WEBVTT - Huge and Huger (“Never Been Kissed” S2 E6)

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 3>Welcome to you, and That's what you really miss podcast.

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<v Speaker 3>I'm Jenna, I'm Kevin, the one with the bad immunees.

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<v Speaker 2>Yeah, I'm coming to you live with strap throat.

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<v Speaker 1>Oh boy, Well, at least we're able to do this mobile.

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<v Speaker 2>We should take it. We should start cataloging the illnesses

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<v Speaker 2>I have during this because if people don't know, fun fact,

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<v Speaker 2>my immune system is non existent.

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<v Speaker 1>Crap.

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<v Speaker 2>Yeah. So, and if you talk to anybody that we

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<v Speaker 2>worked with on Glee, they can also tell you that

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<v Speaker 2>because I was.

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<v Speaker 3>Sick all the time, all the time while we were

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<v Speaker 3>also being worked to the bone.

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<v Speaker 1>So it didn't help that we were on like very

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<v Speaker 1>little sleep and.

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<v Speaker 3>Very although do you remember that we used to get

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<v Speaker 3>every once in a while, and maybe this is I'm

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<v Speaker 3>making this up on the show, we would get a

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<v Speaker 3>doctor to calm and give us some be twelve shots

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<v Speaker 3>in the butt while we were having some real rough times.

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<v Speaker 2>I believe there was more tour we did that.

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<v Speaker 3>Oh okay, well and then we did it during waitress

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<v Speaker 3>as well, so maybe that's why my brain.

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<v Speaker 1>But yes, we did love that.

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<v Speaker 2>Do you remember like so singers and performers, we need

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<v Speaker 2>to perform live and sing. Sometimes your voice is gone

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<v Speaker 2>because you're sick or whatever, and so in America it's

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<v Speaker 2>very easy to call up a doctor and get like

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<v Speaker 2>a steroid shot in your butt. Yeah, and it reduces

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<v Speaker 2>the inflammation and you can sing and you're fine, go

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<v Speaker 2>about your business. Do you remember when we were in Manchester,

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<v Speaker 2>England on tour and so many of us were sick

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<v Speaker 2>because it was I think our first like two consecutive

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<v Speaker 2>days off had finally caught up with us. We were ill,

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<v Speaker 2>and then we had the hardest time because you know,

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<v Speaker 2>they don't just give out medicine like like Americans zo right,

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<v Speaker 2>And we had to like scrounge to find a doctor

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<v Speaker 2>who would come. We had to describe what we needed.

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<v Speaker 2>And finally, right before the show, we were in a

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<v Speaker 2>line and just like getting poked with a shot in

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<v Speaker 2>the ass.

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<v Speaker 1>Yeah, that's right. I had something similar on tour.

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<v Speaker 3>I think it was the second one when we were

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<v Speaker 3>here doing staples because I was living in my we

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<v Speaker 3>weren't living together anymore, sad and I lost my voice

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<v Speaker 3>and I called our doctor and he came and had

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<v Speaker 3>to give me a story shot, I had no voice

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<v Speaker 3>at all. I didn't think I was gonna be able

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<v Speaker 3>to get through the tour at all, or we would

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<v Speaker 3>have to use some pre record or something like that

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<v Speaker 3>formed to and I.

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<v Speaker 1>Was like, I'm not doing that. In La You're crazy.

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<v Speaker 3>At Staple Center, all of our like everybody was there,

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<v Speaker 3>like we're singing live, And within twenty minutes of that shot,

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<v Speaker 3>my voice was completely bad for the rest of the night.

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<v Speaker 1>It's pretty crazy.

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<v Speaker 2>We were not vocally prepared to go on tour. My

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<v Speaker 2>voice was gone too fair.

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<v Speaker 3>Look, I think we would have been vocally prepared if

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<v Speaker 3>we weren't out partying as well and like living it up.

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<v Speaker 2>I don't know what you're talking about.

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<v Speaker 3>I mean, I'm not talking about like until five and

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<v Speaker 3>I was talking to like we want to like drinks

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<v Speaker 3>out you know after Yeah, yeah, No, we weren't okay.

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<v Speaker 3>This episode is the beginning of our run with Brad Beaker,

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<v Speaker 3>who was a editor on the show up until this

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<v Speaker 3>point and then got his first episode and this was

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<v Speaker 3>his directorial debut on Glee and it was very exciting.

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<v Speaker 3>Brad Baker would go on to direct many, many many episodes.

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<v Speaker 3>We should have him on the show. And he continued

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<v Speaker 3>to work with Ryan forever.

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<v Speaker 2>He ended up getting some of the more difficult logistical

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<v Speaker 2>episodes that we've mentioned before.

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<v Speaker 1>Because they knows how to do yes.

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<v Speaker 2>And you watch his episodes and there's no fluff, like

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<v Speaker 2>he only shot what you needed, and so it was

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<v Speaker 2>the days were usually pretty short or on time with him.

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<v Speaker 3>Yeah, unless it was one of the like regional's resectionals

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<v Speaker 3>or whatever.

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<v Speaker 1>But he did that a lot too.

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<v Speaker 3>So this is season two, episode six, Never Been Kissed,

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<v Speaker 3>and the the original airdate was November ninth, twenty ten,

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<v Speaker 3>so we are almost in Thanksgiving time.

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<v Speaker 1>Now.

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<v Speaker 2>This is a gigantic episode for several reasons. Okay, but

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<v Speaker 2>before we get into that, right, let's tease it with

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<v Speaker 2>the state of the world. So the number one song

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<v Speaker 2>was we Are Who We Are by Key Dollar sign

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<v Speaker 2>h Kesha. Number one movie was Due Date with Robert

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<v Speaker 2>Dwren Junior and Zach Gothnakis. But more importantly, the best

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<v Speaker 2>news this week is that Glee the Music the Christmas

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<v Speaker 2>Album was released on this same day the episode aired.

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<v Speaker 2>It was the fourth soundtrack by the Glee cast, and

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<v Speaker 2>it went platinum. Baby the Albums Christmas Album at number

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<v Speaker 2>one of the Billboard Soundtracks chart, compeaked at number three

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<v Speaker 2>on the Billboard two hundred.

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<v Speaker 1>What.

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<v Speaker 2>Yeah, this was I believe our most successful album ever

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<v Speaker 2>because Christmas music is going to do it to you.

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<v Speaker 2>And I gotta say, Cam Davis and everyone just like smashed.

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<v Speaker 3>It, right, also like h for sure, and then also

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<v Speaker 3>like you still hear Glee Christmas music everywhere every season,

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<v Speaker 3>Like do you also remember that this year this was

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<v Speaker 3>the TV Guide We made the twenty ten hot list

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<v Speaker 3>on tv Guide and we shot Glee covers, we sure did,

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<v Speaker 3>and you, me and Harry were on a gleek went

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<v Speaker 3>on the tv Guide cover.

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<v Speaker 2>You know, thinking back about those things, like you see

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<v Speaker 2>that getting on a tv Guide cover, getting any cover

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<v Speaker 2>is a really big deal. It is hard, it is rare.

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<v Speaker 2>But when we're shooting so many hours, this all the

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<v Speaker 2>planning for that happens and we have no idea that

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<v Speaker 2>it's happening. And then we get like ushered into We're

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<v Speaker 2>told at some point like, oh, there's gonna be a

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<v Speaker 2>photo shoot for tv Guide, right, and then we get

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<v Speaker 2>ushered into one of the sound stages connected to our

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<v Speaker 2>main sound stages, and there's a little setup and we

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<v Speaker 2>have about fifteen minutes.

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<v Speaker 3>And they did multiple covers, so there was like Finn

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<v Speaker 3>and Rachel, there was our our Love Triangle, There's a

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<v Speaker 3>Quinn and Puck and all of these ones. But yes,

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<v Speaker 3>it usually like a cover shoot takes a whole weekend

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<v Speaker 3>and there's a lot, a lot that isn't integrated into

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<v Speaker 3>the preparation and the shoot itself.

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<v Speaker 1>But we literally were like, it's like a blink of

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<v Speaker 1>an eye.

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<v Speaker 2>Yeah, and next thing you know, like, oh, we're on

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<v Speaker 2>the cover of TV gunt. You don't even real it's

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<v Speaker 2>in the middle of your workdays. You don't even realize

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<v Speaker 2>what's happening.

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<v Speaker 3>It is one of my favorite covers though, my favorite

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<v Speaker 3>photos that I have. Yeah, they're really good.

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<v Speaker 2>I love it and I love that I got to share

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<v Speaker 2>it with the two of you. That was special. It

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<v Speaker 2>was party. They had a TV Guide party that we

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<v Speaker 2>went to.

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<v Speaker 3>Vaguely it was at the Sols Hotel. It was at

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<v Speaker 3>the W Oh the w that's right. It was on

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<v Speaker 3>the roof, right, yes, yes.

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<v Speaker 1>Yeah, what what it was? It was messy, was it? Yeah?

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<v Speaker 2>There was somebody else that I'm friends with on another show.

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<v Speaker 2>Oh and she had a little too much, you know.

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<v Speaker 2>It happens and we were all trying to avoid her,

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<v Speaker 2>and Amber was like, you guys are terrible people. I'm

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<v Speaker 2>walking her to her car and I was like, you're

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<v Speaker 2>an excellent, excellent person, Amber, your.

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<v Speaker 1>Parents are really branding. And I was like, I want

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<v Speaker 1>no party.

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<v Speaker 2>No, it was really embarrassing. I'm like, we're at literally

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<v Speaker 2>a TV Guide party.

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<v Speaker 1>This is where a house party.

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<v Speaker 3>Yeah.

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<v Speaker 2>I was like, I don't know what to do. But

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<v Speaker 2>I met Brandy. Do you remember we met Brandy?

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<v Speaker 1>Amber was you wouldn't remember.

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<v Speaker 2>Oh my, I embarrassed myself so hard, but we met Brandy.

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<v Speaker 2>I even think I got her number somehow, and she's like,

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<v Speaker 2>I want to come to stop And I think I

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<v Speaker 2>tried to arrange for her to come to set some point,

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<v Speaker 2>but it never obviously happened.

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<v Speaker 1>But I, oh.

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<v Speaker 2>Was I star strike, Like I also needed to be

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<v Speaker 2>walked out to my car because it.

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<v Speaker 3>Started out I probably scored it. You out okay, okay, okay.

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<v Speaker 3>So this is a big episode because this is the

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<v Speaker 3>beginning of Brad Peeker. As I said, it is also

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<v Speaker 3>the debut of Darren Chris, which we will get into.

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<v Speaker 3>We would meet Blatane for the first time. We also have.

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<v Speaker 2>Some pretty heavy Max Adler.

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<v Speaker 1>Got a lot more.

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<v Speaker 3>Yes, we've got a lot more for Coach Beast as well,

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<v Speaker 3>and at Ray Jones, who this is her first stuff

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<v Speaker 3>with like all the all of the Glee Club, Dot

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<v Speaker 3>actually received an Outstanding Guest Actress in a Comedy Series

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<v Speaker 3>nod for her work on the second season, and they

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<v Speaker 3>submitted this episode.

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<v Speaker 2>Because Dot was excellent in this episode.

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<v Speaker 1>She's an angel like I also love.

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<v Speaker 2>So this is the return of Puck after got punished

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<v Speaker 2>irl releasing an album. He's now back and has a

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<v Speaker 2>gigantic storyline.

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<v Speaker 1>So I would say that let's start.

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<v Speaker 3>This is where we've set the precedent that usually if

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<v Speaker 3>a cast member gets in trouble, leaves, acts out, does something,

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<v Speaker 3>they usually come back and they get a huge difference.

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<v Speaker 2>I will say when we allude to people getting away

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<v Speaker 2>with things, and we're not here to be gossipy, however,

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<v Speaker 2>but when we allude to if people act up or

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<v Speaker 2>get away with things, they don't get punished, this is

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<v Speaker 2>sort of what we're referring to where a lot of times,

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<v Speaker 2>like Jenna and I would feel like, do we need

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<v Speaker 2>to start acting crazy crazy? And then we get a

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<v Speaker 2>storyline out of it because it seemed like the squeaky

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<v Speaker 2>wheel sort of.

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<v Speaker 1>Thing got yeah, the gold yeah, and so.

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<v Speaker 2>But you know, we weren't really anyway. So you know,

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<v Speaker 2>Puck gets a big storyline, and I'm involved in storylines,

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<v Speaker 2>So no complaints.

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<v Speaker 3>I think it's funny that you also said like, I

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<v Speaker 3>don't really remember this episode. I didn't either, to be fair,

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<v Speaker 3>but you were all over this no recollection.

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<v Speaker 1>Did you remember as it started? You were like, oh,

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<v Speaker 1>this is that episode.

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<v Speaker 2>Yes. What I remember about it is two scenes.

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<v Speaker 1>One love, one Love and the.

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<v Speaker 2>Scene in the hallway where already convinces Puck to let

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<v Speaker 2>Lady sort of rehabilitate Puck to him and we do

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<v Speaker 2>that really inappropriate hand finger thing.

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<v Speaker 3>And David literally gave me his hands last night and

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<v Speaker 3>I was like, I'm not doing it.

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<v Speaker 2>Yeah, obviously that was Mark's idea, and we were like

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<v Speaker 2>it got kept. Yeah, We're like, should we do this?

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<v Speaker 2>And no one knew what it meant. You know, the

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<v Speaker 2>adults on set didn't know what it meant. So it's

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<v Speaker 2>our handshake.

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<v Speaker 3>Stop stop, I know, you know, teenagers. Yeah, teenagers. Okay,

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<v Speaker 3>sorry I interrupted you before. Was there something else I

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<v Speaker 3>want to say?

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<v Speaker 2>No, there was those two scenes. That's all I remember.

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<v Speaker 2>But I think what I also remember leading up to

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<v Speaker 2>this episode is we had heard that there was going

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<v Speaker 2>to be a new We heard about the Warblers, right.

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<v Speaker 2>I remember us being in the ten Sad and Dance

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<v Speaker 2>rehearsal and remember knowing that there was another singing group

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<v Speaker 2>coming on, but it was all sort of like hush hush,

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<v Speaker 2>like we were busy to filming the episode before, we

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<v Speaker 2>didn't really know what was happening. They were casting, and

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<v Speaker 2>then Zach I think it was Zach came in and said,

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<v Speaker 2>this song you're doing is really good, and we all

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<v Speaker 2>crowded around and he played it for us, and we

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<v Speaker 2>were all sort of envious because it was such a great,

0:12:00.200 --> 0:12:03.200
<v Speaker 2>great cover reminiscent of you know, the original don't Stuff

0:12:03.200 --> 0:12:06.400
<v Speaker 2>Believing with those backgrounds yep. And I just remember like, oh,

0:12:06.440 --> 0:12:08.200
<v Speaker 2>this is going to be huge, Like this is so

0:12:08.200 --> 0:12:11.680
<v Speaker 2>so good, And we were just really excited to like

0:12:11.840 --> 0:12:14.520
<v Speaker 2>see what the Warblers were going to be because we

0:12:14.559 --> 0:12:17.319
<v Speaker 2>did not know at all that they were going to

0:12:17.360 --> 0:12:22.200
<v Speaker 2>be around permanently, yeah, or anything like that. So it

0:12:22.240 --> 0:12:25.360
<v Speaker 2>was an exciting, exciting time when we all got to

0:12:25.400 --> 0:12:27.800
<v Speaker 2>meet Darren, and it was also fun to get to

0:12:27.840 --> 0:12:31.160
<v Speaker 2>see Max Adler get to act.

0:12:31.160 --> 0:12:35.440
<v Speaker 3>Do you remember when when Darren came on set he

0:12:35.520 --> 0:12:38.360
<v Speaker 3>was wearing pink sunglasses. He always wore those pink sunglasses,

0:12:38.480 --> 0:12:40.840
<v Speaker 3>and he showed up in a Michigan T shirt. I

0:12:40.880 --> 0:12:43.920
<v Speaker 3>was dating somebody at the time who had also gone

0:12:43.920 --> 0:12:49.559
<v Speaker 3>to Michigan or from that's right, and knew Darren, and

0:12:49.640 --> 0:12:52.480
<v Speaker 3>so I went up to Darren was like, we have

0:12:52.600 --> 0:12:55.560
<v Speaker 3>mutual friends. He was also kind of in the musical

0:12:55.559 --> 0:12:57.480
<v Speaker 3>theater scene. I mean he definitely was not kind of

0:12:57.520 --> 0:12:59.320
<v Speaker 3>he was in the musical theater theater scene as well.

0:12:59.400 --> 0:13:01.720
<v Speaker 3>So like the names were being thrown, I was like,

0:13:01.760 --> 0:13:04.640
<v Speaker 3>I know of this kid, and he had done so

0:13:04.720 --> 0:13:10.720
<v Speaker 3>much before already that like in his own you know, original.

0:13:12.240 --> 0:13:15.320
<v Speaker 1>Making way that he does and.

0:13:15.200 --> 0:13:16.400
<v Speaker 2>The Harry Potter of it all.

0:13:16.880 --> 0:13:20.960
<v Speaker 3>Yeah, yeah, yeah, And so I remember like him coming

0:13:21.000 --> 0:13:22.440
<v Speaker 3>on to set and being like, oh, I kind of

0:13:22.440 --> 0:13:25.000
<v Speaker 3>know you, but I didn't know he was going to

0:13:25.040 --> 0:13:27.920
<v Speaker 3>be Kurt's boyfriend yet.

0:13:28.280 --> 0:13:34.679
<v Speaker 2>I I didn't know him at all. I he just

0:13:34.760 --> 0:13:37.040
<v Speaker 2>like came on and felt like he had always sort

0:13:37.040 --> 0:13:41.000
<v Speaker 2>of been there, Yes, that's right, but it felt different.

0:13:41.040 --> 0:13:42.720
<v Speaker 2>I was like, oh, this is like the start of

0:13:42.800 --> 0:13:44.600
<v Speaker 2>like Kurt getting a boyfriend is going to be a

0:13:44.679 --> 0:13:48.920
<v Speaker 2>really big deal totally, and so it was. It was

0:13:48.960 --> 0:13:51.600
<v Speaker 2>so interesting that I have somebody knew come on and

0:13:51.679 --> 0:13:54.839
<v Speaker 2>take on that responsibility because we had been living in

0:13:54.880 --> 0:13:59.600
<v Speaker 2>that world and seeing how Chris gets approached publicly by

0:13:59.679 --> 0:14:02.880
<v Speaker 2>fan and how much Kurt means to people, and then

0:14:02.920 --> 0:14:05.440
<v Speaker 2>to have somebody come on, like, I hope you're prepared

0:14:05.559 --> 0:14:08.480
<v Speaker 2>for this, because it's going to ye totally.

0:14:09.320 --> 0:14:11.280
<v Speaker 1>If there's anybody that was prepared for it, it was Darren

0:14:12.040 --> 0:14:12.600
<v Speaker 1>say that he.

0:14:12.520 --> 0:14:14.760
<v Speaker 2>Can just handle it like he's it all just rolls

0:14:14.760 --> 0:14:15.079
<v Speaker 2>off the.

0:14:15.000 --> 0:14:24.760
<v Speaker 3>Back, literally, nothing fazes him.

0:14:24.880 --> 0:14:26.760
<v Speaker 1>Tell me about the songs in this episode.

0:14:26.920 --> 0:14:30.640
<v Speaker 2>We have one Love by Bob Marley, Teenage Dream by

0:14:30.720 --> 0:14:32.320
<v Speaker 2>Katy Perry, Start Me Up, Living on a Prayer by

0:14:32.360 --> 0:14:35.480
<v Speaker 2>Rolling Zones, and bon Jovie. I mean, the girls smashed

0:14:36.440 --> 0:14:40.200
<v Speaker 2>it like it's so good and you sound great on it,

0:14:40.280 --> 0:14:41.840
<v Speaker 2>and I have issues with it, and I'll point them

0:14:41.840 --> 0:14:45.120
<v Speaker 2>out when we get there. Stop with the Name of Love,

0:14:45.160 --> 0:14:47.280
<v Speaker 2>Saush for your Mind, Mashup Supremes.

0:14:46.800 --> 0:14:49.880
<v Speaker 1>And Vogue, So good, so good it was.

0:14:50.080 --> 0:14:52.640
<v Speaker 3>It's a weird one, but yeah, I love we loved

0:14:52.680 --> 0:14:56.000
<v Speaker 3>that one. Shooting you guys shooting that one We loved.

0:14:56.080 --> 0:14:59.960
<v Speaker 2>You loved Chord. Chord was still new, and I remember

0:15:00.320 --> 0:15:03.400
<v Speaker 2>Cord stepping out for his solo and all of you

0:15:03.680 --> 0:15:08.120
<v Speaker 2>literally gasped and giggled and started like what you're doing

0:15:08.200 --> 0:15:10.880
<v Speaker 2>right now? Your hands on your face. There was no acting.

0:15:11.440 --> 0:15:14.320
<v Speaker 2>Everyone was so enamored with Cord, like he's our little

0:15:14.400 --> 0:15:15.280
<v Speaker 2>baby brother.

0:15:15.480 --> 0:15:19.920
<v Speaker 3>Yes, like a little puffy, so charming and so cute, and.

0:15:19.680 --> 0:15:21.720
<v Speaker 2>You guys melted and it was crazy.

0:15:22.080 --> 0:15:22.960
<v Speaker 1>We were surprised, though.

0:15:23.000 --> 0:15:24.960
<v Speaker 3>I think he came out of nowhere and he like,

0:15:25.040 --> 0:15:27.240
<v Speaker 3>he just fit in with you guys, like you guys

0:15:27.280 --> 0:15:30.000
<v Speaker 3>all hold this like very high standard of like being

0:15:30.040 --> 0:15:33.200
<v Speaker 3>yourselves and these things like Corey looks like a fool dancing,

0:15:33.240 --> 0:15:36.520
<v Speaker 3>but he's so committed and it's so cute, and everybody

0:15:36.560 --> 0:15:38.960
<v Speaker 3>looked that way, and Cord just like fit right in

0:15:39.040 --> 0:15:41.640
<v Speaker 3>with that, and I was like, wow, he really feels

0:15:41.640 --> 0:15:45.280
<v Speaker 3>comfortable here and that that's awesome. But yes, we were

0:15:45.400 --> 0:15:46.560
<v Speaker 3>totally smith.

0:15:47.120 --> 0:15:49.760
<v Speaker 2>I also feel like the girls didn't have as nearly

0:15:49.800 --> 0:15:51.240
<v Speaker 2>as much time with cord A at this point as

0:15:51.240 --> 0:15:53.480
<v Speaker 2>all the boys did. There was a lot of boy

0:15:54.240 --> 0:15:58.440
<v Speaker 2>centric scenes with him, and so this was sort of

0:15:59.600 --> 0:16:01.440
<v Speaker 2>like we know we had done numbers with him without

0:16:01.480 --> 0:16:03.200
<v Speaker 2>you guys, so right.

0:16:03.160 --> 0:16:05.400
<v Speaker 1>And then you rehearsed all this stuff with him, and

0:16:05.440 --> 0:16:07.520
<v Speaker 1>so you had a lot more time with this. But

0:16:07.640 --> 0:16:11.440
<v Speaker 1>he's so the sweetest. The whole number was just so cute.

0:16:11.440 --> 0:16:14.440
<v Speaker 1>You guys all looked really great. All right.

0:16:14.960 --> 0:16:19.080
<v Speaker 3>So the episode summary of this this episode is a

0:16:19.120 --> 0:16:21.680
<v Speaker 3>big part of it was that Kurt makes a new friend.

0:16:24.440 --> 0:16:27.240
<v Speaker 1>In a new glee club and a new school while

0:16:27.320 --> 0:16:32.200
<v Speaker 1>he continues to deal with Karowski bullying him at McKinley.

0:16:33.880 --> 0:16:36.560
<v Speaker 1>Finn and Sam come up with this idea to use

0:16:36.560 --> 0:16:41.240
<v Speaker 1>Coach Beast for a way to cool down.

0:16:42.720 --> 0:16:46.080
<v Speaker 3>And it it Beast finds out, gets her to quit,

0:16:46.840 --> 0:16:48.240
<v Speaker 3>and Tine is also involved in.

0:16:48.240 --> 0:16:53.280
<v Speaker 1>That, and then Puck and Alaradie strike up in unlikely friendship.

0:16:54.800 --> 0:16:55.640
<v Speaker 1>Where do you want to begin?

0:16:55.920 --> 0:16:59.560
<v Speaker 2>I mean, okay, let's talk about I mean the story

0:16:59.760 --> 0:17:05.800
<v Speaker 2>this episode is really crazy because I think when people

0:17:05.840 --> 0:17:09.280
<v Speaker 2>think about this episode generally, all that you really remember

0:17:10.080 --> 0:17:15.840
<v Speaker 2>is the Warblers, right, Darren getting introduced, Kasi bullying Kurt

0:17:16.040 --> 0:17:20.600
<v Speaker 2>and kissing him, and like that's sort of the main

0:17:20.640 --> 0:17:24.040
<v Speaker 2>thing because that has ramifications throughout the rest of the series.

0:17:25.520 --> 0:17:31.240
<v Speaker 2>But somehow this show The Bumper is Finn and Sam

0:17:31.320 --> 0:17:34.359
<v Speaker 2>talking about how they found these two girls who won't

0:17:34.359 --> 0:17:39.239
<v Speaker 2>sleep with them, basically, and Finn's like, well, what I

0:17:39.280 --> 0:17:43.399
<v Speaker 2>do to stop myself from going all the way? And

0:17:43.520 --> 0:17:48.200
<v Speaker 2>we have a great callback to at the very beginning

0:17:48.240 --> 0:17:53.320
<v Speaker 2>of the show have the mamman on the windshield, and

0:17:53.359 --> 0:17:55.920
<v Speaker 2>so Finn basically is like, look, you need to find

0:17:55.920 --> 0:17:58.800
<v Speaker 2>your own thing. And so in that moment, Coach Beast

0:17:58.920 --> 0:18:01.320
<v Speaker 2>is yelling at Artie and she's picking a wedgie and

0:18:01.800 --> 0:18:05.119
<v Speaker 2>Sam was like, great, I found my thing. This very

0:18:05.160 --> 0:18:08.919
<v Speaker 2>quickly spirals out of control because then Sam goes to

0:18:09.640 --> 0:18:12.240
<v Speaker 2>mentally use Beast in this way when he is hooking

0:18:12.320 --> 0:18:14.960
<v Speaker 2>up with Quinn shortly after, but he says out loud

0:18:15.680 --> 0:18:20.639
<v Speaker 2>Beast and she gets. Quinn's not happy about it. But

0:18:20.800 --> 0:18:26.359
<v Speaker 2>then the boys tell the other boys aka Mike Chang,

0:18:26.960 --> 0:18:32.360
<v Speaker 2>who then tells his girlfriend Tina, and so Tina's like, oh,

0:18:33.520 --> 0:18:36.359
<v Speaker 2>let's see, let's see if like this is actually true.

0:18:36.480 --> 0:18:38.639
<v Speaker 2>Let's put it to the test. But it's not Mike

0:18:39.560 --> 0:18:42.360
<v Speaker 2>who's the one that needs it. Tina, Tina a la

0:18:42.520 --> 0:18:45.679
<v Speaker 2>Sam a couple of scenes earlier, closes her eyes and

0:18:45.680 --> 0:18:48.560
<v Speaker 2>thinks of Beast it's like saying, it's like, close your

0:18:48.600 --> 0:18:50.600
<v Speaker 2>eyes and think of England. The whole time I was like,

0:18:50.600 --> 0:18:52.560
<v Speaker 2>close your eyes and think of Beast, and all of

0:18:52.600 --> 0:18:58.360
<v Speaker 2>these incredible shots of Dot Marie Jones doing different thing

0:18:59.240 --> 0:19:02.800
<v Speaker 2>with a ballet are smarting the meat.

0:19:03.080 --> 0:19:04.399
<v Speaker 1>It is so good.

0:19:04.560 --> 0:19:08.960
<v Speaker 3>It's so good. She does such it's so it's very

0:19:09.040 --> 0:19:12.200
<v Speaker 3>like Niptucky. You know, it looks very niptucky to me. Yeah,

0:19:13.080 --> 0:19:18.919
<v Speaker 3>I just Dot Dot the amazing actress and hilarious angel.

0:19:19.320 --> 0:19:20.760
<v Speaker 2>I have to say, I think this is some of

0:19:20.760 --> 0:19:24.919
<v Speaker 2>your finest work. You are hilarious. You and Harry are hilarious.

0:19:24.960 --> 0:19:28.240
<v Speaker 2>And this this little nuggle that's like sprinkled in this

0:19:28.320 --> 0:19:31.960
<v Speaker 2>episode and you guys eat it up and I love

0:19:32.000 --> 0:19:33.840
<v Speaker 2>that it's you. And like in that scene at the end,

0:19:33.920 --> 0:19:38.560
<v Speaker 2>you know when well before we get there. So what

0:19:38.680 --> 0:19:42.679
<v Speaker 2>happens is Quinn is obviously upset about it, goes to

0:19:42.720 --> 0:19:45.000
<v Speaker 2>Sue and is like, I don't know what to do

0:19:45.119 --> 0:19:49.560
<v Speaker 2>because clearly Sam is hooking up with Coach Beast, and

0:19:49.680 --> 0:19:52.040
<v Speaker 2>Sue is like, well, I'm looking away to get her fired,

0:19:52.160 --> 0:19:55.200
<v Speaker 2>so you need to publicly confront him and make it loud,

0:19:55.240 --> 0:19:59.320
<v Speaker 2>and she does, and Coach Beast hears it and gets

0:19:59.400 --> 0:20:02.920
<v Speaker 2>yell at all, so by Mike Chang to stay away

0:20:02.920 --> 0:20:09.200
<v Speaker 2>from his girlfriend, and so Will finds out right and

0:20:09.359 --> 0:20:18.879
<v Speaker 2>Will confronts the glee club and says the boys and

0:20:18.880 --> 0:20:30.200
<v Speaker 2>and girl in your face, Like it's such an insane storyline,

0:20:30.200 --> 0:20:32.000
<v Speaker 2>but I love it because it's so high school.

0:20:33.520 --> 0:20:34.720
<v Speaker 1>It is very high school.

0:20:34.760 --> 0:20:37.840
<v Speaker 2>It's very inappropriate, and leave.

0:20:37.720 --> 0:20:42.040
<v Speaker 3>It, chick, Tina to have like the weird to be the.

0:20:41.680 --> 0:20:44.639
<v Speaker 2>Also your costume, like your costumes.

0:20:44.200 --> 0:20:48.359
<v Speaker 3>This episode these This was the moment, Kevin, This was

0:20:48.400 --> 0:20:52.000
<v Speaker 3>the moment. This is the turning point. Well maybe not,

0:20:52.560 --> 0:20:55.439
<v Speaker 3>we're getting there. Actually that's a lie. But this was

0:20:55.520 --> 0:20:57.679
<v Speaker 3>on the way to that moment where I thought I

0:20:57.680 --> 0:21:02.440
<v Speaker 3>can't do this anymore. But yes, my costumes were getting

0:21:02.480 --> 0:21:03.320
<v Speaker 3>more extreme.

0:21:03.760 --> 0:21:09.720
<v Speaker 2>Yeah they looked really cool though. Yeah yeah they With

0:21:09.800 --> 0:21:11.720
<v Speaker 2>Kurt when he first gets pushed in your.

0:21:11.680 --> 0:21:13.600
<v Speaker 1>On his outfit, I mean, are you joking?

0:21:13.720 --> 0:21:16.959
<v Speaker 2>No, Train, but your outfit was just as good, like

0:21:17.040 --> 0:21:19.120
<v Speaker 2>you both were like fashion, fashion.

0:21:18.920 --> 0:21:21.800
<v Speaker 3>Fashion, fair, fair, fair, fair fair. Yeah, this was lou

0:21:21.960 --> 0:21:24.480
<v Speaker 3>like giving her her moment to these.

0:21:24.280 --> 0:21:25.600
<v Speaker 2>Guys really getting to play.

0:21:25.760 --> 0:21:27.600
<v Speaker 3>I feel like Tina and Kurt, you can't do that

0:21:27.640 --> 0:21:31.679
<v Speaker 3>on which is like, yeah, so Will finds out, and

0:21:31.720 --> 0:21:34.159
<v Speaker 3>so Beast confronts Will.

0:21:35.119 --> 0:21:40.640
<v Speaker 1>About it because she trusts him and she's the only

0:21:40.720 --> 0:21:44.959
<v Speaker 1>person who she can trust in this school.

0:21:45.480 --> 0:21:49.239
<v Speaker 2>And I Will so much together, you know, like they

0:21:49.280 --> 0:21:50.879
<v Speaker 2>have like a really sweet friendship.

0:21:51.320 --> 0:21:51.720
<v Speaker 1>They do.

0:21:51.960 --> 0:21:55.720
<v Speaker 3>They do they and it's nice that they have each other.

0:21:56.080 --> 0:21:59.119
<v Speaker 3>They're like kind of the underdogs outsiders, like like he

0:21:59.240 --> 0:22:00.200
<v Speaker 3>says in the show.

0:22:00.920 --> 0:22:03.760
<v Speaker 2>Well, it's like when she first entered the scene, Sue

0:22:04.000 --> 0:22:06.359
<v Speaker 2>tried to get Will to use her as a common enemy,

0:22:06.640 --> 0:22:09.080
<v Speaker 2>like they're like enemy of my enemy is my friend.

0:22:09.720 --> 0:22:14.240
<v Speaker 2>But really, I mean their collective enemy is Sue Sue.

0:22:14.359 --> 0:22:16.360
<v Speaker 2>So yeah, they have that bomb strengthen numbers.

0:22:16.720 --> 0:22:20.720
<v Speaker 1>That's right, crazy Sue, which we'll talk about her competti

0:22:20.760 --> 0:22:26.040
<v Speaker 1>se Well. Will decides to give a chur straight I mean,

0:22:26.080 --> 0:22:29.560
<v Speaker 1>not comfortably or willingly, but he feels like it's probably

0:22:29.600 --> 0:22:33.479
<v Speaker 1>the right thing to do based on their trust.

0:22:33.840 --> 0:22:40.880
<v Speaker 3>And she she takes it very personally as one would.

0:22:42.320 --> 0:22:46.959
<v Speaker 1>And and it leads her to quit the quit her

0:22:46.960 --> 0:22:51.719
<v Speaker 1>position as coach Beast. Then we get to the scene

0:22:51.840 --> 0:22:57.359
<v Speaker 1>where he is a summoned by a note from Becky

0:22:57.480 --> 0:23:01.200
<v Speaker 1>to go to the auditorium to meet Sue. Sue is celebrating.

0:23:01.320 --> 0:23:04.000
<v Speaker 1>She says, do you notice the cannons, I've gotten my

0:23:04.040 --> 0:23:07.280
<v Speaker 1>budget back. We guys, coach Beast quit because of your

0:23:07.320 --> 0:23:10.360
<v Speaker 1>glee club. Your glee club did this, these mean children.

0:23:11.560 --> 0:23:13.680
<v Speaker 1>And then the confetti cans explained.

0:23:13.800 --> 0:23:17.520
<v Speaker 2>She has a great line too, about you know, songs

0:23:17.560 --> 0:23:19.520
<v Speaker 2>about being ugly or whatever it is that you guys

0:23:19.520 --> 0:23:20.040
<v Speaker 2>do in there.

0:23:21.119 --> 0:23:22.760
<v Speaker 1>It's just so good, and.

0:23:24.359 --> 0:23:29.680
<v Speaker 3>The confetti cans explode, and Sue's laugh is just even

0:23:29.720 --> 0:23:32.680
<v Speaker 3>when you hate Sue so much, then the scenes are

0:23:32.720 --> 0:23:33.719
<v Speaker 3>so freaking funny.

0:23:35.080 --> 0:23:37.280
<v Speaker 2>I remember them shooting that scene or talking about shooting

0:23:37.320 --> 0:23:39.040
<v Speaker 2>that scene, how they were going to do it with

0:23:39.080 --> 0:23:42.120
<v Speaker 2>the cleanup, like you need to get it once one.

0:23:42.240 --> 0:23:43.080
<v Speaker 1>It's like a slushy.

0:23:43.520 --> 0:23:45.320
<v Speaker 3>I really try to go for it once because that

0:23:45.400 --> 0:23:46.719
<v Speaker 3>was a lot of confetti.

0:23:46.920 --> 0:23:49.080
<v Speaker 2>Oh, and that confetti gets everywhere.

0:23:49.440 --> 0:23:54.280
<v Speaker 3>We would notice Will's each shot, his confetti's like a

0:23:54.320 --> 0:24:00.399
<v Speaker 3>little bit different because like confetti's like like glitter, you

0:24:00.440 --> 0:24:03.119
<v Speaker 3>can't like always quite get it right, but it's everywhere.

0:24:05.400 --> 0:24:10.280
<v Speaker 3>So Will tells the glee club that Beast quit and

0:24:10.359 --> 0:24:13.440
<v Speaker 3>the glee club is surprised, not sure why. I guess

0:24:13.440 --> 0:24:20.280
<v Speaker 3>we're kids, so we're surprised. But he everybody is very upset,

0:24:20.400 --> 0:24:29.520
<v Speaker 3>and so Finn and Sam go apologize, and Will goes

0:24:29.560 --> 0:24:32.159
<v Speaker 3>to actually find Beasts and tries to talk to her

0:24:32.200 --> 0:24:34.119
<v Speaker 3>as well and says, the kids really love you and

0:24:34.160 --> 0:24:38.159
<v Speaker 3>they are really sorry, and.

0:24:36.760 --> 0:24:38.879
<v Speaker 1>And then this scene. Yeah, it's weird.

0:24:39.000 --> 0:24:41.639
<v Speaker 3>I remember reading it in the script and thinking like,

0:24:41.880 --> 0:24:45.879
<v Speaker 3>do we have to but I do. Look, it feels

0:24:45.880 --> 0:24:48.840
<v Speaker 3>like it was threading the needle to Kurt and having

0:24:48.840 --> 0:24:51.919
<v Speaker 3>never been kissed and Beast never been kissed, and it

0:24:52.040 --> 0:24:56.520
<v Speaker 3>was like that was the point, see to get to.

0:24:57.040 --> 0:24:58.840
<v Speaker 3>All the rest was kind of getting there, which was

0:24:58.840 --> 0:25:04.880
<v Speaker 3>actually better than this point. See that happened. But okay, yeah,

0:25:04.920 --> 0:25:08.560
<v Speaker 3>he's so uncomfortable. I know, it's just strange. This is

0:25:08.640 --> 0:25:10.160
<v Speaker 3>not necessary, like.

0:25:11.960 --> 0:25:14.960
<v Speaker 2>She want you to be her first kiss, like sir,

0:25:15.600 --> 0:25:16.800
<v Speaker 2>that's pretty presumptuous.

0:25:17.240 --> 0:25:19.560
<v Speaker 1>But Will was doing he was opening the door for

0:25:19.600 --> 0:25:24.080
<v Speaker 1>her to then actually just of men. I don't know,

0:25:24.160 --> 0:25:24.800
<v Speaker 1>it's so weird.

0:25:24.880 --> 0:25:27.840
<v Speaker 2>Yeah, it's just very the whole scene. I was like, no, no,

0:25:27.920 --> 0:25:29.760
<v Speaker 2>don't do it, because I couldn't really remember, but I

0:25:29.800 --> 0:25:32.600
<v Speaker 2>felt like he was going to do it, because of

0:25:32.640 --> 0:25:33.280
<v Speaker 2>course he would.

0:25:33.720 --> 0:25:34.920
<v Speaker 3>And then he did it, and I was like I

0:25:35.040 --> 0:25:40.359
<v Speaker 3>was dreading it I was dreading it, but but it

0:25:40.400 --> 0:25:42.800
<v Speaker 3>was an important scene with or without the kiss.

0:25:43.000 --> 0:25:48.399
<v Speaker 1>Yes, for Dot and Beast to.

0:25:47.119 --> 0:25:50.360
<v Speaker 3>Be vulnerable reveal these things, it really makes you love

0:25:50.400 --> 0:25:53.560
<v Speaker 3>her even more and see the softer side of her

0:25:53.560 --> 0:25:57.679
<v Speaker 3>and kind of understand her because on the on the

0:25:57.680 --> 0:26:03.679
<v Speaker 3>outside you she is not your typical female coach and

0:26:03.720 --> 0:26:06.800
<v Speaker 3>so like just to see her as like open up.

0:26:06.680 --> 0:26:09.080
<v Speaker 1>And to understand her more was really great for the show.

0:26:09.320 --> 0:26:11.400
<v Speaker 2>I also thought it was interesting because in an episode

0:26:11.400 --> 0:26:15.320
<v Speaker 2>that you have two introduction of two more gay characters,

0:26:15.920 --> 0:26:21.280
<v Speaker 2>you then have her state I'm not gay, right. It

0:26:21.359 --> 0:26:24.199
<v Speaker 2>was like they probably they got to clear it up

0:26:24.200 --> 0:26:26.120
<v Speaker 2>for people. It's like, not every character in the show

0:26:26.200 --> 0:26:28.719
<v Speaker 2>now is going to be gay. We do have some

0:26:28.760 --> 0:26:30.400
<v Speaker 2>straight characters.

0:26:30.119 --> 0:26:34.520
<v Speaker 3>Yes, yes, definitely, even though Dot is gay right exactly

0:26:34.920 --> 0:26:35.520
<v Speaker 3>in real.

0:26:35.680 --> 0:26:38.080
<v Speaker 2>But Darren and Max aren't. So you had to balance

0:26:38.119 --> 0:26:41.520
<v Speaker 2>it out. You know, we were all playing different characters.

0:26:41.680 --> 0:26:43.600
<v Speaker 1>Yeah, we're actors. Actors.

0:26:43.960 --> 0:26:49.000
<v Speaker 2>So to get Beasts to not quit, the boys perform

0:26:49.080 --> 0:26:52.960
<v Speaker 2>their mashup and apologize for Beasts in the choir room

0:26:53.600 --> 0:26:55.280
<v Speaker 2>to try to get her to smile because she's such

0:26:55.280 --> 0:27:01.480
<v Speaker 2>a good smile and we do our mash up. You

0:27:01.560 --> 0:27:04.480
<v Speaker 2>know where the girls lost their mind for one quart

0:27:04.520 --> 0:27:06.440
<v Speaker 2>over Street understandable.

0:27:07.680 --> 0:27:09.480
<v Speaker 1>So wonderful, What a wonderful number.

0:27:10.359 --> 0:27:13.160
<v Speaker 3>I loved the number. I loved the mashup, I loved

0:27:13.240 --> 0:27:15.959
<v Speaker 3>the performance. I loved the costumes. I thought it was

0:27:16.080 --> 0:27:20.200
<v Speaker 3>so cute and so charming. It's just wonderful. I love

0:27:20.320 --> 0:27:21.399
<v Speaker 3>boyf versus girls.

0:27:21.720 --> 0:27:23.840
<v Speaker 2>I do too. It was it was a really weird

0:27:24.520 --> 0:27:27.600
<v Speaker 2>it was. I remember recording it and they had all

0:27:27.600 --> 0:27:31.720
<v Speaker 2>these like really intense back up. I mean, my ad

0:27:31.760 --> 0:27:37.199
<v Speaker 2>libs don't like Michael Jackson like aggressive, and I was.

0:27:37.200 --> 0:27:39.119
<v Speaker 1>Like, you were on that?

0:27:39.280 --> 0:27:43.600
<v Speaker 2>Yeah, yeah, And I remember, like Corey, Corey assumed that

0:27:43.720 --> 0:27:47.080
<v Speaker 2>every ad lib was just mine. When we were filming.

0:27:47.119 --> 0:27:51.600
<v Speaker 2>I was like, Corey, that's your voice. Was like, yeah, Corey,

0:27:51.640 --> 0:27:54.199
<v Speaker 2>that's that's you. He's like I did that. I was like,

0:27:54.200 --> 0:27:56.600
<v Speaker 2>what you must have. And I remember bringing him over

0:27:57.000 --> 0:27:59.400
<v Speaker 2>to the sound and you can solo out all the things.

0:27:59.480 --> 0:28:01.480
<v Speaker 2>I'm like, can you solo these? Because I'm pretty sure

0:28:01.520 --> 0:28:05.119
<v Speaker 2>that's Corey and that's not me, and yeah, and that's I.

0:28:05.160 --> 0:28:08.560
<v Speaker 3>Remember that they pulled the wall out for this one

0:28:10.000 --> 0:28:13.200
<v Speaker 3>when they were shooting it, and I remember it being

0:28:13.280 --> 0:28:16.120
<v Speaker 3>very efficient the way that Brad Beeker shot this.

0:28:17.880 --> 0:28:18.760
<v Speaker 1>And that was with.

0:28:18.760 --> 0:28:23.240
<v Speaker 3>Us, and you guys were just really cute, really really cute.

0:28:23.640 --> 0:28:26.200
<v Speaker 2>Well, I can't wait to talk about yours. Let's get

0:28:26.240 --> 0:28:26.560
<v Speaker 2>into that.

0:28:26.880 --> 0:28:28.159
<v Speaker 1>Yeaheah, let's talk about that.

0:28:28.280 --> 0:28:32.080
<v Speaker 3>So along with this whole never Been Kissed storyline with

0:28:32.160 --> 0:28:37.440
<v Speaker 3>Beast Shoe has the competition list for Sectionals and that's

0:28:37.440 --> 0:28:43.120
<v Speaker 3>how the Warbars are introduced. And then we get into Dalton.

0:28:43.160 --> 0:28:47.240
<v Speaker 3>But the assignment for the week is boys versus Girls,

0:28:47.280 --> 0:28:53.160
<v Speaker 3>and the tournament is announced and the girls come up. Well,

0:28:53.200 --> 0:28:56.240
<v Speaker 3>then it gets kind of switched up, right. Everybody's kind

0:28:56.240 --> 0:28:59.640
<v Speaker 3>of bored with that whole idea. So mister Sue decides

0:28:59.680 --> 0:29:02.000
<v Speaker 3>that the girls have to do something that the boys

0:29:02.000 --> 0:29:03.880
<v Speaker 3>would normally do, and the boys have to do something

0:29:03.920 --> 0:29:06.240
<v Speaker 3>that the girls would normally do. Yeah, and so it

0:29:06.320 --> 0:29:10.080
<v Speaker 3>just adds another level, another, an extra challenge, an added

0:29:10.160 --> 0:29:12.880
<v Speaker 3>challenge to the tournament.

0:29:12.640 --> 0:29:15.960
<v Speaker 2>On attempt to really like appease Kirk because he's just

0:29:16.560 --> 0:29:20.640
<v Speaker 2>getting abused left, right and centered by Karowski and so

0:29:20.960 --> 0:29:23.480
<v Speaker 2>he wants to be with the girls. Will's really adamant

0:29:23.640 --> 0:29:26.280
<v Speaker 2>no and has this like really good one on one

0:29:26.320 --> 0:29:30.720
<v Speaker 2>with him, and through that then decides to give the

0:29:30.720 --> 0:29:34.720
<v Speaker 2>girls and boys an extra challenge like you said, right,

0:29:34.880 --> 0:29:40.040
<v Speaker 2>but when you guys do your number, I was so

0:29:40.080 --> 0:29:43.800
<v Speaker 2>excited to watch this because yeah, because even though you

0:29:43.840 --> 0:29:45.480
<v Speaker 2>guys weren't on Vitamin D.

0:29:46.560 --> 0:29:50.440
<v Speaker 1>We looked like it energy you know, yes, yes.

0:29:50.800 --> 0:29:55.040
<v Speaker 2>You didn't forget that, and everyone is singing in it.

0:29:55.360 --> 0:29:58.000
<v Speaker 2>So here's my problem with this number. Tell me every

0:29:58.040 --> 0:30:00.000
<v Speaker 2>time you sing, the camera's never on you.

0:30:00.400 --> 0:30:02.280
<v Speaker 1>Yeah, it happens a lot, and I.

0:30:02.240 --> 0:30:04.400
<v Speaker 2>Was really pissed because you sound really good and you

0:30:04.400 --> 0:30:06.280
<v Speaker 2>don't get to sing like rock music that often.

0:30:06.840 --> 0:30:08.960
<v Speaker 1>Thanks, it happens a lot.

0:30:08.840 --> 0:30:10.800
<v Speaker 2>But I will say I think there was. I think

0:30:10.800 --> 0:30:14.200
<v Speaker 2>it was an editing thing because it happened several times

0:30:14.200 --> 0:30:16.160
<v Speaker 2>where the camera was not on the person singing.

0:30:16.680 --> 0:30:19.840
<v Speaker 1>Yes fair. I think Badger had to get used to

0:30:19.840 --> 0:30:24.520
<v Speaker 1>that also perhaps, but also additionally, mine were riffs, right,

0:30:24.560 --> 0:30:27.080
<v Speaker 1>A lot of my stuff was riffs, or maybe just

0:30:29.760 --> 0:30:29.960
<v Speaker 1>of the.

0:30:31.840 --> 0:30:34.479
<v Speaker 3>It was like leads on the choruses, like we were

0:30:34.520 --> 0:30:37.800
<v Speaker 3>featured voices, and that's so much like every two that's right,

0:30:38.000 --> 0:30:38.920
<v Speaker 3>that's right, it would.

0:30:38.760 --> 0:30:40.160
<v Speaker 1>Be me and then Leah, I mean and Leah, and

0:30:40.240 --> 0:30:41.800
<v Speaker 1>I was like, oh, I forgot I sang on this.

0:30:41.920 --> 0:30:44.520
<v Speaker 1>I was like is that my voice? Again? Kind of

0:30:44.560 --> 0:30:46.200
<v Speaker 1>like Corey, You're like, did I do that?

0:30:46.320 --> 0:30:50.560
<v Speaker 3>But but yes, fair enough that I was like a

0:30:50.600 --> 0:30:52.840
<v Speaker 3>lot of the time, you wouldn't know that I sang

0:30:52.840 --> 0:30:53.480
<v Speaker 3>out a lot of these.

0:30:55.240 --> 0:30:58.480
<v Speaker 2>Well, also happens soon we forget because if we only

0:30:58.520 --> 0:31:01.560
<v Speaker 2>have four or five a song, we go record that

0:31:01.640 --> 0:31:03.920
<v Speaker 2>in about fifteen minutes, and then we go about a

0:31:04.000 --> 0:31:06.000
<v Speaker 2>day and forget. Yeah, we completely forget.

0:31:06.440 --> 0:31:10.360
<v Speaker 3>Yes, So more importantly in this, in this kind of

0:31:10.960 --> 0:31:16.440
<v Speaker 3>storyline with the tournament, was is Kurt being bullied to

0:31:16.560 --> 0:31:22.400
<v Speaker 3>no end by Krofsky? Really unhappy? It's just not manageable

0:31:22.480 --> 0:31:24.360
<v Speaker 3>or sustainable violence.

0:31:24.560 --> 0:31:26.000
<v Speaker 2>It's really how he's getting.

0:31:26.040 --> 0:31:29.120
<v Speaker 3>I'm surprised that, Like mister, She's like, is there anything

0:31:29.160 --> 0:31:29.640
<v Speaker 3>I can do?

0:31:29.760 --> 0:31:33.360
<v Speaker 1>You're like, yeah, get him out of here.

0:31:33.640 --> 0:31:34.360
<v Speaker 2>Yeah, exactly.

0:31:36.360 --> 0:31:39.320
<v Speaker 3>And so Kurt goes to visit Dalton and he has

0:31:39.360 --> 0:31:42.920
<v Speaker 3>a whole new experience and he needs Blaine, who is

0:31:42.960 --> 0:31:46.240
<v Speaker 3>also gay and out in his school. And not everybody's

0:31:46.280 --> 0:31:49.160
<v Speaker 3>gay Dalton, but there are more game and that are

0:31:49.200 --> 0:31:54.480
<v Speaker 3>out and you know, probably there than McKinley, and as.

0:31:54.600 --> 0:31:58.520
<v Speaker 2>Blaine says, they're rock stars. So everything that Kurt wants

0:31:58.640 --> 0:32:02.360
<v Speaker 2>is represented. The Warblers in a Blaine, it is something

0:32:02.400 --> 0:32:05.120
<v Speaker 2>that he didn't even know existed, and you get to

0:32:05.120 --> 0:32:09.760
<v Speaker 2>see him finally meeting another out gay person his age

0:32:10.240 --> 0:32:13.560
<v Speaker 2>and like the weight that he's been carrying every day

0:32:13.560 --> 0:32:16.360
<v Speaker 2>at his school and also at his own school when

0:32:16.360 --> 0:32:18.080
<v Speaker 2>we were all teamed up for the boys, the boys

0:32:18.080 --> 0:32:21.440
<v Speaker 2>aren't particularly nice or supportive of him at all, and

0:32:21.520 --> 0:32:24.840
<v Speaker 2>so he's completely abandoned.

0:32:25.040 --> 0:32:32.640
<v Speaker 3>Yeah, it was now watching this also as a viewer

0:32:34.800 --> 0:32:38.360
<v Speaker 3>teenage dream which became like a don't Stop where it

0:32:38.440 --> 0:32:40.560
<v Speaker 3>was like almost played too much. We heard it too

0:32:40.640 --> 0:32:43.440
<v Speaker 3>much after a while, right, it was like definitely running

0:32:43.440 --> 0:32:46.040
<v Speaker 3>to the ground, like don't stop. I watched you Garan't

0:32:46.080 --> 0:32:49.000
<v Speaker 3>do that and I was like, oh my god, what

0:32:49.160 --> 0:32:58.520
<v Speaker 3>a stunner, Like don't very charmed by him. I as Blaine, Like,

0:32:58.600 --> 0:33:00.600
<v Speaker 3>I was like, oh yeah.

0:33:00.400 --> 0:33:04.840
<v Speaker 2>I got to having some distance from it. I could

0:33:05.080 --> 0:33:08.640
<v Speaker 2>understand it better now, I think when it was happening,

0:33:09.280 --> 0:33:12.000
<v Speaker 2>because the number when we started, like don't Stop Believing

0:33:12.120 --> 0:33:14.800
<v Speaker 2>was a very simple number, right, but it was so

0:33:15.000 --> 0:33:19.200
<v Speaker 2>charming and worked really well. But by the point that

0:33:19.520 --> 0:33:22.520
<v Speaker 2>we got to this episode, we had done Rocky Horror

0:33:22.560 --> 0:33:24.920
<v Speaker 2>and Madonna and Brittany and our numbers were out of

0:33:24.960 --> 0:33:28.840
<v Speaker 2>control and they were great and big and expensive. And

0:33:28.880 --> 0:33:32.280
<v Speaker 2>then to have Teenage Dream come along that was sort

0:33:32.320 --> 0:33:36.880
<v Speaker 2>of like a reset where it's very simple, there's not

0:33:37.000 --> 0:33:40.640
<v Speaker 2>a lot of choreography, and it's one hundred charm And

0:33:40.680 --> 0:33:43.840
<v Speaker 2>I think at the time I was confused as to

0:33:43.880 --> 0:33:46.200
<v Speaker 2>why it was so popular, Like I knew the cover

0:33:46.320 --> 0:33:46.880
<v Speaker 2>was good, was like.

0:33:46.840 --> 0:33:49.640
<v Speaker 1>This performance is fine, right.

0:33:50.000 --> 0:33:54.200
<v Speaker 2>But watching it now, like also I would have died

0:33:54.280 --> 0:33:57.160
<v Speaker 2>if I was a viewer. I tried to consume as

0:33:57.240 --> 0:34:00.800
<v Speaker 2>much gay media as possible, there was not a lot

0:34:00.840 --> 0:34:03.440
<v Speaker 2>of it, and watching them run through the halls in

0:34:03.480 --> 0:34:06.680
<v Speaker 2>slow motion holding hands, I know I would have been

0:34:06.720 --> 0:34:07.600
<v Speaker 2>obsessed with this.

0:34:08.520 --> 0:34:10.359
<v Speaker 3>I was, really I was really obsessed with it. When

0:34:10.400 --> 0:34:12.319
<v Speaker 3>I watched it last night, I was like, this could

0:34:12.320 --> 0:34:16.640
<v Speaker 3>have seemed so cheesy or corny in some viewers, like

0:34:16.719 --> 0:34:20.160
<v Speaker 3>in in one point in time, but like I get it.

0:34:20.080 --> 0:34:23.960
<v Speaker 2>Now, but also like that's great. Let it be cheesy,

0:34:24.080 --> 0:34:26.400
<v Speaker 2>like this was on Fox at eight PM. And to

0:34:26.520 --> 0:34:31.239
<v Speaker 2>have even if two thousand and nine or corny romantic

0:34:31.480 --> 0:34:34.960
<v Speaker 2>gay storyline of high schoolers, I love that. Like whether

0:34:35.040 --> 0:34:39.480
<v Speaker 2>it's good or bad or everything in between, right, like

0:34:40.239 --> 0:34:44.440
<v Speaker 2>letting the whole group of people have that shown on

0:34:44.520 --> 0:34:48.200
<v Speaker 2>the show that was watched by families was really special.

0:34:48.719 --> 0:34:52.799
<v Speaker 1>I also will say like the blame storyline in this

0:34:52.920 --> 0:34:56.719
<v Speaker 1>episode had so much substance to it with Kurt, or

0:34:56.840 --> 0:35:01.880
<v Speaker 1>rather the Kurt storyline in this episode with meeting him

0:35:02.520 --> 0:35:06.960
<v Speaker 1>was like, I don't know, I just I really appreciative

0:35:07.040 --> 0:35:13.080
<v Speaker 1>of it. And having Kurt have somebody else in his

0:35:13.160 --> 0:35:15.799
<v Speaker 1>corner other than his dad and like the semi the

0:35:15.800 --> 0:35:18.160
<v Speaker 1>glee club, but not really like another gay man like

0:35:18.280 --> 0:35:22.360
<v Speaker 1>in his corner, Yeah, encouraging him and supporting him, Like

0:35:22.400 --> 0:35:25.880
<v Speaker 1>I can't imagine what that would have been like for

0:35:26.000 --> 0:35:29.320
<v Speaker 1>somebody who was either closeted or the only gay person

0:35:29.600 --> 0:35:32.279
<v Speaker 1>out in their school or feeling like hurt in any way,

0:35:32.320 --> 0:35:35.480
<v Speaker 1>shape or form, to have like a Blaine or a

0:35:35.520 --> 0:35:41.480
<v Speaker 1>hero in their life, like I you know, you imagine people. Yeah, Yeah,

0:35:41.480 --> 0:35:44.560
<v Speaker 1>it was really I just thought it was like really

0:35:44.560 --> 0:35:47.160
<v Speaker 1>well done and important to have.

0:35:47.520 --> 0:35:51.160
<v Speaker 2>And it was nice to see them. They're pretty opposite

0:35:51.200 --> 0:35:55.880
<v Speaker 2>in their characters as well. Yeah, And so Krosky's abusing

0:35:55.960 --> 0:36:01.200
<v Speaker 2>Kurt continuously this episode, and then when Blaine comes around,

0:36:01.760 --> 0:36:03.640
<v Speaker 2>Blaine's like, you know, you just got to stand up

0:36:03.640 --> 0:36:08.920
<v Speaker 2>to him, courage, and so after getting shoved for the

0:36:09.000 --> 0:36:13.759
<v Speaker 2>eight billionth time, Kurt follows Krossky into the boy's locker

0:36:13.840 --> 0:36:16.440
<v Speaker 2>room and calls him out and is like, what the

0:36:16.440 --> 0:36:21.480
<v Speaker 2>hell is your problem? In this really powerful, serious scene, right,

0:36:21.840 --> 0:36:24.080
<v Speaker 2>and it's really going at it and just like punch me.

0:36:24.280 --> 0:36:25.640
<v Speaker 2>You're not going to punch the gay out of me?

0:36:25.760 --> 0:36:29.520
<v Speaker 1>Like ooh wow, yeah, some writing, yeah.

0:36:29.360 --> 0:36:35.359
<v Speaker 2>And then Kroofski grabs Kurt's face and kisses him, and

0:36:35.600 --> 0:36:36.239
<v Speaker 2>Kurt is.

0:36:36.480 --> 0:36:39.959
<v Speaker 1>Stunned, as I think all the viewers probably.

0:36:39.840 --> 0:36:45.560
<v Speaker 2>Yes, and we find out one that that was Kurt's

0:36:45.960 --> 0:36:46.800
<v Speaker 2>first kiss.

0:36:47.440 --> 0:36:48.040
<v Speaker 1>Yeah.

0:36:48.080 --> 0:36:50.560
<v Speaker 2>But he also immediately goes to tell Blaine about this

0:36:50.600 --> 0:36:55.040
<v Speaker 2>whole experience, and Blaine shows up at McKinley to confront

0:36:55.080 --> 0:36:59.200
<v Speaker 2>Kroski with him, right, And it's very like sort of

0:36:59.280 --> 0:37:03.120
<v Speaker 2>Darren in this where it's like low key about it. Yeah,

0:37:03.239 --> 0:37:06.279
<v Speaker 2>like I completely see through you, Like it's not that

0:37:06.320 --> 0:37:09.000
<v Speaker 2>big of a deal, Like this is who you are.

0:37:09.560 --> 0:37:12.000
<v Speaker 2>There's a lot of us, You're not alone, and that

0:37:12.120 --> 0:37:14.000
<v Speaker 2>you're acting out because you don't know what to do

0:37:14.040 --> 0:37:18.160
<v Speaker 2>with it, all right, and Karowski is stunned, silent, and

0:37:18.200 --> 0:37:21.160
<v Speaker 2>you have this really beautiful scene that sets up their

0:37:21.160 --> 0:37:24.560
<v Speaker 2>relationship and that stairwell where they are so different, and

0:37:24.760 --> 0:37:27.520
<v Speaker 2>Kurt's sitting there in the midst he's never been kissed before,

0:37:29.080 --> 0:37:33.160
<v Speaker 2>and Blaine is just like, a right, let's get a lunch.

0:37:33.960 --> 0:37:36.839
<v Speaker 2>He doesn't play into it at all, but is there

0:37:36.880 --> 0:37:39.479
<v Speaker 2>for him. He doesn't have to say all the other

0:37:39.520 --> 0:37:43.080
<v Speaker 2>things because he's been through it before and we haven't

0:37:43.080 --> 0:37:46.640
<v Speaker 2>seen that yet, which it's nice to be able to

0:37:46.960 --> 0:37:50.920
<v Speaker 2>see that, but it also you know, it's now shown

0:37:51.040 --> 0:37:54.319
<v Speaker 2>Kurt another world and going back to McKinley to the

0:37:54.320 --> 0:37:55.960
<v Speaker 2>same old is going to be difficult.

0:37:56.840 --> 0:37:59.960
<v Speaker 1>Yeah, stay two, stay tune.

0:38:00.480 --> 0:38:04.240
<v Speaker 3>Okay, So before we get in, before we end this episode,

0:38:04.320 --> 0:38:08.400
<v Speaker 3>my god, there's a huge storyline we haven't all right.

0:38:08.480 --> 0:38:13.400
<v Speaker 3>So Puck comes back from his his time off on

0:38:13.440 --> 0:38:17.640
<v Speaker 3>the show, and Ju went to Jubi and he comes

0:38:17.719 --> 0:38:20.160
<v Speaker 3>out and he's got this whole facade on that like,

0:38:20.280 --> 0:38:22.839
<v Speaker 3>you know whatever, they're scared of me. But we've come

0:38:22.880 --> 0:38:25.520
<v Speaker 3>to find out that he hates that place and is

0:38:25.560 --> 0:38:29.400
<v Speaker 3>never going back. So he makes already his community service

0:38:29.440 --> 0:38:32.600
<v Speaker 3>so he doesn't have to go back, and says that

0:38:32.640 --> 0:38:33.600
<v Speaker 3>there's a crip or.

0:38:33.560 --> 0:38:36.040
<v Speaker 1>Something, which I was like, okay, now, let's not But.

0:38:36.600 --> 0:38:40.400
<v Speaker 2>Later the probation officers that that Puck said he was

0:38:40.440 --> 0:38:44.840
<v Speaker 2>hanging with the crip, but he meant cripple and.

0:38:45.400 --> 0:38:50.680
<v Speaker 1>A gang member, like a reformed gang. Yeah. Yeah, so.

0:38:52.120 --> 0:38:56.799
<v Speaker 3>He takes he takes already on and and he's going

0:38:56.840 --> 0:38:59.360
<v Speaker 3>to help you. I don't know he's going to treat

0:38:59.400 --> 0:39:03.279
<v Speaker 3>you like can unity service, which is an issue, but okay, I.

0:39:03.200 --> 0:39:06.720
<v Speaker 2>Mean it seems grateful because I already needs some social

0:39:06.760 --> 0:39:10.520
<v Speaker 2>help and Puck seems to be able to do anything

0:39:10.520 --> 0:39:13.920
<v Speaker 2>he wants. Right. Yes, I don't know how this busking

0:39:13.960 --> 0:39:14.760
<v Speaker 2>scene happened.

0:39:17.600 --> 0:39:21.720
<v Speaker 3>Okay, first, I don't know where the idea came from.

0:39:21.760 --> 0:39:23.920
<v Speaker 3>But I was like, okay, now we're in the courtyard

0:39:23.960 --> 0:39:27.440
<v Speaker 3>of Bernstein and they're doing a number. Now, remind me

0:39:27.520 --> 0:39:30.880
<v Speaker 3>about this day, Kevin, because I do remember that it

0:39:30.960 --> 0:39:33.239
<v Speaker 3>was raining, and I think I saw you after this

0:39:33.360 --> 0:39:34.680
<v Speaker 3>scene was shot and you.

0:39:34.600 --> 0:39:37.000
<v Speaker 1>Were like, it was raining all day. Yeah, and we

0:39:37.040 --> 0:39:37.760
<v Speaker 1>did it anyway.

0:39:37.840 --> 0:39:40.840
<v Speaker 3>Now, normally on the show, if it's raining outside, we

0:39:40.920 --> 0:39:43.200
<v Speaker 3>will cancel the day, or we will change a scene

0:39:43.239 --> 0:39:47.960
<v Speaker 3>and do something in interior and do it another day.

0:39:48.320 --> 0:39:49.480
<v Speaker 1>Tell me about this day.

0:39:50.280 --> 0:39:53.600
<v Speaker 2>No, we were not canceling. And also you know it

0:39:53.680 --> 0:39:55.520
<v Speaker 2>was one of the seven days that it rains of

0:39:55.520 --> 0:39:59.640
<v Speaker 2>the year, and I think one of those days you

0:39:59.680 --> 0:40:04.080
<v Speaker 2>have a huge location, you have all of these background actors.

0:40:05.000 --> 0:40:08.640
<v Speaker 2>And also that day was if you notice by the

0:40:08.680 --> 0:40:11.560
<v Speaker 2>weather the curtain Blaine scene in the stairwell with Korowski

0:40:12.000 --> 0:40:14.920
<v Speaker 2>because it's everything is all wet still, and so I

0:40:14.920 --> 0:40:18.480
<v Speaker 2>think it was just a light drizzle. So we shot

0:40:18.600 --> 0:40:21.840
<v Speaker 2>when we could really quickly. It's a really simple number.

0:40:22.320 --> 0:40:27.439
<v Speaker 2>And also Brad Beeker is pretty expeditious and like, there's

0:40:27.520 --> 0:40:32.040
<v Speaker 2>rain on my glasses and a lot of oh yeah,

0:40:32.320 --> 0:40:34.319
<v Speaker 2>which is like not a great look when you have

0:40:34.400 --> 0:40:38.600
<v Speaker 2>thin hair, and we just did it. I mean, I

0:40:38.680 --> 0:40:41.120
<v Speaker 2>love this song. I love this version of the song.

0:40:41.880 --> 0:40:44.000
<v Speaker 2>Watching it in the episode of Lotokle confused as to

0:40:44.040 --> 0:40:46.080
<v Speaker 2>why it was happening, and Artie can just look at

0:40:46.080 --> 0:40:47.880
<v Speaker 2>a bunch of ones and no, it's three hundred dollars.

0:40:47.960 --> 0:40:52.000
<v Speaker 2>But you know, I either here nor there. But my

0:40:52.080 --> 0:40:55.840
<v Speaker 2>favorite part of this whole storyline is already admits the

0:40:55.880 --> 0:40:59.400
<v Speaker 2>Puck that he was dating Brittany and he wants to

0:40:59.400 --> 0:41:02.440
<v Speaker 2>get her back, and he's like, great, we'll go on

0:41:03.600 --> 0:41:07.920
<v Speaker 2>double date with Santana and Brittany and myself and you

0:41:08.880 --> 0:41:10.640
<v Speaker 2>and you just had to follow my lead, do the

0:41:10.680 --> 0:41:13.600
<v Speaker 2>opposite of your instincts. And so there's that scene where

0:41:13.600 --> 0:41:18.600
<v Speaker 2>we go in and we're really terrible to Brittany and Santana,

0:41:19.200 --> 0:41:24.680
<v Speaker 2>but Heather and Nyo were so funny, so funny.

0:41:25.920 --> 0:41:27.800
<v Speaker 1>And so funny.

0:41:27.840 --> 0:41:30.799
<v Speaker 2>They ate it up and we could to do this

0:41:30.920 --> 0:41:35.560
<v Speaker 2>really fun scene at Breadsticks, which I never got to

0:41:35.560 --> 0:41:37.400
<v Speaker 2>spend that much time in. So I was very excited.

0:41:38.160 --> 0:41:38.839
<v Speaker 1>Where are you now?

0:41:39.239 --> 0:41:41.720
<v Speaker 2>Oh yeah, I didn't know. I didn't know the Nightmare

0:41:41.719 --> 0:41:43.960
<v Speaker 2>of bread Sticks. Okay, this is my introduction to the

0:41:44.040 --> 0:41:47.000
<v Speaker 2>Nightmare of bread Sticks. And we got do the scene

0:41:47.000 --> 0:41:49.680
<v Speaker 2>and it was insane and also already doesn't have a

0:41:49.719 --> 0:41:52.600
<v Speaker 2>lot of redeeming moments, but him paying the bill not

0:41:52.680 --> 0:41:57.840
<v Speaker 2>running out, I was thankful for. And then basically it

0:41:57.880 --> 0:42:01.319
<v Speaker 2>all comes crumbling down because Puck is pitching to the

0:42:01.320 --> 0:42:05.000
<v Speaker 2>girls into already that he was this macho man and

0:42:05.040 --> 0:42:06.759
<v Speaker 2>nobody messed with him in Juvie and it was so

0:42:06.840 --> 0:42:09.360
<v Speaker 2>easy he could go back anytime. But then he gets

0:42:09.719 --> 0:42:12.960
<v Speaker 2>called out by the probation officer and is given an

0:42:13.000 --> 0:42:15.800
<v Speaker 2>ultimatum of twenty four hours to actually find community service

0:42:16.120 --> 0:42:18.840
<v Speaker 2>or you're going back to Juvie and then AARTI confronts

0:42:18.880 --> 0:42:26.520
<v Speaker 2>him and says you you're acting insane, basically that you

0:42:26.600 --> 0:42:29.800
<v Speaker 2>just have to go do like community service. That's fine

0:42:30.719 --> 0:42:34.759
<v Speaker 2>and already then you know, pitches, I'll help you in geometry,

0:42:34.800 --> 0:42:37.920
<v Speaker 2>past geometry, whatever it is. You go to the community

0:42:37.920 --> 0:42:41.400
<v Speaker 2>service and then no harm, no foul if this doesn't

0:42:41.440 --> 0:42:46.280
<v Speaker 2>work out, and that seems that they have a little

0:42:46.320 --> 0:42:49.719
<v Speaker 2>inappropriate handshake, and that's basically it. I thought it was

0:42:49.719 --> 0:42:54.560
<v Speaker 2>like the sweet little insight into puck a moment into

0:42:55.840 --> 0:42:59.600
<v Speaker 2>already desperately trying to be something else but actually getting

0:42:59.600 --> 0:43:02.879
<v Speaker 2>the upper and being able to help somebody else. But yeah,

0:43:02.960 --> 0:43:04.600
<v Speaker 2>it was fun. I had a really fun time doing it,

0:43:04.640 --> 0:43:08.359
<v Speaker 2>and it felt light and fun, and Mark was fun

0:43:08.360 --> 0:43:08.799
<v Speaker 2>to work with.

0:43:09.800 --> 0:43:13.400
<v Speaker 3>It's a very unlikely pairing that I really liked a lot,

0:43:14.320 --> 0:43:18.000
<v Speaker 3>and you guys were very good together and Mark's Your

0:43:18.040 --> 0:43:22.640
<v Speaker 3>performance was great always, but Mark's performance was also very good. Yeah,

0:43:23.280 --> 0:43:25.560
<v Speaker 3>not that I'm surprised that his performance was very good,

0:43:25.600 --> 0:43:27.279
<v Speaker 3>but like, you don't see a lot of pug and

0:43:27.920 --> 0:43:31.400
<v Speaker 3>to give a bad boy some layers like that, yeah,

0:43:31.480 --> 0:43:33.880
<v Speaker 3>it's actually kind of difficult to do. And he's still

0:43:33.920 --> 0:43:38.480
<v Speaker 3>so it was very likable and I just relatable and

0:43:38.680 --> 0:43:42.160
<v Speaker 3>very very cute. It was very very cute pairing.

0:43:42.320 --> 0:43:44.880
<v Speaker 2>I think it was also Mark in real life was

0:43:45.000 --> 0:43:48.839
<v Speaker 2>the bad boy like comparatively to the rest of our group. Sure,

0:43:48.880 --> 0:43:52.959
<v Speaker 2>and so I think he was putting in the work.

0:43:53.120 --> 0:43:57.160
<v Speaker 2>He wasn't necessarily like a big actor before this or

0:43:57.200 --> 0:44:00.759
<v Speaker 2>acting a bunch before this, and so right, you know,

0:44:00.920 --> 0:44:04.200
<v Speaker 2>I think we never knew what we were going to get,

0:44:04.239 --> 0:44:07.880
<v Speaker 2>and he was always rising to the challenge of you know,

0:44:08.480 --> 0:44:12.040
<v Speaker 2>the storyline, and yeah, I think you're right. This episode showed.

0:44:11.680 --> 0:44:15.000
<v Speaker 1>That that's that has never been kissed.

0:44:15.080 --> 0:44:17.080
<v Speaker 2>What an interesting episode.

0:44:17.239 --> 0:44:20.080
<v Speaker 1>I really enjoyed it, though, really you were dreading it.

0:44:20.760 --> 0:44:22.560
<v Speaker 3>I was dreading it because I think I thought it

0:44:22.600 --> 0:44:24.640
<v Speaker 3>was a different episode, which we'll talk about when we

0:44:24.760 --> 0:44:25.480
<v Speaker 3>get to that episode.

0:44:25.520 --> 0:44:26.839
<v Speaker 2>Wait, which episode do you think it was?

0:44:26.960 --> 0:44:28.680
<v Speaker 3>I can't remember the title of it, but I'll tell

0:44:28.680 --> 0:44:29.759
<v Speaker 3>you when I get there.

0:44:30.080 --> 0:44:31.640
<v Speaker 2>Was it a Night to Forget or whatever?

0:44:31.840 --> 0:44:34.520
<v Speaker 1>No? No, no, not that one. I mean not too but.

0:44:44.080 --> 0:44:45.759
<v Speaker 3>All right, you want to do some tarty tapes, let's

0:44:45.800 --> 0:44:49.560
<v Speaker 3>do some tarty takes. Okay, So the cringe moments aka oucheez.

0:44:50.719 --> 0:44:54.520
<v Speaker 3>I feel like mine is probably Puck taking you on

0:44:54.600 --> 0:44:56.160
<v Speaker 3>his community service and calling you.

0:44:56.120 --> 0:44:56.680
<v Speaker 1>A crypt.

0:44:58.320 --> 0:45:05.080
<v Speaker 2>I mean, there's a couple. I think, I think us

0:45:05.080 --> 0:45:12.320
<v Speaker 2>maybe doing that handshake in the hallway was probably not great. Also,

0:45:12.480 --> 0:45:18.040
<v Speaker 2>like all the things with Beast, maybe we're auchies a

0:45:18.080 --> 0:45:19.920
<v Speaker 2>bit right.

0:45:20.120 --> 0:45:21.480
<v Speaker 1>It was redeemed, but it wasn't right.

0:45:21.719 --> 0:45:24.000
<v Speaker 2>Yeah it's not, but it's okay.

0:45:24.160 --> 0:45:27.200
<v Speaker 3>So we switched this this category to best dance move,

0:45:27.239 --> 0:45:28.399
<v Speaker 3>but I have a worst dance.

0:45:30.440 --> 0:45:31.319
<v Speaker 2>Okay, go for it.

0:45:32.719 --> 0:45:33.759
<v Speaker 1>I'm not going to point out.

0:45:33.840 --> 0:45:36.400
<v Speaker 3>I'm not gonna point fingers, but you got to go

0:45:36.440 --> 0:45:39.799
<v Speaker 3>back and watch Teenage Dream some of those some of

0:45:39.840 --> 0:45:44.799
<v Speaker 3>those dances were definitely trying to get some camera time

0:45:45.480 --> 0:45:47.840
<v Speaker 3>it in.

0:45:48.880 --> 0:45:49.680
<v Speaker 1>That's all I'm saying.

0:45:51.040 --> 0:45:54.839
<v Speaker 3>The best number though, my best dance moves were obviously

0:45:54.880 --> 0:45:55.400
<v Speaker 3>the boys.

0:45:56.640 --> 0:46:00.360
<v Speaker 2>I disagree. No, the girls were crushed it and you

0:46:00.400 --> 0:46:02.960
<v Speaker 2>got those cool little editing effects you know we.

0:46:03.320 --> 0:46:04.719
<v Speaker 1>Used before first time we had.

0:46:06.640 --> 0:46:14.200
<v Speaker 2>Okay, best song, I think just because Teenage Dream is

0:46:14.200 --> 0:46:17.879
<v Speaker 2>so popular, I'm gonna go with the girls mashup. Oh wow, yeah,

0:46:18.040 --> 0:46:20.760
<v Speaker 2>I love it. I really love it.

0:46:20.760 --> 0:46:22.960
<v Speaker 1>It's funny. I really love your guys in this mashup.

0:46:23.239 --> 0:46:24.160
<v Speaker 2>That's not always fuss.

0:46:24.239 --> 0:46:29.400
<v Speaker 1>You know each other, fair fair fair, uh pressed for

0:46:29.680 --> 0:46:31.839
<v Speaker 1>performance by a.

0:46:31.800 --> 0:46:37.719
<v Speaker 2>Prop Oh maybe I mean the microphone stands in the

0:46:37.760 --> 0:46:43.000
<v Speaker 2>girls number you guys really things.

0:46:43.280 --> 0:46:47.080
<v Speaker 3>I think the cleaver in Dot's hand, in Coach B's

0:46:47.120 --> 0:46:50.759
<v Speaker 3>hand in the meat, the meat cutting. Anything of those

0:46:50.840 --> 0:46:54.560
<v Speaker 3>dream sequences where where Dot was doing that was I

0:46:54.600 --> 0:46:56.080
<v Speaker 3>thought were excellent.

0:46:56.280 --> 0:46:57.319
<v Speaker 2>Yeah, I think you're right.

0:46:57.560 --> 0:46:59.640
<v Speaker 1>And the best line.

0:47:00.000 --> 0:47:02.840
<v Speaker 2>So I think my favorite line honestly anytime Santana and

0:47:02.840 --> 0:47:05.640
<v Speaker 2>Britney spoke in this episode. But I think Santana is saying,

0:47:05.920 --> 0:47:07.600
<v Speaker 2>can I just say, this is what happens when people

0:47:07.640 --> 0:47:09.480
<v Speaker 2>don't put out? Everyone just put out, we would have

0:47:09.480 --> 0:47:15.320
<v Speaker 2>a winning football team. Wild wild.

0:47:18.040 --> 0:47:23.360
<v Speaker 3>I I also really liked. I don't know it's my

0:47:23.520 --> 0:47:27.719
<v Speaker 3>favorite quote. But when we were talking about our competitors

0:47:27.840 --> 0:47:35.080
<v Speaker 3>for our next sectionals, Mercedes is like, wait, how are

0:47:35.080 --> 0:47:37.920
<v Speaker 3>we going to compete against a bunch of adorable people?

0:47:39.880 --> 0:47:43.360
<v Speaker 2>It is very good? So should we found in TikTok?

0:47:44.160 --> 0:47:50.160
<v Speaker 2>Are you watching it? Yeah? So Juli and Ernesto on

0:47:50.800 --> 0:47:53.759
<v Speaker 2>TikTok made this video and they said there are two

0:47:53.760 --> 0:47:57.080
<v Speaker 2>types of people on vacation. One of them is reading

0:47:57.080 --> 0:48:03.080
<v Speaker 2>a book about slavery and holocaust. After explaining in depth

0:48:03.120 --> 0:48:06.240
<v Speaker 2>about the book, turns and says what are you reading,

0:48:06.680 --> 0:48:10.000
<v Speaker 2>and the guy is reading sorry not sorry by one

0:48:10.080 --> 0:48:12.879
<v Speaker 2>Naya Rivera and says, I'm reading about how much fun

0:48:13.000 --> 0:48:18.080
<v Speaker 2>Nya Rivera had on Glee. It's cute. Go buy the

0:48:18.120 --> 0:48:19.840
<v Speaker 2>book if you haven't read it. It's great.

0:48:19.960 --> 0:48:21.840
<v Speaker 1>Yeah, oh my goodness.

0:48:23.400 --> 0:48:27.920
<v Speaker 2>Thank you Yuli and Arnesto for making that. It's very good,

0:48:29.080 --> 0:48:32.040
<v Speaker 2>a great, great video and also like makes me want

0:48:32.080 --> 0:48:35.640
<v Speaker 2>to be on vacation well permanently.

0:48:36.360 --> 0:48:39.040
<v Speaker 1>Just yeah, teleport me there, tet me.

0:48:39.520 --> 0:48:43.680
<v Speaker 2>Thank you for joining us. Everyone, what an episode. This

0:48:43.840 --> 0:48:46.879
<v Speaker 2>was a big, big epis history and her.

0:48:46.800 --> 0:48:51.359
<v Speaker 3>Story, her story. Thanks for joining us. Come back next

0:48:51.400 --> 0:48:53.800
<v Speaker 3>week for another recap and.

0:48:53.800 --> 0:48:55.720
<v Speaker 2>That's what you really missed.

0:48:57.280 --> 0:48:58.080
<v Speaker 1>See you next week.

0:48:59.480 --> 0:49:02.520
<v Speaker 2>Thanks for the listening, and follow us on Instagram at

0:49:02.560 --> 0:49:04.799
<v Speaker 2>and that's what you really miss pod. Make sure to

0:49:04.800 --> 0:49:07.200
<v Speaker 2>write us a review and leave us five stars. See

0:49:07.239 --> 0:49:07.719
<v Speaker 2>you next time.