WEBVTT - Sunset Blvd: One Famous Road

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Welcome to the podcast. I'm Josh, and there's Chuck and

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<v Speaker 2>Jerry's here too. Jerry's being quiet and this is Stuff

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<v Speaker 2>you should Know, the hair metal Ish edition.

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<v Speaker 3>Yeah.

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<v Speaker 1>I mean, you know, we've done a lot of New

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<v Speaker 1>York centric episodes over the years, and I feel like

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<v Speaker 1>we haven't given La their due, a city that I

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<v Speaker 1>know you love dearly.

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<v Speaker 2>Yeah, the one other city in the world New York.

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<v Speaker 1>In La No, I just La, and especially this episode,

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<v Speaker 1>this Sunset Boulevard. The street there aren't many, you know.

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<v Speaker 1>I mean, there's a handful of iconic streets in the world,

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<v Speaker 1>and Sunset Boulevard is one of them because it's just

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<v Speaker 1>been historically packed with I mean, it's not just like

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<v Speaker 1>film stuff. It's music stuff, it's literary stuff, it's comedy stuff,

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<v Speaker 1>all sorts of like iconic cultural staples on Sunset Boulevard.

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<v Speaker 2>Right, And it was obviously very well known inside of

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<v Speaker 2>LA for years, but it wasn't until the early twenty

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<v Speaker 2>tens before the rest of the world heard about it,

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<v Speaker 2>thanks to the Aaron Sorkin show Studio sixty on the

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<v Speaker 2>Sunset Strip.

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<v Speaker 3>Oh yeah, I actually watched that for a little while.

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<v Speaker 2>It was unwatchable.

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<v Speaker 3>Yeah, it wasn't very good.

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<v Speaker 2>Somebody just breaking out into a moving soliloquy every seven

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<v Speaker 2>minutes is the most unrealistic writing anybody could ever possibly do.

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<v Speaker 3>That's Aaron Sorkin, baby, I know.

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<v Speaker 2>But it only worked for West Wing.

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<v Speaker 1>I didn't much West Wing at all, so I haven't

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<v Speaker 1>seen a lot of Sorkin stuff.

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<v Speaker 2>It really worked for West Wing, but it did not

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<v Speaker 2>work for Studio sixty.

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<v Speaker 3>I do love Sarah Paulson though she was in that.

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<v Speaker 2>Sure, that's great. I felt bad for.

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<v Speaker 3>Yeah, I did do a little bit.

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<v Speaker 2>What was great is thirty Rock came out at the

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<v Speaker 2>exact same time, and they would make fun of some

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<v Speaker 2>Studio sixties like a plot line.

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<v Speaker 3>Yes, in real time, Yeah, the whole what.

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<v Speaker 2>Was the Janis Joplin story? They had to like rename her, uh,

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<v Speaker 2>have rights to her life story? That was something that

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<v Speaker 2>Sarah Paulson like, got it a gig do playing Janis

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<v Speaker 2>Joplin on Studio sixty. So that's our Studio sixty episode, everybody.

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<v Speaker 3>That's right back to Sunset Boulevard.

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<v Speaker 2>Yeah, so yes, we should probably just say all jokes

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<v Speaker 2>aside it's very long street. It's a very historic street,

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<v Speaker 2>and it actually dates back to the eighteenth century, before

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<v Speaker 2>the city of Los Angeles, as we understand, it was around. Instead,

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<v Speaker 2>it originated in the Pueblo de Los Angeles, which was

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<v Speaker 2>the little colony I guess or settlement of just eleven families. Yeah,

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<v Speaker 2>that was the seed that germinated into Los Angeles, home

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<v Speaker 2>of Joe Friday.

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<v Speaker 1>That's right in Sunset Boulevard before it became Sunset Boulevard,

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<v Speaker 1>like many famous streets, was originally used as something else,

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<v Speaker 1>and in this case, it was a cattle trail from

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<v Speaker 1>that downtown pueblo of Los Angeles all the way to

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<v Speaker 1>the Pacific. So it runs for twenty three miles. You

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<v Speaker 1>hear about, you know, Sunset Boulevard, you probably think of

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<v Speaker 1>the Sunset Strip, which is a less than two mile area.

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<v Speaker 1>But Sunset Boulevard there, you know, I used to live

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<v Speaker 1>on the east side and Silver Lake and Sunset Boulevard

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<v Speaker 1>over there is great and a whole other way than

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<v Speaker 1>the Sunset Strip.

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<v Speaker 3>How so well, I mean it's.

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<v Speaker 1>Just a cultural seed of you know, great restaurants and

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<v Speaker 1>cafes and music venues, and you know, it was sort

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<v Speaker 1>of the hipster thing back in the day when the

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<v Speaker 1>hipsters were still a thing.

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<v Speaker 2>Yeah, Silverlake. That's there's that Shaggy Dog Mystery with Andrew

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<v Speaker 2>Garfield beneath the Silver Lake. Right.

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<v Speaker 3>Oh, that was pretty hipster. I think I saw that maybe.

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<v Speaker 2>Yeah, it's worth watching, especially if you know it's a

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<v Speaker 2>shaggy dog mystery going into it.

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<v Speaker 1>Yeah, but a long way of saying that, it was

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<v Speaker 1>a cattle trail to begin with, and then like a

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<v Speaker 1>lot of things like that, would eventually become a real street.

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<v Speaker 1>It became Sunset Boulevard about one hundred years after that,

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<v Speaker 1>I believe.

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<v Speaker 2>Yeah, so there's a couple of store origin stories for

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<v Speaker 2>where the name came from. I couldn't see what they

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<v Speaker 2>called it, like the westward side of Sunset Boulevard before

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<v Speaker 2>it was Sunset Boulevard. But I think in eighteen eighty

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<v Speaker 2>seven there was a developer. There was a lot of

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<v Speaker 2>land development going on in the late nineteenth century that

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<v Speaker 2>built up Los Angeles. It was a bunch of different

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<v Speaker 2>little towns, communities that were independent, and then Los Angeles

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<v Speaker 2>kept growing and growing and growing, and it would absorb

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<v Speaker 2>them and they became neighborhoods instead. Well, there was one

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<v Speaker 2>planned town called Sunset, and they planned for Sunset Boulevard,

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<v Speaker 2>a different stretch of road to go right through the town,

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<v Speaker 2>and so they apparently came up with the name Sunset Boulevard,

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<v Speaker 2>but it was another developer who appropriated it and used

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<v Speaker 2>it for the Sunset Boulevard. After that town of Sunset

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<v Speaker 2>never actually happened. It died on the drafting tape.

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<v Speaker 1>I guess is what you'd say, is that an industry

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<v Speaker 1>jargon it is now? Yeah, And you know, surely you

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<v Speaker 1>can see some some great sunsets because Sunset, you know,

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<v Speaker 1>if you're not familiar with sort of the Hollywood basin,

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<v Speaker 1>there's a it's very grid like and there's a series

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<v Speaker 1>of east west streets. Hollywood, Sunset, Santa Monica are some

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<v Speaker 1>of the more famous ones. And it goes downhill, you know,

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<v Speaker 1>from the mountains, the Hollywood Hills. You know, there's the

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<v Speaker 1>literal mountains and hills, but then it's still up kind

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<v Speaker 1>of high and La kind of goes down down, down

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<v Speaker 1>into the basin and Sunset is pretty high on that side.

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<v Speaker 3>So yeah, you can see some great sunsets, I'm sure.

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<v Speaker 2>Yeah, And I think originally it terminated on the east

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<v Speaker 2>end in Chinatown or what's now Chinatown, And like you said,

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<v Speaker 2>it goes through Silver Lake, it goes through a bunch

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<v Speaker 2>of different neighborhoods, Echo Park, Pacific Palisades, Beverly Hills, Hollywood,

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<v Speaker 2>West Hollywood, like all these great neighborhoods I think are

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<v Speaker 2>in part great neighborhoods because it's chicken or the thing

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<v Speaker 2>is Sunset Boulevard great because these these neighborhoods around it

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<v Speaker 2>are great, Or are the neighborhoods great because Sunset Boulevard

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<v Speaker 2>ran through them?

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<v Speaker 1>I think it's a chicken meat egg and they just

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<v Speaker 1>shake hands and agree not to discuss it.

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<v Speaker 2>Let's never speak of this again.

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<v Speaker 1>Some film stuff and we're kind of jumping around between

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<v Speaker 1>things that made it famous, but generally in a timeline.

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<v Speaker 3>But early on it was obviously.

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<v Speaker 1>Hollywood was the birthplace of the film industry. And you know,

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<v Speaker 1>we've said it before. If you've never been there, you

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<v Speaker 1>might think Hollywood is just a euphemism for the film industry.

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<v Speaker 1>It is that, but it is also a real neighborhood

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<v Speaker 1>right in the center of the La Basin there, And

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<v Speaker 1>you know, it was originally just like all the other suburbs,

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<v Speaker 1>like you were talking about, they were dividing it up

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<v Speaker 1>into lots, and I believe in the early nineteen hundreds

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<v Speaker 1>it was a guy named very nineteen hundreds name H. J.

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<v Speaker 3>Whitby, who kind of I.

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<v Speaker 1>Don't know if he wasn't officially incorporated, but he made

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<v Speaker 1>Hollywood like a proper town and a place to live.

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<v Speaker 2>Yeah. I think Hollywood or West Hollywood wasn't incorporated until

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<v Speaker 2>like the nineteen eighties, Is that right.

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<v Speaker 3>I think that was probably West Hollywood. Okay, we hope

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<v Speaker 3>as they.

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<v Speaker 2>Say, yeah, everybody knows that thanks to the studio sixty

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<v Speaker 2>so yeah, so Hollywood it was almost out of the

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<v Speaker 2>gate versus the early nineteen hundreds nineteen ten when it

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<v Speaker 2>merged with Los Angeles. The next year, film studio started

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<v Speaker 2>popping up, and they started popping up in a very

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<v Speaker 2>specific area, the corner of Sunset Boulevard and Gower Street.

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<v Speaker 2>And even still today there's an original studio from that

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<v Speaker 2>area called Sunset Gower Studios and they're still making shows.

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<v Speaker 2>That's where Dexter was filmed, That's where Saved by the Bell,

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<v Speaker 2>the College Years was filmed. That's that's where yet six

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<v Speaker 2>feet under Dexter, the College years. Heroes, A lot of

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<v Speaker 2>really good shows have shot there, and it's an old,

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<v Speaker 2>old timey, original Hollywood studio from like the nineteen teens.

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<v Speaker 3>Yeah.

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<v Speaker 1>I never shot there, but I got to as a

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<v Speaker 1>PA got to run an erran there once during while

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<v Speaker 1>Six Feet Under was being shot, so I've got to

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<v Speaker 1>see those sets and it was pretty pretty cool as

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<v Speaker 1>a six Feet Under fan.

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<v Speaker 2>What did you take something to Diddy? Is that what

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<v Speaker 2>it was? No?

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<v Speaker 3>No, No, that was to his actual house.

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<v Speaker 2>Good.

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<v Speaker 1>Yeah, I'd disavow that entire delivery, though. Poverty Rose what

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<v Speaker 1>they called Sunset Gower at first because it was pretty

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<v Speaker 1>low budget at the time the things they shot there,

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<v Speaker 1>But in the nineteen thirties they started shooting some like

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<v Speaker 1>really kind of high quality things there, notably the movies

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<v Speaker 1>That Happened One Night and You Can't Take It with You.

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<v Speaker 3>Yeah, and then Gower Gulch.

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<v Speaker 1>I'm glad I never knew the history, but there's still

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<v Speaker 1>a strip mall right there called Gower Gulch and it

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<v Speaker 1>has a little Old West theme.

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<v Speaker 3>And that's where I saw Cherio Terry at a Starbucks.

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<v Speaker 1>Oh yeah, and where there was a hopefully it's still

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<v Speaker 1>a print shop there where you know, you could get

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<v Speaker 1>scripts printed off and bound. Oh yeah, but now I

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<v Speaker 1>know that Gower Gulch is so named because it was

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<v Speaker 1>where all of the Westerns were being filmed, and a

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<v Speaker 1>lot of dudes and like cowboy hats and cowboy boots

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<v Speaker 1>would kind of hang around waiting to be cast there

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<v Speaker 1>at that I guess whatever the stores were at the time.

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<v Speaker 2>Yeah, because Hollywood, especially this area where all the studios

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<v Speaker 2>were churning out Westerns left and right through the twenties

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<v Speaker 2>and thirties. So I mean, I'm sure there were other

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<v Speaker 2>extras hanging around, but the ten gallon hat really makes

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<v Speaker 2>you stand out. And if you put a bunch of

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<v Speaker 2>them together, it's going to get a reputation for being

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<v Speaker 2>a cowboy hangout. And they would hang out around the

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<v Speaker 2>Columbia drug Store. Ye Is that still there?

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<v Speaker 3>I don't know.

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<v Speaker 1>I mean I feel like there's a right Aid and

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<v Speaker 1>that's probably what that was, But I may be wrong,

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<v Speaker 1>but you know, Gower Gulch lives on.

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<v Speaker 2>Did you ever go into that right Aid? And green Point? Yeah?

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<v Speaker 2>In Greenpoint in New York and Brooklyn. I think that

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<v Speaker 2>has like a disco ball still from whatever it was before.

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<v Speaker 3>Oh cool, No, definitely not.

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<v Speaker 2>It is kind of cool. But anyway, this Columbia drug

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<v Speaker 2>store they would have out there because the owners of

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<v Speaker 2>Columbia Drugs are had a telephone and they would let

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<v Speaker 2>the extras use it to call Central Casting to see

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<v Speaker 2>if there were any parts available for them. And there

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<v Speaker 2>was a high profile murder there too, right between a

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<v Speaker 2>couple of cowboys.

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<v Speaker 1>Uh yeah, I mean I don't know if it was

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<v Speaker 1>quite a you know, take ten steps and draw kind

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<v Speaker 1>of thing. Yeah, but there was a shooter over I

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<v Speaker 1>think they were both seeing the same Philly.

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<v Speaker 2>Yeah, and apparently one of them, Blackjack Ward, killed Johnny Tyke.

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<v Speaker 2>He shot him down once and then he told them

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<v Speaker 2>each reason he was shooting him, and every time he did,

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<v Speaker 2>he shot him again until his whole six shooter was empty.

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<v Speaker 2>Like he murdered that guy in broad daylight in front

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<v Speaker 2>of a bunch of people, and he still got off.

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<v Speaker 1>And someone said, boy, cast that dude. That's incredible. Yeah,

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<v Speaker 1>that should be out of a movie.

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<v Speaker 2>Yeah, they should make a movie about him. Sure.

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<v Speaker 1>Prohibition was when the party scene kind of moved in.

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<v Speaker 1>It was called the County Strip at the time, and

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<v Speaker 1>it was unincorporated still at this point, but it was

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<v Speaker 1>a stretch kind of between where Hollywood was, you know,

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<v Speaker 1>a dry place because of Prohibition, and Beverly Hills is

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<v Speaker 1>kind of where the Sunset Strip ends.

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<v Speaker 2>Yeah, well but it keeps going to the Pacific, right that, like,

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<v Speaker 2>doesn't it basically just run out into the ocean. I

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<v Speaker 2>guess the Pacific Highway.

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<v Speaker 3>But that's not the Sunset Strip, the strip strip.

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<v Speaker 2>Yeah, yeah, yeah, sorry about that, but yeah, I guess

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<v Speaker 2>from the outset. The Sunset Strip was like mobsters, brothels, gambling, rackets, nightclubs.

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<v Speaker 2>It was huge during Prohibition, and I guess the reason

0:11:33.480 --> 0:11:36.840
<v Speaker 2>why is because it was unincorporated, so the La County

0:11:36.880 --> 0:11:40.960
<v Speaker 2>Sheriff was in charge of overseeing or enforcing laws, and

0:11:41.000 --> 0:11:43.760
<v Speaker 2>I guess they weren't particularly inclined to enforce laws in

0:11:43.800 --> 0:11:46.720
<v Speaker 2>the area. So that's where you went. And that in

0:11:46.800 --> 0:11:51.200
<v Speaker 2>and of itself is like worth mentioning. It's historic. But

0:11:51.400 --> 0:11:53.680
<v Speaker 2>one of the reasons it's so famous or the strip

0:11:53.679 --> 0:11:55.680
<v Speaker 2>became the strip, is because on the other side, like

0:11:55.760 --> 0:11:58.680
<v Speaker 2>you said, there's Beverly Hills, and that's where the stars

0:11:58.679 --> 0:12:00.800
<v Speaker 2>had moved around the same time, So they would come

0:12:00.960 --> 0:12:04.679
<v Speaker 2>into the County Strip and party and then go back

0:12:04.720 --> 0:12:06.760
<v Speaker 2>to Beverly Hills and the fact that there were all

0:12:06.800 --> 0:12:09.680
<v Speaker 2>these world famous movie stars partying there. Yeah, kind of

0:12:09.720 --> 0:12:12.680
<v Speaker 2>really put a stamp on Sunset Strip that stayed forever.

0:12:13.200 --> 0:12:16.080
<v Speaker 1>Yeah, there was eighty four to seventy seven. Sunset had

0:12:16.480 --> 0:12:19.680
<v Speaker 1>four different mobster clubs basically where the you know, mob

0:12:19.760 --> 0:12:22.240
<v Speaker 1>owned and back them. It was at first the Sphinx,

0:12:22.920 --> 0:12:26.000
<v Speaker 1>then the Han Club, then Club what would that be

0:12:26.040 --> 0:12:27.120
<v Speaker 1>so Soco Luff.

0:12:27.480 --> 0:12:30.000
<v Speaker 2>Yeah, I think so SoC Socoloff.

0:12:31.320 --> 0:12:34.600
<v Speaker 1>Yeah, that's okay, l O E F F. And then

0:12:34.800 --> 0:12:37.480
<v Speaker 1>the Clover Club. And if you're wondering what eighty four

0:12:37.480 --> 0:12:39.679
<v Speaker 1>to seventy seven is now, it's a weed dispensary.

0:12:40.480 --> 0:12:41.680
<v Speaker 2>Oh that's appropriate.

0:12:41.920 --> 0:12:43.960
<v Speaker 3>Yeah, it kind of feels right, doesn't it.

0:12:44.160 --> 0:12:47.160
<v Speaker 2>Yeah, because I'll bet it was a weed dispensary back

0:12:47.160 --> 0:12:47.920
<v Speaker 2>in the thirties too.

0:12:48.200 --> 0:12:49.200
<v Speaker 3>Yeah, probably so.

0:12:49.440 --> 0:12:53.680
<v Speaker 2>But I'll bet it was some crap weed. Yeah, so

0:12:54.280 --> 0:12:56.920
<v Speaker 2>let yeah, no crap like the kids say today.

0:12:56.840 --> 0:12:59.000
<v Speaker 3>Right, I think it's no cap it'sn't it.

0:12:59.800 --> 0:13:03.760
<v Speaker 2>I think they just don't know what they're saying. Okay,

0:13:03.880 --> 0:13:08.280
<v Speaker 2>So I mentioned Brothels that apparently was a huge foundation

0:13:08.440 --> 0:13:12.240
<v Speaker 2>of Hollywood. So there's Hollywood that people think about as Hollywood,

0:13:12.240 --> 0:13:14.440
<v Speaker 2>and then there was like real Hollywood that the actual

0:13:14.520 --> 0:13:17.920
<v Speaker 2>stars how they actually lived their lives, and it was

0:13:18.080 --> 0:13:22.360
<v Speaker 2>depraved and decadent, as you can imagine during the Golden Era.

0:13:22.800 --> 0:13:25.600
<v Speaker 2>It might have been the most appraved and decadent during

0:13:25.640 --> 0:13:28.040
<v Speaker 2>the Golden Era, depending on what your moral views are,

0:13:30.080 --> 0:13:32.320
<v Speaker 2>and people just went buck wild, and the brothels were

0:13:32.360 --> 0:13:36.319
<v Speaker 2>a huge part of that. They were everywhere along Sunset Boulevard.

0:13:36.360 --> 0:13:38.800
<v Speaker 2>They were in private homes, they were in apartment buildings,

0:13:38.800 --> 0:13:42.920
<v Speaker 2>they were sometimes in commercial spaces, and they even had

0:13:42.920 --> 0:13:46.680
<v Speaker 2>some that imitated or there were lookalikes of stars of

0:13:46.720 --> 0:13:47.320
<v Speaker 2>the day too.

0:13:47.880 --> 0:13:50.840
<v Speaker 1>Yeah, that was one of the plotlines of La Confidential

0:13:50.840 --> 0:13:53.960
<v Speaker 1>if you remember, Oh yeah, it was a brothel where

0:13:54.000 --> 0:13:56.320
<v Speaker 1>and except in that movie they were I think the

0:13:56.360 --> 0:13:58.760
<v Speaker 1>line was like they're cut to look like celebrities, So

0:13:58.800 --> 0:14:01.480
<v Speaker 1>I think they had actual like plast surgery, oh got

0:14:01.520 --> 0:14:04.360
<v Speaker 1>youa yeah, to look like Hollywood stars. And you know,

0:14:04.400 --> 0:14:06.680
<v Speaker 1>the rumors were that the studios were kind of funding

0:14:06.720 --> 0:14:10.560
<v Speaker 1>these to take investors, like foreign investors there and they

0:14:10.559 --> 0:14:13.520
<v Speaker 1>could sleep with a sex worker that looks like Vivian Lee.

0:14:14.000 --> 0:14:17.120
<v Speaker 2>That seems to be a really well founded rumor, Like

0:14:17.200 --> 0:14:19.400
<v Speaker 2>I don't know that there's any actual documentation of it,

0:14:19.440 --> 0:14:21.480
<v Speaker 2>but it seems to be pretty much accepted as fact

0:14:21.520 --> 0:14:22.240
<v Speaker 2>from what I saw.

0:14:22.480 --> 0:14:24.240
<v Speaker 3>Yeah, I believe it so.

0:14:24.440 --> 0:14:29.120
<v Speaker 2>And actually, because this is Hollywood and celebrity, I guess

0:14:29.160 --> 0:14:32.040
<v Speaker 2>celebrity worship is just part of it and always has been.

0:14:32.560 --> 0:14:35.160
<v Speaker 2>Whenever some of the Madams would get busted, they would

0:14:35.160 --> 0:14:39.040
<v Speaker 2>become internationally famous as well. There were two that stick out.

0:14:39.080 --> 0:14:42.200
<v Speaker 2>One name was Lee Francis. I think she might have

0:14:42.240 --> 0:14:44.920
<v Speaker 2>originally worked under the other very famous one, the Black

0:14:44.960 --> 0:14:49.280
<v Speaker 2>Widow and Forrester, And by this time the Hollywood movie

0:14:49.280 --> 0:14:53.560
<v Speaker 2>studios were so powerful that both Leif Francis and Forrester

0:14:53.920 --> 0:14:58.240
<v Speaker 2>were busted with client information. One of them had essentially

0:14:58.280 --> 0:15:00.280
<v Speaker 2>like an index card system, the other one at a

0:15:00.320 --> 0:15:04.760
<v Speaker 2>black book, and both of those things disappeared before they

0:15:04.800 --> 0:15:08.600
<v Speaker 2>could ever make it into the evidence locker. And no

0:15:08.640 --> 0:15:12.160
<v Speaker 2>one was arrested in any of the cases, even the

0:15:12.200 --> 0:15:14.760
<v Speaker 2>guys who were caught in the act, because they just

0:15:15.000 --> 0:15:17.000
<v Speaker 2>you just kept people's names out of the paper. It

0:15:17.120 --> 0:15:20.960
<v Speaker 2>just didn't happen in Hollywood. And I think that level

0:15:21.000 --> 0:15:25.680
<v Speaker 2>of protection by the studios just fueled the lifestyle that

0:15:25.720 --> 0:15:29.440
<v Speaker 2>the stars were living because they couldn't get in trouble.

0:15:29.520 --> 0:15:32.240
<v Speaker 2>They could not there were no consequences for what they

0:15:32.240 --> 0:15:35.560
<v Speaker 2>were doing, so people just did anything and everything there

0:15:35.840 --> 0:15:38.360
<v Speaker 2>during that golden age, I guess of the twenties and

0:15:38.360 --> 0:15:39.680
<v Speaker 2>thirties and forties.

0:15:39.280 --> 0:15:40.280
<v Speaker 3>Maybe, yeah.

0:15:40.360 --> 0:15:42.280
<v Speaker 1>And you know, because of that, it was sort of

0:15:42.280 --> 0:15:44.280
<v Speaker 1>a you know, as Dave called it, kind of a

0:15:44.320 --> 0:15:49.160
<v Speaker 1>blessing in disguise for the LGTBQ community. And you know,

0:15:49.240 --> 0:15:52.160
<v Speaker 1>that's West Hollywood or we HO again is sort of

0:15:52.200 --> 0:15:55.560
<v Speaker 1>the heart of the LGTB community in central Los Angeles.

0:15:55.600 --> 0:15:58.680
<v Speaker 1>But way before that it was it was where a

0:15:58.680 --> 0:16:02.880
<v Speaker 1>lot of gay bars were, gay clubs, drag clubs.

0:16:02.880 --> 0:16:05.560
<v Speaker 3>I think the first drag shows.

0:16:05.240 --> 0:16:07.520
<v Speaker 1>In the city and probably some of the first in

0:16:07.560 --> 0:16:10.960
<v Speaker 1>the United States, were to Speakeasy in nineteen twenty seven

0:16:11.000 --> 0:16:14.680
<v Speaker 1>called Cafe Loabom. But there were also, you know, all

0:16:14.760 --> 0:16:16.400
<v Speaker 1>kinds of clubs there. It was a very famous one

0:16:16.400 --> 0:16:19.600
<v Speaker 1>called the Trocadero that opened in nineteen thirty four where

0:16:19.640 --> 0:16:24.000
<v Speaker 1>Cafe Lobohm was, and it was opened by a guy

0:16:24.040 --> 0:16:27.640
<v Speaker 1>named Billy Wilkerson who was a publisher of The Hollywood Reporter,

0:16:27.840 --> 0:16:31.200
<v Speaker 1>which I guess used to be news and like gossip

0:16:31.240 --> 0:16:34.200
<v Speaker 1>and stuff. Now it's like a you know, fully sort

0:16:34.200 --> 0:16:36.320
<v Speaker 1>of stand up, legitimate industry rag.

0:16:36.800 --> 0:16:38.960
<v Speaker 2>I know they write about us pretty much constant.

0:16:39.400 --> 0:16:40.320
<v Speaker 3>I think we were in it once.

0:16:40.320 --> 0:16:43.640
<v Speaker 2>Actually we were selected some honor of like I think

0:16:43.720 --> 0:16:46.040
<v Speaker 2>powerful podcasters or something crazy like that.

0:16:46.240 --> 0:16:48.080
<v Speaker 1>Yeah, we made that list of time or two and

0:16:48.480 --> 0:16:50.720
<v Speaker 1>we were in Variety once too. A couple of you know,

0:16:50.840 --> 0:16:51.920
<v Speaker 1>feathers in our caps.

0:16:52.240 --> 0:16:55.440
<v Speaker 2>Yeah, so nice. I'd love to joke those feathers sometimes.

0:16:55.840 --> 0:16:57.800
<v Speaker 1>Well, it's easy to forget when they don't come calling,

0:16:57.920 --> 0:17:01.800
<v Speaker 1>you know, it's true. But he owned Billy Wilkerson owned

0:17:01.920 --> 0:17:04.760
<v Speaker 1>the Trocadero, and it was another one of those things

0:17:04.800 --> 0:17:06.600
<v Speaker 1>where he was like, hey, you come by the Trocadero

0:17:07.200 --> 0:17:09.639
<v Speaker 1>and we're going to make sure that you get in

0:17:09.680 --> 0:17:12.760
<v Speaker 1>the gossip column, you know, because at the time, you know,

0:17:12.840 --> 0:17:13.959
<v Speaker 1>that was kind of good press.

0:17:14.520 --> 0:17:18.200
<v Speaker 2>Yeah. At the same time, the Trocadero was set up

0:17:18.560 --> 0:17:22.520
<v Speaker 2>to cater to stars and celebrities because autograph hounds and

0:17:22.560 --> 0:17:25.159
<v Speaker 2>people who looked a little too hungry or thirsty to

0:17:25.200 --> 0:17:28.320
<v Speaker 2>get in there were shut out of that to protect

0:17:28.480 --> 0:17:32.000
<v Speaker 2>people inside, the celebrities inside, so they could relax and

0:17:32.000 --> 0:17:34.760
<v Speaker 2>not have to worry about I guess being asked for

0:17:34.800 --> 0:17:37.240
<v Speaker 2>their autograph, the worst thing that can possibly happen to you.

0:17:39.480 --> 0:17:41.159
<v Speaker 1>And then the final one we'll mention here before the

0:17:41.160 --> 0:17:44.439
<v Speaker 1>break is a nightclub called Ciro's. It opened in nineteen

0:17:44.520 --> 0:17:47.400
<v Speaker 1>forty and I believe it was also Wilkerson who owned

0:17:47.400 --> 0:17:48.960
<v Speaker 1>that one, and it was notable.

0:17:49.280 --> 0:17:50.280
<v Speaker 3>It was just a very.

0:17:50.200 --> 0:17:53.439
<v Speaker 1>Famous and popular nightclub, and it was it made its

0:17:53.560 --> 0:17:55.560
<v Speaker 1>name because Buggy Seagull would go there a lot, the

0:17:55.600 --> 0:18:00.000
<v Speaker 1>infamous mobster, and when he was in jail on murder trial,

0:18:00.280 --> 0:18:02.879
<v Speaker 1>he got food from Ciro's delivered right there to a

0:18:02.960 --> 0:18:04.520
<v Speaker 1>cell because you could do that at the time.

0:18:04.920 --> 0:18:07.520
<v Speaker 2>Yep, takeout food, can you believe it.

0:18:09.560 --> 0:18:12.000
<v Speaker 1>So we'll take a break now, Yeah, yeah, think a

0:18:12.040 --> 0:18:13.919
<v Speaker 1>right good idea great, and we'll come back and talk

0:18:13.960 --> 0:18:16.359
<v Speaker 1>about the legendary Chateau Marmont right after this.

0:18:41.359 --> 0:18:42.080
<v Speaker 3>All right, we're back.

0:18:42.119 --> 0:18:44.760
<v Speaker 1>We promised talk of the Chateau Marmont. That is a

0:18:44.840 --> 0:18:48.040
<v Speaker 1>very famous hotel built in nineteen twenty nine. It's the

0:18:48.080 --> 0:18:50.159
<v Speaker 1>one that sits right in the hills and kind of

0:18:50.160 --> 0:18:54.160
<v Speaker 1>looks like a castle, a very European inspired luxury hotel,

0:18:54.800 --> 0:18:57.879
<v Speaker 1>and its motto is still if you go to their

0:18:57.920 --> 0:19:02.200
<v Speaker 1>website says always a safe, even always open, and from

0:19:02.240 --> 0:19:04.520
<v Speaker 1>the start it was kind of like what you've been describing.

0:19:05.600 --> 0:19:08.560
<v Speaker 1>It was a place where you could go and party

0:19:08.600 --> 0:19:10.960
<v Speaker 1>hardy and ensure that your name wouldn't be in the

0:19:11.040 --> 0:19:11.760
<v Speaker 1>news because of it.

0:19:12.200 --> 0:19:15.240
<v Speaker 2>Yeah, Like they had and I believe still have a

0:19:15.440 --> 0:19:19.200
<v Speaker 2>strict policy among their staff, like you do not talk

0:19:19.240 --> 0:19:23.119
<v Speaker 2>about what you see at the hotel. And the reason

0:19:23.160 --> 0:19:25.440
<v Speaker 2>why is they figured out very early on that if

0:19:25.440 --> 0:19:30.480
<v Speaker 2>you can provide like that level of discretion or privacy,

0:19:30.800 --> 0:19:33.440
<v Speaker 2>you're going to be you're in good Like the word

0:19:33.440 --> 0:19:35.280
<v Speaker 2>of mouth alone is going to keep you in business

0:19:35.320 --> 0:19:37.719
<v Speaker 2>for decades, and clearly that worked out for more than

0:19:37.760 --> 0:19:42.439
<v Speaker 2>a century, almost a century. And then conversely, if the

0:19:42.520 --> 0:19:45.440
<v Speaker 2>staff started gossiping or talking about what they saw or

0:19:45.480 --> 0:19:49.400
<v Speaker 2>started selling their stories to papers or tabloids like the

0:19:49.560 --> 0:19:51.760
<v Speaker 2>Chateau Marmont would have gone out of business in six

0:19:51.840 --> 0:19:54.880
<v Speaker 2>months essentially. So they I don't know how they managed

0:19:54.920 --> 0:19:58.600
<v Speaker 2>to do it to keep people from you know, rumor

0:19:58.680 --> 0:20:01.000
<v Speaker 2>mongering or anything like that, but they seem to have

0:20:01.280 --> 0:20:02.879
<v Speaker 2>quite successfully over the years.

0:20:03.200 --> 0:20:05.760
<v Speaker 1>Yeah, and I was delighted to see today. And for

0:20:05.840 --> 0:20:08.639
<v Speaker 1>a while kind of during the early COVID years, I

0:20:08.720 --> 0:20:10.840
<v Speaker 1>remember it was closed down and it was supposedly going

0:20:10.880 --> 0:20:13.520
<v Speaker 1>to reopen as a sort of like a member's only

0:20:14.160 --> 0:20:17.640
<v Speaker 1>you could buy places or maybe live in them long

0:20:17.720 --> 0:20:19.359
<v Speaker 1>term or something. I can't remember what the plan was,

0:20:19.400 --> 0:20:21.159
<v Speaker 1>and it bummed me out because I'd never had a

0:20:21.240 --> 0:20:23.840
<v Speaker 1>chance to stay there. But I went today and apparently

0:20:23.840 --> 0:20:25.959
<v Speaker 1>it's a hotel again, and I don't know if those

0:20:26.040 --> 0:20:28.240
<v Speaker 1>plans are completely off or what or what happened, but

0:20:28.640 --> 0:20:31.240
<v Speaker 1>looks like you can stay there. I have never stayed there,

0:20:31.240 --> 0:20:34.240
<v Speaker 1>but I have mentioned before I have partied in the

0:20:34.280 --> 0:20:37.600
<v Speaker 1>John Belushi Bungalow like six or seven times, and it's.

0:20:37.480 --> 0:20:40.760
<v Speaker 3>Just a pretty awesome special place. The restaurant there, in

0:20:40.800 --> 0:20:43.399
<v Speaker 3>the bar, you just sort of feel.

0:20:43.880 --> 0:20:46.040
<v Speaker 1>It's not like I go there to, you know, get

0:20:46.080 --> 0:20:48.800
<v Speaker 1>away with doing bad stuff, but it feels insulated when

0:20:48.800 --> 0:20:50.439
<v Speaker 1>you're in there, like this little weird haven.

0:20:51.000 --> 0:20:53.200
<v Speaker 2>Yeah. I mean, like I said, apparently it's still very

0:20:53.280 --> 0:20:56.840
<v Speaker 2>much like that, and it's very tight lipped. Yeah. Yeah,

0:20:56.960 --> 0:21:00.439
<v Speaker 2>it's just I mean, that's just such an iconic place

0:21:00.600 --> 0:21:04.920
<v Speaker 2>that almost to me stands apart from Sunset Boulevard. It's

0:21:04.920 --> 0:21:07.920
<v Speaker 2>about as iconic as Sunset Boulevard itself in my opinion.

0:21:08.200 --> 0:21:09.960
<v Speaker 1>Yeah, agreed, And it was right there at sort of

0:21:10.000 --> 0:21:12.600
<v Speaker 1>that junction where that very famously had the big Marboro

0:21:12.720 --> 0:21:16.280
<v Speaker 1>Man poster ad for oh yeah, forever that thing was up.

0:21:17.680 --> 0:21:19.960
<v Speaker 2>There was one other thing. Dave helped us with us,

0:21:19.960 --> 0:21:22.080
<v Speaker 2>and he turned up a quote from the guy who

0:21:22.200 --> 0:21:24.760
<v Speaker 2>used to run Columbia Pictures, they think in the thirties.

0:21:24.800 --> 0:21:27.879
<v Speaker 2>The name was Harry Cone, and he used to tell

0:21:27.920 --> 0:21:30.320
<v Speaker 2>his actors, if you must get in trouble, do it

0:21:30.359 --> 0:21:34.000
<v Speaker 2>at the Chateau Marmont, Yeah, because nobody's going to find

0:21:34.040 --> 0:21:37.200
<v Speaker 2>out about it. Like that hotel could even keep people's

0:21:37.280 --> 0:21:40.680
<v Speaker 2>names out of the paper. When someone died in their hotel,

0:21:41.119 --> 0:21:43.560
<v Speaker 2>the death would get reported, but the papers would not

0:21:43.640 --> 0:21:46.040
<v Speaker 2>report the person's name. In a lot of cases, it's

0:21:46.080 --> 0:21:49.120
<v Speaker 2>got to be NDAs, I guess. But I mean, this

0:21:49.200 --> 0:21:51.560
<v Speaker 2>is long before there were NDA's, you know.

0:21:52.560 --> 0:21:53.720
<v Speaker 3>I don't know when those came along.

0:21:53.800 --> 0:21:56.720
<v Speaker 2>I mean, certainly they weren't around in the nineteen thirties.

0:21:56.760 --> 0:21:59.000
<v Speaker 2>I wouldn't think. I think just the studio has would

0:21:59.000 --> 0:21:59.640
<v Speaker 2>send goose.

0:21:59.520 --> 0:22:02.760
<v Speaker 3>Break your yeah. Yeah.

0:22:02.800 --> 0:22:05.120
<v Speaker 1>Down the street from the Chateau was another very famous

0:22:06.480 --> 0:22:09.920
<v Speaker 1>well eventually hotel was called the Garden of Allah, and you.

0:22:09.840 --> 0:22:12.199
<v Speaker 3>Should look this place up. If you're, you know, someplace

0:22:12.200 --> 0:22:13.959
<v Speaker 3>where you're not driving, and look at pictures of it.

0:22:13.960 --> 0:22:15.400
<v Speaker 3>It was pretty wondrous. I think it was a few

0:22:15.440 --> 0:22:16.960
<v Speaker 3>acres name.

0:22:17.000 --> 0:22:19.320
<v Speaker 1>For its original owner, it was a silent film star

0:22:19.440 --> 0:22:24.600
<v Speaker 1>named Ala Nazimova, and Alah had a lot of money

0:22:24.680 --> 0:22:27.960
<v Speaker 1>and bought a mansion there in nineteen eighteen. And then

0:22:28.160 --> 0:22:30.560
<v Speaker 1>when things it was sort of like, hey, come and party.

0:22:30.600 --> 0:22:32.280
<v Speaker 1>It was sort of like the New York salons at

0:22:32.280 --> 0:22:35.119
<v Speaker 1>the time, like the elite would party there. And I

0:22:35.160 --> 0:22:39.480
<v Speaker 1>think Nazamova was coined the phrase sewing circles as code

0:22:39.520 --> 0:22:42.280
<v Speaker 1>for lesbian and bisexual actresses at the time.

0:22:42.840 --> 0:22:47.080
<v Speaker 2>Yeah, I saw her described as the sapphik Mother of Hollywood,

0:22:47.320 --> 0:22:52.240
<v Speaker 2>like she is a LGBTQ icon from still today, but

0:22:52.320 --> 0:22:56.000
<v Speaker 2>from this era. And she was really famous and made

0:22:56.040 --> 0:22:58.760
<v Speaker 2>a lot of money. Apparently at one point she was

0:22:58.800 --> 0:23:01.400
<v Speaker 2>making thirteen thousand dollars a week, which is two hundred

0:23:01.440 --> 0:23:04.399
<v Speaker 2>and seventy six thousand dollars a week today, And so

0:23:04.720 --> 0:23:07.240
<v Speaker 2>according to the moral codes of the time, this was

0:23:07.320 --> 0:23:11.320
<v Speaker 2>decadent and depraved, but it was a safe place for

0:23:11.960 --> 0:23:16.040
<v Speaker 2>the stars who were closeted lesbians or closeted bisexual to

0:23:16.160 --> 0:23:21.480
<v Speaker 2>like come and like have affairs or make relationships or whatever.

0:23:21.760 --> 0:23:25.760
<v Speaker 2>It was just a really safe space, and Nazimova was

0:23:25.920 --> 0:23:28.400
<v Speaker 2>the reason why. Like she managed to keep a lid

0:23:28.440 --> 0:23:31.480
<v Speaker 2>on that as well while still like everybody went and

0:23:31.520 --> 0:23:32.000
<v Speaker 2>had fun.

0:23:32.560 --> 0:23:35.240
<v Speaker 1>Yeah, totally. And you know, it went from a private

0:23:35.320 --> 0:23:38.800
<v Speaker 1>house where she hosted these salons to after the silent

0:23:38.800 --> 0:23:41.320
<v Speaker 1>film era, she didn't make the transition to the talkies

0:23:41.440 --> 0:23:42.800
<v Speaker 1>so well and so it was a little down on

0:23:42.840 --> 0:23:46.280
<v Speaker 1>her luck financially, and remodeled it as a hotel in

0:23:46.400 --> 0:23:49.600
<v Speaker 1>nineteen twenty seven and it became sort of the same

0:23:49.680 --> 0:23:52.080
<v Speaker 1>version of the same thing, but as a hotel.

0:23:52.240 --> 0:23:54.840
<v Speaker 2>Yeah for sure. And I think as a hotel it

0:23:54.920 --> 0:23:59.840
<v Speaker 2>might have been less of a safe space, but probably

0:24:00.040 --> 0:24:02.440
<v Speaker 2>still carried it on some like from what I understand.

0:24:02.440 --> 0:24:05.920
<v Speaker 2>When it was their house, like it was lesbian central essentially,

0:24:05.960 --> 0:24:08.160
<v Speaker 2>and then once it became a hotel it was much

0:24:08.160 --> 0:24:10.520
<v Speaker 2>more open to I think everybody.

0:24:11.000 --> 0:24:13.600
<v Speaker 1>Yeah, for sure. It's now a strip mall. It was

0:24:13.600 --> 0:24:16.880
<v Speaker 1>demolished fully unfortunately, but you can go look at great

0:24:16.880 --> 0:24:19.560
<v Speaker 1>pictures of it. It was across from the very famous

0:24:19.640 --> 0:24:23.760
<v Speaker 1>Schwabz Pharmacy, which was a lot of things there was

0:24:24.160 --> 0:24:27.720
<v Speaker 1>I think from the movie nineteen fifty one Sunset Boulevard,

0:24:28.280 --> 0:24:29.800
<v Speaker 1>the great Billy Wilder movie.

0:24:30.119 --> 0:24:31.240
<v Speaker 2>This is such a good movie.

0:24:31.520 --> 0:24:32.640
<v Speaker 3>No, it's unbelievable.

0:24:33.000 --> 0:24:36.240
<v Speaker 1>William Holden, as a washed up screenwriter, says, after that,

0:24:36.320 --> 0:24:38.359
<v Speaker 1>I drove down to headquarters. That's the way a lot

0:24:38.359 --> 0:24:41.359
<v Speaker 1>of us think about schwabs, kind of a combination office

0:24:41.359 --> 0:24:44.480
<v Speaker 1>coffee clatch and waiting room, waiting waiting for the gravy train.

0:24:44.800 --> 0:24:45.919
<v Speaker 3>Yeah, and that's what it was.

0:24:45.960 --> 0:24:49.560
<v Speaker 1>It was this weird combo where you could go see

0:24:49.560 --> 0:24:51.840
<v Speaker 1>and be seen and also sit around and wait for

0:24:51.840 --> 0:24:52.120
<v Speaker 1>the phone.

0:24:52.200 --> 0:24:55.040
<v Speaker 2>During Yeah, they had this lunch counter that apparently was

0:24:55.080 --> 0:24:57.639
<v Speaker 2>pretty good because a lot of stars went there. But

0:24:57.680 --> 0:25:00.320
<v Speaker 2>they didn't discriminate. It wasn't like you could be an

0:25:00.359 --> 0:25:05.280
<v Speaker 2>aspiring actor who's getting nowhere and you're sitting there almost

0:25:05.320 --> 0:25:08.240
<v Speaker 2>literally rubbing elbows at this lunch counter with Marlon Brando

0:25:08.440 --> 0:25:11.119
<v Speaker 2>or something like that. Like, it was just people coming

0:25:11.119 --> 0:25:14.560
<v Speaker 2>together from all walks of life. And I thought that

0:25:14.640 --> 0:25:17.400
<v Speaker 2>was pretty cool. But it made it legendary. I mean

0:25:17.480 --> 0:25:21.680
<v Speaker 2>just basically anywhere that stars went on Sunset Boulevard automatically

0:25:21.720 --> 0:25:25.400
<v Speaker 2>became legendary. And now they're all right, aides or Chase.

0:25:25.200 --> 0:25:29.240
<v Speaker 1>Banks and Schwab's Pharmacy is where the famous story about

0:25:29.280 --> 0:25:32.680
<v Speaker 1>Lana Turner being discovered there while skipping school four name

0:25:32.720 --> 0:25:34.960
<v Speaker 1>was Lana Turner. But I think I feel like we

0:25:35.040 --> 0:25:36.600
<v Speaker 1>talked about this that that wasn't true.

0:25:37.119 --> 0:25:39.879
<v Speaker 2>Yeah, it turns out, I mean, she was discovered typing

0:25:39.880 --> 0:25:43.040
<v Speaker 2>class at Hollywood High School. But she was discovered at

0:25:43.080 --> 0:25:46.159
<v Speaker 2>the Top Hat malt shop, not at Schwab's, right, And

0:25:46.240 --> 0:25:48.520
<v Speaker 2>I guess Schwabs just filled in for top Hat because

0:25:48.560 --> 0:25:51.320
<v Speaker 2>it was much more famous. Maybe, I don't know. Yeah, probably,

0:25:51.560 --> 0:25:54.840
<v Speaker 2>But that same Billy Wilkerson who founded Ceros and the

0:25:54.840 --> 0:25:57.840
<v Speaker 2>Hollywood Reporter, he's apparently the one who discovered her.

0:25:58.680 --> 0:25:59.479
<v Speaker 3>Oh yeah, that's right.

0:25:59.560 --> 0:26:01.840
<v Speaker 2>It's all true, except for the Schwaps part.

0:26:03.080 --> 0:26:07.479
<v Speaker 1>As we move into the sixties is when the Sunset Strip,

0:26:07.600 --> 0:26:11.040
<v Speaker 1>you know, particularly became part of the kind of the

0:26:11.080 --> 0:26:15.680
<v Speaker 1>seated counterculture of Los Angeles. In the nineteen fifties, a

0:26:15.720 --> 0:26:17.800
<v Speaker 1>lot of money went to Vegas when Vegas was first

0:26:17.840 --> 0:26:21.560
<v Speaker 1>opening up. Yeah, and so rents fell lower on the strip.

0:26:21.920 --> 0:26:24.560
<v Speaker 1>So like some grittier nightclubs moved in. And I think

0:26:24.600 --> 0:26:28.000
<v Speaker 1>you found two where Vegas. If you played in Vegas,

0:26:28.080 --> 0:26:30.440
<v Speaker 1>you needed to at least like have a reputation in La.

0:26:30.600 --> 0:26:32.160
<v Speaker 1>So that's why a lot of bands played there.

0:26:32.400 --> 0:26:34.719
<v Speaker 2>Yeah. Well, no, the mob had enough money that they

0:26:34.720 --> 0:26:37.440
<v Speaker 2>could pay you just such a fat contract. That part

0:26:37.480 --> 0:26:39.920
<v Speaker 2>of the contract was you can't go play La because

0:26:39.960 --> 0:26:42.800
<v Speaker 2>we want people to come to Vas, right, So all

0:26:42.840 --> 0:26:46.040
<v Speaker 2>of the entertainers and performers left the Sunset Strip and

0:26:46.080 --> 0:26:49.679
<v Speaker 2>went to Vegas. So the club started having trouble, and

0:26:49.840 --> 0:26:53.239
<v Speaker 2>then they started bringing in black acts. Motown r and

0:26:53.280 --> 0:26:58.320
<v Speaker 2>b Otis Redding very famously played at I can't remember

0:26:58.359 --> 0:27:04.440
<v Speaker 2>what club with Bob Dylan watching him just agog and sadly,

0:27:05.240 --> 0:27:11.080
<v Speaker 2>the sudden appearance of black performers on the Sunset Strip

0:27:11.320 --> 0:27:14.959
<v Speaker 2>actually depressed real estate values even further, and so as

0:27:15.040 --> 0:27:18.320
<v Speaker 2>rock and roll kind of came along, young entrepreneurs who

0:27:18.400 --> 0:27:21.280
<v Speaker 2>wanted to open rock clubs were able to afford these

0:27:21.320 --> 0:27:25.040
<v Speaker 2>spaces along the Sunset Strip, And that's how it went

0:27:25.119 --> 0:27:29.679
<v Speaker 2>from glamorous Frank Sinatra to grungy rock clubs. There was

0:27:29.920 --> 0:27:33.600
<v Speaker 2>a transition, a swing from the R and B artists

0:27:33.359 --> 0:27:36.520
<v Speaker 2>of the time playing the Sunset Strip for a little

0:27:36.520 --> 0:27:38.040
<v Speaker 2>while in between those things.

0:27:38.359 --> 0:27:40.560
<v Speaker 1>Oh okay, that makes sense. So then it became more

0:27:40.640 --> 0:27:42.880
<v Speaker 1>rock and roll because that's when the Whiskey of Go

0:27:42.880 --> 0:27:46.080
<v Speaker 1>Go opened in sixty four. Then you have still not

0:27:46.160 --> 0:27:49.280
<v Speaker 1>been to. They just don't have a lot of stuff

0:27:49.320 --> 0:27:52.080
<v Speaker 1>that I'm into anymore. It's a lot of still a

0:27:52.119 --> 0:27:56.000
<v Speaker 1>lot of like metal and like metal tribute bands and

0:27:56.000 --> 0:27:57.560
<v Speaker 1>stuff like that. But I'm going to make it a

0:27:57.600 --> 0:27:59.119
<v Speaker 1>point just to go at some point, just so i

0:27:59.160 --> 0:28:02.200
<v Speaker 1>can be in that room. But that became sort of

0:28:02.240 --> 0:28:06.400
<v Speaker 1>the epicenter of the counterculture and youth culture and Whiskey

0:28:06.400 --> 0:28:08.080
<v Speaker 1>a Go Go. If you've heard of Go Go dancing,

0:28:08.119 --> 0:28:10.560
<v Speaker 1>it comes from the Whiskey of Go Go, Like literally.

0:28:10.560 --> 0:28:13.640
<v Speaker 2>Yeah, there was a DJ at the Whiskey name Joni Leabine,

0:28:13.880 --> 0:28:17.320
<v Speaker 2>and the DJ booth was in a glass case. I'm

0:28:17.320 --> 0:28:18.879
<v Speaker 2>not sure if it's still there or not, but it

0:28:18.960 --> 0:28:22.919
<v Speaker 2>was several tens of feet off of the dance floor

0:28:23.040 --> 0:28:25.720
<v Speaker 2>just over it. And when she was spinning records, she

0:28:25.720 --> 0:28:27.399
<v Speaker 2>would just kind of dance, and she had a certain

0:28:27.400 --> 0:28:30.159
<v Speaker 2>way of dancing, and she would wear very short skirts

0:28:30.200 --> 0:28:34.719
<v Speaker 2>and long white boots and the like. She started the

0:28:34.720 --> 0:28:38.400
<v Speaker 2>go go dancing trend of the sixties single handedly. Essentially

0:28:38.400 --> 0:28:42.360
<v Speaker 2>everybody started kind of mimicking her, and it was all

0:28:42.400 --> 0:28:43.320
<v Speaker 2>at the Whiskey Go Go.

0:28:43.680 --> 0:28:48.280
<v Speaker 1>Yeah, if you heard the rock band the Doors, the

0:28:48.360 --> 0:28:52.840
<v Speaker 1>rock band without a bass player featuring Jim Morrison and others,

0:28:53.040 --> 0:28:53.800
<v Speaker 1>Raymond Zeric.

0:28:54.320 --> 0:28:56.640
<v Speaker 2>I remember how excited I was in eighth grade when

0:28:56.680 --> 0:28:57.640
<v Speaker 2>that movie came out.

0:28:58.080 --> 0:29:00.440
<v Speaker 3>Oh I was in college. Yeah, I was too.

0:29:00.480 --> 0:29:02.280
<v Speaker 1>That's cool that you were psyched at that age because

0:29:02.520 --> 0:29:06.080
<v Speaker 1>it felt like colleges when everyone got into the Doors

0:29:06.120 --> 0:29:08.600
<v Speaker 1>for a couple of years, and that was definitely me

0:29:08.720 --> 0:29:10.960
<v Speaker 1>and the Whiskey certainly featured heavily because they were the

0:29:10.960 --> 0:29:15.200
<v Speaker 1>house band for basically a summer in nineteen sixty six,

0:29:16.520 --> 0:29:18.680
<v Speaker 1>and you know, every one of the day played there.

0:29:18.840 --> 0:29:20.520
<v Speaker 1>It's not a very big venue either. I don't know

0:29:20.520 --> 0:29:23.880
<v Speaker 1>what the capacity is, but it feels like just by

0:29:23.880 --> 0:29:25.560
<v Speaker 1>looking at it, it's probably under a thousand.

0:29:26.280 --> 0:29:28.479
<v Speaker 2>Oh yeah, I would definitely say that. I mean imagine

0:29:28.480 --> 0:29:30.960
<v Speaker 2>seeing Led Zeppelin or Jimmy Hendrix like in a small

0:29:31.040 --> 0:29:31.640
<v Speaker 2>room like that.

0:29:32.280 --> 0:29:34.440
<v Speaker 1>Yeah, I mean I can't imagine seeing the period much

0:29:34.520 --> 0:29:35.360
<v Speaker 1>less in a small room.

0:29:36.080 --> 0:29:38.080
<v Speaker 2>And then one other thing about the Whiskey Yo Go,

0:29:38.480 --> 0:29:41.240
<v Speaker 2>I think it's probably the greatest club name of all time.

0:29:42.520 --> 0:29:45.280
<v Speaker 2>And I looked up why or where Gogo came from

0:29:45.880 --> 0:29:49.680
<v Speaker 2>and apparently go for a little while was slang for fashionable,

0:29:50.160 --> 0:29:53.360
<v Speaker 2>and it just kind of morphed into go go kind

0:29:53.400 --> 0:29:56.719
<v Speaker 2>of fashionable or cool, right, doubly fashionable, So the whiskey

0:29:56.760 --> 0:29:59.080
<v Speaker 2>of go go was very fashionable.

0:29:59.120 --> 0:30:01.920
<v Speaker 3>I guess a rare in show. Look up, it's a

0:30:01.920 --> 0:30:04.160
<v Speaker 3>capacity of five hundred. So yeah, that's amazing.

0:30:04.160 --> 0:30:07.040
<v Speaker 2>Wow. Yeah, that's like a stuff you should know show

0:30:07.160 --> 0:30:08.600
<v Speaker 2>in our hometown of Atlanta.

0:30:11.040 --> 0:30:11.360
<v Speaker 3>Wow.

0:30:13.720 --> 0:30:17.640
<v Speaker 1>In the mid sixties is when cruising the strips became

0:30:17.720 --> 0:30:19.960
<v Speaker 1>like a real thing with you know, basically people just

0:30:20.000 --> 0:30:22.040
<v Speaker 1>would get in their cars, get in their convertibles, get

0:30:22.080 --> 0:30:24.360
<v Speaker 1>on their motorcycles, and just drive.

0:30:24.200 --> 0:30:25.560
<v Speaker 3>Up and down the Sunset Strip.

0:30:25.600 --> 0:30:29.200
<v Speaker 1>If you've ever seen the movie American Graffiti, even though

0:30:29.240 --> 0:30:34.720
<v Speaker 1>that drive in was filmed on van Ness, because Mel's

0:30:34.800 --> 0:30:37.880
<v Speaker 1>Drive In is a small chain, I think it was

0:30:37.920 --> 0:30:39.800
<v Speaker 1>supposed to be the one on the Sunset Strip if

0:30:39.840 --> 0:30:40.480
<v Speaker 1>I'm not mistaken.

0:30:40.640 --> 0:30:44.480
<v Speaker 2>Yeah. Definitely, that whole La youth culture and car culture

0:30:44.560 --> 0:30:46.800
<v Speaker 2>that produced the Beach Boys and all that, that's when

0:30:46.840 --> 0:30:49.560
<v Speaker 2>it was set right and I think it actually Happy

0:30:49.640 --> 0:30:55.520
<v Speaker 2>Days was essentially spun off of American Graffiti. What's his name,

0:30:56.120 --> 0:30:57.680
<v Speaker 2>Richard Cunningham.

0:30:57.320 --> 0:30:59.240
<v Speaker 3>Richie Cunningham, Ron Howard Baby.

0:30:59.400 --> 0:31:03.920
<v Speaker 2>Yes, he was an American Graffiti, essentially playing Richie Cunningham. Yeah,

0:31:04.040 --> 0:31:06.080
<v Speaker 2>right before Happy Days started.

0:31:06.160 --> 0:31:07.440
<v Speaker 3>So I have ever thought about that?

0:31:07.600 --> 0:31:10.160
<v Speaker 2>Yeah, one little thing about that. I was looking up

0:31:10.200 --> 0:31:12.800
<v Speaker 2>Mels Drive in an American Graffiti and I ran across

0:31:13.520 --> 0:31:17.200
<v Speaker 2>there was a list of suggested names from the studio

0:31:17.400 --> 0:31:21.240
<v Speaker 2>instead of American Graffiti. And it's even on like Lucasfilm

0:31:21.280 --> 0:31:23.560
<v Speaker 2>Station Area or something like that. One of them was

0:31:23.600 --> 0:31:28.040
<v Speaker 2>Burger City. They considered naming that movie Burger City.

0:31:29.280 --> 0:31:31.920
<v Speaker 3>Wow, we should write a script called Burger City. We

0:31:31.960 --> 0:31:32.920
<v Speaker 3>can get it developed.

0:31:33.440 --> 0:31:36.000
<v Speaker 2>Yeah, I think that'd be great.

0:31:35.880 --> 0:31:38.160
<v Speaker 3>Or good burger That'd be an equally weird name.

0:31:38.200 --> 0:31:39.400
<v Speaker 2>Isn't that Keenan and Kel?

0:31:39.880 --> 0:31:40.800
<v Speaker 3>Yeah, I was just kidding.

0:31:40.880 --> 0:31:41.840
<v Speaker 2>Have you ever seen that movie?

0:31:42.240 --> 0:31:43.920
<v Speaker 3>I never saw it was Was it a movie or

0:31:43.960 --> 0:31:44.320
<v Speaker 3>a show?

0:31:44.840 --> 0:31:46.520
<v Speaker 2>It was a movie. It was like the Keenan and

0:31:46.600 --> 0:31:47.400
<v Speaker 2>Kell movie.

0:31:47.840 --> 0:31:50.920
<v Speaker 1>Okay, yeah, yeah, he's the best. Well I don't know

0:31:51.000 --> 0:31:52.400
<v Speaker 1>much about Kell, but Keenan's awesome.

0:31:52.400 --> 0:31:53.040
<v Speaker 3>I love that guy.

0:31:53.200 --> 0:31:54.400
<v Speaker 2>Yeah, I agree.

0:31:55.320 --> 0:32:00.720
<v Speaker 1>Sixty six was when a club called Pandora's Box. Famously,

0:32:00.760 --> 0:32:03.520
<v Speaker 1>it became the sort of heart of what was known

0:32:03.560 --> 0:32:06.600
<v Speaker 1>as the riote on Sunset Strip. The La Sheriff's Department

0:32:06.680 --> 0:32:10.680
<v Speaker 1>headed first to ten o'clock curfew for teenagers, basically anyone

0:32:10.760 --> 0:32:14.560
<v Speaker 1>under eighteen, and on November twelfth of sixty six is

0:32:14.560 --> 0:32:19.120
<v Speaker 1>when thousands of young teenage hippies protested. They sat down

0:32:19.120 --> 0:32:21.640
<v Speaker 1>in the street in front of Pandora's Box, block traffic

0:32:22.400 --> 0:32:26.560
<v Speaker 1>and it ended pretty violently. Cops came in and Stephen

0:32:26.600 --> 0:32:30.000
<v Speaker 1>Stills wrote the famous protest song for what It's Worth

0:32:30.040 --> 0:32:31.360
<v Speaker 1>because he witnessed that event.

0:32:31.960 --> 0:32:34.840
<v Speaker 2>Yeah, they just came in with police batons of flying

0:32:35.000 --> 0:32:38.959
<v Speaker 2>cracking heads. It's like LAPD. Will you ever change?

0:32:41.080 --> 0:32:42.080
<v Speaker 3>Maybe? Maybe not.

0:32:43.200 --> 0:32:45.760
<v Speaker 2>The signs are not pointing to a definite yes at

0:32:45.760 --> 0:32:46.520
<v Speaker 2>this point yet.

0:32:47.120 --> 0:32:48.680
<v Speaker 1>And if you're thinking I don't know the song for

0:32:48.760 --> 0:32:52.200
<v Speaker 1>what It's Worth, it's the song you better stop. Hey,

0:32:52.240 --> 0:32:53.120
<v Speaker 1>what's that sound?

0:32:53.440 --> 0:32:53.840
<v Speaker 3>Everybody?

0:32:53.880 --> 0:32:56.880
<v Speaker 1>Look what's going down? You just probably don't remember it

0:32:56.920 --> 0:32:58.920
<v Speaker 1>as having the name for what It's Worth.

0:32:58.880 --> 0:33:01.920
<v Speaker 2>No, because it's one of those those songs that just

0:33:02.000 --> 0:33:04.720
<v Speaker 2>the title just doesn't fit the other part, I think.

0:33:04.760 --> 0:33:07.560
<v Speaker 2>But Buffalo Springfield, Yeah, it's a good song.

0:33:08.000 --> 0:33:08.520
<v Speaker 3>Love it.

0:33:08.760 --> 0:33:14.400
<v Speaker 2>Stephen Sills, did you know that? Thanks? Dave?

0:33:14.960 --> 0:33:16.640
<v Speaker 3>Oh did he not put the t in there.

0:33:16.840 --> 0:33:19.440
<v Speaker 2>No, Stephen Sills, I loved.

0:33:19.160 --> 0:33:23.400
<v Speaker 3>It, Crosby Sills, nas and Yown.

0:33:24.080 --> 0:33:26.400
<v Speaker 2>Oh, I mean we love Dave here, we love him.

0:33:27.240 --> 0:33:28.720
<v Speaker 1>So we should talk a little bit about the black

0:33:28.720 --> 0:33:32.360
<v Speaker 1>Cat Tavern because black Cat Tavern was a home of

0:33:32.400 --> 0:33:37.840
<v Speaker 1>one of the first major LGBTQ protestly in the United States,

0:33:37.840 --> 0:33:40.480
<v Speaker 1>certainly a couple of years before Stonewall, even.

0:33:40.560 --> 0:33:43.880
<v Speaker 2>Yeah, two years before Stonewall, you said, right, yeah, And

0:33:43.920 --> 0:33:46.920
<v Speaker 2>I think on New Year's Eve, the cops came in

0:33:47.080 --> 0:33:49.520
<v Speaker 2>the lapd again or the Sheriff's office, I'm not sure

0:33:49.520 --> 0:33:53.280
<v Speaker 2>which one. They started cracking heads. They started just beating

0:33:53.400 --> 0:33:55.920
<v Speaker 2>up the gay patrons there for being gay. They accused

0:33:55.920 --> 0:33:59.120
<v Speaker 2>them of lewd conduct or whatever. I think you turned

0:33:59.200 --> 0:34:02.200
<v Speaker 2>up that two men were caught kissing and that's essentially

0:34:02.240 --> 0:34:04.440
<v Speaker 2>what started the beatings. Is that correct?

0:34:05.040 --> 0:34:05.360
<v Speaker 3>Yeah?

0:34:05.440 --> 0:34:08.040
<v Speaker 1>I mean they ended up arresting fourteen people, but those

0:34:08.080 --> 0:34:11.560
<v Speaker 1>two men ended up getting convicted and had to register

0:34:11.600 --> 0:34:14.000
<v Speaker 1>as sex offenders for kissing each other.

0:34:14.560 --> 0:34:15.960
<v Speaker 3>The Supreme Court of the United.

0:34:15.800 --> 0:34:19.399
<v Speaker 1>States refused to hear their appeal, and so they took

0:34:19.400 --> 0:34:22.320
<v Speaker 1>away their liquor license. In May I believe was sixty seven,

0:34:22.880 --> 0:34:27.360
<v Speaker 1>shortly after the protest on February eleventh because of the

0:34:27.480 --> 0:34:29.600
<v Speaker 1>raid on New Year's Eve and.

0:34:29.520 --> 0:34:30.600
<v Speaker 3>They had to shut down.

0:34:30.719 --> 0:34:33.000
<v Speaker 1>I think it reopened as several other gay bars over

0:34:33.040 --> 0:34:36.400
<v Speaker 1>the years until twenty eleven. When it reopened in twenty

0:34:36.440 --> 0:34:39.760
<v Speaker 1>twelve eight as the Black Cat. It was a restaurant.

0:34:39.760 --> 0:34:42.359
<v Speaker 1>This time they paid honor to its roots a by

0:34:42.440 --> 0:34:44.240
<v Speaker 1>naming it that and having kind of the same logo,

0:34:44.320 --> 0:34:47.480
<v Speaker 1>but just the historical significance is on display there with

0:34:47.520 --> 0:34:48.840
<v Speaker 1>photographs and a plaque.

0:34:49.320 --> 0:34:51.080
<v Speaker 3>And this is in the Silver Lake side. This is

0:34:51.120 --> 0:34:51.840
<v Speaker 3>not on the strip.

0:34:52.280 --> 0:34:55.080
<v Speaker 1>And in twenty twenty two it was duplex and a

0:34:55.160 --> 0:34:58.239
<v Speaker 1>very small sort of two sided building Shake Shack opened

0:34:58.280 --> 0:35:00.600
<v Speaker 1>up on the other side in the adjac space and

0:35:00.640 --> 0:35:04.200
<v Speaker 1>apparently dominated with their signage, and everyone got really really

0:35:04.239 --> 0:35:06.680
<v Speaker 1>mad at that, and it didn't last long.

0:35:06.680 --> 0:35:08.240
<v Speaker 3>Shakeshack there is now closed.

0:35:08.760 --> 0:35:11.279
<v Speaker 2>You know. One of the most interesting things I've ever

0:35:11.320 --> 0:35:14.560
<v Speaker 2>seen is a story about Shakesheck, the original one in

0:35:14.680 --> 0:35:17.759
<v Speaker 2>whatever park it's in in New York. Okay, you mean,

0:35:17.760 --> 0:35:19.919
<v Speaker 2>and I were there. We were in line, very long line,

0:35:19.960 --> 0:35:21.960
<v Speaker 2>and the line goes through the park, so there's a

0:35:22.000 --> 0:35:24.719
<v Speaker 2>lot of trees overhead. Oh yeah, I know that this guy.

0:35:24.960 --> 0:35:26.319
<v Speaker 2>I'm not sure what park it is. I guess it

0:35:26.320 --> 0:35:28.799
<v Speaker 2>doesn't matter. But this guy, who was either one or

0:35:28.800 --> 0:35:34.320
<v Speaker 2>two behind us in line, suddenly was surrounded by bird poop.

0:35:34.680 --> 0:35:38.040
<v Speaker 2>It just formed like a halo around his body, and

0:35:38.200 --> 0:35:41.200
<v Speaker 2>everyone turned around looking for the poop that had surely

0:35:41.239 --> 0:35:45.120
<v Speaker 2>gotten on the guy, and he had nothing on him. Somehow,

0:35:45.520 --> 0:35:49.000
<v Speaker 2>the poop had all magically fallen within inches of his body,

0:35:49.440 --> 0:35:53.360
<v Speaker 2>all around him without actually getting on him, and everyone

0:35:53.400 --> 0:35:55.600
<v Speaker 2>in the line who knew what happened was just like

0:35:56.280 --> 0:35:58.640
<v Speaker 2>that is one of the most amazing things I've ever seen.

0:35:58.680 --> 0:36:02.960
<v Speaker 2>That guy was so happy he was not a lottery ticket. Yeah, exactly,

0:36:03.520 --> 0:36:05.160
<v Speaker 2>that's amazing. Check story.

0:36:05.360 --> 0:36:07.120
<v Speaker 3>I think I've ever heard that. I don't know that

0:36:07.160 --> 0:36:08.000
<v Speaker 3>was the first one either.

0:36:08.239 --> 0:36:10.080
<v Speaker 2>Yeah, I think it's the first one. It was just

0:36:10.120 --> 0:36:10.640
<v Speaker 2>in the park.

0:36:11.040 --> 0:36:13.040
<v Speaker 3>Yeah, it's over it's like it's near Union Square. I

0:36:13.040 --> 0:36:14.200
<v Speaker 3>don't know what the park is either though.

0:36:15.160 --> 0:36:17.600
<v Speaker 2>And then one other thing about the Black Cat Tavern. It's,

0:36:17.920 --> 0:36:21.160
<v Speaker 2>you know, obviously like people are like this happened, you know,

0:36:21.239 --> 0:36:23.640
<v Speaker 2>before the stonewall rate, it might have even happened before

0:36:23.680 --> 0:36:27.240
<v Speaker 2>the Compton's Cafeteria riot. And the fact that it's compared

0:36:27.280 --> 0:36:29.719
<v Speaker 2>to Stonewall. It makes you think that there was a

0:36:29.800 --> 0:36:33.799
<v Speaker 2>riot involved. It wasn't. It was a dignified, organized protest.

0:36:34.239 --> 0:36:39.880
<v Speaker 2>But it's the first recorded LGBTQ protest in American history.

0:36:40.160 --> 0:36:42.240
<v Speaker 2>That's what that's its big claim to fame.

0:36:43.120 --> 0:36:45.400
<v Speaker 1>Amazing. I feel like that's a great time for a

0:36:45.440 --> 0:36:49.040
<v Speaker 1>break totally. And we'll segue into the seventies right after this.

0:37:14.400 --> 0:37:17.480
<v Speaker 2>Okay, So the seventies, which we just say waded into

0:37:17.920 --> 0:37:20.919
<v Speaker 2>this was where the rock clubs like kind of transitioned

0:37:20.960 --> 0:37:26.160
<v Speaker 2>from hippie rock to all sorts of different stuff proto punk,

0:37:26.480 --> 0:37:31.200
<v Speaker 2>glam rock, eventually hair metal as we'll see. And there

0:37:31.200 --> 0:37:34.640
<v Speaker 2>were three big clubs rock clubs that were around at

0:37:34.640 --> 0:37:39.320
<v Speaker 2>the time. There was the Roxy Theater, Rodney's English Disco,

0:37:40.360 --> 0:37:44.920
<v Speaker 2>and Ghazaries. Those were the three that were like the

0:37:45.600 --> 0:37:48.040
<v Speaker 2>three big rock clubs in the seventies that kind of

0:37:48.480 --> 0:37:50.719
<v Speaker 2>kicked off that transition from what I understand.

0:37:51.160 --> 0:37:55.320
<v Speaker 3>Yeah, and Ghazari's is best known for Van Halen. Baby.

0:37:55.520 --> 0:37:57.439
<v Speaker 3>Van Halen was known for two things in their early

0:37:57.520 --> 0:37:59.239
<v Speaker 3>days before they put a record out.

0:37:59.280 --> 0:38:02.879
<v Speaker 1>It was backyard parties in Pasadena where they lived, and

0:38:03.040 --> 0:38:06.080
<v Speaker 1>being the house band at Kazari's for like years.

0:38:06.360 --> 0:38:08.879
<v Speaker 2>Did you know that Van Halen was from California?

0:38:09.719 --> 0:38:10.760
<v Speaker 3>Yeah, I didn't.

0:38:10.800 --> 0:38:12.400
<v Speaker 2>I always thought they were a Dutch band.

0:38:13.400 --> 0:38:16.440
<v Speaker 1>No, I mean Eddie and Alex were Dutch by heritage,

0:38:16.480 --> 0:38:17.799
<v Speaker 1>and I think they were even born there.

0:38:17.840 --> 0:38:21.120
<v Speaker 2>Maybe David lee Roth is in Dutch. No, have you

0:38:21.160 --> 0:38:22.000
<v Speaker 2>ever heard him talk?

0:38:23.280 --> 0:38:27.480
<v Speaker 3>Sure, I'm a distributor about the map right as touch?

0:38:28.320 --> 0:38:30.600
<v Speaker 3>I think you're right. I mean, I'm a big van

0:38:30.600 --> 0:38:31.080
<v Speaker 3>Halen guy.

0:38:31.120 --> 0:38:33.239
<v Speaker 1>So I've studied and read all the books, but there's

0:38:33.239 --> 0:38:34.000
<v Speaker 1>one in particular.

0:38:34.840 --> 0:38:36.760
<v Speaker 3>Oh god, is it called Becoming van Halen.

0:38:37.680 --> 0:38:40.560
<v Speaker 1>It's the most intense, Like, I don't know how this

0:38:40.600 --> 0:38:43.920
<v Speaker 1>guy got this information, but it's the most intense detailing

0:38:44.040 --> 0:38:46.640
<v Speaker 1>of pre record contract.

0:38:46.280 --> 0:38:48.839
<v Speaker 3>Van Halen that I've ever heard of in my life.

0:38:48.920 --> 0:38:52.560
<v Speaker 1>It was incredible how much this guy knew about their

0:38:52.640 --> 0:38:54.240
<v Speaker 1>Pasadena backyard party days.

0:38:54.560 --> 0:38:56.600
<v Speaker 2>Well, since you know so much about van Halen, answer

0:38:56.680 --> 0:38:58.839
<v Speaker 2>this for me. It's a question I actually carry around

0:38:58.880 --> 0:39:01.320
<v Speaker 2>with me. What was the deal with Eddie van Halen

0:39:01.480 --> 0:39:04.960
<v Speaker 2>slamming Michael Anthony is a bad bass player? Like I

0:39:04.960 --> 0:39:07.319
<v Speaker 2>think about upon Michael Anthony's death.

0:39:08.040 --> 0:39:12.520
<v Speaker 3>Oh, well, you mean Eddie van Halen's death Michael Anthony?

0:39:12.760 --> 0:39:15.359
<v Speaker 2>Okay, well, for some reason, Eddie Van Halen came out

0:39:15.400 --> 0:39:17.800
<v Speaker 2>and said that he thought Michael Anthony was a terrible

0:39:17.800 --> 0:39:18.440
<v Speaker 2>bass player.

0:39:18.640 --> 0:39:21.480
<v Speaker 1>Oh, Eddie, you know he's one of the greatest and

0:39:21.800 --> 0:39:24.240
<v Speaker 1>rip for sure, but he could be unkind at times.

0:39:24.320 --> 0:39:26.600
<v Speaker 3>Two people. I think Michael Anthony's one of the.

0:39:26.560 --> 0:39:28.799
<v Speaker 1>Greatest, and he had the voice that kind of helped

0:39:28.840 --> 0:39:30.879
<v Speaker 1>him make Van Halen with those backing vocals. And he's

0:39:30.880 --> 0:39:33.680
<v Speaker 1>still crushing it. Because I went and saw Sammy Hagar

0:39:33.800 --> 0:39:36.480
<v Speaker 1>and Michael Anthony and Vegas played not too long ago

0:39:36.560 --> 0:39:37.759
<v Speaker 1>for the second time in a year.

0:39:38.160 --> 0:39:40.680
<v Speaker 2>Were you the guest of our good friend Aaron Hagar who.

0:39:40.560 --> 0:39:42.279
<v Speaker 3>Listens, No, I wasn't a guest this time. Aaron.

0:39:42.360 --> 0:39:44.359
<v Speaker 1>I was hoping he could meet there and I could

0:39:44.520 --> 0:39:47.279
<v Speaker 1>finally have a chance to meet his pops. But Aaron

0:39:47.360 --> 0:39:49.960
<v Speaker 1>showed up the week after I was there. But Adam Pranica,

0:39:50.080 --> 0:39:53.160
<v Speaker 1>friend of the show of the Greatest Generation podcast, met

0:39:53.200 --> 0:39:55.160
<v Speaker 1>me from LA and we played little golf and saw

0:39:55.200 --> 0:39:57.799
<v Speaker 1>Sammy and just had a great time. It's a really

0:39:57.800 --> 0:40:00.240
<v Speaker 1>good show. Those guys are still killing it. Michael Anthony

0:40:00.960 --> 0:40:04.319
<v Speaker 1>is besides his talents, is known as one of the

0:40:04.440 --> 0:40:07.840
<v Speaker 1>nicest guys in rock and roll nice, which really stinks

0:40:07.880 --> 0:40:10.960
<v Speaker 1>if Eddie said that, because Michael Anthony has always taken

0:40:11.000 --> 0:40:12.000
<v Speaker 1>the high road.

0:40:12.280 --> 0:40:14.680
<v Speaker 2>Oh he did say it. It was a big deal,

0:40:14.840 --> 0:40:17.440
<v Speaker 2>And Sammy Hagar came out and said, I don't know

0:40:17.480 --> 0:40:20.120
<v Speaker 2>what Eddie's talking about. Yeah, basically being any to get

0:40:20.120 --> 0:40:22.960
<v Speaker 2>Michael Anthony's the best bass player I ever worked with,

0:40:23.000 --> 0:40:23.839
<v Speaker 2>So he's whooped in.

0:40:24.360 --> 0:40:26.880
<v Speaker 3>All that band stuff. Just makes me sad fighting like that.

0:40:27.120 --> 0:40:30.280
<v Speaker 2>Yeah, I'd like to circle back to Adam Pranica. Okay,

0:40:30.440 --> 0:40:32.839
<v Speaker 2>for people who aren't familiar with him, I would say,

0:40:32.880 --> 0:40:35.719
<v Speaker 2>go listen to the Greatest Generation podcasts, but if you

0:40:35.760 --> 0:40:38.680
<v Speaker 2>ever get a chance to meet Adam Pranica, you should

0:40:38.719 --> 0:40:42.600
<v Speaker 2>consider yourself hashtag blessed because he is one of the

0:40:42.680 --> 0:40:46.680
<v Speaker 2>greatest human beings you will ever meet in your life, like, legitimately,

0:40:47.040 --> 0:40:48.960
<v Speaker 2>through and through. Just a great dude.

0:40:49.440 --> 0:40:53.200
<v Speaker 1>Yeah, agreed, He's the Michael Anthony A podcast. He definitely is,

0:40:53.840 --> 0:40:55.440
<v Speaker 1>along with his co host Ben Harrison.

0:40:55.600 --> 0:40:58.680
<v Speaker 2>No, Ben's great too, He's no Adam Pranica, though.

0:41:00.160 --> 0:41:03.600
<v Speaker 1>Ben's gonna like that burn The Roxy opened in seventy three.

0:41:04.120 --> 0:41:07.799
<v Speaker 1>David Geffen, very famous sort of record label owner and

0:41:07.960 --> 0:41:11.160
<v Speaker 1>early on music producer and Lou Adler, legendary producer, opened

0:41:11.200 --> 0:41:14.080
<v Speaker 1>the Roxy, and it.

0:41:14.000 --> 0:41:15.479
<v Speaker 3>Was legendary for a lot of reasons.

0:41:15.520 --> 0:41:17.040
<v Speaker 1>I mean, the biggest of the big play there in

0:41:17.080 --> 0:41:20.040
<v Speaker 1>this again a small club, but the very first staging

0:41:20.480 --> 0:41:20.719
<v Speaker 1>in the.

0:41:20.800 --> 0:41:22.359
<v Speaker 3>US of the Rocky Horror Picture Show.

0:41:22.520 --> 0:41:24.960
<v Speaker 1>Yeah, this is when it was just a stage musical

0:41:25.840 --> 0:41:26.680
<v Speaker 1>played at the Roxy.

0:41:27.040 --> 0:41:31.560
<v Speaker 2>Yeah, and pee Wee Herman debuted his show what became

0:41:31.600 --> 0:41:34.680
<v Speaker 2>the pe Wee Herman TV Show, his live stage version

0:41:34.719 --> 0:41:36.919
<v Speaker 2>of it that came out first in nineteen eighty one

0:41:37.040 --> 0:41:39.520
<v Speaker 2>at the Roxy. Have you seen that documentary yet?

0:41:39.760 --> 0:41:41.640
<v Speaker 1>I still haven't seen it because he's got on vacation,

0:41:41.719 --> 0:41:42.880
<v Speaker 1>but it's on the list.

0:41:43.120 --> 0:41:45.680
<v Speaker 2>And then Rodney's English Disco. I don't know why. Those

0:41:45.719 --> 0:41:47.960
<v Speaker 2>three words together are hard for me to pronounce, but

0:41:48.719 --> 0:41:52.799
<v Speaker 2>that was Rodney Bingenheimer's club that opened in nineteen seventy two.

0:41:53.200 --> 0:41:55.279
<v Speaker 2>So think about how ahead of the curve he was

0:41:55.280 --> 0:41:58.680
<v Speaker 2>by naming it a disco. There was no disco around yet.

0:41:59.280 --> 0:42:00.000
<v Speaker 3>Yeah, that's a good point.

0:42:00.320 --> 0:42:02.759
<v Speaker 1>He was a legendary DJ at k Rock in LA

0:42:02.880 --> 0:42:04.680
<v Speaker 1>from seventy six to twenty seventeen.

0:42:05.000 --> 0:42:07.360
<v Speaker 2>I'm sorry, he took it's Kroq.

0:42:08.120 --> 0:42:10.880
<v Speaker 1>And was very famous for breaking, Like the list of

0:42:10.920 --> 0:42:16.560
<v Speaker 1>bands that he broke on air is incredible, Like, just look.

0:42:16.400 --> 0:42:17.080
<v Speaker 3>It over sometime.

0:42:17.400 --> 0:42:18.799
<v Speaker 1>I don't have time to go over all of it

0:42:18.840 --> 0:42:22.080
<v Speaker 1>here because we're running long, but it's it's just really impressive.

0:42:22.080 --> 0:42:25.160
<v Speaker 1>And he was a There was a great documentary about

0:42:25.200 --> 0:42:27.440
<v Speaker 1>him called The Mayor of Sunset Strip. He is a

0:42:27.440 --> 0:42:29.920
<v Speaker 1>star in Hollywood Boulevard and it's just like, wow, what

0:42:30.000 --> 0:42:34.240
<v Speaker 1>a guy. And then, very disappointingly, a couple of years ago,

0:42:35.120 --> 0:42:38.919
<v Speaker 1>Carrie Chrome of The Runaways filed a lawsuit and said

0:42:39.000 --> 0:42:41.160
<v Speaker 1>he sexually assaulted me when I was thirteen years old.

0:42:41.360 --> 0:42:44.320
<v Speaker 2>Man, those poor Runaways they got, I know, just totally

0:42:44.360 --> 0:42:47.839
<v Speaker 2>exploited and just us it up sad, just.

0:42:47.840 --> 0:42:51.080
<v Speaker 1>Young teenage girls. And Kim Falley, their manager, seems like

0:42:51.160 --> 0:42:54.000
<v Speaker 1>a horrible human. Yeah, took part in that assault. And

0:42:54.040 --> 0:42:57.680
<v Speaker 1>then five more women came forward after that, including Jane

0:42:57.680 --> 0:43:00.160
<v Speaker 1>Wheedland of the Go Gos, and said, yeah, Rodney really

0:43:00.160 --> 0:43:02.560
<v Speaker 1>assaulted me too. And there hasn't been a result of

0:43:02.640 --> 0:43:05.480
<v Speaker 1>that lawsuit yet, but it turns out not a good guy.

0:43:05.680 --> 0:43:08.120
<v Speaker 2>Well good for them for standing up to that. Dude.

0:43:08.360 --> 0:43:08.760
<v Speaker 3>Totally.

0:43:10.280 --> 0:43:13.560
<v Speaker 2>We couldn't mention the Sunset Strip without mentioning, especially during

0:43:13.560 --> 0:43:17.120
<v Speaker 2>the era of the seventies, the Continental Hyatt House, which.

0:43:16.920 --> 0:43:17.520
<v Speaker 3>Has stayed there.

0:43:17.520 --> 0:43:21.000
<v Speaker 1>By the way I have I'm almost positive that we

0:43:21.080 --> 0:43:24.040
<v Speaker 1>both stayed as now the and does in one of

0:43:24.080 --> 0:43:28.040
<v Speaker 1>our LA Podcast Festival appearances, I.

0:43:28.040 --> 0:43:31.000
<v Speaker 2>Do not recall that I remember seeing at the SLS.

0:43:31.360 --> 0:43:32.400
<v Speaker 2>Is that what you're talking about?

0:43:32.760 --> 0:43:34.920
<v Speaker 3>No, this is and Oz. I mean I definitely stay there.

0:43:34.960 --> 0:43:37.640
<v Speaker 3>I thought you did. But it was the Continental riot House. Yes,

0:43:37.719 --> 0:43:38.359
<v Speaker 3>the Hyatt House.

0:43:38.400 --> 0:43:42.320
<v Speaker 1>Officially, if you've ever read the led Zeppelin book and

0:43:42.320 --> 0:43:44.680
<v Speaker 1>there's that picture of Robert Plant standing on the balcony

0:43:45.760 --> 0:43:49.040
<v Speaker 1>saying I'm a golden God, that that was the Riot House.

0:43:49.400 --> 0:43:54.040
<v Speaker 2>Yeah, and the Continental. Just as a little aside, that's

0:43:54.120 --> 0:43:57.799
<v Speaker 2>from the original name of the hotel, the Continental, which

0:43:57.840 --> 0:43:59.000
<v Speaker 2>was owned by Gene Autry.

0:43:59.440 --> 0:44:00.480
<v Speaker 3>Oh well know that.

0:44:00.600 --> 0:44:02.520
<v Speaker 2>Yeah, it's kind of a weird transition, right.

0:44:02.600 --> 0:44:03.960
<v Speaker 3>Yeah, totally all right.

0:44:04.000 --> 0:44:06.160
<v Speaker 1>As the tour goes forward, we're gonna take a little

0:44:06.160 --> 0:44:08.280
<v Speaker 1>stop here at the Rainbow Bar and Grill on Sunset

0:44:09.120 --> 0:44:11.880
<v Speaker 1>opened in seventy two, and it was the people who

0:44:11.960 --> 0:44:13.680
<v Speaker 1>on the whiskey of Go Go that opened the Rainbow,

0:44:13.719 --> 0:44:17.520
<v Speaker 1>and the Rainbow was just a din of debauchery disguised

0:44:17.520 --> 0:44:20.840
<v Speaker 1>as a not too great Italian restaurant, but that was

0:44:20.880 --> 0:44:24.560
<v Speaker 1>where the Hollywood vampires hung out the kind of silly

0:44:24.840 --> 0:44:28.320
<v Speaker 1>looking at it now drinking club founded by Alice Cooper

0:44:28.800 --> 0:44:32.200
<v Speaker 1>as members of which were Keith Moon, Ringo star Mickey

0:44:32.239 --> 0:44:35.360
<v Speaker 1>Dolans and the Debauchers and Great Harry Nilsen.

0:44:35.960 --> 0:44:38.640
<v Speaker 2>Yeah, and they're now kind of a band with Alice

0:44:38.640 --> 0:44:41.400
<v Speaker 2>Cooper and Aerosmith.

0:44:40.960 --> 0:44:46.319
<v Speaker 1>Guitarist Oh jove, Oh geez.

0:44:46.000 --> 0:44:50.640
<v Speaker 3>What's his same? Steven Tyler and the other guy. I'm

0:44:50.680 --> 0:44:51.280
<v Speaker 3>just blanking.

0:44:51.680 --> 0:44:54.080
<v Speaker 2>Well, anyway, Johnny Depp is in it. There's like a

0:44:54.120 --> 0:44:56.000
<v Speaker 2>couple other people too. I think one of the dudes

0:44:56.040 --> 0:44:57.640
<v Speaker 2>from Guns and Roses might be in it too.

0:44:59.640 --> 0:45:01.960
<v Speaker 3>Maybe. I don't know if they're any good? Are they?

0:45:02.680 --> 0:45:08.000
<v Speaker 2>I don't know. I think they're more a novelty act maybe.

0:45:08.080 --> 0:45:09.719
<v Speaker 3>I mean, you know, it's got Johnny Depp in it.

0:45:10.280 --> 0:45:12.680
<v Speaker 2>Right, right, I think that kind of makes it a

0:45:12.719 --> 0:45:16.320
<v Speaker 2>novelty act as far as musical acts are concerned. Joe Perry,

0:45:16.760 --> 0:45:18.640
<v Speaker 2>Joe Perry, I kept won't say.

0:45:18.600 --> 0:45:20.920
<v Speaker 3>Joe Elliott, but that's a def Leppard.

0:45:21.600 --> 0:45:23.280
<v Speaker 2>Oh yeah, that's right, that's the lead singer.

0:45:23.400 --> 0:45:23.760
<v Speaker 3>Yeah.

0:45:24.239 --> 0:45:26.279
<v Speaker 2>One other thing about the Rainbow Bar and Grill. That's

0:45:26.280 --> 0:45:29.880
<v Speaker 2>where John beluci Ate his last meal, Yeah, in nineteen

0:45:29.920 --> 0:45:32.520
<v Speaker 2>eighty two before he died of a drug overdose at

0:45:32.520 --> 0:45:37.520
<v Speaker 2>the Chateau Marmont. And had he gotten the speedball from Schwabs,

0:45:37.520 --> 0:45:39.839
<v Speaker 2>it would have been a Sunset Boulevard trifecta.

0:45:41.040 --> 0:45:44.160
<v Speaker 3>Oh yeah, I guess you're right, and then.

0:45:44.160 --> 0:45:46.800
<v Speaker 2>I guess Moving on, Chuck, we can't talk about Sunset

0:45:46.800 --> 0:45:49.560
<v Speaker 2>Boulevard without talking about comedy clubs because it was essentially

0:45:49.600 --> 0:45:52.200
<v Speaker 2>the place where the whole concept of a comedy club

0:45:52.400 --> 0:45:53.000
<v Speaker 2>was born.

0:45:53.719 --> 0:45:56.600
<v Speaker 3>Yeah, thanks to poly Shor's mom, Mitzi Shore.

0:45:56.920 --> 0:45:59.120
<v Speaker 2>Is is it his mom? Because I looked it up

0:45:59.160 --> 0:46:01.040
<v Speaker 2>and I couldn't find that was it his mom? Really?

0:46:01.120 --> 0:46:03.080
<v Speaker 1>Oh yeah, that's funny because he like he was like

0:46:03.160 --> 0:46:04.880
<v Speaker 1>a kid roaming around those parts.

0:46:04.960 --> 0:46:05.640
<v Speaker 2>That's awesome.

0:46:06.000 --> 0:46:06.239
<v Speaker 3>Yeah.

0:46:06.280 --> 0:46:09.080
<v Speaker 1>She. Mitzy Shore opened the Comedy Store in seventy two

0:46:09.560 --> 0:46:12.919
<v Speaker 1>where Zeiros used to be and it was, like you said,

0:46:12.960 --> 0:46:16.040
<v Speaker 1>it was the very first stand up only nightclub in

0:46:16.200 --> 0:46:19.360
<v Speaker 1>the world, which is crazy to think about.

0:46:19.239 --> 0:46:21.719
<v Speaker 2>For sure, and so Mitzi Shore became very famous for

0:46:21.800 --> 0:46:25.000
<v Speaker 2>considering the Comedy Store as a comedy workshop where up

0:46:25.040 --> 0:46:28.160
<v Speaker 2>and comers could work on their material work on their acts,

0:46:28.200 --> 0:46:30.759
<v Speaker 2>and because it was a comedy workshop and not a

0:46:30.840 --> 0:46:34.640
<v Speaker 2>comedy club, she didn't pay them, especially the up and comers.

0:46:34.640 --> 0:46:37.640
<v Speaker 2>There are very few big name acts that would come

0:46:37.680 --> 0:46:40.239
<v Speaker 2>through and she would pay them. But if you were

0:46:40.239 --> 0:46:43.239
<v Speaker 2>working on your stuff, and we're talking like legendary people here,

0:46:43.280 --> 0:46:47.800
<v Speaker 2>we're talking like Jim Carrey, Howie Mendel, Gary Shandling, Andy Kaufman,

0:46:47.920 --> 0:46:51.719
<v Speaker 2>Robin Williams, Michael Keaton for some reason, apparently was a

0:46:51.719 --> 0:46:54.840
<v Speaker 2>stand up. Oh yeah, yeah, I did not know that. Yeah,

0:46:55.040 --> 0:46:56.680
<v Speaker 2>he's just so serious now, you know.

0:46:57.440 --> 0:47:00.080
<v Speaker 1>Yeah, but I mean he started in comedy movies. You

0:47:00.080 --> 0:47:01.919
<v Speaker 1>can get his early stand up. It's kind of fun.

0:47:02.040 --> 0:47:04.080
<v Speaker 2>Yeah, No, I know his comedy movies I've seen.

0:47:04.920 --> 0:47:06.560
<v Speaker 3>No, I mean the stand on you can watch.

0:47:06.600 --> 0:47:11.120
<v Speaker 2>Oh gotcha. So, like, these were people who all had

0:47:11.239 --> 0:47:14.839
<v Speaker 2>their careers launched thanks to the Comedy Store, but they

0:47:14.840 --> 0:47:16.960
<v Speaker 2>were paid an exposure, and eventually they were like, this

0:47:17.000 --> 0:47:18.560
<v Speaker 2>is not worth it. We're going on strike.

0:47:19.200 --> 0:47:22.160
<v Speaker 1>Yeah, they went on striking seventy nine, which opened a

0:47:22.239 --> 0:47:25.759
<v Speaker 1>door for another club, The world famous Laugh Factory, opened

0:47:25.760 --> 0:47:28.360
<v Speaker 1>in seventy nine, just a few blocks away by a

0:47:28.480 --> 0:47:33.560
<v Speaker 1>sixteen year old, which is amazing Iranian immigrant also amazing

0:47:33.640 --> 0:47:37.280
<v Speaker 1>named Jamie Masada, and he ended up opening laugh factories

0:47:37.320 --> 0:47:38.160
<v Speaker 1>all over the country.

0:47:38.360 --> 0:47:40.359
<v Speaker 2>Yeah, and he was like, how about this, you guys

0:47:40.400 --> 0:47:42.839
<v Speaker 2>come play here and I'll share some of the cover

0:47:43.280 --> 0:47:46.400
<v Speaker 2>charge with you, like I'll actually pay you. And apparently

0:47:46.480 --> 0:47:48.920
<v Speaker 2>the original name of the laugh factory was joke on

0:47:49.200 --> 0:47:54.840
<v Speaker 2>Yolk like egg yoke really, yeah.

0:47:53.960 --> 0:47:56.080
<v Speaker 3>Joke on Yolk. I don't get it. Was there a

0:47:56.160 --> 0:47:56.760
<v Speaker 3>Yolk Street?

0:47:57.000 --> 0:47:59.960
<v Speaker 2>I think he thought that was funny. Oh, okay, Ryan,

0:48:00.239 --> 0:48:00.960
<v Speaker 2>so it's funny.

0:48:01.440 --> 0:48:05.280
<v Speaker 1>Well, I guess he was a better business owner than comedian, right, yeah.

0:48:04.800 --> 0:48:07.200
<v Speaker 2>Well he was an aspiring comedian. That's why he opened

0:48:07.200 --> 0:48:07.640
<v Speaker 2>that club.

0:48:08.239 --> 0:48:09.799
<v Speaker 3>Yeah, joke on Yolk, get it right.

0:48:10.280 --> 0:48:13.840
<v Speaker 2>So one other thing circling back, Mitzi Shore finally resolved

0:48:13.840 --> 0:48:16.200
<v Speaker 2>to strike after a few weeks by agreeing to pay

0:48:16.400 --> 0:48:19.160
<v Speaker 2>the comedians twenty five dollars a set, which is ay

0:48:19.160 --> 0:48:21.960
<v Speaker 2>whopping one hundred and ten dollars today.

0:48:22.080 --> 0:48:24.000
<v Speaker 3>That's not too bad if you're getting up there, I'm

0:48:24.040 --> 0:48:24.920
<v Speaker 3>doing seven minutes.

0:48:25.239 --> 0:48:26.840
<v Speaker 2>They don't know you can buy like a pack of

0:48:26.840 --> 0:48:28.920
<v Speaker 2>cigarettes with one hundred and ten dollars today.

0:48:29.920 --> 0:48:33.319
<v Speaker 1>All right, we're gonna move into the eighties, and you

0:48:33.360 --> 0:48:35.200
<v Speaker 1>got to talk about the eighties because you got to

0:48:35.239 --> 0:48:36.759
<v Speaker 1>talk about hair metal, and if you're going to talk

0:48:36.800 --> 0:48:38.640
<v Speaker 1>about hair metal in the Sunset Strip, you got to

0:48:38.640 --> 0:48:39.640
<v Speaker 1>start with Motley Crue.

0:48:39.760 --> 0:48:42.000
<v Speaker 2>Yeah. I guess they were the ones who like started

0:48:42.239 --> 0:48:44.560
<v Speaker 2>the whole thing on the Sunset Strip. I'm sure you

0:48:44.640 --> 0:48:47.560
<v Speaker 2>knew that because you probably read ten books about Motley Crue.

0:48:47.680 --> 0:48:50.560
<v Speaker 3>No just two, Okay, Yeah, I mean they lived right

0:48:50.600 --> 0:48:50.960
<v Speaker 3>above it.

0:48:51.320 --> 0:48:54.200
<v Speaker 1>They could walk down there and you know, have big

0:48:54.200 --> 0:48:57.560
<v Speaker 1>parties at their a disgusting place that they shared above

0:48:57.600 --> 0:49:00.799
<v Speaker 1>the Sunset Strip. But yeah, they were, if not the first,

0:49:00.840 --> 0:49:02.760
<v Speaker 1>one of the first to kind of bring that scene there.

0:49:03.280 --> 0:49:06.760
<v Speaker 1>And you know, Poison La, Guns Faster, pussy Cat, eventually

0:49:06.800 --> 0:49:09.800
<v Speaker 1>Guns n' Roses would start out there in the mid eighties.

0:49:09.840 --> 0:49:11.200
<v Speaker 3>But yeah, the.

0:49:11.160 --> 0:49:15.560
<v Speaker 1>Whiskey kind of had a bunch of different lies, from

0:49:15.680 --> 0:49:17.960
<v Speaker 1>hippie stuff to sort of what we would view as

0:49:17.960 --> 0:49:21.560
<v Speaker 1>classic rock to eventually hair metal and now I guess

0:49:21.640 --> 0:49:23.359
<v Speaker 1>hair metal cover bands.

0:49:23.520 --> 0:49:27.680
<v Speaker 2>Right and in between then and now grunge came along

0:49:27.719 --> 0:49:30.920
<v Speaker 2>and killed hair metal, which was a sad day. I

0:49:30.960 --> 0:49:31.759
<v Speaker 2>think you.

0:49:31.719 --> 0:49:33.720
<v Speaker 3>Can still go see those bands. They're around.

0:49:33.840 --> 0:49:36.759
<v Speaker 2>You can see the tribute versions of them and other ones.

0:49:36.760 --> 0:49:38.279
<v Speaker 3>I'm going to see Judas Priest.

0:49:38.480 --> 0:49:38.960
<v Speaker 2>Nice.

0:49:39.120 --> 0:49:41.120
<v Speaker 3>I've never seen them, and I got tickets on a

0:49:41.120 --> 0:49:42.520
<v Speaker 3>whim to go see them this fall.

0:49:43.320 --> 0:49:45.839
<v Speaker 2>Speaking of Judas Priest, I just have one more place

0:49:45.880 --> 0:49:48.880
<v Speaker 2>I want to mention, But Judas Priest has one of

0:49:48.880 --> 0:49:52.240
<v Speaker 2>the cooler documentaries around. It's called Parking Lot or something

0:49:52.360 --> 0:49:52.719
<v Speaker 2>like that.

0:49:53.200 --> 0:49:54.640
<v Speaker 3>Have you metal Parking Yes?

0:49:54.719 --> 0:49:55.359
<v Speaker 2>Have you seen it?

0:49:56.239 --> 0:49:56.479
<v Speaker 3>Yeah?

0:49:56.480 --> 0:49:58.480
<v Speaker 1>I mean it's not just about Judas Priest, It's just

0:49:58.520 --> 0:50:03.120
<v Speaker 1>about Pienelope Sphrus directed that kind of legendary documentary.

0:50:03.200 --> 0:50:05.359
<v Speaker 2>Right, Okay, well, I guess I'm the only one who

0:50:05.360 --> 0:50:07.720
<v Speaker 2>saw it, but I love that documentary. It just takes

0:50:07.719 --> 0:50:10.600
<v Speaker 2>place at that Parking Lot before Judas Priest show.

0:50:11.160 --> 0:50:13.360
<v Speaker 3>Oh, I don't think I even remembered it was Judas Priest.

0:50:13.400 --> 0:50:15.600
<v Speaker 2>I'm almost positive it is Judas Priest.

0:50:15.840 --> 0:50:19.240
<v Speaker 1>It probably is, but yeah, it should really encapsulates that culture.

0:50:19.239 --> 0:50:20.399
<v Speaker 2>That totally does.

0:50:20.719 --> 0:50:21.480
<v Speaker 3>Yeah.

0:50:21.520 --> 0:50:23.560
<v Speaker 2>The last place I wanted to mention was the Beverly

0:50:23.640 --> 0:50:27.799
<v Speaker 2>Hills Hotel. Apparently it was around before there was even

0:50:27.800 --> 0:50:30.880
<v Speaker 2>a Beverly Hills. Yeah, and old Hollywood used to hang

0:50:30.920 --> 0:50:33.000
<v Speaker 2>out there. Blah blah blah. The thing that makes it

0:50:33.080 --> 0:50:36.479
<v Speaker 2>noteworthy to me is, you know, that iconic banana leaf

0:50:36.560 --> 0:50:40.000
<v Speaker 2>wallpaper that you kind of see. It's like, well, that's

0:50:40.040 --> 0:50:42.560
<v Speaker 2>where it debuted or that's where it became big. That

0:50:42.680 --> 0:50:45.440
<v Speaker 2>pattern is called Martinique, and I think it was in

0:50:45.480 --> 0:50:50.360
<v Speaker 2>the mid late forties that this decorator papered the Beverly

0:50:50.440 --> 0:50:52.600
<v Speaker 2>Hills Hotel with that and it just took off from there.

0:50:53.040 --> 0:50:53.400
<v Speaker 3>Wow.

0:50:53.560 --> 0:50:55.680
<v Speaker 1>I've never been there, but that's one of those places

0:50:55.680 --> 0:50:57.440
<v Speaker 1>I want to go, like have dinner just to it

0:50:57.560 --> 0:50:59.959
<v Speaker 1>looks kind of like tavern on the Green Stock.

0:51:00.000 --> 0:51:03.439
<v Speaker 2>Well, yeah, it looks amazing. Actually, their bar looks amazing too.

0:51:03.800 --> 0:51:05.640
<v Speaker 3>Yeah. It's still got that kind of mid century charm,

0:51:05.680 --> 0:51:07.120
<v Speaker 3>isn't it La style?

0:51:07.280 --> 0:51:10.440
<v Speaker 2>Yeah? I guess that's it for Sunset Boulevard.

0:51:11.200 --> 0:51:11.439
<v Speaker 3>Yeah.

0:51:11.440 --> 0:51:12.960
<v Speaker 1>I mean there are so many things we couldn't get

0:51:12.960 --> 0:51:15.000
<v Speaker 1>to because we didn't want to do a two parter.

0:51:15.120 --> 0:51:17.280
<v Speaker 1>But if you want to look up stuff on Hollywood

0:51:17.360 --> 0:51:21.120
<v Speaker 1>High School and the Weird Crossroads of the World Shopping

0:51:21.160 --> 0:51:26.319
<v Speaker 1>Center or the Hollywood Palladium, certainly do that because there's

0:51:26.320 --> 0:51:28.640
<v Speaker 1>still a lot more about the Sunset Strip and it's

0:51:29.080 --> 0:51:31.560
<v Speaker 1>you know, you go to LA and you're into touristy stuff,

0:51:32.000 --> 0:51:33.120
<v Speaker 1>you should go check it out.

0:51:33.360 --> 0:51:35.160
<v Speaker 2>Yeah, for sure, And there's a lot of good writing

0:51:35.160 --> 0:51:38.560
<v Speaker 2>out there. People love writing about the Sunset Strip for sure. Yeah,

0:51:38.680 --> 0:51:40.480
<v Speaker 2>and thanks again to Dave for helping us out with

0:51:40.520 --> 0:51:43.080
<v Speaker 2>this one. Good job Dave. And since I said good

0:51:43.120 --> 0:51:45.520
<v Speaker 2>job Dave, that means it's time for listener mail.

0:51:50.719 --> 0:51:53.640
<v Speaker 1>And this one actually is a listener suggestion. So we

0:51:53.680 --> 0:51:57.080
<v Speaker 1>wanted to shout out say or Delk for Sunset Boulevard.

0:51:57.440 --> 0:51:58.399
<v Speaker 2>Man, that's a great name.

0:51:58.760 --> 0:52:00.960
<v Speaker 1>Yeah, I mean, not for making their road, but you know,

0:52:01.000 --> 0:52:05.920
<v Speaker 1>for giving this suggestion. Hey, guys, long term listener who

0:52:05.920 --> 0:52:09.080
<v Speaker 1>wants to thank you for keeping me entertainer and work, school,

0:52:09.160 --> 0:52:11.720
<v Speaker 1>travel and pretty much any excuse to have a podcast

0:52:11.719 --> 0:52:13.560
<v Speaker 1>on for the past few years. The reason I write

0:52:13.680 --> 0:52:16.440
<v Speaker 1>is in twenty twenty two you talked about rock paper scissors.

0:52:16.520 --> 0:52:18.040
<v Speaker 1>You didn't think it was possible to play with more

0:52:18.040 --> 0:52:20.239
<v Speaker 1>than two people. You may be interested to know that

0:52:20.280 --> 0:52:21.680
<v Speaker 1>my friends and I used to play three to four

0:52:21.719 --> 0:52:25.000
<v Speaker 1>person games at work as landscapers. In the mornings, we

0:52:25.000 --> 0:52:26.920
<v Speaker 1>were weed eating on the property and we'd come across

0:52:26.960 --> 0:52:29.160
<v Speaker 1>items that only require the work of one person and

0:52:29.239 --> 0:52:31.400
<v Speaker 1>we would play rock paper scissors, and this is how

0:52:31.480 --> 0:52:33.960
<v Speaker 1>you do it. We would simply all throw at once,

0:52:34.040 --> 0:52:35.839
<v Speaker 1>like a normal game and a three person game. If

0:52:35.880 --> 0:52:39.720
<v Speaker 1>anyone beat all the other players, then they would step

0:52:39.760 --> 0:52:41.319
<v Speaker 1>out and the other two would play again. So it's

0:52:41.360 --> 0:52:44.279
<v Speaker 1>sort of like a knockout tournament. If two players beat

0:52:44.280 --> 0:52:46.759
<v Speaker 1>the others on the first game, then the loser lost immediately.

0:52:47.040 --> 0:52:49.960
<v Speaker 1>After many games over the weeks and months, the strategies, alliances,

0:52:50.400 --> 0:52:52.919
<v Speaker 1>and yes, some game theory all made the work quite

0:52:52.960 --> 0:52:55.759
<v Speaker 1>fun and competitive. Love the show all the best to

0:52:55.800 --> 0:53:00.680
<v Speaker 1>you and your families, respectfully. That is Austin from Saint Louis, Missouri.

0:53:00.920 --> 0:53:03.960
<v Speaker 2>Nice work, Austin, you cracked the code finally. Thank you

0:53:04.040 --> 0:53:07.239
<v Speaker 2>for that. Thanks for letting us know too. And if

0:53:07.239 --> 0:53:09.960
<v Speaker 2>you want to be like Austin, right, that's right. If

0:53:09.960 --> 0:53:12.200
<v Speaker 2>you want to be like Austin, then send us an

0:53:12.239 --> 0:53:14.719
<v Speaker 2>email and you can be like Austin. Send it off

0:53:14.719 --> 0:53:20.200
<v Speaker 2>to stuff podcast at iHeartRadio dot com.

0:53:20.360 --> 0:53:23.239
<v Speaker 3>Stuff you Should Know is a production of iHeartRadio. For

0:53:23.320 --> 0:53:27.520
<v Speaker 3>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:53:27.600 --> 0:53:29.440
<v Speaker 3>or wherever you listen to your favorite shows.