed to

1372
00:58:27,200 --> 00:58:29,520
Speaker 4: get guys rapping, I'm for it.

1373
00:58:29,600 --> 00:58:32,000
Speaker 17: It was a good sparm, bro. Like it was great,

1374
00:58:32,160 --> 00:58:35,120
Speaker 17: Like that shit was fun. Nobody got hurt, you know

1375
00:58:35,160 --> 00:58:37,240
Speaker 17: what I'm saying. Like, not like that, bro, but like

1376
00:58:37,400 --> 00:58:40,440
Speaker 17: I dine been in real rap function. You feel me

1377
00:58:40,600 --> 00:58:43,400
Speaker 17: like niggas getting heard. I catch you with you, you

1378
00:58:43,440 --> 00:58:45,320
Speaker 17: know what I'm saying. So that ship just you know,

1379
00:58:45,880 --> 00:58:49,040
Speaker 17: kicking up dust, making the fans happy, bro, even.

1380
00:58:48,960 --> 00:58:51,960
Speaker 3: Like how Daylight closed it. The entire thing I thought

1381
00:58:52,080 --> 00:58:54,040
Speaker 3: was perfect, Like this is how ship can It can

1382
00:58:54,080 --> 00:58:54,600
Speaker 3: be fine.

1383
00:58:54,440 --> 00:58:58,040
Speaker 5: Like everybody just rap and everybody everybody move on.

1384
00:58:58,800 --> 00:59:01,760
Speaker 17: Compared to all the other ship that's been happening before

1385
00:59:01,840 --> 00:59:04,800
Speaker 17: our list the day I'm smoking with the would I.

1386
00:59:04,840 --> 00:59:09,120
Speaker 2: Don't need that really, yeah, we don't need that energy.

1387
00:59:10,040 --> 00:59:12,680
Speaker 2: So niggas like that, like us can set the example,

1388
00:59:12,760 --> 00:59:13,240
Speaker 2: then why not.

1389
00:59:13,680 --> 00:59:15,680
Speaker 5: You know, we still wrap get our balls off, but

1390
00:59:15,720 --> 00:59:16,880
Speaker 5: it's still love at the end of the day.

1391
00:59:16,920 --> 00:59:18,320
Speaker 2: Back looking forward to you.

1392
00:59:18,360 --> 00:59:21,439
Speaker 5: I'm looking forward to the project we're going.

1393
00:59:22,040 --> 00:59:25,280
Speaker 2: I'm checking. I'll check you.

1394
00:59:25,360 --> 00:59:28,440
Speaker 5: Go to New York, come to episode and sit down for.

1395
00:59:29,320 --> 00:59:31,680
Speaker 2: I'm coming soon, probably like the end of this month

1396
00:59:31,760 --> 00:59:33,960
Speaker 2: or July. I'm coming soon. Man, you know they got me.

1397
00:59:34,840 --> 00:59:39,920
Speaker 4: Ship life is very good for you. So it's definitely

1398
00:59:40,000 --> 00:59:49,280
Speaker 4: bullet up bro back BT Awards twenty twenty five. Yes,

1399
00:59:49,800 --> 00:59:51,520
Speaker 4: and we are sitting with the talented.

1400
00:59:51,920 --> 00:59:53,400
Speaker 5: Had to flag her down. She didn't want to come

1401
00:59:53,400 --> 00:59:55,240
Speaker 5: fuck with us. Listen, man, she being a celebrity.

1402
00:59:55,240 --> 00:59:56,880
Speaker 2: She's being a celebrity right now. But listen.

1403
00:59:56,920 --> 00:59:59,360
Speaker 4: This is one of my favorite, my personal favorite facts.

1404
01:00:00,040 --> 01:00:02,320
Speaker 4: Mal mcs out of New York City.

1405
01:00:03,240 --> 01:00:03,720
Speaker 16: The Bronx.

1406
01:00:04,000 --> 01:00:05,480
Speaker 18: Yeah, it's heavy, Big Bronx.

1407
01:00:05,600 --> 01:00:10,840
Speaker 8: Yeah, we all say, because say I'm totally differ You

1408
01:00:10,960 --> 01:00:12,360
Speaker 8: have to give a good introductions.

1409
01:00:12,960 --> 01:00:13,880
Speaker 18: Thank you very much.

1410
01:00:15,400 --> 01:00:19,280
Speaker 3: This one's actually I'm glad she's here this week, can

1411
01:00:19,360 --> 01:00:20,400
Speaker 3: have actual personal interview.

1412
01:00:20,480 --> 01:00:20,600
Speaker 11: Now.

1413
01:00:20,960 --> 01:00:22,360
Speaker 5: You know she curved me for a date once.

1414
01:00:22,680 --> 01:00:24,640
Speaker 18: Oh my god, I like that.

1415
01:00:25,160 --> 01:00:28,120
Speaker 2: I like that curved this nigga, I like I trying

1416
01:00:28,120 --> 01:00:28,640
Speaker 2: to set it up.

1417
01:00:29,080 --> 01:00:31,720
Speaker 5: What's the joint in Jersey with the ski ship? I

1418
01:00:31,880 --> 01:00:34,520
Speaker 5: was I was snowboarder.

1419
01:00:38,400 --> 01:00:40,760
Speaker 18: Snowboys. So he saw it on my on my Instagram

1420
01:00:40,880 --> 01:00:43,360
Speaker 18: and then yeah, he tried to his way in there.

1421
01:00:43,440 --> 01:00:49,800
Speaker 5: Yeah, caught a little rhythm. Like then I got curved.

1422
01:00:49,840 --> 01:00:52,280
Speaker 5: I was like, you know what, it's emotions. I'm not trying.

1423
01:00:53,640 --> 01:00:54,680
Speaker 3: She will get a fire emoji.

1424
01:00:54,960 --> 01:00:58,480
Speaker 8: You send me the little vinyl you're vinyl for your song,

1425
01:00:58,560 --> 01:01:00,240
Speaker 8: and then I send me that you're supposed to me

1426
01:01:00,320 --> 01:01:02,360
Speaker 8: some socks for your little thing, and you didn't.

1427
01:01:02,120 --> 01:01:06,760
Speaker 5: Do none of that merch'. But she's but just like

1428
01:01:06,840 --> 01:01:08,280
Speaker 5: a woman, she's telling half the story.

1429
01:01:08,520 --> 01:01:09,440
Speaker 2: Yeah, you.

1430
01:01:10,920 --> 01:01:14,120
Speaker 3: With me, at least, I'm sure with other people it's different.

1431
01:01:14,200 --> 01:01:15,880
Speaker 3: You are the worst texter I've ever met, my fucking

1432
01:01:16,160 --> 01:01:17,320
Speaker 3: I know, but call me.

1433
01:01:17,560 --> 01:01:19,520
Speaker 8: I tell everybody that everybody want to send all these

1434
01:01:19,560 --> 01:01:20,760
Speaker 8: text messages.

1435
01:01:20,480 --> 01:01:21,920
Speaker 18: Don't FaceTime me, call me.

1436
01:01:25,520 --> 01:01:27,440
Speaker 3: So not knowing that after I get turned down with

1437
01:01:27,480 --> 01:01:30,640
Speaker 3: the snowboarding data, you think the next move is to

1438
01:01:30,720 --> 01:01:31,000
Speaker 3: call it.

1439
01:01:34,680 --> 01:01:34,960
Speaker 2: Get this.

1440
01:01:37,240 --> 01:01:37,919
Speaker 16: For what you want?

1441
01:01:42,840 --> 01:01:43,800
Speaker 5: I want to committed enough.

1442
01:01:43,960 --> 01:01:45,840
Speaker 18: Yeah, you gotta get three hundred.

1443
01:01:48,880 --> 01:01:53,920
Speaker 4: On the concourse with the boom box, the sout the music,

1444
01:01:54,040 --> 01:01:56,240
Speaker 4: because absolutely you're one of the You're one of the

1445
01:01:56,320 --> 01:02:01,120
Speaker 4: ones that just your voice alone on the track. You

1446
01:02:01,200 --> 01:02:04,520
Speaker 4: set yourself apart from the entire pack. Thank you what

1447
01:02:04,560 --> 01:02:06,080
Speaker 4: we're doing with the music, because I'm waiting.

1448
01:02:06,120 --> 01:02:06,560
Speaker 2: I'm waiting.

1449
01:02:06,760 --> 01:02:07,960
Speaker 8: Yeah, So a lot of people to know I was

1450
01:02:08,000 --> 01:02:10,000
Speaker 8: locked in a contract for eight years. I just got

1451
01:02:10,080 --> 01:02:14,560
Speaker 8: released to two weeks ago. Correct, thank you someone I

1452
01:02:14,680 --> 01:02:16,400
Speaker 8: brought me out. But yeah, I was locked in a

1453
01:02:16,440 --> 01:02:18,440
Speaker 8: contract with a production company you know how they do.

1454
01:02:18,720 --> 01:02:20,720
Speaker 8: And yeah, so there wasn't letting me released for a

1455
01:02:20,760 --> 01:02:23,560
Speaker 8: long time. Like I wasn't really able to do anything,

1456
01:02:23,880 --> 01:02:25,600
Speaker 8: so and it was kind of it was messing up

1457
01:02:25,600 --> 01:02:27,240
Speaker 8: everything else. But I was still trying to, you know,

1458
01:02:27,320 --> 01:02:30,040
Speaker 8: hit my ones in twos, like I still had luckily

1459
01:02:30,200 --> 01:02:32,240
Speaker 8: Nicki helping me out, Like I had a lot of

1460
01:02:32,280 --> 01:02:34,840
Speaker 8: people that that was you know, I don't know, can

1461
01:02:34,880 --> 01:02:36,840
Speaker 8: I curse a lot of people that was fucking with me,

1462
01:02:37,200 --> 01:02:39,760
Speaker 8: that supported me. So I'm very grateful for that. And

1463
01:02:39,800 --> 01:02:41,760
Speaker 8: then I was doing my modeling, my little acting thing

1464
01:02:41,920 --> 01:02:42,560
Speaker 8: here and there too.

1465
01:02:43,160 --> 01:02:45,280
Speaker 4: Definitely active. He was on stage see with Nicki. NICKI

1466
01:02:45,320 --> 01:02:46,760
Speaker 4: brough up to I thought that was fire for her

1467
01:02:46,800 --> 01:02:47,200
Speaker 4: to bring.

1468
01:02:47,120 --> 01:02:48,560
Speaker 5: Y'all out and have y'all touch the stage.

1469
01:02:48,600 --> 01:02:50,720
Speaker 2: That was showing a lot of love your next wave

1470
01:02:50,840 --> 01:02:52,320
Speaker 2: of the female rappers coming up?

1471
01:02:53,320 --> 01:02:55,360
Speaker 3: How did that come about the relationship with Nicki and

1472
01:02:55,760 --> 01:02:58,080
Speaker 3: you know the possy cut that y'all did, which is fire.

1473
01:02:58,520 --> 01:02:59,600
Speaker 16: Yeah, Well when.

1474
01:02:59,600 --> 01:03:02,120
Speaker 8: Nicki, I don't know, I just always like just show

1475
01:03:02,280 --> 01:03:04,760
Speaker 8: up to her on Twitter, Instagram and everything. And then

1476
01:03:04,840 --> 01:03:07,080
Speaker 8: she sent my name in an interview, like she thanked

1477
01:03:07,080 --> 01:03:09,560
Speaker 8: me in an interview for just you know, just always

1478
01:03:09,560 --> 01:03:11,400
Speaker 8: saying her name, like even through the hate train like

1479
01:03:11,520 --> 01:03:14,320
Speaker 8: she you know. So I don't know, it just I

1480
01:03:14,440 --> 01:03:17,440
Speaker 8: kind of like grew over over past that. And then

1481
01:03:17,520 --> 01:03:20,280
Speaker 8: I did the when she had Queen Radio, she brought

1482
01:03:20,320 --> 01:03:23,280
Speaker 8: me up there to freestyle for her and that was amazing.

1483
01:03:23,400 --> 01:03:25,720
Speaker 8: So it kind of it's weird how it started. Like

1484
01:03:25,840 --> 01:03:28,080
Speaker 8: first she started playing my music on Queen Radio. Then

1485
01:03:28,120 --> 01:03:29,920
Speaker 8: she hit me up to actually go up there and

1486
01:03:29,960 --> 01:03:32,240
Speaker 8: wrap for her. And then she always like you know,

1487
01:03:32,360 --> 01:03:34,280
Speaker 8: throws me in little bones and stuff like that, and

1488
01:03:34,440 --> 01:03:35,720
Speaker 8: I fuck with her for that, you know, because she

1489
01:03:35,760 --> 01:03:37,200
Speaker 8: don't be having to do that, but she does.

1490
01:03:38,160 --> 01:03:40,720
Speaker 3: It sounds like you had a better Queen Radio experience

1491
01:03:40,840 --> 01:03:46,560
Speaker 3: than we did. You guys, Kenny was shadow boxing with

1492
01:03:46,600 --> 01:03:58,680
Speaker 3: balloons in the backgrounds for sure.

1493
01:03:58,800 --> 01:04:00,760
Speaker 18: Yeah, I know you guys be fighting crime.

1494
01:04:01,120 --> 01:04:04,280
Speaker 3: Yeah, absolutely, I think you have the best verse on

1495
01:04:04,400 --> 01:04:05,200
Speaker 3: that posse cut.

1496
01:04:05,640 --> 01:04:08,200
Speaker 5: Would you say the same of course.

1497
01:04:09,240 --> 01:04:13,360
Speaker 8: Now, to be honest, I think Nicki's was right.

1498
01:04:13,520 --> 01:04:14,080
Speaker 18: Let me tell you why.

1499
01:04:14,160 --> 01:04:16,920
Speaker 8: Nikkis was right because she said she was inspired by

1500
01:04:16,960 --> 01:04:18,760
Speaker 8: my flow and the things that she was saying after

1501
01:04:18,880 --> 01:04:21,120
Speaker 8: me was fire. So I thought, like, hands down, like

1502
01:04:21,400 --> 01:04:23,400
Speaker 8: you know, because I grew up listening to her, So

1503
01:04:23,640 --> 01:04:27,200
Speaker 8: to hear her like use my flow on the song

1504
01:04:27,320 --> 01:04:28,960
Speaker 8: and then kill it, I was. I was.

1505
01:04:29,120 --> 01:04:29,880
Speaker 18: My mind was blown.

1506
01:04:30,480 --> 01:04:31,840
Speaker 5: That's why I thought you had the best verse.

1507
01:04:31,920 --> 01:04:34,160
Speaker 3: But once Nikki put that out and I saw that

1508
01:04:34,360 --> 01:04:37,160
Speaker 3: she took because I thought maybe you heard Nikki's verse

1509
01:04:37,240 --> 01:04:39,320
Speaker 3: or no, no, no exactly, she was like yeah, and I.

1510
01:04:39,320 --> 01:04:40,080
Speaker 5: Got that flow from her.

1511
01:04:40,120 --> 01:04:43,120
Speaker 8: I was like, yes, she did a whole other extra verse.

1512
01:04:43,280 --> 01:04:45,040
Speaker 8: She said that was going to be it. She wasn't

1513
01:04:45,040 --> 01:04:46,880
Speaker 8: even going to do that, and then she heard my part.

1514
01:04:47,120 --> 01:04:48,480
Speaker 8: It was like, no, I got to keep it going,

1515
01:04:48,760 --> 01:04:50,560
Speaker 8: and I'm so glad she did because I don't know.

1516
01:04:50,640 --> 01:04:50,920
Speaker 1: I was.

1517
01:04:51,400 --> 01:04:54,560
Speaker 18: Look, I was on a high for like months over that.

1518
01:04:54,840 --> 01:04:57,040
Speaker 2: I remember the first time I met Mitch.

1519
01:04:58,600 --> 01:05:02,280
Speaker 9: Was in the studio saying with Bird sing yes, and

1520
01:05:02,880 --> 01:05:04,960
Speaker 9: we walk in the jungle, I think it was jungle

1521
01:05:05,160 --> 01:05:09,640
Speaker 9: was walking and he playing his joint and it's this girl.

1522
01:05:09,560 --> 01:05:12,600
Speaker 2: Rapping and I'm like the voice was I was like, yo,

1523
01:05:12,640 --> 01:05:17,760
Speaker 2: who the fuck up from behind the fucking board and

1524
01:05:18,080 --> 01:05:19,720
Speaker 2: I guess she was sitting there right behind it.

1525
01:05:21,160 --> 01:05:22,720
Speaker 5: She pops up and was like me. I was like,

1526
01:05:22,760 --> 01:05:25,440
Speaker 5: there's no way that's her voice, like.

1527
01:05:27,960 --> 01:05:32,600
Speaker 4: Incredible tone texture, Like is that something that you because

1528
01:05:32,640 --> 01:05:34,040
Speaker 4: obviously you can't get away from me.

1529
01:05:35,200 --> 01:05:37,880
Speaker 2: The Foxy and Malleable comparison.

1530
01:05:38,840 --> 01:05:39,760
Speaker 18: Ship, I stole it.

1531
01:05:39,880 --> 01:05:40,480
Speaker 2: I ran with it.

1532
01:05:44,080 --> 01:05:46,760
Speaker 8: No, but definitely I went through a phase will like

1533
01:05:46,800 --> 01:05:48,480
Speaker 8: when I did the Top five project, I was like,

1534
01:05:48,560 --> 01:05:53,160
Speaker 8: I remixed it little can Foxy Laura Hill Missy from there.

1535
01:05:53,200 --> 01:05:53,520
Speaker 18: I don't know.

1536
01:05:53,680 --> 01:05:55,600
Speaker 8: It was just like I went to a deep rabbit

1537
01:05:55,640 --> 01:05:57,600
Speaker 8: hole of Foxy and I was like listening to all

1538
01:05:57,640 --> 01:05:59,720
Speaker 8: her stuff and then I don't know, I just liked

1539
01:05:59,760 --> 01:06:01,840
Speaker 8: every thing that she embody Like, you know, she was

1540
01:06:01,960 --> 01:06:04,520
Speaker 8: very pretty, very cutesy, but also very gangster, and that's

1541
01:06:04,560 --> 01:06:06,480
Speaker 8: how I feel like, you know, so I just like,

1542
01:06:06,680 --> 01:06:08,560
Speaker 8: I honestly jacked the whole shit. I'll be telling her

1543
01:06:08,600 --> 01:06:10,320
Speaker 8: all the time and she'll just die out laughing at me.

1544
01:06:10,440 --> 01:06:12,000
Speaker 18: But yeah, I jacked that shit.

1545
01:06:12,840 --> 01:06:15,080
Speaker 4: I'm glad you cleared that up because that was definitely

1546
01:06:15,280 --> 01:06:17,320
Speaker 4: every time I hear Mitch, I'm like, yo, her tone

1547
01:06:17,400 --> 01:06:20,920
Speaker 4: is so crazy. It's definitely reminiscent of Foxy. Yeah, but

1548
01:06:21,640 --> 01:06:23,360
Speaker 4: from a different perspective, do you.

1549
01:06:23,360 --> 01:06:23,880
Speaker 2: Know what I'm saying?

1550
01:06:23,960 --> 01:06:25,960
Speaker 5: So was that was Foxy?

1551
01:06:26,040 --> 01:06:26,760
Speaker 2: The one? Growing up?

1552
01:06:26,840 --> 01:06:28,120
Speaker 5: Was that the one you kind of was like, Yo,

1553
01:06:28,280 --> 01:06:31,000
Speaker 5: she's my Like I've.

1554
01:06:30,600 --> 01:06:33,960
Speaker 18: Always loved Foxy, like like really like growing up, I

1555
01:06:34,120 --> 01:06:34,840
Speaker 18: was like a Nikki head.

1556
01:06:34,880 --> 01:06:35,600
Speaker 5: Oh de okay o.

1557
01:06:36,400 --> 01:06:39,840
Speaker 8: Like later on this one, I started fucking with Foxy,

1558
01:06:40,000 --> 01:06:43,040
Speaker 8: you know, so yeah, but I'm definitely a Foxy girl.

1559
01:06:43,160 --> 01:06:44,960
Speaker 18: Like you know, she was just so flying. She's in

1560
01:06:45,040 --> 01:06:48,040
Speaker 18: so fashion and I am too, you know. So yeah,

1561
01:06:48,200 --> 01:06:50,280
Speaker 18: I think that's very New York though, fly girl, like.

1562
01:06:50,480 --> 01:06:55,080
Speaker 3: You know, yeah again, congrats of getting out of that

1563
01:06:55,280 --> 01:06:56,680
Speaker 3: thankful contrast.

1564
01:06:56,800 --> 01:06:58,560
Speaker 18: You're gonna throw me a party about me something I'm

1565
01:06:58,560 --> 01:06:58,920
Speaker 18: gonna love.

1566
01:06:58,920 --> 01:06:59,280
Speaker 2: Boo boo.

1567
01:06:59,320 --> 01:07:00,000
Speaker 5: We'll do it at the study.

1568
01:07:01,760 --> 01:07:02,200
Speaker 9: You don't know what.

1569
01:07:03,720 --> 01:07:05,200
Speaker 5: I don't know about snowboarding.

1570
01:07:05,080 --> 01:07:05,800
Speaker 2: No, boo.

1571
01:07:07,520 --> 01:07:10,600
Speaker 18: Boo is the little dolls? You don't know the little doors?

1572
01:07:10,640 --> 01:07:12,920
Speaker 18: Oh my god, I'll buy you guys, one's.

1573
01:07:13,000 --> 01:07:14,160
Speaker 5: We gotta look it up and give him one.

1574
01:07:14,240 --> 01:07:15,080
Speaker 2: Yeah, I gotta.

1575
01:07:17,160 --> 01:07:18,920
Speaker 3: First of all, how much does it costs?

1576
01:07:25,200 --> 01:07:26,760
Speaker 2: Is there like an exclusive one that you don't have?

1577
01:07:28,160 --> 01:07:30,400
Speaker 18: I want the one that's five hundred dollars.

1578
01:07:31,480 --> 01:07:33,160
Speaker 5: That's the that's the collab with deal over that way.

1579
01:07:33,480 --> 01:07:35,880
Speaker 8: But wait, you gotta open mad boxes to find that

1580
01:07:35,960 --> 01:07:38,080
Speaker 8: one though, So it's gonna break.

1581
01:07:40,000 --> 01:07:40,600
Speaker 18: Golden tickets.

1582
01:07:40,960 --> 01:07:42,840
Speaker 5: Yeah, you online and get it.

1583
01:07:43,040 --> 01:07:45,120
Speaker 8: Your store line in the store is pop Mark. You

1584
01:07:45,120 --> 01:07:49,200
Speaker 8: gotta go to pop Mark, Popmark. Ye, y'all gonna well

1585
01:07:49,480 --> 01:07:52,520
Speaker 8: the city they be having the fake ones, so they

1586
01:07:52,560 --> 01:07:54,200
Speaker 8: got them l a Mart pop Mark.

1587
01:07:54,280 --> 01:07:57,280
Speaker 2: Yeah, and there's like a five hundred dollars one.

1588
01:07:58,480 --> 01:08:00,880
Speaker 18: That's how they much of the reselling it for that.

1589
01:08:00,920 --> 01:08:01,680
Speaker 18: Ain't that ain't nothing?

1590
01:08:03,440 --> 01:08:04,080
Speaker 13: But look, I'm.

1591
01:08:05,800 --> 01:08:07,960
Speaker 8: It's gonna break the bank because it's like you got

1592
01:08:08,080 --> 01:08:10,280
Speaker 8: to open it to see if it's if it's that one.

1593
01:08:10,360 --> 01:08:11,880
Speaker 8: So you're just gonna be sitting there for probably like

1594
01:08:12,000 --> 01:08:13,480
Speaker 8: weeks on end, trying to find the one.

1595
01:08:13,520 --> 01:08:16,439
Speaker 18: That crazy and why should you hear about it?

1596
01:08:16,479 --> 01:08:17,760
Speaker 8: Like in a couple of weeks, you gonna be like, yo,

1597
01:08:17,880 --> 01:08:18,760
Speaker 8: Malibu been putting me.

1598
01:08:18,760 --> 01:08:19,120
Speaker 18: Onto that.

1599
01:08:20,800 --> 01:08:21,920
Speaker 2: And is it just an l a thing.

1600
01:08:22,040 --> 01:08:25,080
Speaker 8: Exoi No, it's like because you're no, I'm Blazian. So

1601
01:08:25,280 --> 01:08:27,840
Speaker 8: it's like a big thing that's happening in Asia right now.

1602
01:08:28,160 --> 01:08:30,439
Speaker 8: And it's happening right now too because the Central Seat

1603
01:08:30,439 --> 01:08:31,479
Speaker 8: he started wearing them.

1604
01:08:31,680 --> 01:08:32,200
Speaker 5: And stuff like that.

1605
01:08:32,320 --> 01:08:35,840
Speaker 3: So it's a bunch of people and the text too. Right.

1606
01:08:37,520 --> 01:08:38,679
Speaker 18: Oh yeah, I get me in trouble.

1607
01:08:39,200 --> 01:08:41,200
Speaker 5: That's what Sid said. He said he started Nike t

1608
01:08:42,240 --> 01:08:42,479
Speaker 5: that was.

1609
01:08:42,479 --> 01:08:43,200
Speaker 16: A New York thing.

1610
01:08:43,240 --> 01:08:43,800
Speaker 18: Why not be hearing?

1611
01:08:45,280 --> 01:08:53,479
Speaker 5: Yeah, like I love the fact that, like Wen, I don't.

1612
01:08:53,280 --> 01:08:55,280
Speaker 18: Know, we love Central Seat.

1613
01:08:57,680 --> 01:09:02,240
Speaker 3: But again, congrats you put out music forward to let's

1614
01:09:02,240 --> 01:09:04,280
Speaker 3: also talk offline now that you can put music out.

1615
01:09:04,439 --> 01:09:07,160
Speaker 8: Yeah, I just dropped something with Jeremiah. It's called Benjamin

1616
01:09:07,600 --> 01:09:08,000
Speaker 8: the video.

1617
01:09:08,280 --> 01:09:11,240
Speaker 2: Yes, Jeremiah in the Hood, Yes.

1618
01:09:11,439 --> 01:09:13,080
Speaker 6: Definitely did you clear?

1619
01:09:13,280 --> 01:09:19,400
Speaker 18: Yeah for you, I want to check in checking.

1620
01:09:20,680 --> 01:09:22,439
Speaker 2: Uptown and the hood, like in the store and all

1621
01:09:22,479 --> 01:09:24,920
Speaker 2: I was like, yeah, the mink on fly very fing

1622
01:09:27,400 --> 01:09:28,880
Speaker 2: checking out. She's dope. She's dope.

1623
01:09:29,200 --> 01:09:30,880
Speaker 8: And Alex in the way shut down his whole store

1624
01:09:30,920 --> 01:09:34,000
Speaker 8: for us and the dream war that fly right.

1625
01:09:34,680 --> 01:09:36,080
Speaker 18: You fly girl ship.

1626
01:09:38,920 --> 01:09:39,800
Speaker 2: Was twenty twenty five.

1627
01:09:39,880 --> 01:09:43,320
Speaker 5: Thank you baby, Thank you guys. Nah I don't even

1628
01:09:43,320 --> 01:09:47,320
Speaker 5: want to do an intro with this because they say

1629
01:09:47,400 --> 01:09:52,800
Speaker 5: we don't get yeah, East coast West right now.

1630
01:09:53,760 --> 01:09:56,240
Speaker 2: Yeah, I don't think it's gonna be by.

1631
01:09:58,439 --> 01:10:02,040
Speaker 3: Got around to talk, ay, but I just seen my

1632
01:10:02,160 --> 01:10:04,600
Speaker 3: guy Reason back this way, said, wait, they're in the

1633
01:10:04,640 --> 01:10:09,719
Speaker 3: scene you Yeah, other co host.

1634
01:10:10,240 --> 01:10:12,519
Speaker 5: I have a group chat with her and Reason And

1635
01:10:12,600 --> 01:10:16,960
Speaker 5: when you dropped your joint, Man, we was doing seeing him.

1636
01:10:17,280 --> 01:10:17,960
Speaker 5: I was sending him.

1637
01:10:18,080 --> 01:10:19,920
Speaker 2: It was doing a lot. He was doing a lot.

1638
01:10:20,040 --> 01:10:20,160
Speaker 12: Lot.

1639
01:10:20,560 --> 01:10:23,920
Speaker 2: They was doing a lot. Why are you not replying?

1640
01:10:25,080 --> 01:10:25,880
Speaker 2: I was doing a lot.

1641
01:10:26,040 --> 01:10:26,960
Speaker 9: I was doing a lot. Man.

1642
01:10:26,960 --> 01:10:30,280
Speaker 4: We're sitting here with cod Cash Reason. First of all,

1643
01:10:30,280 --> 01:10:31,880
Speaker 4: it is good to see y'all. Man, thank you, thank

1644
01:10:31,880 --> 01:10:33,880
Speaker 4: you for sure. For sure BT was twenty twenty five.

1645
01:10:33,920 --> 01:10:35,559
Speaker 4: You're running around acting like celebrities and.

1646
01:10:35,600 --> 01:10:36,000
Speaker 16: She hated it.

1647
01:10:36,160 --> 01:10:40,040
Speaker 19: I hate it, but you know what I mean, it's

1648
01:10:40,080 --> 01:10:42,679
Speaker 19: just totally different. I said, I hate it my social

1649
01:10:42,720 --> 01:10:46,920
Speaker 19: with my social battery. Yeah that's why I love Yeah, yeah,

1650
01:10:47,160 --> 01:10:47,960
Speaker 19: exactly one.

1651
01:10:48,000 --> 01:10:49,560
Speaker 2: So you gotta love it. I absolutely hate it.

1652
01:10:49,640 --> 01:10:50,880
Speaker 5: It's good to have both of y'all here.

1653
01:10:51,120 --> 01:10:51,320
Speaker 2: Yeah.

1654
01:10:51,640 --> 01:10:53,840
Speaker 5: After the last few weeks or a couple of.

1655
01:10:53,800 --> 01:10:55,880
Speaker 4: Months that we had, we sat down with a few

1656
01:10:55,960 --> 01:10:59,120
Speaker 4: MASI sat down Masi earlier, Belly Gang, a few few

1657
01:10:59,160 --> 01:11:01,360
Speaker 4: other rappers, and everybody was on the same page of

1658
01:11:01,400 --> 01:11:04,240
Speaker 4: agreeing that the moment that we had with young rappers

1659
01:11:04,360 --> 01:11:06,920
Speaker 4: rapping and pushing their pin and putting joints out was fire,

1660
01:11:07,120 --> 01:11:09,720
Speaker 4: super tough. Was definitely need super tough. And I think

1661
01:11:09,760 --> 01:11:11,479
Speaker 4: that y'all too, were definitely two of the guys that

1662
01:11:11,640 --> 01:11:14,760
Speaker 4: was through y'all, Hatch and Ring. How was it from

1663
01:11:14,800 --> 01:11:18,840
Speaker 4: each perspective of that moment and your respective corners coasts, right,

1664
01:11:18,920 --> 01:11:19,760
Speaker 4: and like what was the energy?

1665
01:11:19,800 --> 01:11:22,240
Speaker 5: Will start with you kay in New York during that.

1666
01:11:22,320 --> 01:11:26,200
Speaker 3: Moment when we was getting jumped, That's that showed up.

1667
01:11:28,920 --> 01:11:30,559
Speaker 2: For me. It's like we're supposed to be the Mecca,

1668
01:11:30,560 --> 01:11:31,519
Speaker 2: were supposed to have the spinners.

1669
01:11:31,520 --> 01:11:33,680
Speaker 20: We supposed to be. It's crazy because I looked at

1670
01:11:33,720 --> 01:11:35,960
Speaker 20: it as a consumer at first. Okay, until this nigga

1671
01:11:36,040 --> 01:11:40,759
Speaker 20: drop tell her he's talking to all of you niggas

1672
01:11:40,920 --> 01:11:44,800
Speaker 20: and like Joey b is gonna just like nah, I

1673
01:11:44,880 --> 01:11:46,920
Speaker 20: felt compeled. I was like, as a New York rapper,

1674
01:11:47,200 --> 01:11:49,759
Speaker 20: who am I to not put myself into this conversation?

1675
01:11:50,000 --> 01:11:50,120
Speaker 12: Right?

1676
01:11:50,280 --> 01:11:50,600
Speaker 21: That was it?

1677
01:11:50,840 --> 01:11:51,120
Speaker 2: Okay?

1678
01:11:51,680 --> 01:11:53,880
Speaker 4: The reason because you we was on We was on

1679
01:11:54,080 --> 01:11:58,080
Speaker 4: on spaces for sure until I dropped every.

1680
01:11:59,760 --> 01:11:59,960
Speaker 2: Ship.

1681
01:12:00,200 --> 01:12:00,360
Speaker 22: It was.

1682
01:12:00,439 --> 01:12:02,040
Speaker 23: It was one of them things where I like, I

1683
01:12:02,120 --> 01:12:04,320
Speaker 23: agree with Kyle like it was it was weird. It

1684
01:12:04,439 --> 01:12:06,519
Speaker 23: was like, why are these niggas just letting Joey catch

1685
01:12:06,560 --> 01:12:07,080
Speaker 23: all the fades?

1686
01:12:07,120 --> 01:12:09,400
Speaker 5: And so when Joey, you admit we was being jumped, No,

1687
01:12:09,880 --> 01:12:11,599
Speaker 5: we wasn't. You wasn't being jumped.

1688
01:12:13,240 --> 01:12:14,840
Speaker 2: That's what it is. But that's what I'm saying.

1689
01:12:14,840 --> 01:12:16,800
Speaker 23: It's like to me, it was like like Joey said

1690
01:12:16,840 --> 01:12:19,000
Speaker 23: my name, but I didn't want to throw a whole

1691
01:12:19,040 --> 01:12:21,519
Speaker 23: joint at Joey because like ray was going, daylight was going.

1692
01:12:21,560 --> 01:12:23,360
Speaker 23: I'm like, it looked weird if like you know what

1693
01:12:23,400 --> 01:12:25,280
Speaker 23: I'm saying, Like it's like it's one nigga. So I

1694
01:12:25,360 --> 01:12:26,720
Speaker 23: was like, I'm gonna throw Joey a couple of bars

1695
01:12:26,760 --> 01:12:28,360
Speaker 23: and I'm gonna just throw some grenades over there to

1696
01:12:28,400 --> 01:12:30,160
Speaker 23: the East coast and just see, you know what I'm saying,

1697
01:12:30,200 --> 01:12:30,760
Speaker 23: what pop out?

1698
01:12:30,800 --> 01:12:33,360
Speaker 2: But Ki shit was fired though, like he was he was.

1699
01:12:34,040 --> 01:12:35,880
Speaker 23: Uh, And I gave him as flowers like you know,

1700
01:12:36,240 --> 01:12:37,000
Speaker 23: like behind the.

1701
01:12:37,000 --> 01:12:40,760
Speaker 20: Scenes in fact, yeah, directly after, directly after.

1702
01:12:40,880 --> 01:12:42,720
Speaker 2: Like to me, it was just like I was.

1703
01:12:42,840 --> 01:12:44,200
Speaker 23: You know, of course the song is a song, but

1704
01:12:44,360 --> 01:12:46,160
Speaker 23: like I'm I'm such a huge fan of like New

1705
01:12:46,240 --> 01:12:47,960
Speaker 23: York culture in general. That's what taught me to do,

1706
01:12:48,120 --> 01:12:50,240
Speaker 23: how to do music, dress everything.

1707
01:12:49,960 --> 01:12:50,519
Speaker 2: You know what I'm saying.

1708
01:12:50,560 --> 01:12:52,800
Speaker 23: And so for me, I'm like, why is New York

1709
01:12:52,920 --> 01:12:55,280
Speaker 23: not like standing on the same principles that I you

1710
01:12:55,320 --> 01:12:57,120
Speaker 23: know what I mean, no to stand after talking to

1711
01:12:57,280 --> 01:12:58,040
Speaker 23: some New York niggas.

1712
01:12:58,439 --> 01:13:00,320
Speaker 2: Yeah, yeah, how the fuck do we feel the same

1713
01:13:00,360 --> 01:13:02,719
Speaker 2: way about this? Yeah, And it's how we had odds

1714
01:13:03,880 --> 01:13:04,360
Speaker 2: because of that.

1715
01:13:05,280 --> 01:13:06,960
Speaker 5: I know you feel that way because your family is

1716
01:13:07,080 --> 01:13:08,000
Speaker 5: deep rooted.

1717
01:13:07,840 --> 01:13:11,560
Speaker 2: In It's like I'm like, I'm looking at it.

1718
01:13:11,640 --> 01:13:13,040
Speaker 20: That's why I said that at the end too, like

1719
01:13:14,120 --> 01:13:16,040
Speaker 20: like we we gotta, we gotta, we gotta get it together.

1720
01:13:16,120 --> 01:13:18,400
Speaker 2: The wave is back, Like we can't do drill forever, y'all.

1721
01:13:18,439 --> 01:13:20,120
Speaker 2: Like I like it. I'm a fan of it. Shout

1722
01:13:20,160 --> 01:13:22,400
Speaker 2: out to all artists. I got friend, my friends do drill.

1723
01:13:22,479 --> 01:13:25,559
Speaker 20: But it's like, if we want to be who we were,

1724
01:13:26,200 --> 01:13:28,360
Speaker 20: if we have any hope for it, we got to

1725
01:13:28,400 --> 01:13:30,360
Speaker 20: step up to the play because these niggas is rapid.

1726
01:13:30,520 --> 01:13:33,240
Speaker 23: Yeah, I do stand there. I told you the West

1727
01:13:33,320 --> 01:13:36,240
Speaker 23: is the mecca right now of lyricists, and I'm standing

1728
01:13:36,320 --> 01:13:36,479
Speaker 23: on that.

1729
01:13:36,640 --> 01:13:42,280
Speaker 2: How you standing on right now? Right now here, right now?

1730
01:13:44,760 --> 01:13:45,280
Speaker 2: I just want.

1731
01:13:49,120 --> 01:13:52,320
Speaker 3: You gotta a longer pod for this one, ye, which

1732
01:13:52,360 --> 01:13:54,439
Speaker 3: we definitely need to sit down have a proper episode.

1733
01:13:55,120 --> 01:13:58,360
Speaker 3: How did y'all feel with that week and finally, like

1734
01:13:58,560 --> 01:14:01,640
Speaker 3: lyrics trending on the time line, what was it like

1735
01:14:01,760 --> 01:14:04,519
Speaker 3: having Link and Drama and y'all ear your team and

1736
01:14:04,600 --> 01:14:07,479
Speaker 3: your ear of capitalizing off that entire moment and the

1737
01:14:07,479 --> 01:14:08,439
Speaker 3: pressure of what that was like.

1738
01:14:08,640 --> 01:14:10,799
Speaker 5: I ain't because I know Drama had a whole gangster grills.

1739
01:14:10,800 --> 01:14:12,160
Speaker 3: He's like, well dow days.

1740
01:14:13,479 --> 01:14:15,880
Speaker 20: They didn't even know what I was doing. I finished

1741
01:14:15,920 --> 01:14:18,240
Speaker 20: the song, I sent it in a group chat. I

1742
01:14:18,360 --> 01:14:20,439
Speaker 20: was like, I'm dropping this ken.

1743
01:14:20,560 --> 01:14:23,560
Speaker 2: It was just like run it, run it, let's do.

1744
01:14:23,640 --> 01:14:25,160
Speaker 20: As soon as I dropped it I sent it out,

1745
01:14:25,240 --> 01:14:27,160
Speaker 20: it started going crazy. It was just like, oh, I

1746
01:14:27,479 --> 01:14:28,360
Speaker 20: bet this is what we are.

1747
01:14:29,040 --> 01:14:31,400
Speaker 2: And I was preparing for any responses too, Like I

1748
01:14:31,960 --> 01:14:32,120
Speaker 2: I was.

1749
01:14:32,200 --> 01:14:34,400
Speaker 20: I was ready because I knew like consequences and repercussions

1750
01:14:34,479 --> 01:14:35,000
Speaker 20: might come my way.

1751
01:14:35,000 --> 01:14:36,000
Speaker 2: That's cool. What's part of the game.

1752
01:14:36,320 --> 01:14:38,240
Speaker 23: Once you pop outside, you gotta yeah, you gotta you

1753
01:14:38,280 --> 01:14:39,280
Speaker 23: gotta be prepared.

1754
01:14:39,000 --> 01:14:39,840
Speaker 2: For what's coming out to know.

1755
01:14:40,000 --> 01:14:41,760
Speaker 23: Yeah, but no, that was that was fire My boy

1756
01:14:41,920 --> 01:14:44,559
Speaker 23: I was on Benjamin actually sent me your joint and yeah,

1757
01:14:44,600 --> 01:14:47,000
Speaker 23: and that was when I immediately I went on Twitter

1758
01:14:47,280 --> 01:14:48,479
Speaker 23: like I was like, I'm about to tweet this ship.

1759
01:14:48,479 --> 01:14:52,400
Speaker 23: This ship is fire like but but nah, like, yeah,

1760
01:14:52,560 --> 01:14:54,559
Speaker 23: you always want to capitalize off of moments when people

1761
01:14:54,560 --> 01:14:56,200
Speaker 23: and it's it's funny to me because it's like hip

1762
01:14:56,200 --> 01:14:57,760
Speaker 23: hop does this thing where it goes back and forth

1763
01:14:57,800 --> 01:15:00,439
Speaker 23: between like lyrics mattering and then like you like the

1764
01:15:00,479 --> 01:15:01,880
Speaker 23: party shit and da da dah, and then it go

1765
01:15:02,000 --> 01:15:03,960
Speaker 23: back for a week and exactly you know what I'm saying, Like,

1766
01:15:04,040 --> 01:15:05,920
Speaker 23: so you know, I'm just hoping that it can stay

1767
01:15:05,960 --> 01:15:07,680
Speaker 23: here in the space for a little bit because it's

1768
01:15:07,720 --> 01:15:10,640
Speaker 23: like we need to have like a lane where this

1769
01:15:10,840 --> 01:15:12,400
Speaker 23: is the topic of discussion, you know what I mean,

1770
01:15:12,479 --> 01:15:15,080
Speaker 23: and as much work and effort as we put into it,

1771
01:15:15,160 --> 01:15:16,720
Speaker 23: you get what I'm saying, Like it needs to be that.

1772
01:15:16,960 --> 01:15:18,000
Speaker 5: So how tough is it?

1773
01:15:18,040 --> 01:15:20,680
Speaker 3: Because both you guys make great music, but a lot

1774
01:15:20,720 --> 01:15:25,600
Speaker 3: of the times your freestyles will go viral. Literally, is

1775
01:15:25,720 --> 01:15:27,880
Speaker 3: that like a catch twenty two? Is that not really

1776
01:15:28,640 --> 01:15:30,760
Speaker 3: as great as people think it is. Does that put

1777
01:15:30,800 --> 01:15:32,120
Speaker 3: you in a box where you become the frees Like

1778
01:15:32,120 --> 01:15:32,879
Speaker 3: I've had this conversation.

1779
01:15:33,000 --> 01:15:36,559
Speaker 23: Yeah, yeah, yeah, I just speak for me. I've tried

1780
01:15:36,640 --> 01:15:39,280
Speaker 23: not to like put myself in that box. So I

1781
01:15:39,360 --> 01:15:41,439
Speaker 23: try to like do freestyles at a time and then

1782
01:15:41,520 --> 01:15:43,360
Speaker 23: like lay off it for a cool minute. But also

1783
01:15:43,400 --> 01:15:45,320
Speaker 23: for me, I'm being honest, Like people don't understand it's

1784
01:15:45,400 --> 01:15:48,160
Speaker 23: hard to wrap for three minutes straight and be creepy.

1785
01:15:48,240 --> 01:15:50,519
Speaker 2: Yeah, like over like that shit is draining, bro, So

1786
01:15:50,600 --> 01:15:53,320
Speaker 2: it's like we need breaks sometimes too.

1787
01:15:53,640 --> 01:15:53,760
Speaker 12: Well.

1788
01:15:54,120 --> 01:15:55,960
Speaker 20: For me, I would say the way I look at

1789
01:15:56,000 --> 01:15:59,640
Speaker 20: it now is we're in such a subjective era of

1790
01:15:59,640 --> 01:16:01,519
Speaker 20: the D Street. It's like a freestyle could be a hit.

1791
01:16:01,600 --> 01:16:04,120
Speaker 20: Look at look at hot Nigga. So it's like for me,

1792
01:16:04,240 --> 01:16:07,519
Speaker 20: anything that go for me is I'm running. I'm running

1793
01:16:07,560 --> 01:16:07,720
Speaker 20: with it.

1794
01:16:08,160 --> 01:16:10,240
Speaker 2: Let's do it. Like I dropped a Preacher Man feature,

1795
01:16:10,280 --> 01:16:10,559
Speaker 2: I mean.

1796
01:16:10,600 --> 01:16:13,320
Speaker 20: Freestyle right after Nicks and six, and it kind of

1797
01:16:13,360 --> 01:16:15,639
Speaker 20: went up because everybody that started to pay attention. It's

1798
01:16:15,680 --> 01:16:17,920
Speaker 20: just like, y'all are paying attention to me because I

1799
01:16:18,080 --> 01:16:21,040
Speaker 20: brought my a game with lyricism. So it's like if

1800
01:16:21,120 --> 01:16:23,599
Speaker 20: y'alluck with me for this, even even y'all like y'all,

1801
01:16:23,600 --> 01:16:25,640
Speaker 20: I'm tapped in with y'all now, so I'm gonna keep

1802
01:16:25,640 --> 01:16:26,360
Speaker 20: pushing the needle for it.

1803
01:16:26,439 --> 01:16:26,599
Speaker 5: Yeah.

1804
01:16:26,640 --> 01:16:28,840
Speaker 20: When I gotta make songs, I'm gonna make songs regardless. Yeah,

1805
01:16:29,280 --> 01:16:31,519
Speaker 20: but I'm gonna stick to what to my guns because

1806
01:16:31,560 --> 01:16:33,160
Speaker 20: I feel like it's gonna help catapult me in the

1807
01:16:33,160 --> 01:16:33,479
Speaker 20: long run.

1808
01:16:33,479 --> 01:16:37,320
Speaker 3: Anyway, before we let y'all go, this is just simply

1809
01:16:37,400 --> 01:16:40,160
Speaker 3: for our group chat, I need you to rank who

1810
01:16:40,240 --> 01:16:43,519
Speaker 3: annoys you the most out of Lake Cannon and drama

1811
01:16:43,680 --> 01:16:44,120
Speaker 3: one to three.

1812
01:16:44,160 --> 01:16:44,960
Speaker 5: Who annoys you the most?

1813
01:16:45,520 --> 01:16:53,360
Speaker 24: We haven't got to a point where is annoying they

1814
01:16:53,439 --> 01:16:59,640
Speaker 24: standing there clutching away everybody number one, So.

1815
01:16:59,760 --> 01:17:02,680
Speaker 2: Now we have any possibility of and reason getting on

1816
01:17:02,720 --> 01:17:04,920
Speaker 2: the joint together. That was the first thing.

1817
01:17:05,520 --> 01:17:06,880
Speaker 23: Yeah, that was the first thing I spoke about, like

1818
01:17:06,920 --> 01:17:08,920
Speaker 23: we gotta we gotta do a joint together. And it's

1819
01:17:08,960 --> 01:17:10,760
Speaker 23: it's refreshing to me because like it don't be a

1820
01:17:10,800 --> 01:17:12,840
Speaker 23: lot of niggas that like can actually you know what

1821
01:17:12,880 --> 01:17:13,160
Speaker 23: I mean.

1822
01:17:13,280 --> 01:17:15,280
Speaker 2: Like, and so whenever I find.

1823
01:17:15,120 --> 01:17:17,080
Speaker 23: Somebody that I'm like, oh, this niggas actually fired. That's

1824
01:17:17,120 --> 01:17:18,080
Speaker 23: the first thing I think of it was like we

1825
01:17:18,120 --> 01:17:19,479
Speaker 23: gotta do. We got to do a few joints, you

1826
01:17:19,520 --> 01:17:20,840
Speaker 23: know what I mean, and get some ship out. So

1827
01:17:21,560 --> 01:17:24,000
Speaker 23: I definitely it's funny because I was actually gonna send

1828
01:17:24,040 --> 01:17:25,799
Speaker 23: them some ship. I got a Deluxe dropping on Friday,

1829
01:17:25,800 --> 01:17:27,360
Speaker 23: and I wanted to send them some ship for that.

1830
01:17:27,479 --> 01:17:29,800
Speaker 23: But the timeline wise, I was like, I'm not gonna

1831
01:17:29,800 --> 01:17:31,439
Speaker 23: be able to unless this nigga gives me the verse

1832
01:17:31,479 --> 01:17:32,320
Speaker 23: back in two hours.

1833
01:17:33,520 --> 01:17:36,760
Speaker 5: I'm like, I just didn't They still be.

1834
01:17:40,000 --> 01:17:46,120
Speaker 2: About But we definitely got some out that.

1835
01:17:46,240 --> 01:17:48,439
Speaker 5: This is what came out of that whole moment, Me

1836
01:17:48,560 --> 01:17:51,280
Speaker 5: saying it wasn't you know, a real beef and the Internet.

1837
01:17:51,000 --> 01:17:52,880
Speaker 4: Trying to spin it for something else. I never felt

1838
01:17:52,920 --> 01:17:54,160
Speaker 4: like that. I felt like it was just wraps.

1839
01:17:54,200 --> 01:17:54,920
Speaker 5: It was just balls.

1840
01:17:55,320 --> 01:17:57,280
Speaker 4: Thank y'all for the energy that y'all put into it

1841
01:17:57,439 --> 01:18:00,760
Speaker 4: for Thank you the moment. Just being a you know,

1842
01:18:01,040 --> 01:18:03,000
Speaker 4: a fan of the culture and growing up in this

1843
01:18:03,400 --> 01:18:05,240
Speaker 4: this hip hop thing. It was good to see younger

1844
01:18:05,320 --> 01:18:06,880
Speaker 4: cats still be able to throw they had in the

1845
01:18:06,960 --> 01:18:08,040
Speaker 4: ring and staying on their pens.

1846
01:18:08,240 --> 01:18:08,720
Speaker 2: Thank you for.

1847
01:18:10,400 --> 01:18:10,680
Speaker 11: All right.

1848
01:18:10,800 --> 01:18:14,519
Speaker 4: Roy Bet Awards twenty twenty five. Yes, sitting and talking

1849
01:18:14,600 --> 01:18:17,639
Speaker 4: to some of our favorites and this lady, this artist,

1850
01:18:17,720 --> 01:18:19,320
Speaker 4: this incredible talent that we're sitting with.

1851
01:18:19,960 --> 01:18:20,080
Speaker 9: Uh.

1852
01:18:20,439 --> 01:18:22,880
Speaker 4: One of the ones listen with the new in my opinion,

1853
01:18:23,320 --> 01:18:25,679
Speaker 4: Songs of Women Free Every Game for Niggas.

1854
01:18:27,040 --> 01:18:29,200
Speaker 5: That was the soundtrack I'm talking about.

1855
01:18:29,200 --> 01:18:31,160
Speaker 2: I played that. I might have played that project every

1856
01:18:31,320 --> 01:18:33,560
Speaker 2: single day, NonStop.

1857
01:18:33,680 --> 01:18:38,839
Speaker 5: The music was incredible, the pen game was incredible, betoned everything.

1858
01:18:39,120 --> 01:18:41,640
Speaker 13: It was just like, hey, bro, I had all these

1859
01:18:41,680 --> 01:18:42,920
Speaker 13: complements from a man in a minute.

1860
01:18:44,920 --> 01:18:49,360
Speaker 3: We're not doing that, and you have to appreciate it

1861
01:18:49,360 --> 01:18:51,400
Speaker 3: because you know, off Mike, you took one of his joints.

1862
01:18:51,760 --> 01:18:53,360
Speaker 5: Yeah, it's all love.

1863
01:18:53,479 --> 01:18:55,960
Speaker 2: I respected it. I listened. It was some gangster ship.

1864
01:18:56,200 --> 01:18:56,840
Speaker 2: I respected it.

1865
01:18:57,080 --> 01:18:58,240
Speaker 5: Sorry, why do you do that?

1866
01:19:00,120 --> 01:19:02,960
Speaker 2: We have the edit button? Hey listen.

1867
01:19:03,040 --> 01:19:04,360
Speaker 5: I can't get in trouble with nobody.

1868
01:19:05,600 --> 01:19:06,080
Speaker 3: I like you.

1869
01:19:06,960 --> 01:19:09,120
Speaker 4: I can't get in trouble with nobody. It's so good, Jossy,

1870
01:19:09,160 --> 01:19:09,759
Speaker 4: how you feeling.

1871
01:19:09,880 --> 01:19:11,120
Speaker 2: I'm so good? Great?

1872
01:19:11,280 --> 01:19:11,560
Speaker 13: Thank you?

1873
01:19:12,439 --> 01:19:15,120
Speaker 5: The styles over the maculate, thank you.

1874
01:19:15,439 --> 01:19:17,240
Speaker 13: I appreciate yeah, man, And it was.

1875
01:19:17,320 --> 01:19:20,360
Speaker 5: There was also one time a woman I follow on

1876
01:19:20,560 --> 01:19:23,000
Speaker 5: Instagram she was on like one of her boat trips

1877
01:19:23,600 --> 01:19:24,439
Speaker 5: and John was there.

1878
01:19:24,800 --> 01:19:28,479
Speaker 3: There was a lot of joints on the boat and

1879
01:19:28,560 --> 01:19:30,559
Speaker 3: then after like two or three, even in the close friends,

1880
01:19:30,640 --> 01:19:33,160
Speaker 3: I've seen Johszy hovering.

1881
01:19:32,840 --> 01:19:36,439
Speaker 5: Over and I was like, if it's baddies, jos said

1882
01:19:36,560 --> 01:19:39,000
Speaker 5: to the game, If it's baddies in the room, Joszy

1883
01:19:39,120 --> 01:19:40,320
Speaker 5: is there, you can't get mad.

1884
01:19:41,439 --> 01:19:43,160
Speaker 3: She was being innes She wasn't doing anything, But I

1885
01:19:43,280 --> 01:19:45,400
Speaker 3: just know I can feel the energy through through the

1886
01:19:45,439 --> 01:19:45,960
Speaker 3: close friends.

1887
01:19:46,160 --> 01:19:47,400
Speaker 2: How you been y'all know?

1888
01:19:47,560 --> 01:19:51,040
Speaker 14: So y'all know that that I'm a girl, right, so

1889
01:19:51,200 --> 01:19:55,360
Speaker 14: me and then like you really be my friends? Yeah,

1890
01:19:55,800 --> 01:19:59,120
Speaker 14: I say the same thing about doing that, they really

1891
01:19:59,200 --> 01:19:59,799
Speaker 14: be my friends.

1892
01:20:00,120 --> 01:20:04,800
Speaker 2: Okay, you know it's a girl, Yeah, I'm not if

1893
01:20:04,840 --> 01:20:06,000
Speaker 2: you was like it was me.

1894
01:20:06,120 --> 01:20:08,760
Speaker 5: Right swim, Yeah, if I was a boy, yeah you

1895
01:20:08,880 --> 01:20:10,920
Speaker 5: know like oh no, if you heard of all.

1896
01:20:11,520 --> 01:20:15,479
Speaker 14: Y'all, y'all can do that with y'all home like but

1897
01:20:15,600 --> 01:20:18,000
Speaker 14: like with your whole girl like you know, like we

1898
01:20:18,080 --> 01:20:21,160
Speaker 14: used to send these outherlessis kids, Yeah, sending lesson. No,

1899
01:20:22,280 --> 01:20:23,960
Speaker 14: it's just different, right, ain't like.

1900
01:20:24,000 --> 01:20:26,120
Speaker 2: No, no, it's all love. It's all love. I respect.

1901
01:20:26,880 --> 01:20:27,200
Speaker 12: I don't know.

1902
01:20:27,680 --> 01:20:28,760
Speaker 5: I'm not fucking with jobs.

1903
01:20:28,800 --> 01:20:30,439
Speaker 4: You're not listening to none of this ship. She told

1904
01:20:30,560 --> 01:20:32,600
Speaker 4: she would the PC should get the funk. I know

1905
01:20:32,720 --> 01:20:36,200
Speaker 4: when that hold this spot, that the spot, Nigga.

1906
01:20:36,120 --> 01:20:39,000
Speaker 5: I know, page don't even yeah exactly.

1907
01:20:39,720 --> 01:20:40,679
Speaker 2: Yeah you're cold.

1908
01:20:41,080 --> 01:20:43,200
Speaker 3: I'm not like like no, but I know I know

1909
01:20:43,240 --> 01:20:43,800
Speaker 3: where you beat.

1910
01:20:44,520 --> 01:20:47,240
Speaker 9: I'm in the front, she said, Yeah, I want to

1911
01:20:47,320 --> 01:20:50,160
Speaker 9: look down. Yeah, I know, I know, I know exactly

1912
01:20:50,200 --> 01:20:55,639
Speaker 9: what y'all to see you beat you twenty twenty five.

1913
01:20:56,360 --> 01:20:59,960
Speaker 5: Listen now the Arizona good. It's Cody shitting there.

1914
01:21:00,920 --> 01:21:02,400
Speaker 2: What were doing with the new music?

1915
01:21:02,720 --> 01:21:07,160
Speaker 4: You do music I needed because the EP women, Free

1916
01:21:07,240 --> 01:21:10,400
Speaker 4: Game and classic. As far as I'm thank you man,

1917
01:21:10,520 --> 01:21:12,200
Speaker 4: What we doing next? What's next with joy?

1918
01:21:12,280 --> 01:21:13,280
Speaker 13: I appreciate it so literally.

1919
01:21:13,720 --> 01:21:17,040
Speaker 14: I dropped the song in March maybe and I did

1920
01:21:17,080 --> 01:21:20,280
Speaker 14: a stage play to like like promote my music. And

1921
01:21:21,120 --> 01:21:24,360
Speaker 14: so now I'm dropping another single like in the June.

1922
01:21:24,400 --> 01:21:26,439
Speaker 14: It's called Dogging. It's I've been like working real hard

1923
01:21:26,600 --> 01:21:29,640
Speaker 14: just getting that ship out. But project is done and

1924
01:21:29,720 --> 01:21:31,840
Speaker 14: I'm just want to, like honestly, just stay consistent with

1925
01:21:31,960 --> 01:21:33,439
Speaker 14: dropping like you know what I'm saying. Like I said,

1926
01:21:33,439 --> 01:21:36,080
Speaker 14: I got a second chance to drop music. I set

1927
01:21:36,160 --> 01:21:37,519
Speaker 14: back for I had to fall back a little bit

1928
01:21:37,600 --> 01:21:39,800
Speaker 14: with the stuff that was going on my label and

1929
01:21:40,080 --> 01:21:41,560
Speaker 14: h but now I'm bad man, and I'm just in

1930
01:21:41,640 --> 01:21:45,800
Speaker 14: a great space like like maybe extreme.

1931
01:21:45,479 --> 01:21:48,559
Speaker 2: Herd and all of my songs really yes, wow, So.

1932
01:21:49,240 --> 01:21:52,040
Speaker 14: Like I'm doing my fan base so like I'm loving

1933
01:21:52,120 --> 01:21:56,280
Speaker 14: it that I'm creating like a world like that's like

1934
01:21:56,360 --> 01:21:58,559
Speaker 14: that nobody can take that from me. They can't take

1935
01:21:58,600 --> 01:22:00,559
Speaker 14: my fans away, you know what I'm saying. I'm blessed

1936
01:22:00,640 --> 01:22:03,519
Speaker 14: to like actually see my fans. That's hard.

1937
01:22:04,520 --> 01:22:06,120
Speaker 3: I mean, yeah, we don't need to talk about the

1938
01:22:06,200 --> 01:22:11,120
Speaker 3: other label ship whatsoever. But during that time, who were

1939
01:22:11,200 --> 01:22:13,240
Speaker 3: some of like the legends that you were working with

1940
01:22:13,479 --> 01:22:16,760
Speaker 3: on the writing and producing side during the come up.

1941
01:22:16,840 --> 01:22:18,920
Speaker 3: That was like one of those moments of sitting there like,

1942
01:22:19,680 --> 01:22:20,719
Speaker 3: ain't no way I'm writing.

1943
01:22:20,600 --> 01:22:24,640
Speaker 14: Right now, Wine and Swim. Oh wow man, Yeah that

1944
01:22:24,800 --> 01:22:27,840
Speaker 14: nigga's so cold. Yeah he called like I did along

1945
01:22:27,880 --> 01:22:31,560
Speaker 14: with him. Yeah yeah, I actually like I had the

1946
01:22:31,640 --> 01:22:33,160
Speaker 14: song and then I called him. I was like, yo, bro,

1947
01:22:33,240 --> 01:22:35,120
Speaker 14: I need your help on this hook, and like he

1948
01:22:35,200 --> 01:22:37,120
Speaker 14: listened to it on the face song and then he

1949
01:22:37,280 --> 01:22:38,880
Speaker 14: was like hand on me.

1950
01:22:39,360 --> 01:22:40,040
Speaker 2: I'm like that's it.

1951
01:22:41,160 --> 01:22:43,120
Speaker 14: So like it was it's just dope to hav them

1952
01:22:43,360 --> 01:22:45,880
Speaker 14: like the people around, Like some people don't really get

1953
01:22:45,880 --> 01:22:48,560
Speaker 14: to be around, like niggas that actually know how to

1954
01:22:48,640 --> 01:22:51,280
Speaker 14: make a hit. Like we were kind of in a

1955
01:22:51,360 --> 01:22:54,960
Speaker 14: bad state where it's like we don't have ogz that's

1956
01:22:55,040 --> 01:22:57,680
Speaker 14: around us to like make shit bigger or like you know,

1957
01:22:58,400 --> 01:23:00,400
Speaker 14: So that was really dope to be around, Like Mario

1958
01:23:00,560 --> 01:23:03,080
Speaker 14: wan Is, I got to be around Chucky Thompson rest

1959
01:23:03,080 --> 01:23:03,439
Speaker 14: in peace.

1960
01:23:06,000 --> 01:23:09,320
Speaker 13: That's all, y'all. I see y'all some real Some people

1961
01:23:09,360 --> 01:23:10,200
Speaker 13: when I say Chucky.

1962
01:23:11,479 --> 01:23:13,880
Speaker 5: They don't, they don't go that far. They don't, they don't.

1963
01:23:14,200 --> 01:23:15,120
Speaker 5: They don't know, they don't know.

1964
01:23:15,439 --> 01:23:16,559
Speaker 2: That's crazy, don't.

1965
01:23:17,200 --> 01:23:20,040
Speaker 3: We don't get the whole era of music without you, Like,

1966
01:23:20,240 --> 01:23:23,080
Speaker 3: don't bro that whole get young Guru without.

1967
01:23:23,280 --> 01:23:24,479
Speaker 2: That's the fact. That's the fact.

1968
01:23:24,760 --> 01:23:26,200
Speaker 13: So I don't know about that. So he came on

1969
01:23:26,320 --> 01:23:26,679
Speaker 13: to Chucky.

1970
01:23:26,840 --> 01:23:35,439
Speaker 25: Yeah that's crazy. Yeah, Wow, that made somebody rocke. It's

1971
01:23:35,479 --> 01:23:40,280
Speaker 25: in everything, yeah, Chucky, the industry God. Absolutely, Who you

1972
01:23:40,400 --> 01:23:41,240
Speaker 25: trying to work with with?

1973
01:23:41,439 --> 01:23:41,599
Speaker 5: Now?

1974
01:23:42,560 --> 01:23:45,040
Speaker 14: Man, it's so many dope artists that I would love

1975
01:23:45,080 --> 01:23:52,000
Speaker 14: to work with. Man Jamison, Okay, I put you on

1976
01:23:52,040 --> 01:23:54,479
Speaker 14: the group chat right now. Okay, he's so cold. He

1977
01:23:54,680 --> 01:23:57,240
Speaker 14: was at my stage plates one and didn't take no pictures.

1978
01:23:57,320 --> 01:23:58,080
Speaker 6: He just pulled up.

1979
01:23:58,080 --> 01:24:00,280
Speaker 14: I'm like, I wish I would have liked I don't

1980
01:24:00,280 --> 01:24:03,040
Speaker 14: want to. I wish I would have like I knew

1981
01:24:03,080 --> 01:24:04,600
Speaker 14: he was us. I could have just least loved like

1982
01:24:04,880 --> 01:24:08,360
Speaker 14: you know so Jamison. I would love to collad with

1983
01:24:08,920 --> 01:24:09,599
Speaker 14: Leon Thomas.

1984
01:24:10,640 --> 01:24:11,760
Speaker 13: I love Yeah.

1985
01:24:13,640 --> 01:24:14,240
Speaker 2: I heard the song.

1986
01:24:16,280 --> 01:24:21,040
Speaker 14: I heard you really DeLux Yet No, Bro, I'm weird

1987
01:24:21,880 --> 01:24:25,360
Speaker 14: because I'm like competitive.

1988
01:24:26,120 --> 01:24:27,040
Speaker 13: I don't want to hear nobody.

1989
01:24:27,080 --> 01:24:28,479
Speaker 2: Ship makes sense.

1990
01:24:28,520 --> 01:24:31,599
Speaker 5: I don't hear nobody, said most actual artists.

1991
01:24:31,680 --> 01:24:34,519
Speaker 3: I've pete that when they're in creation mode, they don't

1992
01:24:34,520 --> 01:24:35,559
Speaker 3: want to hear anyone else's ship.

1993
01:24:35,560 --> 01:24:36,840
Speaker 5: I'm not listening to anything else.

1994
01:24:36,840 --> 01:24:39,520
Speaker 13: Because it's easy for subconsciously.

1995
01:24:39,640 --> 01:24:40,519
Speaker 5: Bro, you're gonna take in.

1996
01:24:40,640 --> 01:24:41,920
Speaker 2: You're just gonna just or.

1997
01:24:41,880 --> 01:24:43,840
Speaker 13: You're gonna start matching your music up to other nigga.

1998
01:24:43,880 --> 01:24:44,080
Speaker 9: Shit.

1999
01:24:44,720 --> 01:24:47,800
Speaker 2: No, he's so good. I know what he is. I

2000
01:24:47,840 --> 01:24:49,240
Speaker 2: don't want to know one of them.

2001
01:24:49,360 --> 01:24:50,639
Speaker 14: Let's just you know what I'm saying. When it's time,

2002
01:24:50,760 --> 01:24:53,040
Speaker 14: let's get in. But I don't want to know. But

2003
01:24:53,040 --> 01:24:55,080
Speaker 14: I'm about to work with us, said too from internet.

2004
01:24:55,840 --> 01:24:58,000
Speaker 5: Me said, what you're trying to do?

2005
01:24:58,240 --> 01:25:00,759
Speaker 2: Man, because this is these names, and I'm just already

2006
01:25:00,840 --> 01:25:01,360
Speaker 2: knowing where.

2007
01:25:01,240 --> 01:25:05,200
Speaker 14: I'm excited, bro, Like I just want to create. I think,

2008
01:25:05,280 --> 01:25:08,120
Speaker 14: like I said, like I'm done with songwriting. I'm letting

2009
01:25:08,160 --> 01:25:11,360
Speaker 14: that chapter go. I'm in a space where like I'm

2010
01:25:11,439 --> 01:25:13,400
Speaker 14: doing this for me. I'm doing this for me, and

2011
01:25:13,439 --> 01:25:17,360
Speaker 14: I'm doing this for like actually being able to feed

2012
01:25:17,439 --> 01:25:20,360
Speaker 14: my fast. It's getting bigger and bigger. I'm seeing it.

2013
01:25:20,680 --> 01:25:23,040
Speaker 13: So it just feels good to like actually get love

2014
01:25:23,240 --> 01:25:23,800
Speaker 13: when you out.

2015
01:25:24,080 --> 01:25:27,439
Speaker 3: Yeah, yeah, making that step. I feel like this era

2016
01:25:27,880 --> 01:25:31,080
Speaker 3: R and B, like where RAP is, it's a lot

2017
01:25:31,120 --> 01:25:34,080
Speaker 3: of young young kids. They're nineteen years old. I feel

2018
01:25:34,120 --> 01:25:37,720
Speaker 3: like the ABC listers of R and B now are older. Yeah,

2019
01:25:37,720 --> 01:25:41,200
Speaker 3: and they were always the writers, like even down from

2020
01:25:41,280 --> 01:25:44,160
Speaker 3: from Lucky to Leon Thomas, Like all these people were

2021
01:25:44,200 --> 01:25:47,160
Speaker 3: writing before. And I've had those conversations with them of

2022
01:25:47,240 --> 01:25:49,400
Speaker 3: like what was the moment of like, yo, fuck this,

2023
01:25:49,479 --> 01:25:52,400
Speaker 3: I'm making money, but I'm not going to keep doing

2024
01:25:52,439 --> 01:25:53,120
Speaker 3: this writing shit.

2025
01:25:53,479 --> 01:25:55,280
Speaker 5: I'm going to give this artist shit a fair shape.

2026
01:25:56,120 --> 01:25:56,840
Speaker 13: What was that moment?

2027
01:25:57,120 --> 01:26:00,559
Speaker 3: Like even all right, Victoria Victorian money coming off Jaguar too. Yeah,

2028
01:26:00,960 --> 01:26:02,840
Speaker 3: the amount of success she was having as a writer

2029
01:26:03,000 --> 01:26:05,400
Speaker 3: before she could have been like, all right, maybe I

2030
01:26:05,400 --> 01:26:06,120
Speaker 3: should just do this.

2031
01:26:06,760 --> 01:26:10,800
Speaker 14: Satisfied though, because it's like we know, because first and

2032
01:26:10,880 --> 01:26:13,800
Speaker 14: foremost like to be to be a songwriter, you gotta

2033
01:26:13,840 --> 01:26:15,840
Speaker 14: be you gotta be a selfless a little bit and

2034
01:26:15,960 --> 01:26:17,640
Speaker 14: you have to like know that you don't get to

2035
01:26:17,720 --> 01:26:18,360
Speaker 14: sign right, And.

2036
01:26:18,360 --> 01:26:18,920
Speaker 2: I'm cool with that.

2037
01:26:19,000 --> 01:26:21,519
Speaker 14: If you need the money, yeah, I will take the

2038
01:26:21,600 --> 01:26:23,640
Speaker 14: money if you But now your niggas don't want to

2039
01:26:23,640 --> 01:26:25,960
Speaker 14: give us our money, Like now y'all don't want.

2040
01:26:25,880 --> 01:26:26,200
Speaker 1: To do this.

2041
01:26:26,760 --> 01:26:30,320
Speaker 14: That's when it started getting like, all right, I'll go

2042
01:26:31,400 --> 01:26:35,880
Speaker 14: drop my music, my fan base, my merch create my brand,

2043
01:26:35,960 --> 01:26:38,200
Speaker 14: my business because as a songwriter it's hard to create

2044
01:26:38,240 --> 01:26:41,160
Speaker 14: a business because you're so under the shattle. But now

2045
01:26:41,280 --> 01:26:43,599
Speaker 14: like you see me, you know, you know it's easy

2046
01:26:43,640 --> 01:26:46,720
Speaker 14: to like, you know, create your own business. But I

2047
01:26:46,800 --> 01:26:50,679
Speaker 14: knew it when I knew it. When I thought I knew,

2048
01:26:50,800 --> 01:26:53,800
Speaker 14: I knew it was over. When I'm not gonna say

2049
01:26:53,840 --> 01:26:57,360
Speaker 14: the artists man, but not even a big artist. And

2050
01:26:57,479 --> 01:26:59,280
Speaker 14: I gave him a banger and I asked for a

2051
01:26:59,360 --> 01:27:02,679
Speaker 14: point and a and R was like, we don't do points.

2052
01:27:02,680 --> 01:27:05,200
Speaker 14: You never done points. I'm like, your artist is new.

2053
01:27:05,800 --> 01:27:07,880
Speaker 14: I did this, and you mean to tell me you

2054
01:27:07,920 --> 01:27:09,160
Speaker 14: don't want to be on the right side of history

2055
01:27:09,240 --> 01:27:11,640
Speaker 14: with giving me a point, like be on the right

2056
01:27:11,680 --> 01:27:13,479
Speaker 14: side of history. You know what I'm saying, be on

2057
01:27:13,520 --> 01:27:15,639
Speaker 14: the right side of history. So, and like I think

2058
01:27:15,680 --> 01:27:17,320
Speaker 14: people don't want to be on the right side of history.

2059
01:27:17,320 --> 01:27:19,519
Speaker 14: I think it's like a it's a weird It's a

2060
01:27:19,560 --> 01:27:23,000
Speaker 14: weird time for like A and rs because the A

2061
01:27:23,160 --> 01:27:26,160
Speaker 14: and rs really don't give a fuck because they want

2062
01:27:26,200 --> 01:27:28,320
Speaker 14: to just protect their job, you know what I'm saying.

2063
01:27:28,600 --> 01:27:30,040
Speaker 14: You know, like it was a time where like our

2064
01:27:30,120 --> 01:27:33,720
Speaker 14: A and rs actually cared about the writers and the producers,

2065
01:27:34,280 --> 01:27:37,120
Speaker 14: the engineers. You want to like feed them, but like

2066
01:27:37,720 --> 01:27:40,160
Speaker 14: everybody want to keep their job, you know what I'm saying,

2067
01:27:40,680 --> 01:27:42,000
Speaker 14: They gonna do whatever they can to.

2068
01:27:42,040 --> 01:27:44,040
Speaker 3: Plead all right, So those A and rs are bad?

2069
01:27:44,160 --> 01:27:46,760
Speaker 3: Have you ran into in your songwriting time? The A

2070
01:27:46,920 --> 01:27:49,160
Speaker 3: and rs that try to take public.

2071
01:27:52,080 --> 01:27:52,600
Speaker 2: They deserve it?

2072
01:27:52,720 --> 01:27:55,040
Speaker 3: No, So here's in some cases, yes, But there's been

2073
01:27:55,120 --> 01:27:57,439
Speaker 3: times that I've seen producers I've been working with, the

2074
01:27:57,479 --> 01:27:59,519
Speaker 3: songwriters I've been working with that they'll do something and

2075
01:27:59,640 --> 01:28:04,120
Speaker 3: if they're doing something for someone on a major I'll

2076
01:28:04,160 --> 01:28:05,760
Speaker 3: talk with their A and R and their A and R.

2077
01:28:05,840 --> 01:28:07,559
Speaker 3: Once I get the split back of all right, they

2078
01:28:07,600 --> 01:28:09,080
Speaker 3: get one percent of pub on this ship when they

2079
01:28:09,120 --> 01:28:10,439
Speaker 3: should be getting five at minimum.

2080
01:28:11,160 --> 01:28:12,840
Speaker 5: It's going to the fucking aar I'm talking about. You

2081
01:28:12,920 --> 01:28:13,760
Speaker 5: have a salary you not.

2082
01:28:13,800 --> 01:28:15,479
Speaker 2: Even Yeah, Rory, I've seen that.

2083
01:28:15,640 --> 01:28:16,839
Speaker 13: I see like you don't.

2084
01:28:16,640 --> 01:28:19,360
Speaker 5: Deserve this at all. Your job is being paid over

2085
01:28:19,439 --> 01:28:20,240
Speaker 5: here for what you're doing.

2086
01:28:20,400 --> 01:28:21,760
Speaker 13: You're so right, you so right.

2087
01:28:21,800 --> 01:28:23,600
Speaker 14: But I ain't gonna hold you. I use that to

2088
01:28:23,720 --> 01:28:27,840
Speaker 14: my to my benefit, because it's like to make them

2089
01:28:27,880 --> 01:28:30,680
Speaker 14: do their job. I give you two point five, I

2090
01:28:30,760 --> 01:28:33,280
Speaker 14: give you five percent. I'm not stingy like I do that.

2091
01:28:33,479 --> 01:28:35,639
Speaker 14: I get my homies pub I get my homies pub

2092
01:28:35,680 --> 01:28:36,040
Speaker 14: on songs.

2093
01:28:36,080 --> 01:28:36,200
Speaker 25: You know.

2094
01:28:36,360 --> 01:28:38,840
Speaker 5: Yeah, engineers deserve more pub than A and R's.

2095
01:28:38,720 --> 01:28:42,680
Speaker 14: Like, get my engineer's pub like like like all my

2096
01:28:42,920 --> 01:28:47,720
Speaker 14: like what a renaissance, don toliver like my engineers get

2097
01:28:47,720 --> 01:28:49,640
Speaker 14: publishing on all that shit because I want him to

2098
01:28:49,640 --> 01:28:51,320
Speaker 14: get a pub dude, I want him to make money,

2099
01:28:52,120 --> 01:28:54,760
Speaker 14: you know. So yeah, but I done definitely don't gree

2100
01:28:54,840 --> 01:28:56,160
Speaker 14: some A and R poems with.

2101
01:28:58,080 --> 01:29:00,839
Speaker 4: You got to so so with the next project, Johnny,

2102
01:29:01,760 --> 01:29:06,120
Speaker 4: because like I said, songs for women is one of

2103
01:29:06,200 --> 01:29:12,120
Speaker 4: my personal all time favorites. The next project sonically content,

2104
01:29:12,240 --> 01:29:15,600
Speaker 4: how how different is it or how much in the

2105
01:29:15,680 --> 01:29:17,080
Speaker 4: same kind of texture is it?

2106
01:29:17,600 --> 01:29:19,680
Speaker 13: Like you said when you saw me, you were like a.

2107
01:29:21,160 --> 01:29:21,320
Speaker 2: Song.

2108
01:29:21,479 --> 01:29:24,320
Speaker 14: Women was your soundtrack to your to your life. And

2109
01:29:24,439 --> 01:29:26,920
Speaker 14: my album is called Soundtracks to get Her Back. So

2110
01:29:27,080 --> 01:29:28,960
Speaker 14: you don't even know what you just did there. Oh

2111
01:29:29,479 --> 01:29:31,640
Speaker 14: you don't even know, like you And that's why I

2112
01:29:31,720 --> 01:29:33,920
Speaker 14: did it. I want this shit to be a soundtrack

2113
01:29:34,560 --> 01:29:36,800
Speaker 14: for all of us that that love R and B

2114
01:29:37,000 --> 01:29:39,720
Speaker 14: and that have had heartbreak and they actually want to

2115
01:29:39,720 --> 01:29:42,720
Speaker 14: feel something. So the sonics are different, though it's not

2116
01:29:42,840 --> 01:29:48,560
Speaker 14: as I think like songs. Women was like to me,

2117
01:29:49,080 --> 01:29:51,320
Speaker 14: like marry j Blige, what's the for one?

2118
01:29:51,360 --> 01:29:51,880
Speaker 3: One happened?

2119
01:29:52,280 --> 01:29:55,400
Speaker 13: It had that nanny tone. It was that nanny's tone.

2120
01:29:55,840 --> 01:30:00,439
Speaker 14: This is more like two thousands, like two thousands in today,

2121
01:30:02,360 --> 01:30:04,040
Speaker 14: but but it's still got a little naughties.

2122
01:30:04,080 --> 01:30:07,160
Speaker 13: But it's not as nineties as What's the full one one?

2123
01:30:07,240 --> 01:30:09,840
Speaker 13: What's the Full One? Was like, yeah, Women, it was

2124
01:30:09,880 --> 01:30:10,400
Speaker 13: like super Night.

2125
01:30:10,520 --> 01:30:13,680
Speaker 14: Yeah, but but the but the but the subject is

2126
01:30:13,760 --> 01:30:16,479
Speaker 14: like really getting my losing my girl and getting her back.

2127
01:30:17,320 --> 01:30:19,240
Speaker 5: So who did you have in mind?

2128
01:30:19,360 --> 01:30:23,599
Speaker 3: Specifically during songs to get her back losing my girl.

2129
01:30:31,120 --> 01:30:32,600
Speaker 3: Do you have to wait for the extra Deluxe to

2130
01:30:32,640 --> 01:30:33,719
Speaker 3: find out if it actually happened.

2131
01:30:33,800 --> 01:30:35,200
Speaker 13: So that's what the stage play is about.

2132
01:30:35,479 --> 01:30:37,519
Speaker 14: So I created the whole stage play and it sold

2133
01:30:37,560 --> 01:30:39,880
Speaker 14: out in l A my first night, and it's a

2134
01:30:40,520 --> 01:30:41,080
Speaker 14: Where'd you do it?

2135
01:30:41,120 --> 01:30:41,160
Speaker 11: That?

2136
01:30:41,360 --> 01:30:43,759
Speaker 14: I did it at the Porto Theater and so literally

2137
01:30:43,840 --> 01:30:46,559
Speaker 14: I had amazing playwriter Bret uncle William.

2138
01:30:46,680 --> 01:30:49,320
Speaker 13: She she does the Shy with lean Away. She's one

2139
01:30:49,320 --> 01:30:49,799
Speaker 13: of the writers.

2140
01:30:50,280 --> 01:30:53,680
Speaker 14: And literally, it's all about the story is about this,

2141
01:30:53,880 --> 01:30:57,400
Speaker 14: like the album. So the John's so cold, like somebody

2142
01:30:57,479 --> 01:30:58,960
Speaker 14: get killed in them mother, it's cold.

2143
01:30:59,680 --> 01:31:01,840
Speaker 5: You thought about doing it like on a on like

2144
01:31:01,920 --> 01:31:03,720
Speaker 5: a like a short film for it.

2145
01:31:03,880 --> 01:31:04,320
Speaker 2: We shot it.

2146
01:31:04,520 --> 01:31:06,320
Speaker 14: So we shot it and we're working on taking it.

2147
01:31:06,600 --> 01:31:08,200
Speaker 14: We actually got it on a network. But I don't

2148
01:31:08,200 --> 01:31:10,640
Speaker 14: want to say what it's cool you're gonna see it.

2149
01:31:11,120 --> 01:31:12,280
Speaker 2: I'm waiting. I want to see it.

2150
01:31:12,680 --> 01:31:13,799
Speaker 5: I'm invested in Jossy.

2151
01:31:13,840 --> 01:31:16,200
Speaker 9: I want to I'm looking forward to anything you got

2152
01:31:16,320 --> 01:31:18,320
Speaker 9: going because the way you be talking, I'm.

2153
01:31:18,280 --> 01:31:19,479
Speaker 2: Like, she talking that ship.

2154
01:31:19,960 --> 01:31:21,519
Speaker 5: I gotta be a part of it. I gotta be

2155
01:31:21,600 --> 01:31:22,040
Speaker 5: a part of it.

2156
01:31:23,200 --> 01:31:23,640
Speaker 24: I love it.

2157
01:31:23,880 --> 01:31:26,200
Speaker 14: I love that y'all of like, I'm seeing a lot

2158
01:31:26,280 --> 01:31:28,519
Speaker 14: of men really loving R and B like this, And

2159
01:31:28,600 --> 01:31:31,599
Speaker 14: it was a time I used to think like niggas didn't.

2160
01:31:31,800 --> 01:31:33,280
Speaker 13: It was it was weird how they made me think

2161
01:31:33,320 --> 01:31:35,600
Speaker 13: that R and B was just for girls or like

2162
01:31:36,000 --> 01:31:36,880
Speaker 13: what for this and for that?

2163
01:31:37,000 --> 01:31:39,760
Speaker 3: But like I mean, even some of like the lo

2164
01:31:40,000 --> 01:31:43,160
Speaker 3: fi toxic R and B now I think it's just

2165
01:31:43,240 --> 01:31:44,760
Speaker 3: for women. I don't even think it's for us, like

2166
01:31:44,840 --> 01:31:46,519
Speaker 3: we like traditional R and B.

2167
01:31:46,560 --> 01:31:48,400
Speaker 2: Shit is what they like. I'm a R and B

2168
01:31:48,479 --> 01:31:49,120
Speaker 2: head for sure.

2169
01:31:49,320 --> 01:31:50,080
Speaker 13: You don't like lofi.

2170
01:31:50,960 --> 01:31:53,560
Speaker 5: I do love lo fi, but too much of it

2171
01:31:53,720 --> 01:31:55,000
Speaker 5: and too much of the toxic ship.

2172
01:31:55,160 --> 01:31:57,320
Speaker 3: Like I do want to hear men sing about loving

2173
01:31:57,360 --> 01:31:59,640
Speaker 3: women like I don't always want to be upset at

2174
01:31:59,680 --> 01:32:00,360
Speaker 3: my girl, like.

2175
01:32:02,200 --> 01:32:07,360
Speaker 5: I do like some positivity in sometimes sometimes.

2176
01:32:07,439 --> 01:32:10,280
Speaker 2: Yeah, I love it that. That's so good to know,

2177
01:32:10,439 --> 01:32:11,320
Speaker 2: but good to know.

2178
01:32:11,520 --> 01:32:14,240
Speaker 3: My last nerve question, did you have an opportunity to

2179
01:32:14,280 --> 01:32:17,519
Speaker 3: work with Stacey Barth and what is it like working

2180
01:32:17,560 --> 01:32:21,320
Speaker 3: with I think one of the most underrated voices shut

2181
01:32:21,360 --> 01:32:24,320
Speaker 3: off to stay songwriters like Stacey to me is one

2182
01:32:24,360 --> 01:32:24,559
Speaker 3: of them.

2183
01:32:24,880 --> 01:32:27,000
Speaker 14: Yeah, she did one of my favorite songs on love

2184
01:32:27,080 --> 01:32:33,800
Speaker 14: album Closer, to god, Stacey, I did a banger for Stacey.

2185
01:32:33,840 --> 01:32:39,599
Speaker 14: I'm so mad she ain't cut it right there she was, Yeah,

2186
01:32:40,360 --> 01:32:44,960
Speaker 14: but Stacey's amazing Stacey. Stacey to me, she's not She's

2187
01:32:44,960 --> 01:32:48,920
Speaker 14: a She's a spirit. She's like a particle. Yeah, She's

2188
01:32:49,040 --> 01:32:52,240
Speaker 14: like how I look at like blal and I look

2189
01:32:52,280 --> 01:32:56,040
Speaker 14: at Erica bad that particles Like it's just like she

2190
01:32:56,160 --> 01:32:56,519
Speaker 14: can just.

2191
01:32:58,080 --> 01:32:59,599
Speaker 13: So I don't, man, I love Stacey.

2192
01:33:00,160 --> 01:33:00,360
Speaker 14: Yeh.

2193
01:33:00,600 --> 01:33:02,479
Speaker 5: She called Stacy's one of them.

2194
01:33:02,600 --> 01:33:03,280
Speaker 13: Yeah, she wanted them.

2195
01:33:03,479 --> 01:33:05,639
Speaker 14: It's hard to write for her too, because she doesn't

2196
01:33:05,760 --> 01:33:09,479
Speaker 14: she doesn't when she sings, it's like she flows. So

2197
01:33:09,600 --> 01:33:11,680
Speaker 14: it's like you gotta just let her freestyle and then

2198
01:33:11,880 --> 01:33:13,960
Speaker 14: if she wants to give you a few lyrics, if

2199
01:33:14,000 --> 01:33:15,559
Speaker 14: you want to throw a few lyrics, but you just.

2200
01:33:15,520 --> 01:33:16,080
Speaker 2: Got her go.

2201
01:33:16,640 --> 01:33:23,320
Speaker 4: She's like, she's like, you know, we definitely got to

2202
01:33:23,320 --> 01:33:24,960
Speaker 4: get jobs. Whenever you're in New York, you want to

2203
01:33:25,000 --> 01:33:25,360
Speaker 4: come by the.

2204
01:33:25,360 --> 01:33:28,840
Speaker 2: Studio, yes, please please do.

2205
01:33:29,240 --> 01:33:31,599
Speaker 5: I'm like I said, I'm invested in johnsy Fully.

2206
01:33:31,640 --> 01:33:32,599
Speaker 2: I love everything you're doing.

2207
01:33:32,640 --> 01:33:35,080
Speaker 4: I'll support everything that you're doing and can't wait to

2208
01:33:35,120 --> 01:33:36,880
Speaker 4: see and listen to what you got next for us.

2209
01:33:38,240 --> 01:33:39,880
Speaker 4: If you don't pull up this page for and stop

2210
01:33:39,920 --> 01:33:41,760
Speaker 4: putting this loud about me with the girls because I'm

2211
01:33:41,760 --> 01:33:42,320
Speaker 4: over trying.

2212
01:33:42,200 --> 01:33:42,719
Speaker 2: For my wife.

2213
01:33:43,600 --> 01:33:44,559
Speaker 3: I thought you got him back.

2214
01:33:45,240 --> 01:33:54,559
Speaker 5: No, that's jo my side, bitch is my man. Don't

2215
01:33:54,600 --> 01:33:56,920
Speaker 5: love me no more? That's I have the teacher.

2216
01:33:57,000 --> 01:33:58,400
Speaker 2: When did you When did you turn?

2217
01:33:58,760 --> 01:33:59,080
Speaker 5: Was working?

2218
01:33:59,160 --> 01:33:59,800
Speaker 2: When did you turn?

2219
01:34:00,080 --> 01:34:00,719
Speaker 5: I was working?

2220
01:34:00,920 --> 01:34:02,640
Speaker 3: Actually I was working at def jam when you put

2221
01:34:02,680 --> 01:34:04,679
Speaker 3: that record out, damn for I have the promo shirt

2222
01:34:04,720 --> 01:34:07,280
Speaker 3: still in my crew that has that whole shit written out.

2223
01:34:08,200 --> 01:34:08,599
Speaker 2: Amazing.

2224
01:34:09,000 --> 01:34:11,800
Speaker 3: So we are here joined by somebody that I think

2225
01:34:12,120 --> 01:34:15,360
Speaker 3: is the epitome of when the Internet says, oh one

2226
01:34:15,439 --> 01:34:18,800
Speaker 3: hit wonder shit this, and that Creatives, no matter what

2227
01:34:19,120 --> 01:34:22,439
Speaker 3: situation you put them in, will always conquer, will always

2228
01:34:22,520 --> 01:34:25,560
Speaker 3: find a way. And I think Trinidad James is a

2229
01:34:25,680 --> 01:34:29,000
Speaker 3: perfect example of that coming off, you know, I mean

2230
01:34:29,080 --> 01:34:32,080
Speaker 3: all gold, everything was was what it was. But I

2231
01:34:32,240 --> 01:34:35,240
Speaker 3: have been more impressed by everything you have done since

2232
01:34:35,680 --> 01:34:38,720
Speaker 3: you as a creative, whether it be on some pun

2233
01:34:38,840 --> 01:34:41,320
Speaker 3: and shit on CNN or in the fashion world shit

2234
01:34:41,360 --> 01:34:43,880
Speaker 3: when we connected, we was at at the Gucci store,

2235
01:34:43,960 --> 01:34:47,040
Speaker 3: some shit, at an event. Like everything you've been doing

2236
01:34:47,840 --> 01:34:52,400
Speaker 3: outside of when you popped off, I think it's been incredible.

2237
01:34:52,560 --> 01:34:55,559
Speaker 22: Thank you man, truly truly appreciate it. It's been a journey.

2238
01:34:55,600 --> 01:34:57,360
Speaker 22: This is actually year thirteen for me.

2239
01:34:58,040 --> 01:35:02,680
Speaker 2: Wow, man, thirty years years bro, you know, and it

2240
01:35:02,800 --> 01:35:06,519
Speaker 2: feels like three. Yeah, and it was really really fast.

2241
01:35:06,920 --> 01:35:08,800
Speaker 22: And you learn a lot about self, You learn a

2242
01:35:08,880 --> 01:35:12,320
Speaker 22: lot about life in this fantasy world of entertainment.

2243
01:35:12,720 --> 01:35:17,679
Speaker 2: Fantasy world of entertainment like this. I come from real life.

2244
01:35:18,000 --> 01:35:19,479
Speaker 2: I come from real life, you know.

2245
01:35:19,640 --> 01:35:22,560
Speaker 22: So I never lost tap of real life, but I

2246
01:35:22,640 --> 01:35:24,200
Speaker 22: come in and jump into fantasy too.

2247
01:35:25,080 --> 01:35:25,479
Speaker 2: A little bit.

2248
01:35:26,479 --> 01:35:26,679
Speaker 9: Yeah.

2249
01:35:26,800 --> 01:35:30,360
Speaker 3: Yeah, I remember, like even when you know you first

2250
01:35:30,360 --> 01:35:33,400
Speaker 3: popped with all good everything, I remember everyone telling me like, yeah,

2251
01:35:33,560 --> 01:35:35,799
Speaker 3: he does a music thing, but he was so prominent

2252
01:35:35,800 --> 01:35:39,760
Speaker 3: in Atlanta with fast stores and fashion and everything. Like, now,

2253
01:35:39,840 --> 01:35:42,760
Speaker 3: this is not just somebody that caught a lick. What's

2254
01:35:42,800 --> 01:35:44,639
Speaker 3: the back history of what you were doing in Atlanta

2255
01:35:45,000 --> 01:35:46,600
Speaker 3: before all go everything that hit.

2256
01:35:46,920 --> 01:35:49,840
Speaker 22: So I was a stylist, street dude, trapping a little bit.

2257
01:35:50,439 --> 01:35:52,920
Speaker 22: I ran one of the most popping boutiques in the city.

2258
01:35:53,320 --> 01:35:54,880
Speaker 22: That's how I got to meet all the DJs and

2259
01:35:54,920 --> 01:35:56,760
Speaker 22: the artists because they came to shop with me, and

2260
01:35:56,800 --> 01:35:58,439
Speaker 22: I never talked about their music. I kind of just

2261
01:35:58,479 --> 01:36:01,439
Speaker 22: put my CD inside of their shopping bag because I

2262
01:36:01,520 --> 01:36:02,120
Speaker 22: just don't believe.

2263
01:36:02,439 --> 01:36:05,040
Speaker 2: I'm not a handout type of person. I'm a bootstrap

2264
01:36:05,120 --> 01:36:05,639
Speaker 2: type of person.

2265
01:36:05,720 --> 01:36:08,600
Speaker 22: That's why my dad raised me, and that's how I

2266
01:36:08,720 --> 01:36:11,160
Speaker 22: kind of just built Like when they started realizing like, oh,

2267
01:36:11,760 --> 01:36:14,400
Speaker 22: that's my guy from the store, it built a different

2268
01:36:14,439 --> 01:36:17,559
Speaker 22: respect because it's like I earned it. And but that's

2269
01:36:17,600 --> 01:36:19,000
Speaker 22: what I was doing when I was dressing people. I've

2270
01:36:19,000 --> 01:36:22,800
Speaker 22: always been My task and duty is to make sure

2271
01:36:22,800 --> 01:36:26,160
Speaker 22: that our culture stay shining. And that's just by showing

2272
01:36:26,240 --> 01:36:28,800
Speaker 22: us that you can express yourself, you know, come as

2273
01:36:28,880 --> 01:36:32,000
Speaker 22: you are, but make sure that it's intention in your presence,

2274
01:36:32,560 --> 01:36:32,720
Speaker 22: you know.

2275
01:36:32,880 --> 01:36:34,040
Speaker 2: And that's what it's always been.

2276
01:36:34,120 --> 01:36:36,960
Speaker 22: Man Like you saw me through my visual, you know,

2277
01:36:37,120 --> 01:36:40,560
Speaker 22: and my visual is what made people show somebody's like

2278
01:36:40,600 --> 01:36:43,519
Speaker 22: you see this niggag, this nigga, you know, it's like

2279
01:36:44,080 --> 01:36:47,920
Speaker 22: and that's because it's like it brought life into what

2280
01:36:48,040 --> 01:36:51,040
Speaker 22: we needed. Sometimes you don't know what we need, but

2281
01:36:51,200 --> 01:36:53,679
Speaker 22: God gave me the energy and I guess the presence

2282
01:36:54,120 --> 01:36:56,280
Speaker 22: to be that of like, oh, look at the artists

2283
01:36:56,280 --> 01:37:00,519
Speaker 22: that we get now after twenty twelve to now thirteen

2284
01:37:00,600 --> 01:37:04,519
Speaker 22: years later, of like just new type of R and

2285
01:37:04,600 --> 01:37:06,439
Speaker 22: B where they don't have to show their face no more.

2286
01:37:06,479 --> 01:37:08,360
Speaker 22: They don't got to be pretty. They don't hear what

2287
01:37:08,439 --> 01:37:10,840
Speaker 22: I'm saying, Like, you could be who you are and

2288
01:37:11,040 --> 01:37:15,479
Speaker 22: let your talent be the star. Right, It's pretty dope, man.

2289
01:37:15,600 --> 01:37:18,679
Speaker 5: What some of your earliest memories growing up.

2290
01:37:20,439 --> 01:37:20,920
Speaker 2: Of BT?

2291
01:37:21,120 --> 01:37:22,840
Speaker 5: Like, what were some of the shows that you was

2292
01:37:22,920 --> 01:37:23,439
Speaker 5: tapped in with?

2293
01:37:23,640 --> 01:37:25,720
Speaker 4: Like is that none of us grew up and you

2294
01:37:25,760 --> 01:37:28,400
Speaker 4: couldn't go in our homes and not see BT on television?

2295
01:37:28,520 --> 01:37:30,439
Speaker 2: But what were some of your earliest memories of BT?

2296
01:37:30,640 --> 01:37:30,760
Speaker 21: Oh?

2297
01:37:30,840 --> 01:37:32,880
Speaker 22: I mean, the biggest moment is the first time I'm

2298
01:37:33,000 --> 01:37:35,320
Speaker 22: laying in the bed with a girl that I spent

2299
01:37:35,400 --> 01:37:38,679
Speaker 22: the night with. She was a dancer. Shout out to her. Okay,

2300
01:37:39,680 --> 01:37:41,720
Speaker 22: I wake up in her bed. I think it was

2301
01:37:41,760 --> 01:37:47,160
Speaker 22: my first time being with a dancing Okay, with a

2302
01:37:47,280 --> 01:37:51,760
Speaker 22: dancer in that capacity, and.

2303
01:37:53,520 --> 01:37:54,759
Speaker 3: Of course cuddling.

2304
01:37:54,880 --> 01:37:57,840
Speaker 2: Of course, of course you know we don't, right, right,

2305
01:37:58,320 --> 01:37:58,840
Speaker 2: who does that?

2306
01:37:59,320 --> 01:38:01,599
Speaker 5: I'm all right, nobody from Trinida whatever.

2307
01:38:01,400 --> 01:38:06,320
Speaker 2: Do throw that thing away? And she wakes me up?

2308
01:38:06,479 --> 01:38:08,120
Speaker 2: Like you on TV?

2309
01:38:08,560 --> 01:38:10,840
Speaker 22: And I'm on BT jams and they're playing it like

2310
01:38:11,479 --> 01:38:13,680
Speaker 22: back to back to back and I was like, oh man,

2311
01:38:13,800 --> 01:38:16,280
Speaker 22: because I grew up looking at bet jams and so

2312
01:38:16,439 --> 01:38:18,200
Speaker 22: you know, that was like the first little piece of

2313
01:38:19,320 --> 01:38:22,280
Speaker 22: all Right. No, I think it's something that's changing in

2314
01:38:22,360 --> 01:38:25,120
Speaker 22: my life and it's all for the better because people

2315
01:38:25,160 --> 01:38:26,920
Speaker 22: are happy for me, people who don't know me.

2316
01:38:27,000 --> 01:38:28,599
Speaker 2: She didn't know me, right, you know what I'm saying.

2317
01:38:28,640 --> 01:38:30,559
Speaker 2: But when I came in that shop club, it felt

2318
01:38:30,600 --> 01:38:32,400
Speaker 2: like she did right and we spent the night together,

2319
01:38:32,880 --> 01:38:37,080
Speaker 2: so we did. We don't cut it exactly.

2320
01:38:37,080 --> 01:38:40,120
Speaker 5: You gotta cut it all night, and you gotta cut all.

2321
01:38:40,040 --> 01:38:42,519
Speaker 3: Yeah, obviously, you know we have people like you know,

2322
01:38:42,600 --> 01:38:46,439
Speaker 3: rest in peace to Virgil. Currently with Salahi and everything

2323
01:38:46,479 --> 01:38:47,040
Speaker 3: that he's doing.

2324
01:38:47,360 --> 01:38:48,839
Speaker 5: What what is brand.

2325
01:38:48,680 --> 01:38:52,160
Speaker 3: Partnerships with fashion missing right now with the actual creatives

2326
01:38:52,240 --> 01:38:55,599
Speaker 3: and designers currently in twenty twenty five, because I feel

2327
01:38:55,640 --> 01:38:57,240
Speaker 3: like we catch a going like with SALAYI, what he's

2328
01:38:57,280 --> 01:39:01,480
Speaker 3: doing is amazing, but there's so much disconnect between.

2329
01:39:02,439 --> 01:39:06,160
Speaker 22: There's only so many spots until more people make brands

2330
01:39:06,240 --> 01:39:09,320
Speaker 22: that are successful. The brands that are successful could only

2331
01:39:09,360 --> 01:39:11,120
Speaker 22: pick so many black people to do it. It's not

2332
01:39:11,200 --> 01:39:13,839
Speaker 22: like it's a black brand. People just want black support,

2333
01:39:14,040 --> 01:39:15,800
Speaker 22: but it's a white brand if it's owned by white person,

2334
01:39:15,800 --> 01:39:18,719
Speaker 22: it's a white brand, and then that's real. That's fine,

2335
01:39:18,840 --> 01:39:20,760
Speaker 22: that's only fine. Like if a white person owns it,

2336
01:39:21,000 --> 01:39:23,320
Speaker 22: that was made for his people, how whatever. But if

2337
01:39:23,360 --> 01:39:26,120
Speaker 22: other people support, we have beat the matrix because now

2338
01:39:26,160 --> 01:39:28,599
Speaker 22: I get black money and white money. But a white

2339
01:39:28,600 --> 01:39:31,120
Speaker 22: person could always get white money. A black person can't

2340
01:39:31,120 --> 01:39:33,439
Speaker 22: always get white money, you know what I'm saying. And

2341
01:39:33,600 --> 01:39:36,000
Speaker 22: so I said that to say, has more brands come

2342
01:39:36,040 --> 01:39:37,920
Speaker 22: to life or whatever, you'll be able to see more

2343
01:39:37,960 --> 01:39:40,360
Speaker 22: people of culture and get a chance to add to

2344
01:39:40,479 --> 01:39:43,599
Speaker 22: the repertoire. But if you're expecting Nike to catch every

2345
01:39:43,920 --> 01:39:47,120
Speaker 22: Trinidad James type of cultural person to do something, you're

2346
01:39:47,120 --> 01:39:49,040
Speaker 22: gonna be pissed, how whatever, because.

2347
01:39:48,880 --> 01:39:50,040
Speaker 2: There's only so many times they can.

2348
01:39:50,280 --> 01:39:52,560
Speaker 22: There's only so many spots they have a lotted for

2349
01:39:53,200 --> 01:39:55,200
Speaker 22: people of color or people of culture, the ones that

2350
01:39:55,280 --> 01:39:56,760
Speaker 22: matter in the culture, and they could be a black person,

2351
01:39:56,760 --> 01:39:59,679
Speaker 22: white person or whatever. Like sometimes they just miss the ball,

2352
01:40:00,240 --> 01:40:02,000
Speaker 22: you know, but when they get it right, we'd be happy.

2353
01:40:02,000 --> 01:40:06,479
Speaker 22: You know, when Joe Freshca is getting a chance, that's yeah,

2354
01:40:07,000 --> 01:40:09,960
Speaker 22: that's that's dope, man. That's over delivering for New Balance,

2355
01:40:10,360 --> 01:40:13,120
Speaker 22: like going absolutely Jordan's crazy.

2356
01:40:13,640 --> 01:40:20,200
Speaker 2: They look like Chicago is on fire. I can again consistently,

2357
01:40:20,280 --> 01:40:20,479
Speaker 2: you know.

2358
01:40:20,640 --> 01:40:25,519
Speaker 22: So, I'm a perspective person, man, and I'm the super realist.

2359
01:40:27,760 --> 01:40:30,400
Speaker 22: People only doing what they can, how whatever. Just because

2360
01:40:30,479 --> 01:40:32,120
Speaker 22: somebody is worth it, that don't mean that do you

2361
01:40:32,200 --> 01:40:32,680
Speaker 22: have to do it?

2362
01:40:33,640 --> 01:40:36,719
Speaker 3: Who are some of your favorite black designers and favorite

2363
01:40:36,760 --> 01:40:41,440
Speaker 3: black brands right now on the fashion I enjoy.

2364
01:40:41,479 --> 01:40:45,400
Speaker 22: R g B there from Atlanta. I like another young

2365
01:40:45,520 --> 01:40:47,960
Speaker 22: brand called Lemons on Fire. They're from Atlanta.

2366
01:40:49,920 --> 01:40:53,439
Speaker 2: Lemons on Fire. Yeah, Lemons on Fire. Yeah, it's crazy.

2367
01:40:56,200 --> 01:40:56,439
Speaker 14: Yeah.

2368
01:40:56,920 --> 01:40:58,360
Speaker 22: I just opened the store too. I was like, I

2369
01:40:58,439 --> 01:41:00,479
Speaker 22: want to carry out in my store. Got closed the

2370
01:41:00,479 --> 01:41:04,240
Speaker 22: store in Atlanta. Black designers sue us do I love?

2371
01:41:05,640 --> 01:41:08,760
Speaker 22: We said Joe already. I'm biased to Joe. Really good

2372
01:41:08,800 --> 01:41:14,559
Speaker 22: shoe designer, so like slaves my god. Oh Nina Chanell,

2373
01:41:15,360 --> 01:41:17,599
Speaker 22: Nina Chanelle. If you don't know Nina Chanelle, do your homework.

2374
01:41:17,640 --> 01:41:19,720
Speaker 22: Ninochonelle is amazing. She got her own Jordan three. I

2375
01:41:19,800 --> 01:41:23,040
Speaker 22: own Jordan two. She's an amazing painter. She did the

2376
01:41:23,200 --> 01:41:26,519
Speaker 22: uh the cover from Meek Mills album Expensive Paint I

2377
01:41:26,600 --> 01:41:27,719
Speaker 22: think or whatever.

2378
01:41:27,800 --> 01:41:32,920
Speaker 2: She's a beast. Chanel for sure. Oh yeah, that's I'm

2379
01:41:32,920 --> 01:41:34,800
Speaker 2: gonna stop there, Okay, stop my head.

2380
01:41:35,240 --> 01:41:37,360
Speaker 5: I didn't I didn't notice when.

2381
01:41:37,360 --> 01:41:40,439
Speaker 4: Now you know, we obviously first got into Trinidad James's music,

2382
01:41:41,000 --> 01:41:46,400
Speaker 4: but you are very Your tasting sneakers is very unique.

2383
01:41:46,640 --> 01:41:49,080
Speaker 4: Like I've caught a lot of your clips online and

2384
01:41:49,200 --> 01:41:51,040
Speaker 4: I'm like, damn, I wouldn't think that Trinidad was that

2385
01:41:51,160 --> 01:41:52,240
Speaker 4: tapped in when it came.

2386
01:41:52,160 --> 01:41:53,200
Speaker 2: To the sneaker coaches.

2387
01:41:53,560 --> 01:41:57,160
Speaker 5: What's your absolute favorite sneaker of all time?

2388
01:41:58,120 --> 01:42:00,479
Speaker 22: I don't never have an absolute favorite, guys. I just

2389
01:42:00,560 --> 01:42:03,320
Speaker 22: have a story with these shoes. Man, I've spent twenty

2390
01:42:03,439 --> 01:42:07,720
Speaker 22: years doing shoes. But Jordan two's the original white rid

2391
01:42:07,720 --> 01:42:11,400
Speaker 22: of my favorite Jordan period. I'm a white Air Force

2392
01:42:11,720 --> 01:42:14,400
Speaker 22: patent leave the Air Force one guy when they come

2393
01:42:14,439 --> 01:42:15,600
Speaker 22: in to crazy Colors.

2394
01:42:15,360 --> 01:42:17,240
Speaker 2: The Brazils, the Portugal.

2395
01:42:20,400 --> 01:42:24,400
Speaker 22: Whatever, nigga, go air Force one low patent color signed

2396
01:42:24,400 --> 01:42:28,560
Speaker 22: me the hell up undefeated. But also I love the

2397
01:42:28,680 --> 01:42:33,799
Speaker 22: ratchet stuff Soldiery Box, you know fifty four elevens.

2398
01:42:35,320 --> 01:42:38,360
Speaker 2: You know Feli's like just support people's stuff.

2399
01:42:39,479 --> 01:42:43,400
Speaker 22: My collaboration with Soccony Sconi where you're from, you know, like, bro,

2400
01:42:43,520 --> 01:42:45,200
Speaker 22: that's the first show I ever got as an immigrant

2401
01:42:45,240 --> 01:42:48,880
Speaker 22: from my parents and been smoking. Shout out to that

2402
01:42:48,960 --> 01:42:50,559
Speaker 22: brother over there, my boy Jay Tips.

2403
01:42:51,000 --> 01:42:51,559
Speaker 2: You know what I'm saying.

2404
01:42:51,640 --> 01:42:56,040
Speaker 22: So you know it's not always about you know, big

2405
01:42:56,120 --> 01:42:58,400
Speaker 22: brands only have so much space. Every brand only has

2406
01:42:58,439 --> 01:43:01,200
Speaker 22: so much space to let in our cold. It's about

2407
01:43:01,439 --> 01:43:04,920
Speaker 22: more people, like new brands like Hokah and Solomon and

2408
01:43:05,680 --> 01:43:08,160
Speaker 22: on Cloud and all these new brands is coming. You

2409
01:43:08,280 --> 01:43:09,720
Speaker 22: just got to see more of those, and then you'll

2410
01:43:09,720 --> 01:43:11,920
Speaker 22: see more people that you think like, oh damn, she

2411
01:43:12,120 --> 01:43:14,720
Speaker 22: deserves a shot. He deserves a shot. Why this person

2412
01:43:14,720 --> 01:43:17,599
Speaker 22: don't have a shoe yet? Need more shoe companies?

2413
01:43:18,439 --> 01:43:20,720
Speaker 3: Before we let you go, I know you're going to

2414
01:43:20,760 --> 01:43:22,639
Speaker 3: be biased, but I still want to ask this question

2415
01:43:24,000 --> 01:43:29,800
Speaker 3: between Jamaica, Trinidad and Guyana, who makes the best curry chicken.

2416
01:43:32,280 --> 01:43:37,600
Speaker 2: Trinidad? And I was going to be biased regardless. I

2417
01:43:37,720 --> 01:43:38,439
Speaker 2: be looking at my shirt.

2418
01:43:41,160 --> 01:43:42,519
Speaker 6: This is a red shirt.

2419
01:43:43,320 --> 01:43:44,080
Speaker 2: A red shirt, bro.

2420
01:43:47,200 --> 01:43:47,400
Speaker 12: Yeah.

2421
01:43:47,880 --> 01:43:52,240
Speaker 22: But when we got our independence as a country in Trinidad,

2422
01:43:53,479 --> 01:43:56,400
Speaker 22: the first workforce that was was that came to Trinidad

2423
01:43:56,479 --> 01:43:57,360
Speaker 22: was Indians from India.

2424
01:43:57,600 --> 01:43:59,439
Speaker 2: Yes, so they brought the recipes with him.

2425
01:43:59,479 --> 01:44:03,040
Speaker 22: So we have mad Indians in triny So you can't

2426
01:44:03,160 --> 01:44:06,000
Speaker 22: make curry chicken better than Indians. We have more Indians

2427
01:44:06,000 --> 01:44:08,760
Speaker 22: in the other islands, right, Oh, so Jamaica and Jamaica's

2428
01:44:08,960 --> 01:44:10,439
Speaker 22: curry is going to be a spicy one.

2429
01:44:10,880 --> 01:44:12,720
Speaker 2: Guyana. They're really good cooks. There are some of my

2430
01:44:12,800 --> 01:44:13,400
Speaker 2: favorite chefs.

2431
01:44:13,960 --> 01:44:17,080
Speaker 5: Heavy Indian population, you know what I'm saying.

2432
01:44:17,120 --> 01:44:19,160
Speaker 2: But I just I think that trainy I think because

2433
01:44:19,200 --> 01:44:20,160
Speaker 2: of our Indian population.

2434
01:44:20,439 --> 01:44:21,000
Speaker 5: I think y'all.

2435
01:44:21,360 --> 01:44:25,439
Speaker 3: Y'all are the perfect middle between Jamaican curry and Guyanese

2436
01:44:25,680 --> 01:44:26,880
Speaker 3: like it's the perfect.

2437
01:44:26,560 --> 01:44:29,519
Speaker 5: Mix trinidatte though, by the way, I.

2438
01:44:29,600 --> 01:44:31,720
Speaker 3: Mean bias on the guy in the east side, but

2439
01:44:31,800 --> 01:44:33,639
Speaker 3: I do think they have perfected both of those.

2440
01:44:33,680 --> 01:44:35,360
Speaker 2: Why are you biased on the guy on the east side.

2441
01:44:35,360 --> 01:44:36,240
Speaker 2: It's got to be a girl.

2442
01:44:37,000 --> 01:44:40,439
Speaker 5: It's definitely what do you think it was?

2443
01:44:40,600 --> 01:44:43,479
Speaker 2: These women? Man, they got us, many got us.

2444
01:44:44,200 --> 01:44:47,559
Speaker 5: I love my homies, char.

2445
01:44:49,400 --> 01:44:49,639
Speaker 8: Woman.

2446
01:44:49,880 --> 01:44:51,160
Speaker 2: It's a tournament.

2447
01:44:51,760 --> 01:44:57,320
Speaker 3: Jim Jonson, I love kool aid. I went to Georgetown University.

2448
01:44:58,080 --> 01:44:59,479
Speaker 3: That was so many on tendras. I should be a

2449
01:44:59,520 --> 01:45:03,479
Speaker 3: rapper anyway, Yes, yes, yes, I will say you guys

2450
01:45:03,560 --> 01:45:06,000
Speaker 3: have the best carnival and it's probably not even close.

2451
01:45:06,040 --> 01:45:08,479
Speaker 5: Top of the top carnival yet top that is if

2452
01:45:08,560 --> 01:45:10,559
Speaker 5: we do it? Is that even like debatable at this point.

2453
01:45:10,920 --> 01:45:12,840
Speaker 5: I mean people from Brazil might have something to say

2454
01:45:12,840 --> 01:45:13,160
Speaker 5: about that.

2455
01:45:13,360 --> 01:45:15,800
Speaker 2: But in the West Indies, like Bristol has more people.

2456
01:45:15,960 --> 01:45:18,639
Speaker 2: So if you have more people, you have more power. Period.

2457
01:45:18,720 --> 01:45:22,799
Speaker 2: Yeah you got it. But Indian, if you're not Brazil,

2458
01:45:23,320 --> 01:45:25,479
Speaker 2: we are number one half created this steel pan.

2459
01:45:25,720 --> 01:45:29,839
Speaker 22: Yeah, like that's the last hand instrument that's got developed

2460
01:45:29,880 --> 01:45:32,679
Speaker 22: and the main created the last than the twentieth century exact.

2461
01:45:33,040 --> 01:45:36,800
Speaker 5: Yeah, I'm Trinidad Carnival, big vibes Massa.

2462
01:45:37,160 --> 01:45:38,880
Speaker 3: I know you spent so much time in New York.

2463
01:45:39,160 --> 01:45:41,639
Speaker 3: How much did you really tap in with the West

2464
01:45:41,680 --> 01:45:42,439
Speaker 3: Indian culture in.

2465
01:45:44,360 --> 01:45:46,679
Speaker 2: On and off? Like am I am? My artist?

2466
01:45:46,840 --> 01:45:47,040
Speaker 14: Time?

2467
01:45:47,520 --> 01:45:49,479
Speaker 2: I spent way more time when I was young, Bro,

2468
01:45:50,040 --> 01:45:52,040
Speaker 2: I didn't have no Green card. I wasn't tapped in

2469
01:45:52,200 --> 01:45:58,200
Speaker 2: to having fun. You don't know me. I'm right now,

2470
01:45:59,280 --> 01:45:59,920
Speaker 2: Yeah I was.

2471
01:46:00,000 --> 01:46:02,320
Speaker 22: I'm saying so, like, as a young person, and when

2472
01:46:02,320 --> 01:46:04,320
Speaker 22: you grow up in a Trinity household, you don't have

2473
01:46:04,439 --> 01:46:06,360
Speaker 22: to go out there looking for more validation from other

2474
01:46:06,479 --> 01:46:09,120
Speaker 22: Caribbeans because my household was Caribbean and I was really

2475
01:46:09,160 --> 01:46:09,600
Speaker 22: born in it.

2476
01:46:09,680 --> 01:46:11,920
Speaker 2: You know, my father's born in Tobago. My mother's born

2477
01:46:11,920 --> 01:46:12,479
Speaker 2: in Trinidad.

2478
01:46:12,760 --> 01:46:12,920
Speaker 9: You know.

2479
01:46:13,000 --> 01:46:15,040
Speaker 22: When we came to this country, went to Jacksonville, Florida.

2480
01:46:15,280 --> 01:46:17,200
Speaker 22: Then we got down the hard times. We came to Queens,

2481
01:46:17,280 --> 01:46:19,799
Speaker 22: New York and we lived with my uncle. That's more trainees.

2482
01:46:20,280 --> 01:46:23,280
Speaker 22: So I'm in little Trinidad inside of my uncle's house

2483
01:46:23,280 --> 01:46:23,800
Speaker 22: who passed away.

2484
01:46:23,840 --> 01:46:25,120
Speaker 2: Rest Uncle Eddie, you know.

2485
01:46:26,120 --> 01:46:26,160
Speaker 3: So.

2486
01:46:26,479 --> 01:46:29,280
Speaker 22: But now as an entertainer, you know, being able to

2487
01:46:29,320 --> 01:46:30,960
Speaker 22: be front, like last year I hosted the.

2488
01:46:30,960 --> 01:46:33,559
Speaker 2: Caribbean the Music Awards. I got presented an award. They

2489
01:46:33,640 --> 01:46:35,439
Speaker 2: hit me up to do that. It's like I took

2490
01:46:35,479 --> 01:46:35,880
Speaker 2: pride in that.

2491
01:46:36,000 --> 01:46:38,600
Speaker 22: You know, I showed up looking like it because it

2492
01:46:38,760 --> 01:46:41,920
Speaker 22: is a big deal to be Trinidad James. You know

2493
01:46:42,120 --> 01:46:44,000
Speaker 22: the things that I go through that are not good,

2494
01:46:44,600 --> 01:46:46,960
Speaker 22: but make it through and still have good energy to

2495
01:46:47,000 --> 01:46:49,120
Speaker 22: give to other people and still do things of power.

2496
01:46:49,640 --> 01:46:52,880
Speaker 22: That shows the resilience of a Triney. It shows what

2497
01:46:53,120 --> 01:46:55,840
Speaker 22: type of character Trinidad is a built with. So I'm

2498
01:46:55,880 --> 01:46:58,200
Speaker 22: just thankful to be Trinidad did and be born then, bro, Yeah.

2499
01:46:58,600 --> 01:47:01,840
Speaker 5: That's a beautiful way to absolutely slew to that God.

2500
01:47:01,920 --> 01:47:04,000
Speaker 4: Trinidad James, pleasure me and you pleasure sitting there to

2501
01:47:04,880 --> 01:47:05,920
Speaker 4: watch twenty twenty five.

2502
01:47:06,960 --> 01:47:07,559
Speaker 2: Both that's great.

2503
01:47:07,560 --> 01:47:16,200
Speaker 4: Man, all right, bro, we back BT watch twenty twenty five,

2504
01:47:16,280 --> 01:47:18,840
Speaker 4: sitting with some of our favorites. So this guy here,

2505
01:47:18,880 --> 01:47:20,800
Speaker 4: this is the family, this trend of family, this is family.

2506
01:47:20,840 --> 01:47:22,120
Speaker 4: Never since of the word we with. I got a

2507
01:47:22,200 --> 01:47:24,719
Speaker 4: legendary hit maker hit. How you feeling, family?

2508
01:47:24,800 --> 01:47:24,920
Speaker 3: Man?

2509
01:47:25,000 --> 01:47:26,760
Speaker 2: I feel good. I gave y'all some relief of the

2510
01:47:26,800 --> 01:47:29,680
Speaker 2: phony kicking in. Bro, thank you. I looked at it.

2511
01:47:30,520 --> 01:47:32,479
Speaker 2: I'm like, oh, yes, we can really just kicking it

2512
01:47:32,560 --> 01:47:34,760
Speaker 2: after talking about artists with me? Man with you.

2513
01:47:35,160 --> 01:47:38,639
Speaker 26: Hell, my name is Toyana all the way from Montego Beach.

2514
01:47:38,560 --> 01:47:41,360
Speaker 2: I mean Montico Bay. Okay, she got that total vibe hit.

2515
01:47:41,439 --> 01:47:42,200
Speaker 2: I said, what you're doing?

2516
01:47:42,280 --> 01:47:42,519
Speaker 12: That's that?

2517
01:47:43,840 --> 01:47:44,000
Speaker 11: Yeah?

2518
01:47:45,240 --> 01:47:46,919
Speaker 16: Yeah, I see it. Okay, Tony.

2519
01:47:49,600 --> 01:47:52,639
Speaker 2: Jamaican, New York, Long Island, New York.

2520
01:47:53,040 --> 01:47:54,320
Speaker 6: Let me say a little louder, you know what I mean,

2521
01:47:55,120 --> 01:47:55,600
Speaker 6: let's up with.

2522
01:47:55,600 --> 01:47:56,479
Speaker 2: This Long Island thing?

2523
01:47:56,600 --> 01:47:58,760
Speaker 27: Like what we've been doing interviews and people been like, yo,

2524
01:47:59,360 --> 01:48:01,080
Speaker 27: do y'all not sit her Long Island.

2525
01:48:00,880 --> 01:48:01,200
Speaker 2: New York.

2526
01:48:01,479 --> 01:48:03,200
Speaker 5: It's not New York City's New York situation.

2527
01:48:04,000 --> 01:48:09,040
Speaker 9: Absolutely thirty years definitely, but it's not it's one black

2528
01:48:09,040 --> 01:48:09,519
Speaker 9: from Queens.

2529
01:48:10,360 --> 01:48:12,120
Speaker 2: How you feeling, man, amazing?

2530
01:48:12,240 --> 01:48:17,760
Speaker 5: Listen, Yeah, I know Bush, we don't want to talk

2531
01:48:17,800 --> 01:48:19,200
Speaker 5: about it, but he just showed me a clip.

2532
01:48:19,280 --> 01:48:23,040
Speaker 2: What you got going on? What you're doing? Bro, I'm

2533
01:48:23,080 --> 01:48:26,639
Speaker 2: just he Raj asked me a question and you broke.

2534
01:48:27,320 --> 01:48:29,600
Speaker 2: Y'all know I got no filter. Bro, You don't know.

2535
01:48:29,760 --> 01:48:31,600
Speaker 2: Y'all have been knowing me for over ten years. You

2536
01:48:31,680 --> 01:48:34,160
Speaker 2: know I don't give up. I'm gonna tell the truth. Listen,

2537
01:48:34,280 --> 01:48:35,320
Speaker 2: I don't. I don't know, but.

2538
01:48:37,040 --> 01:48:39,920
Speaker 3: If the puff ship never hit or this would be nothing,

2539
01:48:40,880 --> 01:48:42,439
Speaker 3: that wouldn't shock me at all that he said that. No,

2540
01:48:42,560 --> 01:48:44,120
Speaker 3: let's say none of this puff shit is in court,

2541
01:48:44,160 --> 01:48:46,880
Speaker 3: I'd be like, yeah, he probably said that absolutely listening.

2542
01:48:47,040 --> 01:48:49,559
Speaker 2: See what you're doing now, you know you're freaky ass nigga.

2543
01:48:49,680 --> 01:48:52,960
Speaker 27: Now y'all now y'all on my own on my truth,

2544
01:48:53,000 --> 01:48:54,599
Speaker 27: and now y'all want to judge my truth?

2545
01:48:54,800 --> 01:48:57,479
Speaker 5: No, but I think you were raging. He put me

2546
01:48:57,520 --> 01:48:58,760
Speaker 5: in an intimate headlocked one time.

2547
01:49:00,880 --> 01:49:06,640
Speaker 2: Bro, Bro, I was.

2548
01:49:10,160 --> 01:49:12,240
Speaker 9: You and ray J looked like y'all might be on

2549
01:49:12,280 --> 01:49:14,320
Speaker 9: your y'all y'all look like y'all need your own show man.

2550
01:49:14,560 --> 01:49:16,160
Speaker 5: I think really what I thought after that, I was

2551
01:49:16,240 --> 01:49:19,400
Speaker 5: like the burg and rag like y'allers, that's musty TV.

2552
01:49:19,720 --> 01:49:24,160
Speaker 2: Yeah, we got so many stories and just so much y.

2553
01:49:24,760 --> 01:49:24,840
Speaker 26: Bro.

2554
01:49:25,000 --> 01:49:28,000
Speaker 27: The nigga, the nigga is so crazy. We were in Atlanta.

2555
01:49:28,120 --> 01:49:33,120
Speaker 27: He took Whitney Houston a compound or Whitney Houston. Bro, listen,

2556
01:49:34,439 --> 01:49:36,760
Speaker 27: Bro were in there and we in the s u V.

2557
01:49:36,920 --> 01:49:39,280
Speaker 27: Whitney so gangster with me and Ray J was performing

2558
01:49:39,320 --> 01:49:42,400
Speaker 27: sexy kind of act the compound. Randomly, she's so gangster.

2559
01:49:42,520 --> 01:49:45,040
Speaker 27: She sent the security. They came and got a like

2560
01:49:45,160 --> 01:49:48,880
Speaker 27: the Magnum Patron silver. Whitney was drinking Patron out the

2561
01:49:49,160 --> 01:49:50,040
Speaker 27: gallon magnet.

2562
01:49:50,080 --> 01:49:53,080
Speaker 2: Bro in the truck with us. You can't make this ship.

2563
01:49:53,160 --> 01:49:55,320
Speaker 5: You cannot make something like that up. How is there

2564
01:49:55,400 --> 01:49:57,360
Speaker 5: no footage of Whitney Houston at the compounds?

2565
01:49:57,400 --> 01:50:00,040
Speaker 27: Bro, I think it's a picture, man, Dray Sinatra. I

2566
01:50:00,080 --> 01:50:01,280
Speaker 27: think he got a picture of this ship.

2567
01:50:01,320 --> 01:50:03,759
Speaker 2: Man, You need that picture if you got its compound

2568
01:50:03,800 --> 01:50:06,800
Speaker 2: even still over No, no, no, no confound. That's been

2569
01:50:06,840 --> 01:50:09,080
Speaker 2: close for some years now, but hit make listen. Man.

2570
01:50:09,280 --> 01:50:12,120
Speaker 4: We don't use the word legends with everybody. You were

2571
01:50:12,160 --> 01:50:13,840
Speaker 4: obviously a legend in every sense, of the word.

2572
01:50:14,160 --> 01:50:15,040
Speaker 2: Thanks bro, How was it?

2573
01:50:15,120 --> 01:50:15,240
Speaker 14: Now?

2574
01:50:15,320 --> 01:50:16,960
Speaker 4: You got your new artist with you? What's coming man?

2575
01:50:16,960 --> 01:50:18,840
Speaker 4: Because we always know you in the studio hit gonna

2576
01:50:18,840 --> 01:50:19,160
Speaker 4: be working?

2577
01:50:19,520 --> 01:50:19,680
Speaker 2: Well?

2578
01:50:19,760 --> 01:50:22,240
Speaker 27: You know, I got partnerships with six different artists right now,

2579
01:50:22,400 --> 01:50:25,240
Speaker 27: Toy and Ron or two of them teak, of course

2580
01:50:25,240 --> 01:50:26,640
Speaker 27: it's one of them. We got a new record we

2581
01:50:26,720 --> 01:50:30,000
Speaker 27: heard it's about to drop with Bryce and Tilla videos

2582
01:50:30,040 --> 01:50:32,360
Speaker 27: and the can done already, so that's gonna be exciting.

2583
01:50:32,360 --> 01:50:34,639
Speaker 27: And then Ivory Scott is another one of my artists,

2584
01:50:34,920 --> 01:50:37,400
Speaker 27: dreamed All. I just did a partnership with two and

2585
01:50:38,000 --> 01:50:38,960
Speaker 27: this record that she's.

2586
01:50:38,800 --> 01:50:40,840
Speaker 2: About to drop. I'm gonna be honest, dream Dolls, I'll

2587
01:50:40,880 --> 01:50:42,680
Speaker 2: rapping all these rap women right.

2588
01:50:42,640 --> 01:50:43,800
Speaker 5: Now, rapping for real.

2589
01:50:43,840 --> 01:50:44,080
Speaker 12: And I was.

2590
01:50:44,160 --> 01:50:44,799
Speaker 2: I was impressed.

2591
01:50:45,160 --> 01:50:46,880
Speaker 5: We brought that up like two or three episodes ago,

2592
01:50:47,120 --> 01:50:48,200
Speaker 5: just because we were talking about.

2593
01:50:48,000 --> 01:50:49,360
Speaker 3: The Tory Lane ship, which I want to talk about.

2594
01:50:49,360 --> 01:50:53,120
Speaker 3: But I was like, y'all remember like dream Like are different?

2595
01:50:53,240 --> 01:50:56,920
Speaker 2: Yeah like that girl, yeah Beijing all in her legs

2596
01:50:57,080 --> 01:50:58,080
Speaker 2: that was bugged out.

2597
01:51:00,280 --> 01:51:01,680
Speaker 5: Everyone needs to revisit that.

2598
01:51:01,880 --> 01:51:02,760
Speaker 2: This record.

2599
01:51:04,720 --> 01:51:07,000
Speaker 5: That's making the top ten disc record this era, like

2600
01:51:07,200 --> 01:51:08,080
Speaker 5: she went nuts.

2601
01:51:08,400 --> 01:51:11,120
Speaker 27: I'm excited here and look I got a curveball pause.

2602
01:51:11,600 --> 01:51:15,760
Speaker 27: Angela Simmons aka Angela Renee. She got something that she's

2603
01:51:15,840 --> 01:51:19,400
Speaker 27: doing is not rapping or singing, but it's something very interesting.

2604
01:51:19,560 --> 01:51:21,080
Speaker 27: She could probably tell y'all more. But we got a

2605
01:51:21,120 --> 01:51:22,760
Speaker 27: record with Jada. It's about the drop. I got a

2606
01:51:22,760 --> 01:51:23,760
Speaker 27: partnership with her as well.

2607
01:51:24,600 --> 01:51:24,840
Speaker 2: Love it.

2608
01:51:25,240 --> 01:51:26,640
Speaker 4: Well, look at the shit he just be throwing you,

2609
01:51:26,800 --> 01:51:28,400
Speaker 4: Angela Simmons, Jady got a record with Jada.

2610
01:51:28,400 --> 01:51:30,160
Speaker 2: This is about the drop. Don't worry about this coming soon.

2611
01:51:30,360 --> 01:51:31,639
Speaker 5: How did this connection happen?

2612
01:51:32,200 --> 01:51:35,080
Speaker 2: Man? You know when I was at Atlantic yall.

2613
01:51:35,280 --> 01:51:37,479
Speaker 27: Y'all remember I was working Atlantic and working at the Empire,

2614
01:51:37,520 --> 01:51:39,920
Speaker 27: and like, after I sold a portion of my catalog,

2615
01:51:40,040 --> 01:51:41,560
Speaker 27: I was just like, man, I want to invest in,

2616
01:51:41,680 --> 01:51:44,080
Speaker 27: like really build my own thing because I've had an

2617
01:51:44,120 --> 01:51:47,120
Speaker 27: opportunity to break other artists with my sound and with

2618
01:51:47,280 --> 01:51:49,200
Speaker 27: my vibe. Y'all know, I was doing the flips and

2619
01:51:49,280 --> 01:51:52,120
Speaker 27: everybody kind of came and like got on that type

2620
01:51:52,160 --> 01:51:54,320
Speaker 27: of time. So like right now, the really importance to

2621
01:51:54,439 --> 01:51:56,560
Speaker 27: me as a producer is to break these artists with

2622
01:51:56,800 --> 01:51:59,200
Speaker 27: my own sound, with what we're doing, what we're creating

2623
01:51:59,360 --> 01:52:01,360
Speaker 27: in the studio twenty four to seven, So it's a

2624
01:52:01,400 --> 01:52:01,920
Speaker 27: new journey.

2625
01:52:01,960 --> 01:52:02,840
Speaker 2: I'm excited.

2626
01:52:04,000 --> 01:52:06,880
Speaker 3: Outside of just being a producer on the exec side.

2627
01:52:07,080 --> 01:52:09,760
Speaker 3: While you're making these records, what are you keeping in mind?

2628
01:52:09,800 --> 01:52:12,120
Speaker 3: Because you you've broken a lot of artists, You've revamped

2629
01:52:12,120 --> 01:52:13,519
Speaker 3: a lot of legends careers.

2630
01:52:14,439 --> 01:52:17,280
Speaker 5: What is in your mind when you're actually making these records?

2631
01:52:17,360 --> 01:52:18,120
Speaker 2: What would or do?

2632
01:52:19,000 --> 01:52:19,040
Speaker 8: No?

2633
01:52:21,520 --> 01:52:22,639
Speaker 5: Because I know you lying.

2634
01:52:25,560 --> 01:52:27,880
Speaker 3: Constantly when I play something like you know I love it,

2635
01:52:27,960 --> 01:52:28,719
Speaker 3: but you ain't gonna.

2636
01:52:28,520 --> 01:52:31,519
Speaker 2: Like since we want to talk about bullshit? Why did

2637
01:52:31,680 --> 01:52:34,000
Speaker 2: Rory do that with hit Boy? Oh? Let's talking about

2638
01:52:34,160 --> 01:52:34,920
Speaker 2: why did Rory do that?

2639
01:52:35,520 --> 01:52:39,360
Speaker 5: I'm glad we we we definitely, uh sort of had

2640
01:52:39,400 --> 01:52:40,080
Speaker 5: a reconciliation.

2641
01:52:40,160 --> 01:52:43,040
Speaker 3: I think Clemens put us on for sure. So here's

2642
01:52:43,400 --> 01:52:45,680
Speaker 3: here's the thing which I did apologize.

2643
01:52:45,720 --> 01:52:47,400
Speaker 2: I'm like, Rory's my friend. Why would you do this?

2644
01:52:47,640 --> 01:52:50,000
Speaker 5: Okay, I went about something wrong. I will miss I

2645
01:52:50,040 --> 01:52:51,960
Speaker 5: will always admit when I'm wrong. I can't remember none

2646
01:52:52,000 --> 01:52:52,360
Speaker 5: of this shit.

2647
01:52:52,360 --> 01:52:54,320
Speaker 3: I'll break it down in a very quick way. So

2648
01:52:54,520 --> 01:52:58,160
Speaker 3: I was in with hit Boy in Baisley. Okay, he

2649
01:52:58,320 --> 01:53:02,320
Speaker 3: played me his him at Alchemist's Project and on one

2650
01:53:02,360 --> 01:53:05,479
Speaker 3: of the records he was doing like his control version

2651
01:53:06,240 --> 01:53:09,560
Speaker 3: of producers He's saying everyone's name and certain stuff. He

2652
01:53:09,600 --> 01:53:11,600
Speaker 3: said it was all in good fun. It was not

2653
01:53:11,840 --> 01:53:14,800
Speaker 3: like no b shit. So I called Berg. Thought I

2654
01:53:14,920 --> 01:53:16,479
Speaker 3: was doing the right thing because this is my man's

2655
01:53:16,479 --> 01:53:18,800
Speaker 3: is his family. I was like, yo, hip boy has

2656
01:53:18,840 --> 01:53:21,120
Speaker 3: this joint, like are you cool? And here's the thing.

2657
01:53:21,280 --> 01:53:24,040
Speaker 3: Here's where I fucked up. I left out a part

2658
01:53:24,360 --> 01:53:28,960
Speaker 3: that in my mind didn't matter that much until he

2659
01:53:29,000 --> 01:53:30,639
Speaker 3: broke it down to me and I realized I was wrong.

2660
01:53:31,080 --> 01:53:33,160
Speaker 3: He brought up a certain situation that happened in Burg's

2661
01:53:33,160 --> 01:53:35,880
Speaker 3: past in that in the jab. I can see why

2662
01:53:35,920 --> 01:53:37,880
Speaker 3: Berg was mad that I posted it. I thought it

2663
01:53:37,920 --> 01:53:41,200
Speaker 3: was in good I was like with him, told him

2664
01:53:41,200 --> 01:53:43,720
Speaker 3: what it was. But then when you explained the shit

2665
01:53:43,760 --> 01:53:45,280
Speaker 3: to me later, like though, he's talking about an event

2666
01:53:45,320 --> 01:53:47,360
Speaker 3: that's not funny to me, I was like, you're right,

2667
01:53:47,760 --> 01:53:50,040
Speaker 3: I did fuck up in that regard. I thought it

2668
01:53:50,160 --> 01:53:53,320
Speaker 3: was good fun and didn't take into consideration that specific

2669
01:53:53,400 --> 01:53:53,760
Speaker 3: part of it.

2670
01:53:53,920 --> 01:53:55,879
Speaker 2: So, yeah, I was I was wrong. We love everybody,

2671
01:53:55,960 --> 01:53:56,639
Speaker 2: we love hit boy.

2672
01:53:56,720 --> 01:53:58,519
Speaker 27: He's not on the radio and I'm on the radio

2673
01:53:58,640 --> 01:54:00,519
Speaker 27: twenty four to seven, and that's just what the reality

2674
01:54:00,560 --> 01:54:01,080
Speaker 27: of things is.

2675
01:54:01,560 --> 01:54:04,719
Speaker 2: Sea Burg. Yeah, we just got to a good space.

2676
01:54:05,240 --> 01:54:07,800
Speaker 5: Here was my thing too, Like it was off the

2677
01:54:07,880 --> 01:54:09,680
Speaker 5: the heels of you doing the hot ninety seven shit right,

2678
01:54:09,840 --> 01:54:10,120
Speaker 5: And I.

2679
01:54:10,240 --> 01:54:12,840
Speaker 27: Wasn't saying nothing wrong. I just said, I make radio records.

2680
01:54:12,920 --> 01:54:14,559
Speaker 2: He's a legend. I love him.

2681
01:54:14,600 --> 01:54:14,760
Speaker 12: Boy.

2682
01:54:14,920 --> 01:54:18,040
Speaker 27: We've talked before, We've talked about collabbing all the other stuff.

2683
01:54:18,040 --> 01:54:20,559
Speaker 27: I said, My forte is radio records.

2684
01:54:20,640 --> 01:54:21,200
Speaker 2: That's what I do.

2685
01:54:21,760 --> 01:54:24,639
Speaker 27: Niggas in Paris, he got legendary records. Ain't nobody taking

2686
01:54:24,720 --> 01:54:25,360
Speaker 27: nothing from him.

2687
01:54:25,400 --> 01:54:26,800
Speaker 5: But you over here, he's doing that.

2688
01:54:26,960 --> 01:54:29,640
Speaker 2: And he took it and went and ran left with it.

2689
01:54:29,720 --> 01:54:30,240
Speaker 2: You know what I'm saying.

2690
01:54:30,240 --> 01:54:30,600
Speaker 26: We do that.

2691
01:54:30,680 --> 01:54:32,960
Speaker 4: We do that often, man Like it's all just like

2692
01:54:33,120 --> 01:54:37,280
Speaker 4: we ego. Miscommunication sometimes just happens. And but I mean

2693
01:54:37,640 --> 01:54:40,440
Speaker 4: obviously like y'all are both legends in every aspect of

2694
01:54:40,480 --> 01:54:42,120
Speaker 4: the word hit maker, hit boy.

2695
01:54:42,240 --> 01:54:45,000
Speaker 5: I mean, shit, do my album either one of you niggas, please.

2696
01:54:44,920 --> 01:54:48,120
Speaker 2: No worry, gotta do it. I would love to do

2697
01:54:48,200 --> 01:54:51,120
Speaker 2: my album. Let me just talk. I don't even think

2698
01:54:51,120 --> 01:54:53,080
Speaker 2: he's your friend because he hasn't done your album yet.

2699
01:54:53,920 --> 01:54:57,720
Speaker 2: Like this, given this, nigga, he critical are we talking about?

2700
01:54:57,800 --> 01:54:59,920
Speaker 3: We've done where I'm rapping, I wrap on our pod.

2701
01:55:00,120 --> 01:55:01,960
Speaker 3: Now push a T shirt. I try to get more

2702
01:55:01,960 --> 01:55:03,560
Speaker 3: to wrap all the time, but.

2703
01:55:03,560 --> 01:55:03,920
Speaker 2: I ain't wrap.

2704
01:55:05,960 --> 01:55:08,680
Speaker 27: Let me towards the bed, reaching a soup box mall

2705
01:55:08,760 --> 01:55:10,920
Speaker 27: and pull that Rockefeller chain out and get in the booth.

2706
01:55:11,480 --> 01:55:11,880
Speaker 13: What's up?

2707
01:55:12,120 --> 01:55:15,200
Speaker 5: And like I know some of all's history. He wouldn't

2708
01:55:15,200 --> 01:55:17,160
Speaker 5: be lying in his rhyms like no, definitely.

2709
01:55:17,360 --> 01:55:22,040
Speaker 2: Statute, let me take you all that. Let's talk about

2710
01:55:24,520 --> 01:55:25,280
Speaker 2: my teago bit.

2711
01:55:25,400 --> 01:55:27,280
Speaker 9: Yeah, what we got we can what can we expect

2712
01:55:27,320 --> 01:55:29,839
Speaker 9: to hear something from toy In because the look is immaculate.

2713
01:55:29,880 --> 01:55:30,960
Speaker 2: I'm seeing it. I'm seeing it.

2714
01:55:31,160 --> 01:55:32,520
Speaker 5: But I'm going to hear what you got for us?

2715
01:55:32,600 --> 01:55:32,880
Speaker 9: Thank you?

2716
01:55:33,240 --> 01:55:36,360
Speaker 26: I mean you can look out for my new single, Freak,

2717
01:55:36,520 --> 01:55:40,840
Speaker 26: coming out this month. Yeah, it's really something special. I

2718
01:55:40,920 --> 01:55:43,960
Speaker 26: feel like we figured out we've been in the studio

2719
01:55:44,000 --> 01:55:45,520
Speaker 26: locked in, and we kind of figured out how to

2720
01:55:45,600 --> 01:55:46,960
Speaker 26: kind of fuse.

2721
01:55:46,720 --> 01:55:48,240
Speaker 18: Together R and B and dance hall.

2722
01:55:48,280 --> 01:55:50,000
Speaker 26: You know a little bit of what it does and

2723
01:55:50,560 --> 01:55:52,880
Speaker 26: you know my culture, and I feel like it really

2724
01:55:52,920 --> 01:55:55,880
Speaker 26: hasn't been done this way before and I'm really excited

2725
01:55:55,920 --> 01:55:57,800
Speaker 26: for people to hear it. I feel like there's a

2726
01:55:57,880 --> 01:56:01,080
Speaker 26: whole new lane that we've created. And Yeah, I'm really

2727
01:56:01,120 --> 01:56:02,400
Speaker 26: excited about what you were.

2728
01:56:02,320 --> 01:56:03,640
Speaker 9: Hit, so I know the music is gonna be in

2729
01:56:03,680 --> 01:56:06,440
Speaker 9: proud Yeah, how how do you feel now that that

2730
01:56:06,640 --> 01:56:08,480
Speaker 9: vibes is out and he's free?

2731
01:56:09,040 --> 01:56:10,120
Speaker 5: Is the energy different?

2732
01:56:10,760 --> 01:56:11,760
Speaker 16: I mean, I'm really.

2733
01:56:11,600 --> 01:56:12,520
Speaker 15: Happy that he's out.

2734
01:56:12,880 --> 01:56:15,880
Speaker 26: I actually did a song with him called Ice Queen.

2735
01:56:16,720 --> 01:56:16,880
Speaker 2: Right.

2736
01:56:17,320 --> 01:56:19,440
Speaker 26: It was like he was literally in prison at the

2737
01:56:19,480 --> 01:56:22,400
Speaker 26: time when he did this song. And he's a legend

2738
01:56:22,560 --> 01:56:24,720
Speaker 26: in this and I'm so happy. I'm so happy that

2739
01:56:24,880 --> 01:56:27,400
Speaker 26: you got I mean, the energy of dance hall has

2740
01:56:27,720 --> 01:56:30,080
Speaker 26: really it's been uplifted since he's been out.

2741
01:56:30,200 --> 01:56:31,600
Speaker 13: And happy for him.

2742
01:56:31,840 --> 01:56:35,160
Speaker 2: Yeah, I'll be mad jerk chicken and right if he

2743
01:56:35,240 --> 01:56:35,720
Speaker 2: came home.

2744
01:56:35,960 --> 01:56:39,120
Speaker 26: Yeah, I remember, I'm so I'm so happy that he's out,

2745
01:56:39,280 --> 01:56:41,320
Speaker 26: and I'm hoping to have another another.

2746
01:56:41,160 --> 01:56:43,360
Speaker 6: Song with him I happen.

2747
01:56:43,520 --> 01:56:46,480
Speaker 27: Yeah, the remix of his Freak record and if y'all

2748
01:56:46,520 --> 01:56:49,960
Speaker 27: know me Freak, of course it's one of It's a good,

2749
01:56:50,040 --> 01:56:50,720
Speaker 27: good sample on.

2750
01:56:50,760 --> 01:56:55,080
Speaker 2: There, good old school freak. Yeah. Oh you flipped that, Yeah,

2751
01:56:55,520 --> 01:56:57,920
Speaker 2: but my way you'll see, Okay, that's one of them already.

2752
01:56:57,960 --> 01:56:58,920
Speaker 2: I want to hear that already.

2753
01:56:59,360 --> 01:57:01,680
Speaker 3: Are we getting a Eddie Murphy party all the time?

2754
01:57:01,800 --> 01:57:03,640
Speaker 3: Flipped for the Long Island.

2755
01:57:04,680 --> 01:57:09,960
Speaker 2: Bro, you gotta flip that. That'll be incredible.

2756
01:57:11,640 --> 01:57:13,720
Speaker 5: That he doesn't have joint.

2757
01:57:16,640 --> 01:57:19,680
Speaker 2: James wrote, yeah, he definitely did. Yeah, so you gotta

2758
01:57:19,680 --> 01:57:20,080
Speaker 2: make that head.

2759
01:57:20,080 --> 01:57:22,840
Speaker 5: Listen you went to If anybody gets chopping to make it,

2760
01:57:23,120 --> 01:57:25,000
Speaker 5: make your sound, it's.

2761
01:57:24,920 --> 01:57:28,040
Speaker 2: This man right here, Yo, this gotto incredible.

2762
01:57:28,760 --> 01:57:30,920
Speaker 27: Like these all new partnerships a year, I think I've

2763
01:57:30,960 --> 01:57:33,840
Speaker 27: known both of them in the year Ron has He

2764
01:57:33,960 --> 01:57:36,360
Speaker 27: won a Grammy with Chris Brown on the eleven eleven album.

2765
01:57:36,400 --> 01:57:41,040
Speaker 27: He wrote the record and then man, what else publishing deal, label, deal,

2766
01:57:41,200 --> 01:57:43,440
Speaker 27: Grammy and he wrote three or.

2767
01:57:43,440 --> 01:57:46,120
Speaker 2: Fours right now? Whatever the songwriter with me?

2768
01:57:46,200 --> 01:57:49,360
Speaker 3: Sorry, love boy, Moving Bird found a writer.

2769
01:57:49,640 --> 01:57:52,800
Speaker 9: You're gonna keep the Avengers together, man, Bird gonna always

2770
01:57:52,880 --> 01:57:53,120
Speaker 9: do it.

2771
01:57:53,120 --> 01:57:54,080
Speaker 5: Even when he lose one to.

2772
01:57:58,360 --> 01:58:03,360
Speaker 2: Cut that. I want to talk.

2773
01:58:05,120 --> 01:58:06,000
Speaker 5: Well, thank you guys.

2774
01:58:06,320 --> 01:58:09,120
Speaker 3: I look forward to to new music everything you got

2775
01:58:09,200 --> 01:58:12,560
Speaker 3: going on. I'm happy that we could reconcile. I'm sure

2776
01:58:12,560 --> 01:58:14,640
Speaker 3: if our aunt Clemens Facetim got it there, but I.

2777
01:58:14,680 --> 01:58:17,440
Speaker 2: Feel like I feel good, man. I know what some ship.

2778
01:58:17,440 --> 01:58:18,960
Speaker 2: Whenever Bird called me like, yo, what's something?

2779
01:58:19,080 --> 01:58:19,880
Speaker 16: What's so with Rory?

2780
01:58:19,920 --> 01:58:20,840
Speaker 5: But I'm like, what happened?

2781
01:58:21,400 --> 01:58:22,240
Speaker 2: I know what's going on.

2782
01:58:22,480 --> 01:58:24,000
Speaker 5: Come on, I'm glad that we was able to get

2783
01:58:24,000 --> 01:58:26,560
Speaker 5: everything to a better place. You know, I respect because

2784
01:58:26,600 --> 01:58:27,080
Speaker 5: we're family.

2785
01:58:27,360 --> 01:58:30,040
Speaker 3: We go through ups and downs, and that you sometimes

2786
01:58:30,080 --> 01:58:33,760
Speaker 3: have to respect bars when you're arguing with somebody.

2787
01:58:34,280 --> 01:58:35,800
Speaker 5: After I posted that I was at the airport and

2788
01:58:35,960 --> 01:58:36,840
Speaker 5: him and I got on the phone.

2789
01:58:36,840 --> 01:58:38,440
Speaker 3: I don't know who's text on the phone when he said,

2790
01:58:38,920 --> 01:58:41,480
Speaker 3: oh I see I see that you got the cloud

2791
01:58:41,520 --> 01:58:42,040
Speaker 3: you could use.

2792
01:58:47,440 --> 01:58:48,360
Speaker 2: You gotta talk, bro.

2793
01:58:49,440 --> 01:58:51,600
Speaker 27: We've known each other for so long since I had

2794
01:58:51,640 --> 01:58:54,200
Speaker 27: a skinny thing Shaine and I was playing all my

2795
01:58:54,360 --> 01:58:55,720
Speaker 27: jail mind tied dot insign.

2796
01:58:56,920 --> 01:58:57,040
Speaker 9: Bro.

2797
01:58:58,040 --> 01:59:00,240
Speaker 2: We did escape the room together, and you with this

2798
01:59:00,360 --> 01:59:01,720
Speaker 2: nigga escaping his wrong.

2799
01:59:03,920 --> 01:59:10,520
Speaker 3: BT Awards twenty twenty four, Man, I apologize, Man, my god.

2800
01:59:11,920 --> 01:59:15,160
Speaker 4: All right, Bro, we're back BT Awards twenty twenty five.

2801
01:59:15,960 --> 01:59:20,200
Speaker 4: And listen, we are sitting here with Fight Royalty facts.

2802
01:59:20,280 --> 01:59:23,880
Speaker 4: This is the undisputed women's heavyweight champion role. This is

2803
01:59:23,960 --> 01:59:27,480
Speaker 4: no games being played here at all. Everybody getting they asked,

2804
01:59:28,200 --> 01:59:29,960
Speaker 4: July twenty sixth, Yeah.

2805
01:59:30,160 --> 01:59:32,240
Speaker 5: Everybody that shows up to the fighting man.

2806
01:59:33,920 --> 01:59:34,280
Speaker 2: Around.

2807
01:59:34,840 --> 01:59:38,480
Speaker 4: We are with Cloressa Shills, Flint, Michigan. How are you

2808
01:59:38,560 --> 01:59:41,360
Speaker 4: feeling so good to meet you. Big fan, big fight fan,

2809
01:59:41,440 --> 01:59:42,840
Speaker 4: but I'm a big fan of yours as well.

2810
01:59:43,200 --> 01:59:45,840
Speaker 16: Thank you so much. I feel really good.

2811
01:59:45,880 --> 01:59:47,360
Speaker 21: You know, I'm here because I'm I'm mad at for

2812
01:59:47,400 --> 01:59:49,520
Speaker 21: the Sportsman of the Year for the BT Wars.

2813
01:59:50,080 --> 01:59:51,000
Speaker 16: It's my first time.

2814
01:59:51,280 --> 01:59:53,960
Speaker 2: Yes, I want every other I feel like I feel

2815
01:59:53,960 --> 01:59:54,240
Speaker 2: like the war.

2816
01:59:55,440 --> 01:59:58,720
Speaker 21: I feel something about I really, I really have no idea.

2817
01:59:58,800 --> 02:00:02,840
Speaker 21: It's so many great women who are nominated. Yeah, but hey,

2818
02:00:03,000 --> 02:00:04,920
Speaker 21: I guess we have to wait, you see, for tomorrow.

2819
02:00:05,000 --> 02:00:07,520
Speaker 21: But I'm really just happy just to be here now too.

2820
02:00:07,800 --> 02:00:08,360
Speaker 2: Some time off.

2821
02:00:08,400 --> 02:00:10,920
Speaker 4: I'm guessing from your from your training schedule to be

2822
02:00:11,040 --> 02:00:13,520
Speaker 4: here at the BET Awards somewhat.

2823
02:00:13,560 --> 02:00:16,840
Speaker 15: I worked out this morning, Okay, I'll leave.

2824
02:00:16,680 --> 02:00:20,480
Speaker 5: Here, Okay, Oh two days, yeah, shorty, don't stand a chance.

2825
02:00:20,560 --> 02:00:24,080
Speaker 9: Jul twenty sixth, Clarista working out, coming to the media room,

2826
02:00:24,320 --> 02:00:25,680
Speaker 9: and then going back to work out.

2827
02:00:25,960 --> 02:00:26,160
Speaker 1: Yeah.

2828
02:00:27,840 --> 02:00:29,440
Speaker 3: We were talking to a lot of artists in the

2829
02:00:29,520 --> 02:00:31,440
Speaker 3: media room today about how important it is to not

2830
02:00:31,520 --> 02:00:33,480
Speaker 3: only be an artist, but you also have to know

2831
02:00:33,560 --> 02:00:36,040
Speaker 3: how to promote your music. Is it the same way

2832
02:00:36,120 --> 02:00:37,920
Speaker 3: in the fight world of not only do you have

2833
02:00:37,960 --> 02:00:40,040
Speaker 3: to be an amazing athlete, you have to be an

2834
02:00:40,040 --> 02:00:43,040
Speaker 3: amazing promoter. Is that something that's on the top of

2835
02:00:43,080 --> 02:00:44,640
Speaker 3: your mind as much as working out is.

2836
02:00:45,440 --> 02:00:47,280
Speaker 21: It's not my mind as much as working out is,

2837
02:00:47,360 --> 02:00:49,280
Speaker 21: but I know that it's very important. And I think

2838
02:00:49,400 --> 02:00:51,400
Speaker 21: that it's not just about promoting the fight, but promoting

2839
02:00:51,440 --> 02:00:54,000
Speaker 21: your brand. So my brand is greatest woman of all

2840
02:00:54,120 --> 02:00:56,960
Speaker 21: time to quote, right, And so with that, it's like,

2841
02:00:57,160 --> 02:00:58,840
Speaker 21: I have to give you the quote of everything.

2842
02:00:58,880 --> 02:00:59,640
Speaker 15: I have to come here.

2843
02:00:59,720 --> 02:01:02,400
Speaker 21: I have to look really good, Like this morning, I

2844
02:01:02,520 --> 02:01:05,480
Speaker 21: had on a beater, I had on some shorts, I

2845
02:01:05,680 --> 02:01:08,680
Speaker 21: was running, I'm sweaty, I had my braiding, and then

2846
02:01:08,760 --> 02:01:09,600
Speaker 21: I show up here.

2847
02:01:09,560 --> 02:01:11,200
Speaker 15: And I'm looking like a model type stuff.

2848
02:01:11,240 --> 02:01:13,320
Speaker 16: So you have to know how to balance it out.

2849
02:01:13,360 --> 02:01:14,640
Speaker 16: But for me, it's like.

2850
02:01:16,280 --> 02:01:18,280
Speaker 21: I have to promote all that, you know what I'm saying.

2851
02:01:18,320 --> 02:01:21,480
Speaker 21: So I'm promoting the fight, I'm promoting myself. I'm promoting

2852
02:01:21,560 --> 02:01:26,640
Speaker 21: my brand. And your brand will outlive your career anyway.

2853
02:01:27,040 --> 02:01:28,120
Speaker 21: That's just the truth about it.

2854
02:01:28,240 --> 02:01:30,840
Speaker 4: Yeah, what is some of the things Coloristian Shields is

2855
02:01:30,960 --> 02:01:34,160
Speaker 4: doing away from the fight game, Like, obviously you've dominated

2856
02:01:34,200 --> 02:01:36,440
Speaker 4: women's boxing. We all know the legend that you are

2857
02:01:36,480 --> 02:01:37,840
Speaker 4: on that field, but What are some of the things

2858
02:01:37,840 --> 02:01:39,920
Speaker 4: that Closes Shield is doing that most people have no

2859
02:01:40,080 --> 02:01:40,680
Speaker 4: idea about.

2860
02:01:41,840 --> 02:01:43,600
Speaker 21: I think that they have no idea that I have

2861
02:01:43,760 --> 02:01:46,160
Speaker 21: one hundred and seventy five thousand subscribers on YouTube.

2862
02:01:46,320 --> 02:01:48,839
Speaker 16: They have no idea. But I make money off YouTube.

2863
02:01:48,920 --> 02:01:49,480
Speaker 2: I'm streaming.

2864
02:01:52,200 --> 02:01:53,520
Speaker 5: I pray a lot, Okay.

2865
02:01:54,000 --> 02:01:55,280
Speaker 15: I love karaoke.

2866
02:01:55,520 --> 02:01:58,760
Speaker 3: Okay, And first of all, what's your go to karaoke?

2867
02:01:59,080 --> 02:02:01,520
Speaker 3: To carry Return of the Back and Last Train to

2868
02:02:01,520 --> 02:02:04,560
Speaker 3: Georgia is my those are my two go to night?

2869
02:02:04,680 --> 02:02:06,440
Speaker 13: Yes, Jesus Christ, I.

2870
02:02:08,040 --> 02:02:08,640
Speaker 16: Didn't expect that.

2871
02:02:08,920 --> 02:02:11,240
Speaker 2: I'm sorry. Training Georgia, Yeah, that's my.

2872
02:02:11,280 --> 02:02:12,600
Speaker 5: Go to what's your go to karaoke?

2873
02:02:12,920 --> 02:02:13,160
Speaker 15: Listen?

2874
02:02:13,280 --> 02:02:15,240
Speaker 16: Tina Turner, what's love got to do with it?

2875
02:02:15,360 --> 02:02:15,640
Speaker 5: Okay?

2876
02:02:16,040 --> 02:02:19,320
Speaker 16: Hey listening? As soon as you get to the karaoke spot,

2877
02:02:19,320 --> 02:02:20,800
Speaker 16: I'm like, hey, you know what?

2878
02:02:21,880 --> 02:02:24,160
Speaker 5: You know who just entered the spot?

2879
02:02:24,320 --> 02:02:24,440
Speaker 11: Right?

2880
02:02:24,520 --> 02:02:26,520
Speaker 5: So we have to BT Awards twenty twenty five.

2881
02:02:27,200 --> 02:02:27,960
Speaker 2: Growing up in Flint.

2882
02:02:28,000 --> 02:02:30,280
Speaker 5: What was some of the shows that Clarissa was watching

2883
02:02:30,320 --> 02:02:30,760
Speaker 5: on BT?

2884
02:02:31,320 --> 02:02:31,440
Speaker 11: Oh?

2885
02:02:31,520 --> 02:02:33,840
Speaker 16: My god, I grew up watching one O six in Park.

2886
02:02:33,880 --> 02:02:37,440
Speaker 4: Okay, mister one O six by While Jermain I Pree

2887
02:02:37,520 --> 02:02:39,920
Speaker 4: will be performing at the BT, Yeah.

2888
02:02:39,960 --> 02:02:40,560
Speaker 15: That's what's up.

2889
02:02:42,160 --> 02:02:45,960
Speaker 21: I watched the BT Awards. Yeah, I'm freaking watched Nickelodeon.

2890
02:02:48,520 --> 02:02:50,920
Speaker 21: I watched a lot of stuff on BT. I can't

2891
02:02:50,920 --> 02:02:53,280
Speaker 21: even It's so many things that don't really exist.

2892
02:02:53,360 --> 02:02:57,080
Speaker 5: No work with the rapt City's gone, I mean the

2893
02:02:57,440 --> 02:02:58,200
Speaker 5: one on six revent.

2894
02:02:58,320 --> 02:03:00,480
Speaker 21: It was so much stuff that I watched from But

2895
02:03:00,600 --> 02:03:04,680
Speaker 21: definitely I remember, like all the award shows, the Grammys,

2896
02:03:05,280 --> 02:03:06,960
Speaker 21: you know what I'm saying, Like I watched all.

2897
02:03:06,920 --> 02:03:07,720
Speaker 15: That stuff growing up.

2898
02:03:08,320 --> 02:03:10,840
Speaker 3: Can you speak to the state of Michigan and what

2899
02:03:10,960 --> 02:03:12,400
Speaker 3: it means to professional boxing?

2900
02:03:12,960 --> 02:03:15,240
Speaker 5: Yeah, because it's Michigan is known.

2901
02:03:15,480 --> 02:03:19,200
Speaker 16: Yeah, for the Michigan is a fight you know.

2902
02:03:19,360 --> 02:03:21,800
Speaker 21: And I have said that Flint is shaped like a glove,

2903
02:03:22,080 --> 02:03:24,680
Speaker 21: so it's definitely shaped like Flint.

2904
02:03:24,800 --> 02:03:26,400
Speaker 16: Is definitely a fight town.

2905
02:03:28,720 --> 02:03:31,720
Speaker 21: I think that it takes the right fighters to bring

2906
02:03:32,000 --> 02:03:34,480
Speaker 21: fight fans together inside of Michigan.

2907
02:03:34,600 --> 02:03:37,400
Speaker 15: So before me, it was Tommy Hearns. I think Tony

2908
02:03:37,440 --> 02:03:38,200
Speaker 15: Harrison had.

2909
02:03:38,080 --> 02:03:42,360
Speaker 21: Some things he was doing, you know, Joe Lewis is

2910
02:03:42,400 --> 02:03:45,200
Speaker 21: from there, Segret Robinson, he had some great fighters.

2911
02:03:45,240 --> 02:03:47,360
Speaker 15: But I'm the first female from Detroit to actually.

2912
02:03:47,120 --> 02:03:51,480
Speaker 21: Bring the eyes that I've brought absolutely, and I mean well,

2913
02:03:51,480 --> 02:03:53,080
Speaker 21: I'm from Flynn, but to bring it to Detroit, and

2914
02:03:53,120 --> 02:03:54,920
Speaker 21: I feel like it's just a huge fight town. If

2915
02:03:54,960 --> 02:03:57,480
Speaker 21: I fight in Flint, Detroit, or any of the surrounding areas,

2916
02:03:57,880 --> 02:04:02,080
Speaker 21: the fight go crazy, you know. So it's definitely a

2917
02:04:02,160 --> 02:04:03,880
Speaker 21: fight town. And we have some of the best fighters

2918
02:04:03,920 --> 02:04:05,360
Speaker 21: in the world that come out of Michigan.

2919
02:04:05,520 --> 02:04:07,760
Speaker 5: So July twenty six, you all fighting in Detroit.

2920
02:04:08,040 --> 02:04:11,839
Speaker 15: Yeah, at Lucy's Arena nine crag Rick Ross.

2921
02:04:11,680 --> 02:04:14,480
Speaker 5: Is walking me out, I know, I know it's gonna

2922
02:04:14,480 --> 02:04:14,920
Speaker 5: be sold out.

2923
02:04:15,000 --> 02:04:16,680
Speaker 3: Is it gonna be an original record or is he

2924
02:04:16,800 --> 02:04:19,440
Speaker 3: doing one of the regular Ross records?

2925
02:04:19,720 --> 02:04:21,520
Speaker 5: Is he something scratch on the walk out? Is he

2926
02:04:21,520 --> 02:04:22,080
Speaker 5: gonna be rapping?

2927
02:04:22,840 --> 02:04:23,040
Speaker 2: Yeah?

2928
02:04:23,080 --> 02:04:23,960
Speaker 16: What do you mean from scratch?

2929
02:04:24,440 --> 02:04:25,120
Speaker 5: Is it a new song?

2930
02:04:25,400 --> 02:04:27,800
Speaker 21: No, it's not a new song. No, no, No, It's

2931
02:04:27,840 --> 02:04:29,880
Speaker 21: gonna be a few different ones. I'm gonna mix him

2932
02:04:29,920 --> 02:04:31,280
Speaker 21: up up in the collago.

2933
02:04:31,480 --> 02:04:31,800
Speaker 2: I love that.

2934
02:04:32,320 --> 02:04:34,000
Speaker 21: I don't even know which song because it takes a

2935
02:04:34,040 --> 02:04:35,640
Speaker 21: certain song to get me ready for a fight.

2936
02:04:36,480 --> 02:04:40,080
Speaker 3: Listen, I know, I mean with with the Detroit BMF connection, like,

2937
02:04:40,800 --> 02:04:43,240
Speaker 3: I feel like I feel like has to be the one.

2938
02:04:43,280 --> 02:04:44,080
Speaker 16: Are you very smart?

2939
02:04:44,080 --> 02:04:45,960
Speaker 2: You gotta do that right?

2940
02:04:45,960 --> 02:04:47,560
Speaker 3: A low Caesars, like you have to do. You got

2941
02:04:47,640 --> 02:04:49,080
Speaker 3: to at least start with BMF. But I love the

2942
02:04:49,120 --> 02:04:50,720
Speaker 3: idea of doing a metal leave a bunch of different

2943
02:04:50,800 --> 02:04:51,280
Speaker 3: ross records.

2944
02:04:51,400 --> 02:04:56,120
Speaker 4: Yeah yeah, so so fighting at home in Detroit. Obviously,

2945
02:04:56,160 --> 02:04:59,000
Speaker 4: everybody's anticipating what you're gonna do. July twenty sixth. We

2946
02:04:59,120 --> 02:05:02,840
Speaker 4: all have you winning by knockout? Yeah, how are you

2947
02:05:02,920 --> 02:05:05,200
Speaker 4: preparing yourself mentally just to go out there in front

2948
02:05:05,200 --> 02:05:07,600
Speaker 4: of the hometown and perform and put on the show.

2949
02:05:08,200 --> 02:05:10,920
Speaker 15: Honestly, I just trained my heart, like I work out

2950
02:05:11,040 --> 02:05:11,680
Speaker 15: very very hard.

2951
02:05:12,400 --> 02:05:14,280
Speaker 16: I like to be focused. I block out a whole

2952
02:05:14,320 --> 02:05:14,840
Speaker 16: lot of noise.

2953
02:05:14,920 --> 02:05:18,080
Speaker 21: Like it may look like I entertain noise, But honestly,

2954
02:05:18,800 --> 02:05:21,320
Speaker 21: if I do something for a second on social media,

2955
02:05:21,400 --> 02:05:23,760
Speaker 21: like once I cut it off, I don't really think

2956
02:05:23,800 --> 02:05:25,480
Speaker 21: about it no more Like I'm not sitting on social

2957
02:05:25,520 --> 02:05:29,680
Speaker 21: media for hours going back and forth with people reading

2958
02:05:29,760 --> 02:05:32,600
Speaker 21: the comments, like I really just own it.

2959
02:05:32,720 --> 02:05:34,480
Speaker 16: If I see something, I'm like whoa whoop, and then

2960
02:05:34,520 --> 02:05:34,960
Speaker 16: I get off.

2961
02:05:35,040 --> 02:05:35,600
Speaker 2: You know what I'm saying.

2962
02:05:35,680 --> 02:05:38,960
Speaker 21: But I'm leaning more of leaning more towards the positive

2963
02:05:39,040 --> 02:05:41,200
Speaker 21: side and just outside of the ring, and I'm working.

2964
02:05:41,240 --> 02:05:42,920
Speaker 21: I'm working on so many different things like I am

2965
02:05:43,040 --> 02:05:45,320
Speaker 21: so close to getting that twenty million and thirty million

2966
02:05:45,360 --> 02:05:49,400
Speaker 21: dollar deal, you know, endorsement that I really can't give

2967
02:05:49,520 --> 02:05:51,600
Speaker 21: my energy to a bad thing like I give like

2968
02:05:51,720 --> 02:05:54,320
Speaker 21: the good things and to my fighting, you know, and

2969
02:05:54,440 --> 02:05:57,600
Speaker 21: knowing that everybody up in Detroit and Flint and in

2970
02:05:57,720 --> 02:06:00,200
Speaker 21: Michigan and just around the world who support me. It's

2971
02:06:00,240 --> 02:06:02,600
Speaker 21: looking forward to me fight. I want to perform like

2972
02:06:02,680 --> 02:06:04,240
Speaker 21: it's okay, okay.

2973
02:06:04,160 --> 02:06:05,120
Speaker 15: I fight like a guy.

2974
02:06:05,360 --> 02:06:08,520
Speaker 2: Sure, I take it. Yeah, but it's like.

2975
02:06:10,040 --> 02:06:11,720
Speaker 5: That takes work absolutely.

2976
02:06:12,040 --> 02:06:14,400
Speaker 21: You know, anybody can get beat, So for me, it's

2977
02:06:14,480 --> 02:06:16,400
Speaker 21: like I don't ever want to get beat. I want

2978
02:06:16,400 --> 02:06:19,160
Speaker 21: to beat everybody. And to knock these girls out takes

2979
02:06:19,200 --> 02:06:22,200
Speaker 21: a lot because they come in they don't really have

2980
02:06:22,400 --> 02:06:24,120
Speaker 21: what I have, so they want to take what I have.

2981
02:06:24,280 --> 02:06:25,920
Speaker 21: So I just kind of put my energy toward that

2982
02:06:26,760 --> 02:06:29,040
Speaker 21: and making sure that I'm mentally well because it's hard

2983
02:06:29,280 --> 02:06:30,960
Speaker 21: to be mentally well in the world that we live in.

2984
02:06:31,760 --> 02:06:33,839
Speaker 13: So I fought with depression before.

2985
02:06:33,720 --> 02:06:36,760
Speaker 21: And anxiety and all that stuff. So I've been able

2986
02:06:36,800 --> 02:06:39,440
Speaker 21: to conquer those things. But you can't conquer it if you're.

2987
02:06:39,320 --> 02:06:40,520
Speaker 13: Focused on negativity.

2988
02:06:40,760 --> 02:06:43,080
Speaker 21: You have to focus on our positive things and countra

2989
02:06:43,200 --> 02:06:45,000
Speaker 21: blessings like I have a lot to be happy about,

2990
02:06:45,040 --> 02:06:47,200
Speaker 21: more than I have to be to be upset about.

2991
02:06:47,480 --> 02:06:49,080
Speaker 4: Now, what are you doing as far as like for

2992
02:06:49,200 --> 02:06:50,680
Speaker 4: the young girls that want to come up in the

2993
02:06:50,720 --> 02:06:52,760
Speaker 4: fight game, Like are you mentioning any girls? Do you

2994
02:06:52,880 --> 02:06:55,280
Speaker 4: do work like directly one on one? You have any

2995
02:06:55,400 --> 02:06:58,280
Speaker 4: organizations directed towards young girls and fight?

2996
02:06:58,960 --> 02:06:59,960
Speaker 15: So my father want to see.

2997
02:07:00,040 --> 02:07:03,120
Speaker 21: Three is Shields Community Irish Corporation and I trained over

2998
02:07:03,240 --> 02:07:05,200
Speaker 21: two thousand and three thousand kids in Flynt, Michigan.

2999
02:07:05,600 --> 02:07:08,240
Speaker 15: And I use that corporation to do like big Christmas.

3000
02:07:07,960 --> 02:07:12,640
Speaker 21: Giveaways, Thanksgiving giving ways, hats and coach giveaways, Easter giveaways,

3001
02:07:12,720 --> 02:07:17,080
Speaker 21: Easter egg hunt bikes I wasn't able to do. I've

3002
02:07:17,160 --> 02:07:18,960
Speaker 21: kind of been on palls for this year because I'm

3003
02:07:19,000 --> 02:07:21,240
Speaker 21: getting everything that I need to get in my life together.

3004
02:07:21,760 --> 02:07:24,040
Speaker 21: But as far as in every year before now, I

3005
02:07:24,160 --> 02:07:27,920
Speaker 21: have done that every year and that's more of what

3006
02:07:28,000 --> 02:07:29,600
Speaker 21: I do. So I am going to get back more

3007
02:07:29,600 --> 02:07:33,160
Speaker 21: into training kids. And I don't just train girls. I

3008
02:07:33,600 --> 02:07:36,600
Speaker 21: train the boys too. So my little niece, she's five

3009
02:07:36,680 --> 02:07:39,880
Speaker 21: years old, she boxes. My nephew, Bradford is eleven. He

3010
02:07:40,000 --> 02:07:42,320
Speaker 21: boxes my little nephew Gemini.

3011
02:07:42,440 --> 02:07:42,840
Speaker 16: He's eight.

3012
02:07:43,400 --> 02:07:45,320
Speaker 15: He not to fight too, but he won't do gymnastics,

3013
02:07:45,400 --> 02:07:48,960
Speaker 15: so whatever, that's a combo.

3014
02:07:49,400 --> 02:07:51,720
Speaker 5: So I could do gymnastics. It's the most dangerous.

3015
02:07:53,440 --> 02:07:55,480
Speaker 15: He talked about he taught himself how to do a backflip.

3016
02:07:55,560 --> 02:07:58,560
Speaker 21: So this dude is pretty special, you know, and how

3017
02:07:58,600 --> 02:08:00,800
Speaker 21: to ride a bike Gymni is very very special.

3018
02:08:02,520 --> 02:08:02,720
Speaker 2: Yeah.

3019
02:08:02,840 --> 02:08:03,840
Speaker 16: I like training kids.

3020
02:08:03,920 --> 02:08:05,800
Speaker 15: So I was training kids from the ages of.

3021
02:08:05,800 --> 02:08:06,680
Speaker 16: Eight till sixteen.

3022
02:08:07,640 --> 02:08:08,240
Speaker 2: That's amazing.

3023
02:08:08,600 --> 02:08:10,960
Speaker 3: Before we let you go, I have mixed feelings on

3024
02:08:11,080 --> 02:08:15,680
Speaker 3: the YouTube celebrity boxing thing, the exhibition fights.

3025
02:08:16,640 --> 02:08:18,200
Speaker 5: How do you feel about that entire thing?

3026
02:08:18,320 --> 02:08:20,040
Speaker 3: I think it does bring a lot of money and

3027
02:08:20,240 --> 02:08:23,640
Speaker 3: attention to boxing in a time when it's been odd

3028
02:08:23,720 --> 02:08:25,080
Speaker 3: of what's being promoted and what's not.

3029
02:08:25,400 --> 02:08:28,320
Speaker 5: So I think it does some good. But it's also

3030
02:08:29,120 --> 02:08:30,240
Speaker 5: amateur fighters.

3031
02:08:29,960 --> 02:08:32,800
Speaker 3: That are probably getting more money than professional fighters at

3032
02:08:32,840 --> 02:08:34,560
Speaker 3: the current moment. How have you felt about that? And

3033
02:08:34,680 --> 02:08:38,360
Speaker 3: my last follow up question, Jake Paul round one, you

3034
02:08:38,400 --> 02:08:39,200
Speaker 3: think you knock them out?

3035
02:08:39,960 --> 02:08:43,800
Speaker 21: Okay, so you say first your first question, Listen, it

3036
02:08:43,920 --> 02:08:48,280
Speaker 21: is boxer's job to build their brands. Yeah, and that's

3037
02:08:48,320 --> 02:08:50,160
Speaker 21: something that I actually learned from Jake Paul, like, I

3038
02:08:50,200 --> 02:08:52,400
Speaker 21: didn't learn about their brand. But I'm like, at to

3039
02:08:52,400 --> 02:08:54,480
Speaker 21: ask myself, how did the dude come out of YouTube

3040
02:08:54,720 --> 02:08:56,240
Speaker 21: and start boxing and make all this money?

3041
02:08:56,320 --> 02:08:57,200
Speaker 5: Incredible businessman.

3042
02:08:57,560 --> 02:08:58,960
Speaker 15: I got seventeen year old titles.

3043
02:08:59,120 --> 02:09:01,640
Speaker 16: I won the Olympics not once, but twice twice.

3044
02:09:02,080 --> 02:09:05,480
Speaker 21: I got seventeen year old titles, five different divisions undisputed

3045
02:09:05,600 --> 02:09:06,320
Speaker 21: four different times.

3046
02:09:06,360 --> 02:09:09,360
Speaker 15: So I'm like, how is he making millions of dollars

3047
02:09:09,440 --> 02:09:10,600
Speaker 15: and I'm making only a meal?

3048
02:09:10,720 --> 02:09:11,840
Speaker 16: So I had to see.

3049
02:09:12,240 --> 02:09:14,760
Speaker 21: You know, I'm I'm very very smart, and I'm and

3050
02:09:14,880 --> 02:09:18,040
Speaker 21: I'm a and I'm an observer, so I'm observing. I'm like, yo,

3051
02:09:18,600 --> 02:09:21,520
Speaker 21: he built his brand off of YouTube with one million subscribers,

3052
02:09:21,960 --> 02:09:23,800
Speaker 21: and then he just came to boxing and said, hey,

3053
02:09:23,880 --> 02:09:26,640
Speaker 21: all all my fans from YouTube, comes support me in

3054
02:09:26,680 --> 02:09:28,880
Speaker 21: boxing because boxing is all about putting asses.

3055
02:09:28,600 --> 02:09:30,040
Speaker 16: And cease to be honest with you, how to make

3056
02:09:30,080 --> 02:09:33,520
Speaker 16: our money. So to see that he did that and he's.

3057
02:09:33,400 --> 02:09:35,560
Speaker 21: Really good at promo, and I said, that's all I'm missing.

3058
02:09:36,080 --> 02:09:38,120
Speaker 21: So I added that to my joint. And that's why

3059
02:09:38,120 --> 02:09:40,520
Speaker 21: you see me now with the one point four million followers,

3060
02:09:42,200 --> 02:09:43,440
Speaker 21: I don't be trying to get in the beef on

3061
02:09:43,520 --> 02:09:44,080
Speaker 21: social media.

3062
02:09:44,120 --> 02:09:45,920
Speaker 15: Behave it comes, it is what it is.

3063
02:09:48,480 --> 02:09:50,400
Speaker 5: Boxing promo is yeah, beef.

3064
02:09:51,120 --> 02:09:53,600
Speaker 21: Listen, all press is good press. What they say is

3065
02:09:53,720 --> 02:09:56,920
Speaker 21: how you spent it, and you know so that's just

3066
02:09:57,000 --> 02:09:58,760
Speaker 21: what I've learned. So I don't think it's a bad thing.

3067
02:09:58,880 --> 02:10:00,840
Speaker 21: I think that he's teaching boxing. The bill Drop brand

3068
02:10:00,960 --> 02:10:03,480
Speaker 21: is very important. Some people don't want to build their brand.

3069
02:10:03,520 --> 02:10:06,360
Speaker 21: They like they just want to fight me. I want

3070
02:10:06,400 --> 02:10:07,800
Speaker 21: to fight, I want to win. I want to have

3071
02:10:07,920 --> 02:10:10,800
Speaker 21: my brand, and I won't make men outside the ring.

3072
02:10:11,160 --> 02:10:14,880
Speaker 3: Also, yeah, I mean the Paul brothers, even when we

3073
02:10:14,960 --> 02:10:17,440
Speaker 3: give them flack, I do appreciate that they have taken

3074
02:10:17,600 --> 02:10:19,880
Speaker 3: like the sports seriously. Like I think they're both great

3075
02:10:20,000 --> 02:10:21,680
Speaker 3: amateur fighters, but they're great fighters.

3076
02:10:21,760 --> 02:10:25,240
Speaker 15: Listen. I don't have nothing against Jake Paul, but he's

3077
02:10:25,280 --> 02:10:25,880
Speaker 15: smoking dope.

3078
02:10:25,880 --> 02:10:28,320
Speaker 16: If you think you be me in a fight, that

3079
02:10:28,600 --> 02:10:29,240
Speaker 16: it is what it is.

3080
02:10:30,360 --> 02:10:32,680
Speaker 3: I don't take it all this last around, and I

3081
02:10:32,720 --> 02:10:35,520
Speaker 3: don't think you ever doing one of those uh invisible

3082
02:10:35,600 --> 02:10:37,680
Speaker 3: contracts where we decide it's gonna go eight.

3083
02:10:39,040 --> 02:10:41,680
Speaker 5: If he if he first of all, no knockout.

3084
02:10:42,160 --> 02:10:43,840
Speaker 21: First of all, Pat Poots will never allow me to

3085
02:10:43,840 --> 02:10:46,080
Speaker 21: get inside the ring. With the man to actually fight them.

3086
02:10:46,440 --> 02:10:49,600
Speaker 3: Have Pat beating Jake bowl in the first round. Bruh,

3087
02:10:49,840 --> 02:10:51,160
Speaker 3: I'm telling you I've seen.

3088
02:10:51,040 --> 02:10:52,800
Speaker 2: That anyway, got.

3089
02:10:55,120 --> 02:10:56,560
Speaker 16: Like he got he got, he got one like me,

3090
02:10:57,840 --> 02:10:58,879
Speaker 16: he criticize.

3091
02:10:59,520 --> 02:11:02,920
Speaker 4: Listen, I'm there for the Jake plorician shields, just just

3092
02:11:03,000 --> 02:11:04,760
Speaker 4: a face off. I don't really see y'all getting ring,

3093
02:11:04,840 --> 02:11:06,320
Speaker 4: but I would love to see y'all just go back.

3094
02:11:06,680 --> 02:11:08,480
Speaker 16: He gottaspire me a some wing.

3095
02:11:10,640 --> 02:11:12,360
Speaker 21: Talk like you can't really do something with the quoat

3096
02:11:12,400 --> 02:11:14,960
Speaker 21: and it's like, listen, my man, Yeah, where you got

3097
02:11:15,000 --> 02:11:15,360
Speaker 21: that from?

3098
02:11:15,880 --> 02:11:17,720
Speaker 16: But something ain't clicking, like one and two.

3099
02:11:17,800 --> 02:11:21,280
Speaker 21: He's skipping the number like like one, like one five,

3100
02:11:22,320 --> 02:11:23,320
Speaker 21: like it's one two.

3101
02:11:23,280 --> 02:11:25,640
Speaker 9: Three money right right right, Well, I'm gonna ahead of

3102
02:11:25,800 --> 02:11:27,240
Speaker 9: congratulations on the BT win.

3103
02:11:27,360 --> 02:11:29,240
Speaker 4: I think it's yours. I think you haven't wrapped up,

3104
02:11:29,600 --> 02:11:33,080
Speaker 4: so I'm ahead. I'm gonna go ahead congratulations one.

3105
02:11:33,400 --> 02:11:35,520
Speaker 21: So listen, I would be like the most shocked ever

3106
02:11:35,960 --> 02:11:37,760
Speaker 21: if I win. I think you got it tomorrow for

3107
02:11:37,800 --> 02:11:39,440
Speaker 21: the sports money year, I swear of got. I would

3108
02:11:39,440 --> 02:11:46,320
Speaker 21: probably I wouldn't know what together like what Yeah, I'd

3109
02:11:46,360 --> 02:11:49,040
Speaker 21: be very speechiless, but I know that I'm deserving and

3110
02:11:49,360 --> 02:11:50,880
Speaker 21: all the girls who are all the great women that's

3111
02:11:50,880 --> 02:11:53,640
Speaker 21: not made it. I know I am the most I'm

3112
02:11:53,680 --> 02:11:56,200
Speaker 21: the most successful and the most achieved, so I would

3113
02:11:56,240 --> 02:11:57,440
Speaker 21: love to see that.

3114
02:11:57,600 --> 02:11:59,040
Speaker 4: I think it's yours. I think I think, I think

3115
02:11:59,080 --> 02:12:01,120
Speaker 4: you got to wrap up twenty six. We will be

3116
02:12:01,240 --> 02:12:04,040
Speaker 4: tuned in Racey. You do what you do Detroit Little

3117
02:12:04,080 --> 02:12:06,880
Speaker 4: Caesars Arena, and it's a pleasure meeting you and good

3118
02:12:06,960 --> 02:12:07,800
Speaker 4: luck the rest of the way.

3119
02:12:08,480 --> 02:12:10,280
Speaker 2: Shells BT Awards twenty twenty five.

3120
02:12:12,560 --> 02:12:14,160
Speaker 5: BT Awards twenty twenty five.

3121
02:12:14,280 --> 02:12:17,240
Speaker 9: Rory, we are back, Yes, and we are sitting with

3122
02:12:17,360 --> 02:12:21,200
Speaker 9: someone who they probably thought we would sit down and chopping.

3123
02:12:21,000 --> 02:12:24,000
Speaker 2: With us something. This would have been a very but

3124
02:12:24,120 --> 02:12:24,520
Speaker 2: they don't know.

3125
02:12:24,560 --> 02:12:29,200
Speaker 5: It's interaction and yeah everything okay rap. This is rappers,

3126
02:12:29,280 --> 02:12:31,080
Speaker 5: all loves, old love and hip hop. We are with

3127
02:12:31,280 --> 02:12:31,720
Speaker 5: Ray Vaughan.

3128
02:12:31,720 --> 02:12:34,920
Speaker 2: How you feeling, brother like TD and his vis Listen, man, listen.

3129
02:12:35,360 --> 02:12:37,000
Speaker 2: I think that me and you would ever sit down

3130
02:12:37,000 --> 02:12:37,400
Speaker 2: at shop.

3131
02:12:37,760 --> 02:12:39,640
Speaker 9: I wonder even if we did sit down, we're gonna

3132
02:12:39,680 --> 02:12:42,280
Speaker 9: run into each other the mother ship and it don't

3133
02:12:42,280 --> 02:12:43,840
Speaker 9: even matter for hip hop?

3134
02:12:43,920 --> 02:12:45,600
Speaker 2: Do It's fun? Absolutely?

3135
02:12:45,680 --> 02:12:45,720
Speaker 12: So?

3136
02:12:46,360 --> 02:12:49,800
Speaker 5: Where were you at the first time you sent a tweet?

3137
02:12:49,800 --> 02:12:50,440
Speaker 5: Out about more.

3138
02:12:51,840 --> 02:12:54,600
Speaker 3: You give me that process of that first molt, like

3139
02:12:54,680 --> 02:12:56,560
Speaker 3: when we when you propped up because we was on

3140
02:12:56,800 --> 02:12:57,640
Speaker 3: we was on defense.

3141
02:12:57,680 --> 02:12:58,440
Speaker 2: That turned the offense.

3142
02:12:58,520 --> 02:13:02,400
Speaker 3: Yeah, Like I was sitting like we've been supporting Ray Molla.

3143
02:13:02,320 --> 02:13:04,600
Speaker 5: For god knows hell. No no no, no, no, no, no,

3144
02:13:04,720 --> 02:13:06,480
Speaker 5: no no, And then I felt like I took.

3145
02:13:06,360 --> 02:13:08,760
Speaker 3: It a little shi is Okay.

3146
02:13:08,880 --> 02:13:11,640
Speaker 2: First nigga to say yo that Nigga l A Leacas

3147
02:13:11,720 --> 02:13:12,920
Speaker 2: is one of the best ones ever.

3148
02:13:13,320 --> 02:13:16,000
Speaker 5: On the bean ship was crazy to that that's cool.

3149
02:13:16,160 --> 02:13:21,960
Speaker 5: It's you said you. I didn't know that because I

3150
02:13:22,000 --> 02:13:23,480
Speaker 5: don't like a song. He don't funk with me.

3151
02:13:24,400 --> 02:13:27,200
Speaker 9: It wasn't that, it's how niggas say it. Okay, how

3152
02:13:27,240 --> 02:13:29,280
Speaker 9: do you how do you view how he said it?

3153
02:13:29,440 --> 02:13:31,200
Speaker 9: I feel like how nigga say it's slighted. It's like

3154
02:13:31,280 --> 02:13:34,080
Speaker 9: nigga saying to get the clicks instead of it being like,

3155
02:13:34,200 --> 02:13:37,680
Speaker 9: oh no, that ain't me it is it is it

3156
02:13:37,840 --> 02:13:39,600
Speaker 9: is my team. No, I don't they be trying to

3157
02:13:39,680 --> 02:13:41,440
Speaker 9: get me to say ship be like that's one person

3158
02:13:41,480 --> 02:13:42,120
Speaker 9: I know that don't do.

3159
02:13:42,160 --> 02:13:45,520
Speaker 2: That job to be like nah, I don't do that,

3160
02:13:45,600 --> 02:13:48,080
Speaker 2: I'm not for click. What about the drink? What about

3161
02:13:48,080 --> 02:13:51,720
Speaker 2: the drake blazing, what about it? That ain't for the clicks?

3162
02:13:52,040 --> 02:13:54,840
Speaker 5: Na, okay, No, I'm not.

3163
02:13:55,560 --> 02:13:58,320
Speaker 9: I'm gonna say a nigga, I'm gonna say drink is talented.

3164
02:13:58,840 --> 02:14:02,200
Speaker 9: I'm not gonna kill ind I do. I didn't like

3165
02:14:02,240 --> 02:14:03,240
Speaker 9: that do one song?

3166
02:14:03,360 --> 02:14:03,600
Speaker 2: You did?

3167
02:14:03,640 --> 02:14:03,680
Speaker 11: Not?

3168
02:14:04,840 --> 02:14:07,760
Speaker 9: They killing me now because they said about mister Morale

3169
02:14:07,840 --> 02:14:09,280
Speaker 9: and he's like, Yo, this shit is incredible.

3170
02:14:09,840 --> 02:14:10,959
Speaker 5: The contract was incredible.

3171
02:14:11,200 --> 02:14:13,560
Speaker 2: I said over that. But because I said I didn't like,

3172
02:14:14,000 --> 02:14:16,680
Speaker 2: not like us because I'm not Jack and Cole, I'm not.

3173
02:14:16,760 --> 02:14:17,280
Speaker 2: I'm not, I'm not.

3174
02:14:17,360 --> 02:14:18,960
Speaker 9: I'm not opposed to nigga be like, I don't like this.

3175
02:14:19,320 --> 02:14:22,200
Speaker 9: So it was that's not only here, that only here's

3176
02:14:22,200 --> 02:14:23,960
Speaker 9: the current. They never they forgot about what I said

3177
02:14:23,960 --> 02:14:25,480
Speaker 9: about Kendrick before the battle.

3178
02:14:25,880 --> 02:14:28,240
Speaker 2: But once the battle happened. It's the same with academics.

3179
02:14:28,360 --> 02:14:29,960
Speaker 2: But that's my nigga. I got a round with my

3180
02:14:30,160 --> 02:14:31,960
Speaker 2: If we've played ball right now, you're gonna root for

3181
02:14:32,000 --> 02:14:32,480
Speaker 2: the other, You're.

3182
02:14:32,320 --> 02:14:33,240
Speaker 5: Gonna root with your marrit.

3183
02:14:33,400 --> 02:14:36,000
Speaker 3: In fact, that's always been my issue where where the

3184
02:14:36,080 --> 02:14:38,280
Speaker 3: narrative has gotten lost with everything that Mal has been saying,

3185
02:14:38,280 --> 02:14:40,320
Speaker 3: because Ma has been big enough Kendrick since I met her,

3186
02:14:40,640 --> 02:14:43,640
Speaker 3: So when this happened, obviously U t d e us

3187
02:14:43,720 --> 02:14:47,400
Speaker 3: coast and no matter what happens with Kendrick, you should.

3188
02:14:47,560 --> 02:14:49,920
Speaker 3: So why when it comes on this side, that's his

3189
02:14:50,040 --> 02:14:51,880
Speaker 3: man's for but it's allowed, that's.

3190
02:14:51,800 --> 02:14:53,760
Speaker 2: My man's for real, and that's what I respect. That

3191
02:14:53,840 --> 02:14:55,320
Speaker 2: what I'm saying when out, So.

3192
02:14:55,360 --> 02:14:55,920
Speaker 5: That's not clay.

3193
02:14:56,520 --> 02:14:59,160
Speaker 3: You supporting your actual friend is not glazing to me.

3194
02:14:59,200 --> 02:15:01,120
Speaker 3: That's why I like that blazing. I think that ship

3195
02:15:01,200 --> 02:15:03,720
Speaker 3: is weird. Also, I think that word is lazy. Using

3196
02:15:03,760 --> 02:15:05,640
Speaker 3: that word is lazy. Lay something else, Yeah, you can

3197
02:15:05,760 --> 02:15:06,280
Speaker 3: use something else.

3198
02:15:07,360 --> 02:15:07,600
Speaker 2: Alright.

3199
02:15:07,640 --> 02:15:08,960
Speaker 5: Cool, you're supporting your man.

3200
02:15:09,080 --> 02:15:11,440
Speaker 2: Just like you were supporting that. I'm supporting Drake.

3201
02:15:12,080 --> 02:15:12,560
Speaker 16: That's all.

3202
02:15:14,400 --> 02:15:17,680
Speaker 2: Right around. I'm gonna let niggas have it right. What

3203
02:15:17,720 --> 02:15:18,160
Speaker 2: I'm saying.

3204
02:15:18,600 --> 02:15:21,160
Speaker 9: The only thing I feel like it's the Internet clicks

3205
02:15:21,520 --> 02:15:23,960
Speaker 9: is all right, That's what's gonna get niggas talking and me.

3206
02:15:24,080 --> 02:15:25,520
Speaker 2: I'm like, all right, let's go viral.

3207
02:15:25,960 --> 02:15:27,680
Speaker 5: Okay, let's go viral.

3208
02:15:27,880 --> 02:15:28,760
Speaker 2: I am still up and.

3209
02:15:28,760 --> 02:15:31,640
Speaker 9: Coming artists, but I'm also like one of them, and

3210
02:15:31,760 --> 02:15:34,240
Speaker 9: I know that a lot of rap niggas can't fuck

3211
02:15:34,320 --> 02:15:34,960
Speaker 9: with me period.

3212
02:15:35,080 --> 02:15:37,880
Speaker 2: Like we're talking rap rap niggas can't fuck with me.

3213
02:15:38,200 --> 02:15:39,480
Speaker 9: So I'm gonna be like, all right, show if a

3214
02:15:39,520 --> 02:15:42,040
Speaker 9: niggas jump out the face, I'm any back phase. Anybody

3215
02:15:42,080 --> 02:15:44,360
Speaker 9: who feel like they're gonna talk crazy, I'm gonna talk great.

3216
02:15:44,480 --> 02:15:47,120
Speaker 9: We can keep it hip hop or not. But for me,

3217
02:15:47,560 --> 02:15:50,120
Speaker 9: I'm not saying I'm believing. I'm not talking about you're

3218
02:15:50,120 --> 02:15:52,160
Speaker 9: talking about general, like in general, like we'll give you

3219
02:15:52,200 --> 02:15:55,120
Speaker 9: ay or not in this space of like hip hop

3220
02:15:55,280 --> 02:15:58,680
Speaker 9: is like okay, everybody gonna get Yeah, that's where IVN

3221
02:15:58,760 --> 02:16:00,440
Speaker 9: we come from, where it's like all right, So I'm

3222
02:16:00,480 --> 02:16:02,120
Speaker 9: gon shoot at everybody who feel like they got something

3223
02:16:02,160 --> 02:16:03,240
Speaker 9: to say right period.

3224
02:16:03,320 --> 02:16:05,280
Speaker 4: But the moment that we got from that with you know,

3225
02:16:05,360 --> 02:16:08,600
Speaker 4: with Joey Badass and you and codcast and Reason, we

3226
02:16:08,680 --> 02:16:10,000
Speaker 4: were talking with everybody.

3227
02:16:09,760 --> 02:16:13,440
Speaker 2: This week just done this. Uh not include daylight.

3228
02:16:13,920 --> 02:16:14,360
Speaker 27: Oh no, I'm not.

3229
02:16:14,480 --> 02:16:16,680
Speaker 5: I'm not assuming that light. I just think that light

3230
02:16:16,760 --> 02:16:18,160
Speaker 5: disappeared after everything happened.

3231
02:16:20,160 --> 02:16:20,960
Speaker 2: Am I right or wrong?

3232
02:16:21,600 --> 02:16:21,640
Speaker 14: You?

3233
02:16:21,840 --> 02:16:25,120
Speaker 9: Outside, Reason, outside, Cadcast outside, We ain't seen light yet.

3234
02:16:25,160 --> 02:16:28,240
Speaker 9: We yet, but like always been for a week that

3235
02:16:28,360 --> 02:16:31,000
Speaker 9: was teammates. We've been teammates for like I know that

3236
02:16:31,080 --> 02:16:35,360
Speaker 9: nigga se battle Rapp. We loved, we loved it like

3237
02:16:35,400 --> 02:16:36,960
Speaker 9: that nigga Light feel like he did what he had

3238
02:16:37,000 --> 02:16:39,440
Speaker 9: to do. That was his mission and that's that way.

3239
02:16:39,560 --> 02:16:41,560
Speaker 9: The way he closed it out, I felt like Light.

3240
02:16:41,879 --> 02:16:44,000
Speaker 9: That was good, you know, because then y'all get to

3241
02:16:44,040 --> 02:16:46,560
Speaker 9: be like, yeah, he washed, he.

3242
02:16:48,160 --> 02:16:50,160
Speaker 2: He shot that nigga. That nigga.

3243
02:16:50,240 --> 02:16:53,160
Speaker 5: Man, I do still feel like Joey washed?

3244
02:16:53,240 --> 02:16:53,280
Speaker 2: On?

3245
02:16:53,400 --> 02:16:53,720
Speaker 14: What on?

3246
02:16:53,840 --> 02:16:54,200
Speaker 3: What on?

3247
02:16:54,320 --> 02:16:54,600
Speaker 11: What on?

3248
02:16:54,680 --> 02:16:55,160
Speaker 2: What degree?

3249
02:16:55,480 --> 02:16:57,960
Speaker 3: Just what if you're getting jumped and you hit at

3250
02:16:58,040 --> 02:17:00,199
Speaker 3: least three people putting down, you would.

3251
02:17:00,000 --> 02:17:01,400
Speaker 2: That's when I sit on the internet. This is what

3252
02:17:01,520 --> 02:17:01,800
Speaker 2: I said.

3253
02:17:01,840 --> 02:17:06,240
Speaker 9: I said, this is why I'm missing right now because

3254
02:17:06,240 --> 02:17:09,400
Speaker 9: it's like twenty niggas attacking one nigga. I don't give

3255
02:17:09,440 --> 02:17:11,879
Speaker 9: a fuck if that niggas still standing. When you niggas

3256
02:17:11,920 --> 02:17:14,560
Speaker 9: walk away, he gonna always look like the winner. And

3257
02:17:14,680 --> 02:17:17,360
Speaker 9: I'm not I'm not oblivious to that fact to be like,

3258
02:17:17,440 --> 02:17:19,800
Speaker 9: damn all right in that battle, he's gonna look like

3259
02:17:19,879 --> 02:17:24,119
Speaker 9: that because nigga, he's still shooting, just records, he's dropping

3260
02:17:24,160 --> 02:17:26,560
Speaker 9: his fire. And I'm not a hater. My favorite one

3261
02:17:26,640 --> 02:17:29,480
Speaker 9: is Finals Crash Dummy. I love the hook and the beat.

3262
02:17:29,720 --> 02:17:31,560
Speaker 9: I don't know about the verses. You know what I'm saying.

3263
02:17:31,600 --> 02:17:35,240
Speaker 2: But as far as like rap I made that Nigga

3264
02:17:35,320 --> 02:17:35,720
Speaker 2: rap again.

3265
02:17:36,400 --> 02:17:38,640
Speaker 3: See, I'm not mad at you, even if he would disagree,

3266
02:17:38,680 --> 02:17:40,080
Speaker 3: I'm not mad at that take. I feel like you

3267
02:17:40,120 --> 02:17:41,880
Speaker 3: should feel that way. And I know you don't listen

3268
02:17:42,000 --> 02:17:43,320
Speaker 3: to our show outside of the clips.

3269
02:17:43,480 --> 02:17:45,200
Speaker 2: I do listen to you, I said I did.

3270
02:17:45,320 --> 02:17:47,240
Speaker 9: That's why I was like, I'll be going I'm very

3271
02:17:47,320 --> 02:17:49,800
Speaker 9: very analytical and I'm going to like diving in. So

3272
02:17:49,879 --> 02:17:51,600
Speaker 9: when I again, like I just told you off camera,

3273
02:17:51,720 --> 02:17:53,440
Speaker 9: if I respond just because I actually feel a way,

3274
02:17:53,720 --> 02:17:55,200
Speaker 9: I'm not gonna respond to niggas. I'd be like, I

3275
02:17:55,240 --> 02:17:57,560
Speaker 9: don't give a fuck. And it's not like y'all little niggas,

3276
02:17:57,920 --> 02:17:59,200
Speaker 9: you know what I'm saying. So I'll be like, all right,

3277
02:18:00,000 --> 02:18:02,560
Speaker 9: say what the same way niggas gonna say what they

3278
02:18:02,600 --> 02:18:05,039
Speaker 9: gotta say. I'm just not a podcast niggas, so I'm

3279
02:18:05,080 --> 02:18:07,160
Speaker 9: not gonna say it in a conversation. It's gonna tweet

3280
02:18:07,280 --> 02:18:09,000
Speaker 9: and niggas who don't know me, they're gonna take it

3281
02:18:09,080 --> 02:18:11,680
Speaker 9: as like oh when it's like if you meet me

3282
02:18:11,760 --> 02:18:13,520
Speaker 9: in person, I'll be like I said the same ship

3283
02:18:13,560 --> 02:18:15,680
Speaker 9: I said, but you probably won't take it as this

3284
02:18:16,000 --> 02:18:18,199
Speaker 9: and I'm a funny ass nigga, So I'm a crack

3285
02:18:19,120 --> 02:18:19,840
Speaker 9: You get what I'm saying.

3286
02:18:20,360 --> 02:18:21,080
Speaker 2: That's just what it is.

3287
02:18:21,480 --> 02:18:23,480
Speaker 3: Yeah, And I mean we we had said, based off

3288
02:18:23,520 --> 02:18:26,280
Speaker 3: with Mall saying with daylight kind of being quiet after

3289
02:18:26,320 --> 02:18:28,320
Speaker 3: the entire thing, we confident it. I thought you putting

3290
02:18:28,320 --> 02:18:30,320
Speaker 3: out that live performance in the midst of that entire

3291
02:18:30,400 --> 02:18:33,480
Speaker 3: thing on YouTube was the perfect move. Like we went

3292
02:18:33,560 --> 02:18:35,320
Speaker 3: back and forth of who's the real winners this and that?

3293
02:18:35,440 --> 02:18:37,240
Speaker 3: Did Joey wash them up? Yeah, that's that's for fun

3294
02:18:37,320 --> 02:18:40,119
Speaker 3: and that's rap talk. But the way you've capitalized off

3295
02:18:40,440 --> 02:18:44,080
Speaker 3: putting on the ship on God has been put my

3296
02:18:44,160 --> 02:18:46,520
Speaker 3: stocks up. That's what it's supposed to do. And so

3297
02:18:46,720 --> 02:18:48,520
Speaker 3: I founded that this one. I'm saying healthy rap.

3298
02:18:48,560 --> 02:18:51,240
Speaker 9: It's healthy rap. A lot of niggas on the internet

3299
02:18:51,560 --> 02:18:52,840
Speaker 9: beyond because I feel like this is.

3300
02:18:52,840 --> 02:18:53,240
Speaker 2: What it is.

3301
02:18:53,560 --> 02:18:56,600
Speaker 9: Niggas hate Drake so much or niggas hate not so much.

3302
02:18:56,879 --> 02:19:00,400
Speaker 9: It's gonna be a clear division. I'm tde a bone.

3303
02:19:00,920 --> 02:19:03,480
Speaker 9: So the niggas who don't like us, they gonna get

3304
02:19:03,600 --> 02:19:07,560
Speaker 9: under the comments talking ship even if it's not Drake

3305
02:19:07,840 --> 02:19:11,000
Speaker 9: is Joey. So they're gonna team Joey. Niggas who don't

3306
02:19:11,040 --> 02:19:13,600
Speaker 9: like everything but TV. Yeah, that's what it's gonna be.

3307
02:19:13,800 --> 02:19:15,760
Speaker 9: So I'm not mad at that. Where it comes down

3308
02:19:15,840 --> 02:19:19,720
Speaker 9: to like understanding how this changes the trajectory of my

3309
02:19:19,800 --> 02:19:22,720
Speaker 9: career though, I'm very understanding. That's why I want combat

3310
02:19:22,760 --> 02:19:25,800
Speaker 9: with niggas. That's and for the most part, we have

3311
02:19:26,040 --> 02:19:28,000
Speaker 9: most media's talking about rap.

3312
02:19:28,280 --> 02:19:29,480
Speaker 2: Now who nigga?

3313
02:19:29,879 --> 02:19:29,959
Speaker 8: Now?

3314
02:19:30,040 --> 02:19:31,880
Speaker 2: Who text message? We got more money? Who got the

3315
02:19:31,879 --> 02:19:34,120
Speaker 2: biggest shame? We had niggas talking about rap.

3316
02:19:34,959 --> 02:19:35,880
Speaker 5: Who Daylight really is?

3317
02:19:36,959 --> 02:19:37,160
Speaker 2: Yeah?

3318
02:19:37,240 --> 02:19:38,160
Speaker 5: Yeah, so real.

3319
02:19:38,240 --> 02:19:40,119
Speaker 2: Even if you don't like the records, you like these

3320
02:19:40,200 --> 02:19:41,680
Speaker 2: niggas rapping and.

3321
02:19:41,760 --> 02:19:43,320
Speaker 5: Hearing about the people that know about Light.

3322
02:19:43,600 --> 02:19:46,720
Speaker 3: That was our first thing before Joey dropped finally clip

3323
02:19:46,800 --> 02:19:48,280
Speaker 3: me and Maw was like, I don't know, Joey, want

3324
02:19:48,320 --> 02:19:49,039
Speaker 3: that problem.

3325
02:19:48,760 --> 02:19:53,880
Speaker 2: Bro, nigga. When I heard my town you got, I

3326
02:19:53,920 --> 02:19:54,879
Speaker 2: want to phone with niggas.

3327
02:19:55,600 --> 02:20:01,000
Speaker 9: Hey, this nigga drop nigg fucker. Man, I'm in the

3328
02:20:01,040 --> 02:20:04,640
Speaker 9: hotel called Looks and this nigga called Luck. I didn't

3329
02:20:04,640 --> 02:20:06,920
Speaker 9: even listen to this song. I'm just hot and I'm like,

3330
02:20:06,959 --> 02:20:10,080
Speaker 9: all right, all right, this nigga got Lucks. I'm gonna

3331
02:20:10,080 --> 02:20:12,520
Speaker 9: go get Snoop Dogg. I got look at somebody like

3332
02:20:13,120 --> 02:20:14,720
Speaker 9: crazy out the man?

3333
02:20:15,280 --> 02:20:17,280
Speaker 5: What made you want to flip back down?

3334
02:20:19,920 --> 02:20:23,320
Speaker 2: Fifty my favorite New York artists? Really? Yeah, Okay, I.

3335
02:20:23,320 --> 02:20:26,080
Speaker 9: Don't feel like there's nobody from New York better than fifty. Okay,

3336
02:20:26,680 --> 02:20:29,640
Speaker 9: Artist Street, Like, I know you're saying from me, fifty

3337
02:20:29,680 --> 02:20:31,240
Speaker 9: my favorite New York artists, And I'm.

3338
02:20:31,160 --> 02:20:33,280
Speaker 2: Like, if I get him, I gotta get him. I

3339
02:20:33,320 --> 02:20:35,120
Speaker 2: gotta get him on some ship that's like fifty and

3340
02:20:35,160 --> 02:20:35,560
Speaker 2: back down.

3341
02:20:35,800 --> 02:20:38,400
Speaker 9: It's like I'm the underdog. Niggas keep forgetting that that

3342
02:20:38,560 --> 02:20:41,960
Speaker 9: nigga Joey is a vat period. I'm not the nigga

3343
02:20:41,959 --> 02:20:44,200
Speaker 9: that's gonna take we rapping. So I'm a disrespect and

3344
02:20:44,280 --> 02:20:47,200
Speaker 9: I'm a disrespectful motherfucker, especially when I used to battle rap.

3345
02:20:47,440 --> 02:20:49,800
Speaker 9: I'm talking about dead people. I'm going to me, there's

3346
02:20:49,879 --> 02:20:51,640
Speaker 9: no limit. You can say whatever you want to say

3347
02:20:51,680 --> 02:20:54,920
Speaker 9: to me. If gage in battle, if it's like we

3348
02:20:54,959 --> 02:20:57,680
Speaker 9: ain't engaged, then it's like it might be taking this disrespect.

3349
02:20:58,000 --> 02:21:00,560
Speaker 9: But we engaged in battle. I'm putting myself on platform

3350
02:21:00,840 --> 02:21:03,360
Speaker 9: for a motherfucker to say whatever the fuck they're gonna say.

3351
02:21:04,080 --> 02:21:04,960
Speaker 5: And I look like a bitch.

3352
02:21:05,000 --> 02:21:07,039
Speaker 9: If I might, I want to kill this nigga because

3353
02:21:07,080 --> 02:21:09,320
Speaker 9: he mentioned my you know what I'm saying, So to me,

3354
02:21:09,400 --> 02:21:12,720
Speaker 9: I'm like, it's wrap, so don't take nothing off the table.

3355
02:21:13,040 --> 02:21:16,800
Speaker 9: Dandie angles on the table, Streekross on the table, baby,

3356
02:21:16,920 --> 02:21:18,840
Speaker 9: or you're on the table. It was on the girl

3357
02:21:18,920 --> 02:21:21,240
Speaker 9: on the table. Everything is on the table when it

3358
02:21:21,320 --> 02:21:25,640
Speaker 9: comes down to wrap battles. For me, I'm gonna be disrespectful.

3359
02:21:25,920 --> 02:21:26,360
Speaker 2: Afterwards.

3360
02:21:26,400 --> 02:21:28,480
Speaker 9: We could shake hands like nothing, you know what I'm saying,

3361
02:21:28,520 --> 02:21:31,600
Speaker 9: So to me, it's just all right, help me, help small.

3362
02:21:31,680 --> 02:21:34,560
Speaker 3: And you know, we were talking about it every day

3363
02:21:34,879 --> 02:21:36,840
Speaker 3: for that week on the podcast, but now we're speaking

3364
02:21:36,840 --> 02:21:39,400
Speaker 3: to somebody that was in that battle. Yeah, we could

3365
02:21:39,440 --> 02:21:41,840
Speaker 3: only speculate how people were deciding on who to reply

3366
02:21:41,959 --> 02:21:43,000
Speaker 3: to and who not to reply to.

3367
02:21:43,120 --> 02:21:44,720
Speaker 5: Cause I love that everyone got in the mix, everyone

3368
02:21:44,760 --> 02:21:45,879
Speaker 5: started wrapping. I like that idea.

3369
02:21:45,959 --> 02:21:48,119
Speaker 3: I feel like it made it money. It got money

3370
02:21:48,160 --> 02:21:50,520
Speaker 3: towards the end. But like anything in this era, like

3371
02:21:50,600 --> 02:21:52,840
Speaker 3: once something starts to pop, everyone's gonna follow.

3372
02:21:53,320 --> 02:21:55,280
Speaker 5: So how did you decide on who I'm replying to

3373
02:21:55,280 --> 02:21:55,959
Speaker 5: and who I'm not replying?

3374
02:21:56,040 --> 02:21:58,000
Speaker 9: Because the understanding the mission of like who the fuck

3375
02:21:58,000 --> 02:21:58,480
Speaker 9: I'm talking to?

3376
02:21:58,800 --> 02:22:00,600
Speaker 2: Who am I mad at? I'm mad at, but like

3377
02:22:00,640 --> 02:22:01,520
Speaker 2: who am I who?

3378
02:22:01,600 --> 02:22:04,440
Speaker 9: My real issue is so like when it came, when

3379
02:22:04,480 --> 02:22:07,080
Speaker 9: it started, I'm like, he's catching a stray immediately, like

3380
02:22:07,600 --> 02:22:07,800
Speaker 9: a this.

3381
02:22:07,959 --> 02:22:11,160
Speaker 2: Niggas bopping around. I'm getting on this nigga immediately.

3382
02:22:11,040 --> 02:22:13,520
Speaker 9: Because I'm like, he's an advocate over here. So it's

3383
02:22:13,560 --> 02:22:17,160
Speaker 9: like Toy, niggas don't know me and Toy are Yeah,

3384
02:22:17,280 --> 02:22:19,760
Speaker 9: you gee what I'm saying this nigga, Toy called me.

3385
02:22:21,720 --> 02:22:22,480
Speaker 2: We just laughed.

3386
02:22:22,959 --> 02:22:24,560
Speaker 9: Nigga laughed and talked on the phone for like an

3387
02:22:24,600 --> 02:22:28,480
Speaker 9: hour and a half. The whole era has a Toy shot.

3388
02:22:29,879 --> 02:22:33,280
Speaker 9: But you know, I want that nigga to get better,

3389
02:22:33,320 --> 02:22:34,480
Speaker 9: you know what I'm saying, Like with all the ship.

3390
02:22:34,360 --> 02:22:35,000
Speaker 2: That he did be going through.

3391
02:22:35,680 --> 02:22:37,959
Speaker 9: It happened the day before I dropped, and I'm like, damn,

3392
02:22:37,959 --> 02:22:41,119
Speaker 9: I gotta change these lines. That's distasteful. We'll have Toy

3393
02:22:41,280 --> 02:22:43,080
Speaker 9: is really my friend. You get what I'm saying.

3394
02:22:43,160 --> 02:22:45,600
Speaker 2: So it's hip hop like we looking at it like,

3395
02:22:45,680 --> 02:22:47,480
Speaker 2: oh all right, now if I go do that and.

3396
02:22:47,520 --> 02:22:51,279
Speaker 9: Jump out the face, I jump out the face on niggas,

3397
02:22:51,440 --> 02:22:53,560
Speaker 9: they're gonna be like, damn, we're not friends because nigga,

3398
02:22:53,560 --> 02:22:55,760
Speaker 9: I'm going through some real life shit and you think

3399
02:22:55,800 --> 02:22:56,360
Speaker 9: it's funny to.

3400
02:22:56,440 --> 02:22:59,119
Speaker 2: Rap about it's not a bar. Yeah, it's not a bar, nigga.

3401
02:22:58,920 --> 02:23:00,760
Speaker 4: That's not I think what you did was, first of all,

3402
02:23:00,840 --> 02:23:03,120
Speaker 4: y'all showed that a lot of the next wave up

3403
02:23:03,160 --> 02:23:04,000
Speaker 4: y'all can still push the.

3404
02:23:04,040 --> 02:23:06,720
Speaker 2: Pen in really ron then y'all can also just keep

3405
02:23:06,760 --> 02:23:07,640
Speaker 2: it rapport.

3406
02:23:07,920 --> 02:23:10,560
Speaker 9: When we talk about niggas who killing niggas over wraps, Look,

3407
02:23:10,600 --> 02:23:11,400
Speaker 9: how stupid you look?

3408
02:23:11,560 --> 02:23:11,680
Speaker 3: Right?

3409
02:23:11,840 --> 02:23:14,320
Speaker 9: My stock then went up. Right, I'm getting brand calls,

3410
02:23:14,360 --> 02:23:17,560
Speaker 9: I'm getting other ship just for this niggas. You can

3411
02:23:17,640 --> 02:23:18,480
Speaker 9: do that and make money.

3412
02:23:18,600 --> 02:23:20,560
Speaker 3: You're doing that with high level wraps because that has

3413
02:23:20,680 --> 02:23:23,320
Speaker 3: not been profitable lately. Like the fact that you getting

3414
02:23:23,320 --> 02:23:25,640
Speaker 3: those calls because you was rapping, Well, it's something that.

3415
02:23:25,680 --> 02:23:29,880
Speaker 9: Needs no gimmicks, ain't no funny shit like rewrapping. So,

3416
02:23:30,200 --> 02:23:33,000
Speaker 9: like I said, for sport, nigga, I respect the funk

3417
02:23:33,000 --> 02:23:34,640
Speaker 9: out of it. I'm gonna shoot at niggas who I

3418
02:23:34,680 --> 02:23:36,840
Speaker 9: feel like, all right that nigg I gotta get him. Yeah,

3419
02:23:37,000 --> 02:23:38,560
Speaker 9: I can't let him. I got to get him.

3420
02:23:38,959 --> 02:23:39,000
Speaker 3: Like.

3421
02:23:39,120 --> 02:23:42,600
Speaker 9: So it's even if niggas don't wrap. You got a platform, right,

3422
02:23:43,280 --> 02:23:44,360
Speaker 9: you're gonna respond because you.

3423
02:23:44,600 --> 02:23:47,560
Speaker 4: Like who the is and I knew and we knew

3424
02:23:47,560 --> 02:23:49,320
Speaker 4: what it was. I was like, all right, I gotta

3425
02:23:49,320 --> 02:23:50,800
Speaker 4: get some of these balls. I can't wrap, so I

3426
02:23:50,840 --> 02:23:52,560
Speaker 4: gotta talk like this is what I do. I talk

3427
02:23:52,600 --> 02:23:55,240
Speaker 4: about platform. I just love the fact to see y'all

3428
02:23:55,560 --> 02:23:58,040
Speaker 4: get out do at each other and then talking the

3429
02:23:58,080 --> 02:24:02,760
Speaker 4: reason that CAI knowing that them behind the channels conversations happy. Yeah,

3430
02:24:02,879 --> 02:24:05,840
Speaker 4: like him Mi COYB was communicating like yo, that's I

3431
02:24:05,879 --> 02:24:07,600
Speaker 4: didn't talk. I didn't even hit ky. I just ran

3432
02:24:07,640 --> 02:24:10,080
Speaker 4: into him and I'm like, all right, But then his.

3433
02:24:10,200 --> 02:24:10,800
Speaker 2: Energy was good.

3434
02:24:11,320 --> 02:24:14,600
Speaker 9: He's a good dudething and I'm like, Nigga, you the

3435
02:24:14,760 --> 02:24:18,320
Speaker 9: only nigga that I felt like beyond Joey.

3436
02:24:19,320 --> 02:24:21,920
Speaker 2: I'm gonna shoot c J all day because I'm.

3437
02:24:21,840 --> 02:24:27,520
Speaker 5: Like Fair taking my New York buys off Fair.

3438
02:24:27,800 --> 02:24:28,160
Speaker 6: I get it.

3439
02:24:30,520 --> 02:24:30,959
Speaker 2: All day.

3440
02:24:32,040 --> 02:24:34,760
Speaker 9: I get it, bro that nigga should have that nigga

3441
02:24:34,800 --> 02:24:37,519
Speaker 9: said he was in the twenty v one after you responded,

3442
02:24:39,000 --> 02:24:39,800
Speaker 9: that's actually funny.

3443
02:24:40,720 --> 02:24:44,160
Speaker 2: Get the fuck out the way. You're not taking back fades. Yeah,

3444
02:24:44,280 --> 02:24:46,000
Speaker 2: I feel you. Before we let you go.

3445
02:24:46,560 --> 02:24:50,920
Speaker 3: Complex put out a list la rappers, la rappers, Well,

3446
02:24:51,400 --> 02:24:53,160
Speaker 3: just as a rat fan for list, how.

3447
02:24:53,040 --> 02:24:53,480
Speaker 2: Did you feel?

3448
02:24:53,640 --> 02:24:55,440
Speaker 9: I don't care about nobody list. I don't care about

3449
02:24:55,480 --> 02:24:58,119
Speaker 9: who felt like, who is who? They ain't put everybody

3450
02:24:58,200 --> 02:24:59,600
Speaker 9: gonna have their own I don't care about that either.

3451
02:24:59,680 --> 02:25:01,039
Speaker 5: Yeah, it's to one hundred, though.

3452
02:25:00,959 --> 02:25:02,600
Speaker 9: I feel like it is what it is. Nigga's then

3453
02:25:02,680 --> 02:25:07,199
Speaker 9: title to their own opinions. Me, I don't care niggas

3454
02:25:07,200 --> 02:25:08,680
Speaker 9: gonna put me on the list wherever they want to

3455
02:25:08,720 --> 02:25:11,080
Speaker 9: put me. That ain't what I feel, So it don't matter.

3456
02:25:11,320 --> 02:25:14,280
Speaker 2: So what's the next with Rayvaughon now? Post all of this? Now,

3457
02:25:14,400 --> 02:25:19,279
Speaker 2: it's like I capitalize, capitalize on the momentum.

3458
02:25:19,280 --> 02:25:21,200
Speaker 9: I feel like popping out, even popping out over here

3459
02:25:21,240 --> 02:25:22,920
Speaker 9: when niggas is like, I wouldn't even think he would

3460
02:25:22,920 --> 02:25:25,160
Speaker 9: go sit down with them because they think they don't know.

3461
02:25:25,600 --> 02:25:27,160
Speaker 2: It's media hip hop.

3462
02:25:27,600 --> 02:25:29,560
Speaker 9: If you ain't down, or if you take shit personal,

3463
02:25:30,000 --> 02:25:32,760
Speaker 9: you're gonna be broken forever. This ain't the space you

3464
02:25:32,840 --> 02:25:35,000
Speaker 9: might walk past a nigga who didn't even know your face,

3465
02:25:35,400 --> 02:25:37,119
Speaker 9: but you know your music. I don't mean you don't

3466
02:25:37,160 --> 02:25:39,080
Speaker 9: fuck with you. You get what I'm saying. So I'm

3467
02:25:39,120 --> 02:25:41,160
Speaker 9: like very very like I'm trying to be more in

3468
02:25:41,240 --> 02:25:43,080
Speaker 9: the public. Eyere, niggas be like, oh I see that

3469
02:25:43,160 --> 02:25:46,400
Speaker 9: nigga as far as tde that little nigga outside, and

3470
02:25:46,520 --> 02:25:49,360
Speaker 9: so capitalizing on that with like singles that's about to

3471
02:25:49,400 --> 02:25:52,280
Speaker 9: come out, singles on the project Good to Bat, the

3472
02:25:52,360 --> 02:25:54,800
Speaker 9: Dollar Menu. I didn't focus on those singles. I just

3473
02:25:54,840 --> 02:25:57,600
Speaker 9: made sure niggas understand the platform. However niggas receive it,

3474
02:25:57,640 --> 02:26:00,880
Speaker 9: and receive it now. I was like, singles, all right

3475
02:26:00,959 --> 02:26:03,040
Speaker 9: for a big artists. I've already done that. So it's like,

3476
02:26:03,040 --> 02:26:05,400
Speaker 9: all right, now we're going to focus on putting the

3477
02:26:05,440 --> 02:26:08,199
Speaker 9: singles out. So now I have a foundation for niggas

3478
02:26:08,200 --> 02:26:08,600
Speaker 9: to come back to.

3479
02:26:09,040 --> 02:26:10,920
Speaker 4: But when next time you're in New York, you got

3480
02:26:11,000 --> 02:26:12,320
Speaker 4: to come by the studio so we can do a

3481
02:26:12,400 --> 02:26:15,640
Speaker 4: real proper sit down conversation talk about all the new

3482
02:26:15,720 --> 02:26:18,119
Speaker 4: music you got coming out. It's a pleasure to meet

3483
02:26:18,160 --> 02:26:21,160
Speaker 4: you here. It's away from the internet, away from the words.

3484
02:26:21,200 --> 02:26:21,880
Speaker 2: It's just rapp.

3485
02:26:21,920 --> 02:26:24,600
Speaker 4: It's just shit talking. I respect you, love everything you're doing.

3486
02:26:24,680 --> 02:26:26,040
Speaker 4: And Rory and mar support Ravon.

3487
02:26:26,200 --> 02:26:27,480
Speaker 2: Yeah, my guy heard

3488
02:26:30,400 --> 02:26:30,520
Speaker 9: Eno