1 00:00:01,960 --> 00:00:04,440 Speaker 1: Big things were coming around the corner for Gloria. 2 00:00:04,880 --> 00:00:06,120 Speaker 2: She had met her soon to be. 3 00:00:06,200 --> 00:00:12,520 Speaker 1: Husband, Joseph Spoilers, Girl, stop training. We're basically at the 4 00:00:12,600 --> 00:00:14,440 Speaker 1: training scene in Rocky you guys. 5 00:00:15,000 --> 00:00:18,800 Speaker 2: She was putting in the time working out training her voice. 6 00:00:19,239 --> 00:00:22,560 Speaker 1: This was serious and they were working hard as a band, 7 00:00:22,720 --> 00:00:25,880 Speaker 1: playing low key events and parties, but soon they'd be 8 00:00:25,920 --> 00:00:30,080 Speaker 1: gaining recognition on a much larger scale. So on today's episode, 9 00:00:30,240 --> 00:00:32,320 Speaker 1: join us as we go through the motions of the 10 00:00:32,440 --> 00:00:33,960 Speaker 1: Estephans romance. 11 00:00:34,280 --> 00:00:37,880 Speaker 2: And learn how Glodia managed to balance school, the band, 12 00:00:38,320 --> 00:00:41,400 Speaker 2: marriage and motherhood. Jesus Chris, I could barely get up 13 00:00:41,400 --> 00:00:41,640 Speaker 2: for this. 14 00:00:45,840 --> 00:00:48,240 Speaker 1: I'm your host Liliana Oscuez. 15 00:00:48,000 --> 00:00:52,959 Speaker 2: And I'm Joseph Carrio and this is Becoming an icon a. 16 00:00:52,880 --> 00:00:55,480 Speaker 1: Weekly podcast where we give you the rundown on how 17 00:00:55,520 --> 00:00:59,640 Speaker 1: today's most famous latinv stars have shaped pop culture. 18 00:00:59,560 --> 00:01:01,800 Speaker 2: And given the world some extra level. 19 00:01:02,320 --> 00:01:04,600 Speaker 1: Sit back and get comfortable. 20 00:01:04,360 --> 00:01:08,360 Speaker 2: Because we are going in the only way we know how, 21 00:01:08,600 --> 00:01:10,959 Speaker 2: with buenas vividas, buenas. 22 00:01:10,720 --> 00:01:15,319 Speaker 1: Riesas and a lot of opinions, as we relive their 23 00:01:15,360 --> 00:01:18,479 Speaker 1: greatest achievements on our journey to find out what makes 24 00:01:18,520 --> 00:01:19,639 Speaker 1: them so iconic. 25 00:01:28,560 --> 00:01:31,400 Speaker 2: The Miami found Machine finally had a lead singer. 26 00:01:31,720 --> 00:01:34,240 Speaker 1: At the time, Glodia was a college student and her 27 00:01:34,280 --> 00:01:38,920 Speaker 1: family prioritized her education above all else, especially her mom. 28 00:01:39,440 --> 00:01:41,440 Speaker 1: She was only allowed to join the band if her 29 00:01:41,480 --> 00:01:44,640 Speaker 1: cousin joined with her, and the band was not to 30 00:01:44,800 --> 00:01:47,000 Speaker 1: interfere with her studies. 31 00:01:46,920 --> 00:01:50,320 Speaker 2: Which meant Gloria would only perform on weekends. 32 00:01:50,920 --> 00:01:53,160 Speaker 1: By the way, I didn't know this until I researched 33 00:01:53,160 --> 00:01:56,480 Speaker 1: that episode, but Glodia majored in psychology with a minor 34 00:01:56,520 --> 00:01:59,240 Speaker 1: in French. She was also working at the time as 35 00:01:59,240 --> 00:02:03,480 Speaker 1: an English, span and French translator at Miami International Airport's 36 00:02:03,520 --> 00:02:04,360 Speaker 1: customs department. 37 00:02:04,880 --> 00:02:09,120 Speaker 2: Okay, holy SiZ Aka, homegirl was biz? 38 00:02:09,760 --> 00:02:14,120 Speaker 1: Did you also know that she almost worked for the CIA? 39 00:02:14,360 --> 00:02:15,639 Speaker 2: Shut your butt? 40 00:02:15,760 --> 00:02:19,160 Speaker 1: What uh huh? Because she was fluent in three languages 41 00:02:19,240 --> 00:02:21,720 Speaker 1: and working as a translator at the time, they were 42 00:02:21,840 --> 00:02:25,440 Speaker 1: eyeing her for recruitment. But obviously hello. Thankfully for us 43 00:02:25,480 --> 00:02:27,520 Speaker 1: and the rest of the world, things did turn out 44 00:02:27,560 --> 00:02:28,720 Speaker 1: a little differently. 45 00:02:29,160 --> 00:02:31,880 Speaker 2: What she for sure didn't expect was the Miami saun 46 00:02:32,000 --> 00:02:34,880 Speaker 2: Machine turning into a full blown career. 47 00:02:35,440 --> 00:02:39,320 Speaker 1: As they started working together, Emilio Stefan nurtured Gloria's talent 48 00:02:39,520 --> 00:02:41,840 Speaker 1: and really helped her come out of her shell. He 49 00:02:41,840 --> 00:02:43,680 Speaker 1: helped her see her full potential. 50 00:02:44,360 --> 00:02:48,239 Speaker 2: Like Dirty Dancing the movie, the whole rehearsal montage, did 51 00:02:48,280 --> 00:02:49,840 Speaker 2: he lift her up in the lake? 52 00:02:50,200 --> 00:02:52,160 Speaker 1: I mean, I'm sure and he was definitely wearing those 53 00:02:52,200 --> 00:02:56,600 Speaker 1: short shorts stop. But it was in those sessions with 54 00:02:56,680 --> 00:02:59,640 Speaker 1: the media that she was able to really expand her 55 00:02:59,680 --> 00:03:00,679 Speaker 1: vocal range. 56 00:03:01,040 --> 00:03:04,120 Speaker 2: Out was the shy girl and in was the superstar. 57 00:03:05,000 --> 00:03:08,040 Speaker 1: She was gaining confidence not just as a performer, but 58 00:03:08,160 --> 00:03:11,400 Speaker 1: also in her life because soon enough, her relationship with 59 00:03:11,440 --> 00:03:13,920 Speaker 1: Emilio would blossom into something more. 60 00:03:15,560 --> 00:03:19,640 Speaker 2: July fourth, nineteen seventy six, Clodia. 61 00:03:19,240 --> 00:03:21,440 Speaker 1: And Emilia would usually go out to get some air, 62 00:03:21,600 --> 00:03:23,880 Speaker 1: take a little break during their gigs, you know, just 63 00:03:23,919 --> 00:03:26,520 Speaker 1: a moment to breathe and center themselves. 64 00:03:27,080 --> 00:03:29,919 Speaker 2: On this day, they were doing a little Independence Day 65 00:03:30,000 --> 00:03:32,040 Speaker 2: gig all Stars in Bangals Ship. 66 00:03:32,760 --> 00:03:35,960 Speaker 1: And Gloria claims that Emilia suggested they go get some 67 00:03:36,040 --> 00:03:37,680 Speaker 1: air like they normally do. 68 00:03:38,480 --> 00:03:42,520 Speaker 2: So they go outside and Emilio tells her it's his birthday, 69 00:03:42,680 --> 00:03:45,000 Speaker 2: which is clearly a lie. That man is a March 70 00:03:45,040 --> 00:03:46,320 Speaker 2: fourth pisces. 71 00:03:45,920 --> 00:03:48,960 Speaker 1: Hang he was four months early or I guess eight 72 00:03:49,000 --> 00:03:50,840 Speaker 1: months late. It just depends how you look at it. 73 00:03:50,880 --> 00:03:54,520 Speaker 1: But anyway, point is Emilio asks her for a quote 74 00:03:54,560 --> 00:03:55,880 Speaker 1: unquote birthday kiss. 75 00:03:56,200 --> 00:03:58,640 Speaker 2: He thought he was so slick, honey. 76 00:03:58,760 --> 00:04:01,640 Speaker 1: She always the lady suggested she get him a birthday 77 00:04:01,640 --> 00:04:05,640 Speaker 1: present instead, and he compromised. He said, well, what about 78 00:04:05,720 --> 00:04:08,600 Speaker 1: a kiss on the cheek. But the kiss on the 79 00:04:08,680 --> 00:04:11,480 Speaker 1: cheek turned into a real one. 80 00:04:12,560 --> 00:04:13,520 Speaker 2: He moved his face. 81 00:04:14,040 --> 00:04:16,840 Speaker 1: I hate when guys do that, And yes he did. 82 00:04:17,120 --> 00:04:18,719 Speaker 2: Did I do that all the time. 83 00:04:20,520 --> 00:04:24,520 Speaker 1: I'm not surprised. And at the end it all worked 84 00:04:24,520 --> 00:04:29,360 Speaker 1: out because Glodia said what followed were pure fireworks, literally 85 00:04:29,680 --> 00:04:33,200 Speaker 1: and figuratively, as the Fourth of July celebration was in 86 00:04:33,360 --> 00:04:34,320 Speaker 1: full force. 87 00:04:34,360 --> 00:04:42,200 Speaker 2: And these fellow band members officially became an item. 88 00:04:42,520 --> 00:04:45,760 Speaker 1: The Miami Sound Machine, much like Manugal, had its fair 89 00:04:45,800 --> 00:04:47,880 Speaker 1: share of different members throughout the years. 90 00:04:48,279 --> 00:04:51,719 Speaker 2: The OG group consisted of six Cuban born members. 91 00:04:52,240 --> 00:04:55,440 Speaker 1: Yes, you had Emilio Stephan Junior on percussion and accordion. 92 00:04:55,600 --> 00:05:00,720 Speaker 1: Joseph's favorite instrument, Gloria Fajarlo would leave vocals and hand percussion. 93 00:05:01,480 --> 00:05:05,240 Speaker 1: Mercy Navadro, Gloria's cousin, on lead vocals two with her 94 00:05:05,400 --> 00:05:08,720 Speaker 1: husband Raoul Muciano on the keys, and then I can't 95 00:05:08,720 --> 00:05:12,560 Speaker 1: forget about Kiki Enrica Garcia on drums and one marcos 96 00:05:12,520 --> 00:05:14,479 Speaker 1: Avella on bass. 97 00:05:14,520 --> 00:05:16,680 Speaker 2: Soon enough, the band would become a full time job, 98 00:05:16,720 --> 00:05:18,840 Speaker 2: as they were in high demand. Yeah. 99 00:05:18,880 --> 00:05:21,200 Speaker 1: A year and a half later, after Gloria joined the group, 100 00:05:21,360 --> 00:05:24,480 Speaker 1: the band recorded its first album for a local. 101 00:05:24,200 --> 00:05:28,360 Speaker 2: Label, Rena Said or Live Again, was released in nineteen 102 00:05:28,480 --> 00:05:29,159 Speaker 2: seventy seven. 103 00:05:29,880 --> 00:05:32,600 Speaker 1: It was a collection of disco pop and a lot 104 00:05:32,600 --> 00:05:36,680 Speaker 1: of original ballads, all sung in Spanish. 105 00:05:35,760 --> 00:05:38,520 Speaker 2: With Lorita in the mix. More ballads were thrown into 106 00:05:38,560 --> 00:05:39,760 Speaker 2: the band's estillo. 107 00:05:40,400 --> 00:05:42,240 Speaker 1: Yeah, if you go back and listen to this song, 108 00:05:42,279 --> 00:05:44,640 Speaker 1: which by the way, I had to look up on YouTube, 109 00:05:44,920 --> 00:05:49,000 Speaker 1: not going to front, it's okay, it's giving okay. 110 00:05:49,320 --> 00:05:51,400 Speaker 2: I will say it was a very unique sound that 111 00:05:51,440 --> 00:05:55,360 Speaker 2: I have only heard in that one song, Like I've 112 00:05:55,400 --> 00:05:58,080 Speaker 2: never heard anything like it again, Like it was, It's unique. 113 00:05:58,160 --> 00:05:59,960 Speaker 2: It's a very unique sound. 114 00:06:00,160 --> 00:06:06,599 Speaker 1: It felt like, you know, elevator music. Yeah, it felt 115 00:06:06,640 --> 00:06:11,159 Speaker 1: like eighties elevator music with a hint of rock in Espanol. 116 00:06:11,760 --> 00:06:14,039 Speaker 1: Just go listen. We're not doing it. We're not helping 117 00:06:14,080 --> 00:06:16,440 Speaker 1: anybody with this description. Y'all should go listen to. 118 00:06:16,400 --> 00:06:22,920 Speaker 2: It eighties elevator sleepy synthesized whatever that means. In between 119 00:06:23,000 --> 00:06:27,640 Speaker 2: band practice, gigs, and school, Gloria made time to get hitched. 120 00:06:28,120 --> 00:06:30,760 Speaker 1: Gloordia had a lot on her plate. She was working 121 00:06:30,760 --> 00:06:33,360 Speaker 1: hard to become a provider for her family, and Emilio 122 00:06:33,480 --> 00:06:36,640 Speaker 1: noticed this. During an interview with The Washington Post, he 123 00:06:36,720 --> 00:06:39,280 Speaker 1: said this, when I met her, there was a lot 124 00:06:39,279 --> 00:06:41,960 Speaker 1: of sad in her face. I made sure she became 125 00:06:42,080 --> 00:06:43,000 Speaker 1: a happy person. 126 00:06:43,720 --> 00:06:47,480 Speaker 2: Oh, I love that. By September second, nineteen seventy eight, 127 00:06:47,640 --> 00:06:49,839 Speaker 2: they had an album out in the world. 128 00:06:49,880 --> 00:06:53,120 Speaker 1: And after just two years of dating, Gloria's first and 129 00:06:53,320 --> 00:06:55,960 Speaker 1: only boyfriend became her husband. 130 00:06:56,680 --> 00:06:59,719 Speaker 2: Wow. There's From this moment on, these two could be 131 00:06:59,760 --> 00:07:02,520 Speaker 2: known as the Estefans. 132 00:07:03,480 --> 00:07:06,240 Speaker 1: At the time, Gloria's father was still in the hospital, 133 00:07:06,360 --> 00:07:08,920 Speaker 1: so Gloria walked herself down the aisle. 134 00:07:09,440 --> 00:07:11,680 Speaker 2: Once the ideas were said, she went straight to the 135 00:07:11,680 --> 00:07:13,960 Speaker 2: hospital to see her dad. He was able to see 136 00:07:13,960 --> 00:07:16,680 Speaker 2: how gorgeous she looked in her wedding fit, which was 137 00:07:16,720 --> 00:07:18,160 Speaker 2: given Princess leiah Illness. 138 00:07:18,880 --> 00:07:22,360 Speaker 1: Again, let's describe it for the people. It was a 139 00:07:22,640 --> 00:07:27,680 Speaker 1: hooded white wedding gown and it like draped and her 140 00:07:27,720 --> 00:07:30,240 Speaker 1: hair was very short in the photo, I mean it 141 00:07:30,320 --> 00:07:33,640 Speaker 1: looked like almost yeah, Princess Leah realness. 142 00:07:33,840 --> 00:07:36,600 Speaker 2: I'm not gonna say it was like a gown. 143 00:07:36,880 --> 00:07:39,160 Speaker 1: Please google via Stefan's wedding photo. 144 00:07:39,520 --> 00:07:42,800 Speaker 2: Trust yes, let us know what you think, and I. 145 00:07:42,760 --> 00:07:45,600 Speaker 1: Will say the gown was incredibly fitting. Because you guys, 146 00:07:45,720 --> 00:07:49,680 Speaker 1: they didn't have a big Latin typical wedding, right like 147 00:07:49,720 --> 00:07:53,480 Speaker 1: we invite our cousins, cousins, the vesinos, the tillas, like 148 00:07:53,520 --> 00:07:56,480 Speaker 1: the people that cut your we invite everybody. This was 149 00:07:56,560 --> 00:07:59,640 Speaker 1: not that. Because of her father's condition, of course, they 150 00:07:59,640 --> 00:08:03,440 Speaker 1: decided on a smaller ceremony. It was nothing major, but 151 00:08:03,480 --> 00:08:05,400 Speaker 1: their friends did surprise them with a big party to 152 00:08:05,440 --> 00:08:08,760 Speaker 1: celebrate their big day. Then there was a short honeymoon, 153 00:08:08,960 --> 00:08:20,000 Speaker 1: back to work and back to Cuba. 154 00:08:20,960 --> 00:08:23,600 Speaker 2: The Estephans would spend some time on the island together. 155 00:08:24,160 --> 00:08:26,640 Speaker 2: They were there to help Amelio's brother Jose and his 156 00:08:26,680 --> 00:08:29,000 Speaker 2: family leave Cuba for the United States. 157 00:08:29,760 --> 00:08:34,160 Speaker 1: Emilio's niece Lilia Stephan remembers that day well, sharing they 158 00:08:34,240 --> 00:08:38,160 Speaker 1: drove for something like eighteen hours from Havana to Santiago 159 00:08:38,200 --> 00:08:38,760 Speaker 1: to Cuba. 160 00:08:39,520 --> 00:08:42,280 Speaker 2: They were in Cuba to help Emilio's brother Jose and 161 00:08:42,360 --> 00:08:44,840 Speaker 2: his family leave for the United States, and they all 162 00:08:44,960 --> 00:08:48,600 Speaker 2: left together in nineteen eighty. By that year, the Miami 163 00:08:48,640 --> 00:08:51,640 Speaker 2: sound machine had become something of a cultural phenomenon. 164 00:08:51,840 --> 00:08:55,320 Speaker 1: Gloria said it was a humbling experience. They were packing 165 00:08:55,320 --> 00:08:59,040 Speaker 1: soccer stadiums in Latin America with over fifty thousand people, 166 00:08:59,440 --> 00:09:02,240 Speaker 1: but they'd go back to Miami to play weddings for 167 00:09:02,280 --> 00:09:03,559 Speaker 1: two hundred tests. 168 00:09:04,080 --> 00:09:06,840 Speaker 2: If there is one thing that'll humble you, honey, it's 169 00:09:06,880 --> 00:09:12,239 Speaker 2: the American entertainment industry. They're not easily impressed with anything, 170 00:09:12,360 --> 00:09:15,800 Speaker 2: even if it's gold right under their noses. But now 171 00:09:15,800 --> 00:09:19,800 Speaker 2: it's the eighties and in Miami, opportunity was in the air. Baby. 172 00:09:21,120 --> 00:09:23,320 Speaker 1: Yes, there were people that wanted to ruin the city's 173 00:09:23,320 --> 00:09:25,960 Speaker 1: image by focusing solely on the high crime rate that 174 00:09:26,000 --> 00:09:30,720 Speaker 1: was servicing, talking about drug cartels and blaming Latino immigrants. 175 00:09:30,720 --> 00:09:33,839 Speaker 2: But popular staples like Miami Vice had trained the city's 176 00:09:33,880 --> 00:09:36,240 Speaker 2: image around to trademarking it a popular destination. 177 00:09:37,000 --> 00:09:40,320 Speaker 1: Plus, the NFL was drawing attention with Miami Dolphins quarterback 178 00:09:40,440 --> 00:09:44,120 Speaker 1: Dan Marino breaking records left and right. There was an 179 00:09:44,120 --> 00:09:47,000 Speaker 1: infectious sound in the air, adding to all the hype. 180 00:09:47,200 --> 00:09:51,079 Speaker 1: Miami Sound Machine's popularity was growing around the world, and yes, 181 00:09:51,360 --> 00:09:53,800 Speaker 1: the US finally got the memo. 182 00:09:54,360 --> 00:09:55,640 Speaker 2: They didn't stop recording. 183 00:09:56,000 --> 00:09:59,560 Speaker 1: The band was signed to these ghost CBS International. On 184 00:09:59,600 --> 00:10:02,000 Speaker 1: top of that, they even had their own label named 185 00:10:02,160 --> 00:10:03,000 Speaker 1: MSM Label. 186 00:10:03,800 --> 00:10:06,880 Speaker 2: Not only was the band getting busy, but so were 187 00:10:06,920 --> 00:10:09,920 Speaker 2: they of Stefan's Amelia left his job as a sales 188 00:10:09,960 --> 00:10:12,880 Speaker 2: manager at McCarty, deciding to devote all of his time 189 00:10:12,920 --> 00:10:15,320 Speaker 2: to the Miami Sad Machine. He took up more of 190 00:10:15,360 --> 00:10:18,960 Speaker 2: a managerial position, devoting his time and energy to promoting 191 00:10:19,080 --> 00:10:19,520 Speaker 2: the band. 192 00:10:19,880 --> 00:10:22,839 Speaker 1: Emilia would also devote his time to his wife as 193 00:10:22,840 --> 00:10:25,960 Speaker 1: a dedicated husband and a soon to v father. 194 00:10:27,240 --> 00:10:31,320 Speaker 2: Their son, Naives Stefan, was born on September two, nineteen eighty, 195 00:10:31,640 --> 00:10:33,400 Speaker 2: two years after their wedding. 196 00:10:34,240 --> 00:10:39,079 Speaker 1: Sadly, two months later, Gloria's father passed away. Emilio was 197 00:10:39,120 --> 00:10:41,440 Speaker 1: the one to break the news. She went straight to 198 00:10:41,520 --> 00:10:43,920 Speaker 1: the hospital after this, and with her mom, she was 199 00:10:43,960 --> 00:10:46,640 Speaker 1: able to see her dad and say their last goodbyes. 200 00:10:48,520 --> 00:10:51,480 Speaker 1: Despite the heavy loss, Gloria was able to jump back 201 00:10:51,520 --> 00:10:54,640 Speaker 1: and continue working with the band towards the inevitable success 202 00:10:54,840 --> 00:10:55,640 Speaker 1: that awaited them. 203 00:10:56,200 --> 00:10:58,960 Speaker 2: So far, they had Rena said, and the self titled 204 00:10:59,000 --> 00:11:00,760 Speaker 2: Miami Sound Machine albums. 205 00:11:01,040 --> 00:11:04,000 Speaker 1: They were a sensation. They were on top of the world, 206 00:11:04,400 --> 00:11:08,600 Speaker 1: making and selling records, plus inspiring a new generation of 207 00:11:09,040 --> 00:11:11,120 Speaker 1: soon to be latinx icons. 208 00:11:12,440 --> 00:11:15,720 Speaker 2: They definitely had what it takes to dominate the US airwaves. 209 00:11:16,240 --> 00:11:19,679 Speaker 1: Emidio even convinced Sony to let them release doctor Beat 210 00:11:19,760 --> 00:11:22,599 Speaker 1: as a music video, and it was off to the 211 00:11:22,760 --> 00:11:26,280 Speaker 1: racist from there. They believed in themselves enough to see 212 00:11:26,280 --> 00:11:30,360 Speaker 1: this through. Emilial produced and financed the video himself. 213 00:11:31,960 --> 00:11:34,120 Speaker 2: At first, you would have thought all their hopes and 214 00:11:34,200 --> 00:11:37,360 Speaker 2: dreams and cash went down the drain because of this song. 215 00:11:38,080 --> 00:11:40,800 Speaker 2: It didn't really perform well in the US, but. 216 00:11:40,840 --> 00:11:44,160 Speaker 1: Hold on because it did become a huge success worldwide, 217 00:11:44,640 --> 00:11:45,960 Speaker 1: especially in Europe. 218 00:11:46,800 --> 00:11:49,439 Speaker 2: It cracked the top ten in the UK and boosted 219 00:11:49,480 --> 00:11:54,679 Speaker 2: their popularity worldwide. Doctor B don't you start? Doctor Beat? 220 00:11:55,240 --> 00:11:59,120 Speaker 1: Joseph, what was your first impression of the video? 221 00:12:00,000 --> 00:12:02,280 Speaker 2: I know, at first, I was just kind of like 222 00:12:02,520 --> 00:12:04,520 Speaker 2: when you're watching it. At first, I was like, Whoa's 223 00:12:04,559 --> 00:12:07,040 Speaker 2: gloriac gonna jump? So I know, you guys don't know 224 00:12:07,080 --> 00:12:09,600 Speaker 2: what I'm talking about. You have to like watch the 225 00:12:09,679 --> 00:12:13,320 Speaker 2: video to know. But it was weird it was like 226 00:12:13,360 --> 00:12:14,079 Speaker 2: a movie. 227 00:12:14,200 --> 00:12:16,960 Speaker 1: It gave me kind of like thriller vibes. There's a 228 00:12:16,960 --> 00:12:19,960 Speaker 1: lot of storytelling. Okay, so here's what happened. So this 229 00:12:20,040 --> 00:12:22,959 Speaker 1: video is actually shot on the roof of the Bookcardi 230 00:12:23,080 --> 00:12:26,400 Speaker 1: Imports building, which is funny enough, where Enrika Garcia and 231 00:12:26,400 --> 00:12:29,200 Speaker 1: Emilio both worked for a short period of time and 232 00:12:29,360 --> 00:12:33,280 Speaker 1: is stefan. Gloria is calling for doctor Bat right, which 233 00:12:33,320 --> 00:12:36,720 Speaker 1: is played by her drummer Enrica Garcia. 234 00:12:36,160 --> 00:12:38,600 Speaker 2: Who also wrote the song right, yes. 235 00:12:38,920 --> 00:12:43,000 Speaker 1: And she's calling for doctor bat to help hear her 236 00:12:43,120 --> 00:12:47,960 Speaker 1: from her desire to dance continuously. This is truly the 237 00:12:48,080 --> 00:12:50,240 Speaker 1: storyline for the video. 238 00:12:50,400 --> 00:12:53,200 Speaker 2: Okay, she's just gyrating the whole time, like she's dancing 239 00:12:53,240 --> 00:12:55,839 Speaker 2: the whole time. She's even when they're trying to strap 240 00:12:55,920 --> 00:12:58,199 Speaker 2: her down in like a bed like. 241 00:12:58,400 --> 00:13:01,880 Speaker 1: Yes, okay, so she like dances all the way to 242 00:13:01,920 --> 00:13:04,280 Speaker 1: the hospital. Then she's laying on the hospital bed and 243 00:13:04,320 --> 00:13:07,080 Speaker 1: you guys, this is the best part of the entire video. 244 00:13:07,840 --> 00:13:14,400 Speaker 1: They open Gloria up and reveal that a juke box 245 00:13:15,400 --> 00:13:19,200 Speaker 1: was living inside her, attached to like. 246 00:13:19,280 --> 00:13:22,400 Speaker 2: The a chord, a chord like an umbilical chord. 247 00:13:22,440 --> 00:13:25,840 Speaker 1: Yes, exactly, And guess who cuts the cords, tell me 248 00:13:26,400 --> 00:13:29,560 Speaker 1: Doctor b it was a lot. I will say that 249 00:13:29,640 --> 00:13:33,720 Speaker 1: I'm looking for a Halloween costume, and I feel like 250 00:13:34,200 --> 00:13:37,599 Speaker 1: if I dressed up like Gloria in this outfit. 251 00:13:37,400 --> 00:13:39,520 Speaker 2: I wonder if people would know who you were. But 252 00:13:39,640 --> 00:13:41,320 Speaker 2: I do want to say this, you know, as much 253 00:13:41,320 --> 00:13:43,440 Speaker 2: as we're like, oh, you know, it wasn't such a 254 00:13:43,440 --> 00:13:46,200 Speaker 2: great song. It did hit number seventeen on the Hot 255 00:13:46,280 --> 00:13:47,400 Speaker 2: Dance Club Play charts. 256 00:13:47,520 --> 00:13:49,760 Speaker 1: The thing about the video is that it's totally out there. 257 00:13:49,880 --> 00:13:53,680 Speaker 1: It's wacky, but it's very eighties. This is what videos 258 00:13:53,760 --> 00:13:56,360 Speaker 1: were in the eighties. They were wacky, they were fun. 259 00:13:56,480 --> 00:13:59,360 Speaker 1: They were camp right, pure camp is the best way 260 00:13:59,400 --> 00:14:00,000 Speaker 1: to describe it. 261 00:14:00,000 --> 00:14:03,199 Speaker 2: Oh my god, you know what that word is, exactly 262 00:14:03,240 --> 00:14:04,840 Speaker 2: what that fucking video is. 263 00:14:04,960 --> 00:14:07,520 Speaker 1: If you want some fun, go back and watch the video, 264 00:14:07,640 --> 00:14:10,000 Speaker 1: because if you've ever wondered, like when the met Gala 265 00:14:10,040 --> 00:14:12,440 Speaker 1: happened and people like, what does camp mean? Does it 266 00:14:12,480 --> 00:14:16,520 Speaker 1: mean camping? No, this is pure camp. It's over the top, 267 00:14:16,960 --> 00:14:19,880 Speaker 1: it makes no sense, and it is glorious in how 268 00:14:19,920 --> 00:14:20,600 Speaker 1: crazy it is. 269 00:14:21,040 --> 00:14:25,240 Speaker 2: But Doctor Beat kept them busy touring and. 270 00:14:25,200 --> 00:14:29,840 Speaker 1: Performing, which kept Gloria away from her son. Soon the 271 00:14:29,960 --> 00:14:33,400 Speaker 1: stepbands would have to make a very tough decision their 272 00:14:33,440 --> 00:14:44,680 Speaker 1: careers or their home life. Glodia was getting more and 273 00:14:44,800 --> 00:14:48,480 Speaker 1: more attention. Doctor Beat was charting and they were touring 274 00:14:48,480 --> 00:14:49,040 Speaker 1: as a band. 275 00:14:49,520 --> 00:14:52,560 Speaker 2: A Miami Sound Machine show was a hot ticket. 276 00:14:52,960 --> 00:14:56,720 Speaker 1: This also meant that Glordia's availability was very limited. 277 00:14:57,520 --> 00:15:00,000 Speaker 2: So we've talked about this before, and you feel very 278 00:15:00,040 --> 00:15:03,360 Speaker 2: strongly about this topic Loves, which is Latina Mommy's setting 279 00:15:03,400 --> 00:15:06,120 Speaker 2: aside their career to be a mother. In this case, 280 00:15:06,160 --> 00:15:10,000 Speaker 2: the table's returned because with everything going on in Glodia's life, 281 00:15:10,040 --> 00:15:12,440 Speaker 2: Emilio was the one to step. 282 00:15:12,200 --> 00:15:16,480 Speaker 1: Down, which, by the way, is so incredibly progressive, not 283 00:15:16,680 --> 00:15:21,800 Speaker 1: just for the time, but culturally progressive, right. I mean, 284 00:15:22,080 --> 00:15:27,040 Speaker 1: this is revolutionary because this is in the eighties, right. 285 00:15:27,200 --> 00:15:31,440 Speaker 1: So here's what happened. Emilio acknowledged that he wasn't a singer. 286 00:15:31,800 --> 00:15:34,440 Speaker 1: He was keeping the band together behind the scenes, and 287 00:15:34,720 --> 00:15:37,280 Speaker 1: he could do that from anywhere. Think of it as 288 00:15:37,360 --> 00:15:40,200 Speaker 1: like remote work back in the eighties, right now, you 289 00:15:40,200 --> 00:15:42,000 Speaker 1: could do your jobs from anywhere. We didn't have that 290 00:15:42,080 --> 00:15:44,920 Speaker 1: luxury ten years ago. But he was like, listen, I 291 00:15:44,920 --> 00:15:48,160 Speaker 1: can manage the band from home. And he saw that 292 00:15:48,360 --> 00:15:53,320 Speaker 1: Gloria had this beautiful, blossoming career and it was nowhere 293 00:15:53,360 --> 00:15:55,640 Speaker 1: close to its peak yet. So for her to give 294 00:15:55,680 --> 00:15:58,240 Speaker 1: all of that up it would have been a tragedy, 295 00:15:58,440 --> 00:16:01,720 Speaker 1: not just for the band but for the world at 296 00:16:01,720 --> 00:16:06,240 Speaker 1: the time. So he gave her the opportunity to continue 297 00:16:06,240 --> 00:16:09,040 Speaker 1: with the band, dedicate her time to being the lead 298 00:16:09,120 --> 00:16:11,560 Speaker 1: singer and a future icon. 299 00:16:12,040 --> 00:16:16,960 Speaker 2: So Emilio had to step up exactly, or Emilio decided 300 00:16:17,360 --> 00:16:18,080 Speaker 2: to step up. 301 00:16:18,480 --> 00:16:22,360 Speaker 1: Well, I think that change in verb is really important, 302 00:16:22,480 --> 00:16:26,280 Speaker 1: like had to Versus decided to Like he saw this, 303 00:16:26,360 --> 00:16:30,040 Speaker 1: he was like, listen, my wife has an incredible career 304 00:16:30,120 --> 00:16:33,320 Speaker 1: ahead of her. It's what's good for her is good 305 00:16:33,360 --> 00:16:37,000 Speaker 1: for us as a family. And I think that shift 306 00:16:37,080 --> 00:16:39,760 Speaker 1: in perspective is something that still doesn't happen a lot 307 00:16:39,840 --> 00:16:41,960 Speaker 1: with a lot of working moms. Like I have friends 308 00:16:42,400 --> 00:16:46,080 Speaker 1: that are the primary breadwinners and their family right their moms. 309 00:16:46,080 --> 00:16:48,680 Speaker 1: But they're also working moms, and they also make more 310 00:16:48,720 --> 00:16:51,480 Speaker 1: than their husbands. Yet there's still the ones at every 311 00:16:51,520 --> 00:16:53,880 Speaker 1: doctor's appointment, They're still the ones at the school calls, 312 00:16:53,880 --> 00:16:56,480 Speaker 1: And I'm like, wait a second, why, Like why is 313 00:16:56,520 --> 00:17:02,200 Speaker 1: there not a more equal distribution of household and childcare responsibilities. 314 00:17:02,240 --> 00:17:04,440 Speaker 1: It's really hard. And the fact that he was able 315 00:17:04,480 --> 00:17:07,000 Speaker 1: to do this and saw this in the eighties, like I. 316 00:17:07,000 --> 00:17:10,040 Speaker 2: Was gonna say, in the eighties, machiesmo, Like it's the 317 00:17:10,040 --> 00:17:12,960 Speaker 2: peak of Like it's the fucking eighties, Like that is 318 00:17:13,000 --> 00:17:13,720 Speaker 2: the peak of ego. 319 00:17:14,000 --> 00:17:16,320 Speaker 1: Yeah, but it's what it's honestly. It's like I feel like, 320 00:17:16,480 --> 00:17:19,880 Speaker 1: especially in Latino culture, men at the time and men 321 00:17:20,000 --> 00:17:22,680 Speaker 1: still now because I see it prevalent in my cousin's marriages, 322 00:17:22,960 --> 00:17:25,160 Speaker 1: they still don't get it, like what's good for her 323 00:17:25,400 --> 00:17:27,760 Speaker 1: is good for us. It's always like what's good for 324 00:17:27,840 --> 00:17:29,879 Speaker 1: me is good for the family. But then when you 325 00:17:29,920 --> 00:17:33,280 Speaker 1: flip the tables and it's the wife who has more 326 00:17:33,320 --> 00:17:36,480 Speaker 1: responsibilities outside of the home. I think that's a hard 327 00:17:36,560 --> 00:17:39,880 Speaker 1: pill for a lot of Latino men to swallow, simply 328 00:17:39,880 --> 00:17:44,000 Speaker 1: because machismo is what traditionally has dominated the way we 329 00:17:44,240 --> 00:17:46,199 Speaker 1: set up our homes and our households. 330 00:17:46,880 --> 00:17:50,000 Speaker 2: This really fucking makes them even more iconic because they 331 00:17:50,000 --> 00:17:52,159 Speaker 2: didn't follow anything socially normal. 332 00:17:52,480 --> 00:17:54,520 Speaker 1: Yeah, And I think it goes back to we talked 333 00:17:54,520 --> 00:17:57,320 Speaker 1: about what makes somebody an icon, and we talk about 334 00:17:57,359 --> 00:18:02,280 Speaker 1: how with Bad Bunny, he's breaking down all these gender norms, right, 335 00:18:02,640 --> 00:18:06,399 Speaker 1: all of these boundaries, especially for Latinos, around what a 336 00:18:06,440 --> 00:18:09,840 Speaker 1: man looks like, how he dresses, does he do his nails, 337 00:18:09,880 --> 00:18:13,960 Speaker 1: does he wear makeup? And he's dismantling all of those 338 00:18:14,320 --> 00:18:19,159 Speaker 1: norms around gender. For us, well, hello, here were Emilio 339 00:18:19,280 --> 00:18:22,240 Speaker 1: and Gloria doing that back in the eighties and we. 340 00:18:22,160 --> 00:18:27,040 Speaker 2: Didn't even know it. Icon the I cons. 341 00:18:28,640 --> 00:18:32,120 Speaker 1: It's incredible that Emilia was able to make that decision 342 00:18:32,160 --> 00:18:35,240 Speaker 1: for his family. Because the Miami Sound Machine followed up 343 00:18:35,280 --> 00:18:37,840 Speaker 1: Doctor Beat with their album Primitive Love. 344 00:18:38,680 --> 00:18:41,920 Speaker 2: It was the band's ninth studio album and their second 345 00:18:42,000 --> 00:18:44,840 Speaker 2: English language record. If you're doing the math, it means 346 00:18:44,880 --> 00:18:48,640 Speaker 2: it took nine albums for the world to get Gona. 347 00:18:49,160 --> 00:18:52,399 Speaker 1: That fact right there. Joseph really burst the bubble of 348 00:18:52,600 --> 00:18:58,080 Speaker 1: overnight success. As we've mentioned countless times on this podcast. Yes, 349 00:18:58,320 --> 00:19:01,360 Speaker 1: they were always great, but they were getting better. The 350 00:19:01,400 --> 00:19:04,480 Speaker 1: world was ready for them. But this is when the 351 00:19:04,480 --> 00:19:06,800 Speaker 1: American audience seemed to fully wake up. 352 00:19:07,160 --> 00:19:09,320 Speaker 2: It was mainstream exactly. 353 00:19:09,600 --> 00:19:13,280 Speaker 1: It's nineteen eighty five and they finally have an album 354 00:19:13,359 --> 00:19:16,920 Speaker 1: that broke into the American charts. It ended up having 355 00:19:17,119 --> 00:19:20,760 Speaker 1: three top ten hits on the Billboard Hot One hundred words, 356 00:19:20,800 --> 00:19:25,920 Speaker 1: get in the way, bad boy, and of course gong Ga. 357 00:19:25,960 --> 00:19:29,400 Speaker 1: I know that you're not like an expert in Miami 358 00:19:29,480 --> 00:19:35,080 Speaker 1: sound machine discography, but when you hear the name Gloria Estefan, 359 00:19:35,520 --> 00:19:37,440 Speaker 1: what is the song that comes to mind? 360 00:19:38,000 --> 00:19:43,000 Speaker 2: Gong Got Bitch, gong Go, Like it's just that, Like 361 00:19:43,040 --> 00:19:45,159 Speaker 2: I know she has so many other songs, but like 362 00:19:45,320 --> 00:19:48,239 Speaker 2: Gonga and her kind of dancing. I don't even know 363 00:19:48,480 --> 00:19:50,639 Speaker 2: where I get that image from, but like Gonga and 364 00:19:50,680 --> 00:19:52,639 Speaker 2: her dancing to it. 365 00:19:52,000 --> 00:19:54,200 Speaker 1: It's such an amazing song. And I think you said 366 00:19:54,200 --> 00:19:57,080 Speaker 1: it earlier. You said, if you're having a bad day, 367 00:19:57,680 --> 00:20:00,120 Speaker 1: put on this song, you know, because. 368 00:20:00,240 --> 00:20:02,840 Speaker 2: The beat to it, it's that it makes you stand 369 00:20:02,920 --> 00:20:05,040 Speaker 2: up and just move your body, like it makes you 370 00:20:05,119 --> 00:20:08,280 Speaker 2: want to do something. And I don't know why. 371 00:20:08,440 --> 00:20:09,920 Speaker 1: For me, it's like, okay, makes me want to get 372 00:20:09,960 --> 00:20:12,280 Speaker 1: up and dance, but it might just make you want 373 00:20:12,320 --> 00:20:14,480 Speaker 1: to get up, like just stand up. 374 00:20:14,520 --> 00:20:20,280 Speaker 2: Like get up, yeah, just move your feet. It's so true. 375 00:20:20,359 --> 00:20:23,080 Speaker 1: It's it's such a great song. I mean, the video 376 00:20:23,480 --> 00:20:26,960 Speaker 1: is iconic, the lyrics are iconic, and I love how 377 00:20:27,119 --> 00:20:29,199 Speaker 1: fast she can sing. You and I have tried to 378 00:20:29,200 --> 00:20:29,919 Speaker 1: do this before. 379 00:20:30,480 --> 00:20:31,520 Speaker 2: You're ready here we go. 380 00:20:31,600 --> 00:20:34,080 Speaker 1: No, wait, we're gonna okay, here you do it? Okay, ready, okay, 381 00:20:34,080 --> 00:20:35,520 Speaker 1: I'm gonna sent her. Are you ready? 382 00:20:35,880 --> 00:20:36,159 Speaker 2: Come on? 383 00:20:36,200 --> 00:20:37,920 Speaker 1: Check your body, baby, do that Gonga? No, you can't 384 00:20:37,920 --> 00:20:38,960 Speaker 1: control yourself any lung. 385 00:20:40,359 --> 00:20:43,480 Speaker 2: I was shaking my teeth. Is it getting strong? Good? 386 00:20:43,480 --> 00:20:44,720 Speaker 1: Don't you fight it till you've tried to do that? 387 00:20:44,800 --> 00:20:48,840 Speaker 1: Kunga be dun dun dunna. I feel like I nailed. 388 00:20:48,520 --> 00:20:50,679 Speaker 2: It, You nailed it one hundred percent. But for her 389 00:20:50,760 --> 00:20:53,639 Speaker 2: drummer to be this writer and take care Kiki to 390 00:20:53,760 --> 00:20:56,439 Speaker 2: like write this song like he wrote this song, and 391 00:20:56,480 --> 00:20:58,240 Speaker 2: she's like, what a duo. 392 00:20:58,359 --> 00:21:00,760 Speaker 1: The whole band is instance much? 393 00:21:01,600 --> 00:21:03,600 Speaker 2: And how they all found each other? I know. 394 00:21:03,720 --> 00:21:07,040 Speaker 1: I mean it's like cousins, primos friends, like get everyone 395 00:21:07,119 --> 00:21:10,200 Speaker 1: together in the backyard. I mean, it's like Selena and Losino's, 396 00:21:10,400 --> 00:21:16,320 Speaker 1: but like thirty years before that. Obviously, Joseph and I 397 00:21:16,400 --> 00:21:19,920 Speaker 1: love the song. But this song reached the top ten 398 00:21:20,119 --> 00:21:22,960 Speaker 1: in so many different countries, not just the US. We're 399 00:21:22,960 --> 00:21:28,240 Speaker 1: talking international top ten list. This song was the song 400 00:21:28,440 --> 00:21:31,520 Speaker 1: and even Gloria recognizes that. When it comes to the 401 00:21:31,560 --> 00:21:34,160 Speaker 1: Miami Sound Machine, Gonga is their signature song. 402 00:21:37,200 --> 00:21:39,480 Speaker 2: They would also go on to release the song Hot 403 00:21:39,480 --> 00:21:42,120 Speaker 2: Summer Nights, which would be featured in the nineteen eighty 404 00:21:42,160 --> 00:21:46,400 Speaker 2: six film Top Gun. It doesn't get more Merca than. 405 00:21:46,240 --> 00:21:50,600 Speaker 1: That, exactly. Give the gringos what they want, something that 406 00:21:50,640 --> 00:21:55,679 Speaker 1: feels exotic but familiar, and in that the Astephans created 407 00:21:55,680 --> 00:21:58,920 Speaker 1: the blueprint for the crossover, which they would later share 408 00:21:59,040 --> 00:22:02,439 Speaker 1: with other Latino like Shakida and Ricky Martin. 409 00:22:02,880 --> 00:22:08,679 Speaker 2: Preach Honey Primitive Love also elevated it all. Gloria's vocals 410 00:22:08,720 --> 00:22:12,040 Speaker 2: were insane, the music, the style, it was all really 411 00:22:12,119 --> 00:22:15,720 Speaker 2: daring and I feel like unapologetically flamboyant in the rhythm. 412 00:22:16,200 --> 00:22:18,840 Speaker 1: Would you say the rhythm was going to get you bite? 413 00:22:19,000 --> 00:22:24,800 Speaker 2: The rhythm got me and it took me. Their next 414 00:22:24,840 --> 00:22:27,680 Speaker 2: album was nineteen eighty seven's Let It Loose. It became 415 00:22:27,720 --> 00:22:30,720 Speaker 2: Miami Sound Machine's most commercially successful album. 416 00:22:31,160 --> 00:22:35,240 Speaker 1: By then, Gloria Stephan took Top Billain. The band's name 417 00:22:35,359 --> 00:22:40,679 Speaker 1: was changed to Gloria Stepan and the Miami Sound Machine. 418 00:22:40,960 --> 00:22:43,880 Speaker 2: Soon, The Miami Sound Machine would perform with Gloria as 419 00:22:43,920 --> 00:22:50,520 Speaker 2: its main lead singer and official headline. 420 00:22:50,359 --> 00:22:55,359 Speaker 1: On the next becoming an Icon Gloria Ghost Solo and 421 00:22:55,440 --> 00:23:07,320 Speaker 1: The Accident That almost changed everything for THEA Stephans. Becoming 422 00:23:07,320 --> 00:23:10,960 Speaker 1: an Icon is presented by Sonoo and Iheart's Michael Duda 423 00:23:11,080 --> 00:23:15,800 Speaker 1: podcast network. Listen to Becoming an Icon on the iHeartRadio app, 424 00:23:15,920 --> 00:23:19,159 Speaker 1: Apple podcast, or wherever you get your podcast