WEBVTT - Saoirse Ronan - featuring  Greta Gerwig

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<v Speaker 1>This episode is brought to you by Me and M,

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<v Speaker 1>store in Marlevin, which opens on the twenty ninth of October.

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<v Speaker 1>How often have people said to me, there is a

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<v Speaker 1>certain person I must meet, Ruthie. I know you'll love

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<v Speaker 1>her for a while. This has been said to me

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<v Speaker 1>over and over about Sir shar Nan. In a way

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<v Speaker 1>I feel I have met her through the intimacy of

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<v Speaker 1>her performances, the movie she's shown to make and her

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<v Speaker 1>fourthright interviews Greta Gerwick, who directed her in Ladybird and

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<v Speaker 1>Little Women sat at the table with me in our house,

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<v Speaker 1>talking about Sirsha and how unique the experience of working

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<v Speaker 1>with her is. It's like we have one brain, she said.

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<v Speaker 1>Now the three of us are here together, sitting around

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<v Speaker 1>a table at the River Cafe. We're going to talk

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<v Speaker 1>about food and cooking, Sirsha's garden, learning to eat spaghetti,

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<v Speaker 1>and much much more. And now when people ask me,

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<v Speaker 1>I will say, yes, I've met her, and yes I

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<v Speaker 1>love her.

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<v Speaker 2>Not so not I know is beautiful.

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<v Speaker 3>It was so beautiful, so beautiful.

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<v Speaker 2>Spaghetti with crab. Okay, so today we have five hundred

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<v Speaker 2>grams of fresh crab meat. Is it white and dark

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<v Speaker 2>white white?

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<v Speaker 4>Three fresh red chilies, seated and finely chopped, Four tablespoons

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<v Speaker 4>of flat leaf parsley, me chopped, the juice of four lemons,

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<v Speaker 4>three garlic cloves, peeled and ground paste, two hundred and

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<v Speaker 4>fifty mils of olive oil, five hundred grams of spaghetti.

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<v Speaker 2>And extra virgin olive oil.

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<v Speaker 4>Simple, simple, Put the crab in a bowl, add the chili's,

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<v Speaker 4>most of the chopped parsley, the lemon, juice of garlic, the.

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<v Speaker 2>Season well, stir in the olive oil.

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<v Speaker 4>I feel like something's happening behind my head while I'm

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<v Speaker 4>saying is cook the spaghetti and a generous amount of

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<v Speaker 4>boiling water and drain thoroughly, stir into the crab sauce, but.

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<v Speaker 2>Do not reheat.

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<v Speaker 4>Serve sprinkled with the remaining chop parsley and a generous

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<v Speaker 4>amount of olive oil.

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<v Speaker 1>In Brooklyn, Yeah, you were taught how to eat spaghetti cetti,

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<v Speaker 1>So you're going to teach us. You're going to teach

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<v Speaker 1>Greta and I how to how to eat doing this right?

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<v Speaker 4>Yeah, because well the girls in the film did it.

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<v Speaker 2>The girls in the movie do it with a spoon.

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<v Speaker 2>I never use a spoon. I would use I would

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<v Speaker 2>never use.

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<v Speaker 1>Well, they do that like they put the go for

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<v Speaker 1>your tech.

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<v Speaker 4>I don't like using a spoon, do you You just

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<v Speaker 4>use the plate?

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<v Speaker 2>Yeah, the Italian way. You just stab it and spin it,

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<v Speaker 2>stab and star.

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<v Speaker 1>You were born in New York, Yeah, did your parents

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<v Speaker 1>still feel a sense of identity with Ireland in New

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<v Speaker 1>York and food wise?

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<v Speaker 2>Do you think they did? They did? I think my

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<v Speaker 2>mom did. Especially. Everything was just always homemade for us.

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<v Speaker 2>It was always it was always the main event of

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<v Speaker 2>the day.

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<v Speaker 4>She would cook more traditional Irish stuff, so she used to.

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<v Speaker 2>She still like she cooks like coddle. Have you heard

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<v Speaker 2>of Irish coddle, which is like a stew. I don't know.

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<v Speaker 2>She also when I was working, she didn't do it.

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<v Speaker 4>On a Ladybird because she wasn't around for long enough.

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<v Speaker 4>But Mom used to like batch cook and just like

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<v Speaker 4>bring food in for the crew, even though.

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<v Speaker 2>Nobody asked for it.

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<v Speaker 4>But she was like, I'll just make this and I'll

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<v Speaker 4>bring it in and whoever wants it can have it.

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<v Speaker 4>And she would heat it up in my trailer when

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<v Speaker 4>we were doing night shoots on like Hannah and stuff,

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<v Speaker 4>when we were in the middle of like I don't know,

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<v Speaker 4>Munich or something, and she'd make these like home cooked meals.

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<v Speaker 2>And that's just kind of what I was used to.

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<v Speaker 4>And coddle is sort of like an Irish stew that

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<v Speaker 4>you can kind of put anything into. Its peasant food,

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<v Speaker 4>like Ireland doesn't really have a cuisine in the way

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<v Speaker 4>that like Italy, France, like Southern America does, Like there's

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<v Speaker 4>no kind of specific diet except for potatoes and whatever

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<v Speaker 4>meat you can get your hand on. So the soup

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<v Speaker 4>would be she'd use like a vegetable broth. She puts

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<v Speaker 4>barley in. It's celery, carrots, onions, sausages, rashers as we

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<v Speaker 4>call them. But bacon, just lots and lots of goodness.

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<v Speaker 4>And we used to have that a lot grown up,

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<v Speaker 4>but we had that in the Bronx, Like that was

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<v Speaker 4>the kind of food that she used to make.

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<v Speaker 1>Did she work when I was a kid, She was

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<v Speaker 1>a nanny, so she would come home from work and

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<v Speaker 1>then cook.

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<v Speaker 2>Yeah, she did it all lot. She brought me to

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<v Speaker 2>work with her. Then she would cook.

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<v Speaker 1>She took care of other people's children.

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<v Speaker 4>She took care of other people's children. She would not

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<v Speaker 4>only cook for Dad and I. But we always had

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<v Speaker 4>Ireland stay with us. So because Dad became an actor

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<v Speaker 4>while he was over there, and that was absolutely not

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<v Speaker 4>part of the plan. Like Dad had not finished school,

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<v Speaker 4>he hadn't even been to the theater before he auditioned

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<v Speaker 4>for his first play. And when he got into that world,

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<v Speaker 4>it became everything, really and they became such a part

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<v Speaker 4>of that Irish American off off Broadway community. And so

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<v Speaker 4>we had actors staying with us all the time in

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<v Speaker 4>the Bronx, in the Bronx, in this tiny little like

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<v Speaker 4>one bedroom flat, and we had this pull out sofa

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<v Speaker 4>and you'd have like people like Brona Gallaher, who's this

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<v Speaker 4>incredible Irish actor, Like they would live with us and

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<v Speaker 4>man would cook for all of them.

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<v Speaker 1>Did your parents go to New York out of a

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<v Speaker 1>desire to work?

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<v Speaker 3>Yeah?

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<v Speaker 4>Yeah, they left school when they were like fifteen sixteen

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<v Speaker 4>and that was the place to go back then.

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<v Speaker 2>So I think they had friends who had moved over

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<v Speaker 2>ahead of them.

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<v Speaker 1>And then they went back to Ireland. And so you

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<v Speaker 1>probably don't remember New York if you left when you three.

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<v Speaker 2>I remember what I ate?

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<v Speaker 1>You don't before three? Can you remember what you ate

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<v Speaker 1>before three?

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<v Speaker 2>Don't what she does?

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<v Speaker 1>Yeah? Interesting?

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<v Speaker 4>There was this diner that I went back to for

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<v Speaker 4>like a sixty second sixty secondary sixty minutes.

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<v Speaker 3>That sixty minutes, sixty minutes, it's only sixty seconds.

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<v Speaker 2>Your generation sounds.

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<v Speaker 4>Like before you came in your generation.

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<v Speaker 2>Version, Yeah, segments.

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<v Speaker 4>And they brought me back to this diner that I

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<v Speaker 4>used to go to when I was a kid, when

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<v Speaker 4>I was like three or four, and I always had

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<v Speaker 4>a grilled cheese sandwich and a pickle.

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<v Speaker 1>Yeah, and you can remember that from being Yeah, and

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<v Speaker 1>so was it? Did they react when they went back

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<v Speaker 1>to Ireland, did they go back with joy and pleasure

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<v Speaker 1>or did they just find New York was too tough?

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<v Speaker 2>New York was tough.

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<v Speaker 4>They didn't have enough money to stay there. But also

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<v Speaker 4>Dad had become an actor that was doing relatively well

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<v Speaker 4>and there was a surge of Irish work at that

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<v Speaker 4>time because of Jim Sheard and Neil Jordan people like that,

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<v Speaker 4>So the work was just taking him back home. And

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<v Speaker 4>I think when ma'm had me, she was adamant that

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<v Speaker 4>she was going to have me in the States so

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<v Speaker 4>that I had citizenship, so that I was free to

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<v Speaker 4>sort of roam in a way that they never were,

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<v Speaker 4>which has been such a blessing in hindsight, because I

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<v Speaker 4>you know, I've lived and worked in the States and

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<v Speaker 4>I can come and go as I play, as I

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<v Speaker 4>can vote in the election.

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<v Speaker 2>Which is great.

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<v Speaker 4>But I think she realized that this wasn't the kind

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<v Speaker 4>of environment she wanted me to grow up. And because

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<v Speaker 4>they didn't have enough money to like get a beautiful

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<v Speaker 4>apartment or have a garden, or to a four day care, like.

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<v Speaker 2>They just didn't have that.

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<v Speaker 4>And also I think to have that support system for anyone,

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<v Speaker 4>no matter where you live is so important when you

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<v Speaker 4>have a kid. And also the work was taken dad

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<v Speaker 4>back there, so they moved back.

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<v Speaker 2>But the really.

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<v Speaker 4>Interesting thing that my mom has kind of very honestly

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<v Speaker 4>talked about me over the years is that there is

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<v Speaker 4>still this notion of like the American dream and you

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<v Speaker 4>sort of becoming like the next Kennedy. And when you

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<v Speaker 4>come back from America and that hasn't happened, you sort

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<v Speaker 4>of feel like your tail is between your legs a

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<v Speaker 4>little bit. That you came back and it wasn't the

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<v Speaker 4>success story that you thought it would be. It really

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<v Speaker 4>made them who they are and they made some incredible

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<v Speaker 4>friends over there, and I don't know if I would

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<v Speaker 4>be doing what I am doing if they hadn't made

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<v Speaker 4>that move, because that's where he was sort of discovered.

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<v Speaker 2>As an actor. But it was it was hard, you know.

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<v Speaker 4>And they were also coming back to Ireland during the

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<v Speaker 4>Celtic Tiger where everything had become so expensive in that booth.

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<v Speaker 4>That was the night that was like, yeah, the nineties,

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<v Speaker 4>two thousands, and that was to Dublin. They moved back

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<v Speaker 4>to Dublin for a spell and then we that's what

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<v Speaker 4>took us to the countryside because Dublin was just too.

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<v Speaker 1>Expect You remember the garden. Was there a garden in

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<v Speaker 1>the country side, Yes, your mother, because you have a

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<v Speaker 1>garden in London, don't you.

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<v Speaker 2>I have a little garden in London.

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<v Speaker 1>And what was a garden like in your house when

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<v Speaker 1>you're growing up?

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<v Speaker 2>It was the best we had.

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<v Speaker 4>That's where I used to do all my audition tapes

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<v Speaker 4>and and that was always the thing.

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<v Speaker 2>That like directors and producers.

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<v Speaker 4>Commented on when I sent over my audition for Atonement.

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<v Speaker 4>I remember Gina j the cast an agent, and Joe

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<v Speaker 4>the director, and everyone was like, we just couldn't believe

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<v Speaker 4>it when you came out of that orp English accent

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<v Speaker 4>and you showed us around this beautiful garden.

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<v Speaker 1>That you grow around the garden.

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<v Speaker 2>It was a big garden. It was probably like half

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<v Speaker 2>an acre. It had. I remember when we moved in,

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<v Speaker 2>there was two rose beds.

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<v Speaker 4>That my mom hated. My mom never liked roses for

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<v Speaker 4>some reason. I think they were sort of hard to tame.

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<v Speaker 4>And she did the whole garden by herself. She used

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<v Speaker 4>to use like a.

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<v Speaker 2>Manual lawnmower and she would do the whole thing.

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<v Speaker 4>It was like backbreaking work and it would take her

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<v Speaker 4>like two days to cut all of the grass. It

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<v Speaker 4>was quite manicured when we moved in, and she kept

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<v Speaker 4>it up for years.

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<v Speaker 1>Was it vegebles of flowers?

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<v Speaker 4>It was flowers, and we had The people who owned

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<v Speaker 4>it before us were an older couple and the woman

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<v Speaker 4>was really into vegetables and she had a grapevine in

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<v Speaker 4>a glasshouse. So I remember that was in the middle

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<v Speaker 4>of the garden. And then over on the other side

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<v Speaker 4>there was a sort of big stone wall with a

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<v Speaker 4>tree grown out of it. And my dad did tree

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<v Speaker 4>surgery for a while and there was a guy that

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<v Speaker 4>he worked with who one day just decided to tie

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<v Speaker 4>sort of this thick blue rope to the tree and

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<v Speaker 4>he added a little log to the end of it

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<v Speaker 4>and that was their swing. We just called it the rope,

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<v Speaker 4>and myself and any of my friends that were over

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<v Speaker 4>would just spend.

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<v Speaker 2>Like the whole day out there.

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<v Speaker 4>Yeah, we have a really beautiful garden in Scotland. My

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<v Speaker 4>husband Scottish and.

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<v Speaker 2>We have vegetables that we grew this year. And so I.

0:11:47.760 --> 0:11:50.959
<v Speaker 4>Keep thinking about like hopefully when we have kids one

0:11:51.040 --> 0:11:52.000
<v Speaker 4>day being able to.

0:11:51.960 --> 0:11:54.480
<v Speaker 2>Be like, should we go out to the shops.

0:11:54.480 --> 0:11:58.080
<v Speaker 4>Just wandering outside digging up a load of potatoes.

0:11:57.559 --> 0:12:00.080
<v Speaker 2>And onions and shalots, and.

0:11:59.760 --> 0:12:03.880
<v Speaker 4>I'm getting so much enjoyment out of that, and I

0:12:03.960 --> 0:12:07.320
<v Speaker 4>find it. It might sound silly to say, but I

0:12:07.360 --> 0:12:12.080
<v Speaker 4>find it really inspirational. It like it feeds my soul

0:12:12.280 --> 0:12:14.080
<v Speaker 4>in a way that the city just doesn't.

0:12:14.400 --> 0:12:17.319
<v Speaker 1>When I interviewed Michael Caine, two things he liked with

0:12:17.440 --> 0:12:21.520
<v Speaker 1>gardening and cooking because being an actor on a set,

0:12:21.559 --> 0:12:24.439
<v Speaker 1>you have hundreds of people. It's collaborative. You've got people

0:12:24.440 --> 0:12:26.520
<v Speaker 1>around you. And it was something that he could do

0:12:26.559 --> 0:12:29.400
<v Speaker 1>by himself alone, but he could make something.

0:12:29.120 --> 0:12:31.280
<v Speaker 4>You know, whether there was and it's something that's taken

0:12:31.320 --> 0:12:34.040
<v Speaker 4>out of your hands when you are an actor a

0:12:34.040 --> 0:12:36.480
<v Speaker 4>lot of the time, Like I've gone on to jobs

0:12:36.520 --> 0:12:39.679
<v Speaker 4>where I vowed to cook for myself and then bring

0:12:39.720 --> 0:12:42.120
<v Speaker 4>everything in during the week, and you just don't.

0:12:43.000 --> 0:12:44.560
<v Speaker 2>You just don't follow through with it.

0:12:44.600 --> 0:12:47.400
<v Speaker 4>But I I really miss it, and it makes me

0:12:47.480 --> 0:12:51.240
<v Speaker 4>feel quite empty when I can't cook for myself.

0:12:51.800 --> 0:12:55.280
<v Speaker 2>Like yesterday was Sunday, I cooked.

0:12:55.080 --> 0:12:58.959
<v Speaker 4>A massive roast for just myself and my husband with

0:12:59.080 --> 0:13:02.200
<v Speaker 4>all the trimmings, and it was delicious and full of love.

0:13:02.280 --> 0:13:04.400
<v Speaker 4>And I took a few hours to put it together

0:13:05.120 --> 0:13:09.160
<v Speaker 4>the proue. So I was telling your chef, I think

0:13:09.280 --> 0:13:12.840
<v Speaker 4>it's from this cookbook that I found called Bitter Honey.

0:13:12.840 --> 0:13:14.320
<v Speaker 2>Have you come across that coup book?

0:13:14.679 --> 0:13:19.360
<v Speaker 4>And it's this english woman who moved over to Sardinia and.

0:13:19.480 --> 0:13:21.440
<v Speaker 2>She has this beautiful recipe for.

0:13:21.480 --> 0:13:25.960
<v Speaker 4>Like this anchovy garlic rosemary butter with lemon zest that

0:13:26.040 --> 0:13:29.840
<v Speaker 4>she puts into a micrea that she puts into the chicken.

0:13:30.160 --> 0:13:32.160
<v Speaker 4>And so I made a big stock of it ages

0:13:32.200 --> 0:13:34.280
<v Speaker 4>ago and froze it and then just used a little

0:13:34.280 --> 0:13:35.120
<v Speaker 4>bit of it yesterday.

0:13:35.800 --> 0:13:40.600
<v Speaker 2>And I did that with like lots of gorgeous roasted

0:13:40.679 --> 0:13:41.840
<v Speaker 2>veg with.

0:13:41.480 --> 0:13:45.600
<v Speaker 4>With a honey that I got in Broadway Market yesterday actually,

0:13:45.640 --> 0:13:49.480
<v Speaker 4>which is honey from the Venetian Lagoon.

0:13:53.600 --> 0:13:57.440
<v Speaker 1>Every year, the River Cafe curates holiday gift boxes filled

0:13:57.480 --> 0:14:02.480
<v Speaker 1>with Italian ingredients. Are extravirginal oil bottled exclusively for the

0:14:02.559 --> 0:14:07.520
<v Speaker 1>River Cafe, Pawa Petrelli, tomatoes from Puya, Tuscan chocolates, and

0:14:07.600 --> 0:14:10.920
<v Speaker 1>candied sweets from Genoa. One of our best boxes is

0:14:10.960 --> 0:14:15.319
<v Speaker 1>the International Box, which also has River Cafe Limited edition

0:14:15.480 --> 0:14:20.480
<v Speaker 1>jam Chipriani Ultra Fan taglerin need pasta River Cafe Cantucci,

0:14:20.520 --> 0:14:24.600
<v Speaker 1>Anda Bella Freud candle. Order on our website, shop The

0:14:24.680 --> 0:14:28.840
<v Speaker 1>River Cafe dot co dot uk or call me an

0:14:28.880 --> 0:14:35.600
<v Speaker 1>O seven Sorry, okay, thanks.

0:14:37.760 --> 0:14:42.480
<v Speaker 4>Food has always been so important to me. It's it's

0:14:42.480 --> 0:14:46.280
<v Speaker 4>so emotional for everyone. But like my dinner in particular

0:14:46.440 --> 0:14:50.480
<v Speaker 4>is something that I cannot skip. It's kind of how

0:14:50.520 --> 0:14:52.760
<v Speaker 4>I like anchor myself.

0:14:52.840 --> 0:14:54.920
<v Speaker 2>I build my whole day. I'm not joking. I build

0:14:54.920 --> 0:14:55.600
<v Speaker 2>my whole day.

0:14:55.480 --> 0:14:57.520
<v Speaker 4>Around my dinner and what I'm going to cook and

0:14:57.600 --> 0:14:59.120
<v Speaker 4>when I'm gonna have it and who I'm gonna have

0:14:59.160 --> 0:14:59.440
<v Speaker 4>it with.

0:15:00.040 --> 0:15:02.240
<v Speaker 1>Your mother brought up with that notion of food that

0:15:02.960 --> 0:15:05.480
<v Speaker 1>was your grandmother. Do you think your grandmother brought your

0:15:05.520 --> 0:15:08.200
<v Speaker 1>mother up to have a meal every night and that

0:15:08.360 --> 0:15:10.120
<v Speaker 1>food was that you had.

0:15:10.880 --> 0:15:13.240
<v Speaker 4>I don't think Mam will mind me saying mom has

0:15:13.360 --> 0:15:16.000
<v Speaker 4>quite a complex relationship with food.

0:15:16.760 --> 0:15:18.880
<v Speaker 2>But she I think.

0:15:18.720 --> 0:15:23.520
<v Speaker 4>She's always believed that by making and my dad is

0:15:23.560 --> 0:15:28.680
<v Speaker 4>an incredible cook as well. She believed by injecting love

0:15:28.880 --> 0:15:32.040
<v Speaker 4>into the food, you will taste that.

0:15:32.800 --> 0:15:34.080
<v Speaker 2>And she every.

0:15:33.960 --> 0:15:36.760
<v Speaker 4>Single Sunday, no matter where we were, would make a

0:15:36.800 --> 0:15:38.920
<v Speaker 4>Sunday roast, and that was our tradition.

0:15:39.200 --> 0:15:42.440
<v Speaker 1>You started so young, acting so do your mother brought

0:15:42.720 --> 0:15:47.400
<v Speaker 1>domestic life wherever you were working. Yeah, so when did

0:15:47.440 --> 0:15:48.000
<v Speaker 1>that stop?

0:15:48.240 --> 0:15:50.680
<v Speaker 2>I was about eighteen or nineteen when I did.

0:15:51.200 --> 0:15:53.480
<v Speaker 1>Why did it stop? But you just thought it.

0:15:53.400 --> 0:15:56.000
<v Speaker 2>Was just time, you know. But it was an adjustment

0:15:56.080 --> 0:16:02.320
<v Speaker 2>because she had been with me constantly for this whole time,

0:16:02.520 --> 0:16:08.560
<v Speaker 2>through this incredibly formative, intense stage in my life, for

0:16:08.720 --> 0:16:10.200
<v Speaker 2>every single moment of it.

0:16:10.320 --> 0:16:12.400
<v Speaker 4>She was the one who I ran lines with. She

0:16:12.440 --> 0:16:14.720
<v Speaker 4>was the one who when I would come home at

0:16:14.720 --> 0:16:16.360
<v Speaker 4>the end of the day, I'd go, do you think

0:16:16.400 --> 0:16:19.240
<v Speaker 4>this director likes me? Or like, I don't know, did

0:16:19.280 --> 0:16:21.360
<v Speaker 4>this go well today? Or I don't think I did

0:16:21.360 --> 0:16:22.560
<v Speaker 4>that as well as I could have done.

0:16:22.640 --> 0:16:25.080
<v Speaker 2>And she was the thing that.

0:16:25.000 --> 0:16:29.640
<v Speaker 4>Really kind of kept me in reality, and it was

0:16:29.640 --> 0:16:30.840
<v Speaker 4>an adjustment for both of it.

0:16:32.240 --> 0:16:34.040
<v Speaker 1>Did she I share this with you?

0:16:34.280 --> 0:16:34.720
<v Speaker 2>She did.

0:16:35.040 --> 0:16:37.920
<v Speaker 4>My dad is an excellent cook, so I think I

0:16:38.040 --> 0:16:41.040
<v Speaker 4>learned a lot from my dad. And then also just

0:16:41.120 --> 0:16:43.680
<v Speaker 4>when I left home when I was about ninety and

0:16:43.720 --> 0:16:47.640
<v Speaker 4>I moved to London. I was in Highgate, which wasn't

0:16:47.640 --> 0:16:49.920
<v Speaker 4>the right place for a teenager to go, but anyway,

0:16:49.960 --> 0:16:53.400
<v Speaker 4>I went to Highgate and it was lovely, but I

0:16:53.440 --> 0:16:56.760
<v Speaker 4>was very much I had my own flat because I'm

0:16:56.760 --> 0:16:58.760
<v Speaker 4>not into like living with anyone.

0:16:59.360 --> 0:17:02.760
<v Speaker 2>But I do regret that now, and I was very

0:17:03.000 --> 0:17:06.840
<v Speaker 2>very lonely, and I don't know, I didn't make a

0:17:06.880 --> 0:17:07.920
<v Speaker 2>conscious decision to.

0:17:07.880 --> 0:17:11.520
<v Speaker 4>Do it, but I just it seemed to be very

0:17:11.600 --> 0:17:14.600
<v Speaker 4>very important to me that I picked a recipe every

0:17:14.640 --> 0:17:17.240
<v Speaker 4>single day and decided what I was going to cook

0:17:17.240 --> 0:17:20.119
<v Speaker 4>for dinner just for myself that night. And I hadn't

0:17:20.119 --> 0:17:23.000
<v Speaker 4>figured out like portion control yet, so I cooked for

0:17:23.119 --> 0:17:26.639
<v Speaker 4>like four people for myself and ate most of it.

0:17:27.119 --> 0:17:29.800
<v Speaker 2>And I did that every single entertained.

0:17:29.800 --> 0:17:31.320
<v Speaker 1>Did you think of having people over?

0:17:32.280 --> 0:17:34.040
<v Speaker 2>You know what? I didn't know as many people as

0:17:34.040 --> 0:17:34.560
<v Speaker 2>I thought it did.

0:17:34.640 --> 0:17:35.480
<v Speaker 1>What were your filming?

0:17:36.720 --> 0:17:39.760
<v Speaker 4>So when I moved over, I just moved over for myself.

0:17:39.840 --> 0:17:42.240
<v Speaker 4>I just wanted to leave Ireland and I needed to

0:17:42.240 --> 0:17:46.480
<v Speaker 4>be somewhere else. But soon after I did Brooklyn, which

0:17:46.600 --> 0:17:51.840
<v Speaker 4>of course heavily focuses on leaving home and homesickness and

0:17:51.960 --> 0:17:56.280
<v Speaker 4>how shocking it is actually when you go through that experience,

0:17:56.320 --> 0:17:58.520
<v Speaker 4>because nothing can really prepare you for it, And so

0:17:58.600 --> 0:18:03.560
<v Speaker 4>I was going through that exact.

0:18:02.960 --> 0:18:09.000
<v Speaker 2>Feeling and didn't have enough distance from it in order

0:18:09.080 --> 0:18:10.440
<v Speaker 2>to see it clearly, I think.

0:18:10.520 --> 0:18:13.159
<v Speaker 4>So that was I would say that, and Ladybird, and

0:18:13.160 --> 0:18:17.280
<v Speaker 4>I've been saying this recently. Both of those characters were

0:18:18.000 --> 0:18:21.040
<v Speaker 4>highlighting something that I was feeling very very vividly in

0:18:21.080 --> 0:18:23.959
<v Speaker 4>my own life. And sometimes I found it really difficult

0:18:24.280 --> 0:18:26.920
<v Speaker 4>playing those roles because it was so close to home,

0:18:27.080 --> 0:18:32.479
<v Speaker 4>and it was very hard to have any separation from it,

0:18:32.520 --> 0:18:35.880
<v Speaker 4>I suppose, but Brooklyn in particular was very difficult.

0:18:36.000 --> 0:18:37.440
<v Speaker 2>It was very overwhelming at times.

0:18:37.640 --> 0:18:39.000
<v Speaker 1>Was it completely filmed in London?

0:18:39.880 --> 0:18:41.879
<v Speaker 2>No, anything in London.

0:18:42.200 --> 0:18:45.960
<v Speaker 4>We filmed three weeks in Ennescorthy, which is where it's

0:18:45.960 --> 0:18:49.600
<v Speaker 4>set in Wexford and that's where Contobain's from.

0:18:49.680 --> 0:18:52.320
<v Speaker 2>And then we went to Montreal.

0:18:51.880 --> 0:18:56.119
<v Speaker 4>Which doubled for Brooklyn because Brooklyn nowadays doesn't look like

0:18:56.160 --> 0:18:57.280
<v Speaker 4>it did in the fifties.

0:18:57.400 --> 0:19:00.880
<v Speaker 1>Did you go to restaurants? Was a kind of experienced food?

0:19:00.920 --> 0:19:03.160
<v Speaker 1>Did your parents ever take you to restaurants? Or did

0:19:03.160 --> 0:19:05.399
<v Speaker 1>you when you were living alone in London? Did you

0:19:05.560 --> 0:19:08.639
<v Speaker 1>go to Greek or Chinese or eat food that was

0:19:08.720 --> 0:19:09.600
<v Speaker 1>other than Irish?

0:19:09.640 --> 0:19:11.320
<v Speaker 4>I ate a lot, I mean we ate a lot

0:19:11.359 --> 0:19:14.639
<v Speaker 4>of different types of food in New York. Chinese was

0:19:14.680 --> 0:19:18.720
<v Speaker 4>my favorite. And actually, when I did Jamie Oliver's cooking show,

0:19:18.800 --> 0:19:22.399
<v Speaker 4>a few years ago, I asked, could we make general

0:19:22.480 --> 0:19:25.880
<v Speaker 4>sous chicken, which is something that you don't get here,

0:19:26.040 --> 0:19:26.320
<v Speaker 4>and I.

0:19:26.240 --> 0:19:27.640
<v Speaker 2>Don't think he'd heard of it before.

0:19:28.560 --> 0:19:33.280
<v Speaker 4>Some people say so, some people say show it's like tangy, yeah,

0:19:33.359 --> 0:19:34.840
<v Speaker 4>but spicy as well.

0:19:34.920 --> 0:19:38.320
<v Speaker 2>It's not quite sweet and sour. It's kind of more.

0:19:38.240 --> 0:19:43.640
<v Speaker 4>Like an orange dish. But yeah, we made it together.

0:19:43.359 --> 0:19:44.840
<v Speaker 2>Which was really nice.

0:19:45.359 --> 0:19:47.359
<v Speaker 1>Jack he loves does he love food?

0:19:47.480 --> 0:19:51.040
<v Speaker 4>He loves food, but he loves how much I love food,

0:19:51.720 --> 0:19:54.360
<v Speaker 4>and I think he I remember when we were sort

0:19:54.359 --> 0:19:55.159
<v Speaker 4>of coursing.

0:19:56.000 --> 0:19:56.520
<v Speaker 2>I ate.

0:19:56.840 --> 0:19:59.120
<v Speaker 4>I think I was eating like a burger or something,

0:19:59.640 --> 0:20:01.040
<v Speaker 4>and I looked at him and I was like, what

0:20:01.320 --> 0:20:01.840
<v Speaker 4>are you looking at?

0:20:01.840 --> 0:20:03.600
<v Speaker 2>We were watching something on the TV, and he was like,

0:20:03.720 --> 0:20:04.920
<v Speaker 2>I'm watching.

0:20:04.480 --> 0:20:07.720
<v Speaker 4>You while you eat the burger because you're getting so

0:20:07.920 --> 0:20:09.600
<v Speaker 4>much out of the burger.

0:20:10.000 --> 0:20:11.720
<v Speaker 2>And that was when I knew. I was like, you're

0:20:11.880 --> 0:20:15.840
<v Speaker 2>my guy, and thank you. So yeah, so we yeah,

0:20:15.880 --> 0:20:16.680
<v Speaker 2>we love it.

0:20:17.160 --> 0:20:19.520
<v Speaker 1>And we were talking about Little Women and we're talking

0:20:19.520 --> 0:20:23.560
<v Speaker 1>about the food that can you talk about both of you?

0:20:23.600 --> 0:20:25.600
<v Speaker 1>Tell me about the food scene and little Women.

0:20:26.160 --> 0:20:29.359
<v Speaker 3>The food and Little Women was period correct and there

0:20:29.359 --> 0:20:34.240
<v Speaker 3>were always like cakes and buns and things, and you know, I.

0:20:34.119 --> 0:20:36.760
<v Speaker 1>Was just watching you eat all that ice cream.

0:20:38.400 --> 0:20:40.680
<v Speaker 2>We ate those florins that ate all the ice cream.

0:20:41.080 --> 0:20:43.439
<v Speaker 2>I feel like you got it. Maybe it was me

0:20:43.520 --> 0:20:43.800
<v Speaker 2>as well.

0:20:44.359 --> 0:20:44.760
<v Speaker 1>I ate.

0:20:44.800 --> 0:20:46.600
<v Speaker 2>I ate a lot of popcorn that day.

0:20:48.040 --> 0:20:50.640
<v Speaker 4>It was just really interesting that we would have these

0:20:50.680 --> 0:20:54.800
<v Speaker 4>scenes where either there was such a lack of food

0:20:55.200 --> 0:20:58.199
<v Speaker 4>and that's all we could talk about, or there was

0:20:58.240 --> 0:21:02.320
<v Speaker 4>too much food, or then we had a Christmas sequence

0:21:02.359 --> 0:21:06.520
<v Speaker 4>in Little Women where the food was repurposed for Christmas decorations,

0:21:07.200 --> 0:21:11.399
<v Speaker 4>which I've been very inspired by every Christmas since. So

0:21:11.480 --> 0:21:15.639
<v Speaker 4>I'll like dry oranges and use bits of popcorn and

0:21:15.640 --> 0:21:16.960
<v Speaker 4>put them on the string and.

0:21:16.880 --> 0:21:17.480
<v Speaker 1>Things like that.

0:21:17.480 --> 0:21:19.920
<v Speaker 2>They got very creative on Little Women.

0:21:19.760 --> 0:21:24.480
<v Speaker 1>When you talk about film sets, and you've talked about

0:21:24.480 --> 0:21:27.199
<v Speaker 1>the dinner, the importance of the dinner at night, do

0:21:27.240 --> 0:21:30.240
<v Speaker 1>you have breakfast and do have lunch when you're working?

0:21:33.080 --> 0:21:38.000
<v Speaker 4>Yeah, I definitely have lunch breakfast. I'll have something small

0:21:39.080 --> 0:21:44.240
<v Speaker 4>sometimes I'm not that hungry during breakfast. But each movie

0:21:44.280 --> 0:21:46.480
<v Speaker 4>has had a different type of breakfast. So like I

0:21:46.520 --> 0:21:50.160
<v Speaker 4>did a film in Australia a couple of years ago,

0:21:50.359 --> 0:21:54.000
<v Speaker 4>and they love veggiemite and they love their smashed avocado,

0:21:55.000 --> 0:21:58.959
<v Speaker 4>So I would have smashed avocado on toast with veggiemite

0:21:59.000 --> 0:22:03.760
<v Speaker 4>for breakfast every day, for breakfast every day the whole shoot. Yeah,

0:22:05.080 --> 0:22:06.840
<v Speaker 4>on a job I did at the start of the year,

0:22:06.880 --> 0:22:08.320
<v Speaker 4>I was just having smoothies.

0:22:08.440 --> 0:22:10.679
<v Speaker 2>It depends breakfast isn't as important for me.

0:22:10.960 --> 0:22:13.840
<v Speaker 4>But then when I'm away, you know, on holiday in

0:22:13.880 --> 0:22:17.960
<v Speaker 4>places like Italy and France, it will become very continental

0:22:18.160 --> 0:22:21.200
<v Speaker 4>and very much about the cheese and the meat and

0:22:21.520 --> 0:22:24.760
<v Speaker 4>the fruit. And I think when I'm in Italy or France,

0:22:24.800 --> 0:22:27.240
<v Speaker 4>that's the only time that I really enjoy breakfast.

0:22:27.480 --> 0:22:30.040
<v Speaker 2>I look forward to breakfast because of how they do it.

0:22:30.080 --> 0:22:32.879
<v Speaker 2>I prefer how they do it, and when you're.

0:22:32.760 --> 0:22:36.720
<v Speaker 1>Working to other foods that make you feel more like

0:22:36.760 --> 0:22:40.080
<v Speaker 1>working and some that make you feel more tired, is it.

0:22:40.280 --> 0:22:42.480
<v Speaker 4>Yeah, I mean that's the problem actually on a lot

0:22:42.480 --> 0:22:47.040
<v Speaker 4>of movie sets is that less caterers are doing it now.

0:22:47.080 --> 0:22:49.920
<v Speaker 4>But for a really long time, caterers.

0:22:49.480 --> 0:22:53.679
<v Speaker 2>Would make like really stodgy, heavy food when.

0:22:53.600 --> 0:22:57.439
<v Speaker 4>We were doing Little Women and you were braggers, but

0:22:57.480 --> 0:23:01.280
<v Speaker 4>nobody knew. I knew something was off off because on

0:23:01.680 --> 0:23:06.159
<v Speaker 4>Ladybird all she ate ri Cheetos, like six packets of

0:23:06.240 --> 0:23:07.640
<v Speaker 4>Cheetos a day.

0:23:07.920 --> 0:23:10.040
<v Speaker 1>You went back to the food of your kind of

0:23:10.080 --> 0:23:11.280
<v Speaker 1>teenage cheers.

0:23:11.040 --> 0:23:13.000
<v Speaker 4>And then we went on to little women and I'd

0:23:13.040 --> 0:23:15.600
<v Speaker 4>come over to the monitor and she'd have a wooden

0:23:15.720 --> 0:23:19.520
<v Speaker 4>I specifically remember a wooden bowl, a big wooden bowl

0:23:19.880 --> 0:23:24.120
<v Speaker 4>with an entire roast chicken in the bowl, like.

0:23:24.160 --> 0:23:25.119
<v Speaker 2>On a bed of salad.

0:23:25.760 --> 0:23:27.879
<v Speaker 4>And she'd lead that every day and I was like,

0:23:27.960 --> 0:23:30.560
<v Speaker 4>what happened to you? Like, why are you so health conscious?

0:23:30.560 --> 0:23:30.879
<v Speaker 1>Now?

0:23:31.200 --> 0:23:34.200
<v Speaker 2>This isn't the credit. I knew it from a few

0:23:34.280 --> 0:23:34.720
<v Speaker 2>years ago.

0:23:35.080 --> 0:23:37.720
<v Speaker 3>A good day, I had like a full leg of

0:23:37.920 --> 0:23:42.600
<v Speaker 3>lamb and you were like, you, Queen, I know.

0:23:44.680 --> 0:23:45.960
<v Speaker 1>My young prince.

0:23:45.720 --> 0:23:47.000
<v Speaker 5>Needs only the best.

0:23:47.760 --> 0:23:50.440
<v Speaker 4>Even then at the end, when someone was like, she's pregnant,

0:23:50.480 --> 0:23:55.520
<v Speaker 4>that's what it is, I was like, that's a fox.

0:23:56.960 --> 0:23:59.480
<v Speaker 3>Yeah, is it a fox or a cat?

0:23:59.760 --> 0:24:03.199
<v Speaker 2>That's a dog, it's a terrier, it's not a fox.

0:24:03.880 --> 0:24:06.000
<v Speaker 2>But there's so many foxes around London now.

0:24:06.440 --> 0:24:10.760
<v Speaker 1>When we have a flat in the basement and somebody

0:24:11.000 --> 0:24:13.160
<v Speaker 1>my son was down there and Bow had the door

0:24:13.200 --> 0:24:17.160
<v Speaker 1>open and the fox wondered, I like, London has foxes

0:24:17.520 --> 0:24:18.040
<v Speaker 1>kind of wild.

0:24:18.440 --> 0:24:22.520
<v Speaker 3>It makes me feel like it is like not totally controlled.

0:24:23.080 --> 0:24:27.160
<v Speaker 4>No, And I feel like the number of Foxes has

0:24:27.200 --> 0:24:29.679
<v Speaker 4>gone up in the last few years. We have a

0:24:29.680 --> 0:24:31.920
<v Speaker 4>street around the corner from us and it's like the

0:24:31.920 --> 0:24:35.359
<v Speaker 4>Fox Street, like there's a whole family that lived there.

0:24:40.359 --> 0:24:43.600
<v Speaker 1>If you like listening to Ruthie's Table for would you

0:24:43.720 --> 0:24:47.760
<v Speaker 1>please make sure to rate and review the podcast on

0:24:47.800 --> 0:24:52.960
<v Speaker 1>the iHeartRadio app, Apple Podcasts, O, wherever you get your podcasts.

0:24:53.720 --> 0:25:00.600
<v Speaker 1>Thank you. I thought we could talk about Blitz for

0:25:00.600 --> 0:25:03.400
<v Speaker 1>a minute. I haven't seen it. It's about a mother

0:25:03.520 --> 0:25:06.480
<v Speaker 1>and separation and a child in separation. Is that right?

0:25:06.600 --> 0:25:08.160
<v Speaker 2>I guess yeah, I guess.

0:25:08.240 --> 0:25:11.000
<v Speaker 4>What Steve mcquaan has done really brilliantly is that he's

0:25:11.119 --> 0:25:14.520
<v Speaker 4>paired the romanticism that I think people who grew up

0:25:14.640 --> 0:25:17.119
<v Speaker 4>during the Blitz and during the Second World War do

0:25:17.359 --> 0:25:20.400
<v Speaker 4>have about that period. And I think that's born out

0:25:20.440 --> 0:25:24.280
<v Speaker 4>of the human spirit that just will always endure no

0:25:24.320 --> 0:25:28.080
<v Speaker 4>matter what it's faced with. So that is absolutely something

0:25:28.119 --> 0:25:31.159
<v Speaker 4>to be celebrated. And we have moments of people coming

0:25:31.200 --> 0:25:32.639
<v Speaker 4>together and working.

0:25:32.280 --> 0:25:35.320
<v Speaker 2>Together in Blitz, but in true Steve.

0:25:35.160 --> 0:25:38.480
<v Speaker 4>Mcquaan fashion, it's an incredibly honest take on.

0:25:40.119 --> 0:25:42.120
<v Speaker 2>The cruelty of life.

0:25:41.720 --> 0:25:47.080
<v Speaker 4>And war and how hard people can be on one another,

0:25:47.520 --> 0:25:50.480
<v Speaker 4>and it kind of feels like the Blitz itself is

0:25:50.520 --> 0:25:54.960
<v Speaker 4>more of a backdrop for this very domestic story actually

0:25:55.000 --> 0:26:01.080
<v Speaker 4>between a child and his mother and that incredibly tense relationship,

0:26:01.200 --> 0:26:06.200
<v Speaker 4>especially between a single parents and their child, and how

0:26:06.240 --> 0:26:10.160
<v Speaker 4>when they are separated from one another there is this

0:26:10.200 --> 0:26:13.639
<v Speaker 4>invisible tie, as I'm sure you guys feel with your kids.

0:26:13.640 --> 0:26:15.720
<v Speaker 4>My best friend just had her first baby and she

0:26:15.760 --> 0:26:17.640
<v Speaker 4>said that, you know, even when I'm not with him,

0:26:17.920 --> 0:26:18.560
<v Speaker 4>i am there.

0:26:18.640 --> 0:26:21.480
<v Speaker 2>There's one half of my brain that is just always

0:26:21.480 --> 0:26:22.160
<v Speaker 2>with him.

0:26:22.440 --> 0:26:25.760
<v Speaker 4>And so I think that's what we're really connecting to

0:26:26.160 --> 0:26:27.880
<v Speaker 4>in Blitz, is that you.

0:26:27.840 --> 0:26:29.760
<v Speaker 1>Are and grem Nord. Let's talk about grem Norton.

0:26:29.880 --> 0:26:33.080
<v Speaker 4>I was on, Yes, I was on Graham and I

0:26:33.119 --> 0:26:36.640
<v Speaker 4>had such a great time, and I was there with Paul, Who's.

0:26:38.320 --> 0:26:41.159
<v Speaker 1>There was love that. I really liked them all. I

0:26:41.200 --> 0:26:43.960
<v Speaker 1>did a podcast with Eddie and Paul's great.

0:26:44.200 --> 0:26:46.720
<v Speaker 4>Yeah. And I think Paul and I knew over the

0:26:46.760 --> 0:26:49.440
<v Speaker 4>last few months that with him having Gladiator out, me

0:26:49.560 --> 0:26:52.520
<v Speaker 4>having these two movies out, that we would hopefully be

0:26:52.560 --> 0:26:54.800
<v Speaker 4>doing a lot of our press together, which is a

0:26:54.840 --> 0:26:58.919
<v Speaker 4>relief for us because I think when you're in you know,

0:26:59.280 --> 0:27:01.680
<v Speaker 4>a crowded and you're able to look across and see

0:27:01.720 --> 0:27:04.720
<v Speaker 4>someone that you genuinely love, like when Greta and I

0:27:04.760 --> 0:27:06.919
<v Speaker 4>will do stuff together as well, it just sort of

0:27:07.480 --> 0:27:11.520
<v Speaker 4>it grounds you. But yeah, there was this comment that

0:27:11.840 --> 0:27:16.280
<v Speaker 4>I was Eddie was being sort of coached on how

0:27:16.320 --> 0:27:19.119
<v Speaker 4>he could use anything as a weapon for his show,

0:27:19.720 --> 0:27:22.720
<v Speaker 4>that you could use any it could be a tea

0:27:22.760 --> 0:27:26.360
<v Speaker 4>cup or whatever, and the lads were saying, how you know,

0:27:26.640 --> 0:27:29.040
<v Speaker 4>in the heat of the moment, if you're being attached

0:27:29.040 --> 0:27:32.560
<v Speaker 4>by someone, you would never think to use anything as

0:27:32.720 --> 0:27:35.439
<v Speaker 4>a weapon. And I was listening to it, and it

0:27:35.520 --> 0:27:37.679
<v Speaker 4>really wasn't sort of me trying to put anyone in

0:27:37.720 --> 0:27:40.520
<v Speaker 4>their place, but I was just being honest about like

0:27:41.240 --> 0:27:46.000
<v Speaker 4>a girl's experience in this life is that you sort

0:27:46.040 --> 0:27:49.160
<v Speaker 4>of need to you need to look in your bag

0:27:49.240 --> 0:27:51.120
<v Speaker 4>before you go out, before you even leave the house,

0:27:51.160 --> 0:27:53.520
<v Speaker 4>and go, Okay, what can I use in case I

0:27:53.520 --> 0:27:54.160
<v Speaker 4>get attacked?

0:27:54.440 --> 0:27:56.960
<v Speaker 2>And we can laugh about it, but it's true.

0:27:57.080 --> 0:28:00.399
<v Speaker 4>And so I think that's why I made that comment

0:28:00.520 --> 0:28:03.520
<v Speaker 4>that actually, for girls, you do have to think about

0:28:03.520 --> 0:28:05.440
<v Speaker 4>this sort of stuff and you would be fully aware

0:28:05.480 --> 0:28:08.840
<v Speaker 4>that you can use something like an iPhone as a weapon.

0:28:10.600 --> 0:28:12.720
<v Speaker 4>But I am very conscious of that, like I don't

0:28:12.720 --> 0:28:15.840
<v Speaker 4>have kids yet, But the older I'm getting and the

0:28:15.920 --> 0:28:19.240
<v Speaker 4>more aware I am at the effect that that's had

0:28:19.280 --> 0:28:22.480
<v Speaker 4>on me as a person, and it does every single woman.

0:28:22.680 --> 0:28:23.000
<v Speaker 2>I know.

0:28:23.920 --> 0:28:27.040
<v Speaker 4>The idea of my little girl having to think about

0:28:27.080 --> 0:28:30.240
<v Speaker 4>that and this being on her shoulders as it inevitably will.

0:28:30.119 --> 0:28:33.240
<v Speaker 1>Be, yeah and yours and hers, and yeah, it.

0:28:33.200 --> 0:28:37.080
<v Speaker 2>Makes me so angry. Actually, it makes me really angry.

0:28:37.119 --> 0:28:38.960
<v Speaker 4>And I guess the only way I've been able to

0:28:39.000 --> 0:28:43.760
<v Speaker 4>sort of take some control back over that particular narrative

0:28:43.800 --> 0:28:46.640
<v Speaker 4>that's just been sort of setting stone for women since

0:28:46.640 --> 0:28:49.640
<v Speaker 4>the beginning of time is to at least express it

0:28:49.680 --> 0:28:52.280
<v Speaker 4>to men so that they can have an awareness of

0:28:52.320 --> 0:28:52.880
<v Speaker 4>it as well.

0:28:53.240 --> 0:28:55.600
<v Speaker 1>My daughter in law is a city planner and she's

0:28:55.680 --> 0:29:00.360
<v Speaker 1>working on women's safety. Thinking about safety, thinking about violence

0:29:00.680 --> 0:29:03.720
<v Speaker 1>is something we do all the time. And you have

0:29:03.760 --> 0:29:04.600
<v Speaker 1>a second movie.

0:29:04.920 --> 0:29:08.720
<v Speaker 4>Yes, So my other film is The Outrun, which Greta

0:29:09.000 --> 0:29:11.200
<v Speaker 4>has say. I was very nervous about her saying it,

0:29:11.240 --> 0:29:12.800
<v Speaker 4>but it's a movie that.

0:29:13.360 --> 0:29:16.840
<v Speaker 2>Nervous because there's no one I wonder more than Grata.

0:29:16.720 --> 0:29:16.960
<v Speaker 1>Did she.

0:29:19.320 --> 0:29:20.280
<v Speaker 5>Produced this movie?

0:29:20.440 --> 0:29:24.120
<v Speaker 3>Yeah, so it was part of your grosses and artists

0:29:25.000 --> 0:29:26.920
<v Speaker 3>as a producer as well.

0:29:27.880 --> 0:29:31.120
<v Speaker 4>So the Outrun is based on a memoir of the

0:29:31.160 --> 0:29:34.720
<v Speaker 4>same title by this woman called Amy Liptrop, and it's

0:29:34.720 --> 0:29:42.360
<v Speaker 4>about her recovery from alcoholism. Her relationship with alcohol became

0:29:42.440 --> 0:29:45.800
<v Speaker 4>sort of chaotic and out of control when she moved

0:29:45.880 --> 0:29:49.920
<v Speaker 4>from the Orkney Islands up in Scotland down to London,

0:29:50.680 --> 0:29:54.600
<v Speaker 4>and over the course of a few years she lost

0:29:54.720 --> 0:29:58.800
<v Speaker 4>kind of everything and everyone that was good in her

0:29:58.840 --> 0:30:04.920
<v Speaker 4>life and nothing left and eventually goes into rehab, gets

0:30:04.960 --> 0:30:12.680
<v Speaker 4>clean and unwillingly moves back to the Orkney Islands. And

0:30:12.720 --> 0:30:17.240
<v Speaker 4>it's about that sort of complicated relationship that we all

0:30:17.280 --> 0:30:20.520
<v Speaker 4>have with home and our parents, but also the healing

0:30:21.000 --> 0:30:24.280
<v Speaker 4>that can only come from actually facing your past.

0:30:24.960 --> 0:30:26.400
<v Speaker 2>And it really is this.

0:30:26.480 --> 0:30:30.640
<v Speaker 4>Kind of very intimate but also very epic story of

0:30:30.760 --> 0:30:33.080
<v Speaker 4>just someone healing themselves.

0:30:33.640 --> 0:30:35.640
<v Speaker 2>It's been really special.

0:30:34.800 --> 0:30:39.480
<v Speaker 3>It's very intimate and it's very.

0:30:41.280 --> 0:30:42.960
<v Speaker 1>Watching a film of.

0:30:44.480 --> 0:30:46.720
<v Speaker 2>Addiction and a film of recovery.

0:30:46.960 --> 0:30:51.520
<v Speaker 3>It didn't feel like I was watching an actor act

0:30:51.720 --> 0:30:56.440
<v Speaker 3>a thing. I felt like I was watching how a

0:30:56.520 --> 0:31:02.239
<v Speaker 3>full body and need of you know, whatever the drug is,

0:31:02.280 --> 0:31:05.600
<v Speaker 3>but also the need of the recovery, Like it felt

0:31:05.600 --> 0:31:09.760
<v Speaker 3>embodied in every way. But this scene where you're like

0:31:09.920 --> 0:31:13.480
<v Speaker 3>asking the guy for a light outside of the cafe,

0:31:14.040 --> 0:31:17.240
<v Speaker 3>and you just need a friend, you need anyone, and

0:31:18.120 --> 0:31:23.120
<v Speaker 3>you're so lonely you could almost touch it, and it

0:31:23.160 --> 0:31:26.120
<v Speaker 3>was like a force field outside of her, and you're like,

0:31:26.680 --> 0:31:31.080
<v Speaker 3>and you also understand, of course you want to use

0:31:31.880 --> 0:31:36.400
<v Speaker 3>if you're that lonely. It was just really came through

0:31:37.280 --> 0:31:41.360
<v Speaker 3>the specificness of this very beautiful, very stark place.

0:31:41.560 --> 0:31:45.040
<v Speaker 1>Yeah. Have either of you had to experience and experience

0:31:45.040 --> 0:31:47.640
<v Speaker 1>of people you love had with addiction, Yeah, it was.

0:31:48.120 --> 0:31:50.040
<v Speaker 4>I think the reason why I wanted to make it

0:31:50.080 --> 0:31:54.200
<v Speaker 4>is because I've watched people very close to me go

0:31:54.320 --> 0:31:57.479
<v Speaker 4>through that. Some of them have seen the light and

0:31:57.520 --> 0:32:02.560
<v Speaker 4>some of them have not, and you feel you can't

0:32:02.600 --> 0:32:06.920
<v Speaker 4>help but resent them and the substance. And I think

0:32:06.960 --> 0:32:11.400
<v Speaker 4>I'd carried so much anger around with me my whole life,

0:32:11.720 --> 0:32:14.520
<v Speaker 4>and I really needed to let go of that. And

0:32:14.560 --> 0:32:16.600
<v Speaker 4>I knew that the only way that I could really

0:32:16.640 --> 0:32:19.600
<v Speaker 4>do that, and I still haven't fully done it, but

0:32:19.680 --> 0:32:22.360
<v Speaker 4>the only way that I could begin to understand it

0:32:22.400 --> 0:32:26.520
<v Speaker 4>as if I played someone with that particular addiction alcoholism.

0:32:26.760 --> 0:32:28.280
<v Speaker 2>For me, especially coming.

0:32:28.040 --> 0:32:30.640
<v Speaker 4>From Ireland where it is an issue, it's the same

0:32:30.680 --> 0:32:31.600
<v Speaker 4>in Britain as well.

0:32:33.280 --> 0:32:37.520
<v Speaker 2>It's it's so accessible, it's so a power.

0:32:39.240 --> 0:32:42.160
<v Speaker 1>In a house. I was taught that within a minute

0:32:42.160 --> 0:32:44.520
<v Speaker 1>of somebody entering your house, and it's actually rather nice

0:32:45.240 --> 0:32:47.480
<v Speaker 1>is to say, whether it's somebody coming to fix your dishwasher,

0:32:47.640 --> 0:32:51.320
<v Speaker 1>somebody coming to visit your child, or whatever it is,

0:32:51.880 --> 0:32:54.040
<v Speaker 1>you say, can I get your drink? And it could

0:32:54.080 --> 0:32:56.719
<v Speaker 1>be coffee or tea or something, but it means you're

0:32:56.760 --> 0:32:59.640
<v Speaker 1>stopping what you're doing to look at the person say

0:32:59.640 --> 0:33:01.920
<v Speaker 1>what can I get you? And so it's the kind

0:33:01.960 --> 0:33:03.920
<v Speaker 1>of little thing in the back of my mind. But

0:33:04.000 --> 0:33:07.240
<v Speaker 1>you also realize that a drink is also walking into

0:33:07.280 --> 0:33:09.480
<v Speaker 1>a house and being offered a glass of wine or

0:33:09.640 --> 0:33:11.280
<v Speaker 1>a gever it is, or.

0:33:11.280 --> 0:33:13.920
<v Speaker 2>It's people on their own at the end of a hard.

0:33:13.720 --> 0:33:16.440
<v Speaker 1>Day and they're like, oh, I'll just just have a

0:33:16.440 --> 0:33:17.760
<v Speaker 1>bottle to myself.

0:33:17.400 --> 0:33:20.120
<v Speaker 2>And then suddenly that turns into two or three. And

0:33:20.680 --> 0:33:22.840
<v Speaker 2>it's so it can be so easily.

0:33:22.440 --> 0:33:26.600
<v Speaker 4>Concealed alcoholism, I think in particular, and I find that

0:33:26.760 --> 0:33:32.160
<v Speaker 4>incredibly dangerous. And I've gone through stages in my life

0:33:32.200 --> 0:33:34.560
<v Speaker 4>where I've set I've been like, I'm not religious, but

0:33:34.640 --> 0:33:36.840
<v Speaker 4>I soundly religious. When I say this, I'm like, it's

0:33:36.880 --> 0:33:40.040
<v Speaker 4>the devil. It's like the devil incarnet. It just it

0:33:40.200 --> 0:33:43.760
<v Speaker 4>infects everything that it touches. And I hated it. And

0:33:45.240 --> 0:33:50.560
<v Speaker 4>I wouldn't say I've got total closure after experiencing bringing

0:33:50.600 --> 0:33:54.120
<v Speaker 4>someone to life with that particular addiction, but it certainly

0:33:54.160 --> 0:33:57.320
<v Speaker 4>helped me to understand, like the science behind it, the

0:33:57.360 --> 0:33:59.680
<v Speaker 4>effect that it has on the brain, so that at

0:33:59.760 --> 0:34:02.160
<v Speaker 4>least I have something that I can hold on to

0:34:02.720 --> 0:34:05.160
<v Speaker 4>when you feel like it's your fault, but that person

0:34:05.240 --> 0:34:08.040
<v Speaker 4>won't quit that it's a reflection on you, and of

0:34:08.080 --> 0:34:10.520
<v Speaker 4>course it isn't, and I think that's You're right. That's

0:34:10.560 --> 0:34:14.640
<v Speaker 4>why it would be so soul destroying if you're a kid,

0:34:15.000 --> 0:34:18.960
<v Speaker 4>or a partner or a family member has that issue

0:34:19.000 --> 0:34:22.279
<v Speaker 4>because you can't. There is no reason it has to

0:34:22.280 --> 0:34:24.279
<v Speaker 4>come from them. It doesn't matter what you do.

0:34:25.160 --> 0:34:28.040
<v Speaker 3>It's I remember a line that Noah and I wrote

0:34:28.239 --> 0:34:32.319
<v Speaker 3>at one point, which is apropos at this moment in

0:34:32.360 --> 0:34:36.280
<v Speaker 3>this movie Mistress America, when one of them, the character

0:34:36.280 --> 0:34:37.800
<v Speaker 3>I play, wants to open a restaurant.

0:34:37.800 --> 0:34:39.000
<v Speaker 1>But she she won't.

0:34:38.880 --> 0:34:40.239
<v Speaker 3>Like you just sort of know she won't.

0:34:40.320 --> 0:34:40.719
<v Speaker 1>She's not.

0:34:42.320 --> 0:34:45.279
<v Speaker 3>Trustworthy anyway. She's asking for money from a guy she

0:34:45.400 --> 0:34:49.400
<v Speaker 3>used to date. And he said, having a restaurant.

0:34:48.920 --> 0:34:51.720
<v Speaker 2>It's it's like having a kid with a drug problem.

0:34:51.840 --> 0:35:02.759
<v Speaker 2>It's really straining. Yeah, do you find he.

0:35:04.280 --> 0:35:08.400
<v Speaker 5>Says, it's so callously in this moment, But just I

0:35:09.160 --> 0:35:13.600
<v Speaker 5>also my friends who luckily, thank god, been through recovery

0:35:13.600 --> 0:35:16.360
<v Speaker 5>and are like healthy. I've told them to see the outrun.

0:35:17.040 --> 0:35:19.399
<v Speaker 3>You know, you don't want to say the wrong thing,

0:35:19.640 --> 0:35:21.560
<v Speaker 3>but anyway, really connected.

0:35:22.400 --> 0:35:26.000
<v Speaker 1>We always end this with comfort. We go to eat

0:35:26.160 --> 0:35:29.520
<v Speaker 1>because of your mother sharing her love for you every night,

0:35:29.680 --> 0:35:33.480
<v Speaker 1>about feeding your husband, about going in the garden. But

0:35:33.520 --> 0:35:36.560
<v Speaker 1>food is also something for we reach for when we

0:35:36.640 --> 0:35:39.640
<v Speaker 1>need comfort. Is there a food that you would go

0:35:39.760 --> 0:35:41.959
<v Speaker 1>to for comfort?

0:35:42.840 --> 0:35:47.640
<v Speaker 4>It's so obvious if I do, say mash potatoes, So

0:35:47.760 --> 0:35:48.400
<v Speaker 4>don't say no.

0:35:49.040 --> 0:35:51.959
<v Speaker 1>Say it it so comfort for you would be okay,

0:35:52.000 --> 0:35:54.480
<v Speaker 1>mashed potatoes. Does it remind you of home?

0:35:54.760 --> 0:35:58.439
<v Speaker 4>There's a few things, okay, okay, so there's there's mash potatoes. Also,

0:35:58.480 --> 0:36:01.000
<v Speaker 4>when when I was a kid, Mommy used to I

0:36:01.040 --> 0:36:03.399
<v Speaker 4>want to do this more. Actually she used to put

0:36:03.480 --> 0:36:06.360
<v Speaker 4>broccoli in with the mashed potatoes and some butter and

0:36:06.400 --> 0:36:09.000
<v Speaker 4>mix it together, and that was like, honestly the most

0:36:09.000 --> 0:36:12.319
<v Speaker 4>delicious thing ever. But also penny Ala vodka for me,

0:36:13.000 --> 0:36:16.280
<v Speaker 4>which I think originated at Alkie Batola.

0:36:16.360 --> 0:36:18.280
<v Speaker 2>Right, so I've gone there.

0:36:18.680 --> 0:36:22.520
<v Speaker 1>Isn't it great? And Florence just outside.

0:36:22.640 --> 0:36:24.080
<v Speaker 2>Yes, I love it so much.

0:36:24.560 --> 0:36:26.479
<v Speaker 4>I actually don't want to tell people about it because

0:36:26.480 --> 0:36:31.799
<v Speaker 4>then everyone will no, no, you talk about the best

0:36:31.800 --> 0:36:32.439
<v Speaker 4>restaurant ever.

0:36:32.640 --> 0:36:34.000
<v Speaker 2>So Pennae Ala vodka for me.

0:36:35.400 --> 0:36:38.280
<v Speaker 4>That would probably be my final meal, I would say,

0:36:39.120 --> 0:36:41.680
<v Speaker 4>with a bowl of mashed potatoes on the side.

0:36:42.480 --> 0:36:43.520
<v Speaker 1>Do you make it yourself?

0:36:43.880 --> 0:36:47.040
<v Speaker 2>Yeah, I've started to make do you make you know what?

0:36:47.120 --> 0:36:49.320
<v Speaker 4>I don't make mashed potatoes as much as I should,

0:36:50.080 --> 0:36:51.880
<v Speaker 4>but I'm going to make more of it. And I

0:36:51.920 --> 0:36:53.719
<v Speaker 4>want to put some parmesan in with it as well,

0:36:53.760 --> 0:36:55.200
<v Speaker 4>so it's kind of chewiness.

0:36:55.239 --> 0:36:58.200
<v Speaker 2>And but I'm starting to use butter.

0:36:58.120 --> 0:37:01.319
<v Speaker 1>More and more. We've had lots of those conversations about

0:37:01.400 --> 0:37:02.840
<v Speaker 1>butter with lovely.

0:37:02.600 --> 0:37:06.320
<v Speaker 4>Salty yellow butter. That's what makes me sad about America.

0:37:07.080 --> 0:37:08.400
<v Speaker 4>All the butter is quite white.

0:37:10.719 --> 0:37:13.200
<v Speaker 3>I always buy the I always buy the salt and

0:37:13.280 --> 0:37:16.640
<v Speaker 3>carry gold, which is nice and yellow, which is Irish.

0:37:16.719 --> 0:37:19.360
<v Speaker 2>That's the best butter, and they have it at Cinderella.

0:37:19.920 --> 0:37:22.680
<v Speaker 2>Someone said that to me recently.

0:37:22.800 --> 0:37:25.040
<v Speaker 4>She was like, if you want to eat the best food,

0:37:25.239 --> 0:37:28.040
<v Speaker 4>Eat what your granny ate eat.

0:37:28.080 --> 0:37:31.280
<v Speaker 2>Proper whole foods, proper butter, whole milk.

0:37:31.520 --> 0:37:35.840
<v Speaker 4>I've gone back to Holts, unhomogenized on pasteurized milk.

0:37:36.280 --> 0:37:40.080
<v Speaker 1>So it would be it would be mashed potatoes. And

0:37:40.719 --> 0:37:41.600
<v Speaker 1>how do you make your penny?

0:37:43.800 --> 0:37:46.520
<v Speaker 4>Following a recipe with that one? So I've only done

0:37:46.520 --> 0:37:48.960
<v Speaker 4>it a couple of times. It's got a tiny bit

0:37:49.000 --> 0:37:50.080
<v Speaker 4>of chili in it, I think.

0:37:51.080 --> 0:37:55.239
<v Speaker 1>And tomato tomato with cream.

0:37:55.560 --> 0:37:58.560
<v Speaker 4>Yeah, very simple. I was telling your chef as well

0:37:58.600 --> 0:38:01.600
<v Speaker 4>about that. Marchella has anne simple tomato sauce.

0:38:01.640 --> 0:38:02.719
<v Speaker 1>Y do that.

0:38:02.840 --> 0:38:06.240
<v Speaker 2>I do that all the time, and when I'm away, Jack.

0:38:06.080 --> 0:38:08.520
<v Speaker 4>Is useless when it comes to cooking for himself. So

0:38:08.600 --> 0:38:12.319
<v Speaker 4>I'm like the tin of tomato in the pot, put

0:38:12.360 --> 0:38:15.560
<v Speaker 4>the butter in, chop the onion in half, sprinkle salt,

0:38:15.640 --> 0:38:16.680
<v Speaker 4>simmare it for forty.

0:38:17.400 --> 0:38:18.040
<v Speaker 2>You're good to go.

0:38:18.960 --> 0:38:21.520
<v Speaker 1>Well, that was a great talk. We're going to do

0:38:21.560 --> 0:38:23.120
<v Speaker 1>more together. You're going to come and cook in the

0:38:23.200 --> 0:38:26.040
<v Speaker 1>River Cafe next time you bring your mom, bring my mom,

0:38:26.200 --> 0:38:26.759
<v Speaker 1>bring your mom.

0:38:26.840 --> 0:38:34.120
<v Speaker 4>Yeah, thank you, I'd be a pleasure you