1 00:00:00,720 --> 00:00:03,000 Speaker 1: I Am all In. 2 00:00:08,200 --> 00:00:08,719 Speaker 2: Let's you. 3 00:00:16,960 --> 00:00:20,640 Speaker 3: I Am all In with Scott Patterson, an iHeartRadio podcast. 4 00:00:20,760 --> 00:00:24,440 Speaker 1: Hey Everybody, Scott Patterson, I Am all In podcast. iHeartRadio 5 00:00:24,440 --> 00:00:28,240 Speaker 1: one eleven Productions a one on one interview with Aaron Berman, 6 00:00:28,440 --> 00:00:32,880 Speaker 1: who's a former editor writer for USA Today. He's a 7 00:00:32,920 --> 00:00:37,839 Speaker 1: freelance writer and editor with background covering technology, publishing, and entertainment. 8 00:00:39,000 --> 00:00:43,560 Speaker 1: Gilmore Girl's Companion released July twenty fifteen. Since we first 9 00:00:43,560 --> 00:00:47,000 Speaker 1: peeked into Stars Hollow, Connecticut, October fifth, two thousand, Gilmore 10 00:00:47,040 --> 00:00:52,880 Speaker 1: Girls has delighted people worldwide. The Gilmore Girls Companion takes 11 00:00:52,880 --> 00:00:57,560 Speaker 1: you behind the scenes of the classic television series from 12 00:00:57,600 --> 00:01:00,840 Speaker 1: first glimmer with the idea of making this series finale. 13 00:01:00,960 --> 00:01:05,960 Speaker 1: Based on more than forty interviews with cast and crew, Aaron, 14 00:01:06,160 --> 00:01:08,560 Speaker 1: welcome to this show. Tell us a little bit about 15 00:01:08,600 --> 00:01:11,839 Speaker 1: your book, what inspired it, and what do you find 16 00:01:11,880 --> 00:01:13,160 Speaker 1: most intriguing about the show. 17 00:01:13,840 --> 00:01:17,240 Speaker 2: Thank you so much for having me, Scott. That book 18 00:01:17,360 --> 00:01:21,880 Speaker 2: was a labor of love from the very beginning. Basically, 19 00:01:22,440 --> 00:01:25,120 Speaker 2: like most Gilmore fans, I fell in love with Stars 20 00:01:25,120 --> 00:01:29,679 Speaker 2: Hollow and everybody in it, and I at the time 21 00:01:30,120 --> 00:01:33,600 Speaker 2: I was actually working on a making of book about 22 00:01:33,880 --> 00:01:37,760 Speaker 2: the seventy sitcom soap, And this was like thirty years 23 00:01:38,000 --> 00:01:40,480 Speaker 2: after the fact, and I was talking to people who 24 00:01:42,959 --> 00:01:45,760 Speaker 2: could barely remember a lot of what happened during the 25 00:01:45,800 --> 00:01:48,480 Speaker 2: making of that series, and there was also a lot 26 00:01:48,560 --> 00:01:52,919 Speaker 2: had passed away by the time I was doing that book. 27 00:01:53,000 --> 00:01:57,080 Speaker 2: And the first thing that struck me was I'd waited 28 00:01:57,120 --> 00:02:00,000 Speaker 2: a few years to see a book on Gilmore Girl 29 00:02:00,200 --> 00:02:02,040 Speaker 2: come out, and nothing had come out. And I was like, 30 00:02:02,080 --> 00:02:04,680 Speaker 2: you know what, I really don't want this to happen 31 00:02:04,680 --> 00:02:05,480 Speaker 2: to Gilmore Girls. 32 00:02:05,480 --> 00:02:06,600 Speaker 3: It's such a special show. 33 00:02:06,840 --> 00:02:12,040 Speaker 2: And what inevitably happens is, you know, memories get fuzzy, 34 00:02:12,200 --> 00:02:15,920 Speaker 2: and people forget how things were put together, and especially 35 00:02:15,960 --> 00:02:20,120 Speaker 2: the way Gilmore seemed to have been brought together, the 36 00:02:20,200 --> 00:02:26,280 Speaker 2: writing and just you know, everything that came together. I 37 00:02:26,320 --> 00:02:29,440 Speaker 2: didn't want that story to be lost, and so I 38 00:02:29,520 --> 00:02:32,160 Speaker 2: went to my publisher and pitched it and said, nobody's 39 00:02:32,160 --> 00:02:33,079 Speaker 2: done a book about this. 40 00:02:34,000 --> 00:02:36,000 Speaker 3: Let me just start making some phone calls. 41 00:02:36,800 --> 00:02:39,760 Speaker 1: Right, So what what first brought you to the show? 42 00:02:39,800 --> 00:02:41,360 Speaker 1: When did you discover the show? 43 00:02:42,480 --> 00:02:44,600 Speaker 3: My memories are hazy, but I think I saw that. 44 00:02:46,080 --> 00:02:47,040 Speaker 1: Hazy memories. 45 00:02:47,280 --> 00:02:50,160 Speaker 2: Yeah, yeah, yeah, there's gonna be a lot of gee, 46 00:02:50,200 --> 00:02:50,920 Speaker 2: I don't remember. 47 00:02:50,960 --> 00:02:53,480 Speaker 3: I'm afraid it was. It was a long time ago. 48 00:02:53,560 --> 00:02:55,679 Speaker 2: My memory isn't what it should be, but I think 49 00:02:55,680 --> 00:02:57,680 Speaker 2: I saw it from the pilot, and I think it was. 50 00:02:57,840 --> 00:03:00,840 Speaker 2: It was just the promo for it, that that iconic 51 00:03:01,000 --> 00:03:05,120 Speaker 2: shot of Stars Hollow with the church and and and 52 00:03:05,160 --> 00:03:05,760 Speaker 2: everything else. 53 00:03:05,800 --> 00:03:08,760 Speaker 3: It's it instantly puts you, gives you a. 54 00:03:08,680 --> 00:03:11,120 Speaker 2: Sense of home that I think a lot of people 55 00:03:12,160 --> 00:03:14,720 Speaker 2: don't have but wish for. There's a there's a word 56 00:03:14,760 --> 00:03:18,320 Speaker 2: that I can't think of for, but the definition is 57 00:03:18,360 --> 00:03:22,320 Speaker 2: a nostalgia for something that you never actually experienced yourself. 58 00:03:22,480 --> 00:03:25,880 Speaker 2: And I think that is the key to that show. 59 00:03:27,600 --> 00:03:29,520 Speaker 2: I think we all want a place that we can 60 00:03:29,560 --> 00:03:31,919 Speaker 2: call home and no, but very few people actually come 61 00:03:31,919 --> 00:03:36,400 Speaker 2: from a place that feels that that special. 62 00:03:36,960 --> 00:03:40,040 Speaker 1: Mm hmm. You know a lot of those places in 63 00:03:40,080 --> 00:03:47,320 Speaker 1: the Northeastern United States. I came from a place like that. Yeah, 64 00:03:47,440 --> 00:03:49,400 Speaker 1: I came from a place like Stars Hollow. Where'd you 65 00:03:49,400 --> 00:03:49,840 Speaker 1: come from? 66 00:03:50,600 --> 00:03:52,800 Speaker 3: I came from the suburbs of Washington, d C. 67 00:03:53,720 --> 00:03:55,600 Speaker 1: Nothing like that, Nothing like it, nothing. 68 00:03:55,440 --> 00:03:57,600 Speaker 2: Nothing, nothing at all like that. And in fact, the 69 00:03:57,840 --> 00:04:00,760 Speaker 2: funny thing is that the reality of it is every 70 00:04:00,760 --> 00:04:02,280 Speaker 2: time you talk to somebody who said, so, oh, yeah, 71 00:04:02,320 --> 00:04:03,640 Speaker 2: I grew up in a small town. The first thing 72 00:04:03,680 --> 00:04:05,000 Speaker 2: I did was get the heck out of there. 73 00:04:06,280 --> 00:04:10,440 Speaker 1: That's exactly what I did. That's exactly what I did. 74 00:04:10,600 --> 00:04:15,320 Speaker 2: Yeah. See, it's the fantasy without the other part. You know, 75 00:04:15,640 --> 00:04:19,520 Speaker 2: everybody knows everybody's business in a fun, warm way in 76 00:04:19,560 --> 00:04:22,520 Speaker 2: Gilmore Girls. In the real world, it's why does she 77 00:04:22,640 --> 00:04:23,320 Speaker 2: know my business? 78 00:04:23,760 --> 00:04:27,480 Speaker 1: Mmmmm, well, you know, yeah, they're pros and cons of 79 00:04:27,520 --> 00:04:30,800 Speaker 1: small towns. Right when you're growing up and you're not 80 00:04:30,960 --> 00:04:33,160 Speaker 1: having the best experience, or even if you are having 81 00:04:33,160 --> 00:04:35,680 Speaker 1: a great experience growing up in a small town, everybody 82 00:04:35,680 --> 00:04:38,800 Speaker 1: knows your business. You know, there's a big, wide world 83 00:04:38,839 --> 00:04:40,800 Speaker 1: out there. You want to you want to dive into it, 84 00:04:40,839 --> 00:04:45,920 Speaker 1: you know, if you have any kind of curiosity. And 85 00:04:46,160 --> 00:04:49,880 Speaker 1: but I found out that most people from the town 86 00:04:49,920 --> 00:04:52,360 Speaker 1: that I grew up and ended up staying there. If 87 00:04:52,360 --> 00:04:54,760 Speaker 1: they went away to college, they came back. They found 88 00:04:54,880 --> 00:04:59,360 Speaker 1: a way back. I think that stars hollowing it. You're right, 89 00:04:59,400 --> 00:05:03,560 Speaker 1: that's one of the main hours of this show. If 90 00:05:03,560 --> 00:05:06,960 Speaker 1: not for all the jokes, you'd still have a show. 91 00:05:07,440 --> 00:05:08,800 Speaker 1: What kind of a show do you think would be 92 00:05:08,839 --> 00:05:10,840 Speaker 1: without the humor, without the jokes, do you think it 93 00:05:10,839 --> 00:05:13,440 Speaker 1: would be pretty barren? Would it be empty? What do 94 00:05:13,520 --> 00:05:13,880 Speaker 1: you think? 95 00:05:14,240 --> 00:05:17,840 Speaker 2: I think it's the idea of stars hollow that draws 96 00:05:17,880 --> 00:05:20,080 Speaker 2: you in, but it's the writing that keeps you there 97 00:05:20,279 --> 00:05:24,039 Speaker 2: and coming back week after week. And it was particularly 98 00:05:24,080 --> 00:05:30,120 Speaker 2: interesting to me putting this book together, right, Actually it 99 00:05:30,200 --> 00:05:32,120 Speaker 2: was during and a little bit after putting the soap 100 00:05:32,120 --> 00:05:37,360 Speaker 2: book together. Soap was was. The showrunner was Susan Harris, 101 00:05:37,400 --> 00:05:41,839 Speaker 2: who was a real trailblazer in the seventies for you 102 00:05:41,880 --> 00:05:47,000 Speaker 2: didn't have female showrunners in those days for the most part, 103 00:05:47,320 --> 00:05:49,960 Speaker 2: and she wrote half the series before she even took 104 00:05:49,960 --> 00:05:54,320 Speaker 2: on a writing partner. And going from talking to her 105 00:05:54,400 --> 00:05:59,679 Speaker 2: and her experiences, and then talking to people who worked 106 00:05:59,680 --> 00:06:04,120 Speaker 2: on Gill and were very familiar with Amy's Amy's ways 107 00:06:04,240 --> 00:06:08,479 Speaker 2: and her writing process, and then Amy and Dan, there's 108 00:06:09,040 --> 00:06:13,039 Speaker 2: there's just something about both of those. Those people had 109 00:06:13,080 --> 00:06:16,800 Speaker 2: a love of language that comes through in the scripts. 110 00:06:17,040 --> 00:06:21,760 Speaker 2: I mean Gilmour especially. You can spot certain references that 111 00:06:22,640 --> 00:06:24,960 Speaker 2: you know, people have spent the last twenty some years 112 00:06:25,320 --> 00:06:29,279 Speaker 2: tracking down the references, and it makes you feel like 113 00:06:29,320 --> 00:06:30,840 Speaker 2: you're part of a club when you do. 114 00:06:32,960 --> 00:06:38,200 Speaker 1: Oh, without question, you know, I don't know really anything 115 00:06:38,240 --> 00:06:41,520 Speaker 1: about Dan's background. But I know a little bit about 116 00:06:41,520 --> 00:06:45,039 Speaker 1: Amy's background, and she had an interesting upbringing, didn't she. 117 00:06:45,960 --> 00:06:48,159 Speaker 1: If did you interview Amy. 118 00:06:47,839 --> 00:06:50,440 Speaker 2: For this were there were people I reached out to 119 00:06:50,640 --> 00:06:54,480 Speaker 2: that that I spoke with about forty people for this book. 120 00:06:54,560 --> 00:06:57,880 Speaker 2: There were there were some people that, for lack of 121 00:06:57,920 --> 00:06:59,920 Speaker 2: a better phrase, I couldn't get past the gate keepers, 122 00:07:00,080 --> 00:07:02,400 Speaker 2: which I mean that they're there for a reason. You know, 123 00:07:02,440 --> 00:07:05,000 Speaker 2: if all you're doing is fielding interviews, you have very 124 00:07:05,000 --> 00:07:05,880 Speaker 2: little time to work. 125 00:07:08,000 --> 00:07:10,920 Speaker 3: She was. She and Dan were two that didn't. 126 00:07:10,720 --> 00:07:13,280 Speaker 2: Get to speak with, But I spoke with enough people 127 00:07:13,320 --> 00:07:17,400 Speaker 2: had worked with her and also just indeed her her background. 128 00:07:17,440 --> 00:07:21,560 Speaker 2: She was the daughter of Don Sherman, who was this 129 00:07:22,560 --> 00:07:27,200 Speaker 2: famous Cat Skills comic who also acted and wrote for 130 00:07:27,240 --> 00:07:30,080 Speaker 2: a number of big, big shows in the day. 131 00:07:31,160 --> 00:07:33,080 Speaker 3: And you can tell. 132 00:07:34,280 --> 00:07:37,720 Speaker 2: Very early on, actually you can see, especially in The 133 00:07:37,760 --> 00:07:43,320 Speaker 2: Marvelous Missus masl after Gilmore, you can see basically Amy's 134 00:07:43,360 --> 00:07:46,240 Speaker 2: life recreated in a lot of those episodes. There is 135 00:07:46,400 --> 00:07:49,960 Speaker 2: actually an episode or two that takes place in the 136 00:07:49,960 --> 00:07:52,480 Speaker 2: Cat Skills and it's like you can see you can 137 00:07:52,520 --> 00:07:56,160 Speaker 2: see the continuity between Gilmore and that show. 138 00:07:57,800 --> 00:08:00,440 Speaker 1: Yeah, yeah, that was the show she was on Earth 139 00:08:00,480 --> 00:08:03,320 Speaker 1: the right that one you think, you think it's Gilmour, 140 00:08:03,400 --> 00:08:04,880 Speaker 1: but that was really her right. 141 00:08:05,560 --> 00:08:10,920 Speaker 3: Yeah. Yeah. 142 00:08:11,360 --> 00:08:15,080 Speaker 1: If you were to choose a character in Gilmore that 143 00:08:15,200 --> 00:08:18,720 Speaker 1: you thought represented Amy and Dan, who would they be? 144 00:08:19,480 --> 00:08:19,720 Speaker 3: Oh? 145 00:08:19,800 --> 00:08:23,880 Speaker 2: My, I think that's always that's always a kind of 146 00:08:23,880 --> 00:08:26,600 Speaker 2: a trick question, because every writer will tell you that 147 00:08:26,760 --> 00:08:29,640 Speaker 2: there's a little bit of them in every single character. 148 00:08:30,600 --> 00:08:33,320 Speaker 2: I'd say, if a gun into my head, probably. 149 00:08:32,960 --> 00:08:37,600 Speaker 1: Rory oh really yeah. 150 00:08:36,840 --> 00:08:39,520 Speaker 3: First part of her life, and probably Laura Lai afterwards. 151 00:08:41,120 --> 00:08:43,560 Speaker 1: Kay. So who did you interview from the cast? 152 00:08:44,000 --> 00:08:44,200 Speaker 3: Oh? 153 00:08:44,280 --> 00:08:44,360 Speaker 1: My? 154 00:08:46,080 --> 00:08:54,120 Speaker 2: Uh, the late ed Herman, Kelly Bishop, Sean Gunn, Kiko 155 00:08:54,559 --> 00:08:57,720 Speaker 2: Kiko just quite quite a just went. 156 00:08:57,559 --> 00:08:59,240 Speaker 3: Down the line. 157 00:08:59,640 --> 00:09:02,240 Speaker 2: Michael Winners was I think was the first person I 158 00:09:02,240 --> 00:09:03,360 Speaker 2: spoke with for the book. 159 00:09:04,240 --> 00:09:10,560 Speaker 1: He's yeah, he's fascinating. What was it like interviewing Kelly Bishop, to. 160 00:09:10,480 --> 00:09:15,320 Speaker 2: Talk to both her and at Herman. It's it's not 161 00:09:15,400 --> 00:09:17,800 Speaker 2: even being in the presence of royalty, but just people 162 00:09:17,800 --> 00:09:21,080 Speaker 2: who are so professional and have seen so much and 163 00:09:21,160 --> 00:09:26,160 Speaker 2: have done so much. I felt very humbled just being 164 00:09:26,200 --> 00:09:29,080 Speaker 2: able to speak with them. But it's it's I don't 165 00:09:29,080 --> 00:09:33,840 Speaker 2: get starstruck very often, but I think Ed Herman, especially, 166 00:09:33,960 --> 00:09:40,080 Speaker 2: he spoke so well and was so warm that and 167 00:09:40,360 --> 00:09:43,320 Speaker 2: knew so much that you feel like, Okay, well, this 168 00:09:43,400 --> 00:09:45,920 Speaker 2: is my one chance to learn the secret of the universe. 169 00:09:45,960 --> 00:09:47,560 Speaker 2: What question do I need to be asking? 170 00:09:48,120 --> 00:09:50,280 Speaker 1: Uh huh? And what did he reveal to you that. 171 00:09:51,440 --> 00:09:54,959 Speaker 2: I think we bonded over, you know, speaking of iHeart 172 00:09:55,120 --> 00:09:59,040 Speaker 2: radio ed. Herman hearted radio big time, especially at old radio, 173 00:09:59,440 --> 00:10:02,000 Speaker 2: and I think we we bonded over that. His his 174 00:10:02,760 --> 00:10:07,040 Speaker 2: favorite was Bob and Ray back in the days. But 175 00:10:08,000 --> 00:10:10,600 Speaker 2: that love of radio is really a love of theater, 176 00:10:11,000 --> 00:10:14,480 Speaker 2: and I think that's something that comes across really quite 177 00:10:14,480 --> 00:10:17,120 Speaker 2: a bit in Gilmore Girls. There is a theatricality to 178 00:10:17,200 --> 00:10:20,920 Speaker 2: it in the love of language, which everything always comes 179 00:10:20,920 --> 00:10:22,840 Speaker 2: back to the love of language with Gilmore. 180 00:10:25,200 --> 00:10:28,280 Speaker 1: Yeah, I just watched this episode. You know, you miss 181 00:10:28,280 --> 00:10:31,280 Speaker 1: a lot because you're laughing too much, So I didn't 182 00:10:31,280 --> 00:10:33,720 Speaker 1: have the time to rewind. But I think people stop 183 00:10:33,720 --> 00:10:37,680 Speaker 1: it if they're rewatching it and rewind and to get 184 00:10:37,679 --> 00:10:41,000 Speaker 1: what they didn't, you know, that passed them by. So 185 00:10:41,679 --> 00:10:43,880 Speaker 1: this happened three or four times while I was watching 186 00:10:43,880 --> 00:10:49,440 Speaker 1: this particular episode. It's just so chock full of jokes 187 00:10:50,720 --> 00:10:58,960 Speaker 1: and great ones and great situations. What did Ed reveal 188 00:10:59,520 --> 00:11:02,600 Speaker 1: or Kelly reveal any behind the scenes drama they give 189 00:11:02,640 --> 00:11:04,440 Speaker 1: you any juicy tidbits, I. 190 00:11:04,400 --> 00:11:07,400 Speaker 2: Wouldn't call them juicy tidbits. That the one story I 191 00:11:07,440 --> 00:11:12,400 Speaker 2: came away with from from Ed really really hit home 192 00:11:12,400 --> 00:11:15,480 Speaker 2: for me was just the way that he kind of 193 00:11:15,520 --> 00:11:18,360 Speaker 2: took a Lexus Fladell under his wing during this time 194 00:11:18,480 --> 00:11:22,000 Speaker 2: she was she was so young and so inexperienced, and 195 00:11:22,200 --> 00:11:23,600 Speaker 2: so out of her element. 196 00:11:23,679 --> 00:11:23,959 Speaker 1: She was. 197 00:11:24,040 --> 00:11:27,600 Speaker 2: She'd I think she was living in an LA apartment 198 00:11:28,679 --> 00:11:34,240 Speaker 2: on her own, her away from Texas where she was from, 199 00:11:34,800 --> 00:11:37,680 Speaker 2: and just being thrown into not just a TV show 200 00:11:37,679 --> 00:11:40,520 Speaker 2: for the first time, but you know, carrying a TV 201 00:11:40,600 --> 00:11:44,280 Speaker 2: show as a co star with Lauren Graham, and that 202 00:11:44,400 --> 00:11:46,840 Speaker 2: is a lot to put on a kid who I 203 00:11:46,840 --> 00:11:50,000 Speaker 2: think she was like eighteen at the time. And the 204 00:11:50,040 --> 00:11:52,480 Speaker 2: way he spoke of her, it was very much like 205 00:11:52,559 --> 00:11:55,560 Speaker 2: a you know, a grandfather or a father would would 206 00:11:55,600 --> 00:11:58,000 Speaker 2: talk about somebody just saying, you know, I didn't want 207 00:11:58,360 --> 00:12:01,120 Speaker 2: I wanted to protect her from things I wanted to, 208 00:12:01,559 --> 00:12:04,040 Speaker 2: but at the same time, I wanted her to appreciate 209 00:12:05,760 --> 00:12:08,760 Speaker 2: what she was experiencing at the time, you know, walking 210 00:12:08,800 --> 00:12:12,400 Speaker 2: in the footsteps of these these great stars that came before. 211 00:12:13,920 --> 00:12:17,600 Speaker 1: Interesting. Yeah, so he gave her that perspective. Did he 212 00:12:17,679 --> 00:12:21,640 Speaker 1: say that that changed her experience in a positive way. 213 00:12:22,040 --> 00:12:22,360 Speaker 3: I don't. 214 00:12:22,360 --> 00:12:24,800 Speaker 2: I don't think he ever really knew if it did, 215 00:12:24,880 --> 00:12:28,360 Speaker 2: but he felt that it was. It was kind of 216 00:12:28,360 --> 00:12:30,719 Speaker 2: his role in all of this to do that. And 217 00:12:31,400 --> 00:12:33,760 Speaker 2: I believe he said that the producers had also asked 218 00:12:33,800 --> 00:12:35,240 Speaker 2: him to just kind of keep an eye on her 219 00:12:35,440 --> 00:12:40,280 Speaker 2: just to make sure she's okay. And I appreciate you 220 00:12:40,360 --> 00:12:43,880 Speaker 2: asking me these things because I'm starting to remember little 221 00:12:44,000 --> 00:12:48,160 Speaker 2: little tidbits. I think Kelly Bishop had said she was 222 00:12:48,200 --> 00:12:51,600 Speaker 2: amazed at l Lauren Graham for the way she interacted 223 00:12:51,640 --> 00:12:56,480 Speaker 2: with Alexis physically like a mother would a daughter, and say, 224 00:12:56,559 --> 00:12:58,480 Speaker 2: I just think it's wonderful how you touch her all 225 00:12:58,520 --> 00:13:01,320 Speaker 2: the time, and you know, you really get the sense 226 00:13:01,320 --> 00:13:04,559 Speaker 2: of affection. And Lauren said, most of the time it 227 00:13:04,600 --> 00:13:06,600 Speaker 2: was I was just gently trying to guide her to 228 00:13:06,679 --> 00:13:09,040 Speaker 2: her mark because she was she was she was stepping 229 00:13:09,040 --> 00:13:11,840 Speaker 2: outside her mark and she was gonna be blurry. So 230 00:13:11,840 --> 00:13:15,400 Speaker 2: so but she they came up with this kind of 231 00:13:15,760 --> 00:13:20,320 Speaker 2: very this shorthand that was very much utilitarian, but it 232 00:13:20,400 --> 00:13:24,160 Speaker 2: was also getting across a very warm relationship between this 233 00:13:24,320 --> 00:13:27,960 Speaker 2: mother and daughter, and Kelly Bishop at one point says, 234 00:13:28,000 --> 00:13:32,240 Speaker 2: you know that there's a point in in the show 235 00:13:32,280 --> 00:13:35,680 Speaker 2: where she just brushes some hair away from Rory's face, 236 00:13:35,840 --> 00:13:39,120 Speaker 2: and it's it's something that pops up in the opener, 237 00:13:40,400 --> 00:13:42,200 Speaker 2: and she says, I don't know if that was to 238 00:13:42,280 --> 00:13:44,320 Speaker 2: do something to discuss you wanted to get the hair 239 00:13:44,360 --> 00:13:45,920 Speaker 2: out of her face, or if it was a loving, 240 00:13:47,320 --> 00:13:50,200 Speaker 2: nurturing gesture. But this is this is how you would 241 00:13:50,240 --> 00:13:53,800 Speaker 2: want your mother to be with you, Just constant reassurance. 242 00:13:55,120 --> 00:14:01,120 Speaker 1: Yeah, she uh, yeah, that first year was something. You know, 243 00:14:01,200 --> 00:14:05,920 Speaker 1: she was at NYU and film school and she had 244 00:14:06,000 --> 00:14:10,280 Speaker 1: no prior acting experience from what I can gather, maybe 245 00:14:10,320 --> 00:14:12,240 Speaker 1: she was an acting class. She was living in New 246 00:14:12,320 --> 00:14:17,880 Speaker 1: York obviously and modeling on the side, right, and went 247 00:14:17,880 --> 00:14:20,480 Speaker 1: in for the audition and I believe she was sick, 248 00:14:21,400 --> 00:14:24,960 Speaker 1: she had the flu or something, and she was stuff stuff, 249 00:14:25,480 --> 00:14:31,560 Speaker 1: stuffy and sneezy and coldy and fluey. So I think 250 00:14:31,600 --> 00:14:35,880 Speaker 1: she appeared a bit dismissive towards Amy and just kind 251 00:14:35,880 --> 00:14:38,600 Speaker 1: of wanted to get out of there. They hired her 252 00:14:38,600 --> 00:14:42,120 Speaker 1: for it because of it. She flipped was like she 253 00:14:42,160 --> 00:14:45,880 Speaker 1: flipped and she was great in the park, right. Yeah. 254 00:14:45,920 --> 00:14:50,680 Speaker 1: I don't think there's anybody's so vulnerable, such a such 255 00:14:50,680 --> 00:14:56,800 Speaker 1: a vulnerable soul right there on your screen, right, no artifice, 256 00:14:56,880 --> 00:14:59,400 Speaker 1: no tricks now, I mean, what you see is what 257 00:14:59,440 --> 00:15:04,600 Speaker 1: you get. Yeah, But as she got through that first year, 258 00:15:05,200 --> 00:15:10,600 Speaker 1: so imagine going from that to the isolation of being 259 00:15:10,680 --> 00:15:14,640 Speaker 1: by yourself in a new situation and working that many 260 00:15:14,680 --> 00:15:17,960 Speaker 1: hours every single Monday through Friday and not getting any 261 00:15:18,000 --> 00:15:21,240 Speaker 1: rest and just this is all you do. So at eighteen, 262 00:15:21,280 --> 00:15:22,760 Speaker 1: that must have been very heady. 263 00:15:22,520 --> 00:15:28,520 Speaker 2: Stuff, definitely, And it's one of the things I was 264 00:15:28,840 --> 00:15:34,160 Speaker 2: going to say about your work, Gilmour, was I thought 265 00:15:34,160 --> 00:15:37,920 Speaker 2: you were one of the few people that wasn't really 266 00:15:38,040 --> 00:15:41,359 Speaker 2: a character in terms of I felt like your performance 267 00:15:41,480 --> 00:15:46,120 Speaker 2: was so naturalistic that, you know, everybody had this kind 268 00:15:46,120 --> 00:15:49,720 Speaker 2: of a little bit over the top character except for Luke. 269 00:15:49,800 --> 00:15:52,160 Speaker 2: And Luke you could see as just being a person 270 00:15:52,200 --> 00:15:55,000 Speaker 2: that you would know. And I was always I was 271 00:15:55,040 --> 00:16:01,000 Speaker 2: always flummexed by that because I was like, you know, there, yes, 272 00:16:01,120 --> 00:16:03,480 Speaker 2: Luke can be grumpy, and Luke Luke has his secrets 273 00:16:03,480 --> 00:16:06,160 Speaker 2: and all, and you know, maybe he isn't as sure 274 00:16:06,200 --> 00:16:09,760 Speaker 2: as of himself as as he may come across. But 275 00:16:09,920 --> 00:16:12,920 Speaker 2: at the same time, you know, he wasn't Kirk, he 276 00:16:13,000 --> 00:16:15,560 Speaker 2: wasn't Taylor, he wasn't you know, he didn't have this 277 00:16:15,760 --> 00:16:18,560 Speaker 2: characteristic you could just pin down. And I thought that 278 00:16:18,720 --> 00:16:21,400 Speaker 2: was really cool that, you know, you feel like you 279 00:16:21,400 --> 00:16:25,320 Speaker 2: could go into this any town and you and Luke 280 00:16:25,320 --> 00:16:27,800 Speaker 2: would actually be somebody that you you would meet. 281 00:16:29,160 --> 00:16:35,040 Speaker 1: Interesting. Interesting. How how has the book uh changed your 282 00:16:35,080 --> 00:16:38,000 Speaker 1: life or has it changed your life at all? 283 00:16:38,040 --> 00:16:41,240 Speaker 2: I think it definitely definitely changed it at the time 284 00:16:41,360 --> 00:16:43,680 Speaker 2: that I was writing it and that it first came out. 285 00:16:43,760 --> 00:16:47,280 Speaker 2: And keep in mind, this was this was I was 286 00:16:47,320 --> 00:16:51,320 Speaker 2: working on it in the early twenty tens, so Facebook 287 00:16:51,360 --> 00:16:53,520 Speaker 2: was a thing, but it was still kind of growing. 288 00:16:53,600 --> 00:16:56,320 Speaker 2: It was still kind of stuck in Farmville and Mafia 289 00:16:56,320 --> 00:16:58,480 Speaker 2: Wars and didn't quite know what it wanted to be yet. 290 00:16:59,760 --> 00:17:02,640 Speaker 2: And so during the writing of this whole book, I 291 00:17:02,760 --> 00:17:06,160 Speaker 2: kept a blog and would just post what was going 292 00:17:06,160 --> 00:17:08,320 Speaker 2: on with the you know, I spoke with so and 293 00:17:08,400 --> 00:17:11,359 Speaker 2: so today, or this occurred to me, you know, maybe 294 00:17:11,400 --> 00:17:14,199 Speaker 2: this is something. And I heard from a lot of people, 295 00:17:14,840 --> 00:17:18,200 Speaker 2: and not just in the US. One of the most 296 00:17:18,240 --> 00:17:21,719 Speaker 2: fascinating things to me is I heard from fans around 297 00:17:21,720 --> 00:17:26,000 Speaker 2: the world regularly. I mean they became friends, and I 298 00:17:26,080 --> 00:17:28,840 Speaker 2: was like, how are you, How are you watching Gilmore 299 00:17:28,880 --> 00:17:29,800 Speaker 2: Girls in Croatia? 300 00:17:29,880 --> 00:17:30,400 Speaker 3: How are you? 301 00:17:30,880 --> 00:17:35,520 Speaker 2: And you know, I had one person in Germany who 302 00:17:36,640 --> 00:17:40,240 Speaker 2: they were broadcasting it in Germany in German. 303 00:17:40,040 --> 00:17:40,720 Speaker 3: But it'd be late. 304 00:17:41,200 --> 00:17:43,320 Speaker 2: And after a while she got so hung up on 305 00:17:43,880 --> 00:17:45,679 Speaker 2: the show that she didn't want to wait for the 306 00:17:45,720 --> 00:17:50,760 Speaker 2: dubbed German version, so she put together what English she could. 307 00:17:50,840 --> 00:17:54,280 Speaker 2: She would somebody would upload the show and this is 308 00:17:54,560 --> 00:17:58,120 Speaker 2: you know, two thousand and six, two thousand and five, 309 00:17:58,600 --> 00:18:01,320 Speaker 2: so it would upload show to the internet. She would 310 00:18:01,320 --> 00:18:03,199 Speaker 2: get up, set her alarm, get up at like two 311 00:18:03,320 --> 00:18:06,240 Speaker 2: or three in the morning, download it, go back to sleep, 312 00:18:06,320 --> 00:18:09,000 Speaker 2: and then watch it in the American version the next morning. 313 00:18:09,640 --> 00:18:09,920 Speaker 1: Wow. 314 00:18:09,960 --> 00:18:11,879 Speaker 3: Yeah, that's that's how dedicated she was. 315 00:18:12,320 --> 00:18:16,000 Speaker 2: And when you think about how American Gilmore Girls is, 316 00:18:16,320 --> 00:18:20,720 Speaker 2: you know, the references are almost all you know, American 317 00:18:20,720 --> 00:18:24,159 Speaker 2: pop culture, you know, obscure bits of American history, and 318 00:18:25,640 --> 00:18:28,520 Speaker 2: you know, I would go on to the blog and 319 00:18:28,520 --> 00:18:30,880 Speaker 2: people would be like, oh, this is this is kind 320 00:18:30,880 --> 00:18:31,240 Speaker 2: of cool. 321 00:18:32,240 --> 00:18:35,600 Speaker 1: So this this, this brings me to my next question, why, 322 00:18:35,840 --> 00:18:41,080 Speaker 1: Aaron do you think this show is not only as 323 00:18:41,200 --> 00:18:43,960 Speaker 1: popular as it's ever been, but it seems to be 324 00:18:44,000 --> 00:18:47,680 Speaker 1: getting more and more popular as the years go by. 325 00:18:47,760 --> 00:18:49,400 Speaker 1: Why why is that happening? 326 00:18:50,640 --> 00:18:52,680 Speaker 3: I think it's because. 327 00:18:54,320 --> 00:18:57,639 Speaker 2: The world is getting tougher rougher, a place that you 328 00:18:57,640 --> 00:19:01,159 Speaker 2: don't really want to be at least, and I think 329 00:19:01,680 --> 00:19:04,360 Speaker 2: it's become a star's hollow, is becoming this place that 330 00:19:04,840 --> 00:19:07,960 Speaker 2: you know, if we all just dropped our differences for 331 00:19:07,960 --> 00:19:10,320 Speaker 2: a minute, maybe we could This is what we could have. 332 00:19:11,359 --> 00:19:14,960 Speaker 1: Final question, Sure, what do you hope fans take away 333 00:19:14,960 --> 00:19:15,639 Speaker 1: from your book? 334 00:19:16,280 --> 00:19:21,720 Speaker 2: I hope that they get past just the actors and 335 00:19:22,880 --> 00:19:26,400 Speaker 2: the stories themselves and actually get an appreciation for all 336 00:19:26,640 --> 00:19:29,919 Speaker 2: everything that went into creating this show. There was a 337 00:19:29,920 --> 00:19:32,359 Speaker 2: lot of behind the scenes drama just to get it 338 00:19:32,400 --> 00:19:35,240 Speaker 2: going and to keep it going, and a lot of 339 00:19:35,240 --> 00:19:38,840 Speaker 2: people yourself in concluded, worked very hard to do this 340 00:19:38,960 --> 00:19:43,920 Speaker 2: day in, day out, eight day schedules for seven years, 341 00:19:44,520 --> 00:19:48,600 Speaker 2: and the creative process, to me, has always been so 342 00:19:48,720 --> 00:19:53,080 Speaker 2: much more interesting than just kind of the soap opera 343 00:19:53,160 --> 00:19:56,160 Speaker 2: aspect of what's going on on screen, as much as 344 00:19:56,840 --> 00:20:00,399 Speaker 2: satisfying as that is, because if you think about it, 345 00:20:00,440 --> 00:20:03,480 Speaker 2: to get that many people to cooperate for any length 346 00:20:03,480 --> 00:20:06,439 Speaker 2: of time to do anything is a momentous feat. And 347 00:20:06,480 --> 00:20:08,800 Speaker 2: to get them to do it so consistently well for 348 00:20:08,840 --> 00:20:11,000 Speaker 2: so long as you know, hats off to. 349 00:20:11,080 --> 00:20:14,720 Speaker 1: Him, Aaron, thank you so much for coming on. The 350 00:20:14,800 --> 00:20:20,480 Speaker 1: book is called The Gilmore Girls Companion, A very thoughtful 351 00:20:20,520 --> 00:20:26,639 Speaker 1: trees stay on one of the iconic shows produced in 352 00:20:26,720 --> 00:20:30,800 Speaker 1: Hollywood in the last well forever. I guess huh it's 353 00:20:30,840 --> 00:20:34,359 Speaker 1: looking like anyway, Thanks so much for your time, Thank you. 354 00:20:34,240 --> 00:20:36,679 Speaker 3: So much for having me so a pleasure talking to you. 355 00:20:36,920 --> 00:20:39,520 Speaker 1: Pleasure talking to you too, And everybody, get out there 356 00:20:39,560 --> 00:20:43,520 Speaker 1: and by Aaron's book, I'm going to get it, and 357 00:20:43,680 --> 00:20:46,080 Speaker 1: it looks like a fascinating read. I want to see 358 00:20:46,080 --> 00:20:49,679 Speaker 1: what all these people have to say. Anyway, thanks for 359 00:20:49,680 --> 00:20:51,879 Speaker 1: your time, eron and good luck with everything. 360 00:20:51,920 --> 00:20:53,920 Speaker 3: Okay, you too, Thank you so much. 361 00:20:54,119 --> 00:21:05,560 Speaker 1: All right, take care, bye, all right, bye bye, da 362 00:21:25,520 --> 00:21:28,560 Speaker 1: hey everybody, and to forget Follow us on Instagram at 363 00:21:28,880 --> 00:21:33,000 Speaker 1: I Am All In podcast and email us at Gilmore 364 00:21:33,040 --> 00:21:43,919 Speaker 1: at iHeartRadio dot com