WEBVTT - Does This Fire Make Me Look Fat?

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<v Speaker 1>Hey, folks, A news anchor's wardrobe choices while covering the

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<v Speaker 1>LA fires has the Internet buzzing. Some of it's funny,

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<v Speaker 1>some of it's petty, some of it's uncalled for, but

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<v Speaker 1>it might be giving us a little more insight into

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<v Speaker 1>the anger, frustration, and pain people in LA are experiencing

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<v Speaker 1>right now. With that, Welcome to this episode of Amy

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<v Speaker 1>and TJ Rolds. We debated about getting into this conversation

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<v Speaker 1>at all, but what we're talking about here is a

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<v Speaker 1>guy that we know pretty well, you better than I,

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<v Speaker 1>but a former colleague who's choice of jacket and how

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<v Speaker 1>he was wearing it has everybody talking, So please do explain.

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<v Speaker 2>That's right.

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<v Speaker 3>So, the anchor of ABC World News tonight, David Muir,

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<v Speaker 3>who often jumps on planes and heads straight into breaking

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<v Speaker 3>news tragedies. I've been on those planes with him, and

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<v Speaker 3>I've stood right next to him covering a lot of

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<v Speaker 3>this sort of news story, and I can attest to

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<v Speaker 3>the fact that he is a consummate professional. He takes

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<v Speaker 3>his job very seriously, and he works very hard not

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<v Speaker 3>just to get the information right, but to present it

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<v Speaker 3>in the best way possible. And look, he was covering

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<v Speaker 3>the wildfires, and there were hurricane force winds described as

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<v Speaker 3>almost tornatic. So he sinched his jacket, as many of

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<v Speaker 3>us have done in the field and on the set,

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<v Speaker 3>to create a cleaner line.

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<v Speaker 1>Wait, ropes, this is what we're talking about. This guy

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<v Speaker 1>is covered, this is the story, guys covering the fire,

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<v Speaker 1>people losing homes. He's standing on camera, he turns. People

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<v Speaker 1>see that he's sensed his jacket, and they're saying, he's

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<v Speaker 1>only doing this as a matter of vanity. That's where

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<v Speaker 1>we are. We're not talking about this stuff. You're doing

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<v Speaker 1>the studio. But I'm saying I'm trying to establish here

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<v Speaker 1>that that he is being gripped for that reason. Should

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<v Speaker 1>he be or should he not be, we'll discuss. But

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<v Speaker 1>that's what it is. He got busted sinching his jacket.

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<v Speaker 1>And when people do that, they're usually trying to do.

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<v Speaker 3>What they are, trying to create a slimmer line. Look,

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<v Speaker 3>television is one of those. It's a visual medium. And

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<v Speaker 3>so yes, I have cinched my jacket. Have you sinched

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<v Speaker 3>your jacket?

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<v Speaker 1>Not once ever, and certainly not in the field. But

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<v Speaker 1>I've had plenty of people suggested, and I've had wardrobe

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<v Speaker 1>folks come out Janetta. If I'm wearing a sweater, She'll

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<v Speaker 1>even offer to do it. But no, I've never thought

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<v Speaker 1>about it.

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<v Speaker 3>I'm actually I'm trying to think if I ever did

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<v Speaker 3>it in the field. I definitely, one hundred percent did

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<v Speaker 3>it on set. So you've got a boxy jacket, you

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<v Speaker 3>have like.

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<v Speaker 2>A sweater, yes, and it looks a little large.

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<v Speaker 3>So I've had and I had a stylist and she

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<v Speaker 3>would come up behind me and she would since I

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<v Speaker 3>actually used a clothespin or a hairpin to since it.

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<v Speaker 2>I didn't do it. Someone did it for me.

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<v Speaker 3>I don't believe I've ever done it in the field,

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<v Speaker 3>just because I've never had people to even check things out.

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<v Speaker 3>I really thought about it, and I think maybe that's

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<v Speaker 3>part of it too, just the thought that went into

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<v Speaker 3>the look of something. When you have a massive tragedy

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<v Speaker 3>unfolding behind you, with flames, people's homes, belongings, lives being lost,

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<v Speaker 3>to even be concerned about how you look seems like

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<v Speaker 3>a slap in the face to people who are dealing

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<v Speaker 3>with the worst possible situation. So I understand the anger

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<v Speaker 3>and the fact that they're hurling it at him because

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<v Speaker 3>they by seeing that clothespin. It looks like his focus

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<v Speaker 3>was on himself instead of on the story he was covering.

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<v Speaker 1>That's understandable. And the son of Ozzy Osborne, Jack Osbourne,

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<v Speaker 1>was somebody who got a lot of attention for posting

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<v Speaker 1>this on Twitter on X and he said, nice jacket, bro,

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<v Speaker 1>glad you look nice andce felt with those clothesline pegs

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<v Speaker 1>while our city burns to the ground. That's kind of

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<v Speaker 1>the sentiment. Some people are being a little funnier about it.

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<v Speaker 1>But if you're out there in LA and you don't know,

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<v Speaker 1>if you're on the run and you see this guy

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<v Speaker 1>on TV and it comes off, there's no question that's

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<v Speaker 1>it leaves a bad taste in the mouth of somebody

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<v Speaker 1>who is going through what they're going through in LA.

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<v Speaker 1>There's no doubt about that.

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<v Speaker 3>Now.

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<v Speaker 1>I'll go further here in a second and possibly defend David,

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<v Speaker 1>but there is no I can't explain that away. I understand,

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<v Speaker 1>I get it. I got to understand that frustrations, but

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<v Speaker 1>he lives out there and this guy is wait a minute,

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<v Speaker 1>you're worried about that. Everybody has those jackets on, they're big,

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<v Speaker 1>they're boxing. I don't know, now, what did ABC say

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<v Speaker 1>or excuse me that there is no official statement. There

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<v Speaker 1>is no official statement, I should make that clear, but

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<v Speaker 1>there are rumblings out there about it why he might

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<v Speaker 1>have done this.

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<v Speaker 3>Well, as as we've pointed out, you know, anytime, especially

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<v Speaker 3>when it comes to a news organization, no one's going

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<v Speaker 3>to put their name behind it because they'd be fired

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<v Speaker 3>if they were talking to press about people who they

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<v Speaker 3>work with or for. But insiders inside ABC have reportedly

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<v Speaker 3>given quotes to different news outlets or different entertainment outlets

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<v Speaker 3>saying that yes, he's a combination of Zoolander meets Anchorman

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<v Speaker 3>and that you're seeing the real David when you see

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<v Speaker 3>his vanity on full display. He didn't mean for you

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<v Speaker 3>to see it because he turned to reference burning massive

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<v Speaker 3>flames taking over a home, and when he did the turn,

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<v Speaker 3>you could see the clothespin. So they were kind of saying, yeah,

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<v Speaker 3>he's been exposed something we've all known for a very

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<v Speaker 3>long time, and now you all get to see it.

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<v Speaker 3>So yes, people absolutely taking the opportunity to then say

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<v Speaker 3>how they really feel about him or what they really

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<v Speaker 3>think this means, and what people are seeing is actually

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<v Speaker 3>what they've witnessed for years.

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<v Speaker 1>Look, some give you a more idea of what's out there. Now.

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<v Speaker 1>That quote I gave you was from the Twitter or

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<v Speaker 1>that tweet we still come tweets.

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<v Speaker 2>Yeah, but it's X but we can say they tweet.

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<v Speaker 1>It still tweets. David Muir of ABC cares more about

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<v Speaker 1>how he looks than reporting the news. Mainstream media are scum.

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<v Speaker 1>So a lot of people are obviously taking advantage or

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<v Speaker 1>taking the opportunity to take shots at the media. And

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<v Speaker 1>it's a lot of left and right kind of stuff

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<v Speaker 1>out there. But I mean, he gave him some low

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<v Speaker 1>hanging group.

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<v Speaker 2>Yeah.

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<v Speaker 3>Donald Trump Junior even jumped in saying, David Muir, the

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<v Speaker 3>supposed moderator of my father's presidential debate who instead chose

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<v Speaker 3>to be a participant, is so vain that as people

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<v Speaker 3>in Los Angeles are losing everything, he used clothes pins

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<v Speaker 3>to make his fake fireman's jacket more form fitting. Sick

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<v Speaker 3>And then he went on to say, David Muir, Oh,

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<v Speaker 3>is this is someone else? David Muir is a national

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<v Speaker 3>embarrassment that's from someone else, But people are piling on,

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<v Speaker 3>jumping on and well hurling shots at him.

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<v Speaker 1>ABC News reporter David Muir's top priority during the fires

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<v Speaker 1>in California was apparently looking good on TV. No matter

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<v Speaker 1>how much you hate the media, it's not enough. These

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<v Speaker 1>people are disgusting the other. The frustration is understandable. I mean,

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<v Speaker 1>upset at the governor, at the mayor. They're upset at

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<v Speaker 1>then upset of the firefighters. Those guys are out there,

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<v Speaker 1>guys and gals are out their busts and their butts.

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<v Speaker 1>But there's frustration to seeing your life go up in flames.

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<v Speaker 1>Or a guy like Billy Crystal. I'm just only saying

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<v Speaker 1>him because I remember he's talking about forty six years

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<v Speaker 1>in a home and it's gone. Now you have people

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<v Speaker 1>who have lost everything. They don't have anything except whatever

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<v Speaker 1>they ran out of that house with. And for a story,

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<v Speaker 1>it just stings. It has to hurt to some degree.

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<v Speaker 1>But the perspective might be missing if you're just reading tweets,

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<v Speaker 1>the perspective might be missing in that oftentimes, and I

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<v Speaker 1>don't know if he does travel with a producer or

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<v Speaker 1>even a wardrobe person sometimes whose job is you might

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<v Speaker 1>be looking at your phone getting the latest, or on

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<v Speaker 1>the phone, or looking at notes or doing something and

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<v Speaker 1>people are pulling and plugging things onto you. The mic

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<v Speaker 1>and the IFB and all these things. You don't even

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<v Speaker 1>know what's happening to you, and someone could have made

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<v Speaker 1>the decision to just let me do this with the jacket.

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<v Speaker 1>We just don't know. But just a little context. The

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<v Speaker 1>guy works his butt off. If you don't like what

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<v Speaker 1>he did, find it just this is a lot to

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<v Speaker 1>be piling on to.

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<v Speaker 2>This, That's what I was trying to allude to.

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<v Speaker 3>I guess starting it out just with the perspective of

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<v Speaker 3>knowing him personally and knowing how hard he works and

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<v Speaker 3>how much he does care about the stories he reports on,

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<v Speaker 3>and also making note of the fact that this is

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<v Speaker 3>a visual medium.

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<v Speaker 2>And I was telling you, you.

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<v Speaker 3>Know, look when we're when we're in tragedies and I'm

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<v Speaker 3>out in the field, and I have certainly covered more

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<v Speaker 3>than I even care to remember of the worst possible

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<v Speaker 3>types of stories. You know, I ended up slicking my

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<v Speaker 3>hair back in a pony tail because I didn't want

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<v Speaker 3>to have a distracted like hair style like you know

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<v Speaker 3>you where I was aware at least, and I think

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<v Speaker 3>most of us are aware that heavy makeup and overdone

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<v Speaker 3>hair and worrying about your wardrobe when you're talking about

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<v Speaker 3>mass shootings or a yes. In this case, a massive

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<v Speaker 3>wildfire taking lives and homes and property and destroying people's.

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<v Speaker 2>Entire communities.

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<v Speaker 3>You would hope that journalists wouldn't really be thinking too

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<v Speaker 3>much about how they look in that moment and care

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<v Speaker 3>more about getting crucial, potentially life saving information to folks.

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<v Speaker 2>And at least, I mean, you think about this.

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<v Speaker 3>If you're home, you've had to evacuate, you don't know

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<v Speaker 3>what's going on, you can't get close to your home.

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<v Speaker 3>A lot of these folks who are directly affected are

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<v Speaker 3>watching the TV NonStop. They are glued to their televisions

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<v Speaker 3>trying to see if they can get a glimpse of

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<v Speaker 3>their community, their street, their friends and neighbors, and their homes.

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<v Speaker 3>So they're watching and looking at every detail, trying to

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<v Speaker 3>see if they can get an idea of what's going on.

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<v Speaker 3>And then they see someone who is supposed to be

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<v Speaker 3>there helping get that information to them seemingly care more

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<v Speaker 3>about his presentation and how he looks than what's actually

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<v Speaker 3>going on behind him.

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<v Speaker 2>And I think you know, and I understand that, and

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<v Speaker 2>I know you have to take great care.

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<v Speaker 3>I have taken great care as a journalist to not

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<v Speaker 3>seem as though I'm concerned about how I look in

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<v Speaker 3>that moment. We all look different on the scene of

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<v Speaker 3>these sorts of tragedies than.

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<v Speaker 2>We do on the set.

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<v Speaker 3>On the set, we've got hair and makeup and nice

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<v Speaker 3>suits and fitted clothing. But when you're out there, it's

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<v Speaker 3>just a very different environment.

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<v Speaker 1>But you use several words that I would love to unpack,

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<v Speaker 1>as you hate when it's said, but you said, we

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<v Speaker 1>said the word seemingly care more about use the word

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<v Speaker 1>if an acre is worried, more about how they look,

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<v Speaker 1>the seeming and the worry that coming off, as if

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<v Speaker 1>you care about your appearance, versus caring about your appearance

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<v Speaker 1>every single person. Every place I've ever been, I've been

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<v Speaker 1>out there in the middle of a tornado or something,

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<v Speaker 1>and in the mids's about to go live, and I

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<v Speaker 1>walk past the live truck and I'll still kind of

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<v Speaker 1>look in at the reflection out of the window, just

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<v Speaker 1>to see if my jacket is on straight or something.

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<v Speaker 1>So the idea that people are even in the midst

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<v Speaker 1>of a tragedy or about to anchor a main evening broadcast,

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<v Speaker 1>wouldn't give a damn about how they look. It's just

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<v Speaker 1>unreasonable now to what degree should they care is the issue,

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<v Speaker 1>and then to what degree should they come off like

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<v Speaker 1>they caring is then a separate issue. But of course

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<v Speaker 1>he has to pay attention and care about how he

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<v Speaker 1>looks before he goes on TV. But if you saw

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<v Speaker 1>a guy your house is on fire, and you see

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<v Speaker 1>a guy over there with a mirror brushing his hair,

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<v Speaker 1>and the I'm doing all this before he goes on

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<v Speaker 1>and reports about your tragedy, that's gonna pis you off.

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<v Speaker 2>Yeah, that makes total sense. Yeah, it was funny when

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<v Speaker 2>you said that.

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<v Speaker 3>I remember I have because when you're out in the field,

0:11:44.559 --> 0:11:46.920
<v Speaker 3>you don't necessarily well, you don't have any of the

0:11:47.440 --> 0:11:52.480
<v Speaker 3>normal sorts of either the people to help you make

0:11:52.520 --> 0:11:55.600
<v Speaker 3>sure you're not disheveled. So yeah, I've actually looked in

0:11:55.679 --> 0:11:57.640
<v Speaker 3>the lens of the camera before I went on because

0:11:57.640 --> 0:12:00.320
<v Speaker 3>it's slightly reflective to make sure that my hair wasn't

0:12:00.360 --> 0:12:02.520
<v Speaker 3>sticking out crazy, especially if there are high winds. I mean,

0:12:02.520 --> 0:12:06.400
<v Speaker 3>I've reported on too many hurricanes to even count, And yeah,

0:12:06.640 --> 0:12:08.600
<v Speaker 3>you've got winds whipping and rain in your face, Like,

0:12:08.640 --> 0:12:11.440
<v Speaker 3>do I have mascara like falling down my face? Is

0:12:11.480 --> 0:12:17.200
<v Speaker 3>my hair like in a crazy place? Because or like

0:12:17.360 --> 0:12:20.560
<v Speaker 3>literally the reflection of the camera lens, just to make

0:12:20.600 --> 0:12:22.280
<v Speaker 3>sure that I'm not looking disheveled.

0:12:23.480 --> 0:12:24.439
<v Speaker 2>I was telling you this.

0:12:24.760 --> 0:12:27.559
<v Speaker 3>Someone once said, don't ever apologize for just doing that

0:12:27.600 --> 0:12:30.239
<v Speaker 3>one last check to make sure you don't.

0:12:30.080 --> 0:12:32.880
<v Speaker 2>Have something sticking out or something looking.

0:12:32.679 --> 0:12:36.320
<v Speaker 3>Strange, because if you do, this is the truth, folks

0:12:36.360 --> 0:12:38.800
<v Speaker 3>at home who are watching will go, oh my god,

0:12:38.960 --> 0:12:41.520
<v Speaker 3>look at her hair or what's going on with her face,

0:12:41.760 --> 0:12:44.280
<v Speaker 3>and they won't hear anything you said. And so I

0:12:44.360 --> 0:12:47.679
<v Speaker 3>was told, just make sure your appearance isn't a distraction.

0:12:48.200 --> 0:12:50.640
<v Speaker 3>And so that was kind of the lane I tried

0:12:50.679 --> 0:12:52.480
<v Speaker 3>to stay in when I was covering these things. It's

0:12:52.520 --> 0:12:55.440
<v Speaker 3>not about looking good or looking glamorous in any way,

0:12:55.679 --> 0:12:59.360
<v Speaker 3>or looking like thin, whatever you want an adjective you.

0:12:59.280 --> 0:12:59.920
<v Speaker 2>Want to put on there.

0:13:00.120 --> 0:13:02.440
<v Speaker 3>It was about not being a distraction. And that was

0:13:02.520 --> 0:13:04.920
<v Speaker 3>kind of what I always thought about before. I want

0:13:04.920 --> 0:13:08.640
<v Speaker 3>to just make sure nothing I'm wearing or nothing about

0:13:08.640 --> 0:13:10.720
<v Speaker 3>my appearance is distracting.

0:13:11.600 --> 0:13:14.160
<v Speaker 1>Good or bad. Actually, because there have been some distractions

0:13:14.200 --> 0:13:16.280
<v Speaker 1>that people have done, like that's not a good jacket.

0:13:16.679 --> 0:13:18.920
<v Speaker 1>Why does she go with that? Like intentional?

0:13:20.320 --> 0:13:21.720
<v Speaker 3>They'll be just appropriate.

0:13:21.760 --> 0:13:23.040
<v Speaker 2>Clothing is a huge part of it.

0:13:23.080 --> 0:13:24.880
<v Speaker 3>You don't want to wear a bright color when you're

0:13:24.920 --> 0:13:27.160
<v Speaker 3>talking about something sad like. There were all these things

0:13:27.200 --> 0:13:30.480
<v Speaker 3>that go into consideration when you're covering things that are

0:13:30.600 --> 0:13:33.559
<v Speaker 3>heavy and tough and scary and important.

0:13:33.600 --> 0:13:35.280
<v Speaker 2>You don't your.

0:13:34.840 --> 0:13:38.280
<v Speaker 3>Clothing choices, how you wear your hair, how much makeup

0:13:38.320 --> 0:13:41.640
<v Speaker 3>you have on. All of that is considered before you

0:13:41.679 --> 0:13:42.760
<v Speaker 3>get in front of the camera.

0:13:51.840 --> 0:13:53.360
<v Speaker 1>I do want to give credit to this. I don't

0:13:53.400 --> 0:13:55.200
<v Speaker 1>know who this young lady is. I should looked at

0:13:55.240 --> 0:13:58.000
<v Speaker 1>a profile. Maybe she was a comedian, but her response

0:13:58.679 --> 0:14:01.839
<v Speaker 1>in a tweet about was oh my god, leave David

0:14:01.840 --> 0:14:05.319
<v Speaker 1>and you're alone. His felt figure and Miss America hands

0:14:05.360 --> 0:14:08.839
<v Speaker 1>maybe the only sliver of happiness people see amongst the

0:14:08.880 --> 0:14:13.560
<v Speaker 1>horrific devastation of this catastrophe. Soften the blow, people, soften

0:14:13.600 --> 0:14:13.959
<v Speaker 1>the blow.

0:14:14.960 --> 0:14:18.160
<v Speaker 3>I mean, that's some humorous perspective there. And the one

0:14:18.160 --> 0:14:20.720
<v Speaker 3>thing I you and I have discussed this, the one

0:14:20.760 --> 0:14:22.560
<v Speaker 3>thing that did not ring true for me that I

0:14:22.600 --> 0:14:27.960
<v Speaker 3>didn't love seeing as a potential response or defense, was

0:14:28.000 --> 0:14:32.760
<v Speaker 3>that somehow using the clothes pin to tighten his jacket

0:14:33.080 --> 0:14:38.400
<v Speaker 3>helped with the audio that for me didn't really ring true.

0:14:38.560 --> 0:14:41.280
<v Speaker 3>I have been in plenty of hurricanes, I know you

0:14:41.360 --> 0:14:44.000
<v Speaker 3>have done a lot of tornado coverage in your days.

0:14:44.720 --> 0:14:48.920
<v Speaker 2>I've never ever pinned a jacket because of the wind.

0:14:50.040 --> 0:14:53.440
<v Speaker 3>You could have maybe I've actually had like a necklace

0:14:53.520 --> 0:14:55.440
<v Speaker 3>or something kind of bang on the you know that.

0:14:55.520 --> 0:14:57.640
<v Speaker 3>Can you take that necklace off because it might hit

0:14:57.680 --> 0:15:02.040
<v Speaker 3>the microphone? Certainly there are things to conc with the microphone,

0:15:02.240 --> 0:15:03.600
<v Speaker 3>and a wind guard.

0:15:03.480 --> 0:15:05.800
<v Speaker 2>Is really usually good enough.

0:15:06.080 --> 0:15:08.840
<v Speaker 3>So we all, when we're all reporting in whether of

0:15:08.880 --> 0:15:13.080
<v Speaker 3>any kind, our amazing audio guys and gals will give

0:15:13.160 --> 0:15:15.240
<v Speaker 3>us a windscreen and you put that on top of

0:15:15.280 --> 0:15:17.360
<v Speaker 3>the mic, or if you're holding a mic.

0:15:18.840 --> 0:15:21.040
<v Speaker 1>It wind what was the wind gonna it is gonna

0:15:21.040 --> 0:15:22.040
<v Speaker 1>be flapping too loud?

0:15:22.640 --> 0:15:27.240
<v Speaker 3>That is that is simply a response that did not

0:15:27.520 --> 0:15:30.960
<v Speaker 3>ring true for me, and that was I think unfortunate

0:15:31.040 --> 0:15:34.280
<v Speaker 3>because that seemed like a desperate attempt to explain away

0:15:34.360 --> 0:15:37.920
<v Speaker 3>something that we all know the truth to. He wanted

0:15:37.920 --> 0:15:41.280
<v Speaker 3>his or someone wanted his jacket to not be his

0:15:41.360 --> 0:15:42.800
<v Speaker 3>boxy for whatever reason.

0:15:42.920 --> 0:15:45.680
<v Speaker 1>Let me ask you directly, if he asked for it

0:15:45.960 --> 0:15:49.560
<v Speaker 1>to be pinned for that specific reason, should we still

0:15:49.640 --> 0:15:51.280
<v Speaker 1>be taking him.

0:15:52.440 --> 0:15:55.560
<v Speaker 3>I don't think he deserves the hate he's getting. I mean,

0:15:55.640 --> 0:15:58.400
<v Speaker 3>I'm looking at some of the stuff on Twitter, the

0:15:58.520 --> 0:16:01.720
<v Speaker 3>new face of being a douche. The next one, as

0:16:01.720 --> 0:16:04.000
<v Speaker 3>I've been saying for a while now, David Muir is

0:16:04.040 --> 0:16:08.040
<v Speaker 3>a douche. I don't think that that is fair or

0:16:08.080 --> 0:16:11.920
<v Speaker 3>appropriate in any way, and especially from people who've never

0:16:12.400 --> 0:16:16.600
<v Speaker 3>actually had to be on television every day where your image,

0:16:16.720 --> 0:16:23.160
<v Speaker 3>your looks are constantly being critiqued or acknowledged, and so

0:16:23.320 --> 0:16:26.520
<v Speaker 3>you might have a hyper awareness about that, and so

0:16:27.200 --> 0:16:29.240
<v Speaker 3>he wanted his jacket to fit better.

0:16:29.720 --> 0:16:31.200
<v Speaker 2>That is what I believe happened.

0:16:31.240 --> 0:16:33.240
<v Speaker 1>And both of those things can be true. That you

0:16:33.800 --> 0:16:38.160
<v Speaker 1>care about your appearance while also caring about the story

0:16:38.320 --> 0:16:40.880
<v Speaker 1>you're doing and busting your butt on the story you're doing.

0:16:40.920 --> 0:16:43.000
<v Speaker 1>Those both two things can be true. But we have

0:16:43.080 --> 0:16:46.480
<v Speaker 1>to I still will acknowledge. It looks bad now, understand

0:16:46.640 --> 0:16:49.120
<v Speaker 1>for people, especially those out there who are going through

0:16:49.120 --> 0:16:51.200
<v Speaker 1>that hell. I understand, you know what.

0:16:51.280 --> 0:16:55.560
<v Speaker 3>I wanted to share something that I experienced very early

0:16:55.600 --> 0:17:00.160
<v Speaker 3>on in my career, and it's not exactly the same situation,

0:17:00.360 --> 0:17:03.560
<v Speaker 3>but it makes sense to me. When people are living

0:17:03.640 --> 0:17:08.080
<v Speaker 3>through the worst moments of their life, that's all they're

0:17:08.119 --> 0:17:11.840
<v Speaker 3>thinking about, that's all they care about, and that's understandable.

0:17:12.440 --> 0:17:17.040
<v Speaker 3>I was in bond court and we were there covering

0:17:17.720 --> 0:17:22.119
<v Speaker 3>and waiting for a specific prisoner to come out. He

0:17:22.240 --> 0:17:24.800
<v Speaker 3>was accused of something horrific. But when you're in bond court,

0:17:24.840 --> 0:17:28.560
<v Speaker 3>there are a lot of people, family members even, who

0:17:28.560 --> 0:17:30.440
<v Speaker 3>are there waiting to see their loved ones come out

0:17:30.440 --> 0:17:34.200
<v Speaker 3>because they've been accused of a crime. We were in

0:17:34.240 --> 0:17:37.399
<v Speaker 3>the hallway, a bunch of US reporters and cameramen waiting

0:17:37.400 --> 0:17:39.840
<v Speaker 3>for this particular person to come out, and you know,

0:17:40.000 --> 0:17:43.199
<v Speaker 3>someone had told a joke about something that happened the

0:17:43.280 --> 0:17:46.399
<v Speaker 3>night before, and we were laughing. We were just in

0:17:46.440 --> 0:17:50.680
<v Speaker 3>our own world and we were walking into the bond court,

0:17:50.760 --> 0:17:53.520
<v Speaker 3>into the courtroom, and I was laughing at something that

0:17:53.560 --> 0:17:56.240
<v Speaker 3>someone else had said. A woman stood up and said,

0:17:56.400 --> 0:17:58.639
<v Speaker 3>you think this is funny, You think this is funny.

0:17:58.640 --> 0:18:00.800
<v Speaker 3>And I think she believed that we were there for

0:18:00.880 --> 0:18:04.879
<v Speaker 3>her or her loved one, and she actually jumped on me,

0:18:05.080 --> 0:18:07.480
<v Speaker 3>knocked me to the ground and almost threw a punch

0:18:07.560 --> 0:18:09.199
<v Speaker 3>in my face, except for the bailiff was able to

0:18:09.200 --> 0:18:11.679
<v Speaker 3>pull her out and the judge got involved, and anyway,

0:18:11.720 --> 0:18:14.000
<v Speaker 3>it was fine. I didn't get hit, but with my

0:18:14.040 --> 0:18:17.000
<v Speaker 3>heart was pounding, I was just like, how dare this woman?

0:18:17.040 --> 0:18:18.840
<v Speaker 3>And then I stepped back to think about it in

0:18:18.920 --> 0:18:23.239
<v Speaker 3>her mind, in her world, we were laughing when she

0:18:23.320 --> 0:18:26.680
<v Speaker 3>was in pain. We weren't being considerate of where she

0:18:26.920 --> 0:18:29.760
<v Speaker 3>was in her life, in her world in that courtroom,

0:18:29.840 --> 0:18:31.919
<v Speaker 3>and it was lost on me in that moment I

0:18:31.960 --> 0:18:37.080
<v Speaker 3>wasn't on camera. But still sometimes as journalist we don't

0:18:37.119 --> 0:18:44.119
<v Speaker 3>realize just how impacted people feel when they see something

0:18:44.119 --> 0:18:48.080
<v Speaker 3>that we're doing that we don't realize is somehow, in

0:18:48.119 --> 0:18:49.120
<v Speaker 3>some way offending them.

0:18:50.119 --> 0:18:54.560
<v Speaker 1>I get that. I'm just going back to David and

0:18:56.560 --> 0:19:00.800
<v Speaker 1>the offense. Is it still an insight told if nobody

0:19:00.880 --> 0:19:07.680
<v Speaker 1>knew about it, Is he still disrespecting the community, if

0:19:07.720 --> 0:19:10.280
<v Speaker 1>he made sure he looked a certain way or the

0:19:10.320 --> 0:19:12.520
<v Speaker 1>way he wanted to look on TV? I don't know

0:19:12.560 --> 0:19:14.639
<v Speaker 1>the answer to that. I'm just saying those are the

0:19:14.640 --> 0:19:18.560
<v Speaker 1>things we are now debating in the that Like you say,

0:19:18.640 --> 0:19:21.520
<v Speaker 1>to your point, that woman in that room, these folks

0:19:21.560 --> 0:19:25.359
<v Speaker 1>in California, this is this is my time, in one

0:19:25.359 --> 0:19:28.520
<v Speaker 1>of the worst days of my life, and whatever's going

0:19:28.560 --> 0:19:29.919
<v Speaker 1>on in your world right now, you need to be

0:19:30.000 --> 0:19:33.440
<v Speaker 1>respectful because I'm having the worst day than you are.

0:19:34.600 --> 0:19:36.640
<v Speaker 2>And you know what I think that's what it is.

0:19:37.160 --> 0:19:41.680
<v Speaker 3>You nailed it, and we all see things through our

0:19:41.800 --> 0:19:44.960
<v Speaker 3>own lens. David sees things through his lens that he

0:19:45.040 --> 0:19:47.280
<v Speaker 3>wanted to be presentable, He wanted to look his best,

0:19:47.359 --> 0:19:51.359
<v Speaker 3>even though obviously people were dealing with their worst. People

0:19:51.359 --> 0:19:54.960
<v Speaker 3>who are the victims of this fire are seeing things

0:19:55.000 --> 0:20:00.000
<v Speaker 3>through their perspective, through their lens, and they it's it's

0:20:00.280 --> 0:20:03.280
<v Speaker 3>unthinkable to them that someone could even be considering their

0:20:03.320 --> 0:20:06.000
<v Speaker 3>appearance in the middle of all of this chaos, in

0:20:06.000 --> 0:20:08.840
<v Speaker 3>the middle of all of this tragedy, and that's unthinkable

0:20:08.880 --> 0:20:11.680
<v Speaker 3>to them. But it's I think we can all give

0:20:11.880 --> 0:20:14.439
<v Speaker 3>each other a break if you acknowledge that this is

0:20:14.480 --> 0:20:19.800
<v Speaker 3>about perspective, It's about your frame of reference, and the

0:20:19.840 --> 0:20:23.960
<v Speaker 3>fire victim's frame of reference is understandably vastly different than

0:20:24.080 --> 0:20:26.760
<v Speaker 3>David or any other reporter's frame of reference.

0:20:27.520 --> 0:20:28.439
<v Speaker 2>They have a job to do.

0:20:29.920 --> 0:20:33.119
<v Speaker 1>Well, folks, stay with us here when we come back, Robes,

0:20:33.160 --> 0:20:36.720
<v Speaker 1>I'm going to ask you this, would this story be

0:20:36.840 --> 0:20:50.000
<v Speaker 1>different if that anchor was a woman? All right, Welcome back, folks.

0:20:50.000 --> 0:20:53.359
<v Speaker 1>Here discussing what is being discussed in many circles, in

0:20:53.359 --> 0:20:56.480
<v Speaker 1>many places on social media, on the Internet, and very

0:20:56.560 --> 0:20:58.840
<v Speaker 1>much a fiery way. A lot of people talking about

0:20:59.080 --> 0:21:04.000
<v Speaker 1>ABC News anchor David Muir was seen on air having

0:21:04.200 --> 0:21:08.040
<v Speaker 1>the back of his fire jacket, since people thought he

0:21:08.119 --> 0:21:11.080
<v Speaker 1>cared more about his appearance than the people who are

0:21:11.119 --> 0:21:13.840
<v Speaker 1>losing everything there, but just was a bad look at

0:21:13.880 --> 0:21:15.960
<v Speaker 1>the time. But robe we were talking about this, I

0:21:15.960 --> 0:21:20.240
<v Speaker 1>think in an elevator earlier today, what if this story,

0:21:20.280 --> 0:21:22.760
<v Speaker 1>what if that had been a woman, a female anchor

0:21:22.760 --> 0:21:24.880
<v Speaker 1>out there covering the same story, the same spot, doing

0:21:24.920 --> 0:21:27.560
<v Speaker 1>the same thing, and that had been seen on the air,

0:21:28.119 --> 0:21:30.119
<v Speaker 1>You think this would be any different.

0:21:30.800 --> 0:21:32.040
<v Speaker 2>I do think it would be different.

0:21:32.240 --> 0:21:36.320
<v Speaker 3>I do think that people almost it sounds awful, but

0:21:36.359 --> 0:21:38.680
<v Speaker 3>I think they expect women to be vain in a

0:21:38.720 --> 0:21:41.320
<v Speaker 3>way that they don't expect men to be. And I think,

0:21:41.480 --> 0:21:44.400
<v Speaker 3>you know, from makeup to hair, you know, hair and makeup,

0:21:44.960 --> 0:21:49.280
<v Speaker 3>that's something that women do to present themselves in a

0:21:49.320 --> 0:21:51.520
<v Speaker 3>more glamorous way or in a more beautiful way. So

0:21:51.560 --> 0:21:53.840
<v Speaker 3>to since your jacket would make sense because that's also

0:21:54.000 --> 0:21:57.639
<v Speaker 3>you doing kind of the same thing as putting lipstick on,

0:21:58.920 --> 0:22:03.399
<v Speaker 3>putting you know. Someone even pointed out in their criticism

0:22:03.400 --> 0:22:05.280
<v Speaker 3>of David that he looked like he had a bunch

0:22:05.359 --> 0:22:07.560
<v Speaker 3>of makeup on, So no one would say that to

0:22:07.600 --> 0:22:08.040
<v Speaker 3>a woman.

0:22:08.320 --> 0:22:09.359
<v Speaker 2>No one would say that.

0:22:09.400 --> 0:22:12.760
<v Speaker 3>To a woman who was covering a tragedy and had

0:22:12.800 --> 0:22:16.119
<v Speaker 3>mascara on. I've even noted, you know, I've seen women

0:22:16.800 --> 0:22:20.560
<v Speaker 3>reporting on very serious stories with massive false eyelashes on.

0:22:21.080 --> 0:22:22.200
<v Speaker 2>No one points that out.

0:22:22.280 --> 0:22:25.560
<v Speaker 3>So I do think if we're all being honest, I

0:22:25.600 --> 0:22:28.320
<v Speaker 3>don't think that people might have pointed it out, and

0:22:28.359 --> 0:22:30.640
<v Speaker 3>it might have been a little something. I don't think

0:22:30.640 --> 0:22:33.280
<v Speaker 3>we would have seen anywhere near the level of hate

0:22:33.600 --> 0:22:37.000
<v Speaker 3>and vitriol that we have seen leveled or hurled against

0:22:37.080 --> 0:22:39.040
<v Speaker 3>David if it were a female.

0:22:39.160 --> 0:22:41.479
<v Speaker 1>Even possible this would have been a non story if

0:22:41.480 --> 0:22:41.920
<v Speaker 1>it was one.

0:22:42.240 --> 0:22:43.360
<v Speaker 2>I think it is possible.

0:22:43.640 --> 0:22:45.600
<v Speaker 3>I think it is absolutely possible that it would be

0:22:45.640 --> 0:22:47.879
<v Speaker 3>a non story if it were a woman. A man

0:22:49.720 --> 0:22:54.680
<v Speaker 3>seeming to be vain for whatever reason is far more

0:22:54.720 --> 0:22:57.360
<v Speaker 3>offensive than a woman appearing to be vain.

0:22:58.600 --> 0:22:59.280
<v Speaker 2>That's my opinion.

0:22:59.359 --> 0:23:04.639
<v Speaker 1>What do you think, Well, I've I couldn't get my seeing,

0:23:04.720 --> 0:23:08.080
<v Speaker 1>you know, seeing the story. Honestly, It's never crossed my

0:23:08.240 --> 0:23:10.600
<v Speaker 1>mind to do anything like that. When I've been out

0:23:10.640 --> 0:23:15.280
<v Speaker 1>in the field my entire career. I've not just reportings

0:23:15.680 --> 0:23:18.399
<v Speaker 1>at times, I've anchored tons of stuff all over the

0:23:18.440 --> 0:23:21.720
<v Speaker 1>world and been on the air on anchor type situations

0:23:21.720 --> 0:23:25.919
<v Speaker 1>in coats, and I have never crossed my mind to

0:23:26.040 --> 0:23:28.159
<v Speaker 1>do that. I've been in fire jackets, I've been in

0:23:28.520 --> 0:23:32.080
<v Speaker 1>I've never thought to do that. That's fine, So it's

0:23:32.119 --> 0:23:37.400
<v Speaker 1>hard for me to understand. I guess some difference in vanity.

0:23:37.440 --> 0:23:38.679
<v Speaker 1>You know this about why I'll go out in the

0:23:38.680 --> 0:23:41.600
<v Speaker 1>field no makeup, they would always offer. I'm like, nah,

0:23:41.600 --> 0:23:43.840
<v Speaker 1>I'm just going to even going on the air if

0:23:43.880 --> 0:23:47.120
<v Speaker 1>I'm just doing a story and not if I'm anchoring,

0:23:47.280 --> 0:23:49.760
<v Speaker 1>they'll put some powder on me. But if I am

0:23:50.320 --> 0:23:52.560
<v Speaker 1>just gonna step out and do a report that day,

0:23:52.680 --> 0:23:54.440
<v Speaker 1>I'm only going to be on a second on air

0:23:54.480 --> 0:23:56.439
<v Speaker 1>for a minute or so, no need for makeup.

0:23:56.560 --> 0:23:58.879
<v Speaker 3>But you're you're the rarity because I have worked with

0:23:58.960 --> 0:24:02.320
<v Speaker 3>plenty of men in this business for decades, and almost

0:24:02.359 --> 0:24:03.760
<v Speaker 3>all of them wear makeup.

0:24:04.080 --> 0:24:07.360
<v Speaker 1>Well, I were make up when I anchor, So I'm

0:24:07.359 --> 0:24:07.760
<v Speaker 1>not trying to.

0:24:07.720 --> 0:24:09.800
<v Speaker 3>Say studio lights, studio lights, Okay, Yeah, I mean I

0:24:10.040 --> 0:24:13.119
<v Speaker 3>wear minimal makeup in the field, minimal because of that

0:24:13.280 --> 0:24:13.840
<v Speaker 3>very reason.

0:24:14.240 --> 0:24:17.480
<v Speaker 1>But to that point, it always seemed to me that

0:24:17.520 --> 0:24:22.080
<v Speaker 1>there was I work in TV. So I understand seeing

0:24:22.160 --> 0:24:23.879
<v Speaker 1>a guy where they're putting on a lot of makeup,

0:24:23.920 --> 0:24:26.280
<v Speaker 1>putting on his own makeup or caring about his makeup,

0:24:26.359 --> 0:24:28.080
<v Speaker 1>or in the mirror with his hair is just the

0:24:28.240 --> 0:24:31.439
<v Speaker 1>normal thing to me. So I don't think anything of

0:24:31.480 --> 0:24:34.600
<v Speaker 1>it when I see guys doing things like that that

0:24:34.800 --> 0:24:35.840
<v Speaker 1>come off as vain.

0:24:36.400 --> 0:24:39.120
<v Speaker 3>I don't think because we've seen it for so many

0:24:39.240 --> 0:24:42.159
<v Speaker 3>years in newsrooms and out in the field. I've witnessed

0:24:42.200 --> 0:24:45.520
<v Speaker 3>it myself now I like I have. Yeah, I'm with

0:24:45.600 --> 0:24:49.880
<v Speaker 3>you in the field. I I don't think I've ever

0:24:50.000 --> 0:24:53.160
<v Speaker 3>thought about pinning a jacket or any of that sort

0:24:53.160 --> 0:24:56.440
<v Speaker 3>of thing. However, I have had in the studio. More

0:24:56.560 --> 0:24:59.520
<v Speaker 3>often than not, it's someone else who says, can I

0:24:59.520 --> 0:25:01.439
<v Speaker 3>pin this jack for you? Because they're seeing that it

0:25:01.480 --> 0:25:03.840
<v Speaker 3>doesn't look right or it's not hanging correctly. I mean, look,

0:25:03.880 --> 0:25:06.440
<v Speaker 3>when you see mannequins when you're walking down the street,

0:25:07.240 --> 0:25:10.360
<v Speaker 3>the outfits look so amazing, right, and then you turn around,

0:25:10.440 --> 0:25:12.720
<v Speaker 3>you get into the store, and you see they all

0:25:13.119 --> 0:25:16.959
<v Speaker 3>have been pinned because it looks better, It looks it

0:25:17.040 --> 0:25:20.159
<v Speaker 3>makes you look thinner, it makes you look more athletic.

0:25:20.320 --> 0:25:22.399
<v Speaker 3>You know, that is what you see in all of

0:25:22.440 --> 0:25:26.440
<v Speaker 3>the storefront windows. None of those clothing almost always are

0:25:26.520 --> 0:25:29.760
<v Speaker 3>just hanging. They are pinned and designed to look and

0:25:29.840 --> 0:25:30.920
<v Speaker 3>fit a certain way.

0:25:31.280 --> 0:25:31.640
<v Speaker 2>And so.

0:25:33.119 --> 0:25:36.560
<v Speaker 3>I've had people offer to and do that for me

0:25:36.680 --> 0:25:39.280
<v Speaker 3>on the set, but in the field, I just don't.

0:25:39.320 --> 0:25:41.680
<v Speaker 3>I never had people. I wasn't important enough to have

0:25:41.800 --> 0:25:45.199
<v Speaker 3>people in the field with me. So perhaps if I

0:25:45.200 --> 0:25:48.119
<v Speaker 3>were in the field and I had a wardrobe person

0:25:48.160 --> 0:25:50.600
<v Speaker 3>traveling with me and they said let me pin this,

0:25:50.800 --> 0:25:53.000
<v Speaker 3>I'd probably say, okay, you know best.

0:25:52.920 --> 0:25:53.760
<v Speaker 2>You're looking at it.

0:25:53.880 --> 0:25:56.119
<v Speaker 3>You know. I've had them look at the camera and

0:25:56.160 --> 0:25:58.359
<v Speaker 3>then come around and say you need this. So that

0:25:58.640 --> 0:26:02.160
<v Speaker 3>very well may have been what happened with David. Someone

0:26:02.280 --> 0:26:04.879
<v Speaker 3>who he traveled with, who is responsible for him looking

0:26:04.880 --> 0:26:07.240
<v Speaker 3>a certain way he can't trust, yeah, and he might

0:26:07.280 --> 0:26:09.840
<v Speaker 3>not certainly could not be focused on that. I think

0:26:09.840 --> 0:26:12.560
<v Speaker 3>that's the criticism that instead of being focused on what

0:26:12.600 --> 0:26:14.200
<v Speaker 3>was happening, he was focused on how he looked.

0:26:14.320 --> 0:26:15.479
<v Speaker 2>But it could be people.

0:26:15.560 --> 0:26:19.160
<v Speaker 3>It could be that people around him were looking at

0:26:19.160 --> 0:26:22.440
<v Speaker 3>that for him and making that decision on his behalf.

0:26:23.640 --> 0:26:26.199
<v Speaker 3>But please just acknowledge that it was an aesthetic. It

0:26:26.240 --> 0:26:29.000
<v Speaker 3>was not about the audio. That's all I ask because

0:26:29.000 --> 0:26:30.720
<v Speaker 3>you know what, I think people know when they hear

0:26:30.760 --> 0:26:32.960
<v Speaker 3>something that's true, and they know when they hear something

0:26:33.160 --> 0:26:36.320
<v Speaker 3>that sounds like a phony defense. And that did sound

0:26:36.359 --> 0:26:38.600
<v Speaker 3>like a phony defense. Now it did not come from David,

0:26:38.720 --> 0:26:42.359
<v Speaker 3>to be clear, it came from a source, which yes,

0:26:42.440 --> 0:26:45.600
<v Speaker 3>I'll roll my eyes on that, but someone trying to

0:26:46.520 --> 0:26:50.439
<v Speaker 3>give another explanation other than vanity why that might have

0:26:50.800 --> 0:26:51.600
<v Speaker 3>been taking place.

0:26:52.359 --> 0:26:55.480
<v Speaker 1>This story will be you've forgotten soon enough, but it's

0:26:55.520 --> 0:27:00.199
<v Speaker 1>in the cycle now, and not for no reason. I

0:27:00.240 --> 0:27:01.960
<v Speaker 1>get it. I mean, some of the stuff is silly,

0:27:01.960 --> 0:27:04.520
<v Speaker 1>and it's petty, and it's unnecessary. Some people add a

0:27:04.560 --> 0:27:07.000
<v Speaker 1>little levity to it. I don't mind that necessarily, but

0:27:07.040 --> 0:27:11.800
<v Speaker 1>a legitimate frustration at seeing something like that is understandable.

0:27:11.920 --> 0:27:15.600
<v Speaker 1>Can't take any issue with anybody who who's wondering if

0:27:15.600 --> 0:27:17.520
<v Speaker 1>their home is still standing and looking up at this

0:27:17.600 --> 0:27:20.639
<v Speaker 1>gallo TV and that's just a bad look, period, point blank.

0:27:20.680 --> 0:27:24.080
<v Speaker 1>But we don't know exactly what happened. We don't exactly

0:27:24.119 --> 0:27:26.200
<v Speaker 1>know who asked for it and why and all that.

0:27:27.080 --> 0:27:29.040
<v Speaker 1>But even if it was to make it look a

0:27:29.080 --> 0:27:31.120
<v Speaker 1>little better, I.

0:27:31.040 --> 0:27:34.320
<v Speaker 3>Think it's hard for a lot of us to know

0:27:34.359 --> 0:27:36.840
<v Speaker 3>how the sausage is made. You know that people say

0:27:36.880 --> 0:27:39.800
<v Speaker 3>you don't want to know. You know, this is common practice.

0:27:39.840 --> 0:27:45.200
<v Speaker 3>It just is behind the scenes. And when you are

0:27:45.320 --> 0:27:47.240
<v Speaker 3>at a certain level and you do have enough people

0:27:47.280 --> 0:27:50.560
<v Speaker 3>around you, you do trust their calls sometime in those

0:27:50.560 --> 0:27:53.119
<v Speaker 3>moments about what's best and what's not best. And you

0:27:53.160 --> 0:27:55.920
<v Speaker 3>know what, I love something you pointed out earlier, which

0:27:56.119 --> 0:27:59.640
<v Speaker 3>was if no one had ever seen the clothespin, if

0:27:59.680 --> 0:28:03.399
<v Speaker 3>you had just seen his fitted jacket, it wouldn't have

0:28:03.400 --> 0:28:05.760
<v Speaker 3>been a story, it wouldn't have been an issue, it

0:28:05.760 --> 0:28:10.119
<v Speaker 3>wouldn't have been anything. I don't believe anyone would have

0:28:10.160 --> 0:28:13.479
<v Speaker 3>picked up on or pointed out. So it was just

0:28:13.640 --> 0:28:16.880
<v Speaker 3>the turn and the exposure of what was really going

0:28:16.920 --> 0:28:20.879
<v Speaker 3>on in the back that created the look that you

0:28:20.960 --> 0:28:25.080
<v Speaker 3>saw in the front. And that's unfortunate. And I you know,

0:28:25.200 --> 0:28:27.960
<v Speaker 3>you google David Muir and the first thing you see

0:28:28.040 --> 0:28:31.040
<v Speaker 3>is David Muir fire jacket, you know. And it will

0:28:31.040 --> 0:28:33.600
<v Speaker 3>go away and it will get better, and we understand

0:28:33.640 --> 0:28:36.560
<v Speaker 3>what headlines are. But I just wanted to say that

0:28:37.000 --> 0:28:41.920
<v Speaker 3>it is a shame because I do think that he

0:28:42.040 --> 0:28:45.720
<v Speaker 3>is an excellent reporter and puts himself out there, puts

0:28:45.800 --> 0:28:49.360
<v Speaker 3>himself in plenty of and has put himself in plenty.

0:28:49.040 --> 0:28:51.600
<v Speaker 1>Of situations, works really.

0:28:51.400 --> 0:28:54.840
<v Speaker 3>Hard, tirelessly to make sure that people understand what's going on,

0:28:54.920 --> 0:28:59.480
<v Speaker 3>to bring people the latest and greatest and important information.

0:28:59.560 --> 0:29:02.400
<v Speaker 3>So I just I would hate for him to somehow

0:29:02.600 --> 0:29:07.120
<v Speaker 3>appear as though he has no value, no journalistic integrity.

0:29:07.560 --> 0:29:08.400
<v Speaker 2>That's not fair.

0:29:08.760 --> 0:29:12.480
<v Speaker 3>This is something that was pointed out and something that

0:29:12.520 --> 0:29:14.920
<v Speaker 3>people can have their feelings about. But I would hate

0:29:14.920 --> 0:29:19.640
<v Speaker 3>to think that one moment defines an entire career or

0:29:19.840 --> 0:29:22.680
<v Speaker 3>just puts into question someone's integrity. I think that's the

0:29:22.800 --> 0:29:27.400
<v Speaker 3>hard pill to swallow for him and for people who

0:29:27.440 --> 0:29:30.400
<v Speaker 3>have worked alongside him, that's not fair. I would just

0:29:30.440 --> 0:29:34.320
<v Speaker 3>say it's not fair to take one moment or just

0:29:34.400 --> 0:29:36.760
<v Speaker 3>the fact that he is yes concerned about how he

0:29:36.800 --> 0:29:39.280
<v Speaker 3>looks in front of the camera, and that's true. And

0:29:39.400 --> 0:29:41.280
<v Speaker 3>I cared about how I looked in front of the camera.

0:29:41.400 --> 0:29:44.040
<v Speaker 1>And every single person you have ever seen on TV.

0:29:44.200 --> 0:29:47.200
<v Speaker 1>Folks cares about what they look like on camera. Even

0:29:47.200 --> 0:29:49.280
<v Speaker 1>if you look up at them and say, wow, they

0:29:49.320 --> 0:29:52.640
<v Speaker 1>look a mess, they still cared about what they looked like.

0:29:52.840 --> 0:29:55.640
<v Speaker 1>Every single person. If this is bothering you that much

0:29:55.680 --> 0:29:58.600
<v Speaker 1>about these clips, y'all couldn't handle so many other stuff

0:29:58.600 --> 0:30:01.680
<v Speaker 1>behind the scenes that goes on as you don't see,

0:30:02.000 --> 0:30:05.240
<v Speaker 1>so many tricks and this and to make this look

0:30:05.320 --> 0:30:09.400
<v Speaker 1>better and prop this up and ooh, it's crazy behind

0:30:09.400 --> 0:30:11.360
<v Speaker 1>the scenes, and we're we're.

0:30:11.160 --> 0:30:14.760
<v Speaker 3>You know, David Muir is a human being, and I'm

0:30:14.760 --> 0:30:16.880
<v Speaker 3>sure he will not be doing this again.

0:30:16.960 --> 0:30:19.080
<v Speaker 2>And I'm sure every single reporter who has.

0:30:18.960 --> 0:30:23.520
<v Speaker 3>Seen this happen thinks, WHOA, I am absolutely not going

0:30:23.560 --> 0:30:24.080
<v Speaker 3>to do this again.

0:30:24.120 --> 0:30:26.720
<v Speaker 2>I mean, I've stood on boxes to be taller.

0:30:26.880 --> 0:30:27.040
<v Speaker 1>You know.

0:30:27.080 --> 0:30:29.880
<v Speaker 3>There are lots of things you do for an esthetic

0:30:30.240 --> 0:30:32.600
<v Speaker 3>on the television so that one person isn't super short

0:30:32.600 --> 0:30:34.680
<v Speaker 3>and one person isn't super tall, Like there are lots

0:30:34.720 --> 0:30:36.880
<v Speaker 3>of things that you don't see at home that we're

0:30:36.920 --> 0:30:38.720
<v Speaker 3>doing that if you actually took a we call it

0:30:38.760 --> 0:30:41.320
<v Speaker 3>a dirty shot, but a shot of all the equipment

0:30:41.320 --> 0:30:43.520
<v Speaker 3>and all the things that are happening, the bounce lights

0:30:43.520 --> 0:30:46.680
<v Speaker 3>that are on you to make you look better, you know,

0:30:46.840 --> 0:30:48.719
<v Speaker 3>so that you don't look harsh. I mean, there are

0:30:48.800 --> 0:30:52.480
<v Speaker 3>all sorts of tricks and aesthetics that are going on

0:30:52.680 --> 0:30:57.400
<v Speaker 3>behind the scenes to make the reporter look more pleasant,

0:30:57.480 --> 0:31:00.480
<v Speaker 3>perhaps even in incredibly unpleasant circum stances.

0:31:01.440 --> 0:31:04.480
<v Speaker 1>But folks out there in California. I mean, we are

0:31:04.640 --> 0:31:07.080
<v Speaker 1>keeping an eye on it, We're thinking about you constantly.

0:31:07.640 --> 0:31:11.240
<v Speaker 1>This is a historic tragedy at this point. And hats

0:31:11.240 --> 0:31:13.760
<v Speaker 1>off to all those reporters out there who are in

0:31:13.880 --> 0:31:16.880
<v Speaker 1>some very dangerous situations. We've seen, I guess Nick Watson

0:31:16.880 --> 0:31:18.720
<v Speaker 1>one that's gotten a lot of attention, almost getting hit

0:31:18.760 --> 0:31:20.440
<v Speaker 1>by debris while he was out there reporting. And they

0:31:20.480 --> 0:31:23.960
<v Speaker 1>are just those hot spots. These things can pop up anywhere,

0:31:24.040 --> 0:31:25.880
<v Speaker 1>so even it's not a fire right next to him,

0:31:25.880 --> 0:31:29.320
<v Speaker 1>they're still under threat. Always applaud the reporters who put

0:31:29.360 --> 0:31:31.160
<v Speaker 1>themselves in harm's way and covering these stories.

0:31:31.240 --> 0:31:34.040
<v Speaker 3>And they are the lens by which people see what's happening.

0:31:34.120 --> 0:31:36.680
<v Speaker 3>They are when you hear these stories and when you

0:31:36.880 --> 0:31:39.160
<v Speaker 3>see these stories, and these reporters who are bringing them

0:31:39.160 --> 0:31:41.240
<v Speaker 3>to you, and not just the reporters, the cameramen, the

0:31:41.360 --> 0:31:46.440
<v Speaker 3>audio camera people. I shouldn't say cameramen, photographers, maybe that's

0:31:46.480 --> 0:31:50.200
<v Speaker 3>a better way to put it. The audio personnel, the producers,

0:31:51.280 --> 0:31:54.440
<v Speaker 3>the live truck operators, the SAT truck operators, all of

0:31:54.520 --> 0:31:57.600
<v Speaker 3>the people who who are there away from their families,

0:31:57.800 --> 0:32:01.400
<v Speaker 3>working crazy long hours. It is to make sure that

0:32:01.680 --> 0:32:03.960
<v Speaker 3>all of us who aren't there can see what's happening.

0:32:04.400 --> 0:32:07.440
<v Speaker 3>It inspires people to open their wallets, It inspires people

0:32:07.520 --> 0:32:11.360
<v Speaker 3>to help, It sends prayer chains a buzz. You know,

0:32:11.920 --> 0:32:14.760
<v Speaker 3>all of this information is super important and you have

0:32:14.960 --> 0:32:18.120
<v Speaker 3>to have those folks on the ground bringing it to you. Yeah,

0:32:18.120 --> 0:32:21.120
<v Speaker 3>they may not be saving lives directly, of course, but

0:32:21.320 --> 0:32:25.120
<v Speaker 3>they are helping get really important information to people who

0:32:25.200 --> 0:32:27.840
<v Speaker 3>need it the most and also letting all of us

0:32:27.960 --> 0:32:30.640
<v Speaker 3>know how we can help, and that's all incredibly important

0:32:31.240 --> 0:32:33.680
<v Speaker 3>in times like these and tragedies like these.

0:32:34.640 --> 0:32:38.360
<v Speaker 1>So, folks, we always, as always, we appreciate you spending

0:32:38.400 --> 0:32:41.040
<v Speaker 1>some time with us. We will see you back here

0:32:41.480 --> 0:32:44.000
<v Speaker 1>on Amy and TJ soon enough, but will of course

0:32:44.040 --> 0:32:47.000
<v Speaker 1>continue to see you for the daily morning run. Well,

0:32:47.040 --> 0:32:48.240
<v Speaker 1>for now, I'm TJ Holt.

0:32:48.120 --> 0:32:49.920
<v Speaker 2>And I'm Amy Roboch. Have a great day, everyone,