1 00:00:01,440 --> 00:00:04,920 Speaker 1: Welcome to Stuff You Should Know, a production of iHeartRadio. 2 00:00:11,119 --> 00:00:13,680 Speaker 2: Welcome to the podcast. I'm Josh, and there's Chuck and 3 00:00:13,760 --> 00:00:17,080 Speaker 2: Jerry's here too. Jerry's being quiet and this is Stuff 4 00:00:17,120 --> 00:00:22,200 Speaker 2: you should Know, the hair metal Ish edition. 5 00:00:23,160 --> 00:00:23,560 Speaker 3: Yeah. 6 00:00:23,680 --> 00:00:25,520 Speaker 1: I mean, you know, we've done a lot of New 7 00:00:25,600 --> 00:00:29,400 Speaker 1: York centric episodes over the years, and I feel like 8 00:00:29,400 --> 00:00:31,800 Speaker 1: we haven't given La their due, a city that I 9 00:00:31,840 --> 00:00:33,000 Speaker 1: know you love dearly. 10 00:00:34,440 --> 00:00:36,400 Speaker 2: Yeah, the one other city in the world New York. 11 00:00:36,320 --> 00:00:40,080 Speaker 1: In La No, I just La, and especially this episode, 12 00:00:40,159 --> 00:00:44,239 Speaker 1: this Sunset Boulevard. The street there aren't many, you know. 13 00:00:45,040 --> 00:00:47,040 Speaker 1: I mean, there's a handful of iconic streets in the world, 14 00:00:47,120 --> 00:00:49,320 Speaker 1: and Sunset Boulevard is one of them because it's just 15 00:00:49,920 --> 00:00:54,440 Speaker 1: been historically packed with I mean, it's not just like 16 00:00:54,520 --> 00:00:58,920 Speaker 1: film stuff. It's music stuff, it's literary stuff, it's comedy stuff, 17 00:01:00,080 --> 00:01:04,600 Speaker 1: all sorts of like iconic cultural staples on Sunset Boulevard. 18 00:01:04,640 --> 00:01:07,760 Speaker 2: Right, And it was obviously very well known inside of 19 00:01:07,920 --> 00:01:12,880 Speaker 2: LA for years, but it wasn't until the early twenty 20 00:01:12,959 --> 00:01:15,160 Speaker 2: tens before the rest of the world heard about it, 21 00:01:15,200 --> 00:01:18,440 Speaker 2: thanks to the Aaron Sorkin show Studio sixty on the 22 00:01:18,480 --> 00:01:19,319 Speaker 2: Sunset Strip. 23 00:01:19,520 --> 00:01:22,080 Speaker 3: Oh yeah, I actually watched that for a little while. 24 00:01:22,480 --> 00:01:24,440 Speaker 2: It was unwatchable. 25 00:01:24,560 --> 00:01:25,480 Speaker 3: Yeah, it wasn't very good. 26 00:01:25,760 --> 00:01:28,880 Speaker 2: Somebody just breaking out into a moving soliloquy every seven 27 00:01:28,959 --> 00:01:33,240 Speaker 2: minutes is the most unrealistic writing anybody could ever possibly do. 28 00:01:33,560 --> 00:01:35,399 Speaker 3: That's Aaron Sorkin, baby, I know. 29 00:01:35,480 --> 00:01:37,320 Speaker 2: But it only worked for West Wing. 30 00:01:37,480 --> 00:01:39,280 Speaker 1: I didn't much West Wing at all, so I haven't 31 00:01:39,280 --> 00:01:40,520 Speaker 1: seen a lot of Sorkin stuff. 32 00:01:40,800 --> 00:01:43,440 Speaker 2: It really worked for West Wing, but it did not 33 00:01:43,600 --> 00:01:45,000 Speaker 2: work for Studio sixty. 34 00:01:45,440 --> 00:01:47,120 Speaker 3: I do love Sarah Paulson though she was in that. 35 00:01:47,720 --> 00:01:49,360 Speaker 2: Sure, that's great. I felt bad for. 36 00:01:49,680 --> 00:01:51,520 Speaker 3: Yeah, I did do a little bit. 37 00:01:51,640 --> 00:01:53,440 Speaker 2: What was great is thirty Rock came out at the 38 00:01:53,480 --> 00:01:56,000 Speaker 2: exact same time, and they would make fun of some 39 00:01:56,200 --> 00:01:59,120 Speaker 2: Studio sixties like a plot line. 40 00:01:58,960 --> 00:02:01,960 Speaker 3: Yes, in real time, Yeah, the whole what. 41 00:02:02,040 --> 00:02:06,000 Speaker 2: Was the Janis Joplin story? They had to like rename her, uh, 42 00:02:06,800 --> 00:02:09,040 Speaker 2: have rights to her life story? That was something that 43 00:02:09,320 --> 00:02:12,239 Speaker 2: Sarah Paulson like, got it a gig do playing Janis 44 00:02:12,320 --> 00:02:18,240 Speaker 2: Joplin on Studio sixty. So that's our Studio sixty episode, everybody. 45 00:02:18,000 --> 00:02:20,560 Speaker 3: That's right back to Sunset Boulevard. 46 00:02:21,600 --> 00:02:25,360 Speaker 2: Yeah, so yes, we should probably just say all jokes 47 00:02:25,400 --> 00:02:28,120 Speaker 2: aside it's very long street. It's a very historic street, 48 00:02:28,400 --> 00:02:31,680 Speaker 2: and it actually dates back to the eighteenth century, before 49 00:02:31,760 --> 00:02:35,960 Speaker 2: the city of Los Angeles, as we understand, it was around. Instead, 50 00:02:36,400 --> 00:02:42,200 Speaker 2: it originated in the Pueblo de Los Angeles, which was 51 00:02:42,320 --> 00:02:46,960 Speaker 2: the little colony I guess or settlement of just eleven families. Yeah, 52 00:02:47,000 --> 00:02:51,840 Speaker 2: that was the seed that germinated into Los Angeles, home 53 00:02:51,880 --> 00:02:52,640 Speaker 2: of Joe Friday. 54 00:02:53,000 --> 00:02:57,160 Speaker 1: That's right in Sunset Boulevard before it became Sunset Boulevard, 55 00:02:57,240 --> 00:03:00,600 Speaker 1: like many famous streets, was originally used as something else, 56 00:03:00,639 --> 00:03:03,400 Speaker 1: and in this case, it was a cattle trail from 57 00:03:03,400 --> 00:03:07,360 Speaker 1: that downtown pueblo of Los Angeles all the way to 58 00:03:07,400 --> 00:03:09,760 Speaker 1: the Pacific. So it runs for twenty three miles. You 59 00:03:09,760 --> 00:03:12,040 Speaker 1: hear about, you know, Sunset Boulevard, you probably think of 60 00:03:12,080 --> 00:03:15,440 Speaker 1: the Sunset Strip, which is a less than two mile area. 61 00:03:15,560 --> 00:03:18,359 Speaker 1: But Sunset Boulevard there, you know, I used to live 62 00:03:18,360 --> 00:03:21,240 Speaker 1: on the east side and Silver Lake and Sunset Boulevard 63 00:03:21,280 --> 00:03:24,399 Speaker 1: over there is great and a whole other way than 64 00:03:24,480 --> 00:03:25,360 Speaker 1: the Sunset Strip. 65 00:03:25,800 --> 00:03:27,800 Speaker 3: How so well, I mean it's. 66 00:03:27,639 --> 00:03:32,680 Speaker 1: Just a cultural seed of you know, great restaurants and 67 00:03:32,760 --> 00:03:36,120 Speaker 1: cafes and music venues, and you know, it was sort 68 00:03:36,160 --> 00:03:37,960 Speaker 1: of the hipster thing back in the day when the 69 00:03:38,000 --> 00:03:39,320 Speaker 1: hipsters were still a thing. 70 00:03:40,000 --> 00:03:44,040 Speaker 2: Yeah, Silverlake. That's there's that Shaggy Dog Mystery with Andrew 71 00:03:44,040 --> 00:03:46,080 Speaker 2: Garfield beneath the Silver Lake. Right. 72 00:03:46,800 --> 00:03:51,080 Speaker 3: Oh, that was pretty hipster. I think I saw that maybe. 73 00:03:51,600 --> 00:03:54,120 Speaker 2: Yeah, it's worth watching, especially if you know it's a 74 00:03:54,160 --> 00:03:55,840 Speaker 2: shaggy dog mystery going into it. 75 00:03:56,080 --> 00:03:57,840 Speaker 1: Yeah, but a long way of saying that, it was 76 00:03:57,880 --> 00:04:01,080 Speaker 1: a cattle trail to begin with, and then like a 77 00:04:01,080 --> 00:04:03,920 Speaker 1: lot of things like that, would eventually become a real street. 78 00:04:04,640 --> 00:04:07,480 Speaker 1: It became Sunset Boulevard about one hundred years after that, 79 00:04:08,120 --> 00:04:08,640 Speaker 1: I believe. 80 00:04:08,800 --> 00:04:12,560 Speaker 2: Yeah, so there's a couple of store origin stories for 81 00:04:12,640 --> 00:04:14,800 Speaker 2: where the name came from. I couldn't see what they 82 00:04:14,880 --> 00:04:18,360 Speaker 2: called it, like the westward side of Sunset Boulevard before 83 00:04:18,360 --> 00:04:21,200 Speaker 2: it was Sunset Boulevard. But I think in eighteen eighty 84 00:04:21,240 --> 00:04:23,440 Speaker 2: seven there was a developer. There was a lot of 85 00:04:23,480 --> 00:04:26,360 Speaker 2: land development going on in the late nineteenth century that 86 00:04:26,520 --> 00:04:28,919 Speaker 2: built up Los Angeles. It was a bunch of different 87 00:04:28,920 --> 00:04:32,400 Speaker 2: little towns, communities that were independent, and then Los Angeles 88 00:04:32,480 --> 00:04:35,080 Speaker 2: kept growing and growing and growing, and it would absorb 89 00:04:35,200 --> 00:04:38,360 Speaker 2: them and they became neighborhoods instead. Well, there was one 90 00:04:38,400 --> 00:04:42,600 Speaker 2: planned town called Sunset, and they planned for Sunset Boulevard, 91 00:04:42,760 --> 00:04:46,200 Speaker 2: a different stretch of road to go right through the town, 92 00:04:46,680 --> 00:04:49,760 Speaker 2: and so they apparently came up with the name Sunset Boulevard, 93 00:04:49,960 --> 00:04:53,600 Speaker 2: but it was another developer who appropriated it and used 94 00:04:53,640 --> 00:04:57,240 Speaker 2: it for the Sunset Boulevard. After that town of Sunset 95 00:04:57,320 --> 00:04:59,960 Speaker 2: never actually happened. It died on the drafting tape. 96 00:05:00,240 --> 00:05:02,360 Speaker 1: I guess is what you'd say, is that an industry 97 00:05:02,440 --> 00:05:06,960 Speaker 1: jargon it is now? Yeah, And you know, surely you 98 00:05:06,960 --> 00:05:09,280 Speaker 1: can see some some great sunsets because Sunset, you know, 99 00:05:09,680 --> 00:05:12,120 Speaker 1: if you're not familiar with sort of the Hollywood basin, 100 00:05:12,560 --> 00:05:15,119 Speaker 1: there's a it's very grid like and there's a series 101 00:05:15,160 --> 00:05:18,440 Speaker 1: of east west streets. Hollywood, Sunset, Santa Monica are some 102 00:05:18,480 --> 00:05:22,279 Speaker 1: of the more famous ones. And it goes downhill, you know, 103 00:05:22,320 --> 00:05:25,640 Speaker 1: from the mountains, the Hollywood Hills. You know, there's the 104 00:05:25,720 --> 00:05:28,560 Speaker 1: literal mountains and hills, but then it's still up kind 105 00:05:28,600 --> 00:05:30,760 Speaker 1: of high and La kind of goes down down, down 106 00:05:30,800 --> 00:05:34,360 Speaker 1: into the basin and Sunset is pretty high on that side. 107 00:05:34,400 --> 00:05:37,120 Speaker 3: So yeah, you can see some great sunsets, I'm sure. 108 00:05:37,279 --> 00:05:40,360 Speaker 2: Yeah, And I think originally it terminated on the east 109 00:05:40,520 --> 00:05:44,760 Speaker 2: end in Chinatown or what's now Chinatown, And like you said, 110 00:05:44,800 --> 00:05:46,440 Speaker 2: it goes through Silver Lake, it goes through a bunch 111 00:05:46,480 --> 00:05:51,480 Speaker 2: of different neighborhoods, Echo Park, Pacific Palisades, Beverly Hills, Hollywood, 112 00:05:51,760 --> 00:05:55,800 Speaker 2: West Hollywood, like all these great neighborhoods I think are 113 00:05:55,920 --> 00:06:00,360 Speaker 2: in part great neighborhoods because it's chicken or the thing 114 00:06:00,720 --> 00:06:04,760 Speaker 2: is Sunset Boulevard great because these these neighborhoods around it 115 00:06:04,839 --> 00:06:07,919 Speaker 2: are great, Or are the neighborhoods great because Sunset Boulevard 116 00:06:08,000 --> 00:06:08,640 Speaker 2: ran through them? 117 00:06:09,279 --> 00:06:11,479 Speaker 1: I think it's a chicken meat egg and they just 118 00:06:11,480 --> 00:06:14,120 Speaker 1: shake hands and agree not to discuss it. 119 00:06:14,200 --> 00:06:15,680 Speaker 2: Let's never speak of this again. 120 00:06:17,240 --> 00:06:19,920 Speaker 1: Some film stuff and we're kind of jumping around between 121 00:06:20,040 --> 00:06:22,479 Speaker 1: things that made it famous, but generally in a timeline. 122 00:06:23,000 --> 00:06:25,440 Speaker 3: But early on it was obviously. 123 00:06:26,640 --> 00:06:30,159 Speaker 1: Hollywood was the birthplace of the film industry. And you know, 124 00:06:30,200 --> 00:06:32,520 Speaker 1: we've said it before. If you've never been there, you 125 00:06:32,600 --> 00:06:35,159 Speaker 1: might think Hollywood is just a euphemism for the film industry. 126 00:06:35,200 --> 00:06:37,280 Speaker 1: It is that, but it is also a real neighborhood 127 00:06:37,800 --> 00:06:40,760 Speaker 1: right in the center of the La Basin there, And 128 00:06:41,200 --> 00:06:44,279 Speaker 1: you know, it was originally just like all the other suburbs, 129 00:06:44,360 --> 00:06:46,200 Speaker 1: like you were talking about, they were dividing it up 130 00:06:46,200 --> 00:06:49,440 Speaker 1: into lots, and I believe in the early nineteen hundreds 131 00:06:49,440 --> 00:06:53,040 Speaker 1: it was a guy named very nineteen hundreds name H. J. 132 00:06:53,160 --> 00:06:55,400 Speaker 3: Whitby, who kind of I. 133 00:06:55,360 --> 00:06:58,120 Speaker 1: Don't know if he wasn't officially incorporated, but he made 134 00:06:58,120 --> 00:07:00,880 Speaker 1: Hollywood like a proper town and a place to live. 135 00:07:01,520 --> 00:07:05,520 Speaker 2: Yeah. I think Hollywood or West Hollywood wasn't incorporated until 136 00:07:05,560 --> 00:07:07,479 Speaker 2: like the nineteen eighties, Is that right. 137 00:07:07,600 --> 00:07:10,240 Speaker 3: I think that was probably West Hollywood. Okay, we hope 138 00:07:10,280 --> 00:07:10,760 Speaker 3: as they. 139 00:07:10,600 --> 00:07:13,960 Speaker 2: Say, yeah, everybody knows that thanks to the studio sixty 140 00:07:15,800 --> 00:07:19,200 Speaker 2: so yeah, so Hollywood it was almost out of the 141 00:07:19,280 --> 00:07:23,040 Speaker 2: gate versus the early nineteen hundreds nineteen ten when it 142 00:07:23,120 --> 00:07:28,280 Speaker 2: merged with Los Angeles. The next year, film studio started 143 00:07:28,320 --> 00:07:30,280 Speaker 2: popping up, and they started popping up in a very 144 00:07:30,280 --> 00:07:34,080 Speaker 2: specific area, the corner of Sunset Boulevard and Gower Street. 145 00:07:34,760 --> 00:07:37,880 Speaker 2: And even still today there's an original studio from that 146 00:07:38,040 --> 00:07:42,760 Speaker 2: area called Sunset Gower Studios and they're still making shows. 147 00:07:42,920 --> 00:07:46,040 Speaker 2: That's where Dexter was filmed, That's where Saved by the Bell, 148 00:07:46,160 --> 00:07:49,800 Speaker 2: the College Years was filmed. That's that's where yet six 149 00:07:49,840 --> 00:07:55,160 Speaker 2: feet under Dexter, the College years. Heroes, A lot of 150 00:07:55,240 --> 00:07:57,960 Speaker 2: really good shows have shot there, and it's an old, 151 00:07:58,360 --> 00:08:02,400 Speaker 2: old timey, original Hollywood studio from like the nineteen teens. 152 00:08:02,680 --> 00:08:02,880 Speaker 3: Yeah. 153 00:08:03,200 --> 00:08:04,840 Speaker 1: I never shot there, but I got to as a 154 00:08:04,840 --> 00:08:07,160 Speaker 1: PA got to run an erran there once during while 155 00:08:07,200 --> 00:08:09,080 Speaker 1: Six Feet Under was being shot, so I've got to 156 00:08:09,080 --> 00:08:11,880 Speaker 1: see those sets and it was pretty pretty cool as 157 00:08:11,920 --> 00:08:12,880 Speaker 1: a six Feet Under fan. 158 00:08:13,320 --> 00:08:15,440 Speaker 2: What did you take something to Diddy? Is that what 159 00:08:15,480 --> 00:08:16,360 Speaker 2: it was? No? 160 00:08:16,360 --> 00:08:18,000 Speaker 3: No, No, that was to his actual house. 161 00:08:18,560 --> 00:08:18,760 Speaker 2: Good. 162 00:08:19,240 --> 00:08:24,800 Speaker 1: Yeah, I'd disavow that entire delivery, though. Poverty Rose what 163 00:08:24,840 --> 00:08:27,440 Speaker 1: they called Sunset Gower at first because it was pretty 164 00:08:27,440 --> 00:08:29,840 Speaker 1: low budget at the time the things they shot there, 165 00:08:29,880 --> 00:08:32,000 Speaker 1: But in the nineteen thirties they started shooting some like 166 00:08:32,080 --> 00:08:35,160 Speaker 1: really kind of high quality things there, notably the movies 167 00:08:35,160 --> 00:08:37,199 Speaker 1: That Happened One Night and You Can't Take It with You. 168 00:08:37,840 --> 00:08:40,320 Speaker 3: Yeah, and then Gower Gulch. 169 00:08:40,520 --> 00:08:42,959 Speaker 1: I'm glad I never knew the history, but there's still 170 00:08:42,960 --> 00:08:46,400 Speaker 1: a strip mall right there called Gower Gulch and it 171 00:08:46,440 --> 00:08:47,720 Speaker 1: has a little Old West theme. 172 00:08:48,760 --> 00:08:51,920 Speaker 3: And that's where I saw Cherio Terry at a Starbucks. 173 00:08:52,800 --> 00:08:55,720 Speaker 1: Oh yeah, and where there was a hopefully it's still 174 00:08:55,840 --> 00:08:57,760 Speaker 1: a print shop there where you know, you could get 175 00:08:57,800 --> 00:09:00,760 Speaker 1: scripts printed off and bound. Oh yeah, but now I 176 00:09:00,840 --> 00:09:04,400 Speaker 1: know that Gower Gulch is so named because it was 177 00:09:04,800 --> 00:09:06,960 Speaker 1: where all of the Westerns were being filmed, and a 178 00:09:06,960 --> 00:09:09,360 Speaker 1: lot of dudes and like cowboy hats and cowboy boots 179 00:09:09,400 --> 00:09:11,960 Speaker 1: would kind of hang around waiting to be cast there 180 00:09:12,000 --> 00:09:14,760 Speaker 1: at that I guess whatever the stores were at the time. 181 00:09:15,080 --> 00:09:19,160 Speaker 2: Yeah, because Hollywood, especially this area where all the studios 182 00:09:19,200 --> 00:09:22,000 Speaker 2: were churning out Westerns left and right through the twenties 183 00:09:22,000 --> 00:09:24,520 Speaker 2: and thirties. So I mean, I'm sure there were other 184 00:09:24,559 --> 00:09:27,120 Speaker 2: extras hanging around, but the ten gallon hat really makes 185 00:09:27,160 --> 00:09:28,720 Speaker 2: you stand out. And if you put a bunch of 186 00:09:28,720 --> 00:09:31,440 Speaker 2: them together, it's going to get a reputation for being 187 00:09:31,480 --> 00:09:34,200 Speaker 2: a cowboy hangout. And they would hang out around the 188 00:09:34,320 --> 00:09:36,560 Speaker 2: Columbia drug Store. Ye Is that still there? 189 00:09:37,040 --> 00:09:38,160 Speaker 3: I don't know. 190 00:09:38,960 --> 00:09:40,800 Speaker 1: I mean I feel like there's a right Aid and 191 00:09:40,800 --> 00:09:42,720 Speaker 1: that's probably what that was, But I may be wrong, 192 00:09:42,760 --> 00:09:44,480 Speaker 1: but you know, Gower Gulch lives on. 193 00:09:44,840 --> 00:09:49,080 Speaker 2: Did you ever go into that right Aid? And green Point? Yeah? 194 00:09:49,120 --> 00:09:51,679 Speaker 2: In Greenpoint in New York and Brooklyn. I think that 195 00:09:51,760 --> 00:09:54,840 Speaker 2: has like a disco ball still from whatever it was before. 196 00:09:55,080 --> 00:09:56,600 Speaker 3: Oh cool, No, definitely not. 197 00:09:56,800 --> 00:09:59,480 Speaker 2: It is kind of cool. But anyway, this Columbia drug 198 00:09:59,480 --> 00:10:01,960 Speaker 2: store they would have out there because the owners of 199 00:10:01,960 --> 00:10:04,600 Speaker 2: Columbia Drugs are had a telephone and they would let 200 00:10:04,679 --> 00:10:07,280 Speaker 2: the extras use it to call Central Casting to see 201 00:10:07,280 --> 00:10:10,040 Speaker 2: if there were any parts available for them. And there 202 00:10:10,040 --> 00:10:12,520 Speaker 2: was a high profile murder there too, right between a 203 00:10:12,520 --> 00:10:13,280 Speaker 2: couple of cowboys. 204 00:10:13,640 --> 00:10:15,480 Speaker 1: Uh yeah, I mean I don't know if it was 205 00:10:15,559 --> 00:10:18,640 Speaker 1: quite a you know, take ten steps and draw kind 206 00:10:18,640 --> 00:10:22,079 Speaker 1: of thing. Yeah, but there was a shooter over I 207 00:10:22,080 --> 00:10:23,640 Speaker 1: think they were both seeing the same Philly. 208 00:10:24,240 --> 00:10:28,360 Speaker 2: Yeah, and apparently one of them, Blackjack Ward, killed Johnny Tyke. 209 00:10:28,720 --> 00:10:31,120 Speaker 2: He shot him down once and then he told them 210 00:10:31,160 --> 00:10:33,160 Speaker 2: each reason he was shooting him, and every time he did, 211 00:10:33,160 --> 00:10:35,880 Speaker 2: he shot him again until his whole six shooter was empty. 212 00:10:36,280 --> 00:10:39,600 Speaker 2: Like he murdered that guy in broad daylight in front 213 00:10:39,600 --> 00:10:41,480 Speaker 2: of a bunch of people, and he still got off. 214 00:10:41,679 --> 00:10:45,120 Speaker 1: And someone said, boy, cast that dude. That's incredible. Yeah, 215 00:10:46,200 --> 00:10:47,360 Speaker 1: that should be out of a movie. 216 00:10:47,559 --> 00:10:49,520 Speaker 2: Yeah, they should make a movie about him. Sure. 217 00:10:50,920 --> 00:10:54,079 Speaker 1: Prohibition was when the party scene kind of moved in. 218 00:10:54,520 --> 00:10:57,240 Speaker 1: It was called the County Strip at the time, and 219 00:10:57,400 --> 00:11:00,319 Speaker 1: it was unincorporated still at this point, but it was 220 00:11:00,320 --> 00:11:03,680 Speaker 1: a stretch kind of between where Hollywood was, you know, 221 00:11:03,760 --> 00:11:07,240 Speaker 1: a dry place because of Prohibition, and Beverly Hills is 222 00:11:07,679 --> 00:11:09,600 Speaker 1: kind of where the Sunset Strip ends. 223 00:11:10,880 --> 00:11:14,280 Speaker 2: Yeah, well but it keeps going to the Pacific, right that, like, 224 00:11:14,320 --> 00:11:16,719 Speaker 2: doesn't it basically just run out into the ocean. I 225 00:11:16,760 --> 00:11:17,959 Speaker 2: guess the Pacific Highway. 226 00:11:18,080 --> 00:11:20,400 Speaker 3: But that's not the Sunset Strip, the strip strip. 227 00:11:20,520 --> 00:11:22,959 Speaker 2: Yeah, yeah, yeah, sorry about that, but yeah, I guess 228 00:11:23,040 --> 00:11:29,800 Speaker 2: from the outset. The Sunset Strip was like mobsters, brothels, gambling, rackets, nightclubs. 229 00:11:30,000 --> 00:11:33,480 Speaker 2: It was huge during Prohibition, and I guess the reason 230 00:11:33,480 --> 00:11:36,840 Speaker 2: why is because it was unincorporated, so the La County 231 00:11:36,880 --> 00:11:40,960 Speaker 2: Sheriff was in charge of overseeing or enforcing laws, and 232 00:11:41,000 --> 00:11:43,760 Speaker 2: I guess they weren't particularly inclined to enforce laws in 233 00:11:43,800 --> 00:11:46,720 Speaker 2: the area. So that's where you went. And that in 234 00:11:46,800 --> 00:11:51,200 Speaker 2: and of itself is like worth mentioning. It's historic. But 235 00:11:51,400 --> 00:11:53,680 Speaker 2: one of the reasons it's so famous or the strip 236 00:11:53,679 --> 00:11:55,680 Speaker 2: became the strip, is because on the other side, like 237 00:11:55,760 --> 00:11:58,680 Speaker 2: you said, there's Beverly Hills, and that's where the stars 238 00:11:58,679 --> 00:12:00,800 Speaker 2: had moved around the same time, So they would come 239 00:12:00,960 --> 00:12:04,679 Speaker 2: into the County Strip and party and then go back 240 00:12:04,720 --> 00:12:06,760 Speaker 2: to Beverly Hills and the fact that there were all 241 00:12:06,800 --> 00:12:09,680 Speaker 2: these world famous movie stars partying there. Yeah, kind of 242 00:12:09,720 --> 00:12:12,680 Speaker 2: really put a stamp on Sunset Strip that stayed forever. 243 00:12:13,200 --> 00:12:16,080 Speaker 1: Yeah, there was eighty four to seventy seven. Sunset had 244 00:12:16,480 --> 00:12:19,680 Speaker 1: four different mobster clubs basically where the you know, mob 245 00:12:19,760 --> 00:12:22,240 Speaker 1: owned and back them. It was at first the Sphinx, 246 00:12:22,920 --> 00:12:26,000 Speaker 1: then the Han Club, then Club what would that be 247 00:12:26,040 --> 00:12:27,120 Speaker 1: so Soco Luff. 248 00:12:27,480 --> 00:12:30,000 Speaker 2: Yeah, I think so SoC Socoloff. 249 00:12:31,320 --> 00:12:34,600 Speaker 1: Yeah, that's okay, l O E F F. And then 250 00:12:34,800 --> 00:12:37,480 Speaker 1: the Clover Club. And if you're wondering what eighty four 251 00:12:37,480 --> 00:12:39,679 Speaker 1: to seventy seven is now, it's a weed dispensary. 252 00:12:40,480 --> 00:12:41,680 Speaker 2: Oh that's appropriate. 253 00:12:41,920 --> 00:12:43,960 Speaker 3: Yeah, it kind of feels right, doesn't it. 254 00:12:44,160 --> 00:12:47,160 Speaker 2: Yeah, because I'll bet it was a weed dispensary back 255 00:12:47,160 --> 00:12:47,920 Speaker 2: in the thirties too. 256 00:12:48,200 --> 00:12:49,200 Speaker 3: Yeah, probably so. 257 00:12:49,440 --> 00:12:53,680 Speaker 2: But I'll bet it was some crap weed. Yeah, so 258 00:12:54,280 --> 00:12:56,920 Speaker 2: let yeah, no crap like the kids say today. 259 00:12:56,840 --> 00:12:59,000 Speaker 3: Right, I think it's no cap it'sn't it. 260 00:12:59,800 --> 00:13:03,760 Speaker 2: I think they just don't know what they're saying. Okay, 261 00:13:03,880 --> 00:13:08,280 Speaker 2: So I mentioned Brothels that apparently was a huge foundation 262 00:13:08,440 --> 00:13:12,240 Speaker 2: of Hollywood. So there's Hollywood that people think about as Hollywood, 263 00:13:12,240 --> 00:13:14,440 Speaker 2: and then there was like real Hollywood that the actual 264 00:13:14,520 --> 00:13:17,920 Speaker 2: stars how they actually lived their lives, and it was 265 00:13:18,080 --> 00:13:22,360 Speaker 2: depraved and decadent, as you can imagine during the Golden Era. 266 00:13:22,800 --> 00:13:25,600 Speaker 2: It might have been the most appraved and decadent during 267 00:13:25,640 --> 00:13:28,040 Speaker 2: the Golden Era, depending on what your moral views are, 268 00:13:30,080 --> 00:13:32,320 Speaker 2: and people just went buck wild, and the brothels were 269 00:13:32,360 --> 00:13:36,319 Speaker 2: a huge part of that. They were everywhere along Sunset Boulevard. 270 00:13:36,360 --> 00:13:38,800 Speaker 2: They were in private homes, they were in apartment buildings, 271 00:13:38,800 --> 00:13:42,920 Speaker 2: they were sometimes in commercial spaces, and they even had 272 00:13:42,920 --> 00:13:46,680 Speaker 2: some that imitated or there were lookalikes of stars of 273 00:13:46,720 --> 00:13:47,320 Speaker 2: the day too. 274 00:13:47,880 --> 00:13:50,840 Speaker 1: Yeah, that was one of the plotlines of La Confidential 275 00:13:50,840 --> 00:13:53,960 Speaker 1: if you remember, Oh yeah, it was a brothel where 276 00:13:54,000 --> 00:13:56,320 Speaker 1: and except in that movie they were I think the 277 00:13:56,360 --> 00:13:58,760 Speaker 1: line was like they're cut to look like celebrities, So 278 00:13:58,800 --> 00:14:01,480 Speaker 1: I think they had actual like plast surgery, oh got 279 00:14:01,520 --> 00:14:04,360 Speaker 1: youa yeah, to look like Hollywood stars. And you know, 280 00:14:04,400 --> 00:14:06,680 Speaker 1: the rumors were that the studios were kind of funding 281 00:14:06,720 --> 00:14:10,560 Speaker 1: these to take investors, like foreign investors there and they 282 00:14:10,559 --> 00:14:13,520 Speaker 1: could sleep with a sex worker that looks like Vivian Lee. 283 00:14:14,000 --> 00:14:17,120 Speaker 2: That seems to be a really well founded rumor, Like 284 00:14:17,200 --> 00:14:19,400 Speaker 2: I don't know that there's any actual documentation of it, 285 00:14:19,440 --> 00:14:21,480 Speaker 2: but it seems to be pretty much accepted as fact 286 00:14:21,520 --> 00:14:22,240 Speaker 2: from what I saw. 287 00:14:22,480 --> 00:14:24,240 Speaker 3: Yeah, I believe it so. 288 00:14:24,440 --> 00:14:29,120 Speaker 2: And actually, because this is Hollywood and celebrity, I guess 289 00:14:29,160 --> 00:14:32,040 Speaker 2: celebrity worship is just part of it and always has been. 290 00:14:32,560 --> 00:14:35,160 Speaker 2: Whenever some of the Madams would get busted, they would 291 00:14:35,160 --> 00:14:39,040 Speaker 2: become internationally famous as well. There were two that stick out. 292 00:14:39,080 --> 00:14:42,200 Speaker 2: One name was Lee Francis. I think she might have 293 00:14:42,240 --> 00:14:44,920 Speaker 2: originally worked under the other very famous one, the Black 294 00:14:44,960 --> 00:14:49,280 Speaker 2: Widow and Forrester, And by this time the Hollywood movie 295 00:14:49,280 --> 00:14:53,560 Speaker 2: studios were so powerful that both Leif Francis and Forrester 296 00:14:53,920 --> 00:14:58,240 Speaker 2: were busted with client information. One of them had essentially 297 00:14:58,280 --> 00:15:00,280 Speaker 2: like an index card system, the other one at a 298 00:15:00,320 --> 00:15:04,760 Speaker 2: black book, and both of those things disappeared before they 299 00:15:04,800 --> 00:15:08,600 Speaker 2: could ever make it into the evidence locker. And no 300 00:15:08,640 --> 00:15:12,160 Speaker 2: one was arrested in any of the cases, even the 301 00:15:12,200 --> 00:15:14,760 Speaker 2: guys who were caught in the act, because they just 302 00:15:15,000 --> 00:15:17,000 Speaker 2: you just kept people's names out of the paper. It 303 00:15:17,120 --> 00:15:20,960 Speaker 2: just didn't happen in Hollywood. And I think that level 304 00:15:21,000 --> 00:15:25,680 Speaker 2: of protection by the studios just fueled the lifestyle that 305 00:15:25,720 --> 00:15:29,440 Speaker 2: the stars were living because they couldn't get in trouble. 306 00:15:29,520 --> 00:15:32,240 Speaker 2: They could not there were no consequences for what they 307 00:15:32,240 --> 00:15:35,560 Speaker 2: were doing, so people just did anything and everything there 308 00:15:35,840 --> 00:15:38,360 Speaker 2: during that golden age, I guess of the twenties and 309 00:15:38,360 --> 00:15:39,680 Speaker 2: thirties and forties. 310 00:15:39,280 --> 00:15:40,280 Speaker 3: Maybe, yeah. 311 00:15:40,360 --> 00:15:42,280 Speaker 1: And you know, because of that, it was sort of 312 00:15:42,280 --> 00:15:44,280 Speaker 1: a you know, as Dave called it, kind of a 313 00:15:44,320 --> 00:15:49,160 Speaker 1: blessing in disguise for the LGTBQ community. And you know, 314 00:15:49,240 --> 00:15:52,160 Speaker 1: that's West Hollywood or we HO again is sort of 315 00:15:52,200 --> 00:15:55,560 Speaker 1: the heart of the LGTB community in central Los Angeles. 316 00:15:55,600 --> 00:15:58,680 Speaker 1: But way before that it was it was where a 317 00:15:58,680 --> 00:16:02,880 Speaker 1: lot of gay bars were, gay clubs, drag clubs. 318 00:16:02,880 --> 00:16:05,560 Speaker 3: I think the first drag shows. 319 00:16:05,240 --> 00:16:07,520 Speaker 1: In the city and probably some of the first in 320 00:16:07,560 --> 00:16:10,960 Speaker 1: the United States, were to Speakeasy in nineteen twenty seven 321 00:16:11,000 --> 00:16:14,680 Speaker 1: called Cafe Loabom. But there were also, you know, all 322 00:16:14,760 --> 00:16:16,400 Speaker 1: kinds of clubs there. It was a very famous one 323 00:16:16,400 --> 00:16:19,600 Speaker 1: called the Trocadero that opened in nineteen thirty four where 324 00:16:19,640 --> 00:16:24,000 Speaker 1: Cafe Lobohm was, and it was opened by a guy 325 00:16:24,040 --> 00:16:27,640 Speaker 1: named Billy Wilkerson who was a publisher of The Hollywood Reporter, 326 00:16:27,840 --> 00:16:31,200 Speaker 1: which I guess used to be news and like gossip 327 00:16:31,240 --> 00:16:34,200 Speaker 1: and stuff. Now it's like a you know, fully sort 328 00:16:34,200 --> 00:16:36,320 Speaker 1: of stand up, legitimate industry rag. 329 00:16:36,800 --> 00:16:38,960 Speaker 2: I know they write about us pretty much constant. 330 00:16:39,400 --> 00:16:40,320 Speaker 3: I think we were in it once. 331 00:16:40,320 --> 00:16:43,640 Speaker 2: Actually we were selected some honor of like I think 332 00:16:43,720 --> 00:16:46,040 Speaker 2: powerful podcasters or something crazy like that. 333 00:16:46,240 --> 00:16:48,080 Speaker 1: Yeah, we made that list of time or two and 334 00:16:48,480 --> 00:16:50,720 Speaker 1: we were in Variety once too. A couple of you know, 335 00:16:50,840 --> 00:16:51,920 Speaker 1: feathers in our caps. 336 00:16:52,240 --> 00:16:55,440 Speaker 2: Yeah, so nice. I'd love to joke those feathers sometimes. 337 00:16:55,840 --> 00:16:57,800 Speaker 1: Well, it's easy to forget when they don't come calling, 338 00:16:57,920 --> 00:17:01,800 Speaker 1: you know, it's true. But he owned Billy Wilkerson owned 339 00:17:01,920 --> 00:17:04,760 Speaker 1: the Trocadero, and it was another one of those things 340 00:17:04,800 --> 00:17:06,600 Speaker 1: where he was like, hey, you come by the Trocadero 341 00:17:07,200 --> 00:17:09,639 Speaker 1: and we're going to make sure that you get in 342 00:17:09,680 --> 00:17:12,760 Speaker 1: the gossip column, you know, because at the time, you know, 343 00:17:12,840 --> 00:17:13,959 Speaker 1: that was kind of good press. 344 00:17:14,520 --> 00:17:18,200 Speaker 2: Yeah. At the same time, the Trocadero was set up 345 00:17:18,560 --> 00:17:22,520 Speaker 2: to cater to stars and celebrities because autograph hounds and 346 00:17:22,560 --> 00:17:25,159 Speaker 2: people who looked a little too hungry or thirsty to 347 00:17:25,200 --> 00:17:28,320 Speaker 2: get in there were shut out of that to protect 348 00:17:28,480 --> 00:17:32,000 Speaker 2: people inside, the celebrities inside, so they could relax and 349 00:17:32,000 --> 00:17:34,760 Speaker 2: not have to worry about I guess being asked for 350 00:17:34,800 --> 00:17:37,240 Speaker 2: their autograph, the worst thing that can possibly happen to you. 351 00:17:39,480 --> 00:17:41,159 Speaker 1: And then the final one we'll mention here before the 352 00:17:41,160 --> 00:17:44,439 Speaker 1: break is a nightclub called Ciro's. It opened in nineteen 353 00:17:44,520 --> 00:17:47,400 Speaker 1: forty and I believe it was also Wilkerson who owned 354 00:17:47,400 --> 00:17:48,960 Speaker 1: that one, and it was notable. 355 00:17:49,280 --> 00:17:50,280 Speaker 3: It was just a very. 356 00:17:50,200 --> 00:17:53,439 Speaker 1: Famous and popular nightclub, and it was it made its 357 00:17:53,560 --> 00:17:55,560 Speaker 1: name because Buggy Seagull would go there a lot, the 358 00:17:55,600 --> 00:18:00,000 Speaker 1: infamous mobster, and when he was in jail on murder trial, 359 00:18:00,280 --> 00:18:02,879 Speaker 1: he got food from Ciro's delivered right there to a 360 00:18:02,960 --> 00:18:04,520 Speaker 1: cell because you could do that at the time. 361 00:18:04,920 --> 00:18:07,520 Speaker 2: Yep, takeout food, can you believe it. 362 00:18:09,560 --> 00:18:12,000 Speaker 1: So we'll take a break now, Yeah, yeah, think a 363 00:18:12,040 --> 00:18:13,919 Speaker 1: right good idea great, and we'll come back and talk 364 00:18:13,960 --> 00:18:16,359 Speaker 1: about the legendary Chateau Marmont right after this. 365 00:18:41,359 --> 00:18:42,080 Speaker 3: All right, we're back. 366 00:18:42,119 --> 00:18:44,760 Speaker 1: We promised talk of the Chateau Marmont. That is a 367 00:18:44,840 --> 00:18:48,040 Speaker 1: very famous hotel built in nineteen twenty nine. It's the 368 00:18:48,080 --> 00:18:50,159 Speaker 1: one that sits right in the hills and kind of 369 00:18:50,160 --> 00:18:54,160 Speaker 1: looks like a castle, a very European inspired luxury hotel, 370 00:18:54,800 --> 00:18:57,879 Speaker 1: and its motto is still if you go to their 371 00:18:57,920 --> 00:19:02,200 Speaker 1: website says always a safe, even always open, and from 372 00:19:02,240 --> 00:19:04,520 Speaker 1: the start it was kind of like what you've been describing. 373 00:19:05,600 --> 00:19:08,560 Speaker 1: It was a place where you could go and party 374 00:19:08,600 --> 00:19:10,960 Speaker 1: hardy and ensure that your name wouldn't be in the 375 00:19:11,040 --> 00:19:11,760 Speaker 1: news because of it. 376 00:19:12,200 --> 00:19:15,240 Speaker 2: Yeah, Like they had and I believe still have a 377 00:19:15,440 --> 00:19:19,200 Speaker 2: strict policy among their staff, like you do not talk 378 00:19:19,240 --> 00:19:23,119 Speaker 2: about what you see at the hotel. And the reason 379 00:19:23,160 --> 00:19:25,440 Speaker 2: why is they figured out very early on that if 380 00:19:25,440 --> 00:19:30,480 Speaker 2: you can provide like that level of discretion or privacy, 381 00:19:30,800 --> 00:19:33,440 Speaker 2: you're going to be you're in good Like the word 382 00:19:33,440 --> 00:19:35,280 Speaker 2: of mouth alone is going to keep you in business 383 00:19:35,320 --> 00:19:37,719 Speaker 2: for decades, and clearly that worked out for more than 384 00:19:37,760 --> 00:19:42,439 Speaker 2: a century, almost a century. And then conversely, if the 385 00:19:42,520 --> 00:19:45,440 Speaker 2: staff started gossiping or talking about what they saw or 386 00:19:45,480 --> 00:19:49,400 Speaker 2: started selling their stories to papers or tabloids like the 387 00:19:49,560 --> 00:19:51,760 Speaker 2: Chateau Marmont would have gone out of business in six 388 00:19:51,840 --> 00:19:54,880 Speaker 2: months essentially. So they I don't know how they managed 389 00:19:54,920 --> 00:19:58,600 Speaker 2: to do it to keep people from you know, rumor 390 00:19:58,680 --> 00:20:01,000 Speaker 2: mongering or anything like that, but they seem to have 391 00:20:01,280 --> 00:20:02,879 Speaker 2: quite successfully over the years. 392 00:20:03,200 --> 00:20:05,760 Speaker 1: Yeah, and I was delighted to see today. And for 393 00:20:05,840 --> 00:20:08,639 Speaker 1: a while kind of during the early COVID years, I 394 00:20:08,720 --> 00:20:10,840 Speaker 1: remember it was closed down and it was supposedly going 395 00:20:10,880 --> 00:20:13,520 Speaker 1: to reopen as a sort of like a member's only 396 00:20:14,160 --> 00:20:17,640 Speaker 1: you could buy places or maybe live in them long 397 00:20:17,720 --> 00:20:19,359 Speaker 1: term or something. I can't remember what the plan was, 398 00:20:19,400 --> 00:20:21,159 Speaker 1: and it bummed me out because I'd never had a 399 00:20:21,240 --> 00:20:23,840 Speaker 1: chance to stay there. But I went today and apparently 400 00:20:23,840 --> 00:20:25,959 Speaker 1: it's a hotel again, and I don't know if those 401 00:20:26,040 --> 00:20:28,240 Speaker 1: plans are completely off or what or what happened, but 402 00:20:28,640 --> 00:20:31,240 Speaker 1: looks like you can stay there. I have never stayed there, 403 00:20:31,240 --> 00:20:34,240 Speaker 1: but I have mentioned before I have partied in the 404 00:20:34,280 --> 00:20:37,600 Speaker 1: John Belushi Bungalow like six or seven times, and it's. 405 00:20:37,480 --> 00:20:40,760 Speaker 3: Just a pretty awesome special place. The restaurant there, in 406 00:20:40,800 --> 00:20:43,399 Speaker 3: the bar, you just sort of feel. 407 00:20:43,880 --> 00:20:46,040 Speaker 1: It's not like I go there to, you know, get 408 00:20:46,080 --> 00:20:48,800 Speaker 1: away with doing bad stuff, but it feels insulated when 409 00:20:48,800 --> 00:20:50,439 Speaker 1: you're in there, like this little weird haven. 410 00:20:51,000 --> 00:20:53,200 Speaker 2: Yeah. I mean, like I said, apparently it's still very 411 00:20:53,280 --> 00:20:56,840 Speaker 2: much like that, and it's very tight lipped. Yeah. Yeah, 412 00:20:56,960 --> 00:21:00,439 Speaker 2: it's just I mean, that's just such an iconic place 413 00:21:00,600 --> 00:21:04,920 Speaker 2: that almost to me stands apart from Sunset Boulevard. It's 414 00:21:04,920 --> 00:21:07,920 Speaker 2: about as iconic as Sunset Boulevard itself in my opinion. 415 00:21:08,200 --> 00:21:09,960 Speaker 1: Yeah, agreed, And it was right there at sort of 416 00:21:10,000 --> 00:21:12,600 Speaker 1: that junction where that very famously had the big Marboro 417 00:21:12,720 --> 00:21:16,280 Speaker 1: Man poster ad for oh yeah, forever that thing was up. 418 00:21:17,680 --> 00:21:19,960 Speaker 2: There was one other thing. Dave helped us with us, 419 00:21:19,960 --> 00:21:22,080 Speaker 2: and he turned up a quote from the guy who 420 00:21:22,200 --> 00:21:24,760 Speaker 2: used to run Columbia Pictures, they think in the thirties. 421 00:21:24,800 --> 00:21:27,879 Speaker 2: The name was Harry Cone, and he used to tell 422 00:21:27,920 --> 00:21:30,320 Speaker 2: his actors, if you must get in trouble, do it 423 00:21:30,359 --> 00:21:34,000 Speaker 2: at the Chateau Marmont, Yeah, because nobody's going to find 424 00:21:34,040 --> 00:21:37,200 Speaker 2: out about it. Like that hotel could even keep people's 425 00:21:37,280 --> 00:21:40,680 Speaker 2: names out of the paper. When someone died in their hotel, 426 00:21:41,119 --> 00:21:43,560 Speaker 2: the death would get reported, but the papers would not 427 00:21:43,640 --> 00:21:46,040 Speaker 2: report the person's name. In a lot of cases, it's 428 00:21:46,080 --> 00:21:49,120 Speaker 2: got to be NDAs, I guess. But I mean, this 429 00:21:49,200 --> 00:21:51,560 Speaker 2: is long before there were NDA's, you know. 430 00:21:52,560 --> 00:21:53,720 Speaker 3: I don't know when those came along. 431 00:21:53,800 --> 00:21:56,720 Speaker 2: I mean, certainly they weren't around in the nineteen thirties. 432 00:21:56,760 --> 00:21:59,000 Speaker 2: I wouldn't think. I think just the studio has would 433 00:21:59,000 --> 00:21:59,640 Speaker 2: send goose. 434 00:21:59,520 --> 00:22:02,760 Speaker 3: Break your yeah. Yeah. 435 00:22:02,800 --> 00:22:05,120 Speaker 1: Down the street from the Chateau was another very famous 436 00:22:06,480 --> 00:22:09,920 Speaker 1: well eventually hotel was called the Garden of Allah, and you. 437 00:22:09,840 --> 00:22:12,199 Speaker 3: Should look this place up. If you're, you know, someplace 438 00:22:12,200 --> 00:22:13,959 Speaker 3: where you're not driving, and look at pictures of it. 439 00:22:13,960 --> 00:22:15,400 Speaker 3: It was pretty wondrous. I think it was a few 440 00:22:15,440 --> 00:22:16,960 Speaker 3: acres name. 441 00:22:17,000 --> 00:22:19,320 Speaker 1: For its original owner, it was a silent film star 442 00:22:19,440 --> 00:22:24,600 Speaker 1: named Ala Nazimova, and Alah had a lot of money 443 00:22:24,680 --> 00:22:27,960 Speaker 1: and bought a mansion there in nineteen eighteen. And then 444 00:22:28,160 --> 00:22:30,560 Speaker 1: when things it was sort of like, hey, come and party. 445 00:22:30,600 --> 00:22:32,280 Speaker 1: It was sort of like the New York salons at 446 00:22:32,280 --> 00:22:35,119 Speaker 1: the time, like the elite would party there. And I 447 00:22:35,160 --> 00:22:39,480 Speaker 1: think Nazamova was coined the phrase sewing circles as code 448 00:22:39,520 --> 00:22:42,280 Speaker 1: for lesbian and bisexual actresses at the time. 449 00:22:42,840 --> 00:22:47,080 Speaker 2: Yeah, I saw her described as the sapphik Mother of Hollywood, 450 00:22:47,320 --> 00:22:52,240 Speaker 2: like she is a LGBTQ icon from still today, but 451 00:22:52,320 --> 00:22:56,000 Speaker 2: from this era. And she was really famous and made 452 00:22:56,040 --> 00:22:58,760 Speaker 2: a lot of money. Apparently at one point she was 453 00:22:58,800 --> 00:23:01,400 Speaker 2: making thirteen thousand dollars a week, which is two hundred 454 00:23:01,440 --> 00:23:04,399 Speaker 2: and seventy six thousand dollars a week today, And so 455 00:23:04,720 --> 00:23:07,240 Speaker 2: according to the moral codes of the time, this was 456 00:23:07,320 --> 00:23:11,320 Speaker 2: decadent and depraved, but it was a safe place for 457 00:23:11,960 --> 00:23:16,040 Speaker 2: the stars who were closeted lesbians or closeted bisexual to 458 00:23:16,160 --> 00:23:21,480 Speaker 2: like come and like have affairs or make relationships or whatever. 459 00:23:21,760 --> 00:23:25,760 Speaker 2: It was just a really safe space, and Nazimova was 460 00:23:25,920 --> 00:23:28,400 Speaker 2: the reason why. Like she managed to keep a lid 461 00:23:28,440 --> 00:23:31,480 Speaker 2: on that as well while still like everybody went and 462 00:23:31,520 --> 00:23:32,000 Speaker 2: had fun. 463 00:23:32,560 --> 00:23:35,240 Speaker 1: Yeah, totally. And you know, it went from a private 464 00:23:35,320 --> 00:23:38,800 Speaker 1: house where she hosted these salons to after the silent 465 00:23:38,800 --> 00:23:41,320 Speaker 1: film era, she didn't make the transition to the talkies 466 00:23:41,440 --> 00:23:42,800 Speaker 1: so well and so it was a little down on 467 00:23:42,840 --> 00:23:46,280 Speaker 1: her luck financially, and remodeled it as a hotel in 468 00:23:46,400 --> 00:23:49,600 Speaker 1: nineteen twenty seven and it became sort of the same 469 00:23:49,680 --> 00:23:52,080 Speaker 1: version of the same thing, but as a hotel. 470 00:23:52,240 --> 00:23:54,840 Speaker 2: Yeah for sure. And I think as a hotel it 471 00:23:54,920 --> 00:23:59,840 Speaker 2: might have been less of a safe space, but probably 472 00:24:00,040 --> 00:24:02,440 Speaker 2: still carried it on some like from what I understand. 473 00:24:02,440 --> 00:24:05,920 Speaker 2: When it was their house, like it was lesbian central essentially, 474 00:24:05,960 --> 00:24:08,160 Speaker 2: and then once it became a hotel it was much 475 00:24:08,160 --> 00:24:10,520 Speaker 2: more open to I think everybody. 476 00:24:11,000 --> 00:24:13,600 Speaker 1: Yeah, for sure. It's now a strip mall. It was 477 00:24:13,600 --> 00:24:16,880 Speaker 1: demolished fully unfortunately, but you can go look at great 478 00:24:16,880 --> 00:24:19,560 Speaker 1: pictures of it. It was across from the very famous 479 00:24:19,640 --> 00:24:23,760 Speaker 1: Schwabz Pharmacy, which was a lot of things there was 480 00:24:24,160 --> 00:24:27,720 Speaker 1: I think from the movie nineteen fifty one Sunset Boulevard, 481 00:24:28,280 --> 00:24:29,800 Speaker 1: the great Billy Wilder movie. 482 00:24:30,119 --> 00:24:31,240 Speaker 2: This is such a good movie. 483 00:24:31,520 --> 00:24:32,640 Speaker 3: No, it's unbelievable. 484 00:24:33,000 --> 00:24:36,240 Speaker 1: William Holden, as a washed up screenwriter, says, after that, 485 00:24:36,320 --> 00:24:38,359 Speaker 1: I drove down to headquarters. That's the way a lot 486 00:24:38,359 --> 00:24:41,359 Speaker 1: of us think about schwabs, kind of a combination office 487 00:24:41,359 --> 00:24:44,480 Speaker 1: coffee clatch and waiting room, waiting waiting for the gravy train. 488 00:24:44,800 --> 00:24:45,919 Speaker 3: Yeah, and that's what it was. 489 00:24:45,960 --> 00:24:49,560 Speaker 1: It was this weird combo where you could go see 490 00:24:49,560 --> 00:24:51,840 Speaker 1: and be seen and also sit around and wait for 491 00:24:51,840 --> 00:24:52,120 Speaker 1: the phone. 492 00:24:52,200 --> 00:24:55,040 Speaker 2: During Yeah, they had this lunch counter that apparently was 493 00:24:55,080 --> 00:24:57,639 Speaker 2: pretty good because a lot of stars went there. But 494 00:24:57,680 --> 00:25:00,320 Speaker 2: they didn't discriminate. It wasn't like you could be an 495 00:25:00,359 --> 00:25:05,280 Speaker 2: aspiring actor who's getting nowhere and you're sitting there almost 496 00:25:05,320 --> 00:25:08,240 Speaker 2: literally rubbing elbows at this lunch counter with Marlon Brando 497 00:25:08,440 --> 00:25:11,119 Speaker 2: or something like that. Like, it was just people coming 498 00:25:11,119 --> 00:25:14,560 Speaker 2: together from all walks of life. And I thought that 499 00:25:14,640 --> 00:25:17,400 Speaker 2: was pretty cool. But it made it legendary. I mean 500 00:25:17,480 --> 00:25:21,680 Speaker 2: just basically anywhere that stars went on Sunset Boulevard automatically 501 00:25:21,720 --> 00:25:25,400 Speaker 2: became legendary. And now they're all right, aides or Chase. 502 00:25:25,200 --> 00:25:29,240 Speaker 1: Banks and Schwab's Pharmacy is where the famous story about 503 00:25:29,280 --> 00:25:32,680 Speaker 1: Lana Turner being discovered there while skipping school four name 504 00:25:32,720 --> 00:25:34,960 Speaker 1: was Lana Turner. But I think I feel like we 505 00:25:35,040 --> 00:25:36,600 Speaker 1: talked about this that that wasn't true. 506 00:25:37,119 --> 00:25:39,879 Speaker 2: Yeah, it turns out, I mean, she was discovered typing 507 00:25:39,880 --> 00:25:43,040 Speaker 2: class at Hollywood High School. But she was discovered at 508 00:25:43,080 --> 00:25:46,159 Speaker 2: the Top Hat malt shop, not at Schwab's, right, And 509 00:25:46,240 --> 00:25:48,520 Speaker 2: I guess Schwabs just filled in for top Hat because 510 00:25:48,560 --> 00:25:51,320 Speaker 2: it was much more famous. Maybe, I don't know. Yeah, probably, 511 00:25:51,560 --> 00:25:54,840 Speaker 2: But that same Billy Wilkerson who founded Ceros and the 512 00:25:54,840 --> 00:25:57,840 Speaker 2: Hollywood Reporter, he's apparently the one who discovered her. 513 00:25:58,680 --> 00:25:59,479 Speaker 3: Oh yeah, that's right. 514 00:25:59,560 --> 00:26:01,840 Speaker 2: It's all true, except for the Schwaps part. 515 00:26:03,080 --> 00:26:07,479 Speaker 1: As we move into the sixties is when the Sunset Strip, 516 00:26:07,600 --> 00:26:11,040 Speaker 1: you know, particularly became part of the kind of the 517 00:26:11,080 --> 00:26:15,680 Speaker 1: seated counterculture of Los Angeles. In the nineteen fifties, a 518 00:26:15,720 --> 00:26:17,800 Speaker 1: lot of money went to Vegas when Vegas was first 519 00:26:17,840 --> 00:26:21,560 Speaker 1: opening up. Yeah, and so rents fell lower on the strip. 520 00:26:21,920 --> 00:26:24,560 Speaker 1: So like some grittier nightclubs moved in. And I think 521 00:26:24,600 --> 00:26:28,000 Speaker 1: you found two where Vegas. If you played in Vegas, 522 00:26:28,080 --> 00:26:30,440 Speaker 1: you needed to at least like have a reputation in La. 523 00:26:30,600 --> 00:26:32,160 Speaker 1: So that's why a lot of bands played there. 524 00:26:32,400 --> 00:26:34,719 Speaker 2: Yeah. Well, no, the mob had enough money that they 525 00:26:34,720 --> 00:26:37,440 Speaker 2: could pay you just such a fat contract. That part 526 00:26:37,480 --> 00:26:39,920 Speaker 2: of the contract was you can't go play La because 527 00:26:39,960 --> 00:26:42,800 Speaker 2: we want people to come to Vas, right, So all 528 00:26:42,840 --> 00:26:46,040 Speaker 2: of the entertainers and performers left the Sunset Strip and 529 00:26:46,080 --> 00:26:49,679 Speaker 2: went to Vegas. So the club started having trouble, and 530 00:26:49,840 --> 00:26:53,239 Speaker 2: then they started bringing in black acts. Motown r and 531 00:26:53,280 --> 00:26:58,320 Speaker 2: b Otis Redding very famously played at I can't remember 532 00:26:58,359 --> 00:27:04,440 Speaker 2: what club with Bob Dylan watching him just agog and sadly, 533 00:27:05,240 --> 00:27:11,080 Speaker 2: the sudden appearance of black performers on the Sunset Strip 534 00:27:11,320 --> 00:27:14,959 Speaker 2: actually depressed real estate values even further, and so as 535 00:27:15,040 --> 00:27:18,320 Speaker 2: rock and roll kind of came along, young entrepreneurs who 536 00:27:18,400 --> 00:27:21,280 Speaker 2: wanted to open rock clubs were able to afford these 537 00:27:21,320 --> 00:27:25,040 Speaker 2: spaces along the Sunset Strip, And that's how it went 538 00:27:25,119 --> 00:27:29,679 Speaker 2: from glamorous Frank Sinatra to grungy rock clubs. There was 539 00:27:29,920 --> 00:27:33,600 Speaker 2: a transition, a swing from the R and B artists 540 00:27:33,359 --> 00:27:36,520 Speaker 2: of the time playing the Sunset Strip for a little 541 00:27:36,520 --> 00:27:38,040 Speaker 2: while in between those things. 542 00:27:38,359 --> 00:27:40,560 Speaker 1: Oh okay, that makes sense. So then it became more 543 00:27:40,640 --> 00:27:42,880 Speaker 1: rock and roll because that's when the Whiskey of Go 544 00:27:42,880 --> 00:27:46,080 Speaker 1: Go opened in sixty four. Then you have still not 545 00:27:46,160 --> 00:27:49,280 Speaker 1: been to. They just don't have a lot of stuff 546 00:27:49,320 --> 00:27:52,080 Speaker 1: that I'm into anymore. It's a lot of still a 547 00:27:52,119 --> 00:27:56,000 Speaker 1: lot of like metal and like metal tribute bands and 548 00:27:56,000 --> 00:27:57,560 Speaker 1: stuff like that. But I'm going to make it a 549 00:27:57,600 --> 00:27:59,119 Speaker 1: point just to go at some point, just so i 550 00:27:59,160 --> 00:28:02,200 Speaker 1: can be in that room. But that became sort of 551 00:28:02,240 --> 00:28:06,400 Speaker 1: the epicenter of the counterculture and youth culture and Whiskey 552 00:28:06,400 --> 00:28:08,080 Speaker 1: a Go Go. If you've heard of Go Go dancing, 553 00:28:08,119 --> 00:28:10,560 Speaker 1: it comes from the Whiskey of Go Go, Like literally. 554 00:28:10,560 --> 00:28:13,640 Speaker 2: Yeah, there was a DJ at the Whiskey name Joni Leabine, 555 00:28:13,880 --> 00:28:17,320 Speaker 2: and the DJ booth was in a glass case. I'm 556 00:28:17,320 --> 00:28:18,879 Speaker 2: not sure if it's still there or not, but it 557 00:28:18,960 --> 00:28:22,919 Speaker 2: was several tens of feet off of the dance floor 558 00:28:23,040 --> 00:28:25,720 Speaker 2: just over it. And when she was spinning records, she 559 00:28:25,720 --> 00:28:27,399 Speaker 2: would just kind of dance, and she had a certain 560 00:28:27,400 --> 00:28:30,159 Speaker 2: way of dancing, and she would wear very short skirts 561 00:28:30,200 --> 00:28:34,719 Speaker 2: and long white boots and the like. She started the 562 00:28:34,720 --> 00:28:38,400 Speaker 2: go go dancing trend of the sixties single handedly. Essentially 563 00:28:38,400 --> 00:28:42,360 Speaker 2: everybody started kind of mimicking her, and it was all 564 00:28:42,400 --> 00:28:43,320 Speaker 2: at the Whiskey Go Go. 565 00:28:43,680 --> 00:28:48,280 Speaker 1: Yeah, if you heard the rock band the Doors, the 566 00:28:48,360 --> 00:28:52,840 Speaker 1: rock band without a bass player featuring Jim Morrison and others, 567 00:28:53,040 --> 00:28:53,800 Speaker 1: Raymond Zeric. 568 00:28:54,320 --> 00:28:56,640 Speaker 2: I remember how excited I was in eighth grade when 569 00:28:56,680 --> 00:28:57,640 Speaker 2: that movie came out. 570 00:28:58,080 --> 00:29:00,440 Speaker 3: Oh I was in college. Yeah, I was too. 571 00:29:00,480 --> 00:29:02,280 Speaker 1: That's cool that you were psyched at that age because 572 00:29:02,520 --> 00:29:06,080 Speaker 1: it felt like colleges when everyone got into the Doors 573 00:29:06,120 --> 00:29:08,600 Speaker 1: for a couple of years, and that was definitely me 574 00:29:08,720 --> 00:29:10,960 Speaker 1: and the Whiskey certainly featured heavily because they were the 575 00:29:10,960 --> 00:29:15,200 Speaker 1: house band for basically a summer in nineteen sixty six, 576 00:29:16,520 --> 00:29:18,680 Speaker 1: and you know, every one of the day played there. 577 00:29:18,840 --> 00:29:20,520 Speaker 1: It's not a very big venue either. I don't know 578 00:29:20,520 --> 00:29:23,880 Speaker 1: what the capacity is, but it feels like just by 579 00:29:23,880 --> 00:29:25,560 Speaker 1: looking at it, it's probably under a thousand. 580 00:29:26,280 --> 00:29:28,479 Speaker 2: Oh yeah, I would definitely say that. I mean imagine 581 00:29:28,480 --> 00:29:30,960 Speaker 2: seeing Led Zeppelin or Jimmy Hendrix like in a small 582 00:29:31,040 --> 00:29:31,640 Speaker 2: room like that. 583 00:29:32,280 --> 00:29:34,440 Speaker 1: Yeah, I mean I can't imagine seeing the period much 584 00:29:34,520 --> 00:29:35,360 Speaker 1: less in a small room. 585 00:29:36,080 --> 00:29:38,080 Speaker 2: And then one other thing about the Whiskey Yo Go, 586 00:29:38,480 --> 00:29:41,240 Speaker 2: I think it's probably the greatest club name of all time. 587 00:29:42,520 --> 00:29:45,280 Speaker 2: And I looked up why or where Gogo came from 588 00:29:45,880 --> 00:29:49,680 Speaker 2: and apparently go for a little while was slang for fashionable, 589 00:29:50,160 --> 00:29:53,360 Speaker 2: and it just kind of morphed into go go kind 590 00:29:53,400 --> 00:29:56,719 Speaker 2: of fashionable or cool, right, doubly fashionable, So the whiskey 591 00:29:56,760 --> 00:29:59,080 Speaker 2: of go go was very fashionable. 592 00:29:59,120 --> 00:30:01,920 Speaker 3: I guess a rare in show. Look up, it's a 593 00:30:01,920 --> 00:30:04,160 Speaker 3: capacity of five hundred. So yeah, that's amazing. 594 00:30:04,160 --> 00:30:07,040 Speaker 2: Wow. Yeah, that's like a stuff you should know show 595 00:30:07,160 --> 00:30:08,600 Speaker 2: in our hometown of Atlanta. 596 00:30:11,040 --> 00:30:11,360 Speaker 3: Wow. 597 00:30:13,720 --> 00:30:17,640 Speaker 1: In the mid sixties is when cruising the strips became 598 00:30:17,720 --> 00:30:19,960 Speaker 1: like a real thing with you know, basically people just 599 00:30:20,000 --> 00:30:22,040 Speaker 1: would get in their cars, get in their convertibles, get 600 00:30:22,080 --> 00:30:24,360 Speaker 1: on their motorcycles, and just drive. 601 00:30:24,200 --> 00:30:25,560 Speaker 3: Up and down the Sunset Strip. 602 00:30:25,600 --> 00:30:29,200 Speaker 1: If you've ever seen the movie American Graffiti, even though 603 00:30:29,240 --> 00:30:34,720 Speaker 1: that drive in was filmed on van Ness, because Mel's 604 00:30:34,800 --> 00:30:37,880 Speaker 1: Drive In is a small chain, I think it was 605 00:30:37,920 --> 00:30:39,800 Speaker 1: supposed to be the one on the Sunset Strip if 606 00:30:39,840 --> 00:30:40,480 Speaker 1: I'm not mistaken. 607 00:30:40,640 --> 00:30:44,480 Speaker 2: Yeah. Definitely, that whole La youth culture and car culture 608 00:30:44,560 --> 00:30:46,800 Speaker 2: that produced the Beach Boys and all that, that's when 609 00:30:46,840 --> 00:30:49,560 Speaker 2: it was set right and I think it actually Happy 610 00:30:49,640 --> 00:30:55,520 Speaker 2: Days was essentially spun off of American Graffiti. What's his name, 611 00:30:56,120 --> 00:30:57,680 Speaker 2: Richard Cunningham. 612 00:30:57,320 --> 00:30:59,240 Speaker 3: Richie Cunningham, Ron Howard Baby. 613 00:30:59,400 --> 00:31:03,920 Speaker 2: Yes, he was an American Graffiti, essentially playing Richie Cunningham. Yeah, 614 00:31:04,040 --> 00:31:06,080 Speaker 2: right before Happy Days started. 615 00:31:06,160 --> 00:31:07,440 Speaker 3: So I have ever thought about that? 616 00:31:07,600 --> 00:31:10,160 Speaker 2: Yeah, one little thing about that. I was looking up 617 00:31:10,200 --> 00:31:12,800 Speaker 2: Mels Drive in an American Graffiti and I ran across 618 00:31:13,520 --> 00:31:17,200 Speaker 2: there was a list of suggested names from the studio 619 00:31:17,400 --> 00:31:21,240 Speaker 2: instead of American Graffiti. And it's even on like Lucasfilm 620 00:31:21,280 --> 00:31:23,560 Speaker 2: Station Area or something like that. One of them was 621 00:31:23,600 --> 00:31:28,040 Speaker 2: Burger City. They considered naming that movie Burger City. 622 00:31:29,280 --> 00:31:31,920 Speaker 3: Wow, we should write a script called Burger City. We 623 00:31:31,960 --> 00:31:32,920 Speaker 3: can get it developed. 624 00:31:33,440 --> 00:31:36,000 Speaker 2: Yeah, I think that'd be great. 625 00:31:35,880 --> 00:31:38,160 Speaker 3: Or good burger That'd be an equally weird name. 626 00:31:38,200 --> 00:31:39,400 Speaker 2: Isn't that Keenan and Kel? 627 00:31:39,880 --> 00:31:40,800 Speaker 3: Yeah, I was just kidding. 628 00:31:40,880 --> 00:31:41,840 Speaker 2: Have you ever seen that movie? 629 00:31:42,240 --> 00:31:43,920 Speaker 3: I never saw it was Was it a movie or 630 00:31:43,960 --> 00:31:44,320 Speaker 3: a show? 631 00:31:44,840 --> 00:31:46,520 Speaker 2: It was a movie. It was like the Keenan and 632 00:31:46,600 --> 00:31:47,400 Speaker 2: Kell movie. 633 00:31:47,840 --> 00:31:50,920 Speaker 1: Okay, yeah, yeah, he's the best. Well I don't know 634 00:31:51,000 --> 00:31:52,400 Speaker 1: much about Kell, but Keenan's awesome. 635 00:31:52,400 --> 00:31:53,040 Speaker 3: I love that guy. 636 00:31:53,200 --> 00:31:54,400 Speaker 2: Yeah, I agree. 637 00:31:55,320 --> 00:32:00,720 Speaker 1: Sixty six was when a club called Pandora's Box. Famously, 638 00:32:00,760 --> 00:32:03,520 Speaker 1: it became the sort of heart of what was known 639 00:32:03,560 --> 00:32:06,600 Speaker 1: as the riote on Sunset Strip. The La Sheriff's Department 640 00:32:06,680 --> 00:32:10,680 Speaker 1: headed first to ten o'clock curfew for teenagers, basically anyone 641 00:32:10,760 --> 00:32:14,560 Speaker 1: under eighteen, and on November twelfth of sixty six is 642 00:32:14,560 --> 00:32:19,120 Speaker 1: when thousands of young teenage hippies protested. They sat down 643 00:32:19,120 --> 00:32:21,640 Speaker 1: in the street in front of Pandora's Box, block traffic 644 00:32:22,400 --> 00:32:26,560 Speaker 1: and it ended pretty violently. Cops came in and Stephen 645 00:32:26,600 --> 00:32:30,000 Speaker 1: Stills wrote the famous protest song for what It's Worth 646 00:32:30,040 --> 00:32:31,360 Speaker 1: because he witnessed that event. 647 00:32:31,960 --> 00:32:34,840 Speaker 2: Yeah, they just came in with police batons of flying 648 00:32:35,000 --> 00:32:38,959 Speaker 2: cracking heads. It's like LAPD. Will you ever change? 649 00:32:41,080 --> 00:32:42,080 Speaker 3: Maybe? Maybe not. 650 00:32:43,200 --> 00:32:45,760 Speaker 2: The signs are not pointing to a definite yes at 651 00:32:45,760 --> 00:32:46,520 Speaker 2: this point yet. 652 00:32:47,120 --> 00:32:48,680 Speaker 1: And if you're thinking I don't know the song for 653 00:32:48,760 --> 00:32:52,200 Speaker 1: what It's Worth, it's the song you better stop. Hey, 654 00:32:52,240 --> 00:32:53,120 Speaker 1: what's that sound? 655 00:32:53,440 --> 00:32:53,840 Speaker 3: Everybody? 656 00:32:53,880 --> 00:32:56,880 Speaker 1: Look what's going down? You just probably don't remember it 657 00:32:56,920 --> 00:32:58,920 Speaker 1: as having the name for what It's Worth. 658 00:32:58,880 --> 00:33:01,920 Speaker 2: No, because it's one of those those songs that just 659 00:33:02,000 --> 00:33:04,720 Speaker 2: the title just doesn't fit the other part, I think. 660 00:33:04,760 --> 00:33:07,560 Speaker 2: But Buffalo Springfield, Yeah, it's a good song. 661 00:33:08,000 --> 00:33:08,520 Speaker 3: Love it. 662 00:33:08,760 --> 00:33:14,400 Speaker 2: Stephen Sills, did you know that? Thanks? Dave? 663 00:33:14,960 --> 00:33:16,640 Speaker 3: Oh did he not put the t in there. 664 00:33:16,840 --> 00:33:19,440 Speaker 2: No, Stephen Sills, I loved. 665 00:33:19,160 --> 00:33:23,400 Speaker 3: It, Crosby Sills, nas and Yown. 666 00:33:24,080 --> 00:33:26,400 Speaker 2: Oh, I mean we love Dave here, we love him. 667 00:33:27,240 --> 00:33:28,720 Speaker 1: So we should talk a little bit about the black 668 00:33:28,720 --> 00:33:32,360 Speaker 1: Cat Tavern because black Cat Tavern was a home of 669 00:33:32,400 --> 00:33:37,840 Speaker 1: one of the first major LGBTQ protestly in the United States, 670 00:33:37,840 --> 00:33:40,480 Speaker 1: certainly a couple of years before Stonewall, even. 671 00:33:40,560 --> 00:33:43,880 Speaker 2: Yeah, two years before Stonewall, you said, right, yeah, And 672 00:33:43,920 --> 00:33:46,920 Speaker 2: I think on New Year's Eve, the cops came in 673 00:33:47,080 --> 00:33:49,520 Speaker 2: the lapd again or the Sheriff's office, I'm not sure 674 00:33:49,520 --> 00:33:53,280 Speaker 2: which one. They started cracking heads. They started just beating 675 00:33:53,400 --> 00:33:55,920 Speaker 2: up the gay patrons there for being gay. They accused 676 00:33:55,920 --> 00:33:59,120 Speaker 2: them of lewd conduct or whatever. I think you turned 677 00:33:59,200 --> 00:34:02,200 Speaker 2: up that two men were caught kissing and that's essentially 678 00:34:02,240 --> 00:34:04,440 Speaker 2: what started the beatings. Is that correct? 679 00:34:05,040 --> 00:34:05,360 Speaker 3: Yeah? 680 00:34:05,440 --> 00:34:08,040 Speaker 1: I mean they ended up arresting fourteen people, but those 681 00:34:08,080 --> 00:34:11,560 Speaker 1: two men ended up getting convicted and had to register 682 00:34:11,600 --> 00:34:14,000 Speaker 1: as sex offenders for kissing each other. 683 00:34:14,560 --> 00:34:15,960 Speaker 3: The Supreme Court of the United. 684 00:34:15,800 --> 00:34:19,399 Speaker 1: States refused to hear their appeal, and so they took 685 00:34:19,400 --> 00:34:22,320 Speaker 1: away their liquor license. In May I believe was sixty seven, 686 00:34:22,880 --> 00:34:27,360 Speaker 1: shortly after the protest on February eleventh because of the 687 00:34:27,480 --> 00:34:29,600 Speaker 1: raid on New Year's Eve and. 688 00:34:29,520 --> 00:34:30,600 Speaker 3: They had to shut down. 689 00:34:30,719 --> 00:34:33,000 Speaker 1: I think it reopened as several other gay bars over 690 00:34:33,040 --> 00:34:36,400 Speaker 1: the years until twenty eleven. When it reopened in twenty 691 00:34:36,440 --> 00:34:39,760 Speaker 1: twelve eight as the Black Cat. It was a restaurant. 692 00:34:39,760 --> 00:34:42,359 Speaker 1: This time they paid honor to its roots a by 693 00:34:42,440 --> 00:34:44,240 Speaker 1: naming it that and having kind of the same logo, 694 00:34:44,320 --> 00:34:47,480 Speaker 1: but just the historical significance is on display there with 695 00:34:47,520 --> 00:34:48,840 Speaker 1: photographs and a plaque. 696 00:34:49,320 --> 00:34:51,080 Speaker 3: And this is in the Silver Lake side. This is 697 00:34:51,120 --> 00:34:51,840 Speaker 3: not on the strip. 698 00:34:52,280 --> 00:34:55,080 Speaker 1: And in twenty twenty two it was duplex and a 699 00:34:55,160 --> 00:34:58,239 Speaker 1: very small sort of two sided building Shake Shack opened 700 00:34:58,280 --> 00:35:00,600 Speaker 1: up on the other side in the adjac space and 701 00:35:00,640 --> 00:35:04,200 Speaker 1: apparently dominated with their signage, and everyone got really really 702 00:35:04,239 --> 00:35:06,680 Speaker 1: mad at that, and it didn't last long. 703 00:35:06,680 --> 00:35:08,240 Speaker 3: Shakeshack there is now closed. 704 00:35:08,760 --> 00:35:11,279 Speaker 2: You know. One of the most interesting things I've ever 705 00:35:11,320 --> 00:35:14,560 Speaker 2: seen is a story about Shakesheck, the original one in 706 00:35:14,680 --> 00:35:17,759 Speaker 2: whatever park it's in in New York. Okay, you mean, 707 00:35:17,760 --> 00:35:19,919 Speaker 2: and I were there. We were in line, very long line, 708 00:35:19,960 --> 00:35:21,960 Speaker 2: and the line goes through the park, so there's a 709 00:35:22,000 --> 00:35:24,719 Speaker 2: lot of trees overhead. Oh yeah, I know that this guy. 710 00:35:24,960 --> 00:35:26,319 Speaker 2: I'm not sure what park it is. I guess it 711 00:35:26,320 --> 00:35:28,799 Speaker 2: doesn't matter. But this guy, who was either one or 712 00:35:28,800 --> 00:35:34,320 Speaker 2: two behind us in line, suddenly was surrounded by bird poop. 713 00:35:34,680 --> 00:35:38,040 Speaker 2: It just formed like a halo around his body, and 714 00:35:38,200 --> 00:35:41,200 Speaker 2: everyone turned around looking for the poop that had surely 715 00:35:41,239 --> 00:35:45,120 Speaker 2: gotten on the guy, and he had nothing on him. Somehow, 716 00:35:45,520 --> 00:35:49,000 Speaker 2: the poop had all magically fallen within inches of his body, 717 00:35:49,440 --> 00:35:53,360 Speaker 2: all around him without actually getting on him, and everyone 718 00:35:53,400 --> 00:35:55,600 Speaker 2: in the line who knew what happened was just like 719 00:35:56,280 --> 00:35:58,640 Speaker 2: that is one of the most amazing things I've ever seen. 720 00:35:58,680 --> 00:36:02,960 Speaker 2: That guy was so happy he was not a lottery ticket. Yeah, exactly, 721 00:36:03,520 --> 00:36:05,160 Speaker 2: that's amazing. Check story. 722 00:36:05,360 --> 00:36:07,120 Speaker 3: I think I've ever heard that. I don't know that 723 00:36:07,160 --> 00:36:08,000 Speaker 3: was the first one either. 724 00:36:08,239 --> 00:36:10,080 Speaker 2: Yeah, I think it's the first one. It was just 725 00:36:10,120 --> 00:36:10,640 Speaker 2: in the park. 726 00:36:11,040 --> 00:36:13,040 Speaker 3: Yeah, it's over it's like it's near Union Square. I 727 00:36:13,040 --> 00:36:14,200 Speaker 3: don't know what the park is either though. 728 00:36:15,160 --> 00:36:17,600 Speaker 2: And then one other thing about the Black Cat Tavern. It's, 729 00:36:17,920 --> 00:36:21,160 Speaker 2: you know, obviously like people are like this happened, you know, 730 00:36:21,239 --> 00:36:23,640 Speaker 2: before the stonewall rate, it might have even happened before 731 00:36:23,680 --> 00:36:27,240 Speaker 2: the Compton's Cafeteria riot. And the fact that it's compared 732 00:36:27,280 --> 00:36:29,719 Speaker 2: to Stonewall. It makes you think that there was a 733 00:36:29,800 --> 00:36:33,799 Speaker 2: riot involved. It wasn't. It was a dignified, organized protest. 734 00:36:34,239 --> 00:36:39,880 Speaker 2: But it's the first recorded LGBTQ protest in American history. 735 00:36:40,160 --> 00:36:42,240 Speaker 2: That's what that's its big claim to fame. 736 00:36:43,120 --> 00:36:45,400 Speaker 1: Amazing. I feel like that's a great time for a 737 00:36:45,440 --> 00:36:49,040 Speaker 1: break totally. And we'll segue into the seventies right after this. 738 00:37:14,400 --> 00:37:17,480 Speaker 2: Okay, So the seventies, which we just say waded into 739 00:37:17,920 --> 00:37:20,919 Speaker 2: this was where the rock clubs like kind of transitioned 740 00:37:20,960 --> 00:37:26,160 Speaker 2: from hippie rock to all sorts of different stuff proto punk, 741 00:37:26,480 --> 00:37:31,200 Speaker 2: glam rock, eventually hair metal as we'll see. And there 742 00:37:31,200 --> 00:37:34,640 Speaker 2: were three big clubs rock clubs that were around at 743 00:37:34,640 --> 00:37:39,320 Speaker 2: the time. There was the Roxy Theater, Rodney's English Disco, 744 00:37:40,360 --> 00:37:44,920 Speaker 2: and Ghazaries. Those were the three that were like the 745 00:37:45,600 --> 00:37:48,040 Speaker 2: three big rock clubs in the seventies that kind of 746 00:37:48,480 --> 00:37:50,719 Speaker 2: kicked off that transition from what I understand. 747 00:37:51,160 --> 00:37:55,320 Speaker 3: Yeah, and Ghazari's is best known for Van Halen. Baby. 748 00:37:55,520 --> 00:37:57,439 Speaker 3: Van Halen was known for two things in their early 749 00:37:57,520 --> 00:37:59,239 Speaker 3: days before they put a record out. 750 00:37:59,280 --> 00:38:02,879 Speaker 1: It was backyard parties in Pasadena where they lived, and 751 00:38:03,040 --> 00:38:06,080 Speaker 1: being the house band at Kazari's for like years. 752 00:38:06,360 --> 00:38:08,879 Speaker 2: Did you know that Van Halen was from California? 753 00:38:09,719 --> 00:38:10,760 Speaker 3: Yeah, I didn't. 754 00:38:10,800 --> 00:38:12,400 Speaker 2: I always thought they were a Dutch band. 755 00:38:13,400 --> 00:38:16,440 Speaker 1: No, I mean Eddie and Alex were Dutch by heritage, 756 00:38:16,480 --> 00:38:17,799 Speaker 1: and I think they were even born there. 757 00:38:17,840 --> 00:38:21,120 Speaker 2: Maybe David lee Roth is in Dutch. No, have you 758 00:38:21,160 --> 00:38:22,000 Speaker 2: ever heard him talk? 759 00:38:23,280 --> 00:38:27,480 Speaker 3: Sure, I'm a distributor about the map right as touch? 760 00:38:28,320 --> 00:38:30,600 Speaker 3: I think you're right. I mean, I'm a big van 761 00:38:30,600 --> 00:38:31,080 Speaker 3: Halen guy. 762 00:38:31,120 --> 00:38:33,239 Speaker 1: So I've studied and read all the books, but there's 763 00:38:33,239 --> 00:38:34,000 Speaker 1: one in particular. 764 00:38:34,840 --> 00:38:36,760 Speaker 3: Oh god, is it called Becoming van Halen. 765 00:38:37,680 --> 00:38:40,560 Speaker 1: It's the most intense, Like, I don't know how this 766 00:38:40,600 --> 00:38:43,920 Speaker 1: guy got this information, but it's the most intense detailing 767 00:38:44,040 --> 00:38:46,640 Speaker 1: of pre record contract. 768 00:38:46,280 --> 00:38:48,839 Speaker 3: Van Halen that I've ever heard of in my life. 769 00:38:48,920 --> 00:38:52,560 Speaker 1: It was incredible how much this guy knew about their 770 00:38:52,640 --> 00:38:54,240 Speaker 1: Pasadena backyard party days. 771 00:38:54,560 --> 00:38:56,600 Speaker 2: Well, since you know so much about van Halen, answer 772 00:38:56,680 --> 00:38:58,839 Speaker 2: this for me. It's a question I actually carry around 773 00:38:58,880 --> 00:39:01,320 Speaker 2: with me. What was the deal with Eddie van Halen 774 00:39:01,480 --> 00:39:04,960 Speaker 2: slamming Michael Anthony is a bad bass player? Like I 775 00:39:04,960 --> 00:39:07,319 Speaker 2: think about upon Michael Anthony's death. 776 00:39:08,040 --> 00:39:12,520 Speaker 3: Oh, well, you mean Eddie van Halen's death Michael Anthony? 777 00:39:12,760 --> 00:39:15,359 Speaker 2: Okay, well, for some reason, Eddie Van Halen came out 778 00:39:15,400 --> 00:39:17,800 Speaker 2: and said that he thought Michael Anthony was a terrible 779 00:39:17,800 --> 00:39:18,440 Speaker 2: bass player. 780 00:39:18,640 --> 00:39:21,480 Speaker 1: Oh, Eddie, you know he's one of the greatest and 781 00:39:21,800 --> 00:39:24,240 Speaker 1: rip for sure, but he could be unkind at times. 782 00:39:24,320 --> 00:39:26,600 Speaker 3: Two people. I think Michael Anthony's one of the. 783 00:39:26,560 --> 00:39:28,799 Speaker 1: Greatest, and he had the voice that kind of helped 784 00:39:28,840 --> 00:39:30,879 Speaker 1: him make Van Halen with those backing vocals. And he's 785 00:39:30,880 --> 00:39:33,680 Speaker 1: still crushing it. Because I went and saw Sammy Hagar 786 00:39:33,800 --> 00:39:36,480 Speaker 1: and Michael Anthony and Vegas played not too long ago 787 00:39:36,560 --> 00:39:37,759 Speaker 1: for the second time in a year. 788 00:39:38,160 --> 00:39:40,680 Speaker 2: Were you the guest of our good friend Aaron Hagar who. 789 00:39:40,560 --> 00:39:42,279 Speaker 3: Listens, No, I wasn't a guest this time. Aaron. 790 00:39:42,360 --> 00:39:44,359 Speaker 1: I was hoping he could meet there and I could 791 00:39:44,520 --> 00:39:47,279 Speaker 1: finally have a chance to meet his pops. But Aaron 792 00:39:47,360 --> 00:39:49,960 Speaker 1: showed up the week after I was there. But Adam Pranica, 793 00:39:50,080 --> 00:39:53,160 Speaker 1: friend of the show of the Greatest Generation podcast, met 794 00:39:53,200 --> 00:39:55,160 Speaker 1: me from LA and we played little golf and saw 795 00:39:55,200 --> 00:39:57,799 Speaker 1: Sammy and just had a great time. It's a really 796 00:39:57,800 --> 00:40:00,240 Speaker 1: good show. Those guys are still killing it. Michael Anthony 797 00:40:00,960 --> 00:40:04,319 Speaker 1: is besides his talents, is known as one of the 798 00:40:04,440 --> 00:40:07,840 Speaker 1: nicest guys in rock and roll nice, which really stinks 799 00:40:07,880 --> 00:40:10,960 Speaker 1: if Eddie said that, because Michael Anthony has always taken 800 00:40:11,000 --> 00:40:12,000 Speaker 1: the high road. 801 00:40:12,280 --> 00:40:14,680 Speaker 2: Oh he did say it. It was a big deal, 802 00:40:14,840 --> 00:40:17,440 Speaker 2: And Sammy Hagar came out and said, I don't know 803 00:40:17,480 --> 00:40:20,120 Speaker 2: what Eddie's talking about. Yeah, basically being any to get 804 00:40:20,120 --> 00:40:22,960 Speaker 2: Michael Anthony's the best bass player I ever worked with, 805 00:40:23,000 --> 00:40:23,839 Speaker 2: So he's whooped in. 806 00:40:24,360 --> 00:40:26,880 Speaker 3: All that band stuff. Just makes me sad fighting like that. 807 00:40:27,120 --> 00:40:30,280 Speaker 2: Yeah, I'd like to circle back to Adam Pranica. Okay, 808 00:40:30,440 --> 00:40:32,839 Speaker 2: for people who aren't familiar with him, I would say, 809 00:40:32,880 --> 00:40:35,719 Speaker 2: go listen to the Greatest Generation podcasts, but if you 810 00:40:35,760 --> 00:40:38,680 Speaker 2: ever get a chance to meet Adam Pranica, you should 811 00:40:38,719 --> 00:40:42,600 Speaker 2: consider yourself hashtag blessed because he is one of the 812 00:40:42,680 --> 00:40:46,680 Speaker 2: greatest human beings you will ever meet in your life, like, legitimately, 813 00:40:47,040 --> 00:40:48,960 Speaker 2: through and through. Just a great dude. 814 00:40:49,440 --> 00:40:53,200 Speaker 1: Yeah, agreed, He's the Michael Anthony A podcast. He definitely is, 815 00:40:53,840 --> 00:40:55,440 Speaker 1: along with his co host Ben Harrison. 816 00:40:55,600 --> 00:40:58,680 Speaker 2: No, Ben's great too, He's no Adam Pranica, though. 817 00:41:00,160 --> 00:41:03,600 Speaker 1: Ben's gonna like that burn The Roxy opened in seventy three. 818 00:41:04,120 --> 00:41:07,799 Speaker 1: David Geffen, very famous sort of record label owner and 819 00:41:07,960 --> 00:41:11,160 Speaker 1: early on music producer and Lou Adler, legendary producer, opened 820 00:41:11,200 --> 00:41:14,080 Speaker 1: the Roxy, and it. 821 00:41:14,000 --> 00:41:15,479 Speaker 3: Was legendary for a lot of reasons. 822 00:41:15,520 --> 00:41:17,040 Speaker 1: I mean, the biggest of the big play there in 823 00:41:17,080 --> 00:41:20,040 Speaker 1: this again a small club, but the very first staging 824 00:41:20,480 --> 00:41:20,719 Speaker 1: in the. 825 00:41:20,800 --> 00:41:22,359 Speaker 3: US of the Rocky Horror Picture Show. 826 00:41:22,520 --> 00:41:24,960 Speaker 1: Yeah, this is when it was just a stage musical 827 00:41:25,840 --> 00:41:26,680 Speaker 1: played at the Roxy. 828 00:41:27,040 --> 00:41:31,560 Speaker 2: Yeah, and pee Wee Herman debuted his show what became 829 00:41:31,600 --> 00:41:34,680 Speaker 2: the pe Wee Herman TV Show, his live stage version 830 00:41:34,719 --> 00:41:36,919 Speaker 2: of it that came out first in nineteen eighty one 831 00:41:37,040 --> 00:41:39,520 Speaker 2: at the Roxy. Have you seen that documentary yet? 832 00:41:39,760 --> 00:41:41,640 Speaker 1: I still haven't seen it because he's got on vacation, 833 00:41:41,719 --> 00:41:42,880 Speaker 1: but it's on the list. 834 00:41:43,120 --> 00:41:45,680 Speaker 2: And then Rodney's English Disco. I don't know why. Those 835 00:41:45,719 --> 00:41:47,960 Speaker 2: three words together are hard for me to pronounce, but 836 00:41:48,719 --> 00:41:52,799 Speaker 2: that was Rodney Bingenheimer's club that opened in nineteen seventy two. 837 00:41:53,200 --> 00:41:55,279 Speaker 2: So think about how ahead of the curve he was 838 00:41:55,280 --> 00:41:58,680 Speaker 2: by naming it a disco. There was no disco around yet. 839 00:41:59,280 --> 00:42:00,000 Speaker 3: Yeah, that's a good point. 840 00:42:00,320 --> 00:42:02,759 Speaker 1: He was a legendary DJ at k Rock in LA 841 00:42:02,880 --> 00:42:04,680 Speaker 1: from seventy six to twenty seventeen. 842 00:42:05,000 --> 00:42:07,360 Speaker 2: I'm sorry, he took it's Kroq. 843 00:42:08,120 --> 00:42:10,880 Speaker 1: And was very famous for breaking, Like the list of 844 00:42:10,920 --> 00:42:16,560 Speaker 1: bands that he broke on air is incredible, Like, just look. 845 00:42:16,400 --> 00:42:17,080 Speaker 3: It over sometime. 846 00:42:17,400 --> 00:42:18,799 Speaker 1: I don't have time to go over all of it 847 00:42:18,840 --> 00:42:22,080 Speaker 1: here because we're running long, but it's it's just really impressive. 848 00:42:22,080 --> 00:42:25,160 Speaker 1: And he was a There was a great documentary about 849 00:42:25,200 --> 00:42:27,440 Speaker 1: him called The Mayor of Sunset Strip. He is a 850 00:42:27,440 --> 00:42:29,920 Speaker 1: star in Hollywood Boulevard and it's just like, wow, what 851 00:42:30,000 --> 00:42:34,240 Speaker 1: a guy. And then, very disappointingly, a couple of years ago, 852 00:42:35,120 --> 00:42:38,919 Speaker 1: Carrie Chrome of The Runaways filed a lawsuit and said 853 00:42:39,000 --> 00:42:41,160 Speaker 1: he sexually assaulted me when I was thirteen years old. 854 00:42:41,360 --> 00:42:44,320 Speaker 2: Man, those poor Runaways they got, I know, just totally 855 00:42:44,360 --> 00:42:47,839 Speaker 2: exploited and just us it up sad, just. 856 00:42:47,840 --> 00:42:51,080 Speaker 1: Young teenage girls. And Kim Falley, their manager, seems like 857 00:42:51,160 --> 00:42:54,000 Speaker 1: a horrible human. Yeah, took part in that assault. And 858 00:42:54,040 --> 00:42:57,680 Speaker 1: then five more women came forward after that, including Jane 859 00:42:57,680 --> 00:43:00,160 Speaker 1: Wheedland of the Go Gos, and said, yeah, Rodney really 860 00:43:00,160 --> 00:43:02,560 Speaker 1: assaulted me too. And there hasn't been a result of 861 00:43:02,640 --> 00:43:05,480 Speaker 1: that lawsuit yet, but it turns out not a good guy. 862 00:43:05,680 --> 00:43:08,120 Speaker 2: Well good for them for standing up to that. Dude. 863 00:43:08,360 --> 00:43:08,760 Speaker 3: Totally. 864 00:43:10,280 --> 00:43:13,560 Speaker 2: We couldn't mention the Sunset Strip without mentioning, especially during 865 00:43:13,560 --> 00:43:17,120 Speaker 2: the era of the seventies, the Continental Hyatt House, which. 866 00:43:16,920 --> 00:43:17,520 Speaker 3: Has stayed there. 867 00:43:17,520 --> 00:43:21,000 Speaker 1: By the way I have I'm almost positive that we 868 00:43:21,080 --> 00:43:24,040 Speaker 1: both stayed as now the and does in one of 869 00:43:24,080 --> 00:43:28,040 Speaker 1: our LA Podcast Festival appearances, I. 870 00:43:28,040 --> 00:43:31,000 Speaker 2: Do not recall that I remember seeing at the SLS. 871 00:43:31,360 --> 00:43:32,400 Speaker 2: Is that what you're talking about? 872 00:43:32,760 --> 00:43:34,920 Speaker 3: No, this is and Oz. I mean I definitely stay there. 873 00:43:34,960 --> 00:43:37,640 Speaker 3: I thought you did. But it was the Continental riot House. Yes, 874 00:43:37,719 --> 00:43:38,359 Speaker 3: the Hyatt House. 875 00:43:38,400 --> 00:43:42,320 Speaker 1: Officially, if you've ever read the led Zeppelin book and 876 00:43:42,320 --> 00:43:44,680 Speaker 1: there's that picture of Robert Plant standing on the balcony 877 00:43:45,760 --> 00:43:49,040 Speaker 1: saying I'm a golden God, that that was the Riot House. 878 00:43:49,400 --> 00:43:54,040 Speaker 2: Yeah, and the Continental. Just as a little aside, that's 879 00:43:54,120 --> 00:43:57,799 Speaker 2: from the original name of the hotel, the Continental, which 880 00:43:57,840 --> 00:43:59,000 Speaker 2: was owned by Gene Autry. 881 00:43:59,440 --> 00:44:00,480 Speaker 3: Oh well know that. 882 00:44:00,600 --> 00:44:02,520 Speaker 2: Yeah, it's kind of a weird transition, right. 883 00:44:02,600 --> 00:44:03,960 Speaker 3: Yeah, totally all right. 884 00:44:04,000 --> 00:44:06,160 Speaker 1: As the tour goes forward, we're gonna take a little 885 00:44:06,160 --> 00:44:08,280 Speaker 1: stop here at the Rainbow Bar and Grill on Sunset 886 00:44:09,120 --> 00:44:11,880 Speaker 1: opened in seventy two, and it was the people who 887 00:44:11,960 --> 00:44:13,680 Speaker 1: on the whiskey of Go Go that opened the Rainbow, 888 00:44:13,719 --> 00:44:17,520 Speaker 1: and the Rainbow was just a din of debauchery disguised 889 00:44:17,520 --> 00:44:20,840 Speaker 1: as a not too great Italian restaurant, but that was 890 00:44:20,880 --> 00:44:24,560 Speaker 1: where the Hollywood vampires hung out the kind of silly 891 00:44:24,840 --> 00:44:28,320 Speaker 1: looking at it now drinking club founded by Alice Cooper 892 00:44:28,800 --> 00:44:32,200 Speaker 1: as members of which were Keith Moon, Ringo star Mickey 893 00:44:32,239 --> 00:44:35,360 Speaker 1: Dolans and the Debauchers and Great Harry Nilsen. 894 00:44:35,960 --> 00:44:38,640 Speaker 2: Yeah, and they're now kind of a band with Alice 895 00:44:38,640 --> 00:44:41,400 Speaker 2: Cooper and Aerosmith. 896 00:44:40,960 --> 00:44:46,319 Speaker 1: Guitarist Oh jove, Oh geez. 897 00:44:46,000 --> 00:44:50,640 Speaker 3: What's his same? Steven Tyler and the other guy. I'm 898 00:44:50,680 --> 00:44:51,280 Speaker 3: just blanking. 899 00:44:51,680 --> 00:44:54,080 Speaker 2: Well, anyway, Johnny Depp is in it. There's like a 900 00:44:54,120 --> 00:44:56,000 Speaker 2: couple other people too. I think one of the dudes 901 00:44:56,040 --> 00:44:57,640 Speaker 2: from Guns and Roses might be in it too. 902 00:44:59,640 --> 00:45:01,960 Speaker 3: Maybe. I don't know if they're any good? Are they? 903 00:45:02,680 --> 00:45:08,000 Speaker 2: I don't know. I think they're more a novelty act maybe. 904 00:45:08,080 --> 00:45:09,719 Speaker 3: I mean, you know, it's got Johnny Depp in it. 905 00:45:10,280 --> 00:45:12,680 Speaker 2: Right, right, I think that kind of makes it a 906 00:45:12,719 --> 00:45:16,320 Speaker 2: novelty act as far as musical acts are concerned. Joe Perry, 907 00:45:16,760 --> 00:45:18,640 Speaker 2: Joe Perry, I kept won't say. 908 00:45:18,600 --> 00:45:20,920 Speaker 3: Joe Elliott, but that's a def Leppard. 909 00:45:21,600 --> 00:45:23,280 Speaker 2: Oh yeah, that's right, that's the lead singer. 910 00:45:23,400 --> 00:45:23,760 Speaker 3: Yeah. 911 00:45:24,239 --> 00:45:26,279 Speaker 2: One other thing about the Rainbow Bar and Grill. That's 912 00:45:26,280 --> 00:45:29,880 Speaker 2: where John beluci Ate his last meal, Yeah, in nineteen 913 00:45:29,920 --> 00:45:32,520 Speaker 2: eighty two before he died of a drug overdose at 914 00:45:32,520 --> 00:45:37,520 Speaker 2: the Chateau Marmont. And had he gotten the speedball from Schwabs, 915 00:45:37,520 --> 00:45:39,839 Speaker 2: it would have been a Sunset Boulevard trifecta. 916 00:45:41,040 --> 00:45:44,160 Speaker 3: Oh yeah, I guess you're right, and then. 917 00:45:44,160 --> 00:45:46,800 Speaker 2: I guess Moving on, Chuck, we can't talk about Sunset 918 00:45:46,800 --> 00:45:49,560 Speaker 2: Boulevard without talking about comedy clubs because it was essentially 919 00:45:49,600 --> 00:45:52,200 Speaker 2: the place where the whole concept of a comedy club 920 00:45:52,400 --> 00:45:53,000 Speaker 2: was born. 921 00:45:53,719 --> 00:45:56,600 Speaker 3: Yeah, thanks to poly Shor's mom, Mitzi Shore. 922 00:45:56,920 --> 00:45:59,120 Speaker 2: Is is it his mom? Because I looked it up 923 00:45:59,160 --> 00:46:01,040 Speaker 2: and I couldn't find that was it his mom? Really? 924 00:46:01,120 --> 00:46:03,080 Speaker 1: Oh yeah, that's funny because he like he was like 925 00:46:03,160 --> 00:46:04,880 Speaker 1: a kid roaming around those parts. 926 00:46:04,960 --> 00:46:05,640 Speaker 2: That's awesome. 927 00:46:06,000 --> 00:46:06,239 Speaker 3: Yeah. 928 00:46:06,280 --> 00:46:09,080 Speaker 1: She. Mitzy Shore opened the Comedy Store in seventy two 929 00:46:09,560 --> 00:46:12,919 Speaker 1: where Zeiros used to be and it was, like you said, 930 00:46:12,960 --> 00:46:16,040 Speaker 1: it was the very first stand up only nightclub in 931 00:46:16,200 --> 00:46:19,360 Speaker 1: the world, which is crazy to think about. 932 00:46:19,239 --> 00:46:21,719 Speaker 2: For sure, and so Mitzi Shore became very famous for 933 00:46:21,800 --> 00:46:25,000 Speaker 2: considering the Comedy Store as a comedy workshop where up 934 00:46:25,040 --> 00:46:28,160 Speaker 2: and comers could work on their material work on their acts, 935 00:46:28,200 --> 00:46:30,759 Speaker 2: and because it was a comedy workshop and not a 936 00:46:30,840 --> 00:46:34,640 Speaker 2: comedy club, she didn't pay them, especially the up and comers. 937 00:46:34,640 --> 00:46:37,640 Speaker 2: There are very few big name acts that would come 938 00:46:37,680 --> 00:46:40,239 Speaker 2: through and she would pay them. But if you were 939 00:46:40,239 --> 00:46:43,239 Speaker 2: working on your stuff, and we're talking like legendary people here, 940 00:46:43,280 --> 00:46:47,800 Speaker 2: we're talking like Jim Carrey, Howie Mendel, Gary Shandling, Andy Kaufman, 941 00:46:47,920 --> 00:46:51,719 Speaker 2: Robin Williams, Michael Keaton for some reason, apparently was a 942 00:46:51,719 --> 00:46:54,840 Speaker 2: stand up. Oh yeah, yeah, I did not know that. Yeah, 943 00:46:55,040 --> 00:46:56,680 Speaker 2: he's just so serious now, you know. 944 00:46:57,440 --> 00:47:00,080 Speaker 1: Yeah, but I mean he started in comedy movies. You 945 00:47:00,080 --> 00:47:01,919 Speaker 1: can get his early stand up. It's kind of fun. 946 00:47:02,040 --> 00:47:04,080 Speaker 2: Yeah, No, I know his comedy movies I've seen. 947 00:47:04,920 --> 00:47:06,560 Speaker 3: No, I mean the stand on you can watch. 948 00:47:06,600 --> 00:47:11,120 Speaker 2: Oh gotcha. So, like, these were people who all had 949 00:47:11,239 --> 00:47:14,839 Speaker 2: their careers launched thanks to the Comedy Store, but they 950 00:47:14,840 --> 00:47:16,960 Speaker 2: were paid an exposure, and eventually they were like, this 951 00:47:17,000 --> 00:47:18,560 Speaker 2: is not worth it. We're going on strike. 952 00:47:19,200 --> 00:47:22,160 Speaker 1: Yeah, they went on striking seventy nine, which opened a 953 00:47:22,239 --> 00:47:25,759 Speaker 1: door for another club, The world famous Laugh Factory, opened 954 00:47:25,760 --> 00:47:28,360 Speaker 1: in seventy nine, just a few blocks away by a 955 00:47:28,480 --> 00:47:33,560 Speaker 1: sixteen year old, which is amazing Iranian immigrant also amazing 956 00:47:33,640 --> 00:47:37,280 Speaker 1: named Jamie Masada, and he ended up opening laugh factories 957 00:47:37,320 --> 00:47:38,160 Speaker 1: all over the country. 958 00:47:38,360 --> 00:47:40,359 Speaker 2: Yeah, and he was like, how about this, you guys 959 00:47:40,400 --> 00:47:42,839 Speaker 2: come play here and I'll share some of the cover 960 00:47:43,280 --> 00:47:46,400 Speaker 2: charge with you, like I'll actually pay you. And apparently 961 00:47:46,480 --> 00:47:48,920 Speaker 2: the original name of the laugh factory was joke on 962 00:47:49,200 --> 00:47:54,840 Speaker 2: Yolk like egg yoke really, yeah. 963 00:47:53,960 --> 00:47:56,080 Speaker 3: Joke on Yolk. I don't get it. Was there a 964 00:47:56,160 --> 00:47:56,760 Speaker 3: Yolk Street? 965 00:47:57,000 --> 00:47:59,960 Speaker 2: I think he thought that was funny. Oh, okay, Ryan, 966 00:48:00,239 --> 00:48:00,960 Speaker 2: so it's funny. 967 00:48:01,440 --> 00:48:05,280 Speaker 1: Well, I guess he was a better business owner than comedian, right, yeah. 968 00:48:04,800 --> 00:48:07,200 Speaker 2: Well he was an aspiring comedian. That's why he opened 969 00:48:07,200 --> 00:48:07,640 Speaker 2: that club. 970 00:48:08,239 --> 00:48:09,799 Speaker 3: Yeah, joke on Yolk, get it right. 971 00:48:10,280 --> 00:48:13,840 Speaker 2: So one other thing circling back, Mitzi Shore finally resolved 972 00:48:13,840 --> 00:48:16,200 Speaker 2: to strike after a few weeks by agreeing to pay 973 00:48:16,400 --> 00:48:19,160 Speaker 2: the comedians twenty five dollars a set, which is ay 974 00:48:19,160 --> 00:48:21,960 Speaker 2: whopping one hundred and ten dollars today. 975 00:48:22,080 --> 00:48:24,000 Speaker 3: That's not too bad if you're getting up there, I'm 976 00:48:24,040 --> 00:48:24,920 Speaker 3: doing seven minutes. 977 00:48:25,239 --> 00:48:26,840 Speaker 2: They don't know you can buy like a pack of 978 00:48:26,840 --> 00:48:28,920 Speaker 2: cigarettes with one hundred and ten dollars today. 979 00:48:29,920 --> 00:48:33,319 Speaker 1: All right, we're gonna move into the eighties, and you 980 00:48:33,360 --> 00:48:35,200 Speaker 1: got to talk about the eighties because you got to 981 00:48:35,239 --> 00:48:36,759 Speaker 1: talk about hair metal, and if you're going to talk 982 00:48:36,800 --> 00:48:38,640 Speaker 1: about hair metal in the Sunset Strip, you got to 983 00:48:38,640 --> 00:48:39,640 Speaker 1: start with Motley Crue. 984 00:48:39,760 --> 00:48:42,000 Speaker 2: Yeah. I guess they were the ones who like started 985 00:48:42,239 --> 00:48:44,560 Speaker 2: the whole thing on the Sunset Strip. I'm sure you 986 00:48:44,640 --> 00:48:47,560 Speaker 2: knew that because you probably read ten books about Motley Crue. 987 00:48:47,680 --> 00:48:50,560 Speaker 3: No just two, Okay, Yeah, I mean they lived right 988 00:48:50,600 --> 00:48:50,960 Speaker 3: above it. 989 00:48:51,320 --> 00:48:54,200 Speaker 1: They could walk down there and you know, have big 990 00:48:54,200 --> 00:48:57,560 Speaker 1: parties at their a disgusting place that they shared above 991 00:48:57,600 --> 00:49:00,799 Speaker 1: the Sunset Strip. But yeah, they were, if not the first, 992 00:49:00,840 --> 00:49:02,760 Speaker 1: one of the first to kind of bring that scene there. 993 00:49:03,280 --> 00:49:06,760 Speaker 1: And you know, Poison La, Guns Faster, pussy Cat, eventually 994 00:49:06,800 --> 00:49:09,800 Speaker 1: Guns n' Roses would start out there in the mid eighties. 995 00:49:09,840 --> 00:49:11,200 Speaker 3: But yeah, the. 996 00:49:11,160 --> 00:49:15,560 Speaker 1: Whiskey kind of had a bunch of different lies, from 997 00:49:15,680 --> 00:49:17,960 Speaker 1: hippie stuff to sort of what we would view as 998 00:49:17,960 --> 00:49:21,560 Speaker 1: classic rock to eventually hair metal and now I guess 999 00:49:21,640 --> 00:49:23,359 Speaker 1: hair metal cover bands. 1000 00:49:23,520 --> 00:49:27,680 Speaker 2: Right and in between then and now grunge came along 1001 00:49:27,719 --> 00:49:30,920 Speaker 2: and killed hair metal, which was a sad day. I 1002 00:49:30,960 --> 00:49:31,759 Speaker 2: think you. 1003 00:49:31,719 --> 00:49:33,720 Speaker 3: Can still go see those bands. They're around. 1004 00:49:33,840 --> 00:49:36,759 Speaker 2: You can see the tribute versions of them and other ones. 1005 00:49:36,760 --> 00:49:38,279 Speaker 3: I'm going to see Judas Priest. 1006 00:49:38,480 --> 00:49:38,960 Speaker 2: Nice. 1007 00:49:39,120 --> 00:49:41,120 Speaker 3: I've never seen them, and I got tickets on a 1008 00:49:41,120 --> 00:49:42,520 Speaker 3: whim to go see them this fall. 1009 00:49:43,320 --> 00:49:45,839 Speaker 2: Speaking of Judas Priest, I just have one more place 1010 00:49:45,880 --> 00:49:48,880 Speaker 2: I want to mention, But Judas Priest has one of 1011 00:49:48,880 --> 00:49:52,240 Speaker 2: the cooler documentaries around. It's called Parking Lot or something 1012 00:49:52,360 --> 00:49:52,719 Speaker 2: like that. 1013 00:49:53,200 --> 00:49:54,640 Speaker 3: Have you metal Parking Yes? 1014 00:49:54,719 --> 00:49:55,359 Speaker 2: Have you seen it? 1015 00:49:56,239 --> 00:49:56,479 Speaker 3: Yeah? 1016 00:49:56,480 --> 00:49:58,480 Speaker 1: I mean it's not just about Judas Priest, It's just 1017 00:49:58,520 --> 00:50:03,120 Speaker 1: about Pienelope Sphrus directed that kind of legendary documentary. 1018 00:50:03,200 --> 00:50:05,359 Speaker 2: Right, Okay, well, I guess I'm the only one who 1019 00:50:05,360 --> 00:50:07,720 Speaker 2: saw it, but I love that documentary. It just takes 1020 00:50:07,719 --> 00:50:10,600 Speaker 2: place at that Parking Lot before Judas Priest show. 1021 00:50:11,160 --> 00:50:13,360 Speaker 3: Oh, I don't think I even remembered it was Judas Priest. 1022 00:50:13,400 --> 00:50:15,600 Speaker 2: I'm almost positive it is Judas Priest. 1023 00:50:15,840 --> 00:50:19,240 Speaker 1: It probably is, but yeah, it should really encapsulates that culture. 1024 00:50:19,239 --> 00:50:20,399 Speaker 2: That totally does. 1025 00:50:20,719 --> 00:50:21,480 Speaker 3: Yeah. 1026 00:50:21,520 --> 00:50:23,560 Speaker 2: The last place I wanted to mention was the Beverly 1027 00:50:23,640 --> 00:50:27,799 Speaker 2: Hills Hotel. Apparently it was around before there was even 1028 00:50:27,800 --> 00:50:30,880 Speaker 2: a Beverly Hills. Yeah, and old Hollywood used to hang 1029 00:50:30,920 --> 00:50:33,000 Speaker 2: out there. Blah blah blah. The thing that makes it 1030 00:50:33,080 --> 00:50:36,479 Speaker 2: noteworthy to me is, you know, that iconic banana leaf 1031 00:50:36,560 --> 00:50:40,000 Speaker 2: wallpaper that you kind of see. It's like, well, that's 1032 00:50:40,040 --> 00:50:42,560 Speaker 2: where it debuted or that's where it became big. That 1033 00:50:42,680 --> 00:50:45,440 Speaker 2: pattern is called Martinique, and I think it was in 1034 00:50:45,480 --> 00:50:50,360 Speaker 2: the mid late forties that this decorator papered the Beverly 1035 00:50:50,440 --> 00:50:52,600 Speaker 2: Hills Hotel with that and it just took off from there. 1036 00:50:53,040 --> 00:50:53,400 Speaker 3: Wow. 1037 00:50:53,560 --> 00:50:55,680 Speaker 1: I've never been there, but that's one of those places 1038 00:50:55,680 --> 00:50:57,440 Speaker 1: I want to go, like have dinner just to it 1039 00:50:57,560 --> 00:50:59,959 Speaker 1: looks kind of like tavern on the Green Stock. 1040 00:51:00,000 --> 00:51:03,439 Speaker 2: Well, yeah, it looks amazing. Actually, their bar looks amazing too. 1041 00:51:03,800 --> 00:51:05,640 Speaker 3: Yeah. It's still got that kind of mid century charm, 1042 00:51:05,680 --> 00:51:07,120 Speaker 3: isn't it La style? 1043 00:51:07,280 --> 00:51:10,440 Speaker 2: Yeah? I guess that's it for Sunset Boulevard. 1044 00:51:11,200 --> 00:51:11,439 Speaker 3: Yeah. 1045 00:51:11,440 --> 00:51:12,960 Speaker 1: I mean there are so many things we couldn't get 1046 00:51:12,960 --> 00:51:15,000 Speaker 1: to because we didn't want to do a two parter. 1047 00:51:15,120 --> 00:51:17,280 Speaker 1: But if you want to look up stuff on Hollywood 1048 00:51:17,360 --> 00:51:21,120 Speaker 1: High School and the Weird Crossroads of the World Shopping 1049 00:51:21,160 --> 00:51:26,319 Speaker 1: Center or the Hollywood Palladium, certainly do that because there's 1050 00:51:26,320 --> 00:51:28,640 Speaker 1: still a lot more about the Sunset Strip and it's 1051 00:51:29,080 --> 00:51:31,560 Speaker 1: you know, you go to LA and you're into touristy stuff, 1052 00:51:32,000 --> 00:51:33,120 Speaker 1: you should go check it out. 1053 00:51:33,360 --> 00:51:35,160 Speaker 2: Yeah, for sure, And there's a lot of good writing 1054 00:51:35,160 --> 00:51:38,560 Speaker 2: out there. People love writing about the Sunset Strip for sure. Yeah, 1055 00:51:38,680 --> 00:51:40,480 Speaker 2: and thanks again to Dave for helping us out with 1056 00:51:40,520 --> 00:51:43,080 Speaker 2: this one. Good job Dave. And since I said good 1057 00:51:43,120 --> 00:51:45,520 Speaker 2: job Dave, that means it's time for listener mail. 1058 00:51:50,719 --> 00:51:53,640 Speaker 1: And this one actually is a listener suggestion. So we 1059 00:51:53,680 --> 00:51:57,080 Speaker 1: wanted to shout out say or Delk for Sunset Boulevard. 1060 00:51:57,440 --> 00:51:58,399 Speaker 2: Man, that's a great name. 1061 00:51:58,760 --> 00:52:00,960 Speaker 1: Yeah, I mean, not for making their road, but you know, 1062 00:52:01,000 --> 00:52:05,920 Speaker 1: for giving this suggestion. Hey, guys, long term listener who 1063 00:52:05,920 --> 00:52:09,080 Speaker 1: wants to thank you for keeping me entertainer and work, school, 1064 00:52:09,160 --> 00:52:11,720 Speaker 1: travel and pretty much any excuse to have a podcast 1065 00:52:11,719 --> 00:52:13,560 Speaker 1: on for the past few years. The reason I write 1066 00:52:13,680 --> 00:52:16,440 Speaker 1: is in twenty twenty two you talked about rock paper scissors. 1067 00:52:16,520 --> 00:52:18,040 Speaker 1: You didn't think it was possible to play with more 1068 00:52:18,040 --> 00:52:20,239 Speaker 1: than two people. You may be interested to know that 1069 00:52:20,280 --> 00:52:21,680 Speaker 1: my friends and I used to play three to four 1070 00:52:21,719 --> 00:52:25,000 Speaker 1: person games at work as landscapers. In the mornings, we 1071 00:52:25,000 --> 00:52:26,920 Speaker 1: were weed eating on the property and we'd come across 1072 00:52:26,960 --> 00:52:29,160 Speaker 1: items that only require the work of one person and 1073 00:52:29,239 --> 00:52:31,400 Speaker 1: we would play rock paper scissors, and this is how 1074 00:52:31,480 --> 00:52:33,960 Speaker 1: you do it. We would simply all throw at once, 1075 00:52:34,040 --> 00:52:35,839 Speaker 1: like a normal game and a three person game. If 1076 00:52:35,880 --> 00:52:39,720 Speaker 1: anyone beat all the other players, then they would step 1077 00:52:39,760 --> 00:52:41,319 Speaker 1: out and the other two would play again. So it's 1078 00:52:41,360 --> 00:52:44,279 Speaker 1: sort of like a knockout tournament. If two players beat 1079 00:52:44,280 --> 00:52:46,759 Speaker 1: the others on the first game, then the loser lost immediately. 1080 00:52:47,040 --> 00:52:49,960 Speaker 1: After many games over the weeks and months, the strategies, alliances, 1081 00:52:50,400 --> 00:52:52,919 Speaker 1: and yes, some game theory all made the work quite 1082 00:52:52,960 --> 00:52:55,759 Speaker 1: fun and competitive. Love the show all the best to 1083 00:52:55,800 --> 00:53:00,680 Speaker 1: you and your families, respectfully. That is Austin from Saint Louis, Missouri. 1084 00:53:00,920 --> 00:53:03,960 Speaker 2: Nice work, Austin, you cracked the code finally. Thank you 1085 00:53:04,040 --> 00:53:07,239 Speaker 2: for that. Thanks for letting us know too. And if 1086 00:53:07,239 --> 00:53:09,960 Speaker 2: you want to be like Austin, right, that's right. If 1087 00:53:09,960 --> 00:53:12,200 Speaker 2: you want to be like Austin, then send us an 1088 00:53:12,239 --> 00:53:14,719 Speaker 2: email and you can be like Austin. Send it off 1089 00:53:14,719 --> 00:53:20,200 Speaker 2: to stuff podcast at iHeartRadio dot com. 1090 00:53:20,360 --> 00:53:23,239 Speaker 3: Stuff you Should Know is a production of iHeartRadio. For 1091 00:53:23,320 --> 00:53:27,520 Speaker 3: more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts, 1092 00:53:27,600 --> 00:53:29,440 Speaker 3: or wherever you listen to your favorite shows.